identifier stringlengths 7 768 | collection stringclasses 3 values | open_type stringclasses 1 value | license stringclasses 2 values | date float64 2.01k 2.02k ⌀ | title stringlengths 1 250 ⌀ | creator stringlengths 0 19.5k ⌀ | language stringclasses 357 values | language_type stringclasses 3 values | word_count int64 0 69k | token_count int64 2 438k | text stringlengths 1 388k | __index_level_0__ int64 0 57.4k |
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https://hu.wikipedia.org/wiki/Z%C3%B6ldfej%C5%B1%20amaz%C3%ADlia | Wikipedia | Open Web | CC-By-SA | 2,023 | Zöldfejű amazília | https://hu.wikipedia.org/w/index.php?title=Zöldfejű amazília&action=history | Hungarian | Spoken | 86 | 299 | A zöldfejű amazília (Agyrtria viridifrons) a madarak osztályának sarlósfecske-alakúak (Apodiformes) rendjébe és a kolibrifélék (Trochilidae) családjába tartozó faj.
Rendszerezés
Besorolása vitatott, egyes rendszerezők az Amazilia nembe sorolják Amazilia viridifrons néven.
Előfordulása
Mexikó, Belize és Guatemala területén honos. A természetes élőhelye szubtrópusi vagy trópusi száraz erdők, síkvidéki esőerdők, síkvidéki száraz cserjések, valamint vidéki kertek és városi környezet.
Alfajai
Amazilia viridifrons viridifrons (Elliot, 1871)
Amazilia viridifrons wagneri A. R. Phillips, 1966
Jegyzetek
Források
További információk
Képek az interneten a fajról
Agyrtria
Madárfajok
Mexikó madarai
Belize madarai
Guatemala madarai | 30,860 |
https://dty.wikipedia.org/wiki/%E0%A4%AD%E0%A4%BE%E0%A4%97%E0%A5%8D%E0%A4%AF%E0%A4%B6%E0%A5%8D%E0%A4%B0%E0%A5%80 | Wikipedia | Open Web | CC-By-SA | 2,023 | भाग्यश्री | https://dty.wikipedia.org/w/index.php?title=भाग्यश्री&action=history | Doteli | Spoken | 37 | 285 | भाग्यश्री (जन्म: २३ फेब्रुअरी १९६९) हिन्दी चलचित्रकी एक अभिनेत्री हुन् रे एक टेलिभिजन कलाकार लै हुन् ।
व्यक्तिगत जीवनी
सन्दर्भ सामग्रीअन
भाइरा लिङ्कअन
http://movies.ndtv.com/bollywood/salman-khan-flirted-with-bhagyashree-while-shooting-maine-pyar-kiya-720233
यो लै हेर
जीवनी
जिउना मान्सु
बलिउड अभिनेत्रीअन
भारतीय अभिनेत्रीअन
भारतीय चलचित्र अभिनेत्रीअन | 47,749 |
https://en.wikipedia.org/wiki/Myoxanthus%20reymondii | Wikipedia | Open Web | CC-By-SA | 2,023 | Myoxanthus reymondii | https://en.wikipedia.org/w/index.php?title=Myoxanthus reymondii&action=history | English | Spoken | 23 | 47 | Myoxanthus reymondii is a species of orchid occurring from western Venezuela to Ecuador.
References
External links
reymondii
Orchids of Ecuador
Orchids of Venezuela | 16,950 |
https://stackoverflow.com/questions/22145288 | StackExchange | Open Web | CC-By-SA | 2,014 | Stack Exchange | English | Spoken | 103 | 157 | Locate File in Slution Explorer in VS 2013
Is there a way to locate the current a file in the Visual Studio's "Solution Explorer"?
I don't want to always track the current file. But I would like to locate at demand the current file in the explorer.
I found a way, using macros(http://goo.gl/ejMx4D), but macros are not available in VS 2013/12.
Thanks.
Use this button or the shortcut Ctrl+[, S:
If you mean find the path where is stored some file, just select the file in solution explorer and next go to properties window. There is the full path of currently selected file.
| 17,683 | |
https://ceb.wikipedia.org/wiki/Davallia%20seramensis | Wikipedia | Open Web | CC-By-SA | 2,023 | Davallia seramensis | https://ceb.wikipedia.org/w/index.php?title=Davallia seramensis&action=history | Cebuano | Spoken | 71 | 138 | Kaliwatan sa tanom ang Davallia seramensis. sakop sa ka-ulo nga Tracheophyta, ug Una ning gihulagway ni Masahiro Kato. Ang Davallia seramensis sakop sa kahenera nga Davallia, ug kabanay nga Davalliaceae.
Kini nga matang hayop na sabwag sa:
Moluccas (kapuloan sa Indonesya)
New Guinea (pulo)
New Guinea
Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Tanom
Tanom sa Moluccas (kapuloan sa Indonesya)
Tanom sa New Guinea (pulo)
Davallia | 44,955 |
https://stackoverflow.com/questions/23864789 | StackExchange | Open Web | CC-By-SA | 2,014 | Stack Exchange | English | Spoken | 114 | 173 | How to change color of GridLayout spacing?
the GridLayout new GridLayout(5, 8, 4, 4) is shown as a card in a CardLayout. I color the squares bluish by setting the background color of all JPanels I insert into the gridlayout. Where should I look to change the color of the white outlines(the 4 pixel horizontal and vertical spacing I've specified)?
The layout itself has no color, it's merely in charge of calculating and setting the positions and sizes of the components inside the container it is assigned to.
What you need to do it to set the background of that container, i.e. the container to which you set the layout
someContainer.setLayout(new GridLayout(...));
someContainer.setBackground(new Color(...));
| 14,883 | |
https://salesforce.stackexchange.com/questions/354942 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | CcMda, Phil W, RubenDG, https://salesforce.stackexchange.com/users/102161, https://salesforce.stackexchange.com/users/50252, https://salesforce.stackexchange.com/users/62544 | Dutch | Spoken | 266 | 613 | Facing Too many SOQL queries: 101 exception, anything wrong?
I am facing 101 SOQL Limit exception here, I tried to keep this out of loop, any idea why is this occurring?
template = (String) mapofDataBlock.get('template');
mk2021md__mdt dataBlockTemplate = getTemplate(template);
mk2021md__mdt getTemplate(string templateLabel) {
mk2021md__mdt template = new mk2021md__mdt ();
list<mk2021md__mdt> templateList = [SELECT field1__c, field2__c, Header__c, Body__c, Footer__c, fieldx__c, Zeroes__c FROM mk2021md__mdt WHERE Label=:templateLabel];
if (templateList.size() != 1) {
errorFlag = true;
debugInfo += 'Error reading ' + templateLabel + ' metadata record.<br>';
errorText += 'Error reading ' + templateLabel + ' metadata record. ';
}
else {
template = templateList[0];
}
//System.Debug('1.Number of Queries used in this apex code so far: ' + Limits.getQueries());
return(template);
}
I think you must be calling getTemplate in a loop?
no it's a separate function
Well, it is clear this error doesn't come from the code you have posted. There's something missing.
This is only the code where the 101st query is issued. You should check the code of the whole transaction and, if there are dml, you should check triggers and flow too.
After using trace logs, I can see it is occurring after the SOQL only
09:17:38.573 (8772414201)|SOQL_EXECUTE_BEGIN|[222]|Aggregations:0|SELECT field1__c, field2__c, Header__c, Body__c, Footer__c, fieldx__c, Zeroes__c FROM mk2021md__mdt WHERE Label=:templateLabel
09:17:38.573 (8772587921)|EXCEPTION_THROWN|[222]|System.LimitException: H165nsights:Too many SOQL queries: 101
09:17:38.573 (8772871209)|HEAP_ALLOCATE|[222]|Bytes:41
You are receiving this error because this code block is in a for loop or in a method that is being called in a for loop. If that's not the case, check your stack trace and debug logs for other classes or processes that can call/access this code block.
| 30,240 |
https://stackoverflow.com/questions/69473682 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | English | Spoken | 580 | 1,127 | Intercept external URL fetch via ServiceWorker running on localhost
I have a set of integration tests which run in Karma. Unfortunately, they call out to an external, production API endpoint. I do not want integration tests to call out and am exploring my options.
I am wondering if service workers are a viable solution. My assumption is that they do not work because https://github.com/w3c/ServiceWorker/issues/1188 makes it clear that cross-origin fetch is not supported and localhost is not the same origin as a production API endpoint.
For clarity, here is some code I am running:
try {
const { scope, installing, waiting, active } = await navigator.serviceWorker.register('./base/htdocs/test/imageMock.sw.js');
console.log('ServiceWorker registration successful with scope: ', scope, installing, waiting, active);
(installing || waiting || active).addEventListener('statechange', (e) => {
console.log('state', e.target.state);
});
} catch (error) {
console.error('ServiceWorker registration failed: ', error);
}
and the service worker
// imageMock.sw.js
if (typeof self.skipWaiting === 'function') {
console.log('self.skipWaiting() is supported.');
self.addEventListener('install', (e) => {
// See https://slightlyoff.github.io/ServiceWorker/spec/service_worker/index.html#service-worker-global-scope-skipwaiting
e.waitUntil(self.skipWaiting());
});
} else {
console.log('self.skipWaiting() is not supported.');
}
if (self.clients && (typeof self.clients.claim === 'function')) {
console.log('self.clients.claim() is supported.');
self.addEventListener('activate', (e) => {
// See https://slightlyoff.github.io/ServiceWorker/spec/service_worker/index.html#clients-claim-method
e.waitUntil(self.clients.claim());
});
} else {
console.log('self.clients.claim() is not supported.');
}
self.addEventListener('fetch', (event) => {
console.log('fetching resource', event);
if (/\.jpg$/.test(event.request.url)) {
const response = new Response('<p>This is a response that comes from your service worker!</p>', {
headers: { 'Content-Type': 'text/html' },
});
event.respondWith(response);
}
});
and when this code is ran I see in the console
ServiceWorker registration successful with scope: http://localhost:9876/base/htdocs/test/ null null ServiceWorker
and then requests to https://<productionServer>.com/image.php are not intercepted by the fetch handler.
Is it correct that there is no way to intercept in this scenario?
You can use a service worker to intercept requests made by a browser as part of a test suite. As long a service worker is in control of a web page, it can intercept cross-origin requests and generate any response you'd like.
(The issue you link to about "foreign fetch" is something different; think of it as the remote production server deploying its own service worker. This was abandoned.)
"Stop mocking fetch" is a comprehensive article covering how to use the msw service worker library within the context of a test suite.
I can't say off the top of my head exactly why your current setup isn't working, but from past experience, I can say that the most important thing to remember when doing this is that you need to delay making any requests from a client test page until the page itself is being controlled by an active service worker. Otherwise, there's a race condition in which you might end up firing off a request that needs to trigger a fetch handler, but won't if the service worker isn't yet in control.
You can wait for this to happen with logic like:
const controlledPromise = new Promise((resolve) => {
// Resolve right away if this page is already controlled.
if (navigator.serviceWorker.controller) {
resolve();
} else {
navigator.serviceWorker.addEventListener('controllerchange', () => {
resolve();
});
}
});
await controlledPromise;
// At this point, the page will be controlled by a service worker.
// You can start making requests at this point.
Note that for this use case, await navigator.serviceWorker.ready will not give you the behavior you need, as there can be a gap in time between when the navigator.serviceWorker.ready promise resolves and when the newly activated service worker takes control of the current page. You don't want that gap of time to lead to flaky tests.
| 39,778 | |
https://sq.wikipedia.org/wiki/Beteja%20e%20Foinik%C3%ABs | Wikipedia | Open Web | CC-By-SA | 2,023 | Beteja e Foinikës | https://sq.wikipedia.org/w/index.php?title=Beteja e Foinikës&action=history | Albanian | Spoken | 1,253 | 3,032 | Beteja e Foinikes ishte një betejë që u zhvillua në vitin 230 pes midis forcave të Lidhjes Epirote dhe Mbretërisë Ardiane të Ilirisë.
Hyrje
Trashëgimi në fron i takonte të birit, Pinit, që Agroni e kishte me gruan e dytë, Triteutën. Meqë ky ishte i mitur, sundimin e mori në dorë bashkëshortja e tij e parë, Teuta. A ishte ky një veprim i ligjshëm apo një uzurpim nuk dihet me saktësi, por ardhja e saj në fuqi paraqet një rast të veçantë në të drejtën e trashëgimisë. Mundet që paaftësia e së ëmës t’i ketë lënë vendin thjeshtrës; mundet gjithashtu që në vijën mashkullore të mos ketë pasur një tjetër më të afërt me trashëgimtarin e ligjshëm, por më shumë ka të ngjarë që thjeshtra energjike nuk donte t’ia kalonte këtë të drejtë një dege tjetër të familjes mbretërore, e cila mund të sillte më vonë ndërlikime në fatin e pinjollit të Agronit. Sidoqoftë ardhja e saj në fuqi nuk u bë në rrugë të zakonshme dhe vdekja e papritur e Agronit, ka të ngjarë të ketë krijuar në oborrin ilir një gjendje të nderë. Por çështja gjeti zgjidhjen e vet. E përkrahur nga përfaqësuesit më të fuqishëm të shtresës sunduese ilire, “miqtë” e mbretit, ajo u vu në krye të shtetit dhe me ta “ushtroi - siç thotë Polibi, - drejtimin e punëve”.
Teuta nuk e ndryshoi politikën e jashtme të shtetit ilir dhe veprimtaria e mëtejshme e tij u zhvillua në frymën e aleancës së farkëtuar nga Agroni me Maqedoninë. Në vitin 230, një vit pas fitores mbi Medionin, një forcë ushtarake dhe detare ilire, “jo më e vogël se ajo e Agronit”, u vu përsëri në lëvizje drejt jugut. Këtë radhë ajo kishte si objektiv kryesor aleatin verior të etolëve dhe aheasve, Epirin. Njëkohësisht flota ilire kishte marrë urdhër të konsideronte troje armike gjithë anëdetjen dhe t’i shtrinte veprimet deri thellë në Elidë dhe në Meseni, krahina që ishin nën ndikimin etol. Me këtë aksion flota do të mbante nën presion armikun deri në skajet më të largëta dhe do të përcaktonte qëndrimin e shtetit ilir ndaj aleatëve të etolëve e të aheasve, kurse forcat kryesore do të godisnin nga deti dhe nga toka objektivin kryesor, Epirin. Forcat detare ilire zbritën në afërsi të kryeqendrës së Lidhjes Epirote, Foinikes, dhe u drejtuan kundër saj. Pasi bindën mercenarët galë t’u dorëzonin qytetin, e zunë atë pa vështirësi. Epirotët të shqetësuar dërguan forcat e tyre në ndihmë të Foinikes. Por pa arritur mirë të vendosin lëmin e tyre buzë lumit, që rrjedh pranë qytetit (Bistrica e sotme), morën vesh se një ushtri tjetër ilire prej 5 000 vetash, nën komandën e Skerdilaidit, ishte drejtuar kundër tyre, duke kaluar nëpër ngushticën e Antigonesë (gryka e Tepelenës). Forcat epirote që u dërguan kundër tyre nuk e ndaluan dot marshimin ilir. Ndërkaq ilirët që kishin zënë Foiniken ndërmorën një sulm të fuqishëm kundër lëmit epirot që ndodhej në anën e përtejme të lumit (Bistricës). Epirotët u shpartalluan plotësisht, duke lënë në fushë të luftës shumë të vrarë e të plagosur; vetëm një pjesë mundën të shpëtojnë e të ikin tek atintanët. Por edhe këtë radhë dështimin e epirotëve Polibi e shpjegon me befasinë e goditjes ilire dhe shkujdesjen e armiqve të tyre.
Beteja
Foinika ishte marrë më parë nga ilirët që vepronin nën Mbretëreshën Teuta, në vitin 230 pes, pasi një garnizion gaulish prej 800 burrash u dorëzua te forca më të madhe ilire. Si reagim, Lidhja Epirote dërgoi në një ushtri të rimarrë Foiniken. Ata zunë pozicionet në një lumë jashtë Foinikës. Ndërkohë, 5,000 ilirë nën Skerdilaidin kishin përparuar në brendësi të Epirit nga Iliria Jugore dhe kishin arritur një kalim vetëm jashtë Antigonesë . Epirotët reaguan duke ndarë ushtrinë e tyre, duke dërguar një shkëputje të vogël për të mbrojtur Antigoneinë, ndërsa ruanin trupin e tyre kryesor jashtë Phoenice. Ilirët në Phoenice, duke parë që ushtria epirote ishte e ndarë, përparuan drejt kampit të tyre dhe kaluan lumin. Të nesërmen forcat u përfshinë në betejë. Forcat Greke u dëbuan dhe u mposhtën keq, me shumë u vranë ose u kapën, dhe mbetjet e ushtrisë u larguan për në Atinania.
Përgatitjet për një betejë të dytë
Pas betejës, Lidhja Epirote nuk kishte arritur të merrte nën kontroll Foniken, qytetin më të fuqishëm të Epirit. Forcat e Skerdilaidit kishin pushtuar gjithashtu zona tjera të Epirit verior deri në Antigone. Epirotët kërkuan ndihmë nga aetolianët dhe akeianët, me të parët që ishin mundur më parë nga Ilirët nën Agronin në Medion në vitin 232 pes. Që të dy grupet dërguan një ushtri të kombinuar lehtësuese te epirotët që mbërritën në Helikranum, afër Janinës moderne, në vitin 230 pes. Ilirët në Foenike dhe ata jashtë Antigonesë nën Skerdilaidin bashkuan forcat në Epir dhe përparuan drejt Helikranumit në zemër të Epirit, duke u përgatitur për të përfshirë edhe forcën e re greke në betejë. Sidoqoftë, ata u thirrën përsëri në Iliri nga Teuta para se të fillonte beteja, pas një revolte ilire në mbështetje të Dardanisë. Mbreti dardan, Longari, kishte pushtuar Ilirinë, duke shkaktuar një kryengritje. Kështu që, pasi ilirët bënë një armëpushim me Epirotët u tërhoqën. Ata gjithashtu hoqën dorë nga çlirimtarët që kishin kapur në betejë së bashku me qytetin e Foinikes për një shpërblim. Më pas, duke marrë skllevër dhe pre, ilirët u kthyen në Iliri nga deti, ndërsa 5,000 ushtarë nën komandën e Skerdilaidit u tërhoqën në veri drejt kalimit të Antigonesë.
Epilogu
Pas betejës dhe tërheqjes eventuale të forcave ilire, epirotët panë që ligat greke nuk mund t’i mbronin. Lidhja Epirote dhe Akarnania dërguan ambasadorë te Mbretëresha Teuta dhe hynë në një aleancë me Ilirinë kundër lidhjeve akeane dhe aetoliane.
Pas këtij dështimi epirotët e humbën çdo shpresë në fuqitë e veta dhe iu drejtuan për ndihmë aleatëve të tyre etolë e aheas. Ndihma nuk vonoi t’u jepej dhe forcat e të dy lidhjeve arritën në vendin e quajtur Helikanon (një vend i paidentifikuar) diku në pellgun e Vurgut. Këtu erdhën dhe pushtuesit e Foinikes bashkë me forcat e Skerdilaidit, që duhet të kenë ndjekur rrugën më të shkurtër nga qafa e Skarficës për të arritur në Foinike. Të dyja palët u radhitën përballë njëra-tjetrës, por nuk arritën të përleshen, sepse, siç thotë Polibi, ilirët morën urdhër nga Teuta të tërhiqeshin nga Epiri, për t’u dalë përpara dardanëve që po sulmonin nga lindja dhe për të qetësuar disa nga fiset që ishin bashkuar me ta.
Sa qe real dhe serioz ky rrezik dardan nuk mund të thuhet, por fakti është se ilirët nuk u shqetësuan shumë dhe nuk u shpejtuan të largohen nga Epiri pa i rregulluar mirë punët e tyre. Ata përfunduan më parë një armëpushim me epirotët, në bazë të të cilit u kthenin atyre qytetin dhe robërit që ishin qytetarë të lirë, kundrejt një shpërblimi, kurse skllevërit dhe plaçkën i mbajtën për vete. Ushtria dhe flota morën rrugën e kthimit duke marrë me vete, me sa duket, edhe premtimin për një aleancë të ardhme. Dhe me të vërtetë kjo nuk vonoi të përfundohet. Përfaqësuesit epirotë arritën me të shpejtë te mbretëresha ilire dhe përfunduan me të një aleancë, duke marrë përsipër të ndihmonin ilirët dhe të jenë armiq të etolëve dhe të ahejve. Po këtë gjë bënë edhe akarnanët, të cilët kishin ardhur së bashku me epirotët. Rezultati u arrit: Epiri u shkëput nga etolët dhe aleanca me akarnanët krijoi tani një kufi të largët, por të drejtpërdrejtë midis lidhjeve greke dhe shtetit ilir.
Shih edhe
Ilirët
Iliria
Foenika
Marrëveshja e Foenikës
Referime
Literatura
Beteja ku përfshihen ilirët
230 p.e.s. | 29,960 |
https://ka.wikipedia.org/wiki/%E1%83%99%E1%83%90%E1%83%A1%E1%83%90%E1%83%A1-%E1%83%93%E1%83%94-%E1%83%9A%E1%83%90%E1%83%A1%E1%83%90%E1%83%A0%E1%83%9D | Wikipedia | Open Web | CC-By-SA | 2,023 | კასას-დე-ლასარო | https://ka.wikipedia.org/w/index.php?title=კასას-დე-ლასარო&action=history | Georgian | Spoken | 37 | 290 | კასას-დე-ლასარო () — მუნიციპალიტეტი ესპანეთში, შედის კასტილია-ლა-მანჩის ავტონომიური გაერთიანების ალბასეტეს პროვინციის სიერა-დე-ალკარას-ი-კამპო-დე-მონტიელის კომარკის შემადგენლობაში. ფართობი — 112,32 კმ². მოსახლეობა — 348 კაცი (2020 წ.).
იხილეთ აგრეთვე
ალბასეტეს მუნიციპალიტეტები
რესურსები ინტერნეტში
კასას-დე-ლასაროს მუნიციპალიტეტის ოფიციალური საიტი
სქოლიო
ალბასეტეს მუნიციპალიტეტები | 37,884 |
https://sv.wikipedia.org/wiki/Maechidius | Wikipedia | Open Web | CC-By-SA | 2,023 | Maechidius | https://sv.wikipedia.org/w/index.php?title=Maechidius&action=history | Swedish | Spoken | 230 | 906 | Maechidius är ett släkte av skalbaggar. Maechidius ingår i familjen Melolonthidae.
Dottertaxa till Maechidius, i alfabetisk ordning
Maechidius aenescens
Maechidius algonus
Maechidius amanus
Maechidius angusticeps
Maechidius antennalis
Maechidius aroae
Maechidius arrowi
Maechidius ater
Maechidius atratus
Maechidius brevis
Maechidius caesius
Maechidius calabyi
Maechidius capitalis
Maechidius caviceps
Maechidius cavus
Maechidius chadwicki
Maechidius charaxus
Maechidius clypealis
Maechidius coelus
Maechidius conspicuus
Maechidius corrosus
Maechidius crassifrons
Maechidius crenaticollis
Maechidius davidsoni
Maechidius emarginatus
Maechidius esau
Maechidius eutermiphilus
Maechidius excisicollis
Maechidius excisus
Maechidius fissiceps
Maechidius fraterculus
Maechidius froggati
Maechidius geminus
Maechidius gibbicollis
Maechidius gressitti
Maechidius hackeri
Maechidius hirtipes
Maechidius hopeanus
Maechidius hoplocephalus
Maechidius humeralis
Maechidius insularis
Maechidius interruptocarinatus
Maechidius jobiensis
Maechidius kanallus
Maechidius kiwanus
Maechidius konandus
Maechidius kurantus
Maechidius lateripennis
Maechidius latus
Maechidius lineatopunctatus
Maechidius lobaticeps
Maechidius longitarsus
Maechidius macleaynus
Maechidius major
Maechidius mellyanus
Maechidius metellus
Maechidius milkappus
Maechidius milneanus
Maechidius modicus
Maechidius moluccanus
Maechidius muticus
Maechidius nanus
Maechidius occidentalis
Maechidius olor
Maechidius ordensis
Maechidius papuanus
Maechidius parallelicollis
Maechidius parandus
Maechidius parvulus
Maechidius paupianus
Maechidius pauxillus
Maechidius pedarioides
Maechidius pellus
Maechidius pilosus
Maechidius proximus
Maechidius puncticollis
Maechidius pygidialis
Maechidius raucus
Maechidius relictus
Maechidius rufus
Maechidius rugicollis
Maechidius rugosicollis
Maechidius rugosipes
Maechidius savagei
Maechidius sculptipennis
Maechidius seriepunctatus
Maechidius serigranosus
Maechidius serratus
Maechidius setosellus
Maechidius setosus
Maechidius simplex
Maechidius sordidus
Maechidius spurius
Maechidius squamipennis
Maechidius stradbrokensis
Maechidius sturnus
Maechidius subcostatus
Maechidius tarsalis
Maechidius tibialis
Maechidius tridentatus
Maechidius tumidifrons
Maechidius variolosus
Maechidius vicinus
Maechidius wilsoni
Maechidius woodlarkianus
Källor
Skalbaggar
Maechidius | 28,663 |
https://stackoverflow.com/questions/15979719 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | Cianan Sims, Jack, https://stackoverflow.com/users/384985, https://stackoverflow.com/users/875127 | English | Spoken | 204 | 340 | Registering one Backbone model with multiple views
This is an architecture question. Let's say I have one model and N views may (or may not) be bound to it. How do I make changes in this model so all views change? I suspect there must be some design pattern for this. I've thought of having my backbone model have an array of views and have a function that simply goes through said array and triggers the name of the view as an event.
Is that a way to do this? What pattern could I use? How should I architect something like this?
Bind your views to the relevant events on the model.
Your model should not be aware of the views presenting it, to maintain the MVC separation of concerns. Read the docs on events. You can have your views listen to the change event and then update themselves accordingly.
The documentation of Views has a good example of this:
var DocumentRow = Backbone.View.extend({
tagName: "li",
className: "document-row",
events: {
"click .icon": "open",
"click .button.edit": "openEditDialog",
"click .button.delete": "destroy"
},
initialize: function() {
this.listenTo(this.model, "change", this.render);
}
render: function() {
...
}
});
You're welcome. Thank Jeremy Ashkenas for the awesomeness that is Backbone!
| 7,132 |
https://blender.stackexchange.com/questions/274930 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | Gorgious, Karan, Pszz, https://blender.stackexchange.com/users/123423, https://blender.stackexchange.com/users/154913, https://blender.stackexchange.com/users/86891 | English | Spoken | 476 | 1,231 | Showing geometry node fields in a custom UI is grayed out for collection
I'm trying to create a custom UI that shows some geometry node modifier settings,
So far it's working for the most part but Collection and Objects fields are grayed out :
Is there a way to make them editable as the other fields ?
I've also tried a workaround by creating an EnumProperty that set collection inside the modifier , but I didn't managed to make it work as intended.
Any advices or something that would point me in the right direction would be very much apreciated !
Thanks !
Here is where I'm at with the script :
import bpy
from bpy.props import EnumProperty
from bpy.types import NodeSocketInterfaceCollection
class ModifierPanel(bpy.types.Panel):
"""Creates a Panel in the Object properties window"""
bl_label = "Asset Properties"
bl_idname = "OBJECT_PT_MOD"
bl_space_type = "VIEW_3D"
bl_region_type = "UI"
bl_category = "EnvTools"
@classmethod
def poll(cls, context):
return context.object is not None
def draw(self, context):
layout = self.layout
obj = context.object
for mod in obj.modifiers :
if mod.type != "NODES" : continue
row = layout.row()
grp = mod.node_group
row = layout.row()
for inp in grp.inputs :
if inp.type == "GEOMETRY" : continue
if inp.type == "COLLECTION" :
row.label(text=inp.name)
#row.prop(data = inp, property = "emb_col_enum", text = "")
row.prop(data = mod, property = f'["{inp.identifier}"]', text = "")
row = layout.row()
continue
row.label(text=inp.name)
row.prop(data = mod, property = f'["{inp.identifier}"]', text = "",)
row = layout.row()
def col_enum_items(self, context) :
cols = []
t = 0
for c in bpy.data.collections :
cols.append( (c.name, c.name, c.name, t) )
#cols.append( (c.name, c.name, c.name) )
t += 1
return (cols)
def col_enum_get(self) :
# work but misses default
#return(self["emb_col_enum"])
# locked
mod = socket_get_modifier(self)
col = mod[self.identifier].name
t = 0
for c in bpy.data.collections :
if c.name == col : return(t)
t += 1
return(0)
def col_enum_set(self, value) :
self["emb_col_enum"]=value
#mod = socket_get_modifier(self)
#mod[self.identifier] = bpy.data.collections[self.emb_col_enum]
def socket_get_modifier(socket) :
mod = None
mod_name = socket.id_data.name
for md in bpy.context.active_object.modifiers :
if md.node_group.name == mod_name : mod = md
return(mod)
def col_enum_update(self, context) :
mod = socket_get_modifier(self)
mod[self.identifier] = bpy.data.collections[self.emb_col_enum]
def register():
bpy.utils.register_class(ModifierPanel)
NodeSocketInterfaceCollection.emb_col_enum = EnumProperty(
name="Collection",
items=col_enum_items,
#get=col_enum_get,
#set=col_enum_set,
update = col_enum_update)
def unregister():
bpy.utils.unregister_class(ModifierPanel)
if __name__ == "__main__":
register()
print("reg")
Hello, not an answer but I think you could get a much more readable code if you used the next and/or enumerate builtin functions instead of your for loops
try 'template_node_view()', learn more https://docs.blender.org/api/current/bpy.types.UILayout.html?highlight=ui#bpy.types.UILayout.template_node_link
Gorgious thanks for the tips ! @Karan thanks too ! I've looked into that and it wasn't exactly what I was looking for ! this access the node tree, not the instance of that node ( on the modifier pannel)
I don't know if you find an answer or not but you can make dictionary of input types and then use it with prop_search instead of prop for the non-numeric based inputs.
| 45,835 |
https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D8%B9%D9%84%D8%A7%D9%82%D8%A7%D8%AA%20%D8%A7%D9%84%D8%A3%D9%86%D8%AF%D9%88%D8%B1%D9%8A%D8%A9%20%D8%A7%D9%84%D9%86%D8%A7%D9%85%D9%8A%D8%A8%D9%8A%D8%A9 | Wikipedia | Open Web | CC-By-SA | 2,023 | العلاقات الأندورية الناميبية | https://ar.wikipedia.org/w/index.php?title=العلاقات الأندورية الناميبية&action=history | Arabic | Spoken | 41 | 154 | العلاقات الأندورية الناميبية هي العلاقات الثنائية التي تجمع بين أندورا وناميبيا.
مقارنة بين البلدين
هذه مقارنة عامة ومرجعية للدولتين:
منظمات دولية مشتركة
يشترك البلدان في عضوية مجموعة من المنظمات الدولية، منها:
وصلات خارجية
موقع وزارة الخارجية الأندورية
مراجع
العلاقات الأندورية الناميبية | 43,066 |
https://fr.wikipedia.org/wiki/Roger%20Pierre | Wikipedia | Open Web | CC-By-SA | 2,023 | Roger Pierre | https://fr.wikipedia.org/w/index.php?title=Roger Pierre&action=history | French | Spoken | 3,983 | 6,976 | Roger Pierre, né le à Paris et décédé le au Port-Marly, est un acteur et humoriste français.
Il est notamment connu pour son duo comique avec Jean-Marc Thibault, duo qui a donné lieu à de nombreux spectacles, plusieurs longs métrages, d'innombrables chansons et des émissions de télévision de Maritie et Gilbert Carpentier comme Les Grands Enfants. Un de leurs sketches les plus célèbres est La Guerre de Sécession.
Roger Pierre a également coanimé l'émission Incroyable mais vrai ! sur TF1.
Biographie
En 1947, alors qu’il était speaker publicitaire à Radio-Luxembourg, il faisait la connaissance de Jean-Marc Thibault dont il lisait les textes. Ils ont débute une longue carrière de cabarettistes parisiens en écrivant quelque , conjuguant textes, mimes et chansons.
À partir des années 1950, ils apparaissaient régulièrement à la télévision en participant à des émissions comme 36 chandelles, présentée par Jean Nohain, et plus tard dans celles produites par Maritie et Gilbert Carpentier.
En 1950, lors d'une tournée canadienne avec Darry Cowl, Roger Pierre coécrit avec Bourvil la très fameuse « Causerie anti-alcoolique » au cours d'une soirée arrosée. Bourvil y incarne le délégué d'une ligue anti-alcoolique venu opposer les vertus de l'eau ferrugineuse aux méfaits de l'alcool. Le comique tient à ce que le vertueux délégué, censé illustrer et défendre la santé et la tempérance, soit lui-même complètement ivre.
En 1976, Roger Pierre et Jean-Marc Thibault se séparent pour faire carrière individuellement. Roger Pierre se consacre alors au théâtre et au cinéma. Dans les années 1980, il participe aux Jeux de 20 heures.
Il est un des plus anciens sociétaires des Grosses Têtes, l'émission culte de RTL animée par Philippe Bouvard qui disait de lui qu'il n'était jamais vulgaire, même en racontant des blagues lestes.
En 2003, il participe activement à l'émission Incroyable mais vrai ! sur TF1, avec Jean-Pascal et Sophie Favier. Toujours la même année, à 80 ans, il joue dans L'Ami d'enfance de Maigret, avec Bruno Crémer.
Roger Pierre est mort à l'âge de 86 ans des suites d'un cancer. Il a été inhumé le au cimetière parisien de Saint-Ouen (, caveau de famille Hémet).
Chevalier des Arts et des Lettres, Roger Pierre était membre de la Société des gens de lettres et de l'Académie Alphonse Allais.
Anecdote
La voiture de Columbo
En 1971, les producteurs de la série américaine Columbo demandent à Peter Falk, interprète du lieutenant de police, de se rendre dans une concession automobile pour choisir une voiture qu'il utilisera lors du tournage. Dans un premier temps, il ne trouve pas de modèle convenant à l'excentricité de son personnage mais, sur le retour, il tombe par hasard sur la Peugeot 403 personnelle de Roger Pierre venu passer des vacances aux États-Unis. À sa demande, la production rachète ce véhicule et essaye sans succès de s'en procurer d'autres auprès de Peugeot, qui n’apprécie pas qu'aux États-Unis son modèle le plus connu soit présenté dans un état si délabré.
Filmographie
Cinéma
Télévision
Théâtre
Discographie
Roger Pierre
1951 : Bourvil : Causerie Anti-Alcoolique - Sketch écrit par Roger Pierre et Bourvil
1956 : Roger Pierre Interviouve Jean Richard : Jean Richard Reporter / Jean Richard Footballer / Jean Richard Cuisinier / Jean Richard Chef De Gare - Sketches écrits par Roger Pierre
1957 : Jean Richard : Bonjour Jean Richard / Causerie sur le rapport Kinsey / Le canale l'est fermé / Péril jaune dragon noir / L'alcool tue (Roger Pierre, Jean Richard) / Le magasin de chaussures - Sketches écrits par Roger Pierre (sauf mention ci-dessus) - Enregistrement public à l'Amiral
1957 : Gaby Verlor : Tu n'as pas (Roger Pierre - Roby Davis)
1958 : Jean Richard : Mesdames A Vos Fourneaux : La Confiture de géranium / Le Bol d'air / Le Courrier des auditrices / Le Pâté pâteux / L'Escalope d'antilope / La Galantine d'élephantine - Sketches écrits par Roger Pierre
1975 : Show Sylvie Vartan : Carlos - Roger Pierre : Lorsque Je Pars En Permission, Sylvie Vartan - Carlos - Roger Pierre : Lorsque L'On Est Ouvrière / Polka Des Interdictions / Final Des Interdictions
1976 : La chanson de Tom et Jerry / Mon chien-chien (Roger Pierre et Claude Stieremans)
1977 : Roger Pierre et Geneviève Fontanel : Z’êtes Belge vous ? / Z’êtes Belge vous ? (version instrumentale) (Roger Pierre et Michel Héron)
1977 : Roger Pierre raconte aux enfants 50 histoires drôles : Préparez-vous les enfants / L'Américou ? / Préparez-vous les enfants / La Belle Josette / Menuet pour Jeanne / Hello Jeannette / Ticket gratuit / Congo-hou / Le Casse dents / Le Miroir qui dort / Fais dodo miroir / Les Ponponges / Otez te ! / Jojo poil / La Panse du ventre / Tricot caniche / Mon chien-chien / Choco-Lucette / Préparez-vous les enfants / Pépé Nougat / Préparez-vous les enfants / Bouge les bougies / Menuet pour Jeanne / Choco-sens / Menuet pour Jeanne / Généracasse / Parapepin / Préparez-vous les enfants / Bebe Speak / Fais dodo miroir / Porc bouton / Louez les Louis / Ca ira / Cotovigne / Mon 23è / Monopolygame / Les Cris cris cris / Glace bâton / Deux vélos rouges / Dent dure / Préparez-vous les enfants / En piste les enfants / Petit cumulo nimbus / Nuage nunuche / Tigre puce / Port mistral / En piste les enfants / Cosmo-patate / Soutien-rien / Mot grossier / Papilunette / Tou tu-tute / Lion marcheur / Vent ventards / Cerpentou / La Panse du ventre / Pekin Marius / Mamanpala / Moineau cousin / Japonais absent / Japano / Japonais absent / Torsepieds / En piste les enfants - Textes de Roger Pierre - Musiques de Claude Stieremans
1977 : Gros Ours Grognon : raconté par Roger Pierre, avec Gérard Surugue, Jacqueline Pellisson, Maurice Travail. Chanson : Gros Ours Grognon
1977 : Poussy, Sacaplis Le Petit Elephant : raconté par Roger Pierre, avec Gérard Surugue, Maurice Travail. Chanson : Chanson De Sacaplis
1977 : Les Aventures De Jéfin Le Lion : raconté par Roger Pierre, avec Gérard Surugue, Jacqueline Pellisson, Maurice Travail. Chanson : Chanson De Jéfin Le Lion
1978 : On est la France / On est la France (version orchestrale)
1978 : Les Castors Juniors Font Du Sport / Les Dessins Z'Animés (Roger Pierre et Claude Stieremans)
1978 : En Avant… Les Castors Juniors ! : Les Castors Juniors Détectives « On A Perdu Le Cent Unième Dalmatien », Les Castors Juniors Toujours Prêts « Un Trésor Bien Caché », Les Castors Juniors Font Du Sport : rconté par Roger Pierre, avec Linette Lemercier, Colette Ripert, Jane Val, Jacques Provins et Gérard Surugue. Chanson : « Les Castors Juniors Font Du Sport » : Chanté par Roger Pierre
1978 : Les 3 petits cochons rencontrent les 7 nains : raconté par Roger Pierre, avec Linette Lemercier, Colette Ripert, Jane Val, Jacques Provins et Gérard Surugue. Chansons : Sifflez en travaillant / Heigh ho, heigh ho / Un sourire en chantant / Qui craint le grand méchant loup ?
1978 : Tom et Jerry - Un Chat Qui Dort… Dîne ! : Adapté et raconté par Roger Pierre. La Chanson De Tom Et Jerry : Chanté par Roger Pierre
1978 : Tom et Jerry - Tom Chat Policier contre Super Jerry : Adapté et raconté par Roger Pierre. La Chanson De Tom Et Jerry : Chantée par Roger Pierre
1980 : Roger Pierre chante et raconte : Monologues (Roger Pierre) : Ma moto à moi / Le guitariste en retard / Ma padre / Clovis poète / Monsieur Mozart / Par ici M'ssieurs dames / Le vélo à Nono. Chansons : A Joinville-le-Pont (Roger Pierre et Étienne Lorin) / Nono va à vélo (Roger Pierre, Pierre Saka et Yvon Alain) / Ah ! Les Hoffmann's girls / Refrain des chevaux de bois / Le Sheik / Pouet ! Pouet ! / Ain't she sweet ?
1982 : J’vais à Chatou / (chanté par Mathé Altéry)
1983 : S’il vous plait / S’il vous plait (instrumental)
1992 : Si, si, si, la vie est belle : Si, si, si, la vie est belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) / Crakos / A Joinville-le-Pont (Roger Pierre, Etienne Lorin) / Ma Padre / A Ozoir-la-Ferrière (Roger Pierre, Claude Stieremans) / Monsieur Mozart / Rendez-vous au Pam Pam ( Roger Pierre, Jacques Mareuil, Florence Véran) / Un chien vous parle / Nono va à vélo (Roger Pierre, Pierre Saka, Yvon Alain) / L'acteur spécial / Le coutelier noir / Un chat vous parle / Elle pique, pique, pique à la mécanique / Le guitariste en retard / Le dancing thé / Le tabou / King Crazy le roi du rire - Sketches de Roger Pierre - Chansons : voir mentions ci-dessus
1996 : Les enfants du futur - l'extraordinaire odyssée : une fable musicale d'Alan Simon. Avec : Jean Reno (Hermès), Murray Head (Le phénix), Mathilda May (Le sphinx), Ludwig Briand (Maxence), Lucrèce Pocquet (Clémentine), Michel Aumont (Mandragore), Albert Dupontel (Papoo), Popeck (Cerbère), Macha Méril (Cassiopée), Danièle Evenou (La pensée), Yves Pignot (Phébus), Roger Pierre (Kosmetic), Julie Ravix (La muse), Michaël Vander-Meiren (Spoutnik). Chanteurs : Nilda Fernández, Carole Fredericks, Gabriel Yacoub, Alan Simon, Murray Head, Mathilda May, Roger Pierre
Roger Pierre avec Jean-Marc Thibault
1955 : 1 : Série Noire (Florence Véran, Roger Pierre) / A Joinville-Le-Pont (Etienne Lorin, Roger Pierre) / Surprise-Partie Chez Lily (Jacques Pruvost, Roger Pierre, Jean-Marc Thibault) / Rendez-Vous Au Pam-Pam (Florence Véran, Jacques Mareuil, Roger Pierre)
1955 : 2 : Peintures et dessins (Roger Pierre) / Conférence anatomique (Roger Pierre) / La rencontre du zéro et de l’infini (Roger Pierre)
1955 : 3 : Le roi s’ennuie (Roger Pierre) / Par ici m’ssieurs-dames (Roger Pierre)
1955 : 4 : Le héros et le bambino (Roger Pierre) / Langage pour chien (Roger Pierre) / Cyrano à la Peter Cheney (Roger Pierre)
1956 : Du film « La vie est belle » : Le plaisir de la vaisselle (Loulou Gasté, Roger Pierre, Jean-Marc Thibault) / La chanson swing (Jean-Pierre Mottier, Roger Pierre) / Si, si, si, la vie est belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) / + Le cuirassier de Reichshoffen (Rock’n Roll) (Roby Davis, Claude Stieremans, Roger Pierre)
1956 : A L'Olympia : Si, Si, Si La Vie Est Belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) / La Guerre En Dentelles (Roger Pierre) / Cyrano A La Peter Cheney (Nouvelle Version) (Roger Pierre) / La Chanson Swing (Jean-Pierre Mottier, Roger Pierre) / Les Deux Scouts (Roger Pierre) / Le Cuirassier De Reichshoffen (Roby Davis, Claude Stieremans, Roger Pierre)
1956 : Club vol.1 : Tout p’tit peu (Roger Pierre) / Nord-sud (Roger Pierre, Jean-Marc Thibault) / Les p’tites danseuses (Roger Pierre) / Les mauvais (Roger Pierre, Jean-Marc Thibault) / À Joinville-le-Pont (Etienne Lorin, Roger Pierre)
1956 : 25 Cm d'humour : Langage Pour Chien / Le Héros Et Le Bambino / Cyrano à la Peter Cheney / Cyrano à la Pagnol / Camille, T'es Un Cochon (Jean-Marc Thibault) / Snobisme (Jean-Marc Thibault) / Le Poème Mérovingien / Un Couturier Vous Parle / Le Poète Jules Gréco / La Sentinelle 1914 - Sketches de Roger Pierre (sauf mentions ci-dessus). Enregistré au cabaret l'Amiral.
