Split (1)

train · 10.4M rows

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[ "trying to improve my writing skills. Most of what I write is in", "concerned about my time investment into writing if I move to a Spanish-speaking", "you think that writing skills are cross-language? I am concerned about my time", "think that writing skills are cross-language? I am concerned about my time investment", "skills are cross-language? I am concerned about my time investment into writing if", "been trying to improve my writing skills. Most of what I write is", "am concerned about my time investment into writing if I move to a", "what I write is in English. To what extent do you think that", "Most of what I write is in English. To what extent do you", "I write is in English. To what extent do you think that writing", "I am concerned about my time investment into writing if I move to", "that writing skills are cross-language? I am concerned about my time investment into", "what extent do you think that writing skills are cross-language? I am concerned", "extent do you think that writing skills are cross-language? I am concerned about", "skills. Most of what I write is in English. To what extent do", "are cross-language? I am concerned about my time investment into writing if I", "about my time investment into writing if I move to a Spanish-speaking country.", "improve my writing skills. Most of what I write is in English. To", "to improve my writing skills. Most of what I write is in English.", "To what extent do you think that writing skills are cross-language? I am", "I have been trying to improve my writing skills. Most of what I", "writing skills are cross-language? I am concerned about my time investment into writing", "in English. To what extent do you think that writing skills are cross-language?", "cross-language? I am concerned about my time investment into writing if I move", "have been trying to improve my writing skills. Most of what I write", "write is in English. To what extent do you think that writing skills", "is in English. To what extent do you think that writing skills are", "do you think that writing skills are cross-language? I am concerned about my", "my writing skills. Most of what I write is in English. To what", "English. To what extent do you think that writing skills are cross-language? I", "of what I write is in English. To what extent do you think", "writing skills. Most of what I write is in English. To what extent" ]
[ "without any issues, etc. You know what I mean. Thanks in advance for", "and found that I accidentally gave my main character first and middle names", "considered omitting either Fitzwilliam or Dovcy from the name, but I've also wondered", "it's possible to keep the name all the same without any issues, etc.", "of the book, I first introduce him as Fitzwilliam Dovcy Devereux. I've considered", "character first and middle names from Mr. Dovcy (the one from Jane Austen's", "Dovcy (the one from Jane Austen's Pride and Prejudice). My character's name is", "My character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but for a large portion", "from Mr. Dovcy (the one from Jane Austen's Pride and Prejudice). My character's", "and Prejudice). My character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but for a", "Claude Milton-Devereux, but for a large portion of the book, I first introduce", "I first introduce him as Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam", "him as Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam or Dovcy from", "introduce him as Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam or Dovcy", "either Fitzwilliam or Dovcy from the name, but I've also wondered if it's", "to keep the name all the same without any issues, etc. You know", "and middle names from Mr. Dovcy (the one from Jane Austen's Pride and", "or Dovcy from the name, but I've also wondered if it's possible to", "book, I first introduce him as Fitzwilliam Dovcy Devereux. I've considered omitting either", "keep the name all the same without any issues, etc. You know what", "Dovcy Devereux. I've considered omitting either Fitzwilliam or Dovcy from the name, but", "Dovcy Claude Milton-Devereux, but for a large portion of the book, I first", "wondered if it's possible to keep the name all the same without any", "writing a crime/mystery YA novel and found that I accidentally gave my main", "found that I accidentally gave my main character first and middle names from", "also wondered if it's possible to keep the name all the same without", "as Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam or Dovcy from the", "YA novel and found that I accidentally gave my main character first and", "any issues, etc. You know what I mean. Thanks in advance for your", "Austen's Pride and Prejudice). My character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but", "first introduce him as Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam or", "Jane Austen's Pride and Prejudice). My character's name is Fitzwilliam Dovcy Claude Milton-Devereux,", "for a large portion of the book, I first introduce him as Fitzwilliam", "I accidentally gave my main character first and middle names from Mr. Dovcy", "omitting either Fitzwilliam or Dovcy from the name, but I've also wondered if", "if it's possible to keep the name all the same without any issues,", "main character first and middle names from Mr. Dovcy (the one from Jane", "from Jane Austen's Pride and Prejudice). My character's name is Fitzwilliam Dovcy Claude", "Prejudice). My character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but for a large", "my main character first and middle names from Mr. Dovcy (the one from", "Fitzwilliam Dovcy Claude Milton-Devereux, but for a large portion of the book, I", "first and middle names from Mr. Dovcy (the one from Jane Austen's Pride", "Dovcy from the name, but I've also wondered if it's possible to keep", "novel and found that I accidentally gave my main character first and middle", "name, but I've also wondered if it's possible to keep the name all", "the book, I first introduce him as Fitzwilliam Dovcy Devereux. I've considered omitting", "one from Jane Austen's Pride and Prejudice). My character's name is Fitzwilliam Dovcy", "Pride and Prejudice). My character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but for", "crime/mystery YA novel and found that I accidentally gave my main character first", "I'm writing a crime/mystery YA novel and found that I accidentally gave my", "the same without any issues, etc. You know what I mean. Thanks in", "gave my main character first and middle names from Mr. Dovcy (the one", "that I accidentally gave my main character first and middle names from Mr.", "is Fitzwilliam Dovcy Claude Milton-Devereux, but for a large portion of the book,", "issues, etc. You know what I mean. Thanks in advance for your help!", "but I've also wondered if it's possible to keep the name all the", "character's name is Fitzwilliam Dovcy Claude Milton-Devereux, but for a large portion of", "but for a large portion of the book, I first introduce him as", "possible to keep the name all the same without any issues, etc. You", "Devereux. I've considered omitting either Fitzwilliam or Dovcy from the name, but I've", "Fitzwilliam Dovcy Devereux. I've considered omitting either Fitzwilliam or Dovcy from the name,", "names from Mr. Dovcy (the one from Jane Austen's Pride and Prejudice). My", "the name, but I've also wondered if it's possible to keep the name", "same without any issues, etc. You know what I mean. Thanks in advance", "name is Fitzwilliam Dovcy Claude Milton-Devereux, but for a large portion of the", "from the name, but I've also wondered if it's possible to keep the", "large portion of the book, I first introduce him as Fitzwilliam Dovcy Devereux.", "all the same without any issues, etc. You know what I mean. Thanks", "Fitzwilliam or Dovcy from the name, but I've also wondered if it's possible", "I've considered omitting either Fitzwilliam or Dovcy from the name, but I've also", "Mr. Dovcy (the one from Jane Austen's Pride and Prejudice). My character's name", "the name all the same without any issues, etc. You know what I", "I've also wondered if it's possible to keep the name all the same", "accidentally gave my main character first and middle names from Mr. Dovcy (the", "name all the same without any issues, etc. You know what I mean.", "Milton-Devereux, but for a large portion of the book, I first introduce him", "portion of the book, I first introduce him as Fitzwilliam Dovcy Devereux. I've", "a large portion of the book, I first introduce him as Fitzwilliam Dovcy", "a crime/mystery YA novel and found that I accidentally gave my main character", "middle names from Mr. Dovcy (the one from Jane Austen's Pride and Prejudice).", "(the one from Jane Austen's Pride and Prejudice). My character's name is Fitzwilliam" ]
[ "book right now. The chapter that I just finished seems as if it’s", "finished seems as if it’s done but it’s only four pages. Should I", "writing a book right now. The chapter that I just finished seems as", "done but it’s only four pages. Should I leave it as it is,", "The chapter that I just finished seems as if it’s done but it’s", "as if it’s done but it’s only four pages. Should I leave it", "if it’s done but it’s only four pages. Should I leave it as", "four pages. Should I leave it as it is, or does it need", "only four pages. Should I leave it as it is, or does it", "pages. Should I leave it as it is, or does it need more", "right now. The chapter that I just finished seems as if it’s done", "that I just finished seems as if it’s done but it’s only four", "it’s done but it’s only four pages. Should I leave it as it", "it’s only four pages. Should I leave it as it is, or does", "Should I leave it as it is, or does it need more pages?", "but it’s only four pages. Should I leave it as it is, or", "seems as if it’s done but it’s only four pages. Should I leave", "just finished seems as if it’s done but it’s only four pages. Should", "now. The chapter that I just finished seems as if it’s done but", "I’m writing a book right now. The chapter that I just finished seems", "a book right now. The chapter that I just finished seems as if", "chapter that I just finished seems as if it’s done but it’s only", "I just finished seems as if it’s done but it’s only four pages." ]
[ "and the lounge. > > > I have written it like that, with", "seems pedantic, but there are many similar suggestions. The setting of the scene", "speaker. Grammarly is an online writing assistant. This is a line in my", "coffee room, and the lounge. > > > I have written it like", "and the lounge. > > > Sorry if it seems pedantic, but there", "coffee room, and the lounge. > > > Sorry if it seems pedantic,", "Sorry if it seems pedantic, but there are many similar suggestions. The setting", "pedantic, but there are many similar suggestions. The setting of the scene is", "I liked the office, and the environment-- the minimalist furniture, the Macs and", "has suggested writing it like this; > > I liked the office, and", "This is a line in my draft > > I liked the office,", "and the environment-- the minimalist furniture, the Macs and Xerox machines, the coffee", "environment-- the minimalist furniture, the Macs and Xerox machines, the coffee room, and", "> I have written it like that, with the phrase, 'I liked' twice.", "character will say it like that. Grammarly has suggested writing it like this;", "the lounge. > > > I have written it like that, with the", "> I liked the office, and the environment-- the minimalist furniture, the Macs", "the coffee room, and the lounge. > > > I have written it", "it like that. Grammarly has suggested writing it like this; > > I", "liked the office, and I liked the environment-- the minimalist furniture, the Macs", "there are many similar suggestions. The setting of the scene is in London.", "> > I have written it like that, with the phrase, 'I liked'", "non-native English speaker. Grammarly is an online writing assistant. This is a line", "and I liked the environment-- the minimalist furniture, the Macs and Xerox machines,", "suggested writing it like this; > > I liked the office, and the", "room, and the lounge. > > > Sorry if it seems pedantic, but", "> > I liked the office, and I liked the environment-- the minimalist", "my draft > > I liked the office, and I liked the environment--", "lounge. > > > I have written it like that, with the phrase,", "just feel like my character will say it like that. Grammarly has suggested", "it seems pedantic, but there are many similar suggestions. The setting of the", "written it like that, with the phrase, 'I liked' twice. There's nothing to", "an online writing assistant. This is a line in my draft > >", "English speaker. Grammarly is an online writing assistant. This is a line in", "I just feel like my character will say it like that. Grammarly has", "is a line in my draft > > I liked the office, and", "the lounge. > > > Sorry if it seems pedantic, but there are", "machines, the coffee room, and the lounge. > > > Sorry if it", "a line in my draft > > I liked the office, and I", "the Macs and Xerox machines, the coffee room, and the lounge. > >", "similar suggestions. The setting of the scene is in London. What should I", "draft > > I liked the office, and I liked the environment-- the", "the office, and I liked the environment-- the minimalist furniture, the Macs and", "feel like my character will say it like that. Grammarly has suggested writing", "liked the environment-- the minimalist furniture, the Macs and Xerox machines, the coffee", "liked the office, and the environment-- the minimalist furniture, the Macs and Xerox", "the phrase, 'I liked' twice. There's nothing to convey, I just feel like", "I am a non-native English speaker. Grammarly is an online writing assistant. This", "There's nothing to convey, I just feel like my character will say it", "minimalist furniture, the Macs and Xerox machines, the coffee room, and the lounge.", "> > > Sorry if it seems pedantic, but there are many similar", "phrase, 'I liked' twice. There's nothing to convey, I just feel like my", "twice. There's nothing to convey, I just feel like my character will say", "and Xerox machines, the coffee room, and the lounge. > > > Sorry", "I liked the environment-- the minimalist furniture, the Macs and Xerox machines, the", "a non-native English speaker. Grammarly is an online writing assistant. This is a", "line in my draft > > I liked the office, and I liked", "Xerox machines, the coffee room, and the lounge. > > > I have", "office, and I liked the environment-- the minimalist furniture, the Macs and Xerox", "it like that, with the phrase, 'I liked' twice. There's nothing to convey,", "machines, the coffee room, and the lounge. > > > I have written", "writing assistant. This is a line in my draft > > I liked", "like that. Grammarly has suggested writing it like this; > > I liked", "furniture, the Macs and Xerox machines, the coffee room, and the lounge. >", "online writing assistant. This is a line in my draft > > I", "writing it like this; > > I liked the office, and the environment--", "> Sorry if it seems pedantic, but there are many similar suggestions. The", "the environment-- the minimalist furniture, the Macs and Xerox machines, the coffee room,", "that, with the phrase, 'I liked' twice. There's nothing to convey, I just", "it like this; > > I liked the office, and the environment-- the", "in my draft > > I liked the office, and I liked the", "am a non-native English speaker. Grammarly is an online writing assistant. This is", "like my character will say it like that. Grammarly has suggested writing it", "> I liked the office, and I liked the environment-- the minimalist furniture,", "have written it like that, with the phrase, 'I liked' twice. There's nothing", "Grammarly has suggested writing it like this; > > I liked the office,", "but there are many similar suggestions. The setting of the scene is in", "say it like that. Grammarly has suggested writing it like this; > >", "my character will say it like that. Grammarly has suggested writing it like", "is an online writing assistant. This is a line in my draft >", "> > > I have written it like that, with the phrase, 'I", "> > I liked the office, and the environment-- the minimalist furniture, the", "liked' twice. There's nothing to convey, I just feel like my character will", "will say it like that. Grammarly has suggested writing it like this; >", "assistant. This is a line in my draft > > I liked the", "if it seems pedantic, but there are many similar suggestions. The setting of", "are many similar suggestions. The setting of the scene is in London. What", "with the phrase, 'I liked' twice. There's nothing to convey, I just feel", "> > Sorry if it seems pedantic, but there are many similar suggestions.", "lounge. > > > Sorry if it seems pedantic, but there are many", "the minimalist furniture, the Macs and Xerox machines, the coffee room, and the", "and Xerox machines, the coffee room, and the lounge. > > > I", "to convey, I just feel like my character will say it like that.", "many similar suggestions. The setting of the scene is in London. What should", "office, and the environment-- the minimalist furniture, the Macs and Xerox machines, the", "like that, with the phrase, 'I liked' twice. There's nothing to convey, I", "room, and the lounge. > > > I have written it like that,", "suggestions. The setting of the scene is in London**. What should I do?", "Grammarly is an online writing assistant. This is a line in my draft", "like this; > > I liked the office, and the environment-- the minimalist", "Macs and Xerox machines, the coffee room, and the lounge. > > >", "nothing to convey, I just feel like my character will say it like", "I have written it like that, with the phrase, 'I liked' twice. There's", "the coffee room, and the lounge. > > > Sorry if it seems", "convey, I just feel like my character will say it like that. Grammarly", "this; > > I liked the office, and the environment-- the minimalist furniture,", "the office, and the environment-- the minimalist furniture, the Macs and Xerox machines,", "Xerox machines, the coffee room, and the lounge. > > > Sorry if", "'I liked' twice. There's nothing to convey, I just feel like my character", "I liked the office, and I liked the environment-- the minimalist furniture, the", "that. Grammarly has suggested writing it like this; > > I liked the" ]
[ "reasoning would be that maybe, this old man wouldn't be as much in", "dreams. He entrusted me his son to look for you myself.\" Because he's", "if he just knew that his son is alive somewhere, but won't ever", "of the truth, he just hopes for the best. I have trouble putting", "caretaker might not end well. And he doesn't know the old man enough", "tossed to weigh in more weight to lie. As the dead man's friend,", "alive somewhere, but won't ever go home. 2. Tell the truth. This poor", "might not end well. And he doesn't know the old man enough to", "myself in a character's shoes. So I ask, what would most likely be", "would most likely be this man's decision? Attachments could be tossed to weigh", "he went off to explore other places to pursue his dreams. He entrusted", "he's gone. So, his reasoning would be that maybe, this old man wouldn't", "truth, he just hopes for the best. I have trouble putting myself in", "would weigh a certain character to choose on such tough decisions such as", "to explore other places to pursue his dreams. He entrusted me his son", "won't ever go home. 2. Tell the truth. This poor father has been", "me his son to look for you myself.\" Because he's thinking that handing", "up because of the truth, he just hopes for the best. I have", "dead friend's baby to its grandfather. The old man hasn't seen his son", "son. I can see the friend's mind debating on two options: 1. Lie.", "has been waiting for years on news of his beloved son. He deserves", "son in 10 years. Of course he would ask questions on the state", "handing over your friend's toddler to a grieving caretaker might not end well.", "beloved son. He deserves to be told the truth. Despite thinking that he", "in more weight to lie. As the dead man's friend, he would feel", "his son to look for you myself.\" Because he's thinking that handing over", "safe. But, would the weight of guilt and a father's concern press more", "old man wouldn't be as much in distraught if he just knew that", "to weigh in more weight to lie. As the dead man's friend, he", "feel obligated to make sure the baby would be safe. But, would the", "more for the truth? What would weigh a certain character to choose on", "somewhere, but won't ever go home. 2. Tell the truth. This poor father", "lie. As the dead man's friend, he would feel obligated to make sure", "home. 2. Tell the truth. This poor father has been waiting for years", "press more for the truth? What would weigh a certain character to choose", "to pursue his dreams. He entrusted me his son to look for you", "just knew that his son is alive somewhere, but won't ever go home.", "doesn't know the old man enough to know how he'll handle the kid", "baby would be safe. But, would the weight of guilt and a father's", "look for you myself.\" Because he's thinking that handing over your friend's toddler", "character's shoes. So I ask, what would most likely be this man's decision?", "he just hopes for the best. I have trouble putting myself in a", "over your friend's toddler to a grieving caretaker might not end well. And", "the truth, he just hopes for the best. I have trouble putting myself", "that his son is alive somewhere, but won't ever go home. 2. Tell", "just hopes for the best. I have trouble putting myself in a character's", "your friend's toddler to a grieving caretaker might not end well. And he", "enough to know how he'll handle the kid when he's gone. So, his", "most likely be this man's decision? Attachments could be tossed to weigh in", "toddler to a grieving caretaker might not end well. And he doesn't know", "a father's concern press more for the truth? What would weigh a certain", "he'll handle the kid when he's gone. So, his reasoning would be that", "handle the kid when he's gone. So, his reasoning would be that maybe,", "the truth. Despite thinking that he could be jeopardizing the kid's life growing", "would feel obligated to make sure the baby would be safe. But, would", "myself.\" Because he's thinking that handing over your friend's toddler to a grieving", "to make sure the baby would be safe. But, would the weight of", "man's decision? Attachments could be tossed to weigh in more weight to lie.", "Attachments could be tossed to weigh in more weight to lie. As the", "is not my first language. Long post. The context is this: A man", "news of his beloved son. He deserves to be told the truth. Despite", "could be jeopardizing the kid's life growing up because of the truth, he", "course he would ask questions on the state of his beloved son. I", "would the weight of guilt and a father's concern press more for the", "the state of his beloved son. I can see the friend's mind debating", "seen his son in 10 years. Of course he would ask questions on", "this man's decision? Attachments could be tossed to weigh in more weight to", "more weight to lie. As the dead man's friend, he would feel obligated", "for the best. I have trouble putting myself in a character's shoes. So", "a character's shoes. So I ask, what would most likely be this man's", "a way of, \"Oh, he went off to explore other places to pursue", "not my first language. Long post. The context is this: A man is", "when he's gone. So, his reasoning would be that maybe, this old man", "questions on the state of his beloved son. I can see the friend's", "how he'll handle the kid when he's gone. So, his reasoning would be", "but won't ever go home. 2. Tell the truth. This poor father has", "I can see the friend's mind debating on two options: 1. Lie. In", "10 years. Of course he would ask questions on the state of his", "poor father has been waiting for years on news of his beloved son.", "English is not my first language. Long post. The context is this: A", "in 10 years. Of course he would ask questions on the state of", "the baby would be safe. But, would the weight of guilt and a", "father's concern press more for the truth? What would weigh a certain character", "best. I have trouble putting myself in a character's shoes. So I ask,", "been waiting for years on news of his beloved son. He deserves to", "his son in 10 years. Of course he would ask questions on the", "and a father's concern press more for the truth? What would weigh a", "waiting for years on news of his beloved son. He deserves to be", "Despite thinking that he could be jeopardizing the kid's life growing up because", "weight to lie. As the dead man's friend, he would feel obligated to", "concern press more for the truth? What would weigh a certain character to", "\"Oh, he went off to explore other places to pursue his dreams. He", "he doesn't know the old man enough to know how he'll handle the", "In a way of, \"Oh, he went off to explore other places to", "much in distraught if he just knew that his son is alive somewhere,", "Of course he would ask questions on the state of his beloved son.", "Long post. The context is this: A man is delivering his dead friend's", "old man enough to know how he'll handle the kid when he's gone.", "The context is this: A man is delivering his dead friend's baby to", "grandfather. The old man hasn't seen his son in 10 years. Of course", "son. He deserves to be told the truth. Despite thinking that he could", "would be safe. But, would the weight of guilt and a father's concern", "dead man's friend, he would feel obligated to make sure the baby would", "the kid when he's gone. So, his reasoning would be that maybe, this", "for the truth? What would weigh a certain character to choose on such", "is this: A man is delivering his dead friend's baby to its grandfather.", "is delivering his dead friend's baby to its grandfather. The old man hasn't", "delivering his dead friend's baby to its grandfather. The old man hasn't seen", "state of his beloved son. I can see the friend's mind debating on", "his dead friend's baby to its grandfather. The old man hasn't seen his", "on news of his beloved son. He deserves to be told the truth.", "he could be jeopardizing the kid's life growing up because of the truth,", "in a character's shoes. So I ask, what would most likely be this", "be safe. But, would the weight of guilt and a father's concern press", "the truth. This poor father has been waiting for years on news of", "obligated to make sure the baby would be safe. But, would the weight", "growing up because of the truth, he just hopes for the best. I", "of his beloved son. He deserves to be told the truth. Despite thinking", "places to pursue his dreams. He entrusted me his son to look for", "kid's life growing up because of the truth, he just hopes for the", "deserves to be told the truth. Despite thinking that he could be jeopardizing", "two options: 1. Lie. In a way of, \"Oh, he went off to", "be that maybe, this old man wouldn't be as much in distraught if", "be this man's decision? Attachments could be tossed to weigh in more weight", "on two options: 1. Lie. In a way of, \"Oh, he went off", "be told the truth. Despite thinking that he could be jeopardizing the kid's", "make sure the baby would be safe. But, would the weight of guilt", "years. Of course he would ask questions on the state of his beloved", "off to explore other places to pursue his dreams. He entrusted me his", "A man is delivering his dead friend's baby to its grandfather. The old", "gone. So, his reasoning would be that maybe, this old man wouldn't be", "maybe, this old man wouldn't be as much in distraught if he just", "to look for you myself.\" Because he's thinking that handing over your friend's", "he's thinking that handing over your friend's toddler to a grieving caretaker might", "truth. This poor father has been waiting for years on news of his", "grieving caretaker might not end well. And he doesn't know the old man", "weigh a certain character to choose on such tough decisions such as this?", "would ask questions on the state of his beloved son. I can see", "beloved son. I can see the friend's mind debating on two options: 1.", "that handing over your friend's toddler to a grieving caretaker might not end", "other places to pursue his dreams. He entrusted me his son to look", "Lie. In a way of, \"Oh, he went off to explore other places", "thinking that handing over your friend's toddler to a grieving caretaker might not", "kid when he's gone. So, his reasoning would be that maybe, this old", "go home. 2. Tell the truth. This poor father has been waiting for", "well. And he doesn't know the old man enough to know how he'll", "2. Tell the truth. This poor father has been waiting for years on", "be jeopardizing the kid's life growing up because of the truth, he just", "the truth? What would weigh a certain character to choose on such tough", "weigh in more weight to lie. As the dead man's friend, he would", "this: A man is delivering his dead friend's baby to its grandfather. The", "guilt and a father's concern press more for the truth? What would weigh", "to lie. As the dead man's friend, he would feel obligated to make", "know the old man enough to know how he'll handle the kid when", "friend's mind debating on two options: 1. Lie. In a way of, \"Oh,", "man enough to know how he'll handle the kid when he's gone. So,", "life growing up because of the truth, he just hopes for the best.", "man's friend, he would feel obligated to make sure the baby would be", "old man hasn't seen his son in 10 years. Of course he would", "way of, \"Oh, he went off to explore other places to pursue his", "would be that maybe, this old man wouldn't be as much in distraught", "he just knew that his son is alive somewhere, but won't ever go", "He entrusted me his son to look for you myself.\" Because he's thinking", "the incorrect grammar. English is not my first language. Long post. The context", "is alive somewhere, but won't ever go home. 2. Tell the truth. This", "not end well. And he doesn't know the old man enough to know", "have trouble putting myself in a character's shoes. So I ask, what would", "a grieving caretaker might not end well. And he doesn't know the old", "So I ask, what would most likely be this man's decision? Attachments could", "that maybe, this old man wouldn't be as much in distraught if he", "went off to explore other places to pursue his dreams. He entrusted me", "And he doesn't know the old man enough to know how he'll handle", "hopes for the best. I have trouble putting myself in a character's shoes.", "to a grieving caretaker might not end well. And he doesn't know the", "post. The context is this: A man is delivering his dead friend's baby", "baby to its grandfather. The old man hasn't seen his son in 10", "of his beloved son. I can see the friend's mind debating on two", "father has been waiting for years on news of his beloved son. He", "he would ask questions on the state of his beloved son. I can", "for years on news of his beloved son. He deserves to be told", "you myself.\" Because he's thinking that handing over your friend's toddler to a", "the weight of guilt and a father's concern press more for the truth?", "This poor father has been waiting for years on news of his beloved", "weight of guilt and a father's concern press more for the truth? What", "ask questions on the state of his beloved son. I can see the", "on the state of his beloved son. I can see the friend's mind", "mind debating on two options: 1. Lie. In a way of, \"Oh, he", "my first language. Long post. The context is this: A man is delivering", "language. Long post. The context is this: A man is delivering his dead", "incorrect grammar. English is not my first language. Long post. The context is", "explore other places to pursue his dreams. He entrusted me his son to", "Because he's thinking that handing over your friend's toddler to a grieving caretaker", "man is delivering his dead friend's baby to its grandfather. The old man", "to its grandfather. The old man hasn't seen his son in 10 years.", "shoes. So I ask, what would most likely be this man's decision? Attachments", "son to look for you myself.\" Because he's thinking that handing over your", "for you myself.\" Because he's thinking that handing over your friend's toddler to", "ask, what would most likely be this man's decision? Attachments could be tossed", "friend, he would feel obligated to make sure the baby would be safe.", "truth. Despite thinking that he could be jeopardizing the kid's life growing up", "truth? What would weigh a certain character to choose on such tough decisions", "its grandfather. The old man hasn't seen his son in 10 years. Of", "the friend's mind debating on two options: 1. Lie. In a way of,", "ever go home. 2. Tell the truth. This poor father has been waiting", "be as much in distraught if he just knew that his son is", "to know how he'll handle the kid when he's gone. So, his reasoning", "I have trouble putting myself in a character's shoes. So I ask, what", "decision? Attachments could be tossed to weigh in more weight to lie. As", "likely be this man's decision? Attachments could be tossed to weigh in more", "the dead man's friend, he would feel obligated to make sure the baby", "in distraught if he just knew that his son is alive somewhere, but", "wouldn't be as much in distraught if he just knew that his son", "of, \"Oh, he went off to explore other places to pursue his dreams.", "that he could be jeopardizing the kid's life growing up because of the", "to be told the truth. Despite thinking that he could be jeopardizing the", "sure the baby would be safe. But, would the weight of guilt and", "his reasoning would be that maybe, this old man wouldn't be as much", "his beloved son. He deserves to be told the truth. Despite thinking that", "I ask, what would most likely be this man's decision? Attachments could be", "hasn't seen his son in 10 years. Of course he would ask questions", "As the dead man's friend, he would feel obligated to make sure the", "grammar. English is not my first language. Long post. The context is this:", "The old man hasn't seen his son in 10 years. Of course he", "What would weigh a certain character to choose on such tough decisions such", "what would most likely be this man's decision? Attachments could be tossed to", "he would feel obligated to make sure the baby would be safe. But,", "end well. And he doesn't know the old man enough to know how", "He deserves to be told the truth. Despite thinking that he could be", "thinking that he could be jeopardizing the kid's life growing up because of", "his dreams. He entrusted me his son to look for you myself.\" Because", "of guilt and a father's concern press more for the truth? What would", "knew that his son is alive somewhere, but won't ever go home. 2.", "1. Lie. In a way of, \"Oh, he went off to explore other", "friend's toddler to a grieving caretaker might not end well. And he doesn't", "man wouldn't be as much in distraught if he just knew that his", "Pardon the incorrect grammar. English is not my first language. Long post. The", "friend's baby to its grandfather. The old man hasn't seen his son in", "man hasn't seen his son in 10 years. Of course he would ask", "options: 1. Lie. In a way of, \"Oh, he went off to explore", "But, would the weight of guilt and a father's concern press more for", "debating on two options: 1. Lie. In a way of, \"Oh, he went", "jeopardizing the kid's life growing up because of the truth, he just hopes", "this old man wouldn't be as much in distraught if he just knew", "know how he'll handle the kid when he's gone. So, his reasoning would", "distraught if he just knew that his son is alive somewhere, but won't", "as much in distraught if he just knew that his son is alive", "because of the truth, he just hopes for the best. I have trouble", "told the truth. Despite thinking that he could be jeopardizing the kid's life", "entrusted me his son to look for you myself.\" Because he's thinking that", "first language. Long post. The context is this: A man is delivering his", "putting myself in a character's shoes. So I ask, what would most likely", "could be tossed to weigh in more weight to lie. As the dead", "his beloved son. I can see the friend's mind debating on two options:", "his son is alive somewhere, but won't ever go home. 2. Tell the", "see the friend's mind debating on two options: 1. Lie. In a way", "So, his reasoning would be that maybe, this old man wouldn't be as", "son is alive somewhere, but won't ever go home. 2. Tell the truth.", "years on news of his beloved son. He deserves to be told the", "the kid's life growing up because of the truth, he just hopes for", "pursue his dreams. He entrusted me his son to look for you myself.\"", "the best. I have trouble putting myself in a character's shoes. So I", "can see the friend's mind debating on two options: 1. Lie. In a", "context is this: A man is delivering his dead friend's baby to its", "Tell the truth. This poor father has been waiting for years on news", "be tossed to weigh in more weight to lie. As the dead man's", "trouble putting myself in a character's shoes. So I ask, what would most", "the old man enough to know how he'll handle the kid when he's" ]
[ "massive chunk of cold clay. They need to stretch it and work it", "it ready for the big changes planned, by making small subtle changes. For", "now they have no clean clothes. However, the readers don't know any if", "bend reality. They've come to earth with the intent of purging humanity. They", "the reason for the inconsistencies.** It means the race, that wants to eradicate", "it, but they have limitations. The limitation that's relevant to my question is:", "(scifi/supernatural) and have a race of characters who can bend reality. They've come", "the other race's nefarious plans as the readers do. I want the story", "race of characters who can bend reality. They've come to earth with the", "race's nefarious plans as the readers do. I want the story to feel", "this. The story follows a human character who starts off just as clueless", "a thriller (scifi/supernatural) and have a race of characters who can bend reality.", "The limitation that's relevant to my question is: * They can't make massive", "is: * They can't make massive changes straight off the bat. For them,", "you never quite know what's happening, but you know it's scary, and I", "changes straight off the bat. For them, changing reality is like inflating a", "how can I make sure the readers know the small things at the", "reason for the inconsistencies. It means the race, that wants to eradicate humanity,", "character could have sworn they put their cup on the table, but it's", "but it's on the windowsill, or they did the laundry last night, but", "a race of characters who can bend reality. They've come to earth with", "the book, but how can I make sure the readers know the small", "humanity, sends a few ahead to to warm up reality to get it", "eradicate humanity, sends a few ahead to to warm up reality to get", "massive changes straight off the bat. For them, changing reality is like inflating", "the readers do. I want the story to feel like a freaky dream", "can I make sure the readers know the small things at the start", "with the intent of purging humanity. They can do it, but they have", "later in the book, but how can I make sure the readers know", "to stretch it and work it first to make it pliable. That limitation", "never quite know what's happening, but you know it's scary, and I want", "intent of purging humanity. They can do it, but they have limitations. The", "writing a thriller (scifi/supernatural) and have a race of characters who can bend", "you know it's scary, and I want the characters(/readers) to be feel a", "sense of 'I don't know what's real. Is this really happening? Am I", "story to feel like a freaky dream where you never quite know what's", "it and work it first to make it pliable. That limitation is the", "to warm up reality to get it ready for the big changes planned,", "sworn they put their cup on the table, but it's on the windowsill,", "dream where you never quite know what's happening, but you know it's scary,", "the story to feel like a freaky dream where you never quite know", "do it, but they have limitations. The limitation that's relevant to my question", "For example, a character could have sworn they put their cup on the", "need to stretch it and work it first to make it pliable. That", "cup on the table, but it's on the windowsill, or they did the", "of 'I don't know what's real. Is this really happening? Am I dreaming?", "going crazy?' The changes work up to bigger, obviously intentional things later in", "characters who can bend reality. They've come to earth with the intent of", "sure the readers know the small things at the start aren't just mistakes", "readers do. I want the story to feel like a freaky dream where", "do. I want the story to feel like a freaky dream where you", "work it first to make it pliable. *That limitation is the reason for", "as clueless to the other race's nefarious plans as the readers do. I", "just as clueless to the other race's nefarious plans as the readers do.", "on the windowsill, or they did the laundry last night, but now they", "but how can I make sure the readers know the small things at", "reality is like inflating a balloon or modeling with a massive chunk of", "or modeling with a massive chunk of cold clay. They need to stretch", "and have a race of characters who can bend reality. They've come to", "nefarious plans as the readers do. I want the story to feel like", "know what's real. Is this really happening? Am I dreaming? Am I going", "a balloon or modeling with a massive chunk of cold clay. They need", "no clean clothes. However, the readers don't know any if this. The story", "off just as clueless to the other race's nefarious plans as the readers", "feel a sense of 'I don't know what's real. Is this really happening?", "have a race of characters who can bend reality. They've come to earth", "readers know the small things at the start aren't just mistakes or bad", "clean clothes. However, the readers don't know any if this. The story follows", "the characters(/readers) to be feel a sense of 'I don't know what's real.", "get it ready for the big changes planned, by making small subtle changes.", "table, but it's on the windowsill, or they did the laundry last night,", "know what's happening, but you know it's scary, and I want the characters(/readers)", "I dreaming? Am I going crazy?' The changes work up to bigger, obviously", "big changes planned, by making small subtle changes. For example, a character could", "bat. For them, changing reality is like inflating a balloon or modeling with", "make sure the readers know the small things at the start aren't just", "work up to bigger, obviously intentional things later in the book, but how", "feel like a freaky dream where you never quite know what's happening, but", "ready for the big changes planned, by making small subtle changes. For example,", "readers don't know any if this. The story follows a human character who", "small subtle changes. For example, a character could have sworn they put their", "the big changes planned, by making small subtle changes. For example, a character", "it's on the windowsill, or they did the laundry last night, but now", "the windowsill, or they did the laundry last night, but now they have", "to get it ready for the big changes planned, by making small subtle", "them, changing reality is like inflating a balloon or modeling with a massive", "Am I going crazy?' The changes work up to bigger, obviously intentional things", "to bigger, obviously intentional things later in the book, but how can I", "last night, but now they have no clean clothes. However, the readers don't", "make massive changes straight off the bat. For them, changing reality is like", "crazy?' The changes work up to bigger, obviously intentional things later in the", "is like inflating a balloon or modeling with a massive chunk of cold", "to to warm up reality to get it ready for the big changes", "I want the characters(/readers) to be feel a sense of 'I don't know", "Is this really happening? Am I dreaming? Am I going crazy?' The changes", "they put their cup on the table, but it's on the windowsill, or", "know any if this. The story follows a human character who starts off", "They need to stretch it and work it first to make it pliable.", "of cold clay. They need to stretch it and work it first to", "want the story to feel like a freaky dream where you never quite", "don't know any if this. The story follows a human character who starts", " They can't make massive changes straight off the bat. For them, changing", "dreaming? Am I going crazy?' The changes work up to bigger, obviously intentional", "inconsistencies.** It means the race, that wants to eradicate humanity, sends a few", "Am I dreaming? Am I going crazy?' The changes work up to bigger,", "limitations. The limitation that's relevant to my question is: * They can't make", "things later in the book, but how can I make sure the readers", "few ahead to to warm up reality to get it ready for the", "laundry last night, but now they have no clean clothes. However, the readers", "the readers don't know any if this. The story follows a human character", "follows a human character who starts off just as clueless to the other", "this really happening? Am I dreaming? Am I going crazy?' The changes work", "don't know what's real. Is this really happening? Am I dreaming? Am I", "night, but now they have no clean clothes. However, the readers don't know", "the laundry last night, but now they have no clean clothes. However, the", "have limitations. The limitation that's relevant to my question is: * They can't", "with a massive chunk of cold clay. They need to stretch it and", "pliable. That limitation is the reason for the inconsistencies. It means the race,", "bigger, obviously intentional things later in the book, but how can I make", "the readers know the small things at the start aren't just mistakes or", "intentional things later in the book, but how can I make sure the", "scary, and I want the characters(/readers) to be feel a sense of 'I", "clueless to the other race's nefarious plans as the readers do. I want", "reality. They've come to earth with the intent of purging humanity. They can", "They can do it, but they have limitations. The limitation that's relevant to", "of purging humanity. They can do it, but they have limitations. The limitation", "freaky dream where you never quite know what's happening, but you know it's", "changing reality is like inflating a balloon or modeling with a massive chunk", "who can bend reality. They've come to earth with the intent of purging", "ahead to to warm up reality to get it ready for the big", "real. Is this really happening? Am I dreaming? Am I going crazy?' The", "For them, changing reality is like inflating a balloon or modeling with a", "That limitation is the reason for the inconsistencies. It means the race, that", "it pliable. That limitation is the reason for the inconsistencies. It means the", "be feel a sense of 'I don't know what's real. Is this really", "any if this. The story follows a human character who starts off just", "like a freaky dream where you never quite know what's happening, but you", "sends a few ahead to to warm up reality to get it ready", "first to make it pliable. That limitation is the reason for the inconsistencies.", "my question is: * They can't make massive changes straight off the bat.", "They can't make massive changes straight off the bat. For them, changing reality", "a massive chunk of cold clay. They need to stretch it and work", "race, that wants to eradicate humanity, sends a few ahead to to warm", "subtle changes. For example, a character could have sworn they put their cup", "they did the laundry last night, but now they have no clean clothes.", "plans as the readers do. I want the story to feel like a", "a freaky dream where you never quite know what's happening, but you know", "to my question is: * They can't make massive changes straight off the", "thriller (scifi/supernatural) and have a race of characters who can bend reality. They've", "The changes work up to bigger, obviously intentional things later in the book,", "a human character who starts off just as clueless to the other race's", "stretch it and work it first to make it pliable. *That limitation is", "as the readers do. I want the story to feel like a freaky", "quite know what's happening, but you know it's scary, and I want the", "but you know it's scary, and I want the characters(/readers) to be feel", "want the characters(/readers) to be feel a sense of 'I don't know what's", "what's real. Is this really happening? Am I dreaming? Am I going crazy?'", "inflating a balloon or modeling with a massive chunk of cold clay. They", "making small subtle changes. For example, a character could have sworn they put", "reality to get it ready for the big changes planned, by making small", "where you never quite know what's happening, but you know it's scary, and", "book, but how can I make sure the readers know the small things", "can do it, but they have limitations. The limitation that's relevant to my", "changes. For example, a character could have sworn they put their cup on", "have no clean clothes. However, the readers don't know any if this. The", "the bat. For them, changing reality is like inflating a balloon or modeling", "clothes. However, the readers don't know any if this. The story follows a", "example, a character could have sworn they put their cup on the table,", "windowsill, or they did the laundry last night, but now they have no", "they have limitations. The limitation that's relevant to my question is: They", "a sense of 'I don't know what's real. Is this really happening? Am", "like inflating a balloon or modeling with a massive chunk of cold clay.", "obviously intentional things later in the book, but how can I make sure", "for the big changes planned, by making small subtle changes. For example, a", "can bend reality. They've come to earth with the intent of purging humanity.", "earth with the intent of purging humanity. They can do it, but they", "that wants to eradicate humanity, sends a few ahead to to warm up", "I make sure the readers know the small things at the start aren't", "They've come to earth with the intent of purging humanity. They can do", "in the book, but how can I make sure the readers know the", "straight off the bat. For them, changing reality is like inflating a balloon", "their cup on the table, but it's on the windowsill, or they did", "balloon or modeling with a massive chunk of cold clay. They need to", "by making small subtle changes. For example, a character could have sworn they", "purging humanity. They can do it, but they have limitations. The limitation that's", "changes planned, by making small subtle changes. For example, a character could have", "but now they have no clean clothes. However, the readers don't know any", "can't make massive changes straight off the bat. For them, changing reality is", "on the table, but it's on the windowsill, or they did the laundry", "the table, but it's on the windowsill, or they did the laundry last", "for the inconsistencies. It means the race, that wants to eradicate humanity, sends", "The story follows a human character who starts off just as clueless to", "to make it pliable. That limitation is the reason for the inconsistencies. It", "story follows a human character who starts off just as clueless to the", "who starts off just as clueless to the other race's nefarious plans as", "have sworn they put their cup on the table, but it's on the", "happening? Am I dreaming? Am I going crazy?' The changes work up to", "changes work up to bigger, obviously intentional things later in the book, but", "It means the race, that wants to eradicate humanity, sends a few ahead", "it's scary, and I want the characters(/readers) to be feel a sense of", "it first to make it pliable. That limitation is the reason for the", "really happening? Am I dreaming? Am I going crazy?' The changes work up", "relevant to my question is: * They can't make massive changes straight off", "limitation that's relevant to my question is: * They can't make massive changes", "happening, but you know it's scary, and I want the characters(/readers) to be", "up to bigger, obviously intentional things later in the book, but how can", "clay. They need to stretch it and work it first to make it", "but they have limitations. The limitation that's relevant to my question is: ", "a few ahead to to warm up reality to get it ready for", "make it pliable. That limitation is the reason for the inconsistencies.* It means", "I'm writing a thriller (scifi/supernatural) and have a race of characters who can", "put their cup on the table, but it's on the windowsill, or they", "'I don't know what's real. Is this really happening? Am I dreaming? Am", "to eradicate humanity, sends a few ahead to to warm up reality to", "other race's nefarious plans as the readers do. I want the story to", "to be feel a sense of 'I don't know what's real. Is this", "or they did the laundry last night, but now they have no clean", "to earth with the intent of purging humanity. They can do it, but", "limitation is the reason for the inconsistencies. It means the race, that wants", "modeling with a massive chunk of cold clay. They need to stretch it", "the race, that wants to eradicate humanity, sends a few ahead to to", "they have no clean clothes. However, the readers don't know any if this.", "humanity. They can do it, but they have limitations. The limitation that's relevant", "come to earth with the intent of purging humanity. They can do it,", "what's happening, but you know it's scary, and I want the characters(/readers) to", "wants to eradicate humanity, sends a few ahead to to warm up reality", "know the small things at the start aren't just mistakes or bad writing?", "up reality to get it ready for the big changes planned, by making", "I going crazy?' The changes work up to bigger, obviously intentional things later", "starts off just as clueless to the other race's nefarious plans as the", "is the reason for the inconsistencies. It means the race, that wants to", "warm up reality to get it ready for the big changes planned, by", "and work it first to make it pliable. *That limitation is the reason", "I want the story to feel like a freaky dream where you never", "human character who starts off just as clueless to the other race's nefarious", "characters(/readers) to be feel a sense of 'I don't know what's real. Is", "However, the readers don't know any if this. The story follows a human", "chunk of cold clay. They need to stretch it and work it first", "that's relevant to my question is: They can't make massive changes straight", "off the bat. For them, changing reality is like inflating a balloon or", "of characters who can bend reality. They've come to earth with the intent", "to feel like a freaky dream where you never quite know what's happening,", "character who starts off just as clueless to the other race's nefarious plans", "cold clay. They need to stretch it and work it first to make", "the inconsistencies.** It means the race, that wants to eradicate humanity, sends a", "planned, by making small subtle changes. For example, a character could have sworn", "could have sworn they put their cup on the table, but it's on", "to the other race's nefarious plans as the readers do. I want the", "question is: * They can't make massive changes straight off the bat. For", "if this. The story follows a human character who starts off just as", "means the race, that wants to eradicate humanity, sends a few ahead to", "know it's scary, and I want the characters(/readers) to be feel a sense", "and I want the characters(/readers) to be feel a sense of 'I don't", "a character could have sworn they put their cup on the table, but", "the intent of purging humanity. They can do it, but they have limitations.", "did the laundry last night, but now they have no clean clothes. However," ]
[ "However, she *hadn't/wasn’t* let/letting her emotions show on her face.” > > She", "even when I touch him, I feel like I'm doing something wrong?* However,", "her face. > > > Or > > She wasn’t letting her emotions", "caress his hand, to show him how much she cared about him. She", "relationship...so...why, even when I touch him, I feel like I'm doing something wrong?", "> > She wasn’t* letting her emotions show on her face. > >", "hand, to show him how much she cared about him. She was desperate", "about him. She was desperate for something so banal, she thought how absurd", "touch him right? I mean we're a couple, we're in a romantic relationship...so...why,", "a couple, we're in a romantic relationship...so...why, even when I touch him, I", "it seemed like she wasn't able to. She wanted to caress his hand,", "to show him how much she cared about him. She was desperate for", "like I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting her emotions show on", "him right? I mean we're a couple, we're in a romantic relationship...so...why, even", "for something so banal, she thought how absurd was the situation I can", "we're in a romantic relationship...so...why, even when I touch him, I feel like", "works more in this paragraph? “Ruby was thinking hard, too hard for her", "was the situation I can touch him right? I mean we're a couple,", "face. > > > Or > > She wasn’t letting her emotions show", "much she cared about him. She was desperate for something so banal, she", "mean we're a couple, we're in a romantic relationship...so...why, even when I touch", "She wanted to caress his hand, to show him how much she cared", "him, I feel like I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting her", "I touch him, I feel like I'm doing something wrong?* However, she *hadn't/wasn’t", "show on her face.” > > She hadn’t* let her emotions show on", "thinking hard, too hard for her own sake. She wanted to talk with", "the situation I can touch him right? I mean we're a couple, we're", "hard, too hard for her own sake. She wanted to talk with him", "romantic relationship...so...why, even when I touch him, I feel like I'm doing something", "hard for her own sake. She wanted to talk with him but it", "I can touch him right? I mean we're a couple, we're in a", "a romantic relationship...so...why, even when I touch him, I feel like I'm doing", "in a romantic relationship...so...why, even when I touch him, I feel like I'm", "She hadn’t let her emotions show on her face. > > > Or", "seemed like she wasn't able to. She wanted to caress his hand, to", "her emotions show on her face. > > > Or > > She", "She wanted to talk with him but it seemed like she wasn't able", "able to. She wanted to caress his hand, to show him how much", "own sake. She wanted to talk with him but it seemed like she", "this paragraph? “Ruby was thinking hard, too hard for her own sake. She", "> She hadn’t let her emotions show on her face. > > >", "emotions show on her face.” > > She hadn’t let her emotions show", "> > She hadn’t let her emotions show on her face. > >", "on her face.” > > She hadn’t let her emotions show on her", "something so banal, she thought how absurd was the situation I can touch", "show on her face. > > > Or > > She wasn’t* letting", "right? I mean we're a couple, we're in a romantic relationship...so...why, even when", "she wasn't able to. She wanted to caress his hand, to show him", "thought how absurd was the situation I can touch him right? I mean", "show him how much she cared about him. She was desperate for something", "paragraph? “Ruby was thinking hard, too hard for her own sake. She wanted", "for her own sake. She wanted to talk with him but it seemed", "she thought how absurd was the situation I can touch him right? I", "she cared about him. She was desperate for something so banal, she thought", "how much she cared about him. She was desperate for something so banal,", "wasn't able to. She wanted to caress his hand, to show him how", "cared about him. She was desperate for something so banal, she thought how", "him how much she cared about him. She was desperate for something so", "him. She was desperate for something so banal, she thought how absurd was", "face.” > > She hadn’t let her emotions show on her face. >", "but it seemed like she wasn't able to. She wanted to caress his", "absurd was the situation I can touch him right? I mean we're a", "“Ruby was thinking hard, too hard for her own sake. She wanted to", "She was desperate for something so banal, she thought how absurd was the", "wrong? However, she *hadn't/wasn’t* let/letting her emotions show on her face.” > >", "I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting her emotions show on her", "her own sake. She wanted to talk with him but it seemed like", "I feel like I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting her emotions", "can touch him right? I mean we're a couple, we're in a romantic", "> > Or > > She wasn’t letting her emotions show on her", "when I touch him, I feel like I'm doing something wrong?* However, she", "her emotions show on her face.” > > She hadn’t let her emotions", "emotions show on her face. > > > Or > > She wasn’t", "to. She wanted to caress his hand, to show him how much she", "Or > > She wasn’t letting her emotions show on her face. >", "feel like I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting her emotions show", "more in this paragraph? “Ruby was thinking hard, too hard for her own", "in this paragraph? “Ruby was thinking hard, too hard for her own sake.", "> Or > > She wasn’t letting her emotions show on her face.", "situation I can touch him right? I mean we're a couple, we're in", "desperate for something so banal, she thought how absurd was the situation I", "Which one works more in this paragraph? “Ruby was thinking hard, too hard", "something wrong?* However, she *hadn't/wasn’t* let/letting her emotions show on her face.” >", "like she wasn't able to. She wanted to caress his hand, to show", "was desperate for something so banal, she thought how absurd was the situation", "touch him, I feel like I'm doing something wrong?* However, she *hadn't/wasn’t* let/letting", "banal, she thought how absurd was the situation I can touch him right?", "his hand, to show him how much she cared about him. She was", "with him but it seemed like she wasn't able to. She wanted to", "doing something wrong? However, she *hadn't/wasn’t* let/letting her emotions show on her face.”", "to caress his hand, to show him how much she cared about him.", "I mean we're a couple, we're in a romantic relationship...so...why, even when I", "wanted to caress his hand, to show him how much she cared about", "sake. She wanted to talk with him but it seemed like she wasn't", "how absurd was the situation I can touch him right? I mean we're", "couple, we're in a romantic relationship...so...why, even when I touch him, I feel", "she hadn't/wasn’t* let/letting her emotions show on her face.” > > She hadn’t", "> She wasn’t letting her emotions show on her face. > > >", "*hadn't/wasn’t* let/letting her emotions show on her face.” > > She hadn’t let", "was thinking hard, too hard for her own sake. She wanted to talk", "too hard for her own sake. She wanted to talk with him but", "we're a couple, we're in a romantic relationship...so...why, even when I touch him,", "hadn’t let her emotions show on her face. > > > Or >", "talk with him but it seemed like she wasn't able to. She wanted", "wanted to talk with him but it seemed like she wasn't able to.", "on her face. > > > Or > > She wasn’t letting her", "let her emotions show on her face. > > > Or > >", "> > > Or > > She wasn’t letting her emotions show on", "let/letting her emotions show on her face.” > > She hadn’t let her", "her face.” > > She hadn’t let her emotions show on her face.", "one works more in this paragraph? “Ruby was thinking hard, too hard for", "so banal, she thought how absurd was the situation *I can touch him", "to talk with him but it seemed like she wasn't able to. She", "him but it seemed like she wasn't able to. She wanted to caress" ]
[ "his main traits. And I want to make it so that he can", "make a serious character like him interesting, because I never received any feedback", "band of adventurers. I'm fairly new to writing stories, but I just wanted", "to make it so that he can stand on his own in this", "at least make a serious character like him interesting, because I never received", "or not, or even if he was liked. He has other traits like", "traits. And I want to make it so that he can stand on", "stand on his own in this regard, rather than having another character that", "rather than having another character that would balance him. So I must ask,", "it so that he can stand on his own in this regard, rather", "to become the father figure of his siblings at a fairly young age,", "father figure of his siblings at a fairly young age, after most of", "to writing stories, but I just wanted to know how to at least", "least make a serious character like him interesting, because I never received any", "that he can stand on his own in this regard, rather than having", "of adventurers. I'm fairly new to writing stories, but I just wanted to", "a paladin, he obviously has a lot of involvement with the church. He's", "to appreciate other people's humor during downtime, but seriousness is one of his", "paladin, he obviously has a lot of involvement with the church. He's also", "adventurers. I'm fairly new to writing stories, but I just wanted to know", "being a paladin, he obviously has a lot of involvement with the church.", "not, or even if he was liked. He has other traits like being", "never received any feedback on whether he was at least interesting or not,", "paladin who has a fairly serious personality. He had to become the father", "one of his main traits. And I want to make it so that", "the father figure of his siblings at a fairly young age, after most", "He has other traits like being open about his emotions and being able", "would balance him. So I must ask, how do I make him likeable.", "writing stories, but I just wanted to know how to at least make", "of a band of adventurers. I'm fairly new to writing stories, but I", "appreciate other people's humor during downtime, but seriousness is one of his main", "than having another character that would balance him. So I must ask, how", "during downtime, but seriousness is one of his main traits. And I want", "a fairly serious personality. He had to become the father figure of his", "any feedback on whether he was at least interesting or not, or even", "able to appreciate other people's humor during downtime, but seriousness is one of", "seriousness is one of his main traits. And I want to make it", "wanted to know how to at least make a serious character like him", "how to at least make a serious character like him interesting, because I", "I just wanted to know how to at least make a serious character", "feedback on whether he was at least interesting or not, or even if", "he obviously has a lot of involvement with the church. He's also the", "he can stand on his own in this regard, rather than having another", "most of his family was killed. Him being a paladin, he obviously has", "can stand on his own in this regard, rather than having another character", "has a fairly serious personality. He had to become the father figure of", "whether he was at least interesting or not, or even if he was", "liked. He has other traits like being open about his emotions and being", "this regard, rather than having another character that would balance him. So I", "church. He's also the leader of a band of adventurers. I'm fairly new", "had to become the father figure of his siblings at a fairly young", "after most of his family was killed. Him being a paladin, he obviously", "a serious character like him interesting, because I never received any feedback on", "having another character that would balance him. So I must ask, how do", "a fairly young age, after most of his family was killed. Him being", "at least interesting or not, or even if he was liked. He has", "like being open about his emotions and being able to appreciate other people's", "fairly serious personality. He had to become the father figure of his siblings", "was at least interesting or not, or even if he was liked. He", "about his emotions and being able to appreciate other people's humor during downtime,", "people's humor during downtime, but seriousness is one of his main traits. And", "if he was liked. He has other traits like being open about his", "siblings at a fairly young age, after most of his family was killed.", "least interesting or not, or even if he was liked. He has other", "being open about his emotions and being able to appreciate other people's humor", "personality. He had to become the father figure of his siblings at a", "traits like being open about his emotions and being able to appreciate other", "who has a fairly serious personality. He had to become the father figure", "because I never received any feedback on whether he was at least interesting", "his own in this regard, rather than having another character that would balance", "he was liked. He has other traits like being open about his emotions", "a band of adventurers. I'm fairly new to writing stories, but I just", "fairly new to writing stories, but I just wanted to know how to", "so that he can stand on his own in this regard, rather than", "He had to become the father figure of his siblings at a fairly", "a lot of involvement with the church. He's also the leader of a", "a paladin who has a fairly serious personality. He had to become the", "My mc is a paladin who has a fairly serious personality. He had", "serious personality. He had to become the father figure of his siblings at", "He's also the leader of a band of adventurers. I'm fairly new to", "I'm fairly new to writing stories, but I just wanted to know how", "him interesting, because I never received any feedback on whether he was at", "mc is a paladin who has a fairly serious personality. He had to", "And I want to make it so that he can stand on his", "is one of his main traits. And I want to make it so", "fairly young age, after most of his family was killed. Him being a", "make it so that he can stand on his own in this regard,", "main traits. And I want to make it so that he can stand", "character like him interesting, because I never received any feedback on whether he", "open about his emotions and being able to appreciate other people's humor during", "on his own in this regard, rather than having another character that would", "his siblings at a fairly young age, after most of his family was", "character that would balance him. So I must ask, how do I make", "of his family was killed. Him being a paladin, he obviously has a", "family was killed. Him being a paladin, he obviously has a lot of", "was liked. He has other traits like being open about his emotions and", "know how to at least make a serious character like him interesting, because", "has a lot of involvement with the church. He's also the leader of", "interesting, because I never received any feedback on whether he was at least", "the church. He's also the leader of a band of adventurers. I'm fairly", "serious character like him interesting, because I never received any feedback on whether", "stories, but I just wanted to know how to at least make a", "involvement with the church. He's also the leader of a band of adventurers.", "just wanted to know how to at least make a serious character like", "figure of his siblings at a fairly young age, after most of his", "I want to make it so that he can stand on his own", "in this regard, rather than having another character that would balance him. So", "killed. Him being a paladin, he obviously has a lot of involvement with", "is a paladin who has a fairly serious personality. He had to become", "like him interesting, because I never received any feedback on whether he was", "another character that would balance him. So I must ask, how do I", "lot of involvement with the church. He's also the leader of a band", "downtime, but seriousness is one of his main traits. And I want to", "or even if he was liked. He has other traits like being open", "but seriousness is one of his main traits. And I want to make", "humor during downtime, but seriousness is one of his main traits. And I", "on whether he was at least interesting or not, or even if he", "interesting or not, or even if he was liked. He has other traits", "at a fairly young age, after most of his family was killed. Him", "of his main traits. And I want to make it so that he", "want to make it so that he can stand on his own in", "was killed. Him being a paladin, he obviously has a lot of involvement", "emotions and being able to appreciate other people's humor during downtime, but seriousness", "new to writing stories, but I just wanted to know how to at", "of involvement with the church. He's also the leader of a band of", "other traits like being open about his emotions and being able to appreciate", "his emotions and being able to appreciate other people's humor during downtime, but", "to know how to at least make a serious character like him interesting,", "that would balance him. So I must ask, how do I make him", "other people's humor during downtime, but seriousness is one of his main traits.", "regard, rather than having another character that would balance him. So I must", "and being able to appreciate other people's humor during downtime, but seriousness is", "has other traits like being open about his emotions and being able to", "the leader of a band of adventurers. I'm fairly new to writing stories,", "of his siblings at a fairly young age, after most of his family", "received any feedback on whether he was at least interesting or not, or", "become the father figure of his siblings at a fairly young age, after", "Him being a paladin, he obviously has a lot of involvement with the", "obviously has a lot of involvement with the church. He's also the leader", "young age, after most of his family was killed. Him being a paladin,", "but I just wanted to know how to at least make a serious", "his family was killed. Him being a paladin, he obviously has a lot", "to at least make a serious character like him interesting, because I never", "leader of a band of adventurers. I'm fairly new to writing stories, but", "I never received any feedback on whether he was at least interesting or", "own in this regard, rather than having another character that would balance him.", "being able to appreciate other people's humor during downtime, but seriousness is one", "also the leader of a band of adventurers. I'm fairly new to writing", "he was at least interesting or not, or even if he was liked.", "with the church. He's also the leader of a band of adventurers. I'm", "even if he was liked. He has other traits like being open about", "age, after most of his family was killed. Him being a paladin, he" ]
[ "be (lengthwise) proportion to the length of a normal novel? For instance, if", "of the exposition and dénouement and just have my rising action be extra-long?", "times larger, would it be acceptable for my exposition to end at page", "when complete). I am aware that I will need to cut a lot", "sections of the plot (exposition, rising action, climax, dénouement, conclusion) have to be", "words when complete). I am aware that I will need to cut a", "presently writing a novel, but it is going to be incredibly large (over", "question applies not only for exposition, but for all five of the section:", "assume my novel is complete and is 210,000 words in total length. What", "three times larger, would it be acceptable for my exposition to end at", "incredibly large (over 200,000 words when complete). I am aware that I will", "book is three times larger, would it be acceptable for my exposition to", "is three times larger, would it be acceptable for my exposition to end", "action, climax, dénouement, conclusion) have to be (lengthwise) proportion to the length of", "aware that I will need to cut a lot of sections, but I'll", "action, climax, dénouement, and conclusion. Should they save the proportional lengths? Or should", "32, and book B's exposition ends at page 35, but my book is", "words in total length. What I am wondering is this: Do the various", "cut back the length of the exposition and dénouement and just have my", "it is going to be incredibly large (over 200,000 words when complete). I", "Or should I cut back the length of the exposition and dénouement and", "but my book is three times larger, would it be acceptable for my", "I'll be worrying about that later. For the sake of this question, let", "conclusion) have to be (lengthwise) proportion to the length of a normal novel?", "novel? For instance, if book A's exposition ends at page 32, and book", "35, but my book is three times larger, would it be acceptable for", "For the sake of this question, let us assume my novel is complete", "later. For the sake of this question, let us assume my novel is", "to be incredibly large (over 200,000 words when complete). I am aware that", "at page 35, but my book is three times larger, would it be", "am wondering is this: Do the various sections of the plot (exposition, rising", "of this question, let us assume my novel is complete and is 210,000", "be worrying about that later. For the sake of this question, let us", "but for all five of the section: exposition, rising action, climax, dénouement, and", "this question, let us assume my novel is complete and is 210,000 words", "applies not only for exposition, but for all five of the section: exposition,", "a novel, but it is going to be incredibly large (over 200,000 words", "(over 200,000 words when complete). I am aware that I will need to", "200,000 words when complete). I am aware that I will need to cut", "for my exposition to end at page 95ish? My question applies not only", "exposition, rising action, climax, dénouement, and conclusion. Should they save the proportional lengths?", "length of a normal novel? For instance, if book A's exposition ends at", "my novel is complete and is 210,000 words in total length. What I", "rising action, climax, dénouement, and conclusion. Should they save the proportional lengths? Or", "climax, dénouement, conclusion) have to be (lengthwise) proportion to the length of a", "210,000 words in total length. What I am wondering is this: Do the", "and conclusion. Should they save the proportional lengths? Or should I cut back", "that I will need to cut a lot of sections, but I'll be", "B's exposition ends at page 35, but my book is three times larger,", "I will need to cut a lot of sections, but I'll be worrying", "rising action, climax, dénouement, conclusion) have to be (lengthwise) proportion to the length", "and book B's exposition ends at page 35, but my book is three", "proportional lengths? Or should I cut back the length of the exposition and", "let us assume my novel is complete and is 210,000 words in total", "exposition ends at page 35, but my book is three times larger, would", "is going to be incredibly large (over 200,000 words when complete). I am", "ends at page 32, and book B's exposition ends at page 35, but", "length of the exposition and dénouement and just have my rising action be", "various sections of the plot (exposition, rising action, climax, dénouement, conclusion) have to", "going to be incredibly large (over 200,000 words when complete). I am aware", "be acceptable for my exposition to end at page 95ish? My question applies", "exposition, but for all five of the section: exposition, rising action, climax, dénouement,", "that later. For the sake of this question, let us assume my novel", "it be acceptable for my exposition to end at page 95ish? My question", "and is 210,000 words in total length. What I am wondering is this:", "A's exposition ends at page 32, and book B's exposition ends at page", "at page 95ish? My question applies not only for exposition, but for all", "sections, but I'll be worrying about that later. For the sake of this", "five of the section: exposition, rising action, climax, dénouement, and conclusion. Should they", "they save the proportional lengths? Or should I cut back the length of", "conclusion. Should they save the proportional lengths? Or should I cut back the", "to end at page 95ish? My question applies not only for exposition, but", "exposition ends at page 32, and book B's exposition ends at page 35,", "a normal novel? For instance, if book A's exposition ends at page 32,", "only for exposition, but for all five of the section: exposition, rising action,", "for exposition, but for all five of the section: exposition, rising action, climax,", "dénouement, and conclusion. Should they save the proportional lengths? Or should I cut", "complete). I am aware that I will need to cut a lot of", "larger, would it be acceptable for my exposition to end at page 95ish?", "would it be acceptable for my exposition to end at page 95ish? My", "I am wondering is this: Do the various sections of the plot (exposition,", "My question applies not only for exposition, but for all five of the", "length. What I am wondering is this: Do the various sections of the", "of the plot (exposition, rising action, climax, dénouement, conclusion) have to be (lengthwise)", "am aware that I will need to cut a lot of sections, but", "of the section: exposition, rising action, climax, dénouement, and conclusion. Should they save", "cut a lot of sections, but I'll be worrying about that later. For", "acceptable for my exposition to end at page 95ish? My question applies not", "the length of the exposition and dénouement and just have my rising action", "large (over 200,000 words when complete). I am aware that I will need", "page 32, and book B's exposition ends at page 35, but my book", "my book is three times larger, would it be acceptable for my exposition", "back the length of the exposition and dénouement and just have my rising", "climax, dénouement, and conclusion. Should they save the proportional lengths? Or should I", "writing a novel, but it is going to be incredibly large (over 200,000", "For instance, if book A's exposition ends at page 32, and book B's", "will need to cut a lot of sections, but I'll be worrying about", "complete and is 210,000 words in total length. What I am wondering is", "for all five of the section: exposition, rising action, climax, dénouement, and conclusion.", "novel is complete and is 210,000 words in total length. What I am", "us assume my novel is complete and is 210,000 words in total length.", "I am aware that I will need to cut a lot of sections,", "the plot (exposition, rising action, climax, dénouement, conclusion) have to be (lengthwise) proportion", "is complete and is 210,000 words in total length. What I am wondering", "wondering is this: Do the various sections of the plot (exposition, rising action,", "book B's exposition ends at page 35, but my book is three times", "my exposition to end at page 95ish? My question applies not only for", "the proportional lengths? Or should I cut back the length of the exposition", "to the length of a normal novel? For instance, if book A's exposition", "of sections, but I'll be worrying about that later. For the sake of", "to be (lengthwise) proportion to the length of a normal novel? For instance,", "dénouement, conclusion) have to be (lengthwise) proportion to the length of a normal", "I am presently writing a novel, but it is going to be incredibly", "normal novel? For instance, if book A's exposition ends at page 32, and", "I cut back the length of the exposition and dénouement and just have", "need to cut a lot of sections, but I'll be worrying about that", "am presently writing a novel, but it is going to be incredibly large", "the length of a normal novel? For instance, if book A's exposition ends", "Should they save the proportional lengths? Or should I cut back the length", "page 95ish? My question applies not only for exposition, but for all five", "should I cut back the length of the exposition and dénouement and just", "the various sections of the plot (exposition, rising action, climax, dénouement, conclusion) have", "ends at page 35, but my book is three times larger, would it", "end at page 95ish? My question applies not only for exposition, but for", "not only for exposition, but for all five of the section: exposition, rising", "section: exposition, rising action, climax, dénouement, and conclusion. Should they save the proportional", "(lengthwise) proportion to the length of a normal novel? For instance, if book", "novel, but it is going to be incredibly large (over 200,000 words when", "this: Do the various sections of the plot (exposition, rising action, climax, dénouement,", "to cut a lot of sections, but I'll be worrying about that later.", "proportion to the length of a normal novel? For instance, if book A's", "instance, if book A's exposition ends at page 32, and book B's exposition", "page 35, but my book is three times larger, would it be acceptable", "total length. What I am wondering is this: Do the various sections of", "but it is going to be incredibly large (over 200,000 words when complete).", "question, let us assume my novel is complete and is 210,000 words in", "is this: Do the various sections of the plot (exposition, rising action, climax,", "be incredibly large (over 200,000 words when complete). I am aware that I", "Do the various sections of the plot (exposition, rising action, climax, dénouement, conclusion)", "95ish? My question applies not only for exposition, but for all five of", "a lot of sections, but I'll be worrying about that later. For the", "sake of this question, let us assume my novel is complete and is", "at page 32, and book B's exposition ends at page 35, but my", "but I'll be worrying about that later. For the sake of this question,", "lengths? Or should I cut back the length of the exposition and dénouement", "(exposition, rising action, climax, dénouement, conclusion) have to be (lengthwise) proportion to the", "about that later. For the sake of this question, let us assume my", "all five of the section: exposition, rising action, climax, dénouement, and conclusion. Should", "if book A's exposition ends at page 32, and book B's exposition ends", "save the proportional lengths? Or should I cut back the length of the", "is 210,000 words in total length. What I am wondering is this: Do", "exposition to end at page 95ish? My question applies not only for exposition,", "What I am wondering is this: Do the various sections of the plot", "worrying about that later. For the sake of this question, let us assume", "the sake of this question, let us assume my novel is complete and", "have to be (lengthwise) proportion to the length of a normal novel? For", "lot of sections, but I'll be worrying about that later. For the sake", "in total length. What I am wondering is this: Do the various sections", "the section: exposition, rising action, climax, dénouement, and conclusion. Should they save the", "of a normal novel? For instance, if book A's exposition ends at page", "book A's exposition ends at page 32, and book B's exposition ends at", "plot (exposition, rising action, climax, dénouement, conclusion) have to be (lengthwise) proportion to" ]
[ "up. Are there any other tips or other ways I could make him", "is how people are envious of such perfection, so he's mostly looked down", "for their kind to water bend. But the Mc and readers won't know", "any attention, or laughing obnoxiously at any joke. To show how \"human\" he", "I mostly plan on doing is fleshing out his character. Maybe he breaks", "being average at academics, anxious at any attention, or laughing obnoxiously at any", "get this, he lives in a secluded city where it's mostly humans. He", "at academics, anxious at any attention, or laughing obnoxiously at any joke. To", "classified as attractive. The cliche part is that he is admired but also", "hated for multiple reasons. The very main reason is how people are envious", "also be classified as attractive. The cliche part is that he is admired", "White-haired and heterochromia are common. And yes, it's also common for their kind", "down on or people are intimidated by him. His \"uniqueness\" made him a", "on doing is fleshing out his character. Maybe he breaks people's expectations of", "this, he lives in a secluded city where it's mostly humans. He is", "features, but he could also be classified as attractive. The cliche part is", "it's also common for their kind to water bend. But the Mc and", "where he is raised to be a \"perfect gentleman\". He has the class,", "to be a \"perfect gentleman\". He has the class, talent, grace, and manners", "dared to make a super \"special snowflake syndrome\" character likable despite the cliches.", "super \"special snowflake syndrome\" character likable despite the cliches. This is what I", "multiple reasons. The very main reason is how people are envious of such", "the city to embody his uniqueness. What I mostly plan on doing is", "anxious at any attention, or laughing obnoxiously at any joke. To show how", "or other ways I could make him not so \"op\". Breaking the stereotypes", "In a dnd-like world, supernaturals exist like werewolves, banshees, fae, etc. Humans, of", "so he's mostly looked down on or people are intimidated by him. His", "white-haired young adult with heterochromia. And get this, he lives in a secluded", "are intimidated by him. His \"uniqueness\" made him a loner. He's also secretly", "heterochromia are common. And yes, it's also common for their kind to water", "will happen. The main character is a white-haired young adult with heterochromia. And", "mostly be in the city to embody his uniqueness. What I mostly plan", "has unusual features, but he could also be classified as attractive. The cliche", "cliche part is that he is admired but also hated for multiple reasons.", "of such perfection, so he's mostly looked down on or people are intimidated", "the novel. The setting of the story will mostly be in the city", "He has unusual features, but he could also be classified as attractive. The", "prejudice will happen. The main character is a white-haired young adult with heterochromia.", "very main reason is how people are envious of such perfection, so he's", "\"perfect gentleman\". He has the class, talent, grace, and manners of a noble.", "readers won't know that until later in the novel. The setting of the", "Which makes him the very special snowflake trope Spoiler alert, the reason for", "The cliche part is that he is admired but also hated for multiple", "he is as he opens up. Are there any other tips or other", "adult with heterochromia. And get this, he lives in a secluded city where", "a loner. He's also secretly harboring the power to manipulate water. Which makes", "trope Spoiler alert, the reason for his appearance, and why he's effortlessly attractive?", "novel. The setting of the story will mostly be in the city to", "at any joke. To show how \"human\" he is, by breaking this persona", "friend. I was dared to make a super \"special snowflake syndrome\" character likable", "supernaturals exist like werewolves, banshees, fae, etc. Humans, of course, are like 97%", "he is admired but also hated for multiple reasons. The very main reason", "doing is fleshing out his character. Maybe he breaks people's expectations of him", "talent, grace, and manners of a noble. He has unusual features, but he", "with heterochromia. And get this, he lives in a secluded city where it's", "part is that he is admired but also hated for multiple reasons. The", "he breaks people's expectations of him by being average at academics, anxious at", "expectations of him by being average at academics, anxious at any attention, or", "where it's mostly humans. He is adopted by a noble family where he", "effortlessly attractive? He's a siren. White-haired and heterochromia are common. And yes, it's", "up with. In a dnd-like world, supernaturals exist like werewolves, banshees, fae, etc.", "a dnd-like world, supernaturals exist like werewolves, banshees, fae, etc. Humans, of course,", "also common for their kind to water bend. But the Mc and readers", "embody his uniqueness. What I mostly plan on doing is fleshing out his", "also secretly harboring the power to manipulate water. Which makes him the very", "by having close friends who see he's not what people say he is", "by being average at academics, anxious at any attention, or laughing obnoxiously at", "out his character. Maybe he breaks people's expectations of him by being average", "\"special snowflake syndrome\" character likable despite the cliches. This is what I came", "Humans, of course, are like 97% of the population. So yes, prejudice will", "The setting of the story will mostly be in the city to embody", "or people are intimidated by him. His \"uniqueness\" made him a loner. He's", "character. Maybe he breaks people's expectations of him by being average at academics,", "by him. His \"uniqueness\" made him a loner. He's also secretly harboring the", "is as he opens up. Are there any other tips or other ways", "is that he is admired but also hated for multiple reasons. The very", "yes, it's also common for their kind to water bend. But the Mc", "attention, or laughing obnoxiously at any joke. To show how \"human\" he is,", "joke. To show how \"human\" he is, by breaking this persona of perfection,", "I could make him not so \"op\". Breaking the stereotypes as you will.", "obnoxiously at any joke. To show how \"human\" he is, by breaking this", "envious of such perfection, so he's mostly looked down on or people are", "The main character is a white-haired young adult with heterochromia. And get this,", "happen. The main character is a white-haired young adult with heterochromia. And get", "character is a white-haired young adult with heterochromia. And get this, he lives", "To show how \"human\" he is, by breaking this persona of perfection, by", "I was dared to make a super \"special snowflake syndrome\" character likable despite", "uniqueness. What I mostly plan on doing is fleshing out his character. Maybe", "And yes, it's also common for their kind to water bend. But the", "breaks people's expectations of him by being average at academics, anxious at any", "is fleshing out his character. Maybe he breaks people's expectations of him by", "of the population. So yes, prejudice will happen. The main character is a", "has the class, talent, grace, and manners of a noble. He has unusual", "for multiple reasons. The very main reason is how people are envious of", "a super \"special snowflake syndrome\" character likable despite the cliches. This is what", "family where he is raised to be a \"perfect gentleman\". He has the", "dnd-like world, supernaturals exist like werewolves, banshees, fae, etc. Humans, of course, are", "he is raised to be a \"perfect gentleman\". He has the class, talent,", "him. His \"uniqueness\" made him a loner. He's also secretly harboring the power", "He's a siren. White-haired and heterochromia are common. And yes, it's also common", "setting of the story will mostly be in the city to embody his", "\"human\" he is, by breaking this persona of perfection, by having close friends", "at any attention, or laughing obnoxiously at any joke. To show how \"human\"", "the population. So yes, prejudice will happen. The main character is a white-haired", "the power to manipulate water. Which makes him the very special snowflake trope", "how people are envious of such perfection, so he's mostly looked down on", "a white-haired young adult with heterochromia. And get this, he lives in a", "in a secluded city where it's mostly humans. He is adopted by a", "of a noble. He has unusual features, but he could also be classified", "him a loner. He's also secretly harboring the power to manipulate water. Which", "power to manipulate water. Which makes him the very special snowflake trope Spoiler", "makes him the very special snowflake trope Spoiler alert, the reason for his", "until later in the novel. The setting of the story will mostly be", "Mc and readers won't know that until later in the novel. The setting", "likable despite the cliches. This is what I came up with. In a", "a friend. I was dared to make a super \"special snowflake syndrome\" character", "He has the class, talent, grace, and manners of a noble. He has", "that he is admired but also hated for multiple reasons. The very main", "on or people are intimidated by him. His \"uniqueness\" made him a loner.", "secluded city where it's mostly humans. He is adopted by a noble family", "mostly humans. He is adopted by a noble family where he is raised", "by breaking this persona of perfection, by having close friends who see he's", "see he's not what people say he is as he opens up. Are", "other tips or other ways I could make him not so \"op\". Breaking", "ways I could make him not so \"op\". Breaking the stereotypes as you", "he's not what people say he is as he opens up. Are there", "\"uniqueness\" made him a loner. He's also secretly harboring the power to manipulate", "intimidated by him. His \"uniqueness\" made him a loner. He's also secretly harboring", "his appearance, and why he's effortlessly attractive? He's a siren. White-haired and heterochromia", "persona of perfection, by having close friends who see he's not what people", "opens up. Are there any other tips or other ways I could make", "of the story will mostly be in the city to embody his uniqueness.", "will mostly be in the city to embody his uniqueness. What I mostly", "lives in a secluded city where it's mostly humans. He is adopted by", "is admired but also hated for multiple reasons. The very main reason is", "he's effortlessly attractive? He's a siren. White-haired and heterochromia are common. And yes,", "heterochromia. And get this, he lives in a secluded city where it's mostly", "is a white-haired young adult with heterochromia. And get this, he lives in", "raised to be a \"perfect gentleman\". He has the class, talent, grace, and", "His \"uniqueness\" made him a loner. He's also secretly harboring the power to", "city to embody his uniqueness. What I mostly plan on doing is fleshing", "humans. He is adopted by a noble family where he is raised to", "siren. White-haired and heterochromia are common. And yes, it's also common for their", "like 97% of the population. So yes, prejudice will happen. The main character", "As a challenge by a friend. I was dared to make a super", "later in the novel. The setting of the story will mostly be in", "kind to water bend. But the Mc and readers won't know that until", "syndrome\" character likable despite the cliches. This is what I came up with.", "noble. He has unusual features, but he could also be classified as attractive.", "there any other tips or other ways I could make him not so", "him by being average at academics, anxious at any attention, or laughing obnoxiously", "secretly harboring the power to manipulate water. Which makes him the very special", "unusual features, but he could also be classified as attractive. The cliche part", "people are intimidated by him. His \"uniqueness\" made him a loner. He's also", "and readers won't know that until later in the novel. The setting of", "a challenge by a friend. I was dared to make a super \"special", "The very main reason is how people are envious of such perfection, so", "perfection, so he's mostly looked down on or people are intimidated by him.", "a siren. White-haired and heterochromia are common. And yes, it's also common for", "challenge by a friend. I was dared to make a super \"special snowflake", "plan on doing is fleshing out his character. Maybe he breaks people's expectations", "adopted by a noble family where he is raised to be a \"perfect", "despite the cliches. This is what I came up with. In a dnd-like", "main reason is how people are envious of such perfection, so he's mostly", "exist like werewolves, banshees, fae, etc. Humans, of course, are like 97% of", "reason for his appearance, and why he's effortlessly attractive? He's a siren. White-haired", "why he's effortlessly attractive? He's a siren. White-haired and heterochromia are common. And", "story will mostly be in the city to embody his uniqueness. What I", "be a \"perfect gentleman\". He has the class, talent, grace, and manners of", "by a noble family where he is raised to be a \"perfect gentleman\".", "mostly plan on doing is fleshing out his character. Maybe he breaks people's", "made him a loner. He's also secretly harboring the power to manipulate water.", "reasons. The very main reason is how people are envious of such perfection,", "attractive. The cliche part is that he is admired but also hated for", "by a friend. I was dared to make a super \"special snowflake syndrome\"", "academics, anxious at any attention, or laughing obnoxiously at any joke. To show", "what I came up with. In a dnd-like world, supernaturals exist like werewolves,", "loner. He's also secretly harboring the power to manipulate water. Which makes him", "I came up with. In a dnd-like world, supernaturals exist like werewolves, banshees,", "or laughing obnoxiously at any joke. To show how \"human\" he is, by", "breaking this persona of perfection, by having close friends who see he's not", "people's expectations of him by being average at academics, anxious at any attention,", "He's also secretly harboring the power to manipulate water. Which makes him the", "He is adopted by a noble family where he is raised to be", "water. Which makes him the very special snowflake trope Spoiler alert, the reason", "reason is how people are envious of such perfection, so he's mostly looked", "appearance, and why he's effortlessly attractive? He's a siren. White-haired and heterochromia are", "and why he's effortlessly attractive? He's a siren. White-haired and heterochromia are common.", "noble family where he is raised to be a \"perfect gentleman\". He has", "be in the city to embody his uniqueness. What I mostly plan on", "average at academics, anxious at any attention, or laughing obnoxiously at any joke.", "won't know that until later in the novel. The setting of the story", "this persona of perfection, by having close friends who see he's not what", "as he opens up. Are there any other tips or other ways I", "fae, etc. Humans, of course, are like 97% of the population. So yes,", "like werewolves, banshees, fae, etc. Humans, of course, are like 97% of the", "any joke. To show how \"human\" he is, by breaking this persona of", "the reason for his appearance, and why he's effortlessly attractive? He's a siren.", "a noble family where he is raised to be a \"perfect gentleman\". He", "Spoiler alert, the reason for his appearance, and why he's effortlessly attractive? He's", "And get this, he lives in a secluded city where it's mostly humans.", "people say he is as he opens up. Are there any other tips", "tips or other ways I could make him not so \"op\". Breaking the", "banshees, fae, etc. Humans, of course, are like 97% of the population. So", "know that until later in the novel. The setting of the story will", "city where it's mostly humans. He is adopted by a noble family where", "show how \"human\" he is, by breaking this persona of perfection, by having", "admired but also hated for multiple reasons. The very main reason is how", "manners of a noble. He has unusual features, but he could also be", "common for their kind to water bend. But the Mc and readers won't", "grace, and manners of a noble. He has unusual features, but he could", "are like 97% of the population. So yes, prejudice will happen. The main", "he lives in a secluded city where it's mostly humans. He is adopted", "is what I came up with. In a dnd-like world, supernaturals exist like", "yes, prejudice will happen. The main character is a white-haired young adult with", "a noble. He has unusual features, but he could also be classified as", "but he could also be classified as attractive. The cliche part is that", "any other tips or other ways I could make him not so \"op\".", "friends who see he's not what people say he is as he opens", "fleshing out his character. Maybe he breaks people's expectations of him by being", "snowflake syndrome\" character likable despite the cliches. This is what I came up", "who see he's not what people say he is as he opens up.", "the very special snowflake trope Spoiler alert, the reason for his appearance, and", "special snowflake trope Spoiler alert, the reason for his appearance, and why he's", "their kind to water bend. But the Mc and readers won't know that", "be classified as attractive. The cliche part is that he is admired but", "a secluded city where it's mostly humans. He is adopted by a noble", "of course, are like 97% of the population. So yes, prejudice will happen.", "also hated for multiple reasons. The very main reason is how people are", "mostly looked down on or people are intimidated by him. His \"uniqueness\" made", "and manners of a noble. He has unusual features, but he could also", "looked down on or people are intimidated by him. His \"uniqueness\" made him", "but also hated for multiple reasons. The very main reason is how people", "such perfection, so he's mostly looked down on or people are intimidated by", "that until later in the novel. The setting of the story will mostly", "manipulate water. Which makes him the very special snowflake trope Spoiler alert, the", "is adopted by a noble family where he is raised to be a", "bend. But the Mc and readers won't know that until later in the", "97% of the population. So yes, prejudice will happen. The main character is", "harboring the power to manipulate water. Which makes him the very special snowflake", "other ways I could make him not so \"op\". Breaking the stereotypes as", "perfection, by having close friends who see he's not what people say he", "he's mostly looked down on or people are intimidated by him. His \"uniqueness\"", "to water bend. But the Mc and readers won't know that until later", "he is, by breaking this persona of perfection, by having close friends who", "the cliches. This is what I came up with. In a dnd-like world,", "class, talent, grace, and manners of a noble. He has unusual features, but", "close friends who see he's not what people say he is as he", "etc. Humans, of course, are like 97% of the population. So yes, prejudice", "in the city to embody his uniqueness. What I mostly plan on doing", "having close friends who see he's not what people say he is as", "not what people say he is as he opens up. Are there any", "attractive? He's a siren. White-haired and heterochromia are common. And yes, it's also", "main character is a white-haired young adult with heterochromia. And get this, he", "Are there any other tips or other ways I could make him not", "water bend. But the Mc and readers won't know that until later in", "the class, talent, grace, and manners of a noble. He has unusual features,", "gentleman\". He has the class, talent, grace, and manners of a noble. He", "to embody his uniqueness. What I mostly plan on doing is fleshing out", "his uniqueness. What I mostly plan on doing is fleshing out his character.", "alert, the reason for his appearance, and why he's effortlessly attractive? He's a", "young adult with heterochromia. And get this, he lives in a secluded city", "as attractive. The cliche part is that he is admired but also hated", "came up with. In a dnd-like world, supernaturals exist like werewolves, banshees, fae,", "What I mostly plan on doing is fleshing out his character. Maybe he", "was dared to make a super \"special snowflake syndrome\" character likable despite the", "a \"perfect gentleman\". He has the class, talent, grace, and manners of a", "make a super \"special snowflake syndrome\" character likable despite the cliches. This is", "population. So yes, prejudice will happen. The main character is a white-haired young", "cliches. This is what I came up with. In a dnd-like world, supernaturals", "he could also be classified as attractive. The cliche part is that he", "common. And yes, it's also common for their kind to water bend. But", "for his appearance, and why he's effortlessly attractive? He's a siren. White-haired and", "how \"human\" he is, by breaking this persona of perfection, by having close", "what people say he is as he opens up. Are there any other", "it's mostly humans. He is adopted by a noble family where he is", "course, are like 97% of the population. So yes, prejudice will happen. The", "the Mc and readers won't know that until later in the novel. The", "character likable despite the cliches. This is what I came up with. In", "say he is as he opens up. Are there any other tips or", "of him by being average at academics, anxious at any attention, or laughing", "could also be classified as attractive. The cliche part is that he is", "laughing obnoxiously at any joke. To show how \"human\" he is, by breaking", "is, by breaking this persona of perfection, by having close friends who see", "with. In a dnd-like world, supernaturals exist like werewolves, banshees, fae, etc. Humans,", "are envious of such perfection, so he's mostly looked down on or people", "are common. And yes, it's also common for their kind to water bend.", "Maybe he breaks people's expectations of him by being average at academics, anxious", "snowflake trope Spoiler alert, the reason for his appearance, and why he's effortlessly", "him the very special snowflake trope Spoiler alert, the reason for his appearance,", "very special snowflake trope Spoiler alert, the reason for his appearance, and why", "is raised to be a \"perfect gentleman\". He has the class, talent, grace,", "people are envious of such perfection, so he's mostly looked down on or", "to manipulate water. Which makes him the very special snowflake trope Spoiler alert,", "But the Mc and readers won't know that until later in the novel.", "to make a super \"special snowflake syndrome\" character likable despite the cliches. This", "werewolves, banshees, fae, etc. Humans, of course, are like 97% of the population.", "world, supernaturals exist like werewolves, banshees, fae, etc. Humans, of course, are like", "in the novel. The setting of the story will mostly be in the", "So yes, prejudice will happen. The main character is a white-haired young adult", "This is what I came up with. In a dnd-like world, supernaturals exist", "his character. Maybe he breaks people's expectations of him by being average at", "the story will mostly be in the city to embody his uniqueness. What", "and heterochromia are common. And yes, it's also common for their kind to", "of perfection, by having close friends who see he's not what people say", "he opens up. Are there any other tips or other ways I could" ]
[ "list introduced by such as, for example, or any similar expression, etc. is", "example,* or any similar expression, etc. is incorrect. > > > However, I", "I have seen \"etc.\" in many places at the end of a list", "to the Strunk & White's The Elements of Style (p. 46) > >", "Strunk & White's The Elements of Style (p. 46) > > at the", "(p. 46) > > at the end of a list introduced by such", "the Strunk & White's The Elements of Style* (p. 46) > > at", "46) > > at the end of a list introduced by such as,", "such as, for example,* or any similar expression, etc. is incorrect. > >", "any similar expression, etc. is incorrect. > > > However, I have seen", "introduced by such as, for example, or any similar expression, etc. is incorrect.", "many places at the end of a list starting with e.g. Is it", "as, for example,* or any similar expression, etc. is incorrect. > > >", "at the end of a list starting with e.g. Is it incorrect in", "\"etc.\" in many places at the end of a list starting with e.g.", "of a list starting with e.g. Is it incorrect in today's formal English?", "incorrect. > > > However, I have seen \"etc.\" in many places at", "or any similar expression, etc. is incorrect. > > > However, I have", "places at the end of a list starting with e.g. Is it incorrect", "> However, I have seen \"etc.\" in many places at the end of", "have seen \"etc.\" in many places at the end of a list starting", "of a list introduced by such as, for example, or any similar expression,", "Style* (p. 46) > > at the end of a list introduced by", "a list introduced by such as, for example, or any similar expression, etc.", "> at the end of a list introduced by such as, for example,", "end of a list introduced by such as, for example, or any similar", "is incorrect. > > > However, I have seen \"etc.\" in many places", "& White's The Elements of Style (p. 46) > > at the end", "the end of a list introduced by such as, for example, or any", "of Style* (p. 46) > > at the end of a list introduced", "expression, etc. is incorrect. > > > However, I have seen \"etc.\" in", "> > However, I have seen \"etc.\" in many places at the end", "The Elements of Style (p. 46) > > at the end of a", "However, I have seen \"etc.\" in many places at the end of a", "similar expression, etc. is incorrect. > > > However, I have seen \"etc.\"", "> > > However, I have seen \"etc.\" in many places at the", "end of a list starting with e.g. Is it incorrect in today's formal", "at the end of a list introduced by such as, for example, or", "in many places at the end of a list starting with e.g. Is", "etc. is incorrect. > > > However, I have seen \"etc.\" in many", "White's The Elements of Style (p. 46) > > at the end of", "seen \"etc.\" in many places at the end of a list starting with", "by such as, for example, or any similar expression, etc. is incorrect. >", "Elements of Style* (p. 46) > > at the end of a list", "> > at the end of a list introduced by such as, for", "for example, or any similar expression, etc. is incorrect. > > > However,", "According to the Strunk & White's The Elements of Style (p. 46) >", "the end of a list starting with e.g. Is it incorrect in today's" ]
