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[ "the original founders children. It'll tell the story of how the group investigated", "the government for control and or fear. It's hard to explain really, im", "The plot is kind of surrounding some government conspiracy theories in a more", "a great idea for a book. And have been working on it for", "each \"conspiracy theory\" at the time it occurred and showing how it was", "as confusing to some. But. After I finish it, do you think it's", "come across as confusing to some. But. After I finish it, do you", "idea for a book. And have been working on it for quite some", "have been working on it for quite some time. The plot is kind", "quite some time. The plot is kind of surrounding some government conspiracy theories", "on it for quite some time. The plot is kind of surrounding some", "\"conspiracy theory\" at the time it occurred and showing how it was planned", "in a more futuristic way. Basically a group of people came together in", "people came together in the early 1940s and the group has been passed", "the story of how the group investigated each \"conspiracy theory\" at the time", "Basically a group of people came together in the early 1940s and the", "is kind of surrounding some government conspiracy theories in a more futuristic way.", "explain really, im sorry if I come across as confusing to some. But.", "group has been passed down to some of the original founders children. It'll", "sorry if I come across as confusing to some. But. After I finish", "been passed down to some of the original founders children. It'll tell the", "it was planned by the government for control and or fear. It's hard", "guys. I have a great idea for a book. And have been working", "down to some of the original founders children. It'll tell the story of", "a group of people came together in the early 1940s and the group", "occurred and showing how it was planned by the government for control and", "do you think it's too radical to try to publish? Given its plot?", "and showing how it was planned by the government for control and or", "It's hard to explain really, im sorry if I come across as confusing", "After I finish it, do you think it's too radical to try to", "at the time it occurred and showing how it was planned by the", "tell the story of how the group investigated each \"conspiracy theory\" at the", "fear. It's hard to explain really, im sorry if I come across as", "futuristic way. Basically a group of people came together in the early 1940s", "confusing to some. But. After I finish it, do you think it's too", "children. It'll tell the story of how the group investigated each \"conspiracy theory\"", "passed down to some of the original founders children. It'll tell the story", "I come across as confusing to some. But. After I finish it, do", "of people came together in the early 1940s and the group has been", "conspiracy theories in a more futuristic way. Basically a group of people came", "I finish it, do you think it's too radical to try to publish?", "and or fear. It's hard to explain really, im sorry if I come", "to some of the original founders children. It'll tell the story of how", "how the group investigated each \"conspiracy theory\" at the time it occurred and", "government conspiracy theories in a more futuristic way. Basically a group of people", "has been passed down to some of the original founders children. It'll tell", "group of people came together in the early 1940s and the group has", "some government conspiracy theories in a more futuristic way. Basically a group of", "investigated each \"conspiracy theory\" at the time it occurred and showing how it", "government for control and or fear. It's hard to explain really, im sorry", "plot is kind of surrounding some government conspiracy theories in a more futuristic", "group investigated each \"conspiracy theory\" at the time it occurred and showing how", "it occurred and showing how it was planned by the government for control", "book. And have been working on it for quite some time. The plot", "hard to explain really, im sorry if I come across as confusing to", "to explain really, im sorry if I come across as confusing to some.", "great idea for a book. And have been working on it for quite", "and the group has been passed down to some of the original founders", "really, im sorry if I come across as confusing to some. But. After", "across as confusing to some. But. After I finish it, do you think", "So guys. I have a great idea for a book. And have been", "some time. The plot is kind of surrounding some government conspiracy theories in", "a book. And have been working on it for quite some time. The", "It'll tell the story of how the group investigated each \"conspiracy theory\" at", "But. After I finish it, do you think it's too radical to try", "And have been working on it for quite some time. The plot is", "control and or fear. It's hard to explain really, im sorry if I", "im sorry if I come across as confusing to some. But. After I", "some of the original founders children. It'll tell the story of how the", "it, do you think it's too radical to try to publish? Given its", "it for quite some time. The plot is kind of surrounding some government", "time. The plot is kind of surrounding some government conspiracy theories in a", "finish it, do you think it's too radical to try to publish? Given", "of how the group investigated each \"conspiracy theory\" at the time it occurred", "came together in the early 1940s and the group has been passed down", "a more futuristic way. Basically a group of people came together in the", "original founders children. It'll tell the story of how the group investigated each", "if I come across as confusing to some. But. After I finish it,", "some. But. After I finish it, do you think it's too radical to", "early 1940s and the group has been passed down to some of the", "how it was planned by the government for control and or fear. It's", "the early 1940s and the group has been passed down to some of", "showing how it was planned by the government for control and or fear.", "1940s and the group has been passed down to some of the original", "founders children. It'll tell the story of how the group investigated each \"conspiracy", "to some. But. After I finish it, do you think it's too radical", "of surrounding some government conspiracy theories in a more futuristic way. Basically a", "kind of surrounding some government conspiracy theories in a more futuristic way. Basically", "time it occurred and showing how it was planned by the government for", "theory\" at the time it occurred and showing how it was planned by", "surrounding some government conspiracy theories in a more futuristic way. Basically a group", "the group has been passed down to some of the original founders children.", "together in the early 1940s and the group has been passed down to", "for control and or fear. It's hard to explain really, im sorry if", "by the government for control and or fear. It's hard to explain really,", "or fear. It's hard to explain really, im sorry if I come across", "more futuristic way. Basically a group of people came together in the early", "way. Basically a group of people came together in the early 1940s and", "of the original founders children. It'll tell the story of how the group", "in the early 1940s and the group has been passed down to some", "story of how the group investigated each \"conspiracy theory\" at the time it", "have a great idea for a book. And have been working on it", "I have a great idea for a book. And have been working on", "been working on it for quite some time. The plot is kind of", "the time it occurred and showing how it was planned by the government", "for quite some time. The plot is kind of surrounding some government conspiracy", "working on it for quite some time. The plot is kind of surrounding", "planned by the government for control and or fear. It's hard to explain", "was planned by the government for control and or fear. It's hard to", "theories in a more futuristic way. Basically a group of people came together", "the group investigated each \"conspiracy theory\" at the time it occurred and showing", "for a book. And have been working on it for quite some time." ]
[ "is, is this idea too overused? The Hunger Games uses it, and I'm", "this point, and two littler ones that aren't as long. Considering I love", "if I have my own unique ideas and plot to make my book", "read it so much? I understand that every writer writes uniquely, but, is", "that even if you have your own little plot and mechanics to it,", "they've read it so much? I understand that every writer writes uniquely, but,", "one of the 24 people entered shall remain. Can ideas be used so", "type of writing so much, I want to be able to write and", "don't get the 'thrill' of reading them anymore. I'm really into last-man-standing type", "Can ideas be used so much that even if you have your own", "of reading them anymore. I'm really into last-man-standing type novels, I love them.", "them anymore. I'm really into last-man-standing type novels, I love them. I've written", "wondering if some ideas are so overused readers don't get the 'thrill' of", "was thinking, and I've been wondering if some ideas are so overused readers", "have your own little plot and mechanics to it, readers don't get engrossed", "understand that every writer writes uniquely, but, is it possible for such a", "I've been wondering if some ideas are so overused readers don't get the", "I love this type of writing so much, I want to be able", "I have my own unique ideas and plot to make my book special,", "I was thinking, and I've been wondering if some ideas are so overused", "uses it, and I'm sure plenty of other novels do too. I've written", "major practice novel at this point, and two littler ones that aren't as", "really into last-man-standing type novels, I love them. I've written one, and I'm", "long. Considering I love this type of writing so much, I want to", "be able to write and publish my own last-man-standing novel. Even if I", "the 24 people entered shall remain. Can ideas be used so much that", "even if you have your own little plot and mechanics to it, readers", "sure plenty of other novels do too. I've written one major practice novel", "and two littler ones that aren't as long. Considering I love this type", "I'm planning on writing another, but my question is, is this idea too", "but my question is, is this idea too overused? The Hunger Games uses", "I want to be able to write and publish my own last-man-standing novel.", "novel at this point, and two littler ones that aren't as long. Considering", "to be able to write and publish my own last-man-standing novel. Even if", "this idea too overused? The Hunger Games uses it, and I'm sure plenty", "and mechanics to it, readers don't get engrossed because they've read it so", "much, I want to be able to write and publish my own last-man-standing", "too overused? The Hunger Games uses it, and I'm sure plenty of other", "do too. I've written one major practice novel at this point, and two", "novels do too. I've written one major practice novel at this point, and", "to make my book special, it still revolves around the fact that only", "the 'thrill' of reading them anymore. I'm really into last-man-standing type novels, I", "ideas and plot to make my book special, it still revolves around the", "The Hunger Games uses it, and I'm sure plenty of other novels do", "Games* uses it, and I'm sure plenty of other novels do too. I've", "because they've read it so much? I understand that every writer writes uniquely,", "get engrossed because they've read it so much? I understand that every writer", "it so much? I understand that every writer writes uniquely, but, is it", "entered shall remain. Can ideas be used so much that even if you", "novels, I love them. I've written one, and I'm planning on writing another,", "and I'm planning on writing another, but my question is, is this idea", "you have your own little plot and mechanics to it, readers don't get", "type novels, I love them. I've written one, and I'm planning on writing", "plot to make my book special, it still revolves around the fact that", "writing another, but my question is, is this idea too overused? The Hunger", "overused? The Hunger Games* uses it, and I'm sure plenty of other novels", "I'm sure plenty of other novels do too. I've written one major practice", "my own last-man-standing novel. Even if I have my own unique ideas and", "get the 'thrill' of reading them anymore. I'm really into last-man-standing type novels,", "mechanics to it, readers don't get engrossed because they've read it so much?", "'thrill' of reading them anymore. I'm really into last-man-standing type novels, I love", "of writing so much, I want to be able to write and publish", "Considering I love this type of writing so much, I want to be", "writer writes uniquely, but, is it possible for such a scenario to happen?", "I've written one major practice novel at this point, and two littler ones", "your own little plot and mechanics to it, readers don't get engrossed because", "own unique ideas and plot to make my book special, it still revolves", "question is, is this idea too overused? The Hunger Games uses it, and", "own last-man-standing novel. Even if I have my own unique ideas and plot", "publish my own last-man-standing novel. Even if I have my own unique ideas", "anymore. I'm really into last-man-standing type novels, I love them. I've written one,", "I understand that every writer writes uniquely, but, is it possible for such", "it, readers don't get engrossed because they've read it so much? I understand", "only one of the 24 people entered shall remain. Can ideas be used", "them. I've written one, and I'm planning on writing another, but my question", "I love them. I've written one, and I'm planning on writing another, but", "and I've been wondering if some ideas are so overused readers don't get", "written one major practice novel at this point, and two littler ones that", "and publish my own last-man-standing novel. Even if I have my own unique", "Even if I have my own unique ideas and plot to make my", "two littler ones that aren't as long. Considering I love this type of", "if some ideas are so overused readers don't get the 'thrill' of reading", "last-man-standing novel. Even if I have my own unique ideas and plot to", "on writing another, but my question is, is this idea too overused? The", "used so much that even if you have your own little plot and", "of the 24 people entered shall remain. Can ideas be used so much", "readers don't get the 'thrill' of reading them anymore. I'm really into last-man-standing", "reading them anymore. I'm really into last-man-standing type novels, I love them. I've", "other novels do too. I've written one major practice novel at this point,", "still revolves around the fact that only one of the 24 people entered", "book special, it still revolves around the fact that only one of the", "24 people entered shall remain. Can ideas be used so much that even", "I've written one, and I'm planning on writing another, but my question is,", "this type of writing so much, I want to be able to write", "aren't as long. Considering I love this type of writing so much, I", "ideas are so overused readers don't get the 'thrill' of reading them anymore.", "planning on writing another, but my question is, is this idea too overused?", "another, but my question is, is this idea too overused? The Hunger Games", "of other novels do too. I've written one major practice novel at this", "engrossed because they've read it so much? I understand that every writer writes", "it still revolves around the fact that only one of the 24 people", "Hunger Games uses it, and I'm sure plenty of other novels do too.", "around the fact that only one of the 24 people entered shall remain.", "the fact that only one of the 24 people entered shall remain. Can", "so much, I want to be able to write and publish my own", "point, and two littler ones that aren't as long. Considering I love this", "too. I've written one major practice novel at this point, and two littler", "be used so much that even if you have your own little plot", "at this point, and two littler ones that aren't as long. Considering I", "fact that only one of the 24 people entered shall remain. Can ideas", "that every writer writes uniquely, but, is it possible for such a scenario", "as long. Considering I love this type of writing so much, I want", "much that even if you have your own little plot and mechanics to", "if you have your own little plot and mechanics to it, readers don't", "writing so much, I want to be able to write and publish my", "thinking, and I've been wondering if some ideas are so overused readers don't", "love them. I've written one, and I'm planning on writing another, but my", "special, it still revolves around the fact that only one of the 24", "much? I understand that every writer writes uniquely, but, is it possible for", "my own unique ideas and plot to make my book special, it still", "some ideas are so overused readers don't get the 'thrill' of reading them", "plenty of other novels do too. I've written one major practice novel at", "I'm really into last-man-standing type novels, I love them. I've written one, and", "have my own unique ideas and plot to make my book special, it", "every writer writes uniquely, but, is it possible for such a scenario to", "my book special, it still revolves around the fact that only one of", "remain. Can ideas be used so much that even if you have your", "so much that even if you have your own little plot and mechanics", "is this idea too overused? The Hunger Games uses it, and I'm sure", "so overused readers don't get the 'thrill' of reading them anymore. I'm really", "one major practice novel at this point, and two littler ones that aren't", "that only one of the 24 people entered shall remain. Can ideas be", "last-man-standing type novels, I love them. I've written one, and I'm planning on", "novel. Even if I have my own unique ideas and plot to make", "and plot to make my book special, it still revolves around the fact", "shall remain. Can ideas be used so much that even if you have", "littler ones that aren't as long. Considering I love this type of writing", "want to be able to write and publish my own last-man-standing novel. Even", "ideas be used so much that even if you have your own little", "so much? I understand that every writer writes uniquely, but, is it possible", "people entered shall remain. Can ideas be used so much that even if", "love this type of writing so much, I want to be able to", "to it, readers don't get engrossed because they've read it so much? I", "overused readers don't get the 'thrill' of reading them anymore. I'm really into", "been wondering if some ideas are so overused readers don't get the 'thrill'", "into last-man-standing type novels, I love them. I've written one, and I'm planning", "unique ideas and plot to make my book special, it still revolves around", "don't get engrossed because they've read it so much? I understand that every", "one, and I'm planning on writing another, but my question is, is this", "to write and publish my own last-man-standing novel. Even if I have my", "idea too overused? The Hunger Games uses it, and I'm sure plenty of", "little plot and mechanics to it, readers don't get engrossed because they've read", "own little plot and mechanics to it, readers don't get engrossed because they've", "plot and mechanics to it, readers don't get engrossed because they've read it", "written one, and I'm planning on writing another, but my question is, is", "practice novel at this point, and two littler ones that aren't as long.", "and I'm sure plenty of other novels do too. I've written one major", "ones that aren't as long. Considering I love this type of writing so", "make my book special, it still revolves around the fact that only one", "readers don't get engrossed because they've read it so much? I understand that", "my question is, is this idea too overused? The Hunger Games uses it,", "are so overused readers don't get the 'thrill' of reading them anymore. I'm", "that aren't as long. Considering I love this type of writing so much,", "it, and I'm sure plenty of other novels do too. I've written one", "revolves around the fact that only one of the 24 people entered shall", "write and publish my own last-man-standing novel. Even if I have my own", "able to write and publish my own last-man-standing novel. Even if I have", "So I was thinking, and I've been wondering if some ideas are so" ]
[ "to make it easier for Labda, but to make it easier on himself.", "on himself. Looking her in the eyes and telling the truth was beyond", "many tips on letting the readers come to conclusions themselves. But sometimes it", "consequences might hurt someone, but you still make it because of a greater", "the reader directly? I have read many tips on letting the readers come", "life that you make a hard choice, knowing the consequences might hurt someone,", "hard choice, knowing the consequences might hurt someone, but you still make it", "your life that you make a hard choice, knowing the consequences might hurt", "as possible. Intrej, however, couldn't help but lying. He lied not to make", "She nodded and vaguely smiled at him without saying anything. He touched her", "to the reader directly? I have read many tips on letting the readers", "themselves. But sometimes it helps talking to the reader directly and describe how", "it just helps to make a quick point within the story. Any tips", "\"I'm sure I'll see > you soon Labda\", knowing very well that this", "I have read many tips on letting the readers come to conclusions themselves.", "it very uncommon or out of place to mix your own opinions within", "in your life that you make a hard choice, knowing the consequences might", "to make it easier on himself. Looking her in the eyes and telling", "characters feel. Or sometimes it just helps to make a quick point within", "sometimes it helps talking to the reader directly and describe how the characters", "describe how the characters feel. Or sometimes it just helps to make a", "her face, kissed her on the lips and left. > > > There", "knowing very well that this is the last time they will ever >", "without saying anything. He touched her face, kissed her on the lips and", "but lying. He lied not to make it easier for Labda, but to", "whispered: \"I'm sure I'll see > you soon Labda\", knowing very well that", "story lines? Is it uncommon to change the tone from third person and", "very uncommon or out of place to mix your own opinions within the", "honest as possible. Intrej, however, couldn't help but lying. He lied not to", "time they will ever > meet. She nodded and vaguely smiled at him", "you make a hard choice, knowing the consequences might hurt someone, but you", "a hard choice, knowing the consequences might hurt someone, but you still make", "> you soon Labda\", knowing very well that this is the last time", "letting the readers come to conclusions themselves. But sometimes it helps talking to", "smiled at him without saying anything. He touched her face, kissed her on", "this style? Here is an example: > > As he hugged her one", "lines? Is it uncommon to change the tone from third person and talk", "But sometimes it helps talking to the reader directly and describe how the", "still make it because of a greater good. In those situations if you", "this? Is there any name for this style? Here is an example: >", "> There is a moment in your life that you make a hard", "it helps talking to the reader directly and describe how the characters feel.", "He lied not to make it easier for Labda, but to make it", "name for this style? Here is an example: > > As he hugged", "on this? Is there any name for this style? Here is an example:", "readers come to conclusions themselves. But sometimes it helps talking to the reader", "the characters feel. Or sometimes it just helps to make a quick point", "helps to make a quick point within the story. Any tips on this?", "a quick point within the story. Any tips on this? Is there any", "one more time, Intrej whispered: \"I'm sure I'll see > you soon Labda\",", "directly? I have read many tips on letting the readers come to conclusions", "moment in your life that you make a hard choice, knowing the consequences", "greater good. In those situations if you respect them you try to be", "feel. Or sometimes it just helps to make a quick point within the", "the eyes and telling the truth was beyond his courage. > > >", "come to conclusions themselves. But sometimes it helps talking to the reader directly", "in the eyes and telling the truth was beyond his courage. > >", "choice, knowing the consequences might hurt someone, but you still make it because", "reader directly? I have read many tips on letting the readers come to", "there any name for this style? Here is an example: > > As", "try to be as honest as possible. Intrej, however, couldn't help but lying.", "opinions within the story lines? Is it uncommon to change the tone from", "or out of place to mix your own opinions within the story lines?", "mix your own opinions within the story lines? Is it uncommon to change", "will ever > meet. She nodded and vaguely smiled at him without saying", "might hurt someone, but you still make it because of a greater good.", "hurt someone, but you still make it because of a greater good. In", "directly and describe how the characters feel. Or sometimes it just helps to", "lying. He lied not to make it easier for Labda, but to make", "quick point within the story. Any tips on this? Is there any name", "own opinions within the story lines? Is it uncommon to change the tone", "Labda\", knowing very well that this is the last time they will ever", "you try to be as honest as possible. Intrej, however, couldn't help but", "couldn't help but lying. He lied not to make it easier for Labda,", "I'll see > you soon Labda\", knowing very well that this is the", "point within the story. Any tips on this? Is there any name for", "him without saying anything. He touched her face, kissed her on the lips", "the reader directly and describe how the characters feel. Or sometimes it just", "those situations if you respect them you try to be as honest as", "have read many tips on letting the readers come to conclusions themselves. But", "time, Intrej whispered: \"I'm sure I'll see > you soon Labda\", knowing very", "style? Here is an example: > > As he hugged her one more", "Intrej whispered: \"I'm sure I'll see > you soon Labda\", knowing very well", "on the lips and left. > > > There is a moment in", "respect them you try to be as honest as possible. Intrej, however, couldn't", "be as honest as possible. Intrej, however, couldn't help but lying. He lied", "as honest as possible. Intrej, however, couldn't help but lying. He lied not", "conclusions themselves. But sometimes it helps talking to the reader directly and describe", "saying anything. He touched her face, kissed her on the lips and left.", "is a moment in your life that you make a hard choice, knowing", "more time, Intrej whispered: \"I'm sure I'll see > you soon Labda\", knowing", "Is there any name for this style? Here is an example: > >", "sometimes it just helps to make a quick point within the story. Any", "> > > There is a moment in your life that you make", "soon Labda\", knowing very well that this is the last time they will", "the consequences might hurt someone, but you still make it because of a", "you still make it because of a greater good. In those situations if", "to conclusions themselves. But sometimes it helps talking to the reader directly and", "As he hugged her one more time, Intrej whispered: \"I'm sure I'll see", "very well that this is the last time they will ever > meet.", "and describe how the characters feel. Or sometimes it just helps to make", "just helps to make a quick point within the story. Any tips on", "In those situations if you respect them you try to be as honest", "it easier for Labda, but to make it easier on himself. Looking her", "but to make it easier on himself. Looking her in the eyes and", "touched her face, kissed her on the lips and left. > > >", "within the story. Any tips on this? Is there any name for this", "to make a quick point within the story. Any tips on this? Is", "possible. Intrej, however, couldn't help but lying. He lied not to make it", "left. > > > There is a moment in your life that you", "sure I'll see > you soon Labda\", knowing very well that this is", "tips on this? Is there any name for this style? Here is an", "from third person and talk to the reader directly? I have read many", "meet. She nodded and vaguely smiled at him without saying anything. He touched", "> > There is a moment in your life that you make a", "There is a moment in your life that you make a hard choice,", "helps talking to the reader directly and describe how the characters feel. Or", "good. In those situations if you respect them you try to be as", "Intrej, however, couldn't help but lying. He lied not to make it easier", "out of place to mix your own opinions within the story lines? Is", "> meet. She nodded and vaguely smiled at him without saying anything. He", "for Labda, but to make it easier on himself. Looking her in the", "your own opinions within the story lines? Is it uncommon to change the", "to change the tone from third person and talk to the reader directly?", "Here is an example: > > As he hugged her one more time,", "however, couldn't help but lying. He lied not to make it easier for", "an example: > > As he hugged her one more time, Intrej whispered:", "tips on letting the readers come to conclusions themselves. But sometimes it helps", "Or sometimes it just helps to make a quick point within the story.", "Looking her in the eyes and telling the truth was beyond his courage.", "a greater good. In those situations if you respect them you try to", "someone, but you still make it because of a greater good. In those", "story. Any tips on this? Is there any name for this style? Here", "the tone from third person and talk to the reader directly? I have", "of place to mix your own opinions within the story lines? Is it", "knowing the consequences might hurt someone, but you still make it because of", "uncommon to change the tone from third person and talk to the reader", "uncommon or out of place to mix your own opinions within the story", "her in the eyes and telling the truth was beyond his courage. >", "see > you soon Labda\", knowing very well that this is the last", "easier for Labda, but to make it easier on himself. Looking her in", "hugged her one more time, Intrej whispered: \"I'm sure I'll see > you", "place to mix your own opinions within the story lines? Is it uncommon", "make a quick point within the story. Any tips on this? Is there", "it because of a greater good. In those situations if you respect them", "at him without saying anything. He touched her face, kissed her on the", "they will ever > meet. She nodded and vaguely smiled at him without", "and talk to the reader directly? I have read many tips on letting", "how the characters feel. Or sometimes it just helps to make a quick", "to mix your own opinions within the story lines? Is it uncommon to", "vaguely smiled at him without saying anything. He touched her face, kissed her", "read many tips on letting the readers come to conclusions themselves. But sometimes", "her one more time, Intrej whispered: \"I'm sure I'll see > you soon", "them you try to be as honest as possible. Intrej, however, couldn't help", "on letting the readers come to conclusions themselves. But sometimes it helps talking", "you soon Labda\", knowing very well that this is the last time they", "the story. Any tips on this? Is there any name for this style?", "you respect them you try to be as honest as possible. Intrej, however,", "lied not to make it easier for Labda, but to make it easier", "easier on himself. Looking her in the eyes and telling the truth was", "face, kissed her on the lips and left. > > > There is", "nodded and vaguely smiled at him without saying anything. He touched her face,", "a moment in your life that you make a hard choice, knowing the", "talk to the reader directly? I have read many tips on letting the", "and left. > > > There is a moment in your life that", "tone from third person and talk to the reader directly? I have read", "make it because of a greater good. In those situations if you respect", "the lips and left. > > > There is a moment in your", "is an example: > > As he hugged her one more time, Intrej", "that you make a hard choice, knowing the consequences might hurt someone, but", "that this is the last time they will ever > meet. She nodded", "Is it very uncommon or out of place to mix your own opinions", "make it easier on himself. Looking her in the eyes and telling the", "it uncommon to change the tone from third person and talk to the", "this is the last time they will ever > meet. She nodded and", "last time they will ever > meet. She nodded and vaguely smiled at", "make a hard choice, knowing the consequences might hurt someone, but you still", "her on the lips and left. > > > There is a moment", "talking to the reader directly and describe how the characters feel. Or sometimes", "example: > > As he hugged her one more time, Intrej whispered: \"I'm", "within the story lines? Is it uncommon to change the tone from third", "lips and left. > > > There is a moment in your life", "of a greater good. In those situations if you respect them you try", "himself. Looking her in the eyes and telling the truth was beyond his", "reader directly and describe how the characters feel. Or sometimes it just helps", "person and talk to the reader directly? I have read many tips on", "change the tone from third person and talk to the reader directly? I", "Labda, but to make it easier on himself. Looking her in the eyes", "any name for this style? Here is an example: > > As he", "> As he hugged her one more time, Intrej whispered: \"I'm sure I'll", "ever > meet. She nodded and vaguely smiled at him without saying anything.", "to the reader directly and describe how the characters feel. Or sometimes it", "because of a greater good. In those situations if you respect them you", "is the last time they will ever > meet. She nodded and vaguely", "help but lying. He lied not to make it easier for Labda, but", "third person and talk to the reader directly? I have read many tips", "the last time they will ever > meet. She nodded and vaguely smiled", "make it easier for Labda, but to make it easier on himself. Looking", "Is it uncommon to change the tone from third person and talk to", "Any tips on this? Is there any name for this style? Here is", "situations if you respect them you try to be as honest as possible.", "kissed her on the lips and left. > > > There is a", "He touched her face, kissed her on the lips and left. > >", "the story lines? Is it uncommon to change the tone from third person", "if you respect them you try to be as honest as possible. Intrej,", "> > As he hugged her one more time, Intrej whispered: \"I'm sure", "it easier on himself. Looking her in the eyes and telling the truth", "and vaguely smiled at him without saying anything. He touched her face, kissed", "to be as honest as possible. Intrej, however, couldn't help but lying. He", "for this style? Here is an example: > > As he hugged her", "not to make it easier for Labda, but to make it easier on", "anything. He touched her face, kissed her on the lips and left. >", "well that this is the last time they will ever > meet. She", "he hugged her one more time, Intrej whispered: \"I'm sure I'll see >", "but you still make it because of a greater good. In those situations", "the readers come to conclusions themselves. But sometimes it helps talking to the" ]
[ "want to do this: I drove past the empty stables and the empty", "redundant? I don't want to do this: I drove past the empty stables", "entities, the stables and the servant's quarters are empty? Or do I have", "> > > Is it implied that both entities, the stables and the", "the empty stables and the empty servant's quarters, and after another quarter mile", "another quarter mile I entered a very large circular driveway. > > >", "to do this: I drove past the empty stables and the empty servant's", "drove past the empty stables and the empty servant's quarters, and after another", "empty stables and servant's quarters, and after another quarter mile I entered a", "the servant's quarters* are empty? Or do I have empty stables and servant's", "driveway. > > > Is it implied that both entities, the stables* and", "past the empty stables and the empty servant's quarters, and after another quarter", "and the empty servant's quarters*, and after another quarter mile I entered a", "I entered a very large circular driveway. > > > Is it implied", "I drove past the empty stables and the empty servant's quarters, and after", "mile I entered a very large circular driveway. > > > Is it", "both entities, the stables and the servant's quarters are empty? Or do I", "do I have empty stables and servant's quarters that may or may not", "and servant's quarters that may or may not be occupied? How do I", "quarters, and after another quarter mile I entered a very large circular driveway.", "without sounding redundant? I don't want to do this: I drove past the", "example, in the case of this sentence: > > I drove past the", "How do I assert that both are empty without sounding redundant? I don't", "servant's quarters, and after another quarter mile I entered a very large circular", "stables* and the servant's quarters are empty? Or do I have empty stables", "this sentence: > > I drove past the empty stables and servant's quarters,", "have empty stables and servant's quarters that may or may not be occupied?", "I assert that both are empty without sounding redundant? I don't want to", "after another quarter mile I entered a very large circular driveway. > >", "a very large circular driveway. > > > Is it implied that both", "the case of this sentence: > > I drove past the empty stables", "servant's quarters, and after another quarter mile I entered a very large circular", "empty stables and servant's quarters that may or may not be occupied? How", "the stables and the servant's quarters are empty? Or do I have empty", "in the case of this sentence: > > I drove past the empty", "of this sentence: > > I drove past the empty stables and servant's", "empty? Or do I have empty stables and servant's quarters that may or", "I don't want to do this: I drove past the empty stables and", "not be occupied? How do I assert that both are empty without sounding", "stables and servant's quarters* that may or may not be occupied? How do", "I drove past the empty stables and servant's quarters, and after another quarter", "servant's quarters** are empty? Or do I have empty stables and servant's quarters", "both are empty without sounding redundant? I don't want to do this: I", "sounding redundant? I don't want to do this: I drove past the empty", "and servant's quarters, and after another quarter mile I entered a very large", "that both entities, the stables and the servant's quarters are empty? Or do", "may not be occupied? How do I assert that both are empty without", "> > I drove past the empty stables and servant's quarters, and after", "quarters are empty? Or do I have empty stables and servant's quarters that", "don't want to do this: I drove past the empty stables and the", "I have empty* stables and servant's quarters that may or may not be", "and the servant's quarters are empty? Or do I have empty stables and", "empty stables and the empty servant's quarters, and after another quarter mile I", "large circular driveway. > > > Is it implied that both entities, the", "the empty servant's quarters, and after another quarter mile I entered a very", "Is it implied that both entities, the stables and the servant's quarters are", "implied that both entities, the stables and the servant's quarters** are empty? Or", "drove past the empty stables and servant's quarters, and after another quarter mile", "are empty without sounding redundant? I don't want to do this: I drove", "> > Is it implied that both entities, the stables* and *the servant's", "case of this sentence: > > I drove past the empty stables and", "very large circular driveway. > > > Is it implied that both entities,", "quarters that may or may not be occupied? How do I assert that", "> I drove past the empty stables and servant's quarters, and after another", "For example, in the case of this sentence: > > I drove past", "stables and the empty servant's quarters*, and after another quarter mile I entered", "do I assert that both are empty without sounding redundant? I don't want", "Or do I have empty* stables and servant's quarters that may or may", "that may or may not be occupied? How do I assert that both", "quarter mile I entered a very large circular driveway. > > > Is", "or may not be occupied? How do I assert that both are empty", "quarters*, and after another quarter mile I entered a very large circular driveway.", "servant's quarters that may or may not be occupied? How do I assert", "the empty stables and servant's quarters, and after another quarter mile I entered", "and after another quarter mile I entered a very large circular driveway. >", "> Is it implied that both entities, the stables and the servant's quarters", "assert that both are empty without sounding redundant? I don't want to do", "are empty? Or do I have empty stables and servant's quarters that may", "this: I drove past the empty stables and the empty servant's quarters, and", "circular driveway. > > > Is it implied that both entities, the stables", "sentence: > > I drove past the empty stables and servant's quarters, and", "occupied? How do I assert that both are empty without sounding redundant? I", "stables and servant's quarters, and after another quarter mile I entered a very", "do this: I drove past the empty stables and the empty servant's quarters,", "it implied that both entities, the stables and the servant's quarters are empty?", "that both are empty without sounding redundant? I don't want to do this:", "be occupied? How do I assert that both are empty without sounding redundant?", "empty without sounding redundant? I don't want to do this: I drove past", "past the empty stables and servant's quarters, and after another quarter mile I", "may or may not be occupied? How do I assert that both are", "entered a very large circular driveway. > > > Is it implied that", "empty servant's quarters*, and after another quarter mile I entered a very large" ]
[ "\"I don't know what order to put this in,\" Max says. When is", "don't know what order to put this in,\" Max says. When is it", "to put this in,\" Max says. When is it better to use one", "this in,\" says Max. \"I don't know what order to put this in,\"", "says. When is it better to use one over the other? Is one", "says Max. \"I don't know what order to put this in,\" Max says.", "Should you keep the same order throughout the entire piece? If you should", "over the other? Is one preferred over the other in writing? Should you", "When is it better to use one over the other? Is one preferred", "what order to put this in,\" says Max. \"I don't know what order", "same order throughout the entire piece? If you should swap the order are", "entire piece? If you should swap the order are there rules about when", "put this in,\" Max says. When is it better to use one over", "you keep the same order throughout the entire piece? If you should swap", "you should swap the order are there rules about when it would be", "order are there rules about when it would be good to use one", "there rules about when it would be good to use one over the", "throughout the entire piece? If you should swap the order are there rules", "in,\" says Max. \"I don't know what order to put this in,\" Max", "dialog: \"I don't know what order to put this in,\" says Max. \"I", "in,\" Max says. When is it better to use one over the other?", "Is one preferred over the other in writing? Should you keep the same", "one over the other? Is one preferred over the other in writing? Should", "is it better to use one over the other? Is one preferred over", "to use one over the other? Is one preferred over the other in", "use one over the other? Is one preferred over the other in writing?", "the other in writing? Should you keep the same order throughout the entire", "swap the order are there rules about when it would be good to", "Max. \"I don't know what order to put this in,\" Max says. When", "are there rules about when it would be good to use one over", "to put this in,\" says Max. \"I don't know what order to put", "in writing? Should you keep the same order throughout the entire piece? If", "one preferred over the other in writing? Should you keep the same order", "keep the same order throughout the entire piece? If you should swap the", "two lines of dialog: \"I don't know what order to put this in,\"", "\"I don't know what order to put this in,\" says Max. \"I don't", "order to put this in,\" Max says. When is it better to use", "this in,\" Max says. When is it better to use one over the", "Here are two lines of dialog: \"I don't know what order to put", "over the other in writing? Should you keep the same order throughout the", "the other? Is one preferred over the other in writing? Should you keep", "piece? If you should swap the order are there rules about when it", "should swap the order are there rules about when it would be good", "lines of dialog: \"I don't know what order to put this in,\" says", "of dialog: \"I don't know what order to put this in,\" says Max.", "it better to use one over the other? Is one preferred over the", "writing? Should you keep the same order throughout the entire piece? If you", "order to put this in,\" says Max. \"I don't know what order to", "order throughout the entire piece? If you should swap the order are there", "the order are there rules about when it would be good to use", "preferred over the other in writing? Should you keep the same order throughout", "rules about when it would be good to use one over the other?", "If you should swap the order are there rules about when it would", "put this in,\" says Max. \"I don't know what order to put this", "other in writing? Should you keep the same order throughout the entire piece?", "don't know what order to put this in,\" says Max. \"I don't know", "know what order to put this in,\" says Max. \"I don't know what", "better to use one over the other? Is one preferred over the other", "the entire piece? If you should swap the order are there rules about", "are two lines of dialog: \"I don't know what order to put this", "the same order throughout the entire piece? If you should swap the order", "know what order to put this in,\" Max says. When is it better", "other? Is one preferred over the other in writing? Should you keep the", "Max says. When is it better to use one over the other? Is", "what order to put this in,\" Max says. When is it better to" ]
[ "trolley, which is moving. He just got in, and he's in critical condition.", "don't know hospital jargon/dialogue. He just got admitted, remember. I also don't know", "writing a story where the main character gets burned pretty badly. He's admitted", "are doctors around him, and they're are where the dialogue comes from. So,", "gasoline.) There are doctors around him, and they're are where the dialogue comes", "fire by a barrel of gasoline.) There are doctors around him, and they're", "a story where the main character gets burned pretty badly. He's admitted into", "on a trolley, which is moving. He just got in, and he's in", "just got admitted, remember. I also don't know how they would treat him,", "just got in, and he's in critical condition. I'm thinking third degree burns", "which is moving. He just got in, and he's in critical condition. I'm", "I'm writing a story where the main character gets burned pretty badly. He's", "He's admitted into the hospital, and he's on a trolley, which is moving.", "around him, and they're are where the dialogue comes from. So, the problem", "comes from. So, the problem is: I don't know hospital jargon/dialogue. He just", "pretty badly. He's admitted into the hospital, and he's on a trolley, which", "he's on a trolley, which is moving. He just got in, and he's", "is: I don't know hospital jargon/dialogue. He just got admitted, remember. I also", "admitted, remember. I also don't know how they would treat him, and what", "hospital, and he's on a trolley, which is moving. He just got in,", "badly. He's admitted into the hospital, and he's on a trolley, which is", "third degree burns (he got lit on fire by a barrel of gasoline.)", "and he's in critical condition. I'm thinking third degree burns (he got lit", "and they're are where the dialogue comes from. So, the problem is: I", "are where the dialogue comes from. So, the problem is: I don't know", "by a barrel of gasoline.) There are doctors around him, and they're are", "got admitted, remember. I also don't know how they would treat him, and", "a trolley, which is moving. He just got in, and he's in critical", "story where the main character gets burned pretty badly. He's admitted into the", "in, and he's in critical condition. I'm thinking third degree burns (he got", "There are doctors around him, and they're are where the dialogue comes from.", "they're are where the dialogue comes from. So, the problem is: I don't", "remember. I also don't know how they would treat him, and what procedures", "I don't know hospital jargon/dialogue. He just got admitted, remember. I also don't", "know hospital jargon/dialogue. He just got admitted, remember. I also don't know how", "how they would treat him, and what procedures they would perform on the", "also don't know how they would treat him, and what procedures they would", "the main character gets burned pretty badly. He's admitted into the hospital, and", "of gasoline.) There are doctors around him, and they're are where the dialogue", "So, the problem is: I don't know hospital jargon/dialogue. He just got admitted,", "moving. He just got in, and he's in critical condition. I'm thinking third", "the dialogue comes from. So, the problem is: I don't know hospital jargon/dialogue.", "doctors around him, and they're are where the dialogue comes from. So, the", "and he's on a trolley, which is moving. He just got in, and", "burned pretty badly. He's admitted into the hospital, and he's on a trolley,", "I'm thinking third degree burns (he got lit on fire by a barrel", "(he got lit on fire by a barrel of gasoline.) There are doctors", "lit on fire by a barrel of gasoline.) There are doctors around him,", "barrel of gasoline.) There are doctors around him, and they're are where the", "the problem is: I don't know hospital jargon/dialogue. He just got admitted, remember.", "on fire by a barrel of gasoline.) There are doctors around him, and", "he's in critical condition. I'm thinking third degree burns (he got lit on", "problem is: I don't know hospital jargon/dialogue. He just got admitted, remember. I", "dialogue comes from. So, the problem is: I don't know hospital jargon/dialogue. He", "into the hospital, and he's on a trolley, which is moving. He just", "main character gets burned pretty badly. He's admitted into the hospital, and he's", "him, and they're are where the dialogue comes from. So, the problem is:", "I also don't know how they would treat him, and what procedures they", "gets burned pretty badly. He's admitted into the hospital, and he's on a", "is moving. He just got in, and he's in critical condition. I'm thinking", "condition. I'm thinking third degree burns (he got lit on fire by a", "a barrel of gasoline.) There are doctors around him, and they're are where", "hospital jargon/dialogue. He just got admitted, remember. I also don't know how they", "got lit on fire by a barrel of gasoline.) There are doctors around", "the hospital, and he's on a trolley, which is moving. He just got", "degree burns (he got lit on fire by a barrel of gasoline.) There", "He just got admitted, remember. I also don't know how they would treat", "critical condition. I'm thinking third degree burns (he got lit on fire by", "they would treat him, and what procedures they would perform on the spot.", "where the dialogue comes from. So, the problem is: I don't know hospital", "He just got in, and he's in critical condition. I'm thinking third degree", "where the main character gets burned pretty badly. He's admitted into the hospital,", "character gets burned pretty badly. He's admitted into the hospital, and he's on", "got in, and he's in critical condition. I'm thinking third degree burns (he", "in critical condition. I'm thinking third degree burns (he got lit on fire", "thinking third degree burns (he got lit on fire by a barrel of", "from. So, the problem is: I don't know hospital jargon/dialogue. He just got", "know how they would treat him, and what procedures they would perform on", "don't know how they would treat him, and what procedures they would perform", "burns (he got lit on fire by a barrel of gasoline.) There are", "jargon/dialogue. He just got admitted, remember. I also don't know how they would", "admitted into the hospital, and he's on a trolley, which is moving. He" ]
[ "death of an important character, which is integral to the plot. I am", "cases) to get the same places in my plot if she did not", "ways to get to the same point without killing off a character. I", "alternatives in which she doesn't die, but these alternatives don't quite deliver the", "high-ranking position and has been the prime target for the enemy group since", "make my novel \"dark.\" This character has a very high-ranking position and has", "deaths being used to further the plot. They say it's boring and overdone", "the novel (and everyone is aware of this). Despite the efforts taken to", "no death, there would be no plot. So is the whole \"death used", "thinking of alternatives in which she doesn't die, but these alternatives don't quite", "alternatives don't quite deliver the same effect, and it would be very difficult", "very difficult (if not impossible, in some cases) to get the same places", "is bad writing. My issue here is that if there was no death,", "say it's boring and overdone and mention that there are plenty of other", "without killing off a character. I am writing a novel that involves the", "sad/angry/depressed, or to make my novel \"dark.\" This character has a very high-ranking", "further the plot. They say it's boring and overdone and mention that there", "killing off a character. I am writing a novel that involves the death", "character. I am writing a novel that involves the death of an important", "the plot. I am not killing her off for \"shock value,\" to make", "been the prime target for the enemy group since the beginning of the", "Despite the efforts taken to protect her, she dies anyway, and her death", "if she did not die. After all my consideration, death still seems like", "of alternatives in which she doesn't die, but these alternatives don't quite deliver", "writing a novel that involves the death of an important character, which is", "novel that involves the death of an important character, which is integral to", "in which she doesn't die, but these alternatives don't quite deliver the same", "plot. So is the whole \"death used to further the plot = bad/boring/overdone\"", "main character, for example, undergoes great change, and everyone else falls into a", "that if there was no death, there would be no plot. So is", "to make the main character sad/angry/depressed, or to make my novel \"dark.\" This", "everyone is aware of this). Despite the efforts taken to protect her, she", "happen if she was anything but dead. The main character, for example, undergoes", "the sake of furthering the plot is bad writing. My issue here is", "get the same places in my plot if she did not die. After", "death for the sake of furthering the plot is bad writing. My issue", "character sad/angry/depressed, or to make my novel \"dark.\" This character has a very", "I am not killing her off for \"shock value,\" to make the main", "there are plenty of other ways to get to the same point without", "death triggers many other events that could not happen if she was anything", "mention that there are plenty of other ways to get to the same", "same places in my plot if she did not die. After all my", "other people saying that death for the sake of furthering the plot is", "same point without killing off a character. I am writing a novel that", "main character sad/angry/depressed, or to make my novel \"dark.\" This character has a", "has a very high-ranking position and has been the prime target for the", "bad writing. My issue here is that if there was no death, there", "would be very difficult (if not impossible, in some cases) to get the", "the same point without killing off a character. I am writing a novel", "there was no death, there would be no plot. So is the whole", "\"shock value,\" to make the main character sad/angry/depressed, or to make my novel", "in some cases) to get the same places in my plot if she", "was no death, there would be no plot. So is the whole \"death", "other ways to get to the same point without killing off a character.", "to get to the same point without killing off a character. I am", "the whole \"death used to further the plot = bad/boring/overdone\" thing really true?", "like the best route to take for this character... but then, I have", "(if not impossible, in some cases) to get the same places in my", "losing their leader. I have tried thinking of alternatives in which she doesn't", "a character. I am writing a novel that involves the death of an", "could not happen if she was anything but dead. The main character, for", "the plot is bad writing. My issue here is that if there was", "to protect her, she dies anyway, and her death triggers many other events", "that could not happen if she was anything but dead. The main character,", "it would be very difficult (if not impossible, in some cases) to get", "this). Despite the efforts taken to protect her, she dies anyway, and her", "after losing their leader. I have tried thinking of alternatives in which she", "chaos after losing their leader. I have tried thinking of alternatives in which", "to take for this character... but then, I have read things from other", "other events that could not happen if she was anything but dead. The", "for this character... but then, I have read things from other people saying", "and mention that there are plenty of other ways to get to the", "have read things from other people saying that death for the sake of", "position and has been the prime target for the enemy group since the", "boring and overdone and mention that there are plenty of other ways to", "that death for the sake of furthering the plot is bad writing. My", "for the sake of furthering the plot is bad writing. My issue here", "and her death triggers many other events that could not happen if she", "value,\" to make the main character sad/angry/depressed, or to make my novel \"dark.\"", "character has a very high-ranking position and has been the prime target for", "group since the beginning of the novel (and everyone is aware of this).", "change, and everyone else falls into a state of chaos after losing their", "many other events that could not happen if she was anything but dead.", "route to take for this character... but then, I have read things from", "involves the death of an important character, which is integral to the plot.", "enemy group since the beginning of the novel (and everyone is aware of", "So is the whole \"death used to further the plot = bad/boring/overdone\" thing", "but dead. The main character, for example, undergoes great change, and everyone else", "taken to protect her, she dies anyway, and her death triggers many other", "efforts taken to protect her, she dies anyway, and her death triggers many", "the death of an important character, which is integral to the plot. I", "still seems like the best route to take for this character... but then,", "not die. After all my consideration, death still seems like the best route", "did not die. After all my consideration, death still seems like the best", "into a state of chaos after losing their leader. I have tried thinking", "everyone else falls into a state of chaos after losing their leader. I", "of other ways to get to the same point without killing off a", "and overdone and mention that there are plenty of other ways to get", "for example, undergoes great change, and everyone else falls into a state of", "not impossible, in some cases) to get the same places in my plot", "undergoes great change, and everyone else falls into a state of chaos after", "things from other people saying that death for the sake of furthering the", "plot. I am not killing her off for \"shock value,\" to make the", "was anything but dead. The main character, for example, undergoes great change, and", "complaints about character deaths being used to further the plot. They say it's", "dead. The main character, for example, undergoes great change, and everyone else falls", "killing her off for \"shock value,\" to make the main character sad/angry/depressed, or", "great change, and everyone else falls into a state of chaos after losing", "important character, which is integral to the plot. I am not killing her", "triggers many other events that could not happen if she was anything but", "or to make my novel \"dark.\" This character has a very high-ranking position", "doesn't die, but these alternatives don't quite deliver the same effect, and it", "writing. My issue here is that if there was no death, there would", "take for this character... but then, I have read things from other people", "character... but then, I have read things from other people saying that death", "people saying that death for the sake of furthering the plot is bad", "her death triggers many other events that could not happen if she was", "the plot. They say it's boring and overdone and mention that there are", "tried thinking of alternatives in which she doesn't die, but these alternatives don't", "my novel \"dark.\" This character has a very high-ranking position and has been", "if there was no death, there would be no plot. So is the", "the best route to take for this character... but then, I have read", "be no plot. So is the whole \"death used to further the plot", "all my consideration, death still seems like the best route to take for", "get to the same point without killing off a character. I am writing", "falls into a state of chaos after losing their leader. I have tried", "her, she dies anyway, and her death triggers many other events that could", "My issue here is that if there was no death, there would be", "the main character sad/angry/depressed, or to make my novel \"dark.\" This character has", "plot is bad writing. My issue here is that if there was no", "which is integral to the plot. I am not killing her off for", "effect, and it would be very difficult (if not impossible, in some cases)", "issue here is that if there was no death, there would be no", "off a character. I am writing a novel that involves the death of", "it's boring and overdone and mention that there are plenty of other ways", "target for the enemy group since the beginning of the novel (and everyone", "The main character, for example, undergoes great change, and everyone else falls into", "consideration, death still seems like the best route to take for this character...", "quite deliver the same effect, and it would be very difficult (if not", "anyway, and her death triggers many other events that could not happen if", "here is that if there was no death, there would be no plot.", "used to further the plot. They say it's boring and overdone and mention", "make the main character sad/angry/depressed, or to make my novel \"dark.\" This character", "if she was anything but dead. The main character, for example, undergoes great", "example, undergoes great change, and everyone else falls into a state of chaos", "death still seems like the best route to take for this character... but", "read things from other people saying that death for the sake of furthering", "since the beginning of the novel (and everyone is aware of this). Despite", "novel (and everyone is aware of this). Despite the efforts taken to protect", "They say it's boring and overdone and mention that there are plenty of", "of chaos after losing their leader. I have tried thinking of alternatives in", "(and everyone is aware of this). Despite the efforts taken to protect her,", "she doesn't die, but these alternatives don't quite deliver the same effect, and", "deliver the same effect, and it would be very difficult (if not impossible,", "have tried thinking of alternatives in which she doesn't die, but these alternatives", "my consideration, death still seems like the best route to take for this", "would be no plot. So is the whole \"death used to further the", "no plot. So is the whole \"death used to further the plot =", "plot if she did not die. After all my consideration, death still seems", "point without killing off a character. I am writing a novel that involves", "\"dark.\" This character has a very high-ranking position and has been the prime", "difficult (if not impossible, in some cases) to get the same places in", "sake of furthering the plot is bad writing. My issue here is that", "novel \"dark.\" This character has a very high-ranking position and has been the", "off for \"shock value,\" to make the main character sad/angry/depressed, or to make", "this character... but then, I have read things from other people saying that", "she did not die. After all my consideration, death still seems like the", "are plenty of other ways to get to the same point without killing", "die. After all my consideration, death still seems like the best route to", "of furthering the plot is bad writing. My issue here is that if", "don't quite deliver the same effect, and it would be very difficult (if", "state of chaos after losing their leader. I have tried thinking of alternatives", "This character has a very high-ranking position and has been the prime target", "is integral to the plot. I am not killing her off for \"shock", "furthering the plot is bad writing. My issue here is that if there", "overdone and mention that there are plenty of other ways to get to", "places in my plot if she did not die. After all my consideration,", "saying that death for the sake of furthering the plot is bad writing.", "character, for example, undergoes great change, and everyone else falls into a state", "to get the same places in my plot if she did not die.", "plot. They say it's boring and overdone and mention that there are plenty", "else falls into a state of chaos after losing their leader. I have", "the same places in my plot if she did not die. After all", "is the whole \"death used to further the plot = bad/boring/overdone\" thing really", "the enemy group since the beginning of the novel (and everyone is aware", "best route to take for this character... but then, I have read things", "some cases) to get the same places in my plot if she did", "seems like the best route to take for this character... but then, I", "for \"shock value,\" to make the main character sad/angry/depressed, or to make my", "impossible, in some cases) to get the same places in my plot if", "protect her, she dies anyway, and her death triggers many other events that", "leader. I have tried thinking of alternatives in which she doesn't die, but", "aware of this). Despite the efforts taken to protect her, she dies anyway,", "and has been the prime target for the enemy group since the beginning", "I've heard quite a few complaints about character deaths being used to further", "about character deaths being used to further the plot. They say it's boring", "that there are plenty of other ways to get to the same point", "that involves the death of an important character, which is integral to the", "be very difficult (if not impossible, in some cases) to get the same", "After all my consideration, death still seems like the best route to take", "there would be no plot. So is the whole \"death used to further", "very high-ranking position and has been the prime target for the enemy group", "not killing her off for \"shock value,\" to make the main character sad/angry/depressed,", "and it would be very difficult (if not impossible, in some cases) to", "die, but these alternatives don't quite deliver the same effect, and it would", "is that if there was no death, there would be no plot. So", "integral to the plot. I am not killing her off for \"shock value,\"", "character deaths being used to further the plot. They say it's boring and", "plenty of other ways to get to the same point without killing off", "from other people saying that death for the sake of furthering the plot", "but these alternatives don't quite deliver the same effect, and it would be", "my plot if she did not die. After all my consideration, death still", "of the novel (and everyone is aware of this). Despite the efforts taken", "dies anyway, and her death triggers many other events that could not happen", "events that could not happen if she was anything but dead. The main", "heard quite a few complaints about character deaths being used to further the", "the beginning of the novel (and everyone is aware of this). Despite the", "I am writing a novel that involves the death of an important character,", "their leader. I have tried thinking of alternatives in which she doesn't die,", "for the enemy group since the beginning of the novel (and everyone is", "to the plot. I am not killing her off for \"shock value,\" to", "prime target for the enemy group since the beginning of the novel (and", "then, I have read things from other people saying that death for the", "these alternatives don't quite deliver the same effect, and it would be very", "to the same point without killing off a character. I am writing a", "character, which is integral to the plot. I am not killing her off", "an important character, which is integral to the plot. I am not killing", "am writing a novel that involves the death of an important character, which", "am not killing her off for \"shock value,\" to make the main character", "beginning of the novel (and everyone is aware of this). Despite the efforts", "but then, I have read things from other people saying that death for", "death, there would be no plot. So is the whole \"death used to", "to make my novel \"dark.\" This character has a very high-ranking position and", "not happen if she was anything but dead. The main character, for example,", "the efforts taken to protect her, she dies anyway, and her death triggers", "a novel that involves the death of an important character, which is integral", "a very high-ranking position and has been the prime target for the enemy", "and everyone else falls into a state of chaos after losing their leader.", "her off for \"shock value,\" to make the main character sad/angry/depressed, or to", "the same effect, and it would be very difficult (if not impossible, in", "of an important character, which is integral to the plot. I am not", "is aware of this). Despite the efforts taken to protect her, she dies", "quite a few complaints about character deaths being used to further the plot.", "being used to further the plot. They say it's boring and overdone and", "to further the plot. They say it's boring and overdone and mention that", "has been the prime target for the enemy group since the beginning of", "anything but dead. The main character, for example, undergoes great change, and everyone", "a few complaints about character deaths being used to further the plot. They", "same effect, and it would be very difficult (if not impossible, in some", "the prime target for the enemy group since the beginning of the novel", "she was anything but dead. The main character, for example, undergoes great change,", "I have tried thinking of alternatives in which she doesn't die, but these", "in my plot if she did not die. After all my consideration, death", "she dies anyway, and her death triggers many other events that could not", "a state of chaos after losing their leader. I have tried thinking of", "I have read things from other people saying that death for the sake", "of this). Despite the efforts taken to protect her, she dies anyway, and", "which she doesn't die, but these alternatives don't quite deliver the same effect,", "few complaints about character deaths being used to further the plot. They say" ]
[ "different ways, such as written by the same > author, or marketed as", "> Let say a series called: \"World's Religions\" consist of 6 volumes. Is", "written by the same > author, or marketed as a group by their", "Let say a series called: \"World's Religions\" consist of 6 volumes. Is it", "of those book volume appears under different series, for example: \"Modern Religion\". If", "formally identified together as a group. Book series > can be organized in", "author, or marketed as a group by their publisher. > > > Let", "same > author, or marketed as a group by their publisher. > >", "possible, what are some minor differences between the 2 books? * Surely the", "> can be organized in different ways, such as written by the same", "\"World's Religions\" consist of 6 volumes. Is it possible that one of those", "possible that one of those book volume appears under different series, for example:", "the volume numbering will be different. * Will the ISBN of the 2", "that one of those book volume appears under different series, for example: \"Modern", "identified together as a group. Book series > can be organized in different", "> [A book series](https://en.wikipedia.org/wiki/Book_series) is a sequence of books having certain characteristics in", "it possible that one of those book volume appears under different series, for", "called: \"World's Religions\" consist of 6 volumes. Is it possible that one of", "for example: \"Modern Religion\". If it is possible, what are some minor differences", "the same > author, or marketed as a group by their publisher. >", "organized in different ways, such as written by the same > author, or", "appears under different series, for example: \"Modern Religion\". If it is possible, what", "that are formally identified together as a group. Book series > can be", "those book volume appears under different series, for example: \"Modern Religion\"*. If it", "as a group. Book series > can be organized in different ways, such", "or marketed as a group by their publisher. > > > Let say", "certain characteristics in > common that are formally identified together as a group.", " Surely the volume numbering will be different. * Will the ISBN of", "marketed as a group by their publisher. > > > Let say a", "of 6 volumes. Is it possible that one of those book volume appears", "are formally identified together as a group. Book series > can be organized", "between the 2 books? * Surely the volume numbering will be different. ", "a sequence of books having certain characteristics in > common that are formally", "different series, for example: \"Modern Religion\". If it is possible, what are some", "books? Surely the volume numbering will be different. * Will the ISBN", "having certain characteristics in > common that are formally identified together as a", "of books having certain characteristics in > common that are formally identified together", "in > common that are formally identified together as a group. Book series", "by the same > author, or marketed as a group by their publisher.", "characteristics in > common that are formally identified together as a group. Book", "Book series > can be organized in different ways, such as written by", "> author, or marketed as a group by their publisher. > > >", "their publisher. > > > Let say a series called: \"World's Religions\" consist", "in different ways, such as written by the same > author, or marketed", "[A book series](https://en.wikipedia.org/wiki/Book_series) is a sequence of books having certain characteristics in >", "it is possible, what are some minor differences between the 2 books? ", "can be organized in different ways, such as written by the same >", "is a sequence of books having certain characteristics in > common that are", "minor differences between the 2 books? Surely the volume numbering will be", "as a group by their publisher. > > > Let say a series", "2 books? * Surely the volume numbering will be different. * Will the", "say a series called: \"World's Religions\" consist of 6 volumes. Is it possible", "6 volumes. Is it possible that one of those book volume appears under", "numbering will be different. * Will the ISBN of the 2 books different?", "If it is possible, what are some minor differences between the 2 books?", "series > can be organized in different ways, such as written by the", "> common that are formally identified together as a group. Book series >", "Surely the volume numbering will be different. * Will the ISBN of the", "books having certain characteristics in > common that are formally identified together as", "some minor differences between the 2 books? * Surely the volume numbering will", "book volume appears under different series, for example: \"Modern Religion\". If it is", "Is it possible that one of those book volume appears under different series,", "as written by the same > author, or marketed as a group by", "under different series, for example: \"Modern Religion\". If it is possible, what are", "together as a group. Book series > can be organized in different ways,", "consist of 6 volumes. Is it possible that one of those book volume", "volumes. Is it possible that one of those book volume appears under different", "is possible, what are some minor differences between the 2 books? * Surely", "> > Let say a series called: \"World's Religions\" consist of 6 volumes.", "common that are formally identified together as a group. Book series > can", "such as written by the same > author, or marketed as a group", "group. Book series > can be organized in different ways, such as written", "a series called: \"World's Religions\" consist of 6 volumes. Is it possible that", "Religion\"*. If it is possible, what are some minor differences between the 2", "book series](https://en.wikipedia.org/wiki/Book_series) is a sequence of books having certain characteristics in > common", "are some minor differences between the 2 books? Surely the volume numbering", "differences between the 2 books? * Surely the volume numbering will be different.", "> > [A book series](https://en.wikipedia.org/wiki/Book_series) is a sequence of books having certain characteristics", "publisher. > > > Let say a series called: \"World's Religions\" consist of", "a group by their publisher. > > > Let say a series called:", "Religions\" consist of 6 volumes. Is it possible that one of those book", "series](https://en.wikipedia.org/wiki/Book_series) is a sequence of books having certain characteristics in > common that", "a group. Book series > can be organized in different ways, such as", "> > > Let say a series called: \"World's Religions\" consist of 6", "series called: \"World's Religions\" consist of 6 volumes. Is it possible that one", "one of those book volume appears under different series, for example: \"Modern Religion\"*.", "what are some minor differences between the 2 books? Surely the volume", "series, for example: \"Modern Religion\". If it is possible, what are some minor", "by their publisher. > > > Let say a series called: \"World's Religions\"", "sequence of books having certain characteristics in > common that are formally identified", "\"Modern Religion\". If it is possible, what are some minor differences between the", "example: \"Modern Religion\". If it is possible, what are some minor differences between", "ways, such as written by the same > author, or marketed as a", "be organized in different ways, such as written by the same > author,", "volume numbering will be different. * Will the ISBN of the 2 books", "group by their publisher. > > > Let say a series called: *\"World's", "the 2 books? Surely the volume numbering will be different. * Will", "volume appears under different series, for example: \"Modern Religion\". If it is possible," ]
[ "keep coming out too long. How can I \"filter\" the job, or extract", "per page. It is hard going, because the stories keep coming out too", "stories keep coming out too long. How can I \"filter\" the job, or", "with 50 tales, one per page. It is hard going, because the stories", "to write a book with 50 tales, one per page. It is hard", "50 tales, one per page. It is hard going, because the stories keep", "tales, one per page. It is hard going, because the stories keep coming", "one per page. It is hard going, because the stories keep coming out", "write a book with 50 tales, one per page. It is hard going,", "a book with 50 tales, one per page. It is hard going, because", "page. It is hard going, because the stories keep coming out too long.", "book with 50 tales, one per page. It is hard going, because the", "It is hard going, because the stories keep coming out too long. How", "because the stories keep coming out too long. How can I \"filter\" the", "long. How can I \"filter\" the job, or extract short ideas and work?", "undertaken to write a book with 50 tales, one per page. It is", "is hard going, because the stories keep coming out too long. How can", "too long. How can I \"filter\" the job, or extract short ideas and", "out too long. How can I \"filter\" the job, or extract short ideas", "the stories keep coming out too long. How can I \"filter\" the job,", "going, because the stories keep coming out too long. How can I \"filter\"", "I've undertaken to write a book with 50 tales, one per page. It", "hard going, because the stories keep coming out too long. How can I", "coming out too long. How can I \"filter\" the job, or extract short" ]
[ "I want my Novella to take place. How do other Sci-Fi writers make", "the future that the present is considered a part of history that hasn't", "enough in the future that the present is considered a part of history", "to take place. How do other Sci-Fi writers make up what year it", "having trouble deciding what year I want my Novella to take place. How", "what year I want my Novella to take place. How do other Sci-Fi", "hasn't been forgotten, or considered ancient. So, how far ahead should I put", "considered ancient. So, how far ahead should I put the year that the", "in their writing? I want it to be far enough in the future", "ancient. So, how far ahead should I put the year that the story", "So, how far ahead should I put the year that the story takes", "make up what year it is in their writing? I want it to", "writers make up what year it is in their writing? I want it", "is considered a part of history that hasn't been forgotten, or considered ancient.", "year I want my Novella to take place. How do other Sci-Fi writers", "Novella to take place. How do other Sci-Fi writers make up what year", "in the future that the present is considered a part of history that", "trouble deciding what year I want my Novella to take place. How do", "been forgotten, or considered ancient. So, how far ahead should I put the", "do other Sci-Fi writers make up what year it is in their writing?", "Sci-Fi writers make up what year it is in their writing? I want", "place. How do other Sci-Fi writers make up what year it is in", "How do other Sci-Fi writers make up what year it is in their", "their writing? I want it to be far enough in the future that", "forgotten, or considered ancient. So, how far ahead should I put the year", "it to be far enough in the future that the present is considered", "considered a part of history that hasn't been forgotten, or considered ancient. So,", "how far ahead should I put the year that the story takes place?", "year it is in their writing? I want it to be far enough", "other Sci-Fi writers make up what year it is in their writing? I", "history that hasn't been forgotten, or considered ancient. So, how far ahead should", "part of history that hasn't been forgotten, or considered ancient. So, how far", "the present is considered a part of history that hasn't been forgotten, or", "I'm having trouble deciding what year I want my Novella to take place.", "future that the present is considered a part of history that hasn't been", "that hasn't been forgotten, or considered ancient. So, how far ahead should I", "up what year it is in their writing? I want it to be", "a part of history that hasn't been forgotten, or considered ancient. So, how", "want it to be far enough in the future that the present is", "my Novella to take place. How do other Sci-Fi writers make up what", "be far enough in the future that the present is considered a part", "it is in their writing? I want it to be far enough in", "to be far enough in the future that the present is considered a", "of history that hasn't been forgotten, or considered ancient. So, how far ahead", "present is considered a part of history that hasn't been forgotten, or considered", "writing? I want it to be far enough in the future that the", "or considered ancient. So, how far ahead should I put the year that", "deciding what year I want my Novella to take place. How do other", "is in their writing? I want it to be far enough in the", "that the present is considered a part of history that hasn't been forgotten,", "far enough in the future that the present is considered a part of", "take place. How do other Sci-Fi writers make up what year it is", "I want it to be far enough in the future that the present", "what year it is in their writing? I want it to be far", "want my Novella to take place. How do other Sci-Fi writers make up" ]
[ "like a lot of the covers, but they're anywhere between 60-95 dollars. This", "for me to put upfront, and I know that it could be worth", "to an illustrator, or cover designer. I myself don't have the skills to", "by its cover, but let's face it: a cover is a very important", "60-95 dollars. This is a lot of money for me to put upfront,", "a book cover for me. So I signed up for SelfPubBookCovers.com thinking that", "face it: a cover is a very important part of a book. However,", "of a book. However, many people don't have access to an illustrator, or", "have the skills to design my own cover, and I've had very little", "thinking that I do like a lot of the covers, but they're anywhere", "I do like a lot of the covers, but they're anywhere between 60-95", "do like a lot of the covers, but they're anywhere between 60-95 dollars.", "an illustrator, or cover designer. I myself don't have the skills to design", "is a lot of money for me to put upfront, and I know", "little luck finding an artist at my community college interested in designing a", "put upfront, and I know that it could be worth it, but have", "but they're anywhere between 60-95 dollars. This is a lot of money for", "be worth it, but have any other self published authors had any luck", "for me. So I signed up for SelfPubBookCovers.com thinking that I do like", "a lot of the covers, but they're anywhere between 60-95 dollars. This is", "other self published authors had any luck with the book covers from SelfPubBookCovers.com?", "anywhere between 60-95 dollars. This is a lot of money for me to", "it could be worth it, but have any other self published authors had", "cover for me. So I signed up for SelfPubBookCovers.com thinking that I do", "for SelfPubBookCovers.com thinking that I do like a lot of the covers, but", "community college interested in designing a book cover for me. So I signed", "design my own cover, and I've had very little luck finding an artist", "money for me to put upfront, and I know that it could be", "don't have the skills to design my own cover, and I've had very", "have access to an illustrator, or cover designer. I myself don't have the", "people don't have access to an illustrator, or cover designer. I myself don't", "illustrator, or cover designer. I myself don't have the skills to design my", "artist at my community college interested in designing a book cover for me.", "that it could be worth it, but have any other self published authors", "of the covers, but they're anywhere between 60-95 dollars. This is a lot", "I know that it could be worth it, but have any other self", "know that it could be worth it, but have any other self published", "book by its cover, but let's face it: a cover is a very", "I've had very little luck finding an artist at my community college interested", "or cover designer. I myself don't have the skills to design my own", "have any other self published authors had any luck with the book covers", "any other self published authors had any luck with the book covers from", "but have any other self published authors had any luck with the book", "a book by its cover, but let's face it: a cover is a", "it, but have any other self published authors had any luck with the", "finding an artist at my community college interested in designing a book cover", "signed up for SelfPubBookCovers.com thinking that I do like a lot of the", "goes to never judge a book by its cover, but let's face it:", "important part of a book. However, many people don't have access to an", "a book. However, many people don't have access to an illustrator, or cover", "upfront, and I know that it could be worth it, but have any", "to design my own cover, and I've had very little luck finding an", "my own cover, and I've had very little luck finding an artist at", "book cover for me. So I signed up for SelfPubBookCovers.com thinking that I", "part of a book. However, many people don't have access to an illustrator,", "dollars. This is a lot of money for me to put upfront, and", "to never judge a book by its cover, but let's face it: a", "but let's face it: a cover is a very important part of a", "cover is a very important part of a book. However, many people don't", "cover, and I've had very little luck finding an artist at my community", "designing a book cover for me. So I signed up for SelfPubBookCovers.com thinking", "me to put upfront, and I know that it could be worth it,", "I myself don't have the skills to design my own cover, and I've", "own cover, and I've had very little luck finding an artist at my", "covers, but they're anywhere between 60-95 dollars. This is a lot of money", "many people don't have access to an illustrator, or cover designer. I myself", "This is a lot of money for me to put upfront, and I", "luck finding an artist at my community college interested in designing a book", "they're anywhere between 60-95 dollars. This is a lot of money for me", "very little luck finding an artist at my community college interested in designing", "my community college interested in designing a book cover for me. So I", "of money for me to put upfront, and I know that it could", "in designing a book cover for me. So I signed up for SelfPubBookCovers.com", "very important part of a book. However, many people don't have access to", "to put upfront, and I know that it could be worth it, but", "skills to design my own cover, and I've had very little luck finding", "a lot of money for me to put upfront, and I know that", "it: a cover is a very important part of a book. However, many", "its cover, but let's face it: a cover is a very important part", "an artist at my community college interested in designing a book cover for", "the covers, but they're anywhere between 60-95 dollars. This is a lot of", "The saying goes to never judge a book by its cover, but let's", "saying goes to never judge a book by its cover, but let's face", "could be worth it, but have any other self published authors had any", "and I know that it could be worth it, but have any other", "that I do like a lot of the covers, but they're anywhere between", "don't have access to an illustrator, or cover designer. I myself don't have", "me. So I signed up for SelfPubBookCovers.com thinking that I do like a", "college interested in designing a book cover for me. So I signed up", "had very little luck finding an artist at my community college interested in", "let's face it: a cover is a very important part of a book.", "lot of the covers, but they're anywhere between 60-95 dollars. This is a", "judge a book by its cover, but let's face it: a cover is", "access to an illustrator, or cover designer. I myself don't have the skills", "lot of money for me to put upfront, and I know that it", "between 60-95 dollars. This is a lot of money for me to put", "worth it, but have any other self published authors had any luck with", "and I've had very little luck finding an artist at my community college", "So I signed up for SelfPubBookCovers.com thinking that I do like a lot", "cover, but let's face it: a cover is a very important part of", "I signed up for SelfPubBookCovers.com thinking that I do like a lot of", "book. However, many people don't have access to an illustrator, or cover designer.", "at my community college interested in designing a book cover for me. So", "However, many people don't have access to an illustrator, or cover designer. I", "never judge a book by its cover, but let's face it: a cover", "myself don't have the skills to design my own cover, and I've had", "up for SelfPubBookCovers.com thinking that I do like a lot of the covers,", "designer. I myself don't have the skills to design my own cover, and", "interested in designing a book cover for me. So I signed up for", "SelfPubBookCovers.com thinking that I do like a lot of the covers, but they're", "a cover is a very important part of a book. However, many people", "the skills to design my own cover, and I've had very little luck", "is a very important part of a book. However, many people don't have", "cover designer. I myself don't have the skills to design my own cover,", "a very important part of a book. However, many people don't have access" ]
[ "concatenating files. (Start the sentence with one of these weird code box things.", "for concatenating files. (Start a sentence with a lower-case letter, which looks weird.)", "* One Unix utility for concatenating files is cat. (Just write around the", "commands are all lower-case, and case-sensitive (i.e. won't work on the computer if", "with a lower-case letter.) * One Unix utility for concatenating files is cat.", "the programs that the commands invoke. What happens when you want to start", "letter.) * One Unix utility for concatenating files is cat. (Just write around", "write the programs that the commands invoke. What happens when you want to", "is a Unix utility for concatenating files. (Start a sentence with a lower-case", "(Just write around the problem because you don't know what to do otherwise.)", "lower-case letter, which looks weird.) * Cat is a Unix utility for concatenating", "you capitalize them), and also often double as the names of the software", "Requires that that formatting option be available, and you still end up leading", "that the commands invoke. What happens when you want to start a sentence", "the computer if you capitalize them), and also often double as the names", "command-line software, like `make` or `bash` or the `cp` command. These commands are", "weird and won't run.) * `cat` is a Unix utility for concatenating files.", "and case-sensitive (i.e. won't work on the computer if you capitalize them), and", "of one of these tools? Which of the following is best? * cat", "the command name, which looks weird and won't run.) * `cat` is a", "for concatenating files is cat. (Just write around the problem because you don't", "code box things. Requires that that formatting option be available, and you still", "a piece of command-line software, like `make` or `bash` or the `cp` command.", "problem because you don't know what to do otherwise.) Do any style guides", "of these weird code box things. Requires that that formatting option be available,", "name of one of these tools? Which of the following is best? ", "about a piece of command-line software, like `make` or `bash` or the `cp`", "leading with a lower-case letter.) One Unix utility for concatenating files is", "a Unix utility for concatenating files. (Capitalize the command name, which looks weird", "concatenating files. (Capitalize the command name, which looks weird and won't run.) ", "tools? Which of the following is best? cat is a Unix utility", "`cat` is a Unix utility for concatenating files. (Start the sentence with one", "of the software projects that write the programs that the commands invoke. What", "invoke. What happens when you want to start a sentence with the name", "be available, and you still end up leading with a lower-case letter.) ", "available, and you still end up leading with a lower-case letter.) One", "with one of these weird code box things. Requires that that formatting option", "happens when you want to start a sentence with the name of one", "is cat. (Just write around the problem because you don't know what to", "or the `cp` command. These commands are all lower-case, and case-sensitive (i.e. won't", "that formatting option be available, and you still end up leading with a", "(Start the sentence with one of these weird code box things. Requires that", "case-sensitive (i.e. won't work on the computer if you capitalize them), and also", "them), and also often double as the names of the software projects that", "a Unix utility for concatenating files. (Start the sentence with one of these", "that that formatting option be available, and you still end up leading with", "letter, which looks weird.) * Cat is a Unix utility for concatenating files.", "command name, which looks weird and won't run.) * `cat` is a Unix", "write around the problem because you don't know what to do otherwise.) Do", "These commands are all lower-case, and case-sensitive (i.e. won't work on the computer", "utility for concatenating files. (Start a sentence with a lower-case letter, which looks", "Unix utility for concatenating files. (Capitalize the command name, which looks weird and", "for concatenating files. (Capitalize the command name, which looks weird and won't run.)", "(Capitalize the command name, which looks weird and won't run.) * `cat` is", "files. (Start the sentence with one of these weird code box things. Requires", "the `cp` command. These commands are all lower-case, and case-sensitive (i.e. won't work", "option be available, and you still end up leading with a lower-case letter.)", "to start a sentence with the name of one of these tools? Which", "of command-line software, like `make` or `bash` or the `cp` command. These commands", "(Start a sentence with a lower-case letter, which looks weird.) * Cat is", "* `cat` is a Unix utility for concatenating files. (Start the sentence with", "run.) * `cat` is a Unix utility for concatenating files. (Start the sentence", "you want to talk about a piece of command-line software, like `make` or", "software projects that write the programs that the commands invoke. What happens when", "following is best? * cat is a Unix utility for concatenating files. (Start", "is a Unix utility for concatenating files. (Start the sentence with one of", "which looks weird and won't run.) * `cat` is a Unix utility for", "Say you want to talk about a piece of command-line software, like `make`", "are all lower-case, and case-sensitive (i.e. won't work on the computer if you", "box things. Requires that that formatting option be available, and you still end", "cat is a Unix utility for concatenating files. (Start a sentence with a", "Unix utility for concatenating files. (Start a sentence with a lower-case letter, which", "you don't know what to do otherwise.) Do any style guides address this", "won't work on the computer if you capitalize them), and also often double", "because you don't know what to do otherwise.) Do any style guides address", "Which of the following is best? * cat is a Unix utility for", "with a lower-case letter, which looks weird.) * Cat is a Unix utility", "of the following is best? * cat is a Unix utility for concatenating", "commands invoke. What happens when you want to start a sentence with the", "formatting option be available, and you still end up leading with a lower-case", "a lower-case letter, which looks weird.) * Cat is a Unix utility for", "these weird code box things. Requires that that formatting option be available, and", "concatenating files. (Start a sentence with a lower-case letter, which looks weird.) ", "talk about a piece of command-line software, like `make` or `bash` or the", "utility for concatenating files is cat. (Just write around the problem because you", "things. Requires that that formatting option be available, and you still end up", "projects that write the programs that the commands invoke. What happens when you", "looks weird.) Cat is a Unix utility for concatenating files. (Capitalize the", "* Cat is a Unix utility for concatenating files. (Capitalize the command name,", "want to talk about a piece of command-line software, like `make` or `bash`", "and you still end up leading with a lower-case letter.) * One Unix", "these tools? Which of the following is best? * cat is a Unix", "command. These commands are all lower-case, and case-sensitive (i.e. won't work on the", "when you want to start a sentence with the name of one of", "computer if you capitalize them), and also often double as the names of", "is best? * cat is a Unix utility for concatenating files. (Start a", "looks weird and won't run.) * `cat` is a Unix utility for concatenating", "weird code box things. Requires that that formatting option be available, and you", "names of the software projects that write the programs that the commands invoke.", "up leading with a lower-case letter.) * One Unix utility for concatenating files", "still end up leading with a lower-case letter.) * One Unix utility for", "all lower-case, and case-sensitive (i.e. won't work on the computer if you capitalize", "`cp` command. These commands are all lower-case, and case-sensitive (i.e. won't work on", "software, like `make` or `bash` or the `cp` command. These commands are all", "won't run.) * `cat` is a Unix utility for concatenating files. (Start the", "lower-case, and case-sensitive (i.e. won't work on the computer if you capitalize them),", "the names of the software projects that write the programs that the commands", "a sentence with the name of one of these tools? Which of the", "`make` or `bash` or the `cp` command. These commands are all lower-case, and", "the name of one of these tools? Which of the following is best?", "One Unix utility for concatenating files is cat. (Just write around the problem", "you want to start a sentence with the name of one of these", "the software projects that write the programs that the commands invoke. What happens", "want to start a sentence with the name of one of these tools?", "name, which looks weird and won't run.) * `cat` is a Unix utility", "sentence with one of these weird code box things. Requires that that formatting", "if you capitalize them), and also often double as the names of the", "concatenating files is cat. (Just write around the problem because you don't know", "of these tools? Which of the following is best? * cat is a", "and also often double as the names of the software projects that write", "files. (Capitalize the command name, which looks weird and won't run.) * `cat`", "don't know what to do otherwise.) 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(Just write around the problem because", "sentence with the name of one of these tools? Which of the following", "sentence with a lower-case letter, which looks weird.) * Cat is a Unix", "one of these tools? Which of the following is best? * cat is", "* cat is a Unix utility for concatenating files. (Start a sentence with", "that write the programs that the commands invoke. What happens when you want", "files. (Start a sentence with a lower-case letter, which looks weird.) * Cat", "with the name of one of these tools? Which of the following is", "a sentence with a lower-case letter, which looks weird.) * Cat is a", "end up leading with a lower-case letter.) * One Unix utility for concatenating", "What happens when you want to start a sentence with the name of", "one of these weird code box things. Requires that that formatting option be", "lower-case letter.) * One Unix utility for concatenating files is cat. (Just write", "the commands invoke. 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[ "of earthlings to the second world has increased in the XXI century. In", "Do you see any other option? Which one would you choose? It would", "or something like that). I just want these characters to be in the", "they have magical powers is kind of complicated and I don't think it", "big backstory of how previous earthlings have affected the second world. It's the", "fond of it because most plots of my characters don't rely that much", "great ruckus. My problem is that I need to explain whether other earthlings", "to be in the XXI century because it's better for the plot. But", "earth) and a secondary world. Due to certain reasons all earthlings who are", "any other option? Which one would you choose? It would really be helpful", "characters and the effects they had on the second world didn't happen before?", "them. P.S. I tried to keep it simple in here because the reason", "one of your stories and describe your mental process in order to solve", "not of previous earthlings. The reason can't be that they are simply special", "a small number of earthlings were able to reach it (for some reason).", "it's better for the plot. But I can't say that to the reader,", "me I see the following options: 1. Create a chronology and a big", "the most challenging (I'm not fond of it because most plots of my", "better for the plot. But I can't say that to the reader, i", "to keep it simple in here because the reason they have magical powers", "which can cause great ruckus. My problem is that I need to explain", "why am I narrating the story of these characters and not of previous", "reason can't be that they are simply special (I don't want them to", "think it helps to solve the problem (on the contrary it opens other", "be in the XXI century because it's better for the plot. But I", "see any other option? Which one would you choose? It would really be", "It would really be helpful if you could provide examples of dilemmas you", "you encountered while writing one of your stories and describe your mental process", "it helps to solve the problem (on the contrary it opens other problems,", "characters of the story. If it happened, I need to figure out why", "want them to be \"the chosen\" or something like that). I just want", "of me I see the following options: 1. Create a chronology and a", "simply special (I don't want them to be \"the chosen\" or something like", "and the effects they had on the second world didn't happen before? All", "they had on the second world didn't happen before? All previous earthlings who", "earthlings. The reason can't be that they are simply special (I don't want", "I can't say that to the reader, i need to justify the choice.", "tried to keep it simple in here because the reason they have magical", "only a small number of earthlings were able to reach it (for some", "dilemma? Do you see any other option? Which one would you choose? It", "past only a small number of earthlings were able to reach it (for", "unable (or not willing) to affect the second world in meaningful ways; 3.", "in which there is a contemporary earth (our earth) and a secondary world.", "of dilemmas you encountered while writing one of your stories and describe your", "rely that much in past events); 2. Made up an excuse to make", "number of earthlings were able to reach it (for some reason). How would", "the XXI century because it's better for the plot. But I can't say", "I'm writing a fantasy story in which there is a contemporary earth (our", "helpful if you could provide examples of dilemmas you encountered while writing one", "inside the second world, before the main characters of the story. If it", "really be helpful if you could provide examples of dilemmas you encountered while", "up an excuse to make previous earthlings unable (or not willing) to affect", "of how previous earthlings have affected the second world. It's the most consistent", "the second world have great magical powers which can cause great ruckus. My", "a secondary world. Due to certain reasons all earthlings who are able to", "how previous earthlings have affected the second world. It's the most consistent option", "of it because most plots of my characters don't rely that much in", "fantasy story in which there is a contemporary earth (our earth) and a", "characters don't rely that much in past events); 2. Made up an excuse", "to figure out why am I narrating the story of these characters and", "don't rely that much in past events); 2. Made up an excuse to", "secondary world. Due to certain reasons all earthlings who are able to reach", "to be \"the chosen\" or something like that). I just want these characters", "is a contemporary earth (our earth) and a secondary world. Due to certain", "of the story. If it happened, I need to figure out why am", "because most plots of my characters don't rely that much in past events);", "XXI century. In the past only a small number of earthlings were able", "be \"the chosen\" or something like that). I just want these characters to", "have caused conflicts inside the second world, before the main characters of the", "the story. If it happened, I need to figure out why am I", "My problem is that I need to explain whether other earthlings in the", "the main characters of the story. If it happened, I need to figure", "describe your mental process in order to solve them. P.S. I tried to", "an excuse to make previous earthlings unable (or not willing) to affect the", "Which one would you choose? It would really be helpful if you could", "writing one of your stories and describe your mental process in order to", "just want these characters to be in the XXI century because it's better", "in here because the reason they have magical powers is kind of complicated", "visited the second world had the same powers. In front of me I", "you solve the dilemma? Do you see any other option? Which one would", "characters to be in the XXI century because it's better for the plot.", "the plot. But I can't say that to the reader, i need to", "(for some reason). How would you solve the dilemma? Do you see any", "mental process in order to solve them. P.S. I tried to keep it", "reach it (for some reason). How would you solve the dilemma? Do you", "and a big backstory of how previous earthlings have affected the second world.", "solve them. P.S. I tried to keep it simple in here because the", "option? Which one would you choose? It would really be helpful if you", "contrary it opens other problems, but I don't want to diverge your attention).", "problem is that I need to explain whether other earthlings in the past", "to the second world has increased in the XXI century. In the past", "process in order to solve them. P.S. I tried to keep it simple", "kind of complicated and I don't think it helps to solve the problem", "earthlings unable (or not willing) to affect the second world in meaningful ways;", "one would you choose? It would really be helpful if you could provide", "out why am I narrating the story of these characters and not of", "am I narrating the story of these characters and not of previous earthlings.", "story of these characters and not of previous earthlings. The reason can't be", "a chronology and a big backstory of how previous earthlings have affected the", "simple in here because the reason they have magical powers is kind of", "problem (on the contrary it opens other problems, but I don't want to", "in meaningful ways; 3. Create a special reason why affluence of earthlings to", "they are simply special (I don't want them to be \"the chosen\" or", "your mental process in order to solve them. P.S. I tried to keep", "you see any other option? Which one would you choose? It would really", "world in meaningful ways; 3. Create a special reason why affluence of earthlings", "small number of earthlings were able to reach it (for some reason). How", "need to figure out why am I narrating the story of these characters", "the XXI century. In the past only a small number of earthlings were", "it because most plots of my characters don't rely that much in past", "much in past events); 2. Made up an excuse to make previous earthlings", "is kind of complicated and I don't think it helps to solve the", "didn't happen before? All previous earthlings who visited the second world had the", "magical powers is kind of complicated and I don't think it helps to", "is that I need to explain whether other earthlings in the past have", "able to reach the second world have great magical powers which can cause", "the reader, i need to justify the choice. If it didn't happen, it", "why the adventures of these characters and the effects they had on the", "question: why the adventures of these characters and the effects they had on", "not willing) to affect the second world in meaningful ways; 3. Create a", "other option? Which one would you choose? It would really be helpful if", "the contrary it opens other problems, but I don't want to diverge your", "there is a contemporary earth (our earth) and a secondary world. Due to", "it begs the question: why the adventures of these characters and the effects", "earth (our earth) and a secondary world. Due to certain reasons all earthlings", "backstory of how previous earthlings have affected the second world. It's the most", "I narrating the story of these characters and not of previous earthlings. The", "second world had the same powers. In front of me I see the", "are simply special (I don't want them to be \"the chosen\" or something", "great magical powers which can cause great ruckus. My problem is that I", "previous earthlings have affected the second world. It's the most consistent option but", "can cause great ruckus. My problem is that I need to explain whether", "It's the most consistent option but also the most challenging (I'm not fond", "these characters and the effects they had on the second world didn't happen", "powers which can cause great ruckus. 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But I can't", "the most consistent option but also the most challenging (I'm not fond of", "figure out why am I narrating the story of these characters and not", "and not of previous earthlings. The reason can't be that they are simply", "some reason). How would you solve the dilemma? Do you see any other", "happen, it begs the question: why the adventures of these characters and the", "who visited the second world had the same powers. In front of me", "previous earthlings. The reason can't be that they are simply special (I don't", "dilemmas you encountered while writing one of your stories and describe your mental", "also the most challenging (I'm not fond of it because most plots of", "that much in past events); 2. Made up an excuse to make previous", "to explain whether other earthlings in the past have caused conflicts inside the", "encountered while writing one of your stories and describe your mental process in", "contemporary earth (our earth) and a secondary world. Due to certain reasons all", "the adventures of these characters and the effects they had on the second", "if you could provide examples of dilemmas you encountered while writing one of", "justify the choice. If it didn't happen, it begs the question: why the", "to affect the second world in meaningful ways; 3. Create a special reason", "increased in the XXI century. In the past only a small number of", "them to be \"the chosen\" or something like that). I just want these", "these characters and not of previous earthlings. The reason can't be that they", "reader, i need to justify the choice. If it didn't happen, it begs", "make previous earthlings unable (or not willing) to affect the second world in", "affected the second world. It's the most consistent option but also the most", "adventures of these characters and the effects they had on the second world", "while writing one of your stories and describe your mental process in order", "the choice. If it didn't happen, it begs the question: why the adventures", "world. It's the most consistent option but also the most challenging (I'm not", "world has increased in the XXI century. In the past only a small", "(I'm not fond of it because most plots of my characters don't rely", "same powers. In front of me I see the following options: 1. Create", "second world has increased in the XXI century. In the past only a", "a special reason why affluence of earthlings to the second world has increased", "cause great ruckus. My problem is that I need to explain whether other", "i need to justify the choice. If it didn't happen, it begs the", "it (for some reason). How would you solve the dilemma? Do you see", "consistent option but also the most challenging (I'm not fond of it because", "caused conflicts inside the second world, before the main characters of the story.", "earthlings who visited the second world had the same powers. In front of", "have great magical powers which can cause great ruckus. My problem is that", "But I can't say that to the reader, i need to justify the", "happen before? All previous earthlings who visited the second world had the same", "because the reason they have magical powers is kind of complicated and I", "that I need to explain whether other earthlings in the past have caused", "affluence of earthlings to the second world has increased in the XXI century.", "something like that). I just want these characters to be in the XXI", "but also the most challenging (I'm not fond of it because most plots", "of earthlings were able to reach it (for some reason). How would you", "choice. If it didn't happen, it begs the question: why the adventures of", "in past events); 2. Made up an excuse to make previous earthlings unable", "story. If it happened, I need to figure out why am I narrating", "How would you solve the dilemma? Do you see any other option? Which", "plot. But I can't say that to the reader, i need to justify", "ruckus. My problem is that I need to explain whether other earthlings in", "the second world, before the main characters of the story. If it happened,", "want these characters to be in the XXI century because it's better for", "second world didn't happen before? All previous earthlings who visited the second world", "to reach it (for some reason). How would you solve the dilemma? Do", "you could provide examples of dilemmas you encountered while writing one of your", "need to explain whether other earthlings in the past have caused conflicts inside", "why affluence of earthlings to the second world has increased in the XXI", "world, before the main characters of the story. If it happened, I need", "special (I don't want them to be \"the chosen\" or something like that).", "the reason they have magical powers is kind of complicated and I don't", "can't say that to the reader, i need to justify the choice. If", "(on the contrary it opens other problems, but I don't want to diverge", "the story of these characters and not of previous earthlings. The reason can't", "reason why affluence of earthlings to the second world has increased in the", "because it's better for the plot. But I can't say that to the", "would you solve the dilemma? Do you see any other option? Which one", "not fond of it because most plots of my characters don't rely that", "solve the dilemma? Do you see any other option? Which one would you", "whether other earthlings in the past have caused conflicts inside the second world,", "to certain reasons all earthlings who are able to reach the second world", "earthlings in the past have caused conflicts inside the second world, before the", "meaningful ways; 3. Create a special reason why affluence of earthlings to the", "be that they are simply special (I don't want them to be \"the", "had on the second world didn't happen before? All previous earthlings who visited", "that they are simply special (I don't want them to be \"the chosen\"", "before? All previous earthlings who visited the second world had the same powers.", "the second world didn't happen before? All previous earthlings who visited the second", "have affected the second world. It's the most consistent option but also the", "the dilemma? Do you see any other option? Which one would you choose?", "that). I just want these characters to be in the XXI century because", "the same powers. In front of me I see the following options: 1.", "following options: 1. Create a chronology and a big backstory of how previous", "other earthlings in the past have caused conflicts inside the second world, before", "narrating the story of these characters and not of previous earthlings. The reason", "If it didn't happen, it begs the question: why the adventures of these", "I see the following options: 1. Create a chronology and a big backstory", "Create a special reason why affluence of earthlings to the second world has", "option but also the most challenging (I'm not fond of it because most", "are able to reach the second world have great magical powers which can", "a fantasy story in which there is a contemporary earth (our earth) and", "happened, I need to figure out why am I narrating the story of", "examples of dilemmas you encountered while writing one of your stories and describe", "to reach the second world have great magical powers which can cause great", "1. Create a chronology and a big backstory of how previous earthlings have", "it happened, I need to figure out why am I narrating the story", "which there is a contemporary earth (our earth) and a secondary world. Due", "had the same powers. In front of me I see the following options:", "of your stories and describe your mental process in order to solve them.", "most plots of my characters don't rely that much in past events); 2.", "before the main characters of the story. If it happened, I need to", "of complicated and I don't think it helps to solve the problem (on", "century. In the past only a small number of earthlings were able to", "all earthlings who are able to reach the second world have great magical", "P.S. I tried to keep it simple in here because the reason they", "(I don't want them to be \"the chosen\" or something like that). I", "the past only a small number of earthlings were able to reach it", "(or not willing) to affect the second world in meaningful ways; 3. Create", "a big backstory of how previous earthlings have affected the second world. It's", "Create a chronology and a big backstory of how previous earthlings have affected", "these characters to be in the XXI century because it's better for the", "the second world had the same powers. In front of me I see", "chronology and a big backstory of how previous earthlings have affected the second", "earthlings were able to reach it (for some reason). How would you solve", "\"the chosen\" or something like that). I just want these characters to be", "options: 1. Create a chronology and a big backstory of how previous earthlings", "who are able to reach the second world have great magical powers which", "my characters don't rely that much in past events); 2. Made up an", "for the plot. But I can't say that to the reader, i need", "events); 2. Made up an excuse to make previous earthlings unable (or not", "has increased in the XXI century. In the past only a small number", "need to justify the choice. If it didn't happen, it begs the question:", "I just want these characters to be in the XXI century because it's", "solve the problem (on the contrary it opens other problems, but I don't", "earthlings to the second world has increased in the XXI century. In the", "the question: why the adventures of these characters and the effects they had", "to the reader, i need to justify the choice. If it didn't happen,", "previous earthlings unable (or not willing) to affect the second world in meaningful", "keep it simple in here because the reason they have magical powers is", "begs the question: why the adventures of these characters and the effects they", "on the second world didn't happen before? All previous earthlings who visited the", "a contemporary earth (our earth) and a secondary world. Due to certain reasons", "world had the same powers. In front of me I see the following", "If it happened, I need to figure out why am I narrating the", "the problem (on the contrary it opens other problems, but I don't want", "front of me I see the following options: 1. Create a chronology and", "second world have great magical powers which can cause great ruckus. My problem", "the second world has increased in the XXI century. In the past only", "the following options: 1. Create a chronology and a big backstory of how", "can't be that they are simply special (I don't want them to be", "world didn't happen before? All previous earthlings who visited the second world had", "you choose? It would really be helpful if you could provide examples of", "most challenging (I'm not fond of it because most plots of my characters", "it simple in here because the reason they have magical powers is kind", "In the past only a small number of earthlings were able to reach", "don't want them to be \"the chosen\" or something like that). I just", "order to solve them. P.S. I tried to keep it simple in here", "explain whether other earthlings in the past have caused conflicts inside the second", "helps to solve the problem (on the contrary it opens other problems, but", "certain reasons all earthlings who are able to reach the second world have", "XXI century because it's better for the plot. But I can't say that", "to make previous earthlings unable (or not willing) to affect the second world", "past events); 2. Made up an excuse to make previous earthlings unable (or", "to solve the problem (on the contrary it opens other problems, but I", "like that). I just want these characters to be in the XXI century", "to solve them. P.S. I tried to keep it simple in here because", "that to the reader, i need to justify the choice. If it didn't", "main characters of the story. If it happened, I need to figure out", "of these characters and not of previous earthlings. The reason can't be that", "didn't happen, it begs the question: why the adventures of these characters and", "second world in meaningful ways; 3. Create a special reason why affluence of", "say that to the reader, i need to justify the choice. If it", "powers. In front of me I see the following options: 1. Create a", "of previous earthlings. The reason can't be that they are simply special (I", "powers is kind of complicated and I don't think it helps to solve", "were able to reach it (for some reason). How would you solve the", "the second world. It's the most consistent option but also the most challenging", "2. Made up an excuse to make previous earthlings unable (or not willing)", "effects they had on the second world didn't happen before? All previous earthlings", "and I don't think it helps to solve the problem (on the contrary", "conflicts inside the second world, before the main characters of the story. If", "story in which there is a contemporary earth (our earth) and a secondary", "excuse to make previous earthlings unable (or not willing) to affect the second", "in the XXI century. In the past only a small number of earthlings", "Due to certain reasons all earthlings who are able to reach the second", "I don't think it helps to solve the problem (on the contrary it", "past have caused conflicts inside the second world, before the main characters of", "reason). How would you solve the dilemma? Do you see any other option?", "be helpful if you could provide examples of dilemmas you encountered while writing", "3. Create a special reason why affluence of earthlings to the second world", "special reason why affluence of earthlings to the second world has increased in", "would really be helpful if you could provide examples of dilemmas you encountered", "the past have caused conflicts inside the second world, before the main characters", "I need to explain whether other earthlings in the past have caused conflicts", "earthlings have affected the second world. It's the most consistent option but also", "I tried to keep it simple in here because the reason they have", "previous earthlings who visited the second world had the same powers. In front", "characters and not of previous earthlings. The reason can't be that they are", "the second world in meaningful ways; 3. Create a special reason why affluence", "world. Due to certain reasons all earthlings who are able to reach the", "in order to solve them. P.S. I tried to keep it simple in", "reasons all earthlings who are able to reach the second world have great", "I need to figure out why am I narrating the story of these", "writing a fantasy story in which there is a contemporary earth (our earth)", "it didn't happen, it begs the question: why the adventures of these characters", "earthlings who are able to reach the second world have great magical powers", "most consistent option but also the most challenging (I'm not fond of it", "stories and describe your mental process in order to solve them. P.S. I", "able to reach it (for some reason). How would you solve the dilemma?", "The reason can't be that they are simply special (I don't want them", "reach the second world have great magical powers which can cause great ruckus.", "your stories and describe your mental process in order to solve them. P.S.", "world have great magical powers which can cause great ruckus. My problem is", "to justify the choice. If it didn't happen, it begs the question: why", "challenging (I'm not fond of it because most plots of my characters don't", "would you choose? It would really be helpful if you could provide examples", "second world. It's the most consistent option but also the most challenging (I'm", "ways; 3. Create a special reason why affluence of earthlings to the second", "(our earth) and a secondary world. Due to certain reasons all earthlings who", "and a secondary world. Due to certain reasons all earthlings who are able", "the effects they had on the second world didn't happen before? All previous", "second world, before the main characters of the story. If it happened, I", "In front of me I see the following options: 1. Create a chronology", "All previous earthlings who visited the second world had the same powers. In", "of these characters and the effects they had on the second world didn't", "provide examples of dilemmas you encountered while writing one of your stories and", "magical powers which can cause great ruckus. My problem is that I need", "here because the reason they have magical powers is kind of complicated and", "see the following options: 1. Create a chronology and a big backstory of", "complicated and I don't think it helps to solve the problem (on the", "affect the second world in meaningful ways; 3. Create a special reason why", "choose? It would really be helpful if you could provide examples of dilemmas", "willing) to affect the second world in meaningful ways; 3. Create a special", "century because it's better for the plot. But I can't say that to" ]
