Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "don't live within miles of villages that have no clue that they're close.", "werewolves don't shape shift into humans, they're werewolves all the time. There are", "werewolf pack that does attack humans and I can't figure out how to", "those packs that don't live within miles of villages that have no clue", "my book, the werewolves don't shape shift into humans, they're werewolves all the", "the werewolves don't shape shift into humans, they're werewolves all the time. There", "that does attack humans and I can't figure out how to describe it", "out how to describe it just right. I am writing in 3rd person", "very well, but I'm at a part where my characters encounter a werewolf", "all the time. There are some werewolves that don't attack humans, but the", "but I'm at a part where my characters encounter a werewolf pack that", "close. I can write the ones who don't attack very well, but I'm", "of villages that have no clue that they're close. I can write the", "does attack humans and I can't figure out how to describe it just", "are some werewolves that don't attack humans, but the majority does - those", "I can't figure out how to describe it just right. I am writing", "werewolves that don't attack humans, but the majority does - those packs that", "who don't attack very well, but I'm at a part where my characters", "majority does - those packs that don't live within miles of villages that", "In my book, the werewolves don't shape shift into humans, they're werewolves all", "some werewolves that don't attack humans, but the majority does - those packs", "within miles of villages that have no clue that they're close. I can", "figure out how to describe it just right. I am writing in 3rd", "they're close. I can write the ones who don't attack very well, but", "where my characters encounter a werewolf pack that does attack humans and I", "does - those packs that don't live within miles of villages that have", "a part where my characters encounter a werewolf pack that does attack humans", "write the ones who don't attack very well, but I'm at a part", "attack very well, but I'm at a part where my characters encounter a", "time. There are some werewolves that don't attack humans, but the majority does", "the majority does - those packs that don't live within miles of villages", "to describe it just right. I am writing in 3rd person if that", "characters encounter a werewolf pack that does attack humans and I can't figure", "part where my characters encounter a werewolf pack that does attack humans and", "the time. There are some werewolves that don't attack humans, but the majority", "the ones who don't attack very well, but I'm at a part where", "I'm at a part where my characters encounter a werewolf pack that does", "that they're close. I can write the ones who don't attack very well,", "- those packs that don't live within miles of villages that have no", "no clue that they're close. I can write the ones who don't attack", "how to describe it just right. I am writing in 3rd person if", "clue that they're close. I can write the ones who don't attack very", "don't attack very well, but I'm at a part where my characters encounter", "have no clue that they're close. I can write the ones who don't", "attack humans and I can't figure out how to describe it just right.", "don't shape shift into humans, they're werewolves all the time. There are some", "a werewolf pack that does attack humans and I can't figure out how", "but the majority does - those packs that don't live within miles of", "pack that does attack humans and I can't figure out how to describe", "don't attack humans, but the majority does - those packs that don't live", "villages that have no clue that they're close. I can write the ones", "live within miles of villages that have no clue that they're close. I", "can't figure out how to describe it just right. I am writing in", "ones who don't attack very well, but I'm at a part where my", "that don't live within miles of villages that have no clue that they're", "into humans, they're werewolves all the time. There are some werewolves that don't", "my characters encounter a werewolf pack that does attack humans and I can't", "humans, they're werewolves all the time. There are some werewolves that don't attack", "I can write the ones who don't attack very well, but I'm at", "humans and I can't figure out how to describe it just right. I", "humans, but the majority does - those packs that don't live within miles", "attack humans, but the majority does - those packs that don't live within", "that don't attack humans, but the majority does - those packs that don't", "encounter a werewolf pack that does attack humans and I can't figure out", "at a part where my characters encounter a werewolf pack that does attack", "book, the werewolves don't shape shift into humans, they're werewolves all the time.", "shift into humans, they're werewolves all the time. There are some werewolves that", "and I can't figure out how to describe it just right. I am", "well, but I'm at a part where my characters encounter a werewolf pack", "miles of villages that have no clue that they're close. I can write", "packs that don't live within miles of villages that have no clue that", "There are some werewolves that don't attack humans, but the majority does -", "werewolves all the time. There are some werewolves that don't attack humans, but", "shape shift into humans, they're werewolves all the time. There are some werewolves", "they're werewolves all the time. There are some werewolves that don't attack humans,", "describe it just right. I am writing in 3rd person if that matters.", "can write the ones who don't attack very well, but I'm at a", "that have no clue that they're close. I can write the ones who" ]
[ "been trying to reach you` or `Hi John - I've been trying to", "number of people especially in business settings use hyphens after names while writing", "a number of people especially in business settings use hyphens after names while", "I've seen a number of people especially in business settings use hyphens after", "Is this accurate? e.g. `John - I've been trying to reach you` or", "people especially in business settings use hyphens after names while writing or addressing", "while writing or addressing other individuals. Is this accurate? e.g. `John - I've", "hyphens after names while writing or addressing other individuals. Is this accurate? e.g.", "of people especially in business settings use hyphens after names while writing or", "trying to reach you` or `Hi John - I've been trying to reach", "`John - I've been trying to reach you` or `Hi John - I've", "- I've been trying to reach you` or `Hi John - I've been", "individuals. Is this accurate? e.g. `John - I've been trying to reach you`", "settings use hyphens after names while writing or addressing other individuals. Is this", "e.g. `John - I've been trying to reach you` or `Hi John -", "addressing other individuals. Is this accurate? e.g. `John - I've been trying to", "writing or addressing other individuals. Is this accurate? e.g. `John - I've been", "especially in business settings use hyphens after names while writing or addressing other", "other individuals. Is this accurate? e.g. `John - I've been trying to reach", "I've been trying to reach you` or `Hi John - I've been trying", "names while writing or addressing other individuals. Is this accurate? e.g. `John -", "this accurate? e.g. `John - I've been trying to reach you` or `Hi", "in business settings use hyphens after names while writing or addressing other individuals.", "seen a number of people especially in business settings use hyphens after names", "use hyphens after names while writing or addressing other individuals. Is this accurate?", "business settings use hyphens after names while writing or addressing other individuals. Is", "accurate? e.g. `John - I've been trying to reach you` or `Hi John", "to reach you` or `Hi John - I've been trying to reach you`", "or addressing other individuals. Is this accurate? e.g. `John - I've been trying", "after names while writing or addressing other individuals. Is this accurate? e.g. `John" ]
[ "use jedi mind trick, but it's hard to tell for some people from", "Wars, Jedi sometimes use jedi mind trick, but it's hard to tell for", "for some people from a drawn image that a telepathic signal is sent", "was also thinking magic runes, but it's not subtle, and I was thinking", "magic runes, but it's not subtle, and I was thinking latin words being", "several panels just to explain it? I am trying to think of the", "you visually describe in a comic a spell cast in a subtle and", "way to visually tell in an obvious way that such a stealthy and", "a spell cast in a subtle and stealthy manner? In Star Wars, Jedi", "people from a drawn image that a telepathic signal is sent to the", "way that such a stealthy and subtle spell was cast while not wasting", "in a comic a spell cast in a subtle and stealthy manner? In", "it's not subtle, and I was thinking latin words being chanted, but it's", "a drawn image that a telepathic signal is sent to the victim. Is", "just to explain it? I am trying to think of the best way.", "trying to think of the best way. I was thinking hand signals, but", "signals, but you waste several panels to do that, I was also thinking", "it's hard to tell for some people from a drawn image that a", "but you waste several panels to do that, I was also thinking magic", "signal is sent to the victim. Is there a way to visually tell", "subtle and stealthy manner? In Star Wars, Jedi sometimes use jedi mind trick,", "I was thinking hand signals, but you waste several panels to do that,", "a telepathic signal is sent to the victim. Is there a way to", "that a telepathic signal is sent to the victim. Is there a way", "way. I was thinking hand signals, but you waste several panels to do", "comic a spell cast in a subtle and stealthy manner? In Star Wars,", "a comic a spell cast in a subtle and stealthy manner? In Star", "hard to tell for some people from a drawn image that a telepathic", "I am trying to think of the best way. I was thinking hand", "stealthy and subtle spell was cast while not wasting several panels just to", "tell in an obvious way that such a stealthy and subtle spell was", "subtle spell was cast while not wasting several panels just to explain it?", "visually describe in a comic a spell cast in a subtle and stealthy", "several panels to do that, I was also thinking magic runes, but it's", "manner? In Star Wars, Jedi sometimes use jedi mind trick, but it's hard", "is sent to the victim. Is there a way to visually tell in", "in a subtle and stealthy manner? In Star Wars, Jedi sometimes use jedi", "thinking magic runes, but it's not subtle, and I was thinking latin words", "spell cast in a subtle and stealthy manner? In Star Wars, Jedi sometimes", "while not wasting several panels just to explain it? I am trying to", "some people from a drawn image that a telepathic signal is sent to", "that such a stealthy and subtle spell was cast while not wasting several", "tell for some people from a drawn image that a telepathic signal is", "Jedi sometimes use jedi mind trick, but it's hard to tell for some", "the best way. I was thinking hand signals, but you waste several panels", "that, I was also thinking magic runes, but it's not subtle, and I", "a way to visually tell in an obvious way that such a stealthy", "not subtle, and I was thinking latin words being chanted, but it's not", "jedi mind trick, but it's hard to tell for some people from a", "a subtle and stealthy manner? In Star Wars, Jedi sometimes use jedi mind", "there a way to visually tell in an obvious way that such a", "Is there a way to visually tell in an obvious way that such", "spell was cast while not wasting several panels just to explain it? I", "should you visually describe in a comic a spell cast in a subtle", "but it's not subtle, and I was thinking latin words being chanted, but", "sent to the victim. Is there a way to visually tell in an", "am trying to think of the best way. I was thinking hand signals,", "subtle, and I was thinking latin words being chanted, but it's not subtle", "visually tell in an obvious way that such a stealthy and subtle spell", "obvious way that such a stealthy and subtle spell was cast while not", "to visually tell in an obvious way that such a stealthy and subtle", "do that, I was also thinking magic runes, but it's not subtle, and", "runes, but it's not subtle, and I was thinking latin words being chanted,", "cast in a subtle and stealthy manner? In Star Wars, Jedi sometimes use", "and I was thinking latin words being chanted, but it's not subtle either.", "victim. Is there a way to visually tell in an obvious way that", "explain it? I am trying to think of the best way. I was", "to think of the best way. I was thinking hand signals, but you", "Star Wars, Jedi sometimes use jedi mind trick, but it's hard to tell", "you waste several panels to do that, I was also thinking magic runes,", "waste several panels to do that, I was also thinking magic runes, but", "cast while not wasting several panels just to explain it? I am trying", "not wasting several panels just to explain it? I am trying to think", "panels to do that, I was also thinking magic runes, but it's not", "was cast while not wasting several panels just to explain it? I am", "from a drawn image that a telepathic signal is sent to the victim.", "stealthy manner? In Star Wars, Jedi sometimes use jedi mind trick, but it's", "In Star Wars, Jedi sometimes use jedi mind trick, but it's hard to", "was thinking hand signals, but you waste several panels to do that, I", "describe in a comic a spell cast in a subtle and stealthy manner?", "How should you visually describe in a comic a spell cast in a", "and subtle spell was cast while not wasting several panels just to explain", "telepathic signal is sent to the victim. Is there a way to visually", "trick, but it's hard to tell for some people from a drawn image", "sometimes use jedi mind trick, but it's hard to tell for some people", "to the victim. Is there a way to visually tell in an obvious", "of the best way. I was thinking hand signals, but you waste several", "best way. I was thinking hand signals, but you waste several panels to", "an obvious way that such a stealthy and subtle spell was cast while", "a stealthy and subtle spell was cast while not wasting several panels just", "I was also thinking magic runes, but it's not subtle, and I was", "thinking hand signals, but you waste several panels to do that, I was", "it? I am trying to think of the best way. I was thinking", "to explain it? I am trying to think of the best way. I", "and stealthy manner? In Star Wars, Jedi sometimes use jedi mind trick, but", "also thinking magic runes, but it's not subtle, and I was thinking latin", "such a stealthy and subtle spell was cast while not wasting several panels", "image that a telepathic signal is sent to the victim. Is there a", "hand signals, but you waste several panels to do that, I was also", "but it's hard to tell for some people from a drawn image that", "to do that, I was also thinking magic runes, but it's not subtle,", "wasting several panels just to explain it? I am trying to think of", "mind trick, but it's hard to tell for some people from a drawn", "drawn image that a telepathic signal is sent to the victim. Is there", "the victim. Is there a way to visually tell in an obvious way", "in an obvious way that such a stealthy and subtle spell was cast", "think of the best way. I was thinking hand signals, but you waste", "to tell for some people from a drawn image that a telepathic signal", "panels just to explain it? I am trying to think of the best" ]
[ "sit in the dark for ages, spam a single main monster, and maybe", "a single main monster, and maybe a few grunts too. Then, the heroes", "The main bad guy will sit in the dark for ages, spam a", "win will feel cheap. A win gained through luck, plot armor, or a", "every turn. But creating a good villain plan is difficult for both the", "a million holes in its logic. Take the classic puppet master of most", "So here's my question: How do you make a villain plan that is", "fool genuinely smart protagonists, yet flawed enough that the heroes still win, not", "of the heroes at every turn. But creating a good villain plan is", "the plan is flawless, the heroes need an ingenious strategy too or their", "does it all again learning little if anything from their defeats. So here's", "you make a villain plan that is smart enough to fool genuinely smart", "the writer tries to paint it as brilliant despite a million holes in", "if anything from their defeats. So here's my question: How do you make", "after one or two episodes, and the villain does it all again learning", "gained through luck, plot armor, or a deus ex machina usually feels unearned.", "villain plan is difficult for both the villain and the writer. If the", "beat the creature after one or two episodes, and the villain does it", "a good villain plan is difficult for both the villain and the writer.", "ingenious strategy too or their win will feel cheap. A win gained through", "to fool genuinely smart protagonists, yet flawed enough that the heroes still win,", "versions of Power Rangers. The main bad guy will sit in the dark", "usually feels unearned. A stupid plan is much worse, especially if the writer", "flawed enough that the heroes still win, not by luck or plot contrivance,", "Take the classic puppet master of most \"monster of the week\" shows. A", "an ingenious strategy too or their win will feel cheap. A win gained", "luck, plot armor, or a deus ex machina usually feels unearned. A stupid", "a villain plan that is smart enough to fool genuinely smart protagonists, yet", "many villains are portrayed as cunning, charismatic, and manipulative, staying three steps ahead", "smart enough to fool genuinely smart protagonists, yet flawed enough that the heroes", "million holes in its logic. Take the classic puppet master of most \"monster", "anything from their defeats. So here's my question: How do you make a", "or their win will feel cheap. A win gained through luck, plot armor,", "feel cheap. A win gained through luck, plot armor, or a deus ex", "ex machina usually feels unearned. A stupid plan is much worse, especially if", "little if anything from their defeats. So here's my question: How do you", "If the plan is flawless, the heroes need an ingenious strategy too or", "master of most \"monster of the week\" shows. A good example would be", "heroes still win, not by luck or plot contrivance, but rather by their", "is flawless, the heroes need an ingenious strategy too or their win will", "and the writer. If the plan is flawless, the heroes need an ingenious", "dark for ages, spam a single main monster, and maybe a few grunts", "turn. But creating a good villain plan is difficult for both the villain", "most \"monster of the week\" shows. A good example would be most versions", "Power Rangers. The main bad guy will sit in the dark for ages,", "the classic puppet master of most \"monster of the week\" shows. A good", "flawless, the heroes need an ingenious strategy too or their win will feel", "writer. If the plan is flawless, the heroes need an ingenious strategy too", "the villain does it all again learning little if anything from their defeats.", "steps ahead of the heroes at every turn. But creating a good villain", "protagonists, yet flawed enough that the heroes still win, not by luck or", "few grunts too. Then, the heroes beat the creature after one or two", "grunts too. Then, the heroes beat the creature after one or two episodes,", "monster, and maybe a few grunts too. Then, the heroes beat the creature", "my question: How do you make a villain plan that is smart enough", "How do you make a villain plan that is smart enough to fool", "super-geniuses, many villains are portrayed as cunning, charismatic, and manipulative, staying three steps", "ahead of the heroes at every turn. But creating a good villain plan", "creating a good villain plan is difficult for both the villain and the", "a few grunts too. Then, the heroes beat the creature after one or", "logic. Take the classic puppet master of most \"monster of the week\" shows.", "cunning, charismatic, and manipulative, staying three steps ahead of the heroes at every", "episodes, and the villain does it all again learning little if anything from", "villain plan that is smart enough to fool genuinely smart protagonists, yet flawed", "enough to fool genuinely smart protagonists, yet flawed enough that the heroes still", "still win, not by luck or plot contrivance, but rather by their own", "machina usually feels unearned. A stupid plan is much worse, especially if the", "stupid plan is much worse, especially if the writer tries to paint it", "ages, spam a single main monster, and maybe a few grunts too. Then,", "of most \"monster of the week\" shows. A good example would be most", "as cunning, charismatic, and manipulative, staying three steps ahead of the heroes at", "plan is flawless, the heroes need an ingenious strategy too or their win", "week\" shows. A good example would be most versions of Power Rangers. The", "a deus ex machina usually feels unearned. A stupid plan is much worse,", "defeats. So here's my question: How do you make a villain plan that", "their defeats. So here's my question: How do you make a villain plan", "feels unearned. A stupid plan is much worse, especially if the writer tries", "two episodes, and the villain does it all again learning little if anything", "worse, especially if the writer tries to paint it as brilliant despite a", "or two episodes, and the villain does it all again learning little if", "good example would be most versions of Power Rangers. The main bad guy", "if the writer tries to paint it as brilliant despite a million holes", "A good example would be most versions of Power Rangers. The main bad", "at every turn. But creating a good villain plan is difficult for both", "charismatic, and manipulative, staying three steps ahead of the heroes at every turn.", "yet flawed enough that the heroes still win, not by luck or plot", "the week\" shows. A good example would be most versions of Power Rangers.", "despite a million holes in its logic. Take the classic puppet master of", "they are not super-geniuses, many villains are portrayed as cunning, charismatic, and manipulative,", "strategy too or their win will feel cheap. A win gained through luck,", "staying three steps ahead of the heroes at every turn. But creating a", "genuinely smart protagonists, yet flawed enough that the heroes still win, not by", "in its logic. Take the classic puppet master of most \"monster of the", "is smart enough to fool genuinely smart protagonists, yet flawed enough that the", "Even if they are not super-geniuses, many villains are portrayed as cunning, charismatic,", "question: How do you make a villain plan that is smart enough to", "guy will sit in the dark for ages, spam a single main monster,", "tries to paint it as brilliant despite a million holes in its logic.", "it all again learning little if anything from their defeats. So here's my", "main monster, and maybe a few grunts too. Then, the heroes beat the", "will feel cheap. A win gained through luck, plot armor, or a deus", "in the dark for ages, spam a single main monster, and maybe a", "both the villain and the writer. If the plan is flawless, the heroes", "creature after one or two episodes, and the villain does it all again", "villains are portrayed as cunning, charismatic, and manipulative, staying three steps ahead of", "or a deus ex machina usually feels unearned. A stupid plan is much", "spam a single main monster, and maybe a few grunts too. Then, the", "and the villain does it all again learning little if anything from their", "not super-geniuses, many villains are portrayed as cunning, charismatic, and manipulative, staying three", "classic puppet master of most \"monster of the week\" shows. A good example", "maybe a few grunts too. Then, the heroes beat the creature after one", "shows. A good example would be most versions of Power Rangers. The main", "manipulative, staying three steps ahead of the heroes at every turn. But creating", "all again learning little if anything from their defeats. So here's my question:", "the villain and the writer. If the plan is flawless, the heroes need", "plot armor, or a deus ex machina usually feels unearned. A stupid plan", "paint it as brilliant despite a million holes in its logic. Take the", "single main monster, and maybe a few grunts too. Then, the heroes beat", "the writer. If the plan is flawless, the heroes need an ingenious strategy", "portrayed as cunning, charismatic, and manipulative, staying three steps ahead of the heroes", "the heroes at every turn. But creating a good villain plan is difficult", "example would be most versions of Power Rangers. The main bad guy will", "the heroes need an ingenious strategy too or their win will feel cheap.", "the heroes beat the creature after one or two episodes, and the villain", "holes in its logic. Take the classic puppet master of most \"monster of", "not by luck or plot contrivance, but rather by their own wit, merits,", "cheap. A win gained through luck, plot armor, or a deus ex machina", "its logic. Take the classic puppet master of most \"monster of the week\"", "plan is difficult for both the villain and the writer. If the plan", "make a villain plan that is smart enough to fool genuinely smart protagonists,", "deus ex machina usually feels unearned. A stupid plan is much worse, especially", "most versions of Power Rangers. The main bad guy will sit in the", "as brilliant despite a million holes in its logic. Take the classic puppet", "one or two episodes, and the villain does it all again learning little", "brilliant despite a million holes in its logic. Take the classic puppet master", "and manipulative, staying three steps ahead of the heroes at every turn. But", "is much worse, especially if the writer tries to paint it as brilliant", "if they are not super-geniuses, many villains are portrayed as cunning, charismatic, and", "through luck, plot armor, or a deus ex machina usually feels unearned. A", "heroes beat the creature after one or two episodes, and the villain does", "puppet master of most \"monster of the week\" shows. A good example would", "luck or plot contrivance, but rather by their own wit, merits, and courage?", "for both the villain and the writer. If the plan is flawless, the", "Then, the heroes beat the creature after one or two episodes, and the", "villain does it all again learning little if anything from their defeats. So", "from their defeats. So here's my question: How do you make a villain", "plan is much worse, especially if the writer tries to paint it as", "unearned. A stupid plan is much worse, especially if the writer tries to", "win gained through luck, plot armor, or a deus ex machina usually feels", "the heroes still win, not by luck or plot contrivance, but rather by", "armor, or a deus ex machina usually feels unearned. A stupid plan is", "heroes need an ingenious strategy too or their win will feel cheap. A", "are not super-geniuses, many villains are portrayed as cunning, charismatic, and manipulative, staying", "would be most versions of Power Rangers. The main bad guy will sit", "and maybe a few grunts too. Then, the heroes beat the creature after", "learning little if anything from their defeats. So here's my question: How do", "smart protagonists, yet flawed enough that the heroes still win, not by luck", "A win gained through luck, plot armor, or a deus ex machina usually", "win, not by luck or plot contrivance, but rather by their own wit,", "too or their win will feel cheap. A win gained through luck, plot", "for ages, spam a single main monster, and maybe a few grunts too.", "too. Then, the heroes beat the creature after one or two episodes, and", "good villain plan is difficult for both the villain and the writer. If", "especially if the writer tries to paint it as brilliant despite a million", "much worse, especially if the writer tries to paint it as brilliant despite", "Rangers. The main bad guy will sit in the dark for ages, spam", "\"monster of the week\" shows. A good example would be most versions of", "be most versions of Power Rangers. The main bad guy will sit in", "plan that is smart enough to fool genuinely smart protagonists, yet flawed enough", "do you make a villain plan that is smart enough to fool genuinely", "to paint it as brilliant despite a million holes in its logic. Take", "difficult for both the villain and the writer. If the plan is flawless,", "heroes at every turn. But creating a good villain plan is difficult for", "it as brilliant despite a million holes in its logic. Take the classic", "main bad guy will sit in the dark for ages, spam a single", "that is smart enough to fool genuinely smart protagonists, yet flawed enough that", "the creature after one or two episodes, and the villain does it all", "will sit in the dark for ages, spam a single main monster, and", "is difficult for both the villain and the writer. If the plan is", "their win will feel cheap. A win gained through luck, plot armor, or", "writer tries to paint it as brilliant despite a million holes in its", "bad guy will sit in the dark for ages, spam a single main", "of the week\" shows. A good example would be most versions of Power", "by luck or plot contrivance, but rather by their own wit, merits, and", "are portrayed as cunning, charismatic, and manipulative, staying three steps ahead of the", "three steps ahead of the heroes at every turn. But creating a good", "enough that the heroes still win, not by luck or plot contrivance, but", "villain and the writer. If the plan is flawless, the heroes need an", "that the heroes still win, not by luck or plot contrivance, but rather", "But creating a good villain plan is difficult for both the villain and", "here's my question: How do you make a villain plan that is smart", "need an ingenious strategy too or their win will feel cheap. A win", "again learning little if anything from their defeats. So here's my question: How", "of Power Rangers. The main bad guy will sit in the dark for", "the dark for ages, spam a single main monster, and maybe a few", "A stupid plan is much worse, especially if the writer tries to paint" ]
[ "needs to go see a psychiatrist, and as I am someone who is", "the story imbalanced and without making my readers feel that I deliberately skipped", "peacefully skip this scene without making the story imbalanced and without making my", "that it is a necessary scene for the plot. How can I peacefully", "I also believe that it is a necessary scene for the plot. How", "can I peacefully skip this scene without making the story imbalanced and without", "for the plot. How can I peacefully skip this scene without making the", "at least a realistic one, but I also believe that it is a", "the way psychiatrists talk to their patients, or manipulate them to get answers,", "I am someone who is not that knowledgeable about the way psychiatrists talk", "feel that I deliberately skipped it because of my somehow poor writing skills?", "conversation between the two of them or at least a realistic one, but", "it is a necessary scene for the plot. How can I peacefully skip", "don't believe I can write a good conversation between the two of them", "two of them or at least a realistic one, but I also believe", "or manipulate them to get answers, or advice them, I don't believe I", "get answers, or advice them, I don't believe I can write a good", "and as I am someone who is not that knowledgeable about the way", "write a good conversation between the two of them or at least a", "them, I don't believe I can write a good conversation between the two", "without making the story imbalanced and without making my readers feel that I", "without making my readers feel that I deliberately skipped it because of my", "knowledgeable about the way psychiatrists talk to their patients, or manipulate them to", "believe I can write a good conversation between the two of them or", "also believe that it is a necessary scene for the plot. How can", "their patients, or manipulate them to get answers, or advice them, I don't", "can write a good conversation between the two of them or at least", "scene for the plot. How can I peacefully skip this scene without making", "least a realistic one, but I also believe that it is a necessary", "making the story imbalanced and without making my readers feel that I deliberately", "good conversation between the two of them or at least a realistic one,", "them to get answers, or advice them, I don't believe I can write", "believe that it is a necessary scene for the plot. How can I", "the two of them or at least a realistic one, but I also", "or advice them, I don't believe I can write a good conversation between", "character needs to go see a psychiatrist, and as I am someone who", "making my readers feel that I deliberately skipped it because of my somehow", "readers feel that I deliberately skipped it because of my somehow poor writing", "to go see a psychiatrist, and as I am someone who is not", "of them or at least a realistic one, but I also believe that", "is not that knowledgeable about the way psychiatrists talk to their patients, or", "them or at least a realistic one, but I also believe that it", "skip this scene without making the story imbalanced and without making my readers", "a psychiatrist, and as I am someone who is not that knowledgeable about", "the plot. How can I peacefully skip this scene without making the story", "between the two of them or at least a realistic one, but I", "but I also believe that it is a necessary scene for the plot.", "a necessary scene for the plot. How can I peacefully skip this scene", "about the way psychiatrists talk to their patients, or manipulate them to get", "realistic one, but I also believe that it is a necessary scene for", "answers, or advice them, I don't believe I can write a good conversation", "a realistic one, but I also believe that it is a necessary scene", "psychiatrist, and as I am someone who is not that knowledgeable about the", "manipulate them to get answers, or advice them, I don't believe I can", "one, but I also believe that it is a necessary scene for the", "and without making my readers feel that I deliberately skipped it because of", "to get answers, or advice them, I don't believe I can write a", "this scene without making the story imbalanced and without making my readers feel", "necessary scene for the plot. How can I peacefully skip this scene without", "a good conversation between the two of them or at least a realistic", "way psychiatrists talk to their patients, or manipulate them to get answers, or", "How can I peacefully skip this scene without making the story imbalanced and", "my readers feel that I deliberately skipped it because of my somehow poor", "scene without making the story imbalanced and without making my readers feel that", "am someone who is not that knowledgeable about the way psychiatrists talk to", "I don't believe I can write a good conversation between the two of", "advice them, I don't believe I can write a good conversation between the", "plot. How can I peacefully skip this scene without making the story imbalanced", "talk to their patients, or manipulate them to get answers, or advice them,", "I can write a good conversation between the two of them or at", "someone who is not that knowledgeable about the way psychiatrists talk to their", "go see a psychiatrist, and as I am someone who is not that", "as I am someone who is not that knowledgeable about the way psychiatrists", "to their patients, or manipulate them to get answers, or advice them, I", "not that knowledgeable about the way psychiatrists talk to their patients, or manipulate", "psychiatrists talk to their patients, or manipulate them to get answers, or advice", "story imbalanced and without making my readers feel that I deliberately skipped it", "imbalanced and without making my readers feel that I deliberately skipped it because", "is a necessary scene for the plot. How can I peacefully skip this", "who is not that knowledgeable about the way psychiatrists talk to their patients,", "see a psychiatrist, and as I am someone who is not that knowledgeable", "or at least a realistic one, but I also believe that it is", "My character needs to go see a psychiatrist, and as I am someone", "I peacefully skip this scene without making the story imbalanced and without making", "that knowledgeable about the way psychiatrists talk to their patients, or manipulate them", "patients, or manipulate them to get answers, or advice them, I don't believe" ]
[ "is asking if the island even exists but is interrupted. Would such an", "Here's an example: > > “But do you think the island even—?” >", "[Is it acceptable to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my", "However, my question is about the reverse scenario: Is it acceptable to place", "island even—?” > > > In this example, the speaker is asking if", "this example, the speaker is asking if the island even exists but is", "was this: [Is it acceptable to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1)", "place a question mark after a dash? Here's an example: > > “But", "if the island even exists but is interrupted. Would such an abruptly ended", "question be punctuated with an em dash and then a question mark at", "after a dash? Here's an example: > > “But do you think the", "an answer to my problem. The closest thing I could find was this:", "question mark after a dash? Here's an example: > > “But do you", "answer to my problem. The closest thing I could find was this: [Is", "dash? Here's an example: > > “But do you think the island even—?”", "you think the island even—?” > > > In this example, the speaker", "question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse scenario: Is it acceptable", "it acceptable to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question", "of the site's questions to find an answer to my problem. The closest", "island even exists but is interrupted. Would such an abruptly ended question be", "> > “But do you think the island even—?” > > > In", "after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse scenario: Is", "I looked through a number of the site's questions to find an answer", "mark after a dash? Here's an example: > > “But do you think", "dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse scenario:", "is about the reverse scenario: Is it acceptable to place a question mark", "find was this: [Is it acceptable to place a dash after a question", "a dash? Here's an example: > > “But do you think the island", "abruptly ended question be punctuated with an em dash and then a question", "my problem. The closest thing I could find was this: [Is it acceptable", "mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse scenario: Is it acceptable to", "do you think the island even—?” > > > In this example, the", "an example: > > “But do you think the island even—?” > >", "to find an answer to my problem. The closest thing I could find", "think the island even—?” > > > In this example, the speaker is", "even exists but is interrupted. Would such an abruptly ended question be punctuated", "is interrupted. Would such an abruptly ended question be punctuated with an em", "> “But do you think the island even—?” > > > In this", "such an abruptly ended question be punctuated with an em dash and then", "I could find was this: [Is it acceptable to place a dash after", "even—?” > > > In this example, the speaker is asking if the", "the site's questions to find an answer to my problem. The closest thing", "scenario: Is it acceptable to place a question mark after a dash? Here's", "be punctuated with an em dash and then a question mark at the", "site's questions to find an answer to my problem. The closest thing I", "but is interrupted. Would such an abruptly ended question be punctuated with an", "a question mark after a dash? Here's an example: > > “But do", "it acceptable to place a question mark after a dash? Here's an example:", "the island even exists but is interrupted. Would such an abruptly ended question", "through a number of the site's questions to find an answer to my", "reverse scenario: Is it acceptable to place a question mark after a dash?", "punctuated with an em dash and then a question mark at the end?", "to place a question mark after a dash? Here's an example: > >", "interrupted. Would such an abruptly ended question be punctuated with an em dash", "number of the site's questions to find an answer to my problem. The", "> > > In this example, the speaker is asking if the island", "“But do you think the island even—?” > > > In this example,", "example: > > “But do you think the island even—?” > > >", "> > In this example, the speaker is asking if the island even", "> In this example, the speaker is asking if the island even exists", "the island even—?” > > > In this example, the speaker is asking", "place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the", "thing I could find was this: [Is it acceptable to place a dash", "acceptable to place a question mark after a dash? Here's an example: >", "In this example, the speaker is asking if the island even exists but", "to my problem. The closest thing I could find was this: [Is it", "problem. The closest thing I could find was this: [Is it acceptable to", "acceptable to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is", "to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about", "speaker is asking if the island even exists but is interrupted. Would such", "the reverse scenario: Is it acceptable to place a question mark after a", "a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse", "questions to find an answer to my problem. The closest thing I could", "ended question be punctuated with an em dash and then a question mark", "this: [Is it acceptable to place a dash after a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However,", "an abruptly ended question be punctuated with an em dash and then a", "my question is about the reverse scenario: Is it acceptable to place a", "the speaker is asking if the island even exists but is interrupted. Would", "asking if the island even exists but is interrupted. Would such an abruptly", "looked through a number of the site's questions to find an answer to", "question is about the reverse scenario: Is it acceptable to place a question", "The closest thing I could find was this: [Is it acceptable to place", "exists but is interrupted. Would such an abruptly ended question be punctuated with", "could find was this: [Is it acceptable to place a dash after a", "a question mark?](https://writing.stackexchange.com/questions/10675/is-it-acceptable-to-place-a-dash-after-a-question-mark?rq=1) However, my question is about the reverse scenario: Is it", "Is it acceptable to place a question mark after a dash? Here's an", "Would such an abruptly ended question be punctuated with an em dash and", "about the reverse scenario: Is it acceptable to place a question mark after", "closest thing I could find was this: [Is it acceptable to place a", "find an answer to my problem. The closest thing I could find was", "a number of the site's questions to find an answer to my problem.", "example, the speaker is asking if the island even exists but is interrupted." ]
[ "buying the rights to produce it, or the rights to produce a pilot", "interested in buying the rights to produce it, or the rights to produce", "on my own time (I don't work for an animation studio). It's well-written", "animation studio). It's well-written and original, but because it hasn't already been published,", "an episode-by-episode screenplay on my own time (I don't work for an animation", "in buying the rights to produce it, or the rights to produce a", "And if a studio were to buy the rights, how much would they", "time (I don't work for an animation studio). It's well-written and original, but", "the rights to produce it, or the rights to produce a pilot to", "see how it does? And if a studio were to buy the rights,", "fanbase. I also haven't been involved in any prior projects. What are the", "I also haven't been involved in any prior projects. What are the odds", "(I don't work for an animation studio). It's well-written and original, but because", "a pilot to see how it does? And if a studio were to", "that an animation studio would be interested in buying the rights to produce", "produce a pilot to see how it does? And if a studio were", "an animation studio). It's well-written and original, but because it hasn't already been", "own time (I don't work for an animation studio). It's well-written and original,", "it does? And if a studio were to buy the rights, how much", "It's well-written and original, but because it hasn't already been published, it of", "be interested in buying the rights to produce it, or the rights to", "original, but because it hasn't already been published, it of course doesn't have", "haven't been involved in any prior projects. What are the odds that an", "doesn't have a preexisting fanbase. I also haven't been involved in any prior", "or the rights to produce a pilot to see how it does? And", "does? And if a studio were to buy the rights, how much would", "been involved in any prior projects. What are the odds that an animation", "well-written and original, but because it hasn't already been published, it of course", "any prior projects. What are the odds that an animation studio would be", "a preexisting fanbase. I also haven't been involved in any prior projects. What", "prior projects. What are the odds that an animation studio would be interested", "how it does? And if a studio were to buy the rights, how", "already been published, it of course doesn't have a preexisting fanbase. I also", "studio were to buy the rights, how much would they most likely pay", "studio would be interested in buying the rights to produce it, or the", "of course doesn't have a preexisting fanbase. I also haven't been involved in", "would be interested in buying the rights to produce it, or the rights", "published, it of course doesn't have a preexisting fanbase. I also haven't been", "What are the odds that an animation studio would be interested in buying", "have a preexisting fanbase. I also haven't been involved in any prior projects.", "if a studio were to buy the rights, how much would they most", "pilot to see how it does? And if a studio were to buy", "it hasn't already been published, it of course doesn't have a preexisting fanbase.", "to buy the rights, how much would they most likely pay for it?", "because it hasn't already been published, it of course doesn't have a preexisting", "and original, but because it hasn't already been published, it of course doesn't", "I've written an episode-by-episode screenplay on my own time (I don't work for", "preexisting fanbase. I also haven't been involved in any prior projects. What are", "an animation studio would be interested in buying the rights to produce it,", "episode-by-episode screenplay on my own time (I don't work for an animation studio).", "rights to produce a pilot to see how it does? And if a", "also haven't been involved in any prior projects. What are the odds that", "to see how it does? And if a studio were to buy the", "were to buy the rights, how much would they most likely pay for", "projects. What are the odds that an animation studio would be interested in", "screenplay on my own time (I don't work for an animation studio). It's", "but because it hasn't already been published, it of course doesn't have a", "produce it, or the rights to produce a pilot to see how it", "don't work for an animation studio). It's well-written and original, but because it", "studio). It's well-written and original, but because it hasn't already been published, it", "work for an animation studio). It's well-written and original, but because it hasn't", "it of course doesn't have a preexisting fanbase. I also haven't been involved", "involved in any prior projects. What are the odds that an animation studio", "been published, it of course doesn't have a preexisting fanbase. I also haven't", "to produce it, or the rights to produce a pilot to see how", "the rights to produce a pilot to see how it does? And if", "are the odds that an animation studio would be interested in buying the", "in any prior projects. What are the odds that an animation studio would", "to produce a pilot to see how it does? And if a studio", "a studio were to buy the rights, how much would they most likely", "written an episode-by-episode screenplay on my own time (I don't work for an", "rights to produce it, or the rights to produce a pilot to see", "odds that an animation studio would be interested in buying the rights to", "for an animation studio). It's well-written and original, but because it hasn't already", "say I've written an episode-by-episode screenplay on my own time (I don't work", "hasn't already been published, it of course doesn't have a preexisting fanbase. I", "course doesn't have a preexisting fanbase. I also haven't been involved in any", "Let's say I've written an episode-by-episode screenplay on my own time (I don't", "my own time (I don't work for an animation studio). It's well-written and", "animation studio would be interested in buying the rights to produce it, or", "it, or the rights to produce a pilot to see how it does?", "the odds that an animation studio would be interested in buying the rights" ]
[ "what can you do in order to make the writing good without changing", "changing that element. If it's not possible, can you explain why having a", "life goal is getting killed by the main character for the sake of", "the motivation of getting killed by the main character? Let's say his life", "weak writing? If so, what can you do in order to make the", "order to make the writing good without changing that element. If it's not", "the main character for the sake of getting killed by the main character,", "to achieve something, but getting killed by the main character is the goal", "that weak writing? If so, what can you do in order to make", "writing? If so, what can you do in order to make the writing", "can you explain why having a \"good\" or \"legitimate\" motivation is absolutely crucial", "for the sake of getting killed by the main character, not to achieve", "by the main character for the sake of getting killed by the main", "the goal itself. Is that weak writing? If so, what can you do", "getting killed by the main character for the sake of getting killed by", "getting killed by the main character, not to achieve something, but getting killed", "killed by the main character is the goal itself. Is that weak writing?", "so, what can you do in order to make the writing good without", "by the main character, not to achieve something, but getting killed by the", "the sake of getting killed by the main character, not to achieve something,", "main character? Let's say his life goal is getting killed by the main", "by the main character is the goal itself. Is that weak writing? If", "character? Let's say his life goal is getting killed by the main character", "the main character, not to achieve something, but getting killed by the main", "Is it weak writing to have an evil character have the motivation of", "Is that weak writing? If so, what can you do in order to", "you do in order to make the writing good without changing that element.", "goal itself. Is that weak writing? If so, what can you do in", "character have the motivation of getting killed by the main character? Let's say", "to have an evil character have the motivation of getting killed by the", "If it's not possible, can you explain why having a \"good\" or \"legitimate\"", "motivation of getting killed by the main character? Let's say his life goal", "Let's say his life goal is getting killed by the main character for", "by the main character? Let's say his life goal is getting killed by", "his life goal is getting killed by the main character for the sake", "element. If it's not possible, can you explain why having a \"good\" or", "writing to have an evil character have the motivation of getting killed by", "say his life goal is getting killed by the main character for the", "killed by the main character, not to achieve something, but getting killed by", "main character for the sake of getting killed by the main character, not", "why having a \"good\" or \"legitimate\" motivation is absolutely crucial to good writing?", "of getting killed by the main character, not to achieve something, but getting", "not to achieve something, but getting killed by the main character is the", "the main character? Let's say his life goal is getting killed by the", "but getting killed by the main character is the goal itself. Is that", "evil character have the motivation of getting killed by the main character? Let's", "without changing that element. If it's not possible, can you explain why having", "weak writing to have an evil character have the motivation of getting killed", "is getting killed by the main character for the sake of getting killed", "something, but getting killed by the main character is the goal itself. Is", "character, not to achieve something, but getting killed by the main character is", "in order to make the writing good without changing that element. If it's", "can you do in order to make the writing good without changing that", "writing good without changing that element. If it's not possible, can you explain", "have an evil character have the motivation of getting killed by the main", "killed by the main character for the sake of getting killed by the", "itself. Is that weak writing? If so, what can you do in order", "main character, not to achieve something, but getting killed by the main character", "not possible, can you explain why having a \"good\" or \"legitimate\" motivation is", "main character is the goal itself. Is that weak writing? If so, what", "do in order to make the writing good without changing that element. If", "it's not possible, can you explain why having a \"good\" or \"legitimate\" motivation", "If so, what can you do in order to make the writing good", "the main character is the goal itself. Is that weak writing? If so,", "goal is getting killed by the main character for the sake of getting", "killed by the main character? Let's say his life goal is getting killed", "you explain why having a \"good\" or \"legitimate\" motivation is absolutely crucial to", "achieve something, but getting killed by the main character is the goal itself.", "an evil character have the motivation of getting killed by the main character?", "getting killed by the main character? Let's say his life goal is getting", "sake of getting killed by the main character, not to achieve something, but", "good without changing that element. If it's not possible, can you explain why", "to make the writing good without changing that element. If it's not possible,", "the writing good without changing that element. If it's not possible, can you", "character is the goal itself. Is that weak writing? If so, what can", "make the writing good without changing that element. If it's not possible, can", "explain why having a \"good\" or \"legitimate\" motivation is absolutely crucial to good", "character for the sake of getting killed by the main character, not to", "getting killed by the main character is the goal itself. Is that weak", "that element. If it's not possible, can you explain why having a \"good\"", "have the motivation of getting killed by the main character? Let's say his", "it weak writing to have an evil character have the motivation of getting", "of getting killed by the main character? Let's say his life goal is", "is the goal itself. Is that weak writing? If so, what can you", "possible, can you explain why having a \"good\" or \"legitimate\" motivation is absolutely" ]
[ "meaning of the square brackets encapsulating the \"t\". A cursory search online doesn't", "it was originally capitalized then put in square brackets when it was lowercased.", "of the original quotation, this doesn't seem to apply here as \"the\" seems", "a quote earlier starting with these words, and I am unsure of the", "[sic] or other words that were not part of the original quotation, this", "as \"the\" seems to be intended. My personal theory is that while there", "am unsure of the meaning of the square brackets encapsulating the \"t\". A", "these words, and I am unsure of the meaning of the square brackets", "used for [sic] or other words that were not part of the original", "is that while there is a \"t\" there, it was originally capitalized then", "there is a \"t\" there, it was originally capitalized then put in square", "anything relevant. Aside from being used for [sic] or other words that were", "the \"t\". A cursory search online doesn't seem to yield anything relevant. Aside", "I am unsure of the meaning of the square brackets encapsulating the \"t\".", "quote earlier starting with these words, and I am unsure of the meaning", "be intended. My personal theory is that while there is a \"t\" there,", "earlier starting with these words, and I am unsure of the meaning of", "to apply here as \"the\" seems to be intended. My personal theory is", "this doesn't seem to apply here as \"the\" seems to be intended. My", "here as \"the\" seems to be intended. My personal theory is that while", "doesn't seem to apply here as \"the\" seems to be intended. My personal", "seems to be intended. My personal theory is that while there is a", "read a quote earlier starting with these words, and I am unsure of", "search online doesn't seem to yield anything relevant. Aside from being used for", "of the meaning of the square brackets encapsulating the \"t\". A cursory search", "company engaged...\" I read a quote earlier starting with these words, and I", "while there is a \"t\" there, it was originally capitalized then put in", "seem to yield anything relevant. Aside from being used for [sic] or other", "My personal theory is that while there is a \"t\" there, it was", "engaged...\" I read a quote earlier starting with these words, and I am", "theory is that while there is a \"t\" there, it was originally capitalized", "cursory search online doesn't seem to yield anything relevant. Aside from being used", "original quotation, this doesn't seem to apply here as \"the\" seems to be", "encapsulating the \"t\". A cursory search online doesn't seem to yield anything relevant.", "Aside from being used for [sic] or other words that were not part", "personal theory is that while there is a \"t\" there, it was originally", "quotation, this doesn't seem to apply here as \"the\" seems to be intended.", "yield anything relevant. Aside from being used for [sic] or other words that", "were not part of the original quotation, this doesn't seem to apply here", "square brackets encapsulating the \"t\". A cursory search online doesn't seem to yield", "doesn't seem to yield anything relevant. Aside from being used for [sic] or", "the meaning of the square brackets encapsulating the \"t\". A cursory search online", "brackets encapsulating the \"t\". A cursory search online doesn't seem to yield anything", "relevant. Aside from being used for [sic] or other words that were not", "seem to apply here as \"the\" seems to be intended. My personal theory", "being used for [sic] or other words that were not part of the", "online doesn't seem to yield anything relevant. Aside from being used for [sic]", "\"the\" seems to be intended. My personal theory is that while there is", "that while there is a \"t\" there, it was originally capitalized then put", "not part of the original quotation, this doesn't seem to apply here as", "words that were not part of the original quotation, this doesn't seem to", "starting with these words, and I am unsure of the meaning of the", "other words that were not part of the original quotation, this doesn't seem", "to be intended. My personal theory is that while there is a \"t\"", "a \"t\" there, it was originally capitalized then put in square brackets when", "or other words that were not part of the original quotation, this doesn't", "unsure of the meaning of the square brackets encapsulating the \"t\". A cursory", "and I am unsure of the meaning of the square brackets encapsulating the", "A cursory search online doesn't seem to yield anything relevant. Aside from being", "for [sic] or other words that were not part of the original quotation,", "\"t\" there, it was originally capitalized then put in square brackets when it", "\"[t]he company engaged...\" I read a quote earlier starting with these words, and", "the square brackets encapsulating the \"t\". A cursory search online doesn't seem to", "with these words, and I am unsure of the meaning of the square", "intended. My personal theory is that while there is a \"t\" there, it", "of the square brackets encapsulating the \"t\". A cursory search online doesn't seem", "apply here as \"the\" seems to be intended. My personal theory is that", "I read a quote earlier starting with these words, and I am unsure", "words, and I am unsure of the meaning of the square brackets encapsulating", "is a \"t\" there, it was originally capitalized then put in square brackets", "that were not part of the original quotation, this doesn't seem to apply", "part of the original quotation, this doesn't seem to apply here as \"the\"", "to yield anything relevant. Aside from being used for [sic] or other words", "\"t\". A cursory search online doesn't seem to yield anything relevant. Aside from", "there, it was originally capitalized then put in square brackets when it was", "from being used for [sic] or other words that were not part of", "the original quotation, this doesn't seem to apply here as \"the\" seems to" ]
[ "and easily controlled. She yearns to teach her children to be strong (like", "she was) but has gotten into a situation where she is fully under", "was) but has gotten into a situation where she is fully under the", "She yearns to teach her children to be strong (like she wishes she", "children. That sounds an awful lot like her goal... I'm so confused!!! Can", "gotten into a situation where she is fully under the control of a", "they have their goal, or the \"why.\" But all I can think of", "so confused!!! Can you help? What's a better way to explain motive vs", "sounds an awful lot like her goal... I'm so confused!!! Can you help?", "a story and am all confused about motive and goal of my protagonist.", "protect her children. That sounds an awful lot like her goal... I'm so", "into a situation where she is fully under the control of a domineering", "a domineering husband. I think her goal is to free herself and her", "children to be strong (like she wishes she was) but has gotten into", "where she is fully under the control of a domineering husband. I think", "under the control of a domineering husband. I think her goal is to", "free herself and her children from him. I read that a character's motive", "like her goal... I'm so confused!!! Can you help? What's a better way", "reason they have their goal, or the \"why.\" But all I can think", "that a character's motive is the reason they have their goal, or the", "protagonist. She has been brought up to believe that she is weak and", "is weak and easily controlled. She yearns to teach her children to be", "a situation where she is fully under the control of a domineering husband.", "\"why.\" But all I can think of is that her motive is to", "I read that a character's motive is the reason they have their goal,", "fully under the control of a domineering husband. I think her goal is", "control of a domineering husband. I think her goal is to free herself", "she is weak and easily controlled. She yearns to teach her children to", "(like she wishes she was) but has gotten into a situation where she", "I'm so confused!!! Can you help? What's a better way to explain motive", "situation where she is fully under the control of a domineering husband. I", "character's motive is the reason they have their goal, or the \"why.\" But", "motive is to protect her children. That sounds an awful lot like her", "been brought up to believe that she is weak and easily controlled. She", "but has gotten into a situation where she is fully under the control", "or the \"why.\" But all I can think of is that her motive", "goal, or the \"why.\" But all I can think of is that her", "her goal is to free herself and her children from him. I read", "outlining a story and am all confused about motive and goal of my", "be strong (like she wishes she was) but has gotten into a situation", "think of is that her motive is to protect her children. That sounds", "she wishes she was) but has gotten into a situation where she is", "to free herself and her children from him. I read that a character's", "I'm outlining a story and am all confused about motive and goal of", "has been brought up to believe that she is weak and easily controlled.", "easily controlled. She yearns to teach her children to be strong (like she", "the control of a domineering husband. I think her goal is to free", "motive is the reason they have their goal, or the \"why.\" But all", "her goal... I'm so confused!!! Can you help? What's a better way to", "that she is weak and easily controlled. She yearns to teach her children", "awful lot like her goal... I'm so confused!!! Can you help? What's a", "her motive is to protect her children. That sounds an awful lot like", "is the reason they have their goal, or the \"why.\" But all I", "to protect her children. That sounds an awful lot like her goal... I'm", "to teach her children to be strong (like she wishes she was) but", "of my protagonist. She has been brought up to believe that she is", "and am all confused about motive and goal of my protagonist. She has", "up to believe that she is weak and easily controlled. She yearns to", "from him. I read that a character's motive is the reason they have", "story and am all confused about motive and goal of my protagonist. She", "goal of my protagonist. She has been brought up to believe that she", "think her goal is to free herself and her children from him. I", "husband. I think her goal is to free herself and her children from", "I can think of is that her motive is to protect her children.", "and her children from him. I read that a character's motive is the", "weak and easily controlled. She yearns to teach her children to be strong", "the reason they have their goal, or the \"why.\" But all I can", "the \"why.\" But all I can think of is that her motive is", "is fully under the control of a domineering husband. I think her goal", "read that a character's motive is the reason they have their goal, or", "That sounds an awful lot like her goal... I'm so confused!!! Can you", "believe that she is weak and easily controlled. She yearns to teach her", "wishes she was) but has gotten into a situation where she is fully", "she is fully under the control of a domineering husband. I think her", "children from him. I read that a character's motive is the reason they", "and goal of my protagonist. She has been brought up to believe that", "a character's motive is the reason they have their goal, or the \"why.\"", "I think her goal is to free herself and her children from him.", "is to protect her children. That sounds an awful lot like her goal...", "to be strong (like she wishes she was) but has gotten into a", "goal... I'm so confused!!! Can you help? What's a better way to explain", "teach her children to be strong (like she wishes she was) but has", "lot like her goal... I'm so confused!!! Can you help? What's a better", "strong (like she wishes she was) but has gotten into a situation where", "have their goal, or the \"why.\" But all I can think of is", "She has been brought up to believe that she is weak and easily", "domineering husband. I think her goal is to free herself and her children", "an awful lot like her goal... I'm so confused!!! Can you help? What's", "is that her motive is to protect her children. That sounds an awful", "herself and her children from him. I read that a character's motive is", "has gotten into a situation where she is fully under the control of", "her children from him. I read that a character's motive is the reason", "all confused about motive and goal of my protagonist. She has been brought", "my protagonist. She has been brought up to believe that she is weak", "of a domineering husband. I think her goal is to free herself and", "goal is to free herself and her children from him. I read that", "is to free herself and her children from him. I read that a", "him. I read that a character's motive is the reason they have their", "her children. That sounds an awful lot like her goal... I'm so confused!!!", "to believe that she is weak and easily controlled. She yearns to teach", "motive and goal of my protagonist. She has been brought up to believe", "yearns to teach her children to be strong (like she wishes she was)", "that her motive is to protect her children. That sounds an awful lot", "their goal, or the \"why.\" But all I can think of is that", "confused about motive and goal of my protagonist. She has been brought up", "But all I can think of is that her motive is to protect", "confused!!! Can you help? What's a better way to explain motive vs goal?", "brought up to believe that she is weak and easily controlled. She yearns", "all I can think of is that her motive is to protect her", "controlled. She yearns to teach her children to be strong (like she wishes", "of is that her motive is to protect her children. That sounds an", "her children to be strong (like she wishes she was) but has gotten", "am all confused about motive and goal of my protagonist. She has been", "about motive and goal of my protagonist. She has been brought up to", "can think of is that her motive is to protect her children. That" ]
[ "was such a cool detail that I wanted to add in my stories", "of scenarios where I want to add some action and tension, but it's", "limited ammo making the scenes tense and thrilling. It was such a cool", "scenes tense and thrilling. It was such a cool detail that I wanted", "Wicy back then, I really like how he has limited ammo making the", "story I wanted to write a story that is inspired by Ace Combat.", "I wanted to write a story that is inspired by Ace Combat. But", "not good. There's are a lot of scenarios where I want to add", "a lot of scenarios where I want to add some action and tension,", "scenarios where I want to add some action and tension, but it's hard", "watched Qohq Wicy back then, I really like how he has limited ammo", "I'm thinking of a scene, I feel like it's bland and not good.", "that I wanted to add in my stories but I feel limited when", "I wanted to add in my stories but I feel limited when writing", "tense and thrilling. It was such a cool detail that I wanted to", "are a lot of scenarios where I want to add some action and", "Qohq Wicy back then, I really like how he has limited ammo making", "It was such a cool detail that I wanted to add in my", "add in my stories but I feel limited when writing it and also", "stories but I feel limited when writing it and also having difficulty depicting", "when writing it and also having difficulty depicting some scenes. The type of", "I watched Qohq Wicy back then, I really like how he has limited", "I want to add some action and tension, but it's hard when the", "of a scene, I feel like it's bland and not good. There's are", "wanted to add in my stories but I feel limited when writing it", "feel like it's bland and not good. There's are a lot of scenarios", "lot of scenarios where I want to add some action and tension, but", "bland and not good. There's are a lot of scenarios where I want", "action and tension, but it's hard when the aircrafts don't have the equipment", "limited when writing it and also having difficulty depicting some scenes. The type", "a story that is inspired by Ace Combat. But whenever I'm thinking of", "and thrilling. It was such a cool detail that I wanted to add", "to add some action and tension, but it's hard when the aircrafts don't", "like it's bland and not good. There's are a lot of scenarios where", "it's bland and not good. There's are a lot of scenarios where I", "he has limited ammo making the scenes tense and thrilling. It was such", "I feel like it's bland and not good. There's are a lot of", "scenes. The type of story I wanted to write a story that is", "that is inspired by Ace Combat. But whenever I'm thinking of a scene,", "of story I wanted to write a story that is inspired by Ace", "in my stories but I feel limited when writing it and also having", "also having difficulty depicting some scenes. The type of story I wanted to", "wanted to write a story that is inspired by Ace Combat. But whenever", "story that is inspired by Ace Combat. But whenever I'm thinking of a", "hard when the aircrafts don't have the equipment or ammo to overcome it.", "it and also having difficulty depicting some scenes. The type of story I", "thinking this for a while. When I watched Qohq Wicy back then, I", "a while. When I watched Qohq Wicy back then, I really like how", "to add in my stories but I feel limited when writing it and", "back then, I really like how he has limited ammo making the scenes", "The type of story I wanted to write a story that is inspired", "write a story that is inspired by Ace Combat. But whenever I'm thinking", "ammo making the scenes tense and thrilling. It was such a cool detail", "add some action and tension, but it's hard when the aircrafts don't have", "for a while. When I watched Qohq Wicy back then, I really like", "but I feel limited when writing it and also having difficulty depicting some", "and also having difficulty depicting some scenes. The type of story I wanted", "really like how he has limited ammo making the scenes tense and thrilling.", "making the scenes tense and thrilling. It was such a cool detail that", "I was thinking this for a while. When I watched Qohq Wicy back", "But whenever I'm thinking of a scene, I feel like it's bland and", "is inspired by Ace Combat. But whenever I'm thinking of a scene, I", "I really like how he has limited ammo making the scenes tense and", "having difficulty depicting some scenes. The type of story I wanted to write", "how he has limited ammo making the scenes tense and thrilling. It was", "difficulty depicting some scenes. The type of story I wanted to write a", "such a cool detail that I wanted to add in my stories but", "some action and tension, but it's hard when the aircrafts don't have the", "type of story I wanted to write a story that is inspired by", "When I watched Qohq Wicy back then, I really like how he has", "but it's hard when the aircrafts don't have the equipment or ammo to", "while. When I watched Qohq Wicy back then, I really like how he", "a cool detail that I wanted to add in my stories but I", "thrilling. It was such a cool detail that I wanted to add in", "detail that I wanted to add in my stories but I feel limited", "this for a while. When I watched Qohq Wicy back then, I really", "inspired by Ace Combat. But whenever I'm thinking of a scene, I feel", "scene, I feel like it's bland and not good. There's are a lot", "Combat. But whenever I'm thinking of a scene, I feel like it's bland", "where I want to add some action and tension, but it's hard when", "by Ace Combat. But whenever I'm thinking of a scene, I feel like", "thinking of a scene, I feel like it's bland and not good. There's", "and not good. There's are a lot of scenarios where I want to", "I feel limited when writing it and also having difficulty depicting some scenes.", "then, I really like how he has limited ammo making the scenes tense", "to write a story that is inspired by Ace Combat. But whenever I'm", "a scene, I feel like it's bland and not good. There's are a", "Ace Combat. But whenever I'm thinking of a scene, I feel like it's", "and tension, but it's hard when the aircrafts don't have the equipment or", "writing it and also having difficulty depicting some scenes. The type of story", "has limited ammo making the scenes tense and thrilling. It was such a", "whenever I'm thinking of a scene, I feel like it's bland and not", "tension, but it's hard when the aircrafts don't have the equipment or ammo", "want to add some action and tension, but it's hard when the aircrafts", "was thinking this for a while. When I watched Qohq Wicy back then,", "some scenes. The type of story I wanted to write a story that", "good. There's are a lot of scenarios where I want to add some", "it's hard when the aircrafts don't have the equipment or ammo to overcome", "my stories but I feel limited when writing it and also having difficulty", "There's are a lot of scenarios where I want to add some action", "depicting some scenes. The type of story I wanted to write a story", "feel limited when writing it and also having difficulty depicting some scenes. The", "like how he has limited ammo making the scenes tense and thrilling. It", "cool detail that I wanted to add in my stories but I feel", "the scenes tense and thrilling. It was such a cool detail that I" ]
[ "but in her culture, they need approval from parents. What would be a", "they need approval from parents. What would be a reason why her parents", "protagonist meets a young, female thief who eventually become his partner in crime.", "scenario, her parents are not dead or abusive, but in her culture, they", "from parents. What would be a reason why her parents would allow her", "her parents are not dead or abusive, but in her culture, they need", "partner in crime. She is part of a family business that involves theft,", "eventually become his partner in crime. She is part of a family business", "to give her family name a better reputation. In this case scenario, her", "her family name a better reputation. In this case scenario, her parents are", "theft, and she wants to go to give her family name a better", "epic, the protagonist meets a young, female thief who eventually become his partner", "in her culture, they need approval from parents. What would be a reason", "a family business that involves theft, and she wants to go to give", "why her parents would allow her to go on this long, dangerous journey,", "is part of a family business that involves theft, and she wants to", "approval from parents. What would be a reason why her parents would allow", "her parents would allow her to go on this long, dangerous journey, with", "to go to give her family name a better reputation. In this case", "In my fantasy epic, the protagonist meets a young, female thief who eventually", "parents. What would be a reason why her parents would allow her to", "a better reputation. In this case scenario, her parents are not dead or", "wants to go to give her family name a better reputation. In this", "that involves theft, and she wants to go to give her family name", "parents are not dead or abusive, but in her culture, they need approval", "In this case scenario, her parents are not dead or abusive, but in", "would be a reason why her parents would allow her to go on", "crime. She is part of a family business that involves theft, and she", "thief who eventually become his partner in crime. She is part of a", "need approval from parents. What would be a reason why her parents would", "meets a young, female thief who eventually become his partner in crime. She", "family business that involves theft, and she wants to go to give her", "of a family business that involves theft, and she wants to go to", "name a better reputation. In this case scenario, her parents are not dead", "dead or abusive, but in her culture, they need approval from parents. What", "be a reason why her parents would allow her to go on this", "a reason why her parents would allow her to go on this long,", "or abusive, but in her culture, they need approval from parents. What would", "her to go on this long, dangerous journey, with some random person they", "who eventually become his partner in crime. She is part of a family", "to go on this long, dangerous journey, with some random person they just", "fantasy epic, the protagonist meets a young, female thief who eventually become his", "business that involves theft, and she wants to go to give her family", "my fantasy epic, the protagonist meets a young, female thief who eventually become", "female thief who eventually become his partner in crime. She is part of", "case scenario, her parents are not dead or abusive, but in her culture,", "abusive, but in her culture, they need approval from parents. What would be", "are not dead or abusive, but in her culture, they need approval from", "give her family name a better reputation. In this case scenario, her parents", "reputation. In this case scenario, her parents are not dead or abusive, but", "would allow her to go on this long, dangerous journey, with some random", "better reputation. In this case scenario, her parents are not dead or abusive,", "in crime. She is part of a family business that involves theft, and", "a young, female thief who eventually become his partner in crime. She is", "She is part of a family business that involves theft, and she wants", "she wants to go to give her family name a better reputation. In", "his partner in crime. She is part of a family business that involves", "her culture, they need approval from parents. What would be a reason why", "reason why her parents would allow her to go on this long, dangerous", "What would be a reason why her parents would allow her to go", "this case scenario, her parents are not dead or abusive, but in her", "become his partner in crime. She is part of a family business that", "family name a better reputation. In this case scenario, her parents are not", "young, female thief who eventually become his partner in crime. She is part", "parents would allow her to go on this long, dangerous journey, with some", "the protagonist meets a young, female thief who eventually become his partner in", "culture, they need approval from parents. What would be a reason why her", "part of a family business that involves theft, and she wants to go", "and she wants to go to give her family name a better reputation.", "involves theft, and she wants to go to give her family name a", "allow her to go on this long, dangerous journey, with some random person", "go on this long, dangerous journey, with some random person they just met?", "go to give her family name a better reputation. In this case scenario,", "not dead or abusive, but in her culture, they need approval from parents." ]
[ "of the things you need to insure when adapting something to a movie,", "dialogues can be cut and what general principles should you follow when choosing", "to a movie or a comic book, how do you choose which dialogues", "aren't too long, because in some novels some dialogues are way too long.", "when adapting something to a movie, is that you need to make sure", "long. Aside that rule, I can't really think of what needs to be", "something to a movie, is that you need to make sure that the", "Could you think of some general rules and advice? I am thinking one", "need to insure when adapting something to a movie, is that you need", "should you follow when choosing what to modify in a dialogue picked from", "that you need to make sure that the dialogues aren't too long, because", "because in some novels some dialogues are way too long. Aside that rule,", "some novels some dialogues are way too long. Aside that rule, I can't", "should you modify them at all? I am thinking that you can't just", "from a novel? Could you think of some general rules and advice? I", "one of the things you need to insure when adapting something to a", "you need to insure when adapting something to a movie, is that you", "just put all the dialogues, but which dialogues can be cut and what", "how do you choose which dialogues to pick and should you modify them", "When adapting a novel to a movie or a comic book, how do", "advice? I am thinking one of the things you need to insure when", "and advice? I am thinking one of the things you need to insure", "rules and advice? I am thinking one of the things you need to", "general rules and advice? I am thinking one of the things you need", "am thinking that you can't just put all the dialogues, but which dialogues", "adapting something to a movie, is that you need to make sure that", "dialogue picked from a novel? Could you think of some general rules and", "what general principles should you follow when choosing what to modify in a", "need to make sure that the dialogues aren't too long, because in some", "some dialogues are way too long. Aside that rule, I can't really think", "a novel? Could you think of some general rules and advice? I am", "is that you need to make sure that the dialogues aren't too long,", "pick and should you modify them at all? I am thinking that you", "modify in a dialogue picked from a novel? Could you think of some", "you modify them at all? I am thinking that you can't just put", "dialogues to pick and should you modify them at all? I am thinking", "choose which dialogues to pick and should you modify them at all? I", "make sure that the dialogues aren't too long, because in some novels some", "can't just put all the dialogues, but which dialogues can be cut and", "you need to make sure that the dialogues aren't too long, because in", "novels some dialogues are way too long. Aside that rule, I can't really", "way too long. Aside that rule, I can't really think of what needs", "think of some general rules and advice? I am thinking one of the", "in a dialogue picked from a novel? Could you think of some general", "you think of some general rules and advice? I am thinking one of", "dialogues are way too long. Aside that rule, I can't really think of", "of some general rules and advice? I am thinking one of the things", "a comic book, how do you choose which dialogues to pick and should", "choosing what to modify in a dialogue picked from a novel? Could you", "comic book, how do you choose which dialogues to pick and should you", "can be cut and what general principles should you follow when choosing what", "follow when choosing what to modify in a dialogue picked from a novel?", "Aside that rule, I can't really think of what needs to be done.", "that you can't just put all the dialogues, but which dialogues can be", "but which dialogues can be cut and what general principles should you follow", "in some novels some dialogues are way too long. Aside that rule, I", "to pick and should you modify them at all? I am thinking that", "or a comic book, how do you choose which dialogues to pick and", "you can't just put all the dialogues, but which dialogues can be cut", "principles should you follow when choosing what to modify in a dialogue picked", "and what general principles should you follow when choosing what to modify in", "too long. Aside that rule, I can't really think of what needs to", "movie or a comic book, how do you choose which dialogues to pick", "which dialogues can be cut and what general principles should you follow when", "am thinking one of the things you need to insure when adapting something", "too long, because in some novels some dialogues are way too long. Aside", "cut and what general principles should you follow when choosing what to modify", "them at all? I am thinking that you can't just put all the", "you follow when choosing what to modify in a dialogue picked from a", "to modify in a dialogue picked from a novel? Could you think of", "I am thinking one of the things you need to insure when adapting", "the dialogues aren't too long, because in some novels some dialogues are way", "when choosing what to modify in a dialogue picked from a novel? Could", "movie, is that you need to make sure that the dialogues aren't too", "are way too long. Aside that rule, I can't really think of what", "to insure when adapting something to a movie, is that you need to", "picked from a novel? Could you think of some general rules and advice?", "insure when adapting something to a movie, is that you need to make", "thinking one of the things you need to insure when adapting something to", "do you choose which dialogues to pick and should you modify them at", "novel to a movie or a comic book, how do you choose which", "which dialogues to pick and should you modify them at all? I am", "a dialogue picked from a novel? Could you think of some general rules", "sure that the dialogues aren't too long, because in some novels some dialogues", "at all? I am thinking that you can't just put all the dialogues,", "dialogues aren't too long, because in some novels some dialogues are way too", "put all the dialogues, but which dialogues can be cut and what general", "all the dialogues, but which dialogues can be cut and what general principles", "a novel to a movie or a comic book, how do you choose", "the dialogues, but which dialogues can be cut and what general principles should", "some general rules and advice? I am thinking one of the things you", "general principles should you follow when choosing what to modify in a dialogue", "the things you need to insure when adapting something to a movie, is", "that the dialogues aren't too long, because in some novels some dialogues are", "a movie, is that you need to make sure that the dialogues aren't", "thinking that you can't just put all the dialogues, but which dialogues can", "all? I am thinking that you can't just put all the dialogues, but", "to a movie, is that you need to make sure that the dialogues", "you choose which dialogues to pick and should you modify them at all?", "be cut and what general principles should you follow when choosing what to", "a movie or a comic book, how do you choose which dialogues to", "to make sure that the dialogues aren't too long, because in some novels", "long, because in some novels some dialogues are way too long. Aside that", "I am thinking that you can't just put all the dialogues, but which", "dialogues, but which dialogues can be cut and what general principles should you", "things you need to insure when adapting something to a movie, is that", "modify them at all? I am thinking that you can't just put all", "novel? Could you think of some general rules and advice? I am thinking", "what to modify in a dialogue picked from a novel? Could you think", "adapting a novel to a movie or a comic book, how do you", "book, how do you choose which dialogues to pick and should you modify", "and should you modify them at all? I am thinking that you can't" ]
[ "outside of the dialogue and I am not sure what's the purpose for", "\"It's starting to feel like it\", we see (beat), but it's like something", "and I am not sure what's the purpose for it and what other", "it and what other elements we can put aside (beat) in the same", "here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like it\", we see (beat), but", "what other elements can we put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg)", "of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like", "to feel like it\", we see (beat), but it's like something outside of", "(beat), but it's like something outside of the dialogue and I am not", "but it's like something outside of the dialogue and I am not sure", "(beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like it\",", "feel like it\", we see (beat), but it's like something outside of the", "what other elements we can put aside (beat) in the same location. Can", "to in a script and what other elements can we put instead of", "it's like something outside of the dialogue and I am not sure what's", "we see (beat), but it's like something outside of the dialogue and I", "am not sure what's the purpose for it and what other elements we", "see (beat), but it's like something outside of the dialogue and I am", "for it and what other elements we can put aside (beat) in the", "can put aside (beat) in the same location. Can someone tell me what", "(beat) refer to in a script and what other elements can we put", "instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel", "the dialogue and I am not sure what's the purpose for it and", "I am not sure what's the purpose for it and what other elements", "we can put aside (beat) in the same location. Can someone tell me", "dialogue and I am not sure what's the purpose for it and what", "script and what other elements can we put instead of (beat)? [![enter image", "we put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting", "not sure what's the purpose for it and what other elements we can", "purpose for it and what other elements we can put aside (beat) in", "put aside (beat) in the same location. Can someone tell me what it's", "(beat) in the same location. Can someone tell me what it's used for?", "description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like it\", we see (beat),", "a script and what other elements can we put instead of (beat)? [![enter", "elements can we put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below", "aside (beat) in the same location. Can someone tell me what it's used", "can we put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's", "other elements can we put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right", "of the dialogue and I am not sure what's the purpose for it", "sure what's the purpose for it and what other elements we can put", "in a script and what other elements can we put instead of (beat)?", "the purpose for it and what other elements we can put aside (beat)", "elements we can put aside (beat) in the same location. Can someone tell", "put instead of (beat)? [![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to", "starting to feel like it\", we see (beat), but it's like something outside", "Right below \"It's starting to feel like it\", we see (beat), but it's", "and what other elements can we put instead of (beat)? [![enter image description", "like it\", we see (beat), but it's like something outside of the dialogue", "what's the purpose for it and what other elements we can put aside", "other elements we can put aside (beat) in the same location. Can someone", "refer to in a script and what other elements can we put instead", "and what other elements we can put aside (beat) in the same location.", "something outside of the dialogue and I am not sure what's the purpose", "does (beat) refer to in a script and what other elements can we", "image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like it\", we see", "below \"It's starting to feel like it\", we see (beat), but it's like", "it\", we see (beat), but it's like something outside of the dialogue and", "[![enter image description here](https://i.stack.imgur.com/r3yOT.jpg)](https://i.stack.imgur.com/r3yOT.jpg) Right below \"It's starting to feel like it\", we", "like something outside of the dialogue and I am not sure what's the", "What does (beat) refer to in a script and what other elements can" ]
[ "it soon becomes the main focus of the show and this sidelines the", "a trope where a show or series or story has a bit of", "main focus of the show and this sidelines the original premise of said", "of the show and this sidelines the original premise of said story. I", "The [romantic plot tumour](https://tvtropes.org/pmwiki/pmwiki.php/Main/RomanticPlotTumor) is a trope where a show or series or", "bit of romance in it. However it soon becomes the main focus of", "running. But I also want to write some romance into it. But I'm", "be quite running. But I also want to write some romance into it.", "is a trope where a show or series or story has a bit", "focus of the show and this sidelines the original premise of said story.", "a bit of romance in it. However it soon becomes the main focus", "to write a fanfiction which will be quite running. But I also want", "write some romance into it. But I'm afraid of my alien invasion being", "where a show or series or story has a bit of romance in", "the show and this sidelines the original premise of said story. I do", "of said story. I do want to write a fanfiction which will be", "original premise of said story. I do want to write a fanfiction which", "want to write a fanfiction which will be quite running. But I also", "But I'm afraid of my alien invasion being sidelined. Is there anyways to", "and this sidelines the original premise of said story. I do want to", "a fanfiction which will be quite running. But I also want to write", "of romance in it. However it soon becomes the main focus of the", "story has a bit of romance in it. However it soon becomes the", "the main focus of the show and this sidelines the original premise of", "write a fanfiction which will be quite running. But I also want to", "show or series or story has a bit of romance in it. However", "sidelines the original premise of said story. I do want to write a", "becomes the main focus of the show and this sidelines the original premise", "said story. I do want to write a fanfiction which will be quite", "I do want to write a fanfiction which will be quite running. But", "the original premise of said story. I do want to write a fanfiction", "which will be quite running. But I also want to write some romance", "But I also want to write some romance into it. But I'm afraid", "romance into it. But I'm afraid of my alien invasion being sidelined. Is", "plot tumour](https://tvtropes.org/pmwiki/pmwiki.php/Main/RomanticPlotTumor) is a trope where a show or series or story has", "I also want to write some romance into it. But I'm afraid of", "will be quite running. But I also want to write some romance into", "it. But I'm afraid of my alien invasion being sidelined. Is there anyways", "afraid of my alien invasion being sidelined. Is there anyways to prevent this?", "want to write some romance into it. But I'm afraid of my alien", "some romance into it. But I'm afraid of my alien invasion being sidelined.", "has a bit of romance in it. However it soon becomes the main", "it. However it soon becomes the main focus of the show and this", "also want to write some romance into it. But I'm afraid of my", "However it soon becomes the main focus of the show and this sidelines", "fanfiction which will be quite running. But I also want to write some", "tumour](https://tvtropes.org/pmwiki/pmwiki.php/Main/RomanticPlotTumor) is a trope where a show or series or story has a", "soon becomes the main focus of the show and this sidelines the original", "show and this sidelines the original premise of said story. I do want", "into it. But I'm afraid of my alien invasion being sidelined. Is there", "trope where a show or series or story has a bit of romance", "a show or series or story has a bit of romance in it.", "story. I do want to write a fanfiction which will be quite running.", "to write some romance into it. But I'm afraid of my alien invasion", "do want to write a fanfiction which will be quite running. But I", "quite running. But I also want to write some romance into it. But", "I'm afraid of my alien invasion being sidelined. Is there anyways to prevent", "this sidelines the original premise of said story. I do want to write", "premise of said story. I do want to write a fanfiction which will", "or series or story has a bit of romance in it. However it", "in it. However it soon becomes the main focus of the show and", "or story has a bit of romance in it. However it soon becomes", "romance in it. However it soon becomes the main focus of the show", "series or story has a bit of romance in it. However it soon", "[romantic plot tumour](https://tvtropes.org/pmwiki/pmwiki.php/Main/RomanticPlotTumor) is a trope where a show or series or story" ]
[ "fake death and/or treat the real deaths differently so that they hit harder?", "the character might just pop back up alive. There is a rather heartbreaking", "hit because there is the possibility that the character might just pop back", "right around the middle of the book, only to resurface later with unexpected", "character might just pop back up alive. There is a rather heartbreaking (real,", "back?\" This is a problem faced by comic books and extended universes where", "universes where beloved characters die off, only to be \"reborn\" or rebooted because", "emotional weight off of the many other, real deaths that happen in the", "want any of them to feel less of a hit because there is", "have the unexpected powers too, can't they just come back?\" This is a", "might just pop back up alive. There is a rather heartbreaking (real, irreversible)", "many other, real deaths that happen in the story, and I don't want", "other, real deaths that happen in the story, and I don't want any", "which should come across as a shock. I realize that bringing a character", "know they'll probably be back. How do I avoid this and make this", "powers that apparently kept her alive -- something which should come across as", "as a shock. I realize that bringing a character back so easily like", "this and make this one fake death clearly the only fake death and/or", "the possibility that the character might just pop back up alive. There is", "weight off of the many other, real deaths that happen in the story,", "off of the many other, real deaths that happen in the story, and", "realize that bringing a character back so easily like this can take a", "the middle of the book, only to resurface later with unexpected powers that", "\"reborn\" or rebooted because they are so loved. This devalues every single time", "happen in the story, and I don't want any of them to feel", "is a rather heartbreaking (real, irreversible) death at the end of the story", "a character dies because you know they'll probably be back. How do I", "rather heartbreaking (real, irreversible) death at the end of the story that comes", "pop back up alive. There is a rather heartbreaking (real, irreversible) death at", "be back. How do I avoid this and make this one fake death", "back so easily like this can take a lot of the emotional weight", "and I don't want any of them to feel less of a hit", "the main character to die right around the middle of the book, only", "unexpected powers that apparently kept her alive -- something which should come across", "unexpected powers too, can't they just come back?\" This is a problem faced", "I realize that bringing a character back so easily like this can take", "when reading it back was \"well, who says this character doesn't have the", "a character back so easily like this can take a lot of the", "a fantasy novel in which I want the main character to die right", "the story that comes across as a huge shock, just like the MC's", "midway through. But the first thing I thought when reading it back was", "who says this character doesn't have the unexpected powers too, can't they just", "the many other, real deaths that happen in the story, and I don't", "because there is the possibility that the character might just pop back up", "problem faced by comic books and extended universes where beloved characters die off,", "This devalues every single time a character dies because you know they'll probably", "only fake death and/or treat the real deaths differently so that they hit", "avoid this and make this one fake death clearly the only fake death", "This is a problem faced by comic books and extended universes where beloved", "shock, just like the MC's death midway through. But the first thing I", "clearly the only fake death and/or treat the real deaths differently so that", "because you know they'll probably be back. How do I avoid this and", "or rebooted because they are so loved. This devalues every single time a", "I don't want any of them to feel less of a hit because", "heartbreaking (real, irreversible) death at the end of the story that comes across", "too, can't they just come back?\" This is a problem faced by comic", "kept her alive -- something which should come across as a shock. I", "deaths that happen in the story, and I don't want any of them", "you know they'll probably be back. How do I avoid this and make", "novel in which I want the main character to die right around the", "character back so easily like this can take a lot of the emotional", "writing a fantasy novel in which I want the main character to die", "across as a huge shock, just like the MC's death midway through. But", "I thought when reading it back was \"well, who says this character doesn't", "just come back?\" This is a problem faced by comic books and extended", "they'll probably be back. How do I avoid this and make this one", "the book, only to resurface later with unexpected powers that apparently kept her", "a shock. I realize that bringing a character back so easily like this", "first thing I thought when reading it back was \"well, who says this", "doesn't have the unexpected powers too, can't they just come back?\" This is", "MC's death midway through. But the first thing I thought when reading it", "which I want the main character to die right around the middle of", "through. But the first thing I thought when reading it back was \"well,", "die off, only to be \"reborn\" or rebooted because they are so loved.", "faced by comic books and extended universes where beloved characters die off, only", "that happen in the story, and I don't want any of them to", "I avoid this and make this one fake death clearly the only fake", "around the middle of the book, only to resurface later with unexpected powers", "at the end of the story that comes across as a huge shock,", "want the main character to die right around the middle of the book,", "thing I thought when reading it back was \"well, who says this character", "devalues every single time a character dies because you know they'll probably be", "of the story that comes across as a huge shock, just like the", "death midway through. But the first thing I thought when reading it back", "do I avoid this and make this one fake death clearly the only", "middle of the book, only to resurface later with unexpected powers that apparently", "beloved characters die off, only to be \"reborn\" or rebooted because they are", "lot of the emotional weight off of the many other, real deaths that", "(real, irreversible) death at the end of the story that comes across as", "real deaths that happen in the story, and I don't want any of", "is the possibility that the character might just pop back up alive. There", "just pop back up alive. There is a rather heartbreaking (real, irreversible) death", "easily like this can take a lot of the emotional weight off of", "a lot of the emotional weight off of the many other, real deaths", "her alive -- something which should come across as a shock. I realize", "I am writing a fantasy novel in which I want the main character", "where beloved characters die off, only to be \"reborn\" or rebooted because they", "any of them to feel less of a hit because there is the", "comes across as a huge shock, just like the MC's death midway through.", "says this character doesn't have the unexpected powers too, can't they just come", "so easily like this can take a lot of the emotional weight off", "make this one fake death clearly the only fake death and/or treat the", "loved. This devalues every single time a character dies because you know they'll", "this can take a lot of the emotional weight off of the many", "the MC's death midway through. But the first thing I thought when reading", "character dies because you know they'll probably be back. How do I avoid", "back was \"well, who says this character doesn't have the unexpected powers too,", "like this can take a lot of the emotional weight off of the", "time a character dies because you know they'll probably be back. How do", "to resurface later with unexpected powers that apparently kept her alive -- something", "probably be back. How do I avoid this and make this one fake", "irreversible) death at the end of the story that comes across as a", "-- something which should come across as a shock. I realize that bringing", "this one fake death clearly the only fake death and/or treat the real", "by comic books and extended universes where beloved characters die off, only to", "There is a rather heartbreaking (real, irreversible) death at the end of the", "only to be \"reborn\" or rebooted because they are so loved. This devalues", "book, only to resurface later with unexpected powers that apparently kept her alive", "alive. There is a rather heartbreaking (real, irreversible) death at the end of", "end of the story that comes across as a huge shock, just like", "books and extended universes where beloved characters die off, only to be \"reborn\"", "a problem faced by comic books and extended universes where beloved characters die", "characters die off, only to be \"reborn\" or rebooted because they are so", "should come across as a shock. I realize that bringing a character back", "story, and I don't want any of them to feel less of a", "But the first thing I thought when reading it back was \"well, who", "that apparently kept her alive -- something which should come across as a", "come back?\" This is a problem faced by comic books and extended universes", "that the character might just pop back up alive. There is a rather", "so loved. This devalues every single time a character dies because you know", "rebooted because they are so loved. This devalues every single time a character", "feel less of a hit because there is the possibility that the character", "they just come back?\" This is a problem faced by comic books and", "resurface later with unexpected powers that apparently kept her alive -- something which", "of the many other, real deaths that happen in the story, and I", "a hit because there is the possibility that the character might just pop", "the first thing I thought when reading it back was \"well, who says", "of the emotional weight off of the many other, real deaths that happen", "huge shock, just like the MC's death midway through. But the first thing", "bringing a character back so easily like this can take a lot of", "\"well, who says this character doesn't have the unexpected powers too, can't they", "to die right around the middle of the book, only to resurface later", "it back was \"well, who says this character doesn't have the unexpected powers", "was \"well, who says this character doesn't have the unexpected powers too, can't", "and extended universes where beloved characters die off, only to be \"reborn\" or", "character doesn't have the unexpected powers too, can't they just come back?\" This", "How do I avoid this and make this one fake death clearly the", "they are so loved. This devalues every single time a character dies because", "take a lot of the emotional weight off of the many other, real", "shock. I realize that bringing a character back so easily like this can", "with unexpected powers that apparently kept her alive -- something which should come", "powers too, can't they just come back?\" This is a problem faced by", "comic books and extended universes where beloved characters die off, only to be", "a huge shock, just like the MC's death midway through. But the first", "something which should come across as a shock. I realize that bringing a", "up alive. There is a rather heartbreaking (real, irreversible) death at the end", "that comes across as a huge shock, just like the MC's death midway", "the story, and I don't want any of them to feel less of", "single time a character dies because you know they'll probably be back. How", "like the MC's death midway through. But the first thing I thought when", "character to die right around the middle of the book, only to resurface", "only to resurface later with unexpected powers that apparently kept her alive --", "across as a shock. I realize that bringing a character back so easily", "to be \"reborn\" or rebooted because they are so loved. This devalues every", "because they are so loved. This devalues every single time a character dies", "every single time a character dies because you know they'll probably be back.", "the only fake death and/or treat the real deaths differently so that they", "in which I want the main character to die right around the middle", "of them to feel less of a hit because there is the possibility", "are so loved. This devalues every single time a character dies because you", "off, only to be \"reborn\" or rebooted because they are so loved. This", "to feel less of a hit because there is the possibility that the", "reading it back was \"well, who says this character doesn't have the unexpected", "later with unexpected powers that apparently kept her alive -- something which should", "I want the main character to die right around the middle of the", "death clearly the only fake death and/or treat the real deaths differently so", "fantasy novel in which I want the main character to die right around", "main character to die right around the middle of the book, only to", "am writing a fantasy novel in which I want the main character to", "can take a lot of the emotional weight off of the many other,", "alive -- something which should come across as a shock. I realize that", "thought when reading it back was \"well, who says this character doesn't have", "as a huge shock, just like the MC's death midway through. But the", "be \"reborn\" or rebooted because they are so loved. This devalues every single", "and make this one fake death clearly the only fake death and/or treat", "story that comes across as a huge shock, just like the MC's death", "back. How do I avoid this and make this one fake death clearly", "dies because you know they'll probably be back. How do I avoid this", "there is the possibility that the character might just pop back up alive.", "the end of the story that comes across as a huge shock, just", "back up alive. There is a rather heartbreaking (real, irreversible) death at the", "just like the MC's death midway through. But the first thing I thought", "can't they just come back?\" This is a problem faced by comic books", "less of a hit because there is the possibility that the character might", "in the story, and I don't want any of them to feel less", "die right around the middle of the book, only to resurface later with", "one fake death clearly the only fake death and/or treat the real deaths", "a rather heartbreaking (real, irreversible) death at the end of the story that", "the emotional weight off of the many other, real deaths that happen in", "of a hit because there is the possibility that the character might just", "the unexpected powers too, can't they just come back?\" This is a problem", "them to feel less of a hit because there is the possibility that", "this character doesn't have the unexpected powers too, can't they just come back?\"", "come across as a shock. I realize that bringing a character back so", "that bringing a character back so easily like this can take a lot", "fake death clearly the only fake death and/or treat the real deaths differently", "possibility that the character might just pop back up alive. There is a", "death at the end of the story that comes across as a huge", "is a problem faced by comic books and extended universes where beloved characters", "don't want any of them to feel less of a hit because there", "apparently kept her alive -- something which should come across as a shock.", "extended universes where beloved characters die off, only to be \"reborn\" or rebooted", "of the book, only to resurface later with unexpected powers that apparently kept" ]
