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ART001794112
oai_dc
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด์•„ํŠธ๋ฅผ ํ†ตํ•œ ์žฅ์• ์ธ์˜ ๋ฌธํ™”์ ‘๊ทผ๊ถŒ ํ™•๋Œ€๊ฐ€๋Šฅ์„ฑ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ - ์ ์ž์˜ ํ˜•์ƒํ™” ์ž‘ํ’ˆ <trace of time>์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Expanded participation of the Impaired in Interactive Media Arts - Focused on <Trace of Time>, Braille Visualization Work-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘์ง€ํ˜„(์ˆญ์‹ค๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋ฏธ๋””์–ดํ•™๊ณผ); ์ •์žฌ์‹((์ฃผ) WISE automotive); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ ‘๊ทผ๊ถŒ์€ ์‚ถ์— ๋Œ€ํ•œ ๋ชจ๋“  ๋ฒ”์œ„๋ฅผ ์•„์šฐ๋ฅด๋ฉฐ ๊ด‘๋ฒ”์œ„ํ•œ ์ธ๊ฐ„์˜ ๊ถŒ๋ฆฌ๋ฅผ ์„ค๋ช…ํ•˜๋Š” ์šฉ์–ด์ด๋‹ค. ํ•˜์ง€๋งŒ ์•„์ง๊นŒ์ง€ ์ ‘๊ทผ๊ถŒ์— ๋Œ€ํ•œ ์ธ์‹์ด ๋งค์šฐ ๋ฏธ๋น„ํ•˜๋ฉฐ, ๋ฒ•๋ฅ ์ƒ ์„ธ ๊ฐ€์ง€(์ด๋™๊ถŒ, ์‹œ์„ค์ด์šฉ๊ถŒ, ์ •๋ณด์ ‘๊ทผ๊ถŒ)๋กœ ์ •์˜๋˜๊ณ  ์žˆ๋Š” ์žฅ์• ์ธ์˜ ์ ‘๊ทผ๊ถŒ์— ๊ด€ํ•œ ์—ฐ๊ตฌ์™€ ๋ฌธํ—Œ์˜ ๋Œ€๋ถ€๋ถ„์€ ์„ธ ๊ฐ€์ง€ ์ ‘๊ทผ๊ถŒ์— ์น˜์šฐ์น˜๊ณ  ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์žฅ์• ์ธ์˜ ๋ฌธํ™”์ ‘๊ทผ๊ถŒ์˜ ํ™•์žฅ์œผ๋กœ ์ •๋ณด์ ‘๊ทผ๊ถŒ, ์‹œ์„ค์ด์šฉ๊ถŒ, ์ด๋™๊ถŒ์˜ ๋ณด์žฅ์ด ๋น„์žฅ์• ์ธ๊ณผ ์žฅ์• ์ธ์˜ ์‚ถ ์†์—์„œ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ๋ฐฉ์•ˆ์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. ์—ฐ๊ตฌ์ž๋Š” ๋น„์žฅ์• ์ธ๊ณผ ์žฅ์• ์ธ์ด ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๊ต๋ฅ˜ํ•  ์ˆ˜ ์žˆ๋Š” ๋ฌธํ™”์˜ ์žฅ์˜ ๋งˆ๋ จ์— ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด์•„ํŠธ๊ฐ€ ํšจ๊ณผ์ ์ธ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.3.129
kci_detailed_000016.xml
ART001794090
oai_dc
์–ธ์–ด ์ด๋ฏธ์ง€์™€ ์‹œ๊ฐ์˜ˆ์ˆ ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์—ฐ๊ตฌ ์ž‘ํ’ˆ ใ€ˆVielheitใ€‰ ์—ฐ์ž‘์˜ ์ด๋ฏธ์ง€์˜ ํ˜•์„ฑ๊ณผ ์˜๋ฏธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A study on a verbal image and visual arts - centering on the formation and significance of an image in the consecutive work of the research workใ€ˆVielheit(multiplicity)ใ€‰-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์€์ง„(ํ™์ต๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ๊ฐ€๋Š” ๋‚ด๋ฉด์˜ ์„ธ๊ณ„๋ฅผ ์‚ฌํšŒ์ ์œผ๋กœ ํ‘œ์ถœํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์„ ํƒํ•˜์ง€๋งŒ, ๊ทธ ๋‚ด๋ฉด ์„ธ๊ณ„๋Š” ์–ธ์–ด์ฒด๊ณ„๋กœ ์˜จ์ „ํžˆ ํ‘œํ˜„๋  ์ˆ˜ ์—†๋Š” ์‹ค์žฌ์ด๊ธฐ ๋•Œ๋ฌธ์— ์™„์ „ํ•œ ์˜๋ฏธ ์ „๋‹ฌ์€ ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์—†๋‹ค. ์ฆ‰ ์–ธ์–ด์ฒด๊ณ„๊ฐ€ ์ž์˜์„ฑ(ๆฃๆ„ๆ€ง)์— ์˜ํ•ด ํ˜•์„ฑ๋˜์–ด ์žˆ๊ณ , ์–ด๋–ค ๋Œ€์ƒ์— ๋Œ€ํ•œ ๋‹จํŽธ์  ์ •๋ณด๋ฅผ ๊ธฐํ‘œํ™”ํ•˜์—ฌ ์ผ๋ฐ˜ํ™”์‹œํ‚ด์œผ๋กœ ๊ทธ ๋Œ€์ƒ์˜ ์ด์ฒด์  ์˜๋ฏธ๋Š” ๊ธฐํ‘œํ™”๋œ ๋‹จํŽธ์  ์˜๋ฏธ ๋’ค๋กœ ์‚ฌ๋ผ์ ธ๋ฒ„๋ฆฌ๊ฒŒ ๋˜๋Š” ๊ฒƒ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ƒ์‹คํ•œ ๋ถ€๋ถ„์€ ๊ฒฐ์—ฌ(็ผบๅฆ‚)์— ๋Œ€ํ•œ ์š•๋ง์„ ์ž๊ทนํ•˜๋ฉฐ ๋ฌด์˜์‹์œผ๋กœ ์ž”์กด(ๆฎ˜ๅญ˜)ํ•˜๊ฒŒ ๋œ๋‹ค. ๋”ฐ๋ผ์„œ ์‹ค์žฌ์ธ ์ž‘๊ฐ€ ๋‚ด๋ฉด์— ๋Œ€ํ•œ ์ž‘๊ฐ€์˜ ์˜๋„๋ฅผ ์ƒ๊ฐํ•˜๋Š” ์ˆœ๊ฐ„ ๊ทธ ์ƒ๊ฐ ์ž์ฒด๋ฅผ ์–ธ์–ด๋กœ ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ฒฐ์—ฌ๊ฐ€ ๋ฐœ์ƒํ•˜๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.3.31
kci_detailed_000016.xml
ART001794107
oai_dc
๋™์–‘ ์‚ฐ์ˆ˜ํ™”๋ก ์„ ํ†ตํ•ด ๋ณธ ๋ฏธ๋””์–ด์•„ํŠธ ์—ฐ๊ตฌ
Study on media art in oriental Aesthetics
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์Šน์šฐ(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
์‹œ๊ฐ ๊ธฐ๋ฒ•์„ ํ‘œํ˜„ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์„œ์–‘์˜ ๊ฒƒ๋ฟ ์•„๋‹ˆ๋ผ ๋‹ค์–‘ํ•œ ์‹œ์ ์—์„œ์˜ ๊ด€์ฐฐ์ด ํ•„์š”ํ•˜๋‹ค. ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ๊ธฐ์กด์˜ ๋ฏธ๋””์–ด์•„ํŠธ ์ž‘ํ’ˆ์„ ๋™์–‘๋ฏธํ•™์  ๊ด€์ ์—์„œ ๋ฐ”๋ผ๋ณด์•„ ๋ฏธ๋””์–ด์•„ํŠธ์˜ ์ƒˆ๋กœ์šด ์˜๋ฏธ์™€ ๋‚˜์•„๊ฐˆ ๊ธธ์— ๋Œ€ํ•˜์—ฌ ๋…ผํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋™์–‘๋ฏธํ•™ ์ค‘์—์„œ๋„ ๋™์–‘ ์‚ฐ์ˆ˜ํ™”๋ก ์—์„œ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•œ ์‚ผ์›๋ฒ•๊ณผ ๋™์–‘ ์‚ฐ์ˆ˜ํ™”๋ก  ์‚ฌ์ƒ์ธ ์™€์œ ์— ๋Œ€ํ•˜์—ฌ ์•Œ์•„๋ณด๊ณ  ๊ทธ ์‚ฌ์ƒ์„ ๊ฐ–๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด์•„ํŠธ์ž‘ํ’ˆ์— ๋Œ€ํ•ด์„œ ์•Œ์•„๋ณด์•˜๋‹ค. ๋‹จ์ˆœํžˆ ์ด๋Ÿฐ ์‚ฌ์ƒ์„ ๊ฐ–๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด์•„ํŠธ ์ž‘ํ’ˆ์˜ ์กฐ์‚ฌ๋กœ ๋๋‚˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๋ฏธ๋””์–ด์•„ํŠธ ์ž‘ํ’ˆ ๊ฐ์ƒ์— ์žˆ์–ด์„œ ๋‹ค์–‘ํ•œ ๊ด€์ ์œผ๋กœ ๋ณด๋Š” ๊ฒƒ์ด ๊ด€๊ฐ์ด๋‚˜ ๋‹ค๋ฅธ ์ž‘ํ’ˆ์„ ๊ณต๋ถ€ํ•˜๋Š” ์ž‘๊ฐ€์—๊ฒŒ๋„ ํ•„์š”ํ•˜๋‹ค๋Š” ๊ฒƒ์„ ์ฃผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.3.113
kci_detailed_000016.xml
ART001743958
oai_dc
ํšจ๊ณผ์  Social Networking์„ ์œ„ํ•œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์ฑ„๋„ ์—ฐ๊ตฌ
A Study of communication channel for successful social networking
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋™๋ฆผ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์ด๋ฏธํ–ฅ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์ž„์˜ํ™˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
Facebook, ๋ฏธ๋‹ˆํ™ˆํ”ผ, ๋ธ”๋กœ๊ทธ ๋“ฑ ๊ฐœ์ธ ์ค‘์‹ฌ์˜ ์ •๋ณด๊ณต๊ฐ„์ด ์›น ํ™œ๋™์˜ ๋งŽ์€ ๋น„์ค‘์„ ์ฐจ์ง€ํ•˜๊ณ , ์ธ์Šคํ„ดํŠธ ๋ฉ”์‹ ์ € ์‚ฌ์šฉ์„ ๊ธฐ๋ณธ์ ์œผ๋กœ ํ•˜๋Š” ํ˜„๋Œ€ ์›น ํ™˜๊ฒฝ์—์„œ Social network๋Š” ๊ฐ€์žฅ ๊ธฐ๋ณธ์ ์ธ ์š•๊ตฌ์ถฉ์กฑ์„ ์œ„ํ•œ ์„œ๋น„์Šคํ˜•ํƒœ๋กœ ๋ณด์—ฌ ์ง€๋Š”๋ฐ, ์ด๋Š” ์ •๋ณด๊ต๋ฅ˜ ์ฐจ์›์„ ๋„˜์–ด ์‚ฌ์šฉ์ž๊ฐ„ ์ง€์†์ ์ธ ์ƒํ˜ธ์†Œํ†ต์„ ์œ„ํ•œ ๊ตฌ์„ฑ์› ๊ฐœ๊ฐœ์ธ์˜ ์ˆ˜๋‹จ์ด๋ผ ํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ ํ†ต์‹ ํ™˜๊ฒฝ ๋˜ํ•œ ์›น ์„œ๋น„์Šค ์ง„ํ™”์— ๋ฐœ ๋งž์ถฐ ์—…๊ทธ๋ ˆ์ด๋“œ๋œ ์†Œํ†ตํ™˜๊ฒฝ์„ ์ œ๊ณตํ•˜๊ธฐ ์œ„ํ•ด ๋ฐœ์ „ํ•˜๊ณ  ์žˆ๋‹ค. ์ด์—, ์ธ๋งฅํ˜•์„ฑ์— ๋Œ€ํ‘œ์ ์ธ ์†Œํ†ต ์ˆ˜๋‹จ์ธ ์ด๋ฉ”์ผ, ๋ฉ”์‹ ์ €, ํœด๋Œ€ํฐ์˜ ์‚ฌ์šฉํŒจํ„ด์„ ๋ถ„์„ ํ•œ๋‹ค๋ฉด ์‚ฌ์šฉ์ž๋ณ„ ์ธ๋งฅํ˜•์„ฑ ์†์„ฑ์„ ๋ณผ ์ˆ˜ ์žˆ์„ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.29
kci_detailed_000016.xml
ART001743961
oai_dc
TUI์š”์†Œ์— ๋”ฐ๋ฅธ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ์ž‘ํ’ˆ ๋ถ„์„ ์—ฐ๊ตฌ
TUI elements according to the interactive work study analysis
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์ง„ํ˜•(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ์•„ํŠธ์—์„œ ์•ผ๊ธฐํ•˜๋Š” ์ƒํ˜ธ์ž‘์šฉ์˜ ์š”์†Œ์ธ TUI(tangible user interface)์˜ ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ ํ‰๋ฉด, ๋น„ํŠธ์™€ ์›์ž์˜ ์—ฐ๊ฒฐ, ํ™˜๊ฒฝ ๋ฏธ๋””์–ด์˜ ๊ฐœ๋…์„ ์ •์˜ํ•˜๊ณ  ์ด๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ํ”ผ์ง€์ปฌ์ปดํ“จํŒ…physical computing ) ๋””์ง€ํ„ธ์ž…๋ ฅ, ๋””์ง€ํ„ธ์ถœ๋ ฅ, ์•„ ๋‚ ๋กœ๊ทธ์ž…๋ ฅ, ์•„๋‚ ๋กœ๊ทธ์ถœ๋ ฅ ๋ถ„์„ํ•˜์—ฌ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•œ TUI์™€ ํ”ผ์ง€์ปฌ์ปดํ“จํŒ…์˜ ์ƒํ˜ธ์ž‘์šฉ์  ์ธก๋ฉด์„ ์ œ์‹œ ๋ฐ ๊ณ ์ฐฐํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.69
kci_detailed_000016.xml
ART001743965
oai_dc
์–ด๋ฆฐ์ด ๋†€์ด๋กœ์„œ์˜ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์„ค์น˜
Installation of Interactive Meida Works for the Children Play
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ฃผํ—Œ(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™); ์–‘์†Œ์ •(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™)" ]
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์„ค์น˜์ž‘ํ’ˆ๋“ค์€ ๊ด€๊ฐ์˜ ํ˜ธ๊ธฐ์‹ฌ๊ณผ ์ƒ์ƒ๋ ฅ, ์˜ค๊ฐ์„ ์ž๊ทนํ•˜์—ฌ ์ •์„œ์  ๋ฌผ๋ฆฌ์  ์ƒํ˜ธ์ž‘์šฉ๊ณผ ์ž๋ฐœ์  ์ฐธ์—ฌ๋ฅผ ์ด๋Œ์–ด๋‚ด๊ณ  ์ƒˆ๋กœ์šด ๋ฏธ์  ๊ฒฝํ—˜์„ ์ œ๊ณตํ•  ๋ฟ ์•„๋‹ˆ๋ผ, ์–ด๋ฆฐ์ด์šฉ ๋†€์ด๋กœ์„œ ๋†€์ด ๋ณธ์—ฐ์˜ ๊ฐ€์น˜๋ฅผ ๋“œ๋Ÿฌ๋‚ด๋Š” ์žฅ์ ์ด ์žˆ๋‹ค. ์ด๋Š” ์–ด๋ฆฐ์ด์˜ ๊ฐ์„ฑ๋ฐœ๋‹ฌ๊ณผ ์ฐฝ์˜์„ฑ ํ–ฅ์ƒ์—๋„ ๋งค์šฐ ์ค‘์š”ํ•œ๋ฐ, ๋ณธ ์—ฐ๊ตฌ์—์„œ ์ œ์•ˆ๋œ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์„ค์น˜์ž‘ํ’ˆ๋“ค์€ ์–ด๋ฆฐ์ด ๋†€์ด๋กœ์„œ ์ด๋Ÿฌํ•œ ์žฅ์ ๋“ค์ด ์ž˜ ๋“œ๋Ÿฌ๋‚œ๋‹ค. ๋˜ํ•œ, ํ˜ธ๊ธฐ์‹ฌ์„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์œ ๋ฐœํ•˜๊ณ  ์žฅ์‹œ๊ฐ„ ์ž‘ํ’ˆ์— ๋ชฐ์ž…ํ•˜์—ฌ ๋†€์ด์ฒ˜๋Ÿผ ์ฆ๊ธฐ๊ฒŒ ํ•จ์œผ๋กœ์จ, ๊ธฐ์กด์˜ ๋””์ง€ํ„ธ ๋†€์ด๊ธฐ๊ธฐ๋“ค์ด ๊ฐ€์ง„ ๋ถ€์ž‘์šฉ์˜ ์—ผ๋ ค๋ฅผ ํฌ๊ฒŒ ์ค„์ผ ์ˆ˜ ์žˆ์Œ์„ ๋ณด์—ฌ์ค€๋‹ค. ์ œ์‹œ๋œ ์ž‘ํ’ˆ๋“ค์€ ๊ด€๊ฐ์˜ ์ ๊ทน์ ์ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.107
kci_detailed_000016.xml
ART001743967
oai_dc
๋‹จํŽธ์˜ํ™”์™€ ์žฅํŽธ์˜ํ™”์˜ ์„œ์‚ฌ์  ์บ๋ฆญํ„ฐ์— ๋Œ€ํ•œ ๋น„๊ต์—ฐ๊ตฌ - "๋ผ์ œ๋–ผ"์™€ "12๋งˆ๋ฆฌ ์›์ˆญ์ด"๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Comparative Study of the Epic Character in the Feature film and the Short film - "La jetรฉe" and "12 Monkeys" focusing on the character -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆ๊ทผ์˜(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋‹จํŽธ์˜ํ™”์™€ ์žฅํŽธ์˜ํ™”์˜ ์บ๋ฆญํ„ฐ๋“ค์˜ ์ฐจ์ด๋ฅผ ํŒŒ์•…ํ•˜๊ณ , ๊ทธ ์บ๋ฆญํ„ฐ๋“ค์ด ๋‹จํŽธ์—์„œ ์žฅํŽธ์œผ๋กœ ๋ฐœ์ „๋˜๋Š” ๊ณผ์ •์˜ ์–‘์ƒ์„ ๊ณ ์ฐฐํ•œ๋‹ค. ๋‹จํŽธ์˜ํ™”์˜ ์บ๋ฆญํ„ฐ๊ฐ€ ์žฅํŽธ์˜ํ™”์—์„œ ์žฌํƒ„์ƒ๋  ๋•Œ, ๊ทน์„ ์ด๋Œ์–ด๊ฐˆ ์ธ๋ฌผ๋“ค์ด ์–ด๋–ป๊ฒŒ ๋‹ค์ฐจ์›์  ์ธ๋ฌผ๋กœ ๊ตฌ์„ฑ๋˜๊ณ  ํ™•์žฅ๋˜๋Š”์ง€ ๋Œ€ํ•˜์—ฌ ์•Œ์•„๋ณด๋Š” ๊ฒƒ์ด ๋ณธ ๋…ผ๋ฌธ์˜ ์ดˆ์ ์ด๋‹ค. ๊ทธ๋ž˜์„œ ๊ตฌ์กฐ์  ๋งฅ๋ฝ๊ณผ ์ฃผ์ธ๊ณต์ด ์ฒ˜ํ•œ ์ƒํ™ฉ์ด ์œ ์‚ฌํ•œ, ํฌ๋ฆฌ์Šค ๋งˆ๋ฅด์ผ€(Chris Marker)์˜ ์‹คํ—˜ ์˜ํ™” <๋ผ์ œ๋–ผ(La jetรฉe), 1962>์™€ ํ…Œ๋ฆฌ ๊ธธ๋ฆฌ์—„(Terry Gilliam) ๊ฐ๋…์˜ ํ—๋ฆฌ์šฐ๋“œ ์žฅํŽธ์˜ํ™” <12๋งˆ๋ฆฌ ์›์ˆญ์ด(12 Monkeys), 1995>๋ฅผ ์„ ์ •ํ•˜์˜€๋‹ค. ์ด ๋‘ ์˜ํ™”์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.133
kci_detailed_000016.xml
ART001743956
oai_dc
์ „๋ณต๊ณผ ์„ ๋™์˜ ๋ฏธํ•™ - ๋ฒ ๋ฅผ๋ฆฐ ๋‹ค๋‹ค์˜ ํฌํ† ๋ชฝํƒ€์ฃผ -
The Aesthetics of Subversion and Instigation - The Berlin Dada's Photomontage -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ น(์ธํ•˜๊ณต์—…์ „๋ฌธ๋Œ€ํ•™)" ]
โ€œ๋ฐ˜-์˜ˆ์ˆ โ€์„ ํ‘œ๋ช…ํ•œ ๋‹ค๋‹ค์˜ ๋ชจ๋“  ์˜ˆ์ˆ  ํ™œ๋™์€ ์ „๋ณต๊ณผ ์„ ๋™์˜ ๋ฏธํ•™์„ ๊ทผ๊ฑฐ๋กœ ํ•˜๊ณ  ์žˆ๋‹ค. ์ทจ๋ฆฌํžˆ ๋‹ค๋‹ค๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘๋œ ๊ฑฐ์˜ ๋ชจ๋“  ๋‹ค๋‹ค์˜ ์‹คํ—˜์˜ˆ์ˆ ์€ ์‚ฌ๋žŒ์˜ ๋งˆ์Œ์„ ์‚ฌ๋กœ์žก๋Š” ์Œํ–ฅ์ด๋‚˜ ์‹œ๊ฐ์  ํ™˜์˜์„ ์ฒญ์‚ฐํ•˜๊ณ , ์ฆ‰ํฅ ์—ฐ๊ธฐ๋‚˜ ๋„๋ฐœ์ ์ธ ํผํฌ๋จผ์Šค์— ์˜ํ•ด ๊ธฐ์กด์˜ ๋„๋•์  ๊ด€์Šต๊ณผ ์˜ˆ์ˆ ์— ๋Œ€ํ•œ ๊ฐœ๋…๊นŒ์ง€๋„ ๋ถ€์ •ํ•˜์˜€๋‹ค. ์ด๋Ÿฌํ•œ ์ด๋ฒคํŠธ์™€ ๊ณต์—ฐ๋“ค์€ 1950๋…„๋Œ€ ํ›„๋ฐ˜ ์˜ˆ์ˆ ๊ณผ ์ผ์ƒ์˜ ๊ฒฝ๊ณ„๋ฅผ ๋ฌด๋„ˆํŠธ๋ฆฌ๋ ค๋Š” ์˜๋„์—์„œ ํƒ„์ƒํ–ˆ๋˜ ์ „์œ„ ์—ฐ๊ทน์˜ ํ•œ ํ˜•ํƒœ์˜€๋˜โ€œํ•ดํ”„๋‹ happening" ์šด๋™์˜ ์„ ๊ตฌ์ ์ธ ํ–‰์œ„ ์˜ˆ์ˆ ์ด์—ˆ๋‹ค. ๋ฒ ๋ฅผ๋ฆฐ ๋‹ค๋‹ค์ด์ŠคํŠธ๋“ค ์—ญ์‹œ ๋„๋ฐœ๊ณผ ์„ ๋™์„ ๋™๋ฐ˜ํ•œ ์ด๋ฒคํŠธ๋ฅผ ํ–‰ํ–ˆ์œผ๋‚˜ ๋ฌด์—‡๋ณด๋‹ค๋„ ์ •์น˜์  ๊ฒฌํ•ด๋ฅผ ํ‘œ๋ช…ํ•˜๊ธฐ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.7
kci_detailed_000016.xml
ART001743960
oai_dc
์ค‘๊ตญ์‹คํ—˜๋ฏธ์ˆ ์˜ ์ •์น˜์  ํ‘œํ˜„ ์—ฐ๊ตฌ
A Study on Political Expression in Chinese Experimental Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฆฌ์ถ˜์†ก(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์–‘์ง€ํ˜„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์‹คํ—˜๋ฏธ์ˆ ์€ ๋ฏธ์ ์ฒดํ—˜์„ ๋ชฉ์ ์œผ๋กœ ํ•˜๋Š” ๋ฏธ์ˆ ์— ๋Œ€ํ•ด ๋ถ€๋‹จํžˆ ๋„์ „์„ ํ•˜๋ฉฐ ์ €ํ•ญํ•˜๊ณ  ์ƒˆ๋กœ์šด ๋ฏธ์ˆ ์  ๊ฐ€๋Šฅ์„ฑ์„ ์ถ”๊ตฌํ•˜๋Š” ๊ตฌ์ฒด์  ์‹ค์ฒœ ๋ฏธ์ˆ  ํ–‰์œ„์ด๋‹ค. ์ค‘๊ตญ์‹คํ—˜๋ฏธ์ˆ ์€ 1970๋…„๋Œ€ ๋ง๊ธฐ ๋ฌธํ™”๋Œ€ํ˜๋ช…์ด ๋๋‚จ์œผ๋กœ์„œ ๋‚˜ํƒ€๋‚œ ์ž์œ ๋กœ์šด ์ •์น˜ ํ™˜๊ฒฝ์—์„œ ๋ฐœ์ƒ ๋˜์—ˆ๋‹ค. ๋‹จ์ผ ๋ฆฌ์–ผ๋ฆฌ์ฆ˜์˜ ํ‘œ์ค€, ๋ฏธ์ˆ ์ œ๋„, ์ •์น˜์ œ๋„์— ๋„์ „์„ ๋‚ด๊ฑด ๊ธ‰์ง„์  ์‹คํ—˜๋ฏธ์ˆ ์€ ์ฒœ์•ˆ๋ฌธ์‚ฌํƒœ๋กœ ์ œ์•ฝ์„ ๋ฐ›์•˜์œผ๋‚˜ 1990๋…„๋Œ€ ์‹œ์žฅ๊ณ„์ œ๋กœ ์ธํ•œ ๋ฌผ์งˆ์  ์‚ถ์˜ ๋ฐœ์ „์œผ๋กœ ์ด๋ฐ์˜ฌ๋กœ๊ธฐ์  ๊ฐˆ๋“ฑ์€ ์‹ฌํ™”๋˜์—ˆ๊ณ , ์‹คํ—˜๋ฏธ์ˆ ๊ณผ ์ •์น˜์ œ๋„ ๋ฐ ์ฒด์ œ๋Š” ๊ณต์กดํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ํ…Œํฌ๋†€๋กœ์ง€์˜ ๋ฐœ์ „๊ณผ ๊ธ€๋กœ๋ฒŒํ™”๋Š” ํ˜„์žฌ์˜ ๋ฏธ์ˆ ์ด ์ ์ฐจ ๋ฌผ์งˆ๊ธฐ๋ฐ˜์—์„œ ๋ฉ”์‹œ์ง€๊ธฐ๋ฐ˜์œผ๋กœ ์ „ํ™˜๋˜๋Š” ์–‘์ƒ์„ ๋ณด์ด๋Š”๋ฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.53
kci_detailed_000016.xml
ART001743959
oai_dc
