Split (3)

train · 28.1k rows

english large_stringlengths 0 467	japanese large_stringlengths 0 212
Suiton-Making use of water. (e.g.) Distract enemies' attention by tapping sound of water.	水遁-水を利用。（例）水音を立てて相手の注意をそらす。
Toton-Making use of boiled water. (e.g.) Throw some boiled water at enemies.	湯遁-湯を利用。（例）相手に熱湯をかける。
Jinton Ju-ho A way to escape making use of human beings or animals.	人遁十法人や動物を利用して逃げる方法。
Danton-Making use of a male.	男遁-男性を利用。
Joton-Making use of a female.	女遁-女性を利用。
Roton-Making use of an old person. (e.g.) Disguise.	老遁-老人を利用。（例）変装。
Yoton-Making use of a child. (e.g.) Using a child as decoy.	幼遁-子供を利用。（例）子供を囮に使う。
Kiton-Making use of a high-ranking person.	貴遁-身分の高い人を利用。
Senton-Making use of a low-ranking person.	賎遁-身分の低い人を利用。
Kinton-Making use of a bird. (e.g.) Using a hawk as decoy.	禽遁-鳥を利用。（例）鷹を囮にする。
Juton-Making use of animals (e.g.) Having a horse rage to cause a mess.	獣遁-動物を利用。（例）馬を暴れさせ、騒ぎを起こす。
Chuton-Making use of insects, reptiles, and amphibians. (e.g.) Throwing a snake.	虫遁-虫や爬虫類、両生類を利用。（例）蛇を投げつける。
Gyoton-Making use of fish.	魚遁-魚を利用。
Supplementation Although some particular depiction is used for the scene where an enemy is given a damage in the fight in a lot of visual entertainments such as comics or games (such as Katon=blowing out fire from mouth), it is nothing but a technique to escape by blocking enemy's action, and it can never be an action for the purpose of attacking enemy.	補足漫画やゲーム等数多くのメディアで、戦闘の際相手にダメージを与える為に使用する描写が見られる（火遁＝口から火を吹くなど）が、あくまで相手の行動を阻害して遁走するための技術であり、攻撃を目的とした行動ではない。
"General Theory of the Novel" is the literary criticism by FUTABATEI Shimei. It appeared in the Chuo Gakujutsu Zasshi (Central Academic Journal) in 1886.	『小説総論』（しょうせつそうろん）は、二葉亭四迷の文芸評論。 1886年（明治19年）、「中央学術雑誌」に発表。
Under the influence of Shoyo TSUBOUCHI, he further deepened the content critically in order to compensate for shortcomings of "Essence of Novels." Although it is very short, this critique is of equal importance to "Essence of Novels" for the establishment of Japanese modern novels.	坪内逍遥に影響を受け、さらに批判的に内容を深め『小説神髄』の欠点を補う。非常に短いが日本の近代小説成立の上で『小説神髄』と並んで重要な評論。
Dragon lantern (ryuto) refers to a fire of mysterious or suspicious origin, passed down across Japan. Mainly it appears from under the sea and floats above the sea and some of them are lined up or stay on seashore trees.	龍燈、龍灯、竜灯（りゅうとう）とは、日本各地に伝わる怪火。主に海中より出現するもので、海上に浮かんでいくつもの火が連なったり、海岸の木などに留まるとされる。
Contents Following "Shoku-Nihongi," the book contains records of the reigns of emperors Kanmu, Heizei, Saga and Junna.	内容『続日本紀』の後をうけて、桓武天皇の治世の途中から、平城天皇、嵯峨天皇、淳和天皇の治世を記す。
Also, it is known that compared with the volumes compiled before and after the book, it contained more Waka/Yamatouta poems than the other volumes of Rikkokushi.	また六国史の中では前後の史書に比べ和歌を多く収録していたことが知られる。
He was praised as a 'gekisei' (Holy Actor) for his many great achievements. In the Kabuki world, saying simply 'Kudaime' (the ninth) refers to Danjuro ICHIKAWA (the ninth).	その数多い功績から「劇聖｣（げきせい）と謳われた。また歌舞伎の世界では、単に「九代目｣（くだいめ）というと通常はこの九代目市川團十郎のことをさす。