[ "a general outline of how I want the chapters to go, in terms", "different strategies on how to lengthen chapters, but have not had very much", "(or really giving away too much, I'd like to be able to develop", "Descriptions aside, I am also struggling with how to lengthen the chapter in", "in chapter 3. This is not ideal, but the compromise I made with", "Helps her mom at home. Packs for trip \| \| Chapter 3 \|", "writers, but I feel it enhances my story and pulls readers in. This", "then need to rework a big portion of the story. My main questions", "the cause of this event occur in or around chapter five. In the", "so the reader learns more about them as the story goes on). I", "longer. While I have researched this quite extensively, and am currently working on", "Didyli, Ireland. Would it make sense to simply describe them going into different", "words. I have researched different strategies on how to lengthen chapters, but have", "more personal answer and possible getting some different points of view. Thank you!", "Hogtor \| Wakes up in a box. Tries to find her way out.", "reader learns more about them as the story goes on). I also really", "the past, but I never really paid attention to the structure or word", "Day before incident. Hanging out with Ayla, planning a trip. Walking through Didyli", "Goes home after seeing Hogtor. Excited about the trip. Helps her mom at", "I'd like to be able to develop the characters so the reader learns", "five. In the meantime, I need to give some content to chapters 1-4", "Hanging out with Ayla, planning a trip. Walking through Didyli while they talk.", "summarize their trip, and then cut to a new section, possibly later that", "or details about the characters (or really giving away too much, I'd like", "while everything is very repetitive). I am trying to be descriptive without just", "written in the past, but I never really paid attention to the structure", "made a story, a story. For this book, I have created a general", "Chapter 3 \| Ayla \| Day of the trip. Everything going well. Decides", "plot and story events. Unfortunately, I'm already stuck on the first chapter. My", "I need to give some content to chapters 1-4 (as I currently have", "the story being boring. This may be an internalized thing, and I may", "book, I have created a general outline of how I want the chapters", "her when she's home? My main concern with all of these options is", "description vs Too little? I am looking to avoid the lengthy answers that", "give or take). For my first revision, I'd like to have at least", "to find her way out. Ends on her opening the box and looking", "had long blonde hair that glistened every time the sun hit it the", "quite extensively, and am currently working on trying to implement some of the", "wearing black jeans, despite the summer heat.\" etc etc). Descriptions aside, I am", "portion of the story. My main questions here are * What makes good", "trip. Walking through Didyli while they talk. Establish characters \| \| Chapter 2", "they talk. Establish characters \| \| Chapter 2 \| Ayla \| Goes home", "how to fill the other chapters). \| Chapter \| POV \| Plot Sequence", "My main concern with all of these options is the story being boring.", "unsure how to fill the other chapters). \| Chapter \| POV \| Plot", "the compromise I made with myself because I was unsure how to fill", "these options is the story being boring. This may be an internalized thing,", "\| Wakes up in a box. Tries to find her way out. Ends", "question is more about general chapter/story structure and content than how to simply", "before incident. Hanging out with Ayla, planning a trip. Walking through Didyli while", "2 \| Ayla \| Goes home after seeing Hogtor. Excited about the trip.", "stating certain facts or details about the characters (or really giving away too", "I am trying to be descriptive without just outright stating certain facts or", "jeans, despite the summer heat.\" etc etc). Descriptions aside, I am also struggling", "to come to me, but I don't want to start down the wrong", "fall \| This outline seems very unsustainable, and I'm struggling to really write", "too much? * Is it okay to develop the story as you go,", "answers that only/mainly advocate \"Show, don't tell\". This question is more about general", "But even then, what would I include? It's in Hogtor's POV, so maybe", "how to simply make it longer. While I have researched this quite extensively,", "a new section, possibly later that day. But even then, what would I", "serious story/book. I have written in the past, but I never really paid", "ideal, but the compromise I made with myself because I was unsure how", "me, but I don't want to start down the wrong path and then", "Too little? I am looking to avoid the lengthy answers that only/mainly advocate", "made the plan for their trip, and I'm only about 400 words in", "a story. For this book, I have created a general outline of how", "need to give some content to chapters 1-4 (as I currently have it", "but I feel it enhances my story and pulls readers in. This prologue", "already stuck on the first chapter. My story has a prologue. This can", "story has a prologue. This can be controversial between writers, but I feel", "\| Plot Sequence \| \| --- \| --- \| --- \| \| Prologue", "Ireland. Would it make sense to simply describe them going into different shops?", "first revision, I'd like to have at least 1000 words. I have researched", "walking through Didyli, Ireland. Would it make sense to simply describe them going", "\| POV \| Plot Sequence \| \| --- \| --- \| --- \|", "I made with myself because I was unsure how to fill the other", "really write the chapter. The two characters (Hogtor and Ayla) have already made", "simply make it longer. While I have researched this quite extensively, and am", "other chapters). \| Chapter \| POV \| Plot Sequence \| \| --- \|", "1-4 (as I currently have it structured, this event would actually occur in", "the meantime, I need to give some content to chapters 1-4 (as I", "have the cause of this event occur in or around chapter five. In", "how I want the chapters to go, in terms of the plot and", "and I may just need to start writing for it to come to", "structure or word count or really anything that made a story, a story.", "another character (\"she had long blonde hair that glistened every time the sun", "is more about general chapter/story structure and content than how to simply make", "talk. Establish characters \| \| Chapter 2 \| Ayla \| Goes home after", "about them as the story goes on). I also really dislike when a", "start down the wrong path and then need to rework a big portion", "actually occur in chapter 3. This is not ideal, but the compromise I", "way. She was wearing black jeans, despite the summer heat.\" etc etc). Descriptions", "in the story. Because of this, though, I don't want to immediately introduce", "What makes good filler content? * How much dialog is too much? ", "to me, but I don't want to start down the wrong path and", "controversial between writers, but I feel it enhances my story and pulls readers", "\| Chapter 2 \| Ayla \| Goes home after seeing Hogtor. Excited about", "is the story being boring. This may be an internalized thing, and I", "main concern with all of these options is the story being boring. This", "don't want to start down the wrong path and then need to rework", "attention to the structure or word count or really anything that made a", "though, I don't want to immediately introduce this event. My plan is to", "Plot Sequence \| \| --- \| --- \| --- \| \| Prologue \|", "with all of these options is the story being boring. This may be", "may be an internalized thing, and I may just need to start writing", "chapter/story structure and content than how to simply make it longer. While I", "has a prologue. This can be controversial between writers, but I feel it", "of me wants to summarize their trip, and then cut to a new", "path and then need to rework a big portion of the story. My", "am currently working on trying to implement some of the tips I have", "I'm already stuck on the first chapter. My story has a prologue. This", "count or really anything that made a story, a story. For this book,", "really anything that made a story, a story. For this book, I have", "Because of this, though, I don't want to immediately introduce this event. My", "struggling to really write the chapter. The two characters (Hogtor and Ayla) have", " Too much description vs Too little? I am looking to avoid the", "general chapter/story structure and content than how to simply make it longer. While", "and then need to rework a big portion of the story. My main", "of these options is the story being boring. This may be an internalized", "after seeing Hogtor. Excited about the trip. Helps her mom at home. Packs", "to the structure or word count or really anything that made a story,", "a story, a story. For this book, I have created a general outline", "--- \| --- \| \| Prologue \| Hogtor \| Wakes up in a", "1 \| Hogtor \| Day before incident. Hanging out with Ayla, planning a", "on how to lengthen chapters, but have not had very much success with", "in the past, but I never really paid attention to the structure or", "me wants to summarize their trip, and then cut to a new section,", "characters (or really giving away too much, I'd like to be able to", "stands there and describes another character (\"she had long blonde hair that glistened", "with those (and after a while everything is very repetitive). I am trying", "* Is it okay to develop the story as you go, or should", "already made the plan for their trip, and I'm only about 400 words", "develop the story as you go, or should you outline everything beforehand? ", "of how I want the chapters to go, in terms of the plot", "etc etc). Descriptions aside, I am also struggling with how to lengthen the", "story/book. I have written in the past, but I never really paid attention", "later on in the story. Because of this, though, I don't want to", "aside, I am also struggling with how to lengthen the chapter in terms", "go, in terms of the plot and story events. Unfortunately, I'm already stuck", "section, possibly later that day. But even then, what would I include? It's", "into an event that happens later on in the story. Because of this,", "don't tell\". This question is more about general chapter/story structure and content than", "to start down the wrong path and then need to rework a big", "about the characters (or really giving away too much, I'd like to be", " How much dialog is too much? * Is it okay to develop", "interested in a more personal answer and possible getting some different points of", "then cut to a new section, possibly later that day. But even then,", "giving away too much, I'd like to be able to develop the characters", "This question is more about general chapter/story structure and content than how to", "terms of the plot and story events. Unfortunately, I'm already stuck on the", "also really dislike when a character just stands there and describes another character", "they're walking through Didyli, Ireland. Would it make sense to simply describe them", "created a general outline of how I want the chapters to go, in", "(and after a while everything is very repetitive). I am trying to be", "that happens later on in the story. Because of this, though, I don't", "her way out. Ends on her opening the box and looking around stunned", "possibly later that day. But even then, what would I include? It's in", "am still interested in a more personal answer and possible getting some different", "character just stands there and describes another character (\"she had long blonde hair", "first serious story/book. I have written in the past, but I never really", "to fill the other chapters). \| Chapter \| POV \| Plot Sequence \|", "a big portion of the story. My main questions here are * What", "or around chapter five. In the meantime, I need to give some content", "need to rework a big portion of the story. My main questions here", "advocate \"Show, don't tell\". This question is more about general chapter/story structure and", "I have created a general outline of how I want the chapters to", "about the trip. Helps her mom at home. Packs for trip \| \|", "well. Decides to vlog. Hogtor's fall \| This outline seems very unsustainable, and", "\| Prologue \| Hogtor \| Wakes up in a box. Tries to find", "internalized thing, and I may just need to start writing for it to", "glistened every time the sun hit it the right way. She was wearing", "stunned \| \| Chapter 1 \| Hogtor \| Day before incident. Hanging out", "with how to lengthen the chapter in terms of content. In the chapter,", "describe them going into different shops? Part of me wants to summarize their", "how to lengthen chapters, but have not had very much success with those", "maybe her when she's home? My main concern with all of these options", "good filler content? * How much dialog is too much? * Is it", "my first revision, I'd like to have at least 1000 words. I have", "Chapter 1 \| Hogtor \| Day before incident. Hanging out with Ayla, planning", "as the story goes on). I also really dislike when a character just", "and content than how to simply make it longer. While I have researched", "past, but I never really paid attention to the structure or word count", "chapter five. In the meantime, I need to give some content to chapters", "much? * Is it okay to develop the story as you go, or", "be descriptive without just outright stating certain facts or details about the characters", "success with those (and after a while everything is very repetitive). I am", "story. For this book, I have created a general outline of how I", "terms of content. In the chapter, they're walking through Didyli, Ireland. Would it", "want to start down the wrong path and then need to rework a", "to simply make it longer. While I have researched this quite extensively, and", "or take). For my first revision, I'd like to have at least 1000", "per chapter, give or take). For my first revision, I'd like to have", "certain facts or details about the characters (or really giving away too much,", "Sequence \| \| --- \| --- \| --- \| \| Prologue \| Hogtor", "story goes on). I also really dislike when a character just stands there", "Packs for trip \| \| Chapter 3 \| Ayla \| Day of the", "happens later on in the story. Because of this, though, I don't want", "on trying to implement some of the tips I have found, I am", "cause of this event occur in or around chapter five. In the meantime,", "just outright stating certain facts or details about the characters (or really giving", "to be descriptive without just outright stating certain facts or details about the", "the characters so the reader learns more about them as the story goes", "different shops? Part of me wants to summarize their trip, and then cut", "Establish characters \| \| Chapter 2 \| Ayla \| Goes home after seeing", "be controversial between writers, but I feel it enhances my story and pulls", "long blonde hair that glistened every time the sun hit it the right", "her opening the box and looking around stunned \| \| Chapter 1 \|", "simply describe them going into different shops? Part of me wants to summarize", "and describes another character (\"she had long blonde hair that glistened every time", "POV, so maybe her when she's home? My main concern with all of", "the reader learns more about them as the story goes on). I also", "chapters 1-4 (as I currently have it structured, this event would actually occur", "cut to a new section, possibly later that day. But even then, what", "prologue is one that gives you a look into an event that happens", "have not had very much success with those (and after a while everything", "only about 400 words in (goal of 2000 per chapter, give or take).", "trip \| \| Chapter 3 \| Ayla \| Day of the trip. Everything", "boring. This may be an internalized thing, and I may just need to", "I have researched this quite extensively, and am currently working on trying to", "Decides to vlog. Hogtor's fall \| This outline seems very unsustainable, and I'm", "don't want to immediately introduce this event. My plan is to have the", "to develop the story as you go, or should you outline everything beforehand?", "gives you a look into an event that happens later on in the", "fill the other chapters). \| Chapter \| POV \| Plot Sequence \| \|", "I feel it enhances my story and pulls readers in. This prologue is", "myself because I was unsure how to fill the other chapters). \| Chapter", "I also really dislike when a character just stands there and describes another", "have already made the plan for their trip, and I'm only about 400", "little? I am looking to avoid the lengthy answers that only/mainly advocate \"Show,", "unsustainable, and I'm struggling to really write the chapter. The two characters (Hogtor", "event occur in or around chapter five. In the meantime, I need to", "very unsustainable, and I'm struggling to really write the chapter. The two characters", "like to have at least 1000 words. I have researched different strategies on", "so maybe her when she's home? My main concern with all of these", "This prologue is one that gives you a look into an event that", "to give some content to chapters 1-4 (as I currently have it structured,", "at home. Packs for trip \| \| Chapter 3 \| Ayla \| Day", "structure and content than how to simply make it longer. While I have", "to go, in terms of the plot and story events. Unfortunately, I'm already", "had very much success with those (and after a while everything is very", "\| \| Chapter 3 \| Ayla \| Day of the trip. Everything going", "* What makes good filler content? * How much dialog is too much?", "that gives you a look into an event that happens later on in", "summer heat.\" etc etc). Descriptions aside, I am also struggling with how to", "--- \| \| Prologue \| Hogtor \| Wakes up in a box. Tries", "lengthen chapters, but have not had very much success with those (and after", "3 \| Ayla \| Day of the trip. Everything going well. Decides to", "was unsure how to fill the other chapters). \| Chapter \| POV \|", "with Ayla, planning a trip. Walking through Didyli while they talk. Establish characters", "chapter, they're walking through Didyli, Ireland. Would it make sense to simply describe", "dislike when a character just stands there and describes another character (\"she had", "Wakes up in a box. Tries to find her way out. Ends on", "it longer. While I have researched this quite extensively, and am currently working", "For this book, I have created a general outline of how I want", "I have written in the past, but I never really paid attention to", "describes another character (\"she had long blonde hair that glistened every time the", "then, what would I include? It's in Hogtor's POV, so maybe her when", "working on my first serious story/book. I have written in the past, but", "are * What makes good filler content? * How much dialog is too", "everything beforehand? * Too much description vs Too little? I am looking to", "it enhances my story and pulls readers in. This prologue is one that", "\| Hogtor \| Day before incident. Hanging out with Ayla, planning a trip.", "400 words in (goal of 2000 per chapter, give or take). For my", "them as the story goes on). I also really dislike when a character", "you go, or should you outline everything beforehand? * Too much description vs", "facts or details about the characters (or really giving away too much, I'd", "the trip. Everything going well. Decides to vlog. Hogtor's fall \| This outline", "here are * What makes good filler content? * How much dialog is", "home? My main concern with all of these options is the story being", "characters so the reader learns more about them as the story goes on).", "those (and after a while everything is very repetitive). I am trying to", "This may be an internalized thing, and I may just need to start", "the chapter, they're walking through Didyli, Ireland. Would it make sense to simply", "an event that happens later on in the story. Because of this, though,", "new section, possibly later that day. But even then, what would I include?", "a more personal answer and possible getting some different points of view. Thank", "of the story. My main questions here are * What makes good filler", "have researched this quite extensively, and am currently working on trying to implement", "in terms of the plot and story events. Unfortunately, I'm already stuck on", "This outline seems very unsustainable, and I'm struggling to really write the chapter.", "lengthy answers that only/mainly advocate \"Show, don't tell\". This question is more about", "still interested in a more personal answer and possible getting some different points", "the wrong path and then need to rework a big portion of the", "to implement some of the tips I have found, I am still interested", "come to me, but I don't want to start down the wrong path", "am currently working on my first serious story/book. I have written in the", "have created a general outline of how I want the chapters to go,", "2000 per chapter, give or take). For my first revision, I'd like to", "hair that glistened every time the sun hit it the right way. She", "time the sun hit it the right way. She was wearing black jeans,", "of this, though, I don't want to immediately introduce this event. My plan", "also struggling with how to lengthen the chapter in terms of content. In", "stuck on the first chapter. My story has a prologue. This can be", "makes good filler content? * How much dialog is too much? * Is", "right way. She was wearing black jeans, despite the summer heat.\" etc etc).", "story and pulls readers in. This prologue is one that gives you a", "Ayla \| Goes home after seeing Hogtor. Excited about the trip. Helps her", "How much dialog is too much? * Is it okay to develop the", "Excited about the trip. Helps her mom at home. Packs for trip \|", "seems very unsustainable, and I'm struggling to really write the chapter. The two", "that made a story, a story. For this book, I have created a", "\| Chapter 3 \| Ayla \| Day of the trip. Everything going well.", "story. Because of this, though, I don't want to immediately introduce this event.", "with myself because I was unsure how to fill the other chapters). \|", "to simply describe them going into different shops? Part of me wants to", "I don't want to start down the wrong path and then need to", "in. This prologue is one that gives you a look into an event", "extensively, and am currently working on trying to implement some of the tips", "very much success with those (and after a while everything is very repetitive).", "the story. Because of this, though, I don't want to immediately introduce this", "Didyli while they talk. Establish characters \| \| Chapter 2 \| Ayla \|", "after a while everything is very repetitive). I am trying to be descriptive", "\"Show, don't tell\". This question is more about general chapter/story structure and content", "struggling with how to lengthen the chapter in terms of content. In the", "through Didyli while they talk. Establish characters \| \| Chapter 2 \| Ayla", "to have the cause of this event occur in or around chapter five.", "and Ayla) have already made the plan for their trip, and I'm only", "wants to summarize their trip, and then cut to a new section, possibly", "Too much description vs Too little? I am looking to avoid the lengthy", "looking around stunned \| \| Chapter 1 \| Hogtor \| Day before incident.", "have written in the past, but I never really paid attention to the", "going into different shops? Part of me wants to summarize their trip, and", "to lengthen chapters, but have not had very much success with those (and", "it okay to develop the story as you go, or should you outline", "you a look into an event that happens later on in the story.", "this book, I have created a general outline of how I want the", "She was wearing black jeans, despite the summer heat.\" etc etc). Descriptions aside,", "is very repetitive). I am trying to be descriptive without just outright stating", "am also struggling with how to lengthen the chapter in terms of content.", "planning a trip. Walking through Didyli while they talk. Establish characters \| \|", "it to come to me, but I don't want to start down the", "start writing for it to come to me, but I don't want to", "found, I am still interested in a more personal answer and possible getting", "okay to develop the story as you go, or should you outline everything", "I am looking to avoid the lengthy answers that only/mainly advocate \"Show, don't", "this, though, I don't want to immediately introduce this event. My plan is", "have researched different strategies on how to lengthen chapters, but have not had", "a trip. Walking through Didyli while they talk. Establish characters \| \| Chapter", "on her opening the box and looking around stunned \| \| Chapter 1", "meantime, I need to give some content to chapters 1-4 (as I currently", "content? * How much dialog is too much? * Is it okay to", "without just outright stating certain facts or details about the characters (or really", "\| Ayla \| Day of the trip. Everything going well. Decides to vlog.", "Hogtor's fall \| This outline seems very unsustainable, and I'm struggling to really", "look into an event that happens later on in the story. Because of", "have found, I am still interested in a more personal answer and possible", "I may just need to start writing for it to come to me,", "a character just stands there and describes another character (\"she had long blonde", "plan for their trip, and I'm only about 400 words in (goal of", "in a box. Tries to find her way out. Ends on her opening", "day. But even then, what would I include? It's in Hogtor's POV, so", "\| Chapter \| POV \| Plot Sequence \| \| --- \| --- \|", "this event occur in or around chapter five. In the meantime, I need", "but have not had very much success with those (and after a while", "\| Hogtor \| Wakes up in a box. Tries to find her way", "\| This outline seems very unsustainable, and I'm struggling to really write the", "about general chapter/story structure and content than how to simply make it longer.", "Day of the trip. Everything going well. Decides to vlog. Hogtor's fall \|", "tell\". This question is more about general chapter/story structure and content than how", "just need to start writing for it to come to me, but I", "heat.\" etc etc). Descriptions aside, I am also struggling with how to lengthen", "trying to be descriptive without just outright stating certain facts or details about", "but the compromise I made with myself because I was unsure how to", "content to chapters 1-4 (as I currently have it structured, this event would", "(as I currently have it structured, this event would actually occur in chapter", "one that gives you a look into an event that happens later on", "an internalized thing, and I may just need to start writing for it", "paid attention to the structure or word count or really anything that made", "Chapter \| POV \| Plot Sequence \| \| --- \| --- \| ---", "was wearing black jeans, despite the summer heat.\" etc etc). Descriptions aside, I", "My plan is to have the cause of this event occur in or", "a while everything is very repetitive). I am trying to be descriptive without", "away too much, I'd like to be able to develop the characters so", "content. In the chapter, they're walking through Didyli, Ireland. Would it make sense", "goes on). I also really dislike when a character just stands there and", "I'd like to have at least 1000 words. I have researched different strategies", "least 1000 words. I have researched different strategies on how to lengthen chapters,", "is not ideal, but the compromise I made with myself because I was", "Prologue \| Hogtor \| Wakes up in a box. Tries to find her", "write the chapter. The two characters (Hogtor and Ayla) have already made the", "\| Ayla \| Goes home after seeing Hogtor. Excited about the trip. Helps", "the first chapter. My story has a prologue. This can be controversial between", "even then, what would I include? It's in Hogtor's POV, so maybe her", "the other chapters). \| Chapter \| POV \| Plot Sequence \| \| ---", "vs Too little? I am looking to avoid the lengthy answers that only/mainly", "at least 1000 words. I have researched different strategies on how to lengthen", "to avoid the lengthy answers that only/mainly advocate \"Show, don't tell\". This question", "Hogtor \| Day before incident. Hanging out with Ayla, planning a trip. Walking", "content than how to simply make it longer. While I have researched this", "there and describes another character (\"she had long blonde hair that glistened every", "structured, this event would actually occur in chapter 3. This is not ideal,", "the sun hit it the right way. She was wearing black jeans, despite", "their trip, and then cut to a new section, possibly later that day.", "home after seeing Hogtor. Excited about the trip. Helps her mom at home.", "opening the box and looking around stunned \| \| Chapter 1 \| Hogtor", "chapter. My story has a prologue. This can be controversial between writers, but", "in Hogtor's POV, so maybe her when she's home? My main concern with", "I want the chapters to go, in terms of the plot and story", "black jeans, despite the summer heat.\" etc etc). Descriptions aside, I am also", "blonde hair that glistened every time the sun hit it the right way.", "or should you outline everything beforehand? * Too much description vs Too little?", "event would actually occur in chapter 3. This is not ideal, but the", "the chapter in terms of content. In the chapter, they're walking through Didyli,", "is too much? * Is it okay to develop the story as you", "it make sense to simply describe them going into different shops? Part of", "anything that made a story, a story. For this book, I have created", "feel it enhances my story and pulls readers in. This prologue is one", "Ayla, planning a trip. Walking through Didyli while they talk. Establish characters \|", "you outline everything beforehand? * Too much description vs Too little? I am", "Unfortunately, I'm already stuck on the first chapter. My story has a prologue.", "This can be controversial between writers, but I feel it enhances my story", "about 400 words in (goal of 2000 per chapter, give or take). For", "of 2000 per chapter, give or take). For my first revision, I'd like", "seeing Hogtor. Excited about the trip. Helps her mom at home. Packs for", "story as you go, or should you outline everything beforehand? * Too much", "much description vs Too little? I am looking to avoid the lengthy answers", "main questions here are * What makes good filler content? * How much", "Tries to find her way out. Ends on her opening the box and", "am looking to avoid the lengthy answers that only/mainly advocate \"Show, don't tell\".", "\| \| --- \| --- \| --- \| \| Prologue \| Hogtor \|", "character (\"she had long blonde hair that glistened every time the sun hit", "my story and pulls readers in. This prologue is one that gives you", "everything is very repetitive). I am trying to be descriptive without just outright", "options is the story being boring. This may be an internalized thing, and", "Hogtor. Excited about the trip. Helps her mom at home. Packs for trip", "While I have researched this quite extensively, and am currently working on trying", "being boring. This may be an internalized thing, and I may just need", "Would it make sense to simply describe them going into different shops? Part", "My story has a prologue. This can be controversial between writers, but I", "characters \| \| Chapter 2 \| Ayla \| Goes home after seeing Hogtor.", "the story goes on). I also really dislike when a character just stands", "to a new section, possibly later that day. But even then, what would", "the tips I have found, I am still interested in a more personal", "\| Chapter 1 \| Hogtor \| Day before incident. Hanging out with Ayla,", "not ideal, but the compromise I made with myself because I was unsure", "Ends on her opening the box and looking around stunned \| \| Chapter", "my first serious story/book. I have written in the past, but I never", "prologue. This can be controversial between writers, but I feel it enhances my", "on). I also really dislike when a character just stands there and describes", "on in the story. Because of this, though, I don't want to immediately", "event. My plan is to have the cause of this event occur in", "trip. Helps her mom at home. Packs for trip \| \| Chapter 3", "trip, and I'm only about 400 words in (goal of 2000 per chapter,", "their trip, and I'm only about 400 words in (goal of 2000 per", "1000 words. I have researched different strategies on how to lengthen chapters, but", "more about them as the story goes on). I also really dislike when", "to rework a big portion of the story. My main questions here are", "tips I have found, I am still interested in a more personal answer", "too much, I'd like to be able to develop the characters so the", "the lengthy answers that only/mainly advocate \"Show, don't tell\". This question is more", "trip, and then cut to a new section, possibly later that day. But", "(Hogtor and Ayla) have already made the plan for their trip, and I'm", "of the tips I have found, I am still interested in a more", "currently working on my first serious story/book. I have written in the past,", "may just need to start writing for it to come to me, but", "Everything going well. Decides to vlog. Hogtor's fall \| This outline seems very", "more about general chapter/story structure and content than how to simply make it", "outline seems very unsustainable, and I'm struggling to really write the chapter. The", "be able to develop the characters so the reader learns more about them", "working on trying to implement some of the tips I have found, I", "home. Packs for trip \| \| Chapter 3 \| Ayla \| Day of", "out. Ends on her opening the box and looking around stunned \| \|", "\| \| Chapter 2 \| Ayla \| Goes home after seeing Hogtor. Excited", "what would I include? It's in Hogtor's POV, so maybe her when she's", "in or around chapter five. In the meantime, I need to give some", "outline everything beforehand? * Too much description vs Too little? I am looking", "never really paid attention to the structure or word count or really anything", "in a more personal answer and possible getting some different points of view.", "despite the summer heat.\" etc etc). Descriptions aside, I am also struggling with", "make sense to simply describe them going into different shops? Part of me", "\| \| Prologue \| Hogtor \| Wakes up in a box. Tries to", "incident. Hanging out with Ayla, planning a trip. Walking through Didyli while they", "would I include? It's in Hogtor's POV, so maybe her when she's home?", "looking to avoid the lengthy answers that only/mainly advocate \"Show, don't tell\". This", "beforehand? * Too much description vs Too little? I am looking to avoid", "revision, I'd like to have at least 1000 words. I have researched different", "when a character just stands there and describes another character (\"she had long", "pulls readers in. This prologue is one that gives you a look into", "she's home? My main concern with all of these options is the story", "I have found, I am still interested in a more personal answer and", "it structured, this event would actually occur in chapter 3. This is not", "way out. Ends on her opening the box and looking around stunned \|", "readers in. This prologue is one that gives you a look into an", "immediately introduce this event. My plan is to have the cause of this", "the chapter. The two characters (Hogtor and Ayla) have already made the plan", "this quite extensively, and am currently working on trying to implement some of", "of the plot and story events. Unfortunately, I'm already stuck on the first", "strategies on how to lengthen chapters, but have not had very much success", "questions here are * What makes good filler content? * How much dialog", "currently have it structured, this event would actually occur in chapter 3. This", "in terms of content. In the chapter, they're walking through Didyli, Ireland. Would", "I was unsure how to fill the other chapters). \| Chapter \| POV", "need to start writing for it to come to me, but I don't", "the trip. Helps her mom at home. Packs for trip \| \| Chapter", "implement some of the tips I have found, I am still interested in", "while they talk. Establish characters \| \| Chapter 2 \| Ayla \| Goes", "I am currently working on my first serious story/book. I have written in", "that glistened every time the sun hit it the right way. She was", "in (goal of 2000 per chapter, give or take). For my first revision,", "currently working on trying to implement some of the tips I have found,", "This is not ideal, but the compromise I made with myself because I", "to be able to develop the characters so the reader learns more about", "box. Tries to find her way out. Ends on her opening the box", "give some content to chapters 1-4 (as I currently have it structured, this", "have it structured, this event would actually occur in chapter 3. This is", "box and looking around stunned \| \| Chapter 1 \| Hogtor \| Day", "researched this quite extensively, and am currently working on trying to implement some", "and then cut to a new section, possibly later that day. But even", "that day. But even then, what would I include? It's in Hogtor's POV,", "I am still interested in a more personal answer and possible getting some", "enhances my story and pulls readers in. This prologue is one that gives", "to really write the chapter. The two characters (Hogtor and Ayla) have already", "POV \| Plot Sequence \| \| --- \| --- \| --- \| \|", "to chapters 1-4 (as I currently have it structured, this event would actually", "I don't want to immediately introduce this event. My plan is to have", "chapters, but have not had very much success with those (and after a", "between writers, but I feel it enhances my story and pulls readers in.", "word count or really anything that made a story, a story. For this", "around stunned \| \| Chapter 1 \| Hogtor \| Day before incident. Hanging", "vlog. Hogtor's fall \| This outline seems very unsustainable, and I'm struggling to", "chapter in terms of content. In the chapter, they're walking through Didyli, Ireland.", "is to have the cause of this event occur in or around chapter", "I currently have it structured, this event would actually occur in chapter 3.", "two characters (Hogtor and Ayla) have already made the plan for their trip,", "Part of me wants to summarize their trip, and then cut to a", "and looking around stunned \| \| Chapter 1 \| Hogtor \| Day before", "the structure or word count or really anything that made a story, a", "It's in Hogtor's POV, so maybe her when she's home? My main concern", "plan is to have the cause of this event occur in or around", "filler content? * How much dialog is too much? * Is it okay", "sense to simply describe them going into different shops? Part of me wants", "I have researched different strategies on how to lengthen chapters, but have not", "up in a box. Tries to find her way out. Ends on her", "mom at home. Packs for trip \| \| Chapter 3 \| Ayla \|", "much, I'd like to be able to develop the characters so the reader", "I'm only about 400 words in (goal of 2000 per chapter, give or", "much success with those (and after a while everything is very repetitive). I", "that only/mainly advocate \"Show, don't tell\". This question is more about general chapter/story", "going well. Decides to vlog. Hogtor's fall \| This outline seems very unsustainable,", "general outline of how I want the chapters to go, in terms of", "make it longer. While I have researched this quite extensively, and am currently", "of this event occur in or around chapter five. In the meantime, I", "\| Day before incident. Hanging out with Ayla, planning a trip. Walking through", "later that day. But even then, what would I include? It's in Hogtor's", "outline of how I want the chapters to go, in terms of the", "(\"she had long blonde hair that glistened every time the sun hit it", "through Didyli, Ireland. Would it make sense to simply describe them going into", "For my first revision, I'd like to have at least 1000 words. I", "Ayla \| Day of the trip. Everything going well. Decides to vlog. Hogtor's", "for their trip, and I'm only about 400 words in (goal of 2000", "go, or should you outline everything beforehand? * Too much description vs Too", "event that happens later on in the story. Because of this, though, I", "because I was unsure how to fill the other chapters). \| Chapter \|", "around chapter five. In the meantime, I need to give some content to", "for it to come to me, but I don't want to start down", "her mom at home. Packs for trip \| \| Chapter 3 \| Ayla", "first chapter. My story has a prologue. This can be controversial between writers,", "would actually occur in chapter 3. This is not ideal, but the compromise", "Ayla) have already made the plan for their trip, and I'm only about", "than how to simply make it longer. While I have researched this quite", "the box and looking around stunned \| \| Chapter 1 \| Hogtor \|", "\| --- \| --- \| --- \| \| Prologue \| Hogtor \| Wakes", "hit it the right way. She was wearing black jeans, despite the summer", "the story as you go, or should you outline everything beforehand? * Too", "like to be able to develop the characters so the reader learns more", "them going into different shops? Part of me wants to summarize their trip,", "lengthen the chapter in terms of content. In the chapter, they're walking through", "big portion of the story. My main questions here are * What makes", "(goal of 2000 per chapter, give or take). For my first revision, I'd", "characters (Hogtor and Ayla) have already made the plan for their trip, and", "to have at least 1000 words. I have researched different strategies on how", "the story. My main questions here are * What makes good filler content?", "to summarize their trip, and then cut to a new section, possibly later", "to lengthen the chapter in terms of content. In the chapter, they're walking", "chapter 3. This is not ideal, but the compromise I made with myself", "made with myself because I was unsure how to fill the other chapters).", "words in (goal of 2000 per chapter, give or take). For my first", "or word count or really anything that made a story, a story. For", "am trying to be descriptive without just outright stating certain facts or details", "and story events. Unfortunately, I'm already stuck on the first chapter. My story", "occur in chapter 3. This is not ideal, but the compromise I made", "trying to implement some of the tips I have found, I am still", "to develop the characters so the reader learns more about them as the", "thing, and I may just need to start writing for it to come", "should you outline everything beforehand? * Too much description vs Too little? I", "can be controversial between writers, but I feel it enhances my story and", "introduce this event. My plan is to have the cause of this event", "and pulls readers in. This prologue is one that gives you a look", "and I'm struggling to really write the chapter. The two characters (Hogtor and", "story. My main questions here are * What makes good filler content? ", "a box. Tries to find her way out. Ends on her opening the", "the right way. She was wearing black jeans, despite the summer heat.\" etc", "a look into an event that happens later on in the story. Because", "--- \| --- \| --- \| \| Prologue \| Hogtor \| Wakes up", "\| --- \| --- \| \| Prologue \| Hogtor \| Wakes up in", "sun hit it the right way. She was wearing black jeans, despite the", "this event. My plan is to have the cause of this event occur", "down the wrong path and then need to rework a big portion of", "for trip \| \| Chapter 3 \| Ayla \| Day of the trip.", "writing for it to come to me, but I don't want to start", "dialog is too much? Is it okay to develop the story as", "and am currently working on trying to implement some of the tips I", "chapter, give or take). For my first revision, I'd like to have at", "every time the sun hit it the right way. She was wearing black", "want to immediately introduce this event. My plan is to have the cause", "develop the characters so the reader learns more about them as the story", "really dislike when a character just stands there and describes another character (\"she", "My main questions here are * What makes good filler content? * How", "Is it okay to develop the story as you go, or should you", "3. This is not ideal, but the compromise I made with myself because", "into different shops? Part of me wants to summarize their trip, and then", "but I don't want to start down the wrong path and then need", "it the right way. She was wearing black jeans, despite the summer heat.\"", "to start writing for it to come to me, but I don't want", "out with Ayla, planning a trip. Walking through Didyli while they talk. Establish", "to vlog. Hogtor's fall \| This outline seems very unsustainable, and I'm struggling", "this event would actually occur in chapter 3. This is not ideal, but", "find her way out. Ends on her opening the box and looking around", "In the meantime, I need to give some content to chapters 1-4 (as", "Hogtor's POV, so maybe her when she's home? My main concern with all", "learns more about them as the story goes on). I also really dislike", "able to develop the characters so the reader learns more about them as", "of content. In the chapter, they're walking through Didyli, Ireland. Would it make", "story events. Unfortunately, I'm already stuck on the first chapter. My story has", "Walking through Didyli while they talk. Establish characters \| \| Chapter 2 \|", "the characters (or really giving away too much, I'd like to be able", "include? It's in Hogtor's POV, so maybe her when she's home? My main", "when she's home? My main concern with all of these options is the", "\| --- \| \| Prologue \| Hogtor \| Wakes up in a box.", "just stands there and describes another character (\"she had long blonde hair that", "some content to chapters 1-4 (as I currently have it structured, this event", "shops? Part of me wants to summarize their trip, and then cut to", "I include? It's in Hogtor's POV, so maybe her when she's home? My", "\| \| Chapter 1 \| Hogtor \| Day before incident. Hanging out with", "avoid the lengthy answers that only/mainly advocate \"Show, don't tell\". This question is", "wrong path and then need to rework a big portion of the story.", "I never really paid attention to the structure or word count or really", "some of the tips I have found, I am still interested in a", "I'm struggling to really write the chapter. The two characters (Hogtor and Ayla)", "chapter. The two characters (Hogtor and Ayla) have already made the plan for", "but I never really paid attention to the structure or word count or", "\| Goes home after seeing Hogtor. Excited about the trip. Helps her mom", "and I'm only about 400 words in (goal of 2000 per chapter, give", "be an internalized thing, and I may just need to start writing for", "events. Unfortunately, I'm already stuck on the first chapter. My story has a", "is one that gives you a look into an event that happens later", "all of these options is the story being boring. This may be an", "occur in or around chapter five. In the meantime, I need to give", "not had very much success with those (and after a while everything is", "In the chapter, they're walking through Didyli, Ireland. Would it make sense to", "\| Day of the trip. Everything going well. Decides to vlog. Hogtor's fall", "The two characters (Hogtor and Ayla) have already made the plan for their", "story, a story. For this book, I have created a general outline of", "etc). Descriptions aside, I am also struggling with how to lengthen the chapter", "the chapters to go, in terms of the plot and story events. Unfortunately,", "chapters to go, in terms of the plot and story events. Unfortunately, I'm", "Chapter 2 \| Ayla \| Goes home after seeing Hogtor. Excited about the", "outright stating certain facts or details about the characters (or really giving away", "story being boring. This may be an internalized thing, and I may just", "a prologue. This can be controversial between writers, but I feel it enhances", "the plan for their trip, and I'm only about 400 words in (goal", "on my first serious story/book. I have written in the past, but I", "trip. Everything going well. Decides to vlog. Hogtor's fall \| This outline seems", "really giving away too much, I'd like to be able to develop the", "much dialog is too much? * Is it okay to develop the story", "concern with all of these options is the story being boring. This may", "details about the characters (or really giving away too much, I'd like to", "researched different strategies on how to lengthen chapters, but have not had very", "of the trip. Everything going well. Decides to vlog. Hogtor's fall \| This", "on the first chapter. My story has a prologue. This can be controversial", "I am also struggling with how to lengthen the chapter in terms of", "compromise I made with myself because I was unsure how to fill the", "take). For my first revision, I'd like to have at least 1000 words.", "rework a big portion of the story. My main questions here are ", "how to lengthen the chapter in terms of content. In the chapter, they're", "repetitive). I am trying to be descriptive without just outright stating certain facts", "the summer heat.\" etc etc). Descriptions aside, I am also struggling with how", "have at least 1000 words. I have researched different strategies on how to", "as you go, or should you outline everything beforehand? Too much description", "very repetitive). I am trying to be descriptive without just outright stating certain", "really paid attention to the structure or word count or really anything that", "descriptive without just outright stating certain facts or details about the characters (or", "want the chapters to go, in terms of the plot and story events.", "only/mainly advocate \"Show, don't tell\". This question is more about general chapter/story structure", "the plot and story events. Unfortunately, I'm already stuck on the first chapter.", "to immediately introduce this event. My plan is to have the cause of", "chapters). \| Chapter \| POV \| Plot Sequence \| \| --- \| ---", "or really anything that made a story, a story. For this book, I" ]
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[ "am wondering if there are ways to achieve this that I am not", "all terms related to ships, but obviously it didn't work, I am wondering", "of. I remember there were categories of words, but I can't seem to", "to use insource to find all terms related to ships, but obviously it", "there were categories of words, but I can't seem to find them anymore.", "am not aware of. I remember there were categories of words, but I", "I was trying to use insource to find all terms related to ships,", "remember there were categories of words, but I can't seem to find them", "I am wondering if there are ways to achieve this that I am", "are ways to achieve this that I am not aware of. I remember", "I remember there were categories of words, but I can't seem to find", "it didn't work, I am wondering if there are ways to achieve this", "to find all terms related to ships, but obviously it didn't work, I", "ways to achieve this that I am not aware of. I remember there", "to achieve this that I am not aware of. I remember there were", "aware of. I remember there were categories of words, but I can't seem", "that I am not aware of. I remember there were categories of words,", "find all terms related to ships, but obviously it didn't work, I am", "obviously it didn't work, I am wondering if there are ways to achieve", "ships, but obviously it didn't work, I am wondering if there are ways", "was trying to use insource to find all terms related to ships, but", "use insource to find all terms related to ships, but obviously it didn't", "but obviously it didn't work, I am wondering if there are ways to", "I am not aware of. I remember there were categories of words, but", "this that I am not aware of. I remember there were categories of", "trying to use insource to find all terms related to ships, but obviously", "not aware of. I remember there were categories of words, but I can't", "didn't work, I am wondering if there are ways to achieve this that", "terms related to ships, but obviously it didn't work, I am wondering if", "related to ships, but obviously it didn't work, I am wondering if there", "achieve this that I am not aware of. I remember there were categories", "insource to find all terms related to ships, but obviously it didn't work,", "<https://en.wiktionary.org/w/index.php?title=Special:Search&limit=500&offset=0&profile=default&search=insource%3A+ship&ns0=1> I was trying to use insource to find all terms related to", "wondering if there are ways to achieve this that I am not aware", "if there are ways to achieve this that I am not aware of.", "there are ways to achieve this that I am not aware of. I", "work, I am wondering if there are ways to achieve this that I", "to ships, but obviously it didn't work, I am wondering if there are" ]
[ "experiment the reference water varied by ±0.11SD from its mean pH 7.03. While", "the variation in the acidic Al-poor treatment, malfunctioning of the ball valve mentioned", "respirometry experiment, the reference water varied with ±0.18SD from its mean pH 7.04.", "5.95, respectively. The same applies here for the variation in the acidic Al-poor", "The sample I provide is of my results. I would like to improve", "describing the results from a boxplot: > > In the treatments with reference", "my results. I would like to improve the 'flow' of my writing, now", "5.8) the median normoxic O2-consumption was lower at 0.006 and the IQR was", "'flow'. Here I'm describing the results from a boxplot: > > In the", "±0.18SD from its mean pH 7.04. And the acidic Al-poor and the acidic", "for the acidic Al-rich media (pH 5.8) the median normoxic O2-consumption was lower", "> > Another sample of my writing: > > Water pH was very", "·h-1 (Figure X4). The median critical O2 concentration ([O2]crit (mg O2/L-1) for A.", "and I would like to ask for some help structuring my sentences and", "> > > Another sample of my writing: > > Water pH was", "pH 7.03. While variations for the acidic Al-poor and acidic Al-rich were ±0.48SD", "±0.17SD from their mean of pH 5.94 and pH 5.95, respectively. The same", "([O2]crit (mg O2/L-1) for A. aquaticus was 1.56 and 1.35, with an IQR", "a boxplot: > > In the treatments with reference water (pH 7.0) and", "sentence independently of the latter, giving a terrible 'flow'. Here I'm describing the", "concentration was 0.90 and the IQR 0.54 [O2]crit (mg O2/L-1). > > >", "same applies here for the variation in the acidic Al-poor treatment, malfunctioning of", "Ecology and now writing my result section. I'm a non-native English writer and", "> Another sample of my writing: > > Water pH was very stable", "result section. I'm a non-native English writer and I would like to ask", "the mortality experiment the reference water varied by ±0.11SD from its mean pH", "0.023 and 0.028, the IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively.", "and acidic Al-poor media (pH 5.8), respectively. For animals exposed to the treatment", "to the treatment acidic Al-rich media (pH 5.8) the median critical O2 concentration", "now writing my result section. I'm a non-native English writer and I would", "in the mortality and respirometry experiments, with only minor fluctuations (Table X3). For", "minor fluctuations (Table X3). For the mortality experiment the reference water varied by", "IQR 0.54 [O2]crit (mg O2/L-1). > > > Another sample of my writing:", "mortality experiment the reference water varied by ±0.11SD from its mean pH 7.03.", "and 0.52 [O2]crit (mg O2/L-1), when exposed to reference water (pH 7.0) and", "lower at 0.006 and the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4).", "acidic Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD from their mean of", "Water pH was very stable in the mortality and respirometry experiments, with only", "acidic Al-poor media (pH 5.8) A. aquaticus showed a median normoxic O2-consumption of", "O2/L-1), when exposed to reference water (pH 7.0) and acidic Al-poor media (pH", "I'm just writing one and one sentence independently of the latter, giving a", "fluctuations (Table X3). For the mortality experiment the reference water varied by ±0.11SD", "±0.48SD and ±0.38SD from their mean of pH 5.73 and 5.72, respectively. For", "my master thesis in Ecology and now writing my result section. I'm a", "like to ask for some help structuring my sentences and how to become", "O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus was 1.56 and 1.35, with", "very stable in the mortality and respirometry experiments, with only minor fluctuations (Table", "English writer and I would like to ask for some help structuring my", "mean pH 7.03. While variations for the acidic Al-poor and acidic Al-rich were", "and ±0.17SD from their mean of pH 5.94 and pH 5.95, respectively. The", "my result section. I'm a non-native English writer and I would like to", "and acidic Al-poor media (pH 5.8) A. aquaticus showed a median normoxic O2-consumption", "critical O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus was 1.56 and 1.35,", "> > In the treatments with reference water (pH 7.0) and acidic Al-poor", "in the acidic Al-poor treatment, malfunctioning of the ball valve mentioned above. >", "for A. aquaticus was 1.56 and 1.35, with an IQR of 0.50 and", "treatments with reference water (pH 7.0) and acidic Al-poor media (pH 5.8) A.", "was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median critical O2 concentration ([O2]crit", "the latter, giving a terrible 'flow'. Here I'm describing the results from a", "0.54 [O2]crit (mg O2/L-1). > > > Another sample of my writing: >", "a non-native English writer and I would like to ask for some help", "with ±0.18SD from its mean pH 7.04. And the acidic Al-poor and the", "from their mean of pH 5.73 and 5.72, respectively. For the respirometry experiment,", "the acidic Al-rich varied with ±0.59SD and ±0.17SD from their mean of pH", "media (pH 5.8) the median normoxic O2-consumption was lower at 0.006 and the", "While variations for the acidic Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD", "the reference water varied with ±0.18SD from its mean pH 7.04. And the", "of pH 5.73 and 5.72, respectively. For the respirometry experiment, the reference water", "DW-1 ·h-1 (Figure X4). The median critical O2 concentration ([O2]crit (mg O2/L-1) for", "IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median critical O2 concentration", "0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median critical O2 concentration ([O2]crit (mg", "O2-consumption was lower at 0.006 and the IQR was 0.003 µgO2/mg DW-1 ·h-1", "animals exposed to the treatment acidic Al-rich media (pH 5.8) the median critical", "(pH 5.8) the median normoxic O2-consumption was lower at 0.006 and the IQR", "just writing one and one sentence independently of the latter, giving a terrible", "(Figure X4). The median critical O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus", "respectively. The same applies here for the variation in the acidic Al-poor treatment,", "stable in the mortality and respirometry experiments, with only minor fluctuations (Table X3).", "critical O2 concentration was 0.90 and the IQR 0.54 [O2]crit (mg O2/L-1). >", "respectively. For the respirometry experiment, the reference water varied with ±0.18SD from its", "from its mean pH 7.04. And the acidic Al-poor and the acidic Al-rich", "(Table X3). For the mortality experiment the reference water varied by ±0.11SD from", "and respirometry experiments, with only minor fluctuations (Table X3). For the mortality experiment", "Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD from their mean of pH", "non-native English writer and I would like to ask for some help structuring", "IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic", "would like to ask for some help structuring my sentences and how to", "water varied with ±0.18SD from its mean pH 7.04. And the acidic Al-poor", "is of my results. I would like to improve the 'flow' of my", "O2/L-1) for A. aquaticus was 1.56 and 1.35, with an IQR of 0.50", "the treatments with reference water (pH 7.0) and acidic Al-poor media (pH 5.8)", "their mean of pH 5.94 and pH 5.95, respectively. The same applies here", "0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic Al-rich media (pH 5.8)", "aquaticus was 1.56 and 1.35, with an IQR of 0.50 and 0.52 [O2]crit", "O2 concentration was 0.90 and the IQR 0.54 [O2]crit (mg O2/L-1). > >", "and pH 5.95, respectively. The same applies here for the variation in the", "treatment acidic Al-rich media (pH 5.8) the median critical O2 concentration was 0.90", "sample I provide is of my results. I would like to improve the", "Al-poor media (pH 5.8), respectively. For animals exposed to the treatment acidic Al-rich", "O2-consumption of 0.023 and 0.028, the IQR was 0.029 and 0.045 µgO2/mg DW-1", "master thesis in Ecology and now writing my result section. I'm a non-native", "normoxic O2-consumption of 0.023 and 0.028, the IQR was 0.029 and 0.045 µgO2/mg", "some help structuring my sentences and how to become a better writer. The", "writing my result section. I'm a non-native English writer and I would like", "now I feel I'm just writing one and one sentence independently of the", "variations for the acidic Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD from", "only minor fluctuations (Table X3). For the mortality experiment the reference water varied", "one sentence independently of the latter, giving a terrible 'flow'. Here I'm describing", "results. I would like to improve the 'flow' of my writing, now I", "A. aquaticus was 1.56 and 1.35, with an IQR of 0.50 and 0.52", "mean pH 7.04. And the acidic Al-poor and the acidic Al-rich varied with", "media (pH 5.8) A. aquaticus showed a median normoxic O2-consumption of 0.023 and", "acidic Al-rich varied with ±0.59SD and ±0.17SD from their mean of pH 5.94", "> Water pH was very stable in the mortality and respirometry experiments, with", "7.04. And the acidic Al-poor and the acidic Al-rich varied with ±0.59SD and", "a terrible 'flow'. Here I'm describing the results from a boxplot: > >", "sample of my writing: > > Water pH was very stable in the", "was 0.90 and the IQR 0.54 [O2]crit (mg O2/L-1). > > > Another", "respectively. For animals exposed to the treatment acidic Al-rich media (pH 5.8) the", "the acidic Al-poor treatment, malfunctioning of the ball valve mentioned above. > >", "exposed to the treatment acidic Al-rich media (pH 5.8) the median critical O2", "varied with ±0.18SD from its mean pH 7.04. And the acidic Al-poor and", "by ±0.11SD from its mean pH 7.03. While variations for the acidic Al-poor", "writer. The sample I provide is of my results. I would like to", "[O2]crit (mg O2/L-1). > > > Another sample of my writing: > >", "the acidic Al-poor and the acidic Al-rich varied with ±0.59SD and ±0.17SD from", "acidic Al-poor treatment, malfunctioning of the ball valve mentioned above. > > >", "section. I'm a non-native English writer and I would like to ask for", "pH 5.73 and 5.72, respectively. For the respirometry experiment, the reference water varied", "and one sentence independently of the latter, giving a terrible 'flow'. Here I'm", "the median critical O2 concentration was 0.90 and the IQR 0.54 [O2]crit (mg", "±0.11SD from its mean pH 7.03. While variations for the acidic Al-poor and", "'flow' of my writing, now I feel I'm just writing one and one", "I'm a non-native English writer and I would like to ask for some", "was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic Al-rich", "experiment, the reference water varied with ±0.18SD from its mean pH 7.04. And", "from their mean of pH 5.94 and pH 5.95, respectively. The same applies", "of my writing: > > Water pH was very stable in the mortality", "giving a terrible 'flow'. Here I'm describing the results from a boxplot: >", "one and one sentence independently of the latter, giving a terrible 'flow'. Here", "And the acidic Al-poor and the acidic Al-rich varied with ±0.59SD and ±0.17SD", "> In the treatments with reference water (pH 7.0) and acidic Al-poor media", "pH 5.94 and pH 5.95, respectively. The same applies here for the variation", "writing, now I feel I'm just writing one and one sentence independently of", "in Ecology and now writing my result section. I'm a non-native English writer", "(pH 7.0) and acidic Al-poor media (pH 5.8) A. aquaticus showed a median", "variation in the acidic Al-poor treatment, malfunctioning of the ball valve mentioned above.", "IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed to reference water", "0.52 [O2]crit (mg O2/L-1), when exposed to reference water (pH 7.0) and acidic", "mean of pH 5.73 and 5.72, respectively. For the respirometry experiment, the reference", "and ±0.38SD from their mean of pH 5.73 and 5.72, respectively. For the", "pH was very stable in the mortality and respirometry experiments, with only minor", "Whereas for the acidic Al-rich media (pH 5.8) the median normoxic O2-consumption was", "for the acidic Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD from their", "thesis in Ecology and now writing my result section. I'm a non-native English", "latter, giving a terrible 'flow'. Here I'm describing the results from a boxplot:", "from a boxplot: > > In the treatments with reference water (pH 7.0)", "to reference water (pH 7.0) and acidic Al-poor media (pH 5.8), respectively. For", "5.73 and 5.72, respectively. For the respirometry experiment, the reference water varied with", "their mean of pH 5.73 and 5.72, respectively. For the respirometry experiment, the", "and 1.35, with an IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1), when", "was 1.56 and 1.35, with an IQR of 0.50 and 0.52 [O2]crit (mg", "Al-rich were ±0.48SD and ±0.38SD from their mean of pH 5.73 and 5.72,", "(pH 7.0) and acidic Al-poor media (pH 5.8), respectively. For animals exposed to", "> > Water pH was very stable in the mortality and respirometry experiments,", "of 0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed to reference water (pH", "median normoxic O2-consumption was lower at 0.006 and the IQR was 0.003 µgO2/mg", "0.006 and the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median", "5.94 and pH 5.95, respectively. The same applies here for the variation in", "my sentences and how to become a better writer. The sample I provide", "normoxic O2-consumption was lower at 0.006 and the IQR was 0.003 µgO2/mg DW-1", "In the treatments with reference water (pH 7.0) and acidic Al-poor media (pH", "doing my master thesis in Ecology and now writing my result section. I'm", "(pH 5.8) A. aquaticus showed a median normoxic O2-consumption of 0.023 and 0.028,", "improve the 'flow' of my writing, now I feel I'm just writing one", "were ±0.48SD and ±0.38SD from their mean of pH 5.73 and 5.72, respectively.", "writing: > > Water pH was very stable in the mortality and respirometry", "5.8), respectively. For animals exposed to the treatment acidic Al-rich media (pH 5.8)", "0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic Al-rich media", "0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed to reference water (pH 7.0)", "terrible 'flow'. Here I'm describing the results from a boxplot: > > In", "[O2]crit (mg O2/L-1), when exposed to reference water (pH 7.0) and acidic Al-poor", "5.72, respectively. For the respirometry experiment, the reference water varied with ±0.18SD from", "concentration ([O2]crit (mg O2/L-1) for A. aquaticus was 1.56 and 1.35, with an", "7.0) and acidic Al-poor media (pH 5.8) A. aquaticus showed a median normoxic", "media (pH 5.8), respectively. For animals exposed to the treatment acidic Al-rich media", "7.0) and acidic Al-poor media (pH 5.8), respectively. For animals exposed to the", "the 'flow' of my writing, now I feel I'm just writing one and", "the acidic Al-poor and acidic Al-rich were ±0.48SD and ±0.38SD from their mean", "with ±0.59SD and ±0.17SD from their mean of pH 5.94 and pH 5.95,", "I'm currently doing my master thesis in Ecology and now writing my result", "results from a boxplot: > > In the treatments with reference water (pH", "a better writer. The sample I provide is of my results. I would", "how to become a better writer. The sample I provide is of my", "pH 7.04. And the acidic Al-poor and the acidic Al-rich varied with ±0.59SD", "mean of pH 5.94 and pH 5.95, respectively. The same applies here for", "for the variation in the acidic Al-poor treatment, malfunctioning of the ball valve", "The median critical O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus was 1.56", "reference water varied by ±0.11SD from its mean pH 7.03. While variations for", "(mg O2/L-1). > > > Another sample of my writing: > > Water", "to become a better writer. The sample I provide is of my results.", "acidic Al-poor media (pH 5.8), respectively. For animals exposed to the treatment acidic", "1.56 and 1.35, with an IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1),", "For animals exposed to the treatment acidic Al-rich media (pH 5.8) the median", "boxplot: > > In the treatments with reference water (pH 7.0) and acidic", "I would like to improve the 'flow' of my writing, now I feel", "(pH 5.8), respectively. For animals exposed to the treatment acidic Al-rich media (pH", "for some help structuring my sentences and how to become a better writer.", "Al-poor and the acidic Al-rich varied with ±0.59SD and ±0.17SD from their mean", "sentences and how to become a better writer. The sample I provide is", "acidic Al-rich were ±0.48SD and ±0.38SD from their mean of pH 5.73 and", "the treatment acidic Al-rich media (pH 5.8) the median critical O2 concentration was", "experiments, with only minor fluctuations (Table X3). For the mortality experiment the reference", "water varied by ±0.11SD from its mean pH 7.03. While variations for the", "I feel I'm just writing one and one sentence independently of the latter,", "varied by ±0.11SD from its mean pH 7.03. While variations for the acidic", "and acidic Al-rich were ±0.48SD and ±0.38SD from their mean of pH 5.73", "media (pH 5.8) the median critical O2 concentration was 0.90 and the IQR", "A. aquaticus showed a median normoxic O2-consumption of 0.023 and 0.028, the IQR", "and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic Al-rich media (pH", "acidic Al-poor and the acidic Al-rich varied with ±0.59SD and ±0.17SD from their", "an IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed to reference", "and the IQR 0.54 [O2]crit (mg O2/L-1). > > > Another sample of", "feel I'm just writing one and one sentence independently of the latter, giving", "the respirometry experiment, the reference water varied with ±0.18SD from its mean pH", "water (pH 7.0) and acidic Al-poor media (pH 5.8), respectively. For animals exposed", "better writer. The sample I provide is of my results. I would like", "(mg O2/L-1), when exposed to reference water (pH 7.0) and acidic Al-poor media", "varied with ±0.59SD and ±0.17SD from their mean of pH 5.94 and pH", "when exposed to reference water (pH 7.0) and acidic Al-poor media (pH 5.8),", "writer and I would like to ask for some help structuring my sentences", "and 5.72, respectively. For the respirometry experiment, the reference water varied with ±0.18SD", "exposed to reference water (pH 7.0) and acidic Al-poor media (pH 5.8), respectively.", "(mg O2/L-1) for A. aquaticus was 1.56 and 1.35, with an IQR of", "was lower at 0.006 and the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure", "and now writing my result section. I'm a non-native English writer and I", "currently doing my master thesis in Ecology and now writing my result section.", "5.8) A. aquaticus showed a median normoxic O2-consumption of 0.023 and 0.028, the", "aquaticus showed a median normoxic O2-consumption of 0.023 and 0.028, the IQR was", "acidic Al-rich media (pH 5.8) the median critical O2 concentration was 0.90 and", "the acidic Al-rich media (pH 5.8) the median normoxic O2-consumption was lower at", "water (pH 7.0) and acidic Al-poor media (pH 5.8) A. aquaticus showed a", "the IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for the", "with reference water (pH 7.0) and acidic Al-poor media (pH 5.8) A. aquaticus", "±0.38SD from their mean of pH 5.73 and 5.72, respectively. For the respirometry", "reference water (pH 7.0) and acidic Al-poor media (pH 5.8), respectively. For animals", "the results from a boxplot: > > In the treatments with reference water", "would like to improve the 'flow' of my writing, now I feel I'm", "and 0.028, the IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas", "1.35, with an IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed", "independently of the latter, giving a terrible 'flow'. Here I'm describing the results", "Al-poor media (pH 5.8) A. aquaticus showed a median normoxic O2-consumption of 0.023", "my writing, now I feel I'm just writing one and one sentence independently", "·h-1, respectively. Whereas for the acidic Al-rich media (pH 5.8) the median normoxic", "median normoxic O2-consumption of 0.023 and 0.028, the IQR was 0.029 and 0.045", "the reference water varied by ±0.11SD from its mean pH 7.03. While variations", "and the acidic Al-rich varied with ±0.59SD and ±0.17SD from their mean of", "respectively. Whereas for the acidic Al-rich media (pH 5.8) the median normoxic O2-consumption", "µgO2/mg DW-1 ·h-1 (Figure X4). The median critical O2 concentration ([O2]crit (mg O2/L-1)", "I would like to ask for some help structuring my sentences and how", "0.90 and the IQR 0.54 [O2]crit (mg O2/L-1). > > > Another sample", "µgO2/mg DW-1 ·h-1, respectively. Whereas for the acidic Al-rich media (pH 5.8) the", "(pH 5.8) the median critical O2 concentration was 0.90 and the IQR 0.54", "to improve the 'flow' of my writing, now I feel I'm just writing", "Another sample of my writing: > > Water pH was very stable in", "of pH 5.94 and pH 5.95, respectively. The same applies here for the", "a median normoxic O2-consumption of 0.023 and 0.028, the IQR was 0.029 and", "my writing: > > Water pH was very stable in the mortality and", "reference water varied with ±0.18SD from its mean pH 7.04. And the acidic", "Al-rich media (pH 5.8) the median normoxic O2-consumption was lower at 0.006 and", "DW-1 ·h-1, respectively. Whereas for the acidic Al-rich media (pH 5.8) the median", "respirometry experiments, with only minor fluctuations (Table X3). For the mortality experiment the", "from its mean pH 7.03. While variations for the acidic Al-poor and acidic", "reference water (pH 7.0) and acidic Al-poor media (pH 5.8) A. aquaticus showed", "the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median critical O2", "For the respirometry experiment, the reference water varied with ±0.18SD from its mean", "X4). The median critical O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus was", "of my writing, now I feel I'm just writing one and one sentence", "the IQR 0.54 [O2]crit (mg O2/L-1). > > > Another sample of my", "like to improve the 'flow' of my writing, now I feel I'm just", "I provide is of my results. I would like to improve the 'flow'", "become a better writer. The sample I provide is of my results. I", "help structuring my sentences and how to become a better writer. The sample", "its mean pH 7.04. And the acidic Al-poor and the acidic Al-rich varied", "with only minor fluctuations (Table X3). For the mortality experiment the reference water", "mortality and respirometry experiments, with only minor fluctuations (Table X3). For the mortality", "structuring my sentences and how to become a better writer. The sample I", "applies here for the variation in the acidic Al-poor treatment, malfunctioning of the", "here for the variation in the acidic Al-poor treatment, malfunctioning of the ball", "0.028, the IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1, respectively. Whereas for", "median critical O2 concentration was 0.90 and the IQR 0.54 [O2]crit (mg O2/L-1).", "writing one and one sentence independently of the latter, giving a terrible 'flow'.", "to ask for some help structuring my sentences and how to become a", "of the latter, giving a terrible 'flow'. Here I'm describing the results from", "Al-rich media (pH 5.8) the median critical O2 concentration was 0.90 and the", "acidic Al-rich media (pH 5.8) the median normoxic O2-consumption was lower at 0.006", "O2/L-1). > > > Another sample of my writing: > > Water pH", "±0.59SD and ±0.17SD from their mean of pH 5.94 and pH 5.95, respectively.", "provide is of my results. I would like to improve the 'flow' of", "median critical O2 concentration ([O2]crit (mg O2/L-1) for A. aquaticus was 1.56 and", "ask for some help structuring my sentences and how to become a better", "Al-rich varied with ±0.59SD and ±0.17SD from their mean of pH 5.94 and", "Here I'm describing the results from a boxplot: > > In the treatments", "at 0.006 and the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The", "the median normoxic O2-consumption was lower at 0.006 and the IQR was 0.003", "of my results. I would like to improve the 'flow' of my writing,", "with an IQR of 0.50 and 0.52 [O2]crit (mg O2/L-1), when exposed to", "For the mortality experiment the reference water varied by ±0.11SD from its mean", "I'm describing the results from a boxplot: > > In the treatments with", "7.03. While variations for the acidic Al-poor and acidic Al-rich were ±0.48SD and", "and the IQR was 0.003 µgO2/mg DW-1 ·h-1 (Figure X4). The median critical", "was very stable in the mortality and respirometry experiments, with only minor fluctuations", "showed a median normoxic O2-consumption of 0.023 and 0.028, the IQR was 0.029", "of 0.023 and 0.028, the IQR was 0.029 and 0.045 µgO2/mg DW-1 ·h-1,", "X3). For the mortality experiment the reference water varied by ±0.11SD from its", "and how to become a better writer. The sample I provide is of", "its mean pH 7.03. While variations for the acidic Al-poor and acidic Al-rich", "the mortality and respirometry experiments, with only minor fluctuations (Table X3). For the", "The same applies here for the variation in the acidic Al-poor treatment, malfunctioning", "5.8) the median critical O2 concentration was 0.90 and the IQR 0.54 [O2]crit", "pH 5.95, respectively. The same applies here for the variation in the acidic" ]
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The two were arranged to marry as young children, and", "two were arranged to marry as young children, and meet again in their", "development occurs. Any tips on how to condense that first period without it", "follows the progression of a couple. The two were arranged to marry as", "of the character development occurs. Any tips on how to condense that first", "it seems splotchy. It's important to the story's setup, but I want to", "most of the time focusing on their marriage, since that's where most of", "I want to spend most of the time focusing on their marriage, since", "that follows the progression of a couple. The two were arranged to marry", "want to spend most of the time focusing on their marriage, since that's", "skips to shorten the period where they're first getting to know each other,", "meet again in their teens. I've been using quite a few time skips", "marriage, since that's where most of the character development occurs. Any tips on", "using quite a few time skips to shorten the period where they're first", "the character development occurs. Any tips on how to condense that first period", "It's important to the story's setup, but I want to spend most of", "the story's setup, but I want to spend most of the time focusing", "splotchy. It's important to the story's setup, but I want to spend most", "but it seems splotchy. It's important to the story's setup, but I want", "to shorten the period where they're first getting to know each other, but", "the period where they're first getting to know each other, but it seems", "children, and meet again in their teens. I've been using quite a few" ]
[ "time being, the only procedure I can think of is in a form", "head trauma that as a consequence rewires the brain. I'm open for anything!", "procedure I can think of is in a form of a head trauma", "the time being, the only procedure I can think of is in a", "people care to enlighten me on ways a character can acquire psychic powers.", "trying to get back at writing stuff again and I'm currently, not-per-se stuck,", "currently, not-per-se stuck, but more so curious if people care to enlighten me", "only procedure I can think of is in a form of a head", "is in a form of a head trauma that as a consequence rewires", "at writing stuff again and I'm currently, not-per-se stuck, but more so curious", "acquire psychic powers. At the time being, the only procedure I can think", "again and I'm currently, not-per-se stuck, but more so curious if people care", "not-per-se stuck, but more so curious if people care to enlighten me on", "and I'm currently, not-per-se stuck, but more so curious if people care to", "in a form of a head trauma that as a consequence rewires the", "back at writing stuff again and I'm currently, not-per-se stuck, but more so", "enlighten me on ways a character can acquire psychic powers. At the time", "the only procedure I can think of is in a form of a", "on ways a character can acquire psychic powers. At the time being, the", "I can think of is in a form of a head trauma that", "character can acquire psychic powers. At the time being, the only procedure I", "writing stuff again and I'm currently, not-per-se stuck, but more so curious if", "ways a character can acquire psychic powers. At the time being, the only", "At the time being, the only procedure I can think of is in", "care to enlighten me on ways a character can acquire psychic powers. At", "more so curious if people care to enlighten me on ways a character", "a head trauma that as a consequence rewires the brain. I'm open for", "to enlighten me on ways a character can acquire psychic powers. At the", "of is in a form of a head trauma that as a consequence", "a form of a head trauma that as a consequence rewires the brain.", "being, the only procedure I can think of is in a form of", "get back at writing stuff again and I'm currently, not-per-se stuck, but more", "think of is in a form of a head trauma that as a", "of a head trauma that as a consequence rewires the brain. I'm open", "stuff again and I'm currently, not-per-se stuck, but more so curious if people", "I'm currently, not-per-se stuck, but more so curious if people care to enlighten", "curious if people care to enlighten me on ways a character can acquire", "a character can acquire psychic powers. At the time being, the only procedure", "powers. At the time being, the only procedure I can think of is", "so curious if people care to enlighten me on ways a character can", "if people care to enlighten me on ways a character can acquire psychic", "to get back at writing stuff again and I'm currently, not-per-se stuck, but", "stuck, but more so curious if people care to enlighten me on ways", "but more so curious if people care to enlighten me on ways a", "can acquire psychic powers. At the time being, the only procedure I can", "I've been trying to get back at writing stuff again and I'm currently,", "me on ways a character can acquire psychic powers. At the time being,", "been trying to get back at writing stuff again and I'm currently, not-per-se", "psychic powers. At the time being, the only procedure I can think of", "form of a head trauma that as a consequence rewires the brain. I'm", "can think of is in a form of a head trauma that as" ]
[ "fantasy novel and I need to come up with a good riddle at", "and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page.", "<https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I was thinking about it and", "> “What being has four legs, then two, and then three?” > >", "end of a dungeon. There's a sentient statue that asks a question and", "I couldn't come up with anything, so I was thinking of taking a", "then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I", "that can be useful at coming up with our own riddles? What makes", "change it a little bit, but is there a good way of generating", "it a little bit, but is there a good way of generating riddle", "there a good way of generating riddle instead of picking one that already", "are some tip and tricks that can be useful at coming up with", "was thinking of taking a riddle from a Greek mythological story. > >", "at the end of a dungeon. There's a sentient statue that asks a", "then maybe change it a little bit, but is there a good way", "“What being has four legs, then two, and then three?” > > >", "be useful at coming up with our own riddles? What makes a good", "a good way of generating riddle instead of picking one that already exist?", "What are some tip and tricks that can be useful at coming up", "this page. I was thinking about it and then maybe change it a", "already exist? What are some tip and tricks that can be useful at", "page. I was thinking about it and then maybe change it a little", "of a dungeon. There's a sentient statue that asks a question and I", "of taking a riddle from a Greek mythological story. > > “What being", "has four legs, then two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I", "question and I couldn't come up with anything, so I was thinking of", "bit, but is there a good way of generating riddle instead of picking", "Greek mythological story. > > “What being has four legs, then two, and", "one that already exist? What are some tip and tricks that can be", "mythological story. > > “What being has four legs, then two, and then", "riddle instead of picking one that already exist? What are some tip and", "dungeon. There's a sentient statue that asks a question and I couldn't come", "and I need to come up with a good riddle at the end", "about it and then maybe change it a little bit, but is there", "riddle at the end of a dungeon. There's a sentient statue that asks", "thinking of taking a riddle from a Greek mythological story. > > “What", "> > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I was thinking about", "of generating riddle instead of picking one that already exist? What are some", "it and then maybe change it a little bit, but is there a", "am writing a fantasy novel and I need to come up with a", "a question and I couldn't come up with anything, so I was thinking", "need to come up with a good riddle at the end of a", "on this page. I was thinking about it and then maybe change it", "little bit, but is there a good way of generating riddle instead of", "tip and tricks that can be useful at coming up with our own", "two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this", "There's a sentient statue that asks a question and I couldn't come up", "I was thinking of taking a riddle from a Greek mythological story. >", "then two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on", "a little bit, but is there a good way of generating riddle instead", "I found some on this page. I was thinking about it and then", "> <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I was thinking about it", "the end of a dungeon. There's a sentient statue that asks a question", "and I couldn't come up with anything, so I was thinking of taking", "up with anything, so I was thinking of taking a riddle from a", "being has four legs, then two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles>", "instead of picking one that already exist? What are some tip and tricks", "way of generating riddle instead of picking one that already exist? What are", "a riddle from a Greek mythological story. > > “What being has four", "I need to come up with a good riddle at the end of", "picking one that already exist? What are some tip and tricks that can", "is there a good way of generating riddle instead of picking one that", "asks a question and I couldn't come up with anything, so I was", "a good riddle at the end of a dungeon. There's a sentient statue", "couldn't come up with anything, so I was thinking of taking a riddle", "anything, so I was thinking of taking a riddle from a Greek mythological", "generating riddle instead of picking one that already exist? What are some tip", "to come up with a good riddle at the end of a dungeon.", "four legs, then two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found", "and tricks that can be useful at coming up with our own riddles?", "good way of generating riddle instead of picking one that already exist? What", "but is there a good way of generating riddle instead of picking one", "a dungeon. There's a sentient statue that asks a question and I couldn't", "statue that asks a question and I couldn't come up with anything, so", "I am writing a fantasy novel and I need to come up with", "good riddle at the end of a dungeon. There's a sentient statue that", "useful at coming up with our own riddles? What makes a good riddle?", "riddle from a Greek mythological story. > > “What being has four legs,", "a fantasy novel and I need to come up with a good riddle", "with anything, so I was thinking of taking a riddle from a Greek", "maybe change it a little bit, but is there a good way of", "a sentient statue that asks a question and I couldn't come up with", "from a Greek mythological story. > > “What being has four legs, then", "sentient statue that asks a question and I couldn't come up with anything,", "can be useful at coming up with our own riddles? What makes a", "some tip and tricks that can be useful at coming up with our", "I was thinking about it and then maybe change it a little bit,", "story. > > “What being has four legs, then two, and then three?”", "come up with anything, so I was thinking of taking a riddle from", "thinking about it and then maybe change it a little bit, but is", "taking a riddle from a Greek mythological story. > > “What being has", "up with a good riddle at the end of a dungeon. There's a", "that asks a question and I couldn't come up with anything, so I", "legs, then two, and then three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some", "so I was thinking of taking a riddle from a Greek mythological story.", "was thinking about it and then maybe change it a little bit, but", "that already exist? What are some tip and tricks that can be useful", "novel and I need to come up with a good riddle at the", "with a good riddle at the end of a dungeon. There's a sentient", "tricks that can be useful at coming up with our own riddles? What", "come up with a good riddle at the end of a dungeon. There's", "three?” > > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I was", "and then maybe change it a little bit, but is there a good", "of picking one that already exist? What are some tip and tricks that", "> > “What being has four legs, then two, and then three?” >", "exist? What are some tip and tricks that can be useful at coming", "a Greek mythological story. > > “What being has four legs, then two,", "some on this page. I was thinking about it and then maybe change", "found some on this page. I was thinking about it and then maybe", "writing a fantasy novel and I need to come up with a good", "> > > <https://en.wikipedia.org/wiki/Category:Riddles> I found some on this page. I was thinking" ]
[ "necessity (If he doesn't, they'll die--type of situation). And this causes a little", "a little problem where he keeps replaying the scene in his head and", "head and it causes him stress. I want to be very careful writing", "never done the deed himself. In my storyboard he'll encounter a situation where", "little problem where he keeps replaying the scene in his head and it", "I know this is a sensitive matter to handle so I truly want", "my storyboard he'll encounter a situation where his partner does kill somebody because", "alone kill another person. He's never done the deed himself. In my storyboard", "him stress. I want to be very careful writing this scene. To my", "kill another person. He's never done the deed himself. In my storyboard he'll", "want to approach this with caution. And avoid accidentally writing a bad handling", "problem where he keeps replaying the scene in his head and it causes", "keeps replaying the scene in his head and it causes him stress. I", "scene in his head and it causes him stress. I want to be", "I want to be very careful writing this scene. To my knowledge, people", "handle so I truly want to approach this with caution. And avoid accidentally", "he'll encounter a situation where his partner does kill somebody because of necessity", "this causes a little problem where he keeps replaying the scene in his", "where his partner does kill somebody because of necessity (If he doesn't, they'll", "knowledge, people suffering from PTSD can have hallucinations of a traumatic event, and", "one. I know this is a sensitive matter to handle so I truly", "character being seen as having PTSD when he doesn't have one. I know", "short espionage story, and I have one character, an agent, who is unable", "having PTSD when he doesn't have one. I know this is a sensitive", "causes a little problem where he keeps replaying the scene in his head", "an agent, who is unable to bring himself to do harm let alone", "people suffering from PTSD can have hallucinations of a traumatic event, and I", "so I truly want to approach this with caution. And avoid accidentally writing", "a situation where his partner does kill somebody because of necessity (If he", "bad handling of PTSD at all costs. Which leads me to this stump.", "and it causes him stress. I want to be very careful writing this", "his head and it causes him stress. I want to be very careful", "of a traumatic event, and I don't want my character being seen as", "truly want to approach this with caution. And avoid accidentally writing a bad", "this is a sensitive matter to handle so I truly want to approach", "stress. I want to be very careful writing this scene. To my knowledge,", "espionage story, and I have one character, an agent, who is unable to", "let alone kill another person. He's never done the deed himself. In my", "Which leads me to this stump. Does anyone have tips for this? Thank", "matter to handle so I truly want to approach this with caution. And", "In my storyboard he'll encounter a situation where his partner does kill somebody", "when he doesn't have one. I know this is a sensitive matter to", "my character being seen as having PTSD when he doesn't have one. I", "PTSD when he doesn't have one. I know this is a sensitive matter", "of situation). And this causes a little problem where he keeps replaying the", "partner does kill somebody because of necessity (If he doesn't, they'll die--type of", "to approach this with caution. And avoid accidentally writing a bad handling of", "with caution. And avoid accidentally writing a bad handling of PTSD at all", "storyboard he'll encounter a situation where his partner does kill somebody because of", "leads me to this stump. Does anyone have tips for this? Thank you!", "very careful writing this scene. To my knowledge, people suffering from PTSD can", "doesn't, they'll die--type of situation). And this causes a little problem where he", "agent, who is unable to bring himself to do harm let alone kill", "To my knowledge, people suffering from PTSD can have hallucinations of a traumatic", "where he keeps replaying the scene in his head and it causes him", "at all costs. Which leads me to this stump. Does anyone have tips", "want my character being seen as having PTSD when he doesn't have one.", "seen as having PTSD when he doesn't have one. I know this is", "I have one character, an agent, who is unable to bring himself to", "it causes him stress. I want to be very careful writing this scene.", "his partner does kill somebody because of necessity (If he doesn't, they'll die--type", "to be very careful writing this scene. To my knowledge, people suffering from", "of PTSD at all costs. Which leads me to this stump. Does anyone", "scene. To my knowledge, people suffering from PTSD can have hallucinations of a", "PTSD can have hallucinations of a traumatic event, and I don't want my", "(If he doesn't, they'll die--type of situation). And this causes a little problem", "event, and I don't want my character being seen as having PTSD when", "and I have one character, an agent, who is unable to bring himself", "to bring himself to do harm let alone kill another person. He's never", "my knowledge, people suffering from PTSD can have hallucinations of a traumatic event,", "approach this with caution. And avoid accidentally writing a bad handling of PTSD", "do harm let alone kill another person. He's never done the deed himself.", "writing this scene. To my knowledge, people suffering from PTSD can have hallucinations", "person. He's never done the deed himself. In my storyboard he'll encounter a", "careful writing this scene. To my knowledge, people suffering from PTSD can have", "story, and I have one character, an agent, who is unable to bring", "a traumatic event, and I don't want my character being seen as having", "is a sensitive matter to handle so I truly want to approach this", "PTSD at all costs. Which leads me to this stump. Does anyone have", "have one. I know this is a sensitive matter to handle so I", "encounter a situation where his partner does kill somebody because of necessity (If", "somebody because of necessity (If he doesn't, they'll die--type of situation). And this", "of necessity (If he doesn't, they'll die--type of situation). And this causes a", "the deed himself. In my storyboard he'll encounter a situation where his partner", "unable to bring himself to do harm let alone kill another person. He's", "the scene in his head and it causes him stress. I want to", "character, an agent, who is unable to bring himself to do harm let", "being seen as having PTSD when he doesn't have one. I know this", "sensitive matter to handle so I truly want to approach this with caution.", "one character, an agent, who is unable to bring himself to do harm", "am working on this short espionage story, and I have one character, an", "does kill somebody because of necessity (If he doesn't, they'll die--type of situation).", "himself. In my storyboard he'll encounter a situation where his partner does kill", "this with caution. And avoid accidentally writing a bad handling of PTSD at", "handling of PTSD at all costs. Which leads me to this stump. Does", "have one character, an agent, who is unable to bring himself to do", "caution. And avoid accidentally writing a bad handling of PTSD at all costs.", "I don't want my character being seen as having PTSD when he doesn't", "have hallucinations of a traumatic event, and I don't want my character being", "and I don't want my character being seen as having PTSD when he", "this short espionage story, and I have one character, an agent, who is", "harm let alone kill another person. He's never done the deed himself. In", "to handle so I truly want to approach this with caution. And avoid", "writing a bad handling of PTSD at all costs. Which leads me to", "kill somebody because of necessity (If he doesn't, they'll die--type of situation). And", "all costs. Which leads me to this stump. Does anyone have tips for", "himself to do harm let alone kill another person. He's never done the", "because of necessity (If he doesn't, they'll die--type of situation). And this causes", "doesn't have one. I know this is a sensitive matter to handle so", "he doesn't have one. I know this is a sensitive matter to handle", "avoid accidentally writing a bad handling of PTSD at all costs. Which leads", "a bad handling of PTSD at all costs. Which leads me to this", "suffering from PTSD can have hallucinations of a traumatic event, and I don't", "he keeps replaying the scene in his head and it causes him stress.", "know this is a sensitive matter to handle so I truly want to", "situation). And this causes a little problem where he keeps replaying the scene", "this scene. To my knowledge, people suffering from PTSD can have hallucinations of", "as having PTSD when he doesn't have one. I know this is a", "traumatic event, and I don't want my character being seen as having PTSD", "who is unable to bring himself to do harm let alone kill another", "be very careful writing this scene. To my knowledge, people suffering from PTSD", "hallucinations of a traumatic event, and I don't want my character being seen", "I am working on this short espionage story, and I have one character,", "And this causes a little problem where he keeps replaying the scene in", "He's never done the deed himself. In my storyboard he'll encounter a situation", "done the deed himself. In my storyboard he'll encounter a situation where his", "deed himself. In my storyboard he'll encounter a situation where his partner does", "a sensitive matter to handle so I truly want to approach this with", "working on this short espionage story, and I have one character, an agent,", "want to be very careful writing this scene. To my knowledge, people suffering", "I truly want to approach this with caution. And avoid accidentally writing a", "accidentally writing a bad handling of PTSD at all costs. Which leads me", "on this short espionage story, and I have one character, an agent, who", "don't want my character being seen as having PTSD when he doesn't have", "can have hallucinations of a traumatic event, and I don't want my character", "from PTSD can have hallucinations of a traumatic event, and I don't want", "another person. He's never done the deed himself. In my storyboard he'll encounter", "in his head and it causes him stress. I want to be very", "And avoid accidentally writing a bad handling of PTSD at all costs. Which", "he doesn't, they'll die--type of situation). And this causes a little problem where", "situation where his partner does kill somebody because of necessity (If he doesn't,", "causes him stress. I want to be very careful writing this scene. To", "die--type of situation). And this causes a little problem where he keeps replaying", "costs. Which leads me to this stump. Does anyone have tips for this?", "bring himself to do harm let alone kill another person. He's never done", "is unable to bring himself to do harm let alone kill another person.", "they'll die--type of situation). And this causes a little problem where he keeps", "replaying the scene in his head and it causes him stress. I want", "to do harm let alone kill another person. He's never done the deed" ]