[ "narrative for a book fair she'll be attending as an honorary guest, but", "she'll be attending as an honorary guest, but she can't come up with", "at night thinking about what to write about. Instead of getting an idea,", "a narrative for a book fair she'll be attending as an honorary guest,", "I am writing a short story for homework. The story is about a", "as an honorary guest, but she can't come up with any ideas. In", "night thinking about what to write about. Instead of getting an idea, she", "The story is about a writer who has to write a narrative for", "what to write about. Instead of getting an idea, she gets a headache", "book fair she'll be attending as an honorary guest, but she can't come", "a short story for homework. The story is about a writer who has", "who has to write a narrative for a book fair she'll be attending", "can't come up with any ideas. In a particular scene, the writer is", "the writer is in her office at night thinking about what to write", "that's kind of where I'm stuck. I know that want her to go", "I know that want her to go crazy. I'm just not sure how", "writer who has to write a narrative for a book fair she'll be", "headache and that's kind of where I'm stuck. I know that want her", "getting an idea, she gets a headache and that's kind of where I'm", "know that want her to go crazy. I'm just not sure how to", "idea, she gets a headache and that's kind of where I'm stuck. I", "to write a narrative for a book fair she'll be attending as an", "of where I'm stuck. I know that want her to go crazy. I'm", "for homework. The story is about a writer who has to write a", "a writer who has to write a narrative for a book fair she'll", "fair she'll be attending as an honorary guest, but she can't come up", "honorary guest, but she can't come up with any ideas. In a particular", "particular scene, the writer is in her office at night thinking about what", "is in her office at night thinking about what to write about. Instead", "thinking about what to write about. Instead of getting an idea, she gets", "her to go crazy. I'm just not sure how to write it down.", "about what to write about. Instead of getting an idea, she gets a", "short story for homework. The story is about a writer who has to", "about a writer who has to write a narrative for a book fair", "for a book fair she'll be attending as an honorary guest, but she", "story for homework. The story is about a writer who has to write", "with any ideas. In a particular scene, the writer is in her office", "and that's kind of where I'm stuck. I know that want her to", "story is about a writer who has to write a narrative for a", "In a particular scene, the writer is in her office at night thinking", "gets a headache and that's kind of where I'm stuck. I know that", "she can't come up with any ideas. In a particular scene, the writer", "she gets a headache and that's kind of where I'm stuck. I know", "up with any ideas. In a particular scene, the writer is in her", "about. Instead of getting an idea, she gets a headache and that's kind", "that want her to go crazy. I'm just not sure how to write", "any ideas. In a particular scene, the writer is in her office at", "her office at night thinking about what to write about. Instead of getting", "a headache and that's kind of where I'm stuck. I know that want", "is about a writer who has to write a narrative for a book", "write about. Instead of getting an idea, she gets a headache and that's", "stuck. I know that want her to go crazy. I'm just not sure", "am writing a short story for homework. The story is about a writer", "write a narrative for a book fair she'll be attending as an honorary", "writer is in her office at night thinking about what to write about.", "to write about. Instead of getting an idea, she gets a headache and", "office at night thinking about what to write about. Instead of getting an", "an honorary guest, but she can't come up with any ideas. In a", "an idea, she gets a headache and that's kind of where I'm stuck.", "I'm stuck. I know that want her to go crazy. I'm just not", "kind of where I'm stuck. I know that want her to go crazy.", "attending as an honorary guest, but she can't come up with any ideas.", "writing a short story for homework. The story is about a writer who", "want her to go crazy. I'm just not sure how to write it", "scene, the writer is in her office at night thinking about what to", "where I'm stuck. I know that want her to go crazy. I'm just", "guest, but she can't come up with any ideas. In a particular scene,", "a particular scene, the writer is in her office at night thinking about", "come up with any ideas. In a particular scene, the writer is in", "in her office at night thinking about what to write about. Instead of", "but she can't come up with any ideas. In a particular scene, the", "of getting an idea, she gets a headache and that's kind of where", "has to write a narrative for a book fair she'll be attending as", "ideas. In a particular scene, the writer is in her office at night", "homework. The story is about a writer who has to write a narrative", "be attending as an honorary guest, but she can't come up with any", "a book fair she'll be attending as an honorary guest, but she can't", "Instead of getting an idea, she gets a headache and that's kind of" ]
[ "a novel, would it be overtly presumptuous to write the novel from the", "this is not a dilemma I am facing currently. It's just a question", "a dilemma I am facing currently. It's just a question I had in", "to a film later? Does it alter the focus of writing the novel", "are working on a novel, would it be overtly presumptuous to write the", "just a question I had in mind for many established and aspiring authors.", "focus of writing the novel in the first place? Or would it be", "it alter the focus of writing the novel in the first place? Or", "currently are working on a novel, would it be overtly presumptuous to write", "mind for many established and aspiring authors. Many best selling novels get made", "that you're an established author and currently are working on a novel, would", "I start, let me clarify that this is not a dilemma I am", "converted to a film later? Does it alter the focus of writing the", "to write the novel from the POV that it will get converted to", "aspiring authors. Many best selling novels get made into films. So assuming that", "in the first place? Or would it be a classic case of \"Counting", "I had in mind for many established and aspiring authors. Many best selling", "the first place? Or would it be a classic case of \"Counting your", "be overtly presumptuous to write the novel from the POV that it will", "will get converted to a film later? Does it alter the focus of", "first place? Or would it be a classic case of \"Counting your chickens", "made into films. So assuming that you're an established author and currently are", "that this is not a dilemma I am facing currently. It's just a", "assuming that you're an established author and currently are working on a novel,", "alter the focus of writing the novel in the first place? Or would", "presumptuous to write the novel from the POV that it will get converted", "get made into films. So assuming that you're an established author and currently", "the focus of writing the novel in the first place? Or would it", "let me clarify that this is not a dilemma I am facing currently.", "it will get converted to a film later? Does it alter the focus", "Before I start, let me clarify that this is not a dilemma I", "the novel from the POV that it will get converted to a film", "It's just a question I had in mind for many established and aspiring", "in mind for many established and aspiring authors. Many best selling novels get", "question I had in mind for many established and aspiring authors. Many best", "established author and currently are working on a novel, would it be overtly", "get converted to a film later? Does it alter the focus of writing", "that it will get converted to a film later? Does it alter the", "author and currently are working on a novel, would it be overtly presumptuous", "established and aspiring authors. Many best selling novels get made into films. So", "place? Or would it be a classic case of \"Counting your chickens before", "not a dilemma I am facing currently. It's just a question I had", "a question I had in mind for many established and aspiring authors. Many", "the POV that it will get converted to a film later? Does it", "working on a novel, would it be overtly presumptuous to write the novel", "authors. Many best selling novels get made into films. So assuming that you're", "write the novel from the POV that it will get converted to a", "So assuming that you're an established author and currently are working on a", "you're an established author and currently are working on a novel, would it", "facing currently. It's just a question I had in mind for many established", "clarify that this is not a dilemma I am facing currently. It's just", "Many best selling novels get made into films. So assuming that you're an", "of writing the novel in the first place? Or would it be a", "overtly presumptuous to write the novel from the POV that it will get", "and currently are working on a novel, would it be overtly presumptuous to", "and aspiring authors. Many best selling novels get made into films. So assuming", "me clarify that this is not a dilemma I am facing currently. It's", "it be overtly presumptuous to write the novel from the POV that it", "novels get made into films. So assuming that you're an established author and", "films. So assuming that you're an established author and currently are working on", "dilemma I am facing currently. It's just a question I had in mind", "is not a dilemma I am facing currently. It's just a question I", "for many established and aspiring authors. Many best selling novels get made into", "on a novel, would it be overtly presumptuous to write the novel from", "would it be overtly presumptuous to write the novel from the POV that", "later? Does it alter the focus of writing the novel in the first", "into films. So assuming that you're an established author and currently are working", "novel, would it be overtly presumptuous to write the novel from the POV", "Does it alter the focus of writing the novel in the first place?", "currently. It's just a question I had in mind for many established and", "had in mind for many established and aspiring authors. Many best selling novels", "selling novels get made into films. So assuming that you're an established author", "a film later? Does it alter the focus of writing the novel in", "POV that it will get converted to a film later? Does it alter", "am facing currently. It's just a question I had in mind for many", "I am facing currently. It's just a question I had in mind for", "the novel in the first place? Or would it be a classic case", "Or would it be a classic case of \"Counting your chickens before they're", "writing the novel in the first place? Or would it be a classic", "an established author and currently are working on a novel, would it be", "many established and aspiring authors. Many best selling novels get made into films.", "would it be a classic case of \"Counting your chickens before they're hatched\"*?", "start, let me clarify that this is not a dilemma I am facing", "novel in the first place? Or would it be a classic case of", "best selling novels get made into films. So assuming that you're an established", "novel from the POV that it will get converted to a film later?", "film later? Does it alter the focus of writing the novel in the", "from the POV that it will get converted to a film later? Does" ]
[ "she bumped into have different colored eyes, the right eye blue while the", "call them brunets, blondes, redheads, and so on. Even with eyes. We call", "call the \"uncommon\" features? For example, natural lilac hair? Or even heterochromia? I", "is brown* People with blue eyes can be called \"blue-eyed girl/boy/man/woman\". It would", "I guess they could be called lilac-haired or \"hair the color of lilac\"", "blondes, redheads, and so on. Even with eyes. We call them blue-eyed, brown-eyed,", "call them blue-eyed, brown-eyed, gray, etc. What do you call the \"uncommon\" features?", "you call the \"uncommon\" features? For example, natural lilac hair? Or even heterochromia?", "other is brown* People with blue eyes can be called \"blue-eyed girl/boy/man/woman\". It", "about heterochromia? A pov of a person's first time meeting someone who has", "with \"brown-haired girl\", what would it be when describing someone with an odd", "a person's first time meeting someone who has different colored eyes. She stared", "the typical common hair that's black, brown, yellow, etc. And we can call", "can call them brunets, blondes, redheads, and so on. Even with eyes. We", "lilac-haired or \"hair the color of lilac\" But, that's honestly 2 descriptions I", "she has never seen before. The person she bumped into have different colored", "of lilac\" But, that's honestly 2 descriptions I could think of. What about", "before. The person she bumped into have different colored eyes, the right eye", "\"hair the color of lilac\" But, that's honestly 2 descriptions I could think", "that's honestly 2 descriptions I could think of. What about heterochromia? A pov", "People with blue eyes can be called \"blue-eyed girl/boy/man/woman\". It would be the", "blue eyes can be called \"blue-eyed girl/boy/man/woman\". It would be the same with", "brown, yellow, etc. And we can call them brunets, blondes, redheads, and so", "honestly 2 descriptions I could think of. What about heterochromia? A pov of", "weird mismatched eyes she has never seen before. The person she bumped into", "or \"hair the color of lilac\" But, that's honestly 2 descriptions I could", "them brunets, blondes, redheads, and so on. Even with eyes. We call them", "while the other is brown People with blue eyes can be called \"blue-eyed", "and so on. Even with eyes. We call them blue-eyed, brown-eyed, gray, etc.", "be the same with \"brown-haired girl\", what would it be when describing someone", "For example, natural lilac hair? Or even heterochromia? I guess they could be", "common hair that's black, brown, yellow, etc. And we can call them brunets,", "Even with eyes. We call them blue-eyed, brown-eyed, gray, etc. What do you", "mismatched eyes she has never seen before. The person she bumped into have", "What about heterochromia? A pov of a person's first time meeting someone who", "We call them blue-eyed, brown-eyed, gray, etc. What do you call the \"uncommon\"", "who has different colored eyes. She stared into weird mismatched eyes she has", "colored eyes, the right eye blue while the other is brown People with", "eye blue while the other is brown* People with blue eyes can be", "time meeting someone who has different colored eyes. She stared into weird mismatched", "same with \"brown-haired girl\", what would it be when describing someone with an", "the right eye blue while the other is brown People with blue eyes", "The person she bumped into have different colored eyes, the right eye blue", "brunets, blondes, redheads, and so on. Even with eyes. We call them blue-eyed,", "2 descriptions I could think of. What about heterochromia? A pov of a", "But, that's honestly 2 descriptions I could think of. What about heterochromia? A", "descriptions I could think of. What about heterochromia? A pov of a person's", "right eye blue while the other is brown* People with blue eyes can", "we can call them brunets, blondes, redheads, and so on. Even with eyes.", "brown-eyed, gray, etc. What do you call the \"uncommon\" features? For example, natural", "guess they could be called lilac-haired or \"hair the color of lilac\" But,", "heterochromia? I guess they could be called lilac-haired or \"hair the color of", "black, brown, yellow, etc. And we can call them brunets, blondes, redheads, and", "think of. What about heterochromia? A pov of a person's first time meeting", "first time meeting someone who has different colored eyes. She stared into weird", "into weird mismatched eyes she has never seen before. The person she bumped", "features? For example, natural* lilac hair? Or even heterochromia? I guess they could", "has never seen before. The person she bumped into have different colored eyes,", "We have the typical common hair that's black, brown, yellow, etc. And we", "the same with \"brown-haired girl\", what would it be when describing someone with", "eyes can be called \"blue-eyed girl/boy/man/woman\". It would be the same with \"brown-haired", "yellow, etc. And we can call them brunets, blondes, redheads, and so on.", "What do you call the \"uncommon\" features? For example, natural lilac hair? Or", "Or even heterochromia? I guess they could be called lilac-haired or \"hair the", "typical common hair that's black, brown, yellow, etc. And we can call them", "etc. What do you call the \"uncommon\" features? For example, natural lilac hair?", "girl/boy/man/woman\". It would be the same with \"brown-haired girl\", what would it be", "of a person's first time meeting someone who has different colored eyes. She", "different colored eyes. She stared into weird mismatched eyes she has never seen", "meeting someone who has different colored eyes. She stared into weird mismatched eyes", "called \"blue-eyed girl/boy/man/woman\". It would be the same with \"brown-haired girl\", what would", "bumped into have different colored eyes, the right eye blue while the other", "they could be called lilac-haired or \"hair the color of lilac\" But, that's", "blue while the other is brown People with blue eyes can be called", "the other is brown* People with blue eyes can be called \"blue-eyed girl/boy/man/woman\".", "of. What about heterochromia? A pov of a person's first time meeting someone", "can be called \"blue-eyed girl/boy/man/woman\". It would be the same with \"brown-haired girl\",", "with blue eyes can be called \"blue-eyed girl/boy/man/woman\". It would be the same", "eyes. We call them blue-eyed, brown-eyed, gray, etc. What do you call the", "A pov of a person's first time meeting someone who has different colored", "colored eyes. She stared into weird mismatched eyes she has never seen before.", "eyes. She stared into weird mismatched eyes she has never seen before. The", "redheads, and so on. Even with eyes. We call them blue-eyed, brown-eyed, gray,", "hair? Or even heterochromia? I guess they could be called lilac-haired or \"hair", "with eyes. We call them blue-eyed, brown-eyed, gray, etc. What do you call", "do you call the \"uncommon\" features? For example, natural lilac hair? Or even", "into have different colored eyes, the right eye blue while the other is", "would be the same with \"brown-haired girl\", what would it be when describing", "example, natural lilac hair? Or even heterochromia? I guess they could be called", "person's first time meeting someone who has different colored eyes. She stared into", "on. Even with eyes. We call them blue-eyed, brown-eyed, gray, etc. What do", "be called lilac-haired or \"hair the color of lilac\" But, that's honestly 2", "has different colored eyes. She stared into weird mismatched eyes she has never", "the \"uncommon\" features? For example, natural lilac hair? Or even heterochromia? I guess", "It would be the same with \"brown-haired girl\", what would it be when", "eyes, the right eye blue while the other is brown* People with blue", "And we can call them brunets, blondes, redheads, and so on. Even with", "She stared into weird mismatched eyes she has never seen before. The person", "lilac\" But, that's honestly 2 descriptions I could think of. What about heterochromia?", "gray, etc. What do you call the \"uncommon\" features? For example, natural* lilac", "could think of. What about heterochromia? A pov of a person's first time", "I could think of. What about heterochromia? A pov of a person's first", "pov of a person's first time meeting someone who has different colored eyes.", "have the typical common hair that's black, brown, yellow, etc. And we can", "etc. And we can call them brunets, blondes, redheads, and so on. Even", "eyes she has never seen before. The person she bumped into have different", "color of lilac\" But, that's honestly 2 descriptions I could think of. What", "\"uncommon\" features? For example, natural lilac hair? Or even heterochromia? I guess they", "stared into weird mismatched eyes she has never seen before. The person she", "\"blue-eyed girl/boy/man/woman\". It would be the same with \"brown-haired girl\", what would it", "could be called lilac-haired or \"hair the color of lilac\" But, that's honestly", "heterochromia? A pov of a person's first time meeting someone who has different", "the color of lilac\" But, that's honestly 2 descriptions I could think of.", "brown* People with blue eyes can be called \"blue-eyed girl/boy/man/woman\". It would be", "hair that's black, brown, yellow, etc. And we can call them brunets, blondes,", "called lilac-haired or \"hair the color of lilac\" But, that's honestly 2 descriptions", "different colored eyes, the right eye blue while the other is brown* People", "\"brown-haired girl\", what would it be when describing someone with an odd feature?", "person she bumped into have different colored eyes, the right eye blue while", "even heterochromia? I guess they could be called lilac-haired or \"hair the color", "natural lilac hair? Or even heterochromia? I guess they could be called lilac-haired", "be called \"blue-eyed girl/boy/man/woman\". It would be the same with \"brown-haired girl\", what", "that's black, brown, yellow, etc. And we can call them brunets, blondes, redheads,", "so on. Even with eyes. We call them blue-eyed, brown-eyed, gray, etc. What", "never seen before. The person she bumped into have different colored eyes, the", "lilac hair? Or even heterochromia? I guess they could be called lilac-haired or", "blue-eyed, brown-eyed, gray, etc. What do you call the \"uncommon\" features? For example,", "someone who has different colored eyes. She stared into weird mismatched eyes she", "seen before. The person she bumped into have different colored eyes, the right", "have different colored eyes, the right eye blue while the other is brown", "them blue-eyed, brown-eyed, gray, etc. What do you call the \"uncommon\" features? For" ]
[ "and Group C to lead a political movement. Group C runs the risk", "by using cunning and strength, not mere size. I want their attack to", "to invoke stress in the organization. My question is: how do I go", "as anything leading up to it, just a few friends trying to figure", "in a fight, one (Group B) got on a train, and one (Group", "few friends trying to figure out how to avoid a life-threatening gang. I've", "I'm planning to have it so that Group C will just use the", "the middle of nowhere, and Group C is on the run. I'm trying", "been planning to have Group A try to unravel the organization's plan, Group", "two one-by-one. Someone told me that I could use wireless communication, and that", "some base in order to take down the antagonists, because a lot of", "fight, one (Group B) got on a train, and one (Group C) who", "up the other two one-by-one. Someone told me that I could use wireless", "Group A try to unravel the organization's plan, Group B try to survive", "just having Group A pick up the other two one-by-one. Someone told me", "runs the risk of being that military rise-up trope, but I'm planning to", "characters. Three (Group A) got in a fight, one (Group B) got on", "a data-center, Group B is in the middle of nowhere, and Group C", "to lead a political movement. Group C runs the risk of being that", "in the middle of nowhere, and Group C is on the run. I'm", "I wanna keep the vibe of a ragtag team that'll defeat the villains", "a ragtag team that'll defeat the villains by using cunning and strength, not", "unravel the organization's plan, Group B try to survive in the desert and", "C to lead a political movement. Group C runs the risk of being", "in the organization. My question is: how do I go around the military", "go around the military organization trope and how do I get them all", "then hide out in some base in order to take down the antagonists,", "I've been planning to have Group A try to unravel the organization's plan,", "to figure out how to work around the trope where they all find", "try to unravel the organization's plan, Group B try to survive in the", "having Group A pick up the other two one-by-one. Someone told me that", "it's about the internet, but I still want them to converge for the", "B) got on a train, and one (Group C) who also got in", "each other and then hide out in some base in order to take", "is: how do I go around the military organization trope and how do", "A is in a data-center, Group B is in the middle of nowhere,", "organization. My question is: how do I go around the military organization trope", "trope where they all find each other and then hide out in some", "because it's about the internet, but I still want them to converge for", "informal as anything leading up to it, just a few friends trying to", "a train, and one (Group C) who also got in a fight. Group", "trope, but I'm planning to have it so that Group C will just", "the organization. My question is: how do I go around the military organization", "C) who also got in a fight. Group A is in a data-center,", "Group C runs the risk of being that military rise-up trope, but I'm", "get them all back together again naturally, without just having Group A pick", "a fight, one (Group B) got on a train, and one (Group C)", "desert and make it back to civilization, and Group C to lead a", "A pick up the other two one-by-one. Someone told me that I could", "how do I get them all back together again naturally, without just having", "B is in the middle of nowhere, and Group C is on the", "not mere size. I want their attack to be as informal as anything", "in my story because it's about the internet, but I still want them", "is in a data-center, Group B is in the middle of nowhere, and", "team that'll defeat the villains by using cunning and strength, not mere size.", "A) got in a fight, one (Group B) got on a train, and", "Group B is in the middle of nowhere, and Group C is on", "wanna keep the vibe of a ragtag team that'll defeat the villains by", "civilization, and Group C to lead a political movement. Group C runs the", "around the trope where they all find each other and then hide out", "media has done that already. I wanna keep the vibe of a ragtag", "have 5 characters. Three (Group A) got in a fight, one (Group B)", "leading up to it, just a few friends trying to figure out how", "do I go around the military organization trope and how do I get", "friends trying to figure out how to avoid a life-threatening gang. I've been", "it so that Group C will just use the revolution to invoke stress", "one (Group C) who also got in a fight. Group A is in", "as informal as anything leading up to it, just a few friends trying", "Someone told me that I could use wireless communication, and that would fit", "back to civilization, and Group C to lead a political movement. Group C", "the antagonists, because a lot of media has done that already. I wanna", "has done that already. I wanna keep the vibe of a ragtag team", "of a ragtag team that'll defeat the villains by using cunning and strength,", "base in order to take down the antagonists, because a lot of media", "that would fit well in my story because it's about the internet, but", "is on the run. I'm trying to figure out how to work around", "anything leading up to it, just a few friends trying to figure out", "that'll defeat the villains by using cunning and strength, not mere size. I", "plan, Group B try to survive in the desert and make it back", "of being that military rise-up trope, but I'm planning to have it so", "figure out how to avoid a life-threatening gang. I've been planning to have", "order to take down the antagonists, because a lot of media has done", "the vibe of a ragtag team that'll defeat the villains by using cunning", "villains by using cunning and strength, not mere size. I want their attack", "to it, just a few friends trying to figure out how to avoid", "already. I wanna keep the vibe of a ragtag team that'll defeat the", "mere size. I want their attack to be as informal as anything leading", "a few friends trying to figure out how to avoid a life-threatening gang.", "run. I'm trying to figure out how to work around the trope where", "lot of media has done that already. I wanna keep the vibe of", "just use the revolution to invoke stress in the organization. My question is:", "about the internet, but I still want them to converge for the big", "wireless communication, and that would fit well in my story because it's about", "will just use the revolution to invoke stress in the organization. My question", "the trope where they all find each other and then hide out in", "is in the middle of nowhere, and Group C is on the run.", "middle of nowhere, and Group C is on the run. I'm trying to", "the organization's plan, Group B try to survive in the desert and make", "and then hide out in some base in order to take down the", "want their attack to be as informal as anything leading up to it,", "avoid a life-threatening gang. I've been planning to have Group A try to", "I want their attack to be as informal as anything leading up to", "to avoid a life-threatening gang. I've been planning to have Group A try", "Three (Group A) got in a fight, one (Group B) got on a", "and one (Group C) who also got in a fight. Group A is", "keep the vibe of a ragtag team that'll defeat the villains by using", "trying to figure out how to avoid a life-threatening gang. I've been planning", "stress in the organization. My question is: how do I go around the", "all back together again naturally, without just having Group A pick up the", "it back to civilization, and Group C to lead a political movement. Group", "all find each other and then hide out in some base in order", "Group A is in a data-center, Group B is in the middle of", "Group C is on the run. I'm trying to figure out how to", "use the revolution to invoke stress in the organization. My question is: how", "I'm trying to figure out how to work around the trope where they", "without just having Group A pick up the other two one-by-one. Someone told", "but I'm planning to have it so that Group C will just use", "to survive in the desert and make it back to civilization, and Group", "of media has done that already. I wanna keep the vibe of a", "got in a fight, one (Group B) got on a train, and one", "out in some base in order to take down the antagonists, because a", "have it so that Group C will just use the revolution to invoke", "B try to survive in the desert and make it back to civilization,", "now in the story, I have 5 characters. Three (Group A) got in", "question is: how do I go around the military organization trope and how", "a political movement. Group C runs the risk of being that military rise-up", "how do I go around the military organization trope and how do I", "to have it so that Group C will just use the revolution to", "hide out in some base in order to take down the antagonists, because", "military rise-up trope, but I'm planning to have it so that Group C", "to take down the antagonists, because a lot of media has done that", "C is on the run. I'm trying to figure out how to work", "take down the antagonists, because a lot of media has done that already.", "to figure out how to avoid a life-threatening gang. I've been planning to", "so that Group C will just use the revolution to invoke stress in", "them all back together again naturally, without just having Group A pick up", "story, I have 5 characters. Three (Group A) got in a fight, one", "Group A pick up the other two one-by-one. Someone told me that I", "in the desert and make it back to civilization, and Group C to", "(Group B) got on a train, and one (Group C) who also got", "where they all find each other and then hide out in some base", "and how do I get them all back together again naturally, without just", "work around the trope where they all find each other and then hide", "ragtag team that'll defeat the villains by using cunning and strength, not mere", "that Group C will just use the revolution to invoke stress in the", "(Group A) got in a fight, one (Group B) got on a train,", "I get them all back together again naturally, without just having Group A", "revolution to invoke stress in the organization. My question is: how do I", "cunning and strength, not mere size. I want their attack to be as", "to civilization, and Group C to lead a political movement. Group C runs", "to be as informal as anything leading up to it, just a few", "one (Group B) got on a train, and one (Group C) who also", "out how to work around the trope where they all find each other", "that already. I wanna keep the vibe of a ragtag team that'll defeat", "planning to have Group A try to unravel the organization's plan, Group B", "life-threatening gang. I've been planning to have Group A try to unravel the", "organization's plan, Group B try to survive in the desert and make it", "political movement. Group C runs the risk of being that military rise-up trope,", "fight. Group A is in a data-center, Group B is in the middle", "around the military organization trope and how do I get them all back", "the military organization trope and how do I get them all back together", "I could use wireless communication, and that would fit well in my story", "military organization trope and how do I get them all back together again", "other two one-by-one. Someone told me that I could use wireless communication, and", "a lot of media has done that already. I wanna keep the vibe", "got on a train, and one (Group C) who also got in a", "naturally, without just having Group A pick up the other two one-by-one. Someone", "organization trope and how do I get them all back together again naturally,", "rise-up trope, but I'm planning to have it so that Group C will", "risk of being that military rise-up trope, but I'm planning to have it", "fit well in my story because it's about the internet, but I still", "nowhere, and Group C is on the run. I'm trying to figure out", "defeat the villains by using cunning and strength, not mere size. I want", "I go around the military organization trope and how do I get them", "how to avoid a life-threatening gang. I've been planning to have Group A", "and Group C is on the run. I'm trying to figure out how", "trying to figure out how to work around the trope where they all", "figure out how to work around the trope where they all find each", "pick up the other two one-by-one. Someone told me that I could use", "Group B try to survive in the desert and make it back to", "data-center, Group B is in the middle of nowhere, and Group C is", "survive in the desert and make it back to civilization, and Group C", "told me that I could use wireless communication, and that would fit well", "well in my story because it's about the internet, but I still want", "have Group A try to unravel the organization's plan, Group B try to", "out how to avoid a life-threatening gang. I've been planning to have Group", "just a few friends trying to figure out how to avoid a life-threatening", "to unravel the organization's plan, Group B try to survive in the desert", "how to work around the trope where they all find each other and", "of nowhere, and Group C is on the run. I'm trying to figure", "to work around the trope where they all find each other and then", "it, just a few friends trying to figure out how to avoid a", "use wireless communication, and that would fit well in my story because it's", "vibe of a ragtag team that'll defeat the villains by using cunning and", "being that military rise-up trope, but I'm planning to have it so that", "the revolution to invoke stress in the organization. My question is: how do", "and that would fit well in my story because it's about the internet,", "C will just use the revolution to invoke stress in the organization. My", "who also got in a fight. Group A is in a data-center, Group", "communication, and that would fit well in my story because it's about the", "back together again naturally, without just having Group A pick up the other", "their attack to be as informal as anything leading up to it, just", "that I could use wireless communication, and that would fit well in my", "the internet, but I still want them to converge for the big finale.", "movement. Group C runs the risk of being that military rise-up trope, but", "again naturally, without just having Group A pick up the other two one-by-one.", "my story because it's about the internet, but I still want them to", "other and then hide out in some base in order to take down", "trope and how do I get them all back together again naturally, without", "the other two one-by-one. Someone told me that I could use wireless communication,", "up to it, just a few friends trying to figure out how to", "one-by-one. Someone told me that I could use wireless communication, and that would", "try to survive in the desert and make it back to civilization, and", "they all find each other and then hide out in some base in", "find each other and then hide out in some base in order to", "be as informal as anything leading up to it, just a few friends", "using cunning and strength, not mere size. I want their attack to be", "Group C to lead a political movement. Group C runs the risk of", "could use wireless communication, and that would fit well in my story because", "would fit well in my story because it's about the internet, but I", "lead a political movement. Group C runs the risk of being that military", "C runs the risk of being that military rise-up trope, but I'm planning", "a fight. Group A is in a data-center, Group B is in the", "down the antagonists, because a lot of media has done that already. I", "size. I want their attack to be as informal as anything leading up", "a life-threatening gang. I've been planning to have Group A try to unravel", "gang. I've been planning to have Group A try to unravel the organization's", "in the story, I have 5 characters. Three (Group A) got in a", "A try to unravel the organization's plan, Group B try to survive in", "the desert and make it back to civilization, and Group C to lead", "done that already. I wanna keep the vibe of a ragtag team that'll", "on the run. I'm trying to figure out how to work around the", "to have Group A try to unravel the organization's plan, Group B try", "because a lot of media has done that already. I wanna keep the", "make it back to civilization, and Group C to lead a political movement.", "in order to take down the antagonists, because a lot of media has", "also got in a fight. Group A is in a data-center, Group B", "the run. I'm trying to figure out how to work around the trope", "Group C will just use the revolution to invoke stress in the organization.", "in some base in order to take down the antagonists, because a lot", "invoke stress in the organization. My question is: how do I go around", "(Group C) who also got in a fight. Group A is in a", "the story, I have 5 characters. Three (Group A) got in a fight,", "story because it's about the internet, but I still want them to converge", "in a fight. Group A is in a data-center, Group B is in", "train, and one (Group C) who also got in a fight. Group A", "My question is: how do I go around the military organization trope and", "5 characters. Three (Group A) got in a fight, one (Group B) got", "that military rise-up trope, but I'm planning to have it so that Group", "planning to have it so that Group C will just use the revolution", "together again naturally, without just having Group A pick up the other two", "me that I could use wireless communication, and that would fit well in", "the risk of being that military rise-up trope, but I'm planning to have", "and make it back to civilization, and Group C to lead a political", "got in a fight. Group A is in a data-center, Group B is", "the villains by using cunning and strength, not mere size. I want their", "Right now in the story, I have 5 characters. Three (Group A) got", "antagonists, because a lot of media has done that already. I wanna keep", "attack to be as informal as anything leading up to it, just a", "and strength, not mere size. I want their attack to be as informal", "in a data-center, Group B is in the middle of nowhere, and Group", "do I get them all back together again naturally, without just having Group", "on a train, and one (Group C) who also got in a fight.", "strength, not mere size. I want their attack to be as informal as", "I have 5 characters. Three (Group A) got in a fight, one (Group" ]
[ "dimensions, page numbering, font choice, and font sizes, for chapter titles, table of", "needs to look professional, eye-catching, and quality design that allows children to navigate", "to publish, but decided to go a self-publishing route so I can maintain", "publish, but decided to go a self-publishing route so I can maintain better", "planning to publish, but decided to go a self-publishing route so I can", "look professional, eye-catching, and quality design that allows children to navigate it clearly.", "out text can be. I have nice software that can get good results,", "was planning to publish, but decided to go a self-publishing route so I", "art of laying out text can be. I have nice software that can", "has limited ones. If I simply find a design I like in an", "design. I know well enough to know how complex the art of laying", "route so I can maintain better ownership of it. It's a children's textbook,", "it needs to look professional, eye-catching, and quality design that allows children to", "and typography design. I know well enough to know how complex the art", "font choice, and font sizes, for chapter titles, table of contents style, headings,", "is, I don't know much page and typography design. I know well enough", "get good results, but it still requires templates made by a designer, and", "and was planning to publish, but decided to go a self-publishing route so", "illegal to copy the page dimensions, page numbering, font choice, and font sizes,", "a book, and was planning to publish, but decided to go a self-publishing", "book, and was planning to publish, but decided to go a self-publishing route", "the software has limited ones. If I simply find a design I like", "page numbering, font choice, and font sizes, for chapter titles, table of contents", "page dimensions, page numbering, font choice, and font sizes, for chapter titles, table", "don't know much page and typography design. I know well enough to know", "I like in an existing book, is it illegal to copy the page", "of it. It's a children's textbook, so it needs to look professional, eye-catching,", "problem is, I don't know much page and typography design. I know well", "The problem is, I don't know much page and typography design. I know", "I don't know much page and typography design. I know well enough to", "made by a designer, and the software has limited ones. If I simply", "a self-publishing route so I can maintain better ownership of it. It's a", "and quality design that allows children to navigate it clearly. The problem is,", "it illegal to copy the page dimensions, page numbering, font choice, and font", "limited ones. If I simply find a design I like in an existing", "page and typography design. I know well enough to know how complex the", "design that allows children to navigate it clearly. The problem is, I don't", "choice, and font sizes, for chapter titles, table of contents style, headings, etc.?", "I have nice software that can get good results, but it still requires", "like in an existing book, is it illegal to copy the page dimensions,", "can get good results, but it still requires templates made by a designer,", "but decided to go a self-publishing route so I can maintain better ownership", "of laying out text can be. I have nice software that can get", "eye-catching, and quality design that allows children to navigate it clearly. The problem", "to copy the page dimensions, page numbering, font choice, and font sizes, for", "by a designer, and the software has limited ones. If I simply find", "can maintain better ownership of it. It's a children's textbook, so it needs", "nice software that can get good results, but it still requires templates made", "ownership of it. It's a children's textbook, so it needs to look professional,", "ones. If I simply find a design I like in an existing book,", "I can maintain better ownership of it. It's a children's textbook, so it", "laying out text can be. I have nice software that can get good", "decided to go a self-publishing route so I can maintain better ownership of", "and the software has limited ones. If I simply find a design I", "finished writing a book, and was planning to publish, but decided to go", "to navigate it clearly. The problem is, I don't know much page and", "design I like in an existing book, is it illegal to copy the", "self-publishing route so I can maintain better ownership of it. It's a children's", "in an existing book, is it illegal to copy the page dimensions, page", "that allows children to navigate it clearly. The problem is, I don't know", "clearly. The problem is, I don't know much page and typography design. I", "so it needs to look professional, eye-catching, and quality design that allows children", "the art of laying out text can be. I have nice software that", "book, is it illegal to copy the page dimensions, page numbering, font choice,", "but it still requires templates made by a designer, and the software has", "results, but it still requires templates made by a designer, and the software", "an existing book, is it illegal to copy the page dimensions, page numbering,", "know much page and typography design. I know well enough to know how", "copy the page dimensions, page numbering, font choice, and font sizes, for chapter", "templates made by a designer, and the software has limited ones. If I", "complex the art of laying out text can be. I have nice software", "it still requires templates made by a designer, and the software has limited", "a design I like in an existing book, is it illegal to copy", "simply find a design I like in an existing book, is it illegal", "go a self-publishing route so I can maintain better ownership of it. It's", "it clearly. The problem is, I don't know much page and typography design.", "better ownership of it. It's a children's textbook, so it needs to look", "software that can get good results, but it still requires templates made by", "the page dimensions, page numbering, font choice, and font sizes, for chapter titles,", "how complex the art of laying out text can be. I have nice", "quality design that allows children to navigate it clearly. The problem is, I", "good results, but it still requires templates made by a designer, and the", "textbook, so it needs to look professional, eye-catching, and quality design that allows", "maintain better ownership of it. It's a children's textbook, so it needs to", "allows children to navigate it clearly. The problem is, I don't know much", "much page and typography design. I know well enough to know how complex", "to look professional, eye-catching, and quality design that allows children to navigate it", "still requires templates made by a designer, and the software has limited ones.", "a designer, and the software has limited ones. If I simply find a", "I simply find a design I like in an existing book, is it", "writing a book, and was planning to publish, but decided to go a", "I know well enough to know how complex the art of laying out", "professional, eye-catching, and quality design that allows children to navigate it clearly. The", "designer, and the software has limited ones. If I simply find a design", "software has limited ones. If I simply find a design I like in", "existing book, is it illegal to copy the page dimensions, page numbering, font", "to go a self-publishing route so I can maintain better ownership of it.", "requires templates made by a designer, and the software has limited ones. If", "know well enough to know how complex the art of laying out text", "numbering, font choice, and font sizes, for chapter titles, table of contents style,", "It's a children's textbook, so it needs to look professional, eye-catching, and quality", "that can get good results, but it still requires templates made by a", "is it illegal to copy the page dimensions, page numbering, font choice, and", "a children's textbook, so it needs to look professional, eye-catching, and quality design", "be. I have nice software that can get good results, but it still", "navigate it clearly. The problem is, I don't know much page and typography", "well enough to know how complex the art of laying out text can", "If I simply find a design I like in an existing book, is", "so I can maintain better ownership of it. It's a children's textbook, so", "know how complex the art of laying out text can be. I have", "children to navigate it clearly. The problem is, I don't know much page", "have nice software that can get good results, but it still requires templates", "I finished writing a book, and was planning to publish, but decided to", "to know how complex the art of laying out text can be. I", "find a design I like in an existing book, is it illegal to", "it. It's a children's textbook, so it needs to look professional, eye-catching, and", "text can be. I have nice software that can get good results, but", "can be. I have nice software that can get good results, but it", "typography design. I know well enough to know how complex the art of", "enough to know how complex the art of laying out text can be.", "children's textbook, so it needs to look professional, eye-catching, and quality design that" ]
[ "are just members of the same team. Unlike Pro Wrestling and fighting games", "all in one place. Again this is the unique gimmick thing, I am", "this unique gimmick thing going on like Pro Wrestling and fighting games. Outside", "the characters are just members of the same team. Unlike Pro Wrestling and", "then the superheroes unite because they have a common goal of saving the", "Outside superhero stories. Even then the superheroes unite because they have a common", "the superheroes unite because they have a common goal of saving the world.", "have a pirate ninja, doctor, etc, all in one place. Again this is", "to have characters with completely different themes, gimmicks, and personalities all in the", "fighting/combat type of story like Bloodsport. In Pro Wrestling companies like the WWE", "superhero stories. Even then the superheroes unite because they have a common goal", "team. Unlike Pro Wrestling and fighting games where you can have a pirate", "like the WWE and TNA and also fighting games like Street Fighter, Mortal", "the other characters seem to share the same personality. All the characters are", "Wrestling companies like the WWE and TNA and also fighting games like Street", "about. Is it odd to have characters with completely different themes, gimmicks, and", "and Tekken* it's very common for characters in these types of stories to", "just members of the same team. Unlike Pro Wrestling and fighting games where", "the same personality. All the characters are just members of the same team.", "doctor, etc, all in one place. Again this is the unique gimmick thing,", "of the same team. Unlike Pro Wrestling and fighting games where you can", "Tekken it's very common for characters in these types of stories to have", "a fighting/combat type of story like Bloodsport. In Pro Wrestling companies like the", "Other works of fiction don't usually have this unique gimmick thing going on", "other characters seem to share the same personality. All the characters are just", "watch stories about other sports like basketball, football, etc. all the other characters", "seem to share the same personality. All the characters are just members of", "Pro Wrestling companies like the WWE and TNA and also fighting games like", "people into force proximity? Other works of fiction don't usually have this unique", "Mortal Kombat, and Tekken it's very common for characters in these types of", "a pirate ninja, doctor, etc, all in one place. Again this is the", "Wrestling and fighting games where you can have a pirate ninja, doctor, etc,", "personality. All the characters are just members of the same team. Unlike Pro", "I am talking about. Is it odd to have characters with completely different", "the world. When I watch stories about other sports like basketball, football, etc.", "these types of stories to have larger-than-life gimmicks. What would bring all these", "would bring all these unique people into force proximity? Other works of fiction", "proximity? Other works of fiction don't usually have this unique gimmick thing going", "unique gimmick thing going on like Pro Wrestling and fighting games. Outside superhero", "members of the same team. Unlike Pro Wrestling and fighting games where you", "thing, I am talking about. Is it odd to have characters with completely", "and also fighting games like Street Fighter, Mortal Kombat, and Tekken it's very", "gimmick thing, I am talking about. Is it odd to have characters with", "Pro Wrestling and fighting games where you can have a pirate ninja, doctor,", "is the unique gimmick thing, I am talking about. Is it odd to", "stories. Even then the superheroes unite because they have a common goal of", "games. Outside superhero stories. Even then the superheroes unite because they have a", "it's very common for characters in these types of stories to have larger-than-life", "fighting games. Outside superhero stories. Even then the superheroes unite because they have", "force proximity? Other works of fiction don't usually have this unique gimmick thing", "pirate ninja, doctor, etc, all in one place. Again this is the unique", "have larger-than-life gimmicks. What would bring all these unique people into force proximity?", "I'm writing a fighting/combat type of story like Bloodsport. In Pro Wrestling companies", "companies like the WWE and TNA and also fighting games like Street Fighter,", "unique gimmick thing, I am talking about. Is it odd to have characters", "same team. Unlike Pro Wrestling and fighting games where you can have a", "to share the same personality. All the characters are just members of the", "they have a common goal of saving the world. When I watch stories", "one place. Again this is the unique gimmick thing, I am talking about.", "like Street Fighter, Mortal Kombat, and Tekken it's very common for characters in", "fiction don't usually have this unique gimmick thing going on like Pro Wrestling", "into force proximity? Other works of fiction don't usually have this unique gimmick", "ninja, doctor, etc, all in one place. Again this is the unique gimmick", "games where you can have a pirate ninja, doctor, etc, all in one", "odd to have characters with completely different themes, gimmicks, and personalities all in", "Wrestling* and fighting games. Outside superhero stories. Even then the superheroes unite because", "unite because they have a common goal of saving the world. When I", "In Pro Wrestling companies like the WWE and TNA and also fighting games", "like Pro Wrestling and fighting games. Outside superhero stories. Even then the superheroes", "All the characters are just members of the same team. Unlike Pro Wrestling", "characters are just members of the same team. Unlike Pro Wrestling and fighting", "etc, all in one place. Again this is the unique gimmick thing, I", "same personality. All the characters are just members of the same team. Unlike", "works of fiction don't usually have this unique gimmick thing going on like", "to have larger-than-life gimmicks. What would bring all these unique people into force", "all the other characters seem to share the same personality. All the characters", "larger-than-life gimmicks. What would bring all these unique people into force proximity? Other", "games like Street Fighter, Mortal Kombat, and Tekken it's very common for characters", "of stories to have larger-than-life gimmicks. What would bring all these unique people", "story like Bloodsport. In Pro Wrestling companies like the WWE and TNA and", "other sports like basketball, football, etc. all the other characters seem to share", "it odd to have characters with completely different themes, gimmicks, and personalities all", "of fiction don't usually have this unique gimmick thing going on like Pro", "common for characters in these types of stories to have larger-than-life gimmicks. What", "characters seem to share the same personality. All the characters are just members", "am talking about. Is it odd to have characters with completely different themes,", "because they have a common goal of saving the world. When I watch", "fighting games like Street Fighter, Mortal Kombat, and Tekken* it's very common for", "superheroes unite because they have a common goal of saving the world. When", "Fighter, Mortal Kombat, and Tekken* it's very common for characters in these types", "Unlike Pro Wrestling and fighting games where you can have a pirate ninja,", "have characters with completely different themes, gimmicks, and personalities all in the same", "stories to have larger-than-life gimmicks. What would bring all these unique people into", "gimmick thing going on like Pro Wrestling and fighting games. Outside superhero stories.", "can have a pirate ninja, doctor, etc, all in one place. Again this", "the unique gimmick thing, I am talking about. Is it odd to have", "Kombat, and Tekken* it's very common for characters in these types of stories", "this is the unique gimmick thing, I am talking about. Is it odd", "very common for characters in these types of stories to have larger-than-life gimmicks.", "sports like basketball, football, etc. all the other characters seem to share the", "all these unique people into force proximity? Other works of fiction don't usually", "Bloodsport. In Pro Wrestling companies like the WWE and TNA and also fighting", "unique people into force proximity? Other works of fiction don't usually have this", "share the same personality. All the characters are just members of the same", "TNA and also fighting games like Street Fighter, Mortal Kombat, and Tekken it's", "of saving the world. When I watch stories about other sports like basketball,", "Pro Wrestling and fighting games. Outside superhero stories. Even then the superheroes unite", "Street Fighter, Mortal Kombat, and Tekken it's very common for characters in these", "like basketball, football, etc. all the other characters seem to share the same", "of story like Bloodsport. In Pro Wrestling companies like the WWE and TNA", "common goal of saving the world. When I watch stories about other sports", "Again this is the unique gimmick thing, I am talking about. Is it", "gimmicks. What would bring all these unique people into force proximity? Other works", "don't usually have this unique gimmick thing going on like Pro Wrestling and", "place. Again this is the unique gimmick thing, I am talking about. Is", "When I watch stories about other sports like basketball, football, etc. all the", "saving the world. When I watch stories about other sports like basketball, football,", "world. When I watch stories about other sports like basketball, football, etc. all", "also fighting games like Street Fighter, Mortal Kombat, and Tekken it's very common", "the WWE and TNA and also fighting games like Street Fighter, Mortal Kombat,", "a common goal of saving the world. When I watch stories about other", "characters in these types of stories to have larger-than-life gimmicks. What would bring", "the same team. Unlike Pro Wrestling and fighting games where you can have", "Even then the superheroes unite because they have a common goal of saving", "and TNA and also fighting games like Street Fighter, Mortal Kombat, and Tekken", "these unique people into force proximity? Other works of fiction don't usually have", "have this unique gimmick thing going on like Pro Wrestling and fighting games.", "on like Pro Wrestling and fighting games. Outside superhero stories. Even then the", "and fighting games where you can have a pirate ninja, doctor, etc, all", "goal of saving the world. When I watch stories about other sports like", "fighting games where you can have a pirate ninja, doctor, etc, all in", "where you can have a pirate ninja, doctor, etc, all in one place.", "stories about other sports like basketball, football, etc. all the other characters seem", "about other sports like basketball, football, etc. all the other characters seem to", "writing a fighting/combat type of story like Bloodsport. In Pro Wrestling companies like", "going on like Pro Wrestling and fighting games. Outside superhero stories. Even then", "types of stories to have larger-than-life gimmicks. What would bring all these unique", "WWE and TNA and also fighting games like Street Fighter, Mortal Kombat, and", "have a common goal of saving the world. When I watch stories about", "bring all these unique people into force proximity? Other works of fiction don't", "type of story like Bloodsport. In Pro Wrestling companies like the WWE and", "football, etc. all the other characters seem to share the same personality. All", "talking about. Is it odd to have characters with completely different themes, gimmicks,", "in these types of stories to have larger-than-life gimmicks. What would bring all", "Is it odd to have characters with completely different themes, gimmicks, and personalities", "and fighting games. Outside superhero stories. Even then the superheroes unite because they", "you can have a pirate ninja, doctor, etc, all in one place. Again", "basketball, football, etc. all the other characters seem to share the same personality.", "I watch stories about other sports like basketball, football, etc. all the other", "What would bring all these unique people into force proximity? Other works of", "etc. all the other characters seem to share the same personality. All the", "like Bloodsport. In Pro Wrestling companies like the WWE and TNA and also", "usually have this unique gimmick thing going on like Pro Wrestling and fighting", "thing going on like Pro Wrestling and fighting games. Outside superhero stories. Even", "for characters in these types of stories to have larger-than-life gimmicks. What would", "in one place. Again this is the unique gimmick thing, I am talking", "characters with completely different themes, gimmicks, and personalities all in the same proximity?" ]
[ "writing a book with some curse words in it. Later I got an", "for fun, but I'm using a device provided by my school. I (a", "in it. Later I got an Email from my district, it was lecturing", "shouldn't use curse words. I'm still keeping the bossy attitude of one of", "of one of my characters, but I don't know how to censor my", "but I'm using a device provided by my school. I (a 12-year-old male)", "I (a 12-year-old male) am writing a book with some curse words in", "words in it. Later I got an Email from my district, it was", "Later I got an Email from my district, it was lecturing me about", "from my district, it was lecturing me about how I shouldn't use curse", "I'm using a device provided by my school. I (a 12-year-old male) am", "curse words. I'm still keeping the bossy attitude of one of my characters,", "12-year-old male) am writing a book with some curse words in it. Later", "some curse words in it. Later I got an Email from my district,", "I got an Email from my district, it was lecturing me about how", "words. I'm still keeping the bossy attitude of one of my characters, but", "lecturing me about how I shouldn't use curse words. I'm still keeping the", "the bossy attitude of one of my characters, but I don't know how", "a book with some curse words in it. Later I got an Email", "(a 12-year-old male) am writing a book with some curse words in it.", "it was lecturing me about how I shouldn't use curse words. I'm still", "about how I shouldn't use curse words. I'm still keeping the bossy attitude", "school. I (a 12-year-old male) am writing a book with some curse words", "district, it was lecturing me about how I shouldn't use curse words. I'm", "a book just for fun, but I'm using a device provided by my", "was lecturing me about how I shouldn't use curse words. I'm still keeping", "attitude of one of my characters, but I don't know how to censor", "by my school. I (a 12-year-old male) am writing a book with some", "just for fun, but I'm using a device provided by my school. I", "my district, it was lecturing me about how I shouldn't use curse words.", "still keeping the bossy attitude of one of my characters, but I don't", "my school. I (a 12-year-old male) am writing a book with some curse", "bossy attitude of one of my characters, but I don't know how to", "Email from my district, it was lecturing me about how I shouldn't use", "me about how I shouldn't use curse words. I'm still keeping the bossy", "am writing a book with some curse words in it. Later I got", "how I shouldn't use curse words. I'm still keeping the bossy attitude of", "making a book just for fun, but I'm using a device provided by", "I shouldn't use curse words. I'm still keeping the bossy attitude of one", "it. Later I got an Email from my district, it was lecturing me", "one of my characters, but I don't know how to censor my book.", "a device provided by my school. I (a 12-year-old male) am writing a", "using a device provided by my school. I (a 12-year-old male) am writing", "an Email from my district, it was lecturing me about how I shouldn't", "book with some curse words in it. Later I got an Email from", "curse words in it. Later I got an Email from my district, it", "book just for fun, but I'm using a device provided by my school.", "got an Email from my district, it was lecturing me about how I", "with some curse words in it. Later I got an Email from my", "I'm still keeping the bossy attitude of one of my characters, but I", "I'm making a book just for fun, but I'm using a device provided", "device provided by my school. I (a 12-year-old male) am writing a book", "use curse words. I'm still keeping the bossy attitude of one of my", "provided by my school. I (a 12-year-old male) am writing a book with", "male) am writing a book with some curse words in it. Later I", "keeping the bossy attitude of one of my characters, but I don't know", "fun, but I'm using a device provided by my school. I (a 12-year-old" ]
[ "are superhumans who can still get killed by bullets or regular people. I", "translate to an audience. If I were to put a bigger emphasis on", "well this would translate to an audience. If I were to put a", "offense-based powers. Characters like Nolan Bane or Bruce Willis's character in Unbreakable are", "the Batman type. The type where the hero can be vulnerable to any", "is strong and can overcome anything. They can use their powers to avoid", "here is that I'm struggling to find a middle ground between normal humans", "examples I can use to describe this issue. In conclusion. I guess my", "role. I don't know. I know glass cannon characters exist. But I'm more", "anything. They can use their powers to avoid all forms of threats. The", "threats. The problem I have here is that I'm struggling to find a", "are the closest things to examples I can use to describe this issue.", "to avoid all forms of threats. The problem I have here is that", "superhumans. Maybe the audience not liking it could play a role. I don't", "of threats. The problem I have here is that I'm struggling to find", "a role. I don't know. I know glass cannon characters exist. But I'm", "at any time. The second character type is the Superman type. Where the", "Willis's character in Unbreakable are the closest things to examples I can use", "forms of threats. The problem I have here is that I'm struggling to", "I were to put a bigger emphasis on those types of superhuman characters'", "so talking about weaker superhumans with low-tier defense-based powers rather than high-tier offense-based", "in Unbreakable are the closest things to examples I can use to describe", "two types of characters. One character type is the Batman type. The type", "can use to take notes. Those characters are superhumans who can still get", "than high-tier offense-based powers. Characters like Nolan Bane or Bruce Willis's character in", "considered too strong to be in a vulnerable position? Especially when their powers", "talking about weaker superhumans with low-tier defense-based powers rather than high-tier offense-based powers.", "cannon characters exist. But I'm more so talking about weaker superhumans with low-tier", "emphasis on those types of superhuman characters' vulnerability. Comics books tend to ignore", "put a bigger emphasis on those types of superhuman characters' vulnerability. Comics books", "things to examples I can use to describe this issue. In conclusion. I", "Daredevil are the only blueprints I can use to take notes. Those characters", "stuck between writing two types of characters. One character type is the Batman", "struggling to find a middle ground between normal humans and superhumans. Characters like", "not liking it could play a role. I don't know. I know glass", "powers. Characters like Nolan Bane or Bruce Willis's character in Unbreakable are the", "know glass cannon characters exist. But I'm more so talking about weaker superhumans", "and superhumans. Characters like Captain America or Daredevil are the only blueprints I", "I don't know how well this would translate to an audience. If I", "I'm more so talking about weaker superhumans with low-tier defense-based powers rather than", "about weaker superhumans with low-tier defense-based powers rather than high-tier offense-based powers. Characters", "time. The second character type is the Superman type. Where the character is", "the closest things to examples I can use to describe this issue. In", "high-tier offense-based powers. Characters like Nolan Bane or Bruce Willis's character in Unbreakable", "character is strong and can overcome anything. They can use their powers to", "question here is. Are superheroes considered too strong to be in a vulnerable", "I have here is that I'm struggling to find a middle ground between", "superhuman characters' vulnerability. Comics books tend to ignore this about more weaker superhumans.", "If I were to put a bigger emphasis on those types of superhuman", "The second character type is the Superman type. Where the character is strong", "to find a middle ground between normal humans and superhumans. Characters like Captain", "or Daredevil are the only blueprints I can use to take notes. Those", "humans and superhumans. Characters like Captain America or Daredevil are the only blueprints", "more so talking about weaker superhumans with low-tier defense-based powers rather than high-tier", "powers rather than high-tier offense-based powers. Characters like Nolan Bane or Bruce Willis's", "were to put a bigger emphasis on those types of superhuman characters' vulnerability.", "regular people. I don't know how well this would translate to an audience.", "people. I don't know how well this would translate to an audience. If", "superheroes considered too strong to be in a vulnerable position? Especially when their", "Maybe the audience not liking it could play a role. I don't know.", "or Bruce Willis's character in Unbreakable are the closest things to examples I", "the Superman type. Where the character is strong and can overcome anything. They", "is the Batman type. The type where the hero can be vulnerable to", "hero can be vulnerable to any form of damage and can be taken", "characters. One character type is the Batman type. The type where the hero", "more weaker superhumans. Maybe the audience not liking it could play a role.", "characters are superhumans who can still get killed by bullets or regular people.", "type. The type where the hero can be vulnerable to any form of", "where the hero can be vulnerable to any form of damage and can", "by bullets or regular people. I don't know how well this would translate", "use to describe this issue. In conclusion. I guess my question here is.", "be vulnerable to any form of damage and can be taken out easily", "I can use to describe this issue. In conclusion. I guess my question", "to take notes. Those characters are superhumans who can still get killed by", "of superhuman characters' vulnerability. Comics books tend to ignore this about more weaker", "middle ground between normal humans and superhumans. Characters like Captain America or Daredevil", "any form of damage and can be taken out easily at any time.", "form of damage and can be taken out easily at any time. The", "to put a bigger emphasis on those types of superhuman characters' vulnerability. Comics", "ignore this about more weaker superhumans. Maybe the audience not liking it could", "weaker superhumans. Maybe the audience not liking it could play a role. I", "that I'm struggling to find a middle ground between normal humans and superhumans.", "writing two types of characters. One character type is the Batman type. The", "like Nolan Bane or Bruce Willis's character in Unbreakable are the closest things", "it could play a role. I don't know. I know glass cannon characters", "Unbreakable are the closest things to examples I can use to describe this", "the audience not liking it could play a role. I don't know. I", "vulnerable to any form of damage and can be taken out easily at", "and can be taken out easily at any time. The second character type", "Superman type. Where the character is strong and can overcome anything. They can", "ground between normal humans and superhumans. Characters like Captain America or Daredevil are", "killed by bullets or regular people. I don't know how well this would", "get killed by bullets or regular people. I don't know how well this", "I find myself limited or stuck between writing two types of characters. One", "can be vulnerable to any form of damage and can be taken out", "powers to avoid all forms of threats. The problem I have here is", "Are superheroes considered too strong to be in a vulnerable position? Especially when", "In conclusion. I guess my question here is. Are superheroes considered too strong", "characters exist. But I'm more so talking about weaker superhumans with low-tier defense-based", "conclusion. I guess my question here is. Are superheroes considered too strong to", "can use their powers to avoid all forms of threats. The problem I", "my question here is. Are superheroes considered too strong to be in a", "bigger emphasis on those types of superhuman characters' vulnerability. Comics books tend to", "Characters like Nolan Bane or Bruce Willis's character in Unbreakable are the closest", "this issue. In conclusion. I guess my question here is. Are superheroes considered", "myself limited or stuck between writing two types of characters. One character type", "problem I have here is that I'm struggling to find a middle ground", "use their powers to avoid all forms of threats. The problem I have", "type is the Batman type. The type where the hero can be vulnerable", "Comics books tend to ignore this about more weaker superhumans. Maybe the audience", "blueprints I can use to take notes. Those characters are superhumans who can", "One character type is the Batman type. The type where the hero can", "use to take notes. Those characters are superhumans who can still get killed", "or regular people. I don't know how well this would translate to an", "between normal humans and superhumans. Characters like Captain America or Daredevil are the", "types of superhuman characters' vulnerability. Comics books tend to ignore this about more", "rather than high-tier offense-based powers. Characters like Nolan Bane or Bruce Willis's character", "limited or stuck between writing two types of characters. One character type is", "type where the hero can be vulnerable to any form of damage and", "this would translate to an audience. If I were to put a bigger", "to ignore this about more weaker superhumans. Maybe the audience not liking it", "could play a role. I don't know. I know glass cannon characters exist.", "closest things to examples I can use to describe this issue. In conclusion.", "character in Unbreakable are the closest things to examples I can use to", "issue. In conclusion. I guess my question here is. Are superheroes considered too", "bullets or regular people. I don't know how well this would translate to", "to describe this issue. In conclusion. I guess my question here is. Are", "are the only blueprints I can use to take notes. Those characters are", "type. Where the character is strong and can overcome anything. They can use", "of damage and can be taken out easily at any time. The second", "America or Daredevil are the only blueprints I can use to take notes.", "audience not liking it could play a role. I don't know. I know", "a middle ground between normal humans and superhumans. Characters like Captain America or", "don't know how well this would translate to an audience. If I were", "can overcome anything. They can use their powers to avoid all forms of", "is. Are superheroes considered too strong to be in a vulnerable position? Especially", "low-tier defense-based powers rather than high-tier offense-based powers. Characters like Nolan Bane or", "glass cannon characters exist. But I'm more so talking about weaker superhumans with", "They can use their powers to avoid all forms of threats. The problem", "still get killed by bullets or regular people. I don't know how well", "about more weaker superhumans. Maybe the audience not liking it could play a", "easily at any time. The second character type is the Superman type. Where", "to an audience. If I were to put a bigger emphasis on those", "strong to be in a vulnerable position? Especially when their powers are physical-based.", "Where the character is strong and can overcome anything. They can use their", "Batman type. The type where the hero can be vulnerable to any form", "Captain America or Daredevil are the only blueprints I can use to take", "liking it could play a role. I don't know. I know glass cannon", "all forms of threats. The problem I have here is that I'm struggling", "how well this would translate to an audience. If I were to put", "I don't know. I know glass cannon characters exist. But I'm more so", "overcome anything. They can use their powers to avoid all forms of threats.", "to any form of damage and can be taken out easily at any", "play a role. I don't know. I know glass cannon characters exist. But", "only blueprints I can use to take notes. Those characters are superhumans who", "can use to describe this issue. In conclusion. I guess my question here", "avoid all forms of threats. The problem I have here is that I'm", "type is the Superman type. Where the character is strong and can overcome", "weaker superhumans with low-tier defense-based powers rather than high-tier offense-based powers. Characters like", "any time. The second character type is the Superman type. Where the character", "audience. If I were to put a bigger emphasis on those types of", "their powers to avoid all forms of threats. The problem I have here", "who can still get killed by bullets or regular people. I don't know", "this about more weaker superhumans. Maybe the audience not liking it could play", "a bigger emphasis on those types of superhuman characters' vulnerability. Comics books tend", "I know glass cannon characters exist. But I'm more so talking about weaker", "The type where the hero can be vulnerable to any form of damage", "characters' vulnerability. Comics books tend to ignore this about more weaker superhumans. Maybe", "describe this issue. In conclusion. I guess my question here is. Are superheroes", "too strong to be in a vulnerable position? Especially when their powers are", "damage and can be taken out easily at any time. The second character", "superhumans who can still get killed by bullets or regular people. I don't", "is the Superman type. Where the character is strong and can overcome anything.", "guess my question here is. Are superheroes considered too strong to be in", "would translate to an audience. If I were to put a bigger emphasis", "find a middle ground between normal humans and superhumans. Characters like Captain America", "an audience. If I were to put a bigger emphasis on those types", "know how well this would translate to an audience. If I were to", "the hero can be vulnerable to any form of damage and can be", "The problem I have here is that I'm struggling to find a middle", "and can overcome anything. They can use their powers to avoid all forms", "Bane or Bruce Willis's character in Unbreakable are the closest things to examples", "those types of superhuman characters' vulnerability. Comics books tend to ignore this about", "normal humans and superhumans. Characters like Captain America or Daredevil are the only", "the only blueprints I can use to take notes. Those characters are superhumans", "tend to ignore this about more weaker superhumans. Maybe the audience not liking", "vulnerability. Comics books tend to ignore this about more weaker superhumans. Maybe the", "know. I know glass cannon characters exist. But I'm more so talking about", "to examples I can use to describe this issue. In conclusion. I guess", "strong and can overcome anything. They can use their powers to avoid all", "Bruce Willis's character in Unbreakable are the closest things to examples I can", "or stuck between writing two types of characters. One character type is the", "exist. But I'm more so talking about weaker superhumans with low-tier defense-based powers", "with low-tier defense-based powers rather than high-tier offense-based powers. Characters like Nolan Bane", "character type is the Batman type. The type where the hero can be", "between writing two types of characters. One character type is the Batman type.", "Characters like Captain America or Daredevil are the only blueprints I can use", "have here is that I'm struggling to find a middle ground between normal", "like Captain America or Daredevil are the only blueprints I can use to", "books tend to ignore this about more weaker superhumans. Maybe the audience not", "notes. Those characters are superhumans who can still get killed by bullets or", "superhumans with low-tier defense-based powers rather than high-tier offense-based powers. Characters like Nolan", "But I'm more so talking about weaker superhumans with low-tier defense-based powers rather", "Nolan Bane or Bruce Willis's character in Unbreakable are the closest things to", "I can use to take notes. Those characters are superhumans who can still", "on those types of superhuman characters' vulnerability. Comics books tend to ignore this", "can be taken out easily at any time. The second character type is", "out easily at any time. The second character type is the Superman type.", "don't know. I know glass cannon characters exist. But I'm more so talking", "defense-based powers rather than high-tier offense-based powers. Characters like Nolan Bane or Bruce", "types of characters. One character type is the Batman type. The type where", "is that I'm struggling to find a middle ground between normal humans and", "take notes. Those characters are superhumans who can still get killed by bullets", "superhumans. Characters like Captain America or Daredevil are the only blueprints I can", "Those characters are superhumans who can still get killed by bullets or regular", "can still get killed by bullets or regular people. I don't know how", "I guess my question here is. Are superheroes considered too strong to be", "of characters. One character type is the Batman type. The type where the", "be taken out easily at any time. The second character type is the", "character type is the Superman type. Where the character is strong and can", "find myself limited or stuck between writing two types of characters. One character", "here is. Are superheroes considered too strong to be in a vulnerable position?", "I'm struggling to find a middle ground between normal humans and superhumans. Characters", "the character is strong and can overcome anything. They can use their powers", "second character type is the Superman type. Where the character is strong and", "taken out easily at any time. The second character type is the Superman" ]
[ "get it until the reveal and they go, \"I never noticed this! It", "but it is a clue for readers. How do you convey the right", "A won't know, but it's clear that B is lying by unusual body", "make one. Like, looking deeper in the words per se without the need", "clear that B is lying by unusual body behavior or avoiding eye contact:", "I'm making my own, but how do I make one. Like, looking deeper", "but it's clear that B is lying by unusual body behavior or avoiding", "but they lied. Character A won't know, but it's clear that B is", "eye contact: signs of lying. Person A won't think much of it, but", "noticed this! It was so unexpected\" For example: In a first pov, character", "fly past over the readers heads or they won't get it until the", "something of B, but they lied. Character A won't know, but it's clear", "In a first pov, character A would ask something of B, but they", "I make one. Like, looking deeper in the words per se without the", "Like, looking deeper in the words per se without the need of just", "leaves clues that readers can connect or makes them discuss their own theorys/interpretations.", "a first pov, character A would ask something of B, but they lied.", "example: In a first pov, character A would ask something of B, but", "much of it, but it is a clue for readers. How do you", "one. Like, looking deeper in the words per se without the need of", "looking deeper in the words per se without the need of just saying", "was so unexpected\" For example: In a first pov, character A would ask", "how do I make one. Like, looking deeper in the words per se", "clue for readers. How do you convey the right balance of subtlety without", "by unusual body behavior or avoiding eye contact: signs of lying. Person A", "think much of it, but it is a clue for readers. How do", "it until the reveal and they go, \"I never noticed this! It was", "a clue for readers. How do you convey the right balance of subtlety", "won't think much of it, but it is a clue for readers. How", "past over the readers heads or they won't get it until the reveal", "over the readers heads or they won't get it until the reveal and", "they won't get it until the reveal and they go, \"I never noticed", "is a clue for readers. How do you convey the right balance of", "just saying it outright. I fear that the hint/clues would fly past over", "readers can connect or makes them discuss their own theorys/interpretations. I'm making my", "and they go, \"I never noticed this! It was so unexpected\" For example:", "fear that the hint/clues would fly past over the readers heads or they", "need of just saying it outright. I fear that the hint/clues would fly", "It was so unexpected\" For example: In a first pov, character A would", "of lying. Person A won't think much of it, but it is a", "own theorys/interpretations. I'm making my own, but how do I make one. Like,", "contact: signs of lying. Person A won't think much of it, but it", "that B is lying by unusual body behavior or avoiding eye contact: signs", "lying. Person A won't think much of it, but it is a clue", "the hint/clues would fly past over the readers heads or they won't get", "outright. I fear that the hint/clues would fly past over the readers heads", "the words per se without the need of just saying it outright. I", "reveal and they go, \"I never noticed this! It was so unexpected\" For", "per se without the need of just saying it outright. I fear that", "Person A won't think much of it, but it is a clue for", "signs of lying. Person A won't think much of it, but it is", "deeper in the words per se without the need of just saying it", "the readers heads or they won't get it until the reveal and they", "makes them discuss their own theorys/interpretations. I'm making my own, but how do", "words per se without the need of just saying it outright. I fear", "I fear that the hint/clues would fly past over the readers heads or", "lied. Character A won't know, but it's clear that B is lying by", "know, but it's clear that B is lying by unusual body behavior or", "their own theorys/interpretations. I'm making my own, but how do I make one.", "How do you convey the right balance of subtlety without it being too", "do you convey the right balance of subtlety without it being too subtle", "own, but how do I make one. Like, looking deeper in the words", "it outright. I fear that the hint/clues would fly past over the readers", "A would ask something of B, but they lied. Character A won't know,", "discuss their own theorys/interpretations. I'm making my own, but how do I make", "they go, \"I never noticed this! It was so unexpected\" For example: In", "hint/clues would fly past over the readers heads or they won't get it", "pov, character A would ask something of B, but they lied. Character A", "B, but they lied. Character A won't know, but it's clear that B", "so unexpected\" For example: In a first pov, character A would ask something", "B is lying by unusual body behavior or avoiding eye contact: signs of", "I love literature that leaves clues that readers can connect or makes them", "them discuss their own theorys/interpretations. I'm making my own, but how do I", "go, \"I never noticed this! It was so unexpected\" For example: In a", "heads or they won't get it until the reveal and they go, \"I", "would ask something of B, but they lied. Character A won't know, but", "convey the right balance of subtlety without it being too subtle for readers.", "For example: In a first pov, character A would ask something of B,", "se without the need of just saying it outright. I fear that the", "readers heads or they won't get it until the reveal and they go,", "can connect or makes them discuss their own theorys/interpretations. I'm making my own,", "A won't think much of it, but it is a clue for readers.", "it, but it is a clue for readers. How do you convey the", "this! It was so unexpected\" For example: In a first pov, character A", "theorys/interpretations. I'm making my own, but how do I make one. Like, looking", "of just saying it outright. I fear that the hint/clues would fly past", "ask something of B, but they lied. Character A won't know, but it's", "would fly past over the readers heads or they won't get it until", "you convey the right balance of subtlety without it being too subtle for", "but how do I make one. Like, looking deeper in the words per", "lying by unusual body behavior or avoiding eye contact: signs of lying. Person", "\"I never noticed this! It was so unexpected\" For example: In a first", "in the words per se without the need of just saying it outright.", "they lied. Character A won't know, but it's clear that B is lying", "the need of just saying it outright. I fear that the hint/clues would", "unexpected\" For example: In a first pov, character A would ask something of", "for readers. How do you convey the right balance of subtlety without it", "or they won't get it until the reveal and they go, \"I never", "my own, but how do I make one. Like, looking deeper in the", "or makes them discuss their own theorys/interpretations. I'm making my own, but how", "won't know, but it's clear that B is lying by unusual body behavior", "without the need of just saying it outright. I fear that the hint/clues", "love literature that leaves clues that readers can connect or makes them discuss", "readers. How do you convey the right balance of subtlety without it being", "or avoiding eye contact: signs of lying. Person A won't think much of", "never noticed this! It was so unexpected\" For example: In a first pov,", "is lying by unusual body behavior or avoiding eye contact: signs of lying.", "avoiding eye contact: signs of lying. Person A won't think much of it,", "character A would ask something of B, but they lied. Character A won't", "unusual body behavior or avoiding eye contact: signs of lying. Person A won't", "it's clear that B is lying by unusual body behavior or avoiding eye", "until the reveal and they go, \"I never noticed this! It was so", "of B, but they lied. Character A won't know, but it's clear that", "won't get it until the reveal and they go, \"I never noticed this!", "body behavior or avoiding eye contact: signs of lying. Person A won't think", "saying it outright. I fear that the hint/clues would fly past over the", "behavior or avoiding eye contact: signs of lying. Person A won't think much", "Character A won't know, but it's clear that B is lying by unusual", "it is a clue for readers. How do you convey the right balance", "connect or makes them discuss their own theorys/interpretations. I'm making my own, but", "the reveal and they go, \"I never noticed this! It was so unexpected\"", "that the hint/clues would fly past over the readers heads or they won't", "of it, but it is a clue for readers. How do you convey", "making my own, but how do I make one. Like, looking deeper in", "literature that leaves clues that readers can connect or makes them discuss their", "first pov, character A would ask something of B, but they lied. Character", "do I make one. Like, looking deeper in the words per se without", "that readers can connect or makes them discuss their own theorys/interpretations. I'm making", "that leaves clues that readers can connect or makes them discuss their own", "clues that readers can connect or makes them discuss their own theorys/interpretations. I'm" ]
[ "the main character feel insecure about her relationship with the teacher. Any advice", "sexually abused by her teacher. Her life is severely screwed up from no", "abused by her teacher. Her life is severely screwed up from no father,", "girl in her school gets the attention from the teacher in a way", "after multiple small events that make the main character feel insecure about her", "her, etc. The inciting event is when the a new girl in her", "her school gets the attention from the teacher in a way that makes", "about her relationship with the teacher. Any advice on how to build up", "main character jealous. I want to make the main character snap after multiple", "makes the main character jealous. I want to make the main character snap", "the teacher in a way that makes the main character jealous. I want", "my story, the main character is being sexually abused by her teacher. Her", "from no father, mother being too busy for her, etc. The inciting event", "is when the a new girl in her school gets the attention from", "main character feel insecure about her relationship with the teacher. Any advice on", "too busy for her, etc. The inciting event is when the a new", "The inciting event is when the a new girl in her school gets", "a way that makes the main character jealous. I want to make the", "character jealous. I want to make the main character snap after multiple small", "jealous. I want to make the main character snap after multiple small events", "character snap after multiple small events that make the main character feel insecure", "is being sexually abused by her teacher. Her life is severely screwed up", "in a way that makes the main character jealous. I want to make", "her relationship with the teacher. Any advice on how to build up anger,", "that makes the main character jealous. I want to make the main character", "busy for her, etc. The inciting event is when the a new girl", "to make the main character snap after multiple small events that make the", "up from no father, mother being too busy for her, etc. The inciting", "small events that make the main character feel insecure about her relationship with", "want to make the main character snap after multiple small events that make", "from the teacher in a way that makes the main character jealous. I", "main character is being sexually abused by her teacher. Her life is severely", "character is being sexually abused by her teacher. Her life is severely screwed", "gets the attention from the teacher in a way that makes the main", "event is when the a new girl in her school gets the attention", "way that makes the main character jealous. I want to make the main", "etc. The inciting event is when the a new girl in her school", "teacher. Her life is severely screwed up from no father, mother being too", "make the main character snap after multiple small events that make the main", "school gets the attention from the teacher in a way that makes the", "new girl in her school gets the attention from the teacher in a", "how to build up anger, tension, and envy to eventually make the main", "the main character is being sexually abused by her teacher. Her life is", "screwed up from no father, mother being too busy for her, etc. The", "feel insecure about her relationship with the teacher. Any advice on how to", "envy to eventually make the main character snap and kill the other girl?", "no father, mother being too busy for her, etc. The inciting event is", "the main character jealous. I want to make the main character snap after", "Her life is severely screwed up from no father, mother being too busy", "up anger, tension, and envy to eventually make the main character snap and", "multiple small events that make the main character feel insecure about her relationship", "the teacher. Any advice on how to build up anger, tension, and envy", "story, the main character is being sexually abused by her teacher. Her life", "when the a new girl in her school gets the attention from the", "the main character snap after multiple small events that make the main character", "the attention from the teacher in a way that makes the main character", "and envy to eventually make the main character snap and kill the other", "on how to build up anger, tension, and envy to eventually make the", "to build up anger, tension, and envy to eventually make the main character", "severely screwed up from no father, mother being too busy for her, etc.", "attention from the teacher in a way that makes the main character jealous.", "mother being too busy for her, etc. The inciting event is when the", "snap after multiple small events that make the main character feel insecure about", "build up anger, tension, and envy to eventually make the main character snap", "main character snap after multiple small events that make the main character feel", "life is severely screwed up from no father, mother being too busy for", "is severely screwed up from no father, mother being too busy for her,", "relationship with the teacher. Any advice on how to build up anger, tension,", "being sexually abused by her teacher. Her life is severely screwed up from", "in her school gets the attention from the teacher in a way that", "make the main character feel insecure about her relationship with the teacher. Any", "Any advice on how to build up anger, tension, and envy to eventually", "inciting event is when the a new girl in her school gets the", "character feel insecure about her relationship with the teacher. Any advice on how", "the a new girl in her school gets the attention from the teacher", "events that make the main character feel insecure about her relationship with the", "In my story, the main character is being sexually abused by her teacher.", "anger, tension, and envy to eventually make the main character snap and kill", "for her, etc. The inciting event is when the a new girl in", "teacher. Any advice on how to build up anger, tension, and envy to", "with the teacher. Any advice on how to build up anger, tension, and", "advice on how to build up anger, tension, and envy to eventually make", "being too busy for her, etc. The inciting event is when the a", "insecure about her relationship with the teacher. Any advice on how to build", "I want to make the main character snap after multiple small events that", "father, mother being too busy for her, etc. The inciting event is when", "teacher in a way that makes the main character jealous. I want to", "a new girl in her school gets the attention from the teacher in", "by her teacher. Her life is severely screwed up from no father, mother", "that make the main character feel insecure about her relationship with the teacher.", "her teacher. Her life is severely screwed up from no father, mother being", "tension, and envy to eventually make the main character snap and kill the" ]
[ "develop them and make great characters. We have the characters that change: the", "and are highly regarded as good. But then there are static characters. And", "regarded as good. But then there are static characters. And I wonder, what", "the use of static characters? Why would a character stay static? I don't", "having a static character is automatically bad, but I'm asking if there's a", "are highly regarded as good. But then there are static characters. And I", "development. They are often seen in stories and are highly regarded as good.", "but I'm asking if there's a reason for a character to stay static", "for a character to stay static and why it's better to keep that", "of static characters? Why would a character stay static? I don't think having", "use of static characters? Why would a character stay static? I don't think", "character to stay static and why it's better to keep that character static.", "that change: the characters that have character arcs, backstory, development. They are often", "the characters that have character arcs, backstory, development. They are often seen in", "reason for a character to stay static and why it's better to keep", "But then there are static characters. And I wonder, what are the use", "So I decide to go on more about writing characters and how to", "on more about writing characters and how to develop them and make great", "Why would a character stay static? I don't think having a static character", "to develop them and make great characters. We have the characters that change:", "in stories and are highly regarded as good. But then there are static", "then there are static characters. And I wonder, what are the use of", "And I wonder, what are the use of static characters? Why would a", "We have the characters that change: the characters that have character arcs, backstory,", "are static characters. And I wonder, what are the use of static characters?", "is automatically bad, but I'm asking if there's a reason for a character", "I wonder, what are the use of static characters? Why would a character", "how to develop them and make great characters. We have the characters that", "stories and are highly regarded as good. But then there are static characters.", "bad, but I'm asking if there's a reason for a character to stay", "would a character stay static? I don't think having a static character is", "asking if there's a reason for a character to stay static and why", "change: the characters that have character arcs, backstory, development. They are often seen", "They are often seen in stories and are highly regarded as good. But", "I don't think having a static character is automatically bad, but I'm asking", "highly regarded as good. But then there are static characters. And I wonder,", "have the characters that change: the characters that have character arcs, backstory, development.", "what are the use of static characters? Why would a character stay static?", "make great characters. We have the characters that change: the characters that have", "a reason for a character to stay static and why it's better to", "great characters. We have the characters that change: the characters that have character", "static? I don't think having a static character is automatically bad, but I'm", "a static character is automatically bad, but I'm asking if there's a reason", "a character to stay static and why it's better to keep that character", "character arcs, backstory, development. They are often seen in stories and are highly", "characters and how to develop them and make great characters. We have the", "static character is automatically bad, but I'm asking if there's a reason for", "character is automatically bad, but I'm asking if there's a reason for a", "characters. And I wonder, what are the use of static characters? Why would", "as good. But then there are static characters. And I wonder, what are", "and how to develop them and make great characters. We have the characters", "a character stay static? I don't think having a static character is automatically", "and make great characters. We have the characters that change: the characters that", "seen in stories and are highly regarded as good. But then there are", "decide to go on more about writing characters and how to develop them", "about writing characters and how to develop them and make great characters. We", "characters that change: the characters that have character arcs, backstory, development. They are", "backstory, development. They are often seen in stories and are highly regarded as", "I decide to go on more about writing characters and how to develop", "characters that have character arcs, backstory, development. They are often seen in stories", "don't think having a static character is automatically bad, but I'm asking if", "if there's a reason for a character to stay static and why it's", "are the use of static characters? Why would a character stay static? I", "arcs, backstory, development. They are often seen in stories and are highly regarded", "character stay static? I don't think having a static character is automatically bad,", "them and make great characters. We have the characters that change: the characters", "wonder, what are the use of static characters? Why would a character stay", "to go on more about writing characters and how to develop them and", "characters? Why would a character stay static? I don't think having a static", "are often seen in stories and are highly regarded as good. But then", "static characters. And I wonder, what are the use of static characters? Why", "writing characters and how to develop them and make great characters. We have", "have character arcs, backstory, development. They are often seen in stories and are", "there are static characters. And I wonder, what are the use of static", "characters. We have the characters that change: the characters that have character arcs,", "think having a static character is automatically bad, but I'm asking if there's", "I'm asking if there's a reason for a character to stay static and", "go on more about writing characters and how to develop them and make", "stay static? I don't think having a static character is automatically bad, but", "there's a reason for a character to stay static and why it's better", "static characters? Why would a character stay static? I don't think having a", "good. But then there are static characters. And I wonder, what are the", "often seen in stories and are highly regarded as good. But then there", "more about writing characters and how to develop them and make great characters.", "that have character arcs, backstory, development. They are often seen in stories and", "automatically bad, but I'm asking if there's a reason for a character to", "the characters that change: the characters that have character arcs, backstory, development. They" ]
[ "the feel of the grass on his bare feet to the flora and", "it be \"boring\" for readers if a chapter is just this? Is a", "and finally founding a safe haven for him to seek. Throw in some", "on his bare feet to the flora and fauna around. In a short", "wonder that will it be \"boring\" for readers if a chapter is just", "stumbling in a forest and being amazed with childlike-wonder. From the feel of", "summary: It'll just be a boy reacting to a part of mother nature,", "childlike-wonder. From the feel of the grass on his bare feet to the", "Is a scene featuring a lone character reflecting or experiencing a \"mundane\" day", "I do wonder that will it be \"boring\" for readers if a chapter", "amazed with childlike-wonder. From the feel of the grass on his bare feet", "in a forest and being amazed with childlike-wonder. From the feel of the", "safe haven for him to seek. Throw in some flowery language here and", "flora and fauna around. In a short summary: It'll just be a boy", "him to seek. Throw in some flowery language here and there etc. But,", "discovering this unfamiliar terrain, feeling liberated and finally founding a safe haven for", "to seek. Throw in some flowery language here and there etc. But, I", "feet to the flora and fauna around. In a short summary: It'll just", "for readers if a chapter is just this? Is a scene featuring a", "a chapter I'm currently writing is of an ostracized boy stumbling in a", "and discovering this unfamiliar terrain, feeling liberated and finally founding a safe haven", "terrain, feeling liberated and finally founding a safe haven for him to seek.", "of an ostracized boy stumbling in a forest and being amazed with childlike-wonder.", "In a short summary: It'll just be a boy reacting to a part", "short summary: It'll just be a boy reacting to a part of mother", "flowery language here and there etc. But, I do wonder that will it", "feel of the grass on his bare feet to the flora and fauna", "currently writing is of an ostracized boy stumbling in a forest and being", "playing and discovering this unfamiliar terrain, feeling liberated and finally founding a safe", "liberated and finally founding a safe haven for him to seek. Throw in", "But, I do wonder that will it be \"boring\" for readers if a", "a boy reacting to a part of mother nature, playing and discovering this", "mother nature, playing and discovering this unfamiliar terrain, feeling liberated and finally founding", "just be a boy reacting to a part of mother nature, playing and", "part of mother nature, playing and discovering this unfamiliar terrain, feeling liberated and", "In a chapter I'm currently writing is of an ostracized boy stumbling in", "bare feet to the flora and fauna around. In a short summary: It'll", "be a boy reacting to a part of mother nature, playing and discovering", "finally founding a safe haven for him to seek. Throw in some flowery", "forest and being amazed with childlike-wonder. From the feel of the grass on", "It'll just be a boy reacting to a part of mother nature, playing", "the flora and fauna around. In a short summary: It'll just be a", "etc. But, I do wonder that will it be \"boring\" for readers if", "around. In a short summary: It'll just be a boy reacting to a", "Throw in some flowery language here and there etc. But, I do wonder", "nature, playing and discovering this unfamiliar terrain, feeling liberated and finally founding a", "some flowery language here and there etc. But, I do wonder that will", "and fauna around. In a short summary: It'll just be a boy reacting", "a forest and being amazed with childlike-wonder. From the feel of the grass", "is of an ostracized boy stumbling in a forest and being amazed with", "is just this? Is a scene featuring a lone character reflecting or experiencing", "boy stumbling in a forest and being amazed with childlike-wonder. From the feel", "will it be \"boring\" for readers if a chapter is just this? Is", "reacting to a part of mother nature, playing and discovering this unfamiliar terrain,", "feeling liberated and finally founding a safe haven for him to seek. Throw", "of the grass on his bare feet to the flora and fauna around.", "unfamiliar terrain, feeling liberated and finally founding a safe haven for him to", "language here and there etc. But, I do wonder that will it be", "From the feel of the grass on his bare feet to the flora", "chapter I'm currently writing is of an ostracized boy stumbling in a forest", "and being amazed with childlike-wonder. From the feel of the grass on his", "\"boring\" for readers if a chapter is just this? Is a scene featuring", "being amazed with childlike-wonder. From the feel of the grass on his bare", "his bare feet to the flora and fauna around. In a short summary:", "the grass on his bare feet to the flora and fauna around. In", "to a part of mother nature, playing and discovering this unfamiliar terrain, feeling", "haven for him to seek. Throw in some flowery language here and there", "fauna around. In a short summary: It'll just be a boy reacting to", "I'm currently writing is of an ostracized boy stumbling in a forest and", "with childlike-wonder. From the feel of the grass on his bare feet to", "be \"boring\" for readers if a chapter is just this? Is a scene", "a chapter is just this? Is a scene featuring a lone character reflecting", "readers if a chapter is just this? Is a scene featuring a lone", "an ostracized boy stumbling in a forest and being amazed with childlike-wonder. From", "ostracized boy stumbling in a forest and being amazed with childlike-wonder. From the", "there etc. But, I do wonder that will it be \"boring\" for readers", "a part of mother nature, playing and discovering this unfamiliar terrain, feeling liberated", "of mother nature, playing and discovering this unfamiliar terrain, feeling liberated and finally", "a short summary: It'll just be a boy reacting to a part of", "that will it be \"boring\" for readers if a chapter is just this?", "for him to seek. Throw in some flowery language here and there etc.", "a safe haven for him to seek. Throw in some flowery language here", "do wonder that will it be \"boring\" for readers if a chapter is", "and there etc. But, I do wonder that will it be \"boring\" for", "to the flora and fauna around. In a short summary: It'll just be", "founding a safe haven for him to seek. Throw in some flowery language", "seek. Throw in some flowery language here and there etc. But, I do", "chapter is just this? Is a scene featuring a lone character reflecting or", "this unfamiliar terrain, feeling liberated and finally founding a safe haven for him", "grass on his bare feet to the flora and fauna around. In a", "a scene featuring a lone character reflecting or experiencing a \"mundane\" day unnecessary?", "here and there etc. But, I do wonder that will it be \"boring\"", "just this? Is a scene featuring a lone character reflecting or experiencing a", "boy reacting to a part of mother nature, playing and discovering this unfamiliar", "writing is of an ostracized boy stumbling in a forest and being amazed", "this? Is a scene featuring a lone character reflecting or experiencing a \"mundane\"", "in some flowery language here and there etc. But, I do wonder that", "if a chapter is just this? Is a scene featuring a lone character" ]
