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Tenman-jinja Shrine (SUGAWARA no Michizane) | 倩æºç¥ç€ŸïŒè
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Festival | ç¥äº |
Autumn Festival (consisting of sasabayashi (a kind of dance to pray for a prosperous harvest), kagura (ancient Shinto music and dancing), sanbaso (puppet dancing) and tachifuri (sword performance)) (first Saturday and Sunday of October) | ç§ç¥ãïŒç¬¹ã°ããã»ç¥æ¥œã»äžçªåã»å€ªåæ¯ãïŒ ïŒ10æç¬¬1åã»æ¥æïŒ |
Cultural properties Important Cultural Properties (Nationally Designated) | æå財 éèŠæå財ïŒåœæå®ïŒ |
2 stone lanterns | ç³çç± 2åº |
Cultural Property Designated by Kyoto Prefecture | 京éœåºæå®æå財 |
The entire shrine precinct (a historic site designated by Kyoto Prefecture) | å¢å
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Cultural Property Designated by Kyotango City | åžæå®æå財 |
Former main hall (a structure designated by Kyotango City) | æ§æ¬æ®¿ïŒäº¬äž¹åŸåžæå®å»ºé ç©ïŒ |
Sanbaso, sasabayashi, kagura (cultural properties registered by Kyoto Prefecture/intangible folk properties designated by Kyotango City) | äžçªåã»ç¬¹ã°ããã»ç¥æ¥œïŒäº¬éœåºç»é²æå財ã»äº¬äž¹åŸåžæå®ç¡åœ¢æ°ä¿æåè²¡ïŒ |
Nearby attractions | è¿é£ |
Otani Burial Mound, Shinto Burial Mound, Hidarizaka Burial Mounds, Kasamachi Burial Mound, Aminochoshiyama Burial Mound | 倧谷å€å¢³ãæ°æžå€å¢³ãå·Šåå€å¢³çŸ€ãç¬ çºå€å¢³çŸ€ãç¶²ééåå±±å€å¢³ |
Grave of ONO no Komachi | å°éå°çºã®å¢ |
Access | ã¢ã¯ã»ã¹ |
Rail | éé |
Approximately 30 minutes walk from Tango Omiya Station on the Kita-Kinki Tango Railway Miyazu Line. | åè¿ç¿ã¿ã³ãŽéé宮接ç·äž¹åŸå€§å®®é§
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Road | éè·¯ |
Approximately 1 hour from the Miyazu Amanohashidate Interchange on the Kyoto Jukan Expressway. | 京éœçžŠè²«èªåè»éã»å®®æŽ¥å€©æ©ç«ã€ã³ã¿ãŒãã§ã³ãžããçŽ1æé |
Gomagi is a wood for burning when a holy fire is lighted. Soft woods such as Japanese sumac and Euscaphis japonica are often used. | è·æ©æšãšã¯ãè·æ©ãçãæã«çããæšã®ããšã§ããã ãã«ãããŽã³ãºã€ãªã©ã®ãããããæšæã䜿çšãããŠããããšãå€ãã |
The Category of Gomagi There are two kinds of Gomagi, one for prayers to write a wish on while the other is for the repose of one's ancestor's soul. In rituals such as Agon Star Festival of the Agon Sect, two kinds of Gomagi of 'prayers' and 'reposes of one's ancestor's soul' are burned separately on each gomadan (an altar for the fire ceremony). | è·æ©æšã®çš®é¡ é¡ãäºãæžãç¥é¡ã®è·æ©æšãšå
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"Mizuko" is a term that refers to the following: | æ°ŽåïŒã¿ããïŒã¯ä»¥äžã®ããšãããã |
Dead fetuses. This section will describe its details. | æ»äº¡ããèå
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It is a name of a place (oaza, an administrative unit) located in Fujimi City, Saitama Prefecture. There is a Mizuko-kaizuka Shell Mound which is an officially-designated historical site. Refer to the section on Mizuko (Fujimi City). | åŒççå¯å£«èŠåžã«ããå°åïŒå€§åïŒã åœæå®å²è·¡ã®æ°Žåè²å¡ãããïŒïŒã æ°Žå (å¯å£«èŠåž)ãåç
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Mizuko refers to fetuses that have died as a result of an abortion, miscarriage, or stillbirth. | æ°ŽåïŒã¿ããïŒã¯ã人工åŠåš äžçµ¶ãæµç£ãæ»ç£ã«ããæ»ããèå
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Originally, "Mizuko" was pronounced as 'suiji,' and it was one of the Igo (names according to age and sex) which was placed after the posthumous Buddhist name, given in case of stillbirth or given to those who died prematurely. | âæ°Žåâã¯æ¬æ¥ããããããšèªã¿ã æåã®äžã«ä»ããäœå·ã®äžã€ã§ãæ»ç£ãä¹³å