[ "up and analyze it, or write the dream like normal narration and show", "write the dream sort of like a flashback, merely narrating what happened and", "[while dreaming] Rjoa understands what this dream is now. It's how Dr. Ewuns", "if he ever attempted to refer to him as such. > > >", "have her react to the specific events in the dream after she wakes", "the characters has a very significant dream that I would like to transcribe.", "comfortable by being referred to as son by that man. Especially since, in", "she has just witnessed, she finds a small amount of solace in the", "finds a small amount of solace in the fact that even in Ewuns'", "reaction to the events in the dream, but do not know whether it", "brother would most likely attack the man if he ever attempted to refer", "focus on the character's reaction to the events in the dream, but do", "So, simply put, should I write the dream sort of like a flashback,", "Rjoa understands what this dream is now. It's how Dr. Ewuns imagines it", "After Rjoa wakes up, despite the unsettling images she has just witnessed, she", "only in his dreams would he ever be able to call Colton \"son\"", "to focus on the character's reaction to the events in the dream, but", "ever be able to call Colton \"son\" without getting hit. Colton replies with", "I write the dream sort of like a flashback, merely narrating what happened", "the dream like normal narration and show the character's reactions as the dream", "that this character has the ability to see dreams that are not her", "call Colton \"son\" without getting hit. Colton replies with a terse nod, showing", "(I should mention that this character has the ability to see dreams that", "not her own, and knows when she is dreaming, and when the dream", "without getting hit. Colton replies with a terse nod, showing that he doesn't", "likely attack the man if he ever attempted to refer to him as", "of solace in the fact that even in Ewuns' warped dream reality, Colton", "the dream is not hers, even though she cannot interact with the dream-world", "in the fact that even in Ewuns' warped dream reality, Colton still wasn't", "a small amount of solace in the fact that even in Ewuns' warped", "like normal narration and show the character's reactions as the dream events happen?", "will be once he has the kids under his control. Even so, only", "this man. > > > vs > > After Rjoa wakes up, despite", "most likely attack the man if he ever attempted to refer to him", "react to the specific events in the dream after she wakes up. Example:", "even in Ewuns' dreams, Colton isn't comfortable being referred to as \"son\" by", "encourages her to know that even in Ewuns' dreams, Colton isn't comfortable being", "Colton still wasn't comfortable by being referred to as son by that man.", "she is dreaming, and when the dream is not hers, even though she", "her react to the specific events in the dream after she wakes up.", "as the dream is happening, or have her react to the specific events", "am writing, one of the characters has a very significant dream that I", "very significant dream that I would like to transcribe. The problem is, I", "being referred to as \"son\" by this man. > > > vs >", "referred to as son by that man. Especially since, in real life, her", "that man. Especially since, in real life, her brother would most likely attack", "dreams, Colton isn't comfortable being referred to as \"son\" by this man. >", "the dream sort of like a flashback, merely narrating what happened and then", "this character has the ability to see dreams that are not her own,", "that I would like to transcribe. The problem is, I would like to", "Example: > > [while dreaming] Rjoa understands what this dream is now. It's", "events in the dream after she wakes up. Example: > > [while dreaming]", "to refer to him as such. > > > So, simply put, should", "would like to focus on the character's reaction to the events in the", "her wake up and analyze it, or write the dream like normal narration", "character has the ability to see dreams that are not her own, and", "attack the man if he ever attempted to refer to him as such.", "not know whether it is realistic to have her reacting as the dream", "ability to see dreams that are not her own, and knows when she", "her to know that even in Ewuns' dreams, Colton isn't comfortable being referred", "in the dream, but do not know whether it is realistic to have", "as \"son\" by this man. > > > vs > > After Rjoa", "as son by that man. Especially since, in real life, her brother would", "have her reacting as the dream is happening, or have her react to", "reacting as the dream is happening, or have her react to the specific", "wakes up. Example: > > [while dreaming] Rjoa understands what this dream is", "dream after she wakes up. Example: > > [while dreaming] Rjoa understands what", "is realistic to have her reacting as the dream is happening, or have", "to call Colton \"son\" without getting hit. Colton replies with a terse nod,", "desire to return the feeling. It encourages her to know that even in", "attempted to refer to him as such. > > > So, simply put,", "to return the feeling. It encourages her to know that even in Ewuns'", "> > [while dreaming] Rjoa understands what this dream is now. It's how", "witnessed, she finds a small amount of solace in the fact that even", "significant dream that I would like to transcribe. The problem is, I would", "fact that even in Ewuns' warped dream reality, Colton still wasn't comfortable by", "dream is now. It's how Dr. Ewuns imagines it will be once he", "the character's reactions as the dream events happen? (I should mention that this", "though she cannot interact with the dream-world or control her actions within it.)", "dream, but do not know whether it is realistic to have her reacting", "this dream is now. It's how Dr. Ewuns imagines it will be once", "I would like to transcribe. The problem is, I would like to focus", "control. Even so, only in his dreams would he ever be able to", "in Ewuns' dreams, Colton isn't comfortable being referred to as \"son\" by this", "his dreams would he ever be able to call Colton \"son\" without getting", "has just witnessed, she finds a small amount of solace in the fact", "dream reality, Colton still wasn't comfortable by being referred to as son by", "isn't comfortable being referred to as \"son\" by this man. > > >", "she finds a small amount of solace in the fact that even in", "her brother would most likely attack the man if he ever attempted to", "sort of like a flashback, merely narrating what happened and then have her", "analyze it, or write the dream like normal narration and show the character's", "the fact that even in Ewuns' warped dream reality, Colton still wasn't comfortable", "that he doesn't desire to return the feeling. It encourages her to know", "transcribe. The problem is, I would like to focus on the character's reaction", "just witnessed, she finds a small amount of solace in the fact that", "up. Example: > > [while dreaming] Rjoa understands what this dream is now.", "the specific events in the dream after she wakes up. Example: > >", "I would like to focus on the character's reaction to the events in", "the dream, but do not know whether it is realistic to have her", "doesn't desire to return the feeling. It encourages her to know that even", "Rjoa wakes up, despite the unsettling images she has just witnessed, she finds", "Ewuns' warped dream reality, Colton still wasn't comfortable by being referred to as", "a third-person novel I am writing, one of the characters has a very", "the feeling. It encourages her to know that even in Ewuns' dreams, Colton", "life, her brother would most likely attack the man if he ever attempted", "what happened and then have her wake up and analyze it, or write", "wasn't comfortable by being referred to as son by that man. Especially since,", "has a very significant dream that I would like to transcribe. The problem", "> So, simply put, should I write the dream sort of like a", "man. > > > vs > > After Rjoa wakes up, despite the", "even in Ewuns' warped dream reality, Colton still wasn't comfortable by being referred", "is not hers, even though she cannot interact with the dream-world or control", "Ewuns' dreams, Colton isn't comfortable being referred to as \"son\" by this man.", "not hers, even though she cannot interact with the dream-world or control her", "merely narrating what happened and then have her wake up and analyze it,", "is now. It's how Dr. Ewuns imagines it will be once he has", "feeling. It encourages her to know that even in Ewuns' dreams, Colton isn't", "normal narration and show the character's reactions as the dream events happen? (I", "understands what this dream is now. It's how Dr. Ewuns imagines it will", "happen? (I should mention that this character has the ability to see dreams", "own, and knows when she is dreaming, and when the dream is not", "the kids under his control. Even so, only in his dreams would he", "her reacting as the dream is happening, or have her react to the", "in his dreams would he ever be able to call Colton \"son\" without", "or write the dream like normal narration and show the character's reactions as", "so, only in his dreams would he ever be able to call Colton", "being referred to as son by that man. Especially since, in real life,", "would most likely attack the man if he ever attempted to refer to", "would he ever be able to call Colton \"son\" without getting hit. Colton", "even though she cannot interact with the dream-world or control her actions within", "on the character's reaction to the events in the dream, but do not", "kids under his control. Even so, only in his dreams would he ever", "what this dream is now. It's how Dr. Ewuns imagines it will be", "show the character's reactions as the dream events happen? (I should mention that", "like to focus on the character's reaction to the events in the dream,", "character's reaction to the events in the dream, but do not know whether", "\"son\" without getting hit. Colton replies with a terse nod, showing that he", "such. > > > So, simply put, should I write the dream sort", "knows when she is dreaming, and when the dream is not hers, even", "and when the dream is not hers, even though she cannot interact with", "> > After Rjoa wakes up, despite the unsettling images she has just", "small amount of solace in the fact that even in Ewuns' warped dream", "of the characters has a very significant dream that I would like to", "is happening, or have her react to the specific events in the dream", "by being referred to as son by that man. Especially since, in real", "novel I am writing, one of the characters has a very significant dream", "and analyze it, or write the dream like normal narration and show the", "hit. Colton replies with a terse nod, showing that he doesn't desire to", "dream like normal narration and show the character's reactions as the dream events", "her own, and knows when she is dreaming, and when the dream is", "under his control. Even so, only in his dreams would he ever be", "Colton \"son\" without getting hit. Colton replies with a terse nod, showing that", "dream events happen? (I should mention that this character has the ability to", "in real life, her brother would most likely attack the man if he", "narrating what happened and then have her wake up and analyze it, or", "flashback, merely narrating what happened and then have her wake up and analyze", "happening, or have her react to the specific events in the dream after", "> > vs > > After Rjoa wakes up, despite the unsettling images", "since, in real life, her brother would most likely attack the man if", "know whether it is realistic to have her reacting as the dream is", "the ability to see dreams that are not her own, and knows when", "to transcribe. The problem is, I would like to focus on the character's", "characters has a very significant dream that I would like to transcribe. The", "referred to as \"son\" by this man. > > > vs > >", "ever attempted to refer to him as such. > > > So, simply", "dreams that are not her own, and knows when she is dreaming, and", "reactions as the dream events happen? (I should mention that this character has", "images she has just witnessed, she finds a small amount of solace in", "and then have her wake up and analyze it, or write the dream", "hers, even though she cannot interact with the dream-world or control her actions", "that even in Ewuns' warped dream reality, Colton still wasn't comfortable by being", "wake up and analyze it, or write the dream like normal narration and", "like to transcribe. The problem is, I would like to focus on the", "the dream is happening, or have her react to the specific events in", "write the dream like normal narration and show the character's reactions as the", "up, despite the unsettling images she has just witnessed, she finds a small", "that even in Ewuns' dreams, Colton isn't comfortable being referred to as \"son\"", "In a third-person novel I am writing, one of the characters has a", "real life, her brother would most likely attack the man if he ever", "him as such. > > > So, simply put, should I write the", "as the dream events happen? (I should mention that this character has the", "how Dr. Ewuns imagines it will be once he has the kids under", "events in the dream, but do not know whether it is realistic to", "a very significant dream that I would like to transcribe. The problem is,", "to have her reacting as the dream is happening, or have her react", "he has the kids under his control. Even so, only in his dreams", "of like a flashback, merely narrating what happened and then have her wake", "writing, one of the characters has a very significant dream that I would", "like a flashback, merely narrating what happened and then have her wake up", "to see dreams that are not her own, and knows when she is", "> vs > > After Rjoa wakes up, despite the unsettling images she", "that are not her own, and knows when she is dreaming, and when", "problem is, I would like to focus on the character's reaction to the", "specific events in the dream after she wakes up. Example: > > [while", "return the feeling. It encourages her to know that even in Ewuns' dreams,", "are not her own, and knows when she is dreaming, and when the", "son by that man. Especially since, in real life, her brother would most", "third-person novel I am writing, one of the characters has a very significant", "warped dream reality, Colton still wasn't comfortable by being referred to as son", "man if he ever attempted to refer to him as such. > >", "imagines it will be once he has the kids under his control. Even", "the unsettling images she has just witnessed, she finds a small amount of", "has the ability to see dreams that are not her own, and knows", "whether it is realistic to have her reacting as the dream is happening,", "narration and show the character's reactions as the dream events happen? (I should", "Even so, only in his dreams would he ever be able to call", "and knows when she is dreaming, and when the dream is not hers,", "happened and then have her wake up and analyze it, or write the", "then have her wake up and analyze it, or write the dream like", "Especially since, in real life, her brother would most likely attack the man", "refer to him as such. > > > So, simply put, should I", "reality, Colton still wasn't comfortable by being referred to as son by that", "mention that this character has the ability to see dreams that are not", "showing that he doesn't desire to return the feeling. It encourages her to", "amount of solace in the fact that even in Ewuns' warped dream reality,", "by that man. Especially since, in real life, her brother would most likely", "know that even in Ewuns' dreams, Colton isn't comfortable being referred to as", "one of the characters has a very significant dream that I would like", "it will be once he has the kids under his control. Even so,", "events happen? (I should mention that this character has the ability to see", "see dreams that are not her own, and knows when she is dreaming,", "still wasn't comfortable by being referred to as son by that man. Especially", "be able to call Colton \"son\" without getting hit. Colton replies with a", "when the dream is not hers, even though she cannot interact with the", "despite the unsettling images she has just witnessed, she finds a small amount", "put, should I write the dream sort of like a flashback, merely narrating", "character's reactions as the dream events happen? (I should mention that this character", "> After Rjoa wakes up, despite the unsettling images she has just witnessed,", "to as \"son\" by this man. > > > vs > > After", "unsettling images she has just witnessed, she finds a small amount of solace", "should I write the dream sort of like a flashback, merely narrating what", "It encourages her to know that even in Ewuns' dreams, Colton isn't comfortable", "simply put, should I write the dream sort of like a flashback, merely", "have her wake up and analyze it, or write the dream like normal", "dreams would he ever be able to call Colton \"son\" without getting hit.", "in the dream after she wakes up. Example: > > [while dreaming] Rjoa", "> > > So, simply put, should I write the dream sort of", "is dreaming, and when the dream is not hers, even though she cannot", "realistic to have her reacting as the dream is happening, or have her", "Colton replies with a terse nod, showing that he doesn't desire to return", "as such. > > > So, simply put, should I write the dream", "is, I would like to focus on the character's reaction to the events", "or have her react to the specific events in the dream after she", "it is realistic to have her reacting as the dream is happening, or", "\"son\" by this man. > > > vs > > After Rjoa wakes", "he ever attempted to refer to him as such. > > > So,", "Ewuns imagines it will be once he has the kids under his control.", "should mention that this character has the ability to see dreams that are", "a flashback, merely narrating what happened and then have her wake up and", "Dr. Ewuns imagines it will be once he has the kids under his", "the character's reaction to the events in the dream, but do not know", "once he has the kids under his control. Even so, only in his", "by this man. > > > vs > > After Rjoa wakes up,", "now. It's how Dr. Ewuns imagines it will be once he has the", "has the kids under his control. Even so, only in his dreams would", "replies with a terse nod, showing that he doesn't desire to return the", "to know that even in Ewuns' dreams, Colton isn't comfortable being referred to", "solace in the fact that even in Ewuns' warped dream reality, Colton still", "> > > vs > > After Rjoa wakes up, despite the unsettling", "with a terse nod, showing that he doesn't desire to return the feeling.", "she wakes up. Example: > > [while dreaming] Rjoa understands what this dream", "getting hit. Colton replies with a terse nod, showing that he doesn't desire", "after she wakes up. Example: > > [while dreaming] Rjoa understands what this", "dreaming, and when the dream is not hers, even though she cannot interact", "man. Especially since, in real life, her brother would most likely attack the", "able to call Colton \"son\" without getting hit. Colton replies with a terse", "the dream after she wakes up. Example: > > [while dreaming] Rjoa understands", "the events in the dream, but do not know whether it is realistic", "the man if he ever attempted to refer to him as such. >", "dream is happening, or have her react to the specific events in the", "to as son by that man. Especially since, in real life, her brother", "do not know whether it is realistic to have her reacting as the", "> [while dreaming] Rjoa understands what this dream is now. It's how Dr.", "he doesn't desire to return the feeling. It encourages her to know that", "dream that I would like to transcribe. The problem is, I would like", "he ever be able to call Colton \"son\" without getting hit. Colton replies", "it, or write the dream like normal narration and show the character's reactions", "dream sort of like a flashback, merely narrating what happened and then have", "be once he has the kids under his control. Even so, only in", "would like to transcribe. The problem is, I would like to focus on", "It's how Dr. Ewuns imagines it will be once he has the kids", "dreaming] Rjoa understands what this dream is now. It's how Dr. Ewuns imagines", "I am writing, one of the characters has a very significant dream that", "to the specific events in the dream after she wakes up. Example: >", "> > So, simply put, should I write the dream sort of like", "a terse nod, showing that he doesn't desire to return the feeling. It", "wakes up, despite the unsettling images she has just witnessed, she finds a", "the dream events happen? (I should mention that this character has the ability", "dream is not hers, even though she cannot interact with the dream-world or", "but do not know whether it is realistic to have her reacting as", "The problem is, I would like to focus on the character's reaction to", "Colton isn't comfortable being referred to as \"son\" by this man. > >", "to him as such. > > > So, simply put, should I write", "terse nod, showing that he doesn't desire to return the feeling. It encourages", "vs > > After Rjoa wakes up, despite the unsettling images she has", "and show the character's reactions as the dream events happen? (I should mention", "when she is dreaming, and when the dream is not hers, even though", "in Ewuns' warped dream reality, Colton still wasn't comfortable by being referred to", "his control. Even so, only in his dreams would he ever be able", "comfortable being referred to as \"son\" by this man. > > > vs", "nod, showing that he doesn't desire to return the feeling. It encourages her", "to the events in the dream, but do not know whether it is" ]
[ "though I have yet to finish one). My current guidelines are 3 pages", "Again, I know this will probably be shut down, but I'm asking anyway.", "I understand this can and probably will be shut down for many reasons,", "this can and probably will be shut down for many reasons, but how", "down for many reasons, but how long is too long for a short", "but tend to write novels if I write anything (Even though I have", "long. Is this good? Again, I know this will probably be shut down,", "will be shut down for many reasons, but how long is too long", "pages and up, too long. Is this good? Again, I know this will", "and probably will be shut down for many reasons, but how long is", "too long. Is this good? Again, I know this will probably be shut", "reasons, but how long is too long for a short story? I want", "a short story? I want to write a short story, but tend to", "how long is too long for a short story? I want to write", "anything (Even though I have yet to finish one). My current guidelines are", "yet to finish one). My current guidelines are 3 pages and under, too", "is too long for a short story? I want to write a short", "are 3 pages and under, too short. 20 pages and up, too long.", "if I write anything (Even though I have yet to finish one). My", "pages and under, too short. 20 pages and up, too long. Is this", "for many reasons, but how long is too long for a short story?", "can and probably will be shut down for many reasons, but how long", "novels if I write anything (Even though I have yet to finish one).", "and up, too long. Is this good? Again, I know this will probably", "good? Again, I know this will probably be shut down, but I'm asking", "but how long is too long for a short story? I want to", "I write anything (Even though I have yet to finish one). My current", "shut down for many reasons, but how long is too long for a", "understand this can and probably will be shut down for many reasons, but", "write a short story, but tend to write novels if I write anything", "current guidelines are 3 pages and under, too short. 20 pages and up,", "to write novels if I write anything (Even though I have yet to", "a short story, but tend to write novels if I write anything (Even", "under, too short. 20 pages and up, too long. Is this good? Again,", "story? I want to write a short story, but tend to write novels", "have yet to finish one). My current guidelines are 3 pages and under,", "write anything (Even though I have yet to finish one). My current guidelines", "too long for a short story? I want to write a short story,", "3 pages and under, too short. 20 pages and up, too long. Is", "story, but tend to write novels if I write anything (Even though I", "and under, too short. 20 pages and up, too long. Is this good?", "short story, but tend to write novels if I write anything (Even though", "for a short story? I want to write a short story, but tend", "be shut down for many reasons, but how long is too long for", "I have yet to finish one). My current guidelines are 3 pages and", "to finish one). My current guidelines are 3 pages and under, too short.", "guidelines are 3 pages and under, too short. 20 pages and up, too", "tend to write novels if I write anything (Even though I have yet", "to write a short story, but tend to write novels if I write", "too short. 20 pages and up, too long. Is this good? Again, I", "20 pages and up, too long. Is this good? Again, I know this", "long is too long for a short story? I want to write a", "short story? I want to write a short story, but tend to write", "want to write a short story, but tend to write novels if I", "write novels if I write anything (Even though I have yet to finish", "(Even though I have yet to finish one). My current guidelines are 3", "finish one). My current guidelines are 3 pages and under, too short. 20", "up, too long. Is this good? Again, I know this will probably be", "My current guidelines are 3 pages and under, too short. 20 pages and", "Is this good? Again, I know this will probably be shut down, but", "this good? Again, I know this will probably be shut down, but I'm", "many reasons, but how long is too long for a short story? I", "long for a short story? I want to write a short story, but", "I want to write a short story, but tend to write novels if", "probably will be shut down for many reasons, but how long is too", "one). My current guidelines are 3 pages and under, too short. 20 pages", "short. 20 pages and up, too long. Is this good? Again, I know" ]
[ "she got sick. She was, now, five months pregnant. The second sentence sounds", "had found out she was pregnant shortly before she got sick. She was,", "like present tense, but I need it to sound past tense. Any suggestions?", "how to word a sentence correctly to take out 'now' or to make", "a sentence correctly to take out 'now' or to make it sound correct.", "sound correct. Rayanne had found out she was pregnant shortly before she got", "sentence sounds like present tense, but I need it to sound past tense.", "correct. Rayanne had found out she was pregnant shortly before she got sick.", "now, five months pregnant. The second sentence sounds like present tense, but I", "The prologue of my story is past tense, then the rest will be", "will be present tense. I cannot figure how to word a sentence correctly", "correctly to take out 'now' or to make it sound correct. Rayanne had", "tense, then the rest will be present tense. I cannot figure how to", "cannot figure how to word a sentence correctly to take out 'now' or", "to take out 'now' or to make it sound correct. Rayanne had found", "word a sentence correctly to take out 'now' or to make it sound", "prologue of my story is past tense, then the rest will be present", "figure how to word a sentence correctly to take out 'now' or to", "be present tense. I cannot figure how to word a sentence correctly to", "shortly before she got sick. She was, now, five months pregnant. The second", "got sick. She was, now, five months pregnant. The second sentence sounds like", "sick. She was, now, five months pregnant. The second sentence sounds like present", "past tense, then the rest will be present tense. I cannot figure how", "my story is past tense, then the rest will be present tense. I", "take out 'now' or to make it sound correct. Rayanne had found out", "of my story is past tense, then the rest will be present tense.", "sentence correctly to take out 'now' or to make it sound correct. Rayanne", "found out she was pregnant shortly before she got sick. She was, now,", "she was pregnant shortly before she got sick. She was, now, five months", "was, now, five months pregnant. The second sentence sounds like present tense, but", "She was, now, five months pregnant. The second sentence sounds like present tense,", "Rayanne had found out she was pregnant shortly before she got sick. She", "make it sound correct. Rayanne had found out she was pregnant shortly before", "'now' or to make it sound correct. Rayanne had found out she was", "out she was pregnant shortly before she got sick. She was, now, five", "then the rest will be present tense. I cannot figure how to word", "out 'now' or to make it sound correct. Rayanne had found out she", "is past tense, then the rest will be present tense. I cannot figure", "I cannot figure how to word a sentence correctly to take out 'now'", "pregnant shortly before she got sick. She was, now, five months pregnant. The", "pregnant. The second sentence sounds like present tense, but I need it to", "tense. I cannot figure how to word a sentence correctly to take out", "or to make it sound correct. Rayanne had found out she was pregnant", "The second sentence sounds like present tense, but I need it to sound", "second sentence sounds like present tense, but I need it to sound past", "to word a sentence correctly to take out 'now' or to make it", "rest will be present tense. I cannot figure how to word a sentence", "story is past tense, then the rest will be present tense. I cannot", "the rest will be present tense. I cannot figure how to word a", "was pregnant shortly before she got sick. She was, now, five months pregnant.", "it sound correct. Rayanne had found out she was pregnant shortly before she", "five months pregnant. The second sentence sounds like present tense, but I need", "to make it sound correct. Rayanne had found out she was pregnant shortly", "sounds like present tense, but I need it to sound past tense. Any", "months pregnant. The second sentence sounds like present tense, but I need it", "before she got sick. She was, now, five months pregnant. The second sentence", "present tense. I cannot figure how to word a sentence correctly to take" ]
[ "describe a person's voice or tone of speaking, and ideas on how dialogue", "person's voice or tone of speaking, and ideas on how dialogue should be", "a person's voice or tone of speaking, and ideas on how dialogue should", "to describe a person's voice or tone of speaking, and ideas on how", "Specifically, how to describe a person's voice or tone of speaking, and ideas", "how to describe a person's voice or tone of speaking, and ideas on", "voice or tone of speaking, and ideas on how dialogue should be formatted." ]
[ "there is secretly an entire city beneath the radar. How do I write", "that is thought to be abandoned, even though there is secretly an entire", "the protagonist lives in a town that is thought to be abandoned, even", "entire city beneath the radar. How do I write this? The last thing", "writing a story where the protagonist lives in a town that is thought", "even though there is secretly an entire city beneath the radar. How do", "an entire city beneath the radar. How do I write this? The last", "where the protagonist lives in a town that is thought to be abandoned,", "be abandoned, even though there is secretly an entire city beneath the radar.", "lives in a town that is thought to be abandoned, even though there", "beneath the radar. How do I write this? The last thing I want", "the radar. How do I write this? The last thing I want is", "a town that is thought to be abandoned, even though there is secretly", "to be abandoned, even though there is secretly an entire city beneath the", "do I write this? The last thing I want is to have it", "write this? The last thing I want is to have it be a", "is secretly an entire city beneath the radar. How do I write this?", "city beneath the radar. How do I write this? The last thing I", "a story where the protagonist lives in a town that is thought to", "though there is secretly an entire city beneath the radar. How do I", "town that is thought to be abandoned, even though there is secretly an", "secretly an entire city beneath the radar. How do I write this? The", "this? The last thing I want is to have it be a stereotype.", "abandoned, even though there is secretly an entire city beneath the radar. How", "is thought to be abandoned, even though there is secretly an entire city", "I'm writing a story where the protagonist lives in a town that is", "story where the protagonist lives in a town that is thought to be", "in a town that is thought to be abandoned, even though there is", "radar. How do I write this? The last thing I want is to", "I write this? The last thing I want is to have it be", "protagonist lives in a town that is thought to be abandoned, even though", "thought to be abandoned, even though there is secretly an entire city beneath", "How do I write this? The last thing I want is to have" ]
[ "the characters are unique, interesting, and stand out from the rest of the", "a limit, is there a certain number (or maybe a percentage relative to", "the first chapter before my reader starts struggling to remember who's who? If", "of characters in my cast) that is considered \"good\" or \"reasonable\" to introduce", "my reader starts struggling to remember who's who? If not a limit, is", "in the first chapter before my reader starts struggling to remember who's who?", "limit to how many characters I can introduce in the first chapter before", "characters are unique, interesting, and stand out from the rest of the cast,", "the cast, is there a limit to how many characters I can introduce", "unique, interesting, and stand out from the rest of the cast, is there", "to the total amount of characters in my cast) that is considered \"good\"", "first chapter before my reader starts struggling to remember who's who? If not", "limit, is there a certain number (or maybe a percentage relative to the", "to how many characters I can introduce in the first chapter before my", "starts struggling to remember who's who? If not a limit, is there a", "out from the rest of the cast, is there a limit to how", "my cast) that is considered \"good\" or \"reasonable\" to introduce in the first", "rest of the cast, is there a limit to how many characters I", "total amount of characters in my cast) that is considered \"good\" or \"reasonable\"", "cast, is there a limit to how many characters I can introduce in", "I can introduce in the first chapter before my reader starts struggling to", "characters I can introduce in the first chapter before my reader starts struggling", "chapter before my reader starts struggling to remember who's who? If not a", "cast) that is considered \"good\" or \"reasonable\" to introduce in the first chapter?", "of the characters are unique, interesting, and stand out from the rest of", "and stand out from the rest of the cast, is there a limit", "reader starts struggling to remember who's who? If not a limit, is there", "characters in my cast) that is considered \"good\" or \"reasonable\" to introduce in", "interesting, and stand out from the rest of the cast, is there a", "amount of characters in my cast) that is considered \"good\" or \"reasonable\" to", "of the cast, is there a limit to how many characters I can", "can introduce in the first chapter before my reader starts struggling to remember", "who? If not a limit, is there a certain number (or maybe a", "(or maybe a percentage relative to the total amount of characters in my", "introduce in the first chapter before my reader starts struggling to remember who's", "before my reader starts struggling to remember who's who? If not a limit,", "that all of the characters are unique, interesting, and stand out from the", "are unique, interesting, and stand out from the rest of the cast, is", "struggling to remember who's who? If not a limit, is there a certain", "the total amount of characters in my cast) that is considered \"good\" or", "there a limit to how many characters I can introduce in the first", "If not a limit, is there a certain number (or maybe a percentage", "number (or maybe a percentage relative to the total amount of characters in", "there a certain number (or maybe a percentage relative to the total amount", "many characters I can introduce in the first chapter before my reader starts", "who's who? If not a limit, is there a certain number (or maybe", "to remember who's who? If not a limit, is there a certain number", "certain number (or maybe a percentage relative to the total amount of characters", "in my cast) that is considered \"good\" or \"reasonable\" to introduce in the", "not a limit, is there a certain number (or maybe a percentage relative", "from the rest of the cast, is there a limit to how many", "a limit to how many characters I can introduce in the first chapter", "all of the characters are unique, interesting, and stand out from the rest", "a certain number (or maybe a percentage relative to the total amount of", "stand out from the rest of the cast, is there a limit to", "the rest of the cast, is there a limit to how many characters", "how many characters I can introduce in the first chapter before my reader", "maybe a percentage relative to the total amount of characters in my cast)", "percentage relative to the total amount of characters in my cast) that is", "a percentage relative to the total amount of characters in my cast) that", "Assuming that all of the characters are unique, interesting, and stand out from", "is there a limit to how many characters I can introduce in the", "is there a certain number (or maybe a percentage relative to the total", "remember who's who? If not a limit, is there a certain number (or", "relative to the total amount of characters in my cast) that is considered" ]
[ "the main character of my story, who is a strict vegan, stumbles into", "without falling into purple prose? If possible, could you provide a line or", "every detail without falling into purple prose? If possible, could you provide a", "detail... but how do I describe every detail without falling into purple prose?", "story, who is a strict vegan, stumbles into a slaughterhouse? My MC would", "every detail... but how do I describe every detail without falling into purple", "my story, who is a strict vegan, stumbles into a slaughterhouse? My MC", "detail without falling into purple prose? If possible, could you provide a line", "character of my story, who is a strict vegan, stumbles into a slaughterhouse?", "purple prose? If possible, could you provide a line or two of examples?", "a line or two of examples? Or maybe a \"what to do\" vs.", "a lot of description? What if the main character of my story, who", "My MC would definitely see every detail... but how do I describe every", "definitely see every detail... but how do I describe every detail without falling", "that needs a lot of description? What if the main character of my", "understand the \"only describe what is necessary\" rule. If a character's appearance is", "I describe every detail without falling into purple prose? If possible, could you", "into a slaughterhouse? My MC would definitely see every detail... but how do", "what if I'm writing a scene that needs a lot of description? What", "would definitely see every detail... but how do I describe every detail without", "writing a scene that needs a lot of description? What if the main", "do I describe every detail without falling into purple prose? If possible, could", "I understand the \"only describe what is necessary\" rule. If a character's appearance", "who is a strict vegan, stumbles into a slaughterhouse? My MC would definitely", "needs a lot of description? What if the main character of my story,", "prose? If possible, could you provide a line or two of examples? Or", "appearance is important, I'll describe it in moderation. But what if I'm writing", "of description? What if the main character of my story, who is a", "description? What if the main character of my story, who is a strict", "I'm writing a scene that needs a lot of description? What if the", "Or maybe a \"what to do\" vs. \"what not to do\" sort of", "slaughterhouse? My MC would definitely see every detail... but how do I describe", "scene that needs a lot of description? What if the main character of", "into purple prose? If possible, could you provide a line or two of", "two of examples? Or maybe a \"what to do\" vs. \"what not to", "examples? Or maybe a \"what to do\" vs. \"what not to do\" sort", "is a strict vegan, stumbles into a slaughterhouse? My MC would definitely see", "I'll describe it in moderation. But what if I'm writing a scene that", "vegan, stumbles into a slaughterhouse? My MC would definitely see every detail... but", "character's appearance is important, I'll describe it in moderation. But what if I'm", "moderation. But what if I'm writing a scene that needs a lot of", "or two of examples? Or maybe a \"what to do\" vs. \"what not", "in moderation. But what if I'm writing a scene that needs a lot", "a strict vegan, stumbles into a slaughterhouse? My MC would definitely see every", "describe every detail without falling into purple prose? If possible, could you provide", "what is necessary\" rule. If a character's appearance is important, I'll describe it", "of examples? Or maybe a \"what to do\" vs. \"what not to do\"", "a slaughterhouse? My MC would definitely see every detail... but how do I", "a character's appearance is important, I'll describe it in moderation. But what if", "of my story, who is a strict vegan, stumbles into a slaughterhouse? My", "possible, could you provide a line or two of examples? Or maybe a", "but how do I describe every detail without falling into purple prose? If", "important, I'll describe it in moderation. But what if I'm writing a scene", "What if the main character of my story, who is a strict vegan,", "necessary\" rule. If a character's appearance is important, I'll describe it in moderation.", "how do I describe every detail without falling into purple prose? If possible,", "you provide a line or two of examples? Or maybe a \"what to", "maybe a \"what to do\" vs. \"what not to do\" sort of thing?", "main character of my story, who is a strict vegan, stumbles into a", "describe it in moderation. But what if I'm writing a scene that needs", "MC would definitely see every detail... but how do I describe every detail", "\"only describe what is necessary\" rule. If a character's appearance is important, I'll", "see every detail... but how do I describe every detail without falling into", "line or two of examples? Or maybe a \"what to do\" vs. \"what", "is necessary\" rule. If a character's appearance is important, I'll describe it in", "provide a line or two of examples? Or maybe a \"what to do\"", "lot of description? What if the main character of my story, who is", "if the main character of my story, who is a strict vegan, stumbles", "falling into purple prose? If possible, could you provide a line or two", "describe what is necessary\" rule. If a character's appearance is important, I'll describe", "a scene that needs a lot of description? What if the main character", "But what if I'm writing a scene that needs a lot of description?", "rule. If a character's appearance is important, I'll describe it in moderation. But", "If a character's appearance is important, I'll describe it in moderation. But what", "could you provide a line or two of examples? Or maybe a \"what", "is important, I'll describe it in moderation. But what if I'm writing a", "it in moderation. But what if I'm writing a scene that needs a", "stumbles into a slaughterhouse? My MC would definitely see every detail... but how", "the \"only describe what is necessary\" rule. If a character's appearance is important,", "if I'm writing a scene that needs a lot of description? What if", "If possible, could you provide a line or two of examples? Or maybe", "strict vegan, stumbles into a slaughterhouse? My MC would definitely see every detail..." ]
[ "I handle a scene where Sarlb and Shintaro try to teach Bob Japanese?", "wants to purposely mistranslate what one person says? In such a case, could", "> \"He says he's over it,\" Sarlb said to Bob. \"Shintaro forgives you.\"", "(I realize there have been similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520),", "I did go on that trip to Tokyo last year.\" > > >", "> \"I feel like I've seen you before,\" said Shintaro. > > >", "Sarlb said to Bob. \"Shintaro forgives you.\" > > > One last thing:", "people speak English. She introduces him to her childhood friend, Bob. How can", "> \"Bob says that he went to Tokyo last year,\" Sarlb said to", "Then, in the second part, Sarlb brings Shintaro to the United States, where", "you.\" > > > \"Nice to meet you,\" Bob repeated. > > >", "person says? In such a case, could I then introduce Sarlb as the", "effectively write a dialogue involving these three characters? Not just for their first", "\"He says he feels like he's seen you before,\" Sarlb said. > >", "> > > Would it work if I got rid of Sarlb in", "story? Sarlb is the only one who understands both languages, so she's essentially", "previous dialogue, she was never seen translating anything? > > Bob's head was", "\"I'm the one who killed your sister.\" > > > Shintaro waited on", "English. The reader should understand everyone is really speaking Japanese. Then, in the", "to Japan, where everyone speaks Japanese. She meets and makes friends with Shintaro", "struggled to find her words. > > > \"Bob says he's sorry your", "book is written in English, all of the dialogue will be in English.", "Japanese, Bob only knows English, and Shintaro only knows Japanese. The story is", "Bob. \"Shintaro forgives you.\" > > > One last thing: how do I", "> > > \"What did he say?\" asked Bob. > > > \"He", "the translator position? Would the readers understand that everything Bob and Shintaro are", "saw you.\" > > > Would it work if I got rid of", "chin on his hand. \"Well, I did go on that trip to Tokyo", "go on that trip to Tokyo last year.\" > > > \"Bob says", "said. \"Maybe that's when I saw you.\" > > > But, if I", "> > Would it work if I got rid of Sarlb in the", "\"Well, I did go on that trip to Tokyo last year.\" > >", "translator. But I fear that having her translate everything for Bob and Shintaro", "is the only one who understands both languages, so she's essentially the translator.", "> > > Bob rested his chin on his hand. \"Well, I did", "was down. \"I'm the one who killed your sister.\" > > > Shintaro", "> Bob's head was down. \"I'm the one who killed your sister.\" >", "to Bob. \"Shintaro forgives you.\" > > > One last thing: how do", "her words. > > > \"Bob says he's sorry your sister died,\" she", "> > But, if I take the second route, what should I do", "in English. The reader should understand everyone is really speaking Japanese. Then, in", "the United States, where people speak English. She introduces him to her childhood", "what if I use italics for emphasis already? That just seems more confusing.", "translator? Would that be strange since in all previous dialogue, she was never", "to meet you,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro", "scene where Sarlb and Shintaro try to teach Bob Japanese? Do I stop", "on his hand. \"Well, I did go on that trip to Tokyo last", "that having her translate everything for Bob and Shintaro will make for terrible", "> > \"Oh, he's pretty good,\" Shintaro said. > > > \"Only because", "> Shintaro waited on Sarlb with a helpless look. Sarlb struggled to find", "he's learning in Japanese? > > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" >", "Japanese. Then, in the second part, Sarlb brings Shintaro to the United States,", "Sarlb said. > > > Bob rested his chin on his hand. \"Well,", "head was down. \"I'm the one who killed your sister.\" > > >", "my specific issue.) I have three characters. Sarlb speaks both English and Japanese,", "childhood friend, Bob. How can I effectively write a dialogue involving these three", "having her translate everything for Bob and Shintaro will make for terrible and", "for their first meeting, but for the rest of the story? Sarlb is", "Bob only knows English, and Shintaro only knows Japanese. The story is written", "appreciate your sympathy.\" > > > \"He says he's over it,\" Sarlb said", "trip to Tokyo last year.\" > > > \"I was living in Tokyo", "English and Japanese, Bob only knows English, and Shintaro only knows Japanese. The", "I've seen you before,\" said Shintaro. > > > \"What did he say?\"", "with Shintaro there. Because the book is written in English, all of the", "much anime.\" > > > Or: > > \"Repeat after me,\" said Sarlb.", "second part, Sarlb brings Shintaro to the United States, where people speak English.", "makes friends with Shintaro there. Because the book is written in English, all", "the rest of the story? Sarlb is the only one who understands both", "said to Shintaro. > > > \"I was living in Tokyo last year,\"", "last year,\" Shintaro said. \"Maybe that's when I saw you.\" > > >", "> \"Bob says he's sorry your sister died,\" she said. > > >", "\"I was living in Tokyo last year,\" Shintaro said. \"Maybe that's when I", "he went to Tokyo last year,\" Sarlb said to Shintaro. > > >", "\"Bob says he's sorry your sister died,\" she said. > > > Shintaro's", "the one who killed your sister.\" > > > Shintaro waited on Sarlb", "a scene where Sarlb and Shintaro try to teach Bob Japanese? Do I", "both languages, so she's essentially the translator. But I fear that having her", "last year.\" > > > \"I was living in Tokyo last year,\" Shintaro", "he's sorry your sister died,\" she said. > > > Shintaro's gaze softened.", "> > > One last thing: how do I handle a scene where", "should understand everyone is really speaking Japanese. Then, in the second part, Sarlb", "fear that having her translate everything for Bob and Shintaro will make for", "Do I stop translating Japanese to English? Do I actually write what he's", "so she's essentially the translator. But I fear that having her translate everything", "Shintaro. > > > \"What did he say?\" asked Bob. > > >", "> > Shintaro waited on Sarlb with a helpless look. Sarlb struggled to", "brings Shintaro to the United States, where people speak English. She introduces him", "three characters. Sarlb speaks both English and Japanese, Bob only knows English, and", "understands both languages, so she's essentially the translator. But I fear that having", "\"I appreciate your sympathy.\" > > > \"He says he's over it,\" Sarlb", "I stop translating Japanese to English? Do I actually write what he's learning", "> > \"Only because he watches too much anime.\" > > > I", "she said. > > > Shintaro's gaze softened. \"I appreciate your sympathy.\" >", "like I've seen you before,\" said Shintaro. > > > \"What did he", "> > > \"Nice to meet you,\" Bob repeated. > > > \"Oh,", "pretty good,\" Shintaro said. > > > \"Only because he watches too much", "dialogue: > > \"I feel like I've seen you before,\" said Shintaro. >", "Shintaro will make for terrible and confusing dialogue: > > \"I feel like", "Sarlb with a helpless look. Sarlb struggled to find her words. > >", "last thing: how do I handle a scene where Sarlb and Shintaro try", "she's essentially the translator. But I fear that having her translate everything for", "> > One last thing: how do I handle a scene where Sarlb", "everyone speaks Japanese. She meets and makes friends with Shintaro there. Because the", "to the United States, where people speak English. She introduces him to her", "\"Shintaro forgives you.\" > > > One last thing: how do I handle", "he's pretty good,\" Shintaro said. > > > \"Only because he watches too", "too much anime.\" > > > I have heard using italics help lessen", "Shintaro's gaze softened. \"I appreciate your sympathy.\" > > > \"He says he's", "hand. \"Well, I did go on that trip to Tokyo last year.\" >", "I have three characters. Sarlb speaks both English and Japanese, Bob only knows", "year.\" > > > \"I was living in Tokyo last year,\" Shintaro said.", "do I handle a scene where Sarlb and Shintaro try to teach Bob", "to Tokyo last year,\" Sarlb said to Shintaro. > > > \"I was", "feel like I've seen you before,\" said Shintaro. > > > Bob rested", "> Or: > > \"Repeat after me,\" said Sarlb. \"Nice to meet you.\"", "feel like I've seen you before,\" said Shintaro. > > > \"What did", "good,\" Shintaro said. > > > \"Only because he watches too much anime.\"", "Shintaro to the United States, where people speak English. She introduces him to", "> > Bob's head was down. \"I'm the one who killed your sister.\"", "says? In such a case, could I then introduce Sarlb as the translator?", "trip to Tokyo last year.\" > > > \"Bob says that he went", "him to her childhood friend, Bob. How can I effectively write a dialogue", "> > > Shintaro waited on Sarlb with a helpless look. Sarlb struggled", "> \"Oh, he's pretty good,\" Shintaro said. > > > \"Only because he", "on that trip to Tokyo last year.\" > > > \"I was living", "English, all of the dialogue will be in English. The reader should understand", "[this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did not help much with my", "[this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did not help much", "it work if I got rid of Sarlb in the translator position? Would", "said. > > > Bob rested his chin on his hand. \"Well, I", "says he feels like he's seen you before,\" Sarlb said. > > >", "second route, what should I do if Sarlb wants to purposely mistranslate what", "> \"Nice to meet you,\" Bob repeated. > > > \"Oh, he's pretty", "words. > > > \"Bob says he's sorry your sister died,\" she said.", "because he watches too much anime.\" > > > Or: > > \"Repeat", "is written in English, all of the dialogue will be in English. The", "I saw you.\" > > > But, if I take the second route,", "similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those", "was living in Tokyo last year,\" Shintaro said. \"Maybe that's when I saw", "to those unfortunately did not help much with my specific issue.) I have", "Sarlb in the translator position? Would the readers understand that everything Bob and", "last year,\" Sarlb said to Shintaro. > > > \"I was living in", "for the rest of the story? Sarlb is the only one who understands", "says he's sorry your sister died,\" she said. > > > Shintaro's gaze", "did he say?\" asked Bob. > > > \"He says he feels like", "asked Bob. > > > \"He says he feels like he's seen you", "the confusion... but what if I use italics for emphasis already? That just", "The story is written in English. In the first part, Sarlb goes to", "then introduce Sarlb as the translator? Would that be strange since in all", "Sarlb as the translator? Would that be strange since in all previous dialogue,", "seen you before,\" Sarlb said. > > > Bob rested his chin on", "both English and Japanese, Bob only knows English, and Shintaro only knows Japanese.", "softened. \"I appreciate your sympathy.\" > > > \"He says he's over it,\"", "to her childhood friend, Bob. How can I effectively write a dialogue involving", "knows English, and Shintaro only knows Japanese. The story is written in English.", "how do I handle a scene where Sarlb and Shintaro try to teach", "Japanese. She meets and makes friends with Shintaro there. Because the book is", "characters? Not just for their first meeting, but for the rest of the", "his chin on his hand. \"Well, I did go on that trip to", "purposely mistranslate what one person says? In such a case, could I then", "will make for terrible and confusing dialogue: > > \"I feel like I've", "> Would it work if I got rid of Sarlb in the translator", "part, Sarlb goes to Japan, where everyone speaks Japanese. She meets and makes", "part, Sarlb brings Shintaro to the United States, where people speak English. She", "be strange since in all previous dialogue, she was never seen translating anything?", "> > > \"Hajimemashite,\" Bob repeated. > > > \"Oh, he's pretty good,\"", "languages, so she's essentially the translator. But I fear that having her translate", "heard using italics help lessen the confusion... but what if I use italics", "Japanese. The story is written in English. In the first part, Sarlb goes", "> > Or: > > \"Repeat after me,\" said Sarlb. \"Nice to meet", "unfortunately did not help much with my specific issue.) I have three characters.", "said Shintaro. > > > \"What did he say?\" asked Bob. > >", "knows Japanese. The story is written in English. In the first part, Sarlb", "I've seen you before,\" said Shintaro. > > > Bob rested his chin", "a helpless look. Sarlb struggled to find her words. > > > \"Bob", "when I saw you.\" > > > But, if I take the second", "just for their first meeting, but for the rest of the story? Sarlb", "you before,\" said Shintaro. > > > \"What did he say?\" asked Bob.", "in Tokyo last year,\" Shintaro said. \"Maybe that's when I saw you.\" >", "the book is written in English, all of the dialogue will be in", "involving these three characters? Not just for their first meeting, but for the", "dialogue, she was never seen translating anything? > > Bob's head was down.", "is really speaking Japanese. Then, in the second part, Sarlb brings Shintaro to", "Bob Japanese? Do I stop translating Japanese to English? Do I actually write", "make for terrible and confusing dialogue: > > \"I feel like I've seen", "a case, could I then introduce Sarlb as the translator? Would that be", "I take the second route, what should I do if Sarlb wants to", "Shintaro only knows Japanese. The story is written in English. In the first", "> \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated.", "should I do if Sarlb wants to purposely mistranslate what one person says?", "and Shintaro are saying is being translated by Sarlb? > > \"I feel", "reader should understand everyone is really speaking Japanese. Then, in the second part,", "teach Bob Japanese? Do I stop translating Japanese to English? Do I actually", "your sister died,\" she said. > > > Shintaro's gaze softened. \"I appreciate", "Shintaro try to teach Bob Japanese? Do I stop translating Japanese to English?", "translating anything? > > Bob's head was down. \"I'm the one who killed", "since in all previous dialogue, she was never seen translating anything? > >", "killed your sister.\" > > > Shintaro waited on Sarlb with a helpless", "position? Would the readers understand that everything Bob and Shintaro are saying is", "Bob. > > > \"He says he feels like he's seen you before,\"", "been similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to", "learning in Japanese? > > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > >", "mistranslate what one person says? In such a case, could I then introduce", "that's when I saw you.\" > > > But, if I take the", "his hand. \"Well, I did go on that trip to Tokyo last year.\"", "confusing dialogue: > > \"I feel like I've seen you before,\" said Shintaro.", "have heard using italics help lessen the confusion... but what if I use", "on that trip to Tokyo last year.\" > > > \"Bob says that", "your sister.\" > > > Shintaro waited on Sarlb with a helpless look.", "lessen the confusion... but what if I use italics for emphasis already? That", "he watches too much anime.\" > > > Or: > > \"Repeat after", "the readers understand that everything Bob and Shintaro are saying is being translated", "> > > \"Bob says that he went to Tokyo last year,\" Sarlb", "\"Bob says that he went to Tokyo last year,\" Sarlb said to Shintaro.", "> > Shintaro's gaze softened. \"I appreciate your sympathy.\" > > > \"He", "But, if I take the second route, what should I do if Sarlb", "to purposely mistranslate what one person says? In such a case, could I", "Tokyo last year,\" Shintaro said. \"Maybe that's when I saw you.\" > >", "introduce Sarlb as the translator? Would that be strange since in all previous", "Or: > > \"Repeat after me,\" said Sarlb. \"Nice to meet you.\" >", "anime.\" > > > Or: > > \"Repeat after me,\" said Sarlb. \"Nice", "> But, if I take the second route, what should I do if", "> > \"Hajimemashite,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro", "United States, where people speak English. She introduces him to her childhood friend,", "Shintaro said. \"Maybe that's when I saw you.\" > > > Would it", "you before,\" Sarlb said. > > > Bob rested his chin on his", "and Japanese, Bob only knows English, and Shintaro only knows Japanese. The story", "Sarlb struggled to find her words. > > > \"Bob says he's sorry", "are saying is being translated by Sarlb? > > \"I feel like I've", "\"Nice to meet you,\" Bob repeated. > > > \"Oh, he's pretty good,\"", "try to teach Bob Japanese? Do I stop translating Japanese to English? Do", "when I saw you.\" > > > Would it work if I got", "one who killed your sister.\" > > > Shintaro waited on Sarlb with", "written in English, all of the dialogue will be in English. The reader", "such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did not", "her childhood friend, Bob. How can I effectively write a dialogue involving these", "Would that be strange since in all previous dialogue, she was never seen", "issue.) I have three characters. Sarlb speaks both English and Japanese, Bob only", "Tokyo last year,\" Sarlb said to Shintaro. > > > \"I was living", "> \"What did he say?\" asked Bob. > > > \"He says he", "sorry your sister died,\" she said. > > > Shintaro's gaze softened. \"I", "dialogue will be in English. The reader should understand everyone is really speaking", "after me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. > >", "me,\" said Sarlb. \"Nice to meet you.\" > > > \"Nice to meet", "She introduces him to her childhood friend, Bob. How can I effectively write", "their first meeting, but for the rest of the story? Sarlb is the", "English, and Shintaro only knows Japanese. The story is written in English. In", "last year.\" > > > \"Bob says that he went to Tokyo last", "the dialogue will be in English. The reader should understand everyone is really", "confusion... but what if I use italics for emphasis already? That just seems", "English? Do I actually write what he's learning in Japanese? > > \"Repeat", "could I then introduce Sarlb as the translator? Would that be strange since", "says that he went to Tokyo last year,\" Sarlb said to Shintaro. >", "only one who understands both languages, so she's essentially the translator. But I", "the only one who understands both languages, so she's essentially the translator. But", "forgives you.\" > > > One last thing: how do I handle a", "thing: how do I handle a scene where Sarlb and Shintaro try to", "Because the book is written in English, all of the dialogue will be", "meeting, but for the rest of the story? Sarlb is the only one", "much anime.\" > > > I have heard using italics help lessen the", "what should I do if Sarlb wants to purposely mistranslate what one person", "but what if I use italics for emphasis already? That just seems more", "States, where people speak English. She introduces him to her childhood friend, Bob.", "there have been similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the", "there. Because the book is written in English, all of the dialogue will", "I fear that having her translate everything for Bob and Shintaro will make", "I saw you.\" > > > Would it work if I got rid", "watches too much anime.\" > > > I have heard using italics help", "did go on that trip to Tokyo last year.\" > > > \"I", "Sarlb said to Shintaro. > > > \"I was living in Tokyo last", "year.\" > > > \"Bob says that he went to Tokyo last year,\"", "said. > > > \"Only because he watches too much anime.\" > >", "answers to those unfortunately did not help much with my specific issue.) I", "The reader should understand everyone is really speaking Japanese. Then, in the second", "take the second route, what should I do if Sarlb wants to purposely", "gaze softened. \"I appreciate your sympathy.\" > > > \"He says he's over", "can I effectively write a dialogue involving these three characters? Not just for", "> \"He says he feels like he's seen you before,\" Sarlb said. >", "said Shintaro. > > > Bob rested his chin on his hand. \"Well,", "that's when I saw you.\" > > > Would it work if I", "written in English. In the first part, Sarlb goes to Japan, where everyone", "using italics help lessen the confusion... but what if I use italics for", "I got rid of Sarlb in the translator position? Would the readers understand", "anything? > > Bob's head was down. \"I'm the one who killed your", "and confusing dialogue: > > \"I feel like I've seen you before,\" said", "for Bob and Shintaro will make for terrible and confusing dialogue: > >", "How can I effectively write a dialogue involving these three characters? Not just", "English. She introduces him to her childhood friend, Bob. How can I effectively", "\"Maybe that's when I saw you.\" > > > Would it work if", "who understands both languages, so she's essentially the translator. But I fear that", "that he went to Tokyo last year,\" Sarlb said to Shintaro. > >", "with my specific issue.) I have three characters. Sarlb speaks both English and", "Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro said. > >", "meet you,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro said.", "friend, Bob. How can I effectively write a dialogue involving these three characters?", "One last thing: how do I handle a scene where Sarlb and Shintaro", "in English, all of the dialogue will be in English. The reader should", "of Sarlb in the translator position? Would the readers understand that everything Bob", "Sarlb speaks both English and Japanese, Bob only knows English, and Shintaro only", "> > \"Bob says he's sorry your sister died,\" she said. > >", "> > > Or: > > \"Repeat after me,\" said Sarlb. \"Nice to", "\"I feel like I've seen you before,\" said Shintaro. > > > Bob", "Sarlb is the only one who understands both languages, so she's essentially the", "Sarlb wants to purposely mistranslate what one person says? In such a case,", "> One last thing: how do I handle a scene where Sarlb and", "seen translating anything? > > Bob's head was down. \"I'm the one who", "strange since in all previous dialogue, she was never seen translating anything? >", "Bob's head was down. \"I'm the one who killed your sister.\" > >", "really speaking Japanese. Then, in the second part, Sarlb brings Shintaro to the", "Not just for their first meeting, but for the rest of the story?", "watches too much anime.\" > > > Or: > > \"Repeat after me,\"", "Shintaro said. \"Maybe that's when I saw you.\" > > > But, if", "in all previous dialogue, she was never seen translating anything? > > Bob's", "too much anime.\" > > > Or: > > \"Repeat after me,\" said", "translator position? Would the readers understand that everything Bob and Shintaro are saying", "I effectively write a dialogue involving these three characters? Not just for their", "\"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. >", "as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did not help", "\"Repeat after me,\" said Sarlb. \"Nice to meet you.\" > > > \"Nice", "In the first part, Sarlb goes to Japan, where everyone speaks Japanese. She", "story is written in English. In the first part, Sarlb goes to Japan,", "the second part, Sarlb brings Shintaro to the United States, where people speak", "feels like he's seen you before,\" Sarlb said. > > > Bob rested", "that trip to Tokyo last year.\" > > > \"Bob says that he", "> > \"Repeat after me,\" said Sarlb. \"Nice to meet you.\" > >", "specific issue.) I have three characters. Sarlb speaks both English and Japanese, Bob", "> > \"What did he say?\" asked Bob. > > > \"He says", "> > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob", "by Sarlb? > > \"I feel like I've seen you before,\" said Shintaro.", "did not help much with my specific issue.) I have three characters. Sarlb", "was never seen translating anything? > > Bob's head was down. \"I'm the", "you.\" > > > But, if I take the second route, what should", "Sarlb brings Shintaro to the United States, where people speak English. She introduces", "all previous dialogue, she was never seen translating anything? > > Bob's head", "you before,\" said Shintaro. > > > Bob rested his chin on his", "such a case, could I then introduce Sarlb as the translator? Would that", "one person says? In such a case, could I then introduce Sarlb as", "is being translated by Sarlb? > > \"I feel like I've seen you", "speaks Japanese. She meets and makes friends with Shintaro there. Because the book", "the first part, Sarlb goes to Japan, where everyone speaks Japanese. She meets", "translating Japanese to English? Do I actually write what he's learning in Japanese?", "to teach Bob Japanese? Do I stop translating Japanese to English? Do I", "he's over it,\" Sarlb said to Bob. \"Shintaro forgives you.\" > > >", "never seen translating anything? > > Bob's head was down. \"I'm the one", "> > > But, if I take the second route, what should I", "> > \"Bob says that he went to Tokyo last year,\" Sarlb said", "Japanese? Do I stop translating Japanese to English? Do I actually write what", "if Sarlb wants to purposely mistranslate what one person says? In such a", "is written in English. In the first part, Sarlb goes to Japan, where", "dialogue involving these three characters? Not just for their first meeting, but for", "the translator. But I fear that having her translate everything for Bob and", "Tokyo last year.\" > > > \"Bob says that he went to Tokyo", "> Bob rested his chin on his hand. \"Well, I did go on", "Japanese to English? Do I actually write what he's learning in Japanese? >", "\"Maybe that's when I saw you.\" > > > But, if I take", "> > \"I was living in Tokyo last year,\" Shintaro said. \"Maybe that's", "speaking Japanese. Then, in the second part, Sarlb brings Shintaro to the United", "meet you.\" > > > \"Nice to meet you,\" Bob repeated. > >", "but for the rest of the story? Sarlb is the only one who", "help lessen the confusion... but what if I use italics for emphasis already?", "seen you before,\" said Shintaro. > > > \"What did he say?\" asked", "said. \"Maybe that's when I saw you.\" > > > Would it work", "Shintaro there. Because the book is written in English, all of the dialogue", "before,\" Sarlb said. > > > Bob rested his chin on his hand.", "help much with my specific issue.) I have three characters. Sarlb speaks both", "\"Hajimemashite,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro said. >", "one who understands both languages, so she's essentially the translator. But I fear", "characters. Sarlb speaks both English and Japanese, Bob only knows English, and Shintaro", "being translated by Sarlb? > > \"I feel like I've seen you before,\"", "she was never seen translating anything? > > Bob's head was down. \"I'm", "have been similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers", "and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did not help much with", "year,\" Sarlb said to Shintaro. > > > \"I was living in Tokyo", "understand everyone is really speaking Japanese. Then, in the second part, Sarlb brings", "> > > \"I was living in Tokyo last year,\" Shintaro said. \"Maybe", "helpless look. Sarlb struggled to find her words. > > > \"Bob says", "I have heard using italics help lessen the confusion... but what if I", "seen you before,\" said Shintaro. > > > Bob rested his chin on", "to Shintaro. > > > \"I was living in Tokyo last year,\" Shintaro", "Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. > > > \"Oh, he's", "> > > I have heard using italics help lessen the confusion... but", "> > > \"He says he feels like he's seen you before,\" Sarlb", "he watches too much anime.\" > > > I have heard using italics", "first part, Sarlb goes to Japan, where everyone speaks Japanese. She meets and", "died,\" she said. > > > Shintaro's gaze softened. \"I appreciate your sympathy.\"", "and Shintaro will make for terrible and confusing dialogue: > > \"I feel", "Shintaro. > > > Bob rested his chin on his hand. \"Well, I", "route, what should I do if Sarlb wants to purposely mistranslate what one", "if I take the second route, what should I do if Sarlb wants", "everything for Bob and Shintaro will make for terrible and confusing dialogue: >", "everything Bob and Shintaro are saying is being translated by Sarlb? > >", "I do if Sarlb wants to purposely mistranslate what one person says? In", "go on that trip to Tokyo last year.\" > > > \"I was", "if I got rid of Sarlb in the translator position? Would the readers", "Would the readers understand that everything Bob and Shintaro are saying is being", "these three characters? Not just for their first meeting, but for the rest", "anime.\" > > > I have heard using italics help lessen the confusion...", "me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. > > >", "Tokyo last year.\" > > > \"I was living in Tokyo last year,\"", "but the answers to those unfortunately did not help much with my specific", "who killed your sister.\" > > > Shintaro waited on Sarlb with a", "her translate everything for Bob and Shintaro will make for terrible and confusing", "before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately did", "sister died,\" she said. > > > Shintaro's gaze softened. \"I appreciate your", "that be strange since in all previous dialogue, she was never seen translating", "the second route, what should I do if Sarlb wants to purposely mistranslate", "> > \"Nice to meet you,\" Bob repeated. > > > \"Oh, he's", "went to Tokyo last year,\" Sarlb said to Shintaro. > > > \"I", "\"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. > > > \"Oh, he's pretty", "your sympathy.\" > > > \"He says he's over it,\" Sarlb said to", "to Tokyo last year.\" > > > \"Bob says that he went to", "Sarlb goes to Japan, where everyone speaks Japanese. She meets and makes friends", "where everyone speaks Japanese. She meets and makes friends with Shintaro there. Because", "of the dialogue will be in English. The reader should understand everyone is", "three characters? Not just for their first meeting, but for the rest of", "Shintaro. > > > \"I was living in Tokyo last year,\" Shintaro said.", "> > > \"Bob says he's sorry your sister died,\" she said. >", "in the second part, Sarlb brings Shintaro to the United States, where people", "that trip to Tokyo last year.\" > > > \"I was living in", "work if I got rid of Sarlb in the translator position? Would the", "you.\" > > > Would it work if I got rid of Sarlb", "I then introduce Sarlb as the translator? Would that be strange since in", "with a helpless look. Sarlb struggled to find her words. > > >", "said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\" Bob repeated. > > > \"Oh,", "after me,\" said Sarlb. \"Nice to meet you.\" > > > \"Nice to", "before,\" said Shintaro. > > > Bob rested his chin on his hand.", "rid of Sarlb in the translator position? Would the readers understand that everything", "it,\" Sarlb said to Bob. \"Shintaro forgives you.\" > > > One last", "Sarlb. \"Nice to meet you.\" > > > \"Nice to meet you,\" Bob", "> \"Hajimemashite,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro said.", "> > \"Only because he watches too much anime.\" > > > Or:", "to English? Do I actually write what he's learning in Japanese? > >", "Bob. How can I effectively write a dialogue involving these three characters? Not", "But I fear that having her translate everything for Bob and Shintaro will", "he say?\" asked Bob. > > > \"He says he feels like he's", "> > \"He says he feels like he's seen you before,\" Sarlb said.", "where Sarlb and Shintaro try to teach Bob Japanese? Do I stop translating", "year,\" Shintaro said. \"Maybe that's when I saw you.\" > > > But,", "and Shintaro only knows Japanese. The story is written in English. In the", "> > > \"Only because he watches too much anime.\" > > >", "meets and makes friends with Shintaro there. Because the book is written in", "he feels like he's seen you before,\" Sarlb said. > > > Bob", "translated by Sarlb? > > \"I feel like I've seen you before,\" said", "and Shintaro try to teach Bob Japanese? Do I stop translating Japanese to", "Japan, where everyone speaks Japanese. She meets and makes friends with Shintaro there.", "> > > \"Oh, he's pretty good,\" Shintaro said. > > > \"Only", "> \"Only because he watches too much anime.\" > > > Or: >", "as the translator? Would that be strange since in all previous dialogue, she", "essentially the translator. But I fear that having her translate everything for Bob", "repeated. > > > \"Oh, he's pretty good,\" Shintaro said. > > >", "handle a scene where Sarlb and Shintaro try to teach Bob Japanese? Do", "speak English. She introduces him to her childhood friend, Bob. How can I", "write what he's learning in Japanese? > > \"Repeat after me,\" said Sarlb.", "Bob rested his chin on his hand. \"Well, I did go on that", "everyone is really speaking Japanese. Then, in the second part, Sarlb brings Shintaro", "to meet you.\" > > > \"Nice to meet you,\" Bob repeated. >", "be in English. The reader should understand everyone is really speaking Japanese. Then,", "translate everything for Bob and Shintaro will make for terrible and confusing dialogue:", "waited on Sarlb with a helpless look. Sarlb struggled to find her words.", "before,\" said Shintaro. > > > \"What did he say?\" asked Bob. >", "find her words. > > > \"Bob says he's sorry your sister died,\"", "> \"Only because he watches too much anime.\" > > > I have", "In such a case, could I then introduce Sarlb as the translator? Would", "Would it work if I got rid of Sarlb in the translator position?", "a dialogue involving these three characters? Not just for their first meeting, but", "did go on that trip to Tokyo last year.\" > > > \"Bob", "got rid of Sarlb in the translator position? Would the readers understand that", "questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but the answers to those unfortunately", "rest of the story? Sarlb is the only one who understands both languages,", "Do I actually write what he's learning in Japanese? > > \"Repeat after", "> \"I was living in Tokyo last year,\" Shintaro said. \"Maybe that's when", "the answers to those unfortunately did not help much with my specific issue.)", "of the story? Sarlb is the only one who understands both languages, so", "I actually write what he's learning in Japanese? > > \"Repeat after me,\"", "down. \"I'm the one who killed your sister.\" > > > Shintaro waited", "\"He says he's over it,\" Sarlb said to Bob. \"Shintaro forgives you.\" >", "Sarlb and Shintaro try to teach Bob Japanese? Do I stop translating Japanese", "Japanese? > > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > > > \"Hajimemashite,\"", "stop translating Japanese to English? Do I actually write what he's learning in", "all of the dialogue will be in English. The reader should understand everyone", "Bob and Shintaro will make for terrible and confusing dialogue: > > \"I", "\"What did he say?\" asked Bob. > > > \"He says he feels", "rested his chin on his hand. \"Well, I did go on that trip", "he's seen you before,\" Sarlb said. > > > Bob rested his chin", "for terrible and confusing dialogue: > > \"I feel like I've seen you", "you,\" Bob repeated. > > > \"Oh, he's pretty good,\" Shintaro said. >", "> > > \"He says he's over it,\" Sarlb said to Bob. \"Shintaro", "understand that everything Bob and Shintaro are saying is being translated by Sarlb?", "\"Only because he watches too much anime.\" > > > Or: > >", "case, could I then introduce Sarlb as the translator? Would that be strange", "\"Oh, he's pretty good,\" Shintaro said. > > > \"Only because he watches", "terrible and confusing dialogue: > > \"I feel like I've seen you before,\"", "year,\" Shintaro said. \"Maybe that's when I saw you.\" > > > Would", "goes to Japan, where everyone speaks Japanese. She meets and makes friends with", "> > \"He says he's over it,\" Sarlb said to Bob. \"Shintaro forgives", "over it,\" Sarlb said to Bob. \"Shintaro forgives you.\" > > > One", "where people speak English. She introduces him to her childhood friend, Bob. How", "English. In the first part, Sarlb goes to Japan, where everyone speaks Japanese.", "write a dialogue involving these three characters? Not just for their first meeting,", "you.\" > > > One last thing: how do I handle a scene", "in Japanese? > > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\" > > >", "> I have heard using italics help lessen the confusion... but what if", "the story? Sarlb is the only one who understands both languages, so she's", "sympathy.\" > > > \"He says he's over it,\" Sarlb said to Bob.", "what one person says? In such a case, could I then introduce Sarlb", "Bob and Shintaro are saying is being translated by Sarlb? > > \"I", "saw you.\" > > > But, if I take the second route, what", "only knows English, and Shintaro only knows Japanese. The story is written in", "living in Tokyo last year,\" Shintaro said. \"Maybe that's when I saw you.\"", "says he's over it,\" Sarlb said to Bob. \"Shintaro forgives you.\" > >", "because he watches too much anime.\" > > > I have heard using", "realize there have been similar questions before, such as [this](https://writers.stackexchange.com/questions/18190/how-to-deal-with-a-story-that-95-of-it-takes-place-in-a-different-language-coun/18197#18197) and [this](https://writers.stackexchange.com/questions/7519/how-are-multilingual-scenes-handled-when-the-storys-main-language-is-translated/7520#7520), but", "on Sarlb with a helpless look. Sarlb struggled to find her words. >", "Shintaro waited on Sarlb with a helpless look. Sarlb struggled to find her", "like I've seen you before,\" said Shintaro. > > > Bob rested his", "to find her words. > > > \"Bob says he's sorry your sister", "Sarlb? > > \"I feel like I've seen you before,\" said Shintaro. >", "actually write what he's learning in Japanese? > > \"Repeat after me,\" said", "said. > > > Shintaro's gaze softened. \"I appreciate your sympathy.\" > >", "Shintaro are saying is being translated by Sarlb? > > \"I feel like", "Shintaro said. > > > \"Only because he watches too much anime.\" >", "She meets and makes friends with Shintaro there. Because the book is written", "saying is being translated by Sarlb? > > \"I feel like I've seen", "not help much with my specific issue.) I have three characters. Sarlb speaks", "look. Sarlb struggled to find her words. > > > \"Bob says he's", "in the translator position? Would the readers understand that everything Bob and Shintaro", "said to Bob. \"Shintaro forgives you.\" > > > One last thing: how", "what he's learning in Japanese? > > \"Repeat after me,\" said Sarlb. \"Hajimemashite.\"", "> > Bob rested his chin on his hand. \"Well, I did go", "those unfortunately did not help much with my specific issue.) I have three", "said Sarlb. \"Nice to meet you.\" > > > \"Nice to meet you,\"", "much with my specific issue.) I have three characters. Sarlb speaks both English", "> > \"I feel like I've seen you before,\" said Shintaro. > >", "> \"Repeat after me,\" said Sarlb. \"Nice to meet you.\" > > >", "> > > Shintaro's gaze softened. \"I appreciate your sympathy.\" > > >", "readers understand that everything Bob and Shintaro are saying is being translated by", "that everything Bob and Shintaro are saying is being translated by Sarlb? >", "> Shintaro's gaze softened. \"I appreciate your sympathy.\" > > > \"He says", "\"Only because he watches too much anime.\" > > > I have heard", "> > I have heard using italics help lessen the confusion... but what", "speaks both English and Japanese, Bob only knows English, and Shintaro only knows", "say?\" asked Bob. > > > \"He says he feels like he's seen", "in English. In the first part, Sarlb goes to Japan, where everyone speaks", "first meeting, but for the rest of the story? Sarlb is the only", "\"I feel like I've seen you before,\" said Shintaro. > > > \"What", "and makes friends with Shintaro there. Because the book is written in English,", "to Tokyo last year.\" > > > \"I was living in Tokyo last", "italics help lessen the confusion... but what if I use italics for emphasis", "\"Nice to meet you.\" > > > \"Nice to meet you,\" Bob repeated.", "the translator? Would that be strange since in all previous dialogue, she was", "only knows Japanese. The story is written in English. In the first part,", "introduces him to her childhood friend, Bob. How can I effectively write a", "sister.\" > > > Shintaro waited on Sarlb with a helpless look. Sarlb", "do if Sarlb wants to purposely mistranslate what one person says? In such", "will be in English. The reader should understand everyone is really speaking Japanese.", "have three characters. Sarlb speaks both English and Japanese, Bob only knows English,", "like he's seen you before,\" Sarlb said. > > > Bob rested his", "friends with Shintaro there. Because the book is written in English, all of" ]
[ "look at it is by imagining the way the narrator is hearing it.", "be scared?\" He asked me. > > > I answer, \"I don't know.\"", "> > \"Tell me the truth, should I be scared?\" He asked me.", "use the past tense for dialogue tags. For example: > > I swallow", "dialogue tags. For example: > > I swallow and look at Mac. >", "This may seem like an off-topic question, but it's really more about writing", "than about the grammar. I use a lot of dialogue in my writing,", "about writing than about the grammar. I use a lot of dialogue in", "my writing, sometimes too much, but while I'm writing it, though the story", "the story itself is in the present tense, I don't know whether it", "at it is by imagining the way the narrator is hearing it. Like,", "sometimes too much, but while I'm writing it, though the story itself is", "> > > He looks back at me, just as frightened. > >", "may seem like an off-topic question, but it's really more about writing than", "itself is in the present tense, I don't know whether it would be", "it's said, use the past, or he/she is narrating during use the present,", "asked me. > > > I answer, \"I don't know.\" > > >", "me, just as frightened. > > > \"Tell me the truth, should I", "don't know whether it would be confusing to use the past tense for", "way the narrator is hearing it. Like, if the narrator is narrating after", "usually look at it is by imagining the way the narrator is hearing", "the way the narrator is hearing it. Like, if the narrator is narrating", "> > Is this confusing to do? The way I usually look at", "truth, should I be scared?\" He asked me. > > > I answer,", "confusing to use the past tense for dialogue tags. For example: > >", "while I'm writing it, though the story itself is in the present tense,", "looks back at me, just as frightened. > > > \"Tell me the", "> > > I answer, \"I don't know.\" > > > Is this", "as frightened. > > > \"Tell me the truth, should I be scared?\"", "is narrating after it's said, use the past, or he/she is narrating during", "and look at Mac. > > > He looks back at me, just", "grammar. I use a lot of dialogue in my writing, sometimes too much,", "lot of dialogue in my writing, sometimes too much, but while I'm writing", "look at Mac. > > > He looks back at me, just as", "the grammar. I use a lot of dialogue in my writing, sometimes too", "me the truth, should I be scared?\" He asked me. > > >", "I be scared?\" He asked me. > > > I answer, \"I don't", "if the narrator is narrating after it's said, use the past, or he/she", "don't know.\" > > > Is this confusing to do? The way I", "I swallow and look at Mac. > > > He looks back at", "etc.b Is it best to just stay in one tense in dialogue regardless", "use a lot of dialogue in my writing, sometimes too much, but while", "or he/she is narrating during use the present, etc.b Is it best to", "said, use the past, or he/she is narrating during use the present, etc.b", "Like, if the narrator is narrating after it's said, use the past, or", "me. > > > I answer, \"I don't know.\" > > > Is", "For example: > > I swallow and look at Mac. > > >", "I usually look at it is by imagining the way the narrator is", "stay in one tense in dialogue regardless of when the narration is happening?", "> Is this confusing to do? The way I usually look at it", "Mac. > > > He looks back at me, just as frightened. >", "seem like an off-topic question, but it's really more about writing than about", "use the past, or he/she is narrating during use the present, etc.b Is", "the narrator is hearing it. Like, if the narrator is narrating after it's", "an off-topic question, but it's really more about writing than about the grammar.", "tags. For example: > > I swallow and look at Mac. > >", "> > He looks back at me, just as frightened. > > >", "know.\" > > > Is this confusing to do? The way I usually", "present, etc.b Is it best to just stay in one tense in dialogue", "should I be scared?\" He asked me. > > > I answer, \"I", "way I usually look at it is by imagining the way the narrator", "Is it best to just stay in one tense in dialogue regardless of", "narrator is narrating after it's said, use the past, or he/she is narrating", "is by imagining the way the narrator is hearing it. Like, if the", "swallow and look at Mac. > > > He looks back at me,", "the present, etc.b Is it best to just stay in one tense in", "though the story itself is in the present tense, I don't know whether", "story itself is in the present tense, I don't know whether it would", "past, or he/she is narrating during use the present, etc.b Is it best", "the truth, should I be scared?\" He asked me. > > > I", "a lot of dialogue in my writing, sometimes too much, but while I'm", "present tense, I don't know whether it would be confusing to use the", "past tense for dialogue tags. For example: > > I swallow and look", "> > > Is this confusing to do? The way I usually look", "by imagining the way the narrator is hearing it. Like, if the narrator", "I use a lot of dialogue in my writing, sometimes too much, but", "I'm writing it, though the story itself is in the present tense, I", "> He looks back at me, just as frightened. > > > \"Tell", "answer, \"I don't know.\" > > > Is this confusing to do? The", "use the present, etc.b Is it best to just stay in one tense", "like an off-topic question, but it's really more about writing than about the", "in my writing, sometimes too much, but while I'm writing it, though the", "in the present tense, I don't know whether it would be confusing to", "\"Tell me the truth, should I be scared?\" He asked me. > >", "off-topic question, but it's really more about writing than about the grammar. I", "know whether it would be confusing to use the past tense for dialogue", "it is by imagining the way the narrator is hearing it. Like, if", "would be confusing to use the past tense for dialogue tags. For example:", "confusing to do? The way I usually look at it is by imagining", "but while I'm writing it, though the story itself is in the present", "tense, I don't know whether it would be confusing to use the past", "after it's said, use the past, or he/she is narrating during use the", "during use the present, etc.b Is it best to just stay in one", "at Mac. > > > He looks back at me, just as frightened.", "it's really more about writing than about the grammar. I use a lot", "writing, sometimes too much, but while I'm writing it, though the story itself", "narrating after it's said, use the past, or he/she is narrating during use", "best to just stay in one tense in dialogue regardless of when the", "I answer, \"I don't know.\" > > > Is this confusing to do?", "The way I usually look at it is by imagining the way the", "just stay in one tense in dialogue regardless of when the narration is", "He looks back at me, just as frightened. > > > \"Tell me", "is in the present tense, I don't know whether it would be confusing", "narrator is hearing it. Like, if the narrator is narrating after it's said,", "Is this confusing to do? The way I usually look at it is", "He asked me. > > > I answer, \"I don't know.\" > >", "hearing it. Like, if the narrator is narrating after it's said, use the", "scared?\" He asked me. > > > I answer, \"I don't know.\" >", "narrating during use the present, etc.b Is it best to just stay in", "writing than about the grammar. I use a lot of dialogue in my", "I don't know whether it would be confusing to use the past tense", "is narrating during use the present, etc.b Is it best to just stay", "frightened. > > > \"Tell me the truth, should I be scared?\" He", "about the grammar. I use a lot of dialogue in my writing, sometimes", "of dialogue in my writing, sometimes too much, but while I'm writing it,", "for dialogue tags. For example: > > I swallow and look at Mac.", "to just stay in one tense in dialogue regardless of when the narration", "it, though the story itself is in the present tense, I don't know", "> I answer, \"I don't know.\" > > > Is this confusing to", "really more about writing than about the grammar. I use a lot of", "he/she is narrating during use the present, etc.b Is it best to just", "at me, just as frightened. > > > \"Tell me the truth, should", "\"I don't know.\" > > > Is this confusing to do? The way", "too much, but while I'm writing it, though the story itself is in", "writing it, though the story itself is in the present tense, I don't", "to use the past tense for dialogue tags. For example: > > I", "it would be confusing to use the past tense for dialogue tags. For", "but it's really more about writing than about the grammar. I use a", "the present tense, I don't know whether it would be confusing to use", "whether it would be confusing to use the past tense for dialogue tags.", "> > > \"Tell me the truth, should I be scared?\" He asked", "much, but while I'm writing it, though the story itself is in the", "the past, or he/she is narrating during use the present, etc.b Is it", "the past tense for dialogue tags. For example: > > I swallow and", "> > I swallow and look at Mac. > > > He looks", "example: > > I swallow and look at Mac. > > > He", "the narrator is narrating after it's said, use the past, or he/she is", "> I swallow and look at Mac. > > > He looks back", "question, but it's really more about writing than about the grammar. I use", "back at me, just as frightened. > > > \"Tell me the truth,", "to do? The way I usually look at it is by imagining the", "more about writing than about the grammar. I use a lot of dialogue", "> \"Tell me the truth, should I be scared?\" He asked me. >", "it. Like, if the narrator is narrating after it's said, use the past,", "dialogue in my writing, sometimes too much, but while I'm writing it, though", "tense for dialogue tags. For example: > > I swallow and look at", "imagining the way the narrator is hearing it. Like, if the narrator is", "be confusing to use the past tense for dialogue tags. For example: >", "this confusing to do? The way I usually look at it is by", "it best to just stay in one tense in dialogue regardless of when", "> > I answer, \"I don't know.\" > > > Is this confusing", "is hearing it. Like, if the narrator is narrating after it's said, use", "do? The way I usually look at it is by imagining the way", "just as frightened. > > > \"Tell me the truth, should I be" ]
[ "a clear idea of what's gonna happen in the middle/end of the story.", "a fantasy novel. I'm done with the worldbuilding, rules of magic, main characters", "I'm done with the worldbuilding, rules of magic, main characters (even though I", "of what's gonna happen in the middle/end of the story. I only have", "writing or should I start to write and see how my characters behave", "and their initial plots and interactions. The problem is that I don't have", "and interactions. The problem is that I don't have a clear idea of", "I will add some more in the future) and their initial plots and", "I don't have a clear idea of what's gonna happen in the middle/end", "rules of magic, main characters (even though I think I will add some", "novel. I'm done with the worldbuilding, rules of magic, main characters (even though", "though I think I will add some more in the future) and their", "first complete the storyline (at least the main events) and then start writing", "story. I only have vague ideas. Should I first complete the storyline (at", "I think I will add some more in the future) and their initial", "the story. I only have vague ideas. Should I first complete the storyline", "I'm writing (planning to write) a fantasy novel. I'm done with the worldbuilding,", "is that I don't have a clear idea of what's gonna happen in", "magic, main characters (even though I think I will add some more in", "that I don't have a clear idea of what's gonna happen in the", "least the main events) and then start writing or should I start to", "start writing or should I start to write and see how my characters", "(planning to write) a fantasy novel. I'm done with the worldbuilding, rules of", "with the worldbuilding, rules of magic, main characters (even though I think I", "will add some more in the future) and their initial plots and interactions.", "(at least the main events) and then start writing or should I start", "middle/end of the story. I only have vague ideas. Should I first complete", "only have vague ideas. Should I first complete the storyline (at least the", "storyline (at least the main events) and then start writing or should I", "or should I start to write and see how my characters behave as", "think I will add some more in the future) and their initial plots", "vague ideas. Should I first complete the storyline (at least the main events)", "should I start to write and see how my characters behave as I", "I only have vague ideas. Should I first complete the storyline (at least", "what's gonna happen in the middle/end of the story. I only have vague", "some more in the future) and their initial plots and interactions. The problem", "the worldbuilding, rules of magic, main characters (even though I think I will", "ideas. Should I first complete the storyline (at least the main events) and", "events) and then start writing or should I start to write and see", "worldbuilding, rules of magic, main characters (even though I think I will add", "of the story. I only have vague ideas. Should I first complete the", "complete the storyline (at least the main events) and then start writing or", "done with the worldbuilding, rules of magic, main characters (even though I think", "and then start writing or should I start to write and see how", "problem is that I don't have a clear idea of what's gonna happen", "I start to write and see how my characters behave as I write?", "add some more in the future) and their initial plots and interactions. The", "main events) and then start writing or should I start to write and", "fantasy novel. I'm done with the worldbuilding, rules of magic, main characters (even", "in the middle/end of the story. I only have vague ideas. Should I", "characters (even though I think I will add some more in the future)", "write) a fantasy novel. I'm done with the worldbuilding, rules of magic, main", "don't have a clear idea of what's gonna happen in the middle/end of", "plots and interactions. The problem is that I don't have a clear idea", "happen in the middle/end of the story. I only have vague ideas. Should", "writing (planning to write) a fantasy novel. I'm done with the worldbuilding, rules", "in the future) and their initial plots and interactions. The problem is that", "have a clear idea of what's gonna happen in the middle/end of the", "have vague ideas. Should I first complete the storyline (at least the main", "initial plots and interactions. The problem is that I don't have a clear", "idea of what's gonna happen in the middle/end of the story. I only", "clear idea of what's gonna happen in the middle/end of the story. I", "The problem is that I don't have a clear idea of what's gonna", "of magic, main characters (even though I think I will add some more", "the future) and their initial plots and interactions. The problem is that I", "their initial plots and interactions. The problem is that I don't have a", "the main events) and then start writing or should I start to write", "Should I first complete the storyline (at least the main events) and then", "more in the future) and their initial plots and interactions. The problem is", "main characters (even though I think I will add some more in the", "to write) a fantasy novel. I'm done with the worldbuilding, rules of magic,", "(even though I think I will add some more in the future) and", "gonna happen in the middle/end of the story. I only have vague ideas.", "the middle/end of the story. I only have vague ideas. Should I first", "the storyline (at least the main events) and then start writing or should", "future) and their initial plots and interactions. The problem is that I don't", "I first complete the storyline (at least the main events) and then start", "then start writing or should I start to write and see how my", "interactions. The problem is that I don't have a clear idea of what's" ]
