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French fashion designer (born in 1953) Dominique Aurientis (born in 1953 in Aix-en-Provence (/wiki/Aix-en-Provence) , France) is a French fashion designer. [1] (#cite_note-Schiro-1) [2] (#cite_note-Calistro-2) In 1986, she founded Dominique Aurientis, an accessories and fashion jewelry (/wiki/Fashion_jewelry) brand. One of her internship students, in Paris, was Nate Berkus (/wiki/Nate_Berkus) , of the Nate Berkus Show (/wiki/Nate_Berkus_Show) . [3] (#cite_note-3) [4] (#cite_note-4) Life and career [ edit ] Dominique Aurientis started her career in the Christian Dior (/wiki/Christian_Dior) atelier, moving on to the houses of Chanel (/wiki/Chanel) , Givenchy (/wiki/Givenchy) , Lanvin (/wiki/Lanvin_(clothing)) , Ferragamo (/wiki/Ferragamo) , Emilio Pucci (/wiki/Emilio_Pucci) , and Céline (/wiki/C%C3%A9line_(brand)) . [1] (#cite_note-Schiro-1) She is a graduate of the University of Paris (/wiki/University_of_Paris) , La Sorbonne (/wiki/La_Sorbonne) . [1] (#cite_note-Schiro-1) [5] (#cite_note-LAT-5) [6] (#cite_note-style-6) In 1986, she created her own collection of Jewellery and Accessories. Her collection attracted media coverage [1] (#cite_note-Schiro-1) [5] (#cite_note-LAT-5) as well as distributors including: Bergdorf Goodman (/wiki/Bergdorf_Goodman) , Neiman Marcus (/wiki/Neiman_Marcus) , Saks Fifth Avenue (/wiki/Saks_Fifth_Avenue) , Tootsies, Harrods (/wiki/Harrods) , Harvey Nichols, Brown's, Isetan, Joyce and others. [6] (#cite_note-style-6) In the 1990s, after adopting two children in Brazil (/wiki/Brazil) , Dominique decided to set up in Bali (/wiki/Bali) , where she opened a craft jewellery and interior design studio, leveraging on the renowned expertise of local Balinese artisans whilst establishing important partnerships with Indian and Thai studios. This provided her with new sources of inspiration for creating pieces bringing in traditional and eco-friendly methods, involving, for example, recycled materials such as discarded wood from railway tracks. Dominique returned to Europe in 2000 to concentrate on her children's education. Working as a consultant for well-known Italian brands, she decided in 2008 to start a new venture. The existing distributors of the brand supported this new venture and a year later the Dominique Aurientis on-line boutique (https://web.archive.org/web/20141217100401/http://dominiqueaurientis.com/) was born. Dominique is currently based in Provence (/wiki/Provence) her birthplace in the south of France. Her jewellery is created from Italian and French materials. Her collections are mostly made in Italy (/wiki/Italy) . Her jewellery has been displayed in numerous fashion magazines around the world. [7] (#cite_note-7) [8] (#cite_note-8) [9] (#cite_note-9) References [ edit ] ^ Jump up to: a b c d Schiro, Anne-Marie (8 July 1990). "Style Makers; Dominique Aurientis, Accessories Designer" (https://web.archive.org/web/20150525193810/http://www.nytimes.com/1990/07/08/style/style-makers-dominique-aurientis-accessories-designer.html) . The New York Times (/wiki/The_New_York_Times) . Archived from the original (https://www.nytimes.com/1990/07/08/style/style-makers-dominique-aurientis-accessories-designer.html) on 25 May 2015 . Retrieved 27 January 2011 . ^ (#cite_ref-Calistro_2-0) Calistro, Paddy (22 December 1989). "Big, Dramatic Jewelry: The Aurientis Way" (http://articles.latimes.com/1989-12-22/news/vw-852_1_dramatic-jewelry) . Los Angeles Times (/wiki/Los_Angeles_Times) . Retrieved 29 January 2011 . ^ (#cite_ref-3) The Nate Berkus Show (http://www.omniab.ca/programming/details.php?id=94) OMNI Archived (https://web.archive.org/web/20110706192059/http://www.omniab.ca/programming/details.php?id=94) 6 July 2011 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-4) TheNateShow.com (http://www.thenateshow.com/about-the-show) About Nate Berkus Archived (https://web.archive.org/web/20110106101224/http://www.thenateshow.com/about-the-show) 6 January 2011 at the Wayback Machine (/wiki/Wayback_Machine) ^ Jump up to: a b Calistro, Paddy (22 December 1989). "The Aurientis Way" (http://articles.latimes.com/1989-12-22/news/vw-852_1_dramatic-jewelry) . Los Angeles Times (/wiki/Los_Angeles_Times) . ^ Jump up to: a b Le Chic Dominique (http://www.style.com/stylefile/tag/dominique-aurientis/) Style.com ^ (#cite_ref-7) Georgie Badiel in Uptown Magazine (http://www.beautyisdiverse.com/2011/01/georgie-badiel-in-uptown-magazine/) BeautyIsDiverse.com, 18 January 2011 Archived (https://web.archive.org/web/20110123151652/http://www.beautyisdiverse.com/2011/01/georgie-badiel-in-uptown-magazine/) 23 January 2011 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-8) Fashion Hall of Fame (http://datingsymbol.com/2010/09/11/fashion-hall-of-fame/) Archived (https://web.archive.org/web/20101215095840/http://datingsymbol.com/2010/09/11/fashion-hall-of-fame/) 15 December 2010 at the Wayback Machine (/wiki/Wayback_Machine) Dating Symbol's Chic, 11 September 2010. ^ (#cite_ref-9) Styled On (http://www.styledon.com/fashion/features/slideshows/everyday-oscar/) External links [ edit ] France portal (/wiki/Portal:France) Companies portal (/wiki/Portal:Companies) Official website (https://web.archive.org/web/20141217100401/http://dominiqueaurientis.com/) Facebook Fan page (https://www.facebook.com/dominiqueaurientis) NewPP limit report Parsed by mw‐web.eqiad.main‐8645764cd7‐9s9n7 Cached time: 20240714193819 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.240 seconds Real time usage: 0.659 seconds Preprocessor visited node count: 591/1000000 Post‐expand include size: 9813/2097152 bytes Template argument size: 755/2097152 bytes Highest expansion depth: 12/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 16932/5000000 bytes Lua time usage: 0.143/10.000 seconds Lua memory usage: 4163275/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 552.724 1 -total 54.51% 301.276 1 Template:Reflist 47.98% 265.186 3 Template:Cite_news 15.16% 83.802 1 Template:Short_description 13.83% 76.420 1 Template:Use_dmy_dates 10.32% 57.015 1 Template:ACArt 8.54% 47.176 2 Template:Pagetype 4.91% 27.121 1 Template:Portal 4.11% 22.733 4 Template:Main_other 3.67% 20.287 1 Template:SDcat Saved in parser cache with key enwiki:pcache:idhash:30644179-0!canonical and timestamp 20240714193819 and revision id 1222374369. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Dominique_Aurientis&oldid=1222374369 (https://en.wikipedia.org/w/index.php?title=Dominique_Aurientis&oldid=1222374369) " Categories (/wiki/Help:Category) : Fashion accessory brands (/wiki/Category:Fashion_accessory_brands) French fashion designers (/wiki/Category:French_fashion_designers) French brands (/wiki/Category:French_brands) High fashion brands (/wiki/Category:High_fashion_brands) French jewellery designers (/wiki/Category:French_jewellery_designers) Living people (/wiki/Category:Living_people) 1953 births (/wiki/Category:1953_births) Hidden categories: Webarchive template wayback links (/wiki/Category:Webarchive_template_wayback_links) Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) Use dmy dates from February 2021 (/wiki/Category:Use_dmy_dates_from_February_2021) |
This biography of a living person (/wiki/Wikipedia:Biographies_of_living_persons) needs additional citations (/wiki/Wikipedia:Citing_sources) for verification (/wiki/Wikipedia:Verifiability) . Please help by adding reliable sources (/wiki/Wikipedia:Reliable_sources) . Contentious material (/wiki/Wikipedia:BLPREMOVE) about living persons that is unsourced or poorly sourced (/wiki/Wikipedia:QUESTIONABLE) must be removed immediately from the article and its talk page, especially if potentially libelous (/wiki/Wikipedia:Libel) . Find sources: "Emma Maclaren" (https://www.google.com/search?as_eq=wikipedia&q=%22Emma+Maclaren%22) – news (https://www.google.com/search?tbm=nws&q=%22Emma+Maclaren%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Emma+Maclaren%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Emma+Maclaren%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Emma+Maclaren%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Emma+Maclaren%22&acc=on&wc=on) ( June 2012 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Emma MacLaren Born ( 1991-02-13 ) 13 February 1991 (age 33) Worcester (/wiki/Worcester,_England) , United Kingdom Modeling information Height 178 cm (5 ft 10 in) Hair color Blonde Eye color Blue Emma MacLaren was born 13 February 1991 in Worcester (/wiki/Worcester,_England) , UK. At 13 years of age Emma began her modelling career after she was scouted by Europe's leading modelling agency, Models1 (/w/index.php?title=Models1&action=edit&redlink=1) in 2004. [1] (#cite_note-ftape-1) At the age of 18 she became a face of Max Factor (/wiki/Max_Factor) and in 2009, she signed a fragrance contract with Burberry Brit. Emma was soon published on the pages of Spanish, Russian and German Vogue (/wiki/Vogue_(magazine)) , Glamour (/wiki/Glamour_(magazine)) Italia, Elle (/wiki/Elle_(magazine)) UK and Denmark. She has also been featured on the cover of L'Officiel (/wiki/L%27Officiel) . Since 2013 she has mostly retired from modelling. Throughout her career Emma continued to pursue her passion for music. She is a classically trained soprano singer, songwriter and also has a keen interest in fitness and nutrition. Early life [ edit ] MacLaren was born in Worcester, and grew up in the Worcestershire countryside. Prior to becoming a model, MacLaren was pursuing a career in music and theatre and she continues to follow this path. Emma is a classically trained soprano singer and songwriter, as well as a profession in fitness and nutrition. Career [ edit ] MacLaren began in the modelling industry when she was scouted at the annual Clothes Show Live fashion event in Birmingham (/wiki/Birmingham) UK, in 2004. [1] (#cite_note-ftape-1) Emma made her catwalk debut in February 2008 in London (/wiki/London) for Ashley Isham (/wiki/Ashley_Isham) and Allegra Hicks (/w/index.php?title=Allegra_Hicks&action=edit&redlink=1) . September 2009 was her breakthrough season, where she appeared at the fashion weeks in New York, London, Milan (/wiki/Milan) and Paris (/wiki/Paris) . She walked for designers such as Donna Karan (/wiki/Donna_Karan) , Marc Jacobs (/wiki/Marc_Jacobs) , Pringle of Scotland (/wiki/Pringle_of_Scotland) , Akris (/wiki/Akris) , Christian Dior (/wiki/Christian_Dior) , Sonia Rykiel (/wiki/Sonia_Rykiel) and Paul Smith (/wiki/Paul_Smith_(fashion_designer)) , among many others. Soon after she appeared in advertising campaigns for brands such as Moschino (/wiki/Moschino) Cheap & Chic, Bottega Veneta (/wiki/Bottega_Veneta) , Burberry (/wiki/Burberry) and Marks and Spencer (/wiki/Marks_and_Spencer) Per Una. In late 2009, MacLaren signed a contract with Burberry Brit fragrance, shot by photographer David Sims (/wiki/David_Sims_(photographer)) . Emma has appeared in editorials for Exit (/wiki/Exit_(magazine)) , Elle, French (/w/index.php?title=French_(magazine)&action=edit&redlink=1) , Harper's Bazaar (/wiki/Harper%27s_Bazaar) , Interview (/wiki/Interview_(magazine)) , Italian Marie Claire (/wiki/Marie_Claire) , L'Officiel, Vanity Fair (/wiki/Vanity_Fair_(magazine)) , Velvet (/wiki/Velvet_(magazine)) , Russian, Spanish and German Vogue and has appeared on the covers of L'Officiel, Italian Marie Claire, Eurowoman (/w/index.php?title=Eurowoman&action=edit&redlink=1) and ELLE Denmark. References [ edit ] ^ Jump up to: a b "Emma Maclaren" (http://ftape.com/model/?portfolio=emma-maclaren) . ftape.com . Retrieved 21 December 2012 . External links [ edit ] PONY RYDER interview (http://www.pony-ryder.com/2009/06/classic-chic-emma-maclaren-emma-is-with.html) i-Profile: Emma Maclaren (August 21, 2011) (https://web.archive.org/web/20120205163513/http://i-donline.com/2011/08/i-profile-emma-maclaren/) FTAPE: Emma Maclaren (https://web.archive.org/web/20110813072541/http://www.ftape.com/model/?portfolio=emma-maclaren) Emma Maclaren (https://www.fashionmodeldirectory.com/models/emma_maclaren/) at Fashion Model Directory (/wiki/Fashion_Model_Directory) Emma Maclaren (https://archive.today/20130218155146/http://www.vogue.it/en/vogue-starscelebsmodels/models-and-supermodels/2012/06/emma-maclaren) at Vogue Italia (/wiki/Vogue_Italia) NewPP limit report Parsed by mw‐api‐ext.codfw.main‐747986ff5f‐4g6kj Cached time: 20240722120006 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.286 seconds Real time usage: 0.356 seconds Preprocessor visited node count: 1859/1000000 Post‐expand include size: 17772/2097152 bytes Template argument size: 1529/2097152 bytes Highest expansion depth: 11/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 9404/5000000 bytes Lua time usage: 0.215/10.000 seconds Lua memory usage: 6376692/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 339.881 1 -total 51.81% 176.098 1 Template:Infobox_model 25.39% 86.289 1 Template:Reflist 22.03% 74.885 1 Template:Cite_web 20.04% 68.103 1 Template:BLP_sources 15.55% 52.856 1 Template:Ambox 12.23% 41.584 1 Template:Infobox 9.17% 31.162 1 Template:Convert 6.62% 22.516 1 Template:Birth_date_and_age 6.12% 20.785 20 Template:Pluralize_from_text Saved in parser cache with key enwiki:pcache:idhash:32757840-0!canonical and timestamp 20240722120006 and revision id 1236013535. Rendering was triggered because: unknown esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Emma_Maclaren&oldid=1236013535 (https://en.wikipedia.org/w/index.php?title=Emma_Maclaren&oldid=1236013535) " Categories (/wiki/Help:Category) : Living people (/wiki/Category:Living_people) English female models (/wiki/Category:English_female_models) 1991 births (/wiki/Category:1991_births) People from Worcester, England (/wiki/Category:People_from_Worcester,_England) Models from Worcestershire (/wiki/Category:Models_from_Worcestershire) Hidden categories: BLP articles lacking sources from June 2012 (/wiki/Category:BLP_articles_lacking_sources_from_June_2012) All BLP articles lacking sources (/wiki/Category:All_BLP_articles_lacking_sources) Articles with hCards (/wiki/Category:Articles_with_hCards) |
1976 1977 1978 1979 1980 (/wiki/Category:1980_clothing) 1981 1982 1983 (/wiki/Category:1983_clothing) 1984 1985 (/wiki/Category:1985_clothing) 1986 1930s (/wiki/Category:1930s_clothing) 1940s (/wiki/Category:1940s_clothing) 1950s (/wiki/Category:1950s_clothing) 1960s (/wiki/Category:1960s_clothing) 1970s 1980s (/wiki/Category:1980s_clothing) 1990s (/wiki/Category:1990s_clothing) 2000s (/wiki/Category:2000s_clothing) 2010s (/wiki/Category:2010s_clothing) 2020s (/wiki/Category:2020s_clothing) 2030s NewPP limit report Parsed by mw‐api‐int.eqiad.main‐dc899b7cc‐k9tsc Cached time: 20240719054419 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.122 seconds Real time usage: 0.179 seconds Preprocessor visited node count: 144/1000000 Post‐expand include size: 4044/2097152 bytes Template argument size: 105/2097152 bytes Highest expansion depth: 11/100 Expensive parser function count: 37/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 5517/5000000 bytes Lua time usage: 0.083/10.000 seconds Lua memory usage: 1031243/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 169.223 1 -total 86.31% 146.058 1 Template:Navseasoncats_with_decades_below_year 8.92% 15.103 1 Template:CatAutoTOC 5.61% 9.497 1 Template:Category_other 4.52% 7.650 1 Template:Automatic_category_TOC/core 3.45% 5.840 2 Template:Title_year 1.15% 1.943 1 Template:DECADE 1.12% 1.900 1 Template:Template_other 0.99% 1.677 1 Template:Clear Saved in parser cache with key enwiki:pcache:idhash:54858873-0!canonical and timestamp 20240719054419 and revision id 982830675. Rendering was triggered because: api-parse Pages in category "1981 clothing" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . U U.S. Woodland (/wiki/U.S._Woodland) W Wedding dress of Lady Diana Spencer (/wiki/Wedding_dress_of_Lady_Diana_Spencer) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:1981_clothing&oldid=982830675 (https://en.wikipedia.org/w/index.php?title=Category:1981_clothing&oldid=982830675) " Categories (/wiki/Help:Category) : Clothing by year (/wiki/Category:Clothing_by_year) 1981 works (/wiki/Category:1981_works) 1980s clothing (/wiki/Category:1980s_clothing) Hidden categories: Category series navigation year and decade (/wiki/Category:Category_series_navigation_year_and_decade) Automatic category TOC generates no TOC (/wiki/Category:Automatic_category_TOC_generates_no_TOC) |
American luxury brand MZ Wallace Company type Private (/wiki/Privately_held_company) Industry Fashion (/wiki/Fashion) Founders Monica Zwirner and Lucy Wallace Eustice Products accessories (/wiki/Fashion_accessory) Website mzwallace (http://mzwallace.com) .com (http://mzwallace.com) MZ Wallace is an American luxury fashion brand founded in Soho (/wiki/SoHo,_Manhattan) , New York City in 2000 by Monica Zwirner and Lucy Wallace Eustice. According to Entrepreneur (/wiki/Entrepreneur_(magazine)) , "the brand today is synonymous with functional luxury." [1] (#cite_note-Entrepreneur-1) As reported by People (/wiki/People_(magazine)) , "MZ Wallace is well-known for its sleek backpacks, crossbodies, and wallets." [2] (#cite_note-2) History [ edit ] Founders Monica Zwirner and Lucy Wallace Eustice met at a Manolo Blahnik (/wiki/Manolo_Blahnik) store in 1985, and again at a farmer's market in New York in 1999. [3] (#cite_note-3) They bonded over a shared background in the fashion (/wiki/Fashion) industry. "They had both been circling a similar idea – a chic, durable, all-purpose bag" which combined the functionality of nylon with the fashion sensibilities of Italian leather. [1] (#cite_note-Entrepreneur-1) Zwirner had experience in fashion with Gucci (/wiki/Gucci) , BMW (/wiki/BMW) , and Lancôme (/wiki/Lanc%C3%B4me) and in interior design (/wiki/Interior_design) with Selldorf Architects before co-founding MZ Wallace. Wallace Eustice worked with Harper’s Bazaar (/wiki/Harper%E2%80%99s_Bazaar) , Elle Magazine (/wiki/Elle_Magazine) , and Manolo Blahnik (/wiki/Manolo_Blahnik) prior to co-founding MZ Wallace. [4] (#cite_note-4) They founded a storefront in 2000 in Manhattan and distribute to various retailers. [1] (#cite_note-Entrepreneur-1) [5] (#cite_note-NYT-5) There is also a MZ Wallace store in Chicago. They work with retailers such as Bloomingdale's (/wiki/Bloomingdales) , Saks Fifth Avenue (/wiki/Saks_Fifth_Avenue) , Nordstrom (/wiki/Nordstrom) , and Neiman Marcus (/wiki/Neiman_Marcus) . [6] (#cite_note-6) MZ Wallace launched online in 2004, and is known for not offering discounts through online sales to maintain the value of its products. [7] (#cite_note-7) As of April 2023, MZ Wallace is a certified B Corporation (/wiki/B_Corporation_(certification)) , meaning it is a business that meets the high verified standards of social and environmental performance, accountability, and transparency. [8] (#cite_note-8) References [ edit ] ^ Jump up to: a b c Schomer, Stephanie (15 November 2018). "The Fashion Industry Called Their Idea Crazy. Now, Their Handbag Design Is Iconic" (https://www.entrepreneur.com/leadership/the-fashion-industry-called-their-idea-crazy-now-their/323248) . Entrepreneur . Entrepreneur. ^ (#cite_ref-2) "I Finally Found a Stylish Tote Bag That Fits My Laptop, Lunchbox, and Much, Much More" (https://people.com/fashion/mz-wallace-tote-review/) . Peoplemag . ^ (#cite_ref-3) "The Designers Behind MZ Wallace On The Importance Of Staying True To Your Vision" (https://www.thelifestyleedit.com/mz-wallace/) . ^ (#cite_ref-4) "MZ Wallace | About Us" (https://www.mzwallace.com/pages/about-us-2) . www.mzwallace.com . ^ (#cite_ref-NYT_5-0) Force, Thessaly La (24 December 2022). "What's the Big Deal About Handbags?" (https://www.nytimes.com/2022/12/24/style/mz-wallace-handbags.html) . The New York Times . Retrieved 24 February 2023 . ^ (#cite_ref-6) "MZ Wallace | Stores" (https://www.mzwallace.com/pages/mzw-stores) . www.mzwallace.com . ^ (#cite_ref-7) Richards, Katie (October 22, 2019). " (https://www.glossy.co/fashion/inside-mz-wallaces-approach-to-never-discount-even-with-wholesale-partners/) 'Our product never goes on sale': How MZ Wallace negotiates wholesale partnerships" (https://www.glossy.co/fashion/inside-mz-wallaces-approach-to-never-discount-even-with-wholesale-partners/) . ^ (#cite_ref-8) "MZ Wallace - Certified B Corporation - B Lab Global" (https://www.bcorporation.net/en-us/find-a-b-corp/company/mz-wallace) . www.bcorporation.net . Retrieved 2023-06-06 . External links [ edit ] Official website (https://www.mzwallace.com/) NewPP limit report Parsed by mw‐web.codfw.main‐7999cd8dc7‐8r9pd Cached time: 20240711002732 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.266 seconds Real time usage: 0.347 seconds Preprocessor visited node count: 1450/1000000 Post‐expand include size: 16625/2097152 bytes Template argument size: 1141/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 33041/5000000 bytes Lua time usage: 0.150/10.000 seconds Lua memory usage: 5172802/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 331.424 1 -total 38.10% 126.269 1 Template:Infobox_company 37.50% 124.284 1 Template:Reflist 31.72% 105.130 1 Template:Infobox 31.20% 103.406 7 Template:Cite_web 21.15% 70.107 1 Template:Short_description 12.57% 41.655 2 Template:Pagetype 10.03% 33.231 1 Template:Flatlist 9.07% 30.047 8 Template:Main_other 4.64% 15.389 1 Template:SDcat Saved in parser cache with key enwiki:pcache:idhash:73126906-0!canonical and timestamp 20240711002732 and revision id 1233808002. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=MZ_Wallace&oldid=1233808002 (https://en.wikipedia.org/w/index.php?title=MZ_Wallace&oldid=1233808002) " Categories (/wiki/Help:Category) : American brands (/wiki/Category:American_brands) American companies established in 2000 (/wiki/Category:American_companies_established_in_2000) Design companies established in 2000 (/wiki/Category:Design_companies_established_in_2000) Fashion accessory brands (/wiki/Category:Fashion_accessory_brands) Luxury brands (/wiki/Category:Luxury_brands) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Official website not in Wikidata (/wiki/Category:Official_website_not_in_Wikidata) |
Traditional footwear of the Philippines, made from the Abaca plant Abaca slippers Abaca slippers are made from dried abacá (/wiki/Abac%C3%A1) plants and leaves, as well as sometimes from dried pineapple plant leaves. Abaca slippers may be found in the Davao (/wiki/Davao_region) and Mindanao (/wiki/Mindanao) regions of the Philippines (/wiki/Philippines) and are sold at many markets in the Philippines. [1] (#cite_note-1) References [ edit ] ^ (#cite_ref-1) Guzman, Dionisia; Mangalindan, Fe; Guzman, Cipriano (2000). Technology and Home Economics . Manila, Philippines: Rex Book Store. pp. 31–32. ISBN (/wiki/ISBN_(identifier)) 9712320391 . This shoe (/wiki/Shoe) -related article is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=Abaca_slippers&action=edit) . v t e NewPP limit report Parsed by mw‐web.eqiad.main‐8645764cd7‐lctgk Cached time: 20240712181219 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.290 seconds Real time usage: 0.677 seconds Preprocessor visited node count: 239/1000000 Post‐expand include size: 5557/2097152 bytes Template argument size: 664/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 7931/5000000 bytes Lua time usage: 0.207/10.000 seconds Lua memory usage: 2975608/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 411.671 1 -total 42.39% 174.515 1 Template:Short_description 32.44% 133.549 1 Template:Cite_book 24.45% 100.639 2 Template:Main_other 23.78% 97.879 1 Template:SDcat 23.64% 97.303 1 Template:Shoe-stub 23.00% 94.702 1 Template:Asbox 14.05% 57.851 2 Template:Pagetype 0.65% 2.694 1 Template:Short_description/lowercasecheck Saved in parser cache with key enwiki:pcache:idhash:31033664-0!canonical and timestamp 20240712181219 and revision id 1135776287. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Abaca_slippers&oldid=1135776287 (https://en.wikipedia.org/w/index.php?title=Abaca_slippers&oldid=1135776287) " Categories (/wiki/Help:Category) : Folk footwear (/wiki/Category:Folk_footwear) Philippine footwear (/wiki/Category:Philippine_footwear) Clothing stubs (/wiki/Category:Clothing_stubs) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) All stub articles (/wiki/Category:All_stub_articles) |
19th-century brand of textiles Meritas was a brand of oilcloth (/wiki/Oilcloth) first produced in 1869 by A.F.Buchanan and Sons at Montrose, New York (/wiki/Montrose,_New_York) . [1] (#cite_note-1) The company was taken over by the Standard Soap Cloth Company which then became part of the Standard Textile Products Company. The range of cloths produced under the Meritas brand was expanded to include composite cloth, leather cloth and slate cloth which were used for a variety of purposes including upholstery (/wiki/Upholstery) and trim for automobiles (/wiki/Automobile) . [2] (#cite_note-2) In 1909, the company built the Meritas Mills in Columbus (/wiki/Columbus,_Georgia) to manufacture these cloths. [3] (#cite_note-3) References [ edit ] ^ (#cite_ref-1) The Historic Hudson , 1922, p. 59 ^ (#cite_ref-2) Chemical age , vol. 29, 1921, p. 153 ^ (#cite_ref-3) Joseph Green Butler (1921), History of Youngstown and the Mahoning Valley, Ohio , vol. 1, p. 735 NewPP limit report Parsed by mw‐api‐int.eqiad.main‐6f5ccb59c8‐sfjvx Cached time: 20240623194325 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.158 seconds Real time usage: 0.211 seconds Preprocessor visited node count: 305/1000000 Post‐expand include size: 3765/2097152 bytes Template argument size: 466/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 10433/5000000 bytes Lua time usage: 0.100/10.000 seconds Lua memory usage: 3282124/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 202.021 1 -total 53.52% 108.112 1 Template:Reflist 45.79% 92.510 3 Template:Citation 44.91% 90.729 1 Template:Short_description 25.87% 52.257 2 Template:Pagetype 11.06% 22.350 3 Template:Main_other 9.54% 19.267 1 Template:SDcat 1.83% 3.694 1 Template:Short_description/lowercasecheck Saved in parser cache with key enwiki:pcache:idhash:25073061-0!canonical and timestamp 20240623194325 and revision id 1193635084. Rendering was triggered because: api-parse esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Meritas_(cloth)&oldid=1193635084 (https://en.wikipedia.org/w/index.php?title=Meritas_(cloth)&oldid=1193635084) " Category (/wiki/Help:Category) : Textiles (/wiki/Category:Textiles) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) |
Sierra Leonean fashion journalist and stylist Ib Kamara , also known as I.B., IB, or Ibrahim Kamara (born 1990) is a Sierra Leone-born, London-based fashion journalist, stylist and creative director who, in January 2021, was named editor of Dazed (/wiki/Dazed) magazine. Early life and education [ edit ] Born Ibrahim Kamara in Sierra Leone (/wiki/Sierra_Leone) in 1990, Kamara and his parents took refuge with relatives in Gambia (/wiki/Gambia) after civil war (/wiki/Sierra_Leone_Civil_War) broke out, before settling in London when Kamara was sixteen years old. [1] (#cite_note-nyt-1) Kamara attributes his turbulent early years and growing up watching world affairs develop via CNN and BBC news programmes with inspiring his focus on current affairs. [1] (#cite_note-nyt-1) Before coming to London, he spent three years studying sciences with the intention of becoming a doctor and pleasing his parents, but was unhappy doing so, and decided to pursue fashion as a career option. [1] (#cite_note-nyt-1) After enrolling on an art & design course at Westminster Kingsway College (/wiki/Westminster_Kingsway_College) , Kamara studied fashion communication at Central Saint Martins (/wiki/Central_Saint_Martins) . [1] (#cite_note-nyt-1) Kamara has dyslexia (/wiki/Dyslexia) which he regularly acknowledges in interviews. [1] (#cite_note-nyt-1) [2] (#cite_note-bof-2) Career [ edit ] Fashion [ edit ] Kamara's approach is based upon gender identity, fluidity and exploration, queerness and also upon Blackness and African identity and beauty. [1] (#cite_note-nyt-1) He attributes his early studies of science with helping him develop his focus and attention to detail. [1] (#cite_note-nyt-1) While he originally thought he might become a designer, Kamara became an assistant to the stylist Barry Kamen (/wiki/Barry_Kamen) which established his career as a stylist. [1] (#cite_note-nyt-1) His inspirations include the composer Hans Zimmer (/wiki/Hans_Zimmer) , the film director Quentin Tarantino (/wiki/Quentin_Tarantino) and the American fashion journalist Diana Vreeland (/wiki/Diana_Vreeland) , who Kamara admires for their ability to create instantly identifiable worlds. [1] (#cite_note-nyt-1) Kamara was first noticed in 2016 when he curated an exhibition in London titled "2026" which focused upon Black African masculinity. [1] (#cite_note-nyt-1) [3] (#cite_note-vogue-3) The models, recruited off the street of Soweto (/wiki/Soweto) , dressed in outfits made using second-hand clothing, and photographed by Kristin-Lee Moolman, helped Kamara address and challenge conventional ideas of race, gender and sexuality in fashion while also aiming to suggest what menswear would look like a decade later. [1] (#cite_note-nyt-1) [3] (#cite_note-vogue-3) The exhibition was shown at Somerset House (/wiki/Somerset_House) , which led to him being introduced by Jamie Morgan (/wiki/Jamie_Morgan_(musician)) to Robbie Spencer of Dazed who gave Kamara his first fashion editorial. [2] (#cite_note-bof-2) As a stylist, Kamara was popular with the late Virgil Abloh (/wiki/Virgil_Abloh) of Louis Vuitton (/wiki/Louis_Vuitton) menswear and Off-White (/wiki/Off-White_(company)) , and also styled catwalks and advertising for Riccardo Tisci (/wiki/Riccardo_Tisci) of Burberry (/wiki/Burberry) and Erdem (/wiki/Erdem_Moral%C4%B1o%C4%9Flu) . [1] (#cite_note-nyt-1) Other clients include Stella McCartney (/wiki/Stella_McCartney) , Dior (/wiki/Dior) , [1] (#cite_note-nyt-1) Kenneth Ize and Lorenzo Serafini. [3] (#cite_note-vogue-3) Comme des Garçons (/wiki/Comme_des_Gar%C3%A7ons) invited him to design hats for their show, and H&M (/wiki/H%26M) signed him up to direct their first circularly-designed (zero-waste) collection. [3] (#cite_note-vogue-3) He worked with Rihanna (/wiki/Rihanna) , both for her label Fenty (/wiki/Fenty_(fashion_house)) , and as her personal stylist when she was featured on the cover of Dazed . [1] (#cite_note-nyt-1) Abloh described Kamara as a prime example of how "diversity can bring out the best of the fashion industry". [1] (#cite_note-nyt-1) For his work as a stylist, Kamara was awarded the Isabella Blow Award by the British Fashion Council (/wiki/British_Fashion_Council) on 29 November 2021. [3] (#cite_note-vogue-3) Following the passing of Virgil Abloh, Kamara was appointed Art & Image Director for Off-White on 30 April 2022. [4] (#cite_note-4) In 2021, Iain R. Webb (/wiki/Iain_R._Webb) was asked by the Fashion Museum, Bath (/wiki/Fashion_Museum,_Bath) to choose garments representing 2020 for their Dress of the Year (/wiki/Dress_of_the_Year) collection. Among the outfits he chose to represent 2020 was a unique dress called "A Dress of Hope", designed by Dazed 's art director, Gareth Wrighton and styled by Kamara out of vintage table-linens and doilies (/wiki/Doily) collected by Webb. [5] (#cite_note-doy-5) Journalism [ edit ] Kamara worked as a senior editor-at-large for i-D (/wiki/I-D) magazine from 2019 onwards, [2] (#cite_note-bof-2) and has also worked for British (/wiki/British_Vogue) Vogue , Vogue Italia (/wiki/Vogue_Italia) , System (/wiki/System_(magazine)) , and W (/wiki/W_(magazine)) . In January 2021 he became editor in chief for Dazed . [1] (#cite_note-nyt-1) His first issue of Dazed celebrated the National Health Service (/wiki/National_Health_Service) and people working together for change, and Kamara's aim is for the magazine to be globally relevant to readers from a wide range of backgrounds and cultures. [6] (#cite_note-wwd-6) When he received the Isabella Blow award in 2021, he said he was proud to be a beneficiary of the WWD awards' new focus on individual change-makers rather than companies and brands. [6] (#cite_note-wwd-6) As part of his approach to running Dazed , Kamara tries to secure contributors from all around the world, especially from underrepresented fashion centres such as those in Africa and the Middle East. [6] (#cite_note-wwd-6) In addition to having their collaborative design chosen as a look for 2020, [5] (#cite_note-doy-5) Kamara and Wrighton were the journalists chosen by the Fashion Museum, Bath (/wiki/Fashion_Museum,_Bath) to select the Dress of the Year (/wiki/Dress_of_the_Year) for 2021. They chose the Armani (/wiki/Armani) wrap dress worn by Meghan, Duchess of Sussex (/wiki/Meghan,_Duchess_of_Sussex) for her and her husband (/wiki/Prince_Harry,_Duke_of_Sussex) 's interview with Oprah Winfrey (/wiki/Oprah_Winfrey) . [7] (#cite_note-cnn-7) Kamara and Wrighton argued that because Oprah with Meghan and Harry (/wiki/Oprah_with_Meghan_and_Harry) became an "iconic" and "definitive anti-establishment moment" that would endure in the British collective memory, it made sense to consider the dress worn by the pregnant Duchess as part of this story. [7] (#cite_note-cnn-7) References [ edit ] ^ Jump up to: a b c d e f g h i j k l m n o p Paton, Elizabeth (15 September 2021). "How Ibrahim Kamara Found His Place in Fashion" (https://www.nytimes.com/2021/09/15/fashion/how-ibrahim-kamara-found-his-place-in-fashion.html) . The New York Times . Retrieved 28 February 2022 . ^ Jump up to: a b c Soar, Sophie (11 May 2020). "How I Became… Senior Fashion Editor-at-Large of i-D Magazine" (https://www.businessoffashion.com/articles/news-analysis/how-i-became-senior-fashion-editor-at-large-of-i-d-magazine/) . The Business of Fashion . Retrieved 1 March 2022 . ^ Jump up to: a b c d e Yotka, Steff (23 November 2021). " (https://www.vogue.co.uk/fashion/article/ib-kamara-fashion-award) "People Underestimate The Power Of Fashion" – Ib Kamara On His BFC Honour And Making Memorable Fashion Imagery" (https://www.vogue.co.uk/fashion/article/ib-kamara-fashion-award) . British Vogue . Condé Nast. ^ (#cite_ref-4) "Off-White on Instagram" (https://www.instagram.com/p/Cc-XNZQDQQ0/) . 30 April 2022. ^ Jump up to: a b Różyc, Marcin (10 May 2021). "Dress of the Year: Jakie ubrania zapamiętamy z 2020?" (https://www.vogue.pl/a/dress-of-the-year-najwazniejsze-ubrania-2020-roku-w-muzeum-mody-w-bath) . Vogue Polska (in Polish). Condé Nast . Retrieved 27 January 2022 . ^ Jump up to: a b c Theodosi, Natalie (19 November 2021). "Dazed Editor Ib Kamara on Receiving the Isabella Blow Award for Fashion Creator" (https://wwd.com/business-news/media/dazed-editor-ib-kamara-on-receiving-the-isabella-blow-award-for-fashion-creator-1234999780/) . WWD . Retrieved 1 March 2022 . ^ Jump up to: a b Prisco, Jacopo. "Meghan's Oprah interview dress is named fashion museum's Dress of the Year" (https://edition.cnn.com/style/article/meghan-oprah-interview-dress-of-the-year/index.html) . CNN . Retrieved 28 February 2022 . 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Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Ib_Kamara&oldid=1167992007 (https://en.wikipedia.org/w/index.php?title=Ib_Kamara&oldid=1167992007) " Categories (/wiki/Help:Category) : 1990 births (/wiki/Category:1990_births) Living people (/wiki/Category:Living_people) Black British fashion people (/wiki/Category:Black_British_fashion_people) Sierra Leonean journalists (/wiki/Category:Sierra_Leonean_journalists) British fashion journalists (/wiki/Category:British_fashion_journalists) Black British journalists (/wiki/Category:Black_British_journalists) Sierra Leonean expatriates in the United Kingdom (/wiki/Category:Sierra_Leonean_expatriates_in_the_United_Kingdom) Fashion stylists (/wiki/Category:Fashion_stylists) Writers with dyslexia (/wiki/Category:Writers_with_dyslexia) British writers with disabilities (/wiki/Category:British_writers_with_disabilities) Sierra Leonean people with disabilities (/wiki/Category:Sierra_Leonean_people_with_disabilities) Hidden categories: CS1 Polish-language sources (pl) (/wiki/Category:CS1_Polish-language_sources_(pl)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) |
South Korean women who worked as fashion designers (/wiki/Fashion_designer) . Biography portal (/wiki/Portal:Biography) Fashion portal (/wiki/Portal:Fashion) South Korea portal (/wiki/Portal:South_Korea) This is a non-diffusing subcategory (/wiki/Wikipedia:Categorization#Non-diffusing_subcategories) of Category:South Korean fashion designers (/wiki/Category:South_Korean_fashion_designers) . It includes South Korean fashion designers that can also be found in the parent category, or in diffusing subcategories of the parent. NewPP limit report Parsed by mw‐web.codfw.main‐ff98d5cb5‐v4dlz Cached time: 20240722161409 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.064 seconds Real time usage: 0.095 seconds Preprocessor visited node count: 137/1000000 Post‐expand include size: 4053/2097152 bytes Template argument size: 311/2097152 bytes Highest expansion depth: 11/100 Expensive parser function count: 4/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 3351/5000000 bytes Lua time usage: 0.037/10.000 seconds Lua memory usage: 934473/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 80.543 1 -total 46.57% 37.509 1 Template:Portal 40.47% 32.592 1 Template:Non-diffusing 32.68% 26.323 1 Template:Cmbox 12.79% 10.302 1 Template:CatAutoTOC 9.53% 7.673 2 Template:Category_other 7.43% 5.983 1 Template:Automatic_category_TOC/core 3.98% 3.209 1 Template:Single_namespace 1.66% 1.340 1 Template:Template_other 1.40% 1.130 1 Template:Clear Saved in parser cache with key enwiki:pcache:idhash:72300736-0!canonical and timestamp 20240722161409 and revision id 1177799191. Rendering was triggered because: page-view Pages in category "South Korean women fashion designers" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . I Sang A Im-Propp (/wiki/Sang_A_Im-Propp) K Minju Kim (/wiki/Minju_Kim) L Lee Young-hee (designer) (/wiki/Lee_Young-hee_(designer)) M MLMA (/wiki/MLMA) P Sohee Park (/wiki/Sohee_Park) Rejina Pyo (/wiki/Rejina_Pyo) S Lea Seong (/wiki/Lea_Seong) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:South_Korean_women_fashion_designers&oldid=1177799191 (https://en.wikipedia.org/w/index.php?title=Category:South_Korean_women_fashion_designers&oldid=1177799191) " Categories (/wiki/Help:Category) : South Korean fashion designers (/wiki/Category:South_Korean_fashion_designers) South Korean women artists (/wiki/Category:South_Korean_women_artists) Women fashion designers by nationality (/wiki/Category:Women_fashion_designers_by_nationality) Hidden categories: Wikipedia non-diffusing subcategories (/wiki/Category:Wikipedia_non-diffusing_subcategories) Automatic category TOC generates no TOC (/wiki/Category:Automatic_category_TOC_generates_no_TOC) |
Indian jewelry company Tribhovandas Bhimji Zaveri Ltd. Founded 1864 ; 160 years ago ( 1864 ) Founder Tribhovandas Bhimji Zaveri Successor Gopaldas Tribhovandas Zaveri Headquarters Zaveri Bazaar (/wiki/Zaveri_Bazaar) , Mumbai (/wiki/Mumbai) , India Number of locations 32 ( Patna (/wiki/Patna) , Dhanbad (/wiki/Dhanbad) , Bhopal (/wiki/Bhopal) , Jamnagar (/wiki/Jamnagar) , Raipur (/wiki/Raipur) , Ahmedabad (/wiki/Ahmedabad) , Bhavnagar (/wiki/Bhavnagar) , Rajkot (/wiki/Rajkot) , Gandhidham (/wiki/Gandhidham) , Surat (/wiki/Surat) , Vadodara (/wiki/Vadodara) , Vapi (/wiki/Vapi) , Jamshedpur (/wiki/Jamshedpur) , Kochi (/wiki/Kochi) , Indore (/wiki/Indore) , Aurangabad (/wiki/Aurangabad,_Maharashtra) , Mumbai (/wiki/Mumbai) , Nagpur (/wiki/Nagpur) , Pune (/wiki/Pune) , Thane (/wiki/Thane) , Vasai (/wiki/Vasai) , Vashi (/wiki/Vashi) , Udaipur (/wiki/Udaipur) , Vijaywada (/wiki/Vijaywada) , Hyderabad (/wiki/Hyderabad) , Jamshedpur (/wiki/Jamshedpur) , Kolkata (/wiki/Kolkata) [1] (#cite_note-crisil-1) ) Key people Shrikant Zaveri ( Chairman (/wiki/Chairman) & MD (/wiki/Managing_director) ) Products Jewellery Revenue ₹ 8.8 billion (US$100 million) (2010) [1] (#cite_note-crisil-1) Website tbztheoriginal (http://tbztheoriginal.com) .com (http://tbztheoriginal.com) Tribhovandas Bhimji Zaveri Ltd. ( TBZ ) is a noted Indian (/wiki/India) jeweller (/wiki/Jeweller) and jewellery retail chain based in India. [2] (#cite_note-2) Established in 1864 by Tribhovandas Bhimji Zaveri in Zaveri Bazaar (/wiki/Zaveri_Bazaar) , the jewellery district of Mumbai (/wiki/Mumbai) , it was subsequently headed by his son, Gopaldas Tribhovandas Zaveri, and now Shrikant Zaveri, is the present chairman and managing director of the group. The company today, has 37 showrooms in 23 cities across eleven states, including Mumbai (/wiki/Mumbai) , Surat (/wiki/Surat) , Kochi (/wiki/Kochi) , Bhopal (/wiki/Bhopal) , Hyderabad (/wiki/Hyderabad,_India) , Kolkata (/wiki/Kolkata) , and Rajkot (/wiki/Rajkot) [3] (#cite_note-3) [4] (#cite_note-4) The company proposed an Initial Public Offer (/wiki/Initial_Public_Offer) (IPO) in July 2011. [5] (#cite_note-5) In 2019, TBZ signed in Sara Ali Khan (/wiki/Sara_Ali_Khan) as their official brand ambassador. [6] (#cite_note-6) Overview [ edit ] The company has 37 showrooms under "Tribhovandas Bhimji Zaveri" brand (32 company owned 5 franchise), for gold jewellery and diamond studded jewellery. Apart from that it has two designer boutiques under "Krsala", where its sells jadau and diamond-studded jewellery. [1] (#cite_note-crisil-1) Its main showroom at Zaveri Bazaar in Mumbai is built across five floors and said to be the largest jewellery showroom in India., [7] (#cite_note-7) while its other Mumbai branches are in Opera House (/wiki/Opera_House) , Churchgate (/wiki/Churchgate) , Borivali (/wiki/Borivali) , Ghatkopar (/wiki/Ghatkopar) , and Santacruz (/wiki/Santacruz,_Mumbai) . It operates stores in Dhanbad (/wiki/Dhanbad) , Hyderabad (/wiki/Hyderabad,_India) , Kolkata (/wiki/Kolkata) , Trivandrum (/wiki/Trivandrum) , Vijayawada (/wiki/Vijayawada) , Ahmedabad (/wiki/Ahmedabad) , Surat (/wiki/Surat) , Kochi (/wiki/Kochi) , Indore (/wiki/Indore) , Thane (/wiki/Thane) , Raipur (/wiki/Raipur) , Jamshedpur (/wiki/Jamshedpur) , Bhopal (/wiki/Bhopal) , Jamnagar (/wiki/Jamnagar) , Sambhaji Nagar (/wiki/Sambhaji_Nagar) , and Udaipur (/wiki/Udaipur) . Its manufacturing unit for diamond studded jewellery is located in Kandivli (/wiki/Kandivli) in Mumbai. [1] (#cite_note-crisil-1) History [ edit ] In 2011, TBZ entered the men's jewellery segment, with its Gentlemen's Collection in gold and diamonds. [8] (#cite_note-8) Previously in the January of the same year, it filed a draft red herring prospectus (DRHP) for an initial public offering with market regulator SEBI (/wiki/SEBI) , to sell 16.66 million shares of ₹10 each. [9] (#cite_note-9) See also [ edit ] 1987 Opera House heist (/wiki/1987_Opera_House_heist) - It was executed in headquarters of TBZ on 19 March 1987. Bhima Jewellers (/wiki/Bhima_Jewellers) C. Krishniah Chetty & Sons References [ edit ] ^ Jump up to: a b c d "Tribhovandas Bhimji Zaveri Limited Research" (https://www.crisilresearch.com/CuttingEdge/Content/IPOs/TBZGRRat.pdf) (PDF) . CRISIL (/wiki/CRISIL) (Standard and Poor's). 12 July 2011. ^ (#cite_ref-2) Susan Stronge; Nima Poovaya-Smith; James C. Harle (1988). A Golden Treasury: jewellery from the Indian subcontinent . Rizzoli in association with the Victoria and Albert Museum and Grantha Corp. p. 118. ISBN (/wiki/ISBN_(identifier)) 0-8478-1012-7 . ^ (#cite_ref-3) "Tribhovandas Bhimji Zaveri opens new showroom at Rajkot" (http://www.business-standard.com/india/news/tribhovandas-bhimji-zaveri-opens-new-showroom-at-rajkot/444252/) . Business Standard (/wiki/Business_Standard) . 28 July 2011. ^ (#cite_ref-4) "About us" (http://www.tbztheoriginal.com/about-us.html) . Website. ^ (#cite_ref-5) "CRISIL assigns grade 3/5 to Tribhovandas Bhimji Zaveri IPO" (http://www.moneycontrol.com/news/ipo-upcoming-issues/crisil-assigns-grade-35-to-tribhovandas-bhimji-zaveri-ipo_565150.html) . Moneycontrol.com ( CNBC-TV18 (/wiki/CNBC-TV18) ). 13 July 2011. ^ (#cite_ref-6) "TBZ-The Original announces Sara Ali Khan as its official brand ambassador" (https://news.franchiseindia.com/content/tbz-the-original-announces-sara-ali-khan-as-its-official-brand-ambassador.n18512) . news.franchiseindia.com . Retrieved 16 May 2020 . ^ (#cite_ref-7) "Tribhovandas Bhimji Zaveri Review" (http://www.fodors.com/world/asia/india/mumbai-bombay-and-maharashtra/review-107886.html) . Fodor's (/wiki/Fodor%27s) . ^ (#cite_ref-8) "Jewellery retailer Tribhovandas Bhimji Zaveri enters men's jewellery" (http://articles.economictimes.indiatimes.com/2011-06-20/news/29680029_1_tbz-tribhovandas-bhimji-zaveri-showrooms) . The Economic Times (/wiki/The_Economic_Times) . 20 June 2011. ^ (#cite_ref-9) "Tribhovandas Bhimji files DRHP with Sebi" (http://www.financialexpress.com/news/quick-view/742856/2) . The Financial Express . 28 January 2011. Tribhovandas Bhimji Zaveri Ltd. (https://archive.today/20130118144058/http://investing.businessweek.com/research/stocks/private/snapshot.asp?privcapId=49553448) at Businessweek (/wiki/Businessweek) External links [ edit ] "Tribhovandas Bhimji Zaveri" (http://www.moneycontrol.com/news-topic/tribhovandas-bhimji-zaveri/) . CNBC-TV18 (/wiki/CNBC-TV18) (Moneycontrol.com). 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(Redirected from Setesdal sweater (/w/index.php?title=Setesdal_sweater&redirect=no) ) Traditional Norwegian sweater Lusekofte cardigan (/wiki/Cardigan_(sweater)) . Detail of lusekofte pattern. The lusekofte ( Norwegian: [ˈlʉ̀ːsəˌkɔftə] (/wiki/Help:IPA/Norwegian) , lice (/wiki/Louse) jacket (/wiki/Jacket) ), also called the Setesdalsgenser ( Setesdal (/wiki/Setesdal) sweater ) is a traditional Norwegian (/wiki/Norway) sweater (/wiki/Sweater) , dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1] (#cite_note-snl-1) They may also feature selburose (/wiki/Selburose) designs. In recent times additional color is sometimes given to this black and white sweater by woven ribbons or bands of black woolen fabric embroidered (/wiki/Embroidery) in the type of colorful designs also found in the bunads (/wiki/Bunad) and in rosemaling (/wiki/Rosemaling) around the neck and along the front opening. These front opening are usually closed by a row of pewter (/wiki/Pewter) or silver (/wiki/Silver) clasps (/wiki/Wrist_clasp) . After the lusekofte was discovered by tourists in the 1920s, it became very popular and today they are made in many different patterns and colours [1] (#cite_note-snl-1) in addition to the traditional Setesdal sweater. The lusekofte is casual attire, traditionally mostly worn by men. See also [ edit ] Mariusgenser (/wiki/Mariusgenser) Lopapeysa (/wiki/Lopapeysa) Intarsia (/wiki/Intarsia_(knitting)) References [ edit ] ^ Jump up to: a b Anne Kjellberg: lusekofte (http://snl.no/lusekofte) Store Norske Leksikon, retrieved 30 March, 2013 (in Norwegian) External links [ edit ] Media related to Lusekofte (https://commons.wikimedia.org/wiki/Category:Lusekofte) at Wikimedia Commons Lusekofte pictures: [1] (http://knititch.blogspot.com/2007/07/lusekoftemania.html) [2] (http://knititch.blogspot.com/2007/07/lusekofte-2.html) Setesdalsgenser pictures and instructions: [3] (https://web.archive.org/web/20071111054132/http://heleneh.sprayblogg.no/190505071643_setesdalmonteringsleksjon.html) NewPP limit report Parsed by mw‐web.codfw.main‐6f54559974‐568rk Cached time: 20240719071935 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.171 seconds Real time usage: 0.514 seconds Preprocessor visited node count: 359/1000000 Post‐expand include size: 3091/2097152 bytes Template argument size: 589/2097152 bytes Highest expansion depth: 11/100 Expensive parser function count: 0/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 1901/5000000 bytes Lua time usage: 0.108/10.000 seconds Lua memory usage: 14756814/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 248.990 1 -total 45.35% 112.921 1 Template:IPA-no 44.66% 111.207 1 Template:IPA 27.16% 67.621 1 Template:Short_description 19.85% 49.420 1 Template:Commonscat-inline 18.73% 46.628 1 Template:Sister-inline 16.16% 40.240 2 Template:Pagetype 6.73% 16.750 3 Template:Main_other 6.27% 15.612 1 Template:Reflist 6.00% 14.949 1 Template:SDcat Saved in parser cache with key enwiki:pcache:idhash:11816898-0!canonical and timestamp 20240719071935 and revision id 1149059698. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Lusekofte&oldid=1149059698 (https://en.wikipedia.org/w/index.php?title=Lusekofte&oldid=1149059698) " Categories (/wiki/Help:Category) : Norwegian clothing (/wiki/Category:Norwegian_clothing) Knitted garments (/wiki/Category:Knitted_garments) Sweaters (/wiki/Category:Sweaters) Hidden categories: Articles with Norwegian-language sources (no) (/wiki/Category:Articles_with_Norwegian-language_sources_(no)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) Pages with Norwegian IPA (/wiki/Category:Pages_with_Norwegian_IPA) Commons category link is on Wikidata (/wiki/Category:Commons_category_link_is_on_Wikidata) |
Indian business woman Beena Kannan Occupation Business (/wiki/Business) Known for Seematti Spouse Kannan Children 3 Website www (http://www.beenakannan.com/) .beenakannan (http://www.beenakannan.com/) .com (http://www.beenakannan.com/) Beena Kannan is an Indian businesswoman, who is the CEO and lead designer of Seematti textiles. [1] (#cite_note-1) Career [ edit ] After graduating university, she joined the family textile retailing business ' Seematti ' in 1980, working with her father and husband. Seematti was started by her grandfather, the textile king Veeriah Reddiar (/w/index.php?title=Veeriah_Reddiar&action=edit&redlink=1) . [2] (#cite_note-2) Beena became one of the most noticed wedding silk sari (/wiki/Sari) designers in South India. Her unique contribution appears [3] (#cite_note-3) to be her effort to retain the pride of place for saris even in the face of onslaught from Western and North Indian fashions. Beena Kannan attracted attention when the longest ever silk sari created by her (half a km long) entered the Guinness Book of Records (/wiki/Guinness_World_Records) and Limca Book of Records (/wiki/Limca_Book_of_Records) in 2007. [4] (#cite_note-4) She has launched her sari designs in UAE (2007) and the United States (2009). Her rapport with the weaving communities earned for her a "Lifetime Achievement Award" from Coimbatore (/wiki/Coimbatore) Erode Weaving community in 2009. In September 2011, Beena Kannan-designed saris walked the "Swarovski Elements 2011″ Ramp. [5] (#cite_note-5) [6] (#cite_note-6) References [ edit ] ^ (#cite_ref-1) "Beena Kannan" (https://web.archive.org/web/20220119005123/https://www.seematti.com/beenakannan) . Seematti Website . Archived from the original (https://www.seematti.com/beenakannan) on 19 January 2022 . Retrieved 3 April 2021 . ^ (#cite_ref-2) Karnik, Neeta (20 February 2020). "The Silk Route - The One-Stop Destination For All Your Fashion Shopping" (https://www.femina.in/fashion/the-one-stop-destination-for-fashion-shopping-149125.html) . Femina . Retrieved 20 February 2020 . ^ (#cite_ref-3) "Beena Kannan @ Ladies First" (http://www.mathrubhumi.com/tv/Programs/Episode/25301/beena-kannan-ladies-first-episode-157/E) . Mathrubhumi . 24 April 2016. ^ (#cite_ref-4) "Beena Kannan, MD of See with skill and a silky-smooth style, finds Prema Manmadhan" (https://web.archive.org/web/20101211100013/http://www.hindu.com/mp/2008/09/13/stories/2008091353580800.htm) . The Hindu (/wiki/The_Hindu) . 13 September 2008. Archived from the original (http://www.hindu.com/mp/2008/09/13/stories/2008091353580800.htm) on 11 December 2010 . Retrieved 22 September 2010 . ^ (#cite_ref-5) "Beena Kannan Designed Saris walk the "Swarovski Elements 2011″ Ramp" (https://web.archive.org/web/20120419004610/http://www.livemango.com/entertainment/beena-kannan-designed-saris-walk-swarovski-elements-2011-ramp/) . LiveMango . Kochi, Kerala, India. 13 September 2011. Archived from the original (http://www.livemango.com/entertainment/beena-kannan-designed-saris-walk-swarovski-elements-2011-ramp) on 19 April 2012 . Retrieved 14 September 2011 . ^ (#cite_ref-6) "Beena Kannan Designed Saris walk the "Swarovski Elements 2011" Ramp" (https://web.archive.org/web/20131221123414/http://www.moneylife.in/business-wire-news/beena-kannan-designed-saris-walk-the-swarovski-elements-2011-r/28206.html) . moneylife . 13 September 2011. Archived from the original (http://www.moneylife.in/business-wire-news/beena-kannan-designed-saris-walk-the-swarovski-elements-2011-r/28206.html) on 21 December 2013 . Retrieved 13 September 2011 . 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Nigerian businesswoman This article has multiple issues. Please help improve it (/wiki/Special:EditPage/Evelyn_Okere) or discuss these issues on the talk page (/wiki/Talk:Evelyn_Okere) . ( Learn how and when to remove these template messages (/wiki/Help:Maintenance_template_removal) ) This article is an autobiography (/wiki/Wikipedia:Autobiography) or has been extensively edited by the subject or by someone connected to the subject . It may need editing to conform to Wikipedia's neutral point of view (/wiki/Wikipedia:Neutral_point_of_view) policy. There may be relevant discussion on the talk page (/wiki/Talk:Evelyn_Okere) . ( January 2016 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) This biography of a living person (/wiki/Wikipedia:Biographies_of_living_persons) needs additional citations (/wiki/Wikipedia:Citing_sources) for verification (/wiki/Wikipedia:Verifiability) . 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Find sources: "Evelyn Okere" (https://www.google.com/search?as_eq=wikipedia&q=%22Evelyn+Okere%22) – news (https://www.google.com/search?tbm=nws&q=%22Evelyn+Okere%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Evelyn+Okere%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Evelyn+Okere%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Evelyn+Okere%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Evelyn+Okere%22&acc=on&wc=on) ( April 2016 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Evelyn Okere is a Nigerian businesswoman. She publishes a health and fashion magazine, St. Eve ; is managing director of a health business, St. Eve Concepts; [1] (#cite_note-moses-1) and has a fashion company, Rose di Omimi. [2] (#cite_note-bnl-2) Early life [ edit ] Okere attended University of Nigeria Nsukka (/wiki/University_of_Nigeria_Nsukka) , Enugu State (/wiki/Enugu_State) , where she studied history. [2] (#cite_note-bnl-2) Business career [ edit ] Okere worked in banking, in the telecommunications industry and in the oil and gas industry. She started St. Eve in 2010. [2] (#cite_note-bnl-2) In August 2012 her company brought the American rapper Rick Ross (/wiki/Rick_Ross) to the Summer Jam Fest concert in Lagos (/wiki/Lagos) . [3] (#cite_note-3) References [ edit ] ^ (#cite_ref-moses_1-0) Nosike, Moses. "I have passion for good health, beauty and fashion" (http://www.vanguardngr.com/2013/11/passion-good-health-beauty-fashion-okere/) , Vanguard (Nigeria) (/wiki/Vanguard_(Nigeria)) , 30 November 2013. Retrieved 15 January 2015. ^ Jump up to: a b c [BNL Pulse] (7 November 2015). Evelyn Okere: Fashion Is A Capital Intensive Business (http://www.bnlpulse.com/2015/11/evelyn-okere-fashion-is-a-capital-intensive-business/) . B&L Pulse. Accessed April 2016. ^ (#cite_ref-3) "Nigeria: Rick Ross storms Lagos" (http://allafrica.com/stories/201207230412.html) AllAfrica.com (/wiki/AllAfrica.com) , 21 July 2012 NewPP limit report Parsed by mw‐web.codfw.main‐77ccb7d944‐sh895 Cached time: 20240709194354 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.157 seconds Real time usage: 0.236 seconds Preprocessor visited node count: 1547/1000000 Post‐expand include size: 58618/2097152 bytes Template argument size: 15251/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 3/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 10389/5000000 bytes Lua time usage: 0.075/10.000 seconds Lua memory usage: 2748175/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 212.082 1 -total 71.22% 151.047 4 Template:Ambox 45.32% 96.121 1 Template:Multiple_issues 32.72% 69.390 1 Template:Short_description 19.95% 42.317 1 Template:Autobiography 17.80% 37.748 2 Template:Pagetype 14.46% 30.659 4 Template:R 11.29% 23.951 4 Template:R/ref 8.79% 18.647 1 Template:BLP_sources 7.26% 15.391 5 Template:Main_other Saved in parser cache with key enwiki:pcache:idhash:49107320-0!canonical and timestamp 20240709194354 and revision id 1017412719. 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Australian jeweller (1895) Angus & Coote Industry Retailing (/wiki/Retailing) Founded 1895 ; 129 years ago ( 1895 ) Headquarters Sydney (/wiki/Sydney) , New South Wales (/wiki/New_South_Wales) , Australia Products Jewellery (/wiki/Jewellery) Parent (/wiki/Parent_company) James Pascoe Group (/wiki/James_Pascoe_Group) Founder: Edmund James Coote Website www (http://www.anguscoote.com.au/) .anguscoote (http://www.anguscoote.com.au/) .com (http://www.anguscoote.com.au/) .au (http://www.anguscoote.com.au/) Angus & Coote is an Australian jewellery chain founded in Sydney in 1895 and listed (/wiki/Listing_(finance)) on the ASX (/wiki/Australian_Securities_Exchange) in 1952. [1] (#cite_note-1) The retailer claims to be a leader in Australia for high quality jewellery, [2] (#cite_note-ACAbout-2) with its 300 stores having a 20% market share as of early 2007. [3] (#cite_note-PascoeGolden-3) In March 2007, James Pascoe Group (/wiki/James_Pascoe_Group) (JPG) completed a $A76m ($NZ87m) takeover bid [4] (#cite_note-4) for the Angus & Coote chain, [3] (#cite_note-PascoeGolden-3) including brands (/wiki/Brand) Amies in Queensland, Dunklings in Victoria (/wiki/Victoria_(Australia)) and Edments in South Australia (/wiki/South_Australia) and Western Australia (/wiki/Western_Australia) (all completely rebranded to Angus & Coote after November 2008) [2] (#cite_note-ACAbout-2) and Goldmark (/wiki/Goldmark_Jeweller) . The Goldmark and Edments brands were part of Prouds The Jewellers (/wiki/Prouds) , with Angus & Coote acquiring them in 1996 when JPG purchased the main Prouds brand. [3] (#cite_note-PascoeGolden-3) At the time of the purchase, David Norman suggested one or more of newly acquired Angus & Coote brands could be launched in New Zealand. Goldmark is now included as a store-within-a-store at kiosks in selected Farmer stores. The original owners of Angus & Coote, the Coote family, had owned the business for one hundred and twelve years before the sale, and became one of the most elite families in Australia, becoming a household name in Australia. The founder, Edmund James Coote with a net worth of $2B, passed the business down to his son Roy Rundle Coote. The business became extremely well-known and made it through international names. The last CEO from the family was Antony Edmund Rundle Coote, who expanded the business throughout the 70s-90s. They sold the company for $77M. [5] (#cite_note-5) See also [ edit ] Australia portal (/wiki/Portal:Australia) Companies portal (/wiki/Portal:Companies) List of oldest companies in Australia (/wiki/List_of_oldest_companies_in_Australia) References [ edit ] ^ (#cite_ref-1) Hendron, Joe (25 November 2006). "Big picture gives the best perspective" (https://web.archive.org/web/20140203172228/http://www.nduunion.org.nz/?q=big_picture_gives_the_best_perspective) . National Distribution Union . Archived from the original (http://www.nduunion.org.nz/?q=big_picture_gives_the_best_perspective) on 3 February 2014 . Retrieved 28 April 2013 . ^ Jump up to: a b "Angus & Coote: About Us" (https://web.archive.org/web/20130823043319/http://anguscoote.com.au/index.php?option=com_content&view=article&id=305&Itemid=107) . Archived from the original (http://www.anguscoote.com.au/index.php?option=com_content&view=article&id=305&Itemid=107) on 23 August 2013 . Retrieved 18 August 2013 . ^ Jump up to: a b c Hendron, Joe (10 March 2007). "Pascoe's golden century" (https://web.archive.org/web/20140219044533/http://www.nduunion.org.nz/?q=pascoes_golden_century) . National Distribution Union . Archived from the original (http://www.nduunion.org.nz/?q=pascoes_golden_century) on 19 February 2014 . Retrieved 28 April 2013 . ^ (#cite_ref-4) Hendron, Joe (20 December 2006). "Pascoe persists" (https://web.archive.org/web/20140203155150/http://www.nduunion.org.nz/?q=pascoe_persists) . National Distribution Union . Archived from the original (http://www.nduunion.org.nz/?q=pascoe_persists) on 3 February 2014 . Retrieved 28 April 2013 . ^ (#cite_ref-5) Commission, Australian Competition and Consumer (16 January 2007). "James Pascoe Limited - proposed acquisition of Angus & Coote (Holdings) Limited" (https://www.accc.gov.au/public-registers/mergers-registers/public-informal-merger-reviews/james-pascoe-limited-proposed-acquisition-of-angus-coote-holdings-limited) . www.accc.gov.au . External links [ edit ] Wikimedia Commons has media related to Angus & Coote (https://commons.wikimedia.org/wiki/Category:Angus_%26_Coote) . 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Nigerian singer-songwriter and actress (born 1978) Muma Gee Born ( 1978-11-18 ) 18 November 1978 (age 45) Port Harcourt (/wiki/Port_Harcourt) , Rivers (/wiki/Rivers_State) , Nigeria Alma mater University of Port Harcourt (/wiki/University_of_Port_Harcourt) Occupations Actress businesswoman fashion designer politician singer-songwriter television personality Years active 2004—present Political party People's Democratic Party (/wiki/Rivers_State_People%27s_Democratic_Party) (PDP) Spouse Prince Eke (/wiki/Prince_Eke) ( m. 2011) Children 3 Musical career Genres African pop (/wiki/Music_of_Africa#Popular_music) reggae (/wiki/Reggae) world (/wiki/World_music) afro soul Instrument(s) Vocals Labels Black Attraction Productions Mgee Records Geeklips Entertainment Musical artist Website mumagee.com (http://mumagee.com) Gift Iyumame Eke (née Uwame; born 18 November 1978), professionally known as Muma Gee ( / (/wiki/Help:IPA/English) m uː m ə dʒ iː / (/wiki/Help:IPA/English) ), meaning "do good Gift", is a Nigerian (/wiki/Nigerians) singer-songwriter, actress, businesswoman, fashion designer, television personality and politician. She was born, raised, and resides in Port Harcourt (/wiki/Port_Harcourt) . Uwame's first taste of stardom came through her song "Kade", which became the title track of her first official album, released in 2006. The single's accompanying music video directed by Wudi Awa, received five nominations, including two from the AMEN Awards (Best Picture and Best Costume) and one each from the Nigerian Music Video Awards, the Headies Awards (/wiki/The_Headies_Award_for_Hip_Hop_World_Revelation_of_the_Year) , and the Sound City Music Video Awards. [1] (#cite_note-1) [2] (#cite_note-2) [3] (#cite_note-3) Uwame rose to prominence in 2010 as a contestant on the celebrity edition of Nigerian reality TV series Gulder Ultimate Search (/wiki/Gulder_Ultimate_Search) . [ citation needed ] Prior to entering the show, she had worked on her second studio album The Woman in Question , that would be released a day after her eviction. [4] (#cite_note-Chioma_and_Muma_Gee-4) "Amebo" and "African Juice" were the two singles released from the album. Uwame had also collaborated with artists and producers such as Samini (/wiki/Samini) , VIP (/wiki/VIP_(hip_hop_group)) , OJB, Cobhams Asuquo (/wiki/Cobhams_Asuquo) and Terry G (/wiki/Terry_G) , among others. In 2009, she was nominated for four awards at the 3rd Nigerian Music Video Awards. In early 2012, Uwame started work on a new album called Motherland and has since released singles "Port Harcourt Is Back", "African Woman Skilashy" and "Jikele". As an actress, she starred in the Nollywood films Last Dance (2006), [5] (#cite_note-5) Solid Affection (2008), [6] (#cite_note-6) Secret Code (2011), [7] (#cite_note-7) and The Code (2011). [8] (#cite_note-8) Among her accomplishments are numerous titles and honours such as, Oonyon 1 of Upata Kingdom, [9] (#cite_note-Muma_Gee_laughs_out-9) Queen of African music (/wiki/Honorific_nicknames_in_popular_music#G) , Pop Queen, and Mrs. Ngor-Okpala. [10] (#cite_note-dailysun-10) Uwame's social life and alleged relationships have gained widespread coverage in the media, with the most prominent being her emotional affair (/wiki/Emotional_affair) with former GUS (/wiki/Gulder_Ultimate_Search) campmate Emeka Ike (/wiki/Emeka_Ike) . [11] (#cite_note-Muma_Gee_emeka_ike-11) In 2011, Uwame married actor Prince Eke (/wiki/Prince_Eke) , and gave birth to a twin boy and girl, on 18 April 2014. [12] (#cite_note-Muma_Gee_twins-12) Early life [ edit ] Born in Port Harcourt (/wiki/Port_Harcourt) , Rivers State (/wiki/Rivers_State) to Ekpeye parents, Uwame grew up in a strict Christian household, the third of six children. [13] (#cite_note-vanguardngr1-13) Her father, who was involved in Military Medicine (/wiki/Military_Medicine) , died when she was a child. [14] (#cite_note-Thepunchnews-14) After her father's death, Uwame was raised by her mother in the Seventh-day Adventist Church (/wiki/Seventh-day_Adventist_Church) . Uwame always liked music and was trained by her mother to sing songs at the age of 4. [15] (#cite_note-15) Upon finishing her primary and secondary school education in Abuja, Uwame enrolled at the University of Port Harcourt (/wiki/University_of_Port_Harcourt) and earned a degree in Theatre Arts (/wiki/Theatre) . In addition to her academic background, she owned and operated numerous other busia nesses including vehicle leasing (/wiki/Vehicle_leasing) company, restaurant, tailor shop and beauty salon. [16] (#cite_note-Muma_Gee_claims_she_don't_dope-16) She also became part of Port Harcourt's burgeoning music scene, performing at nightclubs and inner city (/wiki/Inner_city) bars. [17] (#cite_note-African_queen_Muma_Gee-17) Career [ edit ] 2006: Kade [ edit ] Moving to Lagos (/wiki/Lagos) , Muma Gee settled in Surulere (/wiki/Surulere) , a residential and commercial area of that city. Shortly after, she met record producer Nelson Brown. Brown was instrumental in putting together most of the songs on Muma Gee's debut full-length. [13] (#cite_note-vanguardngr1-13) In 2006, the album, entitled Kade was released as a CD to music stores [18] (#cite_note-Muma_Gee_is_spiritual-18) Muma Gee had explained the meaning of its title in an interview, "it is a courageous word that gives hope". I believe so much in empowerment. So Kade represents advocacy and empowerment towards nation building [...] For example, in my language, we say Kade, meaning go, but its typical meaning is; keep moving on and you will get there someday." [18] (#cite_note-Muma_Gee_is_spiritual-18) Following the release of the aforementioned album, Wudi Awa was contacted by Muma Gee in regards to producing a music video for its title track single. Soon after the video was shot, edited and sent to TV stations, it quickly gained popularity, capturing the attention of music lovers in Nigeria. [17] (#cite_note-African_queen_Muma_Gee-17) Kade would later be nominated for AMEN Awards, [19] (#cite_note-Muma_Gee_amen_nominated-19) Nigerian Music Video Awards, The Headies (/wiki/The_Headies_2007) Awards, and Sound City Music Video Awards. [20] (#cite_note-Muma_Gee_nominated-20) 2007–2010: Star Trek, The, Woman in Question and Gulder Ultimate Search [ edit ] In June 2007, Muma Gee performed at the annual Nigerian Breweries (/wiki/Nigerian_Breweries) -sponsored Star Trek music tour. She was the only female solo artist called upon to sing at the last leg of the national tour. The concert was held at the Hotel Presidential venue in Enugu (/wiki/Enugu) and featured a star-studded line-up of Nigerian musicians, including P-Square (/wiki/P-Square) , Daddy Showkey, Davina, and Shine Band, among others. [21] (#cite_note-star_trek-21) Muma Gee appeared on stage wearing a beaded blouse and a black, rippling skirt. She involved a group of male fans into a dance competition for a chance to win her love. The climax of her show came when she hugged, cuddled and attempted to have a liplock with the winner in public. The young male fan also was treated to a love song she belted out before closing her set with a performance of her hit track "Kade". [22] (#cite_note-star_trek1-22) Muma Gee at The Headies Awards (/wiki/The_Headies_2008) , March 2008 By the end of 2007, she began hinting that she was working on new material for her next album. [23] (#cite_note-Muma_Gee_hints_new_album-23) The following year, on 18 May 2008, it was announced that "Amebo" would be the first single to be released from the album. According to Muma Gee, this song was what she had long desired to create: "I have been doing my own thing. I've been experimenting even while at the University of Port Harcourt. Now, I want to see what I can achieve professionally." Explaining what "Amebo" was specifically about, she says, "I am a homegirl, I am an indigenous musician. I believe so much in Nigeria. So, "Amebo" simply talks about our people, our values, and our heritage." [24] (#cite_note-Muma_Gee_amebo-24) On 25 May, Muma Gee premiered the song at an exclusive night party in Ikoyi. Other roles she played at the event included meeting fans, and signing autographs. [24] (#cite_note-Muma_Gee_amebo-24) "Amebo" was sent to radio afterwards; [25] (#cite_note-vanguardngr4-25) Muma Gee also spoke briefly about the new album's content and direction, saying, "I figured out that there are lots of love songs in the album. Maybe I am learning the rules to falling in love. (Laughs) and it's finding interest in my songwriting, maybe, maybe not, well I am not sure." [26] (#cite_note-Muma_Gee_single-26) In 2009, Muma Gee released the album's second single "African Juice" and its accompanying music video, the latter of which earned her several nominations at that year's Nigerian Music Video Awards. [27] (#cite_note-NMVA_2009-27) On 26 February 2010, Vanguard (/wiki/Vanguard_(Nigeria)) announced that Muma Gee's second studio album was titled The Woman in Question and that it would be released in March. Along with these details, it was announced Muma Gee had songs with Samini (/wiki/Samini) , VIP (/wiki/VIP_(hip_hop_group)) , and Terry G on the album and that producers on the album would include Cobhams Asuquo (/wiki/Cobhams_Asuquo) , Puffy T, Terry G and OJB. [25] (#cite_note-vanguardngr4-25) Beginning March 2010, Muma Gee appeared in the reality television show Gulder Ultimate Search (/wiki/Gulder_Ultimate_Search) . She had been selected with nine other celebrity participants. [28] (#cite_note-Muma_Gee_Gus-28) After being sent to the jungle, she naturally connected with fellow campmate Emeka Ike (/wiki/Emeka_Ike) . However, their extra-closeness soon prompted viewers to believe their friendship was beyond platonic (/wiki/Platonic_love) . [29] (#cite_note-Emotional_Muma_Gee-29) Various news outlets and gossip sites depicted Ike as a handsome married actor, with whom Muma Gee was romantically lovestruck. [30] (#cite_note-vanguardngr3-30) It was further alleged that the pair engaged in lewd conduct (/wiki/Sexual_misconduct) during a bathroom scene on the show. Muma Gee admitted to an emotional relationship with her campmate but denied the sex allegations. [30] (#cite_note-vanguardngr3-30) [31] (#cite_note-Muma_Gee_denies-31) In another incident, contestant Chioma Chukwuka (/wiki/Chioma_Chukwuka) defied Muma Gee and threw her property out of their tent. She had verbally attacked Muma Gee on several occasions at the camp and made disparaging remarks about her marital status. [30] (#cite_note-vanguardngr3-30) [32] (#cite_note-Chioma_vs_Muma_Gee1-32) Throughout their time in the Jungle, both contestants rivalled each other. They were evicted on the same day for not being able to complete their respective tasks. [4] (#cite_note-Chioma_and_Muma_Gee-4) Uwame's The Woman in Question was released the next day. [33] (#cite_note-vanguardngr2-33) On 8 May 2010, in an interview with Nigeriafilms.com, Chukwuka claimed her actions against Muma Gee were deliberate and a mere display of her blatant side. [34] (#cite_note-Chioma_explains-34) During June 2010, Muma Gee was invited for Thanksgiving at the Redeemed Christian Church (/wiki/Redeemed_Christian_Church_of_God) , by Gus winner Emeka Ike and his wife Emma. There, she met and befriended up-and-coming Nollywood (/wiki/Nollywood) actor Prince Eke—Ike's best friend—whom she felt was God-sent and who would propose to her seconds later. On 23 June, Uwame received an engagement ring from Eke shortly after he had arrived safely from work. She would then wed him the following year. [35] (#cite_note-eke-35) [36] (#cite_note-Thenationnigeria-36) 2011–present: Marriage and Motherland [ edit ] Muma Gee, December 2011 On 23 July 2011, reports surfaced announcing the date for Muma Gee and Eke's White wedding (/wiki/White_wedding) as 18 November, and venue at Recovery House, Port Harcourt International Church. [37] (#cite_note-Muma_Gee_gettin_wed-37) In August 2011, Muma Gee was reported to have moved temporarily from Lagos back to Port Harcourt (/wiki/Port_Harcourt) to participate in politics. [38] (#cite_note-Muma_Gee_politiking-38) Although no further details were released about the development at the time. She would later reveal in interviews that there were no political intentions behind her relocation to the city. [36] (#cite_note-Thenationnigeria-36) On 6 September 2011, Muma Gee revealed that the wedding was undergoing its final adjustments. [39] (#cite_note-wedding_coming-39) However, on 4 November 2011, the couple decided to push back the wedding date to work on Muma Gee's music video, "Port Harcourt Is Back". [40] (#cite_note-Muma_Gee_cancels-40) On 20 December 2011, Muma Gee and Prince Eke were married in a double traditional wedding ceremony in Ahoada East (/wiki/Ahoada_East) and Ngor Okpala (/wiki/Ngor_Okpala) respectively. A formal white wedding later took place on 23 December 2011 in Port Harcourt. [41] (#cite_note-odili.net-41) After her marriage to Eke, Muma Gee continued to work on her music career. In February 2012, she released "Port Harcourt Is Back" and its music video, which was directed by her husband Prince Eke. [36] (#cite_note-Thenationnigeria-36) Speaking about the concept of the song, she explained "It's a single and more of appreciation for the transformation in my birthplace." Furthermore, Muma Gee stated that her new album called Motherland was in the making, and that "it was inspired by what I experienced when I went to Port Harcourt after many years in Lagos. It is warm and welcoming." [14] (#cite_note-Thepunchnews-14) On 8 April that same year, the album's second single "African Woman Skillashy" followed. The music video, directed by Bobby Hai Ndackson was released soon after. Muma Gee told Vanguard (/wiki/Vanguard_(Nigeria)) that "[the song] is all about the African woman, her beauty and how she makes herself beautiful. An African woman is therefore not to be messed up with or looked down upon because she's feminine. Even though she's beautiful, she's strong and has a sense of pride." [13] (#cite_note-vanguardngr1-13) In March 2013, she released "Jikele" as the album's third single. [42] (#cite_note-Jikere-42) Motherland was revealed to be a 12-track album and when asked why is it taking so long? she commented "One needs to take one's time because good work takes time. But it must be worth the wait in the end." [13] (#cite_note-vanguardngr1-13) At the 4th City People Awards, 14 July 2013, she lost South South Musician of the Year to fellow Rivers State recording artist Oba Omega; present at the occasion were the celebrities Rita Dominic (/wiki/Rita_Dominic) and Yvonne Nelson (/wiki/Yvonne_Nelson) from Ghana. [43] (#cite_note-mindspace101-43) [44] (#cite_note-mindspace102-44) Muma Gee competed in the first Imo State (/wiki/Imo_State) intercommunity beauty pageant, representing the community of Umuhu in Ngor Okpala (/wiki/Ngor_Okpala) . She came into the competition through her matrimonial union with Eke, whose heritage stems from the Umuhu people. On 1 August 2013, she was named Mrs. Ngor Okpala by first lady of Imo State, Nneoma Nkechi Okorocha, after beating off challenges from 28 other entrants. [10] (#cite_note-dailysun-10) It was also made known on 23 September 2013, that Muma Gee has commenced a new recording session—possibly for Motherland —with Slim Burna and P Jaydino in the studio (/wiki/Street_Rhymes_Studios) . [45] (#cite_note-45) On 15 February 2014, whilst heavily pregnant with her first child, she confirmed in a telephone interview with Saturday Beats of The Punch (/wiki/The_Punch) that she will be performing at the album launch party for Motherland regardless of her physical condition. [46] (#cite_note-Muma_Gee_Pregnant-46) On 18 April, just weeks before the anticipated concert, Uwame delivered twins – a boy and a girl commenting on this Uwame said, "I was not initially expecting twins. All I knew was that I started getting big and bigger. And people would see me and say, oh, you are looking so beautiful. I didn't believe I was going to have twins." [47] (#cite_note-muma_gee_happy-47) Politics [ edit ] In October 2014, Muma Gee officially announced her intent to run for a seat in the federal House of Representatives (/wiki/House_of_Representatives_(Nigeria)) via the Ahoada East–Abua–Odual constituency in Rivers State. She initially registered to run as a member of the Rivers State People's Democratic Party (/wiki/Rivers_State_People%27s_Democratic_Party) but later switched allegiance to the Labour Party (/wiki/Labour_Party_(Nigeria)) , becoming the party's nominee for the seat. [48] (#cite_note-Saint45-48) [49] (#cite_note-Muma_Gee_runs-49) While elaborating on the reasons for her decision to join politics, Muma Gee described the move as the appropriate means to "liberate her people" who she says deserves representation that is qualitative and has their best interest in mind. [50] (#cite_note-muma_nov_8-50) She was defeated at the federal election by Betty Apiafi (/wiki/Betty_Apiafi) , who ran as a PDP (/wiki/Peoples_Democratic_Party_(Nigeria)) candidate and who has represented the constituency since 2007. [51] (#cite_note-The_Punch-51) Personal life [ edit ] Uwame lives in Port Harcourt with her actor husband, whom she has been happily married to since 2011. They are both devout Christians and did not participate in courtship (/wiki/Courtship) . [52] (#cite_note-Van899-52) She was later separated from her husband Prince Eke. [53] (#cite_note-53) As of 18 April 2014, they had two children, a twin boy and girl, whom they named Chika and Chisa Eke. Her third child and second daughter, Okwuluoka, was born on the same day as her father Prince Eke (/wiki/Prince_Eke) on 18 August 2016. [54] (#cite_note-Pulse1-54) Discography [ edit ] Studio albums [ edit ] List of albums Title Album details Kade Released: 2006 [55] (#cite_note-housewife_not_Muma-55) Label: Black Attraction Productions Formats: CD The Woman in Question Released: 3 May 2010 [4] (#cite_note-Chioma_and_Muma_Gee-4) Label: Mgee Records Formats: CD, VCD (/wiki/Video_CD) Filmography [ edit ] Year Film Role Notes 2006 Last Dance 1 with Chioma Chukwuka (/wiki/Chioma_Chukwuka) Last Dance 2 Last Dance 3 2008 Solid Affection 1 with Oge Okoye (/wiki/Oge_Okoye) , Uche Jombo (/wiki/Uche_Jombo) & Ramsey Nouah (/wiki/Ramsey_Nouah) Solid Affection 2 2011 Secret Code Jean with Prince Eke (/wiki/Prince_Eke) & Mercy Johnson (/wiki/Mercy_Johnson) The Code 1 Jean The Code 2 Jean See also [ edit ] List of people from Port Harcourt (/wiki/List_of_people_from_Port_Harcourt) List of Nigerian musicians (/wiki/List_of_Nigerian_musicians) List of Nigerian actresses (/wiki/List_of_Nigerian_actors#Actresses) References [ edit ] ^ (#cite_ref-1) "Muma Gee: Truth about her friends, controversies, marriage – Daily Newswatch Newspaper" (https://www.mydailynewswatchng.com/2017/02/28/muma-gee-truth-friends-controversies-marriage/) . Retrieved 8 November 2023 . ^ (#cite_ref-2) "Muma Gee" (https://cultureintelligence.ynaija.com/people/muma-gee/) . Culture Intelligence from RED . Retrieved 8 November 2023 . ^ (#cite_ref-3) "Why I killed old Muma Gee —Singer, Muma Gee" (https://tribuneonlineng.com/why-i-killed-old-muma-gee-singer-muma-gee/) . Tribune Online . 21 April 2018 . Retrieved 8 November 2023 . ^ Jump up to: a b c "Muma Gee releases new album: The Woman in Question" (https://web.archive.org/web/20140430071137/http://www.nigeriafilms.com/news/7542/27/muma-gee-releases-new-album-the-woman-in-question.html) . Nigeriafilms.com. 13 May 2010. Archived from the original (http://nigeriafilms.com/news/7542/27/muma-gee-releases-new-album-the-woman-in-question.html) on 30 April 2014 . Retrieved 29 April 2014 . ^ (#cite_ref-5) Last Dance (2006) at IMDb (/wiki/IMDb_(identifier)) ^ (#cite_ref-6) Solid Affection (2008) at IMDb (/wiki/IMDb_(identifier)) ^ (#cite_ref-7) Secret Code (2011) at IMDb (/wiki/IMDb_(identifier)) ^ (#cite_ref-8) The Code (2011) at IMDb (/wiki/IMDb_(identifier)) ^ (#cite_ref-Muma_Gee_laughs_out_9-0) "What about the size of his 'thing (https://web.archive.org/web/20140430061934/http://audionigeria.com/?p=2710) ?: Muma Gee Laughs out loud– ha!" . Audio Nigeria Multimedia. Archived from the original (http://www.audionigeria.com/?p=2710) on 30 April 2014 . Retrieved 29 April 2014 . ^ Jump up to: a b Agadibe, Christian (18 August 2013). "Muma Gee: Why Ngor- Okpala crowned me as queen" (http://sunnewsonline.com/new/?p=35805) . Sunnewsonline.com (/wiki/The_Sun_(Nigeria)) . Daily Sun (/wiki/Daily_Sun) . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_emeka_ike_11-0) "Mixed Feelings Over Emeka Ike's Reaction After Muma Gee's Eviction" (http://www.modernghana.com/movie/12304/3/mixed-feelings-over-emeka-ikes-reaction-after-muma.html) . Modernghana.com. 7 May 2010 . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_twins_12-0) "Singer Muma Gee and husband Prince Eke welcome twins" (https://web.archive.org/web/20140422031514/http://www.africanspotlight.com/2014/04/19/singer-muma-gee-husband-prince-eke-welcome-twins/) . African Spotlight. 19 April 2014. Archived from the original (http://www.africanspotlight.com/2014/04/19/singer-muma-gee-husband-prince-eke-welcome-twins/) on 22 April 2014 . Retrieved 29 April 2014 . ^ Jump up to: a b c d "The role Emeka Ike played in my marriage" (http://www.vanguardngr.com/2013/06/the-role-emeka-ike-played-in-my-marriage/) . Vanguardngr.com (/wiki/Vanguard_(Nigeria)) . Vanguard Media (/wiki/Vanguard_Media) . 15 June 2013 . Retrieved 29 April 2014 . ^ Jump up to: a b "I believe in looking good – Muma Gee" (https://web.archive.org/web/20120325095749/http://www.punchng.com/spice/my-favourites/i-believe-in-looking-good-muma-gee/) . Punchng.com (/wiki/The_Punch) . The Punch (/wiki/The_Punch) . 25 March 2012. Archived from the original (http://www.punchng.com/spice/my-favourites/i-believe-in-looking-good-muma-gee/) on 25 March 2012 . Retrieved 29 April 2014 . ^ (#cite_ref-15) "Why I Left The Music Scene In The Last 6 Years, Rivers State Born Song Godess, Muma Gee" (https://www.citypeopleonline.com/why-i-left-the-music-scene-in-the-last-6-years-rivers-state-born-song-goddess-muma-gee/) . City People Magazine (/wiki/City_People_Magazine) . 29 October 2018 . Retrieved 22 June 2023 . ^ (#cite_ref-Muma_Gee_claims_she_don't_dope_16-0) "I Don't Take Drugs; I Am Naturally High on Stage – Muma Gee" (http://www.thenigerianvoice.com/nvnews/5586/3/i-dont-take-drugs-i-am-naturally-high-on-stage-mum.html) . TheNigerianvoice.com. 9 January 2009 . Retrieved 29 April 2014 . ^ Jump up to: a b "Nigeria: Muma Gee – Controversial, Weird but Focused" (http://allafrica.com/stories/201402100348.html) . AllAfrica.com (/wiki/AllAfrica.com) . AllAfrica Global Media (/wiki/AllAfrica_Global_Media) . 9 February 2014 . Retrieved 29 April 2014 . ^ Jump up to: a b "I'm Spiritual —Muma Gee" (http://www.nigeriafilms.com/content.asp?contentid=968&ContentTypeID=5) . Nigeriafilms.com. 4 December 2006 . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_amen_nominated_19-0) "One of the many Nigeria music awards shows 2007– nominees and winners" (https://web.archive.org/web/20140430002834/http://m.museke.com/node/1381) . Museke. 31 July 2007. Archived from the original (http://m.museke.com/node/1381) on 30 April 2014 . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_nominated_20-0) "Soundcity (Nigeria) Music Video Awards – check winners below" (https://web.archive.org/web/20140430002745/http://m.museke.com/node/1804) . Museke. 2 April 2008. Archived from the original (http://m.museke.com/node/1804) on 30 April 2014 . Retrieved 29 April 2014 . ^ (#cite_ref-star_trek_21-0) "Muma Gee, Davina, P-Square draw curtain on Star Trek" (http://www.thenationonlineng.net/archive2/tblnews_Detail.php?id=21678) . The Nation (/wiki/The_Nation_(Nigeria)) . 9 June 2007 . Retrieved 8 May 2014 . ^ (#cite_ref-star_trek1_22-0) "Day Muma Gee Trekked To Enugu in Search of a Husband" (http://www.nigeriafilms.com/content.asp?ContentTypeID=5&contentid=1555) . Nigeriafilms. 16 June 2007 . Retrieved 8 May 2014 . ^ (#cite_ref-Muma_Gee_hints_new_album_23-0) "Scandals keep me relevant – Muma Gee" (http://www.modernghana.com/movie/1605/3/scandals-keep-me-relevant-muma-gee.html) . Modernghana.com. 22 September 2007 . 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Archived from the original (http://www.jaguda.com/2009/10/16/nigerian-music-video-awards-2009-nominees-keffi-mi-darey-mo-hitts-dominate/) on 29 April 2014 . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_Gus_28-0) "Muma Gee ignites GUS camp" (https://web.archive.org/web/20161019062158/http://www.gulderultimatesearch.tv/GUS%207/news_08.html) . Gulderultimatesearchtv.com. Archived from the original (http://www.gulderultimatesearch.tv/GUS%207/news_08.html) on 19 October 2016 . Retrieved 29 April 2014 . ^ (#cite_ref-Emotional_Muma_Gee_29-0) "I am emotionally attached to Emeka Ike, so what? – Muma Gee" (https://web.archive.org/web/20140430065755/http://www.nigeriafilms.com/news/7685/7/i-am-emotionally-attached-to-emeka-ike-so-what-mum.html) . Nigeriafilms.com. 22 May 2010. Archived from the original (http://www.nigeriafilms.com/news/7685/7/i-am-emotionally-attached-to-emeka-ike-so-what-mum.html) on 30 April 2014 . 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Daily Sun (/wiki/The_Sun_(Nigeria)) . 26 October 2014 . Retrieved 29 October 2014 . ^ Jump up to: a b c "The whole truth about my marriage —Muma Gee" (https://web.archive.org/web/20120410193807/http://www.thenationonlineng.net/2011/index.php/sunday-magazine/glamour/42336-the-whole-truth-about-my-marriage-%E2%80%94muma-gee.html) . The Nation (/wiki/The_Nation_(Nigeria)) . 8 April 2012. Archived from the original (http://www.thenationonlineng.net/2011/index.php/sunday-magazine/glamour/42336-the-whole-truth-about-my-marriage-%E2%80%94muma-gee.html) on 10 April 2012 . Retrieved 25 July 2014 . ^ (#cite_ref-Muma_Gee_gettin_wed_37-0) "Actress cum singer, Muma Gee set to wed" (http://www.thenigerianvoice.com/news/56704/3/actress-cum-singer-muma-gee-set-to-wed.html) . TheNigerianvoice.com. 23 July 2011 . Retrieved 29 April 2014 . ^ (#cite_ref-Muma_Gee_politiking_38-0) "Actress cum singer, Muma Gee relocates to Port Harcourt to lobby for political appointment" (https://web.archive.org/web/20140430055311/http://www.nigeriafilms.com/news/12982/25/actress-cum-singermuma-gee-relocates-to-port-harco.html) . Nigeriafilms.com. 3 August 2011. Archived from the original (http://www.nigeriafilms.com/news/12982/25/actress-cum-singermuma-gee-relocates-to-port-harco.html) on 30 April 2014 . Retrieved 29 April 2014 . ^ (#cite_ref-wedding_coming_39-0) "Queen of African music, Muma Gee wedding slated for November 18th 2011" (https://web.archive.org/web/20140430065948/http://www.nigeriafilms.com/news/13486/48/queen-of-african-musicmuma-gee-wedding-slated-for-.html) . Nigeriafilms.com. 6 September 2011. Archived from the original (http://www.nigeriafilms.com/news/13486/48/queen-of-african-musicmuma-gee-wedding-slated-for-.html) on 30 April 2014 . 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Retrieved 21 October 2016 . ^ (#cite_ref-53) "Nollywood actor, Prince Eke questions why people in relationships cheat with ex-lovers" (https://www.vanguardngr.com/2022/07/nollywood-actor-prince-eke-questions-why-people-in-relationships-cheat-with-ex-lovers/) . Vanguard News . 16 July 2022 . Retrieved 27 July 2022 . ^ (#cite_ref-Pulse1_54-0) "Prince Eke, Muma Gee, Couple welcome baby number three" (http://pulse.ng/celebrities/prince-eke-muma-gee-couple-welcome-baby-number-three-id5395429.html) . Pulse.ng . Retrieved 20 October 2016 . ^ (#cite_ref-housewife_not_Muma_55-0) "Nigeria: I Would Have Been a Full Time House Wife – Muma Gee" (http://allafrica.com/stories/200808180756.html) . AllAfrica.com (/wiki/AllAfrica.com) . AllAfrica Global Media (/wiki/AllAfrica_Global_Media) . 17 August 2008 . Retrieved 1 May 2014 . External links [ edit ] Muma Gee at Wikipedia's sister projects Media (https://commons.wikimedia.org/wiki/Category:Muma_Gee) from Commons Quotations (https://en.wikiquote.org/wiki/Muma_Gee) from Wikiquote Data (https://www.wikidata.org/wiki/Q16738959) from Wikidata Muma Gee (https://x.com/MumaGee1) on X (/wiki/X_(social_network)) Muma Gee (https://www.imdb.com/name/nm2715844/) at IMDb (/wiki/IMDb_(identifier)) Portals (/wiki/Wikipedia:Contents/Portals) : Africa (/wiki/Portal:Africa) Biography (/wiki/Portal:Biography) Music (/wiki/Portal:Music) Nigeria (/wiki/Portal:Nigeria) Pop music (/wiki/Portal:Pop_music) Authority control databases (/wiki/Help:Authority_control) : Artists MusicBrainz (https://musicbrainz.org/artist/aac7551a-d320-439a-94ad-0e9036d9bd81) NewPP limit report Parsed by mw‐web.codfw.canary‐6b76898595‐f5ztf Cached time: 20240720183320 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.935 seconds Real time usage: 1.145 seconds Preprocessor visited node count: 6544/1000000 Post‐expand include size: 114284/2097152 bytes Template argument size: 8187/2097152 bytes Highest expansion depth: 22/100 Expensive parser function count: 13/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 215019/5000000 bytes Lua time usage: 0.566/10.000 seconds Lua memory usage: 10106497/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 1047.674 1 -total 42.48% 445.056 1 Template:Reflist 25.31% 265.154 1 Template:Infobox_person 22.29% 233.545 36 Template:Cite_web 10.12% 105.998 20 Template:Pluralize_from_text 9.37% 98.168 4 Template:IMDb_title 8.07% 84.524 2 Template:Short_description 5.71% 59.846 15 Template:Cite_news 5.36% 56.131 1 Template:Authority_control 5.31% 55.592 1 Template:Infobox_musical_artist Saved in parser cache with key enwiki:pcache:idhash:42622616-0!canonical and timestamp 20240720183320 and revision id 1229394084. 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Modest swimwear for women For the historic full-length dress worn by women engaging in swimming, see bathing dress (/wiki/Bathing_dress) . A swimming dress , also known as a swim dress , is a modern dress (/wiki/Dress) worn by women while swimming (/wiki/Swimming) , that preserves traditional religious definitions of modesty (/wiki/Modesty) . [1] (#cite_note-MelewarAlwi2017-1) Swimming dresses are popular among Christians belonging to the conservative holiness movement (/wiki/Conservative_holiness_movement) , Orthodox Jews (/wiki/Orthodox_Jews) and many Muslims (/wiki/Muslims) ; [2] (#cite_note-Eglash2016-2) many wearers of swimming dresses, such as the Methodists of the conservative holiness movement, believe that modern popular practice of the wearing of trousers by women (/wiki/Trousers_as_women%27s_clothing) blurs the distinction between men and women, while others, such as adherent Muslims teach that pants should not be worn by women as they reveal the contour of the legs that should be hidden to maintain modesty. [3] (#cite_note-O'Brien2018-3) [4] (#cite_note-MarzelStiebel2014-4) Swimming dresses have sleeves that usually go beyond the elbows as well as hemlines (/wiki/Hemline) that extend beyond the knees for the purpose of maintaining traditional religious definitions of modesty (see outward holiness (/wiki/Outward_holiness) ). [5] (#cite_note-Laneri2019-5) [6] (#cite_note-Blatter2016-6) [7] (#cite_note-7) In Israel (/wiki/Israel) , they are known as Schwimmkleid . [8] (#cite_note-Mark2018-8) In recent years, the demand for modest clothing has risen, which may be due to the growth of religious traditions such as Apostolic Pentecostalism (/wiki/Apostolic_Pentecostalism) . This has led to a greater interest in swimming dresses. [9] (#cite_note-Dawn2017-9) [10] (#cite_note-Rosner2015-10) See also [ edit ] Burqini (/wiki/Burqini) Christian headcovering (/wiki/Christian_headcovering) Denim skirt (/wiki/Denim_skirt) Modest fashion (/wiki/Modest_fashion) Quiverfull (/wiki/Quiverfull) References [ edit ] ^ (#cite_ref-MelewarAlwi2017_1-0) Melewar, T. C.; Alwi, S. F. Syed (2017). Islamic Marketing and Branding: Theory and Practice . Taylor & Francis (/wiki/Taylor_%26_Francis) . ISBN (/wiki/ISBN_(identifier)) 978-1-317-11223-5 . ^ (#cite_ref-Eglash2016_2-0) Eglash, Ruth (11 September 2016). "How the burkini debate boosted sales of modest swimwear in Israel" (https://www.washingtonpost.com/world/how-the-burkini-debate-boosted-sales-of-modest-swimwear-in-israel/2016/09/11/2421d98e-7428-11e6-9781-49e591781754_story.html) . The Washington Post (/wiki/The_Washington_Post) . Retrieved 6 November 2020 . ^ (#cite_ref-O'Brien2018_3-0) O'Brien, Glen (17 April 2018). Wesleyan-Holiness Churches in Australia: Hallelujah under the Southern Cross . Routledge. ISBN (/wiki/ISBN_(identifier)) 978-1-351-18921-7 . ^ (#cite_ref-MarzelStiebel2014_4-0) Marzel, Shoshana-Rose; Stiebel, Guy D. (18 December 2014). Dress and Ideology: Fashioning Identity from Antiquity to the Present . Bloomsbury Publishing. p. 98. ISBN (/wiki/ISBN_(identifier)) 978-1-4725-5809-1 . A believing Muslim woman will not wear pants ( bantalon ) for two reasons. Firstly, pants might reflect the contours of limbs that are supposed to remain hidden. Secondly, items of clothing associated with men are off limits, just as men are forbidden to wear women's clothing. According to the Prophet, Allah curses the woman who dresses in clothing meant for men, and the man who wears clothing meant for women. ^ (#cite_ref-Laneri2019_5-0) Laneri, Raquel (5 June 2019). "Conservative women pushing back on skimpy bikini culture" (https://nypost.com/2019/06/05/conservative-women-pushing-back-on-skimpy-bikini-culture/) . New York Post (/wiki/New_York_Post) . Retrieved 6 November 2020 . ^ (#cite_ref-Blatter2016_6-0) Blatter, Lucy Cohen (1 June 2016). "Covered-up chic: Modest swimwear is having a moment" (https://www.jta.org/2016/06/01/culture/covered-up-chic-modest-swimwear-is-having-a-moment) . Jewish Telegraphic Agency (/wiki/Jewish_Telegraphic_Agency) . Retrieved 6 November 2020 . ^ (#cite_ref-7) "Jerusalem - Modest Swim Suits With 'Hechsher' Of Israeli Rabbis" (https://vosizneias.com/2009/06/19/jerusalem-modest-swim-suits-with-hechsher-of-israeli-rabbis/) . Vos Iz Neias (/wiki/Vos_Iz_Neias) . 19 June 2009 . Retrieved 6 November 2020 . ^ (#cite_ref-Mark2018_8-0) Mark, Jonathan (21 August 2018). "King Harvest Has Surely Come" (https://jewishweek.timesofisrael.com/king-harvest-has-surely-come/) . The Times of Israel (/wiki/The_Times_of_Israel) . Retrieved 6 November 2020 . ^ (#cite_ref-Dawn2017_9-0) Dawn, Eden (20 March 2017). "One of Oregon's Most Successful Designers Makes Modesty Garb in La Grande" (https://www.pdxmonthly.com/news-and-city-life/2017/03/one-of-oregon-s-most-successful-designers-makes-modesty-garb-in-la-grande) . Portland Monthly (/wiki/Portland_Monthly) . Retrieved 6 November 2020 . ^ (#cite_ref-Rosner2015_10-0) Rosner, Batya Rosner (29 July 2015). "Modest Swimwear Makes a Splash" (https://www.ou.org/life/inspiration/modest-swimwear-makes-a-splash/) . Orthodox Union (/wiki/Orthodox_Union) . Retrieved 6 November 2020 . Further reading [ edit ] Cope, Rosemary L. (2005). Glorifying God in Holy Living . Salem (/wiki/Salem,_Ohio) : Allegheny Publications. Palacios, Ignacio (1998). Biblical Apparel . Salem: Allegheny Publications. 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Denim brand DL1961 Founded 2008 Founder Faisal & Maliha Ahmed Key people Zahra Ahmed (CEO) DL1961 is a global premium denim brand that is carried in hundreds of stores. [1] (#cite_note-1) The brand was founded in 2008 using XFIT LYCRA, [2] (#cite_note-2) a fabric it has patented. [3] (#cite_note-3) XFIT is a cotton (/wiki/Cotton) -wrapped Lycra (/wiki/Lycra) thread intertwined with polyester (/wiki/Polyester) made by DL parent company ADM Denim, which was founded by Faisal and Meliha Ahmed (/w/index.php?title=Meliha_Ahmed&action=edit&redlink=1) . [4] (#cite_note-4) The company uses an eco-friendly manufacturing process that it introduced in 2013 to use less water, waste, and dye. [5] (#cite_note-5) [6] (#cite_note-YGtFD-6) The brand has a maternity line. [7] (#cite_note-7) The company uses renewable energy from solar panels for their factory operations. [8] (#cite_note-8) According to the DL1961 CEO, Zahra Ahmed, [9] (#cite_note-9) the brand is "centered around innovation and technology". [10] (#cite_note-10) According to Vogue (/wiki/Vogue_(magazine)) journalist, Liana Satenstein, DL1961 is "known for its jumpsuits and easygoing styles". [11] (#cite_note-11) Chicago Tribune (/wiki/Chicago_Tribune) journalist Alexia Elejalde-Ruiz says the brand is known for its "four-way stretch, designed to be slimming and to prevent sagging". [12] (#cite_note-12) Glamour (/wiki/Glamour_(magazine)) journalist Fawnia Soo Hoo described the brand as "The high-tech, eco-chic jean". [6] (#cite_note-YGtFD-6) Notes [ edit ] ^ (#cite_ref-1) Dunn, Laura (April 15, 2015). "Women in Business Q&A: Sarah Ahmed, Creative Director, DL1961 Premium Denim" (http://www.huffingtonpost.com/laura-dunn/women-in-business-qa-sara_b_7071072.html) . The Huffington Post (/wiki/The_Huffington_Post) . Retrieved September 7, 2017 . ^ (#cite_ref-2) "XFIT LYCRA® Fabrics Featured in DL1961's First Fashion Week Runway Show in New York City" (http://www.businesswire.com/news/home/20120905006253/en/XFIT-LYCRA%C2%AE-Fabrics-Featured-DL1961%E2%80%99s-Fashion-Week) . Businesswire (/wiki/Businesswire) . September 5, 2012 . Retrieved September 7, 2017 . ^ (#cite_ref-3) "DL1961 Premium Denim And Fashion Specialty Retailer Nordstrom Partner For Digital Denim Kiosk" (http://www.prnewswire.com/news-releases/dl1961-premium-denim-and-fashion-specialty-retailer-nordstrom-partner-for-digital-denim-kiosk-300011897.html) . PR Newswire (/wiki/PR_Newswire) . December 18, 2014 . Retrieved September 7, 2017 . ^ (#cite_ref-4) Haber, Holly (May 29, 2012). "DL1961 in Bag Snob Collaboration" (http://wwd.com/fashion-news/denim/dl1961-in-bag-snob-collaboration-5931106/) . Women's Wear Daily (/wiki/Women%27s_Wear_Daily) . Retrieved September 7, 2017 . ^ (#cite_ref-5) Kirkpatrick, Emily (October 13, 2016). "Jessica Alba's First Collection for DL1961 Is Now on Revolve" (http://people.com/style/jessica-albas-first-collection-for-dl1961-just-launched-on-revolve/) . People (/wiki/People_(magazine)) . Retrieved September 7, 2017 . ^ a b Hoo, Fawnia Soo (August 13, 2013). "Your Guide to Fall Denim: From Waxed Jeans to Baseball Caps, It's All Right Here, Straight From the Pros" (https://www.glamour.com/story/your-guide-to-fall-denim-from) . Glamour (/wiki/Glamour_(magazine)) . Retrieved September 7, 2017 . ^ (#cite_ref-7) Magsaysay, Melissa (September 29, 2011). "Stars like Kaley Cuoco, Brian Austin Green try on jean designs" (http://latimesblogs.latimes.com/alltherage/2011/09/celebs-like-kaley-cuoco-are-designing-jeans.html) . Los Angeles Times (/wiki/Los_Angeles_Times) . Retrieved September 7, 2017 . ^ (#cite_ref-8) "DL1961 Premium Denim" (https://goodcompanies.com/company/dl1961-premium-denim/) . Good Companies . Retrieved 2019-12-09 . ^ (#cite_ref-9) Greenstein, Tracey (2019-06-05). "Sustainable Denim Brand DL1961 Appoints New CEO" (https://wwd.com/business-news/business-features/sustainable-denim-brand-dl1961-new-ceo-1203149324/) . WWD . Retrieved 2019-12-09 . ^ (#cite_ref-10) Carter, Felicity (2019-07-29). "Get To Know The Menswear Denim Trends According To Leading Brand, DL1961" (https://www.forbes.com/sites/felicitycarter/2019/07/29/get-to-know-the-menswear-denim-trends-according-to-leading-brand-dl1961/) . Forbes . Archived (https://web.archive.org/web/20190730005351/https://www.forbes.com/sites/felicitycarter/2019/07/29/get-to-know-the-menswear-denim-trends-according-to-leading-brand-dl1961/) from the original on 2019-07-30 . Retrieved 2019-10-29 . ^ (#cite_ref-11) Satenstein, Liana (August 3, 2017). "Emily Ratajkowski, the New Face of DL1961, Loves Vintage Denim and Hates Tight Jeans" (https://www.vogue.com/article/emily-ratajkowski-for-dl1961-denim-style) . Vogue (/wiki/Vogue_(magazine)) . Retrieved September 7, 2017 . ^ (#cite_ref-12) Elejalde-Ruiz, Alexia (December 30, 2014). "Digital denim kiosk helps drive sales for jeans brand DL1961" (http://www.chicagotribune.com/business/ct-digital-denim-kiosk-1231-biz-20141230-story.html) . Chicago Tribune (/wiki/Chicago_Tribune) . Retrieved September 7, 2017 . External links [ edit ] DL1961 Home Page (https://www.dl1961.com/) This United States corporation or company article is a stub (/wiki/Wikipedia:Stub) . 