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Sazae no Tsuboyaki (Turbo cooked in its own shell) is a way of cooking a snail, sazae (turbo). Tsuboyaki (literally, cook in a vase) means two things: one is to smother food in a vase-shaped cooker, and another is to use a snail shell itself as a cooker and process the snail, but usually, the latter cuisine is a typical example. | ãµã¶ãšã®å£ºçŒãïŒãµã¶ãšã®ã€ãŒããïŒã¯ãå·»è²ã®ãµã¶ãšïŒæ èºïŒã®æçæ³ã®äžçš®ã 壺çŒãã¯ã壺ç¶ã®èª¿çåšã®äžã§èžãçŒãã«ãããã®ã®ã»ããå·»è²ã®è²æ®»ããã®ãŸãŸèª¿çåšãšããŠäœ¿ãæçæ³ããæå³ããããåŸè
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History While it is believed to have been a beachside recipe derived by fishermen, its exact origin is unknown. It is thought that this might have been a simple and exciting way to cook by placing it in a bonfire and flavoring it with salty seawater. | æŽå² ããããåœåã¯æŒåž«ã®æµæçã§ãã£ããšæããããã®èµ·æºã¯äžæã§ããã æåã¯ããµã¶ãšããã®ãŸãŸçãç«ãªã©ã«æå
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Although it is not known whether it was a tsuboyaki, it is said that the characters 'çŒæ èº' (burnt turbo) appeared on the menu card of a banquet hosted by Hideyoshi TOYOTOMI when he invited Emperor Goyozei to his Jurakudai residence in 1588. | 壺çŒãã§ãã£ããã©ããã¯äžæã ãã1588幎ã«è±è£ç§åãåŸéœæå€©çãèæ¥œç¬¬ã«æããéã®ç®ç«ã®äžã«ãçŒæ èºãã®æåãèŠãããšãã§ãããšããã |
Choji-ya (äžåå±) is one of the oldest yago (trade name), which is confirmed to have already existed in the Edo period. There is another writing variation for 'Choji-ya' (äžåå±). | äžåå±ïŒã¡ããããïŒã¯ãæ±æžæä»£ã«ã¯ãã§ã«ååšã確èªãããŠãããæ¥æ¬ã®å€ãããã®å±å·ïŒåå·ïŒã®ã²ãšã€ã ãäžåå±ããšãã衚èšãŽã¡ãªãšãŒã·ã§ã³ãååšããã |
Shirogoro SAWAMURA is a Kabuki actor's professional name. | 柀æ åéäºéïŒãããã ããããããïŒã¯ãæèäŒåœ¹è
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Shirogoro is also used by Nakamura-ya (an acting-house name of Kabuki) as Shirogoro NAKAMURA. | æèäŒã§ãåéäºéãã®åã¯ä»ã«äžæå± (æèäŒ)ç³»ã®äžæåéäºéãããã |
Shirogoro SAWAMURA (First) He later became Takasuke SUKETAKAYA II. | 柀æåéäºé (å代) - åŸã®å©é«å±é«å© (2代ç®)ã |
Shirogoro SAWAMURA II He is the son-in-law of Sojuro SAWAMURA III. The acting-house name is Kawataki-ya. His actor names were Shunpu, Shabaku. | 柀æåéäºé (2代ç®) -柀æå®åé(ïŒä»£ïŒã®å¥³å©¿ã å±å·ã¯å·æ»å±ã 俳åã¯æ¥é¢šãé®è«ã |
Tozo HAGINO - Tozo SAWAMURA - Shirogoro SAWAMURA II - Toujuro SAWAMURA - Shirogoro SAWAMURA II - Shiyabaku SAWAMURA - Shirogoro SAWAMURA II. | è»éæ±èµ â æŸ€ææ±èµ â 2ä»£ç®æŸ€æåéäºé â æŸ€ææ±åé â 2ä»£ç®æŸ€æåéäºé â æŸ€æããã°ã â 2ä»£ç®æŸ€æåéäºéã |
Shirogoro SAWAMURA III He was the son of Tomozo ICHIKAWA II (Genzaemon ICHIKAWA) His acting-house name was Mikawa-ya and Kawataki-ya. His actor names were Ichimasu and Shabaku. | 柀æåéäºé (3代ç®) - 2代ç®åžå·åèµïŒåžå·æºå·Šè¡éïŒã®åã å±å·ã¯äžæ²³å±ãå·æ»å±ã 俳åã¯åžåãé®è«ã |
Danko ICHIKAWA (not counted in the Danko numerical heritage) - Nenosuke ICHIKAWA - Tomozo ICHIKAWA - Dankuro Ichikawa - Ichiyu ICHIKAWA - Shirogoro SAWAMURA III. | åžå·ååïŒä»£ã
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Shirogoro SAWAMURA IV There are views that he was adopted by Kosuke SUKETAKAYA IV. He is the adopted son-in-law of Sannosuke ARASHI and his elder brothers are Kakusaburo NAKAMURA and Hikaku NAKAMURA. His real name was Takichi DAITA. His acting-house name was Kinokuni-ya (in Kabuki). | 柀æåéäºé (4代ç®) - å©é«å±é«å© (4代ç®)ã®é€åãïŒ åµäžä¹å©ã®å©¿é€åãå
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Gangoro JITSUKAWA - Shirogoro SAWAMURA IV | 寊å·éäºé â 4ä»£ç®æŸ€æåéäºéã |
Shirogoro SAWAMURA V He later became a movie actor. His acting-house name was Kinokuni-ya. His actor name Mitsu Chidori. | 柀æåéäºé (5代ç®) - åŸã«æ ç»ä¿³åªã«è»¢èº«ã å±å·ã¯çŽäŒåœå±ã 俳åã¯äžéµã |