๋””์ง€ํ„ธํšŒํ™”์—์„œ ์ƒํ˜ธ์ž‘์šฉ์  ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Interactive Expression in Digital Painting
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚˜์ •์กฐ(๊ฑด๊ตญ๋Œ€ํ•™๊ต); ์–‘์ง€ํ˜„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋””์ง€ํ„ธํšŒํ™”๋ž€ ๋””์ง€ํ„ธ๊ธฐ์ˆ ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ์ „ํ†ตํšŒํ™”์˜ ํ‘œํ˜„ ๋ฐฉ์‹์„ ์ถ”๊ตฌํ•˜๋Š” ์žฅ๋ฅด๋กœ ์ธํ„ฐ๋ž™์…˜(interaction)๊ณผ ์›€์ง์ž„(motion)์˜ ๊ฐ€๋Šฅ์„ฑ์„ ํฌํ•จํ•œ๋‹ค. ํ˜„์žฌ ์‚ฌ์šฉ๋˜์–ด์ง€๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธํšŒํ™”(Digital Painting)์ด๋ผ๋Š” ๋‹จ์–ด๋Š” ์Šคํ‹ธ์ด๋ฏธ์ง€(still image)๋งŒ์„ ์ง€์นญํ•˜๋ฉฐ, ์ง์ ‘์  ์ˆ˜์ž‘์—…(hand-made painting)๊ณผ์˜ ์—ฐ๊ด€์„ฑ์€ ๋ฐฐ์žฌํ•œ ์ฑ„ ์ปดํ“จํ„ฐ์— ์˜ํ•ด ์ฑ„์ƒ‰๋˜์–ด ์ง€๊ณ  ๋งŒ๋“ค์–ด์ง€๋Š” ํ‰๋ฉด ์ž‘์—…์ด๋ผ๊ณ  ์ •์˜๊ฐ€ ๋‚ด๋ ค์ ธ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ณธ ๋…ผ๋ฌธ์—์„œ ์ง€์นญํ•˜๋Š” ๋””์ง€ํ„ธํšŒํ™”(Digital Painting)๋ž€ ์Šคํ‹ธ์ด๋ฏธ์ง€(still image)๋ฅผ ํฌํ•จํ•˜์—ฌ ์›€์ง์ด๋Š” ์ด๋ฏธ์ง€๊นŒ์ง€๋„ ํฌํ•จํ•œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.37
kci_detailed_000016.xml
ART001743962
oai_dc
์†Œ์…œ์•„ํŠธ์™€ ๊ณต๊ณต์˜ˆ์ˆ ์˜ ์œ ๋น„์  ์—ฐ๊ตฌ
The Analogical Study between Social Art and Public Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฉ์Šน์• (์ˆญ์‹ค๋Œ€ํ•™๊ต ๋Œ€ํ•™์› ๋ฏธ๋””์–ดํ•™๊ณผ); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์†Œ์…œ๋„คํŠธ์›Œํฌ ์„œ๋น„์Šค(SNS; social network service)์˜ ๋“ฑ์žฅ์œผ๋กœ ์ธํ•ด ์ƒˆ๋กญ๊ฒŒ ๋“ฑ์žฅํ•œ ํ˜•ํƒœ์˜ ๋ฌธํ™” ์˜ˆ์ˆ  ํ™œ๋™ ๋ฐ ํ”„๋กœ์ ํŠธ๋ฅผ โ€˜์†Œ์…œ์•„ํŠธ(social art)โ€™๋ผ๊ณ  ์ •์˜ํ•œ๋‹ค. โ€˜์†Œ์…œ์•„ํŠธโ€™์˜ ๊ฐœ๋…์  ์ •๋ฆฝ์„ ์œ„ํ•˜์—ฌ ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ณต๊ณต ์˜ˆ์ˆ  ์ž‘ํ’ˆ ํ˜น์€ ํ™œ๋™์— ๋Œ€ํ•œ ๊ด€๊ฐ์˜ โ€˜์ฐธ์—ฌโ€™๋ฅผ ์œ ํ˜•ํ™”ํ•˜๊ณ , ์‚ฌ๋ก€ ์†Œ๊ฐœ๋ฅผ ํ†ตํ•ด ๊ธฐ์กด์˜ ๊ณต๊ณต์˜ˆ์ˆ ์˜ ํŠน์„ฑ์ด ์–ด๋–ป๊ฒŒ ์†Œ์…œ์•„ํŠธ๋กœ ๋ณ€์ด๋˜๊ณ  ํ™•์žฅ๋˜์—ˆ๋Š”์ง€ ์•Œ์•„๋ณธ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.77
kci_detailed_000016.xml
ART001743957
oai_dc
์นผ ์œต์˜ ์›ํ˜•์ด๋ก ๊ณผ ์•„์šฐ๋ผ ๋ชฐ๋ฝ - ๋™์–‘ ๋ฌธํ™”์›ํ˜•์˜ ๋‚ดํ–ฅ์  ๊ด€์ -
Carl Jung's Archetypes theory and the collapse of the Aura - The introverted view of the Oriental Cultural Archetypes-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ถฉ์„ญ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋Œ€ํ•™์› ๋ฏธ๋””์–ดํ•™๊ณผ); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์นผ ์œต์˜ ๋ถ„์„์‹ฌ๋ฆฌํ•™์˜ ํ•ต์‹ฌ ๋‚ด์šฉ ์ค‘ ์›ํ˜•์ด๋ก ์„ ์ค‘์‹ฌ์œผ๋กœ ์•„์šฐ๋ผ ํ•ด์ฒด์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์‹œ๋„ํ•˜๊ณ ์žํ•œ๋‹ค. ์•„์šฐ๋ผ๋Š” ์ˆญ๋ฐฐ์  ํ˜•ํƒœ์˜ ์ˆ˜์ง์  ์–‘์ƒ์„ ๋ณด์ด๋Š”๋ฐ ๋ฐœํ„ฐ ๋ฒค์•ผ๋ฏผ์€ ์‚ฐ์—…์‚ฌํšŒ์˜ ๋Œ€๋Ÿ‰์ƒ์‚ฐ์ด ์ด๋ฃจ์–ด์ง€๋ฉด์„œ ๋ณต์ œ๋กœ ์ธํ•ด โ€œ์ง€๊ธˆ, ์—ฌ๊ธฐโ€์˜ ์›๋ณธ์„ฑ๊ณผ ์œ ์ผ์„ฑ์ด ํ•ด์ฒด๋  ๊ฒƒ์ด๋ž€ ์˜ˆ์–ธ์„ ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋งŽ์€ ์‹œ๊ฐ„์ด ํ˜๋Ÿฌ ํ˜„์žฌ์—๋„ ์•„์šฐ๋ผ๋Š” ํ•ด์ฒด๋˜์ง€ ์•Š์•˜๋‹ค. ์•„์šฐ๋ผ๋Š” ์™ธํ–ฅ์  ํ—ˆ๊ตฌ๋ผ๋Š” ๊ฒƒ์„ ์นผ ์œต์˜ ์ด๋ก ์„ ํ†ตํ•ด ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์นผ ์œต์€ ๋ชจ๋“  ์ค‘์š”ํ•œ ํ•ต์‹ฌ์ ์ธ ๋ชฉ์ ์˜ ๋‹ฌ์„ฑ์ด ๋‚ดํ–ฅ์ ์ธ ๊ด€์ ์— ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๊ทธ์˜ ์ €์„œ์—์„œ ์„ค๋ช…ํ•œ๋‹ค. ์œต์€ ์œ ์ผ์„ฑ๊ณผ ์›๋ณธ์„ฑ์—์„œ ๋ฒ—์–ด๋‚˜ ์ธ๊ฐ„์ด ๊ฐ€์งˆ ์ˆ˜ ์žˆ๋Š” ๋ชจ๋“  ํ•ต์‹ฌ์€ ์ธ๊ฐ„์˜ ๋‚ด๋ถ€์— ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.19
kci_detailed_000016.xml
ART001743963
oai_dc
์Šค๋งˆํŠธํฐ ๊ธฐ๋ฐ˜ ํ‘ธ์‹œ ์„œ๋น„์Šค์˜ ์‚ฌ์šฉ์ž ๋ฐ˜์‘์— ์˜ํ–ฅ์„ ์ฃผ๋Š” ์†์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
Research on the properties that affect the usersโ€™ reaction to the smartphone-based push services
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋ฏธํ–ฅ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ๊น€๋™๋ฆผ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์ž„์˜ํ™˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ธํ„ฐ๋„ท์˜ ๋ฐœ์ „๊ณผ ์Šค๋งˆํŠธํฐ์˜ ๊ธ‰์†ํ•œ ๋ณด๊ธ‰์€ ๊ธ‰์ฆํ•˜๊ณ  ์žˆ๋Š” ์ •๋ณด์™€ ๋‹ค์–‘ํ•œ ์„œ๋น„์Šค๋“ค ์‚ฌ์ด์—์„œ ์‚ฌ์šฉ์ž๊ฐ€ ์ž์‹ ์ด ์›ํ•˜๋Š” ์ •๋ณด๋ฅผ ๊ฒ€์ƒ‰ํ•˜๋Š” ๊ฒƒ์ด ์ ์  ๋” ์–ด๋ ค์›Œ์ง€๊ณ  ์žˆ๋‹ค. ์ด์— ์‚ฌ์šฉ์ž์˜ ์š”๊ตฌ์™€ ์„ ํ˜ธ๋„์— ๋”ฐ๋ผ ์ ํ•ฉํ•œ ์ •๋ณด๋ฅผ ์ œ๊ณตํ•ด์ฃผ๋Š” ์„œ๋น„์Šค์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์™€ ๊ฐœ๋ฐœ์ด ์ง„ํ–‰๋˜์–ด ์™”๋‹ค. ํŠนํžˆ ์Šค๋งˆํŠธํฐ์˜ ๋ณด๊ธ‰ ๊ธ‰์ฆ์œผ๋กœ ์‚ฌ์šฉ์ž์—๊ฒŒ ์ •๋ณด๋ฅผ ์ œ๊ณตํ•ด์ฃผ๋Š” ํ•˜๋‚˜์˜ ๋ฐฉ๋ฒ•์œผ๋กœ ๋งŽ์€ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜์—์„œ ํ‘ธ์‹œ ์„œ๋น„์Šค๋ฅผ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์Šค๋งˆํŠธํฐ ๊ธฐ๋ฐ˜ ํ‘ธ์‹œ ์„œ๋น„์Šค์˜ ์‚ฌ์šฉ์ž ๋ฐ˜์‘์— ์˜ํ–ฅ์„ ์ฃผ๋Š” ์†์„ฑ๋“ค์— ๋Œ€ํ•œ ์„ค๋ฌธ์„ ๋นˆ๋„๋ถ„์„๊ณผ ์„ฑ๋ณ„ ๊ต์ฐจ๋ถ„์„์„ ํ†ตํ•ด ์Šค๋งˆํŠธํฐ ๊ธฐ๋ฐ˜ ํ‘ธ์‹œ ์„œ๋น„์Šค๋ฅผ ์ œ๊ณตํ•  ๊ฒฝ์šฐ ์šฐ์„ ์ ์œผ๋กœ ๊ณ ๋ คํ•ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.87
kci_detailed_000016.xml
ART001743964
oai_dc
๋ชจ๋ฐ”์ผ ์›น ํ•™์Šต ์บก์ณ ์‹œ์Šคํ…œ์˜ ํšจ์šฉ์„ฑ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
Mobile Web learning of the capture system For research on the benefits
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์—ฐ๋ž€(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์ž„์˜ํ™˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ชจ๋ฐ”์ผ ์›น์—์„œ ํ•™์Šต ๋™์˜์ƒ์„ ์ˆ˜๊ฐ•ํ•˜๋ฉด์„œ ์žฌํ•™์Šต ์˜์—ญ์„ ํ”„๋ ˆ์ž„ ๋‹จ์œ„๋กœ ์บก์ณํ•œ๋‹ค. ์บก์ณ ๊ธฐ๋Šฅ์€ ํ•™์Šต ์‹œ๊ฐ„๊ณผ ํ•จ๊ป˜ ์ด๋ฏธ์ง€๋ฅผ ํ•จ๊ป˜ ์ €์žฅํ•œ๋‹ค. ์žฌํ•™์Šต ์˜์—ญ์„ ํ•™์Šต์ž ์ค‘์‹ฌ์˜ ๋งž์ถคํ˜• ์‹œ์Šคํ…œ์œผ๋กœ ์บก์ณํ•œ ์ˆœ์„œ์— ์ƒ๊ด€์—†์ด ์„ ํƒํ•œ ์ˆœ์„œ์— ๋”ฐ๋ผ ๋ฌด์ž‘์œ„๋กœ ์Šคํ† ๋ฆฌํ…”๋งํ˜• ํ•™์Šต์„ ์ง„ํ–‰ํ•œ๋‹ค. ์บก์ณ ์‹œ์Šคํ…œ์˜ ํ”„๋ ˆ์ž„ ์‹คํ–‰์€ ์ „์ฒด ํ•™์Šต์— ๋น„ํ•ด ํ•™์Šต ์†Œ์š” ์‹œ๊ฐ„์„ ์ ˆ์•ฝ ๋ฐ ํ•™์Šต์˜ ํšจ์šฉ์„ฑ ํ–ฅ์ƒ์— ์ ๊ทน์ ์ธ ์—ญํ• ์„ ํ•œ๋‹ค. ๋˜ํ•œ ํ•™์—… ์„ฑ์ทจ๋„์—๋„ ๊ธ์ •์ ์ธ ํšจ๊ณผ๋ฅผ ์ค„ ์ˆ˜ ์žˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.95
kci_detailed_000016.xml
ART001743966
oai_dc
์ˆ˜์šฉ์ž ์ค‘์‹ฌ์˜ TV ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ฒฝ์Ÿ๋ ฅ ๊ฐ•ํ™” ๋ฐฉ์•ˆ ์—ฐ๊ตฌ
A Study on the Strengthening Strategy of Competition of User-oriented TV Animations
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘ํ˜œ์ „(์ค‘์•™๋Œ€ํ•™๊ต ์ฒจ๋‹จ์˜์ƒ๋Œ€ํ•™์›); ๊น€์žฌ์›…(์ค‘์•™๋Œ€ํ•™๊ต)" ]
์ •๋ถ€๋Š” ๊ตญ๋‚ด ์• ๋‹ˆ๋ฉ”์ด์…˜ ์‚ฐ์—… ์œก์„ฑ์„ ์œ„ํ•ด์„œ TV ํŽธ์„ฑ์ฟผํ„ฐ์ œ์™€ ๋ฐฉ์†ก์ด๋Ÿ‰์ œ ๋“ฑ ์ง€์›์ •์ฑ…์„ ์‹œํ–‰ํ•˜์˜€์ง€๋งŒ, ๊ตญ๊ฐ€ ์ฐจ์›์˜ ๋ณดํ˜ธ์ •์ฑ…๊ณผ ์‹œ์žฅ์˜ ์ž์œจ์„ฑ ์นจํ•ด๋ผ๋Š” ๋Œ€๋ฆฝ๋œ ์ž…์žฅ์˜ ์ฐจ์ด๋Š” ์—ฌ์ „ํžˆ ๋…ผ๋ž€์˜ ์—ฌ์ง€๋กœ ๋‚จ์•„์žˆ๋‹ค. ๊ตญ๋‚ด ์• ๋‹ˆ๋ฉ”์ด์…˜ ์‚ฐ์—…์˜ ํŠน์ˆ˜์„ฑ์„ ๊ฐ์•ˆํ•œ TV ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ฒฝ์Ÿ๋ ฅ ๊ฐ•ํ™”์™€ ์˜์ƒ๋ฌธํ™”๋ฅผ ๋ณดํ˜ธ ์œก์„ฑํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ค‘์žฅ๊ธฐ์ ์œผ๋กœ TV ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋ฏธํ•™์ , ๊ต์œก์  ๊ธฐ๋Šฅ ๊ฐ•ํ™”๋ฅผ ์œ„ํ•œ ์ •์ฑ…์ด ํ•„์š”ํ•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ˆ˜์šฉ์ž ์ค‘์‹ฌ์˜ ๋‹ค์–‘ํ•œ TV ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ฝ˜ํ…์ธ  ๊ธฐํš๊ณผ ์ง€์ƒํŒŒ TV ๋ฐฉ์†ก์˜ ํ”„๋ผ์ž„ ์‹œ๊ฐ„(Prime-Time)ํ™•๋ณด ๋ฐ ํŽธ์„ฑ์ „๋žต์˜ ๋‹ค์–‘์„ฑ, ๊ณต์ค‘ํŒŒ ๋ฐฉ์†ก์˜ ์ƒ์‚ฐ์ ์ธ ๊ณต์ ์ฑ…๋ฌด์˜ ๊ธฐ๋Šฅ๊ฐ•...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.1.119
kci_detailed_000016.xml
ART001770093
oai_dc
์Šคํฌ์ธ  ์ค‘๊ณ„๋ฐฉ์†ก์—์„œ VR์„ ํ™œ์šฉํ•œ ๊ฐ€์ƒ๊ด‘๊ณ  ์ œ์ž‘์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์ƒ๋ฐฉ์†ก ์•ผ๊ตฌ ์ค‘๊ณ„์—์„œ์˜ ๊ฐ€์ƒ๊ด‘๊ณ ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
The Research on Utilizing VR systems in Sports Broadcasting for the Virtual Advertising Production - Focus on the Virtual Advertising Broadcasted in Live Baseball Games -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํƒœ์€(์•„์‹œ์•„๋ฌธํ™”๊ฐœ๋ฐœ์›)" ]
2010๋…„ 1์›” ๊ฐ€์ƒ๊ด‘๊ณ ๊ฐ€ ๊ตญ๋‚ด์— ํ—ˆ์šฉ๋˜์–ด์ง€๊ณ , 2010๋…„ 3์›” โ€œ2010 ์„ธ๊ณ„์—ฌ์žํ”ผ๊ฒจ์„ ์ˆ˜๊ถŒ ๋Œ€ํšŒโ€œ์—์„œ ์‚ผ์„ฑ์ „์ž์˜ โ€˜ํ•˜์šฐ์  โ€™์ด ์šฐ๋ฆฌ๋‚˜๋ผ ์ตœ์ดˆ์˜ ๊ฐ€์ƒ๊ด‘๊ณ ๋กœ ๋ฐฉ์†ก๋˜์–ด์กŒ๋‹ค. ๊ฐ€์ƒ๊ด‘๊ณ ๋Š” ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ ๊ฐ€์ƒํ˜„์‹ค ๊ธฐ์ˆ ์„ ์ด์šฉํ•˜์—ฌ ์ œ์ž‘โ€ง๊ฐ€๊ณต๋˜์–ด์ง„ ์ด๋ฏธ์ง€ ํ˜น์€ ์˜์ƒ์„ ๊ฐ€์ƒ๊ด‘๊ณ  ์†ก์ถœ ์‹œ์Šคํ…œ์— ์˜ํ•˜์—ฌ ์ƒ๋ฐฉ์†ก ์ค‘๊ณ„ ์‚ฌ์ด์— ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์‚ฝ์ž…ํ•˜์—ฌ ์‹ค์ œ๋กœ ํ˜„์žฅ์— ์กด์žฌํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ด๋‹ค. 2002๋…„ ๊ฐ€์ƒ๊ด‘๊ณ  ๋„์ž…์— ๋Œ€ํ•œ ๊ณต์ฒญํšŒ๋ฅผ ํ†ตํ•˜์—ฌ ์ž…๋ฒ•ํ™” ๋˜์–ด์ง„ ๊ฐ€์ƒ๊ด‘๊ณ ๋Š” 2010๋…„ 1์›” 19์ผ ์Šคํฌ์ธ  ๊ฒฝ๊ธฐ์— ํ•œ์ •๋˜์–ด ์‹คํ–‰ ๋  ์ˆ˜ ์žˆ๋„๋ก ๊ณต์‹์ ์œผ๋กœ ํ—ˆ์šฉ๋˜์–ด์กŒ๋‹ค. ๊ฐ ๋ฐฉ์†ก์‚ฌ๋“ค์€ ์ •๋ถ€์‹œํ–‰๋ น์— ์˜ํ•œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.79
kci_detailed_000016.xml
ART001770077
oai_dc
๊ฒŒ์˜ค๋ฅด๊ทธ ๋ฐ”์ ค๋ฆฌ์ธ  ์ž‘ํ’ˆ์—์„œ ์ธ๋ฌผ ํ˜•์ƒ ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on the expression of human figures in Baselitz's works
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ น(์ธํ•˜๊ณต์—…์ „๋ฌธ๋Œ€ํ•™)" ]
1980๋…„๋Œ€ ๋ฏธ๊ตญ๊ณผ ์œ ๋Ÿฝ์„ ์ค‘์‹ฌ์œผ๋กœ ํŽผ์ณ์กŒ๋˜ ์‹ ํ‘œํ˜„์ฃผ์˜๋Š” ๋ชจ๋”๋‹ˆ์ฆ˜์˜ ํ”„๋กœ์ ํŠธ์— ์˜ํ•ด์„œ ํšŒํ™”๋กœ๋ถ€ํ„ฐ ๋ฉ€์–ด์กŒ๋˜ ๊ตฌ์ƒ๋ฏธ์ˆ ์„ ํ‘œ๋ช…ํ•˜์˜€๋‹ค. ์ด ์šด๋™์€ ๊ฑฐ๋Œ€ํ•œ ์Šค์ผ€์ผ์— ๊ฑฐ์นœ ์ œ์Šค์ฒ˜์™€ ๊ฒฉ๋ ฌํ•œ ์ƒ‰์˜ ๋Œ€๋น„๋ฅผ ์‚ฌ์šฉํ•˜๋ฉฐ ์ฃฝ์Œ, ์„ฑ, ๊ฟˆ, ์‹ ํ™”, ์žฌ๋‚œ์— ๋Œ€ํ•œ ๊ธฐ์–ต ๋“ฑ๋“ฑ์˜ ์ฃผ์ œ๋ฅผ ๊ฐ€์ง€๊ณ , ์‚ฌ๋ฌผ์˜ ์™ธ์–‘์— ๋Œ€ํ•œ ๋ฌ˜์‚ฌ๊ฐ€ ์•„๋‹Œ ์ธ๊ฐ„์˜ ๋‚ด๋ฉด๊ณผ ์ž์œ ๋กœ์šด ๊ฐ์„ฑ์„ ์ƒˆ๋กœ์šด ์ด๋ฏธ์ง€๋ฅผ ํ†ตํ•ด ์ฃผ๊ด€์ ์ด๊ณ  ์ž์œจ์ ์œผ๋กœ ํ‘œํ˜„ํ•˜์˜€๋‹ค. ๋…์ผ ์‹ ํ‘œํ˜„์ฃผ์˜์ž์˜ ๋Œ€ํ‘œ๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐ”์ ค๋ฆฌ์ธ ๋Š” 1960๋…„๋Œ€ ์ดˆ๋ถ€ํ„ฐ ๋„๋ฐœ์ ์ธ ์ œ์Šค์ฒ˜, ์ฃผ๊ด€์ ์ธ ์ƒ‰์ฑ„ ๊ทธ๋ฆฌ๊ณ  ์ด๋ฏธ์ง€์˜ ๊ทน๋‹จ์ ์ธ ์™œ๊ณก์— ํƒ๊ตฌํ•˜๋ฉด์„œ ์ž์‹ ์ด ์ฒ˜ํ•œ ํ˜„์‹ค๊ณผ ์—ญ์‚ฌ์  ๋ถˆํ–‰์„ ํ…Œ๋งˆ๋กœ ๋“ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.35
kci_detailed_000016.xml
ART001770100
oai_dc
์˜ํ™”<ํ”ผ์•„๋…ธ>์— ๋‚˜ํƒ€๋‚œ ๊ฐ€๋ถ€์žฅ์ œ ํ‘œํ˜„ ๋ฐฉ๋ฒ• ์—ฐ๊ตฌ - ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์™€ ํ”„๋กค๋กœ๊ทธ ๋ฏธ์žฅ์„ผ ๋ถ„์„ -
A Study on Image Presentation Method of Patriarchal System in The Film <Piano> - Narrative and Mise En Scene Analysis in The Prologue Part -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œค์ˆ˜์ธ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์˜ํ™” <ํ”ผ์•„๋…ธ>๋Š” 19์„ธ๊ธฐ๋ง ๋‚จ์„ฑ์— ์˜ํ•ด ์ง€๋ฐฐ๋˜๋Š” ์‚ฌํšŒ์—์„œ ์–ต์••์ ์ธ ์ฒด์ œ์— ๊ตด๋ณตํ•˜์ง€ ์•Š๊ณ  ์—ฌ์„ฑ ์ž์‹ ์ด ์ฃผ์ฒด๊ฐ€ ๋˜๋Š” ์‚ถ์„ ์„ ํƒํ•œ ์—ฌ์„ฑ์˜ ์„ฑ์žฅ๊ณผ์ •์„ ๋ณด์—ฌ์ค€๋‹ค. ์ด๋Ÿฌํ•œ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋Š” ํ‘ธ๋ฅธ ์ˆฒ๊ณผ ๋ฐ”๋‹ค, ๋ฌผ ๋“ฑ ์ดˆ๋ก์ƒ‰ ์ด๋ฏธ์ง€๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ์‚ฌ์šฉ๋œ ์ƒ‰์ฑ„ ์ด๋ฏธ์ง€, ์นด๋ฉ”๋ผ ์›Œํ‚น, ์กฐ๋ช… ๋“ฑ์˜ ๋ฏธ์žฅ์„ผ๊ณผ ์กฐํ™”๋ฅผ ์ด๋ฃจ์–ด ์•„๋ฆ„๋‹ต๊ฒŒ ํ‘œํ˜„๋˜์—ˆ๋‹ค. ์ด ๊ณผ์ •์—์„œ ๊ฐ๋…์˜ ๋ฉ”์‹œ์ง€๋Š” ๊ฐ•๋ ฅํ•œ ๋ฉ”ํƒ€ํฌ๋กœ์„œ์˜ ๊ธฐ๋Šฅ์„ ํ›Œ๋ฅญํ•˜๊ฒŒ ๋‹ฌ์„ฑํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™” <ํ”ผ์•„๋…ธ>์—์„œ ๊ทธ๋ ค๋‚ธ ๊ฐ€๋ถ€์žฅ์ œ์— ๋Œ€ํ•œ ์ด๋ฏธ์ง€๊ฐ€ ์˜์ƒ์— ํ‘œํ˜„๋˜๋Š” ๊ณผ์ •์„ ํ”„๋กค๋กœ๊ทธ ์ค‘์‹ฌ์œผ๋กœ ๋ถ„์„ํ•˜๋Š”๋ฐ ๋ชฉ์ ์„ ๋‘๊ณ  ์žˆ๋‹ค. ์˜ํ™”์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๊ฐ€ ํšจ๊ณผ์ ์ธ ์ด๋ฏธ์ง€ ๊ตฌ์„ฑ๊ณผ ๋ฏธ์žฅ์„ผ๊ณผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.153
kci_detailed_000016.xml
ART001770102
oai_dc