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( April 2023 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) The Metropolitan Museum of Art (The Met) entrance façade in Upper East Side, Manhattan, New York City Manus x Machina: Fashion in an Age of Technology was an exhibition at the Metropolitan Museum of Art (/wiki/Metropolitan_Museum_of_Art) that showcased the dichotomy between Manus (/wiki/Manus_(anatomy)) (the hand) , also known as haute couture (/wiki/Haute_couture) , and Machina (the machine), also known as prêt-à-porter. The Metropolitan Museum of Art (/wiki/Metropolitan_Museum_of_Art) debuted this exhibition during the 2016 Met Gala and ran it from May 5, 2016 to September 5, 2016. It included over 120 pieces from designers like Chanel (/wiki/Chanel) and Christian Dior (/wiki/Christian_Dior) , varying from the 20th Century to present day . The exhibition explored the evolution of clothing and the differences in how pieces are made. Haute Couture is one piece, fitted to a specific individual, while prêt-à-porter pieces are mass marketed and sold to fit many individuals. In contrast to fashion created solely for a specific individual, pret a porter can be more associated with mass production such as fast fashion. Greatly focusing on making hand-made and machine-made equal and using both to solve design complications. Certain aspects of the exhibition direct the viewers attention to the clothing's DNA by laying out various case studies. The DNA reveals if the article was produced by hand or by machine. At the same time, the show was meant to question the stigma hand-machine dichotomy has had in culture and symbolic meaning. "Typically, the hand has been identified with exclusivity and individuality as well as with elitism and the cult of personality. Similarly, the machine has been understood to signify not only progress and democracy but also dehumanization and homogenization." Said by the Met Museum themselves. The incorporation of machines with modern fashion continues to breed new designs and will continuously influence the modern motif of what fashion will and can be. A dramatic cathedral-like structure, designed by OMA and carefully constructed from white translucent scrims stretched over an intentionally visible framework, featured central domed atrium leading to five porte-cochères. While showcasing exquisite craftsmanship, this exhibit also explored technology's relationship with the handmade. The exhibition featured pieces by renowned designers such as Maria Grazia Chiuri (/wiki/Maria_Grazia_Chiuri) , Pier Paolo Piccioli, Nicolas Ghesquiere (/wiki/Nicolas_Ghesqui%C3%A8re) , Iris Van Herpen (/wiki/Iris_van_Herpen) , Christopher Kane (/wiki/Christopher_Kane) , Karl Lagerfeld (/wiki/Karl_Lagerfeld) , and Miuccia Prada (/wiki/Miuccia_Prada) . [ citation needed ] The exhibition of Manus x Machina is a prime example of how fashion design is more than just clothing, it is an art. New York Times (/wiki/The_New_York_Times) "Is it Streetwear or Is it Art" is an article going into detail about Mr. Thomas's "Gallery Dept" store. It talks about streetwear and his part in the fashion world, highlighting that fashion designs are more than just clothes and dresses but actual art. Exhibition Galleries [ edit ] Manus x Machina's intention was to have the handmade and the machine-made serve as expressions of the designer's creative impulses, to liberate them from their usual haute couture and prêt-à-porter confines. The galleries that made up the exhibit incorporated the use of traditional handcrafted methods and modern machine methods to create homogenous pieces that highlighted the designers' creativities. Wearable Technology [ edit ] “Manus x Machina” has embraced the implementation of wearable technology into high-end fashion. This enabled new boundaries for what could be considered wearable technology and even brought on the support of Apple (https://wwd.com/fashion-news/fashion-features/metropolitan-museum-manus-machina-fashion-art-10421953/) as sponsors for the event. Designers at the event showed off new measures of technology that included 4-D printing, nanoengineering, metamaterials, biotechnology, and using nano drones to make a dress. [1] (#cite_note-1) Case Study, Chanel Wedding Ensemble [ edit ] Karl Lagerfield's (/wiki/Karl_Lagerfeld) Wedding Ensemble for Chanel is a hand molded, machine sewn, and hand finished garment made from scuba knit, a polyester based fabric, and silk satin. This ensemble has been described by Lagerfeld as "haute couture without the couture," being the focal point of the Manus x Machina exhibition. There was embroidery, painting, sewing, and heat presses to make and design the dress using both machines and hand. Broderie [ edit ] Broderie is also known as embroidery (/wiki/Embroidery) . This includes feather work and artificial flowers. The techniques of creating these have remained unchanged for more than a century. Traditional embroidery is needlework deriving from three types of stitches: flat, looped, and knotted. In the 1860s Louis Ferry-Bonnechaux invented Luneville embroidery: the practice of wooden frames used to stretch out and hook the fabric to decorate the textile with chain stitch. The greatest innovations in hand embroidery developed due to new materials allowing for a diverse range of surface embellishments. Although Paris is the center of specialized embroiderers, India is becoming an important role in hand embroidery with skilled craftspeople. Plumasserie [ edit ] Plumasserie is long for the Latin term "plumarius": used to describe both feather work and embroiderer. Today, both are combined into one practice to make clothing pieces. Feathers have a long process before they can be part of any design. First the feathers are cleaned, dried, and sorted, then they are bleached, and sometimes dyed. The feathers are then shaped, trimmed, scorched, and finished through reduction. Through handwork, the feathers are knotted or wrapped to a wire and finally each feather is pulled across a metal tool. Parurier Floral [ edit ] Parurier Floral are artificial flowers and are a significant form of embellishment in the haute couture. Artificial flowers also have a long process before implemented into clothing. To begin, the material is treated in a flour or gelatin. The petals are then cut and layered to be created all together lastly, the petals are stamped, using machines rather than mallets. To decorate, the petals are dyed with a hand mixed alcohol and pigment solution, being dipped and dried several times until the color is attained. The petals are shaped and glued together to a piece of thread. Toiles [ edit ] Toiles is a French term for "cloth" or "canvas", being used since the 19th century to describe a prototype garment for a finished fashion design. Toiles are also referred to as "muslins": an unbleached plain-weave textile usually made of linen. Toiles have been used to create mannequins. In the 1850s, Alexis Lavigne used paper-mâché padded with cotton and covered in seamed canvas to create one of the first dummies. These dummies are now used to help with measurements and dimensions essential to dressmaking. For Manus a full toile is created and for machina half a toile is created. Tailleur and Flou [ edit ] Tailleur the French term for "one who cuts" is the action of cutting or hewing. Cutting and hewing has become easier with the use of a sewing machine (/wiki/Sewing_machine) , but it is also an art form. Understanding how pieces of fabrics work together and how to manipulate the fabric is a technique. Flou implying something being hazy or blurry specializing in draping. A garment made within the flou is responds to the hand of the fabric and the layering around the figure. Plissé 1 [ edit ] Plissé also known as pleating was brought into the fashion world once the invention in the 1760s by Martin Petit with paper mold was created. By the 19th century the technique was advanced. In the 20th century, designers advanced pleating techniques further with technological advancements. Designer Mary McFadden (/wiki/Mary_McFadden) created an invention called "Marii": using synthetic fabric woven in Australia, dyed in Japan, and pleated in the United States. These innovations were then continued by Issey Miyake, pleating clothing rather than textiles. Plissé 2 [ edit ] While most pleated garments appreciate classic drapery (/wiki/Drapery) , others are fitted and shaped by hand without cutting or seaming the fabric. Designers like Thiery Mugler (/wiki/Thierry_Mugler) and Junko Koshino combine handmade and machines to make their grid-like patterns, creating an illusion of volume with linear repetition. These designers use ratio and geometric relations to understand the dimensions needed for their pieces. Issey Miyake (/wiki/Issey_Miyake) 's "132.5" collection was designed entirely by a computer program, but the hands of those who were wearing it were needed to transform the structured clothing. The Lacemaker – painting by Nicolaes Maes (MET, 32.100.5) Dentellerie [ edit ] Dentellerie is the French term for "lacemaking". The introduction of lace was around the 16th century and rose to prominence by the 16th century. There are two types of handmade lace: bobbin (pillow lace) and needlepoint (point lace), which make use of additive techniques. The initial making of lace involved multiple stages of production: creating the netted ground, repairing, and finishing. This production took training, time, and labor that inventors were trying to replicate with machinery. In 1809 John Heathcoast patented the Bobbinet machine, creating a netted ground for the lace that just needed completion with decorations. in 1813 the Bobbinet machine was improved by John Leavers, and eventually adapted a mechanism that produced lace completed with net and pattern. During the industrial revolution, machines continued to be manufactured with greater speed and efficiency. Today machine-made lace predominates in both the haute couture and prêt-à-porter Maroquinerie [ edit ] Maroquinerie is a French term derived from a type of goatskin exported from Morocco that specializes in fine leatherwork. There is a delicate technique and process that evolved during the 19th century. Many designers used chromium salts, increased dexterity, and created leather pieces with real animals, this then introduced the reptilian simulations. Designers would stamp the skins of animals into the leather, this leading to the first synthetic leather to enter high fashion. In the late 20th century, there was an increase in experimenting with leather. Later using recent technology to cut, weld, and create synthetic pieces that novelties of the 1920s and 1960s have been equaled. References [ edit ] ^ (#cite_ref-1) Feitelberg, Rosemary (2 May 2016). "The Met's 'Manus x Machina' Aims to Show Fashion Is Unquestionably Art" (https://wwd.com/fashion-news/fashion-features/metropolitan-museum-manus-machina-fashion-art-10421953/) . WWD . Retrieved 2023-04-13 . v t e Metropolitan Museum of Art (/wiki/Metropolitan_Museum_of_Art) Places The Met Fifth Avenue (/wiki/The_Met_Fifth_Avenue) Anna Wintour Costume Center (/wiki/Anna_Wintour_Costume_Center) Astor Court (/wiki/Astor_Court_(Metropolitan_Museum_of_Art)) Robert Goldwater Library (/wiki/Robert_Goldwater_Library) Temple of Dendur (/wiki/Temple_of_Dendur) Thomas J. 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Phelps Stokes (/wiki/Mr._and_Mrs._I._N._Phelps_Stokes) Mrs. Atkinson (Gwen John) (/wiki/Mrs._Atkinson_(Gwen_John)) Mrs. Beckington (Alice Beckington) (/wiki/Mrs._Beckington_(Alice_Beckington)) Mrs. Hugh Hammersley (/wiki/Mrs._Hugh_Hammersley) The Musician (Bartholomeus van der Helst painting) (/wiki/The_Musician_(Bartholomeus_van_der_Helst_painting)) A Musician and His Daughter (/wiki/A_Musician_and_His_Daughter) The Musicians (Caravaggio) (/wiki/The_Musicians_(Caravaggio)) Mystic Marriage of St. Catherine (Memling) (/wiki/Mystic_Marriage_of_St._Catherine_(Memling)) Nativity scenes attributed to Zanobi Strozzi (/wiki/Nativity_scenes_attributed_to_Zanobi_Strozzi) Night-Shining White (/wiki/Night-Shining_White) Northeaster (painting) (/wiki/Northeaster_(painting)) Nude Before a Mirror (/wiki/Nude_Before_a_Mirror) Oedipus and the Sphinx (/wiki/Oedipus_and_the_Sphinx) Old Trees, Level Distance (/wiki/Old_Trees,_Level_Distance) Pity (William Blake) (/wiki/Pity_(William_Blake)) Portrait of Madame Jacques-Louis Leblanc (/wiki/Portrait_of_Madame_Jacques-Louis_Leblanc) Exhibitions Alexander McQueen: Savage Beauty (/wiki/Alexander_McQueen:_Savage_Beauty) American Woman: Fashioning a National Identity (/wiki/American_Woman:_Fashioning_a_National_Identity) AngloMania: Tradition and Transgression in British Fashion (/wiki/AngloMania:_Tradition_and_Transgression_in_British_Fashion) Before Yesterday We Could Fly (/wiki/Before_Yesterday_We_Could_Fly) Camp: Notes on Fashion (/wiki/Camp:_Notes_on_Fashion) China: Through the Looking Glass (/wiki/China:_Through_the_Looking_Glass) Death Becomes Her: A Century of Mourning Attire (/wiki/Death_Becomes_Her:_A_Century_of_Mourning_Attire) Fashion and History: A Dialogue (/wiki/Fashion_and_History:_A_Dialogue) Glitter and Doom (/wiki/Glitter_and_Doom) Heavenly Bodies: Fashion and the Catholic Imagination (/wiki/Heavenly_Bodies:_Fashion_and_the_Catholic_Imagination) In America: A Lexicon of Fashion (/wiki/In_America:_A_Lexicon_of_Fashion) In America: An Anthology of Fashion (/wiki/In_America:_An_Anthology_of_Fashion) Jacqueline Kennedy: The White House Years (/wiki/Jacqueline_Kennedy:_The_White_House_Years) Manus x Machina: Fashion in an Age of Technology The Metropolitan Museum of Art Centennial (/wiki/The_Metropolitan_Museum_of_Art_Centennial) The Model as Muse: Embodying Fashion (/wiki/The_Model_as_Muse:_Embodying_Fashion) The Pictures Generation (/wiki/The_Pictures_Generation) Rei Kawakubo/Comme des Garçons Art of the In-Between (/wiki/Rei_Kawakubo/Comme_des_Gar%C3%A7ons_Art_of_the_In-Between) Superheroes: Fashion and Fantasy (/wiki/Superheroes:_Fashion_and_Fantasy) Te Maori (/wiki/Te_Maori) Vessel Orchestra (/wiki/Vessel_Orchestra) Commons (https://commons.wikimedia.org/wiki/Category:Metropolitan_Museum_of_Art) * Category (/wiki/Category:Metropolitan_Museum_of_Art) NewPP limit report Parsed by mw‐web.codfw.main‐895674c4f‐ljpn6 Cached time: 20240716230940 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.367 seconds Real time usage: 0.514 seconds Preprocessor visited node count: 1127/1000000 Post‐expand include size: 119959/2097152 bytes Template argument size: 19666/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 5/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 22183/5000000 bytes Lua time usage: 0.221/10.000 seconds Lua memory usage: 4819137/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 391.764 1 -total 40.02% 156.783 5 Template:Ambox 25.54% 100.073 1 Template:Multiple_issues 24.39% 95.543 1 Template:Metropolitan_Museum_of_Art 23.66% 92.687 1 Template:Reflist 23.48% 91.995 2 Template:Navbox 20.91% 81.906 1 Template:Cite_web 19.84% 77.723 1 Template:Short_description 14.08% 55.166 1 Template:More_citations_needed 11.57% 45.340 2 Template:Pagetype Saved in parser cache with key enwiki:pcache:idhash:61927821-0!canonical and timestamp 20240716230940 and revision id 1218236452. 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The main article for this category (/wiki/Help:Categories) is Costume design (/wiki/Costume_design) . NewPP limit report Parsed by mw‐web.eqiad.main‐8645764cd7‐x857b Cached time: 20240714105251 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.040 seconds Real time usage: 0.057 seconds Preprocessor visited node count: 9/1000000 Post‐expand include size: 382/2097152 bytes Template argument size: 0/2097152 bytes Highest expansion depth: 3/100 Expensive parser function count: 0/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 326/5000000 bytes Lua time usage: 0.023/10.000 seconds Lua memory usage: 627107/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 48.760 1 Template:Cat_main 100.00% 48.760 1 -total Saved in parser cache with key enwiki:pcache:idhash:1020997-0!canonical and timestamp 20240714105251 and revision id 1225722572. Rendering was triggered because: page-view Subcategories This category has the following 10 subcategories, out of 10 total. + Costume designers (/wiki/Category:Costume_designers) (6 C, 27 P) A Costume design awards (/wiki/Category:Costume_design_awards) (2 C, 5 P) C Cosplay (/wiki/Category:Cosplay) (1 C, 37 P) Costume by period (/wiki/Category:Costume_by_period) (1 C, 2 P) Costume drama television series (/wiki/Category:Costume_drama_television_series) (66 P) Creature suits (/wiki/Category:Creature_suits) (7 P) D Dress-up video games (/wiki/Category:Dress-up_video_games) (10 P) Dresses in film (/wiki/Category:Dresses_in_film) (9 P) F Fictional costumes (/wiki/Category:Fictional_costumes) (4 C, 19 P) L Live-action role-playing games (/wiki/Category:Live-action_role-playing_games) (3 C, 52 P) Pages in category "Costume design" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . Costume coordination (/wiki/Costume_coordination) A Angels Costumes (/wiki/Angels_Costumes) Use of costume in Athenian tragedy (/wiki/Use_of_costume_in_Athenian_tragedy) B Batsuit (/wiki/Batsuit) Bigoudène (/wiki/Bigoud%C3%A8ne) Bodysuit (/wiki/Bodysuit) C Catsuit (/wiki/Catsuit) Catsuits and bodysuits in popular media (/wiki/Catsuits_and_bodysuits_in_popular_media) Chinese opera costume (/wiki/Chinese_opera_costume) Cloak (/wiki/Cloak) Cosplay (/wiki/Cosplay) Costume (/wiki/Costume) Costume book (/wiki/Costume_book) Costume design (/wiki/Costume_design) Costume Designers Guild (/wiki/Costume_Designers_Guild) D Dead-character costume (/wiki/Dead-character_costume) Domino mask (/wiki/Domino_mask) F Fake moustache (/wiki/Fake_moustache) Fatsuit (/wiki/Fatsuit) Feather tights (/wiki/Feather_tights) French maid (/wiki/French_maid) G Guldbagge Award for Best Costume Design (/wiki/Guldbagge_Award_for_Best_Costume_Design) Guzhuang (costume) (/wiki/Guzhuang_(costume)) H Hennin (/wiki/Hennin) I Illusion costume (/wiki/Illusion_costume) Inflatable costume (/wiki/Inflatable_costume) K Kumadori (/wiki/Kumadori) L Leotard (/wiki/Leotard) Lingzi (/wiki/Lingzi) M Modern dress (/wiki/Modern_dress) Museum of Historical Costume in Poznań (/wiki/Museum_of_Historical_Costume_in_Pozna%C5%84) P Playboy Bunny (/wiki/Playboy_Bunny) R Robe (/wiki/Robe) S Santa suit (/wiki/Santa_suit) Spirit gum (/wiki/Spirit_gum) Stage clothes (/wiki/Stage_clothes) U Uniform fetishism (/wiki/Uniform_fetishism) W Wardrobe supervisor (/wiki/Wardrobe_supervisor) Western Costume (/wiki/Western_Costume) Z Zentai (/wiki/Zentai) Media in category "Costume design" The following 3 files are in this category, out of 3 total. Costume design by Pablo Picasso for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet in Paris 18 May, 1917.jpg (/wiki/File:Costume_design_by_Pablo_Picasso_for_Serge_Diaghilev%27s_Ballets_Russes_performance_of_Parade_at_Th%C3%A9%C3%A2tre_du_Ch%C3%A2telet_in_Paris_18_May,_1917.jpg) 739 × 1,308; 594 KB Costume design by Pablo Picasso representing skyscrapers and boulevards, for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet, Paris 18 May 1917.jpg (/wiki/File:Costume_design_by_Pablo_Picasso_representing_skyscrapers_and_boulevards,_for_Serge_Diaghilev%27s_Ballets_Russes_performance_of_Parade_at_Th%C3%A9%C3%A2tre_du_Ch%C3%A2telet,_Paris_18_May_1917.jpg) 804 × 1,298; 688 KB Le chant du Rossignol, Tamara Karsavina with dancers. Costume designs by Henri Matisse, 1920.jpg (/wiki/File:Le_chant_du_Rossignol,_Tamara_Karsavina_with_dancers._Costume_designs_by_Henri_Matisse,_1920.jpg) 1,919 × 1,362; 1.31 MB esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Costume_design&oldid=1225722572 (https://en.wikipedia.org/w/index.php?title=Category:Costume_design&oldid=1225722572) " Categories (/wiki/Help:Category) : Stagecraft (/wiki/Category:Stagecraft) Film production (/wiki/Category:Film_production) Theatrical occupations (/wiki/Category:Theatrical_occupations) Clothing by function (/wiki/Category:Clothing_by_function) Fashion design (/wiki/Category:Fashion_design) Design (/wiki/Category:Design) Costumes (/wiki/Category:Costumes) |
The Catholicos-Patriarch of All Georgia (/wiki/Catholicos-Patriarch_of_All_Georgia) wearing the koukolion The koukoulion ( Greek (/wiki/Greek_language) : κουκούλιον; Slavonic (/wiki/Church_Slavonic_language) : kukol ) is a traditional headdress worn by monks (/wiki/Monks) and certain patriarchs in Eastern Christianity (/wiki/Eastern_Christianity) . [1] (#cite_note-:0-1) History [ edit ] Related to the western cowl (/wiki/Cowl) , it was the cap worn by Orthodox monks. [1] (#cite_note-:0-1) [2] (#cite_note-2) It is shown worn by emperors Michael IV (/wiki/Michael_IV_the_Paphlagonian) , who died as a monk, in the Madrid Skylitzes (/wiki/Madrid_Skylitzes) . [3] (#cite_note-3) [4] (#cite_note-4) Medieval orthodox monks did not have specific habits and uniforms related to the orders as in the West (for example the Benedictine habit or Franciscan habit), but each monastery set its own rules. [5] (#cite_note-:1-5) The monks wore a simple cap, often made of coarse and modest fabrics, that was called koukoulion. [5] (#cite_note-:1-5) [6] (#cite_note-6) Monk wearing a koukoulion, from the Sacra Parallela (/wiki/Sacra_Parallela) [7] (#cite_note-7) Emperor Michael IV laying in bed and wearing the koukoulion, from the Madrid Skylitzes (/wiki/Madrid_Skylitzes) Mitrophan of Voronezh (/wiki/Mitrophan_of_Voronezh) wearing the koukoulion (19th century icon) [8] (#cite_note-8) Anthony of Kiev (/wiki/Anthony_of_Kiev) shown wearing a koukoulion. [9] (#cite_note-9) Great Schema From the 17th century, following the reforms of Patriarch Nikon (/wiki/Patriarch_Nikon) , the upper vesture worn by monks of the Great Schema (/wiki/Great_Schema) ( skhimonakh ) is in the form of a pointed hood with two long lappets (/wiki/Lappet) which cover the back and breast. It is black in color, and embroidered with crosses, six-winged seraphim (/wiki/Seraphim) , and the text of the Trisagion (/wiki/Trisagion) . It is worn above the mandyas (/wiki/Mandyas) (monastic mantle), and is the same for both monks and nuns (/wiki/Nun) . In the context of monastic vows (/wiki/Monastic_vows) , it is called the koukoulion of kindliness , and the helmet of salvation . The koukoulion replaces the klobuk (/wiki/Klobuk) which is worn by the monastics of lower ranks. It fastened to a black veil, the Epanokalimavkion (/wiki/Epanokalimavkion) . [1] (#cite_note-:0-1) Icon (/wiki/Icon) of St. Adrian of Ondrusov, wearing the black koukoulion. The lapets can be seen on his shoulders. Slovenic great schema, with the koukoulion (hood) and the analavos Philip Khorev (1802–1869) - schema monks of the Russian Orthodox Church, wearing the koukoulion hood Patriarchal koukoulion [ edit ] Patriarch of Moscow White klobuk/koukoulion of Vasilii Kalika (/wiki/Vasilii_Kalika) , Archbishop of Novgorod (/wiki/Archbishop_of_Novgorod) (1330–1352) [10] (#cite_note-:2-10) The Patriarch of Moscow and all Russia (/wiki/Patriarch_of_Moscow_and_all_Russia) wears a white klobuk (/wiki/Klobuk) , which is referred to as koukoulion, with a "Zion", a stiffened point topped by a cross. [11] (#cite_note-11) He wears this ex officio (/wiki/Ex_officio) , whether or not he has been tonsured (/wiki/Tonsure) into the Great Schema. The origin of the white patriarchal koukoulion is disputed. [12] (#cite_note-:3-12) Archbishop Vasilii Kalika (/wiki/Vasilii_Kalika) , Archbishop of Novgorod (/wiki/Archbishop_of_Novgorod) (1330–1352), wore a white koukoulion which is preserved in the Cathedral of St. Sophia, Novgorod. [10] (#cite_note-:2-10) The Legend of the White Cowl (/wiki/The_Legend_of_the_White_Cowl) is a Russian Orthodox (/wiki/Russian_Orthodoxy) story first recorded by the monk Philotheus of Pskov (/wiki/Philotheus_of_Pskov) in 1510 that tells the story of how the white koukoulion was first given to the Archbishop Vasilii Kalika (/wiki/Vasilii_Kalika) by the Ecumenical Patriarch (/wiki/Ecumenical_Patriarch_of_Constantinople) . In 1667, the story was condemned by the Great Moscow Synod (/wiki/Great_Moscow_Synod) as "false and wrong" and as constructed by Dmitry Tolmach (different experts understand by this name either Dmitry Trakhaniot, or Dmitry Gerasimov (/wiki/Dmitry_Gerasimov) , both of them bore this nickname). [10] (#cite_note-:2-10) [13] (#cite_note-13) [12] (#cite_note-:3-12) Instead, Metropolitan Platon (/wiki/Platon_Levshin) , based on the fact that earlier than Vasili of Novgorod the white kobluk had been worn by first Leontiy, Bishop or Rostov (/w/index.php?title=%D0%9B%D0%B5%D0%BE%D0%BD%D1%82%D0%B8%D0%B9_%D0%A0%D0%BE%D1%81%D1%82%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9&action=edit&redlink=1) [ ru (https://ru.wikipedia.org/wiki/%D0%9B%D0%B5%D0%BE%D0%BD%D1%82%D0%B8%D0%B9_%D0%A0%D0%BE%D1%81%D1%82%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9) ] wore a white klobuk, [14] (#cite_note-14) hypothesized that the custom of the white klobuk was borrowed not from Novgorod, but existed before from the very beginning of Christianity in Russia. [10] (#cite_note-:2-10) In addition, Theodore I (990/992 - c. 1023), Isaiah (1078–1090), Leontiy (c.1051-c.1077), Ignatius bishops of Rostov (/wiki/Diocese_of_Yaroslavl) are depicted wearing the white koukoulion as well as Maximos, Metropolitan of all Rus' (/wiki/Maximos,_Metropolitan_of_all_Rus%27) (1283–1305) and Peter (/wiki/Saint_Peter_of_Moscow) (c. 1260–1326), Jonah (/wiki/Jonah_of_Moscow) (-1461), and Alexius of Moscow (/wiki/Alexius,_Metropolitan_of_Kiev) (1296–1378) and Vasilii Kalika (/wiki/Vasilii_Kalika) (1330–352), Moses, and Alexy of Novgorod (/wiki/Diocese_of_Novgorod) . In the 1380s frescoes in Volotovo Church, Moses and Alexy are depicted wearing a white koukoulion with crosses. This suggest an early adoption of this garment instead. Other evidence, such as the images in the Svyatoslav's Miscellanies and later chrnociles such as Nikon Chronicle and the documents from the 1564 council, also suggest that white headgear was an ancient tradition in Russian lands and predated the 1300s adoption by Vasilii (/wiki/Vasilii_Kalika) and his successors in Novgorod. [10] (#cite_note-:2-10) In 1564, the Moscow Council adopted a code on the right of the Moscow metropolitan to wear a white koukoulion. [15] (#cite_note-15) [16] (#cite_note-16) After the establishment of the patriarchate in Russia in 1589, the Moscow patriarchs began to wear the white koukoulion. [10] (#cite_note-:2-10) Other Koukoulia are also worn by the primates (/wiki/Primate_(bishop)) of certain other Orthodox churches, for example the Catholicos-Patriarch of All Georgia (/wiki/Catholicos-Patriarch_of_All_Georgia) . Josyf Slipyj (/wiki/Josyf_Slipyj) , Major Archbishop (/wiki/Major_Archbishop) of the Ukrainian Greek Catholic Church (/wiki/Ukrainian_Greek_Catholic_Church) , wore a red koukoulian, when made a cardinal (/wiki/Cardinal_(Catholic_Church)) of the Catholic Church (/wiki/Catholic_Church) at the consistory (/wiki/Papal_consistory) of 1965. Leontiy of Rostov (1051–1077) St. Tikhon of Moscow (/wiki/Tikhon_of_Moscow) wearing the patriarchal white koukoulion. Patriarch Kirill of Moscow (/wiki/Patriarch_Kirill_of_Moscow) wearing his koukoulion See also [ edit ] Klobuk (/wiki/Klobuk) Skufia (/wiki/Skufia) Apostolnik (/wiki/Apostolnik) Cowl (/wiki/Cowl) Epanokamelavkion (/wiki/Epanokamelavkion) Kalimavkion (/wiki/Kalimavkion) The Philippi Collection (/wiki/The_Philippi_Collection) References [ edit ] ^ Jump up to: a b c Robinson, Nalbro' Frazier (1916). Monasticism in the Orthodox Churches: Being an Introduction to the Study of Modern Hellenic and Slavonic Monachism and the Orthodox Profession Rites, Together with a Greek Dissertation on the Monastic Habit, Done in English, with Notes . Cope and Fenwick. p. 39. ^ (#cite_ref-2) The Greenwood encyclopedia of clothing through world history . Jill Condra. Westport, Connecticut. 2008. p. 147. ISBN (/wiki/ISBN_(identifier)) 978-0-313-33662-1 . OCLC (/wiki/OCLC_(identifier)) 156808055 (https://www.worldcat.org/oclc/156808055) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) CS1 maint: others ( link (/wiki/Category:CS1_maint:_others) ) ^ (#cite_ref-3) Tsamakda, Vasiliki (2002). The illustrated chronicle of Ioannes Skylitzes in Madrid . Leiden: Alexandros. p. 243. ISBN (/wiki/ISBN_(identifier)) 90-806476-2-4 . OCLC (/wiki/OCLC_(identifier)) 51900961 (https://www.worldcat.org/oclc/51900961) . ^ (#cite_ref-4) Tsamakda, Vasiliki (2002). The illustrated chronicle of Ioannes Skylitzes in Madrid . Leiden: Alexandros. p. 304. ISBN (/wiki/ISBN_(identifier)) 90-806476-2-4 . OCLC (/wiki/OCLC_(identifier)) 51900961 (https://www.worldcat.org/oclc/51900961) . ^ Jump up to: a b The Greenwood encyclopedia of clothing through world history . Jill Condra. Westport, Connecticut. 2008. p. 148. ISBN (/wiki/ISBN_(identifier)) 978-0-313-33662-1 . OCLC (/wiki/OCLC_(identifier)) 156808055 (https://www.worldcat.org/oclc/156808055) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) CS1 maint: others ( link (/wiki/Category:CS1_maint:_others) ) ^ (#cite_ref-6) Woodfin, Warren T. (2012). The embodied icon : liturgical vestments and sacramental power in Byzantium . Oxford [Great Britain]: Oxford University Press. ISBN (/wiki/ISBN_(identifier)) 978-0-19-959209-8 . OCLC (/wiki/OCLC_(identifier)) 714724958 (https://www.worldcat.org/oclc/714724958) . ^ (#cite_ref-7) EVANGELATOU, MARIA (2008). "Word and Image in the "Sacra Parallela" (Codex Parisinus Graecus 923)" (https://www.jstor.org/stable/20788045) . Dumbarton Oaks Papers . 62 : 114. ISSN (/wiki/ISSN_(identifier)) 0070-7546 (https://www.worldcat.org/issn/0070-7546) . JSTOR (/wiki/JSTOR_(identifier)) 20788045 (https://www.jstor.org/stable/20788045) . ^ (#cite_ref-8) "The Temple Gallery - specialists in Russian icons" (http://www.templegallery.com/getfullpage.php?stockno=819) . www.templegallery.com . Retrieved 2021-06-27 . ^ (#cite_ref-9) "День памяти прп. Антония - основоположника монашества на Руси" (https://www.sedmitza.ru/text/410906.html) . Церковно-Научный Центр "Православная Энциклопедия" (in Russian) . Retrieved 2021-06-27 . ^ Jump up to: a b c d e f Solntsev, Fedor (2007). Drevnosti Rossiĭskogo gosudarstva . Moskva: Belyĭ gorod. ISBN (/wiki/ISBN_(identifier)) 978-5-7793-1250-9 . OCLC (/wiki/OCLC_(identifier)) 232995137 (https://www.worldcat.org/oclc/232995137) . ^ (#cite_ref-11) "7 Types of Orthodox Clergy and Monastic Headgear" (http://catalogueofstelisabethconvent.blogspot.com/2018/11/7-types-of-orthodox-clergy-and-monastic.html) . The Catalog of Good Deeds . Retrieved 2021-06-28 . ^ Jump up to: a b Franklin, Simon (2000). "Review of The Legend of the Novgorodian White Cowl (The Study of Its "Prologue" and "Epilogue")" (https://www.jstor.org/stable/4213137) . The Slavonic and East European Review . 78 (4): 773–775. ISSN (/wiki/ISSN_(identifier)) 0037-6795 (https://www.worldcat.org/issn/0037-6795) . JSTOR (/wiki/JSTOR_(identifier)) 4213137 (https://www.jstor.org/stable/4213137) . ^ (#cite_ref-13) "ЭСБЕ/Белый клобук — Викитека" (https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%91%D0%B5%D0%BB%D1%8B%D0%B9_%D0%BA%D0%BB%D0%BE%D0%B1%D1%83%D0%BA) . ru.wikisource.org (in Russian) . Retrieved 2021-06-28 . ^ (#cite_ref-14) "Святитель Леонтий Ростовский" (https://ruvera.ru/leontij_rostovskij) . ruvera.ru (in Russian) . Retrieved 2021-06-28 . ^ (#cite_ref-15) "Особенности богослужебного облачения Патриарха на Руси" (https://www.sedmitza.ru/text/556834.html) . Церковно-Научный Центр "Православная Энциклопедия" (in Russian) . Retrieved 2021-06-28 . ^ (#cite_ref-16) SWOBODA, MARINA (1998). "The Place of Novgorod in Ivan Timofeyev's "Vremennik" (https://www.jstor.org/stable/24659105) " (https://www.jstor.org/stable/24659105) . Russian History . 25 (4): 409–428. doi (/wiki/Doi_(identifier)) : 10.1163/187633198X00194 (https://doi.org/10.1163%2F187633198X00194) . ISSN (/wiki/ISSN_(identifier)) 0094-288X (https://www.worldcat.org/issn/0094-288X) . JSTOR (/wiki/JSTOR_(identifier)) 24659105 (https://www.jstor.org/stable/24659105) . Philippi, Dieter (2009). Sammlung Philippi – Kopfbedeckungen in Glaube, Religion und Spiritualität . St. Benno Verlag, Leipzig. ISBN (/wiki/ISBN_(identifier)) 978-3-7462-2800-6 . 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< User talk:The Color Branch (/wiki/User_talk:The_Color_Branch) Fashion (/wiki/Wikipedia:WikiProject_Fashion) NA‑class Fashion portal (/wiki/Portal:Fashion) This page is within the scope of WikiProject Fashion (/wiki/Wikipedia:WikiProject_Fashion) , a collaborative effort to improve the coverage of Fashion (/wiki/Fashion) on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion (/wiki/Wikipedia_talk:WikiProject_Fashion) and see a list of open tasks. Fashion Wikipedia:WikiProject Fashion Template:WikiProject Fashion fashion articles NA (/wiki/Category:NA-Class_fashion_articles) This page does not require a rating on Wikipedia's content assessment (/wiki/Wikipedia:Content_assessment) scale. NewPP limit report Parsed by mw‐web.codfw.main‐ff98d5cb5‐zmmpv Cached time: 20240722161425 Cache expiry: 864000 Reduced expiry: true Complications: [vary‐revision‐sha1] DiscussionTools time usage: 0.005 seconds CPU time usage: 0.098 seconds Real time usage: 0.128 seconds Preprocessor visited node count: 119/1000000 Post‐expand include size: 4712/2097152 bytes Template argument size: 0/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 5/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 4867/5000000 bytes Lua time usage: 0.073/10.000 seconds Lua memory usage: 1369909/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 111.277 1 -total 100.00% 111.277 1 Template:WikiProject_Fashion 1.70% 1.895 1 Template:Pagetype Saved in parser cache with key enwiki:pcache:idhash:76497912-0!canonical and timestamp 20240722161425 and revision id 1216501604. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=User_talk:The_Color_Branch/sandbox&oldid=1216501604 (https://en.wikipedia.org/w/index.php?title=User_talk:The_Color_Branch/sandbox&oldid=1216501604) " Categories (/wiki/Help:Category) : NA-Class fashion articles (/wiki/Category:NA-Class_fashion_articles) NA-importance fashion articles (/wiki/Category:NA-importance_fashion_articles) Hidden category: WikiProject banners without banner shells (/wiki/Category:WikiProject_banners_without_banner_shells) |
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A woman wearing a tunic-like overskirt and skirt. A 1950s evening dress showing a short overskirt (or peplum) An overskirt is a type of women's short skirt (/wiki/Skirt) which is draped over another garment, such as a skirt, breeches (/wiki/Breeches) , or trousers (/wiki/Trousers) . Although peplum is often used as another term for overskirt, it should not be confused with the peplos (/wiki/Peplos) or "peplum dress", which was worn in ancient Greece. The design of the overskirt depended on the era in which it appeared, and a variety of overskirts have appeared through history: Casaquin (/wiki/Casaquin) —Popularly known from the 1740s onwards as a pet-en-l'air , this was a short version of the sack-back gown (/wiki/Sack-back_gown) (also known as the robe à la française ) which appeared in the 1780s. [1] (#cite_note-FOOTNOTEWaugh196468–70-1) Greatcoat dress —Despite the name, this garment mimicked the men's greatcoat (/wiki/Greatcoat) . It was essentially an ankle-length robe (/wiki/Robe) worn over a skirt. The robe could be buttoned from collar to hem, with the overskirt of the robe completely covering the petticoat. More often, the robe was left unbuttoned below the waist and the overskirt allowed to fall away on either side to reveal the petticoat. It was fashionable in the late 1700s. [2] (#cite_note-FOOTNOTECummingCunningtonCunnington201796-2) Irish polonaise —Also known as a "French polonaise", "Italian polonaise", or "Turkish polonaise", this garment consisted of a tight-fitting, low, squarish bodice with an overskirt. The overskirt was in a style similar to the polonaise (/wiki/Polonaise_(clothing)) : pleated to the bodice, bunched in the rear, and open in front. The overskirt was much longer than the petticoat beneath. It was popular in the United Kingdom from 1770 to 1775. [3] (#cite_note-FOOTNOTECummingCunningtonCunnington2017108–109-3) Italian nightgown —Also known as an "Italian robe" and "Italian polonaise", this was an informal garment. [4] (#cite_note-FOOTNOTECummingCunningtonCunnington2017109-4) This dress appeared in the United Kingdom (/wiki/United_Kingdom) from the 1750s to 1790s. The dress consisted of a stayed (/wiki/Bone_(corsetry)) bodice (/wiki/Bodice) with somewhat low-cut décolletage (/wiki/D%C3%A9colletage) , sleeves which reached the elbow, skirt, and overskirt. [5] (#cite_note-FOOTNOTELewandowski2011144-5) [4] (#cite_note-FOOTNOTECummingCunningtonCunnington2017109-4) The overskirt, in this case, was almost always of a contrasting color to the skirt, and was almost as long as the skirt itself. [5] (#cite_note-FOOTNOTELewandowski2011144-5) The overskirt could be gathered and draped into a polonaise (/wiki/Polonaise_(clothing)) . [5] (#cite_note-FOOTNOTELewandowski2011144-5) [4] (#cite_note-FOOTNOTECummingCunningtonCunnington2017109-4) Mantua (/wiki/Mantua_(clothing)) —This was essentially an oversized gown, popular throughout Europe from the mid 1600s to mid 1700s. In its later configurations, the mantua featured an unstayed bodice which was joined to an overskirt. The overskirt was open in the front to reveal a highly decorative underskirt. In the rear, the overskirt was elaborately bunched, draped, and folded, at times even being cut and formed to create a short train (/wiki/Train_(clothing)) . [4] (#cite_note-FOOTNOTECummingCunningtonCunnington2017109-4) Milkmaid skirt —The term originally applied to a bustle (/wiki/Bustle) , but was also used to describe a daytime dress which first appeared in 1885. This dress consisted of a skirt with two stripes (each a different color), with an overskirt with gathers (/wiki/Gather_(sewing)) at the waist. [6] (#cite_note-FOOTNOTELewandowski2011192-6) Pano —An ankle-length transparent overskirt worn by both men and women in Egypt (/wiki/Egypt) between 4,000 BC and 30 BC. [7] (#cite_note-FOOTNOTELewandowski2011219-7) Pentes —The term originally applied to a bustle (/wiki/Bustle) , but was applied in 1886 to a skirt made of pyramidal panels. An overskirt or tunic (/wiki/Tunic) was worn over the skirt, [8] (#cite_note-FOOTNOTELewandowski2011225-8) and draped to expose the underskirt. [9] (#cite_note-FOOTNOTECummingCunningtonCunnington2017154-9) Peplum —This overskirt was cut away front and back, while the sides formed points. Created about 1866 and revived in the 1890s, was considered informal wear. In the early 20th century, the peplum was revived and the term meant any overskirt cut to form points. It could also mean any basque (/wiki/Basque_(clothing)) extended over and past the hips and cut in a style similar to the overskirt. [9] (#cite_note-FOOTNOTECummingCunningtonCunnington2017154-9) [a] (#cite_note-11) Peplum basque —Essentially the lower part of a basque, but with longer extensions over the hips and strapped to the body with a belt (/wiki/Belt_(clothing)) . [8] (#cite_note-FOOTNOTELewandowski2011225-8) It was generally worn with a bodice. [9] (#cite_note-FOOTNOTECummingCunningtonCunnington2017154-9) It appeared in the United Kingdom. [8] (#cite_note-FOOTNOTELewandowski2011225-8) Peplum bodice —An evening bodice with long panniers (/wiki/Pannier_(clothing)) . [9] (#cite_note-FOOTNOTECummingCunningtonCunnington2017154-9) The overskirt covered only the panniers. It appeared in the United Kingdom. [8] (#cite_note-FOOTNOTELewandowski2011225-8) Peplum imperatrice —Similar to the peplum basque. There were two versions: A peplum basque worn with a tunic (which covered the panniers), or a peplum basque with draped panniers. It appeared in the France (/wiki/France) . [8] (#cite_note-FOOTNOTELewandowski2011225-8) Peplum overskirt —Introduced in the United Kingdom in 1894, this garment was pleated at the waist. It was short in back, but hem-length in the front. [8] (#cite_note-FOOTNOTELewandowski2011225-8) It was often open and rippled in the front, and the side seams somewhat gathered. [9] (#cite_note-FOOTNOTECummingCunningtonCunnington2017154-9) Piedmont gown —Also known as the "robe à la Piétmontèse", this was a version of the sack-back gown. The box pleats (/wiki/Pleat#Box) were not sewn or fastened to the bodice, but instead formed an arc from the top of the bodice to the hips. There, the box pleats became part of the overskirt. [11] (#cite_note-FOOTNOTECummingCunningtonCunnington2017157-12) Polonaise (/wiki/Polonaise_(clothing)) —A gown (/wiki/Gown) with a cutaway, draped, swagged overskirt worn over a petticoat (/wiki/Petticoat) . The polonaise overskirt was cut away in a "V" shape in the front to reveal the petticoat, and cords were passed through tabs or rings on the interior of the overskirt to make draping easier. The petticoat was exposed in the rear as well due to this draping. [12] (#cite_note-FOOTNOTECallahan2016244–245-13) Safeguard (/wiki/Safeguard_(costume)) , a riding garment worn as an overskirt by women in the sixteenth and seventeenth centuries. [13] (#cite_note-14) Tunic dress —A tunic that reached below the waistline and which covered a dress or petticoat. The overskirt was the same length as the underskirt. It came in a wide range of designs and lengths, and was popular in Europe and the Americas from 1815 to 1890. [14] (#cite_note-FOOTNOTELewandowski2011300-15) Tunic skirt —Similar to the tunic dress, the overskirt was shorter than the underskirt. It developed in the United Kingdom. Beginning in the 1850s, the overskirt came to be trimmed with lace (/wiki/Lace) while the underskirt was trimmed with a ruffle (/wiki/Ruffle_(sewing)) . The tunic skirt waned in popularity but reemerged in 1897 without the trim on either skirt. [14] (#cite_note-FOOTNOTELewandowski2011300-15) See also [ edit ] Churidar (/wiki/Churidar) Peplum jacket (/wiki/Peplum_jacket) Yaoqun (/wiki/Yaoqun) – a traditional Chinese overskirt in Hanfu (/wiki/Hanfu) References [ edit ] Wikimedia Commons has media related to Peplums (https://commons.wikimedia.org/wiki/Category:Peplums) . Notes ^ (#cite_ref-11) The term "peplum" is sometimes used to describe fabric draped over a sleeve (/wiki/Sleeve) . The over-fabric is attached at the armhole or the bicep and allowed to drape over the sleeve the way an overskirt drapes over a skirt. [10] (#cite_note-10) Citations ^ (#cite_ref-FOOTNOTEWaugh196468–70_1-0) Waugh 1964 (#CITEREFWaugh1964) , pp. 68–70. ^ (#cite_ref-FOOTNOTECummingCunningtonCunnington201796_2-0) Cumming, Cunnington & Cunnington 2017 (#CITEREFCummingCunningtonCunnington2017) , p. 96. ^ (#cite_ref-FOOTNOTECummingCunningtonCunnington2017108–109_3-0) Cumming, Cunnington & Cunnington 2017 (#CITEREFCummingCunningtonCunnington2017) , pp. 108–109. ^ Jump up to: a b c d Cumming, Cunnington & Cunnington 2017 (#CITEREFCummingCunningtonCunnington2017) , p. 109. ^ Jump up to: a b c Lewandowski 2011 (#CITEREFLewandowski2011) , p. 144. ^ (#cite_ref-FOOTNOTELewandowski2011192_6-0) Lewandowski 2011 (#CITEREFLewandowski2011) , p. 192. ^ (#cite_ref-FOOTNOTELewandowski2011219_7-0) Lewandowski 2011 (#CITEREFLewandowski2011) , p. 219. ^ Jump up to: a b c d e f Lewandowski 2011 (#CITEREFLewandowski2011) , p. 225. ^ Jump up to: a b c d e Cumming, Cunnington & Cunnington 2017 (#CITEREFCummingCunningtonCunnington2017) , p. 154. ^ (#cite_ref-10) Gutner, Howard (2001). Gowns by Adrian: The MGM Years, 1928-1941 . New York: Harry N. Abrams Publishers. p. 121. ISBN (/wiki/ISBN_(identifier)) 9780810908987 . ^ (#cite_ref-FOOTNOTECummingCunningtonCunnington2017157_12-0) Cumming, Cunnington & Cunnington 2017 (#CITEREFCummingCunningtonCunnington2017) , p. 157. ^ (#cite_ref-FOOTNOTECallahan2016244–245_13-0) Callahan 2016 (#CITEREFCallahan2016) , pp. 244–245. ^ (#cite_ref-14) Janet Arnold (/wiki/Janet_Arnold) , Queen Elizabeth's Wardrobe Unlock'd (Maney, 1988), p. 142. ^ Jump up to: a b Lewandowski 2011 (#CITEREFLewandowski2011) , p. 300. Bibliography [ edit ] Callahan, Colleen R. (2016). "Robe à la polonaise". Clothing and Fashion: American Fashion From Head to Toe. Vol. 1: Pre-Colonial Times Through the American Revolution . Santa Barbara, Calif.: ABC-Clio. ISBN (/wiki/ISBN_(identifier)) 9781610693097 . Cumming, Valerie; Cunnington, C.W.; Cunnington, P.E. (2017). Dictionary of Fashion History . New York: Bloomsbury Publishing. ISBN (/wiki/ISBN_(identifier)) 9781472577702 . Lewandowski, Elizabeth J. (2011). The Complete Costume Dictionary . Lanham, Md.: Scarecrow Press. ISBN (/wiki/ISBN_(identifier)) 9780810840041 . Waugh, Norah (1964). The Cut of Women's Clothes, 1600-1900 . London: Faber. ISBN (/wiki/ISBN_(identifier)) 0571085946 . 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Chinese socialites (/wiki/Socialite) . NewPP limit report Parsed by mw‐web.codfw.main‐75fbd9d897‐clxl8 Cached time: 20240701225829 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.002 seconds Real time usage: 0.005 seconds Preprocessor visited node count: 1/1000000 Post‐expand include size: 0/2097152 bytes Template argument size: 0/2097152 bytes Highest expansion depth: 1/100 Expensive parser function count: 0/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 0/5000000 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 0.000 1 -total Saved in parser cache with key enwiki:pcache:idhash:42518609-0!canonical and timestamp 20240701225829 and revision id 1071799311. Rendering was triggered because: page-view Subcategories This category has only the following subcategory. H Hong Kong socialites (/wiki/Category:Hong_Kong_socialites) (4 P) Pages in category "Chinese socialites" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . H Michael Xufu Huang (/wiki/Michael_Xufu_Huang) O Oei Hui-lan (/wiki/Oei_Hui-lan) S Song Huai-Kuei (/wiki/Song_Huai-Kuei) Y Nellie Yu Roung Ling (/wiki/Nellie_Yu_Roung_Ling) Z Zheng Pingru (/wiki/Zheng_Pingru) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Chinese_socialites&oldid=1071799311 (https://en.wikipedia.org/w/index.php?title=Category:Chinese_socialites&oldid=1071799311) " Categories (/wiki/Help:Category) : Chinese people by occupation (/wiki/Category:Chinese_people_by_occupation) Socialites by nationality (/wiki/Category:Socialites_by_nationality) |
British-Bengali Fashion Designer and Artist. Rahemur Rahman (born 1990). [1] (#cite_note-1) is a British-Bengali artist and fashion designer known for his significant contributions to the British-Bengali diaspora (/wiki/British_Bangladeshis) [2] (#cite_note-auto7-2) and innovative use of traditional Bengali block printing (/wiki/Woodblock_printing) techniques through his eponymous menswear label. [3] (#cite_note-3) Rahman is known for his focus on sustainable and ethically produced garments [4] (#cite_note-4) and is the first Bangladeshi fashion designer in history to showcase their work at London Fashion Week. [5] (#cite_note-auto-5) Early life [ edit ] Rahman was born and raised in Tower Hamlets, London. Rahman's father worked as a tailor in the rag trade, the immigrant-run clothing manufacturing business that provides cheap labour for the fashion industry. [5] (#cite_note-auto-5) Rahman's work is heavily influenced by his Bengali heritage and the city in which he grew up. [5] (#cite_note-auto-5) Career [ edit ] Rahman graduated from Central Saint Martins School of Art & Design (/wiki/Central_Saint_Martins) , London, alongside fellow London-based designers Richard Malone (/wiki/Richard_Malone_(designer)) and A Sai Ta. [6] (#cite_note-auto6-6) In 2019, he presented his first London Fashion Week (/wiki/London_Fashion_Week) collection entitled 'For the people who dream in colour' that aimed to reinterpret and re-tell stories of South Asian identity. [6] (#cite_note-auto6-6) Drawing inspiration from his family's photographs, his father's love of traditional British tailoring, and his mother's love of clothing from her homeland, Rahman's collection blended Western and South Asian elements, reflecting the cultural duality of his own family and their connection to the rag trade. [6] (#cite_note-auto6-6) Rahman drew inspiration from 1990s family photos for his colour palette and used natural dyes and traditional Bangladeshi printing techniques, inspired by the Khadi prints found in the V&A, to create his garments. [7] (#cite_note-7) [8] (#cite_note-8) The clothing, made from cotton, wool, and silk, was tailored with attention to detail, featuring shirts and jackets with a graceful taper at the armpit. Block prints were created in collaboration with artisans at Aranya, a fairtrade enterprise in Dhaka, Bangladesh using natural dyes (/wiki/Natural_dye) . [9] (#cite_note-9) [6] (#cite_note-auto6-6) [5] (#cite_note-auto-5) Rahman included South Asian representation in the presentation of his collection. He held the event at Brady Arts and Community Centre where he regularly teaches and exclusively featured South Asian models. His aim was to include a diverse range of backgrounds within the South Asian community, including Sikh, Muslim, Hindu, Indian, Pakistani, and Bangladeshi individuals, and stressed the importance of recognising the distinct cultural differences within the community. [6] (#cite_note-auto6-6) [10] (#cite_note-10) In 2020, he showcased his second collection 'Children of the rag trade', dedicating the collection to his father who worked as a tailor in the rag trade. [5] (#cite_note-auto-5) One suit from this collection was acquired by the Victoria and Albert Museum (/wiki/Victoria_and_Albert_Museum) in London for their 'Fashioning Masculinities' 2022 exhibition, making Rahman the first British-Bengali fashion designer in history to have their work featured in a V&A exhibition. [11] (#cite_note-auto3-11) [12] (#cite_note-auto5-12) In addition to his work in fashion, Rahman is also an accomplished artist, working in a variety of media including print, installation and sculpture. His art often explores themes of identity and cultural exchange, and has been exhibited in galleries around the world such as the Victoria & Albert Museum (/wiki/Victoria_and_Albert_Museum) and Museum of the Home (/wiki/Museum_of_the_Home) . [13] (#cite_note-auto2-13) [14] (#cite_note-auto4-14) [11] (#cite_note-auto3-11) 'My Home, My Bari' is a community project led by Rahman. First exhibited in 2021 at the Kobi Nazrul Centre in the heart of Banglatown (/wiki/Banglatown) , London, 'My Home, My Bari' offered a glimpse into life of Bangladeshi community living around 1970's Brick Lane (/wiki/Brick_Lane) and showcased the work and legacy of the local business owners from the British-Bangladeshi community and artistic outcomes of the nine-month participatory project with young Bangladeshi artists. [15] (#cite_note-15) [16] (#cite_note-16) The project was first commissioned by Tower Hamlets Council (/wiki/Tower_Hamlets_London_Borough_Council) to create a collaborative and singular installation marking the 50th anniversary of the Independence of Bangladesh (/wiki/Independence_of_Bangladesh) . In an article written about the project by Tower Hamlets Council, Rahman said “The project also recognises the importance of events which took place in 1971 but takes a step back to re-examine the era and bring it closer to home through the multi-layered connections and cultural connotations of the safe and familiar space of ‘home’.” [13] (#cite_note-auto2-13) In 2022, the second iteration of 'My Home, My Bari' was commissioned by Museum of the Home (/wiki/Museum_of_the_Home) , London (previously known as 'the Geffrye Museum'), and saw Rahman continue the narrative with seven young British-Bangladeshi Muslim artists. The second iteration aimed to document the un-told stories of the Bengali women in the young artist's lives. 'Begum', a collaborative documentary-film told these stories. [14] (#cite_note-auto4-14) [17] (#cite_note-17) [18] (#cite_note-18) Advocacy [ edit ] As a member of the Bengali diaspora, Rahman is deeply committed to preserving and promoting his cultural heritage, and reimagining how queer creatives in the South Asian community are perceived. [19] (#cite_note-19) He is also an active member of the London art and fashion scenes, and is known for his collaborative spirit and dedication to mentoring emerging Muslim talents. [2] (#cite_note-auto7-2) In the 2022 Evening Standard (/wiki/Evening_Standard) article ‘Fashion cares more about billionaire bile than those on the breadline: Fashion academics react to Kanye West', Rahman stated “When we talk about the intersections of black identity within fashion, Kanye West (/wiki/Kanye_West) will always be in that mix. His viewpoint; whether it is satire, whether it is serious political alignment, has to be discussed from the viewpoint of allowing different perspectives of the black experience to be documented in history. However problematic it is. Now whether we engage with it or not, is for me, truly the question we should be asking.” [20] (#cite_note-20) Rahman has spoken out about the lack of South Asian representation within the fashion supply chain [21] (#cite_note-21) Recognition [ edit ] Finalist for the British Fashion Council's Changemakers 'People' prize in 2021. [12] (#cite_note-auto5-12) [22] (#cite_note-22) Winner of Outstanding Achievements Award at British Bangladeshi Fashion Council in 2019 [23] (#cite_note-23) References [ edit ] ^ (#cite_ref-1) "Folded Life" (https://foldedlife.crabflowerclub.net/rahemur-rahman/interview/part-1/) . ^ Jump up to: a b "British Fashion Council" (https://www.britishfashioncouncil.co.uk/pressreleases/Sixteen-of-the-Worlds-Best-Emerging-Fashion-Designers-to-Exhibit-in-London-at-the-International-Fashion-Showcase-2019) . www.britishfashioncouncil.co.uk . ^ (#cite_ref-3) "Rahemur Rahman | SHOWstudio" (https://www.showstudio.com/contributors/rahemur-rahman) . www.showstudio.com . ^ (#cite_ref-4) "12 South Asian Fashion Designers You Should Know About" (https://www.teenvogue.com/story/12-south-asian-fashion-designers-you-should-know-about) . Teen Vogue . September 9, 2022. ^ Jump up to: a b c d e Brown, Helen (December 20, 2021). "Rahemur Rahman: Child of the rag trade" (https://poplarlondon.co.uk/rahemur-rahman-fashion-designer/) . ^ Jump up to: a b c d e "Rahemur Rahman: A New Designer Exploring South Asian Identity" (https://www.anothermanmag.com/style-grooming/10679/rahemur-rahman-fashion-designer-interview-london-fashion-week-mens) . AnotherMan . 10 January 2019. ^ (#cite_ref-7) Ferrier, Morwenna; Seamons, Helen (January 9, 2019). "The eyes have it: the stars of London fashion week men's" (https://www.theguardian.com/fashion/gallery/2019/jan/09/the-eyes-have-it-the-stars-of-london-fashion-week-mens) . The Guardian – via www.theguardian.com. ^ (#cite_ref-8) Conlon, Scarlett; Seamons, Helen (June 12, 2019). "Eternal summer: highlights from London fashion week men's" (https://www.theguardian.com/fashion/gallery/2019/jun/12/eternal-summer-highlights-from-london-fashion-week-mens) . The Guardian – via www.theguardian.com. ^ (#cite_ref-9) "London-based Rahemur Rahman's menswear label is redefining 'Made in Bangladesh' - Elle India" (https://elle.in/article/rahemur-rahman-designer/) . ^ (#cite_ref-10) "East End teenager went on to give London Fashion Week an alternative to the catwalk" (https://www.eastlondonadvertiser.co.uk/news/20958579.east-end-teenager-went-give-london-fashion-week-alternative-catwalk/) . East London Advertiser . 24 February 2019. ^ Jump up to: a b "Bangladeshi designer makes history at the V & A in London" (https://www.mime.news/posts/bangladeshi-designer-makes-history-at-the-v-a-in-london) . www.mime.news . ^ Jump up to: a b "Meet Six South Asian Designers Challenging Stereotypes by Returning to Their Roots" (https://www.vogue.com/article/six-south-asian-designers-challenging-stereotypes-by-returning-to-their-roots) . Vogue . October 12, 2022. ^ Jump up to: a b "New immersive art installation offers glimpse into life of Bangladeshi community living around 1970's Brick Lane" (https://www.towerhamlets.gov.uk/News_events/2021/November-2021/New-immersive-art-installation-offers-glimpse-into-life-of-Bangladeshi-community-living-around-1970%27s-Brick-Lane.aspx) . www.towerhamlets.gov.uk . ^ Jump up to: a b "My Home My Bari | Temporary Exhibitions | Museum of the Home" (https://www.museumofthehome.org.uk/whats-on/exhibitions-and-installations/my-home-my-bari/) . www.museumofthehome.org.uk . ^ (#cite_ref-15) "My Home My Bari | Rising East" (https://risingeast.co.uk/my-home-my-bari/) . 9 December 2021. ^ (#cite_ref-16) Elidemir, Gulistan (December 30, 2021). "My Home My Bari: Rebuilding the loss of home" (https://whitechapellondon.co.uk/my-home-my-bari-rahemur-rahman/) . ^ (#cite_ref-17) "mhmb" (https://www.mhmb.org/) . mhmb . ^ (#cite_ref-18) " (https://www.amaliah.com/post/65815/museum-of-the-home-my-home-my-bari) 'My Home, My Bari' the Latest Museum of Home Installation" (https://www.amaliah.com/post/65815/museum-of-the-home-my-home-my-bari) . Amaliah . ^ (#cite_ref-19) Bains, Aashi (January 11, 2022). "Is the Fashion Industry Inclusive of South Asians?" (https://www.desiblitz.com/content/is-the-fashion-industry-inclusive-of-south-asians) . ^ (#cite_ref-20) Bromley, Joe (October 6, 2022). " (https://www.standard.co.uk/insider/fashion/kanye-ye-west-white-lives-matter-gigi-hadid-fashion-academic-b1030510.html) 'Grotesque and inappropriate': Fashion academics react to Kanye West" (https://www.standard.co.uk/insider/fashion/kanye-ye-west-white-lives-matter-gigi-hadid-fashion-academic-b1030510.html) . Evening Standard . ^ (#cite_ref-21) "Nachhaltige Mode: Die wichtigsten Erkenntnisse vom Global Fashion Summit 2022" (https://www.vogue.de/mode/artikel/global-fashion-summit-2022) . Vogue Germany . June 13, 2022. ^ (#cite_ref-22) O'Malley, Katie (July 22, 2021). "BFC Announces Changemakers Prize Nominees And Makes Us Excited For The Future Of Fashion" (https://www.elle.com/uk/fashion/a37087550/british-fashion-council-changemakers-prize/) . ELLE . ^ (#cite_ref-23) "Fashion District - Rahemur Rahman wins Outstanding Achievements Award at British Bangladeshi Fashion Council Award 2019" (https://www.fashion-district.co.uk/2019/05/09/rahemur-raeman-wins-outstanding-achievements-award-at-british-bangladeshi-fashion-council-award-2019/) . www.fashion-district.co.uk . 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Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Rahemur_Rahman&oldid=1219873656 (https://en.wikipedia.org/w/index.php?title=Rahemur_Rahman&oldid=1219873656) " Categories (/wiki/Help:Category) : 1990 births (/wiki/Category:1990_births) Living people (/wiki/Category:Living_people) People from the London Borough of Tower Hamlets (/wiki/Category:People_from_the_London_Borough_of_Tower_Hamlets) British people of Bangladeshi descent (/wiki/Category:British_people_of_Bangladeshi_descent) British artists (/wiki/Category:British_artists) British fashion designers (/wiki/Category:British_fashion_designers) Alumni of Central Saint Martins (/wiki/Category:Alumni_of_Central_Saint_Martins) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) |
Clothing portal (/wiki/Portal:Clothing) Fashion portal (/wiki/Portal:Fashion) The main article for this category (/wiki/Help:Categories) is Belt (clothing) (/wiki/Belt_(clothing)) . Wikimedia Commons has media related to Belts (https://commons.wikimedia.org/wiki/Category:Belts) . NewPP limit report Parsed by mw‐web.eqiad.main‐57d74c944b‐8fxfk Cached time: 20240720233327 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.101 seconds Real time usage: 0.195 seconds Preprocessor visited node count: 167/1000000 Post‐expand include size: 3891/2097152 bytes Template argument size: 226/2097152 bytes Highest expansion depth: 14/100 Expensive parser function count: 2/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 2569/5000000 bytes Lua time usage: 0.065/10.000 seconds Lua memory usage: 1511917/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 179.395 1 -total 61.09% 109.588 1 Template:Commons_category 59.46% 106.677 1 Template:Sister_project 57.97% 103.995 1 Template:Side_box 45.01% 80.739 2 Template:If_then_show 27.44% 49.222 1 Template:Portal 11.26% 20.203 1 Template:Cat_main Saved in parser cache with key enwiki:pcache:idhash:44532398-0!canonical and timestamp 20240720233327 and revision id 1127511064. Rendering was triggered because: page-view Subcategories This category has only the following subcategory. J Japanese sashes (/wiki/Category:Japanese_sashes) (7 P) Pages in category "Belts (clothing)" The following 45 pages are in this category, out of 45 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . B Baldric (/wiki/Baldric) Bandolier (/wiki/Bandolier) Batman's utility belt (/wiki/Batman%27s_utility_belt) Belt (clothing) (/wiki/Belt_(clothing)) Belt buckle (/wiki/Belt_buckle) Belt hook (/wiki/Belt_hook) Belting (beating) (/wiki/Belting_(beating)) Bendle (/wiki/Bendle) Black belt (martial arts) (/wiki/Black_belt_(martial_arts)) Brez (clothing) (/wiki/Brez_(clothing)) C Cestus (/wiki/Cestus) Challenge Belt (/wiki/Challenge_Belt) Cincture (/wiki/Cincture) Cincture of the Theotokos (/wiki/Cincture_of_the_Theotokos) Concho belt (/wiki/Concho_belt) Cummerbund (/wiki/Cummerbund) D Police duty belt (/wiki/Police_duty_belt) F Fanny pack (/wiki/Fanny_pack) G Gartel (/wiki/Gartel) Garter (/wiki/Garter) Girdle (/wiki/Girdle) Girdle of Aphrodite (/wiki/Girdle_of_Aphrodite) Girdle of Thomas (/wiki/Girdle_of_Thomas) Girdler (/wiki/Girdler) H Himiana (/wiki/Himiana) Holy Girdle (/wiki/Holy_Girdle) I International Peace Belt (/wiki/International_Peace_Belt) K Kushti (/wiki/Kushti) Kyū (/wiki/Ky%C5%AB) M Megingjörð (/wiki/Megingj%C3%B6r%C3%B0) Midnight Blue Belt (/wiki/Midnight_Blue_Belt) Money belt (/wiki/Money_belt) R Red belt (martial arts) (/wiki/Red_belt_(martial_arts)) Russell Company Upper Mill (/wiki/Russell_Company_Upper_Mill) S Sam Browne belt (/wiki/Sam_Browne_belt) Sanseer Mill (/wiki/Sanseer_Mill) Sash (/wiki/Sash) Senninbari (/wiki/Senninbari) Shoulder belt (military) (/wiki/Shoulder_belt_(military)) Surcingle belt (/wiki/Surcingle_belt) Suspenders (/wiki/Suspenders) W Webbed belt (/wiki/Webbed_belt) Z Zone (vestment) (/wiki/Zone_(vestment)) Zoster (costume) (/wiki/Zoster_(costume)) Zunnar (/wiki/Zunnar) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Belts_(clothing)&oldid=1127511064 (https://en.wikipedia.org/w/index.php?title=Category:Belts_(clothing)&oldid=1127511064) " Category (/wiki/Help:Category) : Clothing by type (/wiki/Category:Clothing_by_type) Hidden category: Commons category link from Wikidata (/wiki/Category:Commons_category_link_from_Wikidata) |
Man's coat worn with a business or lounge suit Single and double-breasted jacket A suit jacket , also called a lounge jacket , lounge coat or suit coat , is a jacket (/wiki/Jacket) in classic menswear (/wiki/Classic_menswear) that is part of a suit (/wiki/Suit) . Single and double-breasted [ edit ] Most single-breasted (/wiki/Single-breasted) suit jackets have two or three buttons, and one or four buttons are unusual (except that tuxedo (/wiki/Tuxedo) dinner jackets often have only one button). It is rare to find a suit jacket with more than four buttons, although zoot suits (/wiki/Zoot_suits) can have as many as six or more due to their longer length. There is also variation in the placement and style of buttons, [1] (#cite_note-1) since the button placement is critical to the overall impression of height conveyed by the jacket. The centre or top button will typically line up quite closely with the natural waistline. [2] (#cite_note-2) Double-breasted (/wiki/Double-breasted) jackets have only half their outer buttons functional, as the second row is for display only, forcing them to come in pairs. Some rare jackets can have as few as two buttons, and during various periods, for instance the 1960s and 70s, as many as eight were seen. Six buttons are typical, with two to button; the last pair floats above the overlap. The three buttons down each side may in this case be in a straight line (the 'keystone' layout) or more commonly, the top pair is half as far apart again as each pair in the bottom square. A four-button double-breasted jacket usually buttons in a square. [3] (#cite_note-3) The layout of the buttons and the shape of the lapel are co-ordinated in order to direct the eyes of an observer. For example, if the buttons are too low, or the lapel roll too pronounced, the eyes are drawn down from the face, and the waist appears larger. [4] (#cite_note-4) Lapels [ edit ] Main article: Lapel (/wiki/Lapel) The jacket's lapels can be notched (also called stepped ), peaked ( pointed ), or shawl. Each lapel style carries different connotations, and is worn with different cuts of suit. Notched lapels are the most common of the three and are usually only found on single-breasted jackets. They are distinguished by a 75 to 90 degree 'notch' at the point where the lapel meets the collar. [5] (#cite_note-5) Peaked lapels have sharp edges which point upward towards the shoulders. Double-breasted jackets usually have peaked lapels, although peaked lapels may be found on single breasted jackets as well. The ability to properly cut peak lapels on a single-breasted suit is one of the most challenging tailoring tasks, even for very experienced tailors. [6] (#cite_note-6) Shawl lapels are a style derived from the Victorian informal evening wear, and as such are not normally seen on suit jackets except for tuxedos or dinner suits. [7] (#cite_note-7) notched lapel peaked lapel shawl lapel The width of the lapel is a varying aspect of suits, and has changed over the years. The 1930s and 1970s featured exceptionally wide lapels, whereas during the late 1950s and most of the 1960s suits with very narrow lapels—often only about an inch wide—were in fashion. The 1980s saw mid-size lapels with a low gorge (the point on the jacket that forms the notch or peak between the collar and front lapel). Lapels also have a buttonhole (/wiki/Buttonhole) , intended to hold a boutonnière (/wiki/Boutonni%C3%A8re) , a decorative flower. These are now only commonly seen at more formal events. Usually double-breasted suits have one hole on each lapel (with a flower just on the left), while single-breasted suits have just one on the left. [8] (#cite_note-8) Pockets [ edit ] Main article: Coat pocket (/wiki/Coat_pocket) Most jackets have a variety of inner pockets, and two main outer pockets, which are generally either patch pockets, flap pockets, or jetted ( besom ) pockets. [9] (#cite_note-9) The patch pocket is, with its single extra piece of cloth sewn directly onto the front of the jacket, a sporting option, sometimes seen on summer linen suits, or other informal styles. The flap pocket is standard for side pockets, and has an extra lined flap of matching fabric covering the top of the pocket. A jetted pocket is most formal, with a small strip of fabric taping the top and bottom of the slit for the pocket. This style is most often on seen on formalwear (/wiki/Formalwear) , such as a dinner jacket (/wiki/Dinner_jacket) . A breast pocket is usually found at the left side, where a pocket square (/wiki/Pocket_square) or handkerchief can be displayed. In addition to the standard two outer pockets and breast pocket, some suits have a fourth, the ticket pocket, usually located just above the right pocket and roughly half as wide. While this was originally exclusively a feature of country suits, used for conveniently storing a train ticket, it is now seen on some town suits. Another country feature also worn sometimes in cities is a pair of hacking pockets, which are similar to normal ones, but slanted; this was originally designed to make the pockets easier to open on horseback while hacking (/wiki/Equestrianism) . [10] (#cite_note-Flusser85ch2-10) Sleeves [ edit ] Suit jackets in all styles typically have three or four buttons (/wiki/Button_(clothing)) on each cuff, which are often purely decorative (the sleeve is usually sewn closed and cannot be unbuttoned to open). Although the sleeve buttons usually cannot be undone, the stitching is such that it appears they could. Functional cuff buttons may be found on high-end or bespoke suits; this feature is called a surgeon's cuff or working button holes (U.S.). [11] (#cite_note-11) Some wearers leave these buttons undone to reveal that they can afford a bespoke suit. [12] (#cite_note-12) A "cuffed sleeve" has an extra length of fabric folded back over the arm, or some piping or stitching above the buttons to allude to the edge of a cuff. This was popular in the Edwardian era, as a feature of formalwear such as frock coats (/wiki/Frock_coat) carried over to informal wear, but is now rare. Vents [ edit ] Sewing Menswear--Jackets ; US. Dept. of Agriculture A vent (/wiki/Vent_(tailoring)) is a slit in the bottom rear (the tail ) of the jacket. Originally, vents were a sporting option, designed to make riding easier, so are traditional on hacking jackets, formal coats such as a morning coat (/wiki/Morning_coat) , and, for practicality, overcoats. Today there are three styles of venting: the single-vented style (with one vent at the centre); the ventless style; and the double-vented style (one vent on each side). Vents are convenient, particularly when using a pocket or sitting down, to improve the hang of the jacket, [13] (#cite_note-13) so are now used on most jackets. Ventless jackets are associated with Italian tailoring, while the double-vented style is typically British. [10] (#cite_note-Flusser85ch2-10) Dinner jackets (/wiki/Dinner_jacket) traditionally have no vents. See also [ edit ] Blazer (/wiki/Blazer) Sports jacket (/wiki/Sports_jacket) Tuxedo (/wiki/Tuxedo) Smoking jacket (/wiki/Smoking_jacket) Stroller (style) (/wiki/Stroller_(style)) Pantsuit (/wiki/Pantsuit) References [ edit ] ^ (#cite_ref-1) Druesdow (1990). p. vi. "...for often the difference in style from season to season was in the distance between buttons..." ^ (#cite_ref-2) Flusser (2002). p. 83 ^ (#cite_ref-3) Antongiavanni (2006). p. 14 ^ (#cite_ref-4) Antongiavanni (2006). p. 16 ^ (#cite_ref-5) "What's the Difference Between a Notch Lapel, Peak Lapel, and Shawl Lapel on a Suit" (https://web.archive.org/web/20170926235739/https://www.sharpsense.ca/blogs/style-guide/whats-the-difference-between-a-notch-lapel-peak-lapel-and-shawl-lapel-on-a-suit) . sharpsense.ca. Archived from the original (https://www.sharpsense.ca/blogs/style-guide/whats-the-difference-between-a-notch-lapel-peak-lapel-and-shawl-lapel-on-a-suit) on 2017-09-26 . Retrieved 2017-09-26 . ^ (#cite_ref-6) Mahon, Thomas (2005-03-29). "Single-breasted, peaked lapel" (http://www.englishcut.com/archives/000052.html) . English Cut . Retrieved 2008-09-20 . ^ (#cite_ref-7) Flusser (2002). pp. 82–85 ^ (#cite_ref-8) Boehlke, Will (2007-01-07). "What's in your lapel?" (http://asuitablewardrobe.dynend.com/2007/01/whats-in-your-lapel.html) . A Suitable Wardrobe . Retrieved 2008-09-24 . ^ (#cite_ref-9) The Nu-Way Course in Fashionable Clothes Making (1926). Lesson 33 (http://vintagesewing.info/1920s/26-fcm/fcm-33.html) ^ Jump up to: a b Flusser (1985). ch. 2 (http://www.throughtherye.com/flusser/ch2.htm) ^ (#cite_ref-11) Mahon, Thomas (2007-01-18). "Real cuff holes..." (http://www.englishcut.com/archives/000215.html) English Cut . Retrieved 2008-10-26 . ^ (#cite_ref-12) Rosenbloom, Stephanie (February 13, 2009). "For Fine Recession Wear, $7,000 Suits From Saks (Off the Rack)" (https://www.nytimes.com/2009/02/14/business/14saks.html) . New York Times (/wiki/New_York_Times) . Retrieved 2009-02-14 . ^ (#cite_ref-13) Antongiavanni (2006). p. 172 v t e Clothing (/wiki/Clothing) History (/wiki/History_of_clothing_and_textiles) Industry (/wiki/Clothing_industry) Technology (/wiki/Clothing_technology) Terminology (/wiki/Clothing_terminology) Timeline (/wiki/Timeline_of_clothing_and_textiles_technology) Headwear (/wiki/Headgear) Beret (/wiki/Beret) Cap (/wiki/Cap) baseball (/wiki/Baseball_cap) flat (/wiki/Flat_cap) knit (/wiki/Knit_cap) Hat (/wiki/Hat) boater (/wiki/Boater) bowler (/wiki/Bowler_hat) fedora (/wiki/Fedora) homburg (/wiki/Homburg_hat) top (/wiki/Top_hat) Helmet (/wiki/Helmet) Hood (/wiki/Hood_(headgear)) Kerchief (/wiki/Kerchief) Mask (/wiki/Mask) Turban (/wiki/Turban) Veil (/wiki/Veil) Neckwear (/wiki/Neckwear) Bands (/wiki/Bands_(neckwear)) Choker (/wiki/Choker) Clerical collar (/wiki/Clerical_collar) Lavallière (/wiki/Pussy_bow) Neckerchief (/wiki/Neckerchief) Neck gaiter (/wiki/Neck_gaiter) Necktie (/wiki/Necktie) ascot (/wiki/Ascot_tie) bolo (/wiki/Bolo_tie) bow (/wiki/Bow_tie) kipper (/wiki/Kipper_tie) school (/wiki/School_tie) stock (/wiki/Stock_tie) Scarf (/wiki/Scarf) Tippet (/wiki/Tippet) Tops (/wiki/Top_(clothing)) Blouse (/wiki/Blouse) cache-cœur (/wiki/Cache-c%C5%93ur) crop top (/wiki/Crop_top) halterneck (/wiki/Halterneck) tube top (/wiki/Tube_top) Cycling (/wiki/Cycling_jersey) Kurta (/wiki/Kurta) Mantle (/wiki/Mantle_(clothing)) Shirt (/wiki/Shirt) dress (/wiki/Dress_shirt) Henley (/wiki/Henley_shirt) polo (/wiki/Polo_shirt) sleeveless (/wiki/Sleeveless_shirt) T (/wiki/T-shirt) Sweater (/wiki/Sweater) cardigan (/wiki/Cardigan_(sweater)) guernsey (/wiki/Guernsey_(clothing)) hoodie (/wiki/Hoodie) jersey (/wiki/Jersey_(clothing)) polo neck (/wiki/Polo_neck) shrug (/wiki/Shrug_(clothing)) sweater vest (/wiki/Sweater_vest) twinset (/wiki/Twinset) Waistcoat (/wiki/Waistcoat) Trousers (/wiki/Trousers) Bell-bottoms (/wiki/Bell-bottoms) Bondage (/wiki/Bondage_pants) Capri (/wiki/Capri_pants) Cargo (/wiki/Cargo_pants) 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American model and activist Ebonee Davis Born Eboni Davis ( 1992-11-16 ) November 16, 1992 (age 31) Seattle (/wiki/Seattle) , Washington (/wiki/Washington_(state)) , U.S. Modeling information Height 1.78 m (5 ft 10 in) Hair color Brown Eye color Brown Agency CAA (/wiki/Creative_Artists_Agency) (New York) LUMIEN Creative (/w/index.php?title=LUMIEN_Creative_(agency)&action=edit&redlink=1) (New York) SMG (Seattle) (mother agency) [1] (#cite_note-1) Eboni Davis (born November 16, 1992), known professionally as Ebonee Davis , is an American model and activist. [2] (#cite_note-2) She appeared in season 18 (/wiki/America%27s_Next_Top_Model_(season_18)) of America's Next Top Model (/wiki/America%27s_Next_Top_Model) . She gave a TED Talk (/wiki/TED_Talk) on the experience of being an African-American (/wiki/African_Americans) model in the fashion industry. [3] (#cite_note-3) [4] (#cite_note-4) She is known for her Calvin Klein (/wiki/Calvin_Klein) campaign, in which she wore her natural hair. [5] (#cite_note-5) [6] (#cite_note-6) America's Next Top Model [ edit ] Davis won one challenge and received one first call-out in week 5. She was also part of a non-elimination bottom four with American contestant Candace Smith, former Britain's Next Top Model, Cycle 6 (/wiki/Britain%27s_Next_Top_Model,_Cycle_6) Runner-Up Alisha White and former Britain's Next Top Model, Cycle 5 (/wiki/Britain%27s_Next_Top_Model,_Cycle_5) contestant Ashley Brown in week 3 after former Britain's Next Top Model, Cycle 5 (/wiki/Britain%27s_Next_Top_Model,_Cycle_5) Runner-Up Louise Watts decided to quit the competition. She also survived a bottom two appearance over American contestant Seymone Cohen-Fobish in week 8 and was eliminated ninth in week 10 where Alisha White who survived also decided to quit the competition immediately in order to accommodate Davis. White was allowed to leave however Davis' elimination decision was final. This resulted in the first time in the show's history that more than one contestant decided to quit during the same season and also the first time where all three remaining contestants (the last American contestant Laura LaFrate and former Britain's Next Top Model, Cycle 5 (/wiki/Britain%27s_Next_Top_Model,_Cycle_5) contestants Annaliese Dayes and Sophie Sumner (/wiki/Sophie_Sumner) who eventually won America's Next Top Model, Cycle 18 (/wiki/America%27s_Next_Top_Model,_Cycle_18) ) made it to the next judging without ever appearing in the bottom two at any time throughout the competition (/wiki/Competition) . Career [ edit ] Davis began her career by going to an open casting call in Seattle, Washington. [7] (#cite_note-7) She starred in season 18 of America's Next Top Model , she was eliminated during the show's tenth episode. [8] (#cite_note-8) She has since appeared in magazines like Sports Illustrated 's Swimsuit Issue (/wiki/Sports_Illustrated_Swimsuit_Issue) , Glamour , Teen Vogue (/wiki/Teen_Vogue) , and Harper's Bazaar (/wiki/Harper%27s_Bazaar) UK. [9] (#cite_note-9) [10] (#cite_note-10) [11] (#cite_note-11) [12] (#cite_note-12) She has also been featured in advertisements for Calvin Klein (/wiki/Calvin_Klein) , L'Oreal (/wiki/L%27Oreal) , Pantene (/wiki/Pantene) , Urban Outfitters (/wiki/Urban_Outfitters) , Victoria's Secret Pink (/wiki/Pink_(Victoria%27s_Secret)) , and GAP (/wiki/Gap_Inc.) . [13] (#cite_note-13) [14] (#cite_note-uoblog-14) [15] (#cite_note-15) [16] (#cite_note-16) [17] (#cite_note-17) [18] (#cite_note-18) She was also one of the models in Kanye West (/wiki/Kanye_West) 's Season 4 fashion show. [19] (#cite_note-19) [20] (#cite_note-20) References [ edit ] ^ (#cite_ref-1) "Ebonee Davis - Model" (https://models.com/models/ebonee-davis) . ^ (#cite_ref-2) "Model Ebonee Davis On Beauty & Self-Care" (https://intothegloss.com/2017/02/ebonee-davis-beauty%20/) . Into The Gloss . Retrieved January 13, 2018 . ^ (#cite_ref-3) "Model Ebonee Davis Gets Brutally Honest About Being Black in Fashion" (http://www.cosmopolitan.com/style-beauty/a8942317/ebonee-davis-fashion-race-ted-talk/) . Cosmopolitan . February 16, 2017 . Retrieved January 13, 2018 . ^ (#cite_ref-4) Petrarca, Emilia. "Model Ebonee Davis on Her Recent TED Talk Tackling Racism in the Fashion Industry" (https://www.wmagazine.com/story/ebonee-davis-model-ted-talk) . W Magazine . Retrieved January 13, 2018 . ^ (#cite_ref-5) "ebonee davis opens up about the realities of working as a black model in fashion" (https://i-d.vice.com/en_us/article/mbvaga/ebonee-davis-opens-up-about-the-realities-of-working-as-a-black-model-in-fashion) . I-d . January 30, 2017 . Retrieved January 13, 2018 . ^ (#cite_ref-6) Akhtar, Amina. "Calvin Klein Model Ebonee Davis Speaks Candidly About Racism in Fashion" (https://www.allure.com/story/calvin-klein-ebonee-davis-racism-fashion) . Allure . Retrieved January 13, 2018 . ^ (#cite_ref-7) Safronova, Valeriya; Nikas, Joanna; Osipova, Natalia V. (September 5, 2017). "What It's Truly Like to Be a Fashion Model" (https://www.nytimes.com/2017/09/05/fashion/models-racism-sexual-harassment-body-issues-new-york-fashion-week.html) . The New York Times . ISSN (/wiki/ISSN_(identifier)) 0362-4331 (https://www.worldcat.org/issn/0362-4331) . Retrieved January 13, 2018 . ^ (#cite_ref-8) " (http://www.digitalspy.com/tv/americas-next-top-model/interviews/a381128/americas-next-top-model-eboni-davis-qa-i-was-relieved-by-exit/) 'America's Next Top Model' Eboni Davis Q&A" (http://www.digitalspy.com/tv/americas-next-top-model/interviews/a381128/americas-next-top-model-eboni-davis-qa-i-was-relieved-by-exit/) . Digital Spy . May 11, 2012 . Retrieved January 13, 2018 . ^ (#cite_ref-9) "Model Search" (https://www.si.com/specials/model-search/) . Model Search . ^ (#cite_ref-10) Pinson, Laurel. "Why 35 Models Think the Fashion Industry Needs to Take a Stand on Sustainability" (http://www.glamour.com/story/cameron-russell-and-model-mafia-fashion-industry-take-a-stand-on-sustainability) . Glamour . Retrieved January 13, 2018 . ^ (#cite_ref-11) "Watch this face: Ebonee Davis" (http://www.harpersbazaar.co.uk/fashion/fashion-news/news/a37889/watch-this-face-ebonee-davis/) . Harper's BAZAAR . September 19, 2016 . Retrieved January 13, 2018 . ^ (#cite_ref-12) Marzec, Stevie + Mada, Tyler McCall, Kirby Marzec, Cameron Rains, Kirby (11 March 2016). "The Prom Dress Is Dead — Here's How to Wear a Suit Better Than the Boys" (http://www.teenvogue.com/gallery/prom-suits#2) . Teen Vogue . {{ cite news (/wiki/Template:Cite_news) }} : CS1 maint: multiple names: authors list ( link (/wiki/Category:CS1_maint:_multiple_names:_authors_list) ) ^ (#cite_ref-13) "As Slick As Ebonee" (http://officemagazine.net/interview/slick-ebonee) . February 8, 2017. ^ (#cite_ref-uoblog_14-0) "adidas + UO: Ebonee Davis - Urban Outfitters - Blog" (http://blog.urbanoutfitters.com/blog/adidas_uo_ebonee_davis) . blog.urbanoutfitters.com . ^ (#cite_ref-15) "Calvin Klein Model Pens Rare and Honest Open Letter to Fashion Industry" (http://www.harpersbazaar.com/culture/features/news/a16602/calvin-klein-model-ebonee-davis-racism-fashion-industry/) . Harper's BAZAAR . July 11, 2016 . Retrieved January 13, 2018 . ^ (#cite_ref-16) "The Lions" (http://www.thelionsny.com/story/865/) . ^ (#cite_ref-17) "Now Casting: Ebonee Davis" (http://www.crfashionbook.com/fashion/a9586094/ebonee-davis/) . October 25, 2016. ^ (#cite_ref-18) Corsillo, Liza (May 30, 2016). "Model Ebonee Davis's Instagram Is How You Should Spend Your Day Off" (https://www.gq.com/story/ebonee-davis-instagram-model-bikini-photos) . GQ . Retrieved January 13, 2018 . ^ (#cite_ref-19) "This Model Wants To Change The Fashion Industry's Portrayal Of Beauty" (http://www.womenshealthmag.com/style/game-changers-2017-ebonee-davis) . Women's Health . May 16, 2017 . Retrieved January 13, 2018 . ^ (#cite_ref-20) "Ebonee Davis" (https://www.imdb.com/name/nm7680802/?ref_=nv_sr_srsg_3) . 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Fashion watchdog group Diet Prada Formation 2014 ; 10 years ago ( 2014 ) Purpose Fashion watchdog group (/wiki/Consumer_organization) Key people Tony Liu and Lindsey Schuyler Website dietprada (http://dietprada.com) .com (http://dietprada.com) Diet Prada is an Instagram (/wiki/Instagram) account and fashion watchdog group (/wiki/Consumer_organization) . Created in 2014 by two then-anonymous founders, the account's owners were identified in 2017 as fashion industry professionals Tony Liu and Lindsey Schuyler. [1] (#cite_note-:0-1) Originally created as a lighthearted way to call out similarities in designs, beginning in 2018 the account became a more serious voice in campaigning for integrity and accountability within the fashion industry. [2] (#cite_note-:1-2) [3] (#cite_note-:2-3) In addition to highlighting copied designs, Diet Prada has drawn attention to cultural appropriation (/wiki/Cultural_appropriation) and lack of diversity in publishing and fashion companies. [1] (#cite_note-:0-1) As of March 2022 [update] (https://en.wikipedia.org/w/index.php?title=Diet_Prada&action=edit) , the account had more than three million followers. History [ edit ] 2018 Dolce & Gabbana fashion show [ edit ] See also: Dolce & Gabbana § Shanghai event promotion video (/wiki/Dolce_%26_Gabbana#Shanghai_event_promotion_video) In November 2018, the account drew attention to a Dolce & Gabbana (/wiki/Dolce_%26_Gabbana) video advertisement promoting their major upcoming fashion show, called "The Great Show," that was scheduled to occur in Shanghai (/wiki/Shanghai) . [4] (#cite_note-:4-4) Featuring a Chinese model struggling to eat Italian foods with a pair of chopsticks, the advertisement was criticized as racist (/wiki/Racism) . [4] (#cite_note-:4-4) [5] (#cite_note-:5-5) Several hours before The Great Show was scheduled to begin, Diet Prada shared screenshots of direct messages alleged to be from Stefano Gabbana (/wiki/Stefano_Gabbana) , in which he appeared to denigrate China and Chinese people. [4] (#cite_note-:4-4) The post quickly went viral in China and the hashtag #boycottdolce began to trend. Hundreds of Chinese individuals scheduled to appear in the show withdrew, and the show was eventually canceled. Apologies were later posted to the Dolce & Gabbana account, and claims were made that both Gabbana's personal Instagram account and the brand account had been hacked (/wiki/Hack_(computer_security)) . [4] (#cite_note-:4-4) [5] (#cite_note-:5-5) Diet Prada later described the incident in an interview with Fast Company (/wiki/Fast_Company) as a moment when they realized they had the ability to effect major change within the fashion industry. [2] (#cite_note-:1-2) Founders [ edit ] Tony Liu and Lindsey Schuyler met when they worked together at the American accessories line Eugenia Kim (/wiki/Eugenia_Kim) . [2] (#cite_note-:1-2) By 2015, they had both left the brand but they kept in touch. [6] (#cite_note-:6-6) The two would browse photographs of runway shows (/wiki/Fashion_show) , noticing similarities between the pieces and older designs, and created their Diet Prada Instagram account in 2014 "just for fun". [2] (#cite_note-:1-2) [7] (#cite_note-:3-7) They remained anonymous for the first three years of the account's existence, eventually revealing their identities in an October 2017 feature in The Fashion Law . [7] (#cite_note-:3-7) Tony Liu [ edit ] Liu was born in New York City and earned a fine arts degree from the School of the Art Institute of Chicago (/wiki/School_of_the_Art_Institute_of_Chicago) . [3] (#cite_note-:2-3) [7] (#cite_note-:3-7) As of October 2017 [update] (https://en.wikipedia.org/w/index.php?title=Diet_Prada&action=edit) he ran a menswear (/wiki/Suit) brand called YOU AS. [7] (#cite_note-:3-7) In 2016, YOU AS was listed by Highsnobiety (/wiki/Highsnobiety) as an "upcoming" brand. [8] (#cite_note-:7-8) YOU AS launched a Spring 2018 collection. Vogue (/wiki/Vogue_(magazine)) described Liu's motivations behind the collection as his own take on "the seedy cool of Las Vegas, à la Tom Wolfe and Hunter S. Thompson, without falling victim to its cheesy ick factor". [9] (#cite_note-9) Lindsey Schuyler [ edit ] Schuyler grew up in Saint Augustine, Florida and was a designer for the eyewear company FGXI. [3] (#cite_note-:2-3) [7] (#cite_note-:3-7) She owns and runs a consulting practice. [6] (#cite_note-:6-6) Monetization [ edit ] Diet Prada earns much of its revenue through sales of merchandise. They also partner with brands and institutions such as museums who want them to cover fashion exhibits. [2] (#cite_note-:1-2) They have done takeovers of Instagram accounts of other brands, such as Gucci (/wiki/Gucci) . [2] (#cite_note-:1-2) [3] (#cite_note-:2-3) Reaction [ edit ] The Business of Fashion (/wiki/Imran_Amed) described Diet Prada in May 2018 as "the most feared Instagram account" for the repercussions that have been faced by brands it has criticized. [1] (#cite_note-:0-1) [10] (#cite_note-10) Fast Company described Diet Prada in May 2019 as "one of the most influential voices in the fashion industry right now." [2] (#cite_note-:1-2) GQ wrote an article about them where they gave a platform to their readers, writing that some believe that "we've moved past Diet Prada because no one holds Diet Prada accountable". [11] (#cite_note-11) Diet Prada has been criticized for allegedly giving preferential treatment to brands with whom it has collaborated. Some brands and individuals who have been criticized by Diet Prada have described receiving angry and sometimes threatening comments from the account's followers for long periods of time. Diet Prada has been described as an example of " cancel culture (/wiki/Online_shaming) ." [3] (#cite_note-:2-3) References [ edit ] ^ Jump up to: a b c Tashjian, Rachel (July 1, 2020). "In Fashion, Who Will Cancel the Cancelers?" (https://www.gq.com/story/diet-prada-kanye) . GQ (/wiki/GQ) . Archived (https://web.archive.org/web/20200701184619/https://www.gq.com/story/diet-prada-kanye) from the original on 2020-07-01 . Retrieved August 9, 2020 . ^ Jump up to: a b c d e f g Farley, Amy (May 22, 2019). "How the Diet Prada cofounders became the fashion industry's most influential watchdogs" (https://www.fastcompany.com/90345174/most-creative-people-2019-diet-prada-tony-liu-lindsey-schuyler) . Fast Company (/wiki/Fast_Company) . Archived (https://web.archive.org/web/20190522140657/https://www.fastcompany.com/90345174/most-creative-people-2019-diet-prada-tony-liu-lindsey-schuyler) from the original on 2019-05-22 . Retrieved August 9, 2020 . ^ Jump up to: a b c d e Bromwich, Jonah Engel (March 14, 2019). "We're All Drinking Diet Prada Now" (https://www.nytimes.com/2019/03/14/fashion/diet-prada.html) . The New York Times (/wiki/The_New_York_Times) . ISSN (/wiki/ISSN_(identifier)) 0362-4331 (https://www.worldcat.org/issn/0362-4331) . Retrieved August 9, 2020 . ^ Jump up to: a b c d Munzenrieder, Kyle (November 21, 2018). "How Dolce & Gabbana's Shanghai Show Went From Spectacle to Cancellation" (https://www.wmagazine.com/story/dolce-and-gabbana-shanghai-show-controversy-canceled/) . W (/wiki/W_(magazine)) . Archived (https://web.archive.org/web/20181121232128/https://www.wmagazine.com/story/dolce-and-gabbana-shanghai-show-controversy-canceled) from the original on 2018-11-21 . Retrieved August 9, 2020 . ^ Jump up to: a b Xu, Yuhan (December 1, 2018). "Dolce & Gabbana Ad (With Chopsticks) Provokes Public Outrage in China" (https://www.npr.org/sections/goatsandsoda/2018/12/01/671891818/dolce-gabbana-ad-with-chopsticks-provokes-public-outrage-in-china) . National Public Radio (/wiki/National_Public_Radio) . Archived (https://web.archive.org/web/20181201180930/https://www.npr.org/sections/goatsandsoda/2018/12/01/671891818/dolce-gabbana-ad-with-chopsticks-provokes-public-outrage-in-china) from the original on 2018-12-01 . Retrieved August 9, 2020 . ^ Jump up to: a b Falquez, Camila. "Tony Liu & Lindsey Schuyler" (https://www.businessoffashion.com/community/people/tony-liu-lindsey-schuyler) . Business of Fashion . Archived (https://web.archive.org/web/20190422160134/https://www.businessoffashion.com/community/people/tony-liu-lindsey-schuyler) from the original on 2019-04-22 . Retrieved 23 March 2021 . ^ Jump up to: a b c d e "Meet Tony Liu and Lindsey Schuyler: The Duo Behind Diet Prada" (https://www.thefashionlaw.com/meet-tony-liu-and-lindsey-schuyler-the-duo-behind-diet-prada/) . The Fashion Law . October 19, 2017. Archived (https://web.archive.org/web/20200712154839/https://www.thefashionlaw.com/meet-tony-liu-and-lindsey-schuyler-the-duo-behind-diet-prada/) from the original on 2020-07-12 . Retrieved August 9, 2020 . ^ (#cite_ref-:7_8-0) Leach, Alec (2016). "UNDER THE RADAR | 6 UPCOMING BRANDS TO CHECK OUT THIS MONTH" (https://www.highsnobiety.com/p/best-upcoming-brands-february/) . High Snobiety . Retrieved 23 March 2021 . ^ (#cite_ref-9) Carter, Lee (July 13, 2017). "YOU AS" (https://www.vogue.com/fashion-shows/spring-2018-menswear/you-as) . Vogue . Archived (https://web.archive.org/web/20170717154407/http://www.vogue.com:80/fashion-shows/spring-2018-menswear/you-as) from the original on 2017-07-17 . Retrieved 23 March 2021 . ^ (#cite_ref-10) Sherman, Lauren (May 8, 2018). "Diet Prada Unmasked" (https://www.businessoffashion.com/articles/professional/diet-prada-instagram-unmasked-tony-liu-lindsey-schuyler) . The Business of Fashion (/wiki/The_Business_of_Fashion) . Archived (https://web.archive.org/web/20180514152851/https://www.businessoffashion.com/articles/professional/diet-prada-instagram-unmasked-tony-liu-lindsey-schuyler) from the original on 2018-05-14 . Retrieved August 9, 2020 . ^ (#cite_ref-11) Tashjian, Rachel (July 1, 2020). "In Fashion, Who Will Cancel the Cancelers?" (https://www.gq.com/story/diet-prada-kanye) . Gentlemen's Quarterly . Archived (https://web.archive.org/web/20200701184619/https://www.gq.com/story/diet-prada-kanye) from the original on 2020-07-01 . Retrieved March 23, 2021 . External links [ edit ] Official website (http://dietprada.com) Diet Prada (https://www.instagram.com/diet_prada/) on Instagram (/wiki/Instagram_(identifier)) NewPP limit report Parsed by mw‐web.codfw.main‐5486b6fcc7‐2hvqc Cached time: 20240701000322 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.321 seconds Real time usage: 0.470 seconds Preprocessor visited node count: 2696/1000000 Post‐expand include size: 31486/2097152 bytes Template argument size: 2478/2097152 bytes Highest expansion depth: 23/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 47939/5000000 bytes Lua time usage: 0.178/10.000 seconds Lua memory usage: 6044602/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 393.923 1 -total 38.15% 150.262 1 Template:Reflist 31.23% 123.030 10 Template:Cite_web 21.86% 86.124 1 Template:Infobox_organization 20.20% 79.580 1 Template:Infobox 17.64% 69.475 1 Template:Short_description 9.94% 39.154 2 Template:Pagetype 6.10% 24.024 2 Template:As_of 5.24% 20.626 2 Template:Unbulleted_list 5.11% 20.149 10 Template:Main_other Saved in parser cache with key enwiki:pcache:idhash:64796025-0!canonical and timestamp 20240701000322 and revision id 1183325142. 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Hairstyle and a hairstyling support For the piece of furniture sometimes known as a pouf, see Ottoman (furniture) (/wiki/Ottoman_(furniture)) . For other uses, see Poof (disambiguation) (/wiki/Poof_(disambiguation)) . Queen Marie Antoinette shown wearing a pouf created by her hairdresser Léonard Autié (/wiki/L%C3%A9onard_Auti%C3%A9) (1775) The pouf or pouffe also "toque" (literally a thick cushion) is a hairstyle and a hairstyling support deriving from 18th-century France (/wiki/18th-century_France) . It was made popular by the Queen of France (/wiki/Queen_of_France) , Marie Antoinette (/wiki/Marie_Antoinette) (1755–1793), when she wore it in June 1775 at the coronation of her husband Louis XVI (/wiki/Coronation_of_Louis_XVI) , triggering a wave of French noblewomen to wear their hair in the same manner. The hairstyle would become popular across Europe in the 1770s. [1] (#cite_note-1) Beginning and evolution [ edit ] Queen Charlotte (/wiki/Charlotte_of_Mecklenburg-Strelitz) (1781) Duchess of Devonshire (/wiki/Georgiana_Cavendish,_Duchess_of_Devonshire) (1782) Marie Antoinette acquired the hairstyle, which was a creation from the famed hairdresser of the day, Léonard Autié (/wiki/L%C3%A9onard_Auti%C3%A9) . In April 1774, it was first sported as Le Pouf Sentimental by Duchess de Chartres at the Opera. The Duchesse's hairstyle was immense. 14 yards of gauze were wrapped around a tower as well as two figures representing the baby Duc de Beaujolais in his nurse's arms with an African boy (a particular favorite of the Duchess) at her feet. A parrot and a plate of cherries were also added. [2] (#cite_note-head-2) : 65 From then on it quickly became widespread amongst noble and upper-class women in France during the time. It was highly creative and artistic, and women could literally wear their moods through strategically placed decorations and ornaments. Ships, animals and hundreds of other novelty items could be seen on these poufs. Other decorations included pearls, headdresses/hats, hair jewellery, and plumage, such as ostrich feathers. The pouf became popular throughout Europe during the same era, with Georgiana Cavendish, the Duchess of Devonshire (/wiki/Georgiana_Cavendish,_Duchess_of_Devonshire) , the most notably famous for her hair in England. Queen Charlotte of Great Britain (/wiki/Charlotte_of_Mecklenburg-Strelitz) would also fashion her hair into the pouf. As the 1780s progressed the style in which the pouf was worn evolved to become somewhat more conservative. From 1789, upon the outbreak of the French Revolution, the pouf became more of a political weapon for women who supported the revolution in turning against their former Queen's most popular fashion statement. As the 18th century came to an end, and the beginning of the 19th century, new fashions came along for hair, and the pouf , after the execution of Marie Antoinette (/wiki/Marie_Antoinette) , became history. Hairstyles similar to the pouf returned in both the 20th and 21st century with the more modern name beehive (/wiki/Beehive_(hairstyle)) , worn by stars such as Dusty Springfield (/wiki/Dusty_Springfield) , The Ronettes (/wiki/The_Ronettes) , and Amy Winehouse (/wiki/Amy_Winehouse) . Styling [ edit ] Léonard Autie preparing a pouf hairstyle Illustrations from Gallery of French Fashions and Costumes (/wiki/Galerie_des_Modes_et_Costumes_Fran%C3%A7ais) (1778) The pouf was a very elaborate and time-consuming hairstyle; hours were needed to create it. To create the base, a very thin metal frame was used to structure the shape. Also a triangular pillow ( pouf , toque ) was used as support. The frame was then padded and intertwined with pomaded (/wiki/Pomade) false hair 'postiches', and one's own hair would be taken in. The pomaded hair would then be curled in various sections (varying on the specific style), with heated clay curlers lined with strips of thin paper. The lovelocks would be curled in a similar fashion. Once the shaping and styling was done, it would be finished off with white or grey powder, and decoration proceeded. In the mid- to late-1770s, huge hair became all the rage. This high hairstyle was created using toques (or “cushions”) which were made of fabric or cork and shaped like a heart or spear. It was attached to the top of the head, and then natural and false hair was curled, waved, or frizzed and piled over and around the cushion. "At that time [1780] everybody wore powder and pomatum; a large triangular thing called a cushion, to which the hair was frizzed up with three or four enormous curls on each side; the higher the pyramid of hair, gauze, feathers, and other ornaments was carried the more fashionable it was thought, and such was the labour employed to rear the fabric that night-caps were made in proportion to it and covered over the hair, immensely long black pins, double and single, powder, pomatum and all ready for the next day. I think I remember hearing that twenty-four large pins were by no means an unusual number to go to bed with on your head" [3] (#cite_note-3) [4] (#cite_note-Kendra_Van_Cleave-4) A high hairstyle was not necessarily time-consuming or too labour-intensive. The following styling without decorations takes only 15 minutes, and a hairdo of some 30 cm (one foot) in height is achieved. "18th century women did not scrub their hair clean, so much as cleanse it. Instead of daily lathering of soap and water, they worked pomatum into the hair with their fingers, added powder, and then brushed and combed vigorously. More powder was dusted on before styling to achieve the fashionable matte, "dusty" look of powder and to make dark hair paler. Women did not tease their hair, but added extra volume with padded forms called rollers (thick, sausage-shaped pillow) and cushions. Sewn of wool cloth to match the wearer's hair, these were shaped pillows stuffed lightly with down or sheep's wool. The hair was wrapped around, or pulled through the forms, and smoothed and pinned into the desired shape. Side curls could be rolled and pinned into place, and extra touches could include braids or false curls." [5] (#cite_note-blogspot-5) Height [ edit ] Marie Thérèse Louise of Savoy, Princesse de Lamballe (/wiki/Marie_Th%C3%A9r%C3%A8se_Louise_of_Savoy,_Princesse_de_Lamballe) (c. 1776) The height varied, generally from very subtle one foot (30 cm) to as much as two feet (60 cm). The height of these styles was generally about 1 to 1 1/2 times the length of the face, and was styled in what was considered a pyramid shape (it also looks very much like a hot air balloon). In 1775, Queen Maria Theresa (/wiki/Maria_Theresa) of Austria wrote to her daughter Queen Marie Antoinette (/wiki/Marie_Antoinette) : "Likewise I cannot help but touch upon a point that many of the papers repeat to me too often: it is the hairstyle that you wear. They say that from the roots it measures 36 pouces (/wiki/Pouce) high (36 inches or 91.44 cm) and with all the feathers and ribbons that hold all of that up! You know that I have always been of the opinion that one should follow fashion moderately, but never carry it to excess. A pretty young queen full of charms has no need of all these follies. Quite the contrary. A simple hairstyle suits her better and is more appropriate for a queen. She must set the tone, and everyone will hurry to follow even your smallest errors..." [4] (#cite_note-Kendra_Van_Cleave-4) In 1776 Marie Antoinette had a hairstyle so high, that the plumes had to be removed from the coiffure, to get her in the carriage. [2] (#cite_note-head-2) : 66 The hairstyles of the day "reached such a height that it was necessary for ladies to kneel on the carriage floor—or hold the towering hairpieces outside the coach windows en route to balls and the opera." [2] (#cite_note-head-2) : XVIII Care [ edit ] The hairstyle would remain in the wearer's hair for about a week or two, until it was no longer hygienic (due to the pomade (/wiki/Pomade) ) or it could no longer keep its shape, and it was then simply washed and redone. Coated with animal fat and a powder mixed from wheat flour, the hair would become rancid and would often attract vermin – ostensibly the origin of the term "her hair is a rat's nest". [6] (#cite_note-savage-6) The best and most expensive fat for pomade was pork lard, due to its mild odour. [7] (#cite_note-7) A recipe for a pomatum (/wiki/Pomade) from The Toilet of Flora (1779) consisted of mutton fat and pig's lard with essence of lemon and clove oil, to be kept in a jar. Clove oil acts as natural flea and tick repellent. [5] (#cite_note-blogspot-5) [8] (#cite_note-Buc'hoz1772-8) When sleeping, women would add two or three pillows to keep their head upright and protect the hair. Great care was taken to duck when entering doorways and carriages, for the same reason. Women had to bend double to ride in their coaches, due to the immense height of the hair-dress. [9] (#cite_note-Edmond_de_Goncourt,_Jules_de_Goncourt,_page_238.-9) Women at court found it hard to keep up with the ever-changing fashion of hair. In order to keep these hairstyles from ruin, women would wear 'calash', a type of large carriage wheel-like bonnet, structured with boning, that accordioned open, which protected it from wind, dirt and rain. [10] (#cite_note-10) [11] (#cite_note-11) Cost [ edit ] Wealthier women may have had their hair done more often than this due to the cost of the technique and materials; Marie Antoinette (/wiki/Marie_Antoinette) at one time was said to have a different hairstyle every day, which were designed by her dressmaker Rose Bertin (/wiki/Rose_Bertin) and her favourite coiffeur Léonard Autié (/wiki/L%C3%A9onard_Auti%C3%A9) . Countess Goyon de Matignon, known as Madame de Matignon (/wiki/Madame_de_Matignon) , gave hairdresser Le sieur Beaulard 24,000 livres (/wiki/French_livre) a year for styling her hair in a different way every day of the year. Duchess de Chartres ordered one batch of plumes from Genoa at a price of 50,000 livres. A chignon wig made to the opera singer Antoinette Saint-Huberty (/wiki/Antoinette_Saint-Huberty) (Saint-Huberti) cost 232 livres. [9] (#cite_note-Edmond_de_Goncourt,_Jules_de_Goncourt,_page_238.-9) In 1781 a wedding coiffure cost 48 livres, a hairstyle for the day after the wedding 24 livres, and a hairstyle for the following days 6 livres. [12] (#cite_note-12) See also [ edit ] Fontange (/wiki/Fontange) - a tall headdress/hairstyle in fashion before poufs Beehive (hairstyle) (/wiki/Beehive_(hairstyle)) - A 20th century hairstyle of similar height, but created by teasing the hair List of hairstyles (/wiki/List_of_hairstyles) Media related to Poufs (https://commons.wikimedia.org/wiki/Category:Poufs) at Wikimedia Commons References [ edit ] ^ (#cite_ref-1) Puzier, Lauren. "A Queen's First Appearance of Marie Antoinette's Hair" (https://www.mariegossip.com/2011/11/queens-first-appearance-marie.html) . Marie Antoinette's Gossip Guide to the 18th Century . Retrieved May 9, 2023 . ^ Jump up to: a b c Bashor, Will (/wiki/Will_Bashor) (2013). Marie Antoinette's Head: The Royal Hairdresser, the Queen, and the Revolution . Globe Pequot Press (/wiki/Globe_Pequot_Press) . ISBN (/wiki/ISBN_(identifier)) 9780762791538 . OL (/wiki/OL_(identifier)) 27154382M (https://openlibrary.org/books/OL27154382M) . ^ (#cite_ref-3) Frampton, Mary (/wiki/Mary_Frampton) (1885). The journal of Mary Frampton, from the year 1779, until the year 1846 . Sampson Low, Marston, Searle, & Rivington (/wiki/Sampson_Low,_Marston,_Searle,_%26_Rivington) . pp. 2, 3, 36. OL (/wiki/OL_(identifier)) 6945045M (https://openlibrary.org/books/OL6945045M) . ^ Jump up to: a b Van Cleave, Kendra. "Women's Hairstyles & Cosmetics of the 18th Century: France & England, 1750-1790" (http://demodecouture.com/hairstyles-cosmetics-18th-century/) . demodecouture.com . ^ Jump up to: a b "The Truth About Big Hair in the 1770s - Part II. How They Did It" (http://twonerdyhistorygirls.blogspot.fi/2014/07/the-truth-about-big-hair-of-1770s-part_24.html) . Two Nerdy History Girls . July 24, 2014. ^ (#cite_ref-savage_6-0) Savage, William (February 23, 2016). "Georgian Hair-care: Pomades" (https://penandpension.com/2016/02/23/georgian-hair-care-pomades/) . Pen and Pension . ^ (#cite_ref-7) Ducher, Alain. "L'Accommodage des Coiffure" (https://www.coiffure-ducher.fr/accommodage-des-coiffures/) [Hairstyle arrangements]. Historical hairstyles (in French). [The best Pommade, the most expensive and based on pork belly because it has the most discreet smell.] ^ (#cite_ref-Buc'hoz1772_8-0) Buc'hoz, Pierre-Joseph (/wiki/Pierre-Joseph_Buc%27hoz) (1779). The Toilet of Flora; Or, A Collection of the Most Simple and Approved Methods of Preparing Baths, Essences, Pomatums, Etc . p. 171. OL (/wiki/OL_(identifier)) 23456659M (https://openlibrary.org/books/OL23456659M) . ^ Jump up to: a b de Goncourt, Edmond (/wiki/Edmond_de_Goncourt) ; de Goncourt, Jules (/wiki/Jules_de_Goncourt) (1927). The Woman of the Eighteenth Century: Her Life, from Birth to Death, Her Love and Her Philosophy in the Worlds of Salon, Shop and Street . Translated by Leclercq, Jacques (/wiki/Jacques_Leclercq) ; Roeder, Ralph (/wiki/Ralph_Roeder) . Minton, Balch and Company (/wiki/Minton,_Balch_and_Company) . pp. 237–238. ^ (#cite_ref-10) "Wiggery and poufs!" (http://dressedintime.blogspot.fi/2011/10/wiggery-and-poufs.html) . Dressed in Time . October 29, 2011. ^ (#cite_ref-11) Schmidt, Louise Boisen (January 11, 2015). "The Calash" (http://thisisversaillesmadame.blogspot.fi/2015/01/the-calash.html) . This is Versailles . ^ (#cite_ref-12) Ducher, Alain. "Coiffures Louis XVI Femmes – Généralités" (https://www.coiffure-ducher.fr/coiffures-louis-xvi-femmes-generalites/) [Hairstyles Louis XVI Women - General]. Historical hairstyles (in French). [In 1781 Mademoiselle de Châtillon married the Prince of Taranto d'Avenel, the rates charged for hairdressing were, ( ... the price of the presentation hairstyle 72 pounds, of the wedding hairstyle is 48 pounds, the next day 24 pounds, the following days 6 pounds ).] NewPP limit report Parsed by mw‐web.eqiad.main‐57d74c944b‐lxn8p Cached time: 20240719065448 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.337 seconds Real time usage: 0.459 seconds Preprocessor visited node count: 2227/1000000 Post‐expand include size: 25823/2097152 bytes Template argument size: 2508/2097152 bytes Highest expansion depth: 15/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 46437/5000000 bytes Lua time usage: 0.173/10.000 seconds Lua memory usage: 5999326/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 410.553 1 -total 43.07% 176.829 1 Template:Reflist 31.87% 130.845 8 Template:Cite_web 17.48% 71.764 1 Template:Short_description 12.48% 51.238 3 Template:R 10.53% 43.216 3 Template:R/ref 10.15% 41.677 2 Template:Pagetype 8.03% 32.979 3 Template:R/superscript 6.97% 28.616 1 Template:Use_mdy_dates 6.87% 28.199 1 Template:Commons_category-inline Saved in parser cache with key enwiki:pcache:idhash:4178471-0!canonical and timestamp 20240719065448 and revision id 1221960531. 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The main article for this category (/wiki/Help:Categories) is Body piercing (/wiki/Body_piercing) . Wikimedia Commons has media related to Body piercing (https://commons.wikimedia.org/wiki/Category:Body_piercing) . NewPP limit report Parsed by mw‐web.eqiad.main‐57d74c944b‐qqpb2 Cached time: 20240720164223 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.088 seconds Real time usage: 0.183 seconds Preprocessor visited node count: 150/1000000 Post‐expand include size: 2951/2097152 bytes Template argument size: 274/2097152 bytes Highest expansion depth: 14/100 Expensive parser function count: 0/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 1528/5000000 bytes Lua time usage: 0.053/10.000 seconds Lua memory usage: 1180248/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 171.882 1 -total 75.16% 129.187 1 Template:Commons_category 73.73% 126.734 1 Template:Sister_project 72.11% 123.947 1 Template:Side_box 49.64% 85.328 2 Template:If_then_show 24.74% 42.527 1 Template:Cat_main Saved in parser cache with key enwiki:pcache:idhash:881552-0!canonical and timestamp 20240720164223 and revision id 929182142. Rendering was triggered because: page-view Subcategories This category has the following 8 subcategories, out of 8 total. B Body piercers (/wiki/Category:Body_piercers) (11 P) Body piercing process (/wiki/Category:Body_piercing_process) (2 P) E Ear piercing (/wiki/Category:Ear_piercing) (11 P) F Facial piercings (/wiki/Category:Facial_piercings) (15 P) G Genital piercings (/wiki/Category:Genital_piercings) (2 C, 3 P) J Body piercing jewellery (/wiki/Category:Body_piercing_jewellery) (15 P) M Modern primitive (/wiki/Category:Modern_primitive) (5 P) S Surface piercings (/wiki/Category:Surface_piercings) (11 P) Pages in category "Body piercing" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . Body piercing (/wiki/Body_piercing) List of body piercings (/wiki/List_of_body_piercings) A Anal piercing (/wiki/Anal_piercing) B Body piercing regulation in the UK (/wiki/Body_piercing_regulation_in_the_UK) C Cartilage piercing (/wiki/Cartilage_piercing) D Elaine Davidson (/wiki/Elaine_Davidson) F Foerster clamp (/wiki/Foerster_clamp) G Gauntlet (body piercing studio) (/wiki/Gauntlet_(body_piercing_studio)) Genital piercing (/wiki/Genital_piercing) Guiche piercing (/wiki/Guiche_piercing) M Maria Tash (company) (/wiki/Maria_Tash_(company)) Body piercing materials (/wiki/Body_piercing_materials) Modern primitive (/wiki/Modern_primitive) N Navel piercing (/wiki/Navel_piercing) Nipple piercing (/wiki/Nipple_piercing) P Pennington clamp (/wiki/Pennington_clamp) PFIQ (/wiki/PFIQ) Piercing migration (/wiki/Piercing_migration) Play piercing (/wiki/Play_piercing) Prick (magazine) (/wiki/Prick_(magazine)) Pubic piercing (/wiki/Pubic_piercing) S Scalpelling (/wiki/Scalpelling) Stretching (body piercing) (/wiki/Stretching_(body_piercing)) T Taper insertion pin (/wiki/Taper_insertion_pin) Tongue frenulum piercing (/wiki/Tongue_frenulum_piercing) Tongue piercing (/wiki/Tongue_piercing) U Uvula piercing (/wiki/Uvula_piercing) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Body_piercing&oldid=929182142 (https://en.wikipedia.org/w/index.php?title=Category:Body_piercing&oldid=929182142) " Category (/wiki/Help:Category) : Body modification (/wiki/Category:Body_modification) Hidden category: Commons category link from Wikidata (/wiki/Category:Commons_category_link_from_Wikidata) |