Fukuji NAKAMURA - Kuninosuke SAWAMURA - Shirogoro SAWAMURA V. His real name was Otokichi SAWANO. | äžæçŠæ¬¡ â æŸ€æåä¹å© â 5ä»£ç®æŸ€æåéäºéã æ¬åã¯æ²¢éä¹åã |
History The period of construction is unknown, however, it is known that the temple originally stood near Shoryo-ji Temple in Saga, and was transferred to its present location by a wealthy merchant, Ryoi SUMINOKURA, during the Edo period. | æŽå² ãã®å¯ºã®åµå»ºå¹Žä»£çã«ã€ããŠã¯äžè©³ã§ããããåœåã¯çŸåšã®åµ¯å³šæž
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Location 62 Nakaoshita-cho, Arashiyama, Nishikyo Ward, Kyoto City | æåšå° 京éœåžè¥¿äº¬åºåµå±±äžå°Ÿäžçº62 |
Tokitsune HIRAMATSU (June 20, 1599 - August 24, 1654) was a Kuge (court noble) who lived during the early Edo Period. He was the first family head of the Hiramatsu family. His original name was 'Tokioki.' His official rank was Junii Gon Chunagon (Junior Second Rank, Provisional Vice-councilor of State). | å¹³æŸ æåºžïŒã²ããŸã€ ãšãã€ããæ
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The Hiramatsu family was regarded as the lineage of the Konoe family, so the two families were also close. Accordingly, he later secretly adopted Hiroko KONOE, a daughter of Motohiro KONOE, by Motohiro's request. | ãŸããå¹³æŸå®¶ã¯è¿è¡å®¶ã®éèãšããããããè¿è¡å®¶ãšã®ã€ãªãããæ·±ãã£ãã åŸã«è¿è¡åºçã®èŠè«ã«ãããã®åšã»è¿è¡çåãå¯ãã«é€å¥³ãšããã®ããã®çžã«ããç©ã§ããã |
Izumi MIKAWA (February 1, 1922 -) is a Nohgakushi (Noh actor) playing shite (a principal role) of the Hosho-ryu school. | äžå· æ³ïŒã¿ãã ããã¿ã1922幎ïŒå€§æ£11幎ïŒ2æ1æ¥ -ïŒã¯ãã·ãæ¹å®çæµèœæ¥œåž«ã |
In 1922, Born as the fourth son of Jusui MIKAWA, a Noh shite-kata (actor playing shite) of the Hosho-ryu school. Studied under Kuro Shigefusa HOSHO, the 17th head family of the Hosho-ryu school, and Kanesuke NOGUCHI. From 1981 to 1985 a board member of the Association for Japanese Noh Plays. In 2003, designated as a holder of Important Intangible Cultural Property (Living National Treasure). | 1922幎ãå®çæµèœã·ãæ¹äžå·å¯¿æ°Žã®åç·ãšããŠçãŸããã å®çæµåäžäžå®å®¶å®çä¹ééè±ãéå£å
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Daihoon-ji Temple is a Buddhist temple belonging to the Chizan school of the Shingon Sect located in Kamigyo Ward, Kyoto City. It is commonly known as Senbon-Shaka-do. The temple is known for Okame no monogatari (The Story of Okame) and Daikon-daki (daikon radish cooking festival) which is the signature December event. | å€§å ±æ©å¯ºïŒã ãã»ããããïŒã¯äº¬éœåžäžäº¬åºã«ããçèšå®æºå±±æŽŸã®å¯ºé¢ã§å±±å·ã¯çå¿å±±ã éç§°åæ¬é迊å ã ãããã®ç©èªãã12æã®é¢šç©è©©ã§ããå€§æ ¹çãã§ç¥ãããã |
He entered into priesthood and called himself Koga Nyudo. According to "Kikki" (The Diary of Tsunefusa YOSHIDA) and "Genpei Seisuiki" (Rise and Fall of the Minamoto and the Taira clans), his homyo (a name given to a person who enters the Buddhist priesthood) was Jokaku. | åºå®¶ããŠç²è³å
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Afterward, his older brother Yoshitsune escaped and went to see MINAMOTO no Yoritomo in Kamakura to get support. | ãã®åŸãå
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According to the "Genpei Seisuiki" (Rise and Fall of the Minamoto and the Taira clans), Yoshikane joined the army of MINAMOTO no Yoshinaka in 1183, invaded in the Echizen Province as the Daisho (Major Captain) of the vanguard along with the citizens of the Shinano and Kaga Provinces, and established and barricaded themselves in the Hiuchi-jo Castle. | ãæºå¹³çè¡°èšãã«ãããšã寿氞2幎ïŒ1183幎ïŒçŸ©å