ํ•œ๊ตญ๊ณผ ๋ฏธ๊ตญ ๊ณต์—ฐ์˜ˆ์ˆ ๋ถ„์•ผ์˜ ๋””์ง€ํ„ธ ํ™๋ณด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋น„๊ต ๋ถ„์„ - ์›น์‚ฌ์ดํŠธ์™€ ์†Œ์…œ๋ฏธ๋””์–ด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A comparative analysis on the digital PR communication between Korean and US performing arts fields - Focused on the web site and social media -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์„ (์ฒญ์ฃผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๊ตญ๋‚ด ๊ณต์—ฐ์˜ˆ์ˆ ๊ทน์žฅ์„ ์ค‘์‹ฌ์œผ๋กœ ์›น์‚ฌ์ดํŠธ์™€ ์†Œ์…œ๋ฏธ๋””์–ด์˜ ํ™œ์šฉ์— ๋Œ€ํ•œ ๋‚ด์šฉ ๋ถ„์„์„ ์‹ค์‹œํ–ˆ๋‹ค. ํ˜„ํ™ฉ์„ ์ข€ ๋” ๊ตฌ์ฒด์ ์œผ๋กœ ์‚ดํŽด๋ณด๊ณ  ๋…ผ์˜ํ•˜๊ธฐ ์œ„ํ•ด ๋ฏธ๊ตญ์˜ ๊ณต์—ฐ์˜ˆ์ˆ ๊ทน์žฅ์˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ํ™œ์šฉ ํ˜„ํ™ฉ๊ณผ ๋น„๊ต ๋ถ„์„์„ ์‹ค์‹œํ–ˆ๋‹ค. ์›น์‚ฌ์ดํŠธ์˜ ๊ฒฝ์šฐ์—๋Š” ์ •๋ณด์ œ๊ณต์  ์ฐจ์›, ๋Œ€ํ™”์  ์ฐจ์›, ๊ทธ๋ฆฌ๊ณ  ์ด์šฉ ํŽธ๋ฆฌ์„ฑ ์ฐจ์›์„ ์ค‘์‹ฌ์œผ๋กœ ๋ถ„์„์„ ํ–ˆ๋‹ค. ์†Œ์…œ๋ฏธ๋””์–ด์˜ ๊ฒฝ์šฐ์—๋Š” ํŠธ์œ„ํ„ฐ, ํŽ˜์ด์Šค๋ถ, ๋ธ”๋กœ๊ทธ, ๊ทธ๋ฆฌ๊ณ  ์œ ํŠœ๋ธŒ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์–ด๋А ์ •๋„๋กœ ์ด๋“ค์ด ํ™œ์šฉํ•˜๊ณ  ์žˆ๋Š”๊ฐ€๋ฅผ ๋น„๊ต ๋ถ„์„ํ–ˆ๋‹ค. ๋ถ„์„ ๊ฒฐ๊ณผ๋ฅผ ์ „์ฒด์ ์œผ๋กœ ์‚ดํŽด๋ณด๋ฉด, ํ•œ๊ตญ๊ณผ ๋ฏธ๊ตญ์˜ ๊ณต์—ฐ์˜ˆ์ˆ ๊ทน์žฅ์˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ํ™œ์šฉ ํ˜„ํ™ฉ์— ์žˆ์–ด์„œ ๋งŽ์€ ์ฐจ์ด๊ฐ€ ๋‚˜ํƒ€๋‚จ์„ ์•Œ ์ˆ˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.173
kci_detailed_000016.xml
ART001770098
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ์žฌ๋ฏธ ์š”์†Œ ๋ถ„์„ - ์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜ "๋ƒ‰์žฅ๊ณ  ๋‚˜๋ผ ์ฝ”์ฝ”๋ชฝ"์„ ์ค‘์‹ฌ์œผ๋กœ -
Analysis on the Fun Elements of Animation - Animation for Young Children "Fresh World Cocomong" -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๊ณ ์€(์ค‘์•™๋Œ€ํ•™๊ต); ์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์œ ์•„์—๊ฒŒ ์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์‹œ์ฒญ์€ ๋†€์ด์˜ ํ•œ ๋ถ€๋ถ„์ด๊ณ  ์ด๋Ÿฌํ•œ ๋†€์ด์˜ ๋ณธ์งˆ์„ ๊ฒฐ์ •์ง“๋Š” ๊ฒƒ์ด ๊ณง ์žฌ๋ฏธ ์š”์†Œ์ด๋‹ค. ์œ ์•„๊ธฐ๋Š” ์‚ฌ๊ณ ์ฒด๊ณ„๊ฐ€ ํ˜•์„ฑ๋˜๋Š” ์‹œ๊ธฐ์ด๋ฉฐ ๋†€์ด์™€ ์žฌ๋ฏธ๋ฅผ ์ตœ์ดˆ๋กœ ์ธ์ง€ํ•˜๊ณ  ์ถ”๊ตฌํ•˜๋Š” ์‹œ๊ธฐ์ด๋‹ค. ๋”ฐ๋ผ์„œ ์ธ๊ฐ„์ด ๋А๋ผ๋Š” ์žฌ๋ฏธ์˜ ๊ธฐ์ดˆ๋‹จ๊ณ„์ด๊ณ  ๋ฐœ์ƒ์ง€๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ์ฆ๊ธฐ๋Š” ์ตœ์ดˆ์˜ ์‹œ๊ธฐ ์—ญ์‹œ ์œ ์•„๊ธฐ๋กœ ๋ณด๊ณ  ์ด๋“ค์ด ๋А๋ผ๋Š” ์žฌ๋ฏธ์— ๋Œ€ํ•ด ์—ฐ๊ตฌํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์ด ๋ณธ ๋…ผ๋ฌธ์˜ ๋ชฉ์ ์ด๋‹ค. ๋ณธ๊ณ ์—์„œ ๋งํ•˜๋Š” ์žฌ๋ฏธ๋ž€, ๊ธฐ์กด์— ์ž์‹ ์ด ์•Œ๊ณ  ์žˆ๋˜ ์ •๋ณด์™€ ์ƒˆ๋กœ์šด ์ •๋ณด์™€์˜ ๋ถˆ์ผ์น˜์—์„œ ๋ฐœ์ƒํ•˜๋Š” ๊ฒƒ์„ ์ „์ œ๋กœ ํ•œ๋‹ค. ์ด๋Š” ์‹ฌ๋ฆฌํ•™์—์„œ ๋งํ•˜๋Š” ์ธ์ง€์  ์žฌ๋ฏธ์— ํ•ด๋‹นํ•œ๋‹ค. ์ด๋ฅผ ๊ธฐ์ดˆ๋กœ ์œ ์•„์šฉ ์• ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.131
kci_detailed_000016.xml
ART001770070
oai_dc
๋ฒ”์ƒ๋ช…์  ์ดˆ์›”์ฃผ์˜ ๋ฏธ์ˆ ์šด๋™์˜ ์ด๋…๊ณผ ์—ญ์‚ฌ์  ์œ„์ƒ
The idea and historical phase of the art movement of panvital transcendentalism
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๋‘๋นˆ(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
โ€˜๋ฒ”์ƒ๋ช…์  ์ดˆ์›”์ฃผ์˜(ๆฑŽ็”Ÿๅ‘ฝ็š„ ่ถ…่ถŠไธป็พฉ)โ€™ ๋ฏธ์ˆ ์šด๋™์€ 1990๋…„๋Œ€ ํ•œ๊ตญํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ ํฐ ๊ด€์‹ฌ์„ ๋ชจ์•˜๋˜ ๋ฏธ์ˆ ์šด๋™ ์ด์—ˆ๋‹ค. ์ด ์ƒˆ๋กœ์šด ๋ฏธ์ˆ ์šด๋™์€ ํ˜„๋Œ€์‚ฌํšŒ์˜ ๋ฌผํ™”(็‰ฉๅŒ–) ํ˜„์ƒ๊ณผ ๋น„์ธ๊ฐ„ํ™”(้žไบบ้–“ๅŒ–) ํ˜„์ƒ์„ ๋น„ํŒํ•˜๋ฉด์„œ โ€˜์ƒ๋ช…์˜ ๊ฐ€์น˜๋ฅผ ํšŒ๋ณตโ€™์‹œํ‚ค๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์„ ์ตœ๋Œ€ ๋ชฉํ‘œ๋กœ ํ•˜์—ฌ ์ถœ๋ฒ”ํ•œ ์ƒˆ๋กœ์šด ๋ฏธ์ˆ ์šด๋™ ์ด์—ˆ๋‹ค. ๋˜ํ•œ ์ด ๋ฏธ์ˆ ์šด๋™์€ 1970๋…„๋Œ€ ํ•œ๊ตญํ˜„๋Œ€๋ฏธ์ˆ ์˜ ๋ฏธ๋‹ˆ๋ฉ€์  ๋‹จ์ƒ‰์ฃผ์˜ ํšŒํ™” ๊ฒฝํ–ฅ์ด ์ง€๋‹Œ ๊ทน๋‹จ์  ์ถ”์ƒ์œผ๋กœ ์ธํ•œ ์†Œํ†ต์˜ ๋ถ€์žฌ(ไธๅœจ) ํ˜„์ƒ๊ณผ, 1980๋…„๋Œ€ ์‚ฌํšŒ์ฐธ์—ฌ์  ๋ฏธ์ˆ ๊ฒฝํ–ฅ์ด ์ง€๋‹Œ ํŽธํ˜‘ํ•œ ์œ ๋ฌผ์ฃผ์˜์ (ๅ”ฏ็‰ฉไธป็พฉ็š„) ์‹œ๊ฐ์„ ๋ฐ˜์„ฑํ•˜๊ณ  ๋ฏธํ•™์ (็พŽๅญธ็š„) ์‹œ๊ฐ์˜ ๋ถ€์žฌ(ไธๅœจ)๋ฅผ ๊ทน๋ณตํ•˜๋Š” ์ฐจ์›์—์„œ ์ผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.7
kci_detailed_000016.xml
ART001770089
oai_dc
๋ฏธ๋””์–ด์•„ํŠธ์—์„œ 3D ๋งตํ•‘ ์ฝ˜ํ…์ธ ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
A Study on 3D Mapping content in Media Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ”์ด์‚ฌ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์–‘์ง€ํ˜„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ IT(Information Technology)๊ธฐ์ˆ ์˜ ๋ฐœ์ „์œผ๋กœ ๋‹ค์–‘ํ•œ ์ •๋ณด ์‹œ๊ฐํ™”๊ฐ€ ๊ฐ€๋Šฅํ•ด์กŒ์œผ๋ฉฐ, ์ •๋ณด ์‹œ๊ฐํ™” ๊ธฐ์ˆ ์€ ํ˜„๋Œ€ ๋„์‹œ ํ™˜๊ฒฝ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ฐ€์žฅ ํฐ ํŠน์ง• ์ค‘ ํ•˜๋‚˜๋กœ์จ ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ๊ฑฐ๋ฆฌ์˜ ๊ตฌ์กฐ๋ฌผ์ด๋‚˜ ๊ฑด๋ฌผ์˜ ๋ฒฝ๋ฉด์„ ์˜ˆ์ˆ ์ ์ธ ํ‘œํ˜„์š”์†Œ๋กœ ์—ฐ์ถœํ•˜๋Š” ์˜์ƒ ๋””์Šคํ”Œ๋ ˆ์ด๊ฐ€ ๊ธฐ์กด ๋„์‹œ ๊ณต๊ฐ„์„ ํ™œ์šฉํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๊ฒฐ๊ณผ๋กœ ๋„์‹œ ๊ณต๊ฐ„์ด ์œ ๋™์ ์ด๊ณ  ์‹œ๊ฐ์  ํ‘œํ˜„์„ฑ์ด ๋” ํ™œ์„ฑํ™”ํ•˜๋Š” ํ™˜๊ฒฝ์œผ๋กœ ๋ณ€ํ™”ํ–ˆ๋‹ค๋Š” ์ ์ด๋‹ค. ์•„์šธ๋Ÿฌ ์ด๋Ÿฌํ•œ ๊ฒฝํ–ฅ์€ ๊ธฐ์กด ๋„์‹œ ํ™˜๊ฒฝ์— ๋Œ€ํ•œ ๊ด€์ ์„ ์ƒˆ๋กญ๊ฒŒ ํ–ˆ์œผ๋ฉฐ 2000๋…„๋Œ€ ์ดํ›„ โ€˜๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ(Mediafacade)โ€™๋ผ๋Š” ์žฅ๋ฅด๊ฐ€ ๋“ฑ์žฅํ•˜๊ฒŒ ๋œ ๊ณ„๊ธฐ๊ฐ€ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.49
kci_detailed_000016.xml
ART001770101
oai_dc
3D ์ž…์ฒด์˜ํ™” ์ดฌ์˜๊ณต๊ฐ„(็ฉบ้–“) ํ™œ์šฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on How to Use Space for 3D Stereoscopic Movie
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œํ™”์„ฑ(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™); ๊น€์–‘์‹(์ „๋ถ๋Œ€ํ•™๊ต ํ”„๋ž‘์Šคํ•™๊ณผ)" ]
ํ˜„์žฌ ๊ตญ๋‚ด ์˜์ƒ์—…๊ณ„๋Š” ๋‹ค์–‘ํ•œ ๋””์ง€ํ„ธ ์˜์ƒ์ œ์ž‘ ๊ธฐ์ˆ  ๋ณ€ํ™” ์†์—์„œ 3D ์ž…์ฒด์˜์ƒ์„ ์–ด๋–ป๊ฒŒ(์ƒ์‚ฐ์ž์ž…์žฅ, ์ˆ˜์šฉ์ž์ž…์žฅ)์ƒ์‚ฐํ•  ๊ฒƒ์ธ๊ฐ€์— ๋Œ€ํ•œ ๋‹ค๊ฐ์˜ ๋ฐฉ๋ฒ•๋ก ์  ๊ธฐ์ˆ  ์—ฐ๊ตฌ๊ฐ€ ์‹œ๊ธ‰ํ•œ ์‹ค์ •์ด๋‹ค. ๋ณธ๊ณ ๋Š” 3D ์ž…์ฒด์˜ํ™” ์ดฌ์˜์— ์žˆ์–ด ๊ด€๊ฐ๋“ค์—๊ฒŒ ํŽธ์•ˆํ•œ ์˜์ƒ์ œ๊ณต์„ ์œ„ํ•œ ์ดฌ์˜ ๊ณต๊ฐ„์„ค์ •๊ณผ ์˜์ƒ ์•ˆ์— ์žฅ์น˜๋˜๋Š” ๊ณต๊ฐ„๋ฏธ์ˆ ์˜ ์š”์†Œ๋“ค ๊ฐ„์˜ ์ž…์ฒด ๊ฐ’ ๋ณ€์ธ๋“ค์— ๋Œ€ํ•ด ๋‹ค๋ฃจ๊ณ ์ž ํ•˜์˜€๋‹ค. 3D ์ž…์ฒด์˜์ƒ์€ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์‹œ๊ฐ์  ์ธ์ง€๊ณผ์ •์„ ํ†ตํ•ด ์‹œ์•ผํˆฌ์Ÿ์„ ์œ ๋ฐœํ•˜๋ฉฐ, ๋‘ํ†ต๊ณผ ์–ด์ง€๋Ÿฌ์›€ ์ฆ์„ธ๋ฅผ ๋ณด์ผ ์ˆ˜ ์žˆ๋‹ค. ๋•Œ๋ฌธ์— 3D ์ž…์ฒด์˜ํ™” ์ดฌ์˜๊ณต๊ฐ„์„ ๊ตฌ์„ฑํ•˜๋Š”๋ฐ ์žˆ์–ด์„œ ์–ด๋–ป๊ฒŒ ํ•˜๋ฉด ๊ทธ๋Ÿฌํ•œ ์ฆ์„ธ๋“ค์„ ๋ฐฉ์ง€ํ•˜๊ณ  ์ตœ์†Œํ™” ํ•  ๊ฒƒ์ธ์ง€, ๋˜ ์ด๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.163
kci_detailed_000016.xml
ART001770072
oai_dc
ํŒํ™”์˜ ๋ฌผ์„ฑ(็‰ฉๆ€ง)์  ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on the expression of material properties of the printmaking
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์˜๊ธธ(ํ™์ต๋Œ€ํ•™๊ต)" ]
ํŒํ™”์—์„œ ๋ฌผ์„ฑ์€ ์‹œ๊ฐ, ์ด‰๊ฐ, ๋ฏธ๊ฐ, ์ฒญ๊ฐ, ํ›„๊ฐ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์‹ฌ๋ฆฌ์ ์ธ ์ƒ์ƒ๊ณผ ๊ฐ€์ƒ์„ ํ†ตํ•œ ์‹ ์ฒด์˜ ์ž‘๋™์— ๊ธฐ๋ฐ˜ํ•˜๋ฉฐ, ๋Œ€์ƒ์„ ๊ฐ๊ฐ์ ์ธ ์ •๋ณด๋กœ ์ถ”์ถœํ•˜๋Š” โ€˜์‹ ์ฒด์„ฑ์˜ ์žฅโ€™์ด๋‹ค. ํŒ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด์„œ ๋งŒ์ง€๊ณ , ๊น๊ณ , ์ƒˆ๊ธฐ๋Š” ๊ณผ์ •์€ ํ˜„์ƒ์ ์ธ ์ธก๋ฉด์—์„œ ์ฒดํ—˜์ด์ž, ์‹ ์ฒด ๋ฐ˜์‘๊ณผ ์—ฐ๊ด€๋œ โ€œ๊ฐ๊ฐ์  ์‚ฌ๊ฑดโ€์ด๋‹ค. ์ƒˆ๋กœ์šด ๋ฌผ์„ฑ์„ ์ฐฝ์กฐํ•˜๋Š” ํŒํ™”๊ฐ€์˜ ์‹œ๊ฐ์ ์ธ ๋Šฅ๋ ฅ์€ ํ˜•ํƒœ์™€ ์ƒ‰์ฑ„๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์‚ฌ๋ฌผ์˜ ๊ฐ•๋„์™€ ์งˆ๊ฐ์„ ํƒ์ƒ‰ํ•˜๊ณ  ์ถ”์ ํ•ด์„œ, ์‹œ๊ฐ์  ์ด‰์ง€์„ฑ์˜ ๊ณ ์œ ํ•œ ๋ฏธํ•™์„ ๋งŒ๋“ค์–ด๋‚ธ๋‹ค. ํŒ์žฌ์˜ ์กฐ๊ฐ์ด๋‚˜, ๊น๊ธฐ, ๋ถ€์‹ ๋“ฑ์„ ๊ธฐ๋ณธ์œผ๋กœ ํ•˜๋Š” ํŒํ™”๋Š” ํŒ ์œ„์— ์ˆ˜๋งŽ์€ ๊ต์ฐจ๋œ ์„ ์„ ๊ธ‹๋Š”๋‹ค. ์ด๋ ‡๊ฒŒ ์„ ์˜ ๊ต์ฐจ๋ฅผ ํ†ตํ•ด ๋งŒ๋“ค์–ด์ง„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.21
kci_detailed_000016.xml
ART001770104
oai_dc
๋ฎค์ง€์ปฌ์˜ ๊ฐˆ๋“ฑ ์Šคํ† ๋ฆฌํ…”๋ง ๊ตฌ์กฐ - ๋ฎค์ง€์ปฌ โ€˜๋ฐ”๋žŒ์˜ ๋‚˜๋ผโ€™์˜ ํ…์ŠคํŠธ์™€ ์•…๊ณก์„ ์ค‘์‹ฌ์œผ๋กœ -
The Structure of Conflict's Storytelling of musical - focused on the text and the music of musical 'Land of the Winds' -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ™์ˆ™์˜(ํ•œ์„ธ๋Œ€ํ•™๊ต); ์ •์ง€์˜(ํ•œ์„ธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ฎค์ง€์ปฌใ€Š๋ฐ”๋žŒ์˜ ๋‚˜๋ผใ€‹์˜ ํ…์ŠคํŠธ์™€ ์•…๊ณก์„ ๋ถ„์„ํ•˜์—ฌ ๊ฐˆ๋“ฑ ๊ตฌ์กฐ๋ฅผ ํŒŒ์•…ํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ํ…์ŠคํŠธ์™€ ์Œ์•…์€ ์ „์ฒด ๋ฎค์ง€์ปฌ์˜ ์ด๋ฏธ์ง€๋ฅผ ์ „๋‹ฌํ•˜๊ณ  ์ฃผ์š” ์ธ๋ฌผ๋“ค์˜ ๋“ฑ์žฅ ๋ฐ ๊ด€๊ณ„์— ์žˆ์–ด ๊ฐˆ๋“ฑ์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ ๋ฌดํœผ๊ณผ ํ˜ธ๋™์˜ ๊ฐˆ๋“ฑ์„ ์Šคํ† ๋ฆฌํ…”๋งํ•˜๊ณ  ์žˆ๋‹ค. ๋ฐ”๋žŒ์˜ ๋‚˜๋ผโ€™์˜ ์ฃผ์š” ๋“ฑ์žฅ์ธ๋ฌผ์ธ ๋ฌดํœผ๊ณผ ํ˜ธ๋™์€ ๋‘ ์‚ฌ๋žŒ์˜ ์šด๋ช…์ด ์—‡๊ฐˆ๋ฆผ์„ ์˜ˆ๊ณ ํ•˜๋Š” ์ œ์‹œ์  ๊ฐˆ๋“ฑ, ์„œ๋กœ ๋‹ค๋ฅธ ์ •์น˜์  ์ด์ƒ์—์„œ ๊ธฐ์ธํ•œ ํ˜ธ๋™์˜ ๋‚ด์  ๊ฐˆ๋“ฑ, ๊ฐ์ž์˜ ์ด์ƒํ–ฅ์„ ํ–ฅํ•ด ๋Œ์•„์„œ๋Š” ๋ฐ ๋”ฐ๋ฅธ ๋ฐ˜๋ชฉ์  ๊ฐˆ๋“ฑ์„ ์ง€๋‹Œ๋‹ค. ์ด๋Ÿฌํ•œ ๊ฐˆ๋“ฑ์€ ๋ฎค์ง€์ปฌ์˜ ๊ฐ€์‚ฌ์™€ ์ฃผ์š” ์„ ์œจ์„ ํ†ตํ•ด ํ‘œ์ถœ๋œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋งŒํ™”์—์„œ ์ฐจ์šฉํ•˜์—ฌ ์Šคํ† ๋ฆฌ์˜ ์ „๊ฐœ๊ฐ€ ๋น„์„ ํ˜•์ ์ด๋ฉฐ, ์•…๊ณก์˜ ๊ตฌ์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.199
kci_detailed_000016.xml
ART001770094
oai_dc
๋ฌผ์งˆ์—์„œ ๋ฌผ๋ฆฌ์  ์ฒด๊ณ„๋กœ์˜ ์ดํ–‰ - ํ•œ์Šค ํ•˜์ผ€์™€ ์œ„๋ฅด๊ฒ ๋ ˆ๋ธ”๋ ˆ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Passage from a Material to a Physical System - A Focus on Hans Haacke and Jurgen Reble -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์ค€ํ˜ธ(์„œ๊ฐ•๋Œ€ํ•™๊ต); ๊น€์ˆ˜์ฒ (์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋‰ด๋ฏธ๋””์–ด ์˜ˆ์ˆ ์˜ ์ฐฝ์ž‘๊ณผ ๋น„ํ‰์—์„œ ์‹œ์Šคํ…œ ๊ตฌํ˜„์— ์‚ฌ์šฉ๋œ ๊ธฐ์ˆ ์˜ ์ง„๋ณด์„ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ์ž‘ํ’ˆ์˜ ๊ฐ€์น˜๋ฅผ ํ‰๊ฐ€ํ•˜๋Š” ๊ฒฝํ–ฅ์— ๋Œ€ํ•œ ๋ฐ˜์„ฑ์  ๊ณ ์ฐฐ๋กœ์„œ 1960-70๋…„๋Œ€ ์•„๋ฐฉ๊ฐ€๋ฅด๋“œ ์˜ˆ์ˆ ์—์„œ ์ฒด๊ณ„ ๊ฐœ๋… ๋“ฑ์žฅ์˜ ๋ฐฐ๊ฒฝ์„ ๋ถ„์„ํ•œ๋‹ค. 1940-50๋…„๋Œ€ ๊ณผํ•™์—์„œ ์‚ฌ์ด๋ฒ„๋„คํ‹ฑ์Šค์™€ ์ฒด๊ณ„์ด๋ก  ๊ทธ๋ฆฌ๊ณ  1960-70๋…„๋Œ€ ์•„๋ฐฉ๊ฐ€๋ฅด๋“œ ์˜ˆ์ˆ ์—์„œ ์ฒด๊ณ„ ๊ฐœ๋…์€ ๊ณผํ•™๊ณผ ์˜ˆ์ˆ  ๋‚ด์—์„œ ์ž๊ธฐ๋ฐ˜์„ฑ์˜ ๊ฒฐ๊ณผ์˜€๊ณ , ๋ฉ”ํƒ€ํฌ์ ์œผ๋กœ ํ‰ํ–‰ํ•œ ๊ด€๊ณ„์— ์žˆ์—ˆ๋‹ค. ์ด๋ฅผ ๋…ผ์ฆํ•˜๊ธฐ ์œ„ํ•ด ๋ณธ ๋…ผ๋ฌธ์€ ๋ฃจ๋“œ๋น„ํžˆ ํฐ ๋ฒ„ํ‹€๋ž€ํ”ผ์˜ ์ผ๋ฐ˜์ฒด๊ณ„์ด๋ก ์„ ๊ฒ€ํ† ํ•˜๊ณ  ์žญ ๋ฒˆํ–„์˜ ์ฒด๊ณ„ ๋ฏธํ•™๊ณผ ๋น„๊ต, ๋ถ„์„ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํ•œ์Šค ํ•˜์ผ€์™€ ์œ„๋ฅด๊ฒ ๋ ˆ๋ธ”๋ ˆ์˜ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ ๋ฌผ์งˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.89
kci_detailed_000016.xml
ART001770096
oai_dc
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ์ƒํ˜ธ์ž‘์šฉ์  ์žฌ๊ตฌ์„ฑ๊ธฐ๋ฐ˜ ๋””์ง€ํ„ธ ์Šคํ† ๋ฆฌํ…”๋ง
The Interactive Recomposition based Digital storytelling in Interactive Animation
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ถ˜ํฌ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์–‘์ง€ํ˜„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ์ „์€ ๋‹ค์–‘ํ•œ ๋ฏธ๋””์–ด ํ™˜๊ฒฝ์˜ ๋ณ€ํ™”์™€ ํ•จ๊ป˜ ๋ฌธํ™”์™€ ์˜ˆ์ˆ ์˜ ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ๋‹ค์ค‘(ๅคš้‡) ํ˜•ํƒœ๋กœ ๋ณ€ํ˜•์‹œ์ผœ ์™”๋‹ค. ํŠนํžˆ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์žฅ๋ฅด์—์„œ ๋‹ค์–‘ํ•œ ์ด๋ฏธ์ง€์˜ ์žฌ๋งค๊ฐœํ™” ์˜์ƒ์ฒ˜๋ฆฌ ๊ธฐ์ˆ ์„ ํ†ตํ•ด ์žฌ์ƒ์  ์‹œ๊ฐ ํ˜•ํƒœ๋“ค์„ ๋ฐœ์ „์‹œ์ผœ์™”๋‹ค. ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ๋‹ค์›์  ์ •๋ณด์ „๋‹ฌ ์ˆ˜๋‹จ์˜ ๋ฐœ์ „์— ๋”ฐ๋ผ ์ตœ๊ทผ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๋””์ž์ธ ๊ธฐ์ˆ ๊ณผ ์ ‘๋ชฉ๋จ์œผ๋กœ์จ ๋ณด๋‹ค ์ง„๋ณด์ ์ธ ์˜ˆ์ˆ  ํ‘œํ˜„์˜์—ญ๊ณผ ๊ธฐ์ˆ ์˜์—ญ์—์„œ ๋งŽ์€ ๋ฐœ์ „์„ ํ–ˆ๋‹ค๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ „ํ†ต์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜ ํ‘œํ˜„ ๋งค์ฒด๋Š” ์ปดํ“จํ„ฐ๊ทธ๋ž˜ํ”ฝ์œผ๋กœ ์ธํ•ด ํ™˜์ƒ์  ์žฌํ˜„์œผ๋กœ ๊ฐ€์ƒ์  ํ™˜์˜ ์˜์ƒ ๋“ฑ ํ‘œํ˜„์ด ๋‹ค์–‘ํ•ด์กŒ์œผ๋ฉฐ ๋™์‹œ์— ์ƒˆ๋กœ์šด ํ‘œํ˜„ ๋””์ž์ธ ๋ฐฉ๋ฒ•์œผ๋กœ ์ธํ„ฐ๋ž™ํ‹ฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.111
kci_detailed_000016.xml
ART001770097
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ ์น˜๋ฃŒํ”„๋กœ๊ทธ๋žจ ํšจ๊ณผ ๋ถ„์„ - ์ง€์—ญ์•„๋™์„ผํ„ฐ ์ฒญ์†Œ๋…„์˜ ์šฐ์šธ์ฆ ๊ฐœ์„ ์‚ฌ๋ก€ ๋ถ„์„์„ ๋ฐ”ํƒ•์œผ๋กœ-