Art created outside the boundaries of official culture by those untrained in the arts "Art brut" redirects here. For the band, see Art Brut (band) (/wiki/Art_Brut_(band)) . Adolf Wölfli (/wiki/Adolf_W%C3%B6lfli) 's Irren-Anstalt Band-Hain , 1910 Anna Zemánková (/wiki/Anna_Zem%C3%A1nkov%C3%A1) , No title, 1960s Art brut is {fill in here} art (/wiki/Fine_art) made by self-taught (/wiki/Autodidacticism) or supposedly naïve (/wiki/Na%C3%AFve_art) artists with typically little or no contact with the conventions (/wiki/Convention_(norm)) of the art worlds (/wiki/Art_world) . In many cases, their work is discovered only after their deaths. Often, outsider art illustrates extreme mental states (/wiki/Mental_state) , unconventional ideas, or elaborate fantasy worlds (/wiki/Fantasy_world) . The term outsider art was coined in 1972 as the title of a book by art critic (/wiki/Art_critic) Roger Cardinal (/wiki/Roger_Cardinal_(art_historian)) . [1] (#cite_note-1) It is an English (/wiki/English_language) equivalent for art brut ( French: [aʁ (/wiki/Help:IPA/French) bʁyt] (/wiki/Help:IPA/French) , "raw art" or "rough art"), a label created in the 1940s by French (/wiki/France) artist Jean Dubuffet (/wiki/Jean_Dubuffet) to describe art (/wiki/Art) created outside the boundaries of official culture. Dubuffet focused particularly on art by those on the outside of the established art scene, using as examples psychiatric hospital (/wiki/Psychiatric_hospital) patients, hermits, and spiritualists. [2] (#cite_note-:0-2) [3] (#cite_note-:1-3) Outsider art has emerged as a successful art marketing category; an annual Outsider Art Fair (/wiki/Outsider_Art_Fair) [4] (#cite_note-Outsider_Art_Fair-4) has taken place in New York (/wiki/New_York_City) since 1993, and there are at least two regularly published journals dedicated to the subject. The term is sometimes misapplied as a catch-all marketing label for art created by people who are outside the mainstream "art world" or "art gallery system", regardless of their circumstances or the content of their work. [5] (#cite_note-5) A more specific term, " outsider music (/wiki/Outsider_music) ", was later adapted for musicians. Art of the mentally ill [ edit ] See also: Creativity and mental illness (/wiki/Creativity_and_mental_illness) Interest in the art of the mentally ill, along with that of children (/wiki/Children%27s_art) and the makers of " peasant art (/wiki/Folk_art) ", was first demonstrated by " Der Blaue Reiter (/wiki/Der_Blaue_Reiter) " group: Wassily Kandinsky (/wiki/Wassily_Kandinsky) , August Macke (/wiki/August_Macke) , Franz Marc (/wiki/Franz_Marc) , Alexej von Jawlensky (/wiki/Alexej_von_Jawlensky) , and others. What the artists perceived in the work of these groups was an expressive power born of their perceived lack of sophistication. Examples of this were reproduced in 1912 in the first and only issue of their publication, Der Blaue Reiter Almanac . During World War I (/wiki/World_War_I) , Macke was killed at Champagne (/wiki/First_Battle_of_Champagne) in 1914 and Marc was killed at Verdun (/wiki/Battle_of_Verdun) in 1916; the gap left by these deaths was to some extent filled by Paul Klee (/wiki/Paul_Klee) , who continued to draw inspiration from these 'primitives'. Interest in the art of insane asylum (/wiki/Psychiatric_hospital) inmates continued to grow in the 1920s. In 1921, Dr. Walter Morgenthaler (/w/index.php?title=Walter_Morgenthaler&action=edit&redlink=1) published his book Ein Geisteskranker als Künstler ( A Psychiatric Patient as Artist ) about Adolf Wölfli (/wiki/Adolf_W%C3%B6lfli) , a psychotic (/wiki/Psychotic) mental patient in his care. Wölfli had spontaneously taken up drawing, and this activity seemed to calm him. His most outstanding work was an illustrated epic of 45 volumes in which he narrated his own imaginary life story. With 25,000 pages, 1,600 illustrations, and 1,500 collages, it is a monumental work. Wölfli also produced a large number of smaller works, some of which were sold or given as gifts. His work is on display at the Adolf Wölfli Foundation (/w/index.php?title=Adolf_W%C3%B6lfli_Foundation&action=edit&redlink=1) in the Museum of Fine Art (/wiki/Museum_of_Fine_Arts_Bern) , Bern (/wiki/Bern) . A defining moment was the publication of Bildnerei der Geisteskranken ( Artistry of the Mentally Ill (/wiki/Artistry_of_the_Mentally_Ill) ) in 1922, by Hans Prinzhorn (/wiki/Hans_Prinzhorn) . This was the first formal study of psychiatric works, based upon a compilation of thousands of examples from European institutions. The book and the art collection gained much attention from avant-garde artists of the time, including Paul Klee, Max Ernst (/wiki/Max_Ernst) , and Jean Dubuffet (/wiki/Jean_Dubuffet) . [6] (#cite_note-6) People with some formal artistic training as well as well-established artists are not immune from mental illness, and may also be institutionalized. For example, William Kurelek (/wiki/William_Kurelek) , later awarded the Order of Canada (/wiki/Order_of_Canada) for his artistic life work, as a young man was admitted to the Maudsley Psychiatric Hospital (/wiki/Maudsley_Hospital) where he was treated for schizophrenia (/wiki/Schizophrenia) . [7] (#cite_note-7) In the hospital he painted, producing The Maze , a dark depiction of his tortured youth (/wiki/Tortured_artist) . [8] (#cite_note-8) He was transferred from the Maudsley to Netherne Hospital (/wiki/Netherne_Hospital) from November 1953 to January 1955, to work with Edward Adamson (/wiki/Edward_Adamson) (1911–1996), a pioneer of art therapy (/wiki/Art_therapy) , and creator of the Adamson Collection. Jean Dubuffet and art brut [ edit ] View inside the Collection de l'art brut (/wiki/Collection_de_l%27art_brut) museum, Lausanne (/wiki/Lausanne) French (/wiki/France) artist Jean Dubuffet (/wiki/Jean_Dubuffet) was particularly struck by Bildnerei der Geisteskranken and began his own collection of such art, which he called art brut or raw art . In 1948 he formed the Compagnie de l'Art Brut (/w/index.php?title=Compagnie_de_l%27Art_Brut&action=edit&redlink=1) along with other artists, including André Breton (/wiki/Andr%C3%A9_Breton) and Claude Lévi-Strauss (/wiki/Claude_L%C3%A9vi-Strauss) . [9] (#cite_note-:2-9) The collection he established became known as the Collection de l'art brut (/wiki/Collection_de_l%27art_brut) and the curator was Slavko Kopač (/wiki/Slavko_Kopa%C4%8D) for almost three decades. [10] (#cite_note-10) It contains thousands of works and is now permanently housed in Lausanne (/wiki/Lausanne) , Switzerland. Dubuffet characterized art brut as: Those works created from solitude (/wiki/Solitude) and from pure and authentic creative impulses – where the worries of competition, acclaim and social promotion do not interfere – are, because of these very facts, more precious than the productions of professionals. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade. — Jean Dubuffet, "Place à l'incivisme" (December 1987 – February 1988). [11] (#cite_note-11) Dubuffet's writing on art brut was the subject of a noted program at the Art Club of Chicago in the early 1950s. Dubuffet argued that 'culture', that is mainstream culture, managed to assimilate every new development in art, and by doing so took away whatever power it might have had. The result was to asphyxiate genuine expression. Art brut was his solution to this problem – only art brut was immune to the influences of culture, immune to being absorbed and assimilated, because the artists themselves were not willing or able to be assimilated. Dubuffet's championing of Art Brut would not last long. Scholars argue Dubuffet's distaste for the mainstream art world helped ensure that art brut and the Compagnie de l'Art Brut would not survive on a commercial basis. Dubuffet would kill art brut as he defined it in his quest for its authenticity. [9] (#cite_note-:2-9) Three years after the Compagnie de l'Art Brut was formed, Dubuffet dissolved it, caving in to form the more conventional Collection de l'art brut afterward. [9] (#cite_note-:2-9) Cultural context [ edit ] The interest in "outsider" practices among twentieth-century artists and critics can be seen as part of a larger emphasis on the rejection of established values within the modernist (/wiki/Modernist) art milieu. The early part of the 20th century gave rise to Cubism (/wiki/Cubism) and the Dada (/wiki/Dada) , Constructivist (/wiki/Constructivism_(art)) and Futurist (/wiki/Futurism_(art)) movements in art, all of which involved a dramatic movement away from cultural forms of the past. Dadaist Marcel Duchamp (/wiki/Marcel_Duchamp) , for example, abandoned "painterly" technique to allow chance operations a role in determining the form of his works, or simply to recontextualize existing "ready-made" objects as art. Mid-century artists, including Pablo Picasso (/wiki/Pablo_Picasso) , looked outside the traditions of high culture for inspiration, drawing from the artifacts of "primitive" societies, the unschooled art made by children, and vulgar advertising graphics. Dubuffet's championing of the art brut – of the insane and others at the margins of society – is yet another example of avant-garde art challenging established cultural values. As with analysis of these other art movements, current discourse indicates art brut is innately tied to primitivism (/wiki/Primitivism) [9] (#cite_note-:2-9) [12] (#cite_note-12) due to its similarity in its borrowing of personal "de-patriation" and exoticization of familiar yet alien forms. Terminology [ edit ] This section does not cite (/wiki/Wikipedia:Citing_sources) any sources (/wiki/Wikipedia:Verifiability) . Please help improve this section (/wiki/Special:EditPage/Draft:Art_Brut) by adding citations to reliable sources (/wiki/Help:Referencing_for_beginners) . Unsourced material may be challenged and removed (/wiki/Wikipedia:Verifiability#Burden_of_evidence) . ( May 2013 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Two images of Joe Minter (/wiki/Joe_Minter) 's African Village in America , a half-acre visionary art environment (/wiki/Visionary_environments) in Birmingham, Alabama (/wiki/Birmingham,_Alabama) . Scenes include African warriors watching their descendants’ struggles in Alabama, tributes to black scientists and military leaders, recreations of the epic civil rights confrontations in Alabama, and biblical scenes. A number of terms are used to describe art that is loosely understood as "outside" of official culture (/wiki/Official_culture) . Definitions of these terms vary and overlap. [13] (#cite_note-13) The editors of Raw Vision (/wiki/Raw_Vision) , a leading journal in the field, suggest that "Whatever views we have about the value of controversy itself, it is important to sustain creative discussion by way of an agreed vocabulary". Consequently, they lament the use of "outsider artist" to refer to almost any untrained artist. "It is not enough to be untrained, clumsy or naïve. Outsider Art is virtually synonymous with Art Brut in both spirit and meaning, to that rarity of art produced by those who do not know its name." Art Brut: Coined by Jean Dubuffet, the term translated literally from French means "raw art". [2] (#cite_note-:0-2) [3] (#cite_note-:1-3) 'Raw' is analogous in that it has not been through the academic 'cooking' process: i.e. the world of art schools, galleries, and museums. Dubuffet's original definition pertains strictly to the ‘raw art’ created by the autodidactic and shunned fringes of society. [9] (#cite_note-:2-9) Folk art (/wiki/Folk_art) : Folk art originally suggested crafts and decorative skills associated with peasant communities in Europe – though presumably it could equally apply to any indigenous culture. It has broadened to include any product of practical craftsmanship and decorative skill – everything from chain-saw animals to hub-cap buildings. A key distinction between folk and outsider art is that folk art typically embodies traditional forms and social values, where outsider art stands in some marginal relationship to society's mainstream. Intuitive art (/wiki/Intuitive_art) / Visionary art (/wiki/Visionary_art) : Raw Vision Magazine ' s preferred general terms for outsider art. It describes them as deliberate umbrella terms. However, visionary art, unlike other definitions here can often refer to the subject matter of the works, which includes images of a spiritual or religious nature. Intuitive art is probably the most general term available. Intuit: The Center for Intuitive and Outsider Art (/wiki/Intuit:_The_Center_for_Intuitive_and_Outsider_Art) based in Chicago operates a museum dedicated to the study and exhibition of intuitive and outsider art. The American Visionary Art Museum (/wiki/American_Visionary_Art_Museum) in Baltimore, Maryland (/wiki/Baltimore,_Maryland) is dedicated to the collection and display of visionary art. Marginal art/Art singulier: Essentially the same as Neuve Invention ; refers to artists on the margins of the art world. Naïve art (/wiki/Na%C3%AFve_art) : Another term commonly applied to untrained artists who aspire to "normal" artistic status, i.e. they have a much more conscious interaction with the mainstream art world than do outsider artists. Neuve invention (/w/index.php?title=Neuve_invention&action=edit&redlink=1) : Used to describe artists who, although marginal, have some interaction with mainstream culture. They may be doing art part-time for instance. The expression was coined by Dubuffet too; strictly speaking, it refers only to a special part of the Collection de l'art brut (/wiki/Collection_de_l%27art_brut) . Visionary environments (/wiki/Visionary_environments) : Buildings and sculpture parks built by visionary artists – ranging from decorated houses to large areas incorporating a large number of individual sculptures with a tightly associated theme. Examples include Watts Towers (/wiki/Watts_Towers) by Simon Rodia (/wiki/Simon_Rodia) , Buddha Park (/wiki/Buddha_Park) and Sala Keoku (/wiki/Sala_Keoku) by Bunleua Sulilat (/wiki/Luang_Pu_Bunleua_Sulilat) , and The Palais idéal (/wiki/Palais_Ideal) by Ferdinand Cheval (/wiki/Ferdinand_Cheval) . Notable outsider artists [ edit ] Main article: List of outsider artists (/wiki/List_of_outsider_artists) See also [ edit ] Philosophy portal (/wiki/Portal:Philosophy) Society portal (/wiki/Portal:Society) Fashion portal (/wiki/Portal:Fashion) LGBT portal (/wiki/Portal:LGBT) Avant-garde (/wiki/Avant-garde) – Works that are experimental or innovative Asemic writing (/wiki/Asemic_writing) – Wordless open semantic form of writing Automatic writing (/wiki/Automatic_writing) – In modern Spiritualism: writing produced involuntarily Category: Outsider artists (/wiki/Category:Outsider_artists) Collection de l'art brut (/wiki/Collection_de_l%27art_brut) – Outsider art museum in Lausanne, Switzerland David Bowie's art collection (/wiki/David_Bowie%27s_art_collection) – Private collection of artworks Outside (David Bowie album) (/wiki/Outside_(David_Bowie_album)) – 1995 studio album by David Bowie Exoticism (/wiki/Exoticism) – Trend in art and design Horror vacui (/wiki/Horror_vacui_(art)) – Latin phrase which means "fear of empty space" Kitsch (/wiki/Kitsch) – Art or other objects that appeal to popular rather than high art tastes Lille Métropole Museum of Modern, Contemporary and Outsider Art (/wiki/Lille_M%C3%A9tropole_Museum_of_Modern,_Contemporary_and_Outsider_Art) – Art Museum in Villeneuve d'Ascq, France Lowbrow (art movement) (/wiki/Lowbrow_(art_movement)) – Underground visual art movement Neurodiversity (/wiki/Neurodiversity) – Non-pathological explanation of variations in mental functions Orientalism (/wiki/Orientalism) – Imitation or depiction of Eastern culture Outsider music (/wiki/Outsider_music) – Music genre Psychedelic art (/wiki/Psychedelic_art) – Visual art inspired by psychedelic experiences Racial fetishism (/wiki/Racial_fetishism) – Intercultural and interracial sexuality Pages displaying short descriptions of redirect targets Romantic racism (/wiki/Romantic_racism) – Form of racism where the oppressor projects their fantasies onto the oppressed Saving and Preserving Arts and Cultural Environments (/wiki/Saving_and_Preserving_Arts_and_Cultural_Environments) – Non-profit public benefit organization with an international focus Schizoid personality disorder (/wiki/Schizoid_personality_disorder) – personality disorder causing emotional detachment and social isolation Pages displaying wikidata descriptions as a fallback Surrealism (/wiki/Surrealism) – International cultural movement active from the 1920s to the 1950s Syncretism (/wiki/Syncretism) – Combination of beliefs and traditions Vernacular architecture (/wiki/Vernacular_architecture) – Architecture based on local needs, materials, traditions World music (/wiki/World_music) – Umbrella term for traditional or indigenous music not originating in Europe or North America Xenocentrism (/wiki/Xenocentrism) – Preference for the cultural practices of societies other than one's own References [ edit ] ^ (#cite_ref-1) Conley, Katharine (2006). "Surrealism and Outsider Art: From the ‘Automatic Message’ to André Breton’s Collection". Yale French Studies , no. 109 (2006): 129–43. ^ Jump up to: a b Cardinal, Roger (1972). Outsider Art . New York: Praeger. pp. 24–30. ^ Jump up to: a b Bibliography The 20th Century Art Book. New York, NY: Phaidon Press, 1996. ^ (#cite_ref-Outsider_Art_Fair_4-0) "Outsider Art Fair" (http://www.outsiderartfair.com/) . Outsider Art Fair . Retrieved 19 July 2014 . ^ (#cite_ref-5) "What the Dickens is Outsider Art?" The Pantograph Punch, December 2016, retrieved 2017-01-16 (http://pantograph-punch.com/post/outsider-art) ^ (#cite_ref-6) "Outsider Art Sourcebook" (Raw Vision, Watford, 2009, p.4) (http://www.rawvision.com/what-outsider-art) ^ (#cite_ref-7) Cornell case study: Early Onset Schizophrenia – William Kurelek (http://courses.cit.cornell.edu/psych431_nbb421/student2003/epl8/) ^ (#cite_ref-8) "Psychiatry in Pictures" (https://web.archive.org/web/20070927210641/http://bjp.rcpsych.org/cgi/reprint/179/5/0.pdf) , British Journal of Psychiatry (/wiki/British_Journal_of_Psychiatry) (2001) ^ Jump up to: a b c d e Sherman, Daniel J. (2011). French Primitivism and the Ends of Empire, 1945-1975 . University of Chicago Press. pp. 12, 14, 111, 114. ISBN (/wiki/ISBN_(identifier)) 9780226752693 . ^ (#cite_ref-10) Fabrice Flahutez (https://fr.wikipedia.org/wiki/Fabrice_Flahutez) , Pauline Goutain et Roberta Trapani, Slavko Kopač. Ombres et matières, Shadows and Materials , Paris : Gallimard, Hors série Connaissance, 2022 352 p. (ISBN 978-2-07-295610-2) ^ (#cite_ref-11) Jean Dubuffet (December 1987 – February 1988). "Place à l'incivisme" ["Make Way for Incivism"]. Art and Text no. 27. p. 36. ^ (#cite_ref-12) Koenig, Raphael (2018), "Art Beyond the Norms: Art of the Insane, Art Brut, and the Avant-Garde from Prinzhorn to Dubuffet" (https://dash.harvard.edu/bitstream/handle/1/41121236/KOENIG-DISSERTATION-2018.pdf?sequence=1&isAllowed=y) (PDF) , Doctoral dissertation , Harvard University, Graduate School of Arts & Sciences., p. 99 , retrieved 2022-12-08 ^ (#cite_ref-13) Brut Force. "The Many Terms in Our Continuum" (http://brutforce.com/many-terms-continuum-outsider-art/) . Brut Force . Retrieved 8 February 2017 . Further reading [ edit ] Bandyopadhyay, S. and I. Jackson, The Collection, the Ruin and the Theatre: architecture, sculpture and landscape in Nek Chand's Rock Garden, Chandigarh Liverpool, Liverpool University Press (/wiki/Liverpool_University_Press) , 2007. Greg Bottoms, I Colori dell'Apocalisse – Viaggi nell'outsider art , Odoya, Bologna 2009 ISBN (/wiki/ISBN_(identifier)) 978-88-6288-026-8 (/wiki/Special:BookSources/978-88-6288-026-8) Greg Bottoms, The Colorful Apocalypse: Journeys in Outsider Art , Chicago: University of Chicago Press (/wiki/University_of_Chicago_Press) , 2007 ISBN (/wiki/ISBN_(identifier)) 978-0-226-06685-1 (/wiki/Special:BookSources/978-0-226-06685-1) Roger Cardinal, Art Brut. In: Dictionary of Art, Vol. 2, London, 1996, p. 515–516. Marion Scherr, The Invention of 'Outsider Art' – Experiencing Practices of Othering in Contemporary Art Worlds in the UK , Transcript Verlag, 2022. ISBN (/wiki/ISBN_(identifier)) 9783837662504 (/wiki/Special:BookSources/9783837662504) Marc Decimo, Les Jardins de l'art brut , Les presses du réel, Dijon (France), 2007. Turhan Demirel, "Outsider Bilderwelten", Bettina Peters Verlag, 2006, ISBN (/wiki/ISBN_(identifier)) 3-939691-44-5 (/wiki/Special:BookSources/3-939691-44-5) Jean Dubuffet (/wiki/Jean_Dubuffet) : L’Art brut préféré aux arts culturels [1949](=engl in: Art brut. Madness and Marginalia , special issue of Art & Text , No. 27, 1987, p. 31–33). Hal Foster, Blinded Insight: On the Modernist Reception of the Art of The Mentally Ill. In: October , No. 97, Summer 2001, pp. 3–30. Michael D. Hall and Eugene W. Metcalf, eds., The Artist Outsider: Creativity and the Boundaries of Culture Washington D.C.: Smithsonian Institution Scholarly Press, 1993. ISBN (/wiki/ISBN_(identifier)) 978-1560983354 (/wiki/Special:BookSources/978-1560983354) Deborah Klochko and John Turner, eds., Create and Be Recognized: Photography on the Edge , San Francisco: Chronicle Books, 2004. John M. MacGregor, The Discovery of the Art of the Insane. Princeton, Oxford, 1989. David Maclagan, Outsider Art: From the margins to the marketplace , London: Reaktion books, 2009. John Maizels, Raw Creation art and beyond, Phaidon Press Limited, London, 1996. John Maizels (ed.), Outsider Art Sourcebook . Raw Vision, Watford, 2009. ISBN (/wiki/ISBN_(identifier)) 978-0-9543393-2-6 (/wiki/Special:BookSources/978-0-9543393-2-6) Lucienne Peiry, Art brut: The Origins of Outsider Art , Paris: Flammarion, 2001. Lucienne Peiry (ed.), "Collection de l'Art Brut, Lausanne", Skira Flammarion, 2012. Lyle Rexer, How to Look at Outsider Art, New York:Abrams, 2005. Colin Rhodes, Outsider Art: Spontaneous Alternatives , London: Thames and Hudson, 2000. Rubin, Susan Goldman. (March 9, 2004). Art Against the Odds: From Slave Quilts to Prison Paintings. Publisher: Crown Books for Young Readers. ISBN (/wiki/ISBN_(identifier)) 0-375-82406-5 (/wiki/Special:BookSources/0-375-82406-5) Michel Thévoz, Art brut, New York, 1975. Maurice Tuchman and Carol Eliel, eds. Parallel Visions. Modern Artists and Outsider Art. Exhb. cat. Los Angeles County Museum of Art, Los Angeles, 1992. Bianca Tosatti, Arte e psichiatria. Uno sguardo sottile , (in collaboration with Giorgio Bedoni), Mazzotta, Milano, 2000. Bianca Tosatti, Les Fascicules de l'Art brut', un saggio sull'artista Antonio dalla Valle ,2007. Allen S. Weiss, Shattered Forms, Art Brut, Phantasms, Modernism, State University of New York, Albany, 1992. Self Taught Artists of the 20th Century: An American Anthology San Francisco: Chronicle Books, 1998 Daniel Wojcik, Outsider Art: Visionary Worlds and Trauma. University Press of Mississippi (/wiki/University_Press_of_Mississippi) , 2016. External links [ edit ] Wikimedia Commons has media related to Outsider art (https://commons.wikimedia.org/wiki/Category:Outsider_art) . Jeanine Taylor Folk Art (https://www.jtfolkart.com/) – Purveyor of Outsider Art Raw Vision Magazine (http://rawvision.com) – International art magazine devoted to outsider art Gricha-rosov.com (http://www.gricha-rosov.com/) – Rich database and presentation of international outsider artists (in French language, but has extensive illustrations) Outsider Artists in the Collection of Museum of Naive and Marginal Art (MNMA) Jagodina Serbia (http://marginalart.rs/) Russian outsider art from the Bogemskaja-Turchin collection (http://russian-outsider-art.com/) Outsider Art news (http://www.outsiderartnews.com) , wire, and announcements Collection: "Folk, Self-Taught, Amateur, and Visionary Art" (https://exchange.umma.umich.edu/resources/23716) at the University of Michigan Museum of Art (/wiki/University_of_Michigan_Museum_of_Art) v t e Folklore (/wiki/Folklore) genres and types Narrative Animal tale (/wiki/Animal_tale) Fable (/wiki/Fable) Fairy tale (/wiki/Fairy_tale) list 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Categories (/wiki/Help:Category) : Outsider art (/wiki/Category:Outsider_art) Visual arts genres (/wiki/Category:Visual_arts_genres) Art Informel and Tachisme (/wiki/Category:Art_Informel_and_Tachisme) 1970s neologisms (/wiki/Category:1970s_neologisms) NewPP limit report Parsed by mw‐web.codfw.main‐ff98d5cb5‐7jppc Cached time: 20240722161444 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.630 seconds Real time usage: 0.932 seconds Preprocessor visited node count: 6326/1000000 Post‐expand include size: 144543/2097152 bytes Template argument size: 2386/2097152 bytes Highest expansion depth: 14/100 Expensive parser function count: 5/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 60958/5000000 bytes Lua time usage: 0.370/10.000 seconds Lua memory usage: 16059300/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 755.431 1 -total 28.66% 216.527 24 Template:Annotated_link 14.15% 106.928 1 Template:IPA-fr 14.00% 105.774 1 Template:Reflist 13.98% 105.641 1 Template:IPA 12.14% 91.702 5 Template:Navbox 10.59% 80.004 2 Template:Cite_web 9.67% 73.023 1 Template:Folklore_genres 5.11% 38.626 1 Template:Short_description 4.55% 34.354 1 Template:Commons_category Saved in parser cache with key enwiki:pcache:idhash:76131118-0!canonical and timestamp 20240722161444 and revision id 1221649236. 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This article's lead section (/wiki/Wikipedia:Manual_of_Style/Lead_section#Length) may be too short to adequately summarize (/wiki/Wikipedia:Summary_style) the key points . Please consider expanding the lead to provide an accessible overview (/wiki/Wikipedia:Manual_of_Style/Lead_section#Provide_an_accessible_overview) of all important aspects of the article. ( March 2022 ) Portrait of Zelda Fitzgerald (/wiki/Zelda_Fitzgerald) . The Women's Suffrage Movement (/wiki/Women%27s_suffrage) in the Western world (/wiki/Western_world) influenced changes in female fashions of the early 1900s: causing the introduction of masculine silhouettes and the popular Flapper (/wiki/Flapper) style. [1] (#cite_note-1) Furthermore, the embodiment of The New Woman was introduced, which empowered women to seek independency and equal rights for women. As a result, several changes and improvements were seen in women's economic and political standing, such as the right to vote. [2] (#cite_note-2) Moreover, women challenged traditional and restrictive gender roles with their clothing. This was the beginning of Dress Reformers, who experimented with their clothing in order to challenge gender inequality due to the impracticability of women's traditional Victorian fashion. Women's dress pre-women's suffrage [ edit ] Advocate Amelia Bloomer (/wiki/Amelia_Bloomer) , wearing the "freedom suit." The women of the late 19th century changed their style from the big Victorian (/wiki/Victorian_era) dresses to more “manageable, practical, streamlined outfits for modern women to engage in the activities of their more active lives." [3] (#cite_note-:4-3) Prior to the Women's Suffrage Movement (/wiki/Women%27s_suffrage) , general consensus asserted that women were physically weaker than their male counterparts, so were discouraged from playing sports." [3] (#cite_note-:4-3) Despite this, with an increasing number of women participating in protests, some experts in the medical field began to argue that light physical activity for a woman was good. Consequently, there was an increasing output of clothes to correspond, called rational dress (/wiki/Victorian_dress_reform) . One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] (#cite_note-:5-4) originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer (/wiki/Amelia_Bloomer) , it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This was deemed most appropriate for sports and outdoor activity, so marked the beginning of pants as a 'regular' piece of clothing . [5] (#cite_note-5) Women's fashion during the women's suffrage movement [ edit ] In light of the First World War, women commenced employment in factories to aid the war effort, beginning in jobs that the men were no longer able to undertake, as they were serving in the front lines of the war. [6] (#cite_note-6) As a result, the dress reform (/wiki/Victorian_dress_reform) began, a reform that saw female activists argue clothes should offer convenience, rather than comfort, so that they could do labour jobs more efficiently. Accordingly, fashion became less restrictive than the Victorian era dress and required less fabric to make, saving the much needed resources. An article written by Laura Doan states, the newly found freedom of women is considered to have been a catalyst for the commencement of women including more masculinised fashion and style in their own dress. [4] (#cite_note-:5-4) However, as the war ended this trend was not entirely agreed upon as men did not fully accept the changing styles in women's fashion, and thus female fashion reverted to the traditional feminine style, conforming to the rigid beauty and social standards imposed on them at the time. All in all, typical female fashion actually remained very feminine (contrary to the societal standards of the time). Briefly summarised by this quote, “From society lady to factory "girl," every woman wore a hat, stockings, shoes, and gloves in all seasons.” [3] (#cite_note-:4-3) In accordance with the emerging modern woman, the New Woman's moxie was paradoxically evident in her lack of charm, exhibiting short bobbed haircuts, heavier makeup, and boyish frames. [7] (#cite_note-:2-7) The flapper's simplistic, straight-lined style was popularized by Coco Chanel (/wiki/Coco_Chanel) , who's somewhat ironically remembered as "fashionable without being forward," [8] (#cite_note-8) as a way of liberating women the impractical designs that hindered modern women's ability to engage in physical activities. [9] (#cite_note-9) "The newfound freedom to breathe and walk encouraged movement out of the house, and the Flapper took full advantage.” [10] (#cite_note-:0-10) Women's fashion post-women's suffrage movement (1920s–1930s) [ edit ] Actress Norma Shearer photographed in 1927. During the progressive era (/wiki/Progressive_Era) , female fashion in the United States changed shifted to adopt traditionally masculine styles. [7] (#cite_note-:2-7) Pants became widespread, with female baseball (/wiki/Baseball) players wearing knickers underneath their prescribed uniform. Other fashion trends included pearl jewellery and petite handbags, popularised by French designer Coco Chanel (/wiki/Coco_Chanel) . [7] (#cite_note-:2-7) French designs became extremely popular during this time, however, as there were very little shipments of these designs, only wealthy women were able to afford the pieces coming directly from France, [11] (#cite_note-:6-11) and thus, magazines at the time capitalised on the popularity of French designs by selling sewing patterns mimicking these styles. [12] (#cite_note-:3-12) The popularisation of the flapper (/wiki/Flapper) style was due to film, radio and the media. Adrian (/wiki/Adrian_(costume_designer)) was a popular designer for Metro-Goldyn-Mayer (/wiki/Metro-Goldwyn-Mayer) during the 1920s-1930s, dressing silent film actresses including Clara Bow (/wiki/Clara_Bow) , Norma Shearer (/wiki/Norma_Shearer) , Greta Garbo (/wiki/Greta_Garbo) and Joan Crawford (/wiki/Joan_Crawford) : which influenced American women's fashion. [11] (#cite_note-:6-11) This style exposed areas that were previously hidden on the woman, including the knees, as stockings were no longer compulsory. Flappers were also known for their "boyish" appearance, sporting a bobbed hairstyle, cloche hats (/wiki/Cloche_hat) and tubular garments including jumper-blouses, which hid the female figure. [11] (#cite_note-:6-11) Waistlines of dresses were dropped and no longer required the use of corsetry, and thus the popular silhouette in female fashion, became "waistless, bustless, and hipless". [11] (#cite_note-:6-11) Other popular accessory designs included the "strap bracelet" by Cartier (/wiki/Cartier_(jeweler)) and Miriam Haskell (/wiki/Miriam_Haskell) 's "fashion jewellery". [12] (#cite_note-:3-12) Not all flapper fashion was consistent, as hemlines of dresses changed each year: in 1923 gowns were almost floor length whilst in 1925 they became knee length. [11] (#cite_note-:6-11) The term flapper, initially described young, working-class women but overtime it was used to describe any young women who challenged the social standards. [11] (#cite_note-:6-11) Zelda Fitzgerald (/wiki/Zelda_Fitzgerald) , the wife of Modernist (/wiki/Modernism) author F. Scott Fitzgerald (/wiki/F._Scott_Fitzgerald) , a writer and socialite, became a popular figure. [12] (#cite_note-:3-12) Fitzgerald (/wiki/Zelda_Fitzgerald) 's novel, Save Me the Waltz (/wiki/Save_Me_the_Waltz) (1932), popularised the sentiment that "a woman can do anything a man can do" without compromising femininity. [13] (#cite_note-:1-13) However, this style was criticised as it became associated with the decline in female morality. [11] (#cite_note-:6-11) The flapper became stereotyped as a woman who "smoked, drank, swore, drove fast, professed free love, and used makeup," [7] (#cite_note-:2-7) and exercised sexual independence. [10] (#cite_note-:0-10) References [ edit ] ^ (#cite_ref-1) Freedman, Estelle B. (September 1974). "The New Woman: Changing Views of Women in the 1920s" (https://doi.org/10.2307/1903954) . The Journal of American History . 61 (2): 372. doi (/wiki/Doi_(identifier)) : 10.2307/1903954 (https://doi.org/10.2307%2F1903954) . ISSN (/wiki/ISSN_(identifier)) 0021-8723 (https://www.worldcat.org/issn/0021-8723) . ^ (#cite_ref-2) Strassel, Annemarie (2012). "Designing Women: Feminist Methodologies in American Fashion" (https://www.jstor.org/stable/23611770) . Women's Studies Quarterly . 41 (1/2): 35–59. ISSN (/wiki/ISSN_(identifier)) 0732-1562 (https://www.worldcat.org/issn/0732-1562) . ^ Jump up to: a b c "Fashioning the New Woman: 1890–1925" (https://www.dar.org/museum/fashioning-new-woman-1890-1925-0) . Daughters of the American Revolution . 2014-04-11 . Retrieved 2018-11-10 . ^ Jump up to: a b Doan, Laura L. (2006). "Topsy-Turvydom: Gender Inversion, Sapphism, and the Great War" (https://muse.jhu.edu/article/202838/summary) . GLQ: A Journal of Lesbian and Gay Studies . 12 (4): 517–542. doi (/wiki/Doi_(identifier)) : 10.1215/10642684-2006-001 (https://doi.org/10.1215%2F10642684-2006-001) . ISSN (/wiki/ISSN_(identifier)) 1527-9375 (https://www.worldcat.org/issn/1527-9375) . S2CID (/wiki/S2CID_(identifier)) 144795212 (https://api.semanticscholar.org/CorpusID:144795212) . ^ (#cite_ref-5) Breward, Christopher (1995-05-15). The Culture of Fashion . Manchester University Press. ISBN (/wiki/ISBN_(identifier)) 978-0-7190-4125-9 . ^ (#cite_ref-6) Haydu, Jeffery (1985). "Factory Politics in Britain and the United States: Engineers and Machinists, 1914–1919". Comparative Studies in Society and History . 27 (1): 57–85. doi (/wiki/Doi_(identifier)) : 10.1017/S0010417500013669 (https://doi.org/10.1017%2FS0010417500013669) . JSTOR (/wiki/JSTOR_(identifier)) 178634 (https://www.jstor.org/stable/178634) . S2CID (/wiki/S2CID_(identifier)) 144427786 (https://api.semanticscholar.org/CorpusID:144427786) . ^ Jump up to: a b c d Darnell, Paula Jean (1997). From Victorian to vamp: Women's clothing, 1900–1925 (M.S> thesis). University of Nevada. ProQuest (/wiki/ProQuest_(identifier)) 304359443 (https://search.proquest.com/docview/304359443) . ^ (#cite_ref-8) Madsen, Axel (1990). Chanel: A Woman of Her Own . New York: New York: Henry Holt and Company. p. 329. ^ (#cite_ref-9) Cunningham, Patricia A. (2015). Reforming Women's Fashion, 1850–1920 : Politics, Health, and Art . The Kent State University Press. ISBN (/wiki/ISBN_(identifier)) 978-1-63101-099-6 . ^ Jump up to: a b Kriebl, Karen Joyce (1998). From Bloomers to Flappers: The American Women's Dress Reform Movement, 1840–1920 (PhD thesis). Ann Arbor, MI, USA: The Ohio State University. ^ Jump up to: a b c d e f g DiCenzo, Miranda (2018). "Feminism and Fashion of the Twentieth Century: A Material Culture Study" (https://www.proquest.com/docview/2035400046) . University of Rhode Island : 27–45. ProQuest (/wiki/ProQuest_(identifier)) 2035400046 (https://search.proquest.com/docview/2035400046) – via ProQuest. ^ Jump up to: a b c Jailer-Chamberlain, Mildred (September 2003). "Flappers in fashion the 1920s". Antiques & Collecting Magazine . 108 (7): 24–30. ProQuest (/wiki/ProQuest_(identifier)) 197167822 (https://search.proquest.com/docview/197167822) . ^ (#cite_ref-:1_13-0) Freedmen, Estelle B. (1974). "The New Woman: Changing Views of Women in the 1920s". The Journal of American History . 61 (2): 372–393. doi (/wiki/Doi_(identifier)) : 10.2307/1903954 (https://doi.org/10.2307%2F1903954) . JSTOR (/wiki/JSTOR_(identifier)) 1903954 (https://www.jstor.org/stable/1903954) . 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Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Women%27s_suffrage_and_Western_women%27s_fashion_through_the_early_20th_century&oldid=1233428532 (https://en.wikipedia.org/w/index.php?title=Women%27s_suffrage_and_Western_women%27s_fashion_through_the_early_20th_century&oldid=1233428532) " Categories (/wiki/Help:Category) : 20th-century fashion (/wiki/Category:20th-century_fashion) Women's suffrage (/wiki/Category:Women%27s_suffrage) 20th century in the United States (/wiki/Category:20th_century_in_the_United_States) Feminism and history (/wiki/Category:Feminism_and_history) Women in sports (/wiki/Category:Women_in_sports) Flappers (/wiki/Category:Flappers) 20th-century women (/wiki/Category:20th-century_women) Hidden categories: Wikipedia introduction cleanup from March 2022 (/wiki/Category:Wikipedia_introduction_cleanup_from_March_2022) All pages needing cleanup (/wiki/Category:All_pages_needing_cleanup) Articles covered by WikiProject Wikify from March 2022 (/wiki/Category:Articles_covered_by_WikiProject_Wikify_from_March_2022) All articles covered by WikiProject Wikify (/wiki/Category:All_articles_covered_by_WikiProject_Wikify) |
German Shoe Museum Location within Germany Established 1800 Location Hauenstein, Palatinate (/wiki/Hauenstein_(Palatinate)) Coordinates (/wiki/Geographic_coordinate_system) 49°11′23″N 7°51′21″E / 49.18972°N 7.85583°E / 49.18972; 7.85583 Website www (http://www.deutsches-schuhmuseum.de) .deutsches-schuhmuseum (http://www.deutsches-schuhmuseum.de) .de (http://www.deutsches-schuhmuseum.de) Roman sandals from around 200 B.C. Traditional Bavarian Haferlschuhe with side laces, and soles fitted with staples and nails Size 180 shoe The German Shoe Museum ( German (/wiki/German_language) : Deutsches Schuhmuseum Hauenstein , full name: Museum für Schuhproduktion und Industriegeschichte Hauenstein ) is a museum (/wiki/Museum) in Hauenstein, Palatinate (/wiki/Hauenstein_(Palatinate)) . Its exhibits cover the development of the local shoe industry. On four stories of an old shoe factory, the museum illustrates both technical aspects of shoe manufacturing and the social and every day history of shoes. [1] (#cite_note-1) The exhibition portrays the beginnings of the shoe industry in the nearby town of Pirmasens (/wiki/Pirmasens) dating to around 1800, when discharged soldiers made shoes to earn a living. By the mid-19th century Pirmasens had developed into the most important site of the German shoe industry. This affected the little village of Hauenstein, which at the time consisted mainly of small farmers and forest workers. In 1886 the Seibel brothers founded the first shoe factory in Hauenstein. [2] (#cite_note-2) By 1914, twenty factories had been established, with more than 1,000 employees. Despite the pressures to combine that arose from the French occupation, economic crises, and the war years, the number of factories had grown by 1960 to 35. Thereafter, however, progressive automation (/wiki/Automation) and the relocation of production to foreign countries led to a serious structural crisis in the German shoe industry, resulting in numerous businesses being closed. The German Shoe Museum is housed in one of these former production facilities. Circular walk [ edit ] A circular walk runs through the museum. The ground floor covers the early days of shoe manufacturing from 1740 to 1918, from steam engines to typical accommodations for the workers in a shoe factory. The top floor houses a collection of over 3,000 pairs of historic shoes owned by a shoe collector from Viersen (/wiki/Viersen) , Ernst Tillmann. The presentation of period and social history on the second floor covers the years 1918 to 1945. Here there is a still fully working "modern" shoe factory, which is in operation daily. On the lower floor, the years from 1945 until now are covered. Here the museum shows the impact of the Second World War (/wiki/Second_World_War) on the shoe industry and types of shoes made. The visitor is led through a typical 1960s flat and they can see, in a completely equipped shoe salon, how the fit of new shoes was tested with a fluoroscope (/wiki/Shoe-fitting_fluoroscope) using X-rays (/wiki/X-rays) . Also on the first floor is the largest pair of shoes in the world: a size 248. At the conclusion of the circular walk, the shoes of several prominent people, such as Angela Merkel (/wiki/Angela_Merkel) and Joschka Fischer (/wiki/Joschka_Fischer) are displayed. Award [ edit ] The German Shoe Museum in Hauenstein was awarded an "excellent" grade in the European Museum competition because, in the view of the assessment panel, it brings together well the presentation of shoe culture and social history. [ citation needed ] References [ edit ] ^ (#cite_ref-1) "Hauenstein: German shoe museum is a step into the past" (http://www.stripes.com/military-life/hauenstein-german-shoe-museum-is-a-step-into-the-past-1.119799) Stars and Stripes . Retrieved 2014-7-21. ^ (#cite_ref-2) "Satisfy your shoe fetish with a trip to the German Shoe Museum" (http://www.kaiserslauternamerican.com/satisfy-your-shoe-fetish-with-a-trip-to-the-german-shoe-museum/) Kaiserslautern American . Retrieved 2014-7-21. External links [ edit ] Wikimedia Commons has media related to German Shoe Museum (https://commons.wikimedia.org/wiki/Category:Deutsches_Schuhmuseum_Hauenstein) . Internet site of the museum (http://www.deutsches-schuhmuseum.de) v t e Shoe (/wiki/Shoe) museums (/wiki/Museum) Shoe museums Bata Shoe Museum (/wiki/Bata_Shoe_Museum) German Leather Museum (/wiki/German_Leather_Museum) German Shoe Museum International Wooden Shoe Museum Eelde (/wiki/International_Wooden_Shoe_Museum_Eelde) Marikina Shoe Museum (/wiki/Marikina#Landmarks_and_attractions) Ry Municipality Wooden Shoes Museum (/wiki/Ry_Municipality#The_towns_of_the_former_municipality) Kumla Shoe Industry Museum (/wiki/Skoindustrimuseet_i_Kumla) ShoeZeum (/wiki/Jordan_Geller) SONS Museum (/wiki/SONS_Museum) Tampere Shoe Museum (/wiki/Tampere#Sites_of_interest) Temple University School of Podiatric Medicine (/wiki/Temple_University_School_of_Podiatric_Medicine) Vreden Miniature Shoe Museum (/wiki/Vreden) Related Design museums (/wiki/Design_museum) v t e Footwear (/wiki/Footwear) Abandoned footwear (/wiki/Abandoned_footwear) Shoe (/wiki/Shoe) Shoemaking (/wiki/Shoemaking) Shoe size (/wiki/Shoe_size) Dress shoes (/wiki/Dress_shoe) Blucher (/wiki/Blucher_shoe) Brogues (/wiki/Brogue_shoe) Brothel creepers (/wiki/Brothel_creeper) Derby (/wiki/Derby_shoe) Monks (/wiki/Monk_shoe) Oxfords (/wiki/Oxford_shoe) Spectator shoes (Co-respondent shoes) (/wiki/Spectator_shoe) Winklepickers (/wiki/Winklepicker) Wholecuts (/wiki/Wholecut) Slip-on shoes (/wiki/Slip-on_shoe) Court shoes (/wiki/Court_shoe) Prince Albert slippers (/wiki/Slipper#Types) Loafers (/wiki/Slip-on_shoe#Types_of_loafer) Venetian-style shoes (/wiki/Venetian-style_shoe) Women's Ballet flats (/wiki/Ballet_flat) High-heeled footwear (/wiki/High-heeled_shoe) Mary Janes (/wiki/Mary_Jane_(shoe)) Mojari (/wiki/Mojari) Mules (/wiki/Mule_(shoe)) Peep-toe shoes (/wiki/Peep-toe_shoe) Saddle shoes (/wiki/Saddle_shoe) Slingbacks (/wiki/Slingback) Other shoes Driving moccasins (/wiki/Moccasin#Driving_moccasins) Flip-flops (/wiki/Flip-flops) Galoshes (/wiki/Galoshes) Platform shoes (/wiki/Platform_shoe) Sandals (/wiki/Sandal) Self-tying shoes (/wiki/Self-tying_shoes) Slides (/wiki/Slide_(footwear)) Slippers (/wiki/Slipper) ( Uwabaki (/wiki/Uwabaki) ) Tiger-head shoes (/wiki/Tiger-head_shoes) Veldskoens (/wiki/Veldskoen) Zōri (/wiki/Z%C5%8Dri) Wooden footwear (/wiki/Clog) Bakya (/wiki/Bakya) British clogs (/wiki/Clog_(British)) Cantabrian albarcas (/wiki/Cantabrian_albarcas) Clogs (/wiki/Clog) Geta (/wiki/Geta_(footwear)) Klompen (/wiki/Klomp) Namaksin (/wiki/Namaksin) Okobo (/wiki/Okobo) Padukas (/wiki/Paduka) Pattens (/wiki/Patten_(shoe)) Sabot (/wiki/Sabot_(shoe)) Träskor (/wiki/Tr%C3%A4skor) Boots Military Ammunition boots (/wiki/Ammunition_boot) Bunny boots (/wiki/Bunny_boots) Combat boots (/wiki/Combat_boot) Jackboots (/wiki/Jackboot) Jump boots (/wiki/Jump_boot) Jungle boots (/wiki/Jungle_boot) Tanker boots (/wiki/Tanker_boot) Trench boots (/wiki/Trench_boot) Munson Last (/wiki/Edward_Lyman_Munson#Munson_last) Work Australian work boots (/wiki/Australian_work_boot) Cowboy boots (/wiki/Cowboy_boot) Engineer boots (/wiki/Engineer_boot) Hip boots (/wiki/Hip_boot) Jika-tabi (/wiki/Jika-tabi) Rigger boots (/wiki/Rigger_boot) Steel-toe boots (/wiki/Steel-toe_boot) Waders (/wiki/Waders_(footwear)) Fashion boots (/wiki/Fashion_boot) Chelsea boots (/wiki/Chelsea_boot) ( Beatle boots (/wiki/Beatle_boot) ) Chukka boots (/wiki/Chukka_boot) Go-go boots (/wiki/Go-go_boot) Knee-high boots (/wiki/Knee-high_boot) Over-the-knee boots (/wiki/Over-the-knee_boot) Platform boots (/wiki/Platform_shoe) Thigh-high boots (/wiki/Thigh-high_boots) Ugg boots (/wiki/Ugg_boots) Other Jodhpur boots (/wiki/Jodhpur_boot) Wellington boots (/wiki/Wellington_boot) Ballet boots (/wiki/Ballet_boot) Sport-related footwear Athletic shoes (/wiki/Sneaker) Ballet shoes (/wiki/Ballet_shoe) Boat shoes (/wiki/Boat_shoe) Climbing shoes (/wiki/Climbing_shoe) Cross country running shoes (/wiki/Cross_country_running_shoe) Cycling shoes (/wiki/Cycling_shoe) Football boots (/wiki/Football_boot) Ghillies (/wiki/Ghillies_(dance)) Hiking boots (/wiki/Hiking_boot) Ice skates (/wiki/Ice_skate) Inline skates (/wiki/Inline_skates) Kung fu shoes (/wiki/Kung_fu_shoe) Minimalist shoes (/wiki/Minimalist_shoe) Motorcycle boots (/wiki/Motorcycle_boot) Mountaineering boots (/wiki/Mountaineering_boot) Plimsolls (/wiki/Plimsoll_(shoe)) Racing flats (/wiki/Racing_flat) Racing shoes (/wiki/Racing_shoes) Riding boots (/wiki/Riding_boot) Roller shoes (/wiki/Roller_shoe) Roller skates (/wiki/Roller_skates) Sabatons (/wiki/Sabaton) Safari boots (/wiki/Safari_boot) Skate shoes (/wiki/Skate_shoe) Ski boots (/wiki/Ski_boot) Sneakers (/wiki/Sneaker) Swimfins (/wiki/Swimfin) Water shoes (/wiki/Water_shoe) Wrestling shoes (/wiki/Wrestling_shoe) Folk footwear (/wiki/Folk_costume) Abacas (/wiki/Abaca_slippers) Abarkas (/wiki/Abarka) Alpargatas (/wiki/Espadrille) Avarcas (/wiki/Avarca) Balghas (/wiki/Balgha) Bast shoes (/wiki/Bast_shoe) Ciocie (/wiki/Ciocie) Clogs (/wiki/Clog) Espadrilles (/wiki/Espadrille) Furlane (/wiki/Furlane_(shoe)) Galesh (/wiki/Galesh) Geta (/wiki/Geta_(footwear)) Giveh (/wiki/Giveh) Haferlschuh (/wiki/Haferlschuh) Hnyat-phanats (/wiki/Hnyat-phanat) Huarache (/wiki/Huarache_(shoe)) Hwa (/wiki/Hwa) Jipsin (/wiki/Jipsin) Jorabs (/wiki/Jorabs) Kamiks (/wiki/Kamik) Kolhapuri chappals (/wiki/Kolhapuri_chappal) Moccasins (/wiki/Moccasin) Mojaris (/wiki/Mojari) Mukluks (/wiki/Mukluk) Nalins (/wiki/Turkish_clogs) Okobo (/wiki/Okobo) Opanci (/wiki/Opanak) Peshawari chappals (/wiki/Peshawari_chappal) Snowshoes (/wiki/Snowshoe) Tsarouchi (/wiki/Tsarouchi) Takunya (/wiki/Turkish_clogs) Upanah (/wiki/Upanah) Valenkis (/wiki/Valenki) Waraji (/wiki/Waraji) Zōri (/wiki/Z%C5%8Dri) Historical footwear Areni-1 shoes (/wiki/Areni-1_shoe) Buskins (/wiki/Buskin) Calcei (/wiki/Calcei) Caligae (/wiki/Caligae) Carbatina (/wiki/Carbatina) Cavalier boots (/wiki/Cavalier_boot) Chinese styles (/wiki/Hanfu_footwear) Chopines (/wiki/Chopine) Duckbill shoes (/wiki/Duckbill_shoe) Flowerpot shoes (/wiki/Flowerpot_shoe) Hessians (/wiki/Hessian_(boot)) Lotus shoes (/wiki/Lotus_shoe) Pampooties (/wiki/Pampootie) Pigaches (/wiki/Pigache) Poulaines (/wiki/Poulaine) Socci (/wiki/Socci) Turnshoes (/wiki/Turnshoe) Shoe construction Bespoke shoes (/wiki/Bespoke_shoes) Blake construction (/wiki/Blake_construction) Goodyear welt (/wiki/Goodyear_welt) Shoe buckle (/wiki/Shoe_buckle) Shoelaces (/wiki/Shoelaces) Toe box (/wiki/Toe_box) High heels (/wiki/High-heeled_shoe) Clear heels (/wiki/Clear_heels) Kitten heels (/wiki/Kitten_heel) Spool heels (/wiki/Spool_heel) Stiletto heels (/wiki/Stiletto_heel) Wedges (/wiki/Wedge_(footwear)) Hosiery Anklets (/wiki/Anklet_(sock)) Bobby socks (/wiki/Bobby_sock) Dress socks (/wiki/Dress_sock) Footwraps (/wiki/Footwrap) Knee highs (/wiki/Knee_highs) Pantyhose (/wiki/Pantyhose) Sock (/wiki/Sock) Stocking (/wiki/Stocking) Tights (/wiki/Tights) Toe socks (/wiki/Toe_sock) Tabi (/wiki/Tabi) List of shoe styles (/wiki/List_of_shoe_styles) Authority control 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Type of haircut Brush cut Marine A brush cut is a type of haircut (/wiki/Haircut) in which the hair (/wiki/Hair) on the top of the head is cut short in every dimension. [1] (#cite_note-FOOTNOTETrusty1971113-1) The top and the upper portion of the back and sides are cut the same length, generally between 1 ⁄ 4 and 1 ⁄ 2 inch (6 and 13 mm), following the contour of the head. The hair below the upper portion of the sides and back of the head is tapered short (/wiki/Regular_haircut#Short) or semi-short (/wiki/Regular_haircut#Semi-short) with a clipper, in the same manner as a crew cut (/wiki/Crew_cut) . [1] (#cite_note-FOOTNOTETrusty1971113-1) [2] (#cite_note-FOOTNOTEThorpe1967135-2) A variant form may have a slight graduation of the top hair longer from back to front or a quickly graduated bit of hair at the front hairline to achieve a little flip up of the hair at the forehead. [1] (#cite_note-FOOTNOTETrusty1971113-1) A brush that is cut at less than 1 ⁄ 4 inch on top may be referred to as a burr . [3] (#cite_note-FOOTNOTESherrow2006101-3) A brush that is cut at 1 ⁄ 4 inch or longer on top, and especially one that shows natural curl, depending on length, may be referred to as a short brush cut or brush cut . [4] (#cite_note-FOOTNOTETrusty1971107-4) [1] (#cite_note-FOOTNOTETrusty1971113-1) [5] (#cite_note-FOOTNOTETrusty1971116-5) Brush cuts are traditionally groomed with hair control wax, commonly referred to as brush wax . Culture [ edit ] Short brush cut A butch haircut is a common haircut for women who are masculine (/wiki/Masculine) , typically a lesbian (/wiki/Lesbian) , with "butch" existing primarily in LGBT slang (/wiki/LGBT_slang) . Since the lesbian subculture of 1940s America, "butch" has been present as a way for lesbians to circumvent traditional genders of women in society and distinguish their masculine attributes and characteristics from feminine women. [6] (#cite_note-Firestein-6) According to some academic studies about the butch/ femme (/wiki/Femme) subculture, "Femmes were sometimes bisexual (/wiki/Bisexual) ." [7] (#cite_note-Ukockis-7) Brush cuts are commonly used in various militaries (/wiki/Militaries) , either as form of social conformity (/wiki/Conformity) to the military or as a hygienic (/wiki/Hygienic) measure. Conversely many punk (/wiki/Punk_rock) cultures (/wiki/Punk_subculture) and movements have likewise adopted brush haircuts as a form of personal identity and of rebellion (/wiki/Rebellion) . [8] (#cite_note-8) Airforce (/wiki/Airforce) brush cut See also [ edit ] List of hairstyles (/wiki/List_of_hairstyles) Buzz cut (/wiki/Buzz_cut) Crew cut (/wiki/Crew_cut) Ivy League (/wiki/Ivy_League_(haircut)) Flattop (/wiki/Flattop) Regular haircut (/wiki/Regular_haircut) References [ edit ] ^ Jump up to: a b c d Trusty 1971 (#CITEREFTrusty1971) , p. 113. ^ (#cite_ref-FOOTNOTEThorpe1967135_2-0) Thorpe 1967 (#CITEREFThorpe1967) , p. 135. ^ (#cite_ref-FOOTNOTESherrow2006101_3-0) Sherrow 2006 (#CITEREFSherrow2006) , p. 101. ^ (#cite_ref-FOOTNOTETrusty1971107_4-0) Trusty 1971 (#CITEREFTrusty1971) , p. 107. ^ (#cite_ref-FOOTNOTETrusty1971116_5-0) Trusty 1971 (#CITEREFTrusty1971) , p. 116. ^ (#cite_ref-Firestein_6-0) Firestein, Beth A., ed. (2007). "16. Gender Expression in Bisexual Women: Therapeutic Issues and Considerations" (https://books.google.com/books?id=1pCKkZmBU1EC&pg=PA301) . Becoming Visible: Counseling Bisexuals Across the Lifespan . Columbia University Press (/wiki/Columbia_University_Press) . pp. 301–310. ISBN (/wiki/ISBN_(identifier)) 978-0231137249 . ^ (#cite_ref-Ukockis_7-0) Ukockis, Gail (2016). "5. Lesbians and Bisexual Women: Concerns of Lesbian and Bisexual Women: Butch/Femme Stereotypes" (https://books.google.com/books?id=2kUnDAAAQBAJ&pg=PT136) . Women's Issues for a New Generation: A Social Work Perspective . Oxford University Press (/wiki/Oxford_University_Press) . p. 136. ISBN (/wiki/ISBN_(identifier)) 978-0190239411 . ^ (#cite_ref-8) Donovan, Johanne Edwina (January 1, 2014). " (https://ses.library.usyd.edu.au/handle/2123/12142) "Hardcore makes me sick" truth, youth and unity in Australian hardcore punk subculture" (https://ses.library.usyd.edu.au/handle/2123/12142) – via ses.library.usyd.edu.au. Bibliography [ edit ] Sherrow, Victoria (2006). Encyclopedia of hair . Greenwood Press. Thorpe, S.C. (1967). Practice and Science of Standard Barbering . Milady Publishing Corporation. Trusty, L. Sherman (1971). The Art and Science of Barbering . Wolfer Printing Co. External links [ edit ] Media related to Brush cut (https://commons.wikimedia.org/wiki/Category:Brush_cut) at Wikimedia Commons Butch Cut High School Football Player, Lawrence, Kansas, 1960 (http://www.gstatic.com/hostedimg/eed537c1cd166a5e_large) Butch Cut High School Football Player, Lawrence, Kansas, 1960 (http://www.gstatic.com/hostedimg/22ca285838aa2f38_large) Butch Cut High School Football Player, Lawrence, Kansas, 1960 (http://www.gstatic.com/hostedimg/ac232c93f96a31c3_large) Butch Cut Central High School Student, Little Rock, Arkansas, 1958 (http://www.gstatic.com/hostedimg/f7d41b6194d80891_large) Butch Cut Track and Field Athlete, Summer Olympics, Rome, Italy, 1960 (http://www.gstatic.com/hostedimg/16bf90afbbce04e9_large) The dictionary definition of brush cut at Wiktionary v t e Human hair (/wiki/Hair) Classification by type Lanugo (/wiki/Lanugo) Body (/wiki/Body_hair) Terminal (/wiki/Terminal_hair) Vellus (/wiki/Vellus_hair) by location Body (/wiki/Body_hair) Ear (/wiki/Ear_hair) Nose (/wiki/Nasal_hair) Eyebrow (/wiki/Eyebrow) unibrow (/wiki/Unibrow) Eyelash (/wiki/Eyelash) Underarm (/wiki/Underarm_hair) Chest (/wiki/Chest_hair) Abdominal (/wiki/Abdominal_hair) Pubic (/wiki/Pubic_hair) Leg (/wiki/Leg_hair) Head hairstyles (/wiki/Hairstyle) ( list (/wiki/List_of_hairstyles) ) Afro (/wiki/Afro) Afro puffs (/wiki/Afro_puffs) Asymmetric cut (/wiki/Asymmetric_cut) Bald (/wiki/Hair_loss) Bangs (/wiki/Bangs_(hair)) Beehive (/wiki/Beehive_(hairstyle)) Big hair (/wiki/Big_hair) Blowout (/wiki/Long_hair) Bob cut (/wiki/Bob_cut) Bouffant (/wiki/Bouffant) Bowl cut (/wiki/Bowl_cut) Braid (/wiki/Braid_(hairstyle)) Brush, butch, burr cut Bun (/wiki/Bun_(hairstyle)) ( odango (/wiki/Bun_(hairstyle)) ) Bunches (/wiki/Bunches) Businessman cut (/wiki/Regular_haircut) Butterfly haircut (/wiki/Butterfly_haircut) Buzz cut (/wiki/Buzz_cut) Caesar cut (/wiki/Caesar_cut) Chignon (/wiki/Chignon_(hairstyle)) Chonmage (/wiki/Chonmage) Comb over (/wiki/Comb_over) Conk (/wiki/Conk) Cornrows (/wiki/Cornrows) Crew cut (/wiki/Crew_cut) Crochet braids (/wiki/Crochet_braids) Croydon facelift (/wiki/Croydon_facelift) Curly hair (/wiki/Curly_hair) Curtained hair (/wiki/Curtained_hair) Czupryna (/wiki/Czupryna) Devilock (/wiki/Devilock) Dido flip (/wiki/Dido_flip) Digital perm (/wiki/Digital_perm) Dreadlocks (/wiki/Dreadlocks) Ducktail (/wiki/Ducktail) Edgar cut (/wiki/Edgar_cut) Eton crop (/wiki/Eton_crop) Extensions (/wiki/Artificial_hair_integrations) Fauxhawk (/wiki/Mohawk_hairstyle) Feathered hair (/wiki/Feathered_hair) Finger wave (/wiki/Finger_wave) Flattop (/wiki/Flattop) Fontange (/wiki/Fontange) French braid (/wiki/French_braid) French twist (/wiki/French_twist_(hairstyle)) Fringe (/wiki/Fringe_(hair)) Frosted tips (/wiki/Frosted_tips) Hair crimping (/wiki/Hair_crimping) Hair twists (/wiki/Hair_twists) High and tight (/wiki/High_and_tight) Hime cut (/wiki/Hime_cut) Historical Christian hairstyles (/wiki/Historical_Christian_hairstyles) Hi-top fade (/wiki/Hi-top_fade) Induction cut (/wiki/Induction_cut) Ivy League, Harvard, Princeton cut (/wiki/Ivy_League_(haircut)) Japanese women (/wiki/Hairstyles_of_Japanese_women) Jewfro (/wiki/Jewfro) Jheri curl (/wiki/Jheri_curl) Kinky hair (/wiki/Kinky_hair) Kiss curl (/wiki/Kiss_curl) Laid edges (/wiki/Laid_edges) Layered hair (/wiki/Layered_hair) Liberty spikes (/wiki/Liberty_spikes) Long hair (/wiki/Long_hair) Lob cut (/wiki/Lob_(haircut)) Lovelock (/wiki/Lovelock_(hair)) Marcelling (/wiki/Marcelling) Mod cut (/wiki/Wings_(haircut)) Mohawk (/wiki/Mohawk_hairstyle) Mullet (/wiki/Mullet_(haircut)) 1950s (/wiki/Hairstyles_in_the_1950s) 1980s (/wiki/Hairstyles_in_the_1980s) Pageboy (/wiki/Pageboy) Part (/wiki/Part_(haircut)) Payot (/wiki/Payot) Pigtail (/wiki/Pigtail) Pixie cut (/wiki/Pixie_cut) Pompadour (/wiki/Pompadour_(hairstyle)) Ponytail (/wiki/Ponytail) Punch perm (/wiki/Punch_perm) Professional cut (/wiki/Regular_haircut) Queue (/wiki/Queue_(hairstyle)) Quiff (/wiki/Quiff) Rattail (/wiki/Rattail_(hairstyle)) Razor cut (/wiki/Razor_cut) Regular haircut (/wiki/Regular_haircut) Ringlets (/wiki/Ringlet_(haircut)) Shag (/wiki/Shag_(haircut)) Shape-up (/wiki/Shape-up) Shikha (/wiki/Shikha_(hairstyle)) Shimada (/wiki/Shimada_(hairstyle)) Short back and sides (/wiki/Regular_haircut) Short brush cut Short hair (/wiki/Short_hair) Spiky hair (/wiki/Liberty_spikes) Straight hair (/wiki/Straight_hair) Standard haircut (/wiki/Regular_haircut) Step cut (/wiki/Step_cutting) Surfer hair (/wiki/Surfer_hair) Taper cut (/wiki/Regular_haircut) Temple fade (/wiki/Temple_fade_(hairstyle)) Titus cut (/wiki/Titus_cut) Tonsure (/wiki/Tonsure) Updo (/wiki/Updo) Undercut (/wiki/Undercut_(hairstyle)) Victory rolls (/wiki/Victory_rolls) Waves (/wiki/Waves_(hairstyle)) Widow's peak (/wiki/Widow%27s_peak) Wings (/wiki/Wings_(haircut)) Facial hair (/wiki/Facial_hair) ( list (/wiki/List_of_facial_hairstyles) ) Beard (/wiki/Beard) Chinstrap (/wiki/Chinstrap_beard) Goatee (/wiki/Goatee) Ned Kelly (/wiki/Ned_Kelly_beard) Shenandoah (/wiki/Shenandoah_(beard)) Soul patch (/wiki/Soul_patch) Van Dyke (/wiki/Van_Dyke_beard) Moustache (/wiki/Moustache) Fu Manchu (/wiki/Fu_Manchu_moustache) handlebar (/wiki/Handlebar_moustache) horseshoe (/wiki/Horseshoe_moustache) pencil (/wiki/Pencil_moustache) toothbrush (/wiki/Toothbrush_moustache) walrus (/wiki/Walrus_moustache) Designer stubble (/wiki/Designer_stubble) Sideburns (/wiki/Sideburns) Hair subtraction cosmetic Removal (/wiki/Hair_removal) waxing (/wiki/Waxing) threading (/wiki/Threading_(epilation)) plucking (/wiki/Plucking_(hair_removal)) chemical (/wiki/Chemical_depilatory) electric (/wiki/Electrology) laser (/wiki/Laser_hair_removal) IPL (/wiki/Intense_pulsed_light) Shaving (/wiki/Shaving) head (/wiki/Head_shaving) leg (/wiki/Leg_shaving) cream (/wiki/Shaving_cream) brush (/wiki/Shaving_brush) soap (/wiki/Shaving_soap) Razor (/wiki/Razor) electric (/wiki/Electric_shaver) safety (/wiki/Safety_razor) straight (/wiki/Straight_razor) disorders Alopecia (/wiki/Hair_loss) areata (/wiki/Alopecia_areata) totalis (/wiki/Alopecia_totalis) universalis (/wiki/Alopecia_universalis) Frictional alopecia (/wiki/Frictional_alopecia) Pattern hair loss (/wiki/Pattern_hair_loss) Hypertrichosis (/wiki/Hypertrichosis) Management (/wiki/Management_of_hair_loss) Trichophilia (/wiki/Trichophilia) Trichotillomania (/wiki/Trichotillomania) Pogonophobia (/wiki/Pogonophobia) Haircare products Brush (/wiki/Hairbrush) Clay (/wiki/Hair_clay) Clipper (/wiki/Hair_clipper) Comb (/wiki/Comb) Conditioner (/wiki/Hair_conditioner) Dryer (/wiki/Hair_dryer) Gel (/wiki/Hair_gel) Hairstyling products (/wiki/Hairstyling_product) Hot comb (/wiki/Hot_comb) Iron (/wiki/Hair_iron) Mousse (/wiki/Hair_mousse) Pomade (/wiki/Pomade) Relaxer (/wiki/Relaxer) Rollers (/wiki/Hair_roller) Shampoo (/wiki/Shampoo) Spray (/wiki/Hair_spray) Volumizer (/wiki/Hair_volumizer) Wax (/wiki/Hair_wax) Haircare techniques Backcombing (/wiki/Backcombing) Hair coloring 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Serbian-Canadian fashion Designer Bojana Sentaler Bojana Sentaler Born 1984 Belgrade, Serbia (/wiki/Belgrade,_Serbia) Nationality Canadian and Serbian (/wiki/Serbia) Occupation Fashion Designer Known for Luxury Outerwear Website sentaler (http://sentaler.com) .com (http://sentaler.com) Bojana Sentaler is a Canadian fashion designer, Founder, President and Creative Director of Sentaler since 2009. She is known for her line of luxury alpaca (/wiki/Alpaca) outerwear and accessories. [1] (#cite_note-Williams,_Ingrie._Meet_the_Toronto_Designer_Behind_Meghan_Markle's_Fave_Winter_Coat-1) Background [ edit ] Born in Belgrade (/wiki/Belgrade) , Serbia (/wiki/Serbia) , Sentaler emigrated to Canada (/wiki/Canada) when she was eight years old. [2] (#cite_note-2) She attended the Schulich School of Business (/wiki/Schulich_School_of_Business) at York University (/wiki/York_University) in Toronto and graduated with a Bachelor of Business Administration (BBA) degree in Marketing and Finance in 2006. [3] (#cite_note-3) She began her career working for a corporate beauty brand. After a short time, she left her position to pursue being an entrepreneur. In 2008, she traveled to Dubai (/wiki/Dubai) and began a small business creating economic investment reports on the MENA (/wiki/MENA) region for a UK newspaper. [4] (#cite_note-4) In 2009, she traveled to Peru (/wiki/Peru) where she discovered alpaca fabric and launched the Sentaler Canadian luxury outerwear brand. [5] (#cite_note-Sentaler-5) When the time came to choose a career path, Sentaler chose to focus on the business for stability instead of attending a fashion school. [6] (#cite_note-Davis,_Erin_(11_August_2018)_Canadian_Designer_Bojana_Sentaler_Goes_Global_After_Meghan_And_Kate_Made_Her_Coats_Famous-6) After graduating from the Schulich School of Business (/wiki/Schulich_School_of_Business) , Sentaler took a position in sales and marketing with a corporate beauty brand. [7] (#cite_note-Dion-Marquis,_Sarah_(5_September_2012)_Profile:_Bojana_Sentaler-7) She found the corporate environment too restrictive for her creativity and entrepreneurial spirit. This led her to resign and travel to Dubai (/wiki/Dubai) to explore opportunities in fashion. [8] (#cite_note-Kelly,_Deirde_(14_July_2019)_The_Sophie_Grégoire_Trudeau_coat:_a_Canadian_Fashion_Success_Story-8) In 2008, while living in Dubai, she worked on economic investment reports on emerging markets, particularly the MENA region for a UK newspaper. [9] (#cite_note-Leigh,_Tiffany_(26_June_2019)_Sentaler_On_10_Years_Of_Sartorial_Style_And_Why_Meghan_Markle_Adores_The_Brand_So_Much-9) While interviewing various corporate CEO (/wiki/CEO) 's and Saudi sheiks, Sentaler had the opportunity to interview Karl Lagerfeld (/wiki/Karl_Lagerfeld) , who had recently designed luxury villas in Dubai (/wiki/Dubai) . [10] (#cite_note-Bains,_Pahull_(16_April_2019)_Looking_Back_at_10_Years_of_Sentaler_Milestones,_Including_the_Meghan_Coat-10) After the interview, Sentaler expressed her dreams of becoming a fashion designer. Lagerfeld remarked, "You either have it or you don't, and if you have it, go for it." [11] (#cite_note-Liu,_Leona_(21_May_2019)_A-listers_Meghan_Markle_and_Gigi_Hadid_add_to_allure_of_Sentaler's_winter_coats-11) After discovering alpaca (/wiki/Alpaca) fabric in Peru (/wiki/Peru) and spending time studying its unique properties, Sentaler decided to launch a luxury outerwear brand. She designed her first seven "dream coats" and founded the SENTALER brand in 2009 in Toronto (/wiki/Toronto) . [8] (#cite_note-Kelly,_Deirde_(14_July_2019)_The_Sophie_Grégoire_Trudeau_coat:_a_Canadian_Fashion_Success_Story-8) In 2015, her brand gained national attention when Sophie Grégoire Trudeau (/wiki/Sophie_Gr%C3%A9goire_Trudeau) wore a white Sentaler coat to her husband's swearing-in ceremony. [12] (#cite_note-Kelly,_Deirdre_(14_July_2016)_The_Sophie_Grégoire_Trudeau_coat:_a_Canadian_fashion_success_story-12) Her coats have also been worn by Meghan Markle and Kate Middleton. [13] (#cite_note-13) [14] (#cite_note-14) In 2021, she launched Sentaler Men, a menswear line. [15] (#cite_note-15) Awards & honours [ edit ] Canadian Arts and Fashion Awards (CAFA) 2022 "The Outerwear Brand of The Year" Winner: Sentaler. [16] (#cite_note-16) Canadian Arts and Fashion Awards (CAFA) 2019 "The Outerwear Brand of The Year" Nominee: Sentaler. [17] (#cite_note-Ngao,_Erica_(7_March_2019)_Here_are_all_the_2019_CAFA_Nominees-17) Women in Business Award: International Women Achievers' Awards March 2014. [18] (#cite_note-8_March_2014,_International_Women_Achievers_Award-18) References [ edit ] ^ (#cite_ref-Williams,_Ingrie._Meet_the_Toronto_Designer_Behind_Meghan_Markle's_Fave_Winter_Coat_1-0) Williams, Ingrie. "Meet the Toronto Designer Behind Meghan Markle's Fave Winter Coat" (https://www.besthealthmag.ca/best-looks/style/bojana-sentaler/) . Reader's Digest Best Health . Best Health Mag. ^ (#cite_ref-2) "Britanska princeza voli srpske kreatore: Kejt Midlton u kaputu Bojane Sentaler Nikolić" (https://www.blic.rs/zabava/vesti/britanska-princeza-voli-srpske-kreatore-kejt-midlton-u-kaputu-bojane-sentaler-nikolic/t67mq78) . ^ (#cite_ref-3) MacAdam, Lindsay (2018). "Fresh Coat" (https://magazine.yorku.ca/issues/winter-2018/fresh-coat/) . The York University Magazine . Retrieved 2023-01-13 . ^ (#cite_ref-4) "sentaler-on-10-years-of-sartorial-style-and-why-meghan-markle-adores-the-brand-so-much/#14d908723717" (https://www.forbes.com/sites/tiffanyleigh/2019/06/26/) . [ dead link ] ^ (#cite_ref-Sentaler_5-0) "Sentaler" (http://montecristomagazine.com/style/sentaler) . 15 August 2017. ^ (#cite_ref-Davis,_Erin_(11_August_2018)_Canadian_Designer_Bojana_Sentaler_Goes_Global_After_Meghan_And_Kate_Made_Her_Coats_Famous_6-0) Davis, Erin. "Canadian Designer Bojana Sentaler Goes Global After Meghan And Kate Made Her Coats Famous" (https://notablelife.com/canadian-designer-bojana-sentaler-goes-global-after-meghan-and-kate-made-her-coats-famous/) . Notable Life . Notable Life . Retrieved 11 August 2018 . ^ (#cite_ref-Dion-Marquis,_Sarah_(5_September_2012)_Profile:_Bojana_Sentaler_7-0) Dion-Marquis, Sarah. "Profile: Bojana Sentaler" (http://www.fajomagazine.com/talent/profile-bojana-sentaler) . Fajo . FAJO Magazine . Retrieved 5 September 2012 . ^ Jump up to: a b Kelly, Deirde. "The Sophie Grégoire Trudeau coat: a Canadian fashion success story" (https://www.theglobeandmail.com/report-on-business/economy/growth/the-sophie-gregoire-trudeau-coat-a-canadian-fashion-success-story/article30900639/) . The Globe And Mail . The Globe and Mail Inc . Retrieved 14 July 2019 . ^ (#cite_ref-Leigh,_Tiffany_(26_June_2019)_Sentaler_On_10_Years_Of_Sartorial_Style_And_Why_Meghan_Markle_Adores_The_Brand_So_Much_9-0) Leigh, Tiffany. "Sentaler On 10 Years Of Sartorial Style And Why Meghan Markle Adores The Brand So Much" (https://web.archive.org/web/20190627132207/https://www.forbes.com/sites/tiffanyleigh/2019/06/26/sentaler-on-10-years-of-sartorial-style-and-why-meghan-markle-adores-the-brand-so-much/#36d4a50f3717) . Forbes . Archived from the original (https://www.forbes.com/sites/tiffanyleigh/2019/06/26/sentaler-on-10-years-of-sartorial-style-and-why-meghan-markle-adores-the-brand-so-much/#36d4a50f3717) on June 27, 2019 . Retrieved 26 June 2019 . ^ (#cite_ref-Bains,_Pahull_(16_April_2019)_Looking_Back_at_10_Years_of_Sentaler_Milestones,_Including_the_Meghan_Coat_10-0) Bains, Pahull. "Looking Back at 10 Years of Sentaler Milestones, Including the "Meghan Coat" (https://fashionmagazine.com/style/sentaler-10th-anniversary-fall-2019/) " (https://fashionmagazine.com/style/sentaler-10th-anniversary-fall-2019/) . FASHION Magazine . Retrieved 16 April 2019 . ^ (#cite_ref-Liu,_Leona_(21_May_2019)_A-listers_Meghan_Markle_and_Gigi_Hadid_add_to_allure_of_Sentaler's_winter_coats_11-0) Liu, Leona. "A-listers Meghan Markle and Gigi Hadid add to allure of Sentaler's winter coats" (https://www.scmp.com/magazines/style/people-events/article/3010279/listers-meghan-markle-and-gigi-hadid-add-allure) . Style . Retrieved 21 May 2019 . ^ (#cite_ref-Kelly,_Deirdre_(14_July_2016)_The_Sophie_Grégoire_Trudeau_coat:_a_Canadian_fashion_success_story_12-0) Kelly, Deirdre. "The Sophie Grégoire Trudeau coat: a Canadian fashion success story" (https://www.theglobeandmail.com/report-on-business/economy/growth/the-sophie-gregoire-trudeau-coat-a-canadian-fashion-success-story/article30900639/) . The Globe and Mail . The Globe and Mail Inc . Retrieved 14 July 2016 . ^ (#cite_ref-13) Jessen, Monique (2018-02-22). "Meghan Markle's Favorite Outerwear Designer Reveals the Secret to the 'Perfect London Coat' (https://people.com/royals/meghan-markles-favorite-outerwear-designer-reveals-the-secret-to-the-perfect-london-coat/) " (https://people.com/royals/meghan-markles-favorite-outerwear-designer-reveals-the-secret-to-the-perfect-london-coat/) . People . Retrieved 2023-01-13 . ^ (#cite_ref-14) "Kate Middleton wears Toronto designer's coat and now it's sold out" (https://www.cbc.ca/news/canada/toronto/kate-effect-1.3785540) . CBC . 2016-09-30 . Retrieved 2022-01-12 . ^ (#cite_ref-15) Burchfield, Rachel (2021-02-25). "What's Next for Sentaler, the Coat Brand Loved by Kate Middleton, Meghan Markle, and More" (https://www.vanityfair.com/style/2021/02/sentaler-fall-winter-collection) . Vanity Fair . Retrieved 2023-01-13 . ^ (#cite_ref-16) "2022 Winners | CAFA" (https://www.cafawards.ca/2022-winners/) . Retrieved 2022-10-17 . ^ (#cite_ref-Ngao,_Erica_(7_March_2019)_Here_are_all_the_2019_CAFA_Nominees_17-0) Ngao, Erica. "Here are all the 2019 CAFA Nominees" (https://www.ellecanada.com/fashion/trends/here-are-all-the-2019-cafa-nominees) . Elle Canada . Elle Canada . Retrieved 7 March 2019 . ^ (#cite_ref-8_March_2014,_International_Women_Achievers_Award_18-0) "International Women Achievers Award" (https://northtoronto.snapd.com/events/view/642908) . Retrieved 8 March 2014 . External links [ edit ] sentaler (http://sentaler.ca) .ca (http://sentaler.ca) NewPP limit report Parsed by mw‐web.codfw.main‐687d5b87c4‐2jh9z Cached time: 20240710050124 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.459 seconds Real time usage: 0.673 seconds Preprocessor visited node count: 2438/1000000 Post‐expand include size: 34774/2097152 bytes Template argument size: 1750/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 2/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 71290/5000000 bytes Lua time usage: 0.218/10.000 seconds Lua memory usage: 6650680/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 485.562 1 -total 42.79% 207.778 1 Template:Reflist 30.93% 150.191 17 Template:Cite_web 27.91% 135.512 1 Template:Infobox_person 23.71% 115.135 1 Template:Short_description 15.20% 73.782 20 Template:Main_other 11.58% 56.234 1 Template:SDcat 9.54% 46.343 2 Template:Pagetype 6.22% 30.219 1 Template:Wikidata_image 5.99% 29.067 1 Template:Dead_link Saved in parser cache with key enwiki:pcache:idhash:56325020-0!canonical and timestamp 20240710050124 and revision id 1232567340. 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19th-century British organization 1897 advertisement in The Graphic for Elliman's Universal Embrocation (manufactured in Slough), showing a relatively early example of an ordinary non-sea-bathing Western woman appearing skirtless in public (wearing "rationals" or "knickerbockers" or "bloomers" for bicycle-riding). The whole outfit (top and bottom) was known as a "bicycle suit" (/wiki/Bicycling_and_feminism) . The Rational Dress Society was an organisation founded in 1881 in London, part of the movement for Victorian dress reform (/wiki/Victorian_dress_reform) . It described its purpose thus: The Rational Dress Society protests against the introduction of any fashion in dress that either deforms the figure, impedes the movements of the body, or in any way tends to injure the health. It protests against the wearing of tightly-fitting corsets (/wiki/Corset) ; of high-heeled shoes (/wiki/High-heeled_shoe) ; of heavily-weighted skirts, as rendering healthy exercise almost impossible; and of all tie down cloaks or other garments impeding on the movements of the arms. It protests against crinolines (/wiki/Crinoline) or crinolettes of any kind as ugly and deforming... [It] requires all to be dressed healthily, comfortably, and beautifully, to seek what conduces to birth, comfort and beauty in our dress as a duty to ourselves and each other. [1] (#cite_note-1) In the catalogue of its inaugural exhibition, it listed the attributes of "perfect" dress as: 1. Freedom of Movement. 2. Absence of pressure over any part of the body. 3. Not more weight than is necessary for warmth, and both weight and warmth evenly distributed. 4. Grace and beauty combined with comfort and convenience. 5. Not departing too conspicuously from the ordinary dress of the time. [2] (#cite_note-odnb-2) Leading members of the Society were Lady Harberton (/wiki/Florence_Wallace_Pomeroy,_Viscountess_Harberton) (who created the divided skirt), Mary Eliza Haweis (/wiki/Mary_Eliza_Haweis) and Constance Wilde (/wiki/Constance_Wilde) (Irish author). Oscar Wilde (/wiki/Oscar_Wilde) helped spread the word by publishing the essay " The Philosophy of Dress (/wiki/The_Philosophy_of_Dress) " in which he stressed the important relationship between clothing and one's soul. [3] (#cite_note-3) Woman cyclists, such as members of the Lady Cyclists' Association (/wiki/Lady_Cyclists%27_Association) , were keen advocates of women's right to dress appropriately for the activity, as part of a belief that cycling offered women an opportunity to escape overly restrictive societal norms. [4] (#cite_note-4) In 1889, a member of the Rational Dress Society, Charlotte Carmichael Stopes (/wiki/Charlotte_Carmichael_Stopes) , staged a coup at a meeting of the British Association for the Advancement of Science (/wiki/British_Science_Association) in Newcastle upon Tyne (/wiki/Newcastle_upon_Tyne) , when she arranged an impromptu addition to the programme on the subject of rational dress. Her speech was reported by newspapers across Britain and the notion of rational dress was the biggest news from the meeting. [5] (#cite_note-5) See also [ edit ] Svenska drägtreformföreningen (/wiki/Svenska_dr%C3%A4gtreformf%C3%B6reningen) National Dress Reform Association (/wiki/National_Dress_Reform_Association) Artistic Dress movement (/wiki/Artistic_Dress_movement) Bicycling and feminism (/wiki/Bicycling_and_feminism) Corset controversy (/wiki/Corset_controversy) References [ edit ] ^ (#cite_ref-1) Rockliff-Steiin, Consuelo Marie. "Pre-Raphaelite Ideals and Artistic Dress" (https://web.archive.org/web/20110930101322/http://www.glily.com/preraphs.htm) . Gilded Lily Publishing. Archived from the original on 30 September 2011. {{ cite web (/wiki/Template:Cite_web) }} : CS1 maint: bot: original URL status unknown ( link (/wiki/Category:CS1_maint:_bot:_original_URL_status_unknown) ) ^ (#cite_ref-odnb_2-0) Levitt, Sarah. "Pomeroy [née Legge], Florence Wallace, Viscountess Harberton". Oxford Dictionary of National Biography (/wiki/Dictionary_of_National_Biography#Oxford_Dictionary_of_National_Biography) (online ed.). Oxford University Press. doi (/wiki/Doi_(identifier)) : 10.1093/ref:odnb/45796 (https://doi.org/10.1093%2Fref%3Aodnb%2F45796) . (Subscription or UK public library membership (https://www.oxforddnb.com/help/subscribe#public) required.) ^ (#cite_ref-3) See The Philosophy of Dress (/wiki/The_Philosophy_of_Dress) by Oscar Wilde. ^ (#cite_ref-4) Julie Wosk, Women and the Machine: Representations from the Spinning Wheel to the Electronic Age , 2003, Johns Hopkins University Press, pp98-99 ISBN (/wiki/ISBN_(identifier)) 978-0801873133 (/wiki/Special:BookSources/978-0801873133) ^ (#cite_ref-5) Stephanie Green (2013). The Public Lives of Charlotte and Marie Stopes . London: Pickering & Chatto. p. 64. ISBN (/wiki/ISBN_(identifier)) 9781848932388 . 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American fashion designer Sophie Gimbel Sophie Gimbel in 1937 Born 1898 ( 1898 ) Houston (/wiki/Houston) , Texas Died November 28, 1981 (1981-11-28) (aged 82–83) New York (/wiki/New_York_City) , New York Spouse(s) Jay Harry Rossbach (divorced) Adam Gimbel Children Jay Harry Rossbach Jr. Parent(s) Caroline Kiam Haas Felix Haas Family John Alexander McLeay (step-father) Sophie Gimbel (1898 – November 28, 1981) was an American fashion designer (/wiki/Fashion_design) for Salon Moderne of Saks Fifth Avenue (/wiki/Saks_Fifth_Avenue) . She was a leading designer for nearly 40 years and an innovator of the "New Look" that gained popularity after World War II. Early life [ edit ] Born in Houston, Texas (/wiki/Houston) , Sophie was the daughter of Caroline (née Kiam) and Felix Haas. [1] (#cite_note-NYTSopObit-1) Her father was a tobacco merchant who died when she was four and her mother remarried a year later to John Alexander McLeay, whence the family moved to Atlanta, Georgia (/wiki/Atlanta) . [1] (#cite_note-NYTSopObit-1) As a young girl, Sophie cut her designing teeth making clothing for her dolls. She attended Agnes Scott College (/wiki/Agnes_Scott_College) for a time before marrying at age 19 to Jay Harry Rossbach [1] (#cite_note-NYTSopObit-1) and moving to Philadelphia. They had one son, Jay Harry Rossbach Jr. [1] (#cite_note-NYTSopObit-1) [2] (#cite_note-PBDN-2) While she was raising her son, she was employed as a part-time stage costume designer. [3] (#cite_note-3) The couple divorced after nine years in 1926. [1] (#cite_note-NYTSopObit-1) Fashion career [ edit ] Sophie was hired as a stylist for Saks by Adam Long Gimbel, grandson of Adam Gimbel (/wiki/Adam_Gimbel) , the founder of department store chain Gimbels (/wiki/Gimbels) . [1] (#cite_note-NYTSopObit-1) In 1929, she was asked to take over the Salon Moderne of the Saks Fifth Avenue flagship store (/wiki/Saks_Fifth_Avenue_flagship_store) . [1] (#cite_note-NYTSopObit-1) In her role as lead fashion designer, she often traveled to Paris to purchase clothes from designers. [1] (#cite_note-NYTSopObit-1) She married Gimbel in 1931. [1] (#cite_note-NYTSopObit-1) Salon Moderne was not particularly successful or prestigious prior to her arrival. Gimbel designed costumes for Broadway (/wiki/Broadway_theatre) shows to generate interest and bring in new business. She created many ready-to-wear (/wiki/Ready-to-wear) fashions and is credited with introducing culottes (/wiki/Culottes#Women's_culottes) (divided skirts) to the American market. [4] (#cite_note-4) Gowns designed by Gimbel were known for their simplicity, elegance, and use of expensive fabrics. [5] (#cite_note-5) She designed elegant haute couture (/wiki/Haute_couture) dresses and gowns for an exclusive clientele. Gimbel designed a red coat and dress for Lady Bird Johnson (/wiki/Lady_Bird_Johnson) to wear at Lyndon B. Johnson's 1965 inauguration (/wiki/Second_inauguration_of_Lyndon_B._Johnson) . [6] (#cite_note-6) Gimbel was a contemporary and competitor of Hattie Carnegie (/wiki/Hattie_Carnegie) , whose boutique was close to Saks Fifth Avenue. Gimbel took a conservative approach to fashion, decrying vanishing hem lines and exposed flesh. In a newspaper guest column, she wrote "I believe there should be a law against short shorts. " [7] (#cite_note-7) Though she wasn't a trendsetter, her designs had a widespread appeal for their use of simple lines and subdued elegance. Gimbel was featured on the cover of Time magazine (/wiki/Time_(magazine)) on September 29, 1947. [8] (#cite_note-8) She was not the first fashion designer to appear there, having been preceded by Elsa Schiaparelli (/wiki/Elsa_Schiaparelli) in 1934, but she was the first American designer to grace the cover. The Couture Group of the New York Dress Institute named Gimbel among the best-dressed fashion personalities of 1959. [9] (#cite_note-9) Personal life [ edit ] Gimbel died of a heart attack at Mount Sinai Hospital (/wiki/Mount_Sinai_Hospital,_New_York) at the age of 83 on November 28, 1981. Her son, Jay Harry Rossbach Jr., was an executive at Saks Fifth Avenue for over thirty years. [2] (#cite_note-PBDN-2) Gimbel enjoyed playing golf and skiing. She collected china dogs and raised rhododendrons and tulips. Along with her husband, she is the namesake of the Adam and Sophie Gimbel Art and Design Library (/wiki/Adam_and_Sophie_Gimbel_Design_Library) in New York. References [ edit ] ^ Jump up to: a b c d e f g h i Nemy, Enid (November 29, 1981). "Sophie Gimbel, Leading American Designer for 40 Years, Dies at 83" (https://www.nytimes.com/1981/11/29/obituaries/sophie-gimbel-leading-american-designer-for-40-years-dies-at-83.html) . The New York Times (/wiki/The_New_York_Times) . p. 44 . Retrieved July 14, 2023 . ^ Jump up to: a b Donnelly, Shannon (February 18, 2014). "Former president of local Red Cross dies at 92 - Jay H. Rossbach had spent his career in retailing, including 30 years at Saks Fifth Avenue" (http://www.palmbeachdailynews.com/lifestyles/former-president-local-red-cross-dies/ls1K7MtPpnPfdMcLO7cVzL/) . Palm Beach Daily News (/wiki/Palm_Beach_Daily_News) . ^ (#cite_ref-3) McLean, Lucile. Mr. Gimbel Sells—While Wife Designs. (https://news.google.com/newspapers?id=SbYyAAAAIBAJ&sjid=H-wFAAAAIBAJ&pg=665,2835556&dq=sophie-gimbel&hl=en) The Miami News. 8 January 1959. ^ (#cite_ref-4) "Fashion: Counter-Revolution" (https://web.archive.org/web/20110604154257/http://www.time.com/time/magazine/article/0,9171,793854-1,00.html) . Time (/wiki/Time_(magazine)) . September 15, 1947. Archived from the original (http://www.time.com/time/magazine/article/0,9171,793854-1,00.html) on June 4, 2011 . Retrieved July 14, 2023 . ^ (#cite_ref-5) "Art museum to display gowns" (https://news.google.com/newspapers?id=KF8nAAAAIBAJ&sjid=rlYDAAAAIBAJ&pg=5630,3933824&dq=sophie-gimbel&hl=en) . Mohave Daily Miner . June 7, 1987. ^ (#cite_ref-6) Beam, Alex. "The Greatest Stories Never Told" (https://www.theatlantic.com/magazine/archive/2005/11/the-greatest-stories-never-told/4334/2/) . The Atlantic (/wiki/The_Atlantic) . November 2005. ^ (#cite_ref-7) Gimbel, Sophie. "Baby Snooks vs. Real Elegance: Chic Doesn't Come with a Bang" (https://news.google.com/newspapers?id=boY1AAAAIBAJ&sjid=n58FAAAAIBAJ&pg=7327,5084807&dq=sophie-gimbel&hl=en) . The Montreal Gazette . August 27, 1965. ^ (#cite_ref-8) "Sophie Gimbel" (https://web.archive.org/web/20071203175714/http://www.time.com/time/covers/0,16641,19470915,00.html) . Time (/wiki/Time_(magazine)) . September 15, 1947. Archived from the original (http://www.time.com/time/covers/0,16641,19470915,00.html) on December 3, 2007 . Retrieved July 14, 2023 . ^ (#cite_ref-9) "Fashion Experts Name '59's 'Best-Dressed'" (https://news.google.com/newspapers?id=HwArAAAAIBAJ&sjid=dUgDAAAAIBAJ&pg=5812,1312513&dq=sophie-gimbel&hl=en) . The Deseret News . January 8, 1960. Further reading [ edit ] Mitchell, Jacqueline. "Saks Has A Golden Year: Fifty Years Of Sophie's Fashion Celebrated". Palm Beach Daily News . November 28, 1976. 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Last edited by Drmies (/wiki/User:Drmies) 5 months ago. Reviewer: Inform author (https://en.wikipedia.org/w/index.php?title=User_talk:Jennifersavuente&action=edit&editintro=Template:AfC_submission/user_talk_editintro_declined&preload=Template:AfC_submission/user_talk_preload_declined&preloadtitle=Your+submission+at+%5B%5BWP%3AAfC%7CArticles+for+creation%5D%5D§ion=new) . Resubmit Please note that if the issues are not fixed, the draft will be declined again. Comment: No, not like this. Please listen to other editors' advice. This is like a resume. Please read other encyclopedic articles, good ones, and write up content in that way. Drmies (/wiki/User:Drmies) ( talk (/wiki/User_talk:Drmies) ) 01:59, 23 January 2024 (UTC) Biography Belgian Photographer-duo Domen & Van de Velde Occupations Fashion photographer (/wiki/Fashion_photographer) director (/wiki/Creative_director) Years active 2010–present Website www (http://www.domenvandevelde.com/) .domenvandevelde (http://www.domenvandevelde.com/) .com (http://www.domenvandevelde.com/) Domen & Van de Velde is a Belgian photography duo consisting of Giel Domen and Kenneth Van de Velde. [1] (#cite_note-1) [2] (#cite_note-2) [3] (#cite_note-3) Since their collaboration began in 2010, they have also engaged in exhibitions and created independent artwork. [4] (#cite_note-4) Based in Los Angeles (/wiki/Los_Angeles) , the duo works globally for various brands and magazines. [5] (#cite_note-5) Career [ edit ] Giel Domen's interest in fashion photography developed during his time as a model, where he walked shows for several international brands. His transition to photography began with conceptual stories of friends, leading to wider recognition in the field. [6] (#cite_note-:0-6) Kenneth Van de Velde, who met Domen at an international fashion event, complements the partnership with a focus on technical details, while Domen leads in artistic direction. Together, they officially formed Domen & Van de Velde in 2010. [6] (#cite_note-:0-6) In 2020, they created a campaign for Beauty for a Better World, a non-profit initiative by Designers Against AIDS (/wiki/Designers_Against_Aids) . [7] (#cite_note-7) Their portfolio includes work for international publications like Vogue Arabia (/wiki/Vogue_Arabia) , Vogue Portugal (/w/index.php?title=Vogue_Portugal&action=edit&redlink=1) , Vogue México y Latinoamérica (/wiki/Vogue_M%C3%A9xico_y_Latinoam%C3%A9rica) , Vogue Ukraine (/wiki/Vogue_Ukraine) , V (/wiki/V_(American_magazine)) , Vman (/wiki/Vman) , and Numéro (/wiki/Num%C3%A9ro) . [8] (#cite_note-8) [9] (#cite_note-9) [10] (#cite_note-10) [11] (#cite_note-11) Their collaborations extend to celebrities such as Lady Gaga (/wiki/Lady_Gaga) , Paris Hilton (/wiki/Paris_Hilton) , Willow Smith (/wiki/Willow_Smith) , Kim Petras (/wiki/Kim_Petras) , and Emma Chamberlain (/wiki/Emma_Chamberlain) . [12] (#cite_note-12) [13] (#cite_note-13) [14] (#cite_note-14) [15] (#cite_note-15) [16] (#cite_note-16) Additionally, they have created imagery for brands like Dior (/wiki/Dior) , Dior Beauty (/w/index.php?title=Dior_Beauty&action=edit&redlink=1) , and Dolce & Gabbana (/wiki/Dolce_%26_Gabbana) , including portraits of Domenico Dolce (/wiki/Domenico_Dolce) and Stefano Gabbana (/wiki/Stefano_Gabbana) , as well as promotional work for Lady Gaga (/wiki/Lady_Gaga) 's beauty brand Haus Labs (/wiki/Haus_Labs) , in partnership with Sephora. [17] (#cite_note-17) References [ edit ] ^ (#cite_ref-1) " (https://www.fashionotography.com/united-colors-of-modern-beauty-by-domen-van-de-velde-for-lofficiel-italia-issue-34/) United Colors of Modern Beauty by Domen & Van de Velde for L'Officiel Italia Issue 34" (https://www.fashionotography.com/united-colors-of-modern-beauty-by-domen-van-de-velde-for-lofficiel-italia-issue-34/) . Fashionotography . 5 November 2020. ^ (#cite_ref-2) "¿Cómo lograr el look con sombras para ojos de glitter? Checa estos consejos..." (https://www.vogue.mx/belleza/galeria/inspiracion-y-como-usar-sombra-de-ojos-con-brillo) Vogue (in Mexican Spanish). 16 January 2020. ^ (#cite_ref-3) "Domen & Van de Velde" (https://models.com/people/domen--van-de-velde) . Models.com . ^ (#cite_ref-4) "Go Bold for Halloween Beauty: The Roaring '20s Get Reimagined" (https://vmagazine.com/article/go-bold-for-halloween-beauty-the-roaring-20s-get-reimagined/) . V Magazine . 26 October 2022. ^ (#cite_ref-5) "Naomi Campbell Opens Up About Dubai's Growing Fashion Scene" (https://en.vogue.me/fashion/news/naomi-campbell-dubai-is-a-fashion-capital-supermodel-opens-up-about-the-citys-growing-fashion-scene/) . Vogue Arabia . 12 December 2018. ^ Jump up to: a b "Read Now | Domen & Van de Velde" (https://currantmag.com/editorial/art-photography-giel-domen-van-de-velde-kenneth) . currantmag.com . Retrieved 2023-09-02 . ^ (#cite_ref-7) Campaign for Beauty for a Better World (http://www.beautywithoutirony.com/gallery/domen-vandevelde/) Retrieved 14 November 2020 ^ (#cite_ref-8) "Domen + Van De Velde: 'The Power of Words Vogue Portugal" (https://anneofcarversville.com/fashion/2022/4/13/domen-van-de-velde-vogue-portugal-april) . Anne of Carversville . 2022-04-13 . Retrieved 2023-09-02 . ^ (#cite_ref-9) "Estelle Nehring by Domen / Van de Velde for Numero Russia 59" (https://anneofcarversville.com/fashion/2020/10/20/domen-van-de-velde-numero-59) . Anne of Carversville . 2020-10-20 . Retrieved 2023-09-02 . ^ (#cite_ref-10) "Domen & Van De Velde - V Magazine" (https://web.archive.org/web/20230203075659/https://vmagazine.com/contributor/domen-van-de-velde/) . V (/wiki/V_(American_magazine)) . Archived from the original (https://vmagazine.com/contributor/domen-van-de-velde/) on 2023-02-03 . Retrieved 2023-09-02 . ^ (#cite_ref-11) "Domen & Van de Velde - Photographer" (https://models.com/people/domen--van-de-velde) . MODELS.com . Retrieved 2023-09-02 . ^ (#cite_ref-12) "Haus Labs by Lady Gaga Promotional Photoshoot [Domen & Van de Velde]" (https://ladygaganow.net/gallery/album/4989-haus-labs-by-lady-gaga-promotional-photoshoot-domen-van-de-velde/) . Lady Gaga Now . 2022-10-08 . Retrieved 2023-09-02 . ^ (#cite_ref-13) "Paris Hilton mesmerizes fans with otherworldly new look" (https://www.hellomagazine.com/fashion/celebrity-style/20220414137987/paris-hilton-wows-unrecognizable-new-look-endless-legs-fans-react/) . HELLO! . 2022-04-14 . Retrieved 2023-09-02 . ^ (#cite_ref-14) "Digital Cover: Willow's Rock Revival" (https://vmagazine.com/article/digital-cover-willows-rock-revival/) . V Magazine . 2021-06-07 . Retrieved 2023-09-02 . ^ (#cite_ref-15) "Kim Petras - Publicity listings" (https://www.imdb.com/name/nm9920074/publicity/) . IMDb . Retrieved 2023-09-02 . ^ (#cite_ref-16) "Digital Cover: Emma Chamberlain—Girl Of The 21st Century" (https://vmagazine.com/article/digital-cover-emma-chamberlain-girl-of-the-21st-century/) . V Magazine . 2021-10-04 . Retrieved 2023-09-02 . ^ (#cite_ref-17) "DIOR BEAUTY HALLOWEEN 2020 (Dior Beauty)" (https://models.com/work/dior-beauty-dior-beauty-halloween-2020) . MODELS.com . Retrieved 2023-09-02 . This page will be placed in the following categories if it is moved to the article namespace (/wiki/Wikipedia:NS0) . Categories (/wiki/Help:Category) : Belgian photographers (/wiki/Category:Belgian_photographers) Fashion photographers (/wiki/Category:Fashion_photographers) Business duos (/wiki/Category:Business_duos) Living people (/wiki/Category:Living_people) Year of birth missing (living people) (/wiki/Category:Year_of_birth_missing_(living_people)) NewPP limit report Parsed by mw‐api‐int.eqiad.main‐b8bff7599‐bf4ps Cached time: 20240717103200 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, vary‐user] CPU time usage: 0.538 seconds Real time usage: 0.712 seconds Preprocessor visited node count: 3244/1000000 Post‐expand include size: 111937/2097152 bytes Template argument size: 9038/2097152 bytes Highest expansion depth: 23/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 66556/5000000 bytes Lua time usage: 0.309/10.000 seconds Lua memory usage: 7491299/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 664.392 1 -total 37.30% 247.828 1 Template:AFC_submission 34.60% 229.876 1 Template:AfC_submission/declined 33.50% 222.561 1 Template:Ombox 24.38% 161.973 16 Template:Cite_web 21.67% 143.987 1 Template:Infobox_person 16.40% 108.949 1 Template:AfC_submission/helptools 15.93% 105.834 4 Template:Hidden 8.41% 55.880 10 Template:Pluralize_from_text 5.55% 36.903 1 Template:Hlist Saved in parser cache with key enwiki:pcache:idhash:74132416-0!canonical and timestamp 20240717103200 and revision id 1198121227. 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(Redirected from Solar handbag (/w/index.php?title=Solar_handbag&redirect=no) ) This article contains content that is written like an advertisement (/wiki/Wikipedia:What_Wikipedia_is_not#Wikipedia_is_not_a_soapbox_or_means_of_promotion) . Please help improve it (https://en.wikipedia.org/w/index.php?title=Diffus_Design&action=edit) by removing promotional content (/wiki/Wikipedia:Spam) and inappropriate external links (/wiki/Wikipedia:External_links#Advertising_and_conflicts_of_interest) , and by adding encyclopedic content written from a neutral point of view (/wiki/Wikipedia:Neutral_point_of_view) . ( March 2020 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Diffus Design Company type Private (/wiki/Private_company) Founded 2004 Founder Michel Guglielmi Hanne-Louise Johannesen Headquarters Copenhagen (/wiki/Copenhagen) , Denmark (/wiki/Denmark) Website www.diffus.dk (http://www.diffus.dk) Diffus Design is a design and consultancy company based in Copenhagen (/wiki/Copenhagen) , Denmark (/wiki/Denmark) . It was founded in 2004 by Michel Guglielmi and Hanne-Louise Johannesen as a creative partnership. The Diffus Design team works with theoretical and practical approaches toward art, design, architecture, and new media. The company creates new products with the help of sensor technology merged with traditional materials and craft (/wiki/Craft) . It focuses on design and uses intelligent textiles (/wiki/E-textiles) , wearable technology (/wiki/Wearable_technology) , tangible interfaces (/wiki/Tangible_user_interface) , composite materials (/wiki/Composite_materials) , and interactive installations. Diffus Design is in a close working relationship with other organizations such as Forster Rohner, Inntex, and Alexandra Instituttet [1] (#cite_note-Ecouterre-1) as well as Delft University of Technology (/wiki/Delft_University_of_Technology) ). [2] (#cite_note-2) [3] (#cite_note-3) Diffus Design also undertakes consultancy and research in the fields of interactive design, intelligent textiles, and architecture, as well as product design for global clients within a wide array of industries ranging from industrial production to fashion and infrastructure planning. [4] (#cite_note-4) The company works in partnership with two European Union (/wiki/European_Union) research projects, The CREATIF and Light.Touch.Matters. Selected projects [ edit ] The CREATIF [ edit ] The CREATIF project is based on the use of smart fabrics (/wiki/Smart_fabrics) . The aim of the project is to design and develop software and a smart fabric printer that can print electronic materials containing inks with interactive capabilities. The consortium consists of three creative partners (Diffus Design, Base Structures, and Zaha Hadid Architects (/wiki/Zaha_Hadid_Architects) [5] (#cite_note-designweek-5) ) and four technical and research-based partners ( University of Southampton (/wiki/University_of_Southampton) , Institut für Textiltechnik Aachen, Grafixoft, and Ardeje). Light.Touch.Matters [ edit ] Light.Touch.Matters (LTM) is a cooperation between product designers, material scientists, and industry. LTM plans to create smart materials that can sense touch and movement, and respond with light. The base technologies for the LTM. project are piezo plastics and flexible OLEDs (/wiki/OLEDs) . [6] (#cite_note-PRW-6) The consortium consists of 17 partners from 9 EU countries. The Climate Dress [ edit ] The Climate Dress was designed in 2009 in collaboration with the Swiss embroidery company Forster-Rohner, the Alexandra Institute (/wiki/Alexandria_institute_of_technology) , and the Danish School of Design (/wiki/Danmarks_Designskole) . [7] (#cite_note-7) [8] (#cite_note-Fashioning_Tech-8) It is laced with hundreds of LEDs (/wiki/LEDs) that respond to the level of carbon dioxide (/wiki/Carbon_dioxide) in the nearby surroundings and are powered through the conductive embroidery by an Arduino Lily (/wiki/Leah_Buechley) pad microprocessor and a carbon dioxide detector, resulting in patterns that range from slow pulses to rapid flashes depending on the concentration of CO 2 . [9] (#cite_note-usatoday.com-9) [10] (#cite_note-The_Creators_project-10) The Climate Dress does not rely on wiring, soldering, or crimping, which is often the case with smart textile (/wiki/E-textiles) products. All functional elements are blended into the embroidery and exposed to the viewer. [11] (#cite_note-11) Solar Handbag [ edit ] The Solar Handbag was designed in 2011 in collaboration with the Alexandra Institute and Center for Software Innovation. [12] (#cite_note-techfieber-12) [13] (#cite_note-ReferenceA-13) It has 100 silicon solar cells that collect daytime sunlight and thus generate two watts of usable energy enough to charge a mobile device. [12] (#cite_note-techfieber-12) [14] (#cite_note-14) [15] (#cite_note-15) The handbag also features a set of interior optical fibers (/wiki/Optical_fibers) that glow to assist the user in their search for objects in the handbag. [16] (#cite_note-16) The solar cells (/wiki/Solar_cell) have been woven into conductive embroidery on the exterior surface of the handbag, which transmits the harvested energy into a rechargeable lithium-ion battery (/wiki/Lithium-ion_battery) . [17] (#cite_note-17) These components were developed through a joint research effort between Forster Rohner AG and the University of Applied Science Rapperswil (/wiki/Rapperswil) and the NTB Interstate University of Applied Sciences of Technology, Buchs (/wiki/Buchs,_St._Gallen) , Switzerland. [ citation needed ] Wall (E)Motion [ edit ] This section is empty. You can help by adding to it (https://en.wikipedia.org/w/index.php?title=Diffus_Design&action=edit§ion=) . ( June 2023 ) Exhibitions [ edit ] 2010: Expo 2010 Shanghai, China (/wiki/Expo_2010_Shanghai,_China) 2009: Cop 15 Climate Summit (/wiki/2009_United_Nations_Climate_Change_Conference) , The Climate Dress displayed at the "Health Environment Climate" exhibition References [ edit ] ^ (#cite_ref-Ecouterre_1-0) Malik Chua, Jasmin (27 July 2011). "Solar powered wearables guaranteed to give you a charge" (http://www.techfieber.de/green/2011/10/12/diffus-design-power-aus-der-schultertasche/) . Ecouterre . ^ (#cite_ref-2) Schoeser, Mary, Textiles: The Art of mankind, Publisher: Thames and Hudson, 2012 ^ (#cite_ref-3) Buechley, Leah, Textile Messages: Dispatches From the World of E-Textiles and Education, Publisher: Peter Lang Publishing, 2013 ^ (#cite_ref-4) Goldsmith, Sara Vitamin Green, Phaidon Press, 2012 ^ (#cite_ref-designweek_5-0) Banks,Tom "Zaha Hadid joins EU-backed ‘smart fabrics’ research team" (http://www.designweek.co.uk/news/zaha-hadid-joins-eu-backed-smart-fabrics-research-team/3037507.article?cmptype=Philips%20reveals%20new%20logo%20bit-by-bit,%20The%20Plant%20brands%20new%20Foxlow%20restaurant,%20Zaha%20Hadid%20investigates%20%27smart%20fabrics%27%20and%20more%E2%80%A6) , Designweek, 12 November 2013 ^ (#cite_ref-PRW_6-0) European Plastics News Staff "EU funding for piezo-electric project" (http://m.prw.com/story.html?id=2948) Archived (https://web.archive.org/web/20131202223807/http://m.prw.com/story.html?id=2948) 2 December 2013 at the Wayback Machine (/wiki/Wayback_Machine) , PRW , 7 June 2013 ^ (#cite_ref-7) Schoeser, Mary, Textiles: The Art of mankind, Publisher: Thames and Hudson, 2012 ^ (#cite_ref-Fashioning_Tech_8-0) Pakhchyan, Syuzi "CO2 Dress — A Beautiful Pollution Sensing Dress" (http://www.fashioningtech.com/profiles/blogs/c02-dress-a-beautiful) , Fashioning Tech , December 16, 2009 ^ (#cite_ref-usatoday.com_9-0) Koch, Wendy LED "climate" dress monitors greenhouse gases (http://content.usatoday.com/communities/greenhouse/post/2009/12/led-climate-dress-monitors-greenhouse-gases/1?loc=interstitialskip#.UoN1GSdIXbM/) , usatoday.com , December 30, 2009 ^ (#cite_ref-The_Creators_project_10-0) Kim,Sara "Ready-To-Wear Milestones At The Fashion Institute of Technology" (http://thecreatorsproject.vice.com/blog/ready-to-wear-milestones-at-the-fashion-institute-of-technology/) , The Creators project , April 16, 2013 ^ (#cite_ref-11) Buechley, Leah, Textile Messages: Dispatches From the World of E-Textiles and Education, Publisher: Peter Lang Publishing, 2013 ^ Jump up to: a b Jirmann Von Dieter “Diffus Design: Solar power aus der Handtasche” (http://www.techfieber.de/green/2011/10/12/diffus-design-power-aus-der-schultertasche/) , Techfieber , October 12, 2011 ^ (#cite_ref-ReferenceA_13-0) Goldsmith, Sara Vitamin Green, Phaidon Press, 2012 ^ (#cite_ref-14) “La lumière est dans le sac” (https://web.archive.org/web/20131103151722/http://www.intramuros.fr/news_focus_intramuros_magazine.php?insertidnews=2872&lang=2&PHPSESSID=fa1ebe2290373da6628dba5205cc9276) , Intramuros Design Magazine . Issue: #156, October 2011. ^ (#cite_ref-15) “Diffus Chic Solar-Power Bag Flaunts Its Photovoltaic Panels” (http://inhabitat.com/diffus%E2%80%99-chic-solar-power-bag-flaunts-its-photovoltaic-panels/) , Inhabitat . Issue: #Issue: May 22, 2011. ^ (#cite_ref-16) Schoeser, Mary, Textiles: The Art of mankind, Publisher: Thames and Hudson, 2012 ^ (#cite_ref-17) "Diffus Solar Handbag Uses Solar Panels For Design" (https://www.coolthings.com/diffus-solar-handbag-uses-solar-panels-for-design/) . CoolThings . 26 May 2011 . Retrieved 19 August 2020 . 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Paraffection Industry Fashion Founded 1997 Headquarters Paris , France Key people Dominique Barbiery, Director Parent (/wiki/Parent_company) Chanel (/wiki/Chanel_SA) Subsidiaries (/wiki/Subsidiary) Desrues Goossens Guillet Lemarié Lesage (/wiki/Fran%C3%A7ois_Lesage) Massaro Michel Montex Causse Barrie Les Ateliers Lognon Lanel Paraffection S.A. is a subsidiary of Chanel (/wiki/Chanel) , established in 1985 to preserve and promote the heritage, craft and manufacturing skills of fashion artisan workshops. The specialist workshops continue to be independent and are therefore free to supply and collaborate with other houses. Dominique Barbiery was appointed Director of Paraffection in 2009. In 1985 Chanel acquired the costume jewellery and button maker Desrues, and later the ateliers of Michel and Lemarié. Paraffection (which translates as 'for the love of') launched in 2002 with the acquisition of embroidery house Lesage (/wiki/Maison_Lesage) and shoemaker Massaro. The establishment of the Métiers d’Arts collections showcases the work of the seven ateliers which made up Paraffection at that time and had collaborated with Chanel for decades. [1] (#cite_note-1) [2] (#cite_note-2) As of 2015, Paraffection has acquired twelve Ateliers d’Art or workshops: Desrues – ornamentation and buttons (established 1887, acquired by Chanel in 1985) Michel – milliner (established 1936, acquired by Paraffection in 1996) Lemarié – feathers and camellias (established 1880, acquired 1996) Lesage – embroidery (established 1868, acquired 2002) Massaro – shoemaker (established 1947, acquired 2002) Goossens – gold and silversmith (established in the 1950s, acquired 2005) [3] (#cite_note-3) Guillet – maker of fabric flowers (established 1869, acquired 2006) Montex – embroidery (established 1939, acquired 2011) [4] (#cite_note-4) Causse – glovemaker (established 1892, acquired 2012) [5] (#cite_note-5) Barrie – a Scottish knitwear manufacturer (established in the 1870s, acquired 2012) [6] (#cite_note-6) Les Ateliers Lognon – pleater (established 1945, acquired 2013) Lanel – embroidery (established 1949, acquired by Lesage 2013) References [ edit ] ^ (#cite_ref-1) "Craft Cultures: An Antidote to Uniformity" (http://www.modeaparis.com/IMG/SavoirFaireCLEANVA.pdf) (PDF) . 