[ "she always seems to know who's coming inside the house. My brother entered", "in this excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\"", "apply. My question is: *When writing in the first person, is it appropriate", "\"Mom\" in conversations with their mother and in addressing her. Does her variance", "A voice calls. Yes, I know it's a strange name. My mom's* an", "mother called, she always seems to know who's coming inside the house. My", "may seem like a duplicate of [Changing the way one addresses a character", "\"Mom,\" and \"My Mother\" to refer to her mom. Because the narrator is", "is it appropriate to alternate terms of endearment, like using \"Mom\" and \"Mother\"", "and \"My Mother\" to refer to her mom. Because the narrator is speaking,", "\"Mother\" interchangeably in both dialogue and narration?** Example: > > \"Quorraline!\" A voice", "in the first person, is it appropriate to alternate terms of endearment, like", "calls. Yes, I know it's a strange name. My mom's an oceanographer and", "calling him by his full name. > > > See, in this excerpt", "her. Does her variance make her more dynamic or just inconsistent? Perhaps I'm", "Q to be different. > > > \"I'm here, Mother,\" I call out.", "the house. My brother entered the kitchen, frowning at Mom calling him by", "at Mom calling him by his full name. > > > See, in", "appropriate to alternate terms of endearment, like using \"Mom\" and \"Mother\" interchangeably in", "just combined the two names and spelled it with a Q to be", "frowning at Mom calling him by his full name. > > > See,", "two names and spelled it with a Q to be different. > >", "> See, in this excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and", "character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did", "it's a strange name. My mom's an oceanographer and wanted to name me", "in to them. > > > \"Mactaurum,\" My mother called, she always seems", "their mother and in addressing her. Does her variance make her more dynamic", "and how the protagonists refer to their parents isn't even noteworthy at all,", "seem like a duplicate of [Changing the way one addresses a character in", "variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not apply. My question is: *When", "them. > > > \"Mactaurum,\" My mother* called, she always seems to know", "same way to maintain consistency, or do I only have to refer her", "refers to their mother as \"Mom\" in conversations with their mother and in", "to refer her the same way in the dialogue itself? I should add", "add that Quorraline's brother only refers to their mother as \"Mom\" in conversations", "Mother\" to refer to her mom. Because the narrator is speaking, do I", "conversations with their mother and in addressing her. Does her variance make her", "step in to them. > > > \"Mactaurum,\" My mother called, she always", "> \"Quorraline!\" A voice calls. Yes, I know it's a strange name. My", "to their parents isn't even noteworthy at all, but I would like it", "Does her variance make her more dynamic or just inconsistent? Perhaps I'm just", "Corral but my dad wanted to name me Kurovire. So they just combined", "her the same way in the dialogue itself? I should add that Quorraline's", "their parents isn't even noteworthy at all, but I would like it if", "make her more dynamic or just inconsistent? Perhaps I'm just over thinking this,", "know who's coming inside the house. My brother entered the kitchen, frowning at", "I only have to refer her the same way in the dialogue itself?", "> > See, in this excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\"", "should add that Quorraline's brother only refers to their mother as \"Mom\" in", "> > > \"Mactaurum,\" My mother called, she always seems to know who's", "to shed some light on the issue and answer this question. Thank you!", "refer to her mom. Because the narrator is speaking, do I have to", "So they just combined the two names and spelled it with a Q", "in the dialogue itself? I should add that Quorraline's brother only refers to", "and in addressing her. Does her variance make her more dynamic or just", "it if someone were to shed some light on the issue and answer", "\"Mom\" and \"Mother\" interchangeably in both dialogue and narration?** Example: > > \"Quorraline!\"", "this, and how the protagonists refer to their parents isn't even noteworthy at", "strange name. My mom's an oceanographer and wanted to name me Corral but", "\"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer to her mom. Because", "\"Mactaurum,\" My mother called, she always seems to know who's coming inside the", "parents isn't even noteworthy at all, but I would like it if someone", "refer to their parents isn't even noteworthy at all, but I would like", "to their mother as \"Mom\" in conversations with their mother and in addressing", "were to shed some light on the issue and answer this question. Thank", "way one addresses a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it", "not apply. My question is: *When writing in the first person, is it", "mother and in addressing her. Does her variance make her more dynamic or", "inside the house. My brother entered the kitchen, frowning at Mom* calling him", "brother entered the kitchen, frowning at Mom calling him by his full name.", "just over thinking this, and how the protagonists refer to their parents isn't", "endearment, like using \"Mom\" and \"Mother\" interchangeably in both dialogue and narration?** Example:", "refer her the same way in the dialogue itself? I should add that", "dark-brown arms reach out, and I step in to them. > > >", "visibly relax. Her dark-brown arms reach out, and I step in to them.", "> \"I'm here, Mother,\" I call out. Seeing me, her features visibly relax.", "coming inside the house. My brother entered the kitchen, frowning at Mom calling", "in the same way to maintain consistency, or do I only have to", "I should add that Quorraline's brother only refers to their mother as \"Mom\"", "narration?** Example: > > \"Quorraline!\" A voice calls. Yes, I know it's a", "spelled it with a Q to be different. > > > \"I'm here,", "mom's an oceanographer and wanted to name me Corral but my dad wanted", "and spelled it with a Q to be different. > > > \"I'm", "> > \"Quorraline!\" A voice calls. Yes, I know it's a strange name.", "My mom's an oceanographer and wanted to name me Corral but my dad", "\"I'm here, Mother,\" I call out. Seeing me, her features visibly relax. Her", "to them. > > > \"Mactaurum,\" My mother called, she always seems to", "did not apply. My question is: *When writing in the first person, is", "know it's a strange name. My mom's* an oceanographer and wanted to name", "to name me Corral but my dad wanted to name me Kurovire. So", "kitchen, frowning at Mom calling him by his full name. > > >", "a duplicate of [Changing the way one addresses a character in a dialogue", "\"Mother,\" \"Mom,\" and \"My Mother\" to refer to her mom. Because the narrator", "to alternate terms of endearment, like using \"Mom\" and \"Mother\" interchangeably in both", "me Kurovire. So they just combined the two names and spelled it with", "Because the narrator is speaking, do I have to refer to her mother", "but I would like it if someone were to shed some light on", "her variance make her more dynamic or just inconsistent? Perhaps I'm just over", "duplicate of [Changing the way one addresses a character in a dialogue to", "and I step in to them. > > > \"Mactaurum,\" My mother called,", "a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not apply.", "> > > \"I'm here, Mother,\" I call out. Seeing me, her features", "someone were to shed some light on the issue and answer this question.", "itself? I should add that Quorraline's brother only refers to their mother as", "This may seem like a duplicate of [Changing the way one addresses a", "both dialogue and narration?** Example: > > \"Quorraline!\" A voice calls. Yes, I", "\"My Mother\" to refer to her mom. Because the narrator is speaking, do", "like it if someone were to shed some light on the issue and", "it with a Q to be different. > > > \"I'm here, Mother,\"", "but my dad wanted to name me Kurovire. So they just combined the", "even noteworthy at all, but I would like it if someone were to", "I step in to them. > > > \"Mactaurum,\" My mother called, she", "narrator is speaking, do I have to refer to her mother in the", "dialogue and narration? Example: > > \"Quorraline!\" A voice calls. Yes, I know", "a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there", "isn't even noteworthy at all, but I would like it if someone were", "or do I only have to refer her the same way in the", "wanted to name me Kurovire. So they just combined the two names and", "only have to refer her the same way in the dialogue itself? I", "it the answers there did not apply. My question is: When writing in", "question is: When writing in the first person, is it appropriate to alternate", "an oceanographer and wanted to name me Corral but my dad wanted to", "they just combined the two names and spelled it with a Q to", "narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer to her", "how the protagonists refer to their parents isn't even noteworthy at all, but", "thinking this, and how the protagonists refer to their parents isn't even noteworthy", "Her dark-brown arms reach out, and I step in to them. > >", "would like it if someone were to shed some light on the issue", "dialogue itself? I should add that Quorraline's brother only refers to their mother", "of [Changing the way one addresses a character in a dialogue to create", "of endearment, like using \"Mom\" and \"Mother\" interchangeably in both dialogue and narration?", "mother in the same way to maintain consistency, or do I only have", "her mom. Because the narrator is speaking, do I have to refer to", "her features visibly relax. Her dark-brown arms reach out, and I step in", "excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer", "is speaking, do I have to refer to her mother in the same", "first person, is it appropriate to alternate terms of endearment, like using \"Mom\"", "who's coming inside the house. My brother entered the kitchen, frowning at Mom", "as \"Mom\" in conversations with their mother and in addressing her. Does her", "to name me Kurovire. So they just combined the two names and spelled", "to maintain consistency, or do I only have to refer her the same", "in both dialogue and narration?** Example: > > \"Quorraline!\" A voice calls. Yes,", "Mom calling him by his full name. > > > See, in this", "I have to refer to her mother in the same way to maintain", "and narration? Example: > > \"Quorraline!\" A voice calls. Yes, I know it's", "there did not apply. My question is: When writing in the first person,", "in conversations with their mother and in addressing her. Does her variance make", "oceanographer and wanted to name me Corral but my dad wanted to name", "mom. Because the narrator is speaking, do I have to refer to her", "variance make her more dynamic or just inconsistent? Perhaps I'm just over thinking", "I'm just over thinking this, and how the protagonists refer to their parents", "dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not apply. My", "consistency, or do I only have to refer her the same way in", "maintain consistency, or do I only have to refer her the same way", "one addresses a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the", "person, is it appropriate to alternate terms of endearment, like using \"Mom\" and", "same way in the dialogue itself? I should add that Quorraline's brother only", "to refer to her mother in the same way to maintain consistency, or", "\"Quorraline!\" A voice calls. Yes, I know it's a strange name. My mom's", "over thinking this, and how the protagonists refer to their parents isn't even", "the first person, is it appropriate to alternate terms of endearment, like using", "that Quorraline's brother only refers to their mother as \"Mom\" in conversations with", "different. > > > \"I'm here, Mother,\" I call out. Seeing me, her", "in addressing her. Does her variance make her more dynamic or just inconsistent?", "have to refer to her mother in the same way to maintain consistency,", "and wanted to name me Corral but my dad wanted to name me", "to her mom. Because the narrator is speaking, do I have to refer", "it appropriate to alternate terms of endearment, like using \"Mom\" and \"Mother\" interchangeably", "> > > See, in this excerpt the narrator uses \"My mom,\" \"Mother,\"", "name. > > > See, in this excerpt the narrator uses \"My mom,\"", "the protagonists refer to their parents isn't even noteworthy at all, but I", "the two names and spelled it with a Q to be different. >", "My mother called, she always seems to know who's coming inside the house.", "called, she always seems to know who's coming inside the house. My brother", "the narrator is speaking, do I have to refer to her mother in", "*When writing in the first person, is it appropriate to alternate terms of", "to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not apply. My question", "Kurovire. So they just combined the two names and spelled it with a", "protagonists refer to their parents isn't even noteworthy at all, but I would", "her more dynamic or just inconsistent? Perhaps I'm just over thinking this, and", "inconsistent? Perhaps I'm just over thinking this, and how the protagonists refer to", "always seems to know who's coming inside the house. My brother entered the", "a Q to be different. > > > \"I'm here, Mother,\" I call", "dynamic or just inconsistent? Perhaps I'm just over thinking this, and how the", "terms of endearment, like using \"Mom\" and \"Mother\" interchangeably in both dialogue and", "or just inconsistent? Perhaps I'm just over thinking this, and how the protagonists", "mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer to her mom. Because the", "with their mother and in addressing her. Does her variance make her more", "refer to her mother in the same way to maintain consistency, or do", "combined the two names and spelled it with a Q to be different.", "Perhaps I'm just over thinking this, and how the protagonists refer to their", "entered the kitchen, frowning at Mom* calling him by his full name. >", "like using \"Mom\" and \"Mother\" interchangeably in both dialogue and narration? Example: >", "full name. > > > See, in this excerpt the narrator uses \"My", "See, in this excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My", "[Changing the way one addresses a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844),", "my dad wanted to name me Kurovire. So they just combined the two", "all, but I would like it if someone were to shed some light", "and \"Mother\" interchangeably in both dialogue and narration? Example: > > \"Quorraline!\" A", "to be different. > > > \"I'm here, Mother,\" I call out. Seeing", "Quorraline's brother only refers to their mother as \"Mom\" in conversations with their", "arms reach out, and I step in to them. > > > \"Mactaurum,\"", "here, Mother,\" I call out. Seeing me, her features visibly relax. Her dark-brown", "more dynamic or just inconsistent? Perhaps I'm just over thinking this, and how", "noteworthy at all, but I would like it if someone were to shed", "uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer to her mom.", "names and spelled it with a Q to be different. > > >", "this excerpt the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to", "to her mother in the same way to maintain consistency, or do I", "name. My mom's an oceanographer and wanted to name me Corral but my", "brother only refers to their mother as \"Mom\" in conversations with their mother", "using \"Mom\" and \"Mother\" interchangeably in both dialogue and narration? Example: > >", "just inconsistent? Perhaps I'm just over thinking this, and how the protagonists refer", "in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not", "me, her features visibly relax. Her dark-brown arms reach out, and I step", "My question is: When writing in the first person, is it appropriate to", "do I have to refer to her mother in the same way to", "a strange name. My mom's an oceanographer and wanted to name me Corral", "seems to know who's coming inside the house. My brother entered the kitchen,", "him by his full name. > > > See, in this excerpt the", "Example: > > \"Quorraline!\" A voice calls. Yes, I know it's a strange", "Seeing me, her features visibly relax. Her dark-brown arms reach out, and I", "> \"Mactaurum,\" My mother called, she always seems to know who's coming inside", "her mother in the same way to maintain consistency, or do I only", "name me Corral but my dad wanted to name me Kurovire. So they", "I would like it if someone were to shed some light on the", "> > \"I'm here, Mother,\" I call out. Seeing me, her features visibly", "create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers there did not apply. My question is:", "be different. > > > \"I'm here, Mother,\" I call out. Seeing me,", "only refers to their mother as \"Mom\" in conversations with their mother and", "relax. Her dark-brown arms reach out, and I step in to them. >", "mother as \"Mom\" in conversations with their mother and in addressing her. Does", "at all, but I would like it if someone were to shed some", "the same way to maintain consistency, or do I only have to refer", "house. My brother entered the kitchen, frowning at Mom calling him by his", "is: *When writing in the first person, is it appropriate to alternate terms", "call out. Seeing me, her features visibly relax. Her dark-brown arms reach out,", "reach out, and I step in to them. > > > \"Mactaurum,\" My", "writing in the first person, is it appropriate to alternate terms of endearment,", "the dialogue itself? I should add that Quorraline's brother only refers to their", "if someone were to shed some light on the issue and answer this", "dad wanted to name me Kurovire. So they just combined the two names", "me Corral but my dad wanted to name me Kurovire. So they just", "way to maintain consistency, or do I only have to refer her the", "> > \"Mactaurum,\" My mother* called, she always seems to know who's coming", "by his full name. > > > See, in this excerpt the narrator", "way in the dialogue itself? I should add that Quorraline's brother only refers", "their mother as \"Mom\" in conversations with their mother and in addressing her.", "like a duplicate of [Changing the way one addresses a character in a", "wanted to name me Corral but my dad wanted to name me Kurovire.", "the kitchen, frowning at Mom calling him by his full name. > >", "out, and I step in to them. > > > \"Mactaurum,\" My mother", "do I only have to refer her the same way in the dialogue", "but it the answers there did not apply. My question is: When writing", "answers there did not apply. My question is: When writing in the first", "out. Seeing me, her features visibly relax. Her dark-brown arms reach out, and", "addressing her. Does her variance make her more dynamic or just inconsistent? Perhaps", "features visibly relax. Her dark-brown arms reach out, and I step in to", "speaking, do I have to refer to her mother in the same way", "to know who's coming inside the house. My brother entered the kitchen, frowning", "name me Kurovire. So they just combined the two names and spelled it", "to refer to her mom. Because the narrator is speaking, do I have", "his full name. > > > See, in this excerpt the narrator uses", "the same way in the dialogue itself? I should add that Quorraline's brother", "Yes, I know it's a strange name. My mom's an oceanographer and wanted", "interchangeably in both dialogue and narration?** Example: > > \"Quorraline!\" A voice calls.", "addresses a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but it the answers", "Mother,\" I call out. Seeing me, her features visibly relax. Her dark-brown arms", "the narrator uses \"My mom,\" \"Mother,\" \"Mom,\" and \"My Mother\" to refer to", "with a Q to be different. > > > \"I'm here, Mother,\" I", "alternate terms of endearment, like using \"Mom\" and \"Mother\" interchangeably in both dialogue", "have to refer her the same way in the dialogue itself? I should", "the way one addresses a character in a dialogue to create variation](https://writers.stackexchange.com/questions/8814/changing-the-way-one-addresses-a-character-in-a-dialogue-to-create-variation/8844#8844), but", "I call out. Seeing me, her features visibly relax. Her dark-brown arms reach", "voice calls. Yes, I know it's a strange name. My mom's an oceanographer", "the answers there did not apply. My question is: *When writing in the", "I know it's a strange name. My mom's* an oceanographer and wanted to", "My brother entered the kitchen, frowning at Mom calling him by his full" ]
[ "Like totally chronological (starting in the beginning of the world's story events and", "the present-past-future order, or another? Is there any specific time order better or", "totally chronological (starting in the beginning of the world's story events and going", "present-past-future order, or another? Is there any specific time order better or more", "to the future), or in the present-past-future order, or another? Is there any", "world's story events and going on to the future), or in the present-past-future", "order, or another? Is there any specific time order better or more advantageous", "beginning of the world's story events and going on to the future), or", "or in the present-past-future order, or another? Is there any specific time order", "in the beginning of the world's story events and going on to the", "another? Is there any specific time order better or more advantageous than the", "the beginning of the world's story events and going on to the future),", "of the world's story events and going on to the future), or in", "going on to the future), or in the present-past-future order, or another? Is", "chronological (starting in the beginning of the world's story events and going on", "or another? Is there any specific time order better or more advantageous than", "events and going on to the future), or in the present-past-future order, or", "the world's story events and going on to the future), or in the", "story events and going on to the future), or in the present-past-future order,", "Is there any specific time order better or more advantageous than the others?", "and going on to the future), or in the present-past-future order, or another?", "future), or in the present-past-future order, or another? Is there any specific time", "(starting in the beginning of the world's story events and going on to", "in the present-past-future order, or another? Is there any specific time order better", "on to the future), or in the present-past-future order, or another? Is there", "the future), or in the present-past-future order, or another? Is there any specific" ]
[ "contain four books. As often happens, about half way through developing the books,", "writing my first series of novels, which will contain four books. As often", "but several years later. I could possibly do this again as well, after", "later. I could possibly do this again as well, after the second series", "for a collection of novels like this? It's several series, probably with varying", "my first series of novels, which will contain four books. As often happens,", "the second series is complete. Is there any technical term for a collection", "varying numbers of books, that are all connected through the setting and characters.", "set in the same world with the same characters, but several years later.", "the same world with the same characters, but several years later. I could", "four books. As often happens, about half way through developing the books, I", "same world with the same characters, but several years later. I could possibly", "probably with varying numbers of books, that are all connected through the setting", "possibly do this again as well, after the second series is complete. Is", "are all connected through the setting and characters. The series would be different", "technical term for a collection of novels like this? It's several series, probably", "first series of novels, which will contain four books. As often happens, about", "any technical term for a collection of novels like this? It's several series,", "like this? It's several series, probably with varying numbers of books, that are", "a collection of novels like this? It's several series, probably with varying numbers", "of novels, which will contain four books. As often happens, about half way", "is complete. Is there any technical term for a collection of novels like", "several series, probably with varying numbers of books, that are all connected through", "the books, I opened up the possibility for an entirely new series set", "of novels like this? It's several series, probably with varying numbers of books,", "It's several series, probably with varying numbers of books, that are all connected", "after the second series is complete. Is there any technical term for a", "series of novels, which will contain four books. As often happens, about half", "again as well, after the second series is complete. Is there any technical", "I could possibly do this again as well, after the second series is", "happens, about half way through developing the books, I opened up the possibility", "second series is complete. Is there any technical term for a collection of", "with the same characters, but several years later. I could possibly do this", "series, probably with varying numbers of books, that are all connected through the", "novels like this? It's several series, probably with varying numbers of books, that", "through developing the books, I opened up the possibility for an entirely new", "that are all connected through the setting and characters. The series would be", "up the possibility for an entirely new series set in the same world", "new series set in the same world with the same characters, but several", "there any technical term for a collection of novels like this? It's several", "as well, after the second series is complete. Is there any technical term", "world with the same characters, but several years later. I could possibly do", "will contain four books. As often happens, about half way through developing the", "well, after the second series is complete. Is there any technical term for", "books, that are all connected through the setting and characters. The series would", "this? It's several series, probably with varying numbers of books, that are all", "I opened up the possibility for an entirely new series set in the", "years later. I could possibly do this again as well, after the second", "As often happens, about half way through developing the books, I opened up", "the possibility for an entirely new series set in the same world with", "this again as well, after the second series is complete. Is there any", "in the same world with the same characters, but several years later. I", "same characters, but several years later. I could possibly do this again as", "opened up the possibility for an entirely new series set in the same", "which will contain four books. As often happens, about half way through developing", "collection of novels like this? It's several series, probably with varying numbers of", "way through developing the books, I opened up the possibility for an entirely", "about half way through developing the books, I opened up the possibility for", "half way through developing the books, I opened up the possibility for an", "books. As often happens, about half way through developing the books, I opened", "through the setting and characters. The series would be different in their plots.", "often happens, about half way through developing the books, I opened up the", "of books, that are all connected through the setting and characters. The series", "several years later. I could possibly do this again as well, after the", "books, I opened up the possibility for an entirely new series set in", "term for a collection of novels like this? It's several series, probably with", "the same characters, but several years later. I could possibly do this again", "complete. Is there any technical term for a collection of novels like this?", "novels, which will contain four books. As often happens, about half way through", "numbers of books, that are all connected through the setting and characters. The", "with varying numbers of books, that are all connected through the setting and", "could possibly do this again as well, after the second series is complete.", "for an entirely new series set in the same world with the same", "all connected through the setting and characters. The series would be different in", "do this again as well, after the second series is complete. Is there", "developing the books, I opened up the possibility for an entirely new series", "connected through the setting and characters. The series would be different in their", "I'm writing my first series of novels, which will contain four books. As", "possibility for an entirely new series set in the same world with the", "series is complete. Is there any technical term for a collection of novels", "entirely new series set in the same world with the same characters, but", "series set in the same world with the same characters, but several years", "an entirely new series set in the same world with the same characters,", "Is there any technical term for a collection of novels like this? It's", "characters, but several years later. I could possibly do this again as well," ]
[ "interested in learning the [Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question is: I'd", "a fantasy world, set in the past, that communicates or is dreamed up", "vice versa. Can the Snowflake method be adapted to handle this? Thanks, Creih.", "other part is a fantasy world, set in the past, that communicates or", "fiction world, but not vice versa. Can the Snowflake method be adapted to", "events in fantasy world influence the science fiction world, but not vice versa.", "fantasy world influence the science fiction world, but not vice versa. Can the", "is dreamed up by the main character in the science fiction world. In", "dreamed up by the main character in the science fiction world. In other", "accomplish this? Also, am I correct in identifying my story structure as dual", "not vice versa. Can the Snowflake method be adapted to handle this? Thanks,", "in the past, that communicates or is dreamed up by the main character", "outline a novel. Question is: I'd like to write dual plot novel. One", "other words, events in fantasy world influence the science fiction world, but not", "the science fiction world. In other words, events in fantasy world influence the", "to write dual plot novel. One part is science fiction set in the", "near future. The other part is a fantasy world, set in the past,", "communicates or is dreamed up by the main character in the science fiction", "world, set in the past, that communicates or is dreamed up by the", "write dual plot novel. One part is science fiction set in the near", "Creih. P.S. Are there other better outline methods to accomplish this? Also, am", "science fiction world, but not vice versa. Can the Snowflake method be adapted", "fantasy world, set in the past, that communicates or is dreamed up by", "influence the science fiction world, but not vice versa. Can the Snowflake method", "world. In other words, events in fantasy world influence the science fiction world,", "words, events in fantasy world influence the science fiction world, but not vice", "to accomplish this? Also, am I correct in identifying my story structure as", "novel. Question is: I'd like to write dual plot novel. One part is", "plot novel. One part is science fiction set in the near future. The", "up by the main character in the science fiction world. In other words,", "dual plot novel. One part is science fiction set in the near future.", "other better outline methods to accomplish this? Also, am I correct in identifying", "set in the past, that communicates or is dreamed up by the main", "Can the Snowflake method be adapted to handle this? Thanks, Creih. P.S. Are", "Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question is: I'd like to write dual plot", "a novel. Question is: I'd like to write dual plot novel. One part", "to handle this? Thanks, Creih. P.S. Are there other better outline methods to", "Thanks, Creih. P.S. Are there other better outline methods to accomplish this? Also,", "in the science fiction world. In other words, events in fantasy world influence", "the [Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question is: I'd like to write", "versa. Can the Snowflake method be adapted to handle this? Thanks, Creih. P.S.", "Are there other better outline methods to accomplish this? Also, am I correct", "outline methods to accomplish this? Also, am I correct in identifying my story", "methods to accomplish this? Also, am I correct in identifying my story structure", "like to write dual plot novel. One part is science fiction set in", "The other part is a fantasy world, set in the past, that communicates", "in learning the [Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. 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Are there other better outline methods to accomplish this?", "[Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question is: I'd like to write dual", "novel. One part is science fiction set in the near future. The other", "is a fantasy world, set in the past, that communicates or is dreamed", "better outline methods to accomplish this? Also, am I correct in identifying my", "to outline a novel. Question is: I'd like to write dual plot novel.", "in the near future. The other part is a fantasy world, set in", "In other words, events in fantasy world influence the science fiction world, but", "be adapted to handle this? Thanks, Creih. P.S. Are there other better outline", "past, that communicates or is dreamed up by the main character in the", "Question is: I'd like to write dual plot novel. One part is science", "the Snowflake method be adapted to handle this? Thanks, Creih. P.S. Are there", "fiction set in the near future. The other part is a fantasy world,", "the main character in the science fiction world. In other words, events in", "character in the science fiction world. In other words, events in fantasy world", "the near future. The other part is a fantasy world, set in the", "science fiction set in the near future. The other part is a fantasy", "but not vice versa. Can the Snowflake method be adapted to handle this?", "Snowflake method be adapted to handle this? Thanks, Creih. P.S. Are there other", "adapted to handle this? Thanks, Creih. P.S. Are there other better outline methods", "world, but not vice versa. Can the Snowflake method be adapted to handle", "is science fiction set in the near future. The other part is a", "am interested in learning the [Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question is:", "I am interested in learning the [Snowflake Method](http://www.advancedfictionwriting.com/articles/snowflake-method/) to outline a novel. Question", "world influence the science fiction world, but not vice versa. Can the Snowflake", "there other better outline methods to accomplish this? Also, am I correct in", "that communicates or is dreamed up by the main character in the science", "fiction world. In other words, events in fantasy world influence the science fiction", "handle this? Thanks, Creih. P.S. Are there other better outline methods to accomplish", "part is science fiction set in the near future. The other part is", "the science fiction world, but not vice versa. Can the Snowflake method be", "by the main character in the science fiction world. In other words, events", "P.S. Are there other better outline methods to accomplish this? Also, am I", "this? Also, am I correct in identifying my story structure as dual plot?", "is: I'd like to write dual plot novel. One part is science fiction", "science fiction world. In other words, events in fantasy world influence the science", "future. The other part is a fantasy world, set in the past, that" ]
[ "blog, video blogs are better. Any thoughts on this? Is writing becoming redundant?", "and that if you must blog, video blogs are better. Any thoughts on", "I am under the impression they do but I have colleagues who believe", "if you must blog, video blogs are better. Any thoughts on this? Is", "nobody reads blogs anymore, and that if you must blog, video blogs are", "believe nobody reads blogs anymore, and that if you must blog, video blogs", "reads blogs anymore, and that if you must blog, video blogs are better.", "colleagues who believe nobody reads blogs anymore, and that if you must blog,", "I have colleagues who believe nobody reads blogs anymore, and that if you", "under the impression they do but I have colleagues who believe nobody reads", "anymore, and that if you must blog, video blogs are better. Any thoughts", "blogs anymore, and that if you must blog, video blogs are better. Any", "impression they do but I have colleagues who believe nobody reads blogs anymore,", "that if you must blog, video blogs are better. Any thoughts on this?", "do but I have colleagues who believe nobody reads blogs anymore, and that", "the impression they do but I have colleagues who believe nobody reads blogs", "must blog, video blogs are better. Any thoughts on this? Is writing becoming", "they do but I have colleagues who believe nobody reads blogs anymore, and", "you must blog, video blogs are better. Any thoughts on this? Is writing", "am under the impression they do but I have colleagues who believe nobody", "who believe nobody reads blogs anymore, and that if you must blog, video", "but I have colleagues who believe nobody reads blogs anymore, and that if", "have colleagues who believe nobody reads blogs anymore, and that if you must" ]
[ "about them. My question is: is it believable that the protagonist only know", "related to his village and peasant life, and nothing more? Or would he", "many things about the world are unknown by him, and have to be", "this character to leave his homeland and starts a journey to put an", "world are unknown by him, and have to be explained by another character", "certain awful event occurs in this village that leads this character to leave", "aren't known much. But a certain awful event occurs in this village that", "put an end to the causer of such event. But many things about", "event. But many things about the world are unknown by him, and have", "My question is: is it believable that the protagonist only know about things", "where education and science aren't known much. But a certain awful event occurs", "it believable that the protagonist only know about things related to his village", "him, and have to be explained by another character that knows about them.", "education and science aren't known much. But a certain awful event occurs in", "be explained by another character that knows about them. My question is: is", "question is: is it believable that the protagonist only know about things related", "is: is it believable that the protagonist only know about things related to", "village and peasant life, and nothing more? Or would he look too \"ignorant\"?", "that the protagonist only know about things related to his village and peasant", "only know about things related to his village and peasant life, and nothing", "are unknown by him, and have to be explained by another character that", "this village that leads this character to leave his homeland and starts a", "them. My question is: is it believable that the protagonist only know about", "knows about them. My question is: is it believable that the protagonist only", "by him, and have to be explained by another character that knows about", "to be explained by another character that knows about them. My question is:", "unknown by him, and have to be explained by another character that knows", "his village and peasant life, and nothing more? Or would he look too", "protagonist born and lives in a peasant village in a medieval-like age, where", "protagonist only know about things related to his village and peasant life, and", "starts a journey to put an end to the causer of such event.", "the protagonist only know about things related to his village and peasant life,", "village that leads this character to leave his homeland and starts a journey", "things related to his village and peasant life, and nothing more? Or would", "about things related to his village and peasant life, and nothing more? Or", "and starts a journey to put an end to the causer of such", "This protagonist born and lives in a peasant village in a medieval-like age,", "a medieval-like age, where education and science aren't known much. But a certain", "and science aren't known much. But a certain awful event occurs in this", "is it believable that the protagonist only know about things related to his", "the world are unknown by him, and have to be explained by another", "the causer of such event. But many things about the world are unknown", "have to be explained by another character that knows about them. My question", "of such event. But many things about the world are unknown by him,", "awful event occurs in this village that leads this character to leave his", "to the causer of such event. But many things about the world are", "causer of such event. But many things about the world are unknown by", "an end to the causer of such event. But many things about the", "a certain awful event occurs in this village that leads this character to", "another character that knows about them. My question is: is it believable that", "explained by another character that knows about them. My question is: is it", "peasant village in a medieval-like age, where education and science aren't known much.", "to his village and peasant life, and nothing more? Or would he look", "lives in a peasant village in a medieval-like age, where education and science", "things about the world are unknown by him, and have to be explained", "a peasant village in a medieval-like age, where education and science aren't known", "But many things about the world are unknown by him, and have to", "in a peasant village in a medieval-like age, where education and science aren't", "character to leave his homeland and starts a journey to put an end", "know about things related to his village and peasant life, and nothing more?", "that leads this character to leave his homeland and starts a journey to", "character that knows about them. My question is: is it believable that the", "age, where education and science aren't known much. But a certain awful event", "and have to be explained by another character that knows about them. My", "science aren't known much. But a certain awful event occurs in this village", "village in a medieval-like age, where education and science aren't known much. But", "in a medieval-like age, where education and science aren't known much. But a", "known much. But a certain awful event occurs in this village that leads", "journey to put an end to the causer of such event. But many", "that knows about them. My question is: is it believable that the protagonist", "much. But a certain awful event occurs in this village that leads this", "his homeland and starts a journey to put an end to the causer", "such event. But many things about the world are unknown by him, and", "in this village that leads this character to leave his homeland and starts", "homeland and starts a journey to put an end to the causer of", "to leave his homeland and starts a journey to put an end to", "leave his homeland and starts a journey to put an end to the", "and lives in a peasant village in a medieval-like age, where education and", "born and lives in a peasant village in a medieval-like age, where education", "to put an end to the causer of such event. But many things", "by another character that knows about them. My question is: is it believable", "But a certain awful event occurs in this village that leads this character", "occurs in this village that leads this character to leave his homeland and", "medieval-like age, where education and science aren't known much. But a certain awful", "end to the causer of such event. But many things about the world", "about the world are unknown by him, and have to be explained by", "a journey to put an end to the causer of such event. But", "event occurs in this village that leads this character to leave his homeland", "believable that the protagonist only know about things related to his village and", "leads this character to leave his homeland and starts a journey to put" ]
[ "Fesh after much therapy. Section B: Ophelia Platescrubber is a forty year old", "way, the Opheilia world influences the Riwhurz world. Dlarigle is a spirit that", "woman abusing young business major sophomore at Andrews University in Shady Oaks, NY,", "Ophelia when she decides not to work magic when he leads a revolt", "madness was treated in past societies; Ricahard's is a warning for the future.", "trial again for mental illnesses when he helps Fesh successfully follow a trail", "counseling group (that Fesh monitors). When Riwhurz does not comply with the group,", "guide, body possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must", "the group, he is forced into becoming indebted to Fesh, a woman, for", "(with the two tied together by the character Dlarigle). Section A: Riwhurz Conners", "Dlarigle, the spirit who sees love in all hearts, to force Zundat to", "year old scullery slave for the most popular restaurant in Kingdom's Crossing, the", "can mend his own. However, Riwhurz right now does not influence Ophelia's world", "he begins to have visions of a fairytale world with a spirit named", "fairytale world with a spirit named Dlarigle that both challenges his view of", "freewheeling fraternity brother are over when he begins to have visions of a", "a madhouse by the Duke of Alcadeny, Ophelia decides to learn magic to", "from Ophelia's relationship troubles so he can mend his own. However, Riwhurz right", "MSM party wins a hundred seats in Congress, and he marries Fesh after", "and she stipulates that she cannot learn magic to do it. When Zundat", "an older feeble minded man who parades through the city's streets amusing the", "parades through the city's streets amusing the population with his one man band.", "she cannot learn magic to do it. When Zundat is imprisoned in a", "a spirit that transcends both, and she appears as a medium, channel, spirit", "Zundat loses his trust in Ophelia when she decides not to work magic", "Ophelia's behalf, Zundat trusts Ophelia again, and they get married. By the way,", "to do it. When Zundat is imprisoned in a madhouse by the Duke", "for his life if she tries (her magic is imperfect). Dlarigle intervenes and", "possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must learn from", "is imperfect). Dlarigle intervenes and helps Zundat overthrow the Duke on Ophelia's behalf,", "of favor with Dlarigle. Zundat's sanity returned, Zundat loses his trust in Ophelia", "magic to do it. When Zundat is imprisoned in a madhouse by the", "she must prove to her that she has earned his trust first and", "hospital while public pressure grows to the point where the facility releases him,", "earlier post. Below are some summaries for a novel outline using the Snowflake", "definite theme of madness in both worlds -- this is intentional. Ophelia's world", "world with a spirit named Dlarigle that both challenges his view of himself", "brother are over when he begins to have visions of a fairytale world", "tells Ophelia that she must prove to her that she has earned his", "on Ophelia's behalf, Zundat trusts Ophelia again, and they get married. By the", "for the most popular restaurant in Kingdom's Crossing, the capitol city of the", "from long-term psychiatric treatment (she explains his visions as a religious awakening). The", "The university puts Riwhurz on trial again for mental illnesses when he helps", "marry her, Dlarigle tells Ophelia that she must prove to her that she", "point where the facility releases him, the MSM party wins a hundred seats", "dual plots, of if section B is a subplot of section A (with", "By the way, the Opheilia world influences the Riwhurz world. Dlarigle is a", "the Andrews University board of regents' president, and Riwhurz must give up the", "does not comply with the group, he is forced into becoming indebted to", "into becoming indebted to Fesh, a woman, for helping him gain a reprieve", "There is also a definite theme of madness in both worlds -- this", "Method. I am looking for clarification if sections A and B are dual", "am looking for clarification if sections A and B are dual plots, of", "comply with the group, he is forced into becoming indebted to Fesh, a", "Riwhurz world. Dlarigle is a spirit that transcends both, and she appears as", "fraternity brother are over when he begins to have visions of a fairytale", "the Duke because she fears for his life if she tries (her magic", "of Alcadeny, and Zundat Musicman is an older feeble minded man who parades", "spirit that transcends both, and she appears as a medium, channel, spirit guide,", "psychological torture in a secret psychiatric hospital while public pressure grows to the", "hearts, to force Zundat to marry her, Dlarigle tells Ophelia that she must", "religious awakening). The university puts Riwhurz on trial again for mental illnesses when", "in Kingdom's Crossing, the capitol city of the magic land of Alcadeny, and", "spirit guide, body possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz", "madhouse by the Duke of Alcadeny, Ophelia decides to learn magic to free", "villainous drug lord. Riwhurz's days as a freewheeling fraternity brother are over when", "when she decides not to work magic when he leads a revolt against", "young business major sophomore at Andrews University in Shady Oaks, NY, and Fesh", "if she tries (her magic is imperfect). Dlarigle intervenes and helps Zundat overthrow", "business major sophomore at Andrews University in Shady Oaks, NY, and Fesh Yang", "him in a university counseling group (that Fesh monitors). When Riwhurz does not", "right now does not influence Ophelia's world (although it maybe could?). There is", "at Andrews University in Shady Oaks, NY, and Fesh Yang is a slightly", "a novel outline using the Snowflake Method. I am looking for clarification if", "follow a trail to the Andrews University board of regents' president, and Riwhurz", "trust first and she stipulates that she cannot learn magic to do it.", "treatment (she explains his visions as a religious awakening). The university puts Riwhurz", "population with his one man band. When Ophelia petitions Saint Dlarigle, the spirit", "body possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must learn", "man band. When Ophelia petitions Saint Dlarigle, the spirit who sees love in", "Ophelia's world addresses how madness was treated in past societies; Ricahard's is a", "to her that she has earned his trust first and she stipulates that", "slightly older secret agent (called a moralpractor) in training for the Medical Sociological", "Riwhurz Conners is an affluent, woman abusing young business major sophomore at Andrews", "an extension to an earlier post. Below are some summaries for a novel", "madness in both worlds -- this is intentional. Ophelia's world addresses how madness", "moralpractor) in training for the Medical Sociological Moralist party, that is responsible for", "character Dlarigle). Section A: Riwhurz Conners is an affluent, woman abusing young business", "secret psychiatric hospital while public pressure grows to the point where the facility", "slave for the most popular restaurant in Kingdom's Crossing, the capitol city of", "and B are dual plots, of if section B is a subplot of", "Dlarigle intervenes and helps Zundat overthrow the Duke on Ophelia's behalf, Zundat trusts", "trust in Ophelia when she decides not to work magic when he leads", "influence Ophelia's world (although it maybe could?). There is also a definite theme", "city's streets amusing the population with his one man band. When Ophelia petitions", "seats in Congress, and he marries Fesh after much therapy. Section B: Ophelia", "Ophelia's relationship troubles so he can mend his own. However, Riwhurz right now", "she appears as a medium, channel, spirit guide, body possession, clairaudient or clairvoyant", "could?). There is also a definite theme of madness in both worlds --", "to have visions of a fairytale world with a spirit named Dlarigle that", "he is forced into becoming indebted to Fesh, a woman, for helping him", "again for mental illnesses when he helps Fesh successfully follow a trail to", "Below are some summaries for a novel outline using the Snowflake Method. I", "B: Ophelia Platescrubber is a forty year old scullery slave for the most", "tries (her magic is imperfect). Dlarigle intervenes and helps Zundat overthrow the Duke", "forced into becoming indebted to Fesh, a woman, for helping him gain a", "does not influence Ophelia's world (although it maybe could?). There is also a", "is responsible for saving him from a villainous drug lord. Riwhurz's days as", "of a fairytale world with a spirit named Dlarigle that both challenges his", "Platescrubber is a forty year old scullery slave for the most popular restaurant", "Yang is a slightly older secret agent (called a moralpractor) in training for", "Riwhurz on trial again for mental illnesses when he helps Fesh successfully follow", "for saving him from a villainous drug lord. Riwhurz's days as a freewheeling", "saving him from a villainous drug lord. Riwhurz's days as a freewheeling fraternity", "gain a reprieve from long-term psychiatric treatment (she explains his visions as a", "plots, of if section B is a subplot of section A (with the", "her that she has earned his trust first and she stipulates that she", "awakening). The university puts Riwhurz on trial again for mental illnesses when he", "her, Dlarigle tells Ophelia that she must prove to her that she has", "Dlarigle stipulates that Riwhurz must learn from Ophelia's relationship troubles so he can", "he helps Fesh successfully follow a trail to the Andrews University board of", "the spirit who sees love in all hearts, to force Zundat to marry", "it. When Zundat is imprisoned in a madhouse by the Duke of Alcadeny,", "over when he begins to have visions of a fairytale world with a", "for a novel outline using the Snowflake Method. I am looking for clarification", "land of Alcadeny, and Zundat Musicman is an older feeble minded man who", "must prove to her that she has earned his trust first and she", "now does not influence Ophelia's world (although it maybe could?). There is also", "if sections A and B are dual plots, of if section B is", "capitol city of the magic land of Alcadeny, and Zundat Musicman is an", "returned, Zundat loses his trust in Ophelia when she decides not to work", "work magic when he leads a revolt against the Duke because she fears", "When Riwhurz does not comply with the group, he is forced into becoming", "world influences the Riwhurz world. Dlarigle is a spirit that transcends both, and", "view of himself and lands him in a university counseling group (that Fesh", "looking for clarification if sections A and B are dual plots, of if", "party wins a hundred seats in Congress, and he marries Fesh after much", "of regents' president, and Riwhurz must give up the remainder of his freedom.", "sophomore at Andrews University in Shady Oaks, NY, and Fesh Yang is a", "torture in a secret psychiatric hospital while public pressure grows to the point", "band. When Ophelia petitions Saint Dlarigle, the spirit who sees love in all", "love in all hearts, to force Zundat to marry her, Dlarigle tells Ophelia", "remainder of his freedom. Riwhurz endures psychological torture in a secret psychiatric hospital", "begins to have visions of a fairytale world with a spirit named Dlarigle", "for clarification if sections A and B are dual plots, of if section", "(that Fesh monitors). When Riwhurz does not comply with the group, he is", "give up the remainder of his freedom. Riwhurz endures psychological torture in a", "training for the Medical Sociological Moralist party, that is responsible for saving him", "while public pressure grows to the point where the facility releases him, the", "the Duke on Ophelia's behalf, Zundat trusts Ophelia again, and they get married.", "overthrow the Duke on Ophelia's behalf, Zundat trusts Ophelia again, and they get", "Section B: Ophelia Platescrubber is a forty year old scullery slave for the", "who sees love in all hearts, to force Zundat to marry her, Dlarigle", "named Dlarigle that both challenges his view of himself and lands him in", "behalf, Zundat trusts Ophelia again, and they get married. By the way, the", "the Opheilia world influences the Riwhurz world. Dlarigle is a spirit that transcends", "from a villainous drug lord. Riwhurz's days as a freewheeling fraternity brother are", "-- this is intentional. Ophelia's world addresses how madness was treated in past", "his trust in Ophelia when she decides not to work magic when he", "by restoring his sanity and falls out of favor with Dlarigle. Zundat's sanity", "a medium, channel, spirit guide, body possession, clairaudient or clairvoyant effect, etc. Dlarigle", "not influence Ophelia's world (although it maybe could?). There is also a definite", "Dlarigle). Section A: Riwhurz Conners is an affluent, woman abusing young business major", "a spirit named Dlarigle that both challenges his view of himself and lands", "woman, for helping him gain a reprieve from long-term psychiatric treatment (she explains", "president, and Riwhurz must give up the remainder of his freedom. Riwhurz endures", "and lands him in a university counseling group (that Fesh monitors). When Riwhurz", "revolt against the Duke because she fears for his life if she tries", "his sanity and falls out of favor with Dlarigle. Zundat's sanity returned, Zundat", "to free him by restoring his sanity and falls out of favor with", "and Fesh Yang is a slightly older secret agent (called a moralpractor) in", "secret agent (called a moralpractor) in training for the Medical Sociological Moralist party,", "channel, spirit guide, body possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates that", "Fesh successfully follow a trail to the Andrews University board of regents' president,", "party, that is responsible for saving him from a villainous drug lord. Riwhurz's", "that she has earned his trust first and she stipulates that she cannot", "A and B are dual plots, of if section B is a subplot", "is a forty year old scullery slave for the most popular restaurant in", "of himself and lands him in a university counseling group (that Fesh monitors).", "lord. Riwhurz's days as a freewheeling fraternity brother are over when he begins", "wins a hundred seats in Congress, and he marries Fesh after much therapy.", "Alcadeny, and Zundat Musicman is an older feeble minded man who parades through", "extension to an earlier post. Below are some summaries for a novel outline", "is an extension to an earlier post. Below are some summaries for a", "not comply with the group, he is forced into becoming indebted to Fesh,", "Dlarigle. Zundat's sanity returned, Zundat loses his trust in Ophelia when she decides", "indebted to Fesh, a woman, for helping him gain a reprieve from long-term", "she tries (her magic is imperfect). Dlarigle intervenes and helps Zundat overthrow the", "appears as a medium, channel, spirit guide, body possession, clairaudient or clairvoyant effect,", "to work magic when he leads a revolt against the Duke because she", "Saint Dlarigle, the spirit who sees love in all hearts, to force Zundat", "own. However, Riwhurz right now does not influence Ophelia's world (although it maybe", "in Ophelia when she decides not to work magic when he leads a", "Duke of Alcadeny, Ophelia decides to learn magic to free him by restoring", "B is a subplot of section A (with the two tied together by", "amusing the population with his one man band. When Ophelia petitions Saint Dlarigle,", "she decides not to work magic when he leads a revolt against the", "the Riwhurz world. Dlarigle is a spirit that transcends both, and she appears", "board of regents' president, and Riwhurz must give up the remainder of his", "that transcends both, and she appears as a medium, channel, spirit guide, body", "he can mend his own. However, Riwhurz right now does not influence Ophelia's", "intentional. Ophelia's world addresses how madness was treated in past societies; Ricahard's is", "a fairytale world with a spirit named Dlarigle that both challenges his view", "man who parades through the city's streets amusing the population with his one", "worlds -- this is intentional. Ophelia's world addresses how madness was treated in", "old scullery slave for the most popular restaurant in Kingdom's Crossing, the capitol", "for the Medical Sociological Moralist party, that is responsible for saving him from", "Dlarigle tells Ophelia that she must prove to her that she has earned", "a moralpractor) in training for the Medical Sociological Moralist party, that is responsible", "magic land of Alcadeny, and Zundat Musicman is an older feeble minded man", "by the character Dlarigle). Section A: Riwhurz Conners is an affluent, woman abusing", "a freewheeling fraternity brother are over when he begins to have visions of", "older feeble minded man who parades through the city's streets amusing the population", "psychiatric treatment (she explains his visions as a religious awakening). The university puts", "freedom. Riwhurz endures psychological torture in a secret psychiatric hospital while public pressure", "by the Duke of Alcadeny, Ophelia decides to learn magic to free him", "for mental illnesses when he helps Fesh successfully follow a trail to the", "mental illnesses when he helps Fesh successfully follow a trail to the Andrews", "after much therapy. Section B: Ophelia Platescrubber is a forty year old scullery", "because she fears for his life if she tries (her magic is imperfect).", "mend his own. However, Riwhurz right now does not influence Ophelia's world (although", "force Zundat to marry her, Dlarigle tells Ophelia that she must prove to", "Ophelia decides to learn magic to free him by restoring his sanity and", "addresses how madness was treated in past societies; Ricahard's is a warning for", "Shady Oaks, NY, and Fesh Yang is a slightly older secret agent (called", "the Duke of Alcadeny, Ophelia decides to learn magic to free him by", "Fesh Yang is a slightly older secret agent (called a moralpractor) in training", "forty year old scullery slave for the most popular restaurant in Kingdom's Crossing,", "when he leads a revolt against the Duke because she fears for his", "explains his visions as a religious awakening). The university puts Riwhurz on trial", "against the Duke because she fears for his life if she tries (her", "himself and lands him in a university counseling group (that Fesh monitors). When", "affluent, woman abusing young business major sophomore at Andrews University in Shady Oaks,", "in a secret psychiatric hospital while public pressure grows to the point where", "him from a villainous drug lord. Riwhurz's days as a freewheeling fraternity brother", "to Fesh, a woman, for helping him gain a reprieve from long-term psychiatric", "a forty year old scullery slave for the most popular restaurant in Kingdom's", "some summaries for a novel outline using the Snowflake Method. I am looking", "Snowflake Method. I am looking for clarification if sections A and B are", "When Zundat is imprisoned in a madhouse by the Duke of Alcadeny, Ophelia", "feeble minded man who parades through the city's streets amusing the population with", "decides to learn magic to free him by restoring his sanity and falls", "facility releases him, the MSM party wins a hundred seats in Congress, and", "it maybe could?). There is also a definite theme of madness in both", "visions as a religious awakening). The university puts Riwhurz on trial again for", "as a freewheeling fraternity brother are over when he begins to have visions", "outline using the Snowflake Method. I am looking for clarification if sections A", "free him by restoring his sanity and falls out of favor with Dlarigle.", "NY, and Fesh Yang is a slightly older secret agent (called a moralpractor)", "one man band. When Ophelia petitions Saint Dlarigle, the spirit who sees love", "with his one man band. When Ophelia petitions Saint Dlarigle, the spirit who", "the magic land of Alcadeny, and Zundat Musicman is an older feeble minded", "intervenes and helps Zundat overthrow the Duke on Ophelia's behalf, Zundat trusts Ophelia", "favor with Dlarigle. Zundat's sanity returned, Zundat loses his trust in Ophelia when", "University board of regents' president, and Riwhurz must give up the remainder of", "as a medium, channel, spirit guide, body possession, clairaudient or clairvoyant effect, etc.", "influences the Riwhurz world. Dlarigle is a spirit that transcends both, and she", "a religious awakening). The university puts Riwhurz on trial again for mental illnesses", "Zundat is imprisoned in a madhouse by the Duke of Alcadeny, Ophelia decides", "the character Dlarigle). Section A: Riwhurz Conners is an affluent, woman abusing young", "is a slightly older secret agent (called a moralpractor) in training for the", "releases him, the MSM party wins a hundred seats in Congress, and he", "the population with his one man band. When Ophelia petitions Saint Dlarigle, the", "I am looking for clarification if sections A and B are dual plots,", "Musicman is an older feeble minded man who parades through the city's streets", "she has earned his trust first and she stipulates that she cannot learn", "restoring his sanity and falls out of favor with Dlarigle. Zundat's sanity returned,", "they get married. By the way, the Opheilia world influences the Riwhurz world.", "When Ophelia petitions Saint Dlarigle, the spirit who sees love in all hearts,", "imprisoned in a madhouse by the Duke of Alcadeny, Ophelia decides to learn", "A: Riwhurz Conners is an affluent, woman abusing young business major sophomore at", "trail to the Andrews University board of regents' president, and Riwhurz must give", "cannot learn magic to do it. When Zundat is imprisoned in a madhouse", "Opheilia world influences the Riwhurz world. Dlarigle is a spirit that transcends both,", "Kingdom's Crossing, the capitol city of the magic land of Alcadeny, and Zundat", "Crossing, the capitol city of the magic land of Alcadeny, and Zundat Musicman", "world (although it maybe could?). There is also a definite theme of madness", "also a definite theme of madness in both worlds -- this is intentional.", "a secret psychiatric hospital while public pressure grows to the point where the", "this is intentional. Ophelia's world addresses how madness was treated in past societies;", "all hearts, to force Zundat to marry her, Dlarigle tells Ophelia that she", "sees love in all hearts, to force Zundat to marry her, Dlarigle tells", "much therapy. Section B: Ophelia Platescrubber is a forty year old scullery slave", "must learn from Ophelia's relationship troubles so he can mend his own. However,", "and Riwhurz must give up the remainder of his freedom. Riwhurz endures psychological", "trusts Ophelia again, and they get married. By the way, the Opheilia world", "or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must learn from Ophelia's relationship", "with the group, he is forced into becoming indebted to Fesh, a woman,", "Riwhurz does not comply with the group, he is forced into becoming indebted", "hundred seats in Congress, and he marries Fesh after much therapy. Section B:", "therapy. Section B: Ophelia Platescrubber is a forty year old scullery slave for", "his one man band. When Ophelia petitions Saint Dlarigle, the spirit who sees", "the way, the Opheilia world influences the Riwhurz world. Dlarigle is a spirit", "to an earlier post. Below are some summaries for a novel outline using", "Zundat's sanity returned, Zundat loses his trust in Ophelia when she decides not", "university counseling group (that Fesh monitors). When Riwhurz does not comply with the", "Ophelia again, and they get married. By the way, the Opheilia world influences", "two tied together by the character Dlarigle). Section A: Riwhurz Conners is an", "married. By the way, the Opheilia world influences the Riwhurz world. Dlarigle is", "medium, channel, spirit guide, body possession, clairaudient or clairvoyant effect, etc. Dlarigle stipulates", "(her magic is imperfect). Dlarigle intervenes and helps Zundat overthrow the Duke on", "Dlarigle is a spirit that transcends both, and she appears as a medium,", "through the city's streets amusing the population with his one man band. When", "his own. However, Riwhurz right now does not influence Ophelia's world (although it", "helping him gain a reprieve from long-term psychiatric treatment (she explains his visions", "scullery slave for the most popular restaurant in Kingdom's Crossing, the capitol city", "visions of a fairytale world with a spirit named Dlarigle that both challenges", "and she appears as a medium, channel, spirit guide, body possession, clairaudient or", "when he helps Fesh successfully follow a trail to the Andrews University board", "both challenges his view of himself and lands him in a university counseling", "the Medical Sociological Moralist party, that is responsible for saving him from a", "Dlarigle that both challenges his view of himself and lands him in a", "Duke on Ophelia's behalf, Zundat trusts Ophelia again, and they get married. By", "do it. When Zundat is imprisoned in a madhouse by the Duke of", "subplot of section A (with the two tied together by the character Dlarigle).", "magic when he leads a revolt against the Duke because she fears for", "most popular restaurant in Kingdom's Crossing, the capitol city of the magic land", "Riwhurz right now does not influence Ophelia's world (although it maybe could?). There", "helps Fesh successfully follow a trail to the Andrews University board of regents'", "endures psychological torture in a secret psychiatric hospital while public pressure grows to", "to learn magic to free him by restoring his sanity and falls out", "Oaks, NY, and Fesh Yang is a slightly older secret agent (called a", "group (that Fesh monitors). When Riwhurz does not comply with the group, he", "the city's streets amusing the population with his one man band. When Ophelia", "Fesh monitors). When Riwhurz does not comply with the group, he is forced", "of section A (with the two tied together by the character Dlarigle). Section", "grows to the point where the facility releases him, the MSM party wins", "is intentional. Ophelia's world addresses how madness was treated in past societies; Ricahard's", "magic to free him by restoring his sanity and falls out of favor", "agent (called a moralpractor) in training for the Medical Sociological Moralist party, that", "a university counseling group (that Fesh monitors). When Riwhurz does not comply with", "section A (with the two tied together by the character Dlarigle). Section A:", "have visions of a fairytale world with a spirit named Dlarigle that both", "and they get married. By the way, the Opheilia world influences the Riwhurz", "maybe could?). There is also a definite theme of madness in both worlds", "is a subplot of section A (with the two tied together by the", "Ophelia's world (although it maybe could?). There is also a definite theme of", "the facility releases him, the MSM party wins a hundred seats in Congress,", "A (with the two tied together by the character Dlarigle). Section A: Riwhurz", "a subplot of section A (with the two tied together by the character", "for helping him gain a reprieve from long-term psychiatric treatment (she explains his", "Sociological Moralist party, that is responsible for saving him from a villainous drug", "summaries for a novel outline using the Snowflake Method. I am looking for", "of Alcadeny, Ophelia decides to learn magic to free him by restoring his", "of the magic land of Alcadeny, and Zundat Musicman is an older feeble", "he leads a revolt against the Duke because she fears for his life", "Andrews University board of regents' president, and Riwhurz must give up the remainder", "a revolt against the Duke because she fears for his life if she", "section B is a subplot of section A (with the two tied together", "imperfect). Dlarigle intervenes and helps Zundat overthrow the Duke on Ophelia's behalf, Zundat", "sections A and B are dual plots, of if section B is a", "successfully follow a trail to the Andrews University board of regents' president, and", "spirit who sees love in all hearts, to force Zundat to marry her,", "the most popular restaurant in Kingdom's Crossing, the capitol city of the magic", "both worlds -- this is intentional. Ophelia's world addresses how madness was treated", "an affluent, woman abusing young business major sophomore at Andrews University in Shady", "spirit named Dlarigle that both challenges his view of himself and lands him", "to marry her, Dlarigle tells Ophelia that she must prove to her that", "lands him in a university counseling group (that Fesh monitors). When Riwhurz does", "clarification if sections A and B are dual plots, of if section B", "prove to her that she has earned his trust first and she stipulates", "life if she tries (her magic is imperfect). Dlarigle intervenes and helps Zundat", "world addresses how madness was treated in past societies; Ricahard's is a warning", "streets amusing the population with his one man band. When Ophelia petitions Saint", "fears for his life if she tries (her magic is imperfect). Dlarigle intervenes", "he marries Fesh after much therapy. Section B: Ophelia Platescrubber is a forty", "(called a moralpractor) in training for the Medical Sociological Moralist party, that is", "to force Zundat to marry her, Dlarigle tells Ophelia that she must prove", "when he begins to have visions of a fairytale world with a spirit", "Ophelia petitions Saint Dlarigle, the spirit who sees love in all hearts, to", "to the Andrews University board of regents' president, and Riwhurz must give up", "tied together by the character Dlarigle). Section A: Riwhurz Conners is an affluent,", "and helps Zundat overthrow the Duke on Ophelia's behalf, Zundat trusts Ophelia again,", "his visions as a religious awakening). The university puts Riwhurz on trial again", "Alcadeny, Ophelia decides to learn magic to free him by restoring his sanity", "and he marries Fesh after much therapy. Section B: Ophelia Platescrubber is a", "Riwhurz must learn from Ophelia's relationship troubles so he can mend his own.", "him gain a reprieve from long-term psychiatric treatment (she explains his visions as", "she stipulates that she cannot learn magic to do it. When Zundat is", "Ophelia Platescrubber is a forty year old scullery slave for the most popular", "Zundat Musicman is an older feeble minded man who parades through the city's", "of madness in both worlds -- this is intentional. Ophelia's world addresses how", "where the facility releases him, the MSM party wins a hundred seats in", "clairaudient or clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must learn from Ophelia's", "so he can mend his own. However, Riwhurz right now does not influence", "Riwhurz endures psychological torture in a secret psychiatric hospital while public pressure grows", "that is responsible for saving him from a villainous drug lord. Riwhurz's days", "drug lord. Riwhurz's days as a freewheeling fraternity brother are over when he", "learn from Ophelia's relationship troubles so he can mend his own. However, Riwhurz", "the two tied together by the character Dlarigle). Section A: Riwhurz Conners is", "Moralist party, that is responsible for saving him from a villainous drug lord.", "in all hearts, to force Zundat to marry her, Dlarigle tells Ophelia that", "public pressure grows to the point where the facility releases him, the MSM", "marries Fesh after much therapy. Section B: Ophelia Platescrubber is a forty year", "leads a revolt against the Duke because she fears for his life if", "city of the magic land of Alcadeny, and Zundat Musicman is an older", "both, and she appears as a medium, channel, spirit guide, body possession, clairaudient", "a hundred seats in Congress, and he marries Fesh after much therapy. Section", "his trust first and she stipulates that she cannot learn magic to do", "a slightly older secret agent (called a moralpractor) in training for the Medical", "a woman, for helping him gain a reprieve from long-term psychiatric treatment (she", "is imprisoned in a madhouse by the Duke of Alcadeny, Ophelia decides to", "his view of himself and lands him in a university counseling group (that", "sanity and falls out of favor with Dlarigle. Zundat's sanity returned, Zundat loses", "University in Shady Oaks, NY, and Fesh Yang is a slightly older secret", "petitions Saint Dlarigle, the spirit who sees love in all hearts, to force", "magic is imperfect). Dlarigle intervenes and helps Zundat overthrow the Duke on Ophelia's", "This is an extension to an earlier post. Below are some summaries for", "B are dual plots, of if section B is a subplot of section", "Zundat overthrow the Duke on Ophelia's behalf, Zundat trusts Ophelia again, and they", "clairvoyant effect, etc. Dlarigle stipulates that Riwhurz must learn from Ophelia's relationship troubles", "are some summaries for a novel outline using the Snowflake Method. I am", "Medical Sociological Moralist party, that is responsible for saving him from a villainous", "his life if she tries (her magic is imperfect). Dlarigle intervenes and helps", "Andrews University in Shady Oaks, NY, and Fesh Yang is a slightly older", "up the remainder of his freedom. Riwhurz endures psychological torture in a secret", "is a spirit that transcends both, and she appears as a medium, channel,", "and falls out of favor with Dlarigle. Zundat's sanity returned, Zundat loses his", "Conners is an affluent, woman abusing young business major sophomore at Andrews University", "loses his trust in Ophelia when she decides not to work magic when", "reprieve from long-term psychiatric treatment (she explains his visions as a religious awakening).", "is forced into becoming indebted to Fesh, a woman, for helping him gain", "a definite theme of madness in both worlds -- this is intentional. Ophelia's", "who parades through the city's streets amusing the population with his one man", "(she explains his visions as a religious awakening). The university puts Riwhurz on", "becoming indebted to Fesh, a woman, for helping him gain a reprieve from", "monitors). When Riwhurz does not comply with the group, he is forced into", "post. Below are some summaries for a novel outline using the Snowflake Method.", "Section A: Riwhurz Conners is an affluent, woman abusing young business major sophomore", "stipulates that Riwhurz must learn from Ophelia's relationship troubles so he can mend", "illnesses when he helps Fesh successfully follow a trail to the Andrews University", "popular restaurant in Kingdom's Crossing, the capitol city of the magic land of", "of if section B is a subplot of section A (with the two", "and Zundat Musicman is an older feeble minded man who parades through the", "in a university counseling group (that Fesh monitors). When Riwhurz does not comply", "helps Zundat overthrow the Duke on Ophelia's behalf, Zundat trusts Ophelia again, and", "if section B is a subplot of section A (with the two tied", "falls out of favor with Dlarigle. Zundat's sanity returned, Zundat loses his trust", "older secret agent (called a moralpractor) in training for the Medical Sociological Moralist", "a reprieve from long-term psychiatric treatment (she explains his visions as a religious", "the Snowflake Method. I am looking for clarification if sections A and B", "major sophomore at Andrews University in Shady Oaks, NY, and Fesh Yang is", "restaurant in Kingdom's Crossing, the capitol city of the magic land of Alcadeny,", "she fears for his life if she tries (her magic is imperfect). Dlarigle", "earned his trust first and she stipulates that she cannot learn magic to", "troubles so he can mend his own. However, Riwhurz right now does not", "However, Riwhurz right now does not influence Ophelia's world (although it maybe could?).", "that she cannot learn magic to do it. When Zundat is imprisoned in", "his freedom. Riwhurz endures psychological torture in a secret psychiatric hospital while public", "minded man who parades through the city's streets amusing the population with his", "etc. Dlarigle stipulates that Riwhurz must learn from Ophelia's relationship troubles so he", "an earlier post. Below are some summaries for a novel outline using the", "in Congress, and he marries Fesh after much therapy. Section B: Ophelia Platescrubber", "abusing young business major sophomore at Andrews University in Shady Oaks, NY, and", "must give up the remainder of his freedom. Riwhurz endures psychological torture in", "to the point where the facility releases him, the MSM party wins a", "with Dlarigle. Zundat's sanity returned, Zundat loses his trust in Ophelia when she", "regents' president, and Riwhurz must give up the remainder of his freedom. Riwhurz", "effect, etc. Dlarigle stipulates that Riwhurz must learn from Ophelia's relationship troubles so", "the MSM party wins a hundred seats in Congress, and he marries Fesh", "him by restoring his sanity and falls out of favor with Dlarigle. Zundat's", "in both worlds -- this is intentional. Ophelia's world addresses how madness was", "are over when he begins to have visions of a fairytale world with", "learn magic to free him by restoring his sanity and falls out of", "psychiatric hospital while public pressure grows to the point where the facility releases", "Fesh, a woman, for helping him gain a reprieve from long-term psychiatric treatment", "using the Snowflake Method. I am looking for clarification if sections A and", "group, he is forced into becoming indebted to Fesh, a woman, for helping", "Duke because she fears for his life if she tries (her magic is", "Riwhurz's days as a freewheeling fraternity brother are over when he begins to", "pressure grows to the point where the facility releases him, the MSM party", "puts Riwhurz on trial again for mental illnesses when he helps Fesh successfully", "responsible for saving him from a villainous drug lord. Riwhurz's days as a", "decides not to work magic when he leads a revolt against the Duke", "is also a definite theme of madness in both worlds -- this is", "how madness was treated in past societies; Ricahard's is a warning for the", "as a religious awakening). The university puts Riwhurz on trial again for mental", "in a madhouse by the Duke of Alcadeny, Ophelia decides to learn magic", "Zundat trusts Ophelia again, and they get married. By the way, the Opheilia", "Ophelia that she must prove to her that she has earned his trust", "Zundat to marry her, Dlarigle tells Ophelia that she must prove to her", "(although it maybe could?). There is also a definite theme of madness in", "in Shady Oaks, NY, and Fesh Yang is a slightly older secret agent", "a villainous drug lord. Riwhurz's days as a freewheeling fraternity brother are over", "challenges his view of himself and lands him in a university counseling group", "theme of madness in both worlds -- this is intentional. Ophelia's world addresses", "sanity returned, Zundat loses his trust in Ophelia when she decides not to", "transcends both, and she appears as a medium, channel, spirit guide, body possession,", "Riwhurz must give up the remainder of his freedom. Riwhurz endures psychological torture", "with a spirit named Dlarigle that both challenges his view of himself and", "long-term psychiatric treatment (she explains his visions as a religious awakening). The university", "again, and they get married. By the way, the Opheilia world influences the", "that she must prove to her that she has earned his trust first", "that Riwhurz must learn from Ophelia's relationship troubles so he can mend his", "in training for the Medical Sociological Moralist party, that is responsible for saving", "of his freedom. Riwhurz endures psychological torture in a secret psychiatric hospital while", "a trail to the Andrews University board of regents' president, and Riwhurz must", "Congress, and he marries Fesh after much therapy. Section B: Ophelia Platescrubber is", "learn magic to do it. When Zundat is imprisoned in a madhouse by", "together by the character Dlarigle). Section A: Riwhurz Conners is an affluent, woman", "is an affluent, woman abusing young business major sophomore at Andrews University in", "on trial again for mental illnesses when he helps Fesh successfully follow a", "him, the MSM party wins a hundred seats in Congress, and he marries", "has earned his trust first and she stipulates that she cannot learn magic", "relationship troubles so he can mend his own. However, Riwhurz right now does", "the point where the facility releases him, the MSM party wins a hundred", "is an older feeble minded man who parades through the city's streets amusing", "not to work magic when he leads a revolt against the Duke because", "novel outline using the Snowflake Method. I am looking for clarification if sections", "are dual plots, of if section B is a subplot of section A", "the remainder of his freedom. Riwhurz endures psychological torture in a secret psychiatric", "out of favor with Dlarigle. Zundat's sanity returned, Zundat loses his trust in", "world. Dlarigle is a spirit that transcends both, and she appears as a", "university puts Riwhurz on trial again for mental illnesses when he helps Fesh", "first and she stipulates that she cannot learn magic to do it. When", "the capitol city of the magic land of Alcadeny, and Zundat Musicman is", "that both challenges his view of himself and lands him in a university", "days as a freewheeling fraternity brother are over when he begins to have", "get married. By the way, the Opheilia world influences the Riwhurz world. Dlarigle", "stipulates that she cannot learn magic to do it. When Zundat is imprisoned" ]
[ "can change, either; this is how I write. I want my novels to", "word. It's a good thing I do, because it filters out problems like", "addition to this, and this is very important, I center my novels around", "by envisioning a novel where the main conflict is to get through a", "is that I simply can't define that main conflict (which I need to", "me though. The Problem: Based on the above definition, I was able to", "because it filters out problems like this before I run into them while", "and this is very important, I center my novels around a main message,", "To understand where I'm coming from, you have to know that I'm a", "Either my understanding of main conflict is completely off (which I doubt), or", "a plotter, meaning I plan my novels out almost to the scene before", "I'm going wrong here? Where's the main conflict? Important Note: My novels seem", "main conflict. Because of this, I don't think the problem is a lack", "current WiP. However, I am still unable to identify the main conflict of", "obvious, but what about the generic typical detective/mystery story? Where is the main", "to the scene before writing a word. It's a good thing I do,", "main conflict is to get through a maze). That still doesn't help me", "is random. Everything works to tell that message in some way. This isn't", "is quite baffling. Backstory:** To understand where I'm coming from, you have to", "ignorance of all the facts. And that hardly seems like it could be", "the answer to that question was helpful by listing different kinds of conflict,", "conflict is, but I'm still just as stumped, if not more so. I'm", "unable to identify the main conflict of typical mystery novels. When I was", "this, and this is very important, I center my novels around a main", "of typical mystery novels. When I was struggling to define main conflict, I", "still unable to identify the main conflict of typical mystery novels. When I", "answer below, I believe the reason I can't find the main conflict in", "Backstory: To understand where I'm coming from, you have to know that I'm", "example of a typical detective/mystery novel. The goal is to catch whoever did", "typical detective/mystery novels. --- Answer: After some thought inspired by my own reflections", "not have a theme. Every scenario I've thought of that includes a theme", "as a struggle between two things, be they choices or just opposite directions/paths.", "this can't be the case. Because of this, I've arrived at the conclusion", "in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one.", "Because I've been developing novels that seem fine but appear to have no", "I've been developing novels that seem fine but appear to have no main", "scene before writing a word. It's a good thing I do, because it", "an obstacle in the way of whatever is trying to be attained: the", "where the main conflict is more obvious, but what about the generic typical", "out problems like this before I run into them while writing. In addition", "no main conflict, I've quickly realized this can't be the case. Because of", "around a main message, or theme. Literally everything in my novel has a", "completely off (which I doubt), or there's something I'm just not seeing. Could", "trying to be attained: the goal (arrived at by envisioning a novel where", "of typical detective/mystery novels. --- Answer: After some thought inspired by my own", "twists on the basic design where the main conflict is more obvious, but", "that main conflict (which I need to do in order to develop it).", "be attained: the goal (arrived at by envisioning a novel where the main", "main conflict of typical detective/mystery novels. --- Answer:** After some thought inspired by", "believe the reason I can't find the main conflict in my example is", "guilty. There's nothing really standing in the way of that, unless you count", "more obvious, but what about the generic typical detective/mystery story? Where is the", "conflict, I don't feel that it answered my question, as I still can't", "the main conflict is to get through a maze). That still doesn't help", "don't think the problem is a lack of main conflict. I think the", "is more obvious, but what about the generic typical detective/mystery story? Where is", "main conflict would be more properly described as an obstacle in the way", "main conflict (which I need to do in order to develop it). [This", "my novels around a main message, or theme. Literally everything in my novel", "My novels seem fine, meaning they seem to have a main conflict. Because", "I can't find the main conflict in my novels. This has inspired quite", "a novel where the main conflict is to get through a maze). That", "like this before I run into them while writing. In addition to this,", "think the problem is that I simply can't define that main conflict (which", "that I can change, either; this is how I write. I want my", "does not have a theme. Every scenario I've thought of that includes a", "inspired by my own reflections and Lauren Ipsum's answer below, I believe the", "a main message, or theme. Literally everything in my novel has a purpose.", "my novels. This has inspired quite a bit of thought and reflection on", "the main conflict in my novels. This has inspired quite a bit of", "some way. This isn't just some aspect of writing that I can change,", "case. Because of this, I've arrived at the conclusion that main conflict would", "my example is because it does not have a theme. Every scenario I've", "way of that, unless you count the detectives' simple ignorance of all the", "I was able to finally identify the main conflict of my current WiP.", "of this, I don't think the problem is a lack of main conflict.", "writing that I can change, either; this is how I write. I want", "just not seeing. Could you please explain where I'm going wrong here? Where's", "the generic typical detective/mystery story? Where is the main conflict? Question: Either my", "plotter, meaning I plan my novels out almost to the scene before writing", "I am still unable to identify the main conflict of typical mystery novels.", "seen conflict as a struggle between two things, be they choices or just", "main conflict is completely off (which I doubt), or there's something I'm just", "my novel has a purpose. Nothing is random. Everything works to tell that", "I simply can't define that main conflict (which I need to do in", "I don't feel that it answered my question, as I still can't determine", "fine, meaning they seem to have a main conflict. Because of this, I", "how I write. I want my novels to have meaning. Conflict: Until recently,", "of whatever is trying to be attained: the goal (arrived at by envisioning", "center my novels around a main message, or theme. Literally everything in my", "opposite directions/paths. Because I've been developing novels that seem fine but appear to", "really standing in the way of that, unless you count the detectives' simple", "theme. Literally everything in my novel has a purpose. Nothing is random. Everything", "define main conflict, I used the example of a typical detective/mystery novel. The", "as an obstacle in the way of whatever is trying to be attained:", "on the basic design where the main conflict is more obvious, but what", "catch whoever did the crime, or maybe prove he's guilty. There's nothing really", "whatever is trying to be attained: the goal (arrived at by envisioning a", "to have a main conflict. Because of this, I don't think the problem", "need to do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar", "have a main conflict. Because of this, I don't think the problem is", "on the above definition, I was able to finally identify the main conflict", "main conflict to me. Obviously there are mystery novels with twists on the", "writing. In addition to this, and this is very important, I center my", "the example of a typical detective/mystery novel. The goal is to catch whoever", "typical mystery novels. When I was struggling to define main conflict, I used", "a main conflict. Because of this, I don't think the problem is a", "in my writing: I can't find the main conflict in my novels. This", "listing different kinds of conflict, I don't feel that it answered my question,", "it does not have a theme. Every scenario I've thought of that includes", "isn't just some aspect of writing that I can change, either; this is", "with a very strange problem in my writing: I can't find the main", "of thought and reflection on exactly what a main conflict is, but I'm", "some aspect of writing that I can change, either; this is how I", "described as an obstacle in the way of whatever is trying to be", "I need to do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly", "at the conclusion that main conflict would be more properly described as an", "was able to finally identify the main conflict of my current WiP. However,", "conflict in my example is because it does not have a theme. Every", "very important, I center my novels around a main message, or theme. Literally", "a typical detective/mystery novel. The goal is to catch whoever did the crime,", "he's guilty. There's nothing really standing in the way of that, unless you", "to have no main conflict, I've quickly realized this can't be the case.", "writing, so this issue is quite baffling. Backstory:* To understand where I'm coming", "conflict (which I need to do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus)", "of conflict, I don't feel that it answered my question, as I still", "it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While the answer to", "with twists on the basic design where the main conflict is more obvious,", "main conflict, I've quickly realized this can't be the case. Because of this,", "is to catch whoever did the crime, or maybe prove he's guilty. There's", "Nothing is random. Everything works to tell that message in some way. This", "to have meaning. Conflict: Until recently, I've always seen conflict as a struggle", "Note: My novels seem fine, meaning they seem to have a main conflict.", "is because it does not have a theme. Every scenario I've thought of", "generic typical detective/mystery story? Where is the main conflict? Question:** Either my understanding", "the way* of whatever is trying to be attained: the goal (arrived at", "kinds of conflict, I don't feel that it answered my question, as I", "message in some way. This isn't just some aspect of writing that I", "hardly seems like it could be the main conflict to me. Obviously there", "detective/mystery novel. The goal is to catch whoever did the crime, or maybe", "the main conflict? Important Note: My novels seem fine, meaning they seem to", "I do, because it filters out problems like this before I run into", "novels with twists on the basic design where the main conflict is more", "can't determine the main conflict of typical detective/mystery novels. --- Answer: After some", "struggle between two things, be they choices or just opposite directions/paths. Because I've", "thought inspired by my own reflections and Lauren Ipsum's answer below, I believe", "I can change, either; this is how I write. I want my novels", "main conflict in my novels. This has inspired quite a bit of thought", "it filters out problems like this before I run into them while writing.", "this is very important, I center my novels around a main message, or", "main conflict is, but I'm still just as stumped, if not more so.", "unless you count the detectives' simple ignorance of all the facts. And that", "below, I believe the reason I can't find the main conflict in my", "very strange problem in my writing: I can't find the main conflict in", "main conflict of typical mystery novels. When I was struggling to define main", "[This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While the answer to that", "of a typical detective/mystery novel. The goal is to catch whoever did the", "in my novels. This has inspired quite a bit of thought and reflection", "the main conflict in my example is because it does not have a", "in my example is because it does not have a theme. Every scenario", "either; this is how I write. I want my novels to have meaning.", "my own reflections and Lauren Ipsum's answer below, I believe the reason I", "writing: I can't find the main conflict in my novels. This has inspired", "you count the detectives' simple ignorance of all the facts. And that hardly", "been developing novels that seem fine but appear to have no main conflict,", "meaning. Conflict:* Until recently, I've always seen conflict as a struggle between two", "recently been struggling with a very strange problem in my writing: I can't", "conflict. Because of this, I don't think the problem is a lack of", "to me. Obviously there are mystery novels with twists on the basic design", "good thing I do, because it filters out problems like this before I", "answer to that question was helpful by listing different kinds of conflict, I", "stumped, if not more so. I'm not new to writing, so this issue", "is the main conflict? Question: Either my understanding of main conflict is completely", "what about the generic typical detective/mystery story? Where is the main conflict? Question:", "know that I'm a plotter, meaning I plan my novels out almost to", "different kinds of conflict, I don't feel that it answered my question, as", "--- Answer: After some thought inspired by my own reflections and Lauren Ipsum's", "always seen conflict as a struggle between two things, be they choices or", "some thought inspired by my own reflections and Lauren Ipsum's answer below, I", "want my novels to have meaning. Conflict: Until recently, I've always seen conflict", "coming from, you have to know that I'm a plotter, meaning I plan", "doubt), or there's something I'm just not seeing. Could you please explain where", "do, because it filters out problems like this before I run into them", "realized this can't be the case. Because of this, I've arrived at the", "When I was struggling to define main conflict, I used the example of", "conflict of typical detective/mystery novels. --- Answer: After some thought inspired by my", "get through a maze). That still doesn't help me though. The Problem: Based", "the way of that, unless you count the detectives' simple ignorance of all", "conflict? Important Note:** My novels seem fine, meaning they seem to have a", "attained: the goal (arrived at by envisioning a novel where the main conflict", "has a purpose. Nothing is random. Everything works to tell that message in", "I've thought of that includes a theme results in a definable main conflict.", "to this, and this is very important, I center my novels around a", "to finally identify the main conflict of my current WiP. However, I am", "nothing really standing in the way of that, unless you count the detectives'", "they choices or just opposite directions/paths. Because I've been developing novels that seem", "so. I'm not new to writing, so this issue is quite baffling. Backstory:", "seem fine but appear to have no main conflict, I've quickly realized this", "fine but appear to have no main conflict, I've quickly realized this can't", "between two things, be they choices or just opposite directions/paths. Because I've been", "more properly described as an obstacle in the way of whatever is trying", "Where's the main conflict? Important Note: My novels seem fine, meaning they seem", "them while writing. In addition to this, and this is very important, I", "that main conflict would be more properly described as an obstacle in the", "can't be the case. Because of this, I've arrived at the conclusion that", "in the way of that, unless you count the detectives' simple ignorance of", "obstacle in the way* of whatever is trying to be attained: the goal", "about the generic typical detective/mystery story? Where is the main conflict? Question: Either", "is trying to be attained: the goal (arrived at by envisioning a novel", "the main conflict is more obvious, but what about the generic typical detective/mystery", "going wrong here? Where's the main conflict? Important Note: My novels seem fine,", "my novels out almost to the scene before writing a word. It's a", "in my novel has a purpose. Nothing is random. Everything works to tell", "crime, or maybe prove he's guilty. There's nothing really standing in the way", "this is how I write. I want my novels to have meaning. Conflict:*", "be more properly described as an obstacle in the way* of whatever is", "I doubt), or there's something I'm just not seeing. Could you please explain", "almost to the scene before writing a word. It's a good thing I", "novel. The goal is to catch whoever did the crime, or maybe prove", "the reason I can't find the main conflict in my example is because", "the scene before writing a word. It's a good thing I do, because", "filters out problems like this before I run into them while writing. In", "just as stumped, if not more so. I'm not new to writing, so", "a very strange problem in my writing: I can't find the main conflict", "issue is quite baffling. Backstory: To understand where I'm coming from, you have", "meaning they seem to have a main conflict. Because of this, I don't", "that it answered my question, as I still can't determine the main conflict", "Every scenario I've thought of that includes a theme results in a definable", "novels to have meaning. Conflict:** Until recently, I've always seen conflict as a", "facts. And that hardly seems like it could be the main conflict to", "am still unable to identify the main conflict of typical mystery novels. When", "have a theme. Every scenario I've thought of that includes a theme results", "are mystery novels with twists on the basic design where the main conflict", "I run into them while writing. In addition to this, and this is", "mystery novels with twists on the basic design where the main conflict is", "main conflict. I think the problem is that I simply can't define that", "you have to know that I'm a plotter, meaning I plan my novels", "main message, or theme. Literally everything* in my novel has a purpose. Nothing", "been struggling with a very strange problem in my writing: I can't find", "novels. This has inspired quite a bit of thought and reflection on exactly", "is completely off (which I doubt), or there's something I'm just not seeing.", "doesn't help me though. The Problem: Based on the above definition, I was", "to this one. While the answer to that question was helpful by listing", "simply can't define that main conflict (which I need to do in order", "new to writing, so this issue is quite baffling. Backstory: To understand where", "out almost to the scene before writing a word. It's a good thing", "this, I don't think the problem is a lack of main conflict. I", "define that main conflict (which I need to do in order to develop", "prove he's guilty. There's nothing really standing in the way of that, unless", "is, but I'm still just as stumped, if not more so. I'm not", "I think the problem is that I simply can't define that main conflict", "a maze). That still doesn't help me though. The Problem: Based on the", "though. The Problem: Based on the above definition, I was able to finally", "novels out almost to the scene before writing a word. It's a good", "to catch whoever did the crime, or maybe prove he's guilty. There's nothing", "I write. I want my novels to have meaning. Conflict: Until recently, I've", "conflict is more obvious, but what about the generic typical detective/mystery story? Where", "to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While the", "one. While the answer to that question was helpful by listing different kinds", "things, be they choices or just opposite directions/paths. Because I've been developing novels", "here? Where's the main conflict? Important Note:** My novels seem fine, meaning they", "don't feel that it answered my question, as I still can't determine the", "conflict is completely off (which I doubt), or there's something I'm just not", "reflection on exactly what a main conflict is, but I'm still just as", "It's a good thing I do, because it filters out problems like this", "recently, I've always seen conflict as a struggle between two things, be they", "just opposite directions/paths. Because I've been developing novels that seem fine but appear", "through a maze). That still doesn't help me though. The Problem: Based on", "identify the main conflict of typical mystery novels. When I was struggling to", "able to finally identify the main conflict of my current WiP. However, I", "there are mystery novels with twists on the basic design where the main", "novels. --- Answer: After some thought inspired by my own reflections and Lauren", "I'm still just as stumped, if not more so. I'm not new to", "seem to have a main conflict. Because of this, I don't think the", "to do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to", "in the way of whatever is trying to be attained: the goal (arrived", "into them while writing. In addition to this, and this is very important,", "you please explain where I'm going wrong here? Where's the main conflict? Important", "is a lack of main conflict. I think the problem is that I", "would be more properly described as an obstacle in the way of whatever", "I used the example of a typical detective/mystery novel. The goal is to", "everything in my novel has a purpose. Nothing is random. Everything works to", "thought and reflection on exactly what a main conflict is, but I'm still", "and reflection on exactly what a main conflict is, but I'm still just", "slightly similar to this one. While the answer to that question was helpful", "Because of this, I don't think the problem is a lack of main", "conflict of my current WiP. However, I am still unable to identify the", "conflict, I used the example of a typical detective/mystery novel. The goal is", "this, I've arrived at the conclusion that main conflict would be more properly", "of main conflict is completely off (which I doubt), or there's something I'm", "where I'm coming from, you have to know that I'm a plotter, meaning", "writing a word. It's a good thing I do, because it filters out", "problem is that I simply can't define that main conflict (which I need", "the main conflict of typical mystery novels. When I was struggling to define", "two things, be they choices or just opposite directions/paths. Because I've been developing", "that I'm a plotter, meaning I plan my novels out almost to the", "not new to writing, so this issue is quite baffling. Backstory: To understand", "question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While the answer to that question", "that I simply can't define that main conflict (which I need to do", "did the crime, or maybe prove he's guilty. There's nothing really standing in", "main conflict of my current WiP. However, I am still unable to identify", "I'm just not seeing. Could you please explain where I'm going wrong here?", "run into them while writing. In addition to this, and this is very", "to writing, so this issue is quite baffling. Backstory:* To understand where I'm", "have no main conflict, I've quickly realized this can't be the case. Because", "the problem is a lack of main conflict. I think the problem is", "similar to this one. While the answer to that question was helpful by", "The goal is to catch whoever did the crime, or maybe prove he's", "main conflict in my example is because it does not have a theme.", "understand where I'm coming from, you have to know that I'm a plotter,", "own reflections and Lauren Ipsum's answer below, I believe the reason I can't", "was struggling to define main conflict, I used the example of a typical", "message, or theme. Literally everything in my novel has a purpose. Nothing is", "Ipsum's answer below, I believe the reason I can't find the main conflict", "I'm not new to writing, so this issue is quite baffling. Backstory: To", "the case. Because of this, I've arrived at the conclusion that main conflict", "just some aspect of writing that I can change, either; this is how", "reflections and Lauren Ipsum's answer below, I believe the reason I can't find", "design where the main conflict is more obvious, but what about the generic", "is very important, I center my novels around a main message, or theme.", "answered my question, as I still can't determine the main conflict of typical", "novels. When I was struggling to define main conflict, I used the example", "example is because it does not have a theme. Every scenario I've thought", "above definition, I was able to finally identify the main conflict of my", "main conflict is more obvious, but what about the generic typical detective/mystery story?", "a good thing I do, because it filters out problems like this before", "have to know that I'm a plotter, meaning I plan my novels out", "of this, I've arrived at the conclusion that main conflict would be more", "all the facts. And that hardly seems like it could be the main", "That still doesn't help me though. The Problem: Based on the above definition,", "a struggle between two things, be they choices or just opposite directions/paths. Because", "still just as stumped, if not more so. I'm not new to writing,", "that seem fine but appear to have no main conflict, I've quickly realized", "but I'm still just as stumped, if not more so. I'm not new", "exactly what a main conflict is, but I'm still just as stumped, if", "While the answer to that question was helpful by listing different kinds of", "what a main conflict is, but I'm still just as stumped, if not", "The Problem: Based on the above definition, I was able to finally identify", "novel where the main conflict is to get through a maze). That still", "that message in some way. This isn't just some aspect of writing that", "seeing. Could you please explain where I'm going wrong here? Where's the main", "whoever did the crime, or maybe prove he's guilty. There's nothing really standing", "they seem to have a main conflict. Because of this, I don't think", "envisioning a novel where the main conflict is to get through a maze).", "purpose. Nothing is random. Everything works to tell that message in some way.", "the facts. And that hardly seems like it could be the main conflict", "or theme. Literally everything in my novel has a purpose. Nothing is random.", "However, I am still unable to identify the main conflict of typical mystery", "theme. Every scenario I've thought of that includes a theme results in a", "this before I run into them while writing. In addition to this, and", "scenario I've thought of that includes a theme results in a definable main", "struggling to define main conflict, I used the example of a typical detective/mystery", "I've quickly realized this can't be the case. Because of this, I've arrived", "determine the main conflict of typical detective/mystery novels. --- Answer:* After some thought", "to that question was helpful by listing different kinds of conflict, I don't", "a main conflict is, but I'm still just as stumped, if not more", "I believe the reason I can't find the main conflict in my example", "if not more so. I'm not new to writing, so this issue is", "used the example of a typical detective/mystery novel. The goal is to catch", "my novels to have meaning. Conflict: Until recently, I've always seen conflict as", "to define main conflict, I used the example of a typical detective/mystery novel.", "this one. While the answer to that question was helpful by listing different", "(which I need to do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is", "still can't determine the main conflict of typical detective/mystery novels. --- Answer: After", "way. This isn't just some aspect of writing that I can change, either;", "conflict, I've quickly realized this can't be the case. Because of this, I've", "finally identify the main conflict of my current WiP. However, I am still", "the conclusion that main conflict would be more properly described as an obstacle", "to be attained: the goal (arrived at by envisioning a novel where the", "goal is to catch whoever did the crime, or maybe prove he's guilty.", "as stumped, if not more so. I'm not new to writing, so this", "Obviously there are mystery novels with twists on the basic design where the", "I'm coming from, you have to know that I'm a plotter, meaning I", "goal (arrived at by envisioning a novel where the main conflict is to", "understanding of main conflict is completely off (which I doubt), or there's something", "a lack of main conflict. I think the problem is that I simply", "write. I want my novels to have meaning. Conflict: Until recently, I've always", "In addition to this, and this is very important, I center my novels", "thing I do, because it filters out problems like this before I run", "my writing: I can't find the main conflict in my novels. This has", "has inspired quite a bit of thought and reflection on exactly what a", "lack of main conflict. I think the problem is that I simply can't", "could be the main conflict to me. Obviously there are mystery novels with", "explain where I'm going wrong here? Where's the main conflict? Important Note: My", "meaning I plan my novels out almost to the scene before writing a", "be they choices or just opposite directions/paths. Because I've been developing novels that", "Could you please explain where I'm going wrong here? Where's the main conflict?", "and Lauren Ipsum's answer below, I believe the reason I can't find the", "but what about the generic typical detective/mystery story? Where is the main conflict?", "count the detectives' simple ignorance of all the facts. And that hardly seems", "change, either; this is how I write. I want my novels to have", "problem is a lack of main conflict. I think the problem is that", "to know that I'm a plotter, meaning I plan my novels out almost", "conflict of typical mystery novels. When I was struggling to define main conflict,", "quite baffling. Backstory: To understand where I'm coming from, you have to know", "WiP. However, I am still unable to identify the main conflict of typical", "I still can't determine the main conflict of typical detective/mystery novels. --- Answer:", "can't define that main conflict (which I need to do in order to", "the main conflict? Question: Either my understanding of main conflict is completely off", "be the case. Because of this, I've arrived at the conclusion that main", "not more so. I'm not new to writing, so this issue is quite", "novels that seem fine but appear to have no main conflict, I've quickly", "is how I write. I want my novels to have meaning. Conflict: Until", "Question:** Either my understanding of main conflict is completely off (which I doubt),", "do in order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this", "think the problem is a lack of main conflict. I think the problem", "I plan my novels out almost to the scene before writing a word.", "problem in my writing: I can't find the main conflict in my novels.", "conflict would be more properly described as an obstacle in the way of", "After some thought inspired by my own reflections and Lauren Ipsum's answer below,", "conflict. I think the problem is that I simply can't define that main", "typical detective/mystery story? Where is the main conflict? Question: Either my understanding of", "be the main conflict to me. Obviously there are mystery novels with twists", "before I run into them while writing. In addition to this, and this", "find the main conflict in my novels. This has inspired quite a bit", "Literally everything* in my novel has a purpose. Nothing is random. Everything works", "the detectives' simple ignorance of all the facts. And that hardly seems like", "of my current WiP. However, I am still unable to identify the main", "my current WiP. However, I am still unable to identify the main conflict", "not seeing. Could you please explain where I'm going wrong here? Where's the", "bit of thought and reflection on exactly what a main conflict is, but", "plan my novels out almost to the scene before writing a word. It's", "at by envisioning a novel where the main conflict is to get through", "the basic design where the main conflict is more obvious, but what about", "or maybe prove he's guilty. There's nothing really standing in the way of", "there's something I'm just not seeing. Could you please explain where I'm going", "question, as I still can't determine the main conflict of typical detective/mystery novels.", "I can't find the main conflict in my example is because it does", "aspect of writing that I can change, either; this is how I write.", "that question was helpful by listing different kinds of conflict, I don't feel", "question was helpful by listing different kinds of conflict, I don't feel that", "the above definition, I was able to finally identify the main conflict of", "this issue is quite baffling. Backstory:** To understand where I'm coming from, you", "Because of this, I've arrived at the conclusion that main conflict would be", "I center my novels around a main message, or theme. Literally everything in", "struggling with a very strange problem in my writing: I can't find the", "of writing that I can change, either; this is how I write. I", "seem fine, meaning they seem to have a main conflict. Because of this,", "detective/mystery story? Where is the main conflict? Question: Either my understanding of main", "was helpful by listing different kinds of conflict, I don't feel that it", "the goal (arrived at by envisioning a novel where the main conflict is", "basic design where the main conflict is more obvious, but what about the", "conflict in my novels. This has inspired quite a bit of thought and", "the main conflict to me. Obviously there are mystery novels with twists on", "I want my novels to have meaning. Conflict: Until recently, I've always seen", "strange problem in my writing: I can't find the main conflict in my", "my question, as I still can't determine the main conflict of typical detective/mystery", "maze). That still doesn't help me though. The Problem: Based on the above", "it could be the main conflict to me. Obviously there are mystery novels", "works to tell that message in some way. This isn't just some aspect", "reason I can't find the main conflict in my example is because it", "maybe prove he's guilty. There's nothing really standing in the way of that,", "problems like this before I run into them while writing. In addition to", "properly described as an obstacle in the way of whatever is trying to", "inspired quite a bit of thought and reflection on exactly what a main", "help me though. The Problem: Based on the above definition, I was able", "way* of whatever is trying to be attained: the goal (arrived at by", "have meaning. Conflict: Until recently, I've always seen conflict as a struggle between", "where I'm going wrong here? Where's the main conflict? Important Note: My novels", "Conflict:** Until recently, I've always seen conflict as a struggle between two things,", "identify the main conflict of my current WiP. However, I am still unable", "There's nothing really standing in the way of that, unless you count the", "I'm a plotter, meaning I plan my novels out almost to the scene", "please explain where I'm going wrong here? Where's the main conflict? Important Note:", "the main conflict of typical detective/mystery novels. --- Answer:** After some thought inspired", "I've always seen conflict as a struggle between two things, be they choices", "because it does not have a theme. Every scenario I've thought of that", "in some way. This isn't just some aspect of writing that I can", "by listing different kinds of conflict, I don't feel that it answered my", "to get through a maze). That still doesn't help me though. The Problem:", "from, you have to know that I'm a plotter, meaning I plan my", "definition, I was able to finally identify the main conflict of my current", "conflict is to get through a maze). That still doesn't help me though.", "conclusion that main conflict would be more properly described as an obstacle in", "mystery novels. When I was struggling to define main conflict, I used the", "wrong here?* Where's the main conflict? Important Note: My novels seem fine, meaning", "quickly realized this can't be the case. Because of this, I've arrived at", "Problem: Based on the above definition, I was able to finally identify the", "baffling. Backstory: To understand where I'm coming from, you have to know that", "directions/paths. Because I've been developing novels that seem fine but appear to have", "to identify the main conflict of typical mystery novels. When I was struggling", "appear to have no main conflict, I've quickly realized this can't be the", "Lauren Ipsum's answer below, I believe the reason I can't find the main", "helpful by listing different kinds of conflict, I don't feel that it answered", "a bit of thought and reflection on exactly what a main conflict is,", "still doesn't help me though. The Problem:** Based on the above definition, I", "important, I center my novels around a main message, or theme. Literally everything", "but appear to have no main conflict, I've quickly realized this can't be", "typical detective/mystery novel. The goal is to catch whoever did the crime, or", "standing in the way of that, unless you count the detectives' simple ignorance", "main conflict? Important Note:* My novels seem fine, meaning they seem to have", "detective/mystery novels. --- Answer: After some thought inspired by my own reflections and", "simple ignorance of all the facts. And that hardly seems like it could", "of that, unless you count the detectives' simple ignorance of all the facts.", "it answered my question, as I still can't determine the main conflict of", "Where is the main conflict? Question: Either my understanding of main conflict is", "of all the facts. And that hardly seems like it could be the", "arrived at the conclusion that main conflict would be more properly described as", "conflict? Question: Either my understanding of main conflict is completely off (which I", "so this issue is quite baffling. Backstory: To understand where I'm coming from,", "conflict as a struggle between two things, be they choices or just opposite", "the main conflict of my current WiP. However, I am still unable to", "feel that it answered my question, as I still can't determine the main", "more so. I'm not new to writing, so this issue is quite baffling.", "conflict* to me. Obviously there are mystery novels with twists on the basic", "to tell that message in some way. This isn't just some aspect of", "or there's something I'm just not seeing. Could you please explain where I'm", "off (which I doubt), or there's something I'm just not seeing. Could you", "can't find the main conflict in my example is because it does not", "(which I doubt), or there's something I'm just not seeing. Could you please", "a theme. Every scenario I've thought of that includes a theme results in", "develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While the answer", "the problem is that I simply can't define that main conflict (which I", "I don't think the problem is a lack of main conflict. I think", "on exactly what a main conflict is, but I'm still just as stumped,", "developing novels that seem fine but appear to have no main conflict, I've", "is to get through a maze). That still doesn't help me though. The", "Everything works to tell that message in some way. This isn't just some", "main conflict, I used the example of a typical detective/mystery novel. The goal", "is slightly similar to this one. While the answer to that question was", "I was struggling to define main conflict, I used the example of a", "order to develop it). [This question](https://writers.stackexchange.com/questions/5575/my-story-portrays-a-process-not-a-conflict-how-do-i-make-the-process-my-focus) is slightly similar to this one. While", "of main conflict. I think the problem is that I simply can't define", "Important Note: My novels seem fine, meaning they seem to have a main", "main conflict? Question: Either my understanding of main conflict is completely off (which", "by my own reflections and Lauren Ipsum's answer below, I believe the reason", "me. Obviously there are mystery novels with twists on the basic design where", "This isn't just some aspect of writing that I can change, either; this", "tell that message in some way. This isn't just some aspect of writing", "(arrived at by envisioning a novel where the main conflict is to get", "novel has a purpose. Nothing is random. Everything works to tell that message", "novels seem fine, meaning they seem to have a main conflict. Because of", "the crime, or maybe prove he's guilty. There's nothing really standing in the", "choices or just opposite directions/paths. Because I've been developing novels that seem fine", "like it could be the main conflict to me. Obviously there are mystery", "as I still can't determine the main conflict of typical detective/mystery novels. ---", "Until recently, I've always seen conflict as a struggle between two things, be", "novels around a main message, or theme. Literally everything in my novel has", "This has inspired quite a bit of thought and reflection on exactly what", "something I'm just not seeing. Could you please explain where I'm going wrong", "where the main conflict is to get through a maze). That still doesn't", "before writing a word. It's a good thing I do, because it filters", "quite a bit of thought and reflection on exactly what a main conflict", "or just opposite directions/paths. Because I've been developing novels that seem fine but", "that, unless you count the detectives' simple ignorance of all the facts. And", "Based on the above definition, I was able to finally identify the main", "find the main conflict in my example is because it does not have", "detectives' simple ignorance of all the facts. And that hardly seems like it", "a word. It's a good thing I do, because it filters out problems", "a purpose. Nothing is random. Everything works to tell that message in some", "story? Where is the main conflict? Question:** Either my understanding of main conflict", "that hardly seems like it could be the main conflict to me. Obviously", "And that hardly seems like it could be the main conflict to me.", "can't find the main conflict in my novels. This has inspired quite a", "my understanding of main conflict is completely off (which I doubt), or there's", "I've recently been struggling with a very strange problem in my writing: I", "random. Everything works to tell that message in some way. This isn't just", "while writing. In addition to this, and this is very important, I center", "Answer: After some thought inspired by my own reflections and Lauren Ipsum's answer", "seems like it could be the main conflict to me. Obviously there are", "I've arrived at the conclusion that main conflict would be more properly described" ]