1957 : 5 : Si Napoléon Rencontrait Bonaparte / Le Cercle Vicieux - Sketches de Roger Pierre
1957 : 33 P'tits Tours Et Puis S'en Vont... : Si Napoléon Rencontrait Bonaparte / Conférence Anatomique / La Rencontre Du Zéro Et De L'infini / Peintures Et Dessins / Par Ici M'ssieurs Dames / Le Cercle Vicieux / Le Roi S'ennuie - Sketches de Roger Pierre
1957 : Club vol.2 : Dans les fossés de Vincennes / Langage pour chien (nouvelle version) (Roger Pierre) / La synchro (Jean-Marc Thibault) / Les jolis bouchers (Roger Pierre, Jean-Marc Thibault) / Casserole sérénade (René Denoncin, Jack Ledru, Roger Pierre, Jean-Marc Thibault) 1957 : Six sketches en 16 tours : Cyrano à la Pagnol (Roger Pierre) / Langage pour chien (Roger Pierre) / La sentinelle 1914 (Roger Pierre) / Camille, t’es un cochon (Jean-Marc Thibault) / Nord-Sud (Roger Pierre - Jean-Marc Thibault) / La synchro (Jean-Marc Thibault) 1957 : Nos Meilleurs Sketches : Cyrano à la Peter Cheney / Les Deux Scouts / Nord-Sud (Roger Pierre - Jean-Marc Thibault) / Langage Pour Chien / Si Napoleon Rencontrait Bonaparte / Un Couturier Vous Parle / Le Poète Jules Greco / Cyrano à la Pagnol / La Sentinelle 1914 - Sketches de Roger Pierre (sauf mention ci-dessus)
1957 : Classiques de l’humour vol. 1 - Alphonse Allais dit par Roger Pierre et Jean-Marc Thibault : Pour en avoir le cœur net / Les Templiers / Un moyen comme un autre / Une invention / La nuit blanche d'un hussard rouge / Le veau / Allumons la bacchante - Textes d'Alphonse Allais
1958 : A L'Alhambra : Les Rossignols Du Centre (Roger Pierre, Jean-Marc Thibault) / Rééducation Nationale (Roger Pierre) / Au Nom De Zeus (Roger Pierre) 1958 : Le guitariste (Jean-Marc Thibault) / L'homme de main (Claude Stieremans, Roger Pierre) / Mele match (Roger Pierre, Jean-Marc Thibault) / Comme un vol de gerfaut (poème) - Enregistré au Théâtre Municipal de Fontainebleau
1958 : Cavalcade (chansons 1900-1920) : Le couteau / Elle était souriante / Valse brune / En revenant de la revue / Le trompette en bois / La femme aux bijoux / La pocharde / Le long du Missouri
1958 : Roger Pierre & Jean-Marc Thibault Chantent : Tim (du film « Sans famille ») (Roger Pierre, Jean-Marc Thibault, Paul Misraki) / Ozoir-la-Ferrière (Roger Pierre, Claude Stieremans) / Il Est Fou (du film « Vivent les vacances ») (Jean-Marc Thibault, Roland Lucchesi) / Augustine (Jean-Marc Thibault, Claude Stieremans)
1958 : Roger Pierre & Jean-Marc Thibault… À La Caserne : Le tram / Marche des zouaves
1958 : Dansez le charleston… Avec Roger Pierre & Jean-Marc Thibault : Ce charleston / Ain’t she sweet ? / Yes, sir, that’s my baby / Pour danser le charleston
1959 : À la Bastille / C’est parti mon kiki / La romance de Chéri-Bibi / Moi je ris
1960 : Votre double chance! : Pour qui sonne Legal : microsillon publicitaire
1961 : Aragon et Castille / L’accordéon du grand-père / Le tango du garçon / Que, que, que, hay
1961 : Bande Originale du Film « 1 cheval pour 2 » : Orchestre d'André Astier : La marche en canard - Orchestre de Claude Stieremans : Bagarre / Exécution / Berlingot - Far West
1962 : Cavalcade de succès militaires : Le père la victoire / La soupe et l'bœuf / Tout le long de la Tamise / La Madelon / Tu le r'verras Paname / Vive le pinard / Over there / La Madelon de la victoire 1962 : La Foire aux Cancres : La Classe de Monsieur Aubuchet / La Classe de Monsieur Lesseq 1962 : Les Plumes Rouges, une comédie musicale à grand spectacle en 2 actes et 20 tableaux : Roger Pierre : Gloria / I Love You / Vivre A La Française - Jean-Marc Thibault : La Police Est Partout - Roger Pierre & Jean-Marc Thibault : Les Auvergnats De Paris / La Marche Du Saucisson - Sophie Daumier : Moi J'avais Rêvé / Je T'attendrai Comme La Lionne - Claudine Coster : Des Fleurs D'un Inconnu / Valse - Claudine Coster & Sophie Daumier : Comme Les Oiseaux - Les Karting Bros : Bath. Livret : Jacqueline Cartier, Jean-Marc Thibault, Roger Pierre. Musique et direction d'orchestre : Claude Stieremans. Mise en scène : Jean-Marc Thibault. Enregistré à l'Alhambra.
1963 : Salut les petits copains : Trois jeunes tambours / Aux îles vent debout / Le général dort debout / L'école est finie / Tim (Roger Pierre, Jean-Marc Thibault, Paul Misraki) / Papa n'a pas voulu / La révolte des joujoux / Petit Gonzalès 1963 : Quand Un Skieur… / Deux Zero Sept / Le Télévisiteur Du Soir / Qui A Peur De Rodrigue ? / L'Idole Et Le Musicien / L'Homme De Main (Roger Pierre, Claude Stieremans) - Sketches de Roger Pierre et Jean-Marc Thibault (sauf mention ci-dessus) - Enregistré en public
1963 : Le Temps Des Zazous : Elle Était Swing / Je Suis Swing / Mademoiselle Swing / Y A Des Zazous 1964 : À Joinville-le-Pont (Roger Pierre, Étienne Lorin) / Surprise-partie chez Lili (Jean-Marc Thibault, Roger Pierre, Jacques Pruvost) / Si, si, si, la vie est belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) / Ozoir-la-Ferrière (Roger Pierre, Claude Stieremans) 1965 : Deux anges sont venus : Comédie musicale de Roger Pierre et Jean-Marc Thibault d'après La Cuisine des anges d'Albert Husson. Musique de Georges Garvarentz
1967 : Les majorettes (Claude Stieremans, Roger Pierre, Jean-Marc Thibault) / Y’a toujours un toquard à l’arrivée / Encore un carreau (Claude Stieremans, Roger Pierre, Jean-Marc Thibault) / Mon chien-chien (Claude Stieremans, Roger Pierre) 1968 : 3 sketches de H. Poterie interprétés par Roger Pierre et Jean-Marc Thibault : microsillon publicitaire
1968 : Un caniche vous parle (Roger Pierre, Jean-Marc Thibault) / Les culturels (Roger Pierre, Jean-Marc Thibault) 1968 : Les nouvelles aventures de Roger Pierre et Jean-Marc Thibault - Un caniche vous parle : Un caniche vous parle (Roger Pierre, Jean-Marc Thibault) / Mon beau sabot (Roger Pierre, Jean-Marc Thibault) / Les culturels (Roger Pierre, Jean-Marc Thibault) / Version espagnole (Roger Pierre) / Les moules perlières / Le pétomane (Roger Pierre) / Les mauvais (Roger Pierre, Jean-Marc Thibault) 1969 : On veut s'fendre la poire (Claude Bolling, Jean-Marc Thibault, Roger Pierre) / Le train ne siffle pas 3 fois / Ta bouche bébé t'auras une frite / Boof… !!! 1970 : Bande sonore originale du film « Des vacances en or » : Les souris : Des vacances en or (Bernard Gérard, Jean-Marc Thibault, Roger Pierre) / Bernard Gérard : Le Crocodile Porte-Clé 1971 : Le flan des Cornéliens (extrait de 2 sur la 2)
1972 : Les baisers les plus longs / Ah ! Lea 1972 : Entre la poire et le fromage / La seconde chèvre de Monsieur Séguin 1973 : Les maudits rois fainéants : Textes de Roger Pierre et Jean-Marc Thibault - Musique et direction d'orchestre : Pierre Porte - Avec : Roger Pierre, Jean-Marc Thibault, Sophie Agacinski, Laurence Badie, Evelyne Dassas, Esther Horen, Francis Roussef, Jean-Michel Mole, Robert Rollis, André Chaumeau, Jean Rougerie, Jean-Pierre Rampal
1984 : Cyrano à la Peter Cheney (Roger Pierre) / Les deux scouts (Roger Pierre) / Qui a peur de Rodrigue ? (Roger Pierre, Jean-Marc Thibault) / Quand un skieur… (Roger Pierre, Jean-Marc Thibault) / Deux zéro Sept (Roger Pierre, Jean-Marc Thibault) / Langage Pour Chien (Roger Pierre) / Nord-Sud (Roger Pierre, Jean-Marc Thibault) / Les Mauvais (Roger Pierre, Jean-Marc Thibault) / Les Bouchers (Roger Pierre, Jean-Marc Thibault) / A Joinville-Le-Pont (Etienne Lorin, Roger Pierre) / Si Si Si la vie est belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) / Le Héros Et Le Bambino (Roger Pierre) / Snobisme (Jean-Marc Thibault) / Le Poème Mérovingien (Roger Pierre) / Camille T'es Un Cochon (Jean-Marc Thibault) / Cyrano à la Pagnol (Roger Pierre) / En Revenant De La Revue - Compilation de sketches enregistrés en public entre 1954 et 1966
1984 : Nos Premiers Sketches : La Guerre En Dentelles (Roger Pierre) / Cyrano à la Peter Cheney (Roger Pierre) / La Chanson Swing (Jean-Pierre Mottier, Roger Pierre) / Nord-Sud (Roger Pierre, Jean-Marc Thibault) / Les Deux Scouts (Roger Pierre) / Langage Pour Chien (Roger Pierre) / Poème (Comme Un Vol De Gerfaut) / Quand Un Skieur… (Roger Pierre, Jean-Marc Thibault / Qui A Peur De Rodrigue ? (Roger Pierre, Jean-Marc Thibault) / L'idole Et Le Musicien (Roger Pierre, Jean-Marc Thibault) / L'homme De Main (Roger Pierre, Claude Stieremans) / Le Télévisiteur Du Soir (Roger Pierre, Jean-Marc Thibault) / Si Napoléon Rencontrait Bonaparte (Roger Pierre) / Un Couturier Vous Parle (Roger Pierre) / Cyrano à la Pagnol (Roger Pierre) / Elle Était Souriante / La Valse Brune / Le Trompette En Bois / La Femme Aux Bijoux / Le Long Du Missouri / En Revenant De La Revue / À Joinville-Le-Pont (Roger Pierre, Etienne Lorin) / C'est Parti Mon Kiki / Surprise-Party Chez Lily (Jacques Pruvost, Roger Pierre, Jean-Marc Thibault) / Ozoir-La- Ferrière (Roger Pierre, Claude Stieremans) / Aragon Et Castille / Si, Si, Si, La Vie Est Belle (Gilbert Bécaud, Roger Pierre, Jean-Marc Thibault) - Compilation de sketches enregistrés en public et de chansons enregistrées en studio entre 1954 et 1966
1990 : Le Caniche / Nord-Sud - Sketches de Roger Pierre et Jean-Marc Thibault - Enregistrement public à l'Olympia en
1990 : Les Années Rire De Roger Pierre Et Jean-Marc Thibault : Le Caniche (Roger Pierre, Jean-Marc Thibault) / Cyrano De Bergerac (Roger Pierre) / Les Jolis Bouchers (Roger Pierre, Jean-Marc Thibault) / Les Moules Perlières / Le Guitariste Et L'Idole (Roger Pierre, Jean-Marc Thibault) / La Rencontre Du Zéro Et De L'Infini (Roger Pierre) / Les Deux Baigneurs (Roger Pierre, Jean-Marc Thibault) / Les Skieurs (Roger Pierre, Jean-Marc Thibault) / Quelle Autorité (Roger Pierre, Jean-Marc Thibault) / La Guerre En Dentelles (Roger Pierre) / Nord-Sud (Roger Pierre, Jean-Marc Thibault) - Enregistrement public à l'Olympia en
2010 : Nos Premiers Sketches : Un Tout P'tit Peu / Nord-Sud / Les P'tites Danseuses / Les Mauvais / A Joinville-Le-Pont / Par Ici M'ssieurs-Dames / Le Roi S'Ennuie / Langage Pour Chien / Le Héros Et Le Bambino / Cyrano A La Peter Cheney / Cyrano A La Marcel Pagnol / Camille, T'Es Un Cochon / Snobisme / Le Poème Mérovingien / Un Couturier Vous Parle / Le Poète Jules Greco / La Sentinelle 1914 2011 : Les Grands Humoristes : Langage Pour Chien / Le Héros Et Le Bambino / Cyrano à la Peter Cheney / Cyrano à la Pagnol / Camille, T'es Un Cochon / Snobisme / Le Poème Mérovingien / Un Couturier Vous Parle / Le Poète Jules Gréco / La Sentinelle 1914 2014 : Chansons Vécues : Le couteau / Elle était souriante / La valse brune / En revenant de la revue / Le trompette en bois / La femme aux bijoux / La pocharde (Viens Maman) / Le long du Missouri / Le Père « La Victoire » / La soupe et le bœuf / Tout le long de la Tamise / La Madelon / Tu le r'verras Paname / Vive le pinard / Over There / La Madelon de la Victoire / Aux îles vent debout / Le général dort debout / Trois jeunes tambours / A la Bastille / Papa n'a pas voulu / La révolte des joujoux / Surprise Party chez Lily / Un rendez-vous au Pam-Pam / Série noire / Si, si, si la vie est belle / Ce charleston / Ain't She Sweet ? / Yes Sir, That's My Baby / Pour danser le charleston / A Ozoir-la-Ferrière / Tim / Il est fou (Vive les vacances) / Augustine / C'est parti mon kiki / La romance de Chéri-Bibi / Moi je ris / Le tango au garçon / Que Que Que Hay / L'accordéon de grand-père / Aragon et Castille / A Joinville-le-Pont / Petit Gonzalès Radio
1946 sur la chaîne nationale & 1953 : Les Trois Mousquetaires d'après Alexandre Dumas avec également Jean-Marc Thibault, Jean Richard & Robert Lamoureux
Distinctions
Notes et références
Voir aussi
Bibliographie
Gilles Durieux et Jean Curtelin, Farandole : Roger Pierre et Jean-Marc Thibault, Seghers, Paris, 1964, 252 p.
C'est pour rire, entretiens de Roger Pierre et Jean-Marc Thibault avec Éric Laurent, Stock, Paris, 1974, 222 p.
Si ça vous amuse'', Jean-Cyrille Godefroy Editions, 2005
Liens externes
Interviews de Roger Pierre sur sa carrière, son travail avec Louis de Funès et son admiration pour Laurel et Hardy
Acteur français de cinéma
Humoriste français
Sociétaire des Grosses Têtes
Naissance en août 1923
Naissance dans le 13e arrondissement de Paris
Décès en janvier 2010
Décès au Port-Marly
Décès à 86 ans
Mort d'un cancer en France
Personnalité inhumée au cimetière parisien de Saint-Ouen | 5,028 |
https://uk.wikipedia.org/wiki/%D0%9E%D0%B1%D1%80%D0%B0%D0%BD%D0%B8%D0%B9%20%28%D1%84%D1%96%D0%BB%D1%8C%D0%BC%2C%202016%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Обраний (фільм, 2016) | https://uk.wikipedia.org/w/index.php?title=Обраний (фільм, 2016)&action=history | Ukrainian | Spoken | 308 | 1,025 | Обраний () — іспано-мексиканський драматичний трилер 2016 року, написаний і режисером Антоніо Чаварріасом. Головні ролі у фільмі виконали Ханна Мюррей, Альфонсо Еррера, Джуліан Сендс і Генрі Гудман. Фільм знімався у Койоакані, Мексика, та Барселоні, Іспанія, а його вихід у прокат був запланований на першу половину 2016 року. Фільм заснований на вбивстві Льва Троцького в 1940 році.
Сюжет
Іспанія, 1937 рік. Молодий офіцер-республіканець Рамон Меркадер завербований радянською розвідкою для участі у надсекретній місії за наказом самого Сталіна: вбити Лева Троцького, якого він вважає зрадником. Після ретельної підготовки в Росії Рамон вирушає до Парижа під новим ім'ям — багатого бельгійця Жака Морнара. Там він зустрічає Сільвію, молоду жінку, яка бере участь у створенні Четвертого Інтернаціоналу під егідою Троцького. Їхнє кохання здається щирим, але коли вони знову зустрічаються в 1940 році в Мексиці, де Сильвія працює на Троцького, вигнаного радянським режимом, їхні стосунки стають зрозумілими. Жак (Рамон), який тепер працює на підставну компанію, виправдовує свою поїздку тим, що шукає притулку від війни, яка вирує в Європі. Красуня Сільвія стала особистою секретаркою старого Лева Троцького. Не підозрюючи про справжні плани коханого, Сільвія відкриває йому двері свого життя і вводить у найближче оточення своєї смертельної мішені.
У ролях
Критика
На сайті агрегатора рецензій Rotten Tomatoes «Обраний» отримав 40 % свіжих оцінок. Андреа Г. Бермехо, кінорецензент іспанської газети Ель-Мундо, дав фільму три з п'яти зірок, високо оцінивши гру Альфонсо Еррера та Ханни Мюррей. Джонатан Холланд з Голлівуд-репортер написав, що сценарій Чаварріаса висвітлює історичну інформацію «чітко і просто, без надмірної фальсифікації історичних подій», але головний герой, Рамон Меркадер, "менш цікавий і далекий від жахливого образу Алена Делона в недосконалому фільмі Джозефа Лоусі «Вбивство Троцького». Девід Волш з World Socialist Web Site, з іншого боку, прихильно порівняв «Обраного» з «холодною, неприємною роботою» Лоусі, а також високо оцінив історичне дослідження Чаварріаса і характеристику Меркадера в сценарії.
Примітки
Посилання
Фільми-трилери Іспанії
Фільми-трилери Мексики
Фільми 2016
Фільми Іспанською мовою | 46,206 |
https://stackoverflow.com/questions/34688622 | StackExchange | Open Web | CC-By-SA | 2,016 | Stack Exchange | David Makogon, https://stackoverflow.com/users/272109 | English | Spoken | 331 | 604 | MongoDB schema strategy for users joining a group
Imagine Facebook's group feature, using MongoDB. What would be the best way to structure the data?
Main operations on this data will be find users who belong to the group and determine if user X is a member of the group.
One option would be to have an array of strings in the Group document.
{
name: "Pets United",
members: [
"iuahsdfuhasdfasdf",
"qwefqwefqwefqweff",
"ioeroigkergnknmkm"
]
}
Another would be to have a membership array of Group id's in the User document.
{
firstName: "Sergio",
age: 27,
groups: [
"iuahsdfuhasdfasdf",
"qwefqwefqwefqweff",
"ioeroigkergnknmkm"
]
}
Which one do you guys think is better if I expect a group to have thousands of users?
This is really an opinion-soliciting question, with no right answer. Just keep in mind: both of your solutions will likely fail eventually due to the unbounded array situation you've introduced in both of your models.
TL;DR It's a trade-off between things like managing documents and querying those documents.
Keep in mind MongoDB documents have a size limit of 16MB (which will take forever to reach using an array containing strings, but still). I would probably do the relationship "person belongs to group", rather than "group contains people":
{
firstName: "Sergio",
age: 27,
groups: [
"iuahsdfuhasdfasdf",
"qwefqwefqwefqweff",
"ioeroigkergnknmkm"
]
}
The likelihood of a group containing thousands of members is more likely than a person belonging to thousands of groups, so if document size limit is a concern at all (which it probably won't be, but regardless), I would go with the "people to groups relationship" as you suggested.
Also keep in mind how you will query for data. In your first example ("group contains people"), to display the users in a group page, you will need to do:
people.find({ _id: { $in: group.members } })
Whereas to query the other way around:
people.find({ $where: 'this.groups.indexOf(group) > -1' })
Those are simply examples to illustrate ways of doing it (there may be others).
| 24,835 |
https://ceb.wikipedia.org/wiki/Athyrium%20falcatum | Wikipedia | Open Web | CC-By-SA | 2,023 | Athyrium falcatum | https://ceb.wikipedia.org/w/index.php?title=Athyrium falcatum&action=history | Cebuano | Spoken | 134 | 268 | Kaliwatan sa tanom ang Athyrium falcatum. sakop sa ka-ulo nga Tracheophyta, ug Una ning gihulagway ni Richard Henry Beddome. Ang Athyrium falcatum sakop sa kahenera nga Athyrium, ug kabanay nga Athyriaceae.
Kini nga matang hayop na sabwag sa:
Indya
State of Himāchal Pradesh
State of Karnātaka
State of Kerala
Madhya Pradesh
State of Mahārāshtra
Meghālaya
Mizoram
State of Rājasthān
State of Tamil Nādu
Tripura
Nepal
Miyanmar
Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Tanom
Tanom sa State of Himāchal Pradesh
Tanom sa State of Karnātaka
Tanom sa State of Kerala
Tanom sa Madhya Pradesh
Tanom sa State of Mahārāshtra
Tanom sa Meghālaya
Tanom sa Mizoram
Tanom sa State of Rājasthān
Tanom sa State of Tamil Nādu
Tanom sa Tripura
Tanom sa Nepal
Athyrium
Tanom sa Indiya
Tanom sa Burma | 31,542 |
https://stackoverflow.com/questions/22056408 | StackExchange | Open Web | CC-By-SA | 2,014 | Stack Exchange | Andrea Boscolo, El Hoss, https://stackoverflow.com/users/1156412, https://stackoverflow.com/users/764326 | English | Spoken | 292 | 533 | Can't get GWT Super Dev Mode to work
I've been having trouble lately with getting GWT dev mode to work. First I haven't been able to get IntelliJ 13 to work with dev mode on Mac, though it does work on Windows.
However, with the Firefox 27 release, the dev mode plugin no longer works. Apparently, this is going to be a permanent problem. And Chrome is soon to follow as Google will no longer be allowing access for those types of plugins.
So, the solution is supposed to be to use Super Dev Mode. However, as I said, I can't get this to work at all. I've tried through the IntelliJ IDE, but it looks like they've removed the Super Dev Mode checkbox when creating a new debug configuration.
So, I tried on the command line. Looks something like this:
java -cp $CLASSPATH com.google.gwt.dev.codeserver.CodeServer -port 6667 -workDir ~/gwt-work -src ~/src/myProject/src/main/java org.foo.myProject.web.MyProject
But, all I get is a stack with this:
[ERROR] Unable to find 'com/google/gwt/user/User.gwt.xml' on your classpath; could be a typo, or maybe you forgot to include a classpath entry for source?
Classpath has all the jars from my project WEB-INF/lib directory as well as all the gwt SDK jars. I'm kind of at a loss right now.
TL;DR How the hell do you get Super Dev Mode to work?
The current version of Intellij 13 does not support SuperDevMode if you are using GWT 2.6.0. The SuperDevMode checkbox is not showed. Switch to the current EAP version, where this bug has been already fixed. To configure SuperDevMode in Intellij, takte a look here: http://www.apptio.com/blog/running-gwt-super-dev-mode-intellij
Here is great answer related to super dev mode. Check this out
Getting started with the SuperDevMode
This should solve your problem
Also check http://stackoverflow.com/questions/18330001/super-dev-mode-in-gwt/18333050?sgp=2#18333050
| 43,437 |
https://math.stackexchange.com/questions/2600121 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Coto TheArcher, Lubin, https://math.stackexchange.com/users/17760, https://math.stackexchange.com/users/422559 | English | Spoken | 206 | 305 | Trisection of a line segment in hyperbolic space
In euclidean space, it is possible to bisect a line segment (using a compass and a straightedge). This is also true in hyperbolic space.
In euclidean space, it is also possible to trisect a line segment (using a compass and a straightedge).
Is this also true in hyperbolic space? If so, how would it be possible?
If not, is there such proof that shows why hyperbolic line segment trisection is impossible?
My purely heuristic argument of why it can’t be done: first, in spherical geometry, you can’t trisect a line (great-circle) segment because that amounts to trisecting an angle. Second, the hyperbolic plane is “just like” the sphere except that certain signs are reversed. Since it’s impossible in spherical geometry, you expect impossibility in hyperbolic geometry.
@WillJagy I'd appreciate if you just told me where in the article my question is answered, instead of making me have to read the entire thing.
@Lubin Considering a compass & a straightedge aren't useful, are there other tools that can be used to trisect a hyperbolic line segment?
The only approach I know would be coordinatization-dependent and analytic. I’m sure this is not the sort of tool you were thinking of.
| 46,134 |
https://de.wikipedia.org/wiki/Bruckm%C3%BChle%20%28Furth%20im%20Wald%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Bruckmühle (Furth im Wald) | https://de.wikipedia.org/w/index.php?title=Bruckmühle (Furth im Wald)&action=history | German | Spoken | 186 | 445 | Bruckmühle ist ein Gemeindeteil der Stadt Furth im Wald im Landkreis Cham des Regierungsbezirks Oberpfalz im Freistaat Bayern.
Geografie
Bruckmühle liegt 6 Kilometer südwestlich von Furth im Wald, 1 Kilometer südlich der Staatsstraße 2154 am Bruckmühlbach.
Geschichte
Bruckmühle wurde in der Kirchenmatrikel von 1838 als zur Pfarrei Arnschwang gehörig erstmals erwähnt. Von 1867 bis 1946 bestand die Gemeinde Ränkam aus den Gemeindeteilen Bruckmühle, Degelberg, Kühberg, Leinmühle, Ränkam, Rußmühle, Tradt, Waradein und Ziegelhütte. 1946 wurde die Gemeinde Grabitz zerschlagen. Grabitz mit Stieberg und Tradtbauer wurde nach Furth im Wald eingemeindet und Haberseigen kam zur Gemeinde Ränkam. Bei der Gebietsreform in Bayern wurde 1972 die Gemeinde Ränkam mit ihren Gemeindeteilen Bruckmühle, Degelberg, Haberseigen, Kühberg, Leinmühle, Ränkam, Rußmühle, Tradt, Waradein und Ziegelhütte in die Stadt Furth im Wald eingemeindet.
Die Bruckmühle gehörte 1838 zur Pfarrei Arnschwang. 1913 kam Bruckmühle zum Kuratbenefizium Ränkam, Dekanat Cham. 1997 hatte Bruckmühle 3 Katholiken.
Einwohnerentwicklung ab 1838
Sehenswürdigkeiten und Tourismus
In Bruckmühle, Hausnummer 1, steht eine denkmalgeschützte Hofkapelle (Denkmalnummer D-3-72-126-62). Es handelt sich um einen giebelständigen Satteldachbau mit vorgezogenem Dach, erbaut 1945.
Weblinks
Einzelnachweise
Geographie (Furth im Wald)
Ort im Landkreis Cham
Ersterwähnung 1838 | 29,026 |
https://de.wikipedia.org/wiki/Apostolische%20Pr%C3%A4fektur%20Robe | Wikipedia | Open Web | CC-By-SA | 2,023 | Apostolische Präfektur Robe | https://de.wikipedia.org/w/index.php?title=Apostolische Präfektur Robe&action=history | German | Spoken | 59 | 158 | Die Apostolische Präfektur Robe (lat.: Apostolica Praefectura Robensis) ist eine in Äthiopien gelegene römisch-katholische Apostolische Präfektur mit Sitz in Robe.
Geschichte
Papst Benedikt XVI. gründete sie am 11. Februar 2012 mit Gebietsabtretungen des Apostolischen Vikariates Meki. Der Kapuziner Angelo Antolini wurde erster Apostolischer Präfekt.
Siehe auch
Liste der römisch-katholischen Diözesen
Weblinks
Einzelnachweise
Robe
Römisch-katholische Kirche in Äthiopien
Oromia
Robe | 3,535 |
https://simple.wikipedia.org/wiki/2020%E2%80%9321%20Arminia%20Bielefeld%20season | Wikipedia | Open Web | CC-By-SA | 2,023 | 2020–21 Arminia Bielefeld season | https://simple.wikipedia.org/w/index.php?title=2020–21 Arminia Bielefeld season&action=history | Simple English | Spoken | 122 | 325 | The 2020–21 Arminia Bielefeld season was the club's 116th season for the German football club Arminia Bielefeld. The season lasted from 1 July 2020 to 30 June 2021.
Players
First-team squad
Out on loan
Transfers
In
Out
Pre-season and friendlies
Competitions
Overview
Bundesliga
League table
Results summary
Results by round
Matches
The league fixtures were announced on 7 August 2020.
DFB-Pokal
Statistics
Appearances and goals
|-
! colspan=14 style=background:#dcdcdc; text-align:center| Goalkeepers
|-
! colspan=14 style=background:#dcdcdc; text-align:center| Defenders
|-
! colspan=14 style=background:#dcdcdc; text-align:center| Midfielders
|-
! colspan=14 style=background:#dcdcdc; text-align:center| Forwards
|-
! colspan=14 style=background:#dcdcdc; text-align:center| Players transferred out during the season
Goalscorers
Notes
References
Other websites
Arminia Bielefeld seasons
2020 in European football
Arminia Bielefeld season
Football in Germany
2020-21 association football seasons | 25,313 |
https://stackoverflow.com/questions/74767843 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | Manoranjini M, Mohana B C, https://stackoverflow.com/users/19290396, https://stackoverflow.com/users/8773309 | English | Spoken | 222 | 492 | how to get the output in pyspark same as got in pandas
I am trying some basic functions in pyspark like min max ect.
while using pandas df.min() I got all the separate columns and their minimum values like the image I have attached.
I need the same output using pyspark code.
but I don't know how to do that
Please help me on this
Please put data in tabular format
Yes i have add the image, hope its clear now
Can someone please assist me with this? Its very urgent.
You can try with below code,
# sample data
data = [(1,10,"a"), (2,10,"c"), (0, 100, "t")]
cols = ["col1", "col2", "col3"]
df = spark.createDataFrame(data, cols)
df.show()
+----+----+----+
|col1|col2|col3|
+----+----+----+
| 1| 10| a|
| 2| 10| c|
| 0| 100| t|
+----+----+----+
df.selectExpr([f"min({x}) as {x}" for x in cols]).show()
+----+----+----+
|col1|col2|col3|
+----+----+----+
| 0| 10| a|
+----+----+----+
Iam using this data set "https://www.kaggle.com/datasets/sagnik1511/car-insurance-data"
getting error while using above comand
NameError Traceback (most recent call last)
Input In [29], in <cell line: 1>()
----> 1 df.selectExpr([f"min({x}) as {x}" for x in cols]).show()
NameError: name 'cols' is not defined
please help me on this
You should declare cols variable and assign required columns in a list. if you need all the columns of dataframe you can define as - cols = yourDF.columns
| 13,324 |
https://pl.wikipedia.org/wiki/Koszula | Wikipedia | Open Web | CC-By-SA | 2,023 | Koszula | https://pl.wikipedia.org/w/index.php?title=Koszula&action=history | Polish | Spoken | 932 | 2,374 | Koszula – ubiór okrywający tułów oraz ręce, historycznie będący płócienną bielizną zarówno męską, jak i damską. Obecnie termin koszula oznacza niemal wyłącznie ubiór męski, będący samodzielnym okryciem górnej części ciała bądź noszony pod marynarką.
Współczesna klasyczna męska koszula jest rozpinana z przodu, ma rękawy wpuszczone w mankiety oraz kołnierzyk. Tył koszuli jest wszyty w karczek. Z przodu, po lewej stronie, może znajdować się kieszonka.
Koszula męska ma rozmaite odmiany, jak koszula sportowa, wojskowa, polo; może też mieć krótkie rękawy. Od koszuli pochodzi koszulka i jej odmiany, jak t-shirt.
Ubiór damski podobny w kroju do męskiej koszuli nazywany jest bluzką koszulową, szmizjerką (od franc. chemisière – koszularka) lub koszulą damską.
Historia
Pierwowzorem koszuli jest prawdopodobnie tunika koczowniczych plemion z Azji Środkowej, przejęta przez Sumerów i Babilończyków, a później Semitów i Egipcjan, którzy wcześniej nie znali odzieży szytej, a jedynie drapowaną. Ubiory te dały także początek greckim chitonom (słowo to pochodzi od aramejskiego kitoneh) i rzymskim tunikom.
Bliskowschodni krój w kształcie litery T miała galijska camisia – lniana lub wełniana koszula z długimi bądź krótkimi rękawami, spinana pod szyją. Podobny ubiór nosiły także plemiona germańskie. Od słowa camisia pochodzi nazwa koszuli we wszystkich językach romańskich.
Koszula średniowieczna
Koszule średniowieczne były podobne w kroju do camisii. Szyto je najczęściej z wąskiego (szer. ok. 70 cm), tkanego w domu płótna. Przód, tył oraz rękawy wykrawano z jednego kuponu materiału, tworząc kształt przypominający krzyż, a po zszyciu boków koszuli oraz dołu rękawów – literę T. Prostokąty pozostałe po wykroju wykorzystywano na przedłużenie rękawów. Wycięcie pod szyją było gładko wykończone bądź ściągnięte tasiemką.
Koszule kobiece i męskie były początkowo jednakowe, różnice zaczęły się pojawiać w XII wieku. Długość koszul bywała różna: w XII wieku sięgały tylko do kolan, później były długie aż do stóp, by w XIV wieku znów ulec skróceniu.
Materiałem na koszule były głównie len i wełna, rzadko konopie. Koszule szyto głównie z niebarwionych tkanin, choć w XIII wieku w strojach dworskich pojawiły się koszule kolorowe, niekiedy nawet jedwabne.
Wśród najuboższych warstw społecznych koszula była często jedynym odzieniem. Zwłaszcza prace polowe czy rzemieślnicze wykonywano jedynie w koszulach, w celu oszczędzenia odzieży wierzchniej. W miarę upływu wieków ta robocza koszula zmieniła się w kitel czy ochronny fartuch.
XVI-XVIII wiek
Krój koszuli znacząco zmienił się w XVI wieku: zaczęto stosować poszerzające ją kliny, wszywane przede wszystkim pod pachami. Koszula męska została rozcięta z przodu. Widoczne spod odzieży wierzchniej części koszuli stały się bogato zdobione haftem, a później i koronkami. Takie haftowane kołnierze i mankiety odpruwano od zniszczonej koszuli i powtórnie wykorzystywano. Ozdobne, haftowane bądź obszyte koronkami koszule zachowały się w wielu strojach ludowych.
W XVI wieku we Włoszech, zarówno wśród mężczyzn, jak i kobiet, modne były tzw. koszule hiszpańskie bądź złote: szyte z kolorowego jedwabiu i haftowane złotem lub srebrem. Lukrecja Borgia miała dwieście takich koszul.
Gdy na przełomie XVII i XVIII wieku wśród mężczyzn nastała moda na otwarte z przodu kaftany i kamizelki, koszule zyskały strojny przód, ozdobiony marszczeniami, falbankami i koronkami, później zastąpiony równie ozdobnym, odpinanym plastronem. Rękawy takich koszul miały bufki, w zwężeniach ozdobione kokardami. W tym okresie zaczęto także używać żabotów, wpierw marszczonych, z cienkiego batystu, a później koronkowych.
Od XIX wieku do współczesności
Z czasem, wraz ze stonowaniem stroju męskiego, koszula męska zaczęła być coraz mniej strojna, tracąc ozdobny przód (plisowany przód zachował się tylko w koszulach frakowych) i mankiety. Moda XIX-wieczna wpływała w zasadzie tylko na kształt kołnierzyków – raz były szerokie i wykładane, raz wysokie. Kołnierzyki były w dalszym ciągu odpinane. Od 1870 roku do lat 60. XX wieku tylna poła koszuli była dłuższa niż przednia.
Na początku XX wieku pojawiły się trykotowe podkoszulki i koszulki z bawełnianych dzianin, początkowo wyłącznie jako odzież sportowa. Wśród nich największą popularność zyskała koszula polo, zaprojektowana przez tenisistę René Lacoste'a i zaprezentowana w 1929 roku. Z czasem te sportowe ubiory zaczęły być używane jako codzienny ubiór.
W drugiej połowie XX wieku koszula męska zaczęła tracić swój bieliźniany charakter. Wpierw pojawiły się noszone jako odzież wierzchnia koszule typu wojskowego, wzorowane na umundurowaniu brytyjskich oddziałów kolonialnych, a przejęte później przez armię amerykańską. Następnie w użycie weszły kraciaste koszule flanelowe, spopularyzowane przez westernowych kowbojów. W końcu także klasyczne koszule garniturowe stały się kolorowe i obecnie noszone są także samodzielnie.
Koszule typu wojskowego i wzorowane na nich koszule sportowe mają po obu stronach piersi kieszenie, na ogół zapinane, a czasem też dodatkowe kieszonki, także na rękawach. Miewają też z tyłu pętelkę, umożliwiającą zawieszenie ubrania na haczyku. Pozostałością po mundurze są pagony. Takie koszule są też częścią umundurowania, zwłaszcza letniego, wielu sił wojskowych i policyjnych, a także skautów i harcerzy.
W latach 70. XX wieku popularne stały się tzw. koszule hawajskie, bardzo kolorowe i wzorzyste. Używane są głównie podczas letniego wypoczynku, a nosi się je wypuszczone na spodnie.
Najdłużej charakter bielizny zachowała koszula garniturowa, zwłaszcza biała. Jeszcze współcześnie w sytuacjach oficjalnych noszona jest wyłącznie pod marynarką, a savoir-vivre nawet przy spotkaniach towarzyskich czy rodzinnych zaleca przed zdjęciem marynarki uzyskanie pozwolenia obecnych na nich kobiet.
Koszula kobieca przeszła zupełnie odmienną ewolucję. W XIX wieku stała się zupełnie niewidoczna pod suknią; była bielizną noszona pod gorsetem. Pod koniec tego wieku pojawiły się tzw. kombinacje, czyli koszule połączone z majtkami. W początkach XX wieku, gdy damskie suknie stały się krótkie, została połączona z halką, stając się jednym ubiorem. W II połowie XX wieku jako nazwa tej bielizny funkcjonowało już słowo „halka”. Współcześnie praktycznie nie jest używana.
Od ludowej koszuli kobiecej wywodzi się bluzka.
Zobacz też
koszula nocna
koszula Dejaniry
koszula polo
kitel (judaizm) - rytualna koszula, którą Żydzi zakładają w dniu ślubu, podczas Rosz ha-Szana, w Jom Kipur oraz w czasie sederu w Pesach
włosiennica – koszula pokutna
kosoworotka
Przypisy
Bibliografia
Elementy ubioru | 50,944 |
https://stackoverflow.com/questions/42875070 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | Mouad_Seridi, ceeka9388, https://stackoverflow.com/users/1708299, https://stackoverflow.com/users/4970610, https://stackoverflow.com/users/5835015, ulfelder | English | Spoken | 251 | 529 | Fetch Records from columns with a substring character vector matching column names in R
I want to fetch only rows from columns that is part of the character vector containing the sub string. Example below:
My Table and List
My Table's columns header seperated by | as below.Just typing many rows
p1.abc.1| p1.dce.2|p1.efg.2|p2.abc.2|p2.dce.2|p2.qar.3|
My List is as follows
list_1 = ('abc','def','efg')
My Expected Output
To return all the columns that partially matches with the string in the list.
For example:
The output should return all the rows from the below columns
p1.abc.1| p1.dce.2|p1.efg.2|p2.abc.2|p2.dce.2|
Any help here would be of great help. Thanks in advance.
It will be much easier to help you if you post a reproducible example. Give us some toy data that fits your specs and show us exactly what the desired output is.
## simulate the data frame with the given column names
df <- data.frame(p1.abc.1 = rnorm(10),
p1.dce.2 = rnorm(10),
p1.efg.2 = rnorm(10),
p2.abc.2 = rnorm(10),
p2.dce.2 = rnorm(10),
p2.qar.3 = rnorm(10))
## your list
list_1 <- c('abc','def','efg')
## sapply to loop, grep to find the matches
## unique and unlist to get the indeces
z <- unique(unlist(sapply(list_1,function(x) grep( x, names(df)))))
## the desired output
df[,z]
this works great. Thanks a lot for your support. This really relieves me of great pain. I have been trying this for a couple of days. Thanks a lot once again.