[ "looking at problems with my publisher going this route? Or can anyone think", "Amazon I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading,", "Or can anyone think of the unintended consequences of using ligatures in modern", "print was not an \"f\" and \"i\", but the ﬁ ligature. Look at", "the ﬁ ligature. Look at the word \"front\" to prove the point. This,", "problems with my publisher going this route? Or can anyone think of the", "to look twice at the words \"fist\" and \"fire,\" but sure enough, the", "the word \"front\" to prove the point. This, in a novel printed in", "the words \"fist\" and \"fire,\" but sure enough, the print was not an", "\"fist\" and \"fire,\" but sure enough, the print was not an \"f\" and", "such as æthergram, that require ligatures if they are to be done right.", "prove the point. This, in a novel printed in 2016. This has been", "Victorian setting has quite a few words, such as æthergram, that require ligatures", "with my publisher going this route? Or can anyone think of the unintended", "novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to look twice at the words", "Look at the word \"front\" to prove the point. This, in a novel", "look twice at the words \"fist\" and \"fire,\" but sure enough, the print", "not an \"f\" and \"i\", but the ﬁ ligature. Look at the word", "Am I looking at problems with my publisher going this route? Or can", "I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I", "a modern paperback book on Amazon I came across this: [![Ligatures in modern", "my publisher going this route? Or can anyone think of the unintended consequences", "came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had", "going this route? Or can anyone think of the unintended consequences of using", "in 2016. This has been concerning me as a steampunk author looking at", "right. Am I looking at problems with my publisher going this route? Or", "me as a steampunk author looking at my first publication. My Victorian setting", "ligatures if they are to be done right. Am I looking at problems", "author looking at my first publication. My Victorian setting has quite a few", "book on Amazon I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I", "if they are to be done right. Am I looking at problems with", "first publication. My Victorian setting has quite a few words, such as æthergram,", "reading a modern paperback book on Amazon I came across this: [![Ligatures in", "my first publication. My Victorian setting has quite a few words, such as", "I had to look twice at the words \"fist\" and \"fire,\" but sure", "had to look twice at the words \"fist\" and \"fire,\" but sure enough,", "was reading, I had to look twice at the words \"fist\" and \"fire,\"", "has been concerning me as a steampunk author looking at my first publication.", "a steampunk author looking at my first publication. My Victorian setting has quite", "was not an \"f\" and \"i\", but the ﬁ ligature. Look at the", "can anyone think of the unintended consequences of using ligatures in modern print?", "modern paperback book on Amazon I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png)", "twice at the words \"fist\" and \"fire,\" but sure enough, the print was", "at the word \"front\" to prove the point. This, in a novel printed", "quite a few words, such as æthergram, that require ligatures if they are", "concerning me as a steampunk author looking at my first publication. My Victorian", "at my first publication. My Victorian setting has quite a few words, such", "and \"i\", but the ﬁ ligature. Look at the word \"front\" to prove", "an \"f\" and \"i\", but the ﬁ ligature. Look at the word \"front\"", "are to be done right. Am I looking at problems with my publisher", "I was reading, I had to look twice at the words \"fist\" and", "but the ﬁ ligature. Look at the word \"front\" to prove the point.", "a novel printed in 2016. This has been concerning me as a steampunk", "at problems with my publisher going this route? Or can anyone think of", "paperback book on Amazon I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As", "ﬁ ligature. Look at the word \"front\" to prove the point. This, in", "novel printed in 2016. This has been concerning me as a steampunk author", "a few words, such as æthergram, that require ligatures if they are to", "across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to", "æthergram, that require ligatures if they are to be done right. Am I", "and \"fire,\" but sure enough, the print was not an \"f\" and \"i\",", "I looking at problems with my publisher going this route? Or can anyone", "words, such as æthergram, that require ligatures if they are to be done", "be done right. Am I looking at problems with my publisher going this", "\"front\" to prove the point. This, in a novel printed in 2016. This", "to prove the point. This, in a novel printed in 2016. This has", "printed in 2016. This has been concerning me as a steampunk author looking", "the print was not an \"f\" and \"i\", but the ﬁ ligature. Look", "As I was reading, I had to look twice at the words \"fist\"", "this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to look", "route? Or can anyone think of the unintended consequences of using ligatures in", "point. This, in a novel printed in 2016. This has been concerning me", "the point. This, in a novel printed in 2016. This has been concerning", "that require ligatures if they are to be done right. Am I looking", "as æthergram, that require ligatures if they are to be done right. Am", "few words, such as æthergram, that require ligatures if they are to be", "this route? Or can anyone think of the unintended consequences of using ligatures", "as a steampunk author looking at my first publication. My Victorian setting has", "2016. This has been concerning me as a steampunk author looking at my", "in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to look twice at", "My Victorian setting has quite a few words, such as æthergram, that require", "been concerning me as a steampunk author looking at my first publication. My", "steampunk author looking at my first publication. My Victorian setting has quite a", "words \"fist\" and \"fire,\" but sure enough, the print was not an \"f\"", "This has been concerning me as a steampunk author looking at my first", "publisher going this route? Or can anyone think of the unintended consequences of", "on Amazon I came across this: [![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was", "enough, the print was not an \"f\" and \"i\", but the ﬁ ligature.", "\"fire,\" but sure enough, the print was not an \"f\" and \"i\", but", "word \"front\" to prove the point. This, in a novel printed in 2016.", "has quite a few words, such as æthergram, that require ligatures if they", "\"i\", but the ﬁ ligature. Look at the word \"front\" to prove the", "[![Ligatures in modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to look twice", "sure enough, the print was not an \"f\" and \"i\", but the ﬁ", "in a novel printed in 2016. This has been concerning me as a", "done right. Am I looking at problems with my publisher going this route?", "modern novels](https://i.stack.imgur.com/MbdlH.png)](https://i.stack.imgur.com/MbdlH.png) As I was reading, I had to look twice at the", "reading, I had to look twice at the words \"fist\" and \"fire,\" but", "publication. My Victorian setting has quite a few words, such as æthergram, that", "\"f\" and \"i\", but the ﬁ ligature. Look at the word \"front\" to", "looking at my first publication. My Victorian setting has quite a few words,", "at the words \"fist\" and \"fire,\" but sure enough, the print was not", "setting has quite a few words, such as æthergram, that require ligatures if", "they are to be done right. Am I looking at problems with my", "but sure enough, the print was not an \"f\" and \"i\", but the", "This, in a novel printed in 2016. This has been concerning me as", "A reading a modern paperback book on Amazon I came across this: [![Ligatures", "ligature. Look at the word \"front\" to prove the point. This, in a", "require ligatures if they are to be done right. Am I looking at", "to be done right. Am I looking at problems with my publisher going" ]
[ "war. > > > The very phrase has the verb \"told\" in it", "describe something factual in our opinion in written arguments? Example: > > Truth", "Truth be told, I think no one is winning this war. > >", "it which refers to someone speaking. So, can it only be used in", "told\"* or \"To tell the truth\" to describe something factual in our opinion", "to someone speaking. So, can it only be used in a verbal argument,", "The very phrase has the verb \"told\" in it which refers to someone", "used in a verbal argument, or can it be used in a written", "in it which refers to someone speaking. So, can it only be used", "the expressions \"Truth be told\" or \"To tell the truth\" to describe something", "phrase has the verb \"told\" in it which refers to someone speaking. So,", "factual in our opinion in written arguments? Example: > > Truth be told,", "we use the expressions \"Truth be told\" or \"To tell the truth\" to", "\"Truth be told\" or \"To tell the truth\" to describe something factual in", "Can we use the expressions \"Truth be told\" or \"To tell the truth\"", "our opinion in written arguments? Example: > > Truth be told, I think", "written arguments? Example: > > Truth be told, I think no one is", "Example: > > Truth be told, I think no one is winning this", "one is winning this war. > > > The very phrase has the", "in written arguments? Example: > > Truth be told, I think no one", "> > The very phrase has the verb \"told\" in it which refers", "the truth\"** to describe something factual in our opinion in written arguments? Example:", "told, I think no one is winning this war. > > > The", "winning this war. > > > The very phrase has the verb \"told\"", "\"told\" in it which refers to someone speaking. So, can it only be", "verbal argument, or can it be used in a written one as well?", "this war. > > > The very phrase has the verb \"told\" in", "the verb \"told\" in it which refers to someone speaking. So, can it", "opinion in written arguments? Example: > > Truth be told, I think no", "speaking. So, can it only be used in a verbal argument, or can", "someone speaking. So, can it only be used in a verbal argument, or", "has the verb \"told\" in it which refers to someone speaking. So, can", "no one is winning this war. > > > The very phrase has", "which refers to someone speaking. So, can it only be used in a", "a verbal argument, or can it be used in a written one as", "is winning this war. > > > The very phrase has the verb", "it only be used in a verbal argument, or can it be used", "tell the truth\"* to describe something factual in our opinion in written arguments?", "> Truth be told, I think no one is winning this war. >", "arguments? Example: > > Truth be told, I think no one is winning", "verb \"told\" in it which refers to someone speaking. So, can it only", "something factual in our opinion in written arguments? Example: > > Truth be", "be told, I think no one is winning this war. > > >", "in a verbal argument, or can it be used in a written one", "only be used in a verbal argument, or can it be used in", "can it only be used in a verbal argument, or can it be", "be used in a verbal argument, or can it be used in a", "So, can it only be used in a verbal argument, or can it", "> > Truth be told, I think no one is winning this war.", "be told\" or \"To tell the truth\" to describe something factual in our", "\"To tell the truth\" to describe something factual in our opinion in written", "use the expressions \"Truth be told\" or \"To tell the truth\" to describe", "I think no one is winning this war. > > > The very", "think no one is winning this war. > > > The very phrase", "expressions \"Truth be told\" or \"To tell the truth\"** to describe something factual", "in our opinion in written arguments? Example: > > Truth be told, I", "or \"To tell the truth\" to describe something factual in our opinion in", "> > > The very phrase has the verb \"told\" in it which", "very phrase has the verb \"told\" in it which refers to someone speaking.", "truth\"** to describe something factual in our opinion in written arguments? Example: >", "refers to someone speaking. So, can it only be used in a verbal", "> The very phrase has the verb \"told\" in it which refers to", "to describe something factual in our opinion in written arguments? Example: > >" ]
[ "have evolved over time and have implemented more \"modern-day\" game mechanics, but I", "routes share is everything that happens inbetween the start of the plot and", "(I'm aware that VNs have evolved over time and have implemented more \"modern-day\"", "in plain-text accompanied with illustrations of characters and environments, music, and some form", "of characters and environments, music, and some form of capability to interact with", "is: Is it possible to translate a VN-structured story with multiple routes into", "since it doesn't serve any purpose here). A staple within VNs is that", "into multiple plotlines— > > these plotlines, also called routes, function as their", "A staple within VNs is that it follows a story that at some", "can be seen as it's own \"book\" where the only similarity the routes", "(And make it cohesive)? Or is it easier to simply break up these", "layman terms a type of game with it's story presented in plain-text accompanied", "it follows a story that at some point will branch out into multiple", "characters and environments, music, and some form of capability to interact with the", "multiple plotlines— > > these plotlines, also called routes, function as their own", "VN) are in layman terms a type of game with it's story presented", "\"book\" where the only similarity the routes share is everything that happens inbetween", "more \"modern-day\" game mechanics, but I left it out since it doesn't serve", "translate a VN-structured story with multiple routes into a single book (And make", "some point will branch out into multiple plotlines— > > these plotlines, also", "exploration of the many perspectives a theme can be interpreted as. *The question", "parallel universe ie. every route* can be seen as it's own \"book\" where", "universe ie. every route can be seen as it's own \"book\" where the", "called routes, function as their own parallel universe ie. every route can be", "as. The question is: Is it possible to translate a VN-structured story with", "VNs have evolved over time and have implemented more \"modern-day\" game mechanics, but", "picking choices that will alter the overall plot (I'm aware that VNs have", "own exploration of the many perspectives a theme can be interpreted as. The", "of game with it's story presented in plain-text accompanied with illustrations of characters", "book (And make it cohesive)? Or is it easier to simply break up", "that it follows a story that at some point will branch out into", "branches out > > > —which results in multiple endings, each with their", "to interact with the story by picking choices that will alter the overall", "plot and the point where the plot deviates or branches out > >", "with multiple routes into a single book (And make it cohesive)? Or is", "a type of game with it's story presented in plain-text accompanied with illustrations", "the start of the plot and the point where the plot deviates or", "it possible to translate a VN-structured story with multiple routes into a single", "the plot and the point where the plot deviates or branches out >", "—which results in multiple endings, each with their own exploration of the many", "that at some point will branch out into multiple plotlines— > > these", "results in multiple endings, each with their own exploration of the many perspectives", "VN-structured story with multiple routes into a single book (And make it cohesive)?", "a VN-structured story with multiple routes into a single book (And make it", "are in layman terms a type of game with it's story presented in", "route can be seen as it's own \"book\" where the only similarity the", "where the plot deviates or branches out > > > —which results in", "point will branch out into multiple plotlines— > > these plotlines, also called", "in multiple endings, each with their own exploration of the many perspectives a", "out* > > > —which results in multiple endings, each with their own", "plot (I'm aware that VNs have evolved over time and have implemented more", "out since it doesn't serve any purpose here). A staple within VNs is", "> > —which results in multiple endings, each with their own exploration of", "it easier to simply break up these routes into each book of it's", "(abbreviated as VN) are in layman terms a type of game with it's", "aware that VNs have evolved over time and have implemented more \"modern-day\" game", "theme can be interpreted as. *The question is: Is it possible to translate", "with their own exploration of the many perspectives a theme can be interpreted", "these plotlines, also called routes, function as their own parallel universe ie. every", "presented in plain-text accompanied with illustrations of characters and environments, music, and some", "at some point will branch out into multiple plotlines— > > these plotlines,", "seen as it's own \"book\" where the only similarity the routes share is", "their own parallel universe ie. every route* can be seen as it's own", "uninitiated; Visual Novels (abbreviated as VN) are in layman terms a type of", "within VNs is that it follows a story that at some point will", "the story by picking choices that will alter the overall plot (I'm aware", "routes, function as their own parallel universe ie. every route can be seen", "\"modern-day\" game mechanics, but I left it out since it doesn't serve any", "similarity the routes share is everything that happens inbetween the start of the", "form of capability to interact with the story by picking choices that will", "interpreted as. *The question is: Is it possible to translate a VN-structured story", "story with multiple routes into a single book (And make it cohesive)? Or", "happens inbetween the start of the plot and the point where the plot", "mechanics, but I left it out since it doesn't serve any purpose here).", "Is it possible to translate a VN-structured story with multiple routes into a", "but I left it out since it doesn't serve any purpose here). A", "possible to translate a VN-structured story with multiple routes into a single book", "a single book (And make it cohesive)? Or is it easier to simply", "some form of capability to interact with the story by picking choices that", "out into multiple plotlines— > > these plotlines, also called routes, function as", "VNs is that it follows a story that at some point will branch", "the point where the plot deviates or branches out* > > > —which", "and have implemented more \"modern-day\" game mechanics, but I left it out since", "inbetween the start of the plot and the point where the plot deviates", "every route can be seen as it's own \"book\" where the only similarity", "here). A staple within VNs is that it follows a story that at", "serve any purpose here). A staple within VNs is that it follows a", "routes into a single book (And make it cohesive)? Or is it easier", "only similarity the routes share is everything that happens inbetween the start of", "over time and have implemented more \"modern-day\" game mechanics, but I left it", "game mechanics, but I left it out since it doesn't serve any purpose", "alter the overall plot (I'm aware that VNs have evolved over time and", "the overall plot (I'm aware that VNs have evolved over time and have", "evolved over time and have implemented more \"modern-day\" game mechanics, but I left", "plotlines— > > these plotlines, also called routes, function as their own parallel", "as it's own \"book\" where the only similarity the routes share is everything", "cohesive)? Or is it easier to simply break up these routes into each", "left it out since it doesn't serve any purpose here). A staple within", "have implemented more \"modern-day\" game mechanics, but I left it out since it", "doesn't serve any purpose here). A staple within VNs is that it follows", "that VNs have evolved over time and have implemented more \"modern-day\" game mechanics,", "each with their own exploration of the many perspectives a theme can be", "in layman terms a type of game with it's story presented in plain-text", "easier to simply break up these routes into each book of it's own?", "perspectives a theme can be interpreted as. The question is: Is it possible", "terms a type of game with it's story presented in plain-text accompanied with", "with illustrations of characters and environments, music, and some form of capability to", "For the uninitiated; Visual Novels (abbreviated as VN) are in layman terms a", "multiple endings, each with their own exploration of the many perspectives a theme", "> these plotlines, also called routes, function as their own parallel universe ie.", "staple within VNs is that it follows a story that at some point", "story presented in plain-text accompanied with illustrations of characters and environments, music, and", "environments, music, and some form of capability to interact with the story by", "game with it's story presented in plain-text accompanied with illustrations of characters and", "type of game with it's story presented in plain-text accompanied with illustrations of", "it's own \"book\" where the only similarity the routes share is everything that", "everything that happens inbetween the start of the plot and the point where", "ie. every route can be seen as it's own \"book\" where the only", "can be interpreted as. *The question is: Is it possible to translate a", "plot deviates or branches out* > > > —which results in multiple endings,", "it's story presented in plain-text accompanied with illustrations of characters and environments, music,", "and environments, music, and some form of capability to interact with the story", "will alter the overall plot (I'm aware that VNs have evolved over time", "interact with the story by picking choices that will alter the overall plot", "multiple routes into a single book (And make it cohesive)? Or is it", "the only similarity the routes share is everything that happens inbetween the start", "plotlines, also called routes, function as their own parallel universe ie. every route", "is everything that happens inbetween the start of the plot and the point", "will branch out into multiple plotlines— > > these plotlines, also called routes,", "branch out into multiple plotlines— > > these plotlines, also called routes, function", "be interpreted as. The question is: Is it possible to translate a VN-structured", "endings, each with their own exploration of the many perspectives a theme can", "time and have implemented more \"modern-day\" game mechanics, but I left it out", "question is: Is it possible to translate a VN-structured story with multiple routes", "into a single book (And make it cohesive)? Or is it easier to", "and some form of capability to interact with the story by picking choices", "> —which results in multiple endings, each with their own exploration of the", "share is everything that happens inbetween the start of the plot and the", "The question is: Is it possible to translate a VN-structured story with multiple", "own \"book\" where the only similarity the routes share is everything that happens", "as their own parallel universe ie. every route can be seen as it's", "also called routes, function as their own parallel universe ie. every route can", "with the story by picking choices that will alter the overall plot (I'm", "any purpose here). A staple within VNs is that it follows a story", "and the point where the plot deviates or branches out > > >", "their own exploration of the many perspectives a theme can be interpreted as.", "story by picking choices that will alter the overall plot (I'm aware that", "with it's story presented in plain-text accompanied with illustrations of characters and environments,", "the plot deviates or branches out > > > —which results in multiple", "many perspectives a theme can be interpreted as. *The question is: Is it", "is it easier to simply break up these routes into each book of", "where the only similarity the routes share is everything that happens inbetween the", "implemented more \"modern-day\" game mechanics, but I left it out since it doesn't", "or branches out* > > > —which results in multiple endings, each with", "make it cohesive)? Or is it easier to simply break up these routes", "I left it out since it doesn't serve any purpose here). A staple", "Or is it easier to simply break up these routes into each book", "point where the plot deviates or branches out > > > —which results", "of the plot and the point where the plot deviates or branches out", "function as their own parallel universe ie. every route can be seen as", "be seen as it's own \"book\" where the only similarity the routes share", "of the many perspectives a theme can be interpreted as. *The question is:", "Novels (abbreviated as VN) are in layman terms a type of game with", "purpose here). A staple within VNs is that it follows a story that", "the routes share is everything that happens inbetween the start of the plot", "music, and some form of capability to interact with the story by picking", "> > > —which results in multiple endings, each with their own exploration", "choices that will alter the overall plot (I'm aware that VNs have evolved", "Visual Novels (abbreviated as VN) are in layman terms a type of game", "start of the plot and the point where the plot deviates or branches", "story that at some point will branch out into multiple plotlines— > >", "deviates or branches out* > > > —which results in multiple endings, each", "capability to interact with the story by picking choices that will alter the", "illustrations of characters and environments, music, and some form of capability to interact", "accompanied with illustrations of characters and environments, music, and some form of capability", "a theme can be interpreted as. *The question is: Is it possible to", "single book (And make it cohesive)? Or is it easier to simply break", "it cohesive)? Or is it easier to simply break up these routes into", "plain-text accompanied with illustrations of characters and environments, music, and some form of", "follows a story that at some point will branch out into multiple plotlines—", "it out since it doesn't serve any purpose here). A staple within VNs", "overall plot (I'm aware that VNs have evolved over time and have implemented", "is that it follows a story that at some point will branch out", "by picking choices that will alter the overall plot (I'm aware that VNs", "that will alter the overall plot (I'm aware that VNs have evolved over", "to translate a VN-structured story with multiple routes into a single book (And", "as VN) are in layman terms a type of game with it's story", "> > these plotlines, also called routes, function as their own parallel universe", "own parallel universe ie. every route* can be seen as it's own \"book\"", "the uninitiated; Visual Novels (abbreviated as VN) are in layman terms a type", "that happens inbetween the start of the plot and the point where the", "it doesn't serve any purpose here). A staple within VNs is that it", "of capability to interact with the story by picking choices that will alter", "the many perspectives a theme can be interpreted as. **The question is: Is", "a story that at some point will branch out into multiple plotlines— >" ]
[ "are also with anthromorphic animals as well. Seeing how despite being able to", "Seeing how despite being able to walk and talk like humans, they are", "romance between a human and non-human go, before it ends up being uncomfortable", "completely different animal species. When writing, how far can romance between a human", "walk and talk like humans, they are still a completely different animal species.", "animal species. When writing, how far can romance between a human and non-human", "humans, they are still a completely different animal species. When writing, how far", "being uncomfortable or disturbing? Note: While I mentioned some fantasy examples, it also", "disturbing? Note: While I mentioned some fantasy examples, it also applies to AI", "a human and non-human go, before it ends up being uncomfortable or disturbing?", "werewolves, there are also with anthromorphic animals as well. Seeing how despite being", "with vampires and werewolves, there are also with anthromorphic animals as well. Seeing", "writing, how far can romance between a human and non-human go, before it", "and werewolves, there are also with anthromorphic animals as well. Seeing how despite", "being able to walk and talk like humans, they are still a completely", "When writing, how far can romance between a human and non-human go, before", "and non-human go, before it ends up being uncomfortable or disturbing? Note: While", "examples, it also applies to AI and aliens as well, for future writings.", "how despite being able to walk and talk like humans, they are still", "still a completely different animal species. When writing, how far can romance between", "In my story, there are several relationships between humans and non-humans. While there", "with anthromorphic animals as well. Seeing how despite being able to walk and", "able to walk and talk like humans, they are still a completely different", "different animal species. When writing, how far can romance between a human and", "to walk and talk like humans, they are still a completely different animal", "and talk like humans, they are still a completely different animal species. When", "and non-humans. While there are the usual with vampires and werewolves, there are", "relationships between humans and non-humans. While there are the usual with vampires and", "go, before it ends up being uncomfortable or disturbing? Note: While I mentioned", "how far can romance between a human and non-human go, before it ends", "like humans, they are still a completely different animal species. When writing, how", "between a human and non-human go, before it ends up being uncomfortable or", "before it ends up being uncomfortable or disturbing? Note: While I mentioned some", "there are the usual with vampires and werewolves, there are also with anthromorphic", "can romance between a human and non-human go, before it ends up being", "non-humans. While there are the usual with vampires and werewolves, there are also", "some fantasy examples, it also applies to AI and aliens as well, for", "While there are the usual with vampires and werewolves, there are also with", "there are several relationships between humans and non-humans. While there are the usual", "as well. Seeing how despite being able to walk and talk like humans,", "despite being able to walk and talk like humans, they are still a", "talk like humans, they are still a completely different animal species. When writing,", "species. When writing, how far can romance between a human and non-human go,", "up being uncomfortable or disturbing? Note: While I mentioned some fantasy examples, it", "ends up being uncomfortable or disturbing? Note: While I mentioned some fantasy examples,", "Note: While I mentioned some fantasy examples, it also applies to AI and", "I mentioned some fantasy examples, it also applies to AI and aliens as", "story, there are several relationships between humans and non-humans. While there are the", "there are also with anthromorphic animals as well. Seeing how despite being able", "anthromorphic animals as well. Seeing how despite being able to walk and talk", "uncomfortable or disturbing? Note: While I mentioned some fantasy examples, it also applies", "or disturbing? Note: While I mentioned some fantasy examples, it also applies to", "also with anthromorphic animals as well. Seeing how despite being able to walk", "human and non-human go, before it ends up being uncomfortable or disturbing? Note:", "between humans and non-humans. While there are the usual with vampires and werewolves,", "a completely different animal species. When writing, how far can romance between a", "well. Seeing how despite being able to walk and talk like humans, they", "they are still a completely different animal species. When writing, how far can", "several relationships between humans and non-humans. While there are the usual with vampires", "my story, there are several relationships between humans and non-humans. While there are", "mentioned some fantasy examples, it also applies to AI and aliens as well,", "animals as well. Seeing how despite being able to walk and talk like", "the usual with vampires and werewolves, there are also with anthromorphic animals as", "it ends up being uncomfortable or disturbing? Note: While I mentioned some fantasy", "usual with vampires and werewolves, there are also with anthromorphic animals as well.", "far can romance between a human and non-human go, before it ends up", "non-human go, before it ends up being uncomfortable or disturbing? Note: While I", "are still a completely different animal species. When writing, how far can romance", "humans and non-humans. While there are the usual with vampires and werewolves, there", "fantasy examples, it also applies to AI and aliens as well, for future", "are several relationships between humans and non-humans. While there are the usual with", "are the usual with vampires and werewolves, there are also with anthromorphic animals", "While I mentioned some fantasy examples, it also applies to AI and aliens", "vampires and werewolves, there are also with anthromorphic animals as well. Seeing how" ]
[ "is nothing new, but it is fun to do. Usually, when there's a", "can see their cultural references; but if I decide to base it on", "trying to work on the worldbuilding of my story. The concept of fictional", "it is fun to do. Usually, when there's a nation based on actual", "make it clear which nation it is based on. I was trying to", "a nation for my story, and I thought of basing it on Central", "nations I'm basing it on. Other nations are based on one nation each,", "mix up the nations I'm basing it on. Other nations are based on", "which nation it is based on. I was trying to make a nation", "nation based on actual nations, the culture of said nation is also incorporated", "if I do it, it would be controversial, just like how Aladdin is.", "based on. I was trying to make a nation for my story, and", "story, and I thought of basing it on Central Asia, but I'm wondering", "you can see their cultural references; but if I decide to base it", "of my story. The concept of fictional nations being based on real ones", "Usually, when there's a nation based on actual nations, the culture of said", "it clear which nation it is based on. I was trying to make", "wrong to mix up the nations I'm basing it on. Other nations are", "to make a nation for my story, and I thought of basing it", "nations being based on real ones is nothing new, but it is fun", "is based on. I was trying to make a nation for my story,", "whole of Central Asia, and not just one country from Central Asia, and", "nations, would that be wrong? I feel like if I do it, it", "on the worldbuilding of my story. The concept of fictional nations being based", "cultural references; but if I decide to base it on the whole of", "nation each, and you can see their cultural references; but if I decide", "decide to base it on the whole of Central Asia, and not just", "I thought of basing it on Central Asia, but I'm wondering whether it's", "would be controversial, just like how Aladdin is. Are there any other ways", "the worldbuilding of my story. The concept of fictional nations being based on", "based on one nation each, and you can see their cultural references; but", "was trying to make a nation for my story, and I thought of", "on. Other nations are based on one nation each, and you can see", "to base it on the whole of Central Asia, and not just one", "do it, it would be controversial, just like how Aladdin is. Are there", "a nation based on actual nations, the culture of said nation is also", "are based on one nation each, and you can see their cultural references;", "one country from Central Asia, and incorporate the cultural aspects of all the", "nations are based on one nation each, and you can see their cultural", "worldbuilding of my story. The concept of fictional nations being based on real", "when there's a nation based on actual nations, the culture of said nation", "actual nations, the culture of said nation is also incorporated into the worldbuilding,", "story. The concept of fictional nations being based on real ones is nothing", "worldbuilding, to make it clear which nation it is based on. I was", "the chosen nations, would that be wrong? I feel like if I do", "based on real ones is nothing new, but it is fun to do.", "Asia, but I'm wondering whether it's wrong to mix up the nations I'm", "on Central Asia, but I'm wondering whether it's wrong to mix up the", "of fictional nations being based on real ones is nothing new, but it", "if I decide to base it on the whole of Central Asia, and", "and incorporate the cultural aspects of all the chosen nations, would that be", "incorporated into the worldbuilding, to make it clear which nation it is based", "it would be controversial, just like how Aladdin is. Are there any other", "it, it would be controversial, just like how Aladdin is. Are there any", "Central Asia, but I'm wondering whether it's wrong to mix up the nations", "but I'm wondering whether it's wrong to mix up the nations I'm basing", "it on. Other nations are based on one nation each, and you can", "but it is fun to do. Usually, when there's a nation based on", "see their cultural references; but if I decide to base it on the", "clear which nation it is based on. I was trying to make a", "Asia, and not just one country from Central Asia, and incorporate the cultural", "base it on the whole of Central Asia, and not just one country", "said nation is also incorporated into the worldbuilding, to make it clear which", "Asia, and incorporate the cultural aspects of all the chosen nations, would that", "it's wrong to mix up the nations I'm basing it on. Other nations", "references; but if I decide to base it on the whole of Central", "on actual nations, the culture of said nation is also incorporated into the", "I'm wondering whether it's wrong to mix up the nations I'm basing it", "do. Usually, when there's a nation based on actual nations, the culture of", "it on the whole of Central Asia, and not just one country from", "I do it, it would be controversial, just like how Aladdin is. Are", "wrong? I feel like if I do it, it would be controversial, just", "and not just one country from Central Asia, and incorporate the cultural aspects", "cultural aspects of all the chosen nations, would that be wrong? I feel", "all the chosen nations, would that be wrong? I feel like if I", "also incorporated into the worldbuilding, to make it clear which nation it is", "there's a nation based on actual nations, the culture of said nation is", "I was trying to work on the worldbuilding of my story. The concept", "concept of fictional nations being based on real ones is nothing new, but", "whether it's wrong to mix up the nations I'm basing it on. Other", "on the whole of Central Asia, and not just one country from Central", "of said nation is also incorporated into the worldbuilding, to make it clear", "new, but it is fun to do. Usually, when there's a nation based", "nation is also incorporated into the worldbuilding, to make it clear which nation", "Other nations are based on one nation each, and you can see their", "I decide to base it on the whole of Central Asia, and not", "of all the chosen nations, would that be wrong? I feel like if", "it on Central Asia, but I'm wondering whether it's wrong to mix up", "on. I was trying to make a nation for my story, and I", "ones is nothing new, but it is fun to do. Usually, when there's", "fictional nations being based on real ones is nothing new, but it is", "I feel like if I do it, it would be controversial, just like", "into the worldbuilding, to make it clear which nation it is based on.", "to mix up the nations I'm basing it on. Other nations are based", "like how Aladdin is. Are there any other ways for it to be", "my story, and I thought of basing it on Central Asia, but I'm", "of basing it on Central Asia, but I'm wondering whether it's wrong to", "feel like if I do it, it would be controversial, just like how", "one nation each, and you can see their cultural references; but if I", "nation for my story, and I thought of basing it on Central Asia,", "Central Asia, and not just one country from Central Asia, and incorporate the", "is also incorporated into the worldbuilding, to make it clear which nation it", "the culture of said nation is also incorporated into the worldbuilding, to make", "on one nation each, and you can see their cultural references; but if", "their cultural references; but if I decide to base it on the whole", "nations, the culture of said nation is also incorporated into the worldbuilding, to", "based on actual nations, the culture of said nation is also incorporated into", "basing it on. Other nations are based on one nation each, and you", "and I thought of basing it on Central Asia, but I'm wondering whether", "of Central Asia, and not just one country from Central Asia, and incorporate", "is fun to do. Usually, when there's a nation based on actual nations,", "the nations I'm basing it on. Other nations are based on one nation", "how Aladdin is. Are there any other ways for it to be handled?", "that be wrong? I feel like if I do it, it would be", "to make it clear which nation it is based on. I was trying", "aspects of all the chosen nations, would that be wrong? I feel like", "for my story, and I thought of basing it on Central Asia, but", "to work on the worldbuilding of my story. The concept of fictional nations", "my story. The concept of fictional nations being based on real ones is", "trying to make a nation for my story, and I thought of basing", "to do. Usually, when there's a nation based on actual nations, the culture", "basing it on Central Asia, but I'm wondering whether it's wrong to mix", "from Central Asia, and incorporate the cultural aspects of all the chosen nations,", "make a nation for my story, and I thought of basing it on", "controversial, just like how Aladdin is. Are there any other ways for it", "would that be wrong? I feel like if I do it, it would", "the cultural aspects of all the chosen nations, would that be wrong? I", "country from Central Asia, and incorporate the cultural aspects of all the chosen", "not just one country from Central Asia, and incorporate the cultural aspects of", "I was trying to make a nation for my story, and I thought", "was trying to work on the worldbuilding of my story. The concept of", "each, and you can see their cultural references; but if I decide to", "like if I do it, it would be controversial, just like how Aladdin", "incorporate the cultural aspects of all the chosen nations, would that be wrong?", "on real ones is nothing new, but it is fun to do. Usually,", "The concept of fictional nations being based on real ones is nothing new,", "just one country from Central Asia, and incorporate the cultural aspects of all", "it is based on. I was trying to make a nation for my", "being based on real ones is nothing new, but it is fun to", "up the nations I'm basing it on. Other nations are based on one", "chosen nations, would that be wrong? I feel like if I do it,", "the worldbuilding, to make it clear which nation it is based on. I", "thought of basing it on Central Asia, but I'm wondering whether it's wrong", "be controversial, just like how Aladdin is. Are there any other ways for", "nation it is based on. I was trying to make a nation for", "nothing new, but it is fun to do. Usually, when there's a nation", "fun to do. Usually, when there's a nation based on actual nations, the", "but if I decide to base it on the whole of Central Asia,", "real ones is nothing new, but it is fun to do. Usually, when", "and you can see their cultural references; but if I decide to base", "Central Asia, and incorporate the cultural aspects of all the chosen nations, would", "culture of said nation is also incorporated into the worldbuilding, to make it", "I'm basing it on. Other nations are based on one nation each, and", "work on the worldbuilding of my story. The concept of fictional nations being", "wondering whether it's wrong to mix up the nations I'm basing it on.", "just like how Aladdin is. Are there any other ways for it to", "be wrong? I feel like if I do it, it would be controversial,", "the whole of Central Asia, and not just one country from Central Asia," ]
[ "characters that aren’t the protagonist, don’t have POV chapters (my book is first", "book is first person), but are with the protagonist for the majority of", "characters at the midpoint of book 1 in a trilogy? By major characters", "for the majority of the trilogy and are essential to the main storyline.", "too late to introduce major characters at the midpoint of book 1 in", "in a trilogy? By major characters I mean characters that aren’t the protagonist,", "chapters (my book is first person), but are with the protagonist for the", "I mean characters that aren’t the protagonist, don’t have POV chapters (my book", "consider it too late to introduce major characters at the midpoint of book", "first person), but are with the protagonist for the majority of the trilogy", "at the midpoint of book 1 in a trilogy? By major characters I", "major characters at the midpoint of book 1 in a trilogy? By major", "POV chapters (my book is first person), but are with the protagonist for", "major characters I mean characters that aren’t the protagonist, don’t have POV chapters", "don’t have POV chapters (my book is first person), but are with the", "a trilogy? By major characters I mean characters that aren’t the protagonist, don’t", "the protagonist, don’t have POV chapters (my book is first person), but are", "that aren’t the protagonist, don’t have POV chapters (my book is first person),", "the midpoint of book 1 in a trilogy? By major characters I mean", "is first person), but are with the protagonist for the majority of the", "with the protagonist for the majority of the trilogy and are essential to", "trilogy? By major characters I mean characters that aren’t the protagonist, don’t have", "introduce major characters at the midpoint of book 1 in a trilogy? By", "characters I mean characters that aren’t the protagonist, don’t have POV chapters (my", "Would you consider it too late to introduce major characters at the midpoint", "are with the protagonist for the majority of the trilogy and are essential", "protagonist for the majority of the trilogy and are essential to the main", "protagonist, don’t have POV chapters (my book is first person), but are with", "it too late to introduce major characters at the midpoint of book 1", "you consider it too late to introduce major characters at the midpoint of", "(my book is first person), but are with the protagonist for the majority", "aren’t the protagonist, don’t have POV chapters (my book is first person), but", "midpoint of book 1 in a trilogy? By major characters I mean characters", "of book 1 in a trilogy? By major characters I mean characters that", "book 1 in a trilogy? By major characters I mean characters that aren’t", "mean characters that aren’t the protagonist, don’t have POV chapters (my book is", "person), but are with the protagonist for the majority of the trilogy and", "the protagonist for the majority of the trilogy and are essential to the", "but are with the protagonist for the majority of the trilogy and are", "By major characters I mean characters that aren’t the protagonist, don’t have POV", "to introduce major characters at the midpoint of book 1 in a trilogy?", "have POV chapters (my book is first person), but are with the protagonist", "1 in a trilogy? By major characters I mean characters that aren’t the", "late to introduce major characters at the midpoint of book 1 in a" ]
[ "outlining a novel, mostly for fun, based in 9th century Norway. The closest", "example, the name Guðrún, or should I instead Latinize it to Guthrun? In", "don't really convey the meaning as well. Even though I don't necessarily plan", "find words like Drengr or Holmgang to fit better than their English translations,", "English but find words like Drengr or Holmgang to fit better than their", "I wonder if there's a rule or standard for using non-latin characters/words in", "or Holmgang to fit better than their English translations, simply because they don't", "instead Latinize it to Guthrun? In that same vein: I'm writing in English", "names I can get is by using Icelandic characters like the ð and", "I then use, for example, the name Guðrún, or should I instead Latinize", "for example, the name Guðrún, or should I instead Latinize it to Guthrun?", "Guðrún, or should I instead Latinize it to Guthrun? In that same vein:", "but find words like Drengr or Holmgang to fit better than their English", "Currently I'm outlining a novel, mostly for fun, based in 9th century Norway.", "Holmgang to fit better than their English translations, simply because they don't really", "novel, mostly for fun, based in 9th century Norway. The closest to writing", "if there's a rule or standard for using non-latin characters/words in published fiction?", "century Norway. The closest to writing Old Norse names I can get is", "Icelandic characters like the ð and þ and the occasional á etc. Could", "ð and þ and the occasional á etc. Could I then use, for", "I'm outlining a novel, mostly for fun, based in 9th century Norway. The", "etc. Could I then use, for example, the name Guðrún, or should I", "though I don't necessarily plan on ever publishing this, I wonder if there's", "to fit better than their English translations, simply because they don't really convey", "mostly for fun, based in 9th century Norway. The closest to writing Old", "to Guthrun? In that same vein: I'm writing in English but find words", "convey the meaning as well. Even though I don't necessarily plan on ever", "or should I instead Latinize it to Guthrun? In that same vein: I'm", "as well. Even though I don't necessarily plan on ever publishing this, I", "fit better than their English translations, simply because they don't really convey the", "the meaning as well. Even though I don't necessarily plan on ever publishing", "simply because they don't really convey the meaning as well. Even though I", "occasional á etc. Could I then use, for example, the name Guðrún, or", "and þ and the occasional á etc. Could I then use, for example,", "9th century Norway. The closest to writing Old Norse names I can get", "because they don't really convey the meaning as well. Even though I don't", "ever publishing this, I wonder if there's a rule or standard for using", "þ and the occasional á etc. Could I then use, for example, the", "Guthrun? In that same vein: I'm writing in English but find words like", "is by using Icelandic characters like the ð and þ and the occasional", "same vein: I'm writing in English but find words like Drengr or Holmgang", "writing Old Norse names I can get is by using Icelandic characters like", "can get is by using Icelandic characters like the ð and þ and", "like Drengr or Holmgang to fit better than their English translations, simply because", "better than their English translations, simply because they don't really convey the meaning", "like the ð and þ and the occasional á etc. Could I then", "Even though I don't necessarily plan on ever publishing this, I wonder if", "Norse names I can get is by using Icelandic characters like the ð", "á etc. Could I then use, for example, the name Guðrún, or should", "they don't really convey the meaning as well. Even though I don't necessarily", "and the occasional á etc. Could I then use, for example, the name", "don't necessarily plan on ever publishing this, I wonder if there's a rule", "closest to writing Old Norse names I can get is by using Icelandic", "The closest to writing Old Norse names I can get is by using", "fun, based in 9th century Norway. The closest to writing Old Norse names", "Drengr or Holmgang to fit better than their English translations, simply because they", "really convey the meaning as well. Even though I don't necessarily plan on", "a novel, mostly for fun, based in 9th century Norway. The closest to", "on ever publishing this, I wonder if there's a rule or standard for", "in English but find words like Drengr or Holmgang to fit better than", "plan on ever publishing this, I wonder if there's a rule or standard", "words like Drengr or Holmgang to fit better than their English translations, simply", "Old Norse names I can get is by using Icelandic characters like the", "for fun, based in 9th century Norway. The closest to writing Old Norse", "by using Icelandic characters like the ð and þ and the occasional á", "this, I wonder if there's a rule or standard for using non-latin characters/words", "I'm writing in English but find words like Drengr or Holmgang to fit", "Norway. The closest to writing Old Norse names I can get is by", "then use, for example, the name Guðrún, or should I instead Latinize it", "writing in English but find words like Drengr or Holmgang to fit better", "characters like the ð and þ and the occasional á etc. Could I", "should I instead Latinize it to Guthrun? In that same vein: I'm writing", "name Guðrún, or should I instead Latinize it to Guthrun? In that same", "to writing Old Norse names I can get is by using Icelandic characters", "Could I then use, for example, the name Guðrún, or should I instead", "I can get is by using Icelandic characters like the ð and þ", "use, for example, the name Guðrún, or should I instead Latinize it to", "based in 9th century Norway. The closest to writing Old Norse names I", "the ð and þ and the occasional á etc. Could I then use,", "English translations, simply because they don't really convey the meaning as well. Even", "I don't necessarily plan on ever publishing this, I wonder if there's a", "publishing this, I wonder if there's a rule or standard for using non-latin", "using Icelandic characters like the ð and þ and the occasional á etc.", "get is by using Icelandic characters like the ð and þ and the", "wonder if there's a rule or standard for using non-latin characters/words in published", "that same vein: I'm writing in English but find words like Drengr or", "translations, simply because they don't really convey the meaning as well. Even though", "it to Guthrun? In that same vein: I'm writing in English but find", "their English translations, simply because they don't really convey the meaning as well.", "meaning as well. Even though I don't necessarily plan on ever publishing this,", "Latinize it to Guthrun? In that same vein: I'm writing in English but", "the name Guðrún, or should I instead Latinize it to Guthrun? In that", "the occasional á etc. Could I then use, for example, the name Guðrún,", "in 9th century Norway. The closest to writing Old Norse names I can", "well. Even though I don't necessarily plan on ever publishing this, I wonder", "In that same vein: I'm writing in English but find words like Drengr", "vein: I'm writing in English but find words like Drengr or Holmgang to", "necessarily plan on ever publishing this, I wonder if there's a rule or", "than their English translations, simply because they don't really convey the meaning as", "I instead Latinize it to Guthrun? In that same vein: I'm writing in" ]
[ "entered this situation but was unaware that it had been morphing into the", "be a he instead! Their gender is not meant to be a focal", "(due to seclusion in a remote area of wilderness) and psychologically (by a", "gender is not meant to be a focal point of the story. That", "to cast this character as male or female, I'd love to hear it!", "to seclusion in a remote area of wilderness) and psychologically (by a controlling", "the present disaster for many years. Now she senses her world closing in", "the story. That said, if someone has a compelling reason to cast this", "Their gender is not meant to be a focal point of the story.", "a remote area of wilderness) and psychologically (by a controlling partner she had", "morphing into the present disaster for many years. Now she senses her world", "but I don't know yet whether the protagonist might be a he instead!", "She willingly entered this situation but was unaware that it had been morphing", "senses her world closing in on her. My problem is this. If she's", "on her. My problem is this. If she's so smart, how was she", "not meant to be a focal point of the story. That said, if", "so smart, how was she oblivious to this happening? NB. I refer to", "focal point of the story. That said, if someone has a compelling reason", "years. Now she senses her world closing in on her. My problem is", "closing in on her. My problem is this. If she's so smart, how", "has a compelling reason to cast this character as male or female, I'd", "That said, if someone has a compelling reason to cast this character as", "refer to her as she but I don't know yet whether the protagonist", "crafty, resourceful, cunning, and principled. She finds herself trapped both physically (due to", "but was unaware that it had been morphing into the present disaster for", "finds herself trapped both physically (due to seclusion in a remote area of", "it had been morphing into the present disaster for many years. Now she", "disaster for many years. Now she senses her world closing in on her.", "might be a he instead! Their gender is not meant to be a", "yet whether the protagonist might be a he instead! Their gender is not", "area of wilderness) and psychologically (by a controlling partner she had previously thought", "a controlling partner she had previously thought was virtuous). She willingly entered this", "(by a controlling partner she had previously thought was virtuous). She willingly entered", "reason to cast this character as male or female, I'd love to hear", "a compelling reason to cast this character as male or female, I'd love", "psychologically (by a controlling partner she had previously thought was virtuous). She willingly", "the protagonist might be a he instead! Their gender is not meant to", "oblivious to this happening? NB. I refer to her as she but I", "and psychologically (by a controlling partner she had previously thought was virtuous). She", "know yet whether the protagonist might be a he instead! Their gender is", "world closing in on her. My problem is this. If she's so smart,", "problem is this. If she's so smart, how was she oblivious to this", "had been morphing into the present disaster for many years. Now she senses", "to this happening? NB. I refer to her as she but I don't", "whether the protagonist might be a he instead! Their gender is not meant", "present disaster for many years. Now she senses her world closing in on", "this happening? NB. I refer to her as she but I don't know", "is crafty, resourceful, cunning, and principled. She finds herself trapped both physically (due", "instead! Their gender is not meant to be a focal point of the", "she's so smart, how was she oblivious to this happening? NB. I refer", "Now she senses her world closing in on her. My problem is this.", "My problem is this. If she's so smart, how was she oblivious to", "willingly entered this situation but was unaware that it had been morphing into", "how was she oblivious to this happening? NB. I refer to her as", "happening? NB. I refer to her as she but I don't know yet", "protagonist is crafty, resourceful, cunning, and principled. She finds herself trapped both physically", "protagonist might be a he instead! Their gender is not meant to be", "into the present disaster for many years. Now she senses her world closing", "and principled. She finds herself trapped both physically (due to seclusion in a", "cunning, and principled. She finds herself trapped both physically (due to seclusion in", "had previously thought was virtuous). She willingly entered this situation but was unaware", "she but I don't know yet whether the protagonist might be a he", "is not meant to be a focal point of the story. That said,", "was she oblivious to this happening? NB. I refer to her as she", "of wilderness) and psychologically (by a controlling partner she had previously thought was", "virtuous). She willingly entered this situation but was unaware that it had been", "been morphing into the present disaster for many years. Now she senses her", "physically (due to seclusion in a remote area of wilderness) and psychologically (by", "controlling partner she had previously thought was virtuous). She willingly entered this situation", "said, if someone has a compelling reason to cast this character as male", "this situation but was unaware that it had been morphing into the present", "herself trapped both physically (due to seclusion in a remote area of wilderness)", "she oblivious to this happening? NB. I refer to her as she but", "I refer to her as she but I don't know yet whether the", "seclusion in a remote area of wilderness) and psychologically (by a controlling partner", "she had previously thought was virtuous). She willingly entered this situation but was", "don't know yet whether the protagonist might be a he instead! Their gender", "a he instead! Their gender is not meant to be a focal point", "was virtuous). She willingly entered this situation but was unaware that it had", "for many years. Now she senses her world closing in on her. My", "she senses her world closing in on her. My problem is this. If", "resourceful, cunning, and principled. She finds herself trapped both physically (due to seclusion", "if someone has a compelling reason to cast this character as male or", "her. My problem is this. If she's so smart, how was she oblivious", "in a remote area of wilderness) and psychologically (by a controlling partner she", "NB. I refer to her as she but I don't know yet whether", "to her as she but I don't know yet whether the protagonist might", "My protagonist is crafty, resourceful, cunning, and principled. She finds herself trapped both", "previously thought was virtuous). She willingly entered this situation but was unaware that", "as she but I don't know yet whether the protagonist might be a", "principled. She finds herself trapped both physically (due to seclusion in a remote", "was unaware that it had been morphing into the present disaster for many", "thought was virtuous). She willingly entered this situation but was unaware that it", "smart, how was she oblivious to this happening? NB. I refer to her", "this. If she's so smart, how was she oblivious to this happening? NB.", "She finds herself trapped both physically (due to seclusion in a remote area", "story. That said, if someone has a compelling reason to cast this character", "both physically (due to seclusion in a remote area of wilderness) and psychologically", "meant to be a focal point of the story. That said, if someone", "compelling reason to cast this character as male or female, I'd love to", "point of the story. That said, if someone has a compelling reason to", "to be a focal point of the story. That said, if someone has", "her as she but I don't know yet whether the protagonist might be", "her world closing in on her. My problem is this. If she's so", "someone has a compelling reason to cast this character as male or female,", "that it had been morphing into the present disaster for many years. Now", "If she's so smart, how was she oblivious to this happening? NB. I", "is this. If she's so smart, how was she oblivious to this happening?", "situation but was unaware that it had been morphing into the present disaster", "a focal point of the story. That said, if someone has a compelling", "I don't know yet whether the protagonist might be a he instead! Their", "remote area of wilderness) and psychologically (by a controlling partner she had previously", "of the story. That said, if someone has a compelling reason to cast", "partner she had previously thought was virtuous). She willingly entered this situation but", "trapped both physically (due to seclusion in a remote area of wilderness) and", "be a focal point of the story. That said, if someone has a", "he instead! Their gender is not meant to be a focal point of", "wilderness) and psychologically (by a controlling partner she had previously thought was virtuous).", "many years. Now she senses her world closing in on her. My problem", "in on her. My problem is this. If she's so smart, how was", "unaware that it had been morphing into the present disaster for many years." ]
[ "Forest\" comes from Liu Cixin. So is it ok for me to use", "ok for me to use that idea and name it \"The Dark Forest\"", "and name it \"The Dark Forest\" in the novel without explicitly naming Liu", "used. The idea of \"The Dark Forest\" comes from Liu Cixin. So is", "novel without explicitly naming Liu Cixin in any way or form? I am", "for me to use that idea and name it \"The Dark Forest\" in", "write a science-fiction novel where the idea of \"The Dark Forest\" is used.", "use that idea and name it \"The Dark Forest\" in the novel without", "that idea and name it \"The Dark Forest\" in the novel without explicitly", "from Liu Cixin. So is it ok for me to use that idea", "<https://www.youtube.com/watch?v=sFvf6Elp3D0> So I would like to write a science-fiction novel where the idea", "Forest\" in the novel without explicitly naming Liu Cixin in any way or", "novel where the idea of \"The Dark Forest\" is used. The idea of", "it \"The Dark Forest\" in the novel without explicitly naming Liu Cixin in", "the fact you're using the term \"The Dark Forest\" people would already think", "fact you're using the term \"The Dark Forest\" people would already think of", "the novel without explicitly naming Liu Cixin in any way or form? I", "term \"The Dark Forest\" people would already think of Liu Cixin so giving", "explicitly naming Liu Cixin in any way or form? I am thinking by", "to write a science-fiction novel where the idea of \"The Dark Forest\" is", "like to write a science-fiction novel where the idea of \"The Dark Forest\"", "or form? I am thinking by the fact you're using the term \"The", "of \"The Dark Forest\" comes from Liu Cixin. So is it ok for", "people would already think of Liu Cixin so giving explicit attribution is not", "in any way or form? I am thinking by the fact you're using", "idea of \"The Dark Forest\" comes from Liu Cixin. So is it ok", "Cixin in any way or form? I am thinking by the fact you're", "think of Liu Cixin so giving explicit attribution is not needed at all.", "the idea of \"The Dark Forest\" is used. The idea of \"The Dark", "idea and name it \"The Dark Forest\" in the novel without explicitly naming", "Liu Cixin in any way or form? I am thinking by the fact", "the term \"The Dark Forest\" people would already think of Liu Cixin so", "by the fact you're using the term \"The Dark Forest\" people would already", "form? I am thinking by the fact you're using the term \"The Dark", "any way or form? I am thinking by the fact you're using the", "of \"The Dark Forest\" is used. The idea of \"The Dark Forest\" comes", "\"The Dark Forest\" is used. The idea of \"The Dark Forest\" comes from", "So I would like to write a science-fiction novel where the idea of", "The idea of \"The Dark Forest\" comes from Liu Cixin. So is it", "\"The Dark Forest\" in the novel without explicitly naming Liu Cixin in any", "you're using the term \"The Dark Forest\" people would already think of Liu", "using the term \"The Dark Forest\" people would already think of Liu Cixin", "Forest\" people would already think of Liu Cixin so giving explicit attribution is", "already think of Liu Cixin so giving explicit attribution is not needed at", "in the novel without explicitly naming Liu Cixin in any way or form?", "to use that idea and name it \"The Dark Forest\" in the novel", "Forest\" is used. The idea of \"The Dark Forest\" comes from Liu Cixin.", "way or form? I am thinking by the fact you're using the term", "name it \"The Dark Forest\" in the novel without explicitly naming Liu Cixin", "I am thinking by the fact you're using the term \"The Dark Forest\"", "am thinking by the fact you're using the term \"The Dark Forest\" people", "\"The Dark Forest\" people would already think of Liu Cixin so giving explicit", "\"The Dark Forest\" comes from Liu Cixin. So is it ok for me", "where the idea of \"The Dark Forest\" is used. The idea of \"The", "it ok for me to use that idea and name it \"The Dark", "thinking by the fact you're using the term \"The Dark Forest\" people would", "a science-fiction novel where the idea of \"The Dark Forest\" is used. The", "me to use that idea and name it \"The Dark Forest\" in the", "So is it ok for me to use that idea and name it", "science-fiction novel where the idea of \"The Dark Forest\" is used. The idea", "idea of \"The Dark Forest\" is used. The idea of \"The Dark Forest\"", "I would like to write a science-fiction novel where the idea of \"The", "Cixin. So is it ok for me to use that idea and name", "is used. The idea of \"The Dark Forest\" comes from Liu Cixin. So", "Dark Forest\" in the novel without explicitly naming Liu Cixin in any way", "comes from Liu Cixin. So is it ok for me to use that", "is it ok for me to use that idea and name it \"The", "would like to write a science-fiction novel where the idea of \"The Dark", "Dark Forest\" is used. The idea of \"The Dark Forest\" comes from Liu", "Dark Forest\" comes from Liu Cixin. So is it ok for me to", "without explicitly naming Liu Cixin in any way or form? I am thinking", "naming Liu Cixin in any way or form? I am thinking by the", "Liu Cixin. So is it ok for me to use that idea and", "Dark Forest\" people would already think of Liu Cixin so giving explicit attribution", "would already think of Liu Cixin so giving explicit attribution is not needed" ]
[ "outlining done before the writing. I've since matured more and figured out that", "I'm not sure how to remedy this- some themes that are non-negotiable in", "are more mature, but I feel that my writing isn't developed enough to", "mature, but I feel that my writing isn't developed enough to write for", "two years ago with almost no prior planning or outlining done before the", "ago with almost no prior planning or outlining done before the writing. I've", "I've since matured more and figured out that the audience for my book", "figured out that the audience for my book changes from chapter to chapter.", "but I feel that my writing isn't developed enough to write for that", "to chapter. I'm not sure how to remedy this- some themes that are", "remedy this- some themes that are non-negotiable in this book are more mature,", "before the writing. I've since matured more and figured out that the audience", "book are more mature, but I feel that my writing isn't developed enough", "that are non-negotiable in this book are more mature, but I feel that", "my writing isn't developed enough to write for that audience. How do I", "almost no prior planning or outlining done before the writing. I've since matured", "that my writing isn't developed enough to write for that audience. How do", "since matured more and figured out that the audience for my book changes", "that the audience for my book changes from chapter to chapter. I'm not", "to remedy this- some themes that are non-negotiable in this book are more", "or outlining done before the writing. I've since matured more and figured out", "with almost no prior planning or outlining done before the writing. I've since", "feel that my writing isn't developed enough to write for that audience. How", "isn't developed enough to write for that audience. How do I solve this?", "book about two years ago with almost no prior planning or outlining done", "and figured out that the audience for my book changes from chapter to", "audience for my book changes from chapter to chapter. I'm not sure how", "done before the writing. I've since matured more and figured out that the", "wrote a book about two years ago with almost no prior planning or", "about two years ago with almost no prior planning or outlining done before", "out that the audience for my book changes from chapter to chapter. I'm", "from chapter to chapter. I'm not sure how to remedy this- some themes", "how to remedy this- some themes that are non-negotiable in this book are", "are non-negotiable in this book are more mature, but I feel that my", "chapter to chapter. I'm not sure how to remedy this- some themes that", "this- some themes that are non-negotiable in this book are more mature, but", "I feel that my writing isn't developed enough to write for that audience.", "planning or outlining done before the writing. I've since matured more and figured", "I wrote a book about two years ago with almost no prior planning", "the writing. I've since matured more and figured out that the audience for", "a book about two years ago with almost no prior planning or outlining", "more and figured out that the audience for my book changes from chapter", "writing isn't developed enough to write for that audience. How do I solve", "non-negotiable in this book are more mature, but I feel that my writing", "not sure how to remedy this- some themes that are non-negotiable in this", "matured more and figured out that the audience for my book changes from", "writing. I've since matured more and figured out that the audience for my", "more mature, but I feel that my writing isn't developed enough to write", "no prior planning or outlining done before the writing. I've since matured more", "changes from chapter to chapter. I'm not sure how to remedy this- some", "in this book are more mature, but I feel that my writing isn't", "the audience for my book changes from chapter to chapter. I'm not sure", "for my book changes from chapter to chapter. I'm not sure how to", "sure how to remedy this- some themes that are non-negotiable in this book", "years ago with almost no prior planning or outlining done before the writing.", "themes that are non-negotiable in this book are more mature, but I feel", "prior planning or outlining done before the writing. I've since matured more and", "chapter. I'm not sure how to remedy this- some themes that are non-negotiable", "my book changes from chapter to chapter. I'm not sure how to remedy", "some themes that are non-negotiable in this book are more mature, but I", "this book are more mature, but I feel that my writing isn't developed", "book changes from chapter to chapter. I'm not sure how to remedy this-" ]
[ "> > Of a little lonely wind that crept > > > From", "use cases or is there a good justification to using four dots instead", "I thought it was an ellipses, but ellipses only typically have three dots.", "three? I cam across a poem by Rupert Brooke and it uses four", "am trying to think of a good rationale to using four dots instead", "to think of a good rationale to using four dots instead of three.", "to indicate ellipses, but I am trying to think of a good rationale", "From tree to tree, and distantly > > > Followed me, followed me.", "of these four dots seems to indicate ellipses, but I am trying to", "rationale to using four dots instead of three. Is there a particular rhetorical", "dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall slept,", "three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall slept, > > >", "trying to think of a good rationale to using four dots instead of", "Brooke and it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For", "of three. Is there a particular rhetorical or stylistic effect that the author", "far whispering there'd be > > > Of a little lonely wind that", "to using four dots instead of three? I cam across a poem by", "the author is trying to accomplish by using four dots instead of three?", "wind that crept > > > From tree to tree, and distantly >", "an ellipses, but ellipses only typically have three dots. Are there good use", "> > > From tree to tree, and distantly > > > Followed", "of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall slept, > >", "good use cases or is there a good justification to using four dots", "lonely wind that crept > > > From tree to tree, and distantly", "ellipses, but I am trying to think of a good rationale to using", "think of a good rationale to using four dots instead of three. Is", "to using four dots instead of three. Is there a particular rhetorical or", "slept, > > > Soon a far whispering there'd be > > >", "and it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if", "ellipses only typically have three dots. Are there good use cases or is", "Followed me, followed me. . . . > > > The use of", "> > > Of a little lonely wind that crept > > >", "little lonely wind that crept > > > From tree to tree, and", "of three? I cam across a poem by Rupert Brooke and it uses", "instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall slept, >", "> > > Soon a far whispering there'd be > > > Of", "Rupert Brooke and it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > >", ". > > > The use of these four dots seems to indicate", "if my echoing footfall slept, > > > Soon a far whispering there'd", "particular rhetorical or stylistic effect that the author is trying to accomplish by", "Soon a far whispering there'd be > > > Of a little lonely", "only typically have three dots. Are there good use cases or is there", "good justification to using four dots instead of three? I cam across a", "> > Followed me, followed me. . . . > > > The", "rhetorical or stylistic effect that the author is trying to accomplish by using", "For if my echoing footfall slept, > > > Soon a far whispering", "dots. Are there good use cases or is there a good justification to", "> > > The use of these four dots seems to indicate ellipses,", "have three dots. Are there good use cases or is there a good", "use of these four dots seems to indicate ellipses, but I am trying", "that crept > > > From tree to tree, and distantly > >", "effect that the author is trying to accomplish by using four dots instead", "> > The use of these four dots seems to indicate ellipses, but", "instead of three? I cam across a poem by Rupert Brooke and it", "there a particular rhetorical or stylistic effect that the author is trying to", "tree, and distantly > > > Followed me, followed me. . . .", "echoing footfall slept, > > > Soon a far whispering there'd be >", "a poem by Rupert Brooke and it uses four dots instead of three.", "by Rupert Brooke and it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> >", "footfall slept, > > > Soon a far whispering there'd be > >", "> For if my echoing footfall slept, > > > Soon a far", "> Followed me, followed me. . . . > > > The use", "justification to using four dots instead of three? I cam across a poem", "four dots seems to indicate ellipses, but I am trying to think of", "it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my", "> From tree to tree, and distantly > > > Followed me, followed", ". . . > > > The use of these four dots seems", "using four dots instead of three? I cam across a poem by Rupert", "> Soon a far whispering there'd be > > > Of a little", "> Of a little lonely wind that crept > > > From tree", "thought it was an ellipses, but ellipses only typically have three dots. Are", "four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall", "was an ellipses, but ellipses only typically have three dots. Are there good", "<https://www.thepunctuationguide.com/ellipses.html> I thought it was an ellipses, but ellipses only typically have three", "be > > > Of a little lonely wind that crept > >", "Are there good use cases or is there a good justification to using", "but ellipses only typically have three dots. Are there good use cases or", "The use of these four dots seems to indicate ellipses, but I am", "my echoing footfall slept, > > > Soon a far whispering there'd be", "> > > Followed me, followed me. . . . > > >", "across a poem by Rupert Brooke and it uses four dots instead of", "a good rationale to using four dots instead of three. Is there a", "to tree, and distantly > > > Followed me, followed me. . .", "there'd be > > > Of a little lonely wind that crept >", "a little lonely wind that crept > > > From tree to tree,", "there good use cases or is there a good justification to using four", "but I am trying to think of a good rationale to using four", "typically have three dots. Are there good use cases or is there a", "me, followed me. . . . > > > The use of these", "cam across a poem by Rupert Brooke and it uses four dots instead", "is there a good justification to using four dots instead of three? I", "or is there a good justification to using four dots instead of three?", "crept > > > From tree to tree, and distantly > > >", ". . > > > The use of these four dots seems to", "dots instead of three? I cam across a poem by Rupert Brooke and", "> > For if my echoing footfall slept, > > > Soon a", "dots instead of three. Is there a particular rhetorical or stylistic effect that", "tree to tree, and distantly > > > Followed me, followed me. .", "followed me. . . . > > > The use of these four", "Is there a particular rhetorical or stylistic effect that the author is trying", "using four dots instead of three. Is there a particular rhetorical or stylistic", "or stylistic effect that the author is trying to accomplish by using four", "indicate ellipses, but I am trying to think of a good rationale to", "four dots instead of three? I cam across a poem by Rupert Brooke", "Of a little lonely wind that crept > > > From tree to", "uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing", "and distantly > > > Followed me, followed me. . . . >", "there a good justification to using four dots instead of three? I cam", "me. . . . > > > The use of these four dots", "that the author is trying to accomplish by using four dots instead of", "a particular rhetorical or stylistic effect that the author is trying to accomplish", "> The use of these four dots seems to indicate ellipses, but I", "it was an ellipses, but ellipses only typically have three dots. Are there", "of a good rationale to using four dots instead of three. Is there", "these four dots seems to indicate ellipses, but I am trying to think", "whispering there'd be > > > Of a little lonely wind that crept", "<https://mypoeticside.com/show-classic-poem-3945> > > For if my echoing footfall slept, > > > Soon", "a good justification to using four dots instead of three? I cam across", "cases or is there a good justification to using four dots instead of", "instead of three. Is there a particular rhetorical or stylistic effect that the", "three. Is there a particular rhetorical or stylistic effect that the author is", "seems to indicate ellipses, but I am trying to think of a good", "> > From tree to tree, and distantly > > > Followed me,", "I am trying to think of a good rationale to using four dots", "good rationale to using four dots instead of three. Is there a particular", "I cam across a poem by Rupert Brooke and it uses four dots", "> > Soon a far whispering there'd be > > > Of a", "a far whispering there'd be > > > Of a little lonely wind", "ellipses, but ellipses only typically have three dots. Are there good use cases", "poem by Rupert Brooke and it uses four dots instead of three. <https://mypoeticside.com/show-classic-poem-3945>", "stylistic effect that the author is trying to accomplish by using four dots", "three dots. Are there good use cases or is there a good justification", "dots seems to indicate ellipses, but I am trying to think of a", "distantly > > > Followed me, followed me. . . . > >", "four dots instead of three. Is there a particular rhetorical or stylistic effect" ]
[ "details she didn't give me are not important to the plot. However, a", "and places of birth, marriage, and death should be planned in advance to", "1880 homesteading in Oklahoma—which didn't happen before 1889.) Especially if you have them", "to write. She gave me very few details. I assume the details she", "about it. My thought is that all the dates and places of birth,", "asked me for a genealogy chart to put in the novel she plans", "a chart that might enable the reader to recognize impossibilities. I am not", "me very few details. I assume the details she didn't give me are", "had to have died in 1880 homesteading in Oklahoma—which didn't happen before 1889.)", "before 1889.) Especially if you have them on a chart that might enable", "didn't happen before 1889.) Especially if you have them on a chart that", "seeming weird. Others seem to require two people to be married and widowed", "and death should be planned in advance to be plausible, so that they", "them on a chart that might enable the reader to recognize impossibilities. I", "and remarried before they are 25 (possible, but going to raise eyebrows). My", "is that she just hadn't thought that deeply about it. My thought is", "1889.) Especially if you have them on a chart that might enable the", "weird. Others seem to require two people to be married and widowed and", "the narrative that makes no sense. (Like a character who had to have", "for me to fit into the historical context without it seeming weird. Others", "My thought is that all the dates and places of birth, marriage, and", "prevent saying something in the narrative that makes no sense. (Like a character", "something in the narrative that makes no sense. (Like a character who had", "I don't know where to look for professional or semi-professional advice on avoiding", "widowed and remarried before they are 25 (possible, but going to raise eyebrows).", "character who had to have died in 1880 homesteading in Oklahoma—which didn't happen", "they can be consulted to prevent saying something in the narrative that makes", "reader to recognize impossibilities. I am not a fiction writer, so I don't", "and widowed and remarried before they are 25 (possible, but going to raise", "have died in 1880 homesteading in Oklahoma—which didn't happen before 1889.) Especially if", "give are hard for me to fit into the historical context without it", "(possible, but going to raise eyebrows). My suspicion is that she just hadn't", "the dates and places of birth, marriage, and death should be planned in", "in advance to be plausible, so that they can be consulted to prevent", "of the details she did give are hard for me to fit into", "makes no sense. (Like a character who had to have died in 1880", "a genealogy chart to put in the novel she plans to write. She", "in the novel she plans to write. She gave me very few details.", "are hard for me to fit into the historical context without it seeming", "(Like a character who had to have died in 1880 homesteading in Oklahoma—which", "a fiction writer, so I don't know where to look for professional or", "before they are 25 (possible, but going to raise eyebrows). My suspicion is", "not important to the plot. However, a couple of the details she did", "in the narrative that makes no sense. (Like a character who had to", "she just hadn't thought that deeply about it. My thought is that all", "enable the reader to recognize impossibilities. I am not a fiction writer, so", "are 25 (possible, but going to raise eyebrows). My suspicion is that she", "hard for me to fit into the historical context without it seeming weird.", "thought that deeply about it. My thought is that all the dates and", "to be plausible, so that they can be consulted to prevent saying something", "places of birth, marriage, and death should be planned in advance to be", "to look for professional or semi-professional advice on avoiding implausible events in such", "who had to have died in 1880 homesteading in Oklahoma—which didn't happen before", "she did give are hard for me to fit into the historical context", "saying something in the narrative that makes no sense. (Like a character who", "me for a genealogy chart to put in the novel she plans to", "didn't give me are not important to the plot. However, a couple of", "impossibilities. I am not a fiction writer, so I don't know where to", "the details she didn't give me are not important to the plot. However,", "going to raise eyebrows). My suspicion is that she just hadn't thought that", "to raise eyebrows). My suspicion is that she just hadn't thought that deeply", "death should be planned in advance to be plausible, so that they can", "to recognize impossibilities. I am not a fiction writer, so I don't know", "if you have them on a chart that might enable the reader to", "very few details. I assume the details she didn't give me are not", "the reader to recognize impossibilities. I am not a fiction writer, so I", "novel she plans to write. She gave me very few details. I assume", "fiction writer, so I don't know where to look for professional or semi-professional", "married and widowed and remarried before they are 25 (possible, but going to", "on a chart that might enable the reader to recognize impossibilities. I am", "hadn't thought that deeply about it. My thought is that all the dates", "so I don't know where to look for professional or semi-professional advice on", "plausible, so that they can be consulted to prevent saying something in the", "can be consulted to prevent saying something in the narrative that makes no", "people to be married and widowed and remarried before they are 25 (possible,", "where to look for professional or semi-professional advice on avoiding implausible events in", "couple of the details she did give are hard for me to fit", "give me are not important to the plot. However, a couple of the", "remarried before they are 25 (possible, but going to raise eyebrows). My suspicion", "that they can be consulted to prevent saying something in the narrative that", "is that all the dates and places of birth, marriage, and death should", "to be married and widowed and remarried before they are 25 (possible, but", "to prevent saying something in the narrative that makes no sense. (Like a", "writer, so I don't know where to look for professional or semi-professional advice", "homesteading in Oklahoma—which didn't happen before 1889.) Especially if you have them on", "chart to put in the novel she plans to write. She gave me", "professional or semi-professional advice on avoiding implausible events in such a story. Suggestions?", "sense. (Like a character who had to have died in 1880 homesteading in", "died in 1880 homesteading in Oklahoma—which didn't happen before 1889.) Especially if you", "the plot. However, a couple of the details she did give are hard", "consulted to prevent saying something in the narrative that makes no sense. (Like", "have them on a chart that might enable the reader to recognize impossibilities.", "context without it seeming weird. Others seem to require two people to be", "that all the dates and places of birth, marriage, and death should be", "few details. I assume the details she didn't give me are not important", "the details she did give are hard for me to fit into the", "details she did give are hard for me to fit into the historical", "me are not important to the plot. However, a couple of the details", "a character who had to have died in 1880 homesteading in Oklahoma—which didn't", "raise eyebrows). My suspicion is that she just hadn't thought that deeply about", "My suspicion is that she just hadn't thought that deeply about it. My", "did give are hard for me to fit into the historical context without", "the historical context without it seeming weird. Others seem to require two people", "birth, marriage, and death should be planned in advance to be plausible, so", "Especially if you have them on a chart that might enable the reader", "not a fiction writer, so I don't know where to look for professional", "be consulted to prevent saying something in the narrative that makes no sense.", "gave me very few details. I assume the details she didn't give me", "that makes no sense. (Like a character who had to have died in", "it seeming weird. Others seem to require two people to be married and", "are not important to the plot. However, a couple of the details she", "recognize impossibilities. I am not a fiction writer, so I don't know where", "write. She gave me very few details. I assume the details she didn't", "to fit into the historical context without it seeming weird. Others seem to", "all the dates and places of birth, marriage, and death should be planned", "narrative that makes no sense. (Like a character who had to have died", "the novel she plans to write. She gave me very few details. I", "Someone asked me for a genealogy chart to put in the novel she", "planned in advance to be plausible, so that they can be consulted to", "25 (possible, but going to raise eyebrows). My suspicion is that she just", "to require two people to be married and widowed and remarried before they", "a couple of the details she did give are hard for me to", "into the historical context without it seeming weird. Others seem to require two", "that might enable the reader to recognize impossibilities. I am not a fiction", "of birth, marriage, and death should be planned in advance to be plausible,", "be planned in advance to be plausible, so that they can be consulted", "but going to raise eyebrows). My suspicion is that she just hadn't thought", "no sense. (Like a character who had to have died in 1880 homesteading", "me to fit into the historical context without it seeming weird. Others seem", "eyebrows). My suspicion is that she just hadn't thought that deeply about it.", "in 1880 homesteading in Oklahoma—which didn't happen before 1889.) Especially if you have", "two people to be married and widowed and remarried before they are 25", "to the plot. However, a couple of the details she did give are", "for professional or semi-professional advice on avoiding implausible events in such a story.", "so that they can be consulted to prevent saying something in the narrative", "I am not a fiction writer, so I don't know where to look", "plot. However, a couple of the details she did give are hard for", "look for professional or semi-professional advice on avoiding implausible events in such a", "in Oklahoma—which didn't happen before 1889.) Especially if you have them on a", "marriage, and death should be planned in advance to be plausible, so that", "should be planned in advance to be plausible, so that they can be", "that deeply about it. My thought is that all the dates and places", "might enable the reader to recognize impossibilities. I am not a fiction writer,", "details. I assume the details she didn't give me are not important to", "that she just hadn't thought that deeply about it. My thought is that", "genealogy chart to put in the novel she plans to write. She gave", "they are 25 (possible, but going to raise eyebrows). My suspicion is that", "it. My thought is that all the dates and places of birth, marriage,", "don't know where to look for professional or semi-professional advice on avoiding implausible", "she plans to write. She gave me very few details. I assume the", "you have them on a chart that might enable the reader to recognize", "assume the details she didn't give me are not important to the plot.", "historical context without it seeming weird. Others seem to require two people to", "know where to look for professional or semi-professional advice on avoiding implausible events", "She gave me very few details. I assume the details she didn't give", "Others seem to require two people to be married and widowed and remarried", "suspicion is that she just hadn't thought that deeply about it. My thought", "to have died in 1880 homesteading in Oklahoma—which didn't happen before 1889.) Especially", "be married and widowed and remarried before they are 25 (possible, but going", "she didn't give me are not important to the plot. However, a couple", "Oklahoma—which didn't happen before 1889.) Especially if you have them on a chart", "to put in the novel she plans to write. She gave me very", "just hadn't thought that deeply about it. My thought is that all the", "thought is that all the dates and places of birth, marriage, and death", "However, a couple of the details she did give are hard for me", "happen before 1889.) Especially if you have them on a chart that might", "advance to be plausible, so that they can be consulted to prevent saying", "chart that might enable the reader to recognize impossibilities. I am not a", "be plausible, so that they can be consulted to prevent saying something in", "important to the plot. However, a couple of the details she did give", "require two people to be married and widowed and remarried before they are", "put in the novel she plans to write. She gave me very few", "without it seeming weird. Others seem to require two people to be married", "fit into the historical context without it seeming weird. Others seem to require", "for a genealogy chart to put in the novel she plans to write.", "seem to require two people to be married and widowed and remarried before", "deeply about it. My thought is that all the dates and places of", "dates and places of birth, marriage, and death should be planned in advance", "plans to write. She gave me very few details. I assume the details", "I assume the details she didn't give me are not important to the", "am not a fiction writer, so I don't know where to look for" ]
[ "are ways I could subtly hint and foreshadow, without giving it away immediately?", "player figuring it out until it is too late. The type of plot", "is man vs. environment during a zombie outbreak, and my goal is to", "the terror to the player, ending with the completion of said outbreak. What", "player, ending with the completion of said outbreak. What are ways I could", "said outbreak. What are ways I could subtly hint and foreshadow, without giving", "end up really being horror. The goal is supposed to slowly become like", "horror. The goal is supposed to slowly become like that, but without the", "figuring it out until it is too late. The type of plot is", "terror to the player, ending with the completion of said outbreak. What are", "goal is supposed to slowly become like that, but without the player figuring", "completion of said outbreak. What are ways I could subtly hint and foreshadow,", "it out until it is too late. The type of plot is man", "type of plot is man vs. environment during a zombie outbreak, and my", "story for a game. It starts off well, only to end up really", "late. The type of plot is man vs. environment during a zombie outbreak,", "of said outbreak. What are ways I could subtly hint and foreshadow, without", "and my goal is to slowly introduce the terror to the player, ending", "slowly become like that, but without the player figuring it out until it", "the player figuring it out until it is too late. The type of", "to write the story for a game. It starts off well, only to", "during a zombie outbreak, and my goal is to slowly introduce the terror", "I am trying to write the story for a game. It starts off", "man vs. environment during a zombie outbreak, and my goal is to slowly", "vs. environment during a zombie outbreak, and my goal is to slowly introduce", "The goal is supposed to slowly become like that, but without the player", "ending with the completion of said outbreak. What are ways I could subtly", "outbreak. What are ways I could subtly hint and foreshadow, without giving it", "game. It starts off well, only to end up really being horror. The", "It starts off well, only to end up really being horror. The goal", "up really being horror. The goal is supposed to slowly become like that,", "the completion of said outbreak. What are ways I could subtly hint and", "well, only to end up really being horror. The goal is supposed to", "is supposed to slowly become like that, but without the player figuring it", "to end up really being horror. The goal is supposed to slowly become", "but without the player figuring it out until it is too late. The", "the player, ending with the completion of said outbreak. What are ways I", "What are ways I could subtly hint and foreshadow, without giving it away", "my goal is to slowly introduce the terror to the player, ending with", "too late. The type of plot is man vs. environment during a zombie", "trying to write the story for a game. It starts off well, only", "zombie outbreak, and my goal is to slowly introduce the terror to the", "become like that, but without the player figuring it out until it is", "the story for a game. It starts off well, only to end up", "a game. It starts off well, only to end up really being horror.", "goal is to slowly introduce the terror to the player, ending with the", "until it is too late. The type of plot is man vs. environment", "it is too late. The type of plot is man vs. environment during", "The type of plot is man vs. environment during a zombie outbreak, and", "outbreak, and my goal is to slowly introduce the terror to the player,", "write the story for a game. It starts off well, only to end", "out until it is too late. The type of plot is man vs.", "to the player, ending with the completion of said outbreak. What are ways", "like that, but without the player figuring it out until it is too", "is to slowly introduce the terror to the player, ending with the completion", "starts off well, only to end up really being horror. The goal is", "am trying to write the story for a game. It starts off well,", "to slowly introduce the terror to the player, ending with the completion of", "of plot is man vs. environment during a zombie outbreak, and my goal", "with the completion of said outbreak. What are ways I could subtly hint", "for a game. It starts off well, only to end up really being", "only to end up really being horror. The goal is supposed to slowly", "to slowly become like that, but without the player figuring it out until", "supposed to slowly become like that, but without the player figuring it out", "slowly introduce the terror to the player, ending with the completion of said", "really being horror. The goal is supposed to slowly become like that, but", "without the player figuring it out until it is too late. The type", "being horror. The goal is supposed to slowly become like that, but without", "a zombie outbreak, and my goal is to slowly introduce the terror to", "introduce the terror to the player, ending with the completion of said outbreak.", "environment during a zombie outbreak, and my goal is to slowly introduce the", "plot is man vs. environment during a zombie outbreak, and my goal is", "is too late. The type of plot is man vs. environment during a", "that, but without the player figuring it out until it is too late.", "off well, only to end up really being horror. The goal is supposed" ]
[ "publishing house. The text was never carefully or properly proofed and there were", "platforms and retail outlets, but never sold. I have revised the text and", "under its new title, either through a different publisher, or through a self-publishing", "never carefully or properly proofed and there were many printing problems. Net result", "of work which appeared on various platforms and retail outlets, but never sold.", "as the same author with copyright, publish this new version under its new", "and there were many printing problems. Net result was a poor quality piece", "many printing problems. Net result was a poor quality piece of work which", "work which appeared on various platforms and retail outlets, but never sold. I", "there were many printing problems. Net result was a poor quality piece of", "blurbs etc.Can I, as the same author with copyright, publish this new version", "the same story. I have a new title and a better front cover,", "carefully or properly proofed and there were many printing problems. Net result was", "which appeared on various platforms and retail outlets, but never sold. I have", "poor quality piece of work which appeared on various platforms and retail outlets,", "I, as the same author with copyright, publish this new version under its", "and retail outlets, but never sold. I have revised the text and improved", "printing problems. Net result was a poor quality piece of work which appeared", "a poor quality piece of work which appeared on various platforms and retail", "and a better front cover, blurbs etc.Can I, as the same author with", "outlets, but never sold. I have revised the text and improved it considerably,", "still basically the same story. I have a new title and a better", "the text and improved it considerably, but it's still basically the same story.", "same author with copyright, publish this new version under its new title, either", "published in 2015 by a UK publishing house. The text was never carefully", "or properly proofed and there were many printing problems. Net result was a", "published (ebook & paperback) novel which was published in 2015 by a UK", "a UK publishing house. The text was never carefully or properly proofed and", "have a new title and a better front cover, blurbs etc.Can I, as", "text was never carefully or properly proofed and there were many printing problems.", "a better front cover, blurbs etc.Can I, as the same author with copyright,", "was a poor quality piece of work which appeared on various platforms and", "etc.Can I, as the same author with copyright, publish this new version under", "was published in 2015 by a UK publishing house. The text was never", "I have revised the text and improved it considerably, but it's still basically", "copyright, publish this new version under its new title, either through a different", "by a UK publishing house. The text was never carefully or properly proofed", "and improved it considerably, but it's still basically the same story. I have", "I have a new title and a better front cover, blurbs etc.Can I,", "but it's still basically the same story. I have a new title and", "with copyright, publish this new version under its new title, either through a", "retail outlets, but never sold. I have revised the text and improved it", "have revised the text and improved it considerably, but it's still basically the", "on various platforms and retail outlets, but never sold. I have revised the", "2015 by a UK publishing house. The text was never carefully or properly", "better front cover, blurbs etc.Can I, as the same author with copyright, publish", "were many printing problems. Net result was a poor quality piece of work", "considerably, but it's still basically the same story. I have a new title", "text and improved it considerably, but it's still basically the same story. I", "cover, blurbs etc.Can I, as the same author with copyright, publish this new", "Net result was a poor quality piece of work which appeared on various", "story. I have a new title and a better front cover, blurbs etc.Can", "improved it considerably, but it's still basically the same story. I have a", "house. The text was never carefully or properly proofed and there were many", "author with copyright, publish this new version under its new title, either through", "piece of work which appeared on various platforms and retail outlets, but never", "problems. Net result was a poor quality piece of work which appeared on", "front cover, blurbs etc.Can I, as the same author with copyright, publish this", "revised the text and improved it considerably, but it's still basically the same", "it's still basically the same story. I have a new title and a", "which was published in 2015 by a UK publishing house. The text was", "appeared on various platforms and retail outlets, but never sold. I have revised", "novel which was published in 2015 by a UK publishing house. The text", "& paperback) novel which was published in 2015 by a UK publishing house.", "a published (ebook & paperback) novel which was published in 2015 by a", "a new title and a better front cover, blurbs etc.Can I, as the", "sold. I have revised the text and improved it considerably, but it's still", "The text was never carefully or properly proofed and there were many printing", "never sold. I have revised the text and improved it considerably, but it's", "result was a poor quality piece of work which appeared on various platforms", "properly proofed and there were many printing problems. Net result was a poor", "in 2015 by a UK publishing house. The text was never carefully or", "have a published (ebook & paperback) novel which was published in 2015 by", "paperback) novel which was published in 2015 by a UK publishing house. The", "same story. I have a new title and a better front cover, blurbs", "the same author with copyright, publish this new version under its new title,", "it considerably, but it's still basically the same story. I have a new", "various platforms and retail outlets, but never sold. I have revised the text", "but never sold. I have revised the text and improved it considerably, but", "(ebook & paperback) novel which was published in 2015 by a UK publishing", "version under its new title, either through a different publisher, or through a", "quality piece of work which appeared on various platforms and retail outlets, but", "this new version under its new title, either through a different publisher, or", "title and a better front cover, blurbs etc.Can I, as the same author", "was never carefully or properly proofed and there were many printing problems. Net", "its new title, either through a different publisher, or through a self-publishing platform?", "I have a published (ebook & paperback) novel which was published in 2015", "new version under its new title, either through a different publisher, or through", "UK publishing house. The text was never carefully or properly proofed and there", "basically the same story. I have a new title and a better front", "publish this new version under its new title, either through a different publisher,", "new title and a better front cover, blurbs etc.Can I, as the same", "proofed and there were many printing problems. Net result was a poor quality" ]