2012 International Fashion and Photography Festival in Hyères . 2012 International Textile and Fashion Conferences. 29 April 2012 . Retrieved 27 September 2012 . ^ (#cite_ref-2) Nguygen, Long. "The Art of Empire" (https://web.archive.org/web/20130322221951/http://flaunt.com/fashion/115/art-empire) . Flaunt magazine. Archived from the original (http://flaunt.com/fashion/115/art-empire) on 2013-03-22 . Retrieved 2012-09-28 . ^ (#cite_ref-3) "Chanel's Buy Out" (https://www.vogue.co.uk/news/2005/05/11/chanels-buy-out) . Vogue.com. 11 May 2005 . Retrieved 27 September 2012 . ^ (#cite_ref-4) Gardin, Mathilde (22 January 2012). "Chez le brodeur Montex, nouvelle perle à l'arc de Chanel" (http://www.lepoint.fr/fil-info-reuters/chez-le-brodeur-montex-nouvelle-perle-a-l-arc-de-chanel-22-01-2012-1422276_240.php) . lepoint.fr . Retrieved 27 September 2012 . ^ (#cite_ref-5) Sowray, Biddy (27 September 2012). "Chanel buys Karl Lagerfeld's glove maker" (http://fashion.telegraph.co.uk/columns/bibby-sowray/TMG9570706/Chanel-buys-Karl-Lagerfelds-glove-maker.html) . Telegraph, The . Retrieved 27 September 2012 . ^ (#cite_ref-6) Leitch, Luke (16 October 2012). "Chanel saves 176 Scottish knitwear jobs" (http://fashion.telegraph.co.uk/columns/luke-leitch/TMG9612630/Chanel-saves-176-Scottish-knitwear-jobs.html) . telegraph.co.uk . Retrieved 25 October 2012 . External links [ edit ] Chanel, the Saviour of Savoir-Faire | businessoffashion.com (http://www.businessoffashion.com/community/voices/discussions/how-can-traditional-craftsmanship-survive-in-the-modern-world/chanel-saviour-savoir-faire) v t e Chanel (/wiki/Chanel) Owners Alain Wertheimer (/wiki/Alain_Wertheimer) Gérard Wertheimer (/wiki/G%C3%A9rard_Wertheimer) Jacques Wertheimer (/wiki/Jacques_Wertheimer) Pierre Wertheimer (/wiki/Pierre_Wertheimer) Designers Coco Chanel (/wiki/Coco_Chanel) Karl Lagerfeld (/wiki/Karl_Lagerfeld) Virginie Viard (/wiki/Virginie_Viard) Perfumers Ernest Beaux (/wiki/Ernest_Beaux) Jacques Polge (/wiki/Jacques_Polge) Olivier Polge (/wiki/Olivier_Polge) Henri Robert (/wiki/Henri_Robert) Perfumes Bleu de Chanel (/wiki/Bleu_de_Chanel) Bois des Îles (/wiki/Bois_des_%C3%8Eles) Chanel No. 5 (/wiki/Chanel_No._5) Chanel No. 19 (/wiki/Chanel_No._19) Chanel No. 22 (/wiki/Chanel_No._22) Chanel Chance (/wiki/Chanel_Chance) Coco (/wiki/Coco_(perfume)) Coco Mademoiselle (/wiki/Coco_Mademoiselle) Cuir de Russie (/wiki/Cuir_de_Russie) Égoïste (/wiki/%C3%89go%C3%AFste) Garments Little black dress (/wiki/Little_black_dress) Jacqueline Kennedy's pink Chanel suit (/wiki/Pink_Chanel_suit_of_Jacqueline_Bouvier_Kennedy) Other products Chanel 2.55 handbag (/wiki/Chanel_2.55) Chanel J12 watch (/wiki/Chanel_J12) Films Chanel Solitaire (/wiki/Chanel_Solitaire) Coco Before Chanel (/wiki/Coco_Before_Chanel) Coco Chanel (/wiki/Coco_Chanel_(film)) Coco Chanel & Igor Stravinsky (/wiki/Coco_Chanel_%26_Igor_Stravinsky) No. 5 the Film (/wiki/No._5_the_Film) Musical Coco (/wiki/Coco_(musical)) Book The Allure of Chanel (/wiki/The_Allure_of_Chanel) Related Mousse Partners (/wiki/Mousse_Partners) NewPP limit report Parsed by mw‐web.eqiad.main‐8645764cd7‐bl4r5 Cached time: 20240713103526 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.311 seconds Real time usage: 0.389 seconds Preprocessor visited node count: 1315/1000000 Post‐expand include size: 27607/2097152 bytes Template argument size: 601/2097152 bytes Highest expansion depth: 10/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 32327/5000000 bytes Lua time usage: 0.220/10.000 seconds Lua memory usage: 4997467/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 361.424 1 -total 38.34% 138.569 1 Template:Infobox_company 34.18% 123.527 1 Template:Reflist 30.88% 111.593 1 Template:Infobox 28.09% 101.540 5 Template:Cite_web 26.41% 95.468 1 Template:Chanel 25.79% 93.221 1 Template:Navbox 4.35% 15.708 4 Template:Main_other 3.68% 13.289 1 Template:Wikidata 3.58% 12.921 1 Template:Comma_separated_entries Saved in parser cache with key enwiki:pcache:idhash:37141226-0!canonical and timestamp 20240713103526 and revision id 1133024091. 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American model This article is about the model. For Resident Evil character, see Ashley Graham (Resident Evil) (/wiki/Ashley_Graham_(Resident_Evil)) . This article's lead section (/wiki/Wikipedia:Manual_of_Style/Lead_section#Length) may be too short to adequately summarize (/wiki/Wikipedia:Summary_style) the key points . Please consider expanding the lead to provide an accessible overview (/wiki/Wikipedia:Manual_of_Style/Lead_section#Provide_an_accessible_overview) of all important aspects of the article. ( May 2021 ) Ashley Graham Graham in 2018 Born ( 1987-10-30 ) October 30, 1987 (age 36) Occupations Model television presenter Years active 2000–present [2] (#cite_note-IandISuccess-2) Spouse Justin Ervin ( m. 2010) [3] (#cite_note-Element_Films-3) [4] (#cite_note-PeopleMagEngaged-4) Children 3 Modeling information Height 5 ft 9 in (1.75 m) [1] (#cite_note-ford-1) Hair color Brown [1] (#cite_note-ford-1) Eye color Brown [1] (#cite_note-ford-1) Agency IMG Models (/wiki/IMG_Models) Website ashleygraham (http://ashleygraham.com/) .com (http://ashleygraham.com/) Ashley Graham Ervin (born October 30, 1987) [5] (#cite_note-LincolnJournalStar-5) is an American model and television presenter. [6] (#cite_note-AshleyOfficialAbout-6) Graham made her debut on the cover of the Sports Illustrated Swimsuit Issue (/wiki/Sports_Illustrated_Swimsuit_Issue) in 2016. A year later, she published her first book, A New Model: What Confidence, Beauty, and Power Really Look Like , which contributes to her advocacy in the body positivity (/wiki/Body_positivity) and inclusion movement. [7] (#cite_note-7) Early life [ edit ] Graham was born on October 30, 1987 as the oldest of three sisters. [8] (#cite_note-Shine-2010-8) When she was in middle school, she and her family moved to Lincoln, Nebraska (/wiki/Lincoln,_Nebraska) . [9] (#cite_note-9) She attended Scott Middle School from 1999 to 2002 and Lincoln Southwest High School (/wiki/Lincoln_Southwest_High_School) from 2002 to 2005. [5] (#cite_note-LincolnJournalStar-5) As a youth, she was diagnosed with ADHD (/wiki/Attention_deficit_hyperactivity_disorder) and dyslexia (/wiki/Dyslexia) . [10] (#cite_note-10) In 2000, Graham was scouted by the I & I agency while shopping at Oak View Mall (/wiki/Oak_View_Mall) in Omaha, Nebraska (/wiki/Omaha,_Nebraska) . [2] (#cite_note-IandISuccess-2) Career [ edit ] Graham started modeling at the age of 12. [11] (#cite_note-Meltzer-11) In 2001, she signed with Wilhelmina Models (/wiki/Wilhelmina_Models) after attending a model convention. [2] (#cite_note-IandISuccess-2) In 2003, she switched to Ford Models (/wiki/Ford_Models) . [2] (#cite_note-IandISuccess-2) During her early career, she appeared in YM magazine (/wiki/YM_(magazine)) . [8] (#cite_note-Shine-2010-8) In April 2007, she was profiled by Sally Singer of Vogue magazine (/wiki/Vogue_(magazine)) . [12] (#cite_note-USVogue2007-12) She appeared on the October 2009 issue of Glamour editorial "These Bodies are Beautiful at Every Size", along with plus-size models Kate Dillon Levin (/wiki/Kate_Dillon_Levin) , Amy Lemons (/wiki/Amy_Lemons) , Lizzie Miller, Crystal Renn (/wiki/Crystal_Renn) , Jennie Runk (/wiki/Jennie_Runk) , and Anansa Sims. [13] (#cite_note-13) [14] (#cite_note-14) In 2010, Graham appeared in a controversial [ why? ] Lane Bryant (/wiki/Lane_Bryant) TV commercial. The commercial received over 800,000 views on YouTube and was covered by news outlets such as The Huffington Post (/wiki/The_Huffington_Post) and the New York Post (/wiki/New_York_Post) . [6] (#cite_note-AshleyOfficialAbout-6) On May 31, 2010, she appeared on The Tonight Show with Jay Leno (/wiki/The_Tonight_Show_with_Jay_Leno) to address the controversy. [15] (#cite_note-15) [16] (#cite_note-16) She has modeled for such international designers as Prabal Gurung (/wiki/Prabal_Gurung) , Michael Kors (/wiki/Michael_Kors) , Love Mag, Dolce and Gabbana (/wiki/Dolce_and_Gabbana) , H&M (/wiki/H%26M) , Tommy Hilfiger (/wiki/Tommy_Hilfiger) , Rag & Bone (/wiki/Rag_%26_Bone) , and Christian Siriano (/wiki/Christian_Siriano) . In December 2010, Graham appeared in an editorial for Bust magazine (/wiki/Bust_(magazine)) . [17] (#cite_note-17) She appeared in several Levi's campaigns, including Curve ID SS 2011 with Sabina Karlsson, Ana Lisboa, Marquita Pring (/wiki/Plus-size_model#Notable_plus-size_models) and McKenzie Raley, and Boyfriend Collection F/W 10 with Rachel Clark (/wiki/Rachel_Clark_(model)) , Ana Lisboa, Anais Mali (/wiki/Anais_Mali) , Marquita Pring and Ashley Smith. [18] (#cite_note-Levi's_Boyfriend_Collection_F/W_10-18) [19] (#cite_note-models.com-19) Graham has appeared in several Marina Rinaldi (/wiki/Marina_Rinaldi) campaigns: Spring/Summer 2012, [20] (#cite_note-20) Fall/Winter 2012 denim, [21] (#cite_note-21) and Fall/Winter 2012 sport. [22] (#cite_note-22) Other clients include Addition Elle (/wiki/Addition_Elle) , Bloomingdale's (/wiki/Bloomingdale%27s) , Elomi lingerie, Evans (/wiki/Evans_(clothing)) , Hanes (/wiki/Hanesbrands) , Liz Claiborne (/wiki/Liz_Claiborne) Macy's (/wiki/Macy%27s) , Nordstrom (/wiki/Nordstrom) , Simply Be and Target (/wiki/Target_Corporation) . [5] (#cite_note-LincolnJournalStar-5) [6] (#cite_note-AshleyOfficialAbout-6) In December 2012, Graham was featured on two billboards in New York for Lane Bryant. [6] (#cite_note-AshleyOfficialAbout-6) At the end of that year, she was named the Full Figured Fashion Week's Model of the Year. [23] (#cite_note-23) In 2013, Graham designed a lingerie line for Addition Elle (/wiki/Addition_Elle) , a Canadian plus-size clothing retailer. [24] (#cite_note-MontrealGazette-24) She also appeared on MTV (/wiki/MTV) 's Made (/wiki/Made_(TV_series)) , as a coach for an aspiring plus-size model. [6] (#cite_note-AshleyOfficialAbout-6) She appeared on the May 2014 issue for the international Harper's Bazaar (/wiki/Harper%27s_Bazaar) pre-fall collection and beauty editorial. [25] (#cite_note-25) She was the cover model on the June 2014 issue of Elle Quebec . [26] (#cite_note-26) In 2015, swimsuitsforall (/wiki/Swimsuitsforall) , a plus-size women's swimsuits retailer, featured Graham in an advertisement in Sports Illustrated (/wiki/Sports_Illustrated) ' s annual Swimsuit Issue (/wiki/Sports_Illustrated_Swimsuit_Issue) . The ad was part of swimsuitsforall's #CurvesInBikinis campaign. Graham was one of the first plus-size models to appear in the Swimsuit Issue . [27] (#cite_note-27) In 2016, she became the first plus-size model to appear on its cover . [28] (#cite_note-People-28) Graham served as a backstage host for Miss USA 2016 (/wiki/Miss_USA_2016) , Miss Universe 2016 (/wiki/Miss_Universe_2016) , Miss USA 2017 (/wiki/Miss_USA_2017) , Miss Universe 2017 (/wiki/Miss_Universe_2017) , and Miss Universe 2018 (/wiki/Miss_Universe_2018) . In addition, she was a judge on America's Next Top Model (/wiki/America%27s_Next_Top_Model) on VH1 (/wiki/VH1) . [29] (#cite_note-29) In 2016, Graham appeared opposite Joe Jonas (/wiki/Joe_Jonas) in DNCE (/wiki/DNCE) 's video for the song "Toothbrush". [30] (#cite_note-DNCE-30) In 2017, she competed in an episode of Spike (/wiki/Spike_(TV_channel)) 's Lip Sync Battle (/wiki/Lip_Sync_Battle) against Superior Donuts (/wiki/Superior_Donuts_(TV_series)) actor Jermaine Fowler (/wiki/Jermaine_Fowler) . Graham won with performances of Shawn Mendes (/wiki/Shawn_Mendes) 's " Treat You Better (/wiki/Treat_You_Better_(Shawn_Mendes_song)) " and Shania Twain (/wiki/Shania_Twain) 's " That Don't Impress Me Much (/wiki/That_Don%27t_Impress_Me_Much) ". [31] (#cite_note-31) In 2017, Graham released a book, A New Model: What Confidence, Beauty, and Power Really Look Like . In this memoir, she provides insight into her experiences as a model and as an advocate for body positivity, [32] (#cite_note-32) and shares her prospects for the evolution of body image in years to come. That year, Graham was also the focus of a nine-episode series on the Go90 (/wiki/Go90) digital network, The Ashley Graham Project. [33] (#cite_note-IMDb-33) Graham hosted second season of American Beauty Star (/wiki/American_Beauty_Star) in 2019. [34] (#cite_note-34) Ahead of International Women's Day (/wiki/International_Women%27s_Day) , in February 2022, Graham and Joanna Griffiths (/wiki/Joanna_Griffiths) released Big. Strong. Woman. at the Adweek (/wiki/Adweek) Challenger Brands Summit, a film focused on combating female stereotypes and highlighting female strength. In 2023, Graham hosted the Countdown to the Oscars red carpet presentation show ahead of the 95th Academy Awards (/wiki/95th_Academy_Awards) , alongside Vanessa Hudgens (/wiki/Vanessa_Hudgens) and Lilly Singh (/wiki/Lilly_Singh) . [35] (#cite_note-35) Body positivity [ edit ] Graham is a proponent of the body positivity (/wiki/Body_positivity) [36] (#cite_note-Vogue-36) [37] (#cite_note-Glamour-37) [38] (#cite_note-38) [39] (#cite_note-39) and the Health at Every Size (/wiki/Health_at_Every_Size) movements. [40] (#cite_note-40) [41] (#cite_note-41) [42] (#cite_note-42) In 2016, she became the first size 16 model (/wiki/Plus-size_clothing) to be featured on the cover of Sports Illustrated Swimsuit Issue (/wiki/Sports_Illustrated_Swimsuit_Issue) . Glamour (/wiki/Glamour_(magazine)) described Graham's cover as "bringing size acceptance (/wiki/Size_acceptance) into the mainstream". She appeared on the cover of Vogue in 2017, becoming the first plus-size model to appear in the magazine. [11] (#cite_note-Meltzer-11) Graham gave a TED Talk (/wiki/TED_(conference)) advocating self-acceptance with regard to body image, which included her looking into a full-length mirror and having a friendly chat with her body parts making comments such as: "Back fat, I see you popping over my bra today. But that's all right. I'm gonna choose to love you." [37] (#cite_note-Glamour-37) [43] (#cite_note-43) Graham has been praised by women on Instagram (/wiki/Instagram) for sharing photos showing her cellulite (/wiki/Cellulite) . [44] (#cite_note-44) In an interview with Vogue (/wiki/Vogue_(magazine)) , she said, "I definitely think that my body has changed many peoples' lives. I've used my body as a tool to talk about taboo subjects, such as cellulite or being insecure about lower belly fat—and also [how to] talk life into your body and have an affirmation kind of conversation with yourself. And I know the lives that have been changed: young girls and even women my age who have written me and said, 'I never loved the skin that I was in until I heard your journey'." [36] (#cite_note-Vogue-36) Graham has said she does not prefer the term "plus-size": "I think that when you use the word 'plus-size' you're putting all these women into a category: 'You don't eat well.' 'You don't work out.' 'You couldn't care less about your body.' 'You're insecure.' 'You have no confidence.' And that is none of this [pointing at her body]"... The fashion industry may persist to label me as 'plus-size,' but I like to think of it as 'my size." [45] (#cite_note-45) Personal life [ edit ] Justin Ervin, their son, and Graham; 2020 Graham has participated in missionary work in South Africa with the Themba Foundation. [6] (#cite_note-AshleyOfficialAbout-6) In 2023, she donated to the Robert F. Kennedy Jr. 2024 presidential campaign (/wiki/Robert_F._Kennedy_Jr._2024_presidential_campaign) . [46] (#cite_note-46) She met her husband, Justin Ervin, a videographer, at church in 2009; they married the next year. [4] (#cite_note-PeopleMagEngaged-4) In August 2019, Graham and Ervin announced that they were expecting their first child. [47] (#cite_note-47) In a 2017 interview with CBS News (/wiki/CBS_News) , Graham admitted that her interracial relationship with Ervin, who is black, shocked her family: [48] (#cite_note-48) I will never forget that feeling of just sitting there with Justin, thinking, "I'm so embarrassed that I had to bring him in to meet these people, these people who raised me and taught me how to live, and he's being treated so terribly". And he said to me, "Racism is never surprising, but it's always disappointing." On January 18, 2020, Graham gave birth to a son. [49] (#cite_note-49) In July 2021, she announced they were expecting a second child, [50] (#cite_note-50) which turned out to be twin sons. [51] (#cite_note-51) In January 2022, Graham gave birth to the twins at home. [52] (#cite_note-52) [53] (#cite_note-53) Filmography [ edit ] Year Title Role Notes 2017 What Would You Do? (/wiki/What_Would_You_Do%3F_(2008_TV_program)) Herself / Guest Season 13 (/wiki/What_Would_You_Do%3F_(season_13)) ; episode 1 2017 The Ashley Graham Project Herself 2019 American Beauty Star (/wiki/American_Beauty_Star) Herself / Host Also executive producer 2023 Barbie Dreamhouse Challenge Herself / Host 4 episodes [54] (#cite_note-54) Music videos [ edit ] Year Title Artist(s) Role Ref. 2016 " Toothbrush (/wiki/Toothbrush_(DNCE_song)) " DNCE (/wiki/DNCE) 2018 " Girls Like You (/wiki/Girls_Like_You_(Maroon_5_song)) " (Original, Volume 2 and Vertical Video versions) Maroon 5 (/wiki/Maroon_5) featuring Cardi B (/wiki/Cardi_B) Herself (cameo) [55] (#cite_note-55) [56] (#cite_note-56) [57] (#cite_note-57) References [ edit ] ^ Jump up to: a b c "Ford Models" (https://web.archive.org/web/20190104050417/http://private.fordmodels.com/portfolios/4833/6727) . Archived from the original (http://private.fordmodels.com/portfolios/4833/6727) on January 4, 2019 . Retrieved February 16, 2016 . ^ Jump up to: a b c d "Success Stories" (https://web.archive.org/web/20130928220219/http://www.iandiagency.com/Success_Stories.html) . I & I Agency . Archived from the original (http://iandiagency.com/Success_Stories.html) on September 28, 2013 . Retrieved June 20, 2012 . ^ (#cite_ref-Element_Films_3-0) Ervin, Justin. "Contact Element Films" (http://elementfilmsnyc.com/contact/) . Element Films . Ervin, Justin . Retrieved October 2, 2013 . ^ Jump up to: a b Pham, Thailan (October 2, 2013). "Lane Bryant Model Ashley Graham Is Engaged!" (http://www.people.com/people/article/0,,20396954,00.html) . People . Archived (https://web.archive.org/web/20100626174826/http://www.people.com:80/people/article/0,,20396954,00.html) from the original on June 26, 2010. ^ Jump up to: a b c Mertes, Micah (May 3, 2010). "Lincoln model from Lane Bryant ad amazed at media frenzy" (https://journalstar.com/news/local/lincoln-model-from-lane-bryant-ad-amazed-at-media-frenzy/article_90cf067c-5703-11df-b6bc-001cc4c03286.html) . Lincoln Journal Star (/wiki/Lincoln_Journal_Star) . Nebraska. Archived (https://web.archive.org/web/20100709164350/http://journalstar.com/news/local/article_90cf067c-5703-11df-b6bc-001cc4c03286.html) from the original on July 9, 2010 . Retrieved February 11, 2022 . The 22-year-old model.... ^ Jump up to: a b c d e f "About" (https://web.archive.org/web/20131227192006/http://ashley-graham-gjp5.squarespace.com/about/) . Ashley Graham official website. November 16, 2013. Archived from the original (http://ashley-graham-gjp5.squarespace.com/about/) on December 27, 2013. ^ (#cite_ref-7) Regensdorf, Laura. "How Curvy Model Ashley Graham Helped Redefine Beauty Norms for a Body-Positive Generation." (https://www.vogue.com/article/ashley-graham-book-a-new-model-body-positivity-confidence) Vogue , Vogue, May 25, 2017. ^ Jump up to: a b Brody, Liz (July 31, 2010). "Model Ashley Graham on how to Rock a Size 16: "Did someone say cellulite?" (https://web.archive.org/web/20160607094754/http://us.lifestyles.qa1p.global.media.yahoo.com/bikini/model-ashley-graham-on-how-to-rock-a-size-16a-did-someone-say-cellulite-2082277.html) . Yahoo!. Archived from the original (http://us.lifestyles.qa1p.global.media.yahoo.com/bikini/model-ashley-graham-on-how-to-rock-a-size-16a-did-someone-say-cellulite-2082277.html) on June 7, 2016 . Retrieved November 16, 2013 . ^ (#cite_ref-9) "Pretty Big Deal with Ashley Graham | Gabrielle Union" (https://www.youtube.com/watch?v=qe7sMLyKhJ4) . YouTube. October 11, 2018. Archived (https://ghostarchive.org/varchive/youtube/20211221/qe7sMLyKhJ4) from the original on December 21, 2021 . Retrieved March 28, 2020 . ^ (#cite_ref-10) "Ashley Graham: 'Being OK With Who You Are Is a Revolutionary Act' (https://www.glamour.com/story/ashley-graham-being-okay-with-who-you-are-is-a-revolutionary-act) " (https://www.glamour.com/story/ashley-graham-being-okay-with-who-you-are-is-a-revolutionary-act) . Glamour . October 11, 2017. ^ Jump up to: a b Meltzer, Marisa (February 9, 2021). "Supermodel Ashley Graham: Her Rules, Her Game -US" (https://www.wsj.com/articles/ashley-graham-model-profile-cover-story-11612828389) . Wall Street Journal . ISSN (/wiki/ISSN_(identifier)) 0099-9660 (https://www.worldcat.org/issn/0099-9660) . Retrieved February 10, 2021 . ^ (#cite_ref-USVogue2007_12-0) Singer, Sally (April 2007). "Body of Work". Vogue (April 2007): 188–190. ^ (#cite_ref-13) Field, Genevieve (September 30, 2009). "These Bodies are Beautiful at Every Size" (https://www.glamour.com/story/these-bodies-are-beautiful-at-every-size) . Glamour . Retrieved February 11, 2022 . ^ (#cite_ref-14) "Supermodels Who Aren't Superthin: Meet the Women Who Proudly Bared it All" (https://www.glamour.com/gallery/supermodels-who-arent-superthin#slide=1) . Glamour . September 30, 2009 . Retrieved February 11, 2022 . ^ (#cite_ref-15) The Tonight Show with Jay Leno (http://www.nbc.com/the-tonight-show/episode-guide/keywords/ashley%20graham) Episode Guide Archived (https://web.archive.org/web/20110605215319/http://www.nbc.com/the-tonight-show/episode-guide/keywords/ashley%20graham) June 5, 2011, at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-16) Ashley Graham Model Plus Size On Jay Leno Show (http://www.spreadit.org/ashley-graham-model-plus-size/) Spreadit.org, May 2, 2010 Archived (https://web.archive.org/web/20100505174536/http://www.spreadit.org/ashley-graham-model-plus-size/) May 5, 2010, at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-17) "Ashley Graham in Bust Magazine" (https://web.archive.org/web/20140407084602/http://madisonplus.com/dish/ashley-graham-in-bust-magazine/) . madisonplus.com . November 13, 2010. Archived from the original (http://madisonplus.com/dish/ashley-graham-in-bust-magazine/) on April 7, 2014 . Retrieved November 16, 2013 . ^ (#cite_ref-Levi's_Boyfriend_Collection_F/W_10_18-0) "Levi's Boyfriend Collection F/W 10" (http://models.com/work/levis-boyfriend-collection-fw10/60882) . models.com . Retrieved June 20, 2012 . ^ (#cite_ref-models.com_19-0) "Curve ID S/S 11 (with Ashley Graham, Ana Lisboa and Sabina Karlsson)" (https://models.com/work/levis-curve-id-spring-2011/60807) . models.com . Retrieved June 20, 2012 . ^ (#cite_ref-20) "Marina Rinaldi Campaign, Spring/Summer 2012" (https://web.archive.org/web/20130120042013/http://www.truthandfashion.com/editorials/candice-huffine-marina-rinaldi-campaign-springsummer-2012) . TruthandFashion.com . Archived from the original (http://www.truthandfashion.com/editorials/candice-huffine-marina-rinaldi-campaign-springsummer-2012) on January 20, 2013 . 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Retrieved November 17, 2013 . ^ (#cite_ref-MontrealGazette_24-0) Friede, Eva (November 15, 2013). "Ashley Graham's star power plus" (https://montrealgazette.com/life/fashion%20&%20beauty/ashley-grahams-star-power-plus) . The Gazette . Montreal . Retrieved February 11, 2022 . ^ (#cite_ref-25) "Carine Roitfeld's new BAZAAR shoot: Beauty & The Best of Pre-Fall" (https://web.archive.org/web/20140404084057/http://www.harpersbazaar.com.au/news/fashion-buzz/2014/4/carine-roitfelds-latest-bazaar-shoot-beauty-the-best-of-pre-fall/) . harpersbazaar.com.au . April 2, 2014. Archived from the original (http://www.harpersbazaar.com.au/news/fashion-buzz/2014/4/carine-roitfelds-latest-bazaar-shoot-beauty-the-best-of-pre-fall/) on April 4, 2014 . Retrieved April 5, 2014 . ^ (#cite_ref-26) Cruz, Marcy. "Plus Model Ashley Graham Graces Cover of ELLE Magazine Quebec" (https://web.archive.org/web/20140508042903/http://www.plus-model-mag.com/2014/05/plus-model-ashley-graham-graces-cover-elle-magazine-quebec/) . Plus Model Magazine. Archived from the original (http://www.plus-model-mag.com/2014/05/plus-model-ashley-graham-graces-cover-elle-magazine-quebec/) on May 8, 2014 . Retrieved May 7, 2014 . ^ (#cite_ref-27) Durando, Jessica. "Plus-sized model Ashley Graham lands 'Sports Illustrated' swimsuit ad" (https://www.usatoday.com/story/news/nation-now/2015/02/04/curvesinbikinis-ashley-graham-sports-illustrated/22892239/) . USA Today . Retrieved February 8, 2015 . ^ (#cite_ref-People_28-0) Mazziotta, Julie (February 14, 2016). "5 Things to Know About Ashley Graham, (https://people.com/sports/who-is-ashley-graham/) Sports Illustrated Swimsuit Issue's First Size-16 Cover Girl" (https://people.com/sports/who-is-ashley-graham/) . People (/wiki/People_(magazine)) . Retrieved February 11, 2022 . ^ (#cite_ref-29) Lujan, Adam (July 21, 2016). " (https://ew.com/article/2016/07/21/americas-next-top-model-tyra-banks-rita-ora-new-host/) 'ANTM': Tyra Banks taps Rita Ora as new host, reveals new judging panel" (https://ew.com/article/2016/07/21/americas-next-top-model-tyra-banks-rita-ora-new-host/) . Entertainment Weekly . Retrieved February 11, 2022 . ^ (#cite_ref-DNCE_30-0) Bauck, Whitney (May 20, 2016). "Ashley Graham on Challenging Beauty Standards in DNCE's 'Toothbrush' Video With Joe Jonas: Exclusive" (https://www.billboard.com/music/music-news/ashley-graham-dnce-toothbrush-video-joe-jonas-interview-7378312/) . Billboard . Retrieved February 11, 2022 . ^ (#cite_ref-31) Ganz, Jami (June 26, 2017). " (https://ew.com/tv/2017/06/26/ashley-graham-shania-twain-lip-sync-battle/) 'Lip Sync Battle': Ashley Graham Channels Shania Twain in New Clip" (https://ew.com/tv/2017/06/26/ashley-graham-shania-twain-lip-sync-battle/) . Entertainment Weekly . Retrieved March 8, 2019 . ^ (#cite_ref-32) Regensdorf, Laura. "How Curvy Model Ashley Graham Helped Redefine Beauty Norms for a Body-Positive Generation." (https://www.vogue.com/article/ashley-graham-book-a-new-model-body-positivity-confidence) Vogue , Vogue, May 25, 2017. ^ (#cite_ref-IMDb_33-0) "The Ashley Graham Project" (https://www.imdb.com/title/tt7327046/reference/) . IMDb . Retrieved May 23, 2022 . ^ (#cite_ref-34) Weinberg, Lindsay (November 7, 2018). "Ashley Graham to Host, Executive Produce 'American Beauty Star' Season 2" (https://www.hollywoodreporter.com/news/general-news/ashley-graham-host-american-beauty-star-season-2-1126337/) . The Hollywood Reporter . Retrieved February 11, 2022 . ^ (#cite_ref-35) Losciale, Marisa (March 12, 2023). "Ashley Graham Is Ready to Take Flight at the 2023 Oscars" (https://parade.com/news/ashley-graham-2023-oscars-red-carpet-photos) . Parade . Retrieved March 12, 2023 . ^ Jump up to: a b Regensdorf, Laura (May 9, 2017). "Model Ashley Graham's Honest New Book Chronicles the Making of a Body-Positive Icon" (https://www.vogue.com/article/ashley-graham-book-a-new-model-body-positivity-confidence) . Vogue . Retrieved January 13, 2019 . ^ Jump up to: a b "Ashley Graham on Authenticity and Being a Body Image Activist" (https://www.glamour.com/story/women-of-the-year-ashley-graham) . Glamour . November 1, 2016 . Retrieved January 13, 2019 . ^ (#cite_ref-38) Belle, Elly (March 21, 2018). "Ashley Graham Explained Why Body Type Doesn't Make Someone a "Real Woman" (https://www.teenvogue.com/story/ashley-graham-body-type-doesnt-make-real-woman?verso=true) " (https://www.teenvogue.com/story/ashley-graham-body-type-doesnt-make-real-woman?verso=true) . Teen Vogue . Retrieved January 13, 2019 . ^ (#cite_ref-39) Barr, Sabrina (April 19, 2018). "ASHLEY GRAHAM CRITICISES BODY SHAMER WHO COMPARED HER TO A 'REAL MODEL' (https://www.independent.co.uk/life-style/fashion/ashley-graham-body-shamer-real-model-plus-size-curvy-instagram-story-a8312851.html) " (https://www.independent.co.uk/life-style/fashion/ashley-graham-body-shamer-real-model-plus-size-curvy-instagram-story-a8312851.html) . Independent . Retrieved January 13, 2019 . ^ (#cite_ref-40) "Plus-size model Ashley Graham on high-fashion and health" (http://www.metro.us/lifestyle/plus-size-model-ashley-graham-on-high-fashion-and-health/zsJoau---4Bc6O41PsNH2/) . Metro. January 21, 2015 . Retrieved February 22, 2016 . I promote health at every size. ^ (#cite_ref-41) Graham, Ashley (January 2015). "Beauty Beyond Size" (https://web.archive.org/web/20161005093558/https://www.net-a-porter.com/us/en/magazine/280/11) . The Edit. Archived from the original (http://www.net-a-porter.com/us/en/magazine/280/11) on October 5, 2016 . Retrieved February 22, 2016 . I think that you can be healthy at any size and my goal is to help and educate women on that. ^ (#cite_ref-42) Thomason, Kristine (February 19, 2016). "Ashley Graham Opens Up About Being Healthy at Any Size" (http://news.health.com/2016/02/19/ashley-graham-opens-up-about-being-healthy-at-any-size/) . Retrieved February 22, 2016 . I believe you can be healthy at any size as long as you're getting off the couch and moving your body ^ (#cite_ref-43) Alter, Charlotte. "Ashley Graham: Watch Her Inspiring TED Talk About Body Image." (http://time.com/3902544/ashley-graham-body-acceptance-talk/) Time , Time , May 30, 2015. ^ (#cite_ref-44) Young, Sarah (March 20, 2019). "ASHLEY GRAHAM'S 'EMPOWERING' INSTAGRAM POST IS HELPING WOMEN LOVE THEIR CELLULITE" (https://www.independent.co.uk/life-style/ashley-graham-instragram-cellulite-photos-plus-size-model-swimsuits-for-all-a8264536.html) . Independent . Retrieved January 13, 2019 . ^ (#cite_ref-45) Brabar, Kasandra (December 1, 2017). "Ashley Graham Says It's Time We Stop Calling People "Plus-Size" (https://www.refinery29.com/en-us/2017/12/183509/ashley-grahm-stop-using-plus-size-label) " (https://www.refinery29.com/en-us/2017/12/183509/ashley-grahm-stop-using-plus-size-label) . Refinery 29 . Retrieved January 13, 2019 . ^ (#cite_ref-46) Gibson, Brittany. "How has RFK Jr. raised all that money?" (https://www.politico.com/newsletters/politico-nightly/2023/10/23/how-has-rfk-jr-raised-all-that-money-00123069?nname=politico-nightly&nid=00000170-c000-da87-af78-e185fa700000&nrid=0000014c-2414-d9dd-a5ec-34bc65180004&nlid=2670445&cid=hptb_primary_0) . POLITICO . Retrieved October 24, 2023 . ^ (#cite_ref-47) Garvey, Marianne (August 14, 2019). "Ashley Graham announces she's pregnant with her first child" (https://www.cnn.com/2019/08/14/entertainment/ashley-graham-pregnant-trnd/index.html) . CNN . ^ (#cite_ref-48) "Ashley Graham, a supermodel turning heads as a role model" (https://www.cbsnews.com/news/ashley-graham-a-supermodel-turning-heads-as-a-role-model/) . CBS News . December 3, 2017. ^ (#cite_ref-49) Juneau, Jen (January 20, 2020). "Ashley Graham and Husband Justin Ervin Welcome a Son: 'Our Lives Changed for the Better' (https://people.com/parents/ashley-graham-justin-ervin-welcome-first-child-son/) " (https://people.com/parents/ashley-graham-justin-ervin-welcome-first-child-son/) . People . Archived (https://web.archive.org/web/20200121055816/https://people.com/parents/ashley-graham-justin-ervin-welcome-first-child-son/) from the original on January 21, 2020. ^ (#cite_ref-50) VanHoose, Benjamin (July 13, 2021). "Ashley Graham Is Pregnant! Model Expecting Baby No. 2 with Husband Justin Ervin: Our 'Next Chapter' (https://people.com/parents/ashley-graham-pregnant-husband-justin-ervin-expecting-second-baby/) " (https://people.com/parents/ashley-graham-pregnant-husband-justin-ervin-expecting-second-baby/) . People . Archived (https://web.archive.org/web/20210713145343/https://people.com/parents/ashley-graham-pregnant-husband-justin-ervin-expecting-second-baby/) from the original on July 13, 2021 . Retrieved February 11, 2022 . ^ (#cite_ref-51) VanHoose, Benjamin (September 20, 2021). "Pregnant Ashley Graham Reveals She's Expecting Twin Boys: 'Are You Serious?' (https://people.com/parents/ashley-graham-pregnant-reveals-expecting-twin-baby-sons/) " (https://people.com/parents/ashley-graham-pregnant-reveals-expecting-twin-baby-sons/) . People.com . Archived (https://web.archive.org/web/20210920212930/https://people.com/parents/ashley-graham-pregnant-reveals-expecting-twin-baby-sons/) from the original on September 20, 2021 . Retrieved February 11, 2022 . ^ (#cite_ref-52) Dupre, Elyse; Bergeson, Samantha (January 7, 2022). "Ashley Graham Gives Birth, Welcomes Twins With Husband Justin Ervin" (https://www.eonline.com/news/1300246/ashley-graham-gives-birth-welcomes-twins-with-husband-justin-ervin) . E! Online . Retrieved February 11, 2022 . ^ (#cite_ref-53) "Ashley Graham instagram announcement" (https://www.instagram.com/p/CZzcCcXl5sH/) . ^ (#cite_ref-54) Maas, Jennifer (March 21, 2023). "HGTV Orders 'Barbie Dreamhouse Challenge' Series as Part of Cross-Network Summer Promo for Greta Gerwig's 'Barbie' Movie (EXCLUSIVE)" (https://www.variety.com/2023/tv/news/barbie-dreamhouse-challenge-hgtv-greta-gerwig-1235538950/amp/) . Variety (/wiki/Variety_(magazine)) . Retrieved June 16, 2023 . ^ (#cite_ref-55) Amatulli, Jenna (May 31, 2018). "Maroon 5, Cardi B's 'Girls Like You' Video Is a Star-Studded Dance Party" (https://www.huffpost.com/entry/maroon-5-cardi-bs-girls-like-you-video-is-a-star-studded-dance-party_n_5b0ffa74e4b0fcd6a8345208) . HuffPost (/wiki/HuffPost) . Archived (https://web.archive.org/web/20180531173702/https://www.huffingtonpost.com/entry/maroon-5-cardi-bs-girls-like-you-video-is-a-star-studded-dance-party_us_5b0ffa74e4b0fcd6a8345208) from the original on May 31, 2018 . Retrieved February 11, 2022 . ^ (#cite_ref-56) Glicksman, Josh (October 16, 2018). "Maroon 5 Releases New Version of 'Girls Like You' Music Video: Watch" (https://www.billboard.com/music/pop/maroon-5-alternate-version-girls-like-you-music-video-8480249/) . Billboard (/wiki/Billboard_(magazine)) . Retrieved February 11, 2022 . ^ (#cite_ref-57) "Maroon 5 – Girls Like You (Vertical Video) featuring Cardi B" (https://open.spotify.com/show/1Lu17oqo8Evy8AzqPKjzLY) . Spotify (/wiki/Spotify) . 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Ancient garment in the Byzantine Empire The skaramangion ( Greek (/wiki/Greek_language) : σκαραμάγγιον ) was a caftan (/wiki/Caftan) -like tunic in the Byzantine Empire (/wiki/Byzantine_Empire) . The garment was likely of Persian (/wiki/Sasanian_Empire) origin, and took the form of a long-sleeved tunic, worn belted, with slits on front and back or the sides, indicating a likely origin as a rider's garment. [1] (#cite_note-FOOTNOTEŠevčenko19911908-1) [2] (#cite_note-FOOTNOTEParani200357_(note_27)-2) The garment was popular among Byzantine courtiers, and became the main everyday court uniform of the middle Byzantine period, along with the sagion (/wiki/Sagion) cloak. [1] (#cite_note-FOOTNOTEŠevčenko19911908-1) The Byzantine emperors (/wiki/Byzantine_emperors) alone had the right to wear skaramangia of imperial purple (/wiki/Imperial_purple) , but red and golden variants were also worn by emperors. [1] (#cite_note-FOOTNOTEŠevčenko19911908-1) Surviving depictions show the garment made of silk, with gold armbands and a gold border along the hem and slits. [1] (#cite_note-FOOTNOTEŠevčenko19911908-1) According to Liutprand of Cremona (/wiki/Liutprand_of_Cremona) , skaramangia were used as diplomatic gifts by the emperors. [1] (#cite_note-FOOTNOTEŠevčenko19911908-1) References [ edit ] ^ Jump up to: a b c d e Ševčenko 1991 (#CITEREFŠevčenko1991) , p. 1908. ^ (#cite_ref-FOOTNOTEParani200357_(note_27)_2-0) Parani 2003 (#CITEREFParani2003) , p. 57 (note 27). Sources [ edit ] Parani, Maria G. (2003). Reconstructing the Reality of Images: Byzantine Material Culture and Religious Iconography (11th to 15th Centuries) . Leiden, South Holland: Brill. ISBN (/wiki/ISBN_(identifier)) 978-90-04-12462-2 . Ševčenko, Nancy Patterson (1991). "Skaramangion". In Kazhdan, Alexander (/wiki/Alexander_Kazhdan) (ed.). The Oxford Dictionary of Byzantium (/wiki/Oxford_Dictionary_of_Byzantium) . Oxford and New York: Oxford University Press. p. 1908. ISBN (/wiki/ISBN_(identifier)) 0-19-504652-8 . NewPP limit report Parsed by mw‐web.codfw.main‐7cd59cdcfb‐r6bqw Cached time: 20240717225116 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.273 seconds Real time usage: 0.358 seconds Preprocessor visited node count: 806/1000000 Post‐expand include size: 8979/2097152 bytes Template argument size: 1071/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 8403/5000000 bytes Lua time usage: 0.199/10.000 seconds Lua memory usage: 14990825/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 344.229 1 -total 27.40% 94.335 4 Template:Transl 24.17% 83.201 1 Template:Cite_book 18.37% 63.231 1 Template:Short_description 13.06% 44.959 6 Template:Sfn 11.05% 38.043 2 Template:Pagetype 5.22% 17.982 1 Template:Lang-grc-gre 4.60% 15.830 1 Template:Lang 4.40% 15.161 9 Template:Main_other 4.05% 13.957 1 Template:Reflist Saved in parser cache with key enwiki:pcache:idhash:71986957-0!canonical and timestamp 20240717225116 and revision id 1213982813. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Skaramangion&oldid=1213982813 (https://en.wikipedia.org/w/index.php?title=Skaramangion&oldid=1213982813) " Category (/wiki/Help:Category) : Byzantine clothing (/wiki/Category:Byzantine_clothing) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Articles containing Ancient Greek (to 1453)-language text (/wiki/Category:Articles_containing_Ancient_Greek_(to_1453)-language_text) |
American entrepreneur and author Alli Webb Nationality American Alma mater Florida State University Occupations Buisnesswoman writer Known for co-founder of Drybar Alli Webb is an American businesswoman and writer. She is the co-founder of Drybar (/wiki/Drybar) , a chain of American salons providing a hairstyling service known as blowouts (/wiki/Blowout_(hairstyle)) . Early life and education [ edit ] Webb attended Olympic Heights Community High School (/wiki/Olympic_Heights_Community_High_School) . [1] (#cite_note-1) [2] (#cite_note-2) Webb's parents owned a clothing business, which sparked her interest in fashion. [3] (#cite_note-cc-3) She left Florida State University (/wiki/Florida_State_University) after one year, [4] (#cite_note-cos-4) and moved to New York City, where her brother worked for Nicole Miller (/wiki/Nicole_Miller) . Webb also began working for Miller in New York. [5] (#cite_note-inc-5) Career [ edit ] Webb and her brother later left New York City for their native Florida, where they opened more stores for Miller. [5] (#cite_note-inc-5) When the two chose to end their partnership, Webb attended The Art Institute of Fort Lauderdale (/wiki/The_Art_Institute_of_Fort_Lauderdale) . [4] (#cite_note-cos-4) She was trained in hairdressing by Toni & Guy (/wiki/Toni_%26_Guy) and worked under John Sahag (/wiki/John_Sahag) . [6] (#cite_note-Geschwind-6) In 2010, Webb co-founded Drybar (/wiki/Drybar) with her brother Michael Landau and her then husband Cameron Webb. [5] (#cite_note-inc-5) [7] (#cite_note-7) By 2019, there were over 125 locations. [8] (#cite_note-8) In 2013, Webb developed a line of styling tools and products. [9] (#cite_note-9) In 2016, Webb released The Drybar Guide To Good Hair For All ; [10] (#cite_note-10) a New York Times bestseller. [11] (#cite_note-11) In July 2018, Webb launched a podcast with Landau called “Raising the Bar." [6] (#cite_note-Geschwind-6) In 2019, Webb joined season 10 of ABC's Shark Tank (/wiki/Shark_Tank) as a new guest shark. [12] (#cite_note-12) She and Landau launched "Squeeze", a massage service with associated app. [13] (#cite_note-13) Webb was named one of the “100 Most Creative People in Business” by Fast Company (/wiki/Fast_Company) in 2013, [14] (#cite_note-14) and included on Fortune 's "40 Under 40" list that same year, [15] (#cite_note-15) and ranked as Marie Claire (/wiki/Marie_Claire) 's “Top Beauty Expert” for their Women on Top list in 2011. [16] (#cite_note-16) References [ edit ] ^ (#cite_ref-1) Solomon, Lois K. (January 14, 2019). " (https://www.sun-sentinel.com/news/education/fl-ne-shark-tank-20190114-story.html) 'Shark Tank' stars give Boca students their million-dollar tips for success" (https://www.sun-sentinel.com/news/education/fl-ne-shark-tank-20190114-story.html) . Sun Sentinel . Retrieved September 21, 2019 . ^ (#cite_ref-2) Fagen, Faran (May 7, 2019). "Olympic Heights student wins 'Shark Tank' sweepstakes, visit from TV hosts" (https://www.palmbeachpost.com/entertainmentlife/20190507/olympic-heights-student-wins-shark-tank-sweepstakes-visit-from-tv-hosts) . Palm Beach Post . Retrieved September 21, 2019 . ^ (#cite_ref-cc_3-0) McGoodwin, Lauren (October 22, 2013). "Meet Alli Webb, the Genius Behind Drybar" (https://www.careercontessa.com/interviews/alli-webb-drybar/) . Career Contessa . ^ Jump up to: a b Rudulph, Heather Wood (September 29, 2014). "Get That Life: How I Opened a Chain of Blow-Dry Bars" (https://www.cosmopolitan.com/career/news/a31525/get-that-life-alli-webb-drybar/) . Cosmopolitan . Retrieved September 21, 2019 . ^ Jump up to: a b c Blakely, Lindsay (2018-06-26). "She Couldn't Stand Working With Her Brother. Then They Started a $100 Million Company Together" (https://www.inc.com/magazine/201808/lindsay-blakely/how-i-did-it-alli-webb-drybar.html) . Inc.com . Retrieved 2019-05-23 . ^ Jump up to: a b Geschwind, Max (25 July 2018). "Drybar Founder Launching Podcast Highlighting Celebrity Entrepreneurs" (https://www.hollywoodreporter.com/news/drybar-founder-launches-podcast-highlighting-celebrity-entrepreneurs-1129331) . The Hollywood Reporter . Retrieved 20 September 2019 . ^ (#cite_ref-7) Jolie, Nadine (25 February 2010). "Dry Bar, a Blowout-Only Salon, Brings Affordable Luxury to Angelenos' Manes" (https://www.vanityfair.com/style/2010/02/dry-bar) . Vanities . Retrieved 2019-05-23 . ^ (#cite_ref-8) "Drybar Locations" (https://www.thedrybar.com/locations/) . www.thedrybar.com . Retrieved 2019-05-23 . ^ (#cite_ref-9) "Hair Wars: Drybar Launches Products and Styling Tools to Use at Home" (https://www.hollywoodreporter.com/news/drybar-launches-products-styling-tools-use-at-home-433045) . The Hollywood Reporter . 4 April 2013 . Retrieved 2019-05-23 . ^ (#cite_ref-10) "Drybar Founder Alli Webb Says This Book Got Her Through Her Most Difficult Times" (https://www.bustle.com/p/drybar-founder-alli-webb-says-broken-open-by-elizabeth-lesser-was-her-lifeline-during-difficult-times-15942382) . Bustle . 26 March 2019 . Retrieved 2019-05-28 . ^ (#cite_ref-11) "Fashion, Manners and Customs Books - Best Sellers - November 13, 2016" (https://www.nytimes.com/books/best-sellers/2016/11/13/fashion-manners-and-customs/) . The New York Times . ISSN (/wiki/ISSN_(identifier)) 0362-4331 (https://www.worldcat.org/issn/0362-4331) . Retrieved 2019-05-23 . ^ (#cite_ref-12) "Drybar Founder Alli Webb Joins the Tank as a Guest Shark | Shark Tank" (https://abc.go.com/shows/shark-tank/news/updates/drybar-founder-alli-webb-joins-the-tank-as-guest-shark) . ABC . Retrieved 2019-05-12 . ^ (#cite_ref-13) "The Founders of Drybar Just Launched Your Next Self-Care Obsession" (https://coveteur.com/2019/03/21/inside-squeeze-revolutionary-new-on-demand-massage-service/) . Coveteur . 2019-03-21 . Retrieved 2019-05-23 . ^ (#cite_ref-14) Rockwood, Kate (2013-05-13). "35. Alli Webb" (https://www.fastcompany.com/3009273/35-alli-webb) . Fast Company . Retrieved 2019-05-23 . ^ (#cite_ref-15) "Alli Webb" (http://fortune.com/40-under-40/2013/alli-webb-33/) . Fortune . 2014-05-09 . Retrieved 2019-06-18 . ^ (#cite_ref-16) Moura, Sophie (2011-10-20). "Women on Top" (https://www.marieclaire.com/women-on-top-awards) . Marie Claire . Retrieved 2019-05-23 . 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British fashion photographer (born 1966) David Sims Born 1966 (age 57–58) Sheffield (/wiki/Sheffield) , England Occupation Photographer Partner Luella Bartley (/wiki/Luella_Bartley) Website www (http://www.davidsims.com) .davidsims (http://www.davidsims.com) .com (http://www.davidsims.com) David Sims (born 1966) is a British (/wiki/British_people) fashion photographer who first made his name in the early 1990s. Commercial career [ edit ] Sims was born in Sheffield (/wiki/Sheffield) . He worked first as a photographer's assistant with Robert Erdmann and Norman Watson. [1] (#cite_note-1) He was taken on by a photography agency and his work began to feature in editorial pages of magazines. He has also worked in advertising, creating images for brands. [2] (#cite_note-ica-2) Exhibitions [ edit ] International exhibitions of Sims' work have been held at the Museum of Contemporary Art Tokyo (/wiki/Museum_of_Contemporary_Art_Tokyo) , Fotomuseum Winterthur (/wiki/Fotomuseum_Winterthur) , Switzerland (/wiki/Switzerland) and Deichtorhallen (/wiki/Deichtorhallen) in Hamburg. [3] (#cite_note-showstudio1-3) The Institute of Contemporary Arts (/wiki/Institute_of_Contemporary_Arts) (ICA), London held a solo exhibition of Sims' work in 2013. [2] (#cite_note-ica-2) Collections [ edit ] His work is held in the permanent collections of London's Victoria and Albert Museum (/wiki/Victoria_and_Albert_Museum) (V&A) and Tate Modern (/wiki/Tate_Modern) . [2] (#cite_note-ica-2) [4] (#cite_note-4) Awards [ edit ] Sims was named young fashion photographer of the year twice (1994 and 1996) at the Hyères International Fashion and Photography Festival (/wiki/Hy%C3%A8res#Culture) . [3] (#cite_note-showstudio1-3) Personal life [ edit ] Sims once lived in Cornwall (/wiki/Cornwall) with his partner, the fashion designer Luella Bartley (/wiki/Luella_Bartley) . [5] (#cite_note-5) They now live in London (/wiki/London) . [6] (#cite_note-6) References [ edit ] ^ (#cite_ref-1) "David Sims - Voguepedia" (https://web.archive.org/web/20140704005659/http://www.vogue.com/voguepedia/David_Sims) . Vogue.com. Archived from the original (http://www.vogue.com/voguepedia/David_Sims) on 4 July 2014 . Retrieved 12 January 2014 . ^ Jump up to: a b c "BOWIEVIRUS: David Sims | Institute of Contemporary Arts" (https://web.archive.org/web/20161127022115/http://www.ica.org.uk/whats-on/bowievirus-david-sims) . Ica.org.uk. Archived from the original (http://www.ica.org.uk/whats-on/bowievirus-david-sims) on 27 November 2016 . Retrieved 12 January 2014 . ^ Jump up to: a b "David Sims - SHOWstudio - The Home of Fashion Film" (http://showstudio.com/contributor/david_sims) . SHOWstudio. 23 January 2002 . Retrieved 12 January 2014 . ^ (#cite_ref-4) "V&A Museum - Radical Fashion" (http://www.vam.ac.uk/vastatic/microsites/rad_fash/html/study/index.html) . Vam.ac.uk . Retrieved 12 January 2014 . ^ (#cite_ref-5) "Luella Bartley (Vogue.com UK)" (https://www.vogue.co.uk/person/luella-bartley) . Vogue.co.uk . Retrieved 12 January 2014 . ^ (#cite_ref-6) "David Simsis One of the 500 People Shaping the Global Fashion Industry in 2018" (https://www.businessoffashion.com/community/people/david-sims) . The Business of Fashion . Retrieved 24 January 2019 . External links [ edit ] David Sims (https://www.fashionmodeldirectory.com/photographers/david-sims/) at FMD (/wiki/Fashion_Model_Directory) David Sims (http://models.com/models/david-sims) at Models.com Authority control databases (/wiki/Help:Authority_control) International VIAF (https://viaf.org/viaf/315940287) National Germany (https://d-nb.info/gnd/1070361623) Artists Photographers' Identities (https://pic.nypl.org/constituents/18319) RKD Artists (https://rkd.nl/en/explore/artists/238003) This biographical article related to fashion is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=David_Sims_(photographer)&action=edit) . v t e This article about a British photographer is a stub (/wiki/Wikipedia:Stub) . 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Loose-fitting protective suit This article is about the loose-fitting protective suit. For tighter and more fashionable suits, see Jumpsuit (/wiki/Jumpsuit) . "Coveralls" redirects here. For bib-and-brace overalls, see Overall (/wiki/Overall) . This article needs additional citations for verification (/wiki/Wikipedia:Verifiability) . Please help improve this article (/wiki/Special:EditPage/Boilersuit) by adding citations to reliable sources (/wiki/Help:Referencing_for_beginners) . Unsourced material may be challenged and removed. Find sources: "Boilersuit" (https://www.google.com/search?as_eq=wikipedia&q=%22Boilersuit%22) – news (https://www.google.com/search?tbm=nws&q=%22Boilersuit%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Boilersuit%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Boilersuit%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Boilersuit%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Boilersuit%22&acc=on&wc=on) ( November 2013 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) A boilersuit coverall A boilersuit (or boiler suit ), also known as coveralls , is a loose fitting garment covering the whole body except for the head, hands and feet. Terminology [ edit ] The term boilersuit is most common in the UK, where the 1989 edition of the Oxford English Dictionary (/wiki/Oxford_English_Dictionary) lists the word as having been first used on 28 October 1928 in the Sunday Express (/wiki/Sunday_Express) newspaper. The garments are typically known as coveralls in North America, while overall(s) is used elsewhere. [ citation needed ] In North America "overall" is more usually understood as a bib-and-brace overall (/wiki/Overall) , which is a type of trousers with attached suspenders. A more tight-fitting garment that is otherwise similar to a boilersuit is usually called a jumpsuit (/wiki/Jumpsuit) . The " siren suit (/wiki/Siren_suit) " favoured by Winston Churchill (/wiki/Winston_Churchill) (but also worn by many others in the UK when air raids were a threat) during the Second World War (/wiki/Second_World_War) was closely similar to a boilersuit. Description [ edit ] A man in a boilersuit A boilersuit is a one-piece garment with full-length sleeves and legs like a jumpsuit (/wiki/Jumpsuit) , but usually less tight-fitting. Its main feature is that it has no gap between jacket and trousers or between lapels (/wiki/Jacket_lapel) , and no loose jacket tails. It often has a long thin pocket down the outside of the right thigh to hold long tools. It usually has a front fastening extending the whole length of the front of the body up to the throat, with no lapels (/wiki/Jacket_lapel) . It may be fastened with buttons (/wiki/Button_(clothing)) , a zip (/wiki/Zipper) , velcro (/wiki/Velcro) , or snap fasteners (/wiki/Snap_fastener) . Boilersuits with an attached hood (/wiki/Hood_(headgear)) are available. The word "boilersuit" may also refer to disposable garments such as DuPont (/wiki/DuPont) 's Tyvek (/wiki/Tyvek) suits. Usage [ edit ] Coveralls are most often worn as protective clothing over "street" clothes at work. They can be used for painting and decorating, mechanical work, farming, factory work, and other activities where clothes may become soiled. Many companies provide workers with corporate branded boilersuits for identification and marketing. A prison coverall Coveralls are also sometimes used as prison uniforms (/wiki/Prison_uniform) in the U.S and other countries. A police coverall Police tactical units (/wiki/Police_tactical_unit) often use boilersuits as a uniform (/wiki/Uniform) , for instance the French police unit Compagnies Républicaines de Sécurité (/wiki/Compagnies_R%C3%A9publicaines_de_S%C3%A9curit%C3%A9) , and the Austrian units EKO Cobra (/wiki/EKO_Cobra) and WEGA (/wiki/Wiener_Einsatzgruppe_Alarmabteilung) . Similar coveralls made of Nomex (/wiki/Nomex) in olive drab (/wiki/Olive_drab) (and more recently, desert tan (/wiki/Tan_(color)) ) are also used by the crews of armoured fighting vehicles (/wiki/Armoured_fighting_vehicles) in the US Army (/wiki/US_Army) and Marine Corps (/wiki/US_Marine_Corps) , where the men and also their suits are sometimes called "CVCs", an abbreviation of " Combat Vehicle (/wiki/Combat_Vehicle) Crewman". More form fitting coveralls with many zippered pockets, originally made of cotton treated for flame resistance, but made of Nomex (/wiki/Nomex) since the late 1960s, have been used as flight suits (/wiki/Flight_suit) since the beginning of World War II. There are two main categories for coveralls: cloth and disposable. Both cloth and disposable coveralls are manufactured with their own unique protective properties including: high-visibility, insulation to protect against cold weather, waterproof, flame resistant to protect against fire, arc resistant to protect against flash fires, and even microporous fabrics when exposed to hazardous chemicals. Japanese politicians (/wiki/Politician) have been known to use boiler suits to convey an image (/wiki/Public_relations) of preparedness. [1] (#cite_note-1) Coveralls called student boilersuits (/wiki/Student_boilersuit) are used by university students in some Nordic countries as a sort of party-uniform, with insignia on the back and colour varying with programme and university. The suit is associated with the slasher (/wiki/Slasher_film) subgenre, being worn by Michael Myers (/wiki/Michael_Myers_(Halloween)) of the Halloween films (/wiki/Halloween_(franchise)) . Pete Townshend (/wiki/Pete_Townshend) of The Who (/wiki/The_Who) frequently wore a white boiler suit during performances and in publicity photographs from 1969-71. [2] (#cite_note-2) The Church of Scientology (/wiki/Church_of_Scientology) has punished Sea Org (/wiki/Sea_Org) members in the Rehabilitation Project Force (/wiki/Rehabilitation_Project_Force) by making them wear black boiler suits. [3] (#cite_note-3) See also [ edit ] Flight suit (/wiki/Flight_suit) Speedsuit (/wiki/Speedsuit) Onesie (jumpsuit) (/wiki/Onesie_(jumpsuit)) References [ edit ] ^ (#cite_ref-1) "Minister is economical with economic truth" (https://web.archive.org/web/20160307233757/http://www.japantimes.co.jp/opinion/2011/03/23/commentary/world-commentary/minister-is-economical-with-economic-truth/) . 23 March 2011. Archived from the original (http://www.japantimes.co.jp/opinion/2011/03/23/commentary/world-commentary/minister-is-economical-with-economic-truth/) on 2016-03-07. ^ (#cite_ref-2) "Archived copy" (http://img1.etsystatic.com/000/0/5879322/il_fullxfull.271840239.jpg?ref=l2) . Archived (https://web.archive.org/web/20131001225817/http://img1.etsystatic.com/000/0/5879322/il_fullxfull.271840239.jpg?ref=l2) from the original on 2013-10-01 . Retrieved 2013-09-24 . {{ cite web (/wiki/Template:Cite_web) }} : CS1 maint: archived copy as title ( link (/wiki/Category:CS1_maint:_archived_copy_as_title) ) ^ (#cite_ref-3) "SCIENTOLOGY DENIED: CA Appeals Court Won't Help Church in Forced-Abortion Lawsuit « The Underground Bunker" (http://tonyortega.org/2013/05/01/scientology-denied-ca-appeals-court-rules-for-documents-release-in-forced-abortion-lawsuit/) . tonyortega.org . Archived (https://web.archive.org/web/20150129071407/http://tonyortega.org/2013/05/01/scientology-denied-ca-appeals-court-rules-for-documents-release-in-forced-abortion-lawsuit/) from the original on 2015-01-29. 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American footwear brand Atoms Company type Private Industry Footwear (/wiki/Footwear) Founded 2019 Founders Waqas Ali Sidra Qasim Headquarters Brooklyn Navy Yard (/wiki/Brooklyn_Navy_Yard) , New York (/wiki/New_York_(state)) Website atoms (https://atoms.com/) .com (https://atoms.com/) This article may have been created or edited in return for undisclosed payments , a violation of Wikipedia's terms of use (https://foundation.wikimedia.org/wiki/Terms_of_Use/en#paid-contrib-disclosure) . It may require cleanup to comply with Wikipedia's content policies (/wiki/Wikipedia:List_of_policies#Content) , particularly neutral point of view (/wiki/Wikipedia:Neutral_point_of_view) . ( June 2024 ) Atoms is a privately held footwear brand, based in Brooklyn, New York (/wiki/Brooklyn,_New_York) , that designs (/wiki/Designs) , develops and sells footwear. [1] (#cite_note-1) Atoms offers quarter size shoes and allows customers to buy pairs of shoes in two different sizes. [2] (#cite_note-2) History [ edit ] Atoms was founded by husband and wife Waqas Ali and Sidra Qasim in San Francisco (/wiki/San_Francisco) . [3] (#cite_note-3) In 2012, they started their first footwear company as students at Forman Christian College University, Lahore (/wiki/Forman_Christian_College) [4] (#cite_note-4) named 'Markhor' (originally Hometown) in Pakistan (/wiki/Pakistan) , while working with craftsmen in their hometown of Basirpur (/wiki/Basirpur) in Okara, Pakistan (/wiki/Okara,_Pakistan) . [5] (#cite_note-5) In 2015, the couple moved to Mountain View (/wiki/Mountain_View,_California) as part of Y Combinator's (/wiki/Y_Combinator_(company)) accelerator program. [6] (#cite_note-6) They were inspired by the challenges that most people still wear shoes that do not fit properly. [7] (#cite_note-7) The founders wanted to design a shoe that people would use every day. Atoms started selling via invite-only access on its website and built a waitlist of over 40,000 people before publicly launching on June 3, 2019. [8] (#cite_note-8) References [ edit ] ^ (#cite_ref-1) Okwodu, Janelle (3 June 2019). "Meet the Sneaker Brand Set to Disrupt the Fashion Industry" (https://www.vogue.com/article/atoms-sneaker-launch-quarter-sizes-disrupting-fashion) . Vogue (/wiki/Vogue_(magazine)) . Retrieved 28 June 2019 . ^ (#cite_ref-2) Evans, Jonathan (10 June 2019). "Startup Sneaker Brand Atoms Just Fixed One of the Biggest Problems With Shopping for Shoes" (https://www.esquire.com/style/mens-fashion/a27821659/atoms-sneakers-quarter-sizes-review-launch/) . Esquire (/wiki/Esquire_(magazine)) . Retrieved 28 June 2019 . ^ (#cite_ref-3) Stolzoff, Simone (26 November 2018). "Will the Next Great Tech Company Come From the Developing World?" (https://www.theatlantic.com/business/archive/2018/11/the-next-great-tech-company/568756/) . The Atlantic (/wiki/The_Atlantic) . Retrieved 28 June 2019 . ^ (#cite_ref-4) Khan, Nosherwan (2016-06-15). "The Markhor – Sidra Qasim & Waqas Ali" (https://www.rozee.pk/blog/2016/06/the-markhor-sidra-qasim-waqas-ali/) . The Rozee Blog . Retrieved 2023-03-12 . ^ (#cite_ref-5) Tajammul, Khizr (10 July 2015). "Shoes with a story: Markhor is a start-up you should know about" (https://www.dawn.com/news/1191423) . Dawn.com (/wiki/Dawn.com) . Retrieved 28 June 2019 . ^ (#cite_ref-6) Magee, Christine (11 August 2015). "Markhor Takes The Middleman Out Of Designer Shoemaking" (https://techcrunch.com/2015/08/11/markhor-takes-the-middleman-out-of-designer-shoemaking/) . TechCrunch (/wiki/TechCrunch) . Retrieved 28 June 2019 . ^ (#cite_ref-7) Holmes, Elizabeth (15 June 2014). "Feet Are Getting Bigger, and Many People Wear Shoes That Don't Fit Right" (https://www.wsj.com/articles/feet-are-getting-bigger-and-many-people-wear-shoes-that-dont-fit-right-1405466145) . Wall Street Journal (/wiki/Wall_Street_Journal) . Retrieved 28 June 2019 . ^ (#cite_ref-8) Moore, Kaleigh (16 May 2019). "Why Online Fashion Retailers Are Experimenting With Invite-Only Access" (https://www.forbes.com/sites/kaleighmoore/2019/05/16/why-online-fashion-retailers-are-experimenting-with-invite-only-access/) . Forbes (/wiki/Forbes) . Retrieved 28 June 2019 . 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Dress worn at the 74th Academy Awards on March 24, 2002 Elie Saab net dress of Halle Berry Designer Elie Saab (/wiki/Elie_Saab) Year 2002 Type Net and embroidery topped burgundy dress The American actress Halle Berry (/wiki/Halle_Berry) wore a mesh (/wiki/Mesh) and embroidery (/wiki/Embroidery) -topped deep-red dress to the 74th Academy Awards (/wiki/74th_Academy_Awards) on March 24, 2002. [1] (#cite_note-:0-1) It was designed by Lebanese designer Elie Saab (/wiki/Elie_Saab) . [2] (#cite_note-2) In a poll by Debenhams (/wiki/Debenhams) published in The Daily Telegraph (/wiki/The_Daily_Telegraph) the dress was voted the eighth greatest red carpet gown of all time. [3] (#cite_note-Telegraph08-3) Cosmopolitan (/wiki/Cosmopolitan_(magazine)) cited the dress as one of the Best Oscar dresses of all time, saying, "Probably one of the best-known Oscar dresses of all time, it shows off Halle's best parts, while the strategic embroidering still leaves something to the imagination. There's a lot of material on the bottom half, but it doesn't swallow her up or hide the shape of her legs." [4] (#cite_note-4) Variety (/wiki/Variety_(magazine)) ' s Complete Book of Oscar Fashion placed it among their selections for the Oscar's most beautiful gowns, noting that she had "fashion critics raving for days" with the dress forming a "dramatic counterpoint to Berry's fresh, good looks." [1] (#cite_note-:0-1) The dress is now on display in the Academy Museum. [5] (#cite_note-Bazaar-5) See also [ edit ] List of individual dresses (/wiki/List_of_individual_dresses) References [ edit ] ^ Jump up to: a b Reeve, Chace (2003). The complete book of Oscar fashion: Variety's 75 years of glamour on the red carpet . New York, NY: Reed Press (/w/index.php?title=Reed_Press&action=edit&redlink=1) . p. 132. ISBN (/wiki/ISBN_(identifier)) 1594290016 . OCLC (/wiki/OCLC_(identifier)) 53233868 (https://www.worldcat.org/oclc/53233868) . ^ (#cite_ref-2) Turner, Christopher; Hak, Michael, Illustrator (March 2, 2023). "THE STORY OF: The Embroidered Elie Saab Net Dress Halle Berry Wore To The 2002 Oscars" (https://29secrets.com/style/the-story-of-the-embroidered-elie-saab-net-dress-halle-berry-wore-to-the-2002-oscars/) . 29 Secrets . Retrieved April 2, 2023 . The next morning, Berry's win dominated the headlines, and the sensual dress made an appearance on almost every single Best Dressed roundup. It didn't stop there.… More than 20 years later, the dress is still being talked about, duplicated, and recognized as one of the most iconic in Oscar red carpet history. {{ cite web (/wiki/Template:Cite_web) }} : CS1 maint: multiple names: authors list ( link (/wiki/Category:CS1_maint:_multiple_names:_authors_list) ) ^ (#cite_ref-Telegraph08_3-0) Urmee Khan (October 9, 2008). "Liz Hurley 'safety pin' dress voted the greatest dress" (https://www.telegraph.co.uk/news/celebritynews/3167702/Liz-Hurley-safety-pin-dress-voted-the-greatest-dress.html) . The Daily Telegraph (/wiki/The_Daily_Telegraph) . Retrieved May 24, 2011 . ^ (#cite_ref-4) "Oscars Best and Worst Dressed" (http://www.cosmopolitan.com/celebrity/red-carpet-dresses/best-and-worst-oscar-style) . Cosmopolitan (/wiki/Cosmopolitan_(magazine)) . Retrieved May 24, 2011 . ^ (#cite_ref-Bazaar_5-0) LeGaerdye, Quinci (March 11, 2023). "Halle Berry's Iconic Oscar Dress Is Now On Display at the Academy Museum" (https://www.harpersbazaar.com/celebrity/latest/a43280071/halle-berry-iconic-oscar-gown-now-on-display-academy-museum/) . Bazaar (/wiki/Harper%27s_Bazaar) . 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Muscogee (Creek) art educator, fashion designer and artist Sandy Fife Wilson Fife in 1971 Born 1950 (age 73–74) Dustin, Oklahoma (/wiki/Dustin,_Oklahoma) Nationality American Occupation(s) art teacher, artist Years active 1976– Sandy Fife Wilson (born 1950) is a Muscogee (Creek) (/wiki/Muscogee_(Creek)_Nation) art educator, fashion designer (/wiki/Native_American_fashion) and artist. After graduating from the Institute of American Indian Arts (/wiki/Institute_of_American_Indian_Arts) and Northeastern Oklahoma State University (/wiki/Northeastern_Oklahoma_State_University) , she became an art teacher, first working in the public schools of Dewey, Oklahoma (/wiki/Dewey,_Oklahoma) . When Josephine Wapp (/wiki/Josephine_Wapp) retired as the textile instructor at the Institute of American Indian Arts, Wilson was hired to teach the design courses. After three years, in 1979, she returned to Oklahoma and taught at Chilocco Indian School (/wiki/Chilocco_Indian_School) until it closed and then worked in the Morris Public School system until her retirement in 2009. In 1976, Wilson and her sisters formed the Fife Collection focusing on designing contemporary fashion, but incorporating traditional Southeastern Woodlands (/wiki/Indigenous_peoples_of_the_Southeastern_Woodlands) techniques and motifs. Their works were shown at many museum venues and festivals, like the Coconino Center for the Arts (/w/index.php?title=Coconino_Center_for_the_Arts&action=edit&redlink=1) , Southern Plains Indian Museum (/wiki/Southern_Plains_Indian_Museum) , and Red Earth Festival (/wiki/Red_Earth_Festival) . Her later career has included works of traditional Creek split-cane baskets, shell carvings, and fingerweavings (/wiki/Fingerweaving) . Wilson has participated in numerous art and fashion shows throughout her career, winning first place honors in 1972 at the Scottsdale National Indian Arts Exhibition, the Grand Heritage Award of the Five Civilized Tribes Museum (/wiki/Five_Civilized_Tribes_Museum) in 1995 and placing 2nd in the traditional objects category of the Santa Fe Indian Market (/wiki/Santa_Fe_Indian_Market) in 2016. Early life [ edit ] Sandy Fife was born in 1950 in Dustin, Oklahoma (/wiki/Dustin,_Oklahoma) to Carmen (née Griffin) and James Fife. [1] (#cite_note-FOOTNOTE''The_Navajo_Times''197920-1) [2] (#cite_note-FOOTNOTEBrown2016-2) She grew up on her grandfather's allotment which sits on the border of the Hughes County (/wiki/Hughes_County,_Oklahoma) - Okfuskee County (/wiki/Okfuskee_County,_Oklahoma) line. The youngest of six children, she came from a long line of artists and teachers. Her grandfather was a wood and stone carver, her father drew with colored pencils and chalks, and from the time she was ten years old, her mother, who was a teacher, taught her fingerweaving (/wiki/Fingerweaving) . [2] (#cite_note-FOOTNOTEBrown2016-2) Fife attended Graham High School in Weleetka, Oklahoma (/wiki/Weleetka,_Oklahoma) and then went on to further her studies at the Institute of American Indian Arts (/wiki/Institute_of_American_Indian_Arts) in Santa Fe, New Mexico (/wiki/Santa_Fe,_New_Mexico) from 1965 to 1969. [1] (#cite_note-FOOTNOTE''The_Navajo_Times''197920-1) At the institute, she studied with world-renowned artists and her courses included painting with Neil Parsons (/w/index.php?title=Neil_Parsons&action=edit&redlink=1) ( Blackfeet (/wiki/Blackfeet) ) and Fritz Scholder (/wiki/Fritz_Scholder) ( Luiseño (/wiki/Luise%C3%B1o) ), printmaking with Seymour Tubis (/w/index.php?title=Seymour_Tubis&action=edit&redlink=1) , and traditional design with Josephine Wapp (/wiki/Josephine_Wapp) ( Comanche (/wiki/Comanche) ). [2] (#cite_note-FOOTNOTEBrown2016-2) In 1969, Fife begang her university studies at the College of Santa Fe (/wiki/College_of_Santa_Fe) , but in 1970, she transferred to Northeastern Oklahoma State University (/wiki/Northeastern_Oklahoma_State_University) , graduating in 1973 with a bachelor's degree in art and finishing her graduate education there in 1978. [1] (#cite_note-FOOTNOTE''The_Navajo_Times''197920-1) Career [ edit ] After completing her bachelor's degree, Fife taught for two years at the Dewey Public School. [2] (#cite_note-FOOTNOTEBrown2016-2) In 1975, she married Lawrence A. "Al" Wilson, who was a math instructor. [1] (#cite_note-FOOTNOTE''The_Navajo_Times''197920-1) [2] (#cite_note-FOOTNOTEBrown2016-2) The couple moved to Santa Fe that same year when, Wilson took over the design courses at the Institute of American Indian Arts, previously offered by Josephine Wapp, who had retired in 1973. She combined traditional and contemporary trends in her curricula, which included classes on "Decorative Techniques", "Traditional and Contemporary Fashion Design", "Traditional Techniques", and "Weaving and Basketmaking". Making sure that her students were grounded in the history of traditional garments, she taught them how to incorporate motifs into contemporary designs. [3] (#cite_note-FOOTNOTEMetcalfe2010151-3) Her weaving course used a wide variety of looms (/wiki/Loom) and techniques, utilizing diverse materials other than textiles, like bone, feathers, leather, and porcupine quills. She also included instruction in beadwork (/wiki/Beadwork) , teaching students how to use a bead loom (/wiki/Bead_loom) . [4] (#cite_note-FOOTNOTEMetcalfe2010152-4) Wilson organized a fashion group, "Full Moon Fashions" to allow her students to design and market their works, and build rapport with the local community. Pupils also served as models and emceed the show. One of those, who served as emcee in 1977, was Wendy Ponca (/wiki/Wendy_Ponca) ( Osage (/wiki/Osage_Nation) ). The show was popular and became an annual event, with the students also traveling throughout the state and to neighboring states to show their work. [5] (#cite_note-FOOTNOTEMetcalfe2010153-5) In 1979, Wilson was offered a teaching position with the Bureau of Indian Affairs (/wiki/Bureau_of_Indian_Affairs) at Chilocco Indian School (/wiki/Chilocco_Indian_School) and returned to Oklahoma, [1] (#cite_note-FOOTNOTE''The_Navajo_Times''197920-1) [5] (#cite_note-FOOTNOTEMetcalfe2010153-5) where her three children Laura, Clint, and Dan were born. [2] (#cite_note-FOOTNOTEBrown2016-2) When Chilocco closed, in 1980, she began teaching art in the Morris Public Schools, where she remained until her retirement in 2009. [2] (#cite_note-FOOTNOTEBrown2016-2) As a student, Wilson had participated in several showings of her work, including a demonstration at the Wichita Art Museum (/wiki/Wichita_Art_Museum) and her selection to participate as an artist in 1969 at the Woodstock Music & Art Fair (/wiki/Woodstock) . [2] (#cite_note-FOOTNOTEBrown2016-2) After having also shown work in Oklahoma and Virginia, [6] (#cite_note-FOOTNOTE''The_Lawton_Constitution''19712D-6) in 1972, Wilson placed first in the contemporary textile category at the Scottsdale National Indian Arts Exhibition. [7] (#cite_note-FOOTNOTE''The_Arizona_Republic''19728M-7) In 1976, [8] (#cite_note-FOOTNOTE''The_Stilwell_Democrat-Journal''19768-8) she co-founded with her sisters Phyllis (/wiki/Phyllis_Fife) and Sharon (/w/index.php?title=Sharon_Fife_Mouss&action=edit&redlink=1) , the Fife Collection, Inc. , which focused on fashion design and incorporated traditional motifs and techniques from the Southeastern Woodlands peoples (/wiki/Indigenous_peoples_of_the_Southeastern_Woodlands) . [2] (#cite_note-FOOTNOTEBrown2016-2) These included Cherokee (/wiki/Cherokee) fingerweaving (/wiki/Fingerweaving) , [9] (#cite_note-FOOTNOTEPratt2017-9) Delaware (/wiki/Delaware_Tribe_of_Indians) appliqué (/wiki/Appliqu%C3%A9) , Muscogee (/wiki/Muscogee) themes and designs from pottery and artifacts, as well as Seminole (/wiki/Seminole) patchwork (/wiki/Patchwork) designs, presented in contemporary garments, [10] (#cite_note-FOOTNOTE''The_Navajo_Times''1979-10) adorned with beadwork (/wiki/Beadwork) , embroidery, and ribbonwork (/wiki/Ribbonwork) . [11] (#cite_note-FOOTNOTE''The_Colorado_Springs_Gazette''198037-11) In 1979, the Southern Plains Indian Museum (/wiki/Southern_Plains_Indian_Museum) hosted a month-long exhibit of the Fife Collection 's works, which also included pieces from their mother, oldest sister Jimmie Carole (/wiki/Jimmie_Carole_Fife_Stewart) , and youngest sister Robin. Though primarily focused on Native American fashion (/wiki/Native_American_fashion) , the exhibit also included paintings by Jimmie Carol, embroidery works by Robin, handbags and jewelry by Wilson, and other fabric arts like quilts and wall hangings. [10] (#cite_note-FOOTNOTE''The_Navajo_Times''1979-10) Throughout her career, Wilson has participated in numerous art and fashion shows hosted at various venues, like the Kirkpatrick Center (/wiki/Kirkpatrick_Center) , [12] (#cite_note-FOOTNOTE''The_Daily_Oklahoman''1980236-12) and Governor's Arts Awards at the Oklahoma State Capitol (/wiki/Oklahoma_State_Capitol) , both in Oklahoma City (/wiki/Oklahoma_City) ; [13] (#cite_note-FOOTNOTEFullerton19822N-13) Broadmarket Square in Colorado Springs, Colorado (/wiki/Colorado_Springs,_Colorado) ; [11] (#cite_note-FOOTNOTE''The_Colorado_Springs_Gazette''198037-11) the Indian Paintbrush Gallery in Siloam Springs, Arkansas (/wiki/Siloam_Springs,_Arkansas) , [14] (#cite_note-FOOTNOTE''The_Northwest_Arkansas_Times''19843-14) the Coconino Center for the Arts (/w/index.php?title=Coconino_Center_for_the_Arts&action=edit&redlink=1) in Flagstaff, Arizona (/wiki/Flagstaff,_Arizona) , [15] (#cite_note-FOOTNOTE''The_Arizona_Daily_Sun''19858-15) the Red Earth Festival (/wiki/Red_Earth_Festival) , [16] (#cite_note-FOOTNOTEMiller199083-16) and the Santa Fe Indian Market (/wiki/Santa_Fe_Indian_Market) , the "largest juried Native American art market in the world". [9] (#cite_note-FOOTNOTEPratt2017-9) In 2007, Wilson returned to the classroom, to study basketweaving (/wiki/Basketweaving) , flute making, Muscogee hymns, pottery making and shell carving at the College of the Muscogee Nation (/wiki/College_of_the_Muscogee_Nation) , in Okmulgee, Oklahoma (/wiki/Okmulgee,_Oklahoma) . [2] (#cite_note-FOOTNOTEBrown2016-2) [17] (#cite_note-FOOTNOTEDaughertySimpson2008-17) She incorporated these skills into her classrooms [17] (#cite_note-FOOTNOTEDaughertySimpson2008-17) and after her retirement presented demonstrations at the Northeastern State University Center for Tribal Studies. Her later work focuses on traditional split-cane Creek baskets, finger-woven apparel, and shell carvings. [18] (#cite_note-FOOTNOTE''The_Muskogee_Phoenix''2017-18) Among the many awards she has won in her career, in 1995 Wilson won the Grand Heritage Award of the Five Civilized Tribes Museum (/wiki/Five_Civilized_Tribes_Museum) in Muskogee, Oklahoma (/wiki/Muskogee,_Oklahoma) [19] (#cite_note-FOOTNOTE''The_Daily_Oklahoman''199514-19) and in 2016 placed 2nd in the traditional objects category of the Santa Fe Indian Market. [20] (#cite_note-FOOTNOTE''The_Santa_Fe_New_Mexican''2016Z3-20) References [ edit ] Citations [ edit ] ^ Jump up to: a b c d e The Navajo Times 1979 (#CITEREFThe_Navajo_Times1979) , p. 20. ^ Jump up to: a b c d e f g h i j Brown 2016 (#CITEREFBrown2016) . ^ (#cite_ref-FOOTNOTEMetcalfe2010151_3-0) Metcalfe 2010 (#CITEREFMetcalfe2010) , p. 151. ^ (#cite_ref-FOOTNOTEMetcalfe2010152_4-0) Metcalfe 2010 (#CITEREFMetcalfe2010) , p. 152. ^ Jump up to: a b Metcalfe 2010 (#CITEREFMetcalfe2010) , p. 153. ^ (#cite_ref-FOOTNOTE''The_Lawton_Constitution''19712D_6-0) The Lawton Constitution 1971 (#CITEREFThe_Lawton_Constitution1971) , p. 2D. ^ (#cite_ref-FOOTNOTE''The_Arizona_Republic''19728M_7-0) The Arizona Republic 1972 (#CITEREFThe_Arizona_Republic1972) , p. 8M. ^ (#cite_ref-FOOTNOTE''The_Stilwell_Democrat-Journal''19768_8-0) The Stilwell Democrat-Journal 1976 (#CITEREFThe_Stilwell_Democrat-Journal1976) , p. 8. ^ Jump up to: a b Pratt 2017 (#CITEREFPratt2017) . ^ Jump up to: a b The Navajo Times 1979 (#CITEREFThe_Navajo_Times1979) . ^ Jump up to: a b The Colorado Springs Gazette 1980 (#CITEREFThe_Colorado_Springs_Gazette1980) , p. 37. ^ (#cite_ref-FOOTNOTE''The_Daily_Oklahoman''1980236_12-0) The Daily Oklahoman 1980 (#CITEREFThe_Daily_Oklahoman1980) , p. 236. ^ (#cite_ref-FOOTNOTEFullerton19822N_13-0) Fullerton 1982 (#CITEREFFullerton1982) , p. 2N. ^ (#cite_ref-FOOTNOTE''The_Northwest_Arkansas_Times''19843_14-0) The Northwest Arkansas Times 1984 (#CITEREFThe_Northwest_Arkansas_Times1984) , p. 3. ^ (#cite_ref-FOOTNOTE''The_Arizona_Daily_Sun''19858_15-0) The Arizona Daily Sun 1985 (#CITEREFThe_Arizona_Daily_Sun1985) , p. 8. ^ (#cite_ref-FOOTNOTEMiller199083_16-0) Miller 1990 (#CITEREFMiller1990) , p. 83. ^ Jump up to: a b Daugherty & Simpson 2008 (#CITEREFDaughertySimpson2008) . ^ (#cite_ref-FOOTNOTE''The_Muskogee_Phoenix''2017_18-0) The Muskogee Phoenix 2017 (#CITEREFThe_Muskogee_Phoenix2017) . ^ (#cite_ref-FOOTNOTE''The_Daily_Oklahoman''199514_19-0) The Daily Oklahoman 1995 (#CITEREFThe_Daily_Oklahoman1995) , p. 14. ^ (#cite_ref-FOOTNOTE''The_Santa_Fe_New_Mexican''2016Z3_20-0) The Santa Fe New Mexican 2016 (#CITEREFThe_Santa_Fe_New_Mexican2016) , p. Z3. Bibliography [ edit ] Brown, Herman (June 8, 2016). "Art – a family tradition" (https://web.archive.org/web/20180108172254/https://www.yourokmulgee.com/articles/2016/06/08/art-family-tradition) . The Okmulgee Times . Okmulgee, Oklahoma. Archived from the original (https://www.yourokmulgee.com/articles/2016/06/08/art-family-tradition) on January 8, 2018 . Retrieved August 4, 2019 . Daugherty, Rex; Simpson, Amber (Winter 2008). "Muscogee Creek Artist Teaches Shell Carving" (https://web.archive.org/web/20190803000459/http://tribalcollegejournal.org/muscogee-creek-artist-teaches-shell-carving/) . Tribal College Journal of American Indian Higher Education (/wiki/Tribal_College_Journal_of_American_Indian_Higher_Education) . 20 (2). Alexandria, Virginia: American Indian Higher Education Consortium (/wiki/American_Indian_Higher_Education_Consortium) . ISSN (/wiki/ISSN_(identifier)) 1052-5505 (https://www.worldcat.org/issn/1052-5505) . Archived from the original (http://tribalcollegejournal.org/muscogee-creek-artist-teaches-shell-carving/) on August 3, 2019 . Retrieved August 3, 2019 . Fullerton, JoAnn (September 24, 1982). "Governor's awards draw out best in art of fashion" (https://www.newspapers.com/clip/34526013/the_daily_oklahoman/) . The Daily Oklahoman (/wiki/The_Daily_Oklahoman) . Oklahoma City, Oklahoma. p. 2N . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . Metcalfe, Jessica RheAnn (2010). Native Designers of High Fashion: Expressing Identity, Creativity, and Tradition in Contemporary Customary Clothing Design (PhD). Tucson, Arizona: The University of Arizona (/wiki/University_of_Arizona) . hdl (/wiki/Hdl_(identifier)) : 10150/194057 (https://hdl.handle.net/10150%2F194057) . Miller, Linda (May 27, 1990). "Red Earth: Designers Preserve Indian Heritage (pt.1)" (https://www.newspapers.com/clip/34525800/the_daily_oklahoman/) . The Daily Oklahoman (/wiki/The_Daily_Oklahoman) . Oklahoma City, Oklahoma. p. 81 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . and Miller, Linda (May 27, 1990). "Red Earth (pt.2)" (https://www.newspapers.com/clip/34525826/the_daily_oklahoman/) . The Daily Oklahoman (/wiki/The_Daily_Oklahoman) . Oklahoma City, Oklahoma. p. 83 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . Pratt, Stacy (October 24, 2017). "Art in the Family: A Tradition at the Santa Fe Indian Market" (https://web.archive.org/web/20181115212228/http://www.onshegoes.com/stories/art-family-tradition-santa-fe-indian-market/) . onshegoes.com . Portland, Oregon: On She Goes. Archived from the original (http://www.onshegoes.com/stories/art-family-tradition-santa-fe-indian-market/) on November 15, 2018 . Retrieved August 3, 2019 . "Art" (https://newspaperarchive.com/celebrity-clipping-mar-26-1972-1293021/) . The Arizona Republic (/wiki/The_Arizona_Republic) . Phoenix, Arizona. March 26, 1972. p. 8M . Retrieved August 3, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . "Art Show" (https://newspaperarchive.com/celebrity-clipping-nov-24-1984-1292979/) . The Northwest Arkansas Times (/wiki/The_Northwest_Arkansas_Times) . Fayetteville, Arkansas. November 24, 1984. p. 3 . Retrieved August 3, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . "Benefit show will feature Indian theme" (https://newspaperarchive.com/celebrity-clipping-nov-24-1980-1292982/) . The Colorado Springs Gazette (/wiki/The_Colorado_Springs_Gazette) . Colorado Springs, Colorado. November 24, 1980. p. 37 . Retrieved August 3, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . "Fashion Show Features Phyllis Patrick Designs" (https://newspaperarchive.com/celebrity-clipping-mar-25-1976-1292959/) . The Stilwell Democrat-Journal . Stilwell, Oklahoma. March 25, 1976. p. 8 . Retrieved August 3, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . "Fashion Show Slated Saturday" (https://www.newspapers.com/clip/34526595/fashion_show_slated_saturday_the/) . The Arizona Daily Sun (/wiki/The_Arizona_Daily_Sun) . Flagstaff, Arizona. July 18, 1985. p. 8 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . "Indian Art Show Opens Today at Museum of Great Plains" (https://newspaperarchive.com/celebrity-clipping-dec-05-1971-1293015/) . The Lawton Constitution (/wiki/The_Lawton_Constitution) . Lawton, Oklahoma. December 5, 1971. p. 8M . Retrieved August 3, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . "Indian clothing exhibit opening" (https://www.newspapers.com/clip/34526143/indian_clothing_exhibit_opening_the/) . The Daily Oklahoman (/wiki/The_Daily_Oklahoman) . Oklahoma City, Oklahoma. May 4, 1980. p. 14 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . "Indian Market 2016 Winners" (https://www.newspapers.com/clip/34503624/indian_market_2016_winners_the_santa/) . The Santa Fe New Mexican (/wiki/The_Santa_Fe_New_Mexican) . Santa Fe, New Mexico. August 20, 2016. p. Z3 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . "Indigenous Arts Education Series coming to NSU in November" (https://web.archive.org/web/20190803000500/https://www.muskogeephoenix.com/news/indigenous-arts-education-series-coming-to-nsu-in-november/article_acc377d3-c85d-5e17-bff4-500649b5c4c0.html) . Muskogee, Oklahoma: The Muskogee Phoenix (/wiki/Muskogee_Phoenix) . October 23, 2017. Archived from the original (https://www.muskogeephoenix.com/news/indigenous-arts-education-series-coming-to-nsu-in-november/article_acc377d3-c85d-5e17-bff4-500649b5c4c0.html) on August 3, 2019 . Retrieved August 3, 2019 . "Museum Names Indian Art Show 1995 Winners" (https://www.newspapers.com/clip/34501908/the_daily_oklahoman/) . The Daily Oklahoman (/wiki/The_Daily_Oklahoman) . Oklahoma City, Oklahoma. July 26, 1995. p. 236 . Retrieved August 3, 2019 – via Newspapers.com (/wiki/Newspapers.com) . "Renoun [sic] Quilt Artist and Art to Preview at Plain Indian Museum" (https://newspaperarchive.com/celebrity-clipping-nov-01-1979-1292163/) . The Navajo Times (/wiki/The_Navajo_Times) . Window Rock, Arizona. November 1, 1979. p. 20 . Retrieved August 2, 2019 – via Newspaperarchive.com (/wiki/Newspaperarchive.com) . External links [ edit ] Oral History Interview with Sandy Fife Wilson (https://dc.library.okstate.edu/digital/collection/ona/id/332/rec/60) NewPP limit report Parsed by mw‐web.codfw.main‐7db4bf6597‐94p8b Cached time: 20240717183519 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.520 seconds Real time usage: 0.908 seconds Preprocessor visited node count: 4750/1000000 Post‐expand include size: 48327/2097152 bytes Template argument size: 4451/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 2/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 62308/5000000 bytes Lua time usage: 0.326/10.000 seconds Lua memory usage: 8744461/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 572.414 1 -total 27.07% 154.974 15 Template:Cite_news 24.32% 139.203 1 Template:Infobox_person 20.88% 119.522 38 Template:Sfn 12.66% 72.446 1 Template:Short_description 7.48% 42.808 56 Template:Main_other 7.11% 40.722 2 Template:Pagetype 6.74% 38.563 4 Template:Br_separated_entries 5.09% 29.151 1 Template:Birth_year_and_age 4.26% 24.400 20 Template:Pluralize_from_text Saved in parser cache with key enwiki:pcache:idhash:61427926-0!canonical and timestamp 20240717183519 and revision id 1168797381. 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This article needs additional citations for verification (/wiki/Wikipedia:Verifiability) . Please help improve this article (/wiki/Special:EditPage/Bull_polishing) by adding citations to reliable sources (/wiki/Help:Referencing_for_beginners) . Unsourced material may be challenged and removed. Find sources: "Bull polishing" (https://www.google.com/search?as_eq=wikipedia&q=%22Bull+polishing%22) – news (https://www.google.com/search?tbm=nws&q=%22Bull+polishing%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Bull+polishing%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Bull+polishing%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Bull+polishing%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Bull+polishing%22&acc=on&wc=on) ( December 2018 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Bull polished drill boots Bulling , Bull polishing , spit polishing, mirror shining or spit shining refers to a method for polishing leather (/wiki/Leather) products, usually leather dress shoes (/wiki/Dress_shoe) or boots, to give an extremely high shine effect. The finished effect should leave the surface of the leather highly reflective (/wiki/Reflective) , similar to a patent leather (/wiki/Patent_leather) finish. In addition to aesthetics, the wax coating can protect the leather from moisture and scuffs. [1] (#cite_note-1) The term spit shining comes from the traditional use of saliva (/wiki/Saliva) instead of water to wet the cloth. However, the presence of mucus in spit causes a duller shine. [2] (#cite_note-2) The first step for a bull polish is to layer the polish with a brush, hand, or cotton cloth onto the boot or shoe. After applying a few layers of polish, use a clean, slightly damp polishing cloth to apply multiple thinner layers of shoe wax. This is accomplished by adding small dabs of polish and a few drops of water to build up the layers rather than removing them. [3] (#cite_note-3) Finally, place the boot or shoe under a running cold water tap while giving them a gentle final bull with a cloth to remove any micro scratches. [4] (#cite_note-4) Due to the brittle nature of the shoe wax, a spit shine has to be refreshed regularly and is usually only applied on the parts of a shoe that will not bend with the walking movement of the foot, i.e. the toe caps and heels. Because of this, combined with the significant time commitment that is needed to maintain a proper mirror shine, shoe polish manufacturers have been selling parade gloss and similar products which promise similar effects with significantly less effort. Preparing parade (/wiki/Military_parade) shoes might involve the additional step of hardening the whole shoe with melted beeswax before applying shoe wax. [5] (#cite_note-5) This serves as a fortifying base coat which keeps the mirror shine from cracking easily, but also makes the shoe unsuitable for everyday wear. Use in the Military [ edit ] Corry Station Sailors with freshly shined boots during a change of command ceremony The technique of bull polishing has been commonly used in the military (/wiki/Military) as a traditional method of presenting leather boots for inspection during the so-called black boot era. Immaculately polished shoes represent an image of exemplary turn out, dedication and cleanliness. [6] (#cite_note-:0-6) It is not unusual for soldiers to maintain a separate and unique pair of boots intended only for use for inspection or special ceremonial occasions. Nowadays, combat boots (/wiki/Combat_boot) that are used by the armed forces are typically made of materials that don't need to be polished. Therefore, the spit shine might be considered a lost art. [6] (#cite_note-:0-6) The slow disappearance of shined combat boots may also have had to do with security issues. In the 1980s, the polished black combat boots, which had been common since the 1950s, were abolished in the USA on the instructions of the Pentagon. The reason was that the highly reflective leather could easily be detected by enemies even from a great distance with the help of infrared lenses (/wiki/Infrared) . [7] (#cite_note-7) References [ edit ] ^ (#cite_ref-1) "Should You Mirror Shine Your Shoes? | Gentleman's Gazette" (https://www.gentlemansgazette.com/mirror-shine-shoes/) . 2023-02-19 . Retrieved 2024-05-31 . ^ (#cite_ref-2) "Homepage - Beds & Herts Counties -" (https://counties.britishlegion.org.uk/counties/beds-herts-counties/bearing-the-standard/how-to-spit-and-polish/) . counties.britishlegion.org.uk . Retrieved 2024-05-31 . ^ (#cite_ref-3) Perreira, Julian (2022-01-03). "Bull your boots: The art of polishing for a military shine" (https://www.forces.net/stories/how-bull-boots-art-polishing-military-shine) . www.forces.net . Retrieved 2024-07-16 . ^ (#cite_ref-4) Forces News (2023-05-22). Bull your boots: The art of polishing for a military shine . Retrieved 2024-07-16 – via YouTube. ^ (#cite_ref-5) Perreira, Julian (2022-01-03). "Bull your boots: The art of polishing for a military shine" (https://www.forces.net/stories/how-bull-boots-art-polishing-military-shine) . www.forces.net . Retrieved 2024-07-09 . ^ Jump up to: a b "The Lost Art of Spit Shining" (https://www.ausa.org/articles/lost-art-spit-shining) . AUSA . 2022-05-25 . Retrieved 2024-05-31 . ^ (#cite_ref-7) Ap (1981-01-13). "FAREWELL, SHINY G.I. BOOT" (https://www.nytimes.com/1981/01/13/us/farewell-shiny-gi-boot.html) . The New York Times . ISSN (/wiki/ISSN_(identifier)) 0362-4331 (https://www.worldcat.org/issn/0362-4331) . Retrieved 2024-06-06 . External links [ edit ] The dictionary definition of spit-and-polish at Wiktionary This military (/wiki/Military) -related article is a stub (/wiki/Wikipedia:Stub) . 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Japanese apparel brand This article relies excessively on references (/wiki/Wikipedia:Verifiability) to primary sources (/wiki/Wikipedia:No_original_research#Primary,_secondary_and_tertiary_sources) . Please improve this article by adding secondary or tertiary sources (/wiki/Wikipedia:No_original_research#Primary,_secondary_and_tertiary_sources) . Find sources: "Angelic Pretty" (https://www.google.com/search?as_eq=wikipedia&q=%22Angelic+Pretty%22) – news (https://www.google.com/search?tbm=nws&q=%22Angelic+Pretty%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Angelic+Pretty%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Angelic+Pretty%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Angelic+Pretty%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Angelic+Pretty%22&acc=on&wc=on) ( April 2021 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Angelic Pretty Angelic Pretty store in Harajuku, Tokyo (2007) Formerly Pretty (1979–2001) Industry Retail Founded 1979 in Harajuku, Tokyo, Japan Founder Hiroko Honda Headquarters Harajuku, Tokyo , Japan Areas served Japan United States France China Key people Maki (designer) Asuka (designer) Products Apparel Website angelicpretty (http://angelicpretty.com) .com (http://angelicpretty.com) Angelic Pretty (formerly Pretty from 1979–2001) is a Japanese apparel brand specializing in lolita fashion (/wiki/Lolita_fashion) . The brand was established as Pretty in 1979 by Hiroko Honda, with its flagship store opened at Laforet (/wiki/Laforet) in the Harajuku region of Tokyo, Japan, selling apparel from amateur designers. After Honda decided to focus on original apparel, the store was rebranded as Angelic Pretty in 2001. Brand concept [ edit ] Two people wearing dresses from Angelic Pretty at Tekkoshocon (/wiki/Tekkoshocon) 2010 Angelic Pretty's concept is centered on fantasy and described as "princesses in picture books" that were dreamed of as a child. [1] (#cite_note-vice_2018-02-04-1) [2] (#cite_note-2) The store and clothing all use the color pink, with different shades and arrangements corresponding to the season and fashion trends. [3] (#cite_note-3) History [ edit ] In 1979, Hiroko Honda opened Pretty at Laforet (/wiki/Laforet) in Harajuku, Tokyo, selling lolita and gothic style dresses from amateur designers. [1] (#cite_note-vice_2018-02-04-1) Honda curated her selection based on cuteness. [1] (#cite_note-vice_2018-02-04-1) She stated that, at the time, Pretty was one of the only retailers in Tokyo that sold lolita clothing. [1] (#cite_note-vice_2018-02-04-1) Around 2000, Honda decided to focus on creating original apparel based on her aesthetics after customer feedback, which led to the launch of her original label, Angelic Pretty, in 2002. [1] (#cite_note-vice_2018-02-04-1) [4] (#cite_note-ap_museum-4) Honda then focused on growing her Angelic Pretty brand and renamed the store after the brand in 2003 after opening a second location in Nagoya. [4] (#cite_note-ap_museum-4) Afterwards, Asuka joined as a designer, and Maki joined shortly after in 2004. [1] (#cite_note-vice_2018-02-04-1) [5] (#cite_note-5) Kira Imai was scouted as Angelic Pretty's image illustrator shortly after she graduated from junior college when they saw her illustrations on her website. [6] (#cite_note-6) In 2004, Angelic Pretty launched their next stores in Osaka and Utsunomiya. [4] (#cite_note-ap_museum-4) This was followed by a store opening in Sendai in 2005, as well as Hiroshima and Yokohama in 2006. [4] (#cite_note-ap_museum-4) In 2007, Angelic Pretty decided to test the overseas market by appearing at Japan Expo (/wiki/Japan_Expo) in France and Pacific Media Expo (/wiki/Pacific_Media_Expo) . [4] (#cite_note-ap_museum-4) Products [ edit ] Angelic Pretty sells petticoat dresses, blouses, jewelry, and other fashion accessories. [1] (#cite_note-vice_2018-02-04-1) The dresses are described as having bows, ruffles, prints, and waist ties, while most blouses have pastel lace and removable collars. [1] (#cite_note-vice_2018-02-04-1) The original print fabric and lace are produced in Japan. [1] (#cite_note-vice_2018-02-04-1) The prints use "delicate motifs" and "subtle colors." [1] (#cite_note-vice_2018-02-04-1) The dresses are produced in one size, but they are designed to fit a variety of body shapes. [1] (#cite_note-vice_2018-02-04-1) In addition, despite the "outlandish" and "formal" designs, the dresses are meant for everyday wear and include pockets. [1] (#cite_note-vice_2018-02-04-1) Angelic Pretty has created collaboration dresses with Creamy Mami, the Magic Angel (/wiki/Creamy_Mami,_the_Magic_Angel) , [7] (#cite_note-7) Macross Frontier (/wiki/Macross_Frontier) , [8] (#cite_note-8) Final Fantasy (/wiki/Final_Fantasy) , [9] (#cite_note-9) and Miffy (/wiki/Miffy) . [10] (#cite_note-10) They have also collaborated with other fashion brands such as Jenny Fax. [11] (#cite_note-11) Stores [ edit ] Angelic Pretty's main store is in the department store Laforet (/wiki/Laforet) in the Harajuku (/wiki/Harajuku) neighborhood of Tokyo (/wiki/Tokyo) , but there are also currently stores in Shinjuku (/wiki/Shinjuku) (Tokyo), Shibuya (/wiki/Shibuya) (Tokyo), Osaka (/wiki/Osaka) , Nagoya (/wiki/Nagoya) , Sendai (/wiki/Sendai) , Utsunomiya (/wiki/Utsunomiya) , Hiroshima (/wiki/Hiroshima) , Yokohama (/wiki/Yokohama) , Kanazawa (/wiki/Kanazawa,_Ishikawa) , Fukuoka (/wiki/Fukuoka) , Okayama (/wiki/Okayama) , and Sannomiya (/wiki/Sannomiya) . [12] (#cite_note-angelicpretty1-12) From 2009 to August 2013, Angelic Pretty partnered with French retailer Boddywood to distribute their products in Paris, France. [13] (#cite_note-13) [14] (#cite_note-14) Following the end of their partnership, in 2016, Angelic Pretty opened a store in Paris. [1] (#cite_note-vice_2018-02-04-1) On November 20, 2010, Angelic Pretty opened a store in San Francisco, California, in the United States, as a combination store with lolita fashion retailer Harajuku Hearts. [1] (#cite_note-vice_2018-02-04-1) [15] (#cite_note-angelicpretty-usa-15) On October 17, 2012, they opened a store in Shanghai, China. [16] (#cite_note-16) On January 18, 2020, a second store was opened in Chengdu, China. [17] (#cite_note-17) Marketing [ edit ] Angelic Pretty holds tea party events every year in Tokyo that include fashion shows previewing their seasonal collections. [1] (#cite_note-vice_2018-02-04-1) Angelic Pretty also holds tea party events at overseas anime conventions (/wiki/Anime_convention) and Japanese culture events, such as Anime Revolution (/wiki/Anime_Revolution) [18] (#cite_note-18) and Japan Expo (/wiki/Japan_Expo) . [19] (#cite_note-19) In addition, Angelic Pretty has been featured in lolita fashion shows held by anime conventions, such as Sakura-Con (/wiki/Sakura-Con) , [20] (#cite_note-20) Northwest Fan Fest. [21] (#cite_note-21) The brand has also made appearances at various overseas Japanese fashion events including Yumemiru Musical Paradise [22] (#cite_note-22) and Fantaisies dans le Monde des Rêves. [23] (#cite_note-23) AKB48 (/wiki/AKB48) and SKE48 (/wiki/SKE48) member Sumire Satō (/wiki/Sumire_Sat%C5%8D) became Angelic Pretty's image model in 2012. [4] (#cite_note-ap_museum-4) [24] (#cite_note-24) Other people who had modeled for Angelic Pretty included Fumi Nikaido (/wiki/Fumi_Nikaido) , Sayaka Kanda (/wiki/Sayaka_Kanda) , Denpagumi.inc (/wiki/Denpagumi.inc) member Risa Aizawa, and RinRin Doll (/wiki/RinRin_Doll) . [4] (#cite_note-ap_museum-4) References [ edit ] ^ Jump up to: a b c d e f g h i j k l m n o Bateman, Kirsten (2018-02-04). "inside the emerging lolita scene in paris" (https://web.archive.org/web/20230730220405/https://i-d.vice.com/en/article/gym5ej/inside-the-emerging-lolita-scene-in-paris) . Vice (/wiki/Vice_(website)) . Archived from the original (https://i-d.vice.com/en/article/gym5ej/inside-the-emerging-lolita-scene-in-paris) on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-2) Ramen Revolution (2008-12-27). Angelic Pretty Designers Maki and Asuka at Cosplay Oneesan (Video). 1:23 minutes in. Archived (https://web.archive.org/web/20231010035110/https://www.youtube.com/watch?v=G4Ntf-BpwL4) from the original on 2023-10-10 . Retrieved 2023-07-30 . Yuji : They have a dream about little girls becoming fairytale princesses. [...] That's their concept of modern princesses. ^ (#cite_ref-3) Ramen Revolution (2008-12-27). Angelic Pretty Designers Maki and Asuka at Cosplay Oneesan (Video). 1:56 minutes in. Archived (https://web.archive.org/web/20231010035110/https://www.youtube.com/watch?v=G4Ntf-BpwL4) from the original on 2023-10-10 . Retrieved 2023-07-30 . Yuji : The main idea is to use the color pink. [...] It's all the same kind of pink color, but they're all different ways and they try to connect it with the season – of how the season's going and what the fashion trends are – and make it pretty. ^ Jump up to: a b c d e f g Angelic Pretty Museum . Tokyo: Takarajimasha (/wiki/Takarajimasha) . 2013. p. 43. ISBN (/wiki/ISBN_(identifier)) 9784800205605 . ^ (#cite_ref-5) Ramen Revolution (2008-12-27). Angelic Pretty Designers Maki and Asuka at Cosplay Oneesan (Video). 0:52 minutes in. Archived (https://web.archive.org/web/20231010035110/https://www.youtube.com/watch?v=G4Ntf-BpwL4) from the original on 2023-10-10 . Retrieved 2023-07-30 . Yuji : So, about 7 years ago, they founded Angelic Pretty and that's where Asuka-san joined in, and 3 years later, so [sic] Maki-san joined in. ^ (#cite_ref-6) Fujii, Ryō (2013-07-22). "ロリータアイテムに込められた想いは?イラストレーター今井キラさんインタビュー「女の子の性格や好みを想像して描いています」" (https://getnews.jp/archives/383871) [What are the emotions enveloped in lolita items? Interview with illustrator Kira Imai: "I am imagining and drawing the personalities of girls and what they like"]. GadgetNews (in Japanese). Archived (https://web.archive.org/web/20240104064301/https://getnews.jp/archives/383871) from the original on 2024-01-04 . Retrieved 2024-01-03 . ^ (#cite_ref-7) "クリィミーマミ 30周年で森沢優のクレープショップが新宿に!さらにマミオリジナルマカロンも!" (https://getnews.jp/archives/297274) . Gadget News (in Japanese). 2013-03-08 . Retrieved 2023-07-30 . ^ (#cite_ref-8) Yomimaid (2013-10-13). "Pre-Orders Open For Sheryl's Nome's Dress Made By Angelic Pretty" (https://www.crunchyroll.com/news/latest/2013/10/13/pre-orders-open-for-sheryls-nomes-dress-made-by-angelic-pretty) . Crunchyroll (/wiki/Crunchyroll) . Archived (https://web.archive.org/web/20230730204302/https://www.crunchyroll.com/news/latest/2013/10/13/pre-orders-open-for-sheryls-nomes-dress-made-by-angelic-pretty) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-9) Liu, Stephanie (2023-02-15). "Final Fantasy 35th Anniversary Campaign at Parco Includes Brotherhood Pen" (https://www.siliconera.com/final-fantasy-35th-anniversary-campaign-at-parco-includes-brotherhood-pen/) . Siliconera (/wiki/Siliconera) . Archived (https://web.archive.org/web/20230730204301/https://www.siliconera.com/final-fantasy-35th-anniversary-campaign-at-parco-includes-brotherhood-pen/) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-10) "ミッフィーとパルコがコラボ! 人気ブランドによるコラボアイテムが続々登場" (https://www.crank-in.net/trend/events/129776/1) [Collaboration with Miffy and Parco! Collaboration items from popular brands debut]. Crank In! (in Japanese). 2023-06-29. Archived (https://web.archive.org/web/20230730204302/https://www.crank-in.net/trend/events/129776/1) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-11) "ジェニーファックス厚底スニーカー、大きなリボンのストラップ付き - アンジェリックプリティとコラボ" (https://www.fashion-press.net/news/96066) [Jenny Fax sneakers, with large bows on straps: collaboration with Angelic Pretty]. Fashion Press (in Japanese). 2022-11-17. Archived (https://web.archive.org/web/20230730213348/https://www.fashion-press.net/news/96066) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-angelicpretty1_12-0) "Angelic Pretty Official Web Site" (http://www.angelicpretty.com/en/shoplist/index.html) . Angelicpretty.com. Archived (https://web.archive.org/web/20100531151629/http://www.angelicpretty.com/en/shoplist/index.html) from the original on 31 May 2010 . Retrieved 2010-05-17 . ^ (#cite_ref-13) "Et c'est parti pour le blog du corner Angelic Pretty à Paris !" (http://angelicprettyparis.blogspot.com/2009/05/et-cest-parti-pour-le-blog-du-corner.html) [And this is the part for the blog of Angelic Pretty Paris Corner!]. Angelic Pretty (in French). 2009-04-26 . Retrieved 2024-01-03 . ^ (#cite_ref-14) "Angelic Pretty Paris, c'est FINI !" (http://angelicprettyparis.blogspot.com/2013/08/angelic-pretty-paris-cest-fini.html) [Angelic Pretty Paris, the end!]. Angelic Pretty (in French). 2013-08-15 . Retrieved 2024-01-03 . ^ (#cite_ref-angelicpretty-usa_15-0) "Angelic Pretty San Francisco Store Grand Opening Date Announcement!!" (http://www.angelicpretty-usa.com/announcements/opening.html) . Angelic Pretty USA. Archived (https://web.archive.org/web/20160304031348/http://www.angelicpretty-usa.com/announcements/opening.html) from the original on 2016-03-04 . Retrieved 2017-03-24 . ^ (#cite_ref-16) "Angelic Pretty 上海店 10/17 Sat. open!" (https://web.archive.org/web/20130610052343/http://www.angelicpretty.com/shoplist/shop/shanghai.htm) . Angelic Pretty (in Japanese). 2012-10-17. Archived from the original (http://www.angelicpretty.com/shoplist/shop/shanghai.htm) on 2013-06-10 . Retrieved 2024-01-03 . ^ (#cite_ref-17) "2020年1月18日(土) Grand Open!!" (https://web.archive.org/web/20200722000225/http://www.angelicpretty.com/shoplist/shop/chengdu.htm) . Angelic Pretty (in Japanese). 2020-01-17. Archived from the original (http://www.angelicpretty.com/shoplist/shop/chengdu.htm) on 2020-07-22 . Retrieved 2024-01-03 . ^ (#cite_ref-18) "Exclusive Angelic Pretty Tea Party in Vancouver (with video)" (https://vancouversun.com/news/staff-blogs/angelic-pretty) . Vancouver Sun (/wiki/Vancouver_Sun) . 2015-08-20. Archived (https://web.archive.org/web/20171120233737/http://vancouversun.com/news/staff-blogs/angelic-pretty) from the original on 2017-11-20 . Retrieved 2023-07-30 . ^ (#cite_ref-19) "ロリータ女子がパリで増加「アンジェリック プリティ」が5つ星ホテルでお茶会とショー開催" (https://www.fashionsnap.com/article/2015-07-05/angelic-pretty-parisshow/) ["Angelic Pretty" holds tea party and show at a 5-star hotel for growing number of lolita girls in Paris]. Fashion Snap (in Japanese). 2015-07-05. Archived (https://web.archive.org/web/20230730212614/https://www.fashionsnap.com/article/2015-07-05/angelic-pretty-parisshow/) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-20) Dong, Bamboo; Lamb, Lynzee (2014-04-22). "Sakura-Con 2014" (https://www.animenewsnetwork.com/convention/2014/sakura-con/) . Anime News Network (/wiki/Anime_News_Network) . Archived (https://web.archive.org/web/20230730210035/https://www.animenewsnetwork.com/convention/2014/sakura-con/) from the original on 2023-07-30 . Retrieved 2023-07-30 . ^ (#cite_ref-21) "Highlights from Lolita Fashion Show at Northwest Fan fest 2015 (with video)" (https://vancouversun.com/news/staff-blogs/lolita) . Vancouver Sun (/wiki/Vancouver_Sun) . 2015-06-01. Archived (https://web.archive.org/web/20240513062250/https://vancouversun.com/news/staff-blogs/lolita) from the original on 2024-05-13 . Retrieved 2023-07-30 . ^ (#cite_ref-22) "Yumemiru Musical Paradise Event Welcomes Iconic Designers Angelic Pretty and Gothic Folk Duo Kokusyoku Sumire" (http://www.animenewsnetwork.com/press-release/2008-10-15/yumemiru-musical-paradise-event-welcomes-iconic-designers-angelic-pretty-and-gothic-folk-duo-kokusyoku-sumire) . Anime News Network. 2010-05-13. Archived (https://web.archive.org/web/20110606070125/http://www.animenewsnetwork.com/press-release/2008-10-15/yumemiru-musical-paradise-event-welcomes-iconic-designers-angelic-pretty-and-gothic-folk-duo-kokusyoku-sumire) from the original on 2011-06-06 . Retrieved 2010-05-17 . ^ (#cite_ref-23) "Fantaisies dans le Monde des Rêves CM" (https://web.archive.org/web/20100505011920/http://www.cosplayoneesan.org/node/136) . Cosplay Oneesan. 2010-04-27. Archived from the original (http://www.cosplayoneesan.org/node/136) on 5 May 2010 . Retrieved 2010-05-17 . ^ (#cite_ref-24) "「SKE48」佐藤すみれ、ロリータファッションに身を包み「燐寸少女」で映画単独初主演" (https://eiga.com/news/20160128/3/) [SKE48 member Sumire Satō, covered head-to-toe in lolita fashion, starring solo for the first time in film Match Girl ]. Eiga (in Japanese). 2016-01-28 . Retrieved 2024-06-14 . 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American business executive This article has multiple issues. Please help improve it (/wiki/Special:EditPage/Alison_Loehnis) or discuss these issues on the talk page (/wiki/Talk:Alison_Loehnis) . ( Learn how and when to remove these template messages (/wiki/Help:Maintenance_template_removal) ) This article may have been created or edited in return for undisclosed payments , a violation of Wikipedia's terms of use (https://foundation.wikimedia.org/wiki/Terms_of_Use/en#paid-contrib-disclosure) . It may require cleanup to comply with Wikipedia's content policies (/wiki/Wikipedia:List_of_policies#Content) , particularly neutral point of view (/wiki/Wikipedia:Neutral_point_of_view) . ( April 2024 ) The topic of this article may not meet Wikipedia's notability guideline for biographies (/wiki/Wikipedia:Notability_(people)) . Please help to demonstrate the notability of the topic by citing reliable secondary sources (/wiki/Wikipedia:Reliable_sources) that are independent (/wiki/Wikipedia:Independent_sources) of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged (/wiki/Wikipedia:Merging) , redirected (/wiki/Wikipedia:Redirect) , or deleted (/wiki/Wikipedia:Deletion_policy) . Find sources: "Alison Loehnis" (https://www.google.com/search?as_eq=wikipedia&q=%22Alison+Loehnis%22) – news (https://www.google.com/search?tbm=nws&q=%22Alison+Loehnis%22+-wikipedia&tbs=ar:1) · newspapers (https://www.google.com/search?&q=%22Alison+Loehnis%22&tbs=bkt:s&tbm=bks) · books (https://www.google.com/search?tbs=bks:1&q=%22Alison+Loehnis%22+-wikipedia) · scholar (https://scholar.google.com/scholar?q=%22Alison+Loehnis%22) · JSTOR (https://www.jstor.org/action/doBasicSearch?Query=%22Alison+Loehnis%22&acc=on&wc=on) ( May 2024 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Alison Loehnis is an American business executive based in London (/wiki/London) . [1] (#cite_note-1) She is the interim CEO of YOOX Net-a-Porter Group (/wiki/YOOX_Net-a-Porter_Group) , [2] (#cite_note-2) [3] (#cite_note-3) and was the president of Net-a-Porter. [4] (#cite_note-4) [5] (#cite_note-5) Education [ edit ] Loehnis graduated from Brown University (/wiki/Brown_University) with a degree in art history. [6] (#cite_note-:0-6) Career [ edit ] Loehnis had a job in advertising at Saatchi & Saatchi (/wiki/Saatchi_%26_Saatchi) . She was a creative executive at The Walt Disney Company (/wiki/The_Walt_Disney_Company) and had a marketing job at Thomas Pink (/wiki/Thomas_Pink) . [7] (#cite_note-:1-7) In 2007, Loehnis joined Net-a-Porter. [7] (#cite_note-:1-7) She led the launch of its brands the Outnet in 2009 and Mr. Porter in 2011. [6] (#cite_note-:0-6) In 2015, she led the merge of YOOX and Net-a-Porter, which created YOOX Net-a-Porter Group. [8] (#cite_note-8) References [ edit ] ^ (#cite_ref-1) "I Won't Leave Home Without It: Alison Loehnis" (https://graziamagazine.com/us/articles/i-wont-leave-home-without-it-alison-loehnis/) . Grazia . 2021-09-09 . Retrieved 2024-03-13 . ^ (#cite_ref-2) Ellison, Jo (2023-09-08). "Fashion industry leader Alison Loehnis talks taste" (https://www.ft.com/content/c31fe986-7562-4918-b931-39f25a17af61) . Financial Times . Retrieved 2024-03-13 . ^ (#cite_ref-3) Zargani, Luisa (2022-10-11). "Yoox Net-a-porter CEO Geoffroy Lefebvre Exits Group; Alison Loehnis to Succeed Ad Interim" (https://wwd.com/business-news/human-resources/yoox-net-a-porter-new-interim-ceo-alison-loehnis-1235384604/) . WWD . Retrieved 2024-03-13 . ^ (#cite_ref-4) Kelly, Caitie (7 March 2024). "The Fashion Executive Alison Loehnis Shares Her Beauty Regimen" (https://www.nytimes.com/2024/03/07/t-magazine/chelsea-hotel-portraits-tony-notarberardino.html) . The New York Times . Retrieved 10 March 2024 . ^ (#cite_ref-5) Minthe, Caterina (2020-10-15). "10 Ultimate Rules Of Success by Net-a-Porter's Alison Loehnis" (https://en.vogue.me/fashion/10-rules-of-success-by-net-a-porters-alison-loehnis/) . Vogue . Retrieved 2024-03-13 . ^ Jump up to: a b Ramly, Evanna (2021-06-19). "A Fashionable Life: Alison Loehnis' House Of Dreams" (https://harpersbazaar.my/lifestyle/people/a-fashionable-life-alison-loehnis-house-of-dreams/) . Harper's BAZAAR Malaysia . Retrieved 2024-03-13 . ^ Jump up to: a b Legrand, Imogene (23 May 2023). "Alison Loehnis Sets Her Sights On Expanding Net-a-Porter's Global Luxury Offering Like Never Before" (https://www.harpersbazaararabia.com/fashion/alison-loehnis-interview) . Harper's Bazaar . Retrieved 13 March 2024 . ^ (#cite_ref-8) Nguyen, Andrew (2021-12-06). "How the President of Net-a-Porter Gets It Done" (https://www.thecut.com/2021/12/how-the-president-of-net-a-porter-gets-it-done.html) . The Cut . Retrieved 2024-03-13 . This biographical article related to fashion is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=Alison_Loehnis&action=edit) . v t e This business-related biographical article is a stub (/wiki/Wikipedia:Stub) . 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Biography portal (/wiki/Portal:Biography) Fashion portal (/wiki/Portal:Fashion) Thailand portal (/wiki/Portal:Thailand) Wikimedia Commons has media related to Fashion designers from Thailand (https://commons.wikimedia.org/wiki/Category:Fashion_designers_from_Thailand) . This category (/wiki/Help:Categories) is for fashion designers (/wiki/Fashion_designer) from the Asian country of Thailand (/wiki/Thailand) . Names of people in this category are sorted by given name , according to Thai practice. The sortkey of this category is maintained by User:cewbot (/wiki/User:Cewbot) . NewPP limit report Parsed by mw‐web.eqiad.main‐57d74c944b‐m6gm5 Cached time: 20240721011335 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.116 seconds Real time usage: 0.200 seconds Preprocessor visited node count: 182/1000000 Post‐expand include size: 6139/2097152 bytes Template argument size: 524/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 3/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 4879/5000000 bytes Lua time usage: 0.074/10.000 seconds Lua memory usage: 1596613/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 174.544 1 -total 35.58% 62.111 1 Template:Thai_people_category 34.59% 60.381 1 Template:Cmbox 30.45% 53.152 1 Template:Commons_category 29.31% 51.154 1 Template:Sister_project 28.02% 48.904 1 Template:Side_box 25.86% 45.129 1 Template:Portal 7.91% 13.798 1 Template:Category_explanation 7.00% 12.221 1 Template:Hatnote 2.90% 5.056 1 Template:Replace Saved in parser cache with key enwiki:pcache:idhash:32452190-0!canonical and timestamp 20240721011335 and revision id 1018142649. Rendering was triggered because: page-view Subcategories This category has only the following subcategory. + Thai women fashion designers (/wiki/Category:Thai_women_fashion_designers) (3 P) Pages in category "Thai fashion designers" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . A Année Maywong (/wiki/Ann%C3%A9e_Maywong) B Bandit (drag queen) (/wiki/Bandit_(drag_queen)) Busardi (/wiki/Busardi) J Jacqueline Ayer (/wiki/Jacqueline_Ayer) P Phillip Lim (/wiki/Phillip_Lim) Pimdao Sukhahuta (/wiki/Pimdao_Sukhahuta) Polpat Asavaprapha (/wiki/Polpat_Asavaprapha) S Sirivannavari (/wiki/Sirivannavari) T Thakoon Panichgul (/wiki/Thakoon_Panichgul) Tuck Muntarbhorn (/wiki/Tuck_Muntarbhorn) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Thai_fashion_designers&oldid=1018142649 (https://en.wikipedia.org/w/index.php?title=Category:Thai_fashion_designers&oldid=1018142649) " Categories (/wiki/Help:Category) : Fashion designers by nationality (/wiki/Category:Fashion_designers_by_nationality) Thai designers (/wiki/Category:Thai_designers) Thai fashion (/wiki/Category:Thai_fashion) Hidden category: Commons category link is on Wikidata (/wiki/Category:Commons_category_link_is_on_Wikidata) |