[ "a superhero world. Since extremely high crime/murder rates, shootouts, or gang wars wouldn't", "thought maybe a superhero world would spice up those elements a bit. The", "an in-world point of view. I feel like a Superman/Thor level criminal character", "superpowers really low. I don't know if this way is considered too odd", "have low-tier or street-level powers. When the powers are somewhat external like telekinesis,", "make the criminal characters with those powers glass canons or have weaker forms", "common in the real world USA, I thought maybe a superhero world would", "things to consider when a writer is trying to include superpowers/superhumans in the", "are somewhat external like telekinesis, teleportation, or electricity, then I usually make the", "of the Sons of Anarchy TV show would be perfect for a superhero", "thing I did is keep the power level of superpowers really low. I", "Scarface, God Father, and Sons of Anarchy are where I get my notes", "works about criminal organizations, like Scarface, God Father, and Sons of Anarchy are", "like Scarface, God Father, and Sons of Anarchy are where I get my", "be that common in the real world USA, I thought maybe a superhero", "or motorcycle group. The criminals are like Daredevil/Bane-level characters. Meaning they have low-tier", "or gang wars wouldn't be that common in the real world USA, I", "considered too odd from an in-world point of view. I feel like a", "like a Superman/Thor level criminal character would be too much for a mafia", "canons or have weaker forms of psychic and elemental powers or abilities. In", "those elements a bit. The first thing I did is keep the power", "get my notes from. I would like to see how superpowers would look", "or electricity, then I usually make the criminal characters with those powers glass", "mafia or motorcycle group. The criminals are like Daredevil/Bane-level characters. Meaning they have", "would be perfect for a superhero world. Since extremely high crime/murder rates, shootouts,", "from. I would like to see how superpowers would look in the criminal", "I did is keep the power level of superpowers really low. I don't", "level of superpowers really low. I don't know if this way is considered", "some things to consider when a writer is trying to include superpowers/superhumans in", "thought the exaggerated elements of the Sons of Anarchy TV show would be", "notes from. I would like to see how superpowers would look in the", "to see how superpowers would look in the criminal underworld. I thought the", "elements of the Sons of Anarchy TV show would be perfect for a", "character would be too much for a mafia or motorcycle group. The criminals", "superhero world would spice up those elements a bit. The first thing I", "organizations, like Scarface, God Father, and Sons of Anarchy are where I get", "I don't know if this way is considered too odd from an in-world", "Anarchy* are where I get my notes from. I would like to see", "too much for a mafia or motorcycle group. The criminals are like Daredevil/Bane-level", "Sons of Anarchy TV show would be perfect for a superhero world. Since", "to consider when a writer is trying to include superpowers/superhumans in the criminal", "usually make the criminal characters with those powers glass canons or have weaker", "or abilities. In conclusion, what are some things to consider when a writer", "are where I get my notes from. I would like to see how", "about criminal organizations, like Scarface, God Father, and Sons of Anarchy are where", "Since extremely high crime/murder rates, shootouts, or gang wars wouldn't be that common", "level criminal character would be too much for a mafia or motorcycle group.", "the criminal underworld. I thought the exaggerated elements of the Sons of Anarchy", "TV show would be perfect for a superhero world. Since extremely high crime/murder", "much for a mafia or motorcycle group. The criminals are like Daredevil/Bane-level characters.", "elements a bit. The first thing I did is keep the power level", "they have low-tier or street-level powers. When the powers are somewhat external like", "really low. I don't know if this way is considered too odd from", "did is keep the power level of superpowers really low. I don't know", "keep the power level of superpowers really low. I don't know if this", "look in the criminal underworld. I thought the exaggerated elements of the Sons", "don't know if this way is considered too odd from an in-world point", "from an in-world point of view. I feel like a Superman/Thor level criminal", "in the criminal underworld. I thought the exaggerated elements of the Sons of", "are like Daredevil/Bane-level characters. Meaning they have low-tier or street-level powers. When the", "powers glass canons or have weaker forms of psychic and elemental powers or", "a superhero world would spice up those elements a bit. The first thing", "I get my notes from. I would like to see how superpowers would", "would be too much for a mafia or motorcycle group. The criminals are", "power level of superpowers really low. I don't know if this way is", "external like telekinesis, teleportation, or electricity, then I usually make the criminal characters", "world USA, I thought maybe a superhero world would spice up those elements", "Sons of Anarchy are where I get my notes from. I would like", "would look in the criminal underworld. I thought the exaggerated elements of the", "is considered too odd from an in-world point of view. I feel like", "maybe a superhero world would spice up those elements a bit. The first", "the criminal characters with those powers glass canons or have weaker forms of", "are some things to consider when a writer is trying to include superpowers/superhumans", "powers are somewhat external like telekinesis, teleportation, or electricity, then I usually make", "perfect for a superhero world. Since extremely high crime/murder rates, shootouts, or gang", "USA, I thought maybe a superhero world would spice up those elements a", "a bit. The first thing I did is keep the power level of", "or have weaker forms of psychic and elemental powers or abilities. In conclusion,", "Daredevil/Bane-level characters. Meaning they have low-tier or street-level powers. When the powers are", "gang wars wouldn't be that common in the real world USA, I thought", "abilities. In conclusion, what are some things to consider when a writer is", "then I usually make the criminal characters with those powers glass canons or", "of view. I feel like a Superman/Thor level criminal character would be too", "psychic and elemental powers or abilities. In conclusion, what are some things to", "for a mafia or motorcycle group. The criminals are like Daredevil/Bane-level characters. Meaning", "characters. Meaning they have low-tier or street-level powers. When the powers are somewhat", "in the real world USA, I thought maybe a superhero world would spice", "be perfect for a superhero world. Since extremely high crime/murder rates, shootouts, or", "extremely high crime/murder rates, shootouts, or gang wars wouldn't be that common in", "street-level powers. When the powers are somewhat external like telekinesis, teleportation, or electricity,", "God Father, and Sons of Anarchy are where I get my notes from.", "or street-level powers. When the powers are somewhat external like telekinesis, teleportation, or", "In conclusion, what are some things to consider when a writer is trying", "bit. The first thing I did is keep the power level of superpowers", "be too much for a mafia or motorcycle group. The criminals are like", "and elemental powers or abilities. In conclusion, what are some things to consider", "too odd from an in-world point of view. I feel like a Superman/Thor", "characters with those powers glass canons or have weaker forms of psychic and", "criminal underworld. I thought the exaggerated elements of the Sons of Anarchy TV", "Meaning they have low-tier or street-level powers. When the powers are somewhat external", "spice up those elements a bit. The first thing I did is keep", "Superman/Thor level criminal character would be too much for a mafia or motorcycle", "of psychic and elemental powers or abilities. In conclusion, what are some things", "The first thing I did is keep the power level of superpowers really", "like Daredevil/Bane-level characters. Meaning they have low-tier or street-level powers. When the powers", "like to see how superpowers would look in the criminal underworld. I thought", "low. I don't know if this way is considered too odd from an", "Father,* and Sons of Anarchy are where I get my notes from. I", "is keep the power level of superpowers really low. I don't know if", "low-tier or street-level powers. When the powers are somewhat external like telekinesis, teleportation,", "telekinesis, teleportation, or electricity, then I usually make the criminal characters with those", "view. I feel like a Superman/Thor level criminal character would be too much", "forms of psychic and elemental powers or abilities. In conclusion, what are some", "the exaggerated elements of the Sons of Anarchy TV show would be perfect", "show would be perfect for a superhero world. Since extremely high crime/murder rates,", "know if this way is considered too odd from an in-world point of", "would spice up those elements a bit. The first thing I did is", "weaker forms of psychic and elemental powers or abilities. In conclusion, what are", "Anarchy* TV show would be perfect for a superhero world. Since extremely high", "I thought maybe a superhero world would spice up those elements a bit.", "this way is considered too odd from an in-world point of view. I", "glass canons or have weaker forms of psychic and elemental powers or abilities.", "point of view. I feel like a Superman/Thor level criminal character would be", "motorcycle group. The criminals are like Daredevil/Bane-level characters. Meaning they have low-tier or", "consider when a writer is trying to include superpowers/superhumans in the criminal underworld?", "shootouts, or gang wars wouldn't be that common in the real world USA,", "I would like to see how superpowers would look in the criminal underworld.", "up those elements a bit. The first thing I did is keep the", "world would spice up those elements a bit. The first thing I did", "those powers glass canons or have weaker forms of psychic and elemental powers", "elemental powers or abilities. In conclusion, what are some things to consider when", "powers or abilities. In conclusion, what are some things to consider when a", "I usually make the criminal characters with those powers glass canons or have", "a mafia or motorcycle group. The criminals are like Daredevil/Bane-level characters. Meaning they", "the real world USA, I thought maybe a superhero world would spice up", "the powers are somewhat external like telekinesis, teleportation, or electricity, then I usually", "how superpowers would look in the criminal underworld. I thought the exaggerated elements", "criminal organizations, like Scarface, God Father, and Sons of Anarchy are where I", "teleportation, or electricity, then I usually make the criminal characters with those powers", "world. Since extremely high crime/murder rates, shootouts, or gang wars wouldn't be that", "electricity, then I usually make the criminal characters with those powers glass canons", "for a superhero world. Since extremely high crime/murder rates, shootouts, or gang wars", "and Sons of Anarchy are where I get my notes from. I would", "I feel like a Superman/Thor level criminal character would be too much for", "The criminals are like Daredevil/Bane-level characters. Meaning they have low-tier or street-level powers.", "like telekinesis, teleportation, or electricity, then I usually make the criminal characters with", "would like to see how superpowers would look in the criminal underworld. I", "feel like a Superman/Thor level criminal character would be too much for a", "a Superman/Thor level criminal character would be too much for a mafia or", "real world USA, I thought maybe a superhero world would spice up those", "Fictional works about criminal organizations, like Scarface, God Father, and Sons of Anarchy", "group. The criminals are like Daredevil/Bane-level characters. Meaning they have low-tier or street-level", "that common in the real world USA, I thought maybe a superhero world", "When the powers are somewhat external like telekinesis, teleportation, or electricity, then I", "of Anarchy* are where I get my notes from. I would like to", "what are some things to consider when a writer is trying to include", "with those powers glass canons or have weaker forms of psychic and elemental", "criminals are like Daredevil/Bane-level characters. Meaning they have low-tier or street-level powers. When", "powers. When the powers are somewhat external like telekinesis, teleportation, or electricity, then", "criminal characters with those powers glass canons or have weaker forms of psychic", "superhero world. Since extremely high crime/murder rates, shootouts, or gang wars wouldn't be", "somewhat external like telekinesis, teleportation, or electricity, then I usually make the criminal", "high crime/murder rates, shootouts, or gang wars wouldn't be that common in the", "conclusion, what are some things to consider when a writer is trying to", "crime/murder rates, shootouts, or gang wars wouldn't be that common in the real", "I thought the exaggerated elements of the Sons of Anarchy TV show would", "the power level of superpowers really low. I don't know if this way", "exaggerated elements of the Sons of Anarchy TV show would be perfect for", "superpowers would look in the criminal underworld. I thought the exaggerated elements of", "criminal character would be too much for a mafia or motorcycle group. The", "odd from an in-world point of view. I feel like a Superman/Thor level", "if this way is considered too odd from an in-world point of view.", "in-world point of view. I feel like a Superman/Thor level criminal character would", "where I get my notes from. I would like to see how superpowers", "way is considered too odd from an in-world point of view. I feel", "underworld. I thought the exaggerated elements of the Sons of Anarchy TV show", "have weaker forms of psychic and elemental powers or abilities. In conclusion, what", "of superpowers really low. I don't know if this way is considered too", "first thing I did is keep the power level of superpowers really low.", "wars wouldn't be that common in the real world USA, I thought maybe", "the Sons of Anarchy TV show would be perfect for a superhero world.", "of Anarchy* TV show would be perfect for a superhero world. Since extremely", "see how superpowers would look in the criminal underworld. I thought the exaggerated", "my notes from. I would like to see how superpowers would look in", "rates, shootouts, or gang wars wouldn't be that common in the real world", "wouldn't be that common in the real world USA, I thought maybe a" ]
[ "God snapping his finger to save a group of protagonists would be totally", "set up and his role explained and God is foreshadowed as a person", "before its used. So would God snapping his finger to save a group", "within the confines of the story, and should have been properly set up", "believable within the confines of the story, and should have been properly set", "of the story, and should have been properly set up before its used.", "been properly set up before its used. So would God snapping his finger", "up before its used. So would God snapping his finger to save a", "its used. So would God snapping his finger to save a group of", "ok if God was properly set up and his role explained and God", "should have been properly set up before its used. So would God snapping", "totally ok if God was properly set up and his role explained and", "role explained and God is foreshadowed as a person who can save people?", "is foreshadowed as a person who can save people? Or is it still", "his finger to save a group of protagonists would be totally ok if", "used. So would God snapping his finger to save a group of protagonists", "would be totally ok if God was properly set up and his role", "save a group of protagonists would be totally ok if God was properly", "heard the solution has to be relatively believable within the confines of the", "have been properly set up before its used. So would God snapping his", "story, and should have been properly set up before its used. So would", "as a person who can save people? Or is it still a bad", "finger to save a group of protagonists would be totally ok if God", "relatively believable within the confines of the story, and should have been properly", "was properly set up and his role explained and God is foreshadowed as", "group of protagonists would be totally ok if God was properly set up", "a group of protagonists would be totally ok if God was properly set", "has to be relatively believable within the confines of the story, and should", "of protagonists would be totally ok if God was properly set up and", "be totally ok if God was properly set up and his role explained", "the confines of the story, and should have been properly set up before", "God was properly set up and his role explained and God is foreshadowed", "and should have been properly set up before its used. So would God", "solution has to be relatively believable within the confines of the story, and", "So would God snapping his finger to save a group of protagonists would", "properly set up and his role explained and God is foreshadowed as a", "a person who can save people? Or is it still a bad thing?", "to be relatively believable within the confines of the story, and should have", "confines of the story, and should have been properly set up before its", "to save a group of protagonists would be totally ok if God was", "set up before its used. So would God snapping his finger to save", "the solution has to be relatively believable within the confines of the story,", "snapping his finger to save a group of protagonists would be totally ok", "protagonists would be totally ok if God was properly set up and his", "up and his role explained and God is foreshadowed as a person who", "explained and God is foreshadowed as a person who can save people? Or", "would God snapping his finger to save a group of protagonists would be", "God is foreshadowed as a person who can save people? Or is it", "and his role explained and God is foreshadowed as a person who can", "be relatively believable within the confines of the story, and should have been", "if God was properly set up and his role explained and God is", "his role explained and God is foreshadowed as a person who can save", "foreshadowed as a person who can save people? Or is it still a", "I heard the solution has to be relatively believable within the confines of", "the story, and should have been properly set up before its used. So", "properly set up before its used. So would God snapping his finger to", "and God is foreshadowed as a person who can save people? Or is" ]
[ "you need a gripping opening sentence to a story. I've been conscious of", "to do anything... King especially, I suppose this is part of his skill.", "this way but somehow draw the reader in without really seeming to do", "stories and novels about how long the author has to 'convince' the reader", "I suppose this is part of his skill. Is there any 'rule of", "his skill. Is there any 'rule of thumb' for short stories and novels", "favourite authors (King, Asimov, Iain M. Banks) don't really open their books this", "a gripping opening sentence to a story. I've been conscious of that claim", "don't really open their books this way but somehow draw the reader in", "open their books this way but somehow draw the reader in without really", "read somewhere that you need a gripping opening sentence to a story. I've", "of his skill. Is there any 'rule of thumb' for short stories and", "M. Banks) don't really open their books this way but somehow draw the", "reading since and I find most of my favourite authors (King, Asimov, Iain", "conscious of that claim when reading since and I find most of my", "any 'rule of thumb' for short stories and novels about how long the", "I find most of my favourite authors (King, Asimov, Iain M. Banks) don't", "but somehow draw the reader in without really seeming to do anything... King", "draw the reader in without really seeming to do anything... King especially, I", "Is there any 'rule of thumb' for short stories and novels about how", "somewhere that you need a gripping opening sentence to a story. I've been", "is part of his skill. Is there any 'rule of thumb' for short", "my favourite authors (King, Asimov, Iain M. Banks) don't really open their books", "authors (King, Asimov, Iain M. Banks) don't really open their books this way", "story. I've been conscious of that claim when reading since and I find", "Banks) don't really open their books this way but somehow draw the reader", "since and I find most of my favourite authors (King, Asimov, Iain M.", "King especially, I suppose this is part of his skill. Is there any", "really open their books this way but somehow draw the reader in without", "claim when reading since and I find most of my favourite authors (King,", "long the author has to 'convince' the reader to stay? Is spending ages", "really seeming to do anything... King especially, I suppose this is part of", "seeming to do anything... King especially, I suppose this is part of his", "I read somewhere that you need a gripping opening sentence to a story.", "a story. I've been conscious of that claim when reading since and I", "how long the author has to 'convince' the reader to stay? Is spending", "Asimov, Iain M. Banks) don't really open their books this way but somehow", "'rule of thumb' for short stories and novels about how long the author", "and novels about how long the author has to 'convince' the reader to", "skill. Is there any 'rule of thumb' for short stories and novels about", "sentence to a story. I've been conscious of that claim when reading since", "when reading since and I find most of my favourite authors (King, Asimov,", "in without really seeming to do anything... King especially, I suppose this is", "the reader to stay? Is spending ages agonisingly crafting your first sentence sensible?", "opening sentence to a story. I've been conscious of that claim when reading", "author has to 'convince' the reader to stay? Is spending ages agonisingly crafting", "somehow draw the reader in without really seeming to do anything... King especially,", "way but somehow draw the reader in without really seeming to do anything...", "gripping opening sentence to a story. I've been conscious of that claim when", "most of my favourite authors (King, Asimov, Iain M. Banks) don't really open", "to a story. I've been conscious of that claim when reading since and", "novels about how long the author has to 'convince' the reader to stay?", "sure I read somewhere that you need a gripping opening sentence to a", "short stories and novels about how long the author has to 'convince' the", "this is part of his skill. Is there any 'rule of thumb' for", "there any 'rule of thumb' for short stories and novels about how long", "without really seeming to do anything... King especially, I suppose this is part", "the author has to 'convince' the reader to stay? Is spending ages agonisingly", "of my favourite authors (King, Asimov, Iain M. Banks) don't really open their", "especially, I suppose this is part of his skill. Is there any 'rule", "of thumb' for short stories and novels about how long the author has", "find most of my favourite authors (King, Asimov, Iain M. Banks) don't really", "that claim when reading since and I find most of my favourite authors", "of that claim when reading since and I find most of my favourite", "reader in without really seeming to do anything... King especially, I suppose this", "the reader in without really seeming to do anything... King especially, I suppose", "am sure I read somewhere that you need a gripping opening sentence to", "do anything... King especially, I suppose this is part of his skill. Is", "about how long the author has to 'convince' the reader to stay? Is", "to 'convince' the reader to stay? Is spending ages agonisingly crafting your first", "thumb' for short stories and novels about how long the author has to", "(King, Asimov, Iain M. Banks) don't really open their books this way but", "their books this way but somehow draw the reader in without really seeming", "books this way but somehow draw the reader in without really seeming to", "'convince' the reader to stay? Is spending ages agonisingly crafting your first sentence", "has to 'convince' the reader to stay? Is spending ages agonisingly crafting your", "anything... King especially, I suppose this is part of his skill. Is there", "I've been conscious of that claim when reading since and I find most", "for short stories and novels about how long the author has to 'convince'", "need a gripping opening sentence to a story. I've been conscious of that", "I am sure I read somewhere that you need a gripping opening sentence", "been conscious of that claim when reading since and I find most of", "Iain M. Banks) don't really open their books this way but somehow draw", "suppose this is part of his skill. Is there any 'rule of thumb'", "that you need a gripping opening sentence to a story. I've been conscious", "and I find most of my favourite authors (King, Asimov, Iain M. Banks)", "part of his skill. Is there any 'rule of thumb' for short stories" ]
[]
[ "couple of fictitious eccentric behaviors, differing from his normal and well known bizarre", "there guidelines for characters who are based on real people in a fiction", "of fictitious eccentric behaviors, differing from his normal and well known bizarre behavior?", "several years ago, satirized as a \"Visit Our Lovely Little Town\" ad.) Would", "personal oddness is similar. Do I just throw in a couple of fictitious", "even a top 10 mix-video that circulated several years ago, satirized as a", "For example, I have a character who is patterned after an eccentric local", "building video surveillance cameras when he needs to urinate. There was even a", "of building video surveillance cameras when he needs to urinate. There was even", "mix-video that circulated several years ago, satirized as a \"Visit Our Lovely Little", "pattern of his personal oddness is similar. Do I just throw in a", "to urinate. There was even a top 10 mix-video that circulated several years", "satirized as a \"Visit Our Lovely Little Town\" ad.) Would I get sued?", "I just throw in a couple of fictitious eccentric behaviors, differing from his", "ago, satirized as a \"Visit Our Lovely Little Town\" ad.) Would I get", "that have happened? (Example: He is a frequent bar hopper, and seeks an", "novel? For example, I have a character who is patterned after an eccentric", "(Example: He is a frequent bar hopper, and seeks an audience of building", "eccentric local elected official. Of course, different name, different family composition, but the", "frequent bar hopper, and seeks an audience of building video surveillance cameras when", "well known bizarre behavior? Can I use actual events that have happened? (Example:", "a character who is patterned after an eccentric local elected official. Of course,", "a couple of fictitious eccentric behaviors, differing from his normal and well known", "circulated several years ago, satirized as a \"Visit Our Lovely Little Town\" ad.)", "bar hopper, and seeks an audience of building video surveillance cameras when he", "on real people in a fiction novel? For example, I have a character", "who is patterned after an eccentric local elected official. Of course, different name,", "was even a top 10 mix-video that circulated several years ago, satirized as", "have a character who is patterned after an eccentric local elected official. Of", "fictitious eccentric behaviors, differing from his normal and well known bizarre behavior? Can", "a top 10 mix-video that circulated several years ago, satirized as a \"Visit", "based on real people in a fiction novel? For example, I have a", "an eccentric local elected official. Of course, different name, different family composition, but", "but the pattern of his personal oddness is similar. Do I just throw", "There was even a top 10 mix-video that circulated several years ago, satirized", "different name, different family composition, but the pattern of his personal oddness is", "real people in a fiction novel? For example, I have a character who", "elected official. Of course, different name, different family composition, but the pattern of", "from his normal and well known bizarre behavior? Can I use actual events", "course, different name, different family composition, but the pattern of his personal oddness", "normal and well known bizarre behavior? Can I use actual events that have", "Do I just throw in a couple of fictitious eccentric behaviors, differing from", "are based on real people in a fiction novel? For example, I have", "actual events that have happened? (Example: He is a frequent bar hopper, and", "official. Of course, different name, different family composition, but the pattern of his", "behaviors, differing from his normal and well known bizarre behavior? Can I use", "guidelines for characters who are based on real people in a fiction novel?", "He is a frequent bar hopper, and seeks an audience of building video", "the pattern of his personal oddness is similar. Do I just throw in", "after an eccentric local elected official. Of course, different name, different family composition,", "his normal and well known bizarre behavior? Can I use actual events that", "similar. Do I just throw in a couple of fictitious eccentric behaviors, differing", "Are there guidelines for characters who are based on real people in a", "use actual events that have happened? (Example: He is a frequent bar hopper,", "cameras when he needs to urinate. There was even a top 10 mix-video", "events that have happened? (Example: He is a frequent bar hopper, and seeks", "fiction novel? For example, I have a character who is patterned after an", "a frequent bar hopper, and seeks an audience of building video surveillance cameras", "a fiction novel? For example, I have a character who is patterned after", "bizarre behavior? Can I use actual events that have happened? (Example: He is", "his personal oddness is similar. Do I just throw in a couple of", "patterned after an eccentric local elected official. Of course, different name, different family", "surveillance cameras when he needs to urinate. There was even a top 10", "in a fiction novel? For example, I have a character who is patterned", "urinate. There was even a top 10 mix-video that circulated several years ago,", "and seeks an audience of building video surveillance cameras when he needs to", "known bizarre behavior? Can I use actual events that have happened? (Example: He", "have happened? (Example: He is a frequent bar hopper, and seeks an audience", "example, I have a character who is patterned after an eccentric local elected", "in a couple of fictitious eccentric behaviors, differing from his normal and well", "hopper, and seeks an audience of building video surveillance cameras when he needs", "10 mix-video that circulated several years ago, satirized as a \"Visit Our Lovely", "Of course, different name, different family composition, but the pattern of his personal", "different family composition, but the pattern of his personal oddness is similar. Do", "family composition, but the pattern of his personal oddness is similar. Do I", "top 10 mix-video that circulated several years ago, satirized as a \"Visit Our", "differing from his normal and well known bizarre behavior? Can I use actual", "that circulated several years ago, satirized as a \"Visit Our Lovely Little Town\"", "just throw in a couple of fictitious eccentric behaviors, differing from his normal", "of his personal oddness is similar. Do I just throw in a couple", "needs to urinate. There was even a top 10 mix-video that circulated several", "composition, but the pattern of his personal oddness is similar. Do I just", "throw in a couple of fictitious eccentric behaviors, differing from his normal and", "is a frequent bar hopper, and seeks an audience of building video surveillance", "I have a character who is patterned after an eccentric local elected official.", "when he needs to urinate. There was even a top 10 mix-video that", "happened? (Example: He is a frequent bar hopper, and seeks an audience of", "I use actual events that have happened? (Example: He is a frequent bar", "who are based on real people in a fiction novel? For example, I", "for characters who are based on real people in a fiction novel? For", "is patterned after an eccentric local elected official. Of course, different name, different", "an audience of building video surveillance cameras when he needs to urinate. There", "characters who are based on real people in a fiction novel? For example,", "people in a fiction novel? For example, I have a character who is", "audience of building video surveillance cameras when he needs to urinate. There was", "behavior? Can I use actual events that have happened? (Example: He is a", "character who is patterned after an eccentric local elected official. Of course, different", "he needs to urinate. There was even a top 10 mix-video that circulated", "Can I use actual events that have happened? (Example: He is a frequent", "local elected official. Of course, different name, different family composition, but the pattern", "oddness is similar. Do I just throw in a couple of fictitious eccentric", "eccentric behaviors, differing from his normal and well known bizarre behavior? Can I", "years ago, satirized as a \"Visit Our Lovely Little Town\" ad.) Would I", "is similar. Do I just throw in a couple of fictitious eccentric behaviors,", "video surveillance cameras when he needs to urinate. There was even a top", "name, different family composition, but the pattern of his personal oddness is similar.", "and well known bizarre behavior? Can I use actual events that have happened?", "seeks an audience of building video surveillance cameras when he needs to urinate." ]
[ "I am learning/ trying to write a novel but I'm facing this problem.", "the closed door.\" What are some better ways to write these? Another example:", "learning/ trying to write a novel but I'm facing this problem. Whenever sound", "novel but I'm facing this problem. Whenever sound comes from somewhere (for example,", "closed door), I don't know how to describe it. I just end up", "from behind the closed door.\" What are some better ways to write these?", "to write these? Another example: > > Suddenly, a loud shriek came from", "some better ways to write these? Another example: > > Suddenly, a loud", "I don't know how to describe it. I just end up writing \"came", "up writing \"came from behind the closed door.\" What are some better ways", "door), I don't know how to describe it. I just end up writing", "describe it. I just end up writing \"came from behind the closed door.\"", "it. I just end up writing \"came from behind the closed door.\" What", "this problem. Whenever sound comes from somewhere (for example, from behind a closed", "am learning/ trying to write a novel but I'm facing this problem. Whenever", "write a novel but I'm facing this problem. Whenever sound comes from somewhere", "to write a novel but I'm facing this problem. Whenever sound comes from", "Another example: > > Suddenly, a loud shriek came from behind the locked", "are some better ways to write these? Another example: > > Suddenly, a", "Whenever sound comes from somewhere (for example, from behind a closed door), I", "from behind a closed door), I don't know how to describe it. I", "don't know how to describe it. I just end up writing \"came from", "> Suddenly, a loud shriek came from behind the locked door. > >", "door.\" What are some better ways to write these? Another example: > >", "problem. Whenever sound comes from somewhere (for example, from behind a closed door),", "a closed door), I don't know how to describe it. I just end", "these? Another example: > > Suddenly, a loud shriek came from behind the", "I just end up writing \"came from behind the closed door.\" What are", "just end up writing \"came from behind the closed door.\" What are some", "comes from somewhere (for example, from behind a closed door), I don't know", "somewhere (for example, from behind a closed door), I don't know how to", "but I'm facing this problem. Whenever sound comes from somewhere (for example, from", "\"came from behind the closed door.\" What are some better ways to write", "trying to write a novel but I'm facing this problem. Whenever sound comes", "write these? Another example: > > Suddenly, a loud shriek came from behind", "better ways to write these? Another example: > > Suddenly, a loud shriek", "I'm facing this problem. Whenever sound comes from somewhere (for example, from behind", "from somewhere (for example, from behind a closed door), I don't know how", "closed door.\" What are some better ways to write these? Another example: >", "What are some better ways to write these? Another example: > > Suddenly,", "sound comes from somewhere (for example, from behind a closed door), I don't", "end up writing \"came from behind the closed door.\" What are some better", "(for example, from behind a closed door), I don't know how to describe", "know how to describe it. I just end up writing \"came from behind", "behind the closed door.\" What are some better ways to write these? Another", "> > Suddenly, a loud shriek came from behind the locked door. >", "a novel but I'm facing this problem. Whenever sound comes from somewhere (for", "example: > > Suddenly, a loud shriek came from behind the locked door.", "Suddenly, a loud shriek came from behind the locked door. > > >", "example, from behind a closed door), I don't know how to describe it.", "how to describe it. I just end up writing \"came from behind the", "ways to write these? Another example: > > Suddenly, a loud shriek came", "facing this problem. Whenever sound comes from somewhere (for example, from behind a", "to describe it. I just end up writing \"came from behind the closed", "behind a closed door), I don't know how to describe it. I just", "writing \"came from behind the closed door.\" What are some better ways to" ]
[ "> > > “You’re not not doing nothing; you’re taking time to be", "The story is about breaking the fourth wall and the main character and", "in the night lights > > > The city bustles with life >", "corner of the house and Soat walks to the driver's window. The engine", "‘you writing a new story soon?’” > > > “\\\\\\\\\\\\\\* hell. Can't catch", "> “yk I gotta work on my math stuff” > > > “But", "last journey. Seck’s phone dings violently with messages. 24+ Unread Messages. Scrolling, looking", "“I’m sorry I trust you, just couldn’t find the key so I'm just", "engine cuts off and Soat starts yelling while Seck exits the vehicle. >", "math stuff” > > > “But youre welcome to come over and make", "> > “I don’t think I'd be able to remember that if my", "Seck exits the vehicle. > > > “Where the hell’ve you been? It’s", "same universe, sort of like \"Stranger Than Fiction\" if anyone reading this has", "prepares to type. > > > Structural Relation > > > Seck. A", "seen it. > > “You writing a new story soon?” > > >", "a bridge on a walk to a certain building, which appeared hidden away", "\\\\\\.” > > > “I'm going home.” > > > “Bye.” > >", "be waiting for u” > > > “yk I gotta work on my", "built, (even though it sucks that it got damaged in the first place)", "> > Arriving home, he puts his things away and prepares to type.", "Seck. A highly intelligent young man, only 19 years and fresh into college.", "phone dings violently with messages. 24+ Unread Messages. Scrolling, looking for someone, Soat.", "> “I don’t think I'd be able to remember that if my life", "looks like I'm popular for once.” he said aloud. > > > “Seck!”", "certain building, which appeared hidden away from the rest of the world. >", "the rest of the world. > > > “All in the night lights", "parking garage, hidden under a tarp and trash bags, A car is dug", "into college. New York is no place for the witty, it’s a city", "while Seck exits the vehicle. > > > “Where the hell’ve you been?", "“I’m boreed and need entertainment.” > > > “I’m about to head to", "bustles with life > > > Yet but not without...” > > >", "in the trunk and clears out. The drive is approximately 12 minutes and", "week. Keep in mind that I don't have much because I've been busy.", "the main character and the author/narrator coexist in the same universe, sort of", "walk to my car, and was doing something.” > > > “I’m sorry", "key’s in the same place I put it since the house was built,", "like it's repeating. Here's an example of what I've gotten so far with", "your story, then there are the others that know you personally and still", "my life depended on it” > > > “I’m not moving it.” >", "block in the wall where the frame of the door is.” > >", "breaking the fourth wall and the main character and the author/narrator coexist in", "over and make food for me” > > > “Fine but you’re going", "and need entertainment.” > > > “I’m about to head to my car”", "so I'm just a little pissed.” > > > “It’s okay, I know", "I gotta work on my math stuff” > > > “But youre welcome", "nothing about you truly. There will never be anyone who will understand you", "much because I've been busy. The story is about breaking the fourth wall", "first place) it’s in the broken part of the siding on the wall.", "I don't have much because I've been busy. The story is about breaking", "said aloud. > > > “Seck!” > > > “Where u at?” >", "the wall where the frame of the door is.” > > > “I", "just as tall at that. A favorite of Seck’s, he visits at noon", "my car” > > > “Just took a minute to read msgs.” >", "to retirement and the last journey. Seck’s phone dings violently with messages. 24+", "Here's an example of what I've gotten so far with a rewrite I", "a way around \"the\" when it comes to writing stories or making a", "Yet but not without...” > > > Life. It’s an awkward thing to", "no place for the witty, it’s a city that never sleeps, after all.", "> Arriving home, he puts his things away and prepares to type. >", "new story soon?’” > > > “\\\\\\\\\\\\\\ hell. Can't catch a break now,", "It’s been like thirty minutes.” > > > “Traffic, a long walk to", "intelligent young man, only 19 years and fresh into college. New York is", "> > “Just started. Well, I mean the draft.” > > > “What", "the mural under the bridge, to an old parking garage, hidden under a", "the last journey. Seck’s phone dings violently with messages. 24+ Unread Messages. Scrolling,", "who will never know your story, then there are the others that know", "dings violently with messages. 24+ Unread Messages. Scrolling, looking for someone, Soat. 3", "when it comes to writing stories or making a story that feels like", "nothing; you’re taking time to be with a friend.” > > > “Well,", "> > > “Seck!” > > > “Where u at?” > > >", "and enjoys these stories, filled with much detail to a length with the", "it on the block in the wall where the frame of the door", "has seen it. > > “You writing a new story soon?” > >", "know nothing about you truly. There will never be anyone who will understand", "far with a rewrite I started last week. Keep in mind that I", "is about breaking the fourth wall and the main character and the author/narrator", "enjoys these stories, filled with much detail to a length with the genesis", "the next prescription for my glasses.” > > > “Look at my luck.", "if my life depended on it” > > > “I’m not moving it.”", "of like \"Stranger Than Fiction\" if anyone reading this has seen it. >", "but you’re going to talk to me right?” > > > “Sure why", "coexist in the same universe, sort of like \"Stranger Than Fiction\" if anyone", "sucks that it got damaged in the first place) it’s in the broken", "and the last journey. Seck’s phone dings violently with messages. 24+ Unread Messages.", "clever camouflage for a few hours to keep from getting thieved. He packs", "in the same place I put it since the house was built, (even", "is dug out. 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It’s an awkward", "> “Sure why not” > > > “Bye” > > > “Bye ”", "aloud. > > > “Seck!” > > > “Where u at?” > >", "u” > > > “yk I gotta work on my math stuff” >", "> > > “I can't just sit there and do nothing.” > >", "stuff” > > > “But youre welcome to come over and make food", "after all. A haiku freshly spray painted under a bridge on a walk", "getting thieved. He packs the tarp in the trunk and clears out. The", "story is about breaking the fourth wall and the main character and the", "a length with the genesis of his life up to retirement and the", "my luck. My best friend is a book writer and an \\\\\\.” >", "for once.” he said aloud. > > > “Seck!” > > > “Where", "> > > “Just took a minute to read msgs.” > > >", "> > > “It’s okay, I know how you are, dummy. The key’s", "> > > “I'm going home.” > > > “Bye.” > > >", "messages. 24+ Unread Messages. Scrolling, looking for someone, Soat. 3 Unread Messages. >", "catch a break now, can I?” > > > “Not when you keep", "not” > > > “Bye” > > > “Bye ” > > >", "in the first place) it’s in the broken part of the siding on", "you truly. There will never be anyone who will understand you to the", "the night lights > > > The city bustles with life > >", "I've been busy. The story is about breaking the fourth wall and the", "can't just sit there and do nothing.” > > > “You’re not not", "every month and enjoys these stories, filled with much detail to a length", "wall and the main character and the author/narrator coexist in the same universe,", "going home.” > > > “Bye.” > > > Arriving home, he puts", "an old parking garage, hidden under a tarp and trash bags, A car", "He packs the tarp in the trunk and clears out. 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Such", "building, which appeared hidden away from the rest of the world. > >", "and Soat starts yelling while Seck exits the vehicle. > > > “Where", "comes to writing stories or making a story that feels like it's repeating.", "“I’m about to head to my car” > > > “Just took a", "it sucks that it got damaged in the first place) it’s in the", "a certain building, which appeared hidden away from the rest of the world.", "around \"the\" when it comes to writing stories or making a story that", "that feels like it's repeating. Here's an example of what I've gotten so", "The drive is approximately 12 minutes and the walk from, 10 minutes. Upon", "yelling while Seck exits the vehicle. > > > “Where the hell’ve you", "> “Traffic, a long walk to my car, and was doing something.” >", "and still know nothing about you truly. There will never be anyone who", "talk to me right?” > > > “Sure why not” > > >", "place) it’s in the broken part of the siding on the wall. Remember,", "life up to retirement and the last journey. Seck’s phone dings violently with", "story soon?’” > > > “\\\\\\\\\\\\\\* hell. Can't catch a break now, can", "so far with a rewrite I started last week. Keep in mind that", "you keep running your mouth without thinking, and you already agreed to pay", "Walking back past the mural under the bridge, to an old parking garage,", "I can't find a way around \"the\" when it comes to writing stories", "he said aloud. > > > “Seck!” > > > “Where u at?”", "cuts off and Soat starts yelling while Seck exits the vehicle. > >", "> > He rolls his eyes and Seck grabs the key to show", "something.” > > > “I’m sorry I trust you, just couldn’t find the", "stories or making a story that feels like it's repeating. Here's an example", "rewrite I started last week. Keep in mind that I don't have much", "it” > > > “I’m not moving it.” > > > “Whatever” >", "to a length with the genesis of his life up to retirement and", "Unread Messages. Scrolling, looking for someone, Soat. 3 Unread Messages. > > >", "and the walk from, 10 minutes. Upon arrival, beams of light from the", "past the mural under the bridge, to an old parking garage, hidden under", "> > Life. It’s an awkward thing to cope with, to coexist with", "> Walking back past the mural under the bridge, to an old parking", "it.” > > > “Whatever” > > > He rolls his eyes and", "will never know your story, then there are the others that know you", "back past the mural under the bridge, to an old parking garage, hidden", "is.” > > > “I don’t think I'd be able to remember that", "an example of what I've gotten so far with a rewrite I started", "it’s a city that never sleeps, after all. A haiku freshly spray painted", "of the door is.” > > > “I don’t think I'd be able", "the drinks and the next prescription for my glasses.” > > > “Look", "vehicle. > > > “Where the hell’ve you been? It’s been like thirty", "seemed just as tall at that. A favorite of Seck’s, he visits at", "witty, it’s a city that never sleeps, after all. A haiku freshly spray", "writer and an \\\\\\.” > > > “I'm going home.” > > >", "noon on the first of every month and enjoys these stories, filled with", "his things away and prepares to type. > > > Structural Relation >", "billion others who will never know your story, then there are the others", "if anyone reading this has seen it. > > “You writing a new", "busy. The story is about breaking the fourth wall and the main character", "do nothing.” > > > “You’re not not doing nothing; you’re taking time", "> Seck. A highly intelligent young man, only 19 years and fresh into", "can't find a way around \"the\" when it comes to writing stories or", "> “I'm going home.” > > > “Bye.” > > > Arriving home,", "you been? It’s been like thirty minutes.” > > > “Traffic, a long", "the same place I put it since the house was built, (even though", "the first of every month and enjoys these stories, filled with much detail", "> > > “Bye.” > > > Arriving home, he puts his things", "filled with much detail to a length with the genesis of his life", "glasses.” > > > “Look at my luck. My best friend is a", "for u” > > > “yk I gotta work on my math stuff”", "The engine cuts off and Soat starts yelling while Seck exits the vehicle.", "it’s in the broken part of the siding on the wall. Remember, I", "pay for the drinks and the next prescription for my glasses.” > >", "driver's window. The engine cuts off and Soat starts yelling while Seck exits", "he’s been everywhere. Such intriguing stories but seemed just as tall at that.", "break?” > > > “I can't just sit there and do nothing.” >", "matter what I do, I can't find a way around \"the\" when it", "got damaged in the first place) it’s in the broken part of the", "stories, filled with much detail to a length with the genesis of his", "to my car, and was doing something.” > > > “I’m sorry I", "been everywhere. Such intriguing stories but seemed just as tall at that. A", "much detail to a length with the genesis of his life up to", "of the siding on the wall. Remember, I put it on the block", "to be with a friend.” > > > “Well, what happened to ‘you", "> > “All in the night lights > > > The city bustles", "> > “I’m not moving it.” > > > “Whatever” > > >", "of what I've gotten so far with a rewrite I started last week.", "name of Upam declares he’s been everywhere. Such intriguing stories but seemed just", "me right?” > > > “Sure why not” > > > “Bye” >", "old man by the name of Upam declares he’s been everywhere. Such intriguing", "> > “Where the hell’ve you been? It’s been like thirty minutes.” >", "you, just couldn’t find the key so I'm just a little pissed.” >", "running your mouth without thinking, and you already agreed to pay for the", "> > “It’s okay, I know how you are, dummy. The key’s in", "“But youre welcome to come over and make food for me” > >", "” > > > Walking back past the mural under the bridge, to", "12 minutes and the walk from, 10 minutes. Upon arrival, beams of light", "Arriving home, he puts his things away and prepares to type. > >", "entertainment.” > > > “I’m about to head to my car” > >", "to an old parking garage, hidden under a tarp and trash bags, A", "that if my life depended on it” > > > “I’m not moving", "“Sure why not” > > > “Bye” > > > “Bye ” >", "you’re going to talk to me right?” > > > “Sure why not”", "pissed.” > > > “It’s okay, I know how you are, dummy. The", "to coexist with seven billion others who will never know your story, then", "book writer and an \\\\\\.” > > > “I'm going home.” > >", "night lights > > > The city bustles with life > > >", "> > “I’m boreed and need entertainment.” > > > “I’m about to", "cope with, to coexist with seven billion others who will never know your", "> “What happened to taking a break?” > > > “I can't just", "a few hours to keep from getting thieved. He packs the tarp in", "mouth without thinking, and you already agreed to pay for the drinks and", "he visits at noon on the first of every month and enjoys these", "> > > “I’m not moving it.” > > > “Whatever” > >", "> The city bustles with life > > > Yet but not without...”", "last week. Keep in mind that I don't have much because I've been", "his life up to retirement and the last journey. Seck’s phone dings violently", "agreed to pay for the drinks and the next prescription for my glasses.”", "Upam declares he’s been everywhere. Such intriguing stories but seemed just as tall", "make food for me” > > > “Fine but you’re going to talk", "“Well, looks like I'm popular for once.” he said aloud. > > >", "> “Just took a minute to read msgs.” > > > “I’ll be", "hidden under a tarp and trash bags, A car is dug out. A", "> > “Traffic, a long walk to my car, and was doing something.”", "seven billion others who will never know your story, then there are the", "a new story soon?” > > > “Just started. Well, I mean the", "way around \"the\" when it comes to writing stories or making a story", "to type. > > > Structural Relation > > > Seck. A highly", "“You’re not not doing nothing; you’re taking time to be with a friend.”", "u at?” > > > “I’m boreed and need entertainment.” > > >", "car, and was doing something.” > > > “I’m sorry I trust you,", "“It’s okay, I know how you are, dummy. The key’s in the same", "I've gotten so far with a rewrite I started last week. Keep in", "like I'm popular for once.” he said aloud. > > > “Seck!” >", "of light from the vehicle shine on the corner of the house and", "it comes to writing stories or making a story that feels like it's", "minutes. Upon arrival, beams of light from the vehicle shine on the corner", "exits the vehicle. > > > “Where the hell’ve you been? It’s been", "Soat starts yelling while Seck exits the vehicle. > > > “Where the", "making a story that feels like it's repeating. Here's an example of what", "vehicle shine on the corner of the house and Soat walks to the", "I mean the draft.” > > > “What happened to taking a break?”", "my car, and was doing something.” > > > “I’m sorry I trust", "(even though it sucks that it got damaged in the first place) it’s", "little pissed.” > > > “It’s okay, I know how you are, dummy.", "read msgs.” > > > “I’ll be waiting for u” > > >", "with much detail to a length with the genesis of his life up", "few hours to keep from getting thieved. He packs the tarp in the", "No matter what I do, I can't find a way around \"the\" when", "and do nothing.” > > > “You’re not not doing nothing; you’re taking", "about to head to my car” > > > “Just took a minute", "> Yet but not without...” > > > Life. It’s an awkward thing", "> “All in the night lights > > > The city bustles with", "with the genesis of his life up to retirement and the last journey.", "already agreed to pay for the drinks and the next prescription for my", "> “Whatever” > > > He rolls his eyes and Seck grabs the", "been? It’s been like thirty minutes.” > > > “Traffic, a long walk", "character and the author/narrator coexist in the same universe, sort of like \"Stranger", "to me right?” > > > “Sure why not” > > > “Bye”", "writing a new story soon?” > > > “Just started. Well, I mean", "this has seen it. > > “You writing a new story soon?” >", "story that feels like it's repeating. Here's an example of what I've gotten", "and the next prescription for my glasses.” > > > “Look at my", "who will understand you to the fullest. An old man by the name", "and you already agreed to pay for the drinks and the next prescription", "Seck’s phone dings violently with messages. 24+ Unread Messages. Scrolling, looking for someone,", "“Just took a minute to read msgs.” > > > “I’ll be waiting", "be able to remember that if my life depended on it” > >", "> “Where u at?” > > > “I’m boreed and need entertainment.” >", "“I’m not moving it.” > > > “Whatever” > > > He rolls", "> > “Whatever” > > > He rolls his eyes and Seck grabs", "best friend is a book writer and an \\\\\\.” > > > “I'm", "my math stuff” > > > “But youre welcome to come over and", "house was built, (even though it sucks that it got damaged in the", "been busy. The story is about breaking the fourth wall and the main", "next prescription for my glasses.” > > > “Look at my luck. My", "only 19 years and fresh into college. New York is no place for", "depended on it” > > > “I’m not moving it.” > > >", "broken part of the siding on the wall. Remember, I put it on", "city bustles with life > > > Yet but not without...” > >", "to ‘you writing a new story soon?’” > > > “\\\\\\\\\\\\\\ hell. Can't", "10 minutes. Upon arrival, beams of light from the vehicle shine on the", "doing something.” > > > “I’m sorry I trust you, just couldn’t find", "“Not when you keep running your mouth without thinking, and you already agreed", "I do, I can't find a way around \"the\" when it comes to", "“Look at my luck. My best friend is a book writer and an", "“Well, what happened to ‘you writing a new story soon?’” > > >", "starts yelling while Seck exits the vehicle. > > > “Where the hell’ve", "from, 10 minutes. Upon arrival, beams of light from the vehicle shine on", "up to retirement and the last journey. Seck’s phone dings violently with messages.", "the hell’ve you been? It’s been like thirty minutes.” > > > “Traffic,", "19 years and fresh into college. New York is no place for the", "month and enjoys these stories, filled with much detail to a length with", "off and Soat starts yelling while Seck exits the vehicle. > > >", "okay, I know how you are, dummy. The key’s in the same place", "to the fullest. An old man by the name of Upam declares he’s", "to my car” > > > “Just took a minute to read msgs.”", "you’re taking time to be with a friend.” > > > “Well, what", "> “Just started. Well, I mean the draft.” > > > “What happened", "Relation > > > Seck. A highly intelligent young man, only 19 years", "a tarp and trash bags, A car is dug out. A clever camouflage", "Upon arrival, beams of light from the vehicle shine on the corner of", "the vehicle shine on the corner of the house and Soat walks to", "all. A haiku freshly spray painted under a bridge on a walk to", "know how you are, dummy. The key’s in the same place I put", "was built, (even though it sucks that it got damaged in the first", "me” > > > “Fine but you’re going to talk to me right?”", "part of the siding on the wall. Remember, I put it on the", "> “But youre welcome to come over and make food for me” >", "Soat walks to the driver's window. The engine cuts off and Soat starts", "mean the draft.” > > > “What happened to taking a break?” >", "the driver's window. The engine cuts off and Soat starts yelling while Seck", "Soat. 3 Unread Messages. > > > “Well, looks like I'm popular for", "anyone reading this has seen it. > > “You writing a new story", "> > > The city bustles with life > > > Yet but", "shine on the corner of the house and Soat walks to the driver's", "sit there and do nothing.” > > > “You’re not not doing nothing;", "He rolls his eyes and Seck grabs the key to show him, >", "> > “Well, what happened to ‘you writing a new story soon?’” >", "of Upam declares he’s been everywhere. Such intriguing stories but seemed just as", "for me” > > > “Fine but you’re going to talk to me", "time to be with a friend.” > > > “Well, what happened to", "Scrolling, looking for someone, Soat. 3 Unread Messages. > > > “Well, looks", "a friend.” > > > “Well, what happened to ‘you writing a new", "packs the tarp in the trunk and clears out. The drive is approximately", "there and do nothing.” > > > “You’re not not doing nothing; you’re", "freshly spray painted under a bridge on a walk to a certain building,", "> > > “yk I gotta work on my math stuff” > >", "> > “But youre welcome to come over and make food for me”", "> > “I can't just sit there and do nothing.” > > >", "life depended on it” > > > “I’m not moving it.” > >", "a long walk to my car, and was doing something.” > > >", "> > > “Look at my luck. My best friend is a book", "> > “yk I gotta work on my math stuff” > > >", "> > > “Where the hell’ve you been? It’s been like thirty minutes.”", "awkward thing to cope with, to coexist with seven billion others who will", "then there are the others that know you personally and still know nothing", "work on my math stuff” > > > “But youre welcome to come", "> “You’re not not doing nothing; you’re taking time to be with a", "> > > “Where u at?” > > > “I’m boreed and need", "there are the others that know you personally and still know nothing about", "or making a story that feels like it's repeating. Here's an example of", "be anyone who will understand you to the fullest. 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New York is no place for the witty, it’s a", "“Whatever” > > > He rolls his eyes and Seck grabs the key", "world. > > > “All in the night lights > > > The", "started. Well, I mean the draft.” > > > “What happened to taking", "writing stories or making a story that feels like it's repeating. Here's an", "> > “Bye.” > > > Arriving home, he puts his things away", "it since the house was built, (even though it sucks that it got", "“Just started. Well, I mean the draft.” > > > “What happened to", "because I've been busy. The story is about breaking the fourth wall and", "at?” > > > “I’m boreed and need entertainment.” > > > “I’m", "friend is a book writer and an \\\\\\.” > > > “I'm going", "been like thirty minutes.” > > > “Traffic, a long walk to my", "where the frame of the door is.” > > > “I don’t think", "dug out. 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My best friend is a book writer and", "head to my car” > > > “Just took a minute to read", "coexist with seven billion others who will never know your story, then there", "> > “Fine but you’re going to talk to me right?” > >", "in mind that I don't have much because I've been busy. The story", "> “Well, what happened to ‘you writing a new story soon?’” > >", "the genesis of his life up to retirement and the last journey. Seck’s", "> > “Well, looks like I'm popular for once.” he said aloud. >", "the block in the wall where the frame of the door is.” >", "intriguing stories but seemed just as tall at that. A favorite of Seck’s,", "the walk from, 10 minutes. Upon arrival, beams of light from the vehicle", "these stories, filled with much detail to a length with the genesis of", "others that know you personally and still know nothing about you truly. There", "doing nothing; you’re taking time to be with a friend.” > > >", "visits at noon on the first of every month and enjoys these stories,", "first of every month and enjoys these stories, filled with much detail to", "are, dummy. The key’s in the same place I put it since the", "> > > “Bye ” > > > Walking back past the mural", "> “\\\\\\\\\\\\\\ hell. Can't catch a break now, can I?” > > >", "friend.” > > > “Well, what happened to ‘you writing a new story", "appeared hidden away from the rest of the world. > > > “All", "same place I put it since the house was built, (even though it", "bridge on a walk to a certain building, which appeared hidden away from", "as tall at that. A favorite of Seck’s, he visits at noon on", "under a bridge on a walk to a certain building, which appeared hidden" ]
[ "* The story should focus on a small, self-contained problem. The broader conflict(s)", "conflict(s) of the series can be mentioned, but they cannot be resolved within", "it makes the reader think \"wait, why don't these people know each other?\"", "to see if they would actually be interested in reading further. I've seen", "job in \"showing the most entertaining aspects of the series\" due to it", "the way they are\" that are considered mood-killers in fantasy novels. Yet, given", "series can be mentioned, but they cannot be resolved within one short story.", "that occur in the story should not be shown, for obvious reasons. Notably,", "how does one provide enough background to make the pilot make sense? And", "find themselves in, how does one provide enough background to make the pilot", "story, one of the best selling points of the series doesn't show up.", "writing a “pilot” episode. A short story or novella that I can focus", "story doesn't need to go anywhere. It's usually self-contained and doesn't have any", "is generally recommended to focus on a limited number of characters. E.g., in", "necessary. E.g., magic system, major themes that establish tone, etc. * The story", "self-contained and doesn't have any continuity. * In short stories it is generally", "as this is basically a trial version to see if they'd like it.", "the start of the story, one of the best selling points of the", "to keep in mind when deciding how to write and structure a pilot", "possible. * Another example regarding \"major twists\". My deuteragonist, whom previous readers have", "\"major twists\". My deuteragonist, whom previous readers have told me is a major", "as many of the major concepts the story utilizes as necessary. E.g., magic", "would want to spread out setting exposition as best as possible. * Another", "would actually be interested in reading further. I've seen other written series do", "exposition as best as possible. * Another example regarding \"major twists\". My deuteragonist,", "characters: protagonist, antagonist, and \"helper\". But in a pilot episode it may be", "I'm not necessarily asking for answers to the above questions, what I'm more", "either a short story, for several reasons. * For one, a short story", "story or novella that I can focus all my attention on and actually", "and structure a pilot episode? I.e., how do you decide what information to", "give the reader an idea of what the overall series is like?** ", "be mentioned, but they cannot be resolved within one short story. The", "and \"helper\". But in a pilot episode it may be useful to signify", "why things are the way they are\" that are considered mood-killers in fantasy", "by the social system they find themselves in, how does one provide enough", "series is very long and incomplete, so it's difficult to get feedback on", "to give the reader an idea of what the overall series is like?*", "is a major selling point as to \"why you should read this story\",", "cannot be resolved within one short story. The tone should be as", "further. I've seen other written series do something similar, including novel series, webnovels,", "writing previous pilots, but I've noticed that one has a lot of the", "one short story. * The tone should be as close as possible to", "on and actually create a finished product that I can give to prospective", "way that encapsulates who the characters are. Do not use \"throwaway protagonists\" if", "very long and incomplete, so it's difficult to get feedback on it from", "stories it is generally recommended to focus on a limited number of characters.", "to it only being the inciting incident. Yes, that is something I should", "and I'd like to try again with a better idea of knowing what", "social system they find themselves in, how does one provide enough background to", "to \"why you should read this story\", is introduced as a villain before", "in reading further. I've seen other written series do something similar, including novel", "what needs to be left out, and overall make a coherent \"proof-of-concept\" story", "the social system they find themselves in, how does one provide enough background", "So I’ve been considering writing a “pilot” episode. A short story or novella", "what I'm more asking is more generally *what does a writer need to", "a lot of the typical \"exposition dump on the history of the world", "\"why you should read this story\", is introduced as a villain before joining", "is very different* from writing either a short story, for several reasons. ", "the reader think \"wait, why don't these people know each other?\" or spoils", "left out, and overall make a coherent \"proof-of-concept\" story that leaves people wanting", "the above questions, what I'm more asking is more generally what does a", "ideal job in \"showing the most entertaining aspects of the series\" due to", "are influenced by the social system they find themselves in, how does one", "book 1. This is part of why \"just give them chapter 1\" didn't", "got away with this, but generally it creates an atmosphere of \"who the", "1. This is part of why \"just give them chapter 1\" didn't work.", "idea of what the overall series is like?* * The story should introduce", "introduced as a villain before joining the heroes (a la Zuko) at the", "use \"throwaway protagonists\" if you can, yes Jujutsu Kaisen got away with this,", "what the overall series is like?** * The story should introduce all the", "incident. Yes, that is something I should probably adjust. *I've been trying to", "them chapter 1\" didn't work. If I set the pilot before the start", "doesn't have any continuity. In short stories it is generally recommended to", "major selling point as to \"why you should read this story\", is introduced", "and incomplete, so it's difficult to get feedback on it from others. So", "sense? And at the same time one would want to spread out setting", "focus on a small, self-contained problem. The broader conflict(s) of the series can", "people know each other?\" or spoils potential plot twists. I'm not necessarily asking", "tried just giving them chapter 1 but that...doesn't work, at least partially because", "but that...doesn't work, at least partially because my skills as a writer have", "broader conflict(s) of the series can be mentioned, but they cannot be resolved", "they would actually be interested in reading further. I've seen other written series", "exist in some way. But other parts are less clear. Two examples are", "to figure out what actually needs to be in a \"pilot episode\". That", "1\" didn't work. If I set the pilot before the start of the", "twists. I'm not necessarily asking for answers to the above questions, what I'm", "limited space, what does the story need to accomplish to give the reader", "make the pilot make sense? And at the same time one would want", "to setting elements and magic systems. I've tried writing previous pilots, but I've", "previous pilots, but I've noticed that one has a lot of the typical", "a lot of the character's reactions and personalities are influenced by the social", "because my chapter 1 doesn't do an ideal job in \"showing the most", "the typical \"exposition dump on the history of the world and why things", "best as possible. * Another example regarding \"major twists\". My deuteragonist, whom previous", "they cannot be resolved within one short story. * The tone should be", "work. If I set the pilot before the start of the story, one", "my skills as a writer have improved since I wrote it and I'd", "again with a better idea of knowing what I want to pitch, and", "I've tried writing previous pilots, but I've noticed that one has a lot", "pitch, and partially because my chapter 1 doesn't do an ideal job in", "series do something similar, including novel series, webnovels, and manga. I've tried just", "character's reactions and personalities are influenced by the social system they find themselves", "spoils potential plot twists. I'm not necessarily asking for answers to the above", "potential plot twists. I'm not necessarily asking for answers to the above questions,", "\"who the heck are these people and why should I care\" when they", "better idea of knowing what I want to pitch, and partially because my", "that writing a pilot episode is very different from writing either a short", "give them chapter 1\" didn't work. If I set the pilot before the", "at least partially because my skills as a writer have improved since I", "it is generally recommended to focus on a limited number of characters. E.g.,", "out setting exposition as best as possible. * Another example regarding \"major twists\".", "actually be interested in reading further. 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I.e., how do you decide what information to put in there, what", "noticed that writing a pilot episode is very different* from writing either a", "* In short stories it is generally recommended to focus on a limited", "why \"just give them chapter 1\" didn't work. If I set the pilot", "a way that encapsulates who the characters are. Do not use \"throwaway protagonists\"", "The story should introduce the setting and as many of the major concepts", "one provide enough background to make the pilot make sense? And at the", "is part of why \"just give them chapter 1\" didn't work. If I", "to accomplish to give the reader an idea of what the overall series", "it's suggested to have no more than three focal characters: protagonist, antagonist, and", "pilots, but I've noticed that one has a lot of the typical \"exposition", "the heroes (a la Zuko) at the end of book 1. This is", "partially because my skills as a writer have improved since I wrote it", "lot of the character's reactions and personalities are influenced by the social system", "and actually create a finished product that I can give to prospective readers", "villain before joining the heroes (a la Zuko) at the end of book", "more than three focal characters: protagonist, antagonist, and \"helper\". But in a pilot", "don't these people know each other?\" or spoils potential plot twists. I'm not", "should read this story\", is introduced as a villain before joining the heroes", "before joining the heroes (a la Zuko) at the end of book 1.", "in, how does one provide enough background to make the pilot make sense?", "\"throwaway protagonists\" if you can, yes Jujutsu Kaisen got away with this, but", "an idea of what the overall series is like?** * The story should", "what I want to pitch, and partially because my chapter 1 doesn't do", "be in a \"pilot episode\". That is, given the limited space, what does", "regards to setting elements and magic systems. I've tried writing previous pilots, but", "just giving them chapter 1 but that...doesn't work, at least partially because my", "giving them chapter 1 but that...doesn't work, at least partially because my skills", "a small, self-contained problem. The broader conflict(s) of the series can be mentioned,", "been considering writing a “pilot” episode. A short story or novella that I", "I should probably adjust. I've been trying to figure out what actually needs", "a pilot episode? I.e., how do you decide what information to put in", "improved since I wrote it and I'd like to try again with a", "of what the overall series is like? * The story should introduce all", "yes Jujutsu Kaisen got away with this, but generally it creates an atmosphere", "idea of knowing what I want to pitch, and partially because my chapter", "so it's difficult to get feedback on it from others. So I’ve been", "to have no more than three focal characters: protagonist, antagonist, and \"helper\". But", "that are considered mood-killers in fantasy novels. Yet, given a lot of the", "should not be shown, for obvious reasons. Notably, I've noticed that writing a", "Yes, that is something I should probably adjust. *I've been trying to figure", "that encapsulates who the characters are. Do not use \"throwaway protagonists\" if you", "examples are below... For example, with regards to setting elements and magic", "to spread out setting exposition as best as possible. * Another example regarding", "not necessarily asking for answers to the above questions, what I'm more asking", "is something I should probably adjust. *I've been trying to figure out what", "as a villain before joining the heroes (a la Zuko) at the end", "doesn't need to go anywhere. It's usually self-contained and doesn't have any continuity.", "in fantasy novels. Yet, given a lot of the character's reactions and personalities", "a limited number of characters. E.g., in manga pilot chapters it's suggested to", "anywhere. It's usually self-contained and doesn't have any continuity. In short stories", "However, the series is very long and incomplete, so it's difficult to get", "tone should be as close as possible to the \"general\" tone of the", "before the start of the story, one of the best selling points of", "to get feedback on it from others. So I’ve been considering writing a", "the limited space, what does the story need to accomplish to give the", "finished product that I can give to prospective readers to see if they", "needs to be in a \"pilot episode\". That is, given the limited space,", "chapter 1\" didn't work. If I set the pilot before the start of", "The story should focus on a small, self-contained problem. The broader conflict(s) of", "who the characters are. Do not use \"throwaway protagonists\" if you can, yes", "writing either a short story, for several reasons. * For one, a short", "of characters. E.g., in manga pilot chapters it's suggested to have no more", "themselves in, how does one provide enough background to make the pilot make", "asking for answers to the above questions, what I'm more asking is more", "doesn't show up. If I set it after that, it makes the reader", "story should not be shown, for obvious reasons. Notably, I've noticed that writing", "If I set the pilot before the start of the story, one of", "the same time one would want to spread out setting exposition as best", "they are\" that are considered mood-killers in fantasy novels. Yet, given a lot", "want to pitch, and partially because my chapter 1 doesn't do an ideal", "system, major themes that establish tone, etc. * The story should focus on", "if they would actually be interested in reading further. I've seen other written", "need to keep in mind when deciding how to write and structure a", "focus all my attention on and actually create a finished product that I", "considered mood-killers in fantasy novels. Yet, given a lot of the character's reactions", "as best as possible. * Another example regarding \"major twists\". My deuteragonist, whom", "have told me is a major selling point as to \"why you should", "of the story, one of the best selling points of the series doesn't", "is more generally *what does a writer need to keep in mind when", "joining the heroes (a la Zuko) at the end of book 1. This", "keep in mind when deciding how to write and structure a pilot episode?", "\"just give them chapter 1\" didn't work. If I set the pilot before", "story. The story should introduce the setting and as many of the", "But in a pilot episode it may be useful to signify that more", "I care\" when they read the story. * The story should introduce the", "like it. * Major twists that occur in the story should not be", "very different from writing either a short story, for several reasons. * For", "is basically a trial version to see if they'd like it. * Major", "attention on and actually create a finished product that I can give to", "reactions and personalities are influenced by the social system they find themselves in,", "a trial version to see if they'd like it. * Major twists that", "be shown, for obvious reasons. Notably, I've noticed that writing a pilot episode", "signify that more characters exist in some way. But other parts are less", "If I set it after that, it makes the reader think \"wait, why", "pilot make sense? And at the same time one would want to spread", "in a way that encapsulates who the characters are. Do not use \"throwaway", "all the major characters. Specifically in a way that encapsulates who the characters", "end of book 1. This is part of why \"just give them chapter", "a writer have improved since I wrote it and I'd like to try", "for obvious reasons. Notably, I've noticed that writing a pilot episode is very", "been working on a series. However, the series is very long and incomplete,", "and personalities are influenced by the social system they find themselves in, how", "twists\". My deuteragonist, whom previous readers have told me is a major selling", "didn't work. If I set the pilot before the start of the story,", " For one, a short story doesn't need to go anywhere. It's usually", "three focal characters: protagonist, antagonist, and \"helper\". But in a pilot episode it", "and manga. I've tried just giving them chapter 1 but that...doesn't work, at", "out what actually needs to be in a \"pilot episode\". That is, given", "this story\", is introduced as a villain before joining the heroes (a la", "these people know each other?\" or spoils potential plot twists. I'm not necessarily", "* The tone should be as close as possible to the \"general\" tone", "as a writer have improved since I wrote it and I'd like to", "with a better idea of knowing what I want to pitch, and partially", "It's usually self-contained and doesn't have any continuity. * In short stories it", "start of the story, one of the best selling points of the series", "inciting incident. Yes, that is something I should probably adjust. *I've been trying", "heck are these people and why should I care\" when they read the", "continuity. In short stories it is generally recommended to focus on a", "utilizes as necessary. E.g., magic system, major themes that establish tone, etc. ", "partially because my chapter 1 doesn't do an ideal job in \"showing the", "A short story or novella that I can focus all my attention on", "there, what needs to be left out, and overall make a coherent \"proof-of-concept\"", "spread out setting exposition as best as possible. Another example regarding \"major", "all my attention on and actually create a finished product that I can", "given the limited space, what does the story need to accomplish to give", "want to spread out setting exposition as best as possible. * Another example", "figure out what actually needs to be in a \"pilot episode\". That is,", "the story utilizes as necessary. E.g., magic system, major themes that establish tone,", "they read the story. * The story should introduce the setting and as", "on it from others. So I’ve been considering writing a “pilot” episode. A", "of \"who the heck are these people and why should I care\" when", "of book 1. This is part of why \"just give them chapter 1\"", "are these people and why should I care\" when they read the story.", "deciding how to write and structure a pilot episode? I.e., how do you", "selling points of the series doesn't show up. If I set it after", "limited number of characters. E.g., in manga pilot chapters it's suggested to have", "for answers to the above questions, what I'm more asking is more generally", "the inciting incident. Yes, that is something I should probably adjust. *I've been", "generally it creates an atmosphere of \"who the heck are these people and", "the story. The story should introduce the setting and as many of", "episode\". That is, given the limited space, what does the story need to", "has a lot of the typical \"exposition dump on the history of the", "time one would want to spread out setting exposition as best as possible.", "at the end of book 1. 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I've tried writing previous pilots, but I've noticed", "overall series is like?** * The story should introduce all the major characters.", "influenced by the social system they find themselves in, how does one provide", "In short stories it is generally recommended to focus on a limited number", "above questions, what I'm more asking is more generally *what does a writer", "each other?\" or spoils potential plot twists. I'm not necessarily asking for answers", "story should focus on a small, self-contained problem. The broader conflict(s) of the", "what does the story need to accomplish to give the reader an idea", "have improved since I wrote it and I'd like to try again with", "in manga pilot chapters it's suggested to have no more than three focal", "the world and why things are the way they are\" that are considered", "one would want to spread out setting exposition as best as possible. 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A short story or novella that I can focus all my", "chapter 1 doesn't do an ideal job in \"showing the most entertaining aspects", "should focus on a small, self-contained problem. The broader conflict(s) of the series", "as possible to the \"general\" tone of the series, as this is basically", "the character's reactions and personalities are influenced by the social system they find", "but generally it creates an atmosphere of \"who the heck are these people", "I've been working on a series. However, the series is very long and", "readers have told me is a major selling point as to \"why you", "on the history of the world and why things are the way they", "example regarding \"major twists\". My deuteragonist, whom previous readers have told me is", "entertaining aspects of the series\" due to it only being the inciting incident.", "you can, yes Jujutsu Kaisen got away with this, but generally it creates", "part of why \"just give them chapter 1\" didn't work. If I set", "may be useful to signify that more characters exist in some way. But", "adjust. *I've been trying to figure out what actually needs to be in", "system they find themselves in, how does one provide enough background to make", "personalities are influenced by the social system they find themselves in, how does", "that...doesn't work, at least partially because my skills as a writer have improved", "as close as possible to the \"general\" tone of the series, as this", "less clear. Two examples are below... For example, with regards to setting", "that I can focus all my attention on and actually create a finished", "aspects of the series\" due to it only being the inciting incident. Yes,", "wrote it and I'd like to try again with a better idea of", "themes that establish tone, etc. * The story should focus on a small,", "feedback on it from others. So I’ve been considering writing a “pilot” episode.", "interested in reading further. I've seen other written series do something similar, including", "it's difficult to get feedback on it from others. So I’ve been considering", "suggested to have no more than three focal characters: protagonist, antagonist, and \"helper\".", "how do you decide what information to put in there, what needs to", "E.g., magic system, major themes that establish tone, etc. * The story should", "give to prospective readers to see if they would actually be interested in", "obvious reasons. Notably, I've noticed that writing a pilot episode is very different", "does one provide enough background to make the pilot make sense? And at", "of the series, as this is basically a trial version to see if", "I wrote it and I'd like to try again with a better idea", "be as close as possible to the \"general\" tone of the series, as", "but they cannot be resolved within one short story. * The tone should", "short stories it is generally recommended to focus on a limited number of", "different* from writing either a short story, for several reasons. * For one,", "tone, etc. * The story should focus on a small, self-contained problem. The", "in there, what needs to be left out, and overall make a coherent", "shown, for obvious reasons. Notably, I've noticed that writing a pilot episode is", "way. But other parts are less clear. Two examples are below... * For", "after that, it makes the reader think \"wait, why don't these people know", "tone of the series, as this is basically a trial version to see", "and doesn't have any continuity. * In short stories it is generally recommended", "to write and structure a pilot episode? I.e., how do you decide what", "Notably, I've noticed that writing a pilot episode is very different from writing", "la Zuko) at the end of book 1. This is part of why", "manga pilot chapters it's suggested to have no more than three focal characters:", "basically a trial version to see if they'd like it. * Major twists", "and partially because my chapter 1 doesn't do an ideal job in \"showing", "focal characters: protagonist, antagonist, and \"helper\". But in a pilot episode it may", "be interested in reading further. I've seen other written series do something similar,", "need to go anywhere. It's usually self-contained and doesn't have any continuity. 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Yes, that is something", "I can focus all my attention on and actually create a finished product", "\"general\" tone of the series, as this is basically a trial version to", "protagonist, antagonist, and \"helper\". But in a pilot episode it may be useful", "elements and magic systems. I've tried writing previous pilots, but I've noticed that", "and magic systems. I've tried writing previous pilots, but I've noticed that one", "create a finished product that I can give to prospective readers to see", "webnovels, and manga. I've tried just giving them chapter 1 but that...doesn't work,", "example, with regards to setting elements and magic systems. I've tried writing previous", "major themes that establish tone, etc. The story should focus on a", "* Major twists that occur in the story should not be shown, for", "as necessary. E.g., magic system, major themes that establish tone, etc. * The", "on a series. However, the series is very long and incomplete, so it's", "And at the same time one would want to spread out setting exposition", "chapter 1 but that...doesn't work, at least partially because my skills as a", "the end of book 1. This is part of why \"just give them", "reasons. Notably, I've noticed that writing a pilot episode is very different from", "episode. A short story or novella that I can focus all my attention", "Do not use \"throwaway protagonists\" if you can, yes Jujutsu Kaisen got away", "same time one would want to spread out setting exposition as best as", "The broader conflict(s) of the series can be mentioned, but they cannot be", "that is something I should probably adjust. *I've been trying to figure out", "can, yes Jujutsu Kaisen* got away with this, but generally it creates an", "do you decide what information to put in there, what needs to be", "is very long and incomplete, so it's difficult to get feedback on it", "small, self-contained problem. The broader conflict(s) of the series can be mentioned, but", "due to it only being the inciting incident. Yes, that is something I", "version to see if they'd like it. * Major twists that occur in", "prospective readers to see if they would actually be interested in reading further.", "my attention on and actually create a finished product that I can give", "usually self-contained and doesn't have any continuity. * In short stories it is", "writing a pilot episode is very different from writing either a short story,", "resolved within one short story. * The tone should be as close as", "a series. However, the series is very long and incomplete, so it's difficult", "an ideal job in \"showing the most entertaining aspects of the series\" due", "other parts are less clear. Two examples are below... * For example, with", "do something similar, including novel series, webnovels, and manga. I've tried just giving", "more generally *what does a writer need to keep in mind when deciding", "are below... For example, with regards to setting elements and magic systems.", "in mind when deciding how to write and structure a pilot episode? I.e.,", "with regards to setting elements and magic systems. I've tried writing previous pilots,", "the story should not be shown, for obvious reasons. Notably, I've noticed that", "history of the world and why things are the way they are\" that", "plot twists. I'm not necessarily asking for answers to the above questions, what", "a short story doesn't need to go anywhere. It's usually self-contained and doesn't", "For one, a short story doesn't need to go anywhere. It's usually self-contained", "I've seen other written series do something similar, including novel series, webnovels, and", "one has a lot of the typical \"exposition dump on the history of", "in the story should not be shown, for obvious reasons. Notably, I've noticed", "you should read this story\", is introduced as a villain before joining the", "actually create a finished product that I can give to prospective readers to", "antagonist, and \"helper\". But in a pilot episode it may be useful to", "I've noticed that writing a pilot episode is very different from writing either", "Jujutsu Kaisen got away with this, but generally it creates an atmosphere of", "a pilot episode is very different from writing either a short story, for", "For example, with regards to setting elements and magic systems. I've tried writing", "the reader an idea of what the overall series is like?** * The", "needs to be left out, and overall make a coherent \"proof-of-concept\" story that", "out, and overall make a coherent \"proof-of-concept\" story that leaves people wanting more?*", "does a writer need to keep in mind when deciding how to write", "write and structure a pilot episode? I.e., how do you decide what information", "generally recommended to focus on a limited number of characters. E.g., in manga", "of the series doesn't show up. If I set it after that, it", "in \"showing the most entertaining aspects of the series\" due to it only", "a \"pilot episode\". That is, given the limited space, what does the story", "are\" that are considered mood-killers in fantasy novels. Yet, given a lot of", "selling point as to \"why you should read this story\", is introduced as", "in a \"pilot episode\". That is, given the limited space, what does the", "what actually needs to be in a \"pilot episode\". That is, given the", "of the character's reactions and personalities are influenced by the social system they", "the story need to accomplish to give the reader an idea of what", " The story should introduce the setting and as many of the major", "I've tried just giving them chapter 1 but that...doesn't work, at least partially", "given a lot of the character's reactions and personalities are influenced by the", "it only being the inciting incident. Yes, that is something I should probably", "to signify that more characters exist in some way. But other parts are", "creates an atmosphere of \"who the heck are these people and why should", "readers to see if they would actually be interested in reading further. I've", "a pilot episode it may be useful to signify that more characters exist", "pilot episode is very different from writing either a short story, for several", "put in there, what needs to be left out, and overall make a", "on a limited number of characters. E.g., in manga pilot chapters it's suggested", "occur in the story should not be shown, for obvious reasons. Notably, I've", "as to \"why you should read this story\", is introduced as a villain", "I set it after that, it makes the reader think \"wait, why don't", "I.e., how do you decide what information to put in there, what needs", "questions, what I'm more asking is more generally *what does a writer need", "pilot chapters it's suggested to have no more than three focal characters: protagonist,", "necessarily asking for answers to the above questions, what I'm more asking is", "when deciding how to write and structure a pilot episode? I.e., how do", "accomplish to give the reader an idea of what the overall series is", "to focus on a limited number of characters. E.g., in manga pilot chapters", "go anywhere. It's usually self-contained and doesn't have any continuity. In short", "major characters. Specifically in a way that encapsulates who the characters are. Do", "I want to pitch, and partially because my chapter 1 doesn't do an", "because my skills as a writer have improved since I wrote it and", "enough background to make the pilot make sense? And at the same time", "the characters are. Do not use \"throwaway protagonists\" if you can, yes Jujutsu", "this is basically a trial version to see if they'd like it. ", "that more characters exist in some way. But other parts are less clear.", "the major concepts the story utilizes as necessary. E.g., magic system, major themes", "one, a short story doesn't need to go anywhere. It's usually self-contained and", "in some way. But other parts are less clear. Two examples are below...", "focus on a limited number of characters. E.g., in manga pilot chapters it's", "points of the series doesn't show up. If I set it after that,", "or spoils potential plot twists. I'm not necessarily asking for answers to the", "work, at least partially because my skills as a writer have improved since", "But other parts are less clear. Two examples are below... * For example,", "the major characters. Specifically in a way that encapsulates who the characters are.", "Two examples are below... * For example, with regards to setting elements and", "is like?** * The story should introduce all the major characters. Specifically in", "can be mentioned, but they cannot be resolved within one short story. ", "is introduced as a villain before joining the heroes (a la Zuko) at", "to see if they'd like it. Major twists that occur in the", "any continuity. * In short stories it is generally recommended to focus on", "from others. So I’ve been considering writing a “pilot” episode. A short story", "the series, as this is basically a trial version to see if they'd", "from writing either a short story, for several reasons. * For one, a", "I've noticed that one has a lot of the typical \"exposition dump on", "for several reasons. * For one, a short story doesn't need to go", "mind when deciding how to write and structure a pilot episode? I.e., how", "clear. Two examples are below... * For example, with regards to setting elements", "are less clear. Two examples are below... * For example, with regards to", "actually needs to be in a \"pilot episode\". That is, given the limited", "like?** * The story should introduce all the major characters. Specifically in a", "introduce all the major characters. Specifically in a way that encapsulates who the", "of why \"just give them chapter 1\" didn't work. If I set the", "structure a pilot episode? I.e., how do you decide what information to put", "least partially because my skills as a writer have improved since I wrote", "I'd like to try again with a better idea of knowing what I", "if they'd like it. * Major twists that occur in the story should", "the \"general\" tone of the series, as this is basically a trial version", "it may be useful to signify that more characters exist in some way.", "point as to \"why you should read this story\", is introduced as a", "story\", is introduced as a villain before joining the heroes (a la Zuko)", "Yet, given a lot of the character's reactions and personalities are influenced by", "characters. Specifically in a way that encapsulates who the characters are. Do not", "I can give to prospective readers to see if they would actually be", "pilot episode it may be useful to signify that more characters exist in", "tried writing previous pilots, but I've noticed that one has a lot of", "information to put in there, what needs to be left out, and overall", "useful to signify that more characters exist in some way. But other parts", "should be as close as possible to the \"general\" tone of the series,", "can focus all my attention on and actually create a finished product that", "on a small, self-contained problem. The broader conflict(s) of the series can be", "a villain before joining the heroes (a la Zuko) at the end of", "close as possible to the \"general\" tone of the series, as this is", "are the way they are\" that are considered mood-killers in fantasy novels. Yet,", "why don't these people know each other?\" or spoils potential plot twists. I'm", "since I wrote it and I'd like to try again with a better", "a writer need to keep in mind when deciding how to write and", "being the inciting incident. Yes, that is something I should probably adjust. *I've", "them chapter 1 but that...doesn't work, at least partially because my skills as", "with this, but generally it creates an atmosphere of \"who the heck are", "and as many of the major concepts the story utilizes as necessary. E.g.,", "care\" when they read the story. The story should introduce the setting", "of the typical \"exposition dump on the history of the world and why", "things are the way they are\" that are considered mood-killers in fantasy novels.", "previous readers have told me is a major selling point as to \"why", "the series\" due to it only being the inciting incident. Yes, that is", "answers to the above questions, what I'm more asking is more generally *what", "to go anywhere. It's usually self-contained and doesn't have any continuity. In", "more asking is more generally what does a writer need to keep in", "only being the inciting incident. Yes, that is something I should probably adjust.", "to pitch, and partially because my chapter 1 doesn't do an ideal job", "series is like? * The story should introduce all the major characters. Specifically", "when they read the story. * The story should introduce the setting and", "many of the major concepts the story utilizes as necessary. E.g., magic system,", "in a pilot episode it may be useful to signify that more characters", "(a la Zuko) at the end of book 1. This is part of", "way they are\" that are considered mood-killers in fantasy novels. Yet, given a", "read the story. * The story should introduce the setting and as many", "it after that, it makes the reader think \"wait, why don't these people", "several reasons. * For one, a short story doesn't need to go anywhere.", "skills as a writer have improved since I wrote it and I'd like", "to make the pilot make sense? And at the same time one would", "The tone should be as close as possible to the \"general\" tone of", "within one short story. * The tone should be as close as possible", "it. * Major twists that occur in the story should not be shown,", "magic system, major themes that establish tone, etc. * The story should focus", "major concepts the story utilizes as necessary. E.g., magic system, major themes that", "characters are. Do not use \"throwaway protagonists\" if you can, yes Jujutsu Kaisen", "Major twists that occur in the story should not be shown, for obvious", "recommended to focus on a limited number of characters. E.g., in manga pilot", "can give to prospective readers to see if they would actually be interested", "short story doesn't need to go anywhere. It's usually self-contained and doesn't have", "makes the reader think \"wait, why don't these people know each other?\" or", "trial version to see if they'd like it. * Major twists that occur", "at the same time one would want to spread out setting exposition as", "novella that I can focus all my attention on and actually create a", "probably adjust. *I've been trying to figure out what actually needs to be", "magic systems. I've tried writing previous pilots, but I've noticed that one has", "problem. The broader conflict(s) of the series can be mentioned, but they cannot", "reasons. For one, a short story doesn't need to go anywhere. It's", "self-contained problem. The broader conflict(s) of the series can be mentioned, but they", "of the series\" due to it only being the inciting incident. Yes, that", "That is, given the limited space, what does the story need to accomplish", "setting and as many of the major concepts the story utilizes as necessary.", "difficult to get feedback on it from others. So I’ve been considering writing", "best selling points of the series doesn't show up. If I set it", "up. If I set it after that, it makes the reader think \"wait,", "of the best selling points of the series doesn't show up. If I", "incomplete, so it's difficult to get feedback on it from others. So I’ve", "the story, one of the best selling points of the series doesn't show", "see if they would actually be interested in reading further. I've seen other", "The story should introduce all the major characters. Specifically in a way that", "systems. I've tried writing previous pilots, but I've noticed that one has a", "\"pilot episode\". That is, given the limited space, what does the story need", "episode it may be useful to signify that more characters exist in some", "whom previous readers have told me is a major selling point as to", "provide enough background to make the pilot make sense? And at the same", "other?\" or spoils potential plot twists. I'm not necessarily asking for answers to", "episode is very different from writing either a short story, for several reasons.", "protagonists\" if you can, yes Jujutsu Kaisen got away with this, but generally", "deuteragonist, whom previous readers have told me is a major selling point as", "world and why things are the way they are\" that are considered mood-killers", "\"helper\". But in a pilot episode it may be useful to signify that", "of knowing what I want to pitch, and partially because my chapter 1", "why should I care\" when they read the story. * The story should", "that one has a lot of the typical \"exposition dump on the history", "including novel series, webnovels, and manga. I've tried just giving them chapter 1", "mood-killers in fantasy novels. Yet, given a lot of the character's reactions and", "read this story\", is introduced as a villain before joining the heroes (a", "* For example, with regards to setting elements and magic systems. I've tried", "atmosphere of \"who the heck are these people and why should I care\"", "* The story should introduce all the major characters. Specifically in a way", "mentioned, but they cannot be resolved within one short story. * The tone", "below... * For example, with regards to setting elements and magic systems. I've", "be useful to signify that more characters exist in some way. But other", "characters. E.g., in manga pilot chapters it's suggested to have no more than", "story need to accomplish to give the reader an idea of what the", "short story. * The tone should be as close as possible to the", "to be left out, and overall make a coherent \"proof-of-concept\" story that leaves", "show up. If I set it after that, it makes the reader think", "to try again with a better idea of knowing what I want to", "does the story need to accomplish to give the reader an idea of", "how to write and structure a pilot episode? I.e., how do you decide", "Another example regarding \"major twists\". My deuteragonist, whom previous readers have told me", "series. However, the series is very long and incomplete, so it's difficult to", "long and incomplete, so it's difficult to get feedback on it from others.", "a finished product that I can give to prospective readers to see if", "novel series, webnovels, and manga. I've tried just giving them chapter 1 but", "short story, for several reasons. * For one, a short story doesn't need", "been trying to figure out what actually needs to be in a \"pilot", "but I've noticed that one has a lot of the typical \"exposition dump", "series doesn't show up. If I set it after that, it makes the", "and why things are the way they are\" that are considered mood-killers in", "fantasy novels. Yet, given a lot of the character's reactions and personalities are", "to the above questions, what I'm more asking is more generally what does", "writer have improved since I wrote it and I'd like to try again", "\"showing the most entertaining aspects of the series\" due to it only being", "get feedback on it from others. So I’ve been considering writing a “pilot”", "E.g., in manga pilot chapters it's suggested to have no more than three", "knowing what I want to pitch, and partially because my chapter 1 doesn't", "told me is a major selling point as to \"why you should read", "to prospective readers to see if they would actually be interested in reading", "should introduce the setting and as many of the major concepts the story", "have no more than three focal characters: protagonist, antagonist, and \"helper\". But in", "should probably adjust. I've been trying to figure out what actually needs to", "parts are less clear. Two examples are below... * For example, with regards", "people and why should I care\" when they read the story. * The", "this, but generally it creates an atmosphere of \"who the heck are these", "the overall series is like?** * The story should introduce all the major", "Kaisen* got away with this, but generally it creates an atmosphere of \"who", "This is part of why \"just give them chapter 1\" didn't work. If", "short story or novella that I can focus all my attention on and", "pilot episode? I.e., how do you decide what information to put in there,", "do an ideal job in \"showing the most entertaining aspects of the series\"", "as possible. * Another example regarding \"major twists\". My deuteragonist, whom previous readers", "encapsulates who the characters are. Do not use \"throwaway protagonists\" if you can,", "characters exist in some way. But other parts are less clear. Two examples", "it from others. So I’ve been considering writing a “pilot” episode. A short", "should introduce all the major characters. Specifically in a way that encapsulates who", "story should introduce all the major characters. Specifically in a way that encapsulates", "try again with a better idea of knowing what I want to pitch,", "story. * The tone should be as close as possible to the \"general\"", "lot of the typical \"exposition dump on the history of the world and", "establish tone, etc. * The story should focus on a small, self-contained problem.", "a major selling point as to \"why you should read this story\", is", "trying to figure out what actually needs to be in a \"pilot episode\".", "possible to the \"general\" tone of the series, as this is basically a", "typical \"exposition dump on the history of the world and why things are", "dump on the history of the world and why things are the way", "I'm more asking is more generally *what does a writer need to keep", "working on a series. However, the series is very long and incomplete, so", "see if they'd like it. Major twists that occur in the story", "heroes (a la Zuko) at the end of book 1. This is part", "\"exposition dump on the history of the world and why things are the", "something I should probably adjust. *I've been trying to figure out what actually", "have any continuity. In short stories it is generally recommended to focus", "some way. But other parts are less clear. Two examples are below... ", "1 doesn't do an ideal job in \"showing the most entertaining aspects of", "written series do something similar, including novel series, webnovels, and manga. I've tried", "most entertaining aspects of the series\" due to it only being the inciting", "Zuko) at the end of book 1. This is part of why \"just", "what information to put in there, what needs to be left out, and", "these people and why should I care\" when they read the story. ", "twists that occur in the story should not be shown, for obvious reasons.", "1 but that...doesn't work, at least partially because my skills as a writer", "or novella that I can focus all my attention on and actually create", "the setting and as many of the major concepts the story utilizes as", "* Another example regarding \"major twists\". My deuteragonist, whom previous readers have told", "you decide what information to put in there, what needs to be left", "other written series do something similar, including novel series, webnovels, and manga. I've", "like to try again with a better idea of knowing what I want", "the history of the world and why things are the way they are\"", "asking is more generally *what does a writer need to keep in mind", "are. Do not use \"throwaway protagonists\" if you can, yes Jujutsu Kaisen* got", "make sense? And at the same time one would want to spread out", "be resolved within one short story. * The tone should be as close", "and why should I care\" when they read the story. * The story", "than three focal characters: protagonist, antagonist, and \"helper\". But in a pilot episode", "the pilot make sense? And at the same time one would want to", "they find themselves in, how does one provide enough background to make the", "that, it makes the reader think \"wait, why don't these people know each", "number of characters. E.g., in manga pilot chapters it's suggested to have no", "Specifically in a way that encapsulates who the characters are. Do not use", "chapters it's suggested to have no more than three focal characters: protagonist, antagonist,", "to put in there, what needs to be left out, and overall make", "of the major concepts the story utilizes as necessary. E.g., magic system, major", "concepts the story utilizes as necessary. E.g., magic system, major themes that establish", "what does a writer need to keep in mind when deciding how to", "series, webnovels, and manga. I've tried just giving them chapter 1 but that...doesn't", "generally what does a writer need to keep in mind when deciding how", "reading further. I've seen other written series do something similar, including novel series,", "they'd like it. * Major twists that occur in the story should not", "etc. * The story should focus on a small, self-contained problem. The broader", "think \"wait, why don't these people know each other?\" or spoils potential plot", "to be in a \"pilot episode\". That is, given the limited space, what", "My deuteragonist, whom previous readers have told me is a major selling point", "considering writing a “pilot” episode. A short story or novella that I can", "reader an idea of what the overall series is like?** * The story", "are considered mood-killers in fantasy novels. Yet, given a lot of the character's", "writer need to keep in mind when deciding how to write and structure", "away with this, but generally it creates an atmosphere of \"who the heck", "setting exposition as best as possible. * Another example regarding \"major twists\". My", "story should introduce the setting and as many of the major concepts the", "noticed that one has a lot of the typical \"exposition dump on the", "the series can be mentioned, but they cannot be resolved within one short", "should I care\" when they read the story. * The story should introduce", "my chapter 1 doesn't do an ideal job in \"showing the most entertaining", "the pilot before the start of the story, one of the best selling", "the heck are these people and why should I care\" when they read", "that establish tone, etc. * The story should focus on a small, self-contained", "something similar, including novel series, webnovels, and manga. I've tried just giving them", "a “pilot” episode. A short story or novella that I can focus all", "a better idea of knowing what I want to pitch, and partially because", "story utilizes as necessary. E.g., magic system, major themes that establish tone, etc.", "not be shown, for obvious reasons. Notably, I've noticed that writing a pilot", "know each other?\" or spoils potential plot twists. I'm not necessarily asking for", "series, as this is basically a trial version to see if they'd like" ]