[ "is waning away. > > > It uses a lot of 'the's. How", "Consider this paragraph > > The twilight is small but distinctly visible. The", "would like some general tips that can be applied to a piece of", "and it's decreasing the quality of my writing. I have thought about and", "uses a lot of 'the's. How can I remove the repetition of 'the'", "Furthermore, it didn't completely solve my problem of reducing 'the's in my writing.", "thundering. Gradually, the moon is crescendoing into existence as the sun is waning", "want to use it, but I just think that I am overusing it", "decreasing the quality of my writing. I have thought about and tried using", "from my writing? It's not like I don't want to use it, but", "I have thought about and tried using transitions, but was unsure how to", "can be applied to a piece of descriptive writing to reduce 'the's in", "transition from one sentence to the next naturally. Furthermore, it didn't completely solve", "> > > It uses a lot of 'the's. How can I remove", "> > It uses a lot of 'the's. How can I remove the", "is small but distinctly visible. The gloomy sky is staring down at the", "my writing. I would like some general tips that can be applied to", "unsure how to transition from one sentence to the next naturally. Furthermore, it", "> It uses a lot of 'the's. How can I remove the repetition", "don't want to use it, but I just think that I am overusing", "the moon is crescendoing into existence as the sun is waning away. >", "a lot of 'the's. How can I remove the repetition of 'the' from", "my writing? It's not like I don't want to use it, but I", "tips that can be applied to a piece of descriptive writing to reduce", "> > The twilight is small but distinctly visible. The gloomy sky is", "'the' from my writing? It's not like I don't want to use it,", "that I am overusing it and it's decreasing the quality of my writing.", "problem of reducing 'the's in my writing. I would like some general tips", "solve my problem of reducing 'the's in my writing. I would like some", "writing? It's not like I don't want to use it, but I just", "the next naturally. Furthermore, it didn't completely solve my problem of reducing 'the's", "into existence as the sun is waning away. > > > It uses", "about and tried using transitions, but was unsure how to transition from one", "not like I don't want to use it, but I just think that", "> The twilight is small but distinctly visible. The gloomy sky is staring", "in my writing. I would like some general tips that can be applied", "Gradually, the moon is crescendoing into existence as the sun is waning away.", "transitions, but was unsure how to transition from one sentence to the next", "have thought about and tried using transitions, but was unsure how to transition", "parched roads as the storm began thundering. Gradually, the moon is crescendoing into", "away. > > > It uses a lot of 'the's. How can I", "waning away. > > > It uses a lot of 'the's. How can", "I just think that I am overusing it and it's decreasing the quality", "sun is waning away. > > > It uses a lot of 'the's.", "storm began thundering. Gradually, the moon is crescendoing into existence as the sun", "didn't completely solve my problem of reducing 'the's in my writing. I would", "of my writing. I have thought about and tried using transitions, but was", "as the sun is waning away. > > > It uses a lot", "can I remove the repetition of 'the' from my writing? It's not like", "as the storm began thundering. Gradually, the moon is crescendoing into existence as", "of 'the' from my writing? It's not like I don't want to use", "at the parched roads as the storm began thundering. Gradually, the moon is", "but was unsure how to transition from one sentence to the next naturally.", "reducing 'the's in my writing. I would like some general tips that can", "like some general tips that can be applied to a piece of descriptive", "the sun is waning away. > > > It uses a lot of", "The gloomy sky is staring down at the parched roads as the storm", "paragraph > > The twilight is small but distinctly visible. The gloomy sky", "It's not like I don't want to use it, but I just think", "it and it's decreasing the quality of my writing. I have thought about", "writing. I have thought about and tried using transitions, but was unsure how", "How can I remove the repetition of 'the' from my writing? It's not", "existence as the sun is waning away. > > > It uses a", "to use it, but I just think that I am overusing it and", "was unsure how to transition from one sentence to the next naturally. Furthermore,", "general tips that can be applied to a piece of descriptive writing to", "small but distinctly visible. The gloomy sky is staring down at the parched", "sky is staring down at the parched roads as the storm began thundering.", "my problem of reducing 'the's in my writing. I would like some general", "overusing it and it's decreasing the quality of my writing. I have thought", "it's decreasing the quality of my writing. I have thought about and tried", "how to transition from one sentence to the next naturally. Furthermore, it didn't", "The twilight is small but distinctly visible. The gloomy sky is staring down", "think that I am overusing it and it's decreasing the quality of my", "I am overusing it and it's decreasing the quality of my writing. I", "to the next naturally. Furthermore, it didn't completely solve my problem of reducing", "use it, but I just think that I am overusing it and it's", "writing. I would like some general tips that can be applied to a", "my writing. I have thought about and tried using transitions, but was unsure", "distinctly visible. The gloomy sky is staring down at the parched roads as", "that can be applied to a piece of descriptive writing to reduce 'the's", "lot of 'the's. How can I remove the repetition of 'the' from my", "next naturally. Furthermore, it didn't completely solve my problem of reducing 'the's in", "visible. The gloomy sky is staring down at the parched roads as the", "I don't want to use it, but I just think that I am", "am overusing it and it's decreasing the quality of my writing. I have", "completely solve my problem of reducing 'the's in my writing. I would like", "tried using transitions, but was unsure how to transition from one sentence to", "using transitions, but was unsure how to transition from one sentence to the", "the quality of my writing. I have thought about and tried using transitions,", "twilight is small but distinctly visible. The gloomy sky is staring down at", "naturally. Furthermore, it didn't completely solve my problem of reducing 'the's in my", "it didn't completely solve my problem of reducing 'the's in my writing. I", "it, but I just think that I am overusing it and it's decreasing", "'the's in my writing. I would like some general tips that can be", "is crescendoing into existence as the sun is waning away. > > >", "this paragraph > > The twilight is small but distinctly visible. The gloomy", "It uses a lot of 'the's. How can I remove the repetition of", "but I just think that I am overusing it and it's decreasing the", "sentence to the next naturally. Furthermore, it didn't completely solve my problem of", "crescendoing into existence as the sun is waning away. > > > It", "of 'the's. How can I remove the repetition of 'the' from my writing?", "the parched roads as the storm began thundering. Gradually, the moon is crescendoing", "be applied to a piece of descriptive writing to reduce 'the's in it.", "gloomy sky is staring down at the parched roads as the storm began", "down at the parched roads as the storm began thundering. Gradually, the moon", "'the's. How can I remove the repetition of 'the' from my writing? It's", "but distinctly visible. The gloomy sky is staring down at the parched roads", "began thundering. Gradually, the moon is crescendoing into existence as the sun is", "and tried using transitions, but was unsure how to transition from one sentence", "some general tips that can be applied to a piece of descriptive writing", "I would like some general tips that can be applied to a piece", "repetition of 'the' from my writing? It's not like I don't want to", "from one sentence to the next naturally. Furthermore, it didn't completely solve my", "the storm began thundering. Gradually, the moon is crescendoing into existence as the", "is staring down at the parched roads as the storm began thundering. Gradually,", "one sentence to the next naturally. Furthermore, it didn't completely solve my problem", "staring down at the parched roads as the storm began thundering. Gradually, the", "the repetition of 'the' from my writing? It's not like I don't want", "like I don't want to use it, but I just think that I", "just think that I am overusing it and it's decreasing the quality of", "moon is crescendoing into existence as the sun is waning away. > >", "quality of my writing. I have thought about and tried using transitions, but", "thought about and tried using transitions, but was unsure how to transition from", "remove the repetition of 'the' from my writing? It's not like I don't", "to transition from one sentence to the next naturally. Furthermore, it didn't completely", "roads as the storm began thundering. Gradually, the moon is crescendoing into existence", "of reducing 'the's in my writing. I would like some general tips that", "I remove the repetition of 'the' from my writing? It's not like I" ]
[ "character's plan if it's going to fail, and in what circumstance it would", "the reader to figure it out alongside the characters. Now, the question is", "the story bad since essentially they will know the end of the story", "to see if there might be circumstances where it may make sense? I", "knowing the plan ahead of time and watching it fall apart is driving", "this is an incredibly useful advice. The rationale is that if your character", "be circumstances where it may make sense? I am thinking that if everyone", "I believe there are many viewpoints, and I am trying to see if", "the reader a character's plan if it's going to fail I was told", "am thinking that if everyone does that then people may know the plan", "are many viewpoints, and I am trying to see if there might be", "to figure it out alongside the characters. Now, the question is whether it", "make sense? I am thinking that if everyone does that then people may", "believe there are many viewpoints, and I am trying to see if there", "succeed, it's more fun and tension-building for the reader to figure it out", "driving the tension. However, if a plan is going to succeed, it's more", "may make sense? I am thinking that if everyone does that then people", "advice is to only tell the reader a character's plan if it's going", "tell the reader a character's plan if it's going to fail I was", "is whether it makes sense to tell the reader the character's plan if", "plan is going to succeed, it's more fun and tension-building for the reader", "plan if it's going to fail I was told this is an incredibly", "and tension-building for the reader to figure it out alongside the characters. Now,", "to tell the reader the character's plan if it's going to fail, and", "and watching it fall apart is driving the tension. However, if a plan", "However, if a plan is going to succeed, it's more fun and tension-building", "told this is an incredibly useful advice. The rationale is that if your", "there are many viewpoints, and I am trying to see if there might", "the question is whether it makes sense to tell the reader the character's", "it's going to fail I was told this is an incredibly useful advice.", "to succeed, it's more fun and tension-building for the reader to figure it", "characters. Now, the question is whether it makes sense to tell the reader", "to not fail in advance and make the story bad since essentially they", "know the plan is going to not fail in advance and make the", "if everyone does that then people may know the plan is going to", "is that if your character is going to fail, then knowing the plan", "going to fail, and in what circumstance it would make sense to do", "viewpoints, and I am trying to see if there might be circumstances where", "in advance and make the story bad since essentially they will know the", "useful advice. The rationale is that if your character is going to fail,", "everyone does that then people may know the plan is going to not", "was told this is an incredibly useful advice. The rationale is that if", "writer. The advice is to only tell the reader a character's plan if", "is an incredibly useful advice. The rationale is that if your character is", "more fun and tension-building for the reader to figure it out alongside the", "the plan ahead of time and watching it fall apart is driving the", "a character's plan if it's going to fail I was told this is", "if your character is going to fail, then knowing the plan ahead of", "of time and watching it fall apart is driving the tension. However, if", "given an advice by a writer. The advice is to only tell the", "out alongside the characters. Now, the question is whether it makes sense to", "is going to not fail in advance and make the story bad since", "figure it out alongside the characters. Now, the question is whether it makes", "bad since essentially they will know the end of the story or subplot", "would make sense to do so. I believe there are many viewpoints, and", "sense to do so. I believe there are many viewpoints, and I am", "not fail in advance and make the story bad since essentially they will", "plan if it's going to fail, and in what circumstance it would make", "thinking that if everyone does that then people may know the plan is", "to fail I was told this is an incredibly useful advice. The rationale", "am trying to see if there might be circumstances where it may make", "advice. The rationale is that if your character is going to fail, then", "there might be circumstances where it may make sense? I am thinking that", "incredibly useful advice. The rationale is that if your character is going to", "character is going to fail, then knowing the plan ahead of time and", "is driving the tension. However, if a plan is going to succeed, it's", "question is whether it makes sense to tell the reader the character's plan", "it's more fun and tension-building for the reader to figure it out alongside", "reader the character's plan if it's going to fail, and in what circumstance", "trying to see if there might be circumstances where it may make sense?", "fail, then knowing the plan ahead of time and watching it fall apart", "makes sense to tell the reader the character's plan if it's going to", "going to not fail in advance and make the story bad since essentially", "it out alongside the characters. Now, the question is whether it makes sense", "reader to figure it out alongside the characters. Now, the question is whether", "The advice is to only tell the reader a character's plan if it's", "it fall apart is driving the tension. However, if a plan is going", "fail, and in what circumstance it would make sense to do so. I", "may know the plan is going to not fail in advance and make", "plan ahead of time and watching it fall apart is driving the tension.", "the character's plan if it's going to fail, and in what circumstance it", "circumstances where it may make sense? I am thinking that if everyone does", "what circumstance it would make sense to do so. I believe there are", "that then people may know the plan is going to not fail in", "apart is driving the tension. However, if a plan is going to succeed,", "I am thinking that if everyone does that then people may know the", "it would make sense to do so. I believe there are many viewpoints,", "where it may make sense? I am thinking that if everyone does that", "only tell the reader a character's plan if it's going to fail I", "make the story bad since essentially they will know the end of the", "circumstance it would make sense to do so. I believe there are many", "fail in advance and make the story bad since essentially they will know", "to do so. I believe there are many viewpoints, and I am trying", "The rationale is that if your character is going to fail, then knowing", "does that then people may know the plan is going to not fail", "going to succeed, it's more fun and tension-building for the reader to figure", "an incredibly useful advice. The rationale is that if your character is going", "that if your character is going to fail, then knowing the plan ahead", "might be circumstances where it may make sense? I am thinking that if", "the plan is going to not fail in advance and make the story", "in what circumstance it would make sense to do so. I believe there", "advance and make the story bad since essentially they will know the end", "an advice by a writer. The advice is to only tell the reader", "time and watching it fall apart is driving the tension. However, if a", "to fail, then knowing the plan ahead of time and watching it fall", "and make the story bad since essentially they will know the end of", "your character is going to fail, then knowing the plan ahead of time", "I was told this is an incredibly useful advice. The rationale is that", "whether it makes sense to tell the reader the character's plan if it's", "it makes sense to tell the reader the character's plan if it's going", "a writer. The advice is to only tell the reader a character's plan", "the tension. However, if a plan is going to succeed, it's more fun", "plan is going to not fail in advance and make the story bad", "advice by a writer. The advice is to only tell the reader a", "character's plan if it's going to fail I was told this is an", "I am trying to see if there might be circumstances where it may", "ahead of time and watching it fall apart is driving the tension. However,", "to fail, and in what circumstance it would make sense to do so.", "if there might be circumstances where it may make sense? I am thinking", "tension. However, if a plan is going to succeed, it's more fun and", "been given an advice by a writer. The advice is to only tell", "see if there might be circumstances where it may make sense? I am", "going to fail I was told this is an incredibly useful advice. The", "I've been given an advice by a writer. The advice is to only", "rationale is that if your character is going to fail, then knowing the", "make sense to do so. I believe there are many viewpoints, and I", "tell the reader the character's plan if it's going to fail, and in", "the reader the character's plan if it's going to fail, and in what", "if it's going to fail I was told this is an incredibly useful", "then knowing the plan ahead of time and watching it fall apart is", "to only tell the reader a character's plan if it's going to fail", "alongside the characters. Now, the question is whether it makes sense to tell", "that if everyone does that then people may know the plan is going", "reader a character's plan if it's going to fail I was told this", "since essentially they will know the end of the story or subplot well", "fun and tension-building for the reader to figure it out alongside the characters.", "they will know the end of the story or subplot well in advance.", "by a writer. The advice is to only tell the reader a character's", "so. I believe there are many viewpoints, and I am trying to see", "tension-building for the reader to figure it out alongside the characters. Now, the", "sense? I am thinking that if everyone does that then people may know", "for the reader to figure it out alongside the characters. Now, the question", "going to fail, then knowing the plan ahead of time and watching it", "watching it fall apart is driving the tension. However, if a plan is", "if a plan is going to succeed, it's more fun and tension-building for", "Now, the question is whether it makes sense to tell the reader the", "it may make sense? I am thinking that if everyone does that then", "is going to succeed, it's more fun and tension-building for the reader to", "it's going to fail, and in what circumstance it would make sense to", "if it's going to fail, and in what circumstance it would make sense", "many viewpoints, and I am trying to see if there might be circumstances", "then people may know the plan is going to not fail in advance", "fall apart is driving the tension. However, if a plan is going to", "essentially they will know the end of the story or subplot well in", "fail I was told this is an incredibly useful advice. The rationale is", "the characters. Now, the question is whether it makes sense to tell the", "story bad since essentially they will know the end of the story or", "do so. I believe there are many viewpoints, and I am trying to", "sense to tell the reader the character's plan if it's going to fail,", "and in what circumstance it would make sense to do so. I believe", "and I am trying to see if there might be circumstances where it", "is going to fail, then knowing the plan ahead of time and watching", "people may know the plan is going to not fail in advance and", "a plan is going to succeed, it's more fun and tension-building for the", "is to only tell the reader a character's plan if it's going to" ]
[ "unbearable to read/watch. I was told that if people need to take breaks", "isn't to say that morally horrible characters are bad. I was told there’s", "villain or main character too unlikeable, and how do you determine that they're", "an example, someone pointed out that one of the characters someone wrote had", "characters someone wrote had the flaw of deliberately being self-pitying, and was too", "wrote had the flaw of deliberately being self-pitying, and was too self-pitying to", "if a character is too unlikeable. So is it true that it's a", "expected them to. So this sound like good advice, but it's hard to", "to pinpoint how to determine if a character is too unlikeable. So is", "liked him more than he ever expected them to. So this sound like", "consuming because of a character’s attitude or actions, it becomes an issue for", "pinpoint how to determine if a character is too unlikeable. So is it", "if people need to take breaks from whatever media they're consuming because of", "media they're consuming because of a character’s attitude or actions, it becomes an", "how to determine if a character is too unlikeable. So is it true", "they're consuming because of a character’s attitude or actions, it becomes an issue", "that morally horrible characters are bad. I was told there’s a difference between", "to read/watch. I was told that if people need to take breaks from", "a villain or main character too unlikeable, and how do you determine that", "need to take breaks from whatever media they're consuming because of a character’s", "someone pointed out that one of the characters someone wrote had the flaw", "good advice, but it's hard to pinpoint how to determine if a character", "some of the pity out people liked him more than he ever expected", "\"I just hate this character\". As an example, someone pointed out that one", "someone wrote had the flaw of deliberately being self-pitying, and was too self-pitying", "determine if a character is too unlikeable. So is it true that it's", "told that if people need to take breaks from whatever media they're consuming", "self-pitying, and was too self-pitying to pity, and when that person took some", "is too unlikeable. So is it true that it's a bad idea to", "is too unbearable to read/watch. I was told that if people need to", "character\". As an example, someone pointed out that one of the characters someone", "out people liked him more than he ever expected them to. So this", "but it's hard to pinpoint how to determine if a character is too", "issue for the author. It isn't to say that morally horrible characters are", "this sound like good advice, but it's hard to pinpoint how to determine", "deliberately being self-pitying, and was too self-pitying to pity, and when that person", "When I say \"unlikable\", I mean the character is too unbearable to read/watch.", "it's hard to pinpoint how to determine if a character is too unlikeable.", "take breaks from whatever media they're consuming because of a character’s attitude or", "the characters someone wrote had the flaw of deliberately being self-pitying, and was", "make a villain or main character too unlikeable, and how do you determine", "horrible characters are bad. I was told there’s a difference between \"I love", "just hate this character\". As an example, someone pointed out that one of", "flaw of deliberately being self-pitying, and was too self-pitying to pity, and when", "and was too self-pitying to pity, and when that person took some of", "whatever media they're consuming because of a character’s attitude or actions, it becomes", "to pity, and when that person took some of the pity out people", "it true that it's a bad idea to make a villain or main", "the author. It isn't to say that morally horrible characters are bad. I", "pointed out that one of the characters someone wrote had the flaw of", "bad idea to make a villain or main character too unlikeable, and how", "actions, it becomes an issue for the author. It isn't to say that", "it becomes an issue for the author. It isn't to say that morally", "of a character’s attitude or actions, it becomes an issue for the author.", "was told that if people need to take breaks from whatever media they're", "between \"I love to hate this character\" and \"I just hate this character\".", "I mean the character is too unbearable to read/watch. I was told that", "I was told there’s a difference between \"I love to hate this character\"", "\"unlikable\", I mean the character is too unbearable to read/watch. I was told", "hard to pinpoint how to determine if a character is too unlikeable. So", "a difference between \"I love to hate this character\" and \"I just hate", "was too self-pitying to pity, and when that person took some of the", "than he ever expected them to. So this sound like good advice, but", "him more than he ever expected them to. So this sound like good", "and \"I just hate this character\". As an example, someone pointed out that", "and when that person took some of the pity out people liked him", "morally horrible characters are bad. I was told there’s a difference between \"I", "I say \"unlikable\", I mean the character is too unbearable to read/watch. I", "a character’s attitude or actions, it becomes an issue for the author. It", "had the flaw of deliberately being self-pitying, and was too self-pitying to pity,", "the flaw of deliberately being self-pitying, and was too self-pitying to pity, and", "So this sound like good advice, but it's hard to pinpoint how to", "that person took some of the pity out people liked him more than", "too self-pitying to pity, and when that person took some of the pity", "character’s attitude or actions, it becomes an issue for the author. It isn't", "I was told that if people need to take breaks from whatever media", "this character\" and \"I just hate this character\". As an example, someone pointed", "people liked him more than he ever expected them to. So this sound", "them to. So this sound like good advice, but it's hard to pinpoint", "to say that morally horrible characters are bad. I was told there’s a", "advice, but it's hard to pinpoint how to determine if a character is", "when that person took some of the pity out people liked him more", "say that morally horrible characters are bad. I was told there’s a difference", "author. It isn't to say that morally horrible characters are bad. I was", "like good advice, but it's hard to pinpoint how to determine if a", "read/watch. I was told that if people need to take breaks from whatever", "unlikeable. So is it true that it's a bad idea to make a", "more than he ever expected them to. So this sound like good advice,", "breaks from whatever media they're consuming because of a character’s attitude or actions,", "becomes an issue for the author. It isn't to say that morally horrible", "character is too unbearable to read/watch. I was told that if people need", "because of a character’s attitude or actions, it becomes an issue for the", "took some of the pity out people liked him more than he ever", "of deliberately being self-pitying, and was too self-pitying to pity, and when that", "As an example, someone pointed out that one of the characters someone wrote", "that it's a bad idea to make a villain or main character too", "of the pity out people liked him more than he ever expected them", "to take breaks from whatever media they're consuming because of a character’s attitude", "to make a villain or main character too unlikeable, and how do you", "one of the characters someone wrote had the flaw of deliberately being self-pitying,", "or main character too unlikeable, and how do you determine that they're too", "difference between \"I love to hate this character\" and \"I just hate this", "ever expected them to. So this sound like good advice, but it's hard", "there’s a difference between \"I love to hate this character\" and \"I just", "self-pitying to pity, and when that person took some of the pity out", "being self-pitying, and was too self-pitying to pity, and when that person took", "idea to make a villain or main character too unlikeable, and how do", "was told there’s a difference between \"I love to hate this character\" and", "It isn't to say that morally horrible characters are bad. I was told", "pity out people liked him more than he ever expected them to. So", "to. So this sound like good advice, but it's hard to pinpoint how", "a bad idea to make a villain or main character too unlikeable, and", "out that one of the characters someone wrote had the flaw of deliberately", "or actions, it becomes an issue for the author. It isn't to say", "say \"unlikable\", I mean the character is too unbearable to read/watch. I was", "too unbearable to read/watch. I was told that if people need to take", "of the characters someone wrote had the flaw of deliberately being self-pitying, and", "he ever expected them to. So this sound like good advice, but it's", "hate this character\" and \"I just hate this character\". As an example, someone", "that if people need to take breaks from whatever media they're consuming because", "So is it true that it's a bad idea to make a villain", "it's a bad idea to make a villain or main character too unlikeable,", "to hate this character\" and \"I just hate this character\". As an example,", "\"I love to hate this character\" and \"I just hate this character\". As", "attitude or actions, it becomes an issue for the author. It isn't to", "character is too unlikeable. So is it true that it's a bad idea", "the pity out people liked him more than he ever expected them to.", "the character is too unbearable to read/watch. I was told that if people", "too unlikeable. So is it true that it's a bad idea to make", "mean the character is too unbearable to read/watch. I was told that if", "main character too unlikeable, and how do you determine that they're too unlikeable?", "sound like good advice, but it's hard to pinpoint how to determine if", "character\" and \"I just hate this character\". As an example, someone pointed out", "characters are bad. I was told there’s a difference between \"I love to", "bad. I was told there’s a difference between \"I love to hate this", "example, someone pointed out that one of the characters someone wrote had the", "to determine if a character is too unlikeable. So is it true that", "from whatever media they're consuming because of a character’s attitude or actions, it", "is it true that it's a bad idea to make a villain or", "hate this character\". As an example, someone pointed out that one of the", "true that it's a bad idea to make a villain or main character", "that one of the characters someone wrote had the flaw of deliberately being", "love to hate this character\" and \"I just hate this character\". As an", "this character\". As an example, someone pointed out that one of the characters", "person took some of the pity out people liked him more than he", "people need to take breaks from whatever media they're consuming because of a", "are bad. I was told there’s a difference between \"I love to hate", "told there’s a difference between \"I love to hate this character\" and \"I", "a character is too unlikeable. So is it true that it's a bad", "an issue for the author. It isn't to say that morally horrible characters", "pity, and when that person took some of the pity out people liked", "for the author. It isn't to say that morally horrible characters are bad." ]
[ "a love interest, a cheerleader, an end goal, etc. I was told that", "as a support to another character not shallow at all? How can I", "at all? How can I write a female character that's meant to be", "told that a lot of bad female characters are written mostly to be", "as a love interest, a cheerleader, an end goal, etc. I was told", "interact with another character is going to leave them shallow and disappointing. It", "than just being on screen, so even if a character has a lot", "I was told that a character being defined by how they interact with", "is going to leave them shallow and disappointing. It is for common female", "female character that's meant to be the support to the main character without", "an end goal, etc. I was told that a character being defined by", "a character written mostly as a support to another character not shallow at", "I've been told that a lot of bad female characters are written mostly", "told that presentation matters more than just being on screen, so even if", "screen time if the character is mostly written to be a support, it", "written as support beams for a male character. I was told that presentation", "I was told that presentation matters more than just being on screen, so", "as support beams for a male character. I was told that presentation matters", "character has a lot of screen time if the character is mostly written", "is mostly written to be a support, it will make them appear bad", "character is going to leave them shallow and disappointing. It is for common", "a character has a lot of screen time if the character is mostly", "Is there a way to make a character written mostly as a support", "shallow at all? How can I write a female character that's meant to", "a support to another character not shallow at all? How can I write", "if a character has a lot of screen time if the character is", "to make a character written mostly as a support to another character not", "shallow and disappointing. It is for common female characters to be written as", "written to be a support, it will make them appear bad and shallow.", "to leave them shallow and disappointing. It is for common female characters to", "character being defined by how they interact with another character is going to", "told that a character being defined by how they interact with another character", "a character being defined by how they interact with another character is going", "common female characters to be written as support beams for a male character.", "characters are written mostly to be a support to another character, as a", "for common female characters to be written as support beams for a male", "a way to make a character written mostly as a support to another", "all? How can I write a female character that's meant to be the", "the character is mostly written to be a support, it will make them", "interest, a cheerleader, an end goal, etc. I was told that a character", "bad and shallow. Is there a way to make a character written mostly", "shallow. Is there a way to make a character written mostly as a", "support to another character not shallow at all? How can I write a", "a lot of bad female characters are written mostly to be a support", "make them appear bad and shallow. Is there a way to make a", "I write a female character that's meant to be the support to the", "way to make a character written mostly as a support to another character", "of bad female characters are written mostly to be a support to another", "matters more than just being on screen, so even if a character has", "even if a character has a lot of screen time if the character", "a lot of screen time if the character is mostly written to be", "can I write a female character that's meant to be the support to", "for a male character. I was told that presentation matters more than just", "and shallow. Is there a way to make a character written mostly as", "It is for common female characters to be written as support beams for", "another character not shallow at all? How can I write a female character", "defined by how they interact with another character is going to leave them", "meant to be the support to the main character without making her appear", "screen, so even if a character has a lot of screen time if", "time if the character is mostly written to be a support, it will", "lot of bad female characters are written mostly to be a support to", "a male character. I was told that presentation matters more than just being", "a cheerleader, an end goal, etc. I was told that a character being", "make a character written mostly as a support to another character not shallow", "to be a support, it will make them appear bad and shallow. Is", "they interact with another character is going to leave them shallow and disappointing.", "by how they interact with another character is going to leave them shallow", "mostly written to be a support, it will make them appear bad and", "to be the support to the main character without making her appear shallow?", "be a support to another character, as a love interest, a cheerleader, an", "more than just being on screen, so even if a character has a", "male character. I was told that presentation matters more than just being on", "not shallow at all? How can I write a female character that's meant", "a support to another character, as a love interest, a cheerleader, an end", "end goal, etc. I was told that a character being defined by how", "character written mostly as a support to another character not shallow at all?", "it will make them appear bad and shallow. Is there a way to", "support to another character, as a love interest, a cheerleader, an end goal,", "leave them shallow and disappointing. It is for common female characters to be", "so even if a character has a lot of screen time if the", "there a way to make a character written mostly as a support to", "them appear bad and shallow. Is there a way to make a character", "support, it will make them appear bad and shallow. Is there a way", "female characters to be written as support beams for a male character. I", "on screen, so even if a character has a lot of screen time", "disappointing. It is for common female characters to be written as support beams", "How can I write a female character that's meant to be the support", "love interest, a cheerleader, an end goal, etc. I was told that a", "another character, as a love interest, a cheerleader, an end goal, etc. I", "is for common female characters to be written as support beams for a", "character is mostly written to be a support, it will make them appear", "to be a support to another character, as a love interest, a cheerleader,", "how they interact with another character is going to leave them shallow and", "write a female character that's meant to be the support to the main", "and disappointing. It is for common female characters to be written as support", "that a lot of bad female characters are written mostly to be a", "to be written as support beams for a male character. I was told", "written mostly as a support to another character not shallow at all? How", "that a character being defined by how they interact with another character is", "another character is going to leave them shallow and disappointing. It is for", "etc. I was told that a character being defined by how they interact", "has a lot of screen time if the character is mostly written to", "character, as a love interest, a cheerleader, an end goal, etc. I was", "if the character is mostly written to be a support, it will make", "goal, etc. I was told that a character being defined by how they", "to another character not shallow at all? How can I write a female", "that presentation matters more than just being on screen, so even if a", "appear bad and shallow. Is there a way to make a character written", "with another character is going to leave them shallow and disappointing. It is", "that's meant to be the support to the main character without making her", "support beams for a male character. I was told that presentation matters more", "being defined by how they interact with another character is going to leave", "lot of screen time if the character is mostly written to be a", "mostly to be a support to another character, as a love interest, a", "being on screen, so even if a character has a lot of screen", "bad female characters are written mostly to be a support to another character,", "character not shallow at all? How can I write a female character that's", "mostly as a support to another character not shallow at all? How can", "just being on screen, so even if a character has a lot of", "female characters are written mostly to be a support to another character, as", "cheerleader, an end goal, etc. I was told that a character being defined", "are written mostly to be a support to another character, as a love", "will make them appear bad and shallow. Is there a way to make", "of screen time if the character is mostly written to be a support,", "going to leave them shallow and disappointing. It is for common female characters", "a female character that's meant to be the support to the main character", "them shallow and disappointing. It is for common female characters to be written", "be written as support beams for a male character. I was told that", "presentation matters more than just being on screen, so even if a character", "been told that a lot of bad female characters are written mostly to", "character. I was told that presentation matters more than just being on screen,", "was told that a character being defined by how they interact with another", "a support, it will make them appear bad and shallow. Is there a", "written mostly to be a support to another character, as a love interest,", "was told that presentation matters more than just being on screen, so even", "character that's meant to be the support to the main character without making", "characters to be written as support beams for a male character. I was", "to another character, as a love interest, a cheerleader, an end goal, etc.", "beams for a male character. I was told that presentation matters more than", "be a support, it will make them appear bad and shallow. Is there" ]
[ "and the protagonist is trying to survive as long as possible. The main", "protagonist is trying to survive as long as possible. The main story surrounds", "is trying to survive as long as possible. The main story surrounds the", "The main story surrounds the main character exploring weird lands and his interactions", "I write so the reader gets to feel immersed in the world, and", "his interactions with the locals. The other major part is the setting's world-building.", "involves the protagonist in another world. It is like an isekai, but it", "I am writing involves the protagonist in another world. It is like an", "not end up with too many information dumps of the history and lore.", "the setting's world-building. I am trying to write it so that it does", "so the reader gets to feel immersed in the world, and not told", "it so that it does not end up with too many information dumps", "setting's world-building. I am trying to write it so that it does not", "the main character exploring weird lands and his interactions with the locals. The", "so that it does not end up with too many information dumps of", "story surrounds the main character exploring weird lands and his interactions with the", "survive as long as possible. The main story surrounds the main character exploring", "am writing involves the protagonist in another world. It is like an isekai,", "story I am writing involves the protagonist in another world. It is like", "The other major part is the setting's world-building. I am trying to write", "exploring weird lands and his interactions with the locals. The other major part", "could I write so the reader gets to feel immersed in the world,", "another world. It is like an isekai, but it is horror and the", "It is like an isekai, but it is horror and the protagonist is", "an isekai, but it is horror and the protagonist is trying to survive", "and lore. How could I write so the reader gets to feel immersed", "trying to write it so that it does not end up with too", "many information dumps of the history and lore. How could I write so", "world. It is like an isekai, but it is horror and the protagonist", "with the locals. The other major part is the setting's world-building. I am", "main character exploring weird lands and his interactions with the locals. The other", "surrounds the main character exploring weird lands and his interactions with the locals.", "main story surrounds the main character exploring weird lands and his interactions with", "character exploring weird lands and his interactions with the locals. The other major", "of the history and lore. How could I write so the reader gets", "possible. The main story surrounds the main character exploring weird lands and his", "too many information dumps of the history and lore. How could I write", "lands and his interactions with the locals. The other major part is the", "is the setting's world-building. I am trying to write it so that it", "A horror story I am writing involves the protagonist in another world. It", "and his interactions with the locals. The other major part is the setting's", "writing involves the protagonist in another world. It is like an isekai, but", "I am trying to write it so that it does not end up", "as possible. The main story surrounds the main character exploring weird lands and", "part is the setting's world-building. I am trying to write it so that", "trying to survive as long as possible. The main story surrounds the main", "to write it so that it does not end up with too many", "other major part is the setting's world-building. I am trying to write it", "that it does not end up with too many information dumps of the", "isekai, but it is horror and the protagonist is trying to survive as", "weird lands and his interactions with the locals. The other major part is", "end up with too many information dumps of the history and lore. How", "information dumps of the history and lore. How could I write so the", "lore. How could I write so the reader gets to feel immersed in", "interactions with the locals. The other major part is the setting's world-building. I", "the protagonist is trying to survive as long as possible. The main story", "protagonist in another world. It is like an isekai, but it is horror", "to survive as long as possible. The main story surrounds the main character", "major part is the setting's world-building. I am trying to write it so", "is horror and the protagonist is trying to survive as long as possible.", "the locals. The other major part is the setting's world-building. I am trying", "in another world. It is like an isekai, but it is horror and", "horror and the protagonist is trying to survive as long as possible. The", "up with too many information dumps of the history and lore. How could", "dumps of the history and lore. How could I write so the reader", "reader gets to feel immersed in the world, and not told about it?", "like an isekai, but it is horror and the protagonist is trying to", "locals. The other major part is the setting's world-building. I am trying to", "it is horror and the protagonist is trying to survive as long as", "am trying to write it so that it does not end up with", "world-building. I am trying to write it so that it does not end", "the reader gets to feel immersed in the world, and not told about", "but it is horror and the protagonist is trying to survive as long", "it does not end up with too many information dumps of the history", "long as possible. The main story surrounds the main character exploring weird lands", "write it so that it does not end up with too many information", "does not end up with too many information dumps of the history and", "history and lore. How could I write so the reader gets to feel", "horror story I am writing involves the protagonist in another world. It is", "How could I write so the reader gets to feel immersed in the", "write so the reader gets to feel immersed in the world, and not", "the protagonist in another world. It is like an isekai, but it is", "the history and lore. How could I write so the reader gets to", "is like an isekai, but it is horror and the protagonist is trying", "with too many information dumps of the history and lore. How could I", "as long as possible. The main story surrounds the main character exploring weird" ]
[ "least, tends to make me \"prepare\" for it emotionally which I feel lessens", "exactly how I feel about them. For example, a soldier character reminiscing to", "it, it still leaves an ominous feeling that, for me at least, tends", "to his buddy while on the frontlines about his wife and kids and", "and how he's going back home to them while opening up a locket", "a soldier character reminiscing to his buddy while on the frontlines about his", "feel lessens the impact of the death. Now what if a character, especially", "but when you catch it, it still leaves an ominous feeling that, for", "merits and demerits of not foreshadowing the death to the reader? Is the", "foreshadowing the death to the reader? Is the death flag leading to readers", "go over well? What are the merits and demerits of not foreshadowing the", "emotionally prepared for the potential death actually essential to a good story? Would", "it. Sometimes it's done less on-the-nose but when you catch it, it still", "that, for me at least, tends to make me \"prepare\" for it emotionally", "that go over well? What are the merits and demerits of not foreshadowing", "the impact of the death. Now what if a character, especially a long", "I don't know exactly how I feel about them. For example, a soldier", "his wife and kids and how he's going back home to them while", "to the reader? Is the death flag leading to readers being emotionally prepared", "feeling that, for me at least, tends to make me \"prepare\" for it", "a long standing one, dies without death flags being raised, would that go", "on the frontlines about his wife and kids and how he's going back", "essential to a good story? Would not having death flags lead to distrust", "buddy while on the frontlines about his wife and kids and how he's", "wife and kids and how he's going back home to them while opening", "opening up a locket with their picture in it. Sometimes it's done less", "ominous feeling that, for me at least, tends to make me \"prepare\" for", "death to the reader? Is the death flag leading to readers being emotionally", "feel about them. For example, a soldier character reminiscing to his buddy while", "home to them while opening up a locket with their picture in it.", "and demerits of not foreshadowing the death to the reader? Is the death", "weird about death flags in stories. I don't know exactly how I feel", "when you catch it, it still leaves an ominous feeling that, for me", "of not foreshadowing the death to the reader? Is the death flag leading", "make me \"prepare\" for it emotionally which I feel lessens the impact of", "I feel lessens the impact of the death. Now what if a character,", "for the potential death actually essential to a good story? Would not having", "and kids and how he's going back home to them while opening up", "them while opening up a locket with their picture in it. Sometimes it's", "about them. For example, a soldier character reminiscing to his buddy while on", "leading to readers being emotionally prepared for the potential death actually essential to", "kids and how he's going back home to them while opening up a", "for it emotionally which I feel lessens the impact of the death. Now", "one, dies without death flags being raised, would that go over well? What", "are the merits and demerits of not foreshadowing the death to the reader?", "character, especially a long standing one, dies without death flags being raised, would", "leaves an ominous feeling that, for me at least, tends to make me", "you catch it, it still leaves an ominous feeling that, for me at", "always felt weird about death flags in stories. I don't know exactly how", "know exactly how I feel about them. For example, a soldier character reminiscing", "done less on-the-nose but when you catch it, it still leaves an ominous", "well? What are the merits and demerits of not foreshadowing the death to", "while opening up a locket with their picture in it. Sometimes it's done", "\"prepare\" for it emotionally which I feel lessens the impact of the death.", "in stories. I don't know exactly how I feel about them. For example,", "reader? Is the death flag leading to readers being emotionally prepared for the", "to a good story? Would not having death flags lead to distrust from", "reminiscing to his buddy while on the frontlines about his wife and kids", "Now what if a character, especially a long standing one, dies without death", "to make me \"prepare\" for it emotionally which I feel lessens the impact", "potential death actually essential to a good story? Would not having death flags", "the merits and demerits of not foreshadowing the death to the reader? Is", "if a character, especially a long standing one, dies without death flags being", "would that go over well? What are the merits and demerits of not", "good story? Would not having death flags lead to distrust from the readers?", "flag leading to readers being emotionally prepared for the potential death actually essential", "felt weird about death flags in stories. I don't know exactly how I", "up a locket with their picture in it. Sometimes it's done less on-the-nose", "how he's going back home to them while opening up a locket with", "them. For example, a soldier character reminiscing to his buddy while on the", "still leaves an ominous feeling that, for me at least, tends to make", "of the death. Now what if a character, especially a long standing one,", "standing one, dies without death flags being raised, would that go over well?", "frontlines about his wife and kids and how he's going back home to", "being raised, would that go over well? What are the merits and demerits", "the death to the reader? Is the death flag leading to readers being", "less on-the-nose but when you catch it, it still leaves an ominous feeling", "What are the merits and demerits of not foreshadowing the death to the", "with their picture in it. Sometimes it's done less on-the-nose but when you", "without death flags being raised, would that go over well? What are the", "readers being emotionally prepared for the potential death actually essential to a good", "a locket with their picture in it. Sometimes it's done less on-the-nose but", "back home to them while opening up a locket with their picture in", "me \"prepare\" for it emotionally which I feel lessens the impact of the", "a good story? Would not having death flags lead to distrust from the", "which I feel lessens the impact of the death. Now what if a", "death flag leading to readers being emotionally prepared for the potential death actually", "to readers being emotionally prepared for the potential death actually essential to a", "a character, especially a long standing one, dies without death flags being raised,", "the potential death actually essential to a good story? Would not having death", "about his wife and kids and how he's going back home to them", "death flags in stories. I don't know exactly how I feel about them.", "it emotionally which I feel lessens the impact of the death. Now what", "For example, a soldier character reminiscing to his buddy while on the frontlines", "dies without death flags being raised, would that go over well? What are", "emotionally which I feel lessens the impact of the death. Now what if", "I've always felt weird about death flags in stories. I don't know exactly", "prepared for the potential death actually essential to a good story? Would not", "character reminiscing to his buddy while on the frontlines about his wife and", "his buddy while on the frontlines about his wife and kids and how", "Sometimes it's done less on-the-nose but when you catch it, it still leaves", "going back home to them while opening up a locket with their picture", "flags in stories. I don't know exactly how I feel about them. For", "being emotionally prepared for the potential death actually essential to a good story?", "for me at least, tends to make me \"prepare\" for it emotionally which", "locket with their picture in it. Sometimes it's done less on-the-nose but when", "what if a character, especially a long standing one, dies without death flags", "me at least, tends to make me \"prepare\" for it emotionally which I", "demerits of not foreshadowing the death to the reader? Is the death flag", "death flags being raised, would that go over well? What are the merits", "not foreshadowing the death to the reader? Is the death flag leading to", "lessens the impact of the death. Now what if a character, especially a", "stories. I don't know exactly how I feel about them. For example, a", "at least, tends to make me \"prepare\" for it emotionally which I feel", "it still leaves an ominous feeling that, for me at least, tends to", "the death. Now what if a character, especially a long standing one, dies", "death actually essential to a good story? Would not having death flags lead", "the reader? Is the death flag leading to readers being emotionally prepared for", "impact of the death. Now what if a character, especially a long standing", "the frontlines about his wife and kids and how he's going back home", "death. Now what if a character, especially a long standing one, dies without", "about death flags in stories. I don't know exactly how I feel about", "over well? What are the merits and demerits of not foreshadowing the death", "actually essential to a good story? Would not having death flags lead to", "soldier character reminiscing to his buddy while on the frontlines about his wife", "tends to make me \"prepare\" for it emotionally which I feel lessens the", "it's done less on-the-nose but when you catch it, it still leaves an", "raised, would that go over well? What are the merits and demerits of", "flags being raised, would that go over well? What are the merits and", "how I feel about them. For example, a soldier character reminiscing to his", "picture in it. Sometimes it's done less on-the-nose but when you catch it,", "while on the frontlines about his wife and kids and how he's going", "he's going back home to them while opening up a locket with their", "in it. Sometimes it's done less on-the-nose but when you catch it, it", "Is the death flag leading to readers being emotionally prepared for the potential", "their picture in it. Sometimes it's done less on-the-nose but when you catch", "catch it, it still leaves an ominous feeling that, for me at least,", "I feel about them. For example, a soldier character reminiscing to his buddy", "on-the-nose but when you catch it, it still leaves an ominous feeling that,", "don't know exactly how I feel about them. For example, a soldier character", "an ominous feeling that, for me at least, tends to make me \"prepare\"", "long standing one, dies without death flags being raised, would that go over", "the death flag leading to readers being emotionally prepared for the potential death", "especially a long standing one, dies without death flags being raised, would that", "example, a soldier character reminiscing to his buddy while on the frontlines about", "to them while opening up a locket with their picture in it. Sometimes" ]
[ "word \"it\" doing. \"It\" seems to refer to the task of standing, but", "I can't figure out what the word \"it\" doing. \"It\" seems to refer", "believe the meaning is clear, but is it bad grammar? Specifically, I can't", "doing. \"It\" seems to refer to the task of standing, but that isn't", "\"It\" seems to refer to the task of standing, but that isn't revealed", "bad grammar? Specifically, I can't figure out what the word \"it\" doing. \"It\"", "Specifically, I can't figure out what the word \"it\" doing. \"It\" seems to", "task of standing, but that isn't revealed in the sentence. It is implicit,", "just written: \"If the mat is too thick, then it becomes difficult to", "then sentence I have just written: \"If the mat is too thick, then", "meaning is clear, but is it bad grammar? Specifically, I can't figure out", "have just written: \"If the mat is too thick, then it becomes difficult", "figure out what the word \"it\" doing. \"It\" seems to refer to the", "sentence I have just written: \"If the mat is too thick, then it", "but is it bad grammar? Specifically, I can't figure out what the word", "I have just written: \"If the mat is too thick, then it becomes", "like then sentence I have just written: \"If the mat is too thick,", "I don't like then sentence I have just written: \"If the mat is", "\"If the mat is too thick, then it becomes difficult to balance.\" I", "I believe the meaning is clear, but is it bad grammar? Specifically, I", "it becomes difficult to balance.\" I believe the meaning is clear, but is", "to refer to the task of standing, but that isn't revealed in the", "is too thick, then it becomes difficult to balance.\" I believe the meaning", "the meaning is clear, but is it bad grammar? Specifically, I can't figure", "is it bad grammar? Specifically, I can't figure out what the word \"it\"", "standing, but that isn't revealed in the sentence. It is implicit, I guess.", "the word \"it\" doing. \"It\" seems to refer to the task of standing,", "written: \"If the mat is too thick, then it becomes difficult to balance.\"", "seems to refer to the task of standing, but that isn't revealed in", "becomes difficult to balance.\" I believe the meaning is clear, but is it", "is clear, but is it bad grammar? Specifically, I can't figure out what", "don't like then sentence I have just written: \"If the mat is too", "grammar? Specifically, I can't figure out what the word \"it\" doing. \"It\" seems", "thick, then it becomes difficult to balance.\" I believe the meaning is clear,", "it bad grammar? Specifically, I can't figure out what the word \"it\" doing.", "to balance.\" I believe the meaning is clear, but is it bad grammar?", "\"it\" doing. \"It\" seems to refer to the task of standing, but that", "clear, but is it bad grammar? Specifically, I can't figure out what the", "out what the word \"it\" doing. \"It\" seems to refer to the task", "of standing, but that isn't revealed in the sentence. It is implicit, I", "too thick, then it becomes difficult to balance.\" I believe the meaning is", "to the task of standing, but that isn't revealed in the sentence. It", "difficult to balance.\" I believe the meaning is clear, but is it bad", "the task of standing, but that isn't revealed in the sentence. It is", "the mat is too thick, then it becomes difficult to balance.\" I believe", "mat is too thick, then it becomes difficult to balance.\" I believe the", "what the word \"it\" doing. \"It\" seems to refer to the task of", "then it becomes difficult to balance.\" I believe the meaning is clear, but", "can't figure out what the word \"it\" doing. \"It\" seems to refer to", "refer to the task of standing, but that isn't revealed in the sentence.", "balance.\" I believe the meaning is clear, but is it bad grammar? Specifically," ]
[ "to place the engineer chapter ahead of the explorer chapter, thereby reversing their", "explorers (in chapter 4), dropping sparse clues, from which the reader might figure", "might be relevant that my novel (allthough hard to categorise) has elements of", "know the solution of the protagonist‘s problems ahead of time? Since there will", "of presenting those of the chapters that are contemporaneous, I sometimes feel uncertain.", "place the engineer chapter ahead of the explorer chapter, thereby reversing their respective", "be relevant that my novel (allthough hard to categorise) has elements of historical", "reveal the function of these traps. But now that I have spoken to", "My original plan was to describe the observations of the explorers (in chapter", "a couple of my friends about my novel, I got the impression that", "greatly enjoy being far ahead of the protagonist information-wise. So I am considering", "their respective order. Question -------- Should the reader know the solution of the", "enjoy being far ahead of the protagonist information-wise. So I am considering to", "you have examples of novels that you love using one approach or the", "of novels that you love using one approach or the other? It might", "love using one approach or the other? It might be relevant that my", "might figure out the traps (better than the protagonists). Then (in chapter 5)", "planned out my (German language) novel and its 16 chapters in considerable detail", "engineer in training to clearly reveal the function of these traps. But now", "the questions that you ask yourselves, in order to decide? Do you have", "of each option, or the questions that you ask yourselves, in order to", "my novel, I got the impression that a couple of them greatly enjoy", "clues, from which the reader might figure out the traps (better than the", "describe the observations of the explorers (in chapter 4), dropping sparse clues, from", "traps (better than the protagonists). Then (in chapter 5) I planned to use", "about my novel, I got the impression that a couple of them greatly", "I have planned out my (German language) novel and its 16 chapters in", "Background ---------- I have planned out my (German language) novel and its 16", "my (German language) novel and its 16 chapters in considerable detail (for my", "caves and are overwhelmed by traps therein. My original plan was to describe", "order to decide? Do you have examples of novels that you love using", "the explorers (in chapter 4), dropping sparse clues, from which the reader might", "you ask yourselves, in order to decide? Do you have examples of novels", "who explore caves and are overwhelmed by traps therein. My original plan was", "a group of people who explore caves and are overwhelmed by traps therein.", "planned to use an engineer in training to clearly reveal the function of", "than the protagonists). Then (in chapter 5) I planned to use an engineer", "am considering to place the engineer chapter ahead of the explorer chapter, thereby", "Since there will not be a single answer, what are the pros and", "solution of the protagonist‘s problems ahead of time? Since there will not be", "(German language) novel and its 16 chapters in considerable detail (for my standards).", "group of people who explore caves and are overwhelmed by traps therein. My", "chapter 5) I planned to use an engineer in training to clearly reveal", "the reader might figure out the traps (better than the protagonists). Then (in", "other? It might be relevant that my novel (allthough hard to categorise) has", "friends about my novel, I got the impression that a couple of them", "pros and cons of each option, or the questions that you ask yourselves,", "respective order. Question -------- Should the reader know the solution of the protagonist‘s", "chapters that are contemporaneous, I sometimes feel uncertain. One of my subplots revolves", "novel and its 16 chapters in considerable detail (for my standards). But as", "explorer chapter, thereby reversing their respective order. Question -------- Should the reader know", "are overwhelmed by traps therein. My original plan was to describe the observations", "a single answer, what are the pros and cons of each option, or", "of the protagonist‘s problems ahead of time? Since there will not be a", "what are the pros and cons of each option, or the questions that", "language) novel and its 16 chapters in considerable detail (for my standards). But", "got the impression that a couple of them greatly enjoy being far ahead", "the chapters that are contemporaneous, I sometimes feel uncertain. One of my subplots", "or the questions that you ask yourselves, in order to decide? Do you", "(in chapter 4), dropping sparse clues, from which the reader might figure out", "by traps therein. My original plan was to describe the observations of the", "of time? Since there will not be a single answer, what are the", "the protagonist information-wise. So I am considering to place the engineer chapter ahead", "sometimes feel uncertain. One of my subplots revolves around a group of people", "I got the impression that a couple of them greatly enjoy being far", "the engineer chapter ahead of the explorer chapter, thereby reversing their respective order.", "ahead of the explorer chapter, thereby reversing their respective order. Question -------- Should", "impression that a couple of them greatly enjoy being far ahead of the", "chapters in considerable detail (for my standards). But as for the sequence of", "of them greatly enjoy being far ahead of the protagonist information-wise. So I", "that are contemporaneous, I sometimes feel uncertain. One of my subplots revolves around", "are contemporaneous, I sometimes feel uncertain. One of my subplots revolves around a", "Then (in chapter 5) I planned to use an engineer in training to", "But as for the sequence of presenting those of the chapters that are", "contemporaneous, I sometimes feel uncertain. One of my subplots revolves around a group", "decide? Do you have examples of novels that you love using one approach", "novel (allthough hard to categorise) has elements of historical fiction, fantasy and science", "I sometimes feel uncertain. One of my subplots revolves around a group of", "from which the reader might figure out the traps (better than the protagonists).", "ahead of time? Since there will not be a single answer, what are", "not be a single answer, what are the pros and cons of each", "in considerable detail (for my standards). But as for the sequence of presenting", "being far ahead of the protagonist information-wise. So I am considering to place", "have planned out my (German language) novel and its 16 chapters in considerable", "detail (for my standards). But as for the sequence of presenting those of", "of the chapters that are contemporaneous, I sometimes feel uncertain. One of my", "my subplots revolves around a group of people who explore caves and are", "the impression that a couple of them greatly enjoy being far ahead of", "ahead of the protagonist information-wise. So I am considering to place the engineer", "problems ahead of time? Since there will not be a single answer, what", "and are overwhelmed by traps therein. My original plan was to describe the", "clearly reveal the function of these traps. But now that I have spoken", "information-wise. So I am considering to place the engineer chapter ahead of the", "I am considering to place the engineer chapter ahead of the explorer chapter,", "of these traps. But now that I have spoken to a couple of", "novel, I got the impression that a couple of them greatly enjoy being", "be a single answer, what are the pros and cons of each option,", "those of the chapters that are contemporaneous, I sometimes feel uncertain. One of", "But now that I have spoken to a couple of my friends about", "novels that you love using one approach or the other? It might be", "now that I have spoken to a couple of my friends about my", "16 chapters in considerable detail (for my standards). But as for the sequence", "chapter 4), dropping sparse clues, from which the reader might figure out the", "spoken to a couple of my friends about my novel, I got the", "order. Question -------- Should the reader know the solution of the protagonist‘s problems", "subplots revolves around a group of people who explore caves and are overwhelmed", "each option, or the questions that you ask yourselves, in order to decide?", "couple of my friends about my novel, I got the impression that a", "was to describe the observations of the explorers (in chapter 4), dropping sparse", "Should the reader know the solution of the protagonist‘s problems ahead of time?", "in order to decide? Do you have examples of novels that you love", "thereby reversing their respective order. Question -------- Should the reader know the solution", "So I am considering to place the engineer chapter ahead of the explorer", "standards). But as for the sequence of presenting those of the chapters that", "of my friends about my novel, I got the impression that a couple", "as for the sequence of presenting those of the chapters that are contemporaneous,", "that you love using one approach or the other? It might be relevant", "ask yourselves, in order to decide? Do you have examples of novels that", "them greatly enjoy being far ahead of the protagonist information-wise. So I am", "Question -------- Should the reader know the solution of the protagonist‘s problems ahead", "in training to clearly reveal the function of these traps. But now that", "5) I planned to use an engineer in training to clearly reveal the", "to clearly reveal the function of these traps. But now that I have", "and cons of each option, or the questions that you ask yourselves, in", "have examples of novels that you love using one approach or the other?", "dropping sparse clues, from which the reader might figure out the traps (better", "or the other? It might be relevant that my novel (allthough hard to", "sparse clues, from which the reader might figure out the traps (better than", "which the reader might figure out the traps (better than the protagonists). Then", "reader might figure out the traps (better than the protagonists). Then (in chapter", "(better than the protagonists). Then (in chapter 5) I planned to use an", "far ahead of the protagonist information-wise. So I am considering to place the", "reader know the solution of the protagonist‘s problems ahead of time? Since there", "(in chapter 5) I planned to use an engineer in training to clearly", "will not be a single answer, what are the pros and cons of", "my novel (allthough hard to categorise) has elements of historical fiction, fantasy and", "single answer, what are the pros and cons of each option, or the", "a couple of them greatly enjoy being far ahead of the protagonist information-wise.", "use an engineer in training to clearly reveal the function of these traps.", "to a couple of my friends about my novel, I got the impression", "sequence of presenting those of the chapters that are contemporaneous, I sometimes feel", "for the sequence of presenting those of the chapters that are contemporaneous, I", "One of my subplots revolves around a group of people who explore caves", "-------- Should the reader know the solution of the protagonist‘s problems ahead of", "the sequence of presenting those of the chapters that are contemporaneous, I sometimes", "4), dropping sparse clues, from which the reader might figure out the traps", "Do you have examples of novels that you love using one approach or", "around a group of people who explore caves and are overwhelmed by traps", "the traps (better than the protagonists). Then (in chapter 5) I planned to", "using one approach or the other? It might be relevant that my novel", "(for my standards). But as for the sequence of presenting those of the", "out my (German language) novel and its 16 chapters in considerable detail (for", "considering to place the engineer chapter ahead of the explorer chapter, thereby reversing", "one approach or the other? It might be relevant that my novel (allthough", "to describe the observations of the explorers (in chapter 4), dropping sparse clues,", "chapter, thereby reversing their respective order. Question -------- Should the reader know the", "observations of the explorers (in chapter 4), dropping sparse clues, from which the", "have spoken to a couple of my friends about my novel, I got", "that a couple of them greatly enjoy being far ahead of the protagonist", "protagonist‘s problems ahead of time? Since there will not be a single answer,", "that I have spoken to a couple of my friends about my novel,", "its 16 chapters in considerable detail (for my standards). But as for the", "presenting those of the chapters that are contemporaneous, I sometimes feel uncertain. One", "training to clearly reveal the function of these traps. But now that I", "of my subplots revolves around a group of people who explore caves and", "explore caves and are overwhelmed by traps therein. My original plan was to", "my friends about my novel, I got the impression that a couple of", "the reader know the solution of the protagonist‘s problems ahead of time? Since", "people who explore caves and are overwhelmed by traps therein. My original plan", "overwhelmed by traps therein. My original plan was to describe the observations of", "the protagonists). Then (in chapter 5) I planned to use an engineer in", "questions that you ask yourselves, in order to decide? Do you have examples", "couple of them greatly enjoy being far ahead of the protagonist information-wise. So", "yourselves, in order to decide? Do you have examples of novels that you", "plan was to describe the observations of the explorers (in chapter 4), dropping", "the protagonist‘s problems ahead of time? Since there will not be a single", "considerable detail (for my standards). But as for the sequence of presenting those", "there will not be a single answer, what are the pros and cons", "answer, what are the pros and cons of each option, or the questions", "revolves around a group of people who explore caves and are overwhelmed by", "the pros and cons of each option, or the questions that you ask", "feel uncertain. One of my subplots revolves around a group of people who", "It might be relevant that my novel (allthough hard to categorise) has elements", "that you ask yourselves, in order to decide? Do you have examples of", "the function of these traps. But now that I have spoken to a", "protagonist information-wise. So I am considering to place the engineer chapter ahead of", "function of these traps. But now that I have spoken to a couple", "that my novel (allthough hard to categorise) has elements of historical fiction, fantasy", "approach or the other? It might be relevant that my novel (allthough hard", "the explorer chapter, thereby reversing their respective order. Question -------- Should the reader", "(allthough hard to categorise) has elements of historical fiction, fantasy and science fiction.", "traps therein. My original plan was to describe the observations of the explorers", "and its 16 chapters in considerable detail (for my standards). But as for", "are the pros and cons of each option, or the questions that you", "an engineer in training to clearly reveal the function of these traps. But", "therein. My original plan was to describe the observations of the explorers (in", "the solution of the protagonist‘s problems ahead of time? Since there will not", "to use an engineer in training to clearly reveal the function of these", "of people who explore caves and are overwhelmed by traps therein. My original", "original plan was to describe the observations of the explorers (in chapter 4),", "uncertain. One of my subplots revolves around a group of people who explore", "these traps. But now that I have spoken to a couple of my", "I have spoken to a couple of my friends about my novel, I", "cons of each option, or the questions that you ask yourselves, in order", "of the explorers (in chapter 4), dropping sparse clues, from which the reader", "figure out the traps (better than the protagonists). Then (in chapter 5) I", "my standards). But as for the sequence of presenting those of the chapters", "examples of novels that you love using one approach or the other? It", "---------- I have planned out my (German language) novel and its 16 chapters", "out the traps (better than the protagonists). Then (in chapter 5) I planned", "of the explorer chapter, thereby reversing their respective order. Question -------- Should the", "protagonists). Then (in chapter 5) I planned to use an engineer in training", "you love using one approach or the other? It might be relevant that", "the other? It might be relevant that my novel (allthough hard to categorise)", "reversing their respective order. Question -------- Should the reader know the solution of", "chapter ahead of the explorer chapter, thereby reversing their respective order. Question --------", "time? Since there will not be a single answer, what are the pros", "traps. But now that I have spoken to a couple of my friends", "to decide? Do you have examples of novels that you love using one", "engineer chapter ahead of the explorer chapter, thereby reversing their respective order. Question", "relevant that my novel (allthough hard to categorise) has elements of historical fiction,", "the observations of the explorers (in chapter 4), dropping sparse clues, from which", "of the protagonist information-wise. So I am considering to place the engineer chapter", "I planned to use an engineer in training to clearly reveal the function", "option, or the questions that you ask yourselves, in order to decide? Do" ]
[ "I want to write a story where the main culprit is controlling someone", "write a story where the main culprit is controlling someone to commit crimes.", "story where the main culprit is controlling someone to commit crimes. Is there", "a story where the main culprit is controlling someone to commit crimes. Is", "main culprit is controlling someone to commit crimes. Is there any way like", "is controlling someone to commit crimes. Is there any way like medicine or", "someone to commit crimes. Is there any way like medicine or psychology to", "culprit is controlling someone to commit crimes. Is there any way like medicine", "the main culprit is controlling someone to commit crimes. Is there any way", "controlling someone to commit crimes. Is there any way like medicine or psychology", "to write a story where the main culprit is controlling someone to commit", "want to write a story where the main culprit is controlling someone to", "to commit crimes. Is there any way like medicine or psychology to control", "commit crimes. Is there any way like medicine or psychology to control someone?", "where the main culprit is controlling someone to commit crimes. Is there any" ]
[ "in a modern context, he tries really hard despite crying, trouble sleeping or", "six months. Despite this, he clearly tries to make sure that his depression", "relationship. As a South Asian Man, in a modern context, he tries really", "at random intervals on his home. But he can't seem to properly overcome", "sure that his depression does not impede his life or relationship. As a", "life or relationship. As a South Asian Man, in a modern context, he", "But he can't seem to properly overcome it for a long time. How", "a long time. How would I show that his romantic and sexual partner", "overcome it for a long time. How would I show that his romantic", "a South Asian Man, in a modern context, he tries really hard despite", "can't seem to properly overcome it for a long time. How would I", "seem to properly overcome it for a long time. How would I show", "I show that his romantic and sexual partner (a Jewish woman) still deeply", "One of my male characters is going through severe depression that will last", "is going through severe depression that will last about six months. Despite this,", "romantic and sexual partner (a Jewish woman) still deeply cares and loves him", "on his home. But he can't seem to properly overcome it for a", "clearly tries to make sure that his depression does not impede his life", "tries really hard despite crying, trouble sleeping or feeling moody at random intervals", "for a long time. How would I show that his romantic and sexual", "home. But he can't seem to properly overcome it for a long time.", "hard despite crying, trouble sleeping or feeling moody at random intervals on his", "and sexual partner (a Jewish woman) still deeply cares and loves him despite", "Despite this, he clearly tries to make sure that his depression does not", "a modern context, he tries really hard despite crying, trouble sleeping or feeling", "intervals on his home. But he can't seem to properly overcome it for", "Asian Man, in a modern context, he tries really hard despite crying, trouble", "tries to make sure that his depression does not impede his life or", "he tries really hard despite crying, trouble sleeping or feeling moody at random", "my male characters is going through severe depression that will last about six", "to make sure that his depression does not impede his life or relationship.", "make sure that his depression does not impede his life or relationship. As", "crying, trouble sleeping or feeling moody at random intervals on his home. But", "it for a long time. How would I show that his romantic and", "or relationship. As a South Asian Man, in a modern context, he tries", "long time. How would I show that his romantic and sexual partner (a", "impede his life or relationship. As a South Asian Man, in a modern", "severe depression that will last about six months. Despite this, he clearly tries", "show that his romantic and sexual partner (a Jewish woman) still deeply cares", "of my male characters is going through severe depression that will last about", "through severe depression that will last about six months. Despite this, he clearly", "about six months. Despite this, he clearly tries to make sure that his", "sexual partner (a Jewish woman) still deeply cares and loves him despite this", "not impede his life or relationship. As a South Asian Man, in a", "moody at random intervals on his home. But he can't seem to properly", "time. How would I show that his romantic and sexual partner (a Jewish", "despite crying, trouble sleeping or feeling moody at random intervals on his home.", "properly overcome it for a long time. How would I show that his", "last about six months. Despite this, he clearly tries to make sure that", "depression does not impede his life or relationship. As a South Asian Man,", "trouble sleeping or feeling moody at random intervals on his home. But he", "As a South Asian Man, in a modern context, he tries really hard", "would I show that his romantic and sexual partner (a Jewish woman) still", "really hard despite crying, trouble sleeping or feeling moody at random intervals on", "he can't seem to properly overcome it for a long time. How would", "South Asian Man, in a modern context, he tries really hard despite crying,", "going through severe depression that will last about six months. Despite this, he", "his depression does not impede his life or relationship. As a South Asian", "depression that will last about six months. Despite this, he clearly tries to", "that will last about six months. Despite this, he clearly tries to make", "sleeping or feeling moody at random intervals on his home. But he can't", "does not impede his life or relationship. As a South Asian Man, in", "or feeling moody at random intervals on his home. But he can't seem", "partner (a Jewish woman) still deeply cares and loves him despite this issue?", "How would I show that his romantic and sexual partner (a Jewish woman)", "context, he tries really hard despite crying, trouble sleeping or feeling moody at", "months. Despite this, he clearly tries to make sure that his depression does", "that his depression does not impede his life or relationship. As a South", "this, he clearly tries to make sure that his depression does not impede", "his romantic and sexual partner (a Jewish woman) still deeply cares and loves", "feeling moody at random intervals on his home. But he can't seem to", "his life or relationship. As a South Asian Man, in a modern context,", "male characters is going through severe depression that will last about six months.", "his home. But he can't seem to properly overcome it for a long", "Man, in a modern context, he tries really hard despite crying, trouble sleeping", "characters is going through severe depression that will last about six months. Despite", "random intervals on his home. But he can't seem to properly overcome it", "will last about six months. Despite this, he clearly tries to make sure", "modern context, he tries really hard despite crying, trouble sleeping or feeling moody", "to properly overcome it for a long time. How would I show that", "that his romantic and sexual partner (a Jewish woman) still deeply cares and", "he clearly tries to make sure that his depression does not impede his" ]
[ "was because it was shocking, immediate and brutal. There were also mentions of", "because of how they handled the death of one of its main characters.", "I think it was because it was shocking, immediate and brutal. There were", "mentions of how the character who killed him was unlikeable and so on", "so on even if they set her to be likeable by showing her", "death of one of its main characters. I think it was because it", "how they handled the death of one of its main characters. I think", "of detractors because of how they handled the death of one of its", "on even if they set her to be likeable by showing her good", "the character who killed him was unlikeable and so on even if they", "of its main characters. I think it was because it was shocking, immediate", "kill a loved characters without angering your readers? I think the Last of", "loved characters without angering your readers? I think the Last of Us Part", "without angering your readers? I think the Last of Us Part 2 had", "a lot of detractors because of how they handled the death of one", "wondering if there are things you need to avoid when killing a loved", "its main characters. I think it was because it was shocking, immediate and", "were also mentions of how the character who killed him was unlikeable and", "her to be likeable by showing her good side. So I am wondering", "am wondering if there are things you need to avoid when killing a", "showing her good side. So I am wondering if there are things you", "was unlikeable and so on even if they set her to be likeable", "her good side. So I am wondering if there are things you need", "Last of Us Part 2 had a lot of detractors because of how", "him was unlikeable and so on even if they set her to be", "of how the character who killed him was unlikeable and so on even", "was shocking, immediate and brutal. There were also mentions of how the character", "think the Last of Us Part 2 had a lot of detractors because", "had a lot of detractors because of how they handled the death of", "by showing her good side. So I am wondering if there are things", "one of its main characters. I think it was because it was shocking,", "it was because it was shocking, immediate and brutal. There were also mentions", "killed him was unlikeable and so on even if they set her to", "how the character who killed him was unlikeable and so on even if", "are things you need to avoid when killing a loved character in your", "think it was because it was shocking, immediate and brutal. There were also", "to be likeable by showing her good side. So I am wondering if", "even if they set her to be likeable by showing her good side.", "main characters. I think it was because it was shocking, immediate and brutal.", "I think the Last of Us Part 2 had a lot of detractors", "if there are things you need to avoid when killing a loved character", "the death of one of its main characters. I think it was because", "there are things you need to avoid when killing a loved character in", "they handled the death of one of its main characters. I think it", "things you need to avoid when killing a loved character in your story.", "characters without angering your readers? I think the Last of Us Part 2", "Part 2 had a lot of detractors because of how they handled the", "How do you kill a loved characters without angering your readers? I think", "detractors because of how they handled the death of one of its main", "good side. So I am wondering if there are things you need to", "of Us Part 2 had a lot of detractors because of how they", "they set her to be likeable by showing her good side. So I", "brutal. There were also mentions of how the character who killed him was", "lot of detractors because of how they handled the death of one of", "readers? I think the Last of Us Part 2 had a lot of", "immediate and brutal. There were also mentions of how the character who killed", "So I am wondering if there are things you need to avoid when", "character who killed him was unlikeable and so on even if they set", "2 had a lot of detractors because of how they handled the death", "unlikeable and so on even if they set her to be likeable by", "the Last of Us Part 2 had a lot of detractors because of", "characters. I think it was because it was shocking, immediate and brutal. There", "I am wondering if there are things you need to avoid when killing", "There were also mentions of how the character who killed him was unlikeable", "a loved characters without angering your readers? I think the Last of Us", "and brutal. There were also mentions of how the character who killed him", "if they set her to be likeable by showing her good side. So", "side. So I am wondering if there are things you need to avoid", "set her to be likeable by showing her good side. So I am", "and so on even if they set her to be likeable by showing", "you kill a loved characters without angering your readers? I think the Last", "shocking, immediate and brutal. There were also mentions of how the character who", "it was shocking, immediate and brutal. There were also mentions of how the", "your readers? I think the Last of Us Part 2 had a lot", "also mentions of how the character who killed him was unlikeable and so", "Us Part 2 had a lot of detractors because of how they handled", "who killed him was unlikeable and so on even if they set her", "handled the death of one of its main characters. I think it was", "of how they handled the death of one of its main characters. I", "do you kill a loved characters without angering your readers? I think the", "of one of its main characters. I think it was because it was", "likeable by showing her good side. So I am wondering if there are", "angering your readers? I think the Last of Us Part 2 had a", "be likeable by showing her good side. So I am wondering if there", "because it was shocking, immediate and brutal. There were also mentions of how" ]
[ "to that of another character (it can be the same one they've previously", "just presented to them (eg. you must go to this character and exactly", "then 1 at will, with each playthrough learning a bit more in order", "that the player's perspective regularly changes at the end of each time loop.", "1 at will, with each playthrough learning a bit more in order to", "(that are still connected within the loop) and be able to plan what", "more in order to progress through the story to a true path. They", "happy to take a more direct approach where the story is just presented", "direct approach where the story is just presented to them (eg. you must", "connected within the loop) and be able to plan what makes sense and", "player's perspective regularly changes at the end of each time loop. I have", "to have completely segmented stories (that are still connected within the loop) and", "Is there a way to have completely segmented stories (that are still connected", "wish to create a story to be presented in a visual novel style", "to them (eg. you must go to this character and exactly this happens,", "outcome. The player's perspective changes at the end of each failed loop, to", "learning a bit more in order to progress through the story to a", "3 then 1 at will, with each playthrough learning a bit more in", "happens, much like in a book). Is there a way to have completely", "more direct approach where the story is just presented to them (eg. you", "at the end of each failed loop, to that of another character (it", "take a more direct approach where the story is just presented to them", "time loop (eg. a week) in a small rural town that keep repeating", "to know how to progress? Is anyone able to link me to any", "that might help me better understand how to write such a story? Thanks", "in order to progress through the story to a true path. They may", "no real progression. If that does not sound 'fun' to read/play through I", "able to link me to any articles/guides that might help me better understand", "what makes sense and that there is enough foreshadowing for the player/reader to", "to be presented in a visual novel style in a game, but the", "Ideally I would have the story fully segmented, so the player can player", "in a book). Is there a way to have completely segmented stories (that", "but the main premise is that the player's perspective regularly changes at the", "be the same one they've previously had). Ideally I would have the story", "within the loop) and be able to plan what makes sense and that", "each failed loop, to that of another character (it can be the same", "player/reader to know how to progress? Is anyone able to link me to", "perspective changes at the end of each failed loop, to that of another", "create a story to be presented in a visual novel style in a", "enough foreshadowing for the player/reader to know how to progress? Is anyone able", "will, with each playthrough learning a bit more in order to progress through", "Is anyone able to link me to any articles/guides that might help me", "have the story fully segmented, so the player can player as character 1,", "premise is that the player's perspective regularly changes at the end of each", "order to progress through the story to a true path. They may choose", "(it can be the same one they've previously had). Ideally I would have", "week) in a small rural town that keep repeating waiting for a different", "repeating waiting for a different outcome. The player's perspective changes at the end", "If that does not sound 'fun' to read/play through I am happy to", "be able to plan what makes sense and that there is enough foreshadowing", "not sound 'fun' to read/play through I am happy to take a more", "of each time loop. I have a fixed time loop (eg. a week)", "the player's perspective regularly changes at the end of each time loop. I", "to read/play through I am happy to take a more direct approach where", "presented to them (eg. you must go to this character and exactly this", "you must go to this character and exactly this happens, much like in", "game, but the main premise is that the player's perspective regularly changes at", "regularly changes at the end of each time loop. I have a fixed", "fully segmented, so the player can player as character 1, then 2 then", "the story to a true path. They may choose the wrong character and", "loop. I have a fixed time loop (eg. a week) in a small", "a visual novel style in a game, but the main premise is that", "visual novel style in a game, but the main premise is that the", "fixed time loop (eg. a week) in a small rural town that keep", "had). Ideally I would have the story fully segmented, so the player can", "the story fully segmented, so the player can player as character 1, then", "a game, but the main premise is that the player's perspective regularly changes", "end of each time loop. I have a fixed time loop (eg. a", "much like in a book). Is there a way to have completely segmented", "true path. They may choose the wrong character and make no real progression.", "would have the story fully segmented, so the player can player as character", "book). Is there a way to have completely segmented stories (that are still", "player can player as character 1, then 2 then 3 then 1 at", "a bit more in order to progress through the story to a true", "at will, with each playthrough learning a bit more in order to progress", "progression. If that does not sound 'fun' to read/play through I am happy", "The player's perspective changes at the end of each failed loop, to that", "exactly this happens, much like in a book). Is there a way to", "as character 1, then 2 then 3 then 1 at will, with each", "loop) and be able to plan what makes sense and that there is", "in a game, but the main premise is that the player's perspective regularly", "completely segmented stories (that are still connected within the loop) and be able", "to progress through the story to a true path. They may choose the", "still connected within the loop) and be able to plan what makes sense", "another character (it can be the same one they've previously had). Ideally I", "way to have completely segmented stories (that are still connected within the loop)", "segmented stories (that are still connected within the loop) and be able to", "each playthrough learning a bit more in order to progress through the story", "each time loop. I have a fixed time loop (eg. a week) in", "a more direct approach where the story is just presented to them (eg.", "rural town that keep repeating waiting for a different outcome. The player's perspective", "have a fixed time loop (eg. a week) in a small rural town", "'fun' to read/play through I am happy to take a more direct approach", "changes at the end of each time loop. I have a fixed time", "have completely segmented stories (that are still connected within the loop) and be", "of each failed loop, to that of another character (it can be the", "small rural town that keep repeating waiting for a different outcome. The player's", "stories (that are still connected within the loop) and be able to plan", "can be the same one they've previously had). Ideally I would have the", "to progress? Is anyone able to link me to any articles/guides that might", "character (it can be the same one they've previously had). Ideally I would", "them (eg. you must go to this character and exactly this happens, much", "the same one they've previously had). Ideally I would have the story fully", "able to plan what makes sense and that there is enough foreshadowing for", "waiting for a different outcome. The player's perspective changes at the end of", "and be able to plan what makes sense and that there is enough", "that keep repeating waiting for a different outcome. 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Is", "the end of each time loop. I have a fixed time loop (eg.", "end of each failed loop, to that of another character (it can be", "me to any articles/guides that might help me better understand how to write", "and exactly this happens, much like in a book). Is there a way", "one they've previously had). Ideally I would have the story fully segmented, so", "know how to progress? Is anyone able to link me to any articles/guides", "where the story is just presented to them (eg. you must go to", "in a small rural town that keep repeating waiting for a different outcome.", "loop, to that of another character (it can be the same one they've", "They may choose the wrong character and make no real progression. If that", "playthrough learning a bit more in order to progress through the story to", "path. They may choose the wrong character and make no real progression. If", "to take a more direct approach where the story is just presented to", "novel style in a game, but the main premise is that the player's", "that there is enough foreshadowing for the player/reader to know how to progress?", "for the player/reader to know how to progress? Is anyone able to link", "style in a game, but the main premise is that the player's perspective", "town that keep repeating waiting for a different outcome. The player's perspective changes", "a true path. They may choose the wrong character and make no real", "character and make no real progression. If that does not sound 'fun' to", "player as character 1, then 2 then 3 then 1 at will, with", "through I am happy to take a more direct approach where the story", "wrong character and make no real progression. If that does not sound 'fun'", "at the end of each time loop. I have a fixed time loop", "a different outcome. 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[ "done? If not, how is one to add multiple characters without abandoning the", "faces. Adding any other characters would nullify the existential terror of being completely", "who were there, vaguely describing the threats he faces. Adding any other characters", "but I have never worked with less than four characters. Is such a", "were there, vaguely describing the threats he faces. Adding any other characters would", "notes from other people who were there, vaguely describing the threats he faces.", "story is simple (if it is any help, it is entirely in first", "no company other than the monsters that are there with him, and a", "not, how is one to add multiple characters without abandoning the existential terror", "less than four characters. Is such a setup doable, and if so, how", "that are there with him, and a few notes from other people who", "characters would nullify the existential terror of being completely alone, but I have", "the existential terror of being completely alone, but I have never worked with", "than four characters. Is such a setup doable, and if so, how is", "describing the threats he faces. Adding any other characters would nullify the existential", "the monsters that are there with him, and a few notes from other", "My story is simple (if it is any help, it is entirely in", "wakes up in an abandoned mineshaft, with no company other than the monsters", "with him, and a few notes from other people who were there, vaguely", "up in an abandoned mineshaft, with no company other than the monsters that", "it done? If not, how is one to add multiple characters without abandoning", "A man wakes up in an abandoned mineshaft, with no company other than", "few notes from other people who were there, vaguely describing the threats he", "how is it done? If not, how is one to add multiple characters", "entirely in first person.) A man wakes up in an abandoned mineshaft, with", "of being completely alone, but I have never worked with less than four", "alone, but I have never worked with less than four characters. Is such", "the threats he faces. Adding any other characters would nullify the existential terror", "monsters that are there with him, and a few notes from other people", "is any help, it is entirely in first person.) A man wakes up", "have never worked with less than four characters. Is such a setup doable,", "how is one to add multiple characters without abandoning the existential terror factor?", "other characters would nullify the existential terror of being completely alone, but I", "nullify the existential terror of being completely alone, but I have never worked", "is entirely in first person.) A man wakes up in an abandoned mineshaft,", "is simple (if it is any help, it is entirely in first person.)", "from other people who were there, vaguely describing the threats he faces. Adding", "mineshaft, with no company other than the monsters that are there with him,", "threats he faces. Adding any other characters would nullify the existential terror of", "it is entirely in first person.) A man wakes up in an abandoned", "and a few notes from other people who were there, vaguely describing the", "company other than the monsters that are there with him, and a few", "with less than four characters. Is such a setup doable, and if so,", "first person.) 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Adding any other characters would nullify the", "worked with less than four characters. Is such a setup doable, and if", "it is any help, it is entirely in first person.) A man wakes", "any help, it is entirely in first person.) A man wakes up in", "there with him, and a few notes from other people who were there,", "any other characters would nullify the existential terror of being completely alone, but", "a few notes from other people who were there, vaguely describing the threats", "such a setup doable, and if so, how is it done? If not,", "would nullify the existential terror of being completely alone, but I have never", "an abandoned mineshaft, with no company other than the monsters that are there", "him, and a few notes from other people who were there, vaguely describing", "a setup doable, and if so, how is it done? If not, how", "other people who were there, vaguely describing the threats he faces. Adding any", "in first person.) A man wakes up in an abandoned mineshaft, with no", "terror of being completely alone, but I have never worked with less than", "I have never worked with less than four characters. Is such a setup", "people who were there, vaguely describing the threats he faces. Adding any other", "four characters. Is such a setup doable, and if so, how is it", "person.) A man wakes up in an abandoned mineshaft, with no company other", "abandoned mineshaft, with no company other than the monsters that are there with", "completely alone, but I have never worked with less than four characters. Is", "in an abandoned mineshaft, with no company other than the monsters that are", "characters. Is such a setup doable, and if so, how is it done?", "doable, and if so, how is it done? If not, how is one", "Adding any other characters would nullify the existential terror of being completely alone,", "than the monsters that are there with him, and a few notes from", "never worked with less than four characters. Is such a setup doable, and", "are there with him, and a few notes from other people who were", "so, how is it done? If not, how is one to add multiple", "and if so, how is it done? If not, how is one to", "is it done? If not, how is one to add multiple characters without", "help, it is entirely in first person.) A man wakes up in an", "(if it is any help, it is entirely in first person.) A man" ]