The Analysis of Effect of Animation Therapy Program - Based on Cases of reducing the depression of juveniles in social service centers -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฏผ์„œํฌ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต ์˜์ƒ์˜ˆ์ˆ ํ•™๊ณผ)" ]
์ด๋ฒˆ ์—ฐ๊ตฌ์—์„œ๋Š” ์ง€์—ญ์•„๋™์„ผํ„ฐ์˜ ์ฒญ์†Œ๋…„ ์šฐ์šธ์ฆ ๊ฐœ์„ ์„ ์œ„ํ•œ ์• ๋‹ˆ๋ฉ”์ด์…˜์น˜๋ฃŒํ”„๋กœ๊ทธ๋žจ์˜ ํšจ๊ณผ๋ฅผ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ์น˜๋ฃŒํ”„๋กœ๊ทธ๋žจ์˜ ๊ตฌ์„ฑ์€ ๊ฐ์ƒ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ๊ฐ„์ ‘๋ฐฉ์‹๊ณผ ์ฐฝ์ž‘์ฐธ์—ฌ๋ฅผ ํ†ตํ•œ ์ง์ ‘๋ฐฉ์‹ ๊ทธ๋ฆฌ๊ณ  ์ข…ํ•ฉํ”„๋กœ๊ทธ๋žจ์œผ๋กœ ๊ตฌ์„ฑํ•˜์˜€๋‹ค. ์ด๋Ÿฌํ•œ ํ”„๋กœ๊ทธ๋žจ๊ตฌ์„ฑ์„ ์น˜๋ฃŒ ๋Œ€์ƒ์ž๋“ค์—๊ฒŒ ์ ์šฉํ•œ ๊ฒฐ๊ณผ ์‚ฌ๋ก€๋Œ€์ƒ์ž๋“ค์˜ ์‹œ๊ฐ์ , ๊ณต๊ฐ„์  ๊ฐ๊ฐ๊ณผ ํ•จ๊ป˜ ํ‘œํ˜„๋ ฅ์ด ํ–ฅ์ƒ๋˜์—ˆ๋‹ค. ํŠนํžˆ ์ง„ํ–‰์ž์™€์˜ ๋น„์–ธ์–ด์ ์ธ ์†Œํ†ต์„ ํ†ตํ•ด ์น˜์œ ์— ๋Œ€ํ•œ ๊ธ์ •์ ์ธ ๋ฐฉํ–ฅ์„ ์œ ๋„ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ด๋ ‡๋“ฏ ์• ๋‹ˆ๋ฉ”์ด์…˜์น˜๋ฃŒํ”„๋กœ๊ทธ๋žจ์ด ์ฒญ์†Œ๋…„์˜ ์šฐ์šธ์ฆ์„ ๊ฐœ์„ ํ•˜๋Š” ์น˜๋ฃŒ์  ํšจ๊ณผ๊ฐ€ ๋งค์šฐ ๋†’์Œ์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.123
kci_detailed_000016.xml
ART001770103
oai_dc
๋ฏธ์ˆ ๊ด€์„ ์œ„ํ•œ ํ–‰์ • ์ง€์› ํ˜„ํ™ฉ๊ณผ ๋“ฑ๋ก ์ ˆ์ฐจ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€์„ ์ค‘์‹ฌ์œผ๋กœ-
Study Of Art Museum Governments Services And Registration Qualification -bring Kyung KI do art museum up-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„๊ฒฝ(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋ฏธ์ˆ ๊ด€ ์ •์ฑ…์„ ๋ชฉ์ ์œผ๋กœ ํ•œ ๊ณ ์ฐฐ๊ณผ ํ˜„ ์ƒํ™ฉ ์—ฐ๊ตฌ๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ๋“ฑ๋ก์ ˆ์ฐจ์™€ ํ˜„์ง€์กฐ์‚ฌ ๋ฐ ์‹ ์ฒญ ์š”๊ฑด ๋“ฑ์„ ๋ณธ๋ก ์„ ํ†ตํ•ด ์กฐ์‚ฌ๋˜์–ด์กŒ๋‹ค. ๋ฏธ์ˆ ๊ด€์„ ์œ„ํ•œ ํ–‰์ • ์ง€์›๊ณผ ์ ˆ์ฐจ์˜ ๊ธฐ์ดˆ ์—ฐ๊ตฌ๋กœ์„œ ๊ฒฝ๊ธฐ๋„ ๋‚ด์˜ ๋ฏธ์ˆ ๊ด€ ๋ฐ•๋ฌผ๊ด€์„ ์ค‘์‹ฌ์œผ๋กœ ํ˜„ํ™ฉ๊ณผ ๋“ฑ๋ก ๋ฐฉ์‹ ๋ฐ ํ˜„์ง€์กฐ์‚ฌ ์ฐฉ์•ˆ์‚ฌํ•ญ ๋“ฑ์˜ ํ–‰์ •์ ˆ์ฐจ๋ฅผ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ๋„๋‚ด ๋“ฑ๋ก๋œ ๋ฐ•๋ฌผ๊ด€๊ณผ ์ž๋ฃŒ๊ด€ ๋ฏธ์ˆ ๊ด€์˜ ์‹คํƒœ์™€ ๋“ฑ๋ก์š”๊ฑด์— ๋”ฐ๋ฅธ ๋ถ„๋“€๋ฅผ ํ•˜๊ณ  ๋“ฑ๋ก์— ๋”ฐ๋ฅธ ์ •๋ถ€์ง€์› ์‚ฌํ•ญ์„ ์กฐ์‚ฌ ํ•˜์˜€๋‹ค. ์ธ๋ ฅ์— ๊ด€ํ•œ ์š”๊ฑด์„ ํ†ตํ•ด ๋ฏธ๋ž˜ ํ•œ๊ตญ์˜ ์˜ˆ์ˆ ์ •์ฑ…์ด ์ข€ ๋” ์„ธ๋ถ„ํ™”๋œ ์ง€์›๊ณผ ์ •์ฑ…์˜ ํ•„์š”์„ฑ์„ ์ง€์ ํ•˜๊ณ  ๋ฐœ์ „์  ์ œ๋„ํ™”์˜ ์„ ํ–‰์  ์—ฐ๊ตฌ๋กœ์„œ ์ค€๋น„ ๋˜์–ด์ ธ์•ผ ํ•  ์‚ฌํ•ญ๊ณผ ์˜๋ฏธ๋ฅผ ๊ฒฐ๋ก ์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.189
kci_detailed_000016.xml
ART001770099
oai_dc
์บ๋ฆญํ„ฐ ์ค‘์‹ฌ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์Šคํ† ๋ฆฌํ…”๋ง ๋น„๊ต ์—ฐ๊ตฌ - ๋ ˆ์ „๋“œ ์˜ค๋ธŒ ๋ž˜๋น—๊ณผ ์ฟตํ‘ธํŒฌ๋”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Comparative Study of Animation Storytelling Focused on Characters - Comparing <Legend of a rabbit> with <Kungfu Panda> -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์—ฌ๋กœ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต ์˜์ƒ์˜ˆ์ˆ ํ•™๊ณผ)" ]
๊ณผ๊ฑฐ ์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ์ค‘๊ตญ ๋ฌธํ™”์˜ ํŠน์„ฑ์„ ๋“œ๋Ÿฌ๋‚ธ ๊ธฐ๋ฒ•๊ณผ ๊ตํ›ˆ์  ๋ฉ”์‹œ์ง€๋“ค์„ ๊ฐ•์กฐํ•˜๋Š” ๋Œ€์‹ , ๋Œ€์ค‘์„ฑ์ด ๊ฒฐ์—ฌ๋œ ํŠน์ง•์ด ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ฏธ๊ตญ๊ณผ ์ผ๋ณธ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ž‘ํ’ˆ๋“ค์ด ์ค‘๊ตญ์— ์ง„์ถœํ•œ ์ด๋ž˜, ์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜๋„ ๋Œ€์ค‘์„ฑ์„ ๊ฐ–์ถ”๊ธฐ ์œ„ํ•œ ๋…ธ๋ ฅ์„ ํ•˜๊ณ  ์žˆ๋‹ค. ์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜ <๋ ˆ์ „๋“œ ์˜ค๋ธŒ ๋ž˜๋น—>์€ ์ฟตํ‘ธ๋ฅผ ์†Œ์žฌ๋กœ, ํ• ๋ฆฌ์šฐ๋“œ ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ๋ฒค์น˜๋งˆํ‚นํ•œ ์ž‘ํ’ˆ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ฐ‹๋ฐ‹ํ•œ ์Šคํ† ๋ฆฌํ…”๋ง๊ณผ ๋งค๋ ฅ์ด ๋ถ€์กฑํ•œ ์บ๋ฆญํ„ฐ๋กœ ๋Œ€์ค‘์ ์œผ๋กœ ํฐ ์ธ๊ธฐ๋ฅผ ๋Œ์ง€ ๋ชปํ•˜์˜€๋‹ค. ๊ทธ๋ž˜์„œ ๋ณธ ์—ฐ๊ตฌ๋Š” ๋™์ผํ•œ ์†Œ์žฌ๋ฅผ ๋‹ค๋ฃฌ ํ• ๋ฆฌ์šฐ๋“œ ์• ๋‹ˆ๋ฉ”์ด์…˜ <์ฟตํ‘ธํŒฌ๋”>์™€์˜ ๋น„๊ต๋ฅผ ํ†ตํ•ด ์Šคํ† ๋ฆฌํ…”๋ง๊ณผ ์บ๋ฆญํ„ฐ์˜ ๊ด€๊ณ„๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ๊ทธ ๊ฒฐ๊ณผ, ๋””ํ…Œ์ผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.143
kci_detailed_000016.xml
ART001770095
oai_dc
๊ตญ๋‚ด ํ…Œ๋งˆ ์ „์‹œ์—์„œ์˜ ์—ญ๋Ÿ‰ ๊ฐ•ํ™”๋ฅผ ์œ„ํ•œ ์ „์‹œ ์ธ๋ ฅ TASK ๊ณ ์ฐฐ๊ณผ ๋ฐฉ์•ˆ
Study Of developed Task Qualification in Competency for thema exhibition at Korea
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„๊ฒฝ(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™)" ]
์ด ๋…ผ๋ฌธ์„ ํ†ตํ•ด ์ œ์‹œ ํ•˜๊ณ ์ž ํ•˜๋Š” ์—ฐ๊ตฌ์˜ ํ•ต์‹ฌ์€ ์ผ๋ฐ˜ ๋„์ŠจํŠธ ํ”„๋กœ๊ทธ๋žจ๊ณผ ์ผ๋ฐ˜ ์ „์‹œ ์ „๋ฌธ ์ธ๋ ฅ ์ˆ˜์š”๊ฐ€ ์ฆ๊ฐ€ํ•˜๋Š” ํ•œ๊ตญ์˜ ์ „์‹œ ํ˜•ํƒœ์— ๋”ฐ๋ฅธ, ์ „๋ฌธ ์ธ๋ ฅ์˜ TASK ์—ญ๋Ÿ‰ ๊ฐ•ํ™”๋ฅผ ์œ„ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ๊ธฐ์กด ๋ฏธ์ˆ ๊ด€์˜ ๊ฐœ๋…์ด์—ˆ๋˜ docent์˜ ๊ฐœ๋…์ด, ๋ถ„์•ผ๋ณ„ ์ „๋ฌธ ์ธ๋ ฅ์˜ ์ˆ˜์š”๋กœ ํ•„์š”์„ฑ์ด ์ฆ๋Œ€๋˜๊ณ  ์žˆ์œผ๋ฉฐ, ํ…Œ๋งˆ ์ „์‹œ๊ด€์ด๋‚˜ ์ผ๋ฐ˜ ์ „์‹œ๊ฐ€ ๋ณด๋Š” ์ „์‹œ๊ฐ€ ์•„๋‹Œ ๊ต์œก์ „์‹œ๋‚˜ ์ฒดํ—˜ ์ „์‹œ์˜ ์„ฑ๊ฒฉ์œผ๋กœ ๋ณ€ํ•ด๊ฐ€๋Š” ์ถ”์„ธ์— ๋งž์ถ”์–ด ์ธ๋ ฅ๊ฐ•ํ™”์˜ ํ•„์š”์„ฑ์„ ์ œ์‹œํ•˜์˜€๋‹ค. ๊ณผํ•™๊ด€์ด๋‚˜ ์—‘์Šคํฌ ๊ฐ™์€ ํ…Œ๋งˆ๋ฅผ ๊ฐ€์ง„ ์ „์‹œ์—์„œ์˜ ์ „๋ฌธ ์ธ๋ ฅ์˜ ์—ญํ• ์€ ๋งค์šฐ ์ค‘์š”ํ•˜๋ฉฐ ์ด๋ฅผ ์œ„ํ•œ ์ง€์—ญ์‚ฌํšŒ์˜ ์—ฐ๊ณ„ ๋ฐ ์ „๊ณต๊ณผ๋ชฉ์˜ ์—ฐ๊ณ„๋ฅผ ํ†ตํ•œ ์—…๋ฌด๋Šฅ๋ ฅ ๊ฐ•ํ™”์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.101
kci_detailed_000016.xml
ART001770105
oai_dc
ํ•œ๊ตญ ๋Œ€์ค‘์Œ์•…์— ๋‚˜ํƒ€๋‚œ ์ž‘๊ณก์  ๊ฒฝํ–ฅ์˜ ๋ถ„๋ฅ˜๋ฅผ ์œ„ํ•œ ์ด๋ก ์  ๊ตฌ์กฐ๋ถ„์„ ์—ฐ๊ตฌ - 1980~90๋…„๋Œ€ ํ•œ๊ตญ ๋Œ€์ค‘๊ฐ€์š”์˜ ์„ ์œจ๊ณผ ํ™”์„ฑ์„ ์ค‘์‹ฌ์œผ๋กœ -
Analytical Study of the Theoretical structure for Classification of Compositional styles in Korean Popular Songs - Focused on the melody and harmony in Korean popular songs between 1980~90 -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์ง€์˜(ํ•œ์„ธ๋Œ€ํ•™๊ต)" ]
ํ•œ๊ตญ์˜ ๋Œ€์ค‘๊ฐ€์š”๋Š” 1980๋…„๋Œ€์™€ 1990๋…„๋Œ€ ์ „๋ฐ˜์— ๊ฑธ์ณ ๋น„์•ฝ์ ์ธ ๋ฐœ์ „์„ ํ•œ๋‹ค. ๋Œ€์ค‘๊ฐ€์š”๊ฐ€ ๊ฐ€์ง€๋Š” ๋ฌธํ•™์ , ์‚ฐ์—…์  ๊ทธ๋ฆฌ๊ณ  ์‚ฌํšŒ์  ์˜ํ–ฅ๋ ฅ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์— ๋น„ํ•ด ์Œ์•…์  ์—ฐ๊ตฌ๋Š” ์ƒ๋Œ€์ ์œผ๋กœ ํ™œ๋ฐœํ•˜์ง€ ๋ชปํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํ•œ๊ตญ ๋Œ€์ค‘๊ฐ€์š”์˜ ์Œ์•…์  ์—ฐ๊ตฌ์˜ ํ•„์š”์„ฑ์„ ์—ฐ๊ตฌ์˜ ๋™ํ–ฅ๊ณผ ๊ต์œก์  ์ธก๋ฉด์—์„œ ์ œ์‹œํ•˜์˜€๋‹ค. ๊ตฌ์ฒด์ ์œผ๋กœ 1980๋…„๋Œ€์™€ 1990๋…„๋Œ€ ๊ฐ€์žฅ ๋†’์ด ํ‰๊ฐ€ ๋ฐ›๋Š” ์œ ์žฌํ•˜์˜ ์œ ์ผํ•œ ์Œ๋ฐ˜์ธ โ€˜์‚ฌ๋ž‘ํ•˜๊ธฐ ๋•Œ๋ฌธ์—โ€™๋ฅผ ํฌ์˜คํŠธ์˜ ๋Œ€์ค‘์Œ์•… ๋ถ„์„์˜ ๋ถ„๋ฅ˜๋ฅผ ํ†ตํ•ด ๊ณ ์ฐฐํ•˜์˜€๋‹ค. ํฌ์˜คํŠธ์˜ ์žฅ์‹์ ์ธ ์Œ์˜ ํ™”์„ฑ์  ๋™ํ™”, ์žฅยท๋‹จ์กฐ์˜ ์ฐจ์šฉ, ์••๋ฐ•์ , ๊ณ„๋ฅ˜์  ํ™”์„ฑ ๋ฐ ์„ ์œจ์˜ ์ฒ˜๋ฆฌ ๋“ฑ์„ ์œ ์žฌํ•˜์˜ ๊ฐ€์š”์— ์ ์šฉ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.211
kci_detailed_000016.xml
ART001770092
oai_dc
TV๋‰ด์Šค์˜ ์‹œ๊ฐ์  ๋ธŒ๋žœ๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ ๋ถ„์„ - Low Third [information bar] ๋ถ„์„์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study of brand image Identity for TV news - Mainly with the Case Study of Low Third on TV News -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•ํ˜„(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋ฐฉ์†ก ํ”„๋กœ๊ทธ๋žจ์—์„œ ๋ธŒ๋žœ๋“œ๋ผ ํ•จ์€ ์‹œ์ฒญ์ž ๋งˆ์Œ์†์— ํ˜•์„ฑ๋˜๋Š” ํ”„๋กœ๊ทธ๋žจ์— ๋Œ€ํ•œ ๊ธฐ๋Œ€์ด์ž ์•ฝ์†์ด๋ฉฐ ํ‰ํŒ์ผ ๊ฒƒ์ด๋‹ค. ๋ฌดํ˜•์˜ ๊ฐœ๋…์ด์ง€๋งŒ ์‹œ์ฒญ์ž์™€์˜ ๊ฐ์„ฑ์  ์—ฐ๊ฒฐ ๊ณ ๋ฆฌ๋กœ์„œ, ๋ฐฉ์†ก์‚ฌ ํ˜น์€ ํ”„๋กœ๊ทธ๋žจ์— ๋Œ€ํ•œ ์‹œ์ฒญ์ž์˜ ๋ฏฟ์Œ๊ณผ ์ธต์„ฑ๋„์— ๋ง‰๋Œ€ํ•œ ์˜ํ–ฅ๋ ฅ์„ ๊ฐ€์ง€๊ฒŒ ๋œ๋‹ค. ํ…”๋ ˆ๋น„์ „ ๋‰ด์Šค์— ์žˆ์–ด์„œ ์˜์ƒ ์ž๋ง‰(Low Third)์€ ์ •ํ™•ํ•œ ๋ฉ”์‹œ์ง€๋ฅผ ๋‹ด์•„ ์ „๋‹ฌํ•˜๋Š” ์ •๋ณด ์ œ๊ณต์˜ ์ค‘์š”ํ•œ ๊ธฐ๋Šฅ์  ์—ญํ• ์„ ์ˆ˜ํ–‰ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋ž˜ํ”ฝ ๊ธฐ์ˆ  ๋ฐ ์˜์ƒ ์„œ๋น„์Šค๊ฐ€ ๋ฐœ๋‹ฌํ•˜๋ฉด์„œ Low Third๋Š” ์ •๋ณด ์ „๋‹ฌ์˜ ๊ธฐ๋Šฅ์  ์ธก๋ฉด๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ๊ฐ ๋ฐฉ์†ก์‚ฌ ๋‰ด์Šค์˜ ๋ธŒ๋žœ๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ๋ฅผ ํ‘œํ˜„ํ•˜๊ธฐ ์œ„ํ•œ ์ค‘์š”ํ•œ ๋„๊ตฌ๋กœ ๊ทธ ์˜์—ญ์ด ํ™•์žฅ๋˜๊ณ  ์žˆ๋‹ค. ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.2.65
kci_detailed_000016.xml
ART001664674
oai_dc
์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์—์„œ ๊ด€๊ฐ-์ž‘ํ’ˆ๊ฐ„์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์  ์ƒํ˜ธ์ž‘์šฉ ์ฒดํ—˜-
A Study on Experience of Narrative Interaction between Artworks and Audience in Video Installation Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ˆ˜์ง„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ์˜ ์ฒจ๋‹จ ๊ธฐ์ˆ ์ด ์ ‘๋ชฉ๋œ ์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์—์„œ ๊ด€๊ฐ์ฐธ์—ฌ๋Š” ์ž‘ํ’ˆ๊ณผ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์  ์ƒํ˜ธ์ž‘์šฉ ์ฒดํ—˜์˜ ๊ฐ€์น˜๋ฅผ ๋ถ€๊ฐ€์‹œํ‚ค๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•œ ํ•„์š”์„ฑ์ด ์ฆ๊ฐ€๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์—์„œ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํ†ตํ•œ ๊ด€๊ฐ์˜ ์ฐธ์—ฌ์  ์ž‘ํ’ˆํ‘œํ˜„ ๊ธฐ์ค€๊ณผ ์ฒ™๋„๋Š” ์ œ์‹œ๋œ ๋ฐ” ์—†์œผ๋ฉฐ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์™€ ๊ฒฐํ•ฉ๋œ ์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์˜ ์ฒดํ—˜ํŠน์„ฑ๊ณผ ์ฒดํ—˜๋ฐฉ์‹ ๋˜ํ•œ ์—ฐ๊ตฌ๊ฐ€ ๋ฏธํกํ•œ ์‹ค์ •์ด๋‹ค. ๋”ฐ๋ผ์„œ ์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์—์„œ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํ†ตํ•œ ๋‹ค์–‘ํ•œ ๊ด€๊ฐ์ฐธ์—ฌ์™€ ์ž‘ํ’ˆ๊ฐ„์˜ ์ฒดํ—˜ ํ‘œํ˜„ํŠน์„ฑ์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค. ์˜์ƒ ์„ค์น˜๋ฏธ์ˆ ์—์„œ ์ƒˆ๋กœ์šด ํ˜•์‹์œผ๋กœ ๋„์ž…๋œ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์  ํ‘œํ˜„ํŠน์„ฑ์€ ์ฒดํ—˜์˜ ์œ ๋„ ๋ชฉ์ ์— ๋”ฐ๋ผ ๋‹ค์–‘ํ•œ ์—ฐ์ถœ๊ธฐ๋ฒ•์„ ํ†ตํ•ด ์žฌ๊ตฌ์„ฑ๋œ๋‹ค. ์ด๋Š” ๊ด€๊ฐ์˜ ์ ๊ทน์ ์ธ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.241
kci_detailed_000016.xml
ART001664672
oai_dc
์‚ฌํšŒ์  ๋‹จ์„œ๋กœ ํ–‰๋™์  ๋™์งˆ์„ฑ ํš๋“๊ณผ ๊ธ์ •์  ์ •์„œ๊ฐ€ ํ™•์‚ฐ์  ์‚ฌ๊ณ ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ
The impact of behavioral mimicry and positive emotion as social cues on divergent thinking
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ฃผํ›ˆ(ํ™์ต๋Œ€ํ•™๊ต); ์„ฑ๋ฏผ์„ (ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์‚ฌํšŒ์  ๋‹จ์„œ๋กœ์„œ ํ–‰๋™์  ๋™์งˆ์„ฑ ํš๋“์˜ ์˜ํ–ฅ์„ ๋ฐ›์œผ๋ฉด ๊ทธ๋ ‡์ง€ ์•Š์€ ์ง‘๋‹จ ๋ณด๋‹ค ํ™•์‚ฐ์  ์‚ฌ๊ณ ๋ฅผ ๋” ํ•  ๊ฒƒ์ด๋ฉฐ, ํ–‰๋™์  ๋™์งˆ์„ฑ ํš๋“ ์œ ๋ฌด์— ์ƒ๊ด€์—†์ด ๊ธ์ •์  ์ •์„œ๊ฐ€ ์œ ๋ฐœ๋˜๋ฉด ๋ถ€์ •์  ์ •์„œ๊ฐ€ ์œ ๋ฐœ๋˜๋Š” ์ƒํƒœ์—์„œ๋ณด๋‹ค ํ™•์‚ฐ์  ์‚ฌ๊ณ ๋ฅผ ๋” ํ•  ๊ฒƒ์ด๋ผ๋Š” ๋‘ ๊ฐ€์ง€ ๊ฐ€์„ค์„ ๊ฒ€์ฆํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๋””์ž์ธ์ „๊ณต ํ•™์ƒ๋“ค 154๋ช…์„ ๋Œ€์ƒ์œผ๋กœ ํ–‰๋™์  ๋™์งˆ์„ฑ ์œ ๋ฐœ ๊ทธ๋ฃน๊ณผ ๊ทธ๋ ‡์ง€ ์•Š์€ ๊ทธ๋ฃน์œผ๋กœ ๋‚˜๋ˆ„์–ด ํ‰๋‚ด ๋‚ด๊ธฐ ๋ฐ ํ‰๋‚ด ๋ƒ„ ๋‹นํ•˜๊ธฐ ๊ทธ๋ฆฌ๊ณ  ๊ธ์ • ๋ฐ ๋ถ€์ •์  ์ •์„œ๋ฅผ ์กฐ์ž‘ํ•œ ํ›„ ๋‹จ์–ด์—ฐํ•ฉ๊ณผ์ œ์™€ ์›๊ฒฉ์—ฐ์ƒ๊ฒ€์‚ฌ๋ฅผ ์‹ค์‹œํ•˜์—ฌ ์ด๋“ค ๋‘ ๊ทธ๋ฃน๊ณผ ๋‘ ์กฐ๊ฑด๊ฐ„์˜ ํ™•์‚ฐ์ ์‚ฌ๊ณ  ๋Šฅ๋ ฅ์„ ๋น„๊ต๋ถ„์„ํ•˜์˜€๋‹ค. ๊ทธ ๊ฒฐ๊ณผ ํ–‰๋™์  ๋™์งˆ์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.213
kci_detailed_000016.xml
ART001664651
oai_dc
์ž์•„์˜ ๊ฒฝ๊ณ„ - ์‹ ์œค๋ณต์˜ ใ€Šํ˜œ์›์ „์‹ ์ฒฉใ€‹์„ ์ค‘์‹ฌ์œผ๋กœ
Boundary of Ego - focused on Shin, YoonBok's Genre Paintings Album,ใ€ŠHyewonjeonshincheopใ€‹
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์—„์†Œ์—ฐ(ํ•œ๊ตญ์™ธ๊ตญ์–ด๋Œ€ํ•™๊ต); ์„œ์ข…์„(ํ•œ๊ตญ์™ธ๊ตญ์–ด๋Œ€ํ•™๊ต)" ]