[ "the branches was called Russia and apparently they didn't ask permission to use", "the SCP community was facing a lawsuit against a Russian because one of", "use to avoid getting lawsuit from companies. They change the names or tweak", "creators use to avoid getting lawsuit from companies. They change the names or", "SCP community was facing a lawsuit against a Russian because one of the", "one of the branches was called Russia and apparently they didn't ask permission", "which authors or creators use to avoid getting lawsuit from companies. They change", "or copyright works so can someone please help me better understand this stuff/", "getting lawsuit from companies. They change the names or tweak some designs of", "because one of the branches was called Russia and apparently they didn't ask", "and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to", "from companies. They change the names or tweak some designs of the product", "to have free use of it. But I remembered back then, the SCP", "I was browsing on Tv Tropes (don't judge me) and found out this", "some designs of the product which allows them to have free use of", "permission to use that name. I'm really confused how lawsuits or copyright works", "them to have free use of it. But I remembered back then, the", "it. But I remembered back then, the SCP community was facing a lawsuit", "to use that name. I'm really confused how lawsuits or copyright works so", "me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use", "lawsuit against a Russian because one of the branches was called Russia and", "against a Russian because one of the branches was called Russia and apparently", "remembered back then, the SCP community was facing a lawsuit against a Russian", "was facing a lawsuit against a Russian because one of the branches was", "was called Russia and apparently they didn't ask permission to use that name.", "which allows them to have free use of it. But I remembered back", "on Tv Tropes (don't judge me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47)", "was browsing on Tv Tropes (don't judge me) and found out this trope", "out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid getting", "avoid getting lawsuit from companies. They change the names or tweak some designs", "community was facing a lawsuit against a Russian because one of the branches", "So I was browsing on Tv Tropes (don't judge me) and found out", "Russia and apparently they didn't ask permission to use that name. I'm really", "Tropes (don't judge me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors", "then, the SCP community was facing a lawsuit against a Russian because one", "use of it. But I remembered back then, the SCP community was facing", "of it. But I remembered back then, the SCP community was facing a", "or creators use to avoid getting lawsuit from companies. They change the names", "or tweak some designs of the product which allows them to have free", "a Russian because one of the branches was called Russia and apparently they", "change the names or tweak some designs of the product which allows them", "designs of the product which allows them to have free use of it.", "(don't judge me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or", "name. I'm really confused how lawsuits or copyright works so can someone please", "I'm really confused how lawsuits or copyright works so can someone please help", "They change the names or tweak some designs of the product which allows", "of the branches was called Russia and apparently they didn't ask permission to", "called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid getting lawsuit from companies.", "authors or creators use to avoid getting lawsuit from companies. They change the", "Russian because one of the branches was called Russia and apparently they didn't", "to avoid getting lawsuit from companies. They change the names or tweak some", "and apparently they didn't ask permission to use that name. I'm really confused", "confused how lawsuits or copyright works so can someone please help me better", "trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid getting lawsuit from", "judge me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators", "companies. They change the names or tweak some designs of the product which", "the product which allows them to have free use of it. But I", "lawsuits or copyright works so can someone please help me better understand this", "Tv Tropes (don't judge me) and found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which", "browsing on Tv Tropes (don't judge me) and found out this trope called", "branches was called Russia and apparently they didn't ask permission to use that", "have free use of it. But I remembered back then, the SCP community", "facing a lawsuit against a Russian because one of the branches was called", "tweak some designs of the product which allows them to have free use", "didn't ask permission to use that name. I'm really confused how lawsuits or", "names or tweak some designs of the product which allows them to have", "of the product which allows them to have free use of it. But", "back then, the SCP community was facing a lawsuit against a Russian because", "product which allows them to have free use of it. But I remembered", "apparently they didn't ask permission to use that name. I'm really confused how", "But I remembered back then, the SCP community was facing a lawsuit against", "that name. I'm really confused how lawsuits or copyright works so can someone", "lawsuit from companies. They change the names or tweak some designs of the", "the names or tweak some designs of the product which allows them to", "a lawsuit against a Russian because one of the branches was called Russia", "free use of it. But I remembered back then, the SCP community was", "[A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid getting lawsuit from companies. They", "ask permission to use that name. I'm really confused how lawsuits or copyright", "use that name. I'm really confused how lawsuits or copyright works so can", "this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid getting lawsuit", "allows them to have free use of it. But I remembered back then,", "called Russia and apparently they didn't ask permission to use that name. I'm", "found out this trope called [A.K.A.-47](https://tvtropes.org/pmwiki/pmwiki.php/Main/AKA47) which authors or creators use to avoid", "how lawsuits or copyright works so can someone please help me better understand", "I remembered back then, the SCP community was facing a lawsuit against a", "really confused how lawsuits or copyright works so can someone please help me", "they didn't ask permission to use that name. I'm really confused how lawsuits" ]
[ "I want a plot to go & what I want to happen to", "ideas for where I want a plot to go & what I want", "tangled up in a mess of questions that either I can’t easily answer", "characters & the world they inhabit, but sometimes it can be hard to", "‘Why’ or ‘How;’ and as a result, I get tangled up in a", "to happen to my characters is easy, but then I find myself asking", "or faster? What is your policy for dealing with a situation where you", "what I want to happen to my characters is easy, but then I", "that either I can’t easily answer or that require me to do a", "answer to why or how? Don’t get me wrong, I understand exposition dumps", "or ‘How;’ and as a result, I get tangled up in a mess", "a character’s psychology / motives, etc. I love the process of creating characters", "easier or faster? What is your policy for dealing with a situation where", "will never read about, I do this just so that I can ensure", "hole; are there any other authors out there, who typically write towards the", "to do a whole lot of extra work creating backstories, understanding a character’s", "Coming up with ideas for where I want a plot to go &", "easily answer or that require me to do a whole lot of extra", "all kinds of things, like ‘Why’ or ‘How;’ and as a result, I", "character’s psychology / motives, etc. I love the process of creating characters &", "any other authors out there, who typically write towards the “hard” side of", "a mess of questions that either I can’t easily answer or that require", "psychology / motives, etc. I love the process of creating characters & the", "backstories, understanding a character’s psychology / motives, etc. I love the process of", "find a satisfactory answer to why or how? Don’t get me wrong, I", "of questions that either I can’t easily answer or that require me to", "require me to do a whole lot of extra work creating backstories, understanding", "a reader will never read about, I do this just so that I", "side of the “worldbuilding scale” that have any tips or tricks they use", "it easier or faster? What is your policy for dealing with a situation", "& what I want to happen to my characters is easy, but then", "a plot to go & what I want to happen to my characters", "mess of questions that either I can’t easily answer or that require me", "are bad; most of what I come up with a reader will never", "are there any other authors out there, who typically write towards the “hard”", "of extra work creating backstories, understanding a character’s psychology / motives, etc. I", "do this just so that I can ensure a sense of logic does", "the rabbit hole; are there any other authors out there, who typically write", "rabbit hole; are there any other authors out there, who typically write towards", "to find a satisfactory answer to why or how? Don’t get me wrong,", "the process of creating characters & the world they inhabit, but sometimes it", "seem to find a satisfactory answer to why or how? Don’t get me", "characters is easy, but then I find myself asking all kinds of things,", "“hard” side of the “worldbuilding scale” that have any tips or tricks they", "dealing with a situation where you want an event to occur or a", "of what I come up with a reader will never read about, I", "pull myself out of the rabbit hole; are there any other authors out", "I understand exposition dumps are bad; most of what I come up with", "do a whole lot of extra work creating backstories, understanding a character’s psychology", "but sometimes it can be hard to pull myself out of the rabbit", "the “hard” side of the “worldbuilding scale” that have any tips or tricks", "is easy, but then I find myself asking all kinds of things, like", "never read about, I do this just so that I can ensure a", "tricks they use for doing so that make it easier or faster? What", "it can be hard to pull myself out of the rabbit hole; are", "satisfactory answer to why or how? Don’t get me wrong, I understand exposition", "to pull myself out of the rabbit hole; are there any other authors", "and as a result, I get tangled up in a mess of questions", "to why or how? Don’t get me wrong, I understand exposition dumps are", "situation where you want an event to occur or a character to do", "/ motives, etc. I love the process of creating characters & the world", "to do something, but can’t seem to find a satisfactory answer to why", "I get tangled up in a mess of questions that either I can’t", "exposition dumps are bad; most of what I come up with a reader", "then I find myself asking all kinds of things, like ‘Why’ or ‘How;’", "with ideas for where I want a plot to go & what I", "I come up with a reader will never read about, I do this", "or tricks they use for doing so that make it easier or faster?", "policy for dealing with a situation where you want an event to occur", "event to occur or a character to do something, but can’t seem to", "a situation where you want an event to occur or a character to", "of the rabbit hole; are there any other authors out there, who typically", "get tangled up in a mess of questions that either I can’t easily", "“worldbuilding scale” that have any tips or tricks they use for doing so", "dumps are bad; most of what I come up with a reader will", "happen to my characters is easy, but then I find myself asking all", "character to do something, but can’t seem to find a satisfactory answer to", "how? Don’t get me wrong, I understand exposition dumps are bad; most of", "up with a reader will never read about, I do this just so", "up in a mess of questions that either I can’t easily answer or", "want to happen to my characters is easy, but then I find myself", "authors out there, who typically write towards the “hard” side of the “worldbuilding", "either I can’t easily answer or that require me to do a whole", "for dealing with a situation where you want an event to occur or", "wrong, I understand exposition dumps are bad; most of what I come up", "read about, I do this just so that I can ensure a sense", "up with ideas for where I want a plot to go & what", "for doing so that make it easier or faster? What is your policy", "is your policy for dealing with a situation where you want an event", "Don’t get me wrong, I understand exposition dumps are bad; most of what", "I love the process of creating characters & the world they inhabit, but", "myself asking all kinds of things, like ‘Why’ or ‘How;’ and as a", "most of what I come up with a reader will never read about,", "they inhabit, but sometimes it can be hard to pull myself out of", "reader will never read about, I do this just so that I can", "of things, like ‘Why’ or ‘How;’ and as a result, I get tangled", "a whole lot of extra work creating backstories, understanding a character’s psychology /", "other authors out there, who typically write towards the “hard” side of the", "scale” that have any tips or tricks they use for doing so that", "find myself asking all kinds of things, like ‘Why’ or ‘How;’ and as", "or a character to do something, but can’t seem to find a satisfactory", "of the “worldbuilding scale” that have any tips or tricks they use for", "answer or that require me to do a whole lot of extra work", "etc. I love the process of creating characters & the world they inhabit,", "like ‘Why’ or ‘How;’ and as a result, I get tangled up in", "so that I can ensure a sense of logic does exist should someone", "write towards the “hard” side of the “worldbuilding scale” that have any tips", "just so that I can ensure a sense of logic does exist should", "whole lot of extra work creating backstories, understanding a character’s psychology / motives,", "love the process of creating characters & the world they inhabit, but sometimes", "out there, who typically write towards the “hard” side of the “worldbuilding scale”", "a character to do something, but can’t seem to find a satisfactory answer", "why or how? 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She was now", "lengths Consistency in formatting, tense and voice Improving word choice while maintaining your", "or a walk. He seemed more relaxed and smiled more now that Lziinna", "off thieves as the knight explained in detail and moved her hands as", "expected the editor to make more changes but the problem is this editor", "again. Evanora thanked her but refused to leave the castle. > > >", "now that Lziinna was back. Evanora watched the way he stared at his", "the Kassi kingdom and the Lotus river on the other, it was hard", "even did some research but the outcome of this experience is kind of", ", yet the garden kept its charm. Evanora walked down the narrow path", "kept wandering around and felt like she was inside a maze. Trees covered", "I found someone offering their services online through a trusted platform and contacted", "travel there himself to make sure of it. > > > > >", "castle. > > > > > Lziinna then went on about her adventures", "the kingdom , the two became very close and met frequently. Sir Lheod", "as the knight explained in detail and moved her hands as she spoke", "had picked her finger with a needle over and over again till it", "begging to go on new adventures like Lziinna. > > > > >", "she knew it, she had already spent a little over a month in", "laughed. She even teased them about their relationship playfully a few times. >", "not satisfied with my own work that is why I expected the editor", "that she had made good progress. She was already deciding where to go", "> > > > Lziinna then went on about her adventures in the", "I'm unable to evaluate the work they have done. Sometimes I wonder if", "a little over a month in the Kassi kingdom. King Rokan was away", "50 000 words and the edits are basicaly the same as this one", "outcome of this experience is kind of disappointing. The service description: Grivmaz, punctuation,", "she talked and laughed. She even teased them about their relationship playfully a", "peace treaty. The Larth kingdom was the nearest kingdom and their main trade", "establish trade with other kingdoms since the routes were more difficult to use.", "days which makes me even more skeptic of the quality. I thought I", "> > > > > Over the time that Lziinna spent in the", "and the Lotus river on the other, it was hard to establish trade", "a trusted platform and contacted them but now I'm unable to evaluate the", "> > Her time was spent either with Lziinna or researching and practicing", "in the garden. > > > > > It was already autumn, and", "research but the outcome of this experience is kind of disappointing. The service", "to open up to her , too , and he would sometimes join", "escort her if she wants to go out again. Evanora thanked her but", "was away visiting the neighboring kingdom of Larth . She heard they were", "makes me even more skeptic of the quality. I thought I knew what", "expect and even did some research but the outcome of this experience is", "and the fresh morning air at dusk. She missed her old life ,", "ponctuations edits and few grammatical ones. They asked for only 4 days which", "them about their relationship playfully a few times. > > > > >", "was spent either with Lziinna or researching and practicing in the library. Before", "sure of it. > > > > > Evanora , on the other", "> > > Over the time that Lziinna spent in the kingdom ,", "one was around and tried healing it too. She smiled , remembering her", "to keep good relations with their closest neighbors and was willing to travel", "edits are basicaly the same as this one on the rest of the" ]
[ "single punctuation mark: `'`. Like G'day, G'night. I've seen it in some TV", "too. Like \"'Bout time someone hit him.\" M'fine, M'lady, 'Course not. Etc. Is", "M'fine, M'lady, 'Course not. Etc. Is there a specific word for this? And", "punctuation mark: `'`. Like G'day, G'night. I've seen it in some TV shows", "time someone hit him.\" M'fine, M'lady, 'Course not. Etc. Is there a specific", "word for this? And can this be used in writing? If so, when", "mark: `'`. Like G'day, G'night. I've seen it in some TV shows too.", "him.\" M'fine, M'lady, 'Course not. Etc. Is there a specific word for this?", "it everywhere where a character uses shortened words often with this single punctuation", "uses shortened words often with this single punctuation mark: `'`. Like G'day, G'night.", "specific word for this? And can this be used in writing? If so,", "be used in writing? If so, when is it appropriate to use it?", "G'night. I've seen it in some TV shows too. Like \"'Bout time someone", "can this be used in writing? If so, when is it appropriate to", "where a character uses shortened words often with this single punctuation mark: `'`.", "not. Etc. Is there a specific word for this? And can this be", "'Course not. Etc. Is there a specific word for this? And can this", "`'`. Like G'day, G'night. I've seen it in some TV shows too. Like", "seen it in some TV shows too. Like \"'Bout time someone hit him.\"", "a character uses shortened words often with this single punctuation mark: `'`. Like", "there a specific word for this? And can this be used in writing?", "this? And can this be used in writing? If so, when is it", "a specific word for this? And can this be used in writing? If", "seen it everywhere where a character uses shortened words often with this single", "often with this single punctuation mark: `'`. Like G'day, G'night. I've seen it", "\"'Bout time someone hit him.\" M'fine, M'lady, 'Course not. Etc. Is there a", "M'lady, 'Course not. Etc. Is there a specific word for this? And can", "some TV shows too. Like \"'Bout time someone hit him.\" M'fine, M'lady, 'Course", "hit him.\" M'fine, M'lady, 'Course not. Etc. Is there a specific word for", "TV shows too. Like \"'Bout time someone hit him.\" M'fine, M'lady, 'Course not.", "with this single punctuation mark: `'`. Like G'day, G'night. I've seen it in", "this be used in writing? If so, when is it appropriate to use", "Like G'day, G'night. I've seen it in some TV shows too. Like \"'Bout", "I've seen it in some TV shows too. Like \"'Bout time someone hit", "shortened words often with this single punctuation mark: `'`. Like G'day, G'night. I've", "G'day, G'night. I've seen it in some TV shows too. Like \"'Bout time", "it in some TV shows too. Like \"'Bout time someone hit him.\" M'fine,", "character uses shortened words often with this single punctuation mark: `'`. Like G'day,", "Etc. Is there a specific word for this? And can this be used", "words often with this single punctuation mark: `'`. Like G'day, G'night. I've seen", "someone hit him.\" M'fine, M'lady, 'Course not. Etc. Is there a specific word", "And can this be used in writing? If so, when is it appropriate", "I've seen it everywhere where a character uses shortened words often with this", "for this? And can this be used in writing? If so, when is", "Like \"'Bout time someone hit him.\" M'fine, M'lady, 'Course not. Etc. Is there", "in some TV shows too. Like \"'Bout time someone hit him.\" M'fine, M'lady,", "this single punctuation mark: `'`. Like G'day, G'night. I've seen it in some", "shows too. Like \"'Bout time someone hit him.\" M'fine, M'lady, 'Course not. Etc.", "Is there a specific word for this? And can this be used in", "everywhere where a character uses shortened words often with this single punctuation mark:" ]
[ "me wonder. Is an audience less likely to be interested in super-powered characters", "tech at all. There is a character called Black Canary. She has a", "out of Chi and become more vulnerable like a normal human, yet this", "just dresses in street clothes and screams at bad guys. Another example of", "Some versions of this character can even run out of Chi and become", "his chest out. This makes me wonder. Is an audience less likely to", "scream power. Depending on the version this power is either tech-based itself or", "versions of this character can even run out of Chi and become more", "character still chooses to wear a costume with his chest out. This makes", "street clothes and screams at bad guys. Another example of this is a", "with his chest out. This makes me wonder. Is an audience less likely", "interested in super-powered characters who depend on tech, because the tech can take", "still see that it's common for metahuman characters to not have any tech", "dresses in street clothes and screams at bad guys. Another example of this", "any protection. She just dresses in street clothes and screams at bad guys.", "a normal human, yet this character still chooses to wear a costume with", "or mutant/meta-based. Either way, the character doesn't wear any protection. She just dresses", "less likely to be interested in super-powered characters who depend on tech, because", "Urin Fidv. He has Chi Energy-based powers. Urin Fidv isn't really a durable", "Energy-based powers. Urin Fidv isn't really a durable character. Some versions of this", "called Urin Fidv. He has Chi Energy-based powers. Urin Fidv isn't really a", "be interested in super-powered characters who depend on tech, because the tech can", "but I still see that it's common for metahuman characters to not have", "Chi Energy-based powers. Urin Fidv isn't really a durable character. Some versions of", "characters who depend on tech, because the tech can take away from their", "their lack of superpowers. Not all metahumans are bulletproof, but I still see", "to be interested in super-powered characters who depend on tech, because the tech", "chest out. This makes me wonder. Is an audience less likely to be", "usually human superheroes without powers like Bixxan or Green Arrow, that use tech", "common for metahuman characters to not have any tech at all. There is", "make up for their lack of superpowers. Not all metahumans are bulletproof, but", "at bad guys. Another example of this is a character called Urin Fidv.", "This makes me wonder. Is an audience less likely to be interested in", "that it's common for metahuman characters to not have any tech at all.", "or Green Arrow, that use tech or depend on tech to make up", "powers. Urin Fidv isn't really a durable character. Some versions of this character", "lack of superpowers. Not all metahumans are bulletproof, but I still see that", "of this is a character called Urin Fidv. He has Chi Energy-based powers.", "tech or depend on tech to make up for their lack of superpowers.", "is either tech-based itself or mutant/meta-based. Either way, the character doesn't wear any", "even run out of Chi and become more vulnerable like a normal human,", "the version this power is either tech-based itself or mutant/meta-based. Either way, the", "see that it's common for metahuman characters to not have any tech at", "bulletproof, but I still see that it's common for metahuman characters to not", "itself or mutant/meta-based. Either way, the character doesn't wear any protection. She just", "and screams at bad guys. Another example of this is a character called", "yet this character still chooses to wear a costume with his chest out.", "without powers like Bixxan or Green Arrow, that use tech or depend on", "it's usually human superheroes without powers like Bixxan or Green Arrow, that use", "Either way, the character doesn't wear any protection. She just dresses in street", "version this power is either tech-based itself or mutant/meta-based. Either way, the character", "sonic scream power. Depending on the version this power is either tech-based itself", "Depending on the version this power is either tech-based itself or mutant/meta-based. Either", "this character still chooses to wear a costume with his chest out. This", "screams at bad guys. Another example of this is a character called Urin", "power. Depending on the version this power is either tech-based itself or mutant/meta-based.", "wear a costume with his chest out. This makes me wonder. Is an", "a costume with his chest out. This makes me wonder. Is an audience", "superpowers. Not all metahumans are bulletproof, but I still see that it's common", "a character called Black Canary. She has a sonic scream power. Depending on", "or depend on tech to make up for their lack of superpowers. Not", "He has Chi Energy-based powers. Urin Fidv isn't really a durable character. Some", "Is an audience less likely to be interested in super-powered characters who depend", "Another example of this is a character called Urin Fidv. He has Chi", "in street clothes and screams at bad guys. Another example of this is", "Chi and become more vulnerable like a normal human, yet this character still", "Fidv. He has Chi Energy-based powers. Urin Fidv isn't really a durable character.", "powers like Bixxan or Green Arrow, that use tech or depend on tech", "to make up for their lack of superpowers. Not all metahumans are bulletproof,", "vulnerable like a normal human, yet this character still chooses to wear a", "metahuman characters to not have any tech at all. There is a character", "has a sonic scream power. Depending on the version this power is either", "I still see that it's common for metahuman characters to not have any", "mutant/meta-based. Either way, the character doesn't wear any protection. She just dresses in", "become more vulnerable like a normal human, yet this character still chooses to", "chooses to wear a costume with his chest out. This makes me wonder.", "still chooses to wear a costume with his chest out. This makes me", "likely to be interested in super-powered characters who depend on tech, because the", "doesn't wear any protection. She just dresses in street clothes and screams at", "is a character called Black Canary. She has a sonic scream power. Depending", "wonder. Is an audience less likely to be interested in super-powered characters who", "character called Black Canary. She has a sonic scream power. Depending on the", "super-powered characters who depend on tech, because the tech can take away from", "wear any protection. She just dresses in street clothes and screams at bad", "makes me wonder. Is an audience less likely to be interested in super-powered", "to not have any tech at all. There is a character called Black", "like a normal human, yet this character still chooses to wear a costume", "called Black Canary. She has a sonic scream power. Depending on the version", "guys. Another example of this is a character called Urin Fidv. He has", "for metahuman characters to not have any tech at all. There is a", "character can even run out of Chi and become more vulnerable like a", "to wear a costume with his chest out. This makes me wonder. Is", "character. Some versions of this character can even run out of Chi and", "up for their lack of superpowers. Not all metahumans are bulletproof, but I", "really a durable character. Some versions of this character can even run out", "of superpowers. Not all metahumans are bulletproof, but I still see that it's", "at all. There is a character called Black Canary. She has a sonic", "out. This makes me wonder. Is an audience less likely to be interested", "normal human, yet this character still chooses to wear a costume with his", "human superheroes without powers like Bixxan or Green Arrow, that use tech or", "bad guys. Another example of this is a character called Urin Fidv. He", "a character called Urin Fidv. He has Chi Energy-based powers. Urin Fidv isn't", "this character can even run out of Chi and become more vulnerable like", "Canary. She has a sonic scream power. Depending on the version this power", "an audience less likely to be interested in super-powered characters who depend on", "Urin Fidv isn't really a durable character. Some versions of this character can", "not have any tech at all. There is a character called Black Canary.", "depend on tech to make up for their lack of superpowers. Not all", "either tech-based itself or mutant/meta-based. Either way, the character doesn't wear any protection.", "character called Urin Fidv. He has Chi Energy-based powers. Urin Fidv isn't really", "durable character. Some versions of this character can even run out of Chi", "of this character can even run out of Chi and become more vulnerable", "can even run out of Chi and become more vulnerable like a normal", "a durable character. Some versions of this character can even run out of", "example of this is a character called Urin Fidv. He has Chi Energy-based", "She just dresses in street clothes and screams at bad guys. Another example", "run out of Chi and become more vulnerable like a normal human, yet", "are bulletproof, but I still see that it's common for metahuman characters to", "power is either tech-based itself or mutant/meta-based. Either way, the character doesn't wear", "She has a sonic scream power. Depending on the version this power is", "human, yet this character still chooses to wear a costume with his chest", "it's common for metahuman characters to not have any tech at all. There", "clothes and screams at bad guys. Another example of this is a character", "Not all metahumans are bulletproof, but I still see that it's common for", "character doesn't wear any protection. She just dresses in street clothes and screams", "use tech or depend on tech to make up for their lack of", "Green Arrow, that use tech or depend on tech to make up for", "In fiction, it's usually human superheroes without powers like Bixxan or Green Arrow,", "characters to not have any tech at all. There is a character called", "for their lack of superpowers. Not all metahumans are bulletproof, but I still", "protection. She just dresses in street clothes and screams at bad guys. Another", "metahumans are bulletproof, but I still see that it's common for metahuman characters", "is a character called Urin Fidv. He has Chi Energy-based powers. Urin Fidv", "and become more vulnerable like a normal human, yet this character still chooses", "on the version this power is either tech-based itself or mutant/meta-based. Either way,", "a sonic scream power. Depending on the version this power is either tech-based", "audience less likely to be interested in super-powered characters who depend on tech,", "way, the character doesn't wear any protection. She just dresses in street clothes", "Bixxan or Green Arrow, that use tech or depend on tech to make", "of Chi and become more vulnerable like a normal human, yet this character", "like Bixxan or Green Arrow, that use tech or depend on tech to", "has Chi Energy-based powers. Urin Fidv isn't really a durable character. Some versions", "fiction, it's usually human superheroes without powers like Bixxan or Green Arrow, that", "superheroes without powers like Bixxan or Green Arrow, that use tech or depend", "this power is either tech-based itself or mutant/meta-based. Either way, the character doesn't", "in super-powered characters who depend on tech, because the tech can take away", "Fidv isn't really a durable character. Some versions of this character can even", "on tech to make up for their lack of superpowers. Not all metahumans", "have any tech at all. There is a character called Black Canary. She", "this is a character called Urin Fidv. He has Chi Energy-based powers. Urin", "any tech at all. There is a character called Black Canary. She has", "Arrow, that use tech or depend on tech to make up for their", "Black Canary. She has a sonic scream power. Depending on the version this", "isn't really a durable character. Some versions of this character can even run", "the character doesn't wear any protection. She just dresses in street clothes and", "costume with his chest out. This makes me wonder. Is an audience less", "tech to make up for their lack of superpowers. Not all metahumans are", "all metahumans are bulletproof, but I still see that it's common for metahuman", "who depend on tech, because the tech can take away from their superpowers?", "more vulnerable like a normal human, yet this character still chooses to wear", "that use tech or depend on tech to make up for their lack", "all. There is a character called Black Canary. She has a sonic scream", "tech-based itself or mutant/meta-based. Either way, the character doesn't wear any protection. She", "There is a character called Black Canary. She has a sonic scream power." ]
[ "question here is: does the escalation of threats in a superhero world make", "the more smaller threats can still be taken seriously. Does the powerful Mob", "most infamous serial killer our world has ever seen. But in his own", "like a simple police problem. In a way, my title question kind of", "the most infamous serial killer our world has ever seen. But in his", "Zsasz would be the most infamous serial killer our world has ever seen.", "is: does the escalation of threats in a superhero world make smaller threats", "killer. Put him in the real world, and Victor Zsasz would be the", "infamous villains list. Despite Victor Zsasz being very dangerous, there are still other", "has ever seen. But in his own world, Victor Zsasz doesn't even make", "very dangerous, there are still other Batman villains that make him look like", "is a very dangerous serial killer. Put him in the real world, and", "overshadowed by the alien overlord? Do the ninja organizations get overshadowed by the", "Victor Zsasz being very dangerous, there are still other Batman villains that make", "powerful Mob boss get overshadowed by the alien overlord? Do the ninja organizations", "would be the most infamous serial killer our world has ever seen. But", "societies? In conclusion, my main question here is: does the escalation of threats", "is Victor Zsasz. He is a very dangerous serial killer. Put him in", "by the underground Vampire cults? Does the powerful militia get overshadowed by the", "has an extremely dangerous supervillain gallery. One of those dangerous villains is Victor", "world, Victor Zsasz doesn't even make the top 50 most infamous villains list.", "In a way, my title question kind of ties into power creep. But", "a way, my title question kind of ties into power creep. But my", "of those dangerous villains is Victor Zsasz. He is a very dangerous serial", "there are still other Batman villains that make him look like a simple", "50 most infamous villains list. Despite Victor Zsasz being very dangerous, there are", "question kind of ties into power creep. But my title question is also", "taken seriously. Does the powerful Mob boss get overshadowed by the alien overlord?", "overshadowed by the secret Wizard societies? In conclusion, my main question here is:", "secret Wizard societies? In conclusion, my main question here is: does the escalation", "Victor Zsasz. He is a very dangerous serial killer. Put him in the", "conclusion, my main question here is: does the escalation of threats in a", "dangerous serial killer. Put him in the real world, and Victor Zsasz would", "infamous serial killer our world has ever seen. But in his own world,", "dangerous supervillain gallery. One of those dangerous villains is Victor Zsasz. He is", "my title question is also about how the more smaller threats can still", "of ties into power creep. But my title question is also about how", "our world has ever seen. But in his own world, Victor Zsasz doesn't", "villains list. Despite Victor Zsasz being very dangerous, there are still other Batman", "my main question here is: does the escalation of threats in a superhero", "cults? Does the powerful militia get overshadowed by the secret Wizard societies? In", "One of those dangerous villains is Victor Zsasz. He is a very dangerous", "real world, and Victor Zsasz would be the most infamous serial killer our", "look like a simple police problem. In a way, my title question kind", "creep. But my title question is also about how the more smaller threats", "make the top 50 most infamous villains list. Despite Victor Zsasz being very", "own world, Victor Zsasz doesn't even make the top 50 most infamous villains", "an extremely dangerous supervillain gallery. One of those dangerous villains is Victor Zsasz.", "the top 50 most infamous villains list. Despite Victor Zsasz being very dangerous,", "still other Batman villains that make him look like a simple police problem.", "top 50 most infamous villains list. Despite Victor Zsasz being very dangerous, there", "ninja organizations get overshadowed by the underground Vampire cults? Does the powerful militia", "killer our world has ever seen. But in his own world, Victor Zsasz", "powerful militia get overshadowed by the secret Wizard societies? In conclusion, my main", "extremely dangerous supervillain gallery. One of those dangerous villains is Victor Zsasz. He", "by the alien overlord? Do the ninja organizations get overshadowed by the underground", "the secret Wizard societies? In conclusion, my main question here is: does the", "that make him look like a simple police problem. In a way, my", "Victor Zsasz would be the most infamous serial killer our world has ever", "get overshadowed by the secret Wizard societies? In conclusion, my main question here", "kind of ties into power creep. But my title question is also about", "underground Vampire cults? Does the powerful militia get overshadowed by the secret Wizard", "very dangerous serial killer. Put him in the real world, and Victor Zsasz", "him in the real world, and Victor Zsasz would be the most infamous", "But my title question is also about how the more smaller threats can", "title question kind of ties into power creep. But my title question is", "He is a very dangerous serial killer. Put him in the real world,", "also about how the more smaller threats can still be taken seriously. Does", "police problem. In a way, my title question kind of ties into power", "In conclusion, my main question here is: does the escalation of threats in", "Batman has an extremely dangerous supervillain gallery. One of those dangerous villains is", "make him look like a simple police problem. In a way, my title", "militia get overshadowed by the secret Wizard societies? In conclusion, my main question", "question is also about how the more smaller threats can still be taken", "dangerous villains is Victor Zsasz. He is a very dangerous serial killer. Put", "Despite Victor Zsasz being very dangerous, there are still other Batman villains that", "simple police problem. In a way, my title question kind of ties into", "even make the top 50 most infamous villains list. Despite Victor Zsasz being", "a simple police problem. In a way, my title question kind of ties", "Wizard societies? In conclusion, my main question here is: does the escalation of", "a very dangerous serial killer. Put him in the real world, and Victor", "serial killer. Put him in the real world, and Victor Zsasz would be", "the escalation of threats in a superhero world make smaller threats look irrelevant?", "the underground Vampire cults? Does the powerful militia get overshadowed by the secret", "Victor Zsasz doesn't even make the top 50 most infamous villains list. Despite", "get overshadowed by the underground Vampire cults? Does the powerful militia get overshadowed", "list. Despite Victor Zsasz being very dangerous, there are still other Batman villains", "problem. In a way, my title question kind of ties into power creep.", "seriously. Does the powerful Mob boss get overshadowed by the alien overlord? Do", "by the secret Wizard societies? In conclusion, my main question here is: does", "villains that make him look like a simple police problem. In a way,", "other Batman villains that make him look like a simple police problem. In", "seen. But in his own world, Victor Zsasz doesn't even make the top", "Put him in the real world, and Victor Zsasz would be the most", "is also about how the more smaller threats can still be taken seriously.", "serial killer our world has ever seen. But in his own world, Victor", "still be taken seriously. Does the powerful Mob boss get overshadowed by the", "world, and Victor Zsasz would be the most infamous serial killer our world", "the real world, and Victor Zsasz would be the most infamous serial killer", "the powerful Mob boss get overshadowed by the alien overlord? Do the ninja", "be taken seriously. Does the powerful Mob boss get overshadowed by the alien", "gallery. One of those dangerous villains is Victor Zsasz. He is a very", "organizations get overshadowed by the underground Vampire cults? Does the powerful militia get", "Zsasz. He is a very dangerous serial killer. Put him in the real", "being very dangerous, there are still other Batman villains that make him look", "my title question kind of ties into power creep. But my title question", "the powerful militia get overshadowed by the secret Wizard societies? In conclusion, my", "about how the more smaller threats can still be taken seriously. Does the", "supervillain gallery. One of those dangerous villains is Victor Zsasz. He is a", "But in his own world, Victor Zsasz doesn't even make the top 50", "doesn't even make the top 50 most infamous villains list. Despite Victor Zsasz", "the alien overlord? Do the ninja organizations get overshadowed by the underground Vampire", "and Victor Zsasz would be the most infamous serial killer our world has", "in the real world, and Victor Zsasz would be the most infamous serial", "get overshadowed by the alien overlord? Do the ninja organizations get overshadowed by", "can still be taken seriously. Does the powerful Mob boss get overshadowed by", "into power creep. But my title question is also about how the more", "overlord? Do the ninja organizations get overshadowed by the underground Vampire cults? Does", "Batman villains that make him look like a simple police problem. In a", "overshadowed by the underground Vampire cults? Does the powerful militia get overshadowed by", "Zsasz being very dangerous, there are still other Batman villains that make him", "smaller threats can still be taken seriously. Does the powerful Mob boss get", "Does the powerful militia get overshadowed by the secret Wizard societies? In conclusion,", "Mob boss get overshadowed by the alien overlord? Do the ninja organizations get", "ties into power creep. But my title question is also about how the", "way, my title question kind of ties into power creep. But my title", "dangerous, there are still other Batman villains that make him look like a", "threats can still be taken seriously. Does the powerful Mob boss get overshadowed", "are still other Batman villains that make him look like a simple police", "how the more smaller threats can still be taken seriously. Does the powerful", "power creep. But my title question is also about how the more smaller", "those dangerous villains is Victor Zsasz. He is a very dangerous serial killer.", "boss get overshadowed by the alien overlord? Do the ninja organizations get overshadowed", "Zsasz doesn't even make the top 50 most infamous villains list. Despite Victor", "him look like a simple police problem. In a way, my title question", "title question is also about how the more smaller threats can still be", "does the escalation of threats in a superhero world make smaller threats look", "the ninja organizations get overshadowed by the underground Vampire cults? Does the powerful", "world has ever seen. But in his own world, Victor Zsasz doesn't even", "in his own world, Victor Zsasz doesn't even make the top 50 most", "be the most infamous serial killer our world has ever seen. But in", "his own world, Victor Zsasz doesn't even make the top 50 most infamous", "most infamous villains list. Despite Victor Zsasz being very dangerous, there are still", "here is: does the escalation of threats in a superhero world make smaller", "main question here is: does the escalation of threats in a superhero world", "Do the ninja organizations get overshadowed by the underground Vampire cults? Does the", "ever seen. But in his own world, Victor Zsasz doesn't even make the", "alien overlord? Do the ninja organizations get overshadowed by the underground Vampire cults?", "villains is Victor Zsasz. He is a very dangerous serial killer. Put him", "Does the powerful Mob boss get overshadowed by the alien overlord? Do the", "more smaller threats can still be taken seriously. Does the powerful Mob boss", "Vampire cults? Does the powerful militia get overshadowed by the secret Wizard societies?" ]
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[ "threat to the hero. It doesn't matter if the hero is super or", "character could have tracking abilities. Just low-tier powers that would still make them", "no stranger to dealing with metahuman villains. This is common in a lot", "super-soldier ability could still fit this standard too. So in conclusion, does the", "villains. This is common in a lot of superhero stories, but these characters", "a huge threat to the hero. It doesn't matter if the hero is", "killer-based gimmicks, the assassin/hitmen or serial killer type of characters, are often portrayed", "ability. A serial killer type of character could have tracking abilities. Just low-tier", "no powers, even though the character Batman is no stranger to dealing with", "that usually have killer-based gimmicks, the assassin/hitmen or serial killer type of characters,", "assassin/hitmen or serial killer type of characters, are often portrayed as not having", "of cool make it cool for killer-based gimmick characters to not have any", "characters superpowers, but not too powerful. For example, I didn't give the assassin", "almost like these killer-based gimmick characters are too cool to have superpowers in", "relatable to their normal counterparts. Technically a super-soldier ability could still fit this", "superhero stories, characters that usually have killer-based gimmicks, the assassin/hitmen or serial killer", "a lot of superhero stories, characters that usually have killer-based gimmicks, the assassin/hitmen", "type of characters, are often portrayed as not having superpowers. The majority of", "example, a hitman type of character might have a never miss a target", "be true, though? In my world, I give killer-based gimmick characters superpowers, but", "powers. For example, a hitman type of character might have a never miss", "are often portrayed as not having superpowers. The majority of characters with killer-based", "this sounds very funny. Can it be true, though? In my world, I", "powers, even though the character Batman is no stranger to dealing with metahuman", "it be true, though? In my world, I give killer-based gimmick characters superpowers,", "gimmick characters superpowers, but not too powerful. For example, I didn't give the", "not too powerful. For example, I didn't give the assassin the ability to", "in conclusion, does the law of cool make it cool for killer-based gimmick", "place. To be honest, this sounds very funny. Can it be true, though?", "the assassin the ability to burn down the whole planet. I didn't give", "too powerful. For example, I didn't give the assassin the ability to burn", "ability could still fit this standard too. So in conclusion, does the law", "be honest, this sounds very funny. Can it be true, though? In my", "This is common in a lot of superhero stories, but these characters are", "honest, this sounds very funny. Can it be true, though? In my world,", "is common in a lot of superhero stories, but these characters are still", "In a lot of superhero stories, characters that usually have killer-based gimmicks, the", "their normal counterparts. Technically a super-soldier ability could still fit this standard too.", "abilities. Just low-tier powers that would still make them close or relatable to", "but these characters are still portrayed as being a huge threat to the", "true, though? In my world, I give killer-based gimmick characters superpowers, but not", "So in conclusion, does the law of cool make it cool for killer-based", "Batman is no stranger to dealing with metahuman villains. This is common in", "gimmick characters to not have any superpowers, because their normal skills are too", "like these killer-based gimmick characters are too cool to have superpowers in the", "make it cool for killer-based gimmick characters to not have any superpowers, because", "characters are still portrayed as being a huge threat to the hero. It", "For example, a hitman type of character might have a never miss a", "example, I didn't give the assassin the ability to burn down the whole", "normal counterparts. Technically a super-soldier ability could still fit this standard too. So", "the assassin/hitmen or serial killer type of characters, are often portrayed as not", "very funny. Can it be true, though? In my world, I give killer-based", "killer-based gimmick characters to not have any superpowers, because their normal skills are", "characters low-tier powers. For example, a hitman type of character might have a", "ability to be omnipresent. I would give these types of characters low-tier powers.", "is no stranger to dealing with metahuman villains. This is common in a", "funny. Can it be true, though? In my world, I give killer-based gimmick", "not, it's almost like these killer-based gimmick characters are too cool to have", "world, I give killer-based gimmick characters superpowers, but not too powerful. For example,", "superpowers. The majority of characters with killer-based gimmicks in Batman are usually normal", "the hero is super or not, it's almost like these killer-based gimmick characters", "might have a never miss a target ability. A serial killer type of", "of characters, are often portrayed as not having superpowers. The majority of characters", "in Batman are usually normal humans with no powers, even though the character", "the hero. It doesn't matter if the hero is super or not, it's", "normal humans with no powers, even though the character Batman is no stranger", "whole planet. I didn't give the serial killer the ability to be omnipresent.", "of characters low-tier powers. For example, a hitman type of character might have", "be omnipresent. I would give these types of characters low-tier powers. For example,", "majority of characters with killer-based gimmicks in Batman are usually normal humans with", "gimmicks, the assassin/hitmen or serial killer type of characters, are often portrayed as", "give the serial killer the ability to be omnipresent. I would give these", "A serial killer type of character could have tracking abilities. Just low-tier powers", "lot of superhero stories, but these characters are still portrayed as being a", "target ability. A serial killer type of character could have tracking abilities. Just", "a super-soldier ability could still fit this standard too. So in conclusion, does", "humans with no powers, even though the character Batman is no stranger to", "It doesn't matter if the hero is super or not, it's almost like", "characters, are often portrayed as not having superpowers. The majority of characters with", "serial killer the ability to be omnipresent. I would give these types of", "to their normal counterparts. Technically a super-soldier ability could still fit this standard", "a target ability. A serial killer type of character could have tracking abilities.", "killer-based gimmick characters superpowers, but not too powerful. For example, I didn't give", "In my world, I give killer-based gimmick characters superpowers, but not too powerful.", "cool make it cool for killer-based gimmick characters to not have any superpowers,", "doesn't matter if the hero is super or not, it's almost like these", "to be omnipresent. I would give these types of characters low-tier powers. For", "too cool to have superpowers in the first place. To be honest, this", "it cool for killer-based gimmick characters to not have any superpowers, because their", "dealing with metahuman villains. This is common in a lot of superhero stories,", "a never miss a target ability. A serial killer type of character could", "or relatable to their normal counterparts. Technically a super-soldier ability could still fit", "this standard too. So in conclusion, does the law of cool make it", "sounds very funny. Can it be true, though? In my world, I give", "are still portrayed as being a huge threat to the hero. It doesn't", "still portrayed as being a huge threat to the hero. It doesn't matter", "common in a lot of superhero stories, but these characters are still portrayed", "having superpowers. The majority of characters with killer-based gimmicks in Batman are usually", "I didn't give the assassin the ability to burn down the whole planet.", "The majority of characters with killer-based gimmicks in Batman are usually normal humans", "is super or not, it's almost like these killer-based gimmick characters are too", "give these types of characters low-tier powers. For example, a hitman type of", "Just low-tier powers that would still make them close or relatable to their", "hero is super or not, it's almost like these killer-based gimmick characters are", "still fit this standard too. So in conclusion, does the law of cool", "I didn't give the serial killer the ability to be omnipresent. I would", "are too cool to have superpowers in the first place. To be honest,", "being a huge threat to the hero. It doesn't matter if the hero", "superhero stories, but these characters are still portrayed as being a huge threat", "it's almost like these killer-based gimmick characters are too cool to have superpowers", "give the assassin the ability to burn down the whole planet. I didn't", "killer type of character could have tracking abilities. Just low-tier powers that would", "would still make them close or relatable to their normal counterparts. Technically a", "does the law of cool make it cool for killer-based gimmick characters to", "character Batman is no stranger to dealing with metahuman villains. This is common", "Batman are usually normal humans with no powers, even though the character Batman", "still make them close or relatable to their normal counterparts. Technically a super-soldier", "stories, characters that usually have killer-based gimmicks, the assassin/hitmen or serial killer type", "miss a target ability. A serial killer type of character could have tracking", "low-tier powers that would still make them close or relatable to their normal", "not having superpowers. The majority of characters with killer-based gimmicks in Batman are", "type of character could have tracking abilities. Just low-tier powers that would still", "of superhero stories, but these characters are still portrayed as being a huge", "to dealing with metahuman villains. This is common in a lot of superhero", "types of characters low-tier powers. For example, a hitman type of character might", "conclusion, does the law of cool make it cool for killer-based gimmick characters", "didn't give the serial killer the ability to be omnipresent. I would give", "never miss a target ability. A serial killer type of character could have", "down the whole planet. I didn't give the serial killer the ability to", "of character could have tracking abilities. Just low-tier powers that would still make", "super or not, it's almost like these killer-based gimmick characters are too cool", "are usually normal humans with no powers, even though the character Batman is", "matter if the hero is super or not, it's almost like these killer-based", "or not, it's almost like these killer-based gimmick characters are too cool to", "the ability to burn down the whole planet. I didn't give the serial", "have tracking abilities. Just low-tier powers that would still make them close or", "often portrayed as not having superpowers. The majority of characters with killer-based gimmicks", "but not too powerful. For example, I didn't give the assassin the ability", "though the character Batman is no stranger to dealing with metahuman villains. This", "in the first place. To be honest, this sounds very funny. Can it", "killer-based gimmicks in Batman are usually normal humans with no powers, even though", "stories, but these characters are still portrayed as being a huge threat to", "the law of cool make it cool for killer-based gimmick characters to not", "in a lot of superhero stories, but these characters are still portrayed as", "ability to burn down the whole planet. I didn't give the serial killer", "the first place. To be honest, this sounds very funny. Can it be", "portrayed as not having superpowers. The majority of characters with killer-based gimmicks in", "have a never miss a target ability. A serial killer type of character", "serial killer type of characters, are often portrayed as not having superpowers. The", "if the hero is super or not, it's almost like these killer-based gimmick", "planet. I didn't give the serial killer the ability to be omnipresent. I", "standard too. So in conclusion, does the law of cool make it cool", "to the hero. It doesn't matter if the hero is super or not,", "the serial killer the ability to be omnipresent. I would give these types", "lot of superhero stories, characters that usually have killer-based gimmicks, the assassin/hitmen or", "the character Batman is no stranger to dealing with metahuman villains. This is", "give killer-based gimmick characters superpowers, but not too powerful. For example, I didn't", "could still fit this standard too. So in conclusion, does the law of", "killer type of characters, are often portrayed as not having superpowers. The majority", "the ability to be omnipresent. I would give these types of characters low-tier", "of character might have a never miss a target ability. A serial killer", "with metahuman villains. This is common in a lot of superhero stories, but", "serial killer type of character could have tracking abilities. Just low-tier powers that", "powers that would still make them close or relatable to their normal counterparts.", "For example, I didn't give the assassin the ability to burn down the", "these types of characters low-tier powers. For example, a hitman type of character", "killer-based gimmick characters are too cool to have superpowers in the first place.", "characters to not have any superpowers, because their normal skills are too cool?", "close or relatable to their normal counterparts. Technically a super-soldier ability could still", "powerful. For example, I didn't give the assassin the ability to burn down", "tracking abilities. Just low-tier powers that would still make them close or relatable", "killer the ability to be omnipresent. I would give these types of characters", "hero. It doesn't matter if the hero is super or not, it's almost", "characters are too cool to have superpowers in the first place. To be", "with no powers, even though the character Batman is no stranger to dealing", "metahuman villains. This is common in a lot of superhero stories, but these", "have superpowers in the first place. To be honest, this sounds very funny.", "too. So in conclusion, does the law of cool make it cool for", "to burn down the whole planet. I didn't give the serial killer the", "though? In my world, I give killer-based gimmick characters superpowers, but not too", "as being a huge threat to the hero. It doesn't matter if the", "hitman type of character might have a never miss a target ability. A", "make them close or relatable to their normal counterparts. Technically a super-soldier ability", "characters with killer-based gimmicks in Batman are usually normal humans with no powers,", "gimmicks in Batman are usually normal humans with no powers, even though the", "stranger to dealing with metahuman villains. This is common in a lot of", "portrayed as being a huge threat to the hero. It doesn't matter if", "burn down the whole planet. I didn't give the serial killer the ability", "a lot of superhero stories, but these characters are still portrayed as being", "have killer-based gimmicks, the assassin/hitmen or serial killer type of characters, are often", "omnipresent. I would give these types of characters low-tier powers. For example, a", "huge threat to the hero. It doesn't matter if the hero is super", "characters that usually have killer-based gimmicks, the assassin/hitmen or serial killer type of", "or serial killer type of characters, are often portrayed as not having superpowers.", "type of character might have a never miss a target ability. A serial", "the whole planet. I didn't give the serial killer the ability to be", "cool for killer-based gimmick characters to not have any superpowers, because their normal", "law of cool make it cool for killer-based gimmick characters to not have", "superpowers in the first place. To be honest, this sounds very funny. Can", "that would still make them close or relatable to their normal counterparts. Technically", "could have tracking abilities. Just low-tier powers that would still make them close", "low-tier powers. For example, a hitman type of character might have a never", "a hitman type of character might have a never miss a target ability.", "as not having superpowers. The majority of characters with killer-based gimmicks in Batman", "these killer-based gimmick characters are too cool to have superpowers in the first", "didn't give the assassin the ability to burn down the whole planet. I", "to have superpowers in the first place. To be honest, this sounds very", "of characters with killer-based gimmicks in Batman are usually normal humans with no", "usually normal humans with no powers, even though the character Batman is no", "Can it be true, though? In my world, I give killer-based gimmick characters", "first place. To be honest, this sounds very funny. Can it be true,", "character might have a never miss a target ability. A serial killer type", "superpowers, but not too powerful. For example, I didn't give the assassin the", "would give these types of characters low-tier powers. For example, a hitman type", "of superhero stories, characters that usually have killer-based gimmicks, the assassin/hitmen or serial", "counterparts. Technically a super-soldier ability could still fit this standard too. So in", "even though the character Batman is no stranger to dealing with metahuman villains.", "them close or relatable to their normal counterparts. Technically a super-soldier ability could", "Technically a super-soldier ability could still fit this standard too. So in conclusion,", "my world, I give killer-based gimmick characters superpowers, but not too powerful. For", "I give killer-based gimmick characters superpowers, but not too powerful. For example, I", "fit this standard too. So in conclusion, does the law of cool make", "these characters are still portrayed as being a huge threat to the hero.", "assassin the ability to burn down the whole planet. I didn't give the", "I would give these types of characters low-tier powers. For example, a hitman", "for killer-based gimmick characters to not have any superpowers, because their normal skills", "To be honest, this sounds very funny. Can it be true, though? In", "gimmick characters are too cool to have superpowers in the first place. To", "with killer-based gimmicks in Batman are usually normal humans with no powers, even", "usually have killer-based gimmicks, the assassin/hitmen or serial killer type of characters, are", "cool to have superpowers in the first place. To be honest, this sounds" ]
[ "a novel based in the mid-1970s. Would that be considered contemporary or historical", "that be considered contemporary or historical fiction? How far back is historical fiction?", "Would that be considered contemporary or historical fiction? How far back is historical", "novel based in the mid-1970s. Would that be considered contemporary or historical fiction?", "mid-1970s. Would that be considered contemporary or historical fiction? How far back is", "writing a novel based in the mid-1970s. Would that be considered contemporary or", "I'm writing a novel based in the mid-1970s. Would that be considered contemporary", "in the mid-1970s. Would that be considered contemporary or historical fiction? How far", "the mid-1970s. Would that be considered contemporary or historical fiction? How far back", "based in the mid-1970s. Would that be considered contemporary or historical fiction? How" ]
[ "wondering if this would be okay. (The music would be legible and would", "for various reasons. However, it is quite tedious and inconvenient to have to", "have to write it out like I did above. I have access to", "like I did above. I have access to music-writing software, so I am", "will be distracting and inconvenient for readers who cannot read notes. Also, I've", "and inconvenient to have to write it out like I did above. I", "various reasons. However, it is quite tedious and inconvenient to have to write", "this done before, so I am wondering if this would be okay. (The", "is G-B-F#-A-G-F#-G). I want to have these themes made known to the reader", "before, so I am wondering if this would be okay. (The music would", "reader for various reasons. However, it is quite tedious and inconvenient to have", "(The music would be legible and would be rather sparse in the book.", "Each being in the society will have a unique tune or musical motive", "ancient race of creatures whose culture revolves around music. Each being in the", "done before, so I am wondering if this would be okay. (The music", "it will be distracting and inconvenient for readers who cannot read notes. Also,", "music placed in the text of a book? My concern with this is", "them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want to have these themes", "am writing a story about an ancient race of creatures whose culture revolves", "revolves around music. Each being in the society will have a unique tune", "Is it okay to have little snippets of music placed in the text", "text of a book? My concern with this is that it will be", "in the text of a book? My concern with this is that it", "being in the society will have a unique tune or musical motive that", "it is quite tedious and inconvenient to have to write it out like", "book. Note: I would not use it as a substitution for the character's", "would be legible and would be rather sparse in the book. Note: I", "and inconvenient for readers who cannot read notes. Also, I've never seen this", "that it will be distracting and inconvenient for readers who cannot read notes.", "creatures whose culture revolves around music. Each being in the society will have", "represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want to have these", "be rather sparse in the book. Note: I would not use it as", "a unique tune or musical motive that represents them (i.e., character X's 'theme;", "of creatures whose culture revolves around music. Each being in the society will", "so I am wondering: Is it okay to have little snippets of music", "for the character's name. Also, when present, the single line of music would", "wondering: Is it okay to have little snippets of music placed in the", "okay. (The music would be legible and would be rather sparse in the", "to have to write it out like I did above. I have access", "so I am wondering if this would be okay. (The music would be", "name. Also, when present, the single line of music would only take up", "write it out like I did above. I have access to music-writing software,", "culture revolves around music. Each being in the society will have a unique", "musical motive that represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want", "these themes made known to the reader for various reasons. However, it is", "music-writing software, so I am wondering: Is it okay to have little snippets", "am wondering: Is it okay to have little snippets of music placed in", "the text of a book? My concern with this is that it will", "around music. Each being in the society will have a unique tune or", "character's name. Also, when present, the single line of music would only take", "legible and would be rather sparse in the book. Note: I would not", "inconvenient to have to write it out like I did above. I have", "would not use it as a substitution for the character's name. Also, when", "a book? My concern with this is that it will be distracting and", "to have little snippets of music placed in the text of a book?", "readers who cannot read notes. Also, I've never seen this done before, so", "have access to music-writing software, so I am wondering: Is it okay to", "cannot read notes. Also, I've never seen this done before, so I am", "book? My concern with this is that it will be distracting and inconvenient", "it as a substitution for the character's name. Also, when present, the single", "above. I have access to music-writing software, so I am wondering: Is it", "access to music-writing software, so I am wondering: Is it okay to have", "inconvenient for readers who cannot read notes. Also, I've never seen this done", "I am wondering: Is it okay to have little snippets of music placed", "whose culture revolves around music. Each being in the society will have a", "However, it is quite tedious and inconvenient to have to write it out", "distracting and inconvenient for readers who cannot read notes. Also, I've never seen", "to have these themes made known to the reader for various reasons. However,", "the society will have a unique tune or musical motive that represents them", "be okay. (The music would be legible and would be rather sparse in", "I am writing a story about an ancient race of creatures whose culture", "to the reader for various reasons. However, it is quite tedious and inconvenient", "present, the single line of music would only take up about four measures.)", "have these themes made known to the reader for various reasons. However, it", "the reader for various reasons. However, it is quite tedious and inconvenient to", "I did above. I have access to music-writing software, so I am wondering:", "in the society will have a unique tune or musical motive that represents", "society will have a unique tune or musical motive that represents them (i.e.,", "have a unique tune or musical motive that represents them (i.e., character X's", "the book. Note: I would not use it as a substitution for the", "if this would be okay. (The music would be legible and would be", "Also, when present, the single line of music would only take up about", "software, so I am wondering: Is it okay to have little snippets of", "out like I did above. I have access to music-writing software, so I", "the character's name. Also, when present, the single line of music would only", "snippets of music placed in the text of a book? My concern with", "or musical motive that represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I", "music. Each being in the society will have a unique tune or musical", "and would be rather sparse in the book. Note: I would not use", "reasons. However, it is quite tedious and inconvenient to have to write it", "not use it as a substitution for the character's name. Also, when present,", "sparse in the book. Note: I would not use it as a substitution", "I have access to music-writing software, so I am wondering: Is it okay", "with this is that it will be distracting and inconvenient for readers who", "to write it out like I did above. I have access to music-writing", "I am wondering if this would be okay. (The music would be legible", "would be okay. (The music would be legible and would be rather sparse", "have little snippets of music placed in the text of a book? My", "to music-writing software, so I am wondering: Is it okay to have little", "it okay to have little snippets of music placed in the text of", "that represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want to have", "Also, I've never seen this done before, so I am wondering if this", "character X's 'theme; is G-B-F#-A-G-F#-G). I want to have these themes made known", "music would be legible and would be rather sparse in the book. Note:", "of music placed in the text of a book? My concern with this", "race of creatures whose culture revolves around music. Each being in the society", "an ancient race of creatures whose culture revolves around music. Each being in", "made known to the reader for various reasons. However, it is quite tedious", "unique tune or musical motive that represents them (i.e., character X's 'theme; is", "I've never seen this done before, so I am wondering if this would", "it out like I did above. I have access to music-writing software, so", "read notes. Also, I've never seen this done before, so I am wondering", "is that it will be distracting and inconvenient for readers who cannot read", "of a book? My concern with this is that it will be distracting", "when present, the single line of music would only take up about four", "'theme; is G-B-F#-A-G-F#-G). I want to have these themes made known to the", "is quite tedious and inconvenient to have to write it out like I", "My concern with this is that it will be distracting and inconvenient for", "okay to have little snippets of music placed in the text of a", "as a substitution for the character's name. Also, when present, the single line", "G-B-F#-A-G-F#-G). I want to have these themes made known to the reader for", "notes. Also, I've never seen this done before, so I am wondering if", "little snippets of music placed in the text of a book? My concern", "seen this done before, so I am wondering if this would be okay.", "in the book. Note: I would not use it as a substitution for", "motive that represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want to", "about an ancient race of creatures whose culture revolves around music. Each being", "known to the reader for various reasons. However, it is quite tedious and", "this would be okay. (The music would be legible and would be rather", "a story about an ancient race of creatures whose culture revolves around music.", "tune or musical motive that represents them (i.e., character X's 'theme; is G-B-F#-A-G-F#-G).", "will have a unique tune or musical motive that represents them (i.e., character", "never seen this done before, so I am wondering if this would be", "I would not use it as a substitution for the character's name. Also,", "am wondering if this would be okay. (The music would be legible and", "placed in the text of a book? My concern with this is that", "be distracting and inconvenient for readers who cannot read notes. Also, I've never", "this is that it will be distracting and inconvenient for readers who cannot", "who cannot read notes. Also, I've never seen this done before, so I", "X's 'theme; is G-B-F#-A-G-F#-G). I want to have these themes made known to", "a substitution for the character's name. Also, when present, the single line of", "did above. I have access to music-writing software, so I am wondering: Is", "Note: I would not use it as a substitution for the character's name.", "tedious and inconvenient to have to write it out like I did above.", "story about an ancient race of creatures whose culture revolves around music. Each", "want to have these themes made known to the reader for various reasons.", "for readers who cannot read notes. Also, I've never seen this done before,", "would be rather sparse in the book. Note: I would not use it", "substitution for the character's name. Also, when present, the single line of music", "rather sparse in the book. Note: I would not use it as a", "use it as a substitution for the character's name. Also, when present, the", "quite tedious and inconvenient to have to write it out like I did", "writing a story about an ancient race of creatures whose culture revolves around", "I want to have these themes made known to the reader for various", "concern with this is that it will be distracting and inconvenient for readers", "(i.e., character X's 'theme; is G-B-F#-A-G-F#-G). I want to have these themes made", "be legible and would be rather sparse in the book. Note: I would", "themes made known to the reader for various reasons. However, it is quite" ]
[ "Suggestions for other ways to describe such a person would also be appreciated" ]
[ "opinions to himself. Being raised not to cause a scene/conflict. If someone is", "posh-like Victorian gentleman. The thing is, he keeps his \"negative\" opinions to himself.", "would be. And, he's pretty much the protagonist, which I'm worried about. I", "the protagonist, which I'm worried about. I had comments about him being a", "his head. Which his inner dialogue would be. And, he's pretty much the", "or have an outlet. As long as he's not hurting anyone outright, it's", "not what I intended for him to be. My reasoning (which could be", "The thing is, he keeps his \"negative\" opinions to himself. Being raised not", "not hurting anyone outright, it's fine by him. Should I just let it", "perfect. Even the kindest person could snap or have an outlet. As long", "overall \"good\" and polite character. He helps everyone in need and is very", "much the protagonist, which I'm worried about. I had comments about him being", "I have this overall \"good\" and polite character. He helps everyone in need", "he's not hurting anyone outright, it's fine by him. Should I just let", "much raised to be like a posh-like Victorian gentleman. The thing is, he", "keeps all his complaints and insults in his head. Which his inner dialogue", "I intended for him to be. My reasoning (which could be this character's", "person could snap or have an outlet. As long as he's not hurting", "As long as he's not hurting anyone outright, it's fine by him. Should", "But, because of this, he keeps all his complaints and insults in his", "this overall \"good\" and polite character. He helps everyone in need and is", "an outlet. As long as he's not hurting anyone outright, it's fine by", "or just leave. But, because of this, he keeps all his complaints and", "need and is very much raised to be like a posh-like Victorian gentleman.", "not aggravate or just leave. But, because of this, he keeps all his", "character. He helps everyone in need and is very much raised to be", "himself. Being raised not to cause a scene/conflict. If someone is yelling at", "My reasoning (which could be this character's too) is that nobody's perfect. Even", "he would reply back with words that does not aggravate or just leave.", "too) is that nobody's perfect. Even the kindest person could snap or have", "that nobody's perfect. Even the kindest person could snap or have an outlet.", "with words that does not aggravate or just leave. But, because of this,", "raised not to cause a scene/conflict. If someone is yelling at him, he", "him, he would calmly diffuse the situation. If someone was insulting him, he", "leave. But, because of this, he keeps all his complaints and insults in", "outright, it's fine by him. Should I just let it be? Should I", "yelling at him, he would calmly diffuse the situation. If someone was insulting", "which I'm worried about. I had comments about him being a two-faced or", "could snap or have an outlet. As long as he's not hurting anyone", "fine by him. Should I just let it be? Should I lessen his", "two-faced or a manipulative person. That's not what I intended for him to", "He helps everyone in need and is very much raised to be like", "gentleman. The thing is, he keeps his \"negative\" opinions to himself. Being raised", "him to be. My reasoning (which could be this character's too) is that", "have an outlet. As long as he's not hurting anyone outright, it's fine", "\"negative\" opinions to himself. Being raised not to cause a scene/conflict. If someone", "everyone in need and is very much raised to be like a posh-like", "is, he keeps his \"negative\" opinions to himself. Being raised not to cause", "dialogue would be. And, he's pretty much the protagonist, which I'm worried about.", "be. And, he's pretty much the protagonist, which I'm worried about. I had", "about. I had comments about him being a two-faced or a manipulative person.", "Should I just let it be? Should I lessen his judgemental thoughts? What", "he would calmly diffuse the situation. If someone was insulting him, he would", "And, he's pretty much the protagonist, which I'm worried about. I had comments", "be like a posh-like Victorian gentleman. The thing is, he keeps his \"negative\"", "(which could be this character's too) is that nobody's perfect. Even the kindest", "polite character. He helps everyone in need and is very much raised to", "manipulative person. That's not what I intended for him to be. My reasoning", "protagonist, which I'm worried about. I had comments about him being a two-faced", "someone is yelling at him, he would calmly diffuse the situation. If someone", "calmly diffuse the situation. If someone was insulting him, he would reply back", "would calmly diffuse the situation. If someone was insulting him, he would reply", "a manipulative person. That's not what I intended for him to be. My", "the kindest person could snap or have an outlet. As long as he's", "to himself. Being raised not to cause a scene/conflict. If someone is yelling", "of this, he keeps all his complaints and insults in his head. Which", "worried about. I had comments about him being a two-faced or a manipulative", "back with words that does not aggravate or just leave. But, because of", "a scene/conflict. If someone is yelling at him, he would calmly diffuse the", "complaints and insults in his head. Which his inner dialogue would be. And,", "person. That's not what I intended for him to be. My reasoning (which", "character's too) is that nobody's perfect. Even the kindest person could snap or", "diffuse the situation. If someone was insulting him, he would reply back with", "it be? Should I lessen his judgemental thoughts? What else could I do?", "situation. If someone was insulting him, he would reply back with words that", "being a two-faced or a manipulative person. That's not what I intended for", "intended for him to be. My reasoning (which could be this character's too)", "is yelling at him, he would calmly diffuse the situation. If someone was", "That's not what I intended for him to be. My reasoning (which could", "the situation. If someone was insulting him, he would reply back with words", "would reply back with words that does not aggravate or just leave. But,", "this, he keeps all his complaints and insults in his head. Which his", "a two-faced or a manipulative person. That's not what I intended for him", "outlet. As long as he's not hurting anyone outright, it's fine by him.", "all his complaints and insults in his head. Which his inner dialogue would", "keeps his \"negative\" opinions to himself. Being raised not to cause a scene/conflict.", "aggravate or just leave. But, because of this, he keeps all his complaints", "he keeps all his complaints and insults in his head. Which his inner", "hurting anyone outright, it's fine by him. Should I just let it be?", "by him. Should I just let it be? Should I lessen his judgemental", "be this character's too) is that nobody's perfect. Even the kindest person could", "his inner dialogue would be. And, he's pretty much the protagonist, which I'm", "reasoning (which could be this character's too) is that nobody's perfect. Even the", "is that nobody's perfect. Even the kindest person could snap or have an", "his \"negative\" opinions to himself. Being raised not to cause a scene/conflict. If", "his complaints and insults in his head. Which his inner dialogue would be.", "Even the kindest person could snap or have an outlet. As long as", "raised to be like a posh-like Victorian gentleman. The thing is, he keeps", "in his head. Which his inner dialogue would be. And, he's pretty much", "If someone was insulting him, he would reply back with words that does", "because of this, he keeps all his complaints and insults in his head.", "what I intended for him to be. My reasoning (which could be this", "very much raised to be like a posh-like Victorian gentleman. The thing is,", "to cause a scene/conflict. If someone is yelling at him, he would calmly", "was insulting him, he would reply back with words that does not aggravate", "\"good\" and polite character. He helps everyone in need and is very much", "as he's not hurting anyone outright, it's fine by him. Should I just", "it's fine by him. Should I just let it be? Should I lessen", "and polite character. He helps everyone in need and is very much raised", "inner dialogue would be. And, he's pretty much the protagonist, which I'm worried", "I had comments about him being a two-faced or a manipulative person. That's", "could be this character's too) is that nobody's perfect. Even the kindest person", "and insults in his head. Which his inner dialogue would be. And, he's", "insults in his head. Which his inner dialogue would be. And, he's pretty", "anyone outright, it's fine by him. Should I just let it be? Should", "helps everyone in need and is very much raised to be like a", "just leave. But, because of this, he keeps all his complaints and insults", "snap or have an outlet. As long as he's not hurting anyone outright,", "scene/conflict. If someone is yelling at him, he would calmly diffuse the situation.", "I just let it be? Should I lessen his judgemental thoughts? What else", "about him being a two-faced or a manipulative person. That's not what I", "him, he would reply back with words that does not aggravate or just", "at him, he would calmly diffuse the situation. If someone was insulting him,", "had comments about him being a two-faced or a manipulative person. That's not", "Victorian gentleman. The thing is, he keeps his \"negative\" opinions to himself. Being", "pretty much the protagonist, which I'm worried about. I had comments about him", "let it be? Should I lessen his judgemental thoughts? What else could I", "he keeps his \"negative\" opinions to himself. Being raised not to cause a", "and is very much raised to be like a posh-like Victorian gentleman. The", "kindest person could snap or have an outlet. As long as he's not", "have this overall \"good\" and polite character. He helps everyone in need and", "Which his inner dialogue would be. And, he's pretty much the protagonist, which", "him. Should I just let it be? Should I lessen his judgemental thoughts?", "him being a two-faced or a manipulative person. That's not what I intended", "long as he's not hurting anyone outright, it's fine by him. Should I", "to be like a posh-like Victorian gentleman. The thing is, he keeps his", "If someone is yelling at him, he would calmly diffuse the situation. If", "insulting him, he would reply back with words that does not aggravate or", "just let it be? Should I lessen his judgemental thoughts? What else could", "in need and is very much raised to be like a posh-like Victorian", "Being raised not to cause a scene/conflict. If someone is yelling at him,", "like a posh-like Victorian gentleman. The thing is, he keeps his \"negative\" opinions", "thing is, he keeps his \"negative\" opinions to himself. Being raised not to", "reply back with words that does not aggravate or just leave. But, because", "does not aggravate or just leave. But, because of this, he keeps all", "be. My reasoning (which could be this character's too) is that nobody's perfect.", "nobody's perfect. Even the kindest person could snap or have an outlet. As", "cause a scene/conflict. If someone is yelling at him, he would calmly diffuse", "to be. My reasoning (which could be this character's too) is that nobody's", "I'm worried about. I had comments about him being a two-faced or a", "a posh-like Victorian gentleman. The thing is, he keeps his \"negative\" opinions to", "or a manipulative person. That's not what I intended for him to be.", "that does not aggravate or just leave. But, because of this, he keeps", "not to cause a scene/conflict. If someone is yelling at him, he would", "comments about him being a two-faced or a manipulative person. That's not what", "words that does not aggravate or just leave. But, because of this, he", "head. Which his inner dialogue would be. And, he's pretty much the protagonist,", "is very much raised to be like a posh-like Victorian gentleman. The thing", "for him to be. My reasoning (which could be this character's too) is", "he's pretty much the protagonist, which I'm worried about. I had comments about", "this character's too) is that nobody's perfect. Even the kindest person could snap", "someone was insulting him, he would reply back with words that does not" ]
[ "and only now do I realize my main character has some extreme similarities", "draft of my book, and only now do I realize my main character", "on the second draft of my book, and only now do I realize", "Games. While there are differences, her backstory and personality crosses over with Katniss", "am on the second draft of my book, and only now do I", "in her love triangle are similar to GajamZ and Peeta (Not extremely similar,", "story itself is nothing like the Hunger Games and is set in a", "my book, and only now do I realize my main character has some", "itself is nothing like the Hunger Games and is set in a high", "someone who is looking for it might see it). It’s also written in", "only now do I realize my main character has some extreme similarities to", "the Hunger Games. My story itself is nothing like the Hunger Games and", "the characters in her love triangle are similar to GajamZ and Peeta (Not", "Games. My story itself is nothing like the Hunger Games and is set", "looking for it might see it). It’s also written in first person present", "crosses over with Katniss in many ways. Even the characters in her love", "Games and is set in a high fantasy world. Should I still change", "triangle are similar to GajamZ and Peeta (Not extremely similar, but someone who", "written in first person present tense just like the Hunger Games. My story", "differences, her backstory and personality crosses over with Katniss in many ways. Even", "second draft of my book, and only now do I realize my main", "there are differences, her backstory and personality crosses over with Katniss in many", "in first person present tense just like the Hunger Games. My story itself", "My story itself is nothing like the Hunger Games and is set in", "a high fantasy world. Should I still change my MC to be less", "in many ways. Even the characters in her love triangle are similar to", "I am on the second draft of my book, and only now do", "now do I realize my main character has some extreme similarities to Katniss", "her backstory and personality crosses over with Katniss in many ways. Even the", "from the Hunger Games. While there are differences, her backstory and personality crosses", "main character has some extreme similarities to Katniss from the Hunger Games. While", "and personality crosses over with Katniss in many ways. Even the characters in", "but someone who is looking for it might see it). It’s also written", "like the Hunger Games and is set in a high fantasy world. Should", "similar to GajamZ and Peeta (Not extremely similar, but someone who is looking", "to be less like Katniss or is it okay since the story is", "some extreme similarities to Katniss from the Hunger Games. While there are differences,", "in a high fantasy world. Should I still change my MC to be", "and Peeta (Not extremely similar, but someone who is looking for it might", "Hunger Games. My story itself is nothing like the Hunger Games and is", "present tense just like the Hunger Games. My story itself is nothing like", "(Not extremely similar, but someone who is looking for it might see it).", "with Katniss in many ways. Even the characters in her love triangle are", "character has some extreme similarities to Katniss from the Hunger Games. While there", "Even the characters in her love triangle are similar to GajamZ and Peeta", "similar, but someone who is looking for it might see it). It’s also", "backstory and personality crosses over with Katniss in many ways. Even the characters", "extreme similarities to Katniss from the Hunger Games. While there are differences, her", "be less like Katniss or is it okay since the story is different?", "her love triangle are similar to GajamZ and Peeta (Not extremely similar, but", "the Hunger Games and is set in a high fantasy world. Should I", "of my book, and only now do I realize my main character has", "high fantasy world. Should I still change my MC to be less like", "also written in first person present tense just like the Hunger Games. My", "tense just like the Hunger Games. My story itself is nothing like the", "to Katniss from the Hunger Games. While there are differences, her backstory and", "first person present tense just like the Hunger Games. My story itself is", "is looking for it might see it). It’s also written in first person", "extremely similar, but someone who is looking for it might see it). It’s", "nothing like the Hunger Games and is set in a high fantasy world.", "might see it). It’s also written in first person present tense just like", "it). It’s also written in first person present tense just like the Hunger", "over with Katniss in many ways. Even the characters in her love triangle", "Peeta (Not extremely similar, but someone who is looking for it might see", "is set in a high fantasy world. Should I still change my MC", "and is set in a high fantasy world. Should I still change my", "the Hunger Games. While there are differences, her backstory and personality crosses over", "Should I still change my MC to be less like Katniss or is", "Katniss from the Hunger Games. While there are differences, her backstory and personality", "GajamZ and Peeta (Not extremely similar, but someone who is looking for it", "person present tense just like the Hunger Games. My story itself is nothing", "to GajamZ and Peeta (Not extremely similar, but someone who is looking for", "love triangle are similar to GajamZ and Peeta (Not extremely similar, but someone", "who is looking for it might see it). It’s also written in first", "like the Hunger Games. My story itself is nothing like the Hunger Games", "just like the Hunger Games. My story itself is nothing like the Hunger", "I still change my MC to be less like Katniss or is it", "do I realize my main character has some extreme similarities to Katniss from", "change my MC to be less like Katniss or is it okay since", "Hunger Games and is set in a high fantasy world. Should I still", "Katniss in many ways. Even the characters in her love triangle are similar", "are similar to GajamZ and Peeta (Not extremely similar, but someone who is", "is nothing like the Hunger Games and is set in a high fantasy", "my MC to be less like Katniss or is it okay since the", "has some extreme similarities to Katniss from the Hunger Games. While there are", "I realize my main character has some extreme similarities to Katniss from the", "set in a high fantasy world. Should I still change my MC to", "the second draft of my book, and only now do I realize my", "fantasy world. Should I still change my MC to be less like Katniss", "my main character has some extreme similarities to Katniss from the Hunger Games.", "for it might see it). It’s also written in first person present tense", "Hunger Games. While there are differences, her backstory and personality crosses over with", "world. Should I still change my MC to be less like Katniss or", "many ways. Even the characters in her love triangle are similar to GajamZ", "similarities to Katniss from the Hunger Games. While there are differences, her backstory", "ways. Even the characters in her love triangle are similar to GajamZ and", "are differences, her backstory and personality crosses over with Katniss in many ways.", "It’s also written in first person present tense just like the Hunger Games.", "it might see it). It’s also written in first person present tense just", "realize my main character has some extreme similarities to Katniss from the Hunger", "still change my MC to be less like Katniss or is it okay", "personality crosses over with Katniss in many ways. Even the characters in her", "MC to be less like Katniss or is it okay since the story", "characters in her love triangle are similar to GajamZ and Peeta (Not extremely", "book, and only now do I realize my main character has some extreme", "While there are differences, her backstory and personality crosses over with Katniss in", "see it). It’s also written in first person present tense just like the" ]
[ "take them out.\" ordered a commander from the aircraft carrier. > \"Ragem that.\"", "give you an example first. > > \"Aqpsa Tbavi, we have enemies on", "enemies on our flank.\" reported the pilot. > \"Ragem that.\" > > >", "> > Is it ok to omit dialogue like these? And what are", "> > \"Aqpsa Tbavi, we have enemies on our flank.\" reported the pilot.", "> > > Is it ok to omit dialogue like these? And what", "that.\" > > > Is it ok to omit dialogue like these? And", "ok to omit dialogue like these? And what are some good ways to", "our flank.\" reported the pilot. \"Try to take them out.\" ordered a commander", "> \"Ragem that.\" > > > Versus > > \"Aqpsa Tbavi, we have", "example first. > > \"Aqpsa Tbavi, we have enemies on our flank.\" reported", "that.\" > > > Versus > > \"Aqpsa Tbavi, we have enemies on", "Versus > > \"Aqpsa Tbavi, we have enemies on our flank.\" reported the", "> \"Aqpsa Tbavi, we have enemies on our flank.\" reported the pilot. \"Try", "reported the pilot. \"Try to take them out.\" ordered a commander from the", "you an example first. > > \"Aqpsa Tbavi, we have enemies on our", "\"Ragem that.\" > > > Is it ok to omit dialogue like these?", "flank.\" reported the pilot. \"Try to take them out.\" ordered a commander from", "on our flank.\" reported the pilot. > \"Ragem that.\" > > > Versus", "them out.\" ordered a commander from the aircraft carrier. > \"Ragem that.\" >", "aircraft carrier. > \"Ragem that.\" > > > Is it ok to omit", "enemies on our flank.\" reported the pilot. \"Try to take them out.\" ordered", "the pilot. \"Try to take them out.\" ordered a commander from the aircraft", "> > > Versus > > \"Aqpsa Tbavi, we have enemies on our", "\"Aqpsa Tbavi, we have enemies on our flank.\" reported the pilot. > \"Ragem", "we have enemies on our flank.\" reported the pilot. \"Try to take them", "\"Aqpsa Tbavi, we have enemies on our flank.\" reported the pilot. \"Try to", "the aircraft carrier. > \"Ragem that.\" > > > Is it ok to", "have enemies on our flank.\" reported the pilot. > \"Ragem that.\" > >", "flank.\" reported the pilot. > \"Ragem that.\" > > > Versus > >", "commander from the aircraft carrier. > \"Ragem that.\" > > > Is it", "to take them out.\" ordered a commander from the aircraft carrier. > \"Ragem", "\"Try to take them out.\" ordered a commander from the aircraft carrier. >", "> \"Aqpsa Tbavi, we have enemies on our flank.\" reported the pilot. >", "> Is it ok to omit dialogue like these? And what are some", "to omit dialogue like these? And what are some good ways to go", "Let me give you an example first. > > \"Aqpsa Tbavi, we have", "reported the pilot. > \"Ragem that.\" > > > Versus > > \"Aqpsa", "a commander from the aircraft carrier. > \"Ragem that.\" > > > Is", "pilot. > \"Ragem that.\" > > > Versus > > \"Aqpsa Tbavi, we", "an example first. > > \"Aqpsa Tbavi, we have enemies on our flank.\"", "> Versus > > \"Aqpsa Tbavi, we have enemies on our flank.\" reported", "pilot. \"Try to take them out.\" ordered a commander from the aircraft carrier.", "Tbavi, we have enemies on our flank.\" reported the pilot. \"Try to take", "on our flank.\" reported the pilot. \"Try to take them out.\" ordered a", "me give you an example first. > > \"Aqpsa Tbavi, we have enemies", "> > Versus > > \"Aqpsa Tbavi, we have enemies on our flank.\"", "have enemies on our flank.\" reported the pilot. \"Try to take them out.\"", "carrier. > \"Ragem that.\" > > > Is it ok to omit dialogue", "ordered a commander from the aircraft carrier. > \"Ragem that.\" > > >", "from the aircraft carrier. > \"Ragem that.\" > > > Is it ok", "dialogue like these? And what are some good ways to go about it?", "the pilot. > \"Ragem that.\" > > > Versus > > \"Aqpsa Tbavi,", "Is it ok to omit dialogue like these? And what are some good", "out.\" ordered a commander from the aircraft carrier. > \"Ragem that.\" > >", "\"Ragem that.\" > > > Versus > > \"Aqpsa Tbavi, we have enemies", "> \"Ragem that.\" > > > Is it ok to omit dialogue like", "our flank.\" reported the pilot. > \"Ragem that.\" > > > Versus >", "we have enemies on our flank.\" reported the pilot. > \"Ragem that.\" >", "Tbavi, we have enemies on our flank.\" reported the pilot. > \"Ragem that.\"", "omit dialogue like these? And what are some good ways to go about", "first. > > \"Aqpsa Tbavi, we have enemies on our flank.\" reported the", "it ok to omit dialogue like these? And what are some good ways" ]
[ "that people still considered superpowers to be a part of the whole super-science", "two power systems. One system is about superpowers, and the other system is", "wanted to replicate that classic magic vs technology narrative that some stories tell,", "be a part of the whole super-science or science fiction category. It doesn't", "superpowers, and the other system is about super technology. I thought superpowers would", "and the other system is about super technology. I thought superpowers would be", "a natural powers vs unnatural powers angle or something along those lines. Then", "the other system is about super technology. I thought superpowers would be a", "powers angle or something along those lines. Then the title question came into", "In my story, there are two power systems. One system is about superpowers,", "overlap with mutants? If technology affects someone on a DNA or genetic level", "for magic in my story. I wanted to replicate that classic magic vs", "matter how magical or fantastical some superpowers can be. Speaking of magic. In", "or abilities, would that person technically be a super-powered mutant? Do superpowers and", "magical or fantastical some superpowers can be. Speaking of magic. In my story,", "I notice that people still considered superpowers to be a part of the", "and transhumanism overlap too much to have a story where both systems are", "stories tell, only this time I replace magic with superpowers. My narrative in", "soldiers overlap with mutants? If technology affects someone on a DNA or genetic", "transhumanism and super technology would be a really broad category that would include", "some stories tell, only this time I replace magic with superpowers. My narrative", "I wanted to replicate that classic magic vs technology narrative that some stories", "technically be a super-powered mutant? Do superpowers and transhumanism overlap too much to", "different genres, but I notice that people still considered superpowers to be a", "Speaking of magic. In my story, there are two power systems. One system", "other system is about super technology. I thought superpowers would be a good", "my story. I wanted to replicate that classic magic vs technology narrative that", "how magical or fantastical some superpowers can be. Speaking of magic. In my", "those lines. Then the title question came into my head. I thought maybe", "thought the superpowers/superhero genre and the supertechnolgy/futuristic genre were two different genres, but", "angle or something along those lines. Then the title question came into my", "question came into my head. I thought maybe transhumanism and super technology would", "category that would include superpowers, too. Would serum-based super soldiers overlap with mutants?", "the supertechnolgy/futuristic genre were two different genres, but I notice that people still", "is about super technology. I thought superpowers would be a good stand-in for", "about super technology. I thought superpowers would be a good stand-in for magic", "the whole super-science or science fiction category. It doesn't matter how magical or", "in the story was a natural powers vs unnatural powers angle or something", "someone on a DNA or genetic level and gives them powers or abilities,", "powers or abilities, would that person technically be a super-powered mutant? Do superpowers", "and super technology would be a really broad category that would include superpowers,", "good stand-in for magic in my story. I wanted to replicate that classic", "title question came into my head. I thought maybe transhumanism and super technology", "are two power systems. One system is about superpowers, and the other system", "magic with superpowers. My narrative in the story was a natural powers vs", "vs technology narrative that some stories tell, only this time I replace magic", "would be a really broad category that would include superpowers, too. Would serum-based", "whole super-science or science fiction category. It doesn't matter how magical or fantastical", "Then the title question came into my head. I thought maybe transhumanism and", "with superpowers. My narrative in the story was a natural powers vs unnatural", "considered superpowers to be a part of the whole super-science or science fiction", "would that person technically be a super-powered mutant? Do superpowers and transhumanism overlap", "mutants? If technology affects someone on a DNA or genetic level and gives", "there are two power systems. One system is about superpowers, and the other", "One system is about superpowers, and the other system is about super technology.", "transhumanism overlap too much to have a story where both systems are on", "time I replace magic with superpowers. My narrative in the story was a", "story. I wanted to replicate that classic magic vs technology narrative that some", "really broad category that would include superpowers, too. Would serum-based super soldiers overlap", "or genetic level and gives them powers or abilities, would that person technically", "powers vs unnatural powers angle or something along those lines. Then the title", "magic vs technology narrative that some stories tell, only this time I replace", "include superpowers, too. Would serum-based super soldiers overlap with mutants? If technology affects", "and the supertechnolgy/futuristic genre were two different genres, but I notice that people", "Do superpowers and transhumanism overlap too much to have a story where both", "to be a part of the whole super-science or science fiction category. It", "My narrative in the story was a natural powers vs unnatural powers angle", "that classic magic vs technology narrative that some stories tell, only this time", "superpowers, too. Would serum-based super soldiers overlap with mutants? If technology affects someone", "technology narrative that some stories tell, only this time I replace magic with", "unnatural powers angle or something along those lines. Then the title question came", "I thought maybe transhumanism and super technology would be a really broad category", "magic. In my story, there are two power systems. One system is about", "be a super-powered mutant? Do superpowers and transhumanism overlap too much to have", "part of the whole super-science or science fiction category. It doesn't matter how", "that some stories tell, only this time I replace magic with superpowers. My", "person technically be a super-powered mutant? Do superpowers and transhumanism overlap too much", "but I notice that people still considered superpowers to be a part of", "overlap too much to have a story where both systems are on opposing", "genre and the supertechnolgy/futuristic genre were two different genres, but I notice that", "supertechnolgy/futuristic genre were two different genres, but I notice that people still considered", "technology. I thought superpowers would be a good stand-in for magic in my", "I always thought the superpowers/superhero genre and the supertechnolgy/futuristic genre were two different", "maybe transhumanism and super technology would be a really broad category that would", "genetic level and gives them powers or abilities, would that person technically be", "to replicate that classic magic vs technology narrative that some stories tell, only", "superpowers would be a good stand-in for magic in my story. I wanted", "natural powers vs unnatural powers angle or something along those lines. Then the", "narrative in the story was a natural powers vs unnatural powers angle or", "classic magic vs technology narrative that some stories tell, only this time I", "along those lines. Then the title question came into my head. I thought", "level and gives them powers or abilities, would that person technically be a", "super technology. I thought superpowers would be a good stand-in for magic in", "people still considered superpowers to be a part of the whole super-science or", "the story was a natural powers vs unnatural powers angle or something along", "category. It doesn't matter how magical or fantastical some superpowers can be. Speaking", "something along those lines. Then the title question came into my head. I", "that person technically be a super-powered mutant? Do superpowers and transhumanism overlap too", "can be. Speaking of magic. In my story, there are two power systems.", "story was a natural powers vs unnatural powers angle or something along those", "vs unnatural powers angle or something along those lines. Then the title question", "superpowers to be a part of the whole super-science or science fiction category.", "superpowers/superhero genre and the supertechnolgy/futuristic genre were two different genres, but I notice", "of magic. In my story, there are two power systems. One system is", "a DNA or genetic level and gives them powers or abilities, would that", "into my head. I thought maybe transhumanism and super technology would be a", "superpowers and transhumanism overlap too much to have a story where both systems", "super technology would be a really broad category that would include superpowers, too.", "Would serum-based super soldiers overlap with mutants? If technology affects someone on a", "genres, but I notice that people still considered superpowers to be a part", "two different genres, but I notice that people still considered superpowers to be", "about superpowers, and the other system is about super technology. I thought superpowers", "on a DNA or genetic level and gives them powers or abilities, would", "story, there are two power systems. One system is about superpowers, and the", "narrative that some stories tell, only this time I replace magic with superpowers.", "replace magic with superpowers. My narrative in the story was a natural powers", "too. Would serum-based super soldiers overlap with mutants? If technology affects someone on", "a super-powered mutant? Do superpowers and transhumanism overlap too much to have a", "the superpowers/superhero genre and the supertechnolgy/futuristic genre were two different genres, but I", "lines. Then the title question came into my head. I thought maybe transhumanism", "notice that people still considered superpowers to be a part of the whole", "in my story. I wanted to replicate that classic magic vs technology narrative", "my head. I thought maybe transhumanism and super technology would be a really", "thought superpowers would be a good stand-in for magic in my story. I", "be a really broad category that would include superpowers, too. Would serum-based super", "DNA or genetic level and gives them powers or abilities, would that person", "still considered superpowers to be a part of the whole super-science or science", "and gives them powers or abilities, would that person technically be a super-powered", "or something along those lines. Then the title question came into my head.", "of the whole super-science or science fiction category. It doesn't matter how magical", "would be a good stand-in for magic in my story. I wanted to", "abilities, would that person technically be a super-powered mutant? Do superpowers and transhumanism", "genre were two different genres, but I notice that people still considered superpowers", "fiction category. It doesn't matter how magical or fantastical some superpowers can be.", "the title question came into my head. I thought maybe transhumanism and super", "some superpowers can be. Speaking of magic. In my story, there are two", "I thought superpowers would be a good stand-in for magic in my story.", "or science fiction category. It doesn't matter how magical or fantastical some superpowers", "magic in my story. I wanted to replicate that classic magic vs technology", "It doesn't matter how magical or fantastical some superpowers can be. Speaking of", "tell, only this time I replace magic with superpowers. My narrative in the", "only this time I replace magic with superpowers. My narrative in the story", "came into my head. I thought maybe transhumanism and super technology would be", "systems. One system is about superpowers, and the other system is about super", "or fantastical some superpowers can be. Speaking of magic. In my story, there", "my story, there are two power systems. One system is about superpowers, and", "fantastical some superpowers can be. Speaking of magic. In my story, there are", "system is about super technology. I thought superpowers would be a good stand-in", "I replace magic with superpowers. My narrative in the story was a natural", "replicate that classic magic vs technology narrative that some stories tell, only this", "broad category that would include superpowers, too. Would serum-based super soldiers overlap with", "super soldiers overlap with mutants? If technology affects someone on a DNA or", "them powers or abilities, would that person technically be a super-powered mutant? Do", "super-powered mutant? Do superpowers and transhumanism overlap too much to have a story", "too much to have a story where both systems are on opposing sides?", "power systems. One system is about superpowers, and the other system is about", "that would include superpowers, too. Would serum-based super soldiers overlap with mutants? If", "gives them powers or abilities, would that person technically be a super-powered mutant?", "was a natural powers vs unnatural powers angle or something along those lines.", "superpowers can be. Speaking of magic. In my story, there are two power", "a good stand-in for magic in my story. I wanted to replicate that", "technology would be a really broad category that would include superpowers, too. Would", "thought maybe transhumanism and super technology would be a really broad category that", "stand-in for magic in my story. I wanted to replicate that classic magic", "science fiction category. It doesn't matter how magical or fantastical some superpowers can", "If technology affects someone on a DNA or genetic level and gives them", "technology affects someone on a DNA or genetic level and gives them powers", "a really broad category that would include superpowers, too. Would serum-based super soldiers", "be. Speaking of magic. In my story, there are two power systems. One", "doesn't matter how magical or fantastical some superpowers can be. Speaking of magic.", "with mutants? If technology affects someone on a DNA or genetic level and", "super-science or science fiction category. It doesn't matter how magical or fantastical some", "affects someone on a DNA or genetic level and gives them powers or", "mutant? Do superpowers and transhumanism overlap too much to have a story where", "is about superpowers, and the other system is about super technology. I thought", "this time I replace magic with superpowers. My narrative in the story was", "system is about superpowers, and the other system is about super technology. I", "a part of the whole super-science or science fiction category. It doesn't matter", "superpowers. My narrative in the story was a natural powers vs unnatural powers", "head. I thought maybe transhumanism and super technology would be a really broad", "always thought the superpowers/superhero genre and the supertechnolgy/futuristic genre were two different genres,", "be a good stand-in for magic in my story. I wanted to replicate", "were two different genres, but I notice that people still considered superpowers to", "would include superpowers, too. Would serum-based super soldiers overlap with mutants? If technology", "serum-based super soldiers overlap with mutants? If technology affects someone on a DNA" ]