I'm glad it helped, you can also help by upvoting the answer and hitting the check mark below it ;)
| 1,265 |
https://workplace.stackexchange.com/questions/164200 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Aida Paul, Philip Kendall, dfundako, https://workplace.stackexchange.com/users/121495, https://workplace.stackexchange.com/users/14388, https://workplace.stackexchange.com/users/50433, https://workplace.stackexchange.com/users/66740, the man | English | Spoken | 630 | 837 | Do you receive an unconditional offer after a conditional offer?
I’ve been offered a job and got sent an offer of employment & a contract of employment in the post (two separate documents).
Now, the offer of employment states that it’s conditioned on satisfactory references.
The contract doesn’t mention any conditions though.
Now, am I supposed to receive another offer/contract once the conditions have been met, or is this contract of employment the unconditional offer?
Has the contract been signed by your potential employer? If not, then it's just a bit of paper with no legal force.
This question should be sent to the person providing you with the documents.
Yes, it’s been signed
Context of how a contract is signed matters, and here it is without doubt depending on passing references, so just signing it doesn't put you in the clear. But then this seems to be US of A so many people are crazy about contracts out there and you can just ignore the conditions
Before you provide your resignation to your current employer, make sure the employment agreement with your new employer is signed and countersigned, and that both parties have a copy. This means you should have a copy of a document (physical, PDF, etc.) that has the entire employment agreement, with your signature and the hiring manager's signature (and any other signature fields filled in, such as a company officer's signature, etc.). Make sure no signature fields are blank.
Next, inform your point of contact (i.e. your HR contact), via e-mail (i.e. so a written record exists), that you will tender your resignation with your current employer and commence the notice period once you receive formal confirmation that:
Any/all outstanding conditions (even those not mentioned in your contract, such as good references, criminal background record check, etc.) have been lifted.
That the signed + countersigned contract is now 100% unconditional.
If your future employer states that they can't provide the unconditional offer until they've completed the reference check a few days/weeks/months from now, that's fine: you can wait and continue working with your current employer until they're ready, and you can serve your 2 weeks notice or equivalent when you've received an unconditional offer, in writing. If they insist on you gambling with your livelihood and having to accept a conditional offer, I'd personally decline (though your needs/situation may be wildly different; I err on the side of staying employed and having an income during this bear/garbage market period). If they push you based on the terms of the contract (i.e. "you said you'd start on XYZ date"), you can reply with "that was under the terms explicitly written in the contract: no conditions; but conditions have been added as per previous contact/e-mail/phone-calls/etc.; so we'll need to wrap those up first).
I've had an employer try to pressure me to resign early on the references and criminal record check, and I just responded with "while I'm confident my references will be positive, I can't control them" and "background checks could be off if someone stole my identity, for example; it is indeed possible to cheat an honest man". Never tender your resignation until you have formal written records of unconditional offers of employment, as they're all you'll have if you have to sue your employer for breach of contract or illegal/unethical hiring practises if they don't hire you after all, for any reason (i.e. didn't like your references, you popped up saying something "offensive" on Facebook, they don't like your political affiliations, they ran out of money and are trying to back-out of the job offer, they don't like your face, etc.).
"Think like a monkey: never let go of a branch in your left hand until you have another firmly in your right hand".
| 11,092 |
https://stackoverflow.com/questions/50257919 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Ben Taliadoros, Ryan Morton, https://stackoverflow.com/users/7331463, https://stackoverflow.com/users/930875 | English | Spoken | 230 | 592 | d3 chart overlays new data, doesn't remove old
I've made a D3 v5 stacked area bar chart.
The initial data plots fine, but when I want to update it, it doesn't transition as expected, but overlays the areas on top of each other.
Codepen: https://codepen.io/bental/pen/NMygyB
The main issue lies in this function, with the way I'm dealing with the enter/update/exiting of data:
function plotArea(update) {
const stack = d3.stack();
stack.keys(keys);
stack.order(d3.stackOrderReverse);
const area = startFromZero => {
const highestVal = getHighestValueForYAxis();
return d3
.area()
.x(d => graphAxes.x(d.data.interval))
.y0(d => (startFromZero ? highestVal : graphAxes.y(d[0])))
.y1(d => (startFromZero ? highestVal : graphAxes.y(d[1])));
};
if (update) {
dataPath
.data(stack(data))
.enter()
.append('g')
.attr('class', d => 'data-path type-' + d.key);
} else {
dataPath = svg
.selectAll('.data-path')
.data(stack(data))
.enter()
.append('g')
.attr('class', d => 'data-path type-' + d.key);
}
dataPath.exit().remove();
line = dataPath
.append('path')
.attr('class', 'area')
.attr('d', area(true))
.transition()
.delay(200)
.duration(700)
.attr('d', area(false));
}
I'm not sure I agree with the update pattern, but here's a solution that removes the old layers and replaces with a new. I tried doing something with a proper d3 update idiom but the scales for the area paths didn't seem to update properly. Anyhow, here's a working version: https://codepen.io/mortonanalytics/pen/pVaKVd
Hi @RyanMorton thanks for that, am I right in thinking you just added
svg.selectAll('.data-path').remove();? If so I'm sure the areas are transitionable, but will use this if all else fails.
| 32,420 |
https://stackoverflow.com/questions/73846283 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | LovelyAndy, Nikola Pavicevic, https://stackoverflow.com/users/11989189, https://stackoverflow.com/users/14494747 | English | Spoken | 382 | 740 | Injection "settings" not found. Vue composition API provide and inject issue
I am trying to pass a reactive object using vues provide and inject and I get the [Vue warn]: injection "settings" not found. warning and when I log out settings it returns as undefined.
What am I doing wrong here?
I made a quick little CodeSandbox to replicate the issue.
If anyone has any ideas why this is happening please let me know!
Cheers!
Test.vue
<script>
import { defineComponent, provide, reactive } from "vue";
export default defineComponent({
setup() {
const settings = reactive({
theme: "light",
color: "#F092AD",
id: 69,
});
provide("settings", settings);
return {};
},
});
</script>
App.vue
<template>
<pre>{{ settings }}</pre>
</template>
<script>
import { defineComponent, inject } from "vue";
export default defineComponent({
setup() {
const settings = inject("settings");
console.log(`settings → `, settings);
return { settings };
},
});
</script>
You can only use provide function to provide data to a component's descendants.
In your case component is not descendant so you get warning because nothing is provided.
You can ether use app level provide like:
app.provide(/* key */ 'message', /* value */ 'hello!')
or some global state management tool like pinia or vuex.
Take a look at codesandbox or snippet:
const { reactive, provide, inject } = Vue
const app = Vue.createApp({
setup() {
const msg = inject("message");
const settings = reactive({
theme: "light",
color: "#F092AD",
id: 69,
});
provide("settings", settings);
return { msg };
},
})
app.component('child', {
template: `<pre><test /></pre>`,
})
app.component('test', {
template: `<pre>{{ settings }}</pre>`,
setup() {
const settings = inject("settings");
return { settings };
},
})
app.provide(/* key */ "message", /* value */ "hello!");
app.mount('#demo')
<script src="https://unpkg.com/vue@3/dist/vue.global.prod.js"></script>
<div id="demo">
<pre>{{ msg }}</pre>
<child />
</div>
Thanks for the comment, but the codesandbox doesnt seem to work either on my end:l
It's working , just give it time to load, or refresh. My point was, you can only use provide/inject from loaded component to all children. Your component isn't loaded that's why you get warning. You can ether use app level provide or some global state management tool like pinia or vuex.
I should've put in my post that I am not using global state at all in this project, so that's why I was reaching for provide/inject. Thanks again for all the help Nikola!
| 15,557 |
https://ce.wikipedia.org/wiki/%2815488%29%201999%20CB75 | Wikipedia | Open Web | CC-By-SA | 2,023 | (15488) 1999 CB75 | https://ce.wikipedia.org/w/index.php?title=(15488) 1999 CB75&action=history | Chechen | Spoken | 136 | 350 | (15488) 1999 CB75 — Мелхан системан коьрта асанан астероид.
Истори
ДӀайиллина 1999 шеран 12 февралехь LINEAR проект цӀе йолу Ӏилманчо Сокорро обсерваторехь. Йуьхьанца дуьйна йолу цӀе - «1999 CB75» саналган.
Хьосташ
Lutz D. Schmadel. Dictionary of Minor Planet Names. — Fifth Revised and Enlarged Edition. — B., Heidelberg, N. Y.: Springer, 2003. — 992 p. — ISBN 3-540-00238-3.
Lutz D. Schmadel. Dictionary of Minor Planet Names. — Springer Science & Business Media, 2012-06-10. — 1458 с. — ISBN 9783642297182
Chapman, C. R., Morrison, D., & Zellner, B. Surface properties of asteroids: A synthesis of polarimetry, radiometry, and spectrophotometry// Icarus : journal. — Elsevier, 1975. — Vol. 25. — P. 104—130.
Kerrod, Robin. Asteroids, Comets, and Meteors (неопр.). — Lerner Publications Co., 2000. — ISBN 0585317631.
Билгалдахарш
Хьажа иштта
(15489) 1999 CJ78
Коьрта асанан астероидаш
Астероидаш абатца | 41,528 |
https://arz.wikipedia.org/wiki/%D8%B1%D9%88%D8%AF%D9%88%D9%84%D9%81%20%D9%83%D9%85%D9%88%D9%86%D9%83 | Wikipedia | Open Web | CC-By-SA | 2,023 | رودولف كمونك | https://arz.wikipedia.org/w/index.php?title=رودولف كمونك&action=history | Egyptian Arabic | Spoken | 29 | 84 | رودولف كمونك كان مهندس من النمسا.
حياته
رودولف كمونك من مواليد يوم 26 مارس 1866 فى ڤيينا, مات فى 7 ديسمبر 1918.
لينكات برانيه
مصادر
مهندسين
مهندسين من النمسا | 11,940 |
https://sv.wikipedia.org/wiki/Zygina%20discolor | Wikipedia | Open Web | CC-By-SA | 2,023 | Zygina discolor | https://sv.wikipedia.org/w/index.php?title=Zygina discolor&action=history | Swedish | Spoken | 31 | 62 | Zygina discolor är en insektsart som beskrevs av Géza Horváth 1897. Zygina discolor ingår i släktet Zygina och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.
Källor
Dvärgstritar
discolor | 9,760 |
BeN3oAiYc1M_1 | Youtube-Commons | Open Web | CC-By | null | #rC3 - Performance: "PFEIF DRAUF" AeroSoul Musik Instrumente | None | English | Spoken | 2,111 | 2,754 | Wunderbar, schön, sind wir wieder da für diesen letzten Outro mit der 5 drauf, Workshop-Ergebnisse. Wir haben einiges gehackt, diesen Tag und die letzten 2-3 Tage habe ich auch mein Bestes gemacht, nochmal Informationen zu dem Thema Flöten zu geben. Ich werde das in Englisch sehen, wie die andere Zeit. Wir hatten einen tollen Zeit during the workshop today on working on flutes and hacking simple things like a hole in something to blow on it to see if there is any sound inside. So, and I prepared some flutes on the internet on the website. People could download it. I thought we would have some 3D printing going on. And actually I noticed myself that it was very short time to actually make a new flute. I printed one that is a completely new nightly build design, but unfortunately due to the very little limited time I couldn't print it in the right size. So, it might work in the right size, but this is too small. I figured that out. I wanted to introduce Gandalf. He's the one that participated here in the Bitwäscherei. Also, hier in der Bitwäscherei haben wir heute mit Live mit Gandalf diesen Workshop durchgeführt. Da wir also nachher gleiche Ergebnisse erzeugen. Ich würde nur noch gerade erzählen, dass ich das zu klein gedrückt habe, mangels Zeit. Weshalb ich nicht weiß, ob mein eigenes Ergebnis jetzt was geworden ist oder nicht. Ich muss es nochmal größer drucken. Vielleicht funktioniert dann wieder eine Pfeife. Die ähnlich wie diese Pfeife funktioniert, wo dann ein extra Luftkanal des Wasser beeinflusst. Das ist diese Flöte, die jetzt als Ausgangslager auch gedient hat. Aber wir sind eigentlich dazu gekommen, um alles zu eine Flöte zu machen. Es ist egal, wie es aussieht, was es kann. Es soll nur vielleicht ein bisschen Resonance-Body haben. Ich zeig gleich noch ein anderes Ergebnis. Das hat jetzt sehr gut getönt. Das tönt weniger gut, wenn ich Wasser rauslasse. Zum Beispiel kurz hier rein. Da kann man noch kurz den Echtheitsgehalt überprüfen. Geht auch noch. Wenn ich jetzt noch ein bisschen rausnehme, ich tu das in die Flöte, die kann ich nachher auch gerne noch spielen, weil wir machen ja Performance und kein Workshop. Der Ton sinkt langsam. Und dann kriegen wir gleich einen Punkt, wo der kaum noch hörbar ist. Auf einmal ist dieser schöne Resonanzkörper weg. Der bleibt noch relativ gut. Gut, ich lüge. Also, das ist nicht genau das Experiment, das ich wollte. Aber ich werde jetzt über Tugandalf, der heute den richtigen Workshop gemacht hat, einen schönen Instrument zu hacken. Und ich werde ihn erzählen, wenn er sich selbst explodieren kann, wenn du nicht meintest. Vielen Dank. Ja, das ist ein schöner Workshop. Ich hatte es schon vor, bevor ich auf den Topf gekommen bin. Ich habe mich über diesen gearbeitet. Du hast gesagt, du hattest nicht die Zeit, um den richtigen Stil zu bringen. Ich werde es für dich noch einmal versuchen. Aber es ist eigentlich... Der Resonanzkörper wird eigentlich die Frequenz, man könnte mit der Frequenz enden, dass es möglich wäre. Aber du kannst es noch einmal auf die Frequenz holen. Vielleicht sehen wir, ob ein Hund auf dem Stil ist, wenn ich ihn auf den Stil stehe. Was ist das? Okay, das ist toll. Vielen Dank. Es ist ein schöner Workshop. Siehst du, dass die Stilz in die Frequenz kommt? Ja. So, über den Workshop, wir haben hier einen Workshop, das in diesem Workshop ist. Ich würde gerne ein bisschen der theoretischen Unter- oder Unterlagen-Theorie geben. Das Kostfer-Tofen, das ist alles... Es wird sehr schnell kompliziert, weil es nicht nur Dynamik gibt, aber ich zeige dir das schöne Drawing, das Kostfer für mich hat. Und jetzt schauen wir, was wir sehen können. So, über hier... Das ist eigentlich, was du brauchst. In order to create the whistling noise, we have a laminar flow of air, which is just the air flowing nicely, gently, not evident. You make that move across a sharp edge, which you see somewhere here, there's a sharp edge, where you blow over, which separates the air flow into two flows. And you see these little, what is called vortexes, which is the turbulence you cause by splitting the air from a laminar into a turbulent flow. And the size of the vortex, the size of the disturbance basically is an oscillation that creates a pressure wave, which is, if it's in the right range of the expected spectrum, is audible to human beings. Is that about how it works? I was exactly unaligning it by experimentation and I tried to follow a sound that creates the understanding of this. Because it's all invisible. The wind and the vortex and the sound is this sense totally invisible. Also, that's what I think you noticed in the workshop as well. It's really hard to basically see this invisible thing hitting that edge and let it, yeah, imagine to flux away with 50 Hz or more in this sense. Absolutely. The funny thing is, I'm into paragliding, and I'm quite familiar with flying in this medium, which is a liquid medium. It behaves like a liquid, so it's all fluid mechanics which gets super complicated, very, very quickly. And the thing is, I would love to make underwater flutes that do the same with water. Basically, I'm on the edge of discovering how to make a flute that sounds underwater. The water is not compressible. I mean, that's going to have a huge effect. It's going to have, ships having their propulsion in the water that does something like that, an edge through the water, yeah. No, but that's because when the lake is super sonic, it creates a, what do you call that? It turns the gas sort of the way. Are you talking about propellers of ships? Well, I'm thinking of how to make a flute underwater. So, we said air is underlying the flow of dynamics and how big should the flute be when you put it underwater to have a similar creation of a frequency that would be audible. In a different medium? In a different medium, yeah, yeah, yeah. In heavy mechanics, it's much more dense. I need to figure that out. Maybe we invented a diamond whistle for this. Why not? To cut the water in the right way. Wrong with that. So, I may show what I've been working on. Please, your design is a fabulous piece of psychological seduction. I do have this name. No, no, no, no. I will not do anything. I will not present the work of my workshop. So, I call this device of the Chinese audience. It's like a handheld device. It's got some batteries in it. It's got a button for LED. So, I had a cavity so these batteries, the coils and stuff in there. Some circuitry. And you've got a cavity about here. So, Kasper was like Kasper was pitching his workshop and I was like, so, I've got a ball pen and this thing that I'm currently looking at and he was like, yeah, it's gonna be always so. And then for the sizing of this cavity, and this is where the experience comes in. Apparently you need for this, so the way this is your edge that you need to blow air onto like a hot flow of air onto the edge and the distance, in this case this will define the frequency maybe, why do we need 2 cm? But you need that similar air flow. To get it laminar. To get it one string. So the idea is to get it all here and turn it as possible off. Lock it up as hard as you can. Yes, you can. All right, so this is what I attempt to do basically by drilling into by dremeling into this plastic tube underneath I codified it because it's prettier that way. So basically, we figured we're gonna turn this part here into an edge by dremeling around like this, like this angle. Right, the right angle that we need told me. How many degrees is that? Anyways, what's the recommended sharpest possible material? Through air. We could try to add a because it's not, to be honest, it's not fully working right now. So in the process of getting it to work for the audible whistling part I can show you. The way I, because it's my first flute instrument basically I've said I want a modular design where I can play also for safety reasons, obviously. So this is the mouthpiece which has a large entry and a small exit or the other way around. So if you want to... So if you blow in here fast the flow will come out here because of the Venturi effect which accelerates it. And you do the other way around you'll slow the flow down. So let's try. So the thing is, if I look right here through my device I can just barely see the edge that I'm trying to hit. So this is the direction that my air needs to take. So now I can even see the edge through this device. So this is not working very well with your headphones. Something else in the room. So I made a bigger mouthpiece with a, which still accelerates the flow but has a bit of a broader exit. Let's see how that works. So this is a straighted line on the edge. You don't know a joint. So I'll take this straight pipe now. I just go one-to-one translation on my block. But this is, I will hit by a wall which are a mess of hope. So I don't think this is all going to work either. And that's about the screen it's going to get for now. I think this one is going to work. Demo. Okay, so what I've been thinking is either my edge isn't sharp enough. So in fact, once I dremelt it was all mold and messed up so I've been sharpening it a bit with a cutter. So I'll try to sharpen a bit more and then I'll think I'll have to play with the distance and I think the canal isn't properly pretty good so I'll start by dremeling the canal a bit cleaner in order to have a better obstruction within my acoustic canal. It's an echo chamber basically. It is called an echo chamber in that I'm building inside my resonance body. So I'll try to broaden my resonance body so that I'll have a mess of hope. Maybe I will do because I can't reach it with any instrument. More power, more better. I feel that I was kind of in the way of my stream. I think I've freed up some of the obstruction in the microscope. This would be a brilliant use for a USB Microscope. You can actually look at the very, very detailed inside view of your... I need to clean up a bit more with this ball pen device which you find that in and it's good for pipe debugging. So whenever you have some you can try to force your way through it with the frequencies. If there was a frequency at this point. I think there's a workable way to push the button to get that any way sound. It actually works better if I blow it in here which is pointy. There's an arm flute, what's that called? Yeah, you hit it at the... What's the image where the water does something out? What do you mean, but I forgot the word? It's a weird work. Yeah, anyway, maybe somebody can put it in the cat. So what else have you got? I'm kind of sad about my pipe not working yet so I'll try to destroy something else in the meantime. Our work on it was on it and we see challenges here on the same workshop in this sense. It's visualization of a data structure you saw our presentation earlier yesterday sociologist, data scientist 3D prints of data models I think might make for a good pipe maybe anything can make for a good pipe recording through the map. I don't think it works, maybe even this way is here. I think there is a machine inside which is usually your computer program does for you. Let's have a look inside of the data structure of course if you're wondering about head you might also be used the right tool for the job which might be a side cutter in this case. Turns out it's a dremel. | 29,918 |
https://nl.wikipedia.org/wiki/Sphenophyllales | Wikipedia | Open Web | CC-By-SA | 2,023 | Sphenophyllales | https://nl.wikipedia.org/w/index.php?title=Sphenophyllales&action=history | Dutch | Spoken | 115 | 251 | Sphenophyllales is een orde van uitgestorven varenachtige planten, verwant aan de paardenstaarten. Er zijn vertegenwoordigers bekend als fossielen vanaf het Devoon tot het Trias, maar het hoogtepunt voor deze orde was het Carboon.
De orde is vernoemd naar het geslacht Sphenophyllum.
Kenmerken
Sphenophyllales hadden, net als de tegenwoordige paardenstaarten gelede stengels, met op de knopen in kransen geplaatste, wigvormige bladeren met dichotoom vertakte nerven, en op de top een sporenkegel of strobilus. De vaatbundels zijn in doorsnede driehoekig.
Taxonomie
De orde was voor zover men weet monotypisch, omvat slechts één familie met één geslacht:
Orde: Sphenophyllales †
Familie: Sphenophyllaceae
Geslacht: Sphenophyllum
Delen van de plant zijn ook bekend onder de benamingen Bowmanites en Sphenostrobus
Equisetopsida | 44,944 |
https://fr.wikipedia.org/wiki/Arnold%20Belkin | Wikipedia | Open Web | CC-By-SA | 2,023 | Arnold Belkin | https://fr.wikipedia.org/w/index.php?title=Arnold Belkin&action=history | French | Spoken | 188 | 304 | Arnold Belkin, né le à Calgary au Canada et mort en 1992 au Mexique, est un peintre.
Biographie
Arnold Belkin naît le à Calgary sous le nom d'Arnold Lewis Belken Greenberg. Son père est un immigrant juif russe qui joue un rôle important dans la communauté juive de Vancouver lorsque la famille s'y installe peu après sa naissance. Sa mère est une immigrante juive d'Angleterre.
Il commence à dessiner et à peindre dès son plus jeune âge. Ses parents sont socialistes, ce qui influencera son travail artistique ultérieur et lui donnera un goût prononcé pour les questions sociales et les droits des personnes défavorisées.
Il s'installe au Mexique en 1948. Dans une variante du post-modernisme, il emprunte à toutes les époques de l'art, anciennes et modernes. Il permet ainsi à des dignitaires du de coexister dans la même composition avec des robots cubistes et des modèles à la manière de Schlemmer.
Arnold Belkin meurt en 1992 au Mexique.
Notes et références
Liens externes
Naissance en décembre 1930
Naissance à Calgary
Décès en juillet 1992
Décès au Mexique
Peintre mexicain du XXe siècle
Peintre muraliste
Décès à 61 ans | 34,943 |
https://stackoverflow.com/questions/23000604 | StackExchange | Open Web | CC-By-SA | 2,014 | Stack Exchange | Alexey Subbota, ChuongPham, Ravi Raj, RobinJ, TimSim, https://stackoverflow.com/users/1250311, https://stackoverflow.com/users/3157283, https://stackoverflow.com/users/463053, https://stackoverflow.com/users/521361, https://stackoverflow.com/users/6113678 | English | Spoken | 406 | 627 | Play Store app localization
I'm about to upload my first app to the Google Play store and when I uploaded the APK to the Developer Console, it says under Localizations: default + 55 languages. I don't want my app listed as supporting any of these languages/localizations because it's in English only. What should I do in my app to let Google Play know that the there are no localizations and that the app is in English only?
Do you have any other directory besides /res/values/ in your current Android project? For example, /res/values-de/, which is the localisation directory for German, etc. Delete the extra directories, compile your project, and re-release it.
No, nothing like that.
Probably a new "feature" of Google Play itself. I would ignore it if it does not impact the functionality of your app. Google has a tendency to surprise us from time to time. ; )
I'd say this is a bug in the Developer Console. I noticed the same thing; default + 57 languages.
This isn't a problem: Google Play does not let users know what languages are supported by your application and it may be that some of the libraries you use (such as Google Play Services) are localized in 55 languages and users would see those translations based on their language, even if the vast majority of your application is not translated.
The only way for a user prior to installing the app to know what languages the app is optimized for is if you add a translation on the Store Listing tab.
What is the reason for showing it then? creating confusion unnecessarily.
At the time of apk build,aapt used to merge required folder(like res) specified into library that you required for your Application.
Like below code adds google play service usage in your app.
dependencies{
compile 'com.google.android.gms:play-services-base:8.3.0'
compile 'com.google.android.gms:play-services-gcm:8.3.0'
}
We can verify this by decompiling apk(using apktool),It shows values folders for supported languages by Your APP +
added library.
In case you only want to show specific languages for your app,You can set it in argument as shown below in build.gradle file.
defaultConfig {
resConfigs "en", "en_US", "en_UK"
}
This significantly shrink apk size.
defaultConfig {
resConfigs "en", "en_rUS", "en_rUK"
}
Was looking for this solution everywhere, the answer which works and removes localisations from the Google Play store for cordova apps is
defaultConfig {
resConfigs "en"
}
Or change "en" to whichever language you wish.
| 24,706 |
https://wordpress.stackexchange.com/questions/359504 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Q Studio, WebElaine, https://wordpress.stackexchange.com/users/102815, https://wordpress.stackexchange.com/users/7968 | English | Spoken | 106 | 154 | logout error "something went wrong"
I have add a link of logout in menu using wordpress default menu like this http://example/wp-login.php?action=logout it redirects me to logout confirmation but after clicking on logout in confirmation box "something went wrong error" comes.
can someone please help me out.
Thanks
It's probably throwing a red flag because logout links are supposed to use an nonce, and a nav menu item wouldn't have one.
A nav menu item can have a nonce, but it involves adding a filter to a create and append a nonce to that specific menu node, normally by targeting it based on the CSS class option.
| 49,495 |
https://nl.wikipedia.org/wiki/Chromosomale%20afwijking | Wikipedia | Open Web | CC-By-SA | 2,023 | Chromosomale afwijking | https://nl.wikipedia.org/w/index.php?title=Chromosomale afwijking&action=history | Dutch | Spoken | 598 | 1,176 | Een chromosomale afwijking is een afwijking in het aantal chromosomen (numerieke afwijkingen), of in de structuur van chromosomen (structurele afwijkingen). Chromosomale afwijkingen treden vooral op wanneer er iets fout gaat bij de meiose of reductiedeling.
Numerieke afwijkingen
Ieder diploïde organisme heeft normaal gesproken alle chromosomen in tweevoud, met uitzondering van de geslachtschromosomen. Als bij een individu één chromosoom uit een chromosomenpaar ontbreekt spreekt men van monosomie. Wanneer een individu een extra kopie heeft van een chromosoom spreekt men van trisomie. Bij het syndroom van Down komt chromosoom 21 in drievoud voor. Daarom staat het syndroom van Down ook wel bekend als 'Trisomie 21'. Het syndroom van Turner is een voorbeeld van monosomie bij geslachtschromosomen. Dan is er alleen een X-chromosoom en geen Y-chromosoom (X0).
Structurele afwijkingen
Bij een structurele afwijking is de structuur van een chromosoom veranderd, meestal ten gevolge van een chromosomale mutatie. De volgende vormen worden onderscheiden:
Deletie
Bij een deletie ontbreekt er een stukje chromosoom. Dit kan bij elk chromosoom gebeuren, op elke plaats van het chromosoom en kan ook van elke grootte zijn. Indien de genen die dan ontbreken belangrijke instructies bevatten, kan de persoon een leerstoornis hebben, ontwikkelingsachterstand of gezondheidsproblemen. De ernst van deze problemen hangt af van waar of hoeveel stukjes chromosoom er ontbreken.
Duplicatie
Duplicatie betekent dat een chromosoom zichzelf of een stukje van zichzelf heeft gedupliceerd, zodat er te veel chromosomenmateriaal aanwezig is. Dit bijkomende chromosomenmateriaal kan betekenen dat er ook te veel instructies aanwezig zijn, meer dan het lichaam kan verwerken. Dit kan resulteren in een leerstoornis, ontwikkelingsachterstand en gezondheidsproblemen bij een kind.
Insertie
Insertie betekent dat er ergens een stukje chromosoom op een ongewone positie is toegevoegd, of aan hetzelfde of aan een ander chromosoom. Indien er dan geen bijkomend of ontbrekend chromosomenmateriaal is, dan is deze persoon vaak gewoon gezond. Indien er wel bijkomend of ontbrekend chromosomenmateriaal is, dan kan deze persoon een leerstoornis, ontwikkelingsachterstand en gezondheidsproblemen hebben.
Inversie
Inversie betekent dat een stukje chromosoom zich 180° rond zijn as omgedraaid heeft, waardoor de volgorde van de genen in de chromosoom is veranderd. Bij een meerderheid veroorzaakt dit geen gezondheidsproblemen. Er bestaan 2 soorten inversies: pericentrische en paracentrische. Bij een paracentrische inversie is slechts een van de twee armen van het chromosoom betrokken (de korte ofwel de lange arm).
Translocatie
Bij translocatie zit een stukje van het ene chromosoom op een ander chromosoom. Wanneer de stukjes gewoon van chromosoom verwisseld zijn, spreekt men een reciproque translocatie. Wanneer twee chromosomen aan elkaar komen vast te zitten spreekt men van een Robertsoniaanse translocatie.
Ringen
Chromosomen-ring betekent dat de uiteinden van een chromosoom bij elkaar komen zoals bij een ‘ring’. Dit komt meestal voor wanneer de uiteinden van eenzelfde chromosoom afbreken. De uiteinden zijn dan ‘kleverig’ en vormen een ring. Het effect hiervan is meestal afhankelijk van hoeveel chromosomen-materiaal, en dus informatie er is weggevallen wanneer de ring werd gevormd.
Voorbeelden van genetische afwijkingen ten gevolge van chromosomale mutaties zijn:
syndroom van Wolf-Hirschhorn wordt veroorzaakt door een deletie in chromosoom 4
syndroom van Jacobsen wordt veroorzaakt door een deletie in chromosoom 11
HMSN type 1A wordt veroorzaakt door een duplicatie van het PMP22-gen op chromosoom 17
Erfelijkheid
De meeste chromosomale afwijkingen ontstaan in de geslachtscellen of in het embryo. Een chromosomale afwijking hoeft daarom niet geërfd te zijn van de ouders. Een chromosomale afwijking kan in sommige gevallen wel doorgegeven worden aan het nageslacht. Wanneer de chromosomale afwijking ontstaat in het embryo, dan kan er sprake zijn van mozaïcisme, waarbij sommige cellen in het lichaam de afwijking wel hebben, en andere niet.
Referentie
NHGRI. 2006. Chromosome Abnormalities
Genetische aandoening
Genetica | 12,222 |
https://en.wikipedia.org/wiki/Franco%20Bieler | Wikipedia | Open Web | CC-By-SA | 2,023 | Franco Bieler | https://en.wikipedia.org/w/index.php?title=Franco Bieler&action=history | English | Spoken | 110 | 183 | Franco Bieler (born 6 December 1950) is an Italian former alpine skier.
He is the cousin of the alpine skier Wanda Bieler but not relative with the other alpine skier Tiziano Bieller.
Career
During his career he has achieved 22 results among the top 10 (3 podiums + 1 in a parallel slalom in the Nation Cup of the World Cup 1976) in the World Cup.
He competed in the 1976 Winter Olympics.
World Cup results
Podiums
References
External links
1950 births
Living people
Italian male alpine skiers
Olympic alpine skiers for Italy
Alpine skiers at the 1976 Winter Olympics
People from Gressoney-Saint-Jean
Sportspeople from Aosta Valley
20th-century Italian people | 31,616 |
https://gl.wikipedia.org/wiki/As%20Seixas%2C%20Santa%20Cristina%2C%20Cospeito | Wikipedia | Open Web | CC-By-SA | 2,023 | As Seixas, Santa Cristina, Cospeito | https://gl.wikipedia.org/w/index.php?title=As Seixas, Santa Cristina, Cospeito&action=history | Galician | Spoken | 47 | 97 | As Seixas é un lugar da parroquia de Santa Cristina no concello lugués de Cospeito na comarca da Terra Chá. Segundo o IGE, en 2019 tiña 32 habitantes (12 homes e 20 mulleres).
Lugares e parroquias
Lugares de Santa Cristina
Parroquias de Cospeito
Notas
Lugares de Cospeito | 30,416 |
https://stackoverflow.com/questions/50235803 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Tim Biegeleisen, https://stackoverflow.com/users/1863229, https://stackoverflow.com/users/615993, user615993 | English | Spoken | 217 | 342 | Inserting records into table1 depending on row value in table2
For each row in table exam 'where exam.examRegulation isnull', I want to insert one corresponding row in table examRegulation and copy columnvalues from exam to examregulation. Apparently the following query ist too naive and must be approved:
insert into examRegulation (graduation, course, examnumber, examversion)
values (exam.graduation, exam.course, exam.examnumber, exam.examversion)
where ?? (select graduation, course, examnumber, examversion
from exam
where exam.examRegulation isnull)
Is there a way to do this in postgresql?
You may rephrase this as an INSERT INTO ... SELECT statement:
INSERT INTO examRegulation (graduation, course, examnumber, examversion)
SELECT graduation, course, examnumber, examversion
FROM exam
WHERE examRegulation IS NULL;
The VALUES clause, as the name implies, can only be used with literal values. If you need to populate an insert using query logic, then you need to use a SELECT clause.
Thank you! Is there a way to extend the query so that the table exam is ubdated simultaneously with the new generated examRegulation numbers from table examRegulation, so in the end the query select * from exam where examRegulation IS NULL returns empty result?
I don't know of an automatic way to do this. Typically, a business problem would be that the primary table already exists, and you would be inserting a child record after that.
| 16,977 |
https://stackoverflow.com/questions/14893088 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | Prydie, https://stackoverflow.com/users/264148, https://stackoverflow.com/users/374052, r_ahlskog | English | Spoken | 441 | 574 | Password base encryption OpenSSL C++
I'm on a team creating an application used in a medical setting. We are looking to store local data encrypted using AES based on passwords that are stored in an SQLite database (hashed and salted). There doesn't seem to be very much information out there on doing this. Am I missing a trick?
Edit:
As I seem to be getting down voted here's some of what I know already.
I'm assuming that I'll need to use PBKDF2 key derivation (seen on SO here). Then I'll need to do something along the lines of this answer. My issue is that all of this is C code which doesn't utilise any of the OOP niceties of C++. I'm hoping that I'm missing some nice C++ wrapper for OpenSSL or some other 3rd party library that I can use to write clean, readable and OO code to solve the problem.
P.S. I'm not being paid for this application as it's a software engineering project at Uni and the recipient of the software is a charity.
I'm thinking the down votes comes from being a pretty vague question. A few things: So you encrypt data that is fine, how about the password for that encryption how is that input or (please no...)stored?
I stated in the original post (pre edit) that the password is stored in an SQLite database hashed using salted SHA256.
There is a login interface when the application starts and they enter the password, which is validated using the SQLite database, and then gets attached to the user object and will be used to decrypt the data.
Sorry for doubting you, I have just been tainted by working in an industry where I have nearly facepalmed my face off from listening to peoples approaches to encryption and key-storage. Ok, so the user enters it for every session, that is good. To me you seem to be on the right track for security. As for support libs that depends on what your target is, creating a C++ wrapper for a C lib is always an option.
I totally agree. I have a reasonable grounding in security (which is why this area of the project is my responsibility). It's the C++ (Windows target) development I'm a little hazy on.
Your question now seems to focus on a object oriented cryptographic library for C++. For that question I can recommend Botan. It does seem to focus on modern computing algorithms and includes PBKDF2.
Note that I cannot vouch for the security of this library, I haven't used or evaluated it personally.
Thanks, that looks pretty close to what I'm after.
| 4,143 |
https://de.wikipedia.org/wiki/%2879%2C27%2C9%29-Blockplan | Wikipedia | Open Web | CC-By-SA | 2,023 | (79,27,9)-Blockplan | https://de.wikipedia.org/w/index.php?title=(79,27,9)-Blockplan&action=history | German | Spoken | 17,721 | 36,064 | Der (79,27,9)-Blockplan ist ein spezieller symmetrischer Blockplan. Um ihn konstruieren zu können, musste dieses kombinatorische Problem gelöst werden: eine leere 79 × 79 - Matrix wurde so mit Einsen gefüllt, dass jede Zeile der Matrix genau 27 Einsen enthält und je zwei beliebige Zeilen genau 9 Einsen in der gleichen Spalte besitzen (nicht mehr und nicht weniger). Das klingt relativ einfach, ist aber nicht trivial zu lösen. Es gibt nur gewisse Kombinationen von Parametern (wie hier v = 79, k = 27, λ = 9), für die eine solche Konstruktion überhaupt machbar ist. In dieser Übersicht sind die kleinsten solcher (v,k,λ) aufgeführt.
Eigenschaften
Dieser symmetrische Blockplan hat die Parameter v = 79, k = 27, λ = 9 und damit folgende Eigenschaften:
Er besteht aus 79 Blöcken und 79 Punkten.
Jeder Block enthält genau 27 Punkte.
Je 2 Blöcke schneiden sich in genau 9 Punkten.
Jeder Punkt liegt auf genau 27 Blöcken.
Je 2 Punkte sind durch genau 9 Blöcke verbunden.
Existenz und Charakterisierung
Es existieren mindestens 1463 nichtisomorphe 2-(79,27,9) - Blockpläne. Acht dieser Lösungen sind:
Lösung 1 (dual zur Lösung 2) mit der Signatur 13·4, 39·6, 13·9, 13·12, 1·78. Sie enthält 689 Ovale der Ordnung 3.
Lösung 2 (dual zur Lösung 1) mit der Signatur 13·12, 13·15, 13·21, 39·24, 1·312. Sie enthält 13 Ovale der Ordnung 4.
Lösung 3 (dual zur Lösung 4) mit der Signatur 26·3, 13·4, 13·9, 1·13, 26·18. Sie enthält 390 Ovale der Ordnung 3.
Lösung 4 (dual zur Lösung 3) mit der Signatur 52·27, 26·45, 1·546. Sie enthält 13 Ovale der Ordnung 4.
Lösung 5 (dual zur Lösung 6) mit der Signatur 13·4, 65·9, 1·13. Sie enthält 468 Ovale der Ordnung 3.
Lösung 6 (dual zur Lösung 5) mit der Signatur 26·51, 26·69, 26·162, 1·572. Sie enthält 39 Ovale der Ordnung 4.
Lösung 7 (dual zur Lösung 8) mit der Signatur 52·9, 26·20, 1·312. Sie enthält 13 Ovale der Ordnung 4.
Lösung 8 (dual zur Lösung 7) mit der Signatur 52·9, 26·32, 1·312. Sie enthält 13 Ovale der Ordnung 4.