[ "do research to embed the cultural and political references of New York into", "and today's New York. I have never been to New York, and will", "for far period. How can I do research to embed the cultural and", "far period. How can I do research to embed the cultural and political", "How can I do research to embed the cultural and political references of", "a semi-fantasy novel, which is set in medieval India and today's New York.", "been to New York, and will not be there, for far period. How", "New York. I have never been to New York, and will not be", "in medieval India and today's New York. I have never been to New", "there, for far period. How can I do research to embed the cultural", "period. How can I do research to embed the cultural and political references", "will not be there, for far period. How can I do research to", "is set in medieval India and today's New York. I have never been", "not be there, for far period. How can I do research to embed", "writing a semi-fantasy novel, which is set in medieval India and today's New", "I do research to embed the cultural and political references of New York", "York, and will not be there, for far period. How can I do", "have never been to New York, and will not be there, for far", "set in medieval India and today's New York. I have never been to", "research to embed the cultural and political references of New York into my", "I have never been to New York, and will not be there, for", "New York, and will not be there, for far period. How can I", "novel, which is set in medieval India and today's New York. I have", "medieval India and today's New York. I have never been to New York,", "semi-fantasy novel, which is set in medieval India and today's New York. I", "today's New York. I have never been to New York, and will not", "never been to New York, and will not be there, for far period.", "am writing a semi-fantasy novel, which is set in medieval India and today's", "to embed the cultural and political references of New York into my novel", "which is set in medieval India and today's New York. I have never", "I am writing a semi-fantasy novel, which is set in medieval India and", "York. I have never been to New York, and will not be there,", "can I do research to embed the cultural and political references of New", "and will not be there, for far period. How can I do research", "be there, for far period. How can I do research to embed the", "to New York, and will not be there, for far period. How can", "India and today's New York. I have never been to New York, and" ]
[ "out. Basically I want to end it like this: ``` 1.1 Main section", "..writing... and then back to Main section 1.1 1.1 Main section (ending) ```", "the main section after I'm done writing a sub-section, like this: ``` 1.1", "a sub-section, like this: ``` 1.1 Main section 1.1.1 subsection 1 1.1.2 subsection", "to Main section 1.1* 1.1 Main section (ending) ``` How can I make", "``` How can I make that proper ending of Main Section after writing", "section 1.1* 1.1 Main section (ending) ``` *How can I make that proper", "Main section. Two pages goes by on subsections but then I want to", "that we are back in the Main section. Two pages goes by on", "the main section after those 2 subsections but I don't know how to", "pointing it out. Basically I want to end it like this: ``` 1.1", "want to end it like this: ``` 1.1 Main section (starting) 1.1.1 Sub", "am writing a paper but I don't know how to move back to", "back to Main section 1.1 1.1 Main section (ending) ``` How can I", "a paper but I don't know how to move back to the main", "back to the main section after I'm done writing a sub-section, like this:", "I don't know how to move back to the main section after I'm", "finish by ending the main section after those 2 subsections but I don't", "by ending the main section after those 2 subsections but I don't know", "this: ``` 1.1 Main section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub", "those 2 subsections but I don't know how to indicate this without pointing", "subsections but then I want to do a proper finish by ending the", "I want to end it like this: ``` 1.1 Main section (starting) 1.1.1", "done writing a sub-section, like this: ``` 1.1 Main section 1.1.1 subsection 1", "but I don't know how to move back to the main section after", "How can I make that proper ending of Main Section after writing subsections?*", "it out. Basically I want to end it like this: ``` 1.1 Main", "a proper finish by ending the main section after those 2 subsections but", "Main section 1.1 1.1 Main section (ending) ``` *How can I make that", "1.1.2 Sub section 2 ..writing... and then back to Main section 1.1* 1.1", "without pointing it out. Basically I want to end it like this: ```", "but then I want to do a proper finish by ending the main", "long subsections I don't how can I make readers understand that we are", "I make readers understand that we are back in the Main section. Two", "can I make readers understand that we are back in the Main section.", "writing a paper but I don't know how to move back to the", "(starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub section 2 ..writing... and then", "readers understand that we are back in the Main section. Two pages goes", "Two pages goes by on subsections but then I want to do a", "subsections I don't how can I make readers understand that we are back", "like this: ``` 1.1 Main section 1.1.1 subsection 1 1.1.2 subsection 2 ```", "1.1.2 subsection 2 ``` As I write long subsections I don't how can", "make readers understand that we are back in the Main section. Two pages", "As I write long subsections I don't how can I make readers understand", "section. Two pages goes by on subsections but then I want to do", "then I want to do a proper finish by ending the main section", "back in the Main section. Two pages goes by on subsections but then", "this without pointing it out. Basically I want to end it like this:", "Main section (ending) ``` How can I make that proper ending of Main", "2 ``` As I write long subsections I don't how can I make", "..writing... 1.1.2 Sub section 2 ..writing... and then back to Main section 1.1", "Main section 1.1.1 subsection 1 1.1.2 subsection 2 ``` As I write long", "don't how can I make readers understand that we are back in the", "I want to do a proper finish by ending the main section after", "subsection 2 ``` As I write long subsections I don't how can I", "but I don't know how to indicate this without pointing it out. Basically", "after those 2 subsections but I don't know how to indicate this without", "the Main section. Two pages goes by on subsections but then I want", "1.1.1 subsection 1 1.1.2 subsection 2 ``` As I write long subsections I", "Basically I want to end it like this: ``` 1.1 Main section (starting)", "then back to Main section 1.1 1.1 Main section (ending) ``` How can", "1 1.1.2 subsection 2 ``` As I write long subsections I don't how", "section after those 2 subsections but I don't know how to indicate this", "2 subsections but I don't know how to indicate this without pointing it", "I write long subsections I don't how can I make readers understand that", "in the Main section. Two pages goes by on subsections but then I", "``` 1.1 Main section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub section", "I'm done writing a sub-section, like this: ``` 1.1 Main section 1.1.1 subsection", "are back in the Main section. Two pages goes by on subsections but", "want to do a proper finish by ending the main section after those", "it like this: ``` 1.1 Main section (starting) 1.1.1 Sub section 1 ..writing...", "1.1 Main section (ending) ``` How can I make that proper ending of", "ending the main section after those 2 subsections but I don't know how", "this: ``` 1.1 Main section 1.1.1 subsection 1 1.1.2 subsection 2 ``` As", "1.1 Main section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub section 2", "Sub section 1 ..writing... 1.1.2 Sub section 2 ..writing... and then back to", "end it like this: ``` 1.1 Main section (starting) 1.1.1 Sub section 1", "after I'm done writing a sub-section, like this: ``` 1.1 Main section 1.1.1", "write long subsections I don't how can I make readers understand that we", "1.1 Main section 1.1.1 subsection 1 1.1.2 subsection 2 ``` As I write", "move back to the main section after I'm done writing a sub-section, like", "section after I'm done writing a sub-section, like this: ``` 1.1 Main section", "on subsections but then I want to do a proper finish by ending", "sub-section, like this: ``` 1.1 Main section 1.1.1 subsection 1 1.1.2 subsection 2", "we are back in the Main section. Two pages goes by on subsections", "Main section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub section 2 ..writing...", "how to indicate this without pointing it out. Basically I want to end", "to move back to the main section after I'm done writing a sub-section,", "section 2 ..writing... and then back to Main section 1.1* 1.1 Main section", "indicate this without pointing it out. Basically I want to end it like", "(ending) ``` *How can I make that proper ending of Main Section after", "how can I make readers understand that we are back in the Main", "``` 1.1 Main section 1.1.1 subsection 1 1.1.2 subsection 2 ``` As I", "pages goes by on subsections but then I want to do a proper", "to indicate this without pointing it out. Basically I want to end it", "to do a proper finish by ending the main section after those 2", "by on subsections but then I want to do a proper finish by", "section 1 ..writing... 1.1.2 Sub section 2 ..writing... and then back to Main", "I am writing a paper but I don't know how to move back", "section 1.1.1 subsection 1 1.1.2 subsection 2 ``` As I write long subsections", "how to move back to the main section after I'm done writing a", "to end it like this: ``` 1.1 Main section (starting) 1.1.1 Sub section", "to the main section after I'm done writing a sub-section, like this: ```", "paper but I don't know how to move back to the main section", "I don't how can I make readers understand that we are back in", "do a proper finish by ending the main section after those 2 subsections", "section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2 Sub section 2 ..writing... and", "subsection 1 1.1.2 subsection 2 ``` As I write long subsections I don't", "know how to move back to the main section after I'm done writing", "``` As I write long subsections I don't how can I make readers", "1.1.1 Sub section 1 ..writing... 1.1.2 Sub section 2 ..writing... and then back", "understand that we are back in the Main section. Two pages goes by", "writing a sub-section, like this: ``` 1.1 Main section 1.1.1 subsection 1 1.1.2", "1.1* 1.1 Main section (ending) ``` *How can I make that proper ending", "goes by on subsections but then I want to do a proper finish", "1 ..writing... 1.1.2 Sub section 2 ..writing... and then back to Main section", "2 ..writing... and then back to Main section 1.1 1.1 Main section (ending)", "subsections but I don't know how to indicate this without pointing it out.", "I don't know how to indicate this without pointing it out. Basically I", "like this: ``` 1.1 Main section (starting) 1.1.1 Sub section 1 ..writing... 1.1.2", "don't know how to indicate this without pointing it out. Basically I want", "proper finish by ending the main section after those 2 subsections but I", "don't know how to move back to the main section after I'm done", "section (ending) ``` *How can I make that proper ending of Main Section", "and then back to Main section 1.1* 1.1 Main section (ending) ``` *How", "Sub section 2 ..writing... and then back to Main section 1.1* 1.1 Main", "main section after I'm done writing a sub-section, like this: ``` 1.1 Main", "know how to indicate this without pointing it out. Basically I want to", "main section after those 2 subsections but I don't know how to indicate" ]
[ "what will happen next,even if the part was intended to be suspenseful. is", "be suspenseful. is that bad writing? should \"plot twists\" always be surprising or", "writing? should \"plot twists\" always be surprising or do viewers/readers expect a level", "part was intended to be suspenseful. is that bad writing? should \"plot twists\"", "similarities in films to the point where I can often guess what will", "can often guess what will happen next,even if the part was intended to", "guess what will happen next,even if the part was intended to be suspenseful.", "point where I can often guess what will happen next,even if the part", "will happen next,even if the part was intended to be suspenseful. is that", "I can often guess what will happen next,even if the part was intended", "I see many similarities in films to the point where I can often", "bad writing? should \"plot twists\" always be surprising or do viewers/readers expect a", "where I can often guess what will happen next,even if the part was", "many similarities in films to the point where I can often guess what", "that bad writing? should \"plot twists\" always be surprising or do viewers/readers expect", "happen next,even if the part was intended to be suspenseful. is that bad", "if the part was intended to be suspenseful. is that bad writing? should", "the point where I can often guess what will happen next,even if the", "the part was intended to be suspenseful. is that bad writing? should \"plot", "suspenseful. is that bad writing? should \"plot twists\" always be surprising or do", "should \"plot twists\" always be surprising or do viewers/readers expect a level of", "was intended to be suspenseful. is that bad writing? should \"plot twists\" always", "intended to be suspenseful. is that bad writing? should \"plot twists\" always be", "\"plot twists\" always be surprising or do viewers/readers expect a level of predictability?", "films to the point where I can often guess what will happen next,even", "next,even if the part was intended to be suspenseful. is that bad writing?", "often guess what will happen next,even if the part was intended to be", "to the point where I can often guess what will happen next,even if", "to be suspenseful. is that bad writing? should \"plot twists\" always be surprising", "in films to the point where I can often guess what will happen", "see many similarities in films to the point where I can often guess", "is that bad writing? should \"plot twists\" always be surprising or do viewers/readers" ]
[ "about which I know little. What is the best/quickest way to learn enough", "hand-to-hand combat, about which I know little. What is the best/quickest way to", "demands hand-to-hand combat, about which I know little. What is the best/quickest way", "combat, about which I know little. What is the best/quickest way to learn", "the best/quickest way to learn enough about pre-firearms defense to write convincingly about", "which I know little. What is the best/quickest way to learn enough about", "best/quickest way to learn enough about pre-firearms defense to write convincingly about it?", "fantasy. Plot demands hand-to-hand combat, about which I know little. What is the", "What is the best/quickest way to learn enough about pre-firearms defense to write", "I am writing heroic fantasy. Plot demands hand-to-hand combat, about which I know", "know little. What is the best/quickest way to learn enough about pre-firearms defense", "am writing heroic fantasy. Plot demands hand-to-hand combat, about which I know little.", "little. What is the best/quickest way to learn enough about pre-firearms defense to", "writing heroic fantasy. Plot demands hand-to-hand combat, about which I know little. What", "is the best/quickest way to learn enough about pre-firearms defense to write convincingly", "heroic fantasy. Plot demands hand-to-hand combat, about which I know little. What is", "Plot demands hand-to-hand combat, about which I know little. What is the best/quickest", "I know little. What is the best/quickest way to learn enough about pre-firearms" ]
[ "been brushing up on standard manuscript format. I bought Scrivener to help me", "I've been brushing up on standard manuscript format. I bought Scrivener to help", "formatting. So, how do I tell when I'm supposed start a new scene", "how do I tell when I'm supposed start a new scene in the", "professional writing, and I've been brushing up on standard manuscript format. I bought", "standard manuscript format. I bought Scrivener to help me format for direct publishing,", "tell when I'm supposed start a new scene in the same chapter, or", "writing, and I've been brushing up on standard manuscript format. I bought Scrivener", "and standard manuscript formatting. So, how do I tell when I'm supposed start", "up on standard manuscript format. I bought Scrivener to help me format for", "do I tell when I'm supposed start a new scene in the same", "to help me format for direct publishing, and standard manuscript formatting. So, how", "for direct publishing, and standard manuscript formatting. So, how do I tell when", "start a new scene in the same chapter, or start a new scene", "in the same chapter, or start a new scene in a new chapter?", "I tell when I'm supposed start a new scene in the same chapter,", "Scrivener to help me format for direct publishing, and standard manuscript formatting. So,", "publishing, and standard manuscript formatting. So, how do I tell when I'm supposed", "to professional writing, and I've been brushing up on standard manuscript format. I", "scene in the same chapter, or start a new scene in a new", "me format for direct publishing, and standard manuscript formatting. So, how do I", "when I'm supposed start a new scene in the same chapter, or start", "new scene in the same chapter, or start a new scene in a", "and I've been brushing up on standard manuscript format. I bought Scrivener to", "manuscript formatting. So, how do I tell when I'm supposed start a new", "So, how do I tell when I'm supposed start a new scene in", "new to professional writing, and I've been brushing up on standard manuscript format.", "on standard manuscript format. I bought Scrivener to help me format for direct", "bought Scrivener to help me format for direct publishing, and standard manuscript formatting.", "I'm supposed start a new scene in the same chapter, or start a", "brushing up on standard manuscript format. I bought Scrivener to help me format", "I bought Scrivener to help me format for direct publishing, and standard manuscript", "manuscript format. I bought Scrivener to help me format for direct publishing, and", "format. I bought Scrivener to help me format for direct publishing, and standard", "direct publishing, and standard manuscript formatting. So, how do I tell when I'm", "I'm new to professional writing, and I've been brushing up on standard manuscript", "help me format for direct publishing, and standard manuscript formatting. So, how do", "supposed start a new scene in the same chapter, or start a new", "a new scene in the same chapter, or start a new scene in", "standard manuscript formatting. So, how do I tell when I'm supposed start a", "format for direct publishing, and standard manuscript formatting. So, how do I tell" ]
[ "huge blinking line right next to my letters that are tiny by comparison.", "that the cursor size is huge now. How do I get the cursor", "pages. The problem now is that the cursor size is huge now. How", "imported what I've written so far from pages. The problem now is that", "is that the cursor size is huge now. How do I get the", "get the cursor back to regular size? It's rather bothersome having this huge", "use Scrivener when I write, and I've imported what I've written so far", "to regular size? It's rather bothersome having this huge blinking line right next", "I've imported what I've written so far from pages. The problem now is", "this huge blinking line right next to my letters that are tiny by", "I get the cursor back to regular size? It's rather bothersome having this", "Scrivener when I write, and I've imported what I've written so far from", "having this huge blinking line right next to my letters that are tiny", "what I've written so far from pages. The problem now is that the", "The problem now is that the cursor size is huge now. How do", "size is huge now. How do I get the cursor back to regular", "regular size? It's rather bothersome having this huge blinking line right next to", "when I write, and I've imported what I've written so far from pages.", "do I get the cursor back to regular size? It's rather bothersome having", "size? It's rather bothersome having this huge blinking line right next to my", "and I've imported what I've written so far from pages. The problem now", "now is that the cursor size is huge now. How do I get", "I use Scrivener when I write, and I've imported what I've written so", "write, and I've imported what I've written so far from pages. The problem", "now. How do I get the cursor back to regular size? It's rather", "far from pages. The problem now is that the cursor size is huge", "rather bothersome having this huge blinking line right next to my letters that", "is huge now. How do I get the cursor back to regular size?", "back to regular size? It's rather bothersome having this huge blinking line right", "the cursor size is huge now. How do I get the cursor back", "I write, and I've imported what I've written so far from pages. The", "the cursor back to regular size? It's rather bothersome having this huge blinking", "so far from pages. The problem now is that the cursor size is", "I've written so far from pages. The problem now is that the cursor", "cursor size is huge now. How do I get the cursor back to", "problem now is that the cursor size is huge now. How do I", "It's rather bothersome having this huge blinking line right next to my letters", "How do I get the cursor back to regular size? It's rather bothersome", "bothersome having this huge blinking line right next to my letters that are", "from pages. The problem now is that the cursor size is huge now.", "huge now. How do I get the cursor back to regular size? It's", "written so far from pages. The problem now is that the cursor size", "cursor back to regular size? It's rather bothersome having this huge blinking line" ]
[ "the Science Fiction genre. The crux of the novel is about 4 or", "to earth and talking to few key people (leaders) one by one without", "and a set of particular individuals with their own motives, and trying to", "a little more story than that since this is going to be a", "of fiction and not purely a philosophical treatise. (b) I was unable to", "are the crux and there is not much action or story going on.", "on a mini novel in the Science Fiction genre. The crux of the", "individuals with their own motives, and trying to convince them to do something.", "crux of the novel is about 4 or 5 discussions between protagonist and", "genre. The crux of the novel is about 4 or 5 discussions between", "whatever the story is, will come out in the discussions itself. I think", "is not much action or story going on. That is, whatever the story", "there is not much action or story going on. That is, whatever the", "to do something. The setting is very limited - imagine an alien coming", "books doing that Secondly, do such books make an interesting read? I know", "starting on a mini novel in the Science Fiction genre. The crux of", "Stood Still\", but not entirely so in the sense of the protagonist interacting", "little bit like in the movie \"The Day the Earth Stood Still\", but", "coming to earth and talking to few key people (leaders) one by one", "not much action or story going on. That is, whatever the story is,", "movie \"The Day the Earth Stood Still\", but not entirely so in the", "depends on the writer's ability, but just trying to gauge the general interest.", "think socratic method (question answer sessions leading to some conclusion), matches closest to", "be a work of fiction and not purely a philosophical treatise. (b) I", "not entirely so in the sense of the protagonist interacting with both leaders", "with both leaders and non-leaders). Can you point me to some references in", "primarily) where arguments are the crux and there is not much action or", "to some conclusion), matches closest to what I want but (a) I want", "and not purely a philosophical treatise. (b) I was unable to find any", "that since this is going to be a work of fiction and not", "just starting on a mini novel in the Science Fiction genre. The crux", "a novice writer, just starting on a mini novel in the Science Fiction", "(a) I want to put in a little more story than that since", "is going to be a work of fiction and not purely a philosophical", "the story is, will come out in the discussions itself. I think socratic", "books make an interesting read? I know it depends on the writer's ability,", "mini novel in the Science Fiction genre. The crux of the novel is", "(a little bit like in the movie \"The Day the Earth Stood Still\",", "much action or story going on. That is, whatever the story is, will", "Earth Stood Still\", but not entirely so in the sense of the protagonist", "(leaders) one by one without much exposure to the public (a little bit", "to find any fiction books doing that Secondly, do such books make an", "novice writer, just starting on a mini novel in the Science Fiction genre.", "interacting with both leaders and non-leaders). Can you point me to some references", "me to some references in literature (scifi primarily) where arguments are the crux", "Day the Earth Stood Still\", but not entirely so in the sense of", "doing that Secondly, do such books make an interesting read? I know it", "and there is not much action or story going on. That is, whatever", "an alien coming to earth and talking to few key people (leaders) one", "and trying to convince them to do something. The setting is very limited", "4 or 5 discussions between protagonist and a set of particular individuals with", "Science Fiction genre. The crux of the novel is about 4 or 5", "protagonist and a set of particular individuals with their own motives, and trying", "the public (a little bit like in the movie \"The Day the Earth", "but not entirely so in the sense of the protagonist interacting with both", "both leaders and non-leaders). Can you point me to some references in literature", "arguments are the crux and there is not much action or story going", "that Secondly, do such books make an interesting read? I know it depends", "public (a little bit like in the movie \"The Day the Earth Stood", "the movie \"The Day the Earth Stood Still\", but not entirely so in", "to be a work of fiction and not purely a philosophical treatise. (b)", "people (leaders) one by one without much exposure to the public (a little", "to the public (a little bit like in the movie \"The Day the", "some references in literature (scifi primarily) where arguments are the crux and there", "know it depends on the writer's ability, but just trying to gauge the", "socratic method (question answer sessions leading to some conclusion), matches closest to what", "particular individuals with their own motives, and trying to convince them to do", "(scifi primarily) where arguments are the crux and there is not much action", "That is, whatever the story is, will come out in the discussions itself.", "closest to what I want but (a) I want to put in a", "and talking to few key people (leaders) one by one without much exposure", "in the sense of the protagonist interacting with both leaders and non-leaders). Can", "on. That is, whatever the story is, will come out in the discussions", "talking to few key people (leaders) one by one without much exposure to", "to convince them to do something. The setting is very limited - imagine", "philosophical treatise. (b) I was unable to find any fiction books doing that", "what I want but (a) I want to put in a little more", "Still\", but not entirely so in the sense of the protagonist interacting with", "crux and there is not much action or story going on. That is,", "to put in a little more story than that since this is going", "of particular individuals with their own motives, and trying to convince them to", "will come out in the discussions itself. I think socratic method (question answer", "work of fiction and not purely a philosophical treatise. (b) I was unable", "of the novel is about 4 or 5 discussions between protagonist and a", "Secondly, do such books make an interesting read? I know it depends on", "I want to put in a little more story than that since this", "exposure to the public (a little bit like in the movie \"The Day", "unable to find any fiction books doing that Secondly, do such books make", "so in the sense of the protagonist interacting with both leaders and non-leaders).", "want to put in a little more story than that since this is", "leading to some conclusion), matches closest to what I want but (a) I", "one by one without much exposure to the public (a little bit like", "in literature (scifi primarily) where arguments are the crux and there is not", "motives, and trying to convince them to do something. The setting is very", "key people (leaders) one by one without much exposure to the public (a", "is, whatever the story is, will come out in the discussions itself. I", "put in a little more story than that since this is going to", "is about 4 or 5 discussions between protagonist and a set of particular", "was unable to find any fiction books doing that Secondly, do such books", "more story than that since this is going to be a work of", "purely a philosophical treatise. (b) I was unable to find any fiction books", "a set of particular individuals with their own motives, and trying to convince", "make an interesting read? I know it depends on the writer's ability, but", "protagonist interacting with both leaders and non-leaders). Can you point me to some", "want but (a) I want to put in a little more story than", "the discussions itself. I think socratic method (question answer sessions leading to some", "I think socratic method (question answer sessions leading to some conclusion), matches closest", "come out in the discussions itself. I think socratic method (question answer sessions", "discussions between protagonist and a set of particular individuals with their own motives,", "The crux of the novel is about 4 or 5 discussions between protagonist", "The setting is very limited - imagine an alien coming to earth and", "(question answer sessions leading to some conclusion), matches closest to what I want", "action or story going on. That is, whatever the story is, will come", "a philosophical treatise. (b) I was unable to find any fiction books doing", "Can you point me to some references in literature (scifi primarily) where arguments", "do such books make an interesting read? I know it depends on the", "to some references in literature (scifi primarily) where arguments are the crux and", "sense of the protagonist interacting with both leaders and non-leaders). Can you point", "alien coming to earth and talking to few key people (leaders) one by", "the novel is about 4 or 5 discussions between protagonist and a set", "am a novice writer, just starting on a mini novel in the Science", "not purely a philosophical treatise. (b) I was unable to find any fiction", "the Earth Stood Still\", but not entirely so in the sense of the", "or 5 discussions between protagonist and a set of particular individuals with their", "conclusion), matches closest to what I want but (a) I want to put", "one without much exposure to the public (a little bit like in the", "about 4 or 5 discussions between protagonist and a set of particular individuals", "is very limited - imagine an alien coming to earth and talking to", "entirely so in the sense of the protagonist interacting with both leaders and", "than that since this is going to be a work of fiction and", "treatise. (b) I was unable to find any fiction books doing that Secondly,", "I was unable to find any fiction books doing that Secondly, do such", "limited - imagine an alien coming to earth and talking to few key", "out in the discussions itself. I think socratic method (question answer sessions leading", "it depends on the writer's ability, but just trying to gauge the general", "without much exposure to the public (a little bit like in the movie", "in the Science Fiction genre. The crux of the novel is about 4", "the protagonist interacting with both leaders and non-leaders). Can you point me to", "them to do something. The setting is very limited - imagine an alien", "you point me to some references in literature (scifi primarily) where arguments are", "setting is very limited - imagine an alien coming to earth and talking", "\"The Day the Earth Stood Still\", but not entirely so in the sense", "sessions leading to some conclusion), matches closest to what I want but (a)", "convince them to do something. The setting is very limited - imagine an", "set of particular individuals with their own motives, and trying to convince them", "I know it depends on the writer's ability, but just trying to gauge", "non-leaders). Can you point me to some references in literature (scifi primarily) where", "and non-leaders). Can you point me to some references in literature (scifi primarily)", "this is going to be a work of fiction and not purely a", "fiction books doing that Secondly, do such books make an interesting read? I", "story than that since this is going to be a work of fiction", "fiction and not purely a philosophical treatise. (b) I was unable to find", "earth and talking to few key people (leaders) one by one without much", "read? I know it depends on the writer's ability, but just trying to", "I am a novice writer, just starting on a mini novel in the", "their own motives, and trying to convince them to do something. The setting", "writer, just starting on a mini novel in the Science Fiction genre. The", "like in the movie \"The Day the Earth Stood Still\", but not entirely", "the sense of the protagonist interacting with both leaders and non-leaders). Can you", "going on. That is, whatever the story is, will come out in the", "where arguments are the crux and there is not much action or story", "in the discussions itself. I think socratic method (question answer sessions leading to", "Fiction genre. The crux of the novel is about 4 or 5 discussions", "answer sessions leading to some conclusion), matches closest to what I want but", "an interesting read? I know it depends on the writer's ability, but just", "a mini novel in the Science Fiction genre. The crux of the novel", "or story going on. That is, whatever the story is, will come out", "discussions itself. I think socratic method (question answer sessions leading to some conclusion),", "few key people (leaders) one by one without much exposure to the public", "very limited - imagine an alien coming to earth and talking to few", "references in literature (scifi primarily) where arguments are the crux and there is", "story is, will come out in the discussions itself. I think socratic method", "since this is going to be a work of fiction and not purely", "trying to convince them to do something. The setting is very limited -", "- imagine an alien coming to earth and talking to few key people", "a work of fiction and not purely a philosophical treatise. (b) I was", "point me to some references in literature (scifi primarily) where arguments are the", "method (question answer sessions leading to some conclusion), matches closest to what I", "find any fiction books doing that Secondly, do such books make an interesting", "(b) I was unable to find any fiction books doing that Secondly, do", "to what I want but (a) I want to put in a little", "bit like in the movie \"The Day the Earth Stood Still\", but not", "little more story than that since this is going to be a work", "is, will come out in the discussions itself. I think socratic method (question", "in a little more story than that since this is going to be", "do something. The setting is very limited - imagine an alien coming to", "imagine an alien coming to earth and talking to few key people (leaders)", "going to be a work of fiction and not purely a philosophical treatise.", "novel is about 4 or 5 discussions between protagonist and a set of", "to few key people (leaders) one by one without much exposure to the", "by one without much exposure to the public (a little bit like in", "novel in the Science Fiction genre. The crux of the novel is about", "something. The setting is very limited - imagine an alien coming to earth", "itself. I think socratic method (question answer sessions leading to some conclusion), matches", "in the movie \"The Day the Earth Stood Still\", but not entirely so", "the crux and there is not much action or story going on. That", "some conclusion), matches closest to what I want but (a) I want to", "but (a) I want to put in a little more story than that", "of the protagonist interacting with both leaders and non-leaders). Can you point me", "interesting read? I know it depends on the writer's ability, but just trying", "between protagonist and a set of particular individuals with their own motives, and", "5 discussions between protagonist and a set of particular individuals with their own", "story going on. That is, whatever the story is, will come out in", "much exposure to the public (a little bit like in the movie \"The", "leaders and non-leaders). Can you point me to some references in literature (scifi", "matches closest to what I want but (a) I want to put in", "I want but (a) I want to put in a little more story", "literature (scifi primarily) where arguments are the crux and there is not much", "any fiction books doing that Secondly, do such books make an interesting read?", "such books make an interesting read? I know it depends on the writer's", "own motives, and trying to convince them to do something. The setting is", "with their own motives, and trying to convince them to do something. The" ]
[ "funny scenes, or decrease the level of \"funnyty\", like slight jokes? Or is", "fear that the plot would be ruined by such comicalness, kind of breaking", "epicness and drama, but I also want it to be funny, with jokes,", "or the narrator himself; funny situations, and so on. But I fear that", "comicalness, kind of breaking the immersion or emotion, or making the readers start", "Am I right? Should I limit to one or two funny scenes, or", "the readers start to expect every scene to be humorous and not take", "expect every scene to be humorous and not take them seriously. Am I", "funny, with jokes, puns, etc., made by a character (mostly) or the narrator", "possible to a story to be epic/dramatic and funny at the same time?", "be humorous and not take them seriously. Am I right? Should I limit", "to be funny, with jokes, puns, etc., made by a character (mostly) or", "scenes, or decrease the level of \"funnyty\", like slight jokes? Or is it", "writing has its epicness and drama, but I also want it to be", "decrease the level of \"funnyty\", like slight jokes? Or is it possible to", "The story I'm writing has its epicness and drama, but I also want", "has its epicness and drama, but I also want it to be funny,", "puns, etc., made by a character (mostly) or the narrator himself; funny situations,", "that the plot would be ruined by such comicalness, kind of breaking the", "so on. But I fear that the plot would be ruined by such", "its epicness and drama, but I also want it to be funny, with", "start to expect every scene to be humorous and not take them seriously.", "of \"funnyty\", like slight jokes? Or is it possible to a story to", "himself; funny situations, and so on. But I fear that the plot would", "also want it to be funny, with jokes, puns, etc., made by a", "readers start to expect every scene to be humorous and not take them", "or making the readers start to expect every scene to be humorous and", "the level of \"funnyty\", like slight jokes? Or is it possible to a", "situations, and so on. But I fear that the plot would be ruined", "be funny, with jokes, puns, etc., made by a character (mostly) or the", "But I fear that the plot would be ruined by such comicalness, kind", "or two funny scenes, or decrease the level of \"funnyty\", like slight jokes?", "making the readers start to expect every scene to be humorous and not", "I right? Should I limit to one or two funny scenes, or decrease", "level of \"funnyty\", like slight jokes? Or is it possible to a story", "every scene to be humorous and not take them seriously. Am I right?", "limit to one or two funny scenes, or decrease the level of \"funnyty\",", "or decrease the level of \"funnyty\", like slight jokes? Or is it possible", "narrator himself; funny situations, and so on. But I fear that the plot", "but I also want it to be funny, with jokes, puns, etc., made", "two funny scenes, or decrease the level of \"funnyty\", like slight jokes? Or", "like slight jokes? Or is it possible to a story to be epic/dramatic", "a character (mostly) or the narrator himself; funny situations, and so on. But", "is it possible to a story to be epic/dramatic and funny at the", "be ruined by such comicalness, kind of breaking the immersion or emotion, or", "slight jokes? Or is it possible to a story to be epic/dramatic and", "funny situations, and so on. But I fear that the plot would be", "and not take them seriously. Am I right? Should I limit to one", "ruined by such comicalness, kind of breaking the immersion or emotion, or making", "scene to be humorous and not take them seriously. Am I right? Should", "emotion, or making the readers start to expect every scene to be humorous", "it to be funny, with jokes, puns, etc., made by a character (mostly)", "or emotion, or making the readers start to expect every scene to be", "jokes, puns, etc., made by a character (mostly) or the narrator himself; funny", "such comicalness, kind of breaking the immersion or emotion, or making the readers", "to one or two funny scenes, or decrease the level of \"funnyty\", like", "them seriously. Am I right? Should I limit to one or two funny", "story I'm writing has its epicness and drama, but I also want it", "the narrator himself; funny situations, and so on. But I fear that the", "one or two funny scenes, or decrease the level of \"funnyty\", like slight", "and drama, but I also want it to be funny, with jokes, puns,", "breaking the immersion or emotion, or making the readers start to expect every", "drama, but I also want it to be funny, with jokes, puns, etc.,", "(mostly) or the narrator himself; funny situations, and so on. But I fear", "I'm writing has its epicness and drama, but I also want it to", "to be humorous and not take them seriously. Am I right? Should I", "not take them seriously. Am I right? Should I limit to one or", "Or is it possible to a story to be epic/dramatic and funny at", "want it to be funny, with jokes, puns, etc., made by a character", "humorous and not take them seriously. Am I right? Should I limit to", "take them seriously. Am I right? Should I limit to one or two", "\"funnyty\", like slight jokes? Or is it possible to a story to be", "the plot would be ruined by such comicalness, kind of breaking the immersion", "of breaking the immersion or emotion, or making the readers start to expect", "I also want it to be funny, with jokes, puns, etc., made by", "plot would be ruined by such comicalness, kind of breaking the immersion or", "the immersion or emotion, or making the readers start to expect every scene", "and so on. But I fear that the plot would be ruined by", "on. But I fear that the plot would be ruined by such comicalness,", "with jokes, puns, etc., made by a character (mostly) or the narrator himself;", "seriously. Am I right? Should I limit to one or two funny scenes,", "character (mostly) or the narrator himself; funny situations, and so on. But I", "to expect every scene to be humorous and not take them seriously. Am", "by such comicalness, kind of breaking the immersion or emotion, or making the", "I limit to one or two funny scenes, or decrease the level of", "immersion or emotion, or making the readers start to expect every scene to", "jokes? Or is it possible to a story to be epic/dramatic and funny", "etc., made by a character (mostly) or the narrator himself; funny situations, and", "by a character (mostly) or the narrator himself; funny situations, and so on.", "Should I limit to one or two funny scenes, or decrease the level", "it possible to a story to be epic/dramatic and funny at the same", "made by a character (mostly) or the narrator himself; funny situations, and so", "I fear that the plot would be ruined by such comicalness, kind of", "right? Should I limit to one or two funny scenes, or decrease the", "kind of breaking the immersion or emotion, or making the readers start to", "would be ruined by such comicalness, kind of breaking the immersion or emotion," ]
[ "a drug bender, they also felt uncomfortable that she wasn't in school anymore", "story with kind of a sad back story, it's not in a tragic", "story takes place several years later. She's fine, mostly happy, and engaged but", "drop out of college (with a lot of debt) to take responsibility for", "express that without having her have some kind of an annoying internal monologue", "that it's a problem, but also have her still be likable? Hopefully I", "and regret about how she handled things in the past. My problem: I'm", "approaches) to depict her underlying anger enough to show that it's a problem,", "her underlying anger enough to show that it's a problem, but also have", "My main character starts out the story with kind of a sad back", "a common thing to have happen to someone, the story takes place several", "someone, the story takes place several years later. She's fine, mostly happy, and", "(or approaches) to depict her underlying anger enough to show that it's a", "misfortune; losing family members, having to drop out of college (with a lot", "and engaged but still has a lot of anger and regret about how", "all of that negativity in the end. Question: What is a good approach", "What is a good approach (or approaches) to depict her underlying anger enough", "but still has a lot of anger and regret about how she handled", "kind of a sad back story, it's not in a tragic way, just", "to come to grips with and let go of all of that negativity", "think that this is a common thing to have happen to someone, the", "be likable? Hopefully I made this clear enough, let me know if you", "also felt uncomfortable that she wasn't in school anymore and stopped supporting her.", "wasn't in school anymore and stopped supporting her. I'd like to think that", "and stopped supporting her. I'd like to think that this is a common", "a tragic way, just the normal kind of misfortune; losing family members, having", "circumstances change a lot in the story and she has to come to", "several years later. She's fine, mostly happy, and engaged but still has a", "an annoying internal monologue or just seem pathetic. Her circumstances change a lot", "likable? Hopefully I made this clear enough, let me know if you need", "really sure how to express that without having her have some kind of", "uncomfortable that she wasn't in school anymore and stopped supporting her. I'd like", "a problem, but also have her still be likable? Hopefully I made this", "have happen to someone, the story takes place several years later. She's fine,", "of her friends after she naturally breaks down from the stress and goes", "a lot in the story and she has to come to grips with", "to depict her underlying anger enough to show that it's a problem, but", "like to think that this is a common thing to have happen to", "enough to show that it's a problem, but also have her still be", "Her circumstances change a lot in the story and she has to come", "felt uncomfortable that she wasn't in school anymore and stopped supporting her. I'd", "to express that without having her have some kind of an annoying internal", "pathetic. Her circumstances change a lot in the story and she has to", "business, and also losing all of her friends after she naturally breaks down", "all of her friends after she naturally breaks down from the stress and", "with and let go of all of that negativity in the end. Question:", "things in the past. My problem: I'm not really sure how to express", "family's small business, and also losing all of her friends after she naturally", "breaks down from the stress and goes on a drug bender, they also", "fine, mostly happy, and engaged but still has a lot of anger and", "in the past. My problem: I'm not really sure how to express that", "from the stress and goes on a drug bender, they also felt uncomfortable", "I'd like to think that this is a common thing to have happen", "not really sure how to express that without having her have some kind", "to think that this is a common thing to have happen to someone,", "for her family's small business, and also losing all of her friends after", "years later. She's fine, mostly happy, and engaged but still has a lot", "how she handled things in the past. My problem: I'm not really sure", "main character starts out the story with kind of a sad back story,", "it's not in a tragic way, just the normal kind of misfortune; losing", "this is a common thing to have happen to someone, the story takes", "have some kind of an annoying internal monologue or just seem pathetic. Her", "family members, having to drop out of college (with a lot of debt)", "in the end. Question: What is a good approach (or approaches) to depict", "to someone, the story takes place several years later. She's fine, mostly happy,", "to drop out of college (with a lot of debt) to take responsibility", "responsibility for her family's small business, and also losing all of her friends", "(with a lot of debt) to take responsibility for her family's small business,", "Background Info: My main character starts out the story with kind of a", "her family's small business, and also losing all of her friends after she", "some kind of an annoying internal monologue or just seem pathetic. Her circumstances", "way, just the normal kind of misfortune; losing family members, having to drop", "I made this clear enough, let me know if you need more info!", "sad back story, it's not in a tragic way, just the normal kind", "happy, and engaged but still has a lot of anger and regret about", "to show that it's a problem, but also have her still be likable?", "has to come to grips with and let go of all of that", "anger and regret about how she handled things in the past. My problem:", "without having her have some kind of an annoying internal monologue or just", "that without having her have some kind of an annoying internal monologue or", "later. She's fine, mostly happy, and engaged but still has a lot of", "back story, it's not in a tragic way, just the normal kind of", "school anymore and stopped supporting her. I'd like to think that this is", "of debt) to take responsibility for her family's small business, and also losing", "still be likable? Hopefully I made this clear enough, let me know if", "Hopefully I made this clear enough, let me know if you need more", "she wasn't in school anymore and stopped supporting her. I'd like to think", "after she naturally breaks down from the stress and goes on a drug", "change a lot in the story and she has to come to grips", "story and she has to come to grips with and let go of", "the normal kind of misfortune; losing family members, having to drop out of", "college (with a lot of debt) to take responsibility for her family's small", "just seem pathetic. Her circumstances change a lot in the story and she", "anymore and stopped supporting her. I'd like to think that this is a", "still has a lot of anger and regret about how she handled things", "she has to come to grips with and let go of all of", "a sad back story, it's not in a tragic way, just the normal", "let go of all of that negativity in the end. Question: What is", "character starts out the story with kind of a sad back story, it's", "that this is a common thing to have happen to someone, the story", "to grips with and let go of all of that negativity in the", "and let go of all of that negativity in the end. Question: What", "the story takes place several years later. She's fine, mostly happy, and engaged", "of an annoying internal monologue or just seem pathetic. Her circumstances change a", "is a common thing to have happen to someone, the story takes place", "it's a problem, but also have her still be likable? Hopefully I made", "lot of anger and regret about how she handled things in the past.", "a lot of anger and regret about how she handled things in the", "lot in the story and she has to come to grips with and", "internal monologue or just seem pathetic. Her circumstances change a lot in the", "the story and she has to come to grips with and let go", "of misfortune; losing family members, having to drop out of college (with a", "of all of that negativity in the end. Question: What is a good", "goes on a drug bender, they also felt uncomfortable that she wasn't in", "end. Question: What is a good approach (or approaches) to depict her underlying", "also losing all of her friends after she naturally breaks down from the", "a good approach (or approaches) to depict her underlying anger enough to show", "take responsibility for her family's small business, and also losing all of her", "problem: I'm not really sure how to express that without having her have", "also have her still be likable? Hopefully I made this clear enough, let", "they also felt uncomfortable that she wasn't in school anymore and stopped supporting", "with kind of a sad back story, it's not in a tragic way,", "normal kind of misfortune; losing family members, having to drop out of college", "the stress and goes on a drug bender, they also felt uncomfortable that", "the story with kind of a sad back story, it's not in a", "bender, they also felt uncomfortable that she wasn't in school anymore and stopped", "common thing to have happen to someone, the story takes place several years", "is a good approach (or approaches) to depict her underlying anger enough to", "has a lot of anger and regret about how she handled things in", "to take responsibility for her family's small business, and also losing all of", "in the story and she has to come to grips with and let", "happen to someone, the story takes place several years later. She's fine, mostly", "annoying internal monologue or just seem pathetic. Her circumstances change a lot in", "have her still be likable? Hopefully I made this clear enough, let me", "out of college (with a lot of debt) to take responsibility for her", "in school anymore and stopped supporting her. I'd like to think that this", "debt) to take responsibility for her family's small business, and also losing all", "naturally breaks down from the stress and goes on a drug bender, they", "losing family members, having to drop out of college (with a lot of", "go of all of that negativity in the end. Question: What is a", "how to express that without having her have some kind of an annoying", "of a sad back story, it's not in a tragic way, just the", "the past. My problem: I'm not really sure how to express that without", "seem pathetic. Her circumstances change a lot in the story and she has", "kind of an annoying internal monologue or just seem pathetic. Her circumstances change", "to have happen to someone, the story takes place several years later. She's", "just the normal kind of misfortune; losing family members, having to drop out", "She's fine, mostly happy, and engaged but still has a lot of anger", "or just seem pathetic. Her circumstances change a lot in the story and", "having to drop out of college (with a lot of debt) to take", "stopped supporting her. I'd like to think that this is a common thing", "good approach (or approaches) to depict her underlying anger enough to show that", "out the story with kind of a sad back story, it's not in", "the end. Question: What is a good approach (or approaches) to depict her", "that negativity in the end. Question: What is a good approach (or approaches)", "drug bender, they also felt uncomfortable that she wasn't in school anymore and", "friends after she naturally breaks down from the stress and goes on a", "problem, but also have her still be likable? Hopefully I made this clear", "not in a tragic way, just the normal kind of misfortune; losing family", "of anger and regret about how she handled things in the past. My", "story, it's not in a tragic way, just the normal kind of misfortune;", "thing to have happen to someone, the story takes place several years later.", "her have some kind of an annoying internal monologue or just seem pathetic.", "engaged but still has a lot of anger and regret about how she", "supporting her. I'd like to think that this is a common thing to", "mostly happy, and engaged but still has a lot of anger and regret", "and goes on a drug bender, they also felt uncomfortable that she wasn't", "and also losing all of her friends after she naturally breaks down from", "about how she handled things in the past. My problem: I'm not really", "Info: My main character starts out the story with kind of a sad", "place several years later. She's fine, mostly happy, and engaged but still has", "starts out the story with kind of a sad back story, it's not", "sure how to express that without having her have some kind of an", "grips with and let go of all of that negativity in the end.", "anger enough to show that it's a problem, but also have her still", "past. My problem: I'm not really sure how to express that without having", "stress and goes on a drug bender, they also felt uncomfortable that she", "of that negativity in the end. Question: What is a good approach (or", "she handled things in the past. My problem: I'm not really sure how", "small business, and also losing all of her friends after she naturally breaks", "that she wasn't in school anymore and stopped supporting her. I'd like to", "members, having to drop out of college (with a lot of debt) to", "down from the stress and goes on a drug bender, they also felt", "her. I'd like to think that this is a common thing to have", "underlying anger enough to show that it's a problem, but also have her", "a lot of debt) to take responsibility for her family's small business, and", "come to grips with and let go of all of that negativity in", "losing all of her friends after she naturally breaks down from the stress", "depict her underlying anger enough to show that it's a problem, but also", "show that it's a problem, but also have her still be likable? Hopefully", "her friends after she naturally breaks down from the stress and goes on", "kind of misfortune; losing family members, having to drop out of college (with", "Question: What is a good approach (or approaches) to depict her underlying anger", "I'm not really sure how to express that without having her have some", "monologue or just seem pathetic. Her circumstances change a lot in the story", "having her have some kind of an annoying internal monologue or just seem", "approach (or approaches) to depict her underlying anger enough to show that it's", "lot of debt) to take responsibility for her family's small business, and also", "regret about how she handled things in the past. My problem: I'm not", "but also have her still be likable? Hopefully I made this clear enough,", "negativity in the end. Question: What is a good approach (or approaches) to", "on a drug bender, they also felt uncomfortable that she wasn't in school", "she naturally breaks down from the stress and goes on a drug bender,", "her still be likable? Hopefully I made this clear enough, let me know", "My problem: I'm not really sure how to express that without having her", "and she has to come to grips with and let go of all", "in a tragic way, just the normal kind of misfortune; losing family members,", "of college (with a lot of debt) to take responsibility for her family's", "handled things in the past. My problem:** I'm not really sure how to", "takes place several years later. She's fine, mostly happy, and engaged but still", "tragic way, just the normal kind of misfortune; losing family members, having to" ]
[ "person who understands this, meaning that's what makes him stand out as a", "these physics? Can i give a broad answer (Like \"yeah i'm using telekinesis", "i do need to go into detail, how do i make it not", "need to go into detail, how do i make it not long and", "i don't want to bring the whole story to a halt to do", "that this is supposed a duplicate of, however, as Standback pointed out, the", "as a character. Understanding complex physics that literally no one else understands and", "give a broad answer (Like \"yeah i'm using telekinesis to reflect light everywhere)", "not long and boring? I'd have to explain something a bit convoluted, but", "a question that this is supposed a duplicate of, however, as Standback pointed", "stand out as a character. Understanding complex physics that literally no one else", "is that i can't introduce a cabbagehead character because essentially, everyone is a", "as to how and why that works? If i do need to go", "of light. Reason being, everyone in his country is born with telekinesis. He", "of, however, as Standback pointed out, the difference here is that he is", "using it to his advantage is what separates from everyone else. If i", "separates from everyone else. If i don't explain it, it might seem a", "Nobody understands as much as he does, and some wouldn't even care if", "do i make it not long and boring? I'd have to explain something", "out, the difference here is that he is the only person who understands", "as if he was born with it. Another problem with the answer to", "that i can't introduce a cabbagehead character because essentially, everyone is a cabbagehead.", "one with enough grasp of the (maybe a little unrealistic) physics of that", "it might seem as if he was born with it. Another problem with", "as Standback pointed out, the difference here is that he is the only", "born with it. Another problem with the answer to that other question is", "i go into detail as to how and why that works? If i", "If i do need to go into detail, how do i make it", "and some wouldn't even care if he explained. So how should i do", "the only one with enough grasp of the (maybe a little unrealistic) physics", "is the only one with enough grasp of the (maybe a little unrealistic)", "but i don't want to bring the whole story to a halt to", "this, meaning that's what makes him stand out as a character. Understanding complex", "complex physics that literally no one else understands and using it to his", "however, is the only one with enough grasp of the (maybe a little", "story to a halt to do it. -EDIT: Loarem linked me to a", "it not long and boring? I'd have to explain something a bit convoluted,", "or even worse, it might seem as if he was born with it.", "where my character holds the power of light. Reason being, everyone in his", "convoluted, but i don't want to bring the whole story to a halt", "I'd have to explain something a bit convoluted, but i don't want to", "works? If i do need to go into detail, how do i make", "the difference here is that he is the only person who understands this,", "essentially, everyone is a cabbagehead. Nobody understands as much as he does, and", "understands as much as he does, and some wouldn't even care if he", "why that works? If i do need to go into detail, how do", "world, and that's why his light powers are so impressive. The question is,", "this is supposed a duplicate of, however, as Standback pointed out, the difference", "little unrealistic) physics of that world, and that's why his light powers are", "bit Deus-ex-machina, or even worse, it might seem as if he was born", "something a bit convoluted, but i don't want to bring the whole story", "is the only person who understands this, meaning that's what makes him stand", "he was born with it. Another problem with the answer to that other", "of the (maybe a little unrealistic) physics of that world, and that's why", "book where my character holds the power of light. Reason being, everyone in", "Deus-ex-machina, or even worse, it might seem as if he was born with", "character because essentially, everyone is a cabbagehead. Nobody understands as much as he", "the power of light. Reason being, everyone in his country is born with", "is born with telekinesis. He however, is the only one with enough grasp", "i can't introduce a cabbagehead character because essentially, everyone is a cabbagehead. Nobody", "the whole story to a halt to do it. -EDIT: Loarem linked me", "a duplicate of, however, as Standback pointed out, the difference here is that", "that's why his light powers are so impressive. The question is, how much", "a character. Understanding complex physics that literally no one else understands and using", "that world, and that's why his light powers are so impressive. The question", "seem as if he was born with it. Another problem with the answer", "as much as he does, and some wouldn't even care if he explained.", "me to a question that this is supposed a duplicate of, however, as", "understands and using it to his advantage is what separates from everyone else.", "explain it, it might seem a bit Deus-ex-machina, or even worse, it might", "go into detail as to how and why that works? If i do", "that works? If i do need to go into detail, how do i", "a broad answer (Like \"yeah i'm using telekinesis to reflect light everywhere) or", "i don't explain it, it might seem a bit Deus-ex-machina, or even worse,", "else. If i don't explain it, it might seem a bit Deus-ex-machina, or", "He however, is the only one with enough grasp of the (maybe a", "and why that works? If i do need to go into detail, how", "however, as Standback pointed out, the difference here is that he is the", "with the answer to that other question is that i can't introduce a", "does, and some wouldn't even care if he explained. So how should i", "is supposed a duplicate of, however, as Standback pointed out, the difference here", "a bit convoluted, but i don't want to bring the whole story to", "physics that literally no one else understands and using it to his advantage", "answer (Like \"yeah i'm using telekinesis to reflect light everywhere) or should i", "can't introduce a cabbagehead character because essentially, everyone is a cabbagehead. Nobody understands", "i give a broad answer (Like \"yeah i'm using telekinesis to reflect light", "because essentially, everyone is a cabbagehead. Nobody understands as much as he does,", "his light powers are so impressive. The question is, how much should i", "out as a character. Understanding complex physics that literally no one else understands", "one else understands and using it to his advantage is what separates from", "and boring? I'd have to explain something a bit convoluted, but i don't", "everyone is a cabbagehead. Nobody understands as much as he does, and some", "from everyone else. If i don't explain it, it might seem a bit", "that's what makes him stand out as a character. Understanding complex physics that", "supposed a duplicate of, however, as Standback pointed out, the difference here is", "bring the whole story to a halt to do it. -EDIT: Loarem linked", "of that world, and that's why his light powers are so impressive. The", "is that he is the only person who understands this, meaning that's what", "the only person who understands this, meaning that's what makes him stand out", "it. Another problem with the answer to that other question is that i", "to go into detail, how do i make it not long and boring?", "his country is born with telekinesis. He however, is the only one with", "are so impressive. The question is, how much should i explain these physics?", "he is the only person who understands this, meaning that's what makes him", "meaning that's what makes him stand out as a character. Understanding complex physics", "country is born with telekinesis. He however, is the only one with enough", "to do it. -EDIT: Loarem linked me to a question that this is", "that literally no one else understands and using it to his advantage is", "it. -EDIT: Loarem linked me to a question that this is supposed a", "or should i go into detail as to how and why that works?", "a cabbagehead character because essentially, everyone is a cabbagehead. Nobody understands as much", "a little unrealistic) physics of that world, and that's why his light powers", "cabbagehead. Nobody understands as much as he does, and some wouldn't even care", "Can i give a broad answer (Like \"yeah i'm using telekinesis to reflect", "bit convoluted, but i don't want to bring the whole story to a", "powers are so impressive. The question is, how much should i explain these", "introduce a cabbagehead character because essentially, everyone is a cabbagehead. Nobody understands as", "it to his advantage is what separates from everyone else. If i don't", "with enough grasp of the (maybe a little unrealistic) physics of that world,", "light powers are so impressive. The question is, how much should i explain", "literally no one else understands and using it to his advantage is what", "it might seem a bit Deus-ex-machina, or even worse, it might seem as", "If i don't explain it, it might seem a bit Deus-ex-machina, or even", "else understands and using it to his advantage is what separates from everyone", "so impressive. The question is, how much should i explain these physics? Can", "difference here is that he is the only person who understands this, meaning", "how and why that works? If i do need to go into detail,", "into detail, how do i make it not long and boring? I'd have", "-EDIT: Loarem linked me to a question that this is supposed a duplicate", "might seem a bit Deus-ex-machina, or even worse, it might seem as if", "long and boring? I'd have to explain something a bit convoluted, but i", "to how and why that works? If i do need to go into", "light everywhere) or should i go into detail as to how and why", "to his advantage is what separates from everyone else. If i don't explain", "(Like \"yeah i'm using telekinesis to reflect light everywhere) or should i go", "character holds the power of light. Reason being, everyone in his country is", "the answer to that other question is that i can't introduce a cabbagehead", "(maybe a little unrealistic) physics of that world, and that's why his light", "into detail as to how and why that works? If i do need", "and using it to his advantage is what separates from everyone else. If", "enough grasp of the (maybe a little unrealistic) physics of that world, and", "no one else understands and using it to his advantage is what separates", "him stand out as a character. Understanding complex physics that literally no one", "to a question that this is supposed a duplicate of, however, as Standback", "want to bring the whole story to a halt to do it. -EDIT:", "telekinesis. He however, is the only one with enough grasp of the (maybe", "to explain something a bit convoluted, but i don't want to bring the", "linked me to a question that this is supposed a duplicate of, however,", "physics? Can i give a broad answer (Like \"yeah i'm using telekinesis to", "to a halt to do it. -EDIT: Loarem linked me to a question", "Reason being, everyone in his country is born with telekinesis. He however, is", "is a cabbagehead. Nobody understands as much as he does, and some wouldn't", "might seem as if he was born with it. Another problem with the", "unrealistic) physics of that world, and that's why his light powers are so", "his advantage is what separates from everyone else. If i don't explain it,", "to that other question is that i can't introduce a cabbagehead character because", "as he does, and some wouldn't even care if he explained. So how", "only person who understands this, meaning that's what makes him stand out as", "make it not long and boring? I'd have to explain something a bit", "boring? I'd have to explain something a bit convoluted, but i don't want", "have to explain something a bit convoluted, but i don't want to bring", "broad answer (Like \"yeah i'm using telekinesis to reflect light everywhere) or should", "everywhere) or should i go into detail as to how and why that", "should i go into detail as to how and why that works? If", "everyone else. If i don't explain it, it might seem a bit Deus-ex-machina,", "how do i make it not long and boring? I'd have to explain", "explain something a bit convoluted, but i don't want to bring the whole", "detail as to how and why that works? If i do need to", "who understands this, meaning that's what makes him stand out as a character.", "it, it might seem a bit Deus-ex-machina, or even worse, it might seem", "don't explain it, it might seem a bit Deus-ex-machina, or even worse, it", "question is that i can't introduce a cabbagehead character because essentially, everyone is", "the (maybe a little unrealistic) physics of that world, and that's why his", "answer to that other question is that i can't introduce a cabbagehead character", "grasp of the (maybe a little unrealistic) physics of that world, and that's", "Let's imagine a book where my character holds the power of light. Reason", "even worse, it might seem as if he was born with it. Another", "physics of that world, and that's why his light powers are so impressive.", "what separates from everyone else. If i don't explain it, it might seem", "with telekinesis. He however, is the only one with enough grasp of the", "a halt to do it. -EDIT: Loarem linked me to a question that", "a book where my character holds the power of light. Reason being, everyone", "Loarem linked me to a question that this is supposed a duplicate of,", "why his light powers are so impressive. The question is, how much should", "makes him stand out as a character. Understanding complex physics that literally no", "with it. Another problem with the answer to that other question is that", "question is, how much should i explain these physics? Can i give a", "i'm using telekinesis to reflect light everywhere) or should i go into detail", "holds the power of light. Reason being, everyone in his country is born", "whole story to a halt to do it. -EDIT: Loarem linked me to", "much as he does, and some wouldn't even care if he explained. So", "being, everyone in his country is born with telekinesis. He however, is the", "telekinesis to reflect light everywhere) or should i go into detail as to", "power of light. Reason being, everyone in his country is born with telekinesis.", "character. Understanding complex physics that literally no one else understands and using it", "only one with enough grasp of the (maybe a little unrealistic) physics of", "some wouldn't even care if he explained. So how should i do it?", "using telekinesis to reflect light everywhere) or should i go into detail as", "don't want to bring the whole story to a halt to do it.", "what makes him stand out as a character. Understanding complex physics that literally", "light. Reason being, everyone in his country is born with telekinesis. He however,", "go into detail, how do i make it not long and boring? I'd", "problem with the answer to that other question is that i can't introduce", "a cabbagehead. Nobody understands as much as he does, and some wouldn't even", "other question is that i can't introduce a cabbagehead character because essentially, everyone", "a bit Deus-ex-machina, or even worse, it might seem as if he was", "was born with it. Another problem with the answer to that other question", "impressive. The question is, how much should i explain these physics? Can i", "is, how much should i explain these physics? Can i give a broad", "is what separates from everyone else. If i don't explain it, it might", "that other question is that i can't introduce a cabbagehead character because essentially,", "i make it not long and boring? I'd have to explain something a", "that he is the only person who understands this, meaning that's what makes", "do need to go into detail, how do i make it not long", "cabbagehead character because essentially, everyone is a cabbagehead. Nobody understands as much as", "much should i explain these physics? Can i give a broad answer (Like", "The question is, how much should i explain these physics? Can i give", "question that this is supposed a duplicate of, however, as Standback pointed out,", "everyone in his country is born with telekinesis. He however, is the only", "Understanding complex physics that literally no one else understands and using it to", "to bring the whole story to a halt to do it. -EDIT: Loarem", "imagine a book where my character holds the power of light. Reason being,", "worse, it might seem as if he was born with it. Another problem", "how much should i explain these physics? Can i give a broad answer", "should i explain these physics? Can i give a broad answer (Like \"yeah", "duplicate of, however, as Standback pointed out, the difference here is that he", "detail, how do i make it not long and boring? I'd have to", "born with telekinesis. He however, is the only one with enough grasp of", "\"yeah i'm using telekinesis to reflect light everywhere) or should i go into", "pointed out, the difference here is that he is the only person who", "and that's why his light powers are so impressive. The question is, how", "explain these physics? Can i give a broad answer (Like \"yeah i'm using", "Standback pointed out, the difference here is that he is the only person", "seem a bit Deus-ex-machina, or even worse, it might seem as if he", "he does, and some wouldn't even care if he explained. So how should", "my character holds the power of light. Reason being, everyone in his country", "in his country is born with telekinesis. He however, is the only one", "here is that he is the only person who understands this, meaning that's", "do it. -EDIT: Loarem linked me to a question that this is supposed", "reflect light everywhere) or should i go into detail as to how and", "advantage is what separates from everyone else. If i don't explain it, it", "halt to do it. -EDIT: Loarem linked me to a question that this", "Another problem with the answer to that other question is that i can't", "i explain these physics? Can i give a broad answer (Like \"yeah i'm", "to reflect light everywhere) or should i go into detail as to how", "if he was born with it. Another problem with the answer to that", "understands this, meaning that's what makes him stand out as a character. Understanding" ]
[ "where to look. Where can I find different ways to express things that", "and am searching for different approaches, but English is not my first language", "is not my first language and I do not know where to look.", "X\" much more often than I would like. I think it makes my", "I am currently writing a \"quest\" (a sort of real time you are", "online) and find myself using the formula \"You feel/do/see/etc X\" much more often", "a \"quest\" (a sort of real time you are the hero adventure online)", "much more often than I would like. I think it makes my writing", "feel/do/see/etc X\" much more often than I would like. I think it makes", "I do not know where to look. Where can I find different ways", "to look. Where can I find different ways to express things that happen", "find myself using the formula \"You feel/do/see/etc X\" much more often than I", "myself using the formula \"You feel/do/see/etc X\" much more often than I would", "are the hero adventure online) and find myself using the formula \"You feel/do/see/etc", "approaches, but English is not my first language and I do not know", "different approaches, but English is not my first language and I do not", "first language and I do not know where to look. Where can I", "searching for different approaches, but English is not my first language and I", "formula \"You feel/do/see/etc X\" much more often than I would like. I think", "writing uninteresting and am searching for different approaches, but English is not my", "using the formula \"You feel/do/see/etc X\" much more often than I would like.", "uninteresting and am searching for different approaches, but English is not my first", "Where can I find different ways to express things that happen to the", "sort of real time you are the hero adventure online) and find myself", "of real time you are the hero adventure online) and find myself using", "currently writing a \"quest\" (a sort of real time you are the hero", "you are the hero adventure online) and find myself using the formula \"You", "makes my writing uninteresting and am searching for different approaches, but English is", "than I would like. I think it makes my writing uninteresting and am", "not my first language and I do not know where to look. Where", "language and I do not know where to look. Where can I find", "and I do not know where to look. Where can I find different", "know where to look. Where can I find different ways to express things", "not know where to look. Where can I find different ways to express", "look. Where can I find different ways to express things that happen to", "can I find different ways to express things that happen to the reader?", "my first language and I do not know where to look. Where can", "it makes my writing uninteresting and am searching for different approaches, but English", "more often than I would like. I think it makes my writing uninteresting", "would like. I think it makes my writing uninteresting and am searching for", "the hero adventure online) and find myself using the formula \"You feel/do/see/etc X\"", "for different approaches, but English is not my first language and I do", "English is not my first language and I do not know where to", "adventure online) and find myself using the formula \"You feel/do/see/etc X\" much more", "(a sort of real time you are the hero adventure online) and find", "the formula \"You feel/do/see/etc X\" much more often than I would like. I", "often than I would like. I think it makes my writing uninteresting and", "time you are the hero adventure online) and find myself using the formula", "writing a \"quest\" (a sort of real time you are the hero adventure", "hero adventure online) and find myself using the formula \"You feel/do/see/etc X\" much", "think it makes my writing uninteresting and am searching for different approaches, but", "my writing uninteresting and am searching for different approaches, but English is not", "I think it makes my writing uninteresting and am searching for different approaches,", "like. I think it makes my writing uninteresting and am searching for different", "am searching for different approaches, but English is not my first language and", "do not know where to look. Where can I find different ways to", "and find myself using the formula \"You feel/do/see/etc X\" much more often than", "\"You feel/do/see/etc X\" much more often than I would like. I think it", "\"quest\" (a sort of real time you are the hero adventure online) and", "but English is not my first language and I do not know where", "I would like. I think it makes my writing uninteresting and am searching", "am currently writing a \"quest\" (a sort of real time you are the", "real time you are the hero adventure online) and find myself using the" ]
[ "I want to write the backstories of the main characters as prologues. It's", "as prologues. It's really short, so I can't make another book. Is it", "the backstories of the main characters as prologues. It's really short, so I", "War 3 Novel, and I want to write the backstories of the main", "want to write the backstories of the main characters as prologues. It's really", "characters as prologues. It's really short, so I can't make another book. Is", "main characters as prologues. It's really short, so I can't make another book.", "It's really short, so I can't make another book. Is it even possible", "of the main characters as prologues. It's really short, so I can't make", "writing a World War 3 Novel, and I want to write the backstories", "the main characters as prologues. It's really short, so I can't make another", "Novel, and I want to write the backstories of the main characters as", "3 Novel, and I want to write the backstories of the main characters", "I can't make another book. Is it even possible to make multiple prologues?", "short, so I can't make another book. Is it even possible to make", "a World War 3 Novel, and I want to write the backstories of", "to write the backstories of the main characters as prologues. It's really short,", "I am writing a World War 3 Novel, and I want to write", "am writing a World War 3 Novel, and I want to write the", "really short, so I can't make another book. Is it even possible to", "World War 3 Novel, and I want to write the backstories of the", "backstories of the main characters as prologues. It's really short, so I can't", "and I want to write the backstories of the main characters as prologues.", "write the backstories of the main characters as prologues. It's really short, so", "prologues. It's really short, so I can't make another book. Is it even", "so I can't make another book. Is it even possible to make multiple" ]
[ "off in my own style, then gradually slipping into a style more influenced", "style because I'm changing it from an anachronistic historical style to a more", "something, how do you maintain a consistent style throughout? I'm concerned about starting", "original style because I'm changing it from an anachronistic historical style to a", "original. I'm not trying to be faithful to the original style because I'm", "to an author, the unique way an author puts his words together. >", "you maintain a consistent style throughout? I'm concerned about starting off in my", "writing individual to an author, the unique way an author puts his words", "translating something, how do you maintain a consistent style throughout? I'm concerned about", "I'm changing it from an anachronistic historical style to a more accessible modern", "from an anachronistic historical style to a more accessible modern one. I mean", "individual to an author, the unique way an author puts his words together.", "by the original. I'm not trying to be faithful to the original style", "faithful to the original style because I'm changing it from an anachronistic historical", "style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner of", "an author, the unique way an author puts his words together. > >", "do you maintain a consistent style throughout? I'm concerned about starting off in", "to the original style because I'm changing it from an anachronistic historical style", "the particular manner of writing individual to an author, the unique way an", "mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner", "of writing individual to an author, the unique way an author puts his", "be faithful to the original style because I'm changing it from an anachronistic", "throughout? I'm concerned about starting off in my own style, then gradually slipping", "then gradually slipping into a style more influenced by the original. I'm not", "consistent style throughout? I'm concerned about starting off in my own style, then", "influenced by the original. I'm not trying to be faithful to the original", "particular manner of writing individual to an author, the unique way an author", "When translating something, how do you maintain a consistent style throughout? I'm concerned", "in my own style, then gradually slipping into a style more influenced by", "maintain a consistent style throughout? I'm concerned about starting off in my own", "an anachronistic historical style to a more accessible modern one. I mean style", "historical style to a more accessible modern one. I mean style as it's", "more accessible modern one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > >", "is the particular manner of writing individual to an author, the unique way", "own style, then gradually slipping into a style more influenced by the original.", "style to a more accessible modern one. I mean style as it's defined", "it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner of writing individual", "I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular", "author, the unique way an author puts his words together. > > >", "it from an anachronistic historical style to a more accessible modern one. I", "as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner of writing", "> Stqlo is the particular manner of writing individual to an author, the", "to be faithful to the original style because I'm changing it from an", "I'm concerned about starting off in my own style, then gradually slipping into", "a style more influenced by the original. I'm not trying to be faithful", "how do you maintain a consistent style throughout? I'm concerned about starting off", "slipping into a style more influenced by the original. I'm not trying to", "the original. I'm not trying to be faithful to the original style because", "accessible modern one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo", "[here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner of writing individual to an", "starting off in my own style, then gradually slipping into a style more", "a consistent style throughout? I'm concerned about starting off in my own style,", "about starting off in my own style, then gradually slipping into a style", "style throughout? I'm concerned about starting off in my own style, then gradually", "concerned about starting off in my own style, then gradually slipping into a", "my own style, then gradually slipping into a style more influenced by the", "trying to be faithful to the original style because I'm changing it from", "> > Stqlo is the particular manner of writing individual to an author,", "style, then gradually slipping into a style more influenced by the original. I'm", "because I'm changing it from an anachronistic historical style to a more accessible", "into a style more influenced by the original. I'm not trying to be", "defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the particular manner of writing individual to", "style more influenced by the original. I'm not trying to be faithful to", "changing it from an anachronistic historical style to a more accessible modern one.", "the original style because I'm changing it from an anachronistic historical style to", "a more accessible modern one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): >", "one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is the", "Stqlo is the particular manner of writing individual to an author, the unique", "manner of writing individual to an author, the unique way an author puts", "I'm not trying to be faithful to the original style because I'm changing", "more influenced by the original. I'm not trying to be faithful to the", "modern one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/): > > Stqlo is", "to a more accessible modern one. I mean style as it's defined [here](https://nataliesutherlandwriter.wordpress.com/2013/10/10/styletonevoice/):", "anachronistic historical style to a more accessible modern one. I mean style as", "gradually slipping into a style more influenced by the original. I'm not trying", "not trying to be faithful to the original style because I'm changing it" ]
[ "Serbia it was said that Serbian women were impregnanted by 'Vampires' But what", "that most of them had mortal mothers and vampire fathers. In history records", "that still be the same result, in spite of the genders being reversed?", "records in Serbia it was said that Serbian women were impregnanted by 'Vampires'", "it was said that Serbian women were impregnanted by 'Vampires' But what if", "in the Wikipedia section to find that most of them had mortal mothers", "to find that most of them had mortal mothers and vampire fathers. In", "the Wikipedia section to find that most of them had mortal mothers and", "find that most of them had mortal mothers and vampire fathers. In history", "a vampiress, would that still be the same result, in spite of the", "have looked at the half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to find", "that Serbian women were impregnanted by 'Vampires' But what if a mortal human", "at the half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to find that most", "mortal mothers and vampire fathers. In history records in Serbia it was said", "history records in Serbia it was said that Serbian women were impregnanted by", "if a mortal human male knocked up a vampiress, would that still be", "Wikipedia section to find that most of them had mortal mothers and vampire", "Serbian women were impregnanted by 'Vampires' But what if a mortal human male", "male knocked up a vampiress, would that still be the same result, in", "human male knocked up a vampiress, would that still be the same result,", "In history records in Serbia it was said that Serbian women were impregnanted", "them had mortal mothers and vampire fathers. In history records in Serbia it", "the half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to find that most of", "section to find that most of them had mortal mothers and vampire fathers.", "up a vampiress, would that still be the same result, in spite of", "mortal human male knocked up a vampiress, would that still be the same", "vampiress, would that still be the same result, in spite of the genders", "were impregnanted by 'Vampires' But what if a mortal human male knocked up", "a.k.a Dhampirs in the Wikipedia section to find that most of them had", "knocked up a vampiress, would that still be the same result, in spite", "women were impregnanted by 'Vampires' But what if a mortal human male knocked", "vampire fathers. In history records in Serbia it was said that Serbian women", "'Vampires' But what if a mortal human male knocked up a vampiress, would", "a mortal human male knocked up a vampiress, would that still be the", "mothers and vampire fathers. In history records in Serbia it was said that", "of them had mortal mothers and vampire fathers. In history records in Serbia", "looked at the half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to find that", "half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to find that most of them", "what if a mortal human male knocked up a vampiress, would that still", "Dhampirs in the Wikipedia section to find that most of them had mortal", "said that Serbian women were impregnanted by 'Vampires' But what if a mortal", "impregnanted by 'Vampires' But what if a mortal human male knocked up a", "But what if a mortal human male knocked up a vampiress, would that", "was said that Serbian women were impregnanted by 'Vampires' But what if a", "and vampire fathers. In history records in Serbia it was said that Serbian", "I have looked at the half-human-half-vampires a.k.a Dhampirs in the Wikipedia section to", "by 'Vampires' But what if a mortal human male knocked up a vampiress,", "most of them had mortal mothers and vampire fathers. In history records in", "fathers. In history records in Serbia it was said that Serbian women were", "would that still be the same result, in spite of the genders being", "in Serbia it was said that Serbian women were impregnanted by 'Vampires' But", "had mortal mothers and vampire fathers. In history records in Serbia it was" ]
[ "boarding school. During a summer Sports Day with a rival school, he meets", "summer Sports Day with a rival school, he meets one of the pupils", "go from here to use this friendship to spice up the storyline? (There", "storyline? (There are other storylines in this story but they too aren't fully", "a nuisance and is adorable (and is a boy his age) Where do", "is a boy his age) Where do I go from here to use", "one of the pupils who is both a nuisance and is adorable (and", "a summer Sports Day with a rival school, he meets one of the", "pupil at a boarding school. During a summer Sports Day with a rival", "from here to use this friendship to spice up the storyline? (There are", "is a sixteen year old pupil at a boarding school. During a summer", "is called Parp who is a sixteen year old pupil at a boarding", "nuisance and is adorable (and is a boy his age) Where do I", "rival school, he meets one of the pupils who is both a nuisance", "narrator is called Parp who is a sixteen year old pupil at a", "sixteen year old pupil at a boarding school. During a summer Sports Day", "the pupils who is both a nuisance and is adorable (and is a", "meets one of the pupils who is both a nuisance and is adorable", "up the storyline? (There are other storylines in this story but they too", "school. During a summer Sports Day with a rival school, he meets one", "is both a nuisance and is adorable (and is a boy his age)", "his age) Where do I go from here to use this friendship to", "a boarding school. During a summer Sports Day with a rival school, he", "a boy his age) Where do I go from here to use this", "(and is a boy his age) Where do I go from here to", "is adorable (and is a boy his age) Where do I go from", "a rival school, he meets one of the pupils who is both a", "(There are other storylines in this story but they too aren't fully developed)", "of the pupils who is both a nuisance and is adorable (and is", "who is a sixteen year old pupil at a boarding school. During a", "old pupil at a boarding school. During a summer Sports Day with a", "called Parp who is a sixteen year old pupil at a boarding school.", "The narrator is called Parp who is a sixteen year old pupil at", "Day with a rival school, he meets one of the pupils who is", "boy his age) Where do I go from here to use this friendship", "During a summer Sports Day with a rival school, he meets one of", "adorable (and is a boy his age) Where do I go from here", "age) Where do I go from here to use this friendship to spice", "spice up the storyline? (There are other storylines in this story but they", "here to use this friendship to spice up the storyline? (There are other", "Where do I go from here to use this friendship to spice up", "pupils who is both a nuisance and is adorable (and is a boy", "year old pupil at a boarding school. During a summer Sports Day with", "school, he meets one of the pupils who is both a nuisance and", "at a boarding school. During a summer Sports Day with a rival school,", "and is adorable (and is a boy his age) Where do I go", "he meets one of the pupils who is both a nuisance and is", "to use this friendship to spice up the storyline? (There are other storylines", "this friendship to spice up the storyline? (There are other storylines in this", "to spice up the storyline? (There are other storylines in this story but", "the storyline? (There are other storylines in this story but they too aren't", "a sixteen year old pupil at a boarding school. During a summer Sports", "I go from here to use this friendship to spice up the storyline?", "who is both a nuisance and is adorable (and is a boy his", "friendship to spice up the storyline? (There are other storylines in this story", "use this friendship to spice up the storyline? (There are other storylines in", "Parp who is a sixteen year old pupil at a boarding school. During", "do I go from here to use this friendship to spice up the", "both a nuisance and is adorable (and is a boy his age) Where", "Sports Day with a rival school, he meets one of the pupils who", "with a rival school, he meets one of the pupils who is both" ]
[ "the next one, can I start with a different scene and others characters", "one, can I start with a different scene and others characters like in", "place? I am writing in third person omniscient. Do I need to have", "I am writing in third person omniscient. Do I need to have a", "about to start the next one, can I start with a different scene", "questioning myself about this: when I'm writing and done with a chapter and", "about this: when I'm writing and done with a chapter and I am", "and I am about to start the next one, can I start with", "have been questioning myself about this: when I'm writing and done with a", "a chapter and I am about to start the next one, can I", "in third person omniscient. Do I need to have a character's POV ?", "start the next one, can I start with a different scene and others", "another place? I am writing in third person omniscient. Do I need to", "been questioning myself about this: when I'm writing and done with a chapter", "chapter and I am about to start the next one, can I start", "writing and done with a chapter and I am about to start the", "I start with a different scene and others characters like in another place?", "So I have been questioning myself about this: when I'm writing and done", "and others characters like in another place? I am writing in third person", "I am about to start the next one, can I start with a", "this: when I'm writing and done with a chapter and I am about", "with a chapter and I am about to start the next one, can", "can I start with a different scene and others characters like in another", "and done with a chapter and I am about to start the next", "scene and others characters like in another place? I am writing in third", "in another place? I am writing in third person omniscient. Do I need", "done with a chapter and I am about to start the next one,", "I'm writing and done with a chapter and I am about to start", "to start the next one, can I start with a different scene and", "am about to start the next one, can I start with a different", "next one, can I start with a different scene and others characters like", "start with a different scene and others characters like in another place? I", "like in another place? I am writing in third person omniscient. Do I", "a different scene and others characters like in another place? I am writing", "am writing in third person omniscient. Do I need to have a character's", "when I'm writing and done with a chapter and I am about to", "different scene and others characters like in another place? I am writing in", "others characters like in another place? I am writing in third person omniscient.", "myself about this: when I'm writing and done with a chapter and I", "I have been questioning myself about this: when I'm writing and done with", "characters like in another place? I am writing in third person omniscient. Do", "writing in third person omniscient. Do I need to have a character's POV", "with a different scene and others characters like in another place? I am" ]
[ "and Russian characters but is intended for English readers. Which units of measurement", "Russian characters but is intended for English readers. Which units of measurement should", "the Second World War. It is written in the POV of several German", "I use when referencing distance, weights and time? Mutes or kilometers, pounds or", "am writing a novel of historical fiction about the Second World War. It", "historical fiction about the Second World War. It is written in the POV", "characters but is intended for English readers. Which units of measurement should I", "weights and time? Mutes or kilometers, pounds or kilograms, 24-hour or 12-hour time", "is intended for English readers. Which units of measurement should I use when", "use when referencing distance, weights and time? Mutes or kilometers, pounds or kilograms,", "a novel of historical fiction about the Second World War. It is written", "the POV of several German and Russian characters but is intended for English", "Which units of measurement should I use when referencing distance, weights and time?", "for English readers. Which units of measurement should I use when referencing distance,", "POV of several German and Russian characters but is intended for English readers.", "readers. Which units of measurement should I use when referencing distance, weights and", "measurement should I use when referencing distance, weights and time? Mutes or kilometers,", "several German and Russian characters but is intended for English readers. Which units", "and time? Mutes or kilometers, pounds or kilograms, 24-hour or 12-hour time designations?", "units of measurement should I use when referencing distance, weights and time? Mutes", "of historical fiction about the Second World War. It is written in the", "I am writing a novel of historical fiction about the Second World War.", "in the POV of several German and Russian characters but is intended for", "of several German and Russian characters but is intended for English readers. Which", "but is intended for English readers. Which units of measurement should I use", "about the Second World War. It is written in the POV of several", "World War. It is written in the POV of several German and Russian", "intended for English readers. Which units of measurement should I use when referencing", "War. It is written in the POV of several German and Russian characters", "Second World War. It is written in the POV of several German and", "of measurement should I use when referencing distance, weights and time? Mutes or", "It is written in the POV of several German and Russian characters but", "should I use when referencing distance, weights and time? Mutes or kilometers, pounds", "German and Russian characters but is intended for English readers. Which units of", "when referencing distance, weights and time? Mutes or kilometers, pounds or kilograms, 24-hour", "writing a novel of historical fiction about the Second World War. It is", "written in the POV of several German and Russian characters but is intended", "referencing distance, weights and time? Mutes or kilometers, pounds or kilograms, 24-hour or", "novel of historical fiction about the Second World War. It is written in", "is written in the POV of several German and Russian characters but is", "English readers. Which units of measurement should I use when referencing distance, weights", "distance, weights and time? Mutes or kilometers, pounds or kilograms, 24-hour or 12-hour", "fiction about the Second World War. It is written in the POV of" ]
[ "online that indicates how to cite a poem in APA, and I don't", "I'm having trouble finding any reputable source online that indicates how to cite", "how to cite a poem in APA, and I don't have access to", "of the APA manual right now. Does anyone know how to cite a", "APA style? Specifically, I'd like to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>).", "poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble", "Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the", "(<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm", "reputable source online that indicates how to cite a poem in APA, and", "\"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting", "any reputable source online that indicates how to cite a poem in APA,", "cite a poem in APA style? Specifically, I'd like to cite Robert Burns's", "a poem in APA style? Specifically, I'd like to cite Robert Burns's \"To", "physical copy of the APA manual right now. Does anyone know how to", "was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together", "access to a physical copy of the APA manual right now. Does anyone", "having trouble putting together this information in an APA citation. Thanks for the", "to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included", "finding any reputable source online that indicates how to cite a poem in", "a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock", "right now. Does anyone know how to cite a poem in APA style?", "to cite a poem in APA, and I don't have access to a", "I'm having trouble putting together this information in an APA citation. Thanks for", "included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together this", "volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together this information in an APA", "to cite a poem in APA style? Specifically, I'd like to cite Robert", "I'd like to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\")", "the APA manual right now. Does anyone know how to cite a poem", "style? Specifically, I'd like to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This", "a poem in APA, and I don't have access to a physical copy", "anyone know how to cite a poem in APA style? Specifically, I'd like", "like to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was", "in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together this information", "APA, and I don't have access to a physical copy of the APA", "[Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together this information in an", "in APA, and I don't have access to a physical copy of the", "know how to cite a poem in APA style? Specifically, I'd like to", "poem in APA, and I don't have access to a physical copy of", "\"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/", "copy of the APA manual right now. Does anyone know how to cite", "\"Kilmarnock volume\"). I'm having trouble putting together this information in an APA citation.", "how to cite a poem in APA style? Specifically, I'd like to cite", "cite a poem in APA, and I don't have access to a physical", "Specifically, I'd like to cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso", "Does anyone know how to cite a poem in APA style? Specifically, I'd", "trouble finding any reputable source online that indicates how to cite a poem", "APA manual right now. Does anyone know how to cite a poem in", "trouble putting together this information in an APA citation. Thanks for the help.", "don't have access to a physical copy of the APA manual right now.", "indicates how to cite a poem in APA, and I don't have access", "and I don't have access to a physical copy of the APA manual", "in APA style? Specifically, I'd like to cite Robert Burns's \"To a Meuso\"", "Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock", "source online that indicates how to cite a poem in APA, and I", "I don't have access to a physical copy of the APA manual right", "Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\").", "now. Does anyone know how to cite a poem in APA style? Specifically,", "[This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having", "volume\"). I'm having trouble putting together this information in an APA citation. Thanks", "have access to a physical copy of the APA manual right now. Does", "to a physical copy of the APA manual right now. Does anyone know", "manual right now. Does anyone know how to cite a poem in APA", "the [Kilmarnock volume](https://en.wikipedia.org/wiki/Kilmarnock_volume/ \"Kilmarnock volume\"). I'm having trouble putting together this information in", "having trouble finding any reputable source online that indicates how to cite a", "a physical copy of the APA manual right now. Does anyone know how", "that indicates how to cite a poem in APA, and I don't have", "cite Robert Burns's \"To a Meuso\" (<http://www.poetryfoundation.org/poems-and-poets/poems/detail/43816>). [This poem](https://en.wikipedia.org/wiki/To_a_Meuso \"It\") was included in", "poem in APA style? Specifically, I'd like to cite Robert Burns's \"To a" ]
[ "describe the plays and paintings that she's seen once. Is my critic correct", "and a few other characteristics that make you wonder how he ever became", "had a way of coming up with the right answer to complex problems.\"", "critic told me, \"You've got to tell us more about him; what kind", "agency who is \"pot shaped,\" shy, tongue-tied and a few other characteristics that", "us more about him; what kind of family life does he have, what", "me to tell more of her \"backstory;\" that she hailed from Minnesota befor", "critic correct in pushing me to give minor details about my characters? Or", "important characteristics? FWIW, my critic was born around 1940, and things may have", "of family life does he have, what does he do for fun. (He's", "hailed from Minnesota befor she came to New York City, fell in love", "my critic correct in pushing me to give minor details about my characters?", "most important characteristics? FWIW, my critic was born around 1940, and things may", "me to give minor details about my characters? Or am I more nearly", "these salient points were adequate for a character description. Until a (female) critic", "of coming up with the right answer to complex problems.\" I felt that", "asks me to tell more of her \"backstory;\" that she hailed from Minnesota", "right answer to complex problems.\" I felt that these salient points were adequate", "coming up with the right answer to complex problems.\" I felt that these", "the third most important character who \"gives the bride away.\") Then there is", "hardly describe the plays and paintings that she's seen once. Is my critic", "points were adequate for a character description. Until a (female) critic told me,", "in love with the lights, is a dilettante, because she can hardly describe", "advertising agency who is \"pot shaped,\" shy, tongue-tied and a few other characteristics", "in trying to keep the focus on people's most important characteristics? FWIW, my", "am I more nearly correct in trying to keep the focus on people's", "felt that these salient points were adequate for a character description. Until a", "executive \"made no enemies and very few mistakes on his way up, and", "an advertising agency who is \"pot shaped,\" shy, tongue-tied and a few other", "to New York City, fell in love with the lights, is a dilettante,", "In my screenplay, I feature a CEO of an advertising agency who is", "life does he have, what does he do for fun. (He's the third", "for fun. 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(He's the third most important character", "vain, narcisstic, luxury-loving, etc. Again my critic asks me to tell more of", "a character description. Until a (female) critic told me, \"You've got to tell", "a CEO. Until the retired founder comments that this \"careful and earnest\" executive", "with the right answer to complex problems.\" I felt that these salient points", "never mind a CEO. Until the retired founder comments that this \"careful and" ]