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American fashion designer Jeffrey C. Williams Occupation fashion designer (/wiki/Fashion_designer) Television The Fashion Show (/wiki/The_Fashion_Show_(U.S._TV_series)) Season 2 (Winner) Jeffrey C. Williams (born in Seattle, Washington (/wiki/Seattle,_Washington) ), is a fashion designer (/wiki/Fashion_designer) who won the second season of Bravo (/wiki/Bravo_(US_TV_channel)) network's Project Runway (/wiki/Project_Runway) spinoff, The Fashion Show (/wiki/The_Fashion_Show_(U.S._TV_series)) . [1] (#cite_note-1) Background [ edit ] Jeffrey Williams was born in Seattle, Washington. He was born to Jeffrey Williams and Beverly Minnis Williams and grew up in a blended family of 12 children. He is openly gay. [2] (#cite_note-Starpulse-2) His gift for fashion and design was evident as young as age three, he loved the feel of fabrics, liked picking out his mother's dress up clothing. His mother supported and inspired her prodigious son, supplying him as young as seven, with needles, thread, and fabric his first designs were pillows. By high school he had a fully equipped design studio in his home and a Jeffrey Williams prom gown was desired by his classmates. His gift for design and style was applied to making handmade wigs for his mother during her bout with breast cancer. Being raised in a large family that was eventually headed by one parent, he knew that the cost of pursuing fashion design would be a hard task to accomplish but after graduating from Garfield High School in 2002, he applied and was accepted in 2004 into the Fashion Institute of Technology (/wiki/Fashion_Institute_of_Technology) in New York City. That same year his mother succumbed to breast cancer. She continues to be an inspiration. [3] (#cite_note-huffingtonpost-3) His mother left his godmother, Dawn Mason (Former WA State Representative) with instructions that she must see that Jeffrey complete design school, and that one day he would be famous. Education [ edit ] His talent as an illustrator was recognized by his instructors, and was selected for the highly competitive Illustration program. Then following a desire to add an international appeal to his design he competed for a coveted spot in the study abroad option. Offered by the New York Fashion Institute, he studied abroad at Politecnico di Milano (/wiki/Politecnico_di_Milano) in Milan, Italy (/wiki/Milan,_Italy) , and developed a love for working as a fashion designer, internationally. Participating in many art programs to gain notoriety. In 2009, Williams graduated from the New York Fashion Institute getting a Bachelors in International Fashion Design. Soon after graduating, he began to collaborate with many other fashion designers in order to better his own individual clothing line. The designers Williams has worked with include Alexander Wang (/wiki/Alexander_Wang_(designer)) and Peter Som (/wiki/Peter_Som) . He has also worked with many celebrity stylists such as Patti Wilson. [4] (#cite_note-nbcnews-4) Career [ edit ] By the request of his older sister, Baionne, Williams decided to audition for the second season of the reality television program The Fashion Show (/wiki/The_Fashion_Show_(U.S._TV_series)) . While on the show, he received mixed reactions from the judges. As the show progressed and his fashion designs work began to improve, and he became popular with the viewing audience he became very competitive. He won as The Ultimate Designer, beating eleven other contestants. On the series finale, he was highly praised by the show's judges Iman (/wiki/Iman_(model)) , and Mary J. Blige (/wiki/Mary_J._Blige) , who described this work as unique and of high value. Since the ending of the show, he has gained confidence to venture into other projects and ideas. [5] (#cite_note-stylecaster-5) He traveled to India to view fabrics and designs and is now working as a fashion illustrator, a fashion consultant, and a stylist. Residing in New York, he works on his own fashion line. [6] (#cite_note-bazaar-6) References [ edit ] ^ (#cite_ref-1) Spradley, Nykia. "Q&A With Jeffrey Williams" (http://www.bvonstyle.com/2011/02/14/qanda-with-jeffrey-williams-winner-of-bravos-the-fashion-show/) . Bvon Style. ^ (#cite_ref-Starpulse_2-0) "Jeffrey Williams starpluse" (http://www.starpulse.com/news/index.php/2011/09/29/outcom_outs_the_worst_dressed_gay_men) . ^ (#cite_ref-huffingtonpost_3-0) "Jeffrey Williams on huffingtonpost" (http://www.huffingtonpost.com/stylelikeu/jeffrey-williams-winner-o_b_815104.html#232150) . HuffPost (/wiki/HuffPost) . 28 January 2011. ^ (#cite_ref-nbcnews_4-0) "Jeffrey Williams, NBC News" (http://www.nbcnewyork.com/blogs/threadny/THREAD-The-Fashion-Show-Winner-Jeffrey-Williams-Would-Like-Some-YSL-Shoes--114657849.html) . 26 January 2011. ^ (#cite_ref-stylecaster_5-0) "Stylecaster interview" (http://www.stylecaster.com/lifestyle/14626/be-extraordinary-entrepreneur-week-jeffrey-williams) . ^ (#cite_ref-bazaar_6-0) "Jeffrey Williams on Bazaar" (http://www.harpersbazaar.com/fashion/fashion-articles/jeffrey-williams-fashion-show) . 10 February 2011. 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Australian fashion designer Jenny Kee AO (/wiki/Officer_of_the_Order_of_Australia) Jenny Kee in October 2012 Born Jennifer Margaret Kee ( 1947-01-24 ) 24 January 1947 (age 77) Bondi (/wiki/Bondi,_New_South_Wales) , New South Wales (/wiki/New_South_Wales) , Australia Nationality Australian Occupation Fashion designer Label Flamingo Park Awards Officer of the Order of Australia (/wiki/Order_of_Australia) (2018) [1] (#cite_note-1) Jenny Margaret Kee , [2] (#cite_note-2) AO (/wiki/Officer_of_the_Order_of_Australia) (born 24 January 1947) is an Australian fashion designer (/wiki/Fashion_designer) . Early life [ edit ] Kee was born on 24 January 1947 in Bondi (/wiki/Bondi,_New_South_Wales) , New South Wales (/wiki/New_South_Wales) to a Chinese father and a sixth-generation Australian mother of Italian-English descent. Kee's great-grandparents had migrated from Guangdong (/wiki/Guangdong) , China, to Cooktown (/wiki/Cooktown) , Queensland (/wiki/Queensland) during the 1870s gold rush. [3] (#cite_note-scmp-3) Kee attended East Sydney Technical College but did not complete her studies in fashion there. At age 18, she left Sydney for London. [3] (#cite_note-scmp-3) She started her career in fashion in modelling, at one time featuring as the face of Canadian Pacific Air Lines (/wiki/Canadian_Pacific_Air_Lines) advertisements. [4] (#cite_note-4) Career [ edit ] In 1965, Kee moved to London and became involved in the Swinging London (/wiki/Swinging_London) and underground (/wiki/Underground_(British_subculture)) scene, [5] (#cite_note-ABC-5) where she sold second-hand clothing to hippies (/wiki/Hippy) at the Chelsea Antique Market for Vern Lambert. [6] (#cite_note-Nicholson2019-6) [7] (#cite_note-BruzziGibson2013-7) In 1972 she returned to Australia, and in 1973 opened a fashion boutique, Flamingo Park. [5] (#cite_note-ABC-5) [8] (#cite_note-8) and started collaborating with fashion and textile designer Linda Jackson (/wiki/Linda_Jackson_(designer)) to create a national fashion identity. They formed a partnership creating outfits including bright and colourful pure Australian wool knitted jumpers with fauna and flora emblems. Among them was a knitted koala jumper nicknamed "Blinky" that was owned by Diana, Princess of Wales (/wiki/Diana,_Princess_of_Wales) , who wore it to a polo (/wiki/Polo) game at Windsor Castle in 1982. [3] (#cite_note-scmp-3) The waratah (/wiki/Telopea_speciosissima) also featured strongly in her work. [9] (#cite_note-Nice2000-9) In October 1982, Karl Lagerfeld (/wiki/Karl_Lagerfeld) incorporated a couple of Kee's designs for his first Chanel (/wiki/Chanel) collection. [3] (#cite_note-scmp-3) Kee and Jackson collaborated with artists such as David McDiarmid (/wiki/David_McDiarmid) and Peter Tully (/wiki/Peter_Tully) , who hand-painted fabrics for Jackson's dresses and provided jewellery to complement her outfits. Located in the Strand Arcade in Sydney's central business district, the boutique closed in 1995. [3] (#cite_note-scmp-3) In 2006, she published her autobiography and account of her life in the Swinging London scene, titled A Big Life . [10] (#cite_note-abcinterview-10) In May 2012, she launched her first solo show in more than three decades at the Mercedes-Benz Fashion Week Australia. In 2013, Kee was awarded the Australian Fashion Laureate. [3] (#cite_note-scmp-3) In 2015, she partnered with Woolmark to launch an Australian merino capsule collection inspired by her past designs, including the jumper worn by Princess Diana. In March 2016, Kee's work with Jackson was showcased in the National Gallery of Victoria's exhibition on "200 Years of Australian Fashion". [3] (#cite_note-scmp-3) In 2018, Kee was appointed an Officer of the Order of Australia (/wiki/Order_of_Australia) (AO). [11] (#cite_note-11) In 2019 the combined works of Jenny Kee and Linda Jackson were displayed at The Powerhouse Museum in Sydney, NSW. Personal life [ edit ] In 1977, Kee married Australian artist Michael Ramsden; they divorced after 21 years. [10] (#cite_note-abcinterview-10) She was also in a long-term relationship with artist Danton Hughes, son of the art critic Robert Hughes (/wiki/Robert_Hughes_(critic)) . Danton Hughes died by suicide in their Blackheath home in 2001. Kee and her daughter Grace are survivors of the Granville rail disaster (/wiki/Granville_rail_disaster) . [3] (#cite_note-scmp-3) [5] (#cite_note-ABC-5) In the 1980s, Kee became acquainted with Tibetan Buddhism (/wiki/Tibetan_Buddhism) ; in a 2016 interview with ABC News (/wiki/ABC_News_(Australia)) , she described the Bardo Thodol (/wiki/Bardo_Thodol) as her Bible. [12] (#cite_note-12) Depictions [ edit ] Kee features in a memoir by Richard Neville (/wiki/Richard_Neville_(writer)) , editor of the Australian satirical magazine Oz (/wiki/Oz_(magazine)) , and is portrayed by Nina Liu (/wiki/Nina_Liu) in the unreleased British film adaptation of Neville's work, Hippie Hippie Shake (/wiki/Hippie_Hippie_Shake) . [3] (#cite_note-scmp-3) References [ edit ] ^ (#cite_ref-1) Fashion designer made an Officer in the Order of Australia (https://www.bluemountainsgazette.com.au/story/5451433/fashion-flair-and-fauna-jenny-kee/) Retrieved 15 July 2023 ^ (#cite_ref-2) "Jenny Kee" (https://www.vogue.com.au/celebrity/designers/jenny-kee/news-story/422d4561155fae7a8a991285ebd04bb7) . Vogue (/wiki/Vogue_(magazine)) . 1 July 2011 . Retrieved 25 May 2020 . ^ Jump up to: a b c d e f g h i Huntington, Patty (26 August 2019). "Why Australia's original fashion influencer Jenny Kee is still going strong after five decades" (https://www.scmp.com/lifestyle/fashion-beauty/article/3024098/why-australias-original-fashion-influencer-jenny-kee-still) . South China Morning Post (/wiki/South_China_Morning_Post) . ^ (#cite_ref-4) Jones, Glynis (12 July 2011). "Jenny Kee, Chanel, 'Princess Di' (and a passing reference to David Bowie)" (https://maas.museum/inside-the-collection/2011/07/01/jenny-kee-chanel-princess-di-and-a-passing-reference-to-david-bowie-2/) . Museum of Applied Arts and Science. ^ Jump up to: a b c "Australians: Jenny Kee (1947-)" (http://www.abc.net.au/schoolstv/australians/kee.htm) . ABC . Australian Broadcasting Corporation . Retrieved 12 February 2010 . ^ (#cite_ref-Nicholson2019_6-0) Virginia Nicholson (28 March 2019). How Was It For You?: Women, Sex, Love and Power in the 1960s . Penguin Books Limited. p. 239. ISBN (/wiki/ISBN_(identifier)) 978-0-241-97519-0 . ^ (#cite_ref-BruzziGibson2013_7-0) Stella Bruzzi; Pamela Church Gibson (4 December 2013). Fashion Cultures Revisited: Theories, Explorations and Analysis . Taylor & Francis. p. 83. ISBN (/wiki/ISBN_(identifier)) 978-1-136-47472-9 . ^ (#cite_ref-8) Newstead, Adrian, The Dealer is the Devil: An Insider's History of the Aboriginal Art Trade , Brandl and Schlesinger, 2014, pp. 462, 502 ^ (#cite_ref-Nice2000_9-0) Nice, Rosie (ed.) (2000). State of the Waratah: The Floral Emblem of New South Wales in Legend, Art & Industry . Sydney: Royal Botanic Gardens. p. 56. ISBN (/wiki/ISBN_(identifier)) 0-7347-2024-6 . ^ Jump up to: a b Trioli, Virginia (22 October 2006). "Interview Transcripts: Jenny Kee" (http://www.abc.net.au/tv/sundayarts/txt/s1771403.htm) . ABC Television – Sunday Arts . Australian Broadcasting Corporation . Retrieved 12 February 2010 . ^ (#cite_ref-11) Curtin, Jennie (11 June 2018). "Fashion designer made an Officer in the Order of Australia" (https://www.bluemountainsgazette.com.au/story/5451433/fashion-flair-and-fauna-jenny-kee/) . Blue Mountain Gazette . ^ (#cite_ref-12) "Designer Jenny Kee on fashion, John Lennon, and finding meaning in tragedy" (https://www.youtube.com/watch?v=r91UmRZPQyM) . ABC News . Archived (https://ghostarchive.org/varchive/youtube/20211215/r91UmRZPQyM) from the original on 15 December 2021 . Retrieved 25 May 2020 . External links [ edit ] Official website (https://www.jennykee.com/) Authority control databases (/wiki/Help:Authority_control) International FAST (http://id.worldcat.org/fast/1484345/) VIAF (https://viaf.org/viaf/21208670) WorldCat (https://id.oclc.org/worldcat/entity/E39PBJbM8K4B9FC8FYwG9hjQv3) National United States (https://id.loc.gov/authorities/n87887603) Artists South Australia (https://www.agsa.sa.gov.au/collection-publications/collection/creators/_/9697/) Victoria (https://www.ngv.vic.gov.au/explore/collection/artist/8981/) Other Te Papa (New Zealand) (https://collections.tepapa.govt.nz/agent/6421) 2 (https://collections.tepapa.govt.nz/agent/30157) NewPP limit report Parsed by mw‐web.eqiad.main‐5db7bcd9c9‐6vh7r Cached time: 20240624184417 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.458 seconds Real time usage: 0.589 seconds Preprocessor visited node count: 2490/1000000 Post‐expand include size: 30809/2097152 bytes Template argument size: 2174/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 10/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 46122/5000000 bytes Lua time usage: 0.296/10.000 seconds Lua memory usage: 6608217/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 548.500 1 -total 32.14% 176.311 1 Template:Reflist 30.78% 168.833 1 Template:Infobox_fashion_designer 21.26% 116.630 5 Template:Cite_web 17.50% 95.990 1 Template:Authority_control 13.04% 71.511 1 Template:Short_description 8.50% 46.616 4 Template:Br_separated_entries 7.83% 42.946 2 Template:Pagetype 6.54% 35.867 1 Template:Birth_date_and_age 5.00% 27.441 18 Template:Main_other Saved in parser cache with key enwiki:pcache:idhash:26178034-0!canonical and timestamp 20240624184417 and revision id 1215131441. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Jenny_Kee&oldid=1215131441 (https://en.wikipedia.org/w/index.php?title=Jenny_Kee&oldid=1215131441) " Categories (/wiki/Help:Category) : 1947 births (/wiki/Category:1947_births) Living people (/wiki/Category:Living_people) Australian people of English descent (/wiki/Category:Australian_people_of_English_descent) Australian people of Chinese descent (/wiki/Category:Australian_people_of_Chinese_descent) Australian people of Italian descent (/wiki/Category:Australian_people_of_Italian_descent) Officers of the Order of Australia (/wiki/Category:Officers_of_the_Order_of_Australia) Tibetan Buddhists from Australia (/wiki/Category:Tibetan_Buddhists_from_Australia) Australian fashion designers (/wiki/Category:Australian_fashion_designers) Australian women fashion designers (/wiki/Category:Australian_women_fashion_designers) People from New South Wales (/wiki/Category:People_from_New_South_Wales) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Use Australian English from June 2020 (/wiki/Category:Use_Australian_English_from_June_2020) All Wikipedia articles written in Australian English (/wiki/Category:All_Wikipedia_articles_written_in_Australian_English) Use dmy dates from July 2019 (/wiki/Category:Use_dmy_dates_from_July_2019) Articles with hCards (/wiki/Category:Articles_with_hCards) Articles with FAST identifiers (/wiki/Category:Articles_with_FAST_identifiers) Articles with VIAF identifiers (/wiki/Category:Articles_with_VIAF_identifiers) Articles with WorldCat Entities identifiers (/wiki/Category:Articles_with_WorldCat_Entities_identifiers) Articles with LCCN identifiers (/wiki/Category:Articles_with_LCCN_identifiers) Articles with AGSA identifiers (/wiki/Category:Articles_with_AGSA_identifiers) Articles with NGV identifiers (/wiki/Category:Articles_with_NGV_identifiers) Articles with TePapa identifiers (/wiki/Category:Articles_with_TePapa_identifiers) |
This template does not require a rating on Wikipedia's content assessment (/wiki/Wikipedia:Content_assessment) scale. It is of interest to the following WikiProjects (/wiki/Wikipedia:WikiProject) : Fashion (/wiki/Wikipedia:WikiProject_Fashion) Fashion portal (/wiki/Portal:Fashion) This template is within the scope of WikiProject Fashion (/wiki/Wikipedia:WikiProject_Fashion) , a collaborative effort to improve the coverage of Fashion (/wiki/Fashion) on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion (/wiki/Wikipedia_talk:WikiProject_Fashion) and see a list of open tasks. Fashion Wikipedia:WikiProject Fashion Template:WikiProject Fashion fashion articles This Template was based on the list found here (/w/index.php?title=Body_piercing%26oldid%3D81652491&action=edit&redlink=1) . This should make it easier to navigate through the various type of piercing. Na uf an a : talk 01:21, 16 October 2006 (UTC) (https://en.wikipedia.org/wiki/Template_talk:Body_piercing#c-Naufana-2006-10-16T01:21:00.000Z) [ reply ] __DTELLIPSISBUTTON__{"threadItem":{"timestamp":"2006-10-16T01:21:00.000Z","author":"Naufana","type":"comment","level":1,"id":"c-Naufana-2006-10-16T01:21:00.000Z","replies":[]}} I'm going to revert your reversion of the change I made to the heading (whew! that's a long phrase), Naufana, per WP:MOS (/wiki/Wikipedia:MOS) . The Manual of Style says Capitalize the first letter only of the first word and of any proper nouns in a heading, and leave all of the other letters in lowercase. Use "Rules and regulations", not "Rules and Regulations". :) Switcher cat talk (/wiki/User_talk:Switchercat) cont (/wiki/Special:Contributions/Switchercat) 10:52, 16 October 2006 (UTC) (https://en.wikipedia.org/wiki/Template_talk:Body_piercing#c-Switchercat-2006-10-16T10:52:00.000Z) [ reply ] __DTELLIPSISBUTTON__{"threadItem":{"timestamp":"2006-10-16T10:52:00.000Z","author":"Switchercat","type":"comment","level":1,"id":"c-Switchercat-2006-10-16T10:52:00.000Z","replies":[]}} thanks for the update. Na uf an a : talk 03:46, 17 October 2006 (UTC) (https://en.wikipedia.org/wiki/Template_talk:Body_piercing#c-Naufana-2006-10-17T03:46:00.000Z) [ reply ] __DTELLIPSISBUTTON__{"threadItem":{"timestamp":"2006-10-17T03:46:00.000Z","author":"Naufana","type":"comment","level":1,"id":"c-Naufana-2006-10-17T03:46:00.000Z","replies":[]}} __DTSUBSCRIBEBUTTONDESKTOP__{"headingLevel":2,"name":"h-Electriceel-2007-09-08T01:17:00.000Z","type":"heading","level":0,"id":"h-Stretching-2007-09-08T01:17:00.000Z","replies":["c-Electriceel-2007-09-08T01:17:00.000Z-Stretching"],"text":"Stretching","linkableTitle":"Stretching"} Stretching [ edit ] __DTELLIPSISBUTTON__{"threadItem":{"headingLevel":2,"name":"h-Electriceel-2007-09-08T01:17:00.000Z","type":"heading","level":0,"id":"h-Stretching-2007-09-08T01:17:00.000Z","replies":["c-Electriceel-2007-09-08T01:17:00.000Z-Stretching"]}} __DTLATESTCOMMENTTHREAD__{"id":"c-Electriceel-2007-09-08T01:17:00.000Z-Stretching","timestamp":"2007-09-08T01:17:00.000Z"}__ __DTCOMMENTCOUNT__1__ __DTAUTHORCOUNT__1__ __DTSUBSCRIBEBUTTONMOBILE__{"headingLevel":2,"name":"h-Electriceel-2007-09-08T01:17:00.000Z","type":"heading","level":0,"id":"h-Stretching-2007-09-08T01:17:00.000Z","replies":["c-Electriceel-2007-09-08T01:17:00.000Z-Stretching"],"text":"Stretching","linkableTitle":"Stretching"} It doesn't seem like stretching should just be under ears. You can stretch other parts of your body too: notably lips and nose. So maybe take it out from under a heading and just have it at the top of the box? I'll change it in a bit if no-one objects. Electriceel (/wiki/User:Electriceel) [ ə.lɛk.tʃɹɪk il (/wiki/User_talk:Electriceel) ] 01:17, 8 September 2007 (UTC) (https://en.wikipedia.org/wiki/Template_talk:Body_piercing#c-Electriceel-2007-09-08T01:17:00.000Z-Stretching) [ reply ] __DTELLIPSISBUTTON__{"threadItem":{"timestamp":"2007-09-08T01:17:00.000Z","author":"Electriceel","type":"comment","level":1,"id":"c-Electriceel-2007-09-08T01:17:00.000Z-Stretching","replies":[]}} NewPP limit report Parsed by mw‐web.codfw.main‐ff98d5cb5‐4k7kl Cached time: 20240722161535 Cache expiry: 864000 Reduced expiry: true Complications: [vary‐revision‐sha1] DiscussionTools time usage: 0.008 seconds CPU time usage: 0.135 seconds Real time usage: 0.186 seconds Preprocessor visited node count: 163/1000000 Post‐expand include size: 8560/2097152 bytes Template argument size: 0/2097152 bytes Highest expansion depth: 10/100 Expensive parser function count: 7/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 7432/5000000 bytes Lua time usage: 0.093/10.000 seconds Lua memory usage: 1604796/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 147.713 1 Template:WikiProject_banner_shell 100.00% 147.713 1 -total 52.37% 77.360 1 Template:WikiProject_Fashion 1.45% 2.142 1 Template:Pagetype Saved in parser cache with key enwiki:pcache:idhash:7463199-0!canonical and timestamp 20240722161535 and revision id 1228468438. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Template_talk:Body_piercing&oldid=1228468438 (https://en.wikipedia.org/w/index.php?title=Template_talk:Body_piercing&oldid=1228468438) " Categories (/wiki/Help:Category) : Template-Class fashion articles (/wiki/Category:Template-Class_fashion_articles) NA-importance fashion articles (/wiki/Category:NA-importance_fashion_articles) |
White "Alleluia" chasuble. A white vestment containing symbolic flowers, and birds, as well as 'IHS' on the back, made in the latter part of Helena's life. Currently held at the Stonyhurst Collections (/wiki/Libraries_and_collections_of_Stonyhurst_College) . The Wintour vestments are a set of Catholic (/wiki/Catholic_Church) vestments (/wiki/Vestment) and altarpieces (/wiki/Altarpiece) made by the English recusant Catholic (/wiki/Recusancy) and seamstress Helena Wintour (/w/index.php?title=Helena_Wintour&action=edit&redlink=1) ( c. 1600 –5 May 1671). They are currently held in two halves at Douai Abbey (/wiki/Douai_Abbey) and Stonyhurst College (/wiki/Stonyhurst_College) . Helena Wintour's life [ edit ] Helena Wintour was a recusant (/wiki/Recusant) Catholic living in England, and a talented seamstress. Her father, Robert Wintour (/wiki/Robert_and_Thomas_Wintour) , was executed for his role in the Gunpowder Plot (/wiki/Gunpowder_Plot) in 1605, along with Helena's uncle, Thomas Wintour (/wiki/Robert_and_Thomas_Wintour) . [1] (#cite_note-:0-1) The family's status as recusant Catholics (from the Latin (/wiki/Latin) verb recusare , meaning "to refuse") in Protestant England meant that they were obliged to pay fines for practicing their illegal Catholic faith and often opted to send their sons abroad to be educated in Catholic colleges on the continent. Despite all the hardship suffered from practicing her religion, Helena remained a devout Catholic all her life. On her death, Helena requested that the Jesuits set up a secret Catholic school in her home of Badge Court (/wiki/Badge_Court) in Worcestershire where recusant Catholics could send their children, rather than sending them across the sea to the continent. Embroideries [ edit ] Unlike some of her contemporaries, such as Elizabeth, Countess of Shrewsbury (/wiki/Bess_of_Hardwick) , who employed 'broiderers' to draw out their designs for them, Helena designed and made all of her vestments herself. She designed the vestments with the Society of Jesus (/wiki/Society_of_Jesus) (Jesuits) in mind; this is clear from both the symbolism she used and from her will which bequeathes all the vestments to the Society of Jesus. [1] (#cite_note-:0-1) Shortly after Helena's death, Lady Wintour, Helena's sister-in-law, launched a campaign claiming ownership of the vestments. Since the claims were likely to attract dangerous official attention towards the Jesuits, her demands were met and she was granted half of the Wintour vestments. [1] (#cite_note-:0-1) The Wintour collection has remained in two halves to this day; Lady Wintour's half were kept in the family until they were donated to the Benedictine (/wiki/Order_of_Saint_Benedict) community and were recently transferred to Douai Abbey (/wiki/Douai_Abbey) Library. The half belonging to the Jesuits are now in the hands of Stonyhurst College (/wiki/Stonyhurst_College) . An exhibition in 2016 held at Douai Abbey reunited the two halves of the Wintour collection for the first time since 1671. [2] (#cite_note-2) Symbolism [ edit ] The Wintour vestments demonstrate a large array of Catholic and Jesuit symbolism. The most notable Jesuit influence on the vestments is the Jesuit IHS symbol. This symbol contains two meanings; firstly it is a simple IHS Christogram (/wiki/Christogram) (a monogram for the Greek spelling of Jesus Christ, which translates as ihsous ) used by the Catholic Church. The Jesuit version of this christogram contains the heart and three nails in the shape of a V below the letters IHS, so that one sees IHSV. "IHSV" can be interpreted to mean In Hoc Signo Vinces (/wiki/In_hoc_signo_vinces) , "In this sign, you shall conquer", a reference to the victory which Constantine (/wiki/Constantine_the_Great) won at the Milvian Bridge on 28 October 312 as the first Christian emperor. The heart is a reference to the sacred heart of Jesus. Other notable Jesuit influences in the vestments are the letters IG and XA, which appear on the "spangled" vestments, meaning Ignatius Loyola (/wiki/Ignatius_of_Loyola) and Francis Xavier (/wiki/Francis_Xavier) , both founding members of the Jesuits. Also frequently used are the letters "MAR", referring to Mary, Mother of Christ (/wiki/Mary,_mother_of_Jesus) , with a heart pierced by a sword symbolising Simeon's prophecy in the temple. Birds are also used as symbols. For example, pelicans were seen to be a symbol of motherhood as they were thought to wound their own breasts to feed blood to their chicks. A pelican can be seen on the "Alleluia" vestments. References [ edit ] ^ Jump up to: a b c Held in Trust 2008 Years of Sacred Culture . Gloucestershire: St Omers Press. 2008. p. 80. ISBN (/wiki/ISBN_(identifier)) 978-0-9553592-3-1 . ^ (#cite_ref-2) "Display of Laudian Vestments - St John's College Oxford" (http://www.sjc.ox.ac.uk/383-8494/Display-of-Laudian-Vestments.html) . www.sjc.ox.ac.uk . Retrieved 2016-09-02 . External links [ edit ] Hot Holy Ladies - An online exhibition on Wintour at the Jesuit Collections (https://www.jesuitcollections.org.uk/hot-holy-ladies) NewPP limit report Parsed by mw‐web.codfw.main‐dfb86547b‐w9sbm Cached time: 20240710172208 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.225 seconds Real time usage: 0.280 seconds Preprocessor visited node count: 284/1000000 Post‐expand include size: 4065/2097152 bytes Template argument size: 184/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 8220/5000000 bytes Lua time usage: 0.157/10.000 seconds Lua memory usage: 17117643/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 249.336 1 -total 47.30% 117.946 2 Template:Lang 40.71% 101.512 1 Template:Reflist 32.36% 80.693 1 Template:Cite_book 9.86% 24.594 1 Template:C. 1.93% 4.806 1 Template:Cite_web 1.02% 2.538 2 Template:Main_other 0.96% 2.385 1 Template:Transliteration 0.55% 1.365 1 Template:Trim Saved in parser cache with key enwiki:pcache:idhash:51493553-0!canonical and timestamp 20240710172208 and revision id 1117004199. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=The_Wintour_vestments&oldid=1117004199 (https://en.wikipedia.org/w/index.php?title=The_Wintour_vestments&oldid=1117004199) " Categories (/wiki/Help:Category) : Roman Catholic vestments (/wiki/Category:Roman_Catholic_vestments) English embroidery (/wiki/Category:English_embroidery) 17th-century works (/wiki/Category:17th-century_works) Jesuit history in Europe (/wiki/Category:Jesuit_history_in_Europe) Hidden category: Articles containing Latin-language text (/wiki/Category:Articles_containing_Latin-language_text) |
French milliner Madame Agnès was a French milliner (/wiki/Hatmaking) who designed hats that were popular from the late 1920s until the 1940s. [1] (#cite_note-1) Her shop was located on the Rue Saint-Honoré (/wiki/Rue_Saint-Honor%C3%A9) . [2] (#cite_note-2) [3] (#cite_note-3) Madame Agnès (c1925). A sculptor, she associated with people in the art circles of Paris, France. Madame Agnes styled hats that were both abstract and unique. [4] (#cite_note-4) She preferred wearing only black fashions. In 1929, Madame Agnes wore black satin frocks designed by Vionnet. Her clothes were embellished with bright jewelry like red coral, jade or lapis lazuli (/wiki/Lapis_lazuli) . [5] (#cite_note-5) Hat designer [ edit ] An illustration from 1927 depicts Madame Agnes' Congo (/wiki/Congo_Basin) inspired hats with a model (/wiki/Model_(person)) wearing a slave collar. [6] (#cite_note-6) In December 1935 she introduced hats with large straw brims which were mounted on flowered madras (/wiki/Madras) handkerchiefs. [7] (#cite_note-7) Madame Agnes was inspired by a matador (/wiki/Matador) 's hat when she created a small dinner hat for Spring 1936. It was sewn of black maline with heavy white silk fringe. The fringe was mounted on each side of the hat's top. [8] (#cite_note-8) In mid-1946 she created a soft beige beret of felt which featured a line that was broken just above the right eyebrow, where a soft quill was inserted. [9] (#cite_note-9) References [ edit ] ^ (#cite_ref-1) La Revue de Paris (/wiki/La_Revue_de_Paris) 1934 Page 470 "Une modiste en renom, madame Agnès, une de ces artisanes qui, elles aussi, continuent des traditions qui remontent loin et ne se perdent quand même pas, et qui sont vaillantes et qui, tout en chiffonnant la coiffe d'un chapeau, pensent à ..." ^ (#cite_ref-2) Paris en guerre, 1939–1944 -François de Lannoy, Ronald McNair, Georges Bernage – 1994 Page 355 "Voici quelques modèles de chapeaux présentés par les couturiers parisiens en 1941. (1) (2) Deux chapeaux présentés par "Madame Agnès" (rue Saint-honoré). ^ (#cite_ref-3) .H.-G. Pflaum, un historien du XXe siècle: Ségolène Demougin – 2006 – Page 14 "Certes, la " griffe Vallin" n'ambitionnait pas de concurrencer celles de "Madame Agnès" ou de "Madame Paulette", modistes parisiennes les plus célèbres de l'entre-deux-guerres; mais enfin, les chapeaux Vallin se vendaient bien en France," ^ (#cite_ref-4) Past hat designers as true artists (http://www.syl.com/hb/pasthatdesignerscouldstrikebothwiththeextremelyextravaganceandsimplicity.html) Archived (https://web.archive.org/web/20120126114446/http://www.syl.com/hb/pasthatdesignerscouldstrikebothwiththeextremelyextravaganceandsimplicity.html) 26 January 2012 at the Wayback Machine (/wiki/Wayback_Machine) , Search Your Love website, retrieved on 1/6/2010. ^ (#cite_ref-5) The Fall Trends in Paris , New York Times (/wiki/New_York_Times) , 29 September 1929, pg. X12. ^ (#cite_ref-6) Twentieth Century American Fashion , Linda Welters and Patricia Anne Cunningham, Berg Publishers, 2005, pg. 72. ^ (#cite_ref-7) By Wireless From Paris , New York Times, 15 December 1935, pg. X12. ^ (#cite_ref-8) Flowers, feathers and veils bedeck the new Spring hats", New York Times, 8 March 1936, pg. RP6. ^ (#cite_ref-9) Paris Prophesies Fall Headline , New York Times, 14 June 1946, pg. 18. External links [ edit ] Madame Agnès (https://www.fashionmodeldirectory.com/designers/madame-agnes/) at FMD (/wiki/Fashion_Model_Directory) NewPP limit report Parsed by mw‐web.codfw.main‐5cb4c77d7f‐hp6pc Cached time: 20240709142920 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.102 seconds Real time usage: 0.465 seconds Preprocessor visited node count: 414/1000000 Post‐expand include size: 2354/2097152 bytes Template argument size: 511/2097152 bytes Highest expansion depth: 12/100 Expensive parser function count: 1/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 3839/5000000 bytes Lua time usage: 0.034/10.000 seconds Lua memory usage: 1841664/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 138.734 1 -total 49.10% 68.115 1 Template:Short_description 26.71% 37.055 2 Template:Pagetype 16.40% 22.755 1 Template:Fashiondesigner 14.57% 20.217 3 Template:Main_other 13.12% 18.198 1 Template:SDcat 11.70% 16.237 1 Template:Authority_control_(arts) 10.85% 15.052 1 Template:Use_dmy_dates 7.12% 9.881 1 Template:DMCA 6.22% 8.632 1 Template:Webarchive Saved in parser cache with key enwiki:pcache:idhash:25705928-0!canonical and timestamp 20240709142920 and revision id 1158227197. 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Brazilian model This article has multiple issues. Please help improve it (/wiki/Special:EditPage/Daiane_Sodre) or discuss these issues on the talk page (/wiki/Talk:Daiane_Sodre) . ( Learn how and when to remove these template messages (/wiki/Help:Maintenance_template_removal) ) This biography of a living person (/wiki/Wikipedia:Biographies_of_living_persons) needs additional citations (/wiki/Wikipedia:Citing_sources) for verification (/wiki/Wikipedia:Verifiability) . Please help by adding reliable sources (/wiki/Wikipedia:Reliable_sources) . Contentious material (/wiki/Wikipedia:BLPREMOVE) about living persons that is unsourced or poorly sourced (/wiki/Wikipedia:QUESTIONABLE) must be removed immediately from the article and its talk page, especially if potentially libelous (/wiki/Wikipedia:Libel) . 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( July 2022 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Daiane Sodre Born Daiane Sodre Da Silva Baixa Grande, Bahia (/wiki/Bahia) , Brazil (/wiki/Brazil) Occupation Model (/wiki/Model_(person)) Modeling information Height 1.80 m (5 ft 11 in) Hair color Dark Brown Eye color Green Agencies The Lions (https://www.thelionsmanagement.com/talent/daiane-sodre/portfolio) (New York) Modelwerk (https://www.modelwerk.de/page/model-3690/Daiane_Sodre.html) (Hamburg) Website daianesodre (http://daianesodre.com) .com (http://daianesodre.com) Daiane Sodre Da Silva , better known professionally as simply Daiane Sodre is a Brazilian model. Early life [ edit ] Daiane Sodre Da Silva was born in Baixa Grande (/wiki/Baixa_Grande) , Brazil (/wiki/Brazil) ; a small town in the state of Bahia (/wiki/Bahia) , to Julio Sodre and Analia Silva. She was named after Diana, Princess of Wales (/wiki/Diana,_Princess_of_Wales) , whom her parents admired. Sodre grew up with her twelve older siblings. Career [ edit ] Sodre began her career after being scouted by Dilson Stein, who also worked with Alessandra Ambrosio (/wiki/Alessandra_Ambrosio) , Carol Trentini (/wiki/Carol_Trentini) , and Gisele Bundchen (/wiki/Gisele_Bundchen) . References [ edit ] External links [ edit ] Wikimedia Commons has media related to Daiane Sodre (https://commons.wikimedia.org/wiki/Category:Daiane_Sodre) . 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Italian fashion brand This article is an orphan (/wiki/Wikipedia:Orphan) , as no other articles link to it (https://en.wikipedia.org/w/index.php?title=Special:WhatLinksHere&target=The_Bridge_(brand)&namespace=0) . Please introduce links (/wiki/Help:Link) to this page from related articles (https://en.wikipedia.org/w/index.php?title=Special%3ASearch&redirs=1&search=The+Bridge+%28brand%29&fulltext=Search&ns0=1&title=Special%3ASearch&advanced=1&fulltext=The+Bridge+%28brand%29) ; try the Find link tool (https://edwardbetts.com/find_link?q=The_Bridge_(brand)) for suggestions. ( June 2023 ) The Bridge Founders Fiorenza Benvenuti, Fernando Biagioni, Roberto Boncinelli, Andrea Ferri e Arturo Senserini Key people Marco Palmieri (presidente e amministratore delegato) Francesco Giovagnoni (amministratore delegato e direttore generale) Roberto Trotta (amministratore delegato e direttore finanziario) Products leather goods Revenue €25,1 mil. (2022) The Bridge is an Italian fashion/leather goods brand established in Florence (/wiki/Florence) in 1969. In 2016, it joined the Piquadro Group (/wiki/Piquadro) . History [ edit ] Originally called Il Ponte Pelletteria (The Leather Goods Bridge), the company was founded in 1969, at Scandicci (/wiki/Scandicci) , near Florence (/wiki/Florence) . The founders were five Florentine leather goods workers: Fiorenza Benvenuti, Fernando Biagioni, Roberto Boncinelli, Andrea Ferri, and Arturo Senserini. [1] (#cite_note-1) The brand took the name The Bridge in 1975 and, in 1987, moved its manufacturing site to the industrial district of Scandicci (/wiki/Scandicci) . In 2015, The Bridge took part in the international fair, Pitti Immagine (/wiki/Pitti_Immagine) Uomo for the first time, with a collection designed by creative director Eduardo Wongvalle. [2] (#cite_note-2) In October 2016, The Bridge opened its first mono-brand store in South Korea (/wiki/South_Korea) , and expanded its Asian retail interests with other stores. [3] (#cite_note-thebridge_asia-3) [4] (#cite_note-4) The same year, following an unfavourable period that led to layoffs (/wiki/Layoff) , [3] (#cite_note-thebridge_asia-3) The Bridge brand was acquired by Piquadro S.p.a. (/wiki/Piquadro) ; [5] (#cite_note-acquisizione-5) The acquisition took place in two stages: in December 2016, 80% of the share capital was purchased [6] (#cite_note-acquisizione_fashion_united-6) [7] (#cite_note-7) [8] (#cite_note-8) and in 2022, the remaining 20% was acquired. [9] (#cite_note-acquisizione_completa-9) At the end of 2022, The Bridge reported about sixty employees at the Scandicci site and twenty-five employees at mono-brand stores, with a distribution network of around 600 stores in Italy and 700 outlets around the world. [ citation needed ] References [ edit ] ^ (#cite_ref-1) "Mani eccellenti" (https://www.pressreader.com/italy/marie-claire-italy/20210216/283721252033959) . Marie Clair Italia . 2021-02-16. ^ (#cite_ref-2) " (https://www.vogue.it/uomo-vogue/news/2015/01/pitti-the-bridge) "Da Pitti Uomo: The Bridge" (https://www.vogue.it/uomo-vogue/news/2015/01/pitti-the-bridge) " (https://www.vogue.it/uomo-vogue/news/2015/01/pitti-the-bridge) . 2015-01-14 . Retrieved 2023-03-07 . ^ Jump up to: a b Bolelli, Gianluca (2016-10-11). "The Bridge: nuovo flagship in Corea del Sud" (https://it.fashionnetwork.com/news/the-bridge-nuovo-flagship-in-corea-del-sud,741214.html) . Retrieved 2023-03-14 . ^ (#cite_ref-4) Italians of the world (2017-09-19). "The Bridge, il marchio di pelletteria made in Italy inaugura il suo secondo negozio in Corea del Sud" (https://www.ildenaro.it/the-bridge-il-marchio-di-pelletteria-made-in-italy-inaugura-il-suo-primo-negozio-in-corea-del-sud/) . Ildenaro.it (in Italian) . Retrieved 2023-04-03 . ^ (#cite_ref-acquisizione_5-0) "Comunicato stampa "Piquadro acquisisce The Bridge" (https://www.piquadro.com/media/attachments/1/0/105cs_piquadro_acquisisce_the_bridge.pdf) " (https://www.piquadro.com/media/attachments/1/0/105cs_piquadro_acquisisce_the_bridge.pdf) (PDF) . 2016-11-10 . Retrieved 2023-03-07 . ^ (#cite_ref-acquisizione_fashion_united_6-0) Fashion United. " (https://fashionunited.it/news/business/piquadro-compra-the-bridge/2016111015390) "Piquadro compra The Bridge" (https://fashionunited.it/news/business/piquadro-compra-the-bridge/2016111015390) " (https://fashionunited.it/news/business/piquadro-compra-the-bridge/2016111015390) . Retrieved 2023-03-07 . ^ (#cite_ref-7) Pianese, Barbara. " (https://www.milanofinanza.it/news/piquadro-acquista-the-bridge-201611101207411959) "Piquadro acquista The Bridge" (https://www.milanofinanza.it/news/piquadro-acquista-the-bridge-201611101207411959) " (https://www.milanofinanza.it/news/piquadro-acquista-the-bridge-201611101207411959) . Retrieved 2023-03-07 . ^ (#cite_ref-8) "Comunicato stampa "Closing dell'acquisizione della società fiorentina di pelletteria di lusso da parte del Gruppo capitanato da Marco Palmieri" (https://www.piquadro.com/media/attachments/1/0/108cs_piquadro_closing_the_bridge_.pdf) " (https://www.piquadro.com/media/attachments/1/0/108cs_piquadro_closing_the_bridge_.pdf) (PDF) . 2016-12-20 . Retrieved 2023-03-07 . ^ (#cite_ref-acquisizione_completa_9-0) Legal Community. " (https://legalcommunity.it/piquadro-completa-lacquisizione-del-100-di-the-bridge-gli-studi-coinvolti/) "Piquadro completa l'acquisizione del 100% di The Bridge: gli studi coinvolti" (https://legalcommunity.it/piquadro-completa-lacquisizione-del-100-di-the-bridge-gli-studi-coinvolti/) " (https://legalcommunity.it/piquadro-completa-lacquisizione-del-100-di-the-bridge-gli-studi-coinvolti/) . Retrieved 2023-03-07 . External links [ edit ] Piquadro (azienda) (/wiki/Piquadro) Lancel (azienda) (/wiki/Lancel_(company)) NewPP limit report Parsed by mw‐web.codfw.main‐58c7647fd9‐txnxf Cached time: 20240714100941 Cache expiry: 1518620 Reduced expiry: true Complications: [vary‐revision‐sha1] CPU time usage: 0.346 seconds Real time usage: 0.462 seconds Preprocessor visited node count: 1737/1000000 Post‐expand include size: 29490/2097152 bytes Template argument size: 2826/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 37123/5000000 bytes Lua time usage: 0.224/10.000 seconds Lua memory usage: 6348543/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 436.680 1 -total 31.95% 139.521 1 Template:Reflist 23.29% 101.709 1 Template:Infobox_company 20.73% 90.540 1 Template:Short_description 20.33% 88.774 1 Template:Infobox 20.20% 88.217 1 Template:Cite_magazine 18.44% 80.529 1 Template:Orphan 17.00% 74.247 1 Template:Draft_other 16.46% 71.897 1 Template:Ambox 11.93% 52.105 2 Template:Pagetype Saved in parser cache with key enwiki:pcache:idhash:73656976-0!canonical and timestamp 20240714100941 and revision id 1194197337. 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Canadian prestige cosmetic company brand Lise Watier Madame Lise Watier Company type Subsidiary of Groupe Marcelle Inc. Industry Cosmetics (/wiki/Cosmetics) Founded 1972 Headquarters Montreal, Canada Products Makeup, skin care and fragrances Website www (https://www.lisewatier.com/ca_en/) .lisewatier (https://www.lisewatier.com/ca_en/) .com (https://www.lisewatier.com/ca_en/) /ca (https://www.lisewatier.com/ca_en/) _en (https://www.lisewatier.com/ca_en/) / (https://www.lisewatier.com/ca_en/) Lise Watier is a Canadian (/wiki/Canadians) prestige cosmetic (/wiki/Cosmetics) company and brand, launched in 1972 by Madame Lise Watier, OC (/wiki/Officer_of_the_Order_of_Canada) , and distributed through department and select drugstores. [1] (#cite_note-1) [2] (#cite_note-2) [3] (#cite_note-3) History [ edit ] Lise Watier was born in Montreal in 1942. Her father worked his way up to become manager of a car dealership and her mother had a sense of fashion. [4] (#cite_note-JaimerBusiness-4) She told the Toronto Star (/wiki/Toronto_Star) that the heavy makeup she wore for her job as a researcher and host for a women's interest television program from 1963 to 1968 inspired her to create a self-improvement and makeup course company, Charme et Beauté Lise Watier Inc., in 1965, and to launch her own line of cosmetics in 1972. [5] (#cite_note-BotLook-5) The Montreal-based company first attempted to expand in the 1980s, but a fire in the company's factory and offices was a major setback. Watier later told the National Post (/wiki/National_Post) , "It took until 1995 to get back to the point we were at in 1990." [6] (#cite_note-AllosseryMarket-6) By the turn of the century, the company's cosmetics were distributed in France and across Canada. [6] (#cite_note-AllosseryMarket-6) Watier was a family-owned company; Watier's husband, Serge Rocheleau was chairman and general manager, and daughters Nathalie and Marie-Lise worked in marketing. [6] (#cite_note-AllosseryMarket-6) The brand is distributed in Canada and the United States. In 1986, the company's founder was honoured as Canadian business woman of the year. [7] (#cite_note-7) In 2007, Imperial Capital Corporation of Toronto, an investment firm, purchased a majority stake in the company, with Watier and Rocheleau retaining seats on the board and a minority share in the company. [8] (#cite_note-:0-8) In 2009, the company signed Mitsou Gélinas (/wiki/Mitsou_G%C3%A9linas) , a Canadian singer, actor and television personality, as ambassador. [9] (#cite_note-9) In 2013, Watier stepped down as CEO, appointing Pierre Plasard, previously of L'Oréal (/wiki/L%27Or%C3%A9al) , to take her place. [8] (#cite_note-:0-8) As of that time, the company had 175 employees and did approximately $90 million in sales annually. [8] (#cite_note-:0-8) The company was acquired by Groupe Marcelle Inc. (/w/index.php?title=Groupe_Marcelle&action=edit&redlink=1) in 2016. [10] (#cite_note-10) [11] (#cite_note-11) References [ edit ] ^ (#cite_ref-1) Béchade, Sandrine (January 19, 2016). Lise Watier : Une vie à entreprendre . CBC/Radio-Canada. p. 210. ISBN (/wiki/ISBN_(identifier)) 9782981549723 . ^ (#cite_ref-2) Lachance, Micheline (1998). Lise Watier: la beauté en affaires . Publicor. p. 13. ISSN (/wiki/ISSN_(identifier)) 0838-9446 (https://www.worldcat.org/issn/0838-9446) . {{ cite book (/wiki/Template:Cite_book) }} : |work= ignored ( help (/wiki/Help:CS1_errors#periodical_ignored) ) ^ (#cite_ref-3) Lise Watier, une vie à entreprendre (videorecording) / Société Radio-Canada. -- Montréal : Société Radio-Canada, 2015 ^ (#cite_ref-JaimerBusiness_4-0) Jaimer, Kate (31 July 1999). "A touch of beauty: Determination and hard work have made Lise Watier the Celine Dion of Quebec's cosmetics business". Ottawa Citizen. ProQuest (/wiki/ProQuest_(identifier)) 240263430 (https://search.proquest.com/docview/240263430) . ^ (#cite_ref-BotLook_5-0) Bot, Ellen (2 July 1987). "Watier favors subtle makeup look". Toronto Star. ProQuest (/wiki/ProQuest_(identifier)) 435598489 (https://search.proquest.com/docview/435598489) . ^ Jump up to: a b c Allossery, Patrick (25 October 1999). "Quebec's Watier finds the sweet smell of success It's all in the family; Despite setbacks, firm is still tops in its home market". National Post. ProQuest (/wiki/ProQuest_(identifier)) 329574649 (https://search.proquest.com/docview/329574649) . ^ (#cite_ref-7) "Founder of Lise Watier cosmetics honoured as businesswoman of the year" (https://news.google.com/newspapers?nid=1946&dat=19860523&id=Z4oxAAAAIBAJ&sjid=UagFAAAAIBAJ&pg=907,1880925) . The Montreal Gazette . May 23, 1986. ^ Jump up to: a b c Friede, Eve (September 18, 2013). "End of an era: Tearful CEO Lise Watier steps down" (http://www.pressreader.com/canada/montreal-gazette/20130918/281883001030695) . The Montreal Gazette . Retrieved 2018-06-14 . ^ (#cite_ref-9) "French Canadian beauty company Lise Watier Cosmetiques has signed a new ambassadress" (https://web.archive.org/web/20180612142735/https://www.highbeam.com/doc/1G1-196534343.html) . Cosmetics International . March 13, 2009. Archived from the original (https://www.highbeam.com/doc/1G1-196534343.html) on June 12, 2018. ^ (#cite_ref-10) "Montreal's Groupe Marcelle buys Lise Watier Cosmetiques with help from Caisse de depot" (https://www.ctvnews.ca/business/montreal-s-groupe-marcelle-buys-lise-watier-cosmetiques-with-help-from-caisse-de-depot-1.2783801) . CTV News. February 18, 2016. ^ (#cite_ref-11) "Groupe Marcelle buys Lise Watier cosmetics company" (https://montrealgazette.com/business/local-business/groupe-marcelle-buys-lise-watier-cosmetics-company) . Montreal Gazette . February 18, 2016. 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A type of robe of Mongol origins Terlig Riding male figure wearing the Mongol Yuan Terlig, also known as bianxiaoao (辫线袄). Chinese name Chinese (/wiki/Chinese_language) 帖裡 Traditional Chinese (/wiki/Traditional_Chinese_characters) 貼裏 Simplified Chinese (/wiki/Simplified_Chinese_characters) tiēlǐ Transcriptions Korean name Hangul (/wiki/Hangul) 철릭 Hanja (/wiki/Hanja) 貼裏/帖裏 Transcriptions Revised Romanization (/wiki/Revised_Romanization_of_Korean) Cheollik McCune–Reischauer (/wiki/McCune%E2%80%93Reischauer) Ch'ŏllik Terlig , also known as tieli ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 帖裡 ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 貼裏 ; pinyin (/wiki/Pinyin) : tiēlǐ ) or bianxianao ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 辫线袄 ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 辮線襖 ; pinyin (/wiki/Pinyin) : biànxiànǎo ; lit. 'coat with plaited line') or Yaoxianao[zi] ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 腰线袄[子] ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 腰線襖[子] ; pinyin (/wiki/Pinyin) : yāoxiànǎo[zi] ; lit. 'coat with waist line') in Chinese, or commonly referred as Mongol dress or plait-line robe , is an archetypal type of Mongol (/wiki/Mongols) clothing for men. [1] (#cite_note-:0-1) [2] (#cite_note-:5-2) : 49 [3] (#cite_note-:3-3) : 75–76 [4] (#cite_note-:4-4) The terlig was initially developed to accommodate the culture, the equestrian (/wiki/Equestrianism) and nomadic (/wiki/Nomad) lifestyle of the Mongols, and to protect their bodies from the cold temperature of steppe (/wiki/Steppe) regions. [1] (#cite_note-:0-1) It was sometimes decorated with cloud collar (/wiki/Cloud_collar) ( Chinese (/wiki/Chinese_language) : 雲肩 ; pinyin (/wiki/Pinyin) : yunjian ; lit. 'cloud-shoulder') pattern which decorated around the robe's collar, chest, and shoulders area. [1] (#cite_note-:0-1) [2] (#cite_note-:5-2) : 49–51 As the terlig gained symbolic meaning with time and as it spread into different regions, its shape and design evolved. [1] (#cite_note-:0-1) Hybrid forms of the terlig was developed as it came in contact with other local cultures. [1] (#cite_note-:0-1) The terlig was worn in China (/wiki/China) , Central Asia (/wiki/Central_Asia) , Korea (/wiki/Korea) , and in the Mughal Empire (/wiki/Mughal_Empire) in India (/wiki/India) . [1] (#cite_note-:0-1) It is still worn as Mongol ethnic clothing in some regions. [1] (#cite_note-:0-1) Terminology [ edit ] The origins of the term terlig are debatable. [1] (#cite_note-:0-1) It may have come from the Turkic (/wiki/Turkic_languages) word tärlik . [1] (#cite_note-:0-1) History [ edit ] Mongol [ edit ] Origins [ edit ] So far, the terlig appears to be of Mongol origins. According to a paper published in 2003, no terlig were found in Han Chinese (/wiki/Han_Chinese) nationalities and in other nationalities in Northern China prior to the establishment of the Yuan dynasty (/wiki/Yuan_dynasty) . [4] (#cite_note-:4-4) Originally, the Mongol terlig was a type of long, knee-length coat with a front-opening coat with voluminous folds along the waistline and side vents at the side to provide ease of movement; it also has long and tight sleeves, tight-fitting bodice, a wide waistband and the coat is fastened at the side. [1] (#cite_note-:0-1) [3] (#cite_note-:3-3) : 75–76 It was made with animal hides. [1] (#cite_note-:0-1) Mongolian ethnic clothing [ edit ] In modern times, the term terlig is still used to describe Mongolian ethnic clothing. [1] (#cite_note-:0-1) The Buryats (/wiki/Buryats) wear a coat called tyrlyk which can refer to a coat which can come with or without folds at the waist. [1] (#cite_note-:0-1) China [ edit ] Yuan dynasty (1271-1368 AD) [ edit ] Main article: Fashion in the Yuan dynasty (/wiki/Fashion_in_the_Yuan_dynasty) Illustration of the yaoxianao[zi] from the Chinese encyclopedia Gujin Tushu Jicheng (/wiki/Gujin_Tushu_Jicheng) , between 1700 and 1725 AD In the Yuan dynasty, the terlig was known as yaoxianao[zi] ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 腰线袄[子] ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 腰線襖子 ) or bianxianao ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 辫线袄 ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 辮線襖 ) in Chinese literature; [1] (#cite_note-:0-1) [3] (#cite_note-:3-3) : 75–76 [4] (#cite_note-:4-4) it was a popular style of coat and was a very important form of clothing. [5] (#cite_note-:6-5) [2] (#cite_note-:5-2) : 50–51 The terlig became more established and symbolized the attire of people of higher social status. [1] (#cite_note-:0-1) It was worn by people of all social classes; [1] (#cite_note-:0-1) [5] (#cite_note-:6-5) [2] (#cite_note-:5-2) : 50–51 the social status markers was the fabric quality. [1] (#cite_note-:0-1) The jisün (/wiki/Jis%C3%BCn) clothing was itself a variation of the terlig. [1] (#cite_note-:0-1) [2] (#cite_note-:5-2) : 64 The Emperor and the guards wearing the Mongol terlig, from the painting Hunting scene of Kublai Khan (/wiki/Kublai_Khan) . The terlig in the Yuan dynasty was especially characterized by the presence of numerous narrow and dense folds (or pleats) at waist and by the presence of "waist-thread" decoration on the waistband wherein people would use red and silk threads to fasten the coat on their waist. [4] (#cite_note-:4-4) [5] (#cite_note-:6-5) [6] (#cite_note-:7-6) These two features were the biggest advantages of the coat which made it suitable for riding horses. [5] (#cite_note-:6-5) The waistband was large and typically 15 cm in width. [6] (#cite_note-:7-6) The robe was also calf-length, had long narrow sleeves, and had a cinched waist which was created by the waist-thread; it also had a side closure which was fastened at the right side with ties. [2] (#cite_note-:5-2) : 49 [4] (#cite_note-:4-4) The collar could either be cross-collared or round-collared. [4] (#cite_note-:4-4) It could be decorated with flowers and could come in various colours. [5] (#cite_note-:6-5) From the early to later periods of the Yuan dynasty, the basic form of terlig remained relatively unchanged, although some variations of the ribbon (i.e. ribboned vs braided waist) most likely coexisted together. [2] (#cite_note-:5-2) : 50–51 Ming dynasty (1368–1644 AD) [ edit ] Tieli with waistband features, Tomb of Ming dynasty Prince Zhu Tan (/wiki/Prince_Zhuang) . Some Mongol clothing from the Yuan dynasty was continued in the Ming dynasty (/wiki/Ming_dynasty) despite the repeated prohibition of Mongol-style clothing, especially during the reign of the Hongwu Emperor (/wiki/Hongwu_Emperor) . [2] (#cite_note-:5-2) : 147 The jisün (/wiki/Jis%C3%BCn) , a type of Yuan dynasty terlig, continued to be worn in Ming dynasty, where it was known as zhisun robe. [5] (#cite_note-:6-5) [2] (#cite_note-:5-2) : 147–148 The Daminghuidian 《大明会典》records the yaoxianao[zi] (terlig/tieli) was worn by the official in charge of imperial protocol during the Keqi period; "During Keqi, they wear head-wraps and colourful waist-thread coats decorated with eagles and sparrow-hawks at front and back". [5] (#cite_note-:6-5) [7] (#cite_note-7) In the Ming dynasty tomb of Prince Zhu Tan (1370 – 1389 AD), a tieli with tight sleeves and has the waistband characteristics was excavated; this robe was almost similar to the terlig found in the Yuan dynasty. [1] (#cite_note-:0-1) After being adopted in the Ming dynasty, the tieli eventually became longer, and its overall structure was made closer to the shenyi (/wiki/Shenyi) system in order to integrate Han Chinese rituals; it also lost its "waist-thread" characteristics in the process. [8] (#cite_note-:16-8) Localized forms of Mongol terlig continued to be called tieli ( Chinese (/wiki/Chinese_language) : 貼裏 ). [8] (#cite_note-:16-8) The tieli continued to be worn in the Ming dynasty by high-ranking eunuchs. [9] (#cite_note-9) The tieli could also be decorated with ornate patterns, such as the feiyufu (/wiki/Feiyufu) ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 飞鱼服 ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 飛魚服 ; pinyin (/wiki/Pinyin) : fēiyúfú ; lit. 'flying fish clothing'). [8] (#cite_note-:16-8) Another new style of Ming dynasty tieli was the pleated robe ( Chinese (/wiki/Chinese_language) : 褶(摺)子衣 ; pinyin (/wiki/Pinyin) : Zhě(zhé)ziyī ), which was also derived from and heavily influenced by the Yuan dynasty's yaoxianao[zi] . [5] (#cite_note-:6-5) [10] (#cite_note-:2-10) The lower hem of the zhezhiyi had numerous dense and narrow pleats (with little space between each pleats) and kept more features akin to the Mongol terlig than the yesa robe (/wiki/Yesa_robe) . [5] (#cite_note-:6-5) It also lacked the "waist-thread" characteristics of the Yuan dynasty's yaoxianao[zi] . [10] (#cite_note-:2-10) The yesa robe, a new Ming dynasty style of clothing, has some of its mixed-elements either developed from the Yuan dynasty Mongol terlig or from jisün clothing, which is itself a type of terlig. [1] (#cite_note-:0-1) [5] (#cite_note-:6-5) One of the main characteristics of the yesa was the absence of waistband and the absence of fold on the central front and back of the robe. [1] (#cite_note-:0-1) It was also longer than the Yuan dynasty's terlig. [1] (#cite_note-:0-1) Ming dynasty Tieli (i.e. terlig). Ming dynasty Yesa (/wiki/Yesa_robe) , a derivative of the Yuan dynasty Mongol's terlig. Ming Emperor and his servants wearing yesa, a derivative of the Mongol terlig, c. 15th century AD . Pottery figure wearing a tieli, Ming dynasty Ming dynasty tieli Qing dynasty (1644–1912 AD) [ edit ] Main article: Qizhuang (/wiki/Qizhuang) See also: Dragon robe (/wiki/Dragon_robe) and Mangfu (/wiki/Mangfu) In the Qing dynasty (/wiki/Qing_dynasty) , the terlig evolved into a form of ceremonial dress ( Chinese (/wiki/Chinese_language) : 朝服 ; pinyin (/wiki/Pinyin) : chaofu ), a robe with folds at the waist. [1] (#cite_note-:0-1) The Qing dynasty chaofu was also a Manchu (/wiki/Manchu_people) adaptation of the Han Chinese court dress. [11] (#cite_note-:14-11) The Manchu element can be seen from the slim-fitting sleeves and horse-hoof-shaped cuffs, which are the vestiges of the Manchu clothing worn when people were hunting in cold weather. [11] (#cite_note-:14-11) Qing dynasty chaofu. [12] (#cite_note-12) Qing dynasty chaofu, second half of the 19th century. It features a fully pleated skirt. [13] (#cite_note-13) Korea [ edit ] The earliest records of the term terlig in Korea date from the 15th century AD. [1] (#cite_note-:0-1) The term terlig can be written in several ways in Korea, such as t'yŏllik ( 텰릭 ); t’yŏnlik ( 텬릭 ), ch’ŏllik ( 철릭 ), or ch’ŏnik ( 천익 ), or ch’ŏbli ( Hanja (/wiki/Hanja) : 帖裡, 帖裏, 貼裏 (https://en.wiktionary.org/wiki/%E5%B8%96%E8%A3%A1,_%E5%B8%96%E8%A3%8F,_%E8%B2%BC%E8%A3%8F) ) or ch’ŏnik ( Hanja (/wiki/Hanja) : 天益, 天翼, 千翼 (https://en.wiktionary.org/wiki/%E5%A4%A9%E7%9B%8A,_%E5%A4%A9%E7%BF%BC,_%E5%8D%83%E7%BF%BC) ). [1] (#cite_note-:0-1) [14] (#cite_note-:1-14) The term cheolick (/wiki/Hanbok#Cheolique) ( 철릭 ) is derived from the Mongolian term terlig ; the term was introduced in Korea through China along with Chinese characters but continued to maintain the Mongolian sound. [14] (#cite_note-:1-14) Goryeo (918–1392 AD) [ edit ] The terlig was introduced in Korea from the Yuan dynasty (/wiki/Yuan_dynasty) during the later period of the mid- Goryeo (/wiki/Goryeo) dynasty as daily clothing or as yangbok (i.e. military clothing). [14] (#cite_note-:1-14) [15] (#cite_note-:92-15) : 110 In the Goryeosa (/wiki/Goryeosa) , Mongol clothing were typically referred as hobok (/wiki/Hufu) ( Hanja (/wiki/Hanja) : 胡服 (https://en.wiktionary.org/wiki/%E8%83%A1%E6%9C%8D) , 'barbaric outlander's clothing') and sometimes as ilsaek ( Hanja (/wiki/Hanja) : 一色 (https://en.wiktionary.org/wiki/%E4%B8%80%E8%89%B2) ; 'clothing of one-colour') for jilson ( Hanja (/wiki/Hanja) : 質孫 (https://en.wiktionary.org/wiki/%E8%B3%AA%E5%AD%AB) or Hanja (/wiki/Hanja) : 只孫 (https://en.wiktionary.org/wiki/%E5%8F%AA%E5%AD%AB) ) banquets. [1] (#cite_note-:0-1) The terlig became more and more common in Korea due to the close relationship between the Goryeo and Mongol court through political marriages, and Mongol clothing was adopted in the Korean court in the late 13th and early 14th centuries AD. [2] (#cite_note-:5-2) : 50–51 Some artefacts of Goryeo-period terligs have survived time. [1] (#cite_note-:0-1) Joseon (1392–1897 AD) [ edit ] Joseon dynasty (/wiki/Joseon) Cheolick ( 철릭 ). In Joseon (/wiki/Joseon) , the terlig was written as ch'obli ( Hanja (/wiki/Hanja) : 帖裡 (https://en.wiktionary.org/wiki/%E5%B8%96%E8%A3%A1) ; possibly pronounced tieli in Middle Korean) in a book on music called Akhak gwebom (/wiki/Akhak_gwebeom) and was possibly pronounced as tieli in Middle Korean; there is an illustration of a coat with folds and a waistband in the same book. [1] (#cite_note-:0-1) Some forms of terlig in Joseon were bestowed clothing from China. The term terlig was written as chobli ( Hanja (/wiki/Hanja) : 帖裏 (https://en.wiktionary.org/wiki/%E5%B8%96%E8%A3%8F) ) in the Annals of the Joseon dynasty (/wiki/Veritable_Records_of_the_Joseon_Dynasty) from 1424 AD to describe presents given from China's Ming dynasty or to describe military uniforms. [1] (#cite_note-:0-1) In 1444 during the reign of King Sejong, a set of daily clothing was bestowed to the King by the Ming dynasty which included the dapho (/wiki/Dapho) , cheolick (/wiki/Hanbok#Cheolique) , and gollyongpo (/wiki/Dragon_robe) . [16] (#cite_note-16) [note 1] (#cite_note-17) The Joseon court also bestowed cheolick to its official, including dallyeong (/wiki/Round_collar_robe) , dapho, and cheolick. [15] (#cite_note-:92-15) : 111 In Joseon, the terlig developed further with the disappearance of the waistband along with the increase in sleeve width. [1] (#cite_note-:0-1) After the 17th century, the bodice of the terlig became shorter than the length of the skirt and formed a high-waistline style. [1] (#cite_note-:0-1) In Joseon, the ch'eollik was a form of court clothing ( gwanbok (/wiki/Gwanbok) ); it was worn by the kings and by civil and military officials. [17] (#cite_note-18) Ilkhanate (1256–1335 AD) [ edit ] The terlig appears to have been fashionable in the Ilkhanate (/wiki/Ilkhanate) court. [18] (#cite_note-:9-19) Tekuder (/wiki/Tekuder) and Shams ad-Din Juvayni (/wiki/Shams_ad-Din_Juvayni) . Jami' al-tawarikh (/wiki/Jami%27_al-tawarikh) , Rashid al-Din (/wiki/Rashid-al-Din_Hamadani) , painting dating from c.1430 AD. The terlig worn in the Ilkhanate were slightly different from the ones in the China (/wiki/China) 's Yuan dynasty despite some similarities in terms of shapes and while some were also decorated with Central or East-Asian motifs (e.g. cloud collar designs, Central or East Asian-style dragons, phoenixes and flowers such as lotus, chrysanthemum) which were introduced in West Asia during the Mongol period. [2] (#cite_note-:5-2) : 101 [18] (#cite_note-:9-19) A Timurid (/wiki/Timurid_Empire) drawing of an Ilkhanid (/wiki/Ilkhanate) horse archer, 15th century AD. The terlig worn in the Ilkhnate regions had a combination of both Mongol and Islamic culture (/wiki/Islamic_culture) characteristics, such as roundel patterns and pseudo-Kufic inscription. [1] (#cite_note-:0-1) [19] (#cite_note-:11-20) The main differences from the Yuan dynasty terlig is the presence of tirāz (/wiki/Tiraz) bands in the forms of strips and in the way some of the clothing were worn together. [2] (#cite_note-:5-2) : 101 The Islamic influences led to the implementation of bands (possibly reinforcement strips) along the shoulders and the arms. [1] (#cite_note-:0-1) The terlig in the Ilkhanate was worn as an inner garment under a short-sleeved, outer coat. [19] (#cite_note-:11-20) The waist-decoration also appears to have been less common in the Ilkhanate than in the Yuan dynasty. [18] (#cite_note-:9-19) The collars could also be found in different shapes, such standing collars; this marked another difference from those on the terligs worn in the Yuan dynasty. [18] (#cite_note-:9-19) Timurid Court (1370–1507 AD) [ edit ] Ulugh Beg (/wiki/Ulugh_Beg) and retainers wearing Mongol clothing, Timurid 1425-50 Mongol clothing and Mongol-style clothing continued to appear in Timurid art (/wiki/Timurid_art) , such as illustration; this may indicate that Mongol clothing or Mongol-style clothing may have been adopted or worn in the Central Asian (/wiki/Central_Asia) Timurid (/wiki/Timurid_Empire) Court. [2] (#cite_note-:5-2) : 147–148 However, this subject needs to be studied further. [2] (#cite_note-:5-2) : 147–148 Mughal Empire (1526–1858 AD) [ edit ] Main article: Jama (coat) (/wiki/Jama_(coat)) Emperor Akbar wearing a jama . In the Mughal Empire (/wiki/Mughal_Empire) , the terlig was called jama (also written as jamah ). [1] (#cite_note-:0-1) The jama was later renamed to sarbgati (which means 'covering the whole body') by Emperor Akbar (/wiki/Akbar) himself. [20] (#cite_note-21) [21] (#cite_note-22) The jama was initially worn by the Muslim ruling class at the Mughal court. [1] (#cite_note-:0-1) The jama was developed as part of the introduction of the Islamic culture in India (/wiki/India) and was perceived as being part of the new appropriation of Islamic identity rather than Mongol culture. [1] (#cite_note-:0-1) Man's robe ( jama ) with poppies, India. Prior to the reign of Emperor Akbar, Mughal clothing was only influenced by geographical conditions and the differences in climate and was not influenced by Indian culture (/wiki/Culture_of_India) . [22] (#cite_note-:12-23) It only at the time of Emperor Akbar that alteration of Mughal clothing started to take place. [22] (#cite_note-:12-23) Emperor Akbar encouraged all of his citizens to wear the jama and created new clothing regulations in order to integrate the Muslim and local Hindu populations; the direction of the coat fastening differentiated the Indus and the Muslims. [1] (#cite_note-:0-1) The Indus fastened their jama to the left side while the Muslims fastened it to the right side, similarly to the Mongols. [1] (#cite_note-:0-1) The jama was a clothing which showed hybridity with the local culture of India. [1] (#cite_note-:0-1) The jama was a long coat with folds around the waistline without the waistband; it had very long, tight sleeves and the waistline was higher than the original Mongol terlig. [1] (#cite_note-:0-1) The jama was long and could either be knee-length or ankle-length. [23] (#cite_note-:13-24) A new style of clothing was later developed by Emperor Akbar by mixing the Indian Takwchiyah clothing of the Rajput (/wiki/Rajput) and the foreign jama to create a long robe which could be knee-length or longer with a round skirt without any slits. [23] (#cite_note-:13-24) Similar garments [ edit ] Feiyufu (/wiki/Feiyufu) Jisün (/wiki/Jis%C3%BCn) Yesa (/wiki/Yesa_robe) Notes [ edit ] ^ (#cite_ref-17) The translated English version of the web page wrote 'dopo'; however dopo (/wiki/Dopo_(clothing)) is another kind of robe. The Korean version of the page links to the page 'dapo', which is the other way of writing 'dapho' See also [ edit ] Fashion in Yuan dynasty (/wiki/Fashion_in_Yuan_dynasty) Hanfu (/wiki/Hanfu) References [ edit ] ^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an Cho, Woohyun; Yi, Jaeyoon; Kim, Jinyoung (2015). "The dress of the Mongol Empire: Genealogy and diaspora of theTerlig" (https://dx.doi.org/10.1556/062.2015.68.3.2) . Acta Orientalia Academiae Scientiarum Hungaricae . 68 (3): 22–29. doi (/wiki/Doi_(identifier)) : 10.1556/062.2015.68.3.2 (https://doi.org/10.1556%2F062.2015.68.3.2) . ISSN (/wiki/ISSN_(identifier)) 0001-6446 (https://www.worldcat.org/issn/0001-6446) . ^ Jump up to: a b c d e f g h i j k l m n Shea, Eiren L. (2020). Mongol court dress, identity formation, and global exchange . New York, NY. ISBN (/wiki/ISBN_(identifier)) 978-0-429-34065-9 . OCLC (/wiki/OCLC_(identifier)) 1139920835 (https://www.worldcat.org/oclc/1139920835) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ Jump up to: a b c Y., Watt, James C. (2010). The world of Khubilai Khan : Chinese art in the Yuan Dynasty . Metropolitan Museum of Art. pp. 75–76. ISBN (/wiki/ISBN_(identifier)) 978-1-58839-402-6 . OCLC (/wiki/OCLC_(identifier)) 696014331 (https://www.worldcat.org/oclc/696014331) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: multiple names: authors list ( link (/wiki/Category:CS1_maint:_multiple_names:_authors_list) ) ^ Jump up to: a b c d e f Baohai, Dang; 党寶海; Dang, Baohai (2003). "The Plait-line Robe. A Costume of Ancient Mongolia" (https://www.jstor.org/stable/41917645) . Central Asiatic Journal . 47 (2): 198–216. ISSN (/wiki/ISSN_(identifier)) 0008-9192 (https://www.worldcat.org/issn/0008-9192) . JSTOR (/wiki/JSTOR_(identifier)) 41917645 (https://www.jstor.org/stable/41917645) . ^ Jump up to: a b c d e f g h i j Wei, Luo (2018-01-02). "A Preliminary Study of Mongol Costumes in the Ming Dynasty" (https://dx.doi.org/10.1080/02529203.2018.1414417) . Social Sciences in China . 39 (1): 165–185. doi (/wiki/Doi_(identifier)) : 10.1080/02529203.2018.1414417 (https://doi.org/10.1080%2F02529203.2018.1414417) . ISSN (/wiki/ISSN_(identifier)) 0252-9203 (https://www.worldcat.org/issn/0252-9203) . S2CID (/wiki/S2CID_(identifier)) 149138176 (https://api.semanticscholar.org/CorpusID:149138176) . ^ Jump up to: a b "Robe with Decorative Braided Waist Band | Silk Roads Programme" (https://en.unesco.org/silkroad/silk-road-themes/mouvable-heritage-and-museums/robe-decorative-braided-waist-band-0) . en.unesco.org . Retrieved 2021-05-05 . ^ (#cite_ref-7) "大明会典 - 中国哲学书电子化计划" (https://ctext.org/wiki.pl?if=gb&res=706630&searchu=%E8%85%B0%E7%BA%BF%E8%A2%84%E5%AD%90&remap=gb) . ctext.org (in Chinese (China)) . Retrieved 2022-05-18 . 刻期、冠方顶巾。衣胸背鹰鹞花腰线袄子。诸色阔丝匾绦。象牙雕花环。行縢八带鞋。皂隶、冠圆顶巾。衣皂衣 ^ Jump up to: a b c "Ancient Chinese Robes for Men: Tieli & Yisan - 2020" (https://www.newhanfu.com/6021.html) . www.newhanfu.com . 2020-10-07 . Retrieved 2021-07-10 . ^ (#cite_ref-9) Yuan, Zujie (2007). "Dressing for power: Rite, costume, and state authority in Ming Dynasty China" (https://dx.doi.org/10.1007/s11462-007-0012-x) . Frontiers of History in China . 2 (2): 181–212. doi (/wiki/Doi_(identifier)) : 10.1007/s11462-007-0012-x (https://doi.org/10.1007%2Fs11462-007-0012-x) . ISSN (/wiki/ISSN_(identifier)) 1673-3401 (https://www.worldcat.org/issn/1673-3401) . S2CID (/wiki/S2CID_(identifier)) 195069294 (https://api.semanticscholar.org/CorpusID:195069294) . ^ Jump up to: a b "民族服饰 - 采风纪实 - - 丝博之旅——(明)棉布贴里" (http://www.biftmuseum.com/oldpic/cfjs-detail?sid=15509#atHere) . www.biftmuseum.com . Retrieved 2022-05-18 . ^ Jump up to: a b "Robe of State19th century China" (https://www.metmuseum.org/art/collection/search/68295) . www.metmuseum.org . Retrieved 2021-05-05 . ^ (#cite_ref-12) "Robe of State19th century China" (https://www.metmuseum.org/art/collection/search/68295) . www.metmuseum.org . Retrieved 2021-05-05 . ^ (#cite_ref-13) "Robe of State19th century China" (https://www.metmuseum.org/art/collection/search/68295) . www.metmuseum.org . Retrieved 2021-05-05 . ^ Jump up to: a b c Joo, Lee Eun (1988). "A Study on the Term 'Cheolick' (http://www.koreascience.or.kr/article/JAKO198825720595100.page) " (http://www.koreascience.or.kr/article/JAKO198825720595100.page) . Journal of the Korean Society of Clothing and Textiles . 12 (3): 363–371. ISSN (/wiki/ISSN_(identifier)) 1225-1151 (https://www.worldcat.org/issn/1225-1151) . ^ Jump up to: a b Encyclopedia of Traditional Korean clothing . Vol. VI (English ed.). Seoul: National Folk Museum of Korea. 2021. ISBN (/wiki/ISBN_(identifier)) 9788928902873 . ^ (#cite_ref-16) "철릭" (https://folkency.nfm.go.kr/kr/topic/detail/7203) [Cheolick]. 한국민속대백과사전 (in Korean) . Retrieved 2022-03-24 . ^ (#cite_ref-18) "Official/Court Clothing" (http://www.lifeinkorea.com/culture/clothes/clothes.cfm?xURL=official) . www.lifeinkorea.com . Retrieved 2021-05-09 . ^ Jump up to: a b c d Oka, Ildikó (2015). "Mongol Clothing in the Yuan Period" (https://www.jstor.org/stable/43957434) . Acta Orientalia Academiae Scientiarum Hungaricae . 68 (4): 385–414. doi (/wiki/Doi_(identifier)) : 10.1556/062.2015.68.4.2 (https://doi.org/10.1556%2F062.2015.68.4.2) . ISSN (/wiki/ISSN_(identifier)) 0001-6446 (https://www.worldcat.org/issn/0001-6446) . JSTOR (/wiki/JSTOR_(identifier)) 43957434 (https://www.jstor.org/stable/43957434) . ^ Jump up to: a b "Aga Khan Museum" (http://agakhanmuseum.org/collection/artifact/robe-AKM677) . Aga Khan Museum . Retrieved 2021-05-05 . ^ (#cite_ref-21) Chaudhuri, K. N. (1990). Asia before Europe : economy and civilisation of the Indian Ocean from the rise of Islam to 1750 . Cambridge [England]: Cambridge University Press. p. 188. ISBN (/wiki/ISBN_(identifier)) 0-521-30400-8 . OCLC (/wiki/OCLC_(identifier)) 20014228 (https://www.worldcat.org/oclc/20014228) . ^ (#cite_ref-22) Jahan, Isharat (2016). Socio-Cultural life in Medieval History . Laxmi Book Publication. p. 92. ISBN (/wiki/ISBN_(identifier)) 9780359222803 . ^ Jump up to: a b Sind University Research Journal . The University of California; University of Sind, Faculty of Arts. Sind University Press. 1985. p. 79. {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: others ( link (/wiki/Category:CS1_maint:_others) ) ^ Jump up to: a b Sharma, K.D.; Sharma, Swati (2017). "The Imperial Costumes of Mughal Era" (https://anubooks.com/rjpsss-2017-no-1/) . Research Journal of Philosophy & Social Sciences . 43 (1): 233–241. v t e Traditional Han Chinese clothing (/wiki/Hanfu) Characteristics Garment and neckline (list) (/wiki/Garment_collars_in_Hanfu) Jiaoling youren (/wiki/Garment_collars_in_Hanfu#Cross-collars) Mandarin collar (/wiki/Mandarin_collar) Fastening Pankou (/wiki/Frog_(fastening)) Chinese button knot (/wiki/Chinese_button_knot) Zimukou (/wiki/Frog_(fastening)) Styles Baoyi bodai (/wiki/Paofu#Baoyi_bodai) Shangjian xiafeng (/wiki/Ruqun#Shangjian_xiafeng) Fuyao (/wiki/Fuyao_(fashion)) Hufu (/wiki/Hufu) List of hanfu (/wiki/List_of_hanfu) Textile decoration and craft Diancui (/wiki/Tian-tsui) Chinese knotting (/wiki/Chinese_knotting) Chinese embroidery (/wiki/Chinese_embroidery) Chinese auspicious ornaments in textile and clothing (list) (/wiki/Chinese_auspicious_ornaments_in_textile_and_clothing) Xiangyun (/wiki/Xiangyun_(Auspicious_clouds)) Lishui (sea-waves) (/wiki/Lishui_(sea-waves)) Mandarin square (/wiki/Mandarin_square) 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(/wiki/List_of_Hanfu_headwear) Guan (/wiki/Guan_(headwear)) Mianguan (/wiki/Mianguan) Fengguan (/wiki/Fengguan) Futou (/wiki/Futou) Tang official headwear (/wiki/Tang_official_headwear) Song official headwear (/wiki/Song_official_headwear) Mao Humao (/wiki/Humao) Damao (/wiki/Damao_(hat)) Liangmao (/wiki/Liangmao) Weimao (/wiki/Weimao) Jin Fujin (/wiki/Fujin_(headgear)) Wangjin (/wiki/Wangjin) Hairpin Chinese hairpin (/wiki/Chinese_hairpin) Buyao (/wiki/Buyao) Comb Shubi (/wiki/Shubi_(comb)) Veil Honggaitou (/wiki/Honggaitou) Mili (/wiki/Mili_(veil)) Footwear (list) (/wiki/Hanfu_footwear) Xiuhuaxie (/wiki/Xiuhuaxie) Tiger-head shoes (/wiki/Tiger-head_shoes) Lotus shoes (/wiki/Lotus_shoes) Accessories (list) (/wiki/Hanfu_accessories) Head Lingzi (/wiki/Lingzi) Neck Yingluo (/wiki/Yingluo_(ornament)) Yunjian (/wiki/Yunjian) Fangxingquling (/wiki/Tongtianguanfu) Shoulders Pibo (/wiki/Pibo) Xiapei (/wiki/Xiapei) Chest Yajin (/wiki/Yajin) Waist Yaoqun (/wiki/Yaoqun) Lap Bixi (/wiki/Bixi_(clothing)) Ribbons and knots Lào zi (/wiki/L%C3%A0o_zi) Portable Hebao (/wiki/Hebao) Xiangnang (fragrant sachet) (/wiki/Hebao) Hu (ritual baton) (/wiki/Hu_(ritual_baton)) Fu (tally) (/wiki/Fu_(tally)) Yufu (fish tally) (/wiki/Fu_(tally)#Fish_tally/_yufu) Yudai (fish bag) (/wiki/Fu_(tally)#Yudai) Folding fan (/wiki/Hand_fan) Tuanshan (/wiki/Tuanshan) Jewellery Longevity lock (/wiki/Lock_charm) Yupei (/wiki/Yupei) Jinbu (/wiki/Yupei#Jinbu_(禁步)) Influenced clothing Traditional clothing Kimono (/wiki/Kimono) Hanbok (/wiki/Hanbok) Ryusou (/wiki/Ryusou) Vietnamese clothing (/wiki/Vietnamese_clothing) Performance costume Xifu (/wiki/Xifu_(Costume)) Guzhuang (/wiki/Guzhuang_(costume)) Cosmetics Huadian (/wiki/Huadian_(make-up)) List of Hanfu (/wiki/List_of_Hanfu) NewPP limit report Parsed by mw‐web.codfw.main‐6f54559974‐fp6nz Cached time: 20240719161824 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.845 seconds Real time 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Italian make-up artist (1939–2022) Pablo Manzoni (15 July 1939 – 2 February 2022) was an Italian make-up artist who, as Pablo of Elizabeth Arden (/wiki/Elizabeth_Arden,_Inc.) , was awarded the Coty Award (/wiki/Coty_Award) in 1965 for leadership in cosmetics. [1] (#cite_note-tucson-1) Biography [ edit ] Manzoni was born Count Paolo Michaelangelo Zappi-Manzoni di Giovecca in Bologna (/wiki/Bologna) , Italy (/wiki/Kingdom_of_Italy) , son of Count Ubaldo Zappi-Manzoni di Giovecca, a surgeon (/wiki/Surgeon) , [2] (#cite_note-sheppard-2) [3] (#cite_note-chic-3) [4] (#cite_note-time-4) and wife Ersilia Monti. He is technically Count (/wiki/Count_(title)#In_Italy) Pablo Manzoni, although he stated in 1985 that he does not use his title. [3] (#cite_note-chic-3) At the age of 17, Manzoni persuaded the Elizabeth Arden salon in Rome to employ him, despite his lack of experience. [3] (#cite_note-chic-3) Whilst there, he worked with clients such as Sophia Loren (/wiki/Sophia_Loren) , for whom he used his trademark eyebrow-bleaching technique to enhance her eyes. [2] (#cite_note-sheppard-2) Another early Manzoni trademark was the use of false eyelashes. [2] (#cite_note-sheppard-2) At 24, Manzoni relocated to Manhattan (/wiki/Manhattan) , New York, where from 1964 to 1979, known only as "Pablo," he was creative director for Elizabeth Arden. [2] (#cite_note-sheppard-2) [3] (#cite_note-chic-3) In 1965, his eye-makeup techniques were so influential that he was awarded the Coty Award in recognition for launching a worldwide style. [1] (#cite_note-tucson-1) As a leader in the field of fashionable, elaborate eye-makeup, Pablo was extremely popular with fashion editors and society women during the 1960s. [5] (#cite_note-5) Manzoni stated in 1966 that the jewel-studded or flower-decorated eyes he created for the fashion press were intended to inspire the reader, rather than to be exactly copied. [6] (#cite_note-dahl-6) Despite this, he had clients asking him to reproduce the designs for actual wear. [4] (#cite_note-time-4) In 2011 Manzoni expanded on this, explaining that the "festive eyes" he created for Vogue (/wiki/Vogue_(magazine)) and Harper's Bazaar (/wiki/Harper%27s_Bazaar) were intended for shock value (/wiki/Shock_value) and publicity purposes, but that when at work he created subtle make-up for clients. [4] (#cite_note-time-4) [7] (#cite_note-7) In 1979 Manzoni left Elizabeth Arden to embark upon a solo career, for which he reclaimed his surname. [3] (#cite_note-chic-3) By 1985, as well as dealing with private clients, Manzoni was working as a make-up consultant for Neiman Marcus (/wiki/Neiman_Marcus) . [3] (#cite_note-chic-3) In 1990, he was Creative Director for the La Prairie cosmetics line. [8] (#cite_note-8) Manzoni died from complications from back surgery on 2 February 2022, at the age of 82. [9] (#cite_note-9) References [ edit ] ^ Jump up to: a b Staff writer (12 Oct 1965). "Coty Awards Presented" (https://www.newspapers.com/clip/3555084/tucson_daily_citizen/) . Tucson Daily Citizen (Tucson, Arizona) . Retrieved 4 November 2015 – via Newspapers.com (/wiki/Newspapers.com) . ^ Jump up to: a b c d Sheppard, Eugenia (/wiki/Eugenia_Sheppard) (12 March 1964). "Pablo Puts Their New Faces On" (https://www.newspapers.com/clip/3696518/the_corpus_christi_callertimes/) . The Corpus Christi Caller-Times . New York Herald-Tribune . Retrieved 24 November 2015 – via Newspapers.com (/wiki/Newspapers.com) . ^ Jump up to: a b c d e f Anderson, Lisa (19 June 1985). "Manzoni --the Merlin Of Makeup" (http://articles.chicagotribune.com/1985-06-19/entertainment/8502090062_1_jerry-hall-makeup-coty2_1_jerry-hall-makeup-coty) . The Chicago Tribune . Retrieved 24 November 2015 . ^ Jump up to: a b c Staff writer (10 June 1966). "Beauty: A Touch of Sable" (http://content.time.com/time/magazine/article/0,9171,942028,00.html) . Time (subscription required) . Retrieved 25 November 2015 . ^ (#cite_ref-5) Koda, Harold; Yohannan, Kohle (2009). The model as muse : embodying fashion (3rd ed.). New York: Metropolitan Museum of Art. p. 171. ISBN (/wiki/ISBN_(identifier)) 9781588393135 . ^ (#cite_ref-dahl_6-0) Dahl, Arlene (24 May 1966). "Makeup Emphasizes the Natural Qualities" (https://www.newspapers.com/clip/3696937/the_kansas_city_times/) . The Kansas City Times . Chicago Tribune New York News Syndicate . Retrieved 25 November 2015 – via Newspapers.com (/wiki/Newspapers.com) . ^ (#cite_ref-7) Adler, Rachel (9 June 2011). "Pablo Manzoni Talks Elizabeth Arden, Bright Eyes & Jackie O" (http://stylecaster.com/beauty-high/pablo-manzoni-talks-elizabeth-arden-bright-eyes-jackie-o/) . StyleCaster . Retrieved 25 November 2015 . ^ (#cite_ref-8) Staff writer (11 April 1990). "Soft hairstyles reminiscent of '60s" (https://www.newspapers.com/clip/3697046/indiana_gazette/) . Indiana Gazette . The Associated Press . Retrieved 25 November 2015 – via Newspapers.com (/wiki/Newspapers.com) . ^ (#cite_ref-9) Feitelberg, Rosemary (3 March 2022). "Celebrity Makeup Artist Pablo Manzoni Dies at 82" (https://www.aol.com/lifestyle/celebrity-makeup-artist-pablo-manzoni-233455061.html?guccounter=1) . AOL News . Retrieved 4 March 2022 . 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Dress featured in the 1991 film Beauty and the Beast Belle's ball gown Belle's ball gown as it appears for the first time in the original 1991 animated film (/wiki/Beauty_and_the_Beast_(1991_film)) . Designer Various, including Brian McEntee Year 1991 Type Animated off-the-shoulder golden ball gown (/wiki/Ball_gown) In the ballroom scene from Disney (/wiki/Walt_Disney_Animation_Studios) 's 1991 animated film Beauty and the Beast (/wiki/Beauty_and_the_Beast_(1991_film)) , during which the fictional character Belle (/wiki/Belle_(Disney_character)) dances with the Beast (/wiki/Beast_(Disney)) to the film's titular song (/wiki/Beauty_and_the_Beast_(Disney_song)) , Belle wears an opulent golden off-the-shoulder (/wiki/Off_the_shoulder) ball gown (/wiki/Ball_gown) with a voluminous skirt. Producer Don Hahn (/wiki/Don_Hahn) claims the dress was conceived by several intoxicated male filmmakers during production of the film. Although Beauty and the Beast is set in 18th-century France (/wiki/Early_modern_France) , the dress's streamlined, anachronistic (/wiki/Anachronism) design borrows inspiration from several different fashion eras, with some of its elements centuries removed from its historical setting (/wiki/Period_piece) . Although art director Brian McEntee had always envisioned the dress as yellow and gold, representing Belle's emotional growth into a happier, warmer character, Disney's marketing department wanted a pink dress to appeal to young girls; McEntee convinced the studio that gold would differentiate Belle from previous Disney princesses (/wiki/Disney_Princess) . The dress has been reimagined for several adaptations of the film, notably by Ann Hould-Ward (/wiki/Ann_Hould-Ward) for the Broadway musical (/wiki/Beauty_and_the_Beast_(musical)) in 1994, by Jacqueline Durran (/wiki/Jacqueline_Durran) for the 2017 live-action remake (/wiki/Beauty_and_the_Beast_(2017_film)) in which the costume is worn by actress Emma Watson (/wiki/Emma_Watson) , and by Marina Toybina (/wiki/Marina_Toybina) for the 2022 television special (/wiki/Beauty_and_the_Beast:_A_30th_Celebration) worn by singer H.E.R (/wiki/H.E.R.) . Despite some significant deviations from their animated predecessor, all designs retained the original's signature color. The dress is considered to be one of the most famous in film history, as well as one of Disney's most renowned outfits. Belle's dress has inspired several iterations in various tie-in (/wiki/Tie-in) media, including toys, video games, and television, with an alternate version of the character (/wiki/Belle_(Once_Upon_a_Time)) wearing a similar costume in the television series Once Upon a Time (/wiki/Once_Upon_a_Time_(TV_series)) . Replicas of the dress have been worn by actresses Penélope Cruz (/wiki/Pen%C3%A9lope_Cruz) and Hailee Steinfeld (/wiki/Hailee_Steinfeld) . History and design [ edit ] In Disney (/wiki/Walt_Disney_Animation_Studios) 's 1991 animated film Beauty and the Beast (/wiki/Beauty_and_the_Beast_(1991_film)) , Belle (/wiki/Belle_(Disney_character)) attends dinner with the Beast (/wiki/Beast_(Disney_character)) wearing a golden ball gown. [1] (#cite_note-:25-1) [2] (#cite_note-:26-2) [3] (#cite_note-:47-3) [4] (#cite_note-4) [a] (#cite_note-Gold_versus_yellow-5) She slowly enters down the grand staircase before eating and dancing with the Beast, [5] (#cite_note-:41-6) to the tune of the title song (/wiki/Beauty_and_the_Beast_(Disney_song)) performed by Mrs. Potts (/wiki/Mrs._Potts) . [2] (#cite_note-:26-2) [6] (#cite_note-:10-7) The dress is worn during one of Disney's most famous scenes, [7] (#cite_note-:14-8) [8] (#cite_note-9) which in turn contributed to the outfit's popularity among audiences. [9] (#cite_note-:15-10) According to Tracy Brown of the Chicago Tribune (/wiki/Chicago_Tribune) , the scene "helped cement the iconic status of Belle's yellow dress". [2] (#cite_note-:26-2) The dress is a voluminous off-the-shoulder (/wiki/Off_the_shoulder) tiered ball gown, [10] (#cite_note-:2-11) [11] (#cite_note-:48-12) [12] (#cite_note-:50-13) accessorized with a matching headpiece, [13] (#cite_note-:53-14) opera gloves (/wiki/Opera_gloves) , [11] (#cite_note-:48-12) earrings and shoes. [5] (#cite_note-:41-6) Belle wears her hair in a half-up style (/wiki/Bun_(hairstyle)) . [5] (#cite_note-:41-6) [14] (#cite_note-15) Out of her four costume changes, [15] (#cite_note-:51-16) the yellow gown is the most opulent dress Belle wears in the film. [3] (#cite_note-:47-3) Its color also matches that of the ballroom. [13] (#cite_note-:53-14) Screenwriter Linda Woolverton (/wiki/Linda_Woolverton) theorized that Belle obtained the dress from the Wardrobe character, who was no longer able to fit into the gown upon being turned into a wardrobe. [16] (#cite_note-17) A writer for The Times of India (/wiki/The_Times_of_India) believes the dress demonstrates Belle's preference for monochromatic (/wiki/Monochromatic_color) , sometimes ostentatious pieces. [17] (#cite_note-18) Writing for the Los Angeles Times (/wiki/Los_Angeles_Times) , Paddy Calistro observed that "the cut of Belle's clothes becomes more and more bare" as she falls in love with the Beast, "revealing voluptuous breasts and alluring shoulders". [15] (#cite_note-:51-16) According to Vox (/wiki/Vox_(website)) contributor Genevieve Valentine, the dress "was lifted out of time, with crinolines (/wiki/Crinoline) and neckline a century removed from the movie's vaguely rococo trappings", believing these details help establish the character's "forward-thinking affinity for the unusual". [10] (#cite_note-:2-11) Glamour (/wiki/Glamour_(magazine)) fashion historian April Calahan determined that Belle's dresses are not historically accurate because they borrow design elements from entirely different fashion eras. [18] (#cite_note-:12-19) The ball gown in particular is less shapely and omits several layers that would have been common for a typical gown of the time period, additionally lacking a wig or hat to indicate the character's sexual availability. [18] (#cite_note-:12-19) Contrarily, Lacey Womack of Screen Rant (/wiki/Screen_Rant) believes the dress is fairly historically accurate but less "extreme" than 18th century fashion, observing that Belle's waist should be far more cinched to emphasize the fullness of her skirt. [19] (#cite_note-:46-20) Uproxx (/wiki/Uproxx) contributor Donna Dickens wrote that audiences "believe the amount of petticoats utilized would hold the dress up without a human to support it", despite its lack of historical accuracy. [20] (#cite_note-:19-21) Some critics have speculated that the gown was inspired by a costume actress Audrey Hepburn (/wiki/Audrey_Hepburn) wears in the film Roman Holiday (/wiki/Roman_Holiday) (1953), [21] (#cite_note-22) [22] (#cite_note-23) but this has not been confirmed by Disney. [23] (#cite_note-:22-24) Background and original animation [ edit ] Beauty and the Beast is believed to be set in 18th-century France (/wiki/18th_Century_France) . [10] (#cite_note-:2-11) [19] (#cite_note-:46-20) [20] (#cite_note-:19-21) [24] (#cite_note-25) Walt Disney (/wiki/Walt_Disney) himself had attempted to adapt the fairy tale (/wiki/Beauty_and_the_Beast) during the 1940s but the idea was shelved, with an illustration of Belle wearing a yellow dress by Kay Nielsen (/wiki/Kay_Nielsen) being one of the few surviving artworks from the original project. [23] (#cite_note-:22-24) In animator Andreas Deja (/wiki/Andreas_Deja) 's concept art (/wiki/Concept_art) from the film's early development dated 1989, Belle's dresses appear to draw inspiration from anywhere between the 1650s and 1780s (/wiki/1780s_in_fashion) . [10] (#cite_note-:2-11) After the success of The Little Mermaid (/wiki/The_Little_Mermaid_(1989_film)) (1989) and popularity of its heroine Ariel (/wiki/Ariel_(The_Little_Mermaid)) , Disney was reminded of the potential their princess characters possess "as a narrative industry". [10] (#cite_note-:2-11) Among several changes made to the film's style, Belle became the studio's "next great hope in establishing a second generation of indelible — and marketable — princesses", with her costumes adopting a cleaner, more anachronistic (/wiki/Anachronism) aesthetic. [10] (#cite_note-:2-11) Dickens believes the animators forwent the intricacies of 18th-century fashion in favor of streamlining Belle's ball gown to save both time and effort. [20] (#cite_note-:19-21) Beginning with Belle's blue dress during the film's opening scenes, color is used to demonstrate the character's emotional journey throughout her story and differentiate her from other characters. [25] (#cite_note-:23-26) [26] (#cite_note-27) Art director Brian McEntee wanted the dress to be yellow and gold so light could capture as many of her movements as possible, despite the color being difficult to animate at the time. [27] (#cite_note-:13-28) McEntee explained that by the time Belle wears her gold dress, the character has matured and warmed up, dressing her entirely in yellow and gold "to show her love and her warmth". [25] (#cite_note-:23-26) Disney's marketing department originally wanted the dress to be pink or lavender to appeal to female audiences. [28] (#cite_note-:27-29) [29] (#cite_note-:0-30) [30] (#cite_note-31) However, McEntee and story artist Chris Sanders (/wiki/Chris_Sanders) convinced the studio to allow the dress to be gold to distinguish Belle from previous Disney princesses (/wiki/Disney_Princess) , [28] (#cite_note-:27-29) [29] (#cite_note-:0-30) specifically Sleeping Beauty (/wiki/Sleeping_Beauty_(1959_film)) ’s (1959) Aurora (/wiki/Aurora_(Sleeping_Beauty)) , who wears pink. [28] (#cite_note-:27-29) [31] (#cite_note-:1-32) Although the dress is not credited to a specific animator or designer, [b] (#cite_note-Multiple_designers.