[ "mother\"), that I have problems. Note that I refer to Ray's brothers as", "awkward. If I continue with \"Ray's father\" or \"his father\", it sounds like", "or are step brothers. When Ray and his father are alone, that's how", "his father it's usually as \"his father\" or \"Ray's father\". I've got one", "\"their mother\"), that I have problems. Note that I refer to Ray's brothers", "Ray's brothers are present. I'm not sure how to handle \"his father\" vs.", "I refer to his father it's usually as \"his father\" or \"Ray's father\".", "mother\" vs \"their mother\"), that I have problems. Note that I refer to", "with \"Ray's father\" or \"his father\", it sounds like the other boys are", "whole family is there (so ditto for \"Ray's mother\" vs \"their mother\"), that", "as \"his father\" or \"Ray's father\". I've got one scene in which Ray's", "boy, Ray. When I refer to his father it's usually as \"his father\"", "there (so ditto for \"Ray's mother\" vs \"their mother\"), that I have problems.", "I use \"their father\", it seems a bit awkward. If I continue with", "When Ray and his father are alone, that's how I refer to him:", "father\" vs. \"their father\". If I use \"their father\", it seems a bit", "\"their father\", it seems a bit awkward. If I continue with \"Ray's father\"", "\"his father\" vs. \"their father\". If I use \"their father\", it seems a", "centering on a boy, Ray. When I refer to his father it's usually", "it's usually as \"his father\" or \"Ray's father\". I've got one scene in", "use \"their father\", it seems a bit awkward. If I continue with \"Ray's", "are alone, that's how I refer to him: \"his father\". It's just when", "on a boy, Ray. When I refer to his father it's usually as", "is there (so ditto for \"Ray's mother\" vs \"their mother\"), that I have", "I have problems. Note that I refer to Ray's brothers as his brothers", "It's just when the whole family is there (so ditto for \"Ray's mother\"", "how to handle \"his father\" vs. \"their father\". If I use \"their father\",", "sure how to handle \"his father\" vs. \"their father\". If I use \"their", "or \"Ray's father\". I've got one scene in which Ray's brothers are present.", "just when the whole family is there (so ditto for \"Ray's mother\" vs", "I've got one scene in which Ray's brothers are present. I'm not sure", "father\", it sounds like the other boys are adopted or are step brothers.", "when the whole family is there (so ditto for \"Ray's mother\" vs \"their", "vs \"their mother\"), that I have problems. Note that I refer to Ray's", "that's how I refer to him: \"his father\". It's just when the whole", "father\" or \"Ray's father\". I've got one scene in which Ray's brothers are", "If I use \"their father\", it seems a bit awkward. If I continue", "father are alone, that's how I refer to him: \"his father\". It's just", "are step brothers. When Ray and his father are alone, that's how I", "father\". It's just when the whole family is there (so ditto for \"Ray's", "Ray. When I refer to his father it's usually as \"his father\" or", "seems a bit awkward. If I continue with \"Ray's father\" or \"his father\",", "\"his father\". It's just when the whole family is there (so ditto for", "ditto for \"Ray's mother\" vs \"their mother\"), that I have problems. Note that", "are adopted or are step brothers. When Ray and his father are alone,", "his father are alone, that's how I refer to him: \"his father\". It's", "present. I'm not sure how to handle \"his father\" vs. \"their father\". If", "to handle \"his father\" vs. \"their father\". If I use \"their father\", it", "which Ray's brothers are present. I'm not sure how to handle \"his father\"", "are present. I'm not sure how to handle \"his father\" vs. \"their father\".", "a bit awkward. If I continue with \"Ray's father\" or \"his father\", it", "father\". If I use \"their father\", it seems a bit awkward. If I", "handle \"his father\" vs. \"their father\". If I use \"their father\", it seems", "scene in which Ray's brothers are present. I'm not sure how to handle", "(so ditto for \"Ray's mother\" vs \"their mother\"), that I have problems. Note", "that I refer to Ray's brothers as his brothers (not step-brothers, adopted, etc.).", "it sounds like the other boys are adopted or are step brothers. When", "I refer to him: \"his father\". It's just when the whole family is", "or \"his father\", it sounds like the other boys are adopted or are", "Ray and his father are alone, that's how I refer to him: \"his", "like the other boys are adopted or are step brothers. When Ray and", "refer to him: \"his father\". It's just when the whole family is there", "\"his father\", it sounds like the other boys are adopted or are step", "third person POV centering on a boy, Ray. When I refer to his", "step brothers. When Ray and his father are alone, that's how I refer", "and his father are alone, that's how I refer to him: \"his father\".", "father\". I've got one scene in which Ray's brothers are present. I'm not", "father\", it seems a bit awkward. If I continue with \"Ray's father\" or", "got a close third person POV centering on a boy, Ray. When I", "boys are adopted or are step brothers. When Ray and his father are", "got one scene in which Ray's brothers are present. I'm not sure how", "for \"Ray's mother\" vs \"their mother\"), that I have problems. Note that I", "not sure how to handle \"his father\" vs. \"their father\". If I use", "sounds like the other boys are adopted or are step brothers. When Ray", "\"Ray's father\". I've got one scene in which Ray's brothers are present. I'm", "When I refer to his father it's usually as \"his father\" or \"Ray's", "to him: \"his father\". It's just when the whole family is there (so", "the whole family is there (so ditto for \"Ray's mother\" vs \"their mother\"),", "I continue with \"Ray's father\" or \"his father\", it sounds like the other", "other boys are adopted or are step brothers. When Ray and his father", "\"his father\" or \"Ray's father\". I've got one scene in which Ray's brothers", "problems. Note that I refer to Ray's brothers as his brothers (not step-brothers,", "I've got a close third person POV centering on a boy, Ray. When", "it seems a bit awkward. If I continue with \"Ray's father\" or \"his", "POV centering on a boy, Ray. When I refer to his father it's", "continue with \"Ray's father\" or \"his father\", it sounds like the other boys", "I'm not sure how to handle \"his father\" vs. \"their father\". If I", "vs. \"their father\". If I use \"their father\", it seems a bit awkward.", "refer to his father it's usually as \"his father\" or \"Ray's father\". I've", "how I refer to him: \"his father\". It's just when the whole family", "father\" or \"his father\", it sounds like the other boys are adopted or", "adopted or are step brothers. When Ray and his father are alone, that's", "If I continue with \"Ray's father\" or \"his father\", it sounds like the", "him: \"his father\". It's just when the whole family is there (so ditto", "close third person POV centering on a boy, Ray. When I refer to", "\"their father\". If I use \"their father\", it seems a bit awkward. If", "\"Ray's father\" or \"his father\", it sounds like the other boys are adopted", "to his father it's usually as \"his father\" or \"Ray's father\". I've got", "Note that I refer to Ray's brothers as his brothers (not step-brothers, adopted,", "one scene in which Ray's brothers are present. I'm not sure how to", "brothers. When Ray and his father are alone, that's how I refer to", "family is there (so ditto for \"Ray's mother\" vs \"their mother\"), that I", "brothers are present. I'm not sure how to handle \"his father\" vs. \"their", "person POV centering on a boy, Ray. When I refer to his father", "have problems. Note that I refer to Ray's brothers as his brothers (not", "a boy, Ray. When I refer to his father it's usually as \"his", "usually as \"his father\" or \"Ray's father\". I've got one scene in which", "bit awkward. If I continue with \"Ray's father\" or \"his father\", it sounds", "\"Ray's mother\" vs \"their mother\"), that I have problems. Note that I refer", "a close third person POV centering on a boy, Ray. When I refer", "alone, that's how I refer to him: \"his father\". It's just when the", "the other boys are adopted or are step brothers. When Ray and his", "in which Ray's brothers are present. I'm not sure how to handle \"his", "father it's usually as \"his father\" or \"Ray's father\". I've got one scene", "that I have problems. Note that I refer to Ray's brothers as his" ]
[ "if it is possible to imagine a disease that doesn't exist in reality", "this question, I'd like to know if it is possible to imagine a", "possible to imagine a disease that doesn't exist in reality or that would", "what extent is imagination allowed in literary fiction? By this question, I'd like", "in literary fiction? By this question, I'd like to know if it is", "imagine a disease that doesn't exist in reality or that would ruin the", "know if it is possible to imagine a disease that doesn't exist in", "doesn't exist in reality or that would ruin the work and seem illogical?", "to imagine a disease that doesn't exist in reality or that would ruin", "it is possible to imagine a disease that doesn't exist in reality or", "fiction? By this question, I'd like to know if it is possible to", "allowed in literary fiction? By this question, I'd like to know if it", "that doesn't exist in reality or that would ruin the work and seem", "to know if it is possible to imagine a disease that doesn't exist", "a disease that doesn't exist in reality or that would ruin the work", "disease that doesn't exist in reality or that would ruin the work and", "is imagination allowed in literary fiction? By this question, I'd like to know", "imagination allowed in literary fiction? By this question, I'd like to know if", "question, I'd like to know if it is possible to imagine a disease", "literary fiction? By this question, I'd like to know if it is possible", "like to know if it is possible to imagine a disease that doesn't", "I'd like to know if it is possible to imagine a disease that", "By this question, I'd like to know if it is possible to imagine", "To what extent is imagination allowed in literary fiction? By this question, I'd", "is possible to imagine a disease that doesn't exist in reality or that", "extent is imagination allowed in literary fiction? By this question, I'd like to" ]
[ "but they need to whisper to avoid being detected. What is the best", "here,\" whispered Jim. > > \"I agree,\" replied Balx quietly. > > \"How", "How often do I need to remind my readers that the characters are", "creatures may still lurk there. The two characters will be communicating over the", "hours but they need to whisper to avoid being detected. What is the", "involved in an exploration of a long-abandoned gold mine. However, dangerous creatures may", "best way to handle this regarding dialogue tags? I want the reader to", "aware that they are whispering, but I don't what to have to add", "don't what to have to add that tag after each bit of conversation.", "course of a few hours but they need to whisper to avoid being", "communicating over the course of a few hours but they need to whisper", "what to have to add that tag after each bit of conversation. For", "conversation. For example: > > \"We need to be quiet in here,\" whispered", "could. \"You need to whisper in here, or else!\" > > > How", "that tag after each bit of conversation. For example: > > \"We need", "as quietly as he could. \"You need to whisper in here, or else!\"", "> > \"We need to be quiet in here,\" whispered Jim. > >", "need to whisper in here, or else!\" > > > How often do", "\"You're kidding!\" said Jim too loudly. > > \"Shhh!\" growled Balx as quietly", "> \"We need to be quiet in here,\" whispered Jim. > > \"I", "quiet in here,\" whispered Jim. > > \"I agree,\" replied Balx quietly. >", "to be aware that they are whispering, but I don't what to have", "> \"You're kidding!\" said Jim too loudly. > > \"Shhh!\" growled Balx as", "need to be quiet in here,\" whispered Jim. > > \"I agree,\" replied", "as he could. \"You need to whisper in here, or else!\" > >", "here, or else!\" > > > How often do I need to remind", "\"I have no idea,\" whispered Balx. > > \"You're kidding!\" said Jim too", "> > \"I agree,\" replied Balx quietly. > > \"How long do you", "growled Balx as quietly as he could. \"You need to whisper in here,", "to add that tag after each bit of conversation. For example: > >", "each bit of conversation. For example: > > \"We need to be quiet", "to avoid being detected. What is the best way to handle this regarding", "he could. \"You need to whisper in here, or else!\" > > >", "often do I need to remind my readers that the characters are whispering", "may still lurk there. The two characters will be communicating over the course", "will be communicating over the course of a few hours but they need", "> > \"You're kidding!\" said Jim too loudly. > > \"Shhh!\" growled Balx", "The two characters will be communicating over the course of a few hours", "dangerous creatures may still lurk there. The two characters will be communicating over", "have to add that tag after each bit of conversation. For example: >", "we'll be in this place?\" asked Jim, in a hushed tone. > >", "\"I agree,\" replied Balx quietly. > > \"How long do you think we'll", "they are whispering, but I don't what to have to add that tag", "whisper to avoid being detected. What is the best way to handle this", "> > \"Shhh!\" growled Balx as quietly as he could. \"You need to", "remind my readers that the characters are whispering (or should be doing so)?", "gold mine. However, dangerous creatures may still lurk there. The two characters will", "way to handle this regarding dialogue tags? I want the reader to be", "> > > How often do I need to remind my readers that", "Two characters are involved in an exploration of a long-abandoned gold mine. However,", "are involved in an exploration of a long-abandoned gold mine. However, dangerous creatures", "> \"How long do you think we'll be in this place?\" asked Jim,", "handle this regarding dialogue tags? I want the reader to be aware that", "whispering, but I don't what to have to add that tag after each", "reader to be aware that they are whispering, but I don't what to", "be in this place?\" asked Jim, in a hushed tone. > > \"I", "have no idea,\" whispered Balx. > > \"You're kidding!\" said Jim too loudly.", "> How often do I need to remind my readers that the characters", "> \"I have no idea,\" whispered Balx. > > \"You're kidding!\" said Jim", "example: > > \"We need to be quiet in here,\" whispered Jim. >", "quietly. > > \"How long do you think we'll be in this place?\"", "over the course of a few hours but they need to whisper to", "being detected. What is the best way to handle this regarding dialogue tags?", "are whispering, but I don't what to have to add that tag after", "whisper in here, or else!\" > > > How often do I need", "no idea,\" whispered Balx. > > \"You're kidding!\" said Jim too loudly. >", "need to whisper to avoid being detected. What is the best way to", "in a hushed tone. > > \"I have no idea,\" whispered Balx. >", "whispered Balx. > > \"You're kidding!\" said Jim too loudly. > > \"Shhh!\"", "What is the best way to handle this regarding dialogue tags? I want", "I want the reader to be aware that they are whispering, but I", "\"How long do you think we'll be in this place?\" asked Jim, in", "add that tag after each bit of conversation. For example: > > \"We", "this place?\" asked Jim, in a hushed tone. > > \"I have no", "to have to add that tag after each bit of conversation. For example:", "place?\" asked Jim, in a hushed tone. > > \"I have no idea,\"", "they need to whisper to avoid being detected. What is the best way", "> > How often do I need to remind my readers that the", "> > \"I have no idea,\" whispered Balx. > > \"You're kidding!\" said", "be quiet in here,\" whispered Jim. > > \"I agree,\" replied Balx quietly.", "whispered Jim. > > \"I agree,\" replied Balx quietly. > > \"How long", "you think we'll be in this place?\" asked Jim, in a hushed tone.", "two characters will be communicating over the course of a few hours but", "characters will be communicating over the course of a few hours but they", "the course of a few hours but they need to whisper to avoid", "tag after each bit of conversation. For example: > > \"We need to", "dialogue tags? I want the reader to be aware that they are whispering,", "lurk there. The two characters will be communicating over the course of a", "few hours but they need to whisper to avoid being detected. What is", "to whisper in here, or else!\" > > > How often do I", "of conversation. For example: > > \"We need to be quiet in here,\"", "in fiction writing. Two characters are involved in an exploration of a long-abandoned", "mine. However, dangerous creatures may still lurk there. The two characters will be", "said Jim too loudly. > > \"Shhh!\" growled Balx as quietly as he", "\"You need to whisper in here, or else!\" > > > How often", "Balx as quietly as he could. \"You need to whisper in here, or", "Jim. > > \"I agree,\" replied Balx quietly. > > \"How long do", "characters are involved in an exploration of a long-abandoned gold mine. However, dangerous", "Situation in fiction writing. Two characters are involved in an exploration of a", "of a long-abandoned gold mine. However, dangerous creatures may still lurk there. The", "long do you think we'll be in this place?\" asked Jim, in a", "avoid being detected. What is the best way to handle this regarding dialogue", "else!\" > > > How often do I need to remind my readers", "idea,\" whispered Balx. > > \"You're kidding!\" said Jim too loudly. > >", "loudly. > > \"Shhh!\" growled Balx as quietly as he could. \"You need", "bit of conversation. For example: > > \"We need to be quiet in", "tags? I want the reader to be aware that they are whispering, but", "to whisper to avoid being detected. What is the best way to handle", "but I don't what to have to add that tag after each bit", "asked Jim, in a hushed tone. > > \"I have no idea,\" whispered", "I need to remind my readers that the characters are whispering (or should", "hushed tone. > > \"I have no idea,\" whispered Balx. > > \"You're", "to be quiet in here,\" whispered Jim. > > \"I agree,\" replied Balx", "do you think we'll be in this place?\" asked Jim, in a hushed", "think we'll be in this place?\" asked Jim, in a hushed tone. >", "in an exploration of a long-abandoned gold mine. However, dangerous creatures may still", "\"We need to be quiet in here,\" whispered Jim. > > \"I agree,\"", "tone. > > \"I have no idea,\" whispered Balx. > > \"You're kidding!\"", "this regarding dialogue tags? I want the reader to be aware that they", "regarding dialogue tags? I want the reader to be aware that they are", "that they are whispering, but I don't what to have to add that", "However, dangerous creatures may still lurk there. The two characters will be communicating", "after each bit of conversation. For example: > > \"We need to be", "want the reader to be aware that they are whispering, but I don't", "of a few hours but they need to whisper to avoid being detected.", "need to remind my readers that the characters are whispering (or should be", "long-abandoned gold mine. However, dangerous creatures may still lurk there. The two characters", "there. The two characters will be communicating over the course of a few", "quietly as he could. \"You need to whisper in here, or else!\" >", "or else!\" > > > How often do I need to remind my", "is the best way to handle this regarding dialogue tags? I want the", "detected. What is the best way to handle this regarding dialogue tags? I", "the best way to handle this regarding dialogue tags? I want the reader", "to remind my readers that the characters are whispering (or should be doing", "in here,\" whispered Jim. > > \"I agree,\" replied Balx quietly. > >", "an exploration of a long-abandoned gold mine. However, dangerous creatures may still lurk", "exploration of a long-abandoned gold mine. However, dangerous creatures may still lurk there.", "writing. Two characters are involved in an exploration of a long-abandoned gold mine.", "kidding!\" said Jim too loudly. > > \"Shhh!\" growled Balx as quietly as", "\"Shhh!\" growled Balx as quietly as he could. \"You need to whisper in", "> \"Shhh!\" growled Balx as quietly as he could. \"You need to whisper", "a few hours but they need to whisper to avoid being detected. What", "For example: > > \"We need to be quiet in here,\" whispered Jim.", "> > \"How long do you think we'll be in this place?\" asked", "be aware that they are whispering, but I don't what to have to", "Balx. > > \"You're kidding!\" said Jim too loudly. > > \"Shhh!\" growled", "do I need to remind my readers that the characters are whispering (or", "in here, or else!\" > > > How often do I need to", "agree,\" replied Balx quietly. > > \"How long do you think we'll be", "the reader to be aware that they are whispering, but I don't what", "still lurk there. The two characters will be communicating over the course of", "be communicating over the course of a few hours but they need to", "Balx quietly. > > \"How long do you think we'll be in this", "to handle this regarding dialogue tags? I want the reader to be aware", "a hushed tone. > > \"I have no idea,\" whispered Balx. > >", "Jim, in a hushed tone. > > \"I have no idea,\" whispered Balx.", "too loudly. > > \"Shhh!\" growled Balx as quietly as he could. \"You", "fiction writing. Two characters are involved in an exploration of a long-abandoned gold", "Jim too loudly. > > \"Shhh!\" growled Balx as quietly as he could.", "I don't what to have to add that tag after each bit of", "a long-abandoned gold mine. However, dangerous creatures may still lurk there. The two", "> \"I agree,\" replied Balx quietly. > > \"How long do you think", "in this place?\" asked Jim, in a hushed tone. > > \"I have", "replied Balx quietly. > > \"How long do you think we'll be in" ]
[ "comes to spiritual beliefs, yeah, you can view mutant powers as spiritual gifts,", "of cliches and tropes when it comes to hope. (Cough, cough. The power", "believe in yourself, you can never be a mutant. Mutants in my world", "both. You can learn magic. Therefore, everyone has hope that they can do", "can view mutant powers as spiritual gifts, but keep in mind that you", "reality. For some reason, I feel like this is super easy to do", "it comes to spiritual beliefs, yeah, you can view mutant powers as spiritual", "power of friendship.) Honestly, I don't know how big a role spiritual beliefs", "here. One question is about hope and the other is about spiritual beliefs.", "you can also view an athlete's talents as spiritual gifts too. I feel", "is about hope and the other is about spiritual beliefs. I like to", "powers are genetic based. So by default hope and spiritual beliefs are eliminated", "magic system is inspired by alchemy, chemistry, quantum mechanics, and cosmic energy. In", "the other is about spiritual beliefs. I like to keep my world grounded", "one of those classic \"it's not really magic, it's just science that is", "type of magic systems. My magic system is inspired by alchemy, chemistry, quantum", "of asking two questions here. One question is about hope and the other", "taught. When it comes to spiritual beliefs, yeah, you can view mutant powers", "existing would give too much room for those both. You can learn magic.", "main character syndrome. I feel like I would be enabling a lot of", "be easier for people to view magic through a spiritual lens since magic", "in this topic. Maybe the fact that magic is learned not genetic. Maybe", "world grounded in reality. For some reason, I feel like this is super", "of friendship.) Honestly, I don't know how big a role spiritual beliefs would", "making it harder for skeptics to debunk spiritual beliefs associated with magic. In", "of magic systems. My magic system is inspired by alchemy, chemistry, quantum mechanics,", "I feel like this is super easy to do with mutant-like superpowers. When", "a lot of cliches and tropes when it comes to hope. (Cough, cough.", "with mutant-like superpowers. When it comes to magic I struggle. For example, mutant", "magic systems. My magic system is inspired by alchemy, chemistry, quantum mechanics, and", "and cosmic energy. In conclusion, my main question here is: Does the nature", "would play in this topic. Maybe the fact that magic is learned not", "that it comes off as plot armor or main character syndrome. I feel", "genetic. Maybe it would be easier for people to view magic through a", "you can never be a mutant. Mutants in my world are born not", "default hope and spiritual beliefs are eliminated or at least limited because it", "mechanics, and cosmic energy. In conclusion, my main question here is: Does the", "I don't know how big a role spiritual beliefs would play in this", "is that it comes off as plot armor or main character syndrome. I", "beliefs are eliminated or at least limited because it doesn't matter how much", "would be enabling a lot of cliches and tropes when it comes to", "alchemy, chemistry, quantum mechanics, and cosmic energy. In conclusion, my main question here", "mutant powers are genetic based. So by default hope and spiritual beliefs are", "but keep in mind that you can also view an athlete's talents as", "Mutants in my world are born not taught. When it comes to spiritual", "can also view an athlete's talents as spiritual gifts too. I feel like", "it doesn't matter how much you try or believe in yourself, you can", "harder for skeptics to debunk spiritual beliefs associated with magic. In my world", "hope and spiritual beliefs are eliminated or at least limited because it doesn't", "I like to keep my world grounded in reality. For some reason, I", "least limited because it doesn't matter how much you try or believe in", "problem with hope is that it comes off as plot armor or main", "role spiritual beliefs would play in this topic. Maybe the fact that magic", "hope and the other is about spiritual beliefs. I like to keep my", "plot armor or main character syndrome. I feel like I would be enabling", "feel like this is super easy to do with mutant-like superpowers. When it", "Therefore, everyone has hope that they can do magic one day. My problem", "genetic based. So by default hope and spiritual beliefs are eliminated or at", "beliefs. I like to keep my world grounded in reality. For some reason,", "my world grounded in reality. For some reason, I feel like this is", "how much you try or believe in yourself, you can never be a", "you try or believe in yourself, you can never be a mutant. Mutants", "magic, it's just science that is indistinguishable from magic\" type of magic systems.", "hope that they can do magic one day. My problem with hope is", "do magic one day. My problem with hope is that it comes off", "learn magic. Therefore, everyone has hope that they can do magic one day.", "that magic is learned not genetic. Maybe it would be easier for people", "is one of those classic \"it's not really magic, it's just science that", "magic. In my world magic is one of those classic \"it's not really", "how big a role spiritual beliefs would play in this topic. Maybe the", "associated with magic. In my world magic is one of those classic \"it's", "other is about spiritual beliefs. I like to keep my world grounded in", "keep in mind that you can also view an athlete's talents as spiritual", "you can view mutant powers as spiritual gifts, but keep in mind that", "athlete's talents as spiritual gifts too. I feel like magic existing would give", "talents as spiritual gifts too. I feel like magic existing would give too", "spiritual gifts too. I feel like magic existing would give too much room", "feel like I would be enabling a lot of cliches and tropes when", "magic is learned, therefore making it harder for skeptics to debunk spiritual beliefs", "asking two questions here. One question is about hope and the other is", "born not taught. When it comes to spiritual beliefs, yeah, you can view", "magic I struggle. For example, mutant powers are genetic based. So by default", "question is about hope and the other is about spiritual beliefs. I like", "one day. My problem with hope is that it comes off as plot", "because it doesn't matter how much you try or believe in yourself, you", "that you can also view an athlete's talents as spiritual gifts too. I", "is learned not genetic. Maybe it would be easier for people to view", "therefore making it harder for skeptics to debunk spiritual beliefs associated with magic.", "two questions here. One question is about hope and the other is about", "with hope is that it comes off as plot armor or main character", "armor or main character syndrome. I feel like I would be enabling a", "with magic. In my world magic is one of those classic \"it's not", "some reason, I feel like this is super easy to do with mutant-like", "struggle. For example, mutant powers are genetic based. So by default hope and", "I feel like magic existing would give too much room for those both.", "magic existing would give too much room for those both. You can learn", "syndrome. I feel like I would be enabling a lot of cliches and", "they can do magic one day. My problem with hope is that it", "lot of cliches and tropes when it comes to hope. (Cough, cough. The", "cliches and tropes when it comes to hope. (Cough, cough. The power of", "Maybe it would be easier for people to view magic through a spiritual", "to debunk spiritual beliefs associated with magic. In my world magic is one", "from magic\" type of magic systems. My magic system is inspired by alchemy,", "about spiritual beliefs. I like to keep my world grounded in reality. For", "those both. You can learn magic. Therefore, everyone has hope that they can", "everyone has hope that they can do magic one day. My problem with", "since magic is learned, therefore making it harder for skeptics to debunk spiritual", "spiritual lens since magic is learned, therefore making it harder for skeptics to", "cosmic energy. In conclusion, my main question here is: Does the nature of", "One question is about hope and the other is about spiritual beliefs. I", "room for those both. You can learn magic. Therefore, everyone has hope that", "about hope and the other is about spiritual beliefs. I like to keep", "tropes when it comes to hope. (Cough, cough. The power of friendship.) Honestly,", "magic is one of those classic \"it's not really magic, it's just science", "\"it's not really magic, it's just science that is indistinguishable from magic\" type", "comes off as plot armor or main character syndrome. I feel like I", "I struggle. For example, mutant powers are genetic based. So by default hope", "it harder for skeptics to debunk spiritual beliefs associated with magic. In my", "and the other is about spiritual beliefs. I like to keep my world", "gifts too. I feel like magic existing would give too much room for", "beliefs associated with magic. In my world magic is one of those classic", "main question here is: Does the nature of traditional magic make it hard", "is indistinguishable from magic\" type of magic systems. My magic system is inspired", "My magic system is inspired by alchemy, chemistry, quantum mechanics, and cosmic energy.", "can learn magic. Therefore, everyone has hope that they can do magic one", "lens since magic is learned, therefore making it harder for skeptics to debunk", "In my world magic is one of those classic \"it's not really magic,", "and tropes when it comes to hope. (Cough, cough. The power of friendship.)", "view mutant powers as spiritual gifts, but keep in mind that you can", "to keep my world grounded in reality. For some reason, I feel like", "also view an athlete's talents as spiritual gifts too. I feel like magic", "easier for people to view magic through a spiritual lens since magic is", "skeptics to debunk spiritual beliefs associated with magic. In my world magic is", "for skeptics to debunk spiritual beliefs associated with magic. In my world magic", "mutant powers as spiritual gifts, but keep in mind that you can also", "would give too much room for those both. You can learn magic. Therefore,", "The power of friendship.) Honestly, I don't know how big a role spiritual", "When it comes to magic I struggle. For example, mutant powers are genetic", "super easy to do with mutant-like superpowers. When it comes to magic I", "too much room for those both. You can learn magic. Therefore, everyone has", "or main character syndrome. I feel like I would be enabling a lot", "kind of asking two questions here. One question is about hope and the", "character syndrome. I feel like I would be enabling a lot of cliches", "feel like magic existing would give too much room for those both. You", "just science that is indistinguishable from magic\" type of magic systems. My magic", "is inspired by alchemy, chemistry, quantum mechanics, and cosmic energy. In conclusion, my", "hope is that it comes off as plot armor or main character syndrome.", "and spiritual beliefs are eliminated or at least limited because it doesn't matter", "reason, I feel like this is super easy to do with mutant-like superpowers.", "keep my world grounded in reality. For some reason, I feel like this", "or at least limited because it doesn't matter how much you try or", "doesn't matter how much you try or believe in yourself, you can never", "to hope. (Cough, cough. The power of friendship.) Honestly, I don't know how", "by alchemy, chemistry, quantum mechanics, and cosmic energy. In conclusion, my main question", "not genetic. Maybe it would be easier for people to view magic through", "debunk spiritual beliefs associated with magic. In my world magic is one of", "when it comes to hope. (Cough, cough. The power of friendship.) Honestly, I", "spiritual beliefs, yeah, you can view mutant powers as spiritual gifts, but keep", "yeah, you can view mutant powers as spiritual gifts, but keep in mind", "superpowers. When it comes to magic I struggle. For example, mutant powers are", "can do magic one day. My problem with hope is that it comes", "indistinguishable from magic\" type of magic systems. My magic system is inspired by", "cough. The power of friendship.) Honestly, I don't know how big a role", "magic one day. My problem with hope is that it comes off as", "classic \"it's not really magic, it's just science that is indistinguishable from magic\"", "as spiritual gifts, but keep in mind that you can also view an", "is super easy to do with mutant-like superpowers. When it comes to magic", "like this is super easy to do with mutant-like superpowers. When it comes", "For example, mutant powers are genetic based. So by default hope and spiritual", "So by default hope and spiritual beliefs are eliminated or at least limited", "my world are born not taught. When it comes to spiritual beliefs, yeah,", "magic through a spiritual lens since magic is learned, therefore making it harder", "a mutant. Mutants in my world are born not taught. When it comes", "give too much room for those both. You can learn magic. Therefore, everyone", "a role spiritual beliefs would play in this topic. Maybe the fact that", "eliminated or at least limited because it doesn't matter how much you try", "day. My problem with hope is that it comes off as plot armor", "beliefs would play in this topic. Maybe the fact that magic is learned", "big a role spiritual beliefs would play in this topic. Maybe the fact", "learned, therefore making it harder for skeptics to debunk spiritual beliefs associated with", "Does the nature of traditional magic make it hard to limit hope or", "through a spiritual lens since magic is learned, therefore making it harder for", "Honestly, I don't know how big a role spiritual beliefs would play in", "nature of traditional magic make it hard to limit hope or spirituality in", "energy. In conclusion, my main question here is: Does the nature of traditional", "is: Does the nature of traditional magic make it hard to limit hope", "spiritual beliefs are eliminated or at least limited because it doesn't matter how", "is learned, therefore making it harder for skeptics to debunk spiritual beliefs associated", "systems. My magic system is inspired by alchemy, chemistry, quantum mechanics, and cosmic", "in reality. For some reason, I feel like this is super easy to", "traditional magic make it hard to limit hope or spirituality in a story?", "to magic I struggle. For example, mutant powers are genetic based. So by", "yourself, you can never be a mutant. Mutants in my world are born", "Maybe the fact that magic is learned not genetic. Maybe it would be", "chemistry, quantum mechanics, and cosmic energy. In conclusion, my main question here is:", "don't know how big a role spiritual beliefs would play in this topic.", "I'm kind of asking two questions here. One question is about hope and", "magic\" type of magic systems. My magic system is inspired by alchemy, chemistry,", "has hope that they can do magic one day. My problem with hope", "spiritual gifts, but keep in mind that you can also view an athlete's", "mutant. Mutants in my world are born not taught. When it comes to", "like I would be enabling a lot of cliches and tropes when it", "to do with mutant-like superpowers. When it comes to magic I struggle. For", "a spiritual lens since magic is learned, therefore making it harder for skeptics", "In conclusion, my main question here is: Does the nature of traditional magic", "in yourself, you can never be a mutant. Mutants in my world are", "in mind that you can also view an athlete's talents as spiritual gifts", "grounded in reality. For some reason, I feel like this is super easy", "My problem with hope is that it comes off as plot armor or", "system is inspired by alchemy, chemistry, quantum mechanics, and cosmic energy. In conclusion,", "magic. Therefore, everyone has hope that they can do magic one day. My", "easy to do with mutant-like superpowers. When it comes to magic I struggle.", "it comes to hope. (Cough, cough. The power of friendship.) Honestly, I don't", "mind that you can also view an athlete's talents as spiritual gifts too.", "much you try or believe in yourself, you can never be a mutant.", "spiritual beliefs associated with magic. In my world magic is one of those", "are genetic based. So by default hope and spiritual beliefs are eliminated or", "here is: Does the nature of traditional magic make it hard to limit", "this topic. Maybe the fact that magic is learned not genetic. Maybe it", "You can learn magic. Therefore, everyone has hope that they can do magic", "enabling a lot of cliches and tropes when it comes to hope. (Cough,", "example, mutant powers are genetic based. So by default hope and spiritual beliefs", "is about spiritual beliefs. I like to keep my world grounded in reality.", "like to keep my world grounded in reality. For some reason, I feel", "spiritual beliefs would play in this topic. Maybe the fact that magic is", "When it comes to spiritual beliefs, yeah, you can view mutant powers as", "inspired by alchemy, chemistry, quantum mechanics, and cosmic energy. In conclusion, my main", "never be a mutant. Mutants in my world are born not taught. When", "(Cough, cough. The power of friendship.) Honestly, I don't know how big a", "for people to view magic through a spiritual lens since magic is learned,", "it's just science that is indistinguishable from magic\" type of magic systems. My", "people to view magic through a spiritual lens since magic is learned, therefore", "it comes off as plot armor or main character syndrome. I feel like", "quantum mechanics, and cosmic energy. In conclusion, my main question here is: Does", "gifts, but keep in mind that you can also view an athlete's talents", "it comes to magic I struggle. For example, mutant powers are genetic based.", "it would be easier for people to view magic through a spiritual lens", "by default hope and spiritual beliefs are eliminated or at least limited because", "an athlete's talents as spiritual gifts too. I feel like magic existing would", "like magic existing would give too much room for those both. You can", "off as plot armor or main character syndrome. I feel like I would", "comes to magic I struggle. For example, mutant powers are genetic based. So", "limited because it doesn't matter how much you try or believe in yourself,", "be enabling a lot of cliches and tropes when it comes to hope.", "friendship.) Honestly, I don't know how big a role spiritual beliefs would play", "my main question here is: Does the nature of traditional magic make it", "be a mutant. Mutants in my world are born not taught. When it", "spiritual beliefs. I like to keep my world grounded in reality. For some", "beliefs, yeah, you can view mutant powers as spiritual gifts, but keep in", "matter how much you try or believe in yourself, you can never be", "my world magic is one of those classic \"it's not really magic, it's", "conclusion, my main question here is: Does the nature of traditional magic make", "that they can do magic one day. My problem with hope is that", "would be easier for people to view magic through a spiritual lens since", "world are born not taught. When it comes to spiritual beliefs, yeah, you", "to view magic through a spiritual lens since magic is learned, therefore making", "are born not taught. When it comes to spiritual beliefs, yeah, you can", "based. So by default hope and spiritual beliefs are eliminated or at least", "try or believe in yourself, you can never be a mutant. Mutants in", "for those both. You can learn magic. Therefore, everyone has hope that they", "fact that magic is learned not genetic. Maybe it would be easier for", "topic. Maybe the fact that magic is learned not genetic. Maybe it would", "really magic, it's just science that is indistinguishable from magic\" type of magic", "that is indistinguishable from magic\" type of magic systems. My magic system is", "at least limited because it doesn't matter how much you try or believe", "as plot armor or main character syndrome. I feel like I would be", "of traditional magic make it hard to limit hope or spirituality in a", "mutant-like superpowers. When it comes to magic I struggle. For example, mutant powers", "science that is indistinguishable from magic\" type of magic systems. My magic system", "world magic is one of those classic \"it's not really magic, it's just", "questions here. One question is about hope and the other is about spiritual", "can never be a mutant. Mutants in my world are born not taught.", "the fact that magic is learned not genetic. Maybe it would be easier", "of those classic \"it's not really magic, it's just science that is indistinguishable", "question here is: Does the nature of traditional magic make it hard to", "I feel like I would be enabling a lot of cliches and tropes", "much room for those both. You can learn magic. Therefore, everyone has hope", "those classic \"it's not really magic, it's just science that is indistinguishable from", "hope. (Cough, cough. The power of friendship.) Honestly, I don't know how big", "not taught. When it comes to spiritual beliefs, yeah, you can view mutant", "I would be enabling a lot of cliches and tropes when it comes", "do with mutant-like superpowers. When it comes to magic I struggle. For example,", "view magic through a spiritual lens since magic is learned, therefore making it", "not really magic, it's just science that is indistinguishable from magic\" type of", "comes to hope. (Cough, cough. The power of friendship.) Honestly, I don't know", "the nature of traditional magic make it hard to limit hope or spirituality", "or believe in yourself, you can never be a mutant. Mutants in my", "powers as spiritual gifts, but keep in mind that you can also view", "know how big a role spiritual beliefs would play in this topic. Maybe", "too. I feel like magic existing would give too much room for those", "For some reason, I feel like this is super easy to do with", "are eliminated or at least limited because it doesn't matter how much you", "play in this topic. Maybe the fact that magic is learned not genetic.", "magic is learned not genetic. Maybe it would be easier for people to", "in my world are born not taught. When it comes to spiritual beliefs,", "learned not genetic. Maybe it would be easier for people to view magic", "to spiritual beliefs, yeah, you can view mutant powers as spiritual gifts, but", "view an athlete's talents as spiritual gifts too. I feel like magic existing", "this is super easy to do with mutant-like superpowers. When it comes to", "as spiritual gifts too. I feel like magic existing would give too much" ]
[ "because currently, the viewer cannot see what I'm writing before I move my", "hands are this bent at all! I want to change it, because currently,", "see what I'm writing before I move my hand away - which is", "it doesn't seem like their hands are this bent at all! I want", "- [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So I've", "viewer cannot see what I'm writing before I move my hand away -", "youtube and it doesn't seem like their hands are this bent at all!", "educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand: -", "I've seen some videos on youtube and it doesn't seem like their hands", "I want to change it, because currently, the viewer cannot see what I'm", "So I've never noticed how stretched and bent and enlongated my wrist is.", "I change it? I've seen some videos on youtube and it doesn't seem", "snippet of an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of", "on youtube and it doesn't seem like their hands are this bent at", "video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand: - [![enter", "should I change it? I've seen some videos on youtube and it doesn't", "their hands are this bent at all! I want to change it, because", "Is this normal, or should I change it? I've seen some videos on", "and bent and enlongated my wrist is. Is this normal, or should I", "it? I've seen some videos on youtube and it doesn't seem like their", "bent at all! I want to change it, because currently, the viewer cannot", "hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So", "never recorded my handwriting before. So I've never noticed how stretched and bent", "to change it, because currently, the viewer cannot see what I'm writing before", "I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand: - [![enter image", "and enlongated my wrist is. Is this normal, or should I change it?", "I'm writing before I move my hand away - which is annoying to", "seen some videos on youtube and it doesn't seem like their hands are", "the viewer cannot see what I'm writing before I move my hand away", "description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So I've never noticed how", "my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before.", "recorded my handwriting before. So I've never noticed how stretched and bent and", "or should I change it? I've seen some videos on youtube and it", "and it doesn't seem like their hands are this bent at all! I", "bent and enlongated my wrist is. Is this normal, or should I change", "before I move my hand away - which is annoying to look at.", "wrist is. Is this normal, or should I change it? I've seen some", "like their hands are this bent at all! I want to change it,", "currently, the viewer cannot see what I'm writing before I move my hand", "stretched and bent and enlongated my wrist is. Is this normal, or should", "at all! I want to change it, because currently, the viewer cannot see", "change it? I've seen some videos on youtube and it doesn't seem like", "how stretched and bent and enlongated my wrist is. Is this normal, or", "of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting", "of an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my", "I've never recorded my handwriting before. So I've never noticed how stretched and", "image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So I've never noticed", "enlongated my wrist is. Is this normal, or should I change it? I've", "some videos on youtube and it doesn't seem like their hands are this", "my handwriting before. So I've never noticed how stretched and bent and enlongated", "writing before I move my hand away - which is annoying to look", "this bent at all! I want to change it, because currently, the viewer", "here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So I've never noticed how stretched", "picture of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my", "is. Is this normal, or should I change it? I've seen some videos", "want to change it, because currently, the viewer cannot see what I'm writing", "are this bent at all! I want to change it, because currently, the", "[![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded my handwriting before. So I've never", "all! I want to change it, because currently, the viewer cannot see what", "this normal, or should I change it? I've seen some videos on youtube", "my wrist is. Is this normal, or should I change it? I've seen", "an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand:", "handwriting before. So I've never noticed how stretched and bent and enlongated my", "made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand: - [![enter image description", "doesn't seem like their hands are this bent at all! I want to", "seem like their hands are this bent at all! I want to change", "made a snippet of an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a", "I made a snippet of an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is", "before. So I've never noticed how stretched and bent and enlongated my wrist", "is a picture of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never", "Here is a picture of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've", "never noticed how stretched and bent and enlongated my wrist is. Is this", "cannot see what I'm writing before I move my hand away - which", "a picture of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png) I've never recorded", "I've never noticed how stretched and bent and enlongated my wrist is. Is", "normal, or should I change it? I've seen some videos on youtube and", "[here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture of my hand: - [![enter image description here](https://i.stack.imgur.com/LY46z.png)](https://i.stack.imgur.com/LY46z.png)", "a snippet of an educational video I've made [here](https://youtube.com/shorts/39V_Aa-q1U8?feature=share). Here is a picture", "change it, because currently, the viewer cannot see what I'm writing before I", "videos on youtube and it doesn't seem like their hands are this bent", "what I'm writing before I move my hand away - which is annoying", "noticed how stretched and bent and enlongated my wrist is. Is this normal,", "it, because currently, the viewer cannot see what I'm writing before I move" ]
[ "zombies cannot take out the government, but rather weaken them greatly. In my", "I do not want to make the theme be about humans being worse.", "cannot take out the government, but rather weaken them greatly. In my story,", "it so that while there are human enemies, the zombies are still the", "them greatly. In my story, there are bad humans and all of that,", "weaken them greatly. In my story, there are bad humans and all of", "in the quarantined state. These zombies cannot take out the government, but rather", "the quarantined state. These zombies cannot take out the government, but rather weaken", "the main focus is the zombie survival in the quarantined state. These zombies", "to make the theme be about humans being worse. How could I make", "there are bad humans and all of that, but I do not want", "quarantined state. These zombies cannot take out the government, but rather weaken them", "humans and all of that, but I do not want to make the", "How could I make it so that while there are human enemies, the", "out the government, but rather weaken them greatly. In my story, there are", "the theme be about humans being worse. How could I make it so", "my story, there are bad humans and all of that, but I do", "rather weaken them greatly. In my story, there are bad humans and all", "main focus is the zombie survival in the quarantined state. These zombies cannot", "do not want to make the theme be about humans being worse. How", "not want to make the theme be about humans being worse. How could", "theme be about humans being worse. How could I make it so that", "are bad humans and all of that, but I do not want to", "outbreak story, the main focus is the zombie survival in the quarantined state.", "focus is the zombie survival in the quarantined state. These zombies cannot take", "is the zombie survival in the quarantined state. These zombies cannot take out", "humans being worse. How could I make it so that while there are", "I make it so that while there are human enemies, the zombies are", "In my story, there are bad humans and all of that, but I", "the zombie survival in the quarantined state. These zombies cannot take out the", "survival in the quarantined state. These zombies cannot take out the government, but", "story, the main focus is the zombie survival in the quarantined state. These", "take out the government, but rather weaken them greatly. In my story, there", "bad humans and all of that, but I do not want to make", "In my outbreak story, the main focus is the zombie survival in the", "government, but rather weaken them greatly. In my story, there are bad humans", "be about humans being worse. How could I make it so that while", "make it so that while there are human enemies, the zombies are still", "greatly. In my story, there are bad humans and all of that, but", "zombie survival in the quarantined state. These zombies cannot take out the government,", "and all of that, but I do not want to make the theme", "the government, but rather weaken them greatly. In my story, there are bad", "but rather weaken them greatly. In my story, there are bad humans and", "story, there are bad humans and all of that, but I do not", "all of that, but I do not want to make the theme be", "make the theme be about humans being worse. How could I make it", "that while there are human enemies, the zombies are still the main focus?", "state. These zombies cannot take out the government, but rather weaken them greatly.", "that, but I do not want to make the theme be about humans", "want to make the theme be about humans being worse. How could I", "worse. How could I make it so that while there are human enemies,", "my outbreak story, the main focus is the zombie survival in the quarantined", "so that while there are human enemies, the zombies are still the main", "being worse. How could I make it so that while there are human", "about humans being worse. How could I make it so that while there", "These zombies cannot take out the government, but rather weaken them greatly. In", "but I do not want to make the theme be about humans being", "of that, but I do not want to make the theme be about", "could I make it so that while there are human enemies, the zombies" ]
[ "research paper and a lot of the evidence will be using \"Cooking News", "and their cooking sections are not considered \"Cooking News Websites\". Basically I have", "Websites\". My PI told me to think of ways to define what a", "not considered \"Cooking News Websites\". Basically I have to define what a Cooking", "a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A general news outlet like", "have to define what a Cooking News Website is, but I really have", "told me to think of ways to define what a \"Cooking News Website\"", "\"Cooking News Websites\". My PI told me to think of ways to define", "For example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC and their cooking sections", "lot of the evidence will be using \"Cooking News Websites\". My PI told", "no clue other than saying \"it is a website that primarily focuses on", "to define what a Cooking News Website is, but I really have no", "Cooking News Website is, but I really have no clue other than saying", "and a lot of the evidence will be using \"Cooking News Websites\". My", "their cooking sections are not considered \"Cooking News Websites\". Basically I have to", "Website is, but I really have no clue other than saying \"it is", "evidence will be using \"Cooking News Websites\". My PI told me to think", "writing a research paper and a lot of the evidence will be using", "cooking sections are not considered \"Cooking News Websites\". Basically I have to define", "is, but I really have no clue other than saying \"it is a", "is. For example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC and their cooking", "have no clue other than saying \"it is a website that primarily focuses", "saying \"it is a website that primarily focuses on news related to cooking\".", "example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC and their cooking sections are", "other than saying \"it is a website that primarily focuses on news related", "PI told me to think of ways to define what a \"Cooking News", "than saying \"it is a website that primarily focuses on news related to", "define what a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A general news", "Websites\". Basically I have to define what a Cooking News Website is, but", "a lot of the evidence will be using \"Cooking News Websites\". My PI", "the evidence will be using \"Cooking News Websites\". My PI told me to", "with writing a research paper and a lot of the evidence will be", "to define what a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A general", "me to think of ways to define what a \"Cooking News Website\" is.", "<https://cookingnewstoday.com/> A general news outlet like CNN/NBC and their cooking sections are not", "paper and a lot of the evidence will be using \"Cooking News Websites\".", "News Websites\". Basically I have to define what a Cooking News Website is,", "I have to define what a Cooking News Website is, but I really", "My PI told me to think of ways to define what a \"Cooking", "CNN/NBC and their cooking sections are not considered \"Cooking News Websites\". Basically I", "will be using \"Cooking News Websites\". My PI told me to think of", "to think of ways to define what a \"Cooking News Website\" is. For", "\"Cooking News Websites\". Basically I have to define what a Cooking News Website", "what a Cooking News Website is, but I really have no clue other", "I really have no clue other than saying \"it is a website that", "Website\" is. For example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC and their", "think of ways to define what a \"Cooking News Website\" is. For example:", "tasked with writing a research paper and a lot of the evidence will", "ways to define what a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A", "what a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A general news outlet", "sections are not considered \"Cooking News Websites\". Basically I have to define what", "Basically I have to define what a Cooking News Website is, but I", "a Cooking News Website is, but I really have no clue other than", "really have no clue other than saying \"it is a website that primarily", "News Website is, but I really have no clue other than saying \"it", "be using \"Cooking News Websites\". My PI told me to think of ways", "using \"Cooking News Websites\". My PI told me to think of ways to", "News Websites\". My PI told me to think of ways to define what", "of ways to define what a \"Cooking News Website\" is. For example: <https://cookingnewstoday.com/>", "news outlet like CNN/NBC and their cooking sections are not considered \"Cooking News", "considered \"Cooking News Websites\". Basically I have to define what a Cooking News", "\"Cooking News Website\" is. For example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC", "define what a Cooking News Website is, but I really have no clue", "outlet like CNN/NBC and their cooking sections are not considered \"Cooking News Websites\".", "like CNN/NBC and their cooking sections are not considered \"Cooking News Websites\". Basically", "of the evidence will be using \"Cooking News Websites\". My PI told me", "are not considered \"Cooking News Websites\". Basically I have to define what a", "but I really have no clue other than saying \"it is a website", "clue other than saying \"it is a website that primarily focuses on news", "I'm tasked with writing a research paper and a lot of the evidence", "A general news outlet like CNN/NBC and their cooking sections are not considered", "a research paper and a lot of the evidence will be using \"Cooking", "general news outlet like CNN/NBC and their cooking sections are not considered \"Cooking", "News Website\" is. For example: <https://cookingnewstoday.com/> A general news outlet like CNN/NBC and" ]
[ "sure this is necessarily something akin to a dystopian/utopian fiction genre per se,", "world. Consider West Wing, which depicted the country being led by quantifiably brilliant", "words, the given antonyms for parody and satire tend to be words like", "amount of time trying to clarify this question here, but please don't hesitate", "a world where the system works better. That is, the work comments on", "but the primary focus of the show is almost something of a wish-fulfilment", "asking. Even if technically accurate, I think the word parody just about always", "antonyms for parody and satire tend to be words like \"frankness, solemnity, or", "almost something of a wish-fulfilment or aspirational outlook for what the real world", "spent a decent amount of time trying to clarify this question here, but", "yet fundamentally does so to show a world where the system works better.", "thanks to @TheRubberDuck)* This has been bugging me for a while; enough to", "the responses, more are getting towards a dramatic parody or humorless lampooning, which", "derogatory or mocking tone in the mind of the reader. I really don't", "that depicts a fictionalized version of a real-world series with adjustments that feel", "my field, so apologies in advance if I'm misusing certain words (and feel", "from a genuine sense of altruism. The show, on occasion, does parody a", "primary purpose to be to mock or ridicule another work. I don't believe", "Keep in mind English/Literature isn't my field, so apologies in advance if I'm", "don't think satire is a good fit, as I understand its primary purpose", "words (and feel free to correct). Every now and again, I find a", "West Wing, which depicted the country being led by quantifiably brilliant people whose", "a mix of imitation and allegory, but almost to show how 'better' people", "this wonderful community - thanks for any help you can offer! Keep in", "a good fit, as I understand its primary purpose to be to mock", "getting towards a dramatic parody or humorless lampooning, which isn't quite what I'm", "always implies a derogatory or mocking tone in the mind of the reader.", "niche of literature and media. I spent a decent amount of time trying", "to be to mock or ridicule another work. I don't believe homage would", "as I understand its primary purpose to be to mock or ridicule another", "on the real world through a mix of imitation and allegory, but almost", "unique niche of literature and media. I spent a decent amount of time", "parody, yet fundamentally does so to show a world where the system works", "I'm not sure this is necessarily something akin to a dystopian/utopian* fiction genre", "better. That is, the work comments on the real world through a mix", "where the system works better. That is, the work comments on the real", "whose primary motivation comes from a genuine sense of altruism. The show, on", "what the real world could be. I'm not sure this is necessarily something", "I find a work that depicts a fictionalized version of a real-world series", "I really don't think satire* is a good fit, as I understand its", "wonderful community - thanks for any help you can offer! Keep in mind", "(Edit: title frames the question better thanks to @TheRubberDuck) This has been bugging", "The show, on occasion, does parody a real-world character that the creator dislikes,", "get at it, but the question itself, as well as the responses, more", "Even if technically accurate, I think the word parody just about always implies", "which depicted the country being led by quantifiably brilliant people whose primary motivation", "real-world equivalent is worthy of praise. In other words, the given antonyms for", "on occasion, does parody a real-world character that the creator dislikes, but the", "time trying to clarify this question here, but please don't hesitate to ask", "or humorless lampooning, which isn't quite what I'm asking. Even if technically accurate,", "of altruism. The show, on occasion, does parody a real-world character that the", "frames the question better thanks to @TheRubberDuck)* This has been bugging me for", "to clarify this question here, but please don't hesitate to ask any clarifying", "'better' people would handle the world. Consider West Wing, which depicted the country", "that the real-world equivalent is worthy of praise. In other words, the given", "trying to clarify this question here, but please don't hesitate to ask any", "how 'better' people would handle the world. Consider West Wing, which depicted the", "but the question itself, as well as the responses, more are getting towards", "comes from a genuine sense of altruism. The show, on occasion, does parody", "and whose goal feels more prospective than reflective. [This response](/q/59426) started to get", "or ridicule another work. I don't believe homage would be a good fit,", "in advance if I'm misusing certain words (and feel free to correct). Every", "isn't to imply that the real-world equivalent is worthy of praise. In other", "understand its primary purpose to be to mock or ridicule another work. I", "series with adjustments that feel thematically similar to a parody, yet fundamentally does", "primary focus of the show is almost something of a wish-fulfilment or aspirational", "dislikes, but the primary focus of the show is almost something of a", "I think the word parody just about always implies a derogatory or mocking", "to @TheRubberDuck)* This has been bugging me for a while; enough to join", "in the mind of the reader. I really don't think satire is a", "the given antonyms for parody and satire tend to be words like \"frankness,", "would be a good fit, as the goal of the work isn't to", "wish-fulfilment or aspirational outlook for what the real world could be. I'm not", "been bugging me for a while; enough to join this wonderful community -", "response](/q/59426) started to get at it, but the question itself, as well as", "work that depicts a fictionalized version of a real-world series with adjustments that", "country being led by quantifiably brilliant people whose primary motivation comes from a", "I don't believe homage would be a good fit, as the goal of", "more prospective than reflective. [This response](/q/59426) started to get at it, but the", "towards a dramatic parody or humorless lampooning, which isn't quite what I'm asking.", "think satire is a good fit, as I understand its primary purpose to", "offer! Keep in mind English/Literature isn't my field, so apologies in advance if", "the reader. I really don't think satire is a good fit, as I", "goal of this unique niche of literature and media. I spent a decent", "the primary focus of the show is almost something of a wish-fulfilment or", "a real-world series with adjustments that feel thematically similar to a parody, yet", "but please don't hesitate to ask any clarifying questions - again, really appreciate", "people would handle the world. Consider West Wing, which depicted the country being", "I'm asking. Even if technically accurate, I think the word parody just about", "well as the responses, more are getting towards a dramatic parody or humorless", "be more speculative, and whose goal feels more prospective than reflective. [This response](/q/59426)", "genuine sense of altruism. The show, on occasion, does parody a real-world character", "real world through a mix of imitation and allegory, but almost to show", "show is almost something of a wish-fulfilment or aspirational outlook for what the", "again isn't the necessarily the goal of this unique niche of literature and", "of this unique niche of literature and media. I spent a decent amount", "led by quantifiably brilliant people whose primary motivation comes from a genuine sense", "prospective than reflective. [This response](/q/59426) started to get at it, but the question", "technically accurate, I think the word parody just about always implies a derogatory", "I spent a decent amount of time trying to clarify this question here,", "almost to show how 'better' people would handle the world. Consider West Wing,", "if I'm misusing certain words (and feel free to correct). Every now and", "and again, I find a work that depicts a fictionalized version of a", "to a dystopian/utopian fiction genre per se, whose works tend to be more", "In other words, the given antonyms for parody and satire tend to be", "feel free to correct). Every now and again, I find a work that", "work isn't to imply that the real-world equivalent is worthy of praise. In", "quite what I'm asking. Even if technically accurate, I think the word parody", "so to show a world where the system works better. That is, the", "to be words like \"frankness, solemnity, or flattery/praise\" - which again isn't the", "of a wish-fulfilment or aspirational outlook for what the real world could be.", "This has been bugging me for a while; enough to join this wonderful", "the creator dislikes, but the primary focus of the show is almost something", "worthy of praise. In other words, the given antonyms for parody and satire", "show, on occasion, does parody a real-world character that the creator dislikes, but", "while; enough to join this wonderful community - thanks for any help you", "is necessarily something akin to a dystopian/utopian fiction genre per se, whose works", "does parody a real-world character that the creator dislikes, but the primary focus", "as the goal of the work isn't to imply that the real-world equivalent", "similar to a parody, yet fundamentally does so to show a world where", "brilliant people whose primary motivation comes from a genuine sense of altruism. The", "more are getting towards a dramatic parody or humorless lampooning, which isn't quite", "That is, the work comments on the real world through a mix of", "of imitation and allegory, but almost to show how 'better' people would handle", "real-world character that the creator dislikes, but the primary focus of the show", "question itself, as well as the responses, more are getting towards a dramatic", "me for a while; enough to join this wonderful community - thanks for", "necessarily the goal of this unique niche of literature and media. I spent", "by quantifiably brilliant people whose primary motivation comes from a genuine sense of", "be words like \"frankness, solemnity, or flattery/praise\" - which again isn't the necessarily", "be a good fit, as the goal of the work isn't to imply", "I'm misusing certain words (and feel free to correct). Every now and again,", "real world could be. I'm not sure this is necessarily something akin to", "whose goal feels more prospective than reflective. [This response](/q/59426) started to get at", "you can offer! Keep in mind English/Literature isn't my field, so apologies in", "literature and media. I spent a decent amount of time trying to clarify", "decent amount of time trying to clarify this question here, but please don't", "akin to a dystopian/utopian* fiction genre per se, whose works tend to be", "like \"frankness, solemnity, or flattery/praise\" - which again isn't the necessarily the goal", "flattery/praise\" - which again isn't the necessarily the goal of this unique niche", "words like \"frankness, solemnity, or flattery/praise\" - which again isn't the necessarily the", "Consider West Wing, which depicted the country being led by quantifiably brilliant people", "than reflective. [This response](/q/59426) started to get at it, but the question itself,", "itself, as well as the responses, more are getting towards a dramatic parody", "depicted the country being led by quantifiably brilliant people whose primary motivation comes", "the mind of the reader. I really don't think satire is a good", "satire tend to be words like \"frankness, solemnity, or flattery/praise\" - which again", "primary motivation comes from a genuine sense of altruism. The show, on occasion,", "people whose primary motivation comes from a genuine sense of altruism. The show,", "of the work isn't to imply that the real-world equivalent is worthy of", "a while; enough to join this wonderful community - thanks for any help", "or flattery/praise\" - which again isn't the necessarily the goal of this unique", "to show a world where the system works better. That is, the work", "parody just about always implies a derogatory or mocking tone in the mind", "and allegory, but almost to show how 'better' people would handle the world.", "better thanks to @TheRubberDuck)* This has been bugging me for a while; enough", "whose works tend to be more speculative, and whose goal feels more prospective", "accurate, I think the word parody just about always implies a derogatory or", "imitation and allegory, but almost to show how 'better' people would handle the", "to a parody, yet fundamentally does so to show a world where the", "fundamentally does so to show a world where the system works better. That", "to be more speculative, and whose goal feels more prospective than reflective. [This", "this unique niche of literature and media. I spent a decent amount of", "is a good fit, as I understand its primary purpose to be to", "to show how 'better' people would handle the world. Consider West Wing, which", "please don't hesitate to ask any clarifying questions - again, really appreciate your", "the work isn't to imply that the real-world equivalent is worthy of praise.", "quantifiably brilliant people whose primary motivation comes from a genuine sense of altruism.", "a good fit, as the goal of the work isn't to imply that", "don't hesitate to ask any clarifying questions - again, really appreciate your insights!", "feels more prospective than reflective. [This response](/q/59426) started to get at it, but", "a dramatic parody or humorless lampooning, which isn't quite what I'm asking. Even", "sense of altruism. The show, on occasion, does parody a real-world character that", "feel thematically similar to a parody, yet fundamentally does so to show a", "\"frankness, solemnity, or flattery/praise\" - which again isn't the necessarily the goal of", "join this wonderful community - thanks for any help you can offer! Keep", "- which again isn't the necessarily the goal of this unique niche of", "occasion, does parody a real-world character that the creator dislikes, but the primary", "I understand its primary purpose to be to mock or ridicule another work.", "work comments on the real world through a mix of imitation and allegory,", "show a world where the system works better. That is, the work comments", "ridicule another work. I don't believe homage* would be a good fit, as", "or mocking tone in the mind of the reader. I really don't think", "for what the real world could be. I'm not sure this is necessarily", "dramatic parody or humorless lampooning, which isn't quite what I'm asking. Even if", "the real-world equivalent is worthy of praise. In other words, the given antonyms", "the word parody just about always implies a derogatory or mocking tone in", "the work comments on the real world through a mix of imitation and", "a derogatory or mocking tone in the mind of the reader. I really", "reader. I really don't think satire is a good fit, as I understand", "to correct). Every now and again, I find a work that depicts a", "(and feel free to correct). Every now and again, I find a work", "work. I don't believe homage would be a good fit, as the goal", "tend to be more speculative, and whose goal feels more prospective than reflective.", "per se, whose works tend to be more speculative, and whose goal feels", "for any help you can offer! Keep in mind English/Literature isn't my field,", "thematically similar to a parody, yet fundamentally does so to show a world", "something akin to a dystopian/utopian fiction genre per se, whose works tend to", "bugging me for a while; enough to join this wonderful community - thanks", "@TheRubberDuck)* This has been bugging me for a while; enough to join this", "Every now and again, I find a work that depicts a fictionalized version", "a work that depicts a fictionalized version of a real-world series with adjustments", "as well as the responses, more are getting towards a dramatic parody or", "praise. In other words, the given antonyms for parody and satire tend to", "version of a real-world series with adjustments that feel thematically similar to a", "necessarily something akin to a dystopian/utopian fiction genre per se, whose works tend", "be. I'm not sure this is necessarily something akin to a dystopian/utopian fiction", "its primary purpose to be to mock or ridicule another work. I don't", "the question better thanks to @TheRubberDuck)* This has been bugging me for a", "adjustments that feel thematically similar to a parody, yet fundamentally does so to", "a parody, yet fundamentally does so to show a world where the system", "the country being led by quantifiably brilliant people whose primary motivation comes from", "word parody* just about always implies a derogatory or mocking tone in the", "world through a mix of imitation and allegory, but almost to show how", "is almost something of a wish-fulfilment or aspirational outlook for what the real", "satire is a good fit, as I understand its primary purpose to be", "goal of the work isn't to imply that the real-world equivalent is worthy", "given antonyms for parody and satire tend to be words like \"frankness, solemnity,", "if technically accurate, I think the word parody just about always implies a", "- thanks for any help you can offer! Keep in mind English/Literature isn't", "the system works better. That is, the work comments on the real world", "works better. That is, the work comments on the real world through a", "has been bugging me for a while; enough to join this wonderful community", "could be. I'm not sure this is necessarily something akin to a dystopian/utopian", "a wish-fulfilment or aspirational outlook for what the real world could be. I'm", "imply that the real-world equivalent is worthy of praise. In other words, the", "field, so apologies in advance if I'm misusing certain words (and feel free", "to imply that the real-world equivalent is worthy of praise. In other words,", "the real world could be. I'm not sure this is necessarily something akin", "and media. I spent a decent amount of time trying to clarify this", "parody or humorless lampooning, which isn't quite what I'm asking. Even if technically", "English/Literature isn't my field, so apologies in advance if I'm misusing certain words", "clarify this question here, but please don't hesitate to ask any clarifying questions", "is, the work comments on the real world through a mix of imitation", "something of a wish-fulfilment or aspirational outlook for what the real world could", "goal feels more prospective than reflective. [This response](/q/59426) started to get at it,", "free to correct). Every now and again, I find a work that depicts", "the real world through a mix of imitation and allegory, but almost to", "apologies in advance if I'm misusing certain words (and feel free to correct).", "creator dislikes, but the primary focus of the show is almost something of", "homage would be a good fit, as the goal of the work isn't", "for parody and satire tend to be words like \"frankness, solemnity, or flattery/praise\"", "the goal of this unique niche of literature and media. I spent a", "world could be. I'm not sure this is necessarily something akin to a", "would handle the world. Consider West Wing, which depicted the country being led", "tend to be words like \"frankness, solemnity, or flattery/praise\" - which again isn't", "the necessarily the goal of this unique niche of literature and media. I", "any help you can offer! Keep in mind English/Literature isn't my field, so", "for a while; enough to join this wonderful community - thanks for any", "this is necessarily something akin to a dystopian/utopian fiction genre per se, whose", "advance if I'm misusing certain words (and feel free to correct). Every now", "but almost to show how 'better' people would handle the world. Consider West", "question here, but please don't hesitate to ask any clarifying questions - again,", "that the creator dislikes, but the primary focus of the show is almost", "in mind English/Literature isn't my field, so apologies in advance if I'm misusing", "world where the system works better. That is, the work comments on the", "being led by quantifiably brilliant people whose primary motivation comes from a genuine", "of the show is almost something of a wish-fulfilment or aspirational outlook for", "believe homage would be a good fit, as the goal of the work", "question better thanks to @TheRubberDuck)* This has been bugging me for a while;", "media. I spent a decent amount of time trying to clarify this question", "responses, more are getting towards a dramatic parody or humorless lampooning, which isn't", "more speculative, and whose goal feels more prospective than reflective. [This response](/q/59426) started", "misusing certain words (and feel free to correct). Every now and again, I", "genre per se, whose works tend to be more speculative, and whose goal", "and satire tend to be words like \"frankness, solemnity, or flattery/praise\" - which", "can offer! Keep in mind English/Literature isn't my field, so apologies in advance", "humorless lampooning, which isn't quite what I'm asking. Even if technically accurate, I", "other words, the given antonyms for parody and satire tend to be words", "it, but the question itself, as well as the responses, more are getting", "about always implies a derogatory or mocking tone in the mind of the", "to get at it, but the question itself, as well as the responses,", "think the word parody just about always implies a derogatory or mocking tone", "mocking tone in the mind of the reader. I really don't think satire", "the goal of the work isn't to imply that the real-world equivalent is", "through a mix of imitation and allegory, but almost to show how 'better'", "the world. Consider West Wing, which depicted the country being led by quantifiably", "what I'm asking. Even if technically accurate, I think the word parody just", "of literature and media. I spent a decent amount of time trying to", "don't believe homage would be a good fit, as the goal of the", "parody and satire tend to be words like \"frankness, solemnity, or flattery/praise\" -", "again, I find a work that depicts a fictionalized version of a real-world", "started to get at it, but the question itself, as well as the", "Wing, which depicted the country being led by quantifiably brilliant people whose primary", "thanks for any help you can offer! Keep in mind English/Literature isn't my", "be to mock or ridicule another work. I don't believe homage would be", "a real-world character that the creator dislikes, but the primary focus of the", "se, whose works tend to be more speculative, and whose goal feels more", "this question here, but please don't hesitate to ask any clarifying questions -", "a fictionalized version of a real-world series with adjustments that feel thematically similar", "works tend to be more speculative, and whose goal feels more prospective than", "show how 'better' people would handle the world. Consider West Wing, which depicted", "equivalent is worthy of praise. In other words, the given antonyms for parody", "mock or ridicule another work. I don't believe homage would be a good", "purpose to be to mock or ridicule another work. I don't believe homage", "fit, as I understand its primary purpose to be to mock or ridicule", "allegory, but almost to show how 'better' people would handle the world. Consider", "the question itself, as well as the responses, more are getting towards a", "good fit, as I understand its primary purpose to be to mock or", "tone in the mind of the reader. I really don't think satire is", "isn't my field, so apologies in advance if I'm misusing certain words (and", "just about always implies a derogatory or mocking tone in the mind of", "lampooning, which isn't quite what I'm asking. Even if technically accurate, I think", "implies a derogatory or mocking tone in the mind of the reader. I", "isn't the necessarily the goal of this unique niche of literature and media.", "correct). Every now and again, I find a work that depicts a fictionalized", "that feel thematically similar to a parody, yet fundamentally does so to show", "outlook for what the real world could be. I'm not sure this is", "not sure this is necessarily something akin to a dystopian/utopian fiction genre per", "fictionalized version of a real-world series with adjustments that feel thematically similar to", "aspirational outlook for what the real world could be. I'm not sure this", "comments on the real world through a mix of imitation and allegory, but", "a genuine sense of altruism. The show, on occasion, does parody a real-world", "the show is almost something of a wish-fulfilment or aspirational outlook for what", "is worthy of praise. In other words, the given antonyms for parody and", "at it, but the question itself, as well as the responses, more are", "as the responses, more are getting towards a dramatic parody or humorless lampooning,", "speculative, and whose goal feels more prospective than reflective. [This response](/q/59426) started to", "mind of the reader. I really don't think satire is a good fit,", "to join this wonderful community - thanks for any help you can offer!", "system works better. That is, the work comments on the real world through", "mix of imitation and allegory, but almost to show how 'better' people would", "handle the world. Consider West Wing, which depicted the country being led by", "good fit, as the goal of the work isn't to imply that the", "fit, as the goal of the work isn't to imply that the real-world", "community - thanks for any help you can offer! Keep in mind English/Literature", "with adjustments that feel thematically similar to a parody, yet fundamentally does so", "depicts a fictionalized version of a real-world series with adjustments that feel thematically", "parody a real-world character that the creator dislikes, but the primary focus of", "a dystopian/utopian* fiction genre per se, whose works tend to be more speculative,", "are getting towards a dramatic parody or humorless lampooning, which isn't quite what", "which again isn't the necessarily the goal of this unique niche of literature", "reflective. [This response](/q/59426) started to get at it, but the question itself, as", "here, but please don't hesitate to ask any clarifying questions - again, really", "now and again, I find a work that depicts a fictionalized version of", "altruism. The show, on occasion, does parody a real-world character that the creator", "enough to join this wonderful community - thanks for any help you can", "a decent amount of time trying to clarify this question here, but please", "mind English/Literature isn't my field, so apologies in advance if I'm misusing certain", "find a work that depicts a fictionalized version of a real-world series with", "to mock or ridicule another work. I don't believe homage would be a", "solemnity, or flattery/praise\" - which again isn't the necessarily the goal of this", "character that the creator dislikes, but the primary focus of the show is", "real-world series with adjustments that feel thematically similar to a parody, yet fundamentally", "of a real-world series with adjustments that feel thematically similar to a parody,", "certain words (and feel free to correct). Every now and again, I find", "help you can offer! Keep in mind English/Literature isn't my field, so apologies", "which isn't quite what I'm asking. Even if technically accurate, I think the", "of praise. In other words, the given antonyms for parody and satire tend", "[This response](/q/59426) started to get at it, but the question itself, as well", "so apologies in advance if I'm misusing certain words (and feel free to", "motivation comes from a genuine sense of altruism. The show, on occasion, does", "isn't quite what I'm asking. Even if technically accurate, I think the word", "fiction genre per se, whose works tend to be more speculative, and whose", "of the reader. I really don't think satire is a good fit, as", "or aspirational outlook for what the real world could be. I'm not sure", "really don't think satire is a good fit, as I understand its primary", "does so to show a world where the system works better. That is,", "focus of the show is almost something of a wish-fulfilment or aspirational outlook", "of time trying to clarify this question here, but please don't hesitate to", "title frames the question better thanks to @TheRubberDuck)* This has been bugging me", "another work. I don't believe homage would be a good fit, as the", "dystopian/utopian fiction genre per se, whose works tend to be more speculative, and" ]
[ "frequency? > > \"HQ, do you copy?\" said Zotn. > > > \"Dark", "problem. Is there a way to do this? What are some approaches used", "said Amox, overheard. > > > \"Dark Saber, just proceed as usual.\" said", "> > I am asking, because it can get really messy, and can", "a messy problem. Is there a way to do this? What are some", "some ways to tell that two people are talking over the same radio", "the Commander over > the radio. > > > I am asking, because", "just proceed as usual.\" said Keffguy, the Commander over > the radio. >", "overheard. > > > \"Dark Saber, just proceed as usual.\" said Keffguy, the", "to stop!\" said Amox, overheard. > > > \"Dark Saber, just proceed as", "tell that two people are talking over the same radio frequency? > >", "really messy, and can become a messy problem. Is there a way to", "> > > I am asking, because it can get really messy, and", "copy.\" said Matthews over the radio. > > > \"It's Deadly Dagger, not", "Amox, overheard. > > > \"Dark Saber, just proceed as usual.\" said Keffguy,", "Commander over > the radio. > > > I am asking, because it", "Deadly Dagger, not Dark Saber.\" corrected Zajen as she was > overheard over", "I copy.\" said Matthews over the radio. > > > \"It's Deadly Dagger,", "> > \"HQ, do you copy?\" said Zotn. > > > \"Dark Saber,", "> > \"Dark Saber, just proceed as usual.\" said Keffguy, the Commander over", "it can get really messy, and can become a messy problem. Is there", "> I am asking, because it can get really messy, and can become", "> > \"You too need to stop!\" said Amox, overheard. > > >", "> \"You too need to stop!\" said Amox, overheard. > > > \"Dark", "am asking, because it can get really messy, and can become a messy", "\"Dark Saber, just proceed as usual.\" said Keffguy, the Commander over > the", "you copy?\" said Zotn. > > > \"Dark Saber, I copy.\" said Matthews", "said Keffguy, the Commander over > the radio. > > > I am", "Matthews over the radio. > > > \"It's Deadly Dagger, not Dark Saber.\"", "frequency. > > > \"You too need to stop!\" said Amox, overheard. >", "> > \"It's Deadly Dagger, not Dark Saber.\" corrected Zajen as she was", "talking over the same radio frequency? > > \"HQ, do you copy?\" said", "Dagger, not Dark Saber.\" corrected Zajen as she was > overheard over the", "corrected Zajen as she was > overheard over the same radio frequency. >", "Saber, just proceed as usual.\" said Keffguy, the Commander over > the radio.", "need to stop!\" said Amox, overheard. > > > \"Dark Saber, just proceed", "to do this? What are some approaches used for these kinds of situation?", "> \"Dark Saber, just proceed as usual.\" said Keffguy, the Commander over >", "\"Dark Saber, I copy.\" said Matthews over the radio. > > > \"It's", "\"HQ, do you copy?\" said Zotn. > > > \"Dark Saber, I copy.\"", "too need to stop!\" said Amox, overheard. > > > \"Dark Saber, just", "the radio. > > > \"It's Deadly Dagger, not Dark Saber.\" corrected Zajen", "Saber.\" corrected Zajen as she was > overheard over the same radio frequency.", "> \"It's Deadly Dagger, not Dark Saber.\" corrected Zajen as she was >", "usual.\" said Keffguy, the Commander over > the radio. > > > I", "as she was > overheard over the same radio frequency. > > >", "same radio frequency? > > \"HQ, do you copy?\" said Zotn. > >", "become a messy problem. Is there a way to do this? What are", "messy, and can become a messy problem. Is there a way to do", "Zajen as she was > overheard over the same radio frequency. > >", "a way to do this? What are some approaches used for these kinds", "Keffguy, the Commander over > the radio. > > > I am asking,", "\"It's Deadly Dagger, not Dark Saber.\" corrected Zajen as she was > overheard", "> > > \"Dark Saber, I copy.\" said Matthews over the radio. >", "radio. > > > I am asking, because it can get really messy,", "she was > overheard over the same radio frequency. > > > \"You", "over > the radio. > > > I am asking, because it can", "radio. > > > \"It's Deadly Dagger, not Dark Saber.\" corrected Zajen as", "\"You too need to stop!\" said Amox, overheard. > > > \"Dark Saber,", "> > > \"Dark Saber, just proceed as usual.\" said Keffguy, the Commander", "> > \"Dark Saber, I copy.\" said Matthews over the radio. > >", "Zotn. > > > \"Dark Saber, I copy.\" said Matthews over the radio.", "and can become a messy problem. Is there a way to do this?", "the same radio frequency. > > > \"You too need to stop!\" said", "radio frequency. > > > \"You too need to stop!\" said Amox, overheard.", "two people are talking over the same radio frequency? > > \"HQ, do", "as usual.\" said Keffguy, the Commander over > the radio. > > >", "said Matthews over the radio. > > > \"It's Deadly Dagger, not Dark", "overheard over the same radio frequency. > > > \"You too need to", "copy?\" said Zotn. > > > \"Dark Saber, I copy.\" said Matthews over", "proceed as usual.\" said Keffguy, the Commander over > the radio. > >", "people are talking over the same radio frequency? > > \"HQ, do you", "Dark Saber.\" corrected Zajen as she was > overheard over the same radio", "Saber, I copy.\" said Matthews over the radio. > > > \"It's Deadly", "there a way to do this? What are some approaches used for these", "that two people are talking over the same radio frequency? > > \"HQ,", "get really messy, and can become a messy problem. Is there a way", "radio frequency? > > \"HQ, do you copy?\" said Zotn. > > >", "same radio frequency. > > > \"You too need to stop!\" said Amox,", "was > overheard over the same radio frequency. > > > \"You too", "can get really messy, and can become a messy problem. Is there a", "asking, because it can get really messy, and can become a messy problem.", "to tell that two people are talking over the same radio frequency? >", "stop!\" said Amox, overheard. > > > \"Dark Saber, just proceed as usual.\"", "do you copy?\" said Zotn. > > > \"Dark Saber, I copy.\" said", "because it can get really messy, and can become a messy problem. Is", "can become a messy problem. Is there a way to do this? What", "ways to tell that two people are talking over the same radio frequency?", "are talking over the same radio frequency? > > \"HQ, do you copy?\"", "What are some ways to tell that two people are talking over the", "messy problem. Is there a way to do this? What are some approaches", "way to do this? What are some approaches used for these kinds of", "I am asking, because it can get really messy, and can become a", "> > > \"It's Deadly Dagger, not Dark Saber.\" corrected Zajen as she", "> \"Dark Saber, I copy.\" said Matthews over the radio. > > >", "over the same radio frequency. > > > \"You too need to stop!\"", "Is there a way to do this? What are some approaches used for", "> overheard over the same radio frequency. > > > \"You too need", "> > > \"You too need to stop!\" said Amox, overheard. > >", "said Zotn. > > > \"Dark Saber, I copy.\" said Matthews over the", "are some ways to tell that two people are talking over the same", "> the radio. > > > I am asking, because it can get", "the same radio frequency? > > \"HQ, do you copy?\" said Zotn. >", "over the radio. > > > \"It's Deadly Dagger, not Dark Saber.\" corrected", "not Dark Saber.\" corrected Zajen as she was > overheard over the same", "over the same radio frequency? > > \"HQ, do you copy?\" said Zotn.", "> \"HQ, do you copy?\" said Zotn. > > > \"Dark Saber, I", "the radio. > > > I am asking, because it can get really" ]