[ "chase aspect, which is that the male lead has to find the protagonist", "unique in some ways. Initially, I wanted to focus on this uniqueness, but", "should I do? Should I proceed with the plot, keeping the mob part,", "fantasy elements like hell and demons etc. This hell is unique in some", "told me that beings from hell in the Mafia do not work well.", "go well together. I actually am writing an urban fantasy, but I guess", "the mob part, or should I make another universe (though I would like", "the plot, keeping the mob part, or should I make another universe (though", "that beings from hell in the Mafia do not work well. That dark", "with the plot, keeping the mob part, or should I make another universe", "make another universe (though I would like it to be realistic and based", "writing. Yesterday I explained a watered-down version of my plot to someone on", "it to be realistic and based on the real world)? Also, remember it's", "the underboss of a mob. However, it also has fantasy elements like hell", "together if I include that my male lead is the underboss of a", "work well. That dark fantasy and mobs don't go well together. I actually", "well together. I actually am writing an urban fantasy, but I guess you", "in some ways. Initially, I wanted to focus on this uniqueness, but now", "is another side couple too, who had a very tragic past life that", "kill them. But obviously they fall in love because this is a heavy", "lead is the underboss of a mob. However, it also has fantasy elements", "proceed with the plot, keeping the mob part, or should I make another", "has to find the protagonist and kill them. But obviously they fall in", "of my plot to someone on Omegle and they told me that beings", "I proceed with the plot, keeping the mob part, or should I make", "side couple too, who had a very tragic past life that I want", "world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included.", "I guess you could call it dark fantasy too. There is another side", "part, or should I make another universe (though I would like it to", "include. What should I do? Should I proceed with the plot, keeping the", "that the male lead has to find the protagonist and kill them. But", "include a mafia, like a lot of things would come together if I", "it dark fantasy too. There is another side couple too, who had a", "dark fantasy too. There is another side couple too, who had a very", "the chase aspect, which is that the male lead has to find the", "could call it dark fantasy too. There is another side couple too, who", "corny stuff is included. It has some horror stuff too, like monsters etc.", "would come together if I include that my male lead is the underboss", "but now the plot demands to focus on the chase aspect, which is", "also has fantasy elements like hell and demons etc. This hell is unique", "couple too, who had a very tragic past life that I want to", "ways. Initially, I wanted to focus on this uniqueness, but now the plot", "That dark fantasy and mobs don't go well together. I actually am writing", "or should I make another universe (though I would like it to be", "work better if I include a mafia, like a lot of things would", "do not work well. That dark fantasy and mobs don't go well together.", "demons etc. This hell is unique in some ways. Initially, I wanted to", "that I want to include. What should I do? Should I proceed with", "past life that I want to include. What should I do? Should I", "obviously they fall in love because this is a heavy romance I'm writing.", "want to include. What should I do? Should I proceed with the plot,", "beings from hell in the Mafia do not work well. That dark fantasy", "stuff is included. It has some horror stuff too, like monsters etc. Should", "and demons etc. This hell is unique in some ways. Initially, I wanted", "romance, no corny stuff is included. It has some horror stuff too, like", "another universe (though I would like it to be realistic and based on", "my plot to someone on Omegle and they told me that beings from", "actually am writing an urban fantasy, but I guess you could call it", "a mob. However, it also has fantasy elements like hell and demons etc.", "wanted to focus on this uniqueness, but now the plot demands to focus", "a heavy romance I'm writing. Yesterday I explained a watered-down version of my", "Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It", "feels like the plot could work better if I include a mafia, like", "I'm writing. Yesterday I explained a watered-down version of my plot to someone", "and based on the real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance,", "included. It has some horror stuff too, like monsters etc. Should I make", "plot demands to focus on the chase aspect, which is that the male", "it feels like the plot could work better if I include a mafia,", "mob part, or should I make another universe (though I would like it", "urban fantasy, but I guess you could call it dark fantasy too. There", "it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It has some", "male lead is the underboss of a mob. However, it also has fantasy", "include that my male lead is the underboss of a mob. However, it", "male lead has to find the protagonist and kill them. But obviously they", "they told me that beings from hell in the Mafia do not work", "them. But obviously they fall in love because this is a heavy romance", "could work better if I include a mafia, like a lot of things", "hell in the Mafia do not work well. That dark fantasy and mobs", "mob. However, it also has fantasy elements like hell and demons etc. This", "tragic past life that I want to include. What should I do? Should", "I include a mafia, like a lot of things would come together if", "well. That dark fantasy and mobs don't go well together. I actually am", "too. There is another side couple too, who had a very tragic past", "been writing a book for two years now, and it feels like the", "some ways. Initially, I wanted to focus on this uniqueness, but now the", "on this uniqueness, but now the plot demands to focus on the chase", "romance I'm writing. Yesterday I explained a watered-down version of my plot to", "on Omegle and they told me that beings from hell in the Mafia", "I actually am writing an urban fantasy, but I guess you could call", "Initially, I wanted to focus on this uniqueness, but now the plot demands", "this uniqueness, but now the plot demands to focus on the chase aspect,", "because this is a heavy romance I'm writing. Yesterday I explained a watered-down", "things would come together if I include that my male lead is the", "in the Mafia do not work well. That dark fantasy and mobs don't", "together. I actually am writing an urban fantasy, but I guess you could", "guess you could call it dark fantasy too. There is another side couple", "and it feels like the plot could work better if I include a", "I include that my male lead is the underboss of a mob. However,", "is included. It has some horror stuff too, like monsters etc. Should I", "the protagonist and kill them. But obviously they fall in love because this", "years now, and it feels like the plot could work better if I", "hell is unique in some ways. Initially, I wanted to focus on this", "plot could work better if I include a mafia, like a lot of", "I want to include. What should I do? Should I proceed with the", "Omegle and they told me that beings from hell in the Mafia do", "aspect, which is that the male lead has to find the protagonist and", "writing a book for two years now, and it feels like the plot", "a watered-down version of my plot to someone on Omegle and they told", "very tragic past life that I want to include. What should I do?", "the plot demands to focus on the chase aspect, which is that the", "two years now, and it feels like the plot could work better if", "this is a heavy romance I'm writing. Yesterday I explained a watered-down version", "realistic and based on the real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/)", "protagonist and kill them. But obviously they fall in love because this is", "lot of things would come together if I include that my male lead", "another side couple too, who had a very tragic past life that I", "hell and demons etc. This hell is unique in some ways. Initially, I", "to focus on this uniqueness, but now the plot demands to focus on", "they fall in love because this is a heavy romance I'm writing. Yesterday", "(though I would like it to be realistic and based on the real", "fantasy and mobs don't go well together. I actually am writing an urban", "like it to be realistic and based on the real world)? Also, remember", "like the plot could work better if I include a mafia, like a", "I would like it to be realistic and based on the real world)?", "to include. What should I do? Should I proceed with the plot, keeping", "that my male lead is the underboss of a mob. However, it also", "heavy romance I'm writing. Yesterday I explained a watered-down version of my plot", "am writing an urban fantasy, but I guess you could call it dark", "had a very tragic past life that I want to include. What should", "focus on this uniqueness, but now the plot demands to focus on the", "to find the protagonist and kill them. But obviously they fall in love", "real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is", "and mobs don't go well together. I actually am writing an urban fantasy,", "But obviously they fall in love because this is a heavy romance I'm", "my male lead is the underboss of a mob. However, it also has", "This hell is unique in some ways. Initially, I wanted to focus on", "in love because this is a heavy romance I'm writing. Yesterday I explained", "on the real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny", "a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It has some horror", "I wanted to focus on this uniqueness, but now the plot demands to", "should I make another universe (though I would like it to be realistic", "life that I want to include. What should I do? Should I proceed", "you could call it dark fantasy too. There is another side couple too,", "a book for two years now, and it feels like the plot could", "a very tragic past life that I want to include. What should I", "I make another universe (though I would like it to be realistic and", "serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It has some horror stuff", "and they told me that beings from hell in the Mafia do not", "keeping the mob part, or should I make another universe (though I would", "universe (though I would like it to be realistic and based on the", "based on the real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no", "etc. This hell is unique in some ways. Initially, I wanted to focus", "uniqueness, but now the plot demands to focus on the chase aspect, which", "of things would come together if I include that my male lead is", "call it dark fantasy too. There is another side couple too, who had", "to focus on the chase aspect, which is that the male lead has", "not work well. That dark fantasy and mobs don't go well together. I", "to be realistic and based on the real world)? Also, remember it's a", "and kill them. But obviously they fall in love because this is a", "What should I do? Should I proceed with the plot, keeping the mob", "be realistic and based on the real world)? Also, remember it's a serious", "find the protagonist and kill them. But obviously they fall in love because", "is unique in some ways. Initially, I wanted to focus on this uniqueness,", "However, it also has fantasy elements like hell and demons etc. This hell", "focus on the chase aspect, which is that the male lead has to", "mafia, like a lot of things would come together if I include that", "like hell and demons etc. This hell is unique in some ways. Initially,", "Mafia do not work well. That dark fantasy and mobs don't go well", "version of my plot to someone on Omegle and they told me that", "come together if I include that my male lead is the underboss of", "has fantasy elements like hell and demons etc. This hell is unique in", "watered-down version of my plot to someone on Omegle and they told me", "Should I proceed with the plot, keeping the mob part, or should I", "It has some horror stuff too, like monsters etc. Should I make it", "plot to someone on Omegle and they told me that beings from hell", "no corny stuff is included. It has some horror stuff too, like monsters", "from hell in the Mafia do not work well. That dark fantasy and", "elements like hell and demons etc. This hell is unique in some ways.", "mobs don't go well together. I actually am writing an urban fantasy, but", "the male lead has to find the protagonist and kill them. But obviously", "on the chase aspect, which is that the male lead has to find", "the plot could work better if I include a mafia, like a lot", "who had a very tragic past life that I want to include. What", "me that beings from hell in the Mafia do not work well. That", "better if I include a mafia, like a lot of things would come", "the real world)? Also, remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff", "remember it's a serious [mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It has", "someone on Omegle and they told me that beings from hell in the", "a mafia, like a lot of things would come together if I include", "There is another side couple too, who had a very tragic past life", "if I include a mafia, like a lot of things would come together", "to someone on Omegle and they told me that beings from hell in", "the Mafia do not work well. That dark fantasy and mobs don't go", "fall in love because this is a heavy romance I'm writing. Yesterday I", "but I guess you could call it dark fantasy too. There is another", "fantasy, but I guess you could call it dark fantasy too. There is", "do? Should I proceed with the plot, keeping the mob part, or should", "demands to focus on the chase aspect, which is that the male lead", "which is that the male lead has to find the protagonist and kill", "I do? Should I proceed with the plot, keeping the mob part, or", "explained a watered-down version of my plot to someone on Omegle and they", "is that the male lead has to find the protagonist and kill them.", "of a mob. However, it also has fantasy elements like hell and demons", "dark fantasy and mobs don't go well together. I actually am writing an", "book for two years now, and it feels like the plot could work", "has some horror stuff too, like monsters etc. Should I make it horror?", "love because this is a heavy romance I'm writing. Yesterday I explained a", "an urban fantasy, but I guess you could call it dark fantasy too.", "now, and it feels like the plot could work better if I include", "fantasy too. There is another side couple too, who had a very tragic", "a lot of things would come together if I include that my male", "plot, keeping the mob part, or should I make another universe (though I", "is a heavy romance I'm writing. Yesterday I explained a watered-down version of", "if I include that my male lead is the underboss of a mob.", "for two years now, and it feels like the plot could work better", "underboss of a mob. However, it also has fantasy elements like hell and", "it also has fantasy elements like hell and demons etc. This hell is", "like a lot of things would come together if I include that my", "Yesterday I explained a watered-down version of my plot to someone on Omegle", "now the plot demands to focus on the chase aspect, which is that", "I've been writing a book for two years now, and it feels like", "I explained a watered-down version of my plot to someone on Omegle and", "is the underboss of a mob. However, it also has fantasy elements like", "don't go well together. I actually am writing an urban fantasy, but I", "writing an urban fantasy, but I guess you could call it dark fantasy", "too, who had a very tragic past life that I want to include.", "[mlm](https://www.lgbtqnation.com/2022/06/mlm-pride-flag/) romance, no corny stuff is included. It has some horror stuff too,", "lead has to find the protagonist and kill them. But obviously they fall", "would like it to be realistic and based on the real world)? Also," ]
[ "wondering how you would have to write that character, because the issue is", "an extremely powerful main character? I have this character who's a literal God,", "that character, because the issue is that his personality doesn't change and doesn't", "have this character who's a literal God, and none of his enemies are", "and I was wondering how you would have to write that character, because", "this character who's a literal God, and none of his enemies are as", "can easily achieve everything he set out to do. How do you develop", "character? I have this character who's a literal God, and none of his", "would have to write that character, because the issue is that his personality", "I was wondering how you would have to write that character, because the", "powerful as him. It's like in the anime Overlord, and I was wondering", "doesn't have to change, because he can easily achieve everything he set out", "is that his personality doesn't change and doesn't have to change, because he", "enemies are as nearly as powerful as him. It's like in the anime", "of his enemies are as nearly as powerful as him. It's like in", "are as nearly as powerful as him. It's like in the anime Overlord,", "It's like in the anime Overlord, and I was wondering how you would", "in the anime Overlord, and I was wondering how you would have to", "set out to do. How do you develop his character without changing his", "write that character, because the issue is that his personality doesn't change and", "have to write that character, because the issue is that his personality doesn't", "how you would have to write that character, because the issue is that", "as him. It's like in the anime Overlord, and I was wondering how", "you would have to write that character, because the issue is that his", "to change, because he can easily achieve everything he set out to do.", "who's a literal God, and none of his enemies are as nearly as", "powerful main character? I have this character who's a literal God, and none", "his enemies are as nearly as powerful as him. It's like in the", "I have this character who's a literal God, and none of his enemies", "God, and none of his enemies are as nearly as powerful as him.", "as nearly as powerful as him. It's like in the anime Overlord, and", "like in the anime Overlord, and I was wondering how you would have", "as powerful as him. It's like in the anime Overlord, and I was", "Overlord, and I was wondering how you would have to write that character,", "the anime Overlord, and I was wondering how you would have to write", "none of his enemies are as nearly as powerful as him. It's like", "do you write an extremely powerful main character? I have this character who's", "main character? I have this character who's a literal God, and none of", "because the issue is that his personality doesn't change and doesn't have to", "the issue is that his personality doesn't change and doesn't have to change,", "because he can easily achieve everything he set out to do. How do", "out to do. How do you develop his character without changing his power", "he set out to do. How do you develop his character without changing", "doesn't change and doesn't have to change, because he can easily achieve everything", "and doesn't have to change, because he can easily achieve everything he set", "character who's a literal God, and none of his enemies are as nearly", "anime Overlord, and I was wondering how you would have to write that", "personality doesn't change and doesn't have to change, because he can easily achieve", "easily achieve everything he set out to do. How do you develop his", "he can easily achieve everything he set out to do. How do you", "change and doesn't have to change, because he can easily achieve everything he", "change, because he can easily achieve everything he set out to do. How", "achieve everything he set out to do. How do you develop his character", "a literal God, and none of his enemies are as nearly as powerful", "issue is that his personality doesn't change and doesn't have to change, because", "to write that character, because the issue is that his personality doesn't change", "write an extremely powerful main character? I have this character who's a literal", "to do. How do you develop his character without changing his power level?", "nearly as powerful as him. It's like in the anime Overlord, and I", "literal God, and none of his enemies are as nearly as powerful as", "him. It's like in the anime Overlord, and I was wondering how you", "How do you write an extremely powerful main character? I have this character", "extremely powerful main character? I have this character who's a literal God, and", "his personality doesn't change and doesn't have to change, because he can easily", "have to change, because he can easily achieve everything he set out to", "everything he set out to do. How do you develop his character without", "character, because the issue is that his personality doesn't change and doesn't have", "that his personality doesn't change and doesn't have to change, because he can", "was wondering how you would have to write that character, because the issue", "you write an extremely powerful main character? I have this character who's a", "and none of his enemies are as nearly as powerful as him. It's" ]
[ "they deviate from their inspired characters, from their in-depth character to their designs.", "character to their designs. I wonder if this is a bad sign for", "characters, from other stories I've seen in the media. They don't stay the", "same. Back then their character is quite similar to their inspirations (I'm talking", "I wonder if this is a bad sign for a character to deviate", "stories I've seen in the media. They don't stay the same. Back then", "the back of my head that are inspired by other characters, from other", "in the media. They don't stay the same. Back then their character is", "stay the same. Back then their character is quite similar to their inspirations", "by another character.) As I start to grow up, they start to change,", "head that are inspired by other characters, from other stories I've seen in", "seen in the media. They don't stay the same. Back then their character", "deviate from their inspired characters, from their in-depth character to their designs. I", "that are inspired by other characters, from other stories I've seen in the", "from their in-depth character to their designs. I wonder if this is a", "to grow up, they start to change, to a point where they deviate", "other characters, from other stories I've seen in the media. They don't stay", "start to change, to a point where they deviate from their inspired characters,", "up, they start to change, to a point where they deviate from their", "back of my head that are inspired by other characters, from other stories", "change, to a point where they deviate from their inspired characters, from their", "don't stay the same. Back then their character is quite similar to their", "at the back of my head that are inspired by other characters, from", "start to grow up, they start to change, to a point where they", "inspired characters, from their in-depth character to their designs. I wonder if this", "their inspirations (I'm talking about characters inspired by another character.) As I start", "grow up, they start to change, to a point where they deviate from", "I start to grow up, they start to change, to a point where", "about characters inspired by another character.) As I start to grow up, they", "As I start to grow up, they start to change, to a point", "their designs. I wonder if this is a bad sign for a character", "other stories I've seen in the media. They don't stay the same. Back", "wonder if this is a bad sign for a character to deviate from", "I have characters at the back of my head that are inspired by", "in-depth character to their designs. I wonder if this is a bad sign", "characters, from their in-depth character to their designs. I wonder if this is", "Back then their character is quite similar to their inspirations (I'm talking about", "from their inspired characters, from their in-depth character to their designs. I wonder", "a point where they deviate from their inspired characters, from their in-depth character", "inspired by other characters, from other stories I've seen in the media. They", "my head that are inspired by other characters, from other stories I've seen", "character.) As I start to grow up, they start to change, to a", "media. They don't stay the same. Back then their character is quite similar", "quite similar to their inspirations (I'm talking about characters inspired by another character.)", "are inspired by other characters, from other stories I've seen in the media.", "inspirations (I'm talking about characters inspired by another character.) As I start to", "similar to their inspirations (I'm talking about characters inspired by another character.) As", "is a bad sign for a character to deviate from their inspired character.", "designs. I wonder if this is a bad sign for a character to", "talking about characters inspired by another character.) As I start to grow up,", "where they deviate from their inspired characters, from their in-depth character to their", "They don't stay the same. Back then their character is quite similar to", "their inspired characters, from their in-depth character to their designs. I wonder if", "if this is a bad sign for a character to deviate from their", "the media. They don't stay the same. Back then their character is quite", "the same. Back then their character is quite similar to their inspirations (I'm", "I've seen in the media. They don't stay the same. Back then their", "characters inspired by another character.) As I start to grow up, they start", "is quite similar to their inspirations (I'm talking about characters inspired by another", "this is a bad sign for a character to deviate from their inspired", "to change, to a point where they deviate from their inspired characters, from", "to their inspirations (I'm talking about characters inspired by another character.) As I", "they start to change, to a point where they deviate from their inspired", "(I'm talking about characters inspired by another character.) As I start to grow", "their character is quite similar to their inspirations (I'm talking about characters inspired", "inspired by another character.) As I start to grow up, they start to", "from other stories I've seen in the media. They don't stay the same.", "characters at the back of my head that are inspired by other characters,", "another character.) As I start to grow up, they start to change, to", "by other characters, from other stories I've seen in the media. They don't", "to a point where they deviate from their inspired characters, from their in-depth", "their in-depth character to their designs. I wonder if this is a bad", "of my head that are inspired by other characters, from other stories I've", "then their character is quite similar to their inspirations (I'm talking about characters", "have characters at the back of my head that are inspired by other", "to their designs. I wonder if this is a bad sign for a", "point where they deviate from their inspired characters, from their in-depth character to", "character is quite similar to their inspirations (I'm talking about characters inspired by" ]
[ "character outsmarts another character and that character explains how he did it, should", "and character A was able to predict everything character B was going to", "A, and character A was able to predict everything character B was going", "to? Let's say you have character A, and character A was able to", "B how he was able to predict everything and his plan against character", "a character outsmarts another character and that character explains how he did it,", "was perfect, when you go over the plan, can you mention elements that", "you mention elements that were never alluded to, shown or foreshadowed? If you", "plan against character B was perfect, when you go over the plan, can", "he did it, should you mention things that weren't shown or alluded to?", "chance of succeed in his plan. When character A reveals to character B", "Let's say you have character A, and character A was able to predict", "or alluded to? Let's say you have character A, and character A was", "allude or foreshadow, how do you show as little as possible to catch", "his plan against character B was perfect, when you go over the plan,", "should you mention things that weren't shown or alluded to? Let's say you", "things that weren't shown or alluded to? Let's say you have character A,", "to, shown or foreshadowed? If you have to reveal, allude or foreshadow, how", "and was basically able to completely walk over him and not leave him", "do and was basically able to completely walk over him and not leave", "character B was perfect, when you go over the plan, can you mention", "mention things that weren't shown or alluded to? Let's say you have character", "alluded to? Let's say you have character A, and character A was able", "B was going to do and was basically able to completely walk over", "able to completely walk over him and not leave him any chance of", "he was able to predict everything and his plan against character B was", "him any chance of succeed in his plan. When character A reveals to", "have to reveal, allude or foreshadow, how do you show as little as", "you mention things that weren't shown or alluded to? Let's say you have", "to do and was basically able to completely walk over him and not", "and his plan against character B was perfect, when you go over the", "was going to do and was basically able to completely walk over him", "any chance of succeed in his plan. When character A reveals to character", "that character explains how he did it, should you mention things that weren't", "alluded to, shown or foreshadowed? If you have to reveal, allude or foreshadow,", "predict everything character B was going to do and was basically able to", "When a character outsmarts another character and that character explains how he did", "or foreshadow, how do you show as little as possible to catch your", "perfect, when you go over the plan, can you mention elements that were", "predict everything and his plan against character B was perfect, when you go", "elements that were never alluded to, shown or foreshadowed? If you have to", "in his plan. When character A reveals to character B how he was", "mention elements that were never alluded to, shown or foreshadowed? If you have", "explains how he did it, should you mention things that weren't shown or", "character explains how he did it, should you mention things that weren't shown", "it, should you mention things that weren't shown or alluded to? Let's say", "were never alluded to, shown or foreshadowed? If you have to reveal, allude", "and not leave him any chance of succeed in his plan. When character", "leave him any chance of succeed in his plan. When character A reveals", "another character and that character explains how he did it, should you mention", "outsmarts another character and that character explains how he did it, should you", "If you have to reveal, allude or foreshadow, how do you show as", "foreshadowed? If you have to reveal, allude or foreshadow, how do you show", "character A was able to predict everything character B was going to do", "character A, and character A was able to predict everything character B was", "B was perfect, when you go over the plan, can you mention elements", "not leave him any chance of succeed in his plan. When character A", "everything and his plan against character B was perfect, when you go over", "and that character explains how he did it, should you mention things that", "to character B how he was able to predict everything and his plan", "character B how he was able to predict everything and his plan against", "weren't shown or alluded to? Let's say you have character A, and character", "how do you show as little as possible to catch your readers off-guard?", "A was able to predict everything character B was going to do and", "going to do and was basically able to completely walk over him and", "him and not leave him any chance of succeed in his plan. When", "against character B was perfect, when you go over the plan, can you", "shown or alluded to? Let's say you have character A, and character A", "plan, can you mention elements that were never alluded to, shown or foreshadowed?", "that weren't shown or alluded to? Let's say you have character A, and", "able to predict everything and his plan against character B was perfect, when", "When character A reveals to character B how he was able to predict", "basically able to completely walk over him and not leave him any chance", "walk over him and not leave him any chance of succeed in his", "plan. When character A reveals to character B how he was able to", "to reveal, allude or foreshadow, how do you show as little as possible", "shown or foreshadowed? If you have to reveal, allude or foreshadow, how do", "how he was able to predict everything and his plan against character B", "when you go over the plan, can you mention elements that were never", "was able to predict everything character B was going to do and was", "that were never alluded to, shown or foreshadowed? If you have to reveal,", "you go over the plan, can you mention elements that were never alluded", "you have character A, and character A was able to predict everything character", "can you mention elements that were never alluded to, shown or foreshadowed? If", "or foreshadowed? If you have to reveal, allude or foreshadow, how do you", "character B was going to do and was basically able to completely walk", "character A reveals to character B how he was able to predict everything", "to predict everything and his plan against character B was perfect, when you", "say you have character A, and character A was able to predict everything", "foreshadow, how do you show as little as possible to catch your readers", "A reveals to character B how he was able to predict everything and", "how he did it, should you mention things that weren't shown or alluded", "over him and not leave him any chance of succeed in his plan.", "his plan. When character A reveals to character B how he was able", "able to predict everything character B was going to do and was basically", "reveals to character B how he was able to predict everything and his", "you have to reveal, allude or foreshadow, how do you show as little", "to completely walk over him and not leave him any chance of succeed", "never alluded to, shown or foreshadowed? If you have to reveal, allude or", "reveal, allude or foreshadow, how do you show as little as possible to", "have character A, and character A was able to predict everything character B", "was able to predict everything and his plan against character B was perfect,", "completely walk over him and not leave him any chance of succeed in", "go over the plan, can you mention elements that were never alluded to,", "the plan, can you mention elements that were never alluded to, shown or", "character and that character explains how he did it, should you mention things", "of succeed in his plan. When character A reveals to character B how", "was basically able to completely walk over him and not leave him any", "everything character B was going to do and was basically able to completely", "succeed in his plan. When character A reveals to character B how he", "to predict everything character B was going to do and was basically able", "over the plan, can you mention elements that were never alluded to, shown", "did it, should you mention things that weren't shown or alluded to? Let's" ]
[ "they are brought together to fight some unknown evil. I'm currently working on", "the same person from alternate universes; they are brought together to fight some", "but I've had this idea for a while. I wanted to know if", "to know if it would work or if it would be an awful", "awful failure. Every character is the same person from alternate universes; they are", "some unknown evil. I'm currently working on other things, so I haven't had", "idea for a while. I wanted to know if it would work or", "I wanted to know if it would work or if it would be", "wanted to know if it would work or if it would be an", "would work or if it would be an awful failure. Every character is", "unknown evil. I'm currently working on other things, so I haven't had much", "alternate universes; they are brought together to fight some unknown evil. I'm currently", "down vote, but I've had this idea for a while. I wanted to", "if it would work or if it would be an awful failure. Every", "it would work or if it would be an awful failure. Every character", "vote, but I've had this idea for a while. I wanted to know", "failure. Every character is the same person from alternate universes; they are brought", "from alternate universes; they are brought together to fight some unknown evil. I'm", "person from alternate universes; they are brought together to fight some unknown evil.", "together to fight some unknown evil. I'm currently working on other things, so", "Every character is the same person from alternate universes; they are brought together", "brought together to fight some unknown evil. I'm currently working on other things,", "evil. I'm currently working on other things, so I haven't had much time", "working on other things, so I haven't had much time to think about", "me a down vote, but I've had this idea for a while. I", "a down vote, but I've had this idea for a while. I wanted", "or if it would be an awful failure. Every character is the same", "know this is probably going to get me a down vote, but I've", "fight some unknown evil. I'm currently working on other things, so I haven't", "I'm currently working on other things, so I haven't had much time to", "know if it would work or if it would be an awful failure.", "currently working on other things, so I haven't had much time to think", "going to get me a down vote, but I've had this idea for", "I know this is probably going to get me a down vote, but", "is probably going to get me a down vote, but I've had this", "is the same person from alternate universes; they are brought together to fight", "this is probably going to get me a down vote, but I've had", "be an awful failure. Every character is the same person from alternate universes;", "character is the same person from alternate universes; they are brought together to", "I've had this idea for a while. I wanted to know if it", "while. I wanted to know if it would work or if it would", "for a while. I wanted to know if it would work or if", "work or if it would be an awful failure. Every character is the", "on other things, so I haven't had much time to think about a", "an awful failure. Every character is the same person from alternate universes; they", "this idea for a while. I wanted to know if it would work", "get me a down vote, but I've had this idea for a while.", "universes; they are brought together to fight some unknown evil. I'm currently working", "to get me a down vote, but I've had this idea for a", "had this idea for a while. I wanted to know if it would", "would be an awful failure. Every character is the same person from alternate", "it would be an awful failure. Every character is the same person from", "same person from alternate universes; they are brought together to fight some unknown", "are brought together to fight some unknown evil. I'm currently working on other", "to fight some unknown evil. I'm currently working on other things, so I", "other things, so I haven't had much time to think about a plot.", "probably going to get me a down vote, but I've had this idea", "if it would be an awful failure. Every character is the same person", "a while. I wanted to know if it would work or if it" ]
[ "a character's emotions is a huge part of getting an audience to like", "person. But the character I am writing is essentially a living computer. They", "of endearment, always calling the main character by her first name and only", "blatantly ignore most of the other characters and only speak to the MC.", "other subtle character interactions? So far, I've used a lot of different methods", "most of the other characters and only speak to the MC. It's easy", "there is never any inflection in their voice. They also never use terms", "ignore most of the other characters and only speak to the MC. It's", "characters and only speak to the MC. It's easy to understand emotions such", "as a person. But the character I am writing is essentially a living", "huge part of getting an audience to like them as a person. But", "can you demonstrate a character's emotionlessness through their dialogue or other subtle character", "character interactions? So far, I've used a lot of different methods to make", "describing their voice I would often use words like \"cold\" or \"apathetic\", mentioning", "emotionlessness through their dialogue or other subtle character interactions? So far, I've used", "the other characters and only speak to the MC. It's easy to understand", "shell. So, my question is, how can you demonstrate a character's emotionlessness through", "terms of endearment, always calling the main character by her first name and", "is essentially a living computer. They have no emotions to speak of. Essentially,", "or sadness and try to portray those in a character, but the idea", "use words like \"cold\" or \"apathetic\", mentioning that there is never any inflection", "try to portray those in a character, but the idea of a character", "that. They also blatantly ignore most of the other characters and only speak", "of different methods to make them \"sound\" more emotionless. For example, giving them", "a lot of different methods to make them \"sound\" more emotionless. For example,", "fear, anger, or sadness and try to portray those in a character, but", "part of getting an audience to like them as a person. But the", "far, I've used a lot of different methods to make them \"sound\" more", "by her first name and only that. They also blatantly ignore most of", "no emotions to speak of. Essentially, they're an empty shell. So, my question", "character with no emotions at all feels rather alien and difficult to accurately", "They also blatantly ignore most of the other characters and only speak to", "a character's emotionlessness through their dialogue or other subtle character interactions? So far,", "technical vocabulary. In other words, they speak like they are reading out of", "vocabulary. In other words, they speak like they are reading out of a", "is, how can you demonstrate a character's emotionlessness through their dialogue or other", "them as a person. But the character I am writing is essentially a", "my question is, how can you demonstrate a character's emotionlessness through their dialogue", "anger, or sadness and try to portray those in a character, but the", "character I am writing is essentially a living computer. They have no emotions", "as fear, anger, or sadness and try to portray those in a character,", "voice I would often use words like \"cold\" or \"apathetic\", mentioning that there", "them \"sound\" more emotionless. For example, giving them a big and very technical", "have no emotions to speak of. Essentially, they're an empty shell. So, my", "their voice. They also never use terms of endearment, always calling the main", "writing is essentially a living computer. They have no emotions to speak of.", "emotions at all feels rather alien and difficult to accurately describe through character", "\"apathetic\", mentioning that there is never any inflection in their voice. They also", "the main character by her first name and only that. They also blatantly", "of. Essentially, they're an empty shell. So, my question is, how can you", "use terms of endearment, always calling the main character by her first name", "portray those in a character, but the idea of a character with no", "to make them \"sound\" more emotionless. For example, giving them a big and", "to like them as a person. But the character I am writing is", "But the character I am writing is essentially a living computer. They have", "only speak to the MC. It's easy to understand emotions such as fear,", "a dictionary. When describing their voice I would often use words like \"cold\"", "out of a dictionary. When describing their voice I would often use words", "of the other characters and only speak to the MC. It's easy to", "like them as a person. But the character I am writing is essentially", "speak to the MC. It's easy to understand emotions such as fear, anger,", "reading out of a dictionary. When describing their voice I would often use", "demonstrate a character's emotionlessness through their dialogue or other subtle character interactions? So", "endearment, always calling the main character by her first name and only that.", "calling the main character by her first name and only that. They also", "\"sound\" more emotionless. For example, giving them a big and very technical vocabulary.", "is a huge part of getting an audience to like them as a", "also blatantly ignore most of the other characters and only speak to the", "empty shell. So, my question is, how can you demonstrate a character's emotionlessness", "giving them a big and very technical vocabulary. In other words, they speak", "It's easy to understand emotions such as fear, anger, or sadness and try", "portraying a character's emotions is a huge part of getting an audience to", "to understand emotions such as fear, anger, or sadness and try to portray", "they're an empty shell. So, my question is, how can you demonstrate a", "them a big and very technical vocabulary. In other words, they speak like", "and very technical vocabulary. In other words, they speak like they are reading", "am writing is essentially a living computer. They have no emotions to speak", "\"cold\" or \"apathetic\", mentioning that there is never any inflection in their voice.", "easy to understand emotions such as fear, anger, or sadness and try to", "other characters and only speak to the MC. It's easy to understand emotions", "main character by her first name and only that. They also blatantly ignore", "often use words like \"cold\" or \"apathetic\", mentioning that there is never any", "a character with no emotions at all feels rather alien and difficult to", "understand emotions such as fear, anger, or sadness and try to portray those", "essentially a living computer. They have no emotions to speak of. Essentially, they're", "or other subtle character interactions? So far, I've used a lot of different", "also never use terms of endearment, always calling the main character by her", "sadness and try to portray those in a character, but the idea of", "dictionary. When describing their voice I would often use words like \"cold\" or", "more emotionless. For example, giving them a big and very technical vocabulary. In", "very technical vocabulary. In other words, they speak like they are reading out", "a huge part of getting an audience to like them as a person.", "emotions to speak of. Essentially, they're an empty shell. So, my question is,", "Essentially, they're an empty shell. So, my question is, how can you demonstrate", "For example, giving them a big and very technical vocabulary. In other words,", "such as fear, anger, or sadness and try to portray those in a", "and try to portray those in a character, but the idea of a", "they are reading out of a dictionary. When describing their voice I would", "Accurately portraying a character's emotions is a huge part of getting an audience", "they speak like they are reading out of a dictionary. When describing their", "all feels rather alien and difficult to accurately describe through character interactions and", "never any inflection in their voice. They also never use terms of endearment,", "methods to make them \"sound\" more emotionless. For example, giving them a big", "mentioning that there is never any inflection in their voice. They also never", "character's emotions is a huge part of getting an audience to like them", "an audience to like them as a person. But the character I am", "audience to like them as a person. But the character I am writing", "question is, how can you demonstrate a character's emotionlessness through their dialogue or", "different methods to make them \"sound\" more emotionless. For example, giving them a", "idea of a character with no emotions at all feels rather alien and", "that there is never any inflection in their voice. They also never use", "speak like they are reading out of a dictionary. When describing their voice", "a person. But the character I am writing is essentially a living computer.", "living computer. They have no emotions to speak of. Essentially, they're an empty", "feels rather alien and difficult to accurately describe through character interactions and dialogue.", "the MC. It's easy to understand emotions such as fear, anger, or sadness", "character, but the idea of a character with no emotions at all feels", "through their dialogue or other subtle character interactions? So far, I've used a", "voice. They also never use terms of endearment, always calling the main character", "only that. They also blatantly ignore most of the other characters and only", "no emotions at all feels rather alien and difficult to accurately describe through", "of a dictionary. When describing their voice I would often use words like", "of a character with no emotions at all feels rather alien and difficult", "a living computer. They have no emotions to speak of. Essentially, they're an", "to portray those in a character, but the idea of a character with", "I've used a lot of different methods to make them \"sound\" more emotionless.", "other words, they speak like they are reading out of a dictionary. When", "words like \"cold\" or \"apathetic\", mentioning that there is never any inflection in", "a big and very technical vocabulary. In other words, they speak like they", "always calling the main character by her first name and only that. They", "an empty shell. So, my question is, how can you demonstrate a character's", "are reading out of a dictionary. When describing their voice I would often", "to speak of. Essentially, they're an empty shell. So, my question is, how", "So far, I've used a lot of different methods to make them \"sound\"", "never use terms of endearment, always calling the main character by her first", "in a character, but the idea of a character with no emotions at", "So, my question is, how can you demonstrate a character's emotionlessness through their", "In other words, they speak like they are reading out of a dictionary.", "how can you demonstrate a character's emotionlessness through their dialogue or other subtle", "the idea of a character with no emotions at all feels rather alien", "They also never use terms of endearment, always calling the main character by", "When describing their voice I would often use words like \"cold\" or \"apathetic\",", "dialogue or other subtle character interactions? So far, I've used a lot of", "like they are reading out of a dictionary. When describing their voice I", "words, they speak like they are reading out of a dictionary. When describing", "their dialogue or other subtle character interactions? So far, I've used a lot", "her first name and only that. They also blatantly ignore most of the", "would often use words like \"cold\" or \"apathetic\", mentioning that there is never", "make them \"sound\" more emotionless. For example, giving them a big and very", "I am writing is essentially a living computer. They have no emotions to", "with no emotions at all feels rather alien and difficult to accurately describe", "in their voice. They also never use terms of endearment, always calling the", "the character I am writing is essentially a living computer. They have no", "is never any inflection in their voice. They also never use terms of", "emotions such as fear, anger, or sadness and try to portray those in", "and only speak to the MC. It's easy to understand emotions such as", "emotionless. For example, giving them a big and very technical vocabulary. In other", "or \"apathetic\", mentioning that there is never any inflection in their voice. They", "character by her first name and only that. They also blatantly ignore most", "name and only that. They also blatantly ignore most of the other characters", "MC. It's easy to understand emotions such as fear, anger, or sadness and", "speak of. Essentially, they're an empty shell. So, my question is, how can", "computer. They have no emotions to speak of. Essentially, they're an empty shell.", "subtle character interactions? So far, I've used a lot of different methods to", "They have no emotions to speak of. Essentially, they're an empty shell. So,", "inflection in their voice. They also never use terms of endearment, always calling", "you demonstrate a character's emotionlessness through their dialogue or other subtle character interactions?", "character's emotionlessness through their dialogue or other subtle character interactions? So far, I've", "at all feels rather alien and difficult to accurately describe through character interactions", "and only that. They also blatantly ignore most of the other characters and", "of getting an audience to like them as a person. But the character", "getting an audience to like them as a person. But the character I", "a character, but the idea of a character with no emotions at all", "any inflection in their voice. They also never use terms of endearment, always", "those in a character, but the idea of a character with no emotions", "like \"cold\" or \"apathetic\", mentioning that there is never any inflection in their", "but the idea of a character with no emotions at all feels rather", "lot of different methods to make them \"sound\" more emotionless. For example, giving", "big and very technical vocabulary. In other words, they speak like they are", "used a lot of different methods to make them \"sound\" more emotionless. For", "I would often use words like \"cold\" or \"apathetic\", mentioning that there is", "to the MC. It's easy to understand emotions such as fear, anger, or", "first name and only that. They also blatantly ignore most of the other", "example, giving them a big and very technical vocabulary. In other words, they", "emotions is a huge part of getting an audience to like them as", "their voice I would often use words like \"cold\" or \"apathetic\", mentioning that", "interactions? So far, I've used a lot of different methods to make them" ]
[ "obstacles that it becomes intimidating. Often I’m afraid that characters in a scene", "delivered with the subtlety of a punch to the face. Every piece of", "street. The dialogue I produce is so nonsensical, so melodramatic, and so stilted", "Often I’m afraid that characters in a scene sound alike, what they say", "my strongest suit as a writer. I’m brilliant at writing prose. Action setpieces", "things to say about my worldbuilding talents. But making strong characters or passable", "write. And everyone I’ve shared my work with has nothing but positive things", "reader’s heads, won’t make sense or gets delivered with the subtlety of a", "many obstacles that it becomes intimidating. Often I’m afraid that characters in a", "shrieks at me, “ReAd mOrE BoOkSSS!” I find it harder and harder to", "of a punch to the face. Every piece of advice about writing dialogue", "isn’t up my street. The dialogue I produce is so nonsensical, so melodramatic,", "talk to each other doesn’t do it for me, as small talk makes", "has only further hindered me in my journey. Listening to strangers talk to", "hindered me in my journey. Listening to strangers talk to each other doesn’t", "process is filled with so many obstacles that it becomes intimidating. Often I’m", "as I tend to express myself in an overly formal way with speech", "making me wonder what is going through another person’s mind. Reading dialogue aloud", "out of the way. Dialogue, much like characterisation, has never been my strongest", "they say will fly right over the reader’s heads, won’t make sense or", "uncomfortable while making me wonder what is going through another person’s mind. Reading", "while making me wonder what is going through another person’s mind. Reading dialogue", "to be a socially awkward introvert with a slack grasp of the Theory", "say will fly right over the reader’s heads, won’t make sense or gets", "worldbuilding talents. But making strong characters or passable dialogue isn’t up my street.", "as I wouldn’t know what good dialogue was if it slapped me across", "been my strongest suit as a writer. I’m brilliant at writing prose. Action", "if it slapped me across the face. Not helping matters is that I", "what is going through another person’s mind. Reading dialogue aloud doesn’t help as", "makes me uncomfortable while making me wonder what is going through another person’s", "aloud doesn’t help as I tend to express myself in an overly formal", "also happen to be a socially awkward introvert with a slack grasp of", "tend to express myself in an overly formal way with speech or writing.", "and more resentful towards those more talented than me. Is there any possible", "find it harder and harder to do that with each passing day. Reading", "a slack grasp of the Theory of Mind. And before anyone shrieks at", "like characterisation, has never been my strongest suit as a writer. I’m brilliant", "The dialogue I produce is so nonsensical, so melodramatic, and so stilted it", "me to write. And everyone I’ve shared my work with has nothing but", "would even make the likes of Guojgu Lecav, Skip Woods, and Ehren Kruger", "awkward introvert with a slack grasp of the Theory of Mind. And before", "is that I also happen to be a socially awkward introvert with a", "BoOkSSS!” I find it harder and harder to do that with each passing", "from other fictional works hasn’t done any good, as I wouldn’t know what", "For me, the dialogue writing process is filled with so many obstacles that", "scene sound alike, what they say will fly right over the reader’s heads,", "Kruger burst into maniacal laughter if they were to ever read it. For", "piece of advice about writing dialogue I’ve found has only further hindered me", "it harder and harder to do that with each passing day. Reading novels", "me, as small talk makes me uncomfortable while making me wonder what is", "to express myself in an overly formal way with speech or writing. Studying", "that I also happen to be a socially awkward introvert with a slack", "it. For me, the dialogue writing process is filled with so many obstacles", "do it for me, as small talk makes me uncomfortable while making me", "express myself in an overly formal way with speech or writing. Studying dialogue", "talk makes me uncomfortable while making me wonder what is going through another", "do that with each passing day. Reading novels only makes me bitterer, angrier", "to ever read it. For me, the dialogue writing process is filled with", "the subtlety of a punch to the face. Every piece of advice about", "doesn’t help as I tend to express myself in an overly formal way", "it for me, as small talk makes me uncomfortable while making me wonder", "dialogue was if it slapped me across the face. Not helping matters is", "happen to be a socially awkward introvert with a slack grasp of the", "passing day. Reading novels only makes me bitterer, angrier and more resentful towards", "sound alike, what they say will fly right over the reader’s heads, won’t", "fly right over the reader’s heads, won’t make sense or gets delivered with", "face. Every piece of advice about writing dialogue I’ve found has only further", "Guojgu Lecav, Skip Woods, and Ehren Kruger burst into maniacal laughter if they", "slack grasp of the Theory of Mind. And before anyone shrieks at me,", "dialogue isn’t up my street. The dialogue I produce is so nonsensical, so", "I produce is so nonsensical, so melodramatic, and so stilted it would even", "so many obstacles that it becomes intimidating. Often I’m afraid that characters in", "help as I tend to express myself in an overly formal way with", "Theory of Mind. And before anyone shrieks at me, “ReAd mOrE BoOkSSS!” I", "the dialogue writing process is filled with so many obstacles that it becomes", "and Ehren Kruger burst into maniacal laughter if they were to ever read", "me wonder what is going through another person’s mind. Reading dialogue aloud doesn’t", "into maniacal laughter if they were to ever read it. For me, the", "what good dialogue was if it slapped me across the face. Not helping", "are a joy for me to write. And everyone I’ve shared my work", "they were to ever read it. For me, the dialogue writing process is", "that it becomes intimidating. Often I’m afraid that characters in a scene sound", "formal way with speech or writing. Studying dialogue from other fictional works hasn’t", "small talk makes me uncomfortable while making me wonder what is going through", "strong characters or passable dialogue isn’t up my street. The dialogue I produce", "gets delivered with the subtlety of a punch to the face. Every piece", "through another person’s mind. Reading dialogue aloud doesn’t help as I tend to", "characters or passable dialogue isn’t up my street. The dialogue I produce is", "the face. Not helping matters is that I also happen to be a", "everyone I’ve shared my work with has nothing but positive things to say", "dialogue writing process is filled with so many obstacles that it becomes intimidating.", "speech or writing. Studying dialogue from other fictional works hasn’t done any good,", "done any good, as I wouldn’t know what good dialogue was if it", "I find it harder and harder to do that with each passing day.", "maniacal laughter if they were to ever read it. For me, the dialogue", "a scene sound alike, what they say will fly right over the reader’s", "becomes intimidating. Often I’m afraid that characters in a scene sound alike, what", "I’ve found has only further hindered me in my journey. Listening to strangers", "me in my journey. Listening to strangers talk to each other doesn’t do", "characterisation, has never been my strongest suit as a writer. I’m brilliant at", "to say about my worldbuilding talents. But making strong characters or passable dialogue", "Listening to strangers talk to each other doesn’t do it for me, as", "to each other doesn’t do it for me, as small talk makes me", "Lecav, Skip Woods, and Ehren Kruger burst into maniacal laughter if they were", "other doesn’t do it for me, as small talk makes me uncomfortable while", "Skip Woods, and Ehren Kruger burst into maniacal laughter if they were to", "face. Not helping matters is that I also happen to be a socially", "it would even make the likes of Guojgu Lecav, Skip Woods, and Ehren", "Woods, and Ehren Kruger burst into maniacal laughter if they were to ever", "or passable dialogue isn’t up my street. The dialogue I produce is so", "the way. Dialogue, much like characterisation, has never been my strongest suit as", "resentful towards those more talented than me. Is there any possible way for", "I’m afraid that characters in a scene sound alike, what they say will", "only makes me bitterer, angrier and more resentful towards those more talented than", "dialogue I produce is so nonsensical, so melodramatic, and so stilted it would", "talented than me. Is there any possible way for me to solve this", "to strangers talk to each other doesn’t do it for me, as small", "for me to write. And everyone I’ve shared my work with has nothing", "And everyone I’ve shared my work with has nothing but positive things to", "me uncomfortable while making me wonder what is going through another person’s mind.", "talents. But making strong characters or passable dialogue isn’t up my street. The", "myself in an overly formal way with speech or writing. Studying dialogue from", "way with speech or writing. Studying dialogue from other fictional works hasn’t done", "journey. Listening to strangers talk to each other doesn’t do it for me,", "likes of Guojgu Lecav, Skip Woods, and Ehren Kruger burst into maniacal laughter", "Let’s get this out of the way. Dialogue, much like characterisation, has never", "mind. Reading dialogue aloud doesn’t help as I tend to express myself in", "only further hindered me in my journey. Listening to strangers talk to each", "has never been my strongest suit as a writer. I’m brilliant at writing", "is so nonsensical, so melodramatic, and so stilted it would even make the", "writing dialogue I’ve found has only further hindered me in my journey. Listening", "any good, as I wouldn’t know what good dialogue was if it slapped", "writer. I’m brilliant at writing prose. Action setpieces are a joy for me", "shared my work with has nothing but positive things to say about my", "Not helping matters is that I also happen to be a socially awkward", "of the way. Dialogue, much like characterisation, has never been my strongest suit", "the reader’s heads, won’t make sense or gets delivered with the subtlety of", "get this out of the way. Dialogue, much like characterisation, has never been", "sense or gets delivered with the subtlety of a punch to the face.", "punch to the face. Every piece of advice about writing dialogue I’ve found", "filled with so many obstacles that it becomes intimidating. Often I’m afraid that", "was if it slapped me across the face. Not helping matters is that", "more resentful towards those more talented than me. Is there any possible way", "stilted it would even make the likes of Guojgu Lecav, Skip Woods, and", "even make the likes of Guojgu Lecav, Skip Woods, and Ehren Kruger burst", "Reading dialogue aloud doesn’t help as I tend to express myself in an", "found has only further hindered me in my journey. Listening to strangers talk", "a socially awkward introvert with a slack grasp of the Theory of Mind.", "to write. And everyone I’ve shared my work with has nothing but positive", "so nonsensical, so melodramatic, and so stilted it would even make the likes", "nonsensical, so melodramatic, and so stilted it would even make the likes of", "Ehren Kruger burst into maniacal laughter if they were to ever read it.", "to do that with each passing day. Reading novels only makes me bitterer,", "day. Reading novels only makes me bitterer, angrier and more resentful towards those", "those more talented than me. Is there any possible way for me to", "advice about writing dialogue I’ve found has only further hindered me in my", "subtlety of a punch to the face. Every piece of advice about writing", "wouldn’t know what good dialogue was if it slapped me across the face.", "Mind. And before anyone shrieks at me, “ReAd mOrE BoOkSSS!” I find it", "make sense or gets delivered with the subtlety of a punch to the", "“ReAd mOrE BoOkSSS!” I find it harder and harder to do that with", "with the subtlety of a punch to the face. Every piece of advice", "as a writer. I’m brilliant at writing prose. Action setpieces are a joy", "harder to do that with each passing day. Reading novels only makes me", "up my street. The dialogue I produce is so nonsensical, so melodramatic, and", "I also happen to be a socially awkward introvert with a slack grasp", "of the Theory of Mind. And before anyone shrieks at me, “ReAd mOrE", "good, as I wouldn’t know what good dialogue was if it slapped me", "dialogue aloud doesn’t help as I tend to express myself in an overly", "it becomes intimidating. Often I’m afraid that characters in a scene sound alike,", "in a scene sound alike, what they say will fly right over the", "further hindered me in my journey. Listening to strangers talk to each other", "going through another person’s mind. Reading dialogue aloud doesn’t help as I tend", "the Theory of Mind. And before anyone shrieks at me, “ReAd mOrE BoOkSSS!”", "socially awkward introvert with a slack grasp of the Theory of Mind. And", "this out of the way. Dialogue, much like characterisation, has never been my", "but positive things to say about my worldbuilding talents. But making strong characters", "works hasn’t done any good, as I wouldn’t know what good dialogue was", "grasp of the Theory of Mind. And before anyone shrieks at me, “ReAd", "right over the reader’s heads, won’t make sense or gets delivered with the", "hasn’t done any good, as I wouldn’t know what good dialogue was if", "harder and harder to do that with each passing day. Reading novels only", "about my worldbuilding talents. But making strong characters or passable dialogue isn’t up", "a punch to the face. Every piece of advice about writing dialogue I’ve", "know what good dialogue was if it slapped me across the face. Not", "me across the face. Not helping matters is that I also happen to", "than me. Is there any possible way for me to solve this problem?", "what they say will fly right over the reader’s heads, won’t make sense", "positive things to say about my worldbuilding talents. But making strong characters or", "writing process is filled with so many obstacles that it becomes intimidating. Often", "if they were to ever read it. For me, the dialogue writing process", "a joy for me to write. And everyone I’ve shared my work with", "an overly formal way with speech or writing. Studying dialogue from other fictional", "I’m brilliant at writing prose. Action setpieces are a joy for me to", "novels only makes me bitterer, angrier and more resentful towards those more talented", "I’ve shared my work with has nothing but positive things to say about", "produce is so nonsensical, so melodramatic, and so stilted it would even make", "with has nothing but positive things to say about my worldbuilding talents. But", "laughter if they were to ever read it. For me, the dialogue writing", "overly formal way with speech or writing. Studying dialogue from other fictional works", "fictional works hasn’t done any good, as I wouldn’t know what good dialogue", "my worldbuilding talents. But making strong characters or passable dialogue isn’t up my", "angrier and more resentful towards those more talented than me. Is there any", "so melodramatic, and so stilted it would even make the likes of Guojgu", "towards those more talented than me. Is there any possible way for me", "bitterer, angrier and more resentful towards those more talented than me. Is there", "about writing dialogue I’ve found has only further hindered me in my journey.", "my work with has nothing but positive things to say about my worldbuilding", "setpieces are a joy for me to write. And everyone I’ve shared my", "a writer. I’m brilliant at writing prose. Action setpieces are a joy for", "is going through another person’s mind. Reading dialogue aloud doesn’t help as I", "wonder what is going through another person’s mind. Reading dialogue aloud doesn’t help", "person’s mind. Reading dialogue aloud doesn’t help as I tend to express myself", "that characters in a scene sound alike, what they say will fly right", "is filled with so many obstacles that it becomes intimidating. Often I’m afraid", "another person’s mind. Reading dialogue aloud doesn’t help as I tend to express", "make the likes of Guojgu Lecav, Skip Woods, and Ehren Kruger burst into", "dialogue from other fictional works hasn’t done any good, as I wouldn’t know", "makes me bitterer, angrier and more resentful towards those more talented than me.", "suit as a writer. I’m brilliant at writing prose. Action setpieces are a", "with so many obstacles that it becomes intimidating. Often I’m afraid that characters", "way. Dialogue, much like characterisation, has never been my strongest suit as a", "characters in a scene sound alike, what they say will fly right over", "or writing. Studying dialogue from other fictional works hasn’t done any good, as", "other fictional works hasn’t done any good, as I wouldn’t know what good", "say about my worldbuilding talents. But making strong characters or passable dialogue isn’t", "alike, what they say will fly right over the reader’s heads, won’t make", "with a slack grasp of the Theory of Mind. And before anyone shrieks", "But making strong characters or passable dialogue isn’t up my street. The dialogue", "of advice about writing dialogue I’ve found has only further hindered me in", "introvert with a slack grasp of the Theory of Mind. And before anyone", "And before anyone shrieks at me, “ReAd mOrE BoOkSSS!” I find it harder", "or gets delivered with the subtlety of a punch to the face. Every", "to the face. Every piece of advice about writing dialogue I’ve found has", "never been my strongest suit as a writer. I’m brilliant at writing prose.", "I wouldn’t know what good dialogue was if it slapped me across the", "be a socially awkward introvert with a slack grasp of the Theory of", "helping matters is that I also happen to be a socially awkward introvert", "more talented than me. Is there any possible way for me to solve", "much like characterisation, has never been my strongest suit as a writer. I’m", "so stilted it would even make the likes of Guojgu Lecav, Skip Woods,", "melodramatic, and so stilted it would even make the likes of Guojgu Lecav,", "me, the dialogue writing process is filled with so many obstacles that it", "will fly right over the reader’s heads, won’t make sense or gets delivered", "joy for me to write. And everyone I’ve shared my work with has", "afraid that characters in a scene sound alike, what they say will fly", "burst into maniacal laughter if they were to ever read it. For me,", "making strong characters or passable dialogue isn’t up my street. The dialogue I", "and harder to do that with each passing day. Reading novels only makes", "before anyone shrieks at me, “ReAd mOrE BoOkSSS!” I find it harder and", "Every piece of advice about writing dialogue I’ve found has only further hindered", "dialogue I’ve found has only further hindered me in my journey. Listening to", "has nothing but positive things to say about my worldbuilding talents. But making", "across the face. Not helping matters is that I also happen to be", "my street. The dialogue I produce is so nonsensical, so melodramatic, and so", "each passing day. Reading novels only makes me bitterer, angrier and more resentful", "won’t make sense or gets delivered with the subtlety of a punch to", "nothing but positive things to say about my worldbuilding talents. But making strong", "at me, “ReAd mOrE BoOkSSS!” I find it harder and harder to do", "good dialogue was if it slapped me across the face. Not helping matters", "me, “ReAd mOrE BoOkSSS!” I find it harder and harder to do that", "over the reader’s heads, won’t make sense or gets delivered with the subtlety", "in my journey. Listening to strangers talk to each other doesn’t do it", "in an overly formal way with speech or writing. Studying dialogue from other", "it slapped me across the face. Not helping matters is that I also", "brilliant at writing prose. Action setpieces are a joy for me to write.", "slapped me across the face. Not helping matters is that I also happen", "Action setpieces are a joy for me to write. And everyone I’ve shared", "of Guojgu Lecav, Skip Woods, and Ehren Kruger burst into maniacal laughter if", "the face. Every piece of advice about writing dialogue I’ve found has only", "Studying dialogue from other fictional works hasn’t done any good, as I wouldn’t", "that with each passing day. Reading novels only makes me bitterer, angrier and", "me bitterer, angrier and more resentful towards those more talented than me. Is", "mOrE BoOkSSS!” I find it harder and harder to do that with each", "were to ever read it. For me, the dialogue writing process is filled", "work with has nothing but positive things to say about my worldbuilding talents.", "heads, won’t make sense or gets delivered with the subtlety of a punch", "doesn’t do it for me, as small talk makes me uncomfortable while making", "Reading novels only makes me bitterer, angrier and more resentful towards those more", "of Mind. And before anyone shrieks at me, “ReAd mOrE BoOkSSS!” I find", "matters is that I also happen to be a socially awkward introvert with", "my journey. Listening to strangers talk to each other doesn’t do it for", "I tend to express myself in an overly formal way with speech or", "each other doesn’t do it for me, as small talk makes me uncomfortable", "read it. For me, the dialogue writing process is filled with so many", "prose. Action setpieces are a joy for me to write. And everyone I’ve", "strangers talk to each other doesn’t do it for me, as small talk", "Dialogue, much like characterisation, has never been my strongest suit as a writer.", "at writing prose. Action setpieces are a joy for me to write. And", "as small talk makes me uncomfortable while making me wonder what is going", "with speech or writing. Studying dialogue from other fictional works hasn’t done any", "intimidating. Often I’m afraid that characters in a scene sound alike, what they", "strongest suit as a writer. I’m brilliant at writing prose. Action setpieces are", "the likes of Guojgu Lecav, Skip Woods, and Ehren Kruger burst into maniacal", "writing prose. Action setpieces are a joy for me to write. And everyone", "writing. Studying dialogue from other fictional works hasn’t done any good, as I", "anyone shrieks at me, “ReAd mOrE BoOkSSS!” I find it harder and harder", "ever read it. For me, the dialogue writing process is filled with so", "with each passing day. Reading novels only makes me bitterer, angrier and more", "for me, as small talk makes me uncomfortable while making me wonder what", "and so stilted it would even make the likes of Guojgu Lecav, Skip", "passable dialogue isn’t up my street. The dialogue I produce is so nonsensical," ]
[ "3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien abominations that are", "mind controlling alien abominations that are the size of buildings and sky scrapers.", "teleportation and extreme telepathy and mind control. Nevertheless there isn't one enslaver. And", "abominations that are the size of buildings and sky scrapers. They can each", "telepathy and mind control. Nevertheless there isn't one enslaver. And though only four", "though only four appear over the course of the story I want to", "of buildings and sky scrapers. They can each control the weather, have limited", "weather, have limited telekinesis , infequent teleportation and extreme telepathy and mind control.", "to flesh out their physical differences and similarities. How would I show or", "buildings and sky scrapers. They can each control the weather, have limited telekinesis", "flesh out their physical differences and similarities. How would I show or describe", "their physical differences and similarities. How would I show or describe them individually?", "and sky scrapers. They can each control the weather, have limited telekinesis ,", "enslavers are mind controlling alien abominations that are the size of buildings and", "and mind control. Nevertheless there isn't one enslaver. And though only four appear", "limited telekinesis , infequent teleportation and extreme telepathy and mind control. Nevertheless there", "the size of buildings and sky scrapers. They can each control the weather,", "there isn't one enslaver. And though only four appear over the course of", "appear over the course of the story I want to flesh out their", "infequent teleportation and extreme telepathy and mind control. Nevertheless there isn't one enslaver.", "that are the size of buildings and sky scrapers. They can each control", ", infequent teleportation and extreme telepathy and mind control. Nevertheless there isn't one", "[![ENSLAVER W](https://i.stack.imgur.com/znksV.png)](https://i.stack.imgur.com/znksV.png) [![Enslaver 3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien", "over the course of the story I want to flesh out their physical", "[![Enslaver 1](https://i.stack.imgur.com/OR2V3.png)](https://i.stack.imgur.com/OR2V3.png) [![ENSLAVER W](https://i.stack.imgur.com/znksV.png)](https://i.stack.imgur.com/znksV.png) [![Enslaver 3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind", "each control the weather, have limited telekinesis , infequent teleportation and extreme telepathy", "mind control. Nevertheless there isn't one enslaver. And though only four appear over", "sky scrapers. They can each control the weather, have limited telekinesis , infequent", "telekinesis , infequent teleportation and extreme telepathy and mind control. Nevertheless there isn't", "enslaver. And though only four appear over the course of the story I", "can each control the weather, have limited telekinesis , infequent teleportation and extreme", "the story I want to flesh out their physical differences and similarities. How", "one enslaver. And though only four appear over the course of the story", "and extreme telepathy and mind control. Nevertheless there isn't one enslaver. And though", "the weather, have limited telekinesis , infequent teleportation and extreme telepathy and mind", "4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien abominations that are the size", "scrapers. They can each control the weather, have limited telekinesis , infequent teleportation", "W](https://i.stack.imgur.com/znksV.png)](https://i.stack.imgur.com/znksV.png) [![Enslaver 3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien abominations", "have limited telekinesis , infequent teleportation and extreme telepathy and mind control. Nevertheless", "are the size of buildings and sky scrapers. They can each control the", "alien abominations that are the size of buildings and sky scrapers. They can", "control the weather, have limited telekinesis , infequent teleportation and extreme telepathy and", "I want to flesh out their physical differences and similarities. How would I", "want to flesh out their physical differences and similarities. How would I show", "out their physical differences and similarities. How would I show or describe them", "Basically all enslavers are mind controlling alien abominations that are the size of", "course of the story I want to flesh out their physical differences and", "four appear over the course of the story I want to flesh out", "story I want to flesh out their physical differences and similarities. How would", "They can each control the weather, have limited telekinesis , infequent teleportation and", "[![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien abominations that are the", "size of buildings and sky scrapers. They can each control the weather, have", "control. Nevertheless there isn't one enslaver. And though only four appear over the", "1](https://i.stack.imgur.com/OR2V3.png)](https://i.stack.imgur.com/OR2V3.png) [![ENSLAVER W](https://i.stack.imgur.com/znksV.png)](https://i.stack.imgur.com/znksV.png) [![Enslaver 3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling", "extreme telepathy and mind control. Nevertheless there isn't one enslaver. And though only", "And though only four appear over the course of the story I want", "isn't one enslaver. And though only four appear over the course of the", "the course of the story I want to flesh out their physical differences", "of the story I want to flesh out their physical differences and similarities.", "controlling alien abominations that are the size of buildings and sky scrapers. They", "only four appear over the course of the story I want to flesh", "Nevertheless there isn't one enslaver. And though only four appear over the course", "are mind controlling alien abominations that are the size of buildings and sky", "all enslavers are mind controlling alien abominations that are the size of buildings", "[![Enslaver 3](https://i.stack.imgur.com/VcRk5.png)](https://i.stack.imgur.com/VcRk5.png) [![enslaver 4](https://i.stack.imgur.com/cmOhp.png)](https://i.stack.imgur.com/cmOhp.png) Basically all enslavers are mind controlling alien abominations that" ]
[ "write any story, even with ideas that could constitute a novel, and with", "doing wrong in this context. I'm aware that word count isn't everything, but", "context. I'm aware that word count isn't everything, but I would like to", "and a portion of that 30 pages often consists of loads of uselessly", "I write any story, even with ideas that could constitute a novel, and", "descriptions that add virtually nothing to the story itself. Even then, it always", "to, at most, 30 pages, and a portion of that 30 pages often", "each individual scene. I'm not sure what I'm doing wrong in this context.", "to each individual scene. I'm not sure what I'm doing wrong in this", "stretch ideas to such a length as 60-100,000 words, while not making it", "even with ideas that could constitute a novel, and with as many as", "it regardless. How do you stretch ideas to such a length as 60-100,000", "portion of that 30 pages often consists of loads of uselessly deep descriptions", "the story itself. Even then, it always seems very slow-paced. My current record", "regardless. How do you stretch ideas to such a length as 60-100,000 words,", "itself. Even then, it always seems very slow-paced. My current record for length", "ideas, and create novel-length stories off of it, all while maintaining the pace", "consists of loads of uselessly deep descriptions that add virtually nothing to the", "scene. I'm not sure what I'm doing wrong in this context. I'm aware", "that add virtually nothing to the story itself. Even then, it always seems", "length is roughly 20,000 words. Professional authors would take the same ideas, and", "pages often consists of loads of uselessly deep descriptions that add virtually nothing", "like to increase it regardless. How do you stretch ideas to such a", "I'm aware that word count isn't everything, but I would like to increase", "I'm not sure what I'm doing wrong in this context. I'm aware that", "everything, but I would like to increase it regardless. How do you stretch", "How do you stretch ideas to such a length as 60-100,000 words, while", "uselessly deep descriptions that add virtually nothing to the story itself. Even then,", "comes out to, at most, 30 pages, and a portion of that 30", "nothing to the story itself. Even then, it always seems very slow-paced. My", "create novel-length stories off of it, all while maintaining the pace with respect", "story, even with ideas that could constitute a novel, and with as many", "as three subplots, it always comes out to, at most, 30 pages, and", "that 30 pages often consists of loads of uselessly deep descriptions that add", "always seems very slow-paced. My current record for length is roughly 20,000 words.", "as many as three subplots, it always comes out to, at most, 30", "current record for length is roughly 20,000 words. Professional authors would take the", "many as three subplots, it always comes out to, at most, 30 pages,", "with respect to each individual scene. I'm not sure what I'm doing wrong", "such a length as 60-100,000 words, while not making it feel bloated or", "what I'm doing wrong in this context. I'm aware that word count isn't", "is roughly 20,000 words. Professional authors would take the same ideas, and create", "roughly 20,000 words. Professional authors would take the same ideas, and create novel-length", "out to, at most, 30 pages, and a portion of that 30 pages", "authors would take the same ideas, and create novel-length stories off of it,", "you stretch ideas to such a length as 60-100,000 words, while not making", "isn't everything, but I would like to increase it regardless. How do you", "it always seems very slow-paced. My current record for length is roughly 20,000", "subplots, it always comes out to, at most, 30 pages, and a portion", "of uselessly deep descriptions that add virtually nothing to the story itself. Even", "sure what I'm doing wrong in this context. I'm aware that word count", "increase it regardless. How do you stretch ideas to such a length as", "to the story itself. Even then, it always seems very slow-paced. My current", "it, all while maintaining the pace with respect to each individual scene. I'm", "Even then, it always seems very slow-paced. My current record for length is", "it always comes out to, at most, 30 pages, and a portion of", "with as many as three subplots, it always comes out to, at most,", "novel-length stories off of it, all while maintaining the pace with respect to", "30 pages, and a portion of that 30 pages often consists of loads", "any story, even with ideas that could constitute a novel, and with as", "that word count isn't everything, but I would like to increase it regardless.", "aware that word count isn't everything, but I would like to increase it", "in this context. I'm aware that word count isn't everything, but I would", "add virtually nothing to the story itself. Even then, it always seems very", "but I would like to increase it regardless. How do you stretch ideas", "I would like to increase it regardless. How do you stretch ideas to", "a portion of that 30 pages often consists of loads of uselessly deep", "for length is roughly 20,000 words. Professional authors would take the same ideas,", "word count isn't everything, but I would like to increase it regardless. How", "novel, and with as many as three subplots, it always comes out to,", "seems very slow-paced. My current record for length is roughly 20,000 words. Professional", "loads of uselessly deep descriptions that add virtually nothing to the story itself.", "stories off of it, all while maintaining the pace with respect to each", "slow-paced. My current record for length is roughly 20,000 words. Professional authors would", "20,000 words. Professional authors would take the same ideas, and create novel-length stories", "My current record for length is roughly 20,000 words. Professional authors would take", "with ideas that could constitute a novel, and with as many as three", "very slow-paced. My current record for length is roughly 20,000 words. Professional authors", "the same ideas, and create novel-length stories off of it, all while maintaining", "all while maintaining the pace with respect to each individual scene. I'm not", "count isn't everything, but I would like to increase it regardless. How do", "deep descriptions that add virtually nothing to the story itself. Even then, it", "to increase it regardless. How do you stretch ideas to such a length", "always comes out to, at most, 30 pages, and a portion of that", "ideas that could constitute a novel, and with as many as three subplots,", "I'm doing wrong in this context. I'm aware that word count isn't everything,", "do you stretch ideas to such a length as 60-100,000 words, while not", "this context. I'm aware that word count isn't everything, but I would like", "and with as many as three subplots, it always comes out to, at", "then, it always seems very slow-paced. My current record for length is roughly", "record for length is roughly 20,000 words. Professional authors would take the same", "take the same ideas, and create novel-length stories off of it, all while", "often consists of loads of uselessly deep descriptions that add virtually nothing to", "virtually nothing to the story itself. Even then, it always seems very slow-paced.", "of it, all while maintaining the pace with respect to each individual scene.", "at most, 30 pages, and a portion of that 30 pages often consists", "to such a length as 60-100,000 words, while not making it feel bloated", "of that 30 pages often consists of loads of uselessly deep descriptions that", "a length as 60-100,000 words, while not making it feel bloated or overextended?", "pages, and a portion of that 30 pages often consists of loads of", "of loads of uselessly deep descriptions that add virtually nothing to the story", "words. Professional authors would take the same ideas, and create novel-length stories off", "a novel, and with as many as three subplots, it always comes out", "same ideas, and create novel-length stories off of it, all while maintaining the", "while maintaining the pace with respect to each individual scene. I'm not sure", "Whenever I write any story, even with ideas that could constitute a novel,", "could constitute a novel, and with as many as three subplots, it always", "would like to increase it regardless. How do you stretch ideas to such", "ideas to such a length as 60-100,000 words, while not making it feel", "and create novel-length stories off of it, all while maintaining the pace with", "respect to each individual scene. I'm not sure what I'm doing wrong in", "individual scene. I'm not sure what I'm doing wrong in this context. I'm", "maintaining the pace with respect to each individual scene. I'm not sure what", "the pace with respect to each individual scene. I'm not sure what I'm", "constitute a novel, and with as many as three subplots, it always comes", "wrong in this context. I'm aware that word count isn't everything, but I", "30 pages often consists of loads of uselessly deep descriptions that add virtually", "not sure what I'm doing wrong in this context. I'm aware that word", "would take the same ideas, and create novel-length stories off of it, all", "Professional authors would take the same ideas, and create novel-length stories off of", "off of it, all while maintaining the pace with respect to each individual", "three subplots, it always comes out to, at most, 30 pages, and a", "most, 30 pages, and a portion of that 30 pages often consists of", "story itself. Even then, it always seems very slow-paced. My current record for", "that could constitute a novel, and with as many as three subplots, it", "pace with respect to each individual scene. I'm not sure what I'm doing" ]
[ "a web-based application)? What I tried: I tried Microsoft Word, and it makes", "but it does not number the outline (uses bullet points instead) and does", "\"Structured\" means that the outline should end up looking something like this: ```", "or MacOS (i.e. not a web-based application)? What I tried: I tried Microsoft", "MacOS (i.e. not a web-based application)? What I tried: I tried Microsoft Word,", "of a certain topic, for organizing my ideas. \"Structured\" means that the outline", "recommend an application which is doing this and runs either on Microsoft Windows", "Word, and it makes it easy to handle the numbering and manipulate the", "actual writing process. I tried Dynalist, which really looks good, but it does", "(i.e. not a web-based application)? What I tried: I tried Microsoft Word, and", "tell it to hide a whole subtree. I considered writing the outline using", "* make it easy to indent (create a deeper level of hierarchy) or", "my outline on local disk Can someone recommend an application which is doing", "me from the actual writing process. I tried Dynalist, which really looks good,", "numbering automatically (and renumber if pieces are dragged around) * make it easy", "handle the numbering and manipulate the hierarchy, but I can't tell it to", "tried: I tried Microsoft Word, and it makes it easy to handle the", "the outline should end up looking something like this: ``` 1. aaa 2.", "(uses bullet points instead) and does not allow me to backup my data", "a whole subtree. I considered writing the outline using HTML and the collapsible", "a certain topic, for organizing my ideas. \"Structured\" means that the outline should", "When viewing it, make it easy to hide or unhide (fold/unfold) a subtree", "certain topic, for organizing my ideas. \"Structured\" means that the outline should end", "hide or unhide (fold/unfold) a subtree * I should be able to save", "I googled for the terms \"software outline\", but what came out, were mostly", "it makes it easy to handle the numbering and manipulate the hierarchy, but", "instead) and does not allow me to backup my data on my local", "out, were mostly tools for drawing a mindmap. I didn't find a single", "be too tedious and detracts me from the actual writing process. I tried", "it does not number the outline (uses bullet points instead) and does not", "aaa 2. bbb 2.1 ccc 2.2 ddd 3. eee ``` The program should", "level of hierarchy) or outdent (shift the indentation to the left) * When", "the outline using HTML and the collapsible style element of CSS, but this", "does not number the outline (uses bullet points instead) and does not allow", "program should * do the numbering automatically (and renumber if pieces are dragged", "viewing it, make it easy to hide or unhide (fold/unfold) a subtree ", "an application which is doing this and runs either on Microsoft Windows or", "tools for drawing a mindmap. I didn't find a single one, which would", "which is doing this and runs either on Microsoft Windows or MacOS (i.e.", "manipulate the hierarchy, but I can't tell it to hide a whole subtree.", "really looks good, but it does not number the outline (uses bullet points", "the numbering automatically (and renumber if pieces are dragged around) make it", "easy to indent (create a deeper level of hierarchy) or outdent (shift the", "The program should * do the numbering automatically (and renumber if pieces are", "detailed structured outline of a certain topic, for organizing my ideas. \"Structured\" means", "makes it easy to handle the numbering and manipulate the hierarchy, but I", "process. I tried Dynalist, which really looks good, but it does not number", "deeper level of hierarchy) or outdent (shift the indentation to the left) ", "the hierarchy, but I can't tell it to hide a whole subtree. I", "outline of a certain topic, for organizing my ideas. \"Structured\" means that the", "(and renumber if pieces are dragged around) make it easy to indent", "detracts me from the actual writing process. I tried Dynalist, which really looks", "* When viewing it, make it easy to hide or unhide (fold/unfold) a", "to the left) * When viewing it, make it easy to hide or", "for organizing my ideas. \"Structured\" means that the outline should end up looking", "of hierarchy) or outdent (shift the indentation to the left) * When viewing", "I tried Dynalist, which really looks good, but it does not number the", "it easy to hide or unhide (fold/unfold) a subtree * I should be", "terms \"software outline\", but what came out, were mostly tools for drawing a", "local disk Can someone recommend an application which is doing this and runs", "means that the outline should end up looking something like this: ``` 1.", "do the numbering automatically (and renumber if pieces are dragged around) * make", "around) * make it easy to indent (create a deeper level of hierarchy)", "the left) * When viewing it, make it easy to hide or unhide", "were mostly tools for drawing a mindmap. I didn't find a single one,", "points instead) and does not allow me to backup my data on my", "ideas. \"Structured\" means that the outline should end up looking something like this:", "2.1 ccc 2.2 ddd 3. eee ``` The program should * do the", "to save my outline on local disk Can someone recommend an application which", "eee ``` The program should * do the numbering automatically (and renumber if", "seems to be too tedious and detracts me from the actual writing process.", "element of CSS, but this seems to be too tedious and detracts me", "not a web-based application)? What I tried: I tried Microsoft Word, and it", "didn't find a single one, which would even match what Microsoft Word already", "or outdent (shift the indentation to the left) * When viewing it, make", "CSS, but this seems to be too tedious and detracts me from the", "outline\", but what came out, were mostly tools for drawing a mindmap. I", "on local disk Can someone recommend an application which is doing this and", "outline on local disk Can someone recommend an application which is doing this", "I can't tell it to hide a whole subtree. I considered writing the", "to backup my data on my local disk. I googled for the terms", "indent (create a deeper level of hierarchy) or outdent (shift the indentation to", "not allow me to backup my data on my local disk. I googled", "my ideas. \"Structured\" means that the outline should end up looking something like", "the indentation to the left) * When viewing it, make it easy to", "(shift the indentation to the left) * When viewing it, make it easy", "does not allow me to backup my data on my local disk. I", "find a single one, which would even match what Microsoft Word already has", "left) * When viewing it, make it easy to hide or unhide (fold/unfold)", "backup my data on my local disk. I googled for the terms \"software", "and detracts me from the actual writing process. I tried Dynalist, which really", "* do the numbering automatically (and renumber if pieces are dragged around) ", "but this seems to be too tedious and detracts me from the actual", "which really looks good, but it does not number the outline (uses bullet", "web-based application)? What I tried: I tried Microsoft Word, and it makes it", "``` The program should do the numbering automatically (and renumber if pieces", "it easy to handle the numbering and manipulate the hierarchy, but I can't", "and runs either on Microsoft Windows or MacOS (i.e. not a web-based application)?", "writing the outline using HTML and the collapsible style element of CSS, but", "hierarchy, but I can't tell it to hide a whole subtree. I considered", "structured outline of a certain topic, for organizing my ideas. \"Structured\" means that", "the collapsible style element of CSS, but this seems to be too tedious", "it to hide a whole subtree. I considered writing the outline using HTML", "but what came out, were mostly tools for drawing a mindmap. I didn't", "for drawing a mindmap. I didn't find a single one, which would even", "should be able to save my outline on local disk Can someone recommend", "this seems to be too tedious and detracts me from the actual writing", "2. bbb 2.1 ccc 2.2 ddd 3. eee ``` The program should ", "to indent (create a deeper level of hierarchy) or outdent (shift the indentation", "automatically (and renumber if pieces are dragged around) make it easy to", "save my outline on local disk Can someone recommend an application which is", "HTML and the collapsible style element of CSS, but this seems to be", "application which is doing this and runs either on Microsoft Windows or MacOS", "of CSS, but this seems to be too tedious and detracts me from", "be able to save my outline on local disk Can someone recommend an", "\"software outline\", but what came out, were mostly tools for drawing a mindmap.", "not number the outline (uses bullet points instead) and does not allow me", "this and runs either on Microsoft Windows or MacOS (i.e. not a web-based", "it, make it easy to hide or unhide (fold/unfold) a subtree * I", "looks good, but it does not number the outline (uses bullet points instead)", "a mindmap. I didn't find a single one, which would even match what", "looking something like this: ``` 1. aaa 2. bbb 2.1 ccc 2.2 ddd", "bbb 2.1 ccc 2.2 ddd 3. eee ``` The program should * do", "Microsoft Windows or MacOS (i.e. not a web-based application)? What I tried: I", "indentation to the left) * When viewing it, make it easy to hide", "unhide (fold/unfold) a subtree * I should be able to save my outline", "outdent (shift the indentation to the left) * When viewing it, make it", "Dynalist, which really looks good, but it does not number the outline (uses", "2.2 ddd 3. eee ``` The program should * do the numbering automatically", "bullet points instead) and does not allow me to backup my data on", "topic, for organizing my ideas. \"Structured\" means that the outline should end up", "my local disk. I googled for the terms \"software outline\", but what came", "data on my local disk. I googled for the terms \"software outline\", but", "me to backup my data on my local disk. I googled for the", "mostly tools for drawing a mindmap. I didn't find a single one, which", "single one, which would even match what Microsoft Word already has to offer.", "using HTML and the collapsible style element of CSS, but this seems to", "outline (uses bullet points instead) and does not allow me to backup my", "3. eee ``` The program should * do the numbering automatically (and renumber", "considered writing the outline using HTML and the collapsible style element of CSS,", "disk. I googled for the terms \"software outline\", but what came out, were", "my data on my local disk. I googled for the terms \"software outline\",", "dragged around) * make it easy to indent (create a deeper level of", "allow me to backup my data on my local disk. I googled for", "that the outline should end up looking something like this: ``` 1. aaa", "local disk. I googled for the terms \"software outline\", but what came out,", "mindmap. I didn't find a single one, which would even match what Microsoft", "too tedious and detracts me from the actual writing process. I tried Dynalist,", "either on Microsoft Windows or MacOS (i.e. not a web-based application)? What I", "like to write a detailed structured outline of a certain topic, for organizing", "should * do the numbering automatically (and renumber if pieces are dragged around)", "and manipulate the hierarchy, but I can't tell it to hide a whole", "ccc 2.2 ddd 3. eee ``` The program should * do the numbering", "are dragged around) * make it easy to indent (create a deeper level", "(fold/unfold) a subtree * I should be able to save my outline on", "Can someone recommend an application which is doing this and runs either on", "subtree * I should be able to save my outline on local disk", "should end up looking something like this: ``` 1. aaa 2. bbb 2.1", "on my local disk. I googled for the terms \"software outline\", but what", "I should be able to save my outline on local disk Can someone", "would like to write a detailed structured outline of a certain topic, for", "and it makes it easy to handle the numbering and manipulate the hierarchy,", "to hide a whole subtree. I considered writing the outline using HTML and", "writing process. I tried Dynalist, which really looks good, but it does not", "What I tried: I tried Microsoft Word, and it makes it easy to", "(create a deeper level of hierarchy) or outdent (shift the indentation to the", "googled for the terms \"software outline\", but what came out, were mostly tools", "runs either on Microsoft Windows or MacOS (i.e. not a web-based application)? What", "``` 1. aaa 2. bbb 2.1 ccc 2.2 ddd 3. eee ``` The", "is doing this and runs either on Microsoft Windows or MacOS (i.e. not", "end up looking something like this: ``` 1. aaa 2. bbb 2.1 ccc", "organizing my ideas. \"Structured\" means that the outline should end up looking something", "easy to hide or unhide (fold/unfold) a subtree * I should be able", "doing this and runs either on Microsoft Windows or MacOS (i.e. not a", "to handle the numbering and manipulate the hierarchy, but I can't tell it", "good, but it does not number the outline (uses bullet points instead) and", "outline should end up looking something like this: ``` 1. aaa 2. bbb", "this: ``` 1. aaa 2. bbb 2.1 ccc 2.2 ddd 3. eee ```", "style element of CSS, but this seems to be too tedious and detracts", "I tried: I tried Microsoft Word, and it makes it easy to handle", "hide a whole subtree. I considered writing the outline using HTML and the", "can't tell it to hide a whole subtree. I considered writing the outline", "it easy to indent (create a deeper level of hierarchy) or outdent (shift", "on Microsoft Windows or MacOS (i.e. not a web-based application)? What I tried:", "number the outline (uses bullet points instead) and does not allow me to", "Microsoft Word, and it makes it easy to handle the numbering and manipulate", "* I should be able to save my outline on local disk Can", "if pieces are dragged around) * make it easy to indent (create a", "from the actual writing process. I tried Dynalist, which really looks good, but", "tried Microsoft Word, and it makes it easy to handle the numbering and", "renumber if pieces are dragged around) * make it easy to indent (create", "what came out, were mostly tools for drawing a mindmap. I didn't find", "able to save my outline on local disk Can someone recommend an application", "I would like to write a detailed structured outline of a certain topic,", "hierarchy) or outdent (shift the indentation to the left) * When viewing it,", "and does not allow me to backup my data on my local disk.", "the terms \"software outline\", but what came out, were mostly tools for drawing", "like this: ``` 1. aaa 2. bbb 2.1 ccc 2.2 ddd 3. eee", "the actual writing process. I tried Dynalist, which really looks good, but it", "I tried Microsoft Word, and it makes it easy to handle the numbering", "up looking something like this: ``` 1. aaa 2. bbb 2.1 ccc 2.2", "tedious and detracts me from the actual writing process. I tried Dynalist, which", "something like this: ``` 1. aaa 2. bbb 2.1 ccc 2.2 ddd 3.", "and the collapsible style element of CSS, but this seems to be too", "a single one, which would even match what Microsoft Word already has to", "numbering and manipulate the hierarchy, but I can't tell it to hide a", "pieces are dragged around) * make it easy to indent (create a deeper", "the numbering and manipulate the hierarchy, but I can't tell it to hide", "to write a detailed structured outline of a certain topic, for organizing my", "1. aaa 2. bbb 2.1 ccc 2.2 ddd 3. eee ``` The program", "someone recommend an application which is doing this and runs either on Microsoft", "I considered writing the outline using HTML and the collapsible style element of", "ddd 3. eee ``` The program should * do the numbering automatically (and", "to be too tedious and detracts me from the actual writing process. I", "came out, were mostly tools for drawing a mindmap. I didn't find a", "Windows or MacOS (i.e. not a web-based application)? What I tried: I tried", "a deeper level of hierarchy) or outdent (shift the indentation to the left)", "the outline (uses bullet points instead) and does not allow me to backup", "application)? What I tried: I tried Microsoft Word, and it makes it easy", "a detailed structured outline of a certain topic, for organizing my ideas. \"Structured\"", "outline using HTML and the collapsible style element of CSS, but this seems", "drawing a mindmap. I didn't find a single one, which would even match", "make it easy to hide or unhide (fold/unfold) a subtree * I should", "but I can't tell it to hide a whole subtree. I considered writing", "make it easy to indent (create a deeper level of hierarchy) or outdent", "a subtree * I should be able to save my outline on local", "for the terms \"software outline\", but what came out, were mostly tools for", "to hide or unhide (fold/unfold) a subtree * I should be able to", "write a detailed structured outline of a certain topic, for organizing my ideas.", "tried Dynalist, which really looks good, but it does not number the outline", "I didn't find a single one, which would even match what Microsoft Word", "whole subtree. I considered writing the outline using HTML and the collapsible style", "easy to handle the numbering and manipulate the hierarchy, but I can't tell", "disk Can someone recommend an application which is doing this and runs either", "or unhide (fold/unfold) a subtree * I should be able to save my", "subtree. I considered writing the outline using HTML and the collapsible style element", "collapsible style element of CSS, but this seems to be too tedious and" ]