๋น„์–ธ์–ด์  ์˜ˆ์ˆ ์„ ๊ธฐํ˜ธํ•™์  ๋„๊ตฌ๋ฅผ ํ†ตํ•ด์„œ ์–ธ์–ด์ ์œผ๋กœ ์ฝ๋Š” ๊ฒƒ์€ ์‰ฝ์ง€ ์•Š์ง€๋งŒ, ์˜ˆ์ˆ ์˜ ๋ณธ์„ฑ์€ ์ด๋ฏธ์ง€์™€ ํ…์ŠคํŠธ๊ฐ€ ์ž์œ ๋กญ๊ฒŒ ์œตํ•ฉ๋œ ๊ณ ์œ ํ•œ ๊ธฐํ˜ธํ•™์  ํ˜„์ƒ์ด๋‹ค. ๋˜ํ•œ ์‹œ๊ฐ์  ์ด๋ฏธ์ง€๋Š” ๋‹จ์ˆœํžˆ ์‹œ๊ฐ์  ๊ฒฝํ—˜์„ ์žฌ์ƒ์‚ฐํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์ž‘๊ฐ€์˜ ์˜๋„์— ๋”ฐ๋ผ ์ด๋ฅผ ์žฌ๊ตฌ์„ฑํ•˜์—ฌ ๋ณตํ•ฉ์ ์œผ๋กœ ์†Œํ†ต๋˜๋„๋ก ํ•œ๋‹ค. ๋”ฐ๋ผ์„œ ์‹œ๊ฐ์  ์ด๋ฏธ์ง€๋ฅผ ํ•ด๋…(decoding)ํ•  ์ˆ˜ ์žˆ๋Š” ์—ฌ์ง€๋Š” ํ•ญ์ƒ ์—ด๋ ค์žˆ์œผ๋‚˜, ์ž‘๊ฐ€์˜ ์˜๋„๋‚˜ ์˜์‹์ด ๊ทธ๋ฅผ ๋‘˜๋Ÿฌ์‹ผ ํŠน์ˆ˜ํ•œ ๊ฐœ์ธ์‚ฌ ๋ฐ ๋ณดํŽธ์  ์‚ถ์˜ ๊ตฌ์กฐ์™€ ์—ฐ๋™ํ•˜๋ฉฐ ํ˜•์„ฑ๋˜๊ณ  ์ž‘์šฉ๋˜๊ธฐ์— ์ฆ‰๊ฐ์ ์ธ ์ดํ•ด๋Š” ์‰ฝ์ง€ ์•Š๋‹ค. ๋ณธ๊ณ ๋Š” ์กฐ์„ ํ›„๊ธฐ์˜ ์‚ฌํšŒ๋ฌธํ™”์  ๋ณ€๋™ ๋ฐ ์ „ํ™˜๊ณผ ๋ฐ€์ ‘ํ•  ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ž‘๊ฐ€์˜ ๊ฐœ์„ฑ์ด ๊ฐ•...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.21
kci_detailed_000016.xml
ART001664673
oai_dc
์ง€์—ญ ๋ฌธํ™”์ธ๋ฌผ ์ฝ˜ํ…์ธ ๊ฐœ๋ฐœ์—ฐ๊ตฌ - ๋ณด๋ น, ํ† ์ •(ๅœŸไบญ) ์ด์ง€ํ•จ(ๆŽไน‹่ก) ์„ ์ค‘์‹ฌ์œผ๋กœ
Research on the Development of Contents about Local Culture People - Focussing on TO JUNG, LEE Ji-Ham of BORYUNG
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ•ด๊ด‘(์ƒ๋ช…๋Œ€ํ•™๊ต); ๊น€๋ณ‘์ˆ˜(๋ชฉ์›๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ถฉ๋‚จ ๋ณด๋ น์˜ ์—ญ์‚ฌ์ธ๋ฌผ์ธ ํ† ์ • ์ด์ง€ํ•จ๊ณผ ๊ทธ์˜ ์ €์ˆ ๋กœ ์ถ”์ •๋˜๋Š” <ํ† ์ •๋น„๊ฒฐ>์˜ ๋ฌธํ™”์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ์— ๊ด€ํ•œ ์ œ์•ˆ์„ ์—ฐ๊ตฌํ•œ ๊ฒƒ์ด๋‹ค. ๋ฌธํ™”์ฝ˜ํ…์ธ ์— ๋Œ€ํ•œ ๊ด€์‹ฌ๊ณผ ์ˆ˜์š”๊ฐ€ ์ฆ๋Œ€ํ•˜๊ณ  ์‹ค์ œ ๋‹ค์–‘ํ•œ ๋ฌธํ™”์ฝ˜ํ…์ธ ๋“ค์ด ์ œ์ž‘, ์œ ํ†ต๋จ์—๋„ ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ์ง€์—ญ ๋ฌธํ™”์ฝ˜ํ…์ธ ๋Š” ๋‹จ์ˆœํ•œ ๊ด€๊ด‘์ƒํ’ˆ ์ˆ˜์ค€์„ ๋ฒ—์–ด๋‚˜์ง€ ๋ชปํ•˜๊ณ  ์žˆ๋‹ค. ์ด์— ์šด๋ช…ํ•™์˜ ๋Œ€๊ฐ€ ์ด์ง€ํ•จ์„ ์ค‘์‹ฌ์œผ๋กœ ๋‹ค์–‘ํ•œ ์ฝ˜ํ…์ธ  ๊ฐœ๋ฐœ ๋ฐฉ๋ฒ•์„ ๊ตฌ์ฒด์ ์ธ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•ด ์ œ์‹œํ•˜๊ณ  ํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.225
kci_detailed_000016.xml
ART001664669
oai_dc
๋†€๋žŒ์˜ ๋™์ž‘ ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์•„๋“œ๋งŒ ์ŠคํŠœ๋””์˜ค์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ โ€˜์›”๋ž˜์Šค์™€ ๊ทธ๋กœ๋ฐ‹โ€™์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Expression of Surprisal Motion - Focusing on Aardman Studio Animation Worksโ€˜Wallas and Gromitโ€™-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ทœํ™(ํ˜ธ์„œ๋Œ€ํ•™๊ต); ๋ฅ˜์ง„ํ˜ธ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋‹ค์œˆ์ด ๊ทœ๋ช…ํ•œ 6๊ฐœ์˜ ๊ฐ์ • ๊ธฐ๋ณธํ˜• ์ค‘ ํ•˜๋‚˜์ธ ๋†€๋ผ์›€์€ ๊ฐ‘์ž๊ธฐ ์–ด๋– ํ•œ ์ผ์ด ์ผ์–ด๋‚˜๊ฑฐ๋‚˜ ๊ธฐ๋Œ€ ์ด์ƒ์˜ ์ผ์„ ๋Œ€ํ•  ๋•Œ ์ฃผ๋กœ ์ผ์–ด๋‚˜๋Š” ๊ฐ์ •์ด๋‹ค. ๋†€๋ผ์›€์€ ์Šค์Šค๋กœ ์ผ์–ด๋‚  ์ˆ˜ ์—†๊ณ  ์ˆœ๊ฐ„์ ์œผ๋กœ ๋А๋ผ๋Š” ๊ฐ์ •์ด๊ธฐ ๋•Œ๋ฌธ์— ๊ฐ์ •์˜ ์ฃผ์ฒดํ˜„์ƒ์ด ๋ฐ˜๋“œ์‹œ ์กด์žฌํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์•„๋“œ๋งŒ ์ŠคํŠœ๋””์˜ค์˜ ์ž‘ํ’ˆ ์ค‘ ๊ฐ€์žฅ ๋งŽ์€ ์ธ์ง€๋„๋ฅผ ๊ฐ€์ง„โ€˜์›”๋ž˜์Šค์™€ ๊ทธ๋กœ๋ฐ‹โ€™์‹œ๋ฆฌ์ฆˆ๋ฅผ ๋†€๋ผ๋Š” ๋™์ž‘์˜ ํ‘œํ˜„์„ ์ค‘์‹ฌ์œผ๋กœ ์Šคํ†ฑ๋ชจ์…˜์ด ๊ฐ€์ง€๋Š” ์ผ์ •ํ•œ ํ‘œํ˜„์–‘์‹์„ ์ฐพ์•„๋‚ด๊ณ ์ž ๋ชจ์ƒ‰ํ•˜์˜€๊ณ , ์ด๋Ÿฌํ•œ ์–‘์‹์ด ์ž‘ํ’ˆ ์ „์ฒด์˜ ๋ถ„์œ„๊ธฐ์— ์–ด๋– ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š”์ง€ ์—ฐ๊ตฌํ•ด ๋ณด์•˜๋‹ค. ํŠนํžˆ ํƒ€์ด๋ฐ๊ณผ ํฌ์ฆˆ๋ณ„๋กœ ๊ตฌ๋ถ„ํ•˜์—ฌ ์‚ฌ์ „ ๋™์ž‘, ์ฃผ ๋™์ž‘, ํ›„ ๋™์ž‘์˜ ํ”„๋ ˆ์ž„ ๋ฐฐ๋ถ„์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.177
kci_detailed_000016.xml
ART001664668
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ์—ฌ์„ฑ์˜ ํŒ” ๋™์ž‘ํ‘œํ˜„ ์—ฐ๊ตฌ
A study on the Expression of Women's Arm Movement in Animation
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„ฑ์›…(๋Œ€๊ตฌ๋Œ€ํ•™๊ต); ์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๋‚จ์„ฑ๊ณผ ์—ฌ์„ฑ์€ ์„ ์ฒœ์ ์œผ๋กœ ๋‹ค๋ฅธ ์‹ ์ฒด๋ฅผ ๊ฐ€์ง€๊ณ  ํƒœ์–ด๋‚œ๋‹ค. ์ด๋Ÿฐ ์‹ ์ฒด์ฐจ์ด๋Š” ์›์‹œ์‹œ๋Œ€๋ถ€ํ„ฐ ์‹œ์ž‘๋œ ์„ฑ์—ญํ• ์˜ ์ฐจ์ด๋กœ ์˜ค๋Š˜๋‚ ๊นŒ์ง€ ๊พธ์ค€ํžˆ ์ง„ํ™”ํ•˜๋ฉฐ ์œ ์ง€๋˜์–ด์™”๋‹ค. ์ด๋กœ ์ธํ•ด ๋‚จ์ž์™€ ์—ฌ์ž์˜ ์„ ์ฒœ์ ์ธ ์‹ ์ฒด์˜ ์ฐจ์ด๋ฅผ ํ† ๋Œ€๋กœ ์›€์ง์ž„์˜ ์ฐจ์ด๋ฅผ ์•Œ์•„๋ณด๋ ค ํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์„ ์ฒœ์ ์ธ ๋‚จ๋…€์˜ ๋‹ค์–‘ํ•œ ์‹ ์ฒด์ฐจ์ด ์ค‘ ํŒ”์„ ์ค‘์‹ฌ์œผ๋กœ ์—ฐ๊ตฌํ•˜๋ ค ํ•œ๋‹ค. ์—ฌ๋Ÿฌ ์‹ ์ฒด๋ถ€์œ„ ์ค‘ ์™ธํ˜•์ฐจ์ด์™€ ์›€์ง์ž„์˜ ์ฐจ์ด๋ฅผ ๋šœ๋ ทํ•˜๊ฒŒ ๋ณด์—ฌ์ฃผ๋Š” ๋Œ€ํ‘œ์ ์ธ ๋ถ€์œ„์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ํ‘œํ˜„๋˜๋Š” ์—ฌ์„ฑ์˜ ํŒ” ๋™์ž‘์„ ์—ฐ๊ตฌํ•˜๊ธฐ ์œ„ํ•ด, ๋จผ์ € ๋‚จ์„ฑ๊ณผ ์—ฌ์„ฑ์˜ ํŒ”๋ถ€์œ„๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ด๋ฅผ ๊ธฐ๋ณธ์œผ๋กœ ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ๋“ฑ์žฅํ•˜๋Š” ์—ฌ์„ฑ์˜ ํŒ” ํ‘œํ˜„์„ ์กฐ์‚ฌํ•˜์—ฌ ์ •๋ฆฌํ•˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.165
kci_detailed_000016.xml
ART001664653
oai_dc
์กด์žฌ๋ก ์  ์š•๋ง์˜ ํšŒํ™”์  ์—ญ๋Šฅ์„ฑ ์—ฐ๊ตฌ
A Study of The Pictorial Puissance of The Ontological Desire
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์—„๊ธฐํ™(์ฒญ์ฃผ๋Œ€ํ•™๊ต)" ]
์ง€๋‚œ ์„ธ๊ธฐ๋ฅผ ๊ฑฐ์น˜๋ฉด์„œ ์ฝ”ํ‚คํ†  ์ฃผ์ฒด๋ณด๋‹ค๋Š” ๋ชธ์ฃผ์ฒด๊ฐ€ ๋ถ€์ƒ๋˜๋ฉด์„œ ์˜ˆ์ˆ ๋ถ„์•ผ์—์„œ๋Š” ์ด์ „๋ณด๋‹ค ํ˜„๊ฒฉํ•˜๊ฒŒ ์š•๋ง์ด ๋ถ€๊ฐ๋˜๊ณ  ์žˆ๋‹ค. ์ด๋•Œ ์š•๋ง์€ ์†Œ์œ ๋ก ์  ์š•๋ง๊ณผ ์กด์žฌ๋ก ์  ์š•๋ง์œผ๋กœ ๋Œ€๋ถ„ํ•  ์ˆ˜ ์žˆ๋Š”๋ฐ ๋ณธ ๋…ผ๋ฌธ์ด ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•˜๋Š” ๋Œ€์ƒ์€ ์กด์žฌ๋ก ์  ์š•๋ง์ด๋‹ค. ์กด์žฌ๋ก ์  ์š•๋ง์ด๋ž€ ์กด์žฌ์— ๋Œ€ํ•ด ์‚ฌ์œ ํ•˜๋Š” ์š•๋ง์ด๋ฉฐ ๊ณผ์ž‰ ์ฃผ์˜(ๆณจๆ„)๋ฅผ ๊ฒฝ๊ณ„ํ•˜๋Š” ์‚ฌ์œ ์ด๊ฑฐ๋‚˜ ์†Œ์œ ๋ก ์  ์š•๋ง์„ ์„ฑ์ฐฐํ•  ์ˆ˜ ์žˆ๋Š” ํ†ต์„ญ์ ์ธ ์š•๋ง์„ ๋งํ•œ๋‹ค. ์กด์žฌ๋ก ์  ์š•๋ง์ด ์š”์ฒญ๋˜๋Š” ๊นŒ๋‹ญ์€ ์šฐ๋ฆฌ๊ฐ€ ์‚ฌ๋ฌผ๋“ค์„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋Š” ์šฐ๋ฆฌ์˜ ๋Šฅ๋ ฅ๋ณด๋‹ค ์‚ฌ๋ฌผ๋“ค์ด ๋” ๋น ๋ฅด๊ฒŒ ๋ณ€ํ•˜๋Š” ๋ฏธ์ฆ์œ ์˜ ๋ณต์žก์„ฑ์˜ ์ˆœ๊ฐ„์„ ์‚ด๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ณต์žก์„ฑ์— ๋Œ€ํ•œ ์„ฑ์ฐฐ์€ ์ง€๊ตฌ์ƒํƒœ๊ณ„๊ฐ€ ์•ˆ์ •์„ฑ์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.35
kci_detailed_000016.xml
ART001664663
oai_dc
ํŒํ™”์˜ ๊ฐœ๋… ํ™•๋Œ€์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on the expansion of a printmaking concept
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์˜๊ธธ(ํ™์ต๋Œ€ํ•™๊ต); ์ž„์€์ œ(ํ™์ต๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€ ํŒํ™”์˜ ๋‹ค์–‘ํ•œ ํ˜•์‹์€ ํ˜„๋Œ€ ๋ฏธ์ˆ ์˜ ๊ฐœ๋… ๋ฐ ํ•ด์„๊ณผ ๊ทธ ์ผ๋งฅ์„ ๊ฐ™์ด ํ•œ๋‹ค. ํŒํ™”(printmaking)์™€ ์ธ์‡„(printing)๊ฐ€ ๊ฐ€์ง„ ์ „ํ†ต์ ์ธ ๊ฐœ๋…๊ณผ ์˜๋ฏธ๋Š” ์˜ค๋Š˜๋‚  ๊ทธ ๋ณธ์งˆ์ ์ธ ์˜๋ฏธ์™€ ํ˜•์‹์  ๋ฒ”์ฃผ๊ฐ€ ์™€ํ•ด๋˜์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์–‘์ƒ์€ ํ˜„๋Œ€ ์˜ˆ์ˆ ์ด ํฌ๊ด„ํ•˜๋Š” ๋‹ค์–‘ํ•œ ๊ตฌ์กฐ์  ์˜์—ญ์„ ๋‹จ์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚ผ ๋ฟ ์•„๋‹ˆ๋ผ, ๋‹ค์–‘ํ•œ ๋ณต์ œ๊ธฐ์ˆ ๋กœ ํ•˜์—ฌ๊ธˆ ์ƒˆ๋กœ์šด ์˜ˆ์ˆ  ํ˜•์‹์œผ๋กœ์„œ ๋งค์ฒด ์˜ˆ์ˆ ์˜ ์‹คํ—˜์„ฑ์„ ํ”ผ๋ ฅํ•œ๋‹ค. 15์„ธ๊ธฐ ๊ตฌํ…๋ฒ ๋ฅด๊ทธ(Johannes Gutenberg)์˜ ์ธ์‡„์ˆ ๊ณผ ํ•จ๊ป˜ ํƒœ๋™ํ•œ ํŒํ™”์˜ ์—ญ์‚ฌ๋Š” ์ฑ…์— ๋Œ€ํ•œ ์ดˆ๊ธฐ ์ธ์‡„๋ณธ์„ ํ†ต์นญํ•˜๋Š”โ€˜์ธ์ฟ ๋‚˜๋ธ”๋ผ'(Incunabula)๋ผ๋Š” ์šฉ์–ด๊ฐ€ ์ฆ๋ช…ํ•˜๋“ฏ, ์‚ฌ๋ฌผ๊ณผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.107
kci_detailed_000016.xml
ART001664664
oai_dc
์ธํ„ฐ๋„ท ๋ฏธ๋””์–ด ํŠน์„ฑ์— ๋”ฐ๋ฅธ ๋ฌธ์ž์˜ ์ƒํ˜•ํ™”
The Formation of Characters and Symbols based upon the Characteristics of Internet Media
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ค๋ฏธ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์ˆ˜๋‹จ ์ค‘ ๊ฐ€์žฅ ๋ฐœ์ „๋œ ํ˜•ํƒœ์ธ ๋ฌธ์ž๊ฐ€ ์ธํ„ฐ๋„ท์ด๋ผ๋Š” ๋ฏธ๋””์–ด์˜ ์ถœํ˜„์œผ๋กœ ์–ด๋–ป๊ฒŒ ๋ณ€ํ™”๋˜์–ด ๊ฐˆ ๊ฒƒ์ธ์ง€์— ๋Œ€ํ•œ ์˜ˆ์ƒ์ด๋‹ค. ์ธํ„ฐ๋„ท ๋ฏธ๋””์–ด์—์„œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์€ ๋” ๋น ๋ฅธ ์†๋„๋ฅผ ์š”๊ตฌํ•œ๋‹ค. ์ง€๊ธˆ๊นŒ์ง€ ์ ˆ๋Œ€์ ์ธ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์ˆ˜๋‹จ์œผ๋กœ ์‚ฌ์šฉ๋˜์–ด ์˜จ ๋ฌธ์ž๋„ ๋ณ€ํ™”๋œ ๋ฏธ๋””์–ด ํ™˜๊ฒฝ์— ๋”ฐ๋ผ ์„œ์„œํžˆ ๋ณ€ํ™”ํ•ด ๊ฐˆ ๊ฒƒ์ด๋‹ค. ๊ธฐํ˜ธํ•™์—์„œ ๋ฌธ์ž๋Š” ๊ฐ€์žฅ ๋ฐœ์ „๋œ ํ˜•ํƒœ๋กœ ์–˜๊ธฐ๋˜๋ฉด์„œ ๋Œ€์ƒ๊ณผ ๊ธฐํ˜ธ์‚ฌ์ด์— ํ•ด์„ ๋˜์–ด์ง€๋Š” ๊ณผ์ •์„ ๋‹ค์–‘ํ•œ ์ด๋ก ์œผ๋กœ ์„ค๋ช…ํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋ฏธ์ง€ํ™” ๋œ ์‹œ๊ฐ๊ธฐํ˜ธ๋ณด๋‹ค๋Š” ์ˆœ๊ฐ„์ ์ธ ์ธ์‹ ๋ฉด์—์„œ ์ƒ๋Œ€์ ์œผ๋กœ ๋А๋ฆฌ๋‹ค. ์ด๋ฏธ ์ธํ„ฐ๋„ท ์ƒ์—์„œ๋Š” ์ด๋ชจํ‹ฐ์ฝ˜, ๋‹จ์–ด ๋ฐ ๋ฌธ์žฅ์˜ ์ถ•์•ฝํ˜• ์–ธ์–ด ๋“ฑ ๋ฌธ์ž๊ฐ€ ๋‹ค์–‘ํ•œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.125
kci_detailed_000016.xml
ART001664666
oai_dc
<๋ฏธ๊ฐœํ–‰์„ฑ>์˜ ์ดˆํ˜„์‹ค์ฃผ์˜์  ์˜์ƒ์—ฐ์ถœ ์—ฐ๊ตฌ
A Study of Surrealistic Image Direction for the Fantastic Planet
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ˆ์ผ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
<๋ฏธ๊ฐœํ–‰์„ฑ>์€ ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ์˜ˆ์ˆ ์  ๋งค์ฒด๋กœ ์ธ์‹์‹œํ‚จ ๋Œ€ํ‘œ์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜์ด๋‹ค. ์Šคํ† ๋ฆฌ๋ฅผ ๋ณด๋ฉด ์ด์•”ํ–‰์„ฑ์˜ ๋ฌธ๋ช…์กฑ ๋“œ๋ผ๊ทธ(traag)์™€ ๋ฌธ๋งน์กฑ ์˜ด(om)์˜ ์ง€๋ฐฐ๊ตฌ์กฐ๊ด€๊ณ„, ๋“œ๋ผ๊ทธ์— ๋Œ€ํ•œ ์˜ด๋“ค์˜ ์ €ํ•ญ, ๊ฐ๊ธฐ ๋‹ค๋ฅธ ํ–‰์„ฑ์—์„œ ๋‘ ์ข…์กฑ์˜ ํ‰ํ™” ๊ณต์กด ๋“ฑ์˜ 3๋‹จ๊ณ„๊ตฌ์„ฑ์œผ๋กœ ์ „๊ฐœํ•˜๊ณ  ์žˆ๋‹ค. ๋‹ค๋งŒ ์Šคํ† ๋ฆฌํ…”๋ง์— ์žˆ์–ด ์‚ฌ๊ฑด์˜ ๊ฐœ์—ฐ์„ฑ๊ณผ ๋‹ค์†Œ ๋А๋ฆฐ ์˜์ƒ์ „๊ฐœ๋Š” ์•„์‰ฌ์›€์œผ๋กœ ๋‚จ๋Š”๋‹ค. ํ•œํŽธ ์˜์ƒํ‘œํ˜„์—ฐ์ถœ์— ์žˆ์–ด์„œ๋Š” ์ดˆํ˜„์‹ค์ฃผ์˜์  ์ด๋ฏธ์ง€ํ‘œํ˜„๊ณผ ํŽœ ๋“œ๋กœ์ž‰์˜ ํŽ˜์ดํผ์• ๋‹ˆ๋ฉ”์ด์…˜๊ธฐ๋ฒ•, ๊ตฌ์„ฑ์  ๋ชฝํƒ€์ฃผ์—์˜ ์œ ๊ธฐ์  ๊ฒฐํ•ฉ์„ ํ†ตํ•œ ๋ฉ”์‹œ์ง€์ „๋‹ฌ, ์ „์ž์Œ์˜ ์‹คํ—˜์Œ์•… ๋“ฑ ํ‘œํ˜„์ฃผ์˜์ ์ธ ์™„์„ฑ๋„๊ฐ€ ๋‹๋ณด์ธ๋‹ค. ์ฆ‰ <๋ฏธ๊ฐœํ–‰์„ฑ>์€ ๋ฌธ๋ช…์‚ฌํšŒ์— ๋Œ€ํ•œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.147
kci_detailed_000016.xml
ART001664667
oai_dc
๋””์ง€ํ„ธ ์•„ํŠธ์— ์ƒ์„ฑ๋˜์–ด์ง„ ์ƒํ˜ธ์ž‘์šฉ์  ์ด๋ฏธ์ง€์˜ ๋ชฐ์ž…๊ฒฝํ—˜ - '์–ดํฌ๋˜์Šค'๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Flow Experience of Interactive Image Generated in Digital Art - Focused on the Affordence -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ˆ˜์ง„(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋””์ง€ํ„ธ ์•„ํŠธ์—์„œ ์ƒ์„ฑ๋˜์–ด์ง€๋Š” ์ƒํ˜ธ์ž‘์šฉ์  ์ด๋ฏธ์ง€๋ฅผ ํ†ตํ•œ ๊ด€๊ฐ์˜ ๋ชฐ์ž… ๊ฒฝํ—˜(Flow Experience)์— ๋Œ€ํ•œ ๊ณ ์ฐฐ๋กœ๋ถ€ํ„ฐ ๊ด€๊ฐ์ด ์ž‘ํ’ˆ๊ณผ์˜ ์†Œํ†ต์—์„œ ์–ด๋– ํ•œ ์‹ ์ฒด์  ๊ฒฝํ—˜์„ ํ•˜๊ฒŒ ๋˜๋Š”์ง€์— ๊ด€ํ•œ ์ด๋ก ์  ๋ฐฐ๊ฒฝ๊ณผ ์ž‘ํ’ˆ์˜ ์‚ฌ๋ก€๋ฅผ ์ œ์‹œํ•˜์˜€๋‹ค. ์ƒํ˜ธ์ž‘์šฉ์ ์ธ ์ž‘ํ’ˆ์€ ๊ด€๊ฐ์˜ ์†Œํ†ต์—์„œ ๋ชฐ์ž…์ด๋ผ๋Š” ์š”์†Œ๊ฐ€ ์ด๋ฏธ์ง€์— ๊ฐœ์ž…๋˜๊ณ , ์ด๋•Œ ์ƒ์„ฑ๋˜์–ด์ง€๋Š” ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋Š” ๊ด€๊ฐ์—๊ฒŒ ์ธ์ง€์ฒด๊ณ„๋ฅผ ์ž๊ทน์‹œํ‚ค๋Š” ์–ดํฌ๋˜์Šค(Perceived Affordance)๋ฅผ ๋ถ€์—ฌํ•˜๋ฉฐ, ์ž‘ํ’ˆ๊ณผ ๋ฐ˜์‘ํ•˜๋Š” ์ƒ๊ด€๊ด€๊ณ„๊ฐ€ ์ง€์†๋˜๋„๋ก ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹ค์–‘ํ•œโ€˜ํ•ด์„โ€™์ด๋ผ๋Š” ๋‹จ๊ณ„๋ฅผ ๊ฑฐ์น˜๋ฉด์„œ, ๊ฒฝํ—˜์ž์˜ ์‹ ์ฒด์  ํ–‰์œ„๋กœ ์ธํ•ด ์ด๋ฏธ์ง€์˜ ๋ณ€ํ˜•์„ ์ƒˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.155
kci_detailed_000016.xml
ART001664656
oai_dc
ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ ํšŒํ™”์  ์ด๋ฏธ์ง€์˜ ๊ฐœ๋…ํ™”์™€ ์ •์ฒด์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on conceptualization and identity of art image in modern art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋™์ˆ˜(ํ™์ต๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€๋ฏธ์ˆ ์€ ํŠน์ •ํ•œ ํ˜•์‹ ๋ณด๋‹ค๋Š” ์ƒ์‚ฐ์ž์˜ ์ฃผ์ฒด์„ฑ์„ ๋”์šฑ ์ค‘์š”์‹œ ์—ฌ๊ธด๋‹ค. ์ƒ์‚ฐ์ž์˜ ์ฃผ์ฒด์„ฑ๊ณผ ๊ด€์กฐ์˜ ์ˆ˜์šฉ์„ฑ์ด ์˜ค๋ž˜๋œ ๊ด€๊ณ„๋ฅผ ์ง€๋‹ˆ๊ณ  ์žˆ์ง€๋งŒ, ๋…ํ•ด์™€ ํ•ด์„์˜ ๊ฒฝ๊ณ„๊ฐ€ ์ˆ˜์šฉ์ž์—์„œ ์ƒ์‚ฐ์ž์˜ ๋ฒ•์ฃผ๋กœ ์ด๋™ํ•˜๋ฉด์„œ ์ƒ์‚ฐ๊ฐœ๋…์ด ์ค‘์š”์‹œ ๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋ฆฌํ•˜์—ฌ ์ˆ˜์šฉ๊ฐœ๋…๊ณผ ์ƒ์‚ฐ๊ฐœ๋…์˜ ๊ด€๊ณ„๊ฐ€ ์ด๋ฏธ์ง€์˜ ๋ฐ˜๋ณต์„ ํ†ตํ•˜์—ฌ ๊ฐ•์กฐ๋˜์—ˆ๊ณ , ์ด๋กœ์„œ ํšŒํ™” ์ด๋ฏธ์ง€์˜ ๊ฐœ๋…ํ™”๊ฐ€ ์ด‰๋ฐœ๋˜์—ˆ๋‹ค. ์ด๋ ‡๋“ฏ ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ์ด๋ฏธ์ง€์˜ ๊ฐœ๋…ํ™”๋Š” ๋ฌด์‹œํ•  ์ˆ˜ ์—†๋Š” ์—ฐ๊ตฌ์˜ ๋Œ€์ƒ์ด ๋˜์—ˆ๋‹ค. ๊ฐœ๋…๋ฏธ์ˆ ์„ ์ด๋ก ์ ์œผ๋กœ ์ฒด๊ณ„ํ™”ํ•œ ํ† ๋‹ˆ ๊ณ ํŠธํ”„๋ฆฌ๋“œ์˜ ๊ฒฝ์šฐ๊ฐ€ ๊ทธ๋Ÿฌํ•œ๋ฐ, ๊ทธ๋Š” ์ด๋ฏธ์ง€์˜ ๊ฐœ๋…์„ ์„ ์‚ฌ์‹œ๋Œ€๋ถ€ํ„ฐ ์ถ”์ ํ•˜์—ฌ ๋ฏธ์ˆ ์ด๋ž€ ๋ฌด์—‡์ธ๊ฐ€๋ผ๋Š” ์งˆ๋ฌธ์„ ๊ตฌ์ฒดํ™”ํ–ˆ๋‹ค. ๊ณ ํŠธํ”„๋ฆฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.55