[ "take a realistic approach to pro wrestling when it came to world-building. If", "live for millions to see. By televised I mean pro wrestling takes place", "sport like pankration. How seriously would that sport be taken in modern society?", "be interruptedd by other wrestlers that are not even involved in the matches.", "Some people even compared MMA to cockfighting, and said MMA was the human", "the human equivalent to human cockfighting. Now replace MMA with an even more", "have guys hitting each other with weapons and bare fists. There are crazy", "cages match or a ladder match. Matches can be interruptedd by other wrestlers", "to use pro wrestling as an analogy to real-world MMA. When MMA first", "would tell you that pro wrestling is an insane concept when taken seriously.", "not even involved in the matches. Pro wrestling is like a modern-day version", "too. What should a writer consider when taking the worldbuilding aspects of combat", "I wanted to take a realistic approach to pro wrestling when it came", "the matches. Pro wrestling is like a modern-day version of pankration. In my", "compared MMA to cockfighting, and said MMA was the human equivalent to human", "wrestling when it came to world-building. If you are not a fan of", "you are not a fan of pro wrestling, I would tell you that", "seriously would that sport be taken in modern society? Pro wrestling and pankration", "approach to pro wrestling when it came to world-building. If you are not", "cockfighting, and said MMA was the human equivalent to human cockfighting. Now replace", "How seriously would that sport be taken in modern society? Pro wrestling and", "I would tell you that pro wrestling is an insane concept when taken", "is an insane concept when taken seriously. You have guys hitting each other", "pro wrestling is an insane concept when taken seriously. You have guys hitting", "more violent sport like pankration. How seriously would that sport be taken in", "place in front of a kayfabe (wrestling term) crowd. Pankration took place in", "place in front of a Greek crowd. In the modern-day, this hybrid combat", "MMA was the human equivalent to human cockfighting. Now replace MMA with an", "should a writer consider when taking the worldbuilding aspects of combat sports like", "ladder match. Matches can be interruptedd by other wrestlers that are not even", "like illegal underground fights with a boxing/MMA aesthetic/theme. A hybrid sport that is", "aesthetic/theme. A hybrid sport that is also televised live for millions to see.", "bare fists. There are crazy gimmick-based matches like the steel cages match or", "in front of a Greek crowd. In the modern-day, this hybrid combat sport", "fights with a boxing/MMA aesthetic/theme. A hybrid sport that is also televised live", "weapons and bare fists. There are crazy gimmick-based matches like the steel cages", "like a modern-day version of pankration. In my world, I wanted to use", "crazy gimmick-based matches like the steel cages match or a ladder match. Matches", "MMA to cockfighting, and said MMA was the human equivalent to human cockfighting.", "I mean pro wrestling takes place in front of a kayfabe (wrestling term)", "to pro wrestling when it came to world-building. If you are not a", "human cockfighting. Now replace MMA with an even more violent sport like pankration.", "What should a writer consider when taking the worldbuilding aspects of combat sports", "seriously. You have guys hitting each other with weapons and bare fists. There", "In the modern-day, this hybrid combat sport would be live on TV, including", "version of pankration. In my world, I wanted to use pro wrestling as", "even compared MMA to cockfighting, and said MMA was the human equivalent to", "see. By televised I mean pro wrestling takes place in front of a", "to take a realistic approach to pro wrestling when it came to world-building.", "writer consider when taking the worldbuilding aspects of combat sports like pro wrestling", "sport be taken in modern society? Pro wrestling and pankration are like illegal", "a ladder match. Matches can be interruptedd by other wrestlers that are not", "other with weapons and bare fists. There are crazy gimmick-based matches like the", "even involved in the matches. Pro wrestling is like a modern-day version of", "real-world MMA. When MMA first came on the scene, society didn't accept it", "with an even more violent sport like pankration. How seriously would that sport", "kayfabe (wrestling term) crowd. Pankration took place in front of a Greek crowd.", "wanted to take a realistic approach to pro wrestling when it came to", "insane concept when taken seriously. You have guys hitting each other with weapons", "match. Matches can be interruptedd by other wrestlers that are not even involved", "TV, including PPVs, too. What should a writer consider when taking the worldbuilding", "this hybrid combat sport would be live on TV, including PPVs, too. What", "taken seriously. You have guys hitting each other with weapons and bare fists.", "a Greek crowd. In the modern-day, this hybrid combat sport would be live", "MMA first came on the scene, society didn't accept it at first. Some", "wrestling is an insane concept when taken seriously. You have guys hitting each", "boxing/MMA aesthetic/theme. A hybrid sport that is also televised live for millions to", "that is also televised live for millions to see. By televised I mean", "when taken seriously. You have guys hitting each other with weapons and bare", "wrestling is like a modern-day version of pankration. In my world, I wanted", "gimmick-based matches like the steel cages match or a ladder match. Matches can", "modern society? Pro wrestling and pankration are like illegal underground fights with a", "that pro wrestling is an insane concept when taken seriously. You have guys", "front of a Greek crowd. In the modern-day, this hybrid combat sport would", "the scene, society didn't accept it at first. Some people even compared MMA", "in modern society? Pro wrestling and pankration are like illegal underground fights with", "pro wrestling when it came to world-building. If you are not a fan", "involved in the matches. Pro wrestling is like a modern-day version of pankration.", "that sport be taken in modern society? Pro wrestling and pankration are like", "By televised I mean pro wrestling takes place in front of a kayfabe", "wrestlers that are not even involved in the matches. Pro wrestling is like", "match or a ladder match. Matches can be interruptedd by other wrestlers that", "with a boxing/MMA aesthetic/theme. A hybrid sport that is also televised live for", "with weapons and bare fists. There are crazy gimmick-based matches like the steel", "on the scene, society didn't accept it at first. Some people even compared", "live on TV, including PPVs, too. What should a writer consider when taking", "as an analogy to real-world MMA. When MMA first came on the scene,", "realistic approach to pro wrestling when it came to world-building. If you are", "and bare fists. There are crazy gimmick-based matches like the steel cages match", "fists. There are crazy gimmick-based matches like the steel cages match or a", "took place in front of a Greek crowd. In the modern-day, this hybrid", "underground fights with a boxing/MMA aesthetic/theme. A hybrid sport that is also televised", "hybrid combat sport would be live on TV, including PPVs, too. What should", "If you are not a fan of pro wrestling, I would tell you", "came to world-building. If you are not a fan of pro wrestling, I", "my world, I wanted to use pro wrestling as an analogy to real-world", "wrestling, I would tell you that pro wrestling is an insane concept when", "to human cockfighting. Now replace MMA with an even more violent sport like", "tell you that pro wrestling is an insane concept when taken seriously. You", "also televised live for millions to see. By televised I mean pro wrestling", "wrestling as an analogy to real-world MMA. When MMA first came on the", "crowd. Pankration took place in front of a Greek crowd. In the modern-day,", "(wrestling term) crowd. Pankration took place in front of a Greek crowd. In", "an even more violent sport like pankration. How seriously would that sport be", "came on the scene, society didn't accept it at first. Some people even", "Pro wrestling is like a modern-day version of pankration. In my world, I", "scene, society didn't accept it at first. Some people even compared MMA to", "are not even involved in the matches. Pro wrestling is like a modern-day", "hitting each other with weapons and bare fists. There are crazy gimmick-based matches", "pro wrestling as an analogy to real-world MMA. When MMA first came on", "an insane concept when taken seriously. You have guys hitting each other with", "is like a modern-day version of pankration. In my world, I wanted to", "a fan of pro wrestling, I would tell you that pro wrestling is", "society? Pro wrestling and pankration are like illegal underground fights with a boxing/MMA", "it came to world-building. If you are not a fan of pro wrestling,", "a realistic approach to pro wrestling when it came to world-building. If you", "of a kayfabe (wrestling term) crowd. Pankration took place in front of a", "world-building. If you are not a fan of pro wrestling, I would tell", "each other with weapons and bare fists. There are crazy gimmick-based matches like", "world, I wanted to use pro wrestling as an analogy to real-world MMA.", "sport that is also televised live for millions to see. By televised I", "taking the worldbuilding aspects of combat sports like pro wrestling and pankration seriously?", "including PPVs, too. What should a writer consider when taking the worldbuilding aspects", "concept when taken seriously. You have guys hitting each other with weapons and", "by other wrestlers that are not even involved in the matches. Pro wrestling", "not a fan of pro wrestling, I would tell you that pro wrestling", "for millions to see. By televised I mean pro wrestling takes place in", "Now replace MMA with an even more violent sport like pankration. How seriously", "use pro wrestling as an analogy to real-world MMA. When MMA first came", "I wanted to use pro wrestling as an analogy to real-world MMA. When", "to see. By televised I mean pro wrestling takes place in front of", "when taking the worldbuilding aspects of combat sports like pro wrestling and pankration", "analogy to real-world MMA. When MMA first came on the scene, society didn't", "violent sport like pankration. How seriously would that sport be taken in modern", "was the human equivalent to human cockfighting. Now replace MMA with an even", "There are crazy gimmick-based matches like the steel cages match or a ladder", "fan of pro wrestling, I would tell you that pro wrestling is an", "that are not even involved in the matches. Pro wrestling is like a", "or a ladder match. Matches can be interruptedd by other wrestlers that are", "modern-day, this hybrid combat sport would be live on TV, including PPVs, too.", "of pro wrestling, I would tell you that pro wrestling is an insane", "human equivalent to human cockfighting. Now replace MMA with an even more violent", "illegal underground fights with a boxing/MMA aesthetic/theme. A hybrid sport that is also", "takes place in front of a kayfabe (wrestling term) crowd. Pankration took place", "even more violent sport like pankration. How seriously would that sport be taken", "steel cages match or a ladder match. Matches can be interruptedd by other", "to world-building. If you are not a fan of pro wrestling, I would", "are crazy gimmick-based matches like the steel cages match or a ladder match.", "PPVs, too. What should a writer consider when taking the worldbuilding aspects of", "taken in modern society? Pro wrestling and pankration are like illegal underground fights", "pankration. How seriously would that sport be taken in modern society? Pro wrestling", "Matches can be interruptedd by other wrestlers that are not even involved in", "You have guys hitting each other with weapons and bare fists. There are", "MMA. When MMA first came on the scene, society didn't accept it at", "said MMA was the human equivalent to human cockfighting. 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Pro", "in front of a kayfabe (wrestling term) crowd. Pankration took place in front", "a modern-day version of pankration. In my world, I wanted to use pro", "and said MMA was the human equivalent to human cockfighting. Now replace MMA", "wanted to use pro wrestling as an analogy to real-world MMA. When MMA", "can be interruptedd by other wrestlers that are not even involved in the", "Pankration took place in front of a Greek crowd. In the modern-day, this", "sport would be live on TV, including PPVs, too. What should a writer", "would that sport be taken in modern society? Pro wrestling and pankration are", "of a Greek crowd. In the modern-day, this hybrid combat sport would be", "pro wrestling, I would tell you that pro wrestling is an insane concept", "cockfighting. Now replace MMA with an even more violent sport like pankration. How", "Greek crowd. In the modern-day, this hybrid combat sport would be live on", "matches like the steel cages match or a ladder match. Matches can be", "wrestling and pankration are like illegal underground fights with a boxing/MMA aesthetic/theme. A", "first came on the scene, society didn't accept it at first. Some people", "A hybrid sport that is also televised live for millions to see. By", "and pankration are like illegal underground fights with a boxing/MMA aesthetic/theme. A hybrid", "the steel cages match or a ladder match. Matches can be interruptedd by", "pankration are like illegal underground fights with a boxing/MMA aesthetic/theme. A hybrid sport", "to cockfighting, and said MMA was the human equivalent to human cockfighting. Now", "other wrestlers that are not even involved in the matches. Pro wrestling is", "In my world, I wanted to use pro wrestling as an analogy to", "first. Some people even compared MMA to cockfighting, and said MMA was the", "to real-world MMA. 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[ "have begun to consider the idea. I asked my friends about how to", "idea. I asked my friends about how to appropriately making a character that", "I asked my friends about how to appropriately making a character that wears", "does that mean I am including Islam in my story, since Hijab represents", "if I want to include a real religion into the story, but I", "asked my friends about how to appropriately making a character that wears a", "that, if I have a character wearing a hijab, does that mean I", "to be respectful and considerate. I'm not sure if I want to include", "real religion into the story, but I also would like to ask for", "not a Muslim, but I have Muslim friends and I didn't think much", "live in a country where the majority is Muslim. I am not a", "the majority is Muslim. I am not a Muslim, but I have Muslim", "a hijab character. I have begun to consider the idea. I asked my", "me is that, if I have a character wearing a hijab, does that", "story, but I also would like to ask for some other suggestions and", "give very revealing clothes to the character and don't expose or take off", "sure if I want to include a real religion into the story, but", "character and don't expose or take off the hijab; but one thing that", "I just want to be respectful and considerate. I'm not sure if I", "Muslim friends and I didn't think much of adding a hijab character. I", "my friends about how to appropriately making a character that wears a hijab,", "since Hijab represents a lot about Islam or is it just reference? I'm", "to consider the idea. I asked my friends about how to appropriately making", "mean I am including Islam in my story, since Hijab represents a lot", "very revealing clothes to the character and don't expose or take off the", "my story, since Hijab represents a lot about Islam or is it just", "adding a hijab character. I have begun to consider the idea. I asked", "hijab; but one thing that stops me is that, if I have a", "considerate. I'm not sure if I want to include a real religion into", "would like to ask for some other suggestions and advice for my hijab", "how to appropriately making a character that wears a hijab, such as don't", "a lot about Islam or is it just reference? I'm asking this as", "of adding a hijab character. I have begun to consider the idea. I", "to ask for some other suggestions and advice for my hijab character. I", "I didn't think much of adding a hijab character. I have begun to", "where the majority is Muslim. I am not a Muslim, but I have", "religion into the story, but I also would like to ask for some", "lot about Islam or is it just reference? I'm asking this as I", "that stops me is that, if I have a character wearing a hijab,", "don't give very revealing clothes to the character and don't expose or take", "and considerate. I'm not sure if I want to include a real religion", "represents a lot about Islam or is it just reference? I'm asking this", "appropriately making a character that wears a hijab, such as don't give very", "a character wearing a hijab, does that mean I am including Islam in", "a Muslim, but I have Muslim friends and I didn't think much of", "stops me is that, if I have a character wearing a hijab, does", "about how to appropriately making a character that wears a hijab, such as", "I also would like to ask for some other suggestions and advice for", "have Muslim friends and I didn't think much of adding a hijab character.", "Islam in my story, since Hijab represents a lot about Islam or is", "clothes to the character and don't expose or take off the hijab; but", "hijab character. I am still unsure of her, but I would appreciate some", "but I also would like to ask for some other suggestions and advice", "making a character that wears a hijab, such as don't give very revealing", "to the character and don't expose or take off the hijab; but one", "like to ask for some other suggestions and advice for my hijab character.", "or take off the hijab; but one thing that stops me is that,", "and I didn't think much of adding a hijab character. I have begun", "Muslim, but I have Muslim friends and I didn't think much of adding", "a hijab, such as don't give very revealing clothes to the character and", "just want to be respectful and considerate. I'm not sure if I want", "wears a hijab, such as don't give very revealing clothes to the character", "character wearing a hijab, does that mean I am including Islam in my", "this as I just want to be respectful and considerate. I'm not sure", "or is it just reference? I'm asking this as I just want to", "Muslim. I am not a Muslim, but I have Muslim friends and I", "I live in a country where the majority is Muslim. I am not", "but one thing that stops me is that, if I have a character", "majority is Muslim. I am not a Muslim, but I have Muslim friends", "Hijab represents a lot about Islam or is it just reference? I'm asking", "the idea. I asked my friends about how to appropriately making a character", "my hijab character. I am still unsure of her, but I would appreciate", "country where the majority is Muslim. I am not a Muslim, but I", "a character that wears a hijab, such as don't give very revealing clothes", "I'm asking this as I just want to be respectful and considerate. I'm", "and don't expose or take off the hijab; but one thing that stops", "not sure if I want to include a real religion into the story,", "about Islam or is it just reference? I'm asking this as I just", "but I have Muslim friends and I didn't think much of adding a", "also would like to ask for some other suggestions and advice for my", "as don't give very revealing clothes to the character and don't expose or", "I have Muslim friends and I didn't think much of adding a hijab", "be respectful and considerate. I'm not sure if I want to include a", "into the story, but I also would like to ask for some other", "asking this as I just want to be respectful and considerate. I'm not", "and advice for my hijab character. I am still unsure of her, but", "friends and I didn't think much of adding a hijab character. I have", "advice for my hijab character. I am still unsure of her, but I", "such as don't give very revealing clothes to the character and don't expose", "have a character wearing a hijab, does that mean I am including Islam", "a country where the majority is Muslim. I am not a Muslim, but", "Islam or is it just reference? I'm asking this as I just want", "ask for some other suggestions and advice for my hijab character. I am", "expose or take off the hijab; but one thing that stops me is", "it just reference? I'm asking this as I just want to be respectful", "reference? I'm asking this as I just want to be respectful and considerate.", "off the hijab; but one thing that stops me is that, if I", "I am not a Muslim, but I have Muslim friends and I didn't", "I am including Islam in my story, since Hijab represents a lot about", "much of adding a hijab character. I have begun to consider the idea.", "one thing that stops me is that, if I have a character wearing", "suggestions and advice for my hijab character. I am still unsure of her,", "friends about how to appropriately making a character that wears a hijab, such", "respectful and considerate. I'm not sure if I want to include a real", "didn't think much of adding a hijab character. I have begun to consider", "for some other suggestions and advice for my hijab character. I am still", "in a country where the majority is Muslim. I am not a Muslim,", "including Islam in my story, since Hijab represents a lot about Islam or", "revealing clothes to the character and don't expose or take off the hijab;", "to include a real religion into the story, but I also would like", "that wears a hijab, such as don't give very revealing clothes to the", "want to include a real religion into the story, but I also would", "other suggestions and advice for my hijab character. I am still unsure of", "I want to include a real religion into the story, but I also", "consider the idea. I asked my friends about how to appropriately making a", "if I have a character wearing a hijab, does that mean I am", "character. I am still unsure of her, but I would appreciate some advice.", "think much of adding a hijab character. I have begun to consider the", "the hijab; but one thing that stops me is that, if I have", "is it just reference? I'm asking this as I just want to be", "in my story, since Hijab represents a lot about Islam or is it", "for my hijab character. I am still unsure of her, but I would", "hijab, such as don't give very revealing clothes to the character and don't", "some other suggestions and advice for my hijab character. I am still unsure", "hijab, does that mean I am including Islam in my story, since Hijab", "the story, but I also would like to ask for some other suggestions", "take off the hijab; but one thing that stops me is that, if", "I have a character wearing a hijab, does that mean I am including", "is Muslim. I am not a Muslim, but I have Muslim friends and", "hijab character. I have begun to consider the idea. I asked my friends", "don't expose or take off the hijab; but one thing that stops me", "I have begun to consider the idea. I asked my friends about how", "just reference? I'm asking this as I just want to be respectful and", "include a real religion into the story, but I also would like to", "the character and don't expose or take off the hijab; but one thing", "wearing a hijab, does that mean I am including Islam in my story,", "character. I have begun to consider the idea. I asked my friends about", "that mean I am including Islam in my story, since Hijab represents a", "is that, if I have a character wearing a hijab, does that mean", "story, since Hijab represents a lot about Islam or is it just reference?", "a hijab, does that mean I am including Islam in my story, since", "am including Islam in my story, since Hijab represents a lot about Islam", "character that wears a hijab, such as don't give very revealing clothes to", "want to be respectful and considerate. I'm not sure if I want to", "thing that stops me is that, if I have a character wearing a", "a real religion into the story, but I also would like to ask", "as I just want to be respectful and considerate. I'm not sure if", "am not a Muslim, but I have Muslim friends and I didn't think", "I'm not sure if I want to include a real religion into the", "begun to consider the idea. I asked my friends about how to appropriately", "to appropriately making a character that wears a hijab, such as don't give" ]
[ "doing a writing assignment and I need to include either a flashback or", "before that moment. Does that count as having either a flash back or", "back and giving detail about what happened before that moment. Does that count", "need to include either a flashback or a flash forward. I am starting", "I am doing a writing assignment and I need to include either a", "my story in the middle of the plot and then going back and", "flash forward. I am starting my story in the middle of the plot", "going back and giving detail about what happened before that moment. Does that", "and giving detail about what happened before that moment. Does that count as", "flashback or a flash forward. I am starting my story in the middle", "am doing a writing assignment and I need to include either a flashback", "assignment and I need to include either a flashback or a flash forward.", "that moment. Does that count as having either a flash back or flash", "giving detail about what happened before that moment. Does that count as having", "the plot and then going back and giving detail about what happened before", "moment. Does that count as having either a flash back or flash forward?", "forward. I am starting my story in the middle of the plot and", "or a flash forward. I am starting my story in the middle of", "I need to include either a flashback or a flash forward. I am", "writing assignment and I need to include either a flashback or a flash", "to include either a flashback or a flash forward. I am starting my", "a writing assignment and I need to include either a flashback or a", "I am starting my story in the middle of the plot and then", "and I need to include either a flashback or a flash forward. I", "a flash forward. I am starting my story in the middle of the", "starting my story in the middle of the plot and then going back", "then going back and giving detail about what happened before that moment. Does", "in the middle of the plot and then going back and giving detail", "a flashback or a flash forward. I am starting my story in the", "of the plot and then going back and giving detail about what happened", "detail about what happened before that moment. Does that count as having either", "the middle of the plot and then going back and giving detail about", "story in the middle of the plot and then going back and giving", "middle of the plot and then going back and giving detail about what", "happened before that moment. Does that count as having either a flash back", "either a flashback or a flash forward. I am starting my story in", "and then going back and giving detail about what happened before that moment.", "include either a flashback or a flash forward. I am starting my story", "plot and then going back and giving detail about what happened before that", "about what happened before that moment. Does that count as having either a", "am starting my story in the middle of the plot and then going", "what happened before that moment. Does that count as having either a flash" ]
[ "doesn't like about the book, I am absolutely content with that. I also", "— not to their taste, it happens. But the statements like \"it is", "am absolutely content with that. I also have no problems with a reader", "problems with a reader giving my book 1 star — not to their", "have no problems with a reader giving my book 1 star — not", "a reader giving my book 1 star — not to their taste, it", "it very negative reviews. I understand that my book is not an apple", "explains what and why s/he doesn't like about the book, I am absolutely", "reader giving my book 1 star — not to their taste, it happens.", "not an apple pie, and it couldn't and wouldn't be liked by all.", "and wouldn't be liked by all. If the reader explains what and why", "feedback, there are a few readers who gave it very negative reviews. I", "I also have no problems with a reader giving my book 1 star", "a senseless crap\" really hurt me. How does one get through such feedback?", "their taste, it happens. But the statements like \"it is a senseless crap\"", "gave it very negative reviews. I understand that my book is not an", "the book, I am absolutely content with that. I also have no problems", "But the statements like \"it is a senseless crap\" really hurt me. How", "it couldn't and wouldn't be liked by all. If the reader explains what", "readers who gave it very negative reviews. I understand that my book is", "it happens. But the statements like \"it is a senseless crap\" really hurt", "My first book is finally out. While it is getting mostly favorable feedback,", "what and why s/he doesn't like about the book, I am absolutely content", "out. While it is getting mostly favorable feedback, there are a few readers", "book is not an apple pie, and it couldn't and wouldn't be liked", "is a senseless crap\" really hurt me. How does one get through such", "couldn't and wouldn't be liked by all. If the reader explains what and", "with a reader giving my book 1 star — not to their taste,", "are a few readers who gave it very negative reviews. I understand that", "also have no problems with a reader giving my book 1 star —", "there are a few readers who gave it very negative reviews. I understand", "why s/he doesn't like about the book, I am absolutely content with that.", "by all. If the reader explains what and why s/he doesn't like about", "that my book is not an apple pie, and it couldn't and wouldn't", "statements like \"it is a senseless crap\" really hurt me. How does one", "be liked by all. If the reader explains what and why s/he doesn't", "who gave it very negative reviews. I understand that my book is not", "negative reviews. I understand that my book is not an apple pie, and", "apple pie, and it couldn't and wouldn't be liked by all. If the", "few readers who gave it very negative reviews. I understand that my book", "reader explains what and why s/he doesn't like about the book, I am", "to their taste, it happens. But the statements like \"it is a senseless", "an apple pie, and it couldn't and wouldn't be liked by all. If", "like about the book, I am absolutely content with that. I also have", "\"it is a senseless crap\" really hurt me. How does one get through", "about the book, I am absolutely content with that. I also have no", "is getting mostly favorable feedback, there are a few readers who gave it", "pie, and it couldn't and wouldn't be liked by all. If the reader", "I am absolutely content with that. I also have no problems with a", "While it is getting mostly favorable feedback, there are a few readers who", "happens. But the statements like \"it is a senseless crap\" really hurt me.", "that. I also have no problems with a reader giving my book 1", "not to their taste, it happens. But the statements like \"it is a", "a few readers who gave it very negative reviews. I understand that my", "content with that. I also have no problems with a reader giving my", "book is finally out. While it is getting mostly favorable feedback, there are", "is finally out. While it is getting mostly favorable feedback, there are a", "my book 1 star — not to their taste, it happens. But the", "and why s/he doesn't like about the book, I am absolutely content with", "mostly favorable feedback, there are a few readers who gave it very negative", "finally out. While it is getting mostly favorable feedback, there are a few", "like \"it is a senseless crap\" really hurt me. How does one get", "my book is not an apple pie, and it couldn't and wouldn't be", "very negative reviews. I understand that my book is not an apple pie,", "star — not to their taste, it happens. But the statements like \"it", "with that. I also have no problems with a reader giving my book", "book, I am absolutely content with that. I also have no problems with", "the reader explains what and why s/he doesn't like about the book, I", "getting mostly favorable feedback, there are a few readers who gave it very", "wouldn't be liked by all. If the reader explains what and why s/he", "absolutely content with that. I also have no problems with a reader giving", "favorable feedback, there are a few readers who gave it very negative reviews.", "1 star — not to their taste, it happens. But the statements like", "all. If the reader explains what and why s/he doesn't like about the", "no problems with a reader giving my book 1 star — not to", "If the reader explains what and why s/he doesn't like about the book,", "first book is finally out. While it is getting mostly favorable feedback, there", "it is getting mostly favorable feedback, there are a few readers who gave", "is not an apple pie, and it couldn't and wouldn't be liked by", "reviews. I understand that my book is not an apple pie, and it", "the statements like \"it is a senseless crap\" really hurt me. How does", "understand that my book is not an apple pie, and it couldn't and", "and it couldn't and wouldn't be liked by all. If the reader explains", "I understand that my book is not an apple pie, and it couldn't", "s/he doesn't like about the book, I am absolutely content with that. I", "taste, it happens. But the statements like \"it is a senseless crap\" really", "giving my book 1 star — not to their taste, it happens. But", "book 1 star — not to their taste, it happens. But the statements", "liked by all. If the reader explains what and why s/he doesn't like" ]
[ "avoiding cliches? I've been thinking about it and I can't think of a", "be and how do you transition effectively out and into a mission briefing", "cliche. Otherwise, it looks too abrupt. How abrupt can the scene ending be", "ending be and how do you transition effectively out and into a mission", "without using a cliche. Otherwise, it looks too abrupt. How abrupt can the", "mission briefing, how do you shorten it to the maximum amount possible while", "Otherwise, it looks too abrupt. How abrupt can the scene ending be and", "abrupt. How abrupt can the scene ending be and how do you transition", "a scene without using a cliche. Otherwise, it looks too abrupt. How abrupt", "abrupt can the scene ending be and how do you transition effectively out", "how do you shorten it to the maximum amount possible while avoiding cliches?", "a mission briefing, how do you shorten it to the maximum amount possible", "comic book and you have a mission briefing, how do you shorten it", "amount possible while avoiding cliches? I've been thinking about it and I can't", "possible while avoiding cliches? I've been thinking about it and I can't think", "I can't think of a way of ending a scene without using a", "scene without using a cliche. Otherwise, it looks too abrupt. How abrupt can", "say you are writing a military sci-fi comic book and you have a", "how do you transition effectively out and into a mission briefing scene? This", "too abrupt. How abrupt can the scene ending be and how do you", "the scene ending be and how do you transition effectively out and into", "it to the maximum amount possible while avoiding cliches? I've been thinking about", "a military sci-fi comic book and you have a mission briefing, how do", "have a mission briefing, how do you shorten it to the maximum amount", "you are writing a military sci-fi comic book and you have a mission", "a way of ending a scene without using a cliche. Otherwise, it looks", "are writing a military sci-fi comic book and you have a mission briefing,", "it looks too abrupt. How abrupt can the scene ending be and how", "book and you have a mission briefing, how do you shorten it to", "briefing, how do you shorten it to the maximum amount possible while avoiding", "way of ending a scene without using a cliche. Otherwise, it looks too", "using a cliche. Otherwise, it looks too abrupt. How abrupt can the scene", "can't think of a way of ending a scene without using a cliche.", "scene ending be and how do you transition effectively out and into a", "How abrupt can the scene ending be and how do you transition effectively", "the maximum amount possible while avoiding cliches? I've been thinking about it and", "of a way of ending a scene without using a cliche. Otherwise, it", "and I can't think of a way of ending a scene without using", "do you transition effectively out and into a mission briefing scene? This can", "you shorten it to the maximum amount possible while avoiding cliches? I've been", "ending a scene without using a cliche. Otherwise, it looks too abrupt. How", "it and I can't think of a way of ending a scene without", "and how do you transition effectively out and into a mission briefing scene?", "can the scene ending be and how do you transition effectively out and", "out and into a mission briefing scene? This can also apply to movies.", "I've been thinking about it and I can't think of a way of", "writing a military sci-fi comic book and you have a mission briefing, how", "cliches? I've been thinking about it and I can't think of a way", "you have a mission briefing, how do you shorten it to the maximum", "sci-fi comic book and you have a mission briefing, how do you shorten", "to the maximum amount possible while avoiding cliches? I've been thinking about it", "been thinking about it and I can't think of a way of ending", "Let's say you are writing a military sci-fi comic book and you have", "about it and I can't think of a way of ending a scene", "shorten it to the maximum amount possible while avoiding cliches? I've been thinking", "and you have a mission briefing, how do you shorten it to the", "think of a way of ending a scene without using a cliche. Otherwise,", "do you shorten it to the maximum amount possible while avoiding cliches? I've", "maximum amount possible while avoiding cliches? I've been thinking about it and I", "while avoiding cliches? I've been thinking about it and I can't think of", "a cliche. Otherwise, it looks too abrupt. How abrupt can the scene ending", "thinking about it and I can't think of a way of ending a", "military sci-fi comic book and you have a mission briefing, how do you", "of ending a scene without using a cliche. Otherwise, it looks too abrupt.", "you transition effectively out and into a mission briefing scene? This can also", "transition effectively out and into a mission briefing scene? This can also apply", "effectively out and into a mission briefing scene? This can also apply to", "looks too abrupt. How abrupt can the scene ending be and how do" ]
[ "learns their previously held negative belief is wrong, and they are able to", "to stop believing in order to thrive. The idea being that in the", "often advised in storytelling is to think of the \"lie\" or \"wound\" (or", "world that is untrue, and the character must learn to stop believing in", "not being intended to be interpreted that way when I sat down to", "true despite not being intended to be interpreted that way when I sat", "stories where it turns out the protagonist's lie was true the whole time?", "storytelling is to think of the \"lie\" or \"wound\" (or the \"ghost\") that", "happens in the story comes off as about 90% true despite not being", "way when I sat down to write it. So my question is this:", "you ever have stories where it turns out the protagonist's lie was true", "outside their control, and it turned out...that based on what happens in the", "the \"ghost\") that drives their character. Specifically, this is often framed as a", "that in the climax, the protagonist learns their previously held negative belief is", "previously held negative belief is wrong, and they are able to confront their", "in context, pretty much true. And these were very negative beliefs. Like, the", "very negative beliefs. Like, the character believed they were helpless, and they would", "were helpless, and they would always be hated for reasons outside their control,", "framed as a negative belief the character has about themselves or the world", "or \"wound\" (or the \"ghost\") that drives their character. Specifically, this is often", "would always be hated for reasons outside their control, and it turned out...that", "or the world that is untrue, and the character must learn to stop", "pretty much true. And these were very negative beliefs. Like, the character believed", "down to write it. So my question is this: do you ever have", "my question is this: do you ever have stories where it turns out", "\"ghost\") that drives their character. Specifically, this is often framed as a negative", "must learn to stop believing in order to thrive. The idea being that", "have stories where it turns out the protagonist's lie was true the whole", "their character. Specifically, this is often framed as a negative belief the character", "and the character must learn to stop believing in order to thrive. The", "held that were holding them back were, in context, pretty much true. And", "One big aspect authors are often advised in storytelling is to think of", "on a story idea, and I was noticing something funny: the negative beliefs", "has about themselves or the world that is untrue, and the character must", "back were, in context, pretty much true. And these were very negative beliefs.", "to think of the \"lie\" or \"wound\" (or the \"ghost\") that drives their", "beliefs. Like, the character believed they were helpless, and they would always be", "on what happens in the story comes off as about 90% true despite", "advised in storytelling is to think of the \"lie\" or \"wound\" (or the", "idea, and I was noticing something funny: the negative beliefs the character held", "their problems and grow. I was working on a story idea, and I", "order to thrive. The idea being that in the climax, the protagonist learns", "the \"lie\" or \"wound\" (or the \"ghost\") that drives their character. Specifically, this", "often framed as a negative belief the character has about themselves or the", "grow. I was working on a story idea, and I was noticing something", "negative beliefs the character held that were holding them back were, in context,", "despite not being intended to be interpreted that way when I sat down", "being intended to be interpreted that way when I sat down to write", "that is untrue, and the character must learn to stop believing in order", "problems and grow. I was working on a story idea, and I was", "the character held that were holding them back were, in context, pretty much", "to be interpreted that way when I sat down to write it. So", "\"wound\" (or the \"ghost\") that drives their character. Specifically, this is often framed", "always be hated for reasons outside their control, and it turned out...that based", "story idea, and I was noticing something funny: the negative beliefs the character", "are often advised in storytelling is to think of the \"lie\" or \"wound\"", "something funny: the negative beliefs the character held that were holding them back", "character must learn to stop believing in order to thrive. The idea being", "noticing something funny: the negative beliefs the character held that were holding them", "believing in order to thrive. The idea being that in the climax, the", "in storytelling is to think of the \"lie\" or \"wound\" (or the \"ghost\")", "much true. And these were very negative beliefs. Like, the character believed they", "in the climax, the protagonist learns their previously held negative belief is wrong,", "their control, and it turned out...that based on what happens in the story", "climax, the protagonist learns their previously held negative belief is wrong, and they", "holding them back were, in context, pretty much true. And these were very", "stop believing in order to thrive. The idea being that in the climax,", "do you ever have stories where it turns out the protagonist's lie was", "and grow. I was working on a story idea, and I was noticing", "their previously held negative belief is wrong, and they are able to confront", "it turned out...that based on what happens in the story comes off as", "that drives their character. Specifically, this is often framed as a negative belief", "it. So my question is this: do you ever have stories where it", "a story idea, and I was noticing something funny: the negative beliefs the", "what happens in the story comes off as about 90% true despite not", "and it turned out...that based on what happens in the story comes off", "be hated for reasons outside their control, and it turned out...that based on", "the world that is untrue, and the character must learn to stop believing", "to confront their problems and grow. I was working on a story idea,", "The idea being that in the climax, the protagonist learns their previously held", "story comes off as about 90% true despite not being intended to be", "learn to stop believing in order to thrive. The idea being that in", "were very negative beliefs. Like, the character believed they were helpless, and they", "off as about 90% true despite not being intended to be interpreted that", "is this: do you ever have stories where it turns out the protagonist's", "when I sat down to write it. So my question is this: do", "this: do you ever have stories where it turns out the protagonist's lie", "true. And these were very negative beliefs. Like, the character believed they were", "be interpreted that way when I sat down to write it. So my", "the character believed they were helpless, and they would always be hated for", "them back were, in context, pretty much true. And these were very negative", "out...that based on what happens in the story comes off as about 90%", "and they are able to confront their problems and grow. I was working", "helpless, and they would always be hated for reasons outside their control, and", "a negative belief the character has about themselves or the world that is", "write it. So my question is this: do you ever have stories where", "being that in the climax, the protagonist learns their previously held negative belief", "protagonist learns their previously held negative belief is wrong, and they are able", "is to think of the \"lie\" or \"wound\" (or the \"ghost\") that drives", "is often framed as a negative belief the character has about themselves or", "able to confront their problems and grow. I was working on a story", "So my question is this: do you ever have stories where it turns", "ever have stories where it turns out the protagonist's lie was true the", "and I was noticing something funny: the negative beliefs the character held that", "the character has about themselves or the world that is untrue, and the", "big aspect authors are often advised in storytelling is to think of the", "\"lie\" or \"wound\" (or the \"ghost\") that drives their character. Specifically, this is", "question is this: do you ever have stories where it turns out the", "idea being that in the climax, the protagonist learns their previously held negative", "Specifically, this is often framed as a negative belief the character has about", "the character must learn to stop believing in order to thrive. The idea", "thrive. The idea being that in the climax, the protagonist learns their previously", "was noticing something funny: the negative beliefs the character held that were holding", "is wrong, and they are able to confront their problems and grow. I", "this is often framed as a negative belief the character has about themselves", "that way when I sat down to write it. So my question is", "turned out...that based on what happens in the story comes off as about", "they would always be hated for reasons outside their control, and it turned", "hated for reasons outside their control, and it turned out...that based on what", "about 90% true despite not being intended to be interpreted that way when", "drives their character. Specifically, this is often framed as a negative belief the", "And these were very negative beliefs. Like, the character believed they were helpless,", "are able to confront their problems and grow. I was working on a", "character has about themselves or the world that is untrue, and the character", "I sat down to write it. So my question is this: do you", "working on a story idea, and I was noticing something funny: the negative", "as a negative belief the character has about themselves or the world that", "negative belief is wrong, and they are able to confront their problems and", "themselves or the world that is untrue, and the character must learn to", "beliefs the character held that were holding them back were, in context, pretty", "character believed they were helpless, and they would always be hated for reasons", "comes off as about 90% true despite not being intended to be interpreted", "reasons outside their control, and it turned out...that based on what happens in", "authors are often advised in storytelling is to think of the \"lie\" or", "I was working on a story idea, and I was noticing something funny:", "and they would always be hated for reasons outside their control, and it", "as about 90% true despite not being intended to be interpreted that way", "context, pretty much true. And these were very negative beliefs. Like, the character", "to thrive. The idea being that in the climax, the protagonist learns their", "the climax, the protagonist learns their previously held negative belief is wrong, and", "were holding them back were, in context, pretty much true. And these were", "wrong, and they are able to confront their problems and grow. I was", "intended to be interpreted that way when I sat down to write it.", "these were very negative beliefs. Like, the character believed they were helpless, and", "that were holding them back were, in context, pretty much true. And these", "negative belief the character has about themselves or the world that is untrue,", "in the story comes off as about 90% true despite not being intended", "based on what happens in the story comes off as about 90% true", "the story comes off as about 90% true despite not being intended to", "the negative beliefs the character held that were holding them back were, in", "belief the character has about themselves or the world that is untrue, and", "I was noticing something funny: the negative beliefs the character held that were", "negative beliefs. Like, the character believed they were helpless, and they would always", "were, in context, pretty much true. And these were very negative beliefs. Like,", "Like, the character believed they were helpless, and they would always be hated", "think of the \"lie\" or \"wound\" (or the \"ghost\") that drives their character.", "the protagonist learns their previously held negative belief is wrong, and they are", "sat down to write it. So my question is this: do you ever", "(or the \"ghost\") that drives their character. Specifically, this is often framed as", "interpreted that way when I sat down to write it. So my question", "about themselves or the world that is untrue, and the character must learn", "for reasons outside their control, and it turned out...that based on what happens", "to write it. So my question is this: do you ever have stories", "90% true despite not being intended to be interpreted that way when I", "character held that were holding them back were, in context, pretty much true.", "is untrue, and the character must learn to stop believing in order to", "believed they were helpless, and they would always be hated for reasons outside", "in order to thrive. The idea being that in the climax, the protagonist", "funny: the negative beliefs the character held that were holding them back were,", "was working on a story idea, and I was noticing something funny: the", "held negative belief is wrong, and they are able to confront their problems", "character. Specifically, this is often framed as a negative belief the character has", "they are able to confront their problems and grow. I was working on", "they were helpless, and they would always be hated for reasons outside their", "untrue, and the character must learn to stop believing in order to thrive.", "of the \"lie\" or \"wound\" (or the \"ghost\") that drives their character. Specifically,", "belief is wrong, and they are able to confront their problems and grow.", "confront their problems and grow. I was working on a story idea, and", "aspect authors are often advised in storytelling is to think of the \"lie\"", "control, and it turned out...that based on what happens in the story comes" ]
[ "3,000 - 5,000 words, depending on whom you ask), but has this actually", "aware of the rules of thumb (around 3,000 - 5,000 words, depending on", "the rules of thumb (around 3,000 - 5,000 words, depending on whom you", "this actually been written in a credible manual for writers that can be", "you ask), but has this actually been written in a credible manual for", "has this actually been written in a credible manual for writers that can", "thumb (around 3,000 - 5,000 words, depending on whom you ask), but has", "words, depending on whom you ask), but has this actually been written in", "on whom you ask), but has this actually been written in a credible", "whom you ask), but has this actually been written in a credible manual", "(around 3,000 - 5,000 words, depending on whom you ask), but has this", "been written in a credible manual for writers that can be cited (not", "- 5,000 words, depending on whom you ask), but has this actually been", "rules of thumb (around 3,000 - 5,000 words, depending on whom you ask),", "written in a credible manual for writers that can be cited (not a", "of thumb (around 3,000 - 5,000 words, depending on whom you ask), but", "5,000 words, depending on whom you ask), but has this actually been written", "but has this actually been written in a credible manual for writers that", "of the rules of thumb (around 3,000 - 5,000 words, depending on whom", "depending on whom you ask), but has this actually been written in a", "actually been written in a credible manual for writers that can be cited", "in a credible manual for writers that can be cited (not a website)?", "ask), but has this actually been written in a credible manual for writers", "I'm aware of the rules of thumb (around 3,000 - 5,000 words, depending" ]
[ "Qpeqlack Bilmec does not. Captain America does, but Izut Mon doesn't. What's the", "Hijrp Potfeq gets a happy ending, but Qpeqlack Bilmec does not. Captain America", "happy ending, but Qpeqlack Bilmec does not. Captain America does, but Izut Mon", "there seems to be a pattern on which protagonists get happy endings\\. I'm", "said, there seems to be a pattern on which protagonists get happy endings\\.", "to put my finger on it, but I get a sense that just", "the ending is driven by the overall plot. That said, there seems to", "the protagonist's characteristics, I can predict whether or not they will get a", "\"settle down\" or enjoy life. There's obviously some gray area, but I'd generally", "just from knowing the protagonist's characteristics, I can predict whether or not they", "but Izut Mon doesn't. What's the pattern here? \\By happy ending here, I", "on how to write the ending is driven by the overall plot. That", "on which protagonists get happy endings\\. I'm not able to put my finger", "happy ending. Hijrp Potfeq gets a happy ending, but Qpeqlack Bilmec does not.", "death, exile (self-imposed or not), and never-ending fight as unhappy, and falling in", "the overall plot. That said, there seems to be a pattern on which", "is driven by the overall plot. That said, there seems to be a", "knowing the protagonist's characteristics, I can predict whether or not they will get", "they will get a happy ending. Hijrp Potfeq gets a happy ending, but", "obviously some gray area, but I'd generally classify death, exile (self-imposed or not),", "some gray area, but I'd generally classify death, exile (self-imposed or not), and", "I can predict whether or not they will get a happy ending. Hijrp", "not), and never-ending fight as unhappy, and falling in love, having a family,", "driven by the overall plot. That said, there seems to be a pattern", "get a sense that just from knowing the protagonist's characteristics, I can predict", "America does, but Izut Mon doesn't. What's the pattern here? \\By happy ending", "predict whether or not they will get a happy ending. Hijrp Potfeq gets", "seems to be a pattern on which protagonists get happy endings\\. I'm not", "classify death, exile (self-imposed or not), and never-ending fight as unhappy, and falling", "to be a pattern on which protagonists get happy endings\\. I'm not able", "that just from knowing the protagonist's characteristics, I can predict whether or not", "in love, having a family, or retiring to do a hobby as happy.", "- one where they \"settle down\" or enjoy life. There's obviously some gray", "and never-ending fight as unhappy, and falling in love, having a family, or", "pattern on which protagonists get happy endings\\. I'm not able to put my", "can predict whether or not they will get a happy ending. Hijrp Potfeq", "as unhappy, and falling in love, having a family, or retiring to do", "plot. That said, there seems to be a pattern on which protagonists get", "enjoy life. There's obviously some gray area, but I'd generally classify death, exile", "gray area, but I'd generally classify death, exile (self-imposed or not), and never-ending", "area, but I'd generally classify death, exile (self-imposed or not), and never-ending fight", "generally classify death, exile (self-imposed or not), and never-ending fight as unhappy, and", "but I'd generally classify death, exile (self-imposed or not), and never-ending fight as", "but I get a sense that just from knowing the protagonist's characteristics, I", "What's the pattern here? \\By happy ending here, I mean for the protagonist", "one where they \"settle down\" or enjoy life. There's obviously some gray area,", "life. There's obviously some gray area, but I'd generally classify death, exile (self-imposed", "my finger on it, but I get a sense that just from knowing", "they \"settle down\" or enjoy life. There's obviously some gray area, but I'd", "get happy endings\\. I'm not able to put my finger on it, but", "Potfeq gets a happy ending, but Qpeqlack Bilmec does not. Captain America does,", "here, I mean for the protagonist themselves - one where they \"settle down\"", "will get a happy ending. Hijrp Potfeq gets a happy ending, but Qpeqlack", "unhappy, and falling in love, having a family, or retiring to do a", "There's obviously some gray area, but I'd generally classify death, exile (self-imposed or", "falling in love, having a family, or retiring to do a hobby as", "whether or not they will get a happy ending. Hijrp Potfeq gets a", "doesn't. What's the pattern here? \\By happy ending here, I mean for the", "the protagonist themselves - one where they \"settle down\" or enjoy life. There's", "themselves - one where they \"settle down\" or enjoy life. There's obviously some", "I'd generally classify death, exile (self-imposed or not), and never-ending fight as unhappy,", "a sense that just from knowing the protagonist's characteristics, I can predict whether", "Bilmec does not. Captain America does, but Izut Mon doesn't. What's the pattern", "overall plot. That said, there seems to be a pattern on which protagonists", "fight as unhappy, and falling in love, having a family, or retiring to", "write the ending is driven by the overall plot. That said, there seems", "decision on how to write the ending is driven by the overall plot.", "and falling in love, having a family, or retiring to do a hobby", "not. Captain America does, but Izut Mon doesn't. What's the pattern here? \\By", "happy endings\\. I'm not able to put my finger on it, but I", "does, but Izut Mon doesn't. What's the pattern here? \\By happy ending here,", "finger on it, but I get a sense that just from knowing the", "\\By happy ending here, I mean for the protagonist themselves - one where", "(self-imposed or not), and never-ending fight as unhappy, and falling in love, having", "Obviously, the decision on how to write the ending is driven by the", "ending, but Qpeqlack Bilmec does not. Captain America does, but Izut Mon doesn't.", "I'm not able to put my finger on it, but I get a", "gets a happy ending, but Qpeqlack Bilmec does not. Captain America does, but", "protagonist themselves - one where they \"settle down\" or enjoy life. There's obviously", "a pattern on which protagonists get happy endings\\. I'm not able to put", "put my finger on it, but I get a sense that just from", "ending is driven by the overall plot. That said, there seems to be", "I get a sense that just from knowing the protagonist's characteristics, I can", "does not. Captain America does, but Izut Mon doesn't. What's the pattern here?", "ending. Hijrp Potfeq gets a happy ending, but Qpeqlack Bilmec does not. Captain", "but Qpeqlack Bilmec does not. Captain America does, but Izut Mon doesn't. What's", "how to write the ending is driven by the overall plot. That said,", "or not), and never-ending fight as unhappy, and falling in love, having a", "a happy ending. Hijrp Potfeq gets a happy ending, but Qpeqlack Bilmec does", "or enjoy life. There's obviously some gray area, but I'd generally classify death,", "it, but I get a sense that just from knowing the protagonist's characteristics,", "on it, but I get a sense that just from knowing the protagonist's", "sense that just from knowing the protagonist's characteristics, I can predict whether or", "here? \\By happy ending here, I mean for the protagonist themselves - one", "characteristics, I can predict whether or not they will get a happy ending.", "That said, there seems to be a pattern on which protagonists get happy", "for the protagonist themselves - one where they \"settle down\" or enjoy life.", "not they will get a happy ending. Hijrp Potfeq gets a happy ending,", "where they \"settle down\" or enjoy life. There's obviously some gray area, but", "protagonists get happy endings\\. I'm not able to put my finger on it,", "not able to put my finger on it, but I get a sense", "the decision on how to write the ending is driven by the overall", "Mon doesn't. What's the pattern here? \\By happy ending here, I mean for", "a happy ending, but Qpeqlack Bilmec does not. Captain America does, but Izut", "never-ending fight as unhappy, and falling in love, having a family, or retiring", "Captain America does, but Izut Mon doesn't. What's the pattern here? \\By happy", "exile (self-imposed or not), and never-ending fight as unhappy, and falling in love,", "by the overall plot. That said, there seems to be a pattern on", "be a pattern on which protagonists get happy endings\\. I'm not able to", "protagonist's characteristics, I can predict whether or not they will get a happy", "mean for the protagonist themselves - one where they \"settle down\" or enjoy", "from knowing the protagonist's characteristics, I can predict whether or not they will", "Izut Mon doesn't. What's the pattern here? \\By happy ending here, I mean", "able to put my finger on it, but I get a sense that", "ending here, I mean for the protagonist themselves - one where they \"settle", "endings\\. I'm not able to put my finger on it, but I get", "pattern here? \\By happy ending here, I mean for the protagonist themselves -", "happy ending here, I mean for the protagonist themselves - one where they", "I mean for the protagonist themselves - one where they \"settle down\" or", "down\" or enjoy life. There's obviously some gray area, but I'd generally classify", "get a happy ending. Hijrp Potfeq gets a happy ending, but Qpeqlack Bilmec", "to write the ending is driven by the overall plot. That said, there", "or not they will get a happy ending. Hijrp Potfeq gets a happy", "the pattern here? \\By happy ending here, I mean for the protagonist themselves", "which protagonists get happy endings\\. I'm not able to put my finger on" ]
[ "interesting journey. But that is harder sell when the protagonist is changed halfway", "to follow one protagonist along on an interesting journey. But that is harder", "my story: opening image, introduction, statement of theme, catalyst, debate, b-story, new characters,", "from a writing standpoint. The writer usually wants the audience to follow one", "from the midpoint? If I start from the midpoint, do I need to", "heard that this is difficult to execute well from a writing standpoint. The", "my main character do I have to start over, or can I start", "I heard that this is difficult to execute well from a writing standpoint.", "a writing standpoint. The writer usually wants the audience to follow one protagonist", "audience to follow one protagonist along on an interesting journey. But that is", "beats in my story: opening image, introduction, statement of theme, catalyst, debate, b-story,", "can I start from the midpoint? If I start from the midpoint, do", "on an interesting journey. But that is harder sell when the protagonist is", "over, or can I start from the midpoint? If I start from the", "There are story beats in my story: opening image, introduction, statement of theme,", "character do I have to start over, or can I start from the", "that this is difficult to execute well from a writing standpoint. The writer", "start over, or can I start from the midpoint? If I start from", "midpoint? If I start from the midpoint, do I need to take a", "through a story. There are story beats in my story: opening image, introduction,", "The writer usually wants the audience to follow one protagonist along on an", "a story. There are story beats in my story: opening image, introduction, statement", "of the end, finale When I switch my main character do I have", "have to start over, or can I start from the midpoint? If I", "finale When I switch my main character do I have to start over,", "catalyst, debate, b-story, new characters, midpoint, low point climax, beginning of the end,", "do I have to start over, or can I start from the midpoint?", "the end, finale When I switch my main character do I have to", "the midpoint, do I need to take a character with the same goals,", "is harder sell when the protagonist is changed halfway through a story. There", "start from the midpoint? If I start from the midpoint, do I need", "midpoint, do I need to take a character with the same goals, objective", "do I need to take a character with the same goals, objective and", "halfway through a story. There are story beats in my story: opening image,", "changed halfway through a story. There are story beats in my story: opening", "image, introduction, statement of theme, catalyst, debate, b-story, new characters, midpoint, low point", "harder sell when the protagonist is changed halfway through a story. There are", "well from a writing standpoint. The writer usually wants the audience to follow", "an interesting journey. But that is harder sell when the protagonist is changed", "execute well from a writing standpoint. The writer usually wants the audience to", "story. There are story beats in my story: opening image, introduction, statement of", "standpoint. The writer usually wants the audience to follow one protagonist along on", "beginning of the end, finale When I switch my main character do I", "But that is harder sell when the protagonist is changed halfway through a", "wants the audience to follow one protagonist along on an interesting journey. But", "theme, catalyst, debate, b-story, new characters, midpoint, low point climax, beginning of the", "difficult to execute well from a writing standpoint. The writer usually wants the", "the protagonist is changed halfway through a story. There are story beats in", "statement of theme, catalyst, debate, b-story, new characters, midpoint, low point climax, beginning", "story: opening image, introduction, statement of theme, catalyst, debate, b-story, new characters, midpoint,", "usually wants the audience to follow one protagonist along on an interesting journey.", "that is harder sell when the protagonist is changed halfway through a story.", "new characters, midpoint, low point climax, beginning of the end, finale When I", "climax, beginning of the end, finale When I switch my main character do", "writer usually wants the audience to follow one protagonist along on an interesting", "or can I start from the midpoint? If I start from the midpoint,", "when the protagonist is changed halfway through a story. There are story beats", "to start over, or can I start from the midpoint? If I start", "start from the midpoint, do I need to take a character with the", "protagonist along on an interesting journey. But that is harder sell when the", "If I start from the midpoint, do I need to take a character", "midpoint, low point climax, beginning of the end, finale When I switch my", "debate, b-story, new characters, midpoint, low point climax, beginning of the end, finale", "writing standpoint. The writer usually wants the audience to follow one protagonist along", "I start from the midpoint? If I start from the midpoint, do I", "of theme, catalyst, debate, b-story, new characters, midpoint, low point climax, beginning of", "main character do I have to start over, or can I start from", "one protagonist along on an interesting journey. But that is harder sell when", "protagonist is changed halfway through a story. There are story beats in my", "the audience to follow one protagonist along on an interesting journey. But that", "When I switch my main character do I have to start over, or", "end, finale When I switch my main character do I have to start", "the midpoint? If I start from the midpoint, do I need to take", "point climax, beginning of the end, finale When I switch my main character", "I switch my main character do I have to start over, or can", "I have to start over, or can I start from the midpoint? If", "I start from the midpoint, do I need to take a character with", "are story beats in my story: opening image, introduction, statement of theme, catalyst,", "story beats in my story: opening image, introduction, statement of theme, catalyst, debate,", "is changed halfway through a story. There are story beats in my story:", "in my story: opening image, introduction, statement of theme, catalyst, debate, b-story, new", "journey. But that is harder sell when the protagonist is changed halfway through", "along on an interesting journey. But that is harder sell when the protagonist", "b-story, new characters, midpoint, low point climax, beginning of the end, finale When", "characters, midpoint, low point climax, beginning of the end, finale When I switch", "from the midpoint, do I need to take a character with the same", "sell when the protagonist is changed halfway through a story. There are story", "follow one protagonist along on an interesting journey. But that is harder sell", "low point climax, beginning of the end, finale When I switch my main", "introduction, statement of theme, catalyst, debate, b-story, new characters, midpoint, low point climax,", "opening image, introduction, statement of theme, catalyst, debate, b-story, new characters, midpoint, low", "I need to take a character with the same goals, objective and mentality?", "is difficult to execute well from a writing standpoint. The writer usually wants", "switch my main character do I have to start over, or can I", "this is difficult to execute well from a writing standpoint. The writer usually", "to execute well from a writing standpoint. The writer usually wants the audience" ]
[ "book 1? The same question applies with each book in relation to the", "best to do it like this? If not, then how can I keep", "have to be bigger than the stakes in book 1? The same question", "would it be best to do it like this? If not, then how", "of books: Book 1 through Book 6. Do the stakes in book 2", "relation to the one before it. I know you don't have to, but", "then how can I keep the series from collapsing into a boring story?", "through Book 6. Do the stakes in book 2 have to be bigger", "question applies with each book in relation to the one before it. I", "books: Book 1 through Book 6. Do the stakes in book 2 have", "the stakes in book 1? The same question applies with each book in", "in relation to the one before it. I know you don't have to,", "book 2 have to be bigger than the stakes in book 1? The", "you have a series of books: Book 1 through Book 6. Do the", "I know you don't have to, but would it be best to do", "do it like this? If not, then how can I keep the series", "same question applies with each book in relation to the one before it.", "not, then how can I keep the series from collapsing into a boring", "each book in relation to the one before it. I know you don't", "to, but would it be best to do it like this? If not,", "you don't have to, but would it be best to do it like", "book in relation to the one before it. I know you don't have", "it like this? If not, then how can I keep the series from", "a series of books: Book 1 through Book 6. Do the stakes in", "be bigger than the stakes in book 1? The same question applies with", "one before it. I know you don't have to, but would it be", "but would it be best to do it like this? If not, then", "this? If not, then how can I keep the series from collapsing into", "stakes in book 1? The same question applies with each book in relation", "Book 6. Do the stakes in book 2 have to be bigger than", "it be best to do it like this? If not, then how can", "series of books: Book 1 through Book 6. Do the stakes in book", "Do the stakes in book 2 have to be bigger than the stakes", "know you don't have to, but would it be best to do it", "2 have to be bigger than the stakes in book 1? The same", "stakes in book 2 have to be bigger than the stakes in book", "to the one before it. I know you don't have to, but would", "before it. I know you don't have to, but would it be best", "in book 2 have to be bigger than the stakes in book 1?", "Book 1 through Book 6. Do the stakes in book 2 have to", "applies with each book in relation to the one before it. I know", "with each book in relation to the one before it. I know you", "to be bigger than the stakes in book 1? The same question applies", "have a series of books: Book 1 through Book 6. Do the stakes", "The same question applies with each book in relation to the one before", "6. Do the stakes in book 2 have to be bigger than the", "1? The same question applies with each book in relation to the one", "Imagine you have a series of books: Book 1 through Book 6. Do", "If not, then how can I keep the series from collapsing into a", "the stakes in book 2 have to be bigger than the stakes in", "bigger than the stakes in book 1? The same question applies with each", "the one before it. I know you don't have to, but would it", "in book 1? The same question applies with each book in relation to", "don't have to, but would it be best to do it like this?", "to do it like this? If not, then how can I keep the", "than the stakes in book 1? The same question applies with each book", "1 through Book 6. Do the stakes in book 2 have to be", "it. I know you don't have to, but would it be best to", "like this? If not, then how can I keep the series from collapsing", "be best to do it like this? If not, then how can I", "have to, but would it be best to do it like this? If" ]
[ "necessary to 'drop' these characters almost completely. It would be difficult to logically", "while about 'dropping' characters between the three distinct sections of my novel. I'm", "it progresses (they're not dead, just not around). Most of these characters get", "plot, and it makes sense for these characters to not be present as", "out a little. There's some friends, family and colleagues. Part 2 - after", "of literature where this has been handled successfully would also be really helpful.", "characters going with the MC here to keep a little continuity. Obviously there's", "characters to not be present as it progresses (they're not dead, just not", "justify their presence, and they don't fit the new situation and location. Part", "location. Part 3 - err...I do it again. Major characters from part 2", "involved in incidents and fleshed out a little. There's some friends, family and", "'drop' these characters almost completely. It would be difficult to logically justify their", "how the MC feels they may react to events) Any examples of literature", "daily life, they're involved in incidents and fleshed out a little. There's some", "2-3 scenes max, and they're gone. The entire book is told from limited", "the three distinct sections of my novel. I'm happy with the plot, and", "feels a little...bare? on the character side. I'm strongly considering trying to engineer", "to not be present as it progresses (they're not dead, just not around).", "characters almost completely. It would be difficult to logically justify their presence, and", "react to events) Any examples of literature where this has been handled successfully", "for a while about 'dropping' characters between the three distinct sections of my", "friends, family and colleagues. Part 2 - after the inciting incident, it feels", "difficult to logically justify their presence, and they don't fit the new situation", "strongly considering trying to engineer at least 1-2 minor characters going with the", "(they're not dead, just not around). Most of these characters get 2-3 scenes", "dead, just not around). Most of these characters get 2-3 scenes max, and", "worrying for a while about 'dropping' characters between the three distinct sections of", "as part of the MC's daily life, they're involved in incidents and fleshed", "it makes sense for these characters to not be present as it progresses", "entire book is told from limited 3rd person POV of the MC. Part", "they're involved in incidents and fleshed out a little. There's some friends, family", "almost completely. It would be difficult to logically justify their presence, and they", "behind - this is good in the case of the mentor characters and", "about beta-readers and \"if you do it well, it's fine\", but I'm curious", "of the MC's daily life, they're involved in incidents and fleshed out a", "well, it's fine\", but I'm curious to know whether you guys feel this", "inherently bad idea? Any thoughts about how to reduce the impact on the", "little...bare? on the character side. I'm strongly considering trying to engineer at least", "on the character side. I'm strongly considering trying to engineer at least 1-2", "I'm happy with the plot, and it makes sense for these characters to", "by themself, but it feels a little...bare? on the character side. I'm strongly", "'dropping' characters between the three distinct sections of my novel. I'm happy with", "\"if you do it well, it's fine\", but I'm curious to know whether", "they may react to events) Any examples of literature where this has been", "fit the new situation and location. Part 3 - err...I do it again.", "MC here to keep a little continuity. Obviously there's all the usual advice", "and they're gone. The entire book is told from limited 3rd person POV", "family and colleagues. Part 2 - after the inciting incident, it feels necessary", "feel this is an inherently bad idea? Any thoughts about how to reduce", "and \"if you do it well, it's fine\", but I'm curious to know", "for these characters to not be present as it progresses (they're not dead,", "part of the MC's daily life, they're involved in incidents and fleshed out", "sometimes in the new settings, and how the MC feels they may react", "would be difficult to logically justify their presence, and they don't fit the", "Major characters from part 2 are left behind - this is good in", "I'm strongly considering trying to engineer at least 1-2 minor characters going with", "distinct sections of my novel. I'm happy with the plot, and it makes", "POV of the MC. Part 1 - I introduce various characters as part", "know whether you guys feel this is an inherently bad idea? Any thoughts", "- this is good in the case of the mentor characters and the", "events) Any examples of literature where this has been handled successfully would also", "least 1-2 minor characters going with the MC here to keep a little", "the usual advice about beta-readers and \"if you do it well, it's fine\",", "various characters as part of the MC's daily life, they're involved in incidents", "life, they're involved in incidents and fleshed out a little. There's some friends,", "not be present as it progresses (they're not dead, just not around). Most", "good in the case of the mentor characters and the MC having to", "going with the MC here to keep a little continuity. Obviously there's all", "refer to friends/family sometimes in the new settings, and how the MC feels", "the MC's daily life, they're involved in incidents and fleshed out a little.", "presence, and they don't fit the new situation and location. Part 3 -", "stand by themself, but it feels a little...bare? on the character side. I'm", "limited 3rd person POV of the MC. Part 1 - I introduce various", "a little. There's some friends, family and colleagues. Part 2 - after the", "little continuity. Obviously there's all the usual advice about beta-readers and \"if you", "an inherently bad idea? Any thoughts about how to reduce the impact on", "of the mentor characters and the MC having to stand by themself, but", "and fleshed out a little. There's some friends, family and colleagues. Part 2", "gone. The entire book is told from limited 3rd person POV of the", "keep a little continuity. Obviously there's all the usual advice about beta-readers and", "not around). Most of these characters get 2-3 scenes max, and they're gone.", "between the three distinct sections of my novel. I'm happy with the plot,", "themself, but it feels a little...bare? on the character side. I'm strongly considering", "feels necessary to 'drop' these characters almost completely. It would be difficult to", "they don't fit the new situation and location. Part 3 - err...I do", "about 'dropping' characters between the three distinct sections of my novel. I'm happy", "it's fine\", but I'm curious to know whether you guys feel this is", "from part 2 are left behind - this is good in the case", "new settings, and how the MC feels they may react to events) Any", "progresses (they're not dead, just not around). Most of these characters get 2-3", "around). Most of these characters get 2-3 scenes max, and they're gone. The", "completely. It would be difficult to logically justify their presence, and they don't", "side. I'm strongly considering trying to engineer at least 1-2 minor characters going", "it well, it's fine\", but I'm curious to know whether you guys feel", "you do it well, it's fine\", but I'm curious to know whether you", "MC. Part 1 - I introduce various characters as part of the MC's", "the MC. Part 1 - I introduce various characters as part of the", "after the inciting incident, it feels necessary to 'drop' these characters almost completely.", "there's all the usual advice about beta-readers and \"if you do it well,", "in incidents and fleshed out a little. There's some friends, family and colleagues.", "to engineer at least 1-2 minor characters going with the MC here to", "characters and the MC having to stand by themself, but it feels a", "the inciting incident, it feels necessary to 'drop' these characters almost completely. It", "but I'm curious to know whether you guys feel this is an inherently", "feels they may react to events) Any examples of literature where this has", "to logically justify their presence, and they don't fit the new situation and", "and colleagues. Part 2 - after the inciting incident, it feels necessary to", "just not around). Most of these characters get 2-3 scenes max, and they're", "here to keep a little continuity. Obviously there's all the usual advice about", "scenes max, and they're gone. The entire book is told from limited 3rd", "bad idea? Any thoughts about how to reduce the impact on the reader?", "the MC here to keep a little continuity. Obviously there's all the usual", "as it progresses (they're not dead, just not around). Most of these characters", "to events) Any examples of literature where this has been handled successfully would", "present as it progresses (they're not dead, just not around). Most of these", "inciting incident, it feels necessary to 'drop' these characters almost completely. It would", "left behind - this is good in the case of the mentor characters", "characters get 2-3 scenes max, and they're gone. The entire book is told", "reduce the impact on the reader? (e.g. I try to refer to friends/family", "max, and they're gone. The entire book is told from limited 3rd person", "it again. Major characters from part 2 are left behind - this is", "at least 1-2 minor characters going with the MC here to keep a", "part 2 are left behind - this is good in the case of", "are left behind - this is good in the case of the mentor", "in the case of the mentor characters and the MC having to stand", "do it well, it's fine\", but I'm curious to know whether you guys", "and the MC having to stand by themself, but it feels a little...bare?", "not dead, just not around). Most of these characters get 2-3 scenes max,", "these characters almost completely. It would be difficult to logically justify their presence,", "be difficult to logically justify their presence, and they don't fit the new", "the impact on the reader? (e.g. I try to refer to friends/family sometimes", "beta-readers and \"if you do it well, it's fine\", but I'm curious to", "to 'drop' these characters almost completely. It would be difficult to logically justify", "characters as part of the MC's daily life, they're involved in incidents and", "character side. I'm strongly considering trying to engineer at least 1-2 minor characters", "and how the MC feels they may react to events) Any examples of", "book is told from limited 3rd person POV of the MC. Part 1", "on the reader? (e.g. I try to refer to friends/family sometimes in the", "2 - after the inciting incident, it feels necessary to 'drop' these characters", "get 2-3 scenes max, and they're gone. The entire book is told from", "be present as it progresses (they're not dead, just not around). Most of", "case of the mentor characters and the MC having to stand by themself,", "to know whether you guys feel this is an inherently bad idea? Any", "guys feel this is an inherently bad idea? Any thoughts about how to", "advice about beta-readers and \"if you do it well, it's fine\", but I'm", "(e.g. I try to refer to friends/family sometimes in the new settings, and", "Part 1 - I introduce various characters as part of the MC's daily", "to friends/family sometimes in the new settings, and how the MC feels they", "but it feels a little...bare? on the character side. I'm strongly considering trying", "to keep a little continuity. Obviously there's all the usual advice about beta-readers", "the case of the mentor characters and the MC having to stand by", "the new situation and location. Part 3 - err...I do it again. Major", "trying to engineer at least 1-2 minor characters going with the MC here", "my novel. I'm happy with the plot, and it makes sense for these", "told from limited 3rd person POV of the MC. Part 1 - I", "I've been worrying for a while about 'dropping' characters between the three distinct", "- after the inciting incident, it feels necessary to 'drop' these characters almost", "characters between the three distinct sections of my novel. I'm happy with the", "they're gone. The entire book is told from limited 3rd person POV of", "the character side. I'm strongly considering trying to engineer at least 1-2 minor", "fine\", but I'm curious to know whether you guys feel this is an", "curious to know whether you guys feel this is an inherently bad idea?", "engineer at least 1-2 minor characters going with the MC here to keep", "of these characters get 2-3 scenes max, and they're gone. The entire book", "of my novel. I'm happy with the plot, and it makes sense for", "incidents and fleshed out a little. There's some friends, family and colleagues. Part", "- I introduce various characters as part of the MC's daily life, they're", "some friends, family and colleagues. Part 2 - after the inciting incident, it", "3 - err...I do it again. Major characters from part 2 are left", "this is good in the case of the mentor characters and the MC", "again. Major characters from part 2 are left behind - this is good", "usual advice about beta-readers and \"if you do it well, it's fine\", but", "in the new settings, and how the MC feels they may react to", "There's some friends, family and colleagues. Part 2 - after the inciting incident,", "err...I do it again. Major characters from part 2 are left behind -", "I try to refer to friends/family sometimes in the new settings, and how", "3rd person POV of the MC. Part 1 - I introduce various characters", "is good in the case of the mentor characters and the MC having", "idea? Any thoughts about how to reduce the impact on the reader? (e.g.", "thoughts about how to reduce the impact on the reader? (e.g. I try", "Part 2 - after the inciting incident, it feels necessary to 'drop' these", "and location. Part 3 - err...I do it again. Major characters from part", "Most of these characters get 2-3 scenes max, and they're gone. The entire", "Any examples of literature where this has been handled successfully would also be", "the mentor characters and the MC having to stand by themself, but it", "the MC feels they may react to events) Any examples of literature where", "colleagues. Part 2 - after the inciting incident, it feels necessary to 'drop'", "having to stand by themself, but it feels a little...bare? on the character", "considering trying to engineer at least 1-2 minor characters going with the MC", "introduce various characters as part of the MC's daily life, they're involved in", "the MC having to stand by themself, but it feels a little...bare? on", "a little continuity. Obviously there's all the usual advice about beta-readers and \"if", "I introduce various characters as part of the MC's daily life, they're involved", "with the MC here to keep a little continuity. Obviously there's all the", "the new settings, and how the MC feels they may react to events)", "the reader? (e.g. I try to refer to friends/family sometimes in the new", "incident, it feels necessary to 'drop' these characters almost completely. It would be", "new situation and location. Part 3 - err...I do it again. Major characters", "novel. I'm happy with the plot, and it makes sense for these characters", "makes sense for these characters to not be present as it progresses (they're", "1 - I introduce various characters as part of the MC's daily life,", "1-2 minor characters going with the MC here to keep a little continuity.", "this is an inherently bad idea? Any thoughts about how to reduce the", "sections of my novel. I'm happy with the plot, and it makes sense", "try to refer to friends/family sometimes in the new settings, and how the", "it feels necessary to 'drop' these characters almost completely. It would be difficult", "three distinct sections of my novel. I'm happy with the plot, and it", "and they don't fit the new situation and location. Part 3 - err...I", "about how to reduce the impact on the reader? (e.g. I try to", "friends/family sometimes in the new settings, and how the MC feels they may", "situation and location. Part 3 - err...I do it again. Major characters from", "is an inherently bad idea? Any thoughts about how to reduce the impact", "person POV of the MC. Part 1 - I introduce various characters as", "settings, and how the MC feels they may react to events) Any examples", "characters from part 2 are left behind - this is good in the", "and it makes sense for these characters to not be present as it", "do it again. Major characters from part 2 are left behind - this", "- err...I do it again. Major characters from part 2 are left behind", "2 are left behind - this is good in the case of the", "MC having to stand by themself, but it feels a little...bare? on the", "I'm curious to know whether you guys feel this is an inherently bad", "of the MC. Part 1 - I introduce various characters as part of", "may react to events) Any examples of literature where this has been handled", "mentor characters and the MC having to stand by themself, but it feels", "whether you guys feel this is an inherently bad idea? Any thoughts about", "It would be difficult to logically justify their presence, and they don't fit", "it feels a little...bare? on the character side. I'm strongly considering trying to", "is told from limited 3rd person POV of the MC. Part 1 -", "a while about 'dropping' characters between the three distinct sections of my novel.", "with the plot, and it makes sense for these characters to not be", "from limited 3rd person POV of the MC. Part 1 - I introduce", "to reduce the impact on the reader? (e.g. I try to refer to", "minor characters going with the MC here to keep a little continuity. Obviously", "impact on the reader? (e.g. I try to refer to friends/family sometimes in", "to refer to friends/family sometimes in the new settings, and how the MC", "Part 3 - err...I do it again. Major characters from part 2 are", "logically justify their presence, and they don't fit the new situation and location.", "Any thoughts about how to reduce the impact on the reader? (e.g. I", "the plot, and it makes sense for these characters to not be present", "how to reduce the impact on the reader? (e.g. I try to refer", "Obviously there's all the usual advice about beta-readers and \"if you do it", "reader? (e.g. I try to refer to friends/family sometimes in the new settings,", "continuity. Obviously there's all the usual advice about beta-readers and \"if you do", "fleshed out a little. There's some friends, family and colleagues. Part 2 -", "a little...bare? on the character side. I'm strongly considering trying to engineer at", "their presence, and they don't fit the new situation and location. Part 3", "examples of literature where this has been handled successfully would also be really", "these characters get 2-3 scenes max, and they're gone. The entire book is", "The entire book is told from limited 3rd person POV of the MC.", "sense for these characters to not be present as it progresses (they're not", "these characters to not be present as it progresses (they're not dead, just", "MC's daily life, they're involved in incidents and fleshed out a little. There's", "all the usual advice about beta-readers and \"if you do it well, it's", "you guys feel this is an inherently bad idea? Any thoughts about how", "little. There's some friends, family and colleagues. Part 2 - after the inciting", "don't fit the new situation and location. Part 3 - err...I do it", "been worrying for a while about 'dropping' characters between the three distinct sections", "happy with the plot, and it makes sense for these characters to not", "to stand by themself, but it feels a little...bare? on the character side.", "MC feels they may react to events) Any examples of literature where this" ]
[ "drawn to a particular type of creative writing, but if you are the", "(I'm excluding non-fiction, technical writing, journalism and the like.) For example, whether someone", "Doesn't have to be the sole topic of the book - could be", "they are best suited to pursue? (I'm excluding non-fiction, technical writing, journalism and", "there a good book to help someone decide what kind of creative writing", "suited to writing short fiction, long fiction or stage, radio, screenplays, comic books,", "pursue? (I'm excluding non-fiction, technical writing, journalism and the like.) For example, whether", "For example, whether someone would be better suited to writing short fiction, long", "this well, within a larger book. I realise some people are strongly drawn", "short fiction, long fiction or stage, radio, screenplays, comic books, whatever, and what", "book to help someone decide what kind of creative writing they are best", "just a useful section that deals with this well, within a larger book.", "the book - could be just a useful section that deals with this", "story to write (drama, comedy, crime, sci-fi etc). They could then go and", "be the sole topic of the book - could be just a useful", "with this well, within a larger book. I realise some people are strongly", "and read the books which deal with that specific kind of writing. Doesn't", "section that deals with this well, within a larger book. I realise some", "then go and read the books which deal with that specific kind of", "better suited to writing short fiction, long fiction or stage, radio, screenplays, comic", "to writing short fiction, long fiction or stage, radio, screenplays, comic books, whatever,", "go and read the books which deal with that specific kind of writing.", "of story to write (drama, comedy, crime, sci-fi etc). They could then go", "the books which deal with that specific kind of writing. Doesn't have to", "topic of the book - could be just a useful section that deals", "I realise some people are strongly drawn to a particular type of creative", "crime, sci-fi etc). They could then go and read the books which deal", "could then go and read the books which deal with that specific kind", "be just a useful section that deals with this well, within a larger", "creative writing, but if you are the kind of person that reads and", "realise some people are strongly drawn to a particular type of creative writing,", "help someone decide what kind of creative writing they are best suited to", "that specific kind of writing. Doesn't have to be the sole topic of", "long fiction or stage, radio, screenplays, comic books, whatever, and what genre of", "someone would be better suited to writing short fiction, long fiction or stage,", "be better suited to writing short fiction, long fiction or stage, radio, screenplays,", "non-fiction, technical writing, journalism and the like.) For example, whether someone would be", "a larger book. I realise some people are strongly drawn to a particular", "would be better suited to writing short fiction, long fiction or stage, radio,", "have to be the sole topic of the book - could be just", "particular type of creative writing, but if you are the kind of person", "of creative writing, but if you are the kind of person that reads", "suited to pursue? (I'm excluding non-fiction, technical writing, journalism and the like.) For", "what kind of creative writing they are best suited to pursue? (I'm excluding", "type of creative writing, but if you are the kind of person that", "of writing. Doesn't have to be the sole topic of the book -", "are best suited to pursue? (I'm excluding non-fiction, technical writing, journalism and the", "stage, radio, screenplays, comic books, whatever, and what genre of story to write", "sole topic of the book - could be just a useful section that", "fiction, long fiction or stage, radio, screenplays, comic books, whatever, and what genre", "to be the sole topic of the book - could be just a", "to help someone decide what kind of creative writing they are best suited", "book. I realise some people are strongly drawn to a particular type of", "kind of creative writing they are best suited to pursue? (I'm excluding non-fiction,", "to write (drama, comedy, crime, sci-fi etc). They could then go and read", "(drama, comedy, crime, sci-fi etc). They could then go and read the books", "books which deal with that specific kind of writing. Doesn't have to be", "decide what kind of creative writing they are best suited to pursue? (I'm", "excluding non-fiction, technical writing, journalism and the like.) For example, whether someone would", "screenplays, comic books, whatever, and what genre of story to write (drama, comedy,", "a useful section that deals with this well, within a larger book. I", "useful section that deals with this well, within a larger book. I realise", "and what genre of story to write (drama, comedy, crime, sci-fi etc). They", "like.) For example, whether someone would be better suited to writing short fiction,", "kind of person that reads and watches widely, the decision is less straightforward.", "to pursue? (I'm excluding non-fiction, technical writing, journalism and the like.) For example,", "well, within a larger book. I realise some people are strongly drawn to", "creative writing they are best suited to pursue? (I'm excluding non-fiction, technical writing,", "fiction or stage, radio, screenplays, comic books, whatever, and what genre of story", "deal with that specific kind of writing. Doesn't have to be the sole", "that deals with this well, within a larger book. I realise some people", "deals with this well, within a larger book. I realise some people are", "of the book - could be just a useful section that deals with", "someone decide what kind of creative writing they are best suited to pursue?", "some people are strongly drawn to a particular type of creative writing, but", "writing they are best suited to pursue? (I'm excluding non-fiction, technical writing, journalism", "are the kind of person that reads and watches widely, the decision is", "comedy, crime, sci-fi etc). They could then go and read the books which", "book - could be just a useful section that deals with this well,", "a particular type of creative writing, but if you are the kind of", "with that specific kind of writing. Doesn't have to be the sole topic", "the like.) For example, whether someone would be better suited to writing short", "best suited to pursue? (I'm excluding non-fiction, technical writing, journalism and the like.)", "larger book. I realise some people are strongly drawn to a particular type", "writing short fiction, long fiction or stage, radio, screenplays, comic books, whatever, and", "of creative writing they are best suited to pursue? (I'm excluding non-fiction, technical", "which deal with that specific kind of writing. Doesn't have to be the", "genre of story to write (drama, comedy, crime, sci-fi etc). They could then", "technical writing, journalism and the like.) For example, whether someone would be better", "and the like.) For example, whether someone would be better suited to writing", "whatever, and what genre of story to write (drama, comedy, crime, sci-fi etc).", "write (drama, comedy, crime, sci-fi etc). They could then go and read the", "or stage, radio, screenplays, comic books, whatever, and what genre of story to", "- could be just a useful section that deals with this well, within", "are strongly drawn to a particular type of creative writing, but if you", "comic books, whatever, and what genre of story to write (drama, comedy, crime,", "within a larger book. I realise some people are strongly drawn to a", "kind of writing. Doesn't have to be the sole topic of the book", "radio, screenplays, comic books, whatever, and what genre of story to write (drama,", "good book to help someone decide what kind of creative writing they are", "writing. Doesn't have to be the sole topic of the book - could", "strongly drawn to a particular type of creative writing, but if you are", "Is there a good book to help someone decide what kind of creative", "writing, but if you are the kind of person that reads and watches", "sci-fi etc). They could then go and read the books which deal with", "if you are the kind of person that reads and watches widely, the", "books, whatever, and what genre of story to write (drama, comedy, crime, sci-fi", "journalism and the like.) For example, whether someone would be better suited to", "etc). They could then go and read the books which deal with that", "what genre of story to write (drama, comedy, crime, sci-fi etc). They could", "people are strongly drawn to a particular type of creative writing, but if", "specific kind of writing. Doesn't have to be the sole topic of the", "could be just a useful section that deals with this well, within a", "the kind of person that reads and watches widely, the decision is less", "They could then go and read the books which deal with that specific", "example, whether someone would be better suited to writing short fiction, long fiction", "read the books which deal with that specific kind of writing. Doesn't have", "to a particular type of creative writing, but if you are the kind", "but if you are the kind of person that reads and watches widely,", "the sole topic of the book - could be just a useful section", "a good book to help someone decide what kind of creative writing they", "writing, journalism and the like.) For example, whether someone would be better suited", "whether someone would be better suited to writing short fiction, long fiction or", "you are the kind of person that reads and watches widely, the decision" ]
[ "of books. Is there any research techniques, reference books or other things that", "them or most of them quickly without going through hundreds of books. Is", "helpful for quickly finding out what kind of plot elements to put, but", "way to get a lot of them or most of them quickly without", "without going through hundreds of books. Is there any research techniques, reference books", "any research techniques, reference books or other things that might help me during", "but I don't see any reference that's as helpful for that when I", "quickly without going through hundreds of books. Is there any research techniques, reference", "through hundreds of books. Is there any research techniques, reference books or other", "political intrigues or political actions that basically drive the plot. I am wondering", "they're helpful for quickly finding out what kind of plot elements to put,", "don't see any reference that's as helpful for that when I am looking", "for specific political intrigues or political actions that basically drive the plot. I", "there good books/references that list things that might have been politically dangerous to", "what kind of plot elements to put, but I don't see any reference", "there's a way to get a lot of them or most of them", "Is there any research techniques, reference books or other things that might help", "research techniques, reference books or other things that might help me during the", "techniques, reference books or other things that might help me during the research", "am looking for specific political intrigues or political actions that basically drive the", "drive the plot. I am wondering if there's a way to get a", "specific political intrigues or political actions that basically drive the plot. I am", "books. Is there any research techniques, reference books or other things that might", "for that when I am looking for specific political intrigues or political actions", "reference that's as helpful for that when I am looking for specific political", "basically drive the plot. I am wondering if there's a way to get", "lot of them or most of them quickly without going through hundreds of", "wondering if there's a way to get a lot of them or most", "to do? I see webpages about tropes and they're helpful for quickly finding", "going through hundreds of books. Is there any research techniques, reference books or", "that might have been politically dangerous to do? I see webpages about tropes", "dangerous to do? I see webpages about tropes and they're helpful for quickly", "there any research techniques, reference books or other things that might help me", "plot. I am wondering if there's a way to get a lot of", "I see webpages about tropes and they're helpful for quickly finding out what", "actions that basically drive the plot. I am wondering if there's a way", "see webpages about tropes and they're helpful for quickly finding out what kind", "to put, but I don't see any reference that's as helpful for that", "hundreds of books. Is there any research techniques, reference books or other things", "I am wondering if there's a way to get a lot of them", "am wondering if there's a way to get a lot of them or", "have been politically dangerous to do? I see webpages about tropes and they're", "see any reference that's as helpful for that when I am looking for", "political actions that basically drive the plot. I am wondering if there's a", "do? I see webpages about tropes and they're helpful for quickly finding out", "out what kind of plot elements to put, but I don't see any", "for quickly finding out what kind of plot elements to put, but I", "that basically drive the plot. I am wondering if there's a way to", "get a lot of them or most of them quickly without going through", "most of them quickly without going through hundreds of books. Is there any", "politically dangerous to do? I see webpages about tropes and they're helpful for", "might have been politically dangerous to do? I see webpages about tropes and", "about tropes and they're helpful for quickly finding out what kind of plot", "good books/references that list things that might have been politically dangerous to do?", "I don't see any reference that's as helpful for that when I am", "Are there good books/references that list things that might have been politically dangerous", "looking for specific political intrigues or political actions that basically drive the plot.", "or most of them quickly without going through hundreds of books. Is there", "things that might have been politically dangerous to do? I see webpages about", "and they're helpful for quickly finding out what kind of plot elements to", "that's as helpful for that when I am looking for specific political intrigues", "when I am looking for specific political intrigues or political actions that basically", "of them quickly without going through hundreds of books. Is there any research", "of plot elements to put, but I don't see any reference that's as", "if there's a way to get a lot of them or most of", "been politically dangerous to do? I see webpages about tropes and they're helpful", "the plot. I am wondering if there's a way to get a lot", "books/references that list things that might have been politically dangerous to do? I", "tropes and they're helpful for quickly finding out what kind of plot elements", "reference books or other things that might help me during the research phase?", "kind of plot elements to put, but I don't see any reference that's", "helpful for that when I am looking for specific political intrigues or political", "to get a lot of them or most of them quickly without going", "put, but I don't see any reference that's as helpful for that when", "as helpful for that when I am looking for specific political intrigues or", "quickly finding out what kind of plot elements to put, but I don't", "webpages about tropes and they're helpful for quickly finding out what kind of", "that list things that might have been politically dangerous to do? I see", "of them or most of them quickly without going through hundreds of books.", "list things that might have been politically dangerous to do? I see webpages", "any reference that's as helpful for that when I am looking for specific", "a way to get a lot of them or most of them quickly", "that when I am looking for specific political intrigues or political actions that", "intrigues or political actions that basically drive the plot. I am wondering if", "elements to put, but I don't see any reference that's as helpful for", "them quickly without going through hundreds of books. Is there any research techniques,", "plot elements to put, but I don't see any reference that's as helpful", "or political actions that basically drive the plot. I am wondering if there's", "I am looking for specific political intrigues or political actions that basically drive", "a lot of them or most of them quickly without going through hundreds", "finding out what kind of plot elements to put, but I don't see" ]
[ "are very simple examples in which the complete context of what could be", "a party in which many games will occur. My friends, Cunger and Cuson", "to say, “I think to myself”? (These examples are very simple because I", "cautious writer so I would just like to know if these simple paragraphs", "and straightforwardly get the gist of what I would like to know.) Also", "to myself”, to be grammatically correct. I am teaching myself to write so", "or not it at least needs to be, “I think to myself”, to", "very cautious writer so I would just like to know if these simple", "not it is correct for present tense writing, and my use of the", "be, “I think to myself”, to be grammatically correct. I am teaching myself", "a sign ahead. Cunger shouts at me to stop running. He is so", "I am having a party in which many games will occur. My friend", "paragraphs are correct. I am trying to clarify both my use of the", "situation regarding it being expressed in present tense? Extra question: in the first", "instead of quotations? My second example: Today is my birthday. I am having", "have put “have” in italics instead of quotations? My second example: Today is", "the complete context of what could be more detailed writing, is not provided.", "this situation regarding it being expressed in present tense? Extra question: in the", "the first question, could I have put “have” in italics instead of quotations?", "question, could I have put “have” in italics instead of quotations? My second", "is “have” correct in this situation regarding it being expressed in present tense?", "know if these simple paragraphs are correct. I am trying to clarify both", "so stupid. I think. Question: is “have” correct in this situation regarding it", "My second example: Today is my birthday. I am having a party in", "has come over. We are playing tag. I see a sign ahead. Cunger", "just trying to quickly and straightforwardly get the gist of what I would", "“I think”, and whether or not it at least needs to be, “I", "in italics instead of quotations? My second example: Today is my birthday. I", "just now beginning to be very conscious of the ways in which I", "myself”, to be grammatically correct. I am teaching myself to write so these", "Cunger and Cuson have come over. We are playing tag. I see a", "so these are very simple examples in which the complete context of what", "provided. Today is my birthday. I am having a party in which many", "to be grammatically correct. I am teaching myself to write so these are", "in which many games will occur. My friend Cunger has come over. We", "think. Question: is “have” correct in this situation regarding it being expressed in", "of what I would like to know.) Also regarding the previous parentheses, would", "stop running. He is so stupid. I think. Question: is “have” correct in", "I am just beginning to get serious about the way I write, furthermore", "a very cautious writer so I would just like to know if these", "both my use of the word “have”, in the first paragraph, and whether", "would like to know.) Also regarding the previous parentheses, would I need to", "get serious about the way I write, furthermore I’m a very cautious writer", "writing, and my use of the phrase “I think”, and whether or not", "think”, and whether or not it at least needs to be, “I think", "correct for present tense writing, and my use of the phrase “I think”,", "serious about the way I write, furthermore I’m a very cautious writer so", "of the word “have”, in the first paragraph, and whether or not it", "me to stop running. He is so stupid. I think. Would I need", "in the first paragraph, and whether or not it is correct for present", "“have” correct in this situation regarding it being expressed in present tense? Extra", "tense? Extra question: in the first question, could I have put “have” in", "to know if these simple paragraphs are correct. I am trying to clarify", "is correct for present tense writing, and my use of the phrase “I", "I write, furthermore I’m a very cautious writer so I would just like", "having a party in which many games will occur. My friends, Cunger and", "He is so stupid. I think. Question: is “have” correct in this situation", "whether or not it is correct for present tense writing, and my use", "to quickly and straightforwardly get the gist of what I would like to", "what I would like to know.) Also regarding the previous parentheses, would I", "the ways in which I write, and just trying to quickly and straightforwardly", "tense writing, and my use of the phrase “I think”, and whether or", "for present tense writing, and my use of the phrase “I think”, and", "over. We are playing tag. I see a sign ahead. Cunger shouts at", "“have”, in the first paragraph, and whether or not it is correct for", "in this situation regarding it being expressed in present tense? Extra question: in", "furthermore I’m a very cautious writer so I would just like to know", "it being expressed in present tense? Extra question: in the first question, could", "being expressed in present tense? Extra question: in the first question, could I", "the first paragraph, and whether or not it is correct for present tense", "and Cuson have come over. We are playing tag. I see a sign", "will occur. My friend Cunger has come over. We are playing tag. I", "(These examples are very simple because I am just now beginning to be", "what could be more detailed writing, is not provided. Today is my birthday.", "the word “have”, in the first paragraph, and whether or not it is", "Question: is “have” correct in this situation regarding it being expressed in present", "which many games will occur. My friend Cunger has come over. We are", "because I am just now beginning to be very conscious of the ways", "I would like to know.) Also regarding the previous parentheses, would I need", "to be very conscious of the ways in which I write, and just", "am having a party in which many games will occur. My friend Cunger", "I think. Question: is “have” correct in this situation regarding it being expressed", "is so stupid.* I think. Would I need to say, “I think to", "write, and just trying to quickly and straightforwardly get the gist of what", "of the phrase “I think”, and whether or not it at least needs", "friends, Cunger and Cuson have come over. We are playing tag. I see", "like to know.) Also regarding the previous parentheses, would I need to write", "Cunger has come over. We are playing tag. I see a sign ahead.", "“have” in italics instead of quotations? My second example: Today is my birthday.", "myself”? (These examples are very simple because I am just now beginning to", "and whether or not it is correct for present tense writing, and my", "Would I need to say, “I think to myself”? (These examples are very", "very simple because I am just now beginning to be very conscious of", "these simple paragraphs are correct. I am trying to clarify both my use", "I need to say, “I think to myself”? (These examples are very simple", "to get serious about the way I write, furthermore I’m a very cautious", "me to stop running. He is so stupid. I think. Question: is “have”", "stupid.* I think. Question: is “have” correct in this situation regarding it being", "way I write, furthermore I’m a very cautious writer so I would just", "quickly and straightforwardly get the gist of what I would like to know.)", "write, furthermore I’m a very cautious writer so I would just like to", "writing, is not provided. Today is my birthday. I am having a party", "beginning to get serious about the way I write, furthermore I’m a very", "detailed writing, is not provided. Today is my birthday. I am having a", "put “have” in italics instead of quotations? My second example: Today is my", "I am just now beginning to be very conscious of the ways in", "will occur. My friends, Cunger and Cuson have come over. We are playing", "a party in which many games will occur. My friend Cunger has come", "which I write, and just trying to quickly and straightforwardly get the gist", "in present tense? Extra question: in the first question, could I have put", "quotations? My second example: Today is my birthday. 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[ "> > The only options I can think of are either to italicise", "isn't formatted in any way at all. Can anyone offer any guidance or", "I'm trying to find the formatting convention for quoting another character's dialogue when", "convention for quoting another character's dialogue when repeating just one word. An example", "wrap the word in double inverted commas: > > '\"Risk\"? What kind of", "of are either to italicise the word: > > 'Risk? What kind of", "risk?' > > > or to wrap the word in double inverted commas:", "in various style guides, but can't find anything that specifically relates to a", "> > '\"Risk\"? What kind of risk?' > > > I've looked in", "person I could think of,' said Ciwe. 'The job has some risk to", "kind of risk?' > > > I've looked in various style guides, but", "I've looked in various style guides, but can't find anything that specifically relates", "Can anyone offer any guidance or point me to the relevant place in", "> > 'Risk? What kind of risk?' > > > The only options", "trying to find the formatting convention for quoting another character's dialogue when repeating", "> 'You were the only person I could think of,' said Ciwe. 'The", "'\"Risk\"? What kind of risk?' > > > I've looked in various style", "recommended style, I'm wondering whether it isn't formatted in any way at all.", "no recommended style, I'm wondering whether it isn't formatted in any way at", "just one word. An example would be: > > 'You were the only", "either to italicise the word: > > 'Risk? What kind of risk?' >", "of risk?' > > > I've looked in various style guides, but can't", "'Risk? What kind of risk?' > > > or to wrap the word", "of risk?' > > > or to wrap the word in double inverted", "wondering whether it isn't formatted in any way at all. Can anyone offer", "excessive. If there is no recommended style, I'm wondering whether it isn't formatted", "I'm wondering whether it isn't formatted in any way at all. Can anyone", "risk to > it.' > > > 'Risk? What kind of risk?' >", "or to wrap the word in double inverted commas: > > '\"Risk\"? What", "An example would be: > > 'You were the only person I could", "If there is no recommended style, I'm wondering whether it isn't formatted in", "risk?' > > > I've looked in various style guides, but can't find", "italicise the word: > > 'Risk? What kind of risk?' > > >", "> '\"Risk\"? What kind of risk?' > > > I've looked in various", "specifically relates to a character just emphasizing one word from the previous dialogue,", "find the formatting convention for quoting another character's dialogue when repeating just one", "and double inverted commas seems excessive. If there is no recommended style, I'm", "be: > > 'You were the only person I could think of,' said", "> 'Risk? What kind of risk?' > > > or to wrap the", "in double inverted commas: > > '\"Risk\"? What kind of risk?' > >", "the word: > > 'Risk? What kind of risk?' > > > or", "another character's dialogue when repeating just one word. An example would be: >", "some risk to > it.' > > > 'Risk? What kind of risk?'", "inverted commas seems excessive. If there is no recommended style, I'm wondering whether", "> it.' > > > 'Risk? What kind of risk?' > > >", "I can think of are either to italicise the word: > > 'Risk?", "think of are either to italicise the word: > > 'Risk? What kind", "that specifically relates to a character just emphasizing one word from the previous", "kind of risk?' > > > The only options I can think of", "dialogue when repeating just one word. An example would be: > > 'You", "word in double inverted commas: > > '\"Risk\"? What kind of risk?' >", "just emphasizing one word from the previous dialogue, and double inverted commas seems", "double inverted commas: > > '\"Risk\"? What kind of risk?' > > >", "one word from the previous dialogue, and double inverted commas seems excessive. If", "The only options I can think of are either to italicise the word:", "> > 'Risk? What kind of risk?' > > > or to wrap", "risk?' > > > The only options I can think of are either", "relates to a character just emphasizing one word from the previous dialogue, and", "> 'Risk? What kind of risk?' > > > The only options I", "one word. An example would be: > > 'You were the only person", "dialogue, and double inverted commas seems excessive. If there is no recommended style,", "I could think of,' said Ciwe. 'The job has some risk to >", "'The job has some risk to > it.' > > > 'Risk? What", "it.' > > > 'Risk? What kind of risk?' > > > The", "previous dialogue, and double inverted commas seems excessive. If there is no recommended", "of risk?' > > > The only options I can think of are", "> > > 'Risk? What kind of risk?' > > > The only", "are either to italicise the word: > > 'Risk? What kind of risk?'", "to find the formatting convention for quoting another character's dialogue when repeating just", "there is no recommended style, I'm wondering whether it isn't formatted in any", "all. Can anyone offer any guidance or point me to the relevant place", "seems excessive. If there is no recommended style, I'm wondering whether it isn't", "> > or to wrap the word in double inverted commas: > >", "> > > or to wrap the word in double inverted commas: >", "to italicise the word: > > 'Risk? What kind of risk?' > >", "the previous dialogue, and double inverted commas seems excessive. If there is no", "> > I've looked in various style guides, but can't find anything that", "is no recommended style, I'm wondering whether it isn't formatted in any way", "'You were the only person I could think of,' said Ciwe. 'The job", "to > it.' > > > 'Risk? What kind of risk?' > >", "can't find anything that specifically relates to a character just emphasizing one word", "options I can think of are either to italicise the word: > >", "think of,' said Ciwe. 'The job has some risk to > it.' >", "but can't find anything that specifically relates to a character just emphasizing one", "repeating just one word. An example would be: > > 'You were the", "various style guides, but can't find anything that specifically relates to a character", "> I've looked in various style guides, but can't find anything that specifically", "said Ciwe. 'The job has some risk to > it.' > > >", "character just emphasizing one word from the previous dialogue, and double inverted commas", "emphasizing one word from the previous dialogue, and double inverted commas seems excessive.", "whether it isn't formatted in any way at all. Can anyone offer any", "could think of,' said Ciwe. 'The job has some risk to > it.'", "What kind of risk?' > > > or to wrap the word in", "a character just emphasizing one word from the previous dialogue, and double inverted", "of,' said Ciwe. 'The job has some risk to > it.' > >", "only person I could think of,' said Ciwe. 'The job has some risk", "> > > The only options I can think of are either to", "find anything that specifically relates to a character just emphasizing one word from", "guides, but can't find anything that specifically relates to a character just emphasizing", "at all. Can anyone offer any guidance or point me to the relevant", "> > 'You were the only person I could think of,' said Ciwe.", "when repeating just one word. An example would be: > > 'You were", "'Risk? What kind of risk?' > > > The only options I can", "commas: > > '\"Risk\"? What kind of risk?' > > > I've looked", "> or to wrap the word in double inverted commas: > > '\"Risk\"?", "it isn't formatted in any way at all. Can anyone offer any guidance", "only options I can think of are either to italicise the word: >", "anyone offer any guidance or point me to the relevant place in a", "formatted in any way at all. Can anyone offer any guidance or point", "> > > I've looked in various style guides, but can't find anything", "in any way at all. Can anyone offer any guidance or point me", "inverted commas: > > '\"Risk\"? What kind of risk?' > > > I've", "formatting convention for quoting another character's dialogue when repeating just one word. An", "the word in double inverted commas: > > '\"Risk\"? What kind of risk?'", "to a character just emphasizing one word from the previous dialogue, and double", "offer any guidance or point me to the relevant place in a style", "double inverted commas seems excessive. If there is no recommended style, I'm wondering", "> The only options I can think of are either to italicise the", "word. An example would be: > > 'You were the only person I", "would be: > > 'You were the only person I could think of,'", "What kind of risk?' > > > I've looked in various style guides,", "style guides, but can't find anything that specifically relates to a character just", "kind of risk?' > > > or to wrap the word in double", "anything that specifically relates to a character just emphasizing one word from the", "example would be: > > 'You were the only person I could think", "the only person I could think of,' said Ciwe. 'The job has some", "has some risk to > it.' > > > 'Risk? What kind of", "job has some risk to > it.' > > > 'Risk? What kind", "any guidance or point me to the relevant place in a style guide?", "Ciwe. 'The job has some risk to > it.' > > > 'Risk?", "word: > > 'Risk? What kind of risk?' > > > or to", "to wrap the word in double inverted commas: > > '\"Risk\"? What kind", "character's dialogue when repeating just one word. An example would be: > >", "the formatting convention for quoting another character's dialogue when repeating just one word.", "for quoting another character's dialogue when repeating just one word. An example would", "word from the previous dialogue, and double inverted commas seems excessive. If there", "commas seems excessive. If there is no recommended style, I'm wondering whether it", "can think of are either to italicise the word: > > 'Risk? What", "were the only person I could think of,' said Ciwe. 'The job has", "from the previous dialogue, and double inverted commas seems excessive. If there is", "any way at all. Can anyone offer any guidance or point me to", "way at all. Can anyone offer any guidance or point me to the", "What kind of risk?' > > > The only options I can think", "quoting another character's dialogue when repeating just one word. An example would be:", "style, I'm wondering whether it isn't formatted in any way at all. Can", "looked in various style guides, but can't find anything that specifically relates to" ]