-33) producer Don Hahn (/wiki/Don_Hahn) and McEntee recalled designing it with several male filmmakers while eating pizza and drinking alcohol. [25] (#cite_note-:23-26) [32] (#cite_note-34) Hahn and McEntee find it ironic that, for several years to come, young girls would be wearing a costume that was essentially designed by drunken men. [25] (#cite_note-:23-26) [33] (#cite_note-35) Although several different animators constructed Belle's movements throughout production, only supervising animator James Baxter (/wiki/James_Baxter_(animator)) animated the character and her ball gown during the ballroom scene. [23] (#cite_note-:22-24) 1994 Broadway adaptation [ edit ] Belle's dress was adapted for the stage musical adaptation of the film (/wiki/Beauty_and_the_Beast_(musical)) , which premiered on Broadway in 1994. [34] (#cite_note-:3-36) [35] (#cite_note-:5-37) The show's costumes were designed by costume designer Ann Hould-Ward (/wiki/Ann_Hould-Ward) , [36] (#cite_note-:38-38) who consulted with the film's animators about how they created their characters. [35] (#cite_note-:5-37) Despite resembling the original dress, Hould-Ward based her version of the gown on several historical portraits and artwork. [34] (#cite_note-:3-36) Hould-Ward's daughter Leah insisted that the dress remain yellow or gold, prompting crewmembers to name the design's loyalty to the original "The Leah Factor". [37] (#cite_note-39) Notably, the stage version of the garment adheres to the original 18th century-influenced concept art and time period more closely, [20] (#cite_note-:19-21) incorporating a robe a la française (/wiki/Robe_%C3%A0_la_fran%C3%A7aise) , elbow sleeves, and panniers (/wiki/Pannier_(clothing)) . [10] (#cite_note-:2-11) Weighing 30–40 pounds (14–18 kg), [38] (#cite_note-40) the completed costume was made of silk and consisted of a hoop skirt (/wiki/Hoop_skirt) , brocade (/wiki/Brocade) , beading, flowers, bows, lace, and ribbons. [34] (#cite_note-:3-36) [39] (#cite_note-:4-41) The corset-shaped bodice was decorated with various ribbons, bows, flowers and a corsage (/wiki/Corsage) , all of which contributed to its "classic Belle look". [40] (#cite_note-:20-42) Accessories included a beaded necklace, jewel earrings, floral hairpiece, and cream-colored fishnet elbow-length gloves (/wiki/Opera_gloves) . [40] (#cite_note-:20-42) Hould-Ward also created a pair of bloomers (/wiki/Bloomers) to be worn underneath the dress, which were embroidered with flowers despite being hidden from the audience. [41] (#cite_note-:21-43) The weight of the dress was such that it would pull actress Susan Egan (/wiki/Susan_Egan) , who originated the role of Belle, in the opposite of whichever direction she was dancing during "Beauty and the Beast". [34] (#cite_note-:3-36) After the ballroom scene, removing the costume required assistance from three stagehands, who used wires to hoist the dress up into the rafters backstage, where it remained until its next performance. [34] (#cite_note-:3-36) [42] (#cite_note-:33-44) Belle's costume was the first one completed for the show, as Disney Theatrical Productions (/wiki/Disney_Theatrical_Productions) wanted the dress to be available for marketing and photoshoots six months prior to rehearsals. [34] (#cite_note-:3-36) [41] (#cite_note-:21-43) Egan was fitted for her costume several months before she met her original castmates. [41] (#cite_note-:21-43) The New York Times (/wiki/The_New_York_Times) published the first colored line-drawing by caricaturist Al Hirschfeld (/wiki/Al_Hirschfeld) , which depicted Egan and her co-star Terrence Mann (/wiki/Terrence_Mann) in costume as their characters. [34] (#cite_note-:3-36) However, Disney was furious upon discovering that Hirschfeld had painted Belle's dress pink instead of yellow. [34] (#cite_note-:3-36) Hirschfeld defended his work, explaining, "The costumes may have been blue and yellow, but they made me feel green and pink." [34] (#cite_note-:3-36) [42] (#cite_note-:33-44) The lithograph (/wiki/Lithography) painting is currently estimated at $3,000. [43] (#cite_note-45) The stage featured a spotlight with a yellow filter that would shine on the dress to saturate (/wiki/Saturation_(colour_theory)) its hue (/wiki/Hue) . [41] (#cite_note-:21-43) Egan recalled that young girls would regularly attend shows wearing their own versions of the dress purchased from the Disney Store (/wiki/Disney_Store) , with one girl yelling that Egan looks "just like [her]" when the actress appeared on stage one evening. [44] (#cite_note-:34-46) The outburst paused the show momentarily, and prompted laughter from both the audience and cast. [44] (#cite_note-:34-46) Hould-Ward won a Tony Award (/wiki/Tony_Awards) for Best Costume Design (/wiki/Tony_Award_for_Best_Costume_Design) for her work on Beauty and the Beast . [35] (#cite_note-:5-37) The dress was re-designed for R&B singer Toni Braxton (/wiki/Toni_Braxton) when she joined the production as Belle in 1998, with alterations designed to make the costume sexier and more revealing. [45] (#cite_note-47) [46] (#cite_note-48) Braxton also wore a "fringed" version of the dress during the show's curtain call (/wiki/Curtain_call) . [47] (#cite_note-49) Although simplified for traveling purposes, the costume's design has remained largely unaltered for subsequent touring productions. [48] (#cite_note-50) In 2000, Broadway Cares/Equity Fights (/wiki/Broadway_Cares/Equity_Fights_AIDS) created a teddy bear (/wiki/Teddy_bear) wearing a miniature replica of Belle's costume from the Broadway musical for charity. [36] (#cite_note-:38-38) 2017 live-action remake [ edit ] Costume designer Jacqueline Durran (/wiki/Jacqueline_Durran) redesigned Belle's ball gown for the film's 2017 live-action remake (/wiki/Beauty_and_the_Beast_(2017_film)) , [49] (#cite_note-:24-51) in which Belle is portrayed by actress Emma Watson (/wiki/Emma_Watson) . [50] (#cite_note-:16-52) [51] (#cite_note-53) Durran identified the garment as the most difficult costume to adapt due to the original's popularity, prompting several production discussions about its appearance, color, and material. [52] (#cite_note-:9-54) Never intended to be an exact replica of its animated predecessor, [53] (#cite_note-:11-55) Durran decided to retain its color in homage to the original, [54] (#cite_note-56) but added more texture to "mak[e] it feel like a real living costume.” [52] (#cite_note-:9-54) She felt that simply replicating the dress would result in "a terrible costume" due to the original's comparative simplicity. [55] (#cite_note-:39-57) However, she feared the dress would disappoint fans if it did not invoke the original in some manner, [53] (#cite_note-:11-55) and maintains that she never considered the costume being any color other than yellow. [56] (#cite_note-:45-58) Handkerchief edges and taffeta fabrics were among some of the alternations Durran had considered, in addition to changing the shape of the skirt. [56] (#cite_note-:45-58) Actress Emma Watson (/wiki/Emma_Watson) 's personal preferences, such as the omission of a corset (/wiki/Corset) , influenced the appearance of Belle's dress for the film's 2017 live-action remake (/wiki/Beauty_and_the_Beast_(2017_film)) , which was designed by Jaqueline Durran (/wiki/Jacqueline_Durran) . Durran camera tested several different fabrics to determine the best shade of yellow for the film, [9] (#cite_note-:15-10) [57] (#cite_note-59) as well as how the ballroom's lighting would affect its shade on screen. [58] (#cite_note-60) Watson retained significant creative input (/wiki/Creative_Control) over her character's wardrobe, [9] (#cite_note-:15-10) explaining that she did not "want a big princess dress" in favor of moving freely. [59] (#cite_note-:7-61) Watson also insisted that the dress not consist of a corset (/wiki/Corset) , [59] (#cite_note-:7-61) fearing the item would restrict her movement. [60] (#cite_note-62) The actress found it most important that the garment "dance beautifully", explaining, "We wanted it to feel like it could float, like it could fly." [52] (#cite_note-:9-54) Willow, the five-year-old daughter of Watson's costar Dan Stevens (/wiki/Dan_Stevens) , [61] (#cite_note-63) drew Watson several sketches of how she felt the dress should look, [62] (#cite_note-64) which Watson took seriously and reviewed with the costume department. [63] (#cite_note-:35-65) Durran also designed a miniature version of the dress for Willow to wear to the film's premiere. [56] (#cite_note-:45-58) The dress underwent several interpretations and re-designs during production, ranging from historically accurate to modern and experimental. [64] (#cite_note-:18-66) Durran ultimately opted for simplicity, [65] (#cite_note-:30-67) describing the costume as a "soft structure built up by with meters and meters of silk organza dyed yellow and cut broadly in a circular shape", which emphasize the actress' movement. [66] (#cite_note-:8-68) Dickens theorized that Disney opted for a simpler design to make the dress easier to replicate for costumes and merchandise. [20] (#cite_note-:19-21) Durran incorporated 18th-century fashion elements into the dress, namely its layered skirt and emphasized waistline. [55] (#cite_note-:39-57) The costume required 12,000 hours to design and create, [52] (#cite_note-:9-54) [67] (#cite_note-69) with 238 of those hours and 10 crewmembers devoted to making the dress. [64] (#cite_note-:18-66) Multiple copies were made. [68] (#cite_note-:28-70) The final costume is made of lightweight tulle (/wiki/Tulle_(netting)) , 180 feet of dyed satin organza (/wiki/Organza) , and taffeta (/wiki/Taffeta) , [52] (#cite_note-:9-54) [59] (#cite_note-:7-61) stitched together using 3,000 feet of thread. [52] (#cite_note-:9-54) Although Watson wore a cage underneath certain areas of the skirt, several layers of organza contribute to most of its volume. [9] (#cite_note-:15-10) Elements of the Beast's castle were incorporated into the design, specifically a gold rococo (/wiki/Rococo) pattern borrowed from the ceiling. [59] (#cite_note-:7-61) Durran recruited an English artist to transform the pattern's floral motif into a painted design, which was hand-painted onto a canvas before being enlarged and digitally printed onto the dress. [69] (#cite_note-71) Durran's team printed the artwork onto three layers of the skirt using gold leaf (/wiki/Gold_leaf) filigree (/wiki/Filigree) in a pattern reminiscent of the ballroom's Rococo floor, [52] (#cite_note-:9-54) on top of which they sewed 2,160 Swarovski crystals (/wiki/Swarovski_crystals) for additional sparkle. [50] (#cite_note-:16-52) [52] (#cite_note-:9-54) [59] (#cite_note-:7-61) Overall, the design remained faithful to the original but, according to Fawnia Soo Hoo of Nylon (/wiki/Nylon_(magazine)) , was updated to reflect Belle's liberated nature and allow her to lean into the final action scenes. [70] (#cite_note-:44-72) The gown's accessories also complement the characters' surroundings, namely Belle's plant-like ear cuff (/wiki/Ear_cuff) , feather-like hairpiece and gold filigree necklace. [53] (#cite_note-:11-55) [71] (#cite_note-:42-73) Durran explained that since everything worn in the castle is created in the castle, the accessories should also "partake in the magic enchantment of the castle itself", with Belle's ear cuff resembling a growing plant. [71] (#cite_note-:42-73) Watson wears her hair in a "half-up, half-down" style reminiscent of the original, held in place using a gilded hair piece which is used to unlock a cart later in the film. [71] (#cite_note-:42-73) Belle's shoes are 18th-century high heels hand-painted with golden glowers. [9] (#cite_note-:15-10) Despite their height, the shoes are practical enough for Belle to wear while running. [72] (#cite_note-74) Watson has identified wearing the dress as her favorite moment in the film. [68] (#cite_note-:28-70) Unlike previous adaptations, Watson's Belle does not re-wear the golden gown at the end of the film once the castle's spell is lifted. [65] (#cite_note-:30-67) Instead, Durran designed an original white floral dress for Watson. [65] (#cite_note-:30-67) 2022 television special [ edit ] Singer H.E.R. (/wiki/H.E.R.) played Belle in Beauty and the Beast: A 30th Celebration (/wiki/Beauty_and_the_Beast:_A_30th_Celebration) , a 2022 television special (/wiki/Television_special) commemorating the 30th anniversary of the film's Academy Award (/wiki/Academy_Awards) nomination for Best Picture (/wiki/Academy_Award_for_Best_Picture) . Costume designer Marina Toybina (/wiki/Marina_Toybina) adapted Belle's ball gown for the special, which was the final costume she created for the program. [73] (#cite_note-:54-75) Toybina debated whether she should design a live-action replica of the gown, or approach it from an entirely new direction. [74] (#cite_note-:56-76) To help establish that H.E.R. was portraying her own version of the popular character for a modern audience, Toybina opted not to design an exact replica of the dress in favor of incorporating H.E.R.'s own musical style. [74] (#cite_note-:56-76) [75] (#cite_note-:55-77) Toybina wanted to use the rose motif in the gown's design, [73] (#cite_note-:54-75) aiming to create a "yellow version of the rose". [75] (#cite_note-:55-77) To achieve this effect, the designer specially draped the skirt in a manner intended to resemble rose petals, invoking a "softness and elegance" unique to the new design. [75] (#cite_note-:55-77) Four different pleating techniques were used for the skirt's fullness, including sunburst pleating and gathered pleating. [74] (#cite_note-:56-76) All embroidery was hand-beaded. [74] (#cite_note-:56-76) After debating with the production team on whether the dress should appear yellow or gold, the costumer designer ultimately decided on a hybrid of both, described as "an iridescent yellow fabric with golden detailing on the corset". [73] (#cite_note-:54-75) Discussing the gown's hue which continues to be debated, Toybina explained that the dress was originally gold dress and evolved into a yellow dress over time. [75] (#cite_note-:55-77) She also drew inspiration from contemporary fashion designers such as Alexander McQueen (/wiki/Alexander_McQueen) , Thierry Mugler (/wiki/Thierry_Mugler) , and Daniel Roseberry (/wiki/Daniel_Roseberry) , [75] (#cite_note-:55-77) while the armor-like bodice draws inspiration from Joan of Arc (/wiki/Joan_of_Arc) . [74] (#cite_note-:56-76) Reception [ edit ] When Beauty and the Beast was released in 1991, Belle's ball gown quickly became a favorite among Disney fans, [18] (#cite_note-:12-19) and it has since become closely associated with the character. [3] (#cite_note-:47-3) Alexis Bennett of Cosmopolitan (/wiki/Cosmopolitan_(magazine)) called it "unforgettable". [76] (#cite_note-78) D23 (/wiki/D23_(Disney)) contributor Beth Deitchman believes the dress "has remained equally enchanting since 1991", [49] (#cite_note-:24-51) while Shea Simmons of Bustle called it "the star of the show". [77] (#cite_note-79) According to E! (/wiki/E!) , the gown resembles a dress "straight off the Oscar de la Renta (/wiki/Oscar_de_la_Renta) runway". [78] (#cite_note-80) Writing for Seventeen (/wiki/Seventeen_(American_magazine)) , Kelsey Stiegman called the dress "every little girl's prom dream". [79] (#cite_note-81) Both Hould-Ward and Durran's costume designs were nominated for industry awards in their respective fields of stage and film. [35] (#cite_note-:5-37) [80] (#cite_note-:40-82) Genevieve Valentine of Vox (/wiki/Vox_(website)) believes the design is difficult to recreate both at the Disney Parks (/wiki/Disney_Parks,_Experiences_and_Products) and in merchandise, observing that the dress had received at least half a dozen redesigns by 2017. [10] (#cite_note-:2-11) Durran's version of the dress divided critics and audiences, earning mixed reviews upon its debut in the film's 2017 live-action remake. [81] (#cite_note-:6-83) Emmet Asher-Perrin of Tor.com (/wiki/Tor.com) felt "there's nothing wrong with the dress", describing it as functional and faithful to the original, but questioned its muted hue. [1] (#cite_note-:25-1) Upon release of the remake's trailer, Penny Goldstone of Marie Claire (/wiki/Marie_Claire) complimented its details and silhouette. [82] (#cite_note-:29-84) Brooke Bobb of Vogue (/wiki/Vogue_(magazine)) described the costume as a "sun-colored cupcake frock" in which Watson "looks resplendent". [83] (#cite_note-:52-85) While Dickens lauded the original dress as "a magnificent piece of fashion", she dismissed the remake as "a limp piece of margarine (/wiki/Margarine) ", particularly in comparison to costumes worn by the film's supporting characters and the gown worn by Lily James (/wiki/Lily_James) in Disney's 2015 live-action remake (/wiki/Cinderella_(2015_Disney_film)) of Cinderella (/wiki/Cinderella_(1950_film)) (1950). [20] (#cite_note-:19-21) Valentine found Durran's design to be more concerned with Watson's brand than historical or aesthetical accuracy, opining that the garment's lack of visual impact "means they had something besides standout costuming in mind". [10] (#cite_note-:2-11) Describing the dress as "a casualty of practicality", Valentine called it "a walking uncanny valley (/wiki/Uncanny_valley) " in comparison to more imaginative costumes, particularly the Beast's. [10] (#cite_note-:2-11) Farmers Harvest (/wiki/Lewisville_High_School) felt the costume "does not live up to its iconic" reputation, comparing it to a modern prom dress "as opposed to the royal French ball gown it is supposed to be", which they blamed on Watson's creative input. [84] (#cite_note-86) Jessica Mason of The Mary Sue (/wiki/The_Mary_Sue) described Watson's interpretation as a "monstrosity" and one of "the worst offenses in 'period' costuming". [85] (#cite_note-87) Nevertheless, both Cosmopolitan (/wiki/Cosmopolitan_(magazine)) and Wonderwall (/wiki/Wonderwall.com) cited Watson's version among the most iconic dresses in film history, [86] (#cite_note-88) [87] (#cite_note-:32-89) with the latter calling it an "amazing gown that looks like it was ripped from the pages of a fairy tale", [87] (#cite_note-:32-89) while Vogue Paris (/wiki/Vogue_Paris) hailed it as one of film's most iconic yellow dresses. [88] (#cite_note-90) The Guardian (/wiki/The_Guardian) journalist Jess Cartner-Morley (/wiki/Jess_Cartner-Morley) described Watson's dress as an improvement over the original, writing that it "retains pride of place on screen – albeit with the sickly, 90s shade of the original ... filtered into a softer mid-century yellow". [89] (#cite_note-:43-91) Cartner-Morley also observed that the dress adheres to the revival of yellow as a trending (/wiki/Fashion_trend) formalwear (/wiki/Formal_dress) color between 2016 and 2017. [89] (#cite_note-:43-91) According to Fawnia Soo Hoo of Nylon (/wiki/Nylon_(magazine)) , "no timeless yellow dress brings as much warm nostalgia as Belle's circa-18th-century-France ballgown". [70] (#cite_note-:44-72) Legacy [ edit ] Belle's ball gown is considered to be one of the most famous dresses in film history (/wiki/List_of_dresses) , [6] (#cite_note-:10-7) [9] (#cite_note-:15-10) [31] (#cite_note-:1-32) [66] (#cite_note-:8-68) [90] (#cite_note-92) as well as one of Disney's most recognizable dresses. [91] (#cite_note-:17-93) Several media publications have referred to the dress as "iconic", [92] (#cite_note-94) with Clark Collis of Entertainment Weekly (/wiki/Entertainment_Weekly) writing in 2016 that it "has become a genuinely iconic garment in the 25 years since the film's release". [93] (#cite_note-95) According to Floriane Reynaud of Vogue Paris (/wiki/Vogue_Paris) , the dress "is one of the most iconic costumes in film history", comparing its impact to costumes from the films Gone With the Wind (/wiki/Gone_with_the_Wind_(film)) (1939) and Moulin Rouge! (/wiki/Moulin_Rouge!) (2001). [27] (#cite_note-:13-28) Penny Goldstone of Marie Claire (/wiki/Marie_Claire) agreed that the dress is Disney's most iconic princess gown, [82] (#cite_note-:29-84) while Jo-Anne Rowney of the Daily Mirror (/wiki/Daily_Mirror) called it "one of the most iconic dresses in Disney history". [7] (#cite_note-:14-8) Sarah Karmali of British (/wiki/British_Vogue) Vogue considers it to be both one of the studio's "most instantly recognisable dresses" and one of the 20 most famous dresses in fashion history. [94] (#cite_note-96) In a 2018 ranking of "Pop culture's 15 most iconic yellow dresses", Entertainment Weekly contributor Mary Sollosi said the dress "has gone down in Disney history as one of [their] most iconic fairy-tale dresses". [95] (#cite_note-97) The Houston Chronicle (/wiki/Houston_Chronicle) mentioned the garment in a similar ranking of famous yellow dresses, with author Kyrie O’Connor writing, "Whether you're Belle or Beyonce (/wiki/Beyonc%C3%A9) , wearing a yellow dress sends the message that the wearer is confident and doesn't worry about getting noticed". [96] (#cite_note-98) Niamh Campbell of Evoke.ie (/wiki/Evoke.ie) believes the dress alone is beloved enough to convince people to watch the live-action remake in theaters. [91] (#cite_note-:17-93) According to Screen Rant (/wiki/Screen_Rant) ' s Sierra Robinson, the garment "is a huge reason as to why the [animated] film is so loved", ranking it the fifth "most iconic" movie dress. [81] (#cite_note-:6-83) Writing for the same publication, Rotem Rusak ranked it the second-best Disney princess gown, describing it as an "incredible" dress that made Disney history, [97] (#cite_note-:31-99) while Bethany Aroutunian ranked it third on the website's list of "Best Outfits In Disney Live-Action Adaptations". [98] (#cite_note-100) A Disney Parks cast member dressed as Belle. According to Fawnia Soo Hoo of Fashionista (/wiki/Fashionista_(website)) , the gown remains the film's most recognizable look, having been immortalized in the forms of dolls, Halloween costumes, and merchandise. [75] (#cite_note-:55-77) The dress continues to be a popular Halloween costume among young girls, [18] (#cite_note-:12-19) [66] (#cite_note-:8-68) [99] (#cite_note-101) surpassed only by Elsa (/wiki/Elsa_(Frozen)) 's ice dress from Frozen (/wiki/Frozen_(2013_film)) in terms of Disneyland purchases as of 2021. [27] (#cite_note-:13-28) According to Bobb, "little girls everywhere have dreamed of twirling around in that dress" since 1991, describing it as arguably "the single most recognizable image from the original film". [83] (#cite_note-:52-85) The gown is believed to have inspired red carpet (/wiki/Red_carpet) dresses worn by several celebrities, [12] (#cite_note-:50-13) [100] (#cite_note-102) including Cheryl (/wiki/Cheryl_(singer)) , Alicia Vikander (/wiki/Alicia_Vikander) , Leslie Mann (/wiki/Leslie_Mann) and Katie Holmes (/wiki/Katie_Holmes) , [3] (#cite_note-:47-3) [91] (#cite_note-:17-93) [101] (#cite_note-103) as well as fashion designer Giambattista Valli (/wiki/Giambattista_Valli) 's Haute Couture (/wiki/Haute_couture) fashion show. [102] (#cite_note-:36-104) Vikander admitted that the yellow Louis Vuitton (/wiki/Louis_Vuitton) dress she wore to the 88th Academy Awards (/wiki/88th_Academy_Awards) in 2016 was deliberately inspired by Belle, who she had idolized as a child. [103] (#cite_note-105) In 2017, Olivia Bahou of InStyle (/wiki/InStyle) observed that the dress's "appeal is spilling over from the screen to the fashion world, and the proof is on the red carpet ... with everyone [in Hollywood] channeling the Disney princess". [12] (#cite_note-:50-13) Bahou called the gown "the original celebrity stylist", [12] (#cite_note-:50-13) while Emma Firth of Grazia (/wiki/Grazia) coined the dress's influence on fashion trends the "Belle-effect". [102] (#cite_note-:36-104) Actress Penélope Cruz (/wiki/Pen%C3%A9lope_Cruz) wore a rendition of Belle's dress for photographer Annie Leibovitz (/wiki/Annie_Leibovitz) 's Disney Dream Portraits (/wiki/Disney_Dream_Portrait_Series) series in 2011. [104] (#cite_note-106) [105] (#cite_note-107) Actress Hailee Steinfeld (/wiki/Hailee_Steinfeld) wore a Belle costume during a musical performance at the 2017 MTV Movie & TV Awards (/wiki/2017_MTV_Movie_%26_TV_Awards) . [106] (#cite_note-108) An interpretation of the dress, designed by Eduardo Castro (/wiki/Eduardo_Castro) , appears in the television series Once Upon a Time (/wiki/Once_Upon_a_Time_(TV_series)) . [107] (#cite_note-:37-109) [108] (#cite_note-:49-110) It is worn by actress Emilie de Ravin (/wiki/Emilie_de_Ravin) , who plays an alternate live-action version of Belle (/wiki/Belle_(Once_Upon_a_Time)) . [107] (#cite_note-:37-109) [108] (#cite_note-:49-110) Costume designer Bea Åkerlund identified the dress as their favorite "yellow fashion moment". [109] (#cite_note-111) Screen Rant contributor Lucy-Jo Finnighan believes the dress "is probably one of the reasons why this film is considered the best on-screen adaptation of Beauty and the Beast". [13] (#cite_note-:53-14) The version of the costume Braxton wore on Broadway was displayed during the Treasures of the Walt Disney Archives exhibit at the Ronald Reagan Presidential Museum and Library (/wiki/Ronald_Reagan_Presidential_Library) in 2012. [110] (#cite_note-112) [111] (#cite_note-113) To commemorate the release of the remake, Belle's gown was exhibited at the El Capitan Theatre (/wiki/El_Capitan_Theatre) in March 2017. [112] (#cite_note-114) [113] (#cite_note-115) In 2019, Watson's costume was displayed at the Walt Disney Archives' "Heroes and Villains: The Art of the Disney Costume" exhibit at the D23 Expo (/wiki/D23_Expo) . [2] (#cite_note-:26-2) The dress and its exhibit were moved to the Museum of Pop Culture (/wiki/Museum_of_Pop_Culture) in 2021, following delays as a result of the COVID-19 pandemic (/wiki/COVID-19_pandemic) . [114] (#cite_note-116) See also [ edit ] List of individual dresses (/wiki/List_of_individual_dresses) Belle ( (/wiki/Belle_(Disney_character)) Beauty and the Beast ) (/wiki/Belle_(Disney_character)) Beauty and the Beast (1991 film) (/wiki/Beauty_and_the_Beast_(1991_film)) Beauty and the Beast (musical) (/wiki/Beauty_and_the_Beast_(musical)) Beauty and the Beast (2017 film) (/wiki/Beauty_and_the_Beast_(2017_film)) Notes [ edit ] ^ (#cite_ref-Gold_versus_yellow_5-0) The original dress from the animated film has alternatively been described as either gold or yellow by various sources, but producer Don Hahn (/wiki/Don_Hahn) and art director Brian McEntee have called the gown gold or golden. ^ (#cite_ref-Multiple_designers._33-0) Filmmakers commonly associated with designing the dress include art director Brian McEntee, producer Don Hahn (/wiki/Don_Hahn) , story artist Chris Sanders (/wiki/Chris_Sanders) and supervising animator James Baxter (/wiki/James_Baxter_(animator)) . References [ edit ] ^ Jump up to: a b Asher-Perrin, Emmet (November 3, 2016). "Belle's Dress in the Live-Action Beauty and the Beast: Is it Yellow or Gold?" (https://www.tor.com/2016/11/03/belle-beauty-and-the-beast-dress-yellow-or-gold/) . Tor.com (/wiki/Tor.com) . Archived (https://web.archive.org/web/20211003195129/https://www.tor.com/2016/11/03/belle-beauty-and-the-beast-dress-yellow-or-gold/) from the original on October 3, 2021 . Retrieved October 3, 2021 . Belle's dress is not yellow, it is gold. ^ Jump up to: a b c d Brown, Tracy (June 4, 2019). "Emma Watson's 'Beauty and the Beast' gown and Cinderella's dresses on display at Disney's D23 Expo" (https://web.archive.org/web/20211003195137/https://www.chicagotribune.com/la-et-hc-d23-walt-disney-archives-20190604-story.html) . Chicago Tribune (/wiki/Chicago_Tribune) . Archived from the original (https://www.chicagotribune.com/la-et-hc-d23-walt-disney-archives-20190604-story.html) on October 3, 2021 . Retrieved October 3, 2021 . ^ Jump up to: a b c d Jennings, Rebecca (May 23, 2016). "What Emma Watson Should Wear as Belle in 'Beauty and the Beast' (https://web.archive.org/web/20211028172926/https://www.racked.com/2016/5/23/11746050/beauty-and-the-beast-trailer) " (https://web.archive.org/web/20211028172926/https://www.racked.com/2016/5/23/11746050/beauty-and-the-beast-trailer) . Racked (/wiki/Racked.com) . Archived from the original (https://www.racked.com/2016/5/23/11746050/beauty-and-the-beast-trailer) on October 28, 2021 . Retrieved October 26, 2021 . ^ (#cite_ref-4) "Why is Belle the best princess?" (https://celebrity.fm/why-is-belle-the-best-princess/amp/) . Celebrity.fm . 2017. Archived (https://web.archive.org/web/20211028153331/https://celebrity.fm/why-is-belle-the-best-princess/amp/) from the original on October 28, 2021 . Retrieved October 27, 2021 . Because of that, in 2D animation, yellow is often a visual shorthand to represent gold ... That, in part, is why so many people scratched their heads when they saw Belle's Live Action Ball Gown was going to be simply yellow. ^ Jump up to: a b c Trousdale, Gary (/wiki/Gary_Trousdale) (November 22, 1991). Beauty and the Beast (/wiki/Beauty_and_the_Beast_(1991_film)) (Motion picture). United States: Buena Vista Pictures Distribution (/wiki/Buena_Vista_Pictures_Distribution) . Belle's shoes are mostly hidden underneath the dress' skirt, but they can briefly be seen when she begins walking down the staircase. ^ Jump up to: a b Teather, Charlie (October 1, 2020). "56 of the most epic movie costumes of all time (yes, including Andie Anderson's yellow dress)" (https://www.glamourmagazine.co.uk/gallery/movie-ballgowns-dresses-pretty-woman-titanic) . Glamour (/wiki/Glamour_(magazine)) . Archived (https://web.archive.org/web/20211002202553/https://www.glamourmagazine.co.uk/gallery/movie-ballgowns-dresses-pretty-woman-titanic) from the original on October 2, 2021 . 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"Belle's costumes don't fit the live-action Beauty and the Beast, but they fit her brand" (https://web.archive.org/web/20211001201223/https://www.vox.com/culture/2017/3/28/15071766/beauty-and-the-beast-belle-yellow-gold-dress-costumes) . Vox (/wiki/Vox_(website)) . Archived from the original (https://www.vox.com/culture/2017/3/28/15071766/beauty-and-the-beast-belle-yellow-gold-dress-costumes) on October 1, 2021 . Retrieved October 1, 2021 . ^ Jump up to: a b Rodulfo, Kristina (March 9, 201). "I Wore The 'Beauty And The Beast' Belle Dress Around New York City For A Day" (https://www.elle.com/culture/news/a42390/i-wore-the-belle-yellow-dress-for-a-day/) . Elle (/wiki/Elle_(magazine)) . Retrieved October 26, 2021 . ^ Jump up to: a b c d Bahou, Olivia (March 14, 2017). "16 Celebrities Who Went Full Belle on the Red Carpet" (https://www.instyle.com/celebrity/celebrities-channeling-belle-red-carpet) . InStyle (/wiki/InStyle) . 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" (https://economictimes.indiatimes.com/magazines/panache/beast-dan-stevenss-five-year-old-daughter-helped-design-belles-iconic-gown/articleshow/57853371.cms) 'Beast' Dan Stevens's five-year-old daughter helped design Belle's iconic gown" (https://economictimes.indiatimes.com/magazines/panache/beast-dan-stevenss-five-year-old-daughter-helped-design-belles-iconic-gown/articleshow/57853371.cms) . The Economic Times (/wiki/The_Economic_Times) . March 27, 2017. Archived (https://web.archive.org/web/20211005032725/https://economictimes.indiatimes.com/magazines/panache/beast-dan-stevenss-five-year-old-daughter-helped-design-belles-iconic-gown/articleshow/57853371.cms) from the original on October 5, 2021 . Retrieved October 22, 2021 . Jones, Isabel (March 20, 2017). "A 5-Year-Old Helped Emma Watson Design Belle's Yellow Dress" (https://www.instyle.com/news/dan-stevens-daughter-belle-dress-design-emma-watson) . InStyle (/wiki/InStyle) . Archived (https://web.archive.org/web/20211005005143/https://www.instyle.com/news/dan-stevens-daughter-belle-dress-design-emma-watson) from the original on October 5, 2021 . Retrieved October 22, 2021 . "Dan Stevens' daughter designs Emma Watson's Beauty and the Beast dress" (https://www.toronto.com/whatson-story/7195820-dan-stevens-daughter-designs-emma-watson-s-beauty-and-the-beast-dress/) . Toronto.com (/wiki/Toronto.com) . March 17, 2017. Archived (https://web.archive.org/web/20211005010140/https://www.toronto.com/whatson-story/7195820-dan-stevens-daughter-designs-emma-watson-s-beauty-and-the-beast-dress/) from the original on October 5, 2021 . Retrieved October 22, 2021 . Page-Kirby, Kristen (July 20, 2017). "The story behind (and under) the ballgown" (https://www.washingtonpost.com/express/wp/2017/07/20/the-story-behind-and-under-the-ballgown/) . The Washington Post (/wiki/The_Washington_Post) . Archived (https://web.archive.org/web/20181130140608/https://www.washingtonpost.com/express/wp/2017/07/20/the-story-behind-and-under-the-ballgown/) from the original on November 30, 2018 . Retrieved October 22, 2021 . "Photos: 'Beauty and the Beast' is all about the look" (https://scroll.in/reel/831718/photos-beauty-and-the-beast-is-all-about-the-look) . Scroll.in (/wiki/Scroll.in) . March 14, 2017. Archived (https://web.archive.org/web/20211025191850/https://scroll.in/reel/831718/photos-beauty-and-the-beast-is-all-about-the-look) from the original on October 25, 2021 . Retrieved October 22, 2021 . "Little girl's costume change wows Disney World's Gaston" (https://abc7ny.com/beauty-and-the-beast-belle-transforming-dress-yellow/1706735/) . ABC 7 New York (/wiki/ABC_7_New_York) . February 2, 2017 . Retrieved November 2, 2017 . ^ (#cite_ref-95) Collis, Clark (November 3, 2016). "Beauty and the Beast: Creating Belle's fairy tale yellow dress" (https://web.archive.org/web/20210302230222/https://ew.com/article/2016/11/03/beauty-and-beast-emma-watson-yellow-dress/) . Entertainment Weekly (/wiki/Entertainment_Weekly) . Archived from the original (https://ew.com/article/2016/11/03/beauty-and-beast-emma-watson-yellow-dress/) on March 2, 2021 . Retrieved October 4, 2021 . ^ (#cite_ref-96) Karmali, Sarah (March 23, 2013). "Most Famous Dresses" (https://web.archive.org/web/20150216120556/http://www.vogue.co.uk/news/favourites-of-vogue/2012/10/iconic-dresses---worlds-most-famous-dresses---best-dresses-in-history/gallery/874664) . British Vogue (/wiki/British_Vogue) . Archived from the original (https://www.vogue.co.uk/news/favourites-of-vogue/2012/10/iconic-dresses---worlds-most-famous-dresses---best-dresses-in-history) on February 16, 2015 . Retrieved October 3, 2021 . ^ (#cite_ref-97) Sollosi, Mary (February 7, 2018). "Pop culture's 15 most iconic yellow dresses" (https://web.archive.org/web/20211022170139/https://ew.com/movies/pop-cultures-iconic-yellow-dresses/?slide=5858682) . Entertainment Weekly (/wiki/Entertainment_Weekly) . Archived from the original (https://ew.com/movies/pop-cultures-iconic-yellow-dresses/?slide=5858682#5858682) on October 22, 2021 . Retrieved October 5, 2021 . ^ (#cite_ref-98) O’Connor, Kyrie (January 3, 2017). "Not just 'La La Land': 12 great famous yellow dresses" (https://www.chron.com/life/style/fashion/article/Not-just-La-La-Land-7-great-famous-yellow-10831871.php#photo-2059092) . Houston Chronicle (/wiki/Houston_Chronicle) . Retrieved November 2, 2021 . ^ (#cite_ref-:31_99-0) Rusak, Rotem (May 22, 2020). "Disney: Top 10 Disney Princess Gowns, Ranked" (https://web.archive.org/web/20211008181745/https://screenrant.com/disney-top-10-disney-princess-gowns-ranked/) . Screen Rant (/wiki/Screen_Rant) . Archived from the original (https://screenrant.com/disney-top-10-disney-princess-gowns-ranked/) on October 8, 2021 . Retrieved October 4, 2021 . ^ (#cite_ref-100) Aroutunian, Bethany (January 17, 2020). "10 Best Outfits In Disney Live-Action Adaptations" (https://web.archive.org/web/20211008111350/https://screenrant.com/best-outfits-in-disney-live-action-adaptations/) . Screen Rant (/wiki/Screen_Rant) . Archived from the original (https://screenrant.com/best-outfits-in-disney-live-action-adaptations/) on October 8, 2021 . Retrieved October 7, 2021 . ^ (#cite_ref-101) Mack, Lindsay E. (September 18, 2017). "How To Dress Like Emma Watson's Belle For A Dreamy Halloween" (https://www.romper.com/p/how-to-dress-like-emma-watsons-belle-for-a-dreamy-halloween-2360951) . Romper (/wiki/Romper_(website)) . Archived (https://web.archive.org/web/20211007162948/https://www.romper.com/p/how-to-dress-like-emma-watsons-belle-for-a-dreamy-halloween-2360951) from the original on October 7, 2021 . Retrieved October 6, 2021 . ^ (#cite_ref-102) Stewart, Erinn; Vautour, Sienna (March 17, 2017). "13 Celebs Who Have Chanelled [ (https://web.archive.org/web/20210118013927/https://www.flare.com/celebrity/celebs-belle-dress/) sic ] Belle on the Red Carpet" (https://web.archive.org/web/20210118013927/https://www.flare.com/celebrity/celebs-belle-dress/) . Flare (/wiki/Flare_(magazine)) . Archived from the original (https://www.flare.com/celebrity/celebs-belle-dress/#gallery/celebs-beauty-and-the-beast-belle-dress/slide-1) on January 18, 2021 . Retrieved November 2, 2021 . ^ (#cite_ref-103) Ward, Kate (May 5, 2014). "Katie Holmes Dresses Like a Disney Princess" (https://www.bustle.com/articles/23506-katie-holmes-showed-up-at-the-2014-met-gala-dressed-just-like-beauty-and-the-beasts) . Bustle (/wiki/Bustle_(magazine)) . Archived (https://web.archive.org/web/20211005032810/https://www.bustle.com/articles/23506-katie-holmes-showed-up-at-the-2014-met-gala-dressed-just-like-beauty-and-the-beasts) from the original on October 5, 2021 . Retrieved October 4, 2021 . ^ Jump up to: a b Firth, Emma (March 21, 2017). "Dan Stevens' 5-Year-Old Daughter Helped Design Belle's Iconic Yellow Ballgown" (https://web.archive.org/web/20211005014137/https://graziadaily.co.uk/fashion/news/dan-stevens-daughter-designer-belle-yellow-ballgown/) . Grazia (/wiki/Grazia) . Archived from the original (https://graziadaily.co.uk/fashion/news/dan-stevens-daughter-designer-belle-yellow-ballgown/) on October 5, 2021 . Retrieved October 4, 2021 . ^ (#cite_ref-105) Kirkpatrick, Emily (February 29, 2016). "Alicia Vikander Channels Belle from Beauty & the Beast on the Oscars Red Carpet" (https://people.com/style/alicia-vikander-channels-belle-from-beauty-the-beast-on-the-oscars-red-carpet/) . People (/wiki/People_(magazine)) . Retrieved January 19, 2021 . ^ (#cite_ref-106) Alexander, Ella (March 4, 2011). "Disney Day" (https://web.archive.org/web/20211006022201/https://www.vogue.co.uk/article/disney-dream-portraits-by-annie-leibovitz) . British Vogue (/wiki/British_Vogue) . Archived from the original (https://www.vogue.co.uk/article/disney-dream-portraits-by-annie-leibovitz) on October 6, 2021 . Retrieved October 5, 2021 . ^ (#cite_ref-107) "Life's a fairytale for new mum Penelope" (https://web.archive.org/web/20211006023131/https://ca.hellomagazine.com/celebrities/201103045051/annie-leibovitz/disney-series/jeff-bridges/) . Hello! Canada (/wiki/Hello!_Canada) . March 4, 2011. Archived from the original (https://ca.hellomagazine.com/celebrities/201103045051/annie-leibovitz/disney-series/jeff-bridges/) on October 6, 2021 . Retrieved October 5, 2021 . ^ (#cite_ref-108) Eidell, Lynsey (May 8, 2017). "Watch Emma Watson's Reaction to Hailee Steinfeld as Belle at the MTV Movie and TV Awards 2017" (https://web.archive.org/web/20211005232314/https://www.teenvogue.com/story/emma-watsons-hailee-steinfeld-belle-mtv-movie-awards-2017) . Teen Vogue (/wiki/Teen_Vogue) . Archived from the original (https://www.teenvogue.com/story/emma-watsons-hailee-steinfeld-belle-mtv-movie-awards-2017) on October 5, 2021 . Retrieved October 5, 2021 . ^ Jump up to: a b Weseman, Lisa (October 1, 2014). "Go Inside the Costume Department at Once Upon a Time" (https://abc.com/shows/once-upon-a-time/news/production-blog/20141001-costumes-behind-the-scenes) . ABC (/wiki/American_Broadcasting_Company) . Archived (https://web.archive.org/web/20211004210021/https://abc.com/shows/once-upon-a-time/news/production-blog/20141001-costumes-behind-the-scenes) from the original on October 4, 2021 . Retrieved October 4, 2021 . ^ Jump up to: a b "Belle's Golden Gown" (https://micheleclapton.wordpress.com/eduardo-castro/belles-golden-gown/) . The Work of Michele Clapton . March 13, 2015. Archived (https://web.archive.org/web/20211027185848/https://micheleclapton.wordpress.com/eduardo-castro/belles-golden-gown/) from the original on October 27, 2021 . Retrieved October 13, 2021 . ^ (#cite_ref-111) Murray, Georgia (May 26, 2020). "The Irresistible Appeal Of A Yellow Dress" (https://web.archive.org/web/20211006205320/https://www.refinery29.com/en-ca/famous-yellow-dresses) . Refinery29 (/wiki/Refinery29) . Archived from the original (https://www.refinery29.com/en-ca/famous-yellow-dresses) on October 6, 2021 . Retrieved October 6, 2021 . ^ (#cite_ref-112) Mike (January 7, 2013). "Treasures of the Walt Disney Archives" (https://theyawns.com/2013/01/07/treasures-of-the-walt-disney-archives/) . Epic Mikey . Archived (https://web.archive.org/web/20211007064016/https://theyawns.com/2013/01/07/treasures-of-the-walt-disney-archives/) from the original on October 7, 2021 . Retrieved October 6, 2021 . ^ (#cite_ref-113) Steinberger, Aimee (2012). "Treasures Of The Walt Disney Archives Reagan Library" (http://aimeemajor.com/wp/blog/treasures-of-the-walt-disney-archives-reagan-library/) . Aimee Steinberger . Archived (https://web.archive.org/web/20211007034535/http://aimeemajor.com/wp/blog/treasures-of-the-walt-disney-archives-reagan-library/) from the original on October 7, 2021 . Retrieved October 6, 2021 . ^ (#cite_ref-114) Martin, Brittany (March 16, 2017). "Immerse yourself in 'Beauty and the Beast' at this El Capitan event with memorabilia, a tea party and more" (https://web.archive.org/web/20211004171045/https://www.timeout.com/los-angeles/blog/immerse-yourself-in-beauty-and-the-beast-at-this-el-capitan-event-with-memorabilia-a-tea-party-and-more-031617) . Time Out (/wiki/Time_Out_(magazine)) . Archived from the original (https://www.timeout.com/los-angeles/blog/immerse-yourself-in-beauty-and-the-beast-at-this-el-capitan-event-with-memorabilia-a-tea-party-and-more-031617) on October 4, 2021 . Retrieved October 4, 2021 . ^ (#cite_ref-115) Kaan, Gil (March 22, 2017). "BWW Interview: El Capitan's GM Ed Collins Proudly Touts Their Exclusive Beauty and the Beast Extras" (https://web.archive.org/web/20211004171545/https://www.broadwayworld.com/los-angeles/article/BWW-Interview-El-Capitans-GM-Ed-Collins-Proudly-Touts-Their-Exclusive-BEAUTY-AND-THE-BEAST-Extras-20170322) . BroadwayWorld (/wiki/BroadwayWorld) . Archived from the original (https://www.broadwayworld.com/los-angeles/article/BWW-Interview-El-Capitans-GM-Ed-Collins-Proudly-Touts-Their-Exclusive-BEAUTY-AND-THE-BEAST-Extras-20170322) on October 4, 2021 . Retrieved October 4, 2021 . ^ (#cite_ref-116) Davis-Friedman, Samantha (May 25, 2021). "Seattle's Museum of Pop Culture presents exclusive Disney costume exhibition" (https://web.archive.org/web/20211003195858/https://attractionsmagazine.com/seattles-museum-of-pop-culture-presents-exclusive-disney-costume-exhibition/) . Attractions Magazine . Archived from the original (https://attractionsmagazine.com/seattles-museum-of-pop-culture-presents-exclusive-disney-costume-exhibition/) on October 3, 2021 . Retrieved October 3, 2021 . v t e Disney's (/wiki/Beauty_and_the_Beast_(franchise)) Beauty and the Beast Films Animation Beauty and the Beast (/wiki/Beauty_and_the_Beast_(1991_film)) (1991) Beauty and the Beast: The Enchanted Christmas (/wiki/Beauty_and_the_Beast:_The_Enchanted_Christmas) (1997) Belle's Magical World (/wiki/Belle%27s_Magical_World) (1998) Live-action Belle's Tales of Friendship (/wiki/Belle%27s_Tales_of_Friendship) (1999) Beauty and the Beast (/wiki/Beauty_and_the_Beast_(2017_film)) (2017) Adaptations Musical (/wiki/Beauty_and_the_Beast_(musical)) Live on Stage (/wiki/Beauty_and_the_Beast_Live_on_Stage) Sing Me a Story with Belle (/wiki/Sing_Me_a_Story_with_Belle) Be Our Guest Restaurant (/wiki/Be_Our_Guest_Restaurant) Enchanted Tale of Beauty and the Beast (/wiki/Enchanted_Tale_of_Beauty_and_the_Beast) Beauty and the Beast: A 30th Celebration (/wiki/Beauty_and_the_Beast:_A_30th_Celebration) Video games Beauty and the Beast (/wiki/Beauty_and_the_Beast_(1994_video_game)) (1994; 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German dressmaker Gerda von Zobeltitz Von Zobeltitz in 1913 Born ( 1891-06-09 ) June 9, 1891 Rixdorf (/wiki/Rixdorf) , Berlin (/wiki/Berlin) , German Empire (/wiki/German_Empire) Died March 29, 1963 (1963-03-29) (aged 71) Berlin, West Germany (/wiki/West_Germany) Occupation dressmaker Spouse Charlotte Paulig (1916-1917; divorced) Gerda von Zobeltitz (9 June, 1891, Rixdorf (/wiki/Neuk%C3%B6lln_(locality)) , Berlin - 29 March 1963, Berlin) was a German dressmaker (/wiki/Dressmaker) and one of the first recognized transgender (/wiki/Transgender) people in the late German Empire (/wiki/German_Empire) and early Weimar Republic (/wiki/Weimar_Republic) . Life [ edit ] An article about Zobeltitz in the Chattanooga Daily Times (/wiki/Chattanooga_Daily_Times) , August 12, 1912. Zobeltitz came from the noble family of the same name, albeit from a line that had "gone down somewhat in social terms in recent generations". [1] (#cite_note-1) She grew up in Weissensee, Berlin (/wiki/Weissensee_(Berlin)) and lived there with her family for most of her life. Her father was a saddler, like her grandfather. Her mother is sometimes listed in address books as a market foreman, and other times as a widow. Zobeltitz had an older brother who died in infancy, and a sister who was two years younger than her who stayed close to the family. [2] (#cite_note-:0-2) Zobeltitz is first recorded under the name Gerda In 1912. She wrote to Magnus Hirschfeld (/wiki/Magnus_Hirschfeld) , asking for his assistance. Hirschfeld and his colleague, Ernst Burchard, ran a practice in which they pioneered sexual medicine and from which the Institute for Sexual Science emerged in 1919. They examined Zobeltitz and gave her a report that was supposed to help her get one of the first so-called transvestite passes (/wiki/Transvestite_pass) . This document was intended to protect people whose clothing did not correspond to their official sex from police persecution. [ citation needed ] Gerda von Zobeltitz was arrested for the first time in February 1912, and was taken to the Weissensee police station. She was soon released, and a report was filed by the Berlin police regarding her status. The report corresponded to Hirschfeld's view of transvestite behavior at the time. It attested Gerda's "unsuppressable tendency" from an early age to "live in the manner of the opposite sex, in particular to dress as a girl and to engage in play and work". Gerda also wore women's clothing for the Imperial Army's examination. [3] (#cite_note-3) They also certified that she had no tendency towards criminally prosecuted homosexuality (/wiki/Homosexuality) . In November 1912, von Zobeltitz applied for a transvestite pass with the help of the report from the Berlin police chief, Traugott von Jagow, and received the pass on March 5, 1913. It was the third proven certificate of this kind. At least six Berlin newspapers reported on the pass, some with a photo and other details. The incident also attracted attention in German-speaking countries; a Viennese weekly newspaper reported: [4] (#cite_note-4) The district president in Potsdam recently gave permission to 20-year-old Georg von Zobeltitz in Weissensee near Berlin to wear women's clothes all the time. The young man had been repeatedly arrested by the police in women's clothing and had to be released again and again because of his feminine disposition. It caused quite a stir when he appeared before the selection committee in women's clothing and could not be persuaded to wear men's clothing in this case. Now that he has gained official permission to wear women's clothing, he will also take up a female profession and learn sewing in order to open a fashion salon. — Article in Das interessante Blatt (/wiki/Das_interessante_Blatt) , 3 April 1913 In June 1914, von Zobeltitz was arrested again at short notice because she was wearing extraordinarily conspicuous clothing and had attracted large crowds on several occasions. She worked as a dressmaker and wore her own designs in extravagant fashion according to the latest fashion. In August 1916 two newspapers again reported on Gerda von Zobeltitz, saying she had married an actress; the two appeared in a photo in their wedding dresses. [5] (#cite_note-5) [6] (#cite_note-6) [7] (#cite_note-7) In fact, on August 29, 1916, von Zobeltitz married 37 year-old privatier (/wiki/Privatier) Charlotte Valeska Theophila Paulig, who was born in Berlin-Schoeneberg. In October 1916, her distant relative Hanns von Zobeltitz applied to have Gerda's permission to wear women's clothing revoked. He accused her of being a public nuisance and referred to the public uproar of the marriage and an incident in an unspecified bar near Nollendorfplatz. In particular, the requirements for issuing the ID card with the wedding were no longer applicable. Hanns von Zobeltitz was an off-duty captain who belonged to the influential line of the family, and his writing made an impression. After some internal letters from the authorities, an order was issued in mid-December 1916, according to which the head of office in Weissensee should issue a decree against the transvestite pass. Whether or how this was actually implemented is uncertain; in the 1930s and the 1940s, official confirmations of permission to wear women's clothing are documented. [ citation needed ] Von Zobeltitz's divorced her wife after just a few months, on May 29, 1917, by the Royal District Court III in Berlin. Several other short-term marriages followed until 1921, never lasting longer than eleven months. [ citation needed ] In the 1920s, Gerda von Zobeltitz was a visible part of the Berlin subculture. She appears in December 1920 in an advertisement for the Pan-Diele pub, in which a performance by “Baroness Gerd von Zobeltitz – the Berlin phenomenon” is announced for the tea dance. At a costume ball, "The Festival of Fantasy", in the City Hotel, she performed Das lila Lied (/wiki/Das_lila_Lied) , the first German anthem of the homosexual movement. [ citation needed ] In some accounts von Zobeltitz was present at a fight in Rauchfangwerder on Lake Zeuthen on July 5, 1930. This marks the first known stand against police violence by homosexuals and other sexual minorities, nearly 40 years before the Stonewall riots (/wiki/Stonewall_riots) in New York City (/wiki/New_York_City) . A local Berlin group, the Federal Human Rights Association, had organized a steamer trip to a popular tourist spot and rented a hall there for several hundred gays and lesbians. The Berlin police sports group Mitte celebrated in the same bar. Tensions rose from insults to open violence as the alcohol consumption progressed. Some of the gays and lesbians fought back and ultimately caused the police officers to flee. [ citation needed ] During the Nazi Regime, von Zobeltitz continued to work as a seamstress in her apartment in Weissensee and is described as always elegantly dressed in contemporary oral accounts. Contemporary witnesses speak of fears of persecution by the regime, but there is no indication that she ever had difficulties. It is known that she often and loudly listened to the banned BBC (/wiki/BBC) broadcasts; she had also called her three St. Bernard dogs (/wiki/St._Bernard_(dog)) "Voralarm“ (pre-alert), "Alarm“, and "Entwarnung“ (all clear), and enjoyed loudly calling them from the balcony. She is described as cursing frequently and harshly, and would not put up with anything when her feminine demeanor was questioned. Some contemporary witnesses hinted at relationships with men, but there is no documentation to support this. In 1944, Gerda remarried and moved from Weissensee to Charlottenburg (/wiki/Charlottenburg) . Her wife ran a flower shop there. After World War II, her sister and her daughter moved into her apartment, probably because of the housing shortage resulting from the destruction of the war. Von Zobeltitz continued to make women's clothing, which her sister sold at the market. In the official address book for 1957 she is listed as a dancer, a profession that is otherwise only listed in the marriage certificate of December 30, 1919 as "actor and dancer". [ citation needed ] Gerda von Zobeltitz died in a traffic accident on March 29, 1963. She had lost part of her sight and was hit on Kurfürstendamm (/wiki/Kurf%C3%BCrstendamm) and fatally injured. Her wife lived in the old apartment until January 1985. [ citation needed ] Legacy [ edit ] Gerda von Zobeltitz received attention in 2009 when she became one of the featured people in a presentation of the history of Berlin's lesbians and gays in Prenzlauer Berg, Pankow and Weissensee. The historian Katja Koblitz, from the Spinnboden association, wrote a biographical study of von Zobeltitz based on archive material and eyewitness interviews. [2] (#cite_note-:0-2) In 2015 the Berlin State Office for Equality – Against Discrimination undertook research to examine whether historic LGBT individuals could be honored via the naming of streets and other locations. The state office concluded that von Zobeltitz had taken on a pioneering role in the fight for recognition and self-determination and that her self-confidence, courage and perseverance should be honored. The reports concludes: "Gerda von Zobeltitz is also an example of the discrimination she has suffered and the non-recognition of her own way of life, also by parts of her family of origin". [8] (#cite_note-8) Since then, Gerda von Zobeltitz has repeatedly been mentioned in depictions of the role of early trans people in the Weimar Republic, such as in the exhibition "TO BE SEEN. queer lives 1900–1950" at the NS-Document Center Munich (/wiki/Munich_Documentation_Centre_for_the_History_of_National_Socialism) 2022/23. [9] (#cite_note-9) Sources [ edit ] Jens Dobler: Von anderen Ufern. Geschichte der Berliner Lesben und Schwulen in Kreuzberg und Friedrichshain . Bruno Gmünder Verlag, Berlin 2003, ISBN (/wiki/ISBN_(identifier)) 978-3-86187-298-6 (/wiki/Special:BookSources/978-3-86187-298-6) , p. 75. Katja Koblitz: „In ihm hat die Natur das berühmte dritte Geschlecht geschaffen“. Gerda von Zobeltitz, ein Transvestit aus Weißensee. In: Sonntags-Club (Hrsg.): Verzaubert in Nord-Ost. Die Geschichte der Berliner Lesben und Schwulen in Prenzlauer Berg, Pankow und Weißensee. Bruno Gmünder Verlag, Berlin 2009, ISBN (/wiki/ISBN_(identifier)) 978-3-86787-135-8 (/wiki/Special:BookSources/978-3-86787-135-8) , pp. 58–80. Landesstelle für Gleichstellung – gegen Diskriminierung: Gerda von Zobeltitz . In: Persönlichkeiten in Berlin 1825–2006 , pp. 82 ff. References [ edit ] ^ (#cite_ref-1) Koblitz 2009, p. 63. ^ Jump up to: a b Koblitz 2009 ^ (#cite_ref-3) Jander, Thomas (23 July 2019). "What's that for? A Licence to Be (Different)" (https://www.dhm.de/blog/2019/07/23/whats-that-for-a-licence-to-be-different/) . Deutsches Historisches Museum: Blog . Retrieved 2023-06-05 . ^ (#cite_ref-4) Der Jüngling in Frauenkleidern : Daily overview from the 3 April 1913, p. 5 (Online at ANNO (/wiki/Anno_(Austrian_Newspapers_Online)) ) Template:ANNO/Maintenance/nopaper (/w/index.php?title=Template:ANNO/Maintenance/nopaper&action=edit&redlink=1) ^ (#cite_ref-5) Ein weiblicher Bräutigam . In: Deutsches Volksblatt , 7 September 1916, p. 3 (Online at ANNO (/wiki/Anno_(Austrian_Newspapers_Online)) ) Template:ANNO/Maintenance/dvb (/w/index.php?title=Template:ANNO/Maintenance/dvb&action=edit&redlink=1) ^ (#cite_ref-6) Der Bräutigam in Frauenkleidern : Daily overview from the 7 September 1916, p. 9 (Online at ANNO (/wiki/Anno_(Austrian_Newspapers_Online)) ) Template:ANNO/Maintenance/nopaper (/w/index.php?title=Template:ANNO/Maintenance/nopaper&action=edit&redlink=1) ^ (#cite_ref-7) Der Bräutigam im Brautkleide . In: Pester Lloyd (/wiki/Pester_Lloyd) , 4 October 1916, p. 9 (Online at ANNO (/wiki/Anno_(Austrian_Newspapers_Online)) ) Template:ANNO/Maintenance/pel (/w/index.php?title=Template:ANNO/Maintenance/pel&action=edit&redlink=1) ^ (#cite_ref-8) Landesstelle für Gleichstellung – gegen Diskriminierung: Gerda von Zobeltitz . In: Persönlichkeiten in Berlin 1825 – 2006 , S. 82 f. ( online (https://www.berlin.de/sen/lads/_assets/schwerpunkte/lsbti/materialien/schriftenreihe/doku30_lsbti-persoenlichkeiten-in-berlin.pdf) ) ^ (#cite_ref-9) "TO BE SEEN. queer lives 1900–1950" (https://www.nsdoku.de/tobeseen) . www.nsdoku.de (in German). 2023-06-20 . Retrieved 2023-06-05 . 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Togolese fashion designer This article is an orphan (/wiki/Wikipedia:Orphan) , as no other articles link to it (https://en.wikipedia.org/w/index.php?title=Special:WhatLinksHere&target=Kavsokl_Batoka&namespace=0) . Please introduce links (/wiki/Help:Link) to this page from related articles (https://en.wikipedia.org/w/index.php?title=Special%3ASearch&redirs=1&search=Kavsokl+Batoka&fulltext=Search&ns0=1&title=Special%3ASearch&advanced=1&fulltext=Kavsokl+Batoka) ; try the Find link tool (https://edwardbetts.com/find_link?q=Kavsokl_Batoka) for suggestions. ( July 2024 ) Kavsokl Batoka Occupation Fashion designer, textile designer, business executive (/wiki/Business_executive) , dressmaker (/wiki/Dressmaker) , costume designer (/wiki/Costume_designer) Kavsokl Batoka , also known by the pseudonym Kav Élite , is a Togolese (/wiki/Togo) fashion designer (/wiki/Fashion_design) who leads the company Kav Élite (/w/index.php?title=Kav_%C3%89lite&action=edit&redlink=1) , which has become her pseudonym. She is recognized as a prominent Togolese fashion artist and dresses several first ladies (/wiki/First_lady) of the African continent (/wiki/Africa) , among others. Batoka is also involved in charitable works (/wiki/Charity_(practice)) , particularly for Togolese orphans (/wiki/Orphan) , as she herself is fatherless. Biography [ edit ] Career [ edit ] The designer lost her father at a very young age. [1] (#cite_note-:2-1) After completing her studies, Batoka studied fashion in Togo (/wiki/Togo) for four years and graduated at the top of her class in 1998. [2] (#cite_note-:0-2) [3] (#cite_note-:1-3) She then went to Dakar (/wiki/Dakar) , Senegal (/wiki/Senegal) , to further her training. [2] (#cite_note-:0-2) [3] (#cite_note-:1-3) The artist began her work in the fashion industry (/wiki/Fashion) in the early 2000s (/wiki/2000s) by founding her company, Kav Élite (/w/index.php?title=Kav_%C3%89lite&action=edit&redlink=1) , in Lomé (/wiki/Lom%C3%A9) , Togo, [4] (#cite_note-:3-4) which initially had only three apprentices. [3] (#cite_note-:1-3) In 2022, the designer presented her first "Kav Elite Fashion Show" in Lomé, attended by other Togolese and African fashion figures, such as Desmond Design. [5] (#cite_note-:12-5) This event was an opportunity for her to showcase her " Arc-en-ciel " (Rainbow) collection. [5] (#cite_note-:12-5) Alongside this presentation, Kav Élite organized a fundraiser for charitable works (/wiki/Charity_(practice)) and donations to Togolese orphanages (/wiki/Orphanage) . [6] (#cite_note-:4-6) [7] (#cite_note-7) In 2022, she visited an orphanage to offer food and supplies. [1] (#cite_note-:2-1) Among her clients are several first ladies (/wiki/First_lady) of the African continent (/wiki/Africa) , and she is sometimes nicknamed the "Baroness of Fashion". [8] (#cite_note-8) Additionally, her creations have been featured on the covers of Ivorian fashion magazines "Life Magazine" and "Brut", and she was invited to the stage at the 9th edition of the International Togolese Fashion Festival. [6] (#cite_note-:4-6) [9] (#cite_note-9) There, she presented her collection " Gneto lim ", which means "greenery" in Kabiye (/wiki/Kabiye_language) , [3] (#cite_note-:1-3) a particularly verdant collection dedicated to environmental protection (/wiki/Environmental_protection) . [10] (#cite_note-10) The following year, in 2023, Kav Élite presented one of her collections in Abidjan (/wiki/Abidjan) . [11] (#cite_note-11) In July 2024, she presented her " Fraternité " collection in Brussels (/wiki/Brussels) [4] (#cite_note-:3-4) [12] (#cite_note-12) and then organized the second session of her "Kav Elite Fashion Show", scheduled to be held from 18 to 21 July 2024, in the Kozah prefecture (/wiki/Kozah_Prefecture) , [13] (#cite_note-13) with the aim of integrating disadvantaged populations from northern Togo into fashion creation. [14] (#cite_note-14) Personal life [ edit ] Batoka is married and the mother of five children. [2] (#cite_note-:0-2) References [ edit ] ^ Jump up to: a b Papyrus, Le (2022-12-31). "Humanitaire : Kav élite au chevet des enfants de l'orphelinat SPES" (https://lepapyrus.tg/humanitaire-kav-elite-au-chevet-des-enfants-de-lorphelinat-spes/) . Le papyrus (in French). Archived (https://web.archive.org/web/20240302173835/https://lepapyrus.tg/humanitaire-kav-elite-au-chevet-des-enfants-de-lorphelinat-spes/) from the original on 2024-03-02 . Retrieved 2024-07-09 . ^ Jump up to: a b c ACTU, GLOBAL (2022-02-21). "FIMO 228 : par sa collection, KAV Elite a démontré qu'elle veut conquérir le monde" (https://globalactu.com/2022/02/21/fimo-228-par-sa-collection-kav-elite-a-demontre-qu-elle-veut-conquerir-le-monde/) . Global Actu (in French). Archived (https://web.archive.org/web/20240709081734/https://globalactu.com/2022/02/21/fimo-228-par-sa-collection-kav-elite-a-demontre-qu-elle-veut-conquerir-le-monde/) from the original on 2024-07-09 . Retrieved 2024-07-09 . ^ Jump up to: a b c d "KAV Elite: Des créations à la dimension internationale - Togo Breaking News" (https://togobreakingnews.info/kav-elite-des-creations-a-la-dimension-internationale/) (in French). 2022-02-26. Archived (https://web.archive.org/web/20220226185731/https://togobreakingnews.info/kav-elite-des-creations-a-la-dimension-internationale/) from the original on 2022-02-26 . Retrieved 2024-07-09 . ^ Jump up to: a b "La marque togolaise Kav Élite fait sensation avec la collection " Fraternité " à Bruxelles | ActuBilan" (https://actubilan.tg/la-marque-togolaise-kav-elite-fait-sensation-avec-la-collection-fraternite-a-bruxelles/) (in French). 2024-07-02. Archived (https://web.archive.org/web/20240709081722/https://actubilan.tg/la-marque-togolaise-kav-elite-fait-sensation-avec-la-collection-fraternite-a-bruxelles/) from the original on 2024-07-09 . Retrieved 2024-07-09 . ^ Jump up to: a b Gapola (2022-11-28). "Togo : Kavsokl Batoka présente sa collection " Arc-en-ciel " (https://gapola.tg/togo-kavsokl-batoka-presente-sa-collection-arc-en-ciel/amp/) " (https://gapola.tg/togo-kavsokl-batoka-presente-sa-collection-arc-en-ciel/amp/) . GAPOLA (in French) . Retrieved 2024-07-09 . ^ Jump up to: a b "Mode: La maison de couture Kav Elite confirme son professionnalisme à travers un show inédit" (https://leveil.tg/mode-la-maison-de-couture-kav-elite-confirme-son-professionnalisme-a-travers-un-show-inedit/) . L'Eveil de la Nation (in French). 2022-11-28. Archived (https://web.archive.org/web/20231005022746/https://leveil.tg/mode-la-maison-de-couture-kav-elite-confirme-son-professionnalisme-a-travers-un-show-inedit/) from the original on 2023-10-05 . Retrieved 2024-07-09 . ^ (#cite_ref-7) afreepress (2022-11-30). "Mode : la styliste-modéliste Kav Elite séduit avec ses collections" (https://afreepress.tg/2022/11/30/mode-la-styliste-modeliste-kav-elite-seduit-avec-ses-collections/) . Afreepress (in French). Archived (https://web.archive.org/web/20230615164210/https://afreepress.tg/2022/11/30/mode-la-styliste-modeliste-kav-elite-seduit-avec-ses-collections/) from the original on 2023-06-15 . Retrieved 2024-07-09 . ^ (#cite_ref-8) Papyrus, Le (2022-11-12). "Défilé de mode : KAV Elite crée l'évènement" (https://lepapyrus.tg/defile-de-mode-kav-elite-cree-levenement/) . Le papyrus (in French). Archived (https://web.archive.org/web/20231201205108/http://lepapyrus.tg/defile-de-mode-kav-elite-cree-levenement/) from the original on 2023-12-01 . Retrieved 2024-07-09 . ^ (#cite_ref-9) "Kav Elite: les collections Arc-en-ciel présentées au public - Togo Breaking News" (https://togobreakingnews.info/kav-elite-les-collections-arc-en-ciel-presentees-au-public/) (in French). 2022-11-27. Archived (https://web.archive.org/web/20221127170156/https://togobreakingnews.info/kav-elite-les-collections-arc-en-ciel-presentees-au-public/) from the original on 2022-11-27 . Retrieved 2024-07-09 . ^ (#cite_ref-10) "Fashion Festival international - FIMO 228 EDITION 9 2022: KAV ELITE presents her Couture Collection - DESIGNERS NEWS AFRICA" (https://www.dn-africa.com/news/20220218-kav-elite-presents-her-couture-collection/) (in French). 2022-02-19. Archived (https://web.archive.org/web/20240222101144/https://www.dn-africa.com/news/20220218-kav-elite-presents-her-couture-collection/) from the original on 2024-02-22 . Retrieved 2024-07-09 . ^ (#cite_ref-11) Afrikfashion (2023-09-20). "Made in Togo, Kav élite présente sa nouvelle collection à Abidjan" (https://afrikfashion.ci/made-in-togo-kav-elite-presente-sa-nouvelle-collection-a-abidjan/) . Afrikfashion (in French). Archived (https://web.archive.org/web/20231129000059/https://afrikfashion.ci/made-in-togo-kav-elite-presente-sa-nouvelle-collection-a-abidjan/) from the original on 2023-11-29 . Retrieved 2024-07-09 . ^ (#cite_ref-12) Gapola (2024-07-03). "Bruxelles : Kav Elite présente sa collection "Fraternité" à la diaspora togolaise et africaine" (https://gapola.tg/bruxelles-kavsokl-batoka-presente-sa-collection-fraternite-a-la-diaspora-togolaise-et-africaine/) . GAPOLA (in French) . Retrieved 2024-07-09 . ^ (#cite_ref-13) "Mode : Kav Elite brille à White Party à Bruxelles - Togo Breaking News" (https://togobreakingnews.info/kav-elite-brille-white-party-a-bruxelles/) (in French). 2024-07-03. Archived (https://web.archive.org/web/20240703215839/https://togobreakingnews.info/kav-elite-brille-white-party-a-bruxelles/) from the original on 2024-07-03 . Retrieved 2024-07-09 . ^ (#cite_ref-14) AGBODJAN, Narcisse Prince (2024-06-26). "KAV ELITE particulièrement attendue à Bruxelles -" (https://linterview.tg/2024/06/26/kav-elite-particulierement-attendu/) (in French). Archived (https://web.archive.org/web/20240709081727/https://linterview.tg/2024/06/26/kav-elite-particulierement-attendu/) from the original on 2024-07-09 . Retrieved 2024-07-09 . 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International company based in the United Kingdom Saturday Group Company type Privately held company Industry Fashion marketing and investments Founded London, England (2003) Founder Jens Grede (Founder and CEO) Erik Torstensson (Founder and Chief Creative Officer) Headquarters London, New York, Los Angeles, Paris, Milan Key people Tugba Unkan (Group Managing Director) Glenn Jones (Chief Executive Wednesday) Website saturday-group (http://saturday-group.com) .com (http://saturday-group.com) Saturday Group is a marketing group that invests in and manages firms in the fields of fashion and entertainment marketing. [1] (#cite_note-1) The company is Based in London and has offices in New York, Los Angeles, Paris and Milan. In 2014 Saturday Group operates 12 separate businesses that specialize in fashion marketing, advertising, publicity, and intellectual property ownership. History [ edit ] Saturday Group's two Swedish founders, Jens Grede and Erik Torstensson met while working for Tyler Brûlé at The Wallpaper* Group (/wiki/Wallpaper_(magazine)) in London in the early 2000s., [2] (#cite_note-2) The set up a creative fashion agency, Saturday London, in 2003, with the backing of Mother Holdings. [3] (#cite_note-3) [4] (#cite_note-4) Grede and Torstensson then founded and invested in a number of businesses related to the fashion industry. In 2008, they established Saturday Group as a holding company for their investments and activities. [5] (#cite_note-5) In 2010, Grede and Torstensson worked with Net-A-Porter (/wiki/Net-a-Porter) to create Mr Porter, the online luxury menswear shopping website. [6] (#cite_note-6) The pair founded two magazines, Man About Town and INDUSTRIE , acting as Editors-in-Chief for both titles, and consulted for Vogue (/wiki/Vogue_(British_magazine)) and GQ magazines (/wiki/GQ) , the Gucci Group (/wiki/Gucci_Group) , Richemont (/wiki/Richemont) and J Crew (/wiki/J_Crew) . In 2010 they co-founded Fashion Networks International in New York, a next generation media company (/wiki/Fairchild_Fashion_Media) which published the blogs for fashion commentators, including Elin Kling and Derek Blasberg. The company was sold to Conde Nast (/wiki/Cond%C3%A9_Nast_Publications) in 2012. Torstensson and Grede's latest venture is clothing line Frame (/wiki/Frame_(company)) , [7] (#cite_note-7) which in 2014 is being stocked by Barneys (/wiki/Barneys) , Lane Crawford (/wiki/Lane_Crawford) , Selfridges (/wiki/Selfridges) and Nordstrom (/wiki/Nordstrom) . As of 2014, companies in the Saturday Group are active in creative, [8] (#cite_note-8) digital, e-commerce, publicity, licensing, sales and distribution, talent brokering and brand management. Among their holdings are; the creative agency Wednesday, [9] (#cite_note-9) INDUSTRIE Magazine, Tomorrow, the global distribution company and Frame, [10] (#cite_note-10) a clothing brand based in Los Angeles, California. References [ edit ] ^ (#cite_ref-1) " 10 British Denim Brands We're Loving Right Now" (http://www.papermag.com/2015/07/10_british_denim_brands_were_l.php) . Paper Magazine . by Mhairi Graham ^ (#cite_ref-2) Barron, Kay. "That Saturday feeling" (https://www.ft.com/cms/s/2/d4b470ce-90a9-11e2-a456-00144feabdc0.html#axzz2cPIuw300) . Financial Times . 29 March 2013 ^ (#cite_ref-3) "Jens Grede and Erik Torstensson | Founders Saturday Group" (http://theimprint.theimpression.com/2015/04/01/jens-grede-erik-torstensson-saturday-group-interview/) . by Kenneth Richard | The Impressionist . ^ (#cite_ref-4) "Meet the Men on a Mission to Create the Perfect LBD" (http://www.elle.com/fashion/news/a25022/grace-founders-erik-tortensson-jens-grede-interview/) . Elle , Jul 18, 2014, Lauren David Peden. ^ (#cite_ref-5) Wolff, Zoe. The Marketing Synergy of Saturday Group (https://www.wsj.com/articles/SB10001424127887324354704578636340157197724) . Wall Street Journal , 20 August 2013. ^ (#cite_ref-6) "BoF Exclusive - Natalie Massenet on the backstory behind Mr Porter" (http://www.businessoffashion.com/2010/06/bof-exclusive-natalie-massenet-on-the-backstory-behind-mr-porter.html) . The Business of Fashion . ^ (#cite_ref-7) Julia Neel. "Saturday Group's Founders Turn to Denim - WWD" (http://www.wwd.com/markets-news/juniors/saturday-groups-founders-turn-to-denim-6368522?src=search_links) . WWD . ^ (#cite_ref-8) "The Top 15 Moments of London Fashion Week" (http://fashionista.com/2014/02/london-fashion-week-fall-2014) . Fashionista , Feb 19, 2014. ^ (#cite_ref-9) "In Advertising, Wednesday Is the New Saturday" (http://wwd.com/business-news/advertising/in-advertising-wednesday-is-the-new-saturday-7216886/) . WWD , October 10, 2013, By Julia Neel ^ (#cite_ref-10) "Frame Denim Founders Talk Celebrities, The Perfect Jean & Canadian Tuxedos: My LA (PHOTOS)" (http://www.huffingtonpost.com/2013/06/11/frame-denim-founders_n_3399055.html) . The Huffington Post . External links [ edit ] Official website (http://saturday-group.com) Wednesday agency (http://wednesdayagency.com) Industrie magazine (http://www.industriemagazine.com) Tomorrow (http://www.tomorrowltd.com) Frame (http://frame-store.com/) Independent Talent Brands (http://www.independenttalentbrands.com) RMO (http://www.rmo-comms.com) www.style.com (http://www.style.com/stylefile/2013/03/youve-been-framed/) NewPP limit report Parsed by mw‐web.codfw.main‐58c7647fd9‐9kvhc Cached time: 20240713190409 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.202 seconds Real time usage: 0.283 seconds Preprocessor visited node count: 1428/1000000 Post‐expand include size: 14607/2097152 bytes Template argument size: 1910/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 2/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 16789/5000000 bytes Lua time usage: 0.120/10.000 seconds Lua memory usage: 4561367/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 257.800 1 -total 36.24% 93.417 1 Template:Reflist 34.60% 89.188 1 Template:Infobox_company 31.15% 80.294 1 Template:Infobox 31.02% 79.974 3 Template:Cite_web 21.76% 56.088 1 Template:Short_description 13.17% 33.957 2 Template:Pagetype 5.57% 14.350 1 Template:Use_dmy_dates 5.28% 13.617 8 Template:Main_other 4.67% 12.035 2 Template:Unbulleted_list Saved in parser cache with key enwiki:pcache:idhash:48502248-0!canonical and timestamp 20240713190409 and revision id 1175670562. 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Malaysian socialite This article is about the Malaysian socialite. For the Malaysian gymnast, see Rachel Yeoh Li Wen (/wiki/Rachel_Yeoh_Li_Wen) . Rachel Yeoh Born Kuala Lumpur (/wiki/Kuala_Lumpur) , Malaysia Occupation(s) fashion influencer (/wiki/Fashion_influencer) , socialite, model Relatives Yeoh Tiong Lay (/wiki/Yeoh_Tiong_Lay) (grandfather) Francis Yeoh (/wiki/Francis_Yeoh) (uncle) Rebekah Yeoh (/wiki/Rebekah_Yeoh) (cousin) Michelle Yeoh (/wiki/Michelle_Yeoh_(socialite)) (twin sister) Ruth Yeoh (/wiki/Ruth_Yeoh) (cousin) Rachel Yeoh is a Malaysian socialite, heiress, model, and fashion influencer. Early life and family [ edit ] Rachel Yeoh was born in Kuala Lumpur (/wiki/Kuala_Lumpur) and has a fraternal twin sister, Michelle (/wiki/Michelle_Yeoh_(socialite)) . [1] (#cite_note-1) A member of a wealthy Malaysian Chinese (/wiki/Malaysian_Chinese) family, [2] (#cite_note-2) she is the daughter of Dato' Sri (/wiki/Malay_styles_and_titles) Michael Yeoh and Datin Sri Tina Yeoh. [3] (#cite_note-3) Her paternal grandfather is businessman Tan Sri Dato' Seri Yeoh Tiong Lay (/wiki/Yeoh_Tiong_Lay) , the founder of YTL Corporation (/wiki/YTL_Corporation) . [4] (#cite_note-4) She is a niece of Tan Sri Dato' Francis Yeoh (/wiki/Francis_Yeoh) and a first cousin of Ruth Yeoh (/wiki/Ruth_Yeoh) and Rebekah Yeoh (/wiki/Rebekah_Yeoh) . In 2015, she and her sister were the first Malaysians, and the first twins, to debut (/wiki/Debutante) at Queen Charlotte's Ball (/wiki/Queen_Charlotte%27s_Ball) at Kensington Palace (/wiki/Kensington_Palace) . [5] (#cite_note-harpersbazaar.com.sg-5) [6] (#cite_note-firstclasse.com.my-6) Career [ edit ] Yeoh serves alongside her sister on the advisory committee for the British Fashion Council (/wiki/British_Fashion_Council) , which determines the allocation of funds and grants given to designers. [6] (#cite_note-firstclasse.com.my-6) [7] (#cite_note-7) In 2017, she walked as a model for Dolce & Gabbana (/wiki/Dolce_%26_Gabbana) 's Fall 2017 fashion show in Milan Fashion Week (/wiki/Milan_Fashion_Week) . [6] (#cite_note-firstclasse.com.my-6) In August 2017 she was featured on the cover (/wiki/List_of_Vogue_Japan_cover_models) of Vogue Japan (/wiki/Vogue_(magazine)) . [6] (#cite_note-firstclasse.com.my-6) She and her sister were featured in the March 2017 fashion issue of Hong Kong Tatler (/wiki/Tatler) and on the cover of Malaysia Tatler . [8] (#cite_note-8) [9] (#cite_note-9) In 2018, she walked the runway for Dolce & Gabbana's Alta Moda show in Lake Como (/wiki/Lake_Como) . [5] (#cite_note-harpersbazaar.com.sg-5) Yeoh graduated in June 2019 with a Politics, Philosophy and Law LLB degree at the Dickson Poon School of Law (/wiki/The_Dickson_Poon_School_of_Law) at King’s College London (/wiki/King%27s_College_London) . [5] (#cite_note-harpersbazaar.com.sg-5) References [ edit ] ^ (#cite_ref-1) "Secret's out: Here's why Heart Evangelista and Kevin Kwan spent time in Paris" (https://preen.inquirer.net/80922/secrets-out-heres-why-heart-evangelista-and-kevin-kwan-spent-time-in-paris) . 16 August 2018. ^ (#cite_ref-2) "The REAL Crazy Rich Asians: Meet Socialite Sisters Michelle & Rachel Yeoh" (https://guestofaguest.com/new-york/nyc-society/the-real-crazy-rich-asians-meet-socialite-sisters-michelle-and-rachel-yeoh) . Guest of a Guest . ^ (#cite_ref-3) Ng, Karmun. "Rachel and Michelle Yeoh's journey to the Queen Charlotte's Debutante Ball" (https://www.tatlerasia.com/the-scene/people-parties/rachel-michelle-yeoh-queen-charlotte-debutante-ball-london-season-2015) . ^ (#cite_ref-4) "10 Asian Fashion Influencers Who Are Actually Crazy Rich" (https://www.refinery29.com/2018/08/207549/crazy-rich-asian-instagram-influencers#slide-6) . ^ Jump up to: a b c "Meet The Real Crazy Rich Asians Of Today, Wearing Crazy Rich Couture" (http://www.harpersbazaar.com.sg/life/real-life-crazy-rich-asians-of-today/) . 20 August 2018. ^ Jump up to: a b c d "Rich Heirs on Instagram: Rachel and Michelle Yeoh, twin fashionistas" (https://firstclasse.com.my/rich-heirs-on-instagram-rachel-and-michelle-yeoh-twins-to-watch-in-fashion/) . 14 June 2018. ^ (#cite_ref-7) "Malaysian Twins Who Studied Law Make It Big In UK's Fashion Industry - WORLD OF BUZZ" (https://www.worldofbuzz.com/malaysian-twins-studied-law-make-big-uks-fashion-industry/) . www.worldofbuzz.com . 8 March 2017. ^ (#cite_ref-8) "Style Sisters" (https://web.archive.org/web/20221209220032/https://www.pressreader.com/china/hong-kong-tatler/20170301/283442076249127) . Tatler (/wiki/Tatler) . 1 March 2017. Archived from the original (https://www.pressreader.com/china/hong-kong-tatler/20170301/283442076249127) on 9 December 2022 . Retrieved 10 August 2023 – via PressReader (/wiki/PressReader) . ^ (#cite_ref-9) Tatler, Malaysia (1 March 2017). "Why these twins are the future of high-fashion" (https://www.tatlerasia.com/the-scene/people-parties/michelle-yeoh-and-rachel-yeoh-are-the-future-of-high-fashion) . Tatler Malaysia . 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SABA Industry Retail Founded 1965 Founder Joe Saba (/wiki/Joe_Saba) Headquarters Alexandria, Sydney , Australia Number of locations 103 Area served Australia Key people Peter Halkett (executive chair) Products Apparel, footwear, accessories Owner John Marshall and Andrew Michael Number of employees 500+ Parent (/wiki/Parent_company) APG & Co (/w/index.php?title=APG_%26_Co&action=edit&redlink=1) Website www (http://www.saba.com.au) .saba (http://www.saba.com.au) .com (http://www.saba.com.au) .au (http://www.saba.com.au) SABA is an Australian fashion brand created by Joe Saba (/wiki/Joe_Saba) in 1965. The brand began as The Joseph SABA Shirt Shop on Flinders Lane (/wiki/Flinders_Lane) in Melbourne (/wiki/Melbourne) . [1] (#cite_note-go_lightly-1) [2] (#cite_note-2) [3] (#cite_note-3) The brand carries a contemporary label for both women's and menswear lines. SABA have taken part in such fashion events as the Mercedes Australian Fashion Week (/wiki/Australian_Fashion_Week) and the L'Oreal Melbourne Fashion Festival. In 1996 the brand won the Australian Fashion Menswear Award and was inducted as the Powerhouse Museum's Fashion House of the Year. [4] (#cite_note-4) [5] (#cite_note-5) In 2002, Joe Saba sold the brand to Daniel and Danielle Besen, owners of the fashion labels Sportsgirl (/wiki/Sportsgirl) and Sussan. [6] (#cite_note-6) [7] (#cite_note-7) [8] (#cite_note-8) In 2005, SABA was acquired by the Apparel Group and shortly moved its head office to Sydney (/wiki/Sydney) . [9] (#cite_note-9) [10] (#cite_note-10) Today, the brand owns 30 stand-alone stores throughout Australia and is also available at selected David Jones (/wiki/David_Jones_Limited) department stores. [1] (#cite_note-go_lightly-1) [11] (#cite_note-11) [12] (#cite_note-12) References [ edit ] ^ Jump up to: a b "Saba" (http://golightlypr.com/clients/saba/) . Go Lightly PR . Retrieved 27 July 2015 . ^ (#cite_ref-2) "Creating Investment Value" (https://www.marshall.com.au/saba,) . Marshall Investments . Retrieved 28 October 2019 . ^ (#cite_ref-3) "Joseph Saba" (http://josephsaba.com.au/Joseph-Saba.html) . Joseph Saba . 2010 . Retrieved 28 October 2019 . ^ (#cite_ref-4) "Saba" (http://www.abnnewswire.net/gfwcompanies/en/34069/SABA) . ABN Newswire . Retrieved 27 July 2015 . ^ (#cite_ref-5) "SABA" (http://www.abnnewswire.net/gfwcompanies/en/34069/SABA) . ABN Newswire . Retrieved 28 October 2019 . ^ (#cite_ref-6) Perkin, Corrie. "So long, Mr Saba" (http://www.theage.com.au/articles/2002/03/25/1017004753038.html) . theage.com.au . Retrieved 27 July 2015 . ^ (#cite_ref-7) "The Secret Life Of Saba" (https://www.theage.com.au/lifestyle/fashion/the-secret-life-of-saba-20020610-gduadm.html) . The Age . 10 June 2002 . Retrieved 28 October 2019 . ^ (#cite_ref-8) "So Long Mr Saba" (https://theage.com.au/lifestyle/fashion/so-long-mr-saba-20020325-gdu2rr.html) . The Age . 25 March 2002 . Retrieved 28 October 2019 . ^ (#cite_ref-9) Dykes, Daniel P. "Interview – Peter, Designer for SABA Clothing" (http://www.fashionising.com/industry/b--Interview-Peter-Designer-for-SABA-Clothing-334.html) . fashionising.com . Retrieved 27 July 2015 . ^ (#cite_ref-10) "Saba conceptualises new future" (https://www.ragtrader.com.au/article/0BBA3660-C18F-11DD-87E5001FD08AA5FD) . ragtrader . 2 June 2006 . Retrieved 28 October 2019 . ^ (#cite_ref-11) "ABOUT | SABA Online Store – Australian Womens and Mens clothing and Accessories online" (https://web.archive.org/web/20110617063340/http://www.saba.com.au/about/w1/i1001197/) . Archived from the original (http://www.saba.com.au/about/w1/i1001197/) on 17 June 2011 . Retrieved 4 July 2011 . ^ (#cite_ref-12) "Saba unveils brand new look and we've got the pics" (https://www.ragtrader.com.au/news/saba-unveils-brand-new-look-and-we-ve-got-the-pictures) . ragtrader . 20 November 2017 . Retrieved 28 October 2019 . External links [ edit ] SABA (http://www.saba.com.au) APG & Co (https://www.apgandco.com) NewPP limit report Parsed by mw‐web.codfw.main‐58c7647fd9‐5c54q Cached time: 20240715010443 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.226 seconds Real time usage: 0.295 seconds Preprocessor visited node count: 1648/1000000 Post‐expand include size: 26981/2097152 bytes Template argument size: 1329/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 2/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 44168/5000000 bytes Lua time usage: 0.139/10.000 seconds Lua memory usage: 5120987/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 274.751 1 -total 53.24% 146.267 1 Template:Reflist 40.98% 112.597 12 Template:Cite_web 34.01% 93.451 1 Template:Infobox_company 30.80% 84.633 1 Template:Infobox 10.48% 28.801 1 Template:Use_dmy_dates 3.90% 10.715 1 Template:DMCA 3.72% 10.231 1 Template:Comma_separated_entries 2.81% 7.711 1 Template:Dated_maintenance_category 2.11% 5.788 1 Template:Url Saved in parser cache with key enwiki:pcache:idhash:32304119-0!canonical and timestamp 20240715010443 and revision id 1177384295. 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American model and ballet dancer Sage Humphries (born October 3, 1997) is an American model, singer-songwriter, and dancer with the Boston Ballet (/wiki/Boston_Ballet) . [1] (#cite_note-1) Ballet [ edit ] Humphries started ballet at age four in Orange County, California (/wiki/Orange_County,_California) . [2] (#cite_note-:0-2) At age 12, Humphries attended the School of American Ballet (/wiki/School_of_American_Ballet) Summer Course in New York for the first time [2] (#cite_note-:0-2) and returned the following two summers. [3] (#cite_note-:6-3) At 14, she trained under Dmitri Kulev in Orange County. [2] (#cite_note-:0-2) In 2012, Humphries received positive reviews of her performances in Giselle and The Sleeping Beauty at the Carreno Dance Festival in Sarasota, Florida. [4] (#cite_note-4) While preparing for the Youth America Grand Prix (/wiki/Youth_America_Grand_Prix) competition, Humphries appeared in the Dance School Diaries docuseries (/wiki/Docuseries) . [3] (#cite_note-:6-3) In 2015, she was a Denver Youth Grand Prix winner at the Youth American Grand Prix (/wiki/Youth_America_Grand_Prix) Denver Semi-Finals. That summer, she attended the American Ballet Theatre (/wiki/American_Ballet_Theatre) in New York on full scholarship, where she trained with Ariel Serrano and Ramona De Saa, director of the Cuban National Ballet School (/wiki/Cuban_National_Ballet_School) . [2] (#cite_note-:0-2) [5] (#cite_note-:1-5) While training with Kulev, Humphries received full merit scholarships to Semperoper Ballett (/wiki/Semperoper) , Ballet Munich, American Ballet Theatre (/wiki/American_Ballet_Theatre) , San Francisco Ballet (/wiki/San_Francisco_Ballet) , and Ballet West (/wiki/Ballet_West) . [2] (#cite_note-:0-2) Humphries joined Boston Ballet II (/wiki/Boston_Ballet) in 2016 and was promoted to artist in the Company in 2017. [2] (#cite_note-:0-2) She debuted her choreography in 2018 with the BB@home: ChoreograpHER program. [5] (#cite_note-:1-5) In 2019, she choreographed dances for the Boston Calling Music Festival, [6] (#cite_note-6) as well as the BB@home ChoreograpHER program. [5] (#cite_note-:1-5) [7] (#cite_note-7) [8] (#cite_note-8) Modeling [ edit ] Humphries has shot dozens of covers and magazines, including Vogue Italia (/wiki/Vogue_Italia) , [9] (#cite_note-9) V magazine, Lucky magazine (/wiki/Lucky_(magazine)) , Interview magazine (/wiki/Interview_(magazine)) , As if magazine, Glitter Magazine, Just Cavalli (/wiki/Just_Cavalli) , Where Boston, Footwear News (/wiki/Footwear_News) , Teen Vogue (/wiki/Teen_Vogue) , and W (/wiki/W_(magazine)) magazine (/wiki/W_(magazine)) . [10] (#cite_note-:2-10) She is also a brand ambassador for Capezio (/wiki/Capezio) and Bloch. [10] (#cite_note-:2-10) At nine years old, Humphries signed with Zuri Models and Talent, through which she modeled for stores, including Target, Kohl's, and Pottery Barn. [10] (#cite_note-:2-10) At age 14, she signed with Ford Models, where she worked a worldwide campaign with Abercrombie and Fitch (/wiki/Abercrombie_%26_Fitch) [11] (#cite_note-11) and worked with Bruce Weber (/wiki/Bruce_Weber_(photographer)) , as well as a David's Bridal (/wiki/David%27s_Bridal) campaign. [10] (#cite_note-:2-10) The following year, Humphries modeled for Vogue Italia (/wiki/Vogue_Italia) , where she worked with Michel Comte (/wiki/Michel_Comte) . This opportunity led to her walking in New York Fashion Week (/wiki/New_York_Fashion_Week) in February 2014. In the winter of 2015, she returned to New York and lived in the Ford Model apartments, worked, and continued training as a dancer. Humphries signed with LA and NY Models in 2017. [12] (#cite_note-12) Sexual assault case [ edit ] In July 2021, Humphries, along with Gina Menichino, filed a complaint against Mitchell Taylor Button, husband of former Boston Ballet dancer Dusty Button (/wiki/Dusty_Button) , accusing him of sexually abusing her. [13] (#cite_note-:3-13) [14] (#cite_note-:4-14) Humphries was in an apprentice program with the Boston Ballet (/wiki/Boston_Ballet) in 2016 when the couple allegedly "sexually and verbally abused her, forced her to live with them and isolated her from her family." [15] (#cite_note-:5-15) In September 2021, the federal complaint was updated, accusing the Buttons of sex trafficking and sexual abuse of seven dancers, including a minor, age 11, [14] (#cite_note-:4-14) [15] (#cite_note-:5-15) between 2007 and 2021. [16] (#cite_note-:9-16) The plaintiffs include Humphries and Menichino, as well as Rosie DeAngelo and Dani X. [3] (#cite_note-:6-3) The complaint states, "This is a case about a couple who exploited their position of power and influence in the dance world to sexually abuse young dancers across the country." [17] (#cite_note-17) In 2022, court documents included claims of federal sex trafficking and forced labor violations against both Dusty and Taylor Button, as well as separate accusations about Taylor Button for assault, battery, false imprisonment, and sexual exploitation of a minor. [16] (#cite_note-:9-16) The Buttons' lawyer, Marc Randazza (/wiki/Marc_Randazza) , filed a motion to dismiss the case, denying any wrongdoing. [18] (#cite_note-18) On July 8, 2022, [19] (#cite_note-:7-19) Randazza "filed a third-party counterclaim in U.S. District Court in Nevada," in which they claimed having been in a consensual, "loving and supportive" relationship with Humphries. [20] (#cite_note-:8-20) The counterclaim also includes a U.S. civil suit was filed against the Edmonton Oilers' owner, Daryl Katz (/wiki/Daryl_Katz) , alleging he paid Humphries $75,000 for sexual favors. [20] (#cite_note-:8-20) Katz was 53 at the time; Humphries was 17. In the counterclaim, Randazza wrote, "To the extent that Sage Humphries claims she was abused and sex trafficked, the Buttons agree — however, this abuse and trafficking was not at their hands, but at the hands of a series of older men." [21] (#cite_note-:12-21) Randazza further claimed, "Humphries was literally a child prostitute to a billionaire, and her mother assisted her in laundering the money she was paid and in trafficking her to Katz." [21] (#cite_note-:12-21) Katz's lawyer, Robert Klieger, has denied the claims of sexual misconduct but admits Katz and Humphries had met in 2016 regarding Humphries's film project. [20] (#cite_note-:8-20) Katz has confirmed he arranged to pay $75,000 toward her film. [20] (#cite_note-:8-20) Key evidence against Katz involves screenshots of text conversations between Humphries and Katz, but the authenticity of the texts remains in question. [20] (#cite_note-:8-20) The alleged text messages do not contain sexually explicit content but show a desire for secrecy. [21] (#cite_note-:12-21) According to Humphries's claims, the texts would have been received while Taylor Button had control of her phone. [20] (#cite_note-:8-20) Humphries's lawyer, Sigrid McCawley (/wiki/Sigrid_McCawley) , denied the claim against Katz [19] (#cite_note-:7-19) and referred to the counterclaim against Katz as a "meaningless sideshow" to distract from the Button case. [20] (#cite_note-:8-20) Less than a month later, in August 2022, the couple voluntarily withdrew their claims against Katz after being provided with reliable evidence to the contrary; [22] (#cite_note-22) their lawyer issued an apology and requested that the court strike all relevant references from the record. [23] (#cite_note-23) References [ edit ] ^ (#cite_ref-1) "LA Creator: Sage Humphries" (https://www.junkfoodclothing.com/blogs/news/la-creator-sage-humphries) . Junk Food Clothing . 2018-11-20 . Retrieved 2021-07-28 . ^ Jump up to: a b c d e f "Sage Humphries | Artist" (https://www.bostonballet.org/Home/Global/Profiles/Artists/Artists-of-the-Company/Sage-Humphries.aspx) . Boston Ballet . Retrieved July 28, 2021 . ^ Jump up to: a b c Kiefer, Elizabeth M. (2022-04-05). "Four Dancers in a Bombshell Sexual Abuse Lawsuit Speak Out Together for the First Time" (https://www.cosmopolitan.com/lifestyle/a39294006/boston-ballet-dance-lawsuit-dusty-taylor-button/) . Cosmopolitan . Retrieved 2022-07-22 . ^ (#cite_ref-4) Seldman, Carrie (August 25, 2012). "REVIEW: A few stars missing from the Carreño "Festival of Stars" (http://ticket.heraldtribune.com/2012/08/25/review-a-few-stars-missing-from-the-carreno-festival-of-stars/) " (http://ticket.heraldtribune.com/2012/08/25/review-a-few-stars-missing-from-the-carreno-festival-of-stars/) . Herald Tribune . Retrieved 2021-07-28 . ^ Jump up to: a b c "Dance" (https://www.sagenicolehumphries.com/dancer) . SAGE . Retrieved 2021-07-28 . ^ (#cite_ref-6) Hope, Helen (2019-05-23). "What Happens When a Ballerina Choreographs for a Music Festival" (https://www.dancespirit.com/ballerina-choreographs-music-festival-2637792673.html) . Dance Spirit . Retrieved 2021-07-28 . ^ (#cite_ref-7) Basco, Sharon (October 25, 2019). "In 'BB@home: ChoreograpHER,' The Women Of The Boston Ballet Show Ingenuity And Talent" (https://www.wbur.org/news/2019/10/25/bbhome-choreographer-women-boston-ballet) . WBUR News . Retrieved 2021-07-28 . ^ (#cite_ref-8) Campbell, Karen (2019-09-30). "2019 Stars of the Corps: Boston Ballet's Sage Humphries" (https://pointemagazine.com/sage-humphries/) . Pointe Magazine (/wiki/Pointe_Magazine) . Retrieved 2023-07-29 . ^ (#cite_ref-9) Scalia, Lella (2015-02-18). "Giorgio Armani. 40 years of a successful story. 1975-2015" (https://www.vogue.it/magazine/fashion-stories/2015/02/giorgio-armani-40-years-of-a-successful-story-1975-2015) . Vogue Italia (in Italian) . Retrieved 2021-07-28 . ^ Jump up to: a b c d "Modeling" (https://www.sagenicolehumphries.com/modeling) . SAGE . Retrieved 2021-07-28 . ^ (#cite_ref-11) "The Sitch on Fitch: Models Profiled! | Sage Nicole Humphries..." (http://anfnewsnow.blogspot.com/2013/11/sage-nicole-humphries-abercrombie-fitch.html) The Sitch on Fitch . 2013-11-04 . Retrieved 2021-07-28 . ^ (#cite_ref-12) "Sage Humphries" (http://www.lamodels.com/SageHumphries) . LA Models . Retrieved 2021-07-28 . ^ (#cite_ref-:3_13-0) Mason, Amelia (July 30, 2021). "Former Boston Ballet Dancer And Husband Accused Of Sexual Assault In Lawsuit" (https://www.wbur.org/news/2021/07/30/dusty-button-boston-ballet-dancer-husband-accused-of-sexual-assault) . WBUR . Retrieved 2021-12-20 . ^ Jump up to: a b Alonso, Melissa (2021-09-30). "Former Boston Ballerina Dusty Button And Husband Accused Of Sexually Abusing Young Dancers" (https://boston.cbslocal.com/2021/09/30/boston-ballet-dusty-button-mitchell-taylor-button-lawsuit/) . CBS Boston . Retrieved 2021-12-20 . ^ Jump up to: a b Jacobs, Julia (2021-07-29). "Former Dance Instructor Accused of Sexual Assault in Lawsuit" (https://www.nytimes.com/2021/07/29/arts/dance/mitchell-button-dusty-button-abuse.html) . The New York Times . ISSN (/wiki/ISSN_(identifier)) 0362-4331 (https://www.worldcat.org/issn/0362-4331) . Retrieved 2021-12-20 . ^ Jump up to: a b Zitser, Joshua. "Young dancers suing Boston Ballet star and husband describe trauma and PTSD following alleged sexual abuse at hands of famous couple, Cosmopolitan reports" (https://www.insider.com/dancers-describe-trauma-caused-ballet-star-dusty-button-husband-cosmo-2022-4) . Insider . Retrieved 2022-07-22 . ^ (#cite_ref-17) Li, David K. (September 30, 2021). "Lawsuit accuses former Boston Ballet star and her husband of sexually abusing dancers" (https://www.nbcnews.com/news/us-news/former-boston-ballet-star-her-husband-accused-lawsuit-sexually-abusing-n1280479) . NBC News . Retrieved 2021-12-20 . ^ (#cite_ref-18) Kiefer, Elizabeth M. (2022-04-05). "Four Dancers in a Bombshell Sexual Abuse Lawsuit Speak Out Together for the First Time" (https://www.cosmopolitan.com/lifestyle/a39294006/boston-ballet-dance-lawsuit-dusty-taylor-button/) . Cosmopolitan . Retrieved 2022-07-22 . ^ Jump up to: a b Wakefield, Jonny (2022-07-21). "Billionaire Oilers owner Daryl Katz, ballet dancer deny he paid her for sex" (https://edmontonjournal.com/news/local-news/oilers-owner-daryl-katz-and-ballet-dancer-both-deny-allegations-they-had-sexual-relationship) . Toronto Sun . Retrieved 2022-07-23 . ^ Jump up to: a b c d e f g Gatehouse, Jonathon; Leung, Albert (2022-07-21). "Civil suit accuses Edmonton Oilers owner of paying teenage ballerina for sex" (https://www.cbc.ca/news/canada/daryl-katz-ballerina-sex-allegations-1.6526941) . CBC News . Retrieved 2022-07-22 . ^ Jump up to: a b c Li, David K.; DeFrank, Polly (2022-07-21). "NHL team owner denies he paid underaged dancer for sex, latest accusation in Boston Ballet legal drama" (https://www.msn.com/en-us/news/crime/nhl-team-owner-denies-he-paid-underaged-dancer-for-sex-latest-accusation-in-boston-ballet-legal-drama/ar-AAZPzNX) . MSN . Retrieved 2022-07-22 . ^ (#cite_ref-22) Heidenreich, Phil. "Allegations involving Edmonton Oilers owner and ballerina withdrawn" (https://globalnews.ca/news/9046308/daryl-katz-allegations-withdrawn/) . Global News Canada . Retrieved 15 August 2022 . ^ (#cite_ref-23) "Claims against Edmonton Oilers owner Daryl Katz withdrawn" (https://www.sportsnet.ca/nhl/article/claims-against-edmonton-oilers-owner-daryl-katz-withdrawn/) . Sportsnet . August 8, 2022. 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Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Sage_Humphries&oldid=1177363356 (https://en.wikipedia.org/w/index.php?title=Sage_Humphries&oldid=1177363356) " Categories (/wiki/Help:Category) : Boston Ballet dancers (/wiki/Category:Boston_Ballet_dancers) American female models (/wiki/Category:American_female_models) Living people (/wiki/Category:Living_people) People from Orange County, California (/wiki/Category:People_from_Orange_County,_California) 1997 births (/wiki/Category:1997_births) Hidden categories: CS1 Italian-language sources (it) (/wiki/Category:CS1_Italian-language_sources_(it)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) |
Tool or appliance for smoothing cloth using heat and pressure This article has multiple issues. Please help improve it (/wiki/Special:EditPage/Clothes_iron) or discuss these issues on the talk page (/wiki/Talk:Clothes_iron) . ( Learn how and when to remove these template messages (/wiki/Help:Maintenance_template_removal) ) This article needs additional citations for verification (/wiki/Wikipedia:Verifiability) . Please help improve this article (/wiki/Special:EditPage/Clothes_iron) by adding citations to reliable sources (/wiki/Help:Referencing_for_beginners) . Unsourced material may be challenged and removed. 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Statements consisting only of original research should be removed. ( March 2010 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) An electric steam iron A clothes iron (also flatiron , smoothing iron , dry iron , steam iron or simply iron ) is a small appliance (/wiki/Small_appliance) that, when heated, is used to press clothes (/wiki/Clothing) to remove wrinkles (/wiki/Wrinkle) and unwanted creases. Domestic irons generally range in operating temperature from between 121 °C (250 °F) to 182 °C (360 °F). It is named for the metal ( iron (/wiki/Iron) ) of which the device was historically made, and the use of it is generally called ironing (/wiki/Ironing) , the final step in the process of laundering clothes (/wiki/Laundry) . Ironing works by loosening the ties between the long chains of molecules that exist in polymer (/wiki/Polymer) fiber materials. With the heat and the weight of the ironing plate, the fibers are stretched and the fabric maintains its new shape when cool. Some materials, such as cotton, require the use of water to loosen the intermolecular bonds. History and development [ edit ] A charcoal iron Box iron ( Minalin, Pampanga (/wiki/Minalin,_Pampanga) , Philippines (/wiki/Philippines) Museum). Flat iron stove Typical English flat irons of the 1800s (Collection Tranby House (/wiki/Tranby_House) , Australia). The shape was used by Victorian antiquarians to describe a style of medieval shield (/wiki/Shield) , termed by analogy heater shield (/wiki/Heater_shield) . Before the introduction of electricity, irons were heated by combustion, either in a fire or with some internal arrangement. An "electric flatiron" was invented by American Henry Seely White (/wiki/Henry_Seely_White) and patented on June 6, 1882. [1] (#cite_note-1) It weighed almost 15 pounds (6.8 kg) and took a long time to heat. The UK Electricity Association (/wiki/Electricity_Association) is reported to have said that an electric iron with a carbon arc appeared in France in 1880, but this is considered doubtful. [2] (#cite_note-2) Two of the oldest sorts of iron were either containers filled with a burning substance, or solid lumps of metal which could be heated directly. Metal pans filled with hot coals were used for smoothing fabrics in China in the 1st century BC. [3] (#cite_note-OldAndInteresting-3) A later design consisted of an iron box which could be filled with hot coals, which had to be periodically aerated by attaching a bellows. In the late nineteenth and early twentieth centuries, there were many irons in use that were heated by fuels such as kerosene (/wiki/Kerosene) , ethanol (/wiki/Ethanol) , whale oil (/wiki/Whale_oil) , natural gas (/wiki/Natural_gas) , carbide gas ( acetylene (/wiki/Acetylene) , as with carbide lamps (/wiki/Carbide_lamp) ), or even gasoline (/wiki/Gasoline) . Some houses were equipped with a system of pipes for distributing natural gas or carbide gas to different rooms in order to operate appliances such as irons, in addition to lights. Despite the risk of fire, liquid-fuel irons were sold in U.S. rural areas up through World War II. In Kerala (/wiki/Kerala) in India, burning coconut shells were used instead of charcoal, as they have a similar heating capacity. This method is still in use as a backup device, since power outages are frequent. Other box irons had heated metal inserts instead of hot coals. From the 17th century, sadirons or sad irons (from Middle English "sad", meaning "solid", used in English through the 1800s [4] (#cite_note-4) ) began to be used. They were thick slabs of cast iron (/wiki/Cast_iron) , triangular and with a handle, heated in a fire or on a stove. These were also called flat irons. A laundry worker would employ a cluster of solid irons that were heated from a single source: As the iron currently in use cooled down, it could be quickly replaced by a hot one. In the industrialized world, these designs have been superseded by the electric iron, which uses resistive (/wiki/Electrical_resistance) heating from an electric current (/wiki/Electric_current) . The hot plate, called the sole plate , is made of aluminium (/wiki/Aluminium) or stainless steel (/wiki/Stainless_steel) polished to be as smooth as possible; it is sometimes coated with a low-friction heat-resistant plastic to reduce friction below that of the metal plate. The heating element is controlled by a thermostat (/wiki/Thermostat) that switches the current on and off to maintain the selected temperature. The invention of the resistively heated electric iron is credited to Henry W. Seeley of New York City in 1882. In the same year an iron heated by a carbon arc was introduced in France, but was too dangerous to be successful. The early electric irons had no easy way to control their temperature, and the first thermostatically controlled electric iron appeared in the 1920s. The first commercially available electric steam iron was introduced in 1926 by a New York drying and cleaning company, Eldec, but was not a commercial success. The patent for an electric steam iron and dampener was issued to Max Skolnik of Chicago in 1934. In 1938, Skolnik granted the Steam-O-Matic Corporation of New York the exclusive right to manufacture steam-electric irons. This was the first steam iron to achieve any degree of popularity, and led the way to more widespread use of the electric steam iron during the 1940s and 1950s. Types and names [ edit ] Iron collection Historically, irons have had several variations and have thus been called by many names: Flatiron ( American English (/wiki/American_English) ), flat iron ( British English (/wiki/British_English) ) or smoothing iron The general name for a hand-held iron consisting simply of a handle and a solid, flat, metal base, and named for the flat ironing face used to smooth clothes. Sad iron or sadiron [3] (#cite_note-OldAndInteresting-3) Mentioned above, meaning "solid" or heavy iron, where the base is a solid block of metal, sometimes used to refer to irons with heavier bases than a typical "flatiron". Box iron, ironing box, charcoal iron, ox-tongue iron or slug iron [3] (#cite_note-OldAndInteresting-3) Mentioned above; the base is a container, into which hot coals or a metal brick or slug can be inserted to keep the iron heated. The ox-tongue iron is named for the particular shape of the insert, referred to as an ox-tongue slug. Goose, tailor's goose or, in Scots, [5] (#cite_note-5) gusing iron [3] (#cite_note-OldAndInteresting-3) A type of flat iron or sad iron named for the goose-like curve in its neck, and (in the case of "tailor's goose") its usage by tailors. Goffering iron This type of iron, now obsolete, consists of a metal cylinder oriented horizontally on a stand (/wiki/File:Tally_iron_set.jpg) . It was used to iron ruffs (/wiki/Ruff_(clothing)) and collars. [6] (#cite_note-6) [7] (#cite_note-7) Hygiene [ edit ] Proper ironing of clothes has proven to be an effective method to avoid infections like those caused by lice (/wiki/Lice) . [8] (#cite_note-8) Features [ edit ] A 1950s Morphy Richards (/wiki/Morphy_Richards) electric iron with original box A Walton (/wiki/Walton_Group) electric iron with temperature control dial. Modern irons for home use can have the following features: A design that allows the iron to be set down, usually standing on its end, without the hot soleplate touching anything that could be damaged; A thermostat (/wiki/Thermostat) ensuring maintenance of a constant temperature; A temperature control dial allowing the user to select the operating temperatures (usually marked with types of cloth rather than temperatures: " silk (/wiki/Silk) ", " wool (/wiki/Wool) ", " cotton (/wiki/Cotton) ", " linen (/wiki/Linen) ", etc.); An electrical cord with heat-resistant silicone rubber (/wiki/Silicone_rubber) insulation; Injection of steam (/wiki/Steam) through the fabric during the ironing process; A water reservoir inside the iron used for steam generation; An indicator showing the amount of water left in the reservoir, Constant steam: constantly sends steam through the hot part of the iron into the clothes; Steam burst: sends a burst of steam through the clothes when the user presses a button; (advanced feature) Dial controlling the amount of steam to emit as a constant stream; (advanced feature) Anti-drip system; Cord control: the point at which the cord attaches to the iron has a spring to hold the cord out of the way while ironing and likewise when setting down the iron (prevents fires, is more convenient, etc.); A retractable cord for easy storage; (advanced feature) non-stick coating along the sole plate to help the iron glide across the fabric (advanced feature) Anti-burn control: if the iron is left flat (possibly touching clothes) for too long, the iron shuts off to prevent scorching and fires; (advanced feature) Energy saving control: if the iron is left undisturbed for several (10 or 15) minutes, the iron shuts off. Cordless irons: the iron is placed on a stand for a short period to warm up, using thermal mass (/wiki/Thermal_mass) to stay hot for a short period. These are useful for light loads only. Battery (/wiki/Battery_(electricity)) power is not viable for irons as they require more power than practical batteries can provide. (advanced feature) 3-way automatic shut-off (advanced feature) self-cleaning (advanced feature) Anti scale to help to remove lime scale buildup of using hard water for long time. (advanced feature) vertical steam to help to remove creases and wrinkles by holding an iron vertically and steaming material close to it. Collections [ edit ] Clothes iron museum in Pereslavl, Russia (/wiki/Pereslavl-Zalessky) One of the world's larger collection of irons, comprising 1300 historical examples of irons from Germany and the rest of the world, is housed in Gochsheim Castle (/wiki/Gochsheim_Castle) , near Karlsruhe (/wiki/Karlsruhe) , Germany (/wiki/Germany) . Many ethnographical museums around the world have collections of irons. In Ukraine (/wiki/Ukraine) , for example, about 150 irons are the part of the exhibition of the Radomysl Castle (/wiki/Radomysl_Castle) in Ukraine. [9] (#cite_note-9) Ironing center [ edit ] Ironing center with the separate tank visible An ironing center or steam ironing (/w/index.php?title=Steam_ironing&action=edit&redlink=1) station is a device consisting of a clothes iron and a separate steam-generating tank. By having a separate tank, the ironing unit can generate more steam than a conventional iron, making steam ironing faster. Such ironing facilities take longer to warm up than conventional irons, and cost more. See also [ edit ] Josephine Baker (/wiki/Josephine_Baker) ironing (1956) Dadeumi (/wiki/Dadeumi) , a mechanical way to smooth clothing, once traditional in Korea Flatiron Building (/wiki/Flatiron_Building) , of cross-section like a flatiron Flatiron gunboat (/wiki/Flatiron_gunboat) , flatiron-shaped in plan view Hair iron (/wiki/Hair_iron) Home robot (/wiki/Home_robot) Mangle (machine) (/wiki/Mangle_(machine)) Soldering iron (/wiki/Soldering_iron) Trouser press (/wiki/Trouser_press) Mary Florence Potts (/wiki/Mary_Florence_Potts) , inventor of the detachable cold wooden handle for irons References [ edit ] ^ (#cite_ref-1) U.S. patent 259,054 (https://patents.google.com/patent/US259054) ^ (#cite_ref-2) "Du Fer a Repasser" (http://museelr.chez.com/origines.htm) [The smoothing iron]. Musée du Lavage et du Repassage (Museum of Washing and Ironing) (in French) . Retrieved 27 May 2016 . ^ Jump up to: a b c d "History of ironing and irons - flat-irons, sad-irons, mangles" (https://web.archive.org/web/20131127122524/http://oldandinteresting.com/antique-irons-smoothers-mangles.aspx) . Oldandinteresting.com. 2002-02-07. Archived from the original (http://www.oldandinteresting.com/antique-irons-smoothers-mangles.aspx) on 2013-11-27 . Retrieved 2014-06-17 . ^ (#cite_ref-4) OED ^ (#cite_ref-5) "Scots Dictionary" (https://dsl.ac.uk/results/gusing) [gusing iron, a smoothing iron (s.Sc. 1825 Jam)]. Dictionaries of the Scots Language . Retrieved 2022-10-30 . ^ (#cite_ref-6) "Goffering Irons, Victorian, Original | Object Lessons - Houses & Homes: Victorians" (http://www.objectlessons.org/houses-and-homes-victorians/goffering-irons-victorian-original/s59/a911/) . Object Lessons . Retrieved 2014-06-04 . ^ (#cite_ref-7) "Crimping, fluting, goffering, Italian irons: smoothing frills, ruffles, puffed sleeves" (http://www.oldandinteresting.com/fluting-goffering-irons.aspx) . Oldandinteresting.com . Retrieved 2014-06-04 . ^ (#cite_ref-8) Vector Control - Methods for Use by Individuals and Communities. © 1997, WHO (https://web.archive.org/web/20030819183521/http://www.who.int/docstore/water_sanitation_health/vectcontrol/ch25.htm) (World Health Organization) ^ (#cite_ref-9) Богомолець. О. "Замок-музей Радомисль на Шляху Королів Via Regia". — Київ, 2013 External links [ edit ] Wikimedia Commons has media related to Flat irons (https://commons.wikimedia.org/wiki/Category:Flat_irons) . 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Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Clothes_iron&oldid=1233742013 (https://en.wikipedia.org/w/index.php?title=Clothes_iron&oldid=1233742013) " Categories (/wiki/Help:Category) : 1882 introductions (/wiki/Category:1882_introductions) Home appliances (/wiki/Category:Home_appliances) Laundry equipment (/wiki/Category:Laundry_equipment) 19th-century inventions (/wiki/Category:19th-century_inventions) Ancient inventions (/wiki/Category:Ancient_inventions) British inventions (/wiki/Category:British_inventions) Hidden categories: CS1 French-language sources (fr) (/wiki/Category:CS1_French-language_sources_(fr)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Articles needing additional references from March 2010 (/wiki/Category:Articles_needing_additional_references_from_March_2010) All articles needing additional references (/wiki/Category:All_articles_needing_additional_references) Articles that may contain original research from March 2010 (/wiki/Category:Articles_that_may_contain_original_research_from_March_2010) All articles that may contain original research (/wiki/Category:All_articles_that_may_contain_original_research) Articles with multiple maintenance issues (/wiki/Category:Articles_with_multiple_maintenance_issues) Commons category link is on Wikidata (/wiki/Category:Commons_category_link_is_on_Wikidata) Articles with GND identifiers (/wiki/Category:Articles_with_GND_identifiers) Articles with J9U identifiers (/wiki/Category:Articles_with_J9U_identifiers) Articles with LCCN identifiers (/wiki/Category:Articles_with_LCCN_identifiers) |