Liste der Blöcke
Hier sind alle Blöcke dieses Blockplans aufgelistet; zum Verständnis dieser Liste siehe diese Veranschaulichung
Lösung 1
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 3 5 11 15 16 18 24 29 30 31 33 34 37 42 43 44 46 47 50 55 57 63 71 77 79
1 3 4 6 12 16 17 19 25 30 31 32 34 35 38 43 44 45 47 48 51 56 58 64 67 72 78
1 4 5 7 13 17 18 20 26 31 32 33 35 36 39 44 45 46 48 49 52 57 59 65 68 73 79
1 5 6 8 14 18 19 21 27 32 33 34 36 37 40 45 46 47 49 50 53 58 60 66 67 69 74
1 2 6 7 9 15 19 20 22 28 33 34 35 37 38 41 46 47 48 50 51 54 59 61 68 70 75
1 3 7 8 10 16 20 21 23 29 34 35 36 38 39 42 47 48 49 51 52 55 60 62 69 71 76
1 4 8 9 11 17 21 22 24 30 35 36 37 39 40 43 48 49 50 52 53 56 61 63 70 72 77
1 5 9 10 12 18 22 23 25 28 31 36 37 38 40 41 44 49 50 51 53 57 62 64 71 73 78
1 6 10 11 13 19 23 24 26 28 29 32 37 38 39 41 42 45 50 51 52 58 63 65 72 74 79
1 7 11 12 14 20 24 25 27 29 30 33 38 39 40 42 43 46 51 52 53 59 64 66 67 73 75
1 2 8 12 13 15 21 25 26 28 30 31 34 39 40 41 43 44 47 52 53 54 60 65 68 74 76
1 3 9 13 14 16 22 26 27 28 29 31 32 35 40 41 42 44 45 48 53 55 61 66 69 75 77
1 2 4 10 14 15 17 23 27 28 29 30 32 33 36 41 42 43 45 46 49 54 56 62 70 76 78
1 2 3 5 11 15 16 18 24 32 38 40 45 51 53 56 59 60 61 62 65 68 69 70 72 73 76
1 3 4 6 12 16 17 19 25 28 33 39 41 46 52 57 60 61 62 63 66 69 70 71 73 74 77
1 4 5 7 13 17 18 20 26 29 34 40 42 47 53 54 58 61 62 63 64 70 71 72 74 75 78
1 5 6 8 14 18 19 21 27 28 30 35 41 43 48 55 59 62 63 64 65 71 72 73 75 76 79
1 2 6 7 9 15 19 20 22 29 31 36 42 44 49 56 60 63 64 65 66 67 72 73 74 76 77
1 3 7 8 10 16 20 21 23 30 32 37 43 45 50 54 57 61 64 65 66 68 73 74 75 77 78
1 4 8 9 11 17 21 22 24 31 33 38 44 46 51 54 55 58 62 65 66 69 74 75 76 78 79
1 5 9 10 12 18 22 23 25 32 34 39 45 47 52 54 55 56 59 63 66 67 70 75 76 77 79
1 6 10 11 13 19 23 24 26 33 35 40 46 48 53 54 55 56 57 60 64 67 68 71 76 77 78
1 7 11 12 14 20 24 25 27 28 34 36 41 47 49 55 56 57 58 61 65 68 69 72 77 78 79
1 2 8 12 13 15 21 25 26 29 35 37 42 48 50 56 57 58 59 62 66 67 69 70 73 78 79
1 3 9 13 14 16 22 26 27 30 36 38 43 49 51 54 57 58 59 60 63 67 68 70 71 74 79
1 2 4 10 14 15 17 23 27 31 37 39 44 50 52 55 58 59 60 61 64 67 68 69 71 72 75
4 7 8 9 10 13 19 25 27 29 30 31 33 34 37 45 51 53 56 59 60 61 62 65 71 77 79
5 8 9 10 11 14 15 20 26 30 31 32 34 35 38 41 46 52 57 60 61 62 63 66 67 72 78
2 6 9 10 11 12 16 21 27 31 32 33 35 36 39 42 47 53 54 58 61 62 63 64 68 73 79
3 7 10 11 12 13 15 17 22 32 33 34 36 37 40 41 43 48 55 59 62 63 64 65 67 69 74
4 8 11 12 13 14 16 18 23 28 33 34 35 37 38 42 44 49 56 60 63 64 65 66 68 70 75
2 5 9 12 13 14 17 19 24 29 34 35 36 38 39 43 45 50 54 57 61 64 65 66 69 71 76
2 3 6 10 13 14 18 20 25 30 35 36 37 39 40 44 46 51 54 55 58 62 65 66 70 72 77
2 3 4 7 11 14 19 21 26 28 31 36 37 38 40 45 47 52 54 55 56 59 63 66 71 73 78
2 3 4 5 8 12 20 22 27 28 29 32 37 38 39 46 48 53 54 55 56 57 60 64 72 74 79
3 4 5 6 9 13 15 21 23 29 30 33 38 39 40 41 47 49 55 56 57 58 61 65 67 73 75
4 5 6 7 10 14 16 22 24 28 30 31 34 39 40 42 48 50 56 57 58 59 62 66 68 74 76
2 5 6 7 8 11 17 23 25 28 29 31 32 35 40 43 49 51 54 57 58 59 60 63 69 75 77
3 6 7 8 9 12 18 24 26 28 29 30 32 33 36 44 50 52 55 58 59 60 61 64 70 76 78
4 7 8 9 10 13 19 25 27 32 38 40 42 43 44 46 47 50 55 57 63 68 69 70 72 73 76
5 8 9 10 11 14 15 20 26 28 33 39 43 44 45 47 48 51 56 58 64 69 70 71 73 74 77
2 6 9 10 11 12 16 21 27 29 34 40 44 45 46 48 49 52 57 59 65 70 71 72 74 75 78
3 7 10 11 12 13 15 17 22 28 30 35 45 46 47 49 50 53 58 60 66 71 72 73 75 76 79
4 8 11 12 13 14 16 18 23 29 31 36 41 46 47 48 50 51 54 59 61 67 72 73 74 76 77
2 5 9 12 13 14 17 19 24 30 32 37 42 47 48 49 51 52 55 60 62 68 73 74 75 77 78
2 3 6 10 13 14 18 20 25 31 33 38 43 48 49 50 52 53 56 61 63 69 74 75 76 78 79
2 3 4 7 11 14 19 21 26 32 34 39 41 44 49 50 51 53 57 62 64 67 70 75 76 77 79
2 3 4 5 8 12 20 22 27 33 35 40 41 42 45 50 51 52 58 63 65 67 68 71 76 77 78
3 4 5 6 9 13 15 21 23 28 34 36 42 43 46 51 52 53 59 64 66 68 69 72 77 78 79
4 5 6 7 10 14 16 22 24 29 35 37 41 43 44 47 52 53 54 60 65 67 69 70 73 78 79
2 5 6 7 8 11 17 23 25 30 36 38 41 42 44 45 48 53 55 61 66 67 68 70 71 74 79
3 6 7 8 9 12 18 24 26 31 37 39 41 42 43 45 46 49 54 56 62 67 68 69 71 72 75
6 12 14 17 20 21 22 23 26 29 30 31 33 34 37 45 51 53 55 57 63 68 69 70 72 73 76
2 7 13 18 21 22 23 24 27 30 31 32 34 35 38 41 46 52 56 58 64 69 70 71 73 74 77
3 8 14 15 19 22 23 24 25 31 32 33 35 36 39 42 47 53 57 59 65 70 71 72 74 75 78
2 4 9 16 20 23 24 25 26 32 33 34 36 37 40 41 43 48 58 60 66 71 72 73 75 76 79
3 5 10 17 21 24 25 26 27 28 33 34 35 37 38 42 44 49 54 59 61 67 72 73 74 76 77
4 6 11 15 18 22 25 26 27 29 34 35 36 38 39 43 45 50 55 60 62 68 73 74 75 77 78
5 7 12 15 16 19 23 26 27 30 35 36 37 39 40 44 46 51 56 61 63 69 74 75 76 78 79
6 8 13 15 16 17 20 24 27 28 31 36 37 38 40 45 47 52 57 62 64 67 70 75 76 77 79
7 9 14 15 16 17 18 21 25 28 29 32 37 38 39 46 48 53 58 63 65 67 68 71 76 77 78
2 8 10 16 17 18 19 22 26 29 30 33 38 39 40 41 47 49 59 64 66 68 69 72 77 78 79
3 9 11 17 18 19 20 23 27 28 30 31 34 39 40 42 48 50 54 60 65 67 69 70 73 78 79
4 10 12 15 18 19 20 21 24 28 29 31 32 35 40 43 49 51 55 61 66 67 68 70 71 74 79
5 11 13 16 19 20 21 22 25 28 29 30 32 33 36 44 50 52 54 56 62 67 68 69 71 72 75
3 5 11 19 22 23 25 26 27 29 31 37 43 46 47 48 49 52 58 61 62 64 65 66 68 70 76
4 6 12 15 20 23 24 26 27 30 32 38 44 47 48 49 50 53 54 59 62 63 65 66 69 71 77
5 7 13 15 16 21 24 25 27 31 33 39 41 45 48 49 50 51 54 55 60 63 64 66 70 72 78
6 8 14 15 16 17 22 25 26 32 34 40 42 46 49 50 51 52 54 55 56 61 64 65 71 73 79
2 7 9 16 17 18 23 26 27 28 33 35 43 47 50 51 52 53 55 56 57 62 65 66 67 72 74
3 8 10 15 17 18 19 24 27 29 34 36 41 44 48 51 52 53 54 56 57 58 63 66 68 73 75
4 9 11 15 16 18 19 20 25 30 35 37 41 42 45 49 52 53 54 55 57 58 59 64 69 74 76
5 10 12 16 17 19 20 21 26 31 36 38 41 42 43 46 50 53 55 56 58 59 60 65 70 75 77
6 11 13 17 18 20 21 22 27 32 37 39 41 42 43 44 47 51 56 57 59 60 61 66 71 76 78
7 12 14 15 18 19 21 22 23 33 38 40 42 43 44 45 48 52 54 57 58 60 61 62 72 77 79
2 8 13 16 19 20 22 23 24 28 34 39 43 44 45 46 49 53 55 58 59 61 62 63 67 73 78
3 9 14 17 20 21 23 24 25 29 35 40 41 44 45 46 47 50 56 59 60 62 63 64 68 74 79
2 4 10 18 21 22 24 25 26 28 30 36 42 45 46 47 48 51 57 60 61 63 64 65 67 69 75
Lösung 2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 6 12 14 15 19 25 27 30 33 34 35 36 39 43 46 47 48 49 52 55 57 63 71 77 79
1 2 3 7 13 15 16 20 26 31 34 35 36 37 40 44 47 48 49 50 53 56 58 64 67 72 78
1 3 4 8 14 16 17 21 27 28 32 35 36 37 38 41 45 48 49 50 51 57 59 65 68 73 79
1 2 4 5 9 15 17 18 22 29 33 36 37 38 39 42 46 49 50 51 52 58 60 66 67 69 74
1 3 5 6 10 16 18 19 23 30 34 37 38 39 40 43 47 50 51 52 53 54 59 61 68 70 75
1 4 6 7 11 17 19 20 24 28 31 35 38 39 40 41 44 48 51 52 53 55 60 62 69 71 76
1 5 7 8 12 18 20 21 25 28 29 32 36 39 40 41 42 45 49 52 53 56 61 63 70 72 77
1 6 8 9 13 19 21 22 26 28 29 30 33 37 40 41 42 43 46 50 53 57 62 64 71 73 78
1 7 9 10 14 20 22 23 27 28 29 30 31 34 38 41 42 43 44 47 51 58 63 65 72 74 79
1 2 8 10 11 15 21 23 24 29 30 31 32 35 39 42 43 44 45 48 52 59 64 66 67 73 75
1 3 9 11 12 16 22 24 25 30 31 32 33 36 40 43 44 45 46 49 53 54 60 65 68 74 76
1 4 10 12 13 17 23 25 26 28 31 32 33 34 37 41 44 45 46 47 50 55 61 66 69 75 77
1 5 11 13 14 18 24 26 27 29 32 33 34 35 38 42 45 46 47 48 51 54 56 62 70 76 78
1 2 6 12 14 15 19 25 27 29 31 37 42 44 50 56 59 60 61 62 65 68 69 70 72 73 76
1 2 3 7 13 15 16 20 26 30 32 38 43 45 51 57 60 61 62 63 66 69 70 71 73 74 77
1 3 4 8 14 16 17 21 27 31 33 39 44 46 52 54 58 61 62 63 64 70 71 72 74 75 78
1 2 4 5 9 15 17 18 22 32 34 40 45 47 53 55 59 62 63 64 65 71 72 73 75 76 79
1 3 5 6 10 16 18 19 23 28 33 35 41 46 48 56 60 63 64 65 66 67 72 73 74 76 77
1 4 6 7 11 17 19 20 24 29 34 36 42 47 49 54 57 61 64 65 66 68 73 74 75 77 78
1 5 7 8 12 18 20 21 25 30 35 37 43 48 50 54 55 58 62 65 66 69 74 75 76 78 79
1 6 8 9 13 19 21 22 26 31 36 38 44 49 51 54 55 56 59 63 66 67 70 75 76 77 79
1 7 9 10 14 20 22 23 27 32 37 39 45 50 52 54 55 56 57 60 64 67 68 71 76 77 78
1 2 8 10 11 15 21 23 24 33 38 40 46 51 53 55 56 57 58 61 65 68 69 72 77 78 79
1 3 9 11 12 16 22 24 25 28 34 39 41 47 52 56 57 58 59 62 66 67 69 70 73 78 79
1 4 10 12 13 17 23 25 26 29 35 40 42 48 53 54 57 58 59 60 63 67 68 70 71 74 79
1 5 11 13 14 18 24 26 27 28 30 36 41 43 49 55 58 59 60 61 64 67 68 69 71 72 75
6 9 10 12 13 14 16 18 24 32 35 36 38 39 40 42 44 50 58 61 62 64 65 66 71 77 79
2 7 10 11 13 14 17 19 25 28 33 36 37 39 40 43 45 51 54 59 62 63 65 66 67 72 78
2 3 8 11 12 14 18 20 26 28 29 34 37 38 40 44 46 52 54 55 60 63 64 66 68 73 79
2 3 4 9 12 13 19 21 27 28 29 30 35 38 39 45 47 53 54 55 56 61 64 65 67 69 74
3 4 5 10 13 14 15 20 22 29 30 31 36 39 40 41 46 48 55 56 57 62 65 66 68 70 75
2 4 5 6 11 14 16 21 23 28 30 31 32 37 40 42 47 49 54 56 57 58 63 66 69 71 76
2 3 5 6 7 12 17 22 24 28 29 31 32 33 38 43 48 50 54 55 57 58 59 64 70 72 77
3 4 6 7 8 13 18 23 25 29 30 32 33 34 39 44 49 51 55 56 58 59 60 65 71 73 78
4 5 7 8 9 14 19 24 26 30 31 33 34 35 40 45 50 52 56 57 59 60 61 66 72 74 79
2 5 6 8 9 10 20 25 27 28 31 32 34 35 36 46 51 53 54 57 58 60 61 62 67 73 75
3 6 7 9 10 11 15 21 26 29 32 33 35 36 37 41 47 52 55 58 59 61 62 63 68 74 76
4 7 8 10 11 12 16 22 27 30 33 34 36 37 38 42 48 53 56 59 60 62 63 64 69 75 77
5 8 9 11 12 13 15 17 23 31 34 35 37 38 39 41 43 49 57 60 61 63 64 65 70 76 78
6 9 10 12 13 14 16 18 24 29 31 37 45 48 49 51 52 53 55 57 63 69 72 73 74 75 78
2 7 10 11 13 14 17 19 25 30 32 38 41 46 49 50 52 53 56 58 64 70 73 74 75 76 79
2 3 8 11 12 14 18 20 26 31 33 39 41 42 47 50 51 53 57 59 65 67 71 74 75 76 77
2 3 4 9 12 13 19 21 27 32 34 40 41 42 43 48 51 52 58 60 66 68 72 75 76 77 78
3 4 5 10 13 14 15 20 22 28 33 35 42 43 44 49 52 53 54 59 61 69 73 76 77 78 79
2 4 5 6 11 14 16 21 23 29 34 36 41 43 44 45 50 53 55 60 62 67 70 74 77 78 79
2 3 5 6 7 12 17 22 24 30 35 37 41 42 44 45 46 51 56 61 63 67 68 71 75 78 79
3 4 6 7 8 13 18 23 25 31 36 38 42 43 45 46 47 52 57 62 64 67 68 69 72 76 79
4 5 7 8 9 14 19 24 26 32 37 39 43 44 46 47 48 53 58 63 65 67 68 69 70 73 77
2 5 6 8 9 10 20 25 27 33 38 40 41 44 45 47 48 49 59 64 66 68 69 70 71 74 78
3 6 7 9 10 11 15 21 26 28 34 39 42 45 46 48 49 50 54 60 65 69 70 71 72 75 79
4 7 8 10 11 12 16 22 27 29 35 40 43 46 47 49 50 51 55 61 66 67 70 71 72 73 76
5 8 9 11 12 13 15 17 23 28 30 36 44 47 48 50 51 52 54 56 62 68 71 72 73 74 77
6 12 14 17 20 21 22 23 26 30 33 34 35 36 39 45 51 53 58 64 66 68 69 70 72 73 76
2 7 13 18 21 22 23 24 27 31 34 35 36 37 40 41 46 52 54 59 65 69 70 71 73 74 77
3 8 14 15 19 22 23 24 25 28 32 35 36 37 38 42 47 53 55 60 66 70 71 72 74 75 78
2 4 9 16 20 23 24 25 26 29 33 36 37 38 39 41 43 48 54 56 61 71 72 73 75 76 79
3 5 10 17 21 24 25 26 27 30 34 37 38 39 40 42 44 49 55 57 62 67 72 73 74 76 77
4 6 11 15 18 22 25 26 27 28 31 35 38 39 40 43 45 50 56 58 63 68 73 74 75 77 78
5 7 12 15 16 19 23 26 27 28 29 32 36 39 40 44 46 51 57 59 64 69 74 75 76 78 79
6 8 13 15 16 17 20 24 27 28 29 30 33 37 40 45 47 52 58 60 65 67 70 75 76 77 79
7 9 14 15 16 17 18 21 25 28 29 30 31 34 38 46 48 53 59 61 66 67 68 71 76 77 78
2 8 10 16 17 18 19 22 26 29 30 31 32 35 39 41 47 49 54 60 62 68 69 72 77 78 79
3 9 11 17 18 19 20 23 27 30 31 32 33 36 40 42 48 50 55 61 63 67 69 70 73 78 79
4 10 12 15 18 19 20 21 24 28 31 32 33 34 37 43 49 51 56 62 64 67 68 70 71 74 79
5 11 13 16 19 20 21 22 25 29 32 33 34 35 38 44 50 52 57 63 65 67 68 69 71 72 75
3 5 11 19 22 23 25 26 27 29 31 37 45 48 49 51 52 53 58 61 62 64 65 66 71 77 79
4 6 12 15 20 23 24 26 27 30 32 38 41 46 49 50 52 53 54 59 62 63 65 66 67 72 78
5 7 13 15 16 21 24 25 27 31 33 39 41 42 47 50 51 53 54 55 60 63 64 66 68 73 79
6 8 14 15 16 17 22 25 26 32 34 40 41 42 43 48 51 52 54 55 56 61 64 65 67 69 74
2 7 9 16 17 18 23 26 27 28 33 35 42 43 44 49 52 53 55 56 57 62 65 66 68 70 75
3 8 10 15 17 18 19 24 27 29 34 36 41 43 44 45 50 53 54 56 57 58 63 66 69 71 76
4 9 11 15 16 18 19 20 25 30 35 37 41 42 44 45 46 51 54 55 57 58 59 64 70 72 77
5 10 12 16 17 19 20 21 26 31 36 38 42 43 45 46 47 52 55 56 58 59 60 65 71 73 78
6 11 13 17 18 20 21 22 27 32 37 39 43 44 46 47 48 53 56 57 59 60 61 66 72 74 79
7 12 14 15 18 19 21 22 23 33 38 40 41 44 45 47 48 49 54 57 58 60 61 62 67 73 75
2 8 13 16 19 20 22 23 24 28 34 39 42 45 46 48 49 50 55 58 59 61 62 63 68 74 76
3 9 14 17 20 21 23 24 25 29 35 40 43 46 47 49 50 51 56 59 60 62 63 64 69 75 77
2 4 10 18 21 22 24 25 26 28 30 36 44 47 48 50 51 52 57 60 61 63 64 65 70 76 78
Lösung 3
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 3 5 11 15 16 18 24 29 30 31 33 34 37 42 43 44 46 47 50 55 57 63 68 70 76
1 3 4 6 12 16 17 19 25 30 31 32 34 35 38 43 44 45 47 48 51 56 58 64 69 71 77
1 4 5 7 13 17 18 20 26 31 32 33 35 36 39 44 45 46 48 49 52 57 59 65 70 72 78
1 5 6 8 14 18 19 21 27 32 33 34 36 37 40 45 46 47 49 50 53 58 60 66 71 73 79
1 2 6 7 9 15 19 20 22 28 33 34 35 37 38 41 46 47 48 50 51 54 59 61 67 72 74
1 3 7 8 10 16 20 21 23 29 34 35 36 38 39 42 47 48 49 51 52 55 60 62 68 73 75
1 4 8 9 11 17 21 22 24 30 35 36 37 39 40 43 48 49 50 52 53 56 61 63 69 74 76
1 5 9 10 12 18 22 23 25 28 31 36 37 38 40 41 44 49 50 51 53 57 62 64 70 75 77
1 6 10 11 13 19 23 24 26 28 29 32 37 38 39 41 42 45 50 51 52 58 63 65 71 76 78
1 7 11 12 14 20 24 25 27 29 30 33 38 39 40 42 43 46 51 52 53 59 64 66 72 77 79
1 2 8 12 13 15 21 25 26 28 30 31 34 39 40 41 43 44 47 52 53 54 60 65 67 73 78
1 3 9 13 14 16 22 26 27 28 29 31 32 35 40 41 42 44 45 48 53 55 61 66 68 74 79
1 2 4 10 14 15 17 23 27 28 29 30 32 33 36 41 42 43 45 46 49 54 56 62 67 69 75
1 2 3 5 11 15 16 18 24 32 38 40 45 51 53 56 59 60 61 62 65 69 72 73 74 75 78
1 3 4 6 12 16 17 19 25 28 33 39 41 46 52 57 60 61 62 63 66 70 73 74 75 76 79
1 4 5 7 13 17 18 20 26 29 34 40 42 47 53 54 58 61 62 63 64 67 71 74 75 76 77
1 5 6 8 14 18 19 21 27 28 30 35 41 43 48 55 59 62 63 64 65 68 72 75 76 77 78
1 2 6 7 9 15 19 20 22 29 31 36 42 44 49 56 60 63 64 65 66 69 73 76 77 78 79
1 3 7 8 10 16 20 21 23 30 32 37 43 45 50 54 57 61 64 65 66 67 70 74 77 78 79
1 4 8 9 11 17 21 22 24 31 33 38 44 46 51 54 55 58 62 65 66 67 68 71 75 78 79
1 5 9 10 12 18 22 23 25 32 34 39 45 47 52 54 55 56 59 63 66 67 68 69 72 76 79
1 6 10 11 13 19 23 24 26 33 35 40 46 48 53 54 55 56 57 60 64 67 68 69 70 73 77
1 7 11 12 14 20 24 25 27 28 34 36 41 47 49 55 56 57 58 61 65 68 69 70 71 74 78
1 2 8 12 13 15 21 25 26 29 35 37 42 48 50 56 57 58 59 62 66 69 70 71 72 75 79
1 3 9 13 14 16 22 26 27 30 36 38 43 49 51 54 57 58 59 60 63 67 70 71 72 73 76
1 2 4 10 14 15 17 23 27 31 37 39 44 50 52 55 58 59 60 61 64 68 71 72 73 74 77
4 6 7 8 12 14 22 23 26 29 30 31 33 34 37 45 51 53 56 59 60 61 62 65 68 70 76
2 5 7 8 9 13 23 24 27 30 31 32 34 35 38 41 46 52 57 60 61 62 63 66 69 71 77
3 6 8 9 10 14 15 24 25 31 32 33 35 36 39 42 47 53 54 58 61 62 63 64 70 72 78
2 4 7 9 10 11 16 25 26 32 33 34 36 37 40 41 43 48 55 59 62 63 64 65 71 73 79
3 5 8 10 11 12 17 26 27 28 33 34 35 37 38 42 44 49 56 60 63 64 65 66 67 72 74
4 6 9 11 12 13 15 18 27 29 34 35 36 38 39 43 45 50 54 57 61 64 65 66 68 73 75
5 7 10 12 13 14 15 16 19 30 35 36 37 39 40 44 46 51 54 55 58 62 65 66 69 74 76
2 6 8 11 13 14 16 17 20 28 31 36 37 38 40 45 47 52 54 55 56 59 63 66 70 75 77
2 3 7 9 12 14 17 18 21 28 29 32 37 38 39 46 48 53 54 55 56 57 60 64 71 76 78
2 3 4 8 10 13 18 19 22 29 30 33 38 39 40 41 47 49 55 56 57 58 61 65 72 77 79
3 4 5 9 11 14 19 20 23 28 30 31 34 39 40 42 48 50 56 57 58 59 62 66 67 73 78
2 4 5 6 10 12 20 21 24 28 29 31 32 35 40 43 49 51 54 57 58 59 60 63 68 74 79
3 5 6 7 11 13 21 22 25 28 29 30 32 33 36 44 50 52 55 58 59 60 61 64 67 69 75
4 7 8 9 10 13 19 25 27 32 38 40 42 43 44 46 47 50 56 59 60 68 70 74 75 76 78
5 8 9 10 11 14 15 20 26 28 33 39 43 44 45 47 48 51 57 60 61 69 71 75 76 77 79
2 6 9 10 11 12 16 21 27 29 34 40 44 45 46 48 49 52 58 61 62 67 70 72 76 77 78
3 7 10 11 12 13 15 17 22 28 30 35 45 46 47 49 50 53 59 62 63 68 71 73 77 78 79
4 8 11 12 13 14 16 18 23 29 31 36 41 46 47 48 50 51 60 63 64 67 69 72 74 78 79
2 5 9 12 13 14 17 19 24 30 32 37 42 47 48 49 51 52 61 64 65 67 68 70 73 75 79
2 3 6 10 13 14 18 20 25 31 33 38 43 48 49 50 52 53 62 65 66 67 68 69 71 74 76
2 3 4 7 11 14 19 21 26 32 34 39 41 44 49 50 51 53 54 63 66 68 69 70 72 75 77
2 3 4 5 8 12 20 22 27 33 35 40 41 42 45 50 51 52 54 55 64 69 70 71 73 76 78
3 4 5 6 9 13 15 21 23 28 34 36 42 43 46 51 52 53 55 56 65 70 71 72 74 77 79
4 5 6 7 10 14 16 22 24 29 35 37 41 43 44 47 52 53 56 57 66 67 71 72 73 75 78
2 5 6 7 8 11 17 23 25 30 36 38 41 42 44 45 48 53 54 57 58 68 72 73 74 76 79
3 6 7 8 9 12 18 24 26 31 37 39 41 42 43 45 46 49 55 58 59 67 69 73 74 75 77
9 10 13 17 19 20 21 25 27 29 30 31 33 34 37 45 51 53 55 57 63 69 72 73 74 75 78
10 11 14 15 18 20 21 22 26 30 31 32 34 35 38 41 46 52 56 58 64 70 73 74 75 76 79
2 11 12 16 19 21 22 23 27 31 32 33 35 36 39 42 47 53 57 59 65 67 71 74 75 76 77
3 12 13 15 17 20 22 23 24 32 33 34 36 37 40 41 43 48 58 60 66 68 72 75 76 77 78
4 13 14 16 18 21 23 24 25 28 33 34 35 37 38 42 44 49 54 59 61 69 73 76 77 78 79
2 5 14 17 19 22 24 25 26 29 34 35 36 38 39 43 45 50 55 60 62 67 70 74 77 78 79
2 3 6 18 20 23 25 26 27 30 35 36 37 39 40 44 46 51 56 61 63 67 68 71 75 78 79
3 4 7 15 19 21 24 26 27 28 31 36 37 38 40 45 47 52 57 62 64 67 68 69 72 76 79
4 5 8 15 16 20 22 25 27 28 29 32 37 38 39 46 48 53 58 63 65 67 68 69 70 73 77
5 6 9 15 16 17 21 23 26 29 30 33 38 39 40 41 47 49 59 64 66 68 69 70 71 74 78
6 7 10 16 17 18 22 24 27 28 30 31 34 39 40 42 48 50 54 60 65 69 70 71 72 75 79
7 8 11 15 17 18 19 23 25 28 29 31 32 35 40 43 49 51 55 61 66 67 70 71 72 73 76
8 9 12 16 18 19 20 24 26 28 29 30 32 33 36 44 50 52 54 56 62 68 71 72 73 74 77
6 12 14 17 20 21 22 23 26 32 38 40 42 43 44 46 47 50 55 57 61 62 63 65 69 72 73
2 7 13 18 21 22 23 24 27 28 33 39 43 44 45 47 48 51 56 58 62 63 64 66 70 73 74
3 8 14 15 19 22 23 24 25 29 34 40 44 45 46 48 49 52 54 57 59 63 64 65 71 74 75
2 4 9 16 20 23 24 25 26 28 30 35 45 46 47 49 50 53 55 58 60 64 65 66 72 75 76
3 5 10 17 21 24 25 26 27 29 31 36 41 46 47 48 50 51 54 56 59 61 65 66 73 76 77
4 6 11 15 18 22 25 26 27 30 32 37 42 47 48 49 51 52 54 55 57 60 62 66 74 77 78
5 7 12 15 16 19 23 26 27 31 33 38 43 48 49 50 52 53 54 55 56 58 61 63 75 78 79
6 8 13 15 16 17 20 24 27 32 34 39 41 44 49 50 51 53 55 56 57 59 62 64 67 76 79
7 9 14 15 16 17 18 21 25 33 35 40 41 42 45 50 51 52 56 57 58 60 63 65 67 68 77
2 8 10 16 17 18 19 22 26 28 34 36 42 43 46 51 52 53 57 58 59 61 64 66 68 69 78
3 9 11 17 18 19 20 23 27 29 35 37 41 43 44 47 52 53 54 58 59 60 62 65 69 70 79
4 10 12 15 18 19 20 21 24 30 36 38 41 42 44 45 48 53 55 59 60 61 63 66 67 70 71
5 11 13 16 19 20 21 22 25 31 37 39 41 42 43 45 46 49 54 56 60 61 62 64 68 71 72
Lösung 4
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 6 12 14 15 19 25 27 29 31 35 36 37 39 43 46 47 48 49 52 56 59 60 68 70 76
1 2 3 7 13 15 16 20 26 30 32 36 37 38 40 44 47 48 49 50 53 57 60 61 69 71 77
1 3 4 8 14 16 17 21 27 28 31 33 37 38 39 41 45 48 49 50 51 58 61 62 70 72 78
1 2 4 5 9 15 17 18 22 29 32 34 38 39 40 42 46 49 50 51 52 59 62 63 71 73 79
1 3 5 6 10 16 18 19 23 28 30 33 35 39 40 43 47 50 51 52 53 60 63 64 67 72 74
1 4 6 7 11 17 19 20 24 28 29 31 34 36 40 41 44 48 51 52 53 61 64 65 68 73 75
1 5 7 8 12 18 20 21 25 28 29 30 32 35 37 41 42 45 49 52 53 62 65 66 69 74 76
1 6 8 9 13 19 21 22 26 29 30 31 33 36 38 41 42 43 46 50 53 54 63 66 70 75 77
1 7 9 10 14 20 22 23 27 30 31 32 34 37 39 41 42 43 44 47 51 54 55 64 71 76 78
1 2 8 10 11 15 21 23 24 31 32 33 35 38 40 42 43 44 45 48 52 55 56 65 72 77 79
1 3 9 11 12 16 22 24 25 28 32 33 34 36 39 43 44 45 46 49 53 56 57 66 67 73 78
1 4 10 12 13 17 23 25 26 29 33 34 35 37 40 41 44 45 46 47 50 54 57 58 68 74 79
1 5 11 13 14 18 24 26 27 28 30 34 35 36 38 42 45 46 47 48 51 55 58 59 67 69 75
1 2 6 12 14 15 19 25 27 30 33 34 42 44 50 55 57 61 62 63 65 69 72 73 74 75 78
1 2 3 7 13 15 16 20 26 31 34 35 43 45 51 56 58 62 63 64 66 70 73 74 75 76 79
1 3 4 8 14 16 17 21 27 32 35 36 44 46 52 54 57 59 63 64 65 67 71 74 75 76 77
1 2 4 5 9 15 17 18 22 33 36 37 45 47 53 55 58 60 64 65 66 68 72 75 76 77 78
1 3 5 6 10 16 18 19 23 34 37 38 41 46 48 54 56 59 61 65 66 69 73 76 77 78 79
1 4 6 7 11 17 19 20 24 35 38 39 42 47 49 54 55 57 60 62 66 67 70 74 77 78 79
1 5 7 8 12 18 20 21 25 36 39 40 43 48 50 54 55 56 58 61 63 67 68 71 75 78 79
1 6 8 9 13 19 21 22 26 28 37 40 44 49 51 55 56 57 59 62 64 67 68 69 72 76 79
1 7 9 10 14 20 22 23 27 28 29 38 45 50 52 56 57 58 60 63 65 67 68 69 70 73 77
1 2 8 10 11 15 21 23 24 29 30 39 46 51 53 57 58 59 61 64 66 68 69 70 71 74 78
1 3 9 11 12 16 22 24 25 30 31 40 41 47 52 54 58 59 60 62 65 69 70 71 72 75 79
1 4 10 12 13 17 23 25 26 28 31 32 42 48 53 55 59 60 61 63 66 67 70 71 72 73 76
1 5 11 13 14 18 24 26 27 29 32 33 41 43 49 54 56 60 61 62 64 68 71 72 73 74 77
6 9 10 12 13 14 16 18 24 32 35 36 38 39 40 42 44 50 58 61 62 64 65 66 68 70 76
2 7 10 11 13 14 17 19 25 28 33 36 37 39 40 43 45 51 54 59 62 63 65 66 69 71 77
2 3 8 11 12 14 18 20 26 28 29 34 37 38 40 44 46 52 54 55 60 63 64 66 70 72 78
2 3 4 9 12 13 19 21 27 28 29 30 35 38 39 45 47 53 54 55 56 61 64 65 71 73 79
3 4 5 10 13 14 15 20 22 29 30 31 36 39 40 41 46 48 55 56 57 62 65 66 67 72 74
2 4 5 6 11 14 16 21 23 28 30 31 32 37 40 42 47 49 54 56 57 58 63 66 68 73 75
2 3 5 6 7 12 17 22 24 28 29 31 32 33 38 43 48 50 54 55 57 58 59 64 69 74 76
3 4 6 7 8 13 18 23 25 29 30 32 33 34 39 44 49 51 55 56 58 59 60 65 70 75 77
4 5 7 8 9 14 19 24 26 30 31 33 34 35 40 45 50 52 56 57 59 60 61 66 71 76 78
2 5 6 8 9 10 20 25 27 28 31 32 34 35 36 46 51 53 54 57 58 60 61 62 72 77 79
3 6 7 9 10 11 15 21 26 29 32 33 35 36 37 41 47 52 55 58 59 61 62 63 67 73 78
4 7 8 10 11 12 16 22 27 30 33 34 36 37 38 42 48 53 56 59 60 62 63 64 68 74 79
5 8 9 11 12 13 15 17 23 31 34 35 37 38 39 41 43 49 57 60 61 63 64 65 67 69 75
6 9 10 12 13 14 16 18 24 29 31 37 45 48 49 51 52 53 55 57 63 71 74 75 77 78 79
2 7 10 11 13 14 17 19 25 30 32 38 41 46 49 50 52 53 56 58 64 67 72 75 76 78 79
2 3 8 11 12 14 18 20 26 31 33 39 41 42 47 50 51 53 57 59 65 67 68 73 76 77 79
2 3 4 9 12 13 19 21 27 32 34 40 41 42 43 48 51 52 58 60 66 67 68 69 74 77 78
3 4 5 10 13 14 15 20 22 28 33 35 42 43 44 49 52 53 54 59 61 68 69 70 75 78 79
2 4 5 6 11 14 16 21 23 29 34 36 41 43 44 45 50 53 55 60 62 67 69 70 71 76 79
2 3 5 6 7 12 17 22 24 30 35 37 41 42 44 45 46 51 56 61 63 67 68 70 71 72 77
3 4 6 7 8 13 18 23 25 31 36 38 42 43 45 46 47 52 57 62 64 68 69 71 72 73 78
4 5 7 8 9 14 19 24 26 32 37 39 43 44 46 47 48 53 58 63 65 69 70 72 73 74 79
2 5 6 8 9 10 20 25 27 33 38 40 41 44 45 47 48 49 59 64 66 67 70 71 73 74 75
3 6 7 9 10 11 15 21 26 28 34 39 42 45 46 48 49 50 54 60 65 68 71 72 74 75 76
4 7 8 10 11 12 16 22 27 29 35 40 43 46 47 49 50 51 55 61 66 69 72 73 75 76 77
5 8 9 11 12 13 15 17 23 28 30 36 44 47 48 50 51 52 54 56 62 70 73 74 76 77 78
6 12 14 17 20 21 22 23 26 30 33 34 35 36 39 48 49 52 58 64 66 69 71 72 73 77 79
2 7 13 18 21 22 23 24 27 31 34 35 36 37 40 49 50 53 54 59 65 67 70 72 73 74 78
3 8 14 15 19 22 23 24 25 28 32 35 36 37 38 41 50 51 55 60 66 68 71 73 74 75 79
2 4 9 16 20 23 24 25 26 29 33 36 37 38 39 42 51 52 54 56 61 67 69 72 74 75 76
3 5 10 17 21 24 25 26 27 30 34 37 38 39 40 43 52 53 55 57 62 68 70 73 75 76 77
4 6 11 15 18 22 25 26 27 28 31 35 38 39 40 41 44 53 56 58 63 69 71 74 76 77 78
5 7 12 15 16 19 23 26 27 28 29 32 36 39 40 41 42 45 57 59 64 70 72 75 77 78 79
6 8 13 15 16 17 20 24 27 28 29 30 33 37 40 42 43 46 58 60 65 67 71 73 76 78 79
7 9 14 15 16 17 18 21 25 28 29 30 31 34 38 43 44 47 59 61 66 67 68 72 74 77 79
2 8 10 16 17 18 19 22 26 29 30 31 32 35 39 44 45 48 54 60 62 67 68 69 73 75 78
3 9 11 17 18 19 20 23 27 30 31 32 33 36 40 45 46 49 55 61 63 68 69 70 74 76 79
4 10 12 15 18 19 20 21 24 28 31 32 33 34 37 46 47 50 56 62 64 67 69 70 71 75 77
5 11 13 16 19 20 21 22 25 29 32 33 34 35 38 47 48 51 57 63 65 68 70 71 72 76 78
6 12 14 17 20 21 22 23 26 32 38 40 43 45 46 47 51 53 56 59 60 61 62 65 74 75 78
2 7 13 18 21 22 23 24 27 28 33 39 41 44 46 47 48 52 57 60 61 62 63 66 75 76 79
3 8 14 15 19 22 23 24 25 29 34 40 42 45 47 48 49 53 54 58 61 62 63 64 67 76 77
2 4 9 16 20 23 24 25 26 28 30 35 41 43 46 48 49 50 55 59 62 63 64 65 68 77 78
3 5 10 17 21 24 25 26 27 29 31 36 42 44 47 49 50 51 56 60 63 64 65 66 69 78 79
4 6 11 15 18 22 25 26 27 30 32 37 43 45 48 50 51 52 54 57 61 64 65 66 67 70 79
5 7 12 15 16 19 23 26 27 31 33 38 44 46 49 51 52 53 54 55 58 62 65 66 67 68 71
6 8 13 15 16 17 20 24 27 32 34 39 41 45 47 50 52 53 54 55 56 59 63 66 68 69 72
7 9 14 15 16 17 18 21 25 33 35 40 41 42 46 48 51 53 54 55 56 57 60 64 69 70 73
2 8 10 16 17 18 19 22 26 28 34 36 41 42 43 47 49 52 55 56 57 58 61 65 70 71 74
3 9 11 17 18 19 20 23 27 29 35 37 42 43 44 48 50 53 56 57 58 59 62 66 71 72 75
4 10 12 15 18 19 20 21 24 30 36 38 41 43 44 45 49 51 54 57 58 59 60 63 72 73 76
5 11 13 16 19 20 21 22 25 31 37 39 42 44 45 46 50 52 55 58 59 60 61 64 73 74 77
Lösung 5
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 3 5 11 15 16 18 24 29 30 31 33 34 37 42 43 44 46 47 50 55 57 63 68 70 76
1 3 4 6 12 16 17 19 25 30 31 32 34 35 38 43 44 45 47 48 51 56 58 64 69 71 77
1 4 5 7 13 17 18 20 26 31 32 33 35 36 39 44 45 46 48 49 52 57 59 65 70 72 78
1 5 6 8 14 18 19 21 27 32 33 34 36 37 40 45 46 47 49 50 53 58 60 66 71 73 79
1 2 6 7 9 15 19 20 22 28 33 34 35 37 38 41 46 47 48 50 51 54 59 61 67 72 74
1 3 7 8 10 16 20 21 23 29 34 35 36 38 39 42 47 48 49 51 52 55 60 62 68 73 75
1 4 8 9 11 17 21 22 24 30 35 36 37 39 40 43 48 49 50 52 53 56 61 63 69 74 76
1 5 9 10 12 18 22 23 25 28 31 36 37 38 40 41 44 49 50 51 53 57 62 64 70 75 77
1 6 10 11 13 19 23 24 26 28 29 32 37 38 39 41 42 45 50 51 52 58 63 65 71 76 78
1 7 11 12 14 20 24 25 27 29 30 33 38 39 40 42 43 46 51 52 53 59 64 66 72 77 79
1 2 8 12 13 15 21 25 26 28 30 31 34 39 40 41 43 44 47 52 53 54 60 65 67 73 78
1 3 9 13 14 16 22 26 27 28 29 31 32 35 40 41 42 44 45 48 53 55 61 66 68 74 79
1 2 4 10 14 15 17 23 27 28 29 30 32 33 36 41 42 43 45 46 49 54 56 62 67 69 75
1 2 3 5 11 15 16 18 24 32 38 40 45 51 53 56 59 60 61 62 65 69 72 73 74 75 78
1 3 4 6 12 16 17 19 25 28 33 39 41 46 52 57 60 61 62 63 66 70 73 74 75 76 79
1 4 5 7 13 17 18 20 26 29 34 40 42 47 53 54 58 61 62 63 64 67 71 74 75 76 77
1 5 6 8 14 18 19 21 27 28 30 35 41 43 48 55 59 62 63 64 65 68 72 75 76 77 78
1 2 6 7 9 15 19 20 22 29 31 36 42 44 49 56 60 63 64 65 66 69 73 76 77 78 79
1 3 7 8 10 16 20 21 23 30 32 37 43 45 50 54 57 61 64 65 66 67 70 74 77 78 79
1 4 8 9 11 17 21 22 24 31 33 38 44 46 51 54 55 58 62 65 66 67 68 71 75 78 79
1 5 9 10 12 18 22 23 25 32 34 39 45 47 52 54 55 56 59 63 66 67 68 69 72 76 79
1 6 10 11 13 19 23 24 26 33 35 40 46 48 53 54 55 56 57 60 64 67 68 69 70 73 77
1 7 11 12 14 20 24 25 27 28 34 36 41 47 49 55 56 57 58 61 65 68 69 70 71 74 78
1 2 8 12 13 15 21 25 26 29 35 37 42 48 50 56 57 58 59 62 66 69 70 71 72 75 79
1 3 9 13 14 16 22 26 27 30 36 38 43 49 51 54 57 58 59 60 63 67 70 71 72 73 76
1 2 4 10 14 15 17 23 27 31 37 39 44 50 52 55 58 59 60 61 64 68 71 72 73 74 77
4 6 7 8 12 14 22 23 26 29 30 31 33 34 37 45 51 53 55 57 61 62 63 65 69 72 73
2 5 7 8 9 13 23 24 27 30 31 32 34 35 38 41 46 52 56 58 62 63 64 66 70 73 74
3 6 8 9 10 14 15 24 25 31 32 33 35 36 39 42 47 53 54 57 59 63 64 65 71 74 75
2 4 7 9 10 11 16 25 26 32 33 34 36 37 40 41 43 48 55 58 60 64 65 66 72 75 76
3 5 8 10 11 12 17 26 27 28 33 34 35 37 38 42 44 49 54 56 59 61 65 66 73 76 77
4 6 9 11 12 13 15 18 27 29 34 35 36 38 39 43 45 50 54 55 57 60 62 66 74 77 78
5 7 10 12 13 14 15 16 19 30 35 36 37 39 40 44 46 51 54 55 56 58 61 63 75 78 79
2 6 8 11 13 14 16 17 20 28 31 36 37 38 40 45 47 52 55 56 57 59 62 64 67 76 79
2 3 7 9 12 14 17 18 21 28 29 32 37 38 39 46 48 53 56 57 58 60 63 65 67 68 77
2 3 4 8 10 13 18 19 22 29 30 33 38 39 40 41 47 49 57 58 59 61 64 66 68 69 78
3 4 5 9 11 14 19 20 23 28 30 31 34 39 40 42 48 50 54 58 59 60 62 65 69 70 79
2 4 5 6 10 12 20 21 24 28 29 31 32 35 40 43 49 51 55 59 60 61 63 66 67 70 71