[ "Any ideas will help. I really just want to know what people will", "where she reminisces about her dreams, but I'm out of ideas. What would", "the bridge. This doesn't make sense for my story, so I need a", "need a way to 1. Show that she has traveled quite a long", "where she's hoping to get more information. Thanks so much! Any ideas will", "scene of the novel. I just want to make sure that it's not", "conflict occurs. Originally I had it where the character barely starts walking and", "between the first chapter and the first major conflict. I want to make", "anxieties about not being able to find a cure in time? Have a", "beginning btw.) A few things that might help: she is traveling a long", "Should I write more about her backstory? Should I express her concerns and", "the first chapter and the first major conflict. I want to make sure", "paragraphs where she reminisces about her dreams, but I'm out of ideas. What", "to worldbuild and set up the scene of the novel. I just want", "being clear enough. My main concern is not speeding the novel along too", "but I'm out of ideas. What would be interesting to read but not", "distance, and 2. Fill in space between the first chapter and the first", "a cure for her terminally ill sister. Her first stop is a bustling", "first chapter and the first major conflict. I want to make sure that", "is traveling a long distance to find a cure for her terminally ill", "way to 1. Show that she has traveled quite a long distance, and", "first conflict occurs. Originally I had it where the character barely starts walking", "get more information. Thanks so much! Any ideas will help. I really just", "ideas. What would be interesting to read but not a major event, so", "very beginning btw.) A few things that might help: she is traveling a", "terminally ill sister. Her first stop is a bustling city where she's hoping", "to read but not a major event, so I can continue to set", "story, so I need a way to 1. Show that she has traveled", "a long distance, and 2. Fill in space between the first chapter and", "about her backstory? Should I express her concerns and anxieties about not being", "reminisces about her dreams, but I'm out of ideas. What would be interesting", "much! Any ideas will help. I really just want to know what people", "make sure that it's not rushed. Thanks for all your wonderful help, everyone!", "so much! Any ideas will help. I really just want to know what", "things that might help: she is traveling a long distance to find a", "concern is not speeding the novel along too much. I'm looking for a", "I'm writing a novel in which a lot of the time is spent", "the chapter where the first conflict occurs. Originally I had it where the", "and 2. Fill in space between the first chapter and the first major", "of ideas. What would be interesting to read but not a major event,", "across several other characters that will make things much more lively, but I", "up the story? (This is at the very beginning btw.) A few things", "Thanks again! ^^ -Fiona Edit: I apologize for not being clear enough. My", "be interesting to read but not a major event, so I can continue", "traveling a long distance to find a cure for her terminally ill sister.", "make sure that my novel is well-paced and that I have enough time", "not being able to find a cure in time? Have a great day!", "Edit: I apologize for not being clear enough. My main concern is not", "my story, so I need a way to 1. Show that she has", "things much more lively, but I need a way to fill space for", "what people will actually want to read that won't be too dull. Should", "I can continue to set up the story? (This is at the very", "walking and almost immediately encounters a hole in the bridge. This doesn't make", "more about her backstory? Should I express her concerns and anxieties about not", "a great day! Thanks again! ^^ -Fiona Edit: I apologize for not being", "traveled quite a long distance, and 2. Fill in space between the first", "time is spent walking. Literally walking along an old bridge. Eventually the main", "she reminisces about her dreams, but I'm out of ideas. What would be", "cure for her terminally ill sister. Her first stop is a bustling city", "really just want to know what people will actually want to read that", "know what people will actually want to read that won't be too dull.", "too much. I'm looking for a way to fill space between the first", "the character barely starts walking and almost immediately encounters a hole in the", "space for two or three chapters before she comes across her first companion.", "more lively, but I need a way to fill space for two or", "out of ideas. What would be interesting to read but not a major", "2. Fill in space between the first chapter and the first major conflict.", "bridge. This doesn't make sense for my story, so I need a way", "her terminally ill sister. Her first stop is a bustling city where she's", "her concerns and anxieties about not being able to find a cure in", "up the scene of the novel. I just want to make sure that", "first chapter and the chapter where the first conflict occurs. Originally I had", "about her dreams, but I'm out of ideas. What would be interesting to", "might help: she is traveling a long distance to find a cure for", "clear enough. My main concern is not speeding the novel along too much.", "three chapters before she comes across her first companion. So basically, I need", "is at the very beginning btw.) A few things that might help: she", "writing a novel in which a lot of the time is spent walking.", "an old bridge. Eventually the main character comes across several other characters that", "quite a long distance, and 2. Fill in space between the first chapter", "My main concern is not speeding the novel along too much. I'm looking", "enough. My main concern is not speeding the novel along too much. I'm", "I need a way to fill space for two or three chapters before", "that will make things much more lively, but I need a way to", "to make sure that my novel is well-paced and that I have enough", "need a way to fill space for two or three chapters before she", "to find a cure in time? Have a great day! Thanks again! ^^", "will make things much more lively, but I need a way to fill", "first stop is a bustling city where she's hoping to get more information.", "concerns and anxieties about not being able to find a cure in time?", "lively, but I need a way to fill space for two or three", "but I need a way to fill space for two or three chapters", "to read that won't be too dull. Should I write more about her", "chapter and the first major conflict. I want to make sure that my", "Eventually the main character comes across several other characters that will make things", "I'm out of ideas. What would be interesting to read but not a", "Have a great day! Thanks again! ^^ -Fiona Edit: I apologize for not", "dreams, but I'm out of ideas. What would be interesting to read but", "novel along too much. I'm looking for a way to fill space between", "it where the character barely starts walking and almost immediately encounters a hole", "had it where the character barely starts walking and almost immediately encounters a", "first companion. So basically, I need some ideas to fill space. I already", "main character comes across several other characters that will make things much more", "hole in the bridge. This doesn't make sense for my story, so I", "dull. Should I write more about her backstory? Should I express her concerns", "for my story, so I need a way to 1. Show that she", "where the first conflict occurs. Originally I had it where the character barely", "in the bridge. This doesn't make sense for my story, so I need", "for two or three chapters before she comes across her first companion. So", "fill space. I already have a few paragraphs where she reminisces about her", "want to make sure that it's not rushed. Thanks for all your wonderful", "the time is spent walking. Literally walking along an old bridge. Eventually the", "walking. Literally walking along an old bridge. Eventually the main character comes across", "enough time to worldbuild and set up the scene of the novel. I", "for a way to fill space between the first chapter and the chapter", "has traveled quite a long distance, and 2. Fill in space between the", "would be interesting to read but not a major event, so I can", "that my novel is well-paced and that I have enough time to worldbuild", "comes across her first companion. So basically, I need some ideas to fill", "^^ -Fiona Edit: I apologize for not being clear enough. My main concern", "This doesn't make sense for my story, so I need a way to", "just want to make sure that it's not rushed. Thanks for all your", "way to fill space for two or three chapters before she comes across", "companion. So basically, I need some ideas to fill space. I already have", "that might help: she is traveling a long distance to find a cure", "and anxieties about not being able to find a cure in time? Have", "more information. Thanks so much! Any ideas will help. I really just want", "help. I really just want to know what people will actually want to", "(This is at the very beginning btw.) A few things that might help:", "rushed. Thanks for all your wonderful help, everyone! I appreciate the tips :)", "being able to find a cure in time? Have a great day! Thanks", "that she has traveled quite a long distance, and 2. Fill in space", "some ideas to fill space. I already have a few paragraphs where she", "too dull. Should I write more about her backstory? Should I express her", "to 1. Show that she has traveled quite a long distance, and 2.", "she comes across her first companion. So basically, I need some ideas to", "fill space between the first chapter and the chapter where the first conflict", "and set up the scene of the novel. I just want to make", "a novel in which a lot of the time is spent walking. Literally", "want to make sure that my novel is well-paced and that I have", "space. I already have a few paragraphs where she reminisces about her dreams,", "much more lively, but I need a way to fill space for two", "information. Thanks so much! Any ideas will help. I really just want to", "and the chapter where the first conflict occurs. Originally I had it where", "a bustling city where she's hoping to get more information. Thanks so much!", "long distance to find a cure for her terminally ill sister. Her first", "read that won't be too dull. Should I write more about her backstory?", "help: she is traveling a long distance to find a cure for her", "a few paragraphs where she reminisces about her dreams, but I'm out of", "lot of the time is spent walking. Literally walking along an old bridge.", "along an old bridge. Eventually the main character comes across several other characters", "first major conflict. I want to make sure that my novel is well-paced", "encounters a hole in the bridge. This doesn't make sense for my story,", "looking for a way to fill space between the first chapter and the", "barely starts walking and almost immediately encounters a hole in the bridge. This", "at the very beginning btw.) A few things that might help: she is", "ideas will help. I really just want to know what people will actually", "make things much more lively, but I need a way to fill space", "two or three chapters before she comes across her first companion. So basically,", "walking along an old bridge. Eventually the main character comes across several other", "for not being clear enough. My main concern is not speeding the novel", "a way to fill space between the first chapter and the chapter where", "my novel is well-paced and that I have enough time to worldbuild and", "Should I express her concerns and anxieties about not being able to find", "won't be too dull. Should I write more about her backstory? Should I", "able to find a cure in time? Have a great day! Thanks again!", "interesting to read but not a major event, so I can continue to", "which a lot of the time is spent walking. Literally walking along an", "Originally I had it where the character barely starts walking and almost immediately", "or three chapters before she comes across her first companion. So basically, I", "event, so I can continue to set up the story? (This is at", "I'm looking for a way to fill space between the first chapter and", "is a bustling city where she's hoping to get more information. Thanks so", "have enough time to worldbuild and set up the scene of the novel.", "and that I have enough time to worldbuild and set up the scene", "So basically, I need some ideas to fill space. I already have a", "of the novel. I just want to make sure that it's not rushed.", "sure that it's not rushed. Thanks for all your wonderful help, everyone! I", "I apologize for not being clear enough. My main concern is not speeding", "to know what people will actually want to read that won't be too", "major event, so I can continue to set up the story? (This is", "hoping to get more information. Thanks so much! Any ideas will help. I", "occurs. Originally I had it where the character barely starts walking and almost", "a cure in time? Have a great day! Thanks again! ^^ -Fiona Edit:", "her dreams, but I'm out of ideas. What would be interesting to read", "city where she's hoping to get more information. Thanks so much! Any ideas", "backstory? Should I express her concerns and anxieties about not being able to", "want to know what people will actually want to read that won't be", "and the first major conflict. I want to make sure that my novel", "spent walking. Literally walking along an old bridge. Eventually the main character comes", "continue to set up the story? (This is at the very beginning btw.)", "that I have enough time to worldbuild and set up the scene of", "a long distance to find a cure for her terminally ill sister. Her", "I already have a few paragraphs where she reminisces about her dreams, but", "not speeding the novel along too much. I'm looking for a way to", "to fill space between the first chapter and the chapter where the first", "sense for my story, so I need a way to 1. Show that", "chapter where the first conflict occurs. Originally I had it where the character", "have a few paragraphs where she reminisces about her dreams, but I'm out", "a lot of the time is spent walking. Literally walking along an old", "character barely starts walking and almost immediately encounters a hole in the bridge.", "characters that will make things much more lively, but I need a way", "the scene of the novel. I just want to make sure that it's", "ill sister. Her first stop is a bustling city where she's hoping to", "chapter and the chapter where the first conflict occurs. Originally I had it", "is well-paced and that I have enough time to worldbuild and set up", "where the character barely starts walking and almost immediately encounters a hole in", "apologize for not being clear enough. My main concern is not speeding the", "find a cure for her terminally ill sister. Her first stop is a", "about not being able to find a cure in time? Have a great", "Literally walking along an old bridge. Eventually the main character comes across several", "Her first stop is a bustling city where she's hoping to get more", "for her terminally ill sister. Her first stop is a bustling city where", "already have a few paragraphs where she reminisces about her dreams, but I'm", "her first companion. So basically, I need some ideas to fill space. I", "the story? (This is at the very beginning btw.) A few things that", "bustling city where she's hoping to get more information. Thanks so much! Any", "story? (This is at the very beginning btw.) A few things that might", "conflict. I want to make sure that my novel is well-paced and that", "space between the first chapter and the chapter where the first conflict occurs.", "speeding the novel along too much. I'm looking for a way to fill", "much. I'm looking for a way to fill space between the first chapter", "main concern is not speeding the novel along too much. I'm looking for", "I express her concerns and anxieties about not being able to find a", "starts walking and almost immediately encounters a hole in the bridge. This doesn't", "basically, I need some ideas to fill space. I already have a few", "not rushed. Thanks for all your wonderful help, everyone! I appreciate the tips", "I need a way to 1. Show that she has traveled quite a", "the very beginning btw.) A few things that might help: she is traveling", "to make sure that it's not rushed. Thanks for all your wonderful help,", "Thanks so much! Any ideas will help. I really just want to know", "a way to fill space for two or three chapters before she comes", "1. Show that she has traveled quite a long distance, and 2. Fill", "just want to know what people will actually want to read that won't", "make sense for my story, so I need a way to 1. Show", "between the first chapter and the chapter where the first conflict occurs. Originally", "time to worldbuild and set up the scene of the novel. I just", "time? Have a great day! Thanks again! ^^ -Fiona Edit: I apologize for", "old bridge. Eventually the main character comes across several other characters that will", "several other characters that will make things much more lively, but I need", "across her first companion. So basically, I need some ideas to fill space.", "few paragraphs where she reminisces about her dreams, but I'm out of ideas.", "Fill in space between the first chapter and the first major conflict. I", "read but not a major event, so I can continue to set up", "novel. I just want to make sure that it's not rushed. Thanks for", "I really just want to know what people will actually want to read", "novel in which a lot of the time is spent walking. Literally walking", "but not a major event, so I can continue to set up the", "way to fill space between the first chapter and the chapter where the", "What would be interesting to read but not a major event, so I", "she is traveling a long distance to find a cure for her terminally", "it's not rushed. Thanks for all your wonderful help, everyone! I appreciate the", "-Fiona Edit: I apologize for not being clear enough. My main concern is", "sister. Her first stop is a bustling city where she's hoping to get", "and almost immediately encounters a hole in the bridge. This doesn't make sense", "the first major conflict. I want to make sure that my novel is", "I write more about her backstory? Should I express her concerns and anxieties", "worldbuild and set up the scene of the novel. I just want to", "comes across several other characters that will make things much more lively, but", "so I can continue to set up the story? (This is at the", "find a cure in time? Have a great day! Thanks again! ^^ -Fiona", "character comes across several other characters that will make things much more lively,", "few things that might help: she is traveling a long distance to find", "btw.) A few things that might help: she is traveling a long distance", "a major event, so I can continue to set up the story? (This", "is not speeding the novel along too much. I'm looking for a way", "other characters that will make things much more lively, but I need a", "bridge. Eventually the main character comes across several other characters that will make", "express her concerns and anxieties about not being able to find a cure", "that it's not rushed. Thanks for all your wonderful help, everyone! I appreciate", "in time? Have a great day! Thanks again! ^^ -Fiona Edit: I apologize", "set up the story? (This is at the very beginning btw.) A few", "major conflict. I want to make sure that my novel is well-paced and", "to set up the story? (This is at the very beginning btw.) A", "almost immediately encounters a hole in the bridge. This doesn't make sense for", "ideas to fill space. I already have a few paragraphs where she reminisces", "A few things that might help: she is traveling a long distance to", "I had it where the character barely starts walking and almost immediately encounters", "long distance, and 2. Fill in space between the first chapter and the", "actually want to read that won't be too dull. Should I write more", "novel is well-paced and that I have enough time to worldbuild and set", "I just want to make sure that it's not rushed. Thanks for all", "again! ^^ -Fiona Edit: I apologize for not being clear enough. My main", "people will actually want to read that won't be too dull. Should I", "space between the first chapter and the first major conflict. I want to", "doesn't make sense for my story, so I need a way to 1.", "the novel. I just want to make sure that it's not rushed. Thanks", "to fill space. I already have a few paragraphs where she reminisces about", "Show that she has traveled quite a long distance, and 2. Fill in", "write more about her backstory? Should I express her concerns and anxieties about", "the first chapter and the chapter where the first conflict occurs. Originally I", "that won't be too dull. Should I write more about her backstory? Should", "the first conflict occurs. Originally I had it where the character barely starts", "will actually want to read that won't be too dull. Should I write", "fill space for two or three chapters before she comes across her first", "to get more information. Thanks so much! Any ideas will help. I really", "in space between the first chapter and the first major conflict. I want", "a hole in the bridge. This doesn't make sense for my story, so", "not a major event, so I can continue to set up the story?", "of the time is spent walking. Literally walking along an old bridge. Eventually", "she has traveled quite a long distance, and 2. Fill in space between", "distance to find a cure for her terminally ill sister. Her first stop", "I want to make sure that my novel is well-paced and that I", "she's hoping to get more information. Thanks so much! Any ideas will help.", "cure in time? Have a great day! Thanks again! ^^ -Fiona Edit: I", "is spent walking. Literally walking along an old bridge. Eventually the main character", "will help. I really just want to know what people will actually want", "along too much. I'm looking for a way to fill space between the", "her backstory? Should I express her concerns and anxieties about not being able", "in which a lot of the time is spent walking. Literally walking along", "before she comes across her first companion. So basically, I need some ideas", "immediately encounters a hole in the bridge. This doesn't make sense for my", "can continue to set up the story? (This is at the very beginning", "chapters before she comes across her first companion. So basically, I need some", "the novel along too much. I'm looking for a way to fill space", "set up the scene of the novel. I just want to make sure", "well-paced and that I have enough time to worldbuild and set up the", "day! Thanks again! ^^ -Fiona Edit: I apologize for not being clear enough.", "so I need a way to 1. Show that she has traveled quite", "to find a cure for her terminally ill sister. Her first stop is", "want to read that won't be too dull. Should I write more about", "great day! Thanks again! ^^ -Fiona Edit: I apologize for not being clear", "sure that my novel is well-paced and that I have enough time to", "to fill space for two or three chapters before she comes across her", "need some ideas to fill space. I already have a few paragraphs where", "stop is a bustling city where she's hoping to get more information. Thanks", "be too dull. Should I write more about her backstory? Should I express", "a way to 1. Show that she has traveled quite a long distance,", "I need some ideas to fill space. I already have a few paragraphs", "the main character comes across several other characters that will make things much", "not being clear enough. My main concern is not speeding the novel along", "I have enough time to worldbuild and set up the scene of the" ]
[ "story is about a team and the only reason they formed the team", "My story is about a team and the only reason they formed the", "team is because of an event that they participated in and idk if", "team and the only reason they formed the team is because of an", "the only reason they formed the team is because of an event that", "is because of an event that they participated in and idk if I", "they participated in and idk if I should start the story before or", "event that they participated in and idk if I should start the story", "the team is because of an event that they participated in and idk", "they formed the team is because of an event that they participated in", "only reason they formed the team is because of an event that they", "and idk if I should start the story before or after the event", "that they participated in and idk if I should start the story before", "is about a team and the only reason they formed the team is", "in and idk if I should start the story before or after the", "about a team and the only reason they formed the team is because", "an event that they participated in and idk if I should start the", "and the only reason they formed the team is because of an event", "reason they formed the team is because of an event that they participated", "formed the team is because of an event that they participated in and", "a team and the only reason they formed the team is because of", "participated in and idk if I should start the story before or after", "because of an event that they participated in and idk if I should", "of an event that they participated in and idk if I should start" ]
[ "prose but I have to keep myself back every time. This has been", "170k is too long. So far I've been cutting things down but now", "to others but there are debut stories that go over 150k words. Thank", "a very contradictory topic for me. I've been told that publishers expect fantasy", "If not, then how can I raise my chances to get it published?", "advice here. Is it possible at this time to have a manuscript of", "that publishers expect fantasy books to be that long but others would tell", "could really, really use some advice here. Is it possible at this time", "I've been cutting things down but now I fear that I'm killing my", "far I've been cutting things down but now I fear that I'm killing", "to get it published? I know I can't compare myself to others but", "told that publishers expect fantasy books to be that long but others would", "and I could really, really use some advice here. Is it possible at", "I'm killing my story by doing that. I love writing with a bit", "of this length? If not, then how can I raise my chances to", "topic for me. I've been told that publishers expect fantasy books to be", "I could really, really use some advice here. Is it possible at this", "now and I could really, really use some advice here. Is it possible", "how can I raise my chances to get it published? I know I", "books to be that long but others would tell me that 170k is", "this length? If not, then how can I raise my chances to get", "things down but now I fear that I'm killing my story by doing", "time. This has been stressing me out for weeks now and I could", "flowery prose but I have to keep myself back every time. This has", "have to keep myself back every time. This has been stressing me out", "at this time to have a manuscript of this length? If not, then", "for me. I've been told that publishers expect fantasy books to be that", "This has been a very contradictory topic for me. I've been told that", "some advice here. Is it possible at this time to have a manuscript", "been cutting things down but now I fear that I'm killing my story", "to keep myself back every time. This has been stressing me out for", "with a bit of flowery prose but I have to keep myself back", "Is it possible at this time to have a manuscript of this length?", "expect fantasy books to be that long but others would tell me that", "So far I've been cutting things down but now I fear that I'm", "but others would tell me that 170k is too long. So far I've", "use some advice here. Is it possible at this time to have a", "really, really use some advice here. Is it possible at this time to", "that I'm killing my story by doing that. I love writing with a", "weeks now and I could really, really use some advice here. Is it", "get it published? I know I can't compare myself to others but there", "killing my story by doing that. I love writing with a bit of", "writing with a bit of flowery prose but I have to keep myself", "very contradictory topic for me. I've been told that publishers expect fantasy books", "be that long but others would tell me that 170k is too long.", "have a manuscript of this length? If not, then how can I raise", "has been a very contradictory topic for me. I've been told that publishers", "been stressing me out for weeks now and I could really, really use", "I raise my chances to get it published? I know I can't compare", "really use some advice here. Is it possible at this time to have", "doing that. I love writing with a bit of flowery prose but I", "this time to have a manuscript of this length? If not, then how", "to be that long but others would tell me that 170k is too", "that long but others would tell me that 170k is too long. So", "then how can I raise my chances to get it published? I know", "me. I've been told that publishers expect fantasy books to be that long", "possible at this time to have a manuscript of this length? If not,", "myself back every time. This has been stressing me out for weeks now", "I have to keep myself back every time. This has been stressing me", "that. I love writing with a bit of flowery prose but I have", "but I have to keep myself back every time. This has been stressing", "myself to others but there are debut stories that go over 150k words.", "others would tell me that 170k is too long. So far I've been", "fear that I'm killing my story by doing that. I love writing with", "back every time. This has been stressing me out for weeks now and", "I know I can't compare myself to others but there are debut stories", "I fear that I'm killing my story by doing that. I love writing", "published? I know I can't compare myself to others but there are debut", "contradictory topic for me. I've been told that publishers expect fantasy books to", "bit of flowery prose but I have to keep myself back every time.", "by doing that. I love writing with a bit of flowery prose but", "others but there are debut stories that go over 150k words. Thank you", "but there are debut stories that go over 150k words. Thank you in", "would tell me that 170k is too long. So far I've been cutting", "stressing me out for weeks now and I could really, really use some", "every time. This has been stressing me out for weeks now and I", "raise my chances to get it published? I know I can't compare myself", "there are debut stories that go over 150k words. Thank you in advance.", "been told that publishers expect fantasy books to be that long but others", "here. Is it possible at this time to have a manuscript of this", "tell me that 170k is too long. So far I've been cutting things", "that 170k is too long. So far I've been cutting things down but", "length? If not, then how can I raise my chances to get it", "of flowery prose but I have to keep myself back every time. This", "compare myself to others but there are debut stories that go over 150k", "manuscript of this length? If not, then how can I raise my chances", "but now I fear that I'm killing my story by doing that. I", "me out for weeks now and I could really, really use some advice", "a bit of flowery prose but I have to keep myself back every", "long but others would tell me that 170k is too long. So far", "my story by doing that. I love writing with a bit of flowery", "publishers expect fantasy books to be that long but others would tell me", "know I can't compare myself to others but there are debut stories that", "keep myself back every time. This has been stressing me out for weeks", "down but now I fear that I'm killing my story by doing that.", "for weeks now and I could really, really use some advice here. Is", "is too long. So far I've been cutting things down but now I", "not, then how can I raise my chances to get it published? I", "me that 170k is too long. So far I've been cutting things down", "fantasy books to be that long but others would tell me that 170k", "I can't compare myself to others but there are debut stories that go", "been a very contradictory topic for me. I've been told that publishers expect", "time to have a manuscript of this length? If not, then how can", "has been stressing me out for weeks now and I could really, really", "cutting things down but now I fear that I'm killing my story by", "long. So far I've been cutting things down but now I fear that", "my chances to get it published? I know I can't compare myself to", "a manuscript of this length? If not, then how can I raise my", "can't compare myself to others but there are debut stories that go over", "story by doing that. I love writing with a bit of flowery prose", "out for weeks now and I could really, really use some advice here.", "too long. So far I've been cutting things down but now I fear", "I love writing with a bit of flowery prose but I have to", "I've been told that publishers expect fantasy books to be that long but", "it published? I know I can't compare myself to others but there are", "to have a manuscript of this length? If not, then how can I", "love writing with a bit of flowery prose but I have to keep", "it possible at this time to have a manuscript of this length? If", "now I fear that I'm killing my story by doing that. I love", "can I raise my chances to get it published? I know I can't", "This has been stressing me out for weeks now and I could really,", "chances to get it published? I know I can't compare myself to others" ]
[ "am forced to put a lot of time-skips at the beginning of a", "engaged, not confused, and causing other negative impact? I tried to spread them", "impact? I tried to spread them throughout the story, but the best parts", "beginning of the story. Rewriting the whole story is not an option due", "to put a lot of time-skip scenes at the beginning of the story.", "keeping your readers engaged, not confused, and causing other negative impact? I tried", "time-skips at the beginning of a story, but how do you do that", "to put a lot of time-skips at the beginning of a story, but", "the story, but the best parts are at the end of the story,", "soon as possible in a story? Because of certain restrictions, I am forced", "restrictions, I am forced to put a lot of time-skips at the beginning", "while keeping your readers engaged, not confused, and causing other negative impact? I", "hooked to the story, so because of that I need to put a", "in a story? Because of certain restrictions, I am forced to put a", "at the beginning of a story, but how do you do that effectively", "the story, and I need to get people hooked to the story, so", "need to get people hooked to the story, so because of that I", "best parts are at the end of the story, and I need to", "I need to put a lot of time-skip scenes at the beginning of", "the beginning of the story. Rewriting the whole story is not an option", "of certain restrictions, I am forced to put a lot of time-skips at", "story, so because of that I need to put a lot of time-skip", "time-skips as soon as possible in a story? Because of certain restrictions, I", "because of that I need to put a lot of time-skip scenes at", "of time-skip scenes at the beginning of the story. Rewriting the whole story", "do you do that effectively while keeping your readers engaged, not confused, and", "forced to put a lot of time-skips at the beginning of a story,", "negative impact? I tried to spread them throughout the story, but the best", "throughout the story, but the best parts are at the end of the", "need to put a lot of time-skip scenes at the beginning of the", "your readers engaged, not confused, and causing other negative impact? I tried to", "I need to get people hooked to the story, so because of that", "I tried to spread them throughout the story, but the best parts are", "get people hooked to the story, so because of that I need to", "as possible in a story? Because of certain restrictions, I am forced to", "story, and I need to get people hooked to the story, so because", "do that effectively while keeping your readers engaged, not confused, and causing other", "Rewriting the whole story is not an option due to deadlines and budget.", "of a story, but how do you do that effectively while keeping your", "possible in a story? Because of certain restrictions, I am forced to put", "to get people hooked to the story, so because of that I need", "scenes at the beginning of the story. Rewriting the whole story is not", "beginning of a story, but how do you do that effectively while keeping", "story. Rewriting the whole story is not an option due to deadlines and", "that effectively while keeping your readers engaged, not confused, and causing other negative", "you put a lot of time-skips as soon as possible in a story?", "tried to spread them throughout the story, but the best parts are at", "them throughout the story, but the best parts are at the end of", "the end of the story, and I need to get people hooked to", "the story. Rewriting the whole story is not an option due to deadlines", "and I need to get people hooked to the story, so because of", "story, but the best parts are at the end of the story, and", "can you put a lot of time-skips as soon as possible in a", "the beginning of a story, but how do you do that effectively while", "put a lot of time-skips as soon as possible in a story? Because", "but how do you do that effectively while keeping your readers engaged, not", "as soon as possible in a story? Because of certain restrictions, I am", "how do you do that effectively while keeping your readers engaged, not confused,", "story? Because of certain restrictions, I am forced to put a lot of", "lot of time-skips at the beginning of a story, but how do you", "the best parts are at the end of the story, and I need", "lot of time-skip scenes at the beginning of the story. Rewriting the whole", "time-skip scenes at the beginning of the story. Rewriting the whole story is", "of that I need to put a lot of time-skip scenes at the", "are at the end of the story, and I need to get people", "effectively while keeping your readers engaged, not confused, and causing other negative impact?", "parts are at the end of the story, and I need to get", "people hooked to the story, so because of that I need to put", "at the beginning of the story. Rewriting the whole story is not an", "of time-skips as soon as possible in a story? Because of certain restrictions,", "spread them throughout the story, but the best parts are at the end", "lot of time-skips as soon as possible in a story? Because of certain", "of the story. Rewriting the whole story is not an option due to", "a lot of time-skips as soon as possible in a story? Because of", "causing other negative impact? I tried to spread them throughout the story, but", "that I need to put a lot of time-skip scenes at the beginning", "readers engaged, not confused, and causing other negative impact? I tried to spread", "not confused, and causing other negative impact? I tried to spread them throughout", "and causing other negative impact? I tried to spread them throughout the story,", "certain restrictions, I am forced to put a lot of time-skips at the", "so because of that I need to put a lot of time-skip scenes", "but the best parts are at the end of the story, and I", "you do that effectively while keeping your readers engaged, not confused, and causing", "a lot of time-skips at the beginning of a story, but how do", "a story? Because of certain restrictions, I am forced to put a lot", "I am forced to put a lot of time-skips at the beginning of", "story, but how do you do that effectively while keeping your readers engaged,", "of the story, and I need to get people hooked to the story,", "put a lot of time-skip scenes at the beginning of the story. Rewriting", "end of the story, and I need to get people hooked to the", "Because of certain restrictions, I am forced to put a lot of time-skips", "put a lot of time-skips at the beginning of a story, but how", "at the end of the story, and I need to get people hooked", "a lot of time-skip scenes at the beginning of the story. Rewriting the", "to the story, so because of that I need to put a lot", "the story, so because of that I need to put a lot of", "confused, and causing other negative impact? I tried to spread them throughout the", "other negative impact? I tried to spread them throughout the story, but the", "How can you put a lot of time-skips as soon as possible in", "of time-skips at the beginning of a story, but how do you do", "to spread them throughout the story, but the best parts are at the", "a story, but how do you do that effectively while keeping your readers" ]
[ "making the borders fuzzy? Is there a way to make it clear where", "can you do besides graying the gutters, or graying the panels, or making", "fuzzy? Is there a way to make it clear where the end and", "beginning is, and convey that the thoughts are violently flashing inside the mind", "the protagonist's mind, what can you do besides graying the gutters, or graying", "the gutters, or graying the panels, or making the borders fuzzy? Is there", "clear where the end and beginning is, and convey that the thoughts are", "it clear where the end and beginning is, and convey that the thoughts", "make it clear where the end and beginning is, and convey that the", "in the protagonist's mind, what can you do besides graying the gutters, or", "you do besides graying the gutters, or graying the panels, or making the", "Is there a way to make it clear where the end and beginning", "the mind of the protagonist? I couldn't find anything beside what's explained in", "a way to make it clear where the end and beginning is, and", "flashes in the protagonist's mind, what can you do besides graying the gutters,", "there a way to make it clear where the end and beginning is,", "the borders fuzzy? Is there a way to make it clear where the", "do besides graying the gutters, or graying the panels, or making the borders", "the end and beginning is, and convey that the thoughts are violently flashing", "convey that the thoughts are violently flashing inside the mind of the protagonist?", "flashing inside the mind of the protagonist? I couldn't find anything beside what's", "way to make it clear where the end and beginning is, and convey", "mind of the protagonist? I couldn't find anything beside what's explained in the", "violently flashing inside the mind of the protagonist? I couldn't find anything beside", "graying the gutters, or graying the panels, or making the borders fuzzy? Is", "to make it clear where the end and beginning is, and convey that", "or graying the panels, or making the borders fuzzy? Is there a way", "is, and convey that the thoughts are violently flashing inside the mind of", "and convey that the thoughts are violently flashing inside the mind of the", "inside the mind of the protagonist? I couldn't find anything beside what's explained", "mind, what can you do besides graying the gutters, or graying the panels,", "<https://www.youtube.com/watch?v=kk7qB_GfNnY> Let's say the flashback flashes in the protagonist's mind, what can you", "borders fuzzy? Is there a way to make it clear where the end", "besides graying the gutters, or graying the panels, or making the borders fuzzy?", "thoughts are violently flashing inside the mind of the protagonist? I couldn't find", "say the flashback flashes in the protagonist's mind, what can you do besides", "end and beginning is, and convey that the thoughts are violently flashing inside", "the flashback flashes in the protagonist's mind, what can you do besides graying", "graying the panels, or making the borders fuzzy? Is there a way to", "where the end and beginning is, and convey that the thoughts are violently", "are violently flashing inside the mind of the protagonist? I couldn't find anything", "what can you do besides graying the gutters, or graying the panels, or", "panels, or making the borders fuzzy? Is there a way to make it", "that the thoughts are violently flashing inside the mind of the protagonist? I", "the thoughts are violently flashing inside the mind of the protagonist? I couldn't", "protagonist's mind, what can you do besides graying the gutters, or graying the", "of the protagonist? I couldn't find anything beside what's explained in the video.", "gutters, or graying the panels, or making the borders fuzzy? Is there a", "and beginning is, and convey that the thoughts are violently flashing inside the", "or making the borders fuzzy? Is there a way to make it clear", "Let's say the flashback flashes in the protagonist's mind, what can you do", "flashback flashes in the protagonist's mind, what can you do besides graying the", "the panels, or making the borders fuzzy? Is there a way to make" ]
[ "an original story for fun not profit and now wish to post it", "for fun not profit and now wish to post it on the internet", "wish to post it on the internet for the delectation of others for", "what rights any one website has over your content. I don't really need", "be copyright or other legal problems in doing so. I just wonder what", "Is it acceptable practice to post it on several unrelated websites or would", "for the delectation of others for free. Is it acceptable practice to post", "have written an original story for fun not profit and now wish to", "your content. I don't really need legal opinions on this only if it's", "it on several unrelated websites or would there be copyright or other legal", "content. I don't really need legal opinions on this only if it's generally", "written an original story for fun not profit and now wish to post", "the delectation of others for free. Is it acceptable practice to post it", "or would there be copyright or other legal problems in doing so. I", "now wish to post it on the internet for the delectation of others", "delectation of others for free. Is it acceptable practice to post it on", "so. I just wonder what rights any one website has over your content.", "legal opinions on this only if it's generally a done thing or not.", "wonder what rights any one website has over your content. I don't really", "on the internet for the delectation of others for free. Is it acceptable", "websites or would there be copyright or other legal problems in doing so.", "website has over your content. I don't really need legal opinions on this", "post it on several unrelated websites or would there be copyright or other", "profit and now wish to post it on the internet for the delectation", "others for free. Is it acceptable practice to post it on several unrelated", "Suppose I have written an original story for fun not profit and now", "I have written an original story for fun not profit and now wish", "post it on the internet for the delectation of others for free. Is", "to post it on the internet for the delectation of others for free.", "internet for the delectation of others for free. Is it acceptable practice to", "problems in doing so. I just wonder what rights any one website has", "really need legal opinions on this only if it's generally a done thing", "need legal opinions on this only if it's generally a done thing or", "would there be copyright or other legal problems in doing so. I just", "other legal problems in doing so. I just wonder what rights any one", "or other legal problems in doing so. I just wonder what rights any", "has over your content. I don't really need legal opinions on this only", "over your content. I don't really need legal opinions on this only if", "copyright or other legal problems in doing so. I just wonder what rights", "it on the internet for the delectation of others for free. Is it", "doing so. I just wonder what rights any one website has over your", "just wonder what rights any one website has over your content. I don't", "legal problems in doing so. I just wonder what rights any one website", "not profit and now wish to post it on the internet for the", "I just wonder what rights any one website has over your content. I", "the internet for the delectation of others for free. Is it acceptable practice", "story for fun not profit and now wish to post it on the", "it acceptable practice to post it on several unrelated websites or would there", "to post it on several unrelated websites or would there be copyright or", "and now wish to post it on the internet for the delectation of", "of others for free. Is it acceptable practice to post it on several", "there be copyright or other legal problems in doing so. I just wonder", "one website has over your content. I don't really need legal opinions on", "original story for fun not profit and now wish to post it on", "rights any one website has over your content. I don't really need legal", "free. Is it acceptable practice to post it on several unrelated websites or", "practice to post it on several unrelated websites or would there be copyright", "fun not profit and now wish to post it on the internet for", "any one website has over your content. I don't really need legal opinions", "several unrelated websites or would there be copyright or other legal problems in", "for free. Is it acceptable practice to post it on several unrelated websites", "unrelated websites or would there be copyright or other legal problems in doing", "don't really need legal opinions on this only if it's generally a done", "on several unrelated websites or would there be copyright or other legal problems", "in doing so. I just wonder what rights any one website has over", "I don't really need legal opinions on this only if it's generally a", "acceptable practice to post it on several unrelated websites or would there be" ]
[ "writing and I'm finding it hard to avoid focusing on how bad my", "enjoyment out of writing and I'm finding it hard to avoid focusing on", "it hard to avoid focusing on how bad my writing is and actually", "finding it hard to avoid focusing on how bad my writing is and", "and actually write. I've seen/heard it a lot that you need 'just write", "push through. I get that this is probably gonna be one of those", "advice as broad as 'just push through.' I was wondering if I might", "gonna be one of those 'this is different for everyone' things, but I", "perfectionist and the cringe I often feel at what I write is quite", "the inner critic picking away at what you're writing, but does anyone here", "writing, but does anyone here have advice on how to actually do that?", "help you can get from advice as broad as 'just push through.' I", "do that? There's only so much help you can get from advice as", "write. I've seen/heard it a lot that you need 'just write the book'", "I might find some more specific advice on what to do in order", "more specific advice on what to do in order to push through. I", "the book' and 'push through' the inner critic picking away at what you're", "how to actually do that? There's only so much help you can get", "advice on how to actually do that? There's only so much help you", "often feel at what I write is quite strong and distracting. It's taking", "I figured it was worth seeing if/how more experienced authors deal with this", "was worth seeing if/how more experienced authors deal with this and going from", "on how to actually do that? There's only so much help you can", "book' and 'push through' the inner critic picking away at what you're writing,", "avoid focusing on how bad my writing is and actually write. I've seen/heard", "to push through. I get that this is probably gonna be one of", "do in order to push through. I get that this is probably gonna", "you can get from advice as broad as 'just push through.' I was", "so much help you can get from advice as broad as 'just push", "order* to push through. I get that this is probably gonna be one", "is probably gonna be one of those 'this is different for everyone' things,", "away at what you're writing, but does anyone here have advice on how", "it was worth seeing if/how more experienced authors deal with this and going", "writing is and actually write. I've seen/heard it a lot that you need", "'this is different for everyone' things, but I figured it was worth seeing", "if I might find some more specific advice on what to do in", "and distracting. It's taking the enjoyment out of writing and I'm finding it", "cringe I often feel at what I write is quite strong and distracting.", "and 'push through' the inner critic picking away at what you're writing, but", "from advice as broad as 'just push through.' I was wondering if I", "through' the inner critic picking away at what you're writing, but does anyone", "that? There's only so much help you can get from advice as broad", "to avoid focusing on how bad my writing is and actually write. I've", "and the cringe I often feel at what I write is quite strong", "There's only so much help you can get from advice as broad as", "actually write. I've seen/heard it a lot that you need 'just write the", "can get from advice as broad as 'just push through.' I was wondering", "a lot that you need 'just write the book' and 'push through' the", "as broad as 'just push through.' I was wondering if I might find", "to do in order* to push through. I get that this is probably", "here have advice on how to actually do that? There's only so much", "be one of those 'this is different for everyone' things, but I figured", "for everyone' things, but I figured it was worth seeing if/how more experienced", "what to do in order to push through. I get that this is", "is and actually write. I've seen/heard it a lot that you need 'just", "anyone here have advice on how to actually do that? There's only so", "focusing on how bad my writing is and actually write. I've seen/heard it", "write the book' and 'push through' the inner critic picking away at what", "that this is probably gonna be one of those 'this is different for", "those 'this is different for everyone' things, but I figured it was worth", "out of writing and I'm finding it hard to avoid focusing on how", "figured it was worth seeing if/how more experienced authors deal with this and", "specific advice on what to do in order to push through. I get", "'just push through.' I was wondering if I might find some more specific", "at what you're writing, but does anyone here have advice on how to", "It's taking the enjoyment out of writing and I'm finding it hard to", "on how bad my writing is and actually write. I've seen/heard it a", "I was wondering if I might find some more specific advice on what", "I've seen/heard it a lot that you need 'just write the book' and", "the enjoyment out of writing and I'm finding it hard to avoid focusing", "you're writing, but does anyone here have advice on how to actually do", "wondering if I might find some more specific advice on what to do", "distracting. It's taking the enjoyment out of writing and I'm finding it hard", "worth seeing if/how more experienced authors deal with this and going from there.", "is quite strong and distracting. It's taking the enjoyment out of writing and", "bad my writing is and actually write. I've seen/heard it a lot that", "does anyone here have advice on how to actually do that? There's only", "to actually do that? There's only so much help you can get from", "strong and distracting. It's taking the enjoyment out of writing and I'm finding", "'push through' the inner critic picking away at what you're writing, but does", "my writing is and actually write. I've seen/heard it a lot that you", "was wondering if I might find some more specific advice on what to", "picking away at what you're writing, but does anyone here have advice on", "I'm finding it hard to avoid focusing on how bad my writing is", "advice on what to do in order to push through. I get that", "write is quite strong and distracting. It's taking the enjoyment out of writing", "you need 'just write the book' and 'push through' the inner critic picking", "the cringe I often feel at what I write is quite strong and", "some more specific advice on what to do in order to push through.", "but I figured it was worth seeing if/how more experienced authors deal with", "a real perfectionist and the cringe I often feel at what I write", "actually do that? There's only so much help you can get from advice", "at what I write is quite strong and distracting. It's taking the enjoyment", "everyone' things, but I figured it was worth seeing if/how more experienced authors", "find some more specific advice on what to do in order to push", "get that this is probably gonna be one of those 'this is different", "I write is quite strong and distracting. It's taking the enjoyment out of", "hard to avoid focusing on how bad my writing is and actually write.", "I get that this is probably gonna be one of those 'this is", "probably gonna be one of those 'this is different for everyone' things, but", "of writing and I'm finding it hard to avoid focusing on how bad", "through. I get that this is probably gonna be one of those 'this", "might find some more specific advice on what to do in order to", "'just write the book' and 'push through' the inner critic picking away at", "how bad my writing is and actually write. I've seen/heard it a lot", "I'm a real perfectionist and the cringe I often feel at what I", "get from advice as broad as 'just push through.' I was wondering if", "broad as 'just push through.' I was wondering if I might find some", "feel at what I write is quite strong and distracting. It's taking the", "inner critic picking away at what you're writing, but does anyone here have", "seen/heard it a lot that you need 'just write the book' and 'push", "one of those 'this is different for everyone' things, but I figured it", "what you're writing, but does anyone here have advice on how to actually", "lot that you need 'just write the book' and 'push through' the inner", "as 'just push through.' I was wondering if I might find some more", "I often feel at what I write is quite strong and distracting. It's", "different for everyone' things, but I figured it was worth seeing if/how more", "taking the enjoyment out of writing and I'm finding it hard to avoid", "of those 'this is different for everyone' things, but I figured it was", "need 'just write the book' and 'push through' the inner critic picking away", "is different for everyone' things, but I figured it was worth seeing if/how", "things, but I figured it was worth seeing if/how more experienced authors deal", "quite strong and distracting. It's taking the enjoyment out of writing and I'm", "and I'm finding it hard to avoid focusing on how bad my writing", "it a lot that you need 'just write the book' and 'push through'", "that you need 'just write the book' and 'push through' the inner critic", "critic picking away at what you're writing, but does anyone here have advice", "through.' I was wondering if I might find some more specific advice on", "what I write is quite strong and distracting. It's taking the enjoyment out", "much help you can get from advice as broad as 'just push through.'", "push through.' I was wondering if I might find some more specific advice", "have advice on how to actually do that? There's only so much help", "on what to do in order to push through. I get that this", "real perfectionist and the cringe I often feel at what I write is", "only so much help you can get from advice as broad as 'just", "this is probably gonna be one of those 'this is different for everyone'", "in order to push through. I get that this is probably gonna be", "but does anyone here have advice on how to actually do that? There's" ]
[ "do you describe something like that? I've been looking it up and trying", "sparkle 'mischievously.' How do you describe something like that? I've been looking it", "I've been looking it up and trying different tricks that usually help, but", "that I'm telling instead of showing when I say my characters' eyes sparkle", "of showing when I say my characters' eyes sparkle 'mischievously.' How do you", "characters' eyes sparkle 'mischievously.' How do you describe something like that? I've been", "that? I've been looking it up and trying different tricks that usually help,", "told that I'm telling instead of showing when I say my characters' eyes", "telling instead of showing when I say my characters' eyes sparkle 'mischievously.' How", "instead of showing when I say my characters' eyes sparkle 'mischievously.' How do", "showing when I say my characters' eyes sparkle 'mischievously.' How do you describe", "been looking it up and trying different tricks that usually help, but nothing", "I say my characters' eyes sparkle 'mischievously.' How do you describe something like", "I've been told that I'm telling instead of showing when I say my", "my characters' eyes sparkle 'mischievously.' How do you describe something like that? I've", "'mischievously.' How do you describe something like that? I've been looking it up", "say my characters' eyes sparkle 'mischievously.' How do you describe something like that?", "I'm telling instead of showing when I say my characters' eyes sparkle 'mischievously.'", "it up and trying different tricks that usually help, but nothing is working.", "been told that I'm telling instead of showing when I say my characters'", "something like that? I've been looking it up and trying different tricks that", "like that? I've been looking it up and trying different tricks that usually", "you describe something like that? I've been looking it up and trying different", "describe something like that? I've been looking it up and trying different tricks", "when I say my characters' eyes sparkle 'mischievously.' How do you describe something", "eyes sparkle 'mischievously.' How do you describe something like that? I've been looking", "looking it up and trying different tricks that usually help, but nothing is", "How do you describe something like that? I've been looking it up and" ]
[ "whether this is a fairly common writing style. I can't imagine it's a", "new idea, and some stories or movies might make reference to several things.", "but often movies will inspire my writting. I came across a website that", "clearly there. As I write, my story develops and my story has quite", "story meeting a theme, not two stories being brought together. I know that", "My question is, how often is it done that a writer will reflect", "I came across a website that discussed the Big Lebowski and how it's", "I write stories, not movies, but often movies will inspire my writting. I", "single story into a new story is fairly common. My question is, how", "as both are complete in and of themselves, but maybe a trilogy, and", "merged together. My question is whether this is a fairly common writing style.", "is it done that a writer will reflect from two unrelated but well-known", "make reference to several things. For example: Fzazkanstuuf meets Wuthering Heights. There's no", "meeting a theme, not two stories being brought together. I know that reflecting", "is a play on that, but it's also full of Alice in Wonderland", "clearly picked up two famous stories (I'd prefer to not say which ones),", "famous books. Maybe not easily as both are complete in and of themselves,", "in and of themselves, but maybe a trilogy, and that's just an example,", "play on movies like the Big Sleep, even the title is a play", "trilogy, and that's just an example, or a simpler one, Jane Austin meets", "is a fairly common writing style. I can't imagine it's a new idea,", "movies might make reference to several things. For example: Fzazkanstuuf meets Wuthering Heights.", "on movies like the Big Sleep, even the title is a play on", "came across a website that discussed the Big Lebowski and how it's a", "are clearly there. As I write, my story develops and my story has", "two stories being brought together. I know that reflecting from a single story", "know that reflecting from a single story into a new story is fairly", "question is whether this is a fairly common writing style. I can't imagine", "For example: Fzazkanstuuf meets Wuthering Heights. There's no reason a story couldn't be", "a story couldn't be written drawing themes from those two famous books. Maybe", "some stories or movies might make reference to several things. For example: Fzazkanstuuf", "I can't imagine it's a new idea, and some stories or movies might", "often is it done that a writer will reflect from two unrelated but", "that discussed the Big Lebowski and how it's a kind of play on", "that's more of a story meeting a theme, not two stories being brought", "one, Jane Austin meets Zombies, but that's more of a story meeting a", "reason a story couldn't be written drawing themes from those two famous books.", "fairly common writing style. I can't imagine it's a new idea, and some", "those two famous books. Maybe not easily as both are complete in and", "no reason a story couldn't be written drawing themes from those two famous", "often movies will inspire my writting. I came across a website that discussed", "idea, and some stories or movies might make reference to several things. For", "how often is it done that a writer will reflect from two unrelated", "a simpler one, Jane Austin meets Zombies, but that's more of a story", "quite clearly picked up two famous stories (I'd prefer to not say which", "are complete in and of themselves, but maybe a trilogy, and that's just", "I write, my story develops and my story has quite clearly picked up", "movies like the Big Sleep, even the title is a play on that,", "aren't obvious, but are clearly there. As I write, my story develops and", "example, or a simpler one, Jane Austin meets Zombies, but that's more of", "or a simpler one, Jane Austin meets Zombies, but that's more of a", "stories being brought together. I know that reflecting from a single story into", "even the title is a play on that, but it's also full of", "together. My question is whether this is a fairly common writing style. I", "fairly common. My question is, how often is it done that a writer", "easily as both are complete in and of themselves, but maybe a trilogy,", "new story is fairly common. My question is, how often is it done", "reflecting from a single story into a new story is fairly common. My", "of merged together. My question is whether this is a fairly common writing", "this is a fairly common writing style. I can't imagine it's a new", "reference to several things. For example: Fzazkanstuuf meets Wuthering Heights. There's no reason", "write, my story develops and my story has quite clearly picked up two", "is whether this is a fairly common writing style. I can't imagine it's", "imagine it's a new idea, and some stories or movies might make reference", "movies, but often movies will inspire my writting. I came across a website", "that's just an example, or a simpler one, Jane Austin meets Zombies, but", "the title is a play on that, but it's also full of Alice", "to not say which ones), kind of merged together. My question is whether", "writing style. I can't imagine it's a new idea, and some stories or", "obvious, but are clearly there. As I write, my story develops and my", "story couldn't be written drawing themes from those two famous books. Maybe not", "how it's a kind of play on movies like the Big Sleep, even", "it's a kind of play on movies like the Big Sleep, even the", "that reflecting from a single story into a new story is fairly common.", "but maybe a trilogy, and that's just an example, or a simpler one,", "into a new story is fairly common. My question is, how often is", "two unrelated but well-known stories and make a new story, like I suspect", "writting. I came across a website that discussed the Big Lebowski and how", "write stories, not movies, but often movies will inspire my writting. I came", "of a story meeting a theme, not two stories being brought together. I", "two famous stories (I'd prefer to not say which ones), kind of merged", "Big Sleep, even the title is a play on that, but it's also", "a fairly common writing style. I can't imagine it's a new idea, and", "might make reference to several things. For example: Fzazkanstuuf meets Wuthering Heights. There's", "across a website that discussed the Big Lebowski and how it's a kind", "a website that discussed the Big Lebowski and how it's a kind of", "Zombies, but that's more of a story meeting a theme, not two stories", "being brought together. I know that reflecting from a single story into a", "Heights. There's no reason a story couldn't be written drawing themes from those", "Jane Austin meets Zombies, but that's more of a story meeting a theme,", "Fzazkanstuuf meets Wuthering Heights. There's no reason a story couldn't be written drawing", "it done that a writer will reflect from two unrelated but well-known stories", "a play on that, but it's also full of Alice in Wonderland references,", "style. I can't imagine it's a new idea, and some stories or movies", "both are complete in and of themselves, but maybe a trilogy, and that's", "several things. For example: Fzazkanstuuf meets Wuthering Heights. There's no reason a story", "my story develops and my story has quite clearly picked up two famous", "well-known stories and make a new story, like I suspect the Big Lebowski", "My question is whether this is a fairly common writing style. I can't", "Wonderland references, which aren't obvious, but are clearly there. As I write, my", "develops and my story has quite clearly picked up two famous stories (I'd", "common. My question is, how often is it done that a writer will", "Big Lebowski and how it's a kind of play on movies like the", "can't imagine it's a new idea, and some stories or movies might make", "just an example, or a simpler one, Jane Austin meets Zombies, but that's", "a story meeting a theme, not two stories being brought together. I know", "from a single story into a new story is fairly common. My question", "not movies, but often movies will inspire my writting. I came across a", "not say which ones), kind of merged together. My question is whether this", "kind of play on movies like the Big Sleep, even the title is", "but are clearly there. As I write, my story develops and my story", "stories or movies might make reference to several things. For example: Fzazkanstuuf meets", "and that's just an example, or a simpler one, Jane Austin meets Zombies,", "theme, not two stories being brought together. I know that reflecting from a", "of themselves, but maybe a trilogy, and that's just an example, or a", "done that a writer will reflect from two unrelated but well-known stories and", "my writting. I came across a website that discussed the Big Lebowski and", "a new idea, and some stories or movies might make reference to several", "is fairly common. My question is, how often is it done that a", "and how it's a kind of play on movies like the Big Sleep,", "story is fairly common. My question is, how often is it done that", "like the Big Sleep, even the title is a play on that, but", "story has quite clearly picked up two famous stories (I'd prefer to not", "themselves, but maybe a trilogy, and that's just an example, or a simpler", "which aren't obvious, but are clearly there. As I write, my story develops", "the Big Sleep, even the title is a play on that, but it's", "of Alice in Wonderland references, which aren't obvious, but are clearly there. As", "has quite clearly picked up two famous stories (I'd prefer to not say", "not easily as both are complete in and of themselves, but maybe a", "There's no reason a story couldn't be written drawing themes from those two", "brought together. I know that reflecting from a single story into a new", "story into a new story is fairly common. My question is, how often", "a writer will reflect from two unrelated but well-known stories and make a", "will reflect from two unrelated but well-known stories and make a new story,", "will inspire my writting. I came across a website that discussed the Big", "meets Zombies, but that's more of a story meeting a theme, not two", "kind of merged together. My question is whether this is a fairly common", "reflect from two unrelated but well-known stories and make a new story, like", "unrelated but well-known stories and make a new story, like I suspect the", "a kind of play on movies like the Big Sleep, even the title", "but it's also full of Alice in Wonderland references, which aren't obvious, but", "from those two famous books. Maybe not easily as both are complete in", "a trilogy, and that's just an example, or a simpler one, Jane Austin", "title is a play on that, but it's also full of Alice in", "(I'd prefer to not say which ones), kind of merged together. My question", "maybe a trilogy, and that's just an example, or a simpler one, Jane", "of play on movies like the Big Sleep, even the title is a", "it's also full of Alice in Wonderland references, which aren't obvious, but are", "complete in and of themselves, but maybe a trilogy, and that's just an", "famous stories (I'd prefer to not say which ones), kind of merged together.", "the Big Lebowski and how it's a kind of play on movies like", "movies will inspire my writting. I came across a website that discussed the", "Alice in Wonderland references, which aren't obvious, but are clearly there. As I", "full of Alice in Wonderland references, which aren't obvious, but are clearly there.", "writer will reflect from two unrelated but well-known stories and make a new", "my story has quite clearly picked up two famous stories (I'd prefer to", "themes from those two famous books. Maybe not easily as both are complete", "Maybe not easily as both are complete in and of themselves, but maybe", "references, which aren't obvious, but are clearly there. As I write, my story", "written drawing themes from those two famous books. Maybe not easily as both", "website that discussed the Big Lebowski and how it's a kind of play", "Wuthering Heights. There's no reason a story couldn't be written drawing themes from", "discussed the Big Lebowski and how it's a kind of play on movies", "on that, but it's also full of Alice in Wonderland references, which aren't", "more of a story meeting a theme, not two stories being brought together.", "example: Fzazkanstuuf meets Wuthering Heights. There's no reason a story couldn't be written", "couldn't be written drawing themes from those two famous books. Maybe not easily", "but that's more of a story meeting a theme, not two stories being", "to several things. For example: Fzazkanstuuf meets Wuthering Heights. There's no reason a", "ones), kind of merged together. My question is whether this is a fairly", "common writing style. I can't imagine it's a new idea, and some stories", "not two stories being brought together. I know that reflecting from a single", "story develops and my story has quite clearly picked up two famous stories", "simpler one, Jane Austin meets Zombies, but that's more of a story meeting", "an example, or a simpler one, Jane Austin meets Zombies, but that's more", "I know that reflecting from a single story into a new story is", "say which ones), kind of merged together. My question is whether this is", "that, but it's also full of Alice in Wonderland references, which aren't obvious,", "which ones), kind of merged together. My question is whether this is a", "and some stories or movies might make reference to several things. For example:", "be written drawing themes from those two famous books. Maybe not easily as", "prefer to not say which ones), kind of merged together. My question is", "meets Wuthering Heights. There's no reason a story couldn't be written drawing themes", "together. I know that reflecting from a single story into a new story", "question is, how often is it done that a writer will reflect from", "Austin meets Zombies, but that's more of a story meeting a theme, not", "also full of Alice in Wonderland references, which aren't obvious, but are clearly", "from two unrelated but well-known stories and make a new story, like I", "picked up two famous stories (I'd prefer to not say which ones), kind", "and of themselves, but maybe a trilogy, and that's just an example, or", "two famous books. Maybe not easily as both are complete in and of", "Sleep, even the title is a play on that, but it's also full", "Lebowski and how it's a kind of play on movies like the Big", "drawing themes from those two famous books. Maybe not easily as both are", "a new story is fairly common. My question is, how often is it", "stories (I'd prefer to not say which ones), kind of merged together. My", "but well-known stories and make a new story, like I suspect the Big", "inspire my writting. I came across a website that discussed the Big Lebowski", "play on that, but it's also full of Alice in Wonderland references, which", "or movies might make reference to several things. For example: Fzazkanstuuf meets Wuthering", "is, how often is it done that a writer will reflect from two", "things. For example: Fzazkanstuuf meets Wuthering Heights. There's no reason a story couldn't", "stories and make a new story, like I suspect the Big Lebowski did.", "a single story into a new story is fairly common. My question is,", "stories, not movies, but often movies will inspire my writting. I came across", "up two famous stories (I'd prefer to not say which ones), kind of", "and my story has quite clearly picked up two famous stories (I'd prefer", "that a writer will reflect from two unrelated but well-known stories and make", "As I write, my story develops and my story has quite clearly picked", "books. Maybe not easily as both are complete in and of themselves, but", "it's a new idea, and some stories or movies might make reference to", "in Wonderland references, which aren't obvious, but are clearly there. As I write,", "a theme, not two stories being brought together. I know that reflecting from", "there. As I write, my story develops and my story has quite clearly" ]
[ "name for a species in my fantasy world, and looked it up to", "it had been used already. Turns out it's the name of a species", "it's the name of a species in WoW. They are both big cats.", "are both big cats. Am I infringing on rights by using the same", "They are both big cats. Am I infringing on rights by using the", "world, and looked it up to see if it had been used already.", "a species in my fantasy world, and looked it up to see if", "had been used already. Turns out it's the name of a species in", "fantasy world, and looked it up to see if it had been used", "I came up with a name for a species in my fantasy world,", "a name for a species in my fantasy world, and looked it up", "a species in WoW. They are both big cats. Am I infringing on", "came up with a name for a species in my fantasy world, and", "in my fantasy world, and looked it up to see if it had", "the name of a species in WoW. They are both big cats. Am", "in WoW. They are both big cats. Am I infringing on rights by", "both big cats. Am I infringing on rights by using the same name", "WoW. They are both big cats. Am I infringing on rights by using", "name of a species in WoW. They are both big cats. Am I", "Turns out it's the name of a species in WoW. They are both", "with a name for a species in my fantasy world, and looked it", "to see if it had been used already. Turns out it's the name", "and looked it up to see if it had been used already. Turns", "up with a name for a species in my fantasy world, and looked", "of a species in WoW. They are both big cats. Am I infringing", "see if it had been used already. Turns out it's the name of", "species in my fantasy world, and looked it up to see if it", "already. Turns out it's the name of a species in WoW. They are", "species in WoW. They are both big cats. Am I infringing on rights", "big cats. Am I infringing on rights by using the same name (Dawnstalker)?", "looked it up to see if it had been used already. Turns out", "been used already. Turns out it's the name of a species in WoW.", "out it's the name of a species in WoW. They are both big", "my fantasy world, and looked it up to see if it had been", "if it had been used already. Turns out it's the name of a", "it up to see if it had been used already. Turns out it's", "used already. Turns out it's the name of a species in WoW. They", "for a species in my fantasy world, and looked it up to see", "up to see if it had been used already. Turns out it's the" ]
[ "or not, and how do you determine if there's not enough dialogue in", "dialogue can be cut or not, and how do you determine if there's", "used to determine this? What are some ways to cut dialogues and some", "show this can be done without hurting or perhaps even improving your story?", "not, and how do you determine if there's not enough dialogue in a", "good at writing dialogues, so I want to write as little as possible", "that can be used to determine this? What are some ways to cut", "as possible while making the story engaging and having good story beats. I", "how do you determine if there's not enough dialogue in a story. Is", "to determine this? What are some ways to cut dialogues and some examples", "rules of thumb that can be used to determine this? What are some", "dialogue in a story. Is there some golden rules or rules of thumb", "and some examples that show this can be done without hurting or perhaps", "as little as possible while making the story engaging and having good story", "to cut dialogues and some examples that show this can be done without", "cut dialogues and some examples that show this can be done without hurting", "there are good ways to know whether a dialogue can be cut or", "story. Is there some golden rules or rules of thumb that can be", "so I want to write as little as possible while making the story", "ways to know whether a dialogue can be cut or not, and how", "examples that show this can be done without hurting or perhaps even improving", "some examples that show this can be done without hurting or perhaps even", "good ways to know whether a dialogue can be cut or not, and", "determine if there's not enough dialogue in a story. Is there some golden", "some ways to cut dialogues and some examples that show this can be", "ways to cut dialogues and some examples that show this can be done", "determine this? What are some ways to cut dialogues and some examples that", "know if there are good ways to know whether a dialogue can be", "I would like to know if there are good ways to know whether", "dialogues and some examples that show this can be done without hurting or", "little as possible while making the story engaging and having good story beats.", "a story. Is there some golden rules or rules of thumb that can", "are some ways to cut dialogues and some examples that show this can", "enough dialogue in a story. Is there some golden rules or rules of", "or rules of thumb that can be used to determine this? What are", "am not good at writing dialogues, so I want to write as little", "making the story engaging and having good story beats. I would like to", "some golden rules or rules of thumb that can be used to determine", "would like to know if there are good ways to know whether a", "in a story. Is there some golden rules or rules of thumb that", "are good ways to know whether a dialogue can be cut or not,", "there some golden rules or rules of thumb that can be used to", "story engaging and having good story beats. I would like to know if", "golden rules or rules of thumb that can be used to determine this?", "do you determine if there's not enough dialogue in a story. Is there", "want to write as little as possible while making the story engaging and", "What are some ways to cut dialogues and some examples that show this", "not enough dialogue in a story. Is there some golden rules or rules", "of thumb that can be used to determine this? What are some ways", "I am not good at writing dialogues, so I want to write as", "while making the story engaging and having good story beats. I would like", "can be used to determine this? What are some ways to cut dialogues", "be cut or not, and how do you determine if there's not enough", "good story beats. I would like to know if there are good ways", "dialogues, so I want to write as little as possible while making the", "writing dialogues, so I want to write as little as possible while making", "you determine if there's not enough dialogue in a story. Is there some", "at writing dialogues, so I want to write as little as possible while", "not good at writing dialogues, so I want to write as little as", "cut or not, and how do you determine if there's not enough dialogue", "to write as little as possible while making the story engaging and having", "to know if there are good ways to know whether a dialogue can", "story beats. I would like to know if there are good ways to", "<https://www.youtube.com/watch?v=0kaQh9qmGh0> I am not good at writing dialogues, so I want to write", "there's not enough dialogue in a story. Is there some golden rules or", "whether a dialogue can be cut or not, and how do you determine", "I want to write as little as possible while making the story engaging", "this? What are some ways to cut dialogues and some examples that show", "and how do you determine if there's not enough dialogue in a story.", "write as little as possible while making the story engaging and having good", "and having good story beats. I would like to know if there are", "thumb that can be used to determine this? What are some ways to", "know whether a dialogue can be cut or not, and how do you", "possible while making the story engaging and having good story beats. I would", "like to know if there are good ways to know whether a dialogue", "to know whether a dialogue can be cut or not, and how do", "Is there some golden rules or rules of thumb that can be used", "if there are good ways to know whether a dialogue can be cut", "the story engaging and having good story beats. I would like to know", "if there's not enough dialogue in a story. Is there some golden rules", "can be cut or not, and how do you determine if there's not", "beats. I would like to know if there are good ways to know", "a dialogue can be cut or not, and how do you determine if", "having good story beats. I would like to know if there are good", "engaging and having good story beats. I would like to know if there", "rules or rules of thumb that can be used to determine this? What", "that show this can be done without hurting or perhaps even improving your", "be used to determine this? What are some ways to cut dialogues and" ]
[ "to use a fictional country in a world with an alternate earth? I", "is done? I am not sure if I want to use a fictional", "I want to use a fictional country, because it would make the story", "country in a world with an alternate earth? I see a lot of", "lot of TV show where we have an alternate history on earth and", "alternate earth? I see a lot of TV show where we have an", "using an existing country like Iraq. Is there a reason why this is", "a good reason to use a fictional country in a world with an", "we see Russian, American people speaking English, German etc. set in an universe", "earth? I see a lot of TV show where we have an alternate", "I am not sure if I want to use a fictional country, because", "American people speaking English, German etc. set in an universe with just a", "a fictional country in the Middle East instead of using an existing country", "country like Iraq. Is there a reason why this is done? I am", "have an alternate history on earth and where we see Russian, American people", "country, because it would make the story less interesting, at least to me.", "speaking English, German etc. set in an universe with just a slightly alternate", "slightly alternate history, but we sometimes use a fictional country in the Middle", "use a fictional country in a world with an alternate earth? I see", "there a good reason to use a fictional country in a world with", "see a lot of TV show where we have an alternate history on", "why this is done? I am not sure if I want to use", "fictional country in the Middle East instead of using an existing country like", "world with an alternate earth? I see a lot of TV show where", "and where we see Russian, American people speaking English, German etc. set in", "a slightly alternate history, but we sometimes use a fictional country in the", "see Russian, American people speaking English, German etc. set in an universe with", "I see a lot of TV show where we have an alternate history", "this is done? I am not sure if I want to use a", "Is there a reason why this is done? I am not sure if", "an alternate history on earth and where we see Russian, American people speaking", "show where we have an alternate history on earth and where we see", "in an universe with just a slightly alternate history, but we sometimes use", "in the Middle East instead of using an existing country like Iraq. Is", "an alternate earth? I see a lot of TV show where we have", "English, German etc. set in an universe with just a slightly alternate history,", "instead of using an existing country like Iraq. Is there a reason why", "in a world with an alternate earth? I see a lot of TV", "Middle East instead of using an existing country like Iraq. Is there a", "where we see Russian, American people speaking English, German etc. set in an", "to use a fictional country, because it would make the story less interesting,", "done? I am not sure if I want to use a fictional country,", "a world with an alternate earth? I see a lot of TV show", "alternate history, but we sometimes use a fictional country in the Middle East", "use a fictional country, because it would make the story less interesting, at", "etc. set in an universe with just a slightly alternate history, but we", "just a slightly alternate history, but we sometimes use a fictional country in", "use a fictional country in the Middle East instead of using an existing", "existing country like Iraq. Is there a reason why this is done? I", "an existing country like Iraq. Is there a reason why this is done?", "with just a slightly alternate history, but we sometimes use a fictional country", "an universe with just a slightly alternate history, but we sometimes use a", "of using an existing country like Iraq. Is there a reason why this", "of TV show where we have an alternate history on earth and where", "fictional country in a world with an alternate earth? I see a lot", "people speaking English, German etc. set in an universe with just a slightly", "a reason why this is done? I am not sure if I want", "Is there a good reason to use a fictional country in a world", "like Iraq. Is there a reason why this is done? I am not", "Iraq. Is there a reason why this is done? I am not sure", "reason why this is done? I am not sure if I want to", "good reason to use a fictional country in a world with an alternate", "set in an universe with just a slightly alternate history, but we sometimes", "country in the Middle East instead of using an existing country like Iraq.", "sure if I want to use a fictional country, because it would make", "TV show where we have an alternate history on earth and where we", "sometimes use a fictional country in the Middle East instead of using an", "not sure if I want to use a fictional country, because it would", "where we have an alternate history on earth and where we see Russian,", "want to use a fictional country, because it would make the story less", "we sometimes use a fictional country in the Middle East instead of using", "German etc. set in an universe with just a slightly alternate history, but", "a lot of TV show where we have an alternate history on earth", "reason to use a fictional country in a world with an alternate earth?", "a fictional country in a world with an alternate earth? I see a", "history, but we sometimes use a fictional country in the Middle East instead", "the Middle East instead of using an existing country like Iraq. Is there", "earth and where we see Russian, American people speaking English, German etc. set", "Russian, American people speaking English, German etc. set in an universe with just", "with an alternate earth? I see a lot of TV show where we", "fictional country, because it would make the story less interesting, at least to", "but we sometimes use a fictional country in the Middle East instead of", "a fictional country, because it would make the story less interesting, at least", "alternate history on earth and where we see Russian, American people speaking English,", "East instead of using an existing country like Iraq. Is there a reason", "history on earth and where we see Russian, American people speaking English, German", "there a reason why this is done? I am not sure if I", "on earth and where we see Russian, American people speaking English, German etc.", "universe with just a slightly alternate history, but we sometimes use a fictional", "we have an alternate history on earth and where we see Russian, American", "am not sure if I want to use a fictional country, because it", "if I want to use a fictional country, because it would make the" ]
[ "other person and expected help from others > > > Whether you agree", "feel pity for themselves by imagining as if it were them in that", "produce some writing out of this idea? Do I write a novel, story", "because they feel pity for themselves by imagining as if it were them", "or an essay? Or maybe it is not sufficient to write something by", "want to do is to incorporate the idea into the writing but not", "to write something by having only one statement? Not sure what to do", "What I want to do is to incorporate the idea into the writing", "> Whether you agree or not with that statement, how do I approach", "write something by having only one statement? Not sure what to do next.", "by having only one statement? Not sure what to do next. What I", "one statement? Not sure what to do next. What I want to do", "else but because they feel pity for themselves by imagining as if it", "they feel pity for someone else but because they feel pity for themselves", "> > > Whether you agree or not with that statement, how do", "each other not because they feel pity for someone else but because they", "I write a novel, story or paper or an essay? Or maybe it", "by imagining as if it were them in that situation like the other", "Or maybe it is not sufficient to write something by having only one", "a novel, story or paper or an essay? Or maybe it is not", "imagining as if it were them in that situation like the other person", "statement, how do I approach it to produce some writing out of this", "do I approach it to produce some writing out of this idea? Do", "situation like the other person and expected help from others > > >", "People help each other not because they feel pity for someone else but", "story or paper or an essay? Or maybe it is not sufficient to", "I approach it to produce some writing out of this idea? Do I", "it is not sufficient to write something by having only one statement? Not", "it were them in that situation like the other person and expected help", "idea? Do I write a novel, story or paper or an essay? Or", "do is to incorporate the idea into the writing but not sure how.", "themselves by imagining as if it were them in that situation like the", "writing out of this idea? Do I write a novel, story or paper", "sufficient to write something by having only one statement? Not sure what to", "do next. What I want to do is to incorporate the idea into", "> > Whether you agree or not with that statement, how do I", "approach it to produce some writing out of this idea? Do I write", "next. What I want to do is to incorporate the idea into the", "the other person and expected help from others > > > Whether you", "because they feel pity for someone else but because they feel pity for", "Not sure what to do next. What I want to do is to", "have an idea. > > People help each other not because they feel", "an idea. > > People help each other not because they feel pity", "if it were them in that situation like the other person and expected", "or paper or an essay? Or maybe it is not sufficient to write", "Whether you agree or not with that statement, how do I approach it", "not sufficient to write something by having only one statement? Not sure what", "this idea? Do I write a novel, story or paper or an essay?", "or not with that statement, how do I approach it to produce some", "help from others > > > Whether you agree or not with that", "to do is to incorporate the idea into the writing but not sure", "idea. > > People help each other not because they feel pity for", "you agree or not with that statement, how do I approach it to", "that statement, how do I approach it to produce some writing out of", "agree or not with that statement, how do I approach it to produce", "something by having only one statement? Not sure what to do next. What", "what to do next. What I want to do is to incorporate the", "some writing out of this idea? Do I write a novel, story or", "how do I approach it to produce some writing out of this idea?", "sure what to do next. What I want to do is to incorporate", "expected help from others > > > Whether you agree or not with", "I have an idea. > > People help each other not because they", "having only one statement? Not sure what to do next. What I want", "> > People help each other not because they feel pity for someone", "out of this idea? Do I write a novel, story or paper or", "as if it were them in that situation like the other person and", "help each other not because they feel pity for someone else but because", "it to produce some writing out of this idea? Do I write a", "pity for someone else but because they feel pity for themselves by imagining", "with that statement, how do I approach it to produce some writing out", "of this idea? Do I write a novel, story or paper or an", "an essay? Or maybe it is not sufficient to write something by having", "is not sufficient to write something by having only one statement? Not sure", "novel, story or paper or an essay? Or maybe it is not sufficient", "were them in that situation like the other person and expected help from", "someone else but because they feel pity for themselves by imagining as if", "feel pity for someone else but because they feel pity for themselves by", "I want to do is to incorporate the idea into the writing but", "and expected help from others > > > Whether you agree or not", "not with that statement, how do I approach it to produce some writing", "only one statement? Not sure what to do next. What I want to", "to produce some writing out of this idea? Do I write a novel,", "for someone else but because they feel pity for themselves by imagining as", "paper or an essay? Or maybe it is not sufficient to write something", "maybe it is not sufficient to write something by having only one statement?", "statement? Not sure what to do next. What I want to do is", "write a novel, story or paper or an essay? Or maybe it is", "pity for themselves by imagining as if it were them in that situation", "in that situation like the other person and expected help from others >", "person and expected help from others > > > Whether you agree or", "others > > > Whether you agree or not with that statement, how", "other not because they feel pity for someone else but because they feel", "like the other person and expected help from others > > > Whether", "> People help each other not because they feel pity for someone else", "from others > > > Whether you agree or not with that statement,", "Do I write a novel, story or paper or an essay? Or maybe", "that situation like the other person and expected help from others > >", "for themselves by imagining as if it were them in that situation like", "they feel pity for themselves by imagining as if it were them in", "but because they feel pity for themselves by imagining as if it were", "to do next. What I want to do is to incorporate the idea", "not because they feel pity for someone else but because they feel pity", "essay? Or maybe it is not sufficient to write something by having only", "them in that situation like the other person and expected help from others" ]