kci_detailed_000016.xml
ART001664671
oai_dc
๊ด‘์ฃผ ๋ฏธ๋ž˜์œตํ•ฉ์‚ฐ์—…์œผ๋กœ์„œ์˜ ๋ฌธํ™”์˜ˆ์ˆ ์ฝ˜ํ…์ธ  ๊ฐ์„ฑ์ƒํ™œ์„œ๋น„์Šค ์‚ฐ์—…์œก์„ฑ์— ๋Œ€ํ•œ ํƒ€๋‹น์„ฑ ์—ฐ๊ตฌ
A Study on the Validity of Gwangju for Boosting Culture & Art Contents and Sensitivity Service Industries as Future Convergence Industries
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ผํƒœ(์กฐ์„ ๋Œ€ํ•™๊ต)" ]
2000๋…„๋ถ€ํ„ฐ ์‹œ์ž‘๋œ ๊ด‘์ฃผ์˜ ๊ด‘์‚ฐ์—…์€ ๋งŽ์€ ์‚ฐ์—…๋ฐœ์ „๊ณผ ์—ฐ๊ตฌ์„ฑ๊ณผ๋ฅผ ๋งŒ๋“ค๋ฉด์„œ 2010๋…„์„ ๋งž๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 10์—ฌ๋…„์ด ์ง€๋‚œ ํ˜„์žฌ, ๋””์ง€ํ„ธ ๊ธฐ์ˆ ์˜ ๋ฐœ์ „, ์ œ์กฐ์—…์ด ๊ฐ–๋Š” ๋…ธ๋™์ง‘์•ฝ์  ์‚ฐ์—…๊ตฌ์กฐ์— ๋”ฐ๋ฅธ ์ €์ž„๊ธˆํ˜• ๋…ธ๋™๋ ฅ ๊ตญ๊ฐ€๋กœ์˜ ํ•˜์ฒญ ์ „ํ™˜, ์ค‘์•™์ •๋ถ€์˜ ๋ฏธ๋ž˜์œตํ•ฉ์‚ฐ์—… ์ถ”์ง„ ๋“ฑ์˜ ์ •์ฑ…์— ๋”ฐ๋ผ ๊ด‘์ฃผ์—์„œ๋„ ๊ตญ์ œ์ , ์‹œ๋Œ€์  ๋ณ€ํ™”์˜ ๋Œ€์‘์„ ํ•˜์ง€ ์•Š์„ ์ˆ˜ ์—†๋Š” ์ƒํ™ฉ์ด ๋˜์—ˆ๋‹ค. ์ด์— ๋Œ€ํ•ด 2010๋…„ ์ดํ›„ ๊ด‘์ฃผ๋Š” ๊ธฐ์กด ์‚ฐ์—…๊ตฐ์ธ ๊ด‘์‚ฐ์—… ์ธํ”„๋ผ์˜ ํ™œ์šฉ๊ณผ ์‚ฐ์—…์˜ ์—ฐ์žฅ์„ฑ, ์ค‘์•™์ •๋ถ€์˜ ์‹ ์„ฑ์žฅ๋™๋ ฅ์‚ฐ์—…์œผ๋กœ์„œ์˜ ์œตํ•ฉ์‚ฐ์—… ์ถ”์ง„, ๊ด‘์ฃผ๊ฐ€ ์ง€ํ–ฅํ•˜๋Š” ์ฐฝ์กฐ๋ฌธํ™”์ค‘์‹ฌ๋„์‹œ์˜ ๊ฐœ๋ฐœ์— ๋ถ€์‘ํ•˜๋Š” ์ƒˆ๋กœ์šด ์‚ฐ์—…๊ตฐ์„ ์ฐพ๊ธฐ ์œ„ํ•œ ์˜์ง€์—...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.201
kci_detailed_000016.xml
ART001663696
oai_dc
๊ณ ๊ตฌ๋ ค ๊ณ ๋ถ„๋ฒฝํ™”์˜ ๋ฏธํ•™์  ํ•ด์„ - ์•ˆ์•…3ํ˜ธ๋ถ„๊ณผ ๋•ํฅ๋ฆฌ ๊ณ ๋ถ„, ๋ฌด์šฉ์ด ๋ฒฝํ™”์˜ ์ธ๋ฌผํ’์†๋„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Aesthetic Analysis of Ancient Tomb Murals of the Goguryeo(้ซ˜ๅฅ้บ—) Dynasty - Focusing on the portraits and genre paintings of the murals in Anak Tomb No.3, Dokhungri Tomb, and Dance Tomb -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๋‘๋นˆ(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
๊ณ ๊ตฌ๋ ค ๊ณ ๋ถ„๋ฒฝํ™”(้ซ˜ๅฅ้บ— ๅคๅขณๅฃ็•ต)๋Š” ์ด์ œ๊นŒ์ง€ ๋‹ค์–‘ํ•œ ์ธก๋ฉด์—์„œ ์—ฐ๊ตฌ๋˜์–ด ์™”์œผ๋‚˜. ์ •์ž‘ ๋ฏธํ•™์ (็พŽๅญธ็š„) ์ฐจ์›์˜ ์—ฐ๊ตฌ๋Š” ์ „๋ฌดํ•˜๋‹ค์‹œํ”ผ ํ–ˆ๋‹ค. ์ด๋กœ ์ธํ•ด ํ•„์ž(็ญ†่€…)๋Š” ๋ฏธํ•™์  ์ฐจ์›์˜ ์—ฐ๊ตฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•˜์—ฌ ๋ณธ๊ณ ๋ฅผ ์“ฐ๊ฒŒ ๋˜์—ˆ๋‹ค. ๋ณธ๊ณ ์—์„œ ์—ฐ๊ตฌ๋Œ€์ƒ์œผ๋กœ ํ•œ ๊ฒƒ์€ ์•ˆ์•…3ํ˜ธ๋ถ„(ๅฎ‰ๅฒณ3่™Ÿๅขณ)๊ณผ ๋•ํฅ๋ฆฌ ๊ณ ๋ถ„(ๅพท่ˆˆ้‡Œๅคๅขณ), ๋ฌด์šฉ์ด(่ˆž่ธŠๅกš) ๋ฒฝํ™”์˜ ์ธ๋ฌผํ’์†๋„(ไบบ็‰ฉ้ขจไฟ—ๅœ–)์ด๋‹ค. ์ด๋“ค ๊ณ ๋ถ„์€ ์ธ๋ฌผํ’์†๋„์˜ ๊ทœ๋ชจ์™€ ํ’๋ถ€ํ•œ ๋‚ด์šฉ์œผ๋กœ ๊ณ ๊ตฌ๋ ค ๊ณ ๋ถ„๋ฒฝํ™” ์ธ๋ฌผํ’์†๋„์˜ ๋ฏธํ•™์  ํŠน์ง•๋“ค์„ ๋ฐํžˆ๋Š”๋ฐ ์ถฉ๋ถ„ํ•˜๋‹ค๊ณ  ๋ณด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋“ค ๊ณ ๋ถ„๋ฒฝํ™”์—์„œ ๋ณธ ๋ฏธํ•™์  ํŠน์ง•๋“ค์€ ๊ฑฐ์˜ ๋ชจ๋“  ๊ณ ๊ตฌ๋ ค ๊ณ ๋ถ„๋ฒฝํ™” ์ธ๋ฌผํ’์†๋„์— ๋™์ผํ•˜๊ฒŒ ์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.7
kci_detailed_000016.xml
ART001664660
oai_dc
๋งค์ฒด ์˜ˆ์ˆ ์—์„œ์˜ ์˜ตํ‹ฐ์ปฌ ๋ฉ”์ปค๋‹ˆ์ฆ˜์„ ์ด์šฉํ•œ ํšŒํ™”์  ์žฌํ˜„ ๊ธฐ๋ฒ• ์—ฐ๊ตฌ - ์Šคํ‘ธ๋งˆํ† ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Technique for Representation of Pictorial Images using Optical Mechanism in Media Arts - focused on "Sfumato" -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ „์šฐ์ง„(์ „๋ถ๋Œ€ํ•™๊ต)" ]
์ฐฝ์กฐ๋ฅผ ์œ„ํ•œ ๋„๊ตฌ๋กœ์„œ ๊ณผํ•™์€ ์˜ˆ์ˆ ์— ์˜๊ฐ์„ ์ฃผ๊ณ  ์˜ˆ์ˆ ๊ฐ€๋“ค์€ ๊ณผํ•™์ ์ธ ์›๋ฆฌ์— ๋ฏธ์  ๊ฐ์„ฑ์„ ๋”ํ•ด ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์  ์‹คํ—˜๋“ค์„ ํ˜„์‹คํ™” ์‹œ์ผฐ๋‹ค. ์ž์—ฐ๊ณ„์˜ ํ”ผ์‚ฌ์ฒด๋ฅผ ์‚ฌ์ง„์ด๋ผ๋Š” ํ˜•์‹์„ ํ†ตํ•ด์„œ ๊ธฐ๋กํ•˜๋Š” ๋ฐ ํ•œ์ •์‹œํ‚ค์ง€ ์•Š๊ณ , ์˜์‹์ ์œผ๋กœ ๊ธฐ์กด์˜ ํšŒํ™”๊ฐ€ ๊ฐ€์ง„ ์˜ˆ์ˆ ์˜ ์ˆ˜์ค€์œผ๋กœ ๋Œ์–ด์˜ฌ๋ฆฌ๋˜ ๋…ธ๋ ฅ๋“ค์€, ์‚ฌ์ง„์˜ ๋ฐœ์ „๊ณผ ๋”๋ถˆ์–ด ํ‘œํ˜„์˜ ๋‹ค์–‘์„ฑ์„ ํ™•๋Œ€, ์žฌ์ƒ์‚ฐ ์‹œํ‚ค๋Š” ๋ฐ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์นด๋ฉ”๋ผ ์žฅ์น˜์™€ ๊ฐ™์€ ๊ณผํ•™์  ๋„๊ตฌ์™€ ์ธ๋ฌธํ•™์ ์ธ ์˜ˆ์ˆ ์˜ ํ˜•์‹์ด ๊ฒฐํ•ฉ๋˜์—ˆ์„ ๋•Œ ์ƒ์„ฑ๋˜๋Š” ์ƒˆ๋กœ์šด ํ˜•ํƒœ์˜ ์˜ˆ์ˆ ๊ธฐ๋ฒ•์— ๋Œ€ํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ๊ธฐ์ดˆ๋กœ ํ•œ๋‹ค. ๋ฅด๋„ค์ƒ์Šค ์‹œ๋Œ€์— ๋“ฑ์žฅํ•œ ์Šคํ‘ธ๋งˆํ†  ๊ธฐ๋ฒ•์ด ๊ฐ€์ง€๋Š” ์—ญ์‚ฌ์  ์˜๋ฏธ์™€ ํ•จ๊ป˜,...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.85
kci_detailed_000016.xml
ART001664670
oai_dc
์˜ˆ์ˆ ๋งค์ฒด๋กœ์„œ ๋งŒํ™”์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
Study of Cartoon as Art media
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์ธ์‡„๋งค์ฒด๊ฐ€ ๋ฐœ๋‹ฌํ•˜๋ฉด์„œ ๋Œ€์ค‘๋ฌธํ™”๋Š” ๊ธ‰์†ํžˆ ์ „๊ฐœ๋˜์—ˆ๋‹ค. ์ฑ…๊ณผ ๊ทธ๋ฆผ์€ ํŠน๊ถŒ๊ณ„์ธต์˜ ์ „์œ ๋ฌผ์ด์—ˆ์ง€๋งŒ ์ธ์‡„๋งค์ฒด๋กœ ๋Œ€๋Ÿ‰์ƒ์‚ฐ์ด ๊ฐ€๋Šฅํ•ด์ง€์ž ๋Œ€์ค‘์„ ๊ฒจ๋ƒฅํ•œ ์—ฌ๋Ÿฌ ํ˜•์‹๋“ค์ด ์ƒ๊ฒจ๋‚ฌ๋‹ค. ์†Œ์„ค, ์žก์ง€, ๋งŒํ™” ๋“ฑ์ด ๋ฐ”๋กœ ๊ทธ ์˜ˆ์ด๋‹ค. ๊ทธ ์ค‘์—์„œ๋„ ๋งŒํ™”๋Š” ๊ธ€๊ณผ ๊ทธ๋ฆผ์˜ ํ˜ผํ•ฉ์— ์˜ํ•œ ์ƒˆ๋กœ์šด ํ˜•์‹์œผ๋กœ์„œ ๊ธ€๊ณผ ๊ทธ๋ฆผ์˜ ์ƒํ˜ธ ๋ณด์™„ ๊ทธ ์ด์ƒ์œผ๋กœ ์‹œ๋Œ€์™€ ์žฅ์†Œ๋ฅผ ์ดˆ์›”ํ•˜๋Š” ๊ฐ•๋ ฅํ•œ ๋งค์ฒด๊ฐ€ ๋˜์—ˆ๋‹ค. ๋งŒํ™”์—๋Š” ํšŒํ™”์—์„œ ์“ฐ์ด๋Š” ๋‹ค์–‘ํ•œ ํ‘œํ˜„๊ธฐ๋ฒ•์ด ๋ฐ˜์˜๋˜์–ด ์žˆ์œผ๋ฉฐ ๋ฌธํ•™์—์„œ ๋‹ค๋ฃจ๋Š” ์ฃผ์ œ๋‚˜ ์†Œ์žฌ๋„ ๋งŒํ™”๊ฐ€์˜ ๋Šฅ๋ ฅ์— ๋”ฐ๋ผ ์–ผ๋งˆ๋“ ์ง€ ํ‘œํ˜„์ด ๋œ๋‹ค. ๋งŒํ™”๋Š” ๋ฌธํ•™์ด๋‚˜ ๋ฏธ์ˆ , ์‚ฌ์ง„์ฒ˜๋Ÿผ ์ž‘๊ฐ€์˜ ์‚ฌ์ƒ๊ณผ ์ƒ์ƒ๋ ฅ์„ ๋‹ด์„ ์ˆ˜ ์žˆ๋Š” ๋งค์ฒด์ธ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.189
kci_detailed_000016.xml
ART001664665
oai_dc
๋น„๋””์˜ค์•„ํŠธ์— ์žˆ์–ด ์ฐธ์—ฌ์™€ ์†Œํ†ต์˜ ๋ฌธ์ œ - ๋งค์ฒด๋ฏธ์ˆ ์˜ ์ „๊ฐœ๊ณผ์ •๊ณผ ์†Œํ†ต์˜ ๋น„๊ต๋ถ„์„์„ ํ†ตํ•˜์—ฌ -
Issues of Participation and Communication on Video Art - Development and communication method on Video and Media Art -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ฑ์—ฐ(๋™๋ช…๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ๋น„๋””์˜ค ์•„ํŠธ๊ฐ€ ์ง€๋‹ˆ๊ณ  ์žˆ๋Š” ์†Œํ†ต์˜ ๋ฐฉ์‹์„ ์ž‘๊ฐ€, ํ…์ŠคํŠธ ๊ทธ๋ฆฌ๊ณ  ๊ด€๊ฐ์˜ ๊ด€์ ์œผ๋กœ ๋ถ„์ ˆํ•˜์—ฌ ์ดํ•ดํ•ด๋ณด๋ ค๊ณ  ํ•œ๋‹ค. ์™œ๋ƒํ•˜๋ฉด, ๋น„๋””์˜ค ์•„ํŠธ๋Š” ์ „ํ†ต์ ์ธ ๋ฏธ์ˆ ์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฐฉ์‹๊ณผ๋Š” ๋‹ค๋ฅธ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ํšŒ๋กœ๋ฅผ ๊ฐ–๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ฆ‰, ํšŒํ™”์™€ ์‚ฌ์ง„, ์˜ํ™”์™€ ๊ฐ™์€ ์‹œ๊ฐ์  ์†Œํ†ต์˜ ๋งค์ฒด๋“ค์€ ์ž‘๊ฐ€์™€ ์ž‘ํ’ˆ(ํ…์ŠคํŠธ) ๊ทธ๋ฆฌ๊ณ  ๊ด€๊ฐ์ด๋ผ๋Š” ์†Œํ†ต์˜ ์ธต์œ„๋ฅผ ๊ณ ์ •ํ•จ์œผ๋กœ์จ ํ…์ŠคํŠธ๊ฐ€ ๊ฐ–๋Š” ์˜๋ฏธ ์—ญ์‹œ ๊ณ ์ •ํ™”ํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๊ฐ•ํ•˜๋‹ค. ์ด์— ๋ฐ˜ํ•ด ๋น„๋””์˜ค ์•„ํŠธ๋Š” ๊ด€๊ฐ์˜โ€˜์ฐธ์—ฌ'๋ฅผ ์ด๋ฃจ์–ด๋‚ด์–ด ์ž‘๊ฐ€, ์ž‘ํ’ˆ, ๊ด€๊ฐ์˜ ์ธต์œ„๋ฅผ ์œ ๋™์ ์œผ๋กœ ๊ตฌ์„ฑํ•จ์œผ๋กœ์จ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ํšŒ๋กœ ์ž์ฒด๋ฅผ ์ผ๋ฐฉ์ ์ธ ์ „๋‹ฌ๋กœ๋ถ€ํ„ฐ ์ดํƒˆ์‹œ์ผœ ํ…์ŠคํŠธ๋ฅผ ๋‹ค์ฑ„๋กœ์šด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.135
kci_detailed_000016.xml
ART001664658
oai_dc
์งง์€ ์ˆœ๊ฐ„์˜ ๊ธด ์ถฉ๊ฒฉ์ด ์ฃผ๋Š” ์‹œ๊ฐ„์„ฑ์˜ ๋ฏธํ•™ - ๋ณธ์ธ์˜ ํšŒํ™”์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
The aesthetics of temporality given by long shock of a short duration - Based on Sa, Yun-Taek's Paintings -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‚ฌ์œคํƒ(ํ•œ๊ตญ๊ต์›๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ์˜ ๊ฐœ๋…์˜ ๋ณ€ํ™”์™€ ์ •๋ณดํ™” ์‹œ๋Œ€์— ๋”ฐ๋ฅธ ๋ฏธ๋””์–ด์˜ ์ฆํญ, ๊ทธ๋กœ ์ธํ•œ ์ด๋ฏธ์ง€์˜ ๋ฒ”๋žŒ์€ ํ‘œํ˜„๋ฐฉ๋ฒ•์˜ ์ง€์†์ ์ธ ๋ณ€ํ™”๋ฅผ ์š”๊ตฌํ•œ๋‹ค. ๊ทธ ๋ณ€ํ™”๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•œ ํ‘œํ˜„๊ณผ ์˜์‹์˜ ํ™•์žฅ์€ ํšŒํ™”์—์„œ์˜ ์‹œ๊ฐ„์„ฑ๊ณผ ๊ณต๊ฐ„์„ฑ์˜ ๋ฌธ์ œ์— ๋งŽ์€ ๊ด€์‹ฌ์„ ๊ฐ–๊ฒŒ ํ–ˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํ›„๊ธฐํ˜„๋Œ€ํšŒํ™”์˜ ์ž…์žฅ์— ์ž…๊ฐํ•ด, ์ •์ง€๋œ ํ™”๋ฉด์ธ ํšŒํ™” ์†์— ์–ด๋–ป๊ฒŒ ์›€์ง์ด๋Š” ์ด๋ฏธ์ง€๋ฅผ ๋ฐ˜์˜ ํ•  ์ˆ˜ ์žˆ๋Š”์ง€, ๋ฌผ๋ฆฌ์ ์ด๊ณ  ๊ฐœ๋…์ ์ธ ๊ฐ€๋Šฅ์„ฑ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋ฅผ ๋‹ด์•˜๋‹ค. ์ฆ‰ ์งง์€ ์ˆœ๊ฐ„์˜ ์›€์ง์ž„์„ ํ†ตํ•œ ์‹œยท๊ณต๊ฐ„์˜ ๋ณ€ํ™”๊ฐ€ ์šฐ๋ฆฌ์˜ ์‚ถ๊ณผ ์˜์‹ ์†์— ๋ฐฐ์ œ๋˜์–ด ์žˆ๋Š” ๊ฒƒ๋“ค์„ ์žฌ์ธ์‹ ํ•˜๋ฉฐ, ์ธํ„ฐ๋„ท์ด๋ผ๋Š” ๊ฐ€์ƒ๊ณต๊ฐ„์—์„œ ํ–‰ํ•ด์ง€๋Š” ์ˆœ๊ฐ„ํฌ์ฐฉ์˜ ์˜๋ฏธ๊นŒ์ง€ ํฌ๊ด„ํ•˜๊ณ  ์žˆ๋‹ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.73
kci_detailed_000016.xml
ART001664662
oai_dc
๋ง‰์Šค ์—๋ฅธ์ŠคํŠธ ์ž‘ํ’ˆ์˜ ์ฝœ๋ผ์ฃผ ๊ธฐ๋ฒ•์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
A research on the collage techniques of Max Ernstโ€™s works
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ น(์ธํ•˜๊ณต์—…์ „๋ฌธ๋Œ€ํ•™)" ]
ํŒŒํ”ผ์— ์ฝœ๋ ˆ์™€ ํ๋น„์ฆ˜ ์ฝœ๋ผ์ฃผ๋Š” ๋ธŒ๋ผํฌ์™€ ํ”ผ์นด์†Œ๊ฐ€ ๊ฐœ๋ฐœํ•˜๊ณ  ๋ฐœ์ „์‹œ์ผฐ์œผ๋ฉฐ, ์กฐํ˜•์˜ˆ์ˆ ์— ์žˆ์–ด์„œ โ€œํ…Œํฌ๋‹‰์— ์˜ํ•œ ํ•˜๋‚˜์˜ ํ˜๋ช…โ€์ด๋ผ ์—ฌ๊ฒจ์ง„๋‹ค. ํ™”ํญ์— ์™ธ๋ถ€ ์„ธ๊ณ„์˜ ์š”์†Œ๋“ค์ด ๋„์ž…๋˜๋Š” ์ด ๊ธฐ๋ฒ•๋“ค์€ ์‹ค์ƒ ํšŒํ™”์˜ ์žฅ๋ฅด๋ฅผ ์ƒˆ๋กญ๊ฒŒ โ€œํ™•์žฅโ€์‹œํ‚ค๋Š” ๊ฐ€๋Šฅ์„ฑ์„ ์ œ์‹œํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋‹ค๋‹ค์ด์ŠคํŠธ๋“ค์€ ํŒŒํ”ผ์— ์ฝœ๋ ˆ ๊ธฐ๋ฒ•์„ ์ฑ„ํƒํ•˜์—ฌ ๋ชจ๋“  ์ข…๋ฅ˜์˜ ํ˜„์‹ค ํŒŒํŽธ๋“ค์„ ํ™”๋ฉด์—์„œ ๊ฒฐํ•ฉ์‹œ์ผœ ์ด์งˆ์„ฑ์˜ ๋ฌด์งˆ์„œ์™€ ํŒŒ๊ดด์ ์ธ ๊ตฌ์กฐ๋ฅผ ๋งŒ๋“ค์–ด ๋ƒˆ๋‹ค. ์ด๋กœ ์ธํ•ด ๊ฐ‘์ž‘์Šค๋Ÿฝ๊ฒŒ ๋– ์˜ค๋ฅด๋Š” ์€์œ ์ ์ธ ์ด๋ฏธ์ง€๋Š” ๋น„ํ‰์  ํƒœ๋„๋ฅผ ํ‘œ๋ช…ํ•˜๋Š”๋ฐ ๊ฐ€์žฅ ์ ์ ˆํ•œ ์ˆ˜๋‹จ์ด ๋˜์—ˆ๋˜ ๊ฒƒ์ด๋‹ค. ํƒ€๊ณ ๋‚œ ์ดˆํ˜„์‹ค์ฃผ์˜์ž์˜€๋˜ ๋ง‰์Šค ์—๋ฅธ์ŠคํŠธ๋Š” ํ’๋ถ€ํ•œ ์ƒ์ƒ๋ ฅ์„ ๋ฐ”ํƒ•์œผ๋กœ ๊ทธ์˜ ํ™˜์ƒ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.95
kci_detailed_000016.xml
ART001664675
oai_dc
ํ˜ธ๋Ÿฌ ๊ฒŒ์ž„<Dead Space2>์˜ ์ธํ„ฐํŽ˜์ด์Šค์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์ œ์ด ๋ฐ์ด๋น„๋“œ ๋ณผํ„ฐ์™€ ๋ฆฌ์ฒ˜๋“œ ๊ทธ๋ฃจ์‹ ์˜ ์žฌ๋งค๊ฐœ ์—ฐ๊ตฌ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Interface in Horror Game 'Dead Space2' - Focusing on the theory of Remediation by Jay David Bolter and Richard Grusin -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์œค๊ฒฝ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํšจ๊ณผ์ ์ธ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋„๊ตฌ๋กœ์„œ ๋‹ค์–‘ํ•œ ํ‘œํ˜„์–‘์‹์˜ ๋ฒ”์œ„๋ฅผ ํฌํ•จํ•˜๋Š” ์ธํ„ฐํŽ˜์ด์Šค์˜ ๊ตฌ์กฐ์™€ ํ‘œํ˜„ ๋ฐฉ๋ฒ•์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋ฅผ ํ•˜๊ณ ์žํ•œ๋‹ค. ๋”ฐ๋ผ์„œ ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํ˜ธ๋Ÿฌ ๊ฒŒ์ž„ ๋ฐ๋“œ์ŠคํŽ˜์ด์Šค2์˜ ๊ทธ๋ž˜ํ”ฝ ์ธํ„ฐํŽ˜์ด์Šค์˜ ํŠน์„ฑ๊ณผ ์š”์†Œ๋ฅผ ์„ธ๋ถ„ํ™”ํ•˜์—ฌ ๊ฒŒ์ž„ ๋ฐ๋“œ์ŠคํŽ˜์ด์Šค2์—์„œ ๊ฒŒ์ด๋จธ์˜ ๋ชฐ์ž…๊ณผ ํ˜„์กด๊ฐ์„ ๊ฒŒ์ž„์ด ์ง€ํ–ฅํ•ด์•ผ ํ•  ์‹œ๊ฐ์  ์š”์†Œ๋ฅผ ๋„์ถœํ•˜์—ฌ ๋ฐœ์ „ ๋ฐฉํ–ฅ์„ ์„ค์ •ํ•œ๋‹ค. ๊ฒŒ์ด๋จธ๊ฐ€ ํŽธ๋ฆฌํ•˜๊ณ  ์ง๊ด€์ ์œผ๋กœ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ์ธํ„ฐํŽ˜์ด์Šค์— ๋Œ€ํ•ด์„œ ์ •๋ณด๋ฅผ ์‹œ๊ฐ์ ์œผ๋กœ ๊ตฌ์„ฑํ•˜๋Š” ๊ฒŒ์ž„ ๊ทธ๋ž˜ํ”ฝ ์ธํ„ฐํŽ˜์ด์Šค์˜ ๋ชจ๋ธ์„ ์ œ์‹œํ•˜๊ณ ์žํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.1.253
kci_detailed_000016.xml
ART001820654
oai_dc
์ •๋ณด ๊ธฐ์ˆ  ์ด๋ฏธ์ง€์˜ ๊ธฐ์›๊ณผ ์ƒˆ๋กœ์šด ๋ชจ๋ธ-ํŒํ™”์™€ ํ”„๋ฆฐํŠธ ์ธ์Šคํ†จ๋ ˆ์ด์…˜-
The origin of informative mechanical image and new model -printmaking and print installation-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌํฌ์ •(ํ™์ต๋Œ€ํ•™๊ต)" ]
ํŒํ™”๋Š” ์‚ฌํšŒ ์•ˆ์˜ ์ƒํƒœ ๋ณ€ํ™”์— ์ž…๊ฐํ•œ ์‹œ๊ฐ ์ •๋ณด ๊ธฐ์ˆ  ๋ชจ๋ธ์ด๋‹ค. ์‹œ๊ฐ์„ฑ์— ๋Œ€ํ•œ ๋ชจ๋ธ๋กœ์„œ ํŒ๋ณธ์€ โ€œํŠน์ •ํ•œ ์ƒํƒœโ€์˜ ์ž„๊ณ„์ ์„ ๋‚˜ํƒ€๋‚ด๋ฉฐ, ํŒ๋ณธ์˜ ์ง€์†์ ์ธ ์ƒ์‚ฐ์€ ์ด๋ฏธ์ง€์˜ ๋ณ€ํ™” ๋ฐ ๊ถค์ ์„ ํ†ตํ•ฉํ•œ๋‹ค. ๊ธฐ์ˆ  ์ด๋ฏธ์ง€์˜ ํŠน์„ฑ์€ ํŠน์ •ํ•œ ๊ธฐ์ˆ  ์–‘์ƒ์„ ๋‚˜ํƒ€๋‚ด๋ฉฐ ๋˜ ๋‹ค๋ฅธ ์‹œ๊ฐ ๋ชจ๋ธ์ด ์ƒ์„ฑ๋˜๋Š” ๋ชจ์ฒด๊ฐ€ ๋œ๋‹ค. ํŒ๋ณธ์„ฑ, ๋ณต์ˆ˜์„ฑ, ๊ทธ๋ฆฌ๊ณ ๋ณต์ œ์„ฑ์— ๊ธฐ๋Œ„ ๊ธฐ์ˆ  ์ด๋ฏธ์ง€๋Š” ์ •๋ณด์„ฑ๊ณผ ๋งค์ฒด์„ฑ์„ ํŒŒ์ƒ์‹œ์ผฐ๊ณ  ์ด์™€ ๊ฐ™์€ ๋‹ค์›์ ์ธ๋ณธ์„ฑ์€ ๋‹ค์–‘์ฒด์— ๊ฐ€๊น๋‹ค. 20์„ธ๊ธฐ ํ›„๋ฐ˜ ๊ธฐ์ˆ  ์ด๋ฏธ์ง€๋Š” ์˜ˆ์ˆ ๊ณผ ์ผ์ƒ์˜ ๋ฏธ์  ๊ฒฝํ—˜,๊ทธ๋ฆฌ๊ณ  ์žฌํ˜„์˜ ํ˜์‹ ์„ ์ผ์œผ์ผฐ๋‹ค. โ€œ๊ตฌํ…๋ฒ ๋ฅดํฌ์˜ ์€ํ•˜๊ณ„์˜ ์ข…๋งโ€๋กœ์„œ ์ƒ์ง•๋œ ์ธ์‡„์ˆ ๊ณผ ์ƒˆ๋กœ์šด ๋””์ง€ํ„ธ ๊ธฐ์ˆ ์€ ๋ฌธํ™”์‚ฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.75
kci_detailed_000016.xml
ART001820652
oai_dc
๋ฏผํ™”(ๆฐ‘็•ต)์˜ ๋ฏธํ•™์  ๋ถ„์„์„ ํ†ตํ•œ ์ •์‹ ๋ฏธ(็ฒพ็ฅž็พŽ) ์—ฐ๊ตฌ
A Study on Spiritual Beauty through Making An Aesthetic Analysis of Korean Folk Painting