3 5 6 7 11 13 21 22 25 28 29 30 32 33 36 44 50 52 54 56 60 61 62 64 68 71 72
4 6 7 8 12 14 22 23 26 32 38 40 42 43 44 46 47 50 56 59 60 68 70 74 75 76 78
2 5 7 8 9 13 23 24 27 28 33 39 43 44 45 47 48 51 57 60 61 69 71 75 76 77 79
3 6 8 9 10 14 15 24 25 29 34 40 44 45 46 48 49 52 58 61 62 67 70 72 76 77 78
2 4 7 9 10 11 16 25 26 28 30 35 45 46 47 49 50 53 59 62 63 68 71 73 77 78 79
3 5 8 10 11 12 17 26 27 29 31 36 41 46 47 48 50 51 60 63 64 67 69 72 74 78 79
4 6 9 11 12 13 15 18 27 30 32 37 42 47 48 49 51 52 61 64 65 67 68 70 73 75 79
5 7 10 12 13 14 15 16 19 31 33 38 43 48 49 50 52 53 62 65 66 67 68 69 71 74 76
2 6 8 11 13 14 16 17 20 32 34 39 41 44 49 50 51 53 54 63 66 68 69 70 72 75 77
2 3 7 9 12 14 17 18 21 33 35 40 41 42 45 50 51 52 54 55 64 69 70 71 73 76 78
2 3 4 8 10 13 18 19 22 28 34 36 42 43 46 51 52 53 55 56 65 70 71 72 74 77 79
3 4 5 9 11 14 19 20 23 29 35 37 41 43 44 47 52 53 56 57 66 67 71 72 73 75 78
2 4 5 6 10 12 20 21 24 30 36 38 41 42 44 45 48 53 54 57 58 68 72 73 74 76 79
3 5 6 7 11 13 21 22 25 31 37 39 41 42 43 45 46 49 55 58 59 67 69 73 74 75 77
9 10 13 17 19 20 21 25 27 29 30 31 33 34 37 45 51 53 56 59 60 68 70 74 75 76 78
10 11 14 15 18 20 21 22 26 30 31 32 34 35 38 41 46 52 57 60 61 69 71 75 76 77 79
2 11 12 16 19 21 22 23 27 31 32 33 35 36 39 42 47 53 58 61 62 67 70 72 76 77 78
3 12 13 15 17 20 22 23 24 32 33 34 36 37 40 41 43 48 59 62 63 68 71 73 77 78 79
4 13 14 16 18 21 23 24 25 28 33 34 35 37 38 42 44 49 60 63 64 67 69 72 74 78 79
2 5 14 17 19 22 24 25 26 29 34 35 36 38 39 43 45 50 61 64 65 67 68 70 73 75 79
2 3 6 18 20 23 25 26 27 30 35 36 37 39 40 44 46 51 62 65 66 67 68 69 71 74 76
3 4 7 15 19 21 24 26 27 28 31 36 37 38 40 45 47 52 54 63 66 68 69 70 72 75 77
4 5 8 15 16 20 22 25 27 28 29 32 37 38 39 46 48 53 54 55 64 69 70 71 73 76 78
5 6 9 15 16 17 21 23 26 29 30 33 38 39 40 41 47 49 55 56 65 70 71 72 74 77 79
6 7 10 16 17 18 22 24 27 28 30 31 34 39 40 42 48 50 56 57 66 67 71 72 73 75 78
7 8 11 15 17 18 19 23 25 28 29 31 32 35 40 43 49 51 54 57 58 68 72 73 74 76 79
8 9 12 16 18 19 20 24 26 28 29 30 32 33 36 44 50 52 55 58 59 67 69 73 74 75 77
9 10 13 17 19 20 21 25 27 32 38 40 42 43 44 46 47 50 55 57 61 62 63 65 69 72 73
10 11 14 15 18 20 21 22 26 28 33 39 43 44 45 47 48 51 56 58 62 63 64 66 70 73 74
2 11 12 16 19 21 22 23 27 29 34 40 44 45 46 48 49 52 54 57 59 63 64 65 71 74 75
3 12 13 15 17 20 22 23 24 28 30 35 45 46 47 49 50 53 55 58 60 64 65 66 72 75 76
4 13 14 16 18 21 23 24 25 29 31 36 41 46 47 48 50 51 54 56 59 61 65 66 73 76 77
2 5 14 17 19 22 24 25 26 30 32 37 42 47 48 49 51 52 54 55 57 60 62 66 74 77 78
2 3 6 18 20 23 25 26 27 31 33 38 43 48 49 50 52 53 54 55 56 58 61 63 75 78 79
3 4 7 15 19 21 24 26 27 32 34 39 41 44 49 50 51 53 55 56 57 59 62 64 67 76 79
4 5 8 15 16 20 22 25 27 33 35 40 41 42 45 50 51 52 56 57 58 60 63 65 67 68 77
5 6 9 15 16 17 21 23 26 28 34 36 42 43 46 51 52 53 57 58 59 61 64 66 68 69 78
6 7 10 16 17 18 22 24 27 29 35 37 41 43 44 47 52 53 54 58 59 60 62 65 69 70 79
7 8 11 15 17 18 19 23 25 30 36 38 41 42 44 45 48 53 55 59 60 61 63 66 67 70 71
8 9 12 16 18 19 20 24 26 31 37 39 41 42 43 45 46 49 54 56 60 61 62 64 68 71 72
Lösung 6
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 6 12 14 15 19 25 27 29 31 35 36 37 39 42 44 48 49 50 52 56 59 60 69 72 73
1 2 3 7 13 15 16 20 26 30 32 36 37 38 40 43 45 49 50 51 53 57 60 61 70 73 74
1 3 4 8 14 16 17 21 27 28 31 33 37 38 39 41 44 46 50 51 52 58 61 62 71 74 75
1 2 4 5 9 15 17 18 22 29 32 34 38 39 40 42 45 47 51 52 53 59 62 63 72 75 76
1 3 5 6 10 16 18 19 23 28 30 33 35 39 40 41 43 46 48 52 53 60 63 64 73 76 77
1 4 6 7 11 17 19 20 24 28 29 31 34 36 40 41 42 44 47 49 53 61 64 65 74 77 78
1 5 7 8 12 18 20 21 25 28 29 30 32 35 37 41 42 43 45 48 50 62 65 66 75 78 79
1 6 8 9 13 19 21 22 26 29 30 31 33 36 38 42 43 44 46 49 51 54 63 66 67 76 79
1 7 9 10 14 20 22 23 27 30 31 32 34 37 39 43 44 45 47 50 52 54 55 64 67 68 77
1 2 8 10 11 15 21 23 24 31 32 33 35 38 40 44 45 46 48 51 53 55 56 65 68 69 78
1 3 9 11 12 16 22 24 25 28 32 33 34 36 39 41 45 46 47 49 52 56 57 66 69 70 79
1 4 10 12 13 17 23 25 26 29 33 34 35 37 40 42 46 47 48 50 53 54 57 58 67 70 71
1 5 11 13 14 18 24 26 27 28 30 34 35 36 38 41 43 47 48 49 51 55 58 59 68 71 72
1 2 6 12 14 15 19 25 27 30 33 34 43 46 47 55 57 61 62 63 65 68 70 74 75 76 78
1 2 3 7 13 15 16 20 26 31 34 35 44 47 48 56 58 62 63 64 66 69 71 75 76 77 79
1 3 4 8 14 16 17 21 27 32 35 36 45 48 49 54 57 59 63 64 65 67 70 72 76 77 78
1 2 4 5 9 15 17 18 22 33 36 37 46 49 50 55 58 60 64 65 66 68 71 73 77 78 79
1 3 5 6 10 16 18 19 23 34 37 38 47 50 51 54 56 59 61 65 66 67 69 72 74 78 79
1 4 6 7 11 17 19 20 24 35 38 39 48 51 52 54 55 57 60 62 66 67 68 70 73 75 79
1 5 7 8 12 18 20 21 25 36 39 40 49 52 53 54 55 56 58 61 63 67 68 69 71 74 76
1 6 8 9 13 19 21 22 26 28 37 40 41 50 53 55 56 57 59 62 64 68 69 70 72 75 77
1 7 9 10 14 20 22 23 27 28 29 38 41 42 51 56 57 58 60 63 65 69 70 71 73 76 78
1 2 8 10 11 15 21 23 24 29 30 39 42 43 52 57 58 59 61 64 66 70 71 72 74 77 79
1 3 9 11 12 16 22 24 25 30 31 40 43 44 53 54 58 59 60 62 65 67 71 72 73 75 78
1 4 10 12 13 17 23 25 26 28 31 32 41 44 45 55 59 60 61 63 66 68 72 73 74 76 79
1 5 11 13 14 18 24 26 27 29 32 33 42 45 46 54 56 60 61 62 64 67 69 73 74 75 77
6 9 10 12 13 14 16 18 24 32 35 36 38 39 40 42 44 50 58 61 62 64 65 66 68 70 76
2 7 10 11 13 14 17 19 25 28 33 36 37 39 40 43 45 51 54 59 62 63 65 66 69 71 77
2 3 8 11 12 14 18 20 26 28 29 34 37 38 40 44 46 52 54 55 60 63 64 66 70 72 78
2 3 4 9 12 13 19 21 27 28 29 30 35 38 39 45 47 53 54 55 56 61 64 65 71 73 79
3 4 5 10 13 14 15 20 22 29 30 31 36 39 40 41 46 48 55 56 57 62 65 66 67 72 74
2 4 5 6 11 14 16 21 23 28 30 31 32 37 40 42 47 49 54 56 57 58 63 66 68 73 75
2 3 5 6 7 12 17 22 24 28 29 31 32 33 38 43 48 50 54 55 57 58 59 64 69 74 76
3 4 6 7 8 13 18 23 25 29 30 32 33 34 39 44 49 51 55 56 58 59 60 65 70 75 77
4 5 7 8 9 14 19 24 26 30 31 33 34 35 40 45 50 52 56 57 59 60 61 66 71 76 78
2 5 6 8 9 10 20 25 27 28 31 32 34 35 36 46 51 53 54 57 58 60 61 62 72 77 79
3 6 7 9 10 11 15 21 26 29 32 33 35 36 37 41 47 52 55 58 59 61 62 63 67 73 78
4 7 8 10 11 12 16 22 27 30 33 34 36 37 38 42 48 53 56 59 60 62 63 64 68 74 79
5 8 9 11 12 13 15 17 23 31 34 35 37 38 39 41 43 49 57 60 61 63 64 65 67 69 75
6 9 10 12 13 14 16 18 24 29 31 37 45 48 49 51 52 53 55 57 63 71 74 75 77 78 79
2 7 10 11 13 14 17 19 25 30 32 38 41 46 49 50 52 53 56 58 64 67 72 75 76 78 79
2 3 8 11 12 14 18 20 26 31 33 39 41 42 47 50 51 53 57 59 65 67 68 73 76 77 79
2 3 4 9 12 13 19 21 27 32 34 40 41 42 43 48 51 52 58 60 66 67 68 69 74 77 78
3 4 5 10 13 14 15 20 22 28 33 35 42 43 44 49 52 53 54 59 61 68 69 70 75 78 79
2 4 5 6 11 14 16 21 23 29 34 36 41 43 44 45 50 53 55 60 62 67 69 70 71 76 79
2 3 5 6 7 12 17 22 24 30 35 37 41 42 44 45 46 51 56 61 63 67 68 70 71 72 77
3 4 6 7 8 13 18 23 25 31 36 38 42 43 45 46 47 52 57 62 64 68 69 71 72 73 78
4 5 7 8 9 14 19 24 26 32 37 39 43 44 46 47 48 53 58 63 65 69 70 72 73 74 79
2 5 6 8 9 10 20 25 27 33 38 40 41 44 45 47 48 49 59 64 66 67 70 71 73 74 75
3 6 7 9 10 11 15 21 26 28 34 39 42 45 46 48 49 50 54 60 65 68 71 72 74 75 76
4 7 8 10 11 12 16 22 27 29 35 40 43 46 47 49 50 51 55 61 66 69 72 73 75 76 77
5 8 9 11 12 13 15 17 23 28 30 36 44 47 48 50 51 52 54 56 62 70 73 74 76 77 78
6 12 14 17 20 21 22 23 26 30 32 33 34 38 40 48 49 52 61 62 65 69 71 72 73 77 79
2 7 13 18 21 22 23 24 27 28 31 33 34 35 39 49 50 53 62 63 66 67 70 72 73 74 78
3 8 14 15 19 22 23 24 25 29 32 34 35 36 40 41 50 51 54 63 64 68 71 73 74 75 79
2 4 9 16 20 23 24 25 26 28 30 33 35 36 37 42 51 52 55 64 65 67 69 72 74 75 76
3 5 10 17 21 24 25 26 27 29 31 34 36 37 38 43 52 53 56 65 66 68 70 73 75 76 77
4 6 11 15 18 22 25 26 27 30 32 35 37 38 39 41 44 53 54 57 66 69 71 74 76 77 78
5 7 12 15 16 19 23 26 27 31 33 36 38 39 40 41 42 45 54 55 58 70 72 75 77 78 79
6 8 13 15 16 17 20 24 27 28 32 34 37 39 40 42 43 46 55 56 59 67 71 73 76 78 79
7 9 14 15 16 17 18 21 25 28 29 33 35 38 40 43 44 47 56 57 60 67 68 72 74 77 79
2 8 10 16 17 18 19 22 26 28 29 30 34 36 39 44 45 48 57 58 61 67 68 69 73 75 78
3 9 11 17 18 19 20 23 27 29 30 31 35 37 40 45 46 49 58 59 62 68 69 70 74 76 79
4 10 12 15 18 19 20 21 24 28 30 31 32 36 38 46 47 50 59 60 63 67 69 70 71 75 77
5 11 13 16 19 20 21 22 25 29 31 32 33 37 39 47 48 51 60 61 64 68 70 71 72 76 78
6 12 14 17 20 21 22 23 26 35 36 39 43 45 46 47 51 53 56 58 59 60 64 66 74 75 78
2 7 13 18 21 22 23 24 27 36 37 40 41 44 46 47 48 52 54 57 59 60 61 65 75 76 79
3 8 14 15 19 22 23 24 25 28 37 38 42 45 47 48 49 53 55 58 60 61 62 66 67 76 77
2 4 9 16 20 23 24 25 26 29 38 39 41 43 46 48 49 50 54 56 59 61 62 63 68 77 78
3 5 10 17 21 24 25 26 27 30 39 40 42 44 47 49 50 51 55 57 60 62 63 64 69 78 79
4 6 11 15 18 22 25 26 27 28 31 40 43 45 48 50 51 52 56 58 61 63 64 65 67 70 79
5 7 12 15 16 19 23 26 27 28 29 32 44 46 49 51 52 53 57 59 62 64 65 66 67 68 71
6 8 13 15 16 17 20 24 27 29 30 33 41 45 47 50 52 53 54 58 60 63 65 66 68 69 72
7 9 14 15 16 17 18 21 25 30 31 34 41 42 46 48 51 53 54 55 59 61 64 66 69 70 73
2 8 10 16 17 18 19 22 26 31 32 35 41 42 43 47 49 52 54 55 56 60 62 65 70 71 74
3 9 11 17 18 19 20 23 27 32 33 36 42 43 44 48 50 53 55 56 57 61 63 66 71 72 75
4 10 12 15 18 19 20 21 24 33 34 37 41 43 44 45 49 51 54 56 57 58 62 64 72 73 76
5 11 13 16 19 20 21 22 25 34 35 38 42 44 45 46 50 52 55 57 58 59 63 65 73 74 77
Lösung 7
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 3 5 11 15 16 18 24 29 30 31 33 34 37 42 43 44 46 47 50 58 64 66 71 77 79
1 3 4 6 12 16 17 19 25 30 31 32 34 35 38 43 44 45 47 48 51 54 59 65 67 72 78
1 4 5 7 13 17 18 20 26 31 32 33 35 36 39 44 45 46 48 49 52 55 60 66 68 73 79
1 5 6 8 14 18 19 21 27 32 33 34 36 37 40 45 46 47 49 50 53 54 56 61 67 69 74
1 2 6 7 9 15 19 20 22 28 33 34 35 37 38 41 46 47 48 50 51 55 57 62 68 70 75
1 3 7 8 10 16 20 21 23 29 34 35 36 38 39 42 47 48 49 51 52 56 58 63 69 71 76
1 4 8 9 11 17 21 22 24 30 35 36 37 39 40 43 48 49 50 52 53 57 59 64 70 72 77
1 5 9 10 12 18 22 23 25 28 31 36 37 38 40 41 44 49 50 51 53 58 60 65 71 73 78
1 6 10 11 13 19 23 24 26 28 29 32 37 38 39 41 42 45 50 51 52 59 61 66 72 74 79
1 7 11 12 14 20 24 25 27 29 30 33 38 39 40 42 43 46 51 52 53 54 60 62 67 73 75
1 2 8 12 13 15 21 25 26 28 30 31 34 39 40 41 43 44 47 52 53 55 61 63 68 74 76
1 3 9 13 14 16 22 26 27 28 29 31 32 35 40 41 42 44 45 48 53 56 62 64 69 75 77
1 2 4 10 14 15 17 23 27 28 29 30 32 33 36 41 42 43 45 46 49 57 63 65 70 76 78
1 2 3 5 11 15 16 18 24 32 38 40 45 51 53 55 56 57 59 60 63 68 69 70 72 73 76
1 3 4 6 12 16 17 19 25 28 33 39 41 46 52 56 57 58 60 61 64 69 70 71 73 74 77
1 4 5 7 13 17 18 20 26 29 34 40 42 47 53 57 58 59 61 62 65 70 71 72 74 75 78
1 5 6 8 14 18 19 21 27 28 30 35 41 43 48 58 59 60 62 63 66 71 72 73 75 76 79
1 2 6 7 9 15 19 20 22 29 31 36 42 44 49 54 59 60 61 63 64 67 72 73 74 76 77
1 3 7 8 10 16 20 21 23 30 32 37 43 45 50 55 60 61 62 64 65 68 73 74 75 77 78
1 4 8 9 11 17 21 22 24 31 33 38 44 46 51 56 61 62 63 65 66 69 74 75 76 78 79
1 5 9 10 12 18 22 23 25 32 34 39 45 47 52 54 57 62 63 64 66 67 70 75 76 77 79
1 6 10 11 13 19 23 24 26 33 35 40 46 48 53 54 55 58 63 64 65 67 68 71 76 77 78
1 7 11 12 14 20 24 25 27 28 34 36 41 47 49 55 56 59 64 65 66 68 69 72 77 78 79
1 2 8 12 13 15 21 25 26 29 35 37 42 48 50 54 56 57 60 65 66 67 69 70 73 78 79
1 3 9 13 14 16 22 26 27 30 36 38 43 49 51 54 55 57 58 61 66 67 68 70 71 74 79
1 2 4 10 14 15 17 23 27 31 37 39 44 50 52 54 55 56 58 59 62 67 68 69 71 72 75
3 5 6 11 12 14 22 23 26 29 31 35 36 37 39 43 46 47 55 57 61 62 63 65 69 72 73
2 4 6 7 12 13 23 24 27 30 32 36 37 38 40 44 47 48 56 58 62 63 64 66 70 73 74
3 5 7 8 13 14 15 24 25 28 31 33 37 38 39 45 48 49 54 57 59 63 64 65 71 74 75
2 4 6 8 9 14 16 25 26 29 32 34 38 39 40 46 49 50 55 58 60 64 65 66 72 75 76
2 3 5 7 9 10 17 26 27 28 30 33 35 39 40 47 50 51 54 56 59 61 65 66 73 76 77
3 4 6 8 10 11 15 18 27 28 29 31 34 36 40 48 51 52 54 55 57 60 62 66 74 77 78
4 5 7 9 11 12 15 16 19 28 29 30 32 35 37 49 52 53 54 55 56 58 61 63 75 78 79
5 6 8 10 12 13 16 17 20 29 30 31 33 36 38 41 50 53 55 56 57 59 62 64 67 76 79
6 7 9 11 13 14 17 18 21 30 31 32 34 37 39 41 42 51 56 57 58 60 63 65 67 68 77
2 7 8 10 12 14 18 19 22 31 32 33 35 38 40 42 43 52 57 58 59 61 64 66 68 69 78
2 3 8 9 11 13 19 20 23 28 32 33 34 36 39 43 44 53 54 58 59 60 62 65 69 70 79
3 4 9 10 12 14 20 21 24 29 33 34 35 37 40 41 44 45 55 59 60 61 63 66 67 70 71
2 4 5 10 11 13 21 22 25 28 30 34 35 36 38 42 45 46 54 56 60 61 62 64 68 71 72
3 5 6 11 12 14 22 23 26 30 33 34 42 44 48 49 50 52 56 59 60 68 70 74 75 76 78
2 4 6 7 12 13 23 24 27 31 34 35 43 45 49 50 51 53 57 60 61 69 71 75 76 77 79
3 5 7 8 13 14 15 24 25 32 35 36 41 44 46 50 51 52 58 61 62 67 70 72 76 77 78
2 4 6 8 9 14 16 25 26 33 36 37 42 45 47 51 52 53 59 62 63 68 71 73 77 78 79
2 3 5 7 9 10 17 26 27 34 37 38 41 43 46 48 52 53 60 63 64 67 69 72 74 78 79
3 4 6 8 10 11 15 18 27 35 38 39 41 42 44 47 49 53 61 64 65 67 68 70 73 75 79
4 5 7 9 11 12 15 16 19 36 39 40 41 42 43 45 48 50 62 65 66 67 68 69 71 74 76
5 6 8 10 12 13 16 17 20 28 37 40 42 43 44 46 49 51 54 63 66 68 69 70 72 75 77
6 7 9 11 13 14 17 18 21 28 29 38 43 44 45 47 50 52 54 55 64 69 70 71 73 76 78
2 7 8 10 12 14 18 19 22 29 30 39 44 45 46 48 51 53 55 56 65 70 71 72 74 77 79
2 3 8 9 11 13 19 20 23 30 31 40 41 45 46 47 49 52 56 57 66 67 71 72 73 75 78
3 4 9 10 12 14 20 21 24 28 31 32 42 46 47 48 50 53 54 57 58 68 72 73 74 76 79
2 4 5 10 11 13 21 22 25 29 32 33 41 43 47 48 49 51 55 58 59 67 69 73 74 75 77
9 10 13 16 18 19 24 25 27 29 31 35 36 37 39 43 46 47 56 59 60 68 70 74 75 76 78
10 11 14 15 17 19 20 25 26 30 32 36 37 38 40 44 47 48 57 60 61 69 71 75 76 77 79
2 11 12 16 18 20 21 26 27 28 31 33 37 38 39 45 48 49 58 61 62 67 70 72 76 77 78
3 12 13 15 17 19 21 22 27 29 32 34 38 39 40 46 49 50 59 62 63 68 71 73 77 78 79
4 13 14 15 16 18 20 22 23 28 30 33 35 39 40 47 50 51 60 63 64 67 69 72 74 78 79
2 5 14 16 17 19 21 23 24 28 29 31 34 36 40 48 51 52 61 64 65 67 68 70 73 75 79
2 3 6 17 18 20 22 24 25 28 29 30 32 35 37 49 52 53 62 65 66 67 68 69 71 74 76
3 4 7 18 19 21 23 25 26 29 30 31 33 36 38 41 50 53 54 63 66 68 69 70 72 75 77
4 5 8 19 20 22 24 26 27 30 31 32 34 37 39 41 42 51 54 55 64 69 70 71 73 76 78
5 6 9 15 20 21 23 25 27 31 32 33 35 38 40 42 43 52 55 56 65 70 71 72 74 77 79
6 7 10 15 16 21 22 24 26 28 32 33 34 36 39 43 44 53 56 57 66 67 71 72 73 75 78
7 8 11 16 17 22 23 25 27 29 33 34 35 37 40 41 44 45 54 57 58 68 72 73 74 76 79
8 9 12 15 17 18 23 24 26 28 30 34 35 36 38 42 45 46 55 58 59 67 69 73 74 75 77
9 10 13 16 18 19 24 25 27 30 33 34 42 44 48 49 50 52 55 57 61 62 63 65 69 72 73
10 11 14 15 17 19 20 25 26 31 34 35 43 45 49 50 51 53 56 58 62 63 64 66 70 73 74
2 11 12 16 18 20 21 26 27 32 35 36 41 44 46 50 51 52 54 57 59 63 64 65 71 74 75
3 12 13 15 17 19 21 22 27 33 36 37 42 45 47 51 52 53 55 58 60 64 65 66 72 75 76
4 13 14 15 16 18 20 22 23 34 37 38 41 43 46 48 52 53 54 56 59 61 65 66 73 76 77
2 5 14 16 17 19 21 23 24 35 38 39 41 42 44 47 49 53 54 55 57 60 62 66 74 77 78
2 3 6 17 18 20 22 24 25 36 39 40 41 42 43 45 48 50 54 55 56 58 61 63 75 78 79
3 4 7 18 19 21 23 25 26 28 37 40 42 43 44 46 49 51 55 56 57 59 62 64 67 76 79
4 5 8 19 20 22 24 26 27 28 29 38 43 44 45 47 50 52 56 57 58 60 63 65 67 68 77
5 6 9 15 20 21 23 25 27 29 30 39 44 45 46 48 51 53 57 58 59 61 64 66 68 69 78
6 7 10 15 16 21 22 24 26 30 31 40 41 45 46 47 49 52 54 58 59 60 62 65 69 70 79
7 8 11 16 17 22 23 25 27 28 31 32 42 46 47 48 50 53 55 59 60 61 63 66 67 70 71
8 9 12 15 17 18 23 24 26 29 32 33 41 43 47 48 49 51 54 56 60 61 62 64 68 71 72
Lösung 8
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
1 2 6 12 14 15 19 25 27 29 31 32 37 38 40 42 44 45 50 51 53 56 59 60 69 72 73
1 2 3 7 13 15 16 20 26 28 30 32 33 38 39 41 43 45 46 51 52 57 60 61 70 73 74
1 3 4 8 14 16 17 21 27 29 31 33 34 39 40 42 44 46 47 52 53 58 61 62 71 74 75
1 2 4 5 9 15 17 18 22 28 30 32 34 35 40 41 43 45 47 48 53 59 62 63 72 75 76
1 3 5 6 10 16 18 19 23 28 29 31 33 35 36 41 42 44 46 48 49 60 63 64 73 76 77
1 4 6 7 11 17 19 20 24 29 30 32 34 36 37 42 43 45 47 49 50 61 64 65 74 77 78
1 5 7 8 12 18 20 21 25 30 31 33 35 37 38 43 44 46 48 50 51 62 65 66 75 78 79
1 6 8 9 13 19 21 22 26 31 32 34 36 38 39 44 45 47 49 51 52 54 63 66 67 76 79
1 7 9 10 14 20 22 23 27 32 33 35 37 39 40 45 46 48 50 52 53 54 55 64 67 68 77
1 2 8 10 11 15 21 23 24 28 33 34 36 38 40 41 46 47 49 51 53 55 56 65 68 69 78
1 3 9 11 12 16 22 24 25 28 29 34 35 37 39 41 42 47 48 50 52 56 57 66 69 70 79
1 4 10 12 13 17 23 25 26 29 30 35 36 38 40 42 43 48 49 51 53 54 57 58 67 70 71
1 5 11 13 14 18 24 26 27 28 30 31 36 37 39 41 43 44 49 50 52 55 58 59 68 71 72
1 2 6 12 14 15 19 25 27 30 33 34 43 46 47 55 57 58 63 64 66 68 70 71 76 77 79
1 2 3 7 13 15 16 20 26 31 34 35 44 47 48 54 56 58 59 64 65 67 69 71 72 77 78
1 3 4 8 14 16 17 21 27 32 35 36 45 48 49 55 57 59 60 65 66 68 70 72 73 78 79
1 2 4 5 9 15 17 18 22 33 36 37 46 49 50 54 56 58 60 61 66 67 69 71 73 74 79
1 3 5 6 10 16 18 19 23 34 37 38 47 50 51 54 55 57 59 61 62 67 68 70 72 74 75
1 4 6 7 11 17 19 20 24 35 38 39 48 51 52 55 56 58 60 62 63 68 69 71 73 75 76
1 5 7 8 12 18 20 21 25 36 39 40 49 52 53 56 57 59 61 63 64 69 70 72 74 76 77
1 6 8 9 13 19 21 22 26 28 37 40 41 50 53 57 58 60 62 64 65 70 71 73 75 77 78
1 7 9 10 14 20 22 23 27 28 29 38 41 42 51 58 59 61 63 65 66 71 72 74 76 78 79
1 2 8 10 11 15 21 23 24 29 30 39 42 43 52 54 59 60 62 64 66 67 72 73 75 77 79
1 3 9 11 12 16 22 24 25 30 31 40 43 44 53 54 55 60 61 63 65 67 68 73 74 76 78
1 4 10 12 13 17 23 25 26 28 31 32 41 44 45 55 56 61 62 64 66 68 69 74 75 77 79
1 5 11 13 14 18 24 26 27 29 32 33 42 45 46 54 56 57 62 63 65 67 69 70 75 76 78
6 9 10 12 13 14 16 18 24 30 32 33 34 38 40 48 49 52 56 58 59 60 64 66 74 75 78
2 7 10 11 13 14 17 19 25 28 31 33 34 35 39 49 50 53 54 57 59 60 61 65 75 76 79
2 3 8 11 12 14 18 20 26 29 32 34 35 36 40 41 50 51 55 58 60 61 62 66 67 76 77
2 3 4 9 12 13 19 21 27 28 30 33 35 36 37 42 51 52 54 56 59 61 62 63 68 77 78
3 4 5 10 13 14 15 20 22 29 31 34 36 37 38 43 52 53 55 57 60 62 63 64 69 78 79
2 4 5 6 11 14 16 21 23 30 32 35 37 38 39 41 44 53 56 58 61 63 64 65 67 70 79
2 3 5 6 7 12 17 22 24 31 33 36 38 39 40 41 42 45 57 59 62 64 65 66 67 68 71
3 4 6 7 8 13 18 23 25 28 32 34 37 39 40 42 43 46 54 58 60 63 65 66 68 69 72
4 5 7 8 9 14 19 24 26 28 29 33 35 38 40 43 44 47 54 55 59 61 64 66 69 70 73
2 5 6 8 9 10 20 25 27 28 29 30 34 36 39 44 45 48 54 55 56 60 62 65 70 71 74
3 6 7 9 10 11 15 21 26 29 30 31 35 37 40 45 46 49 55 56 57 61 63 66 71 72 75
4 7 8 10 11 12 16 22 27 28 30 31 32 36 38 46 47 50 54 56 57 58 62 64 72 73 76
5 8 9 11 12 13 15 17 23 29 31 32 33 37 39 47 48 51 55 57 58 59 63 65 73 74 77
6 9 10 12 13 14 16 18 24 35 36 39 43 45 46 47 51 53 61 62 65 69 71 72 73 77 79
2 7 10 11 13 14 17 19 25 36 37 40 41 44 46 47 48 52 62 63 66 67 70 72 73 74 78
2 3 8 11 12 14 18 20 26 28 37 38 42 45 47 48 49 53 54 63 64 68 71 73 74 75 79
2 3 4 9 12 13 19 21 27 29 38 39 41 43 46 48 49 50 55 64 65 67 69 72 74 75 76
3 4 5 10 13 14 15 20 22 30 39 40 42 44 47 49 50 51 56 65 66 68 70 73 75 76 77
2 4 5 6 11 14 16 21 23 28 31 40 43 45 48 50 51 52 54 57 66 69 71 74 76 77 78
2 3 5 6 7 12 17 22 24 28 29 32 44 46 49 51 52 53 54 55 58 70 72 75 77 78 79
3 4 6 7 8 13 18 23 25 29 30 33 41 45 47 50 52 53 55 56 59 67 71 73 76 78 79
4 5 7 8 9 14 19 24 26 30 31 34 41 42 46 48 51 53 56 57 60 67 68 72 74 77 79
2 5 6 8 9 10 20 25 27 31 32 35 41 42 43 47 49 52 57 58 61 67 68 69 73 75 78
3 6 7 9 10 11 15 21 26 32 33 36 42 43 44 48 50 53 58 59 62 68 69 70 74 76 79
4 7 8 10 11 12 16 22 27 33 34 37 41 43 44 45 49 51 59 60 63 67 69 70 71 75 77
5 8 9 11 12 13 15 17 23 34 35 38 42 44 45 46 50 52 60 61 64 68 70 71 72 76 78
3 5 11 19 22 23 25 26 27 30 32 33 34 38 40 48 49 52 61 62 65 69 71 72 73 77 79
4 6 12 15 20 23 24 26 27 28 31 33 34 35 39 49 50 53 62 63 66 67 70 72 73 74 78
5 7 13 15 16 21 24 25 27 29 32 34 35 36 40 41 50 51 54 63 64 68 71 73 74 75 79
6 8 14 15 16 17 22 25 26 28 30 33 35 36 37 42 51 52 55 64 65 67 69 72 74 75 76
2 7 9 16 17 18 23 26 27 29 31 34 36 37 38 43 52 53 56 65 66 68 70 73 75 76 77
3 8 10 15 17 18 19 24 27 30 32 35 37 38 39 41 44 53 54 57 66 69 71 74 76 77 78
4 9 11 15 16 18 19 20 25 31 33 36 38 39 40 41 42 45 54 55 58 70 72 75 77 78 79
5 10 12 16 17 19 20 21 26 28 32 34 37 39 40 42 43 46 55 56 59 67 71 73 76 78 79
6 11 13 17 18 20 21 22 27 28 29 33 35 38 40 43 44 47 56 57 60 67 68 72 74 77 79
7 12 14 15 18 19 21 22 23 28 29 30 34 36 39 44 45 48 57 58 61 67 68 69 73 75 78
2 8 13 16 19 20 22 23 24 29 30 31 35 37 40 45 46 49 58 59 62 68 69 70 74 76 79
3 9 14 17 20 21 23 24 25 28 30 31 32 36 38 46 47 50 59 60 63 67 69 70 71 75 77
2 4 10 18 21 22 24 25 26 29 31 32 33 37 39 47 48 51 60 61 64 68 70 71 72 76 78
3 5 11 19 22 23 25 26 27 35 36 39 43 45 46 47 51 53 56 58 59 60 64 66 74 75 78
4 6 12 15 20 23 24 26 27 36 37 40 41 44 46 47 48 52 54 57 59 60 61 65 75 76 79
5 7 13 15 16 21 24 25 27 28 37 38 42 45 47 48 49 53 55 58 60 61 62 66 67 76 77
6 8 14 15 16 17 22 25 26 29 38 39 41 43 46 48 49 50 54 56 59 61 62 63 68 77 78
2 7 9 16 17 18 23 26 27 30 39 40 42 44 47 49 50 51 55 57 60 62 63 64 69 78 79
3 8 10 15 17 18 19 24 27 28 31 40 43 45 48 50 51 52 56 58 61 63 64 65 67 70 79
4 9 11 15 16 18 19 20 25 28 29 32 44 46 49 51 52 53 57 59 62 64 65 66 67 68 71
5 10 12 16 17 19 20 21 26 29 30 33 41 45 47 50 52 53 54 58 60 63 65 66 68 69 72
6 11 13 17 18 20 21 22 27 30 31 34 41 42 46 48 51 53 54 55 59 61 64 66 69 70 73
7 12 14 15 18 19 21 22 23 31 32 35 41 42 43 47 49 52 54 55 56 60 62 65 70 71 74
2 8 13 16 19 20 22 23 24 32 33 36 42 43 44 48 50 53 55 56 57 61 63 66 71 72 75
3 9 14 17 20 21 23 24 25 33 34 37 41 43 44 45 49 51 54 56 57 58 62 64 72 73 76
2 4 10 18 21 22 24 25 26 34 35 38 42 44 45 46 50 52 55 57 58 59 63 65 73 74 77
Oval
Ein Oval des Blockplans ist eine Menge seiner Punkte, von welcher keine drei auf einem Block liegen. Hier sind Beispiele von Ovalen maximaler Ordnung dieses Blockplans (in jeder Zeile ist ein Oval durch die Menge seiner Punkte dargestellt):
Lösung 1
1 28 67
Lösung 2 (sämtliche Ovale)
2 15 28 41
3 16 29 42
4 17 30 43
5 18 31 44
6 19 32 45
7 20 33 46
8 21 34 47
9 22 35 48
10 23 36 49
11 24 37 50
12 25 38 51
13 26 39 52
14 27 40 53
Lösung 3
2 30 59
Lösung 4 (sämtliche Ovale)
28 41 54 67
29 42 55 68
30 43 56 69
31 44 57 70
32 45 58 71
33 46 59 72
34 47 60 73
35 48 61 74
36 49 62 75
37 50 63 76
38 51 64 77
39 52 65 78
40 53 66 79
Lösung 5
2 32 79
Lösung 6
2 15 28 41
Lösung 7 (sämtliche Ovale)
28 41 54 67
29 42 55 68
30 43 56 69
31 44 57 70
32 45 58 71
33 46 59 72
34 47 60 73
35 48 61 74
36 49 62 75
37 50 63 76
38 51 64 77
39 52 65 78
40 53 66 79
Lösung 8 (sämtliche Ovale)
28 41 54 67
29 42 55 68
30 43 56 69
31 44 57 70
32 45 58 71
33 46 59 72
34 47 60 73
35 48 61 74
36 49 62 75
37 50 63 76
38 51 64 77
39 52 65 78
40 53 66 79
Literatur
Einzelnachweise
79, 27, 9 | 19,868 |
lXxO_fOeJ68_1 | Youtube-Commons | Open Web | CC-By | null | Flash Sale On Discover Hungarian Wine Reward | None | English | Spoken | 347 | 422 | Hi guys, welcome back to our Kickstarter for Discover Hungarian Wine of Is There Friendly Guide. We just added a new tier and I think this is going to be really exciting for you. So my friends at Kniv Bar, in English Kniv Bar and Restaurant, I think in English it would look like Koni V bar. But Hungarian is Kniv Bar. I've offered to do a two hour tasting package with a signed special edition copy of our book. So this is really cool. This tasting is normally two hour tasting for 50 euros. So it's around 55 US dollars. And we have a special price on that and a special deal coming up. To get this tier launched, we have a flash sale going on right for the next 36 hours starting at 10 pm central European time tonight. You can get the two hour tasting and the special edition signed copy of the book for only 76 Singapore dollars. That's 50 euros, 55 US dollars. I'm sorry. Sorry to put it in Singapore dollars. That's where our company is registered. So that's what we had to do. That's going to last 36 hours only because after that, the price is going to go back to the regular full price. Jump on board, scoop that up while you can. This restaurant is phenomenal. The food is great. But the cool thing is you're going to find rare and unique vintages that you can't find anywhere else in Budapest. A lot of these bottles are exported and our friend, the owner, picks up these scoops up these bottles before they even make it overseas. So you're not going to want to miss it. Check it out. Get that tasting. I will see you soon. Share this with your family and friends. We need to get this book launched and make sure that we bring hungarian wines to the world, but it's going to take all of us. So back us, share it with your family and friends, and I will see you with the next update..
| 38,340 |
https://serverfault.com/questions/852930 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | Aaron, Mark Riddell, https://serverfault.com/users/261951, https://serverfault.com/users/355102 | English | Spoken | 182 | 308 | network failure: rsync halts - restarts when ssh'ing
I have this very weird behavior and no clue how to debug this:
A bash script starts rsync for various directories (home dirs). These flags are used:
rsync -a --log-file log/<somefile> \
--exclude-from=exclude.txt \
--progress \
--link-dest="/${loc}/${name}/current" \
"${username}@${ip}:~/" "/${loc}/${name}/${name}_${date}";
Then after some time (5 minutes or so) rsync just 'halts': no progress is reported anymore and both machines do not spend any CPU time on the rsync processes. But if I then simply ssh to the other host ssh $username@$ip rsync resumes (before I enter the password).
My assumption is that any new traffic on port 22 might trigger the network stack to detect a missed frame or something like that. Does someone know how to diagnose this issue?
Update: running netcat $ip 22 also continues the transfer, so the problem is not with SSH but probably somewhere in the network
If you manually transfer 10 minutes worth of files with sftp, do you experience the same thing? i.e. put * from some dir.
Would you be able to provide some packet captures?
| 31,761 |
https://ru.stackoverflow.com/questions/1540624 | StackExchange | Open Web | CC-By-SA | 2,023 | Stack Exchange | dr_fap, https://ru.stackoverflow.com/users/490537 | Russian | Spoken | 326 | 1,107 | Почему не могу загрузить файл через WebDriver? | PHP
Я пытаюсь загрузить файл примрено так, как это описано в примере: tests/functional/FileUploadTest.php
Мой код (отрывок):
case 'file-input':
echo sprintf("\nPath: %s", $field['data']);
echo sprintf("\nFile exists: %s\n", file_exists($field['data']));
if (!isset($field['data']))
return false;
if (!$this->timeStop($field['xpath']))
return false;
$file_input = $this->driver->findElement(WebDriverBy::xpath($field['xpath']));
$file_input->setFileDetector(new LocalFileDetector());
$file_input->sendKeys($field['data']);
if (isset($field['sleep']))
sleep($field['sleep']);
break;
Вывод:
2023-09-14T09:10:02.806739804Z Path: /var/www/html/yii-application/src/backend/controllers/../../../../cache/ip_0142eb_svidetelstvo.jpg
2023-09-14T09:10:02.806739805Z File exists: 1
Суть проблемы:
Каждый сайт, на который я пытаюсь загрузить в input свой файл - выдает ошибку загрузки. Неважно какой сайт, просто выдает. Причем, сам файл не битый, спокойно открывается. И зачастую в форме даже указано имя файла, но вот сама загрузка не идет на сервер (куда загружаю файл).
Вкладка Network (DevTools) не дает особых данных в этом вопросе
Примечание:
Сам WebDriver и PHP вообще ни о каких ошибках не говорит. Ошибки на принимающей стороне, или может быть в чем-то другом. Утверждать не могу
Используется Octo Browser для работы Selenium. Ползунок в профиле (Local Storage) стоит на ON
Всем спасибо за помощь! Все оказалось очень просто, нашел альтернативу.
Просто отправляю при помощи JS - файл. Делаю AJAX запрос на определенном сайте, чтобы отправить данные.