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When Yoshinaka went to Kyoto by following the Taira clan, Yoshikane and his older brother Yoshitsune were appointed as the guard of Kyoto (according to "Kikki" and "Genpei Seisuiki"). | 矩仲ãå¹³æ°ãéã£ãŠå
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His whereabouts afterward is unknown. | 以åŸã®æ¶æ¯ã¯äžæã |
Temple precinct The mausoleum of Empress Inoue The shrine of matchmaking The shrine that gives sanctuary to runaway wives The foundation stone of Hakkakuendo (destroyed by the Ansei Great Earthquake in 1854) which was a model of the Nanendo in Kofuku-ji Temple when Kukai built it in 813. | å¢å
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Cultural Property Important Cultural Property (designated by the nation) The wooden seated Statue of Fukukensaku Kannon (Deity of Mercy) has gyokugan (jade Buddhist eyes) with lacquered leaf and it is 103.9 cm in height and made in the Kamakura period. | æå財 éèŠæå財ïŒåœæå®ïŒ æšé äžç©ºçŸçŽ¢èŠ³é³ - ååãæŒç®ççŒã103,9cmãéåæä»£ |
Address 1365 Takahatacho, Nara City in Nara Prefecture 630-8301 | æåšå° ã630-8301 å¥è¯çå¥è¯åžé«ççº1365 |
Access 10 minutes' ride from Nara Station to 'Wariishicho' by the city loop-line bus and 10 minutes' walk | 亀éã¢ã¯ã»ã¹ å¥è¯é§
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Surrounding area Shin Yakushi-ji Temple The former residence of Naoya SHIGA | åšèŸºæ
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Saniwa is a person who receives shintaku (oracle) and interprets providence in religious services of Koshinto (as practiced prior to the introduction of Confucianism and Buddhism to Japan). Later, this word also came to indicate a person who plays koto (a long Japanese zither with thirteen strings) in religious service. | 審ç¥è
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In "Nihonshoki" (Chronicles of Japan), it is recorded that Empress Jingu herself became a Shinto priest and let TAKEUCHI no Sukune play koto, while NAKATOMI no Ikatsuomi served as saniwa in April, 209. | ãæ¥æ¬æžçŽãã®ç¥åçå9幎3æã«ã¯ãçåãèªãç¥äž»ãšãªããæŠå
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Later, a person who plays Koto at Kagura (sacred music and dancing performed at shrine) came to be called 'Saniwa.' Seiji yoryaku (examples of the politics in the Heian period), there is a description that 'saniwa is a person who plays koto and dedicates its music to the god.' | åŸã«ãç¥æ¥œã§çŽã匟ãè
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In new religious organizations in modern times and the present day, a person who reveals the true form of god and ghosts that possess people or judges their remarks of right and wrong, is called saniwa. | è¿çŸä»£ã®æ°å®ææå£ã«ãããŠã¯ã人ã«ã€ããç¥ãéã®æ£äœãæããããããã®çºèšã®æ£éªã倿ãããããè
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FUJIWARA no Hideyasu (date of birth unknown - October 1221) was a samurai during the Kamakura period. His father was FUJIWARA no Hidemune. His mother was the daughter of MINAMOTO no Mitsumoto. FUJIWARA no Hideyoshi and FUJIWARA no Hidezumi were his brothers. He is in the lineage of the Northern House of the Fujiwara clan. | è€å ç§åº·ïŒãµããã ã® ã²ã§ãããç幎äžè©³ - 1221å¹ŽïŒæ¿ä¹
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During the Jokyu War in 1221, Hideyasu attacked and killed Kyoto-shugo (military governor of Kyoto) Mitsusue IGA when raising an army. Hideyasu sent his shoju (retainer) Osho to Kamakura to deliver the command from the retired emperor to subjugate Yoshitoki addressed to a powerful gokenin but Osho was captured by the Kamakura Shogunate people. | 1221å¹ŽïŒæ¿ä¹