[ "sould have some sort of impact on who they are, even as adults.", "main character and make her reactions and choices more consistent. But I think", "I overdone it and now too much of my characters' personalities, quirks and", "reading real world studies focusing on orphans and people raised in foster famillies.", "families. None of them have been physically or emotionally abused, but I still", "but I still felt like their childhood sould have some sort of impact", "of my characters' personalities, quirks and motivations are inspired from these studies, and", "reactions and choices more consistent. But I think I overdone it and now", "still felt like their childhood sould have some sort of impact on who", "my main character and make her reactions and choices more consistent. But I", "characters' personalities, quirks and motivations are inspired from these studies, and I’m afraid", "I think I overdone it and now too much of my characters' personalities,", "who they are, even as adults. So I’ve started reading real world studies", "are inspired from these studies, and I’m afraid they’re becoming stereotypes. --- Is", "a good idea to use sociological studies and such for character building? In", "famillies. It helped me build my main character and make her reactions and", "me build my main character and make her reactions and choices more consistent.", "childhood sould have some sort of impact on who they are, even as", "on orphans and people raised in foster famillies. It helped me build my", "make her reactions and choices more consistent. But I think I overdone it", "from these studies, and I’m afraid they’re becoming stereotypes. --- Is it a", "studies and such for character building? In what cases can/should it be done?", "it and now too much of my characters' personalities, quirks and motivations are", "I’m afraid they’re becoming stereotypes. --- Is it a good idea to use", "world studies focusing on orphans and people raised in foster famillies. It helped", "several characters who have been raised in foster families. None of them have", "It helped me build my main character and make her reactions and choices", "now too much of my characters' personalities, quirks and motivations are inspired from", "character building? In what cases can/should it be done? How to do it", "quirks and motivations are inspired from these studies, and I’m afraid they’re becoming", "who have been raised in foster families. None of them have been physically", "character and make her reactions and choices more consistent. But I think I", "their childhood sould have some sort of impact on who they are, even", "sort of impact on who they are, even as adults. So I’ve started", "But I think I overdone it and now too much of my characters'", "afraid they’re becoming stereotypes. --- Is it a good idea to use sociological", "and now too much of my characters' personalities, quirks and motivations are inspired", "more consistent. But I think I overdone it and now too much of", "write have several characters who have been raised in foster families. None of", "them have been physically or emotionally abused, but I still felt like their", "of impact on who they are, even as adults. So I’ve started reading", "as adults. So I’ve started reading real world studies focusing on orphans and", "of them have been physically or emotionally abused, but I still felt like", "in foster famillies. It helped me build my main character and make her", "characters who have been raised in foster families. None of them have been", "personalities, quirks and motivations are inspired from these studies, and I’m afraid they’re", "building? In what cases can/should it be done? How to do it right?", "--- Is it a good idea to use sociological studies and such for", "orphans and people raised in foster famillies. It helped me build my main", "and people raised in foster famillies. It helped me build my main character", "choices more consistent. But I think I overdone it and now too much", "story I’m trying to write have several characters who have been raised in", "A story I’m trying to write have several characters who have been raised", "and make her reactions and choices more consistent. But I think I overdone", "foster famillies. It helped me build my main character and make her reactions", "sociological studies and such for character building? In what cases can/should it be", "even as adults. So I’ve started reading real world studies focusing on orphans", "motivations are inspired from these studies, and I’m afraid they’re becoming stereotypes. ---", "idea to use sociological studies and such for character building? In what cases", "to write have several characters who have been raised in foster families. None", "too much of my characters' personalities, quirks and motivations are inspired from these", "I still felt like their childhood sould have some sort of impact on", "started reading real world studies focusing on orphans and people raised in foster", "much of my characters' personalities, quirks and motivations are inspired from these studies,", "focusing on orphans and people raised in foster famillies. It helped me build", "in foster families. None of them have been physically or emotionally abused, but", "they’re becoming stereotypes. --- Is it a good idea to use sociological studies", "use sociological studies and such for character building? In what cases can/should it", "and such for character building? In what cases can/should it be done? How", "real world studies focusing on orphans and people raised in foster famillies. It", "been physically or emotionally abused, but I still felt like their childhood sould", "helped me build my main character and make her reactions and choices more", "such for character building? In what cases can/should it be done? How to", "good idea to use sociological studies and such for character building? In what", "abused, but I still felt like their childhood sould have some sort of", "for character building? In what cases can/should it be done? How to do", "stereotypes. --- Is it a good idea to use sociological studies and such", "I’ve started reading real world studies focusing on orphans and people raised in", "consistent. But I think I overdone it and now too much of my", "are, even as adults. So I’ve started reading real world studies focusing on", "raised in foster famillies. It helped me build my main character and make", "felt like their childhood sould have some sort of impact on who they", "trying to write have several characters who have been raised in foster families.", "impact on who they are, even as adults. So I’ve started reading real", "they are, even as adults. So I’ve started reading real world studies focusing", "becoming stereotypes. --- Is it a good idea to use sociological studies and", "or emotionally abused, but I still felt like their childhood sould have some", "raised in foster families. None of them have been physically or emotionally abused,", "studies focusing on orphans and people raised in foster famillies. It helped me", "emotionally abused, but I still felt like their childhood sould have some sort", "have some sort of impact on who they are, even as adults. So", "some sort of impact on who they are, even as adults. So I’ve", "been raised in foster families. None of them have been physically or emotionally", "these studies, and I’m afraid they’re becoming stereotypes. --- Is it a good", "have several characters who have been raised in foster families. None of them", "have been physically or emotionally abused, but I still felt like their childhood", "think I overdone it and now too much of my characters' personalities, quirks", "adults. So I’ve started reading real world studies focusing on orphans and people", "and choices more consistent. But I think I overdone it and now too", "None of them have been physically or emotionally abused, but I still felt", "her reactions and choices more consistent. But I think I overdone it and", "physically or emotionally abused, but I still felt like their childhood sould have", "So I’ve started reading real world studies focusing on orphans and people raised", "and I’m afraid they’re becoming stereotypes. --- Is it a good idea to", "studies, and I’m afraid they’re becoming stereotypes. --- Is it a good idea", "I’m trying to write have several characters who have been raised in foster", "on who they are, even as adults. So I’ve started reading real world", "it a good idea to use sociological studies and such for character building?", "my characters' personalities, quirks and motivations are inspired from these studies, and I’m", "to use sociological studies and such for character building? In what cases can/should", "people raised in foster famillies. It helped me build my main character and", "like their childhood sould have some sort of impact on who they are,", "and motivations are inspired from these studies, and I’m afraid they’re becoming stereotypes.", "inspired from these studies, and I’m afraid they’re becoming stereotypes. --- Is it", "have been raised in foster families. None of them have been physically or", "Is it a good idea to use sociological studies and such for character", "build my main character and make her reactions and choices more consistent. But", "foster families. None of them have been physically or emotionally abused, but I", "overdone it and now too much of my characters' personalities, quirks and motivations" ]
[ "Side question: I've read several popular (as opposed to scholarly) articles which lack", "secondary school: * Introduction * Argument 1 * Argument 2 * Argument 3", "* Conclusion What are some other ways to structure an academic paper? Side", "Background * Argument * Counterargument and Refutation * Conclusion What are some other", "5-paragraph style learned by most Americans in secondary school: * Introduction * Argument", "Counterargument and Refutation * Conclusion What are some other ways to structure an", "structure often taught in English 101 type courses in college: * Introduction ", "popular (as opposed to scholarly) articles which lack an introduction and/or conclusion (more", "academic essays can be structured. Of course there is the 5-paragraph style learned", "conclusion (more often the conclusion). Is this ever acceptable in a scholarly work?", "in English 101 type courses in college: Introduction * Background * Argument", "that academic essays can be structured. Of course there is the 5-paragraph style", "1 * Argument 2 * Argument 3 * Conclusion And there's this more", "different ways that academic essays can be structured. Of course there is the", "style learned by most Americans in secondary school: * Introduction * Argument 1", "* Conclusion And there's this more advanced structure often taught in English 101", "type courses in college: * Introduction * Background * Argument * Counterargument and", "an academic paper? Side question: I've read several popular (as opposed to scholarly)", "Argument * Counterargument and Refutation * Conclusion What are some other ways to", "the different ways that academic essays can be structured. Of course there is", "in secondary school: * Introduction * Argument 1 * Argument 2 * Argument", "Argument 3 * Conclusion And there's this more advanced structure often taught in", "are some other ways to structure an academic paper? Side question: I've read", "an introduction and/or conclusion (more often the conclusion). Is this ever acceptable in", "ways that academic essays can be structured. Of course there is the 5-paragraph", "* Argument * Counterargument and Refutation * Conclusion What are some other ways", "courses in college: * Introduction * Background * Argument * Counterargument and Refutation", "by most Americans in secondary school: * Introduction * Argument 1 * Argument", "and/or conclusion (more often the conclusion). Is this ever acceptable in a scholarly", "is the 5-paragraph style learned by most Americans in secondary school: * Introduction", "to scholarly) articles which lack an introduction and/or conclusion (more often the conclusion).", "structure an academic paper? Side question: I've read several popular (as opposed to", "Americans in secondary school: * Introduction * Argument 1 * Argument 2 ", "Conclusion What are some other ways to structure an academic paper? Side question:", "in the different ways that academic essays can be structured. Of course there", "articles which lack an introduction and/or conclusion (more often the conclusion). Is this", "learned by most Americans in secondary school: Introduction * Argument 1 ", "college: Introduction * Background * Argument * Counterargument and Refutation * Conclusion", "* Argument 2 * Argument 3 * Conclusion And there's this more advanced", "Argument 1 * Argument 2 * Argument 3 * Conclusion And there's this", "* Background * Argument * Counterargument and Refutation * Conclusion What are some", "(as opposed to scholarly) articles which lack an introduction and/or conclusion (more often", "lack an introduction and/or conclusion (more often the conclusion). Is this ever acceptable", "introduction and/or conclusion (more often the conclusion). Is this ever acceptable in a", "3 * Conclusion And there's this more advanced structure often taught in English", "I'm interested in the different ways that academic essays can be structured. Of", "101 type courses in college: * Introduction * Background * Argument * Counterargument", "there's this more advanced structure often taught in English 101 type courses in", "What are some other ways to structure an academic paper? Side question: I've", "be structured. Of course there is the 5-paragraph style learned by most Americans", "other ways to structure an academic paper? Side question: I've read several popular", "* Argument 3 * Conclusion And there's this more advanced structure often taught", "most Americans in secondary school: * Introduction * Argument 1 * Argument 2", "essays can be structured. 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Of course there is the 5-paragraph style learned by most Americans in", "read several popular (as opposed to scholarly) articles which lack an introduction and/or", "taught in English 101 type courses in college: * Introduction * Background ", "there is the 5-paragraph style learned by most Americans in secondary school: ", "in college: * Introduction * Background * Argument * Counterargument and Refutation ", " Introduction * Argument 1 * Argument 2 * Argument 3 * Conclusion", "question: I've read several popular (as opposed to scholarly) articles which lack an", "opposed to scholarly) articles which lack an introduction and/or conclusion (more often the", "English 101 type courses in college: * Introduction * Background * Argument ", " Introduction * Background * Argument * Counterargument and Refutation * Conclusion What", "scholarly) articles which lack an introduction and/or conclusion (more often the conclusion). Is", "course there is the 5-paragraph style learned by most Americans in secondary school:", "several popular (as opposed to scholarly) articles which lack an introduction and/or conclusion", "and Refutation * Conclusion What are some other ways to structure an academic", "the 5-paragraph style learned by most Americans in secondary school: * Introduction ", "Conclusion And there's this more advanced structure often taught in English 101 type", "interested in the different ways that academic essays can be structured. Of course", "this more advanced structure often taught in English 101 type courses in college:", "2 Argument 3 * Conclusion And there's this more advanced structure often", "Introduction * Argument 1 * Argument 2 * Argument 3 * Conclusion And", "paper? Side question: I've read several popular (as opposed to scholarly) articles which", "often taught in English 101 type courses in college: * Introduction * Background", "Introduction * Background * Argument * Counterargument and Refutation * Conclusion What are", "Argument 2 * Argument 3 * Conclusion And there's this more advanced structure", "can be structured. Of course there is the 5-paragraph style learned by most", "And there's this more advanced structure often taught in English 101 type courses", "Of course there is the 5-paragraph style learned by most Americans in secondary", "Refutation * Conclusion What are some other ways to structure an academic paper?", "I've read several popular (as opposed to scholarly) articles which lack an introduction", "ways to structure an academic paper? Side question: I've read several popular (as" ]
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[ "that Qajcy is the single main character?\\* \\Yes, I concidered renaming the novel.", "I'm determined to tell Tim's story, since it is important to me and", "Question(s): 1. What is your experience with subplots? When do they become too", "Qajcy. How do I weigh my narrators to make sure that Qajcy is", "quarters of a cruise ship. It's named after the \"stage identitiy\" of the", "the main characters. (Let's call her Qajcy.) All the subplots I have developed", "around it? 2. How can I engage the reader emotionally with a strong", "in the working quarters of a cruise ship. It's named after the \"stage", "emotionally with a strong subplot without drawing his main sympathies the protagonist? 3.", "novel. However, Qajcy is* the core of the story and I feel the", "and wrote an independent novel around it? 2. How can I engage the", "I concidered renaming the novel. However, Qajcy is the core of the story", "a subplot from it's original story and wrote an independent novel around it?", "I have developed so far nicely hinge on Qajcy. However, one of my", "not Qajcy, and no: It cannot, ever, be Qajcy. Qajcy is a concerned", "ship. It's named after the \"stage identitiy\" of the main characters. (Let's call", "of place in a novel called and centered around Qajcy. --- The Question(s):", "called and centered around Qajcy. --- The Question(s): 1. What is your experience", "secondary characters (Tim) turned out to have an excellent story to tell that", "without drawing his main sympathies the protagonist? 3. Lastly: Since life at sea", "the subplots I have developed so far nicely hinge on Qajcy. However, one", "will feel out of place in a novel called and centered around Qajcy.", "picked a subplot from it's original story and wrote an independent novel around", "original story and wrote an independent novel around it? 2. How can I", "I considered using multiple points of view to capture the \"village feeling\" prevailing", "interesting secondary characters to pull this of. Yet, the novel should remain centered", "using multiple points of view to capture the \"village feeling\" prevailing in ship", "it is important to me and an integral part of life at sea.", "All the subplots I have developed so far nicely hinge on Qajcy. However,", "engaging to act as valid subplots? Have you ever picked a subplot from", "do they become too complex or emotionally engaging to act as valid subplots?", "is the core of the story and I feel the name is well", "hinge on Qajcy. However, one of my secondary characters (Tim) turned out to", "they become too complex or emotionally engaging to act as valid subplots? Have", "tell that is predestined to be a subplot in the Qajcy-novel. Tim's story", "Tim's story. That is all. The Problem: I'm determined to tell Tim's story,", "that is set in the working quarters of a cruise ship. It's named", "important to me and an integral part of life at sea. However, I'm", "prevailing in ship communities. I feel that I have enough interesting secondary characters", "can I engage the reader emotionally with a strong subplot without drawing his", "view to capture the \"village feeling\" prevailing in ship communities. I feel that", "pull this of. Yet, the novel should remain centered on Qajcy. How do", "That is all. The Problem: I'm determined to tell Tim's story, since it", "to me and an integral part of life at sea. However, I'm afraid", "to be a subplot in the Qajcy-novel. Tim's story is neatly tied to", "main sympathies the protagonist? 3. Lastly: Since life at sea is communal, I", "developed so far nicely hinge on Qajcy. However, one of my secondary characters", "that is predestined to be a subplot in the Qajcy-novel. Tim's story is", "an integral part of life at sea. However, I'm afraid it will feel", "as valid subplots? Have you ever picked a subplot from it's original story", "this character is not Qajcy, and no: It cannot, ever, be Qajcy. Qajcy", "wrote an independent novel around it? 2. How can I engage the reader", "the novel should remain centered on Qajcy. How do I weigh my narrators", "story is neatly tied to another character. Unfortuanetly, this character is not Qajcy,", "novel around it? 2. How can I engage the reader emotionally with a", "enough interesting secondary characters to pull this of. Yet, the novel should remain", "strong subplot without drawing his main sympathies the protagonist? 3. Lastly: Since life", "too complex or emotionally engaging to act as valid subplots? Have you ever", "considered using multiple points of view to capture the \"village feeling\" prevailing in", "However, Qajcy is the core of the story and I feel the name", "characters. (Let's call her Qajcy.) All the subplots I have developed so far", "I'm afraid it will feel out of place in a novel called and", "identitiy\" of the main characters. (Let's call her Qajcy.) All the subplots I", "story to tell that is predestined to be a subplot in the Qajcy-novel.", "character is not Qajcy, and no: It cannot, ever, be Qajcy. Qajcy is", "characters to pull this of. Yet, the novel should remain centered on Qajcy.", "after the \"stage identitiy\" of the main characters. (Let's call her Qajcy.) All", "is important to me and an integral part of life at sea. However,", "the reader emotionally with a strong subplot without drawing his main sympathies the", "is your experience with subplots? When do they become too complex or emotionally", "story, since it is important to me and an integral part of life", "Qajcy.) All the subplots I have developed so far nicely hinge on Qajcy.", "have developed so far nicely hinge on Qajcy. However, one of my secondary", "of life at sea. However, I'm afraid it will feel out of place", "to act as valid subplots? Have you ever picked a subplot from it's", "engage the reader emotionally with a strong subplot without drawing his main sympathies", "in the Qajcy-novel. Tim's story is neatly tied to another character. Unfortuanetly, this", "to tell that is predestined to be a subplot in the Qajcy-novel. Tim's", "It's named after the \"stage identitiy\" of the main characters. (Let's call her", "Qajcy. Qajcy is a concerned witness of Tim's story. That is all. The", "independent novel around it? 2. How can I engage the reader emotionally with", "2. How can I engage the reader emotionally with a strong subplot without", "an excellent story to tell that is predestined to be a subplot in", "drawing his main sympathies the protagonist? 3. Lastly: Since life at sea is", "at sea. However, I'm afraid it will feel out of place in a", "When do they become too complex or emotionally engaging to act as valid", "place in a novel called and centered around Qajcy. --- The Question(s): 1.", "(Tim) turned out to have an excellent story to tell that is predestined", "Qajcy. However, one of my secondary characters (Tim) turned out to have an", "1. What is your experience with subplots? When do they become too complex", "3. Lastly: Since life at sea is communal, I considered using multiple points", "writing a novel that is set in the working quarters of a cruise", "remain centered on Qajcy. How do I weigh my narrators to make sure", "witness of Tim's story. That is all. The Problem: I'm determined to tell", "sea. However, I'm afraid it will feel out of place in a novel", "--- The Question(s)*: 1. What is your experience with subplots? When do they", "my narrators to make sure that Qajcy is the single main character?\\ \\Yes,", "subplots I have developed so far nicely hinge on Qajcy. However, one of", "cruise ship. It's named after the \"stage identitiy\" of the main characters. (Let's", "I have enough interesting secondary characters to pull this of. Yet, the novel", "weigh my narrators to make sure that Qajcy is the single main character?\\", "renaming the novel. However, Qajcy is the core of the story and I", "complex or emotionally engaging to act as valid subplots? Have you ever picked", "to capture the \"village feeling\" prevailing in ship communities. I feel that I", "the core of the story and I feel the name is well justified.", "Background: I'm writing a novel that is set in the working quarters of", "Qajcy is a concerned witness of Tim's story. That is all. The Problem*:", "multiple points of view to capture the \"village feeling\" prevailing in ship communities.", "the single main character?\\ \\Yes, I concidered renaming the novel. However, Qajcy is", "part of life at sea. However, I'm afraid it will feel out of", "I weigh my narrators to make sure that Qajcy is the single main", "a strong subplot without drawing his main sympathies the protagonist? 3. Lastly: Since", "the working quarters of a cruise ship. It's named after the \"stage identitiy\"", "out of place in a novel called and centered around Qajcy. --- The", "become too complex or emotionally engaging to act as valid subplots? Have you", "novel that is set in the working quarters of a cruise ship. It's", "with subplots? When do they become too complex or emotionally engaging to act", "is not Qajcy, and no: It cannot, ever, be Qajcy. Qajcy is a", "be a subplot in the Qajcy-novel. Tim's story is neatly tied to another", "on Qajcy. However, one of my secondary characters (Tim) turned out to have", "be Qajcy. Qajcy is a concerned witness of Tim's story. That is all.", "turned out to have an excellent story to tell that is predestined to", "have enough interesting secondary characters to pull this of. Yet, the novel should", "single main character?\\ \\Yes, I concidered renaming the novel. However, Qajcy is* the", "out to have an excellent story to tell that is predestined to be", "working quarters of a cruise ship. It's named after the \"stage identitiy\" of", "I'm writing a novel that is set in the working quarters of a", "Qajcy is the core of the story and I feel the name is", "his main sympathies the protagonist? 3. Lastly: Since life at sea is communal,", "my secondary characters (Tim) turned out to have an excellent story to tell", "act as valid subplots? Have you ever picked a subplot from it's original", "reader emotionally with a strong subplot without drawing his main sympathies the protagonist?", "of the main characters. (Let's call her Qajcy.) All the subplots I have", "to make sure that Qajcy is the single main character?\\* \\Yes, I concidered", "Qajcy. --- The Question(s): 1. What is your experience with subplots? When do", "this of. Yet, the novel should remain centered on Qajcy. How do I", "capture the \"village feeling\" prevailing in ship communities. I feel that I have", "novel should remain centered on Qajcy. How do I weigh my narrators to", "How do I weigh my narrators to make sure that Qajcy is the", "characters (Tim) turned out to have an excellent story to tell that is", "set in the working quarters of a cruise ship. It's named after the", "sympathies the protagonist? 3. Lastly: Since life at sea is communal, I considered", "of a cruise ship. It's named after the \"stage identitiy\" of the main", "main characters. (Let's call her Qajcy.) All the subplots I have developed so", "so far nicely hinge on Qajcy. However, one of my secondary characters (Tim)", "is predestined to be a subplot in the Qajcy-novel. Tim's story is neatly", "ever, be Qajcy. Qajcy is a concerned witness of Tim's story. That is", "Problem: I'm determined to tell Tim's story, since it is important to me", "afraid it will feel out of place in a novel called and centered", "around Qajcy. --- The Question(s): 1. What is your experience with subplots? When", "subplot in the Qajcy-novel. Tim's story is neatly tied to another character. Unfortuanetly,", "is the single main character?\\ \\Yes, I concidered renaming the novel. However, Qajcy", "all. The Problem: I'm determined to tell Tim's story, since it is important", "life at sea. However, I'm afraid it will feel out of place in", "of my secondary characters (Tim) turned out to have an excellent story to", "life at sea is communal, I considered using multiple points of view to", "experience with subplots? When do they become too complex or emotionally engaging to", "a novel that is set in the working quarters of a cruise ship.", "her Qajcy.) All the subplots I have developed so far nicely hinge on", "However, I'm afraid it will feel out of place in a novel called", "story and wrote an independent novel around it? 2. How can I engage", "feel that I have enough interesting secondary characters to pull this of. Yet,", "feeling\" prevailing in ship communities. I feel that I have enough interesting secondary", "should remain centered on Qajcy. How do I weigh my narrators to make", "no: It cannot, ever, be Qajcy. Qajcy is a concerned witness of Tim's", "Yet, the novel should remain centered on Qajcy. How do I weigh my", "The Question(s): 1. What is your experience with subplots? When do they become", "subplots? When do they become too complex or emotionally engaging to act as", "an independent novel around it? 2. How can I engage the reader emotionally", "call her Qajcy.) All the subplots I have developed so far nicely hinge", "in a novel called and centered around Qajcy. --- The Question(s): 1. What", "another character. Unfortuanetly, this character is not Qajcy, and no: It cannot, ever,", "with a strong subplot without drawing his main sympathies the protagonist? 3. Lastly:", "\"village feeling\" prevailing in ship communities. I feel that I have enough interesting", "of Tim's story. That is all. The Problem: I'm determined to tell Tim's", "on Qajcy. How do I weigh my narrators to make sure that Qajcy", "is neatly tied to another character. Unfortuanetly, this character is not Qajcy, and", "feel out of place in a novel called and centered around Qajcy. ---", "Have you ever picked a subplot from it's original story and wrote an", "nicely hinge on Qajcy. However, one of my secondary characters (Tim) turned out", "subplots? Have you ever picked a subplot from it's original story and wrote", "the \"village feeling\" prevailing in ship communities. I feel that I have enough", "to pull this of. Yet, the novel should remain centered on Qajcy. How", "How can I engage the reader emotionally with a strong subplot without drawing", "Unfortuanetly, this character is not Qajcy, and no: It cannot, ever, be Qajcy.", "from it's original story and wrote an independent novel around it? 2. How", "(Let's call her Qajcy.) All the subplots I have developed so far nicely", "cannot, ever, be Qajcy. Qajcy is a concerned witness of Tim's story. That", "in ship communities. I feel that I have enough interesting secondary characters to", "narrators to make sure that Qajcy is the single main character?\\ \\Yes, I", "is set in the working quarters of a cruise ship. It's named after", "of view to capture the \"village feeling\" prevailing in ship communities. I feel", "Qajcy, and no: It cannot, ever, be Qajcy. Qajcy is a concerned witness", "What is your experience with subplots? When do they become too complex or", "the novel. However, Qajcy is* the core of the story and I feel", "concidered renaming the novel. However, Qajcy is the core of the story and", "tied to another character. Unfortuanetly, this character is not Qajcy, and no: It", "valid subplots? Have you ever picked a subplot from it's original story and", "Qajcy-novel. Tim's story is neatly tied to another character. Unfortuanetly, this character is", "me and an integral part of life at sea. However, I'm afraid it", "\\Yes, I concidered renaming the novel. However, Qajcy is* the core of the", "and centered around Qajcy. --- The Question(s): 1. What is your experience with", "centered around Qajcy. --- The Question(s): 1. What is your experience with subplots?", "predestined to be a subplot in the Qajcy-novel. Tim's story is neatly tied", "is communal, I considered using multiple points of view to capture the \"village", "sure that Qajcy is the single main character?\\* \\Yes, I concidered renaming the", "one of my secondary characters (Tim) turned out to have an excellent story", "tell Tim's story, since it is important to me and an integral part", "to have an excellent story to tell that is predestined to be a", "subplot from it's original story and wrote an independent novel around it? 2.", "it? 2. How can I engage the reader emotionally with a strong subplot", "do I weigh my narrators to make sure that Qajcy is the single", "at sea is communal, I considered using multiple points of view to capture", "communal, I considered using multiple points of view to capture the \"village feeling\"", "that I have enough interesting secondary characters to pull this of. Yet, the", "neatly tied to another character. Unfortuanetly, this character is not Qajcy, and no:", "the protagonist? 3. Lastly: Since life at sea is communal, I considered using", "Since life at sea is communal, I considered using multiple points of view", "it will feel out of place in a novel called and centered around", "novel called and centered around Qajcy. --- The Question(s): 1. What is your", "a subplot in the Qajcy-novel. Tim's story is neatly tied to another character.", "ship communities. I feel that I have enough interesting secondary characters to pull", "a novel called and centered around Qajcy. --- The Question(s): 1. What is", "named after the \"stage identitiy\" of the main characters. (Let's call her Qajcy.)", "the \"stage identitiy\" of the main characters. (Let's call her Qajcy.) All the", "and no: It cannot, ever, be Qajcy. Qajcy is a concerned witness of", "sea is communal, I considered using multiple points of view to capture the", "to another character. Unfortuanetly, this character is not Qajcy, and no: It cannot,", "is a concerned witness of Tim's story. That is all. The Problem: I'm", "main character?\\ \\Yes, I concidered renaming the novel. However, Qajcy is* the core", "excellent story to tell that is predestined to be a subplot in the", "However, one of my secondary characters (Tim) turned out to have an excellent", "protagonist? 3. Lastly: Since life at sea is communal, I considered using multiple", "Qajcy is the single main character?\\* \\Yes, I concidered renaming the novel. However,", "the Qajcy-novel. Tim's story is neatly tied to another character. Unfortuanetly, this character", "The Problem: I'm determined to tell Tim's story, since it is important to", "centered on Qajcy. How do I weigh my narrators to make sure that", "emotionally engaging to act as valid subplots? Have you ever picked a subplot", "Tim's story is neatly tied to another character. Unfortuanetly, this character is not", "integral part of life at sea. However, I'm afraid it will feel out", "story. That is all. The Problem: I'm determined to tell Tim's story, since", "is all. The Problem: I'm determined to tell Tim's story, since it is", "\"stage identitiy\" of the main characters. (Let's call her Qajcy.) All the subplots", "ever picked a subplot from it's original story and wrote an independent novel", "have an excellent story to tell that is predestined to be a subplot", "your experience with subplots? When do they become too complex or emotionally engaging", "or emotionally engaging to act as valid subplots? Have you ever picked a", "subplot without drawing his main sympathies the protagonist? 3. Lastly: Since life at", "Lastly: Since life at sea is communal, I considered using multiple points of", "you ever picked a subplot from it's original story and wrote an independent", "since it is important to me and an integral part of life at", "character?\\ \\Yes, I concidered renaming the novel. However, Qajcy is* the core of", "Tim's story, since it is important to me and an integral part of", "I feel that I have enough interesting secondary characters to pull this of.", "secondary characters to pull this of. Yet, the novel should remain centered on", "to tell Tim's story, since it is important to me and an integral", "and an integral part of life at sea. However, I'm afraid it will", "determined to tell Tim's story, since it is important to me and an", "it's original story and wrote an independent novel around it? 2. How can", "I engage the reader emotionally with a strong subplot without drawing his main", "a concerned witness of Tim's story. That is all. The Problem: I'm determined", "communities. I feel that I have enough interesting secondary characters to pull this", "It cannot, ever, be Qajcy. Qajcy is a concerned witness of Tim's story.", "points of view to capture the \"village feeling\" prevailing in ship communities. I", "concerned witness of Tim's story. That is all. The Problem: I'm determined to", "make sure that Qajcy is the single main character?\\* \\Yes, I concidered renaming", "The Background*: I'm writing a novel that is set in the working quarters", "character. Unfortuanetly, this character is not Qajcy, and no: It cannot, ever, be", "of. Yet, the novel should remain centered on Qajcy. How do I weigh", "a cruise ship. It's named after the \"stage identitiy\" of the main characters.", "far nicely hinge on Qajcy. However, one of my secondary characters (Tim) turned" ]
[ "unsure how to structure such a sequence. > > Barii’s dreams began to", "> changing in front of her eyes, until they were expelled from her", "of her eyes, until they were expelled from her mind > entirely, and", "into a realm of their own, rapidly > changing in front of her", "is taken in their dreams to an archangel. However, I kind of think", "rapidly > changing in front of her eyes, until they were expelled from", "to an archangel. However, I kind of think it sounds a bit childish,", "until they were expelled from her mind > entirely, and her eyes opened.", "entirely, and her eyes opened. > > > Welcome. > > > Personally,", "think this sounds very professional, or realistic. Could someone provide advice on how", "eyes, until they were expelled from her mind > entirely, and her eyes", "think it sounds a bit childish, as I'm unsure how to structure such", "a sequence. > > Barii’s dreams began to drift into a realm of", "> entirely, and her eyes opened. > > > Welcome. > > >", "Personally, I don't think this sounds very professional, or realistic. Could someone provide", "an archangel. However, I kind of think it sounds a bit childish, as", "dreams began to drift into a realm of their own, rapidly > changing", "how to structure sequences like this, and how to say when they begin,", "bit childish, as I'm unsure how to structure such a sequence. > >", "main protagonist is taken in their dreams to an archangel. However, I kind", "in their dreams to an archangel. However, I kind of think it sounds", "eyes opened. > > > Welcome. > > > Personally, I don't think", "> > Personally, I don't think this sounds very professional, or realistic. Could", "her eyes opened. > > > Welcome. > > > Personally, I don't", "were expelled from her mind > entirely, and her eyes opened. > >", "to structure sequences like this, and how to say when they begin, and", "and her eyes opened. > > > Welcome. > > > Personally, I", "I'm unsure how to structure such a sequence. > > Barii’s dreams began", "a bit childish, as I'm unsure how to structure such a sequence. >", "> Welcome. > > > Personally, I don't think this sounds very professional,", "to drift into a realm of their own, rapidly > changing in front", "from her mind > entirely, and her eyes opened. > > > Welcome.", "trying to write a sequence where the main protagonist is taken in their", "where the main protagonist is taken in their dreams to an archangel. However,", "on how to structure sequences like this, and how to say when they", "archangel. However, I kind of think it sounds a bit childish, as I'm", "advice on how to structure sequences like this, and how to say when", "they were expelled from her mind > entirely, and her eyes opened. >", "her mind > entirely, and her eyes opened. > > > Welcome. >", "mind > entirely, and her eyes opened. > > > Welcome. > >", "write a sequence where the main protagonist is taken in their dreams to", "how to structure such a sequence. > > Barii’s dreams began to drift", "Barii’s dreams began to drift into a realm of their own, rapidly >", "sequence where the main protagonist is taken in their dreams to an archangel.", "a sequence where the main protagonist is taken in their dreams to an", "drift into a realm of their own, rapidly > changing in front of", "changing in front of her eyes, until they were expelled from her mind", "to write a sequence where the main protagonist is taken in their dreams", "it sounds a bit childish, as I'm unsure how to structure such a", "their dreams to an archangel. However, I kind of think it sounds a", "this sounds very professional, or realistic. Could someone provide advice on how to", "> Personally, I don't think this sounds very professional, or realistic. Could someone", "opened. > > > Welcome. > > > Personally, I don't think this", "expelled from her mind > entirely, and her eyes opened. > > >", "in front of her eyes, until they were expelled from her mind >", "professional, or realistic. Could someone provide advice on how to structure sequences like", "sequence. > > Barii’s dreams began to drift into a realm of their", "or realistic. Could someone provide advice on how to structure sequences like this,", "as I'm unsure how to structure such a sequence. > > Barii’s dreams", "of their own, rapidly > changing in front of her eyes, until they", "> > > Welcome. > > > Personally, I don't think this sounds", "taken in their dreams to an archangel. However, I kind of think it", "someone provide advice on how to structure sequences like this, and how to", "the main protagonist is taken in their dreams to an archangel. However, I", "began to drift into a realm of their own, rapidly > changing in", "to structure such a sequence. > > Barii’s dreams began to drift into", "childish, as I'm unsure how to structure such a sequence. > > Barii’s", "realm of their own, rapidly > changing in front of her eyes, until", "Could someone provide advice on how to structure sequences like this, and how", "Welcome. > > > Personally, I don't think this sounds very professional, or", "kind of think it sounds a bit childish, as I'm unsure how to", "don't think this sounds very professional, or realistic. Could someone provide advice on", "sounds very professional, or realistic. Could someone provide advice on how to structure", "realistic. Could someone provide advice on how to structure sequences like this, and", "> Barii’s dreams began to drift into a realm of their own, rapidly", "I don't think this sounds very professional, or realistic. Could someone provide advice", "a realm of their own, rapidly > changing in front of her eyes,", "However, I kind of think it sounds a bit childish, as I'm unsure", "front of her eyes, until they were expelled from her mind > entirely,", "such a sequence. > > Barii’s dreams began to drift into a realm", "her eyes, until they were expelled from her mind > entirely, and her", "of think it sounds a bit childish, as I'm unsure how to structure", "protagonist is taken in their dreams to an archangel. However, I kind of", "their own, rapidly > changing in front of her eyes, until they were", "dreams to an archangel. However, I kind of think it sounds a bit", "> > Barii’s dreams began to drift into a realm of their own,", "own, rapidly > changing in front of her eyes, until they were expelled", "very professional, or realistic. Could someone provide advice on how to structure sequences", "> > > Personally, I don't think this sounds very professional, or realistic.", "I kind of think it sounds a bit childish, as I'm unsure how", "> > Welcome. > > > Personally, I don't think this sounds very", "sounds a bit childish, as I'm unsure how to structure such a sequence.", "provide advice on how to structure sequences like this, and how to say", "structure such a sequence. > > Barii’s dreams began to drift into a", "I'm trying to write a sequence where the main protagonist is taken in", "structure sequences like this, and how to say when they begin, and end?" ]
[ "sealed, and delivered\" copyrighted? I want to use these words as part of", "the lyrics \"signed, sealed, and delivered\" copyrighted? I want to use these words", "book to be published and need to know if I can do so.", "use these words as part of the title of a book to be", "of the title of a book to be published and need to know", "\"signed, sealed, and delivered\" copyrighted? I want to use these words as part", "and delivered\" copyrighted? I want to use these words as part of the", "delivered\" copyrighted? I want to use these words as part of the title", "I want to use these words as part of the title of a", "copyrighted? I want to use these words as part of the title of", "to use these words as part of the title of a book to", "a book to be published and need to know if I can do", "title of a book to be published and need to know if I", "as part of the title of a book to be published and need", "these words as part of the title of a book to be published", "of a book to be published and need to know if I can", "words as part of the title of a book to be published and", "lyrics \"signed, sealed, and delivered\" copyrighted? I want to use these words as", "Are the lyrics \"signed, sealed, and delivered\" copyrighted? I want to use these", "want to use these words as part of the title of a book", "part of the title of a book to be published and need to", "the title of a book to be published and need to know if" ]
[ "smartness and, most important, gain the affection of the audience. Personally, I see", "question is: How can I acquire a skill to play on words? What", "play on words? What steps should one take to make a pun? Thanks", "new pun. So my question is: How can I acquire a skill to", "I totally understand that experienced ones use this stylistic device intentionally and do", "text look witty to a reader. Professional writers skillfully manipulate words and phrases", "witty to a reader. Professional writers skillfully manipulate words and phrases to demonstrate", "of the audience. Personally, I see no other way to create a pun,", "so because I am new at writing. Although, I totally understand that experienced", "manipulate words and phrases to demonstrate their smartness and, most important, gain the", "affection of the audience. Personally, I see no other way to create a", "except by accident. I think so because I am new at writing. Although,", "acquire a skill to play on words? What steps should one take to", "can I acquire a skill to play on words? What steps should one", "a pun, except by accident. I think so because I am new at", "think so because I am new at writing. Although, I totally understand that", "a text look witty to a reader. Professional writers skillfully manipulate words and", "new at writing. Although, I totally understand that experienced ones use this stylistic", "their smartness and, most important, gain the affection of the audience. Personally, I", "no other way to create a pun, except by accident. I think so", "way to create a pun, except by accident. I think so because I", "is: How can I acquire a skill to play on words? What steps", "spend hours thinking up a new pun. So my question is: How can", "see no other way to create a pun, except by accident. I think", "because I am new at writing. Although, I totally understand that experienced ones", "am new at writing. Although, I totally understand that experienced ones use this", "a new pun. So my question is: How can I acquire a skill", "writers skillfully manipulate words and phrases to demonstrate their smartness and, most important,", "writing. Although, I totally understand that experienced ones use this stylistic device intentionally", "to play on words? What steps should one take to make a pun?", "not spend hours thinking up a new pun. So my question is: How", "important, gain the affection of the audience. Personally, I see no other way", "gain the affection of the audience. Personally, I see no other way to", "I think so because I am new at writing. Although, I totally understand", "that experienced ones use this stylistic device intentionally and do not spend hours", "this stylistic device intentionally and do not spend hours thinking up a new", "pun, except by accident. I think so because I am new at writing.", "the audience. Personally, I see no other way to create a pun, except", "words? What steps should one take to make a pun? Thanks in advance", "my question is: How can I acquire a skill to play on words?", "should one take to make a pun? Thanks in advance for your help.", "I acquire a skill to play on words? What steps should one take", "understand that experienced ones use this stylistic device intentionally and do not spend", "I see no other way to create a pun, except by accident. I", "What steps should one take to make a pun? Thanks in advance for", "to a reader. Professional writers skillfully manipulate words and phrases to demonstrate their", "by accident. I think so because I am new at writing. Although, I", "up a new pun. So my question is: How can I acquire a", "I am new at writing. Although, I totally understand that experienced ones use", "experienced ones use this stylistic device intentionally and do not spend hours thinking", "ones use this stylistic device intentionally and do not spend hours thinking up", "skill to play on words? What steps should one take to make a", "the affection of the audience. Personally, I see no other way to create", "pun. So my question is: How can I acquire a skill to play", "hours thinking up a new pun. So my question is: How can I", "audience. Personally, I see no other way to create a pun, except by", "demonstrate their smartness and, most important, gain the affection of the audience. Personally,", "Although, I totally understand that experienced ones use this stylistic device intentionally and", "Puns introduced by authors make a text look witty to a reader. Professional", "to demonstrate their smartness and, most important, gain the affection of the audience.", "stylistic device intentionally and do not spend hours thinking up a new pun.", "a skill to play on words? What steps should one take to make", "look witty to a reader. Professional writers skillfully manipulate words and phrases to", "phrases to demonstrate their smartness and, most important, gain the affection of the", "use this stylistic device intentionally and do not spend hours thinking up a", "most important, gain the affection of the audience. Personally, I see no other", "skillfully manipulate words and phrases to demonstrate their smartness and, most important, gain", "words and phrases to demonstrate their smartness and, most important, gain the affection", "So my question is: How can I acquire a skill to play on", "How can I acquire a skill to play on words? What steps should", "reader. Professional writers skillfully manipulate words and phrases to demonstrate their smartness and,", "on words? What steps should one take to make a pun? Thanks in", "introduced by authors make a text look witty to a reader. Professional writers", "at writing. Although, I totally understand that experienced ones use this stylistic device", "accident. I think so because I am new at writing. Although, I totally", "Professional writers skillfully manipulate words and phrases to demonstrate their smartness and, most", "thinking up a new pun. So my question is: How can I acquire", "to create a pun, except by accident. I think so because I am", "a reader. Professional writers skillfully manipulate words and phrases to demonstrate their smartness", "device intentionally and do not spend hours thinking up a new pun. So", "and, most important, gain the affection of the audience. Personally, I see no", "authors make a text look witty to a reader. Professional writers skillfully manipulate", "and phrases to demonstrate their smartness and, most important, gain the affection of", "Personally, I see no other way to create a pun, except by accident.", "other way to create a pun, except by accident. I think so because", "totally understand that experienced ones use this stylistic device intentionally and do not", "make a text look witty to a reader. Professional writers skillfully manipulate words", "create a pun, except by accident. I think so because I am new", "intentionally and do not spend hours thinking up a new pun. So my", "by authors make a text look witty to a reader. Professional writers skillfully", "and do not spend hours thinking up a new pun. So my question", "steps should one take to make a pun? Thanks in advance for your", "do not spend hours thinking up a new pun. So my question is:" ]
[ "known in case another writer with the same issue could help me. I", "that I’ve always been a writer that wants to read what I’m writing", "writer that wants to read what I’m writing far more than I actually", "and cranky and that interfered with my creative process. When I got off,", "time. Now, I can barely get maybe ten or fifteen thousand words in", "been off an extremely long time, I stopped taking them when I was", "can barely get maybe ten or fifteen thousand words in before I completely", "mile a minute and I had no problem doing several stories at a", "change of scenery. The monotony of my life was beginning to affect my", "maybe ten or fifteen thousand words in before I completely lose all interest.", "that the actual work that I needed to put into it seemed excessive,", "a time. Now, I can barely get maybe ten or fifteen thousand words", "grateful for all the advice I was given and I really want to", "wants to read what I’m writing far more than I actually wanted to", "be known in case another writer with the same issue could help me.", "they affect many aspects of your life, such as your creativity. I wanted", "same issue could help me. I didn’t go back on my meds and", "help me. I didn’t go back on my meds and my creativity has", "me whether or not I should get back on my meds, I appreciate", "Before I got off my meds (It was a decision I made myself", "got off, my mind really went a mile a minute and I had", "back on my meds, I appreciate the writing advice that was given to", "if I need to get back on my meds. Any advice? I mean", "it seemed excessive, and oftentimes boring. I’m grateful for all the advice I", "also learned that I’ve always been a writer that wants to read what", "I appreciate the writing advice that was given to me. I mentioned my", "through or if I need to get back on my meds. Any advice?", "the road I'm going through or if I need to get back on", "at a time. Now, I can barely get maybe ten or fifteen thousand", "in the road I'm going through or if I need to get back", "to get back on my meds. Any advice? I mean I haven't been", "other writers, go to workshops, conventions, and all in all, take writing more", "to read what I’m writing far more than I actually wanted to write", "I'm a writer. I have pretty bad ADD/ADHD and though it's never bothered", "mentioned my meds because as people who take them know, they affect many", "decided to change that, get out there, and actually meet other writers, go", "wanted you all to tell me whether or not I should get back", "and oftentimes boring. I’m grateful for all the advice I was given and", "to affect my creativity, not the absence of my meds. A little bit", "and actually meet other writers, go to workshops, conventions, and all in all,", "actually meet other writers, go to workshops, conventions, and all in all, take", "seriously, and it did wonders. I also learned that I’ve always been a", "minute and I had no problem doing several stories at a time. Now,", "all, take writing more seriously, and it did wonders. I also learned that", "really needed was a change of scenery. The monotony of my life was", "thirteen and I'm twenty now. I was on Adderall if that helps. Update:", "such as your creativity. I wanted it to be known in case another", "get back on my meds, I appreciate the writing advice that was given", "personal bump in the road I'm going through or if I need to", "that I needed to put into it seemed excessive, and oftentimes boring. I’m", "my writing as of late. I don't really think this is a medical", "of my life was beginning to affect my creativity, not the absence of", "stories at a time. Now, I can barely get maybe ten or fifteen", "process. When I got off, my mind really went a mile a minute", "the advice I was given and I really want to thank everyone who", "put into it seemed excessive, and oftentimes boring. I’m grateful for all the", "when I was thirteen and I'm twenty now. I was on Adderall if", "the absence of my meds. A little bit about me, I’m not a", "person. I decided to change that, get out there, and actually meet other", "not the absence of my meds. A little bit about me, I’m not", "it to be known in case another writer with the same issue could", "late. I don't really think this is a medical question, as doctors can't", "writing advice that was given to me. I mentioned my meds because as", "can't really give me advice with this. Before I got off my meds", "more seriously, and it did wonders. I also learned that I’ve always been", "advice that was given to me. I mentioned my meds because as people", "affect many aspects of your life, such as your creativity. I wanted it", "meds. A little bit about me, I’m not a very social person. I", "whether or not I should get back on my meds, I appreciate the", "didn’t go back on my meds and my creativity has improved exponentially. I", "excessive, and oftentimes boring. I’m grateful for all the advice I was given", "I found that what I really needed was a change of scenery. The", "because of the hormonal imbalance.), it was hard for me to really focus", "When I got off, my mind really went a mile a minute and", "appreciate the writing advice that was given to me. I mentioned my meds", "me. I didn’t go back on my meds and my creativity has improved", "medicine made me a little groggy and cranky and that interfered with my", "mean I haven't been off an extremely long time, I stopped taking them", "or if I need to get back on my meds. Any advice? I", "my creativity, not the absence of my meds. A little bit about me,", "go back on my meds and my creativity has improved exponentially. I found", "of the hormonal imbalance.), it was hard for me to really focus on", "I'm twenty now. I was on Adderall if that helps. Update: Even though", "there, and actually meet other writers, go to workshops, conventions, and all in", "to tell me whether or not I should get back on my meds,", "was thirteen and I'm twenty now. I was on Adderall if that helps.", "I mentioned my meds because as people who take them know, they affect", "really think this is a medical question, as doctors can't really give me", "go to workshops, conventions, and all in all, take writing more seriously, and", "on my meds, I appreciate the writing advice that was given to me.", "all to tell me whether or not I should get back on my", "in case another writer with the same issue could help me. I didn’t", "road I'm going through or if I need to get back on my", "fifteen thousand words in before I completely lose all interest. I don't know", "if it's a personal bump in the road I'm going through or if", "boring. I’m grateful for all the advice I was given and I really", "affect my creativity, not the absence of my meds. A little bit about", "product that the actual work that I needed to put into it seemed", "The monotony of my life was beginning to affect my creativity, not the", "on my meds. Any advice? I mean I haven't been off an extremely", "you all to tell me whether or not I should get back on", "improved exponentially. I found that what I really needed was a change of", "it did wonders. I also learned that I’ve always been a writer that", "with my creative process. When I got off, my mind really went a", "think this is a medical question, as doctors can't really give me advice", "I’ve always been a writer that wants to read what I’m writing far", "as your creativity. I wanted it to be known in case another writer", "my meds, I appreciate the writing advice that was given to me. I", "it's really affecting my writing as of late. I don't really think this", "going through or if I need to get back on my meds. Any", "has improved exponentially. I found that what I really needed was a change", "it. I was so ready for the finished product that the actual work", "really focus on my writing because my medicine made me a little groggy", "give me advice with this. Before I got off my meds (It was", "of your life, such as your creativity. I wanted it to be known", "this is a medical question, as doctors can't really give me advice with", "a decision I made myself because of the hormonal imbalance.), it was hard", "of scenery. The monotony of my life was beginning to affect my creativity,", "I didn’t go back on my meds and my creativity has improved exponentially.", "change that, get out there, and actually meet other writers, go to workshops,", "creativity has improved exponentially. I found that what I really needed was a", "take them know, they affect many aspects of your life, such as your", "doing several stories at a time. Now, I can barely get maybe ten", "aspects of your life, such as your creativity. I wanted it to be", "my meds. Any advice? I mean I haven't been off an extremely long", "meds and my creativity has improved exponentially. I found that what I really", "and that interfered with my creative process. When I got off, my mind", "for me to really focus on my writing because my medicine made me", "got off my meds (It was a decision I made myself because of", "mind really went a mile a minute and I had no problem doing", "creative process. When I got off, my mind really went a mile a", "workshops, conventions, and all in all, take writing more seriously, and it did", "me. I mentioned my meds because as people who take them know, they", "another writer with the same issue could help me. I didn’t go back", "was a decision I made myself because of the hormonal imbalance.), it was", "imbalance.), it was hard for me to really focus on my writing because", "a little groggy and cranky and that interfered with my creative process. When", "writers, go to workshops, conventions, and all in all, take writing more seriously,", "never bothered me before, it's really affecting my writing as of late. I", "did wonders. I also learned that I’ve always been a writer that wants", "thousand words in before I completely lose all interest. I don't know if", "off an extremely long time, I stopped taking them when I was thirteen", "so ready for the finished product that the actual work that I needed", "writer. I have pretty bad ADD/ADHD and though it's never bothered me before,", "to put into it seemed excessive, and oftentimes boring. I’m grateful for all", "I mean I haven't been off an extremely long time, I stopped taking", "and I'm twenty now. I was on Adderall if that helps. Update: Even", "in all, take writing more seriously, and it did wonders. I also learned", "completely lose all interest. I don't know if it's a personal bump in", "my creative process. When I got off, my mind really went a mile", "as doctors can't really give me advice with this. Before I got off", "went a mile a minute and I had no problem doing several stories", "finished product that the actual work that I needed to put into it", "of my meds. A little bit about me, I’m not a very social", "little groggy and cranky and that interfered with my creative process. When I", "had no problem doing several stories at a time. Now, I can barely", "issue could help me. I didn’t go back on my meds and my", "given to me. I mentioned my meds because as people who take them", "meds (It was a decision I made myself because of the hormonal imbalance.),", "Adderall if that helps. Update: Even though people assumed I wanted you all", "know, they affect many aspects of your life, such as your creativity. I", "me before, it's really affecting my writing as of late. I don't really", "life was beginning to affect my creativity, not the absence of my meds.", "I was thirteen and I'm twenty now. I was on Adderall if that", "So, obviously, I'm a writer. I have pretty bad ADD/ADHD and though it's", "into it seemed excessive, and oftentimes boring. I’m grateful for all the advice", "on my writing because my medicine made me a little groggy and cranky", "Update: Even though people assumed I wanted you all to tell me whether", "extremely long time, I stopped taking them when I was thirteen and I'm", "that was given to me. 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[ "best to just include his name in acknowledgements or in some other type", "having \"bad faith\". I wouldn't include direct quotes from Sartre, but the idea", "would probably see some pretty clear connections. My question is whether I need", "the book. My problem is that I will be using some fairly unique,", "connections. My question is whether I need to cite my sources for the", "is whether I need to cite my sources for the idea of bad", "from Sartre, but the idea of \"bad faith\" will be quite thinly veiled.", "the idea of bad faith or not, since I'm not going to include", "to cite the source of using his philosophy would be that I think", "acknowledgements or in some other type of recognition after or before the book", "would be similar to that of Winnie-the-Pooh in terms of its format and", "on a fictional book which would be similar to that of Winnie-the-Pooh in", "who would read it that knows about Sartre would probably see some pretty", "not, since I'm not going to include any quotes from him. The reason", "fairly unique, -- or at least attributable -- ideas from philosophers. One such", "citation or footnote. Would it best to just include his name in acknowledgements", "\"bad faith\" will be quite thinly veiled. Anyone who would read it that", "then all of the sudden see a parenthetical citation or footnote. Would it", "pretty clear connections. My question is whether I need to cite my sources", "of using his philosophy would be that I think it would take away", "cite the source of using his philosophy would be that I think it", "of the characters having \"bad faith\". I wouldn't include direct quotes from Sartre,", "of \"bad faith\" will be quite thinly veiled. Anyone who would read it", "clear connections. My question is whether I need to cite my sources for", "ability to be read, but I want there to be philosophical meaning to", "for the idea of bad faith or not, since I'm not going to", "the idea of \"bad faith\" will be quite thinly veiled. Anyone who would", "I think it would take away from the story for you if you", "to include any quotes from him. The reason I don't want to cite", "of Winnie-the-Pooh in terms of its format and ability to be read, but", "one of the characters having \"bad faith\". I wouldn't include direct quotes from", "am working on a fictional book which would be similar to that of", "all of the sudden see a parenthetical citation or footnote. Would it best", "sudden see a parenthetical citation or footnote. Would it best to just include", "example is one of the characters having \"bad faith\". I wouldn't include direct", "philosophers. One such example is one of the characters having \"bad faith\". I", "idea of \"bad faith\" will be quite thinly veiled. Anyone who would read", "in acknowledgements or in some other type of recognition after or before the", "is that I will be using some fairly unique, -- or at least", "I wouldn't include direct quotes from Sartre, but the idea of \"bad faith\"", "My question is whether I need to cite my sources for the idea", "not going to include any quotes from him. The reason I don't want", "least attributable -- ideas from philosophers. One such example is one of the", "ideas from philosophers. One such example is one of the characters having \"bad", "in terms of its format and ability to be read, but I want", "the story for you if you were reading and then all of the", "and then all of the sudden see a parenthetical citation or footnote. Would", "be similar to that of Winnie-the-Pooh in terms of its format and ability", "a fictional book which would be similar to that of Winnie-the-Pooh in terms", "cite my sources for the idea of bad faith or not, since I'm", "or footnote. Would it best to just include his name in acknowledgements or", "to be philosophical meaning to what goes on in the book. My problem", "would be that I think it would take away from the story for", "The reason I don't want to cite the source of using his philosophy", "just include his name in acknowledgements or in some other type of recognition", "for you if you were reading and then all of the sudden see", "but I want there to be philosophical meaning to what goes on in", "think it would take away from the story for you if you were", "name in acknowledgements or in some other type of recognition after or before", "One such example is one of the characters having \"bad faith\". I wouldn't", "book which would be similar to that of Winnie-the-Pooh in terms of its", "using some fairly unique, -- or at least attributable -- ideas from philosophers.", "read it that knows about Sartre would probably see some pretty clear connections.", "take away from the story for you if you were reading and then", "from philosophers. One such example is one of the characters having \"bad faith\".", "bad faith or not, since I'm not going to include any quotes from", "be that I think it would take away from the story for you", "reason I don't want to cite the source of using his philosophy would", "direct quotes from Sartre, but the idea of \"bad faith\" will be quite", "book. My problem is that I will be using some fairly unique, --", "of its format and ability to be read, but I want there to", "away from the story for you if you were reading and then all", "\"bad faith\". I wouldn't include direct quotes from Sartre, but the idea of", "of bad faith or not, since I'm not going to include any quotes", "that of Winnie-the-Pooh in terms of its format and ability to be read,", "to what goes on in the book. My problem is that I will", "Anyone who would read it that knows about Sartre would probably see some", "I need to cite my sources for the idea of bad faith or", "quite thinly veiled. Anyone who would read it that knows about Sartre would", "it would take away from the story for you if you were reading", "include his name in acknowledgements or in some other type of recognition after", "I don't want to cite the source of using his philosophy would be", "don't want to cite the source of using his philosophy would be that", "in the book. My problem is that I will be using some fairly", "attributable -- ideas from philosophers. One such example is one of the characters", "My problem is that I will be using some fairly unique, -- or", "philosophical meaning to what goes on in the book. My problem is that", "but the idea of \"bad faith\" will be quite thinly veiled. Anyone who", "it that knows about Sartre would probably see some pretty clear connections. My", "Sartre would probably see some pretty clear connections. My question is whether I", "from the story for you if you were reading and then all of", "be quite thinly veiled. Anyone who would read it that knows about Sartre", "see some pretty clear connections. My question is whether I need to cite", "were reading and then all of the sudden see a parenthetical citation or", "some fairly unique, -- or at least attributable -- ideas from philosophers. One", "or in some other type of recognition after or before the book itself?", "-- ideas from philosophers. One such example is one of the characters having", "quotes from Sartre, but the idea of \"bad faith\" will be quite thinly", "want to cite the source of using his philosophy would be that I", "idea of bad faith or not, since I'm not going to include any", "which would be similar to that of Winnie-the-Pooh in terms of its format", "would read it that knows about Sartre would probably see some pretty clear", "parenthetical citation or footnote. Would it best to just include his name in", "reading and then all of the sudden see a parenthetical citation or footnote.", "my sources for the idea of bad faith or not, since I'm not", "want there to be philosophical meaning to what goes on in the book.", "will be quite thinly veiled. Anyone who would read it that knows about", "read, but I want there to be philosophical meaning to what goes on", "be philosophical meaning to what goes on in the book. My problem is", "question is whether I need to cite my sources for the idea of", "that I think it would take away from the story for you if", "you if you were reading and then all of the sudden see a", "working on a fictional book which would be similar to that of Winnie-the-Pooh", "meaning to what goes on in the book. My problem is that I", "story for you if you were reading and then all of the sudden", "be using some fairly unique, -- or at least attributable -- ideas from", "the sudden see a parenthetical citation or footnote. Would it best to just", "using his philosophy would be that I think it would take away from", "a parenthetical citation or footnote. Would it best to just include his name", "there to be philosophical meaning to what goes on in the book. My", "of the sudden see a parenthetical citation or footnote. Would it best to", "faith or not, since I'm not going to include any quotes from him.", "be read, but I want there to be philosophical meaning to what goes", "it best to just include his name in acknowledgements or in some other", "from him. The reason I don't want to cite the source of using", "you were reading and then all of the sudden see a parenthetical citation", "his name in acknowledgements or in some other type of recognition after or", "some pretty clear connections. My question is whether I need to cite my", "the source of using his philosophy would be that I think it would", "such example is one of the characters having \"bad faith\". I wouldn't include", "is one of the characters having \"bad faith\". I wouldn't include direct quotes", "or not, since I'm not going to include any quotes from him. The", "and ability to be read, but I want there to be philosophical meaning", "quotes from him. The reason I don't want to cite the source of", "footnote. Would it best to just include his name in acknowledgements or in", "I'm not going to include any quotes from him. The reason I don't", "to that of Winnie-the-Pooh in terms of its format and ability to be", "fictional book which would be similar to that of Winnie-the-Pooh in terms of", "I will be using some fairly unique, -- or at least attributable --", "probably see some pretty clear connections. My question is whether I need to", "need to cite my sources for the idea of bad faith or not,", "will be using some fairly unique, -- or at least attributable -- ideas", "Would it best to just include his name in acknowledgements or in some", "to just include his name in acknowledgements or in some other type of", "about Sartre would probably see some pretty clear connections. My question is whether", "faith\" will be quite thinly veiled. Anyone who would read it that knows", "sources for the idea of bad faith or not, since I'm not going", "I am working on a fictional book which would be similar to that", "include direct quotes from Sartre, but the idea of \"bad faith\" will be", "its format and ability to be read, but I want there to be", "wouldn't include direct quotes from Sartre, but the idea of \"bad faith\" will", "I want there to be philosophical meaning to what goes on in the", "to cite my sources for the idea of bad faith or not, since", "the characters having \"bad faith\". I wouldn't include direct quotes from Sartre, but", "since I'm not going to include any quotes from him. The reason I", "what goes on in the book. My problem is that I will be", "or at least attributable -- ideas from philosophers. One such example is one", "at least attributable -- ideas from philosophers. One such example is one of", "format and ability to be read, but I want there to be philosophical", "faith\". I wouldn't include direct quotes from Sartre, but the idea of \"bad", "-- or at least attributable -- ideas from philosophers. One such example is", "goes on in the book. My problem is that I will be using", "veiled. Anyone who would read it that knows about Sartre would probably see", "include any quotes from him. The reason I don't want to cite the", "thinly veiled. Anyone who would read it that knows about Sartre would probably", "source of using his philosophy would be that I think it would take", "on in the book. My problem is that I will be using some", "to be read, but I want there to be philosophical meaning to what", "would take away from the story for you if you were reading and", "unique, -- or at least attributable -- ideas from philosophers. One such example", "him. The reason I don't want to cite the source of using his", "Sartre, but the idea of \"bad faith\" will be quite thinly veiled. Anyone", "terms of its format and ability to be read, but I want there", "problem is that I will be using some fairly unique, -- or at", "his philosophy would be that I think it would take away from the", "see a parenthetical citation or footnote. Would it best to just include his", "similar to that of Winnie-the-Pooh in terms of its format and ability to", "that knows about Sartre would probably see some pretty clear connections. My question", "whether I need to cite my sources for the idea of bad faith", "any quotes from him. The reason I don't want to cite the source", "philosophy would be that I think it would take away from the story", "knows about Sartre would probably see some pretty clear connections. My question is", "Winnie-the-Pooh in terms of its format and ability to be read, but I", "that I will be using some fairly unique, -- or at least attributable", "going to include any quotes from him. The reason I don't want to", "characters having \"bad faith\". I wouldn't include direct quotes from Sartre, but the", "if you were reading and then all of the sudden see a parenthetical" ]
[ "with another, like Dr. Frankenstien & Dr. Moreu. They're both mad scientists, from", "characters still really useful to readers, or people of this century? Or are", "characters are types of fictional individuals who have one thing in common with", "their characters are. I'm not making ALL my characters stock characters, but I", "sense than my own characters. Are stock characters still really useful to readers,", "different stories and authors but in the same category based on what their", "characters would help my story because I think they make better sense than", "characters stock characters, but I think stock characters would help my story because", "common with another, like Dr. Frankenstien & Dr. Moreu. They're both mad scientists,", "in common with another, like Dr. Frankenstien & Dr. Moreu. They're both mad", "based on what their characters are. I'm not making ALL my characters stock", "novel set in the USA during the Great Depression. I intend to use", "of fictional individuals who have one thing in common with another, like Dr.", "characters are. I'm not making ALL my characters stock characters, but I think", "characters. Are stock characters still really useful to readers, or people of this", "what their characters are. I'm not making ALL my characters stock characters, but", "fictional individuals who have one thing in common with another, like Dr. Frankenstien", "the story colorful and to flesh out the culture of the period. Stock", "but in the same category based on what their characters are. I'm not", "think stock characters would help my story because I think they make better", "of the period. Stock characters are types of fictional individuals who have one", "intend to use some stock characters to make the story colorful and to", "I'm not making ALL my characters stock characters, but I think stock characters", "a realistic-fiction novel set in the USA during the Great Depression. I intend", "and to flesh out the culture of the period. Stock characters are types", "ALL my characters stock characters, but I think stock characters would help my", "stock characters, but I think stock characters would help my story because I", "the Great Depression. I intend to use some stock characters to make the", "really useful to readers, or people of this century? Or are characters like", "Frankenstien & Dr. Moreu. They're both mad scientists, from different stories and authors", "like Dr. Frankenstien & Dr. Moreu. They're both mad scientists, from different stories", "story colorful and to flesh out the culture of the period. Stock characters", "are types of fictional individuals who have one thing in common with another,", "both mad scientists, from different stories and authors but in the same category", "better sense than my own characters. Are stock characters still really useful to", "am writing a realistic-fiction novel set in the USA during the Great Depression.", "realistic-fiction novel set in the USA during the Great Depression. I intend to", "USA during the Great Depression. I intend to use some stock characters to", "are. I'm not making ALL my characters stock characters, but I think stock", "colorful and to flesh out the culture of the period. Stock characters are", "one thing in common with another, like Dr. Frankenstien & Dr. Moreu. They're", "I am writing a realistic-fiction novel set in the USA during the Great", "scientists, from different stories and authors but in the same category based on", "thing in common with another, like Dr. Frankenstien & Dr. Moreu. They're both", "mad scientists, from different stories and authors but in the same category based", "category based on what their characters are. I'm not making ALL my characters", "my story because I think they make better sense than my own characters.", "Stock characters are types of fictional individuals who have one thing in common", "authors but in the same category based on what their characters are. I'm", "They're both mad scientists, from different stories and authors but in the same", "set in the USA during the Great Depression. I intend to use some", "Moreu. They're both mad scientists, from different stories and authors but in the", "during the Great Depression. I intend to use some stock characters to make", "to readers, or people of this century? Or are characters like this out", "to make the story colorful and to flesh out the culture of the", "Dr. Moreu. They're both mad scientists, from different stories and authors but in", "writing a realistic-fiction novel set in the USA during the Great Depression. I", "characters, but I think stock characters would help my story because I think", "than my own characters. Are stock characters still really useful to readers, or", "and authors but in the same category based on what their characters are.", "the same category based on what their characters are. I'm not making ALL", "another, like Dr. Frankenstien & Dr. Moreu. They're both mad scientists, from different", "types of fictional individuals who have one thing in common with another, like", "stock characters still really useful to readers, or people of this century? Or", "use some stock characters to make the story colorful and to flesh out", "period. Stock characters are types of fictional individuals who have one thing in", "individuals who have one thing in common with another, like Dr. Frankenstien &", "same category based on what their characters are. I'm not making ALL my", "make the story colorful and to flesh out the culture of the period.", "stock characters would help my story because I think they make better sense", "make better sense than my own characters. Are stock characters still really useful", "making ALL my characters stock characters, but I think stock characters would help", "would help my story because I think they make better sense than my", "Are stock characters still really useful to readers, or people of this century?", "who have one thing in common with another, like Dr. Frankenstien & Dr.", "stories and authors but in the same category based on what their characters", "the period. Stock characters are types of fictional individuals who have one thing", "they make better sense than my own characters. Are stock characters still really", "but I think stock characters would help my story because I think they", "think they make better sense than my own characters. Are stock characters still", "to flesh out the culture of the period. Stock characters are types of", "some stock characters to make the story colorful and to flesh out the", "I think they make better sense than my own characters. Are stock characters", "Dr. Frankenstien & Dr. Moreu. They're both mad scientists, from different stories and", "& Dr. Moreu. They're both mad scientists, from different stories and authors but", "characters to make the story colorful and to flesh out the culture of", "out the culture of the period. Stock characters are types of fictional individuals", "because I think they make better sense than my own characters. Are stock", "or people of this century? Or are characters like this out of date?", "the culture of the period. Stock characters are types of fictional individuals who", "useful to readers, or people of this century? Or are characters like this", "my characters stock characters, but I think stock characters would help my story", "I think stock characters would help my story because I think they make", "help my story because I think they make better sense than my own", "my own characters. Are stock characters still really useful to readers, or people", "not making ALL my characters stock characters, but I think stock characters would", "on what their characters are. I'm not making ALL my characters stock characters,", "in the USA during the Great Depression. I intend to use some stock", "the USA during the Great Depression. I intend to use some stock characters", "stock characters to make the story colorful and to flesh out the culture", "to use some stock characters to make the story colorful and to flesh", "own characters. Are stock characters still really useful to readers, or people of", "from different stories and authors but in the same category based on what", "have one thing in common with another, like Dr. Frankenstien & Dr. Moreu.", "Great Depression. I intend to use some stock characters to make the story", "flesh out the culture of the period. Stock characters are types of fictional", "culture of the period. Stock characters are types of fictional individuals who have", "in the same category based on what their characters are. I'm not making", "story because I think they make better sense than my own characters. Are", "readers, or people of this century? Or are characters like this out of", "Depression. I intend to use some stock characters to make the story colorful", "I intend to use some stock characters to make the story colorful and", "still really useful to readers, or people of this century? Or are characters" ]
[ "I need help for a idea I've got a bit of a start", "like a normal love story but it to be tragic. I want it", "continuing it it's about two teenagers who fall in love in love with", "a bit of a start but need help on continuing it it's about", "but need help on continuing it it's about two teenagers who fall in", "each other. I just want it not to be like a normal love", "love with each other. I just want it not to be like a", "it's about two teenagers who fall in love in love with each other.", "other. I just want it not to be like a normal love story", "need help on continuing it it's about two teenagers who fall in love", "in love with each other. I just want it not to be like", "fall in love in love with each other. I just want it not", "bit of a start but need help on continuing it it's about two", "normal love story but it to be tragic. I want it to be", "for a idea I've got a bit of a start but need help", "just want it not to be like a normal love story but it", "help for a idea I've got a bit of a start but need", "a start but need help on continuing it it's about two teenagers who", "it it's about two teenagers who fall in love in love with each", "who fall in love in love with each other. I just want it", "need help for a idea I've got a bit of a start but", "to be like a normal love story but it to be tragic. I", "love story but it to be tragic. I want it to be different.", "help on continuing it it's about two teenagers who fall in love in", "got a bit of a start but need help on continuing it it's", "with each other. I just want it not to be like a normal", "not to be like a normal love story but it to be tragic.", "a normal love story but it to be tragic. I want it to", "I've got a bit of a start but need help on continuing it", "two teenagers who fall in love in love with each other. I just", "be like a normal love story but it to be tragic. I want", "in love in love with each other. I just want it not to", "start but need help on continuing it it's about two teenagers who fall", "about two teenagers who fall in love in love with each other. I", "a idea I've got a bit of a start but need help on", "idea I've got a bit of a start but need help on continuing", "love in love with each other. I just want it not to be", "I just want it not to be like a normal love story but", "teenagers who fall in love in love with each other. I just want", "of a start but need help on continuing it it's about two teenagers", "on continuing it it's about two teenagers who fall in love in love", "it not to be like a normal love story but it to be", "want it not to be like a normal love story but it to" ]
[ "At first, I was very excited to hear this from them, because that's", "been woken up suddenly. So I guess I wondering how a scene can", "in the night. It's written in first-person and the character had just been", "and seems like some details have been missed in my excitement. At first,", "this from them, because that's exactly how I had wanted the scene to", "I've written a scene in a short story where the character and her", "feel. But I started to wonder if, perhaps it was too much and", "seems like some details have been missed in my excitement. At first, I", "it to be disorienting. One of my beta readers and my editor have", "attacked in the night. It's written in first-person and the character had just", "had wanted the scene to feel. But I started to wonder if, perhaps", "some details would be missed and even with some combat training, the character", "and the character had just been shaken awake from a nightmare; so I", "a short story where the character and her party are suddenly attacked in", "beta readers and my editor have commented on how it reads confusing and", "scene can be written from a disoriented character's perspective, and not alienate readers?", "One of my beta readers and my editor have commented on how it", "commented on how it reads confusing and seems like some details have been", "my beta readers and my editor have commented on how it reads confusing", "been out of it having just been woken up suddenly. So I guess", "would be missed and even with some combat training, the character would have", "in a short story where the character and her party are suddenly attacked", "to wonder if, perhaps it was too much and hard to follow. I", "nightmare; so I had purposefully written it to be disorienting. One of my", "some details have been missed in my excitement. At first, I was very", "written a scene in a short story where the character and her party", "it reads confusing and seems like some details have been missed in my", "character and her party are suddenly attacked in the night. It's written in", "been missed in my excitement. At first, I was very excited to hear", "purposefully written it to be disorienting. One of my beta readers and my", "had purposefully written it to be disorienting. One of my beta readers and", "my editor have commented on how it reads confusing and seems like some", "in first-person and the character had just been shaken awake from a nightmare;", "woken up suddenly. So I guess I wondering how a scene can be", "So I guess I wondering how a scene can be written from a", "disorienting. One of my beta readers and my editor have commented on how", "story where the character and her party are suddenly attacked in the night.", "editor have commented on how it reads confusing and seems like some details", "was very excited to hear this from them, because that's exactly how I", "too much and hard to follow. I would think that some details would", "awake from a nightmare; so I had purposefully written it to be disorienting.", "excited to hear this from them, because that's exactly how I had wanted", "I started to wonder if, perhaps it was too much and hard to", "missed in my excitement. At first, I was very excited to hear this", "out of it having just been woken up suddenly. So I guess I", "training, the character would have been out of it having just been woken", "some combat training, the character would have been out of it having just", "it was too much and hard to follow. I would think that some", "be missed and even with some combat training, the character would have been", "missed and even with some combat training, the character would have been out", "written it to be disorienting. One of my beta readers and my editor", "started to wonder if, perhaps it was too much and hard to follow.", "night. It's written in first-person and the character had just been shaken awake", "very excited to hear this from them, because that's exactly how I had", "it having just been woken up suddenly. So I guess I wondering how", "up suddenly. So I guess I wondering how a scene can be written", "would have been out of it having just been woken up suddenly. So", "wanted the scene to feel. But I started to wonder if, perhaps it", "I guess I wondering how a scene can be written from a disoriented", "exactly how I had wanted the scene to feel. But I started to", "would think that some details would be missed and even with some combat", "even with some combat training, the character would have been out of it", "hear this from them, because that's exactly how I had wanted the scene", "follow. I would think that some details would be missed and even with", "combat training, the character would have been out of it having just been", "from a nightmare; so I had purposefully written it to be disorienting. One", "of my beta readers and my editor have commented on how it reads", "have commented on how it reads confusing and seems like some details have", "the character had just been shaken awake from a nightmare; so I had", "be disorienting. One of my beta readers and my editor have commented on", "wonder if, perhaps it was too much and hard to follow. I would", "think that some details would be missed and even with some combat training,", "just been shaken awake from a nightmare; so I had purposefully written it", "them, because that's exactly how I had wanted the scene to feel. But", "I would think that some details would be missed and even with some", "with some combat training, the character would have been out of it having", "how I had wanted the scene to feel. But I started to wonder", "details would be missed and even with some combat training, the character would", "a nightmare; so I had purposefully written it to be disorienting. One of", "It's written in first-person and the character had just been shaken awake from", "and her party are suddenly attacked in the night. It's written in first-person", "the night. It's written in first-person and the character had just been shaken", "short story where the character and her party are suddenly attacked in the", "to feel. But I started to wonder if, perhaps it was too much", "character had just been shaken awake from a nightmare; so I had purposefully", "had just been shaken awake from a nightmare; so I had purposefully written", "readers and my editor have commented on how it reads confusing and seems", "her party are suddenly attacked in the night. It's written in first-person and", "wondering how a scene can be written from a disoriented character's perspective, and", "a scene can be written from a disoriented character's perspective, and not alienate", "because that's exactly how I had wanted the scene to feel. But I", "the character and her party are suddenly attacked in the night. It's written", "scene in a short story where the character and her party are suddenly", "that some details would be missed and even with some combat training, the", "I was very excited to hear this from them, because that's exactly how", "to be disorienting. One of my beta readers and my editor have commented", "how it reads confusing and seems like some details have been missed in", "details have been missed in my excitement. At first, I was very excited", "I had wanted the scene to feel. But I started to wonder if,", "having just been woken up suddenly. So I guess I wondering how a", "shaken awake from a nightmare; so I had purposefully written it to be", "confusing and seems like some details have been missed in my excitement. At", "reads confusing and seems like some details have been missed in my excitement.", "are suddenly attacked in the night. It's written in first-person and the character", "where the character and her party are suddenly attacked in the night. It's", "my excitement. At first, I was very excited to hear this from them,", "how a scene can be written from a disoriented character's perspective, and not", "if, perhaps it was too much and hard to follow. I would think", "the character would have been out of it having just been woken up", "and hard to follow. I would think that some details would be missed", "I wondering how a scene can be written from a disoriented character's perspective,", "excitement. At first, I was very excited to hear this from them, because", "suddenly. So I guess I wondering how a scene can be written from", "I had purposefully written it to be disorienting. One of my beta readers", "and my editor have commented on how it reads confusing and seems like", "have been missed in my excitement. At first, I was very excited to", "just been woken up suddenly. So I guess I wondering how a scene", "character would have been out of it having just been woken up suddenly.", "of it having just been woken up suddenly. So I guess I wondering", "suddenly attacked in the night. It's written in first-person and the character had", "first, I was very excited to hear this from them, because that's exactly", "written in first-person and the character had just been shaken awake from a", "so I had purposefully written it to be disorienting. One of my beta", "the scene to feel. But I started to wonder if, perhaps it was", "to follow. I would think that some details would be missed and even", "have been out of it having just been woken up suddenly. So I", "hard to follow. I would think that some details would be missed and", "was too much and hard to follow. I would think that some details", "But I started to wonder if, perhaps it was too much and hard", "like some details have been missed in my excitement. At first, I was", "party are suddenly attacked in the night. It's written in first-person and the", "that's exactly how I had wanted the scene to feel. But I started", "first-person and the character had just been shaken awake from a nightmare; so", "to hear this from them, because that's exactly how I had wanted the", "on how it reads confusing and seems like some details have been missed", "in my excitement. At first, I was very excited to hear this from", "scene to feel. But I started to wonder if, perhaps it was too", "perhaps it was too much and hard to follow. I would think that", "much and hard to follow. I would think that some details would be", "from them, because that's exactly how I had wanted the scene to feel.", "and even with some combat training, the character would have been out of", "been shaken awake from a nightmare; so I had purposefully written it to", "guess I wondering how a scene can be written from a disoriented character's", "a scene in a short story where the character and her party are" ]
[ "me that I don't really know the full scope of what readers expect", "mystery, and a satisfying ending in which the mystery is solved. Despite the", "a satisfying ending in which the mystery is solved. Despite the fact that", "don't really know the full scope of what readers expect from standard genre", "Note: I plan on splitting this question up into several, one for sci-fi,", "mystery, etc. If you think I should just ask about all genres in", "I don't really know the full scope of what readers expect from standard", "it has occurred to me that I don't really know the full scope", "the fact that I just rattled off that list, it has occurred to", "expect from a fantasy novel?* Note: I plan on splitting this question up", "readers expect the hero and heroine to wind up together. Fantasy readers expect", "into several, one for sci-fi, one for mystery, etc. If you think I", "splitting this question up into several, one for sci-fi, one for mystery, etc.", "expect epic fantasy full of battles and otherworldly creatures. Mystery/detective readers expect an", "that I don't really know the full scope of what readers expect from", "there I've been hearing about what readers 'expect' from certain genres. Romance readers", "otherwise I might fail to deliver what was expected, resulting in an unsatisfied", "full of battles and otherworldly creatures. Mystery/detective readers expect an element of, well,", "in which the mystery is solved. Despite the fact that I just rattled", "off that list, it has occurred to me that I don't really know", "question up into several, one for sci-fi, one for mystery, etc. If you", "I'd like to know this, otherwise I might fail to deliver what was", "that I just rattled off that list, it has occurred to me that", "expect an element of, well, mystery, and a satisfying ending in which the", "hearing about what readers 'expect' from certain genres. Romance readers expect the hero", "readers expect from a fantasy novel?* Note: I plan on splitting this question", "hero and heroine to wind up together. Fantasy readers expect epic fantasy full", "really know the full scope of what readers expect from standard genre fiction.", "fantasy full of battles and otherworldly creatures. Mystery/detective readers expect an element of,", "should just ask about all genres in one question, let me know and", "solved. Despite the fact that I just rattled off that list, it has", "etc. If you think I should just ask about all genres in one", "to me that I don't really know the full scope of what readers", "wind up together. Fantasy readers expect epic fantasy full of battles and otherworldly", "ask about all genres in one question, let me know and I'll edit", "occurred to me that I don't really know the full scope of what", "I should just ask about all genres in one question, let me know", "I might fail to deliver what was expected, resulting in an unsatisfied reader.", "of battles and otherworldly creatures. Mystery/detective readers expect an element of, well, mystery,", "expect the hero and heroine to wind up together. Fantasy readers expect epic", "has occurred to me that I don't really know the full scope of", "full scope of what readers expect from standard genre fiction. I'd like to", "genres. Romance readers expect the hero and heroine to wind up together. Fantasy", "for mystery, etc. If you think I should just ask about all genres", "unsatisfied reader. What do readers expect from a fantasy novel?* Note: I plan", "several, one for sci-fi, one for mystery, etc. If you think I should", "together. Fantasy readers expect epic fantasy full of battles and otherworldly creatures. Mystery/detective", "think I should just ask about all genres in one question, let me", "reader. What do readers expect from a fantasy novel?* Note: I plan on", "plan on splitting this question up into several, one for sci-fi, one for", "Mystery/detective readers expect an element of, well, mystery, and a satisfying ending in", "expect from standard genre fiction. I'd like to know this, otherwise I might", "all genres in one question, let me know and I'll edit this one.", "battles and otherworldly creatures. Mystery/detective readers expect an element of, well, mystery, and", "fiction. I'd like to know this, otherwise I might fail to deliver what", "up into several, one for sci-fi, one for mystery, etc. If you think", "to know this, otherwise I might fail to deliver what was expected, resulting", "what readers expect from standard genre fiction. I'd like to know this, otherwise", "I just rattled off that list, it has occurred to me that I", "like to know this, otherwise I might fail to deliver what was expected,", "fantasy novel?** Note: I plan on splitting this question up into several, one", "the mystery is solved. Despite the fact that I just rattled off that", "Fantasy readers expect epic fantasy full of battles and otherworldly creatures. Mystery/detective readers", "to deliver what was expected, resulting in an unsatisfied reader. What do readers", "What do readers expect from a fantasy novel?* Note: I plan on splitting", "certain genres. Romance readers expect the hero and heroine to wind up together.", "of what readers expect from standard genre fiction. I'd like to know this,", "heroine to wind up together. Fantasy readers expect epic fantasy full of battles", "know the full scope of what readers expect from standard genre fiction. I'd", "expected, resulting in an unsatisfied reader. What do readers expect from a fantasy", "If you think I should just ask about all genres in one question,", "fail to deliver what was expected, resulting in an unsatisfied reader. What do", "which the mystery is solved. Despite the fact that I just rattled off", "was expected, resulting in an unsatisfied reader. What do readers expect from a", "a fantasy novel?* Note: I plan on splitting this question up into several,", "standard genre fiction. I'd like to know this, otherwise I might fail to", "one for sci-fi, one for mystery, etc. If you think I should just", "resulting in an unsatisfied reader. What do readers expect from a fantasy novel?", "up together. Fantasy readers expect epic fantasy full of battles and otherworldly creatures.", "to wind up together. Fantasy readers expect epic fantasy full of battles and", "readers expect from standard genre fiction. I'd like to know this, otherwise I", "do readers expect from a fantasy novel?* Note: I plan on splitting this", "might fail to deliver what was expected, resulting in an unsatisfied reader. What", "I plan on splitting this question up into several, one for sci-fi, one", "this question up into several, one for sci-fi, one for mystery, etc. If", "is solved. Despite the fact that I just rattled off that list, it", "'expect' from certain genres. Romance readers expect the hero and heroine to wind", "an element of, well, mystery, and a satisfying ending in which the mystery", "about what readers 'expect' from certain genres. Romance readers expect the hero and", "otherworldly creatures. Mystery/detective readers expect an element of, well, mystery, and a satisfying", "been hearing about what readers 'expect' from certain genres. Romance readers expect the", "Despite the fact that I just rattled off that list, it has occurred", "that list, it has occurred to me that I don't really know the", "genre fiction. I'd like to know this, otherwise I might fail to deliver", "this, otherwise I might fail to deliver what was expected, resulting in an", "from a fantasy novel?* Note: I plan on splitting this question up into", "epic fantasy full of battles and otherworldly creatures. Mystery/detective readers expect an element", "Romance readers expect the hero and heroine to wind up together. Fantasy readers", "of, well, mystery, and a satisfying ending in which the mystery is solved.", "just ask about all genres in one question, let me know and I'll", "deliver what was expected, resulting in an unsatisfied reader. What do readers expect", "from standard genre fiction. I'd like to know this, otherwise I might fail", "fact that I just rattled off that list, it has occurred to me", "about all genres in one question, let me know and I'll edit this", "what was expected, resulting in an unsatisfied reader. What do readers expect from", "know this, otherwise I might fail to deliver what was expected, resulting in", "Here and there I've been hearing about what readers 'expect' from certain genres.", "just rattled off that list, it has occurred to me that I don't", "for sci-fi, one for mystery, etc. If you think I should just ask", "ending in which the mystery is solved. Despite the fact that I just", "you think I should just ask about all genres in one question, let", "the hero and heroine to wind up together. Fantasy readers expect epic fantasy", "I've been hearing about what readers 'expect' from certain genres. Romance readers expect", "scope of what readers expect from standard genre fiction. I'd like to know", "one for mystery, etc. If you think I should just ask about all", "and there I've been hearing about what readers 'expect' from certain genres. Romance", "and otherworldly creatures. Mystery/detective readers expect an element of, well, mystery, and a", "mystery is solved. Despite the fact that I just rattled off that list,", "readers expect epic fantasy full of battles and otherworldly creatures. Mystery/detective readers expect", "well, mystery, and a satisfying ending in which the mystery is solved. Despite", "readers 'expect' from certain genres. Romance readers expect the hero and heroine to", "element of, well, mystery, and a satisfying ending in which the mystery is", "what readers 'expect' from certain genres. Romance readers expect the hero and heroine", "readers expect an element of, well, mystery, and a satisfying ending in which", "on splitting this question up into several, one for sci-fi, one for mystery,", "and heroine to wind up together. Fantasy readers expect epic fantasy full of", "creatures. Mystery/detective readers expect an element of, well, mystery, and a satisfying ending", "the full scope of what readers expect from standard genre fiction. I'd like", "satisfying ending in which the mystery is solved. Despite the fact that I", "and a satisfying ending in which the mystery is solved. Despite the fact", "in an unsatisfied reader. What do readers expect from a fantasy novel?* Note:", "novel?* Note: I plan on splitting this question up into several, one for", "list, it has occurred to me that I don't really know the full", "sci-fi, one for mystery, etc. If you think I should just ask about", "rattled off that list, it has occurred to me that I don't really", "an unsatisfied reader. What do readers expect from a fantasy novel?* *Note: I", "from certain genres. Romance readers expect the hero and heroine to wind up" ]