Как генерируется файл через JS и с будущей его отправкой (Вдруг, кому надо):
$js = <<<JS
// Создаем функцию для генерации файла из base64-строки
function dataURLtoBlob(dataurl, mimeType) {
var arr = dataurl.split(','),
bstr = atob(arr[arr.length - 1]),
n = bstr.length,
u8arr = new Uint8Array(n);
while (n--){
u8arr[n] = bstr.charCodeAt(n);
}
return new Blob([u8arr], { type : mimeType });
}
// Генерируем Blob из base64 и добавляем его в FormData
const base64Data = 'data:$mime_type;base64,$base64'; // Замените на вашу base64-строку
const fileName = 'image.$ext'; // Замените на имя файла
const blob = dataURLtoBlob(base64Data, '$mime_type');
const formData = new FormData();
formData.append('file', blob, fileName);
$.ajax({
url: '<YOUR_URL>',
method: 'POST',
data: formData,
dataType: 'json',
processData: false,
contentType: false,
cache: false,
success: function (data) {
console.log(data);
}
});
JS;
$this->driver->executeScript($js);
Возможно JS код не идеален, но он решил мой главный вопрос. Даже не приходится загружать файл в <input>
| 13,780 |
https://gamedev.stackexchange.com/questions/183321 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Chuck Walbourn, Maximus Minimus, https://gamedev.stackexchange.com/users/35236, https://gamedev.stackexchange.com/users/9134 | English | Spoken | 296 | 457 | Is non-indexed, non-instanced rendering useful anymore?
I'm adding batched rendering to my game engine and I'm wondering: Should I support non-indexed, non-instanced batches or just indexed and/or instanced?
It's my understanding that the concept of indexed rendering was invented after pure "vertex only" drawing. That said, is supporting vertex-only rendering useful anymore? Is there a modern use-case for it?
If the vertex is used only once, there's no value in using indexed drawing. For example, the simplest case of drawing a single triangle for a full-screen quad.
Contrariwise, even in cases where vertices are only used once, indices can still be useful for concatenating primitives to get bigger batches.
If you're looking to simplify down, then it may be helpful to bear the following in mind:
1 is a valid value for number of instances.
An index buffer of 0,1,2,3,4,5,6,etc can replicate non-indexed rendering.
In that sense, you can certainly have all of your draw calls be indexed instanced calls, yet still be able to deal with unforseen cases where either or both of non-instanced or non-indexed may seem to be needed.
It can also be instructive to look at how modern APIs handle this, so:
In Vulkan, every draw call is an instanced draw call (bearing in mind that 1 is still a valid value for number of instances), but separate draw calls still exist for indexed and non-indexed cases.
Direct3D 12 likewise only has DrawInstanced and DrawIndexedInstanced.
So this suggests that even for modern use, there is still benefit to be gained from supporting non-indexed cases, but not from non-instanced cases.
So what non-indexed cases still exist? Looking over some of my own code, I use non-indexed for the following:
Lists of points in a particle system.
Full-screen post-processing passes.
Some 2D UI elements.
| 41,039 |
https://es.wikipedia.org/wiki/Thomas%20Lemagner | Wikipedia | Open Web | CC-By-SA | 2,023 | Thomas Lemagner | https://es.wikipedia.org/w/index.php?title=Thomas Lemagner&action=history | Spanish | Spoken | 39 | 72 | Thomas Lemagner (6 de febrero de 2006) es un deportista francés que compite en escalada. En los Juegos Europeos de Cracovia 2023 consiguió una medalla de oro en la prueba de bloques.
Palmarés internacional
Referencias
Escaladores deportivos de Francia | 48,541 |
https://th.wikipedia.org/wiki/%E0%B8%AB%E0%B8%A5%E0%B8%B1%E0%B8%A7%20%E0%B8%88%E0%B8%B4%E0%B8%87 | Wikipedia | Open Web | CC-By-SA | 2,023 | หลัว จิง | https://th.wikipedia.org/w/index.php?title=หลัว จิง&action=history | Thai | Spoken | 60 | 827 | หลัว จิง (; 29 พฤษภาคม พ.ศ. 2504 – 5 มิถุนายน พ.ศ. 2552) เป็นผู้ประกาศข่าวของสถานีวิทยุโทรทัศน์กลางแห่งประเทศจีน (CCTV) และเป็นโฆษกรัฐบาลแห่งสาธารณรัฐประชาชนจีน เขาเป็นที่รู้จักไปทั่วประเทศจีนในฐานะผู้ประกาศข่าวซินเหวินเหลียนโป (新闻联播) ซึ่งออกอากาศเวลา 19.00 น. ตามเวลาท้องถิ่น
หลัว จิง เกิดเมื่อวันที่ 29 พฤษภาคม พ.ศ. 2504 ที่กรุงปักกิ่ง สาธารณรัฐประขาชนจีน จบการศึกษาจากมหาวิทยาลัยการสื่อสารแห่งประเทศจีน เขาได้เริ่มทำงานให้กับสถานีวิทยุโทรทัศน์กลางแห่งประเทศจีน ในฐานะผู้ประกาศข่าวซินเหวินเหลียนโป ตั้งแต่ปี พ.ศ. 2529
เขาทำงานเป็นผู้ประกาศข่าวซินเหวินเหลียนโปเป็นครั้งสุดท้าย ในวันที่ 31 สิงหาคม พ.ศ. 2551 แล้วจึงลาออกเพื่อไปรักษาโรคมะเร็งต่อมน้ำเหลือง
หลัว จิง เสียชีวิตลงในวันที่ 5 มิถุนายน พ.ศ. 2552 ขณะอายุได้ 48 ปี ทางสถานีวิทยุโทรทัศน์กลางแห่งประเทศจีนได้นำเสนอรายการพิเศษเพื่อไว้อาลัยให้แก่เขาเป็นกรณีพิเศษ ผู้ประกาศบางรายถึงกับร้องไห้กลางรายการ
อ้างอิง
ผู้ประกาศข่าวชาวจีน
นักร้องจีน
บุคคลจากฉงชิ่ง
เสียชีวิตจากมะเร็งต่อมน้ำเหลือง | 36,112 |
https://stackoverflow.com/questions/45318184 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | Sam, dpaulus, https://stackoverflow.com/users/1705266, https://stackoverflow.com/users/7828585 | English | Spoken | 435 | 794 | Trying to save data in localStorage
In my React app, after fetching some data from the API, I'm trying to store the data in localStorage as well as my redux store. I keep getting the
Error: Actions must be plain objects. Use custom middleware for async
actions.
Here's my code:
export const setDataInStore = (myData) => {
return {
type: types.SET_MY_DATA,
myData
};
}
const setDataInLocalStorage = (myData) => {
window.localStorage.myData = myData;
}
export const getMyData = () => {
return (dispatch) => fetch('/api/mydata', fetchOptionsGet())
.then((response) => {
if (response.ok) {
parseJSON(response)
.then(myData => {
dispatch(setDataInStore(myData));
dispatch(setDataInLocalStorage(myData));
})
} else {
// Handle error
}
})
}
The issue is with setDataInLocalStorage function. When I put debuggers, I see that I'm coming into setDataInLocalStorage and myData is populated by the API call.
What am I doing wrong there?
dispatch expects an action object to be returned. In this case setDataInLocalStorage doesn't return an action for dispatch to do anything with.
Since we only want to set localstorage, we can change the dispatch lines to this to:
dispatch(setDataInStore(myData));
setDataInLocalStorage(myData);
We treat setDataInLocalStorage() as a regular function being called.
Shouldn't it be the other way around? setDataInStore does expect an action object which then sends the request to the reducer. The function that does not expect an action object is the setDataInLocalStorage.
Great catch, you're 100% right. Got mixed up writing the response, I'll update it!
The problem I'm still having is that myData is NOT being stored in localStorage. I hit the setDataInLocalStorage and myData is there as well. The line seems to execute fine but next time I check localStorage, my data is not there. Any idea why the data is not being stored in localStorage?
localStorage cannot be updated through plain assignment window.localStorage.myData = myData;. Storage interfaces use the setItem() method to add items to storage. (eg. localStorage.setItem("myData", myData);
Good point but still not storing the data. One thing interesting is that after the line window.localStorage.setItem("myData", myData); when I check what's in localStorage, I see localStorage.myData: [object, object]. I don't see the actual object with my values in it. I wonder if this has anything to do with promises. I do see my object with values when i hit the setDataInLocalStorage function though.
Something to note, localStorage/sessionStorage cannot store objects as values. If it's the case where myData is an object, we'll have to convert it to a string first. One way to do this is localStorage.setItem("myData", JSON.stringify(myData)); Then when it's time to read that data out, use JSON.parse(localStorage.getItem("myData")); JSON.parse() can throw an exception so wrapping it in a try/catch would be useful.
| 3,582 |
https://fr.wikipedia.org/wiki/Les%20Remords%20de%20l%27alcoolique | Wikipedia | Open Web | CC-By-SA | 2,023 | Les Remords de l'alcoolique | https://fr.wikipedia.org/w/index.php?title=Les Remords de l'alcoolique&action=history | French | Spoken | 230 | 382 | Les Remords de l'alcoolique () est un film muet américain réalisé par D. W. Griffith, sorti en 1909.
Synopsis
C'est en voyant une adaptation théâtrale de l'Assommoir qu'un père de famille comprend qu'il a tort de boire.
Fiche technique
Titre : Les Remords de l'alcoolique
Titre original :
Réalisation et scénario : D. W. Griffith
Société de production et de distribution : American Mutoscope and Biograph Company
Photographie : G. W. Bitzer
Pays :
Format : Noir et blanc - Muet - 1,33:1 ou 1,37:1 -
Longueur de pellicule : 983 pieds ()
Durée : 13 minutes (à 16 images par seconde)
Genre : Drame
Date de sortie :
Distribution
Les noms des personnages proviennent de l'Internet Movie Database.
Autour du film
Les scènes du film ont été tournées les 25 et 26 février ainsi que le dans le studio de la Biograph à New York.
Une copie du film est conservée à l'archive du film de la Bibliothèque du Congrès à Washington.
Notes et références
Sauf mention contraire, cet article est établi à partir du livre D.W. Griffith - Le Cinéma, de Patrick Brion et Jean-Loup Passek, 105.
Voir aussi
Bibliographie
Article connexe
Filmographie de D. W. Griffith
Liens externes
Film américain sorti en 1909
Film dramatique américain
Court métrage américain
Film réalisé par David Wark Griffith
Film muet américain
Film américain en noir et blanc
Film sur l'alcoolisme | 48,051 |
https://ceb.wikipedia.org/wiki/Polystichum%20dielsii | Wikipedia | Open Web | CC-By-SA | 2,023 | Polystichum dielsii | https://ceb.wikipedia.org/w/index.php?title=Polystichum dielsii&action=history | Cebuano | Spoken | 87 | 183 | Kaliwatan sa tanom ang Polystichum dielsii. sakop sa ka-ulo nga Tracheophyta, ug Una ning gihulagway ni Christ. Ang Polystichum dielsii sakop sa kahenera nga Polystichum, ug kabanay nga Dryopteridaceae.
Kini nga matang hayop na sabwag sa:
Pangmasang Republika sa Tsina
kasadpang Guangxi Zhuangzu Zizhiqu
Guizhou Sheng
habagatan-sidlakang Yunnan Sheng
amihanang Viyetnam
Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Tanom
Tanom sa Pangmasang Republika sa Tsina
Tanom sa Guangxi Zhuangzu Zizhiqu
Tanom sa Guizhou Sheng
Tanom sa Yunnan Sheng
Tanom sa Viyetnam
Polystichum | 43,689 |
https://szl.wikipedia.org/wiki/Xenostele%20litseae | Wikipedia | Open Web | CC-By-SA | 2,023 | Xenostele litseae | https://szl.wikipedia.org/w/index.php?title=Xenostele litseae&action=history | Silesian | Spoken | 41 | 117 | Xenostele litseae je grzib, co go nojprzōd ôpisoł Narcisse Theophile Patouillard, a terŏźnõ nazwã doł mu Syd. & P. Syd. 1921. Xenostele litseae nŏleży do zorty Xenostele i familije Pucciniaceae. Żŏdne podgatōnki niy sōm wymianowane we Catalogue of Life.
Basidiomycota
litseae | 48,399 |
https://ca.wikipedia.org/wiki/Kid%20A%20Mnesia | Wikipedia | Open Web | CC-By-SA | 2,023 | Kid A Mnesia | https://ca.wikipedia.org/w/index.php?title=Kid A Mnesia&action=history | Catalan | Spoken | 455 | 924 | Kid A Mnesia és el rellançament dels àlbums Kid A (2000) i Amnesiac (2001) de la banda britànica Radiohead. També inclou el disc extra Kid Amnesiae amb material no publicat. Es va publicar el 5 de novembre de 2021 per XL Recordings.
Producció
Radiohead junt a Nigel Godrich van enregistrar els àlbums Kid A i Amnesiac simultàniament entre els anys 1999 i 2000 a diversos estudis de París, Copenhague, Gloucester i Oxford. Radiohead va considerar la publicació d'aquests treballs com un doble àlbum però finalment van rebutjar la idea perquè intuïen que el material era massa dens si ho concentraven en un sol àlbum. Inicialment va dividir l'opinió dels crítics musicals i dels seus seguidors, ja que els mitjans els van considerar uns dels millors àlbums de la dècada però la recepció comercial no va ser tan positiva, però amb el pas dels anys van ser més aclamats.
Aquest treball conté els àlbums Kid A i Amnesiac sense remasteritzar, més un tercer disc titulat, Kid Amnesiae, amb material no publicat provinent de les sessions d'enregistrament d'aquests dos àlbums. L'edició deluxe conté un llibre artística titulat Kid Amnesiette i un casset amb cinc cares-B.
El treball es va promocionar mitjançant una campanya realitzat en la xarxa social TikTok seguida de senzills i videoclips de les dues cançons inèdites.
Radiohead tenia planejat creat una instal·lació artística basada en aquests àlbums però es va haver de cancel·lar per problemes logístics originats per la pandèmia de COVID-19. En el seu lloc, van crear l'experiència digital Kid A Mnesia Exhibition, que estigué disponible via descàrrega digital gratuïta per PlayStation 5, macOS i Windows. Una experiència interactiva amb música i treball artístic dels àlbums. Es va desenvolupar durant dos anys per Radiohead junt Namethemachine, Arbitrarily Good Productions i Epic Games.
Llista de cançons
Crèdits
Radiohead
Colin Greenwood
Jonny Greenwood
Ed O'Brien
Philip Selway
Thom Yorke
Tècnics
Nigel Godrich – producció, enginyeria, mescles
Radiohead – producció
Dan Grech-Marguerat – enginyeria
Chris Blair – masterització
Bob Ludwig – masterització
Gerard Navarro – assistència producció, assistència enginyeria
Graeme Stewart – assistència enginyeria
Artwork
Stanley Donwood – imatges, disseny
Tchocky – imatges
Músics addicionals
Orchestra of St John's – cordes
John Lubbock – direcció
Jonny Greenwood – partitura
Horns on "The National Anthem"
Andy Bush – trompeta
Steve Hamilton – saxòfon alt
Martin Hathaway – saxòfon alt
Andy Hamilton – saxòfon tenor
Mark Lockheart – saxòfon tenor
Stan Harrison – saxòfon baríton
Liam Kerkman – trombó
Mike Kearsey – trombó baix
Henry Binns – sampling de "The National Anthem"
The Humphrey Lyttelton Band
Humphrey Lyttelton – trompeta, director
Jimmy Hastings – clarinet
Pete Strange – trombó
Paul Bridge – baix doble
Adrian Macintosh – bateria
Posició en llistes
Referències
Discs de Radiohead
Discs del 2021 | 3,999 |
https://uk.wikipedia.org/wiki/%D0%9A%D0%BE%D0%BD%D1%80%D0%B0%D0%B4%20%D0%91%D1%96%D1%80%D0%B5%D0%BA | Wikipedia | Open Web | CC-By-SA | 2,023 | Конрад Бірек | https://uk.wikipedia.org/w/index.php?title=Конрад Бірек&action=history | Ukrainian | Spoken | 287 | 944 | Конрад Бірек (народився 2 грудня 1981 року у Воломіні) — шеф-кухар, член фонду шеф-кухарів, співавтор кулінарної книги «Бірки від кухні» (), права рука Роберта Сови у його кулінарній студії.
Біографія
Походить із відомої родини польських кухарів. Батько (Стефан Бірек — віце-президент Польської асоціації шеф-кухарів та кондитерів), мати (Марія Бірек — Цукерня Вишневських) та два його брати (Лукаш, Матеуш) професійно пов'язані з приготуванням їжі. У родину також входять начальники Пшемислав (шеф-кухар Посольства Данії в Польщі), Гжегож Бірек (Sous Chef HILTON WARSAW HOTEL) та Марцін Хоєцький (AleGloria — ресторан Магди Гесслер).
Випускник гастрономічного технікуму по вул. Познанській у Варшаві та Університету готельного управління та харчування в Познані.
У 2001 році завоював третє місце в найпрестижнішому конкурсі в галузі громадського харчування — кулінарному Кубку Польщі. У 2002 році переміг у конкурсі Polish Prestige Hotels на звання «Професіонал року» та чемпіонаті Польщі в рибних стравах «Sielawa Blues» у Старих Яблонках. Працював шеф-кухарем в тому числі у Варшавських готелях Марріотт та Ян III Собеський. Також був заступником шеф-кухаря в готелі Best Western в Джерсі.
Спеціалізується на середземноморській та традиційній англійській кухні.
ЗМІ
Постійно співпрацює з кулінарним тижневиком Газета Виборча — «Пальчики оближеш» (), «Телятина любить цитрусові» () 24.09.2011, «Кухня Оскара» () 23/02/2011, «З ігріваючі супи» () 04.01.2011, «Віват цитрусові» () 23.12.2011, «Англійський смак свят» () 21.12.2011.
Разом з Польським радіо організовує семінари, шоу, тренінги, готує під час літніх концертних турів Літо з радіо.
Регулярно представляє оригінальні страви як частину рецепту дня для програми «Кава чи чай?» на TVP1
Разом зі своєю родиною створив авторську, наповнену ілюстраціями книгу «Бірки від кухні» () що містить збірку цікавих рецептів, порад, кулінарних історій, анекдотів та рецептів зірок програми «Кава чи чай?».
Примітки
Посилання
Конрад Бірек — про себе
Вебсайт шеф-кухарів
Вебсайт Польської асоціації кухарів та кондитерів | 45,856 |
https://ar.wikipedia.org/wiki/%D8%A8%D8%B1%D8%A9%20%D8%A7%D9%84%D8%AF%D9%86%D9%8A%D8%A7%20%28%D9%85%D8%B3%D9%84%D8%B3%D9%84%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | برة الدنيا (مسلسل) | https://ar.wikipedia.org/w/index.php?title=برة الدنيا (مسلسل)&action=history | Arabic | Spoken | 126 | 405 | برة الدنيا هو مسلسل دراما مصري من إخراج مجدي أبو عميرة وبطولة شريف منير، نسرين إمام، محمد الشقنقيري، ميرنا المهندس، خالد محمود ورشوان توفيق.
نبذة
تدور الأحداث حول بركات الفلاح المتعلم المستنير الذي لا يزال محتفظًا بأصالته ومخلصا لأرضه وأهل قريته وهذا لا يعجب هؤلاء الذين يسعون في الفساد فيشعلون النار في أرضه ويلقون بجثة مجنون انتقامًا منه، وهكذا يدخل في أزمة جنون تغيبه عن العالم.
طاقم العمل
شريف منير بدور بركات
نسرين إمام بدور سلمى
محمد الشقنقيري بدور منسي
ميرنا المهندس بدور إنجي
خالد محمود بدور شعبان
فوزية محمد بدور مريم
لانا سعيد بدور شيرين
رشوان توفيق بدور الشيخ
سميرة عبد العزيز بدور أم سلمى
أميرة العايدي بدور غالية
أمير كرارة بدور عزت
مراجع
مسلسلات تلفزيونية درامية مصرية
مسلسلات تلفزيونية مصرية بدأ عرضها في 2010 | 33,604 |
https://id.wikipedia.org/wiki/Volkspolizei | Wikipedia | Open Web | CC-By-SA | 2,023 | Volkspolizei | https://id.wikipedia.org/w/index.php?title=Volkspolizei&action=history | Indonesian | Spoken | 118 | 269 | Volkspolizei – nama resmi lengkap: Deutsche Volkspolizei (Kepolisian Rakyat Jerman), disingkat menjadi DVP atau VP, dan secara kolokuial dikenal sebagai VoPo – adalah pasukan kepolisian nasional Republik Demokratik Jerman (Jerman Timur). Volkspolizei bertanggung jawab atas sebagian besar penegakan hukum di Jerman Timur; namun, organisasi tersebut dan strukturnya dianggap lebih paramiliter ketimbang pasukan kepolisian sipil. VP dipersenjatai dengan artileri dan kendaraan personil bersenjata, dan orang-orang yang direkrut meraih pelatihan militer.
Referensi
Pranala luar
Official Site of the German Police
EAST GERMANY - A Country Study (based on information from the Library of Congress)
The Democratisation of the Police (With Reference to the Brandenburg Police) by John Chivers
IG Deutsche Volkspolizei, in German
Volkspolizei page, at www.polizeiautos.de
Hukum Jerman Timur | 12,224 |
https://de.wikipedia.org/wiki/Lelex%20%28K%C3%B6nig%20von%20Leukas%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Lelex (König von Leukas) | https://de.wikipedia.org/w/index.php?title=Lelex (König von Leukas)&action=history | German | Spoken | 63 | 125 | Lelex () ist in der griechischen Mythologie ein gebürtiger Leukade und König auf der Insel Leukas. Er galt in der Antike neben Lelex, dem Sohn des Poseidon, als Ahnherr der Leleger, die nicht griechisch sprachen.
Lelex hatte eine Tochter, die den Leleboas gebar. Dieser hatte 22 Söhne, die auch Teleboer genannt wurden.
Quellen
Aristoteles bei Strabon, Geographica 7,322
Literatur
Person der griechischen Mythologie | 44,465 |
https://en.wikipedia.org/wiki/Charles%20Brunier | Wikipedia | Open Web | CC-By-SA | 2,023 | Charles Brunier | https://en.wikipedia.org/w/index.php?title=Charles Brunier&action=history | English | Spoken | 293 | 400 | Charles Brunier (31 May 1901 – 26 January 2007) was a French convicted murderer and veteran of both the First and Second World Wars, who claimed in 2005 to have been the inspiration for Papillon. Circumstantial evidence, including his butterfly tattoo and him having been on Devil's Island at the time, supported the claim.
Biography
Born in Paris, Brunier served in Syria in 1918 and was wounded in action, also receiving the Croix de Guerre for saving a lieutenant's life. In 1923, however, he was accused of murder and armed robbery, and later convicted; his military medals were revoked as a result, and he was not on the official list of French World War I veterans although he did serve.
Brunier was sent to the penal colony off the coast of French Guiana. After the outbreak of World War II he escaped to Mexico and joined the Free French Forces as a fighter pilot, serving in the Battle of the Caribbean for two years before transferring to the infantry under Philippe Leclerc de Hauteclocque, and also in Africa (where Charles de Gaulle personally decorated him) and Italy; he was imprisoned again after the war, but released in 1948 in recognition of his services.
In 1992, Brunier moved into an old people's home in the suburbs of the French capital, where he lived until his death in 2007 at the age of 105.
See also
Henri Charrière (the author of Papillon)
References
1901 births
2007 deaths
Military personnel from Paris
French centenarians
Men centenarians
French military personnel of World War I
French military personnel of World War II
20th-century French criminals
French people convicted of murder
People convicted of murder by France
Devil's Island inmates
French escapees
Escapees from French detention
Criminals from Paris | 19,727 |
https://de.wikipedia.org/wiki/Saint-Caprais-de-Lerm | Wikipedia | Open Web | CC-By-SA | 2,023 | Saint-Caprais-de-Lerm | https://de.wikipedia.org/w/index.php?title=Saint-Caprais-de-Lerm&action=history | German | Spoken | 91 | 245 | Saint-Caprais-de-Lerm () ist eine französische Gemeinde mit Einwohnern (Stand: ) im Département Lot-et-Garonne in der Region Nouvelle-Aquitaine (vor 2016: Aquitanien). Saint-Caprais-de-Lerm liegt im Arrondissement Agen und gehört zum Kanton Le Sud-Est Agenais (bis 2015: Kanton Puymirol).
Geografie
Saint-Caprais-de-Lerm liegt etwa neun Kilometer östlich von Agen. Umgeben wird Saint-Caprais-de-Lerm von den Nachbargemeinden Sauvagnas im Norden, Saint-Robert im Nordosten, La Sauvetat-de-Savères im Osten, Puymirol im Südosten, Saint-Pierre-de-Clairac im Süden, Castelculier im Südwesten sowie Bon-Encontre im Westen.
Bevölkerungsentwicklung
Sehenswürdigkeiten
Kirche Saint-Caprais, Monument historique seit 1926
Weblinks
Ort in Nouvelle-Aquitaine
Caprasius von Agen als Namensgeber | 46,616 |
https://ru.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BB%D1%8B%D0%BA%D1%81%D0%BA%D0%B8%D0%B9%20%D1%80%D0%B0%D0%B9%D0%BE%D0%BD | Wikipedia | Open Web | CC-By-SA | 2,023 | Тарлыкский район | https://ru.wikipedia.org/w/index.php?title=Тарлыкский район&action=history | Russian | Spoken | 50 | 160 | Тарлыкский райо́н — административно-территориальная единица в Автономной области немцев Повольжья, существовавшая в 1921—1922 годах.
Административный центр — село Вольское (Куккус).
Население Тарлыкского райо́на в 1922 г. (по данным Облстатуправления на 1 января):
22 июня 1922 г. Тарлыкский район был преобразован в Куккусский кантон.
Примечания
Места поселения российских немцев
Немцы Поволжья | 5,832 |
https://stackoverflow.com/questions/28168296 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | asontu, https://stackoverflow.com/users/2684660 | English | Spoken | 159 | 499 | how to update all anchor href from string using php
I have to update all href tags with in the string using php.
ex:
<a href="test.com">test</a> lorum <a href="ola.com">ipsum</a>
so i want to change href as <a href="http://ourdomain.com?url=test.com">test</a>
lorum <a href="http://ourdomain.com?url=ola.com">ipsum</a>
please tell me how to update all anchore href
Here i am doing like this but not updating correctly
$replaceStr = "http://affilate.domain.com?cam=1&url=";
$html="<a href="test.com">test</a> lorum <a href="ola.com">ipsum</a>";
$match = array();
$url = preg_match_all('/<a [^>]*href="(.+)"/', $html, $match);
if(count($match))
{
for($j=0; $j<count($match); $j++)
{
$html = str_replace($match[1][$j], $replaceStr.urlencode($match[1][$j]), $html);
}
}
I would discourage you to use regexes for this, it is a much safer bet to use an existing HTML parser (PHP has options for this). This website explains why regexes are a bad idea for this and offers a better PHP solution: htmlparsing.com
(?<=href=")([^"]*)
Try this.Replace by http://ourdomain.com?url=$1.See demo.
https://www.regex101.com/r/bC8aZ4/11
$re = "/(?<=href=\")([^\"]*)/im";
$str = "<a href=\"test.com\">test</a> lorum <a href=\"ola.com\">ipsum</a>";
$subst = "http://ourdomain.com?url=$1";
$result = preg_replace($re, $subst, $str);
| 4,918 |
https://stackoverflow.com/questions/28174964 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | Alan Wells, https://stackoverflow.com/users/2946873 | English | Spoken | 323 | 707 | How do I pass the value of a HTML checkbox to Google Apps Script?
Question:
How do a pass the value (or state) of a checkbox created with Google's HTML service from the HTML (sidebar GUI in this case) to the Code.gs to perform a check against?
I have managed to pass all of the other data from here to the Code.gs. For example, the text box, the Date, the Text Area. However, as the checkbox has no "value" as such, I don't know how to pass the state.
My Code:
(Not entire script as it would be too big)
In the HTHML:
<input id="complete" name="complete" type="checkbox" />
<script type="text/javascript">
function formSubmit() {
google.script.run.transferUpdates(document.forms[0]);
}
</script>
In the Code.gs:
(Again not entire code file)
function transferUpdates(form1){
var ss = SpreadsheetApp.getActiveSpreadsheet(),
sheet = ss.getSheetByName('Action Plan'),
sheet2 = ss.getSheetByName('Problem Details'),
actionnum = form1.actionup,
desc = form1.description,
check = form1.complete;
Problem:
my problem is the "check" variable never has a value to compare as nothing is being passed over from the HTML form?
Does anyone have a solution to this?
(I am rather new to HTML so apologies if this is a simple answer)
What is the value of the variable form1? Undefined? Null? [object Object]? You can print information to the LOGS with a Logger.log('form1 value is: ' + form1); statement.
Here is an answer to a similar question: StackOverflow Form Submit
You can add an event listener to the element and pass value, etc. In your case of wanting to call a function server side try this.
Code.gs
function doGet() {
return HtmlService.createHtmlOutputFromFile('index').setSandboxMode(HtmlService.SandboxMode.IFRAME)
}
function getStuff(foo){
Logger.log(foo)
}
index.html
<code>
<div>
<div id="mylabel"></div>
<input id="test" value="testing" type="checkbox">
<script>
document.getElementById('test').addEventListener("change", changeit);
function success(){document.getElementById('mylabel').innerHTML = 'success!'}
function changeit(){
var v = document.getElementById('test').value;
document.getElementById('mylabel').innerHTML = v;
google.script.run.withSuccessHandler(success).getStuff("going IN")
}
</script>
</div>
I think all you need to do is manually set the checkbox:
check = (form1.complete) ? true : false; // false or true depending on checkbox
| 12,977 |
https://stackoverflow.com/questions/54379517 | StackExchange | Open Web | CC-By-SA | 2,019 | Stack Exchange | Saiteja Kuruva, https://stackoverflow.com/users/10686143 | English | Spoken | 151 | 272 | I need help in understanding the following code
In the following code I am getting the following error when I declare selfdestruct() function in this code.
Error is :
Invalid implicit conversion from address to address payable requested.
pragma solidity >=0.4.22 <0.6.0;
contract owned{
address owner;
constructor() public{
owner = msg.sender;
}
modifier onlyOwner{
require(owner == msg.sender);
_;
}
}
contract mortal is owned{
function close()public onlyOwner{
selfdestruct(owner);
}
}
Assuming you're using version 0.5.x of the Solidity compiler, selfdestruct accepts an address payable, but you're passing in an address.
You can fix this by just changing the type of owner:
address payable owner;
But your pragma directive is a crazy range... there's no way to make this code work with both 0.4.x and 0.5.x compilers. There were quite a few breaking changes between those versions (including this one).
Sure Thank you I will change my compiler version and compile it.
| 25,692 |
https://stackoverflow.com/questions/23874265 | StackExchange | Open Web | CC-By-SA | 2,014 | Stack Exchange | Robbeh, https://stackoverflow.com/users/1139830, https://stackoverflow.com/users/2836489, https://stackoverflow.com/users/492405, mason, vcsjones | English | Spoken | 429 | 667 | Query String URL without access to destination page
I am trying to auto fill the fields of a HTML form on a .NET page (.aspx) through a query string.
I have tried using:
www.destinationpage.com/login.aspx?FieldName1=something&FieldName2=something
But nothing happens. I have been informed that I have the right field names. Is this because I need to be doing a Request on the form side of things? I don't have access to this page.
Due to sensitivity reasons I can't provide the link.
Alternately is there any other solution to autofill the username and password of a .NET page? I am trying to do this through a link or shortcut on the desktop.
Query strings don't magically populate fields on a page. The page needs to be coded to read the value from the query string and set the value of the field to what was in the query string.
Whatever solution is provided would need to be provided by the developer of the site. Or you could use a scripting program like Auto Hot Key or AutoIT to fill in the values. They'd launch the script, the script would open a browser window and then fill in the appropriate fields.
Thanks vcsjones and mason, I had a feeling they had to specifically be called from a query string and that you couldn't inject them. I am using a VB script to hopefully do what is needed. Once I get it working i'll post it as the answer here.
As said in the comments, without access to the destination page to pull from the query string, this is impossible (unless of course we know the page pulls from a query string already and we know the names of the values).
In my case I didn't.
To auto login I ended up using a Visual Basic script. Simply open Notepad, copy and paste, change the fields to suit your needs and Save As. When saving select All Files as your File save type and append .vbs to the filename. Example loginscript.vbs
Script I used (comments noted by ' ):
'Launch IE to the website
Set IE = CreateObject("InternetExplorer.Application")
IE.navigate "http:puttheloginpagehere.com"
IE.Visible = True
'delay to allow load
While IE.Busy
WScript.Sleep 50
Wend
'fill out form with the username, password and click login
ie.Document.all.Item("ADDUSERNAMEFILEDIDHERE").Value = "username"
ie.Document.all.Item("ADDPASSWORDFIELDNAMEHERE").Value = "password"
ie.Document.all.Item("ADDBUTTONIDHERE").Click
TO get the ID of the two fields and the button, with Firefox, right click on the field or the button and select "inspect element". You should then be able to see the "ID" in the inspector area.
Double click to run and voila!
| 43,409 |
https://et.wikipedia.org/wiki/Godefroy%20de%20Bouillon | Wikipedia | Open Web | CC-By-SA | 2,023 | Godefroy de Bouillon | https://et.wikipedia.org/w/index.php?title=Godefroy de Bouillon&action=history | Estonian | Spoken | 113 | 298 | Bouilloni Godefroy (prantsuse keeles Godefroy de Bouillon, hollandi keeles Godfried van Bouillon, saksa keeles Gottfried von Bouillon, ; sündinud 18. september 1060 Prantsusmaa Kuningriigis, surnund 18. juuli 1100 Jeruusalemma kuningriigis) oli Esimese ristisõja üks juhte aastast 1096 kuni selle lõppemiseni 1099. Ta oli Bouilloni lord aastast 1076. Selle järgi võttis ta ka oma epiteedi. Alates aastast 1087. oli ta Alam-Lorraine'i hertsog. Pärast Jeruusalemma edukat piiramist 1099. aastal sai Godefroy Jeruusalemma kuningriigi esimeseks valitsejaks. Ta keeldus kuninga tiitlist, kuna uskus, et Jeruusalemma tõeline kuningas on Jeesus Kristus, eelistades Püha haua kaitsja tiitlit (ladina keeles advocatus Sancti Sepulchri). Teda tuntakse ka kui "Püha haua parunit" ja "ristisõdurist kuningat".
Surnud 1100
Sündinud 1060. aastatel
Ristisõjad
Ristisõdurid | 21,146 |
https://ceb.wikipedia.org/wiki/Prangle%20Point | Wikipedia | Open Web | CC-By-SA | 2,023 | Prangle Point | https://ceb.wikipedia.org/w/index.php?title=Prangle Point&action=history | Cebuano | Spoken | 86 | 133 | Punta ang Prangle Point sa Kanada. Nahimutang ni sa kondado sa Charlotte County ug lalawigan sa New Brunswick, sa habagatan-sidlakang bahin sa nasod, km sa sidlakan sa Ottawa ang ulohan sa nasod.
Ang yuta sa Prangle Point patag. Ang kinahabogang dapit sa palibot dunay gihabogon nga ka metro ug km sa habagatan-kasadpan sa Prangle Point. Sa rehiyon palibot sa Prangle Point, salog sa dagat, mga lawis, mga patag, mga lapyahan, ug kapuloan talagsaon komon.
Saysay
Ang mga gi basihan niini
Mga lawis sa New Brunswick (lalawigan) | 20,448 |
https://diq.wikipedia.org/wiki/Ahmet%20Mithat%20Alt%C4%B1ok | Wikipedia | Open Web | CC-By-SA | 2,023 | Ahmet Mithat Altıok | https://diq.wikipedia.org/w/index.php?title=Ahmet Mithat Altıok&action=history | Zazaki | Spoken | 11 | 41 | Ahmet Mithat Altıok, yew serdar, wali u siyasetkaro Tırko.
Siyasetkarê Tırki | 14,766 |
https://vi.wikipedia.org/wiki/Nomada%20dira | Wikipedia | Open Web | CC-By-SA | 2,023 | Nomada dira | https://vi.wikipedia.org/w/index.php?title=Nomada dira&action=history | Vietnamese | Spoken | 31 | 61 | Nomada dira là một loài Hymenoptera trong họ Apidae. Loài này được Schmiedeknecht mô tả khoa học năm 1882.
Chú thích
Tham khảo
Nomada
Động vật được mô tả năm 1882 | 8,357 |
https://nl.wikipedia.org/wiki/Udara%20ceyx | Wikipedia | Open Web | CC-By-SA | 2,023 | Udara ceyx | https://nl.wikipedia.org/w/index.php?title=Udara ceyx&action=history | Dutch | Spoken | 29 | 44 | Udara ceyx is een vlinder uit de familie van de Lycaenidae. De wetenschappelijke naam van de soort is voor het eerst gepubliceerd in 1892 door Lionel de Nicéville.
ceyx | 20,998 |
https://stackoverflow.com/questions/52683557 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | English | Spoken | 122 | 306 | How to wrap the validation message span in div and render the container based on the validation?
How to wrap the validation message span in div and render the container based on the validation.
<div id="name_validationMessage"
class="k-widget k-tooltip k-tooltip-validation field-validation-error"
style="margin: 0.5em;" role='alert'>
<span class='k-icon k-warning'></span>
@Html.ValidationMessageFor(m => m.Name)
<div class='k-callout k-callout-n'></div>
</div>
In the Above HTML:
The div appear in the first place as empty with background color but I want to tie it with the visibility of the validation message span.
check name_validationMessage on form submit event.
if it has a span with field-validation-error class, show name_validationMessage.
$(document).ready(function () {
var name_validationMessage = $('#name_validationMessage');
$('form').submit(function () {
if (name_validationMessage.find('.field-validation-error').get().length > 0) {
name_validationMessage.show();
}
else {
name_validationMessage.hide();
}
});
});
| 32,510 | |
https://ja.wikipedia.org/wiki/%E6%B1%BA%E5%BF%83%20%28%E5%8E%9F%E7%9C%9F%E7%A5%90%E7%BE%8E%E3%81%AE%E6%9B%B2%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | 決心 (原真祐美の曲) | https://ja.wikipedia.org/w/index.php?title=決心 (原真祐美の曲)&action=history | Japanese | Spoken | 18 | 282 | 「決心」（ケッシン）は、1983年3月21日に発売された原真祐美のデビューシングル。
解説
原真祐美のデビューシングルで、キャッチフレーズは『妹みたいじゃだめですか？』。日本コロムビア1983年イチオシ大型新人女性アイドル歌手であった。
第2回メガロポリス歌謡祭新人賞受賞曲
オリコン101位〜200位の間を、約3か月間チャートインした隠れたロングセラーだった。
収録曲
全曲作詞：友井久美子／作曲・編曲：都倉俊一
決心 (3分26秒)
ときめきING (2分54秒)
関連項目
1983年の音楽
1983年の楽曲
都倉俊一が制作した楽曲
日本コロムビアの楽曲
1983年のシングル
つしん | 44,082 |
https://stackoverflow.com/questions/20376915 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | Daniel Roseman, Simeon Visser, https://stackoverflow.com/users/104349, https://stackoverflow.com/users/1267329 | English | Spoken | 439 | 1,254 | django paginator, number of pages are not return
I want to use django.core.paginator, and I've problem with render_to_response function.
Variable named pages in views.py should return number of pages etc. but it isn't.
All stories i see but pagination not work.
A views.py file look like:
from django.shortcuts import render_to_response, get_object_or_404
from django.db.models import Q
from cms.models import Story, Category
from django.core.paginator import Paginator, EmptyPage, PageNotAnInteger
def listing(request):
story_list = Story.objects.all()
p = Paginator(story_list, 2) # Show 2 contacts per page
page = request.GET.get('page')
try:
pages = p.page(page)
except PageNotAnInteger:
# If page is not an integer, deliver first page.
pages = p.page(1)
except EmptyPage:
# If page is out of range (e.g. 9999), deliver last page of results.
pages = p.page(p.num_pages)
return render_to_response('/usr/local/lib/python2.7/dist-packages/django/bin/project_003/cms/templates/cms/story_list.html', {"pages": pages})
And story_list.html like this:
{% extends "/usr/local/lib/python2.7/dist-packages/django/bin/project_003/cms/templates/cms/base.html" %}
{% block content %}
{% if heading %}
<h1>{{ heading }}</h1>
{% endif %}
<ul id="story-list">
{% for story in story_list %}
<li><a href="{{story.get_absolute_url}}">{{story.title}}</a></li><br>
{{pages.p.num_pages}}
{% endfor %}
<div class="pagination">
<span class="step-links">
{% if pages.has_previous %}
<a href="?page={{ pages.previous_page_number }}">previous</a>
{% endif %}
<span class="current">
Page {{ pages.number }} of {{ pages.paginator.num_pages }}.
</span>
{% if pages.has_next %}
<a href="?page={{ pages.next_page_number }}">next</a>
{% endif %}
</span>
</div>
</ul>
{% endblock %}
Where I made mistake?
That isn't your actual code, because you're not passing story_list to the template. The error though is that you are iterating over story_list rather than pages.
Also note that there is something very wrong with your TEMPLATE_DIRS setting if you are passing the full file path from the root as your template location in your view.
Also, you are returning pages as a Page object to the template. That means it's not a Paginator object from which you can get the number of pages.
you're right -- so how can I get the number of pages? iterating over story in pages.object_list not working also
Straight from the docs, with changed variable names: https://docs.djangoproject.com/en/dev/topics/pagination/#using-paginator-in-a-view
the view:
def listing(request):
story_list = Story.objects.all()
p = Paginator(story_list, 2) # Show 2 contacts per page
page = request.GET.get('page')
try:
stories = p.page(page)
except PageNotAnInteger:
# If page is not an integer, deliver first page.
stories = p.page(1)
except EmptyPage:
# If page is out of range (e.g. 9999), deliver last page of results.
stories = p.page(p.num_pages)
return render_to_response('/usr/local/lib/python2.7/dist-packages/django/bin/project_003/cms/templates/cms/story_list.html', {"stories": stories})
the template:
<ul id="story-list">
{% for story in stories %}
<li><a href="{{story.get_absolute_url}}">{{story.title}}</a></li><br>
{% endfor %}
</ul>
<div class="pagination">
<span class="step-links">
{% if stories.has_previous %}
<a href="?page={{ stories.previous_page_number }}">previous</a>
{% endif %}
<span class="current">
Page {{ stories.number }} of {{ stories.paginator.num_pages }}.