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According to "Azuma Kagami" (The Mirror of the East), Hideyasu, along with Taneyoshi, were mentioned as treacherous retainers giving a slanderous account to the Retired Emperor in a speech delivered by Masako HOJO to persuade gokenin, suggesting that Hideyasu was viewed as the key figure in Kyoto by the Kamakura Shogunate. | ãåŸåŠ»é¡ãã«ããã°ãåæ¡æ¿åã埡家人ã説åŸããããã«éåã§è¡ã£ãæŒèª¬ã§ç§åº·ã¯è€çŸ©ãšãšãã«å€ªäžå€©çã«è®èšããéè£ãšããŠåãæããããŠãããéåå¹åºããã¯äº¬æ¹ã®äžå¿äººç©ãšç®ãããŠããããšããããããã |
Becoming a priest and pardoned, Hideyasu's younger brother Hideyoshi, an outstanding poet, later on went to Oki no shima Island following the exiled Retired Emperor Gotoba who Hideyoshi admired. | åªããæäººã§ãã£ãåŒã®ç§èœã¯åºå®¶ããŠèš±ãããåŸã«é å³¶ãããåŸé³¥çŸœæ³çãæ
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Yoshimura MIURA was a busho (Japanese military commander) of the Sagami Province in the beginning of the Kamakura Period. He was a powerful senior vassal in the Kamakura bakufu. His original last name was Taira. His bloodline can be traced back to Kanmu-Heishi (Taira clan), and he was of the Banto-Eight Heishi, which stems from TAIRA no Yoshifumi. He was the second son of Yoshizumi MIURA | äžæµŠ 矩æïŒã¿ãã ããããïŒã¯ãéåæä»£åæã®çžæš¡åœã®æŠå°ã éåå¹åºã®æååŸ¡å®¶äººã æ¬å§ã¯å¹³æ°ã å®¶ç³»ã¯æ¡æŠå¹³æ°ã®æµãã§å¹³è¯æãç¥ãšããåæ±å
«å¹³æ°ã®ã²ãšã€äžæµŠæ°ã äžæµŠçŸ©æŸã®æ¬¡ç·ã |
Of those 67 peasants arrested in the Kawamata Incident, 51 persons were charged with mass rioting, but on December 25, 1902 the Sendai Court of Appeal finally decided to drop the case and none of them were charged with any crimes. | 蟲æ°67åã鮿ããããã¡51åãå
åŸèé眪ãªã©ã§èµ·èšŽããããã1902幎12æ25æ¥ãä»å°æ§èšŽå¯©ã§èµ·èšŽç¡å¹ãšãã倿±ºãäžããå®è³ªçã«å
šå¡äžèµ·èšŽãšããåœ¢ã§æ±ºçããã |
There were about 700 to 800 peasants at Unryu-ji Temple at 1:00am on February 13. The police ordered to wind up, but the peasants refused. Peasants said the police were very rude and entered the temple with their shoes on. | 2æ13æ¥åå1æã700ãã800人ã®èŸ²æ°ãé²éŸå¯ºã«éçµããŠããã èŠå®ã¯è§£æ£ãåœãããã蟲æ°ãã¯å¿ããªãã£ãã 蟲æ°ãã«ããã°ãåè¶³ã§æ¬å ã«äžãããããªã©ãèŠå®åŽãä¹±æŽãã¯ãããããšããŠããã |
Right after that, peasants stationed on the right side of the Watarase-gawa River joined the procession. Some researchers say that the number of 12,000 demonstrators includes those who joined the procession later. | çŽåŸãæž¡è¯ç¬å·å³å²žã®èŸ²æ°ããšåæµã åè¿°ã®1äž2000ãšããæ°ã¯ãéäžã§åæµãã蟲æ°ãå«ãæ°ãšèããç ç©¶è
ãããã |
The peasant movement was put to rout and broken up at this point. Several dozens or several hundreds of peasants managed to get to Tokyo, which route is still unknown, however, they made no petition to the government. | ãã®æç¹ã§èŸ²æ°ã¯ç·åŽ©ããšãªããæ£ãæ£ãã«ãªã£ãã ã«ãŒãã¯äžæã ããæ±äº¬ãŸã§ãã©ãçãããã®ãæ°ååããæ°çŸåã¯ãããšã¿ããããããã®åŸã®è«é¡ã¯è¡ãããªãã£ãã |
No weapons or violence was used at the all six demonstrations. Thus, many researchers think that it was unlikely that peasants first did violence to the police on the fourth demonstration which developed into an incident. | æŒåºãã¯ã第1åãã第6åãŸã§æŠåšãæãããæŽåããµãããªã圢ã§è¡ãããŠããã ãã®ãããäºä»¶ãšãªã£ã第4åæŒåºããã蟲æ°åŽãå
ã«èŠå®ã«æŽåããµãã£ãäŸã¯ãªããšèããç ç©¶è
ãå€ãã |
The newspaper reporters who witnessed the incident testified in court that the police did not use sabers or any other weapons. No one witnessed demonstrators using any weapons. Some said police threw sands at demonstrators and other said police and peasants both threw sands to each other. | åœæçŸå Žã«ããæ°èèšè