[ "against the ropes that bound his arms and legs, desperate for escape. If", "desperate for escape. If the smell of the room didn't kill him, Zotn", "is bad? I don't quite understand. Many great stories start with dialogue, and", "cigarettes and urine muddled his senses, and he bit back the vomit that", "another man in the car. That's all I know, honest.\" > > >", "is woven into the opening scene like this? > > \"Talk, or I'll", "a hole in the wall behind him. > > > \"Fifth Avenue!\" Upam", "dialogue is woven into the opening scene like this? > > \"Talk, or", "dim lantern hanging from the ceiling. The smell of cigarettes and urine muddled", "a story with dialogue is bad? I don't quite understand. Many great stories", "start your story with dialogue\"? Do they mean a full conversation or just", "of sweat rolled down Upam's face as he stared at the barrel of", "the trigger. The bullet flew past Upam's face, blasting a hole in the", "story with dialogue is bad? I don't quite understand. Many great stories start", "gun. It was hard to see in the darkness of the room, lit", "his stomach. > > > \"Okay, okay,\" Upam said, giving in. \"I was", "was another man in the car. That's all I know, honest.\" > >", "the ropes that bound his arms and legs, desperate for escape. If the", "work? Will publishers frown upon my work after reading the first line? 2.", "\"Talk, or I'll shoot.\" > > > Beads of sweat rolled down Upam's", "as he stared at the barrel of Zotn's gun. It was hard to", "2. What do people mean when they say \"don't start your story with", "of the room, lit only by a single dim lantern hanging from the", "with dialogue.\" Readers will be disoriented from the start and feel unmotivated to", "what if the dialogue is woven into the opening scene like this? >", "senses, and he bit back the vomit that was rising from the pits", "> Zotn pulled the trigger. The bullet flew past Upam's face, blasting a", "his arms and legs, desperate for escape. If the smell of the room", "ones.) The general advice seems to be \"don't start your story with dialogue.\"", "his senses, and he bit back the vomit that was rising from the", "start your story with dialogue.\" Readers will be disoriented from the start and", "with dialogue\"? Do they mean a full conversation or just any dialogue? 3.", "Zotn lingered for a few moments, then lowered the gun and dipped his", "who's talking. But what if the dialogue is woven into the opening scene", "smell of cigarettes and urine muddled his senses, and he bit back the", "dark. \"Where'd she go?\" > > > \"I don't know.\" > > >", "The general advice seems to be \"don't start your story with dialogue.\" Readers", "with dialogue is bad? I don't quite understand. Many great stories start with", "struggled against the ropes that bound his arms and legs, desperate for escape.", "they don't know and don't care who's talking. But what if the dialogue", "frown upon my work after reading the first line? 2. What do people", "related ones.) The general advice seems to be \"don't start your story with", "Beads of sweat rolled down Upam's face as he stared at the barrel", "hole in the wall behind him. > > > \"Fifth Avenue!\" Upam blurted,", "of the room didn't kill him, Zotn definitely would. > > > 1.", "\"Fifth Avenue!\" Upam blurted, trying to steady his breath. \"In a red sedan—there", "\"In a red sedan—there was another man in the car. That's all I", "and urine muddled his senses, and he bit back the vomit that was", "people mean when they say \"don't start your story with dialogue\"? Do they", "know.\" > > > Zotn pulled the trigger. The bullet flew past Upam's", "I saw her take the money.\" > > > Zotn's eyes were dark.", "the smell of the room didn't kill him, Zotn definitely would. > >", "ropes that bound his arms and legs, desperate for escape. If the smell", "the wall behind him. > > > \"Fifth Avenue!\" Upam blurted, trying to", "from the start and feel unmotivated to continue reading since they don't know", "if the dialogue is woven into the opening scene like this? > >", "1. Would this approach work? Will publishers frown upon my work after reading", "red sedan—there was another man in the car. That's all I know, honest.\"", "a few moments, then lowered the gun and dipped his head in thought.", "> \"Fifth Avenue!\" Upam blurted, trying to steady his breath. \"In a red", "question, only related ones.) The general advice seems to be \"don't start your", "> > 1. Would this approach work? Will publishers frown upon my work", "> \"I don't know.\" > > > Zotn pulled the trigger. The bullet", "into the opening scene like this? > > \"Talk, or I'll shoot.\" >", "> > \"Talk, or I'll shoot.\" > > > Beads of sweat rolled", "barrel of Zotn's gun. It was hard to see in the darkness of", "Upam blurted, trying to steady his breath. \"In a red sedan—there was another", "my work after reading the first line? 2. What do people mean when", "bound his arms and legs, desperate for escape. If the smell of the", "question has already been asked. I've looked around but can't find this specific", "\"don't start your story with dialogue.\" Readers will be disoriented from the start", "by a single dim lantern hanging from the ceiling. The smell of cigarettes", "> > \"Okay, okay,\" Upam said, giving in. \"I was there. I saw", "in thought. Seeing his chance, Upam struggled against the ropes that bound his", "offer a better explanation why starting a story with dialogue is bad? I", "Zotn's eyes were dark. \"Where'd she go?\" > > > \"I don't know.\"", "only related ones.) The general advice seems to be \"don't start your story", "any dialogue? 3. Can anyone offer a better explanation why starting a story", "stared at the barrel of Zotn's gun. It was hard to see in", "flew past Upam's face, blasting a hole in the wall behind him. >", "for a few moments, then lowered the gun and dipped his head in", "> > Zotn's eyes were dark. \"Where'd she go?\" > > > \"I", "lowered the gun and dipped his head in thought. Seeing his chance, Upam", "the darkness of the room, lit only by a single dim lantern hanging", "be \"don't start your story with dialogue.\" Readers will be disoriented from the", "start and feel unmotivated to continue reading since they don't know and don't", "saw her take the money.\" > > > Zotn's eyes were dark. \"Where'd", "bullet flew past Upam's face, blasting a hole in the wall behind him.", "in the wall behind him. > > > \"Fifth Avenue!\" Upam blurted, trying", "head in thought. Seeing his chance, Upam struggled against the ropes that bound", "the room, lit only by a single dim lantern hanging from the ceiling.", "dialogue\"? Do they mean a full conversation or just any dialogue? 3. Can", "> > Zotn lingered for a few moments, then lowered the gun and", "or I'll shoot.\" > > > Beads of sweat rolled down Upam's face", "Upam's face as he stared at the barrel of Zotn's gun. It was", "trigger. The bullet flew past Upam's face, blasting a hole in the wall", "anyone offer a better explanation why starting a story with dialogue is bad?", "find this specific question, only related ones.) The general advice seems to be", "of his stomach. > > > \"Okay, okay,\" Upam said, giving in. \"I", "smell of the room didn't kill him, Zotn definitely would. > > >", "and legs, desperate for escape. If the smell of the room didn't kill", "eyes were dark. \"Where'd she go?\" > > > \"I don't know.\" >", "asked. I've looked around but can't find this specific question, only related ones.)", "gun and dipped his head in thought. Seeing his chance, Upam struggled against", "were dark. \"Where'd she go?\" > > > \"I don't know.\" > >", "man in the car. That's all I know, honest.\" > > > Zotn", "advice seems to be \"don't start your story with dialogue.\" Readers will be", "Upam's face, blasting a hole in the wall behind him. > > >", "darkness of the room, lit only by a single dim lantern hanging from", "when they say \"don't start your story with dialogue\"? Do they mean a", "behind him. > > > \"Fifth Avenue!\" Upam blurted, trying to steady his", "opening scene like this? > > \"Talk, or I'll shoot.\" > > >", "lit only by a single dim lantern hanging from the ceiling. The smell", "in the car. That's all I know, honest.\" > > > Zotn lingered", "Readers will be disoriented from the start and feel unmotivated to continue reading", "around but can't find this specific question, only related ones.) The general advice", "the dialogue is woven into the opening scene like this? > > \"Talk,", "past Upam's face, blasting a hole in the wall behind him. > >", "woven into the opening scene like this? > > \"Talk, or I'll shoot.\"", "rising from the pits of his stomach. > > > \"Okay, okay,\" Upam", "was hard to see in the darkness of the room, lit only by", "scene like this? > > \"Talk, or I'll shoot.\" > > > Beads", "Zotn's gun. It was hard to see in the darkness of the room,", "thought. Seeing his chance, Upam struggled against the ropes that bound his arms", "explanation why starting a story with dialogue is bad? I don't quite understand.", "can't find this specific question, only related ones.) The general advice seems to", "why starting a story with dialogue is bad? I don't quite understand. Many", "take the money.\" > > > Zotn's eyes were dark. \"Where'd she go?\"", "Do they mean a full conversation or just any dialogue? 3. Can anyone", "I've looked around but can't find this specific question, only related ones.) The", "be disoriented from the start and feel unmotivated to continue reading since they", "she go?\" > > > \"I don't know.\" > > > Zotn pulled", "dialogue is bad? I don't quite understand. Many great stories start with dialogue,", "care who's talking. But what if the dialogue is woven into the opening", "It was hard to see in the darkness of the room, lit only", "wall behind him. > > > \"Fifth Avenue!\" Upam blurted, trying to steady", "this specific question, only related ones.) The general advice seems to be \"don't", "there. I saw her take the money.\" > > > Zotn's eyes were", "they say \"don't start your story with dialogue\"? Do they mean a full", "line? 2. What do people mean when they say \"don't start your story", "kill him, Zotn definitely would. > > > 1. Would this approach work?", "bit back the vomit that was rising from the pits of his stomach.", "escape. If the smell of the room didn't kill him, Zotn definitely would.", "seems to be \"don't start your story with dialogue.\" Readers will be disoriented", "then lowered the gun and dipped his head in thought. Seeing his chance,", "looked around but can't find this specific question, only related ones.) The general", "> > > \"Fifth Avenue!\" Upam blurted, trying to steady his breath. \"In", "car. That's all I know, honest.\" > > > Zotn lingered for a", "quite understand. Many great stories start with dialogue, and they definitely hook me.", "the room didn't kill him, Zotn definitely would. > > > 1. Would", "publishers frown upon my work after reading the first line? 2. What do", "\"don't start your story with dialogue\"? Do they mean a full conversation or", "do people mean when they say \"don't start your story with dialogue\"? Do", "Seeing his chance, Upam struggled against the ropes that bound his arms and", "What do people mean when they say \"don't start your story with dialogue\"?", "that was rising from the pits of his stomach. > > > \"Okay,", "a single dim lantern hanging from the ceiling. The smell of cigarettes and", "> > > \"I don't know.\" > > > Zotn pulled the trigger.", "and don't care who's talking. But what if the dialogue is woven into", "a better explanation why starting a story with dialogue is bad? I don't", "and he bit back the vomit that was rising from the pits of", "unmotivated to continue reading since they don't know and don't care who's talking.", "I'll shoot.\" > > > Beads of sweat rolled down Upam's face as", "chance, Upam struggled against the ropes that bound his arms and legs, desperate", "urine muddled his senses, and he bit back the vomit that was rising", "disoriented from the start and feel unmotivated to continue reading since they don't", "But what if the dialogue is woven into the opening scene like this?", "the car. That's all I know, honest.\" > > > Zotn lingered for", "don't quite understand. Many great stories start with dialogue, and they definitely hook", "> > > \"Okay, okay,\" Upam said, giving in. \"I was there. I", "I know, honest.\" > > > Zotn lingered for a few moments, then", "general advice seems to be \"don't start your story with dialogue.\" Readers will", "the money.\" > > > Zotn's eyes were dark. \"Where'd she go?\" >", "his head in thought. Seeing his chance, Upam struggled against the ropes that", "> \"Okay, okay,\" Upam said, giving in. \"I was there. I saw her", "blurted, trying to steady his breath. \"In a red sedan—there was another man", "to be \"don't start your story with dialogue.\" Readers will be disoriented from", "definitely would. > > > 1. Would this approach work? Will publishers frown", "shoot.\" > > > Beads of sweat rolled down Upam's face as he", "> Zotn lingered for a few moments, then lowered the gun and dipped", "and dipped his head in thought. Seeing his chance, Upam struggled against the", "arms and legs, desperate for escape. If the smell of the room didn't", "okay,\" Upam said, giving in. \"I was there. I saw her take the", "him, Zotn definitely would. > > > 1. Would this approach work? Will", "dipped his head in thought. Seeing his chance, Upam struggled against the ropes", "since they don't know and don't care who's talking. But what if the", "this? > > \"Talk, or I'll shoot.\" > > > Beads of sweat", "The bullet flew past Upam's face, blasting a hole in the wall behind", "lantern hanging from the ceiling. The smell of cigarettes and urine muddled his", "talking. But what if the dialogue is woven into the opening scene like", "your story with dialogue.\" Readers will be disoriented from the start and feel", "pits of his stomach. > > > \"Okay, okay,\" Upam said, giving in.", "mean a full conversation or just any dialogue? 3. Can anyone offer a", "> > \"Fifth Avenue!\" Upam blurted, trying to steady his breath. \"In a", "Can anyone offer a better explanation why starting a story with dialogue is", "room didn't kill him, Zotn definitely would. > > > 1. Would this", "hard to see in the darkness of the room, lit only by a", "> > \"I don't know.\" > > > Zotn pulled the trigger. The", "approach work? Will publishers frown upon my work after reading the first line?", "Would this approach work? Will publishers frown upon my work after reading the", "single dim lantern hanging from the ceiling. The smell of cigarettes and urine", "money.\" > > > Zotn's eyes were dark. \"Where'd she go?\" > >", "Zotn definitely would. > > > 1. Would this approach work? Will publishers", "first line? 2. What do people mean when they say \"don't start your", "3. Can anyone offer a better explanation why starting a story with dialogue", "her take the money.\" > > > Zotn's eyes were dark. \"Where'd she", "sweat rolled down Upam's face as he stared at the barrel of Zotn's", "the opening scene like this? > > \"Talk, or I'll shoot.\" > >", "in the darkness of the room, lit only by a single dim lantern", "sedan—there was another man in the car. That's all I know, honest.\" >", "Will publishers frown upon my work after reading the first line? 2. What", "starting a story with dialogue is bad? I don't quite understand. Many great", "of Zotn's gun. It was hard to see in the darkness of the", "him. > > > \"Fifth Avenue!\" Upam blurted, trying to steady his breath.", "> > > Zotn lingered for a few moments, then lowered the gun", "if this question has already been asked. I've looked around but can't find", "like this? > > \"Talk, or I'll shoot.\" > > > Beads of", "The smell of cigarettes and urine muddled his senses, and he bit back", "> \"Talk, or I'll shoot.\" > > > Beads of sweat rolled down", "was rising from the pits of his stomach. > > > \"Okay, okay,\"", "and feel unmotivated to continue reading since they don't know and don't care", "say \"don't start your story with dialogue\"? Do they mean a full conversation", "specific question, only related ones.) The general advice seems to be \"don't start", "all I know, honest.\" > > > Zotn lingered for a few moments,", "see in the darkness of the room, lit only by a single dim", "If the smell of the room didn't kill him, Zotn definitely would. >", "> > > Zotn pulled the trigger. The bullet flew past Upam's face,", "> > Beads of sweat rolled down Upam's face as he stared at", "this approach work? Will publishers frown upon my work after reading the first", "your story with dialogue\"? Do they mean a full conversation or just any", "or just any dialogue? 3. Can anyone offer a better explanation why starting", "> 1. Would this approach work? Will publishers frown upon my work after", "would. > > > 1. Would this approach work? Will publishers frown upon", "feel unmotivated to continue reading since they don't know and don't care who's", "legs, desperate for escape. If the smell of the room didn't kill him,", "reading since they don't know and don't care who's talking. But what if", "story with dialogue.\" Readers will be disoriented from the start and feel unmotivated", "few moments, then lowered the gun and dipped his head in thought. Seeing", "he bit back the vomit that was rising from the pits of his", "That's all I know, honest.\" > > > Zotn lingered for a few", "mean when they say \"don't start your story with dialogue\"? Do they mean", "from the pits of his stomach. > > > \"Okay, okay,\" Upam said,", "for escape. If the smell of the room didn't kill him, Zotn definitely", "upon my work after reading the first line? 2. What do people mean", "room, lit only by a single dim lantern hanging from the ceiling. The", "a red sedan—there was another man in the car. That's all I know,", "honest.\" > > > Zotn lingered for a few moments, then lowered the", "don't care who's talking. But what if the dialogue is woven into the", "he stared at the barrel of Zotn's gun. It was hard to see", "\"Where'd she go?\" > > > \"I don't know.\" > > > Zotn", "after reading the first line? 2. What do people mean when they say", "ceiling. The smell of cigarettes and urine muddled his senses, and he bit", "dialogue.\" Readers will be disoriented from the start and feel unmotivated to continue", "work after reading the first line? 2. What do people mean when they", "didn't kill him, Zotn definitely would. > > > 1. Would this approach", "back the vomit that was rising from the pits of his stomach. >", "don't know.\" > > > Zotn pulled the trigger. The bullet flew past", "the start and feel unmotivated to continue reading since they don't know and", "blasting a hole in the wall behind him. > > > \"Fifth Avenue!\"", "at the barrel of Zotn's gun. It was hard to see in the", "his breath. \"In a red sedan—there was another man in the car. That's", "been asked. I've looked around but can't find this specific question, only related", "pulled the trigger. The bullet flew past Upam's face, blasting a hole in", "stomach. > > > \"Okay, okay,\" Upam said, giving in. \"I was there.", "\"I was there. I saw her take the money.\" > > > Zotn's", "of cigarettes and urine muddled his senses, and he bit back the vomit", "> > > Beads of sweat rolled down Upam's face as he stared", "was there. I saw her take the money.\" > > > Zotn's eyes", "rolled down Upam's face as he stared at the barrel of Zotn's gun.", "the first line? 2. What do people mean when they say \"don't start", "the vomit that was rising from the pits of his stomach. > >", "in. \"I was there. I saw her take the money.\" > > >", "this question has already been asked. I've looked around but can't find this", "has already been asked. I've looked around but can't find this specific question,", "story with dialogue\"? Do they mean a full conversation or just any dialogue?", "vomit that was rising from the pits of his stomach. > > >", "but can't find this specific question, only related ones.) The general advice seems", "down Upam's face as he stared at the barrel of Zotn's gun. It", "hanging from the ceiling. The smell of cigarettes and urine muddled his senses,", "don't know and don't care who's talking. But what if the dialogue is", "know and don't care who's talking. But what if the dialogue is woven", "his chance, Upam struggled against the ropes that bound his arms and legs,", "full conversation or just any dialogue? 3. Can anyone offer a better explanation", "continue reading since they don't know and don't care who's talking. But what", "breath. \"In a red sedan—there was another man in the car. That's all", "Zotn pulled the trigger. The bullet flew past Upam's face, blasting a hole", "(Apologies if this question has already been asked. I've looked around but can't", "giving in. \"I was there. I saw her take the money.\" > >", "> > > 1. Would this approach work? Will publishers frown upon my", "the ceiling. The smell of cigarettes and urine muddled his senses, and he", "> > > Zotn's eyes were dark. \"Where'd she go?\" > > >", "to steady his breath. \"In a red sedan—there was another man in the", "know, honest.\" > > > Zotn lingered for a few moments, then lowered", "\"I don't know.\" > > > Zotn pulled the trigger. The bullet flew", "> Zotn's eyes were dark. \"Where'd she go?\" > > > \"I don't", "said, giving in. \"I was there. I saw her take the money.\" >", "trying to steady his breath. \"In a red sedan—there was another man in", "that bound his arms and legs, desperate for escape. If the smell of", "from the ceiling. The smell of cigarettes and urine muddled his senses, and", "lingered for a few moments, then lowered the gun and dipped his head", "bad? I don't quite understand. Many great stories start with dialogue, and they", "I don't quite understand. Many great stories start with dialogue, and they definitely", "to continue reading since they don't know and don't care who's talking. But", "moments, then lowered the gun and dipped his head in thought. Seeing his", "better explanation why starting a story with dialogue is bad? I don't quite", "go?\" > > > \"I don't know.\" > > > Zotn pulled the", "the gun and dipped his head in thought. Seeing his chance, Upam struggled", "will be disoriented from the start and feel unmotivated to continue reading since", "\"Okay, okay,\" Upam said, giving in. \"I was there. I saw her take", "muddled his senses, and he bit back the vomit that was rising from", "the barrel of Zotn's gun. It was hard to see in the darkness", "face, blasting a hole in the wall behind him. > > > \"Fifth", "just any dialogue? 3. Can anyone offer a better explanation why starting a", "a full conversation or just any dialogue? 3. Can anyone offer a better", "dialogue? 3. Can anyone offer a better explanation why starting a story with", "> > Zotn pulled the trigger. The bullet flew past Upam's face, blasting", "reading the first line? 2. What do people mean when they say \"don't", "face as he stared at the barrel of Zotn's gun. It was hard", "steady his breath. \"In a red sedan—there was another man in the car.", "conversation or just any dialogue? 3. Can anyone offer a better explanation why", "they mean a full conversation or just any dialogue? 3. Can anyone offer", "Avenue!\" Upam blurted, trying to steady his breath. \"In a red sedan—there was", "the pits of his stomach. > > > \"Okay, okay,\" Upam said, giving", "Upam said, giving in. \"I was there. I saw her take the money.\"", "to see in the darkness of the room, lit only by a single", "only by a single dim lantern hanging from the ceiling. The smell of", "Upam struggled against the ropes that bound his arms and legs, desperate for", "> Beads of sweat rolled down Upam's face as he stared at the", "already been asked. I've looked around but can't find this specific question, only" ]
[ "In my particular case, I am worried about being published under \"young adult", "fantasy\") since my two main characters are very close, and their relationship can", "published in the wrong genre (assuming I ever get published). In my particular", "that for you. That means your editor, publisher, your readership, and/or your peers", "After reading this, I am worried about being published in the wrong genre", "be mistaken as a romance. Romance is something I want to avoid entirely.", "entirely. Is being published in the wrong genre something I have to worry", "adult romance\" (rather than \"young adult fantasy\") since my two main characters are", "nothing about publishing. After reading this, I am worried about being published in", "as a romance. Romance is something I want to avoid entirely. Is being", "in the wrong genre something I have to worry about, or am I", "be fantasy or science fiction like Fojrec does; someone else has to do", "I ever get published). In my particular case, I am worried about being", "about publishing. After reading this, I am worried about being published in the", "peers and critics must declare it fantasy to be so. > > >", "the wrong genre (assuming I ever get published). In my particular case, I", "declare it fantasy to be so. > > > I know next to", "From [this question](https://writers.stackexchange.com/a/3319/16341): > > However, unless you're an established author, you don't", "means your editor, publisher, your readership, and/or your peers and critics must declare", "to nothing about publishing. After reading this, I am worried about being published", "characters are very close, and their relationship can be mistaken as a romance.", "publisher, your readership, and/or your peers and critics must declare it fantasy to", "relationship can be mistaken as a romance. Romance is something I want to", "romance. Romance is something I want to avoid entirely. Is being published in", "you. That means your editor, publisher, your readership, and/or your peers and critics", "wrong genre (assuming I ever get published). In my particular case, I am", "like Fojrec does; someone else has to do that for you. That means", "I want to avoid entirely. Is being published in the wrong genre something", "> However, unless you're an established author, you don't have the luxury of", "However, unless you're an established author, you don't have the luxury of declaring", "you don't have the luxury of declaring your work to be fantasy or", "don't have the luxury of declaring your work to be fantasy or science", "a romance. Romance is something I want to avoid entirely. Is being published", "wrong genre something I have to worry about, or am I just being", "and their relationship can be mistaken as a romance. Romance is something I", "have the luxury of declaring your work to be fantasy or science fiction", "or science fiction like Fojrec does; someone else has to do that for", "to avoid entirely. Is being published in the wrong genre something I have", "established author, you don't have the luxury of declaring your work to be", "I know next to nothing about publishing. After reading this, I am worried", "the wrong genre something I have to worry about, or am I just", "you're an established author, you don't have the luxury of declaring your work", "be so. > > > I know next to nothing about publishing. After", "published in the wrong genre something I have to worry about, or am", "and critics must declare it fantasy to be so. > > > I", "science fiction like Fojrec does; someone else has to do that for you.", "work to be fantasy or science fiction like Fojrec does; someone else has", "this, I am worried about being published in the wrong genre (assuming I", "being published in the wrong genre something I have to worry about, or", "to be fantasy or science fiction like Fojrec does; someone else has to", "under \"young adult romance\" (rather than \"young adult fantasy\") since my two main", "their relationship can be mistaken as a romance. Romance is something I want", "adult fantasy\") since my two main characters are very close, and their relationship", "in the wrong genre (assuming I ever get published). In my particular case,", "and/or your peers and critics must declare it fantasy to be so. >", "readership, and/or your peers and critics must declare it fantasy to be so.", "Fojrec does; someone else has to do that for you. That means your", "does; someone else has to do that for you. That means your editor,", "I am worried about being published in the wrong genre (assuming I ever", "since my two main characters are very close, and their relationship can be", "\"young adult romance\" (rather than \"young adult fantasy\") since my two main characters", "being published under \"young adult romance\" (rather than \"young adult fantasy\") since my", "else has to do that for you. That means your editor, publisher, your", "for you. That means your editor, publisher, your readership, and/or your peers and", "publishing. After reading this, I am worried about being published in the wrong", "get published). In my particular case, I am worried about being published under", "romance\" (rather than \"young adult fantasy\") since my two main characters are very", "main characters are very close, and their relationship can be mistaken as a", "to be so. > > > I know next to nothing about publishing.", "do that for you. That means your editor, publisher, your readership, and/or your", "> I know next to nothing about publishing. After reading this, I am", "your peers and critics must declare it fantasy to be so. > >", "That means your editor, publisher, your readership, and/or your peers and critics must", "two main characters are very close, and their relationship can be mistaken as", "it fantasy to be so. > > > I know next to nothing", "very close, and their relationship can be mistaken as a romance. Romance is", "author, you don't have the luxury of declaring your work to be fantasy", "is something I want to avoid entirely. Is being published in the wrong", "case, I am worried about being published under \"young adult romance\" (rather than", "am worried about being published under \"young adult romance\" (rather than \"young adult", "genre (assuming I ever get published). In my particular case, I am worried", "question](https://writers.stackexchange.com/a/3319/16341): > > However, unless you're an established author, you don't have the", "about being published in the wrong genre (assuming I ever get published). In", "mistaken as a romance. Romance is something I want to avoid entirely. Is", "Romance is something I want to avoid entirely. Is being published in the", "so. > > > I know next to nothing about publishing. After reading", "my particular case, I am worried about being published under \"young adult romance\"", "I am worried about being published under \"young adult romance\" (rather than \"young", "about being published under \"young adult romance\" (rather than \"young adult fantasy\") since", "your editor, publisher, your readership, and/or your peers and critics must declare it", "particular case, I am worried about being published under \"young adult romance\" (rather", "avoid entirely. Is being published in the wrong genre something I have to", "> > However, unless you're an established author, you don't have the luxury", "reading this, I am worried about being published in the wrong genre (assuming", "declaring your work to be fantasy or science fiction like Fojrec does; someone", "next to nothing about publishing. After reading this, I am worried about being", "can be mistaken as a romance. Romance is something I want to avoid", "editor, publisher, your readership, and/or your peers and critics must declare it fantasy", "my two main characters are very close, and their relationship can be mistaken", "unless you're an established author, you don't have the luxury of declaring your", "than \"young adult fantasy\") since my two main characters are very close, and", "know next to nothing about publishing. After reading this, I am worried about", "published). In my particular case, I am worried about being published under \"young", "your work to be fantasy or science fiction like Fojrec does; someone else", "fiction like Fojrec does; someone else has to do that for you. That", "of declaring your work to be fantasy or science fiction like Fojrec does;", "published under \"young adult romance\" (rather than \"young adult fantasy\") since my two", "Is being published in the wrong genre something I have to worry about,", "an established author, you don't have the luxury of declaring your work to", "(assuming I ever get published). In my particular case, I am worried about", "> > > I know next to nothing about publishing. After reading this,", "> > I know next to nothing about publishing. After reading this, I", "something I want to avoid entirely. Is being published in the wrong genre", "[this question](https://writers.stackexchange.com/a/3319/16341): > > However, unless you're an established author, you don't have", "luxury of declaring your work to be fantasy or science fiction like Fojrec", "fantasy or science fiction like Fojrec does; someone else has to do that", "ever get published). In my particular case, I am worried about being published", "being published in the wrong genre (assuming I ever get published). In my", "worried about being published in the wrong genre (assuming I ever get published).", "fantasy to be so. > > > I know next to nothing about", "are very close, and their relationship can be mistaken as a romance. Romance", "am worried about being published in the wrong genre (assuming I ever get", "has to do that for you. That means your editor, publisher, your readership,", "close, and their relationship can be mistaken as a romance. Romance is something", "the luxury of declaring your work to be fantasy or science fiction like", "critics must declare it fantasy to be so. > > > I know", "must declare it fantasy to be so. > > > I know next", "worried about being published under \"young adult romance\" (rather than \"young adult fantasy\")", "\"young adult fantasy\") since my two main characters are very close, and their", "your readership, and/or your peers and critics must declare it fantasy to be", "(rather than \"young adult fantasy\") since my two main characters are very close,", "to do that for you. That means your editor, publisher, your readership, and/or", "genre something I have to worry about, or am I just being paranoid?", "want to avoid entirely. Is being published in the wrong genre something I", "someone else has to do that for you. That means your editor, publisher," ]
[ "a man in a bad place in his life and how he finds", "write a story about a man in a bad place in his life", "in a bad place in his life and how he finds his way", "a coming of age plot. Do you think a redemption story is a", "Typewriters, it seems to fit a coming of age plot. Do you think", "to his destiny. This seems to be to be a redemption story. Looking", "his way back to his destiny. This seems to be to be a", "how he finds his way back to his destiny. This seems to be", "be a redemption story. Looking at Monkeys with Typewriters, it seems to fit", "his destiny. This seems to be to be a redemption story. Looking at", "plot. Do you think a redemption story is a coming of age plot?", "to be a redemption story. Looking at Monkeys with Typewriters, it seems to", "and how he finds his way back to his destiny. This seems to", "be to be a redemption story. Looking at Monkeys with Typewriters, it seems", "want to write a story about a man in a bad place in", "place in his life and how he finds his way back to his", "life and how he finds his way back to his destiny. This seems", "redemption story. Looking at Monkeys with Typewriters, it seems to fit a coming", "Monkeys with Typewriters, it seems to fit a coming of age plot. Do", "story about a man in a bad place in his life and how", "coming of age plot. Do you think a redemption story is a coming", "bad place in his life and how he finds his way back to", "with Typewriters, it seems to fit a coming of age plot. Do you", "to fit a coming of age plot. Do you think a redemption story", "I want to write a story about a man in a bad place", "Looking at Monkeys with Typewriters, it seems to fit a coming of age", "about a man in a bad place in his life and how he", "he finds his way back to his destiny. This seems to be to", "back to his destiny. This seems to be to be a redemption story.", "to write a story about a man in a bad place in his", "story. Looking at Monkeys with Typewriters, it seems to fit a coming of", "man in a bad place in his life and how he finds his", "a bad place in his life and how he finds his way back", "finds his way back to his destiny. This seems to be to be", "age plot. Do you think a redemption story is a coming of age", "to be to be a redemption story. Looking at Monkeys with Typewriters, it", "seems to be to be a redemption story. Looking at Monkeys with Typewriters,", "it seems to fit a coming of age plot. Do you think a", "This seems to be to be a redemption story. Looking at Monkeys with", "in his life and how he finds his way back to his destiny.", "his life and how he finds his way back to his destiny. This", "a story about a man in a bad place in his life and", "at Monkeys with Typewriters, it seems to fit a coming of age plot.", "destiny. This seems to be to be a redemption story. Looking at Monkeys", "way back to his destiny. This seems to be to be a redemption", "fit a coming of age plot. Do you think a redemption story is", "seems to fit a coming of age plot. Do you think a redemption", "a redemption story. Looking at Monkeys with Typewriters, it seems to fit a", "of age plot. Do you think a redemption story is a coming of" ]
[ "and \"chuckled\". For example, there is a paragraph: > > \"No 'we'll see',", "I'm sure every writer has their own words that just keep popping up", "How do I remove the overused phrases, and what do I replace them", "did a word frequency analysis on my story. Unsurprisingly, the most over-used words", "of his previous statement and genuine caring for and approval of SonakX. All", "it seems so natural and essential, I don't know how to fix it.", "to describe this interaction. This is a specific example, but I'm sure every", "and essential, I don't know how to fix it. How do I remove", "> > \"No 'we'll see', bring him around. I’m old, you have to", "seems so natural and essential, I don't know how to fix it. How", "caring for and approval of SonakX. All the visuals and the character dynamics", "alternate words to describe this interaction. This is a specific example, but I'm", "often corresponded to passages where I was lazy with my description. I'm tackling", "do I remove the overused phrases, and what do I replace them with?", "I’m old, you have to listen to me.\" Obek chuckled. \"Take care, SonakX.\"", "care, SonakX.\" > > > \"Chuckled\" feels rather generic; I don't want it", "'we'll see', bring him around. I’m old, you have to listen to me.\"", "For example, there is a paragraph: > > \"No 'we'll see', bring him", "keep popping up over and over in their story. And it seems so", "> \"No 'we'll see', bring him around. I’m old, you have to listen", "in their story. And it seems so natural and essential, I don't know", "in my head, but can't find the words to express it. I studied", "thesaurus and failed to find alternate words to describe this interaction. This is", "feels rather generic; I don't want it repeating over and over. When I", "listen to me.\" Obek chuckled. \"Take care, SonakX.\" > > > \"Chuckled\" feels", "dynamics are there for me. I can see it vividly in my head,", "for and approval of SonakX. All the visuals and the character dynamics are", "want it repeating over and over. When I write \"chuckle,\" I picture Morgan", "writer has their own words that just keep popping up over and over", "expressing with a faint chuckle mild delight with the humor of his previous", "my head, but can't find the words to express it. I studied the", "a paragraph: > > \"No 'we'll see', bring him around. I’m old, you", "but I'm sure every writer has their own words that just keep popping", "example, but I'm sure every writer has their own words that just keep", "a faint chuckle mild delight with the humor of his previous statement and", "most over-used words often corresponded to passages where I was lazy with my", "faint chuckle mild delight with the humor of his previous statement and genuine", "This is a specific example, but I'm sure every writer has their own", "interaction. This is a specific example, but I'm sure every writer has their", "SonakX. All the visuals and the character dynamics are there for me. I", "with the humor of his previous statement and genuine caring for and approval", "don't know how to fix it. How do I remove the overused phrases,", "words to express it. I studied the thesaurus and failed to find alternate", "word frequency analysis on my story. Unsurprisingly, the most over-used words often corresponded", "a word frequency analysis on my story. Unsurprisingly, the most over-used words often", "and failed to find alternate words to describe this interaction. This is a", "words \"laughed\" and \"chuckled\". For example, there is a paragraph: > > \"No", "> \"Chuckled\" feels rather generic; I don't want it repeating over and over.", "popping up over and over in their story. And it seems so natural", "to fix it. How do I remove the overused phrases, and what do", "sure every writer has their own words that just keep popping up over", "vividly in my head, but can't find the words to express it. I", "tackling my over-used words \"laughed\" and \"chuckled\". For example, there is a paragraph:", "to me.\" Obek chuckled. \"Take care, SonakX.\" > > > \"Chuckled\" feels rather", "fix it. How do I remove the overused phrases, and what do I", "I'm tackling my over-used words \"laughed\" and \"chuckled\". For example, there is a", "see', bring him around. I’m old, you have to listen to me.\" Obek", "lazy with my description. I'm tackling my over-used words \"laughed\" and \"chuckled\". For", "the humor of his previous statement and genuine caring for and approval of", "his previous statement and genuine caring for and approval of SonakX. All the", "can't find the words to express it. I studied the thesaurus and failed", "own words that just keep popping up over and over in their story.", "All the visuals and the character dynamics are there for me. I can", "\"Take care, SonakX.\" > > > \"Chuckled\" feels rather generic; I don't want", "the most over-used words often corresponded to passages where I was lazy with", "I picture Morgan Freeman or Ian McKellen expressing with a faint chuckle mild", "me.\" Obek chuckled. \"Take care, SonakX.\" > > > \"Chuckled\" feels rather generic;", "Morgan Freeman or Ian McKellen expressing with a faint chuckle mild delight with", "for me. I can see it vividly in my head, but can't find", "frequency analysis on my story. Unsurprisingly, the most over-used words often corresponded to", "Unsurprisingly, the most over-used words often corresponded to passages where I was lazy", "has their own words that just keep popping up over and over in", "have to listen to me.\" Obek chuckled. \"Take care, SonakX.\" > > >", "and genuine caring for and approval of SonakX. All the visuals and the", "bring him around. I’m old, you have to listen to me.\" Obek chuckled.", "delight with the humor of his previous statement and genuine caring for and", "approval of SonakX. All the visuals and the character dynamics are there for", "express it. I studied the thesaurus and failed to find alternate words to", "you have to listen to me.\" Obek chuckled. \"Take care, SonakX.\" > >", "failed to find alternate words to describe this interaction. This is a specific", "to find alternate words to describe this interaction. This is a specific example,", "generic; I don't want it repeating over and over. When I write \"chuckle,\"", "example, there is a paragraph: > > \"No 'we'll see', bring him around.", "\"chuckled\". For example, there is a paragraph: > > \"No 'we'll see', bring", "Obek chuckled. \"Take care, SonakX.\" > > > \"Chuckled\" feels rather generic; I", "with my description. I'm tackling my over-used words \"laughed\" and \"chuckled\". For example,", "over-used words often corresponded to passages where I was lazy with my description.", "was lazy with my description. I'm tackling my over-used words \"laughed\" and \"chuckled\".", "visuals and the character dynamics are there for me. I can see it", "\"chuckle,\" I picture Morgan Freeman or Ian McKellen expressing with a faint chuckle", "how to fix it. How do I remove the overused phrases, and what", "statement and genuine caring for and approval of SonakX. All the visuals and", "story. Unsurprisingly, the most over-used words often corresponded to passages where I was", "\"laughed\" and \"chuckled\". For example, there is a paragraph: > > \"No 'we'll", "over. When I write \"chuckle,\" I picture Morgan Freeman or Ian McKellen expressing", "my story. Unsurprisingly, the most over-used words often corresponded to passages where I", "analysis on my story. Unsurprisingly, the most over-used words often corresponded to passages", "their story. And it seems so natural and essential, I don't know how", "that just keep popping up over and over in their story. And it", "find the words to express it. I studied the thesaurus and failed to", "Freeman or Ian McKellen expressing with a faint chuckle mild delight with the", "genuine caring for and approval of SonakX. All the visuals and the character", "this interaction. This is a specific example, but I'm sure every writer has", "paragraph: > > \"No 'we'll see', bring him around. I’m old, you have", "or Ian McKellen expressing with a faint chuckle mild delight with the humor", "character dynamics are there for me. I can see it vividly in my", "the thesaurus and failed to find alternate words to describe this interaction. This", "and over in their story. And it seems so natural and essential, I", "studied the thesaurus and failed to find alternate words to describe this interaction.", "words that just keep popping up over and over in their story. And", "to listen to me.\" Obek chuckled. \"Take care, SonakX.\" > > > \"Chuckled\"", "head, but can't find the words to express it. I studied the thesaurus", "is a specific example, but I'm sure every writer has their own words", "it repeating over and over. When I write \"chuckle,\" I picture Morgan Freeman", "describe this interaction. This is a specific example, but I'm sure every writer", "can see it vividly in my head, but can't find the words to", "know how to fix it. How do I remove the overused phrases, and", "I can see it vividly in my head, but can't find the words", "over in their story. And it seems so natural and essential, I don't", "When I write \"chuckle,\" I picture Morgan Freeman or Ian McKellen expressing with", "don't want it repeating over and over. When I write \"chuckle,\" I picture", "and approval of SonakX. All the visuals and the character dynamics are there", "him around. I’m old, you have to listen to me.\" Obek chuckled. \"Take", "it vividly in my head, but can't find the words to express it.", "it. I studied the thesaurus and failed to find alternate words to describe", "and over. When I write \"chuckle,\" I picture Morgan Freeman or Ian McKellen", "their own words that just keep popping up over and over in their", "on my story. Unsurprisingly, the most over-used words often corresponded to passages where", "over and over in their story. And it seems so natural and essential,", "chuckle mild delight with the humor of his previous statement and genuine caring", "And it seems so natural and essential, I don't know how to fix", "essential, I don't know how to fix it. How do I remove the", "it. How do I remove the overused phrases, and what do I replace", "me. I can see it vividly in my head, but can't find the", "there for me. I can see it vividly in my head, but can't", "I did a word frequency analysis on my story. Unsurprisingly, the most over-used", "see it vividly in my head, but can't find the words to express", "words to describe this interaction. This is a specific example, but I'm sure", "is a paragraph: > > \"No 'we'll see', bring him around. I’m old,", "my description. I'm tackling my over-used words \"laughed\" and \"chuckled\". For example, there", "are there for me. I can see it vividly in my head, but", "so natural and essential, I don't know how to fix it. How do", "write \"chuckle,\" I picture Morgan Freeman or Ian McKellen expressing with a faint", "specific example, but I'm sure every writer has their own words that just", "find alternate words to describe this interaction. This is a specific example, but", "the words to express it. I studied the thesaurus and failed to find", "around. I’m old, you have to listen to me.\" Obek chuckled. \"Take care,", "> > \"Chuckled\" feels rather generic; I don't want it repeating over and", "corresponded to passages where I was lazy with my description. I'm tackling my", "natural and essential, I don't know how to fix it. How do I", "with a faint chuckle mild delight with the humor of his previous statement", "over-used words \"laughed\" and \"chuckled\". For example, there is a paragraph: > >", "but can't find the words to express it. I studied the thesaurus and", "I was lazy with my description. I'm tackling my over-used words \"laughed\" and", "chuckled. \"Take care, SonakX.\" > > > \"Chuckled\" feels rather generic; I don't", "story. And it seems so natural and essential, I don't know how to", "rather generic; I don't want it repeating over and over. When I write", "picture Morgan Freeman or Ian McKellen expressing with a faint chuckle mild delight", "to passages where I was lazy with my description. I'm tackling my over-used", "previous statement and genuine caring for and approval of SonakX. All the visuals", "just keep popping up over and over in their story. And it seems", "Ian McKellen expressing with a faint chuckle mild delight with the humor of", "I don't know how to fix it. How do I remove the overused", "\"No 'we'll see', bring him around. I’m old, you have to listen to", "old, you have to listen to me.\" Obek chuckled. \"Take care, SonakX.\" >", "humor of his previous statement and genuine caring for and approval of SonakX.", "there is a paragraph: > > \"No 'we'll see', bring him around. I’m", "words often corresponded to passages where I was lazy with my description. I'm", "to express it. I studied the thesaurus and failed to find alternate words", "I write \"chuckle,\" I picture Morgan Freeman or Ian McKellen expressing with a", "a specific example, but I'm sure every writer has their own words that", "where I was lazy with my description. I'm tackling my over-used words \"laughed\"", "description. I'm tackling my over-used words \"laughed\" and \"chuckled\". For example, there is", "my over-used words \"laughed\" and \"chuckled\". For example, there is a paragraph: >", "SonakX.\" > > > \"Chuckled\" feels rather generic; I don't want it repeating", "mild delight with the humor of his previous statement and genuine caring for", "the visuals and the character dynamics are there for me. I can see", "every writer has their own words that just keep popping up over and", "passages where I was lazy with my description. I'm tackling my over-used words", "I don't want it repeating over and over. When I write \"chuckle,\" I", "> > > \"Chuckled\" feels rather generic; I don't want it repeating over", "and the character dynamics are there for me. I can see it vividly", "\"Chuckled\" feels rather generic; I don't want it repeating over and over. When", "of SonakX. All the visuals and the character dynamics are there for me.", "repeating over and over. When I write \"chuckle,\" I picture Morgan Freeman or", "up over and over in their story. And it seems so natural and", "McKellen expressing with a faint chuckle mild delight with the humor of his", "over and over. When I write \"chuckle,\" I picture Morgan Freeman or Ian", "I studied the thesaurus and failed to find alternate words to describe this", "the character dynamics are there for me. I can see it vividly in" ]
[ "I can easily modify my documentary to make scene transitions seamless/connected by having", "an amateur screenwriter with no training). But since I don't want to rely", "screenwriter with no training). But since I don't want to rely on English", "end one at a time: ``` story 1 exposition story 1 rising action", "one at a time: ``` story 1 exposition story 1 rising action story", "English narration (I want people from other countries to watch it too), I'm", "have identified some compelling story arcs. However, as we know in reality, stories", "theme. BUT this doesn't ensure the viewer can identify the 2 different story", "narration which explicitly identifies the 2 separate plots, I don't get how this", "stories do not begin and end one at a time: ``` story 1", "exposition story 1 climax story 2 rising action story 1 falling action story", "documentary to make scene transitions seamless/connected by having a connecting theme. BUT this", "time: ``` story 1 exposition story 1 rising action story 1 climax story", "2 exposition story 2 rising action story 2 climax story 2 falling action", "What do screenwriters do to ensure viewers don't get lost and remind them", "story 2 climax story 2 falling action story 2 resolution ``` but rather", "rising action story 2 climax story 2 falling action story 2 resolution ```", "``` I can easily modify my documentary to make scene transitions seamless/connected by", "``` story 1 exposition story 1 rising action story 1 climax story 1", "action story 2 resolution ``` but rather are interwoven ``` story 1 exposition", "amateur screenwriter with no training). But since I don't want to rely on", "I don't want to rely on English narration (I want people from other", "rely on English narration (I want people from other countries to watch it", "bunch of connected scenes with no overall meaning. What do screenwriters do to", "falling action story 2 climax story 2 falling action story 1 resolution story", "done (I'm an amateur screenwriter with no training). But since I don't want", "meaning. What do screenwriters do to ensure viewers don't get lost and remind", "to create a documentary about the history of a sports team, and have", "this doesn't ensure the viewer can identify the 2 different story arcs and", "from other countries to watch it too), I'm wondering if there are any", "2 resolution ``` but rather are interwoven ``` story 1 exposition story 1", "do not begin and end one at a time: ``` story 1 exposition", "exposition story 2 rising action story 2 climax story 2 falling action story", "interwoven ``` story 1 exposition story 1 rising action story 2 exposition story", "rising action story 2 exposition story 1 climax story 2 rising action story", "However, as we know in reality, stories do not begin and end one", "resolved. To them, the interwoven structure above just looks like a bunch of", "them, the interwoven structure above just looks like a bunch of connected scenes", "falling action story 1 resolution story 2 exposition story 2 rising action story", "overall meaning. What do screenwriters do to ensure viewers don't get lost and", "1 resolution story 2 exposition story 2 rising action story 2 climax story", "no overall meaning. What do screenwriters do to ensure viewers don't get lost", "structure above just looks like a bunch of connected scenes with no overall", "off that they should keep watching to get rewarded with? Apart from just", "countries to watch it too), I'm wondering if there are any non-narrater ways", "and end one at a time: ``` story 1 exposition story 1 rising", "in reality, stories do not begin and end one at a time: ```", "1 falling action story 2 climax story 2 falling action story 1 resolution", "connecting theme. BUT this doesn't ensure the viewer can identify the 2 different", "interwoven structure above just looks like a bunch of connected scenes with no", "by having a connecting theme. BUT this doesn't ensure the viewer can identify", "get lost and remind them that there is a (set of) journeys to", "the history of a sports team, and have identified some compelling story arcs.", "of a sports team, and have identified some compelling story arcs. However, as", "rising action story 1 falling action story 2 climax story 2 falling action", "am trying to create a documentary about the history of a sports team,", "resolution story 2 exposition story 2 rising action story 2 climax story 2", "all plots were explored and resolved. To them, the interwoven structure above just", "do to ensure viewers don't get lost and remind them that there is", "are interwoven ``` story 1 exposition story 1 rising action story 2 exposition", "story 1 falling action story 2 climax story 2 falling action story 1", "2 climax story 2 falling action story 2 resolution ``` but rather are", "2 different story arcs and feel the satisfaction that all plots were explored", "story 2 rising action story 2 climax story 2 falling action story 2", "no training). But since I don't want to rely on English narration (I", "know in reality, stories do not begin and end one at a time:", "don't want to rely on English narration (I want people from other countries", "sports team, and have identified some compelling story arcs. However, as we know", "I am trying to create a documentary about the history of a sports", "with no overall meaning. What do screenwriters do to ensure viewers don't get", "1 falling action story 1 resolution story 2 exposition story 2 rising action", "want people from other countries to watch it too), I'm wondering if there", "that they should keep watching to get rewarded with? Apart from just narration", "to rely on English narration (I want people from other countries to watch", "do screenwriters do to ensure viewers don't get lost and remind them that", "resolution ``` I can easily modify my documentary to make scene transitions seamless/connected", "viewers don't get lost and remind them that there is a (set of)", "action story 1 falling action story 2 climax story 2 falling action story", "(I want people from other countries to watch it too), I'm wondering if", "to watch it too), I'm wondering if there are any non-narrater ways to", "story 2 falling action story 1 resolution story 2 resolution ``` I can", "the interwoven structure above just looks like a bunch of connected scenes with", "like a bunch of connected scenes with no overall meaning. What do screenwriters", "story 1 exposition story 1 rising action story 1 climax story 1 falling", "to ensure viewers don't get lost and remind them that there is a", "a bunch of connected scenes with no overall meaning. What do screenwriters do", "make scene transitions seamless/connected by having a connecting theme. BUT this doesn't ensure", "story 2 resolution ``` but rather are interwoven ``` story 1 exposition story", "climax story 2 rising action story 1 falling action story 2 climax story", "1 exposition story 1 rising action story 1 climax story 1 falling action", "story 2 exposition story 2 rising action story 2 climax story 2 falling", "a (set of) journeys to be payed off that they should keep watching", "the 2 separate plots, I don't get how this is done (I'm an", "to make scene transitions seamless/connected by having a connecting theme. BUT this doesn't", "(I'm an amateur screenwriter with no training). But since I don't want to", "of connected scenes with no overall meaning. What do screenwriters do to ensure", "climax story 1 falling action story 1 resolution story 2 exposition story 2", "story arcs. However, as we know in reality, stories do not begin and", "story 2 climax story 2 falling action story 1 resolution story 2 resolution", "be payed off that they should keep watching to get rewarded with? Apart", "get how this is done (I'm an amateur screenwriter with no training). But", "identifies the 2 separate plots, I don't get how this is done (I'm", "modify my documentary to make scene transitions seamless/connected by having a connecting theme.", "history of a sports team, and have identified some compelling story arcs. However,", "2 falling action story 2 resolution ``` but rather are interwoven ``` story", "the 2 different story arcs and feel the satisfaction that all plots were", "story 2 resolution ``` I can easily modify my documentary to make scene", "arcs. However, as we know in reality, stories do not begin and end", "doesn't ensure the viewer can identify the 2 different story arcs and feel", "2 separate plots, I don't get how this is done (I'm an amateur", "watching to get rewarded with? Apart from just narration which explicitly identifies the", "story 1 exposition story 1 rising action story 2 exposition story 1 climax", "it too), I'm wondering if there are any non-narrater ways to help orient", "on English narration (I want people from other countries to watch it too),", "exposition story 1 rising action story 1 climax story 1 falling action story", "keep watching to get rewarded with? Apart from just narration which explicitly identifies", "1 resolution story 2 resolution ``` I can easily modify my documentary to", "To them, the interwoven structure above just looks like a bunch of connected", "1 rising action story 1 climax story 1 falling action story 1 resolution", "a connecting theme. BUT this doesn't ensure the viewer can identify the 2", "narration (I want people from other countries to watch it too), I'm wondering", "rewarded with? Apart from just narration which explicitly identifies the 2 separate plots,", "action story 1 resolution story 2 resolution ``` I can easily modify my", "don't get how this is done (I'm an amateur screenwriter with no training).", "identified some compelling story arcs. However, as we know in reality, stories do", "compelling story arcs. However, as we know in reality, stories do not begin", "2 exposition story 1 climax story 2 rising action story 1 falling action", "some compelling story arcs. However, as we know in reality, stories do not", "not begin and end one at a time: ``` story 1 exposition story", "is done (I'm an amateur screenwriter with no training). But since I don't", "reality, stories do not begin and end one at a time: ``` story", "a sports team, and have identified some compelling story arcs. However, as we", "falling action story 1 resolution story 2 resolution ``` I can easily modify", "story 1 resolution story 2 exposition story 2 rising action story 2 climax", "to get rewarded with? Apart from just narration which explicitly identifies the 2", "this is done (I'm an amateur screenwriter with no training). But since I", "easily modify my documentary to make scene transitions seamless/connected by having a connecting", "story 1 climax story 2 rising action story 1 falling action story 2", "action story 1 climax story 1 falling action story 1 resolution story 2", "1 exposition story 1 rising action story 2 exposition story 1 climax story", "feel the satisfaction that all plots were explored and resolved. To them, the", "and have identified some compelling story arcs. However, as we know in reality,", "2 falling action story 1 resolution story 2 resolution ``` I can easily", "identify the 2 different story arcs and feel the satisfaction that all plots", "connected scenes with no overall meaning. What do screenwriters do to ensure viewers", "lost and remind them that there is a (set of) journeys to be", "remind them that there is a (set of) journeys to be payed off", "story 1 falling action story 1 resolution story 2 exposition story 2 rising", "other countries to watch it too), I'm wondering if there are any non-narrater", "watch it too), I'm wondering if there are any non-narrater ways to help", "trying to create a documentary about the history of a sports team, and", "don't get lost and remind them that there is a (set of) journeys", "exposition story 1 rising action story 2 exposition story 1 climax story 2", "about the history of a sports team, and have identified some compelling story", "Apart from just narration which explicitly identifies the 2 separate plots, I don't", "we know in reality, stories do not begin and end one at a", "begin and end one at a time: ``` story 1 exposition story 1", "them that there is a (set of) journeys to be payed off that", "they should keep watching to get rewarded with? Apart from just narration which", "2 rising action story 1 falling action story 2 climax story 2 falling", "rising action story 1 climax story 1 falling action story 1 resolution story", "at a time: ``` story 1 exposition story 1 rising action story 1", "But since I don't want to rely on English narration (I want people", "climax story 2 falling action story 1 resolution story 2 resolution ``` I", "falling action story 2 resolution ``` but rather are interwoven ``` story 1", "resolution ``` but rather are interwoven ``` story 1 exposition story 1 rising", "my documentary to make scene transitions seamless/connected by having a connecting theme. BUT", "training). But since I don't want to rely on English narration (I want", "with? Apart from just narration which explicitly identifies the 2 separate plots, I", "which explicitly identifies the 2 separate plots, I don't get how this is", "since I don't want to rely on English narration (I want people from", "different story arcs and feel the satisfaction that all plots were explored and", "people from other countries to watch it too), I'm wondering if there are", "story 2 falling action story 2 resolution ``` but rather are interwoven ```", "were explored and resolved. To them, the interwoven structure above just looks like", "2 rising action story 2 climax story 2 falling action story 2 resolution", "story 2 rising action story 1 falling action story 2 climax story 2", "can easily modify my documentary to make scene transitions seamless/connected by having a", "as we know in reality, stories do not begin and end one at", "story 2 exposition story 1 climax story 2 rising action story 1 falling", "and remind them that there is a (set of) journeys to be payed", "having a connecting theme. BUT this doesn't ensure the viewer can identify the", "get rewarded with? Apart from just narration which explicitly identifies the 2 separate", "resolution story 2 resolution ``` I can easily modify my documentary to make", "ensure the viewer can identify the 2 different story arcs and feel the", "rather are interwoven ``` story 1 exposition story 1 rising action story 2", "that there is a (set of) journeys to be payed off that they", "the viewer can identify the 2 different story arcs and feel the satisfaction", "scene transitions seamless/connected by having a connecting theme. BUT this doesn't ensure the", "viewer can identify the 2 different story arcs and feel the satisfaction that", "story arcs and feel the satisfaction that all plots were explored and resolved.", "is a (set of) journeys to be payed off that they should keep", "to be payed off that they should keep watching to get rewarded with?", "1 rising action story 2 exposition story 1 climax story 2 rising action", "action story 1 resolution story 2 exposition story 2 rising action story 2", "a documentary about the history of a sports team, and have identified some", "of) journeys to be payed off that they should keep watching to get", "above just looks like a bunch of connected scenes with no overall meaning.", "should keep watching to get rewarded with? Apart from just narration which explicitly", "story 1 climax story 1 falling action story 1 resolution story 2 exposition", "climax story 2 falling action story 2 resolution ``` but rather are interwoven", "looks like a bunch of connected scenes with no overall meaning. What do", "a time: ``` story 1 exposition story 1 rising action story 1 climax", "``` but rather are interwoven ``` story 1 exposition story 1 rising action", "1 climax story 2 rising action story 1 falling action story 2 climax", "that all plots were explored and resolved. To them, the interwoven structure above", "1 climax story 1 falling action story 1 resolution story 2 exposition story", "story 1 rising action story 2 exposition story 1 climax story 2 rising", "just looks like a bunch of connected scenes with no overall meaning. What", "plots were explored and resolved. To them, the interwoven structure above just looks", "satisfaction that all plots were explored and resolved. To them, the interwoven structure", "(set of) journeys to be payed off that they should keep watching to", "action story 2 climax story 2 falling action story 1 resolution story 2", "journeys to be payed off that they should keep watching to get rewarded", "there is a (set of) journeys to be payed off that they should", "story 1 resolution story 2 resolution ``` I can easily modify my documentary", "seamless/connected by having a connecting theme. BUT this doesn't ensure the viewer can", "and resolved. To them, the interwoven structure above just looks like a bunch", "explicitly identifies the 2 separate plots, I don't get how this is done", "arcs and feel the satisfaction that all plots were explored and resolved. To", "ensure viewers don't get lost and remind them that there is a (set", "transitions seamless/connected by having a connecting theme. BUT this doesn't ensure the viewer", "from just narration which explicitly identifies the 2 separate plots, I don't get", "I don't get how this is done (I'm an amateur screenwriter with no", "but rather are interwoven ``` story 1 exposition story 1 rising action story", "too), I'm wondering if there are any non-narrater ways to help orient viewers.", "2 climax story 2 falling action story 1 resolution story 2 resolution ```", "can identify the 2 different story arcs and feel the satisfaction that all", "and feel the satisfaction that all plots were explored and resolved. To them,", "how this is done (I'm an amateur screenwriter with no training). But since", "the satisfaction that all plots were explored and resolved. To them, the interwoven", "explored and resolved. To them, the interwoven structure above just looks like a", "want to rely on English narration (I want people from other countries to", "separate plots, I don't get how this is done (I'm an amateur screenwriter", "story 1 rising action story 1 climax story 1 falling action story 1", "create a documentary about the history of a sports team, and have identified", "BUT this doesn't ensure the viewer can identify the 2 different story arcs", "``` story 1 exposition story 1 rising action story 2 exposition story 1", "payed off that they should keep watching to get rewarded with? Apart from", "just narration which explicitly identifies the 2 separate plots, I don't get how", "team, and have identified some compelling story arcs. However, as we know in", "scenes with no overall meaning. What do screenwriters do to ensure viewers don't", "screenwriters do to ensure viewers don't get lost and remind them that there", "action story 2 climax story 2 falling action story 2 resolution ``` but", "2 resolution ``` I can easily modify my documentary to make scene transitions", "documentary about the history of a sports team, and have identified some compelling", "with no training). But since I don't want to rely on English narration", "plots, I don't get how this is done (I'm an amateur screenwriter with", "action story 2 exposition story 1 climax story 2 rising action story 1" ]
[ "the subject of beings supreme to Man...but always Man is central in writing.", "Certainly there are many Science Fiction writers who touch upon the subject of", "touch upon the subject of beings supreme to Man...but always Man is central", "Science Fiction writers who touch upon the subject of beings supreme to Man...but", "there are many Science Fiction writers who touch upon the subject of beings", "Fiction writers who touch upon the subject of beings supreme to Man...but always", "are many Science Fiction writers who touch upon the subject of beings supreme", "many Science Fiction writers who touch upon the subject of beings supreme to", "writers who touch upon the subject of beings supreme to Man...but always Man", "upon the subject of beings supreme to Man...but always Man is central in", "who touch upon the subject of beings supreme to Man...but always Man is" ]
[ "of mindset easily surfaces in our manuscripts. Also, given that our writing must", "time convey a sense of exactness without using too many \"with the aim", "report and repeatedly found myself sneaking sentences like \"with the aim of...\" or", "purpose of\" in my text. Despite how trivial this problem may seem, it", "is repetitive in essence. We customarily do things with a purpose in mind:", "with the aim of calculating Y or use theorem P with the purpose", "sneaking sentences like \"with the aim of...\" or \"with the purpose of\" in", "and Z... So, I would like to ask, are there good formulas and", "put upon the readability of text that are already complex in itself. In", "or \"with the purpose of\" in my text. Despite how trivial this problem", "trivial this problem may seem, it isn’t. The scientific process is repetitive in", "upon the readability of text that are already complex in itself. In summary,", "of calculating Y or use theorem P with the purpose of solving Q,", "at the same time convey a sense of exactness without using too many", "how trivial this problem may seem, it isn’t. The scientific process is repetitive", "itself. In summary, it isn't strange to run out of ideas on how", "customarily do things with a purpose in mind: we apply methodology X with", "P with the purpose of solving Q, and that kind of mindset easily", "without using too many \"with the aim of\" (or its derivatives) or too", "exactness without using too many \"with the aim of\" (or its derivatives) or", "that are already complex in itself. In summary, it isn't strange to run", "say why one did X, Y and Z... So, I would like to", "our manuscripts. Also, given that our writing must convey rigour, certain constructions like", "how to say why one did X, Y and Z... So, I would", "sentences like \"with the aim of...\" or \"with the purpose of\" in my", "in our manuscripts. Also, given that our writing must convey rigour, certain constructions", "and that kind of mindset easily surfaces in our manuscripts. Also, given that", "isn't strange to run out of ideas on how to say why one", "essence. We customarily do things with a purpose in mind: we apply methodology", "out of ideas on how to say why one did X, Y and", "like to ask, are there good formulas and sentence structures to express purpose", "surfaces in our manuscripts. Also, given that our writing must convey rigour, certain", "solving Q, and that kind of mindset easily surfaces in our manuscripts. Also,", "process is repetitive in essence. We customarily do things with a purpose in", "on how to say why one did X, Y and Z... So, I", "X, Y and Z... So, I would like to ask, are there good", "writing a scientific report and repeatedly found myself sneaking sentences like \"with the", "of\" in my text. Despite how trivial this problem may seem, it isn’t.", "burden put upon the readability of text that are already complex in itself.", "of ideas on how to say why one did X, Y and Z...", "are proscribed and the abuse of passive is considered a burden put upon", "I would like to ask, are there good formulas and sentence structures to", "too many \"with the aim of\" (or its derivatives) or too much passive?", "in mind: we apply methodology X with the aim of calculating Y or", "run out of ideas on how to say why one did X, Y", "Y or use theorem P with the purpose of solving Q, and that", "text. Despite how trivial this problem may seem, it isn’t. The scientific process", "a burden put upon the readability of text that are already complex in", "\"with the aim of...\" or \"with the purpose of\" in my text. Despite", "of...\" or \"with the purpose of\" in my text. Despite how trivial this", "do things with a purpose in mind: we apply methodology X with the", "aim of calculating Y or use theorem P with the purpose of solving", "would like to ask, are there good formulas and sentence structures to express", "summary, it isn't strange to run out of ideas on how to say", "my text. Despite how trivial this problem may seem, it isn’t. The scientific", "that kind of mindset easily surfaces in our manuscripts. Also, given that our", "ask, are there good formulas and sentence structures to express purpose and at", "or use theorem P with the purpose of solving Q, and that kind", "a sense of exactness without using too many \"with the aim of\" (or", "problem may seem, it isn’t. The scientific process is repetitive in essence. We", "certain constructions like \"with the hope of\" or \"wishing\" are proscribed and the", "sense of exactness without using too many \"with the aim of\" (or its", "or \"wishing\" are proscribed and the abuse of passive is considered a burden", "currently writing a scientific report and repeatedly found myself sneaking sentences like \"with", "are already complex in itself. In summary, it isn't strange to run out", "strange to run out of ideas on how to say why one did", "proscribed and the abuse of passive is considered a burden put upon the", "a purpose in mind: we apply methodology X with the aim of calculating", "calculating Y or use theorem P with the purpose of solving Q, and", "sentence structures to express purpose and at the same time convey a sense", "we apply methodology X with the aim of calculating Y or use theorem", "convey rigour, certain constructions like \"with the hope of\" or \"wishing\" are proscribed", "did X, Y and Z... So, I would like to ask, are there", "and at the same time convey a sense of exactness without using too", "with the purpose of solving Q, and that kind of mindset easily surfaces", "express purpose and at the same time convey a sense of exactness without", "of text that are already complex in itself. In summary, it isn't strange", "already complex in itself. In summary, it isn't strange to run out of", "a scientific report and repeatedly found myself sneaking sentences like \"with the aim", "of exactness without using too many \"with the aim of\" (or its derivatives)", "text that are already complex in itself. In summary, it isn't strange to", "hope of\" or \"wishing\" are proscribed and the abuse of passive is considered", "structures to express purpose and at the same time convey a sense of", "\"with the purpose of\" in my text. Despite how trivial this problem may", "mind: we apply methodology X with the aim of calculating Y or use", "considered a burden put upon the readability of text that are already complex", "to run out of ideas on how to say why one did X,", "ideas on how to say why one did X, Y and Z... So,", "convey a sense of exactness without using too many \"with the aim of\"", "purpose and at the same time convey a sense of exactness without using", "of solving Q, and that kind of mindset easily surfaces in our manuscripts.", "mindset easily surfaces in our manuscripts. Also, given that our writing must convey", "\"wishing\" are proscribed and the abuse of passive is considered a burden put", "same time convey a sense of exactness without using too many \"with the", "like \"with the hope of\" or \"wishing\" are proscribed and the abuse of", "that our writing must convey rigour, certain constructions like \"with the hope of\"", "Despite how trivial this problem may seem, it isn’t. The scientific process is", "purpose in mind: we apply methodology X with the aim of calculating Y", "use theorem P with the purpose of solving Q, and that kind of", "our writing must convey rigour, certain constructions like \"with the hope of\" or", "constructions like \"with the hope of\" or \"wishing\" are proscribed and the abuse", "So, I would like to ask, are there good formulas and sentence structures", "like \"with the aim of...\" or \"with the purpose of\" in my text.", "passive is considered a burden put upon the readability of text that are", "apply methodology X with the aim of calculating Y or use theorem P", "I'm currently writing a scientific report and repeatedly found myself sneaking sentences like", "must convey rigour, certain constructions like \"with the hope of\" or \"wishing\" are", "it isn't strange to run out of ideas on how to say why", "it isn’t. The scientific process is repetitive in essence. We customarily do things", "repetitive in essence. We customarily do things with a purpose in mind: we", "Z... So, I would like to ask, are there good formulas and sentence", "one did X, Y and Z... So, I would like to ask, are", "to express purpose and at the same time convey a sense of exactness", "manuscripts. Also, given that our writing must convey rigour, certain constructions like \"with", "given that our writing must convey rigour, certain constructions like \"with the hope", "things with a purpose in mind: we apply methodology X with the aim", "myself sneaking sentences like \"with the aim of...\" or \"with the purpose of\"", "easily surfaces in our manuscripts. Also, given that our writing must convey rigour,", "repeatedly found myself sneaking sentences like \"with the aim of...\" or \"with the", "the hope of\" or \"wishing\" are proscribed and the abuse of passive is", "with a purpose in mind: we apply methodology X with the aim of", "In summary, it isn't strange to run out of ideas on how to", "good formulas and sentence structures to express purpose and at the same time", "isn’t. The scientific process is repetitive in essence. We customarily do things with", "this problem may seem, it isn’t. The scientific process is repetitive in essence.", "We customarily do things with a purpose in mind: we apply methodology X", "in my text. Despite how trivial this problem may seem, it isn’t. The", "kind of mindset easily surfaces in our manuscripts. Also, given that our writing", "to ask, are there good formulas and sentence structures to express purpose and", "in essence. We customarily do things with a purpose in mind: we apply", "rigour, certain constructions like \"with the hope of\" or \"wishing\" are proscribed and", "the purpose of solving Q, and that kind of mindset easily surfaces in", "readability of text that are already complex in itself. In summary, it isn't", "Y and Z... So, I would like to ask, are there good formulas", "The scientific process is repetitive in essence. We customarily do things with a", "methodology X with the aim of calculating Y or use theorem P with", "in itself. In summary, it isn't strange to run out of ideas on", "there good formulas and sentence structures to express purpose and at the same", "of passive is considered a burden put upon the readability of text that", "formulas and sentence structures to express purpose and at the same time convey", "is considered a burden put upon the readability of text that are already", "and sentence structures to express purpose and at the same time convey a", "scientific process is repetitive in essence. We customarily do things with a purpose", "X with the aim of calculating Y or use theorem P with the", "purpose of solving Q, and that kind of mindset easily surfaces in our", "the aim of calculating Y or use theorem P with the purpose of", "are there good formulas and sentence structures to express purpose and at the", "the same time convey a sense of exactness without using too many \"with", "the readability of text that are already complex in itself. In summary, it", "why one did X, Y and Z... So, I would like to ask,", "abuse of passive is considered a burden put upon the readability of text", "aim of...\" or \"with the purpose of\" in my text. Despite how trivial", "and the abuse of passive is considered a burden put upon the readability", "complex in itself. In summary, it isn't strange to run out of ideas", "writing must convey rigour, certain constructions like \"with the hope of\" or \"wishing\"", "of\" or \"wishing\" are proscribed and the abuse of passive is considered a", "the purpose of\" in my text. Despite how trivial this problem may seem,", "Q, and that kind of mindset easily surfaces in our manuscripts. Also, given", "found myself sneaking sentences like \"with the aim of...\" or \"with the purpose", "theorem P with the purpose of solving Q, and that kind of mindset", "the abuse of passive is considered a burden put upon the readability of", "to say why one did X, Y and Z... So, I would like", "seem, it isn’t. The scientific process is repetitive in essence. We customarily do", "the aim of...\" or \"with the purpose of\" in my text. Despite how", "and repeatedly found myself sneaking sentences like \"with the aim of...\" or \"with", "may seem, it isn’t. The scientific process is repetitive in essence. We customarily", "scientific report and repeatedly found myself sneaking sentences like \"with the aim of...\"", "\"with the hope of\" or \"wishing\" are proscribed and the abuse of passive", "Also, given that our writing must convey rigour, certain constructions like \"with the", "using too many \"with the aim of\" (or its derivatives) or too much" ]
[ "characters have to plan an escape from a facility. The thing is, they'll", "one. And, how do we tell the difference between an exit and a", "where could we go that the LEs won't be able to bring us", "they'll be doing the actual escape in the chapter following them planning. I", "herd us back to our rooms, we were ready to put our plan", "aren't escaping, they still had a big part. By the time the guards", "guards herd us back to our rooms, we were ready to put our", "explain it. As I present my idea, the group seems to listen intently.", "ordeal of locating an exit. Who knows how many corridors will have to", "a facility. The thing is, they'll be doing the actual escape in the", "in other corridors, or guarding the doors to other rooms in the building", "bring us back here? > > > So, I had a plan, well", "but all of the main characters will be planning how they're going to", "our plan into action the next group confinement day. > > > And,", "chapter following them planning. I know usually the right way to go is", "of locating an exit. Who knows how many corridors will have to go", "though Kinnie and PokeMx aren't escaping, they still had a big part. By", "group seems to listen intently. After, they offer a few suggestions and add", "processes during the hours they spend planning, won't it be redundant when the", "the characters act out the plan in the following chapter? I should mention", "go is to show, not tell. But, if I show the characters' planning", "to other rooms in the building waiting to pounce at the first sign", "it, and now it just seems overly optimistic and impractical. The others helped", "> > And, I used the following chapter to show the readers what", "the idea for, but all that did was lead us here. Maybe Kinnie's", "overly optimistic and impractical. The others helped a lot with the last plan", "plan we made, that I had come up with the idea for, but", "the cameras, there are definitely LE's patrolling on foot. I haven't seen any", "an LE. > > > And then, there's the whole ordeal of locating", "day. > > > And, I used the following chapter to show the", "Who knows how many corridors will have to go through to find one.", "seems to listen intently. After, they offer a few suggestions and add a", "another one on one confrontation with an LE. > > > And then,", "beginnings of it, and now it just seems overly optimistic and impractical. The", "the characters have to plan an escape from a facility. The thing is,", "supposed to be hours long. In a previous plan the characters made, I'd", "do it together. Example: > > Even if we did disable the cameras,", "in the chapter following them planning. I know usually the right way to", "aren't in other corridors, or guarding the doors to other rooms in the", "writing, the characters have to plan an escape from a facility. The thing", "with an LE. > > > And then, there's the whole ordeal of", "protected, too? > > > Additionally, if we do somehow get out of", "into the plan before I explain it. As I present my idea, the", "with the last plan we made, that I had come up with the", "know usually the right way to go is to show, not tell. But,", "won't it be redundant when the characters act out the plan in the", "LE's patrolling on foot. I haven't seen any yet, but that doesn't mean", "of it, and now it just seems overly optimistic and impractical. The others", "lead us here. Maybe Kinnie's right, maybe this is impossible. > > >", "made, that I had come up with the idea for, but all that", "all that did was lead us here. Maybe Kinnie's right, maybe this is", "did was lead us here. Maybe Kinnie's right, maybe this is impossible. >", "And, I used the following chapter to show the readers what the plan", "then, there's the whole ordeal of locating an exit. Who knows how many", "but that doesn't mean they aren't in other corridors, or guarding the doors", "knows how many corridors will have to go through to find one. And,", "the group seems to listen intently. After, they offer a few suggestions and", "Kinnie not coming into the plan before I explain it. As I present", "to show, not tell. But, if I show the characters' planning processes during", "few suggestions and add a few things. We spend the whole day, taking", "had a big part. By the time the guards herd us back to", "find one. And, how do we tell the difference between an exit and", "and impractical. The others helped a lot with the last plan we made,", "a few things. We spend the whole day, taking a break while the", "usually the right way to go is to show, not tell. But, if", "made, I'd just said: > > \"So, I had an idea for escaping,\"", "idea for escaping,\" I begin, factoring PokeMx and Kinnie not coming into the", "rooms in the building waiting to pounce at the first sign of trouble.", "seems overly optimistic and impractical. The others helped a lot with the last", "> > > So, I had a plan, well the beginnings of it,", "a break while the guards come in for meals, planning. Even though Kinnie", "I showed the protagonist planning without revealing what exactly they're going to do.", "> And, I used the following chapter to show the readers what the", "> > > Additionally, if we do somehow get out of here, where", "> > And then, there's the whole ordeal of locating an exit. Who", "mean they aren't in other corridors, or guarding the doors to other rooms", "long. In a previous plan the characters made, I'd just said: > >", "still had a big part. By the time the guards herd us back", "definitely LE's patrolling on foot. I haven't seen any yet, but that doesn't", "any yet, but that doesn't mean they aren't in other corridors, or guarding", "an exit. Who knows how many corridors will have to go through to", "come in for meals, planning. Even though Kinnie and PokeMx aren't escaping, they", "was figuring out what needed to be done, but all of the main", "> \"So, I had an idea for escaping,\" I begin, factoring PokeMx and", "and now it just seems overly optimistic and impractical. The others helped a", "it just seems overly optimistic and impractical. The others helped a lot with", "now, I already showed the protagonists thought process while she was figuring out", "the right way to go is to show, not tell. But, if I", "break while the guards come in for meals, planning. Even though Kinnie and", "actual escape in the chapter following them planning. I know usually the right", "I begin, factoring PokeMx and Kinnie not coming into the plan before I", "that the LEs won't be able to bring us back here? > >", "can handle another one on one confrontation with an LE. > > >", "we do somehow get out of here, where could we go that the", "action the next group confinement day. > > > And, I used the", "way to go is to show, not tell. But, if I show the", "characters act out the plan in the following chapter? I should mention that", "what needed to be done, but all of the main characters will be", "are definitely LE's patrolling on foot. I haven't seen any yet, but that", "right way to go is to show, not tell. But, if I show", "doing the actual escape in the chapter following them planning. I know usually", "not coming into the plan before I explain it. As I present my", "they spend planning, won't it be redundant when the characters act out the", "how many corridors will have to go through to find one. And, how", "be planning how they're going to do it together. Example: > > Even", "> > > And, I used the following chapter to show the readers", "plan before I explain it. As I present my idea, the group seems", "lot with the last plan we made, that I had come up with", "throughout a dialogue that's supposed to be hours long. In a previous plan", "is, they'll be doing the actual escape in the chapter following them planning.", "main characters and they'd be planning throughout a dialogue that's supposed to be", "guards come in for meals, planning. Even though Kinnie and PokeMx aren't escaping,", "Maybe Kinnie's right, maybe this is impossible. > > > So, I showed", "the LEs won't be able to bring us back here? > > >", "characters made, I'd just said: > > \"So, I had an idea for", "we go that the LEs won't be able to bring us back here?", "us back here? > > > So, I had a plan, well the", "here. Maybe Kinnie's right, maybe this is impossible. > > > So, I", "in for meals, planning. Even though Kinnie and PokeMx aren't escaping, they still", "my friends and I can handle another one on one confrontation with an", "we made, that I had come up with the idea for, but all", "did disable the cameras, there are definitely LE's patrolling on foot. I haven't", "But, if I show the characters' planning processes during the hours they spend", "it be redundant when the characters act out the plan in the following", "to be done, but all of the main characters will be planning how", "one confrontation with an LE. > > > And then, there's the whole", "the beginnings of it, and now it just seems overly optimistic and impractical.", "helped a lot with the last plan we made, that I had come", "the last plan we made, that I had come up with the idea", "figuring out what needed to be done, but all of the main characters", "have to plan an escape from a facility. The thing is, they'll be", "we were ready to put our plan into action the next group confinement", "guarding the doors to other rooms in the building waiting to pounce at", "day, taking a break while the guards come in for meals, planning. Even", "were ready to put our plan into action the next group confinement day.", "to find one. And, how do we tell the difference between an exit", "the section I'm writing now, I already showed the protagonists thought process while", "of trouble. I'm not sure my friends and I can handle another one", "was lead us here. Maybe Kinnie's right, maybe this is impossible. > >", "do somehow get out of here, where could we go that the LEs", "there's the whole ordeal of locating an exit. Who knows how many corridors", "that I had come up with the idea for, but all that did", "escape in the chapter following them planning. I know usually the right way", "an exit and a regular door if the exits are pass-code protected, too?", "The thing is, they'll be doing the actual escape in the chapter following", "had an idea for escaping,\" I begin, factoring PokeMx and Kinnie not coming", "waiting to pounce at the first sign of trouble. I'm not sure my", "be done, but all of the main characters will be planning how they're", "out what needed to be done, but all of the main characters will", "idea for, but all that did was lead us here. Maybe Kinnie's right,", "LEs won't be able to bring us back here? > > > So,", "or guarding the doors to other rooms in the building waiting to pounce", "I'm writing, the characters have to plan an escape from a facility. The", "> > Additionally, if we do somehow get out of here, where could", "while the guards come in for meals, planning. Even though Kinnie and PokeMx", "foot. I haven't seen any yet, but that doesn't mean they aren't in", "on one confrontation with an LE. > > > And then, there's the", "pass-code protected, too? > > > Additionally, if we do somehow get out", "planning, won't it be redundant when the characters act out the plan in", "to listen intently. After, they offer a few suggestions and add a few", "the protagonists thought process while she was figuring out what needed to be", "narrative I'm writing, the characters have to plan an escape from a facility.", "back to our rooms, we were ready to put our plan into action", "through to find one. And, how do we tell the difference between an", "the doors to other rooms in the building waiting to pounce at the", "get out of here, where could we go that the LEs won't be", "show the characters' planning processes during the hours they spend planning, won't it", "> > > So, I showed the protagonist planning without revealing what exactly", "not sure my friends and I can handle another one on one confrontation", "big part. By the time the guards herd us back to our rooms,", "planning throughout a dialogue that's supposed to be hours long. In a previous", "dialogue that's supposed to be hours long. In a previous plan the characters", "during the hours they spend planning, won't it be redundant when the characters", "readers what the plan was, not tell them. In the section I'm writing", "we did disable the cameras, there are definitely LE's patrolling on foot. I", "I already showed the protagonists thought process while she was figuring out what", "maybe this is impossible. > > > So, I showed the protagonist planning", "had a plan, well the beginnings of it, and now it just seems", "The others helped a lot with the last plan we made, that I", "she was figuring out what needed to be done, but all of the", "should mention that there are 7 main characters and they'd be planning throughout", "> Even if we did disable the cameras, there are definitely LE's patrolling", "last plan we made, that I had come up with the idea for,", "facility. The thing is, they'll be doing the actual escape in the chapter", "done, but all of the main characters will be planning how they're going", "following chapter? I should mention that there are 7 main characters and they'd", "impractical. The others helped a lot with the last plan we made, that", "that's supposed to be hours long. In a previous plan the characters made,", "said: > > \"So, I had an idea for escaping,\" I begin, factoring", "next group confinement day. > > > And, I used the following chapter", "a dialogue that's supposed to be hours long. In a previous plan the", "protagonists thought process while she was figuring out what needed to be done,", "sign of trouble. I'm not sure my friends and I can handle another", "the first sign of trouble. I'm not sure my friends and I can", "right, maybe this is impossible. > > > So, I showed the protagonist", "for escaping,\" I begin, factoring PokeMx and Kinnie not coming into the plan", "the guards herd us back to our rooms, we were ready to put", "already showed the protagonists thought process while she was figuring out what needed", "characters' planning processes during the hours they spend planning, won't it be redundant", "intently. After, they offer a few suggestions and add a few things. We", "here? > > > So, I had a plan, well the beginnings of", "In a narrative I'm writing, the characters have to plan an escape from", "coming into the plan before I explain it. As I present my idea,", "pounce at the first sign of trouble. I'm not sure my friends and", "exits are pass-code protected, too? > > > Additionally, if we do somehow", "patrolling on foot. I haven't seen any yet, but that doesn't mean they", "spend planning, won't it be redundant when the characters act out the plan", "things. We spend the whole day, taking a break while the guards come", "to our rooms, we were ready to put our plan into action the", "plan in the following chapter? I should mention that there are 7 main", "the difference between an exit and a regular door if the exits are", "how they're going to do it together. Example: > > Even if we", "characters will be planning how they're going to do it together. Example: >", "> Additionally, if we do somehow get out of here, where could we", "whole ordeal of locating an exit. Who knows how many corridors will have", "factoring PokeMx and Kinnie not coming into the plan before I explain it.", "> And then, there's the whole ordeal of locating an exit. Who knows", "and add a few things. We spend the whole day, taking a break", "they aren't in other corridors, or guarding the doors to other rooms in", "the whole day, taking a break while the guards come in for meals,", "After, they offer a few suggestions and add a few things. We spend", "the exits are pass-code protected, too? > > > Additionally, if we do", "my idea, the group seems to listen intently. After, they offer a few", "sure my friends and I can handle another one on one confrontation with", "> So, I showed the protagonist planning without revealing what exactly they're going", "Example: > > Even if we did disable the cameras, there are definitely", "corridors will have to go through to find one. And, how do we", "a narrative I'm writing, the characters have to plan an escape from a", "meals, planning. Even though Kinnie and PokeMx aren't escaping, they still had a", "have to go through to find one. And, how do we tell the", "act out the plan in the following chapter? I should mention that there", "listen intently. After, they offer a few suggestions and add a few things.", "corridors, or guarding the doors to other rooms in the building waiting to", "just seems overly optimistic and impractical. The others helped a lot with the", "to pounce at the first sign of trouble. I'm not sure my friends", "Even if we did disable the cameras, there are definitely LE's patrolling on", "will have to go through to find one. And, how do we tell", "an idea for escaping,\" I begin, factoring PokeMx and Kinnie not coming into", "time the guards herd us back to our rooms, we were ready to", "somehow get out of here, where could we go that the LEs won't", "7 main characters and they'd be planning throughout a dialogue that's supposed to", "redundant when the characters act out the plan in the following chapter? I", "As I present my idea, the group seems to listen intently. After, they", "out the plan in the following chapter? I should mention that there are", "confinement day. > > > And, I used the following chapter to show", "seen any yet, but that doesn't mean they aren't in other corridors, or", "not tell. But, if I show the characters' planning processes during the hours", "us back to our rooms, we were ready to put our plan into", "are 7 main characters and they'd be planning throughout a dialogue that's supposed", "regular door if the exits are pass-code protected, too? > > > Additionally,", "I'm writing now, I already showed the protagonists thought process while she was", "them planning. I know usually the right way to go is to show,", "and PokeMx aren't escaping, they still had a big part. By the time", "Kinnie's right, maybe this is impossible. > > > So, I showed the", "show the readers what the plan was, not tell them. In the section", "> > So, I had a plan, well the beginnings of it, and", "on foot. I haven't seen any yet, but that doesn't mean they aren't", "I show the characters' planning processes during the hours they spend planning, won't", "what the plan was, not tell them. In the section I'm writing now,", "to go through to find one. And, how do we tell the difference", "I should mention that there are 7 main characters and they'd be planning", "but all that did was lead us here. Maybe Kinnie's right, maybe this", "begin, factoring PokeMx and Kinnie not coming into the plan before I explain", "group confinement day. > > > And, I used the following chapter to", "locating an exit. Who knows how many corridors will have to go through", "Additionally, if we do somehow get out of here, where could we go", "I'm not sure my friends and I can handle another one on one", "now it just seems overly optimistic and impractical. The others helped a lot", "to put our plan into action the next group confinement day. > >", "the time the guards herd us back to our rooms, we were ready", "> > > And then, there's the whole ordeal of locating an exit.", "our rooms, we were ready to put our plan into action the next", "there are definitely LE's patrolling on foot. I haven't seen any yet, but", "the next group confinement day. > > > And, I used the following", "planning processes during the hours they spend planning, won't it be redundant when", "section I'm writing now, I already showed the protagonists thought process while she", "a lot with the last plan we made, that I had come up", "the plan before I explain it. As I present my idea, the group", "up with the idea for, but all that did was lead us here.", "hours long. In a previous plan the characters made, I'd just said: >", "planning how they're going to do it together. Example: > > Even if", "into action the next group confinement day. > > > And, I used", "just said: > > \"So, I had an idea for escaping,\" I begin,", "put our plan into action the next group confinement day. > > >", "plan an escape from a facility. The thing is, they'll be doing the", "ready to put our plan into action the next group confinement day. >", "in the following chapter? I should mention that there are 7 main characters", "a previous plan the characters made, I'd just said: > > \"So, I", "be planning throughout a dialogue that's supposed to be hours long. In a", "if we did disable the cameras, there are definitely LE's patrolling on foot.", "impossible. > > > So, I showed the protagonist planning without revealing what", "So, I had a plan, well the beginnings of it, and now it", "us here. Maybe Kinnie's right, maybe this is impossible. > > > So,", "to plan an escape from a facility. The thing is, they'll be doing", "they'd be planning throughout a dialogue that's supposed to be hours long. In", "offer a few suggestions and add a few things. We spend the whole", "rooms, we were ready to put our plan into action the next group", "previous plan the characters made, I'd just said: > > \"So, I had", "from a facility. The thing is, they'll be doing the actual escape in", "the following chapter to show the readers what the plan was, not tell", "well the beginnings of it, and now it just seems overly optimistic and", "And then, there's the whole ordeal of locating an exit. Who knows how", "> So, I had a plan, well the beginnings of it, and now", "doors to other rooms in the building waiting to pounce at the first", "a big part. By the time the guards herd us back to our", "with the idea for, but all that did was lead us here. Maybe", "yet, but that doesn't mean they aren't in other corridors, or guarding the", "be redundant when the characters act out the plan in the following chapter?", "and a regular door if the exits are pass-code protected, too? > >", "the characters made, I'd just said: > > \"So, I had an idea", "main characters will be planning how they're going to do it together. Example:", "writing now, I already showed the protagonists thought process while she was figuring", "thought process while she was figuring out what needed to be done, but", "building waiting to pounce at the first sign of trouble. I'm not sure", "for, but all that did was lead us here. Maybe Kinnie's right, maybe", "here, where could we go that the LEs won't be able to bring", "the whole ordeal of locating an exit. Who knows how many corridors will", "planning. Even though Kinnie and PokeMx aren't escaping, they still had a big", "do we tell the difference between an exit and a regular door if", "to do it together. Example: > > Even if we did disable the", "We spend the whole day, taking a break while the guards come in", "I had come up with the idea for, but all that did was", "thing is, they'll be doing the actual escape in the chapter following them", "spend the whole day, taking a break while the guards come in for", "won't be able to bring us back here? > > > So, I", "tell. But, if I show the characters' planning processes during the hours they", "a plan, well the beginnings of it, and now it just seems overly", "plan into action the next group confinement day. > > > And, I", "that there are 7 main characters and they'd be planning throughout a dialogue", "part. By the time the guards herd us back to our rooms, we", "be able to bring us back here? > > > So, I had", "a few suggestions and add a few things. We spend the whole day,", "In a previous plan the characters made, I'd just said: > > \"So,", "the plan in the following chapter? I should mention that there are 7", "characters and they'd be planning throughout a dialogue that's supposed to be hours", "back here? > > > So, I had a plan, well the beginnings", "together. Example: > > Even if we did disable the cameras, there are", "plan was, not tell them. In the section I'm writing now, I already", "confrontation with an LE. > > > And then, there's the whole ordeal", "to bring us back here? > > > So, I had a plan,", "I know usually the right way to go is to show, not tell.", "going to do it together. Example: > > Even if we did disable", "exit and a regular door if the exits are pass-code protected, too? >", "present my idea, the group seems to listen intently. After, they offer a", "optimistic and impractical. The others helped a lot with the last plan we", "be doing the actual escape in the chapter following them planning. I know", "that doesn't mean they aren't in other corridors, or guarding the doors to", "idea, the group seems to listen intently. After, they offer a few suggestions", "it. As I present my idea, the group seems to listen intently. After,", "LE. > > > And then, there's the whole ordeal of locating an", "the following chapter? I should mention that there are 7 main characters and", "they still had a big part. By the time the guards herd us", "there are 7 main characters and they'd be planning throughout a dialogue that's", "the guards come in for meals, planning. Even though Kinnie and PokeMx aren't", "suggestions and add a few things. We spend the whole day, taking a", "I used the following chapter to show the readers what the plan was,", "chapter to show the readers what the plan was, not tell them. In", "first sign of trouble. I'm not sure my friends and I can handle", "I had an idea for escaping,\" I begin, factoring PokeMx and Kinnie not", "friends and I can handle another one on one confrontation with an LE.", "I had a plan, well the beginnings of it, and now it just", "the hours they spend planning, won't it be redundant when the characters act", "this is impossible. > > > So, I showed the protagonist planning without", "of here, where could we go that the LEs won't be able to", "tell them. In the section I'm writing now, I already showed the protagonists", "it together. Example: > > Even if we did disable the cameras, there", "will be planning how they're going to do it together. Example: > >", "we tell the difference between an exit and a regular door if the", "> > Even if we did disable the cameras, there are definitely LE's", "escape from a facility. The thing is, they'll be doing the actual escape", "able to bring us back here? > > > So, I had a", "plan the characters made, I'd just said: > > \"So, I had an", "I'd just said: > > \"So, I had an idea for escaping,\" I", "is impossible. > > > So, I showed the protagonist planning without revealing", "used the following chapter to show the readers what the plan was, not", "I haven't seen any yet, but that doesn't mean they aren't in other", "one on one confrontation with an LE. > > > And then, there's", "when the characters act out the plan in the following chapter? I should", "mention that there are 7 main characters and they'd be planning throughout a", "the plan was, not tell them. In the section I'm writing now, I", "I explain it. As I present my idea, the group seems to listen", "\"So, I had an idea for escaping,\" I begin, factoring PokeMx and Kinnie", "be hours long. In a previous plan the characters made, I'd just said:", "them. In the section I'm writing now, I already showed the protagonists thought", "process while she was figuring out what needed to be done, but all", "could we go that the LEs won't be able to bring us back", "are pass-code protected, too? > > > Additionally, if we do somehow get", "if the exits are pass-code protected, too? > > > Additionally, if we", "of the main characters will be planning how they're going to do it", "and Kinnie not coming into the plan before I explain it. As I", "all of the main characters will be planning how they're going to do", "show, not tell. But, if I show the characters' planning processes during the", "before I explain it. As I present my idea, the group seems to", "taking a break while the guards come in for meals, planning. Even though", "not tell them. In the section I'm writing now, I already showed the", "showed the protagonists thought process while she was figuring out what needed to", "to go is to show, not tell. But, if I show the characters'", "and I can handle another one on one confrontation with an LE. >", "Kinnie and PokeMx aren't escaping, they still had a big part. By the", "they're going to do it together. Example: > > Even if we did", "planning. I know usually the right way to go is to show, not", "and they'd be planning throughout a dialogue that's supposed to be hours long.", "to be hours long. In a previous plan the characters made, I'd just", "the actual escape in the chapter following them planning. I know usually the", "between an exit and a regular door if the exits are pass-code protected,", "few things. We spend the whole day, taking a break while the guards", "while she was figuring out what needed to be done, but all of", "how do we tell the difference between an exit and a regular door", "door if the exits are pass-code protected, too? > > > Additionally, if", "following them planning. I know usually the right way to go is to", "the chapter following them planning. I know usually the right way to go", "Even though Kinnie and PokeMx aren't escaping, they still had a big part.", "escaping, they still had a big part. By the time the guards herd", "at the first sign of trouble. I'm not sure my friends and I", "trouble. I'm not sure my friends and I can handle another one on", "to show the readers what the plan was, not tell them. In the", "doesn't mean they aren't in other corridors, or guarding the doors to other", "And, how do we tell the difference between an exit and a regular", "come up with the idea for, but all that did was lead us", "disable the cameras, there are definitely LE's patrolling on foot. I haven't seen", "chapter? I should mention that there are 7 main characters and they'd be", "PokeMx aren't escaping, they still had a big part. By the time the", "if we do somehow get out of here, where could we go that", "add a few things. We spend the whole day, taking a break while", "tell the difference between an exit and a regular door if the exits", "By the time the guards herd us back to our rooms, we were", "> > So, I showed the protagonist planning without revealing what exactly they're", "the characters' planning processes during the hours they spend planning, won't it be", "a regular door if the exits are pass-code protected, too? > > >", "was, not tell them. In the section I'm writing now, I already showed", "I can handle another one on one confrontation with an LE. > >", "whole day, taking a break while the guards come in for meals, planning.", "cameras, there are definitely LE's patrolling on foot. I haven't seen any yet,", "escaping,\" I begin, factoring PokeMx and Kinnie not coming into the plan before", "other corridors, or guarding the doors to other rooms in the building waiting", "had come up with the idea for, but all that did was lead", "an escape from a facility. The thing is, they'll be doing the actual", "is to show, not tell. But, if I show the characters' planning processes", "difference between an exit and a regular door if the exits are pass-code", "handle another one on one confrontation with an LE. > > > And", "plan, well the beginnings of it, and now it just seems overly optimistic", "go through to find one. And, how do we tell the difference between", "hours they spend planning, won't it be redundant when the characters act out", "if I show the characters' planning processes during the hours they spend planning,", "the main characters will be planning how they're going to do it together.", "too? > > > Additionally, if we do somehow get out of here,", "the building waiting to pounce at the first sign of trouble. I'm not", "that did was lead us here. Maybe Kinnie's right, maybe this is impossible.", "other rooms in the building waiting to pounce at the first sign of", "I present my idea, the group seems to listen intently. After, they offer", "> > \"So, I had an idea for escaping,\" I begin, factoring PokeMx", "In the section I'm writing now, I already showed the protagonists thought process", "needed to be done, but all of the main characters will be planning", "others helped a lot with the last plan we made, that I had", "for meals, planning. Even though Kinnie and PokeMx aren't escaping, they still had", "haven't seen any yet, but that doesn't mean they aren't in other corridors,", "many corridors will have to go through to find one. And, how do", "go that the LEs won't be able to bring us back here? >", "out of here, where could we go that the LEs won't be able", "the readers what the plan was, not tell them. In the section I'm", "in the building waiting to pounce at the first sign of trouble. I'm", "So, I showed the protagonist planning without revealing what exactly they're going to", "they offer a few suggestions and add a few things. We spend the", "exit. Who knows how many corridors will have to go through to find", "following chapter to show the readers what the plan was, not tell them.", "PokeMx and Kinnie not coming into the plan before I explain it. As" ]
[ "even though it sounds and reads well enough to me. I'm relatively self-taught", "noticed that I consistently follow an -ed clause with further action or elaboration", "just glancing at it that I could just as easily change it to", "any feedback you have would be great: The insinuation had the desired effect.", "have recently noticed that I consistently follow an -ed clause with further action", "of consideration. I see just glancing at it that I could just as", "I feel like something is wrong here, even though it sounds and reads", "feel like something is wrong here, even though it sounds and reads well", "of his weathered face, his grim mask slowly melting into a look of", "to ask for clarification. Here's a snip; any feedback you have would be", "would be great: The insinuation had the desired effect. Erim's fingers relaxed, showing", "to \"and\" without changing the meaning, but it doesn't feel any more or", "and reads well enough to me. I'm relatively self-taught where writing is concerned", "palms.* The deep valleys and crevices of his worn fury relaxed into dry", "collected in his palms.** The deep valleys and crevices of his worn fury", "consistently follow an -ed clause with further action or elaboration using -ing. I", "where writing is concerned and so I struggle a bit with the jargon,", "feel any more or less acceptable. Is this just a question of style?", "that I consistently follow an -ed clause with further action or elaboration using", "self-taught where writing is concerned and so I struggle a bit with the", "have would be great: The insinuation had the desired effect. Erim's fingers relaxed,", "a golden glint of sweat that had collected in his palms.* The deep", "relaxed into dry rivers along the landscape of his weathered face, his grim", "that I could just as easily change it to \"and\" without changing the", "the meaning, but it doesn't feel any more or less acceptable. Is this", "in his palms. The deep valleys and crevices of his worn fury relaxed", "without changing the meaning, but it doesn't feel any more or less acceptable.", "fingers relaxed, showing a golden glint of sweat that had collected in his", "or elaboration using -ing. I feel like something is wrong here, even though", "is wrong here, even though it sounds and reads well enough to me.", "consideration.* I see just glancing at it that I could just as easily", "it doesn't feel any more or less acceptable. Is this just a question", "\"and\" without changing the meaning, but it doesn't feel any more or less", "and crevices of his worn fury relaxed into dry rivers along the landscape", "so bear with me if I have to ask for clarification. Here's a", "dry rivers along the landscape of his weathered face, *his grim mask slowly", "changing the meaning, but it doesn't feel any more or less acceptable. Is", "be great: The insinuation had the desired effect. Erim's fingers relaxed, showing a", "-ed clause with further action or elaboration using -ing. I feel like something", "had the desired effect. Erim's fingers relaxed, showing a golden glint of sweat", "me. I'm relatively self-taught where writing is concerned and so I struggle a", "me if I have to ask for clarification. Here's a snip; any feedback", "his weathered face, his grim mask slowly melting into a look of consideration.", "bit with the jargon, so bear with me if I have to ask", "wrong here, even though it sounds and reads well enough to me. I'm", "reads well enough to me. I'm relatively self-taught where writing is concerned and", "further action or elaboration using -ing. I feel like something is wrong here,", "desired effect. Erim's fingers relaxed, showing a golden glint of sweat that had", "great: The insinuation had the desired effect. Erim's fingers relaxed, *showing a golden", "-ing. I feel like something is wrong here, even though it sounds and", "a snip; any feedback you have would be great: The insinuation had the", "with further action or elaboration using -ing. I feel like something is wrong", "landscape of his weathered face, his grim mask slowly melting into a look", "with me if I have to ask for clarification. Here's a snip; any", "concerned and so I struggle a bit with the jargon, so bear with", "relatively self-taught where writing is concerned and so I struggle a bit with", "effect. Erim's fingers relaxed, showing a golden glint of sweat that had collected", "showing a golden glint of sweat that had collected in his palms. The", "slowly melting into a look of consideration.* I see just glancing at it", "doesn't feel any more or less acceptable. Is this just a question of", "The deep valleys and crevices of his worn fury relaxed into dry rivers", "melting into a look of consideration.* I see just glancing at it that", "using -ing. I feel like something is wrong here, even though it sounds", "crevices of his worn fury relaxed into dry rivers along the landscape of", "Here's a snip; any feedback you have would be great: The insinuation had", "along the landscape of his weathered face, his grim mask slowly melting into", "the landscape of his weathered face, his grim mask slowly melting into a", "clarification. Here's a snip; any feedback you have would be great: The insinuation", "an -ed clause with further action or elaboration using -ing. I feel like", "have to ask for clarification. Here's a snip; any feedback you have would", "for clarification. Here's a snip; any feedback you have would be great: The", "the desired effect. Erim's fingers relaxed, showing a golden glint of sweat that", "mask slowly melting into a look of consideration. I see just glancing at", "I have to ask for clarification. Here's a snip; any feedback you have", "recently noticed that I consistently follow an -ed clause with further action or", "bear with me if I have to ask for clarification. Here's a snip;", "so I struggle a bit with the jargon, so bear with me if", "a bit with the jargon, so bear with me if I have to", "elaboration using -ing. I feel like something is wrong here, even though it", "could just as easily change it to \"and\" without changing the meaning, but", "I'm relatively self-taught where writing is concerned and so I struggle a bit", "glancing at it that I could just as easily change it to \"and\"", "though it sounds and reads well enough to me. I'm relatively self-taught where", "look of consideration.* I see just glancing at it that I could just", "The insinuation had the desired effect. Erim's fingers relaxed, showing a golden glint", "clause with further action or elaboration using -ing. I feel like something is", "glint of sweat that had collected in his palms.* The deep valleys and", "I could just as easily change it to \"and\" without changing the meaning,", "action or elaboration using -ing. I feel like something is wrong here, even", "follow an -ed clause with further action or elaboration using -ing. I feel", "golden glint of sweat that had collected in his palms. The deep valleys", "grim mask slowly melting into a look of consideration.* I see just glancing", "just as easily change it to \"and\" without changing the meaning, but it", "it to \"and\" without changing the meaning, but it doesn't feel any more", "snip; any feedback you have would be great: The insinuation had the desired", "face, his grim mask slowly melting into a look of consideration. I see", "insinuation had the desired effect. Erim's fingers relaxed, showing a golden glint of", "meaning, but it doesn't feel any more or less acceptable. Is this just", "of sweat that had collected in his palms. The deep valleys and crevices", "fury relaxed into dry rivers along the landscape of his weathered face, his", "is concerned and so I struggle a bit with the jargon, so bear", "into dry rivers along the landscape of his weathered face, his grim mask", "ask for clarification. Here's a snip; any feedback you have would be great:", "of his worn fury relaxed into dry rivers along the landscape of his", "sweat that had collected in his palms. The deep valleys and crevices of", "I struggle a bit with the jargon, so bear with me if I", "you have would be great: The insinuation had the desired effect. Erim's fingers", "well enough to me. I'm relatively self-taught where writing is concerned and so", "the jargon, so bear with me if I have to ask for clarification.", "like something is wrong here, even though it sounds and reads well enough", "I have recently noticed that I consistently follow an -ed clause with further", "easily change it to \"and\" without changing the meaning, but it doesn't feel", "it sounds and reads well enough to me. I'm relatively self-taught where writing", "rivers along the landscape of his weathered face, his grim mask slowly melting", "deep valleys and crevices of his worn fury relaxed into dry rivers along", "to me. I'm relatively self-taught where writing is concerned and so I struggle", "his grim mask slowly melting into a look of consideration. I see just", "had collected in his palms. The deep valleys and crevices of his worn", "if I have to ask for clarification. Here's a snip; any feedback you", "jargon, so bear with me if I have to ask for clarification. Here's", "his palms. The deep valleys and crevices of his worn fury relaxed into", "Erim's fingers relaxed, showing a golden glint of sweat that had collected in", "something is wrong here, even though it sounds and reads well enough to", "writing is concerned and so I struggle a bit with the jargon, so", "that had collected in his palms. The deep valleys and crevices of his", "and so I struggle a bit with the jargon, so bear with me", "change it to \"and\" without changing the meaning, but it doesn't feel any", "his worn fury relaxed into dry rivers along the landscape of his weathered", "at it that I could just as easily change it to \"and\" without", "I consistently follow an -ed clause with further action or elaboration using -ing.", "a look of consideration.* I see just glancing at it that I could", "as easily change it to \"and\" without changing the meaning, but it doesn't", "I see just glancing at it that I could just as easily change", "feedback you have would be great: The insinuation had the desired effect. Erim's", "enough to me. I'm relatively self-taught where writing is concerned and so I", "with the jargon, so bear with me if I have to ask for", "it that I could just as easily change it to \"and\" without changing", "relaxed, showing a golden glint of sweat that had collected in his palms.", "worn fury relaxed into dry rivers along the landscape of his weathered face,", "weathered face, his grim mask slowly melting into a look of consideration. I", "here, even though it sounds and reads well enough to me. I'm relatively", "valleys and crevices of his worn fury relaxed into dry rivers along the", "struggle a bit with the jargon, so bear with me if I have", "see just glancing at it that I could just as easily change it", "but it doesn't feel any more or less acceptable. Is this just a", "sounds and reads well enough to me. I'm relatively self-taught where writing is", "into a look of consideration.* I see just glancing at it that I" ]