Biography portal (/wiki/Portal:Biography) Fashion portal (/wiki/Portal:Fashion) Japan portal (/wiki/Portal:Japan) NewPP limit report Parsed by mw‐web.codfw.main‐895674c4f‐kfnf6 Cached time: 20240716215338 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.032 seconds Real time usage: 0.046 seconds Preprocessor visited node count: 21/1000000 Post‐expand include size: 1490/2097152 bytes Template argument size: 0/2097152 bytes Highest expansion depth: 3/100 Expensive parser function count: 3/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 1041/5000000 bytes Lua time usage: 0.017/10.000 seconds Lua memory usage: 715064/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 35.668 1 Template:Portal 100.00% 35.668 1 -total Saved in parser cache with key enwiki:pcache:idhash:52564646-0!canonical and timestamp 20240716215338 and revision id 815958003. Rendering was triggered because: page-view Pages in category "Models from Nagasaki Prefecture" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . A Hikaru Aoyama (/wiki/Hikaru_Aoyama) F Rovilson Fernandez (/wiki/Rovilson_Fernandez) I Hiroaki Iwanaga (/wiki/Hiroaki_Iwanaga) Tetsuya Iwanaga (model) (/wiki/Tetsuya_Iwanaga_(model)) K Haruna Kawaguchi (/wiki/Haruna_Kawaguchi) N Riisa Naka (/wiki/Riisa_Naka) O Mariko Okubo (/wiki/Mariko_Okubo) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Models_from_Nagasaki_Prefecture&oldid=815958003 (https://en.wikipedia.org/w/index.php?title=Category:Models_from_Nagasaki_Prefecture&oldid=815958003) " Categories (/wiki/Help:Category) : Japanese models by prefecture (/wiki/Category:Japanese_models_by_prefecture) People from Nagasaki Prefecture (/wiki/Category:People_from_Nagasaki_Prefecture) |
Temporary form of skin decoration This article includes a list of general references (/wiki/Wikipedia:Citing_sources) , but it lacks sufficient corresponding inline citations (/wiki/Wikipedia:Citing_sources#Inline_citations) . Please help to improve (/wiki/Wikipedia:WikiProject_Reliability) this article by introducing (/wiki/Wikipedia:When_to_cite) more precise citations. ( December 2014 ) ( Learn how and when to remove this message (/wiki/Help:Maintenance_template_removal) ) Embera (/wiki/Embera_people) girl with jagua body art in Panama (/wiki/Panama) Freshly applied Jagua Tattoo Jagua tattoo is a temporary form of skin decoration (/wiki/Skin_decoration) resulting from the application of an extract of the fruit Genipa americana (/wiki/Genipa_americana) , also known as jagua . This fruit has been used for body ornamentation and medicinal purposes in many areas of South America (/wiki/South_America) for centuries. It has recently been introduced in North America (/wiki/North_America) and Europe (/wiki/Europe) as an addition to henna body art, also called mehendi (/wiki/Mehendi) , mehandi, or mehndi in India (/wiki/India) . (The term "henna tattoo" is often used as a generic term for temporary tattoos (/wiki/Temporary_tattoos) .) The jagua tattoo method involves the surface application of a dye which then sets within a few hours, staining the upper layer of skin, or epidermis. The body sloughs off this layer of skin continuously and eventually, the tattoo fades and disappears. The term "tattoo" is more commonly associated with the permanent surgical insertion of pigment underneath the skin, as opposed to pigments applied to the skin's surface. Both mehndi (henna) and jagua tattoos stain the top skin layer. In the case of jagua the color develops and darkens over several days until blue-black. While henna tattoos are associated with Indian, African, and Middle Eastern cultures, jagua body art was invented by circum-Caribbean tribes and indigenous peoples of the Amazon (/wiki/Indigenous_peoples_of_the_Amazon) region. The fruit [ edit ] Genipa americana (/wiki/Genipa_americana) is a species of Genipa (/wiki/Genipa) , native to northern South America (/wiki/South_America) (south to Peru (/wiki/Peru) ), the Caribbean (/wiki/Caribbean) and southern Mexico (/wiki/Mexico) , growing in profusion in rainforests (/wiki/Tropical_and_subtropical_moist_broadleaf_forests) . It is commonly called huito ; the alternate name jagua may refer to other species of Genipa as well. To the Inca (/wiki/Inca) , it was known as hawa or wituq . In the British islands of the West Indies, it was called the marmalade box . It is a medium size tree growing to 15 m tall. The leaves are opposite, lanceolate (/wiki/Lanceolate) to oblong, 20–35 cm long, and 10–19 cm broad, glossy dark green, with an entire margin. The flowers are white, yellow, or red, with a five-lobed corolla 5–6 cm diameter. The fruit is a thick-skinned edible berry (/wiki/Berry_(botany)) 5–8 cm diameter. Indigenous uses [ edit ] Native tribes in the Amazon traditionally use the juice of the jagua fruit for body ornamentation. Certain tribes, such as the Matses Indians of Peru also insert it underneath the skin to create permanent markings on the body. Additionally, the fruit is used for a host of purported medicinal purposes. Peoples known to use the jagua fruit (currently or in the past) include: The Zapara (/wiki/S%C3%A1para) , Shuar (/wiki/Shuar) , Tsachila (/wiki/Tsachila) , Emberá-Wounaan (/wiki/Ember%C3%A1_people) , Yucuna (/wiki/Yucuna) , Kuna (/wiki/Kuna_people) , Yuqui (/wiki/Yuqui) , Tikuna (/wiki/Tikuna) , Yagua (/wiki/Yagua) , Arakmbut (/wiki/Arakmbut) , Ka'apor (/wiki/Ka%27apor) , Canelos-Quichua (/wiki/Canelos-Quichua) , Amazonian Kichwas (/wiki/Amazonian_Kichwas) and Shipibo-Conibo (/wiki/Shipibo-Conibo) . [1] (#cite_note-1) [ page needed ] Western uses [ edit ] "Jagua tattoo" is a term used by people in the body art industry to refer to a form of temporary tattoo, which is created using the juice or extract of the Genipa americana or jagua fruit. Designs created with jagua appear blue/black in color on the skin and resemble a real tattoo (henna tattoos are reddish-brown in color). Depending on a variety of factors, the stain on the skin lasts one to two weeks, fading gradually as the skin exfoliates. Some henna artists use the jagua tattoo preparations as an additional temporary tattoo option, and some professional tattoo artists use it to give their customers the option of 'trying out' a tattoo before using permanent ink. Several companies selling temporary tattoo kits have introduced products made with jagua as a base. See also [ edit ] Body painting (/wiki/Body_painting) References [ edit ] ^ (#cite_ref-1) Fabius, Carine. Jagua: A Journey into Body Art from the Amazon. Los Angeles: Kouraj Press, 2009. Print. ISBN (/wiki/ISBN_(identifier)) 9780978 500313 (/wiki/Special:BookSources/9780978%2B500313) External links [ edit ] Media related to Jagua (https://commons.wikimedia.org/wiki/Category:Jagua) at Wikimedia Commons NewPP limit report Parsed by mw‐web.eqiad.main‐57d74c944b‐k9tmb Cached time: 20240719053305 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.205 seconds Real time usage: 0.294 seconds Preprocessor visited node count: 918/1000000 Post‐expand include size: 9956/2097152 bytes Template argument size: 1394/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 2/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 5643/5000000 bytes Lua time usage: 0.109/10.000 seconds Lua memory usage: 2298653/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 252.053 1 -total 29.00% 73.094 1 Template:Short_description 23.96% 60.404 1 Template:More_footnotes_needed 23.87% 60.160 1 Template:Reflist 21.43% 54.012 1 Template:Ambox 18.27% 46.046 1 Template:ISBN 16.39% 41.318 2 Template:Pagetype 14.86% 37.453 1 Template:Catalog_lookup_link 14.04% 35.390 1 Template:Page_needed 11.96% 30.134 1 Template:Fix Saved in parser cache with key enwiki:pcache:idhash:27294530-0!canonical and timestamp 20240719053305 and revision id 1190217708. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Jagua_tattoo&oldid=1190217708 (https://en.wikipedia.org/w/index.php?title=Jagua_tattoo&oldid=1190217708) " Categories (/wiki/Help:Category) : Body art (/wiki/Category:Body_art) Indigenous peoples of Panama topics (/wiki/Category:Indigenous_peoples_of_Panama_topics) Indigenous culture of the Amazon (/wiki/Category:Indigenous_culture_of_the_Amazon) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Articles lacking in-text citations from December 2014 (/wiki/Category:Articles_lacking_in-text_citations_from_December_2014) All articles lacking in-text citations (/wiki/Category:All_articles_lacking_in-text_citations) Wikipedia articles needing page number citations from December 2014 (/wiki/Category:Wikipedia_articles_needing_page_number_citations_from_December_2014) Commons category link is on Wikidata (/wiki/Category:Commons_category_link_is_on_Wikidata) |
A mother agent is an agent who directly oversees and represents a fashion model (/wiki/Fashion_model) . Mother agents have exclusive relationships with their models, for whom they find fashioning gigs and jobs. They typically operate at the local level and negotiate with larger modeling agencies (/wiki/Modeling_agency) . [1] (#cite_note-1) [2] (#cite_note-2) A mother agent serves as a mentor who guides the model throughout his or her career. [3] (#cite_note-3) Typically, the mother agent is paid once they place a model with a booking agency in a larger location such as New York (/wiki/New_York_City) , Los Angeles (/wiki/Los_Angeles) , London (/wiki/London) , Chicago (/wiki/Chicago) , and so forth. [4] (#cite_note-4) They take a percentage, normally 10%, of every booking that the booking agency books. A mother agent can also take a standard 20% commission from anything they book themselves. [5] (#cite_note-5) However, a true mother agent does not book but places their models to booking agencies (/wiki/Booking_agent) . [6] (#cite_note-auto-6) Some mother agents book on a smaller level to develop the model or for extra money. [7] (#cite_note-7) Mother agents are often the scouts who initially find, recruit, and train the models, and subsequently locate agencies and opportunities for the models. [8] (#cite_note-models-8) Mother agents serve more as personal managers, whereas regular modeling agencies (/wiki/Modeling_agency) typically take care of the logistics of booking jobs while operate on a less personal and larger level. [8] (#cite_note-models-8) The two are not mutually exclusive, as some modeling agencies can also serve as mother agencies. [6] (#cite_note-auto-6) Whereas mother agencies are often also based in smaller cities and lesser-known locations (in addition to larger cities such as New York (/wiki/New_York_City) , Los Angeles (/wiki/Los_Angeles) , London (/wiki/London) , Paris (/wiki/Paris) , etc.), larger international agencies are typically based in large metropolitan centers with established fashion industries, such as New York (/wiki/New_York_City) , Paris (/wiki/Paris) , Milan (/wiki/Milan) , Dubai (/wiki/Dubai) , Hong Kong (/wiki/Hong_Kong) , Tokyo (/wiki/Tokyo) , and other major cities. See also [ edit ] Modeling agency (/wiki/Modeling_agency) Talent agent (/wiki/Talent_agent) References [ edit ] ^ (#cite_ref-1) "Common Types of Modeling Contracts" (https://www.marqin.fr/common-types-of-modeling-contracts/) . Retrieved June 11, 2024 . ^ (#cite_ref-2) "What is a mother agency? - glossary - model agency" (https://www.the-models.de/en/glossary/mother-agency) . www.the-models.de . Retrieved June 11, 2024 . ^ (#cite_ref-3) "FAQS" (https://www.signedmgmt.com/faqs) . Signed Model Management . Retrieved June 11, 2024 . ^ (#cite_ref-4) "10 things to look for in a mother agent" (https://www.themotheragents.com/10-things-to-look-for-in-a-mother-agent) . The Mother Agents . Retrieved June 11, 2024 . ^ (#cite_ref-5) "what is a mother agent" (https://www.themotheragents.com/what-is-a-mother-agent) . The Mother Agents . Retrieved June 11, 2024 . ^ Jump up to: a b "Mother agent frequent questions" (https://www.themotheragents.com/frequent-questions) . The Mother Agents . Retrieved June 11, 2024 . ^ (#cite_ref-7) "What a Modeling Mother Agent Is and What It Does for Models" (https://www.liveabout.com/what-is-a-modeling-mother-agency-2379419) . LiveAbout . Retrieved June 11, 2024 . ^ Jump up to: a b "Greg Chan on Demystifying The Mother Agency Route – Of The Minute" (https://models.com/oftheminute/?p=136311) . Retrieved June 11, 2024 . 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Lolë Exterior of the Lolë store at the McArthurGlen Designer Outlet Vancouver Airport (/wiki/McArthurGlen_Designer_Outlet_Vancouver_Airport) Company type Private (/wiki/Privately_held_company) Industry Retail (/wiki/Retail) and Wholesale (/wiki/Wholesale) Founded 2002 ; 22 years ago ( 2002 ) [1] (#cite_note-1) Founder Bernard Mariette (/wiki/Bernard_Mariette) Headquarters Montreal (/wiki/Montreal) , Quebec (/wiki/Quebec) , Canada Number of locations 6 (2024) Areas served North America (/wiki/North_America) , Europe (/wiki/Europe) Key people Todd Steele ( CEO (/wiki/CEO) ) Nicolas Beetez ( COO (/wiki/Chief_operating_officer) ) Raphael Groulx Rob French Nadine Garneau Vanessa Marinesi Products Athletic apparel Brands Paradox (/wiki/Paradox) Parent (/wiki/Parent_company) Lolë Brands Canada ULC (/w/index.php?title=Lol%C3%AB_Brands_Canada_ULC&action=edit&redlink=1) Website lolelife (http://lolelife.com) .com (http://lolelife.com) Lolë is an athletic apparel designer and retailer based in Montreal (/wiki/Montreal) , Quebec (/wiki/Quebec) , Canada. [2] (#cite_note-2) The company was founded in 2002 by Bernard Mariette (/wiki/Bernard_Mariette) , and currently operates 5 stores in Canada and 1 store in the U.S. [3] (#cite_note-3) Much of its business is in wholesale, distributed to retailers like Nordstrom (/wiki/Nordstrom) to be sold in stores. [4] (#cite_note-cbc-4) [5] (#cite_note-5) The company name Lolë is an acronym for 'Live out loud every day'. [4] (#cite_note-cbc-4) [6] (#cite_note-6) In June 2018, the company announced an expansion into men's athletic apparel. [7] (#cite_note-7) References [ edit ] ^ (#cite_ref-1) "Downtown Oakville: Lolë" (http://oakvilledowntown.com/?directory=lole) . Retrieved 27 June 2017 . ^ (#cite_ref-2) Krashinsky Robertson, Susan (18 April 2013). "The Lululemon rival that grew rapidly with almost no advertising" (https://www.theglobeandmail.com/report-on-business/industry-news/marketing/the-lululemon-rival-that-grew-rapidly-with-almost-no-advertising/article11386583/) . The Globe and Mail (/wiki/The_Globe_and_Mail) . Retrieved 25 May 2017 . ^ (#cite_ref-3) "Lolë stores" (https://www.lolelife.com/store-locator) . lolelife . Retrieved 15 July 2024 . ^ Jump up to: a b Kelly, Jeanette (12 October 2012). "Lolë, a made-in-Quebec activewear success story" (http://www.cbc.ca/cinqasix/fashion/2012/10/12/lole-a-made-in-quebec-activewear-success-story/) . CBC Radio (/wiki/CBC_Radio) . Retrieved 25 May 2017 . ^ (#cite_ref-5) Strauss, Marina (23 April 2014). "Montreal's Lole takes aim at struggling Lululemon's market" (https://www.theglobeandmail.com/report-on-business/montreals-lole-takes-aim-at-struggling-lululemon-market/article18116318/) . The Globe and Mail . Retrieved 25 May 2017 . ^ (#cite_ref-6) "About us" (https://www.lolelife.com/about-us) . lolelife . Retrieved 15 July 2024 . ^ (#cite_ref-7) "Metrotown Target Store Replacement Revealed, Lolë Expands into Men's Wear" (https://www.retail-insider.com/retail-insider/2018/6/retail-insider-brief-helen-siwak-june-18-2018?rq=Lolë) . Retail Insider . 17 June 2018 . Retrieved 23 June 2018 . This retail business article is a stub (/wiki/Wikipedia:Stub) . 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American fashion company For the generic Australian style of sheepskin boot, see ugg boots (/wiki/Ugg_boots) . UGG UGG flagship store on Fifth Avenue (/wiki/Fifth_Avenue) Formerly UGG Australia Company type Subsidiary (/wiki/Subsidiary) Industry Fashion (/wiki/Fashion) Founded 1978 ; 46 years ago ( 1978 ) in Santa Monica, California (/wiki/Santa_Monica,_California) Founder Brian Smith Headquarters 250 Coromar Drive Goleta, California (/wiki/Goleta,_California) 93117 United States 34°25′47″N 119°51′43″W / 34.4296°N 119.86202°W / 34.4296; -119.86202 Number of locations 130+ stores Area served Worldwide Products Footwear (/wiki/Footwear) Apparel (/wiki/Apparel) Accessories (/wiki/Fashion_accessory) Home textiles (/wiki/Household_goods) Revenue US$2.24 billion (2024) [1] (#cite_note-10-K-1) Parent (/wiki/Parent_company) Deckers Brands (/wiki/Deckers_Brands) Website ugg.com (https://www.ugg.com/home/) UGG is an American fashion company primarily known for its sheepskin boots (/wiki/Sheepskin_boots) , founded in 1978 by Australian surfer Brian Smith in Santa Monica, California (/wiki/Santa_Monica,_California) . After putting on his pair of Australian sheepskin boots after a chilly late-night surf in Malibu (/wiki/Malibu,_California) , Smith realized sheepskin boots weren't available in the United States like they were in Australia, giving Smith the idea to create UGG. [2] (#cite_note-2) UGG also sells apparel, accessories, [3] (#cite_note-:0-3) and home textiles. [4] (#cite_note-4) History [ edit ] A pair of UGG boots UGG was founded in California in 1978 [5] (#cite_note-5) by Australian surfer Brian Smith and Doug Jensen. Smith was living in Santa Monica, California after studying at UCLA's Anderson School of Management (/wiki/UCLA_Anderson_School_of_Management) . [6] (#cite_note-cpcstrat-6) Smith and Jensen first applied to be the United States distributors for the Western Australian sheepskin boot manufacturer, Country Leather . Unhappy with the brand, Smith trademarked UGG. [7] (#cite_note-bob-7) Later, family friends invested $20,000 into the venture and the group set up Ugg Imports . In their first season in business, Ugg Imports sold 28 pairs of boots. Due to other business commitments, in 1979 Jensen handed over his share of the company to Smith. Sales steadily grew and Smith set up Ugg Holdings Inc. and in 1985 registered a US trademark on a rams head logo with the words "Original UGG Boot UGG Australia". [8] (#cite_note-8) By 1994, 80 percent of UGG's sales were in southern Orange County (/wiki/Orange_County,_California) , but the company gained international attention after the boots were worn by the U.S. Olympic team in Lillehammer for the 1994 Winter Olympics (/wiki/1994_Winter_Olympics) . [6] (#cite_note-cpcstrat-6) In 1995, Deckers Brands (/wiki/Deckers_Brands) acquired Smith's business for $14.6 million and continued to expand it. [9] (#cite_note-WSJ-9) During the late 1990s, UGG began experiencing double-digit sales growth as Deckers developed the company into an international brand. In 2003, UGG boots were included on Oprah Winfrey's show as part of "Oprah's Favorite Things." [10] (#cite_note-latimes09-10) Afterwards, the brand received an unprecedented surge in sales. [10] (#cite_note-latimes09-10) [11] (#cite_note-usa30-11) In 2006, UGG opened its first brick and mortar store in New York's SoHo (/wiki/SoHo,_Manhattan) neighborhood. [12] (#cite_note-12) The company opened its first international store in Japan later that same year. [13] (#cite_note-13) UGG partnered with designer shoe brand Jimmy Choo (/wiki/Jimmy_Choo) in 2009 to launch a capsule collection combining the brands' styles. [14] (#cite_note-14) The following year, UGG debuted a collection of boots designed in collaboration with Swarovski (/wiki/Swarovski) . The company launched its first men's advertising campaign in 2011 featuring New England Patriots (/wiki/New_England_Patriots) quarterback Tom Brady (/wiki/Tom_Brady) in 2011. [15] (#cite_note-15) The first UGG for Men stand-alone store opened in New York in 2012. [16] (#cite_note-16) UGG reported over $1 billion (U.S) in sales for 2012. [17] (#cite_note-Bloomberg-17) UGG products are manufactured in a number of countries, primarily China. [18] (#cite_note-18) Deckers uses two Chinese tanneries to supply the sheepskin. The tanneries in turn source the raw skins from Australia and the United Kingdom. [1] (#cite_note-10-K-1) Its collection of home goods launched in 2013 and included products such as rugs, blankets, pillows and other home pieces. [19] (#cite_note-19) In June 2015, Ugg has announced a collaboration with Pixar (/wiki/Pixar) . The company launched a capsule collection reflecting Pixar's film Inside Out (/wiki/Inside_Out_(2015_film)) , [20] (#cite_note-20) and have produced Disney-themed boots featuring Mickey Mouse, Minnie Mouse and Tinker Bell. [21] (#cite_note-21) In 2016, Deckers rebranded to "UGG", instead of "UGG Australia", in response to an investigation by the Australian Competition & Consumer Commission (/wiki/Australian_Competition_%26_Consumer_Commission) because of a complaint that the reference to "Australia", in its branding of sheepskin boots manufactured in China and Vietnam, was misleading and deceptive, and therefore in breach of Australia's consumer protection (/wiki/Consumer_protection) and fair competition laws. [22] (#cite_note-auto-22) Deckers now refers to the UGG brand as "Californian" rather than "Australian". [23] (#cite_note-auto1-23) In 2020, UGG debuted seasonal ready-to-wear apparel. UGG hired a new senior design team to lead its ready-to-wear collection. The collections are mostly athleisure (/wiki/Athleisure) , with a focus on faux fur, fleece and sherpa. The collection features men's, women's, and unisex designs. [3] (#cite_note-:0-3) In popular culture [ edit ] UGG-branded sheepskin boots have been a style staple since they first appeared on Oprah Winfrey (/wiki/Oprah_Winfrey) 's show in her second edition of " Oprah's Favorite Things (/wiki/Oprah%27s_Favorite_Things) " in 2003, [11] (#cite_note-usa30-11) in which she purchased over 350 shoes for her staff and audience. [24] (#cite_note-24) The boots gained a large celebrity following and were frequently seen on notable people such as Kate Upton (/wiki/Kate_Upton) , Blake Lively (/wiki/Blake_Lively) , [25] (#cite_note-bhasin-25) Kate Hudson (/wiki/Kate_Hudson) , Cameron Diaz (/wiki/Cameron_Diaz) , Jennifer Lopez (/wiki/Jennifer_Lopez) , [26] (#cite_note-26) Leonardo DiCaprio (/wiki/Leonardo_DiCaprio) , The Rolling Stones (/wiki/The_Rolling_Stones) guitarist Ronnie Wood (/wiki/Ronnie_Wood) , [27] (#cite_note-27) and Sarah Jessica Parker (/wiki/Sarah_Jessica_Parker) [11] (#cite_note-usa30-11) as Carrie Bradshaw (/wiki/Carrie_Bradshaw) on Sex and the City (/wiki/Sex_and_the_City) . [28] (#cite_note-28) This exposure led to immense growth in the UGG's popularity and recognizability. [29] (#cite_note-Koolaburra-29) In 2013, various Vogue (/wiki/Vogue_(magazine)) editors wrote about wearing an owning UGG-branded sheepskin boots and fashion figures Alexa Chung (/wiki/Alexa_Chung) and André Leon Talley (/wiki/Andr%C3%A9_Leon_Talley) gave testimonials about their UGG-branded sheepskin boots. [25] (#cite_note-bhasin-25) [30] (#cite_note-30) Trademark disputes [ edit ] Back of an UGG boot Main article: Ugg boots trademark disputes (/wiki/Ugg_boots_trademark_disputes) In 1971, Shane Steadman registered the trademark UGH-BOOT on the Australian Trade Mark Registry, and obtained an Australian registration for UGH in 1982. These registrations remained valid in Australia until removed for non-use in 2006. Steadman sold his UGH brand boots widely in Australia throughout the 1970s and 1980s. [31] (#cite_note-31) This registration was subsequently sold to Ugg Holdings Inc. in early 1995. In August 1995, Deckers Brands purchased Ugg Holdings, and in 1999 registered Ugg Holdings trademarks, including the UGG AUSTRALIA label (with sun-like device), in Australia. Attempts by Deckers to stop other traders from using the "UGG" mark in Australia were challenged, ultimately leading to 2006 decisions by IP Australia (/wiki/IP_Australia) to remove company's "UGH" and "UGH-BOOTS" trademarks due to non-use, finding that they had not been used during a three-year period ending one month before a removal application was submitted. [32] (#cite_note-IPAus-32) [33] (#cite_note-UggHowAMinnow-33) The Australian trademark that contains "UGG Australia" in stylised text was maintained. But there are many other similar trade marks in Australia that contain the words "UGG Australia" along with other graphical elements. [34] (#cite_note-34) [35] (#cite_note-35) In 2016, the Australian Competition & Consumer Commission (/wiki/Australian_Competition_%26_Consumer_Commission) investigated Deckers because of a complaint that the reference to "Australia" in its branding was misleading and deceptive, and therefore in breach of Australia's consumer protection and fair competition laws. In response, Deckers rebranded to "UGG", instead of "UGG Australia". [22] (#cite_note-auto-22) Deckers now refers to the UGG brand as "Californian" rather than "Australian". [23] (#cite_note-auto1-23) Deckers continues to hold registrations for the UGG trademark in the United States, China and over 130 other countries. [36] (#cite_note-Turkish-36) The validity of the UGG trademark outside of Australia has also been challenged, but courts have consistently upheld its validity. In 2004, Deckers filed a case against Koolaburra in the California federal court asserting that their use of "Ug" was trademark infringement. [29] (#cite_note-Koolaburra-29) [9] (#cite_note-WSJ-9) Koolaburra argued that the UGG trademark was invalid as being generic and obtained by fraud. [29] (#cite_note-Koolaburra-29) In February 2005, the court ruled for Deckers stating that survey evidence clearly demonstrates that the UGG mark is not generic. There was no evidence that Smith acted with an intent to defraud the Trademark Office, and consumers would likely be confused with the similarity in "appearance, sight and sound" between "Ug" and "UGG" as the parties were marketing in direct competition with identical products. However, the court declined to rule on the validity of Deckers' Australian trademark registrations in the context of the US case. [29] (#cite_note-Koolaburra-29) Other UGG trademark disputes have occurred with companies including Luda Production Pty [37] (#cite_note-37) [38] (#cite_note-38) and Emu Australia (/wiki/Emu_Australia) , [39] (#cite_note-39) [40] (#cite_note-40) [41] (#cite_note-41) as well as local manufacturers in countries such as Turkey and China. [36] (#cite_note-Turkish-36) In August 2016, Australian senator Nick Xenophon (/wiki/Nick_Xenophon) called for international protection of the Australian footwear term ugg . [42] (#cite_note-42) Trademark enforcement against other manufacturers [ edit ] Deckers actively enforces its trademark rights in those countries in which it has succeeded in obtaining trade mark rights to "UGG". According to Deckers' brand-protection unit, in 2009 it took down 2,500 "fake" websites, 20,000 eBay (/wiki/EBay) listings and 150,000 other online auction listings with 60,000 pairs of "counterfeit" UGG footwear confiscated by customs agents. [43] (#cite_note-Jackson-43) Law enforcement officials in the UK, the US and China have reported seizures of counterfeit UGG brand boots. [44] (#cite_note-44) [45] (#cite_note-45) [46] (#cite_note-46) In 2009, US customs agents confiscated 60,000 pairs of boots falsely marked with the "UGG" trade mark, and the company took action against 2500 websites that were selling fraudulent products, as well as some 170,000 listings on eBay, Craigslist (/wiki/Craigslist) and similar sites. [47] (#cite_note-NYT_7-31-10-47) [48] (#cite_note-48) The National Arbitration Forum (/wiki/National_Arbitration_Forum) , which has been appointed by ICANN (/wiki/ICANN) to resolve most Internet domain name disputes, has used Deckers Brands ownership of the UGG trademark in the United States as part of several decisions to direct Internet domains containing UGG to be transferred to Deckers. [49] (#cite_note-49) [50] (#cite_note-50) [51] (#cite_note-51) [52] (#cite_note-52) [53] (#cite_note-53) [54] (#cite_note-54) Concern for animals [ edit ] Since UGG-branded sheepskin boots are one of many clothing products made from animal skin, the production of UGG-branded sheepskin boots has been the subject of criticism by the animal liberation movement (/wiki/Animal_liberation_movement) . [55] (#cite_note-Whygo-55) In the decade beginning in 2000, the animal rights organization PETA (/wiki/People_for_the_Ethical_Treatment_of_Animals) called for the boycott of UGG-branded boots and their replacement with alternatives not made from animal skin. In 2007, Pamela Anderson (/wiki/Pamela_Anderson) , realizing that UGG-branded boots were made of sheepskin, wrote on her website that she does not support the brand any longer. [56] (#cite_note-AUTOREF7-56) In February 2008, the Princeton Animal Welfare Society staged a campus protest against the fur industry, particularly attacking the sheepskin industry. "Students lay in the newly fallen snow on the Frist Campus Center's North Front Lawn on Friday afternoon, feigning death, wearing coats covered with fake blood and sporting signs that read, 'What if you were killed for your coat?' " [57] (#cite_note-AUTOREF8-57) UGG makes its footwear within its factories located in Vietnam and China. The sheepskin is primarily sourced from two tanneries in China, and the tanneries in turn source the raw skins from Australia and the United Kingdom. [1] (#cite_note-10-K-1) In 2022, Deckers Outdoor Corporation (/wiki/Deckers_Outdoor_Corporation) announced that it would phase alpaca wool out of its brands by the fall of 2023. [58] (#cite_note-58) See also [ edit ] EMU Australia (/wiki/EMU_Australia) Bearpaw (brand) (/wiki/Bearpaw_(brand)) References [ edit ] ^ Jump up to: a b c "Form 10-K" (https://d18rn0p25nwr6d.cloudfront.net/CIK-0000910521/23a7e50a-9592-42c9-8983-7cd30ff92636.pdf) (PDF) . Deckers Brands. May 24, 2024 . Retrieved June 29, 2024 . ^ (#cite_ref-2) Kless, Ed (February 22, 2018). "How the founder of UGG® is helping other entrepreneurs build their businesses, interview with founder Brian Smith" (https://www.sage.com/en-us/blog/ugg-founder-brian-smith/) . Sage . Retrieved August 25, 2022 . ^ Jump up to: a b Moore, Booth (September 3, 2020). "Ugg Gets Into Apparel in a More Serious Way With Launch of Seasonal Ready-to-Wear Collection" (https://wwd.com/fashion-news/fashion-features/ugg-launches-seasonal-ready-to-wear-1234572446/) . WWD . Retrieved August 25, 2022 . ^ (#cite_ref-4) Forman, Suzy (February 3, 2022). "5 UGG Home Products You Didn't Even Know Existed" (https://www.usmagazine.com/shop-with-us/news/ugg-home-products-bedding-bath-amazon/) . Us Weekly . Retrieved August 25, 2022 . ^ (#cite_ref-5) Kim Bhasin (August 16, 2014). "Ugg Is Sick Of Being Pigeonholed For Its Boots" (http://www.huffingtonpost.com/2014/08/16/future-of-ugg_n_5683024.html?) . Huffington Post . Retrieved May 28, 2015 . ^ Jump up to: a b Tara Johnson (April 2, 2015). "How UGG Founder Brian Smith Turned a $500 Loan into Billion Dollar Brand" (http://www.cpcstrategy.com/blog/2015/04/how-ugg-founder-brian-smith-turned-a-500-loan-into-billion-dollar-brand/) . CPC Strategy . Retrieved May 28, 2015 . ^ (#cite_ref-bob_7-0) Brian Smith (2014). The Birth of a Brand . ^ (#cite_ref-8) Higgins, Pamm (October 2001). "Booty Call". Los Angeles Magazine (/wiki/Los_Angeles_Magazine) 46 (10): 75. ^ Jump up to: a b Behind the Brand: The Golden Fleece (http://magazine.wsj.com/features/behind-the-brand/the-golden-fleece/) Wall Street Journal (/wiki/Wall_Street_Journal) September 9, 2010. ^ Jump up to: a b Julie Neigher (December 20, 2009). "It looks like Ugg love" (http://articles.latimes.com/2009/dec/20/image/la-ig-ugg20-2009dec20) . Los Angeles Times . Retrieved May 28, 2015 . ^ Jump up to: a b c Lorrie Grant (December 10, 2003). "UGG boots a fashion kick" (http://usatoday30.usatoday.com/money/industries/retail/2003-12-10-ugg_x.htm) . USA Today . Retrieved May 28, 2015 . ^ (#cite_ref-12) Samantha Critchell (October 24, 2013). "An ode to Ugg, the boot with staying power" (http://www.seattletimes.com/entertainment/an-ode-to-ugg-the-boot-with-staying-power/) . The Seattle Times . Retrieved May 28, 2015 . ^ (#cite_ref-13) Martin Webb (February 21, 2006). "Party round-up: Chloe, Maison Martin Margiela, Bernhard Willhelm, Alexander Lee-Chang . . " (http://www.japantimes.co.jp/life/2006/02/21/style/party-round-up-chloe-maison-martin-margiela-bernhard-willhelm-alexander-lee-chang/#.VVaA0PlVikp) . The Japan Times . Retrieved May 28, 2015 . ^ (#cite_ref-14) Elena Andreou (September 16, 2010). "UGG Australia and Jimmy Choo Collaboration" (https://web.archive.org/web/20150528180133/http://www.instyle.co.uk/fashion/news/ugg-australia-and-jimmy-choo-collaboration) . InStyle UK. Archived from the original (http://www.instyle.co.uk/fashion/news/ugg-australia-and-jimmy-choo-collaboration) on May 28, 2015 . Retrieved May 28, 2015 . ^ (#cite_ref-15) Aditi Kinkhabwala (September 12, 2011). "Unlikely Pair: UGG and Tom Brady" (https://www.wsj.com/articles/SB10001424053111904265504576564950268469030) . Wall Street Journal . Retrieved May 28, 2015 . ^ (#cite_ref-16) "UGG Australia and GQ Opens First UGG for Men Store in New York City" (https://web.archive.org/web/20150528155811/http://www.reuters.com/article/2012/06/06/idUS109106+06-Jun-2012+BW20120606) . Reuters. June 6, 2012. Archived from the original (https://www.reuters.com/article/2012/06/06/idUS109106+06-Jun-2012+BW20120606) on May 28, 2015 . Retrieved May 28, 2015 . ^ (#cite_ref-Bloomberg_17-0) Sutherland & Tara Lachapelle, Brooke (November 26, 2012). "UGGs in Play With Deckers Seen Luring Buyers: Real M&A" (https://www.bloomberg.com/news/2012-11-25/uggs-in-play-with-deckers-seen-luring-buyers-real-m-a.html) . Bloomberg LP (/wiki/Bloomberg_LP) . Retrieved February 23, 2013 . ^ (#cite_ref-18) Nicolas Boot (November 9, 2004). "Ugg Boots" (http://www.7perth.com.au/view/today-tonight-articles/20050607142617) . 7 Perth . Retrieved January 13, 2011 . ^ (#cite_ref-19) Lauren Levinson (September 19, 2013). "UGG Unveils Home Collection – And We Like It" (http://www.elle.com/fashion/shopping/news/a23746/ugg-home-collection/) . Elle . Retrieved May 28, 2015 . ^ (#cite_ref-20) Ehlers, Sara (June 26, 2015). "Ugg partners with Pixar to create "Inside Out" collection" (https://fashionunited.uk/news/fashion/ugg-partners-with-pixar-to-create-inside-out-collection/2015062616868) . FashionUnited (/wiki/FashionUnited) . Retrieved July 30, 2015 . ^ (#cite_ref-21) "UGG Official Disney Collection". UGG . 2016. {{ cite web (/wiki/Template:Cite_web) }} : Missing or empty |url= ( help (/wiki/Help:CS1_errors#cite_web_url) ) ^ Jump up to: a b " Battle to use the term 'ugg boots' continues in US court (https://www.smh.com.au/business/consumer-affairs/battle-to-use-the-term-ugg-boots-continues-in-us-court-20170502-gvxaju.html) ", Sydney Morning Herald (/wiki/Sydney_Morning_Herald) , 3 May 2017 ^ Jump up to: a b "Fashion Lifestyle Footwear Brands | Deckers Brands" (https://www.deckers.com/brands/fashion-lifestyle-footwear-brands) . www.deckers.com . ^ (#cite_ref-24) Sandra M. Jones (August 25, 2007). "Ugg's arrival just in time for winter" (http://www.chicagotribune.com/business/chi-retail_notebook_825aug25-story.html) . Chicago Tribune . Retrieved May 28, 2015 . ^ Jump up to: a b Kim Bhasin (March 3, 2014). "Why Ugg Boots Will Never Go Away" (http://www.huffingtonpost.com/2014/03/03/ugg-boots_n_4875392.html) . Huffington Post . Retrieved May 28, 2015 . ^ (#cite_ref-26) "Aus weichem Wildleder mit Butter." Cernotazi (http://cernotazi.wordpress.com/) , 3 November 2012. Accessed 26 March 2013. ^ (#cite_ref-27) Chris Irvine (November 3, 2008). "Ugg Boots become must have fashion accessory for celebrity men" (https://www.telegraph.co.uk/news/celebritynews/3369612/Ugg-Boots-become-must-have-fashion-accessory-for-celebrity-men.html) . London: The Daily Telegraph (/wiki/The_Daily_Telegraph) . Retrieved May 28, 2015 . ^ (#cite_ref-28) Jasmine Garnsworthy (January 13, 2015). "Ugg Boots Are Coming Back in Style, According to Vogue" (http://stylecaster.com/ugg-boots-are-coming-back-in-style-according-to-vogue/) . Style Caster . Retrieved May 28, 2015 . ^ Jump up to: a b c d "United States District Court UGG Holdings, Inc. -v- Clifford Severen et al" (https://web.archive.org/web/20140108231941/http://www.deckers.com/ugg-is-a-brand/LegalDecisions/Koolaburra_decision.pdf) (PDF) . Deckers Brands (/wiki/Deckers_Outdoor_Corporation) . February 23, 2005. Archived from the original (http://www.deckers.com/ugg-is-a-brand/LegalDecisions/Koolaburra_decision.pdf) (PDF) on January 8, 2014 . Retrieved February 12, 2013 . ^ (#cite_ref-30) Alexandra Macon (February 15, 2013). "The Secret's Out: Confessions of Vogue's Ugg Addicts" (http://www.vogue.com/868175/the-secrets-out-confessions-of-vogues-ugg-addicts/#1) . Vogue . Retrieved May 28, 2015 . ^ (#cite_ref-31) Laurie L. Dove (February 15, 2012). "How Ugg Boots Work" (http://people.howstuffworks.com/ugg-boot1.htm) . How Stuff Works . Retrieved May 28, 2015 . ^ (#cite_ref-IPAus_32-0) "Decision of a Delegate of the Registration of Trade Marks With Reasons" (http://ec2-23-23-177-216.compute-1.amazonaws.com/files/3%20-%20AU%20UGH-BOOTS%20decision.pdf) (PDF) . Trade Marks Hearings. January 16, 2006. p. 13 . Retrieved March 26, 2018 . ^ (#cite_ref-UggHowAMinnow_33-0) Marks, Kathy (January 18, 2006). "Ugg: How a minnow put the boot into a fashion giant" (https://www.independent.co.uk/news/world/australasia/ugg-how-a-minnow-put-the-boot-into-a-fashion-giant-6111358.html) . The Independent (/wiki/The_Independent) . Retrieved May 23, 2016 . ^ (#cite_ref-34) Anderson, Kerrin (February 7, 2011). "The Battle of the UGG BOOT Continues" (https://web.archive.org/web/20110419023322/http://www.hyneslawyers.com.au/articles/the-battle-of-the-ugg-boot-continues.html) . Hynes Lawyers. Archived from the original (http://www.hyneslawyers.com.au/articles/the-battle-of-the-ugg-boot-continues.html) on April 19, 2011 . Retrieved March 26, 2018 . ^ (#cite_ref-35) "Ugg-ly Trademark Fight Comes to an End" (http://www.theage.com.au/news/National/Uggly-trademark-fight-comes-to-an-end/2006/08/23/1156012602304.html) . The Age (/wiki/The_Age) . August 23, 2006 . Retrieved March 26, 2018 . ^ Jump up to: a b Website of Walker Morris UK solicitors firm, Leeds. (http://www.walkermorris.co.uk/business-insights/bootiful-ugg-recognised-well-known-mark-turkey) Archived (https://web.archive.org/web/20140107122127/http://www.walkermorris.co.uk/business-insights/bootiful-ugg-recognised-well-known-mark-turkey) January 7, 2014, at the Wayback Machine (/wiki/Wayback_Machine) "Bootiful – UGG recognised as a well known mark in Turkey" Legal Briefing from the Trade Marks and Designs Group, 3 October 2011. ^ (#cite_ref-37) Windsor, Alison (August 11, 2006), Decision of a Delegate of the Registrar of Trade Marks with Reasons (PDF) , IP Australia, archived from the original (http://www.ipaustralia.gov.au/pdfs/trademarks/hearings/785466.pdf) (PDF) on September 18, 2006 , retrieved September 4, 2010 ^ (#cite_ref-38) Windsor, Alison (September 29, 2010), Decision of a Delegate of the Registrar of Trade Marks with Reasons (PDF) , IP Australia , retrieved November 13, 2010 ^ (#cite_ref-39) "The battle of the uggs" (http://www.shoefaironline.com.au/blog/The-battle-of-the-uggs) . Shoe Fair Online . January 25, 2011 . Retrieved September 7, 2011 . ^ (#cite_ref-40) Leonhardt, Megan (August 26, 2011). "Deckers, Emu Resolve Ugg Trademark Suit" (http://www.law360.com/ip/articles/267597) . Law360.com . Retrieved September 7, 2011 . ^ (#cite_ref-41) "Emu and Deckers reach settlement over Ugg name" (http://www.just-style.com/news/emu-and-deckers-reach-settlement-over-ugg-name_id112044.aspx) . Just-Style.com . August 26, 2011 . Retrieved September 7, 2011 . ^ (#cite_ref-42) "Xenophon calls for legislation to protect Ugg boots" (https://www.abc.net.au/news/2016-08-28/nick-xenophon-calls-for-legislation-to-protect-ugg-boots-/7792096) . ABC News (/wiki/ABC_News_(Australia)) . August 27, 2016. ^ (#cite_ref-Jackson_43-0) Cronin, Emily. "The story of Ugg" (http://fashion.telegraph.co.uk/article/TMG8283572/The-story-of-Ugg.html) . The Daily Telegraph (/wiki/The_Daily_Telegraph) . January 30, 2011. ^ (#cite_ref-44) "Huge haul of fake clothes seized in London" (http://news.bbc.co.uk/2/hi/uk_news/england/london/8576880.stm) . BBC News (/wiki/BBC_News) . March 19, 2009 . Retrieved August 25, 2010 . ^ (#cite_ref-45) Davis, Shabria (January 29, 2010). "Seven are arrested for alleged sale of counterfeit merchandise at Cowtown in Pilesgrove" (http://www.nj.com/salem/index.ssf/2010/01/seven_arrested_for_allegedly_s.html) . NJ.com . Retrieved August 25, 2010 . ^ (#cite_ref-46) Administrative Penalty Decision: Chen Gong Shang An Zi (Chengjiang Township A.I.C. Case) No. (2010) 00005 , Administration for Industry & Commerce of Jiangyin City, Wuxi Municipality, January 6, 2010 ^ (#cite_ref-NYT_7-31-10_47-0) Clifford, Stephanie. "Economic Indicator: Even Cheaper Knockoffs", The New York Times (/wiki/The_New_York_Times) , July 31, 2010. ^ (#cite_ref-48) "New Counterfeit Gambit: Knock Off Cheaper Brands" (http://www.brandchannel.com/home/post/2010/08/03/New-Counterfeit-Gambit-Knock-Off-Cheaper-Brands.aspx) . Brandchannel.com . Retrieved June 3, 2013 . ^ (#cite_ref-49) Fink, Karl V.; Johnson, Carolyn M.; Miranda, David P. (March 9, 2004), UGG Holdings, Inc. and Deckers Outdoor Corporation v. Geoff Sharpe d/b/a Australian Aura & DigiCommander Corp.-Ph. 1300 76 3888 a/k/a Domain Registration , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-50) Yachnin, Ralph (December 20, 2004), Deckers Outdoor Corporation v. Bills Distribution , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-51) Johnson, Carolyn M.; Tatham, David H.; Fink, Karl V. (February 4, 2004), UGG Holdings, Inc. and Deckers Outdoor Corporation v. Paul Barclay and Barclay Holdings, Inc. , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-52) Fink, Karl V.; Johnson, Carolyn M.; Miranda, David P. (February 5, 2004), UGG Holdings, Inc. and Deckers Outdoor Corporation v. Paul Barclay d/b/a Australian Made Goods , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-53) Franklin, Sandra (November 8, 2004), UGG Holdings, Inc. v. Constantinos Roussos , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-54) Johnson, Carolyn M.; McCotter, Jr., Charles K.; Rindforth, P-E H Petter (December 8, 2004), UGG Holdings, Inc. v. WebQuest.com, Inc. , National Arbitration Forum , retrieved August 25, 2010 ^ (#cite_ref-Whygo_55-0) The Truth About Ugg Boots: History, Controversy & Who Wears Them (http://www.australiablog.com/featured-articles/the-truth-about-ugg-boots-history-controversy-who-wears-them.html) Whygo Australia August 5, 2010 ^ (#cite_ref-AUTOREF7_56-0) "Pamela Anderson Learns Ugg Boots Made From Sheepskin, Speaks Out Against Them" (http://www.foxnews.com/story/0,2933,255145,00.html) . Fox News. February 28, 2007 . Retrieved May 14, 2010 . ^ (#cite_ref-AUTOREF8_57-0) "PAWS takes aim at Ugg boots" (https://web.archive.org/web/20080704220626/http://www.dailyprincetonian.com/2008/02/25/20237/) . Daily Princetonian . February 25, 2008. Archived from the original on July 4, 2008. {{ cite web (/wiki/Template:Cite_web) }} : CS1 maint: bot: original URL status unknown ( link (/wiki/Category:CS1_maint:_bot:_original_URL_status_unknown) ) archived link at web.archive.org ^ (#cite_ref-58) Alexandra Harrell, " Say Goodbye to Ugg Alpaca Sweaters (https://sourcingjournal.com/topics/raw-materials/ugg-alpaca-wool-sweaters-peta-animal-cruelty-investigation-deckers-anthropologie-397804/) ," SourcingJournal.com, 14 December 2022. External links [ edit ] Wikimedia Commons has media related to UGG Australia (https://commons.wikimedia.org/wiki/Category:UGG_Australia) . Official website (https://www.ugg.com/home) The Good, The Bad and the Ugg Boot Archived (https://web.archive.org/web/20110312003624/http://www.documentaryaustralia.com.au/da/caseStudies/pdfs/043_01.pdf) March 12, 2011, at the Wayback Machine (/wiki/Wayback_Machine) Study The Good, The Bad and the Ugg Boot (http://www.abc.net.au/programsales/s1699758.htm) 2006 documentary film on the trademark dispute (see also Australian Film Commission database (https://web.archive.org/web/20090214114222/http://www.afc.gov.au/filmsandawards/filmdbsearch.aspx?view=title&title=BATTOF&area=title&type=Documentary&genre=Relationships+&+Sexuality) ) " Putting the Boot In (http://www.smh.com.au/cgi-bin/common/popupPrintArticle.pl?path=/articles/2004/03/12/1078594562069.html) ", Sydney Morning Herald, March 13, 2004 Direction to remove 245662 (UGH-BOOTS) from the Register of Trade Marks (https://web.archive.org/web/20080729001425/http://www.ipaustralia.gov.au/pdfs/trademarks/hearings/245662_060116.pdf) . Trademarks Act 1995: Decision of a Delegate of the Registrar of Trademarks with Reasons: Findings of Australian Trademark Hearing. January 16, 2006. 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Shape of collars used in hanfu Garment collars in hanfu (/wiki/Hanfu) are diverse and come in several shapes, [1] (#cite_note-:2-1) including jiaoling (cross-collars, overlapping collars (/wiki/Collar_(clothing)) at the front which closed on the right or left sides), duijin , yuanling , liling , fangling , tanling . Some forms of collars were indigenous to China (/wiki/China) while others had been adopted from the Hufu (/wiki/Hufu) of other non-Han Chinese ethnic minorities and/or from the clothing worn by foreigners. Cultural significance [ edit ] See also: Hufu (/wiki/Hufu) Ru [ edit ] See also: Ru (upper garment) (/wiki/Ru_(upper_garment)) Youren (right lapel) [ edit ] Jiaoling youren , Ming Dynasty Chinese robes (/wiki/Robe) , such as the shenyi (/wiki/Shenyi) and the paofu (/wiki/Paofu) as a general term, as well as Chinese jackets (/wiki/Ru_(upper_garment)) must typically cover the right part of their garment. [2] (#cite_note-:7-2) Styles of garments which overlapping at the front and closes to the right side are known as youren ( Chinese (/wiki/Chinese_language) : 右衽 ; lit. 'right lapel'). The youren closure is a style which originated in China and can be traced back to the Shang dynasty (/wiki/Shang_dynasty) . [3] (#cite_note-:15-3) The youren is also an important symbol of the Han Chinese (/wiki/Han_Chinese) ethnicity. [2] (#cite_note-:7-2) The youren closure was eventually adopted by other ethnic minorities and was also spread to neighbouring countries, such as Vietnam, Korea and Japan. Zuoren (left lapel) [ edit ] Jiaoling zuoren, Xiongnu (/wiki/Xiongnu) leather robes, Han dynasty Chinese people also wore another form of closure known as zuoren ( Chinese (/wiki/Chinese_language) : 左衽 ; lit. 'left lapel'), which generally refers the way garment overlaps on the front, like the youren closure, but instead closes on the left side. [2] (#cite_note-:7-2) According to the Shuowen Jiezi (/wiki/Shuowen_Jiezi) 《 說文解字 (https://en.wiktionary.org/wiki/%E8%AA%AA%E6%96%87%E8%A7%A3%E5%AD%97) 》, a form of paofu (/wiki/Paofu) , known as xi ( 襲 (https://en.wiktionary.org/wiki/%E8%A5%B2) ), was a robe with a zuoren closure [4] (#cite_note-:20-4) [5] (#cite_note-5) while the coat known as zhe ( 褶 (https://en.wiktionary.org/wiki/%E8%A4%B6) ; sometimes also referred as xi ), typically used as part of the kuzhe (/wiki/Shanku) , was also a xi ( 襲 ) according to the Shiming (/wiki/Shiming) . [6] (#cite_note-6) The use of zuoren , however, was typically associated with funeral practices. This can also be found in the chapter Sang da ji ( 喪 (https://en.wiktionary.org/wiki/%E5%96%AA) 大 (https://en.wiktionary.org/wiki/%E5%A4%A7) 記 (https://en.wiktionary.org/wiki/%E8%A8%98) ) of the Liji (/wiki/Book_of_Rites) ( 禮 (https://en.wiktionary.org/wiki/%E7%A6%AE) 記 (https://en.wiktionary.org/wiki/%E8%A8%98) ): "At both the dressings the sacrificial robes were not placed below the others. They were all placed with the lapel to lie on the left side. The bands were tied firmly, and not in a bow-knot [小斂大斂,祭服不倒,皆左衽結絞不紐]." According to ancient Chinese beliefs, the only moment the Han Chinese were supposed to use zuoren was when they dressed their deceased. [2] (#cite_note-:7-2) This funeral practice was rooted in ancient Chinese beliefs; especially in the Yin and Yang (/wiki/Yin_and_yang) theory, where it is believed that the left side is the Yang and stands for life whereas the right side is the Yin which stands for death. [7] (#cite_note-:13-7) Han woman wearing Jiaoling zuoren , Ming dynasty Therefore, according to the Yin and Yang theory, the left lapel of a garment needs to be found outside (which is in the form of youren closure) to indicate that the power of the Yang aspect is suppressing the Yin aspect, which thus symbolizes the clothing of living people. [7] (#cite_note-:13-7) On the other hand, the zuoren is a representation of the Yin aspect surpassing the Yang aspect, and thus, garments with a zuoren closure became the clothing worn by the deceased (/wiki/Death) . [7] (#cite_note-:13-7) It was therefore a taboo (/wiki/Taboo) in Chinese clothing (/wiki/Hanfu) culture for a living person to wear clothing with a zuoren closure. [7] (#cite_note-:13-7) There are exceptions in which living Han Chinese would wear clothing with a zuoren closure. For example, in some areas (such as Northern Hebei (/wiki/Hebei) ) in the 10th century, some ethnic Han Chinese could be found wearing left-lapel clothing. [8] (#cite_note-8) It was also common for the Han Chinese women to adopt left lapel under the reign of foreign nationalities, such as in the such as in the Yuan dynasty (/wiki/Yuan_dynasty) . [9] (#cite_note-:1-9) The practice of wearing the zuoren also continued in some areas of the Ming dynasty (/wiki/Ming_dynasty) despite being a Han Chinese-ruled dynasty which is an atypical feature. [9] (#cite_note-:1-9) Association with ethnic minorities and foreigners [ edit ] Xianbei (/wiki/Xianbei) women wearing a zuoren robe, Northern Wei The zuoren closure was also associated with the clothing of non-Han Chinese, ethnic minorities, and foreigners in ancient times. Some ethnic minorities generally had their clothing closing in the zuoren -style [2] (#cite_note-:7-2) according to what was recorded in ancient Chinese texts, such as the Qiang (/wiki/Qiang_(historical_people)) . [10] (#cite_note-:22-10) : 101 As a result, the traditional way to distinguish between clothing of the "Barbarian" (/wiki/Donghu_people#Nomenclature) (i.e. non-Han Chinese), Hufu , and Chinese clothing, hanfu (/wiki/Hanfu) , was typically by looking at the direction of the collar. [11] (#cite_note-:8-11) This can also be found in the Analects (/wiki/Analects) where Confucius (/wiki/Confucius) himself praised Guan Zhong (/wiki/Guan_Zhong) for preventing the weakened Zhou dynasty (/wiki/Zhou_dynasty) from becoming barbarians: [12] (#cite_note-:10-12) [13] (#cite_note-13) [14] (#cite_note-14) "But for Guan Zhong, we should now be wearing our hair unbound [pifa], and the lapels of our coats buttoning on the left side [zuoren]. [微管仲,吾其被髮左衽矣]." Based on Confucius' sayings, pifa zuoren ( simplified Chinese (/wiki/Simplified_Chinese_characters) : 被发左衽 ; traditional Chinese (/wiki/Traditional_Chinese_characters) : 被髮左衽 ; pinyin (/wiki/Pinyin) : bèifà zuǒrèn ; lit. 'unbound hair left lapel'), bound hair and coats which closed on the left side, was associated with the clothing customs of the northern nomadic ethnic groups who were considered as barbarians. [12] (#cite_note-:10-12) From the standpoint of the Huaxia (/wiki/Huaxia) culture, pifa was a way to reject refined culture and being turned into a barbarian. [10] (#cite_note-:22-10) : 101 By the Han dynasty (/wiki/Han_dynasty) , since Confucius himself was the first person to use the phrase pifa zuoren to refer to Non-Zhou dynasty (/wiki/Zhou_dynasty) people, this phrase became a common metaphor (/wiki/Metaphor) for primitiveness. [10] (#cite_note-:22-10) : 103 When used by the ancient Chinese literati, the concept of pifa zuoren became a phrase, which held the symbolic of foreign people who were living a barbarous and civilized lifestyle; this concept also became a way to emphasize the customs differences between the Han people and other ethnic minorities and draw the line to distinguish who was were considered as civilized and barbarians. [10] (#cite_note-:22-10) : 103 The zuoren thus also became a reference to Hufu and/or to the rule of foreign nationalities. [2] (#cite_note-:7-2) Of note, some non-Chinese ethnicity who adopted Hanfu (/wiki/Hanfu) -style sometimes maintain their left lapels, such as the Khitans (/wiki/Khitan_people) in the Liao dynasty (/wiki/Liao_dynasty) . [15] (#cite_note-:110-15) : 267 Common types of collar [ edit ] Cross-collars [ edit ] Jiaoling youren [ edit ] See also: Áo giao lĩnh (/wiki/%C3%81o_giao_l%C4%A9nh) Jiaoling youren tieli (/wiki/Terlig) (left) and jiaoling youren shan (/wiki/Ru_(upper_garment)) (right), Ming dynasty Jiaoling youren ( Chinese (/wiki/Chinese_language) : 交領右衽 ) were cross-collars which overlapped on the front and closed on the right side following the youren ( 右衽 ) rule; [16] (#cite_note-:6-16) they can also be described as cross-collar garments closing to the right side, or y-shaped collar. The jiaoling youren started to be worn in the Shang dynasty (/wiki/Shang_dynasty) in China. [17] (#cite_note-:5-17) [18] (#cite_note-:14-18) This form of collar eventually became one of the major symbols of the Sino Kingdoms [16] (#cite_note-:6-16) and eventually spread throughout Asia. [18] (#cite_note-:14-18) Garments and attire which used the jiaoling youren collar include: shenyi (/wiki/Shenyi) , jiaolingpao (/wiki/Paofu) , mianfu (/wiki/Mianfu) , pienfu (/wiki/Pien_Fu) , diyi (/wiki/Diyi) , dahu (/wiki/Dahu_(clothing)) , and tieli (/wiki/Terlig) . Jiaoling zuoren [ edit ] Living Han Chinese woman wearing jiaoling zuoren , Ming dynasty Jiaoling zouren refers to the cross-collars which closes on the left side instead of the right side. They were typically used by non-Han Chinese ethnicities in ancient China, but were also adopted by the Han Chinese in some circumstances, e.g. when they were ruled by non-Han Chinese rulers. Han Chinese women were also found sometimes found in the paintings of the Ming dynasty (/wiki/Ming_dynasty) , which is an atypical feature. [9] (#cite_note-:1-9) They were also used to dress the deceased of the Han Chinese. [2] (#cite_note-:7-2) Central front collars [ edit ] Collars which runs parallel and straight at the front are called duijin (对襟). [19] (#cite_note-:16-19) [20] (#cite_note-:9-20) : 22 Garments with duijin collars can either be closed at the centre front [20] (#cite_note-:9-20) : 22 [21] (#cite_note-:17-21) or be left opened in the front. [19] (#cite_note-:16-19) They could be found with or without a high collar depending on the time period. [1] (#cite_note-:2-1) Duijin could be used in garments and attire, such as beizi (/wiki/Beizi) , banbi (/wiki/Banbi) , and beixin (/w/index.php?title=Beixin_(vest)&action=edit&redlink=1) . Daxiushan (/wiki/Daxiushan) with duijin collar, Song dynasty Beizi (/wiki/Beizi) with duijin collar, Song dynasty Shan (/wiki/Ru_(upper_garment)) with duijin collar, Song dynasty Beixin (/w/index.php?title=Beixin_(vest)&action=edit&redlink=1) with duijin collar, Song dynasty Round collars [ edit ] Men wearing round collars, Ming dynasty Round collars are called yuanling (圆领) [1] (#cite_note-:2-1) or panling (盘领). [22] (#cite_note-:132-22) [23] (#cite_note-23) In ancient China, clothing with round collars were typically introduced and/or influenced by foreign ethnicities, such as the Donghu (/wiki/Donghu_people) , [24] (#cite_note-:3-24) [25] (#cite_note-:12-25) the Wuhu (/wiki/Five_Barbarians) , [24] (#cite_note-:3-24) [26] (#cite_note-:0-26) : 317 and the foreigners from Central Asia, such as the Sogdians (/wiki/Sogdia) , [27] (#cite_note-:4-27) [28] (#cite_note-:11-28) and the Mongols, [25] (#cite_note-:12-25) at different point in time. Yuanling can be overlapping to the right or closing at the front in the duijin manner. [1] (#cite_note-:2-1) [29] (#cite_note-:19-29) Yuanling could be used in garments and attire, such as yuanlingshan (/wiki/Yuanlingshan) , yuanlingpao (/wiki/Yuanlingshan) , panling lanshan (/wiki/Panling_Lanshan) , and wulingshan (无领衫). [29] (#cite_note-:19-29) Yuanlingshan (/wiki/Yuanlingshan) closing on the right, Ming dynasty Panling lanshan (/wiki/Panling_Lanshan) , Ming dynasty Yuanlingshan (/wiki/Yuanlingshan) closing on the right, Ming dynasty Yuanling banbi (/wiki/Banbi) , which closes at the front in a duijin manner. Qing dynasty Yuanling shan, Qing dynasty. Standing collars [ edit ] See also: Mandarin collar (/wiki/Mandarin_collar) This Ming shuling dajin is a high collar that is slightly turned on itself; it has an overlapping front. High standing collars in the Ming dynasty are referred as shuling (竖领) or liling (立领). [1] (#cite_note-:2-1) They appeared by the late Ming dynasty. [30] (#cite_note-:18-30) : 93 There were two main forms of high standing collars garments based on their types of lapels and closure. [1] (#cite_note-:2-1) Standing collar with right closure [ edit ] Clothing with shuling dajin (竖领大襟), also called liling dajin or shuling xiejin or liling xiejin, has a standing collar and a large lapel which closes on the right. [29] (#cite_note-:19-29) The dajin placket is also called xiejin ( Chinese (/wiki/Chinese_language) : 斜襟 ; pinyin (/wiki/Pinyin) : xiéjīn ; lit. 'slanted placket'). Shuling dajin Shuling dajin, High collar with overlapping front, Ming dynasty Shuling dajin, High collar with overlapping front, Ming dynasty Standing collar with central front closure [ edit ] Shuling duijin : high collar which closes at the front in a duijin manner, Ming dynasty Clothing with shuling duijin (or liling (or shuling) duijin) has a standing collar and closes with a central front closure. [1] (#cite_note-:2-1) Other forms of collars [ edit ] Lapel collars [ edit ] Fanling (/wiki/Fanlingpao) refers to the lapel (/wiki/Lapel) collars, typically categorized as Hufu-style collars Square collars [ edit ] Square collars are referred as fangling (方领). [4] (#cite_note-:20-4) : 166 [1] (#cite_note-:2-1) Zhaojia (/w/index.php?title=Zhaojia&action=edit&redlink=1) (罩甲) with square collar, Ming dynasty U-shaped collar [ edit ] U-shaped collar are known as tanling ( Chinese (/wiki/Chinese_language) : 坦领 ; pinyin (/wiki/Pinyin) : tǎnlǐng ; lit. 'flat collar/ open-hearted collar'). [31] (#cite_note-:21-31) Tanling could be used in garments and attire, such as tanling banbi (/wiki/Banbi) and tanling ruqun (/wiki/Tanling_ruqun) . Pipa-shaped collar [ edit ] Pianjin ( Chinese (/wiki/Chinese_language) : 偏襟 ; pinyin (/wiki/Pinyin) : piānjīn ; lit. 'slanted placket'), also called Pipa (/wiki/Pipa) -shaped collars and sometimes referred as 'slanted' collar in English, [21] (#cite_note-:17-21) were form of collars which overlaps and closes to the right side with a big lapel. [21] (#cite_note-:17-21) This form of collar was influenced by the Manchu clothing (/wiki/Qizhuang) . [21] (#cite_note-:17-21) The Manchu's front overlap opening was a Manchu innovation; their clothing was closed with buttons on the centre front of the neck, right clavicle, and under the right arm along the right seams. [32] (#cite_note-32) The Manchu overlap was more shaped like an S-curved overlap; it ran straight to the right of the centre-front of the neck, drops down to the burst before curving to the right side. [33] (#cite_note-33) : 63 The Manchu's garments rarely showed high collars until the 20th century. [30] (#cite_note-:18-30) : 93 The Pip-shaped collar were worn in the Qing dynasty (/wiki/Qing_dynasty) and the Republic of China (/wiki/Republic_of_China_(1912%E2%80%931949)) . [34] (#cite_note-34) [21] (#cite_note-:17-21) It could be found without or with a high collar (e.g. mandarin collar (/wiki/Mandarin_collar) ). [21] (#cite_note-:17-21) Pipa-shaped collar in Han woman ao (jacket), Qing dynasty The collar of this ao (jacket) was influenced by the pipa-shaped collar, Qing dynasty Manchu pipa-collar, Qing dynasty Manchu pipa-collar, Qing dynasty Manchu pipa-collar, Qing dynasty See also [ edit ] Han Chinese clothing (/wiki/Han_Chinese_clothing) List of Han Chinese clothing (/wiki/List_of_Han_Chinese_clothing) Hufu (/wiki/Hufu) Notes [ edit ] References [ edit ] ^ Jump up to: a b c d e f g h "Guide of the Ming Dynasty Shan/Ao Types for Girls - 2022" (https://www.newhanfu.com/17898.html) . www.newhanfu.com . 2021-07-02 . Retrieved 2022-05-26 . ^ Jump up to: a b c d e f g Ma, Xiaofang (2018). "Study on the Aesthetics of Han Chinese Clothing Culture in the TV Play q Nirvana in Fireq". Proceedings of the 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018) . Atlantis Press. pp. 639–643. doi (/wiki/Doi_(identifier)) : 10.2991/iccessh-18.2018.143 (https://doi.org/10.2991%2Ficcessh-18.2018.143) . ISBN (/wiki/ISBN_(identifier)) 978-94-6252-528-3 . ^ (#cite_ref-:15_3-0) Yu, Song-Ok (1980). "A Comparative Study on the Upper Garment in the Ancient East and West" (https://www.koreascience.or.kr/article/JAKO198020336527455.page) . Journal of the Korean Society of Costume . 3 : 29–46. ISSN (/wiki/ISSN_(identifier)) 1229-6880 (https://www.worldcat.org/issn/1229-6880) . ^ Jump up to: a b Zhang, Weiwei (2016). Variation in metonymy : cross-linguistic, historical and lectal perspectives . Berlin. ISBN (/wiki/ISBN_(identifier)) 978-3-11-045583-0 . OCLC (/wiki/OCLC_(identifier)) 947083957 (https://www.worldcat.org/oclc/947083957) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ (#cite_ref-5) "說文解字「襲」" (https://www.shuowen.org/view/5248) . www.shuowen.org . Retrieved 2022-07-11 . ^ (#cite_ref-6) "Shiming《釋衣服》" (https://ctext.org/dictionary.pl?if=en&id=40978) . ctext.org . Retrieved 2022-07-11 . ^ Jump up to: a b c d Shi, Songge (2021). "Travelling With Hanfu: A Social Media Analysis of Contemporary Chinese Travelling for Artistic Photographs" (https://openrepository.aut.ac.nz/handle/10292/13916) . {{ cite journal (/wiki/Template:Cite_journal) }} : Cite journal requires |journal= ( help (/wiki/Help:CS1_errors#missing_periodical) ) ^ (#cite_ref-8) Zhang, Ling (2016). The River, the Plain, and the State: An Environmental Drama in Northern Song China, 1048-1128 . Cambridge: Cambridge University Press. doi (/wiki/Doi_(identifier)) : 10.1017/cbo9781316659298.002 (https://doi.org/10.1017%2Fcbo9781316659298.002) . ISBN (/wiki/ISBN_(identifier)) 978-1-316-65929-8 . [ permanent dead link ] ^ Jump up to: a b c The Museum of Far East Antique Bulletin 70 . Östasiatiska museet. 1998. p. 208. ^ Jump up to: a b c d Tse, Wicky W. K. (2018). The collapse of China's later Han Dynasty, 25-220 CE : the northwest borderlands and the edge of empire . London. ISBN (/wiki/ISBN_(identifier)) 978-1-315-53231-8 . OCLC (/wiki/OCLC_(identifier)) 1042329243 (https://www.worldcat.org/oclc/1042329243) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ (#cite_ref-:8_11-0) Xu, Jing (2016). A Chinese traveler in medieval Korea : Xu Jing's illustrated account of the Xuanhe embassy to Koryo . Sem Vermeersch. Honolulu. pp. 331–332. ISBN (/wiki/ISBN_(identifier)) 978-0-8248-6683-9 . OCLC (/wiki/OCLC_(identifier)) 950971983 (https://www.worldcat.org/oclc/950971983) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ Jump up to: a b Kang, Chae-ŏn (2006). The land of scholars : two thousand years of Korean Confucianism . Suzanne Lee (1st ed.). Paramus, New Jersey. ISBN (/wiki/ISBN_(identifier)) 1-931907-30-7 . OCLC (/wiki/OCLC_(identifier)) 60931394 (https://www.worldcat.org/oclc/60931394) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ (#cite_ref-13) Dress and ideology : fashioning identity from antiquity to the present . Shoshana-Rose Marzel, Guy Stiebel. London. 2015. p. 41. ISBN (/wiki/ISBN_(identifier)) 978-1-4725-5808-4 . OCLC (/wiki/OCLC_(identifier)) 895162445 (https://www.worldcat.org/oclc/895162445) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) CS1 maint: others ( link (/wiki/Category:CS1_maint:_others) ) ^ (#cite_ref-14) "論語 : 憲問 - 微管仲,吾其被髮左衽矣。 - 中國哲學書電子化計劃" (https://ctext.org/analects/xian-wen/zh?searchu=%E5%BE%AE%E7%AE%A1%E4%BB%B2%EF%BC%8C%E5%90%BE%E5%85%B6%E8%A2%AB%E9%AB%AE%E5%B7%A6%E8%A1%BD%E7%9F%A3%E3%80%82) . ctext.org (in Chinese (Taiwan)) . Retrieved 2022-02-07 . ^ (#cite_ref-:110_15-0) Kuhn, Dieter (2009). The age of Confucian rule : the Song transformation of China . Cambridge, Mass.: Belknap Press of Harvard University Press. ISBN (/wiki/ISBN_(identifier)) 978-0-674-03146-3 . OCLC (/wiki/OCLC_(identifier)) 192050158 (https://www.worldcat.org/oclc/192050158) . ^ Jump up to: a b Ho, Wei; Lee, Eun-Young (2009). "Modem Meaning of Han Chinese Clothing(韓服)" (https://koreascience.or.kr/article/JAKO200916263468106.page) . Journal of the Korea Fashion and Costume Design Association . 11 (1): 99–109. ISSN (/wiki/ISSN_(identifier)) 1229-7240 (https://www.worldcat.org/issn/1229-7240) . ^ (#cite_ref-:5_17-0) Zhao, Yin (2014). Snapshots of Chinese culture . Xinzhi Cai. Los Angeles. ISBN (/wiki/ISBN_(identifier)) 978-1-62643-003-7 . OCLC (/wiki/OCLC_(identifier)) 912499249 (https://www.worldcat.org/oclc/912499249) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ Jump up to: a b Kidd, Laura K.; Lee, Younsoo (2002). "The Style Characteristics of the Hwalot, with a Focus on One Robe from the Collection of the Honolulu Academy of Arts" (https://dx.doi.org/10.1177/0887302x0202000101) . Clothing and Textiles Research Journal . 20 (1): 1–14. doi (/wiki/Doi_(identifier)) : 10.1177/0887302x0202000101 (https://doi.org/10.1177%2F0887302x0202000101) . ISSN (/wiki/ISSN_(identifier)) 0887-302X (https://www.worldcat.org/issn/0887-302X) . S2CID (/wiki/S2CID_(identifier)) 110839493 (https://api.semanticscholar.org/CorpusID:110839493) . ^ Jump up to: a b "Ancient Chinese Fashion: Historical Prototype of Hanfu Style" (https://www.newhanfu.com/6565.html) . www.newhanfu.com . 2020-10-14 . Retrieved 2022-05-26 . ^ Jump up to: a b Silberstein, Rachel (2020). A fashionable century : textile artistry and commerce in the late Qing . Seattle. ISBN (/wiki/ISBN_(identifier)) 978-0-295-74719-4 . OCLC (/wiki/OCLC_(identifier)) 1121420666 (https://www.worldcat.org/oclc/1121420666) . {{ cite book (/wiki/Template:Cite_book) }} : CS1 maint: location missing publisher ( link (/wiki/Category:CS1_maint:_location_missing_publisher) ) ^ Jump up to: a b c d e f Jiang, Wanyi; Li, Zhaoqing (2021-01-06). "Analysis on Evolution, Design and Application of Women's Traditional Coats in Beijing in the Late Qing Dynasty and the Early Republic of China: Based on the Collection of Ethnic Custom Museum of Beijing Institute of Fashion Technology". Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020) . Atlantis Press. pp. 641–648. doi (/wiki/Doi_(identifier)) : 10.2991/assehr.k.210106.123 (https://doi.org/10.2991%2Fassehr.k.210106.123) . ISBN (/wiki/ISBN_(identifier)) 978-94-6239-314-1 . S2CID (/wiki/S2CID_(identifier)) 234293619 (https://api.semanticscholar.org/CorpusID:234293619) . ^ (#cite_ref-:132_22-0) 유혜영 (1992). 돈황석굴벽화에 보이는 일반복식의 연구 (Doctoral Thesis). 이화여자대학교 대학원. ^ (#cite_ref-23) "Hanfu Making(5) - Pan Collar Aoqun Cutting & Sewing Patterns - 2022" (https://www.newhanfu.com/17278.html) . www.newhanfu.com . 2021-06-17 . Retrieved 2022-05-26 . ^ Jump up to: a b Wang, Fang (2018). "Study on Structure and Craft of Traditional Costumes of Edge" (https://www.atlantis-press.com/article/25891885.pdf) (PDF) . Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018) . Atlantis Press. pp. 584–588. doi (/wiki/Doi_(identifier)) : 10.2991/emehss-18.2018.118 (https://doi.org/10.2991%2Femehss-18.2018.118) . ISBN (/wiki/ISBN_(identifier)) 978-94-6252-476-7 . ^ Jump up to: a b Yang, Shuran; Yue, Li; Wang, Xiaogang (2021-08-01). "Study on the structure and virtual model of "xiezhi" gown in Ming dynasty" (https://doi.org/10.1088%2F1742-6596%2F1986%2F1%2F012116) . Journal of Physics: Conference Series . 1986 (1): 012116. Bibcode (/wiki/Bibcode_(identifier)) : 2021JPhCS1986a2116Y (https://ui.adsabs.harvard.edu/abs/2021JPhCS1986a2116Y) . doi (/wiki/Doi_(identifier)) : 10.1088/1742-6596/1986/1/012116 (https://doi.org/10.1088%2F1742-6596%2F1986%2F1%2F012116) . ISSN (/wiki/ISSN_(identifier)) 1742-6588 (https://www.worldcat.org/issn/1742-6588) . S2CID (/wiki/S2CID_(identifier)) 236985886 (https://api.semanticscholar.org/CorpusID:236985886) . ^ (#cite_ref-:0_26-0) Dien, Albert E. (2007). Six dynasties civilization . New Haven, Conn.: Yale University Press. ISBN (/wiki/ISBN_(identifier)) 978-0-300-07404-8 . OCLC (/wiki/OCLC_(identifier)) 72868060 (https://www.worldcat.org/oclc/72868060) . ^ (#cite_ref-:4_27-0) Zhao, Qiwang (2020). "Western Cultural Factors in Robes of Wei, Jin, Southern and Northern Dynasties as Well as Sui and Tang Dynasties" (https://webofproceedings.org/proceedings_series/ART2L/ICALLH%202020/WHYWB288.pdf) (PDF) . 2020 3rd International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2020) . Francis Academic Press, UK: 141–147. doi (/wiki/Doi_(identifier)) : 10.25236/icallh.2020.025 (https://doi.org/10.25236%2Ficallh.2020.025) (inactive 31 January 2024). {{ cite journal (/wiki/Template:Cite_journal) }} : CS1 maint: DOI inactive as of January 2024 ( link (/wiki/Category:CS1_maint:_DOI_inactive_as_of_January_2024) ) ^ (#cite_ref-:11_28-0) Zhao, Qiwang (2019). "The Origin of Partial Decorations in Gowns of the Northern Qi and Tang Dynasties". 2nd International Conference on Cultures, Languages and Literatures, and Arts : 342–349. ^ Jump up to: a b c "Guide to Hanfu Types Summary & Dress Codes (Ming Dynasty)" (https://www.newhanfu.com/13840.html) . www.newhanfu.com . 2021-04-04 . Retrieved 2022-06-13 . ^ Jump up to: a b Finnane, Antonia (2007). Changing clothes in China : fashion, history, nation . London: Hurst & Co. ISBN (/wiki/ISBN_(identifier)) 978-1-85065-860-3 . OCLC (/wiki/OCLC_(identifier)) 166381500 (https://www.worldcat.org/oclc/166381500) . ^ (#cite_ref-:21_31-0) 王金妍 (29 July 2019). "Hanfu: China's traditional Han-style clothing" (https://www.chinastory.cn/ywdbk/english/v1/detail/20190729/1012700000042741564380516900986039_1.html) . www.chinastory.cn . Retrieved 2022-05-26 . ^ (#cite_ref-32) "Turn back your cuffs" (https://johnevollmer.com/chinese-dress/turn-back-your-cuffs/) . John E. Vollmer . 2017-10-16 . Retrieved 2022-05-26 . ^ (#cite_ref-33) Bonds, Alexandra B. (2008). Beijing opera costumes : the visual communication of character and culture . Honolulu: University of Hawaiʻi Press. ISBN (/wiki/ISBN_(identifier)) 978-1-4356-6584-2 . OCLC (/wiki/OCLC_(identifier)) 256864936 (https://www.worldcat.org/oclc/256864936) . ^ (#cite_ref-34) "Women's Clothing Changes During the Ming and Qing Dynasties" (https://www.newhanfu.com/12220.html) . www.newhanfu.com . 2021-02-14 . Retrieved 2022-05-26 . v t e Traditional Han Chinese clothing (/wiki/Hanfu) Characteristics Garment and neckline (list) (/wiki/Garment_collars_in_Hanfu) Jiaoling youren (/wiki/Garment_collars_in_Hanfu#Cross-collars) Mandarin collar (/wiki/Mandarin_collar) Fastening Pankou (/wiki/Frog_(fastening)) Chinese button knot (/wiki/Chinese_button_knot) Zimukou (/wiki/Frog_(fastening)) Styles Baoyi bodai (/wiki/Paofu#Baoyi_bodai) Shangjian xiafeng (/wiki/Ruqun#Shangjian_xiafeng) Fuyao (/wiki/Fuyao_(fashion)) Hufu (/wiki/Hufu) List of hanfu (/wiki/List_of_hanfu) Textile decoration and craft Diancui (/wiki/Tian-tsui) Chinese knotting (/wiki/Chinese_knotting) Chinese embroidery (/wiki/Chinese_embroidery) Chinese auspicious ornaments in textile and clothing (list) (/wiki/Chinese_auspicious_ornaments_in_textile_and_clothing) Xiangyun (/wiki/Xiangyun_(Auspicious_clouds)) Lishui (sea-waves) (/wiki/Lishui_(sea-waves)) Mandarin square (/wiki/Mandarin_square) Chinese ornamental gold silk (/wiki/Chinese_ornamental_gold_silk) Goldwork (/wiki/Goldwork_(embroidery)) Chinese patchwork (/wiki/Chinese_patchwork) Belief system and social movement Confucianism (/wiki/Confucianism) Taoism (/wiki/Taoism) Wufu (/wiki/Wufu) Wuxing (Chinese philosophy) (/wiki/Wuxing_(Chinese_philosophy)) Yin and Yang (/wiki/Yin_and_Yang) Hanfu movement (/wiki/Hanfu_movement) Sumptuary laws Tifayifu (/wiki/Tifayifu) Related rituals Guan Li (/wiki/Guan_Li) Ji Li (ceremony) (/wiki/Ji_Li_(ceremony)) Garments Set of attire Ruqun (/wiki/Ruqun) Tanling ruqun (/wiki/Tanling_ruqun) Qixiong ruqun (/wiki/Qixiong_ruqun) Qungua (/wiki/Qungua) Xiuhefu (/wiki/Xiuhefu) Mianfu (/wiki/Mianfu) Bianfu (/wiki/Bianfu) Tongtianguanfu (/wiki/Tongtianguanfu) Xuanduan (/wiki/Xuanduan) Diyi (/wiki/Diyi) Zaju chuishao fu (/wiki/Zaju_chuishao_fu) Shanku (/wiki/Shanku) Upper garment Ru (/wiki/Ru_(upper_garment)) Yi (/wiki/Ru_(upper_garment)) Shan (/wiki/Ru_(upper_garment)) Ao (/wiki/Ru_(upper_garment)) Chang'ao (/wiki/Chang%27ao) Baijiayi (/wiki/Baijiayi) Daxiushan (/wiki/Daxiushan) Bijia (/wiki/Bijia) Banbi (/wiki/Banbi) Dahu (/wiki/Dahu_(clothing)) Beizi (/wiki/Beizi) Pifeng (/wiki/Beizi) Hechang (/wiki/Beizi) Shuitianyi (/wiki/Shuitianyi) Yuanlingshan (/wiki/Yuanlingshan) Robe Shenyi (/wiki/Shenyi) Zhiju (/wiki/Shenyi) Quju (/wiki/Shenyi) Paofu (/wiki/Paofu) Daopao (/wiki/Daopao) Zhiduo (/wiki/Zhiduo_(clothing)) Yuanlingpao (/wiki/Yuanlingshan) Fanlingpao (/wiki/Fanlingpao) Panling Lanshan (/wiki/Panling_Lanshan) Longpao (/wiki/Dragon_robe) Mangfu (/wiki/Mangfu) Tieli (/wiki/Terlig) Yesa (/wiki/Yesa_robe) Zhisun (/wiki/Jis%C3%BCn) Feiyufu (/wiki/Feiyufu) Inner and undergarment Dudou (/wiki/Dudou) Hezi (/wiki/Hezi_(clothing)) Moxiong (/wiki/Hezi_(clothing)) Maweiqun (/wiki/Maweiqun) Lower garment Ku (/wiki/Ku_(trousers)) Qun (/wiki/Qun) Baidiequn (/wiki/Baidiequn) Mamianqun (/wiki/Mamianqun) Religious clothing Daojiao fushi (/wiki/Daojiao_fushi) Headwear (list) (/wiki/List_of_Hanfu_headwear) Guan (/wiki/Guan_(headwear)) Mianguan (/wiki/Mianguan) Fengguan (/wiki/Fengguan) Futou (/wiki/Futou) Tang official headwear (/wiki/Tang_official_headwear) Song official headwear (/wiki/Song_official_headwear) Mao Humao (/wiki/Humao) Damao (/wiki/Damao_(hat)) Liangmao (/wiki/Liangmao) Weimao (/wiki/Weimao) Jin Fujin (/wiki/Fujin_(headgear)) Wangjin (/wiki/Wangjin) Hairpin Chinese hairpin (/wiki/Chinese_hairpin) Buyao (/wiki/Buyao) Comb Shubi (/wiki/Shubi_(comb)) Veil Honggaitou (/wiki/Honggaitou) Mili (/wiki/Mili_(veil)) Footwear (list) (/wiki/Hanfu_footwear) Xiuhuaxie (/wiki/Xiuhuaxie) Tiger-head shoes (/wiki/Tiger-head_shoes) Lotus shoes (/wiki/Lotus_shoes) Accessories (list) (/wiki/Hanfu_accessories) Head Lingzi (/wiki/Lingzi) Neck Yingluo (/wiki/Yingluo_(ornament)) Yunjian (/wiki/Yunjian) Fangxingquling (/wiki/Tongtianguanfu) Shoulders Pibo (/wiki/Pibo) Xiapei (/wiki/Xiapei) Chest Yajin (/wiki/Yajin) Waist Yaoqun (/wiki/Yaoqun) Lap Bixi (/wiki/Bixi_(clothing)) Ribbons and knots Lào zi (/wiki/L%C3%A0o_zi) Portable Hebao (/wiki/Hebao) Xiangnang (fragrant sachet) (/wiki/Hebao) Hu (ritual baton) (/wiki/Hu_(ritual_baton)) Fu (tally) (/wiki/Fu_(tally)) Yufu (fish tally) (/wiki/Fu_(tally)#Fish_tally/_yufu) Yudai (fish bag) (/wiki/Fu_(tally)#Yudai) Folding fan (/wiki/Hand_fan) Tuanshan (/wiki/Tuanshan) Jewellery Longevity lock (/wiki/Lock_charm) Yupei (/wiki/Yupei) Jinbu (/wiki/Yupei#Jinbu_(禁步)) Influenced clothing Traditional clothing Kimono (/wiki/Kimono) Hanbok (/wiki/Hanbok) Ryusou (/wiki/Ryusou) Vietnamese clothing (/wiki/Vietnamese_clothing) Performance costume Xifu (/wiki/Xifu_(Costume)) Guzhuang (/wiki/Guzhuang_(costume)) Cosmetics Huadian (/wiki/Huadian_(make-up)) List of Hanfu (/wiki/List_of_Hanfu) NewPP limit report Parsed by mw‐web.codfw.main‐6f54559974‐msvgk Cached time: 20240719162434 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.844 seconds Real time 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20th century women's clothing company Arpeja-California, Inc. was a Los-Angeles based junior's and women's clothing company in the 1960s and 1970s owned by Jack Litt. [1] (#cite_note-1) Among their labels, their trademarked clothing brands were Young Innocent, Young Edwardian, Young Victorian, and later, Organically Grown, offering affordable, youth- and trend-oriented clothing. The flagship brands were influenced by 1960's British boutique fashion, including popular retro trends favoring Turn of the Century and 1930s silhouettes. Organically Grown, started in 1973, offered women's separates with modern styling, and was known for knits. History [ edit ] Arpeja-California, Inc. was first incorporated in October 1961. The trademark for their first brand, Young Innocent, was registered by Arpeja Petite Juniors, Inc. in 1964 to make junior's dresses. Another junior's dress brand, Young Victorian, followed in 1965. Young Edwardian, perhaps the company's best known line, was registered as a women's dressmaker in 1969. In 1973, the company filed for the brand Organically Grown, which had an illustrated fruit tree as its logo, to make contemporary women's separates. A fifth trademark, Ms Arpeja, was registered in 1975 but never established. In addition to these, company advertising showed other labels, including Circuit West, Cafe Crowd, L.A. Station, Pipe Line, Tail Feathers, and Union Jack. From 1972 on and while still in her twenties, Sue Wong (/wiki/Sue_Wong) , who started at the company as an intern, served as head designer of the Young Edwardian label. In 1977, the Young Edwardian brand brought in $50 million, all on sales of dresses priced at $50 or less. One style, an appliqued sun dress, brought in $2 million alone. [2] (#cite_note-2) Lynda Carter (/wiki/Lynda_Carter) , star of the 1970s television show "Wonder Woman" (/wiki/Wonder_Woman_(TV_series)) , served as a spokesperson, modelling for print ads in 1977 and 1978. [3] (#cite_note-3) As a California business entity, Arpeja-California, Inc. was merged out by 1979. [4] (#cite_note-4) In 1992, Organically Grown's trademarks were sold by Arpeja-California, Inc. to Marshalls (/wiki/Marshalls) of MA., Inc. In 1995, Marshalls was acquired by The TJX (/wiki/TJX) Companies, Inc. (TJ Maxx) . [5] (#cite_note-5) In October 2007, Organically Grown Group, LLC , an entity including Larry Brandt, Arpeja’s former East Coast sales manager, acquired all rights from The TJX Companies, Inc. to start a new company, Organically Grown (Delaware company) (/wiki/Organically_Grown_(Delaware_company)) , focusing on organic lifestyle products. [6] (#cite_note-6) References [ edit ] ^ (#cite_ref-1) "Arpeja" (http://vintagefashionguild.org/label-resource/arpeja/)) . Vintage Fashion Guild . Retrieved 23 May 2020 . ^ (#cite_ref-2) Kalter, Suzy. "In the World of Sue Wong, the Dress Is Making a Comeback and That's No Pipe Dream" (http://www.people.com/people/archive/article/0,,20069648,00.html) . People Magazine . Retrieved 23 May 2020 . ^ (#cite_ref-3) "Biography of Lynda Carter" (http://www.wonderland-site.com/) . Wonderland-site.com . Retrieved 23 May 2020 . ^ (#cite_ref-4) "California Business Search" (https://businesssearch.sos.ca.gov/) . Retrieved 23 May 2020 . ^ (#cite_ref-5) "History" (https://web.archive.org/web/20130203075845/http://www.tjx.com/about_history.asp) . TJX Companies, Inc . Archived from the original (http://www.tjx.com/about_history.asp) on 3 February 2013 . Retrieved 23 May 2020 . ^ (#cite_ref-6) "Organically Grown" (https://web.archive.org/web/20110718163425/http://trade.mar.cx/US77318597) . trade.mar.cx . Archived from the original (http://trade.mar.cx/US77318597) on 18 July 2011 . Retrieved 9 March 2011 . 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narifuri is a Japanese fashion brand based in Tokyo (/wiki/Tokyo) . Its main concept is "fashion + bicycle (/wiki/Bicycle) ," [1] (#cite_note-1) and the product lineup includes a variety of clothes from casual wear and cycling jerseys to formal suits, as well as accessories such as bags, wallets, and belts. [2] (#cite_note-:2-2) The name narifuri is taken directly from the Japanese term narifuri ( Kanji (/wiki/Kanji) : “形振り”), an expression related to showing how one dresses and/or behaves. [3] (#cite_note-3) In keeping with the bicycle motif in the brand's design, narifuri's logo is a black knock-out of a bicycle pedal (/wiki/Bicycle_pedal) . Summary [ edit ] narifuri (stylized with a lowercase "n") was founded by Kazumasa Kobayashi in 2007 [4] (#cite_note-:3-4) with the concept of "fashion + bicycle" in mind. Its clothing is designed to be comfortable to wear while cycling, although the biking-compatible functionality of the products has not been excessively promoted so as to attract non-cycling consumers. [4] (#cite_note-:3-4) This dual appeal [5] (#cite_note-:1-5) is reflected by the fact that nearly half of narifuri's suit buyers are not bike riders. [6] (#cite_note-6) narifuri's products include casual wear, cycling jerseys (/wiki/Cycling_jersey) , and formal suits as well as accessories like bags, wallets, and belts. Some of the brand's main items are jackets, pants, and bags. narifuri's products are sold in bike shops (/wiki/Bike_shop) , fashion stores, and department stores (/wiki/Department_store) . [7] (#cite_note-7) Sometimes exhibitions (/wiki/Exhibition) are open for the public as event-style shows. [8] (#cite_note-8) One example is the invitation of interior stylist Mitsuko Kuroda for an exhibition at Daikanyama T-Site (Tokyo). [2] (#cite_note-:2-2) narifuri regularly collaborates with brands in a variety of other industries. Establishment and ownership history [ edit ] Founder Kazumasa Kobayashi ran narifuri Inc. as CEO (/wiki/Chief_executive_officer) from its establishment in 2007 [5] (#cite_note-:1-5) until Hit Union Inc. acquired all of the stock (/wiki/Stock) on August 1, 2016, making narifuri a wholly owned subsidiary (/wiki/Subsidiary) . Kazumasa left the company at the end of July 2016 and Keiji Tanabe took over the position as the new CEO of narifuri. [9] (#cite_note-9) Attributes [ edit ] Attributes as a brand [ edit ] narifuri rarely makes big changes to its standard design, instead introducing their regular assortments in each category by updating the functions and design every season. [5] (#cite_note-:1-5) Some of its products have remained almost the same since the brand was established. The fabric used in many of the products was originally developed to add bicycle-related functionality such as quick-drying, stretch, breathability, and durability to the designs. [10] (#cite_note-10) Attributes in products [ edit ] Aside from bike-friendly clothing, bags are one of narifuri's main products. Many of its bag designs include buckles that have the same pedal shape as the brand's icon. [11] (#cite_note-11) Direct Management Stores [ edit ] narifuri EBISU - 2011, Flagship store, Ebisu, Tokyo (/wiki/Ebisu,_Tokyo) in 2011. [12] (#cite_note-12) charifuri - 2012, Bikeshop, Ebisu, Tokyo (/wiki/Ebisu,_Tokyo) . [13] (#cite_note-13) narifuri NYC - 2015, retail store, New York, USA (/wiki/New_York_(USA_State)) . [14] (#cite_note-14) narifuri tokyo - 2017, Flagship store and charifuri (bicycle shop) moves to Sendagaya (/wiki/Sendagaya) , Tokyo. [15] (#cite_note-15) narifuri kyoto - 2018, retail store, Shijō Kawaramachi (/wiki/Shij%C5%8D_Kawaramachi) , Kyoto (/wiki/Kyoto) . [16] (#cite_note-16) Limited retail stores ("pop-up stores") [ edit ] Pop-up stores (/wiki/Pop-up_store) , or limited retail stores, are often set up at department stores, bike shops, boutiques (/wiki/Boutique) , and airports. [17] (#cite_note-17) [18] (#cite_note-18) Collaboration with other brands [ edit ] One of narifuri's specialities is regular collaborations with other brands in various industries to produce products. narifuri's collaborations have included: Bridgestone Cycle (/wiki/Bridgestone_Cycle_Co.,_Ltd.) (narifuri x Bridgestone Cycle) HELMZ (/wiki/HELMZ) series (2007〜 [19] (#cite_note-19) ) Fred Perry (/wiki/Fred_Perry) Polo shirt, Jacket (2009, [20] (#cite_note-20) 2010, [21] (#cite_note-21) [22] (#cite_note-22) 2011, [23] (#cite_note-23) 2012, [24] (#cite_note-24) 2013, [25] (#cite_note-25) 2014, [26] (#cite_note-26) 2015, [27] (#cite_note-:0-27) 2016 [28] (#cite_note-28) [29] (#cite_note-29) ) Disney (/wiki/Disney) T-shirt, cycle jersey (2013, [30] (#cite_note-30) 2014 [31] (#cite_note-31) ) Star Wars (/wiki/Star_Wars) T-shirt, cycle jersey, bags (2014, [32] (#cite_note-32) 2015 [33] (#cite_note-33) ) Bicycle (2015 HELMZ STAR WARS COLLECTION [34] (#cite_note-34) ) PEANUTS (/wiki/Peanuts) Cycle jersey (2016 [35] (#cite_note-35) ) DESCENTE Mizusawa down (/wiki/Descente) Down jacket (2014, [36] (#cite_note-36) 2015, [37] (#cite_note-37) 2016 [38] (#cite_note-38) ) LAVENHAM (/w/index.php?title=LAVENHAM&action=edit&redlink=1) Quilting vest (2014, [39] (#cite_note-39) 2016 [40] (#cite_note-40) ) Coat(2015 [41] (#cite_note-41) ) New Era Cap Company (/wiki/New_Era_Cap_Company) キャップ(2013 [42] (#cite_note-42) ) SPIEWAK (/wiki/I._Spiewak_%26_Sons) Jacket (2015 [43] (#cite_note-43) ) Vest (2016 [44] (#cite_note-44) ) HUNTING WORLD (/w/index.php?title=Hunting_world&action=edit&redlink=1) Bag (2016 [45] (#cite_note-45) ) See also [ edit ] HELMZ (/wiki/HELMZ) Japanese fashion (/wiki/Japanese_Fashion) External links [ edit ] narifuri official website (http://narifuri.com) (Japanese) Bridgestone Cycle HELMZ (http://www.helmz.jp) official website (http://narifuri.com) (Japanese) References [ edit ] ^ (#cite_ref-1) "自転車カジュアルブランドnarifuriが、東京・恵比寿にオフィシャル直営ショップをオープン" (http://www.cyclowired.jp/lifenews/node/65862) (in Japanese). cyclowired. Archived (https://web.archive.org/web/20170306040349/http://www.cyclowired.jp/lifenews/node/65862) from the original on 2017-03-06 . Retrieved 2017-03-06 . ^ Jump up to: a b "「ナリフリ」の提案──インテリアと共存するスポーティウェア | Feature | Pen Online" (http://www.pen-online.jp/feature/fashion/narifuri_exhibition/2/) . Pen Online (in Japanese). Archived (https://web.archive.org/web/20170306040839/http://www.pen-online.jp/feature/fashion/narifuri_exhibition/2/) from the original on 2017-03-06 . Retrieved 2017-03-11 . ^ (#cite_ref-3) "narifuri(ナリフリ) の買取" (http://brandear.jp/kakosatei/brand/8816) (in Japanese). ブランディア. Archived (https://web.archive.org/web/20170306033354/http://brandear.jp/kakosatei/brand/8816) from the original on 2017-03-06 . Retrieved 2017-03-06 . ^ Jump up to: a b "流行を追わないアパレルクリエイティブディレクター" (https://web.archive.org/web/20170304040126/http://www.ove-web.com/people/entry-1410.html) (in Japanese). OVE. Archived from the original (http://www.ove-web.com/people/entry-1410.html) on 2017-03-04 . Retrieved 2017-03-07 . ^ Jump up to: a b c "ブランドをつくりあげるメンバーの方々にインタビュー" (http://sow-fca.tokyo/think/brand/narifuri.html) (in Japanese). SOW.TOKYO. Archived (https://web.archive.org/web/20170609014519/http://sow-fca.tokyo/think/brand/narifuri.html) from the original on 2017-06-09 . Retrieved 2017-03-06 . ^ (#cite_ref-6) "35歳以上に売れる!? 自転車アパレルnarifuriのスーツとは" (http://trendy.nikkeibp.co.jp/article/column/20111109/1038579/) (in Japanese). 日経トレンディネット. 2011-11-10. Archived (https://web.archive.org/web/20170306040738/http://trendy.nikkeibp.co.jp/article/column/20111109/1038579/) from the original on 2017-03-06. ^ (#cite_ref-7) "「自転車のある生活」内 Isetan Men's URBAN NOMAD" (http://isetan.mistore.jp/onlinestore/men/1412bicycle/business.html) 「自転車のある生活」内 Isetan Men's URBAN NOMAD (in Japanese). Isetan Online Store. Archived (https://web.archive.org/web/20170304041311/http://isetan.mistore.jp/onlinestore/men/1412bicycle/business.html) from the original on 2017-03-04 . Retrieved 2017-03-06 . ^ (#cite_ref-8) "新体制の「ナリフリ」が展示会開催、資金力・ビジネス基盤得てブランド拡大へ" (http://www.fashionsnap.com/news/2016-08-04/narifuri-branding/) . Fashionsnap.com. Archived (https://web.archive.org/web/20170306034640/http://www.fashionsnap.com/news/2016-08-04/narifuri-branding/) from the original on 2017-03-06 . Retrieved 2017-03-06 . ^ (#cite_ref-9) 「フレッドペリー展開のヒットユニオン、自転車アパレル「ナリフリ」を完全子会社化」fashionsnap.com (2016/8/1) (http://www.fashionsnap.com/news/2016-08-01/narifuri-hitunion/) Archived (https://web.archive.org/web/20170304044712/http://www.fashionsnap.com/news/2016-08-01/narifuri-hitunion/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-10) 「 35歳以上に売れる!? 自転車アパレルnarifuriのスーツとは ページ3 (http://trendy.nikkeibp.co.jp/article/column/20111109/1038579/?P=3) Archived (https://web.archive.org/web/20170306040656/http://trendy.nikkeibp.co.jp/article/column/20111109/1038579/?P=3) 2017-03-06 at the Wayback Machine (/wiki/Wayback_Machine) 」日経トレンディネット (2011/11/10) ^ (#cite_ref-11) "narifuri ナリフリ スーパーハードナイロンバックパック ブラックxシルバー 送料無料の詳細" (https://web.archive.org/web/20170307050132/https://m.aumall.jp/item/155541904/) . Wowma! for au. Archived from the original (https://m.aumall.jp/item/155541904/) on 2017-03-07 . Retrieved 2017-03-06 . ^ (#cite_ref-12) 「『narifuri』初の直営店が8月10日、恵比寿にオープン。」eyescream.jp (2011/7/25) (http://www.eyescream.jp/news-all/narifuri-flagshipshop-open/) Archived (https://web.archive.org/web/20170304192854/http://www.eyescream.jp/news-all/narifuri-flagshipshop-open) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-13) 「11/1オープン!charifuri(東京・恵比寿)」cyclesports.jp (2012/10/10) (http://www.eyescream.jp/news-all/narifuri-flagshipshop-open/) Archived (https://web.archive.org/web/20170304192854/http://www.eyescream.jp/news-all/narifuri-flagshipshop-open) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-14) 「ナリフリがニューヨークに海外1号店」Fashionsnap.com (2015/4/15) (http://www.fashionsnap.com/news/2015-04-15/narifuriny-15aw/photo/) Archived (https://web.archive.org/web/20170304044717/http://www.fashionsnap.com/news/2015-04-15/narifuriny-15aw/photo/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-15) 「「ナリフリ」が旗艦店を千駄ヶ谷交差点に移転オープン」Fashionsnap.com (2017/3/1) (http://www.fashionsnap.com/news/2017-03-01/narifuri-flagship/) Archived (https://web.archive.org/web/20170304044716/http://www.fashionsnap.com/news/2017-03-01/narifuri-flagship/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-16) "SHOP LOCATOR" (https://www.narifuri.com/shoplist/#shopIndex_2) . narifuri.com . Retrieved 2018-09-06 . ^ (#cite_ref-17) 「DESCENTE×narifuri|ポップアップショップがオープン」openers.jp (2014/05/01) (http://openers.jp/article/23121) Archived (https://web.archive.org/web/20170304035540/http://openers.jp/article/23121) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-18) 「12/25まで!松屋銀座にnarifuri Limitedshopがオープン」cyclesports.jp (2014/11/07) (http://www.cyclesports.jp/depot/detail/30005) Archived (https://web.archive.org/web/20170304035808/http://www.cyclesports.jp/depot/detail/30005) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-19) "HELMZ CONCEPT" (http://www.helmz.jp/concept/index.html) . HELMZ . Bridgestone Cycle. Archived (https://web.archive.org/web/20161129025258/http://www.helmz.jp/concept/index.html) from the original on 2016-11-29 . Retrieved 2017-03-06 . ^ (#cite_ref-20) "nari/furi x Fred Perry Polo" Hyperbeast (2009/4/10) (https://hypebeast.com/2009/4/narifuri-x-fred-perry-polo) Archived (https://web.archive.org/web/20170304040002/https://hypebeast.com/2009/4/narifuri-x-fred-perry-polo) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-21) "NARI/FURI X FRED PERRY - POLO SHIRTS" freshnessmag.com (2010/4/27) (http://www.freshnessmag.com/2010/04/27/narifuri-x-fred-perry-polo-shirts/) Archived (https://web.archive.org/web/20170304040932/http://www.freshnessmag.com/2010/04/27/narifuri-x-fred-perry-polo-shirts/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-22) 「便利でシックなサイクリングウェア」All About メンズスタイル (2010/6/17) (https://allabout.co.jp/gm/gc/196071/all/) Archived (https://web.archive.org/web/20170304044013/https://allabout.co.jp/gm/gc/196071/all/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-23) "NARI/FURI X FRED PERRY - POLO SHIRTS" freshnessmag.com (2011/7/1) (http://www.freshnessmag.com/2011/06/30/narifuri-x-fred-perry-polo-shirts-2/) Archived (https://web.archive.org/web/20170304040931/http://www.freshnessmag.com/2011/06/30/narifuri-x-fred-perry-polo-shirts-2/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-24) 「narifuri×FRED PERRY」naturalthing CENTRAL staff blog (2012/2/8) (http://blog.livedoor.jp/ncentral/archives/6688582.html) Archived (https://web.archive.org/web/20170304035935/http://blog.livedoor.jp/ncentral/archives/6688582.html) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-25) 「narifuri × FRED PERRY ムラ染めポロシャツ」 輪装 (2013/5/14) (http://rinsou.com/2013/05/14/narifuri-x-fred-perry-ムラ染めポロシャツ/) Archived (https://web.archive.org/web/20170306213015/http://rinsou.com/2013/05/14/narifuri-x-fred-perry-%e3%83%a0%e3%83%a9%e6%9f%93%e3%82%81%e3%83%9d%e3%83%ad%e3%82%b7%e3%83%a3%e3%83%84/) 2017-03-06 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-26) 「ナリフリ × フレッドペリー:コラボ5周年記念、アルカンシエルポロシャツ」 cyclesports.jp (2014/5/3) (http://www.cyclesports.jp/depot/detail/40518) Archived (https://web.archive.org/web/20170304113755/http://www.cyclesports.jp/depot/detail/40518) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-:0_27-0) 「narifuri for FRED PERRY 15SSのご紹介」 bicycleclub.jp (2015/3/15) (http://www.bicycleclub.jp/info-1610/) Archived (https://web.archive.org/web/20170304113910/http://www.bicycleclub.jp/info-1610/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-28) 「もはやお家芸! narifuri × FRED PERRYの息ぴったりコラボウエア。」 GO OUT (2016/9/9) (http://web.goout.jp/fashion/4059/) Archived (https://web.archive.org/web/20170304113734/http://web.goout.jp/fashion/4059/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-29) 「ナリフリ for フレッドペリー初のセットアップスーツでサイクリングを着飾る」 Monomax Web (2016/03/03) (http://monomax.jp/archives/14428) Archived (https://web.archive.org/web/20170304040931/http://monomax.jp/archives/14428) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-30) 「【サイクルウェア】「narifuri sports Disney Collection」在庫ございます!」Y's Road portal site(2013/6/2) (http://www.ysroad.net/shopnews/detail.php?bid=94167) Archived (https://web.archive.org/web/20170304042022/http://www.ysroad.net/shopnews/detail.php?bid=94167) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-31) 「narifuriの、ディズニーコレクション サイクルジャージ第2弾!」RIDEWORKS lonlineshop (2013/07/20) (http://www.rideworks.jp/event/205.html) Archived (https://web.archive.org/web/20170304040141/http://www.rideworks.jp/event/205.html) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-32) 「ナリフリ × スター・ウォーズ」Japanstarwars.com (2014/5/13) (http://www.japanstarwars.com/topics/2014/05/13.html) Archived (https://web.archive.org/web/20170304041157/http://www.japanstarwars.com/topics/2014/05/13.html) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-33) "ナリフリのスター・ウォーズコレクションが始動! 反乱軍と帝国軍をイメージしたキャラクターアートに釘づけ" (http://monomax.jp/archives/12162) . Monomax Web. 2015-11-03. Archived (https://web.archive.org/web/20170304040934/http://monomax.jp/archives/12162) from the original on 2017-03-04 . Retrieved 2017-03-03 . ^ (#cite_ref-34) 「HELMZ STAR WARS COLLECTION」ブリヂストンサイクルHELMZ公式ページ内(2017/3/1閲覧) (http://www.helmz.jp/starwars/) Archived (https://web.archive.org/web/20170304040210/http://www.helmz.jp/starwars/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-35) 「ナリフリがピーナツと初コラボ、スヌーピー柄のサイクルジャージを発売」Fashionsnap.com (2016/4/2) (http://www.fashionsnap.com/news/2016-04-02/narifuri-peasnuts/) Archived (https://web.archive.org/web/20170304044714/http://www.fashionsnap.com/news/2016-04-02/narifuri-peasnuts/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-36) 「ナリフリ2014-15秋冬第二弾:デサント、ラベンハムとのコラボレーションアウター」 (http://www.cyclesports.jp/depot/detail/32059%E3%80%8C%E3%83%8A%E3%83%AA%E3%83%95%E3%83%AA2014-15%E7%A7%8B%E5%86%AC%E7%AC%AC%E4%BA%8C%E5%BC%BE%EF%BC%9A%E3%83%87%E3%82%B5%E3%83%B3%E3%83%88%E3%80%81%E3%83%A9%E3%83%99%E3%83%B3%E3%83%8F%E3%83%A0%E3%81%A8%E3%81%AE%E3%82%B3%E3%83%A9%E3%83%9C%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%82%A2%E3%82%A6%E3%82%BF%E3%83%BC%E3%80%8Dcyclesports.jp) Archived (https://web.archive.org/web/20170304113934/http://www.cyclesports.jp/depot/detail/32059%E3%80%8C%E3%83%8A%E3%83%AA%E3%83%95%E3%83%AA2014-15%E7%A7%8B%E5%86%AC%E7%AC%AC%E4%BA%8C%E5%BC%BE%EF%BC%9A%E3%83%87%E3%82%B5%E3%83%B3%E3%83%88%E3%80%81%E3%83%A9%E3%83%99%E3%83%B3%E3%83%8F%E3%83%A0%E3%81%A8%E3%81%AE%E3%82%B3%E3%83%A9%E3%83%9C%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%82%A2%E3%82%A6%E3%82%BF%E3%83%BC%E3%80%8Dcyclesports.jp) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) Cyclesports.jp(2014/9/4) ^ (#cite_ref-37) 「即完売必至! 今年も「ナリフリ×水沢ダウン」のダウンジャケットが登場で*す。」pen Online (2015/9/29) (http://www.pen-online.jp/news/fashion/narifuri-mizusawadown/) Archived (https://web.archive.org/web/20170304113826/http://www.pen-online.jp/news/fashion/narifuri-mizusawadown/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-38) 「ITEM INFO」DESCENTE BLANC (2016/11/21) (http://www.descenteblanc.com/post/153464631009) Archived (https://web.archive.org/web/20170304113755/http://www.descenteblanc.com/post/153464631009) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-39) "乗馬と自転車のコラボ??|TOKYOlife(東京ライフ)" (http://www.tokyolife.co.jp/news/1378/) . TOKYOlife (in Japanese). Archived (https://web.archive.org/web/20170304040141/http://www.tokyolife.co.jp/news/1378/) from the original on 2017-03-04 . Retrieved 2017-03-06 . ^ (#cite_ref-40) "【楽天市場】期間限定3,240円以上で送料無料【スーパーSALE/20%OFF】ナリフリ narifuri×ラベンハム LAVENHAM ジャガードカモフラージュ キルティングベスト[ブラック](NFLV-05)JACQUARD CAMOUFLAGE QUILTING VEST メンズ(男性用)【服】_11610E(ripe):ripe" (http://item.rakuten.co.jp/ripe/nar-nflv05/) . 楽天市場 (in Japanese). Archived (https://web.archive.org/web/20170304120630/http://item.rakuten.co.jp/ripe/nar-nflv05/) from the original on 2017-03-04 . Retrieved 2017-03-06 . ^ (#cite_ref-41) (2014/9/4) (http://www.cyclesports.jp/depot/detail/32059「ナリフリ2014-15秋冬第二弾:デサント、ラベンハムとのコラボレーションアウター」cyclesports.jp) Archived (https://web.archive.org/web/20170304113934/http://www.cyclesports.jp/depot/detail/32059%E3%80%8C%E3%83%8A%E3%83%AA%E3%83%95%E3%83%AA2014-15%E7%A7%8B%E5%86%AC%E7%AC%AC%E4%BA%8C%E5%BC%BE%EF%BC%9A%E3%83%87%E3%82%B5%E3%83%B3%E3%83%88%E3%80%81%E3%83%A9%E3%83%99%E3%83%B3%E3%83%8F%E3%83%A0%E3%81%A8%E3%81%AE%E3%82%B3%E3%83%A9%E3%83%9C%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%82%A2%E3%82%A6%E3%82%BF%E3%83%BC%E3%80%8Dcyclesports.jp) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-42) "ニュース一覧|TOKYOlife(東京ライフ)" (http://www.tokyolife.co.jp/news/1131/%E3%80%8C%E3%82%B5%E3%82%A4%E3%82%AF%E3%83%AB%E3%82%AD%E3%83%A3%E3%83%83%E3%83%97%E3%81%AE%E6%96%B0%E6%8F%90%E6%A1%88%E3%80%82%E3%80%8DTokyo) . www.tokyolife.co.jp (in Japanese). Archived (https://web.archive.org/web/20170304113828/http://www.tokyolife.co.jp/news/1131/%E3%80%8C%E3%82%B5%E3%82%A4%E3%82%AF%E3%83%AB%E3%82%AD%E3%83%A3%E3%83%83%E3%83%97%E3%81%AE%E6%96%B0%E6%8F%90%E6%A1%88%E3%80%82%E3%80%8DTokyo) from the original on 2017-03-04 . Retrieved 2017-03-06 . ^ (#cite_ref-43) "Spiewak Turn their Outerwear into Cycling Gear for Japan’s narifuri" highsnobiety (2015/2/3) (http://www.highsnobiety.com/2015/02/02/cycling-outerwear-spiewak-narifuri-spring-2015/) Archived (https://web.archive.org/web/20170304035512/http://www.highsnobiety.com/2015/02/02/cycling-outerwear-spiewak-narifuri-spring-2015/) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-44) 「Military × Functionality : SPIEWAK × narifuri 2016ss Collection」 narifuri blog (2016/4/17) (https://www.narifuri.com/blog/?p=14783) Archived (https://web.archive.org/web/20170304040255/https://www.narifuri.com/blog/?p=14783) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) ^ (#cite_ref-45) 「これは本物!と膝を打った、コラボバッグが販売中!【ハンティング・ワールド×ナリフリ】」MonoMax Web (2016/9/27) (http://monomax.jp/archives/19055) Archived (https://web.archive.org/web/20170304040937/http://monomax.jp/archives/19055) 2017-03-04 at the Wayback Machine (/wiki/Wayback_Machine) NewPP limit report Parsed by mw‐api‐int.eqiad.main‐967764f4‐wlkvm Cached time: 20240629110710 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.528 seconds Real time usage: 0.565 seconds Preprocessor visited node count: 1327/1000000 Post‐expand include size: 46340/2097152 bytes Template argument size: 79/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 79955/5000000 bytes Lua time usage: 0.328/10.000 seconds Lua memory usage: 4077852/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 515.457 1 -total 91.95% 473.952 1 Template:Reflist 61.92% 319.184 14 Template:Cite_web 13.73% 70.765 30 Template:Webarchive 2.29% 11.794 1 Template:Cite_news 1.05% 5.437 1 Template:Lowercase_title 0.41% 2.117 1 Template:Main_other Saved in parser cache with key enwiki:pcache:idhash:53244683-0!canonical and timestamp 20240629110710 and revision id 1064584896. 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The Seattle Mariners (/wiki/Seattle_Mariners) and the Cleveland Indians (/wiki/Cleveland_Indians) participated in a "Turn Back the Clock" promotion in 2008 where they wore throwback uniforms (/wiki/Throwback_uniforms) from the 1989 season. Turn Back the Clock is the name associated with the promotion (/wiki/Promotion_(marketing)) by Major League Baseball (/wiki/Major_League_Baseball) (MLB) franchises when they wear throwback uniforms (/wiki/Throwback_uniforms) . Often, the uniforms signify a special event in the team or regions history. The promotion was originated in 1990 by the Chicago White Sox (/wiki/Chicago_White_Sox) . Since then, multiple other teams have made it a yearly tradition. Origin [ edit ] In 1990, the Chicago White Sox (/wiki/Chicago_White_Sox) set up a "Turn Back the Clock" game against the Milwaukee Brewers (/wiki/Milwaukee_Brewers) on July 11. [1] (#cite_note-1990_promotion-1) The White Sox dressed in 1917 uniforms, while the Brewers wore their normal uniforms. [1] (#cite_note-1990_promotion-1) The promotion was aimed at celebrating Comiskey Park (/wiki/Comiskey_Park) 's final season. [1] (#cite_note-1990_promotion-1) To set the early baseball atmosphere, ballpark ushers wore dated dress and some had megaphones (/wiki/Megaphone) to announce lineups (/wiki/Batting_order_(baseball)) . [1] (#cite_note-1990_promotion-1) Also, ticket prices for general admission (/wiki/General_admission) were $.50 and all other tickets were half price. [2] (#cite_note-mil_sent-2) The 1917 season was selected because it was the last time (at the time of the promotion) that the White Sox won a World Series (/wiki/World_Series) . [2] (#cite_note-mil_sent-2) The promotion was considered successful. [1] (#cite_note-1990_promotion-1) League-wide promotion [ edit ] The Philadelphia Phillies were the second team to hold a TBTC game, June 16,1991 against the Cincinnati Reds. Both teams wore throwback uniforms from the 1957 season. The Baltimore Orioles (/wiki/Baltimore_Orioles) were the third team to use the marketing strategy after the Chicago White Sox. [3] (#cite_note-3) In that game, against the Minnesota Twins (/wiki/Minnesota_Twins) , the Orioles wore attire from the 1966 season and bleacher ticket prices were reduced to $.75. [4] (#cite_note-4) After that, the Chicago Cubs (/wiki/Chicago_Cubs) mimicked the promotion in 1992 wearing throwback uniforms (/wiki/Throwback_uniforms) . [5] (#cite_note-5) Likewise, the Milwaukee Brewers (/wiki/Milwaukee_Brewers) used the promotion in 1993 by wearing uniforms from the 1920s Milwaukee Brewers (/wiki/Milwaukee_Brewers_(minor_league_baseball_team)) . [6] (#cite_note-6) Multiple other teams built off the concept over the seasons (including the wearing of Negro league (/wiki/Negro_league) uniforms). A faux-back Turn Back the Clock game was featured on June 30, 2012, featuring the Tampa Bay Rays (/wiki/Tampa_Bay_Rays) and the Detroit Tigers (/wiki/Detroit_Tigers) wearing uniforms from the 1979 (/wiki/1979_Major_League_Baseball_season) season. The Rays, who did not exist as a franchise in 1979 (they were enfranchised in 1998 (/wiki/1998_Major_League_Baseball_season) ), wore specially-designed throwback uniforms for the game, using popular design cues of the time such as two-tone caps, colored pants and pullover tops. "Turn Ahead the Clock" [ edit ] Main article: Turn Ahead the Clock (/wiki/Turn_Ahead_the_Clock) In 1998, the Seattle Mariners (/wiki/Seattle_Mariners) marketing team developed a concept off the "Turn Back the Clock" promotion. In the " Turn Ahead the Clock (/wiki/Turn_Ahead_the_Clock) ", the team's uniforms would be transformed into a " futuristic (/wiki/Futuristic) " style. The Mariners promotion was successful, and in 1999 it was sold by Major League Baseball to Century 21 Real Estate (/wiki/Century_21_Real_Estate) , who made it into a league-wide marketing campaign. The league-wide promotion proved unsuccessful despite the success seen by the Mariners. References [ edit ] ^ Jump up to: a b c d e "White Sox turn back the clock at Comiskey Park" (https://news.google.com/newspapers?id=9HozAAAAIBAJ&sjid=eDIHAAAAIBAJ&pg=1876,1250589&dq=turn+back+the+clock+baseball&hl=en) . United Press International . Lodi News-Sentinel. July 12, 1990 . Retrieved June 16, 2010 . ^ Jump up to: a b Tom Haudricourt (July 11, 1990). "Chisox go back in time" (https://news.google.com/newspapers?id=LG0WAAAAIBAJ&sjid=2hIEAAAAIBAJ&pg=5300,2414329&dq=turn+back+the+clock&hl=en) . The Milwaukee Sentinel . The Milwaukee Sentinel . Retrieved June 16, 2010 . ^ (#cite_ref-3) "Orioles will try to relive 1966" (https://pqasb.pqarchiver.com/chicagotribune/access/24741786.html?dids=24741786:24741786&FMT=ABS&FMTS=ABS:FT&type=current&date=Jun+19,+1991&author=Chicago+Tribune+wires.&pub=Chicago+Tribune+(pre-1997+Fulltext)&desc=Orioles+will+try+to+relive+1966&pqatl=google) . Chicago Tribune . Tribune Company. June 19, 1991 . Retrieved June 16, 2010 . ^ (#cite_ref-4) David Ginsburg (June 19, 1991). "Baltimore turns back the clock" (http://nl.newsbank.com/nl-search/we/Archives?p_product=AASB&p_theme=aasb&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAD8C62C7D0224C&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM) . Austin American-Statesman. Associated Press . Retrieved June 16, 2010 . ^ (#cite_ref-5) Joey Reaves (June 22, 1992). "Cubs turn back clock, Phillies" (https://pqasb.pqarchiver.com/chicagotribune/access/24420349.html?dids=24420349:24420349&FMT=ABS&FMTS=ABS:FT&type=current&date=Jun+22,+1992&author=Joey+Reaves,+Chicago+Tribune.&pub=Chicago+Tribune+(pre-1997+Fulltext)&desc=Cubs+turn+back+clock,+Phillies&pqatl=google) . Chicago Tribune . Tribune Company . Retrieved June 16, 2010 . ^ (#cite_ref-6) Bob Berghaus (July 7, 1993). "Brewers turn back the clock to a bad time" (https://news.google.com/newspapers?id=kKMaAAAAIBAJ&sjid=Zi0EAAAAIBAJ&pg=3389,4433178&dq=turn+back+the+clock&hl=en) . The Milwaukee Journal . The Milwaukee Journal . 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Close-bodied gown or robe à l'anglaise of purple and white striped silk (/wiki/Silk) , French, 1785-90, LACMA (/wiki/Los_Angeles_County_Museum_of_Art) , M.2007.211.931 A close-bodied gown , English nightgown , or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua (/wiki/Mantua_(clothing)) , from which it evolved, [1] (#cite_note-1) the back of the gown featured pleats (/wiki/Pleat) from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt. Through the 1770s, the back pleats became narrower and closer to the center back, and by the 1780s these pleats had mostly disappeared and the skirt and bodice were cut separately. [2] (#cite_note-Freshman-2) [3] (#cite_note-3) The gown was open in front, to reveal a matching or contrasting petticoat (/wiki/Petticoat) , and featured elbow-length sleeves, which were finished with separate frills (/wiki/Frill_(fashion)) called engageantes (/wiki/Engageante) . Gallery [ edit ] Robe à l'anglaise , cotton embroidered in wool, shown with an embroidered kerchief, England, 1780s. LACMA, M.59.25a-c Robe a l'anglaise . Front view of dress in previous image. Robe a l'anglaise with matching petticoat, French, 1784–87, Cotton, metal, and silk. Metropolitan Museum of Art (/wiki/Metropolitan_Museum_of_Art) , New York, 1991.204a, b Side view of the robe a l'anglaise at the Metropolitan Museum of Art. Robe a l'Anglaise , 1785 See also [ edit ] 1700–1750 in fashion (/wiki/1700%E2%80%931750_in_fashion) 1750–1795 in fashion (/wiki/1750%E2%80%931795_in_fashion) Notes [ edit ] ^ (#cite_ref-1) Waugh, Norah (1968). The Cut of Women's Clothes: 1600-1930 . New York: Routledge. pp. 65–66, 69–70, 72. ^ (#cite_ref-Freshman_2-0) Feshman et al (1983), p. 235 ^ (#cite_ref-3) Takeda and Spilker (2010), p. 212 References [ edit ] Wikimedia Commons has media related to Robe à l'anglaise (https://commons.wikimedia.org/wiki/Category:Robe_%C3%A0_l%27anglaise) . Ribeiro, Aileen (/wiki/Aileen_Ribeiro) : The Art of Dress: Fashion in England and France 1750–1820 , Yale University Press, 1995, ISBN (/wiki/ISBN_(identifier)) 0-300-06287-7 (/wiki/Special:BookSources/0-300-06287-7) Freshman, Philip, Dorothy J. Schuler, and Barbara Einzig, eds (1983). An Elegant Art: Fashion & Fantasy in the Eighteenth Century , Abrams/Los Angeles County Museum of Art, ISBN (/wiki/ISBN_(identifier)) 0-87587-111-9 (/wiki/Special:BookSources/0-87587-111-9) Takeda, Sharon Sadako, and Kaye Durland Spilker (2010). Fashioning Fashion: European Dress in Detail, 1700 - 1915 , LACMA/Prestel USA, ISBN (/wiki/ISBN_(identifier)) 978-3-7913-5062-2 (/wiki/Special:BookSources/978-3-7913-5062-2) Waugh, Norah, The Cut of Women's Clothes: 1600-1930 , New York, Routledge, 1968, ISBN (/wiki/ISBN_(identifier)) 0-87830-026-0 (/wiki/Special:BookSources/0-87830-026-0) External links [ edit ] Ball Gowns & Prom Dresses (https://www.niceoo.com/) v t e Historical clothing (/wiki/History_of_clothing_and_textiles) Clothing generally not worn today, except in historical settings Body-length (/wiki/Suit) Abolla (/wiki/Abolla) Banyan (/wiki/Banyan_(clothing)) Brunswick (/wiki/Brunswick_(clothing)) Court dress (Empire of Japan) (/wiki/Court_uniform_and_dress_in_the_Empire_of_Japan) Chiton (/wiki/Chiton_(costume)) Frock (/wiki/Frock) Frock coat (/wiki/Frock_coat) Hanfu (/wiki/Hanfu) Justacorps (/wiki/Justacorps) Paenula (/wiki/Paenula) Peplos (/wiki/Peplos) Stola (/wiki/Stola) Toga (/wiki/Toga) Tunic (/wiki/Tunic) Xout lao (/wiki/Xout_lao) Tops (/wiki/Top_(clothing)) Basque (/wiki/Basque_(clothing)) Bedgown (/wiki/Bedgown) Bodice (/wiki/Bodice) Doublet (/wiki/Doublet_(clothing)) Peascod belly (/wiki/Peascod_belly) Poet shirt (/wiki/Poet_shirt) Sbai (/wiki/Sbai) Suea pat (/wiki/Suea_pat) Trousers (/wiki/Trousers) Braccae (/wiki/Braccae) Breeches (/wiki/Breeches) Sompot Chong Kben (/wiki/Sompot_Chong_Kben) Culottes (/wiki/Culottes) Harem (/wiki/Harem_pants) Knickerbockers (/wiki/Knickerbockers_(clothing)) Pedal pushers (/wiki/Pedal_pushers) Saragüells (/w/index.php?title=Sarag%C3%BCells&action=edit&redlink=1) [ ca (https://ca.wikipedia.org/wiki/Sarag%C3%BCells) ] Skirts (/wiki/Skirt) Hobble (/wiki/Hobble_skirt) Poodle (/wiki/Poodle_skirt) Safeguard (/wiki/Safeguard_(costume)) Sompot (/wiki/Sompot) Sinh (/wiki/Sinh_(clothing)) Train (/wiki/Train_(clothing)) Dresses (/wiki/Dress) Bliaut (/wiki/Bliaut) Close-bodied gown Debutante (/wiki/Debutante_dress) Gown (/wiki/Gown) Kirtle (/wiki/Kirtle) Mantua (/wiki/Mantua_(clothing)) Polonaise (/wiki/Polonaise_(clothing)) Robe de cour (/wiki/Robe_de_cour) Sack-back gown (/wiki/Sack-back_gown) Sailor (/wiki/Sailor_dress) Tea gown (/wiki/Tea_gown) Zaju chuishao fu (/wiki/Zaju_chuishao_fu) Outerwear (/wiki/List_of_outerwear) Capote (/wiki/Capote_(garment)) Car coat (/wiki/Car_coat) Caraco (/wiki/Caraco) Cardinal cloak (/wiki/Cardinal_cloak) Chamail (/wiki/Chamail_(clothing)) Chlamys (/wiki/Chlamys) Cloak (/wiki/Cloak) Kinsale cloak (/wiki/Kinsale_cloak) Dolman (/wiki/Dolman) Doublet (/wiki/Doublet_(clothing)) Duster (/wiki/Duster_(clothing)) Exomis (/wiki/Exomis) Greatcoat (/wiki/Greatcoat) Himation (/wiki/Himation) Houppelande (/wiki/Houppelande) Inverness cape (/wiki/Inverness_cape) Jerkin (/wiki/Jerkin) Kandys (/wiki/Kandys) Mackinaw jacket (/wiki/Mackinaw_jacket) Nadiri (/wiki/Nadiri) Norfolk jacket (/wiki/Norfolk_jacket) Overfrock (/wiki/Over-frock_coat) Pañuelo (/wiki/Pa%C3%B1uelo) Palla (/wiki/Palla_(garment)) Pallium (/wiki/Pallium_(Roman_cloak)) Pelisse (/wiki/Pelisse) Poncho (/wiki/Poncho) Shadbelly (/wiki/Shadbelly) Shawl (/wiki/Shawl) Galway shawl (/wiki/Galway_shawl) Kullu (/wiki/Kullu_shawl) Smock-frock (/wiki/Smock-frock) Spencer (/wiki/Spencer_(clothing)) Surcoat (/wiki/Surcoat) Surtout (/wiki/Surtout) Ulster coat (/wiki/Ulster_coat) Visite (/wiki/Visite) Witzchoura (/wiki/Witzchoura) Underwear (/wiki/Undergarment) Basque (/wiki/Basque_(clothing)) Bustle (/wiki/Bustle) Chausses (/wiki/Chausses) Chemise (/wiki/Chemise) Codpiece (/wiki/Codpiece) Corselet (/wiki/Corselet) Corset (/wiki/Corset) Waist cincher (/wiki/Waist_cincher) Dickey (/wiki/Dickey_(garment)) Garter (/wiki/Garter) Hoop skirt (/wiki/Hoop_skirt) Crinoline (/wiki/Crinoline) Farthingale (/wiki/Farthingale) Pannier (/wiki/Pannier_(clothing)) Hose (/wiki/Hose_(clothing)) Liberty bodice (/wiki/Liberty_bodice) Loincloth (/wiki/Loincloth) Open drawers (/wiki/Open_drawers) Pantalettes (/wiki/Pantalettes) Petticoat (/wiki/Petticoat) 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Canadian model (1944–2018) This article is an orphan (/wiki/Wikipedia:Orphan) , as no other articles link to it (https://en.wikipedia.org/w/index.php?title=Special:WhatLinksHere&target=Greta_Morrison&namespace=0) . Please introduce links (/wiki/Help:Link) to this page from related articles (https://en.wikipedia.org/w/index.php?title=Special%3ASearch&redirs=1&search=Greta+Morrison&fulltext=Search&ns0=1&title=Special%3ASearch&advanced=1&fulltext=Greta+Morrison) ; try the Find link tool (https://edwardbetts.com/find_link?q=Greta_Morrison) for suggestions. ( January 2019 ) Greta Morrison (11 July 1944 – 7 August 2018) was a Canadian model who was successful in Britain during the 1970s and later co-founded a polo club. She has been seen as one of the fuller-figured successors to the skinny models of London's Swinging Sixties (/wiki/Swinging_Sixties) such as Twiggy (/wiki/Twiggy) and Jean Shrimpton (/wiki/Jean_Shrimpton) and featured regularly in the innovative Nova (/w/index.php?title=Nova_(women%27s_magazine)&action=edit&redlink=1) magazine. [1] (#cite_note-times-1) [2] (#cite_note-2) She was once chosen as the body-double for Brigitte Bardot (/wiki/Brigitte_Bardot) . [1] (#cite_note-times-1) She married the photographer Tony Norris, and later Bryan Morrison (/wiki/Bryan_Morrison) , the manager of Pink Floyd (/wiki/Pink_Floyd) . With Morrison and Norman Lobel (/w/index.php?title=Norman_Lobel&action=edit&redlink=1) she founded the Royal County of Berkshire Polo Club (/wiki/Royal_County_of_Berkshire_Polo_Club) in 1985 which she managed after Morrison's death. [1] (#cite_note-times-1) References [ edit ] ^ Jump up to: a b c Greta Morrison obituary. (https://www.thetimes.co.uk/article/greta-morrison-obituary-z37n8l5w5) The Times , 1 September 2018. Retrieved 8 September 2018. (subscription required) ^ (#cite_ref-2) Greta Morrison Memorial Service. (http://www.polotimes.co.uk/index.php?pg=35&story=2398) Polo Times Magazine , 20 August 2018. Retrieved 8 September 2018. This biographical article about a Canadian model is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=Greta_Morrison&action=edit) . v t e NewPP limit report Parsed by mw‐web.codfw.main‐58c7647fd9‐7hjlr Cached time: 20240713135910 Cache expiry: 1591251 Reduced expiry: true Complications: [vary‐revision‐sha1] CPU time usage: 0.169 seconds Real time usage: 0.246 seconds Preprocessor visited node count: 482/1000000 Post‐expand include size: 12680/2097152 bytes Template argument size: 1609/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 1/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 8086/5000000 bytes Lua time usage: 0.105/10.000 seconds Lua memory usage: 1631263/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 224.827 1 -total 34.26% 77.015 1 Template:Canada-model-stub 31.81% 71.523 1 Template:Asbox 30.97% 69.634 1 Template:Short_description 26.55% 59.694 1 Template:Orphan 24.51% 55.109 1 Template:Draft_other 23.82% 53.551 1 Template:Ambox 18.05% 40.572 2 Template:Pagetype 7.97% 17.922 3 Template:Main_other 7.08% 15.922 1 Template:SDcat Saved in parser cache with key enwiki:pcache:idhash:58433059-0!canonical and timestamp 20240713135910 and revision id 1153362428. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Greta_Morrison&oldid=1153362428 (https://en.wikipedia.org/w/index.php?title=Greta_Morrison&oldid=1153362428) " Categories (/wiki/Help:Category) : 1944 births (/wiki/Category:1944_births) 2018 deaths (/wiki/Category:2018_deaths) Canadian emigrants to England (/wiki/Category:Canadian_emigrants_to_England) Canadian expatriates in England (/wiki/Category:Canadian_expatriates_in_England) Female models from Quebec (/wiki/Category:Female_models_from_Quebec) Models from Montreal (/wiki/Category:Models_from_Montreal) Model stubs (/wiki/Category:Model_stubs) Canadian people stubs (/wiki/Category:Canadian_people_stubs) Hidden categories: Pages containing links to subscription-only content (/wiki/Category:Pages_containing_links_to_subscription-only_content) Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) Orphaned articles from January 2019 (/wiki/Category:Orphaned_articles_from_January_2019) All orphaned articles (/wiki/Category:All_orphaned_articles) All stub articles (/wiki/Category:All_stub_articles) |