Kaneda-jo Castle (also known as Kanetanoki Castle) is an ancient mountain castle (Korean-style mountain castle) built in Tsushima Province during the Asuka Period. It is located in Kurose Joyama, Mitsushima Town, Tsushima City, Nagasaki Prefecture. A national special historic site.	金田城（かねだじょう、かねたのき）は、飛鳥時代に対馬国に築かれた古代山城（朝鮮式山城）。所在地は長崎県対馬市美津島町黒瀬城山。国の特別史跡。
Raising an army	挙兵
Destruction of Tenchu-gumi	天誅組壊滅
After the incident, Kuniomi HIRANO attacked the magistrate's office in Ikuno-cho in Tajima Province in November 1863 and raised an army. His army was hunted down by the bakufu army and was defeated. (Ikuno Incident)	事件の後の文久3年(1863年)10月に平野国臣が但馬国生野町で代官所を襲撃して挙兵。幕府軍の追討を受けて敗北している。（生野の変）
Tenchu-gumi's uprising failed, but the fact that this incident became a fuse of the Meiji Restoration has been highly evaluated.	天誅組の挙兵は失敗したが、この事件が明治維新の導火線になった点は高く評価されている。
Katsuhisa TAKAYASU (1948 -) is a Noh actor of the Takayasu school of waki-kata (supporting actors). The 14th head of the Takayasu school. The present head of the school.	高安勝久（たかやすかつひさ、1948年（昭和23年）-）は、ワキ方高安流能楽師。高安流十四世宗家。当代。
He is a son of Shigero NISHIMURA, the 12th head of the school. Kinya NISHIMURA, the 13th head of the school, is his uncle. He is doing his activities mainly in Nagoya.	十二世宗家西村滋郎の子。十三世宗家西村欽也は叔父にあたる。名古屋を中心に活動。
Ryotan is a term to refer to the area combining Tango Province and Tanba Province. The area is also called Ryotan region.	両丹（りょうたん）は、丹後国と丹波国を一体的に指すときに用いられる用語。両丹地方。
Sekkyo-bushi (sermon ballads), written as 説経節 in Japanese, is oral literature in the beginning of the early-modern times in Japan. It is also called sekkyo. It is sometimes wrongly written as '説教節.'	説経節（せっきょうぶし）は、日本近世初期の語り物文芸。説経。しばしば「説教節」と誤記される。
The sekkyo-bushi 'Ishidomaru,' 'Shintokumaru,' 'Oguri Hangan,' 'Sanshodayu,' and 'Bon Tengoku' are referred to as Gosekkyo (five sekkyo), and these sekkyo have been recited repeatedly. Today the most available text is "Sekkyo-bushi" (edited by Shigeru ARAKI and Kichizo YAMAMOTO, in 1973) in the edition of Toyo Bunko, Heibonsha Limited.	「石童丸」「しんとく丸」「小栗判官」「山荘太夫」「ぼん天国」を五説経といい、これらが繰り返し語られた。現在最も入手しやすいテキストは、平凡社東洋文庫の『説経節』（荒木繁,山本吉左右編、1973)である。
Wakatayu WAKAMATSU in the Wakamatsu school is one of the major performers (the current Wakatayu is the third generation). There was Wakatayu SATSUMA (until the 12th generation) in the Satsuma school in the past as well.	主な語り手には若松派の若松若太夫（当代3代目）がいる。尚過去には薩摩派の薩摩若太夫（12代目まで）が存在。
Dochuzu is a pictorial map made during the Edo period in which land routes or sea routes are described. It has the combined element of today's road map and sightseeing guide.	道中図（どうちゅうず）とは、江戸時代に作成された陸路あるいは海路を記した絵地図のことである。今日の道路地図と観光案内を組み合わせた要素を持つ。
Kazami is a lightweight top (clothing) for girls of the noble class during the Heian period.	汗衫（かざみ）とは、平安時代の貴族階級の女児用の薄手のトップス (衣服)。
Originally, it was worn as a garment for absorbing sweat. However, it was used as a light outerwear in children's clothing but it was made into a luxury item, and it became formal clothing for girls of noble class.	元来は汗取りとして着用されたものであった。しかし、軽便な上着として子供服に採用されて高級化し、貴族女児の正装となった。
Yuan yaki is a kind of yakimono (grilled fish or meat) of Japanese cuisine. Yuan yaki (幽庵焼き in kanji) is also written as 柚庵焼き or 祐庵焼き.	幽庵焼き（ゆうあんやき）は、和食の焼き物のひとつ。柚庵焼き、祐庵焼きともいう。