[ "narrator narrates Character A for the whole book, but Character B wants to", "A for the whole book, but Character B wants to tell Character A", "whole book, but Character B wants to tell Character A about a memory", "then, the narrator narrates Character B's experiences for a short while. In movies", "of, would be to write a gigantic dialogue paragraph? Which personally, I would", "into this flashback and I wonder if that could be translated into a", "movies and shows you often see moments when someone talks about something that", "could be translated into a written narrative. The only other option I see/know", "about something that happened and it brings the audience into this flashback and", "see/know of, would be to write a gigantic dialogue paragraph? Which personally, I", "this flashback and I wonder if that could be translated into a written", "realise would make the story not limited).* For example: The narrator narrates Character", "make the story not limited).* For example: The narrator narrates Character A for", "in limited third-person, would it pull a reader out of the story too", "too much by having a memory from another character's perspective for a while?", "the story not limited).* For example: The narrator narrates Character A for the", "option I see/know of, would be to write a gigantic dialogue paragraph? Which", "I wonder if that could be translated into a written narrative. The only", "story not limited).* For example: The narrator narrates Character A for the whole", "would it pull a reader out of the story too much by having", "would make the story not limited).* For example: The narrator narrates Character A", "gigantic dialogue paragraph? Which personally, I would find a little boring because it", "pull a reader out of the story too much by having a memory", "For example: The narrator narrates Character A for the whole book, but Character", "example: The narrator narrates Character A for the whole book, but Character B", "having a memory from another character's perspective for a while? (Which I realise", "wonder if that could be translated into a written narrative. The only other", "limited). For example: The narrator narrates Character A for the whole book, but", "When writing in limited third-person, would it pull a reader out of the", "Which personally, I would find a little boring because it feels limiting. I'm", "a memory they have. So then, the narrator narrates Character B's experiences for", "to tell Character A about a memory they have. So then, the narrator", "other option I see/know of, would be to write a gigantic dialogue paragraph?", "narrates Character A for the whole book, but Character B wants to tell", "see moments when someone talks about something that happened and it brings the", "to write a gigantic dialogue paragraph? Which personally, I would find a little", "another character's perspective for a while? (Which I realise would make the story", "story too much by having a memory from another character's perspective for a", "but Character B wants to tell Character A about a memory they have.", "the story too much by having a memory from another character's perspective for", "short while. In movies and shows you often see moments when someone talks", "writing in limited third-person, would it pull a reader out of the story", "memory they have. So then, the narrator narrates Character B's experiences for a", "out of the story too much by having a memory from another character's", "perspective for a while? (Which I realise would make the story not limited).", "I see/know of, would be to write a gigantic dialogue paragraph? Which personally,", "(Which I realise would make the story not limited).* For example: The narrator", "In movies and shows you often see moments when someone talks about something", "a gigantic dialogue paragraph? Which personally, I would find a little boring because", "Character B wants to tell Character A about a memory they have. So", "the whole book, but Character B wants to tell Character A about a", "the audience into this flashback and I wonder if that could be translated", "book, but Character B wants to tell Character A about a memory they", "tell Character A about a memory they have. So then, the narrator narrates", "moments when someone talks about something that happened and it brings the audience", "and I wonder if that could be translated into a written narrative. The", "be translated into a written narrative. The only other option I see/know of,", "wants to tell Character A about a memory they have. So then, the", "personally, I would find a little boring because it feels limiting. I'm curious", "for a while? (Which I realise would make the story not limited). For", "from another character's perspective for a while? (Which I realise would make the", "written narrative. The only other option I see/know of, would be to write", "Character B's experiences for a short while. In movies and shows you often", "third-person, would it pull a reader out of the story too much by", "someone talks about something that happened and it brings the audience into this", "translated into a written narrative. The only other option I see/know of, would", "a short while. In movies and shows you often see moments when someone", "a little boring because it feels limiting. I'm curious for some thoughts :)", "while? (Which I realise would make the story not limited).* For example: The", "something that happened and it brings the audience into this flashback and I", "of the story too much by having a memory from another character's perspective", "narrator narrates Character B's experiences for a short while. In movies and shows", "audience into this flashback and I wonder if that could be translated into", "you often see moments when someone talks about something that happened and it", "talks about something that happened and it brings the audience into this flashback", "for the whole book, but Character B wants to tell Character A about", "I would find a little boring because it feels limiting. I'm curious for", "when someone talks about something that happened and it brings the audience into", "A about a memory they have. So then, the narrator narrates Character B's", "The narrator narrates Character A for the whole book, but Character B wants", "memory from another character's perspective for a while? (Which I realise would make", "for a short while. In movies and shows you often see moments when", "B wants to tell Character A about a memory they have. So then,", "it pull a reader out of the story too much by having a", "shows you often see moments when someone talks about something that happened and", "limited third-person, would it pull a reader out of the story too much", "a reader out of the story too much by having a memory from", "would be to write a gigantic dialogue paragraph? Which personally, I would find", "Character A for the whole book, but Character B wants to tell Character", "be to write a gigantic dialogue paragraph? Which personally, I would find a", "a memory from another character's perspective for a while? (Which I realise would", "brings the audience into this flashback and I wonder if that could be", "into a written narrative. The only other option I see/know of, would be", "Character A about a memory they have. So then, the narrator narrates Character", "paragraph? Which personally, I would find a little boring because it feels limiting.", "The only other option I see/know of, would be to write a gigantic", "while. In movies and shows you often see moments when someone talks about", "about a memory they have. So then, the narrator narrates Character B's experiences", "find a little boring because it feels limiting. I'm curious for some thoughts", "and it brings the audience into this flashback and I wonder if that", "if that could be translated into a written narrative. The only other option", "not limited).* For example: The narrator narrates Character A for the whole book,", "B's experiences for a short while. In movies and shows you often see", "by having a memory from another character's perspective for a while? (Which I", "have. So then, the narrator narrates Character B's experiences for a short while.", "reader out of the story too much by having a memory from another", "dialogue paragraph? Which personally, I would find a little boring because it feels", "only other option I see/know of, would be to write a gigantic dialogue", "So then, the narrator narrates Character B's experiences for a short while. In", "happened and it brings the audience into this flashback and I wonder if", "and shows you often see moments when someone talks about something that happened", "experiences for a short while. In movies and shows you often see moments", "a written narrative. The only other option I see/know of, would be to", "I realise would make the story not limited). For example: The narrator narrates", "often see moments when someone talks about something that happened and it brings", "that could be translated into a written narrative. The only other option I", "a while? (Which I realise would make the story not limited). For example:", "that happened and it brings the audience into this flashback and I wonder", "the narrator narrates Character B's experiences for a short while. In movies and", "much by having a memory from another character's perspective for a while? (Which", "narrates Character B's experiences for a short while. In movies and shows you", "write a gigantic dialogue paragraph? Which personally, I would find a little boring", "character's perspective for a while? (Which I realise would make the story not", "they have. So then, the narrator narrates Character B's experiences for a short", "narrative. The only other option I see/know of, would be to write a", "it brings the audience into this flashback and I wonder if that could", "flashback and I wonder if that could be translated into a written narrative.", "would find a little boring because it feels limiting. I'm curious for some" ]
[ "was? Is this a totally okay way to handle a main character, or", "I am assuming that his character will be shown to have passed away", "okay way to handle a main character, or is it something terrible that", "to have passed away in Fluck Yanvhir: Wakanda Forever. But I'm wondering: is", "Yanvhir, has passed away, I am assuming that his character will be shown", "tragic his death was? Is this a totally okay way to handle a", "away, I am assuming that his character will be shown to have passed", "avoided at all costs? I am thinking the answer might depend on whether", "something terrible that should be avoided at all costs? I am thinking the", "totally okay way to handle a main character, or is it something terrible", "Forever. But I'm wondering: is it okay to kill your main character off-screen,", "characters mention how tragic his death was? Is this a totally okay way", "off-screen, and make the other characters mention how tragic his death was? Is", "mention how tragic his death was? Is this a totally okay way to", "away in Fluck Yanvhir: Wakanda Forever. But I'm wondering: is it okay to", "thinking the answer might depend on whether the character's actor died, on whether", "character, or is it something terrible that should be avoided at all costs?", "main character, or is it something terrible that should be avoided at all", "might depend on whether the character's actor died, on whether it's a film,", "the character's actor died, on whether it's a film, and whether you're writing", "make the other characters mention how tragic his death was? Is this a", "other characters mention how tragic his death was? Is this a totally okay", "that should be avoided at all costs? I am thinking the answer might", "a novel that's based on fictional characters, but I am not 100% sure.", "terrible that should be avoided at all costs? I am thinking the answer", "will be shown to have passed away in Fluck Yanvhir: Wakanda Forever. But", "it's a film, and whether you're writing a novel that's based on fictional", "at all costs? I am thinking the answer might depend on whether the", "all costs? I am thinking the answer might depend on whether the character's", "whether the character's actor died, on whether it's a film, and whether you're", "the other characters mention how tragic his death was? Is this a totally", "to kill your main character off-screen, and make the other characters mention how", "actor died, on whether it's a film, and whether you're writing a novel", "a main character, or is it something terrible that should be avoided at", "it okay to kill your main character off-screen, and make the other characters", "and make the other characters mention how tragic his death was? Is this", "whether it's a film, and whether you're writing a novel that's based on", "on whether it's a film, and whether you're writing a novel that's based", "okay to kill your main character off-screen, and make the other characters mention", "be avoided at all costs? I am thinking the answer might depend on", "be shown to have passed away in Fluck Yanvhir: Wakanda Forever. But I'm", "film, and whether you're writing a novel that's based on fictional characters, but", "that his character will be shown to have passed away in Fluck Yanvhir:", "costs? I am thinking the answer might depend on whether the character's actor", "Wakanda Forever. But I'm wondering: is it okay to kill your main character", "the answer might depend on whether the character's actor died, on whether it's", "Because Chadwick Boseman, who played Fluck Yanvhir, has passed away, I am assuming", "has passed away, I am assuming that his character will be shown to", "his death was? Is this a totally okay way to handle a main", "is it something terrible that should be avoided at all costs? I am", "you're writing a novel that's based on fictional characters, but I am not", "main character off-screen, and make the other characters mention how tragic his death", "I am thinking the answer might depend on whether the character's actor died,", "on whether the character's actor died, on whether it's a film, and whether", "am assuming that his character will be shown to have passed away in", "Fluck Yanvhir: Wakanda Forever. But I'm wondering: is it okay to kill your", "played Fluck Yanvhir, has passed away, I am assuming that his character will", "death was? Is this a totally okay way to handle a main character,", "am thinking the answer might depend on whether the character's actor died, on", "whether you're writing a novel that's based on fictional characters, but I am", "handle a main character, or is it something terrible that should be avoided", "a totally okay way to handle a main character, or is it something", "Fluck Yanvhir, has passed away, I am assuming that his character will be", "I'm wondering: is it okay to kill your main character off-screen, and make", "character will be shown to have passed away in Fluck Yanvhir: Wakanda Forever.", "a film, and whether you're writing a novel that's based on fictional characters,", "writing a novel that's based on fictional characters, but I am not 100%", "should be avoided at all costs? I am thinking the answer might depend", "this a totally okay way to handle a main character, or is it", "way to handle a main character, or is it something terrible that should", "in Fluck Yanvhir: Wakanda Forever. But I'm wondering: is it okay to kill", "Yanvhir: Wakanda Forever. But I'm wondering: is it okay to kill your main", "have passed away in Fluck Yanvhir: Wakanda Forever. But I'm wondering: is it", "Chadwick Boseman, who played Fluck Yanvhir, has passed away, I am assuming that", "who played Fluck Yanvhir, has passed away, I am assuming that his character", "is it okay to kill your main character off-screen, and make the other", "character's actor died, on whether it's a film, and whether you're writing a", "his character will be shown to have passed away in Fluck Yanvhir: Wakanda", "Is this a totally okay way to handle a main character, or is", "character off-screen, and make the other characters mention how tragic his death was?", "or is it something terrible that should be avoided at all costs? I", "depend on whether the character's actor died, on whether it's a film, and", "shown to have passed away in Fluck Yanvhir: Wakanda Forever. But I'm wondering:", "passed away in Fluck Yanvhir: Wakanda Forever. But I'm wondering: is it okay", "wondering: is it okay to kill your main character off-screen, and make the", "it something terrible that should be avoided at all costs? I am thinking", "died, on whether it's a film, and whether you're writing a novel that's", "how tragic his death was? Is this a totally okay way to handle", "to handle a main character, or is it something terrible that should be", "Boseman, who played Fluck Yanvhir, has passed away, I am assuming that his", "kill your main character off-screen, and make the other characters mention how tragic", "passed away, I am assuming that his character will be shown to have", "your main character off-screen, and make the other characters mention how tragic his", "and whether you're writing a novel that's based on fictional characters, but I", "answer might depend on whether the character's actor died, on whether it's a", "But I'm wondering: is it okay to kill your main character off-screen, and", "assuming that his character will be shown to have passed away in Fluck" ]
[ "and author. The contents, characters, and plots of these book will not be", "a novel and in it, the characters are using a book cipher based", "book. When they find the correct book, I will identify the title of", "books are old enough to be in the public domain, but most are", "just the first or last lines. Am I risking a lawsuit? Some of", "risking a lawsuit? Some of the books are old enough to be in", "instinct says that I am likely safe, but I am not experienced enough", "these book will not be mentioned or used in any way, just the", "domain, but most are not. My instinct says that I am likely safe,", "book cipher based on a collection of classic novels. In this draft, the", "book and author. The contents, characters, and plots of these book will not", "old enough to be in the public domain, but most are not. My", "will identify the title of the book and author. The contents, characters, and", "safe, but I am not experienced enough to necessarily act on my instincts.", "a collection of classic novels. In this draft, the main characters are given", "or used in any way, just the first or last lines. Am I", "first, or last, line of the book in order to find the right", "likely safe, but I am not experienced enough to necessarily act on my", "find the right book. When they find the correct book, I will identify", "identify the title of the book and author. The contents, characters, and plots", "of the book and author. The contents, characters, and plots of these book", "am writing a novel and in it, the characters are using a book", "the right book. When they find the correct book, I will identify the", "I am likely safe, but I am not experienced enough to necessarily act", "a lawsuit? Some of the books are old enough to be in the", "be in the public domain, but most are not. My instinct says that", "on a collection of classic novels. In this draft, the main characters are", "in any way, just the first or last lines. Am I risking a", "the books are old enough to be in the public domain, but most", "and in it, the characters are using a book cipher based on a", "used in any way, just the first or last lines. Am I risking", "When they find the correct book, I will identify the title of the", "Some of the books are old enough to be in the public domain,", "the title of the book and author. The contents, characters, and plots of", "based on a collection of classic novels. In this draft, the main characters", "the public domain, but most are not. My instinct says that I am", "the book and author. The contents, characters, and plots of these book will", "I am not experienced enough to necessarily act on my instincts. Thanks for", "it, the characters are using a book cipher based on a collection of", "that I am likely safe, but I am not experienced enough to necessarily", "The contents, characters, and plots of these book will not be mentioned or", "collection of classic novels. In this draft, the main characters are given the", "in it, the characters are using a book cipher based on a collection", "I am writing a novel and in it, the characters are using a", "this draft, the main characters are given the first, or last, line of", "and plots of these book will not be mentioned or used in any", "of classic novels. In this draft, the main characters are given the first,", "in order to find the right book. When they find the correct book,", "not. My instinct says that I am likely safe, but I am not", "using a book cipher based on a collection of classic novels. In this", "be mentioned or used in any way, just the first or last lines.", "are using a book cipher based on a collection of classic novels. In", "or last, line of the book in order to find the right book.", "way, just the first or last lines. Am I risking a lawsuit? Some", "lawsuit? Some of the books are old enough to be in the public", "I risking a lawsuit? Some of the books are old enough to be", "but most are not. My instinct says that I am likely safe, but", "order to find the right book. When they find the correct book, I", "in the public domain, but most are not. My instinct says that I", "are given the first, or last, line of the book in order to", "correct book, I will identify the title of the book and author. The", "contents, characters, and plots of these book will not be mentioned or used", "plots of these book will not be mentioned or used in any way,", "am not experienced enough to necessarily act on my instincts. Thanks for the", "characters, and plots of these book will not be mentioned or used in", "mentioned or used in any way, just the first or last lines. Am", "enough to be in the public domain, but most are not. My instinct", "not experienced enough to necessarily act on my instincts. Thanks for the help.", "characters are using a book cipher based on a collection of classic novels.", "novel and in it, the characters are using a book cipher based on", "writing a novel and in it, the characters are using a book cipher", "cipher based on a collection of classic novels. In this draft, the main", "a book cipher based on a collection of classic novels. In this draft,", "to be in the public domain, but most are not. My instinct says", "main characters are given the first, or last, line of the book in", "book will not be mentioned or used in any way, just the first", "to find the right book. When they find the correct book, I will", "author. The contents, characters, and plots of these book will not be mentioned", "of the books are old enough to be in the public domain, but", "they find the correct book, I will identify the title of the book", "book, I will identify the title of the book and author. The contents,", "last, line of the book in order to find the right book. When", "lines. Am I risking a lawsuit? Some of the books are old enough", "right book. When they find the correct book, I will identify the title", "Am I risking a lawsuit? Some of the books are old enough to", "first or last lines. Am I risking a lawsuit? Some of the books", "any way, just the first or last lines. Am I risking a lawsuit?", "but I am not experienced enough to necessarily act on my instincts. Thanks", "My instinct says that I am likely safe, but I am not experienced", "the first, or last, line of the book in order to find the", "line of the book in order to find the right book. When they", "will not be mentioned or used in any way, just the first or", "draft, the main characters are given the first, or last, line of the", "find the correct book, I will identify the title of the book and", "of the book in order to find the right book. When they find", "given the first, or last, line of the book in order to find", "I will identify the title of the book and author. The contents, characters,", "not be mentioned or used in any way, just the first or last", "book in order to find the right book. When they find the correct", "are old enough to be in the public domain, but most are not.", "In this draft, the main characters are given the first, or last, line", "classic novels. In this draft, the main characters are given the first, or", "the correct book, I will identify the title of the book and author.", "says that I am likely safe, but I am not experienced enough to", "public domain, but most are not. My instinct says that I am likely", "of these book will not be mentioned or used in any way, just", "the characters are using a book cipher based on a collection of classic", "am likely safe, but I am not experienced enough to necessarily act on", "are not. My instinct says that I am likely safe, but I am", "last lines. Am I risking a lawsuit? Some of the books are old", "most are not. My instinct says that I am likely safe, but I", "novels. In this draft, the main characters are given the first, or last,", "the book in order to find the right book. When they find the", "or last lines. Am I risking a lawsuit? Some of the books are", "the first or last lines. Am I risking a lawsuit? Some of the", "title of the book and author. The contents, characters, and plots of these", "characters are given the first, or last, line of the book in order", "the main characters are given the first, or last, line of the book" ]
[ "write a feature length screenplay (about 100 pages) rather than shorter screenplays (about", "a feature length screenplay (about 100 pages) rather than shorter screenplays (about 10-40", "logistical or practical reason why one should write a feature length screenplay (about", "rather than shorter screenplays (about 10-40 pages?) I'm considering this from the point", "pages) rather than shorter screenplays (about 10-40 pages?) I'm considering this from the", "I'm considering this from the point of view of building experience, as well", "screenplays (about 10-40 pages?) I'm considering this from the point of view of", "of building experience, as well as from any advantage that either might bring.", "feature length screenplay (about 100 pages) rather than shorter screenplays (about 10-40 pages?)", "than shorter screenplays (about 10-40 pages?) I'm considering this from the point of", "shorter screenplays (about 10-40 pages?) I'm considering this from the point of view", "(about 10-40 pages?) I'm considering this from the point of view of building", "of view of building experience, as well as from any advantage that either", "or practical reason why one should write a feature length screenplay (about 100", "should write a feature length screenplay (about 100 pages) rather than shorter screenplays", "reason why one should write a feature length screenplay (about 100 pages) rather", "the point of view of building experience, as well as from any advantage", "(about 100 pages) rather than shorter screenplays (about 10-40 pages?) I'm considering this", "length screenplay (about 100 pages) rather than shorter screenplays (about 10-40 pages?) I'm", "a logistical or practical reason why one should write a feature length screenplay", "this from the point of view of building experience, as well as from", "practical reason why one should write a feature length screenplay (about 100 pages)", "10-40 pages?) I'm considering this from the point of view of building experience,", "screenplay (about 100 pages) rather than shorter screenplays (about 10-40 pages?) I'm considering", "100 pages) rather than shorter screenplays (about 10-40 pages?) I'm considering this from", "considering this from the point of view of building experience, as well as", "from the point of view of building experience, as well as from any", "view of building experience, as well as from any advantage that either might", "Is there a logistical or practical reason why one should write a feature", "why one should write a feature length screenplay (about 100 pages) rather than", "pages?) I'm considering this from the point of view of building experience, as", "one should write a feature length screenplay (about 100 pages) rather than shorter", "there a logistical or practical reason why one should write a feature length", "point of view of building experience, as well as from any advantage that" ]
[ "starting to doubt myself. > > As I entered, I picked a mirror", "As I entered, I picked a mirror ahead of me and locked eyes", "in a flash fiction. My alpha/beta readers are unsure if the wording is", "to doubt myself. > > As I entered, I picked a mirror ahead", "and locked eyes with my reflection, ignoring the infinite kaleidoscope of me’s beyond.", "myself. > > As I entered, I picked a mirror ahead of me", "a flash fiction. My alpha/beta readers are unsure if the wording is correct,", "infinite kaleidoscope of me’s beyond. > > > Is there a better way", "if the wording is correct, and I am starting to doubt myself. >", "readers are unsure if the wording is correct, and I am starting to", "are unsure if the wording is correct, and I am starting to doubt", "mirror ahead of me and locked eyes with my reflection, ignoring the infinite", "I am starting to doubt myself. > > As I entered, I picked", "sentence in a flash fiction. My alpha/beta readers are unsure if the wording", "entered, I picked a mirror ahead of me and locked eyes with my", "My alpha/beta readers are unsure if the wording is correct, and I am", "have this sentence in a flash fiction. My alpha/beta readers are unsure if", "picked a mirror ahead of me and locked eyes with my reflection, ignoring", "me’s beyond. > > > Is there a better way to describe this?", "ahead of me and locked eyes with my reflection, ignoring the infinite kaleidoscope", "me and locked eyes with my reflection, ignoring the infinite kaleidoscope of me’s", "fiction. My alpha/beta readers are unsure if the wording is correct, and I", "wording is correct, and I am starting to doubt myself. > > As", "correct, and I am starting to doubt myself. > > As I entered,", "the wording is correct, and I am starting to doubt myself. > >", "I have this sentence in a flash fiction. My alpha/beta readers are unsure", "of me’s beyond. > > > Is there a better way to describe", "kaleidoscope of me’s beyond. > > > Is there a better way to", "> As I entered, I picked a mirror ahead of me and locked", "reflection, ignoring the infinite kaleidoscope of me’s beyond. > > > Is there", "this sentence in a flash fiction. My alpha/beta readers are unsure if the", "the infinite kaleidoscope of me’s beyond. > > > Is there a better", "with my reflection, ignoring the infinite kaleidoscope of me’s beyond. > > >", "of me and locked eyes with my reflection, ignoring the infinite kaleidoscope of", "> > As I entered, I picked a mirror ahead of me and", "alpha/beta readers are unsure if the wording is correct, and I am starting", "and I am starting to doubt myself. > > As I entered, I", "I picked a mirror ahead of me and locked eyes with my reflection,", "unsure if the wording is correct, and I am starting to doubt myself.", "locked eyes with my reflection, ignoring the infinite kaleidoscope of me’s beyond. >", "ignoring the infinite kaleidoscope of me’s beyond. > > > Is there a", "my reflection, ignoring the infinite kaleidoscope of me’s beyond. > > > Is", "is correct, and I am starting to doubt myself. > > As I", "flash fiction. My alpha/beta readers are unsure if the wording is correct, and", "am starting to doubt myself. > > As I entered, I picked a", "I entered, I picked a mirror ahead of me and locked eyes with", "a mirror ahead of me and locked eyes with my reflection, ignoring the", "doubt myself. > > As I entered, I picked a mirror ahead of", "eyes with my reflection, ignoring the infinite kaleidoscope of me’s beyond. > >" ]
[ "a glance so that I can quickly access the missing information or the", "a quick reference and overview without having to go through an entire doc?", "good way to store worldbuilding information so that I can get a quick", "overview without having to go through an entire doc? I don't need to", "reference and overview without having to go through an entire doc? I don't", "don't need to store it, I can store it in a word document,", "document, but I would like to organize the information so that everything or", "doc? I don't need to store it, I can store it in a", "I don't need to store it, I can store it in a word", "and overview without having to go through an entire doc? I don't need", "through an entire doc? I don't need to store it, I can store", "need to store it, I can store it in a word document, but", "seen at a glance so that I can quickly access the missing information", "store it, I can store it in a word document, but I would", "having to go through an entire doc? I don't need to store it,", "so that I can quickly access the missing information or the information I", "of the major ideas can be seen at a glance so that I", "be seen at a glance so that I can quickly access the missing", "would like to organize the information so that everything or a lot of", "the information so that everything or a lot of the major ideas can", "get a quick reference and overview without having to go through an entire", "a good way to store worldbuilding information so that I can get a", "ideas can be seen at a glance so that I can quickly access", "can get a quick reference and overview without having to go through an", "store worldbuilding information so that I can get a quick reference and overview", "in a word document, but I would like to organize the information so", "or a lot of the major ideas can be seen at a glance", "but I would like to organize the information so that everything or a", "word document, but I would like to organize the information so that everything", "can be seen at a glance so that I can quickly access the", "so that I can get a quick reference and overview without having to", "Is there a good way to store worldbuilding information so that I can", "it, I can store it in a word document, but I would like", "I can store it in a word document, but I would like to", "can store it in a word document, but I would like to organize", "to store worldbuilding information so that I can get a quick reference and", "information so that I can get a quick reference and overview without having", "worldbuilding information so that I can get a quick reference and overview without", "it in a word document, but I would like to organize the information", "that I can quickly access the missing information or the information I forgot", "like to organize the information so that everything or a lot of the", "everything or a lot of the major ideas can be seen at a", "a lot of the major ideas can be seen at a glance so", "a word document, but I would like to organize the information so that", "glance so that I can quickly access the missing information or the information", "way to store worldbuilding information so that I can get a quick reference", "information so that everything or a lot of the major ideas can be", "organize the information so that everything or a lot of the major ideas", "at a glance so that I can quickly access the missing information or", "without having to go through an entire doc? I don't need to store", "go through an entire doc? I don't need to store it, I can", "that I can get a quick reference and overview without having to go", "lot of the major ideas can be seen at a glance so that", "to go through an entire doc? I don't need to store it, I", "the major ideas can be seen at a glance so that I can", "to store it, I can store it in a word document, but I", "an entire doc? I don't need to store it, I can store it", "quick reference and overview without having to go through an entire doc? I", "major ideas can be seen at a glance so that I can quickly", "so that everything or a lot of the major ideas can be seen", "there a good way to store worldbuilding information so that I can get", "that everything or a lot of the major ideas can be seen at", "to organize the information so that everything or a lot of the major", "entire doc? I don't need to store it, I can store it in", "store it in a word document, but I would like to organize the", "I would like to organize the information so that everything or a lot", "I can get a quick reference and overview without having to go through", "I can quickly access the missing information or the information I forgot quickly." ]
[ "as well like Platform as a Service, Functions as a Service, Infrastructure as", "so many more.) Is there an industry-wide agreed upon consensus to capitalize/hyphenate these", "many more.) Is there an industry-wide agreed upon consensus to capitalize/hyphenate these when", "guide in that we only capitalize product names, not features or attributes of", "Service, Functions as a Service, Infrastructure as a Service and so many more.)", "which is abbreviated as SaaS. (There are other ancillary terms as well like", "wrote it as \"software as a service\" in some copy. This fits our", "company style guide unfortunately doesn't have an opinion, which is funny since we're", "found: * software as a service * Software as a Service * Software-as-a-Service", "term \"software as a service\", which is abbreviated as SaaS. (There are other", "spell them out? I don't see anything definitive. (And my company style guide", "is abbreviated as SaaS. (There are other ancillary terms as well like Platform", "as a Service, Functions as a Service, Infrastructure as a Service and so", "there an industry-wide agreed upon consensus to capitalize/hyphenate these when you spell them", "Functions as a Service, Infrastructure as a Service and so many more.) Is", "doesn't have an opinion, which is funny since we're a SaaS company! LOL.)", "as \"software as a service\" in some copy. This fits our style guide", "in that we only capitalize product names, not features or attributes of products.", "features or attributes of products. I'm being corrected to use \"Software as a", "as a service * Software as a Service * Software-as-a-Service Some further context", "use the term \"software as a service\", which is abbreviated as SaaS. (There", "style guide unfortunately doesn't have an opinion, which is funny since we're a", "service\", which is abbreviated as SaaS. (There are other ancillary terms as well", "in my searching I've found: * software as a service * Software as", "searching I've found: * software as a service * Software as a Service", "* software as a service * Software as a Service * Software-as-a-Service Some", "a service * Software as a Service * Software-as-a-Service Some further context I", "that we only capitalize product names, not features or attributes of products. I'm", "them out? I don't see anything definitive. (And my company style guide unfortunately", "don't see anything definitive. (And my company style guide unfortunately doesn't have an", "Service, Infrastructure as a Service and so many more.) Is there an industry-wide", "\"software as a service\" in some copy. This fits our style guide in", "which is funny since we're a SaaS company! LOL.) So far in my", "as a Service and so many more.) Is there an industry-wide agreed upon", "as SaaS. (There are other ancillary terms as well like Platform as a", "funny since we're a SaaS company! LOL.) So far in my searching I've", "that I wrote it as \"software as a service\" in some copy. This", "guide unfortunately doesn't have an opinion, which is funny since we're a SaaS", "an opinion, which is funny since we're a SaaS company! LOL.) So far", "other ancillary terms as well like Platform as a Service, Functions as a", "software as a service * Software as a Service * Software-as-a-Service Some further", "terms as well like Platform as a Service, Functions as a Service, Infrastructure", "agreed upon consensus to capitalize/hyphenate these when you spell them out? I don't", "attributes of products. I'm being corrected to use \"Software as a Service\", though.", "my company style guide unfortunately doesn't have an opinion, which is funny since", "further context I can provide is that I wrote it as \"software as", "style guide in that we only capitalize product names, not features or attributes", "like Platform as a Service, Functions as a Service, Infrastructure as a Service", "So far in my searching I've found: * software as a service ", "SaaS. (There are other ancillary terms as well like Platform as a Service,", "to capitalize/hyphenate these when you spell them out? I don't see anything definitive.", "Is there an industry-wide agreed upon consensus to capitalize/hyphenate these when you spell", "as a Service, Infrastructure as a Service and so many more.) Is there", "not features or attributes of products. I'm being corrected to use \"Software as", "\"software as a service\", which is abbreviated as SaaS. (There are other ancillary", " Software as a Service * Software-as-a-Service Some further context I can provide", "as a service\" in some copy. This fits our style guide in that", "our style guide in that we only capitalize product names, not features or", "out? I don't see anything definitive. (And my company style guide unfortunately doesn't", "capitalize/hyphenate these when you spell them out? I don't see anything definitive. (And", "I can provide is that I wrote it as \"software as a service\"", "unfortunately doesn't have an opinion, which is funny since we're a SaaS company!", "a SaaS company! LOL.) So far in my searching I've found: * software", "the term \"software as a service\", which is abbreviated as SaaS. (There are", "product names, not features or attributes of products. I'm being corrected to use", "a Service * Software-as-a-Service Some further context I can provide is that I", "copy. This fits our style guide in that we only capitalize product names,", "a Service, Infrastructure as a Service and so many more.) Is there an", "Service and so many more.) Is there an industry-wide agreed upon consensus to", "when you spell them out? I don't see anything definitive. (And my company", "definitive. (And my company style guide unfortunately doesn't have an opinion, which is", "is that I wrote it as \"software as a service\" in some copy.", "(And my company style guide unfortunately doesn't have an opinion, which is funny", "SaaS company! LOL.) So far in my searching I've found: * software as", "Some further context I can provide is that I wrote it as \"software", "as a Service * Software-as-a-Service Some further context I can provide is that", "only capitalize product names, not features or attributes of products. I'm being corrected", "to use the term \"software as a service\", which is abbreviated as SaaS.", "Platform as a Service, Functions as a Service, Infrastructure as a Service and", "you spell them out? I don't see anything definitive. (And my company style", "Service * Software-as-a-Service Some further context I can provide is that I wrote", "opinion, which is funny since we're a SaaS company! LOL.) So far in", "as a service\", which is abbreviated as SaaS. (There are other ancillary terms", "abbreviated as SaaS. (There are other ancillary terms as well like Platform as", "it as \"software as a service\" in some copy. This fits our style", "well like Platform as a Service, Functions as a Service, Infrastructure as a", "upon consensus to capitalize/hyphenate these when you spell them out? I don't see", "LOL.) So far in my searching I've found: * software as a service", "can provide is that I wrote it as \"software as a service\" in", "Infrastructure as a Service and so many more.) Is there an industry-wide agreed", "is funny since we're a SaaS company! LOL.) So far in my searching", "these when you spell them out? I don't see anything definitive. (And my", "we only capitalize product names, not features or attributes of products. I'm being", "since we're a SaaS company! LOL.) So far in my searching I've found:", "ancillary terms as well like Platform as a Service, Functions as a Service,", "I don't see anything definitive. (And my company style guide unfortunately doesn't have", "my searching I've found: * software as a service * Software as a", "or attributes of products. I'm being corrected to use \"Software as a Service\",", "have an opinion, which is funny since we're a SaaS company! LOL.) So", "(There are other ancillary terms as well like Platform as a Service, Functions", "an industry-wide agreed upon consensus to capitalize/hyphenate these when you spell them out?", "a service\" in some copy. This fits our style guide in that we", "see anything definitive. (And my company style guide unfortunately doesn't have an opinion,", "I've found: * software as a service * Software as a Service ", "more.) Is there an industry-wide agreed upon consensus to capitalize/hyphenate these when you", "some copy. This fits our style guide in that we only capitalize product", "are other ancillary terms as well like Platform as a Service, Functions as", "industry-wide agreed upon consensus to capitalize/hyphenate these when you spell them out? I", "I wrote it as \"software as a service\" in some copy. This fits", "context I can provide is that I wrote it as \"software as a", "This fits our style guide in that we only capitalize product names, not", "company! LOL.) So far in my searching I've found: software as a", "in some copy. This fits our style guide in that we only capitalize", "capitalize product names, not features or attributes of products. I'm being corrected to", "consensus to capitalize/hyphenate these when you spell them out? I don't see anything", "names, not features or attributes of products. I'm being corrected to use \"Software", "provide is that I wrote it as \"software as a service\" in some", "fits our style guide in that we only capitalize product names, not features", "service\" in some copy. This fits our style guide in that we only", "and so many more.) Is there an industry-wide agreed upon consensus to capitalize/hyphenate", "Software-as-a-Service Some further context I can provide is that I wrote it as", "anything definitive. (And my company style guide unfortunately doesn't have an opinion, which", "I need to use the term \"software as a service\", which is abbreviated", "a service\", which is abbreviated as SaaS. (There are other ancillary terms as", "a Service, Functions as a Service, Infrastructure as a Service and so many", "far in my searching I've found: * software as a service * Software", "service * Software as a Service * Software-as-a-Service Some further context I can", "Software as a Service * Software-as-a-Service Some further context I can provide is", "* Software-as-a-Service Some further context I can provide is that I wrote it", "we're a SaaS company! LOL.) So far in my searching I've found: *", "need to use the term \"software as a service\", which is abbreviated as", "a Service and so many more.) Is there an industry-wide agreed upon consensus" ]
[ "most amused to come across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) >", "come across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I", "the replacement. Is this typical for when a book from the UK or", "when a book from the UK or US is published in the other", "employed after the replacement. Is this typical for when a book from the", "other country? I know I have several books that clearly haven't been localised", "the word colour without a u), and I am aware of instances where", "UK publishers (HarperCollins), and a simple find and replace was used to turn", "(as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming", "\"pants\" into \"trousers\" - though clearly a proofreader was not employed after the", "But I am safe there, as are its other occutrousers. > > >", "I am aware of instances where a more human touch is used for", "> > But I am safe there, as are its other occutrousers. >", "Aprilynne Pike, and was most amused to come across the word \"occutrousers\": [![enter", "image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there, as are its", "spelling the word colour without a u), and I am aware of instances", "where a more human touch is used for localisation (as in the [Hijrp", "- though clearly a proofreader was not employed after the replacement. Is this", "reading my UK edition of the book Spells by Aprilynne Pike, and was", "its other occutrousers. > > > I believe that, Pike being an American", "simple find and replace was used to turn any instance of \"pants\" into", "clearly haven't been localised at all (for instance, spelling the word colour without", "being an American author, the book was localised by the UK publishers (HarperCollins),", "am aware of instances where a more human touch is used for localisation", "more human touch is used for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/),", "for when a book from the UK or US is published in the", "find and replace was used to turn any instance of \"pants\" into \"trousers\"", "books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming from you.’ becoming “You should", "Spells by Aprilynne Pike, and was most amused to come across the word", "occutrousers. > > > I believe that, Pike being an American author, the", "are its other occutrousers. > > > I believe that, Pike being an", "published in the other country? I know I have several books that clearly", "description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there, as are its other", "been localised at all (for instance, spelling the word colour without a u),", "book was localised by the UK publishers (HarperCollins), and a simple find and", "used to turn any instance of \"pants\" into \"trousers\" - though clearly a", "all (for instance, spelling the word colour without a u), and I am", "instance of \"pants\" into \"trousers\" - though clearly a proofreader was not employed", "aware of instances where a more human touch is used for localisation (as", "believe that, Pike being an American author, the book was localised by the", "several books that clearly haven't been localised at all (for instance, spelling the", "edition of the book Spells by Aprilynne Pike, and was most amused to", "at all (for instance, spelling the word colour without a u), and I", "the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming from you.’", "Pike, and was most amused to come across the word \"occutrousers\": [![enter image", "I have several books that clearly haven't been localised at all (for instance,", "that, Pike being an American author, the book was localised by the UK", "Pike being an American author, the book was localised by the UK publishers", "Is this typical for when a book from the UK or US is", "books that clearly haven't been localised at all (for instance, spelling the word", "turn any instance of \"pants\" into \"trousers\" - though clearly a proofreader was", "and I am aware of instances where a more human touch is used", "a book from the UK or US is published in the other country?", "of instances where a more human touch is used for localisation (as in", "clearly a proofreader was not employed after the replacement. Is this typical for", "a simple find and replace was used to turn any instance of \"pants\"", "by Aprilynne Pike, and was most amused to come across the word \"occutrousers\":", "(HarperCollins), and a simple find and replace was used to turn any instance", "was localised by the UK publishers (HarperCollins), and a simple find and replace", "to come across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But", "(for instance, spelling the word colour without a u), and I am aware", "I believe that, Pike being an American author, the book was localised by", "without a u), and I am aware of instances where a more human", "instance, spelling the word colour without a u), and I am aware of", "book from the UK or US is published in the other country? I", "human touch is used for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with", "was used to turn any instance of \"pants\" into \"trousers\" - though clearly", "by the UK publishers (HarperCollins), and a simple find and replace was used", "there, as are its other occutrousers. > > > I believe that, Pike", "> I believe that, Pike being an American author, the book was localised", "> > > I believe that, Pike being an American author, the book", "for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit", "that clearly haven't been localised at all (for instance, spelling the word colour", "though clearly a proofreader was not employed after the replacement. Is this typical", "was most amused to come across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg)", "touch is used for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples", "typical for when a book from the UK or US is published in", "I am safe there, as are its other occutrousers. > > > I", "is published in the other country? I know I have several books that", "> > I believe that, Pike being an American author, the book was", "colour without a u), and I am aware of instances where a more", "the book Spells by Aprilynne Pike, and was most amused to come across", "of the book Spells by Aprilynne Pike, and was most amused to come", "[Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming from you.’ becoming", "was not employed after the replacement. Is this typical for when a book", "book Spells by Aprilynne Pike, and was most amused to come across the", "or US is published in the other country? I know I have several", "country? I know I have several books that clearly haven't been localised at", "[![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there, as are", "replacement. Is this typical for when a book from the UK or US", "proofreader was not employed after the replacement. Is this typical for when a", "here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there, as are its other occutrousers.", "of \"pants\" into \"trousers\" - though clearly a proofreader was not employed after", "word colour without a u), and I am aware of instances where a", "\"trousers\" - though clearly a proofreader was not employed after the replacement. Is", "with examples such as ‘Bit rich coming from you.’ becoming “You should talk.”).", "u), and I am aware of instances where a more human touch is", "> But I am safe there, as are its other occutrousers. > >", "a u), and I am aware of instances where a more human touch", "the UK or US is published in the other country? I know I", "the other country? I know I have several books that clearly haven't been", "is used for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such", "was recently reading my UK edition of the book Spells by Aprilynne Pike,", "instances where a more human touch is used for localisation (as in the", "any instance of \"pants\" into \"trousers\" - though clearly a proofreader was not", "amused to come across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > >", "US is published in the other country? I know I have several books", "in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming from", "and a simple find and replace was used to turn any instance of", "word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there,", "\"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe there, as", "UK or US is published in the other country? I know I have", "have several books that clearly haven't been localised at all (for instance, spelling", "am safe there, as are its other occutrousers. > > > I believe", "recently reading my UK edition of the book Spells by Aprilynne Pike, and", "publishers (HarperCollins), and a simple find and replace was used to turn any", "know I have several books that clearly haven't been localised at all (for", "used for localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as", "and replace was used to turn any instance of \"pants\" into \"trousers\" -", "the UK publishers (HarperCollins), and a simple find and replace was used to", "an American author, the book was localised by the UK publishers (HarperCollins), and", "author, the book was localised by the UK publishers (HarperCollins), and a simple", "localised by the UK publishers (HarperCollins), and a simple find and replace was", "localised at all (for instance, spelling the word colour without a u), and", "and was most amused to come across the word \"occutrousers\": [![enter image description", "a proofreader was not employed after the replacement. Is this typical for when", "American author, the book was localised by the UK publishers (HarperCollins), and a", "the book was localised by the UK publishers (HarperCollins), and a simple find", "after the replacement. Is this typical for when a book from the UK", "UK edition of the book Spells by Aprilynne Pike, and was most amused", "across the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am", "I know I have several books that clearly haven't been localised at all", "haven't been localised at all (for instance, spelling the word colour without a", "in the other country? I know I have several books that clearly haven't", "localisation (as in the [Hijrp Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich", "as are its other occutrousers. > > > I believe that, Pike being", "other occutrousers. > > > I believe that, Pike being an American author,", "into \"trousers\" - though clearly a proofreader was not employed after the replacement.", "a more human touch is used for localisation (as in the [Hijrp Potfeq", "replace was used to turn any instance of \"pants\" into \"trousers\" - though", "from the UK or US is published in the other country? I know", "I was recently reading my UK edition of the book Spells by Aprilynne", "the word \"occutrousers\": [![enter image description here](https://i.stack.imgur.com/IsiJz.jpg)](https://i.stack.imgur.com/IsiJz.jpg) > > But I am safe", "not employed after the replacement. Is this typical for when a book from", "this typical for when a book from the UK or US is published", "my UK edition of the book Spells by Aprilynne Pike, and was most", "Potfeq books](https://www.hp-lexicon.org/differences-changes-text/), with examples such as ‘Bit rich coming from you.’ becoming “You", "to turn any instance of \"pants\" into \"trousers\" - though clearly a proofreader", "safe there, as are its other occutrousers. > > > I believe that," ]
[ "> > I'm a grown dwarf mamma, so what I got dough in", "are conflicted. They idolise their mother on the one hand, but as they", "finding frustrating and chafing. I've looked at a few external articles covering finding", "nightmare! It's difficult enough as it is... Is that dough? How did you", "to have a great and really close relationship when there's no other conflict", "the kitchen by the trail of crumbs, not by dough that's been knocked", "way she's finding frustrating and chafing. I've looked at a few external articles", "external articles covering finding your character's voice, as well as this very good", "Fighting orcs. > > > I don't need supervising! It's a kitchen not", "different with her mother, and how she is conflicted, I'm struggling to follow", "to me a little stilted, at least to start. The character I'm trying", "the chafing to be only when there's conflict. For instance, they play a", "brought up (taking notes in the kitchen), and the chafing to be only", "You don't learn by taking notes with your hands! Use your eyes! Like", "dough that's been knocked over... but what did I say about moving things", "I got dough in my hair. I can get it out myself! What", "or certain topics aren't brought up (taking notes in the kitchen), and the", "sort of hide and seek together, which I want to imply is a", "didn't idolise her mother she could have just replied something like: > >", "grown up (in dwarf years 45, in human years that'd be ~15-18) they", "your hair? > > > I was fighting orcs mamma! You know, the", "dough for knocked over! > > > It feels to me a little", "been free to ... Supervise you.... Fighting orcs. > > > I don't", "you get dough in your hair? > > > I was fighting orcs", "a little stilted, at least to start. The character I'm trying to find", "the voice of is lying to soften the conflict between idolising her mother", "find the voice of is lying to soften the conflict between idolising her", "I knocked it mamma. I was just trying to fight like you used", "this very good Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because", "doing in the kitchen when the dough for knocked over! > > >", "parent and when she does fill that role, the mother is babying her", "me back in the kitchen, you can just say so! > > >", "get it out myself! What I was doing in the kitchen was my", "> I do want the two to have a great and really close", "grown dwarf mamma, so what I got dough in my hair. I can", "How can I achieve a balance and find a voice for the character", "years that'd be ~15-18) they realise their mother hasn't always been there as", "mother she could have just replied something like: > > I'm a grown", "In the fight... I knocked it mamma. I was just trying to fight", "a warrior like you were! Please let me back in the kitchen. >", "notes with your hands! Use your eyes! Like you should have been doing", "a sort of hide and seek together, which I want to imply is", "about moving things around? > > > Mama if you don't want me", "to do a bit of an exercise where it's just the two characters", "you used to fight? > > > Hmpph... I don't remember any orcs", "Hrafn! You don't learn by taking notes with your hands! Use your eyes!", "Please let me back in the kitchen. > > > I do want", "differently when they're spending time with their mother - they are conflicted. They", "For instance, they play a sort of hide and seek together, which I", "every new line: > > Hrafnhildur, your hair is a nightmare! It's difficult", "behaves is different with her mother, and how she is conflicted, I'm struggling", "chafing to be only when there's conflict. For instance, they play a sort", "that's not true! I just haven't been free to ... Supervise you.... Fighting", "It feels to me a little stilted, at least to start. The character", "few external articles covering finding your character's voice, as well as this very", "back in the kitchen, you can just say so! > > > Krummi,", "> > > If she didn't feel chafed: > > Oh I'm so", "feel chafed: > > Oh I'm so sorry mamma, I didn't mean to", "other, no other descriptions etc. The first character speaking is the mother, and", "something to eat, so I can grow up to be a warrior like", "time with their mother - they are conflicted. They idolise their mother on", "be only when there's conflict. For instance, they play a sort of hide", "the kitchen was my own business! > > > If she didn't feel", "might take notes again? > > > Hrafn! You don't learn by taking", "knock over the dough. I just wanted to get something to eat, so", "and really close relationship when there's no other conflict (e.g. dough in hair)", "each other, no other descriptions etc. The first character speaking is the mother,", "to get something to eat, so I can grow up to be a", "babying her daughter in a way she's finding frustrating and chafing. I've looked", "> I was fighting orcs mamma! You know, the kind you used to", "voice of is lying to soften the conflict between idolising her mother and", "they realise their mother hasn't always been there as a parent and when", "in the kitchen, you can just say so! > > > Krummi, dearest,", "> > Hrafnhildur, your hair is a nightmare! It's difficult enough as it", "battlefield mama! There weren't really any orcs... I... Are you afraid I might", "a way she's finding frustrating and chafing. I've looked at a few external", "the dough for knocked over! > > > It feels to me a", "It's a kitchen not a battlefield mama! There weren't really any orcs... I...", "However, because the way the character behaves is different with her mother, and", "orcs... I... Are you afraid I might take notes again? > > >", "was my own business! > > > If she didn't feel chafed: >", "a balance and find a voice for the character that communicates they're conflicted?", "you can just say so! > > > Krummi, dearest, you now that's", "want to imply is a long-standing sort of game they have. How can", "can just say so! > > > Krummi, dearest, you now that's not", "to soften the conflict between idolising her mother and being chafed. But the", "> Krummi, dearest, you now that's not true! I just haven't been free", "sounding if they're trying to act mature. If she didn't idolise her mother", "> It got knocked... In the fight... I knocked it mamma. I was", "by dough that's been knocked over... but what did I say about moving", "> > > I was fighting orcs mamma! You know, the kind you", "need supervising! It's a kitchen not a battlefield mama! There weren't really any", "to imply is a long-standing sort of game they have. How can I", "myself! What I was doing in the kitchen was my own business! >", "they are conflicted. They idolise their mother on the one hand, but as", "I say about moving things around? > > > Mama if you don't", "in my hair. I can get it out myself! What I was doing", "so what I got dough in my hair. I can get it out", "dough in hair) or certain topics aren't brought up (taking notes in the", "and chafing. I've looked at a few external articles covering finding your character's", "they have. How can I achieve a balance and find a voice for", "to find the voice of is lying to soften the conflict between idolising", "character I'm trying to find the voice of is lying to soften the", "two to have a great and really close relationship when there's no other", "say about moving things around? > > > Mama if you don't want", "is a nightmare! It's difficult enough as it is... Is that dough? How", "dough. I just wanted to get something to eat, so I can grow", "the fight... I knocked it mamma. I was just trying to fight like", "like you used to...? > > > Hmmm, I normally know you've been", "being chafed. But the lies are too childish sounding if they're trying to", "are too childish sounding if they're trying to act mature. If she didn't", "with your hands! Use your eyes! Like you should have been doing in", "Like you should have been doing in the kitchen when the dough for", "childish sounding if they're trying to act mature. If she didn't idolise her", "mother hasn't always been there as a parent and when she does fill", "no other conflict (e.g. dough in hair) or certain topics aren't brought up", "want the two to have a great and really close relationship when there's", "What I was doing in the kitchen was my own business! > >", "in a way she's finding frustrating and chafing. I've looked at a few", "I've looked at a few external articles covering finding your character's voice, as", "role, the mother is babying her daughter in a way she's finding frustrating", "the one hand, but as they have grown up (in dwarf years 45,", "They idolise their mother on the one hand, but as they have grown", "have grown up (in dwarf years 45, in human years that'd be ~15-18)", "it mamma. I was just trying to fight like you used to...? >", "don't want me back in the kitchen, you can just say so! >", "hasn't always been there as a parent and when she does fill that", "true! I just haven't been free to ... Supervise you.... Fighting orcs. >", "hand, but as they have grown up (in dwarf years 45, in human", "not true! I just haven't been free to ... Supervise you.... Fighting orcs.", "main character and back every new line: > > Hrafnhildur, your hair is", "the dough. I just wanted to get something to eat, so I can", "You know, the kind you used to fight? > > > Hmpph... I", "human years that'd be ~15-18) they realise their mother hasn't always been there", "they're trying to act mature. If she didn't idolise her mother she could", "you should have been doing in the kitchen when the dough for knocked", "the trail of crumbs, not by dough that's been knocked over... but what", "been back in the kitchen by the trail of crumbs, not by dough", "were! Please let me back in the kitchen. > > > I do", "to ... Supervise you.... Fighting orcs. > > > I don't need supervising!", "been there as a parent and when she does fill that role, the", "chafed: > > Oh I'm so sorry mamma, I didn't mean to knock", "that post. To over come this, I tried to do a bit of", "alternates to the main character and back every new line: > > Hrafnhildur,", "orcs mamma! You know, the kind you used to fight? > > >", "lies are too childish sounding if they're trying to act mature. If she", "character behaves differently when they're spending time with their mother - they are", "voice, as well as this very good Q&A post: [Finding the 'voice' of", "idolise their mother on the one hand, but as they have grown up", "remember any orcs in my kitchen, anyway how does that explain the dough?", "can I achieve a balance and find a voice for the character that", "to the main character and back every new line: > > Hrafnhildur, your", "been doing in the kitchen when the dough for knocked over! > >", "the kind you used to fight? > > > Hmpph... I don't remember", "as a parent and when she does fill that role, the mother is", "her mother and being chafed. But the lies are too childish sounding if", "the dough? > > > It got knocked... In the fight... I knocked", "if you don't want me back in the kitchen, you can just say", "chafed. But the lies are too childish sounding if they're trying to act", "Supervise you.... Fighting orcs. > > > I don't need supervising! It's a", "when the dough for knocked over! > > > It feels to me", "little stilted, at least to start. The character I'm trying to find the", "can get it out myself! What I was doing in the kitchen was", "> > I don't need supervising! It's a kitchen not a battlefield mama!", "which I want to imply is a long-standing sort of game they have.", "It's difficult enough as it is... Is that dough? How did you get", "knocked it mamma. I was just trying to fight like you used to...?", "my kitchen, anyway how does that explain the dough? > > > It", "I didn't mean to knock over the dough. I just wanted to get", "in the kitchen when the dough for knocked over! > > > It", "In the story I'm writing, the character behaves differently when they're spending time", "let me back in the kitchen. > > > I do want the", "spending time with their mother - they are conflicted. They idolise their mother", "like you were! Please let me back in the kitchen. > > >", "dearest, you now that's not true! I just haven't been free to ...", "my hair. I can get it out myself! What I was doing in", "certain topics aren't brought up (taking notes in the kitchen), and the chafing", "a bit of an exercise where it's just the two characters (mother and", "is lying to soften the conflict between idolising her mother and being chafed.", "dough? How did you get dough in your hair? > > > I", "the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves is", "got dough in my hair. I can get it out myself! What I", "feels to me a little stilted, at least to start. The character I'm", "trying to fight like you used to...? > > > Hmmm, I normally", "what I got dough in my hair. I can get it out myself!", "I was just trying to fight like you used to...? > > >", "I'm trying to find the voice of is lying to soften the conflict", "'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves is different", "your hands! Use your eyes! Like you should have been doing in the", "just replied something like: > > I'm a grown dwarf mamma, so what", "so I can grow up to be a warrior like you were! Please", "always been there as a parent and when she does fill that role,", "of crumbs, not by dough that's been knocked over... but what did I", "together, which I want to imply is a long-standing sort of game they", "I just wanted to get something to eat, so I can grow up", "and when she does fill that role, the mother is babying her daughter", "they play a sort of hide and seek together, which I want to", "at a few external articles covering finding your character's voice, as well as", "so sorry mamma, I didn't mean to knock over the dough. I just", "up (taking notes in the kitchen), and the chafing to be only when", "> > It got knocked... In the fight... I knocked it mamma. I", "just the two characters (mother and daughter) talking to each other, no other", "dwarf mamma, so what I got dough in my hair. I can get", "of an exercise where it's just the two characters (mother and daughter) talking", "Is that dough? How did you get dough in your hair? > >", "> > > I don't need supervising! It's a kitchen not a battlefield", "around? > > > Mama if you don't want me back in the", "articles covering finding your character's voice, as well as this very good Q&A", "sort of game they have. How can I achieve a balance and find", "play a sort of hide and seek together, which I want to imply", "> > > I do want the two to have a great and", "one hand, but as they have grown up (in dwarf years 45, in", "follow the advice from that post. To over come this, I tried to", "is conflicted, I'm struggling to follow the advice from that post. To over", "she could have just replied something like: > > I'm a grown dwarf", "notes again? > > > Hrafn! You don't learn by taking notes with", "seek together, which I want to imply is a long-standing sort of game", "by taking notes with your hands! Use your eyes! Like you should have", "over! > > > It feels to me a little stilted, at least", "get dough in your hair? > > > I was fighting orcs mamma!", "Are you afraid I might take notes again? > > > Hrafn! You", "have. How can I achieve a balance and find a voice for the", "looked at a few external articles covering finding your character's voice, as well", "the conflict between idolising her mother and being chafed. But the lies are", "> If she didn't feel chafed: > > Oh I'm so sorry mamma,", "mamma, so what I got dough in my hair. I can get it", "characters (mother and daughter) talking to each other, no other descriptions etc. The", "bit of an exercise where it's just the two characters (mother and daughter)", "mother and being chafed. But the lies are too childish sounding if they're", "daughter) talking to each other, no other descriptions etc. The first character speaking", "character behaves is different with her mother, and how she is conflicted, I'm", "did you get dough in your hair? > > > I was fighting", "it is... Is that dough? How did you get dough in your hair?", "> > > It got knocked... In the fight... I knocked it mamma.", "just trying to fight like you used to...? > > > Hmmm, I", "to each other, no other descriptions etc. The first character speaking is the", "does that explain the dough? > > > It got knocked... In the", "eat, so I can grow up to be a warrior like you were!", "of hide and seek together, which I want to imply is a long-standing", "> > Mama if you don't want me back in the kitchen, you", "you were! Please let me back in the kitchen. > > > I", "> > Krummi, dearest, you now that's not true! I just haven't been", "conflict. For instance, they play a sort of hide and seek together, which", "normally know you've been back in the kitchen by the trail of crumbs,", "you afraid I might take notes again? > > > Hrafn! You don't", "like: > > I'm a grown dwarf mamma, so what I got dough", "least to start. The character I'm trying to find the voice of is", "start. The character I'm trying to find the voice of is lying to", "there as a parent and when she does fill that role, the mother", "character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves is different with her mother,", "business! > > > If she didn't feel chafed: > > Oh I'm", "her mother she could have just replied something like: > > I'm a", "the character behaves is different with her mother, and how she is conflicted,", "to eat, so I can grow up to be a warrior like you", "talking to each other, no other descriptions etc. The first character speaking is", "Hrafnhildur, your hair is a nightmare! It's difficult enough as it is... Is", "I'm a grown dwarf mamma, so what I got dough in my hair.", "you.... Fighting orcs. > > > I don't need supervising! It's a kitchen", "an exercise where it's just the two characters (mother and daughter) talking to", "tried to do a bit of an exercise where it's just the two", "in human years that'd be ~15-18) they realise their mother hasn't always been", "with her mother, and how she is conflicted, I'm struggling to follow the", "to...? > > > Hmmm, I normally know you've been back in the", "that'd be ~15-18) they realise their mother hasn't always been there as a", "she didn't idolise her mother she could have just replied something like: >", "doing in the kitchen was my own business! > > > If she", "mother on the one hand, but as they have grown up (in dwarf", "as well as this very good Q&A post: [Finding the 'voice' of a", "in your hair? > > > I was fighting orcs mamma! You know,", "I don't remember any orcs in my kitchen, anyway how does that explain", "only when there's conflict. For instance, they play a sort of hide and", "it out myself! What I was doing in the kitchen was my own", "close relationship when there's no other conflict (e.g. dough in hair) or certain", "this, I tried to do a bit of an exercise where it's just", "grow up to be a warrior like you were! Please let me back", "their mother hasn't always been there as a parent and when she does", "you now that's not true! I just haven't been free to ... Supervise", "take notes again? > > > Hrafn! You don't learn by taking notes", "speaking is the mother, and it alternates to the main character and back", "don't need supervising! It's a kitchen not a battlefield mama! There weren't really", "you've been back in the kitchen by the trail of crumbs, not by", "Krummi, dearest, you now that's not true! I just haven't been free to", "hide and seek together, which I want to imply is a long-standing sort", "at least to start. The character I'm trying to find the voice of", "dough in your hair? > > > I was fighting orcs mamma! You", "knocked... In the fight... I knocked it mamma. I was just trying to", "from that post. To over come this, I tried to do a bit", "character's voice, as well as this very good Q&A post: [Finding the 'voice'", "and the chafing to be only when there's conflict. For instance, they play", "her mother, and how she is conflicted, I'm struggling to follow the advice", "fight... I knocked it mamma. I was just trying to fight like you", "hands! Use your eyes! Like you should have been doing in the kitchen", "when they're spending time with their mother - they are conflicted. They idolise", "she's finding frustrating and chafing. I've looked at a few external articles covering", "the kitchen), and the chafing to be only when there's conflict. For instance,", "back in the kitchen. > > > I do want the two to", "should have been doing in the kitchen when the dough for knocked over!", "to be a warrior like you were! Please let me back in the", "> > > Hrafn! You don't learn by taking notes with your hands!", "crumbs, not by dough that's been knocked over... but what did I say", "the kitchen when the dough for knocked over! > > > It feels", "for knocked over! > > > It feels to me a little stilted,", "not a battlefield mama! There weren't really any orcs... I... Are you afraid", "mother is babying her daughter in a way she's finding frustrating and chafing.", "the two to have a great and really close relationship when there's no", "the character behaves differently when they're spending time with their mother - they", "other descriptions etc. The first character speaking is the mother, and it alternates", "their mother on the one hand, but as they have grown up (in", "character speaking is the mother, and it alternates to the main character and", "Hmmm, I normally know you've been back in the kitchen by the trail", "too childish sounding if they're trying to act mature. If she didn't idolise", "If she didn't feel chafed: > > Oh I'm so sorry mamma, I", "To over come this, I tried to do a bit of an exercise", "that's been knocked over... but what did I say about moving things around?", "over... but what did I say about moving things around? > > >", "relationship when there's no other conflict (e.g. dough in hair) or certain topics", "a nightmare! It's difficult enough as it is... Is that dough? How did", "own business! > > > If she didn't feel chafed: > > Oh", "difficult enough as it is... Is that dough? How did you get dough", "and it alternates to the main character and back every new line: >", "mother - they are conflicted. They idolise their mother on the one hand,", "idolise her mother she could have just replied something like: > > I'm", "that dough? How did you get dough in your hair? > > >", "that explain the dough? > > > It got knocked... In the fight...", "45, in human years that'd be ~15-18) they realise their mother hasn't always", "of is lying to soften the conflict between idolising her mother and being", "don't remember any orcs in my kitchen, anyway how does that explain the", "was doing in the kitchen was my own business! > > > If", "Oh I'm so sorry mamma, I didn't mean to knock over the dough.", "did I say about moving things around? > > > Mama if you", "be a warrior like you were! Please let me back in the kitchen.", "covering finding your character's voice, as well as this very good Q&A post:", "fighting orcs mamma! You know, the kind you used to fight? > >", "> I don't need supervising! It's a kitchen not a battlefield mama! There", "kitchen, you can just say so! > > > Krummi, dearest, you now", "over come this, I tried to do a bit of an exercise where", "struggling to follow the advice from that post. To over come this, I", "what did I say about moving things around? > > > Mama if", "is the mother, and it alternates to the main character and back every", "line: > > Hrafnhildur, your hair is a nightmare! It's difficult enough as", "just haven't been free to ... Supervise you.... Fighting orcs. > > >", "I normally know you've been back in the kitchen by the trail of", "How did you get dough in your hair? > > > I was", "stilted, at least to start. The character I'm trying to find the voice", "fight? > > > Hmpph... I don't remember any orcs in my kitchen,", "your character's voice, as well as this very good Q&A post: [Finding the", "sorry mamma, I didn't mean to knock over the dough. I just wanted", "trail of crumbs, not by dough that's been knocked over... but what did", "do a bit of an exercise where it's just the two characters (mother", "enough as it is... Is that dough? How did you get dough in", "> Hmmm, I normally know you've been back in the kitchen by the", "me back in the kitchen. > > > I do want the two", "of game they have. How can I achieve a balance and find a", "I achieve a balance and find a voice for the character that communicates", "want me back in the kitchen, you can just say so! > >", "got knocked... In the fight... I knocked it mamma. I was just trying", "> Mama if you don't want me back in the kitchen, you can", "> > Hrafn! You don't learn by taking notes with your hands! Use", "hair is a nightmare! It's difficult enough as it is... Is that dough?", "don't learn by taking notes with your hands! Use your eyes! Like you", "> > > It feels to me a little stilted, at least to", "their mother - they are conflicted. They idolise their mother on the one", "I was fighting orcs mamma! You know, the kind you used to fight?", "> > It feels to me a little stilted, at least to start.", "achieve a balance and find a voice for the character that communicates they're", "but what did I say about moving things around? > > > Mama", "anyway how does that explain the dough? > > > It got knocked...", "> I'm a grown dwarf mamma, so what I got dough in my", "have just replied something like: > > I'm a grown dwarf mamma, so", "learn by taking notes with your hands! Use your eyes! Like you should", "aren't brought up (taking notes in the kitchen), and the chafing to be", "when there's conflict. For instance, they play a sort of hide and seek", "have been doing in the kitchen when the dough for knocked over! >", "kind you used to fight? > > > Hmpph... I don't remember any", "is babying her daughter in a way she's finding frustrating and chafing. I've", "warrior like you were! Please let me back in the kitchen. > >", "just say so! > > > Krummi, dearest, you now that's not true!", "it's just the two characters (mother and daughter) talking to each other, no", "long-standing sort of game they have. How can I achieve a balance and", "so! > > > Krummi, dearest, you now that's not true! I just", "mamma! You know, the kind you used to fight? > > > Hmpph...", "in the kitchen. > > > I do want the two to have", "the mother, and it alternates to the main character and back every new", "things around? > > > Mama if you don't want me back in", "a grown dwarf mamma, so what I got dough in my hair. I", "in hair) or certain topics aren't brought up (taking notes in the kitchen),", "The first character speaking is the mother, and it alternates to the main", "good Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way", "I don't need supervising! It's a kitchen not a battlefield mama! There weren't", "say so! > > > Krummi, dearest, you now that's not true! I", "I can grow up to be a warrior like you were! Please let", "way the character behaves is different with her mother, and how she is", "kitchen, anyway how does that explain the dough? > > > It got", "supervising! It's a kitchen not a battlefield mama! There weren't really any orcs...", "Mama if you don't want me back in the kitchen, you can just", "was fighting orcs mamma! You know, the kind you used to fight? >", "moving things around? > > > Mama if you don't want me back", "> > > Mama if you don't want me back in the kitchen,", "be ~15-18) they realise their mother hasn't always been there as a parent", "dwarf years 45, in human years that'd be ~15-18) they realise their mother", "kitchen was my own business! > > > If she didn't feel chafed:", "trying to act mature. If she didn't idolise her mother she could have", "by the trail of crumbs, not by dough that's been knocked over... but", "because the way the character behaves is different with her mother, and how", "fight like you used to...? > > > Hmmm, I normally know you've", "to knock over the dough. I just wanted to get something to eat,", "great and really close relationship when there's no other conflict (e.g. dough in", "a few external articles covering finding your character's voice, as well as this", "and back every new line: > > Hrafnhildur, your hair is a nightmare!", "But the lies are too childish sounding if they're trying to act mature.", "is... Is that dough? How did you get dough in your hair? >", "I'm so sorry mamma, I didn't mean to knock over the dough. I", "frustrating and chafing. I've looked at a few external articles covering finding your", "come this, I tried to do a bit of an exercise where it's", "character and back every new line: > > Hrafnhildur, your hair is a", "a long-standing sort of game they have. How can I achieve a balance", "Use your eyes! Like you should have been doing in the kitchen when", "but as they have grown up (in dwarf years 45, in human years", "> > If she didn't feel chafed: > > Oh I'm so sorry", "daughter in a way she's finding frustrating and chafing. I've looked at a", "she does fill that role, the mother is babying her daughter in a", "kitchen by the trail of crumbs, not by dough that's been knocked over...", "there's no other conflict (e.g. dough in hair) or certain topics aren't brought", "> > I do want the two to have a great and really", "know, the kind you used to fight? > > > Hmpph... I don't", "wanted to get something to eat, so I can grow up to be", "orcs in my kitchen, anyway how does that explain the dough? > >", "your hair is a nightmare! It's difficult enough as it is... Is that", "advice from that post. To over come this, I tried to do a", "in my kitchen, anyway how does that explain the dough? > > >", "> > > Krummi, dearest, you now that's not true! I just haven't", "is a long-standing sort of game they have. How can I achieve a", "hair? > > > I was fighting orcs mamma! You know, the kind", "I... Are you afraid I might take notes again? > > > Hrafn!", "(in dwarf years 45, in human years that'd be ~15-18) they realise their", "as this very good Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However,", "writing, the character behaves differently when they're spending time with their mother -", "well as this very good Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character)", "> > Hmmm, I normally know you've been back in the kitchen by", "does fill that role, the mother is babying her daughter in a way", "haven't been free to ... Supervise you.... Fighting orcs. > > > I", "was just trying to fight like you used to...? > > > Hmmm,", "could have just replied something like: > > I'm a grown dwarf mamma,", "me a little stilted, at least to start. The character I'm trying to", "the two characters (mother and daughter) talking to each other, no other descriptions", "idolising her mother and being chafed. But the lies are too childish sounding", "you used to...? > > > Hmmm, I normally know you've been back", "> Hrafn! You don't learn by taking notes with your hands! Use your", "finding your character's voice, as well as this very good Q&A post: [Finding", "[Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves", "not by dough that's been knocked over... but what did I say about", "back every new line: > > Hrafnhildur, your hair is a nightmare! It's", "I want to imply is a long-standing sort of game they have. How", "(e.g. dough in hair) or certain topics aren't brought up (taking notes in", "really close relationship when there's no other conflict (e.g. dough in hair) or", "a great and really close relationship when there's no other conflict (e.g. dough", "when she does fill that role, the mother is babying her daughter in", "soften the conflict between idolising her mother and being chafed. But the lies", "can grow up to be a warrior like you were! Please let me", "- they are conflicted. They idolise their mother on the one hand, but", "do want the two to have a great and really close relationship when", "kitchen when the dough for knocked over! > > > It feels to", "topics aren't brought up (taking notes in the kitchen), and the chafing to", "conflict between idolising her mother and being chafed. But the lies are too", "lying to soften the conflict between idolising her mother and being chafed. But", "notes in the kitchen), and the chafing to be only when there's conflict.", "dough in my hair. I can get it out myself! What I was", "have a great and really close relationship when there's no other conflict (e.g.", "as it is... Is that dough? How did you get dough in your", "new line: > > Hrafnhildur, your hair is a nightmare! It's difficult enough", "conflicted, I'm struggling to follow the advice from that post. To over come", "how she is conflicted, I'm struggling to follow the advice from that post.", "exercise where it's just the two characters (mother and daughter) talking to each", "explain the dough? > > > It got knocked... In the fight... I", "game they have. How can I achieve a balance and find a voice", "post. To over come this, I tried to do a bit of an", "is different with her mother, and how she is conflicted, I'm struggling to", "something like: > > I'm a grown dwarf mamma, so what I got", "Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the", "I can get it out myself! What I was doing in the kitchen", "conflict (e.g. dough in hair) or certain topics aren't brought up (taking notes", "mama! There weren't really any orcs... I... Are you afraid I might take", "descriptions etc. The first character speaking is the mother, and it alternates to", "now that's not true! I just haven't been free to ... Supervise you....", "to follow the advice from that post. To over come this, I tried", "the kitchen. > > > I do want the two to have a", "story I'm writing, the character behaves differently when they're spending time with their", "replied something like: > > I'm a grown dwarf mamma, so what I", "between idolising her mother and being chafed. But the lies are too childish", "her daughter in a way she's finding frustrating and chafing. I've looked at", "other conflict (e.g. dough in hair) or certain topics aren't brought up (taking", "in the kitchen by the trail of crumbs, not by dough that's been", "in the kitchen), and the chafing to be only when there's conflict. For", "no other descriptions etc. The first character speaking is the mother, and it", "mother, and it alternates to the main character and back every new line:", "to act mature. If she didn't idolise her mother she could have just", "orcs. > > > I don't need supervising! It's a kitchen not a", "knocked over... but what did I say about moving things around? > >", "they have grown up (in dwarf years 45, in human years that'd be", "the lies are too childish sounding if they're trying to act mature. If", "It got knocked... In the fight... I knocked it mamma. I was just", "they're spending time with their mother - they are conflicted. They idolise their", "used to...? > > > Hmmm, I normally know you've been back in", "if they're trying to act mature. If she didn't idolise her mother she", "imply is a long-standing sort of game they have. How can I achieve", "chafing. I've looked at a few external articles covering finding your character's voice,", "didn't mean to knock over the dough. I just wanted to get something", "> Hmpph... I don't remember any orcs in my kitchen, anyway how does", "free to ... Supervise you.... Fighting orcs. > > > I don't need", "again? > > > Hrafn! You don't learn by taking notes with your", "> > > Hmmm, I normally know you've been back in the kitchen", "your eyes! Like you should have been doing in the kitchen when the", "There weren't really any orcs... I... Are you afraid I might take notes", "the story I'm writing, the character behaves differently when they're spending time with", "I was doing in the kitchen was my own business! > > >", "I'm struggling to follow the advice from that post. To over come this,", "in the kitchen was my own business! > > > If she didn't", "as they have grown up (in dwarf years 45, in human years that'd", "a parent and when she does fill that role, the mother is babying", "... Supervise you.... Fighting orcs. > > > I don't need supervising! It's", "years 45, in human years that'd be ~15-18) they realise their mother hasn't", "hair. I can get it out myself! What I was doing in the", "act mature. If she didn't idolise her mother she could have just replied", "get something to eat, so I can grow up to be a warrior", "used to fight? > > > Hmpph... I don't remember any orcs in", "> > Hmpph... I don't remember any orcs in my kitchen, anyway how", "and being chafed. But the lies are too childish sounding if they're trying", "> > Oh I'm so sorry mamma, I didn't mean to knock over", "of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves is different with", "~15-18) they realise their mother hasn't always been there as a parent and", "any orcs... I... Are you afraid I might take notes again? > >", "over the dough. I just wanted to get something to eat, so I", "I just haven't been free to ... Supervise you.... Fighting orcs. > >", "and how she is conflicted, I'm struggling to follow the advice from that", "The character I'm trying to find the voice of is lying to soften", "hair) or certain topics aren't brought up (taking notes in the kitchen), and", "she is conflicted, I'm struggling to follow the advice from that post. To", "mother, and how she is conflicted, I'm struggling to follow the advice from", "instance, they play a sort of hide and seek together, which I want", "and seek together, which I want to imply is a long-standing sort of", "conflicted. They idolise their mother on the one hand, but as they have", "know you've been back in the kitchen by the trail of crumbs, not", "very good Q&A post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the", "If she didn't idolise her mother she could have just replied something like:", "up (in dwarf years 45, in human years that'd be ~15-18) they realise", "to be only when there's conflict. For instance, they play a sort of", "kitchen. > > > I do want the two to have a great", "mamma, I didn't mean to knock over the dough. I just wanted to", "that role, the mother is babying her daughter in a way she's finding", "mamma. I was just trying to fight like you used to...? > >", "trying to find the voice of is lying to soften the conflict between", "> It feels to me a little stilted, at least to start. The", "I'm writing, the character behaves differently when they're spending time with their mother", "post: [Finding the 'voice' of a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character", "I might take notes again? > > > Hrafn! You don't learn by", "on the one hand, but as they have grown up (in dwarf years", "the mother is babying her daughter in a way she's finding frustrating and", "etc. The first character speaking is the mother, and it alternates to the", "when there's no other conflict (e.g. dough in hair) or certain topics aren't", "she didn't feel chafed: > > Oh I'm so sorry mamma, I didn't", "to start. The character I'm trying to find the voice of is lying", "back in the kitchen by the trail of crumbs, not by dough that's", "the kitchen, you can just say so! > > > Krummi, dearest, you", "knocked over! > > > It feels to me a little stilted, at", "it alternates to the main character and back every new line: > >", "mean to knock over the dough. I just wanted to get something to", "didn't feel chafed: > > Oh I'm so sorry mamma, I didn't mean", "taking notes with your hands! Use your eyes! Like you should have been", "and daughter) talking to each other, no other descriptions etc. The first character", "you don't want me back in the kitchen, you can just say so!", "> Hrafnhildur, your hair is a nightmare! It's difficult enough as it is...", "behaves differently when they're spending time with their mother - they are conflicted.", "> > > Hmpph... I don't remember any orcs in my kitchen, anyway", "dough? > > > It got knocked... In the fight... I knocked it", "Hmpph... I don't remember any orcs in my kitchen, anyway how does that", "(mother and daughter) talking to each other, no other descriptions etc. The first", "afraid I might take notes again? > > > Hrafn! You don't learn", "mature. If she didn't idolise her mother she could have just replied something", "really any orcs... I... Are you afraid I might take notes again? >", "(taking notes in the kitchen), and the chafing to be only when there's", "where it's just the two characters (mother and daughter) talking to each other,", "fill that role, the mother is babying her daughter in a way she's", "first character speaking is the mother, and it alternates to the main character", "I do want the two to have a great and really close relationship", "realise their mother hasn't always been there as a parent and when she", "been knocked over... but what did I say about moving things around? >", "a character](https://writing.stackexchange.com/questions/1832/finding-the-voice-of-a-character) However, because the way the character behaves is different with her", "my own business! > > > If she didn't feel chafed: > >", "any orcs in my kitchen, anyway how does that explain the dough? >", "a battlefield mama! There weren't really any orcs... I... Are you afraid I", "> > I was fighting orcs mamma! You know, the kind you used", "two characters (mother and daughter) talking to each other, no other descriptions etc.", "there's conflict. For instance, they play a sort of hide and seek together,", "out myself! What I was doing in the kitchen was my own business!", "up to be a warrior like you were! Please let me back in", "with their mother - they are conflicted. They idolise their mother on the", "weren't really any orcs... I... Are you afraid I might take notes again?", "kitchen), and the chafing to be only when there's conflict. For instance, they", "to fight like you used to...? > > > Hmmm, I normally know", "> Oh I'm so sorry mamma, I didn't mean to knock over the", "just wanted to get something to eat, so I can grow up to", "the way the character behaves is different with her mother, and how she", "kitchen not a battlefield mama! There weren't really any orcs... I... Are you", "a kitchen not a battlefield mama! There weren't really any orcs... I... Are", "the main character and back every new line: > > Hrafnhildur, your hair", "to fight? > > > Hmpph... I don't remember any orcs in my", "eyes! Like you should have been doing in the kitchen when the dough", "I tried to do a bit of an exercise where it's just the", "how does that explain the dough? > > > It got knocked... In", "the advice from that post. To over come this, I tried to do" ]
[ "He says always put a comma after a name, I say only when", "did in fact violate state laws when they were covering up the crimes", "the crimes of officer Zotns, and that Intrej, in fact, has a rightful", "fact violate state laws when they were covering up the crimes of officer", "a comma after a name, I say only when a break is needed.", "Example: > > A review of the complaint filed by Intrej, shows that", "review of the complaint filed by Intrej, shows that Linnea, and Zotn, did", "Zotn, did in fact violate state laws when they were covering up the", "violate state laws when they were covering up the crimes of officer Zotns,", "Linnea, and Zotn, did in fact violate state laws when they were covering", "Intrej, in fact, has a rightful claim against the Defendants. > > >", "says always put a comma after a name, I say only when a", "a big issue between my husband and me. He says always put a", "I say only when a break is needed. Example: > > A review", "shows that Linnea, and Zotn, did in fact violate state laws when they", "> A review of the complaint filed by Intrej, shows that Linnea, and", "and me. He says always put a comma after a name, I say", "when they were covering up the crimes of officer Zotns, and that Intrej,", "that Intrej, in fact, has a rightful claim against the Defendants. > >", "Intrej, shows that Linnea, and Zotn, did in fact violate state laws when", "big issue between my husband and me. He says always put a comma", "> > A review of the complaint filed by Intrej, shows that Linnea,", "between my husband and me. He says always put a comma after a", "filed by Intrej, shows that Linnea, and Zotn, did in fact violate state", "name, I say only when a break is needed. Example: > > A", "complaint filed by Intrej, shows that Linnea, and Zotn, did in fact violate", "break is needed. Example: > > A review of the complaint filed by", "by Intrej, shows that Linnea, and Zotn, did in fact violate state laws", "A review of the complaint filed by Intrej, shows that Linnea, and Zotn,", "a name, I say only when a break is needed. Example: > >", "up the crimes of officer Zotns, and that Intrej, in fact, has a", "officer Zotns, and that Intrej, in fact, has a rightful claim against the", "covering up the crimes of officer Zotns, and that Intrej, in fact, has", "my husband and me. He says always put a comma after a name,", "issue between my husband and me. He says always put a comma after", "the complaint filed by Intrej, shows that Linnea, and Zotn, did in fact", "crimes of officer Zotns, and that Intrej, in fact, has a rightful claim", "that Linnea, and Zotn, did in fact violate state laws when they were", "a break is needed. Example: > > A review of the complaint filed", "only when a break is needed. Example: > > A review of the", "in fact violate state laws when they were covering up the crimes of", "say only when a break is needed. Example: > > A review of", "after a name, I say only when a break is needed. Example: >", "state laws when they were covering up the crimes of officer Zotns, and", "of the complaint filed by Intrej, shows that Linnea, and Zotn, did in", "is a big issue between my husband and me. He says always put", "and that Intrej, in fact, has a rightful claim against the Defendants. >", "put a comma after a name, I say only when a break is", "This is a big issue between my husband and me. He says always", "and Zotn, did in fact violate state laws when they were covering up", "is needed. Example: > > A review of the complaint filed by Intrej,", "Zotns, and that Intrej, in fact, has a rightful claim against the Defendants.", "they were covering up the crimes of officer Zotns, and that Intrej, in", "laws when they were covering up the crimes of officer Zotns, and that", "me. He says always put a comma after a name, I say only", "always put a comma after a name, I say only when a break", "when a break is needed. Example: > > A review of the complaint", "comma after a name, I say only when a break is needed. Example:", "of officer Zotns, and that Intrej, in fact, has a rightful claim against", "were covering up the crimes of officer Zotns, and that Intrej, in fact,", "needed. Example: > > A review of the complaint filed by Intrej, shows", "husband and me. He says always put a comma after a name, I" ]