</span>
{% if stories.has_next %}
<a href="?page={{ stories.next_page_number }}">next</a>
{% endif %}
</span>
</div>
| 7,522 |
https://ru.wikipedia.org/wiki/%D0%9F%D0%BE%D0%BB%D0%BD%D0%B0%20%28%D0%93%D0%BE%D1%80%D0%B5%D1%86%D0%BA%D0%B8%D0%B9%20%D1%80%D0%B0%D0%B9%D0%BE%D0%BD%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Полна (Горецкий район) | https://ru.wikipedia.org/w/index.php?title=Полна (Горецкий район)&action=history | Russian | Spoken | 71 | 219 | Полна́ () — деревня в составе Овсянковского сельсовета Горецкого района Могилёвской области Республики Беларусь.
История
Упоминается в 1643 году как деревня Польна в Козловичском войтовстве Шкловской волости в Оршанском повете Великого Княжества Литовского.
Население
1999 год — 166 человек
2010 год — 142 человека
См. также
Овсянковский сельсовет
Горецкий район
Примечания
Ссылки
Населённые пункты Республики Беларусь
Национальное кадастровое агентство Республики Беларусь
Государственный комитет по имуществу Республики Беларусь
Населённые пункты Горецкого района | 23,178 |
https://ceb.wikipedia.org/wiki/Gerronema%20bryogeton | Wikipedia | Open Web | CC-By-SA | 2,023 | Gerronema bryogeton | https://ceb.wikipedia.org/w/index.php?title=Gerronema bryogeton&action=history | Cebuano | Spoken | 47 | 92 | Kaliwatan sa uhong ang Gerronema bryogeton. sakop sa ka-ulo nga Basidiomycota, ug Una ning gihulagway ni Rolf Singer ni adtong 1962. Ang Gerronema bryogeton sakop sa kahenera nga Gerronema, ug kabanay nga Marasmiaceae. Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Abungawg-uhong
Gerronema | 2,520 |
https://el.wikipedia.org/wiki/%CE%98%CE%AC%CE%BD%CE%BF%CF%82%20%CE%A0%CE%AD%CF%84%CF%83%CE%BF%CF%82 | Wikipedia | Open Web | CC-By-SA | 2,023 | Θάνος Πέτσος | https://el.wikipedia.org/w/index.php?title=Θάνος Πέτσος&action=history | Greek | Spoken | 363 | 1,169 | Ο Αθανάσιος (Θάνος) Πέτσος (Ντύσσελντορφ, 5 Ιουνίου 1991) είναι Έλληνας (με καταγωγή από τη Γουμένισσα) διεθνής ποδοσφαιριστής, ο οποίος αγωνίζεται ως μέσος.
Καριέρα
Σε συλλογικό επίπεδο
Ξεκίνησε από τα τμήματα υποδομών της Μπάγερ Λεβερκούζεν και το 2010 προωθήθηκε στην πρώτη ομάδα του συλλόγου. Το ντεμπούτο του στη Μπούντεσλιγκα πραγματοποιήθηκε τον Απρίλιο της ίδιας χρονιάς εναντίον του Αννόβερου, ενώ παράλληλα συνέχισε να αγωνίζεται με τη δεύτερη ομάδα του συλλόγου, μετρώντας οκτώ συνολικά εμφανίσεις. Παρέμεινε στον σύλλογο για τα επόμενα δύο χρόνια, μέχρι το 2012, χωρίς ωστόσο να πάρει άλλες ευκαιρίες στην πρώτη ομάδα, καθώς το ίδιο διάστημα παραχωρήθηκε στην Καϊζερσλάουτερν με τη μορφή δανεισμού. Στα δύο χρόνια παραμονής του εκεί πραγματοποίησε 42 συνολικά εμφανίσεις, οι 39 εκ των οποίων για το πρωτάθλημα, με το ντεμπούτο του να πραγματοποιείται στις 13 Νοεμβρίου 2010 εναντίον της Στουτγκάρδης.
Την επόμενη περίοδο (2012-13) αποχώρησε ως ελεύθερος και συνέχισε την καριέρα του στη Γκρόιτερ Φυρτ, υπογράφοντας συμβόλαιο συνεργασίας τριών ετών, όμως το καλοκαίρι του 2013 μεταγράφηκε έναντι 250 χιλιάδων ευρώ στη αυστριακή Ραπίντ Βιέννης.
Το καλοκαίρι του 2016 αποκτήθηκε με μεταγραφή από τη Βέρντερ Βρέμης, όμως τον Ιανουάριο του 2017 παραχωρήθηκε στην αγγλική Φούλαμ ως δανεικός για έξι μήνες.
Τον Αύγουστο του 2017 επέστρεψε στη Ραπίντ Βιέννης έπειτα από έναν χρόνο απουσίας, ως δανεικός από τη Βέρντερ Βρέμης.
Στις εθνικές ομάδες
Έχει αγωνιστεί σε όλες τις μικρότερες εθνικές ομάδες, Παίδων (2007), Νέων (2008-10) και Ελπίδων (2010-12).
Στις 5 Αυγούστου 2011 ο τότε ομοσπονδιακός προπονητής Φερνάντο Σάντος τον ενέταξε στο δυναμικό της εθνικής Ανδρών και στις 10 του μήνα πραγματοποίησε το ντεμπούτο του με τη γαλανόλευκη φανέλα, στον φιλικό εκτός έδρας αγώνα εναντίον της Βοσνίας και Ερζεγοβίνης (0-0), όταν πέρασε ως αλλαγή στα τελευταία λεπτά της αναμέτρησης, αντικαθιστώντας τον Κώστα Κατσουράνη, στο πλαίσιο της προετοιμασίας για τα προκριματικά του Euro 2012.
Παραπομπές
Εξωτερικοί σύνδεσμοι
Η καριέρα του Θάνου Πέτσου στο soccerway
Το προφίλ του Θάνου Πέτσου στο transfermarkt
Ο Θάνος Πέτσος στο skysports
Μέσοι ποδοσφαιριστές
Έλληνες ποδοσφαιριστές
Έλληνες ομογενείς ποδοσφαιριστές
Ποδοσφαιριστές Εθνικής Ελλάδας Κ17
Ποδοσφαιριστές Εθνικής Ελλάδας Κ19
Ποδοσφαιριστές Εθνικής Ελλάδας Κ21
Ποδοσφαιριστές Εθνικής Ελλάδος
Ποδοσφαιριστές Μπάγερ Λεβερκούζεν
Ποδοσφαιριστές 1. ΦΚ Καϊζερσλάουτερν
Ποδοσφαιριστές Μπούντεσλιγκα
Ποδοσφαιριστές Γκρόιτερ Φυρτ
Ποδοσφαιριστές Ραπίντ Βιέννης
Ποδοσφαιριστές Βέρντερ Βρέμης
Ποδοσφαιριστές Φούλαμ ΦΚ
Έλληνες ποδοσφαιριστές στο εξωτερικό | 40,554 |
https://anime.stackexchange.com/questions/55442 | StackExchange | Open Web | CC-By-SA | 2,019 | Stack Exchange | English | Spoken | 125 | 166 | Is there a recording of Chopin's "Winter Wind" with the drums added, as heard in Your Lie In April?
I've looked everywhere for that Etude in A minor Op. 25 No. 11 with drums, as that song sounded so epic in the anime!! Any idea if that version of the song is purchasable or located anywhere online?
There is an album of the pieces actually from the show, called Shigatsu wa Kimi no Uso: Our Music Book. Unfortunately, based on a version I found on YouTube, it seems like the Winter Wind on that album is just a standard rendition of the piece (presumably from the main recital). On that basis, I suspect that there isn't an officially released copy of the version with drums.
| 39,813 | |
https://stackoverflow.com/questions/8031820 | StackExchange | Open Web | CC-By-SA | 2,011 | Stack Exchange | Calvin Park, Holly Ewell, Mich Mich, Mike Goerlich, Omar Elgerba, Rodrigo Manguinho, Ronnie, https://stackoverflow.com/users/1007583, https://stackoverflow.com/users/17878822, https://stackoverflow.com/users/17878823, https://stackoverflow.com/users/17878824, https://stackoverflow.com/users/18891550, https://stackoverflow.com/users/18891720, https://stackoverflow.com/users/18892219, https://stackoverflow.com/users/22672843, https://stackoverflow.com/users/22673028, https://stackoverflow.com/users/22673254, https://stackoverflow.com/users/868529, lithilzqnk, palphones, syed hadi, 保定附近哪有男人玩的 | Venetian | Spoken | 596 | 1,326 | Mvc3 WebGrid ajaxUpdateContainerId duplicates the container
I don't know if it is a bug just at my site, but the WebGrid apparently duplicates the container specified on the ajaxUpdateContainerId. Here's my code:
<div id="grid-wrapper" class="grid-wrapper">
@{
var a = new []
{
new { Mensagens = 3, Nome = "Rodrigo Manguinho", Agendamento = "08:00", Prazo = 2, Tipo = "Novo", Percentual = "30%"},
new { Mensagens = 5, Nome = "Rodrigo Manguinho", Agendamento = "08:00", Prazo = 2, Tipo = "Novo", Percentual = "30%"}
};
var grid = new WebGrid(source: a, ajaxUpdateContainerId: "grid-wrapper");
@grid.GetHtml(tableStyle: "grid round-3", alternatingRowStyle: "even", rowStyle: "odd", htmlAttributes: new { @cellpadding = "0px", @cellspacing = "0px" });
}
</div>
When i check the firebug the div grid-wrapper has another div with the same id and class. It duplicate when i click any TH link to sort the table.
We just had the same problem that you had. We analyzed the source code for the WebGrid controller and apparently the bug exists and cannot be changed because it's hardcoded:
Taken from "mvc3-rtm-sources\webpages\src\System.Web.Helpers\WebGrid\WebGrid.cs", lines 17-22:
namespace System.Web.Helpers {
public class WebGrid {
// jquery code for partial page update of grid components (see http://api.jquery.com/load/)
private const string _ajaxLinkScript = "$(\'#{0}\').load(\'{1} #{0}\');";
private const string _ajaxLinkScriptWithCallback = "$(\'#{0}\').load(\'{1} #{0}\', {2});";
As you can see, the ajax links cannot be changed from the external API. Fortunately, we found a way to fix this, and also make it work with both JavaScript enabled or disabled:
@{
WebGrid grid = new WebGrid(Model, ajaxUpdateContainerId: "myDivId", ajaxUpdateCallback: "myFunctionName");
WebGrid gridNoJS = new WebGrid(Model);
}
<script type="text/javascript">
$(myFunctionName);
function myFunctionName() {
$('#myDivId table tfoot a').each(function () {
var $this = $(this);
$this.attr('onclick', $this.attr('onclick').replace('#myDivId\',', '#myDivId table\','));
});
$('#myDivId table tfoot div').show();
}
</script>
<div id="myDivId">
@grid.Table(
columns: grid.Columns(
grid.Column("MyColumn1", header: "MyColumn1"),
grid.Column("MyColumn2", header: "MyColumn2")),
footer: @<text><noscript>@gridNoJS.Pager()</noscript><div style="display:none">@grid.Pager()</div></text>
)
</div>
You can also extrapolate this idea to fix the sort links as well.
Nice. Ill try ur suggestion. Thanks for share.
I don't know if this will help you at all, but I was having the same problem. I was having the same problem and was able to fix it. In my case, I had set the ajaxContainerUpdateId to the same id as the grid html Id. Instead, I had to put a container div around the webgrid and set the ajaxUpdateContainerId to the Id of the div, and give the WebGrid a different id in the GetHtml Method. The first part of my grid declaration is shown below where searchContainer is a div that contains the grid.GetHtml method.
var grid = new System.Web.Helpers.WebGrid(canPage: true, rowsPerPage: ViewData["pagesize"] != null ? (int)ViewData["pagesize"] : 20, canSort: true,ajaxUpdateContainerId:"searchContainer");
grid.Bind(Model.Records, rowCount: Model.TotalResults, autoSortAndPage: false);
grid.Pager(WebGridPagerModes.All);
grid.SortColumn = ViewData["sortColumn"].ToString();
grid.SortDirection = ViewData["sortDir"].ToString().ToLower() == "asc" ? SortDirection.Ascending : SortDirection.Descending;
@grid.GetHtml(htmlAttributes: new { id = "searchgrid", @class = "grid" }, alternatingRowStyle: "alt" ,
Hello Ronnie. If you notice, in my exemple I did it. I was using the Grid ID on the ajaxUpdateContainerId, but when i noticed that my Table was being duplicated I changed to the wrapper ID. Visually it looks ok, but if you check the source code, the wrapper is also duplicated.
Oh, I guess I didn't look at the source that closely. I did not realize that the container was being duplicated. I did notice what I believe to be an error in the generated onclick handler for the header link. I think it should be $("#containerId").load("/ajax/test.html","#gridId") , but the grid uses the ajaxUpdateContainerId for both values ("containerId and grid id") in my above example. I think that may be the problem, but I am not sure.
| 28,558 |
https://war.wikipedia.org/wiki/Platanthera%20aquilonis | Wikipedia | Open Web | CC-By-SA | 2,023 | Platanthera aquilonis | https://war.wikipedia.org/w/index.php?title=Platanthera aquilonis&action=history | Waray | Spoken | 35 | 67 | An Platanthera aquilonis in uska species han Liliopsida nga ginhulagway ni Charles John Sheviak. An Platanthera aquilonis in nahilalakip ha genus nga Platanthera, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.
Mga kasarigan
Platanthera | 39,547 |
https://uk.wikipedia.org/wiki/%D0%9A%D0%BE%D1%81%D0%BC%D1%96%D1%87%D0%BD%D0%B5%20%D0%B0%D0%B3%D0%B5%D0%BD%D1%82%D1%81%D1%82%D0%B2%D0%BE%20%D0%92%D0%B5%D0%BB%D0%B8%D0%BA%D0%BE%D1%97%20%D0%91%D1%80%D0%B8%D1%82%D0%B0%D0%BD%D1%96%D1%97 | Wikipedia | Open Web | CC-By-SA | 2,023 | Космічне агентство Великої Британії | https://uk.wikipedia.org/w/index.php?title=Космічне агентство Великої Британії&action=history | Ukrainian | Spoken | 126 | 429 | Космічне агентство Великої Британії () — державна космічна служба Великої Британії, заснована 1 квітня 2010 в Суїндоні. Вперше представлена в конференц-центрі «Королева Єлизавета II» 23 березня 2010 політиками Пітером Мандельсоном, Полом Дрейсон і космонавтом британського походження Тімоті Піком.
На момент створення космічна промисловість Великої Британії оцінювалася в 7 млрд £ і надавала 60 000 робочих місць. В 20-річний план UKSA входить збільшення обсягу до 40 млрд £ і 100 000 робочих місць, а також збільшення частки у світовій промисловості з 6 до 10 %.
UKSA перейняла всі обов'язки, персонал і активи Британського національного космічного центру.
Див. також
Космічне агентство
Примітки
Посилання
http://www.bis.gov.uk/ukspaceagency/ Офіційний сайт UKSA
РІА Новини: Велика Британія засновує власне космічне агентство.
Космічні агентства
Космонавтика Великої Британії
Свіндон
Підприємства Вілтширу
Засновані у Великій Британії 2010 | 4,354 |
https://stackoverflow.com/questions/15958886 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | English | Spoken | 259 | 492 | HTML5 Phone App - Rescaling for Retinas
This is my first time developing html5 for a mobile device. I'm wanting my app to run universal, so it needs to take into account retina displays as well as normal ones.
I'm running this code, and it seems to look fine on both iPhone3G (normal display), and iPhone5 (retina display):
function Setup(){
$('canvas').css('width', window.innerWidth + 'px');
$('canvas').css('height', window.innerHeight + 'px');
if(window.devicePixelRatio == 2) {
canvas.setAttribute('width', window.innerWidth * 2);
canvas.setAttribute('height', window.innerHeight * 2);
ctx.scale(2, 2);
}
else{
canvas.setAttribute('width', window.innerWidth);
canvas.setAttribute('height', window.innerHeight);
ctx.scale(1, 1);
}
Draw();
}
I really just want to know if I'm going about this the correct way? Everything looks fine, but I don't want to find out later, after days of work and coding, that this is a wrong/bad way to do it.
Also, I understand that I need 2 versions of an image, eg: a 32x32 image for a normal screen, and a 64x64 for a retina, but I need to scale that image down by 50%. Correct?
Thanks.
ctx.scale will probably work, but will probably make your images look like shit ie. streched.
Of course you could use the retina sized images and scale down, but then your putting an extra workload on non-retina devices - like the 3gs - which is already slooow.
The method I use is this:
myCanvas.width = 300;
myCanvas.height = 300;
// you can use variables to get this value: width * window.devicePixelRatio
myCanvas.style.width = "600px";
myCanvas.style.height = "600px";
Of course you would also need to scale all your inputs by window.devicePixelRatio!
| 8,711 | |
https://te.wikipedia.org/wiki/%E0%B0%B0%E0%B0%BE%E0%B0%9C%E0%B1%8D%20%E0%B0%97%E0%B1%81%E0%B0%B0%E0%B1%81 | Wikipedia | Open Web | CC-By-SA | 2,023 | రాజ్ గురు | https://te.wikipedia.org/w/index.php?title=రాజ్ గురు&action=history | Telugu | Spoken | 375 | 2,708 | హరి శివరాం రాజ్ గురు (1908 ఆగస్టు 24 - 1931 మార్చి 23) భారత స్వాతంత్ర్య సమరయోధుడు, ఉద్యమకారుడు.. ఇతను భగత్ సింగ్, సుఖ్దేవ్ ల సహచరునిగా గుర్తింపు పొందాడు. 1928లో లాలా లజపతి రాయ్ మరణానికి కారణమైన బ్రిటిష్ వారిపై పగతీర్చుకోవడానికి, ఫిరోజ్ పూర్లో బ్రిటిష్ పోలీసు అధికారి జె.పి.సాండర్స్ ను హతమార్చినందుకు గాను 1931 మార్చి 23న భగత్సింగ్, సుఖ్దేవ్ లతో పాటు ఉరితీసారు.
బాల్య జీవితం
రాజ్గురు మరాఠీ బ్రాహ్మణ కుటుంబంలో 1908 ఆగస్టు 24న ఖేద్ వద్ద పార్వతి దేవి, హరినారాయణ రాజ్గురు దంపతులకు జన్మించాడు. ఖేద్ పూనా (ప్రస్తుత పూణే) సమీపంలో బీమా నది ఒడ్డున ఉంది. అతనికి ఆరేళ్ల వయసులో అతని మరణించాడు. కుటుంబ బాధ్యత అతని అన్నయ్య దిన్కర్ మీద పడింది. అతను ఖేద్ వద్ద ప్రాథమిక విద్యను పూర్తిచేసి, తరువాత పూణేలోని న్యూ ఇంగ్లీష్ హైస్కూల్లో చదువుకున్నాడు.
విప్లవాత్మక కార్యకలాపాలు
అతను హిందూస్తాన్ సోషలిస్ట్ రిపబ్లికన్ అసోసియేషన్ సభ్యుడు. అతను బ్రిటిష్ పాలన నుండి భారతదేశం ఏ విధంగానైనా విముక్తి పొందాలని కోరుకున్నాడు. రాజ్గురు, భగత్ సింగ్, సుఖ్దేవ్లు సహోద్యోగులయ్యారు. 1928లో లాహోర్లో బ్రిటిష్ పోలీసు అధికారి జె పి సాండర్స్ హత్యలో పాల్గొన్నారు. సైమన్ కమిషన్ను నిరసిస్తూ కవాతు చేస్తున్న ఉద్యమకారులపై పోలీసుల చర్యకు దెబ్బతిన్న లాలాలజపతిరాయ్ పక్షం రోజులలో మరణించినందున ప్రతీకారం తీర్చుకోవడాఅనికి వారు ఈ హత్యలో పాల్గొన్నారు. రాయ్ మరణం పోలీసుల చర్యల వల్ల సంభవించిందనే భావన వారికి ఉంది. అయినప్పటికీ అతను తరువాత ఒక సమావేశంలో ప్రసంగించాడు. ముగ్గురు పురుషులు, 21 మంది ఇతర సహ-కుట్రదారులను 1930 లో ప్రత్యేకంగా నిబంధనల ప్రకారం విచారించారు. ఈ ముగ్గురూ అభియోగాలకు పాల్పడ్డారు.
ఉరిశిక్షలు
మార్చి 24న ఉరి తీయడానికి సిద్ధం చేయబడిన ఆ ముగ్గురు స్వాతంత్ర్య సమరయోధులను 1931 మార్చి 23న ఉరితీశారు. పంజాబ్లోని ఫిరోజ్పూర్ జిల్లాలోని సట్లెజ్ నది ఒడ్డున ఉన్న హుస్సేనివాలా వద్ద దహనం చేశారు.
వారసత్వం, జ్ఞాపకాలు
జాతీయ అమరవీరుల స్మారక చిహ్నం
భారతదేశంలోని పంజాబ్లోని ఫిరోజ్పూర్ జిల్లాలోని హుస్సేనివాలా వద్ద నేషనల్ మెమోరియల్ ఉంది. లాహోర్ జైలులో ఉరిశిక్ష తరువాత, శివరామ్ రాజ్గురు, భగత్ సింగ్, సుఖ్దేవ్ థాపర్ మృతదేహాలను రహస్యంగా ఇక్కడికి తీసుకువచ్చారు. వాటిని అధికారులు ఇక్కడ అనాలోచితంగా దహనం చేశారు. ప్రతి సంవత్సరం మార్చి 23 న, అమరవీరుల దినోత్సవం (షాహీద్ దివాస్)నాడు ముగ్గురు విప్లవకారులను జ్ఞాపకం చేసుకుంటారు. స్మారక చిహ్నం వద్ద నివాళులు అర్పించారు.
రాజ్గురు నగర్
అతని గౌరవార్థం అతని జన్మస్థలమైన ఖేద్ రాజ్గురునగర్ గా పేరు మార్చబడింది. రాజ్గురునగర్ మహారాష్ట్రలోని పూణే జిల్లాలోని ఖేద్ తహసీల్లోని రెవెన్యూ పట్టణం.
రాజ్గురు వాడ
రాజ్గురు వాడా రాజ్గురు జన్మించిన పూర్వీకుల ఇల్లు. 2,788 చదరపు మీటర్ల విస్తీర్ణంలో ఉన్న ఇది పూణే - నాసిక్ రోడ్లోని బీమా నది ఒడ్డున ఉంది. దీనిని శివరామ్ రాజ్గురు జ్ఞాపకార్థం నిర్వహిస్తున్నారు. స్థానిక సంస్థ, హుతాత్మా రాజ్గురు స్మారక్ సమితి (హెచ్ఆర్ఎస్ఎస్) 2004 నుండి గణతంత్ర దినోత్సవం సందర్భంగా ఇక్కడ జాతీయ జెండాను ఎగురవేసింది.
కళాశాల
షాహీద్ రాజ్గురు కాలేజ్ ఆఫ్ అప్లైడ్ సైన్సెస్ ఫర్ ఉమెన్ ఢిల్లీలోణి వసుంధర ఎన్క్లేవ్లో ఉంది. ఇది ఢిల్లీ విశ్వవిద్యాలయం పరిధిలోని ఒక కళాశాల.
ఇవి కూడా చూడండి
అన్నాప్రగడ కామేశ్వరరావు
చిత్రమాలిక
మూలాలు
ఇతర పఠనాలు
వెలుపలి లంకెలు
భారతీయులు
1908 జననాలు
భారత స్వాతంత్ర్య సమర యోధులు
1931 మరణాలు
మహారాష్ట్ర వ్యక్తులు
భారత తపాలా బిళ్ళపై ఉన్న ప్రముఖులు
విప్లవోద్యమ నాయకులు
ఉద్యమకారులు
ఉరిశిక్ష ద్వారా మరణాలు | 38,263 |
https://stackoverflow.com/questions/72056040 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | Aniruddha Dahule, Barbaros Özhan, https://stackoverflow.com/users/18987880, https://stackoverflow.com/users/5841306 | English | Spoken | 108 | 222 | while creating trigger upon inert getting error on end
CREATE OR REPLACE TRIGGER PEN_DELTA
BEFORE INSERT ON PS_GP_RSLT_DELTA
FOR EACH ROW
WHEN (NEW.FORWARD_IND = 'Y' AND NEW.GP_PAYGROUP = 'PG PEN')
BEGIN
FORWARD_IND = 'N';
END;
giving error on
END;
line. is anything I need to change
You just missed colon(:) in FORWARD_IND = 'N'; replace = with := so as to convert to FORWARD_IND := 'N';
Thanks Barbaros, I have tried with this as well. As FORWARD_IND is not a variable this is the column in the record. It is giving error PLS-00201 Identifier FORWARD_IND must be declare.
excuse me, missed prepending :NEW, just use :NEW.FORWARD_IND := 'N';
| 25,324 |
https://id.wikipedia.org/wiki/Georg%20Wilhelm%20von%20Siemens | Wikipedia | Open Web | CC-By-SA | 2,023 | Georg Wilhelm von Siemens | https://id.wikipedia.org/w/index.php?title=Georg Wilhelm von Siemens&action=history | Indonesian | Spoken | 343 | 713 | Georg Wilhelm von Siemens (30 Juli 1855, Berlin – 14 Oktober 1919, Arosa, Swiss) dulu adalah seorang industrialis telekomunikasi asal Jerman yang merupakan anggota keluarga Siemens.
Dikenal sebagai Wilhelm von Siemens, ia adalah anak laki-laki kedua dari Werner von Siemens dari istri pertamanya, Mathilde Drumann, dan merupakan mitra di Siemens. Saat itu, dengan nama Siemens & Halske (S&H), perusahaan tersebut didaftarkan sebagai sebuah badan hukum pada tahun 1897, dengan paman Wilhelm, Carl Heinrich von Siemens ditunjuk sebagai chairman dewan pengawas pertama. Kakak Wilhelm, Arnold von Siemens lalu menggantikan pamannya sebagai chairman mulai tahun 1904 hingga ia meninggal pada tahun 1918, sementara Wilhelm menjabat sebagai chairman Siemens-Schuckert, mulai tahun 1903 hingga 1918. Setelah Arnold meninggal pada tahun 1918, ia menggantikannya sebagai chairman Siemens & Halske hingga ia sendiri meninggal setahun kemudian. Suksesornya sebagai chairman di dua perusahaan tersebut adalah Carl Friedrich von Siemens.
Menikah pada tahun 1882 dengan Eleonore Siemens (2 Maret 1860 – 26 Juli 1919), sepupunya sendiri, anak mereka adalah:
Wilhelm Ferdinand von Siemens (1885–1937), yang setelah Perang Dunia I sempat menjabat sebagai CEO Siemens & Halske
Mathilde Eleonore Eveline von Siemens (1888–1945)
Ia paling dikenal berkat memenangkan kontrak pembuatan sistem perkeretaapian dari Berlin ke Irak yang akhirnya dapat diselesaikan sekitar tahun 1915. Mulai tahun 1899, ia mendirikan Siemensstadt, sebuah kawasan di Berlin, untuk mengembangkan produksinya dengan membangun pabrik dan akomodasi pekerja baru.
Referensi
August Rotth: Wilhelm von Siemens. Ein Lebensbild. Gedenkblätter zum 75jährigen Bestehen des Hauses Siemens & Halske. Berlin und Leipzig, 1922.
Herbert Goetzler, Lothar Schoen: Wilhelm und Carl Friedrich von Siemens. Die zweite Unternehmergeneration. (hrsg. von Wilhelm Treueund Hans Pohl im Auftrag der Gesellschaft für Unternehmensgeschichte) Stuttgart, 1986.
Wilhelm von Siemens. – in: Wilfried Feldenkirchen / Eberhard Posner: The Siemens Entrepreneurs. Continuity and Change 1847–2005. Ten Portraits. Munich 2005, p. 58–83.
Genealogisches Handbuch des Adels, Adelige Häuser B Band XIII. Seite 388, Band 73 der Gesamtreihe, C. A. Starke Verlag, Limburg (Lahn) 1980,
Neue Deutsche Biographie, Band 22, Seite 143
Pranala luar
Biography, Siemens Corporate Archives
The Versailles Thesis: The Roots of WWI, and WWII
Kelahiran 1855
Kematian 1919 | 17,687 |
https://en.wikipedia.org/wiki/Graham%20Van%20Pelt | Wikipedia | Open Web | CC-By-SA | 2,023 | Graham Van Pelt | https://en.wikipedia.org/w/index.php?title=Graham Van Pelt&action=history | English | Spoken | 327 | 486 | Graham Van Pelt is a Canadian musician currently based on Salt Spring Island. He performed in Montreal based acts Miracle Fortress and Think About Life throughout the 2000s. Since 2018 Van Pelt has been releasing material under his own name.
Life and career
In 2005 Van Pelt founded Think About Life with Matt Shane, and Martin Cesar. The group released two albums via Alien8 Recordings and toured North America, Europe, and Asia between 2005-2011. The group reunited for a performance at 16th edition of POP Montreal in 2017.
Between 2005 and 2014, Van Pelt released material under the moniker Miracle Fortress. He released two albums, and a series of singles, under this name via Montreal's Secret City Records. His debut Five Roses was shortlisted for the 2007 edition of the Polaris Music Prize. Miracle Fortress' sophomore album Was I the Wave? marked the beginning of a more electronic direction for Van Pelt.
In 2018, Van Pelt announced that he would be releasing new material under his own name. His debut album Time Travel was released on October 19, 2018, via Arbutus Records. He supported the release with multiple tours across North America and Europe, including dates supporting with Kllo, COMA, and Blue Hawaii, and performances at the Red Bull Festival Montreal, Zemlika Festival, The New Colossus, Savannah Stopover, Focus Wales, Great Escape, and Festival Santa Teresa.
On April 17, 2020, Van Pelt released the Sense Appeal EP via Arbutus Records and No Bad Days. The EP features remixes from Yu Su and Gene Tellem.
Salt Spring: Sun and Shadow, a collection of instrumental tracks recorded by Van Pelt on Salt Spring Island was released on May 28, 2021, via Arbutus Records.
Discography
Studio albums
Time Travel (2018, Arbutus Records)
Salt Spring: Sun and Shadow (2021, Arbutus Records)
EPs
Sense Appeal (2020, Arbutus Records / No Bad Days)
References
Living people
Canadian DJs
Canadian record producers
Canadian male songwriters
Musicians from Toronto
Year of birth missing (living people) | 31,143 |
https://stackoverflow.com/questions/33899510 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | Alvaro, gouldei, https://stackoverflow.com/users/1081396, https://stackoverflow.com/users/3626855, https://stackoverflow.com/users/5100479, https://stackoverflow.com/users/975741, spaniol6, trooper | English | Spoken | 132 | 213 | How to have fixed scrolling in a webpage?
I'm trying to figure out how to have fixed scrolling in a webpage like what's used here: http://manifeste.hermes.com/en_WW/?
It looks like when you scroll it automatically smooth scrolls to the next div. I assume there's some JavaScript involved, but it's beyond my knowledge how to do this.
Can anyone show me how this is done?
It uses a combination of binding a callback function to a scroll event using jquery(window).on("scroll",function(){}); and probably using animate to move the divs into view.
imho while this looks great its not very usable.
The mentioned site is fact making use of fullPage.js.
You can use this nice, lightweight javascript plugin alvarotrigo fullPage.js
they have a nice explanation and examples on the github page.
fullPage.js Demo
That's perfect! Thanks!
| 9,027 |
https://zh-classical.wikipedia.org/wiki/%E5%8A%89%E8%B1%B9 | Wikipedia | Open Web | CC-By-SA | 2,023 | 劉豹 | https://zh-classical.wikipedia.org/w/index.php?title=劉豹&action=history | Classical Chinese | Spoken | 8 | 84 | 劉豹者，其人有五。
古有
常山王劉豹
蜀漢議郎陽泉侯劉豹
匈奴左賢王劉豹
元朝河南平章政事劉豹
今有
中華人民共和國營造家劉豹 | 36,737 |
https://de.wikipedia.org/wiki/Mariano%20Mart%C3%ADnez | Wikipedia | Open Web | CC-By-SA | 2,023 | Mariano Martínez | https://de.wikipedia.org/w/index.php?title=Mariano Martínez&action=history | German | Spoken | 369 | 660 | Mariano Martínez (* 20. September 1948 in Burgos) ist ein ehemaliger französischer Profirennfahrer. Er gewann die Bergwertung bei der Tour de France 1978.
Sportliche Laufbahn
Martínez wurde von Jean de Gribaldy entdeckt und wurde schnell ein ausgezeichneter Teamkollege von Joaquim Agostinho in den Jahren 1971 bis 1972. Im ersten Profijahr wurde er 31. bei der Tour de France. 1972 konnte er die Tour de Romandie und das Critérium du Dauphiné Libéré auf dem jeweils vierten Platz beenden. 1973 beendete er den Grand Prix Midi Libre auf dem dritten Platz und die Tour de France auf dem 12. Gesamtrang. Nachdem er die Tour de France 1974 den 8. Platz belegte, konnte er bei der UCI-Straßen-Weltmeisterschaft in Montreal, Kanada den dritten Platz hinter Weltmeister Eddy Merckx und Raymond Poulidor erzielen. Im Folgejahr wurde er 14. bei der Tour de France, 5. bei der Tour du Limousin und 4. bei der Tour de l’Aude. 1977 nahm er erstmals bei der Vuelta a España und dem Giro d’Italia teil. 1978 gewann der die Bergwertung und eine Etappe bei der Tour de France. Außerdem wurde er Zweiter bei dem Critérium du Dauphiné Libéré, Dritter bei der Circuit Cycliste Sarthe, Vierter bei der Tour de Romandie und Sechster bei der Tour de Suisse. Ein Jahr später wurde er hinter Roland Berland und Bernard Hinault Dritter bei den Französischen Straßenmeisterschaften in Plumelec. 1979 gewann er seine zweite Etappe bei der Tour de France. 1981 erreichte er bei der Tour de France Platz 15 und bei Subida a Arrate (es) den zweiten Platz.
Familiäres
Obwohl er gebürtiger Spanier war, startete er für Frankreich, da er 1963 eingebürgert wurde.
Seine Söhne Miguel Martinez und Yannick Martinez sowie sein Bruder Martin Marinez waren ebenfalls Radrennfahrer.
Erfolge
1974
eine Etappe Grand Prix Midi Libre
UCI-Straßen-Weltmeisterschaft
1977
eine Etappe Étoile de Bessèges
eine Etappe Setmana Catalana de Ciclisme
1978
eine Etappe Tour du Limousin
eine Etappe Tour du Vaucluse
eine Etappe Circuit Cycliste Sarthe
Bergwertung und eine Etappe Tour de France
1979
Französische Straßenmeisterschaft
1980
eine Etappe Tour du Limousin
eine Etappe Tour de France
1981
eine Etappe Grand Prix Midi Libre
Grand-Tour-Platzierungen
Weblinks
Official Tour de France results for Mariano Martínez
Einzelnachweise
Sportler (Burgos)
Radsportler (Frankreich)
Franzose
Geboren 1948
Mann | 45,214 |
https://stackoverflow.com/questions/15042752 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | Jerome, codeMagic, https://stackoverflow.com/users/1380752, https://stackoverflow.com/users/2000776 | English | Spoken | 693 | 1,369 | saving a button's state
Anyone knows how to save a button's state? I want to enable a button which will be enabled permanently based on certain condition, it should remain enabled even the user exits the application. I already did the enabling of the button. Now how can I save it to make it enabled all through out?
I am setting it enable this way. I am using putExtra on the other class to set a button enable.
Button page2 = (Button) findViewById(R.id.button2);
Intent intent2=getIntent();
String isEnabled2 = intent2.getStringExtra("isEnabled2");
if(isEnabled2==null||isEnabled2.equals("disabled")){
page2.setEnabled(false);
}
else{
page2.setEnabled(true);
}
page2.setOnClickListener(new View.OnClickListener() {
public void onClick(View view) {
Intent myIntent = new Intent(view.getContext(), p3.class);
startActivityForResult(myIntent, 0);
}
});
EDIT
Button page2 = (Button) findViewById(R.id.button2);
Intent intent2=getIntent();
String isEnabled2 = intent2.getStringExtra("isEnabled2");
if(isEnabled2==null||isEnabled2.equals("disabled")){
page2.setEnabled(false);
}
else
{
page2.setEnabled(true);
SharedPreferences preferences = PreferenceManager.getDefaultSharedPreferences(Enable.this);
SharedPreferences.Editor editor = preferences.edit();
editor.putBoolean("Name",true); //name is the key so may use a username or whatever you want
editor.commit();
}
SharedPreferences preferences = PreferenceManager.getDefaultSharedPreferences(this);
boolean btnEnabled = preferences.getBoolean("Name",false); //false because you probably want that as your default value
if(btnEnabled)
{
page2.setEnabled(true);
}
page2.setOnClickListener(new View.OnClickListener() {
public void onClick(View view) {
Intent myIntent = new Intent(view.getContext(), p3.class);
startActivityForResult(myIntent, 0);
}
});
You can save the state in Shared Preferences then check against the value when the user open the app. Another option would be to store it in SQLite DB if you have a lot of other data that needs to be stored for the user
There are tons of examples on using Shared Prefs so instead of writing another example here is a good one on SO
Shared Prefs Example
Example
if(isEnabled2==null||isEnabled2.equals("disabled")){
page2.setEnabled(false);
}
else{
page2.setEnabled(true);
//create an editor and put your value in there
SharedPreferences preferences = PreferenceManager.getDefaultSharedPreferences(YourActivity.this);
SharedPreferences.Editor editor = preferences.edit();
editor.putBoolean("Name",true); //name is the key so may use a username or whatever you want
editor.commit();
}
Then when you want to retrieve this value
SharedPreferences preferences = PreferenceManager.getDefaultSharedPreferences(this);
boolean btnEnabled = preferences.getBoolean("Name",false); //false because you probably want that as your default value
if(btnEnabled)
{
page2.setEnabled(true);
}
Something like this should work. I haven't checked it but it should get you going
Edit
To have it enabled to begin, in xml:
android:clickable="false"
or programmatically set it in onCreate() before checking shared prefs
page2.setEnabled(false);
so after the line page2.setEnabled(true) I will put a code that will save it from sharedpreference?
That's what I would do. But you have several options. If you only want to save if its try then yes. If you want to save either way, then create a flag in that function and set it to true or false in your if/else Hope this makes sense
I don't understand I'm a newbie in android
That's quite understandable but I need to know what exactly you don't understand. Have you tried to implement the code yet?
I tried the suggested code on this one but it only sets the button enabled but not saving its state http://stackoverflow.com/questions/14813738/setting-a-button-permanently-enabled
I have edited my answer with a short example. Hopefully something like that will get you started
I tried the code above but when I run the application, the button is already in enabled state. It should be disabled first and when I set it enabled, that's the time It should be set in enabled. and when I exit the app and reopen, it should still be in enabled state
A better way to save view and other types states would be via the onSavedInstanceState(Bundle state) method and restoring it through the onRestoreInstanceState(Bundle state) method. These both will need to be overriden.
the first method is where you save a state using the bundle state:
state.putString("A KEY ID", "KEY Value");
This is one example on how to save a string. You can save many different types such as boolean, bundles, serializable's etc. Just see whats available using 'state.put' and it should show you a list of methods you can use depending on your IDE.
Then you can restore the state from the second method, onRestoreInstanceState doing what you need to do with the information you have saved, such as, setting text on a view, or displaying the users saved name.
If you got any questions let me know
| 26,362 |
https://az.wikipedia.org/wiki/%22Az%C9%99rbaycan%20Respublikas%C4%B1%20S%C9%99f%C9%99rb%C9%99rlik%20v%C9%99%20H%C9%99rbi%20Xidm%C9%99t%C9%99%20%C3%87a%C4%9F%C4%B1r%C4%B1%C5%9F%20%C3%BCzr%C9%99%20D%C3%B6vl%C9%99t%20Xidm%C9%99tinin%2010%20illiyi%20%282012%E2%80%932022%29%22%20yubiley%20medal%C4%B1 | Wikipedia | Open Web | CC-By-SA | 2,023 | "Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" yubiley medalı | https://az.wikipedia.org/w/index.php?title="Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" yubiley medalı&action=history | Azerbaijani | Spoken | 594 | 2,191 | "Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" medalı — Azərbaycanın dövlət təltifi (medal). Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin qurulmasının 10 illiyi münasibətilə təsis edilmişdir.
Təsis edilməsi
"Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" medalı Azərbaycan Respublikasının 2020-ci il 6 oktyabr tarixli qanunu ilə təsis edilmişdir. Əsasnamədə deyilir:
Maddə 1. Təltif edilən şəxslər
"Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" Azərbaycan Respublikasının yubiley medalı ilə müvafiq icra hakimiyyəti orqanının müəyyən etdiyi orqanda (qurumda) həqiqi hərbi xidmət keçən və xidməti vəzifələrini nümunəvi yerinə yetirən zabitlər, gizirlər və müddətdən artıq həqiqi hərbi xidmət hərbi qulluqçuları, həmin orqandan (qurumdan) ehtiyata və ya istefaya buraxılmış hərbi qulluqçular, habelə həmin orqanda (qurumda) səmərəli fəaliyyət göstərən mülki işçilər və həmin orqanın (qurumun) fəaliyyətinin təşkilində və inkişafında xüsusi xidmətləri olan digər şəxslər təltif edilirlər.
Maddə 2. Təltif edən orqan
"Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" Azərbaycan Respublikasının yubiley medalı ilə bu Əsasnamənin 1-ci maddəsində göstərilən şəxsləri müvafiq icra hakimiyyəti orqanının müəyyən etdiyi orqan (qurum) təltif edir.
Maddə 3. Taxılma qaydası
"Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" Azərbaycan Respublikasının yubiley medalı döşün sol tərəfinə, Azərbaycan Respublikasının digər orden və medalları olduqda onlardan sonra taxılır.
Təsviri
Medalın təsviri Azərbaycan Respublikasının 2020-ci il 6 oktyabr tarixli Qanunu ilə təsdiq edilmişdir.