[ "of critiquing fiction as a hobby, I feel like I've gained some skill", "sense of how one starts out as a writer, I have no idea", "wondering how I can try my hand at actually editing fiction. While I've", "to require a venue to edit for, and writers submitting publishable stories. Is", "try my hand at actually editing fiction. While I've got a decent sense", "venue to edit for, and writers submitting publishable stories. Is there a typical", "like I've gained some skill at editing. I'm now wondering how I can", "seems to require a venue to edit for, and writers submitting publishable stories.", "out as a writer, I have no idea how one starts out as", "for editors? Where do I begin? And how do I gain actual, hands-on", "edit for, and writers submitting publishable stories. Is there a typical development path", "to edit for, and writers submitting publishable stories. Is there a typical development", "how I can try my hand at actually editing fiction. While I've got", "After years of critiquing fiction as a hobby, I feel like I've gained", "fiction as a hobby, I feel like I've gained some skill at editing.", "years of critiquing fiction as a hobby, I feel like I've gained some", "decent sense of how one starts out as a writer, I have no", "editing fiction. While I've got a decent sense of how one starts out", "path for editors? Where do I begin? And how do I gain actual,", "starts out as a writer, I have no idea how one starts out", "as a hobby, I feel like I've gained some skill at editing. I'm", "at actually editing fiction. While I've got a decent sense of how one", "an editor. Editing seems to require a venue to edit for, and writers", "development path for editors? Where do I begin? And how do I gain", "now wondering how I can try my hand at actually editing fiction. While", "as a writer, I have no idea how one starts out as an", "at editing. I'm now wondering how I can try my hand at actually", "actually editing fiction. While I've got a decent sense of how one starts", "I have no idea how one starts out as an editor. Editing seems", "one starts out as a writer, I have no idea how one starts", "hobby, I feel like I've gained some skill at editing. I'm now wondering", "starts out as an editor. Editing seems to require a venue to edit", "writers submitting publishable stories. Is there a typical development path for editors? Where", "I feel like I've gained some skill at editing. I'm now wondering how", "for, and writers submitting publishable stories. Is there a typical development path for", "typical development path for editors? Where do I begin? And how do I", "of how one starts out as a writer, I have no idea how", "editing. I'm now wondering how I can try my hand at actually editing", "critiquing fiction as a hobby, I feel like I've gained some skill at", "no idea how one starts out as an editor. Editing seems to require", "as an editor. Editing seems to require a venue to edit for, and", "submitting publishable stories. Is there a typical development path for editors? Where do", "and writers submitting publishable stories. Is there a typical development path for editors?", "publishable stories. Is there a typical development path for editors? Where do I", "there a typical development path for editors? Where do I begin? And how", "idea how one starts out as an editor. Editing seems to require a", "hand at actually editing fiction. While I've got a decent sense of how", "editors? Where do I begin? And how do I gain actual, hands-on experience?", "a venue to edit for, and writers submitting publishable stories. Is there a", "I've gained some skill at editing. I'm now wondering how I can try", "I'm now wondering how I can try my hand at actually editing fiction.", "a writer, I have no idea how one starts out as an editor.", "require a venue to edit for, and writers submitting publishable stories. Is there", "I can try my hand at actually editing fiction. While I've got a", "how one starts out as a writer, I have no idea how one", "gained some skill at editing. I'm now wondering how I can try my", "got a decent sense of how one starts out as a writer, I", "out as an editor. Editing seems to require a venue to edit for,", "stories. Is there a typical development path for editors? Where do I begin?", "editor. Editing seems to require a venue to edit for, and writers submitting", "have no idea how one starts out as an editor. Editing seems to", "fiction. While I've got a decent sense of how one starts out as", "how one starts out as an editor. Editing seems to require a venue", "Is there a typical development path for editors? Where do I begin? And", "one starts out as an editor. Editing seems to require a venue to", "a hobby, I feel like I've gained some skill at editing. I'm now", "a decent sense of how one starts out as a writer, I have", "While I've got a decent sense of how one starts out as a", "a typical development path for editors? Where do I begin? And how do", "skill at editing. I'm now wondering how I can try my hand at", "I've got a decent sense of how one starts out as a writer,", "feel like I've gained some skill at editing. I'm now wondering how I", "my hand at actually editing fiction. While I've got a decent sense of", "some skill at editing. I'm now wondering how I can try my hand", "can try my hand at actually editing fiction. While I've got a decent", "Editing seems to require a venue to edit for, and writers submitting publishable", "writer, I have no idea how one starts out as an editor. Editing" ]
[ "another of the stories I've working on, using the same website, I've used", "not to leave them in the print copy. In another of the stories", "use chapter titles simply because \"RE Lavender has just updated Faces, Names, and", "the print copy. In another of the stories I've working on, using the", "of contents is just annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But,", "a table of contents is just annoying and unorthodox. I read the answers", "I'm looking to see if there are any other purposes to keeping them.", "them. If not I'll most likely omit them entirely. Any assistance someone could", "and Memories, Chapter 41.\" So far, I've kept the table of contents and", "online, but not in the working document. I was wondering if anyone could", "not in the working document. I was wondering if anyone could provide some", "most likely omit them entirely. Any assistance someone could provide is greatly appreciated.", "them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use chapter titles,", "unorthodox.** I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I", "the website, I use chapter titles simply because \"RE Lavender has just updated", "the process of writing a Sci-fi novel, and I use a website to", "someone would put chapter titles and what the benefits and disadvantages of putting", "needed pertaining specifically to why someone would put chapter titles and what the", "a lot to book, or if having a table of contents is just", "or if having a table of contents is just annoying and unorthodox. I", "Faces, Names, and Memories, Chapter 41.\" So far, I've kept the table of", "are any other purposes to keeping them. If not I'll most likely omit", "fiction, chapter titles contribute a lot to book, or if having a table", "to book, or if having a table of contents is just annoying and", "to upload chapters before I complete it. On the website, I use chapter", "updated Faces, Names, and Memories, Chapter 41 - Way Out.\" looks more interesting", "if having a table of contents is just annoying and unorthodox. I read", "on my feed then \"RE Lavender has just updated Faces, Names, and Memories,", "likely omit them entirely. Any assistance someone could provide is greatly appreciated. Thank", "provide the detail I needed pertaining specifically to why someone would put chapter", "them in the print copy. In another of the stories I've working on,", "same website, I've used the chapter titles online, but not in the working", "Out.\" looks more interesting and distinguished on my feed then \"RE Lavender has", "just updated Faces, Names, and Memories, Chapter 41 - Way Out.\" looks more", "titles, but I'm debating whether or not to leave them in the print", "then \"RE Lavender has just updated Faces, Names, and Memories, Chapter 41.\" So", "stories I've working on, using the same website, I've used the chapter titles", "work of fiction, chapter titles contribute a lot to book, or if having", "Memories, Chapter 41 - Way Out.\" looks more interesting and distinguished on my", "pertaining specifically to why someone would put chapter titles and what the benefits", "purposes to keeping them. If not I'll most likely omit them entirely. Any", "Lavender has just updated Faces, Names, and Memories, Chapter 41 - Way Out.\"", "read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I needed pertaining", "of contents and the chapter titles, but I'm debating whether or not to", "website, I've used the chapter titles online, but not in the working document.", "detail I needed pertaining specifically to why someone would put chapter titles and", "to keeping them. If not I'll most likely omit them entirely. Any assistance", "working document. I was wondering if anyone could provide some insight on whether,", "I'm in the process of writing a Sci-fi novel, and I use a", "Memories, Chapter 41.\" So far, I've kept the table of contents and the", "was wondering if anyone could provide some insight on whether, in a work", "more interesting and distinguished on my feed then \"RE Lavender has just updated", "provided some reasons one could use chapter titles, but I'm looking to see", "titles, but I'm looking to see if there are any other purposes to", "not I'll most likely omit them entirely. Any assistance someone could provide is", "reasons one could use chapter titles, but I'm looking to see if there", "In another of the stories I've working on, using the same website, I've", "table of contents is just annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers).", "put chapter titles and what the benefits and disadvantages of putting them would", "anyone could provide some insight on whether, in a work of fiction, chapter", "and unorthodox.** I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail", "the benefits and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some", "[here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I needed pertaining specifically to why", "Faces, Names, and Memories, Chapter 41 - Way Out.\" looks more interesting and", "there are any other purposes to keeping them. If not I'll most likely", "chapter titles contribute a lot to book, or if having a table of", "I was wondering if anyone could provide some insight on whether, in a", "leave them in the print copy. In another of the stories I've working", "table of contents and the chapter titles, but I'm debating whether or not", "titles contribute a lot to book, or if having a table of contents", "[This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use chapter titles, but I'm looking", "if anyone could provide some insight on whether, in a work of fiction,", "distinguished on my feed then \"RE Lavender has just updated Faces, Names, and", "of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use", "whether or not to leave them in the print copy. In another of", "chapter titles simply because \"RE Lavender has just updated Faces, Names, and Memories,", "I've used the chapter titles online, but not in the working document. I", "one could use chapter titles, but I'm looking to see if there are", "but I'm looking to see if there are any other purposes to keeping", "writing a Sci-fi novel, and I use a website to upload chapters before", "copy. In another of the stories I've working on, using the same website,", "of fiction, chapter titles contribute a lot to book, or if having a", "some reasons one could use chapter titles, but I'm looking to see if", "chapter titles online, but not in the working document. I was wondering if", "and what the benefits and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website", "interesting and distinguished on my feed then \"RE Lavender has just updated Faces,", "book, or if having a table of contents is just annoying and unorthodox.", "website, I use chapter titles simply because \"RE Lavender has just updated Faces,", "Way Out.\" looks more interesting and distinguished on my feed then \"RE Lavender", "some insight on whether, in a work of fiction, chapter titles contribute a", "use chapter titles, but I'm looking to see if there are any other", "I complete it. On the website, I use chapter titles simply because \"RE", "chapter titles and what the benefits and disadvantages of putting them would be.", "is just annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't", "lot to book, or if having a table of contents is just annoying", "I'm debating whether or not to leave them in the print copy. In", "could use chapter titles, but I'm looking to see if there are any", "use a website to upload chapters before I complete it. On the website,", "in a work of fiction, chapter titles contribute a lot to book, or", "contribute a lot to book, or if having a table of contents is", "If not I'll most likely omit them entirely. Any assistance someone could provide", "annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the", "would put chapter titles and what the benefits and disadvantages of putting them", "and Memories, Chapter 41 - Way Out.\" looks more interesting and distinguished on", "because \"RE Lavender has just updated Faces, Names, and Memories, Chapter 41 -", "I use chapter titles simply because \"RE Lavender has just updated Faces, Names,", "working on, using the same website, I've used the chapter titles online, but", "looking to see if there are any other purposes to keeping them. If", "this didn't provide the detail I needed pertaining specifically to why someone would", "\"RE Lavender has just updated Faces, Names, and Memories, Chapter 41 - Way", "the stories I've working on, using the same website, I've used the chapter", "Lavender has just updated Faces, Names, and Memories, Chapter 41.\" So far, I've", "I've kept the table of contents and the chapter titles, but I'm debating", "of the stories I've working on, using the same website, I've used the", "and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one", "document. I was wondering if anyone could provide some insight on whether, in", "in the print copy. In another of the stories I've working on, using", "So far, I've kept the table of contents and the chapter titles, but", "the chapter titles online, but not in the working document. I was wondering", "a website to upload chapters before I complete it. On the website, I", "novel, and I use a website to upload chapters before I complete it.", "but I'm debating whether or not to leave them in the print copy.", "would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use chapter titles, but", "it. On the website, I use chapter titles simply because \"RE Lavender has", "or not to leave them in the print copy. In another of the", "upload chapters before I complete it. On the website, I use chapter titles", "website to upload chapters before I complete it. On the website, I use", "debating whether or not to leave them in the print copy. In another", "Chapter 41 - Way Out.\" looks more interesting and distinguished on my feed", "titles online, but not in the working document. I was wondering if anyone", "on whether, in a work of fiction, chapter titles contribute a lot to", "having a table of contents is just annoying and unorthodox. I read the", "to leave them in the print copy. In another of the stories I've", "wondering if anyone could provide some insight on whether, in a work of", "the table of contents and the chapter titles, but I'm debating whether or", "print copy. In another of the stories I've working on, using the same", "looks more interesting and distinguished on my feed then \"RE Lavender has just", "on, using the same website, I've used the chapter titles online, but not", "updated Faces, Names, and Memories, Chapter 41.\" So far, I've kept the table", "website provided some reasons one could use chapter titles, but I'm looking to", "other purposes to keeping them. If not I'll most likely omit them entirely.", "insight on whether, in a work of fiction, chapter titles contribute a lot", "has just updated Faces, Names, and Memories, Chapter 41 - Way Out.\" looks", "to see if there are any other purposes to keeping them. If not", "But, this didn't provide the detail I needed pertaining specifically to why someone", "in the process of writing a Sci-fi novel, and I use a website", "contents and the chapter titles, but I'm debating whether or not to leave", "the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I needed pertaining specifically", "41.\" So far, I've kept the table of contents and the chapter titles,", "\"RE Lavender has just updated Faces, Names, and Memories, Chapter 41.\" So far,", "I'll most likely omit them entirely. Any assistance someone could provide is greatly", "just updated Faces, Names, and Memories, Chapter 41.\" So far, I've kept the", "didn't provide the detail I needed pertaining specifically to why someone would put", "I've working on, using the same website, I've used the chapter titles online,", "disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could", "see if there are any other purposes to keeping them. If not I'll", "Chapter 41.\" So far, I've kept the table of contents and the chapter", "of writing a Sci-fi novel, and I use a website to upload chapters", "if there are any other purposes to keeping them. If not I'll most", "be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use chapter titles, but I'm", "omit them entirely. Any assistance someone could provide is greatly appreciated. Thank you!", "the same website, I've used the chapter titles online, but not in the", "Names, and Memories, Chapter 41 - Way Out.\" looks more interesting and distinguished", "a Sci-fi novel, and I use a website to upload chapters before I", "chapter titles, but I'm debating whether or not to leave them in the", "and distinguished on my feed then \"RE Lavender has just updated Faces, Names,", "simply because \"RE Lavender has just updated Faces, Names, and Memories, Chapter 41", "a work of fiction, chapter titles contribute a lot to book, or if", "far, I've kept the table of contents and the chapter titles, but I'm", "why someone would put chapter titles and what the benefits and disadvantages of", "and I use a website to upload chapters before I complete it. On", "the detail I needed pertaining specifically to why someone would put chapter titles", "I use a website to upload chapters before I complete it. On the", "process of writing a Sci-fi novel, and I use a website to upload", "complete it. On the website, I use chapter titles simply because \"RE Lavender", "the working document. *I was wondering if anyone could provide some insight on", "I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I needed", "specifically to why* someone would put chapter titles and what the benefits and", "just annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide", "titles and what the benefits and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/)", "provide some insight on whether, in a work of fiction, chapter titles contribute", "keeping them. If not I'll most likely omit them entirely. Any assistance someone", "chapters before I complete it. On the website, I use chapter titles simply", "answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this didn't provide the detail I needed pertaining specifically to", "what the benefits and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided", "chapter titles, but I'm looking to see if there are any other purposes", "So, I'm in the process of writing a Sci-fi novel, and I use", "41 - Way Out.\" looks more interesting and distinguished on my feed then", "could provide some insight on whether, in a work of fiction, chapter titles", "used the chapter titles online, but not in the working document. I was", "- Way Out.\" looks more interesting and distinguished on my feed then \"RE", "whether, in a work of fiction, chapter titles contribute a lot to book,", "before I complete it. On the website, I use chapter titles simply because", "On the website, I use chapter titles simply because \"RE Lavender has just", "Names, and Memories, Chapter 41.\" So far, I've kept the table of contents", "I needed pertaining specifically to why someone would put chapter titles and what", "but not in the working document. *I was wondering if anyone could provide", "feed then \"RE Lavender has just updated Faces, Names, and Memories, Chapter 41.\"", "titles simply because \"RE Lavender has just updated Faces, Names, and Memories, Chapter", "has just updated Faces, Names, and Memories, Chapter 41.\" So far, I've kept", "to why* someone would put chapter titles and what the benefits and disadvantages", "benefits and disadvantages of putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons", "my feed then \"RE Lavender has just updated Faces, Names, and Memories, Chapter", "and the chapter titles, but I'm debating whether or not to leave them", "any other purposes to keeping them. If not I'll most likely omit them", "putting them would be. [This](http://www.helpingwritersbecomeauthors.com/chapter-titles/) website provided some reasons one could use chapter", "Sci-fi novel, and I use a website to upload chapters before I complete", "kept the table of contents and the chapter titles, but I'm debating whether", "using the same website, I've used the chapter titles online, but not in", "in the working document. I was wondering if anyone could provide some insight", "the chapter titles, but I'm debating whether or not to leave them in", "contents is just annoying and unorthodox. I read the answers [here](https://writers.stackexchange.com/questions/14239/chapter-titles-or-numbers). But, this" ]
[ "one chapter, a chapter in which a lot of significant events occur. If", "the characters are saying, how they're saying it, and what their doing and", "and I don't want to get off track with this question.) At one", "distant tone of just relaying what the characters are saying, how they're saying", "her other flashbacks when she was seeing something from the eyes of someone", "confusing for the readers? If it's not, is there any way I could", "problem with that plan. In her other flashbacks when she was seeing something", "a lot of significant events occur. If I don't relay that information to", "If I don't relay that information to the readers while the events are", "in the arms of the person who's mind she's supposed to see things", "normal narration when the main character awakes and un italicize the text. This", "This would only be for one chapter, a chapter in which a lot", "avoid this, if possible. So my question is, is this plausible, or would", "the novel, the narrator is rendered unconscious and I intend to continue on", "when I start with the other character's POV and somehow explain how she", "tips on how to switch POVs, which I am already reasonably familiar with,", "how to switch POVs, which I am already reasonably familiar with, and even", "main character awakes and un italicize the text. This would only be for", "from his perspective and not the main characters. I would resume normal narration", "see things from his eyes when she wakes up, but there is a", "resort to the cliche'd, as soon as the character wakes up, a close", "this other character's thoughts and emotions prevalent, as if he's just taken over", "readers while the events are happening, when the protagonist rejoins the story, I'll", "that it's not okay and it would confuse the readers. The protagonist of", "to research this, but any time I typed in some variation of my", "long. It's a rather abstract background and I felt like the question would", "others, sometimes as they are being made, through flashbacks. (Please don't get into", "perhaps by using single quotes to represent the new narrators thoughts or leaving", "a lot more and I don't want to get off track with this", "was planning to do this when I start with the other character's POV", "for the post being so awfully long. It's a rather abstract background and", "for a different character. But, if I am to do this, she will", "it's not, is there any way I could make it plausible, perhaps by", "close friends to relate the following events. For the previous flashbacks, I've just", "would only be for one chapter, a chapter in which a lot of", "more and I don't want to get off track with this question.) At", "the thoughts of the other character? I tried to research this, but any", "ability I'd have to explain a lot more and I don't want to", "if he's just taken over narration entirely. The only thing I plan to", "am already reasonably familiar with, and even if I wasn't there are many", "flashback, actually in the arms of the person who's mind she's supposed to", "would it be way too confusing for the readers? If it's not, is", "a moment to herself to get her head around it. I would like", "even if I wasn't there are many different posts on this very website", "herself to get her head around it. I would like to avoid this,", "the following events. For the previous flashbacks, I've just italicized all the text.", "of the unconscious character, just have her be narrating the thoughts of the", "the question would be confusing and not nearly specific enough if I did", "a different character. But, if I am to do this, she will be", "would confuse the readers. The protagonist of the novel - also the narrator", "don't want to get off track with this question.) At one crucial plot", "wanted to really have this other character's thoughts and emotions prevalent, as if", "in which a lot of significant events occur. If I don't relay that", "one crucial plot point in the novel, the narrator is rendered unconscious and", "have her be narrating the thoughts of the other character? I tried to", "confuse the readers. The protagonist of the novel - also the narrator -", "rendered unconscious and I intend to continue on from that point, but assume", "is, this is a work of science-fiction and to explain the ability I'd", "on how to switch POVs, which I am already reasonably familiar with, and", "so I was able to keep a more distant tone of just relaying", "the other character? I tried to research this, but any time I typed", "with, and even if I wasn't there are many different posts on this", "can tell that it's not the main character speaking is italicize the text", "the flashback, so I was able to keep a more distant tone of", "before you immediately say that it's not okay and it would confuse the", "she was able to see things from his eyes when she wakes up,", "she's missed in a weepy voice and then gives her a moment to", "gives her a moment to herself to get her head around it. I", "when the main character awakes and un italicize the text. This would only", "I don't want to get off track with this question.) At one crucial", "up, but there is a problem with that plan. In her other flashbacks", "this, but any time I typed in some variation of my question all", "I would resume normal narration when the main character awakes and un italicize", "point, but assume the perspective of one of the narrators close friends to", "different posts on this very website that I can consult. So, if anyone", "that it's not the main character speaking is italicize the text and make", "into how realistic a person having an ability like this is, this is", "awakes and un italicize the text. This would only be for one chapter,", "this very website that I can consult. So, if anyone can help me", "out with this, it would be greatly appreciated. (I apologize sincerely for the", "appreciated. (I apologize sincerely for the post being so awfully long. It's a", "was able to see things from his eyes when she wakes up, but", "he's just taken over narration entirely. The only thing I plan to do", "moment to herself to get her head around it. I would like to", "clear that the passage is from his perspective and not the main characters.", "many different posts on this very website that I can consult. So, if", "first person, yet have the reader understand that while she's still narrating, she's", "story, I'll have to resort to the cliche'd, as soon as the character", "got were tips on how to switch POVs, which I am already reasonably", "the readers can tell that it's not the main character speaking is italicize", "of someone else, she wasn't in the flashback, so I was able to", "quotes to represent the new narrators thoughts or leaving it in the first", "to get her head around it. I would like to avoid this, if", "speaking is italicize the text and make it immediately clear that the passage", "to relate the following events. For the previous flashbacks, I've just italicized all", "can consult. So, if anyone can help me out with this, it would", "to keep it in the first person, yet have the reader understand that", "narrating, she's narrating for a different character. But, if I am to do", "also the narrator - has the ability to see the memories of others,", "the ability to see the memories of others, sometimes as they are being", "way too confusing for the readers? If it's not, is there any way", "way, I was able to keep it in the first person, yet have", "the arms of the person who's mind she's supposed to see things from.", "the main characters. I would resume normal narration when the main character awakes", "the narrator - has the ability to see the memories of others, sometimes", "were tips on how to switch POVs, which I am already reasonably familiar", "an ability like this is, this is a work of science-fiction and to", "background and I felt like the question would be confusing and not nearly", "supposed to see things from. Additionally, instead of taking the voice of a", "track with this question.) At one crucial plot point in the novel, the", "readers? If it's not, is there any way I could make it plausible,", "narrating with no elaboration, explanation or inner thoughts, I wanted to really have", "I've just italicized all the text. I was planning to do this when", "to continue on from that point, but assume the perspective of one of", "narrator is rendered unconscious and I intend to continue on from that point,", "she's awakened from the flashback. This way, I was able to keep it", "this is a work of science-fiction and to explain the ability I'd have", "character awakes and un italicize the text. This would only be for one", "I don't relay that information to the readers while the events are happening,", "if I am to do this, she will be in the flashback, actually", "point in the novel, the narrator is rendered unconscious and I intend to", "the events are happening, when the protagonist rejoins the story, I'll have to", "the text. I was planning to do this when I start with the", "the character wakes up, a close friend tells her everything's she's missed in", "help me out with this, it would be greatly appreciated. (I apologize sincerely", "and I felt like the question would be confusing and not nearly specific", "post being so awfully long. It's a rather abstract background and I felt", "entirely. The only thing I plan to do so the readers can tell", "it would confuse the readers. The protagonist of the novel - also the", "At one crucial plot point in the novel, the narrator is rendered unconscious", "for the readers? If it's not, is there any way I could make", "is a work of science-fiction and to explain the ability I'd have to", "other character? I tried to research this, but any time I typed in", "her be narrating the thoughts of the other character? I tried to research", "is from his perspective and not the main characters.* I would resume normal", "this is, this is a work of science-fiction and to explain the ability", "see the memories of others, sometimes as they are being made, through flashbacks.", "and make it immediately clear that the passage is from his perspective and", "I start with the other character's POV and somehow explain how she was", "so awfully long. It's a rather abstract background and I felt like the", "immediately clear that the passage is from his perspective and not the main", "are being made, through flashbacks. 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So my question is, is", "this, it would be greatly appreciated. (I apologize sincerely for the post being", "to see things from his eyes when she wakes up, but there is", "mind she's supposed to see things from. Additionally, instead of taking the voice", "arms of the person who's mind she's supposed to see things from. Additionally,", "a rather abstract background and I felt like the question would be confusing", "and un italicize the text. This would only be for one chapter, a", "voice of a outside narrating with no elaboration, explanation or inner thoughts, I", "her head around it. I would like to avoid this, if possible. So", "previous flashbacks, I've just italicized all the text. I was planning to do", "be greatly appreciated. (I apologize sincerely for the post being so awfully long.", "of one of the narrators close friends to relate the following events. For", "his perspective and not the main characters. I would resume normal narration when", "explanation or inner thoughts, I wanted to really have this other character's thoughts", "of science-fiction and to explain the ability I'd have to explain a lot", "this when I start with the other character's POV and somehow explain how", "she wasn't in the flashback, so I was able to keep a more", "readers can tell that it's not the main character speaking is italicize the", "be narrating the thoughts of the other character? I tried to research this,", "is there any way I could make it plausible, perhaps by using single", "a close friend tells her everything's she's missed in a weepy voice and", "character, just have her be narrating the thoughts of the other character? I", "I'd have to explain a lot more and I don't want to get", "to see the memories of others, sometimes as they are being made, through", "wakes up, a close friend tells her everything's she's missed in a weepy", "person who's mind she's supposed to see things from. Additionally, instead of taking", "chapter in which a lot of significant events occur. If I don't relay", "it be way too confusing for the readers? If it's not, is there", "their doing and not having many of her interpretations or thoughts until after", "explain what prompted the question before you immediately say that it's not okay", "many of her interpretations or thoughts until after she's awakened from the flashback.", "then gives her a moment to herself to get her head around it.", "say that it's not okay and it would confuse the readers. The protagonist", "to represent the new narrators thoughts or leaving it in the first person", "able to see things from his eyes when she wakes up, but there", "But, if I am to do this, she will be in the flashback,", "too confusing for the readers? If it's not, is there any way I", "italicized all the text. I was planning to do this when I start", "relate the following events. For the previous flashbacks, I've just italicized all the", "explain a lot more and I don't want to get off track with", "the post being so awfully long. It's a rather abstract background and I", "through flashbacks. (Please don't get into how realistic a person having an ability", "So, if anyone can help me out with this, it would be greatly", "narration entirely. The only thing I plan to do so the readers can", "narrating the thoughts of the other character? I tried to research this, but", "still narrating, she's narrating for a different character. But, if I am to", "have to resort to the cliche'd, as soon as the character wakes up,", "single quotes to represent the new narrators thoughts or leaving it in the", "yet have the reader understand that while she's still narrating, she's narrating for", "or thoughts until after she's awakened from the flashback. This way, I was", "reasonably familiar with, and even if I wasn't there are many different posts", "want to get off track with this question.) At one crucial plot point", "of the narrators close friends to relate the following events. For the previous", "in some variation of my question all I got were tips on how", "protagonist of the novel - also the narrator - has the ability to", "the other character's POV and somehow explain how she was able to see", "italicize the text. This would only be for one chapter, a chapter in", "you immediately say that it's not okay and it would confuse the readers.", "I wasn't there are many different posts on this very website that I", "and even if I wasn't there are many different posts on this very", "the unconscious character, just have her be narrating the thoughts of the other", "with this, it would be greatly appreciated. (I apologize sincerely for the post", "prevalent, as if he's just taken over narration entirely. The only thing I", "question before you immediately say that it's not okay and it would confuse", "events are happening, when the protagonist rejoins the story, I'll have to resort", "not having many of her interpretations or thoughts until after she's awakened from", "passage is from his perspective and not the main characters.* I would resume", "For the previous flashbacks, I've just italicized all the text. I was planning", "text and make it immediately clear that the passage is from his perspective", "thing I plan to do so the readers can tell that it's not", "she wakes up, but there is a problem with that plan. In her", "head around it. I would like to avoid this, if possible. So my", "have the reader understand that while she's still narrating, she's narrating for a", "- also the narrator - has the ability to see the memories of", "different character. But, if I am to do this, she will be in", "me to explain what prompted the question before you immediately say that it's", "of taking the voice of a outside narrating with no elaboration, explanation or", "all the text. I was planning to do this when I start with", "her interpretations or thoughts until after she's awakened from the flashback. This way,", "she will be in the flashback, actually in the arms of the person", "If it's not, is there any way I could make it plausible, perhaps", "having an ability like this is, this is a work of science-fiction and", "that the passage is from his perspective and not the main characters. I", "up, a close friend tells her everything's she's missed in a weepy voice", "on this very website that I can consult. So, if anyone can help", "being so awfully long. It's a rather abstract background and I felt like", "of a outside narrating with no elaboration, explanation or inner thoughts, I wanted", "chapter*, a chapter in which a lot of significant events occur. If I", "person, yet have the reader understand that while she's still narrating, she's narrating", "I was planning to do this when I start with the other character's", "have this other character's thoughts and emotions prevalent, as if he's just taken", "- has the ability to see the memories of others, sometimes as they", "do this when I start with the other character's POV and somehow explain", "wakes up, but there is a problem with that plan. In her other", "that point, but assume the perspective of one of the narrators close friends", "confusing and not nearly specific enough if I did not provide some context)", "which a lot of significant events occur. If I don't relay that information", "from the eyes of someone else, she wasn't in the flashback, so I", "characters are saying, how they're saying it, and what their doing and not", "one of the narrators close friends to relate the following events. For the", "plausible, or would it be way too confusing for the readers? If it's", "would be confusing and not nearly specific enough if I did not provide", "using single quotes to represent the new narrators thoughts or leaving it in", "would like to avoid this, if possible. So my question is, is this", "her everything's she's missed in a weepy voice and then gives her a", "a weepy voice and then gives her a moment to herself to get", "as if he's just taken over narration entirely. The only thing I plan", "perspective and not the main characters. I would resume normal narration when the", "off track with this question.) At one crucial plot point in the novel,", "perspective of one of the narrators close friends to relate the following events.", "plan to do so the readers can tell that it's not the main", "in a weepy voice and then gives her a moment to herself to", "as the character wakes up, a close friend tells her everything's she's missed", "the memories of others, sometimes as they are being made, through flashbacks. (Please", "possible. So my question is, is this plausible, or would it be way", "really have this other character's thoughts and emotions prevalent, as if he's just", "seeing something from the eyes of someone else, she wasn't in the flashback,", "until after she's awakened from the flashback. This way, I was able to", "she's still narrating, she's narrating for a different character. But, if I am", "of my question all I got were tips on how to switch POVs,", "it plausible, perhaps by using single quotes to represent the new narrators thoughts", "but assume the perspective of one of the narrators close friends to relate", "character's thoughts and emotions prevalent, as if he's just taken over narration entirely.", "has the ability to see the memories of others, sometimes as they are", "first person perspective of the unconscious character, just have her be narrating the", "and what their doing and not having many of her interpretations or thoughts", "I intend to continue on from that point, but assume the perspective of", "ability to see the memories of others, sometimes as they are being made,", "awfully long. It's a rather abstract background and I felt like the question", "the text and make it immediately clear that the passage is from his", "is, is this plausible, or would it be way too confusing for the", "to herself to get her head around it. I would like to avoid", "other character's POV and somehow explain how she was able to see things", "from the flashback. This way, I was able to keep it in the", "happening, when the protagonist rejoins the story, I'll have to resort to the", "plot point in the novel, the narrator is rendered unconscious and I intend", "it immediately clear that the passage is from his perspective and not the", "from his eyes when she wakes up, but there is a problem with", "is rendered unconscious and I intend to continue on from that point, but", "resume normal narration when the main character awakes and un italicize the text.", "when she wakes up, but there is a problem with that plan. In", "this, she will be in the flashback, actually in the arms of the", "keep it in the first person, yet have the reader understand that while", "(Please don't get into how realistic a person having an ability like this", "the flashback. This way, I was able to keep it in the first", "abstract background and I felt like the question would be confusing and not", "to the readers while the events are happening, when the protagonist rejoins the", "over narration entirely. The only thing I plan to do so the readers", "cliche'd, as soon as the character wakes up, a close friend tells her", "was seeing something from the eyes of someone else, she wasn't in the", "tell that it's not the main character speaking is italicize the text and", "relay that information to the readers while the events are happening, when the", "the ability I'd have to explain a lot more and I don't want", "like the question would be confusing and not nearly specific enough if I", "intend to continue on from that point, but assume the perspective of one", "immediately say that it's not okay and it would confuse the readers. The", "tone of just relaying what the characters are saying, how they're saying it,", "typed in some variation of my question all I got were tips on", "character's POV and somehow explain how she was able to see things from", "around it. I would like to avoid this, if possible. So my question", "represent the new narrators thoughts or leaving it in the first person perspective", "was able to keep it in the first person, yet have the reader", "I typed in some variation of my question all I got were tips", "assume the perspective of one of the narrators close friends to relate the", "to do this when I start with the other character's POV and somehow", "The protagonist of the novel - also the narrator - has the ability", "of the other character? I tried to research this, but any time I", "the person who's mind she's supposed to see things from. Additionally, instead of", "sometimes as they are being made, through flashbacks.** (Please don't get into how", "me out with this, it would be greatly appreciated. (I apologize sincerely for", "question.) At one crucial plot point in the novel, the narrator is rendered", "thoughts, I wanted to really have this other character's thoughts and emotions prevalent,", "taking the voice of a outside narrating with no elaboration, explanation or inner", "to do so the readers can tell that it's not the main character", "when she was seeing something from the eyes of someone else, she wasn't", "his eyes when she wakes up, but there is a problem with that", "how she was able to see things from his eyes when she wakes", "planning to do this when I start with the other character's POV and", "this plausible, or would it be way too confusing for the readers? If", "her a moment to herself to get her head around it. I would", "of significant events occur. If I don't relay that information to the readers", "from. Additionally, instead of taking the voice of a outside narrating with no", "This way, I was able to keep it in the first person, yet", "be in the flashback, actually in the arms of the person who's mind", "or inner thoughts, I wanted to really have this other character's thoughts and", "the passage is from his perspective and not the main characters.* I would", "which I am already reasonably familiar with, and even if I wasn't there", "sincerely for the post being so awfully long. It's a rather abstract background", "it. I would like to avoid this, if possible. So my question is,", "work of science-fiction and to explain the ability I'd have to explain a", "this, if possible. So my question is, is this plausible, or would it", "how realistic a person having an ability like this is, this is a", "who's mind she's supposed to see things from. Additionally, instead of taking the", "rejoins the story, I'll have to resort to the cliche'd, as soon as", "this question.) At one crucial plot point in the novel, the narrator is", "with that plan. In her other flashbacks when she was seeing something from", "doing and not having many of her interpretations or thoughts until after she's", "other character's thoughts and emotions prevalent, as if he's just taken over narration", "the voice of a outside narrating with no elaboration, explanation or inner thoughts,", "a work of science-fiction and to explain the ability I'd have to explain", "already reasonably familiar with, and even if I wasn't there are many different", "flashback. This way, I was able to keep it in the first person,", "I got were tips on how to switch POVs, which I am already", "a problem with that plan. In her other flashbacks when she was seeing", "Additionally, instead of taking the voice of a outside narrating with no elaboration,", "the protagonist rejoins the story, I'll have to resort to the cliche'd, as", "In her other flashbacks when she was seeing something from the eyes of", "eyes of someone else, she wasn't in the flashback, so I was able", "new narrators thoughts or leaving it in the first person perspective of the", "they are being made, through flashbacks. (Please don't get into how realistic a", "and I intend to continue on from that point, but assume the perspective", "perspective of the unconscious character, just have her be narrating the thoughts of", "in the first person, yet have the reader understand that while she's still", "the previous flashbacks, I've just italicized all the text. I was planning to", "I plan to do so the readers can tell that it's not the", "any way I could make it plausible, perhaps by using single quotes to", "the main character speaking is italicize the text and make it immediately clear", "what prompted the question before you immediately say that it's not okay and", "see things from. Additionally, instead of taking the voice of a outside narrating", "realistic a person having an ability like this is, this is a work", "missed in a weepy voice and then gives her a moment to herself", "when the protagonist rejoins the story, I'll have to resort to the cliche'd,", "some variation of my question all I got were tips on how to", "being made, through flashbacks. (Please don't get into how realistic a person having", "it, and what their doing and not having many of her interpretations or", "would be greatly appreciated. (I apologize sincerely for the post being so awfully", "not the main characters.* I would resume normal narration when the main character", "that I can consult. So, if anyone can help me out with this,", "there any way I could make it plausible, perhaps by using single quotes", "close friend tells her everything's she's missed in a weepy voice and then", "my question is, is this plausible, or would it be way too confusing", "to switch POVs, which I am already reasonably familiar with, and even if", "of her interpretations or thoughts until after she's awakened from the flashback. This", "she's narrating for a different character. But, if I am to do this,", "they're saying it, and what their doing and not having many of her", "I am already reasonably familiar with, and even if I wasn't there are", "it's not okay and it would confuse the readers. The protagonist of the", "flashbacks. (Please don't get into how realistic a person having an ability like", "on from that point, but assume the perspective of one of the narrators", "taken over narration entirely. The only thing I plan to do so the", "I'll have to resort to the cliche'd, as soon as the character wakes", "consult. So, if anyone can help me out with this, it would be", "events occur. If I don't relay that information to the readers while the", "character speaking is italicize the text and make it immediately clear that the", "memories of others, sometimes as they are being made, through flashbacks. (Please don't", "in the novel, the narrator is rendered unconscious and I intend to continue", "by using single quotes to represent the new narrators thoughts or leaving it", "I was able to keep a more distant tone of just relaying what", "of others, sometimes as they are being made, through flashbacks. (Please don't get", "my question all I got were tips on how to switch POVs, which", "get into how realistic a person having an ability like this is, this", "occur. If I don't relay that information to the readers while the events", "just taken over narration entirely. The only thing I plan to do so", "the main character awakes and un italicize the text. This would only be", "it would be greatly appreciated. (I apologize sincerely for the post being so", "all I got were tips on how to switch POVs, which I am", "the cliche'd, as soon as the character wakes up, a close friend tells", "was able to keep a more distant tone of just relaying what the", "made, through flashbacks.* (Please don't get into how realistic a person having an", "question all I got were tips on how to switch POVs, which I", "voice and then gives her a moment to herself to get her head", "if anyone can help me out with this, it would be greatly appreciated.", "thoughts and emotions prevalent, as if he's just taken over narration entirely. The", "emotions prevalent, as if he's just taken over narration entirely. The only thing", "protagonist rejoins the story, I'll have to resort to the cliche'd, as soon", "greatly appreciated. (I apologize sincerely for the post being so awfully long. It's", "readers. The protagonist of the novel - also the narrator - has the", "in the flashback, so I was able to keep a more distant tone", "just relaying what the characters are saying, how they're saying it, and what", "I was able to keep it in the first person, yet have the", "and it would confuse the readers. The protagonist of the novel - also", "flashback, so I was able to keep a more distant tone of just", "things from. Additionally, instead of taking the voice of a outside narrating with", "and emotions prevalent, as if he's just taken over narration entirely. The only", "would resume normal narration when the main character awakes and un italicize the", "get her head around it. I would like to avoid this, if possible.", "in the first person perspective of the unconscious character, just have her be", "to resort to the cliche'd, as soon as the character wakes up, a", "only be for one chapter, a chapter in which a lot of significant", "the readers. The protagonist of the novel - also the narrator - has", "eyes when she wakes up, but there is a problem with that plan.", "It's a rather abstract background and I felt like the question would be", "crucial plot point in the novel, the narrator is rendered unconscious and I", "I tried to research this, but any time I typed in some variation", "the perspective of one of the narrators close friends to relate the following", "just italicized all the text. I was planning to do this when I", "start with the other character's POV and somehow explain how she was able", "novel - also the narrator - has the ability to see the memories", "as they are being made, through flashbacks.* (Please don't get into how realistic", "flashbacks when she was seeing something from the eyes of someone else, she", "awakened from the flashback. This way, I was able to keep it in", "the narrator is rendered unconscious and I intend to continue on from that", "or would it be way too confusing for the readers? If it's not,", "and not having many of her interpretations or thoughts until after she's awakened", "the question before you immediately say that it's not okay and it would", "wasn't in the flashback, so I was able to keep a more distant", "continue on from that point, but assume the perspective of one of the", "to get off track with this question.) At one crucial plot point in", "to explain a lot more and I don't want to get off track", "Allow me to explain what prompted the question before you immediately say that", "posts on this very website that I can consult. So, if anyone can", "could make it plausible, perhaps by using single quotes to represent the new", "explain how she was able to see things from his eyes when she", "to really have this other character's thoughts and emotions prevalent, as if he's", "not okay and it would confuse the readers. The protagonist of the novel", "the new narrators thoughts or leaving it in the first person perspective of", "characters. I would resume normal narration when the main character awakes and un", "not, is there any way I could make it plausible, perhaps by using", "a chapter in which a lot of significant events occur. If I don't", "make it immediately clear that the passage is from his perspective and not", "events. For the previous flashbacks, I've just italicized all the text. I was", "do so the readers can tell that it's not the main character speaking", "friend tells her everything's she's missed in a weepy voice and then gives", "switch POVs, which I am already reasonably familiar with, and even if I", "thoughts until after she's awakened from the flashback. This way, I was able", "no elaboration, explanation or inner thoughts, I wanted to really have this other", "(I apologize sincerely for the post being so awfully long. It's a rather", "to explain the ability I'd have to explain a lot more and I", "she was seeing something from the eyes of someone else, she wasn't in", "main character speaking is italicize the text and make it immediately clear that", "reader understand that while she's still narrating, she's narrating for a different character.", "the reader understand that while she's still narrating, she's narrating for a different", "of just relaying what the characters are saying, how they're saying it, and", "variation of my question all I got were tips on how to switch", "felt like the question would be confusing and not nearly specific enough if", "everything's she's missed in a weepy voice and then gives her a moment", "So my question is, is this plausible, or would it be way too", "and to explain the ability I'd have to explain a lot more and", "question is, is this plausible, or would it be way too confusing for", "to the cliche'd, as soon as the character wakes up, a close friend", "explain the ability I'd have to explain a lot more and I don't", "she's supposed to see things from. Additionally, instead of taking the voice of", "text. This would only be for one chapter, a chapter in which a", "the eyes of someone else, she wasn't in the flashback, so I was", "if possible. So my question is, is this plausible, or would it be", "it in the first person perspective of the unconscious character, just have her", "novel, the narrator is rendered unconscious and I intend to continue on from", "flashbacks, I've just italicized all the text. I was planning to do this", "something from the eyes of someone else, she wasn't in the flashback, so", "and not the main characters.* I would resume normal narration when the main", "very website that I can consult. So, if anyone can help me out", "*is this plausible, or would it be way too confusing for the readers?", "that plan. In her other flashbacks when she was seeing something from the", "while she's still narrating, she's narrating for a different character. But, if I", "don't get into how realistic a person having an ability like this is,", "having many of her interpretations or thoughts until after she's awakened from the", "lot more and I don't want to get off track with this question.)", "it's not the main character speaking is italicize the text and make it", "thoughts or leaving it in the first person perspective of the unconscious character,", "ability like this is, this is a work of science-fiction and to explain", "familiar with, and even if I wasn't there are many different posts on", "are saying, how they're saying it, and what their doing and not having", "from that point, but assume the perspective of one of the narrators close", "narrators thoughts or leaving it in the first person perspective of the unconscious", "can help me out with this, it would be greatly appreciated. (I apologize", "text. I was planning to do this when I start with the other", "a outside narrating with no elaboration, explanation or inner thoughts, I wanted to", "the story, I'll have to resort to the cliche'd, as soon as the", "only thing I plan to do so the readers can tell that it's", "the narrators close friends to relate the following events. For the previous flashbacks,", "am to do this, she will be in the flashback, actually in the", "other flashbacks when she was seeing something from the eyes of someone else,", "saying, how they're saying it, and what their doing and not having many", "character? I tried to research this, but any time I typed in some", "the flashback, actually in the arms of the person who's mind she's supposed", "tried to research this, but any time I typed in some variation of", "don't relay that information to the readers while the events are happening, when", "I can consult. So, if anyone can help me out with this, it", "saying it, and what their doing and not having many of her interpretations", "I am to do this, she will be in the flashback, actually in", "I wanted to really have this other character's thoughts and emotions prevalent, as", "or leaving it in the first person perspective of the unconscious character, just", "interpretations or thoughts until after she's awakened from the flashback. This way, I", "not the main character speaking is italicize the text and make it immediately", "to avoid this, if possible. So my question is, is this plausible, or", "someone else, she wasn't in the flashback, so I was able to keep", "the first person, yet have the reader understand that while she's still narrating,", "be confusing and not nearly specific enough if I did not provide some", "are many different posts on this very website that I can consult. So,", "instead of taking the voice of a outside narrating with no elaboration, explanation", "with the other character's POV and somehow explain how she was able to", "with this question.) At one crucial plot point in the novel, the narrator", "friends to relate the following events. For the previous flashbacks, I've just italicized", "while the events are happening, when the protagonist rejoins the story, I'll have", "like to avoid this, if possible. So my question is, is this plausible,", "plan. In her other flashbacks when she was seeing something from the eyes", "keep a more distant tone of just relaying what the characters are saying,", "else, she wasn't in the flashback, so I was able to keep a", "anyone can help me out with this, it would be greatly appreciated. (I", "that information to the readers while the events are happening, when the protagonist", "for one chapter, a chapter in which a lot of significant events occur.", "relaying what the characters are saying, how they're saying it, and what their", "un italicize the text. This would only be for one chapter, a chapter", "there are many different posts on this very website that I can consult.", "I felt like the question would be confusing and not nearly specific enough", "things from his eyes when she wakes up, but there is a problem", "narrators close friends to relate the following events.* For the previous flashbacks, I've", "research this, but any time I typed in some variation of my question", "narration when the main character awakes and un italicize the text. This would", "way I could make it plausible, perhaps by using single quotes to represent", "is italicize the text and make it immediately clear that the passage is", "somehow explain how she was able to see things from his eyes when", "of the novel - also the narrator - has the ability to see", "unconscious character, just have her be narrating the thoughts of the other character?", "POVs, which I am already reasonably familiar with, and even if I wasn't", "thoughts of the other character? I tried to research this, but any time", "tells her everything's she's missed in a weepy voice and then gives her", "have to explain a lot more and I don't want to get off", "The only thing I plan to do so the readers can tell that", "understand that while she's still narrating, she's narrating for a different character. But,", "rather abstract background and I felt like the question would be confusing and", "get off track with this question.) At one crucial plot point in the", "I could make it plausible, perhaps by using single quotes to represent the", "apologize sincerely for the post being so awfully long. It's a rather abstract", "just have her be narrating the thoughts of the other character? I tried", "the readers? If it's not, is there any way I could make it", "of the person who's mind she's supposed to see things from. Additionally, instead" ]
[ "the story a reader might want to read? Choose one and state reasons.", "the writer wants to write or the story a reader might want to", "or the story a reader might want to read? Choose one and state", "write or the story a reader might want to read? Choose one and", "more? The story the writer wants to write or the story a reader", "What matters more? The story the writer wants to write or the story", "matters more? The story the writer wants to write or the story a", "to write or the story a reader might want to read? Choose one", "writer wants to write or the story a reader might want to read?", "The story the writer wants to write or the story a reader might", "wants to write or the story a reader might want to read? Choose", "story the writer wants to write or the story a reader might want" ]
[ "to make a living. I want to enjoy earning money. I don't wanna", "want to kill my time to make a living. I want to enjoy", "really do. And also, I don't want to kill my time to make", "living as a novelist? I live alone. Do I need to be a", "need to be a really good writer to make a living from it?", "enjoy earning money. I don't wanna be rich, I just don't want to", "want to be poor. Can I make a living as a novelist? I", "wanna be rich, I just don't want to be poor. Can I make", "money. I don't wanna be rich, I just don't want to be poor.", "Do I need to be a really good writer to make a living", "kill my time to make a living. I want to enjoy earning money.", "enjoy writing, I really do. And also, I don't want to kill my", "I don't wanna be rich, I just don't want to be poor. Can", "rich, I just don't want to be poor. Can I make a living", "don't want to kill my time to make a living. I want to", "And also, I don't want to kill my time to make a living.", "novelist? I live alone. Do I need to be a really good writer", "to be a really good writer to make a living from it? Thanks.", "don't wanna be rich, I just don't want to be poor. Can I", "Can I make a living as a novelist? I live alone. Do I", "be rich, I just don't want to be poor. Can I make a", "I make a living as a novelist? I live alone. Do I need", "poor. Can I make a living as a novelist? I live alone. Do", "I want to enjoy earning money. I don't wanna be rich, I just", "I don't want to kill my time to make a living. I want", "be poor. Can I make a living as a novelist? I live alone.", "as a novelist? I live alone. Do I need to be a really", "live alone. Do I need to be a really good writer to make", "time to make a living. I want to enjoy earning money. I don't", "a living. I want to enjoy earning money. I don't wanna be rich,", "a novelist? I live alone. Do I need to be a really good", "to kill my time to make a living. I want to enjoy earning", "I just don't want to be poor. Can I make a living as", "I enjoy writing, I really do. And also, I don't want to kill", "living. I want to enjoy earning money. I don't wanna be rich, I", "to enjoy earning money. I don't wanna be rich, I just don't want", "also, I don't want to kill my time to make a living. I", "writing, I really do. And also, I don't want to kill my time", "I really do. And also, I don't want to kill my time to", "just don't want to be poor. Can I make a living as a", "want to enjoy earning money. I don't wanna be rich, I just don't", "my time to make a living. I want to enjoy earning money. I", "I need to be a really good writer to make a living from", "do. And also, I don't want to kill my time to make a", "don't want to be poor. Can I make a living as a novelist?", "a living as a novelist? I live alone. Do I need to be", "make a living as a novelist? I live alone. Do I need to", "alone. Do I need to be a really good writer to make a", "I live alone. Do I need to be a really good writer to", "earning money. I don't wanna be rich, I just don't want to be", "to be poor. Can I make a living as a novelist? I live", "make a living. I want to enjoy earning money. I don't wanna be" ]
[ "the main character. What are the dangers of having a character like this?", "bland by any means, but this character is definitely talkative, and he's supposed", "on about things that don't really matter to the main character. What are", "cultural values or (2) how the main character needs to adhere to the", "there anything I need to look out for or avoid doing when writing", "him? Also: how much dialogue is too much dialogue for a talkative character?", "department. He's also very strict with the rules, so he often sounds like", "in the history department. He's also very strict with the rules, so he", "community. He's pretty helpful in the beginning of the story where he does", "the characters live in. It's not an info dump; I scatter pieces here", "takes place in a fantasy universe, so he tends to ramble on about", "everything and could talk for an hour about rutabagas if he got into", "needs to adhere to the rules of their society and think about the", "with the rules, so he often sounds like a parent reprimanding his child", "their people and cultural values or (2) how the main character needs to", "are the dangers of having a character like this? Is there anything I", "to lecture and ramble on about things that don't really matter to the", "not the main character but does show up quite a bit. He tends", "that don't really matter to the main character. What are the dangers of", "to the main character. What are the dangers of having a character like", "tends to ramble on about (1) the history of their people and cultural", "could see him as comic relief too. He's super oblivious to everything and", "lecture and ramble on about things that don't really matter to the main", "a walking encyclopedia, particularly in the history department. He's also very strict with", "about the community. He's pretty helpful in the beginning of the story where", "about the fantasy world that the characters live in. It's not an info", "helpful in the beginning of the story where he does drop quite a", "values or (2) how the main character needs to adhere to the rules", "quite a bit. He tends to lecture and ramble on about things that", "wouldn't say he's bland by any means, but this character is definitely talkative,", "adhere to the rules of their society and think about the community. He's", "in the beginning of the story where he does drop quite a few", "the rules of their society and think about the community. He's pretty helpful", "or avoid doing when writing him? Also: how much dialogue is too much", "much dialogue for a talkative character? EDIT: The character is a walking encyclopedia,", "child whenever the main character breaks a rule. The story takes place in", "pretty helpful in the beginning of the story where he does drop quite", "up quite a bit. He tends to lecture and ramble on about things", "of their people and cultural values or (2) how the main character needs", "(1) the history of their people and cultural values or (2) how the", "is definitely talkative, and he's supposed to be. He's not the main character", "people and cultural values or (2) how the main character needs to adhere", "live in. It's not an info dump; I scatter pieces here and there.", "see him as comic relief too. He's super oblivious to everything and could", "is a walking encyclopedia, particularly in the history department. He's also very strict", "anything I need to look out for or avoid doing when writing him?", "world that the characters live in. It's not an info dump; I scatter", "the fantasy world that the characters live in. It's not an info dump;", "character like this? Is there anything I need to look out for or", "information about the fantasy world that the characters live in. It's not an", "(2) how the main character needs to adhere to the rules of their", "Is there anything I need to look out for or avoid doing when", "you could see him as comic relief too. He's super oblivious to everything", "he tends to ramble on about (1) the history of their people and", "I guess you could see him as comic relief too. He's super oblivious", "character breaks a rule. The story takes place in a fantasy universe, so", "he's bland by any means, but this character is definitely talkative, and he's", "look out for or avoid doing when writing him? Also: how much dialogue", "a few helpful pieces of information about the fantasy world that the characters", "having a character like this? Is there anything I need to look out", "a parent reprimanding his child whenever the main character breaks a rule. The", "so he often sounds like a parent reprimanding his child whenever the main", "history department. He's also very strict with the rules, so he often sounds", "very strict with the rules, so he often sounds like a parent reprimanding", "think about the community. He's pretty helpful in the beginning of the story", "and ramble on about things that don't really matter to the main character.", "how the main character needs to adhere to the rules of their society", "tends to lecture and ramble on about things that don't really matter to", "also very strict with the rules, so he often sounds like a parent", "few helpful pieces of information about the fantasy world that the characters live", "much dialogue is too much dialogue for a talkative character? EDIT: The character", "to ramble on about (1) the history of their people and cultural values", "pieces here and there. I guess you could see him as comic relief", "to be. He's not the main character but does show up quite a", "dialogue is too much dialogue for a talkative character? EDIT: The character is", "strict with the rules, so he often sounds like a parent reprimanding his", "but does show up quite a bit. He tends to lecture and ramble", "rules, so he often sounds like a parent reprimanding his child whenever the", "the main character breaks a rule. The story takes place in a fantasy", "society and think about the community. He's pretty helpful in the beginning of", "by any means, but this character is definitely talkative, and he's supposed to", "and cultural values or (2) how the main character needs to adhere to", "as comic relief too. He's super oblivious to everything and could talk for", "info dump; I scatter pieces here and there. I guess you could see", "like a parent reprimanding his child whenever the main character breaks a rule.", "and could talk for an hour about rutabagas if he got into it", "He tends to lecture and ramble on about things that don't really matter", "this character is definitely talkative, and he's supposed to be. He's not the", "main character. What are the dangers of having a character like this? Is", "when writing him? Also: how much dialogue is too much dialogue for a", "supposed to be. He's not the main character but does show up quite", "character needs to adhere to the rules of their society and think about", "and he's supposed to be. He's not the main character but does show", "a fantasy universe, so he tends to ramble on about (1) the history", "reprimanding his child whenever the main character breaks a rule. The story takes", "talkative, and he's supposed to be. He's not the main character but does", "He's pretty helpful in the beginning of the story where he does drop", "of the story where he does drop quite a few helpful pieces of", "for or avoid doing when writing him? Also: how much dialogue is too", "the main character but does show up quite a bit. He tends to", "writing him? Also: how much dialogue is too much dialogue for a talkative", "parent reprimanding his child whenever the main character breaks a rule. The story", "It's not an info dump; I scatter pieces here and there. I guess", "breaks a rule. The story takes place in a fantasy universe, so he", "really matter to the main character. What are the dangers of having a", "so he tends to ramble on about (1) the history of their people", "how much dialogue is too much dialogue for a talkative character? EDIT: The", "a character like this? Is there anything I need to look out for", "beginning of the story where he does drop quite a few helpful pieces", "a talkative character? EDIT: The character is a walking encyclopedia, particularly in the", "the main character needs to adhere to the rules of their society and", "guess you could see him as comic relief too. He's super oblivious to", "talkative character? EDIT: The character is a walking encyclopedia, particularly in the history", "the beginning of the story where he does drop quite a few helpful", "out for or avoid doing when writing him? Also: how much dialogue is", "be. He's not the main character but does show up quite a bit.", "ramble on about things that don't really matter to the main character. What", "ramble on about (1) the history of their people and cultural values or", "of their society and think about the community. He's pretty helpful in the", "this? Is there anything I need to look out for or avoid doing", "The story takes place in a fantasy universe, so he tends to ramble", "that the characters live in. It's not an info dump; I scatter pieces", "He's super oblivious to everything and could talk for an hour about rutabagas", "to look out for or avoid doing when writing him? Also: how much", "his child whenever the main character breaks a rule. The story takes place", "definitely talkative, and he's supposed to be. He's not the main character but", "or (2) how the main character needs to adhere to the rules of", "he's supposed to be. He's not the main character but does show up", "Also: how much dialogue is too much dialogue for a talkative character? EDIT:", "I scatter pieces here and there. I guess you could see him as", "dangers of having a character like this? Is there anything I need to", "character? EDIT: The character is a walking encyclopedia, particularly in the history department.", "history of their people and cultural values or (2) how the main character", "comic relief too. He's super oblivious to everything and could talk for an", "he does drop quite a few helpful pieces of information about the fantasy", "the story where he does drop quite a few helpful pieces of information", "he often sounds like a parent reprimanding his child whenever the main character", "the rules, so he often sounds like a parent reprimanding his child whenever", "relief too. He's super oblivious to everything and could talk for an hour", "pieces of information about the fantasy world that the characters live in. It's", "fantasy world that the characters live in. It's not an info dump; I", "I need to look out for or avoid doing when writing him? Also:", "I wouldn't say he's bland by any means, but this character is definitely", "matter to the main character. What are the dangers of having a character", "The character is a walking encyclopedia, particularly in the history department. He's also", "often sounds like a parent reprimanding his child whenever the main character breaks", "is too much dialogue for a talkative character? EDIT: The character is a", "walking encyclopedia, particularly in the history department. He's also very strict with the", "super oblivious to everything and could talk for an hour about rutabagas if", "the history of their people and cultural values or (2) how the main", "about (1) the history of their people and cultural values or (2) how", "the community. He's pretty helpful in the beginning of the story where he", "drop quite a few helpful pieces of information about the fantasy world that", "encyclopedia, particularly in the history department. He's also very strict with the rules,", "a rule. The story takes place in a fantasy universe, so he tends", "to adhere to the rules of their society and think about the community.", "He's also very strict with the rules, so he often sounds like a", "character is a walking encyclopedia, particularly in the history department. He's also very", "of having a character like this? Is there anything I need to look", "EDIT: The character is a walking encyclopedia, particularly in the history department. He's", "avoid doing when writing him? Also: how much dialogue is too much dialogue", "character. What are the dangers of having a character like this? Is there", "dialogue for a talkative character? EDIT: The character is a walking encyclopedia, particularly", "character but does show up quite a bit. He tends to lecture and", "too much dialogue for a talkative character? EDIT: The character is a walking", "particularly in the history department. He's also very strict with the rules, so", "in. It's not an info dump; I scatter pieces here and there. I", "to everything and could talk for an hour about rutabagas if he got", "on about (1) the history of their people and cultural values or (2)", "character is definitely talkative, and he's supposed to be. He's not the main", "does drop quite a few helpful pieces of information about the fantasy world", "main character but does show up quite a bit. He tends to lecture", "not an info dump; I scatter pieces here and there. I guess you", "for a talkative character? EDIT: The character is a walking encyclopedia, particularly in", "sounds like a parent reprimanding his child whenever the main character breaks a", "fantasy universe, so he tends to ramble on about (1) the history of", "scatter pieces here and there. I guess you could see him as comic", "story takes place in a fantasy universe, so he tends to ramble on", "story where he does drop quite a few helpful pieces of information about", "show up quite a bit. He tends to lecture and ramble on about", "helpful pieces of information about the fantasy world that the characters live in.", "don't really matter to the main character. What are the dangers of having", "their society and think about the community. He's pretty helpful in the beginning", "say he's bland by any means, but this character is definitely talkative, and", "doing when writing him? Also: how much dialogue is too much dialogue for", "He's not the main character but does show up quite a bit. He", "any means, but this character is definitely talkative, and he's supposed to be.", "things that don't really matter to the main character. What are the dangers", "rule. The story takes place in a fantasy universe, so he tends to", "the dangers of having a character like this? Is there anything I need", "here and there. I guess you could see him as comic relief too.", "about things that don't really matter to the main character. What are the", "the history department. He's also very strict with the rules, so he often", "and think about the community. He's pretty helpful in the beginning of the", "a bit. He tends to lecture and ramble on about things that don't", "but this character is definitely talkative, and he's supposed to be. He's not", "quite a few helpful pieces of information about the fantasy world that the", "main character needs to adhere to the rules of their society and think", "and there. I guess you could see him as comic relief too. He's", "universe, so he tends to ramble on about (1) the history of their", "dump; I scatter pieces here and there. I guess you could see him", "where he does drop quite a few helpful pieces of information about the", "rules of their society and think about the community. He's pretty helpful in", "main character breaks a rule. The story takes place in a fantasy universe,", "place in a fantasy universe, so he tends to ramble on about (1)", "could talk for an hour about rutabagas if he got into it ;)", "bit. He tends to lecture and ramble on about things that don't really", "need to look out for or avoid doing when writing him? Also: how", "like this? Is there anything I need to look out for or avoid", "to the rules of their society and think about the community. He's pretty", "an info dump; I scatter pieces here and there. I guess you could", "characters live in. It's not an info dump; I scatter pieces here and", "whenever the main character breaks a rule. The story takes place in a", "does show up quite a bit. He tends to lecture and ramble on", "there. I guess you could see him as comic relief too. He's super", "too. He's super oblivious to everything and could talk for an hour about", "oblivious to everything and could talk for an hour about rutabagas if he", "him as comic relief too. He's super oblivious to everything and could talk", "of information about the fantasy world that the characters live in. It's not", "in a fantasy universe, so he tends to ramble on about (1) the", "means, but this character is definitely talkative, and he's supposed to be. He's", "What are the dangers of having a character like this? Is there anything" ]
[ "to show that it's an interesting and deep story. So how should the", "when telling to a friend about the story, or even an official description,", "official description, that doesn't spoils anything but still gives enough information to show", "even an official description, that doesn't spoils anything but still gives enough information", "is all about discovery, so 95% of it needs to be unknown by", "still gives enough information to show that it's an interesting and deep story.", "gives enough information to show that it's an interesting and deep story. So", "a short description of it, for example when telling to a friend about", "of it needs to be unknown by the reader at first. But I", "that doesn't spoils anything but still gives enough information to show that it's", "information to show that it's an interesting and deep story. So how should", "doesn't spoils anything but still gives enough information to show that it's an", "know how to make a short description of it, for example when telling", "unknown by the reader at first. But I just don't know how to", "the story, or even an official description, that doesn't spoils anything but still", "I'm writing is all about discovery, so 95% of it needs to be", "that it's an interesting and deep story. So how should the description be", "anything but still gives enough information to show that it's an interesting and", "a friend about the story, or even an official description, that doesn't spoils", "short description of it, for example when telling to a friend about the", "make a short description of it, for example when telling to a friend", "spoils anything but still gives enough information to show that it's an interesting", "show that it's an interesting and deep story. So how should the description", "all about discovery, so 95% of it needs to be unknown by the", "so 95% of it needs to be unknown by the reader at first.", "The story I'm writing is all about discovery, so 95% of it needs", "or even an official description, that doesn't spoils anything but still gives enough", "enough information to show that it's an interesting and deep story. So how", "interesting and deep story. So how should the description be in such scenario?", "at first. But I just don't know how to make a short description", "don't know how to make a short description of it, for example when", "to be unknown by the reader at first. But I just don't know", "description, that doesn't spoils anything but still gives enough information to show that", "discovery, so 95% of it needs to be unknown by the reader at", "friend about the story, or even an official description, that doesn't spoils anything", "but still gives enough information to show that it's an interesting and deep", "But I just don't know how to make a short description of it,", "about the story, or even an official description, that doesn't spoils anything but", "needs to be unknown by the reader at first. But I just don't", "just don't know how to make a short description of it, for example", "first. But I just don't know how to make a short description of", "story I'm writing is all about discovery, so 95% of it needs to", "writing is all about discovery, so 95% of it needs to be unknown", "of it, for example when telling to a friend about the story, or", "it, for example when telling to a friend about the story, or even", "be unknown by the reader at first. But I just don't know how", "example when telling to a friend about the story, or even an official", "how to make a short description of it, for example when telling to", "reader at first. But I just don't know how to make a short", "to make a short description of it, for example when telling to a", "telling to a friend about the story, or even an official description, that", "it needs to be unknown by the reader at first. But I just", "an official description, that doesn't spoils anything but still gives enough information to", "for example when telling to a friend about the story, or even an", "95% of it needs to be unknown by the reader at first. But", "description of it, for example when telling to a friend about the story,", "story, or even an official description, that doesn't spoils anything but still gives", "to a friend about the story, or even an official description, that doesn't", "by the reader at first. But I just don't know how to make", "I just don't know how to make a short description of it, for", "the reader at first. But I just don't know how to make a", "about discovery, so 95% of it needs to be unknown by the reader", "it's an interesting and deep story. So how should the description be in", "an interesting and deep story. So how should the description be in such" ]
[ "current non-fiction book, there are a few times where a section ends with", "I'm looking for several suggestions for techniques to handle 2 similar cases ...", "to the effect of - 'I'll expand on this in a later chapter'", "teaser of a statement, or is completing a thought - but I want", "expand on this in a later chapter' , or - 'as we'll see", "for several suggestions for techniques to handle 2 similar cases ... While writing", "effect of - 'I'll expand on this in a later chapter' , or", "I don't want to branch off on a tangent that will be covered", "any more detail, the prior concept. I don't want to branch off on", "statement, or is completing a thought - but I want to say something", "a thought - but I want to say something to the effect of", "later ...' - 'more on this later..' then the next section (not chapter)", "narrative without discussing in any more detail, the prior concept. I don't want", "in a later chapter' , or - 'as we'll see later ...' -", "would continue with the narrative without discussing in any more detail, the prior", "on this later..' then the next section (not chapter) would continue with the", "a statement, or is completing a thought - but I want to say", "off on a tangent that will be covered in more detail later. Any", "on a tangent that will be covered in more detail later. Any suggestions?", "writing my current non-fiction book, there are a few times where a section", "where a section ends with somewhat of a teaser of a statement, or", "next section (not chapter) would continue with the narrative without discussing in any", "of a statement, or is completing a thought - but I want to", "then the next section (not chapter) would continue with the narrative without discussing", "or - 'as we'll see later ...' - 'more on this later..' then", "- but I want to say something to the effect of - 'I'll", "'as we'll see later ...' - 'more on this later..' then the next", "chapter) would continue with the narrative without discussing in any more detail, the", "continue with the narrative without discussing in any more detail, the prior concept.", "for techniques to handle 2 similar cases ... While writing my current non-fiction", "without discussing in any more detail, the prior concept. I don't want to", "the effect of - 'I'll expand on this in a later chapter' ,", "several suggestions for techniques to handle 2 similar cases ... While writing my", "thought - but I want to say something to the effect of -", "to handle 2 similar cases ... While writing my current non-fiction book, there", "(not chapter) would continue with the narrative without discussing in any more detail,", "the next section (not chapter) would continue with the narrative without discussing in", "2 similar cases ... While writing my current non-fiction book, there are a", "prior concept. I don't want to branch off on a tangent that will", "I want to say something to the effect of - 'I'll expand on", "...' - 'more on this later..' then the next section (not chapter) would", "are a few times where a section ends with somewhat of a teaser", "of - 'I'll expand on this in a later chapter' , or -", "we'll see later ...' - 'more on this later..' then the next section", "- 'more on this later..' then the next section (not chapter) would continue", "chapter' , or - 'as we'll see later ...' - 'more on this", "ends with somewhat of a teaser of a statement, or is completing a", "with somewhat of a teaser of a statement, or is completing a thought", "there are a few times where a section ends with somewhat of a", "to say something to the effect of - 'I'll expand on this in", "see later ...' - 'more on this later..' then the next section (not", "a teaser of a statement, or is completing a thought - but I", "more detail, the prior concept. I don't want to branch off on a", "on this in a later chapter' , or - 'as we'll see later", "handle 2 similar cases ... While writing my current non-fiction book, there are", "... While writing my current non-fiction book, there are a few times where", "non-fiction book, there are a few times where a section ends with somewhat", "a few times where a section ends with somewhat of a teaser of", "- 'I'll expand on this in a later chapter' , or - 'as", "similar cases ... While writing my current non-fiction book, there are a few", "my current non-fiction book, there are a few times where a section ends", "somewhat of a teaser of a statement, or is completing a thought -", "a section ends with somewhat of a teaser of a statement, or is", "the narrative without discussing in any more detail, the prior concept. I don't", "times where a section ends with somewhat of a teaser of a statement,", ", or - 'as we'll see later ...' - 'more on this later..'", "completing a thought - but I want to say something to the effect", "looking for several suggestions for techniques to handle 2 similar cases ... While", "book, there are a few times where a section ends with somewhat of", "section (not chapter) would continue with the narrative without discussing in any more", "cases ... While writing my current non-fiction book, there are a few times", "- 'as we'll see later ...' - 'more on this later..' then the", "later chapter' , or - 'as we'll see later ...' - 'more on", "is completing a thought - but I want to say something to the", "don't want to branch off on a tangent that will be covered in", "of a teaser of a statement, or is completing a thought - but", "'more on this later..' then the next section (not chapter) would continue with", "something to the effect of - 'I'll expand on this in a later", "'I'll expand on this in a later chapter' , or - 'as we'll", "want to branch off on a tangent that will be covered in more", "in any more detail, the prior concept. I don't want to branch off", "While writing my current non-fiction book, there are a few times where a", "suggestions for techniques to handle 2 similar cases ... While writing my current", "or is completing a thought - but I want to say something to", "later..' then the next section (not chapter) would continue with the narrative without", "a later chapter' , or - 'as we'll see later ...' - 'more", "want to say something to the effect of - 'I'll expand on this", "detail, the prior concept. I don't want to branch off on a tangent", "with the narrative without discussing in any more detail, the prior concept. I", "concept. I don't want to branch off on a tangent that will be", "to branch off on a tangent that will be covered in more detail", "this later..' then the next section (not chapter) would continue with the narrative", "say something to the effect of - 'I'll expand on this in a", "branch off on a tangent that will be covered in more detail later.", "but I want to say something to the effect of - 'I'll expand", "techniques to handle 2 similar cases ... While writing my current non-fiction book,", "discussing in any more detail, the prior concept. I don't want to branch", "few times where a section ends with somewhat of a teaser of a", "section ends with somewhat of a teaser of a statement, or is completing", "the prior concept. I don't want to branch off on a tangent that", "this in a later chapter' , or - 'as we'll see later ...'" ]
[ "has 96 characters, this approach yields 16 words per line. 16 times 25", "different word counts - which is correct? I am using \"Times New Roman\"", "word equals 6 characters. Since each line has 96 characters, this approach yields", "16 words per line. 16 times 25 lines equals 400 words per page", "Since each line has 96 characters, this approach yields 16 words per line.", "equals 400 words per page 2. Other authority \"says\" use 10 words per", "per page 2. Other authority \"says\" use 10 words per lines. This approach", "one word equals 6 characters. Since each line has 96 characters, this approach", "counts - which is correct? I am using \"Times New Roman\" with 1", "\"says\" use 10 words per lines. This approach yields 250 words per page.", "New Roman\" with 1 inch margins. 1. One authority \"says\" one word equals", "words per line. 16 times 25 lines equals 400 words per page 2.", "per line. 16 times 25 lines equals 400 words per page 2. Other", "Two different \"authorities\" produce widely different word counts - which is correct? I", "margins. 1. One authority \"says\" one word equals 6 characters. Since each line", "lines equals 400 words per page 2. Other authority \"says\" use 10 words", "96 characters, this approach yields 16 words per line. 16 times 25 lines", "times 25 lines equals 400 words per page 2. Other authority \"says\" use", "which is correct? I am using \"Times New Roman\" with 1 inch margins.", "6 characters. Since each line has 96 characters, this approach yields 16 words", "\"says\" one word equals 6 characters. Since each line has 96 characters, this", "page 2. Other authority \"says\" use 10 words per lines. This approach yields", "1 inch margins. 1. One authority \"says\" one word equals 6 characters. Since", "widely different word counts - which is correct? I am using \"Times New", "16 times 25 lines equals 400 words per page 2. Other authority \"says\"", "authority \"says\" one word equals 6 characters. Since each line has 96 characters,", "2. Other authority \"says\" use 10 words per lines. This approach yields 250", "line. 16 times 25 lines equals 400 words per page 2. Other authority", "approach yields 16 words per line. 16 times 25 lines equals 400 words", "authority \"says\" use 10 words per lines. This approach yields 250 words per", "1. One authority \"says\" one word equals 6 characters. Since each line has", "with 1 inch margins. 1. One authority \"says\" one word equals 6 characters.", "this approach yields 16 words per line. 16 times 25 lines equals 400", "produce widely different word counts - which is correct? I am using \"Times", "using \"Times New Roman\" with 1 inch margins. 1. One authority \"says\" one", "is correct? I am using \"Times New Roman\" with 1 inch margins. 1.", "inch margins. 1. One authority \"says\" one word equals 6 characters. Since each", "words per page 2. Other authority \"says\" use 10 words per lines. This", "equals 6 characters. Since each line has 96 characters, this approach yields 16", "each line has 96 characters, this approach yields 16 words per line. 16", "correct? I am using \"Times New Roman\" with 1 inch margins. 1. One", "different \"authorities\" produce widely different word counts - which is correct? I am", "per lines. This approach yields 250 words per page. They cannot both be", "lines. This approach yields 250 words per page. They cannot both be correct.", "yields 16 words per line. 16 times 25 lines equals 400 words per", "- which is correct? I am using \"Times New Roman\" with 1 inch", "line has 96 characters, this approach yields 16 words per line. 16 times", "\"Times New Roman\" with 1 inch margins. 1. One authority \"says\" one word", "400 words per page 2. Other authority \"says\" use 10 words per lines.", "characters. Since each line has 96 characters, this approach yields 16 words per", "25 lines equals 400 words per page 2. Other authority \"says\" use 10", "One authority \"says\" one word equals 6 characters. Since each line has 96", "use 10 words per lines. This approach yields 250 words per page. They", "\"authorities\" produce widely different word counts - which is correct? I am using", "Other authority \"says\" use 10 words per lines. This approach yields 250 words", "words per lines. This approach yields 250 words per page. They cannot both", "I am using \"Times New Roman\" with 1 inch margins. 1. One authority", "characters, this approach yields 16 words per line. 16 times 25 lines equals", "word counts - which is correct? I am using \"Times New Roman\" with", "10 words per lines. This approach yields 250 words per page. They cannot", "Roman\" with 1 inch margins. 1. One authority \"says\" one word equals 6", "am using \"Times New Roman\" with 1 inch margins. 1. One authority \"says\"" ]
[ "refuses to buy it, and I don't have a credit card. So, what", "people like Fxrivonir better than yWriter. I know Fxrivonir is better, but my", "don't have a credit card. So, what does make Fxrivonir better than yWriter5?", "than yWriter. I know Fxrivonir is better, but my dad refuses to buy", "of people like Fxrivonir better than yWriter. I know Fxrivonir is better, but", "to buy it, and I don't have a credit card. So, what does", "know Fxrivonir is better, but my dad refuses to buy it, and I", "buy it, and I don't have a credit card. So, what does make", "that a lot of people like Fxrivonir better than yWriter. I know Fxrivonir", "and I don't have a credit card. So, what does make Fxrivonir better", "like Fxrivonir better than yWriter. I know Fxrivonir is better, but my dad", "I don't have a credit card. So, what does make Fxrivonir better than", "is better, but my dad refuses to buy it, and I don't have", "I know Fxrivonir is better, but my dad refuses to buy it, and", "yWriter. I know Fxrivonir is better, but my dad refuses to buy it,", "a lot of people like Fxrivonir better than yWriter. I know Fxrivonir is", "I see that a lot of people like Fxrivonir better than yWriter. I", "dad refuses to buy it, and I don't have a credit card. So,", "it, and I don't have a credit card. So, what does make Fxrivonir", "better than yWriter. I know Fxrivonir is better, but my dad refuses to", "lot of people like Fxrivonir better than yWriter. I know Fxrivonir is better,", "better, but my dad refuses to buy it, and I don't have a", "but my dad refuses to buy it, and I don't have a credit", "Fxrivonir better than yWriter. I know Fxrivonir is better, but my dad refuses", "Fxrivonir is better, but my dad refuses to buy it, and I don't", "see that a lot of people like Fxrivonir better than yWriter. I know", "my dad refuses to buy it, and I don't have a credit card." ]
[ "Smicb, 34. But if I am putting this in a work of fiction,", "work of fiction. Unfortunately, I'm not sure how to write ages and dates", "and I know that if I am submitting an article to a newspaper,", "am submitting an article to a newspaper, I would need to write ages", "that if I am submitting an article to a newspaper, I would need", "2016, or Jehj Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen. Any help", "article to a newspaper, I would need to write ages and dates as", "submitting an article to a newspaper, I would need to write ages and", "this in a work of fiction, do I do it like this, or", "34. But if I am putting this in a work of fiction, do", "trying to write a newspaper article inside my work of fiction. Unfortunately, I'm", "in college, and I know that if I am submitting an article to", "article inside my work of fiction. Unfortunately, I'm not sure how to write", "I am submitting an article to a newspaper, I would need to write", "fiction. Unfortunately, I'm not sure how to write ages and dates in this", "on July 10, 2016, or Jehj Slotj,, thirty-seven was arrested on July tenth,", "need to write ages and dates as numbers: July 22, 2016, Novhip Smicb,", "dates as numbers: July 22, 2016, Novhip Smicb, 34. But if I am", "to write ages and dates as numbers: July 22, 2016, Novhip Smicb, 34.", "this article. I took journalism in college, and I know that if I", "my work of fiction. Unfortunately, I'm not sure how to write ages and", "to write a newspaper article inside my work of fiction. Unfortunately, I'm not", "do I do it like this, or do I write the ages and", "Jehj Slotj, 37, was arrested on July 10, 2016, or Jehj Slotj,, thirty-seven", "if I am submitting an article to a newspaper, I would need to", "work of fiction, do I do it like this, or do I write", "Jehj Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen. Any help will be", "article. I took journalism in college, and I know that if I am", "numbers: July 22, 2016, Novhip Smicb, 34. But if I am putting this", "how to write ages and dates in this article. I took journalism in", "arrested on July 10, 2016, or Jehj Slotj,, thirty-seven was arrested on July", "like this, or do I write the ages and dates as words? For", "I'm not sure how to write ages and dates in this article. I", "I'm trying to write a newspaper article inside my work of fiction. Unfortunately,", "and dates in this article. I took journalism in college, and I know", "college, and I know that if I am submitting an article to a", "the ages and dates as words? For example: Jehj Slotj, 37, was arrested", "Slotj, 37, was arrested on July 10, 2016, or Jehj Slotj,, thirty-seven was", "would need to write ages and dates as numbers: July 22, 2016, Novhip", "putting this in a work of fiction, do I do it like this,", "sure how to write ages and dates in this article. I took journalism", "and dates as words? For example: Jehj Slotj, 37, was arrested on July", "example: Jehj Slotj, 37, was arrested on July 10, 2016, or Jehj Slotj,,", "I am putting this in a work of fiction, do I do it", "a newspaper, I would need to write ages and dates as numbers: July", "newspaper, I would need to write ages and dates as numbers: July 22,", "37, was arrested on July 10, 2016, or Jehj Slotj,, thirty-seven was arrested", "do I write the ages and dates as words? For example: Jehj Slotj,", "know that if I am submitting an article to a newspaper, I would", "as numbers: July 22, 2016, Novhip Smicb, 34. But if I am putting", "to a newspaper, I would need to write ages and dates as numbers:", "I know that if I am submitting an article to a newspaper, I", "I took journalism in college, and I know that if I am submitting", "dates as words? For example: Jehj Slotj, 37, was arrested on July 10,", "am putting this in a work of fiction, do I do it like", "or do I write the ages and dates as words? For example: Jehj", "dates in this article. I took journalism in college, and I know that", "write ages and dates in this article. I took journalism in college, and", "ages and dates as numbers: July 22, 2016, Novhip Smicb, 34. But if", "For example: Jehj Slotj, 37, was arrested on July 10, 2016, or Jehj", "and dates as numbers: July 22, 2016, Novhip Smicb, 34. But if I", "July 22, 2016, Novhip Smicb, 34. But if I am putting this in", "Novhip Smicb, 34. But if I am putting this in a work of", "newspaper article inside my work of fiction. Unfortunately, I'm not sure how to", "a newspaper article inside my work of fiction. Unfortunately, I'm not sure how", "Unfortunately, I'm not sure how to write ages and dates in this article.", "do it like this, or do I write the ages and dates as", "write the ages and dates as words? For example: Jehj Slotj, 37, was", "ages and dates in this article. I took journalism in college, and I", "I write the ages and dates as words? For example: Jehj Slotj, 37,", "Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen. Any help will be appreciated.", "this, or do I write the ages and dates as words? For example:", "it like this, or do I write the ages and dates as words?", "in a work of fiction, do I do it like this, or do", "22, 2016, Novhip Smicb, 34. But if I am putting this in a", "journalism in college, and I know that if I am submitting an article", "in this article. I took journalism in college, and I know that if", "I would need to write ages and dates as numbers: July 22, 2016,", "not sure how to write ages and dates in this article. I took", "fiction, do I do it like this, or do I write the ages", "if I am putting this in a work of fiction, do I do", "2016, Novhip Smicb, 34. But if I am putting this in a work", "as words? For example: Jehj Slotj, 37, was arrested on July 10, 2016,", "ages and dates as words? For example: Jehj Slotj, 37, was arrested on", "of fiction. Unfortunately, I'm not sure how to write ages and dates in", "of fiction, do I do it like this, or do I write the", "or Jehj Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen. Any help will", "write ages and dates as numbers: July 22, 2016, Novhip Smicb, 34. But", "to write ages and dates in this article. I took journalism in college,", "a work of fiction, do I do it like this, or do I", "10, 2016, or Jehj Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen. Any", "inside my work of fiction. Unfortunately, I'm not sure how to write ages", "But if I am putting this in a work of fiction, do I", "write a newspaper article inside my work of fiction. Unfortunately, I'm not sure", "I do it like this, or do I write the ages and dates", "July 10, 2016, or Jehj Slotj,, thirty-seven was arrested on July tenth, twenty-sixteen.", "words? For example: Jehj Slotj, 37, was arrested on July 10, 2016, or", "an article to a newspaper, I would need to write ages and dates", "took journalism in college, and I know that if I am submitting an", "was arrested on July 10, 2016, or Jehj Slotj,, thirty-seven was arrested on" ]
[ "he's the smartest one in the room,\" Heqrv wrote on a piece of", "paper. > > > Generally, I'd think to use double quotation marks for", "the smartest one in the room,' Heqrv wrote on a piece of paper.", "> > (For context, when they write dialogue they use double quotation marks.)", "in this situation? Or something else? Or is it just a matter of", "single quotes, double quotes, or italics in this situation? Or something else? Or", "\"Heqrv wrote\" then I'd know to use italics. So, am I to use", "that the single quotation marks are incorrect. (Though I might be wrong about", "on a piece of paper. > > > 3. Italics: > > Thinks", "'Thinks he's the smartest one in the room,' Heqrv wrote on a piece", "read too much like dialogue--especially because there's a conversation happening around the line.", "thought was that the single quotation marks are incorrect. (Though I might be", "(For context, when they write dialogue they use double quotation marks.) So, on", "towards the italics is because, even though \"Thinks he's the smartest one in", "marks are incorrect. (Though I might be wrong about this.) I can only", "If it was \"Heqrv thought\" instead of \"Heqrv wrote\" then I'd know to", "am I to use single quotes, double quotes, or italics in this situation?", "quotes, double quotes, or italics in this situation? Or something else? Or is", "was \"Heqrv thought\" instead of \"Heqrv wrote\" then I'd know to use italics.", "and I've got a little stumped. They wrote the following: > > 'Thinks", "are incorrect. (Though I might be wrong about this.) I can only think", "one in the room.\" My initial thought was that the single quotation marks", "the room, Heqrv wrote on a piece of paper. > > > Generally,", "smartest one in the room.\" My initial thought was that the single quotation", "\"Thinks he's the smartest one in the room,\" Heqrv wrote on a piece", "thought\" instead of \"Heqrv wrote\" then I'd know to use italics. So, am", "at editing a friends work, and I've got a little stumped. They wrote", "piece of paper. > > > 2. Double quotation marks: > > \"Thinks", "> > Generally, I'd think to use double quotation marks for quoting words.", "I'm trying my hand at editing a friends work, and I've got a", "write dialogue they use double quotation marks.) So, on a piece of paper,", "italics is because, even though \"Thinks he's the smartest one in the room\"", "this situation? Or something else? Or is it just a matter of style?", "a piece of paper. > > > 3. Italics: > > Thinks he's", "on a piece of paper. > > > Generally, I'd think to use", "only think of two alternative ways to go, and I don't know which", "dialogue--especially because there's a conversation happening around the line. A reason I'm leaning", "in the room.\" My initial thought was that the single quotation marks are", "use double quotation marks.) So, on a piece of paper, Heqrv has written", "think to use double quotation marks for quoting words. However, I feel that", "I can only think of two alternative ways to go, and I don't", "the room.\" My initial thought was that the single quotation marks are incorrect.", "of paper. > > > Generally, I'd think to use double quotation marks", "he's the smartest one in the room.\" My initial thought was that the", "room,' Heqrv wrote on a piece of paper. > > > 2. Double", "a piece of paper, Heqrv has written the words: \"Thinks he's the smartest", "to use double quotation marks for quoting words. However, I feel that that", "because there's a conversation happening around the line. A reason I'm leaning towards", "I to use single quotes, double quotes, or italics in this situation? Or", "the room\" is a quote, it's also a thought that Heqrv's having. If", "> > > 2. Double quotation marks: > > \"Thinks he's the smartest", "got a little stumped. They wrote the following: > > 'Thinks he's the", "reason I'm leaning towards the italics is because, even though \"Thinks he's the", "a thought that Heqrv's having. If it was \"Heqrv thought\" instead of \"Heqrv", "So, am I to use single quotes, double quotes, or italics in this", "So, on a piece of paper, Heqrv has written the words: \"Thinks he's", "quotation marks for quoting words. However, I feel that that would make it", "\"Thinks he's the smartest one in the room\" is a quote, it's also", "> > 3. Italics: > > Thinks he's the smartest one in the", "of paper. > > > 3. Italics: > > Thinks he's the smartest", "has): > > 'Thinks he's the smartest one in the room,' Heqrv wrote", "a piece of paper. > > > Generally, I'd think to use double", "to use italics. So, am I to use single quotes, double quotes, or", "I'd know to use italics. So, am I to use single quotes, double", "I might be wrong about this.) I can only think of two alternative", "italics in this situation? Or something else? Or is it just a matter", "(Though I might be wrong about this.) I can only think of two", "it look and read too much like dialogue--especially because there's a conversation happening", "> > Thinks he's the smartest one in the room, Heqrv wrote on", "Heqrv has written the words: \"Thinks he's the smartest one in the room.\"", "alternative ways to go, and I don't know which of these three options", "smartest one in the room, Heqrv wrote on a piece of paper. >", "quotation marks (as my friend has): > > 'Thinks he's the smartest one", "dialogue they use double quotation marks.) So, on a piece of paper, Heqrv", "paper. > > > 2. Double quotation marks: > > \"Thinks he's the", "ways to go, and I don't know which of these three options would", "I've got a little stumped. They wrote the following: > > 'Thinks he's", "instead of \"Heqrv wrote\" then I'd know to use italics. So, am I", "and read too much like dialogue--especially because there's a conversation happening around the", "he's the smartest one in the room\" is a quote, it's also a", "happening around the line. A reason I'm leaning towards the italics is because,", "wrote the following: > > 'Thinks he's the smartest one in the room,'", "single quotation marks are incorrect. (Though I might be wrong about this.) I", "Heqrv's having. If it was \"Heqrv thought\" instead of \"Heqrv wrote\" then I'd", "friends work, and I've got a little stumped. They wrote the following: >", "think of two alternative ways to go, and I don't know which of", "was that the single quotation marks are incorrect. (Though I might be wrong", "on a piece of paper. > > > 2. Double quotation marks: >", "> 2. Double quotation marks: > > \"Thinks he's the smartest one in", "feel that that would make it look and read too much like dialogue--especially", "paper. > > > (For context, when they write dialogue they use double", "even though \"Thinks he's the smartest one in the room\" is a quote,", "little stumped. They wrote the following: > > 'Thinks he's the smartest one", "is a quote, it's also a thought that Heqrv's having. If it was", "I'd think to use double quotation marks for quoting words. However, I feel", "the italics is because, even though \"Thinks he's the smartest one in the", "friend has): > > 'Thinks he's the smartest one in the room,' Heqrv", "in the room,' Heqrv wrote on a piece of paper. > > >", "quote, it's also a thought that Heqrv's having. If it was \"Heqrv thought\"", "my friend has): > > 'Thinks he's the smartest one in the room,'", "the smartest one in the room,\" Heqrv wrote on a piece of paper.", "the room,\" Heqrv wrote on a piece of paper. > > > 3.", "though \"Thinks he's the smartest one in the room\" is a quote, it's", "smartest one in the room,' Heqrv wrote on a piece of paper. >", "> Generally, I'd think to use double quotation marks for quoting words. However,", "Heqrv wrote on a piece of paper. > > > 3. Italics: >", "> > 2. Double quotation marks: > > \"Thinks he's the smartest one", "marks for quoting words. However, I feel that that would make it look", "one in the room, Heqrv wrote on a piece of paper. > >", "leaning towards the italics is because, even though \"Thinks he's the smartest one", "is because, even though \"Thinks he's the smartest one in the room\" is", "the smartest one in the room\" is a quote, it's also a thought", "then I'd know to use italics. So, am I to use single quotes,", "to use single quotes, double quotes, or italics in this situation? Or something", "of \"Heqrv wrote\" then I'd know to use italics. So, am I to", "a quote, it's also a thought that Heqrv's having. If it was \"Heqrv", "my hand at editing a friends work, and I've got a little stumped.", "> 3. Italics: > > Thinks he's the smartest one in the room,", "words: \"Thinks he's the smartest one in the room.\" My initial thought was", "he's the smartest one in the room,' Heqrv wrote on a piece of", "> 'Thinks he's the smartest one in the room,' Heqrv wrote on a", "about this.) I can only think of two alternative ways to go, and", "know which of these three options would be correct: 1. Single quotation marks", "Double quotation marks: > > \"Thinks he's the smartest one in the room,\"", "stumped. They wrote the following: > > 'Thinks he's the smartest one in", "trying my hand at editing a friends work, and I've got a little", "he's the smartest one in the room, Heqrv wrote on a piece of", "Generally, I'd think to use double quotation marks for quoting words. However, I", "it was \"Heqrv thought\" instead of \"Heqrv wrote\" then I'd know to use", "They wrote the following: > > 'Thinks he's the smartest one in the", "italics. So, am I to use single quotes, double quotes, or italics in", "> (For context, when they write dialogue they use double quotation marks.) So,", "Heqrv wrote on a piece of paper. > > > 2. Double quotation", "of two alternative ways to go, and I don't know which of these", "that Heqrv's having. If it was \"Heqrv thought\" instead of \"Heqrv wrote\" then", "following: > > 'Thinks he's the smartest one in the room,' Heqrv wrote", "piece of paper. > > > 3. Italics: > > Thinks he's the", "hand at editing a friends work, and I've got a little stumped. They", "editing a friends work, and I've got a little stumped. They wrote the", "like dialogue--especially because there's a conversation happening around the line. A reason I'm", "in the room,\" Heqrv wrote on a piece of paper. > > >", "I'm leaning towards the italics is because, even though \"Thinks he's the smartest", "a little stumped. They wrote the following: > > 'Thinks he's the smartest", "two alternative ways to go, and I don't know which of these three", "wrote on a piece of paper. > > > Generally, I'd think to", "incorrect. (Though I might be wrong about this.) I can only think of", "work, and I've got a little stumped. They wrote the following: > >", "of paper. > > > (For context, when they write dialogue they use", "a conversation happening around the line. A reason I'm leaning towards the italics", "the following: > > 'Thinks he's the smartest one in the room,' Heqrv", "of paper. > > > 2. Double quotation marks: > > \"Thinks he's", "smartest one in the room\" is a quote, it's also a thought that", "wrote on a piece of paper. > > > 3. Italics: > >", "the words: \"Thinks he's the smartest one in the room.\" My initial thought", "> \"Thinks he's the smartest one in the room,\" Heqrv wrote on a", "might be wrong about this.) I can only think of two alternative ways", "the room,' Heqrv wrote on a piece of paper. > > > 2.", "piece of paper. > > > (For context, when they write dialogue they", "smartest one in the room,\" Heqrv wrote on a piece of paper. >", "would make it look and read too much like dialogue--especially because there's a", "\"Heqrv thought\" instead of \"Heqrv wrote\" then I'd know to use italics. So,", "when they write dialogue they use double quotation marks.) So, on a piece", "marks (as my friend has): > > 'Thinks he's the smartest one in", "> Thinks he's the smartest one in the room, Heqrv wrote on a", "which of these three options would be correct: 1. Single quotation marks (as", "However, I feel that that would make it look and read too much", "having. If it was \"Heqrv thought\" instead of \"Heqrv wrote\" then I'd know", "they write dialogue they use double quotation marks.) So, on a piece of", "conversation happening around the line. A reason I'm leaning towards the italics is", "make it look and read too much like dialogue--especially because there's a conversation", "on a piece of paper. > > > (For context, when they write", "three options would be correct: 1. Single quotation marks (as my friend has):", "1. Single quotation marks (as my friend has): > > 'Thinks he's the", "too much like dialogue--especially because there's a conversation happening around the line. A", "of paper, Heqrv has written the words: \"Thinks he's the smartest one in", "\"Thinks he's the smartest one in the room.\" My initial thought was that", "that would make it look and read too much like dialogue--especially because there's", "Thinks he's the smartest one in the room, Heqrv wrote on a piece", "I feel that that would make it look and read too much like", "double quotation marks for quoting words. However, I feel that that would make", "can only think of two alternative ways to go, and I don't know", "around the line. A reason I'm leaning towards the italics is because, even", "because, even though \"Thinks he's the smartest one in the room\" is a", "on a piece of paper, Heqrv has written the words: \"Thinks he's the", "quotation marks are incorrect. (Though I might be wrong about this.) I can", "wrote\" then I'd know to use italics. So, am I to use single", "would be correct: 1. Single quotation marks (as my friend has): > >", "that that would make it look and read too much like dialogue--especially because", "know to use italics. So, am I to use single quotes, double quotes,", "marks: > > \"Thinks he's the smartest one in the room,\" Heqrv wrote", "> > > Generally, I'd think to use double quotation marks for quoting", "> > \"Thinks he's the smartest one in the room,\" Heqrv wrote on", "room.\" My initial thought was that the single quotation marks are incorrect. (Though", "to go, and I don't know which of these three options would be", "in the room, Heqrv wrote on a piece of paper. > > >", "initial thought was that the single quotation marks are incorrect. (Though I might", "My initial thought was that the single quotation marks are incorrect. (Though I", "a piece of paper. > > > (For context, when they write dialogue", "a friends work, and I've got a little stumped. They wrote the following:", "and I don't know which of these three options would be correct: 1.", "A reason I'm leaning towards the italics is because, even though \"Thinks he's", "(as my friend has): > > 'Thinks he's the smartest one in the", "Heqrv wrote on a piece of paper. > > > Generally, I'd think", "room,' Heqrv wrote on a piece of paper. > > > (For context,", "go, and I don't know which of these three options would be correct:", "be correct: 1. Single quotation marks (as my friend has): > > 'Thinks", "> > 'Thinks he's the smartest one in the room,' Heqrv wrote on", "wrote on a piece of paper. > > > 2. Double quotation marks:", "room,\" Heqrv wrote on a piece of paper. > > > 3. Italics:", "words. However, I feel that that would make it look and read too", "it's also a thought that Heqrv's having. If it was \"Heqrv thought\" instead", "Heqrv wrote on a piece of paper. > > > (For context, when", "use italics. So, am I to use single quotes, double quotes, or italics", "written the words: \"Thinks he's the smartest one in the room.\" My initial", "Italics: > > Thinks he's the smartest one in the room, Heqrv wrote", "one in the room\" is a quote, it's also a thought that Heqrv's", "double quotes, or italics in this situation? Or something else? Or is it", "quotes, or italics in this situation? Or something else? Or is it just", "quotation marks.) So, on a piece of paper, Heqrv has written the words:", "marks.) So, on a piece of paper, Heqrv has written the words: \"Thinks", "has written the words: \"Thinks he's the smartest one in the room.\" My", "double quotation marks.) So, on a piece of paper, Heqrv has written the", "also a thought that Heqrv's having. If it was \"Heqrv thought\" instead of", "be wrong about this.) I can only think of two alternative ways to", "don't know which of these three options would be correct: 1. Single quotation", "room, Heqrv wrote on a piece of paper. > > > Generally, I'd", "quotation marks: > > \"Thinks he's the smartest one in the room,\" Heqrv", "use double quotation marks for quoting words. However, I feel that that would", "piece of paper. > > > Generally, I'd think to use double quotation", "> > > 3. Italics: > > Thinks he's the smartest one in", "the line. A reason I'm leaning towards the italics is because, even though", "the room,' Heqrv wrote on a piece of paper. > > > (For", "options would be correct: 1. Single quotation marks (as my friend has): >", "much like dialogue--especially because there's a conversation happening around the line. A reason", "there's a conversation happening around the line. A reason I'm leaning towards the", "room\" is a quote, it's also a thought that Heqrv's having. If it", "thought that Heqrv's having. If it was \"Heqrv thought\" instead of \"Heqrv wrote\"", "one in the room,\" Heqrv wrote on a piece of paper. > >", "of these three options would be correct: 1. Single quotation marks (as my", "quoting words. However, I feel that that would make it look and read", "line. A reason I'm leaning towards the italics is because, even though \"Thinks", "use single quotes, double quotes, or italics in this situation? Or something else?", "wrong about this.) I can only think of two alternative ways to go,", "for quoting words. However, I feel that that would make it look and", "> > > (For context, when they write dialogue they use double quotation", "these three options would be correct: 1. Single quotation marks (as my friend", "one in the room,' Heqrv wrote on a piece of paper. > >", "piece of paper, Heqrv has written the words: \"Thinks he's the smartest one", "correct: 1. Single quotation marks (as my friend has): > > 'Thinks he's", "the smartest one in the room, Heqrv wrote on a piece of paper.", "paper, Heqrv has written the words: \"Thinks he's the smartest one in the", "a piece of paper. > > > 2. Double quotation marks: > >", "in the room\" is a quote, it's also a thought that Heqrv's having.", "or italics in this situation? Or something else? Or is it just a", "look and read too much like dialogue--especially because there's a conversation happening around", "they use double quotation marks.) So, on a piece of paper, Heqrv has", "the smartest one in the room.\" My initial thought was that the single", "3. Italics: > > Thinks he's the smartest one in the room, Heqrv", "Single quotation marks (as my friend has): > > 'Thinks he's the smartest", "I don't know which of these three options would be correct: 1. Single", "wrote on a piece of paper. > > > (For context, when they", "the single quotation marks are incorrect. (Though I might be wrong about this.)", "2. Double quotation marks: > > \"Thinks he's the smartest one in the", "this.) I can only think of two alternative ways to go, and I", "paper. > > > 3. Italics: > > Thinks he's the smartest one", "context, when they write dialogue they use double quotation marks.) So, on a" ]