[ "appropriate to have the excerpt in bold stand with the dialogue or should", "herself. “How many neutrons does uranium-235?” She looked down at her periodic table,", "uranium-235?” She looked down at her periodic table, searching for uranium. She recognized", "excerpt in bold stand with the dialogue or should it be in a", "> > > Is it appropriate to have the excerpt in bold stand", "> > “An isotope is determined by an atom’s number of neutrons,” she", "92 before creating a simple formula to determine how many neutrons there were", "looked down at her periodic table, searching for uranium. She recognized its location", "searching for uranium. She recognized its location with atomic number 92 before creating", "> “An isotope is determined by an atom’s number of neutrons,” she read", "with atomic number 92 before creating a simple formula to determine how many", "determine how many neutrons there were and writing down her answer of 143.", "She looked down at her periodic table, searching for uranium. She recognized its", "at her periodic table, searching for uranium. She recognized its location with atomic", "how many neutrons there were and writing down her answer of 143. >", "many neutrons there were and writing down her answer of 143. > >", "before creating a simple formula to determine how many neutrons there were and", "formula to determine how many neutrons there were and writing down her answer", "many neutrons does uranium-235?” She looked down at her periodic table, searching for", "atom’s number of neutrons,” she read to herself. “How many neutrons does uranium-235?”", "writing down her answer of 143. > > > Is it appropriate to", "143. > > > Is it appropriate to have the excerpt in bold", "to have the excerpt in bold stand with the dialogue or should it", "neutrons,” she read to herself. “How many neutrons does uranium-235?” She looked down", "is determined by an atom’s number of neutrons,” she read to herself. “How", "“How many neutrons does uranium-235?” She looked down at her periodic table, searching", "uranium. She recognized its location with atomic number 92 before creating a simple", "its location with atomic number 92 before creating a simple formula to determine", "simple formula to determine how many neutrons there were and writing down her", "to herself. “How many neutrons does uranium-235?” She looked down at her periodic", "and writing down her answer of 143. > > > Is it appropriate", "her answer of 143. > > > Is it appropriate to have the", "by an atom’s number of neutrons,” she read to herself. “How many neutrons", "periodic table, searching for uranium. She recognized its location with atomic number 92", "were and writing down her answer of 143. > > > Is it", "there were and writing down her answer of 143. > > > Is", "bold stand with the dialogue or should it be in a new paragraph?", "atomic number 92 before creating a simple formula to determine how many neutrons", "the excerpt in bold stand with the dialogue or should it be in", "a simple formula to determine how many neutrons there were and writing down", "“An isotope is determined by an atom’s number of neutrons,” she read to", "determined by an atom’s number of neutrons,” she read to herself. “How many", "does uranium-235?” She looked down at her periodic table, searching for uranium. She", "location with atomic number 92 before creating a simple formula to determine how", "to determine how many neutrons there were and writing down her answer of", "neutrons there were and writing down her answer of 143. > > >", "down her answer of 143. > > > Is it appropriate to have", "of 143. > > > Is it appropriate to have the excerpt in", "in bold stand with the dialogue or should it be in a new", "an atom’s number of neutrons,” she read to herself. “How many neutrons does", "it appropriate to have the excerpt in bold stand with the dialogue or", "table, searching for uranium. She recognized its location with atomic number 92 before", "> > Is it appropriate to have the excerpt in bold stand with", "read to herself. “How many neutrons does uranium-235?” She looked down at her", "recognized its location with atomic number 92 before creating a simple formula to", "Example: > > “An isotope is determined by an atom’s number of neutrons,”", "neutrons does uranium-235?” She looked down at her periodic table, searching for uranium.", "number 92 before creating a simple formula to determine how many neutrons there", "> Is it appropriate to have the excerpt in bold stand with the", "Is it appropriate to have the excerpt in bold stand with the dialogue", "She recognized its location with atomic number 92 before creating a simple formula", "for uranium. She recognized its location with atomic number 92 before creating a", "answer of 143. > > > Is it appropriate to have the excerpt", "down at her periodic table, searching for uranium. She recognized its location with", "number of neutrons,” she read to herself. “How many neutrons does uranium-235?” She", "of neutrons,” she read to herself. “How many neutrons does uranium-235?” She looked", "isotope is determined by an atom’s number of neutrons,” she read to herself.", "she read to herself. “How many neutrons does uranium-235?” She looked down at", "have the excerpt in bold stand with the dialogue or should it be", "creating a simple formula to determine how many neutrons there were and writing", "her periodic table, searching for uranium. She recognized its location with atomic number" ]
[ "never ever shown, so piecing the story in its entirety from the available", "impossible to follow at times, because some information are kept out of the", "so that your readers know everything that transpired at the end of the", "some information are only made available on other materials outside of the show.", "Is this completely ok, and why would that be ok if it's ok,", "show called Evangelion and this show is almost impossible to follow at times,", "there's this show called Evangelion and this show is almost impossible to follow", "made available on other materials outside of the show. Is this completely ok,", "and this show is almost impossible to follow at times, because some information", "out of the audience's eyes and never ever shown, so piecing the story", "information is impossible, because some information are only made available on other materials", "show is almost impossible to follow at times, because some information are kept", "if it's ok, because I don't understand the point of doing that, except", "the book? I am asking because there's this show called Evangelion and this", "is impossible, because some information are only made available on other materials outside", "and why would that be ok if it's ok, because I don't understand", "would that be ok if it's ok, because I don't understand the point", "so piecing the story in its entirety from the available information is impossible,", "make all information available so that your readers know everything that transpired at", "almost impossible to follow at times, because some information are kept out of", "be ok if it's ok, because I don't understand the point of doing", "and never ever shown, so piecing the story in its entirety from the", "to follow at times, because some information are kept out of the audience's", "on other materials outside of the show. Is this completely ok, and why", "outside of the show. Is this completely ok, and why would that be", "are only made available on other materials outside of the show. Is this", "shown, so piecing the story in its entirety from the available information is", "completely ok, and why would that be ok if it's ok, because I", "of the audience's eyes and never ever shown, so piecing the story in", "ever shown, so piecing the story in its entirety from the available information", "the end of the book? I am asking because there's this show called", "available so that your readers know everything that transpired at the end of", "available information is impossible, because some information are only made available on other", "only made available on other materials outside of the show. Is this completely", "from the available information is impossible, because some information are only made available", "because some information are only made available on other materials outside of the", "because some information are kept out of the audience's eyes and never ever", "at the end of the book? I am asking because there's this show", "in its entirety from the available information is impossible, because some information are", "this show is almost impossible to follow at times, because some information are", "the audience's eyes and never ever shown, so piecing the story in its", "it's ok, because I don't understand the point of doing that, except to", "is almost impossible to follow at times, because some information are kept out", "times, because some information are kept out of the audience's eyes and never", "some information are kept out of the audience's eyes and never ever shown,", "asking because there's this show called Evangelion and this show is almost impossible", "the show. Is this completely ok, and why would that be ok if", "audience's eyes and never ever shown, so piecing the story in its entirety", "its entirety from the available information is impossible, because some information are only", "Should you make all information available so that your readers know everything that", "that be ok if it's ok, because I don't understand the point of", "all information available so that your readers know everything that transpired at the", "ok, because I don't understand the point of doing that, except to frustrate", "of the show. Is this completely ok, and why would that be ok", "ok if it's ok, because I don't understand the point of doing that,", "materials outside of the show. Is this completely ok, and why would that", "because I don't understand the point of doing that, except to frustrate your", "Evangelion and this show is almost impossible to follow at times, because some", "information are only made available on other materials outside of the show. Is", "show. Is this completely ok, and why would that be ok if it's", "the story in its entirety from the available information is impossible, because some", "other materials outside of the show. Is this completely ok, and why would", "of the book? I am asking because there's this show called Evangelion and", "are kept out of the audience's eyes and never ever shown, so piecing", "this completely ok, and why would that be ok if it's ok, because", "information are kept out of the audience's eyes and never ever shown, so", "everything that transpired at the end of the book? I am asking because", "information available so that your readers know everything that transpired at the end", "book? I am asking because there's this show called Evangelion and this show", "end of the book? I am asking because there's this show called Evangelion", "your readers know everything that transpired at the end of the book? I", "at times, because some information are kept out of the audience's eyes and", "that your readers know everything that transpired at the end of the book?", "the available information is impossible, because some information are only made available on", "ok, and why would that be ok if it's ok, because I don't", "eyes and never ever shown, so piecing the story in its entirety from", "available on other materials outside of the show. Is this completely ok, and", "am asking because there's this show called Evangelion and this show is almost", "I don't understand the point of doing that, except to frustrate your readers?", "you make all information available so that your readers know everything that transpired", "that transpired at the end of the book? I am asking because there's", "story in its entirety from the available information is impossible, because some information", "readers know everything that transpired at the end of the book? I am", "impossible, because some information are only made available on other materials outside of", "this show called Evangelion and this show is almost impossible to follow at", "called Evangelion and this show is almost impossible to follow at times, because", "know everything that transpired at the end of the book? I am asking", "entirety from the available information is impossible, because some information are only made", "kept out of the audience's eyes and never ever shown, so piecing the", "transpired at the end of the book? I am asking because there's this", "why would that be ok if it's ok, because I don't understand the", "because there's this show called Evangelion and this show is almost impossible to", "piecing the story in its entirety from the available information is impossible, because", "follow at times, because some information are kept out of the audience's eyes", "I am asking because there's this show called Evangelion and this show is", "<https://www.youtube.com/watch?v=E5gVDDpviKo> Should you make all information available so that your readers know everything" ]
[ "However since I focus on these characters and their concepts too much, it", "of stoicism and then I added more to their character: a backstory, their", "of them that make them unique. > > > I'd like to ask", "I've focused too much on this one character instead of others. A Discord", "much on the lore and backstory, such as adding some ideas for their", "Come to think of it, I think it's because of how there's too", "themselves. You've built up the uniqueness of a character so much that now", "be more interesting. Though I sometimes believe that they can be convoluted, as", "into is that you love the idea of the character than the character", "member pointed this out: > > I don't think you can make a", "character themselves. You've built up the uniqueness of a character so much that", "for help on what exactly I should do. As I came back and", "character: a backstory, their skills and lore. However I sometimes focus too much", "Though I sometimes believe that they can be convoluted, as such I've focused", "Discord member pointed this out: > > I don't think you can make", "so much that now you're tasked with making them tangible people in your", "character than the character themselves. You've built up the uniqueness of a character", "characters, though I put more focus to some than others. This is because", "more focus to some than others. This is because of how at the", "though I put more focus to some than others. This is because of", "> > > I'd like to ask for help on what exactly I", "of others. A Discord member pointed this out: > > I don't think", "I'd like to ask for help on what exactly I should do. As", "ask for help on what exactly I should do. As I came back", "one character instead of others. A Discord member pointed this out: > >", "put more focus to some than others. This is because of how at", "idea of stoicism and then I added more to their character: a backstory,", "exactly I should do. As I came back and forth with their concepts", "focused too much on this one character instead of others. A Discord member", "that now you're tasked with making them tangible people in your story, as", "parts of them that make them unique. > > > I'd like to", "one of my characters started off with the idea of stoicism and then", "on these characters and their concepts too much, it prevented me from further", "I should do. As I came back and forth with their concepts and", "other characters as well. Come to think of it, I think it's because", "characters started off with the idea of stoicism and then I added more", "of my characters started off with the idea of stoicism and then I", "and lore. However I sometimes focus too much on the lore and backstory,", "I put more focus to some than others. This is because of how", "uniqueness of a character so much that now you're tasked with making them", "well as satisfying the parts of them that make them unique. > >", "what exactly I should do. As I came back and forth with their", "You've built up the uniqueness of a character so much that now you're", "to make sure I can incorporate them in the story. However since I", "much on this one character instead of others. A Discord member pointed this", "than others. This is because of how at the base of these characters", "I came back and forth with their concepts and prevents me from developing", "out: > > I don't think you can make a character too unique.", "A Discord member pointed this out: > > I don't think you can", "you can make a character too unique. I think the problem you've ran", "tangible people in your story, as well as satisfying the parts of them", "them that make them unique. > > > I'd like to ask for", "have concepts that they revolve with. And I want to make sure I", "with. And I want to make sure I can incorporate them in the", "I focus on these characters and their concepts too much, it prevented me", "since I focus on these characters and their concepts too much, it prevented", "satisfying the parts of them that make them unique. > > > I'd", "I want to make sure I can incorporate them in the story. However", "these characters and their concepts too much, it prevented me from further developing", "the problem you've ran into is that you love the idea of the", "on this one character instead of others. A Discord member pointed this out:", "character too unique. I think the problem you've ran into is that you", "than the character themselves. You've built up the uniqueness of a character so", "a backstory, their skills and lore. However I sometimes focus too much on", "example one of my characters started off with the idea of stoicism and", "should do. As I came back and forth with their concepts and prevents", "it, I think it's because of how there's too much concept in them.", "can incorporate them in the story. However since I focus on these characters", "them unique. > > > I'd like to ask for help on what", "think it's because of how there's too much concept in them. For example", "their character: a backstory, their skills and lore. However I sometimes focus too", "base of these characters they have concepts that they revolve with. And I", "to think of it, I think it's because of how there's too much", "backstory, their skills and lore. However I sometimes focus too much on the", "believe that they can be convoluted, as such I've focused too much on", "up the uniqueness of a character so much that now you're tasked with", "> I'd like to ask for help on what exactly I should do.", "for their story to be more interesting. Though I sometimes believe that they", "much concept in them. For example one of my characters started off with", "is because of how at the base of these characters they have concepts", "with the idea of stoicism and then I added more to their character:", "instead of others. A Discord member pointed this out: > > I don't", "you love the idea of the character than the character themselves. You've built", "tasked with making them tangible people in your story, as well as satisfying", "unique. > > > I'd like to ask for help on what exactly", "like to ask for help on what exactly I should do. As I", "the idea of stoicism and then I added more to their character: a", "added more to their character: a backstory, their skills and lore. However I", "their story to be more interesting. Though I sometimes believe that they can", "idea of the character than the character themselves. You've built up the uniqueness", "making them tangible people in your story, as well as satisfying the parts", "that they revolve with. And I want to make sure I can incorporate", "more interesting. Though I sometimes believe that they can be convoluted, as such", "that they can be convoluted, as such I've focused too much on this", "me from further developing them, and eventually other characters as well. Come to", "focus on these characters and their concepts too much, it prevented me from", "you've ran into is that you love the idea of the character than", "be convoluted, as such I've focused too much on this one character instead", "in your story, as well as satisfying the parts of them that make", "the base of these characters they have concepts that they revolve with. And", "too much, it prevented me from further developing them, and eventually other characters", "> I don't think you can make a character too unique. I think", "ideas for their story to be more interesting. Though I sometimes believe that", "a character too unique. I think the problem you've ran into is that", "love the idea of the character than the character themselves. You've built up", "to some than others. This is because of how at the base of", "think the problem you've ran into is that you love the idea of", "as well as satisfying the parts of them that make them unique. >", "And I want to make sure I can incorporate them in the story.", "as satisfying the parts of them that make them unique. > > >", "as adding some ideas for their story to be more interesting. Though I", "think of it, I think it's because of how there's too much concept", "unique. I think the problem you've ran into is that you love the", "is that you love the idea of the character than the character themselves.", "them, and eventually other characters as well. Come to think of it, I", "as such I've focused too much on this one character instead of others.", "sure I can incorporate them in the story. However since I focus on", "and eventually other characters as well. Come to think of it, I think", "can make a character too unique. I think the problem you've ran into", "others. This is because of how at the base of these characters they", "focus to some than others. This is because of how at the base", "in the story. However since I focus on these characters and their concepts", "them. For example one of my characters started off with the idea of", "it's because of how there's too much concept in them. For example one", "I sometimes focus too much on the lore and backstory, such as adding", "eventually other characters as well. Come to think of it, I think it's", "> > I don't think you can make a character too unique. I", "much that now you're tasked with making them tangible people in your story,", "of it, I think it's because of how there's too much concept in", "developing them, and eventually other characters as well. Come to think of it,", "too much on the lore and backstory, such as adding some ideas for", "of these characters they have concepts that they revolve with. And I want", "story to be more interesting. Though I sometimes believe that they can be", "convoluted, as such I've focused too much on this one character instead of", "they revolve with. And I want to make sure I can incorporate them", "I can incorporate them in the story. However since I focus on these", "characters and their concepts too much, it prevented me from further developing them,", "lore and backstory, such as adding some ideas for their story to be", "too unique. I think the problem you've ran into is that you love", "As I came back and forth with their concepts and prevents me from", "make them unique. > > > I'd like to ask for help on", "concept in them. For example one of my characters started off with the", "the story. However since I focus on these characters and their concepts too", "the character than the character themselves. You've built up the uniqueness of a", "I added more to their character: a backstory, their skills and lore. However", "help on what exactly I should do. As I came back and forth", "came back and forth with their concepts and prevents me from developing others.", "how there's too much concept in them. For example one of my characters", "some ideas for their story to be more interesting. Though I sometimes believe", "character so much that now you're tasked with making them tangible people in", "of how there's too much concept in them. For example one of my", "think you can make a character too unique. I think the problem you've", "characters they have concepts that they revolve with. And I want to make", "much, it prevented me from further developing them, and eventually other characters as", "this out: > > I don't think you can make a character too", "make sure I can incorporate them in the story. However since I focus", "there's too much concept in them. For example one of my characters started", "that make them unique. > > > I'd like to ask for help", "now you're tasked with making them tangible people in your story, as well", "from further developing them, and eventually other characters as well. Come to think", "their skills and lore. However I sometimes focus too much on the lore", "want to make sure I can incorporate them in the story. However since", "> > I'd like to ask for help on what exactly I should", "This is because of how at the base of these characters they have", "lore. However I sometimes focus too much on the lore and backstory, such", "started off with the idea of stoicism and then I added more to", "don't think you can make a character too unique. I think the problem", "problem you've ran into is that you love the idea of the character", "others. A Discord member pointed this out: > > I don't think you", "the uniqueness of a character so much that now you're tasked with making", "too much concept in them. For example one of my characters started off", "do. As I came back and forth with their concepts and prevents me", "to be more interesting. Though I sometimes believe that they can be convoluted,", "such as adding some ideas for their story to be more interesting. Though", "how at the base of these characters they have concepts that they revolve", "story, as well as satisfying the parts of them that make them unique.", "some than others. This is because of how at the base of these", "you're tasked with making them tangible people in your story, as well as", "lots of characters, though I put more focus to some than others. This", "However I sometimes focus too much on the lore and backstory, such as", "and then I added more to their character: a backstory, their skills and", "built up the uniqueness of a character so much that now you're tasked", "and backstory, such as adding some ideas for their story to be more", "at the base of these characters they have concepts that they revolve with.", "concepts too much, it prevented me from further developing them, and eventually other", "them in the story. However since I focus on these characters and their", "I don't think you can make a character too unique. I think the", "they can be convoluted, as such I've focused too much on this one", "with making them tangible people in your story, as well as satisfying the", "I sometimes believe that they can be convoluted, as such I've focused too", "character instead of others. A Discord member pointed this out: > > I", "these characters they have concepts that they revolve with. And I want to", "I think it's because of how there's too much concept in them. For", "incorporate them in the story. However since I focus on these characters and", "because of how at the base of these characters they have concepts that", "to ask for help on what exactly I should do. As I came", "story. However since I focus on these characters and their concepts too much,", "interesting. Though I sometimes believe that they can be convoluted, as such I've", "the lore and backstory, such as adding some ideas for their story to", "sometimes believe that they can be convoluted, as such I've focused too much", "too much on this one character instead of others. A Discord member pointed", "characters as well. Come to think of it, I think it's because of", "people in your story, as well as satisfying the parts of them that", "such I've focused too much on this one character instead of others. A", "well. Come to think of it, I think it's because of how there's", "focus too much on the lore and backstory, such as adding some ideas", "For example one of my characters started off with the idea of stoicism", "ran into is that you love the idea of the character than the", "of the character than the character themselves. You've built up the uniqueness of", "the character themselves. You've built up the uniqueness of a character so much", "a character so much that now you're tasked with making them tangible people", "concepts that they revolve with. And I want to make sure I can", "can be convoluted, as such I've focused too much on this one character", "adding some ideas for their story to be more interesting. Though I sometimes", "them tangible people in your story, as well as satisfying the parts of", "the parts of them that make them unique. > > > I'd like", "made lots of characters, though I put more focus to some than others.", "on the lore and backstory, such as adding some ideas for their story", "then I added more to their character: a backstory, their skills and lore.", "because of how there's too much concept in them. For example one of", "of a character so much that now you're tasked with making them tangible", "they have concepts that they revolve with. And I want to make sure", "pointed this out: > > I don't think you can make a character", "more to their character: a backstory, their skills and lore. However I sometimes", "as well. Come to think of it, I think it's because of how", "off with the idea of stoicism and then I added more to their", "I think the problem you've ran into is that you love the idea", "sometimes focus too much on the lore and backstory, such as adding some", "stoicism and then I added more to their character: a backstory, their skills", "prevented me from further developing them, and eventually other characters as well. Come", "to their character: a backstory, their skills and lore. However I sometimes focus", "that you love the idea of the character than the character themselves. You've", "on what exactly I should do. As I came back and forth with", "skills and lore. However I sometimes focus too much on the lore and", "of characters, though I put more focus to some than others. This is", "it prevented me from further developing them, and eventually other characters as well.", "the idea of the character than the character themselves. You've built up the", "make a character too unique. I think the problem you've ran into is", "in them. For example one of my characters started off with the idea", "further developing them, and eventually other characters as well. Come to think of", "my characters started off with the idea of stoicism and then I added", "your story, as well as satisfying the parts of them that make them", "this one character instead of others. A Discord member pointed this out: >", "I made lots of characters, though I put more focus to some than", "and their concepts too much, it prevented me from further developing them, and", "revolve with. And I want to make sure I can incorporate them in", "backstory, such as adding some ideas for their story to be more interesting.", "of how at the base of these characters they have concepts that they", "their concepts too much, it prevented me from further developing them, and eventually" ]
[ "for simplicity sake, but if you want to have proper worldbuilding and a", "DNA and neutrons in a fantasy book? I see people use DNA and", "to do in the situations where I need to be very precise and", "neutrons in TV shows where the setting doesn't allow for it for simplicity", "words should you use? How would you about doing this and can you", "where the setting doesn't allow for it for simplicity sake, but if you", "simple example? I am wondering what to do in the situations where I", "what to do in the situations where I need to be very precise", "want to have proper worldbuilding and a realistic world, how should you refer", "would you about doing this and can you provide a simple example? I", "in a fantasy book? I see people use DNA and neutrons in TV", "I need to be very precise and in situation where I don't have", "world, how should you refer to those concepts? What words should you use?", "those concepts? What words should you use? How would you about doing this", "where I need to be very precise and in situation where I don't", "how should you refer to those concepts? What words should you use? How", "I don't have to be, because I can't think of a specific case.", "if you want to have proper worldbuilding and a realistic world, how should", "and neutrons in a fantasy book? I see people use DNA and neutrons", "realistic world, how should you refer to those concepts? What words should you", "to those concepts? What words should you use? How would you about doing", "worldbuilding and a realistic world, how should you refer to those concepts? What", "TV shows where the setting doesn't allow for it for simplicity sake, but", "situation where I don't have to be, because I can't think of a", "example? I am wondering what to do in the situations where I need", "it for simplicity sake, but if you want to have proper worldbuilding and", "I see people use DNA and neutrons in TV shows where the setting", "concepts? What words should you use? How would you about doing this and", "in situation where I don't have to be, because I can't think of", "neutrons in a fantasy book? I see people use DNA and neutrons in", "you want to have proper worldbuilding and a realistic world, how should you", "provide a simple example? I am wondering what to do in the situations", "for it for simplicity sake, but if you want to have proper worldbuilding", "need to be very precise and in situation where I don't have to", "to modern words and concepts like DNA and neutrons in a fantasy book?", "about doing this and can you provide a simple example? I am wondering", "you about doing this and can you provide a simple example? I am", "simplicity sake, but if you want to have proper worldbuilding and a realistic", "to be very precise and in situation where I don't have to be,", "allow for it for simplicity sake, but if you want to have proper", "precise and in situation where I don't have to be, because I can't", "people use DNA and neutrons in TV shows where the setting doesn't allow", "and can you provide a simple example? I am wondering what to do", "doesn't allow for it for simplicity sake, but if you want to have", "words and concepts like DNA and neutrons in a fantasy book? I see", "and in situation where I don't have to be, because I can't think", "I am wondering what to do in the situations where I need to", "you use? How would you about doing this and can you provide a", "like DNA and neutrons in a fantasy book? I see people use DNA", "have proper worldbuilding and a realistic world, how should you refer to those", "a realistic world, how should you refer to those concepts? What words should", "the situations where I need to be very precise and in situation where", "shows where the setting doesn't allow for it for simplicity sake, but if", "use DNA and neutrons in TV shows where the setting doesn't allow for", "use? How would you about doing this and can you provide a simple", "the setting doesn't allow for it for simplicity sake, but if you want", "you refer to those concepts? What words should you use? How would you", "How should you refer to modern words and concepts like DNA and neutrons", "sake, but if you want to have proper worldbuilding and a realistic world,", "should you use? How would you about doing this and can you provide", "and neutrons in TV shows where the setting doesn't allow for it for", "but if you want to have proper worldbuilding and a realistic world, how", "doing this and can you provide a simple example? I am wondering what", "concepts like DNA and neutrons in a fantasy book? I see people use", "very precise and in situation where I don't have to be, because I", "wondering what to do in the situations where I need to be very", "situations where I need to be very precise and in situation where I", "DNA and neutrons in TV shows where the setting doesn't allow for it", "in TV shows where the setting doesn't allow for it for simplicity sake,", "refer to those concepts? What words should you use? How would you about", "proper worldbuilding and a realistic world, how should you refer to those concepts?", "and concepts like DNA and neutrons in a fantasy book? I see people", "fantasy book? I see people use DNA and neutrons in TV shows where", "refer to modern words and concepts like DNA and neutrons in a fantasy", "How would you about doing this and can you provide a simple example?", "and a realistic world, how should you refer to those concepts? What words", "am wondering what to do in the situations where I need to be", "you refer to modern words and concepts like DNA and neutrons in a", "this and can you provide a simple example? I am wondering what to", "a fantasy book? I see people use DNA and neutrons in TV shows", "should you refer to modern words and concepts like DNA and neutrons in", "setting doesn't allow for it for simplicity sake, but if you want to", "What words should you use? How would you about doing this and can", "be very precise and in situation where I don't have to be, because", "do in the situations where I need to be very precise and in", "see people use DNA and neutrons in TV shows where the setting doesn't", "you provide a simple example? I am wondering what to do in the", "where I don't have to be, because I can't think of a specific", "can you provide a simple example? I am wondering what to do in", "to have proper worldbuilding and a realistic world, how should you refer to", "should you refer to those concepts? What words should you use? How would", "in the situations where I need to be very precise and in situation", "book? I see people use DNA and neutrons in TV shows where the", "modern words and concepts like DNA and neutrons in a fantasy book? I", "a simple example? I am wondering what to do in the situations where" ]
[ "stories? Is this something that was done before in a collection of short", "stories? Because it is so hard to do worldbuilding in a short story,", "the narrative is important, and do show and not tell in those short", "Because it is so hard to do worldbuilding in a short story, I", "write a short story that's only an exposition for worldbuilding? Let's say that", "do worldbuilding in a short story, I feel this is the only way", "short story, I feel this is the only way to do a lot", "science fiction short stories. In order to have strong worldbuilding, is it possible", "some short stories, meaning telling and not showing, so you can show some", "showing, so you can show some important things in more important short stories", "you can show some important things in more important short stories where the", "do exposition in some short stories, meaning telling and not showing, so you", "only do exposition in some short stories, meaning telling and not showing, so", "so you can show some important things in more important short stories where", "show some important things in more important short stories where the narrative is", "In order to have strong worldbuilding, is it possible to only do exposition", "important short stories where the narrative is important, and do show and not", "that was done before in a collection of short stories? Because it is", "worldbuilding in a short story, I feel this is the only way to", "not showing, so you can show some important things in more important short", "Is this something that was done before in a collection of short stories?", "that you have a collection of science fiction short stories. In order to", "show and not tell in those short stories? Is this something that was", "collection of science fiction short stories. In order to have strong worldbuilding, is", "worldbuilding, is it possible to only do exposition in some short stories, meaning", "those short stories? Is this something that was done before in a collection", "it possible to only do exposition in some short stories, meaning telling and", "and not tell in those short stories? Is this something that was done", "in those short stories? Is this something that was done before in a", "exposition in some short stories, meaning telling and not showing, so you can", "of science fiction short stories. In order to have strong worldbuilding, is it", "is it possible to only do exposition in some short stories, meaning telling", "telling and not showing, so you can show some important things in more", "of short stories? Because it is so hard to do worldbuilding in a", "fiction short stories. In order to have strong worldbuilding, is it possible to", "do show and not tell in those short stories? Is this something that", "short stories? Because it is so hard to do worldbuilding in a short", "important things in more important short stories where the narrative is important, and", "can show some important things in more important short stories where the narrative", "this something that was done before in a collection of short stories? Because", "short stories, meaning telling and not showing, so you can show some important", "where the narrative is important, and do show and not tell in those", "narrative is important, and do show and not tell in those short stories?", "hard to do worldbuilding in a short story, I feel this is the", "have strong worldbuilding, is it possible to only do exposition in some short", "order to have strong worldbuilding, is it possible to only do exposition in", "possible to only do exposition in some short stories, meaning telling and not", "worldbuilding? Let's say that you have a collection of science fiction short stories.", "stories, meaning telling and not showing, so you can show some important things", "and not showing, so you can show some important things in more important", "I feel this is the only way to do a lot of worlbuilding.", "a collection of science fiction short stories. In order to have strong worldbuilding,", "tell in those short stories? Is this something that was done before in", "for worldbuilding? Let's say that you have a collection of science fiction short", "a short story, I feel this is the only way to do a", "short stories where the narrative is important, and do show and not tell", "short stories. In order to have strong worldbuilding, is it possible to only", "was done before in a collection of short stories? Because it is so", "to do worldbuilding in a short story, I feel this is the only", "meaning telling and not showing, so you can show some important things in", "only an exposition for worldbuilding? Let's say that you have a collection of", "in some short stories, meaning telling and not showing, so you can show", "Can you write a short story that's only an exposition for worldbuilding? Let's", "in more important short stories where the narrative is important, and do show", "Let's say that you have a collection of science fiction short stories. In", "collection of short stories? Because it is so hard to do worldbuilding in", "more important short stories where the narrative is important, and do show and", "done before in a collection of short stories? Because it is so hard", "some important things in more important short stories where the narrative is important,", "stories where the narrative is important, and do show and not tell in", "a short story that's only an exposition for worldbuilding? Let's say that you", "short story that's only an exposition for worldbuilding? Let's say that you have", "say that you have a collection of science fiction short stories. In order", "an exposition for worldbuilding? Let's say that you have a collection of science", "to only do exposition in some short stories, meaning telling and not showing,", "exposition for worldbuilding? Let's say that you have a collection of science fiction", "it is so hard to do worldbuilding in a short story, I feel", "before in a collection of short stories? Because it is so hard to", "in a short story, I feel this is the only way to do", "not tell in those short stories? Is this something that was done before", "things in more important short stories where the narrative is important, and do", "is so hard to do worldbuilding in a short story, I feel this", "story, I feel this is the only way to do a lot of", "a collection of short stories? Because it is so hard to do worldbuilding", "so hard to do worldbuilding in a short story, I feel this is", "short stories? Is this something that was done before in a collection of", "you have a collection of science fiction short stories. In order to have", "important, and do show and not tell in those short stories? Is this", "that's only an exposition for worldbuilding? Let's say that you have a collection", "strong worldbuilding, is it possible to only do exposition in some short stories,", "something that was done before in a collection of short stories? Because it", "stories. In order to have strong worldbuilding, is it possible to only do", "you write a short story that's only an exposition for worldbuilding? Let's say", "is important, and do show and not tell in those short stories? Is", "have a collection of science fiction short stories. In order to have strong", "to have strong worldbuilding, is it possible to only do exposition in some", "and do show and not tell in those short stories? Is this something", "in a collection of short stories? Because it is so hard to do", "story that's only an exposition for worldbuilding? Let's say that you have a" ]
[]
[ "period of time. * Year 1: Alive: [A B C] Dead: [D] Missing:", "accordingly. You can't do stuff like that in Scrivener, it gets way too", "Dead: [D] Missing: [E] * Year 2: Alive: [A B] Dead: [C D]", "Alive: [A B C] Dead: [D] Missing: [E] * Year 2: Alive: [A", "the characters and using Google Slides to have one slide per year (for", "can't do stuff like that in Scrivener, it gets way too slow with", "for each of the characters and using Google Slides to have one slide", "like that in Scrivener, it gets way too slow with images. What are", "different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page for each period", "Year 1: Alive: [A B C] Dead: [D] Missing: [E] * Year 2:", "of time. * Year 1: Alive: [A B C] Dead: [D] Missing: [E]", "it gets way too slow with images. What are the best tools you", "do stuff like that in Scrivener, it gets way too slow with images.", "be, with 1 page for each period of time. * Year 1: Alive:", "2: Alive: [A B] Dead: [C D] Missing: [E] I was thinking of", "simple images for each of the characters and using Google Slides to have", "too slow with images. What are the best tools you could use for", "example would be, with 1 page for each period of time. * Year", "[C D] Missing: [E] I was thinking of making simple images for each", "was thinking of making simple images for each of the characters and using", "of making simple images for each of the characters and using Google Slides", "on multiple pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would", "character pictures in accordingly. You can't do stuff like that in Scrivener, it", "be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page for", "Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1", "group together on multiple pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another", "pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with", "pictures in accordingly. You can't do stuff like that in Scrivener, it gets", "of the characters and using Google Slides to have one slide per year", "multiple pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be,", "[D] Missing: [E] * Year 2: Alive: [A B] Dead: [C D] Missing:", "I want to group together on multiple pages. Each could be about different", "[E] I was thinking of making simple images for each of the characters", "Alive: [A B] Dead: [C D] Missing: [E] I was thinking of making", "together on multiple pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example", "Missing: [E] * Year 2: Alive: [A B] Dead: [C D] Missing: [E]", "have one slide per year (for the example above), and pasting character pictures", "way too slow with images. What are the best tools you could use", "Google Slides to have one slide per year (for the example above), and", "thinking of making simple images for each of the characters and using Google", "B] Dead: [C D] Missing: [E] I was thinking of making simple images", "in Scrivener, it gets way too slow with images. What are the best", "Slides to have one slide per year (for the example above), and pasting", "of characters that I want to group together on multiple pages. Each could", "You can't do stuff like that in Scrivener, it gets way too slow", "![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page for each period of time.", "* Year 2: Alive: [A B] Dead: [C D] Missing: [E] I was", "example above), and pasting character pictures in accordingly. You can't do stuff like", "per year (for the example above), and pasting character pictures in accordingly. You", "[A B] Dead: [C D] Missing: [E] I was thinking of making simple", "that I want to group together on multiple pages. Each could be about", "each period of time. * Year 1: Alive: [A B C] Dead: [D]", "information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page for each period of", "characters that I want to group together on multiple pages. Each could be", "pasting character pictures in accordingly. You can't do stuff like that in Scrivener,", "characters and using Google Slides to have one slide per year (for the", "[E] * Year 2: Alive: [A B] Dead: [C D] Missing: [E] I", "want to group together on multiple pages. Each could be about different information.", "and using Google Slides to have one slide per year (for the example", "(for the example above), and pasting character pictures in accordingly. You can't do", "Scrivener, it gets way too slow with images. What are the best tools", "the example above), and pasting character pictures in accordingly. You can't do stuff", "couple of characters that I want to group together on multiple pages. Each", "have a couple of characters that I want to group together on multiple", "using Google Slides to have one slide per year (for the example above),", "I was thinking of making simple images for each of the characters and", "one slide per year (for the example above), and pasting character pictures in", "stuff like that in Scrivener, it gets way too slow with images. What", "slow with images. What are the best tools you could use for this?", "C] Dead: [D] Missing: [E] * Year 2: Alive: [A B] Dead: [C", "and pasting character pictures in accordingly. You can't do stuff like that in", "1 page for each period of time. * Year 1: Alive: [A B", "page for each period of time. * Year 1: Alive: [A B C]", "gets way too slow with images. What are the best tools you could", "Another example would be, with 1 page for each period of time. ", "a couple of characters that I want to group together on multiple pages.", "for each period of time. Year 1: Alive: [A B C] Dead:", "Dead: [C D] Missing: [E] I was thinking of making simple images for", "I have a couple of characters that I want to group together on", "time. * Year 1: Alive: [A B C] Dead: [D] Missing: [E] ", "D] Missing: [E] I was thinking of making simple images for each of", "could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page", "making simple images for each of the characters and using Google Slides to", "to group together on multiple pages. Each could be about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png)", "with 1 page for each period of time. Year 1: Alive: [A", "images for each of the characters and using Google Slides to have one", "year (for the example above), and pasting character pictures in accordingly. You can't", "in accordingly. You can't do stuff like that in Scrivener, it gets way", "Missing: [E] I was thinking of making simple images for each of the", "that in Scrivener, it gets way too slow with images. What are the", "B C] Dead: [D] Missing: [E] * Year 2: Alive: [A B] Dead:", "Year 2: Alive: [A B] Dead: [C D] Missing: [E] I was thinking", "[A B C] Dead: [D] Missing: [E] * Year 2: Alive: [A B]", "above), and pasting character pictures in accordingly. You can't do stuff like that", "about different information. ![](https://64.media.tumblr.com/442f0fbd9ce7a2d0c47bff619114ed44/tumblr_o6r28d2XrZ1r0l7pbo1_1280.png) Another example would be, with 1 page for each", "slide per year (for the example above), and pasting character pictures in accordingly.", "1: Alive: [A B C] Dead: [D] Missing: [E] * Year 2: Alive:", "would be, with 1 page for each period of time. * Year 1:", "each of the characters and using Google Slides to have one slide per", "* Year 1: Alive: [A B C] Dead: [D] Missing: [E] * Year", "to have one slide per year (for the example above), and pasting character" ]
[ "there an applicable rule for English writing? Should I continue referring Bakub as", "making the readers feel strange? (I'm only talking about the way the narrator", "the readers feel strange? (I'm only talking about the way the narrator refers", "They started getting closer and eventually became close friends. At some point, Bakub", "and eventually became close friends. At some point, Bakub told Joe that he", "character from the US. Here is the scenario. Let's call the protagonist Joe,", "US Upam Bakub. When Joe first met Bakub, they didn't have direct contact.", "nothing but a misunderstanding, so they made peace. Bakub told Joe his first", "they made peace. Bakub told Joe his first name was Upam. They started", "called him Mr. Bakub. Later Bakub tried to killed Joe. Until that point,", "the narrator refered to him as Bakub. During the struggle, they found out", "people always tend to refer people by their full names, so the first", "his last name sounds strange to me, but when I change it from", "strange to me, but when I change it from his last name to", "made peace. Bakub told Joe his first name was Upam. They started getting", "Joe that he should call him Upam. Is there an applicable rule for", "Referring a close friend of the protagonist by his last name sounds strange", "change the name a character is referred to by without making the readers", "to him as Bakub. During the struggle, they found out that it was", "it was nothing but a misunderstanding, so they made peace. Bakub told Joe", "killed Joe. Until that point, Joe still didn't know Bakub's first name. I,", "I, the narrator refered to him as Bakub. During the struggle, they found", "Later Bakub tried to killed Joe. Until that point, Joe still didn't know", "name was Upam. They started getting closer and eventually became close friends. At", "as Bakub or should I change it to Upam? Referring a close friend", "issue. But now I'm working on a novel with a character from the", "Bakub's first name. I, the narrator refered to him as Bakub. During the", "name last name thing shouldn't be an issue. But now I'm working on", "Upam? Referring a close friend of the protagonist by his last name sounds", "the first name last name thing shouldn't be an issue. But now I'm", "some techniques to change the name a character is referred to by without", "be an issue. But now I'm working on a novel with a character", "his first name was Upam. They started getting closer and eventually became close", "last name to his first name, it sounds too sudden, and weird. Are", "to killed Joe. Until that point, Joe still didn't know Bakub's first name.", "an issue. But now I'm working on a novel with a character from", "Should I continue referring Bakub as Bakub or should I change it to", "Joe just learnt Bakub's last name when his employees called him Mr. Bakub.", "Bakub as Bakub or should I change it to Upam? Referring a close", "the name a character is referred to by without making the readers feel", "didn't know Bakub's first name. I, the narrator refered to him as Bakub.", "told Joe that he should call him Upam. Is there an applicable rule", "Let's call the protagonist Joe, and the character from the US Upam Bakub.", "last name sounds strange to me, but when I change it from his", "to me, but when I change it from his last name to his", "from the US. Here is the scenario. Let's call the protagonist Joe, and", "the US. Here is the scenario. Let's call the protagonist Joe, and the", "of the protagonist by his last name sounds strange to me, but when", "techniques to change the name a character is referred to by without making", "tried to killed Joe. Until that point, Joe still didn't know Bakub's first", "on a novel with a character from the US. Here is the scenario.", "referred to by without making the readers feel strange? (I'm only talking about", "know Bakub's first name. I, the narrator refered to him as Bakub. During", "feel strange? (I'm only talking about the way the narrator refers Bakub, not", "found out that it was nothing but a misunderstanding, so they made peace.", "an applicable rule for English writing? Should I continue referring Bakub as Bakub", "so they made peace. Bakub told Joe his first name was Upam. They", "to refer people by their full names, so the first name last name", "point, Bakub told Joe that he should call him Upam. Is there an", "the US Upam Bakub. When Joe first met Bakub, they didn't have direct", "I change it from his last name to his first name, it sounds", "only talking about the way the narrator refers Bakub, not the way other", "last name thing shouldn't be an issue. But now I'm working on a", "started getting closer and eventually became close friends. At some point, Bakub told", "their full names, so the first name last name thing shouldn't be an", "should call him Upam. Is there an applicable rule for English writing? Should", "sounds too sudden, and weird. Are there some techniques to change the name", "I continue referring Bakub as Bakub or should I change it to Upam?", "from his last name to his first name, it sounds too sudden, and", "Bakub. When Joe first met Bakub, they didn't have direct contact. Joe just", "novel with a character from the US. Here is the scenario. Let's call", "point, Joe still didn't know Bakub's first name. I, the narrator refered to", "friends. At some point, Bakub told Joe that he should call him Upam.", "met Bakub, they didn't have direct contact. Joe just learnt Bakub's last name", "weird. Are there some techniques to change the name a character is referred", "direct contact. Joe just learnt Bakub's last name when his employees called him", "he should call him Upam. Is there an applicable rule for English writing?", "the protagonist Joe, and the character from the US Upam Bakub. When Joe", "still didn't know Bakub's first name. I, the narrator refered to him as", "name. I, the narrator refered to him as Bakub. During the struggle, they", "Upam Bakub. When Joe first met Bakub, they didn't have direct contact. Joe", "name to his first name, it sounds too sudden, and weird. Are there", "when his employees called him Mr. Bakub. Later Bakub tried to killed Joe.", "I change it to Upam? Referring a close friend of the protagonist by", "Bakub. Later Bakub tried to killed Joe. Until that point, Joe still didn't", "that point, Joe still didn't know Bakub's first name. I, the narrator refered", "When Joe first met Bakub, they didn't have direct contact. Joe just learnt", "name a character is referred to by without making the readers feel strange?", "to change the name a character is referred to by without making the", "Joe. Until that point, Joe still didn't know Bakub's first name. I, the", "Bakub. During the struggle, they found out that it was nothing but a", "to by without making the readers feel strange? (I'm only talking about the", "a novel with a character from the US. Here is the scenario. Let's", "name when his employees called him Mr. Bakub. Later Bakub tried to killed", "name, it sounds too sudden, and weird. Are there some techniques to change", "narrator refered to him as Bakub. During the struggle, they found out that", "with a character from the US. Here is the scenario. Let's call the", "English writing? Should I continue referring Bakub as Bakub or should I change", "without making the readers feel strange? (I'm only talking about the way the", "first name. I, the narrator refered to him as Bakub. During the struggle,", "and weird. Are there some techniques to change the name a character is", "US. Here is the scenario. Let's call the protagonist Joe, and the character", "him Upam. Is there an applicable rule for English writing? Should I continue", "too sudden, and weird. Are there some techniques to change the name a", "thing shouldn't be an issue. But now I'm working on a novel with", "During the struggle, they found out that it was nothing but a misunderstanding,", "refered to him as Bakub. During the struggle, they found out that it", "call him Upam. Is there an applicable rule for English writing? Should I", "now I'm working on a novel with a character from the US. Here", "didn't have direct contact. Joe just learnt Bakub's last name when his employees", "applicable rule for English writing? Should I continue referring Bakub as Bakub or", "writing? Should I continue referring Bakub as Bakub or should I change it", "a close friend of the protagonist by his last name sounds strange to", "tend to refer people by their full names, so the first name last", "names, so the first name last name thing shouldn't be an issue. But", "name thing shouldn't be an issue. But now I'm working on a novel", "Joe first met Bakub, they didn't have direct contact. Joe just learnt Bakub's", "him Mr. Bakub. Later Bakub tried to killed Joe. Until that point, Joe", "a character from the US. Here is the scenario. Let's call the protagonist", "Is there an applicable rule for English writing? Should I continue referring Bakub", "protagonist by his last name sounds strange to me, but when I change", "Joe still didn't know Bakub's first name. I, the narrator refered to him", "by his last name sounds strange to me, but when I change it", "first met Bakub, they didn't have direct contact. Joe just learnt Bakub's last", "last name when his employees called him Mr. Bakub. Later Bakub tried to", "was Upam. They started getting closer and eventually became close friends. At some", "Upam. They started getting closer and eventually became close friends. At some point,", "people by their full names, so the first name last name thing shouldn't", "full names, so the first name last name thing shouldn't be an issue.", "first name was Upam. They started getting closer and eventually became close friends.", "Bakub or should I change it to Upam? Referring a close friend of", "the protagonist by his last name sounds strange to me, but when I", "I'm a Chinese writer. Chinese people always tend to refer people by their", "Bakub's last name when his employees called him Mr. Bakub. Later Bakub tried", "At some point, Bakub told Joe that he should call him Upam. Is", "there some techniques to change the name a character is referred to by", "to his first name, it sounds too sudden, and weird. Are there some", "him as Bakub. During the struggle, they found out that it was nothing", "and the character from the US Upam Bakub. When Joe first met Bakub,", "have direct contact. Joe just learnt Bakub's last name when his employees called", "Joe, and the character from the US Upam Bakub. When Joe first met", "change it to Upam? Referring a close friend of the protagonist by his", "the way the narrator refers Bakub, not the way other characters address Bakub)", "me, but when I change it from his last name to his first", "his employees called him Mr. Bakub. Later Bakub tried to killed Joe. Until", "it sounds too sudden, and weird. Are there some techniques to change the", "character is referred to by without making the readers feel strange? (I'm only", "Bakub tried to killed Joe. Until that point, Joe still didn't know Bakub's", "the struggle, they found out that it was nothing but a misunderstanding, so", "by their full names, so the first name last name thing shouldn't be", "out that it was nothing but a misunderstanding, so they made peace. Bakub", "was nothing but a misunderstanding, so they made peace. Bakub told Joe his", "it from his last name to his first name, it sounds too sudden,", "eventually became close friends. At some point, Bakub told Joe that he should", "Bakub told Joe that he should call him Upam. Is there an applicable", "is the scenario. Let's call the protagonist Joe, and the character from the", "Until that point, Joe still didn't know Bakub's first name. I, the narrator", "told Joe his first name was Upam. They started getting closer and eventually", "became close friends. At some point, Bakub told Joe that he should call", "Upam. Is there an applicable rule for English writing? Should I continue referring", "shouldn't be an issue. But now I'm working on a novel with a", "Bakub, they didn't have direct contact. Joe just learnt Bakub's last name when", "getting closer and eventually became close friends. At some point, Bakub told Joe", "close friends. At some point, Bakub told Joe that he should call him", "continue referring Bakub as Bakub or should I change it to Upam? Referring", "readers feel strange? (I'm only talking about the way the narrator refers Bakub,", "rule for English writing? Should I continue referring Bakub as Bakub or should", "or should I change it to Upam? Referring a close friend of the", "but a misunderstanding, so they made peace. Bakub told Joe his first name", "a misunderstanding, so they made peace. Bakub told Joe his first name was", "a character is referred to by without making the readers feel strange? (I'm", "Here is the scenario. Let's call the protagonist Joe, and the character from", "protagonist Joe, and the character from the US Upam Bakub. When Joe first", "I'm working on a novel with a character from the US. Here is", "Chinese people always tend to refer people by their full names, so the", "just learnt Bakub's last name when his employees called him Mr. Bakub. Later", "But now I'm working on a novel with a character from the US.", "it to Upam? Referring a close friend of the protagonist by his last", "first name last name thing shouldn't be an issue. But now I'm working", "close friend of the protagonist by his last name sounds strange to me,", "his last name to his first name, it sounds too sudden, and weird.", "referring Bakub as Bakub or should I change it to Upam? Referring a", "they didn't have direct contact. Joe just learnt Bakub's last name when his", "first name, it sounds too sudden, and weird. Are there some techniques to", "a Chinese writer. Chinese people always tend to refer people by their full", "that it was nothing but a misunderstanding, so they made peace. Bakub told", "closer and eventually became close friends. At some point, Bakub told Joe that", "writer. Chinese people always tend to refer people by their full names, so", "character from the US Upam Bakub. When Joe first met Bakub, they didn't", "when I change it from his last name to his first name, it", "that he should call him Upam. Is there an applicable rule for English", "change it from his last name to his first name, it sounds too", "some point, Bakub told Joe that he should call him Upam. Is there", "scenario. Let's call the protagonist Joe, and the character from the US Upam", "friend of the protagonist by his last name sounds strange to me, but", "strange? (I'm only talking about the way the narrator refers Bakub, not the", "so the first name last name thing shouldn't be an issue. But now", "about the way the narrator refers Bakub, not the way other characters address", "as Bakub. During the struggle, they found out that it was nothing but", "always tend to refer people by their full names, so the first name", "should I change it to Upam? Referring a close friend of the protagonist", "is referred to by without making the readers feel strange? (I'm only talking", "from the US Upam Bakub. When Joe first met Bakub, they didn't have", "the scenario. Let's call the protagonist Joe, and the character from the US", "misunderstanding, so they made peace. Bakub told Joe his first name was Upam.", "peace. Bakub told Joe his first name was Upam. They started getting closer", "call the protagonist Joe, and the character from the US Upam Bakub. When", "they found out that it was nothing but a misunderstanding, so they made", "Chinese writer. Chinese people always tend to refer people by their full names,", "Mr. Bakub. Later Bakub tried to killed Joe. Until that point, Joe still", "to Upam? Referring a close friend of the protagonist by his last name", "Joe his first name was Upam. They started getting closer and eventually became", "Are there some techniques to change the name a character is referred to", "his first name, it sounds too sudden, and weird. Are there some techniques", "by without making the readers feel strange? (I'm only talking about the way", "talking about the way the narrator refers Bakub, not the way other characters", "contact. Joe just learnt Bakub's last name when his employees called him Mr.", "but when I change it from his last name to his first name,", "sudden, and weird. Are there some techniques to change the name a character", "for English writing? Should I continue referring Bakub as Bakub or should I", "struggle, they found out that it was nothing but a misunderstanding, so they", "working on a novel with a character from the US. Here is the", "learnt Bakub's last name when his employees called him Mr. Bakub. Later Bakub", "the character from the US Upam Bakub. When Joe first met Bakub, they", "employees called him Mr. Bakub. Later Bakub tried to killed Joe. Until that", "refer people by their full names, so the first name last name thing", "Bakub told Joe his first name was Upam. They started getting closer and", "sounds strange to me, but when I change it from his last name", "name sounds strange to me, but when I change it from his last", "(I'm only talking about the way the narrator refers Bakub, not the way" ]
[ "in a fantasy setting it would sound weird. I am wondering if this", "is there a better way of doing this? What are the problems with", "the spell to a different domain of existence, which allowed me > to", "spell to a different domain of existence, which allowed me > to change", "me immune > to any gravitational effect created by the spell. > >", "me > to change the secondary effect of gravity well, which make me", "sense, or is there a better way of doing this? What are the", "of existence, which allowed me > to change the secondary effect of gravity", "way of doing this? What are the problems with the above example? Could", "make a lot more sense in a video game, but in a high", "the secondary effect of gravity well, which make me immune > to any", "secondary effect of gravity well, which make me immune > to any gravitational", "video game, but in a high fantasy setting would such description make any", "ok. It would make a lot more sense in a video game, but", "setting would such description make any sense, or is there a better way", "setting it would sound weird. I am wondering if this is ok. It", "gravitational effect created by the spell. > > > This makes sense, but", "I am wondering if this is ok. It would make a lot more", "doing this? What are the problems with the above example? Could you give", "game, but in a high fantasy setting would such description make any sense,", "make any sense, or is there a better way of doing this? What", "would make a lot more sense in a video game, but in a", "change the secondary effect of gravity well, which make me immune > to", "different domain of existence, which allowed me > to change the secondary effect", "a fantasy setting it would sound weird. I am wondering if this is", "effect of gravity well, which make me immune > to any gravitational effect", "makes sense, but it's a bit vague and in a fantasy setting it", "a high fantasy setting would such description make any sense, or is there", "would sound weird. I am wondering if this is ok. It would make", "existence, which allowed me > to change the secondary effect of gravity well,", "> > > This makes sense, but it's a bit vague and in", "to a different domain of existence, which allowed me > to change the", "> to any gravitational effect created by the spell. > > > This", "to any gravitational effect created by the spell. > > > This makes", "of doing this? What are the problems with the above example? Could you", "high fantasy setting would such description make any sense, or is there a", "I bound the spell to a different domain of existence, which allowed me", "if this is ok. It would make a lot more sense in a", "gravity well, which make me immune > to any gravitational effect created by", "fantasy setting would such description make any sense, or is there a better", "created by the spell. > > > This makes sense, but it's a", "a bit vague and in a fantasy setting it would sound weird. I", "allowed me > to change the secondary effect of gravity well, which make", "This makes sense, but it's a bit vague and in a fantasy setting", "weird. I am wondering if this is ok. It would make a lot", "> I bound the spell to a different domain of existence, which allowed", "the spell. > > > This makes sense, but it's a bit vague", "to change the secondary effect of gravity well, which make me immune >", "make me immune > to any gravitational effect created by the spell. >", "bit vague and in a fantasy setting it would sound weird. I am", "a better way of doing this? What are the problems with the above", "It would make a lot more sense in a video game, but in", "this? What are the problems with the above example? Could you give some", "bound the spell to a different domain of existence, which allowed me >", "such description make any sense, or is there a better way of doing", "sense in a video game, but in a high fantasy setting would such", "> to change the secondary effect of gravity well, which make me immune", "sense, but it's a bit vague and in a fantasy setting it would", "immune > to any gravitational effect created by the spell. > > >", "domain of existence, which allowed me > to change the secondary effect of", "wondering if this is ok. It would make a lot more sense in", "> This makes sense, but it's a bit vague and in a fantasy", "but it's a bit vague and in a fantasy setting it would sound", "am wondering if this is ok. It would make a lot more sense", "fantasy setting it would sound weird. I am wondering if this is ok.", "a video game, but in a high fantasy setting would such description make", "any sense, or is there a better way of doing this? What are", "or is there a better way of doing this? What are the problems", "well, which make me immune > to any gravitational effect created by the", "of gravity well, which make me immune > to any gravitational effect created", "this is ok. It would make a lot more sense in a video", "a different domain of existence, which allowed me > to change the secondary", "is ok. It would make a lot more sense in a video game,", "better way of doing this? What are the problems with the above example?", "it would sound weird. I am wondering if this is ok. It would", "more sense in a video game, but in a high fantasy setting would", "> > I bound the spell to a different domain of existence, which", "and in a fantasy setting it would sound weird. I am wondering if", "by the spell. > > > This makes sense, but it's a bit", "> > This makes sense, but it's a bit vague and in a", "What are the problems with the above example? Could you give some examples?", "effect created by the spell. > > > This makes sense, but it's", "any gravitational effect created by the spell. > > > This makes sense,", "sound weird. I am wondering if this is ok. It would make a", "vague and in a fantasy setting it would sound weird. I am wondering", "but in a high fantasy setting would such description make any sense, or", "in a high fantasy setting would such description make any sense, or is", "in a video game, but in a high fantasy setting would such description", "it's a bit vague and in a fantasy setting it would sound weird.", "would such description make any sense, or is there a better way of", "description make any sense, or is there a better way of doing this?", "spell. > > > This makes sense, but it's a bit vague and", "there a better way of doing this? What are the problems with the", "which make me immune > to any gravitational effect created by the spell.", "a lot more sense in a video game, but in a high fantasy", "lot more sense in a video game, but in a high fantasy setting", "which allowed me > to change the secondary effect of gravity well, which" ]
[ "many worlds. There's also a world that he stays in for a larger", "a world that he stays in for a larger period than others, with", "are tons of islands, but the world-building doesn't change too much. This idea", "that he stays in for a larger period than others, with changing hierarchy,", "is shown at the beginning. In mine, it is not, although I put", "I'm making a story about a guy who travels through many worlds. There's", "powers, laws, and so on. I know that many stories describe many different", "tons of islands, but the world-building doesn't change too much. This idea is", "not, although I put in some small hints. What do you guys think", "but the world-building doesn't change too much. This idea is shown at the", "changing hierarchy, powers, laws, and so on. I know that many stories describe", "shown at the beginning. In mine, it is not, although I put in", "There's also a world that he stays in for a larger period than", "who travels through many worlds. There's also a world that he stays in", "different locales, like One Piece where there are tons of islands, but the", "about a guy who travels through many worlds. There's also a world that", "that many stories describe many different locales, like One Piece where there are", "although I put in some small hints. What do you guys think about", "making a story about a guy who travels through many worlds. There's also", "through many worlds. There's also a world that he stays in for a", "Piece* where there are tons of islands, but the world-building doesn't change too", "change too much. This idea is shown at the beginning. In mine, it", "world-building doesn't change too much. This idea is shown at the beginning. In", "than others, with changing hierarchy, powers, laws, and so on. I know that", "worlds. There's also a world that he stays in for a larger period", "One Piece where there are tons of islands, but the world-building doesn't change", "world that he stays in for a larger period than others, with changing", "islands, but the world-building doesn't change too much. This idea is shown at", "many stories describe many different locales, like One Piece where there are tons", "I put in some small hints. What do you guys think about it?", "too much. This idea is shown at the beginning. In mine, it is", "much. This idea is shown at the beginning. In mine, it is not,", "on. I know that many stories describe many different locales, like One Piece", "with changing hierarchy, powers, laws, and so on. I know that many stories", "period than others, with changing hierarchy, powers, laws, and so on. I know", "like One Piece where there are tons of islands, but the world-building doesn't", "in for a larger period than others, with changing hierarchy, powers, laws, and", "at the beginning. In mine, it is not, although I put in some", "he stays in for a larger period than others, with changing hierarchy, powers,", "larger period than others, with changing hierarchy, powers, laws, and so on. I", "the world-building doesn't change too much. This idea is shown at the beginning.", "and so on. I know that many stories describe many different locales, like", "doesn't change too much. This idea is shown at the beginning. In mine,", "locales, like One Piece where there are tons of islands, but the world-building", "is not, although I put in some small hints. What do you guys", "a story about a guy who travels through many worlds. There's also a", "many different locales, like One Piece where there are tons of islands, but", "of islands, but the world-building doesn't change too much. This idea is shown", "others, with changing hierarchy, powers, laws, and so on. I know that many", "mine, it is not, although I put in some small hints. What do", "the beginning. In mine, it is not, although I put in some small", "a guy who travels through many worlds. There's also a world that he", "This idea is shown at the beginning. In mine, it is not, although", "travels through many worlds. There's also a world that he stays in for", "so on. I know that many stories describe many different locales, like One", "stays in for a larger period than others, with changing hierarchy, powers, laws,", "it is not, although I put in some small hints. What do you", "where there are tons of islands, but the world-building doesn't change too much.", "there are tons of islands, but the world-building doesn't change too much. This", "know that many stories describe many different locales, like One Piece* where there", "hierarchy, powers, laws, and so on. I know that many stories describe many", "idea is shown at the beginning. In mine, it is not, although I", "guy who travels through many worlds. There's also a world that he stays", "story about a guy who travels through many worlds. There's also a world", "also a world that he stays in for a larger period than others,", "for a larger period than others, with changing hierarchy, powers, laws, and so", "I know that many stories describe many different locales, like One Piece where", "describe many different locales, like One Piece where there are tons of islands,", "beginning. In mine, it is not, although I put in some small hints.", "stories describe many different locales, like One Piece where there are tons of", "In mine, it is not, although I put in some small hints. What", "a larger period than others, with changing hierarchy, powers, laws, and so on.", "laws, and so on. I know that many stories describe many different locales," ]
[ "or would it be more distracting to the reader? It might help \"hearing\"", "American character and a British character. I'm contemplating having the characters use the", "swap back and forth between the chapters). Would that make sense or would", "with an American character and a British character. I'm contemplating having the characters", "it, but I don't want the reader to be thrown out of the", "a text message, and in that case I think I should definitely use", "thrown out of the story because of the different spellings. At one point", "I should definitely use the American spelling. But what about direct speech of", "moment (I swap back and forth between the chapters). Would that make sense", "reader? It might help \"hearing\" the accents while reading it, but I don't", "the word \"favor\" in a text message, and in that case I think", "it comes to words like realise/realize or favourite/favorite, depending from who's point of", "at the moment (I swap back and forth between the chapters). Would that", "point the American character uses the word \"favor\" in a text message, and", "case I think I should definitely use the American spelling. But what about", "chapters). Would that make sense or would it be more distracting to the", "point of view I'm telling the story at the moment (I swap back", "would it be more distracting to the reader? It might help \"hearing\" the", "one point the American character uses the word \"favor\" in a text message,", "comes to words like realise/realize or favourite/favorite, depending from who's point of view", "words like realise/realize or favourite/favorite, depending from who's point of view I'm telling", "forth between the chapters). Would that make sense or would it be more", "it be more distracting to the reader? It might help \"hearing\" the accents", "story because of the different spellings. At one point the American character uses", "about direct speech of the American character in a chapter written from the", "of the different spellings. At one point the American character uses the word", "should definitely use the American spelling. But what about direct speech of the", "\"favor\" in a text message, and in that case I think I should", "reading it, but I don't want the reader to be thrown out of", "to words like realise/realize or favourite/favorite, depending from who's point of view I'm", "the chapters). Would that make sense or would it be more distracting to", "the reader to be thrown out of the story because of the different", "in a text message, and in that case I think I should definitely", "of the American character in a chapter written from the British character's view?", "back and forth between the chapters). Would that make sense or would it", "But what about direct speech of the American character in a chapter written", "view I'm telling the story at the moment (I swap back and forth", "sense or would it be more distracting to the reader? It might help", "the different spellings. At one point the American character uses the word \"favor\"", "depending from who's point of view I'm telling the story at the moment", "American spelling. But what about direct speech of the American character in a", "to the reader? It might help \"hearing\" the accents while reading it, but", "or favourite/favorite, depending from who's point of view I'm telling the story at", "use the regional spellings when it comes to words like realise/realize or favourite/favorite,", "speech of the American character in a chapter written from the British character's", "a story with an American character and a British character. I'm contemplating having", "and forth between the chapters). Would that make sense or would it be", "the story at the moment (I swap back and forth between the chapters).", "reader to be thrown out of the story because of the different spellings.", "\"hearing\" the accents while reading it, but I don't want the reader to", "having the characters use the regional spellings when it comes to words like", "spellings when it comes to words like realise/realize or favourite/favorite, depending from who's", "At one point the American character uses the word \"favor\" in a text", "when it comes to words like realise/realize or favourite/favorite, depending from who's point", "American character uses the word \"favor\" in a text message, and in that", "out of the story because of the different spellings. At one point the", "what about direct speech of the American character in a chapter written from", "definitely use the American spelling. But what about direct speech of the American", "realise/realize or favourite/favorite, depending from who's point of view I'm telling the story", "different spellings. At one point the American character uses the word \"favor\" in", "regional spellings when it comes to words like realise/realize or favourite/favorite, depending from", "character. I'm contemplating having the characters use the regional spellings when it comes", "the regional spellings when it comes to words like realise/realize or favourite/favorite, depending", "writing a story with an American character and a British character. I'm contemplating", "text message, and in that case I think I should definitely use the", "in that case I think I should definitely use the American spelling. But", "the moment (I swap back and forth between the chapters). Would that make", "spellings. At one point the American character uses the word \"favor\" in a", "that case I think I should definitely use the American spelling. But what", "who's point of view I'm telling the story at the moment (I swap", "I don't want the reader to be thrown out of the story because", "word \"favor\" in a text message, and in that case I think I", "I'm telling the story at the moment (I swap back and forth between", "might help \"hearing\" the accents while reading it, but I don't want the", "It might help \"hearing\" the accents while reading it, but I don't want", "(I swap back and forth between the chapters). Would that make sense or", "spelling. But what about direct speech of the American character in a chapter", "I'm writing a story with an American character and a British character. I'm", "message, and in that case I think I should definitely use the American", "I think I should definitely use the American spelling. But what about direct", "be thrown out of the story because of the different spellings. At one", "of view I'm telling the story at the moment (I swap back and", "make sense or would it be more distracting to the reader? It might", "the accents while reading it, but I don't want the reader to be", "the characters use the regional spellings when it comes to words like realise/realize", "but I don't want the reader to be thrown out of the story", "telling the story at the moment (I swap back and forth between the", "to be thrown out of the story because of the different spellings. At", "characters use the regional spellings when it comes to words like realise/realize or", "between the chapters). Would that make sense or would it be more distracting", "the American spelling. But what about direct speech of the American character in", "story with an American character and a British character. I'm contemplating having the", "character and a British character. I'm contemplating having the characters use the regional", "a British character. I'm contemplating having the characters use the regional spellings when", "contemplating having the characters use the regional spellings when it comes to words", "the story because of the different spellings. At one point the American character", "I'm contemplating having the characters use the regional spellings when it comes to", "distracting to the reader? It might help \"hearing\" the accents while reading it,", "use the American spelling. But what about direct speech of the American character", "and in that case I think I should definitely use the American spelling.", "from who's point of view I'm telling the story at the moment (I", "accents while reading it, but I don't want the reader to be thrown", "direct speech of the American character in a chapter written from the British", "Would that make sense or would it be more distracting to the reader?", "of the story because of the different spellings. At one point the American", "because of the different spellings. At one point the American character uses the", "the American character uses the word \"favor\" in a text message, and in", "British character. I'm contemplating having the characters use the regional spellings when it", "be more distracting to the reader? It might help \"hearing\" the accents while", "more distracting to the reader? It might help \"hearing\" the accents while reading", "uses the word \"favor\" in a text message, and in that case I", "an American character and a British character. I'm contemplating having the characters use", "like realise/realize or favourite/favorite, depending from who's point of view I'm telling the", "think I should definitely use the American spelling. But what about direct speech", "while reading it, but I don't want the reader to be thrown out", "and a British character. I'm contemplating having the characters use the regional spellings", "help \"hearing\" the accents while reading it, but I don't want the reader", "favourite/favorite, depending from who's point of view I'm telling the story at the", "that make sense or would it be more distracting to the reader? It", "the reader? It might help \"hearing\" the accents while reading it, but I", "don't want the reader to be thrown out of the story because of", "want the reader to be thrown out of the story because of the", "character uses the word \"favor\" in a text message, and in that case", "story at the moment (I swap back and forth between the chapters). Would" ]
[ "time-travel to the 1800s, they likely wouldn't understand it. We just accept that", "either magic or advanced technology. Often, these are integral parts of the story", "explanation. If a modern story where someone uses a cell phone was sent", "used a cell phone! They might just say, 'Bob calls Aluke.' And if", "is a good way to get readers to understand something, but without using", "he used a cell phone! They might just say, 'Bob calls Aluke.' And", "was sent through time-travel to the 1800s, they likely wouldn't understand it. We", "will remove immersion, the former through the fourth wall rule and the latter", "former through the fourth wall rule and the latter through simple confusion. In", "in character, you need to confuse the reader. So what's the compromise? What", "even explain that he used a cell phone! They might just say, 'Bob", "Aluke.' And if they did explain it all out, it would sound ridiculous", "not explaining it will remove immersion, the former through the fourth wall rule", "they did explain it all out, it would sound ridiculous to someone nowadays", "as you or me, would have no way of understanding it without an", "that they work, and wouldn't take second thought using one. The writer wouldn't", "explain that he used a cell phone! They might just say, 'Bob calls", "through simple confusion. In order to stay in character, you need to confuse", "it. We just accept that they work, and wouldn't take second thought using", "the latter through simple confusion. In order to stay in character, you need", "get readers to understand something, but without using explanations that don't match the", "They might just say, 'Bob calls Aluke.' And if they did explain it", "fantasy and science fiction, there's often either magic or advanced technology. Often, these", "or me, would have no way of understanding it without an explanation. If", "explaining it will remove immersion, the former through the fourth wall rule and", "story. Both explaining it and not explaining it will remove immersion, the former", "explanations that don't match the rest of the story and ruin the flow", "the writer might not even explain that he used a cell phone! They", "of light. Shoot, the writer might not even explain that he used a", "no way of understanding it without an explanation. If a modern story where", "latter through simple confusion. In order to stay in character, you need to", "universe. However, for readers who don't live in that universe, such as you", "without an explanation. If a modern story where someone uses a cell phone", "to stay in character, you need to confuse the reader. So what's the", "for someone in the universe. However, for readers who don't live in that", "speed of light. Shoot, the writer might not even explain that he used", "to the 1800s, they likely wouldn't understand it. We just accept that they", "wall rule and the latter through simple confusion. In order to stay in", "In fantasy and science fiction, there's often either magic or advanced technology. Often,", "did explain it all out, it would sound ridiculous to someone nowadays who", "phone! They might just say, 'Bob calls Aluke.' And if they did explain", "often either magic or advanced technology. Often, these are integral parts of the", "integral parts of the story and also would seem trivial for someone in", "stay in character, you need to confuse the reader. So what's the compromise?", "remove immersion, the former through the fourth wall rule and the latter through", "moving at nearly the speed of light. Shoot, the writer might not even", "by subatomic particles moving at nearly the speed of light. Shoot, the writer", "that he used a cell phone! They might just say, 'Bob calls Aluke.'", "explain someone tapping imaginary buttons on a glowing screen powered by subatomic particles", "a first person story. Both explaining it and not explaining it will remove", "to understand something, but without using explanations that don't match the rest of", "it will remove immersion, the former through the fourth wall rule and the", "the speed of light. Shoot, the writer might not even explain that he", "story and also would seem trivial for someone in the universe. However, for", "We just accept that they work, and wouldn't take second thought using one.", "they work, and wouldn't take second thought using one. The writer wouldn't explain", "And if they did explain it all out, it would sound ridiculous to", "and not explaining it will remove immersion, the former through the fourth wall", "immersion, the former through the fourth wall rule and the latter through simple", "reads it. This produces a major problem in a first person story. Both", "This produces a major problem in a first person story. Both explaining it", "to someone nowadays who reads it. This produces a major problem in a", "wouldn't explain someone tapping imaginary buttons on a glowing screen powered by subatomic", "and science fiction, there's often either magic or advanced technology. Often, these are", "me, would have no way of understanding it without an explanation. If a", "advanced technology. Often, these are integral parts of the story and also would", "it would sound ridiculous to someone nowadays who reads it. This produces a", "character, you need to confuse the reader. So what's the compromise? What is", "on a glowing screen powered by subatomic particles moving at nearly the speed", "to confuse the reader. So what's the compromise? What is a good way", "the former through the fourth wall rule and the latter through simple confusion.", "rule and the latter through simple confusion. In order to stay in character,", "a major problem in a first person story. Both explaining it and not", "compromise? What is a good way to get readers to understand something, but", "magic or advanced technology. Often, these are integral parts of the story and", "ridiculous to someone nowadays who reads it. This produces a major problem in", "not even explain that he used a cell phone! They might just say,", "a modern story where someone uses a cell phone was sent through time-travel", "that universe, such as you or me, would have no way of understanding", "someone in the universe. However, for readers who don't live in that universe,", "readers to understand something, but without using explanations that don't match the rest", "or advanced technology. Often, these are integral parts of the story and also", "if they did explain it all out, it would sound ridiculous to someone", "are integral parts of the story and also would seem trivial for someone", "Both explaining it and not explaining it will remove immersion, the former through", "wouldn't understand it. We just accept that they work, and wouldn't take second", "sent through time-travel to the 1800s, they likely wouldn't understand it. We just", "without using explanations that don't match the rest of the story and ruin", "might just say, 'Bob calls Aluke.' And if they did explain it all", "universe, such as you or me, would have no way of understanding it", "confuse the reader. So what's the compromise? What is a good way to", "and wouldn't take second thought using one. The writer wouldn't explain someone tapping", "in that universe, such as you or me, would have no way of", "that don't match the rest of the story and ruin the flow and", "tapping imaginary buttons on a glowing screen powered by subatomic particles moving at", "and the latter through simple confusion. In order to stay in character, you", "fiction, there's often either magic or advanced technology. Often, these are integral parts", "story where someone uses a cell phone was sent through time-travel to the", "just accept that they work, and wouldn't take second thought using one. The", "confusion. In order to stay in character, you need to confuse the reader.", "but without using explanations that don't match the rest of the story and", "take second thought using one. The writer wouldn't explain someone tapping imaginary buttons", "If a modern story where someone uses a cell phone was sent through", "Shoot, the writer might not even explain that he used a cell phone!", "such as you or me, would have no way of understanding it without", "through time-travel to the 1800s, they likely wouldn't understand it. We just accept", "the 1800s, they likely wouldn't understand it. We just accept that they work,", "nowadays who reads it. This produces a major problem in a first person", "in a first person story. Both explaining it and not explaining it will", "at nearly the speed of light. Shoot, the writer might not even explain", "understanding it without an explanation. If a modern story where someone uses a", "major problem in a first person story. Both explaining it and not explaining", "you need to confuse the reader. So what's the compromise? What is a", "the reader. So what's the compromise? What is a good way to get", "order to stay in character, you need to confuse the reader. So what's", "where someone uses a cell phone was sent through time-travel to the 1800s,", "a cell phone was sent through time-travel to the 1800s, they likely wouldn't", "the story and also would seem trivial for someone in the universe. However,", "using one. The writer wouldn't explain someone tapping imaginary buttons on a glowing", "nearly the speed of light. Shoot, the writer might not even explain that", "cell phone! They might just say, 'Bob calls Aluke.' And if they did", "the universe. However, for readers who don't live in that universe, such as", "technology. Often, these are integral parts of the story and also would seem", "way of understanding it without an explanation. If a modern story where someone", "it without an explanation. If a modern story where someone uses a cell", "there's often either magic or advanced technology. Often, these are integral parts of", "buttons on a glowing screen powered by subatomic particles moving at nearly the", "screen powered by subatomic particles moving at nearly the speed of light. Shoot,", "reader. So what's the compromise? What is a good way to get readers", "a good way to get readers to understand something, but without using explanations", "first person story. Both explaining it and not explaining it will remove immersion,", "understand something, but without using explanations that don't match the rest of the", "the fourth wall rule and the latter through simple confusion. In order to", "The writer wouldn't explain someone tapping imaginary buttons on a glowing screen powered", "fourth wall rule and the latter through simple confusion. In order to stay", "of understanding it without an explanation. If a modern story where someone uses", "However, for readers who don't live in that universe, such as you or", "would seem trivial for someone in the universe. However, for readers who don't", "likely wouldn't understand it. We just accept that they work, and wouldn't take", "cell phone was sent through time-travel to the 1800s, they likely wouldn't understand", "imaginary buttons on a glowing screen powered by subatomic particles moving at nearly", "would have no way of understanding it without an explanation. If a modern", "science fiction, there's often either magic or advanced technology. Often, these are integral", "have no way of understanding it without an explanation. If a modern story", "it and not explaining it will remove immersion, the former through the fourth", "of the story and also would seem trivial for someone in the universe.", "what's the compromise? What is a good way to get readers to understand", "might not even explain that he used a cell phone! They might just", "just say, 'Bob calls Aluke.' And if they did explain it all out,", "work, and wouldn't take second thought using one. The writer wouldn't explain someone", "thought using one. The writer wouldn't explain someone tapping imaginary buttons on a", "phone was sent through time-travel to the 1800s, they likely wouldn't understand it.", "'Bob calls Aluke.' And if they did explain it all out, it would", "simple confusion. In order to stay in character, you need to confuse the", "someone nowadays who reads it. This produces a major problem in a first", "someone tapping imaginary buttons on a glowing screen powered by subatomic particles moving", "particles moving at nearly the speed of light. Shoot, the writer might not", "to get readers to understand something, but without using explanations that don't match", "What is a good way to get readers to understand something, but without", "powered by subatomic particles moving at nearly the speed of light. Shoot, the", "trivial for someone in the universe. However, for readers who don't live in", "problem in a first person story. Both explaining it and not explaining it", "So what's the compromise? What is a good way to get readers to", "understand it. We just accept that they work, and wouldn't take second thought", "writer might not even explain that he used a cell phone! They might", "In order to stay in character, you need to confuse the reader. So", "person story. Both explaining it and not explaining it will remove immersion, the", "second thought using one. The writer wouldn't explain someone tapping imaginary buttons on", "a cell phone! They might just say, 'Bob calls Aluke.' And if they", "explain it all out, it would sound ridiculous to someone nowadays who reads", "sound ridiculous to someone nowadays who reads it. This produces a major problem", "need to confuse the reader. So what's the compromise? What is a good", "explaining it and not explaining it will remove immersion, the former through the", "you or me, would have no way of understanding it without an explanation.", "using explanations that don't match the rest of the story and ruin the", "accept that they work, and wouldn't take second thought using one. The writer", "don't match the rest of the story and ruin the flow and immersion?", "subatomic particles moving at nearly the speed of light. Shoot, the writer might", "live in that universe, such as you or me, would have no way", "it all out, it would sound ridiculous to someone nowadays who reads it.", "readers who don't live in that universe, such as you or me, would", "the compromise? What is a good way to get readers to understand something,", "good way to get readers to understand something, but without using explanations that", "these are integral parts of the story and also would seem trivial for", "calls Aluke.' And if they did explain it all out, it would sound", "would sound ridiculous to someone nowadays who reads it. This produces a major", "it. This produces a major problem in a first person story. Both explaining", "something, but without using explanations that don't match the rest of the story", "seem trivial for someone in the universe. However, for readers who don't live", "glowing screen powered by subatomic particles moving at nearly the speed of light.", "light. Shoot, the writer might not even explain that he used a cell", "way to get readers to understand something, but without using explanations that don't", "for readers who don't live in that universe, such as you or me,", "say, 'Bob calls Aluke.' And if they did explain it all out, it", "someone uses a cell phone was sent through time-travel to the 1800s, they", "one. The writer wouldn't explain someone tapping imaginary buttons on a glowing screen", "parts of the story and also would seem trivial for someone in the", "in the universe. However, for readers who don't live in that universe, such", "all out, it would sound ridiculous to someone nowadays who reads it. This", "out, it would sound ridiculous to someone nowadays who reads it. This produces", "Often, these are integral parts of the story and also would seem trivial", "through the fourth wall rule and the latter through simple confusion. In order", "1800s, they likely wouldn't understand it. We just accept that they work, and", "wouldn't take second thought using one. The writer wouldn't explain someone tapping imaginary", "don't live in that universe, such as you or me, would have no", "modern story where someone uses a cell phone was sent through time-travel to", "an explanation. If a modern story where someone uses a cell phone was", "also would seem trivial for someone in the universe. However, for readers who", "and also would seem trivial for someone in the universe. However, for readers", "a glowing screen powered by subatomic particles moving at nearly the speed of", "produces a major problem in a first person story. Both explaining it and", "writer wouldn't explain someone tapping imaginary buttons on a glowing screen powered by", "who don't live in that universe, such as you or me, would have", "who reads it. This produces a major problem in a first person story.", "uses a cell phone was sent through time-travel to the 1800s, they likely", "they likely wouldn't understand it. We just accept that they work, and wouldn't" ]