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๋‘๋นˆ(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํ•œ๊ตญ์˜ ์ „ํ†ต ๋ฏผํ™”(ๆฐ‘็•ต)์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋ฏธํ•™์  ํŠน์ง•์„ ๋ถ„์„ํ•˜์—ฌ, ๊ทธ๋Ÿฌํ•œ๋ฏธํ•™์  ํŠน์ง•์ด ์–ด๋– ํ•œ ์ •์‹ ๋ฏธ(็ฒพ็ฅž็พŽ)๋ฅผ ๋‹ด๊ณ  ์žˆ๋Š”๊ฐ€๋ฅผ ๋ฐํ˜€ ๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ฏผํ™”์—์„œ ์šฐ๋ฆฌ๋Š” <์‚ฌ๋ฌผ์˜ ์ƒํ˜ธ๋น„๋ก€็›ธไบ’ๆฏ”ไพ‹ ๊ด€๊ณ„ ๋ฌด์‹œ็„ก่ฆ–>, <์›๊ทผ๋ฒ•้ ่ฟ‘ๆณ•์˜ ๊ฒฐ์—ฌ็ผบๅฆ‚>, <ํ˜•ํƒœ์˜ ์ž์œ ๋กœ์šด ๋ณ€ํ˜•>, <์‚ฌ๋ฌผ์˜ ์ƒํ•˜ไธŠไธ‹ ์œ„์น˜์˜ ์ž์œ ๋กœ์šด ์ „๋„้กšๅ€’> ๋“ฑ์˜ ๋ฏธํ•™์  ํŠน์ง•๋“ค์„ ๋ฐœ๊ฒฌํ•˜๊ฒŒ ๋˜๋Š”๋ฐ, ์ด๋Ÿฌํ•œ ๋ฏธํ•™์  ํŠน์ง•๋“ค์„ ํฌ๊ด„ํ•ด์„œ ํ•œ๋งˆ๋””๋กœ ํ‘œํ˜„ํ•œ๋‹ค๋ฉด <๊ฐ€์‹œ์ ํ˜„์ƒ๊ณ„ๅฏ่ฆ–็š„็พ่ฑก็•Œ์˜ ๊ณต๊ฐ„์งˆ์„œ ๊ต๋ž€ๆ”ชไบ‚>์ด๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ๋‹ค. ์ •ํ†ตํšŒํ™”(ๆญฃ็ตฑ็นช็•ต)์—์„  ์ฐพ์•„๋ณผ ์ˆ˜ ์—†๋Š” ์ด์™€ ๊ฐ™์€ ํŠน์ง•์€ ๋ฏผํ™”๊ฐ€ ์ง€๋‹Œ ๋…ํŠนํ•œ ์ •์‹ ์—์„œ ๋‚˜์˜ค๋Š” ๊ฒƒ์ด๋‹ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.35
kci_detailed_000016.xml
ART001820657
oai_dc
ํ”„๋กœ์ ์…˜ ๋งตํ•‘์„ ์ด์šฉํ•œ ๋น”๋ฒ„ํƒ€์ด์ง• ๊ธฐ๋ฒ•์˜ ๊ณต๊ฐ„ ํ™•์žฅ์„ฑ ์—ฐ๊ตฌ
A Study of space expansion of Beamvertising and managing method using projection mapping
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์›์ฒ (์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๊ธฐ์กด์— ์—ฐ๊ตฌ๋˜์—ˆ๋˜ ํ”„๋กœ์ ์…˜ ๋งตํ•‘ ์ž‘ํ’ˆ๋“ค์€ ํ”ผ์‚ฌ์ฒด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ”„๋กœ์ ํ„ฐ์˜ ์œ„์น˜๊ฐ€ ๊ณ ์ •๋˜์–ด ์žˆ๋Š” ์ƒํƒœ๋กœ ํˆฌ์‚ฌ๋˜์–ด์™”๋‹ค. ํ•˜์ง€๋งŒ IT๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ์€ ํ”„๋กœ์ ํ„ฐ์˜๋ฌผ๋ฆฌ์  ๊ณต๊ฐ„ ํ™œ์šฉ์„ฑ์˜ ํ•œ๊ณ„๋ฅผ ํƒˆํ”ผํ•˜๊ณ  ์ƒˆ๋กœ์šด ๊ณต๊ฐ„์˜ ํ™•์žฅ์„ ํ†ตํ•ด ๋ฏธ๋””์–ด์˜ ๊ณต๊ฐ„ํ‘œํ˜„์— ์žˆ์–ด ์ƒˆ๋กœ์šด ๊ฐ€๋Šฅ์„ฑ์„ ์ œ์‹œ ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ๋‹ค. ํ™•์žฅ๋œ ๊ณต๊ฐ„ ๋ฆฌ์–ผ๋ฆฌํ‹ฐ๋Š” ๊ด€๊ฐ์—๊ฒŒ ํ˜„์žฅ๊ฐ๊ณผ ์ƒ๋™๊ฐ์„ ๋”์šฑ๋” ๋А๋‚„ ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋ฉฐ, 3์ฐจ์›์  ์‹ค์ œ ๊ณต๊ฐ„์—์„œ ๊ฐ€์ƒ์˜ 3์ฐจ์›์  ์ฝ˜ํ…์ธ ๋ฅผ ํˆฌ์‚ฌํ•˜๋Š” 3D ํ”„๋กœ์ ์…˜ ๋งตํ•‘์€ ์ฐฉ์‹œ๋ฅผ ๊ฐ๊ฐ์ ์œผ๋กœ์ฒดํ—˜ํ•œ๋‹ค๋Š” ์ ์— ํ˜ผํ•ฉํ˜„์‹ค๊ณผ ๊ฐ™์€ ๊ฐœ๋…์œผ๋กœ ์ด๋Š” ์ƒˆ๋กœ์šด ๊ฒฐํ•จ์„ ํ†ตํ•ด ์ œ3์˜ ๊ณต๊ฐ„์œผ๋กœ ํ™•์žฅ๋˜๋Š” ๊ฐ€๋Šฅ์„ฑ์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ๋ณธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.151
kci_detailed_000016.xml
ART001820661
oai_dc
3D ์ž…์ฒด์˜ํ™” ๊ด€๋žŒ๊ฐ ๋ถ„์„ - ์˜ํ™” "ํผ์‹œํ”ฝ ๋ฆผ" "์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„"๋ฅผ ํ†ตํ•ด๋ณธ ํ”„๋ ˆ์ฆŒ์Šค ํšจ๊ณผ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Analysis of 3D film spectators - Focused on presence effect at films "Pacific Rim" and "The Great Gatsby" -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ „๋ฌธ์„ (์ค‘์•™๋Œ€ํ•™๊ต ์ฒจ๋‹จ์˜์ƒํ•™๊ณผ); ์žฅ์„ฑ๊ฐ‘(์ค‘์•™๋Œ€ํ•™๊ต)" ]
2009๋…„ ์ œ์ž„์Šค ์นด๋ฉ”๋ก  ๊ฐ๋…์˜ <์•„๋ฐ”ํƒ€>๊ฐ€ ์ „ ์„ธ๊ณ„์—์„œ ํฅํ–‰ ๊ธฐ๋ก์„ ๊ฐฑ์‹ ํ•˜๋ฉด์„œ 3D ์ž…์ฒด์˜ํ™”์˜ ๋ถ์€ ์„ธ๊ณ„ ๊ฐ์ง€๋กœ ํผ์ ธ๊ฐ€๊ณ  ์žˆ๋‹ค. 3D ์ž…์ฒด์˜ํ™” ์‹œ์žฅ์€ ์•ˆ์ •์ ์ธ ์ˆ˜์š” ์ฐฝ์ถœ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ™œ๋ฐœํžˆ ์ œ์ž‘๋˜๊ณ  ์žˆ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ํฅ๋ฏธ์˜ ์š”์†Œ์— ์˜ํ•ด์ฃผ์˜๊ฐ€ ์ง‘์ค‘๋จ์œผ๋กœ์จ ๋ชฐ์ž…์ด ์ผ์–ด๋‚˜๊ฒŒ ๋˜๋Š”๋ฐ ์ด๋Ÿฌํ•œ ๋ชฐ์ž…์€ ํ˜„์กด๊ฐ ํ˜น์€ ์ž„์žฅ๊ฐ์œผ๋กœ ๋ถˆ๋ฆฌ๋Š” ํ”„๋ ˆ์ฆŒ์Šค์— ์˜ํ–ฅ์„ ์ค€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด๋Ÿฌํ•œ ํ”„๋ ˆ์ฆŒ์Šค ๊ฐœ๋…์— ๊ทผ๊ฑฐํ•˜์—ฌ ์˜์ƒ๊ตฌ์กฐ๊ฐ€ ๋‹ค๋ฅธ <ํผ์‹œํ”ฝ ๋ฆผ>๊ณผ <์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„> ์˜ํ™”์—์„œ 3D ์ž…์ฒด์˜ํ™”๊ฐ€2D ์ผ๋ฐ˜์˜ํ™”๋ณด๋‹ค ๊ด€๋žŒ๊ฐ์˜ ํ”„๋ ˆ์ฆŒ์Šค ๊ฒฝํ—˜, ํ”„๋ ˆ์ฆŒ์Šค ํšจ๊ณผ(๊ฐ์„ฑ, ๊ธฐ์–ต, ์ฆ๊ฑฐ์›€)์—์ฐจ์ด๊ฐ€ ์žˆ๋Š”๊ฐ€๋ฅผ ๋น„๊ต, ๋ถ„์„ํ–ˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.233
kci_detailed_000016.xml
ART001820653
oai_dc
ํ…์ŠคํŠธ์™€ ์ด๋ฏธ์ง€โ…ข- ๊ณ ์•” ์ด์‘๋…ธ์˜ ๊ตฌ์„ฑ์‹œ๋ฆฌ์ฆˆ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Text and Image III - Go-Am Ungno Leeโ€™s Composition -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์Šนํ˜ธ(๋™์•„๋Œ€ํ•™๊ต)" ]
์—ฐ๊ตฌ์ž๋Š” ํ˜„๋Œ€๋ฏธ์ˆ ์— ์ž๋ฆฌํ•œ ํ…์ŠคํŠธ์™€ ์ด๋ฏธ์ง€์˜ ์—ฐ๊ด€๊ด€๊ณ„์— ์ดˆ์ ์„ ๋งž์ถ”๊ณ  ์žˆ๋‹ค. ํ…์ŠคํŠธ์™€ ์ด๋ฏธ์ง€์˜ ๊ด€๊ณ„๋ง์€ 1960๋…„๋Œ€์— ๋‚˜ํƒ€๋‚œ ์˜ˆ์ˆ ํ˜„์ƒ์œผ๋กœ์„œ ์‹œ๊ฐ๋ฏธ์ˆ ์—์„œ๋Š” ์—ญ์ ์„ ๋‹ฌ๋ฆฌํ•˜๋ฉด์„œ ์ž‘ํ’ˆ์˜ ์กด์žฌ๋ฐฉ์‹์ด ๋‹ค๋ณ€ํ™”๋˜๊ธฐ๋„ ํ•˜์˜€๊ณ , ๊ทธ๋ฆฌํ•˜์—ฌ 21์„ธ๊ธฐ์— ๋“ค์–ด์™€ ๋ฏธํ•™๊ณผ ๋ฏธ์ˆ ์‚ฌํ•™์˜ ์—ฐ๊ตฌ๊ณผ์ œ๊ฐ€ ๋˜์—ˆ๋‹ค. ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•๋ก ์œผ๋กœ ์ž๋ฆฌํ•˜๊ธฐ๊นŒ์ง€๋Š” ๊ฑธ์ณ์•ผ ํ•  ๋‹จ๊ณ„๊ฐ€ ์‚ฐ์žฌํ•ด ์žˆ์ง€๋งŒ, ๊ธฐ์กด์˜ ์ฃผ์š”์—ฐ๊ตฌ์„œ๋Š” ๋ถ€๋ถ„์ ์œผ๋กœ ๋„์ƒํ•™๊ณผ ๋„์ƒํ•ด์„ํ•™์„ ์Ÿ์ ํ™”ํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด๋Ÿฌํ•œ ์ธ๋ฌธํ•™์  ๋ฌธ์ œ์˜์‹์„ ํ† ๋Œ€๋กœ ๊ณ ์•” ์ด์‘๋…ธ(1904-1989)์˜ ๊ตฌ์„ฑ์‹œ๋ฆฌ์ฆˆ๋ฅผ ๋ถ„์„ํ–ˆ๋‹ค. ๊ณ ์•”์˜ ๊ตฌ์„ฑ์‹œ๋ฆฌ์ฆˆ(1963-1973)๋Š” ์„œ๊ตฌ์˜ ์ถ”์ƒํšŒํ™”์™€ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.51
kci_detailed_000016.xml
ART001820655
oai_dc
์„ํŒํ™” ์ž‰ํฌ์˜ ๋ณ€์ƒ‰ ์—ฐ๊ตฌ-์ž์™ธ์„ ์— ์˜ํ•œ ์„ํŒํ™”์ž‰ํฌ์˜ ๋ณ€์ƒ‰์— ๊ด€ํ•œ์—ฐ๊ตฌ-
Research for Lightfast Pigments in Lithographic Inks -Research for Lightfast Pigment in Lithographic Inks by UV light-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚จ์ฒœ์šฐ(ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต)" ]
20์„ธ๊ธฐ ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ์ค‘์š”ํ•œ ๋ถ„์•ผ์˜ ํ•˜๋‚˜์ธ ํŒํ™”(printmaking)๋Š” ๋งŽ์€ ์ž‘๊ฐ€๋“ค์—์˜ํ•ด ๋‹ค์–‘ํ•œ ๊ธฐ๋ฒ•์˜ ํŒํ™”์ž‘ํ’ˆ๋“ค์ด ์ œ์ž‘๋˜์–ด ์™”๋‹ค. ์ด๋ฅผ ์œ„ํ•ด์„œ ์—ฌ๋Ÿฌ ๋‚˜๋ผ์˜ ํšŒ์‚ฌ๊ฐ€ ์ œ์ž‘ํ•œ ๋‹ค์–‘ํ•œ ํŒํ™” ๋„๊ตฌ๋“ค๊ณผ ํ™”๋ คํ•œ ์ƒ‰๊ฐ์˜ ํŒํ™”์ž‰ํฌ๊ฐ€ ๊ฐœ๋ฐœ๋˜์—ˆ๋‹ค. ํŠนํžˆ ํŒํ™” ์ž‰ํฌ๋Š” ์•ˆ๋ฃŒ์™€ ์ž‰ํฌ ๊ฐœ์„ ์ œ(Ink modifiers)์˜ ๋ฐœ์ „์œผ๋กœ ์œ ์„ฑ๊ณผ ์ˆ˜์„ฑ์˜ ์ž‰ํฌ์—์„œ ํ›Œ๋ฅญํ•œ ์ƒ‰๊ฐ์„ ๋ณด์—ฌ์ค€๋‹ค. ์ด๋Ÿฌํ•œ ์žฌ๋ฃŒ๋“ค๋กœ ์ œ์ž‘๋œ 20์„ธ๊ธฐ์˜ ํ˜„๋Œ€ํŒํ™”๋Š” ๊ฐ€์ •๊ณผ ํ™”๋ž‘, ๊ทธ๋ฆฌ๊ณ  ๋ฏธ์ˆ ๊ด€์— ์ „์‹œ๋˜์–ด ํŒํ™”๊ฐ€ ๊ฐ€์ง„ ๋ฏธ์ ๊ฐ€์น˜๋ฅผ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ œ๊ณตํ•ด์™”๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๋งŽ์€ ๋…ธ๋ ฅ๊ณผ ์‹œ๊ฐ„, ๊ทธ๋ฆฌ๊ณ  ์ž๋ณธ์„ ํˆฌ์žํ•˜์—ฌ ์ œ์ž‘๋˜์—ˆ๋˜ ํŒํ™”์ž‘ํ’ˆ๋“ค์€ ์šฐ๋ฆฌ์˜ ์ƒํ™œํ™˜๊ฒฝ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.103
kci_detailed_000016.xml
ART001820659
oai_dc
๋„์‹œํ˜• ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ์˜ ๋ฐœ์ „ ๋ฐฉํ–ฅ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on The Developmental Perspectives of Urban Interactive Media Facades
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ค€์ˆ˜(๊ทน๋™๋Œ€ํ•™๊ต)" ]
๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ๋Š” ๊ฑด์ถ• ๊ตฌ์กฐ๋ฌผ๊ณผ ๋””์Šคํ”Œ๋ ˆ์ด์˜ ๊ฒฐํ•ฉ์— ์˜ํ•ด ํƒ„์ƒ๋œ ์ƒˆ๋กœ์šด ๋ถ„์•ผ์ด๋‹ค. ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€๋Š” ๋„์‹œ ๊ฑด์ถ•๋ฌผ์ด ์œ„์น˜ํ•œ ๋Œ€์ค‘ ๊ณต๊ฐ„์—์„œ ์‚ฌ์šฉ์ž์™€ ์„ค์น˜์ž ๋˜๋Š” ์‚ฌ์šฉ์ž๋“ค ๊ฐ„์˜ ์Œ๋ฐฉํ–ฅ ์†Œํ†ต์„ ์ถ”๊ตฌํ•จ์œผ๋กœ์จ ์ƒˆ๋กœ์šด ์žฅ๋ฅด์˜ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ๋ฏธ๋””์–ด์ธ urban screen์ด๋ผ๊ณ ๋„ ๋ถˆ๋ฆฌ๋Š” ๋งค์ฒด๋ฅผ ๋งŒ๋“ค์—ˆ๋‹ค. ์ด ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ๋Š”์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด์˜ ๋Œ€์ค‘ ๊ณต๊ฐ„์˜ ์ง€๊ฐ์ , ๊ฒฝํ—˜์  ๊ทธ๋ฆฌ๊ณ  ์ง€์‹์  ํ™•์žฅ์„ฑ์—๋Œ€ํ•œํŠน์ง•๋“ค์„ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด์™€ ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ์˜ ์ •์˜๋ฅผ ์„œ์ˆ ํ•˜๊ณ  ๋‹ค์„ฏ ๊ฐœ์˜ ๊ตญ๋‚ด์™ธ ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•˜์—ฌ ์ƒˆ๋กœ์šด ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ๋ฅผ ๋””์ž์ธ ํ•  ๋•Œ ๊ณ ๋ คํ•ด์•ผ ํ•˜๋Š” ๊ฒƒ๋“ค์„ ์ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.193
kci_detailed_000016.xml
ART001820660
oai_dc
์ฆ๊ฐ•ํ˜„์‹ค์˜ ๊ณต๊ฐ„์  ๊ฐœ๋…์— ๊ด€ํ•œ ์—ฐ๊ตฌ
Study on the spatial Concept of Augmented Reality
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ธฐํ˜ธ(๋ฐฑ์„์˜ˆ์ˆ ๋Œ€ํ•™๊ต); ๋ฐฐ์„ฑํ•œ(์„ธ์ข…์‚ฌ์ด๋ฒ„๋Œ€ํ•™๊ต)" ]
๊ฐ€์ƒํ˜„์‹ค์€ ๋ชจ๋“  ๊ฒƒ์„ ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์„ ํ†ตํ•ด ์ด๋ฏธ์ง€๋กœ ํ‘œํ˜„ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์ด์šฉ์ž์—๊ฒŒ ์‹ค์ œ ์„ธ๊ณ„์™€ ๊ฐ™์€ ํ˜„์‹ค๊ฐ์„ ์ฃผ๋Š” ๋ฐ์—๋Š” ๋งŽ์€ ํ•œ๊ณ„๊ฐ€ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ•œ๊ณ„๋ฅผ๊ทน๋ณตํ•˜๊ธฐ ์œ„ํ•ด ์ปดํ“จํ„ฐ๋กœ ๋งŒ๋“ค์–ด๋‚ธ ๊ฐ€์ƒํ™˜๊ฒฝ์„ ์‹ค์„ธ๊ณ„์™€ ํ˜ผํ•ฉํ•˜์—ฌ ํ˜„์‹ค๊ฐ์„ ํ–ฅ์ƒ์‹œํ‚ค๋Š” ํ˜ผํ•ฉํ˜„์‹ค(Mixed Reality)์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐ€ ํ™œ๋ฐœํžˆ ์ง„ํ–‰๋˜๊ณ  ์žˆ๋Š”๋ฐ, ์ด ์ค‘์—์„œ ์‹ค์„ธ๊ณ„ ํ™˜๊ฒฝ๊ณผ ๊ฐ€์ƒํ™˜๊ฒฝ ์ค‘ ์–ด๋А ํ™˜๊ฒฝ์— ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜์˜€๋Š”์ง€์— ๋”ฐ๋ผ ์ฆ๊ฐ•ํ˜„์‹ค(Augmented Reality)๊ณผ ์ฆ๊ฐ•๊ฐ€์ƒ(Aug- mented Virtuality)์œผ๋กœ ๊ตฌ๋ถ„๋œ๋‹ค. ๊ฐ€์ƒํ˜„์‹ค์ด ์™„๋ฒฝํ•œ ์ธ์œ„์  ํ™˜๊ฒฝ์„ ์ œ๊ณตํ•˜๋Š” ๊ฒƒ๊ณผ ๋‹ฌ๋ฆฌ, ์ฆ๊ฐ•ํ˜„์‹ค์€ ํ™”๋ฉด์— ์‚ฝ์ž…๋œ ๊ฐ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.213
kci_detailed_000016.xml
ART001820651
oai_dc
์‹ ๋ผ์‹œ๋Œ€ ์กฐ๊ฐ๊ฐ€ ์–‘์ง€(๏ฅผๅฟ—)์˜ ์†Œ์กฐ์ƒ ์—ฐ๊ตฌ-์‚ฌ์ฒœ์™•์‚ฌ์˜ ๋…น์œ ์†Œ์กฐ์ƒ๊ณผ ์˜๋ฌ˜์‚ฌ์˜ ์žฅ๋ฅ™์‚ผ์กด๋ถˆ์„ ์ค‘์‹ฌ์œผ๋กœ-
The Clay Statues of Yangji of the Silla Period -Focusing on the Green Ceramic Sculpture and the Clay Statue of the Buddha-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์€์ˆ™(์ค‘๊ตญ ๋™๋ถ ์‚ฌ๋ฒ”๋Œ€)" ]
์‹ ๋ผ์˜ ๊ณ ์Šน ์„์–‘์ง€(้‡‹๏ฅผๅฟ—)๋Š” ์šฐ๋ฆฌ๋‚˜๋ผ ๊ณ ๋Œ€ ์˜ˆ์ˆ ๊ฐ€๋กœ์„œ๋Š” ์ตœ์ดˆ๋กœ ใ€Ž์‚ผ๊ตญ์œ ์‚ฌใ€์— ์ž‘๊ฐ€๋ช…๊ณผ ์ž‘ํ’ˆ๋“ค์— ๋Œ€ํ•˜์—ฌ ๊ตฌ์ฒด์ ์ธ ๊ธฐ๋ก์ด ๋‚จ์•„ ์žˆ๋Š” ์กฐ๊ฐ๊ฐ€์ด๊ธฐ์— ํ•œ๊ตญ๊ณ ๋Œ€๋ฏธ์ˆ ์‚ฌ์™€ ์กฐ๊ฐ์‚ฌ์—์„œ ๊ทธ ์˜๋ฏธ๋Š” ๋งค์šฐ ํฌ๋‹ค ํ•˜๊ฒ ๋‹ค. ์ด ๋…ผ๋ฌธ์€ ใ€Ž์‚ผ๊ตญ์œ ์‚ฌใ€ ๊ถŒ4 '์˜ํ•ด(็พฉ่งฃ)' ์ œ5ใ€Œ์–‘์ง€์‚ฌ์„(๏ฅผๅฟ—ไฝฟ้Œซ)ใ€์„ ๊ธฐ์ดˆ ์ž๋ฃŒ๋กœ ์‚ฌ์ฒœ์™•์‚ฌ์—์„œ ๋ฐœ๊ตด๋œ ๋…น์œ ์†Œ์กฐ์ƒ๊ณผ ์˜๋ฌ˜์‚ฌ์˜ ์žฅ๋ฅ™์‚ผ์กด ์†Œ์กฐ๋ถˆ์ƒ ์ œ์ž‘๊ณผ์ •์„์‚ดํŽด๋ด„์œผ๋กœ์จ ๊ณ ์Šน์ด๋ฉฐ ์œ„๋Œ€ํ•œ ์กฐ๊ฐ๊ฐ€ ์–‘์ง€(๏ฅผๅฟ—)์˜ ์ž‘ํ’ˆ์„ธ๊ณ„๋ฅผ ๋ถ„์„ํ•ด ๋ณด์•˜๋‹ค. ์‚ฌ์ฒœ์™•์‚ฌ์ง€์—์„œ ๋ฐœ๊ตด๋œ ๋…น์œ ์†Œ์กฐ์ƒ์„ ์กฐํ˜•์  ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ ์–‘์ง€์˜ ์ฃผ์„์ฒ˜์˜€๋˜์„์žฅ์‚ฌ์ง€์—์„œ ์ถœํ† ๋œ ๋ฐœ์กฐ๊ฐ ํŒŒํŽธ๊ณผ ์‚ฌ์ฒœ์™•์‚ฌ์ง€์—์„œ ์ถœํ† ๋œ ๋…น์œ ์†Œ์กฐ์ƒ์—์„œ ๋…...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.7
kci_detailed_000016.xml
ART001820658
oai_dc
์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ์ง„ํ™”์™€ ์ƒˆ๋กœ์šด ๋†€์ด ๊ณต๋™์ฒด์˜ ์ถœํ˜„
The Evolution of Communication and the Emergence of a New Play Community
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๊ธฐ์ •(์ค‘์›๋Œ€ํ•™๊ต)" ]
๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ์€ ์ผ์ƒ์˜ ๋ฌธํ™”์ง€ํ˜•์— ์ปค๋‹ค๋ž€ ๋ณ€๋™์„ ๊ฐ€์ ธ์˜จ๋‹ค. ๊ณผํ•™๊ธฐ์ˆ ์ด ํŠนํžˆ ๋Œ€์ค‘์  ๋งค์ฒด์™€ ๋งŒ๋‚˜ ํ•œ ์‹œ๋Œ€์˜ ์ง€๋ฐฐ์ ์ธ ์š•๋ง๊ณผ ์กฐ์‘ํ•˜๋Š” ๊ฒฝ์šฐ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์€ ์ „๋ฐ˜์ ์ธ ์‚ถ์— ๊ฑธ์นœ ์ธ๊ฐ„ ์˜์‹๊ณผ ๊ฐ๊ฐ์„ ๋’คํ”๋“ค์–ด ์ข…๋ž˜์™€๋Š” ๋‹ค๋ฅธ ์ผ์ƒ ์ฆ‰, ์ƒˆ๋กœ์šด ๋ฌธํ™”๋ฅผ ์ถ”๋™ํ•œ๋‹ค. ๋งŒ์•ฝ ์šฐ๋ฆฌ๊ฐ€ ๊ณผํ•™๊ธฐ์ˆ ๊ณผ ๋ฌธํ™”์˜ ์ƒ์‘์„ฑ์— ์ฃผ์˜๋ฅผ ์ข€ ๋”๊ธฐ์šธ์ธ๋‹ค๋ฉด ์šฐ๋ฆฌ๋Š” ๊ทธ ๋‚ด๋ถ€์— ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜, ๋†€์ด, ๋Œ€์ค‘์ด๋ผ๋Š” ์ฃผ์š” ํ•ญ๋“ค์„ ์„ ๋ณ„ํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ ์ด๋“ค์ด ๋ถˆ๊ฐ€๋ถ„์˜ ๊ด€๊ณ„๋กœ ๋’ค์–ฝํ˜€ ๋ฌธํ™”์  ์ง€ํ˜•์„ ์žฌํŽธํ•˜๊ณ  ์žˆ์Œ์„ ์•Œ๊ฒŒ ๋œ๋‹ค. ์ด ๊ธ€์€ ์ด๋Ÿฌํ•œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ธฐ์ˆ ๊ณผ ๋ฌธํ™”์˜ ์ƒ๊ด€๊ด€๊ณ„ ์†์—์„œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ, ํŠนํžˆ ๋””์ง€ํ„ธ ์ปค๋ฎค๋‹ˆ์ผ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.171
kci_detailed_000016.xml
ART001820662
oai_dc