It is said that Yuan yaki was invented by a chajin (master of the tea ceremony) from the Edo period, Yuan KITAMURA (Yuan KATADA), who is also known as a gourmet.	江戸時代の茶人で、食通でもあった北村祐庵（堅田幽庵）が創案したとされる。
Fillet of fish such as tilefish, butterfish, yellowtail, Japanese Spanish mackerel, or Japanese barracuda as well as chicken are marinated for several days in a sauce called 'yuanji,' which is made of equal amount of soy sauce, sake, and mirin (a type of sweet sake used in cooking) with round slices of citron, then grilled after draining excess liquid.	アマダイ、マナガツオ、ブリ、サワラ、カマスなどの魚の切り身や鶏肉などを、醤油、酒、みりんを111であわせ、ユズの輪切りを加えてつくった漬けダレである「ゆうあん地」に数日間漬けこみ、汁気を切った後に焼き上げたもの。
If it is steamed after draining excess liquid, it is called Yuan mushi.	汁気を切って蒸すと幽庵蒸しとなる。
Yuan yaki is a grilled dish with a refreshing smell of citron. It is served while hot or after cooled to room temperature.	ユズの香りが清々しい焼き料理である。熱いまま、または冷まし常温で供する。
The originator was Koshin ISSHIKI, a son of Yasuji ASHIKAGA. Because the family was started in Kira no sho Isshiki in Mikawa-no-kuni (present-day Isshiki-cho Hazu-gun Aichi Prefecture), they gave themselves the surname Isshiki.	足利泰氏の子の一色公探を祖とする。三河国の吉良荘一色（現・愛知県幡豆郡一色町）から起こったため、一色姓を名乗った。
There is Isshikida as the same surname but with a different pronunciation.	異音同姓に一色田がある。
Higashi (干菓子) or Higashi (乾菓子) is a generic term that refers to dry Japanese sweets. The opposite of nama-gashi (uncooked cakes made from glutinous rice, agar and an).	干菓子（ひがし）または乾菓子（ひがし）は、水分の少ない乾燥した和菓子の総称。生菓子の対。
It refers to a sweet with a moisture content of 20 % or less. Sweets with 30-35% moisture content such as monaka (a wafer cake filled with bean jam), suhama, ishigoromo (wafer cake) are differentiated and categorized as `hannama gashi' (soft, sami-baked Japanese sweets).	水分20パーセント以下の菓子を指す。最中や州浜、石衣などは水分30～35パーセントであり「半生菓子」として区別する。
It has been developed and used for offerings, Chanoyu (the tea ceremony), wakes and weddings, and various skills, including uchimono-gashi, unpei-zaiku and aruhei-zaiku, are applied during its development process. It has been loved as a sweet kept in a pocket and eaten when one cares for something to eat.	供物や茶の湯、冠婚葬祭用として発達し、打物菓子や雲平細工、有平細工など、さまざまな技巧が施されるようになった。普段は懐中に入れ、口寂しい時に食べる菓子としても親しまれてきた。
The family was founded during the Kamakura Period by Kino OGURA, Chunagon (Vice-councilor of state), who was the second son of Jitsuo YAMASHINA.	鎌倉時代、山科実雄の二男、中納言小倉公雄が創設する
After the Meiji Restoration on July 8, 1884, the peerage of viscount was conferred on Hidesue OGURA.	明治維新後の明治17年7月8日小倉英季に子爵の位を授けられた。
Such Wasan chants became widely influential among ordinary people and affected Japanese music greatly; their effect can be still found in the singing methods of Minyo (traditional folk songs), songs and ballads, especially Enka (Japanese ballad).	こうした和讃は、広く民衆の間に流布し、日本の音楽に大きな影響を与え、民謡や歌謡、ことに演歌などの歌唱法に影響の形跡が残っている。
Higeyagura is a title of kyogen (farce played during a Noh play cycle). Its story is an unusual one in which a man with mustachios fought against the allied forces of women over his mustachios.	髭櫓（ひげやぐら）は狂言の演目。髭をたくわえた男がそれを巡って女房連合軍と戦うという奇抜な話。
There are two methods to make rakugan.	落雁の製法には二通りある。