Taiwanese actor and model Patrick Shih Born Shih Po-yu ( 1996-08-09 ) 9 August 1996 (age 27) Taiwan (/wiki/Taiwan) Nationality Taiwanese (/wiki/Taiwanese_people) Alma mater Fu Jen Catholic University (/wiki/Fu_Jen_Catholic_University) Occupation(s) Actor, model Years active 2016–present Chinese name Traditional Chinese (/wiki/Traditional_Chinese_characters) 施柏宇 Simplified Chinese (/wiki/Simplified_Chinese_characters) 施柏宇 Transcriptions Standard Mandarin (/wiki/Standard_Chinese) Hanyu Pinyin (/wiki/Hanyu_Pinyin) Shī Bóyǔ Bopomofo (/wiki/Bopomofo) ㄕˉ ㄅㄛˊ ㄩˇ Southern Min (/wiki/Southern_Min) Hokkien (/wiki/Hokkien) POJ (/wiki/Pe%CC%8Dh-%C5%8De-j%C4%AB) Si Pek-ú Shih Po-yu ( Chinese (/wiki/Traditional_Chinese_characters) : 施柏宇 ; Pe̍h-ōe-jī (/wiki/Pe%CC%8Dh-%C5%8De-j%C4%AB) : Si Pek-ú , born 9 August 1996), also known as Patrick Shih , is a Taiwanese actor and model. He is known for his roles in the drama Someday Or One Day (/wiki/Someday_Or_One_Day) (2019). [1] (#cite_note-1) [2] (#cite_note-2) [3] (#cite_note-3) Filmography [ edit ] Television series [ edit ] Year English title Chinese title Role Notes 2016 Gamer's Generation 電競紀元 Nan Ke 2018 HIStory2: Crossing the Line (/wiki/HIStory_(web_series)) HIStory2: 越界 Wang Chen-Wu 2019–2020 Someday Or One Day (/wiki/Someday_Or_One_Day) 想見你 Mo Jun-Jie 2023 Taiwan Crime Stories (/wiki/Taiwan_Crime_Stories) 台灣犯罪故事 Lin Xue-wen References [ edit ] ^ (#cite_ref-1) 《想見你》出現兩個柯佳嬿 主演:許光漢 施柏宇 大鶴 . WhatA VOGUE . YouTube. 2019-11-05. Archived (https://web.archive.org/web/20200511073424/https://www.youtube.com/watch?v=WxPNo2ufRvk&t=0h0m0s) from the original on 2020-05-11 . Retrieved 2020-05-11 . ^ (#cite_ref-2) "為何選許光漢配柯佳嬿? 《想見你》製作人洩選角細節…原來有3大考量" (https://star.ettoday.net/news/1683830) . ETtoday星光雲 (in Chinese (Taiwan)). Archived (https://web.archive.org/web/20200511073642/https://star.ettoday.net/news/1683830) from the original on 2020-05-11 . Retrieved 2020-04-14 . ^ (#cite_ref-3) "施柏宇《想見你》一度沮喪關衣櫃" (https://www.chinatimes.com/newspapers/20191104000648-260112?chdtv) . 中時電子報 (in Chinese (Taiwan)). Archived (https://web.archive.org/web/20191108172237/https://www.chinatimes.com/newspapers/20191104000648-260112?chdtv) from the original on 2019-11-08 . Retrieved 2020-02-10 . External links [ edit ] Wikimedia Commons has media related to Shih Bo-Yu (https://commons.wikimedia.org/wiki/Category:Shih_Bo-Yu) . Patrick Shih (https://www.imdb.com/name/nm9534296/) at IMDb (/wiki/IMDb_(identifier)) Patrick Shih (https://www.instagram.com/patrick8589/) on Instagram (/wiki/Instagram_(identifier)) Patrick Shih (https://weibo.com/u/5946042311) on Weibo (/wiki/Weibo) (in Chinese) NewPP limit report Parsed by mw‐web.codfw.main‐6f54559974‐fvcn6 Cached time: 20240721021723 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.450 seconds Real time usage: 0.832 seconds Preprocessor visited node count: 2389/1000000 Post‐expand include size: 32128/2097152 bytes Template argument size: 4381/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 20208/5000000 bytes Lua time usage: 0.300/10.000 seconds Lua memory usage: 22300934/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 562.935 1 -total 48.62% 273.705 1 Template:Infobox_person 26.70% 150.292 1 Template:Infobox_Chinese 19.21% 108.120 1 Template:Reflist 15.03% 84.613 1 Template:Cite_AV_media 13.03% 73.337 1 Template:Short_description 7.51% 42.270 4 Template:Br_separated_entries 7.47% 42.070 2 Template:Pagetype 6.20% 34.879 19 Template:Main_other 6.08% 34.212 1 Template:Commonscat Saved in parser cache with key enwiki:pcache:idhash:67359037-0!canonical and timestamp 20240721021723 and revision id 1228173876. 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London-based Norwegian designer and shipping heiress Cecilie Alexandra Pontine Paus Born 15 June 1973 Athens (/wiki/Athens) , Greece Nationality Norwegian Occupation(s) Designer and businesswoman Partner Harry Primrose, Lord Dalmeny (/wiki/Harry_Primrose,_Lord_Dalmeny) Cecilie Alexandra Pontine Paus (born 15 June 1973) is a London-based Norwegian designer and shipping heiress. A member of the billionaire Wilhelmsen family on her mother's side, she is one of the owners of Wilh. Wilhelmsen (/wiki/Wilh._Wilhelmsen) , one of the world's largest shipping companies. As a designer she is known for designing handbags (/wiki/Handbags) sold under her label House of Paus, and was described by Vogue (/wiki/Vogue_(British_magazine)) in the early 2000s as the "hottest new name in handbags". [1] (#cite_note-vogue-1) She is the founder of the beauty brand Dr.Lipp. Background [ edit ] Pontine Paus was born to Norwegian parents in Athens (/wiki/Athens) , Greece (/wiki/Greece) , in 1973, and moved to London in 1979. A member of the Paus family (/wiki/Paus_family) on her father's side and the billionaire Wilhelmsen family (/wiki/Wilh._Wilhelmsen) on her mother's side, she is the eldest daughter of the London-based shipping and petroleum investor Christopher Paus (/wiki/Christopher_Paus_(businessman)) and Cecilie Paus (/wiki/Cecilie_Paus) (née Wilhelmsen). Her father is the son of the steel industrialist Per Paus (/wiki/Per_Paus) and Countess Hedevig Wedel-Jarlsberg (/wiki/Wedel-Jarlsberg) , whose father was Lord Chamberlain (/wiki/Lord_Chamberlain) Peder Anker Wedel-Jarlsberg (/wiki/Peder_Anker_Wedel-Jarlsberg) . Her mother belongs to the Wilhelmsen shipping family and has owned Wilh. Wilhelmsen (/wiki/Wilh._Wilhelmsen) with her siblings since 1978. Pontine Paus' maternal grandfather was shipping magnate Tom Wilhelmsen (/wiki/Tom_Wilhelmsen_(shipping_magnate)) . She is a Norwegian citizen, but has lived all her life in Greece and England. Her sister Olympia is married to Alexander Nix (/wiki/Alexander_Nix) . [2] (#cite_note-dagbladet-2) Ancestors of Pontine Paus 16. Ole Paus (/wiki/Ole_Paus_(1846%E2%80%931931)) , steel industrialist 8. Christopher Blom Paus, steel industrialist 17. Birgitte Halvordine Schou (/wiki/Schou_(Norwegian_family)) (b. 1848) 4. Per Paus (/wiki/Per_Paus) , steel industrialist 18. Ove Ludvig Keyser, protocol secretary at the Supreme Court 9. Margit Keyser 19. Karen Helga Ingebretsen 2. Christopher Paus (/wiki/Christopher_Paus_(businessman)) , ship-owner and investor 20. Count Johan Caspar Herman Wedel-Jarlsberg, estate owner 10. Count Peder Anker Wedel-Jarlsberg (/wiki/Peder_Anker_Wedel-Jarlsberg) , Lord Chamberlain 21. Helene Louise Celine von Radetzky-Mikulicz 5. Countess Hedevig Wedel-Jarlsberg (/wiki/Wedel-Jarlsberg) 22. Einar Westye Egeberg (/wiki/Einar_Westye_Egeberg) , industrialist 11. Hermine Westye Egeberg 23. Birgitte Halvordine Schou (/wiki/Schou_(Norwegian_family)) (b. 1857) 1. Pontine Paus 24. Wilhelm Wilhelmsen (/wiki/Wilhelm_Wilhelmsen_(1839%E2%80%931910)) , shipping magnate 12. Wilhelm Wilhelmsen (/wiki/Wilhelm_Wilhelmsen_(ship_owner,_b._1872)) , shipping magnate 25. Catharina Fredrikke Fredrikke Lorentzen 6. Tom Wilhelmsen (/wiki/Tom_Wilhelmsen_(shipping_magnate)) , shipping magnate 26. Thomas von Westen Engelhart (/wiki/Thomas_Engelhart) , cabinet minister 13. Engelke Julie Engelhart 27. Mathea Sofie Elisabeth Nielsen 3. Cecilie Wilhelmsen (/wiki/Cecilie_Paus) , ship-owner 28. Søren Hans Dedekam 14. Finn Rosenwold Dedekam, businessman 29. Nathalie Magdalene Tønnesen 7. Valborg Cecilie Dedekam 30. Jacob Boe 15. Valborg Cecilie Boe 31. Marie Eger Career [ edit ] She attended Marlborough College (/wiki/Marlborough_College) , an independent boarding school in Wiltshire, and later studied industrial design in Milan (/wiki/Milan) before turning to fashion. [3] (#cite_note-3) As a designer, Paus is known for handbags, as the owner of the House of Paus fashion label. She was called by Vogue (/wiki/Vogue_(British_magazine)) as the "hottest new name in handbags" in 2003. [1] (#cite_note-vogue-1) Customers have included Kylie Minogue (/wiki/Kylie_Minogue) , Queen Silvia of Sweden (/wiki/Queen_Silvia_of_Sweden) and Queen Sonja of Norway (/wiki/Queen_Sonja_of_Norway) . [4] (#cite_note-4) In Norway, her handbags are sold by Benedikte Ferner (/wiki/Benedikte_Ferner) who cites Pontine Paus as her favourite handbag designer, [5] (#cite_note-5) and UK outlets include Paul & Joe, Ananya and Mirage. [6] (#cite_note-6) Her other business endeavours include beauty brand Dr.Lipp. She is one of the main owners of Wilh. Wilhelmsen (/wiki/Wilh._Wilhelmsen) ; her family combined owns over 60% of the company's shares and additionally several billion in other companies. [7] (#cite_note-7) In 2020 her family branch launched a battle for control over the family's main holding company, due to the fact that her cousin Thomas Wilhelmsen (/wiki/Thomas_Wilhelmsen) holds the only vote in the company although the female family members own the majority of the shares. [8] (#cite_note-8) [9] (#cite_note-9) Together with other family members she was also a major shareholder of Scorpion Offshore (/wiki/Scorpion_Offshore) until it was bought by John Fredriksen (/wiki/John_Fredriksen) 's Seadrill (/wiki/Seadrill) in 2010. [10] (#cite_note-10) Personal life [ edit ] She was in a relationship with Harry Primrose, 8th Earl of Rosebery (/wiki/Harry_Primrose,_8th_Earl_of_Rosebery) , the chairman of Sotheby's (/wiki/Sotheby%27s) . [11] (#cite_note-tatler-11) The name Pontine is a unique name, and for a long time, she was the only Norwegian to have it. The origin is unclear, but it could possibly be named after the Pontine Islands (/wiki/Pontine_Islands) . As a child, she went by the name Cecilie. References [ edit ] ^ Jump up to: a b Vogue (21 November 2003). "BAGS OF STYLE" (https://www.vogue.co.uk/news/2003/11/21/bags-of-style) . Retrieved 15 January 2018 . ^ (#cite_ref-dagbladet_2-0) "Alexander Nix' norske kone er rederarving" (https://www.dagbladet.no/nyheter/alexander-nix-norske-kone-er-rederarving-og-star-midt-i-facebook-skandalen/69689638) [Alexander Nix' Norwegian wife is a shipping heiress]. Dagbladet (/wiki/Dagbladet) (in Norwegian). 16 April 2018. ^ (#cite_ref-3) "My London: Pontine Paus – Designer and entrepreneur – LDNfashion" (https://ldnfashion.com/interviews/pontine-paus-designer-entrepreneur/) . ldnfashion.com . 30 March 2017 . Retrieved 29 April 2019 . ^ (#cite_ref-4) Wenche Fuglehaug. "En håndfull vesker" (http://www.aftenposten.no/nyheter/iriks/article1057364.ece) . Aftenposten.no . Retrieved 23 April 2012 . ^ (#cite_ref-5) Kaja Korsvold. "Ville vesker" (http://www.aftenposten.no/kultur/article720999.ece) . Aftenposten.no . Retrieved 23 April 2012 . ^ (#cite_ref-6) "Planet FASHION" (https://www.questia.com/read/1G1-148586169) . 24 July 2006 . Retrieved 15 January 2018 . {{ cite journal (/wiki/Template:Cite_journal) }} : Cite journal requires |journal= ( help (/wiki/Help:CS1_errors#missing_periodical) ) ^ (#cite_ref-7) "Wilhelmsen-opprørere har milliarder låst i familiens egen pengebinge" (https://www.dn.no/marked/wilhelmsen/thomas-wilhelmsen/toluma/wilhelmsen-opprorere-har-milliarder-last-i-familiens-egen-pengebinge/2-1-757570) . Dagens Næringsliv (/wiki/Dagens_N%C3%A6ringsliv) . 18 February 2020. ^ (#cite_ref-8) "Familieopprør i rederiet" (https://urn.nb.no/URN:NBN:no-nb_digavis_dagensnaeringsliv_null_null_20200215_131_39_1) . Dagens Næringsliv (/wiki/Dagens_N%C3%A6ringsliv) . 15 February 2020. ^ (#cite_ref-9) "Familieopprør i Wilh. Wilhelmsen, femte generasjon vil fornye eierstruktur og styringsmodell" (https://finansavisen.no/nyheter/shipping/2020/02/09/7496120/familieoppror-i-wilh.-wilhelmsen-femte-generasjon-vil-fornye-eierstruktur-og-styringsmodell) . Finansavisen . 9 February 2020. ^ (#cite_ref-10) TDN Finans (16 February 2006). "Styremedlem hamstrer i Scorpion" (http://www.dn.no/forsiden/borsMarked/article720236.ece) . DN.no . Retrieved 23 April 2012 . ^ (#cite_ref-tatler_11-0) "Who has the real power?" (https://www.tatler.com/article/cambridge-analytica-brexit-and-trump) . Tatler (/wiki/Tatler) . 29 March 2018 . Retrieved 29 April 2019 . External links [ edit ] Official website (http://www.pontinepaus.com) v t e Paus family (/wiki/Paus_family) Early members Sir (/wiki/Dominus_(title)) Hans Olufsson (/wiki/Hans_Olufsson) ( ca. 1500), cleric Sir Hans Povelsson Paus the Elder (/wiki/Hans_Povelsson_Paus_the_Elder) (1587), cleric Sir Peder Povelsson Paus (/wiki/Peder_Povelsson_Paus) (1590), cleric Sir Povel Hansson Paus (/wiki/Povel_Hansson_Paus) (1620), cleric Sir Povel Pedersson Paus (/wiki/Povel_Pedersson_Paus) (1625), cleric Sir Hans Povelsson Paus (/wiki/Hans_Povelsson_Paus) (1656), cleric Cornelius Povelsson Paus (/wiki/Cornelius_Povelsson_Paus) (1662), judge Peder Hansson Paus (/wiki/Peder_Hansson_Paus) (1691), judge Hans Pedersson Paus (/wiki/Hans_Pedersson_Paus) (1721), judge Skien (/wiki/Paus_family#Skien_branch) branch (/wiki/Paus_family#Skien_branch) Cornelius Paus (/wiki/Cornelius_Paus_(civil_servant)) (1726), civil servant Hedevig Paus (/wiki/Hedevig_Paus) (1763) Ole Paus (/wiki/Ole_Paus_(shipowner)) (1766), shipowner Henrik Johan Paus (/wiki/Henrik_Johan_Paus) (1799), lawyer Christian Cornelius Paus (/wiki/Christian_Cornelius_Paus) (1800), governor Christopher Blom Paus (/wiki/Christopher_Blom_Paus) (1810), shipowner Henrik Ibsen (/wiki/Henrik_Ibsen) (1828), playwright Johan Altenborg Paus (/wiki/Johan_Altenborg_Paus) (1834), war commissioner Ole Paus (/wiki/Ole_Paus_(businessman)) (1846), industrialist Karl L. Paus (/wiki/Karl_L._Paus) (1856), industrialist Christopher Lintrup Paus (/wiki/Christopher_Lintrup_Paus) CBE (/wiki/Order_of_the_British_Empire) (1881), British diplomat Thorleif (von) Paus (/wiki/Thorleif_Paus) (1881), diplomat George Wegner Paus (/wiki/George_Wegner_Paus) (1882), lawyer Hans Wangensten Paus (/wiki/Hans_Wangensten_Paus) (1891), engineer Robert Paus Platt (/wiki/Robert_Paus_Platt) OBE (/wiki/Order_of_the_British_Empire) (1905), British diplomat Helvig (von) Paus (/wiki/Helvig_Paus_(painting)) (1909) Ole (von) Paus (/wiki/Ole_Paus_(general)) (1910), general Per Paus (/wiki/Per_Paus) (1910), industrialist Thorleif Lintrup Paus (/wiki/Thorleif_Lintrup_Paus) (1912), diplomat Cecilie Paus (/wiki/Cecilie_Paus) (1943), shipping magnate Peder Paus (/wiki/Peder_Paus_(businessman)) (1945), businessman Ole Paus (/wiki/Ole_Paus) (1947), singer Pontine Paus (1973), shipping heir Olympia Paus (/wiki/Olympia_Paus) (1976), shipping heir Marcus Paus (/wiki/Marcus_Paus) (1979), composer of Herresta (/wiki/Paus_family#Herresta_branch) Count Christopher (de) Paus (/wiki/Christopher_de_Paus) (1862), philanthropist Herman Paus (/wiki/Herman_Paus) (1897), skier, estate owner Countess Tatiana Tolstoy-Paus (/wiki/Tatiana_Tolstoy-Paus) (1914) Henrik Ibsen (/wiki/Henrik_Ibsen#Family_and_childhood) Knud Ibsen (/wiki/Knud_Ibsen) Marichen Altenburg (/wiki/Marichen_Altenburg) Sigurd Ibsen (/wiki/Sigurd_Ibsen) Altenburggården (/wiki/Altenburgg%C3%A5rden) The Ibsen Family (/wiki/The_Ibsen_Family) Paus family in fiction (/wiki/Paus_family#In_Henrik_Ibsen's_plays) Peer Gynt (/wiki/Peer_Gynt) Rosmersholm (/wiki/Rosmersholm) The Wild Duck (/wiki/The_Wild_Duck) Ghosts (/wiki/Ghosts_(play)) An Enemy of the People (/wiki/An_Enemy_of_the_People) Hedda Gabler (/wiki/Hedda_Gabler) Drammen (/wiki/Paus_family#Drammen_branch) branch (/wiki/Paus_family#Drammen_branch) Bernhard Cathrinus Pauss (/wiki/Bernhard_Pauss) (1839), theologian Henriette Pauss (/wiki/Henriette_Pauss) (1841), teacher Olav Pauss (/wiki/Olav_Pauss) (1863), shipowner Nikolai Nissen Paus (/wiki/Nikolai_Nissen_Paus) (1877), surgeon/humanitarian Augustin Paus (/wiki/Augustin_Paus) (1881), industrialist Bernhard Paus (/wiki/Bernhard_Paus) (1910), surgeon/humanitarian Vilhelm Paus (/wiki/Vilhelm_Paus) (1915), diplomat Brita Collett Paus (/wiki/Brita_Collett_Paus) (1917), humanitarian Nikolai Paus (/wiki/Nikolai_Paus) (1944), businessman Other Pauspur (/wiki/Pauspur) Paus collection (/wiki/Paus_collection) Herresta (/wiki/Herresta) Kvesarum Castle (/wiki/Kvesarum_Castle) Villa Paus (/wiki/Villa_Paus) Esviken (/wiki/Esviken) Paus & Paus (/wiki/Paus_%26_Paus) Ole Paus Company (/wiki/Ole_Paus_(businessman)) Wilh. Wilhelmsen (/wiki/Wilh._Wilhelmsen) NewPP limit report Parsed by mw‐web.codfw.main‐69f74dcdf6‐t4nsm Cached time: 20240722004803 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.438 seconds Real time usage: 0.559 seconds Preprocessor visited node count: 2830/1000000 Post‐expand include size: 69572/2097152 bytes Template argument size: 1406/2097152 bytes Highest expansion depth: 12/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 50014/5000000 bytes Lua time usage: 0.279/10.000 seconds Lua memory usage: 6476690/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 491.153 1 -total 31.16% 153.027 1 Template:Reflist 25.92% 127.313 10 Template:Cite_web 23.05% 113.197 4 Template:Navbox 22.88% 112.381 1 Template:Paus_family 21.36% 104.901 1 Template:Infobox_person 13.38% 65.734 1 Template:Short_description 8.66% 42.513 2 Template:Pagetype 6.26% 30.754 4 Template:If_empty 5.77% 28.352 2 Template:Post-nominals Saved in parser cache with key enwiki:pcache:idhash:35592291-0!canonical and timestamp 20240722004803 and revision id 1235173075. 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French fashion stylist (born 1982) Camille Seydoux Born Camille Seydoux Fornier de Clausonne ( 1982-03-23 ) 23 March 1982 (age 42) [1] (#cite_note-1) Paris, France [2] (#cite_note-2) Occupation Fashion stylist (/wiki/Fashion_stylist) Children 3 Relatives Léa Seydoux (/wiki/L%C3%A9a_Seydoux) (sister) Camille Seydoux (born 23 March 1982) is a French stylist. Her clients include Adèle Exarchopoulos (/wiki/Ad%C3%A8le_Exarchopoulos) , Bérénice Bejo (/wiki/B%C3%A9r%C3%A9nice_Bejo) , and Valeria Bruni-Tedeschi (/wiki/Valeria_Bruni-Tedeschi) . [3] (#cite_note-3) Early life [ edit ] Seydoux was the eldest of two sisters born to businessman Henri Jerome Seydoux-Fornier de Clausonne and philanthropist Valérie Schlumberger (/w/index.php?title=Val%C3%A9rie_Schlumberger&action=edit&redlink=1) . She has six siblings including three older maternal half-siblings, younger sister actress Léa Seydoux (/wiki/L%C3%A9a_Seydoux) , and two younger half-brothers from her father's second marriage to model Farida Khelfa (/wiki/Farida_Khelfa) . [4] (#cite_note-4) Seydoux was born into two wealthy and prominent French families. On her paternal side she is the granddaughter of Pathé (/wiki/Path%C3%A9) owner Jérôme Seydoux. On both her paternal and maternal sides she is related to the Schlumberger brothers (/wiki/Schlumberger_brothers) . [5] (#cite_note-5) Seydoux was raised as a Protestant (/wiki/Protestant) . Career [ edit ] Seydoux began her career in advertising and arts before informally styling her sister Léa Seydoux (/wiki/L%C3%A9a_Seydoux) in 2011. In 2012 she styled her sister for the premiere of Farewell, My Queen (/wiki/Farewell,_My_Queen) at the 62nd Berlin International Film Festival (/wiki/62nd_Berlin_International_Film_Festival) and began to receive requests to officially work as a stylist. [6] (#cite_note-6) In 2015 she was involved with custom creating looks by Prada (/wiki/Prada) and Miu Miu (/wiki/Miu_Miu) for Léa to wear on the red carpet. [7] (#cite_note-7) In 2016 Seydoux collaborated with Roger Vivier (/wiki/Roger_Vivier) to create a denim capsule collection inspired by actress Jane Birkin (/wiki/Jane_Birkin) . [8] (#cite_note-8) Personal life [ edit ] Seydoux lives in The Marais (/wiki/The_Marais) , Paris (/wiki/Paris) . [9] (#cite_note-9) She has three children. [10] (#cite_note-10) References [ edit ] ^ (#cite_ref-1) "Camille SEYDOUX FORNIER DE CLAUSONNE - Dirigeant de la société Camille Seydoux sas - BFMBusiness.com" (https://dirigeants.bfmtv.com/Camille-SEYDOUX-FORNIER-DE-CLAUSONNE-5383277/) . dirigeants.bfmtv.com . Retrieved 9 May 2019 . ^ (#cite_ref-2) Paton, Elizabeth (8 March 2016). "Camille Seydoux's Paris" (https://www.nytimes.com/2016/03/08/fashion/camille-seydoux-paris.html) . The New York Times . Retrieved 9 May 2019 . ^ (#cite_ref-3) Dion, Julia (2013-11-29). "Une journée avec Camille Seydoux" (http://www.elle.fr/People/La-vie-des-people/Une-journee-avec/Une-journee-avec-Camille-Seydoux-2635186) . Retrieved 6 May 2019 . ^ (#cite_ref-4) Lawrence, Will. "Léa Seydoux: 'I have got lighter as I've got older' (https://www.theguardian.com/global/2017/feb/19/lea-seydoux-i-have-got-lighter-as-ive-got-older) " (https://www.theguardian.com/global/2017/feb/19/lea-seydoux-i-have-got-lighter-as-ive-got-older) . Retrieved 6 May 2019 . ^ (#cite_ref-5) Silva, Horacio. "Léa Seydoux" (https://thegentlewoman.co.uk/library/lea-seydoux) . Retrieved 6 May 2019 . ^ (#cite_ref-6) Lawrence, Vanessa. "Camille Seydoux: The Family Stylist" (https://www.wmagazine.com/story/camille-seydoux-family-stylist) . Retrieved 6 May 2019 . ^ (#cite_ref-7) BRANNIGAN, Maura. "CAMILLE SEYDOUX, STYLIST AND SISTER OF LÉA, GIVES THE BOND GIRL A SEXY, MODERN UPDATE" (https://fashionista.com/2015/11/camille-seydoux-interview) . Retrieved 6 May 2019 . ^ (#cite_ref-8) Marfil, Lorelei (2016-03-18). "Roger Vivier Hosts Dinner for Camille Seydoux" (https://wwd.com/fashion-news/fashion-scoops/roger-vivier-dinner-camille-seydoux-arizona-muse-quentin-jones-jasmine-guinness-10393648/) . ^ (#cite_ref-9) "Camille Seydoux, Stylist" (https://intothegloss.com/2016/02/camille-seydoux/) . Into the Gloss. 2016-02-24 . Retrieved 6 May 2019 . ^ (#cite_ref-10) "Léa Seydoux : Sa petite nièce au doux prénom est trop craquante !" (http://www.purepeople.com/article/lea-seydoux-sa-petite-niece-au-doux-prenom-est-trop-craquante_a247228/1) . Retrieved 6 May 2019 . 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Being Human Clothing Being Human logo Industry Fashion (/wiki/Fashion) Founded Mumbai (/wiki/Mumbai) , India (/wiki/India) (2007) Founder Salman Khan (/wiki/Salman_Khan) Headquarters Mumbai (/wiki/Mumbai) , India Area served Worldwide Products Clothing (/wiki/Clothing) Shoes (/wiki/Shoe) Bags (/wiki/Bag) Accessories (/wiki/Fashion_accessory) Revenue 1.6 billion euro (2013) Website www (http://www.beinghumanclothing.com/) .beinghumanclothing (http://www.beinghumanclothing.com/) .com (http://www.beinghumanclothing.com/) Being Human Clothing is a fashion brand with a charitable background founded by actor Salman Khan (/wiki/Salman_Khan) , based in Mumbai (/wiki/Mumbai) , India (/wiki/India) . The proceeds from every garment sold are donated to help the underprivileged through education or healthcare. Foundation [ edit ] Being Human clothing started life as a T-shirt in India and has since grown into one of the fastest-growing fashion brands in the world. It now retails in over 15 countries. The brand was conceived and is owned by Salman Khan (/wiki/Salman_Khan) , one of the biggest movie stars in the world. [1] (#cite_note-1) He assigned the brand to Being Human: The Salman Khan Foundation - a registered charitable trust that is focused on the areas of education and healthcare.In 2011, the actor then sub-licensed the brand to Mandhana Industries Limited, a leading manufacturer of garments based in India. Mandhana Industries has the exclusive worldwide license to design, manufacture, retail and distributes Being Human clothing. [2] (#cite_note-2) Marketing [ edit ] The brand has a huge marketing appeal due to the fame of its founder Salman Khan. It has also received considerable support from other stars in Bollywood too. [3] (#cite_note-3) The brand first launched in Belgium, France and Spain. Its European distribution is set up in Bordeaux, France and is servicing around 120 selling points. In the second phase, Being Human Clothing was launched in the Middle East in Bahrain, Dammam, Doha, Jeddah, Jordan, Kuwait, Oman, Riyadh and UAE amongst others with more than 120 selling points through the retail giant Splash. [4] (#cite_note-Expansion_Spree-4) It made its Indian entry with its flagship store launch in Mumbai and today, stands at 29 exclusive stores and 151 shop-in-shops in 2014. [5] (#cite_note-5) Further developments in India have seen Being Human Clothing selling through more than 15 retail partners such as Shoppers Stop, Lifestyle, Splash, Westside, Jade Blue, among others. The brand also has a strong online presence with stores on Amazon.com, Flipkart.com, Jabong.com, Koovs.com, Myntra.com and Snapdeal.com in India and Landmarkshops.com and beinghumanclothing.eu in Middle East and Europe respectively together selling to more than 60 countries. See also [ edit ] India portal (/wiki/Portal:India) Companies portal (/wiki/Portal:Companies) Fashion portal (/wiki/Portal:Fashion) Being Human Foundation (/wiki/Being_Human_Foundation) Manish Mandhana (/w/index.php?title=Manish_Mandhana&action=edit&redlink=1) Notes and references [ edit ] ^ (#cite_ref-1) http://forbesindia.com/article/2012-celebrity-100/salman- (http://forbesindia.com/article/2012-celebrity-100/salman-) khan-the-hit-machine/34633/1 ^ (#cite_ref-2) http://www.fashionunited.in/news/fashion/salman-khans-being-human-ties-up-with-mandhana-industries-190120111591 (https://www.fashionunited.in/news/fashion/salman-khans-being-human-ties-up-with-mandhana-industries-190120111591) ^ (#cite_ref-3) http://businesstoday.intoday.in/story/celebrity-marketing-actor-salman-khan-as-brand-endorser/1/193099.html (http://businesstoday.intoday.in/story/celebrity-marketing-actor-salman-khan-as-brand-endorser/1/193099.html) ^ (#cite_ref-Expansion_Spree_4-0) [ http://businesstoday.intoday.in/story/being-human-fashion-line-on- (http://businesstoday.intoday.in/story/being-human-fashion-line-on-) expansion-spree/1/205894.html "Expansion Spree"]. {{ cite web (/wiki/Template:Cite_web) }} : Check |url= value ( help (/wiki/Help:CS1_errors#bad_url) ) ; line feed character in |url= at position 67 ( help (/wiki/Help:CS1_errors#invisible_char) ) ^ (#cite_ref-5) http://indiatoday.intoday.in/gallery/salman-khanbeing-human-store/1/8599.html (http://indiatoday.intoday.in/gallery/salman-khanbeing-human-store/1/8599.html) External links [ edit ] Media related to Waynefernandes/sandbox (https://commons.wikimedia.org/wiki/Special:Search/Category:Waynefernandes/sandbox) at Wikimedia Commons Category:Clothing brands of India (/wiki/Category:Clothing_brands_of_India) Category:Clothing companies of India (/wiki/Category:Clothing_companies_of_India) Category:Clothing manufacturers (/wiki/Category:Clothing_manufacturers) Category:Clothing retailers of Italy (/wiki/Category:Clothing_retailers_of_Italy) Category:Fashion accessory brands (/wiki/Category:Fashion_accessory_brands) Category:Indian brands (/wiki/Category:Indian_brands) NewPP limit report Parsed by mw‐api‐int.eqiad.main‐dc899b7cc‐qbzcw Cached time: 20240719211720 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.233 seconds Real time usage: 0.397 seconds Preprocessor visited node count: 1106/1000000 Post‐expand include size: 12216/2097152 bytes Template argument size: 766/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 9622/5000000 bytes Lua time usage: 0.140/10.000 seconds Lua memory usage: 3770993/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 312.261 1 -total 45.12% 140.889 1 Template:Reflist 40.45% 126.316 1 Template:Infobox_company 40.43% 126.243 1 Template:Cite_web 35.86% 111.974 1 Template:Infobox 8.78% 27.419 1 Template:Portal 4.17% 13.021 1 Template:Commons_category-inline 3.62% 11.308 1 Template:Sister-inline 3.39% 10.575 1 Template:Unbulleted_list 3.17% 9.907 1 Template:Comma_separated_entries Saved in parser cache with key enwiki:pcache:idhash:46329082-0!canonical and timestamp 20240719211720 and revision id 657219650. 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Streetwear brand Anti Social Social Club Product type Clothing (/wiki/Clothing) Streetwear (/wiki/Streetwear) Owner Marquee Brands (/wiki/Marquee_Brands) Country Los Angeles (/wiki/Los_Angeles) , United States (/wiki/United_States) Introduced 2015 ; 9 years ago ( 2015 ) Markets Worldwide Tagline Self Doubt Website antisocialsocialclub (http://antisocialsocialclub.com) .com (http://antisocialsocialclub.com) Anti Social Social Club (sometimes stylized as ASSC and AntiSocialSocialClub ) is a Los Angeles (/wiki/Los_Angeles) –based streetwear (/wiki/Streetwear) brand (/wiki/Brand) founded by Andrew Buenaflor, who goes by the pseudonym Neek Lurk. [1] (#cite_note-1) [2] (#cite_note-2) [3] (#cite_note-3) [4] (#cite_note-4) As of May 2022, the brand is wholly owned by Marquee Brands (/wiki/Marquee_Brands) . [5] (#cite_note-5) Anti Social has collaborated with A Bathing Ape (/wiki/A_Bathing_Ape) , [6] (#cite_note-6) Rimowa (/wiki/Rimowa) , Dover Street Market (/wiki/Dover_Street_Market) , [7] (#cite_note-7) Playboy (/wiki/Playboy_Enterprises) , [8] (#cite_note-8) [9] (#cite_note-9) Hello Kitty (/wiki/Hello_Kitty) , [10] (#cite_note-10) Hot Wheels (/wiki/Hot_Wheels) , [11] (#cite_note-11) DHL (/wiki/DHL) , [12] (#cite_note-12) Formula 1 (/wiki/Formula_1) , FaZe Clan (/wiki/FaZe_Clan) , Goodsmile Racing (/wiki/Goodsmile_Racing) and Gran Turismo (/wiki/Gran_Turismo_(series)) . [13] (#cite_note-13) History [ edit ] Anti Social Social Club was founded in 2015 through Twitter (/wiki/Twitter) . [ citation needed ] The founder, Neek Lurk, had previously worked as a social marketing manager for Stüssy (/wiki/St%C3%BCssy) . [14] (#cite_note-:1-14) It releases limited collections each year. The inspiration for creating this brand came from the founder's mental health (/wiki/Mental_health) struggle at age 27. [15] (#cite_note-:0-15) Lurk used his brand as an emotional outlet for his depression (/wiki/Depression_(mood)) . The first product was a basic hat with the logo on the side. [15] (#cite_note-:0-15) Shortly after its founding, ASSC became a popular trend. Some notable celebrities have worn this brand such as Kanye West (/wiki/Kanye_West) , BTS (/wiki/BTS) , and Kim Kardashian (/wiki/Kim_Kardashian) . [16] (#cite_note-16) The brand released exclusively at ComplexCon (/wiki/ComplexCon) Sk8-Hi Vans (/wiki/Vans) and Nike Air (/wiki/Nike_Air) Force 1 Low (24 pairs were sold). A Toyota Prius (/wiki/Toyota_Prius) decorated with ASSC graphics sold for $20,000. [14] (#cite_note-:1-14) ASSC had also announced the release of a branded riot shield (/wiki/Riot_shield) . [17] (#cite_note-17) In 2018, after reports of numerous failed deliveries of ASSC products purchased online, [18] (#cite_note-18) the brand launched a collection (SS18) that echoed its customers' disgruntlement regarding shipping issues. [19] (#cite_note-19) See also [ edit ] Billionaire Boys Club (clothing retailer) (/wiki/Billionaire_Boys_Club_(clothing_retailer)) Virgil Abloh (/wiki/Virgil_Abloh) OVO (/wiki/OVO_Sound#OVO_Clothing) The Hundreds (/wiki/The_Hundreds) Freshjive (/wiki/Freshjive) Stüssy (/wiki/St%C3%BCssy) Highsnobiety (/wiki/Highsnobiety) References [ edit ] ^ (#cite_ref-1) Neek Lurk: Manic Depressive, Sadistic, Masochist: A one-on-one exclusive interview with the eccentric founder of Anti Social Social Club (https://hypebeast.com/2015/12/neek-lurk-anti-social-social-club-interview) Hypebeast , Madrell Stinney, December 7, 2015 ^ (#cite_ref-2) How Neek Lurk Made Money from Melancholia: The Anti Social Social Club founder on building fortmite hype through negativity (https://amuse-i-d.vice.com/how-neek-lurk-made-money-from-melancholia/) TIERNEY FINSTER, Vice Media (/wiki/Vice_Media) , March 30, 2016 ^ (#cite_ref-3) Neek Lurk Talks Founding Anti Social Social Club in New Interview (https://www.highsnobiety.com/p/neek-lurk-interview/) Jake Boyer, Highsnobiety (/wiki/Highsnobiety) , August 9, 2016 ^ (#cite_ref-4) "Neek Lurk: Manic Depressive, Sadistic, Masochist" (https://hypebeast.com/2015/12/neek-lurk-anti-social-social-club-interview) . HYPEBEAST . 7 December 2015 . Retrieved 2019-10-05 . ^ (#cite_ref-5) Anti Social Social Club Acquired by Marquee Brands (https://www.businessoffashion.com/articles/luxury/anti-social-social-club-acquired-by-marquee-brands/) LAUREN SHERMAN, Business of Fashion , 26 May 2022 ^ (#cite_ref-6) A BATHING APE® X ANTI SOCIAL SOCIAL CLUB (https://us.bape.com/blogs/news/a-bathing-ape-x-anti-social-social-club) Archived (https://web.archive.org/web/20201107165424/https://us.bape.com/blogs/news/a-bathing-ape-x-anti-social-social-club) 2020-11-07 at the Wayback Machine (/wiki/Wayback_Machine) bape.com ^ (#cite_ref-7) A New Anti Social Social Club x Dover Street Market Capsule Is Dropping This Friday (https://www.highsnobiety.com/2017/10/04/new-anti-social-social-club-x-dover-street-market-capsule-dropping-friday/) Graeme Campbell, Highsnobiety (/wiki/Highsnobiety) , October 4, 2017 ^ (#cite_ref-8) Anti Social Social Club Taps ‘Playboy’ for Exclusive Capsule (https://www.highsnobiety.com/2017/09/18/playboy-anti-social-social-club-capsule/) Renz Ofiaza, Highsnobiety (/wiki/Highsnobiety) , September 18, 2017 ^ (#cite_ref-9) ANTI SOCIAL SOCIAL CLUB & PLAYBOY ARE RELEASING A CAPSULE (http://www.flaunt.com/content/fashion/anti-social-social-club-playboy-capsule) Corey Fuller, Flaunt September 19, 2017 ^ (#cite_ref-10) Anti Social Social Club's FW18 Drop Includes a Hello Kitty Collab (https://www.highsnobiety.com/p/anti-social-social-club-fw18/) Highsnobiety (/wiki/Highsnobiety) , August 18, 2018 ^ (#cite_ref-11) ASSC x HOTWHEELS collaboration (https://hypebeast.com/2019/11/anti-social-social-club-hot-wheels-collaboration-teaser/) Hypebeast , November 23, 2019 ^ (#cite_ref-12) "DHL and Anti Social Social Club Launch Exclusive Collaboration" (https://www.prnewswire.com/news-releases/dhl-and-anti-social-social-club-launch-exclusive-collaboration-300923381.html) . www.prnewswire.com (Press release) . Retrieved 2020-03-12 . ^ (#cite_ref-13) Anti Social Social Club Celebrates 'Gran Turismo 7' With a Capsule Collection (https://hypebeast.com/2022/3/gran-turismo-7-anti-social-social-club-collection-release-info/) Hypebeast , August 12, 2022 ^ Jump up to: a b "Anti Social Social Club Not in Style - The Stute" (https://thestute.com/2018/09/21/anti-social-social-club-not-in-style/) . 2018-09-21 . Retrieved 2024-02-08 . ^ Jump up to: a b Finster, Tierney (2016-03-30). "Anti Social Social Club | How Neek Lurk Made Money from Melancholia" (https://amuse.vice.com/en_us/article/438x7n/neek-lurk-money) . Amuse . Retrieved 2020-03-31 . ^ (#cite_ref-16) Team, Amuse (2020-01-13). "Anti Social Social Club | Kanye West, BTS, Kim Kardashian, and Other Famous Fans" (https://amuse.vice.com/en_us/article/qvyje5/anti-social-social-club-famous-fans) . Amuse . Retrieved 2020-03-27 . ^ (#cite_ref-17) Spellings, Sarah (2018-07-19). "The Latest Streetwear Accessory Is … a Riot Shield?" (https://www.thecut.com/2018/07/anti-social-social-club-riot-shield.html) . The Cut . Retrieved 2024-02-08 . ^ (#cite_ref-18) "Anti Social Social Club Reportedly Owes Over 1,000 Customers Their Merchandise" (https://hypebeast.com/2017/9/anti-social-social-cub-failed-shipping-orders) . Hypebeast . 2017-09-22 . Retrieved 2024-02-08 . ^ (#cite_ref-19) "Neek Lurk Knows People Are Upset With ASSC & He's Cool With That" (https://www.highsnobiety.com/p/anti-social-social-club-ss18-reactions/) . Highsnobiety . 2018-03-09 . Retrieved 2024-02-08 . External links [ edit ] Official website (https://www.antisocialsocialclub.com/) This fashion (/wiki/Fashion) -related article is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=Anti_Social_Social_Club&action=edit) . v t e This Los Angeles (/wiki/Los_Angeles) –related article is a stub (/wiki/Wikipedia:Stub) . 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15th 16th (/wiki/Category:16th-century_tailors) 17th 18th 19th 20th 21st 22nd 23rd 24th 25th NewPP limit report Parsed by mw‐web.eqiad.main‐5fdc497c9b‐dh46q Cached time: 20240718072025 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.091 seconds Real time usage: 0.125 seconds Preprocessor visited node count: 109/1000000 Post‐expand include size: 2599/2097152 bytes Template argument size: 93/2097152 bytes Highest expansion depth: 11/100 Expensive parser function count: 11/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 3073/5000000 bytes Lua time usage: 0.062/10.000 seconds Lua memory usage: 934582/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 118.238 1 -total 86.72% 102.531 1 Template:Navseasoncats 13.20% 15.609 1 Template:CatAutoTOC 8.82% 10.423 1 Template:Category_other 7.24% 8.556 1 Template:Automatic_category_TOC/core 2.03% 2.395 1 Template:Clear 1.31% 1.544 1 Template:Template_other Saved in parser cache with key enwiki:pcache:idhash:76256197-0!canonical and timestamp 20240718072025 and revision id 1211743421. Rendering was triggered because: page-view Pages in category "20th-century tailors" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . A Iona Allen (/wiki/Iona_Allen) Loreta Asanavičiūtė (/wiki/Loreta_Asanavi%C4%8Di%C5%ABt%C4%97) B Berta Berkovich Kohút (/wiki/Berta_Berkovich_Koh%C3%BAt) Lyudmila Byakova (/wiki/Lyudmila_Byakova) G Cor Geelhuijzen (/wiki/Cor_Geelhuijzen) Bill Grant (Gaelic footballer) (/wiki/Bill_Grant_(Gaelic_footballer)) M Master Afzal Hussain (/wiki/Master_Afzal_Hussain) W Jeanne Wilson (seamstress) (/wiki/Jeanne_Wilson_(seamstress)) Y Efim Yarchuk (/wiki/Efim_Yarchuk) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:20th-century_tailors&oldid=1211743421 (https://en.wikipedia.org/w/index.php?title=Category:20th-century_tailors&oldid=1211743421) " Categories (/wiki/Help:Category) : Tailors (/wiki/Category:Tailors) 20th-century people by occupation (/wiki/Category:20th-century_people_by_occupation) 20th-century artisans (/wiki/Category:20th-century_artisans) Hidden category: Automatic category TOC generates no TOC (/wiki/Category:Automatic_category_TOC_generates_no_TOC) |
Men's fragrance introduced in 1995 Jean Paul Gaultier Le Male Fragrance (/wiki/Perfume) by Jean Paul Gaultier (/wiki/Jean_Paul_Gaultier) Top notes (/wiki/Note_(perfumery)) Artemisia (/wiki/Artemisia_(genus)) mint (/wiki/Mentha) cardamom (/wiki/Cardamom) bergamot (/wiki/Bergamot_orange) Heart notes (/wiki/Note_(perfumery)) Lavender (/wiki/Lavandula) orange blossom (/wiki/Orange_blossom) cinnamon (/wiki/Cinnamon) cumin (/wiki/Cumin) Base notes (/wiki/Note_(perfumery)) Sandalwood (/wiki/Sandalwood) vanilla (/wiki/Vanilla) cedar (/wiki/Cedrus) tonka bean (/wiki/Dipteryx_odorata) amber (/wiki/Amber) Released 1995 ( 1995 ) Label Beauté Prestige International (/wiki/Shiseido) (1994–2015) Puig (/wiki/Puig_(company)) (2016–present) Flanker(s) (/wiki/Flanker_(perfume)) List of flanker fragrances (#Flanker_fragrances) Website Le Male (http://www.jeanpaulgaultier.com/en-us/le-male/) Le Male is a men's fragrance created by Francis Kurkdjian (/wiki/Francis_Kurkdjian) for Jean Paul Gaultier (/wiki/Jean_Paul_Gaultier) in 1995. "Le Male" is very close in scent profile (Some would say it's a clone/homage) to Cuba Gold (Paris) which was introduced in 1979, It has been manufactured by Puig (/wiki/Puig_(company)) since 2016, and was previously manufactured by Shiseido (/wiki/Shiseido) subsidiary Beauté Prestige International from 1995 until 2015. The fragrance was developed as a counterpart to the women's fragrance Classique (/wiki/Classique_(fragrance)) , which was introduced in 1993. A number of flanker fragrances (/wiki/Fighter_brand) have since been released on the strength of the Le Male name. The most recent fragrance, Le Male Elixir, was launched in 2023. Conception and scent [ edit ] "The idea for Le Male was based on a men's hairdresser in the '50s – these were full of the smell of lavender, which is where the perfume's main lavender accord comes from. It's reminiscent of a very good-looking man taking care of himself; kind of preppy, but in a Fifties and Sixties kind of way." — Kurkdjian discussing the inspiration behind the fragrance, 2004 [1] (#cite_note-LookBack-1) Le Male is described as an oriental fougere men's fragrance, a classification which is identified by the combination of "warm, woody, and spicy notes" and aromatic notes. [2] (#cite_note-2) The fragrance contains top notes of artemisia (/wiki/Artemisia_(genus)) , mint (/wiki/Mentha) , cardamom (/wiki/Cardamom) , and bergamot (/wiki/Bergamot_orange) ; middle notes of lavender (/wiki/Lavandula) , orange blossom (/wiki/Orange_blossom) , cinnamon (/wiki/Cinnamon) , and cumin (/wiki/Cumin) ; and base notes of sandalwood (/wiki/Sandalwood) , vanilla (/wiki/Vanilla) , cedar (/wiki/Cedrus) , tonka bean (/wiki/Dipteryx_odorata) , and amber (/wiki/Amber) . [3] (#cite_note-3) Kurkdjian stated that the fragrance was simple to develop because it is a very close interpretation (Some would say clone/homage) of Cuba Gold which was released in 1979. [1] (#cite_note-LookBack-1) Kurkdjian described the Le Male bottle, a male torso wearing a marinière (/wiki/Marini%C3%A8re) , as "a motif to put it in the 'Gaultier universe'" that represents "[Gaultier's] idea of what men are about – being seductive, being sexual, [and] being adventurous." [1] (#cite_note-LookBack-1) The fragrance is packaged in an aluminum can (/wiki/Steel_and_tin_cans) , a motif Gaultier has used in his collections since 1980. [4] (#cite_note-4) Kurkdjian recalled believing that the fragrance "[was] not going to work at all" upon seeing the overall packaging because "the bottle not looking like a bottle" was "very unconventional" in the 1990s. [1] (#cite_note-LookBack-1) Release and impact [ edit ] Shiseido (/wiki/Shiseido) subsidiary Beauté Prestige International distributed Jean Paul Gaultier fragrances, including Le Male from launch in 1995, through a license agreement (/wiki/Brand_licensing) that was to extend from 1991 through June 30, 2016. [5] (#cite_note-5) On January 1, 2016, Puig (/wiki/Puig_(company)) acquired the fragrance license from Shiseido for $79.2 million and compensated the early termination of the license for $22.6 million. [6] (#cite_note-6) With this purchase, Puig now holds control of both the fashion and fragrance divisions of the Jean Paul Gaultier brand. [7] (#cite_note-7) A new advertising campaign was premiered in Paris during a relaunch party held by Puig on January 28, 2016, in which a joint commercial for Le Male and Classique retains the " Casta diva (/wiki/Norma_(opera)) " aria from the original commercial and American model Chris Bunn portrays the male sailor. [8] (#cite_note-8) Le Male has since been regarded as a classic men's fragrance by a number of publications, including Forbes (/wiki/Forbes) , [9] (#cite_note-9) GQ (/wiki/GQ) , [10] (#cite_note-10) and Men's Health (/wiki/Men%27s_Health) . [11] (#cite_note-11) Graeme Campbell from Highsnobiety (/wiki/Highsnobiety) wrote that "like Polo Sport, Diesel Plus Plus, and Versace Blue Jeans, [Le Male] was one of those scents that was simply everywhere at the time [for] anyone who grew up in the '90s or early '00s"; he added that "along with unisex newcomers such as CK One (/wiki/CK_One) , it blindsided a market dominated by beefier, more masculine fragrances [and] was sexy and fell right in line with the '90s ' metrosexual (/wiki/Metrosexual) ,' so much that it wasn’t uncommon for women to wear it". [12] (#cite_note-12) The brand's fragrance general manager Thomas James acknowledged Le Male and Classique as "the flagship of the brand [that] represent all the Jean Paul Gaultier values [and will] continue to be an emblematic and historical pillar" at the launch of the women's fragrance Scandal in 2017. [13] (#cite_note-13) Products [ edit ] Eau de toilette (/wiki/Eau_de_toilette) spray – 2.5 fl oz (75 ml) [14] (#cite_note-Nordstrom-14) Eau de toilette spray – 4.2 fl oz (125 ml) [14] (#cite_note-Nordstrom-14) Eau de toilette spray – 6.7 fl oz (200 ml) [14] (#cite_note-Nordstrom-14) Aftershave (/wiki/Aftershave) balm – 3.4 fl oz (100 ml) [15] (#cite_note-15) Aftershave lotion – 4.2 fl oz (125 ml) [16] (#cite_note-16) Deodorant (/wiki/Deodorant) – 2.5 oz (75 ml) [17] (#cite_note-17) Flanker fragrances [ edit ] A bottle of Ultra Male, a flanker fragrance of Le Male introduced in 2015 Indicates repackaging of the original fragrance List of Le Male flanker fragrances Year Name Concentration Perfumer Ref. 2003 Le Male Jean Paul Cool Eau de toilette 2004 Le Male Eau d'Ete 2004 2005 Le Male Les d'Ete 2005 Francis Kurkdjian 2006 Le Male Kilt Le Male Stimulating Body Spray Francis Kurkdjian 2007 Fleur du Male Francis Kurkdjian Le Male Scuba Diver Le Male Tonique Cologne 2008 Cologne Tonique Le Male Summer 2008 La Cologne Fleur du Male Francis Kurkdjian 2009 Le Male Limited Edition 2009 Le Male Summer 2009 2010 Le Male Prestige Edition Le Male Summer 2010 Eau de toilette Le Male Terrible Aurelien Guichard Super Le Male Collector 2011 Le Male Love Actually Le Male Shaker Le Male Silver My Skin Le Male Summer 2011 Eau de toilette Le Male Terrible Shaker Eau de toilette Aurelien Guichard 2012 Le Male Gladiator Le Male Summer 2012 Eau de toilette 2013 Le Beau Male Eau de toilette Francis Kurkdjian Le Male Couple Le Male Summer 2013 Eau de toilette 2014 Le Beau Male Capitaine Collector Eau de toilette Francis Kurkdjian Le Beau Male Edition Collector Eau de toilette Francis Kurkdjian Le Beau Male Summer 2014 Eau de toilette Le Male Capitaine Collector Le Male Edition Collector Le Male Pin-Up Collectors Edition Le Male Summer 2014 Eau de toilette 2015 Le Male Pirate Edition Le Male Summer 2015 Eau de toilette Ultra Male Eau de toilette intense Francis Kurkdjian 2016 Le Male Essence de Parfum Eau de Parfum Quentin Bisch Le Male Popeye Eau Fraiche Eau de toilette Nathalie Gracia-Cetto 2017 Le Male Collector Edition 2017 Le Male Superman Eau Fraiche Eau de toilette Nathalie Gracia-Cetto 2018 Le Male Collector Edition 2018 Le Male Eau Fraiche André Edition Eau de toilette Nathalie Gracia-Cetto Le Male Eau Fraiche Gaultier Airlines Eau de toilette Nathalie Gracia-Cetto [18] (#cite_note-18) Le Male In the Navy Eau de toilette Quentin Bisch [19] (#cite_note-19) Nathalie Gracia-Cetto 2019 [20] (#cite_note-20) Le Male Collector's Snow Globe Le Male Supreme Edition Eau de toilette Francis Kurkdjian 2020 Le Male Aviator Eau de toilette Christophe Raynaud Le Male Airlines Le Male Pride Collector Le Male Le Parfum Eau de Parfum Quentin Bisch [21] (#cite_note-21) Nathalie Gracia-Cetto Le Male X-Mas Edition 2020 2021 Le Male On Board Eau de toilette Christophe Raynaud 2023 Le Male Elixir Parfum 2024 Le Male Lover Eau de Parfum Bisch, Quentin|Quentin Bisch} Nathalie Gracia-Cetto Le Beau Paradise Garden Eau De Parfum References [ edit ] ^ Jump up to: a b c d Levy, Viola (April 9, 2014). "A look back on Le Male – an exclusive interview with perfumer Francis Kurkdjian" (https://www.theglassmagazine.com/a-look-back-on-le-male-an-exclusive-interview-with-perfumer-francis-kurkdjian/) . Glass . Retrieved March 16, 2020 . ^ (#cite_ref-2) "Oriental Fougere – Perfume Group" (https://www.fragrantica.com/groups/oriental+fougere.html) . Fragrantica . Retrieved March 24, 2020 . ^ (#cite_ref-3) "Le Male Jean Paul Gaultier cologne – a fragrance for men 1995" (https://www.fragrantica.com/perfume/Jean-Paul-Gaultier/Le-Male-430.html) . Fragrantica . Retrieved March 24, 2020 . ^ (#cite_ref-4) Birrell, Alice (March 9, 2016). "10 things to know about Jean Paul Gaultier" (https://www.vogue.com.au/fashion/news/10-things-to-know-about-jean-paul-gaultier/news-story/900c2850ec61203c4f6501d9690c5fa5) . Vogue Australia . Retrieved March 19, 2020 . ^ (#cite_ref-5) "The Shiseido group started negotiation with Puig to sell IP rights of Jean Paul Gaultier regarding fragrance products" (https://corp.shiseido.com/en/newsimg/archive/00000000001773/1773_b3y79_en.pdf) (PDF) . Shiseido . Retrieved March 17, 2020 . ^ (#cite_ref-6) Noor, Hibah (February 9, 2015). "Puig and Shiseido to terminate Jean Paul Gaultier fragrance license" (https://www.dutyfreemag.com/gulf-africa/business-news/industry-news/puig-and-shiseido-to-terminate-jean-paul-gaultier-fragrance-license.html#.XnFney3Myt8) . DutyFree Magazine . Retrieved March 17, 2020 . ^ (#cite_ref-7) Rozario, Kevin (January 5, 2016). "Puig takes on JPG scents and targets €2bn" (https://www.trbusiness.com/regional-news/international/puig-takes-on-jpg-scents-targets-e2bn-by-2017/99797) . TRBusiness . Retrieved March 17, 2020 . ^ (#cite_ref-8) Pawson, Helen (February 1, 2016). "Puig and Jean Paul Gaultier turn on the glamour in Paris" (https://www.moodiedavittreport.com/puig-and-jean-paul-gaultier-turn-on-the-glamour-in-paris/) . The Moodie Davitt Report . Retrieved March 24, 2020 . ^ (#cite_ref-9) Dao, Dan (September 9, 2019). "The Best Classic Fragrances For Men" (https://www.forbes.com/sites/dandao/2019/09/09/the-best-classic-fragrances-for-men/#2b9fae0f5a14) . Forbes . Retrieved March 17, 2020 . ^ (#cite_ref-10) Hurly, Adam (December 3, 2018). "10 Classic Colognes That Will Never Let You Down" (https://www.gq.com/gallery/ten-classic-colognes) . GQ . Retrieved March 17, 2020 . ^ (#cite_ref-11) Chiudioni, Riccardo (September 26, 2019). "Best Men's Fragrances and Colognes (Plus, How to Choose the Right Scent for You)" (https://www.menshealth.com/uk/style/g29189433/best-mens-fragrances-colognes/) . Men's Health . Retrieved March 17, 2020 . ^ (#cite_ref-12) Campbell, Graeme (April 9, 2019). "Gaultier;s Le Male Scent Is a Supreme Collectible for the Ages" (https://www.highsnobiety.com/p/jean-paul-gaultier-le-male-fragrance/) . Highsnobiety . Retrieved March 19, 2020 . ^ (#cite_ref-13) Pawson, Helen (June 26, 2017). "Notes on a Scandal: Puig unveils new Jean Paul Gaultier feminine fragrance" (https://www.moodiedavittreport.com/notes-on-a-scandal-puig-unveils-new-jean-paul-gaultier-feminine-fragrance/) . The Moodie Davitt Report . Retrieved March 19, 2020 . ^ Jump up to: a b c "Jean Paul Gaultier Le Male Eau de Toilette Natural Spray" (https://shop.nordstrom.com/s/jean-paul-gaultier-le-male-eau-de-toilette-natural-spray/2815207/lite) . Nordstrom . Retrieved March 17, 2020 . ^ (#cite_ref-15) "Jean Paul Gaultier Men's "Le Male" Soothing Alcohol-Free After Shave Balm, 3.4 fl. oz. & Reviews" (https://www.macys.com/shop/product/jean-paul-gaultier-mens-le-male-soothing-alcohol-free-after-shave-balm-3.4-fl.-oz.?ID=102197&CategoryID=30088) . Macy's . Retrieved March 19, 2020 . ^ (#cite_ref-16) "Jean Paul Gaultier Men's "Le Male" After Shave Lotion, 4.2 oz & Reviews" (https://www.macys.com/shop/product/jean-paul-gaultier-mens-le-male-after-shave-lotion-4.2-oz?ID=986&CategoryID=30088) . Macy's . Retrieved March 19, 2020 . ^ (#cite_ref-17) "Jean Paul Gaultier Le Male Deodorant" (https://shop.nordstrom.com/s/jean-paul-gaultier-le-male-deodorant/3233275/lite) . Nordstrom . Retrieved March 17, 2020 . ^ (#cite_ref-18) Pentol, Andrew (June 18, 2018). "Puig launches Jean-Paul Gaultier travel exclusives" (https://www.trbusiness.com/regional-news/international/puig-launches-jean-paul-gaultier-travel-exclusives/144160) . TRBusiness . Retrieved March 16, 2020 . ^ (#cite_ref-19) Turner, Charlotte (February 8, 2018). "Jean Paul Gaultier's iconic Le Mâle scent joins the Navy" (https://www.trbusiness.com/regional-news/international/jean-paul-gaultier-le-male-joins-the-navy/158791) . TRBusiness . Retrieved March 16, 2020 . ^ (#cite_ref-20) Turner, Charlotte (September 25, 2019). "Jean Paul Gaultier's Classic and Le Mâle reborn for Belle & Beau scents" (https://www.trbusiness.com/regional-news/international/jean-paul-gaultiers-classic-and-le-male-reborn-for-belle-beau-scents/173366) . TRBusiness . Retrieved March 16, 2020 . ^ (#cite_ref-21) "Jean Paul Gaultier – Le Male Le Parfum" (https://www.parfumo.net/Perfumes/Jean_Paul_Gaultier/le-male-le-parfum) . Parfumo . Retrieved June 21, 2020 . 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American milliner Leigh Magar is a milliner (/wiki/Milliner) in Charleston, South Carolina (/wiki/Charleston,_South_Carolina) and the owner of Magar Hatworks. She makes a range of custom hats from simple fedoras (/wiki/Fedora) to more elaborate and theatrical ones, such as those worn at the Kentucky Derby (/wiki/Kentucky_Derby) . [1] (#cite_note-1) Her work is sold at Barneys (/wiki/Barneys) [2] (#cite_note-2) and Tokyo (/wiki/Tokyo) retailer Isetan (/wiki/Isetan) . Her husband, Johnny Tucker, is an architect. [3] (#cite_note-food-3) [4] (#cite_note-4) Magar grew up in Spartanburg (/wiki/Spartanburg) and began sculpting in high school. She enrolled in the millinery program at the Fashion Institute of Technology (/wiki/Fashion_Institute_of_Technology) in Manhattan, New York City (/wiki/Manhattan,_New_York_City) , "where she financed her studies by working as a live-in housekeeper and assisting Harlem, New York (/wiki/Harlem,_New_York) hatmaker Rod Keenan (/wiki/Rod_Keenan) " and then moved back to Charleston in 1996. After a while she opened an atelier on upper King Street, producing work for high-end retailers and custom work for locals (and local celebrities like Christina Aguilera (/wiki/Christina_Aguilera) and Michael Stipe (/wiki/Michael_Stipe) . [3] (#cite_note-food-3) She was named women's entrepreneur of 2009 by Country Living (/wiki/Country_Living) . [5] (#cite_note-5) References [ edit ] ^ (#cite_ref-1) Kinsey Gidick Local milliner Leigh Magar goes Vogue; Top It Off (http://www.charlestoncitypaper.com/charleston/local-milliner-leigh-magar-goes-vogue/Content?oid=2505869) December 1, 2010 Charleston City Paper ^ (#cite_ref-2) Made in the South Award Winners (http://gardenandgun.com/galleries/photos/made-south-award-winners-2010) Dec. 2010 Garden & Gun Archived (https://web.archive.org/web/20111124191736/http://gardenandgun.com/galleries/photos/made-south-award-winners-2010) November 24, 2011, at the Wayback Machine (/wiki/Wayback_Machine) ^ Jump up to: a b Matt Lee, Ted Lee Party at the Drop of a Hat (http://www.foodandwine.com/articles/hat-party%20) Food and Wine ^ (#cite_ref-4) People (http://www.dwell.com/people/Johnny-Tucker.html) Dwell ^ (#cite_ref-5) Rains, Valerie. "Leigh Magar, Magar Hatworks" (http://www.countryliving.com/women/inspirational-women/magar-hatworks-0609) . Country Living (/wiki/Country_Living) . Retrieved 9 December 2011 . External links [ edit ] Magar Hat Works website (http://www.magarhatworks.com) "Hat fashion tops it all off for this designer" (https://news.google.com/newspapers?id=9KFbAAAAIBAJ&pg=6215,4883227) from The Post and Courier (/wiki/The_Post_and_Courier) NewPP limit report Parsed by mw‐api‐int.eqiad.main‐6f5ccb59c8‐mvrb8 Cached time: 20240623173615 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.147 seconds Real time usage: 0.208 seconds Preprocessor visited node count: 318/1000000 Post‐expand include size: 3066/2097152 bytes Template argument size: 344/2097152 bytes Highest expansion depth: 8/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 6498/5000000 bytes Lua time usage: 0.088/10.000 seconds Lua memory usage: 2866100/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 194.936 1 -total 57.45% 111.994 1 Template:Reflist 43.91% 85.592 1 Template:Cite_news 40.38% 78.713 1 Template:Short_description 21.93% 42.756 2 Template:Pagetype 10.67% 20.807 3 Template:Main_other 9.38% 18.278 1 Template:SDcat 5.50% 10.728 1 Template:Webarchive 1.39% 2.708 1 Template:Short_description/lowercasecheck Saved in parser cache with key enwiki:pcache:idhash:34006734-0!canonical and timestamp 20240623173615 and revision id 1215326056. Rendering was triggered because: api-parse esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Leigh_Magar&oldid=1215326056 (https://en.wikipedia.org/w/index.php?title=Leigh_Magar&oldid=1215326056) " Categories (/wiki/Help:Category) : Living people (/wiki/Category:Living_people) People from Spartanburg, South Carolina (/wiki/Category:People_from_Spartanburg,_South_Carolina) Businesspeople from Charleston, South Carolina (/wiki/Category:Businesspeople_from_Charleston,_South_Carolina) Fashion Institute of Technology alumni (/wiki/Category:Fashion_Institute_of_Technology_alumni) American milliners (/wiki/Category:American_milliners) Hidden categories: Webarchive template wayback links (/wiki/Category:Webarchive_template_wayback_links) Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Year of birth missing (living people) (/wiki/Category:Year_of_birth_missing_(living_people)) |
Biography portal (/wiki/Portal:Biography) Fashion portal (/wiki/Portal:Fashion) Asia portal (/wiki/Portal:Asia) This category (/wiki/Help:Categories) is for articles about fashion designers (/wiki/Fashion_designer) from the Arabic country of Syria (/wiki/Syria) . Classification (/wiki/Wikipedia:Classification) : People (/wiki/Category:People) : By occupation (/wiki/Category:People_by_occupation) : Designers (/wiki/Category:Designers) : Fashion designers (/wiki/Category:Fashion_designers) : By nationality (/wiki/Category:Fashion_designers_by_nationality) : Syrian Also: Syria (/wiki/Category:Syria) : People (/wiki/Category:Syrian_people) : By occupation (/wiki/Category:Syrian_people_by_occupation) : Designers (/wiki/Category:Syrian_designers) : Fashion designers NewPP limit report Parsed by mw‐web.codfw.main‐7974fdbb48‐s444s Cached time: 20240718091345 Cache expiry: 2592000 Reduced expiry: false Complications: [] CPU time usage: 0.053 seconds Real time usage: 0.092 seconds Preprocessor visited node count: 180/1000000 Post‐expand include size: 3893/2097152 bytes Template argument size: 423/2097152 bytes Highest expansion depth: 9/100 Expensive parser function count: 6/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 1367/5000000 bytes Lua time usage: 0.026/10.000 seconds Lua memory usage: 1001091/52428800 bytes Number of Wikibase entities loaded: 0/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 77.219 1 -total 49.00% 37.841 1 Template:Portal 34.79% 26.865 1 Template:Fooian_fooers 24.27% 18.743 4 Template:Resolve_category_redirect 15.97% 12.329 1 Template:Category_explanation 14.43% 11.142 1 Template:Hatnote 3.32% 2.563 3 Template:COLON Saved in parser cache with key enwiki:pcache:idhash:59778524-0!canonical and timestamp 20240718091345 and revision id 921936195. Rendering was triggered because: page-view Pages in category "Syrian fashion designers" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes (/wiki/Wikipedia:FAQ/Categorization#Why_might_a_category_list_not_be_up_to_date?) . A Rami Al Ali (/wiki/Rami_Al_Ali) N Nabil El-Nayal (/wiki/Nabil_El-Nayal) esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Category:Syrian_fashion_designers&oldid=921936195 (https://en.wikipedia.org/w/index.php?title=Category:Syrian_fashion_designers&oldid=921936195) " Categories (/wiki/Help:Category) : Syrian designers (/wiki/Category:Syrian_designers) Fashion designers by nationality (/wiki/Category:Fashion_designers_by_nationality) |
Swiss-born, Paris-based fashion designer (1898–1953) Robert Piguet Robert Piguet Born 1898 Yverdon-les-Bains (/wiki/Yverdon-les-Bains) , Switzerland Died 1953 (aged 54–55) Lausanne (/wiki/Lausanne) , Switzerland Nationality French Label Robert Piguet Robert Piguet (1898 – 1953) was a Swiss (/wiki/Switzerland) -born, Paris (/wiki/Paris) -based fashion designer (/wiki/Fashion_designer) who is mainly remembered for training Christian Dior (/wiki/Christian_Dior) and Hubert de Givenchy (/wiki/Hubert_de_Givenchy) . [1] (#cite_note-kyoto-1) The Piguet fashion house ran from 1933 to 1951; since then, the brand Robert Piguet has been associated exclusively with fragrances (/wiki/Fragrance) . [2] (#cite_note-perfume-2) Early life and education [ edit ] Piguet was born in Yverdon-les-Bains (/wiki/Yverdon-les-Bains) in Switzerland (/wiki/Switzerland) , [3] (#cite_note-brooklyn-3) in 1898, according to the Swiss Fashion Museum, the Musée suisse de la Mode, which holds his archives, [4] (#cite_note-musee-4) although many other sources give an alternative birth year of 1901. [3] (#cite_note-brooklyn-3) [5] (#cite_note-lambert-5) In Paris Couturiers and Milliners , published in 1949, Piguet is said to have been 17 in 1918. [6] (#cite_note-perkins-6) Death [ edit ] Piguet died at Lausanne (/wiki/Lausanne) , Switzerland, on 22 February 1953. [7] (#cite_note-7) Career [ edit ] The young Piguet originally trained to be a banker (/wiki/Banker) , like his father, but preferred fashion design (/wiki/Fashion_design) , much to his father's disapproval. [6] (#cite_note-perkins-6) In late 1918, just after the end of World War I (/wiki/World_War_I) , he decided to go to Paris (/wiki/Paris) to pursue his vocation. [6] (#cite_note-perkins-6) Initially, Piguet began working with Paul Poiret (/wiki/Paul_Poiret) , before being poached by the Paris branch of Redfern (/wiki/Redfern_(couture)) . [8] (#cite_note-parade-8) In 1932, an American author writing on Paris fashion commented that the American cartoonist 'would probably select Robert Piguet, the designer at Redfern's, as the ideal Parisian dressmaker.' [8] (#cite_note-parade-8) In 1933, Piguet launched his own fashion house. [4] (#cite_note-musee-4) Eleanor Lambert (/wiki/Eleanor_Lambert) described him as known for '"thin suits" and tasteful day dresses,' [5] (#cite_note-lambert-5) whilst Vogue declared him the 'master of the little wool dress'. [9] (#cite_note-watson-9) He is perhaps best known for giving Christian Dior (/wiki/Christian_Dior) his big break in 1937, allowing him to design for three collections. [10] (#cite_note-marly-10) [11] (#cite_note-pochna-11) Dior later said: 'Robert Piguet taught me the virtues of simplicity through which true elegance must come.' [12] (#cite_note-quin-12) [13] (#cite_note-13) One of Dior's designs for Piguet, a day dress called 'Cafe Anglais' with a short and full skirt was particularly well received. [10] (#cite_note-marly-10) [11] (#cite_note-pochna-11) While at Piguet, Dior worked alongside Pierre Balmain (/wiki/Pierre_Balmain) , and was succeeded by Marc Bohan (/wiki/Marc_Bohan) as house designer. [11] (#cite_note-pochna-11) In addition to Dior, Bohan and Balmain, other designers who had an early start with Piguet included James Galanos (/wiki/James_Galanos) and Hubert de Givenchy (/wiki/Hubert_de_Givenchy) . [14] (#cite_note-clade-14) [15] (#cite_note-sara-15) Piguet's archive, consisting of 3,000 original designs, photographs and documents, is held by the Musée suisse de la Mode, in his birthplace, Yverdon-les-Bains. [4] (#cite_note-musee-4) Perfumes [ edit ] In collaboration with Germaine Cellier (/wiki/Germaine_Cellier) , Robert Piguet launched his first perfume Bandit (created 1942) in the USA in 1944, [16] (#cite_note-bandit-16) with a dramatic presentation featuring models with guns and knives, one of whom is said to have smashed a bottle of the fragrance on the floor. [12] (#cite_note-quin-12) [17] (#cite_note-17) His most successful fragrance was Fracas (1948), also co-developed with Cellier - an updated version of which was inducted into the FiFi Awards (/wiki/FiFi_Awards) 's Hall of Fame in 2006. [12] (#cite_note-quin-12) Other fragrances developed under Piguet's supervision were Visa (1945) and Baghari (1950). [12] (#cite_note-quin-12) Following Piguet's death, fragrances such as Cravache (1963) and Futur (1960s) continued to be developed under his name, although 'Robert Piguet' gradually fell from public awareness until being bought by the American company Fashion Fragrances & Cosmetics Ltd in 1993. [12] (#cite_note-quin-12) [18] (#cite_note-18) References [ edit ] ^ (#cite_ref-kyoto_1-0) Fukai, Akiko (2002). Fashion : the collection of the Kyoto Costume Institute : a history from the 18th to the 20th century . Translated by Dominic Cheetham. Köln [etc.]: Taschen. p. 548. ISBN (/wiki/ISBN_(identifier)) 9783822812068 . ^ (#cite_ref-perfume_2-0) "The Encyclopaedia of Perfume: Volume B Chapter 1: B - Bean Blossom Page 4" (http://www.perfumeintelligence.co.uk/library/perfume/p/p7/p7p5.htm) . Perfume Intelligence . Retrieved 24 April 2014 . ^ Jump up to: a b Reeder, Jan Glier (2010). High style : masterworks from the Brooklyn Museum Costume Collection at the Metropolitan Museum of Art . New York: Metropolitan Museum of Art. p. 225. ISBN (/wiki/ISBN_(identifier)) 9781588393623 . ^ Jump up to: a b c "Collections: Musée suisse de la Mode" (http://www.museemode.ch/collections.html) (in French). Musée suisse de la Mode, Switzerland . Retrieved 24 April 2014 . ^ Jump up to: a b Lambert, Eleanor (1976). World of fashion : people, places, resources . New York: R.R. Bowker Co. p. 333. ISBN (/wiki/ISBN_(identifier)) 9780835206273 . ^ Jump up to: a b c Perkins, Alice K. (1949). Paris Couturiers and Milliners . Fairchild Publications. p. 35. ^ (#cite_ref-7) Taryn Benbow-Pfalzgraf, ed. (2002). Contemporary fashion (2. ed.). Detroit [u.a.]: St. James Press. p. 537. ISBN (/wiki/ISBN_(identifier)) 9781558623484 . ^ Jump up to: a b Wilson, Robert Forrest (1932). Paris on Parade . Paris: R. M. McBride & Company. pp. 69–71. When Redfern took young Robert Piguet away from Poiret, it was a great business stroke for the house, which had fallen into one of those aristocratic declines which sooner or later overtake all the older establishments when their designers grow conservative and come to regard the latest fancies as just a little bit mad if not actually out of taste. ^ (#cite_ref-watson_9-0) Watson, Linda (2001). Twentieth century fashion designers, N-Z . Philadelphia: Chelsea House Publishers. p. 11. ISBN (/wiki/ISBN_(identifier)) 9780791061961 . ^ Jump up to: a b Marly, Diana de (1990). Christian Dior . London: B.T. Batsford. p. 12. ISBN (/wiki/ISBN_(identifier)) 9780713464535 . Dior designed three collections while at Piguet's, and the most famous dress he created then was the Cafe Anglais... ^ Jump up to: a b c Pochna, Marie-France (1996). Christian Dior : the man who made the world look new . Translated by Joanna Savill (1st English language ed.). New York: Arcade Pub. pp. 62 (https://archive.org/details/christiandiorman00poch/page/62) , 72, 74, 80, 102. ISBN (/wiki/ISBN_(identifier)) 9781559703406 . ^ Jump up to: a b c d e Grainger, Nathalie (2010). Quintessentially perfume . London: Quintessentially Pub. Ltd. p. 125. ISBN (/wiki/ISBN_(identifier)) 9780955827068 . ^ (#cite_ref-13) Picken, Mary Brooks; Dora Loues Miller (1956). Dressmakers of France: The Who, How, and why of the French Couture . Harper. p. 105. ^ (#cite_ref-clade_14-0) Clade, Jean-Louis (2008). Se vêtir : Art et histoire de plaire . Yens-sur-Morges: Cabédita. p. 165. ISBN (/wiki/ISBN_(identifier)) 9782882955265 . ^ (#cite_ref-sara_15-0) Pendergast, Sara (1997). Contemporary designers (3rd ed.). Detroit: St. James Press. p. 48. ISBN (/wiki/ISBN_(identifier)) 9781558621848 . ^ (#cite_ref-bandit_16-0) "The Encyclopaedia of Perfume: Perfume Houses Volume P / Chapter 1 / Page 5" (http://www.perfumeintelligence.co.uk/library/perfume/b/b1/b1p4.htm) . Perfume Intelligence . Retrieved 24 April 2014 . ^ (#cite_ref-17) Herman, Barbara (2013). Scent and subversion decoding a century of provocative perfume . Globe Pequot. p. 101. ISBN (/wiki/ISBN_(identifier)) 9781493002016 . ^ (#cite_ref-18) Williams, Tessa (2013). Cult Perfumes, The World's Most Exclusive Perfumeries , p.151. Merrell, London. ISBN (/wiki/ISBN_(identifier)) 978-1-8589-4577-4 (/wiki/Special:BookSources/978-1-8589-4577-4) Online links [ edit ] "Robert Piguet Parfums" (http://www.robertpiguetparfums.com/) . - Official site for the current company "Robert Piguet at Fragrantica" (http://www.fragrantica.com/designers/Robert-Piguet.html) . "Interview with Joe Garces, creative director of Robert Piguet Parfums" (http://www.cafleurebon.com/cafleurebon-creative-directors-in-perfumery-joe-garces-of-robert-piguet-parfums-an-american-in-paris-draw/) . Authority control databases (/wiki/Help:Authority_control) International VIAF (https://viaf.org/viaf/47911196) National France (https://catalogue.bnf.fr/ark:/12148/cb149232379) BnF data (https://data.bnf.fr/ark:/12148/cb149232379) Germany (https://d-nb.info/gnd/132014548) Other Te Papa (New Zealand) (https://collections.tepapa.govt.nz/agent/24822) NewPP limit report Parsed by mw‐web.codfw.main‐5b8f7f4b65‐llh89 Cached time: 20240623140412 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.394 seconds Real time usage: 0.511 seconds Preprocessor visited node count: 2668/1000000 Post‐expand include size: 41628/2097152 bytes Template argument size: 1294/2097152 bytes Highest expansion depth: 16/100 Expensive parser function count: 6/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 82639/5000000 bytes Lua time usage: 0.257/10.000 seconds Lua memory usage: 6880812/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 481.032 1 -total 36.25% 174.389 1 Template:Reflist 29.52% 141.987 1 Template:Infobox_fashion_designer 25.78% 124.012 14 Template:Cite_book 18.12% 87.155 1 Template:Authority_control_(arts) 11.61% 55.853 1 Template:Short_description 7.13% 34.300 2 Template:Pagetype 6.52% 31.382 4 Template:Br_separated_entries 5.19% 24.943 17 Template:Main_other 5.11% 24.564 1 Template:Unbulleted_list Saved in parser cache with key enwiki:pcache:idhash:42536135-0!canonical and timestamp 20240623140412 and revision id 1114967637. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Robert_Piguet&oldid=1114967637 (https://en.wikipedia.org/w/index.php?title=Robert_Piguet&oldid=1114967637) " Categories (/wiki/Help:Category) : 1898 births (/wiki/Category:1898_births) 1953 deaths (/wiki/Category:1953_deaths) French fashion designers (/wiki/Category:French_fashion_designers) Swiss fashion designers (/wiki/Category:Swiss_fashion_designers) Perfume houses (/wiki/Category:Perfume_houses) Swiss emigrants to France (/wiki/Category:Swiss_emigrants_to_France) People from Yverdon-les-Bains (/wiki/Category:People_from_Yverdon-les-Bains) Hidden categories: CS1 French-language sources (fr) (/wiki/Category:CS1_French-language_sources_(fr)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) Articles with hCards (/wiki/Category:Articles_with_hCards) Articles with VIAF identifiers (/wiki/Category:Articles_with_VIAF_identifiers) Articles with BNF identifiers (/wiki/Category:Articles_with_BNF_identifiers) Articles with BNFdata identifiers (/wiki/Category:Articles_with_BNFdata_identifiers) Articles with GND identifiers (/wiki/Category:Articles_with_GND_identifiers) Articles with TePapa identifiers (/wiki/Category:Articles_with_TePapa_identifiers) |
Ukrainian fashion designer Sonya Monina Born Olha Heorhiieva ( 1988-12-29 ) December 29, 1988 (age 35) Nationality Ukrainian (/wiki/Ukraine) Education Kyiv National University of Technologies and Design (/wiki/Kyiv_National_University_of_Technologies_and_Design) Occupation Fashion designer (/wiki/Fashion_designer) Years active 2012–present Label SONYAMONINA Olha Heorhiieva , known professionally as Sonya Monina ( Ukrainian (/wiki/Ukrainian_language) : Соня Моніна ; born December 29, 1988, in Brest (/wiki/Brest,_Belarus) , Byelorussian SSR (/wiki/Byelorussian_SSR) ) is a Ukrainian (/wiki/Ukrainians) fashion (/wiki/Fashion) and custom designer (/wiki/Costume_design) . She is founder of SONYAMONINA , a menswear (/wiki/Menswear) brand based in Kyiv (/wiki/Kyiv) . [1] (#cite_note-auto-1) [2] (#cite_note-2) Her collections have been featured in Ukraine (/wiki/Ukraine) , Belarus (/wiki/Belarus) , Russia (/wiki/Russia) and Slovakia (/wiki/Slovakia) . [3] (#cite_note-3) [4] (#cite_note-4) [5] (#cite_note-5) Her designs are regularly featured during Ukrainian Fashion Week (/wiki/Ukrainian_Fashion_Week) . Background [ edit ] Olha Heorhiieva was born on December 29, 1988, in Brest (/wiki/Brest,_Belarus) . At the age of 5, she moved to Simferopol (/wiki/Simferopol) with her family. In 2006, she started studying "Design of leather goods" at Kyiv National University of Technologies and Design (/wiki/Kyiv_National_University_of_Technologies_and_Design) . In 2012, she created her own menswear clothing brand, SONYAMONINA. In 2013, Monina presented her debut collection within the Ukrainian Fashion Week (/wiki/Ukrainian_Fashion_Week) . [6] (#cite_note-6) [7] (#cite_note-7) [8] (#cite_note-8) In 2015, she presented her collection of the spring/summer 2016 within Belarus Fashion Week (/w/index.php?title=Belarus_Fashion_Week&action=edit&redlink=1) . [9] (#cite_note-9) In 2016, She presented her collections at the "Festival of Young Fashion Designers" in Moscow (/wiki/Moscow) . In 2018, she presented her collection of the summer 2019 at Mystetskyi Arsenal National Art and Culture Museum Complex (/wiki/Mystetskyi_Arsenal_National_Art_and_Culture_Museum_Complex) within Ukrainian Fashion Week (/wiki/Ukrainian_Fashion_Week) . [10] (#cite_note-10) [11] (#cite_note-11) She was nominated for "Best men’s clothing designer award" at the Best Fashion Awards 2019 (/w/index.php?title=Best_Fashion_Awards_2019&action=edit&redlink=1) in Ukraine. [12] (#cite_note-12) [13] (#cite_note-13) Monina is also a custom designer. Celebrity clients she has worked with have included Oskar Kuchera (/wiki/Oskar_Kuchera) , Vitalii Kozlovskyi (https://uk.wikipedia.org/wiki/%D0%9A%D0%BE%D0%B7%D0%BB%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%92%D0%B8%D1%82%D0%B0%D0%BB%D0%B8%D0%B9_%D0%92%D0%B8%D1%82%D0%B0%D0%BB%D1%8C%D0%B5%D0%B2%D0%B8%D1%87) , Kishe (https://uk.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D1%96%D0%B9_%D0%9A%D1%96%D1%88%D0%B5) , Pierre Narcisse (https://fr.wikipedia.org/wiki/Pierre_Narcisse) , Anton Zatsepin (https://ru.wikipedia.org/wiki/%D0%97%D0%B0%D1%86%D0%B5%D0%BF%D0%B8%D0%BD,_%D0%90%D0%BD%D1%82%D0%BE%D0%BD_%D0%92%D0%BB%D0%B0%D0%B4%D0%B8%D0%BC%D0%B8%D1%80%D0%BE%D0%B2%D0%B8%D1%87) and Oleksandr Motornyi (/w/index.php?title=Oleksandr_Motornyi&action=edit&redlink=1) , among others. [1] (#cite_note-auto-1) [14] (#cite_note-14) [15] (#cite_note-15) References [ edit ] ^ Jump up to: a b "Придумано в Крыму: одежда будущего от Сони Мониной" (https://crimea.mk.ru/culture/2018/07/05/pridumano-v-krymu-odezhda-budushhego-ot-soni-moninoy.html) . crimea.mk.ru . ^ (#cite_ref-2) "Sonya Monina – Coco Chanel нашего времени! - Starlife - Звёздная жизнь" (http://starlife.com.ua/posts/sonya-monina---coco-chanel-nas-12234.html) . starlife.com.ua . ^ (#cite_ref-3) "SONYA MONINA в рамках Ukrainian Fashion Week представит свою новую мужскую коллекцию сезона весна/лето 2014" (https://blogs.korrespondent.net/blog/users/3213269-SONYA-MONINA-v-ramkakh-Ukrainian-Fashion-Week-predstavyt-svoui-novuui-muzhskuui-kollektsyui-sezona-vesnaleto-2014) . blogs.korrespondent.net . ^ (#cite_ref-4) "Літо кличе: модний перформанс від SONYA MONINA – Lucky Ukraine" (https://www.luckyukraine.in.ua/?p=4088) . ^ (#cite_ref-5) "⛱ Summer vibes by Sonya Monina: modnyj performans" (https://nachasi.com/ul/city/2021/07/13/summer-vibes-by-sonya-monina-modnyj-performans/) . Na chasi . July 13, 2021. ^ (#cite_ref-6) "Сабрина отжигала на яхте за $ 3 млн. и в платье от Sonya Monina - Starlife - Звёздная жизнь" (http://starlife.com.ua/posts/sabrina-otzhigala-na-yahte-za--8887.html) . starlife.com.ua . ^ (#cite_ref-7) "Украинская Неделя Моды: где и когда будет проходить" (https://korrespondent.net/lifestyle/4006170-ukraynskaia-nedelia-mody-hde-y-kohda-budet-prokhodyt) . korrespondent.net . ^ (#cite_ref-8) "Sonya Monina (Соня Монина) — история украинского дизайнерского лейбла мужской одежды, аксессуаров с оригинальным кроем. Где купить, адреса магазинов в Украине | Ves4i.com.ua - официальный сайт в Украине" (https://ves4i.com.ua/Sonya-Monina) . ves4i.com.ua . ^ (#cite_ref-9) "SONYA MONINA | Участники | Off Schedule BFW | Неделя моды в Беларуси | Belarus Fashion Week" (http://www.bfw.by/ru/schedulebfw/participants/31210/) . www.bfw.by . ^ (#cite_ref-10) "Ukrainian Fashion Week: дизайнери показали, яким бачать українського модника (відео)" (https://www.unian.ua/society/10434468-ukrainian-fashion-week-dizayneri-pokazali-yakim-bachat-ukrajinskogo-modnika-video.html) . www.unian.ua . ^ (#cite_ref-11) "Третий день Ukrainian Fashion Week SS-2020: космические презентации и экологичный подход | HOCHU.UA" (https://hochu.ua/cat-fashion/news/article-96734-tretiy-den-ukrainian-fashion-week-ss-2020-kosmicheskie-prezentatsii-i-ekologichnyiy-podhod/) . hochu.ua . ^ (#cite_ref-12) Forrest, Steve (November 26, 2019). "The winners of the Best Fashion Awards 2019 | What's On" (https://whatson-kyiv.com/the-winners-of-the-best-fashion-awards-2019/) . whatson-kyiv.com . ^ (#cite_ref-13) "Назовут лучших дизайнеров. Стали известны номинанты украинской премии в сфере моды Best Fashion Awards 2019" (https://life.nv.ua/krasota-i-moda/otmetyat-uspehi-dizaynerov-stali-izvestny-nominanty-ukrainskoy-premii-v-sfere-mody-best-fashion-awards-2019-50051468.html) . life.nv.ua . ^ (#cite_ref-14) "Ведучий наймужнішого каналу України вийде на подіум UFW" (https://tsn.ua/glamur/veduchiy-naymuzhnishogo-kanalu-ukrayini-viyde-na-podium-ufw-315057.html) . ТСН.ua . ^ (#cite_ref-15) "Соломія Вітвіцька вперше показала ескізи своєї весільної сукні та костюму її нареченого" (https://tsn.ua/glamur/solomiya-vitvicka-vpershe-pokazala-eskizi-svoyeyi-vesilnoyi-sukni-ta-kostyumu-yiyi-narechenogo-319837.html) . ТСН.ua . This biographical article related to fashion is a stub (/wiki/Wikipedia:Stub) . You can help Wikipedia by expanding it (https://en.wikipedia.org/w/index.php?title=Sonya_Monina&action=edit) . v t e NewPP limit report Parsed by mw‐api‐ext.codfw.main‐557d6f8488‐wptv5 Cached time: 20240712234529 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1] CPU time usage: 0.460 seconds Real time usage: 0.850 seconds Preprocessor visited node count: 2069/1000000 Post‐expand include size: 38828/2097152 bytes Template argument size: 1593/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 63762/5000000 bytes Lua time usage: 0.327/10.000 seconds Lua memory usage: 22912724/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 528.561 1 -total 26.67% 140.942 1 Template:Reflist 26.59% 140.529 1 Template:Infobox_fashion_designer 23.04% 121.800 15 Template:Cite_web 19.45% 102.781 1 Template:Lang-uk 13.14% 69.442 1 Template:Short_description 12.66% 66.911 1 Template:Fashion-bio-stub 12.34% 65.245 1 Template:Asbox 7.80% 41.211 4 Template:Br_separated_entries 7.70% 40.673 2 Template:Pagetype Saved in parser cache with key enwiki:pcache:idhash:68595248-0!canonical and timestamp 20240712234529 and revision id 1165223485. Rendering was triggered because: unknown esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Sonya_Monina&oldid=1165223485 (https://en.wikipedia.org/w/index.php?title=Sonya_Monina&oldid=1165223485) " Categories (/wiki/Help:Category) : 1995 births (/wiki/Category:1995_births) Living people (/wiki/Category:Living_people) Ukrainian women fashion designers (/wiki/Category:Ukrainian_women_fashion_designers) Ukrainian fashion designers (/wiki/Category:Ukrainian_fashion_designers) 21st-century Ukrainian women artists (/wiki/Category:21st-century_Ukrainian_women_artists) Fashion biography stubs (/wiki/Category:Fashion_biography_stubs) Hidden categories: Articles with short description (/wiki/Category:Articles_with_short_description) Short description is different from Wikidata (/wiki/Category:Short_description_is_different_from_Wikidata) Articles with hCards (/wiki/Category:Articles_with_hCards) Articles containing Ukrainian-language text (/wiki/Category:Articles_containing_Ukrainian-language_text) All stub articles (/wiki/Category:All_stub_articles) |
Line of shoes by Asics Asics Gel-Lyte III Type Sneakers (/wiki/Sneakers) Inventor Asics (/wiki/Asics) Inception 1990 ; 34 years ago ( 1990 ) Manufacturer Asics Available Yes Website asics.com (https://www.asics.com/us/en-us/asics-history-page/) Asics Gel-Lyte III is a running shoe released by Asics (/wiki/Asics) as part of the Gel-Lyte series in 1990. The shoe is considered to be the company's most popular shoe seeing the most sales and collaborations out of all of its total products. The shoe has gone on to become an important part of sneakerhead (/wiki/Sneakerhead) culture and both modern and retro fashion. It is one of two important products for the company, alongside the Mexico 66 (/wiki/Mexico_66) . Overview [ edit ] The shoe was designed by Shigeyuki Mitsui who joined the company in 1984. Mitsui had worked on previous models before but the Gel-Lyte III was one of the shoes that he designed 100% by himself. He initially designed it as a light weight option for everyday use and training. [1] (#cite_note-1) What made the shoe unique for its time was the triple-density sole used for cushioning, the exposed gel packs that the company frequently used in its shoes, and the split tongue which allowed to more easily put on the shoe. [2] (#cite_note-2) The shoe only lasted in the market for 2 years before Asics replaced it with the Gel-Lyte Ultra in 1992. Despite its old age, the shoe quickly gained a following among many consumers who loved the shoe for its unique design and original silhouette. Asics decided to capitalize on this and reintroduced the shoe in 2006 as a lifestyle shoe. It wouldn't be until the summer of 2007 when the shoe would become more popular due to all of the collaborations that the company did. [3] (#cite_note-3) The shoe would see a second wave and boost in the mid 2010s which help solidify the shoe as a staple in sneaker culture and help elevate the company's image outside of the athletic market. [4] (#cite_note-4) References [ edit ] ^ (#cite_ref-1) "History Check - ASICS GEL-Lyte from 1987 to 2017" (https://grailify.com/en/history-check-asics-gel-lyte-from-1987-to-2017) . Grailify . 2017-07-07 . Retrieved 2023-10-24 . ^ (#cite_ref-2) "The ASICS Gel Lyte III Is 25 This Year, So We Sat Down With Its Designer to Talk History" (https://www.complex.com/sneakers/a/gary-warnett/asics-gel-lyte-iii-shigeyuki-mitsui) . Complex . 2015-02-09 . Retrieved 2023-10-24 . ^ (#cite_ref-3) "History of Asics Gel Lyte III Collabs" (https://www.nicekicks.com/history-of-asics-gel-lyte-iii-collabs/) . Nice Kicks . 2009-09-28 . Retrieved 2023-10-24 . ^ (#cite_ref-4) "THE ALL-TIME GREATEST ASICS GEL-LYTE IIIS: PART 1" (https://www.sneakerfreaker.com/features/all-time-greatest/the-all-time-greatest-asics-gel-lyte-iiis-part-1?page=0) . Sneaker Freaker . Retrieved 2023-10-24 . External links [ edit ] Official website (https://www.asics.com/us/en-us/asics-history-page/) v t e Asics Subsidiaries Current Runkeeper (/wiki/Runkeeper) Former Haglöfs (/wiki/Hagl%C3%B6fs) Brands Onitsuka Tiger (/wiki/Onitsuka_Tiger) Unoha Sneakers Gel-Lyte III Gel-Kayano 14 (/wiki/Asics_Gel-Kayano_14) Onitsuka Tiger Mexico 66 (/wiki/Onitsuka_Tiger_Mexico_66) Corsair (/wiki/Onitsuka_Tiger_Corsair) Key people Phil Knight (/wiki/Phil_Knight) (former partner) Category Commons NewPP limit report Parsed by mw‐web.codfw.main‐5c57c99494‐cqf7d Cached time: 20240716061851 Cache expiry: 1359670 Reduced expiry: true Complications: [vary‐revision‐sha1] CPU time usage: 0.295 seconds Real time usage: 0.394 seconds Preprocessor visited node count: 1165/1000000 Post‐expand include size: 29553/2097152 bytes Template argument size: 1221/2097152 bytes Highest expansion depth: 15/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 26724/5000000 bytes Lua time usage: 0.195/10.000 seconds Lua memory usage: 5117405/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 361.143 1 -total 29.27% 105.694 3 Template:Navbox 29.25% 105.617 1 Template:Asics 28.94% 104.509 1 Template:Reflist 24.74% 89.341 4 Template:Cite_web 20.89% 75.429 1 Template:Infobox_product 19.88% 71.782 1 Template:Infobox 18.16% 65.590 1 Template:Short_description 10.43% 37.675 2 Template:Pagetype 4.92% 17.762 6 Template:Main_other Saved in parser cache with key enwiki:pcache:idhash:75141238-0!canonical and timestamp 20240716061851 and revision id 1220661357. 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Swedish television presenter and fashion blogger Elsa Billgren Elsa Billgren (2013) Born ( 1986-02-01 ) 1 February 1986 (age 38) Gothenburg (/wiki/Gothenburg) , Sweden Occupation Television presenter (/wiki/Television_presenter) Known for Fashion blogger (/wiki/Fashion_blogger) Elsa Billgren (born 1 February 1986) is a Swedish (/wiki/Sweden) television presenter (/wiki/Television_presenter) and fashion blogger (/wiki/Fashion_blogger) . [1] (#cite_note-sverigesradio1-1) [2] (#cite_note-autogenerated1-2) She has presented many television shows on ZTV (/wiki/ZTV_(Sweden)) , SVT (/wiki/Sveriges_Television) and TV4 (/wiki/TV4_(Sweden)) , and has hosted radio shows for Sveriges Radio (/wiki/Sveriges_Radio) . [1] (#cite_note-sverigesradio1-1) Billgren has also written and published a non-fiction book and a novel. [3] (#cite_note-novellix1-3) Career [ edit ] Billgren began working for the television channel ZTV (/wiki/ZTV_(Sweden)) immediately after high school; she was a reporter and television presenter (/wiki/Television_presenter) . [4] (#cite_note-4) [5] (#cite_note-5) Between 2006 and 2009 she was a presenter there for the entertainment shows Uppladdat and Cocobäng . [1] (#cite_note-sverigesradio1-1) [6] (#cite_note-6) In 2009, she presented Mega at Barnkanalen (/wiki/Barnkanalen) and Rec on SVT1 (/wiki/SVT1) . [7] (#cite_note-7) In 2010, she presented Antikdeckarna at the now defunct channel TV4 Plus (/wiki/TV4_Plus) . [8] (#cite_note-8) Billgren was the presenter for the web broadcasts at SVT's website during Melodifestivalen 2011 (/wiki/Melodifestivalen_2011) , and the "After the show" programme Melodfestivalen 2011: Eftersnack on SVT (/wiki/Sveriges_Television) . Also in 2011, she presented the radio show Hallå i P3 at Sveriges Radio P3 (/wiki/Sveriges_Radio_P3) and the SVT comedy show Har du hört den förut? . [9] (#cite_note-9) On 20 July 2012, she was a celebrity guest on the Sommar i P1 (/wiki/Sommar_i_P1) and later the same year participated in Sommarpratarna at SVT. [2] (#cite_note-autogenerated1-2) Later in 2012, she became a decorator on the home improvement show Äntligen hemma (/wiki/%C3%84ntligen_hemma) at TV4 (/wiki/TV4_(Sweden)) . [10] (#cite_note-10) Billgren is a fashion and decoration blogger on the Elle (/wiki/Elle_(magazine)) website. [11] (#cite_note-11) She has published two books: Elsa Billgrens Vintage (2013) and in November 2013 her first novel, Man kan vinka till varandra från balkongerna . [3] (#cite_note-novellix1-3) Personal life [ edit ] Billgren is the daughter of artist and writer Ernst Billgren (/wiki/Ernst_Billgren) and artist Helene Billgren (/wiki/Helene_Billgren) . [12] (#cite_note-12) References [ edit ] ^ Jump up to: a b c "Elsa Billgren" (http://sverigesradio.se/sida/avsnitt/116691?programid=2071) . Sveriges Radio. 2012-07-20. Archived (https://web.archive.org/web/20140901065931/http://sverigesradio.se/sida/avsnitt/116691?programid=2071) from the original on 2014-09-01 . Retrieved 2014-07-26 . ^ Jump up to: a b "Elsa Billgren känner jag inte – men jag vet att hon bloggar" (http://www.svt.se/sommarpratarna/elsa-billgren-kanner-jag-inte-men-jag-vet-att-hon-bloggar) . SVT.se. Archived (https://web.archive.org/web/20140729074549/http://www.svt.se/sommarpratarna/elsa-billgren-kanner-jag-inte-men-jag-vet-att-hon-bloggar) from the original on 2014-07-29 . Retrieved 2014-07-26 . ^ Jump up to: a b "Elsa Billgren" (https://web.archive.org/web/20131203005023/http://novellix.se/forfattare/elsa-billgren/) . Novellix.se. 2013-10-29. Archived from the original (http://novellix.se/forfattare/elsa-billgren/) on December 3, 2013 . Retrieved 2014-07-26 . ^ (#cite_ref-4) Kommentar av Tobias Wetterskog. "Nyhet: Uppladdat i ZTV" (http://www.andersrydell.se/nyhet/96-uppladdat-i-ztv) . Andersrydell.se. Archived (https://web.archive.org/web/20140809100407/http://www.andersrydell.se/nyhet/96-uppladdat-i-ztv) from the original on 2014-08-09 . Retrieved 2014-07-26 . ^ (#cite_ref-5) "Resumé: Hon tar Youtube till ZTV" (https://web.archive.org/web/20140729231439/http://www.resume.se/nyheter/tv/2008/02/25/hon-tar-youtube-till-ztv/) . Resume.se. Archived from the original (http://www.resume.se/nyheter/tv/2008/02/25/hon-tar-youtube-till-ztv/) on 2014-07-29 . Retrieved 2014-07-26 . ^ (#cite_ref-6) "Erik Blomqvist försöker nu vinna en annan tävling istället – Cocobäng!" (http://www.webfinanser.com/nyheter/?id=146493) . Webfinanser. Archived (https://web.archive.org/web/20140728123729/http://www.webfinanser.com/nyheter/?id=146493) from the original on 2014-07-28 . Retrieved 2014-07-26 . ^ (#cite_ref-7) "Relaterade program - UR Play" (https://web.archive.org/web/20140408132615/http://urplay.se/Produkter?sab_subjects=Qcaa) (in Swedish). Urplay.se. Archived from the original (http://urplay.se/Produkter?sab_subjects=Qcaa) on April 8, 2014 . Retrieved 2014-07-26 . ^ (#cite_ref-8) "Elsa Billgren ny vintageexpert i "Antikdeckarna" (https://web.archive.org/web/20100325202414/http://www.expressen.se/noje/1.1914012/elsa-billgren-ny-vintageexpert-i-antikdeckarna) " (https://web.archive.org/web/20100325202414/http://www.expressen.se/noje/1.1914012/elsa-billgren-ny-vintageexpert-i-antikdeckarna) . Expressen . Archived from the original (http://www.expressen.se/noje/1.1914012/elsa-billgren-ny-vintageexpert-i-antikdeckarna) on 2010-03-25 . Retrieved 2014-07-26 . ^ (#cite_ref-9) "Har du hört den förut?" (http://www.svt.se/har-du-hort-den-forut/) . SVT.se. Archived (https://web.archive.org/web/20140818153803/http://www.svt.se/har-du-hort-den-forut/) from the original on 2014-08-18 . Retrieved 2014-07-26 . ^ (#cite_ref-10) "Inköpslista för Elsa Billgrens lilla etta i Äntligen hemma 25 november 2013" (https://web.archive.org/web/20160829130109/http://www.tv4.se/%C3%A4ntligen-hemma/artiklar/ink%C3%B6pslista-f%C3%B6r-elsa-billgrens-lilla-etta-i-%C3%A4ntligen-hemma-25-november-2013-52932721c4594861d000001a) . tv4.se. 2013-11-25. Archived from the original (http://www.tv4.se/%C3%A4ntligen-hemma/artiklar/ink%C3%B6pslista-f%C3%B6r-elsa-billgrens-lilla-etta-i-%C3%A4ntligen-hemma-25-november-2013-52932721c4594861d000001a) on 29 August 2016 . Retrieved 2014-07-26 . ^ (#cite_ref-11) "Elsa Billgren" (https://elsa.elle.se/) . Elle . Archived (https://web.archive.org/web/20140810004617/http://elsa.elle.se/) from the original on 2014-08-10 . Retrieved 2014-07-26 . ^ (#cite_ref-12) "Ernst Billgrens bröllopssnack" (http://www.expressen.se/noje/extra/ernst-billgrens-brollopssnack/) . Expressen . 2012-08-16. Archived (https://web.archive.org/web/20150924121611/http://www.expressen.se/noje/extra/ernst-billgrens-brollopssnack/) from the original on 2015-09-24 . Retrieved 2014-07-26 . External links [ edit ] Wikimedia Commons has media related to Elsa Billgren (https://commons.wikimedia.org/wiki/Category:Elsa_Billgren) . Official blog (https://elsa.elle.se/) Authority control databases (/wiki/Help:Authority_control) International ISNI (https://isni.org/isni/0000000402963054) VIAF (https://viaf.org/viaf/299324467) National Sweden (https://libris.kb.se/fcrv2bjz2gh7lgk) NewPP limit report Parsed by mw‐web.codfw.main‐6f54559974‐cdvv2 Cached time: 20240720173600 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.405 seconds Real time usage: 0.570 seconds Preprocessor visited node count: 2241/1000000 Post‐expand include size: 31062/2097152 bytes Template argument size: 1711/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 52962/5000000 bytes Lua time usage: 0.274/10.000 seconds Lua memory usage: 7027662/52428800 bytes Number of Wikibase entities loaded: 1/400 Transclusion expansion time report (%,ms,calls,template) 100.00% 526.973 1 -total 27.91% 147.076 1 Template:Reflist 26.59% 140.101 1 Template:Infobox_person 23.17% 122.103 11 Template:Cite_web 21.03% 110.797 1 Template:Short_description 16.80% 88.517 1 Template:Authority_control 12.96% 68.295 2 Template:Pagetype 8.91% 46.962 17 Template:Main_other 7.97% 41.982 4 Template:Br_separated_entries 6.26% 33.007 1 Template:Commons_category Saved in parser cache with key enwiki:pcache:idhash:43399778-0!canonical and timestamp 20240720173600 and revision id 1220893958. Rendering was triggered because: page-view esi <esi:include src="/esitest-fa8a495983347898/content" /> Retrieved from " https://en.wikipedia.org/w/index.php?title=Elsa_Billgren&oldid=1220893958 (https://en.wikipedia.org/w/index.php?title=Elsa_Billgren&oldid=1220893958) " Categories (/wiki/Help:Category) : 1986 births (/wiki/Category:1986_births) Living people (/wiki/Category:Living_people) Writers from Gothenburg (/wiki/Category:Writers_from_Gothenburg) 21st-century Swedish women writers (/wiki/Category:21st-century_Swedish_women_writers) Swedish women bloggers (/wiki/Category:Swedish_women_bloggers) Swedish television hosts (/wiki/Category:Swedish_television_hosts) Swedish women television presenters (/wiki/Category:Swedish_women_television_presenters) Swedish radio presenters (/wiki/Category:Swedish_radio_presenters) Swedish women radio presenters (/wiki/Category:Swedish_women_radio_presenters) Hidden categories: CS1 Swedish-language sources (sv) (/wiki/Category:CS1_Swedish-language_sources_(sv)) Articles with short description (/wiki/Category:Articles_with_short_description) Short description matches Wikidata (/wiki/Category:Short_description_matches_Wikidata) Articles with hCards (/wiki/Category:Articles_with_hCards) Commons category link is on Wikidata (/wiki/Category:Commons_category_link_is_on_Wikidata) Articles with ISNI identifiers (/wiki/Category:Articles_with_ISNI_identifiers) Articles with VIAF identifiers (/wiki/Category:Articles_with_VIAF_identifiers) Articles with Libris identifiers (/wiki/Category:Articles_with_Libris_identifiers) |
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