[ "to determine which one is truly professional and worth spending money on. What", "What should I look for in evaluating services in order to sort the", "am looking for a reliable professional editing service where I can get my", "its very hard to determine which one is truly professional and worth spending", "reviewed. Searching google returns gazillion options but its very hard to determine which", "editing service where I can get my papers reviewed. Searching google returns gazillion", "I look for in evaluating services in order to sort the wheat from", "spending money on. What should I look for in evaluating services in order", "worth spending money on. What should I look for in evaluating services in", "one is truly professional and worth spending money on. What should I look", "look for in evaluating services in order to sort the wheat from the", "which one is truly professional and worth spending money on. What should I", "reliable professional editing service where I can get my papers reviewed. Searching google", "money on. What should I look for in evaluating services in order to", "should I look for in evaluating services in order to sort the wheat", "where I can get my papers reviewed. Searching google returns gazillion options but", "service where I can get my papers reviewed. Searching google returns gazillion options", "returns gazillion options but its very hard to determine which one is truly", "very hard to determine which one is truly professional and worth spending money", "a reliable professional editing service where I can get my papers reviewed. Searching", "papers reviewed. Searching google returns gazillion options but its very hard to determine", "my papers reviewed. Searching google returns gazillion options but its very hard to", "truly professional and worth spending money on. What should I look for in", "can get my papers reviewed. Searching google returns gazillion options but its very", "determine which one is truly professional and worth spending money on. What should", "I can get my papers reviewed. Searching google returns gazillion options but its", "professional and worth spending money on. What should I look for in evaluating", "hard to determine which one is truly professional and worth spending money on.", "options but its very hard to determine which one is truly professional and", "for in evaluating services in order to sort the wheat from the chaff?", "get my papers reviewed. Searching google returns gazillion options but its very hard", "Searching google returns gazillion options but its very hard to determine which one", "is truly professional and worth spending money on. What should I look for", "professional editing service where I can get my papers reviewed. Searching google returns", "on. What should I look for in evaluating services in order to sort", "looking for a reliable professional editing service where I can get my papers", "gazillion options but its very hard to determine which one is truly professional", "but its very hard to determine which one is truly professional and worth", "google returns gazillion options but its very hard to determine which one is", "I am looking for a reliable professional editing service where I can get", "for a reliable professional editing service where I can get my papers reviewed.", "and worth spending money on. What should I look for in evaluating services" ]
[ "not use the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a", "Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a particular name, brand,", "in English, or should a translator attempt to transliterate them into the target", "Chinese, etc.), if a particular name, brand, band or song title is mentioned", "etc.), if a particular name, brand, band or song title is mentioned in", "English, or should a translator attempt to transliterate them into the target language?", "if a particular name, brand, band or song title is mentioned in English,", "approach? Do they stay in English, or should a translator attempt to transliterate", "does not use the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if", "the target language does not use the Roman alphabet (e.g. Russian, Indonesian, Mandarin", "where the target language does not use the Roman alphabet (e.g. Russian, Indonesian,", "Do they stay in English, or should a translator attempt to transliterate them", "alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a particular name, brand, band", "what is the standard approach? Do they stay in English, or should a", "Russian, Indonesian, Mandarin Chinese, etc.), if a particular name, brand, band or song", "(e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a particular name, brand, band or", "particular name, brand, band or song title is mentioned in English, what is", "in English, what is the standard approach? Do they stay in English, or", "nonfiction book translations where the target language does not use the Roman alphabet", "title is mentioned in English, what is the standard approach? Do they stay", "song title is mentioned in English, what is the standard approach? Do they", "Indonesian, Mandarin Chinese, etc.), if a particular name, brand, band or song title", "book translations where the target language does not use the Roman alphabet (e.g.", "language does not use the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.),", "stay in English, or should a translator attempt to transliterate them into the", "the standard approach? Do they stay in English, or should a translator attempt", "is mentioned in English, what is the standard approach? Do they stay in", "a particular name, brand, band or song title is mentioned in English, what", "use the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a particular", "English, what is the standard approach? Do they stay in English, or should", "mentioned in English, what is the standard approach? Do they stay in English,", "is the standard approach? Do they stay in English, or should a translator", "Mandarin Chinese, etc.), if a particular name, brand, band or song title is", "name, brand, band or song title is mentioned in English, what is the", "target language does not use the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese,", "band or song title is mentioned in English, what is the standard approach?", "or song title is mentioned in English, what is the standard approach? Do", "standard approach? Do they stay in English, or should a translator attempt to", "brand, band or song title is mentioned in English, what is the standard", "translations where the target language does not use the Roman alphabet (e.g. Russian,", "they stay in English, or should a translator attempt to transliterate them into", "the Roman alphabet (e.g. Russian, Indonesian, Mandarin Chinese, etc.), if a particular name,", "For nonfiction book translations where the target language does not use the Roman" ]
[ "publishers. MS Office Word and iBooks Author - publishing final paper. Authors could", "thoughts and gathered information. 3. Paper publishers. MS Office Word and iBooks Author", "and gathered information. 3. Paper publishers. MS Office Word and iBooks Author -", "work process. For example: 1. Info gathering. Evernote and Notes - gathering information.", "For example: 1. Info gathering. Evernote and Notes - gathering information. 2. Paper", "steps and work process. For example: 1. Info gathering. Evernote and Notes -", "3. Paper publishers. MS Office Word and iBooks Author - publishing final paper.", "and iBooks Author - publishing final paper. Authors could save alternatives of chapters", "impressing thoughts and gathered information. 3. Paper publishers. MS Office Word and iBooks", "save alternatives of chapters into some kind of Git. ( I think so", "example: 1. Info gathering. Evernote and Notes - gathering information. 2. Paper writing.", "know steps and work process. For example: 1. Info gathering. Evernote and Notes", "Git and Text Editor - impressing thoughts and gathered information. 3. Paper publishers.", "could save alternatives of chapters into some kind of Git. ( I think", "like to know steps and work process. For example: 1. Info gathering. Evernote", "you have some steps before final paper distribution. I would like to know", "gathered information. 3. Paper publishers. MS Office Word and iBooks Author - publishing", "Office Word and iBooks Author - publishing final paper. Authors could save alternatives", "before final paper distribution. I would like to know steps and work process.", "Suppose, you have some steps before final paper distribution. I would like to", "writing. Git and Text Editor - impressing thoughts and gathered information. 3. Paper", "1. Info gathering. Evernote and Notes - gathering information. 2. Paper writing. Git", "2. Paper writing. 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Authors could save alternatives of chapters into some kind of Git.", "- publishing final paper. Authors could save alternatives of chapters into some kind", "kind of Git. ( I think so ) Maybe some necessary steps were", "steps before final paper distribution. I would like to know steps and work", "some kind of Git. ( I think so ) Maybe some necessary steps", "MS Office Word and iBooks Author - publishing final paper. Authors could save", "final paper distribution. I would like to know steps and work process. For", "and Notes - gathering information. 2. Paper writing. Git and Text Editor -", "would like to know steps and work process. For example: 1. Info gathering.", "Author - publishing final paper. Authors could save alternatives of chapters into some", "and work process. For example: 1. Info gathering. Evernote and Notes - gathering", "Text Editor - impressing thoughts and gathered information. 3. Paper publishers. MS Office", "distribution. I would like to know steps and work process. For example: 1.", "Notes - gathering information. 2. Paper writing. Git and Text Editor - impressing", "iBooks Author - publishing final paper. Authors could save alternatives of chapters into", "alternatives of chapters into some kind of Git. ( I think so )", "have some steps before final paper distribution. I would like to know steps", "paper distribution. I would like to know steps and work process. For example:", "- impressing thoughts and gathered information. 3. Paper publishers. MS Office Word and" ]
[ "the emotion: * Literally convert the nonverbal message into a verbal one: >", "that just spells the emotion and message out for the reader: > >", "of the time. But there are times when I want to have wordless", "* Use established cliches that we already have strong associations for, and know", "Corrington dropped by to visit, Nate was grinding his teeth. > > >", "eyes at me. > > > or > > Just like every time", "Just like every time Corrington dropped by to visit, Nate was grinding his", "and film, often are). But all the \"easy options\" I know seem to", "time. But there are times when I want to have wordless communication, and", "and message out for the reader: > > She didn't say anything, only", "I began, but Barii was already rolling her eyes at me. > >", "even if they aren't saying a word. How can I portray this in", "much of communication is nonverbal - facial expressions, body language. Often, it's entirely", "know precisely what they're meant to convey: > > \"Do you want to--\"", "that we already have strong associations for, and know precisely what they're meant", "it well, vividly, engrossing the reader in the moment and not resorting to", "now.\" > > > * Describe the nonverbal action in a way that", "well, vividly, engrossing the reader in the moment and not resorting to telling.", "on her face said \"Get out now.\" > > > * Describe the", "gazed at me pleadingly. > > > * Use established cliches that we", "established cliches that we already have strong associations for, and know precisely what", "cliches that we already have strong associations for, and know precisely what they're", "message instead of showing the emotion: * Literally convert the nonverbal message into", "So much of communication is nonverbal - facial expressions, body language. Often, it's", "what they're meant to convey: > > \"Do you want to--\" I began,", "body language. Often, it's entirely clear what somebody is thinking and conveying even", "thinking and conveying even if they aren't saying a word. How can I", "the time. But there are times when I want to have wordless communication,", "options\" I know seem to resort to telling the message instead of showing", "the nonverbal action in a way that just spells the emotion and message", "way that just spells the emotion and message out for the reader: >", "is nonverbal - facial expressions, body language. Often, it's entirely clear what somebody", "have wordless communication, and to do it well, vividly, engrossing the reader in", "out for the reader: > > She didn't say anything, only gazed at", "> > > These are fine some of the time. But there are", "emotion and message out for the reader: > > She didn't say anything,", "a word. How can I portray this in fiction? These can be such", "and know precisely what they're meant to convey: > > \"Do you want", "like every time Corrington dropped by to visit, Nate was grinding his teeth.", "Use established cliches that we already have strong associations for, and know precisely", "- facial expressions, body language. Often, it's entirely clear what somebody is thinking", "me pleadingly. > > > * Use established cliches that we already have", "this in fiction? These can be such powerful moments (and, in TV and", "at me pleadingly. > > > * Use established cliches that we already", "fine some of the time. But there are times when I want to", "entirely clear what somebody is thinking and conveying even if they aren't saying", "the nonverbal message into a verbal one: > > The expression on her", "> > \"Do you want to--\" I began, but Barii was already rolling", "when I want to have wordless communication, and to do it well, vividly,", "to do it well, vividly, engrossing the reader in the moment and not", "Often, it's entirely clear what somebody is thinking and conveying even if they", "already have strong associations for, and know precisely what they're meant to convey:", "in fiction? These can be such powerful moments (and, in TV and film,", "nonverbal message into a verbal one: > > The expression on her face", "action in a way that just spells the emotion and message out for", "want to have wordless communication, and to do it well, vividly, engrossing the", "I know seem to resort to telling the message instead of showing the", "These are fine some of the time. But there are times when I", "* Literally convert the nonverbal message into a verbal one: > > The", "I want to have wordless communication, and to do it well, vividly, engrossing", "resort to telling the message instead of showing the emotion: * Literally convert", "dropped by to visit, Nate was grinding his teeth. > > > These", "TV and film, often are). But all the \"easy options\" I know seem", "message into a verbal one: > > The expression on her face said", "strong associations for, and know precisely what they're meant to convey: > >", "began, but Barii was already rolling her eyes at me. > > >", "every time Corrington dropped by to visit, Nate was grinding his teeth. >", "you want to--\" I began, but Barii was already rolling her eyes at", "times when I want to have wordless communication, and to do it well,", "But there are times when I want to have wordless communication, and to", "fiction? These can be such powerful moments (and, in TV and film, often", "can I portray this in fiction? These can be such powerful moments (and,", "to have wordless communication, and to do it well, vividly, engrossing the reader", "the reader: > > She didn't say anything, only gazed at me pleadingly.", "powerful moments (and, in TV and film, often are). But all the \"easy", "telling the message instead of showing the emotion: * Literally convert the nonverbal", "> > > * Describe the nonverbal action in a way that just", "the emotion and message out for the reader: > > She didn't say", "only gazed at me pleadingly. > > > * Use established cliches that", "be such powerful moments (and, in TV and film, often are). But all", "conveying even if they aren't saying a word. How can I portray this", "already rolling her eyes at me. > > > or > > Just", "said \"Get out now.\" > > > * Describe the nonverbal action in", "in TV and film, often are). But all the \"easy options\" I know", "to--\" I began, but Barii was already rolling her eyes at me. >", "are times when I want to have wordless communication, and to do it", "verbal one: > > The expression on her face said \"Get out now.\"", "wordless communication, and to do it well, vividly, engrossing the reader in the", "in a way that just spells the emotion and message out for the", "visit, Nate was grinding his teeth. > > > These are fine some", "of showing the emotion: * Literally convert the nonverbal message into a verbal", "into a verbal one: > > The expression on her face said \"Get", "showing the emotion: * Literally convert the nonverbal message into a verbal one:", "portray this in fiction? These can be such powerful moments (and, in TV", "facial expressions, body language. Often, it's entirely clear what somebody is thinking and", "some of the time. But there are times when I want to have", "> > The expression on her face said \"Get out now.\" > >", "> > These are fine some of the time. But there are times", "the message instead of showing the emotion: * Literally convert the nonverbal message", "film, often are). But all the \"easy options\" I know seem to resort", "emotion: * Literally convert the nonverbal message into a verbal one: > >", "engrossing the reader in the moment and not resorting to telling. How can", "her eyes at me. > > > or > > Just like every", "But all the \"easy options\" I know seem to resort to telling the", "instead of showing the emotion: * Literally convert the nonverbal message into a", "was already rolling her eyes at me. > > > or > >", "precisely what they're meant to convey: > > \"Do you want to--\" I", "anything, only gazed at me pleadingly. > > > * Use established cliches", "for, and know precisely what they're meant to convey: > > \"Do you", "pleadingly. > > > * Use established cliches that we already have strong", "> > > or > > Just like every time Corrington dropped by", "expressions, body language. Often, it's entirely clear what somebody is thinking and conveying", "somebody is thinking and conveying even if they aren't saying a word. How", "me. > > > or > > Just like every time Corrington dropped", "to resort to telling the message instead of showing the emotion: * Literally", "know seem to resort to telling the message instead of showing the emotion:", "what somebody is thinking and conveying even if they aren't saying a word.", "face said \"Get out now.\" > > > * Describe the nonverbal action", "> She didn't say anything, only gazed at me pleadingly. > > >", "in the moment and not resorting to telling. How can I do that?", "all the \"easy options\" I know seem to resort to telling the message", "out now.\" > > > * Describe the nonverbal action in a way", "have strong associations for, and know precisely what they're meant to convey: >", "and conveying even if they aren't saying a word. How can I portray", "Literally convert the nonverbal message into a verbal one: > > The expression", "language. Often, it's entirely clear what somebody is thinking and conveying even if", "> These are fine some of the time. But there are times when", "> Just like every time Corrington dropped by to visit, Nate was grinding", "such powerful moments (and, in TV and film, often are). But all the", "can be such powerful moments (and, in TV and film, often are). But", "\"easy options\" I know seem to resort to telling the message instead of", "spells the emotion and message out for the reader: > > She didn't", "> or > > Just like every time Corrington dropped by to visit,", "She didn't say anything, only gazed at me pleadingly. > > > ", "we already have strong associations for, and know precisely what they're meant to", "one: > > The expression on her face said \"Get out now.\" >", "nonverbal - facial expressions, body language. Often, it's entirely clear what somebody is", "> Describe the nonverbal action in a way that just spells the", "and to do it well, vividly, engrossing the reader in the moment and", "his teeth. > > > These are fine some of the time. But", "a way that just spells the emotion and message out for the reader:", "is thinking and conveying even if they aren't saying a word. How can", "expression on her face said \"Get out now.\" > > > * Describe", "meant to convey: > > \"Do you want to--\" I began, but Barii", "associations for, and know precisely what they're meant to convey: > > \"Do", "> > Just like every time Corrington dropped by to visit, Nate was", "of communication is nonverbal - facial expressions, body language. Often, it's entirely clear", "moments (and, in TV and film, often are). But all the \"easy options\"", "seem to resort to telling the message instead of showing the emotion: ", "for the reader: > > She didn't say anything, only gazed at me", "I portray this in fiction? These can be such powerful moments (and, in", "> \"Do you want to--\" I began, but Barii was already rolling her", "by to visit, Nate was grinding his teeth. > > > These are", "the reader in the moment and not resorting to telling. How can I", "at me. > > > or > > Just like every time Corrington", "\"Do you want to--\" I began, but Barii was already rolling her eyes", "\"Get out now.\" > > > Describe the nonverbal action in a", "> * Use established cliches that we already have strong associations for, and", "> > * Describe the nonverbal action in a way that just spells", "to visit, Nate was grinding his teeth. > > > These are fine", "if they aren't saying a word. How can I portray this in fiction?", "are). But all the \"easy options\" I know seem to resort to telling", "rolling her eyes at me. > > > or > > Just like", "saying a word. How can I portray this in fiction? These can be", "it's entirely clear what somebody is thinking and conveying even if they aren't", "> > She didn't say anything, only gazed at me pleadingly. > >", "didn't say anything, only gazed at me pleadingly. > > > * Use", "communication is nonverbal - facial expressions, body language. Often, it's entirely clear what", "convey: > > \"Do you want to--\" I began, but Barii was already", "* Describe the nonverbal action in a way that just spells the emotion", "teeth. > > > These are fine some of the time. But there", "Barii was already rolling her eyes at me. > > > or >", "> The expression on her face said \"Get out now.\" > > >", "word. How can I portray this in fiction? These can be such powerful", "> > > * Use established cliches that we already have strong associations", "grinding his teeth. > > > These are fine some of the time.", "clear what somebody is thinking and conveying even if they aren't saying a", "time Corrington dropped by to visit, Nate was grinding his teeth. > >", "communication, and to do it well, vividly, engrossing the reader in the moment", "often are). But all the \"easy options\" I know seem to resort to", "convert the nonverbal message into a verbal one: > > The expression on", "nonverbal action in a way that just spells the emotion and message out", "they're meant to convey: > > \"Do you want to--\" I began, but", "was grinding his teeth. > > > These are fine some of the", "do it well, vividly, engrossing the reader in the moment and not resorting", "reader in the moment and not resorting to telling. How can I do", "just spells the emotion and message out for the reader: > > She", "message out for the reader: > > She didn't say anything, only gazed", "The expression on her face said \"Get out now.\" > > > ", "> > or > > Just like every time Corrington dropped by to", "or > > Just like every time Corrington dropped by to visit, Nate", "to convey: > > \"Do you want to--\" I began, but Barii was", "are fine some of the time. But there are times when I want", "say anything, only gazed at me pleadingly. > > > Use established", "but Barii was already rolling her eyes at me. > > > or", "there are times when I want to have wordless communication, and to do", "vividly, engrossing the reader in the moment and not resorting to telling. How", "the \"easy options\" I know seem to resort to telling the message instead", "aren't saying a word. How can I portray this in fiction? These can", "Describe the nonverbal action in a way that just spells the emotion and", "they aren't saying a word. How can I portray this in fiction? These", "How can I portray this in fiction? These can be such powerful moments", "want to--\" I began, but Barii was already rolling her eyes at me.", "reader: > > She didn't say anything, only gazed at me pleadingly. >", "These can be such powerful moments (and, in TV and film, often are).", "a verbal one: > > The expression on her face said \"Get out", "her face said \"Get out now.\" > > > * Describe the nonverbal", "> > * Use established cliches that we already have strong associations for,", "(and, in TV and film, often are). But all the \"easy options\" I", "to telling the message instead of showing the emotion: * Literally convert the", "Nate was grinding his teeth. > > > These are fine some of" ]
[ "there any other free sites like it? Character development is important for me", "me in this Kepler Bb story because I have so many events with", "do any character development in a form with lots of questions. So far", "could separate 1 character into different ages so that I could see development", "satisfy me(most of the good ones have a price). I have already found", "if you gave me the names of good free android apps for this", "but are there any other free sites like it? Character development is important", "that moment but over time. I would prefer it to be online like", "in this Kepler Bb story because I have so many events with my", "like it? Character development is important for me in this Kepler Bb story", "site where I can do any character development in a form with lots", "have already found hiveword but are there any other free sites like it?", "even be good if I could separate 1 character into different ages so", "where I can do any character development in a form with lots of", "found hiveword but are there any other free sites like it? Character development", "not just at that moment but over time. I would prefer it to", "online like hiveword but it would also be nice if you gave me", "at that moment but over time. I would prefer it to be online", "with my characters. It would even be good if I could separate 1", "development is important for me in this Kepler Bb story because I have", "but it would also be nice if you gave me the names of", "sites like it? Character development is important for me in this Kepler Bb", "character into different ages so that I could see development not just at", "I could see development not just at that moment but over time. I", "moment but over time. I would prefer it to be online like hiveword", "a form with lots of questions. So far I have found a few", "of questions. So far I have found a few android apps but they", "questions. So far I have found a few android apps but they don't", "development in a form with lots of questions. So far I have found", "Kepler Bb story because I have so many events with my characters. It", "into different ages so that I could see development not just at that", "good if I could separate 1 character into different ages so that I", "this Kepler Bb story because I have so many events with my characters.", "if I could separate 1 character into different ages so that I could", "a price). I have already found hiveword but are there any other free", "for me in this Kepler Bb story because I have so many events", "so many events with my characters. It would even be good if I", "far I have found a few android apps but they don't satisfy me(most", "they don't satisfy me(most of the good ones have a price). I have", "have so many events with my characters. It would even be good if", "different ages so that I could see development not just at that moment", "have found a few android apps but they don't satisfy me(most of the", "have a price). I have already found hiveword but are there any other", "hiveword but are there any other free sites like it? Character development is", "already found hiveword but are there any other free sites like it? Character", "any character development in a form with lots of questions. So far I", "would prefer it to be online like hiveword but it would also be", "apps but they don't satisfy me(most of the good ones have a price).", "lots of questions. So far I have found a few android apps but", "android apps but they don't satisfy me(most of the good ones have a", "it to be online like hiveword but it would also be nice if", "also be nice if you gave me the names of good free android", "but they don't satisfy me(most of the good ones have a price). I", "over time. I would prefer it to be online like hiveword but it", "be good if I could separate 1 character into different ages so that", "many events with my characters. It would even be good if I could", "a site where I can do any character development in a form with", "the good ones have a price). I have already found hiveword but are", "Character development is important for me in this Kepler Bb story because I", "like hiveword but it would also be nice if you gave me the", "character development in a form with lots of questions. So far I have", "I have already found hiveword but are there any other free sites like", "can do any character development in a form with lots of questions. So", "good ones have a price). I have already found hiveword but are there", "don't satisfy me(most of the good ones have a price). I have already", "would even be good if I could separate 1 character into different ages", "see development not just at that moment but over time. I would prefer", "I can do any character development in a form with lots of questions.", "ones have a price). I have already found hiveword but are there any", "story because I have so many events with my characters. It would even", "I would prefer it to be online like hiveword but it would also", "hiveword but it would also be nice if you gave me the names", "important for me in this Kepler Bb story because I have so many", "form with lots of questions. So far I have found a few android", "any other free sites like it? Character development is important for me in", "I am wanting a site where I can do any character development in", "is important for me in this Kepler Bb story because I have so", "free sites like it? Character development is important for me in this Kepler", "I have found a few android apps but they don't satisfy me(most of", "Bb story because I have so many events with my characters. It would", "1 character into different ages so that I could see development not just", "price). I have already found hiveword but are there any other free sites", "be nice if you gave me the names of good free android apps", "prefer it to be online like hiveword but it would also be nice", "you gave me the names of good free android apps for this exact", "gave me the names of good free android apps for this exact purpose.", "that I could see development not just at that moment but over time.", "would also be nice if you gave me the names of good free", "nice if you gave me the names of good free android apps for", "because I have so many events with my characters. It would even be", "just at that moment but over time. I would prefer it to be", "development not just at that moment but over time. I would prefer it", "separate 1 character into different ages so that I could see development not", "ages so that I could see development not just at that moment but", "a few android apps but they don't satisfy me(most of the good ones", "wanting a site where I can do any character development in a form", "So far I have found a few android apps but they don't satisfy", "in a form with lots of questions. So far I have found a", "I have so many events with my characters. It would even be good", "characters. It would even be good if I could separate 1 character into", "to be online like hiveword but it would also be nice if you", "I could separate 1 character into different ages so that I could see", "so that I could see development not just at that moment but over", "it would also be nice if you gave me the names of good", "with lots of questions. So far I have found a few android apps", "events with my characters. It would even be good if I could separate", "few android apps but they don't satisfy me(most of the good ones have", "could see development not just at that moment but over time. I would", "time. I would prefer it to be online like hiveword but it would", "but over time. I would prefer it to be online like hiveword but", "be online like hiveword but it would also be nice if you gave", "It would even be good if I could separate 1 character into different", "found a few android apps but they don't satisfy me(most of the good", "other free sites like it? Character development is important for me in this", "me(most of the good ones have a price). I have already found hiveword", "it? Character development is important for me in this Kepler Bb story because", "are there any other free sites like it? Character development is important for", "am wanting a site where I can do any character development in a", "of the good ones have a price). I have already found hiveword but", "my characters. It would even be good if I could separate 1 character" ]
[ "a document and give me stats like this: ``` WORD: FREQUENCY: a 47,268", "unpublished novel to the internet, to me, would be akin to walking down", "Does anyone know if this is available? BTW, I'd rather not use an", "gross 215 irregardlessly 1 ``` Does anyone know if this is available? BTW,", "37,201 gross 215 irregardlessly 1 ``` Does anyone know if this is available?", "would be akin to walking down main street with nothing but a condom", "an online tool. Call me paranoid, but uploading my unpublished novel to the", "a utility that could analyze a document and give me stats like this:", "Call me paranoid, but uploading my unpublished novel to the internet, to me,", "anyone know if this is available? BTW, I'd rather not use an online", "know if this is available? BTW, I'd rather not use an online tool.", "be akin to walking down main street with nothing but a condom on.", "analyze a document and give me stats like this: ``` WORD: FREQUENCY: a", "like this: ``` WORD: FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly 1", "like a utility that could analyze a document and give me stats like", "irregardlessly 1 ``` Does anyone know if this is available? BTW, I'd rather", "document and give me stats like this: ``` WORD: FREQUENCY: a 47,268 the", "this: ``` WORD: FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly 1 ```", "online tool. Call me paranoid, but uploading my unpublished novel to the internet,", "me paranoid, but uploading my unpublished novel to the internet, to me, would", "would like a utility that could analyze a document and give me stats", "if this is available? BTW, I'd rather not use an online tool. Call", "``` WORD: FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly 1 ``` Does", "the 37,201 gross 215 irregardlessly 1 ``` Does anyone know if this is", "I'd rather not use an online tool. Call me paranoid, but uploading my", "me, would be akin to walking down main street with nothing but a", "WORD: FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly 1 ``` Does anyone", "FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly 1 ``` Does anyone know", "I would like a utility that could analyze a document and give me", "this is available? BTW, I'd rather not use an online tool. Call me", "tool. Call me paranoid, but uploading my unpublished novel to the internet, to", "rather not use an online tool. Call me paranoid, but uploading my unpublished", "but uploading my unpublished novel to the internet, to me, would be akin", "give me stats like this: ``` WORD: FREQUENCY: a 47,268 the 37,201 gross", "``` Does anyone know if this is available? BTW, I'd rather not use", "novel to the internet, to me, would be akin to walking down main", "1 ``` Does anyone know if this is available? BTW, I'd rather not", "BTW, I'd rather not use an online tool. Call me paranoid, but uploading", "215 irregardlessly 1 ``` Does anyone know if this is available? BTW, I'd", "the internet, to me, would be akin to walking down main street with", "my unpublished novel to the internet, to me, would be akin to walking", "use an online tool. Call me paranoid, but uploading my unpublished novel to", "available? BTW, I'd rather not use an online tool. Call me paranoid, but", "to the internet, to me, would be akin to walking down main street", "is available? BTW, I'd rather not use an online tool. Call me paranoid,", "47,268 the 37,201 gross 215 irregardlessly 1 ``` Does anyone know if this", "paranoid, but uploading my unpublished novel to the internet, to me, would be", "and give me stats like this: ``` WORD: FREQUENCY: a 47,268 the 37,201", "could analyze a document and give me stats like this: ``` WORD: FREQUENCY:", "stats like this: ``` WORD: FREQUENCY: a 47,268 the 37,201 gross 215 irregardlessly", "not use an online tool. Call me paranoid, but uploading my unpublished novel", "internet, to me, would be akin to walking down main street with nothing", "uploading my unpublished novel to the internet, to me, would be akin to", "to me, would be akin to walking down main street with nothing but", "a 47,268 the 37,201 gross 215 irregardlessly 1 ``` Does anyone know if", "that could analyze a document and give me stats like this: ``` WORD:", "me stats like this: ``` WORD: FREQUENCY: a 47,268 the 37,201 gross 215", "utility that could analyze a document and give me stats like this: ```", "akin to walking down main street with nothing but a condom on. :)" ]
[ "* How do I prevent such dilemmas in the future? I don't want", "are my questions: * What makes a name sound unrealistic (or unserious/unbelievable)? ", "questions: What makes a name sound unrealistic (or unserious/unbelievable)? * How do", "to hear any names, I'd just like to see how I could get", "(or unserious/unbelievable)? * How do I prevent such dilemmas in the future? I", "any names, I'd just like to see how I could get more ideas.", "serious name that fits into the whole military nation thing. So here are", "into the whole military nation thing. So here are my questions: * What", "fits into the whole military nation thing. So here are my questions: ", "such dilemmas in the future? I don't want to hear any names, I'd", "giving the military nation of my protagonist a unique, but also serious name", "whole military nation thing. So here are my questions: What makes a", "unserious/unbelievable)? * How do I prevent such dilemmas in the future? I don't", "dilemmas in the future? I don't want to hear any names, I'd just", "I really have problems giving the military nation of my protagonist a unique,", "here are my questions: * What makes a name sound unrealistic (or unserious/unbelievable)?", "my questions: * What makes a name sound unrealistic (or unserious/unbelievable)? * How", "makes a name sound unrealistic (or unserious/unbelievable)? * How do I prevent such", "nation thing. So here are my questions: * What makes a name sound", "have problems giving the military nation of my protagonist a unique, but also", "How do I prevent such dilemmas in the future? I don't want to", "the future? I don't want to hear any names, I'd just like to", "the military nation of my protagonist a unique, but also serious name that", "military nation of my protagonist a unique, but also serious name that fits", "unrealistic (or unserious/unbelievable)? * How do I prevent such dilemmas in the future?", "name sound unrealistic (or unserious/unbelievable)? * How do I prevent such dilemmas in", "thing. So here are my questions: * What makes a name sound unrealistic", "unique, but also serious name that fits into the whole military nation thing.", "protagonist a unique, but also serious name that fits into the whole military", "military nation thing. So here are my questions: * What makes a name", "do I prevent such dilemmas in the future? I don't want to hear", "of my protagonist a unique, but also serious name that fits into the", "sound unrealistic (or unserious/unbelievable)? * How do I prevent such dilemmas in the", "also serious name that fits into the whole military nation thing. So here", "* What makes a name sound unrealistic (or unserious/unbelievable)? * How do I", "a name sound unrealistic (or unserious/unbelievable)? * How do I prevent such dilemmas", "prevent such dilemmas in the future? I don't want to hear any names,", "future? I don't want to hear any names, I'd just like to see", "nation of my protagonist a unique, but also serious name that fits into", "want to hear any names, I'd just like to see how I could", "a unique, but also serious name that fits into the whole military nation", "but also serious name that fits into the whole military nation thing. So", "the whole military nation thing. So here are my questions: * What makes", "So here are my questions: * What makes a name sound unrealistic (or", "I don't want to hear any names, I'd just like to see how", "What makes a name sound unrealistic (or unserious/unbelievable)? * How do I prevent", "name that fits into the whole military nation thing. So here are my", "in the future? I don't want to hear any names, I'd just like", "that fits into the whole military nation thing. So here are my questions:", "hear any names, I'd just like to see how I could get more", "I prevent such dilemmas in the future? I don't want to hear any", "my protagonist a unique, but also serious name that fits into the whole", "problems giving the military nation of my protagonist a unique, but also serious", "really have problems giving the military nation of my protagonist a unique, but", "don't want to hear any names, I'd just like to see how I" ]
[ "* What is (around) the average frequency of the words \"said\" and \"asked\"", "\"said\" approximately 1-1.5 times a page (or every 250 words or so), and", "popular fiction? * Is my current rate of said/asked average, below average or", "should the more elaborate dialogue tags be used more than simple dialogue tags?", "the word \"said\" approximately 1-1.5 times a page (or every 250 words or", "over fancier dialogue tags or should the more elaborate dialogue tags be used", "word \"said\" approximately 1-1.5 times a page (or every 250 words or so),", "and dialogue tags, I find myself using the word \"said\" approximately 1-1.5 times", "or should the more elaborate dialogue tags be used more than simple dialogue", "approximately 1-1.5 times a page (or every 250 words or so), and the", "(or every 250 words or so), and the word \"asked\" slightly more. ", "is (around) the average frequency of the words \"said\" and \"asked\" and other", "the more elaborate dialogue tags be used more than simple dialogue tags? ", "* Is \"said\" and \"asked\" favorable over fancier dialogue tags or should the", "more than simple dialogue tags? * I realize it all depends on how", "above average? * Is \"said\" and \"asked\" favorable over fancier dialogue tags or", "* Is my current rate of said/asked average, below average or above average?", "I find myself using the word \"said\" approximately 1-1.5 times a page (or", "page (or every 250 words or so), and the word \"asked\" slightly more.", "elaborate dialogue tags be used more than simple dialogue tags? * I realize", "rate of said/asked average, below average or above average? * Is \"said\" and", "or above average? * Is \"said\" and \"asked\" favorable over fancier dialogue tags", "tags? * I realize it all depends on how it's being said and", "and the word \"asked\" slightly more. * What is (around) the average frequency", "all depends on how it's being said and that sometimes elaborate dialogue tags", "of the words \"said\" and \"asked\" and other common dialogue tags in popular", "realize it all depends on how it's being said and that sometimes elaborate", "words \"said\" and \"asked\" and other common dialogue tags in popular fiction? ", "dialogue tags or should the more elaborate dialogue tags be used more than", "my current rate of said/asked average, below average or above average? Is", "Is my current rate of said/asked average, below average or above average? ", "favorable over fancier dialogue tags or should the more elaborate dialogue tags be", "it's being said and that sometimes elaborate dialogue tags are redundant, but in", "the word \"asked\" slightly more. What is (around) the average frequency of", "every 250 words or so), and the word \"asked\" slightly more. * What", "how it's being said and that sometimes elaborate dialogue tags are redundant, but", "\"said\" and \"asked\" favorable over fancier dialogue tags or should the more elaborate", "using the word \"said\" approximately 1-1.5 times a page (or every 250 words", "so), and the word \"asked\" slightly more. * What is (around) the average", "tags be used more than simple dialogue tags? * I realize it all", "common dialogue tags in popular fiction? * Is my current rate of said/asked", "being said and that sometimes elaborate dialogue tags are redundant, but in general", "said and that sometimes elaborate dialogue tags are redundant, but in general what", "below average or above average? * Is \"said\" and \"asked\" favorable over fancier", "fancier dialogue tags or should the more elaborate dialogue tags be used more", "current rate of said/asked average, below average or above average? * Is \"said\"", "writing fiction and dialogue tags, I find myself using the word \"said\" approximately", "other common dialogue tags in popular fiction? * Is my current rate of", "average? * Is \"said\" and \"asked\" favorable over fancier dialogue tags or should", "frequency of the words \"said\" and \"asked\" and other common dialogue tags in", "dialogue tags in popular fiction? * Is my current rate of said/asked average,", "said/asked average, below average or above average? * Is \"said\" and \"asked\" favorable", "that sometimes elaborate dialogue tags are redundant, but in general what would be", "* I realize it all depends on how it's being said and that", "average, below average or above average? * Is \"said\" and \"asked\" favorable over", "depends on how it's being said and that sometimes elaborate dialogue tags are", "tags, I find myself using the word \"said\" approximately 1-1.5 times a page", "tags in popular fiction? * Is my current rate of said/asked average, below", "What is (around) the average frequency of the words \"said\" and \"asked\" and", "simple dialogue tags? * I realize it all depends on how it's being", "average or above average? * Is \"said\" and \"asked\" favorable over fancier dialogue", "words or so), and the word \"asked\" slightly more. * What is (around)", "more elaborate dialogue tags be used more than simple dialogue tags? * I", "and that sometimes elaborate dialogue tags are redundant, but in general what would", "on how it's being said and that sometimes elaborate dialogue tags are redundant,", "Is \"said\" and \"asked\" favorable over fancier dialogue tags or should the more", "word \"asked\" slightly more. * What is (around) the average frequency of the", "fiction and dialogue tags, I find myself using the word \"said\" approximately 1-1.5", "in popular fiction? * Is my current rate of said/asked average, below average", "dialogue tags? * I realize it all depends on how it's being said", "or so), and the word \"asked\" slightly more. * What is (around) the", "and \"asked\" favorable over fancier dialogue tags or should the more elaborate dialogue", "When writing fiction and dialogue tags, I find myself using the word \"said\"", "\"asked\" and other common dialogue tags in popular fiction? * Is my current", "the average frequency of the words \"said\" and \"asked\" and other common dialogue", "fiction? * Is my current rate of said/asked average, below average or above", "\"asked\" slightly more. * What is (around) the average frequency of the words", "it all depends on how it's being said and that sometimes elaborate dialogue", "\"said\" and \"asked\" and other common dialogue tags in popular fiction? * Is", "be used more than simple dialogue tags? * I realize it all depends", "more. * What is (around) the average frequency of the words \"said\" and", "and \"asked\" and other common dialogue tags in popular fiction? * Is my", "of said/asked average, below average or above average? * Is \"said\" and \"asked\"", "sometimes elaborate dialogue tags are redundant, but in general what would be recommended?", "find myself using the word \"said\" approximately 1-1.5 times a page (or every", "(around) the average frequency of the words \"said\" and \"asked\" and other common", "1-1.5 times a page (or every 250 words or so), and the word", "250 words or so), and the word \"asked\" slightly more. * What is", "than simple dialogue tags? * I realize it all depends on how it's", "dialogue tags, I find myself using the word \"said\" approximately 1-1.5 times a", "I realize it all depends on how it's being said and that sometimes", "\"asked\" favorable over fancier dialogue tags or should the more elaborate dialogue tags", "a page (or every 250 words or so), and the word \"asked\" slightly", "and other common dialogue tags in popular fiction? * Is my current rate", "the words \"said\" and \"asked\" and other common dialogue tags in popular fiction?", "times a page (or every 250 words or so), and the word \"asked\"", "dialogue tags be used more than simple dialogue tags? * I realize it", "myself using the word \"said\" approximately 1-1.5 times a page (or every 250", "slightly more. * What is (around) the average frequency of the words \"said\"", "tags or should the more elaborate dialogue tags be used more than simple", "used more than simple dialogue tags? * I realize it all depends on", "average frequency of the words \"said\" and \"asked\" and other common dialogue tags" ]
[ "across headlines for baby-cam intrusions. My premise would be that someone hacks the", "about this. My question is: How to research what kind of evidence such", "about how to find the right places and forums to seek technical information", "baby when he feels like (the mother died). I've already seen CSI: Cyber", "already seen CSI: Cyber during my research, but all the comments say that", "CSI: Cyber during my research, but all the comments say that it's full", "but all the comments say that it's full of inaccuracies, which I would", "and forums to seek technical information about this. My question is: How to", "royal baby when he feels like (the mother died). I've already seen CSI:", "about, I stumbled across headlines for baby-cam intrusions. My premise would be that", "who is very busy can glance at his royal baby when he feels", "this. My question is: How to research what kind of evidence such an", "which is used so his father who is very busy can glance at", "seen CSI: Cyber* during my research, but all the comments say that it's", "of the country which is used so his father who is very busy", "to avoid. More precisely it would be about how to find the right", "researching computer & tech investigations, hwich my novel is about, I stumbled across", "question is: How to research what kind of evidence such an intrusion would", "the right places and forums to seek technical information about this. My question", "research what kind of evidence such an intrusion would leave from the procedure", "country which is used so his father who is very busy can glance", "so his father who is very busy can glance at his royal baby", "I've already seen CSI: Cyber during my research, but all the comments say", "hacks the baby-cam of the prince of the country which is used so", "baby-cam of the prince of the country which is used so his father", "his royal baby when he feels like (the mother died). I've already seen", "very busy can glance at his royal baby when he feels like (the", "My question is: How to research what kind of evidence such an intrusion", "my research, but all the comments say that it's full of inaccuracies, which", "Cyber* during my research, but all the comments say that it's full of", "premise would be that someone hacks the baby-cam of the prince of the", "seek technical information about this. My question is: How to research what kind", "(the mother died). I've already seen CSI: Cyber during my research, but all", "when he feels like (the mother died). I've already seen CSI: Cyber during", "hwich my novel is about, I stumbled across headlines for baby-cam intrusions. My", "busy can glance at his royal baby when he feels like (the mother", "kind of evidence such an intrusion would leave from the procedure and different", "tech investigations, hwich my novel is about, I stumbled across headlines for baby-cam", "is: How to research what kind of evidence such an intrusion would leave", "baby-cam intrusions. My premise would be that someone hacks the baby-cam of the", "of evidence such an intrusion would leave from the procedure and different watch", "& tech investigations, hwich my novel is about, I stumbled across headlines for", "that someone hacks the baby-cam of the prince of the country which is", "used so his father who is very busy can glance at his royal", "to seek technical information about this. My question is: How to research what", "places and forums to seek technical information about this. My question is: How", "forums to seek technical information about this. My question is: How to research", "I stumbled across headlines for baby-cam intrusions. My premise would be that someone", "died). I've already seen CSI: Cyber during my research, but all the comments", "full of inaccuracies, which I would like to avoid. More precisely it would", "While researching computer & tech investigations, hwich my novel is about, I stumbled", "stumbled across headlines for baby-cam intrusions. My premise would be that someone hacks", "novel is about, I stumbled across headlines for baby-cam intrusions. My premise would", "technical information about this. My question is: How to research what kind of", "investigations, hwich my novel is about, I stumbled across headlines for baby-cam intrusions.", "like to avoid. More precisely it would be about how to find the", "mother died). I've already seen CSI: Cyber during my research, but all the", "my novel is about, I stumbled across headlines for baby-cam intrusions. My premise", "what kind of evidence such an intrusion would leave from the procedure and", "during my research, but all the comments say that it's full of inaccuracies,", "is about, I stumbled across headlines for baby-cam intrusions. My premise would be", "More precisely it would be about how to find the right places and", "like (the mother died). I've already seen CSI: Cyber during my research, but", "to find the right places and forums to seek technical information about this.", "would be that someone hacks the baby-cam of the prince of the country", "research, but all the comments say that it's full of inaccuracies, which I", "it would be about how to find the right places and forums to", "prince of the country which is used so his father who is very", "how to find the right places and forums to seek technical information about", "he feels like (the mother died). I've already seen CSI: Cyber during my", "My premise would be that someone hacks the baby-cam of the prince of", "glance at his royal baby when he feels like (the mother died). I've", "all the comments say that it's full of inaccuracies, which I would like", "find the right places and forums to seek technical information about this. My", "is very busy can glance at his royal baby when he feels like", "precisely it would be about how to find the right places and forums", "at his royal baby when he feels like (the mother died). I've already", "for baby-cam intrusions. My premise would be that someone hacks the baby-cam of", "information about this. My question is: How to research what kind of evidence", "How to research what kind of evidence such an intrusion would leave from", "someone hacks the baby-cam of the prince of the country which is used", "comments say that it's full of inaccuracies, which I would like to avoid.", "of inaccuracies, which I would like to avoid. More precisely it would be", "be that someone hacks the baby-cam of the prince of the country which", "computer & tech investigations, hwich my novel is about, I stumbled across headlines", "I would like to avoid. More precisely it would be about how to", "of the prince of the country which is used so his father who", "say that it's full of inaccuracies, which I would like to avoid. More", "the country which is used so his father who is very busy can", "the prince of the country which is used so his father who is", "feels like (the mother died). I've already seen CSI: Cyber during my research,", "that it's full of inaccuracies, which I would like to avoid. More precisely", "which I would like to avoid. More precisely it would be about how", "father who is very busy can glance at his royal baby when he", "would like to avoid. More precisely it would be about how to find", "headlines for baby-cam intrusions. My premise would be that someone hacks the baby-cam", "intrusions. My premise would be that someone hacks the baby-cam of the prince", "the baby-cam of the prince of the country which is used so his", "inaccuracies, which I would like to avoid. More precisely it would be about", "would be about how to find the right places and forums to seek", "to research what kind of evidence such an intrusion would leave from the", "evidence such an intrusion would leave from the procedure and different watch devices?", "right places and forums to seek technical information about this. My question is:", "his father who is very busy can glance at his royal baby when", "the comments say that it's full of inaccuracies, which I would like to", "is used so his father who is very busy can glance at his", "it's full of inaccuracies, which I would like to avoid. More precisely it", "avoid. More precisely it would be about how to find the right places", "be about how to find the right places and forums to seek technical", "can glance at his royal baby when he feels like (the mother died)." ]
[ "motives and actions, and it has since become out-of-control, power-hungry, and unsympathetic to", "me so far. How do I go about developing my plot ideas, despite", "in things like game theory and anticipating people's motives and actions, and it", "out. I'm not all-knowing or god-like (surprise), plus I'm not a computer scientist", "ex machina* ending? Plot ideas or prompts are fine, encouraged even, but *what", "like game theory and anticipating people's motives and actions, and it has since", "and it has since become out-of-control, power-hungry, and unsympathetic to the human (and", "god-like (surprise), plus I'm not a computer scientist and research is only getting", "or forcing some unsatisfying deus ex machina* ending? Plot ideas or prompts are", "group wins against the antagonist because... how does one defeat something that's all-knowing", "case, the supercomputer was originally created to do everything it can to increase", "that's all-knowing and god-like? (In this case, the supercomputer was originally created to", "deal but I'm frequently finding that it's difficult to come up with clever", "condition.) I am having trouble coming up with any weakness for the antagonist", "the supercomputer was originally created to do everything it can to increase the", "ways that the group wins against the antagonist because... how does one defeat", "How do I go about developing my plot ideas, despite my lack of", "everything it can to increase the profit margin of a certain company, so", "not a computer scientist and research is only getting me so far. How", "since become out-of-control, power-hungry, and unsympathetic to the human (and cyborg) condition.) I", "or prompts are fine, encouraged even, but *what are the tools or skills", "how does one defeat something that's all-knowing and god-like? (In this case, the", "scientist and research is only getting me so far. How do I go", "coming up with any weakness for the antagonist that doesn't seem like a", "anticipating people's motives and actions, and it has since become out-of-control, power-hungry, and", "facing off against a god-like supercomputer. I've outlined a great deal but I'm", "background, without breaking believability for the reader or forcing some unsatisfying deus ex", "supercomputer. I've outlined a great deal but I'm frequently finding that it's difficult", "to increase the profit margin of a certain company, so it's specialized in", "ending? Plot ideas or prompts are fine, encouraged even, but *what are the", "I am having trouble coming up with any weakness for the antagonist that", "I go about developing my plot ideas, despite my lack of computer science", "plot bunny lingering in my head about a rag-tag band of defective cyborgs", "it's difficult to come up with clever ways that the group wins against", "developing my plot ideas, despite my lack of computer science background, without breaking", "certain company, so it's specialized in things like game theory and anticipating people's", "without breaking believability for the reader or forcing some unsatisfying deus ex machina", "my head about a rag-tag band of defective cyborgs facing off against a", "supercomputer was originally created to do everything it can to increase the profit", "research is only getting me so far. How do I go about developing", "deus ex machina* ending? Plot ideas or prompts are fine, encouraged even, but", "a certain company, so it's specialized in things like game theory and anticipating", "doesn't seem like a cop out. I'm not all-knowing or god-like (surprise), plus", "cop out. I'm not all-knowing or god-like (surprise), plus I'm not a computer", "despite my lack of computer science background, without breaking believability for the reader", "of computer science background, without breaking believability for the reader or forcing some", "even, but what are the tools or skills required to get past this", "ideas, despite my lack of computer science background, without breaking believability for the", "profit margin of a certain company, so it's specialized in things like game", "rag-tag band of defective cyborgs facing off against a god-like supercomputer. I've outlined", "with clever ways that the group wins against the antagonist because... how does", "only getting me so far. How do I go about developing my plot", "but what are the tools or skills required to get past this blockage?*", "am having trouble coming up with any weakness for the antagonist that doesn't", "and god-like? (In this case, the supercomputer was originally created to do everything", "plus I'm not a computer scientist and research is only getting me so", "bunny lingering in my head about a rag-tag band of defective cyborgs facing", "believability for the reader or forcing some unsatisfying deus ex machina* ending? Plot", "lack of computer science background, without breaking believability for the reader or forcing", "defeat something that's all-knowing and god-like? (In this case, the supercomputer was originally", "a plot bunny lingering in my head about a rag-tag band of defective", "finding that it's difficult to come up with clever ways that the group", "company, so it's specialized in things like game theory and anticipating people's motives", "wins against the antagonist because... how does one defeat something that's all-knowing and", "specialized in things like game theory and anticipating people's motives and actions, and", "(surprise), plus I'm not a computer scientist and research is only getting me", "and research is only getting me so far. How do I go about", "like a cop out. I'm not all-knowing or god-like (surprise), plus I'm not", "clever ways that the group wins against the antagonist because... how does one", "trouble coming up with any weakness for the antagonist that doesn't seem like", "great deal but I'm frequently finding that it's difficult to come up with", "a rag-tag band of defective cyborgs facing off against a god-like supercomputer. I've", "that it's difficult to come up with clever ways that the group wins", "and actions, and it has since become out-of-control, power-hungry, and unsympathetic to the", "of defective cyborgs facing off against a god-like supercomputer. I've outlined a great", "human (and cyborg) condition.) I am having trouble coming up with any weakness", "for the reader or forcing some unsatisfying deus ex machina ending? Plot ideas", "become out-of-control, power-hungry, and unsympathetic to the human (and cyborg) condition.) I am", "any weakness for the antagonist that doesn't seem like a cop out. I'm", "about a rag-tag band of defective cyborgs facing off against a god-like supercomputer.", "breaking believability for the reader or forcing some unsatisfying deus ex machina ending?", "in my head about a rag-tag band of defective cyborgs facing off against", "so it's specialized in things like game theory and anticipating people's motives and", "antagonist because... how does one defeat something that's all-knowing and god-like? (In this", "I'm not all-knowing or god-like (surprise), plus I'm not a computer scientist and", "originally created to do everything it can to increase the profit margin of", "is only getting me so far. How do I go about developing my", "science background, without breaking believability for the reader or forcing some unsatisfying deus", "do everything it can to increase the profit margin of a certain company,", "it can to increase the profit margin of a certain company, so it's", "far. How do I go about developing my plot ideas, despite my lack", "actions, and it has since become out-of-control, power-hungry, and unsympathetic to the human", "this case, the supercomputer was originally created to do everything it can to", "reader or forcing some unsatisfying deus ex machina* ending? Plot ideas or prompts", "out-of-control, power-hungry, and unsympathetic to the human (and cyborg) condition.) I am having", "increase the profit margin of a certain company, so it's specialized in things", "but I'm frequently finding that it's difficult to come up with clever ways", "some unsatisfying deus ex machina ending? Plot ideas or prompts are fine, encouraged", "because... how does one defeat something that's all-knowing and god-like? (In this case,", "prompts are fine, encouraged even, but *what are the tools or skills required", "so far. How do I go about developing my plot ideas, despite my", "a cop out. I'm not all-knowing or god-like (surprise), plus I'm not a", "it's specialized in things like game theory and anticipating people's motives and actions,", "all-knowing or god-like (surprise), plus I'm not a computer scientist and research is", "has since become out-of-control, power-hungry, and unsympathetic to the human (and cyborg) condition.)", "for the antagonist that doesn't seem like a cop out. I'm not all-knowing", "(In this case, the supercomputer was originally created to do everything it can", "cyborgs facing off against a god-like supercomputer. I've outlined a great deal but", "lingering in my head about a rag-tag band of defective cyborgs facing off", "was originally created to do everything it can to increase the profit margin", "a god-like supercomputer. I've outlined a great deal but I'm frequently finding that", "up with clever ways that the group wins against the antagonist because... how", "(and cyborg) condition.) I am having trouble coming up with any weakness for", "having trouble coming up with any weakness for the antagonist that doesn't seem", "that doesn't seem like a cop out. I'm not all-knowing or god-like (surprise),", "power-hungry, and unsympathetic to the human (and cyborg) condition.) I am having trouble", "margin of a certain company, so it's specialized in things like game theory", "head about a rag-tag band of defective cyborgs facing off against a god-like", "I've outlined a great deal but I'm frequently finding that it's difficult to", "about developing my plot ideas, despite my lack of computer science background, without", "unsatisfying deus ex machina* ending? Plot ideas or prompts are fine, encouraged even,", "frequently finding that it's difficult to come up with clever ways that the", "off against a god-like supercomputer. I've outlined a great deal but I'm frequently", "the human (and cyborg) condition.) I am having trouble coming up with any", "it has since become out-of-control, power-hungry, and unsympathetic to the human (and cyborg)", "my plot ideas, despite my lack of computer science background, without breaking believability", "against a god-like supercomputer. I've outlined a great deal but I'm frequently finding", "does one defeat something that's all-knowing and god-like? (In this case, the supercomputer", "go about developing my plot ideas, despite my lack of computer science background,", "all-knowing and god-like? (In this case, the supercomputer was originally created to do", "unsympathetic to the human (and cyborg) condition.) I am having trouble coming up", "band of defective cyborgs facing off against a god-like supercomputer. I've outlined a", "god-like? (In this case, the supercomputer was originally created to do everything it", "things like game theory and anticipating people's motives and actions, and it has", "against the antagonist because... how does one defeat something that's all-knowing and god-like?", "the profit margin of a certain company, so it's specialized in things like", "defective cyborgs facing off against a god-like supercomputer. I've outlined a great deal", "and unsympathetic to the human (and cyborg) condition.) I am having trouble coming", "cyborg) condition.) I am having trouble coming up with any weakness for the", "created to do everything it can to increase the profit margin of a", "fine, encouraged even, but what are the tools or skills required to get", "of a certain company, so it's specialized in things like game theory and", "or god-like (surprise), plus I'm not a computer scientist and research is only", "I have a plot bunny lingering in my head about a rag-tag band", "computer science background, without breaking believability for the reader or forcing some unsatisfying", "that the group wins against the antagonist because... how does one defeat something", "antagonist that doesn't seem like a cop out. I'm not all-knowing or god-like", "have a plot bunny lingering in my head about a rag-tag band of", "are fine, encouraged even, but what are the tools or skills required to", "come up with clever ways that the group wins against the antagonist because...", "the antagonist that doesn't seem like a cop out. I'm not all-knowing or", "with any weakness for the antagonist that doesn't seem like a cop out.", "computer scientist and research is only getting me so far. How do I", "machina* ending? Plot ideas or prompts are fine, encouraged even, but what are", "I'm not a computer scientist and research is only getting me so far.", "getting me so far. How do I go about developing my plot ideas,", "outlined a great deal but I'm frequently finding that it's difficult to come", "up with any weakness for the antagonist that doesn't seem like a cop", "to do everything it can to increase the profit margin of a certain", "Plot ideas or prompts are fine, encouraged even, but what are the tools", "a great deal but I'm frequently finding that it's difficult to come up", "to the human (and cyborg) condition.) I am having trouble coming up with", "ideas or prompts are fine, encouraged even, but *what are the tools or", "can to increase the profit margin of a certain company, so it's specialized", "my lack of computer science background, without breaking believability for the reader or", "seem like a cop out. I'm not all-knowing or god-like (surprise), plus I'm", "I'm frequently finding that it's difficult to come up with clever ways that", "god-like supercomputer. I've outlined a great deal but I'm frequently finding that it's", "people's motives and actions, and it has since become out-of-control, power-hungry, and unsympathetic", "difficult to come up with clever ways that the group wins against the", "the antagonist because... how does one defeat something that's all-knowing and god-like? (In", "the group wins against the antagonist because... how does one defeat something that's", "the reader or forcing some unsatisfying deus ex machina* ending? Plot ideas or", "do I go about developing my plot ideas, despite my lack of computer", "one defeat something that's all-knowing and god-like? (In this case, the supercomputer was", "not all-knowing or god-like (surprise), plus I'm not a computer scientist and research", "something that's all-knowing and god-like? (In this case, the supercomputer was originally created", "game theory and anticipating people's motives and actions, and it has since become", "theory and anticipating people's motives and actions, and it has since become out-of-control,", "encouraged even, but *what are the tools or skills required to get past", "and anticipating people's motives and actions, and it has since become out-of-control, power-hungry,", "plot ideas, despite my lack of computer science background, without breaking believability for", "forcing some unsatisfying deus ex machina* ending? Plot ideas or prompts are fine,", "weakness for the antagonist that doesn't seem like a cop out. I'm not", "to come up with clever ways that the group wins against the antagonist", "a computer scientist and research is only getting me so far. How do" ]
[ "are attending our friends', Zotn and Crystal's, engagement party.\" > > > Or", "looked after us...\" > > > Or should it be: > > \"He", "and Crystal's engagement party.\" > > > Any advice on these points would", "use commas in the sentences below when addressing or introducing someone: > >", "sparkling water, please sir.\" > > > Also, > > \"I turn to", "sir (or does it make the sentence stilted?) or should it be: >", "> > Should there be a comma before sir (or does it make", "a pause in speech? > > \"I'll have a sparkling water, please, sir.\"", "looked after us...\" > > > A similar question is regarding commas and", "in speech? > > \"I'll have a sparkling water, please, sir.\" > >", "sentence stilted?) or should it be: > > \"I'll have a sparkling water,", "> > \"We are attending our friends', Zotn and Crystal's, engagement party.\" >", "and the introduction of a name with the possessive: > > \"We are", "Evie once looked after us...\" > > > Or should it be: >", "water, please sir.\" > > > Also, > > \"I turn to see", "version would be better or are both fine depending on whether there is", "friends Zotn and Crystal's engagement party.\" > > > Any advice on these", "sir.\" > > > Also, > > \"I turn to see my friend", "whether there is a pause in speech? > > \"I'll have a sparkling", "the sentence stilted?) or should it be: > > \"I'll have a sparkling", "be: > > \"I turn to see my friend, James Grand, walking towards", "have a sparkling water, please sir.\" > > > Also, > > \"I", "there is a pause in speech? > > \"I'll have a sparkling water,", "Or should it be: > > \"He and his elder sister, Evie, once", "commas and the introduction of a name with the possessive: > > \"We", "us...\" > > > Or should it be: > > \"He and his", "sister, Evie, once looked after us...\" > > > A similar question is", "regarding commas and the introduction of a name with the possessive: > >", "in the sentences below when addressing or introducing someone: > > “You look", "after us...\" > > > Or should it be: > > \"He and", "Or should it be: > > \"We are attending our friends Zotn and", "towards me.\" > > > Or should it be: > > \"I turn", "on whether there is a pause in speech? > > \"I'll have a", "make the sentence stilted?) or should it be: > > \"I'll have a", "once looked after us...\" > > > A similar question is regarding commas", "each other, okay children?\" > “You look after each > other, okay, children?", "a sparkling water, please sir.\" > > > Also, > > \"I turn", "necessary to use commas in the sentences below when addressing or introducing someone:", "see my friend, James Grand, walking towards me.\" > > > In the", "\"I turn to see my friend James Grand walking towards me.\" > >", "\"We are attending our friends', Zotn and Crystal's, engagement party.\" > > >", "James Grand walking towards me.\" > > > Or should it be: >", "possessive: > > \"We are attending our friends', Zotn and Crystal's, engagement party.\"", "> > > Should there be a comma before sir (or does it", "> \"I turn to see my friend, James Grand, walking towards me.\" >", "or introducing someone: > > “You look after each other, okay children?\" >", "vein: > > \"He and his elder sister Evie once looked after us...\"", "\"He and his elder sister, Evie, once looked after us...\" > > >", "> > Or should it be: > > \"He and his elder sister,", "of a name with the possessive: > > \"We are attending our friends',", "should it be: > > \"We are attending our friends Zotn and Crystal's", "> \"We are attending our friends Zotn and Crystal's engagement party.\" > >", "> Or should it be: > > \"He and his elder sister, Evie,", "each > other, okay, children? > > > Which version would be better", "a sparkling water, please, sir.\" > > > Should there be a comma", "and his elder sister, Evie, once looked after us...\" > > > A", "the possessive: > > \"We are attending our friends', Zotn and Crystal's, engagement", "should it be: > > \"I turn to see my friend, James Grand,", "Grand, walking towards me.\" > > > In the same vein: > >", "> “You look after each > other, okay, children? > > > Which", "I am wondering whether it's necessary to use commas in the sentences below", "someone: > > “You look after each other, okay children?\" > “You look", "sparkling water, please, sir.\" > > > Should there be a comma before", "does it make the sentence stilted?) or should it be: > > \"I'll", "Grand walking towards me.\" > > > Or should it be: > >", "> A similar question is regarding commas and the introduction of a name", "Also, > > \"I turn to see my friend James Grand walking towards", "> > \"He and his elder sister, Evie, once looked after us...\" >", "same vein: > > \"He and his elder sister Evie once looked after", "(or does it make the sentence stilted?) or should it be: > >", "turn to see my friend James Grand walking towards me.\" > > >", "there be a comma before sir (or does it make the sentence stilted?)", "turn to see my friend, James Grand, walking towards me.\" > > >", "Should there be a comma before sir (or does it make the sentence", "be: > > \"He and his elder sister, Evie, once looked after us...\"", "question is regarding commas and the introduction of a name with the possessive:", "> > Which version would be better or are both fine depending on", "the sentences below when addressing or introducing someone: > > “You look after", "> > \"I'll have a sparkling water, please sir.\" > > > Also,", "children?\" > “You look after each > other, okay, children? > > >", "please, sir.\" > > > Should there be a comma before sir (or", "it be: > > \"I turn to see my friend, James Grand, walking", "engagement party.\" > > > Or should it be: > > \"We are", "\"I'll have a sparkling water, please sir.\" > > > Also, > >", "> > Also, > > \"I turn to see my friend James Grand", "similar question is regarding commas and the introduction of a name with the", "look after each other, okay children?\" > “You look after each > other,", "speech? > > \"I'll have a sparkling water, please, sir.\" > > >", "his elder sister Evie once looked after us...\" > > > Or should", "> \"I'll have a sparkling water, please, sir.\" > > > Should there", "look after each > other, okay, children? > > > Which version would", "sister Evie once looked after us...\" > > > Or should it be:", "> > > Or should it be: > > \"We are attending our", "engagement party.\" > > > Any advice on these points would be greatly", "would be better or are both fine depending on whether there is a", "> > \"I turn to see my friend James Grand walking towards me.\"", "comma before sir (or does it make the sentence stilted?) or should it", "friend James Grand walking towards me.\" > > > Or should it be:", "> > > Or should it be: > > \"I turn to see", "> Also, > > \"I turn to see my friend James Grand walking", "addressing or introducing someone: > > “You look after each other, okay children?\"", "a comma before sir (or does it make the sentence stilted?) or should", "In the same vein: > > \"He and his elder sister Evie once", "or are both fine depending on whether there is a pause in speech?", "am wondering whether it's necessary to use commas in the sentences below when", "please sir.\" > > > Also, > > \"I turn to see my", "towards me.\" > > > In the same vein: > > \"He and", "sentences below when addressing or introducing someone: > > “You look after each", "> > Or should it be: > > \"I turn to see my", "other, okay, children? > > > Which version would be better or are", "> > In the same vein: > > \"He and his elder sister", "our friends Zotn and Crystal's engagement party.\" > > > Any advice on", "> Or should it be: > > \"We are attending our friends Zotn", "when addressing or introducing someone: > > “You look after each other, okay", "Zotn and Crystal's, engagement party.\" > > > Or should it be: >", "it be: > > \"I'll have a sparkling water, please sir.\" > >", "> \"I'll have a sparkling water, please sir.\" > > > Also, >", "name with the possessive: > > \"We are attending our friends', Zotn and", "> > A similar question is regarding commas and the introduction of a", "other, okay children?\" > “You look after each > other, okay, children? >", "our friends', Zotn and Crystal's, engagement party.\" > > > Or should it", "a name with the possessive: > > \"We are attending our friends', Zotn", "> > > A similar question is regarding commas and the introduction of", "Crystal's, engagement party.\" > > > Or should it be: > > \"We", "have a sparkling water, please, sir.\" > > > Should there be a", "water, please, sir.\" > > > Should there be a comma before sir", "wondering whether it's necessary to use commas in the sentences below when addressing", "once looked after us...\" > > > Or should it be: > >", "> In the same vein: > > \"He and his elder sister Evie", "Crystal's engagement party.\" > > > Any advice on these points would be", "elder sister, Evie, once looked after us...\" > > > A similar question", "it be: > > \"We are attending our friends Zotn and Crystal's engagement", "introducing someone: > > “You look after each other, okay children?\" > “You", "party.\" > > > Any advice on these points would be greatly appreciated!", "be: > > \"I'll have a sparkling water, please sir.\" > > >", "after each > other, okay, children? > > > Which version would be", "okay, children? > > > Which version would be better or are both", "walking towards me.\" > > > Or should it be: > > \"I", "the same vein: > > \"He and his elder sister Evie once looked", "with the possessive: > > \"We are attending our friends', Zotn and Crystal's,", "both fine depending on whether there is a pause in speech? > >", "depending on whether there is a pause in speech? > > \"I'll have", "is a pause in speech? > > \"I'll have a sparkling water, please,", "\"We are attending our friends Zotn and Crystal's engagement party.\" > > >", "okay children?\" > “You look after each > other, okay, children? > >", "us...\" > > > A similar question is regarding commas and the introduction", "be a comma before sir (or does it make the sentence stilted?) or", "after each other, okay children?\" > “You look after each > other, okay,", "me.\" > > > In the same vein: > > \"He and his", "elder sister Evie once looked after us...\" > > > Or should it", "“You look after each other, okay children?\" > “You look after each >", "to see my friend James Grand walking towards me.\" > > > Or", "> > > Which version would be better or are both fine depending", "\"He and his elder sister Evie once looked after us...\" > > >", "> > \"I turn to see my friend, James Grand, walking towards me.\"", "are both fine depending on whether there is a pause in speech? >", "below when addressing or introducing someone: > > “You look after each other,", "it make the sentence stilted?) or should it be: > > \"I'll have", "> > “You look after each other, okay children?\" > “You look after", "to use commas in the sentences below when addressing or introducing someone: >", "fine depending on whether there is a pause in speech? > > \"I'll", "friend, James Grand, walking towards me.\" > > > In the same vein:", "the introduction of a name with the possessive: > > \"We are attending", "are attending our friends Zotn and Crystal's engagement party.\" > > > Any", "is regarding commas and the introduction of a name with the possessive: >", "it be: > > \"He and his elder sister, Evie, once looked after", "after us...\" > > > A similar question is regarding commas and the", "commas in the sentences below when addressing or introducing someone: > > “You", "to see my friend, James Grand, walking towards me.\" > > > In", "my friend James Grand walking towards me.\" > > > Or should it", "> \"I turn to see my friend James Grand walking towards me.\" >", "attending our friends', Zotn and Crystal's, engagement party.\" > > > Or should", "it's necessary to use commas in the sentences below when addressing or introducing", "> > Or should it be: > > \"We are attending our friends", "\"I'll have a sparkling water, please, sir.\" > > > Should there be", "> > > Or should it be: > > \"He and his elder", "A similar question is regarding commas and the introduction of a name with", "whether it's necessary to use commas in the sentences below when addressing or", "and his elder sister Evie once looked after us...\" > > > Or", "\"I turn to see my friend, James Grand, walking towards me.\" > >", "pause in speech? > > \"I'll have a sparkling water, please, sir.\" >", "> > \"He and his elder sister Evie once looked after us...\" >", "Which version would be better or are both fine depending on whether there", "stilted?) or should it be: > > \"I'll have a sparkling water, please", "attending our friends Zotn and Crystal's engagement party.\" > > > Any advice", "> other, okay, children? > > > Which version would be better or", "James Grand, walking towards me.\" > > > In the same vein: >", "walking towards me.\" > > > In the same vein: > > \"He", "Evie, once looked after us...\" > > > A similar question is regarding", "“You look after each > other, okay, children? > > > Which version", "or should it be: > > \"I'll have a sparkling water, please sir.\"", "my friend, James Grand, walking towards me.\" > > > In the same", "> “You look after each other, okay children?\" > “You look after each", "> > > In the same vein: > > \"He and his elder", "> Or should it be: > > \"I turn to see my friend,", "party.\" > > > Or should it be: > > \"We are attending", "children? > > > Which version would be better or are both fine", "> > \"We are attending our friends Zotn and Crystal's engagement party.\" >", "Zotn and Crystal's engagement party.\" > > > Any advice on these points", "should it be: > > \"He and his elder sister, Evie, once looked", "friends', Zotn and Crystal's, engagement party.\" > > > Or should it be:", "be better or are both fine depending on whether there is a pause", "me.\" > > > Or should it be: > > \"I turn to", "introduction of a name with the possessive: > > \"We are attending our", "> \"He and his elder sister Evie once looked after us...\" > >", "see my friend James Grand walking towards me.\" > > > Or should", "his elder sister, Evie, once looked after us...\" > > > A similar", "before sir (or does it make the sentence stilted?) or should it be:", "be: > > \"We are attending our friends Zotn and Crystal's engagement party.\"", "and Crystal's, engagement party.\" > > > Or should it be: > >", "better or are both fine depending on whether there is a pause in", "> Which version would be better or are both fine depending on whether", "sir.\" > > > Should there be a comma before sir (or does", "> Should there be a comma before sir (or does it make the", "> \"We are attending our friends', Zotn and Crystal's, engagement party.\" > >", "> \"He and his elder sister, Evie, once looked after us...\" > >", "Or should it be: > > \"I turn to see my friend, James", "> > > Also, > > \"I turn to see my friend James", "> > \"I'll have a sparkling water, please, sir.\" > > > Should", "should it be: > > \"I'll have a sparkling water, please sir.\" >" ]
[ "without an ISBN, as I do not want to sell my work through", "Print on Demand (POD) outfit that will print my book without an ISBN,", "work through any outlet, print or electronic. I just want copies to have", "want to find a Print on Demand (POD) outfit that will print my", "outfit that will print my book without an ISBN, as I do not", "I want to find a Print on Demand (POD) outfit that will print", "do not want to sell my work through any outlet, print or electronic.", "through any outlet, print or electronic. I just want copies to have and", "book without an ISBN, as I do not want to sell my work", "my work through any outlet, print or electronic. I just want copies to", "want copies to have and give to friends and family. What do I", "ISBN, as I do not want to sell my work through any outlet,", "want to sell my work through any outlet, print or electronic. I just", "electronic. I just want copies to have and give to friends and family.", "on Demand (POD) outfit that will print my book without an ISBN, as", "sell my work through any outlet, print or electronic. I just want copies", "I do not want to sell my work through any outlet, print or", "print my book without an ISBN, as I do not want to sell", "not want to sell my work through any outlet, print or electronic. I", "outlet, print or electronic. I just want copies to have and give to", "Demand (POD) outfit that will print my book without an ISBN, as I", "I just want copies to have and give to friends and family. What", "will print my book without an ISBN, as I do not want to", "(POD) outfit that will print my book without an ISBN, as I do", "any outlet, print or electronic. I just want copies to have and give", "to find a Print on Demand (POD) outfit that will print my book", "that will print my book without an ISBN, as I do not want", "an ISBN, as I do not want to sell my work through any", "print or electronic. I just want copies to have and give to friends", "my book without an ISBN, as I do not want to sell my", "as I do not want to sell my work through any outlet, print", "or electronic. I just want copies to have and give to friends and", "copies to have and give to friends and family. What do I do?", "find a Print on Demand (POD) outfit that will print my book without", "a Print on Demand (POD) outfit that will print my book without an", "to sell my work through any outlet, print or electronic. I just want", "just want copies to have and give to friends and family. What do" ]
[ "going to that point too far, or would it be more sensible to", "not destroyed, their friends were dead, and they were left to well, be", "their enjoyment of the novel? Its pretty obvious that the protagonist would reach", "from the start, so, I was thinking about destroying it. Is going to", "to that point too far, or would it be more sensible to let", "spent the novel with, as they became so obsessed with the desire and", "stopped. The threat was not destroyed, their friends were dead, and they were", "the novel? Its pretty obvious that the protagonist would reach their goal from", "to be stopped. The threat was not destroyed, their friends were dead, and", "thinking about destroying it. Is going to that point too far, or would", "would it be more sensible to let them have their goal, but at", "towards the end they killed the people they had spent the novel with,", "The threat was not destroyed, their friends were dead, and they were left", "working towards a goal, but towards the end they killed the people they", "thwarting the readers hopes, and destroying their enjoyment of the novel? Its pretty", "reach their goal from the start, so, I was thinking about destroying it.", "goal from the start, so, I was thinking about destroying it. Is going", "they had spent the novel with, as they became so obsessed with the", "so obsessed with the desire and didn't want to be stopped. The threat", "was thinking about destroying it. Is going to that point too far, or", "the novel with, as they became so obsessed with the desire and didn't", "they killed the people they had spent the novel with, as they became", "of the novel? Its pretty obvious that the protagonist would reach their goal", "Its pretty obvious that the protagonist would reach their goal from the start,", "hopes, and destroying their enjoyment of the novel? Its pretty obvious that the", "desire and didn't want to be stopped. The threat was not destroyed, their", "insane. Would doing something like that be way beyond thwarting the readers hopes,", "can I go from thwarting, to destroying? For example, say the protagonist was", "was working towards a goal, but towards the end they killed the people", "Is going to that point too far, or would it be more sensible", "readers hopes, and destroying their enjoyment of the novel? Its pretty obvious that", "I go from thwarting, to destroying? For example, say the protagonist was working", "with, as they became so obsessed with the desire and didn't want to", "protagonist would reach their goal from the start, so, I was thinking about", "the readers hopes, and destroying their enjoyment of the novel? Its pretty obvious", "the protagonist was working towards a goal, but towards the end they killed", "example, say the protagonist was working towards a goal, but towards the end", "to destroying? For example, say the protagonist was working towards a goal, but", "towards a goal, but towards the end they killed the people they had", "be way beyond thwarting the readers hopes, and destroying their enjoyment of the", "that the protagonist would reach their goal from the start, so, I was", "threat was not destroyed, their friends were dead, and they were left to", "they were left to well, be insane. Would doing something like that be", "something like that be way beyond thwarting the readers hopes, and destroying their", "go from thwarting, to destroying? For example, say the protagonist was working towards", "to well, be insane. Would doing something like that be way beyond thwarting", "as they became so obsessed with the desire and didn't want to be", "When can I go from thwarting, to destroying? For example, say the protagonist", "and didn't want to be stopped. The threat was not destroyed, their friends", "that point too far, or would it be more sensible to let them", "had spent the novel with, as they became so obsessed with the desire", "and destroying their enjoyment of the novel? Its pretty obvious that the protagonist", "about destroying it. Is going to that point too far, or would it", "destroying it. Is going to that point too far, or would it be", "destroying their enjoyment of the novel? Its pretty obvious that the protagonist would", "doing something like that be way beyond thwarting the readers hopes, and destroying", "that be way beyond thwarting the readers hopes, and destroying their enjoyment of", "thwarting, to destroying? For example, say the protagonist was working towards a goal,", "say the protagonist was working towards a goal, but towards the end they", "would reach their goal from the start, so, I was thinking about destroying", "so, I was thinking about destroying it. Is going to that point too", "became so obsessed with the desire and didn't want to be stopped. The", "the start, so, I was thinking about destroying it. Is going to that", "they became so obsessed with the desire and didn't want to be stopped.", "friends were dead, and they were left to well, be insane. Would doing", "didn't want to be stopped. The threat was not destroyed, their friends were", "were left to well, be insane. Would doing something like that be way", "For example, say the protagonist was working towards a goal, but towards the", "point too far, or would it be more sensible to let them have", "destroying? For example, say the protagonist was working towards a goal, but towards", "were dead, and they were left to well, be insane. Would doing something", "obvious that the protagonist would reach their goal from the start, so, I", "from thwarting, to destroying? For example, say the protagonist was working towards a", "was not destroyed, their friends were dead, and they were left to well,", "with the desire and didn't want to be stopped. The threat was not", "or would it be more sensible to let them have their goal, but", "be insane. Would doing something like that be way beyond thwarting the readers", "be more sensible to let them have their goal, but at a price?", "protagonist was working towards a goal, but towards the end they killed the", "goal, but towards the end they killed the people they had spent the", "end they killed the people they had spent the novel with, as they", "novel? Its pretty obvious that the protagonist would reach their goal from the", "novel with, as they became so obsessed with the desire and didn't want", "be stopped. The threat was not destroyed, their friends were dead, and they", "killed the people they had spent the novel with, as they became so", "beyond thwarting the readers hopes, and destroying their enjoyment of the novel? Its", "people they had spent the novel with, as they became so obsessed with", "but towards the end they killed the people they had spent the novel", "like that be way beyond thwarting the readers hopes, and destroying their enjoyment", "destroyed, their friends were dead, and they were left to well, be insane.", "their goal from the start, so, I was thinking about destroying it. Is", "and they were left to well, be insane. Would doing something like that", "a goal, but towards the end they killed the people they had spent", "the end they killed the people they had spent the novel with, as", "well, be insane. Would doing something like that be way beyond thwarting the", "left to well, be insane. Would doing something like that be way beyond", "it be more sensible to let them have their goal, but at a", "the people they had spent the novel with, as they became so obsessed", "way beyond thwarting the readers hopes, and destroying their enjoyment of the novel?", "enjoyment of the novel? Its pretty obvious that the protagonist would reach their", "it. Is going to that point too far, or would it be more", "want to be stopped. The threat was not destroyed, their friends were dead,", "far, or would it be more sensible to let them have their goal,", "obsessed with the desire and didn't want to be stopped. The threat was", "dead, and they were left to well, be insane. Would doing something like", "I was thinking about destroying it. Is going to that point too far,", "Would doing something like that be way beyond thwarting the readers hopes, and", "pretty obvious that the protagonist would reach their goal from the start, so,", "too far, or would it be more sensible to let them have their", "the desire and didn't want to be stopped. The threat was not destroyed,", "the protagonist would reach their goal from the start, so, I was thinking", "their friends were dead, and they were left to well, be insane. Would", "start, so, I was thinking about destroying it. Is going to that point" ]
[ "reason), or must it always go back to the original singer/writer/group? The context", "who actually sings/speaks them? Or it is simpler/more correct to just use the", "(to me); whether I want to use a quoted lyric as something to", "them (for whatever reason), or must it always go back to the original", "personality (yearbook quote, online profile, etc.), or if I needed to include it", "quote the covering singer/group if you prefer them (for whatever reason), or must", "the band/group? What about a cover song? Can you quote the covering singer/group", "to use a quoted lyric as something to relate to my personality (yearbook", "simpler/more correct to just use the name of the band/group? What about a", "wrote the lyrics, or to who actually sings/speaks them? Or it is simpler/more", "is irrelevant (to me); whether I want to use a quoted lyric as", "a cover song? Can you quote the covering singer/group if you prefer them", "band/group? What about a cover song? Can you quote the covering singer/group if", "it to whomever wrote the lyrics, or to who actually sings/speaks them? Or", "lyric as something to relate to my personality (yearbook quote, online profile, etc.),", "actually sings/speaks them? Or it is simpler/more correct to just use the name", "attribute it to whomever wrote the lyrics, or to who actually sings/speaks them?", "Or it is simpler/more correct to just use the name of the band/group?", "it always go back to the original singer/writer/group? The context is irrelevant (to", "of the band/group? What about a cover song? Can you quote the covering", "use the name of the band/group? What about a cover song? Can you", "it is simpler/more correct to just use the name of the band/group? What", "something to relate to my personality (yearbook quote, online profile, etc.), or if", "them? Or it is simpler/more correct to just use the name of the", "The context is irrelevant (to me); whether I want to use a quoted", "song? Can you quote the covering singer/group if you prefer them (for whatever", "irrelevant (to me); whether I want to use a quoted lyric as something", "the covering singer/group if you prefer them (for whatever reason), or must it", "or if I needed to include it in something formal (research, presentation, etc.).", "quoted lyric as something to relate to my personality (yearbook quote, online profile,", "singer/writer/group? The context is irrelevant (to me); whether I want to use a", "must it always go back to the original singer/writer/group? The context is irrelevant", "original singer/writer/group? The context is irrelevant (to me); whether I want to use", "a quoted lyric as something to relate to my personality (yearbook quote, online", "What about a cover song? Can you quote the covering singer/group if you", "covering singer/group if you prefer them (for whatever reason), or must it always", "or must it always go back to the original singer/writer/group? The context is", "as something to relate to my personality (yearbook quote, online profile, etc.), or", "just use the name of the band/group? What about a cover song? Can", "lyrics, or to who actually sings/speaks them? Or it is simpler/more correct to", "back to the original singer/writer/group? The context is irrelevant (to me); whether I", "the original singer/writer/group? The context is irrelevant (to me); whether I want to", "to who actually sings/speaks them? Or it is simpler/more correct to just use", "Can you quote the covering singer/group if you prefer them (for whatever reason),", "you quote the covering singer/group if you prefer them (for whatever reason), or", "the lyrics, or to who actually sings/speaks them? Or it is simpler/more correct", "to whomever wrote the lyrics, or to who actually sings/speaks them? Or it", "I want to use a quoted lyric as something to relate to my", "you attribute it to whomever wrote the lyrics, or to who actually sings/speaks", "to relate to my personality (yearbook quote, online profile, etc.), or if I", "always go back to the original singer/writer/group? The context is irrelevant (to me);", "(for whatever reason), or must it always go back to the original singer/writer/group?", "to my personality (yearbook quote, online profile, etc.), or if I needed to", "correct to just use the name of the band/group? What about a cover", "whomever wrote the lyrics, or to who actually sings/speaks them? Or it is", "my personality (yearbook quote, online profile, etc.), or if I needed to include", "cover song? Can you quote the covering singer/group if you prefer them (for", "Do you attribute it to whomever wrote the lyrics, or to who actually", "use a quoted lyric as something to relate to my personality (yearbook quote,", "if you prefer them (for whatever reason), or must it always go back", "to just use the name of the band/group? What about a cover song?", "whether I want to use a quoted lyric as something to relate to", "about a cover song? Can you quote the covering singer/group if you prefer", "name of the band/group? What about a cover song? Can you quote the", "sings/speaks them? Or it is simpler/more correct to just use the name of", "(yearbook quote, online profile, etc.), or if I needed to include it in", "quote, online profile, etc.), or if I needed to include it in something", "or to who actually sings/speaks them? Or it is simpler/more correct to just", "is simpler/more correct to just use the name of the band/group? What about", "to the original singer/writer/group? The context is irrelevant (to me); whether I want", "profile, etc.), or if I needed to include it in something formal (research,", "relate to my personality (yearbook quote, online profile, etc.), or if I needed", "etc.), or if I needed to include it in something formal (research, presentation,", "the name of the band/group? What about a cover song? Can you quote", "context is irrelevant (to me); whether I want to use a quoted lyric", "singer/group if you prefer them (for whatever reason), or must it always go", "want to use a quoted lyric as something to relate to my personality", "online profile, etc.), or if I needed to include it in something formal", "prefer them (for whatever reason), or must it always go back to the", "go back to the original singer/writer/group? The context is irrelevant (to me); whether", "whatever reason), or must it always go back to the original singer/writer/group? The", "me); whether I want to use a quoted lyric as something to relate", "you prefer them (for whatever reason), or must it always go back to" ]
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However, this one", "this one is germane to my story, and one of my characters is", "in which the city of Kiev is bombed on the first day of", "I think that this falls under \"artistic license\" I would like to read", "ten specific targets that were bombed, and states \"production and military facilities\" and", "if any bombs actually fell on this particular park. However, this one is", "actually fell on this particular park. However, this one is germane to my", "to official statistics. A 2011 Kiev newspaper article about this event mentions about", "the city of Kiev is bombed on the first day of the German", "I do not know if any bombs actually fell on this particular park.", "on a large group of people who are celebrating within a certain park,", "within a certain park, which I name. I do not know if any", "people were killed and 76 wounded in Kiev, according to official statistics. A", "the Soviet Union in 1941. Twenty-two people were killed and 76 wounded in", "a short scene in which the city of Kiev is bombed on the", "A 2011 Kiev newspaper article about this event mentions about ten specific targets", "to name this park without knowing for certain if there were casualties there?", "killed and 76 wounded in Kiev, according to official statistics. A 2011 Kiev", "wounded in Kiev, according to official statistics. A 2011 Kiev newspaper article about", "specific targets that were bombed, and states \"production and military facilities\" and \"peaceful", "one is germane to my story, and one of my characters is killed", "and \"peaceful city districts\" were also bombed. I have written a scene in", "without knowing for certain if there were casualties there? Although I think that", "the first day of the German invasion of the Soviet Union in 1941.", "particular park. However, this one is germane to my story, and one of", "blast there. My question: Is it \"permissible\" to name this park without knowing", "were also bombed. I have written a scene in which bombs fall on", "is killed by a bomb blast there. My question: Is it \"permissible\" to", "invasion of the Soviet Union in 1941. Twenty-two people were killed and 76", "group of people who are celebrating within a certain park, which I name.", "article about this event mentions about ten specific targets that were bombed, and", "any bombs actually fell on this particular park. However, this one is germane", "who are celebrating within a certain park, which I name. I do not", "name this park without knowing for certain if there were casualties there? Although", "I have written a scene in which bombs fall on a large group", "and military facilities\" and \"peaceful city districts\" were also bombed. I have written", "76 wounded in Kiev, according to official statistics. A 2011 Kiev newspaper article", "according to official statistics. A 2011 Kiev newspaper article about this event mentions", "for certain if there were casualties there? Although I think that this falls", "bomb blast there. My question: Is it \"permissible\" to name this park without", "Is it \"permissible\" to name this park without knowing for certain if there", "my story, and one of my characters is killed by a bomb blast", "by a bomb blast there. My question: Is it \"permissible\" to name this", "celebrating within a certain park, which I name. I do not know if", "is bombed on the first day of the German invasion of the Soviet", "scene in which bombs fall on a large group of people who are", "think that this falls under \"artistic license\" I would like to read some", "city districts\" were also bombed. I have written a scene in which bombs", "casualties there? Although I think that this falls under \"artistic license\" I would", "and states \"production and military facilities\" and \"peaceful city districts\" were also bombed.", "bombed, and states \"production and military facilities\" and \"peaceful city districts\" were also", "newspaper article about this event mentions about ten specific targets that were bombed,", "military facilities\" and \"peaceful city districts\" were also bombed. I have written a", "are celebrating within a certain park, which I name. I do not know", "I am writing a novel of historical fiction containing a short scene in", "about ten specific targets that were bombed, and states \"production and military facilities\"", "my characters is killed by a bomb blast there. My question: Is it", "bombs actually fell on this particular park. However, this one is germane to", "which the city of Kiev is bombed on the first day of the", "there. My question: Is it \"permissible\" to name this park without knowing for", "killed by a bomb blast there. My question: Is it \"permissible\" to name", "scene in which the city of Kiev is bombed on the first day", "Soviet Union in 1941. Twenty-two people were killed and 76 wounded in Kiev,", "were killed and 76 wounded in Kiev, according to official statistics. A 2011", "mentions about ten specific targets that were bombed, and states \"production and military", "to my story, and one of my characters is killed by a bomb", "about this event mentions about ten specific targets that were bombed, and states", "were bombed, and states \"production and military facilities\" and \"peaceful city districts\" were", "I name. I do not know if any bombs actually fell on this", "of my characters is killed by a bomb blast there. My question: Is", "in which bombs fall on a large group of people who are celebrating", "a bomb blast there. My question: Is it \"permissible\" to name this park", "However, this one is germane to my story, and one of my characters", "knowing for certain if there were casualties there? Although I think that this", "that this falls under \"artistic license\" I would like to read some other", "Kiev is bombed on the first day of the German invasion of the", "day of the German invasion of the Soviet Union in 1941. Twenty-two people", "of Kiev is bombed on the first day of the German invasion of", "is germane to my story, and one of my characters is killed by", "of historical fiction containing a short scene in which the city of Kiev", "Although I think that this falls under \"artistic license\" I would like to", "written a scene in which bombs fall on a large group of people", "\"peaceful city districts\" were also bombed. I have written a scene in which", "the German invasion of the Soviet Union in 1941. 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