Add starch syrup and sugar to rice flour which has been steamed and dried, transfer the mixture into molds and let it dry in a temperature controlled chamber.	すでに蒸して乾燥させた米（糒）の粉を用い、これに水飴や砂糖を加えて練り型にはめた後、ホイロで乾燥させたもの。
Add starch syrup, like in the method above, to rice flour which has not been heat-treated, transfer the mixture into molds, steam and let it dry in a temperature controlled chamber.	加熱していない米の粉を用いて1.同様に水飴を加え成型した後、セイロで蒸し上げた後、ホイロで乾燥させたもの。
The product made by the first method is what is generally referred to as rakugan, whereas, that made by the second method is referred to Hakusetsuko.	1.は通常落雁と呼ばれる物であり、2.は白雪糕（はくせつこう）と呼ばれるものである。
Koshi no Yuki in Nagaoka City, Niigata Prefecture is a well-known product made by the second method. Through many modifications, however, Koshi no Yuki has come to be produced by the method substantially identical to the first method.	2.は新潟県長岡市の越の雪が有名である。ただし、改良の末、1.に限りなく近い製法となっている。
With its lord Harusato MATSUDAIRA (also known as Fumai MATSUDRAIRA) fostering the development of Japanese confectionery in conjunction with the tea ceremony, a type of rakugan referred to as Yamakawa (confectionery) was developed in the Matsue Domain, and is cited today in the List of the Top 3 Representative Japanese Confectioneries along with the above-mentioned Koshi no Yuki and Choseiden.	また、松江藩でも松平治郷（松平不昧）が茶道と共に和菓子を奨励したため、山川 (菓子)という落雁を生み出しており、前述の越の雪・長生殿と共に日本三大一覧銘菓として挙げられている。
In China, there is a thin rakugan referred to as yunpiangao.	中華人民共和国には、雲片糕（ユンピエンガオ、yúnpiàngāo）と呼ばれる、薄手の落雁がある。
Kitano Station, located in Kyoto City, Kyoto Prefecture, was a stop on the Kitano Line operated by the Keifuku Electric Railroad Co., Ltd.	北野駅（きたのえき）は、かつて京都府京都市の京福電気鉄道北野線に存在した鉄道駅である。
Shoden referred to having/giving permission to enter a denjo no ma in the minami hisashi (southern surrounding area) of the seiryoden of dairi (Imperial Palace) to people higher than goi (Fifth Rank) in the rank and people in a position of Rokui no Kurodo (Chamberlain of Sixth Rank) in and after the Heian period.	昇殿（しょうでん）とは、平安時代以降に五位以上の者および六位蔵人の職にある者が内裏清涼殿の南廂にある殿上の間に昇ることを許されること。
Matsuchiyo MATSUDAIRA (1594 - February 7, 1599) was a daimyo (feudal lord) in the Azuchi Momoyama period. He was the second lord of the Fukaya Domain. He was the seventh son of Ieyasu TOKUGAWA. His mother was Chaa no Tsubone, Ieyasu's concubine, and his older brother was Tadateru MATSUDAIRA (the same father and mother).	松平松千代（まつだいらまつちよ、文禄3年（1594年） - 慶長4年1月12日 (旧暦)（1599年2月7日）は安土桃山時代の大名。深谷藩二代藩主。徳川家康の七男。母は側室・茶阿局で松平忠輝の同母弟。
Incidentally, the above-mentioned date of birth and death is given by "Tokugawa Bakufu (Japanese feudal government headed by a shogun) Genealogy," whereas "Record of Bakufu's Blessing Heirs "reads that Matsuchiyo was born in 1592 and passed away on March 29, 1594.	なお、上記の生没年は『徳川幕府家譜』に拠ったものであるが、『幕府祚胤伝』では「文禄元年（1592年）誕生、文禄3年（1594年）2月8日 (旧暦)死去」とされている。
Found in Koka, Tsuge-mura Village, Nara Prefecture (present Tsugekoka-cho, Nara City), the grave of OHARIDA no Yasumaro was for cremated remains of OHARIDA no Ason Yasumaro who was a government officer in the Nara period, and was designated as a national historical sit (on November 29, 1969).	小治田安萬侶の墓（おはりだのやすまろのはか）は、奈良県都祁村甲岡（現在は奈良市都祁甲岡町）で発見された奈良時代の官僚である小治田朝臣安萬侶の火葬墓で、国の史跡になっている（1969年11月29日指定）。