[ "antagonist did was steal a pie, then they could probably be forgiven after", "kidnap, murder, conquer whole lands, and routinely hurt the protagonists both physically and", "mentally. An apology is not enough to cut it. So how do you", "his main goal would essentially destroy the world as the heroes know it,", "every conflict since the beginning of the series, causing lots of harm to", "crosses a clear line. But he's also the main antagonist of the story,", "you keep the main antagonist as redeemable and morally grey but keep them", "he can't just sit around and do nothing either. I need to somehow", "forgiven after a simple apology. But some antagonists kidnap, murder, conquer whole lands,", "as redeemable and morally grey but keep them from becoming thoroughly evil, horrible,", "redeemable and morally grey but keep them from becoming thoroughly evil, horrible, and", "thoroughly evil, horrible, and irredeemable? Context For example, I have a character who", "but that crosses a clear line. But he's also the main antagonist of", "goal would essentially destroy the world as the heroes know it, but I", "torture the protagonists with their worst fears, but that crosses a clear line.", "their worst fears, but that crosses a clear line. But he's also the", "as the heroes know it, but I want him to be redeemable enough", "in writing him is therefore figuring out how to keep him from becoming", "murder people left and right, and torture the protagonists with their worst fears,", "horrible, and irredeemable?** Context For example, I have a character who is essentially", "\"grey\" and not \"a villain\". One of the biggest difficulties in writing him", "left and right, and torture the protagonists with their worst fears, but that", "driving the plot forward. I could have him level an entire city, murder", "he's also the main antagonist of the story, so he can't just sit", "of the series, causing lots of harm to the main protagonists over the", "both physically and mentally. An apology is not enough to cut it. So", "\"a villain\". One of the biggest difficulties in writing him is therefore figuring", "them from becoming thoroughly evil, horrible, and irredeemable? Context For example, I have", "from becoming thoroughly evil, horrible, and irredeemable?** Context For example, I have a", "would essentially destroy the world as the heroes know it, but I want", "destroy the world as the heroes know it, but I want him to", "to be redeemable enough that he remains \"grey\" and not \"a villain\". One", "the years, and his main goal would essentially destroy the world as the", "be redeemable enough that he remains \"grey\" and not \"a villain\". One of", "seem impossible to reconcile, and I can think of no examples of antagonists", "becoming thoroughly evil, horrible, and irredeemable?** Context For example, I have a character", "main antagonist as redeemable and morally grey but keep them from becoming thoroughly", "how to keep him from becoming too evil while still driving the plot", "from becoming too evil while still driving the plot forward. I could have", "person deep down, but these two seem impossible to reconcile, and I can", "to cut it. So how do you keep the main antagonist as redeemable", "heroes know it, but I want him to be redeemable enough that he", "city, murder people left and right, and torture the protagonists with their worst", "physically and mentally. An apology is not enough to cut it. So how", "people left and right, and torture the protagonists with their worst fears, but", "it, but I want him to be redeemable enough that he remains \"grey\"", "pie, then they could probably be forgiven after a simple apology. But some", "an antagonist who is both extremely threatening and not wholly a bad person", "But he's also the main antagonist of the story, so he can't just", "conquer whole lands, and routinely hurt the protagonists both physically and mentally. An", "the story, so he can't just sit around and do nothing either. I", "with their worst fears, but that crosses a clear line. But he's also", "so he can't just sit around and do nothing either. I need to", "of the biggest difficulties in writing him is therefore figuring out how to", "it. So how do you keep the main antagonist as redeemable and morally", "have a character who is essentially behind every conflict since the beginning of", "do you keep the main antagonist as redeemable and morally grey but keep", "series, causing lots of harm to the main protagonists over the years, and", "apology is not enough to cut it. So how do you keep the", "figuring out how to keep him from becoming too evil while still driving", "still driving the plot forward. I could have him level an entire city,", "and mentally. An apology is not enough to cut it. *So how do", "But some antagonists kidnap, murder, conquer whole lands, and routinely hurt the protagonists", "therefore figuring out how to keep him from becoming too evil while still", "but these two seem impossible to reconcile, and I can think of no", "they could probably be forgiven after a simple apology. But some antagonists kidnap,", "either. I need to somehow balance an antagonist who is both extremely threatening", "and his main goal would essentially destroy the world as the heroes know", "balance an antagonist who is both extremely threatening and not wholly a bad", "keep him from becoming too evil while still driving the plot forward. I", "a pie, then they could probably be forgiven after a simple apology. But", "the series, causing lots of harm to the main protagonists over the years,", "harm to the main protagonists over the years, and his main goal would", "of the story, so he can't just sit around and do nothing either.", "plot forward. I could* have him level an entire city, murder people left", "morally grey but keep them from becoming thoroughly evil, horrible, and irredeemable?** Context", "antagonist as redeemable and morally grey but keep them from becoming thoroughly evil,", "and I can think of no examples of antagonists who mark both boxes.", "also the main antagonist of the story, so he can't just sit around", "wholly a bad person deep down, but these two seem impossible to reconcile,", "around and do nothing either. I need to somehow balance an antagonist who", "the main protagonists over the years, and his main goal would essentially destroy", "since the beginning of the series, causing lots of harm to the main", "main protagonists over the years, and his main goal would essentially destroy the", "all an antagonist did was steal a pie, then they could probably be", "then they could probably be forgiven after a simple apology. But some antagonists", "him from becoming too evil while still driving the plot forward. I could", "lands, and routinely hurt the protagonists both physically and mentally. An apology is", "beginning of the series, causing lots of harm to the main protagonists over", "antagonist of the story, so he can't just sit around and do nothing", "not wholly a bad person deep down, but these two seem impossible to", "and not \"a villain\". One of the biggest difficulties in writing him is", "an antagonist did was steal a pie, then they could probably be forgiven", "enough that he remains \"grey\" and not \"a villain\". One of the biggest", "antagonist who is both extremely threatening and not wholly a bad person deep", "him is therefore figuring out how to keep him from becoming too evil", "keep them from becoming thoroughly evil, horrible, and irredeemable?** Context For example, I", "to reconcile, and I can think of no examples of antagonists who mark", "redeemable enough that he remains \"grey\" and not \"a villain\". One of the", "I could have him level an entire city, murder people left and right,", "difficulties in writing him is therefore figuring out how to keep him from", "extremely threatening and not wholly a bad person deep down, but these two", "to somehow balance an antagonist who is both extremely threatening and not wholly", "is not enough to cut it. So how do you keep the main", "One of the biggest difficulties in writing him is therefore figuring out how", "an entire city, murder people left and right, and torture the protagonists with", "after a simple apology. But some antagonists kidnap, murder, conquer whole lands, and", "years, and his main goal would essentially destroy the world as the heroes", "For example, I have a character who is essentially behind every conflict since", "bad person deep down, but these two seem impossible to reconcile, and I", "and right, and torture the protagonists with their worst fears, but that crosses", "deep down, but these two seem impossible to reconcile, and I can think", "that he remains \"grey\" and not \"a villain\". One of the biggest difficulties", "lots of harm to the main protagonists over the years, and his main", "but keep them from becoming thoroughly evil, horrible, and irredeemable? Context For example,", "not enough to cut it. *So how do you keep the main antagonist", "and routinely hurt the protagonists both physically and mentally. An apology is not", "world as the heroes know it, but I want him to be redeemable", "villain\". One of the biggest difficulties in writing him is therefore figuring out", "to keep him from becoming too evil while still driving the plot forward.", "could* have him level an entire city, murder people left and right, and", "a simple apology. But some antagonists kidnap, murder, conquer whole lands, and routinely", "grey but keep them from becoming thoroughly evil, horrible, and irredeemable?** Context For", "I want him to be redeemable enough that he remains \"grey\" and not", "antagonists kidnap, murder, conquer whole lands, and routinely hurt the protagonists both physically", "the plot forward. I could have him level an entire city, murder people", "routinely hurt the protagonists both physically and mentally. An apology is not enough", "the main antagonist of the story, so he can't just sit around and", "probably be forgiven after a simple apology. But some antagonists kidnap, murder, conquer", "who is essentially behind every conflict since the beginning of the series, causing", "is essentially behind every conflict since the beginning of the series, causing lots", "and torture the protagonists with their worst fears, but that crosses a clear", "conflict since the beginning of the series, causing lots of harm to the", "be forgiven after a simple apology. But some antagonists kidnap, murder, conquer whole", "character who is essentially behind every conflict since the beginning of the series,", "sit around and do nothing either. I need to somehow balance an antagonist", "keep the main antagonist as redeemable and morally grey but keep them from", "simple apology. But some antagonists kidnap, murder, conquer whole lands, and routinely hurt", "I need to somehow balance an antagonist who is both extremely threatening and", "the protagonists both physically and mentally. An apology is not enough to cut", "irredeemable?** Context For example, I have a character who is essentially behind every", "essentially behind every conflict since the beginning of the series, causing lots of", "both extremely threatening and not wholly a bad person deep down, but these", "the world as the heroes know it, but I want him to be", "how do you keep the main antagonist as redeemable and morally grey but", "line. But he's also the main antagonist of the story, so he can't", "just sit around and do nothing either. I need to somehow balance an", "enough to cut it. So how do you keep the main antagonist as", "and do nothing either. I need to somehow balance an antagonist who is", "down, but these two seem impossible to reconcile, and I can think of", "the main antagonist as redeemable and morally grey but keep them from becoming", "remains \"grey\" and not \"a villain\". One of the biggest difficulties in writing", "So how do you keep the main antagonist as redeemable and morally grey", "essentially destroy the world as the heroes know it, but I want him", "a clear line. But he's also the main antagonist of the story, so", "clear line. But he's also the main antagonist of the story, so he", "whole lands, and routinely hurt the protagonists both physically and mentally. An apology", "causing lots of harm to the main protagonists over the years, and his", "writing him is therefore figuring out how to keep him from becoming too", "protagonists with their worst fears, but that crosses a clear line. But he's", "apology. But some antagonists kidnap, murder, conquer whole lands, and routinely hurt the", "somehow balance an antagonist who is both extremely threatening and not wholly a", "protagonists over the years, and his main goal would essentially destroy the world", "could probably be forgiven after a simple apology. But some antagonists kidnap, murder,", "out how to keep him from becoming too evil while still driving the", "he remains \"grey\" and not \"a villain\". One of the biggest difficulties in", "the heroes know it, but I want him to be redeemable enough that", "impossible to reconcile, and I can think of no examples of antagonists who", "entire city, murder people left and right, and torture the protagonists with their", "worst fears, but that crosses a clear line. But he's also the main", "biggest difficulties in writing him is therefore figuring out how to keep him", "forward. I could have him level an entire city, murder people left and", "threatening and not wholly a bad person deep down, but these two seem", "too evil while still driving the plot forward. I could have him level", "some antagonists kidnap, murder, conquer whole lands, and routinely hurt the protagonists both", "becoming too evil while still driving the plot forward. I could have him", "steal a pie, then they could probably be forgiven after a simple apology.", "right, and torture the protagonists with their worst fears, but that crosses a", "evil while still driving the plot forward. I could have him level an", "evil, horrible, and irredeemable?** Context For example, I have a character who is", "Context For example, I have a character who is essentially behind every conflict", "was steal a pie, then they could probably be forgiven after a simple", "example, I have a character who is essentially behind every conflict since the", "that crosses a clear line. But he's also the main antagonist of the", "story, so he can't just sit around and do nothing either. I need", "and irredeemable?** Context For example, I have a character who is essentially behind", "to the main protagonists over the years, and his main goal would essentially", "know it, but I want him to be redeemable enough that he remains", "murder, conquer whole lands, and routinely hurt the protagonists both physically and mentally.", "him to be redeemable enough that he remains \"grey\" and not \"a villain\".", "hurt the protagonists both physically and mentally. An apology is not enough to", "who is both extremely threatening and not wholly a bad person deep down,", "fears, but that crosses a clear line. But he's also the main antagonist", "want him to be redeemable enough that he remains \"grey\" and not \"a", "behind every conflict since the beginning of the series, causing lots of harm", "level an entire city, murder people left and right, and torture the protagonists", "of harm to the main protagonists over the years, and his main goal", "and not wholly a bad person deep down, but these two seem impossible", "over the years, and his main goal would essentially destroy the world as", "a bad person deep down, but these two seem impossible to reconcile, and", "two seem impossible to reconcile, and I can think of no examples of", "is both extremely threatening and not wholly a bad person deep down, but", "do nothing either. I need to somehow balance an antagonist who is both", "need to somehow balance an antagonist who is both extremely threatening and not", "but I want him to be redeemable enough that he remains \"grey\" and", "the beginning of the series, causing lots of harm to the main protagonists", "did was steal a pie, then they could probably be forgiven after a", "a character who is essentially behind every conflict since the beginning of the", "these two seem impossible to reconcile, and I can think of no examples", "cut it. *So how do you keep the main antagonist as redeemable and", "I have a character who is essentially behind every conflict since the beginning", "can't just sit around and do nothing either. I need to somehow balance", "reconcile, and I can think of no examples of antagonists who mark both", "main goal would essentially destroy the world as the heroes know it, but", "If all an antagonist did was steal a pie, then they could probably", "while still driving the plot forward. I could* have him level an entire", "An apology is not enough to cut it. So how do you keep", "not \"a villain\". One of the biggest difficulties in writing him is therefore", "the biggest difficulties in writing him is therefore figuring out how to keep", "main antagonist of the story, so he can't just sit around and do", "protagonists both physically and mentally. An apology is not enough to cut it.", "is therefore figuring out how to keep him from becoming too evil while", "the protagonists with their worst fears, but that crosses a clear line. But", "nothing either. I need to somehow balance an antagonist who is both extremely", "have him level an entire city, murder people left and right, and torture", "him level an entire city, murder people left and right, and torture the", "and morally grey but keep them from becoming thoroughly evil, horrible, and irredeemable?" ]
[ "it capitalizes the descriptive names as if they were actual names without affording", "provides the bare minimum description for us to distinguish them. I feel this", "the reader into thinking they are important yet we never see them again.", "kindly comes over with a blanket. The Pretty Nurse works on the EKG", "scene that refers to a group of background characters without naming them, but", "see them again. Not sure if it's just me, but I haven't ever", "naming them, but to distinguish between them uses \"descriptive names\" instead. Eg. The", "the bare minimum description for us to distinguish them. I feel this works", "thinking they are important yet we never see them again. Not sure if", "characters without naming them, but to distinguish between them uses \"descriptive names\" instead.", "What I like about this format is that it capitalizes the descriptive names", "better than giving them actual names because that would distract the reader into", "again. Not sure if it's just me, but I haven't ever seen this", "scripts recently which features a scene that refers to a group of background", "than giving them actual names because that would distract the reader into thinking", "giving them actual names because that would distract the reader into thinking they", "that it capitalizes the descriptive names as if they were actual names without", "Nurse kindly comes over with a blanket. The Pretty Nurse works on the", "Nurse rushes in to help everyone. What I like about this format is", "works better than Nurse 1, Nurse 2 etc since it is easier to", "bare minimum description for us to distinguish them. I feel this works better", "that would distract the reader into thinking they are important yet we never", "the Trainee Nurse rushes in to help everyone. What I like about this", "help everyone. What I like about this format is that it capitalizes the", "minimum description for us to distinguish them. I feel this works better than", "them actual names because that would distract the reader into thinking they are", "in book writing and I am wondering if it's ok practice to use", "are all nurses) and provides the bare minimum description for us to distinguish", "but to distinguish between them uses \"descriptive names\" instead. Eg. The Big Nurse", "Nurse 2 etc since it is easier to distinguish them this way, and", "for us to distinguish them. I feel this works better than Nurse 1,", "feel this works better than Nurse 1, Nurse 2 etc since it is", "the EKG machine while the Trainee Nurse rushes in to help everyone. What", "into thinking they are important yet we never see them again. Not sure", "sure if it's just me, but I haven't ever seen this kind of", "a group of background characters without naming them, but to distinguish between them", "description for us to distinguish them. I feel this works better than Nurse", "this format is that it capitalizes the descriptive names as if they were", "affording the character a proper name (since they are overall insignificant to the", "me, but I haven't ever seen this kind of naming format in book", "would distract the reader into thinking they are important yet we never see", "The Pretty Nurse works on the EKG machine while the Trainee Nurse rushes", "them this way, and also better than giving them actual names because that", "Trainee Nurse rushes in to help everyone. What I like about this format", "between them uses \"descriptive names\" instead. Eg. The Big Nurse kindly comes over", "which features a scene that refers to a group of background characters without", "ever seen this kind of naming format in book writing and I am", "like about this format is that it capitalizes the descriptive names as if", "haven't ever seen this kind of naming format in book writing and I", "to help everyone. What I like about this format is that it capitalizes", "but I haven't ever seen this kind of naming format in book writing", "actual names without affording the character a proper name (since they are overall", "if it's just me, but I haven't ever seen this kind of naming", "over with a blanket. The Pretty Nurse works on the EKG machine while", "we never see them again. Not sure if it's just me, but I", "this kind of naming format in book writing and I am wondering if", "I feel this works better than Nurse 1, Nurse 2 etc since it", "names\" instead. Eg. The Big Nurse kindly comes over with a blanket. The", "names as if they were actual names without affording the character a proper", "2 etc since it is easier to distinguish them this way, and also", "easier to distinguish them this way, and also better than giving them actual", "to the story), indicates their relevance (they are all nurses) and provides the", "us to distinguish them. I feel this works better than Nurse 1, Nurse", "them uses \"descriptive names\" instead. Eg. The Big Nurse kindly comes over with", "this way, and also better than giving them actual names because that would", "I have read some scripts recently which features a scene that refers to", "is that it capitalizes the descriptive names as if they were actual names", "with a blanket. The Pretty Nurse works on the EKG machine while the", "relevance (they are all nurses) and provides the bare minimum description for us", "it is easier to distinguish them this way, and also better than giving", "is easier to distinguish them this way, and also better than giving them", "without naming them, but to distinguish between them uses \"descriptive names\" instead. Eg.", "format is that it capitalizes the descriptive names as if they were actual", "EKG machine while the Trainee Nurse rushes in to help everyone. What I", "Eg. The Big Nurse kindly comes over with a blanket. The Pretty Nurse", "never see them again. Not sure if it's just me, but I haven't", "etc since it is easier to distinguish them this way, and also better", "Not sure if it's just me, but I haven't ever seen this kind", "in to help everyone. What I like about this format is that it", "of naming format in book writing and I am wondering if it's ok", "Big Nurse kindly comes over with a blanket. The Pretty Nurse works on", "I like about this format is that it capitalizes the descriptive names as", "as if they were actual names without affording the character a proper name", "comes over with a blanket. The Pretty Nurse works on the EKG machine", "kind of naming format in book writing and I am wondering if it's", "and provides the bare minimum description for us to distinguish them. I feel", "story), indicates their relevance (they are all nurses) and provides the bare minimum", "better than Nurse 1, Nurse 2 etc since it is easier to distinguish", "format in book writing and I am wondering if it's ok practice to", "on the EKG machine while the Trainee Nurse rushes in to help everyone.", "\"descriptive names\" instead. Eg. The Big Nurse kindly comes over with a blanket.", "just me, but I haven't ever seen this kind of naming format in", "all nurses) and provides the bare minimum description for us to distinguish them.", "their relevance (they are all nurses) and provides the bare minimum description for", "Pretty Nurse works on the EKG machine while the Trainee Nurse rushes in", "are important yet we never see them again. Not sure if it's just", "(they are all nurses) and provides the bare minimum description for us to", "them, but to distinguish between them uses \"descriptive names\" instead. Eg. The Big", "The Big Nurse kindly comes over with a blanket. The Pretty Nurse works", "have read some scripts recently which features a scene that refers to a", "to distinguish them. I feel this works better than Nurse 1, Nurse 2", "a scene that refers to a group of background characters without naming them,", "indicates their relevance (they are all nurses) and provides the bare minimum description", "instead. Eg. The Big Nurse kindly comes over with a blanket. The Pretty", "distinguish them. I feel this works better than Nurse 1, Nurse 2 etc", "it's just me, but I haven't ever seen this kind of naming format", "background characters without naming them, but to distinguish between them uses \"descriptive names\"", "1, Nurse 2 etc since it is easier to distinguish them this way,", "to distinguish between them uses \"descriptive names\" instead. Eg. The Big Nurse kindly", "distinguish between them uses \"descriptive names\" instead. Eg. The Big Nurse kindly comes", "that refers to a group of background characters without naming them, but to", "a proper name (since they are overall insignificant to the story), indicates their", "everyone. What I like about this format is that it capitalizes the descriptive", "blanket. The Pretty Nurse works on the EKG machine while the Trainee Nurse", "yet we never see them again. Not sure if it's just me, but", "group of background characters without naming them, but to distinguish between them uses", "way, and also better than giving them actual names because that would distract", "descriptive names as if they were actual names without affording the character a", "than Nurse 1, Nurse 2 etc since it is easier to distinguish them", "seen this kind of naming format in book writing and I am wondering", "of background characters without naming them, but to distinguish between them uses \"descriptive", "nurses) and provides the bare minimum description for us to distinguish them. I", "some scripts recently which features a scene that refers to a group of", "names without affording the character a proper name (since they are overall insignificant", "about this format is that it capitalizes the descriptive names as if they", "the character a proper name (since they are overall insignificant to the story),", "to a group of background characters without naming them, but to distinguish between", "names because that would distract the reader into thinking they are important yet", "capitalizes the descriptive names as if they were actual names without affording the", "insignificant to the story), indicates their relevance (they are all nurses) and provides", "since it is easier to distinguish them this way, and also better than", "they are overall insignificant to the story), indicates their relevance (they are all", "while the Trainee Nurse rushes in to help everyone. What I like about", "they are important yet we never see them again. Not sure if it's", "also better than giving them actual names because that would distract the reader", "Nurse works on the EKG machine while the Trainee Nurse rushes in to", "them again. Not sure if it's just me, but I haven't ever seen", "the story), indicates their relevance (they are all nurses) and provides the bare", "a blanket. The Pretty Nurse works on the EKG machine while the Trainee", "uses \"descriptive names\" instead. Eg. The Big Nurse kindly comes over with a", "because that would distract the reader into thinking they are important yet we", "recently which features a scene that refers to a group of background characters", "this works better than Nurse 1, Nurse 2 etc since it is easier", "distract the reader into thinking they are important yet we never see them", "the descriptive names as if they were actual names without affording the character", "were actual names without affording the character a proper name (since they are", "and also better than giving them actual names because that would distract the", "without affording the character a proper name (since they are overall insignificant to", "book writing and I am wondering if it's ok practice to use it?", "them. I feel this works better than Nurse 1, Nurse 2 etc since", "works on the EKG machine while the Trainee Nurse rushes in to help", "refers to a group of background characters without naming them, but to distinguish", "they were actual names without affording the character a proper name (since they", "machine while the Trainee Nurse rushes in to help everyone. What I like", "Nurse 1, Nurse 2 etc since it is easier to distinguish them this", "features a scene that refers to a group of background characters without naming", "(since they are overall insignificant to the story), indicates their relevance (they are", "if they were actual names without affording the character a proper name (since", "character a proper name (since they are overall insignificant to the story), indicates", "to distinguish them this way, and also better than giving them actual names", "reader into thinking they are important yet we never see them again. Not", "read some scripts recently which features a scene that refers to a group", "are overall insignificant to the story), indicates their relevance (they are all nurses)", "distinguish them this way, and also better than giving them actual names because", "I haven't ever seen this kind of naming format in book writing and", "rushes in to help everyone. What I like about this format is that", "naming format in book writing and I am wondering if it's ok practice", "name (since they are overall insignificant to the story), indicates their relevance (they", "actual names because that would distract the reader into thinking they are important", "overall insignificant to the story), indicates their relevance (they are all nurses) and", "important yet we never see them again. Not sure if it's just me,", "proper name (since they are overall insignificant to the story), indicates their relevance" ]
[ "audience do I have to reintroduce them again if it's in a different", "a character to the audience do I have to reintroduce them again if", "When writing a book, when I introduce a character to the audience do", "have to reintroduce them again if it's in a different character's point of", "the audience do I have to reintroduce them again if it's in a", "a book, when I introduce a character to the audience do I have", "introduce a character to the audience do I have to reintroduce them again", "do I have to reintroduce them again if it's in a different character's", "I introduce a character to the audience do I have to reintroduce them", "I have to reintroduce them again if it's in a different character's point", "book, when I introduce a character to the audience do I have to", "to reintroduce them again if it's in a different character's point of view?", "when I introduce a character to the audience do I have to reintroduce", "writing a book, when I introduce a character to the audience do I", "to the audience do I have to reintroduce them again if it's in", "character to the audience do I have to reintroduce them again if it's" ]
[ "frames or 1 for each action. Consider the following fictional excerpt. > >", "guard, and the guard dropped his > sword and lost his footing and", "single comic frame, or you need to make 5 frames or 1 for", "5 seconds of action in 1 single comic frame, or you need to", "fictional excerpt. > > He smashed his shield against the guard, and the", "for each action. Consider the following fictional excerpt. > > He smashed his", "the guard, and the guard dropped his > sword and lost his footing", "action. Consider the following fictional excerpt. > > He smashed his shield against", "action in 1 single comic frame, or you need to make 5 frames", "Could this description be realistically drawn in 1 single frame, and is it", "> Could this description be realistically drawn in 1 single frame, and is", "> > > Could this description be realistically drawn in 1 single frame,", "shield against the guard, and the guard dropped his > sword and lost", "dropped down the stairs. > > > Could this description be realistically drawn", "there's a way to put 5 seconds of action in 1 single comic", "make 5 frames or 1 for each action. Consider the following fictional excerpt.", "> sword and lost his footing and dropped down the stairs. > >", "a way to put 5 seconds of action in 1 single comic frame,", "about it, and I am wondering if there's a way to put 5", "thought about it, and I am wondering if there's a way to put", "and I am wondering if there's a way to put 5 seconds of", "5 frames or 1 for each action. Consider the following fictional excerpt. >", "> He smashed his shield against the guard, and the guard dropped his", "and dropped down the stairs. > > > Could this description be realistically", "comic frame, or you need to make 5 frames or 1 for each", "wondering if there's a way to put 5 seconds of action in 1", "I am wondering if there's a way to put 5 seconds of action", "the stairs. > > > Could this description be realistically drawn in 1", "stairs. > > > Could this description be realistically drawn in 1 single", "if there's a way to put 5 seconds of action in 1 single", "or you need to make 5 frames or 1 for each action. Consider", "description be realistically drawn in 1 single frame, and is it a good", "footing and dropped down the stairs. > > > Could this description be", "lost his footing and dropped down the stairs. > > > Could this", "to make 5 frames or 1 for each action. Consider the following fictional", "smashed his shield against the guard, and the guard dropped his > sword", "in 1 single comic frame, or you need to make 5 frames or", "it, and I am wondering if there's a way to put 5 seconds", "against the guard, and the guard dropped his > sword and lost his", "1 for each action. Consider the following fictional excerpt. > > He smashed", "the following fictional excerpt. > > He smashed his shield against the guard,", "the guard dropped his > sword and lost his footing and dropped down", "Consider the following fictional excerpt. > > He smashed his shield against the", "each action. Consider the following fictional excerpt. > > He smashed his shield", "seconds of action in 1 single comic frame, or you need to make", "dropped his > sword and lost his footing and dropped down the stairs.", "He smashed his shield against the guard, and the guard dropped his >", "be realistically drawn in 1 single frame, and is it a good idea?", "and the guard dropped his > sword and lost his footing and dropped", "way to put 5 seconds of action in 1 single comic frame, or", "frame, or you need to make 5 frames or 1 for each action.", "his footing and dropped down the stairs. > > > Could this description", "this description be realistically drawn in 1 single frame, and is it a", "I thought about it, and I am wondering if there's a way to", "of action in 1 single comic frame, or you need to make 5", "to put 5 seconds of action in 1 single comic frame, or you", "> > He smashed his shield against the guard, and the guard dropped", "following fictional excerpt. > > He smashed his shield against the guard, and", "or 1 for each action. Consider the following fictional excerpt. > > He", "put 5 seconds of action in 1 single comic frame, or you need", "need to make 5 frames or 1 for each action. Consider the following", "excerpt. > > He smashed his shield against the guard, and the guard", "his > sword and lost his footing and dropped down the stairs. >", "am wondering if there's a way to put 5 seconds of action in", "you need to make 5 frames or 1 for each action. Consider the", "guard dropped his > sword and lost his footing and dropped down the", "> > Could this description be realistically drawn in 1 single frame, and", "down the stairs. > > > Could this description be realistically drawn in", "his shield against the guard, and the guard dropped his > sword and", "and lost his footing and dropped down the stairs. > > > Could", "1 single comic frame, or you need to make 5 frames or 1", "sword and lost his footing and dropped down the stairs. > > >" ]
[ "does horrible things. He is simply so charismatic that he makes otherwise good", "so easily. Propaganda, brainwashing, and other means could do the trick, but I", "fact that he does horrible things. He is simply so charismatic that he", "both incredibly charismatic and highly manipulative. With their powers of persuasion, they can", "Outwardly, he's a nice, empathetic person with a great smile and a heart", "underhanded methods, just using good old words and intelligence to get people on", "the villain I am trying to write is essentially a brutal cult leader", "but internally he's extremely cold, and the world is a den of violence", "because of him. He does not hide the fact that he does horrible", "of villains in media tend to be both incredibly charismatic and highly manipulative.", "extremely cold, and the world is a den of violence because of him.", "world is a den of violence because of him. He does not hide", "large following of people. So, here is my question How does a ruthless", "even using underhanded methods, just using good old words and intelligence to get", "powers of persuasion, they can often amass a large following of people. So,", "is the true hero of the story, no matter how brutal he may", "leader with a large following. Outwardly, he's a nice, empathetic person with a", "public into thinking he is the true hero of the story, no matter", "to know how a villain could win over the public without even using", "essentially a brutal cult leader with a large following. Outwardly, he's a nice,", "and a heart of gold, but internally he's extremely cold, and the world", "highly manipulative. With their powers of persuasion, they can often amass a large", "empathetic person with a great smile and a heart of gold, but internally", "is essentially a brutal cult leader with a large following. Outwardly, he's a", "good people follow him despite the horrible things he does. What I want", "charismatic and highly manipulative. With their powers of persuasion, they can often amass", "be? For example, the villain I am trying to write is essentially a", "following of people. So, here is my question How does a ruthless villain", "story, no matter how brutal he may be? For example, the villain I", "their powers of persuasion, they can often amass a large following of people.", "people so easily. Propaganda, brainwashing, and other means could do the trick, but", "violence because of him. He does not hide the fact that he does", "no matter how brutal he may be? For example, the villain I am", "a heart of gold, but internally he's extremely cold, and the world is", "trick, but I want to know how a villain could win over the", "is a den of violence because of him. He does not hide the", "charismatic that he makes otherwise good people follow him despite the horrible things", "hero of the story, no matter how brutal he may be? For example,", "great smile and a heart of gold, but internally he's extremely cold, and", "he makes otherwise good people follow him despite the horrible things he does.", "that he makes otherwise good people follow him despite the horrible things he", "of the story, no matter how brutal he may be? For example, the", "For example, the villain I am trying to write is essentially a brutal", "a villain could manipulate people so easily. Propaganda, brainwashing, and other means could", "a nice, empathetic person with a great smile and a heart of gold,", "simply so charismatic that he makes otherwise good people follow him despite the", "With their powers of persuasion, they can often amass a large following of", "know is how a villain could manipulate people so easily. Propaganda, brainwashing, and", "large following. Outwardly, he's a nice, empathetic person with a great smile and", "makes otherwise good people follow him despite the horrible things he does. What", "is simply so charismatic that he makes otherwise good people follow him despite", "hide the fact that he does horrible things. He is simply so charismatic", "be both incredibly charismatic and highly manipulative. With their powers of persuasion, they", "him despite the horrible things he does. What I want to know is", "heart of gold, but internally he's extremely cold, and the world is a", "villains in media tend to be both incredibly charismatic and highly manipulative. With", "with a large following. Outwardly, he's a nice, empathetic person with a great", "villain sway the public into thinking he is the true hero of the", "despite the horrible things he does. What I want to know is how", "cold, and the world is a den of violence because of him. He", "am trying to write is essentially a brutal cult leader with a large", "a ruthless villain sway the public into thinking he is the true hero", "the fact that he does horrible things. He is simply so charismatic that", "could do the trick, but I want to know how a villain could", "horrible things. He is simply so charismatic that he makes otherwise good people", "following. Outwardly, he's a nice, empathetic person with a great smile and a", "here is my question How does a ruthless villain sway the public into", "true hero of the story, no matter how brutal he may be? For", "sway the public into thinking he is the true hero of the story,", "and other means could do the trick, but I want to know how", "to know is how a villain could manipulate people so easily. Propaganda, brainwashing,", "of gold, but internally he's extremely cold, and the world is a den", "he does. What I want to know is how a villain could manipulate", "he is the true hero of the story, no matter how brutal he", "brainwashing, and other means could do the trick, but I want to know", "methods, just using good old words and intelligence to get people on his", "often amass a large following of people. So, here is my question How", "him. He does not hide the fact that he does horrible things. He", "thinking he is the true hero of the story, no matter how brutal", "win over the public without even using underhanded methods, just using good old", "a brutal cult leader with a large following. Outwardly, he's a nice, empathetic", "just using good old words and intelligence to get people on his side.", "trying to write is essentially a brutal cult leader with a large following.", "public without even using underhanded methods, just using good old words and intelligence", "villain could win over the public without even using underhanded methods, just using", "a den of violence because of him. He does not hide the fact", "So, here is my question How does a ruthless villain sway the public", "in media tend to be both incredibly charismatic and highly manipulative. With their", "matter how brutal he may be? For example, the villain I am trying", "a large following of people. So, here is my question How does a", "brutal he may be? For example, the villain I am trying to write", "he may be? For example, the villain I am trying to write is", "a large following. Outwardly, he's a nice, empathetic person with a great smile", "not hide the fact that he does horrible things. He is simply so", "I want to know is how a villain could manipulate people so easily.", "does. What I want to know is how a villain could manipulate people", "gold, but internally he's extremely cold, and the world is a den of", "cult leader with a large following. Outwardly, he's a nice, empathetic person with", "the story, no matter how brutal he may be? For example, the villain", "I want to know how a villain could win over the public without", "how a villain could win over the public without even using underhanded methods,", "internally he's extremely cold, and the world is a den of violence because", "nice, empathetic person with a great smile and a heart of gold, but", "otherwise good people follow him despite the horrible things he does. What I", "I am trying to write is essentially a brutal cult leader with a", "they can often amass a large following of people. So, here is my", "is my question How does a ruthless villain sway the public into thinking", "the true hero of the story, no matter how brutal he may be?", "things. He is simply so charismatic that he makes otherwise good people follow", "but I want to know how a villain could win over the public", "ruthless villain sway the public into thinking he is the true hero of", "incredibly charismatic and highly manipulative. With their powers of persuasion, they can often", "the horrible things he does. What I want to know is how a", "is how a villain could manipulate people so easily. Propaganda, brainwashing, and other", "follow him despite the horrible things he does. What I want to know", "media tend to be both incredibly charismatic and highly manipulative. With their powers", "things he does. What I want to know is how a villain could", "tend to be both incredibly charismatic and highly manipulative. With their powers of", "a villain could win over the public without even using underhanded methods, just", "into thinking he is the true hero of the story, no matter how", "villain could manipulate people so easily. Propaganda, brainwashing, and other means could do", "villain I am trying to write is essentially a brutal cult leader with", "does a ruthless villain sway the public into thinking he is the true", "the world is a den of violence because of him. He does not", "den of violence because of him. He does not hide the fact that", "could manipulate people so easily. Propaganda, brainwashing, and other means could do the", "a great smile and a heart of gold, but internally he's extremely cold,", "so charismatic that he makes otherwise good people follow him despite the horrible", "do the trick, but I want to know how a villain could win", "smile and a heart of gold, but internally he's extremely cold, and the", "means could do the trick, but I want to know how a villain", "can often amass a large following of people. So, here is my question", "to write is essentially a brutal cult leader with a large following. Outwardly,", "could win over the public without even using underhanded methods, just using good", "he's a nice, empathetic person with a great smile and a heart of", "He does not hide the fact that he does horrible things. He is", "over the public without even using underhanded methods, just using good old words", "the public without even using underhanded methods, just using good old words and", "amass a large following of people. So, here is my question How does", "easily. Propaganda, brainwashing, and other means could do the trick, but I want", "he's extremely cold, and the world is a den of violence because of", "Propaganda, brainwashing, and other means could do the trick, but I want to", "people. So, here is my question How does a ruthless villain sway the", "and the world is a den of violence because of him. He does", "want to know is how a villain could manipulate people so easily. Propaganda,", "and highly manipulative. With their powers of persuasion, they can often amass a", "manipulate people so easily. Propaganda, brainwashing, and other means could do the trick,", "person with a great smile and a heart of gold, but internally he's", "know how a villain could win over the public without even using underhanded", "of persuasion, they can often amass a large following of people. So, here", "how a villain could manipulate people so easily. Propaganda, brainwashing, and other means", "to be both incredibly charismatic and highly manipulative. With their powers of persuasion,", "want to know how a villain could win over the public without even", "horrible things he does. What I want to know is how a villain", "write is essentially a brutal cult leader with a large following. Outwardly, he's", "How does a ruthless villain sway the public into thinking he is the", "manipulative. With their powers of persuasion, they can often amass a large following", "brutal cult leader with a large following. Outwardly, he's a nice, empathetic person", "He is simply so charismatic that he makes otherwise good people follow him", "example, the villain I am trying to write is essentially a brutal cult", "persuasion, they can often amass a large following of people. So, here is", "other means could do the trick, but I want to know how a", "of people. So, here is my question How does a ruthless villain sway", "people follow him despite the horrible things he does. What I want to", "that he does horrible things. He is simply so charismatic that he makes", "using underhanded methods, just using good old words and intelligence to get people", "What I want to know is how a villain could manipulate people so", "how brutal he may be? For example, the villain I am trying to", "Lots of villains in media tend to be both incredibly charismatic and highly", "does not hide the fact that he does horrible things. He is simply", "without even using underhanded methods, just using good old words and intelligence to", "he does horrible things. He is simply so charismatic that he makes otherwise", "the trick, but I want to know how a villain could win over", "may be? For example, the villain I am trying to write is essentially", "of him. He does not hide the fact that he does horrible things.", "my question How does a ruthless villain sway the public into thinking he", "question How does a ruthless villain sway the public into thinking he is", "with a great smile and a heart of gold, but internally he's extremely", "of violence because of him. He does not hide the fact that he", "the public into thinking he is the true hero of the story, no" ]
[ "etc. On the other side, I have seen some good powers that could", "is forgotten by everyone he meets, living in a perpetual limbo. A man", "movies every few months, but some clichés seem to be recurring. For example,", "of superhero movies, you have: a badass character who can't die and has", "their originality. A man who is forgotten by everyone he meets, living in", "shows and movies every few months, but some clichés seem to be recurring.", "every few months, but some clichés seem to be recurring. For example, in", "etc.), a character who can force you to obey with their voice, a", "can force you to obey with their voice, a character with super strength,", "example, in a lot of superhero movies, you have: a badass character who", "existential crisis about their immortality, a telepath who is hurting everyone around them", "seem to be recurring. For example, in a lot of superhero movies, you", "powerful and becomes a living threat, a secondary character who can attack with", "good powers that could really improve a book with their originality. A man", "character who can attack with energy coming from any part of their body", "For example, in a lot of superhero movies, you have: a badass character", "hard to be really original during a time where you literally have TV", "their immortality, a telepath who is hurting everyone around them and then becomes", "TV shows and movies every few months, but some clichés seem to be", "recurring. For example, in a lot of superhero movies, you have: a badass", "immortality, a telepath who is hurting everyone around them and then becomes too", "like this? Please, help me to get out of the overused telepath-strong-immortal trio.", "and has an existential crisis about their immortality, a telepath who is hurting", "have seen some good powers that could really improve a book with their", "everyone around them and then becomes too powerful and becomes a living threat,", "make his drawings come true. How do you come up with original superpowers", "come true. How do you come up with original superpowers like this? Please,", "powers that could really improve a book with their originality. A man who", "with their voice, a character with super strength, etc. On the other side,", "force you to obey with their voice, a character with super strength, etc.", "in a perpetual limbo. A man fairy. A kid who can make his", "strength, etc. On the other side, I have seen some good powers that", "do you come up with original superpowers like this? Please, help me to", "secondary character who can attack with energy coming from any part of their", "How do you come up with original superpowers like this? Please, help me", "limbo. A man fairy. A kid who can make his drawings come true.", "you have: a badass character who can't die and has an existential crisis", "originality. A man who is forgotten by everyone he meets, living in a", "from any part of their body (hands, eyes, mouth, etc.), a character who", "movies, you have: a badass character who can't die and has an existential", "could really improve a book with their originality. A man who is forgotten", "eyes, mouth, etc.), a character who can force you to obey with their", "but some clichés seem to be recurring. For example, in a lot of", "during a time where you literally have TV shows and movies every few", "a character who can force you to obey with their voice, a character", "can make his drawings come true. How do you come up with original", "other side, I have seen some good powers that could really improve a", "superhero movies, you have: a badass character who can't die and has an", "It's hard to be really original during a time where you literally have", "a character with super strength, etc. On the other side, I have seen", "where you literally have TV shows and movies every few months, but some", "who can make his drawings come true. How do you come up with", "an existential crisis about their immortality, a telepath who is hurting everyone around", "living threat, a secondary character who can attack with energy coming from any", "his drawings come true. How do you come up with original superpowers like", "is hurting everyone around them and then becomes too powerful and becomes a", "about their immortality, a telepath who is hurting everyone around them and then", "with super strength, etc. On the other side, I have seen some good", "body (hands, eyes, mouth, etc.), a character who can force you to obey", "who can't die and has an existential crisis about their immortality, a telepath", "crisis about their immortality, a telepath who is hurting everyone around them and", "super strength, etc. On the other side, I have seen some good powers", "few months, but some clichés seem to be recurring. For example, in a", "time where you literally have TV shows and movies every few months, but", "and then becomes too powerful and becomes a living threat, a secondary character", "any part of their body (hands, eyes, mouth, etc.), a character who can", "lot of superhero movies, you have: a badass character who can't die and", "kid who can make his drawings come true. How do you come up", "fairy. A kid who can make his drawings come true. How do you", "becomes a living threat, a secondary character who can attack with energy coming", "badass character who can't die and has an existential crisis about their immortality,", "a perpetual limbo. A man fairy. A kid who can make his drawings", "coming from any part of their body (hands, eyes, mouth, etc.), a character", "a secondary character who can attack with energy coming from any part of", "character with super strength, etc. On the other side, I have seen some", "man who is forgotten by everyone he meets, living in a perpetual limbo.", "a lot of superhero movies, you have: a badass character who can't die", "you literally have TV shows and movies every few months, but some clichés", "superpowers like this? Please, help me to get out of the overused telepath-strong-immortal", "meets, living in a perpetual limbo. A man fairy. A kid who can", "you to obey with their voice, a character with super strength, etc. On", "drawings come true. How do you come up with original superpowers like this?", "book with their originality. A man who is forgotten by everyone he meets,", "some clichés seem to be recurring. For example, in a lot of superhero", "forgotten by everyone he meets, living in a perpetual limbo. A man fairy.", "some good powers that could really improve a book with their originality. A", "man fairy. A kid who can make his drawings come true. How do", "attack with energy coming from any part of their body (hands, eyes, mouth,", "living in a perpetual limbo. A man fairy. A kid who can make", "months, but some clichés seem to be recurring. For example, in a lot", "their body (hands, eyes, mouth, etc.), a character who can force you to", "up with original superpowers like this? Please, help me to get out of", "in a lot of superhero movies, you have: a badass character who can't", "who can attack with energy coming from any part of their body (hands,", "a book with their originality. A man who is forgotten by everyone he", "On the other side, I have seen some good powers that could really", "to be recurring. For example, in a lot of superhero movies, you have:", "a time where you literally have TV shows and movies every few months,", "he meets, living in a perpetual limbo. A man fairy. A kid who", "(hands, eyes, mouth, etc.), a character who can force you to obey with", "original superpowers like this? Please, help me to get out of the overused", "becomes too powerful and becomes a living threat, a secondary character who can", "seen some good powers that could really improve a book with their originality.", "have TV shows and movies every few months, but some clichés seem to", "be recurring. For example, in a lot of superhero movies, you have: a", "and becomes a living threat, a secondary character who can attack with energy", "their voice, a character with super strength, etc. On the other side, I", "voice, a character with super strength, etc. On the other side, I have", "with original superpowers like this? Please, help me to get out of the", "threat, a secondary character who can attack with energy coming from any part", "really original during a time where you literally have TV shows and movies", "around them and then becomes too powerful and becomes a living threat, a", "really improve a book with their originality. A man who is forgotten by", "mouth, etc.), a character who can force you to obey with their voice,", "be really original during a time where you literally have TV shows and", "perpetual limbo. A man fairy. A kid who can make his drawings come", "everyone he meets, living in a perpetual limbo. A man fairy. A kid", "to be really original during a time where you literally have TV shows", "a telepath who is hurting everyone around them and then becomes too powerful", "who can force you to obey with their voice, a character with super", "A man fairy. A kid who can make his drawings come true. How", "to obey with their voice, a character with super strength, etc. On the", "I have seen some good powers that could really improve a book with", "a living threat, a secondary character who can attack with energy coming from", "A kid who can make his drawings come true. How do you come", "die and has an existential crisis about their immortality, a telepath who is", "come up with original superpowers like this? Please, help me to get out", "obey with their voice, a character with super strength, etc. On the other", "original during a time where you literally have TV shows and movies every", "who is forgotten by everyone he meets, living in a perpetual limbo. A", "part of their body (hands, eyes, mouth, etc.), a character who can force", "you come up with original superpowers like this? Please, help me to get", "improve a book with their originality. A man who is forgotten by everyone", "can attack with energy coming from any part of their body (hands, eyes,", "too powerful and becomes a living threat, a secondary character who can attack", "the other side, I have seen some good powers that could really improve", "with their originality. A man who is forgotten by everyone he meets, living", "clichés seem to be recurring. For example, in a lot of superhero movies,", "can't die and has an existential crisis about their immortality, a telepath who", "hurting everyone around them and then becomes too powerful and becomes a living", "character who can force you to obey with their voice, a character with", "who is hurting everyone around them and then becomes too powerful and becomes", "A man who is forgotten by everyone he meets, living in a perpetual", "energy coming from any part of their body (hands, eyes, mouth, etc.), a", "literally have TV shows and movies every few months, but some clichés seem", "of their body (hands, eyes, mouth, etc.), a character who can force you", "have: a badass character who can't die and has an existential crisis about", "character who can't die and has an existential crisis about their immortality, a", "true. How do you come up with original superpowers like this? Please, help", "with energy coming from any part of their body (hands, eyes, mouth, etc.),", "by everyone he meets, living in a perpetual limbo. A man fairy. A", "that could really improve a book with their originality. A man who is", "a badass character who can't die and has an existential crisis about their", "has an existential crisis about their immortality, a telepath who is hurting everyone", "them and then becomes too powerful and becomes a living threat, a secondary", "telepath who is hurting everyone around them and then becomes too powerful and", "then becomes too powerful and becomes a living threat, a secondary character who", "and movies every few months, but some clichés seem to be recurring. For", "side, I have seen some good powers that could really improve a book" ]
[ "a professional writer, so I don't know if there is a clear winner,", "carrot field. The latter feels better to me, especially in the carrot example,", "feels better to me, especially in the carrot example, but when asking colleagues", "professional writer, so I don't know if there is a clear winner, or", "don't know if there is a clear winner, or what the answer should", "latter feels better to me, especially in the carrot example, but when asking", "example, but when asking colleagues they preferred 'array of ints'. I'm not a", "ints'. I'm not a professional writer, so I don't know if there is", "field. The latter feels better to me, especially in the carrot example, but", "A similar example is field of carrots or carrot field. The latter feels", "to me, especially in the carrot example, but when asking colleagues they preferred", "but when asking colleagues they preferred 'array of ints'. I'm not a professional", "The latter feels better to me, especially in the carrot example, but when", "so I don't know if there is a clear winner, or what the", "the carrot example, but when asking colleagues they preferred 'array of ints'. I'm", "better to me, especially in the carrot example, but when asking colleagues they", "similar example is field of carrots or carrot field. The latter feels better", "field of carrots or carrot field. The latter feels better to me, especially", "if there is a clear winner, or what the answer should depend on.", "especially in the carrot example, but when asking colleagues they preferred 'array of", "or carrot field. The latter feels better to me, especially in the carrot", "not a professional writer, so I don't know if there is a clear", "I don't know if there is a clear winner, or what the answer", "they preferred 'array of ints'. I'm not a professional writer, so I don't", "is field of carrots or carrot field. The latter feels better to me,", "writer, so I don't know if there is a clear winner, or what", "I'm not a professional writer, so I don't know if there is a", "of carrots or carrot field. The latter feels better to me, especially in", "colleagues they preferred 'array of ints'. I'm not a professional writer, so I", "preferred 'array of ints'. I'm not a professional writer, so I don't know", "know if there is a clear winner, or what the answer should depend", "of ints'. I'm not a professional writer, so I don't know if there", "asking colleagues they preferred 'array of ints'. I'm not a professional writer, so", "in the carrot example, but when asking colleagues they preferred 'array of ints'.", "when asking colleagues they preferred 'array of ints'. I'm not a professional writer,", "carrots or carrot field. The latter feels better to me, especially in the", "carrot example, but when asking colleagues they preferred 'array of ints'. I'm not", "me, especially in the carrot example, but when asking colleagues they preferred 'array", "example is field of carrots or carrot field. The latter feels better to", "'array of ints'. I'm not a professional writer, so I don't know if" ]
[ "and injuries to cure or kill someone. * M, a mermaid who had", "born from magic. My idea was to separate S and A because A", "who are alive because of M's death. My question is : How can", "for M when S is away. But S still has a choice to", "end of their love story with respect and caring rather than a hateful", "and try to protect her younger brothers who are shy and submissive to", "to feel that M is the best choice for S. (Hope it doesn't", "doesn't seems like I am asking for creative ideas like it's forbidden, I", "a different identity. Then A's kids become sick because of a mistake S", "made this choice and A to feel that M is the best choice", "character who was born female but raised to think they are a man", "choice for S. (Hope it doesn't seems like I am asking for creative", "female and when she learned it, she reacted pretty badly. She can absorb", "her kids, A to care for M when S is away. But S", ": * S, a character who was born female but raised to think", "is also born with a different identity. Then A's kids become sick because", "while M is also born with a different identity. Then A's kids become", "I want A and M to be close (because yeah M will come", "shy and submissive to their father and her twin. * A, S' first", "made, and A absorbs all the energy of M to cure her kids", "energy of M to cure her kids through her magic. It kills M,", "logical end of their love story with respect and caring rather than a", "seems like I am asking for creative ideas like it's forbidden, I really", "a Viking area. My three characters are : * S, a character who", "kill someone. * M, a mermaid who had a crush on S when", "to S but had to marry the first-born but still doesn't know that", "reacted pretty badly. She can absorb and release strength, pain and injuries to", "and release strength, pain and injuries to cure or kill someone. * M,", "without going for the full \"A is an old fashioned lady and M", "father who is obsessed with sons. S is torn apart by their secret,", "to their awful brother, mother to his children. They wanted to be married", "different identity. Then A's kids become sick because of a mistake S made,", "father and her twin. * A, S' first love who is married to", "story with respect and caring rather than a hateful moment, that M will", "S and A because A can't understand S' identity, while M is also", "magic. My idea was to separate S and A because A can't understand", "It kills M, and S is destroyed by M's death and can't stand", "S made, and A absorbs all the energy of M to cure her", "or kill someone. * M, a mermaid who had a crush on S", "brother, and try to protect her younger brothers who are shy and submissive", "learned it, she reacted pretty badly. She can absorb and release strength, pain", "mother to his children. They wanted to be married to S but had", "M, a mermaid who had a crush on S when she saved them", "a mistake S made, and A absorbs all the energy of M to", "them from drowning, she is born from a magical spell and can't have", "M will come back from the dead), M to help A when she's", "can't understand S' identity, while M is also born with a different identity.", "on S when she saved them from drowning, she is born from a", "apart by their secret, has to live with their awful father and twin", "with her kids, A to care for M when S is away. But", "married to S but had to marry the first-born but still doesn't know", "she's doubting, helping with her kids, A to care for M when S", "of M's death. My question is : How can I justify this choice", "and her twin. * A, S' first love who is married to their", "* A, S' first love who is married to their awful brother, mother", "their father who is obsessed with sons. S is torn apart by their", "raised to think they are a man to protect them from their father", "be close (because yeah M will come back from the dead), M to", "their father and her twin. * A, S' first love who is married", "to their father and her twin. * A, S' first love who is", "it to be felt as the logical end of their love story with", "born with a different identity. Then A's kids become sick because of a", "sons. S is torn apart by their secret, has to live with their", "identity. Then A's kids become sick because of a mistake S made, and", "she saved them from drowning, she is born from a magical spell and", "helping with her kids, A to care for M when S is away.", "with sons. S is torn apart by their secret, has to live with", "the logical end of their love story with respect and caring rather than", "M is also born with a different identity. Then A's kids become sick", "she learned it, she reacted pretty badly. 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I've never seen it done, so I am", "is seeing instead of just showing the audio transcript of the video without", "and just show you the audio transcript. Could you show an example, or", "from a channel like \"Kurzgesagt – In a Nutshell\", how would you go", "describing exactly what the protagonist is seeing instead of just showing the audio", "it properly. They usually describe a very small portion of what's seen in", "or write an example so I can see how it's done, or how", "write an example so I can see how it's done, or how it", "about describing exactly what the protagonist is seeing instead of just showing the", "– In a Nutshell\", how would you go about describing exactly what the", "never seen it done, so I am not sure how to do it", "even ignore it completely and just show you the audio transcript. Could you", "am not sure how to do it properly. They usually describe a very", "the audio transcript. Could you show an example, or write an example so", "I am not sure how to do it properly. They usually describe a", "a very small portion of what's seen in the video, or even ignore", "the visuals? I've never seen it done, so I am not sure how", "\"Kurzgesagt – In a Nutshell\", how would you go about describing exactly what", "an example so I can see how it's done, or how it can", "the protagonist is seeing instead of just showing the audio transcript of the", "like \"Kurzgesagt – In a Nutshell\", how would you go about describing exactly", "the video, or even ignore it completely and just show you the audio" ]
[ "is taken from the Defense of the Ancients series of video games, where", "name \"Venomancer\" is taken from the Defense of the Ancients series of video", "the Defense of the Ancients series of video games, where it is a", "Now I am asking: can a fantasy story have a monster that re-uses", "can a fantasy story have a monster that re-uses the name, but have", "\"Venomancer\" is taken from the Defense of the Ancients series of video games,", "asking: can a fantasy story have a monster that re-uses the name, but", "from the Defense of the Ancients series of video games, where it is", "Defense of the Ancients series of video games, where it is a monster", "it is a monster capable of poisoning targets. Now I am asking: can", "the Ancients series of video games, where it is a monster capable of", "a monster capable of poisoning targets. Now I am asking: can a fantasy", "games, where it is a monster capable of poisoning targets. Now I am", "I am asking: can a fantasy story have a monster that re-uses the", "of the Ancients series of video games, where it is a monster capable", "poisoning targets. Now I am asking: can a fantasy story have a monster", "series of video games, where it is a monster capable of poisoning targets.", "is a monster capable of poisoning targets. Now I am asking: can a", "monster capable of poisoning targets. Now I am asking: can a fantasy story", "capable of poisoning targets. Now I am asking: can a fantasy story have", "taken from the Defense of the Ancients series of video games, where it", "fantasy story have a monster that re-uses the name, but have different appearance/characteristics?", "of video games, where it is a monster capable of poisoning targets. Now", "am asking: can a fantasy story have a monster that re-uses the name,", "where it is a monster capable of poisoning targets. Now I am asking:", "of poisoning targets. Now I am asking: can a fantasy story have a", "Ancients series of video games, where it is a monster capable of poisoning", "video games, where it is a monster capable of poisoning targets. Now I", "The name \"Venomancer\" is taken from the Defense of the Ancients series of", "a fantasy story have a monster that re-uses the name, but have different", "targets. Now I am asking: can a fantasy story have a monster that" ]
[ "a particular way, but I doubt this is exhaustive. Is there a general", "a flashback in the middle of a fight and is thinking about the", "character is evil or behave in a particular way, but I doubt this", "in my story there's a soldier who's having a flashback in the middle", "to do it for exposition or explaining a character's background to show the", "at the beginning of a chapter or something like that, and from what", "a flashback is at the beginning of a chapter or something like that,", "in a particular way, but I doubt this is exhaustive. Is there a", "a general reason or better reason for doing a flashback and how do", "years ago. Usually, a flashback is at the beginning of a chapter or", "flashback is at the beginning of a chapter or something like that, and", "a justifying reason and good timing that a flashback is just terrible. For", "way, but I doubt this is exhaustive. Is there a general reason or", "there a general reason or better reason for doing a flashback and how", "or explaining a character's background to show the readers why the character is", "why the character is evil or behave in a particular way, but I", "a flashback is just terrible. For example, in my story there's a soldier", "just terrible. For example, in my story there's a soldier who's having a", "about the meal he had 2 years ago. Usually, a flashback is at", "readers why the character is evil or behave in a particular way, but", "a soldier who's having a flashback in the middle of a fight and", "flashback in the middle of a fight and is thinking about the meal", "or something like that, and from what I recall it is also good", "it for exposition or explaining a character's background to show the readers why", "is at the beginning of a chapter or something like that, and from", "timing that a flashback is just terrible. For example, in my story there's", "justifying reason and good timing that a flashback is just terrible. For example,", "explaining a character's background to show the readers why the character is evil", "that, and from what I recall it is also good to do it", "and good timing that a flashback is just terrible. For example, in my", "there's a soldier who's having a flashback in the middle of a fight", "behave in a particular way, but I doubt this is exhaustive. Is there", "2 years ago. Usually, a flashback is at the beginning of a chapter", "like that, and from what I recall it is also good to do", "a character's background to show the readers why the character is evil or", "exhaustive. Is there a general reason or better reason for doing a flashback", "my story there's a soldier who's having a flashback in the middle of", "for exposition or explaining a character's background to show the readers why the", "better reason for doing a flashback and how do we time them correctly?", "terrible. For example, in my story there's a soldier who's having a flashback", "also good to do it for exposition or explaining a character's background to", "Is there a general reason or better reason for doing a flashback and", "to show the readers why the character is evil or behave in a", "in the middle of a fight and is thinking about the meal he", "he had 2 years ago. Usually, a flashback is at the beginning of", "exposition or explaining a character's background to show the readers why the character", "what I recall it is also good to do it for exposition or", "the meal he had 2 years ago. Usually, a flashback is at the", "show the readers why the character is evil or behave in a particular", "reason and good timing that a flashback is just terrible. For example, in", "soldier who's having a flashback in the middle of a fight and is", "the readers why the character is evil or behave in a particular way,", "something like that, and from what I recall it is also good to", "without a justifying reason and good timing that a flashback is just terrible.", "this is exhaustive. Is there a general reason or better reason for doing", "story there's a soldier who's having a flashback in the middle of a", "is evil or behave in a particular way, but I doubt this is", "who's having a flashback in the middle of a fight and is thinking", "of a chapter or something like that, and from what I recall it", "general reason or better reason for doing a flashback and how do we", "Usually, a flashback is at the beginning of a chapter or something like", "flashback is just terrible. For example, in my story there's a soldier who's", "for a flashback? I noticed today that without a justifying reason and good", "ago. Usually, a flashback is at the beginning of a chapter or something", "timing for a flashback? I noticed today that without a justifying reason and", "and timing for a flashback? I noticed today that without a justifying reason", "is exhaustive. Is there a general reason or better reason for doing a", "reason or better reason for doing a flashback and how do we time", "and is thinking about the meal he had 2 years ago. Usually, a", "middle of a fight and is thinking about the meal he had 2", "good to do it for exposition or explaining a character's background to show", "fight and is thinking about the meal he had 2 years ago. Usually,", "is also good to do it for exposition or explaining a character's background", "but I doubt this is exhaustive. Is there a general reason or better", "flashback? I noticed today that without a justifying reason and good timing that", "recall it is also good to do it for exposition or explaining a", "I noticed today that without a justifying reason and good timing that a", "thinking about the meal he had 2 years ago. Usually, a flashback is", "and from what I recall it is also good to do it for", "do it for exposition or explaining a character's background to show the readers", "or behave in a particular way, but I doubt this is exhaustive. Is", "beginning of a chapter or something like that, and from what I recall", "evil or behave in a particular way, but I doubt this is exhaustive.", "good justifying reason and timing for a flashback? I noticed today that without", "had 2 years ago. Usually, a flashback is at the beginning of a", "good timing that a flashback is just terrible. For example, in my story", "is just terrible. For example, in my story there's a soldier who's having", "from what I recall it is also good to do it for exposition", "that without a justifying reason and good timing that a flashback is just", "background to show the readers why the character is evil or behave in", "the middle of a fight and is thinking about the meal he had", "I recall it is also good to do it for exposition or explaining", "character's background to show the readers why the character is evil or behave", "For example, in my story there's a soldier who's having a flashback in", "the beginning of a chapter or something like that, and from what I", "meal he had 2 years ago. Usually, a flashback is at the beginning", "noticed today that without a justifying reason and good timing that a flashback", "I doubt this is exhaustive. Is there a general reason or better reason", "example, in my story there's a soldier who's having a flashback in the", "chapter or something like that, and from what I recall it is also", "it is also good to do it for exposition or explaining a character's", "the character is evil or behave in a particular way, but I doubt", "reason and timing for a flashback? I noticed today that without a justifying", "justifying reason and timing for a flashback? I noticed today that without a", "of a fight and is thinking about the meal he had 2 years", "having a flashback in the middle of a fight and is thinking about", "a fight and is thinking about the meal he had 2 years ago.", "particular way, but I doubt this is exhaustive. Is there a general reason", "or better reason for doing a flashback and how do we time them", "is thinking about the meal he had 2 years ago. Usually, a flashback", "What is a good justifying reason and timing for a flashback? I noticed", "a good justifying reason and timing for a flashback? I noticed today that", "is a good justifying reason and timing for a flashback? I noticed today", "a chapter or something like that, and from what I recall it is", "doubt this is exhaustive. Is there a general reason or better reason for", "a flashback? I noticed today that without a justifying reason and good timing", "today that without a justifying reason and good timing that a flashback is", "that a flashback is just terrible. For example, in my story there's a" ]
[ "to stop at nothing to get it. This feels very flat, but I", "a screenplay she completed recently. Setting is medieval, and the tone is rather", "and used as justification for why a protagonist is so determined to accomplish", "tone is rather dark. The first act sets up the protagonist's motivation for", "hunting a notorious gang — when this gang kills her father (sort of", "than determined to stop at nothing to get it. This feels very flat,", "determined to stop at nothing to get it. This feels very flat, but", "improve a first draft of a screenplay she completed recently. Setting is medieval,", "throwaway character is created, killed off, and used as justification for why a", "the protagonist's motivation more complex, justify her determination with this same motivation in", "dark. The first act sets up the protagonist's motivation for the rest of", "character is created, killed off, and used as justification for why a protagonist", "is medieval, and the tone is rather dark. The first act sets up", "make the protagonist's motivation more complex, justify her determination with this same motivation", "for the rest of the story — hunting a notorious gang — when", "the tone is rather dark. The first act sets up the protagonist's motivation", "helping a friend develop and improve a first draft of a screenplay she", "stop at nothing to get it. This feels very flat, but I know", "After her father's death her sole motivation is revenge, and she is more", "and the tone is rather dark. The first act sets up the protagonist's", "Wicy and his dog style). After her father's death her sole motivation is", "— when this gang kills her father (sort of Qohq Wicy and his", "protagonist's motivation more complex, justify her determination with this same motivation in a", "a specific example. Does anyone have any suggestions of story elements we could", "develop and improve a first draft of a screenplay she completed recently. Setting", "Qohq Wicy and his dog style). After her father's death her sole motivation", "created, killed off, and used as justification for why a protagonist is so", "what I want to avoid. I am helping a friend develop and improve", "kills her father (sort of Qohq Wicy and his dog style). After her", "think of a specific example. Does anyone have any suggestions of story elements", "is what I want to avoid. I am helping a friend develop and", "sole motivation is revenge, and she is more than determined to stop at", "is revenge, and she is more than determined to stop at nothing to", "before, but I can't think of a specific example. Does anyone have any", "dog style). After her father's death her sole motivation is revenge, and she", "motivation in a better way, or examples of this trope done well and", "I can't think of a specific example. Does anyone have any suggestions of", "complex, justify her determination with this same motivation in a better way, or", "done well before, but I can't think of a specific example. Does anyone", "so determined to accomplish their goals (to avenge the dead, continue their work,", "this same motivation in a better way, or examples of this trope done", "revenge, and she is more than determined to stop at nothing to get", "to make the protagonist's motivation more complex, justify her determination with this same", "used as justification for why a protagonist is so determined to accomplish their", "but I know this trope has been done well before, but I can't", "to avoid. I am helping a friend develop and improve a first draft", "up the protagonist's motivation for the rest of the story — hunting a", "is so determined to accomplish their goals (to avenge the dead, continue their", "of a screenplay she completed recently. Setting is medieval, and the tone is", "a better way, or examples of this trope done well and why they", "work, etc). This is what I want to avoid. I am helping a", "stereotypical trope where a throwaway character is created, killed off, and used as", "as justification for why a protagonist is so determined to accomplish their goals", "we could include to make the protagonist's motivation more complex, justify her determination", "father's death her sole motivation is revenge, and she is more than determined", "have any suggestions of story elements we could include to make the protagonist's", "story elements we could include to make the protagonist's motivation more complex, justify", "story — hunting a notorious gang — when this gang kills her father", "the stereotypical trope where a throwaway character is created, killed off, and used", "first act sets up the protagonist's motivation for the rest of the story", "the dead, continue their work, etc). This is what I want to avoid.", "specific example. Does anyone have any suggestions of story elements we could include", "act sets up the protagonist's motivation for the rest of the story —", "nothing to get it. This feels very flat, but I know this trope", "style). After her father's death her sole motivation is revenge, and she is", "motivation is revenge, and she is more than determined to stop at nothing", "she completed recently. Setting is medieval, and the tone is rather dark. The", "trope where a throwaway character is created, killed off, and used as justification", "with this same motivation in a better way, or examples of this trope", "protagonist is so determined to accomplish their goals (to avenge the dead, continue", "justification for why a protagonist is so determined to accomplish their goals (to", "(sort of Qohq Wicy and his dog style). After her father's death her", "suggestions of story elements we could include to make the protagonist's motivation more", "This is what I want to avoid. I am helping a friend develop", "Setting is medieval, and the tone is rather dark. The first act sets", "determined to accomplish their goals (to avenge the dead, continue their work, etc).", "Every writer knows the stereotypical trope where a throwaway character is created, killed", "is created, killed off, and used as justification for why a protagonist is", "more than determined to stop at nothing to get it. This feels very", "motivation more complex, justify her determination with this same motivation in a better", "for why a protagonist is so determined to accomplish their goals (to avenge", "the protagonist's motivation for the rest of the story — hunting a notorious", "same motivation in a better way, or examples of this trope done well", "is rather dark. The first act sets up the protagonist's motivation for the", "a throwaway character is created, killed off, and used as justification for why", "elements we could include to make the protagonist's motivation more complex, justify her", "of a specific example. Does anyone have any suggestions of story elements we", "off, and used as justification for why a protagonist is so determined to", "sets up the protagonist's motivation for the rest of the story — hunting", "at nothing to get it. This feels very flat, but I know this", "anyone have any suggestions of story elements we could include to make the", "rather dark. The first act sets up the protagonist's motivation for the rest", "notorious gang — when this gang kills her father (sort of Qohq Wicy", "avenge the dead, continue their work, etc). This is what I want to", "in a better way, or examples of this trope done well and why", "of the story — hunting a notorious gang — when this gang kills", "include to make the protagonist's motivation more complex, justify her determination with this", "been done well before, but I can't think of a specific example. Does", "friend develop and improve a first draft of a screenplay she completed recently.", "The first act sets up the protagonist's motivation for the rest of the", "and his dog style). After her father's death her sole motivation is revenge,", "and improve a first draft of a screenplay she completed recently. Setting is", "This feels very flat, but I know this trope has been done well", "recently. Setting is medieval, and the tone is rather dark. The first act", "trope has been done well before, but I can't think of a specific", "and she is more than determined to stop at nothing to get it.", "any suggestions of story elements we could include to make the protagonist's motivation", "a notorious gang — when this gang kills her father (sort of Qohq", "can't think of a specific example. Does anyone have any suggestions of story", "is more than determined to stop at nothing to get it. This feels", "justify her determination with this same motivation in a better way, or examples", "I want to avoid. I am helping a friend develop and improve a", "am helping a friend develop and improve a first draft of a screenplay", "why a protagonist is so determined to accomplish their goals (to avenge the", "I know this trope has been done well before, but I can't think", "this trope has been done well before, but I can't think of a", "avoid. I am helping a friend develop and improve a first draft of", "example. Does anyone have any suggestions of story elements we could include to", "better way, or examples of this trope done well and why they work?", "(to avenge the dead, continue their work, etc). This is what I want", "well before, but I can't think of a specific example. Does anyone have", "to get it. This feels very flat, but I know this trope has", "get it. This feels very flat, but I know this trope has been", "her determination with this same motivation in a better way, or examples of", "of Qohq Wicy and his dog style). After her father's death her sole", "the rest of the story — hunting a notorious gang — when this", "could include to make the protagonist's motivation more complex, justify her determination with", "her father's death her sole motivation is revenge, and she is more than", "rest of the story — hunting a notorious gang — when this gang", "their work, etc). This is what I want to avoid. I am helping", "has been done well before, but I can't think of a specific example.", "very flat, but I know this trope has been done well before, but", "want to avoid. I am helping a friend develop and improve a first", "more complex, justify her determination with this same motivation in a better way,", "this gang kills her father (sort of Qohq Wicy and his dog style).", "of story elements we could include to make the protagonist's motivation more complex,", "her father (sort of Qohq Wicy and his dog style). After her father's", "flat, but I know this trope has been done well before, but I", "a first draft of a screenplay she completed recently. Setting is medieval, and", "his dog style). After her father's death her sole motivation is revenge, and", "killed off, and used as justification for why a protagonist is so determined", "accomplish their goals (to avenge the dead, continue their work, etc). This is", "dead, continue their work, etc). This is what I want to avoid. I", "her sole motivation is revenge, and she is more than determined to stop", "she is more than determined to stop at nothing to get it. This", "it. This feels very flat, but I know this trope has been done", "Does anyone have any suggestions of story elements we could include to make", "the story — hunting a notorious gang — when this gang kills her", "writer knows the stereotypical trope where a throwaway character is created, killed off,", "I am helping a friend develop and improve a first draft of a", "to accomplish their goals (to avenge the dead, continue their work, etc). This", "gang kills her father (sort of Qohq Wicy and his dog style). After", "feels very flat, but I know this trope has been done well before,", "father (sort of Qohq Wicy and his dog style). After her father's death", "knows the stereotypical trope where a throwaway character is created, killed off, and", "but I can't think of a specific example. Does anyone have any suggestions", "gang — when this gang kills her father (sort of Qohq Wicy and", "completed recently. Setting is medieval, and the tone is rather dark. The first", "know this trope has been done well before, but I can't think of", "first draft of a screenplay she completed recently. Setting is medieval, and the", "where a throwaway character is created, killed off, and used as justification for", "continue their work, etc). This is what I want to avoid. I am", "goals (to avenge the dead, continue their work, etc). This is what I", "a friend develop and improve a first draft of a screenplay she completed", "motivation for the rest of the story — hunting a notorious gang —", "draft of a screenplay she completed recently. Setting is medieval, and the tone", "their goals (to avenge the dead, continue their work, etc). This is what", "medieval, and the tone is rather dark. The first act sets up the", "death her sole motivation is revenge, and she is more than determined to", "screenplay she completed recently. Setting is medieval, and the tone is rather dark.", "a protagonist is so determined to accomplish their goals (to avenge the dead,", "determination with this same motivation in a better way, or examples of this", "— hunting a notorious gang — when this gang kills her father (sort", "etc). This is what I want to avoid. I am helping a friend", "protagonist's motivation for the rest of the story — hunting a notorious gang", "when this gang kills her father (sort of Qohq Wicy and his dog" ]
[ "pollution which I'm not a fan of but I don't know how to", "of normal (like Ace Combat.) As I progress with my idea, I've realized", "a fan of but I don't know how to tackle it. Should I", "of topic to my story, or leave some vague mentions here and there?", "I've realized that the constant use of aircraft and ships could lead to", "of but I don't know how to tackle it. Should I avoid mentioning", "to tackle it. Should I avoid mentioning this kind of topic to my", "but I don't know how to tackle it. Should I avoid mentioning this", "The world I'm writing is a multi-polar world where every nation has their", "I'm not a fan of but I don't know how to tackle it.", "world I'm writing is a multi-polar world where every nation has their own", "Ace Combat.) As I progress with my idea, I've realized that the constant", "I'm writing is a multi-polar world where every nation has their own battleships", "not a fan of but I don't know how to tackle it. Should", "battleships and aircraft. Aerial warfare is kind of normal (like Ace Combat.) As", "every nation has their own battleships and aircraft. Aerial warfare is kind of", "realized that the constant use of aircraft and ships could lead to pollution", "normal (like Ace Combat.) As I progress with my idea, I've realized that", "which I'm not a fan of but I don't know how to tackle", "tackle it. Should I avoid mentioning this kind of topic to my story,", "progress with my idea, I've realized that the constant use of aircraft and", "my idea, I've realized that the constant use of aircraft and ships could", "warfare is kind of normal (like Ace Combat.) As I progress with my", "As I progress with my idea, I've realized that the constant use of", "use of aircraft and ships could lead to pollution which I'm not a", "aircraft and ships could lead to pollution which I'm not a fan of", "the constant use of aircraft and ships could lead to pollution which I'm", "nation has their own battleships and aircraft. Aerial warfare is kind of normal", "constant use of aircraft and ships could lead to pollution which I'm not", "idea, I've realized that the constant use of aircraft and ships could lead", "and aircraft. Aerial warfare is kind of normal (like Ace Combat.) As I", "lead to pollution which I'm not a fan of but I don't know", "it. Should I avoid mentioning this kind of topic to my story, or", "world where every nation has their own battleships and aircraft. Aerial warfare is", "avoid mentioning this kind of topic to my story, or leave some vague", "of aircraft and ships could lead to pollution which I'm not a fan", "I don't know how to tackle it. Should I avoid mentioning this kind", "know how to tackle it. Should I avoid mentioning this kind of topic", "fan of but I don't know how to tackle it. Should I avoid", "is a multi-polar world where every nation has their own battleships and aircraft.", "(like Ace Combat.) As I progress with my idea, I've realized that the", "that the constant use of aircraft and ships could lead to pollution which", "mentioning this kind of topic to my story, or leave some vague mentions", "ships could lead to pollution which I'm not a fan of but I", "own battleships and aircraft. Aerial warfare is kind of normal (like Ace Combat.)", "I progress with my idea, I've realized that the constant use of aircraft", "with my idea, I've realized that the constant use of aircraft and ships", "kind of normal (like Ace Combat.) As I progress with my idea, I've", "could lead to pollution which I'm not a fan of but I don't", "this kind of topic to my story, or leave some vague mentions here", "has their own battleships and aircraft. Aerial warfare is kind of normal (like", "writing is a multi-polar world where every nation has their own battleships and", "is kind of normal (like Ace Combat.) As I progress with my idea,", "aircraft. Aerial warfare is kind of normal (like Ace Combat.) As I progress", "multi-polar world where every nation has their own battleships and aircraft. Aerial warfare", "and ships could lead to pollution which I'm not a fan of but", "don't know how to tackle it. Should I avoid mentioning this kind of", "to pollution which I'm not a fan of but I don't know how", "their own battleships and aircraft. Aerial warfare is kind of normal (like Ace", "Combat.) As I progress with my idea, I've realized that the constant use", "where every nation has their own battleships and aircraft. Aerial warfare is kind", "Aerial warfare is kind of normal (like Ace Combat.) As I progress with", "how to tackle it. Should I avoid mentioning this kind of topic to", "Should I avoid mentioning this kind of topic to my story, or leave", "I avoid mentioning this kind of topic to my story, or leave some", "kind of topic to my story, or leave some vague mentions here and", "a multi-polar world where every nation has their own battleships and aircraft. Aerial" ]
[ "quotes, is it always a narrator's voice? If there are exceptions, I would", "of quotes, is it always a narrator's voice? If there are exceptions, I", "always a narrator's voice? If there are exceptions, I would be grateful for", "it always a narrator's voice? If there are exceptions, I would be grateful", "\"I\" occurs outside of quotes, is it always a narrator's voice? If there", "When the pronoun \"I\" occurs outside of quotes, is it always a narrator's", "the pronoun \"I\" occurs outside of quotes, is it always a narrator's voice?", "outside of quotes, is it always a narrator's voice? If there are exceptions,", "is it always a narrator's voice? If there are exceptions, I would be", "a narrator's voice? If there are exceptions, I would be grateful for examples.", "pronoun \"I\" occurs outside of quotes, is it always a narrator's voice? If", "occurs outside of quotes, is it always a narrator's voice? If there are" ]
[ "her character arc she has lived a normal life but would it be", "they wanted or intended. And that she is choosing her own path outside", "message to the readers. First of all my character has a desire to", "normal life but would it be harmful that by the end she left", "intended. And that she is choosing her own path outside of her parent's", "the religion they follow intended. Now I myself have seen what religious trauma", "have put so much on her that she doesn't want to do any", "life with more freedom to express herself. And by the end of her", "life but would it be harmful that by the end she left the", "as the religion they follow intended. Now I myself have seen what religious", "that religion is bad, but her parents have put so much on her", "religion is bad, but her parents have put so much on her that", "religion they follow intended. Now I myself have seen what religious trauma ,", "don't want to send the message that religion is bad, but her parents", "the end of her character arc she has lived a normal life but", "arc she has lived a normal life but would it be harmful that", "on her, so that she can be a pure child as the religion", "follow intended. Now I myself have seen what religious trauma , but I", "some recurring issue that might send a harmful message to the readers. First", "lived a normal life but would it be harmful that by the end", "child as the religion they follow intended. Now I myself have seen what", "First of all my character has a desire to live a normal life", "a normal life but would it be harmful that by the end she", "have seen what religious trauma , but I have some recurring issue that", "religion she followed? I don't want to send the message that religion is", "would it be harmful that by the end she left the religion she", "it be harmful that by the end she left the religion she followed?", "so that she can be a pure child as the religion they follow", "are strict on her, so that she can be a pure child as", "express herself. And by the end of her character arc she has lived", "live a normal life with more freedom to express herself. And by the", "to live a normal life with more freedom to express herself. And by", "a normal life with more freedom to express herself. And by the end", "the religion she followed? I don't want to send the message that religion", "she is choosing her own path outside of her parent's desires and the", "in mind of, with religious trauma. And her parents are strict on her,", "And by the end of her character arc she has lived a normal", "bad, but her parents have put so much on her that she doesn't", "herself. And by the end of her character arc she has lived a", "normal life with more freedom to express herself. And by the end of", "a desire to live a normal life with more freedom to express herself.", "to do any of the things they wanted or intended. And that she", "character has a desire to live a normal life with more freedom to", "the end she left the religion she followed? I don't want to send", "what religious trauma , but I have some recurring issue that might send", "by the end she left the religion she followed? I don't want to", "or intended. And that she is choosing her own path outside of her", "wanted or intended. And that she is choosing her own path outside of", "character in mind of, with religious trauma. And her parents are strict on", "has a desire to live a normal life with more freedom to express", "but her parents have put so much on her that she doesn't want", "doesn't want to do any of the things they wanted or intended. And", "her own path outside of her parent's desires and the religion. Would that", "might send a harmful message to the readers. First of all my character", ", but I have some recurring issue that might send a harmful message", "her, so that she can be a pure child as the religion they", "want to do any of the things they wanted or intended. And that", "to the readers. First of all my character has a desire to live", "she doesn't want to do any of the things they wanted or intended.", "a character in mind of, with religious trauma. And her parents are strict", "be a pure child as the religion they follow intended. Now I myself", "a pure child as the religion they follow intended. Now I myself have", "of, with religious trauma. And her parents are strict on her, so that", "message that religion is bad, but her parents have put so much on", "of all my character has a desire to live a normal life with", "have some recurring issue that might send a harmful message to the readers.", "end of her character arc she has lived a normal life but would", "I have some recurring issue that might send a harmful message to the", "I myself have seen what religious trauma , but I have some recurring", "parents have put so much on her that she doesn't want to do", "want to send the message that religion is bad, but her parents have", "with religious trauma. And her parents are strict on her, so that she", "my character has a desire to live a normal life with more freedom", "a harmful message to the readers. First of all my character has a", "her parents are strict on her, so that she can be a pure", "to express herself. And by the end of her character arc she has", "put so much on her that she doesn't want to do any of", "religious trauma. And her parents are strict on her, so that she can", "issue that might send a harmful message to the readers. First of all", "strict on her, so that she can be a pure child as the", "have a character in mind of, with religious trauma. And her parents are", "that might send a harmful message to the readers. First of all my", "of her character arc she has lived a normal life but would it", "I don't want to send the message that religion is bad, but her", "can be a pure child as the religion they follow intended. Now I", "Now I myself have seen what religious trauma , but I have some", "intended. Now I myself have seen what religious trauma , but I have", "that she can be a pure child as the religion they follow intended.", "any of the things they wanted or intended. And that she is choosing", "the things they wanted or intended. And that she is choosing her own", "more freedom to express herself. And by the end of her character arc", "myself have seen what religious trauma , but I have some recurring issue", "readers. First of all my character has a desire to live a normal", "she left the religion she followed? I don't want to send the message", "that she doesn't want to do any of the things they wanted or", "recurring issue that might send a harmful message to the readers. First of", "religious trauma , but I have some recurring issue that might send a", "of the things they wanted or intended. And that she is choosing her", "character arc she has lived a normal life but would it be harmful", "mind of, with religious trauma. And her parents are strict on her, so", "by the end of her character arc she has lived a normal life", "trauma. And her parents are strict on her, so that she can be", "pure child as the religion they follow intended. Now I myself have seen", "has lived a normal life but would it be harmful that by the", "And that she is choosing her own path outside of her parent's desires", "but would it be harmful that by the end she left the religion", "freedom to express herself. And by the end of her character arc she", "with more freedom to express herself. And by the end of her character", "desire to live a normal life with more freedom to express herself. And", "I have a character in mind of, with religious trauma. And her parents", "followed? I don't want to send the message that religion is bad, but", "send the message that religion is bad, but her parents have put so", "so much on her that she doesn't want to do any of the", "And her parents are strict on her, so that she can be a", "seen what religious trauma , but I have some recurring issue that might", "that by the end she left the religion she followed? I don't want", "she can be a pure child as the religion they follow intended. Now", "be harmful that by the end she left the religion she followed? I", "much on her that she doesn't want to do any of the things", "the readers. First of all my character has a desire to live a", "left the religion she followed? I don't want to send the message that", "she has lived a normal life but would it be harmful that by", "on her that she doesn't want to do any of the things they", "to send the message that religion is bad, but her parents have put", "harmful message to the readers. First of all my character has a desire", "her that she doesn't want to do any of the things they wanted", "they follow intended. Now I myself have seen what religious trauma , but", "Currently I have a character in mind of, with religious trauma. And her", "do any of the things they wanted or intended. And that she is", "end she left the religion she followed? I don't want to send the", "own path outside of her parent's desires and the religion. Would that be", "the message that religion is bad, but her parents have put so much", "path outside of her parent's desires and the religion. Would that be harmful?", "is bad, but her parents have put so much on her that she", "trauma , but I have some recurring issue that might send a harmful", "harmful that by the end she left the religion she followed? I don't", "she followed? I don't want to send the message that religion is bad,", "her parents have put so much on her that she doesn't want to", "that she is choosing her own path outside of her parent's desires and", "but I have some recurring issue that might send a harmful message to", "choosing her own path outside of her parent's desires and the religion. Would", "all my character has a desire to live a normal life with more", "parents are strict on her, so that she can be a pure child", "send a harmful message to the readers. First of all my character has", "is choosing her own path outside of her parent's desires and the religion.", "things they wanted or intended. And that she is choosing her own path" ]
[ "same symbol to carry different meanings throughout a novel or a book. Maybe", "scene, where the boy speaks to a psychologist, there's a teddy bear that", "to be abused by his father. In one scene, where the boy speaks", "to a psychologist, there's a teddy bear that seems to symbolize evil, but", "it was common practice to use the same symbol to carry different meanings", "a symbol carry different meanings throughout a film or a book? In the", "where the boy speaks to a psychologist, there's a teddy bear that seems", "the film The Shining, the boy is implied to be abused by his", "to carry different meanings throughout a novel or a book. Maybe my interpretation", "a film or a book? In the film The Shining, the boy is", "caught performing fellatio on a man. So I was wondering if it was", "throughout a film or a book? In the film The Shining, the boy", "scene there's a man in a bear costume who seems to be sexually", "abused by his father. In one scene, where the boy speaks to a", "practice to use the same symbol to carry different meanings throughout a novel", "a book. Maybe my interpretation is off, but the question is still valid", "by his father. In one scene, where the boy speaks to a psychologist,", "is caught performing fellatio on a man. So I was wondering if it", "In the film The Shining, the boy is implied to be abused by", "his father. In one scene, where the boy speaks to a psychologist, there's", "the boy speaks to a psychologist, there's a teddy bear that seems to", "there's a teddy bear that seems to symbolize evil, but then in another", "symbol to carry different meanings throughout a novel or a book. Maybe my", "Can a symbol carry different meanings throughout a film or a book? In", "symbolize evil, but then in another scene there's a man in a bear", "symbol carry different meanings throughout a film or a book? In the film", "different meanings throughout a film or a book? In the film The Shining,", "bear that seems to symbolize evil, but then in another scene there's a", "and is caught performing fellatio on a man. So I was wondering if", "seems to symbolize evil, but then in another scene there's a man in", "in a bear costume who seems to be sexually victimized and is caught", "seems to be sexually victimized and is caught performing fellatio on a man.", "film or a book? In the film The Shining, the boy is implied", "carry different meanings throughout a novel or a book. Maybe my interpretation is", "on a man. So I was wondering if it was common practice to", "book? In the film The Shining, the boy is implied to be abused", "a man in a bear costume who seems to be sexually victimized and", "was wondering if it was common practice to use the same symbol to", "to symbolize evil, but then in another scene there's a man in a", "bear costume who seems to be sexually victimized and is caught performing fellatio", "evil, but then in another scene there's a man in a bear costume", "was common practice to use the same symbol to carry different meanings throughout", "father. In one scene, where the boy speaks to a psychologist, there's a", "meanings throughout a novel or a book. Maybe my interpretation is off, but", "psychologist, there's a teddy bear that seems to symbolize evil, but then in", "meanings throughout a film or a book? In the film The Shining, the", "carry different meanings throughout a film or a book? In the film The", "or a book? In the film The Shining, the boy is implied to", "victimized and is caught performing fellatio on a man. So I was wondering", "different meanings throughout a novel or a book. Maybe my interpretation is off,", "man. So I was wondering if it was common practice to use the", "boy is implied to be abused by his father. In one scene, where", "a bear costume who seems to be sexually victimized and is caught performing", "a man. So I was wondering if it was common practice to use", "So I was wondering if it was common practice to use the same", "a teddy bear that seems to symbolize evil, but then in another scene", "In one scene, where the boy speaks to a psychologist, there's a teddy", "man in a bear costume who seems to be sexually victimized and is", "Shining, the boy is implied to be abused by his father. In one", "be abused by his father. In one scene, where the boy speaks to", "one scene, where the boy speaks to a psychologist, there's a teddy bear", "who seems to be sexually victimized and is caught performing fellatio on a", "is implied to be abused by his father. In one scene, where the", "wondering if it was common practice to use the same symbol to carry", "performing fellatio on a man. So I was wondering if it was common", "a book? In the film The Shining, the boy is implied to be", "teddy bear that seems to symbolize evil, but then in another scene there's", "to be sexually victimized and is caught performing fellatio on a man. So", "The Shining, the boy is implied to be abused by his father. In", "I was wondering if it was common practice to use the same symbol", "there's a man in a bear costume who seems to be sexually victimized", "another scene there's a man in a bear costume who seems to be", "but then in another scene there's a man in a bear costume who", "speaks to a psychologist, there's a teddy bear that seems to symbolize evil,", "novel or a book. Maybe my interpretation is off, but the question is", "book. Maybe my interpretation is off, but the question is still valid nonetheless.", "a psychologist, there's a teddy bear that seems to symbolize evil, but then", "in another scene there's a man in a bear costume who seems to", "or a book. Maybe my interpretation is off, but the question is still", "the boy is implied to be abused by his father. In one scene,", "film The Shining, the boy is implied to be abused by his father.", "to use the same symbol to carry different meanings throughout a novel or", "the same symbol to carry different meanings throughout a novel or a book.", "then in another scene there's a man in a bear costume who seems", "boy speaks to a psychologist, there's a teddy bear that seems to symbolize", "fellatio on a man. So I was wondering if it was common practice", "a novel or a book. Maybe my interpretation is off, but the question", "sexually victimized and is caught performing fellatio on a man. So I was", "common practice to use the same symbol to carry different meanings throughout a", "if it was common practice to use the same symbol to carry different", "use the same symbol to carry different meanings throughout a novel or a", "throughout a novel or a book. Maybe my interpretation is off, but the", "be sexually victimized and is caught performing fellatio on a man. So I", "implied to be abused by his father. In one scene, where the boy", "costume who seems to be sexually victimized and is caught performing fellatio on", "that seems to symbolize evil, but then in another scene there's a man" ]
[ "so-called myth and don't want to get myself in trouble if I use", "of this so-called myth and don't want to get myself in trouble if", "have my own version of this so-called myth and don't want to get", "my own version of this so-called myth and don't want to get myself", "myth about Ambrogio. Can I do that legally? I have my own version", "bits and pieces from the myth about Ambrogio. Can I do that legally?", "from the myth about Ambrogio. Can I do that legally? I have my", "and don't want to get myself in trouble if I use some of", "if I use some of the info out there about this Ambrogio guy.", "Ambrogio. Can I do that legally? I have my own version of this", "in trouble if I use some of the info out there about this", "uses bits and pieces from the myth about Ambrogio. Can I do that", "write a story that uses bits and pieces from the myth about Ambrogio.", "do that legally? I have my own version of this so-called myth and", "story that uses bits and pieces from the myth about Ambrogio. Can I", "I have my own version of this so-called myth and don't want to", "get myself in trouble if I use some of the info out there", "this so-called myth and don't want to get myself in trouble if I", "I'd like to write a story that uses bits and pieces from the", "a story that uses bits and pieces from the myth about Ambrogio. Can", "trouble if I use some of the info out there about this Ambrogio", "pieces from the myth about Ambrogio. Can I do that legally? I have", "I do that legally? I have my own version of this so-called myth", "the myth about Ambrogio. Can I do that legally? I have my own", "don't want to get myself in trouble if I use some of the", "that uses bits and pieces from the myth about Ambrogio. Can I do", "about Ambrogio. Can I do that legally? I have my own version of", "Can I do that legally? I have my own version of this so-called", "myth and don't want to get myself in trouble if I use some", "legally? I have my own version of this so-called myth and don't want", "myself in trouble if I use some of the info out there about", "to get myself in trouble if I use some of the info out", "like to write a story that uses bits and pieces from the myth", "and pieces from the myth about Ambrogio. Can I do that legally? I", "own version of this so-called myth and don't want to get myself in", "version of this so-called myth and don't want to get myself in trouble", "that legally? I have my own version of this so-called myth and don't", "to write a story that uses bits and pieces from the myth about", "want to get myself in trouble if I use some of the info" ]