Maddə 1. Medalın ümumi təsviri
"Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin 10 illiyi (2012–2022)" Azərbaycan Respublikasının yubiley medalı (bundan sonra – medal) bürüncdən tökülmüş və qızıl suyuna çəkilmiş, diametri 36 mm olan dairəvi lövhədən ibarətdir.
Maddə 2. Medalın ön tərəfi
2.1. Medalın ön tərəfi xarici və daxili çevrələrlə konturlanmışdır.
2.2. Xarici və daxili konturların arasında yuxarı hissədə qövs boyunca "AZƏRBAYCAN RESPUBLİKASI" sözləri, aşağı hissədə qövs boyunca "SƏFƏRBƏRLİK VƏ HƏRBİ XİDMƏTƏ ÇAĞIRIŞ ÜZRƏ DÖVLƏT XİDMƏTİ" sözləri yazılmışdır. Yuxarı və aşağı hissələrdəki yazıların arasında hər birinin diametri 1,8 mm olan iki səkkizguşəli ulduz təsvir olunmuşdur.
2.3. Daxili çevrənin içərisində, sol tərəfdə üzəri Azərbaycan Respublikasının Dövlət Bayrağının rənglərinə uyğun minalarla örtülmüş aypara, ayparanın daxili çevrəsinin əhatə etdiyi səthin üzərində Azərbaycan Respublikası Səfərbərlik və Hərbi Xidmətə Çağırış üzrə Dövlət Xidmətinin emblemi həkk olunmuşdur. Emblemdən sol tərəfdə "2012", sağ tərəfdə "2022" rəqəmləri yazılmışdır. Emblemdən aşağı hissədə "10 il" sözləri qeyd edilmişdir.
2.4. Bütün yazılar, rəqəmlər və emblem relyefli olaraq qabarıqdır.
Maddə 3. Medalın arxa tərəfi
3.1. Medalın arxa tərəfi hamar səthlidir, mərkəzində qoşa xətlərlə konturlanmış, diametri 30 mm olan səkkizguşəli ulduz həkk olunmuşdur.
3.2. Ulduzun aşağı hissəsində medalın seriyası və nömrəsi yazılmışdır.
Maddə 4. Medalın elementləri
4.1. Medal paltara bərkidilmək üçün elementi olan, 37 mm x 50 mm ölçülü xara lentə 2 halqa və ilgək vasitəsilə birləşdirilir.
4.2. Xara lentin üzərində mərkəzdə 3 mm enində tünd göy rəngli, mərkəzdən sol və sağ kənarlara doğru ardıcıl olaraq, 4,5 mm enində mavi, 2.5 mm enində tünd göy, 2 mm enində qızılı və 8 mm enində tünd göy rəngli şaquli zolaqlar təsvir olunmuşdur.
4.3. Xara lentin yuxarı hissəsinə üzəri üfüqi zolaqlarla işlənmiş 40 mm x 5,5 mm ölçülü bürünc lövhə bərkidilmişdir.
4.4. Xara lentin aşağı hissəsinə üzərində yuxarıdan aşağıya doğru kiçilən üfüqi zolaqlar təsvir olunmuş, 40 mm x 5 mm ölçülü bürünc lövhə bərkidilmişdir. Lövhənin mərkəzində, üfüqi zolaqların üzərində, sol və sağ tərəflərdən palıd çələngləri ilə əhatə olunmuş səkkizguşəli ulduz həkk olunmuşdur.
4.5. Üfüqi zolaqlar, səkkizguşəli ulduz və palıd çələngləri relyefli olaraq qabarıqdır.
4.6. Medala paltarın yaxasına bərkidilmək üçün elementi olan, eyni xara lentdən üz çəkilmiş 37 mm x 10 mm ölçülü qəlib əlavə edilir.
İstinadlar
6 oktyabrda yarananlar
2020-ci ildə yarananlar
Azərbaycan medalları | 49,066 |
https://it.wikipedia.org/wiki/Paolo%20Zazzaroni | Wikipedia | Open Web | CC-By-SA | 2,023 | Paolo Zazzaroni | https://it.wikipedia.org/w/index.php?title=Paolo Zazzaroni&action=history | Italian | Spoken | 266 | 574 |
Biografia
Ignote le date di nascita e di morte. La Biblioteca Aprosiana di Cornelio Aspasio Antivigilmi (pseudonimo di Lodovico/Angelico Aprosio) lo indica vivente nel 1673, ma il termine più tardo è il 1691, quando lo Zazzaroni chiude la sua carriera di cancelliere del Comune di Verona, iniziata nel 1649.
Compì studi legali all’università di Padova. Fu poi a Parma, dove divenne discepolo dell’Achillini. Rientrato a Verona, divenne segretario del “maggiore e minor Consiglio cittadino”. Il 25 febbraio 1650, entrò nella locale Accademia Filarmonica, nei cui registri è appunto indicato con la carica di “segretario”. Fu inoltre membro dell’accademia veneziana degli Incogniti, ed ebbe, in particolare, contatti con il suo fondatore, Giovan Francesco Loredan. L'abate Filippo Picinelli lo definisce “nobil poeta”.
Opere
Allo Zazzaroni si deve una raccolta di versi intitolata, con gusto squisitamente barocco, Giardino di poesie, distinto in Mirti, Viole, Rose, Allori, Cipressi, Spine, coltivato da Paolo Zazzaroni e stampata in 8o a Verona, da Bartolomeo Merlo, nel 1641 (talora indicata erroneamente come Giardino poetico, ecc.). Sappiamo inoltre che nel 1647 lo Zazzaroni lavorava a un “settimo compartimento” del Giardino, intitolato “Palme”, e stava approntando, sul celebre modello mariniano, una “Galeria di statue de’ più famosi eroi nell’armi e nelle lettere”.
Due suoi brevi racconti in prosa sono contenuti in Cento novelle amorose dei signori accademici Incogniti (Venezia, Guerigli, 1651; il nome è indicato erroneamente in "Paolo Lazzaroni", ma correttamente nell'indice).
Nel suo ruolo di cancelliere, lo Zazzaroni compilò il secondo volume dei Municipalia decreta veronesi, relativo al periodo 1662-1670.
Un testo esemplificativo
Note
Altri progetti
Collegamenti esterni
Marinisti
Poeti barocchi
Scrittori del XVII secolo | 22,325 |
https://fa.wikipedia.org/wiki/%D9%87%D8%B1%D8%A8%20%D9%85%DA%A9%E2%80%8C%DA%A9%D9%86%D9%84%DB%8C | Wikipedia | Open Web | CC-By-SA | 2,023 | هرب مککنلی | https://fa.wikipedia.org/w/index.php?title=هرب مککنلی&action=history | Persian | Spoken | 153 | 489 | هرب مککنلی (؛ ۱۰ ژوئیه ۱۹۲۲ – ۲۶ نوامبر ۲۰۰۷) دونده اهل جامائیکا بود.
وی در مسابقات کشوری و بینالمللی در مجموع برندهٔ ۳ مدال طلا، ۴ مدال نقره، ۳ مدال برنز شدهاست.
منابع
اهالی کلارندون پریش، جامائیکا
برندگان مدال طلا المپیک اهل جامائیکا
برندگان مدال طلا المپیک در دو و میدانی
برندگان مدال نقره المپیک اهل جامائیکا
برندگان مدال نقره المپیک در دو و میدانی
برندگان مدالهای المپیک تابستانی ۱۹۴۸
برندگان مدالهای المپیک تابستانی ۱۹۵۲
درگذشتگان ۲۰۰۷ (میلادی)
دور از وطنهای اهل جامائیکا در ایالات متحده آمریکا
دوندگان دو سرعت مرد اهل جامائیکا
رکوردداران سابق جهان در دو و میدانی
زادگان ۱۹۲۲ (میلادی)
مدالآوران بازیهای پان امریکن در ورزشهای دو و میدانی
مدالآوران برنز بازیهای پان امریکن اهل جامائیکا
ورزشکاران دو و میدانی بازیهای المپیک جامائیکا
ورزشکاران دو و میدانی در المپیک تابستانی ۱۹۵۲
ورزشکاران دو و میدانی در بازیهای المپیک تابستانی ۱۹۴۸
ورزشکاران دو و میدانی در بازیهای پان امریکن ۱۹۵۱ | 25,259 |
https://stackoverflow.com/questions/17747321 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | Lamps1829, Schorsch, TheExorcist, https://stackoverflow.com/users/1725303, https://stackoverflow.com/users/2043505, https://stackoverflow.com/users/7050515 | English | Spoken | 265 | 569 | preventing x axis labels from getting chopped in matplotlib/pyplot
With sufficient rotation, the labels of my bar chart's columns get chopped off. Here's an example that should illustrate what happens:
import matplotlib.pyplot as plt
x = [1,2,3]
y = [2,3,4]
s = ['long_label_000000000','long_label_000000001','long_label_000000002']
plt.bar(x,y)
plt.xticks(range(len(s)),s, rotation=90)
plt.show()
I know that doing the following will cause the graphs to be adjusted automatically in accordance with the canvas size:
from matplotlib import rcParams
rcParams.update({'figure.autolayout':True})
However, this adjusts the height of the graph to accommodate the labels (including producing a squashed-looking graph if the labels are large enough), and I'd rather maintain uniform graph dimensions.
Can anyone recommend a way to just extend the bottom of the canvas if the labels are getting chopped? Thanks.
You can control your figure size using figsize=(w,h) when initializing a figure. In addtion you can manually control your axis location with a subplot and subplots_adjust:
w = 12 # width in inch
h = 12 # height in inch
fig = plt.figure(figsize=(w,h))
ax = fig.add_subplot(111)
plt.subplots_adjust(bottom=0.25)
x = [1,2,3]
y = [2,3,4]
s = ['long_label_000000000','long_label_000000001','long_label_000000002']
ax.bar(x,y)
ax.set_xticks(range(len(s)))
ax.set_xticklabels(s,rotation=90)
plt.show()
without the "rcParams.update({'figure.autolayout':True})" line, this results in labels getting chopped as before. With the line, the graph is getting squashed, as before.
@Lamps1829 see my edit. If that is too much manual involvement, I am - unfortunately - out of ideas.
@Schorsh: thanks - the adjust_bottom() part is a nice idea. It would be ideal if it could be combined with something that detects if the text is being chopped, but I find this preferable to the rcParams solution.
This is perfect solution.
| 44,388 |
https://wuu.wikipedia.org/wiki/%E4%BA%B2%E5%AF%86%E5%85%B3%E7%B3%BB | Wikipedia | Open Web | CC-By-SA | 2,023 | 亲密关系 | https://wuu.wikipedia.org/w/index.php?title=亲密关系&action=history | Wu Chinese | Spoken | 2 | 155 | 亲密关系是人际关系个一种。渠有如下几个特点：持久个行为相互依存、经常个相互作用、情感依恋、需要精神上个满足感。
亲密关系拉人类个生活经历方面占有举足轻重个地位。人类与生俱来地具有一种归属感搭去爱别人个需要，而当迭些需要被满足辰光，亲密关系就形成了。 | 16,664 |
https://fr.wikipedia.org/wiki/Claude%20Jeancolas | Wikipedia | Open Web | CC-By-SA | 2,023 | Claude Jeancolas | https://fr.wikipedia.org/w/index.php?title=Claude Jeancolas&action=history | French | Spoken | 1,052 | 1,831 | Claude Jeancolas, né le à Nancy et mort le dans le , est un écrivain, historien d’art et journaliste français. Il s’est surtout illustré par la publication de dix-neuf ouvrages sur Arthur Rimbaud, certainement l’auteur le plus prolifique sur le sujet et qui défend une vision originale, très humaine du poète, porteur de nos rêves, sujet à nos doutes, confronté à l’échec.
Biographie
Il a passé toute son enfance et son adolescence à Nancy. À 16 ans, après avoir obtenu le baccalauréat il gagne Paris pour poursuivre ses études en classe préparatoire aux grandes écoles. Il intègre l’École Supérieure de Commerce de Paris (ESCP). Il est aussi diplômé de la Business School de l'University of Texas, où il poursuit ses études, auteur alors d’une thèse sur la gestion de la presse américaine. Il étudie aussi dans d'autres universités américaines dont UCLA, Stanford University, University of California (Berkeley), San Francisco State University, School of Journalism (Columbia Missouri), Columbia University (New-York)… Dès lors il partagea son temps entre la presse et l’écriture.
L’homme de presse
Il débuta comme chef du service d’analyse financière de l’hebdomadaire Entreprise, puis il créa deux revues de management : Enseignement et gestion et la Revue Française de Gestion. Il prit ensuite la direction du mensuel d’avant-garde Mode international. Quelques années plus tard il dirigeait les revues Collections, Décoration, et Mariages. Il rejoignit Votre Beauté, revue qu’avait dirigé en ses débuts, François Mitterrand. Il rejoignit ensuite le groupe Hachette aujourd’hui Lagardère comme éditeur international de Elle (quatre éditions lancées dans le monde) et Elle Décoration (14 éditions créées dans le monde). Il y lança aussi Cousteau Junior et Max. Il a été directeur des revues Marie Claire Maison et Home à Milan jusqu'en 2012, puis il devint conseiller indépendant.
L’historien d’art
Cet intérêt pour l’art naquit de sa rencontre avec le sculpteur Edmond Moirignot en 1969, dont il devint un familier, puis le tuteur à la fin de sa vie et dont il fut l’exécuteur testamentaire. Il publia en 1987 une monographie sur le sculpteur Jean-Baptiste Carpeaux. Devaient suivre des études approfondies sur l’histoire de la sculpture et du dessin français. Plus récemment, il publia des ouvrages de fonds sur les Nabis et les Fauves, c’est-à-dire ces écoles qui au tournant du siècle firent, après les Impressionnistes, basculer l’art dans la modernité.
Amateur de Rimbaud
C’est sous le titre que Raphaël Sorin dans L'Express le présenta lors de la sortie en 1991 de son Dictionnaire Rimbaud. Une vocation tardive pourtant : à la suite d'un éditorial dans la revue Max qu’il dirigeait et où il avait repris une citation d’Arthur à son professeur Izambard, « Vous finirez comme un satisfait qui n'a rien fait, n'ayant rien voulu faire de votre vie », il reçut tant de courrier qu’il décida d’approfondir le sujet, publiant régulièrement ses découvertes. Sa vision de Rimbaud est très éloignée des clichés habituels du poète maudit. Pour lui, le poète est trop intelligent (le meilleur de sa classe) pour être incohérent. Ses poèmes ont toujours un sens, une logique, une mission. Rimbaud est un volontaire, obstiné. Il s’abandonne totalement à la poésie car il est certain qu’elle peut changer la vie. La Saison en enfer qui est une quête du salut, est aussi un essai d’écriture d’une nouvelle bible des temps modernes. La poésie n’est donc pas un but, mais un moyen, un outil au service d’un idéal très spirituel et humaniste. Aussi quand il se trouve persuadé de son inefficacité, car elle est trop lente à ses espérances, il la rejette et passe à autre chose. La vision de Claude Jeancolas est très humaine et son Rimbaud avec ses rêves, ses doutes, ses colères, ses découragements et ses échecs se trouve proche des lecteurs, ce qui explique le succès des publications de ce biographe auprès du grand public. Il a aussi, dans une biographie magistrale de Vitalie Rimbaud, réhabilité cette mère si décriée, démontrant l’amour fou qui l’attachait à ce fils préféré et en sens inverse la nécessité de cette mère pour que Rimbaud fût le génie que l’on connaît.
Claude Jeancolas a constitué une collection d'objets autour d'Arthur Rimbaud (principalement des éditions rares mais aussi des représentations du poète par divers artistes) qui a été dispersée aux enchères quelques mois après son décès.
Publications
Moirignot., Éditions du Saint-Gothard, Paris, 1985
Carpeaux peintre et sculpteur, Edita, Lausanne, 1987
La Sculpture italienne du , Éditions Van Wilder, Paris, 1991
Les Voyages de Rimbaud, Balland, Paris, 1991
Le Dictionnaire Rimbaud, Balland, Paris, 1991
La Sculpture française, Fabbri, Milan, 1993.
1995
Le Dessin en France de la renaissance au . Rizzoli. Milan.
1996
L’œuvre intégrale manuscrite de Rimbaud. Textuel. Paris
1997
Le Don du père. Flammarion. Paris
Les Lettres manuscrites de Rimbaud. Textuel. Paris
1998
Lettres et poèmes de Rimbaud. L’auberge verte. Paris
Une saison en enfer de Rimbaud. Hachette. Paris
Passion Rimbaud. Textuel. Paris
1999
Poésies de Rimbaud. Éditions mille et une nuits. Paris
Rimbaud, la biographie. Flammarion. Paris
Venise et ses peintres. Une histoire intime. Éditions Van Wilder. Paris
L’Afrique de Rimbaud. Textuel. Paris
2000
Rimbaud, l’œuvre. Textuel. Paris
2002
La Peinture des Nabis. Éditions fvw. Paris
2004
Vitalie Rimbaud. Pour l’amour d’un fils, Paris, Flammarion, coll. "Grandes Biographies"
Rimbaud après Rimbaud, anthologie. Textuel. Paris
2005
Rimbaud, l'œuvre, la vie. Éditions France Loisirs
2006
Les Fauves, couleurs et lumières. Éditions FVW. Paris
Moirignot, la vie, l’œuvre, le catalogue raisonné. Éditions FVW. Paris
2007
Le regard bleu d’Arthur Rimbaud. Éditions FVW. Paris
2008 en collaboration
Fierté de fer avec Joël Alessandra et Idriss Youssouf Elmi. Éditions Paquet. Genève
L’Aube du monde avec Thibaut et Pascal Villecroix, Amina Saïd Chiré - FVW. Paris
2008
Le Retour à Tadjoura – l'Afrique secrète de Jean-François Deniau – FVW. Paris
2010
Rimbaudmania. L'éternité d'une icône. Éditions Textuel. Paris
2012
Les Manuscrits de Rimbaud. Textuel. Paris
Le Nouveau dictionnaire Rimbaud. FVW édition. Paris
2014
Rimbaud l'Africain. Textuel. Paris
Le Groupe des Batignolles. FVW édition . Paris
Plusieurs de ces ouvrages ont été traduits en allemand, coréen, japonais et anglais.
Notes et références
Liens externes
Naissance en juin 1949
Naissance à Nancy
Écrivain français du XXe siècle
Écrivain français du XXIe siècle
Journaliste français du XXe siècle
Arthur Rimbaud
Élève de l'ESCP Business School
Décès en février 2016
Décès à 66 ans
Mort d'un cancer en France
Décès dans le 13e arrondissement de Paris | 30,556 |
https://stackoverflow.com/questions/52718411 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | English | Spoken | 280 | 700 | How to prevent the observables from getting terminated
let loadNextPageTrigger = PublishSubject<Void>()
let loading = Variable<Bool>(false)
let nextPageRequest = loading.asObservable()
.sample(loadNextPageTrigger)
.flatMap { [unowned self] loading -> Observable<Int> in
if (loading || self.pageStatus != true || self.netStatus != true) {
return Observable.empty()
}
else
{
return Observable<Int>.create
{ [unowned self] observer in
print("self.pageIndex called",self.offset)
self.offset += 20
observer.onNext(self.offset)
observer.onCompleted()
return Disposables.create()
}
}
}
on returning obervable.empty() it terminates the Observable.
You need to manage your code using singleton.That keeps observable which will live throughout app. use from singleton class
You could just avoid returning an observable in that situation:
let nextPageRequest = loading.asObservable()
.sample(loadNextPageTrigger)
.flatMap { [unowned self] loading -> Observable<Int> in
return Observable<Int>.create { [unowned self] observer in
print("self.pageIndex called",self.offset)
self.offset += 20
observer.onNext(self.offset)
observer.onCompleted()
return Disposables.create()
}
}
Also if you need the status of that expression you could pass it as well:
let nextPageRequest = loading.asObservable()
.sample(loadNextPageTrigger)
.flatMap { [unowned self] loading -> Observable<(Bool, Int)> in
return Observable<(Bool, Int)>.create { [unowned self] observer in
print("self.pageIndex called",self.offset)
self.offset += 20
let status = loading || self.pageStatus != true || self.netStatus != true
observer.onNext(status, self.offset)
observer.onCompleted()
return Disposables.create()
}
}
Variable is deprecated as per RxSwift v4.x
When something terminates unexpectedly in iOS, usually it is because it gets deallocated. If you are using DI such as Swinject, declare class containing your observable with container scope: 'container.register(MyClass.self) { _ in MyClass() }.inObjectScope(.container)'
The problem you are having has nothing to do with the code you posted. A flatMap will not allow a .completed event to escape it and that's all the empty() constructor emits.
In other words, returning an .empty() is not the reason your observable is terminating.
| 22,915 | |
https://stackoverflow.com/questions/40430823 | StackExchange | Open Web | CC-By-SA | 2,016 | Stack Exchange | Shane, https://stackoverflow.com/users/6641060 | English | Spoken | 254 | 495 | How do I preserve the order of the dependencies?
I have the following code that opens files in a directory, runs spaCy NLP on them, and the outputs dependency parse info into a file in a new directory.
import spacy, os
nlp = spacy.load('en')
path1 = 'C:/Path/to/my/input'
path2 = '../output'
for file in os.listdir(path1):
with open(file, encoding='utf-8') as text:
txt = text.read()
doc = nlp(txt)
for sent in doc.sents:
f = open(path2 + '/' + file, 'a+')
for token in sent:
f.write(file + '\t' + str(token.dep_) + '\t' + str(token.head) + '\t' + str(token.right_edge) + '\n')
f.close()
The trouble is that this won't preserver the order of the dependencies in the output file. I can't seem to find any references to character positions in the API documentation.
The character index is at token.idx. The word index is at token.i. I know this isn't particularly intuitive.
Tokens also compare by position, so you could do:
for child in sent:
word1, word2 = sorted((child, child.head))
This would get you each dependency arc, arranged in document order. I'm not sure what you're trying to do with the right edge there, though, so I'm not sure if this does quite what you want.
Thank you syllogism_! This worked nicely. I ended up with the following: for child in sent: head = child.head head_pos = child.head.tag_ const = child const_pos = child.tag_ f.write(file + '\t' + str(child.idx) + '\t' + str(child.dep_) + '\t' + str(head) + '\t' + str(head_pos) + '\t' + str(const) + '\t' + str(const_pos) + '\n')
| 23,964 |
https://ka.wikipedia.org/wiki/%E1%83%9B%E1%83%A1%E1%83%9D%E1%83%A4%E1%83%9A%E1%83%98%E1%83%9D%20%E1%83%9B%E1%83%A3%E1%83%96%E1%83%94%E1%83%A3%E1%83%9B%E1%83%98 | Wikipedia | Open Web | CC-By-SA | 2,023 | მსოფლიო მუზეუმი | https://ka.wikipedia.org/w/index.php?title=მსოფლიო მუზეუმი&action=history | Georgian | Spoken | 1,126 | 7,104 | მსოფლიო მუზეუმი — დიდი მუზეუმი ლივერპულში, ინგლისში, რომელსაც აქვს ვრცელი კოლექციები არქეოლოგიის, ეთნოლოგიის, ბუნებრივი და ფიზიკური მეცნიერებების შესახებ. განსაკუთრებული ღირსშესანიშნაობები მოიცავს, ბუნების ისტორიის ცენტრს და პლანეტარიუმს. მუზეუმში შესვლა უფასოა. იგი ლივერპულის ეროვნული მუზეუმების ნაწილია.
ისტორია
მუზეუმი თავდაპირველად შეიქმნა როგორც დერბის მუზეუმი, რადგან იგი შედიოდა დერბის XIII გრაფის ბუნებრივი ისტორიის კოლექციაში. ის გაიხსნა 1851 წელს, გაიზიარა ორი ოთახი დიუკის ქუჩაზე ბიბლიოთეკით. მუზეუმი უკიდურესად პოპულარული იყო და საჭირო გახდა დანიშნულებისამებრ აშენებულიყო შენობა.
მიწა ახალი შენობისთვის, ახლანდელი უილიამ ბრაუნის ქუჩაზე, წმინდა გიორგის დარბაზის მოპირდაპირედ, ადგილობრივმა დეპუტატმა და ვაჭარმა უილიამ ბრაუნმა შესწირა, ისევე როგორც შენობის დაფინანსების დიდი ნაწილი, რომელიც ცნობილი იქნებოდა როგორც უილიამ ბრაუნის ბიბლიოთეკა და მუზეუმი. დაახლოებით 400 000 ადამიანი დაესწრო ახალი შენობის გახსნას, 1860 წელს. თავად მუზეუმს ეწოდა ლივერპულის მუზეუმი.
XIX საუკუნის ბოლოს, მუზეუმის კოლექციამ დაიწყო თავისი შენობის გადალახვა, ამიტომ დაიწყო კონკურსი მუზეუმისა და ტექნოლოგიური კოლეჯის კომბინირებული გაფართოების შესაქმნელად. კონკურსი გაიმარჯვა ედუარდ უილიამ მაუნტფორდმა, ტექნოლოგიისა და მუზეუმის გაფართოების კოლეჯი გაიხსნა 1901 წელს.
ლივერპული, როგორც გაერთიანებული სამეფოს ერთ-ერთი მთავარი პორტი, ძლიერ დაზიანდა გერმანიის დაბომბვის შედეგად ბლიცის დროს. მიუხედავად იმისა, რომ ომის დროს მუზეუმის კოლექციის დიდი ნაწილი გადაიტანეს ნაკლებად დაუცველ ადგილებში, მუზეუმის შენობამ, მაინც განიცადა მძიმე დაზიანება გერმანული ბომბების დაარტყმის შედეგად. მუზეუმის ნაწილმა მხოლოდ თხუთმეტი წლის შემდეგ დაიწყო ხელახალი გახსნა. 1941 წელს განადგურებული ერთ-ერთი ექსპონატი იყო პატარა რაგუსა, 20 ფუტიანი ქალაქი, რომელმაც ორჯერ გადალახა ატლანტიკა, პირველად 1870 წელს, ხოლო მეორედ 1871 წელს, ორი ადამიანის ეკიპაჟით.
2005 წელს მუზეუმმა გაიარა 35 მილიონი ფუნტი სტერლინგი, რათა გაეორმაგებინა გამოფენის ადგილები და უფრო მეტი კოლექცია ხელმისაწვდომი ყოფილიყო ვიზიტორებისთვის. სამუშაოს ფარგლებში შეიქმნა ცენტრალური შესასვლელი დარბაზი და ექვსსართულიანი ატრიუმი. ძირითადი ახალი გალერეები მოიცავდა “World Cultures“, “Bug House“ და “Weston Discovery Center“. მუზეუმის გახსნისას სახელი კვლავ შეიცვალა და გახდა მსოფლიო მუზეუმი.
ექსპონატები
ასტრონომია, სივრცე და დრო
ცეცხლის გაჩენის შედეგად, განადგურების შემდეგ, მსოფლიო მუზეუმის ფიზიკურ მეცნიერებათა კოლექცია შეიქმნა, 1941 წელს. კოლექცია ნაწილობრივ გაფართოვდა დეკორატიული ხელოვნების დეპარტამენტის, რეგიონული ისტორიის დეპარტამენტის, უოკერის ხელოვნების გალერეისა და პრესკოტის მუზეუმის ტრანსფერების გამო. კოლექცია ასევე შეიცავს რამდენიმე მნიშვნელოვან კოლექციას, ლივერპულის სამეფო ინსტიტუტიდან, ბიდსტონის ობსერვატორიიდან, მოგვიანებით პრუდმენის ოკეანოგრაფიული მეცნიერებების ინსტიტუტიდან და ლივერპულის უნივერსიტეტის ფიზიკის განყოფილებიდან.
ასეთი კოლექციები ხშირად შედგება ცალკეული ტიპის ნივთებისაგან, რომლებიც შექმნილია კონკრეტული ექსპერიმენტისთვის, როგორიცაა “DELPHI“ ან “LEP CERN“ ბირთვული კვლევების ევროპული ორგანიზაცია, ან ეკვატორიუმი, პოსტკოპერნიკული პლანეტარული კალკულატორი, რომელიც დამზადებულია სპეციალური შეკვეთით, XVII საუკუნის დასაწყისში. შედეგად, კოლექცია მცირეა, მაგრამ შეიცავს უამრავ მნიშვნელოვან ნივთს.
პლანეტარიუმი
მსოფლიო მუზეუმი პლანეტარიუმის სახლია. პლანეტარიუმი გაიხსნა 1970 წელს და აქვს 62 ადგილი. ამჟამად ის იზიდავს დაახლოებით 90 000 ადამიანს წელიწადში. შოუები ფარავს კოსმოსური მეცნიერების სხვადასხვა ასპექტს, მათ შორის მზის სისტემას და კოსმოსის კვლევას. ასევე არის სპეციალური საბავშვო შოუები.
კაცობრიობის ისტორია
არქეოლოგია და ეგვიპტოლოგია
არქეოლოგიური კოლექცია მოიცავს უამრავ ბრიტანულ ობიექტს, მათ შორის ანგლოსაქსურ კინგსტონის გულსაბნეველს და ლიუდჰარდ მედალეტს, სხვა საგნებს კენტერბერი-სენტ მარტინის განძიდან.
ეგვიპტური სიძველეთა კოლექცია შეიცავს, დაახლოებით 15 000 ობიექტს ეგვიპტიდან და სუდანიდან, იგი არის სიძველეთა განყოფილების კოლექციების, ერთ-ერთი ყველაზე მნიშვნელოვანი კომპონენტი. კოლექციის ქრონოლოგიური დიაპაზონი ვრცელდება, პრეისტორიული პერიოდიდან, ისლამურ პერიოდამდე. უდიდესი არქეოლოგიური ძეგლების კოლექციებია აბიდოსი, ამარნა, ბენი ჰასანი, ესნა და მეროე.
1867 წელს, 5000-ზე მეტი ეგვიპტური სიძველე, მუზეუმს გადასცა ჯოზეფ მაიერმა (1803–1886), ადგილობრივმა ოქრომჭედელმა და ანტიკვარმა. მაიერმა შეიძინა კოლექციები ჯოზეფ სამს დარლინგტონისგან, ლორდ ვალენტიასგან, ბრამ ჰერცისგან, მეუფე ჰენრი სტობარტისა და მეუფე ბრაიან ფაუსეტის მემკვიდრეებისგან. მაიერმა თავისი კოლექცია ლივერპულში, საკუთარ “ეგვიპტურ მუზეუმში“ გამოაქვეყნა, რათა წარმოდგენა შეექმნა ეგვიპტური ცივილიზაციის მიღწევებზე,მათთვის ვინც ვერ შეძლეს ლონდონის ბრიტანული მუზეუმის მონახულება. ამ მნიშვნელოვანი შემოწირულობის საფუძველზე, სხვა ადამიანებმა დაიწყეს ეგვიპტური მასალის შეწირვა, ხოლო XIX საუკუნის ბოლო წლებში მუზეუმს ჰქონდა მნიშვნელოვანი კოლექცია, რომელიც ამელია ედვარდსმა აღწერა, როგორც ეგვიპტური სიძველეების ყველაზე მნიშვნელოვანი კოლექცია ინგლისში, ბრიტანული მუზეუმის შემდეგ.
მაიერის შემოწირულობის ხარისხი მაღალია და ასევე არის გამოჩენილი ნივთები, მაგრამ არის გამონაკლისი, მთელი კოლექცია დაუმტკიცებელია. კოლექცია სისტემატურად გაუმჯობესდა ეგვიპტეში გათხრების ხელმოწერით. სულ მუზეუმმა ჩაატარა ეგვიპტის საძიებო ფონდის, ეგვიპტის არქეოლოგიის ბრიტანული სკოლის და ეგვიპტური კვლევითი ანგარიშის მიერ ჩატარებული 25 გათხრა, რომლებიც ჩატარდა 1884-1914 წლებში. ლივერპულის უნივერსიტეტში, მნიშვნელოვანი კოლექციები მოვიდა ჯონ გარსტანგის გათხრების შედეგად,ჯონ გარსტანგი იყო ლივერპულის უნივერსიტეტის ეგვიპტური არქეოლოგიის საპატიო მკითხველი 1902–1907 წლებში, ხოლო არქეოლოგიის მეთოდებისა და პრაქტიკის პროფესორი 1907–1941 წლებში. მუზეუმს ყოველთვის ახლო ურთიერთობა ჰქონდა უნივერსიტეტთან. 1920-იანი წლების დასაწყისში პერსი ნიუბერმა, ეგვიპტოლოგიის პროფესორმა და მისმა მემკვიდრემ თ. ერიკ პიტმა დაარეგისტრირა კოლექცია, დაეხმარა ჩვენების გადაკეთებაში, შეაქმნევინა სახელმძღვანელო და გზამკვლევი ეგვიპტური კოლექციისათვის (პირველი გამოცემა, 1923 წელს).
1941 წლის მაისში, ლივერპულის ბლიცის სიმაღლეზე, ბომბი დაეცა მუზეუმს, რომელიც დაიწვა ჭურვიდან. ომის დაწყებისთანავე კოლექციის დიდი ნაწილი ამოღებულ იქნა, მაგრამ ბევრი დარჩა გამოფენაზე ან მაღაზიაში და მრავალი არტეფაქტი განადგურდა. რაც დარჩა, საკმაოდ მიუწვდომელი იყო და მხოლოდ 1976 წლამდე გაიხსნა, ეგვიპტის გადაკეთებულ მუზეუმში მუდმივი გალერეა. ომის შემდგომ მუზეუმმა აქტიურად გაზარდა კოლექცია ეგვიპტეში, სუდანში გათხრებიდან ახალი მასალების შეგროვებით და სხვა მუზეუმის კოლექციების შეძენით. 1947-1949 წლებში მასალა მეტროში გარსტანგის გათხრების შედეგად აღმოჩენილი იქნა და გადაცა მუზეუმს, ხოლო 1955 წელს, ლივერპულის უნივერსიტეტმა მუზეუმში განათავსა მნიშვნელოვანი კოლექციები, მათ შორის ბენი ჰასანისა და აბიდოსის მრავალი ნივთი. 1956 წელს, მუზეუმმა შეიძინა ნორივიჩის ციხის მუზეუმის თითქმის მთელი “არა ბრიტანული“ კოლექციები. ეს მოიცავდა “EARA“–ს ამოთხრილ მასალას ამარნიდან და სხვა ადგილებიდან, ბოტანიკური ნაშთები კაჰუნიდან და სერ ჰენრი რაიდერ ჰაგარდის პირადი კოლექცია. 1973 წელს, კოლექცია კიდევ უფრო გაიზარდა სერ ჰენრი ველკომის კოლექციის ნაწილის შეძენით და პოლკოვნიკ ჯ. დანსონის ანდერძით 1976 წელს, რომელიც მოიცავდა მეტ მასალას ამარნას და გარსტანგის გათხრების შედეგად, აბიდოსზე.
კოლექციის მდიდრულად ილუსტრირებული სახელმძღვანელო ხელმისაწვდომია: ნილოსის საჩუქრებში (ლონდონი: 1995 წელი).
“DCMS“–ის და ვოლფსონის ფონდის მუზეუმების და გალერეების გაუმჯობესების ფონდში, წარმატებული განაცხადის შემდეგ, მუზეუმმა გახსნა ეგვიპტის ახალი გალერეა, 2008 წლის აგვისტოში. უაღრესად პოპულარული მსოფლიო მუზეუმი ეგვიპტური გალერეის გაცოცხლებით, ახლა 30 წლისაა.
ეთნოლოგია
მსოფლიო მუზეუმის ეთნოლოგიური კოლექცია, ქვეყნის ექვს საუკეთესო კოლექციაში შედის. წარმოდგენილი ოთხი ძირითადი სფეროა: აფრიკა, ამერიკა, ოკეანია და აზია. გამოფენა მოიცავს ინტერაქტიული ჩვენებებს.
Ბუნებრივი ისტორია
ბიოლოგია და ზოოლოგია
ბუნებრივ სამყაროში შეგიძლიათ ნახოთ მრავალი ექსპონატი, მათ შორის მწერების ცოცხალი კოლონიები და ისტორიული ზოოლოგიური და ბოტანიკური ექსპონატები.
დერბის XIII გრაფმა დააარსა ორიგინალური მუზეუმი, 1851 წელს, ზოოლოგიური ნიმუშების დიდი შემოწირულობით, მათ შორის ბევრი იშვიათი “ტიპის“ ნიმუში, რომლებიც ემსახურებიან როგორც სახეობებს. ასევე არსებობს მუზეუმში დაცული რამდენიმე გადაშენებული სახეობის ნიმუში, მათ შორის ლივერპულის მტრედი, დიდი აუკი, ფოლკლენდის კუნძულების მგელი, სამხრეთ კუნძულის პიოპიო, ლორდ ჰოუ ჭაობი, დოდო, გრძელი კუდიანი თაგვი და თილაცინი. ბუნებრივი სამყაროს კიდევ ერთი ღირსშესანიშნაობაა სამხატვრო გალერეა, ბუნებრივი მხატვრის ედუარდ ლირის სურათებით.
მუზეუმის კოლექციები მას შემდეგ მნიშვნელოვნად გაიზარდა და ახლა ასევე შეიცავს მნიშვნელოვან ბოტანიკურ ნიმუშებს, რომლებიც დათარიღებულია 200 წელზე მეტი ხნით ადრე, რომლებიც წარმოადგენენ ბრიტანეთისა და ირლანდიის მშობლიური ფლორის უმეტესობას. დამთვალიერებლებს შეუძლიათ შეისწავლონ კოლექციები ახლოდან ჯილდოს მფლობელ “Clore Natural History Center“-ში, სადაც არის ინტერაქტიული ჩვენებები.
გეოლოგია
მსოფლიო მუზეუმის გეოლოგიური კოლექცია შეიცავს 40 000-ზე მეტ ნამარხს, აგრეთვე კლდეებისა და მინერალების ფართო კოლექციებს. თითოეული ეს ექსპონატი აჩვენებს ინფორმაციას პლანეტა დედამიწის წარმოშობის, სტრუქტურისა და ისტორიის შესახებ.
სახის ამოცნობის ტექნოლოგია
სახის ამოცნობის ტექნოლოგია, ფართოდ გავრცელებული ჩინეთში, გამოიყენეს ლივერპულის მსოფლიო მუზეუმში, ჩინეთის პირველი იმპერატორისა და ტერაკოტა მეომრების გამოფენის დროს. მუზეუმში აცხადებდნენ, რომ სკანირების მოწყობილობა, გამოყენებული იყო, ადგილობრივი პოლიციის რჩევით და არა ჩინელი კრედიტორების მიერ. განცხადებაში, “Big Brother Watch“–ის დირექტორმა, სილკი კარლომ თქვა, რომ „ავტორიტარული მეთვალყურეობის ინსტრუმენტი იშვიათად ჩანს ჩინეთის გარეთ.“ 2019 წელს საინფორმაციო კომისარმა, ელიზაბეტ დენჰემმა, დაიწყო გამოძიება ლონდონის კინგს ჯვრის მიდამოში სახის ამოცნობის პროგრამული უზრუნველყოფის გამოყენების შესახებ.
რესურსები ინტერნეტში
World Museum
Liverpool Planetarium
A feature on the museum from Liverpool's 'Nerve' magazine
სქოლიო
მუზეუმები
გაერთიანებული სამეფოს მუზეუმები
ინგლისის მუზეუმები
ლივერპულის მუზეუმები
1851 წელს დაარსებული მუზეუმები | 29,057 |
https://ms.wikipedia.org/wiki/Kampung%20Sungai%20Tok%20Tuntung | Wikipedia | Open Web | CC-By-SA | 2,023 | Kampung Sungai Tok Tuntung | https://ms.wikipedia.org/w/index.php?title=Kampung Sungai Tok Tuntung&action=history | Malay | Spoken | 55 | 147 | Kampung Sungai Tok Tuntung merupakan sebuah kampung yang terletak di Nibong Tebal, dalam negeri Pulau Pinang, iaitu sebuah negeri di Malaysia.
Kemudahan asas
Pendidikan
Tempat beribadat
Poskod
Poskod yang digunakan di Kampung Sungai Tok Tuntung, Nibong Tebal, Pulau Pinang ialah 14310.
Rujukan
Pautan luar
Lokasi Kampung Sungai Tok Tuntung di Peta Google
Sungai Tok Tuntung | 28,773 |
https://da.wikipedia.org/wiki/Marco%20P%C3%BCtz | Wikipedia | Open Web | CC-By-SA | 2,023 | Marco Pütz | https://da.wikipedia.org/w/index.php?title=Marco Pütz&action=history | Danish | Spoken | 220 | 514 | Marco Pütz (født 16. marts 1958 i Esch-sur-Alzette, Luxembourg) er en luxembourgsk komponist, professor, lærer, saxofonist og musikolog.
Pütz studerede komposition og saxofon på Musikkonservatorierne i Esch-sur-Alzette, Luxembourg by og Bruxelles, med endt diplomeksamen. Han har skrevet en symfoni, orkesterværker, kammermusik, koncertmusik, scenemusik, blæserværker, og stykker for mange instrumenter etc. Fra 1986 (siden 1980 som lektor) indtil 2018, var Pütz professor i saxofon, kammermusik og instrumentering ved Musikkonservatoriet i Luxembourg by. Han opnåede anerkendelse som komponist , da han vandt første prisen for sin komposition Kvartet for klarinetter (1987), ved International Clarinet Association Composition Contest i USA i 1995. Pütz har optrådt og indspillet plader som professionel saxofonist i forskellige sammenhænge og med Symfoniorkestre, og turneret Verden rundt.
Fra 1981 til 2006 var han fast tilknyttet som saxofonist ved Luxembourgs Filharmoniske Orkester, og var med på det store værker med saxofon deltagelse såsom feks. Ravels Bolero etc. Pütz var også det stiftende medlem af Luxembourg Saxofon kvartet (1982-2006).
Udvalgte værker
Symfoni nr. 1 (2022) - for orkester
Elegi (2009-2021) - for orkester
Pyrmontesisk gåde (1998) - for orkester
Stemninger (2013) - for orkester
Orgelkoncert (2015-2021) - for orgel og orkester
Kvartet (1987) - for klarinetter
Kvartet (1986) - for saxofoner
Septentrion (Nord) (1990) - for syv saxofoner
Strömungen (2014) - for orkester
Eksterne henvisninger
Komponister fra Luxembourg
Professorer
Lærere
Saxofonister | 14,396 |
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