Shichijo Omiya Bussho was a Buddhist sculpture workshop that operated in the Heian period. It was founded by Injo, who was the second son of Kakujo, who was the second son of Jocho.	七条大宮仏所（しちじょうおおみやぶっしょ）は、平安時代の仏師工房。定朝の子覚助 (仏師)の次男、院助を祖とする仏所。
The Japan and Korea Protocol was the treaty which was signed between Japan and the Korean Empire during the Russo-Japan War in 1904.	日韓議定書（にっかんぎていしょ）は、日露戦争中の1904年（明治37）2月23日に、日本と大韓帝国との間で締結された条約である。
"Heizei-gojo" is a Buddhist term of Jodo Shinshu Buddhism (the True Pure Land Buddhism,) which means that any person must complete preparation for rebirth in heaven while he is still alive. This term is composed of four kanji (Chinese characters) representing the essential doctrine of Jodo Shinshu founded by a priest, Shinran.	平生業成（へいぜいごうじょう）は、「平生に業事成弁（生きている平生に、往生の業事が、完成（成弁）する）」という意味の浄土真宗の言葉である。これは、親鸞の開いた浄土真宗の教義を漢字4字で表したものである。
Sometimes, however, the term 'Heizei Gojo' is mistakenly used to imply ordinary behaviors of any person.	「平生業成」と聞くと、平生の行いのように使われる場合があるが、誤用である。
The doctrine of Jodo Shinshu is often misunderstood that any person may go to gokuraku (the Buddhist paradise) after his death only if he repeats recitation of nenbutsu (the Buddhist invocation) while he is alive. But the doctrine implies that any person may be rescued right now while he lives, as the term "Heizei-gojo" explains.	浄土真宗の教えは、念仏を称えたら死んだら極楽へゆけるものと誤解されている場合が多くある。しかしそれは、平生業成からもわかるように、生きている今、救われるということである。
The characters of 'Heizei Gojo' appear in "Shoshinge Taii" ("Summary of the Shoshinge Sutra") and "Ofumi" ("letters") both written by Rennyo (a priest of the Jodo Shinshu school).	「平生業成」の文字そのものは、蓮如の『正信偈大意』『御文』に出てくる。
Tsukesage, which is written as '付け下げ' or '付下げ' (pronunciation is the same), is kimono for Japanese women.	付け下げ（つけさげ）は付下げとも書き、日本の女性用の和服。
Peculiar opinion Some people say that since the authority of fascism suppressed the production of homongi, people of the working class unwillingly invented tsukesage as a substitute for homongi; however that opinion is questionable.	珍説ちなみに「ファシズムの国家権力により訪問着の生産が弾圧されたのが原因で、労働者階級がやむなく付け下げを代替品として考案した」というような説があるが、これには反論がある。
MINO no Otomasu was a person of the Nara period. He lived in Tsudaka village, Takatsu County, Bizen Province.	三野乙益（みののおとます)は奈良時代の人。備前国高津郡津高郷の人。
The anti-Nobunaga network is a commonly used name for the seige around Nobunaga led by Yoshiaki ASHIKAGA; from the end of the Sengoku period to the beginning of the Azuchi-Momoyama period, Nobunaga ODA was an official backing for Yoshiaki ASHIKAGA, Seii Taishogun of the Muromachi shogunate, although, in reality, they were conflicted and Yoshiaki established that anti-Nobunaga network.	信長包囲網（のぶながほういもう）は、戦国時代_(日本)末期より安土桃山時代初頭にかけて、室町幕府征夷大将軍足利義昭とその後ろ盾である織田信長との対立に由来する義昭主導の反信長連合の俗称｡
Iaido is a kind of martial art that was developed from the battojutsu (technique of drawing a sword) called Iai.	居合道（いあいどう）とは、武術である抜刀術・居合を武道としたものである。
Iaido is a self-discipline that represents not only training in technique but also the maturing of the person by learning how to use a Japanese sword such as drawing it, sheathing it and other manners.	居合道とは、日本刀を用い、抜刀から納刀、および諸作法を通し技能の修練のみならず人格の涵養なども含めた各自による自己修練のこと。