ãããè£å€ã§èšŒäººãšããŠåºå»·ããããèŠå®éããµãŒãã«ãªã©ã®æŠåšãçšãããšãã蚌èšã¯ãªãã ãŸãã蟲æ°ãæŠåšã䜿çšãããšãã蚌èšããªãã èŠå®åŽã蟲æ°ã«å¯Ÿãç ãæããããšãã蚌èšãšãèŠå®ãšèŸ²æ°ã®äž¡è
ãç ãæããããšãã蚌èšãããã |
The prosecutions appealed against a sentence. Fifty defendants including those who were found not guilty appealed against their sentence. Twenty-two prisoners were all moved to Tokyo on January 20, 1901 and once released by March 28 before the court was held. (Some prisoners were imprisoned again later.) | ãã®å€æ±ºã«å¯Ÿããæ€å¯åŽã¯æ§èšŽã 被ååŽããç¡çœªãšãªã£ãè
ãå«ã50åå
šå¡ãæ§èšŽããã è£å€ã«å
ç«ã¡ãåç£ãããŠãã22åã¯1901幎1æ20æ¥ããã«æ±äº¬ã«ç§»ããããã3æ28æ¥ãŸã§ã«ã¯å
šå¡ããã£ããéæŸãããã ïŒã®ã¡ã«ååç£ãããè
ã¯ããïŒ |
Judgment of the Appellate Court The court sentenced one person to 15 days in prison and two persons to fines. It was almost like overall victory for the peasants. The prosecution appealed against the sentence. All forty-seven defendants including those who were found innocent also appealed acquittals of all defendants to the Supreme Court. | 2坩倿±º 2坩倿±ºã¯ã1åãéçŠåº15æ¥ã2åã眰éãšãããã®ã ã£ãã ããã¯ã»ãšãã©èŸ²æ°åŽå
šé¢å蚎ã«è¿ããã®ã ã£ãã ããã«å¯Ÿããæ€å¯åŽã¯äžåã 蟲æ°ããããããŸã§å
šå¡ç¡çœªããã¡ãšãããã«ãç¡çœªãšãªã£ã47åãå«ãå
šè¢«åãäžåããã |
Effects of the Kawamata Incident The movement against the copper poisoning died down after the Kawamata Incident. Some researchers say it was because leading activists were arrested at the Incident and because peasants were afraid that they might also be arrested. Shozo TANAKA also made a similar comment in 1901. | äºä»¶ã®åœ±é¿ äºä»¶åŸé±æ¯å察éåãäžç«ã«ãªããŸããã äºä»¶ã«ãã£ãŠæåãªæŽ»åå®¶ãææããããŸããæŽ»åãè¡ããšé®æããããããããªããšããäžå®ããã£ããšèããç ç©¶è
ãããã ç°äžæ£é ãã1901å¹Žåœæãåæ§ã®äž»åŒµãè¡ã£ãã |
On June 11, 1958, 56 years after the sixth demonstration the seventh demonstration was held. The peasants living in Morita Village practiced the demonstration to the Furukawa Mining Industry in Ashio Town by the Ashio Line. | 第6åæŒåºãã®æ¬¡ã®æŒåºããè¡ãããã®ã¯56幎åŸã®1958幎6æ11æ¥ã®ããšã ã£ãã æ¯éç°æèŸ²æ°ãã足尟ç·ã§è¶³å°Ÿçºã®å€æ²³é±æ¥ã«æŒåºããè¡ã£ãã |
Shozo TANAKA, a member of the House of Representatives and a leader of the peasant movement, announced his departure from the Kenseihon Party which he was then affiliated when he was questioning the Kawamata Incident at the Diet meeting on February 15, 1900. | è¡è°é¢è°å¡ã§ããã蟲æ°éåã®å
å°è
ã§ãã£ãç°äžæ£é ã¯ã1900幎2æ15æ¥ãäºä»¶ã«é¢ããè³ªåæŒèª¬ãè¡ã£ãŠããéäžã§ãåœææå±ããŠããæ²æ¿æ¬å
ãé¢å
ããã |
Event After the Kawamata Incident Hundred years after the event, the monument of the Kawamata Incident was set up at the scene of the incident in Meiwa Town, Oura County, Gunma Prefecture on February 13, 2000. | ãã®åŸ äºä»¶çºççŸå¹ŽåŸã®2000幎2æ13æ¥ã矀銬ç鿥œé¡æåçºã®äºä»¶çºççŸå Žã«ãå·ä¿£äºä»¶èšå¿µç¢ã建ãŠãããã |
Kenrei refers to: a post equivalent to a prefectural governor in ancient China. Kenrei is the chief of Ken (a prefecture) assigned from 1871 to 1886. | ç什ïŒããããïŒã¯ã å€ä»£äžåœã«æŒããŠã®çç¥äºã«ãããåœ¹è· 1871å¹ŽïŒææ²»4幎ïŒãã1886å¹ŽïŒææ²»19幎ïŒãŸã§çœ®ãããçã®é·å®ã |
Hirotoyo SHIBAYAMA (March 30, 1674 to March 19, 1723) was a court noble (high court noble) in Edo period. | èå±± åºè±ïŒãã°ã㟠ã²ããšããå»¶å®2幎2æ23æ¥ (æ§æŠ)ïŒ1674幎3æ30æ¥ïŒ - 享ä¿8幎2æ13æ¥ (æ§æŠ)ïŒ1723幎3æ19æ¥ïŒïŒã¯ãæ±æžæä»£ã®å
¬å®¶ïŒå
¬å¿ïŒã |
He was the third generation family head of the SHIBAYAMA family (whose social standing was a distinguished family (court noble), illegitimate family lineage of Kajuji of the Takafuji group of the Northern House of the Fujiwara clan), which was under the Tosho Family (the hereditary lineage of Court nobles occupying relatively high ranks). | å äžå®¶ïŒå®¶æ Œã¯åå®¶ (å
¬å®¶)ãè€ååå®¶é«è€æµå§ä¿®å¯ºåº¶æµïŒã§ããè山家ã®3代åœäž»ã |