[ "with potential. I’ve been weaving it in, slowly revealing details and flashbacks throughout", "have my story plotted out, but as I’ve been writing, I’ve realized that", "latest point possible” in a story, but I’m concerned about having a backstory", "a backstory woven in that might seem more interesting than the main story", "it in, slowly revealing details and flashbacks throughout the main story, but the", "his story since the events are all relevant to the main plot. I’ve", "story plotted out, but as I’ve been writing, I’ve realized that my main", "are all relevant to the main plot. I’ve been told to “start from", "character’s backstory is swimming with potential. I’ve been weaving it in, slowly revealing", "events are all relevant to the main plot. I’ve been told to “start", "backstory is swimming with potential. 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I’ve been told to “start from the latest point possible”", "further back in his story since the events are all relevant to the", "if I should have started further back in his story since the events", "frustrated or feeling like they “missed out.” Is there a good way to", "seem more interesting than the main story to some readers and them becoming", "but the deeper I go, the more I wonder if I should have", "than the main story to some readers and them becoming frustrated or feeling", "there a good way to tell whether to start sooner or to tell", "story to some readers and them becoming frustrated or feeling like they “missed", "in his story since the events are all relevant to the main plot.", "the more I wonder if I should have started further back in his", "I have my story plotted out, but as I’ve been writing, I’ve realized", "potential. I’ve been weaving it in, slowly revealing details and flashbacks throughout the", "and them becoming frustrated or feeling like they “missed out.” Is there a", "back in his story since the events are all relevant to the main", "deeper I go, the more I wonder if I should have started further", "point possible” in a story, but I’m concerned about having a backstory woven", "since the events are all relevant to the main plot. I’ve been told", "to tell whether to start sooner or to tell those parts through flashbacks?", "readers and them becoming frustrated or feeling like they “missed out.” Is there", "but as I’ve been writing, I’ve realized that my main character’s backstory is", "woven in that might seem more interesting than the main story to some", "more I wonder if I should have started further back in his story", "having a backstory woven in that might seem more interesting than the main", "main story, but the deeper I go, the more I wonder if I", "been weaving it in, slowly revealing details and flashbacks throughout the main story,", "in a story, but I’m concerned about having a backstory woven in that", "been writing, I’ve realized that my main character’s backstory is swimming with potential.", "Is there a good way to tell whether to start sooner or to", "all relevant to the main plot. I’ve been told to “start from the", "swimming with potential. I’ve been weaving it in, slowly revealing details and flashbacks", "backstory woven in that might seem more interesting than the main story to", "plot. I’ve been told to “start from the latest point possible” in a", "I wonder if I should have started further back in his story since", "realized that my main character’s backstory is swimming with potential. I’ve been weaving", "I go, the more I wonder if I should have started further back", "interesting than the main story to some readers and them becoming frustrated or", "them becoming frustrated or feeling like they “missed out.” Is there a good", "wonder if I should have started further back in his story since the", "plotted out, but as I’ve been writing, I’ve realized that my main character’s", "“start from the latest point possible” in a story, but I’m concerned about", "possible” in a story, but I’m concerned about having a backstory woven in", "about having a backstory woven in that might seem more interesting than the", "they “missed out.” Is there a good way to tell whether to start", "in, slowly revealing details and flashbacks throughout the main story, but the deeper", "“missed out.” Is there a good way to tell whether to start sooner", "slowly revealing details and flashbacks throughout the main story, but the deeper I", "in that might seem more interesting than the main story to some readers", "I should have started further back in his story since the events are", "a good way to tell whether to start sooner or to tell those", "as I’ve been writing, I’ve realized that my main character’s backstory is swimming", "story, but I’m concerned about having a backstory woven in that might seem", "to “start from the latest point possible” in a story, but I’m concerned", "the deeper I go, the more I wonder if I should have started", "throughout the main story, but the deeper I go, the more I wonder", "should have started further back in his story since the events are all", "but I’m concerned about having a backstory woven in that might seem more", "becoming frustrated or feeling like they “missed out.” Is there a good way", "weaving it in, slowly revealing details and flashbacks throughout the main story, but", "feeling like they “missed out.” Is there a good way to tell whether", "story since the events are all relevant to the main plot. I’ve been", "might seem more interesting than the main story to some readers and them", "out, but as I’ve been writing, I’ve realized that my main character’s backstory", "been told to “start from the latest point possible” in a story, but", "I’ve been told to “start from the latest point possible” in a story,", "or feeling like they “missed out.” Is there a good way to tell", "relevant to the main plot. I’ve been told to “start from the latest", "the events are all relevant to the main plot. I’ve been told to", "main story to some readers and them becoming frustrated or feeling like they", "the latest point possible” in a story, but I’m concerned about having a", "way to tell whether to start sooner or to tell those parts through", "concerned about having a backstory woven in that might seem more interesting than", "flashbacks throughout the main story, but the deeper I go, the more I", "good way to tell whether to start sooner or to tell those parts", "main character’s backstory is swimming with potential. I’ve been weaving it in, slowly", "the main story, but the deeper I go, the more I wonder if", "to some readers and them becoming frustrated or feeling like they “missed out.”", "from the latest point possible” in a story, but I’m concerned about having", "I’m concerned about having a backstory woven in that might seem more interesting", "to the main plot. I’ve been told to “start from the latest point", "like they “missed out.” Is there a good way to tell whether to", "that might seem more interesting than the main story to some readers and", "some readers and them becoming frustrated or feeling like they “missed out.” Is", "story, but the deeper I go, the more I wonder if I should", "my main character’s backstory is swimming with potential. I’ve been weaving it in,", "and flashbacks throughout the main story, but the deeper I go, the more", "the main story to some readers and them becoming frustrated or feeling like", "that my main character’s backstory is swimming with potential. I’ve been weaving it", "details and flashbacks throughout the main story, but the deeper I go, the", "I’ve realized that my main character’s backstory is swimming with potential. I’ve been", "started further back in his story since the events are all relevant to", "main plot. I’ve been told to “start from the latest point possible” in", "I’ve been weaving it in, slowly revealing details and flashbacks throughout the main" ]
[ "it underemphasizes the illegality of their immigration; liberals criticize the term \"illegal\" for", "and conservatives? I would prefer a one or two word phrase, but something", "Conservatives often criticize the term \"undocumented\" because they believe it underemphasizes the illegality", "laws; \"undocumented immigrant\" is often used by liberals. Conservatives often criticize the term", "immigration; liberals criticize the term \"illegal\" for the opposite reason. Is there a", "who enters a country in violation of that country's laws; \"undocumented immigrant\" is", "person who enters a country in violation of that country's laws; \"undocumented immigrant\"", "believe it underemphasizes the illegality of their immigration; liberals criticize the term \"illegal\"", "\"people who enter the United States unlawfully\" is okay if there is no", "in violation of that country's laws; \"undocumented immigrant\" is often used by liberals.", "would prefer a one or two word phrase, but something like \"people who", "\"Illegal immigrant\" is often used by conservatives to refer to a person who", "a country in violation of that country's laws; \"undocumented immigrant\" is often used", "the United States unlawfully\" is okay if there is no suitable single word", "often used by liberals. Conservatives often criticize the term \"undocumented\" because they believe", "of that country's laws; \"undocumented immigrant\" is often used by liberals. Conservatives often", "liberals criticize the term \"illegal\" for the opposite reason. Is there a way", "refer to a person who enters a country in violation of that country's", "unbiased by both liberals and conservatives? I would prefer a one or two", "phrase, but something like \"people who enter the United States unlawfully\" is okay", "liberals. Conservatives often criticize the term \"undocumented\" because they believe it underemphasizes the", "way to refer to undocumented/illegal immigrants that is seen as unbiased by both", "criticize the term \"undocumented\" because they believe it underemphasizes the illegality of their", "the illegality of their immigration; liberals criticize the term \"illegal\" for the opposite", "but something like \"people who enter the United States unlawfully\" is okay if", "something like \"people who enter the United States unlawfully\" is okay if there", "to refer to a person who enters a country in violation of that", "one or two word phrase, but something like \"people who enter the United", "prefer a one or two word phrase, but something like \"people who enter", "seen as unbiased by both liberals and conservatives? I would prefer a one", "a one or two word phrase, but something like \"people who enter the", "unlawfully\" is okay if there is no suitable single word or short phrase.", "by both liberals and conservatives? I would prefer a one or two word", "is often used by liberals. Conservatives often criticize the term \"undocumented\" because they", "opposite reason. Is there a way to refer to undocumented/illegal immigrants that is", "to undocumented/illegal immigrants that is seen as unbiased by both liberals and conservatives?", "underemphasizes the illegality of their immigration; liberals criticize the term \"illegal\" for the", "who enter the United States unlawfully\" is okay if there is no suitable", "there a way to refer to undocumented/illegal immigrants that is seen as unbiased", "or two word phrase, but something like \"people who enter the United States", "country's laws; \"undocumented immigrant\" is often used by liberals. Conservatives often criticize the", "\"undocumented\" because they believe it underemphasizes the illegality of their immigration; liberals criticize", "enters a country in violation of that country's laws; \"undocumented immigrant\" is often", "Is there a way to refer to undocumented/illegal immigrants that is seen as", "both liberals and conservatives? I would prefer a one or two word phrase,", "refer to undocumented/illegal immigrants that is seen as unbiased by both liberals and", "that is seen as unbiased by both liberals and conservatives? I would prefer", "the opposite reason. Is there a way to refer to undocumented/illegal immigrants that", "violation of that country's laws; \"undocumented immigrant\" is often used by liberals. Conservatives", "that country's laws; \"undocumented immigrant\" is often used by liberals. Conservatives often criticize", "States unlawfully\" is okay if there is no suitable single word or short", "used by liberals. Conservatives often criticize the term \"undocumented\" because they believe it", "immigrant\" is often used by liberals. Conservatives often criticize the term \"undocumented\" because", "\"illegal\" for the opposite reason. Is there a way to refer to undocumented/illegal", "conservatives? I would prefer a one or two word phrase, but something like", "term \"illegal\" for the opposite reason. Is there a way to refer to", "liberals and conservatives? I would prefer a one or two word phrase, but", "often criticize the term \"undocumented\" because they believe it underemphasizes the illegality of", "enter the United States unlawfully\" is okay if there is no suitable single", "country in violation of that country's laws; \"undocumented immigrant\" is often used by", "a way to refer to undocumented/illegal immigrants that is seen as unbiased by", "like \"people who enter the United States unlawfully\" is okay if there is", "by conservatives to refer to a person who enters a country in violation", "word phrase, but something like \"people who enter the United States unlawfully\" is", "two word phrase, but something like \"people who enter the United States unlawfully\"", "reason. Is there a way to refer to undocumented/illegal immigrants that is seen", "conservatives to refer to a person who enters a country in violation of", "as unbiased by both liberals and conservatives? I would prefer a one or", "I would prefer a one or two word phrase, but something like \"people", "immigrant\" is often used by conservatives to refer to a person who enters", "often used by conservatives to refer to a person who enters a country", "to refer to undocumented/illegal immigrants that is seen as unbiased by both liberals", "is seen as unbiased by both liberals and conservatives? I would prefer a", "they believe it underemphasizes the illegality of their immigration; liberals criticize the term", "criticize the term \"illegal\" for the opposite reason. Is there a way to", "the term \"undocumented\" because they believe it underemphasizes the illegality of their immigration;", "their immigration; liberals criticize the term \"illegal\" for the opposite reason. Is there", "term \"undocumented\" because they believe it underemphasizes the illegality of their immigration; liberals", "the term \"illegal\" for the opposite reason. Is there a way to refer", "undocumented/illegal immigrants that is seen as unbiased by both liberals and conservatives? I", "used by conservatives to refer to a person who enters a country in", "is often used by conservatives to refer to a person who enters a", "United States unlawfully\" is okay if there is no suitable single word or", "for the opposite reason. Is there a way to refer to undocumented/illegal immigrants", "to a person who enters a country in violation of that country's laws;", "by liberals. Conservatives often criticize the term \"undocumented\" because they believe it underemphasizes", "immigrants that is seen as unbiased by both liberals and conservatives? I would", "because they believe it underemphasizes the illegality of their immigration; liberals criticize the", "of their immigration; liberals criticize the term \"illegal\" for the opposite reason. Is", "illegality of their immigration; liberals criticize the term \"illegal\" for the opposite reason.", "\"undocumented immigrant\" is often used by liberals. Conservatives often criticize the term \"undocumented\"", "a person who enters a country in violation of that country's laws; \"undocumented" ]
[ "fallout or emotional/physical effects of it, there are a few scenes where his", "readers instead see the fallout or emotional/physical effects of it, there are a", "emotional/physical effects of it, there are a few scenes where his father is", "dialogue always feels cliche/cheesy, almost like a bully from any kid/teenage movie. While", "most of the abuse is only implied/referenced and readers instead see the fallout", "from any kid/teenage movie. While I've researched what verbal abuse looks like, I", "abuse looks like, I can't seem to get it to transfer to the", "effects of it, there are a few scenes where his father is verbally", "and readers instead see the fallout or emotional/physical effects of it, there are", "I've researched what verbal abuse looks like, I can't seem to get it", "where his father is verbally abusive toward him. The issue is that the", "few scenes where his father is verbally abusive toward him. The issue is", "who's being abused by his father. While most of the abuse is only", "almost like a bully from any kid/teenage movie. While I've researched what verbal", "being abused by his father. While most of the abuse is only implied/referenced", "only implied/referenced and readers instead see the fallout or emotional/physical effects of it,", "any kid/teenage movie. While I've researched what verbal abuse looks like, I can't", "abused by his father. While most of the abuse is only implied/referenced and", "seem to get it to transfer to the page. Any thoughts on how", "abuse is only implied/referenced and readers instead see the fallout or emotional/physical effects", "kid/teenage movie. While I've researched what verbal abuse looks like, I can't seem", "cliche/cheesy, almost like a bully from any kid/teenage movie. While I've researched what", "is only implied/referenced and readers instead see the fallout or emotional/physical effects of", "always feels cliche/cheesy, almost like a bully from any kid/teenage movie. While I've", "his father. While most of the abuse is only implied/referenced and readers instead", "it, there are a few scenes where his father is verbally abusive toward", "him. The issue is that the dialogue always feels cliche/cheesy, almost like a", "verbal abuse looks like, I can't seem to get it to transfer to", "get it to transfer to the page. Any thoughts on how I can", "the abuse is only implied/referenced and readers instead see the fallout or emotional/physical", "researched what verbal abuse looks like, I can't seem to get it to", "father is verbally abusive toward him. The issue is that the dialogue always", "feels cliche/cheesy, almost like a bully from any kid/teenage movie. While I've researched", "of it, there are a few scenes where his father is verbally abusive", "The issue is that the dialogue always feels cliche/cheesy, almost like a bully", "what verbal abuse looks like, I can't seem to get it to transfer", "that the dialogue always feels cliche/cheesy, almost like a bully from any kid/teenage", "toward him. The issue is that the dialogue always feels cliche/cheesy, almost like", "see the fallout or emotional/physical effects of it, there are a few scenes", "While I've researched what verbal abuse looks like, I can't seem to get", "I can't seem to get it to transfer to the page. Any thoughts", "implied/referenced and readers instead see the fallout or emotional/physical effects of it, there", "father. While most of the abuse is only implied/referenced and readers instead see", "by his father. While most of the abuse is only implied/referenced and readers", "looks like, I can't seem to get it to transfer to the page.", "abusive toward him. The issue is that the dialogue always feels cliche/cheesy, almost", "to transfer to the page. Any thoughts on how I can write verbal", "there are a few scenes where his father is verbally abusive toward him.", "can't seem to get it to transfer to the page. Any thoughts on", "While most of the abuse is only implied/referenced and readers instead see the", "a few scenes where his father is verbally abusive toward him. The issue", "transfer to the page. Any thoughts on how I can write verbal abuse", "like, I can't seem to get it to transfer to the page. Any", "bully from any kid/teenage movie. While I've researched what verbal abuse looks like,", "movie. While I've researched what verbal abuse looks like, I can't seem to", "to the page. Any thoughts on how I can write verbal abuse accurately", "of the abuse is only implied/referenced and readers instead see the fallout or", "have a character who's being abused by his father. While most of the", "I have a character who's being abused by his father. While most of", "a bully from any kid/teenage movie. While I've researched what verbal abuse looks", "scenes where his father is verbally abusive toward him. The issue is that", "are a few scenes where his father is verbally abusive toward him. The", "the page. Any thoughts on how I can write verbal abuse accurately and", "his father is verbally abusive toward him. The issue is that the dialogue", "it to transfer to the page. Any thoughts on how I can write", "the dialogue always feels cliche/cheesy, almost like a bully from any kid/teenage movie.", "a character who's being abused by his father. While most of the abuse", "verbally abusive toward him. The issue is that the dialogue always feels cliche/cheesy,", "is that the dialogue always feels cliche/cheesy, almost like a bully from any", "or emotional/physical effects of it, there are a few scenes where his father", "like a bully from any kid/teenage movie. While I've researched what verbal abuse", "instead see the fallout or emotional/physical effects of it, there are a few", "character who's being abused by his father. While most of the abuse is", "issue is that the dialogue always feels cliche/cheesy, almost like a bully from", "the fallout or emotional/physical effects of it, there are a few scenes where", "page. Any thoughts on how I can write verbal abuse accurately and authentically?", "is verbally abusive toward him. The issue is that the dialogue always feels", "to get it to transfer to the page. Any thoughts on how I" ]
[ "good in them, not an ounce of good in them. Is this possible?", "this, but most popular stories have some good characters, I am wondering if", "and there's no good in them, not an ounce of good in them.", "evil? I thought about this, but most popular stories have some good characters,", "characters, I am wondering if it's even possible to make a story compelling", "large audience if every character is evil? I thought about this, but most", "enough for a large audience if all of your characters are evil, and", "about this, but most popular stories have some good characters, I am wondering", "your characters are evil, and there's no good in them, not an ounce", "can do to make it more compelling without changing the fact that every", "most popular stories have some good characters, I am wondering if it's even", "all of your characters are evil, and there's no good in them, not", "Can you make a story compelling enough for a large audience if every", "I am wondering if it's even possible to make a story compelling enough", "character is evil? I thought about this, but most popular stories have some", "are things you can do to make it more compelling without changing the", "good in them. Is this possible? And what are things you can do", "evil, and there's no good in them, not an ounce of good in", "every character is evil? I thought about this, but most popular stories have", "make a story compelling enough for a large audience if all of your", "them. Is this possible? And what are things you can do to make", "it's even possible to make a story compelling enough for a large audience", "some good characters, I am wondering if it's even possible to make a", "what are things you can do to make it more compelling without changing", "for a large audience if every character is evil? I thought about this,", "am wondering if it's even possible to make a story compelling enough for", "popular stories have some good characters, I am wondering if it's even possible", "a story compelling enough for a large audience if every character is evil?", "stories have some good characters, I am wondering if it's even possible to", "in them, not an ounce of good in them. Is this possible? And", "but most popular stories have some good characters, I am wondering if it's", "And what are things you can do to make it more compelling without", "not an ounce of good in them. Is this possible? And what are", "possible to make a story compelling enough for a large audience if all", "them, not an ounce of good in them. Is this possible? And what", "enough for a large audience if every character is evil? I thought about", "an ounce of good in them. Is this possible? And what are things", "large audience if all of your characters are evil, and there's no good", "thought about this, but most popular stories have some good characters, I am", "is evil? I thought about this, but most popular stories have some good", "if all of your characters are evil, and there's no good in them,", "possible? And what are things you can do to make it more compelling", "compelling enough for a large audience if all of your characters are evil,", "this possible? And what are things you can do to make it more", "in them. Is this possible? And what are things you can do to", "ounce of good in them. Is this possible? And what are things you", "compelling enough for a large audience if every character is evil? I thought", "a story compelling enough for a large audience if all of your characters", "you can do to make it more compelling without changing the fact that", "even possible to make a story compelling enough for a large audience if", "to make a story compelling enough for a large audience if all of", "of good in them. Is this possible? And what are things you can", "good characters, I am wondering if it's even possible to make a story", "there's no good in them, not an ounce of good in them. Is", "are evil, and there's no good in them, not an ounce of good", "audience if every character is evil? I thought about this, but most popular", "audience if all of your characters are evil, and there's no good in", "I thought about this, but most popular stories have some good characters, I", "wondering if it's even possible to make a story compelling enough for a", "if every character is evil? I thought about this, but most popular stories", "Is this possible? And what are things you can do to make it", "make a story compelling enough for a large audience if every character is", "have some good characters, I am wondering if it's even possible to make", "no good in them, not an ounce of good in them. Is this", "to make it more compelling without changing the fact that every character is", "make it more compelling without changing the fact that every character is evil?", "of your characters are evil, and there's no good in them, not an", "for a large audience if all of your characters are evil, and there's", "if it's even possible to make a story compelling enough for a large", "a large audience if all of your characters are evil, and there's no", "story compelling enough for a large audience if all of your characters are", "you make a story compelling enough for a large audience if every character", "characters are evil, and there's no good in them, not an ounce of", "do to make it more compelling without changing the fact that every character", "things you can do to make it more compelling without changing the fact", "story compelling enough for a large audience if every character is evil? I", "a large audience if every character is evil? I thought about this, but" ]
[ "up with only 5 people showing up, it looks like an over-spent party.", "unintentionally. Can I also say, it's an(a): > > extravagant party , Lavish", "party for 100 people and it ends up with only 5 people showing", "and it ends up with only 5 people showing up, it looks like", "over-spent party. It shows that the money has been wasted but it's also", "a party for 100 people and it ends up with only 5 people", "an(a): > > extravagant party , Lavish party, or squandered party? > >", "party, or squandered party? > > > Is there an exact one-word synonym", "party. It shows that the money has been wasted but it's also unintentionally.", "for 100 people and it ends up with only 5 people showing up,", "has been wasted but it's also unintentionally. Can I also say, it's an(a):", "been wasted but it's also unintentionally. Can I also say, it's an(a): >", "with only 5 people showing up, it looks like an over-spent party. It", "extravagant party , Lavish party, or squandered party? > > > Is there", "it ends up with only 5 people showing up, it looks like an", "wasted but it's also unintentionally. Can I also say, it's an(a): > >", "say, it's an(a): > > extravagant party , Lavish party, or squandered party?", "you throw a party for 100 people and it ends up with only", ", Lavish party, or squandered party? > > > Is there an exact", "shows that the money has been wasted but it's also unintentionally. Can I", "I also say, it's an(a): > > extravagant party , Lavish party, or", "5 people showing up, it looks like an over-spent party. It shows that", "If you throw a party for 100 people and it ends up with", "or squandered party? > > > Is there an exact one-word synonym for", "showing up, it looks like an over-spent party. It shows that the money", "Can I also say, it's an(a): > > extravagant party , Lavish party,", "only 5 people showing up, it looks like an over-spent party. It shows", "100 people and it ends up with only 5 people showing up, it", "up, it looks like an over-spent party. It shows that the money has", "but it's also unintentionally. Can I also say, it's an(a): > > extravagant", "Lavish party, or squandered party? > > > Is there an exact one-word", "people and it ends up with only 5 people showing up, it looks", "it's also unintentionally. Can I also say, it's an(a): > > extravagant party", "also unintentionally. Can I also say, it's an(a): > > extravagant party ,", "looks like an over-spent party. It shows that the money has been wasted", "it's an(a): > > extravagant party , Lavish party, or squandered party? >", "> > extravagant party , Lavish party, or squandered party? > > >", "> extravagant party , Lavish party, or squandered party? > > > Is", "ends up with only 5 people showing up, it looks like an over-spent", "people showing up, it looks like an over-spent party. It shows that the", "throw a party for 100 people and it ends up with only 5", "that the money has been wasted but it's also unintentionally. Can I also", "money has been wasted but it's also unintentionally. Can I also say, it's", "party , Lavish party, or squandered party? > > > Is there an", "the money has been wasted but it's also unintentionally. Can I also say,", "like an over-spent party. It shows that the money has been wasted but", "it looks like an over-spent party. It shows that the money has been", "It shows that the money has been wasted but it's also unintentionally. Can", "also say, it's an(a): > > extravagant party , Lavish party, or squandered", "squandered party? > > > Is there an exact one-word synonym* for over-spent?", "an over-spent party. It shows that the money has been wasted but it's" ]
[ "as I think this looks better. An example of how I would use", "Square \| 10 \| 10 \| Is there a convention for (academic) formatting", "a native speaker, so please excuse if this is blatantly obvious for people", "length [mm] \| width [mm] \| \| --- \| --- \| --- \|", "expressions, and that we should check our tables in particular. True enough, I", "tables concerning the use of upper or lower case letters? I tried to", "use lower case letters in a table, the version I like better: \|", "case letter at the start of expressions, and that we should check our", "a convention for (academic) formatting for tables concerning the use of upper or", "there a convention for (academic) formatting for tables concerning the use of upper", "[mm] \| \| --- \| --- \| --- \| \| rectangle \| 5", "\| --- \| \| Rectangle \| 5 \| 10 \| \| Square \|", "also not a native speaker, so please excuse if this is blatantly obvious", "What I think the reviewer would like the table to look like: \|", "of upper or lower case letters? I tried to find an answer elsewhere", "for (academic) formatting for tables concerning the use of upper or lower case", "I would use lower case letters in a table, the version I like", "use lower case letter at the start of expressions, and that we should", "of how I would use lower case letters in a table, the version", "\| square \| 10 \| 10 \| What I think the reviewer would", "\| --- \| --- \| --- \| \| Rectangle \| 5 \| 10", "\| --- \| \| rectangle \| 5 \| 10 \| \| square \|", "letters? I tried to find an answer elsewhere but was not successful. I", "[mm] \| Width [mm] \| \| --- \| --- \| --- \| \|", "(academic) formatting for tables concerning the use of upper or lower case letters?", "was not successful. I am also not a native speaker, so please excuse", "not successful. I am also not a native speaker, so please excuse if", "tables in particular. True enough, I normally start a table row with a", "\| --- \| --- \| \| rectangle \| 5 \| 10 \| \|", "like: \| Srapi \| Length [mm] \| Width [mm] \| \| --- \|", "tried to find an answer elsewhere but was not successful. I am also", "10 \| What I think the reviewer would like the table to look", "\| What I think the reviewer would like the table to look like:", "10 \| 10 \| What I think the reviewer would like the table", "\| Length [mm] \| Width [mm] \| \| --- \| --- \| ---", "True enough, I normally start a table row with a lower case letter,", "of expressions, and that we should check our tables in particular. True enough,", "an answer elsewhere but was not successful. I am also not a native", "--- \| --- \| \| rectangle \| 5 \| 10 \| \| square", "paper, a reviewer has pointed out that we sometimes use lower case letter", "think the reviewer would like the table to look like: \| Srapi \|", "elsewhere but was not successful. I am also not a native speaker, so", "I think this looks better. An example of how I would use lower", "looks better. An example of how I would use lower case letters in", "\| \| Rectangle \| 5 \| 10 \| \| Square \| 10 \|", "concerning the use of upper or lower case letters? I tried to find", "\| shape \| length [mm] \| width [mm] \| \| --- \| ---", "a recent review of an academic paper, a reviewer has pointed out that", "--- \| --- \| --- \| \| Rectangle \| 5 \| 10 \|", "of an academic paper, a reviewer has pointed out that we sometimes use", "--- \| --- \| --- \| \| rectangle \| 5 \| 10 \|", "On a recent review of an academic paper, a reviewer has pointed out", "10 \| 10 \| Is there a convention for (academic) formatting for tables", "the start of expressions, and that we should check our tables in particular.", "\| 10 \| \| square \| 10 \| 10 \| What I think", "or lower case letters? I tried to find an answer elsewhere but was", "a reviewer has pointed out that we sometimes use lower case letter at", "\| 10 \| What I think the reviewer would like the table to", "letter, as I think this looks better. An example of how I would", "but was not successful. I am also not a native speaker, so please", "with a lower case letter, as I think this looks better. An example", "table to look like: \| Srapi \| Length [mm] \| Width [mm] \|", "table, the version I like better: \| shape \| length [mm] \| width", "\| 10 \| Is there a convention for (academic) formatting for tables concerning", "letter at the start of expressions, and that we should check our tables", "think this looks better. An example of how I would use lower case", "not a native speaker, so please excuse if this is blatantly obvious for", "the reviewer would like the table to look like: \| Srapi \| Length", "\| \| rectangle \| 5 \| 10 \| \| square \| 10 \|", "that we should check our tables in particular. True enough, I normally start", "a table row with a lower case letter, as I think this looks", "should check our tables in particular. True enough, I normally start a table", "at the start of expressions, and that we should check our tables in", "\| 5 \| 10 \| \| Square \| 10 \| 10 \| Is", "reviewer has pointed out that we sometimes use lower case letter at the", "lower case letters in a table, the version I like better: \| shape", "I am also not a native speaker, so please excuse if this is", "Rectangle \| 5 \| 10 \| \| Square \| 10 \| 10 \|", "am also not a native speaker, so please excuse if this is blatantly", "lower case letter at the start of expressions, and that we should check", "letters in a table, the version I like better: \| shape \| length", "start of expressions, and that we should check our tables in particular. True", "case letters in a table, the version I like better: \| shape \|", "\| Width [mm] \| \| --- \| --- \| --- \| \| Rectangle", "case letter, as I think this looks better. An example of how I", "like the table to look like: \| Srapi \| Length [mm] \| Width", "Length [mm] \| Width [mm] \| \| --- \| --- \| --- \|", "5 \| 10 \| \| Square \| 10 \| 10 \| Is there", "to find an answer elsewhere but was not successful. I am also not", "10 \| \| Square \| 10 \| 10 \| Is there a convention", "lower case letter, as I think this looks better. An example of how", "--- \| \| rectangle \| 5 \| 10 \| \| square \| 10", "[mm] \| width [mm] \| \| --- \| --- \| --- \| \|", "enough, I normally start a table row with a lower case letter, as", "case letters? I tried to find an answer elsewhere but was not successful.", "we sometimes use lower case letter at the start of expressions, and that", "version I like better: \| shape \| length [mm] \| width [mm] \|", "table row with a lower case letter, as I think this looks better.", "look like: \| Srapi \| Length [mm] \| Width [mm] \| \| ---", "answer elsewhere but was not successful. I am also not a native speaker,", "check our tables in particular. True enough, I normally start a table row", "start a table row with a lower case letter, as I think this", "An example of how I would use lower case letters in a table,", "better. An example of how I would use lower case letters in a", "\| 10 \| 10 \| What I think the reviewer would like the", "like better: \| shape \| length [mm] \| width [mm] \| \| ---", "how I would use lower case letters in a table, the version I", "we should check our tables in particular. True enough, I normally start a", "width [mm] \| \| --- \| --- \| --- \| \| rectangle \|", "--- \| --- \| \| Rectangle \| 5 \| 10 \| \| Square", "a lower case letter, as I think this looks better. An example of", "\| Square \| 10 \| 10 \| Is there a convention for (academic)", "particular. True enough, I normally start a table row with a lower case", "convention for (academic) formatting for tables concerning the use of upper or lower", "formatting for tables concerning the use of upper or lower case letters? I", "has pointed out that we sometimes use lower case letter at the start", "reviewer would like the table to look like: \| Srapi \| Length [mm]", "lower case letters? I tried to find an answer elsewhere but was not", "Is there a convention for (academic) formatting for tables concerning the use of", "Srapi \| Length [mm] \| Width [mm] \| \| --- \| --- \|", "Width [mm] \| \| --- \| --- \| --- \| \| Rectangle \|", "upper or lower case letters? I tried to find an answer elsewhere but", "\| \| square \| 10 \| 10 \| What I think the reviewer", "\| 10 \| 10 \| Is there a convention for (academic) formatting for", "pointed out that we sometimes use lower case letter at the start of", "the version I like better: \| shape \| length [mm] \| width [mm]", "10 \| Is there a convention for (academic) formatting for tables concerning the", "row with a lower case letter, as I think this looks better. An", "this looks better. An example of how I would use lower case letters", "and that we should check our tables in particular. True enough, I normally", "sometimes use lower case letter at the start of expressions, and that we", "in particular. True enough, I normally start a table row with a lower", "would use lower case letters in a table, the version I like better:", "\| Rectangle \| 5 \| 10 \| \| Square \| 10 \| 10", "a table, the version I like better: \| shape \| length [mm] \|", "\| Is there a convention for (academic) formatting for tables concerning the use", "would like the table to look like: \| Srapi \| Length [mm] \|", "successful. I am also not a native speaker, so please excuse if this", "the use of upper or lower case letters? I tried to find an", "\| --- \| --- \| --- \| \| rectangle \| 5 \| 10", "use of upper or lower case letters? I tried to find an answer", "shape \| length [mm] \| width [mm] \| \| --- \| --- \|", "square \| 10 \| 10 \| What I think the reviewer would like", "for tables concerning the use of upper or lower case letters? I tried", "\| 5 \| 10 \| \| square \| 10 \| 10 \| What", "out that we sometimes use lower case letter at the start of expressions,", "\| \| Square \| 10 \| 10 \| Is there a convention for", "find an answer elsewhere but was not successful. I am also not a", "\| \| --- \| --- \| --- \| \| Rectangle \| 5 \|", "the table to look like: \| Srapi \| Length [mm] \| Width [mm]", "example of how I would use lower case letters in a table, the", "I normally start a table row with a lower case letter, as I", "\| 10 \| \| Square \| 10 \| 10 \| Is there a", "[mm] \| \| --- \| --- \| --- \| \| Rectangle \| 5", "--- \| \| Rectangle \| 5 \| 10 \| \| Square \| 10", "10 \| \| square \| 10 \| 10 \| What I think the", "recent review of an academic paper, a reviewer has pointed out that we", "native speaker, so please excuse if this is blatantly obvious for people who", "\| \| --- \| --- \| --- \| \| rectangle \| 5 \|", "to look like: \| Srapi \| Length [mm] \| Width [mm] \| \|", "an academic paper, a reviewer has pointed out that we sometimes use lower", "5 \| 10 \| \| square \| 10 \| 10 \| What I", "\| rectangle \| 5 \| 10 \| \| square \| 10 \| 10", "review of an academic paper, a reviewer has pointed out that we sometimes", "our tables in particular. True enough, I normally start a table row with", "in a table, the version I like better: \| shape \| length [mm]", "I like better: \| shape \| length [mm] \| width [mm] \| \|", "\| Srapi \| Length [mm] \| Width [mm] \| \| --- \| ---", "that we sometimes use lower case letter at the start of expressions, and", "\| length [mm] \| width [mm] \| \| --- \| --- \| ---", "speaker, so please excuse if this is blatantly obvious for people who are.", "normally start a table row with a lower case letter, as I think", "better: \| shape \| length [mm] \| width [mm] \| \| --- \|", "academic paper, a reviewer has pointed out that we sometimes use lower case", "I tried to find an answer elsewhere but was not successful. I am", "\| --- \| --- \| \| Rectangle \| 5 \| 10 \| \|", "rectangle \| 5 \| 10 \| \| square \| 10 \| 10 \|", "I think the reviewer would like the table to look like: \| Srapi", "\| width [mm] \| \| --- \| --- \| --- \| \| rectangle" ]
[ "cruise, or about a bankteller, or about a broken bike. Sometimes your story", "well aware of it, especially when they have more experience in a subject", "this a common struggle for young writers? Or am I just building mental", "you're talking about, the reader can become very well aware of it, especially", "about it, but to me it sometimes feels dishonest and unauthentic. Nothing beats", "but to me it sometimes feels dishonest and unauthentic. Nothing beats your own", "talking about, the reader can become very well aware of it, especially when", "air of realism (even if it's just one short sentence). When you don't", "you do. Of course, I could always research about it, but to me", "comes to putting down thoughts into words. Is this a common struggle for", "struggle with writing because I just do not know how 'these things' work.", "course, I could always research about it, but to me it sometimes feels", "in a remote town in Europe, there really isn't much that you've experienced.", "to me it sometimes feels dishonest and unauthentic. Nothing beats your own experiences", "experiences when it comes to putting down thoughts into words. Is this a", "bankteller, or about a broken bike. Sometimes your story takes you to unexpected", "in Europe, there really isn't much that you've experienced. I'm 21 and I", "what you're talking about, the reader can become very well aware of it,", "you were raised in a remote town in Europe, there really isn't much", "know how 'these things' work. I can't write about a character going on", "or about a broken bike. Sometimes your story takes you to unexpected places,", "sentence). When you don't know what you're talking about, the reader can become", "there really isn't much that you've experienced. I'm 21 and I often struggle", "it, especially when they have more experience in a subject than you do.", "on a cruise, or about a bankteller, or about a broken bike. Sometimes", "Europe, there really isn't much that you've experienced. I'm 21 and I often", "experience in a subject than you do. Of course, I could always research", "(even if it's just one short sentence). When you don't know what you're", "can't write about a character going on a cruise, or about a bankteller,", "story any air of realism (even if it's just one short sentence). When", "I could always research about it, but to me it sometimes feels dishonest", "work. I can't write about a character going on a cruise, or about", "yourself having to know how the divorce process works if you want to", "find yourself having to know how the divorce process works if you want", "When you don't know what you're talking about, the reader can become very", "a bankteller, or about a broken bike. Sometimes your story takes you to", "of realism (even if it's just one short sentence). When you don't know", "or about a bankteller, or about a broken bike. Sometimes your story takes", "the divorce process works if you want to give your story any air", "words. Is this a common struggle for young writers? Or am I just", "not know how 'these things' work. I can't write about a character going", "it sometimes feels dishonest and unauthentic. Nothing beats your own experiences when it", "your story takes you to unexpected places, and suddenly you find yourself having", "do. Of course, I could always research about it, but to me it", "more experience in a subject than you do. Of course, I could always", "you find yourself having to know how the divorce process works if you", "down thoughts into words. Is this a common struggle for young writers? Or", "aware of it, especially when they have more experience in a subject than", "were raised in a remote town in Europe, there really isn't much that", "me it sometimes feels dishonest and unauthentic. Nothing beats your own experiences when", "Sometimes your story takes you to unexpected places, and suddenly you find yourself", "become very well aware of it, especially when they have more experience in", "a character going on a cruise, or about a bankteller, or about a", "don't know what you're talking about, the reader can become very well aware", "could always research about it, but to me it sometimes feels dishonest and", "own experiences when it comes to putting down thoughts into words. Is this", "dishonest and unauthentic. Nothing beats your own experiences when it comes to putting", "want to give your story any air of realism (even if it's just", "when they have more experience in a subject than you do. Of course,", "raised in a remote town in Europe, there really isn't much that you've", "really isn't much that you've experienced. I'm 21 and I often struggle with", "Is this a common struggle for young writers? Or am I just building", "it comes to putting down thoughts into words. Is this a common struggle", "I just do not know how 'these things' work. I can't write about", "can become very well aware of it, especially when they have more experience", "going on a cruise, or about a bankteller, or about a broken bike.", "a cruise, or about a bankteller, or about a broken bike. Sometimes your", "divorce process works if you want to give your story any air of", "your story any air of realism (even if it's just one short sentence).", "you don't know what you're talking about, the reader can become very well", "that you've experienced. I'm 21 and I often struggle with writing because I", "putting down thoughts into words. Is this a common struggle for young writers?", "to know how the divorce process works if you want to give your", "short sentence). When you don't know what you're talking about, the reader can", "bike. Sometimes your story takes you to unexpected places, and suddenly you find", "write about a character going on a cruise, or about a bankteller, or", "a subject than you do. Of course, I could always research about it,", "if it's just one short sentence). When you don't know what you're talking", "a remote town in Europe, there really isn't much that you've experienced. I'm", "realism (even if it's just one short sentence). When you don't know what", "about a bankteller, or about a broken bike. Sometimes your story takes you", "you to unexpected places, and suddenly you find yourself having to know how", "about, the reader can become very well aware of it, especially when they", "story takes you to unexpected places, and suddenly you find yourself having to", "things' work. I can't write about a character going on a cruise, or", "takes you to unexpected places, and suddenly you find yourself having to know", "reader can become very well aware of it, especially when they have more", "suddenly you find yourself having to know how the divorce process works if", "to unexpected places, and suddenly you find yourself having to know how the", "it's just one short sentence). When you don't know what you're talking about,", "sometimes feels dishonest and unauthentic. Nothing beats your own experiences when it comes", "about a broken bike. Sometimes your story takes you to unexpected places, and", "much that you've experienced. I'm 21 and I often struggle with writing because", "character going on a cruise, or about a bankteller, or about a broken", "into words. Is this a common struggle for young writers? Or am I", "to give your story any air of realism (even if it's just one", "than you do. Of course, I could always research about it, but to", "how 'these things' work. I can't write about a character going on a", "they have more experience in a subject than you do. Of course, I", "'these things' work. I can't write about a character going on a cruise,", "unexpected places, and suddenly you find yourself having to know how the divorce", "when it comes to putting down thoughts into words. Is this a common", "about a character going on a cruise, or about a bankteller, or about", "town in Europe, there really isn't much that you've experienced. I'm 21 and", "to putting down thoughts into words. Is this a common struggle for young", "often struggle with writing because I just do not know how 'these things'", "Nothing beats your own experiences when it comes to putting down thoughts into", "When you were raised in a remote town in Europe, there really isn't", "because I just do not know how 'these things' work. I can't write", "very well aware of it, especially when they have more experience in a", "research about it, but to me it sometimes feels dishonest and unauthentic. Nothing", "give your story any air of realism (even if it's just one short", "feels dishonest and unauthentic. Nothing beats your own experiences when it comes to", "do not know how 'these things' work. I can't write about a character", "unauthentic. Nothing beats your own experiences when it comes to putting down thoughts", "always research about it, but to me it sometimes feels dishonest and unauthentic.", "how the divorce process works if you want to give your story any", "and unauthentic. Nothing beats your own experiences when it comes to putting down", "works if you want to give your story any air of realism (even", "you want to give your story any air of realism (even if it's", "process works if you want to give your story any air of realism", "have more experience in a subject than you do. Of course, I could", "21 and I often struggle with writing because I just do not know", "with writing because I just do not know how 'these things' work. I", "it, but to me it sometimes feels dishonest and unauthentic. Nothing beats your", "know what you're talking about, the reader can become very well aware of", "the reader can become very well aware of it, especially when they have", "of it, especially when they have more experience in a subject than you", "subject than you do. Of course, I could always research about it, but", "beats your own experiences when it comes to putting down thoughts into words.", "your own experiences when it comes to putting down thoughts into words. Is", "just do not know how 'these things' work. I can't write about a", "any air of realism (even if it's just one short sentence). When you", "in a subject than you do. Of course, I could always research about", "and I often struggle with writing because I just do not know how", "one short sentence). When you don't know what you're talking about, the reader", "especially when they have more experience in a subject than you do. Of", "you've experienced. I'm 21 and I often struggle with writing because I just", "I often struggle with writing because I just do not know how 'these", "I'm 21 and I often struggle with writing because I just do not", "a common struggle for young writers? Or am I just building mental barriers?", "know how the divorce process works if you want to give your story", "if you want to give your story any air of realism (even if", "having to know how the divorce process works if you want to give", "writing because I just do not know how 'these things' work. I can't", "Of course, I could always research about it, but to me it sometimes", "remote town in Europe, there really isn't much that you've experienced. I'm 21", "isn't much that you've experienced. I'm 21 and I often struggle with writing", "and suddenly you find yourself having to know how the divorce process works", "just one short sentence). When you don't know what you're talking about, the", "a broken bike. Sometimes your story takes you to unexpected places, and suddenly", "I can't write about a character going on a cruise, or about a", "broken bike. Sometimes your story takes you to unexpected places, and suddenly you", "experienced. I'm 21 and I often struggle with writing because I just do", "places, and suddenly you find yourself having to know how the divorce process", "thoughts into words. Is this a common struggle for young writers? Or am" ]
[ "in a great way. But it doesn't sound like something a professional writer", "the Harlem Renaissance was a great time in American history. The Harlem Renaissance", "as its participants celebrated their African heritage and embraced self-expression, rejecting long-standing—and often", "the “New Negro” movement as its participants celebrated their African heritage and embraced", "professional. Here is what I had at first: The Harlem Renaissance has changed", "The Harlem Renaissance was an artistic flowering of the “New Negro” movement as", "was an artistic flowering of the “New Negro” movement as its participants celebrated", "has changed America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence", "make the sentence sound professional. Here is what I had at first: The", "of the “New Negro” movement as its participants celebrated their African heritage and", "those who don't know, the Harlem Renaissance was a great time in American", "the sentence sound professional. Here is what I had at first: The Harlem", "was a great time in American history. The Harlem Renaissance was an artistic", "way. I'm trying to make the sentence sound professional. Here is what I", "sentence sound professional. Here is what I had at first: The Harlem Renaissance", "a great way. But it doesn't sound like something a professional writer would", "Harlem Renaissance was an artistic flowering of the “New Negro” movement as its", "Harlem Renaissance has changed America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make", "America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence sound professional.", "For those who don't know, the Harlem Renaissance was a great time in", "great time in American history. The Harlem Renaissance was an artistic flowering of", "a professional writer would write. For those who don't know, the Harlem Renaissance", "in American history. The Harlem Renaissance was an artistic flowering of the “New", "time in American history. The Harlem Renaissance was an artistic flowering of the", "Renaissance was a great time in American history. The Harlem Renaissance was an", "is what I had at first: The Harlem Renaissance has changed America in", "great way. But it doesn't sound like something a professional writer would write.", "Renaissance has changed America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the", "had at first: The Harlem Renaissance has changed America in a great way.", "I had at first: The Harlem Renaissance has changed America in a great", "has changed America in a great way. But it doesn't sound like something", "history. The Harlem Renaissance was an artistic flowering of the “New Negro” movement", "flowering of the “New Negro” movement as its participants celebrated their African heritage", "America in a great way. But it doesn't sound like something a professional", "know, the Harlem Renaissance was a great time in American history. The Harlem", "something a professional writer would write. For those who don't know, the Harlem", "in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence sound professional. Here", "Renaissance has changed America in a great way. But it doesn't sound like", "Harlem Renaissance has changed America in a great way. But it doesn't sound", "writer would write. For those who don't know, the Harlem Renaissance was a", "a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence sound professional. Here is", "artistic flowering of the “New Negro” movement as its participants celebrated their African", "who don't know, the Harlem Renaissance was a great time in American history.", "first: The Harlem Renaissance has changed America in a great way. But it", "it doesn't sound like something a professional writer would write. For those who", "a great time in American history. The Harlem Renaissance was an artistic flowering", "way. But it doesn't sound like something a professional writer would write. For", "American history. The Harlem Renaissance was an artistic flowering of the “New Negro”", "sound like something a professional writer would write. For those who don't know,", "The Harlem Renaissance has changed America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to", "to make the sentence sound professional. Here is what I had at first:", "Here is what I had at first: The Harlem Renaissance has changed America", "like something a professional writer would write. For those who don't know, the", "changed America in a \\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence sound", "an artistic flowering of the “New Negro” movement as its participants celebrated their", "doesn't sound like something a professional writer would write. For those who don't", "trying to make the sentence sound professional. Here is what I had at", "what I had at first: The Harlem Renaissance has changed America in a", "“New Negro” movement as its participants celebrated their African heritage and embraced self-expression,", "would write. For those who don't know, the Harlem Renaissance was a great", "The Harlem Renaissance has changed America in a great way. But it doesn't", "changed America in a great way. But it doesn't sound like something a", "professional writer would write. For those who don't know, the Harlem Renaissance was", "But it doesn't sound like something a professional writer would write. For those", "write. For those who don't know, the Harlem Renaissance was a great time", "Negro” movement as its participants celebrated their African heritage and embraced self-expression, rejecting", "sound professional. Here is what I had at first: The Harlem Renaissance has", "Harlem Renaissance was a great time in American history. The Harlem Renaissance was", "don't know, the Harlem Renaissance was a great time in American history. The", "movement as its participants celebrated their African heritage and embraced self-expression, rejecting long-standing—and", "its participants celebrated their African heritage and embraced self-expression, rejecting long-standing—and often degrading—stereotypes.", "\\_\\_\\_\\_\\_\\_\\_\\_ way. I'm trying to make the sentence sound professional. Here is what", "Renaissance was an artistic flowering of the “New Negro” movement as its participants", "at first: The Harlem Renaissance has changed America in a great way. But", "I'm trying to make the sentence sound professional. Here is what I had" ]
[ "the dialog should be written at all if the dialog during a sex", "purpose. The issue with my particular case is that I am using it", "scene doesn't serve any purpose. There's also this notion that a writer might", "readers. I am thinking that in shows like Games of Thrones, the sex", "writer ignore that impulse or should he act upon it? I see a", "written at all if the dialog during a sex scene doesn't serve any", "it doesn't serve any purpose, and hence the dialog also doesn't serve any", "titillate the readers. I am thinking that in shows like Games of Thrones,", "doesn't serve any purpose. The issue with my particular case is that I", "in a way it becomes a moment where the narrative just gets put", "a sex scene doesn't serve any purpose. There's also this notion that a", "a sex scene - should the writer ignore that impulse or should he", "good or bad for a person, but if the sex scene serves \"to", "writer might feel shame when writing the dialog during a sex scene -", "the narrative just gets put on pause and to titillate the readers. I", "in shows like Games of Thrones, the sex scene are almost never useless", "If I shouldn't remove it, should I include the dialog, which are somewhat", "during a sex scene - should the writer ignore that impulse or should", "Games of Thrones, the sex scene are almost never useless and thus passing", "purpose. There's also this notion that a writer might feel shame when writing", "am wondering if the sex scene should be removed if it doesn't serve", "ignore that impulse or should he act upon it? I see a lot", "Also, I am wondering if the sex scene should be removed if it", "serve any purpose, and hence the dialog also doesn't serve any purpose. The", "it becomes a moment where the narrative just gets put on pause and", "your readers, can it just be removed? If I shouldn't remove it, should", "dialog should be written at all if the dialog during a sex scene", "serve any purpose. There's also this notion that a writer might feel shame", "might feel shame when writing the dialog during a sex scene - should", "the dialog during a sex scene - should the writer ignore that impulse", "also doesn't serve any purpose. The issue with my particular case is that", "scene should be removed if it doesn't serve any purpose, and hence the", "I am thinking that in shows like Games of Thrones, the sex scene", "passing the Chekhov gun, since sex always has a political implication good or", "scene serves \"to reward\" your readers, can it just be removed? If I", "any purpose. There's also this notion that a writer might feel shame when", "since sex always has a political implication good or bad for a person,", "and to titillate the readers. I am thinking that in shows like Games", "all if the dialog during a sex scene doesn't serve any purpose. There's", "dialog during a sex scene - should the writer ignore that impulse or", "see a lot of sex scenes in comics that are silent, so I", "if it doesn't serve any purpose, and hence the dialog also doesn't serve", "The issue with my particular case is that I am using it in", "scene are almost never useless and thus passing the Chekhov gun, since sex", "never useless and thus passing the Chekhov gun, since sex always has a", "or bad for a person, but if the sex scene serves \"to reward\"", "so I am wondering if it's a good idea. Also, I am wondering", "upon it? I see a lot of sex scenes in comics that are", "person, but if the sex scene serves \"to reward\" your readers, can it", "has a political implication good or bad for a person, but if the", "a person, but if the sex scene serves \"to reward\" your readers, can", "he act upon it? I see a lot of sex scenes in comics", "The question is whether the dialog should be written at all if the", "a writer might feel shame when writing the dialog during a sex scene", "\"to reward\" your readers, can it just be removed? If I shouldn't remove", "is whether the dialog should be written at all if the dialog during", "feel shame when writing the dialog during a sex scene - should the", "at all if the dialog during a sex scene doesn't serve any purpose.", "dialog during a sex scene doesn't serve any purpose. There's also this notion", "useless and thus passing the Chekhov gun, since sex always has a political", "shouldn't remove it, should I include the dialog, which are somewhat useless and", "it? I see a lot of sex scenes in comics that are silent,", "thus passing the Chekhov gun, since sex always has a political implication good", "implication good or bad for a person, but if the sex scene serves", "doesn't serve any purpose. There's also this notion that a writer might feel", "scenes in comics that are silent, so I am wondering if it's a", "hence the dialog also doesn't serve any purpose. The issue with my particular", "also this notion that a writer might feel shame when writing the dialog", "readers, can it just be removed? If I shouldn't remove it, should I", "the sex scene serves \"to reward\" your readers, can it just be removed?", "is that I am using it in a way it becomes a moment", "should I include the dialog, which are somewhat useless and don't really serve", "gun, since sex always has a political implication good or bad for a", "if it's a good idea. Also, I am wondering if the sex scene", "any purpose. The issue with my particular case is that I am using", "are silent, so I am wondering if it's a good idea. Also, I", "if the dialog during a sex scene doesn't serve any purpose. There's also", "when writing the dialog during a sex scene - should the writer ignore", "am using it in a way it becomes a moment where the narrative", "There's also this notion that a writer might feel shame when writing the", "doesn't serve any purpose, and hence the dialog also doesn't serve any purpose.", "narrative just gets put on pause and to titillate the readers. I am", "the sex scene are almost never useless and thus passing the Chekhov gun,", "thinking that in shows like Games of Thrones, the sex scene are almost", "always has a political implication good or bad for a person, but if", "issue with my particular case is that I am using it in a", "or should he act upon it? I see a lot of sex scenes", "a way it becomes a moment where the narrative just gets put on", "way it becomes a moment where the narrative just gets put on pause", "that in shows like Games of Thrones, the sex scene are almost never", "that are silent, so I am wondering if it's a good idea. Also,", "any purpose, and hence the dialog also doesn't serve any purpose. The issue", "include the dialog, which are somewhat useless and don't really serve a purpose?", "the writer ignore that impulse or should he act upon it? I see", "can it just be removed? If I shouldn't remove it, should I include", "if the sex scene serves \"to reward\" your readers, can it just be", "pause and to titillate the readers. I am thinking that in shows like", "that impulse or should he act upon it? I see a lot of", "notion that a writer might feel shame when writing the dialog during a", "dialog also doesn't serve any purpose. The issue with my particular case is", "gets put on pause and to titillate the readers. I am thinking that", "it just be removed? If I shouldn't remove it, should I include the", "it's a good idea. Also, I am wondering if the sex scene should", "and thus passing the Chekhov gun, since sex always has a political implication", "a lot of sex scenes in comics that are silent, so I am", "serve any purpose. The issue with my particular case is that I am", "during a sex scene doesn't serve any purpose. There's also this notion that", "becomes a moment where the narrative just gets put on pause and to", "bad for a person, but if the sex scene serves \"to reward\" your", "if the sex scene should be removed if it doesn't serve any purpose,", "a moment where the narrative just gets put on pause and to titillate", "good idea. Also, I am wondering if the sex scene should be removed", "removed? If I shouldn't remove it, should I include the dialog, which are", "sex scene are almost never useless and thus passing the Chekhov gun, since", "it, should I include the dialog, which are somewhat useless and don't really", "the dialog during a sex scene doesn't serve any purpose. There's also this", "removed if it doesn't serve any purpose, and hence the dialog also doesn't", "just gets put on pause and to titillate the readers. I am thinking", "this notion that a writer might feel shame when writing the dialog during", "remove it, should I include the dialog, which are somewhat useless and don't", "I am wondering if the sex scene should be removed if it doesn't", "put on pause and to titillate the readers. I am thinking that in", "be removed if it doesn't serve any purpose, and hence the dialog also", "be removed? If I shouldn't remove it, should I include the dialog, which", "impulse or should he act upon it? I see a lot of sex", "the Chekhov gun, since sex always has a political implication good or bad", "scene - should the writer ignore that impulse or should he act upon", "the readers. I am thinking that in shows like Games of Thrones, the", "sex scene serves \"to reward\" your readers, can it just be removed? If", "idea. Also, I am wondering if the sex scene should be removed if", "are almost never useless and thus passing the Chekhov gun, since sex always", "using it in a way it becomes a moment where the narrative just", "on pause and to titillate the readers. I am thinking that in shows", "serves \"to reward\" your readers, can it just be removed? If I shouldn't", "Thrones, the sex scene are almost never useless and thus passing the Chekhov", "I include the dialog, which are somewhat useless and don't really serve a", "case is that I am using it in a way it becomes a", "act upon it? I see a lot of sex scenes in comics that", "the sex scene should be removed if it doesn't serve any purpose, and", "but if the sex scene serves \"to reward\" your readers, can it just", "of Thrones, the sex scene are almost never useless and thus passing the", "and hence the dialog also doesn't serve any purpose. The issue with my", "sex scene doesn't serve any purpose. There's also this notion that a writer", "comics that are silent, so I am wondering if it's a good idea.", "reward\" your readers, can it just be removed? If I shouldn't remove it,", "am thinking that in shows like Games of Thrones, the sex scene are", "silent, so I am wondering if it's a good idea. Also, I am", "I see a lot of sex scenes in comics that are silent, so", "just be removed? If I shouldn't remove it, should I include the dialog,", "sex scene - should the writer ignore that impulse or should he act", "where the narrative just gets put on pause and to titillate the readers.", "it in a way it becomes a moment where the narrative just gets", "Chekhov gun, since sex always has a political implication good or bad for", "writing the dialog during a sex scene - should the writer ignore that", "sex scene should be removed if it doesn't serve any purpose, and hence", "should the writer ignore that impulse or should he act upon it? I", "like Games of Thrones, the sex scene are almost never useless and thus", "moment where the narrative just gets put on pause and to titillate the", "sex always has a political implication good or bad for a person, but", "that I am using it in a way it becomes a moment where", "wondering if the sex scene should be removed if it doesn't serve any", "I am wondering if it's a good idea. Also, I am wondering if", "wondering if it's a good idea. Also, I am wondering if the sex", "that a writer might feel shame when writing the dialog during a sex", "particular case is that I am using it in a way it becomes", "in comics that are silent, so I am wondering if it's a good", "almost never useless and thus passing the Chekhov gun, since sex always has", "political implication good or bad for a person, but if the sex scene", "I am using it in a way it becomes a moment where the", "of sex scenes in comics that are silent, so I am wondering if", "a good idea. Also, I am wondering if the sex scene should be", "with my particular case is that I am using it in a way", "my particular case is that I am using it in a way it", "for a person, but if the sex scene serves \"to reward\" your readers,", "shows like Games of Thrones, the sex scene are almost never useless and", "a political implication good or bad for a person, but if the sex", "be written at all if the dialog during a sex scene doesn't serve", "the dialog also doesn't serve any purpose. The issue with my particular case", "shame when writing the dialog during a sex scene - should the writer", "to titillate the readers. I am thinking that in shows like Games of", "purpose, and hence the dialog also doesn't serve any purpose. The issue with", "should he act upon it? I see a lot of sex scenes in", "am wondering if it's a good idea. Also, I am wondering if the", "lot of sex scenes in comics that are silent, so I am wondering", "should be removed if it doesn't serve any purpose, and hence the dialog", "question is whether the dialog should be written at all if the dialog", "sex scenes in comics that are silent, so I am wondering if it's", "should be written at all if the dialog during a sex scene doesn't", "I shouldn't remove it, should I include the dialog, which are somewhat useless", "- should the writer ignore that impulse or should he act upon it?", "whether the dialog should be written at all if the dialog during a" ]
[ "and she is forced to watch her girlfriend get slowly executed in an", "goes through tragedy. Near the middle, the group is captured by the enemy,", "during her arc, how long would it take for a person to move", "extremely brutal manner. They managed to escape, but she is heavily traumatized and", "is forced to watch her girlfriend get slowly executed in an extremely brutal", "tragedy. Near the middle, the group is captured by the enemy, and she", "secondary protagonist goes through tragedy. Near the middle, the group is captured by", "then during her arc, how long would it take for a person to", "captured by the enemy, and she is forced to watch her girlfriend get", "fantasy, the secondary protagonist goes through tragedy. Near the middle, the group is", "her girlfriend get slowly executed in an extremely brutal manner. They managed to", "the group is captured by the enemy, and she is forced to watch", "she almost loses her mind. Eventually, she ends up in another relationship, but", "she ends up in another relationship, but until then during her arc, how", "loses her mind. Eventually, she ends up in another relationship, but until then", "her arc, how long would it take for a person to move on", "in another relationship, but until then during her arc, how long would it", "middle, the group is captured by the enemy, and she is forced to", "protagonist goes through tragedy. Near the middle, the group is captured by the", "long would it take for a person to move on from something that", "escape, but she is heavily traumatized and she almost loses her mind. Eventually,", "arc, how long would it take for a person to move on from", "In my epic fantasy, the secondary protagonist goes through tragedy. Near the middle,", "is heavily traumatized and she almost loses her mind. Eventually, she ends up", "my epic fantasy, the secondary protagonist goes through tragedy. Near the middle, the", "relationship, but until then during her arc, how long would it take for", "slowly executed in an extremely brutal manner. They managed to escape, but she", "she is heavily traumatized and she almost loses her mind. Eventually, she ends", "until then during her arc, how long would it take for a person", "by the enemy, and she is forced to watch her girlfriend get slowly", "They managed to escape, but she is heavily traumatized and she almost loses", "forced to watch her girlfriend get slowly executed in an extremely brutal manner.", "but until then during her arc, how long would it take for a", "managed to escape, but she is heavily traumatized and she almost loses her", "enemy, and she is forced to watch her girlfriend get slowly executed in", "ends up in another relationship, but until then during her arc, how long", "Near the middle, the group is captured by the enemy, and she is", "almost loses her mind. Eventually, she ends up in another relationship, but until", "group is captured by the enemy, and she is forced to watch her", "through tragedy. Near the middle, the group is captured by the enemy, and", "she is forced to watch her girlfriend get slowly executed in an extremely", "and she almost loses her mind. Eventually, she ends up in another relationship,", "but she is heavily traumatized and she almost loses her mind. Eventually, she", "is captured by the enemy, and she is forced to watch her girlfriend", "her mind. Eventually, she ends up in another relationship, but until then during", "manner. They managed to escape, but she is heavily traumatized and she almost", "the enemy, and she is forced to watch her girlfriend get slowly executed", "to watch her girlfriend get slowly executed in an extremely brutal manner. They", "girlfriend get slowly executed in an extremely brutal manner. They managed to escape,", "heavily traumatized and she almost loses her mind. Eventually, she ends up in", "up in another relationship, but until then during her arc, how long would", "to escape, but she is heavily traumatized and she almost loses her mind.", "watch her girlfriend get slowly executed in an extremely brutal manner. They managed", "would it take for a person to move on from something that horrible?", "the secondary protagonist goes through tragedy. Near the middle, the group is captured", "mind. Eventually, she ends up in another relationship, but until then during her", "traumatized and she almost loses her mind. Eventually, she ends up in another", "an extremely brutal manner. They managed to escape, but she is heavily traumatized", "how long would it take for a person to move on from something", "the middle, the group is captured by the enemy, and she is forced", "in an extremely brutal manner. They managed to escape, but she is heavily", "Eventually, she ends up in another relationship, but until then during her arc,", "get slowly executed in an extremely brutal manner. They managed to escape, but", "brutal manner. They managed to escape, but she is heavily traumatized and she", "epic fantasy, the secondary protagonist goes through tragedy. Near the middle, the group", "another relationship, but until then during her arc, how long would it take", "executed in an extremely brutal manner. They managed to escape, but she is" ]
[ "writing scenes between characters that are not action. For example, a scene where", "need to improve writing scenes between characters that are not action. For example,", "I mostly write fantasy, and I need to improve writing scenes between characters", "write fantasy, and I need to improve writing scenes between characters that are", "are not action. For example, a scene where two characters are eating breakfast", "characters that are not action. For example, a scene where two characters are", "I need to improve writing scenes between characters that are not action. For", "For example, a scene where two characters are eating breakfast and talking about", "example, a scene where two characters are eating breakfast and talking about training", "scene where two characters are eating breakfast and talking about training later that", "a scene where two characters are eating breakfast and talking about training later", "improve writing scenes between characters that are not action. For example, a scene", "mostly write fantasy, and I need to improve writing scenes between characters that", "and I need to improve writing scenes between characters that are not action.", "between characters that are not action. For example, a scene where two characters", "not action. For example, a scene where two characters are eating breakfast and", "scenes between characters that are not action. For example, a scene where two", "to improve writing scenes between characters that are not action. For example, a", "action. For example, a scene where two characters are eating breakfast and talking", "fantasy, and I need to improve writing scenes between characters that are not", "that are not action. For example, a scene where two characters are eating", "where two characters are eating breakfast and talking about training later that day." ]
[ "shareholders, \"it\" seems legally correct. (Perhaps this wasn't the best example because \"he", "Inc. didn't deliver the item to Joe, he sued them. > > >", "sounds right, but because a corporation is a separate legal entity, not merely", "Acme Inc. didn't deliver the item to Joe, he sued them. > >", "the item, but just think of a scenario where there is no ambiguity", "corporation is a separate legal entity, not merely a group of shareholders, \"it\"", "sued them. > > > > > Because Acme Inc. didn't deliver the", "not merely a group of shareholders, \"it\" seems legally correct. (Perhaps this wasn't", "(Perhaps this wasn't the best example because \"he sued it\" could mean he", "is a separate legal entity, not merely a group of shareholders, \"it\" seems", "example because \"he sued it\" could mean he sued the item, but just", "> > > > Because Acme Inc. didn't deliver the item to Joe,", "he sued the item, but just think of a scenario where there is", "the best example because \"he sued it\" could mean he sued the item,", "entity, not merely a group of shareholders, \"it\" seems legally correct. (Perhaps this", "> > Which is correct? \"Them\" sounds right, but because a corporation is", "> > Because Acme Inc. didn't deliver the item to Joe, he sued", "because a corporation is a separate legal entity, not merely a group of", "> Because Acme Inc. didn't deliver the item to Joe, he sued them.", "but just think of a scenario where there is no ambiguity with either", "to Joe, he sued it. > > > Which is correct? \"Them\" sounds", "seems legally correct. (Perhaps this wasn't the best example because \"he sued it\"", "merely a group of shareholders, \"it\" seems legally correct. (Perhaps this wasn't the", "legally correct. (Perhaps this wasn't the best example because \"he sued it\" could", "Which is correct? \"Them\" sounds right, but because a corporation is a separate", "could mean he sued the item, but just think of a scenario where", "Joe, he sued them. > > > > > Because Acme Inc. didn't", "item to Joe, he sued them. > > > > > Because Acme", "sued it\" could mean he sued the item, but just think of a", "sued it. > > > Which is correct? \"Them\" sounds right, but because", "because \"he sued it\" could mean he sued the item, but just think", "didn't deliver the item to Joe, he sued them. > > > >", "to Joe, he sued them. > > > > > Because Acme Inc.", "it\" could mean he sued the item, but just think of a scenario", "> > > > > Because Acme Inc. didn't deliver the item to", "group of shareholders, \"it\" seems legally correct. (Perhaps this wasn't the best example", "Acme Inc. didn't deliver the item to Joe, he sued it. > >", "it. > > > Which is correct? \"Them\" sounds right, but because a", "correct. (Perhaps this wasn't the best example because \"he sued it\" could mean", "> > > Because Acme Inc. didn't deliver the item to Joe, he", "deliver the item to Joe, he sued it. > > > Which is", "a separate legal entity, not merely a group of shareholders, \"it\" seems legally", "but because a corporation is a separate legal entity, not merely a group", "he sued them. > > > > > Because Acme Inc. didn't deliver", "didn't deliver the item to Joe, he sued it. > > > Which", "wasn't the best example because \"he sued it\" could mean he sued the", "separate legal entity, not merely a group of shareholders, \"it\" seems legally correct.", "> Which is correct? \"Them\" sounds right, but because a corporation is a", "best example because \"he sued it\" could mean he sued the item, but", "deliver the item to Joe, he sued them. > > > > >", "Because Acme Inc. didn't deliver the item to Joe, he sued it. >", "a corporation is a separate legal entity, not merely a group of shareholders,", "a group of shareholders, \"it\" seems legally correct. (Perhaps this wasn't the best", "item to Joe, he sued it. > > > Which is correct? \"Them\"", "the item to Joe, he sued them. > > > > > Because", "Inc. didn't deliver the item to Joe, he sued it. > > >", "\"Them\" sounds right, but because a corporation is a separate legal entity, not", "legal entity, not merely a group of shareholders, \"it\" seems legally correct. (Perhaps", "\"he sued it\" could mean he sued the item, but just think of", "sued the item, but just think of a scenario where there is no", "\"it\" seems legally correct. (Perhaps this wasn't the best example because \"he sued", "> Because Acme Inc. didn't deliver the item to Joe, he sued it.", "of shareholders, \"it\" seems legally correct. (Perhaps this wasn't the best example because", "> > > Which is correct? \"Them\" sounds right, but because a corporation", "Because Acme Inc. didn't deliver the item to Joe, he sued them. >", "them. > > > > > Because Acme Inc. didn't deliver the item", "the item to Joe, he sued it. > > > Which is correct?", "correct? \"Them\" sounds right, but because a corporation is a separate legal entity,", "he sued it. > > > Which is correct? \"Them\" sounds right, but", "this wasn't the best example because \"he sued it\" could mean he sued", "Joe, he sued it. > > > Which is correct? \"Them\" sounds right,", "just think of a scenario where there is no ambiguity with either pronoun.)", "right, but because a corporation is a separate legal entity, not merely a", "mean he sued the item, but just think of a scenario where there", "item, but just think of a scenario where there is no ambiguity with", "is correct? \"Them\" sounds right, but because a corporation is a separate legal" ]
[ "metaphor to illustrate the difficulty of doing in an environment where everyone is", "to run up a hill in rollerblades\" * I don't care for this", "highlight the human factors that cause the hostile environment. A hill is inanimate", "cause the hostile environment. A hill is inanimate object. \"Like trying to trek", "highlight the human factors that cause the hostile environment. Do you have any", "\"Like trying to trek through Antarctica in a tee-shirt and flip-flops.\" * I", "and have been trying to come up with a metaphor to illustrate the", "cause the hostile environment. Do you have any suggestions of how I can", "factors that cause the hostile environment. Do you have any suggestions of how", "trying to run up a hill in rollerblades\" * I don't care for", "come up with a metaphor to illustrate the difficulty of doing in an", "the following metaphors: \"like trying to run up a hill in rollerblades\" ", "following metaphors: \"like trying to run up a hill in rollerblades\" I", "this metaphor because it doesn't highlight the human factors that cause the hostile", "Do you have any suggestions of how I can achieve my goal of", "because it doesn't highlight the human factors that cause the hostile environment. A", "to creative writing, and have been trying to come up with a metaphor", "object. \"Like trying to trek through Antarctica in a tee-shirt and flip-flops.\" ", "everyone is acting against you. So far, I have come up with the", "run up a hill in rollerblades\" I don't care for this metaphor", "up a hill in rollerblades\" * I don't care for this metaphor because", "inanimate object. \"Like trying to trek through Antarctica in a tee-shirt and flip-flops.\"", "don't care for this metaphor because it doesn't highlight the human factors that", "is inanimate object. \"Like trying to trek through Antarctica in a tee-shirt and", "in a tee-shirt and flip-flops.\" * I don't care for this metaphor because", "with the following metaphors: \"like trying to run up a hill in rollerblades\"", "environment. A hill is inanimate object. \"Like trying to trek through Antarctica in", "have come up with the following metaphors: \"like trying to run up a", "environment where everyone is acting against you. So far, I have come up", "this metaphor because (once again) it doesn't highlight the human factors that cause", "where everyone is acting against you. So far, I have come up with", "factors that cause the hostile environment. A hill is inanimate object. \"Like trying", "tee-shirt and flip-flops.\" * I don't care for this metaphor because (once again)", "metaphors: \"like trying to run up a hill in rollerblades\" * I don't", "trek through Antarctica in a tee-shirt and flip-flops.\" * I don't care for", "hill is inanimate object. \"Like trying to trek through Antarctica in a tee-shirt", "of doing in an environment where everyone is acting against you. So far,", "have been trying to come up with a metaphor to illustrate the difficulty", "don't care for this metaphor because (once again) it doesn't highlight the human", "am new to creative writing, and have been trying to come up with", "with a metaphor to illustrate the difficulty of doing in an environment where", "I have come up with the following metaphors: \"like trying to run up", "a metaphor to illustrate the difficulty of doing in an environment where everyone", "for this metaphor because it doesn't highlight the human factors that cause the", "a hill in rollerblades\" * I don't care for this metaphor because it", "again) it doesn't highlight the human factors that cause the hostile environment. Do", "acting against you. So far, I have come up with the following metaphors:", "care for this metaphor because it doesn't highlight the human factors that cause", "that cause the hostile environment. A hill is inanimate object. \"Like trying to", "against you. So far, I have come up with the following metaphors: \"like", "that cause the hostile environment. Do you have any suggestions of how I", "human factors that cause the hostile environment. Do you have any suggestions of", "illustrate the difficulty of doing in an environment where everyone is acting against", "* I don't care for this metaphor because it doesn't highlight the human", "it doesn't highlight the human factors that cause the hostile environment. A hill", "for this metaphor because (once again) it doesn't highlight the human factors that", "hostile environment. Do you have any suggestions of how I can achieve my", "So far, I have come up with the following metaphors: \"like trying to", "the difficulty of doing in an environment where everyone is acting against you.", "the human factors that cause the hostile environment. A hill is inanimate object.", "it doesn't highlight the human factors that cause the hostile environment. Do you", "far, I have come up with the following metaphors: \"like trying to run", "through Antarctica in a tee-shirt and flip-flops.\" * I don't care for this", "I don't care for this metaphor because it doesn't highlight the human factors", "doesn't highlight the human factors that cause the hostile environment. A hill is", "hill in rollerblades\" * I don't care for this metaphor because it doesn't", "new to creative writing, and have been trying to come up with a", "human factors that cause the hostile environment. A hill is inanimate object. \"Like", "creative writing, and have been trying to come up with a metaphor to", "the hostile environment. A hill is inanimate object. \"Like trying to trek through", "because (once again) it doesn't highlight the human factors that cause the hostile", "metaphor because (once again) it doesn't highlight the human factors that cause the", "doesn't highlight the human factors that cause the hostile environment. Do you have", "trying to come up with a metaphor to illustrate the difficulty of doing", "to trek through Antarctica in a tee-shirt and flip-flops.\" * I don't care", "have any suggestions of how I can achieve my goal of writing this", "I don't care for this metaphor because (once again) it doesn't highlight the", "doing in an environment where everyone is acting against you. So far, I", "hostile environment. A hill is inanimate object. \"Like trying to trek through Antarctica", "up with a metaphor to illustrate the difficulty of doing in an environment", "Antarctica in a tee-shirt and flip-flops.\" * I don't care for this metaphor", "is acting against you. So far, I have come up with the following", "an environment where everyone is acting against you. So far, I have come", "environment. Do you have any suggestions of how I can achieve my goal", "metaphor because it doesn't highlight the human factors that cause the hostile environment.", "I am new to creative writing, and have been trying to come up", "in an environment where everyone is acting against you. So far, I have", "you have any suggestions of how I can achieve my goal of writing", "in rollerblades\" * I don't care for this metaphor because it doesn't highlight", "\"like trying to run up a hill in rollerblades\" * I don't care", "difficulty of doing in an environment where everyone is acting against you. So", "* I don't care for this metaphor because (once again) it doesn't highlight", "come up with the following metaphors: \"like trying to run up a hill", "a tee-shirt and flip-flops.\" * I don't care for this metaphor because (once", "A hill is inanimate object. \"Like trying to trek through Antarctica in a", "flip-flops.\" * I don't care for this metaphor because (once again) it doesn't", "the human factors that cause the hostile environment. Do you have any suggestions", "rollerblades\" * I don't care for this metaphor because it doesn't highlight the", "care for this metaphor because (once again) it doesn't highlight the human factors", "to come up with a metaphor to illustrate the difficulty of doing in", "any suggestions of how I can achieve my goal of writing this metaphor?", "you. So far, I have come up with the following metaphors: \"like trying", "and flip-flops.\" * I don't care for this metaphor because (once again) it", "up with the following metaphors: \"like trying to run up a hill in", "been trying to come up with a metaphor to illustrate the difficulty of", "writing, and have been trying to come up with a metaphor to illustrate", "(once again) it doesn't highlight the human factors that cause the hostile environment.", "trying to trek through Antarctica in a tee-shirt and flip-flops.\" * I don't", "the hostile environment. Do you have any suggestions of how I can achieve", "to illustrate the difficulty of doing in an environment where everyone is acting" ]
[ "realized I haven't brought in very much of my character's backstory. Any tips", "am about halfway through my story, and I realized I haven't brought in", "I haven't brought in very much of my character's backstory. Any tips on", "I realized I haven't brought in very much of my character's backstory. Any", "I am about halfway through my story, and I realized I haven't brought", "through my story, and I realized I haven't brought in very much of", "halfway through my story, and I realized I haven't brought in very much", "much of my character's backstory. Any tips on where to bring that in,", "in very much of my character's backstory. Any tips on where to bring", "very much of my character's backstory. Any tips on where to bring that", "about halfway through my story, and I realized I haven't brought in very", "of my character's backstory. Any tips on where to bring that in, and", "and I realized I haven't brought in very much of my character's backstory.", "brought in very much of my character's backstory. Any tips on where to", "my story, and I realized I haven't brought in very much of my", "haven't brought in very much of my character's backstory. Any tips on where", "story, and I realized I haven't brought in very much of my character's", "my character's backstory. Any tips on where to bring that in, and how?" ]
[ "do it without making it look like the character is just narrating a", "in which the protagonist is doing a monologue that will tell details of", "short story is from a third person POV, but I wanted to write", "kidnapped by a pedophile, instead of just writing a flashback. So how can", "flashback. So how can I do it without making it look like the", "it look like the character is just narrating a boring story, but rather", "a monologue that will tell details of her traumatic past, being kidnapped by", "traumatic past, being kidnapped by a pedophile, instead of just writing a flashback.", "a flashback. So how can I do it without making it look like", "that will tell details of her traumatic past, being kidnapped by a pedophile,", "write a chapter in which the protagonist is doing a monologue that will", "protagonist is doing a monologue that will tell details of her traumatic past,", "I do it without making it look like the character is just narrating", "doing a monologue that will tell details of her traumatic past, being kidnapped", "to write a chapter in which the protagonist is doing a monologue that", "person POV, but I wanted to write a chapter in which the protagonist", "a chapter in which the protagonist is doing a monologue that will tell", "chapter in which the protagonist is doing a monologue that will tell details", "writing a flashback. So how can I do it without making it look", "a pedophile, instead of just writing a flashback. So how can I do", "will tell details of her traumatic past, being kidnapped by a pedophile, instead", "story is from a third person POV, but I wanted to write a", "from a third person POV, but I wanted to write a chapter in", "the protagonist is doing a monologue that will tell details of her traumatic", "pedophile, instead of just writing a flashback. So how can I do it", "just writing a flashback. So how can I do it without making it", "look like the character is just narrating a boring story, but rather keeps", "of just writing a flashback. So how can I do it without making", "wanted to write a chapter in which the protagonist is doing a monologue", "which the protagonist is doing a monologue that will tell details of her", "can I do it without making it look like the character is just", "but I wanted to write a chapter in which the protagonist is doing", "I wanted to write a chapter in which the protagonist is doing a", "third person POV, but I wanted to write a chapter in which the", "by a pedophile, instead of just writing a flashback. So how can I", "like the character is just narrating a boring story, but rather keeps the", "the character is just narrating a boring story, but rather keeps the reader", "being kidnapped by a pedophile, instead of just writing a flashback. So how", "past, being kidnapped by a pedophile, instead of just writing a flashback. So", "My short story is from a third person POV, but I wanted to", "of her traumatic past, being kidnapped by a pedophile, instead of just writing", "is from a third person POV, but I wanted to write a chapter", "her traumatic past, being kidnapped by a pedophile, instead of just writing a", "monologue that will tell details of her traumatic past, being kidnapped by a", "character is just narrating a boring story, but rather keeps the reader interested?", "So how can I do it without making it look like the character", "instead of just writing a flashback. So how can I do it without", "how can I do it without making it look like the character is", "a third person POV, but I wanted to write a chapter in which", "making it look like the character is just narrating a boring story, but", "without making it look like the character is just narrating a boring story,", "POV, but I wanted to write a chapter in which the protagonist is", "tell details of her traumatic past, being kidnapped by a pedophile, instead of", "details of her traumatic past, being kidnapped by a pedophile, instead of just", "is doing a monologue that will tell details of her traumatic past, being", "it without making it look like the character is just narrating a boring" ]
[ "boss be pretty much irrelevant to the whole story even though the writer", "mad because of how the writers decided to subvert expectations by making Luku", "pretty much irrelevant to the whole story even though the writer kept foreshadowing", "boss completely irrelevant to the story. Is there a good way to subvert", "because of how the writers decided to subvert expectations by making Luku Htyqalnef", "readers believe that the final boss was indeed the final boss and flipped", "the final boss and flipped the script by making the final boss completely", "whole story even though the writer kept foreshadowing the final boss and lead", "how Chainsaw Man subverted expectation by making the final boss be pretty much", "irrelevant to the whole story even though the writer kept foreshadowing the final", "by making the final boss be pretty much irrelevant to the whole story", "an unexpected way, and then there's how Chainsaw Man subverted expectation by making", "the readers believe that the final boss was indeed the final boss and", "and lead the readers believe that the final boss was indeed the final", "subverted expectation by making the final boss be pretty much irrelevant to the", "Star Wars, people were mad because of how the writers decided to subvert", "the final boss was indeed the final boss and flipped the script by", "though the writer kept foreshadowing the final boss and lead the readers believe", "expectations by making Luku Htyqalnef behave in an unexpected way, and then there's", "story even though the writer kept foreshadowing the final boss and lead the", "decided to subvert expectations by making Luku Htyqalnef behave in an unexpected way,", "final boss was indeed the final boss and flipped the script by making", "even though the writer kept foreshadowing the final boss and lead the readers", "to subvert expectations by making Luku Htyqalnef behave in an unexpected way, and", "believe that the final boss was indeed the final boss and flipped the", "boss and flipped the script by making the final boss completely irrelevant to", "to the story. Is there a good way to subvert expectations, or almost", "was indeed the final boss and flipped the script by making the final", "unexpected way, and then there's how Chainsaw Man subverted expectation by making the", "much irrelevant to the whole story even though the writer kept foreshadowing the", "there a good way to subvert expectations, or almost anything can be done", "flipped the script by making the final boss completely irrelevant to the story.", "way, and then there's how Chainsaw Man subverted expectation by making the final", "the writer kept foreshadowing the final boss and lead the readers believe that", "behave in an unexpected way, and then there's how Chainsaw Man subverted expectation", "of how the writers decided to subvert expectations by making Luku Htyqalnef behave", "the story. Is there a good way to subvert expectations, or almost anything", "by making Luku Htyqalnef behave in an unexpected way, and then there's how", "the script by making the final boss completely irrelevant to the story. Is", "anything can be done as long as you somehow predict how your readers", "boss and lead the readers believe that the final boss was indeed the", "Htyqalnef behave in an unexpected way, and then there's how Chainsaw Man subverted", "as long as you somehow predict how your readers will react to it?", "Luku Htyqalnef behave in an unexpected way, and then there's how Chainsaw Man", "be pretty much irrelevant to the whole story even though the writer kept", "by making the final boss completely irrelevant to the story. Is there a", "expectations, or almost anything can be done as long as you somehow predict", "way to subvert expectations, or almost anything can be done as long as", "the final boss completely irrelevant to the story. Is there a good way", "writer kept foreshadowing the final boss and lead the readers believe that the", "making the final boss completely irrelevant to the story. Is there a good", "a good way to subvert expectations, or almost anything can be done as", "final boss and flipped the script by making the final boss completely irrelevant", "can be done as long as you somehow predict how your readers will", "story. Is there a good way to subvert expectations, or almost anything can", "boss was indeed the final boss and flipped the script by making the", "people were mad because of how the writers decided to subvert expectations by", "how the writers decided to subvert expectations by making Luku Htyqalnef behave in", "then there's how Chainsaw Man subverted expectation by making the final boss be", "final boss completely irrelevant to the story. Is there a good way to", "final boss be pretty much irrelevant to the whole story even though the", "the whole story even though the writer kept foreshadowing the final boss and", "kept foreshadowing the final boss and lead the readers believe that the final", "be done as long as you somehow predict how your readers will react", "the writers decided to subvert expectations by making Luku Htyqalnef behave in an", "there's how Chainsaw Man subverted expectation by making the final boss be pretty", "Is there a good way to subvert expectations, or almost anything can be", "that the final boss was indeed the final boss and flipped the script", "Chainsaw Man subverted expectation by making the final boss be pretty much irrelevant", "writers decided to subvert expectations by making Luku Htyqalnef behave in an unexpected", "good way to subvert expectations, or almost anything can be done as long", "lead the readers believe that the final boss was indeed the final boss", "completely irrelevant to the story. Is there a good way to subvert expectations,", "expectation by making the final boss be pretty much irrelevant to the whole", "Wars, people were mad because of how the writers decided to subvert expectations", "In Star Wars, people were mad because of how the writers decided to", "were mad because of how the writers decided to subvert expectations by making", "and then there's how Chainsaw Man subverted expectation by making the final boss", "script by making the final boss completely irrelevant to the story. Is there", "almost anything can be done as long as you somehow predict how your", "the final boss and lead the readers believe that the final boss was", "final boss and lead the readers believe that the final boss was indeed", "indeed the final boss and flipped the script by making the final boss", "or almost anything can be done as long as you somehow predict how", "subvert expectations, or almost anything can be done as long as you somehow", "making the final boss be pretty much irrelevant to the whole story even", "to subvert expectations, or almost anything can be done as long as you", "the final boss be pretty much irrelevant to the whole story even though", "done as long as you somehow predict how your readers will react to", "in an unexpected way, and then there's how Chainsaw Man subverted expectation by", "subvert expectations by making Luku Htyqalnef behave in an unexpected way, and then", "foreshadowing the final boss and lead the readers believe that the final boss", "Man subverted expectation by making the final boss be pretty much irrelevant to", "irrelevant to the story. Is there a good way to subvert expectations, or", "to the whole story even though the writer kept foreshadowing the final boss", "and flipped the script by making the final boss completely irrelevant to the", "making Luku Htyqalnef behave in an unexpected way, and then there's how Chainsaw" ]