Currently, a sequence of techniques from drawing a sword to sheathing it while in a seated position is considered as an independent martial art only in Japan, but in fact it is very rare.	現在、座った状態で、鞘から刀剣を抜き放ち、さらに納刀に至るまでをも含めた技術を、一つの独立した武道と成している国は、全世界でも日本のみで、実は非常に稀有なものである。
Difference from swordplay The difference from swordplay is that the kata of iaido is made on the assumption that it's played on the floor; another point is that iaido puts emphasis on the awareness on drawing and sheathing the sword.	剣術との相違剣術との相違点は主に床の間での想定で型が組まれている点にあり、奉納、作法を意識している点も挙げられる。
Enbukai (public demonstration) Enbukai is conducted several times a year, mainly as an event in which performers demonstrate wazamae (kata). Additionally, it is sometimes conducted as a hono-enbu in order to report the result of daily training at a Shinto shrine.	演武会主に業前（形）を披露する行事を年に数回行う。また神社にて日頃の精進の成果をご神前に報告する奉納演武を執り行うこともある。
History On May 4, 1954, the All Japan Iaido Federation was founded. In 1956, the All Japan Kendo Federation established the All Japan Kendo Federation Iai. In 1975, Dai Nippon Iaido Renmei (Great Japan Iaido Federation) was inaugurated.	沿革昭和29年（1954年）5月4日、全日本居合道連盟、創立昭和31年（1956年）、全日本剣道連盟、全日本剣道連盟居合を創設昭和50年（1975年）、大日本居合道連盟、発足
It is also recorded that they conveyed seiko in the time of Himiko or Toyo (the kanji of Toyo is台与 or 壹與), which proves that such people were sent from Japan side as well.	また卑弥呼や台与（壹與）の時代にも生口を送っている記録があり、日本側からも人を送っていたことが見受けられる。
Exiling nobles came over to Japan because of the fall of Baekje during the Asuka period. Above all, Zenko KUDARANOKONIKISHI, who was the prince of Gijio (Uija of Baekje), the last King of Paekche, was given the surname of Kudaranokonikishi by Emperor Jito and became the clan of Baekje ancestry.	また飛鳥時代には百済の滅亡により亡命貴族が日本を頼って渡来した。中でも最後の百済王義慈王の王子の百済王善光は、持統天皇より百済王氏の氏姓を賜り、百済系氏族の長的な存在となった。
SAKANOUE no Kunimaro (year of birth and death unknown) was a person in the Asuka period of Japan. His name was read as 'Sakanouhe no Kunimaro' in old Japanese syllabary characters. His Kabane (hereditary title) was Atai. In the Jinshin War in 672, he left the capital following Takechi no Miko (Prince Takechi) on the side of Oama no Miko (Prince Oama) (Emperor Tenmu).	坂上国麻呂（さかのうえのくにまろ、生没年不詳）は、日本の飛鳥時代の人物である。旧仮名遣いでの読みは「さかのうへのくにまろ」。姓(カバネ)は直。 672年の壬申の乱で大海人皇子（天武天皇）側の高市皇子に従って都を脱した。
Koga Family Land was an amusement park located in the former Kosei-cho, Koka-gun, Shiga Prefecture (present day Konan City in Shiga Prefecture). The site it was located on is owned by Koga Conutry Club, and the facility was adjacent to the golf course of the same name.	甲賀ファミリーランド（こうがファミリーランド）は、かつて滋賀県甲賀郡甲西町 (滋賀県)（現在は湖南市）にあった遊園地である。敷地は甲賀カントリー倶楽部が所有しており、同ゴルフ場に隣接していた。
After he was adopted by his uncle, FUJIWARA no Kaneie, he celebrated his coming of age, becoming Sakon Chujo (Middle Captain of the Inner Palace Guards) with Jushiijo (Junior Fourth Rank, Upper Grade), but died young at the age of twenty-three. Amongst his friends were FUJIWARA no Kinto, FUJIWARA no Sanekata, and FUJIWARA no Nobukata.	伯父藤原兼家の養子となり元服、従四位上左近中将に至ったが23歳の若さでなくなった。藤原公任・藤原実方・藤原信方などと親しかった。