Tsukiyama Tumulus located at of Aza Shiroyama, Tsukiyama, Yamatotakada City, Nara Prefecture, is the ancient Japanese tumulus of a circular shape rear-end with a rectangular frontage. Tsukiyama Tumulus is situated among the southern group of Umami Tumulus groups, and it is assumed to be the tomb built for a leading figure. | ç¯å±±å€å¢³ïŒã€ãããŸããµãïŒãšã¯ãå¥è¯ç倧åé«ç°åžç¯å±±ååå±±ã«ãã倧ååæ¹åŸå墳ã 銬èŠå€å¢³çŸ€ã®å矀ã®çäž»å¢ãšãããŠããã |
Detailed research has not been performed yet particularly on the stepped construction of the tumulus, but the studies suggest several options for the detail of the step that; Two-stepped rectangular frontage and three-stepped circular rear-end; three-stepped rectangular frontage and three-stepped circular rear-end; three-stepped rectangular frontage and four-stepped circular rear-end. | 墳äžã®æ®µç¯ã«ã€ããŠã¯ã詳ãã調æ»ãè¡ãããŠããªãããåæ¹éšäºæ®µç¯æã»åŸåéšäžæ®µç¯æãåæ¹éšäžæ®µç¯æã»åŸåéšäžæ®µç¯æãåæ¹éšäžæ®µç¯æã»åŸåéšåæ®µç¯æãçã®èª¬ãããã |
There is a height difference in several meters between the exterior embankment of Tsukiyama Tumulus and Konpira-yama Mountain Tumulus, which extends out and encircle Tsukiyama Tumulus, and forms a pond at one location called Tsuga Pond. It is considered that these are the evidences of the double-moat condition of Tuskiyama Tumulus. | ãŸããç¯å±±å€å¢³ã®åšå €åž¯ãšã³ã³ãã©å±±å€å¢³ã®éã«æ°ïœã®æ®µå·®ããããããããåã«ç¯å±±å€å¢³ãå²ã圢ã§å»¶ã³ãŠãããäžéšã¯æ æ± ãšããåã®æ± ãšãªã£ãŠããã ããã¯ãç¯å±±å€å¢³ã®2éæ¿ ã®çè·¡ãšæšå®ãããŠããã |
There are also many other groups of tumulus related to Tsukiyama Tumulus, such as Kuroishi Tumulus Group north of the Tsukiyama Station near Kuroishi-yama Mountain, Egamida Tumulus Group, Moesashi Tumulus Group, and Shinyama Tumulus. | é¢ä¿æ§ããããšæãããããç¯å±±é§
ååŽã«ãé»ç³å±±ã®é»ç³æ¯çŸ€ããšã¬ãç°æ¯çŸ€ãã¢ãšãµã·æ¯çŸ€ãçã®å€ãã®å€å¢³ãæããæ°å±±å€å¢³ãããã |
Chison (year of birth unknown-August 23, 672) was a person from the Asuka Period in Japan. In the old Japanese syllabary characters, his name was pronounced in the same way. He had no Kabane (hereditary title). During the Jinshin War which broke out in 672, he fought for Prince Otomo (Emperor Kobun) as a commander, but died in the Battle of Seta when he led the vanguard. | æºå°ïŒã¡ããã倩æŠå€©çå
幎ïŒ672幎7æ22æ¥ïŒã¯ãæ¥æ¬ã®é£é³¥æä»£ã®äººç©ã§ããã æ§ä»®åé£ãã§ã®èªã¿ã¯åãã å§ïŒã«ããïŒã¯ãªãã 672幎ã®å£¬ç³ã®ä¹±ã®ãšã倧åçåïŒåŒæå€©çïŒåŽã®å°ãšãªããç¬ç°ã®æŠãã§å
éãšãªã£ãããæŠæ»ããã |
His name only found in "Nihonshoki" (Chronicles of Japan) concerning in the Battle of Seta, but his genealogy etc. is unknown. He is considered to be a Toraijin (people from overseas, especially from China and Korea, who settled in early Japan and introduced Continental culture to the Japanese) as the name is not common for the then Japanese. | ãæ¥æ¬æžçŽãã®ç¬ç°ã®æŠãã®ç®æã«ç»å Žããã®ã¿ã§ãç³»èãªã©ã¯äžåäžæã§ããã åœæã®æ¥æ¬äººã«äŒŒã€ãããããªãåãããæž¡æ¥äººã§ã¯ãªãããšããæšæž¬ãããã |
In Japan, rokuyo is one of the most famous rekichu for the calendar and is written in ordinary calendars and notebooks. Now in Japan, rokuyo has a strong influence mainly on ceremonial occasions, for example, it is better to have a wedding on taian and to avoid a funeral on tomobiki. | æ¥æ¬ã§ã¯ãæŠã®äžã§ãæåãªæŠæ³šã®äžã€ã§ãäžè¬ã®ã«ã¬ã³ããŒãæåž³ã«ãèšèŒãããŠããã 仿¥ã®æ¥æ¬ã«ãããŠã圱é¿åã匷ããçµå©åŒã¯å€§å®ããããè¬åŒã¯ååŒãé¿ãããªã©ãäž»ã«å å©è¬ç¥ãªã©ã®ååŒãšçµã³ã€ããŠäœ¿çšãããŠããã |
It is also called rokki or sukuyo (astrology), but these are the names created after the Meiji period to avoid confusion with shichiyoreki (calendar of the seven luminaries). | å
èŒïŒãã£ãïŒã宿æïŒããããïŒãšãããããããã¯äžæãšã®æ··åãé¿ããããã«ãææ²»ä»¥åŸã«äœãããåç§°ã§ããã |