His personal collection of poetry is the "Michinobu Ason shu" (A Collection of Michinobu Ason - second highest of the eight hereditary titles).	家集に『道信朝臣集』がある。
Makie is the technique of Japanese lacquer art.	蒔絵（まきえ）は、漆芸の技法の一つである。
While 'hyomon' and 'raden' are originally Chinese techniques, the makie technique is regarded as a Japanese lacquer art only seen in Japan with the earliest piece of work being Kingindenso no karatachi (commonly called 'makkinru no tachi,' a sword made by the ancient lacquer-decorating technique with sprinkled gold powder), which is a Shosoin treasure.	「平文」や「螺鈿」が中国起源の技法であるのに対し、蒔絵はその初例を正倉院宝物の金銀鈿荘唐大刀（きんぎんでんかざりのからたち、通称「末金鏤の大刀」（まっきんるのたち））とされており、海外に類例のない日本独自の漆芸技法とされている。
Main Techniques	主な技法
Togidashi Makie	研出蒔絵（とぎだしまきえ）
Hira Makie	平蒔絵（ひらまきえ）
Taka Makie	高蒔絵（たかまきえ）
Lacquer is applied onto the motif to produce a relief effect.	文様部分を漆を盛り上げて浮き彫り状に表現したもの。
Shishiai Makie	肉合蒔絵（ししあいまきえ）
A combination of taka makie and togidashi makie techniques. After part of the motif is formed into a relief, lacquer is coated over the entire piece, and is then polishing with charcoal. Unlike togidashi makie, the surface of the piece is not smooth after the completion of polishing.	高蒔絵と研出蒔絵を合わせた技法。文様の一部を浮き彫り状に盛り上げた上で、器面全体に漆を塗りかぶせ、木炭で研ぎ出す。研出蒔絵と異なり、研磨後、器の表面は平滑にならない。
Rankaku Makie	卵殻蒔絵（らんかくまきえ）
A technique of inlay with chicken or quail egg shell.	鶏、ウズラなどの卵の殻を接着する技法
Ohanjin (also pronounced as Oubanshin) is deification of Rago, one of Kuyo (nine-planet crest), and is mainly enshrined as a stone monument on the border of settlement, in the center of a village, on the border of villages, crossing, or T-junction.	黄幡神（おうはんじん、おうばんしん）は、九曜の1つである羅睺(らごう)を奉ったもので、集落の境や村の中心、村内と村外の境界や道路の辻、三叉路などにおもに石碑の形態で祀られている。
Today Ohanjin is deified as a guardian deity of a village as guardians for the community, but was originally a snake god called Rafu in the Indian myth and was feared as a god who brings disasters. After it was introduced to Japan it was syncretized with Susano, a deity who caused eclipse.	現在は道祖神の様に村の守り神として信仰されているが、元々はインド神話に登場するラーフと呼ばれる蛇神であり災害をもたらす神として恐れられた。日本に伝来してからは、日食を引き起こした神であるスサノオと習合した。
It is also one of Hasshojin (Eight General Gods) which control good and bad directions. It is also called hakanokata as well as a god of war. It would bring bad luck to move soil to the direction of this god while it brings good luck regarding warfare.	また、吉凶の方位を司る八将神(はっしょうじん)の一柱である。別名万物の墓の方といい、また兵乱の神ともいう。この方角に向かって土を動かすのは凶だが、武芸に関することは吉とされている。
Though as a result of syncretization it is categorized as a god, Ohanjin is deeply related to Buddhism, especially esoteric Buddhism.	習合の結果、神として分類されたが仏教、特に密教と深く結びついている神である。
Varieties Ohanjin looks very similar to Doso-jin (a god who prevents evil spirits from coming) in appearance, but can be distinguished by the following features.	種類見た目は道祖神と酷似しているが、以下の条件で識別可能。
Moji-Ohanjin Ohanjin on whose stone monument are carved Chinese characters or Sanskrit related to Rago (ohan).	文字黄幡神碑石に羅睺(黄幡)に関する漢字や梵語が刻まれた黄幡神。
Jato-Ohanjin Ohanjin which expresses anger as fudomyoo and has nine snakes which express its origin Rafu.	蛇頭黄幡神不動明王の様に憤怒を表しており、頭には原型であるラーフを表す九頭の蛇が刻まれた黄幡神。

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