Nissho (1829 - 1908) was a priest of the Nichiren sect (Fujufuse school) of the end of the Edo period to the Meiji period. His posthumous name was Senmyo-in. | æ¥æ£ïŒã«ã£ãããã1829幎ïŒ1908幎ïŒã¯ã广«ããææ²»æã«ãããŠã®æ¥è®å®ãäžåäžæœæŽŸãã®å§ã 宣æé¢ã |
Renku refers to haikai no renga (humorous linked poem). They were written according to the traditional structure of haikai, and became the dominant poetic style from the Muromachi period into the early Edo period. The term "Denjuteki na haikai renga" (traditional haikai renga) came into use beginning in the Meiji period. | é£å¥ïŒãããïŒãšã¯ã俳諧ã®é£æã®ããšã 俳諧ã®äŒçµ±çãªäžåœ¢åŒã§ãå®€çºæä»£ããæ±æžæä»£ä»¥åã¯ä¿³è«§ã®äž»æµããªããŠããã äŒçµ±çãªä¿³è«§é£æãææ²»ä»¥éã«è¡šçŸããçšèªã§ããã |
In terms of its formal structure, it follows the renga form, beginning with a three-line verse (ku) of five, seven, and five syllables respectively, followed by a succession of two-line verses of seven syllables each, until a length of 36 verses (kasen), 50 verses (goju-in), or 100 verses (hyaku-in) is reached. | 圢ãšããŠã¯é£æã®æ§åŒãèžè¥²ããäºäžäºã®å¥ã®åŸã«äžäžã®å¥ã亀äºã«ä»ããŠãããäžåå
å¥ïŒæä»ïŒãäºåå¥ïŒäºåé»ïŒãçŸå¥ïŒçŸé»ïŒçãããªãã |
Anpan (a round soft bread with azuki bean paste in the center) is a kind of a sweet bun with 'an' (sweet bean paste). | ãããã³ïŒé€¡ãã³ïŒã¯ãèåãã³ã®äžçš®ã§ãäžã«é€¡ãå
¥ã£ãŠããããšãç¹åŸŽãšããã |
MIBU no Tadami (dates of birth and death unknown) was a Japanese poet of the mid-Heian period. His father was MIBU no Tadamine. He changed his name to Nada (åå€), later Tadami (å¿ å®), and then Tadami (å¿ èŠ). Both he and his father are counted among Sanjurokkasen (36 Immortal Poets). | 壬çå¿ èŠïŒã¿ã¶ ã® ãã ã¿ç没幎äžè©³ïŒã¯ãå¹³å®æä»£äžæã®æäººã ç¶ã¯å£¬çå¿ å²ã åãã¯åå€ãåŸã«å¿ å®ãããã«å¿ èŠãšæ¹ããã ç¶ãšãšãã«äžåå
æä»ã®äžäººã«æ°ããããã |
At the "Tentoku Dairi Uta-awase" (Imperial Palace Poetry Contest of the Tentoku era) My reputation for being in love with someone has already spread, although I just began to love her secretly, without telling anything to anybody.' ("Shui Wakashu" (Collection of Gleanings of Japanese Poems) Love (1) 621, "One Hundred Poems by One Hundred Poets" 41) | ã倩埳å
è£æåãã§ ãæããŠãµæãåã¯ãŸã ãç«ã¡ã«ãã人ç¥ããããæã²ãããããïŒãæŸéºåæéãæäž621ã»ãçŸäººäžéŠã41çªïŒ |
There is a famous anecdote included in "Fukuro zoshi" (Book of Folded Pages) that he composed the above poem and died in agony because he was beaten by TAIRA no Kanemori. | ãšè© ã¿ãå¹³å
Œçã«æããããã«æ¶æ»ãããšãããè¢èçŽãæåã®èª¬è©±ã¯æåã§ããã |
However, the credibility of this story is doubtful because his personal collection has some poems composed on the theme of him growing old. | ããå®¶éã«ã¯å¹Žèããèªãã®å¢éãè© ãã æãããä¿¡ææ§ã«ã¯çåãåãããŠããã |
His poems were selected for chokusen wakashu (anthologies of poems collected by Imperial command) starting when "Gosen Wakashu" (Later selected collection of Japanese poetry) was compiled and onwards. He has a personal collection "Tadami shu." | ãåŸæ°åæéã以äžã®å
æ°åæéã«å
¥éã å®¶éã«ãå¿ èŠéããããã |
Osode Eight kinds of patterns--Sun, Moon, Seven Stars, Mountain, Fire, Dragon, Kachu (pheasant), and Soi (ritual article)--out of Konben 12-Sho (symbols) are attached to the red cloth of the costume. Each of the patterns resembles embroidery but is actually detachable. | å€§è¢ èµ€å°ã«ãè¢ååäºç« ã®ãã¡ãæ¥ãæãäžæãå±±ãç«ãéŸãè¯è«ïŒããžïŒãå®åœã®8çš®ã®æš¡æ§ãä»ãã åæš¡æ§ã¯åºç¹ã®ããã«èŠããããå®éã¯åãå€ãå¯èœã«ãªã£ãŠããã |
Sun: Symbolizes 'enlightenment without selfishness.' It is placed on the left shoulder and contains a crow drawn inside. | æ¥ïŒç
§èšç¡ç§ã象城ã å·Šè©ã«é
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