ํ™”๋ฉดํ•ด์„ค๋ฐฉ์†ก๊ณผ ๋ฐฐ๋ฆฌ์–ดํ”„๋ฆฌ์˜ํ™”์˜ ์—ฐ์ถœ๋ฐฉ๋ฒ•์—ฐ๊ตฌ- ๋ถ€์‚ฐ๊ตญ์ œ์˜ํ™”์ œ ๋ฒ ๋ฆฌ์–ดํ”„๋ฆฌ์˜ํ™” ์ œ์ž‘ ์ค‘์‹ฌ์œผ๋กœ-
A Study of the Direction Method to Descriptive Video Service and Barrier-Free Movie -Focusing on production of barrier-free movies of Busan International Film Festival -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚˜์ค€๊ธฐ(๋™๋ช…๋Œ€ํ•™๊ต)" ]
ํ™”๋ฉดํ•ด์„ค๋ฐฉ์†ก๊ณผ ๋ฐฐ๋ฆฌ์–ดํ”„๋ฆฌ์˜ํ™”๋Š” ์˜์ƒ์ฝ˜ํ…์ธ ์˜ ์Šคํ† ๋ฆฌ ์ „๋‹ฌ์ด ์•„๋‹Œ ํ™”๋ฉด์ž์ฒด์˜ ์ดํ•ด๋ฅผ ์œ„ํ•ด ์žฅ๋ฉด์˜ ํ•ด์„ค๊ณผ ํŽธ์ง‘ ์—ฐ์ถœํšจ๊ณผ๋‚˜ ์žฅ๋ฉด์ „ํ™˜, ๋“ฑ์žฅ์ธ๋ฌผ์˜ ํ‘œ์ •๊ณผ ํŠน์ง• ๋ฐ ์ œ์Šค์ฒ˜๋‚˜ ๋ชธ์ง“ ๋“ฑ ๋Œ€์‚ฌ ์—†์ด ์ฒ˜๋ฆฌ๋˜๋Š” ์˜์ƒ์„ ํ•ด์„คํ•˜์—ฌ ์‹œ๊ฐ ์žฅ์• ์ธ์„ ์œ„ํ•œ ์ˆ˜์‹ ๊ธฐ๋ฅผ ํ†ตํ•œ ํ™”๋ฉดํ•ด์„ค๊ณผ ์ฒญ๊ฐ์žฅ์• ์ธ์„ ์œ„ํ•œ ์ž๋ง‰์ด ์ œ๊ณต๋˜์–ด ํ•ด์„ค์†Œ๋ฆฌ์™€ ์ž๋ง‰์œผ๋กœ ๋ฐฉ์†ก๊ณผ ์˜ํ™”๋ฅผ ๋ณด๊ณ  ๋А๋‚„ ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋ฉฐ, ์žฅ์• ์— ์ƒ๊ด€์—†์ด ๋ชจ๋“  ์‚ฌ๋žŒ์ดํ•จ๊ป˜ ๋ณผ ์ˆ˜ ์žˆ๋Š” ์„œ๋น„์Šค๋ฅผ ๋งํ•œ๋‹ค. ํ™”๋ฉดํ•ด์„ค์€ ๊ถ๊ทน์ ์œผ๋กœ ๋™์ž‘์„ ์„ค๋ช…ํ•˜๊ณ  ์ด์•ผ๊ธฐ์˜ ํ๋ฆ„๊ณผ ํ’๊ฒฝ๊ณผ ํ–‰๋™์„ ์ „๋‹ฌํ•˜๋Š” ๊ฒƒ์— ์žˆ๋‹ค. ์‚ฌํˆฌ๋ฆฌ๋‚˜ ์ง€์—ญ์  ํŠน์„ฑ์ด ๋“œ๋Ÿฌ๋‚˜์•ผ ํ•  ๊ฒฝ์šฐ ๋„ˆ๋ฌด ์‚ฌํˆฌ๋ฆฌ์— ์น˜์šฐ์น˜์ง€ ์•Š๋„๋ก ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.253
kci_detailed_000016.xml
ART001820656
oai_dc
ํ˜„๋Œ€ํ™”๋œ โ€˜์น˜ํŒŒ์˜คโ€™ ํ…์Šคํƒ€์ผํŒจํ„ด์˜ ์กฐํ˜•๋ฏธ
Plastic Beauty on Textile pattern of Modernized 'QiPao'
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜๋ถ๊ทน(Microsoft MSN China); ์–‘์„ฑ์›(๋™์„œ๋Œ€ํ•™๊ต)" ]
์ค‘๊ตญ์˜ ๋ณต์‹๋ฌธํ™”๋Š” 1950๋…„๋Œ€ ์‚ฌํšŒ์ฃผ์˜ ์ •์ฑ…์˜ ๋Œ€๋‘์™€ ๋”๋ถˆ์–ด โ€œ์˜๊ด€๋Œ€๊ตญ(่กฃๅ† ๅคงๅœ‹)โ€์˜ ํ’๋ชจ๋ฅผ ์žƒ์–ด๋ฒ„๋ ธ๊ณ , โ€œ์„œ๋ณต๋™์ (่ฅฟๆœๆฑๆผธ)โ€์˜ ์ถ”์„ธ์— ๋”ฐ๋ผ์„œ ์ ์ฐจ ์ฃผ๋ฅ˜์˜์ง€์œ„๋ฅผ ์ƒ์‹คํ•˜์˜€๋‹ค. ์ดํ›„ ํ˜„๋Œ€์‚ฌํšŒ๋Š” ๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ์ „๊ณผ ๋ฉ”์Šค์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ๋ฐœ๋‹ฌ, ์„ธ์—ญํ™”(ไธ–ๅŸŸๅŒ–, glocalism) ๋“ฑ์œผ๋กœ ๋™ยท์„œ์–‘์˜ ํ™œ๋ฐœํ•œ ๋ฌธํ™”์  ๊ต๋ฅ˜์— ๋”ฐ๋ฅธ ๋‹ค์–‘ํ•œ ์œตํ•ฉ ๋ฌธํ™”ํ˜•ํƒœ๊ฐ€ ๋‚˜ํƒ€๋‚˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ณผ๊ฑฐ์— ์„œ์–‘ ์ค‘์‹ฌ์  ๊ด€์ ์— ์˜ํ•ด์„œ๋‚˜ ํฅ๋ฏธ๋กœ ์—ฌ๊ฒผ๋˜ ์˜ค๋ฆฌ์—”ํƒˆ๋ฆฌ์ฆ˜(Orientalism)์„ ํƒˆํ”ผํ•˜์—ฌ ๋™์–‘์˜ ๊ฐ€์น˜๊ด€ ๋ฐ ๋ฌธํ™”๊ฐ€ ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ์œผ๋ฉฐ ์„ธ๊ณ„ ํŒจ์…˜๊ณ„์—์„œ๋Š” ์ค‘๊ตญ ์ „ํ†ต ๋ณต์‹๋ฌธํ™”์˜ ์กฐํ˜•์  ์š”์†Œ๋“ค์„ ์ ์šฉํ•œ์ƒˆ๋กœ์šด ์ค‘๊ตญํ’์ด ์œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2013.12.4.129
kci_detailed_000016.xml
ART001713287
oai_dc
๋ฐ˜๋ณต๊ตฌ์กฐ์— ์˜ํ•œ ํ˜„๋Œ€ ํ…์Šคํƒ€์ผ ์•„ํŠธ์˜ ์กฐํ˜• ํ•ด์„
Plastic Interpretation of Contemporary Textile Art by Repetitive Structure
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘์„ฑ์›(๋™์„œ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€๋ฏธ์ˆ ์— ์žˆ์–ด์„œ ๋ฐ˜๋ณต๊ตฌ์กฐ์˜ ์ ์šฉ์€ ๋ฏธ๋‹ˆ๋ฉ€ ์•„ํŠธ(์ ˆ์ œ๋œ ์ด๋ฏธ์ง€์กฐํ˜•์—์„œ ๊ฐœ๋…์ ์œผ๋กœ ํ‘œํ˜„๋œ ๋ฐ˜๋ณต์  ๋ฐฐ์น˜), ํŒ์•„ํŠธ(๋Œ€๋Ÿ‰ ์ƒ์‚ฐ๋ฌผ์ด ๋ฐ˜์˜๋œ ๋ฐ˜๋ณต๊ตฌ์กฐ), ์˜ต์•„ํŠธ(์‹œ๊ฐํšจ๊ณผ๋ฅผ ์œ„ํ•œ ๋ฐ˜๋ณตํ˜•์ƒ)์˜ ํ‘œํ˜„ ํ˜•์‹๋“ค์—์„œ ๋“ฑ์žฅํ•œ๋‹ค. ๋ฐ˜๋ณต๊ตฌ์กฐ๋Š” ์ž‘ํ’ˆ์„ ์ „์‹œ์„ค์น˜ํ•˜๊ธฐ ์œ„ํ•œ ๋‹จ์ˆœํ•œ ์™ธ์  ํ˜•์‹์ด ์•„๋‹ˆ๋ผ ๋ฐ˜๋ณต๊ตฌ์กฐ ์Šค์Šค๋กœ๊ฐ€ ์˜๋ฏธ๋ฅผ ๋ฐœ์ƒ์‹œํ‚ค๋Š” ์—ญ๋™์ (energetic) ์š”์†Œ๋กœ ์ž‘๋™๋œ๋‹ค๋Š” ํ•ด์„์ด๋ฉฐ, ์ด๋Š” 21์„ธ๊ธฐ ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ํ‘œํ˜„ ์–‘์ƒ๊ณผ๋„ ๊ธด๋ฐ€ํžˆ ์—ฐ๊ณ„๋˜์–ด ์žˆ๋‹ค. ํ˜„๋Œ€ ์ฒ ํ•™์—์„œ๋Š” ๋™์ผ์„ฑ๊ณผ ํš์ผ์„ฑ์œผ๋กœ์จ์˜ ๋ฐ˜๋ณต์ด ์•„๋‹Œ โ€˜์ฐจ์ดโ€™๋ฅผ ๊ฐ•์กฐํ•œ ๋ฐ˜๋ณต์„ ํ†ตํ•˜์—ฌ ๊ณ ์œ ํ•œ ์˜๋ฏธ๊ฐ€ ์ƒ์„ฑ๋œ๋‹ค๋Š” ์ ์„ ์ฃผ์žฅํ•œ๋‹ค. ๋“ค๋ขฐ์ฆˆ(Gilles De...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.141
kci_detailed_000016.xml
ART001713256
oai_dc
์˜ˆ์ˆ ์˜ ๋ณต์ˆ˜ ์ƒ์‚ฐ๊ณผ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด์  ํŠน์„ฑ - ํŒํ™”, ์‚ฌ์ง„, ์˜์ƒ ์˜ˆ์ˆ ์˜ ๊ณต๊ฐ„๊ฐœ๋…์„ ์ค‘์‹ฌ์œผ๋กœ -
Multiple Creation of Arts and Characteristics as Multimedia - Focusing on Concept of Space in Prints, Photograph and Digital Arts -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†ก๋Œ€์„ญ(ํ™์ต๋Œ€ํ•™๊ต); ๊น€์ง€ํ˜œ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ๋กœ ์˜ˆ์ˆ ์˜ ์ œ์ž‘๊ณผ ์ƒ์‚ฐ ๋ฐฉ์‹์—๋„ ๋ณ€ํ™”๊ฐ€ ์˜จ๋‹ค. ๊ธฐ๊ณ„์  ๋ฉ”์ปค๋‹ˆ์ฆ˜์€ ์˜ˆ์ˆ ์˜ ๋ณต์ˆ˜์ œ์ž‘์„ ๊ฐ€๋Šฅ์ผ€ ํ•˜๊ณ  ํŒํ™”์™€ ์‚ฌ์ง„, ์˜์ƒ์˜ˆ์ˆ ์€ ๋ณต์ˆ˜์ƒ์‚ฐ์˜ ์‹œ์Šคํ…œ์„ ๊ฐ€์žฅ ์ ๊ทน์ ์œผ๋กœ ๋„์ž…, ์˜ˆ์ˆ  ํ˜•์‹์˜ ๋ณธ์งˆ๋กœ ํ•œ๋‹ค. ๋ณต์ˆ˜์ œ์ž‘์ด ๊ฐ€๋Šฅํ•œ ์˜ˆ์ˆ ์€ ๊ทธ๋ ‡์ง€ ์•Š์€ ์˜ˆ์ˆ ์— ๋น„ํ•ด ๋‚ด์šฉ, ์กฐํ˜•์ ์œผ๋กœ ๋‹ค๋ฅธ ํŠน์ง•์„ ์ง€๋‹Œ๋‹ค. ๋ณต์ˆ˜ ์ƒ์‚ฐ๋œ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์—๋Š”โ€˜๋ณต์ˆ˜์˜ ๋ฌผ๋ฆฌ์  ๊ณต๊ฐ„โ€™์ด ์ƒ์„ฑ๋˜๋Š”๋ฐ, ์ด ๊ณต๊ฐ„์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ๊ณ ์ฐฐ์€ ์‹œ๋Œ€์ ์œผ๋กœ ๋ณต์ˆ˜ ์˜ˆ์ˆ ์˜ ํ˜•์‹์— ํƒ€๋‹น์„ฑ์„ ์ œ๊ณตํ•˜๊ณ  ๋‚ด์šฉ์˜ ๊ธด๋ฐ€ํ•œ ํ™•์žฅ๊ณผ ์ฐฝ์กฐ์  ๊นŠ์ด๋ฅผ ๊ฐ€์ ธ์˜จ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ํŒํ™”, ์‚ฌ์ง„ ์˜ˆ์ˆ ์ด ๊ฐ€์žฅ ์ตœ๊ทผ์— ๋ฐœ๋‹ฌํ•œ ๋ณต์ˆ˜์˜ˆ์ˆ ์ธ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์˜์ƒ๊ณผ ๋์—†์ด ์ด์–ด์ง€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.29
kci_detailed_000016.xml
ART001713259
oai_dc
ํ˜„๋Œ€ ๋ฏธ๋””์–ด ์˜์ƒ ์ „์‹œ๋ฅผ ์œ„ํ•œ ๋ฏธ์ˆ ๊ด€ ์šด์˜์˜ ํ˜„ํ™ฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Analytical Study on Conventional uses of Museum Marketing and Exhibition in Modern Media Graphic
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„๊ฒฝ(๋™์•„๋ฐฉ์†ก์˜ˆ์ˆ ๋Œ€ํ•™)" ]
๊ฐ ์‹œ๋Œ€์˜ ์˜ˆ์ˆ ๊ณผ ๋ฏธ์ˆ ์€ ์—ฐ๋Œ€๊ธฐ ๋งˆ๋‹ค ์š”๊ตฌ๋˜๋Š” paradigm์˜ ์ „ํ™˜์ด ์กด์žฌํ•œ๋‹ค. museum์˜ ์–ด์›์€ ๊ทธ๋ฆฌ์Šค์–ด์˜ mouseion์—์„œ ๋น„๋กฏ๋˜์—ˆ์œผ๋ฉฐ, ๊ณผ๊ฑฐ์˜ ์‹ ์„ฑํ•œ ์ง€ํ˜œ์™€ ์œ ์‚ฐ์„ ์ผ์ƒ์  ์‚ถ์˜ ํํ•ด๋กœ๋ถ€ํ„ฐ ๋ณด์กดํ•˜๋Š” ์„ฑ์†Œ๋ผ๋Š” ์˜๋ฏธ๋ฅผ ๊ฐ€์ง„๋‹ค. ๊ทผ๋Œ€์  museum์˜ ์‹œ์ž‘์€ 1789๋…„ ํ”„๋ž‘์Šค ๋Œ€ํ˜๋ช…์—์„œ ์™•์กฑ๊ณผ ๊ตํšŒ๊ฐ€ ๊ฐ€์กŒ๋˜ ๋ฏธ์ˆ ํ’ˆ๊ณผ ๊ณจ๋™ํ’ˆ๋“ค์„ ๋นผ์•—์•„ ๋ฃจ๋ธŒ๋ฅด ๊ถ์ „์— ์ง„์—ดํ•˜๋ฉด์„œ ๋ฐ•๋ฌผ๊ด€์˜ ํšจ์‹œ๊ฐ€ ๋˜์—ˆ๋‹ค. ์‚ฌํšŒ์  ๋ฌธํ™”์  ํ™˜๊ฒฝ, ์ฆ‰ ์‹œ๋Œ€์ •์‹ ์— ๋”ฐ๋ผ ๊ทธ ๊ธฐ๋Šฅ์ด ๋ณ€ํ•˜๊ฒŒ ๋˜๋ฉฐ, ์ด์— ๋”ฐ๋ผ ์ƒˆ๋กœ์šด ์‹œ๋Œ€์— ๋ถ€ํ•ฉํ•˜๋Š” ๋ฏธ์ˆ ๊ด€์˜ ๋ชฉ์ ๊ณผ ์—ญํ• ์€ ๋ฐ˜๋“œ์‹œ ๊ณ ์ฐฐ๋˜์–ด์•ผ ํ•˜๋Š” ๋ถ€๋ถ„์ผ ๊ฒƒ์ด๋‹ค. ์˜ค๋Š˜ ๋‚ ๊ณผ ๊ฐ™์€ ์ •๋ณด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.55
kci_detailed_000016.xml
ART001713262
oai_dc
3D ์˜ํ™”์—์„œ ์ž…์ฒด์˜์ƒ์˜ ๊ด€๊ฐ ์„ ํ˜ธ๋„ ์—ฐ๊ตฌ - ์ธ๊ตฌํ†ต๊ณ„ํ•™์  ๋ถ„์„์„ ์ค‘์‹ฌ์œผ๋กœ -
The Research about stereoscopic of Preference to use of 3D Movies - Focusing on analyzing the Demography -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•๋ฏผ๊ตฌ(์„œ์ผ๋Œ€ํ•™๊ต); ์ •์ง„ํ—Œ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€์˜ ๋ฐœ๋‹ฌ๋กœ ์‹œ์ž‘๋œ ์ž…์ฒด์˜์ƒ ๊ธฐ์ˆ ์€ ๋งŽ์€ ์‚ฐ์—… ๋ถ„์•ผ์— ๊ด‘๋ฒ”์œ„ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์น  ๊ฒƒ์œผ๋กœ ์˜ˆ์ƒ๋˜๋Š” ๋งŒํผ ๊ทธ ๋ถ€๊ฐ€๊ฐ€์น˜ ๋˜ํ•œ ๋งค์šฐ ํด ๊ฒƒ์œผ๋กœ ๋ณด์ด๋ฉฐ, ๊ณง ์ž…์ฒด์˜์ƒ ์ฝ˜ํ…์ธ  ์‹œ๋Œ€๋ฅผ ์—ด ๊ฒƒ์ด๋ผ๋Š” ์˜ˆ์ธก์ด๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ž…์ฒด์˜์ƒ์ด๋ผ๋Š” ์ƒˆ๋กœ์šด ์ฝ˜ํ…์ธ ์˜ ๋“ฑ์žฅ์œผ๋กœ ์•ผ๊ธฐ๋œ ์‹œ์žฅ์ˆ˜์š”์˜ ๋ณ€ํ™”์–‘์ƒ์„ ์•Œ์•„๋ณด๊ณ , ๊ทธ๊ฒƒ์„ ์ฒดํ—˜ํ•˜๋Š” ์˜ํ™” ์†Œ๋น„์ž์— ๋Œ€ํ•œ ํƒ์ƒ‰์ด๋‹ค. ์•„์šธ๋Ÿฌ ์˜ํ™” ๊ด€๋žŒ์ž์—๊ฒŒ ์„ ํ˜ธ ์˜ํ™”์˜ ๊ธฐ์ค€๊ณผ ์˜ํ™” ์„ ์ •์˜ ๋™๊ธฐ์— ์ž…์ฒด์˜์ƒ์ด ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ์•Œ์•„๋ณด๋Š”๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์ตœ๊ทผ ๊ตญ๋‚ด ์˜ํ™”๊ณ„๋ฅผ ๋’คํ”๋“  3D ์˜ํ™”์™€ ๊ด€๋ จํ•˜์—ฌ์„œ ์ž…์ฒด์˜์ƒ์— ๋Œ€ํ•œ ๊ธฐ๋Œ€๊ฐ€ ํฐ ์—ญํ• ์„ ํ•  ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ๋งŽ์€ ๊ด€๊ฐ๋“ค์ด ์ž…...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.89
kci_detailed_000016.xml
ART001713285
oai_dc
์ด๋™์‹ ๋‡ŒํŒŒ์„ผ์„œ์™€ ๋‚ด์žฅ ์นด๋ฉ”๋ผ๋ฅผ ์‚ฌ์šฉํ•œ ์Šค๋งˆํŠธ ํŒจ๋“œ์šฉ E-Learning ์ฝ˜ํ…์ธ 
An E-Learning Content for Smart Pad Using Removable EEG Sensor and Camera
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์ค€ํ˜•(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊ณ ์ผ์ฃผ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์Šค๋งˆํŠธ ํŒจ๋“œ๋ฅผ ํ†ตํ•ด ์ œ๊ณต๋ฐ›๋Š” E-Learning ์ฝ˜ํ…์ธ ๋ฅผ ๋‚ด์žฅ๋œ ์นด๋ฉ”๋ผ์™€ ์ด๋™์‹ ๋‡ŒํŒŒ์„ผ์„œ๋ฅผ ์ด์šฉํ•ด ์„ค๊ณ„ํ•˜๊ณ  ๊ตฌํ˜„ํ–ˆ๋‹ค. ์Šค๋งˆํŠธ ํŒจ๋“œ๋Š” ๋ฌด์„  ๋„คํŠธ์›Œํฌ๋ฅผ ์‚ฌ์šฉํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ•™์Šต ์žฅ์†Œ์— ๋Œ€ํ•œ ์ œ์•ฝ์„ ์ค„์ผ ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ์ž์ฒด OS๋ฅผ ์‚ฌ์šฉํ•ด ์•ˆ์ •์„ฑ์ด ๋†’๊ณ  ๋ฌด๊ฒŒ๊ฐ€ ๊ฐ€๋ฒผ์›Œ ํœด๋Œ€๊ฐ€ ์‰ฝ๋‹ค. ์„ค๊ณ„๋œ E-Learning ์ฝ˜ํ…์ธ ๋Š” ๋‚ด์žฅ๋œ ์นด๋ฉ”๋ผ๋ฅผ ํ™œ์šฉํ•ด ํ•™์Šต์ž๋ฅผ ์ธ์‹ํ•ด E-Learning ์ฝ˜ํ…์ธ ๋ฅผ ์ œ์–ดํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด๋™์‹ ๋‡ŒํŒŒ์„ผ์„œ๋ฅผ ํ™œ์šฉํ•ด ํ•™์Šต์ž์˜ ์ง‘์ค‘๋„๋ฅผ ์ธก์ •ํ•œ๋‹ค. ์ด ๋…ผ๋ฌธ์€ ๊ธฐ์กด์˜ E-Learning ์ฝ˜ํ…์ธ ๋ฅผ ์Šค๋งˆํŠธ ํŒจ๋“œ์šฉ์— ๋งž๊ฒŒ ์„ค๊ณ„ํ•˜๊ณ  ๋‚ด์žฅ๋œ ์นด๋ฉ”๋ผ์™€ ์ด๋™์‹ ๋‡ŒํŒŒ์„ผ์„œ๋ฅผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.131
kci_detailed_000016.xml
ART001713258
oai_dc
๊ธฐ๊ณ„๋กœ๋ถ€ํ„ฐ ์—ญ ์ง€๋ฐฐํ™”๋œ ์‚ฌํšŒ๊ตฌ์กฐ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์ธ๊ฐ„์†Œ์™ธ - ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ์ž‘ํ’ˆ์„ ํ†ตํ•œ ์ฃผ์ œ ํ‘œํ˜„ -
Human Alineation of the society reversely dominated by machines - Representation of the subject through the interactive installation artwork -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง„์šฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์ดํ™์›(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์ •๊ธฐ์ฒ (์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€์ธ๋“ค์€ ๋””์ง€ํ„ธ์ ์ธ ๊ธฐ๊ณ„๊ฐ€ ์ œ๊ณตํ•˜๋Š” ํŽธ๋ฆฌํ•จ์— ์˜ํ•ด ์ง€๋ฐฐ๋‹นํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ง€๋ฐฐ๊ตฌ์กฐ๋Š” ์ธ๊ฐ„์„ฑ ์ƒ์‹ค์ด๋ผ๋Š” ์ผ์ข…์˜ ์‚ฌํšŒ ์••๋ ฅ์˜ ๋ถ€์‚ฐ๋ฌผ์„ ๋‚ณ๊ฒŒ ๋˜์—ˆ๋‹ค. ์ธ๊ฐ„์ด ๋А๋ผ๋Š” ์ƒ์‹ค๊ฐ, ๋ฌด๋ ฅ๊ฐ, ๊ณ ๋… ๋“ฑ์˜ ์†Œ์™ธ๋Š” ์†Œ์™ธ๋ก ์˜ ๊ฐœ๋…๊ณผ ์†Œ์™ธ๋ก ์˜ ์ˆœํ™˜๊ณผ์ •์—์„œ ์„ค๋ช…์ด ๊ฐ€๋Šฅํ•˜๋‹ค. ์‚ฌํšŒํ•™์  ์˜๋ฏธ์—์„œ ์†Œ์™ธ(Alienation)๋ž€ ์ธ๊ฐ„์˜ ์‚ฌํšŒ์  ํ™œ๋™์— ์˜ํ•œ ์‚ฐ๋ฌผ, ์ฆ‰ ๋…ธ๋™์˜ ์ƒ์‚ฐ๋ฌผ, ์‚ฌํšŒ์  ๊ฐ์ข… ๊ด€๊ณ„, ๊ธˆ์ „, ์ด๋ฐ์˜ฌ๋กœ๊ธฐ ๋“ฑ์ด ์ด๊ฒƒ์„ ๋งŒ๋“ค์–ด๋‚ธ ์ธ๊ฐ„ ์ž์‹ ์„ ์ง€๋ฐฐํ•˜๋Š” ์†Œ์›ํ•œ ํž˜์œผ๋กœ ๋‚˜ํƒ€๋‚˜๊ณ , ๊ทธ๊ฒƒ์„ ๋งŒ๋“ค์–ด ๋‚ธ ์ธ๊ฐ„์˜ ํ™œ๋™ ๊ทธ ์ž์ฒด๊ฐ€ ๋ฐ”๋กœ ๊ทธ ์ธ๊ฐ„์—๊ฒŒ ์†ํ•˜์ง€ ์•Š๊ณ  ์™ธ์ ์ธ, ๊ฐ•์ œ์ ์ธ ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚˜๋Š” ์ƒํƒœ๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.43
kci_detailed_000016.xml
ART001713254
oai_dc
ํ˜„๋Œ€์‚ฌ์ง„์—์„œ์˜ ์‹ค์žฌ
The Real in the contemporary photography
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์˜์‹ค(๊ฒฝ์ผ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ ํ™˜๊ฒฝ์ด ๋„๋ž˜ํ•œ ํ›„ ํ˜„๋Œ€ ์‚ฌ์ง„์˜ ์ฃผ์š”ํ•œ ํ๋ฆ„์„ ํ˜•์„ฑํ•œ, ์‹ค์žฌ๋ฅผ ์ƒˆ๋กœ์šด ์‚ฌ์ง„์  ํ˜„์‹ค๋กœ ๊ตฌ์ถ•ํ•ด๋‚ด๋Š” ๋ฐฉ์‹์˜ ์ž‘์—…๋“ค์— ๋‚˜ํƒ€๋‚œ ์‚ฌ์ง„ ๋‹ด๋ก ๋“ค์„ ๋ถ„์„ํ•ด ๋ณด์•˜๋‹ค. ๋™์‹œ๋Œ€ ํ˜„๋Œ€ ์‚ฌ์ง„์€ ์‚ฌ์‹ค์„ฑ์˜ ๊ธฐ์ค€๊ณผ ํ˜„์‹ค์„ฑ์˜ ๋‹ค์–‘ํ•œ ๋‹ด๋ก  ์†์—์„œ โ€˜์‹ค์žฌ๋ฅผ ์–ด๋–ป๊ฒŒ ๋‹ค๋ค„๋‚ด๋ฉฐ ์ƒˆ๋กœ์šด ํ˜„์‹ค์„ฑ์„ ๋ถ€์—ฌํ•˜๋Š”๊ฐ€โ€™๋กœ ๊ทธ ์ค‘์‹ฌ์ถ•์ด ์ด๋™ํ•ด ์˜ค๊ณ  ์žˆ๋‹ค. ์ด๊ฒƒ์€ ์‹ค์žฌ์˜ ๊ฐœ๋…์ด ๋ˆˆ์— ๋ณด์ด๋Š” ํ˜„์‹ค๋กœ์„œ์˜ ์‹ค์žฌ ๊ทธ ์ž์ฒด์™€ ์ƒˆ๋กœ์šด ํ˜„์‹ค์„ฑ ๊ตฌ์ถ• ์‚ฌ์ด์—์„œ ๊ธด์žฅ๊ฐ์„ ๋ถ€์—ฌํ•˜๋ฉฐ ์‚ฌ์ง„์˜ ์ฃผ์š”ํ•œ ๋‹ด๋ก ์„ ๊ฒฐ์ •ํ•˜๋Š” ์žฅ์น˜๋กœ ๋‹ค์‹œ ๋“ฑ์žฅํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์—ฌ๊ธฐ์—๋Š” 1990๋…„๋Œ€ ์ดˆ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์— ๊ด€ํ•œ ๊ด€์‹ฌ์ด ์ „ ์„ธ๊ณ„์ ์œผ๋กœ ์ฆ๋Œ€๋˜์—ˆ๋‹ค๋Š” ์ ๊ณผ ๋…์ผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.17
kci_detailed_000016.xml
ART001713283
oai_dc
๋ชจ๋ฐ”์ผ ์›น ์บก์ณ ๋™์˜์ƒ ํ•™์Šต ์™„์„ฑ๋„ ํ–ฅ์ƒ์„ ์œ„ํ•œ ๊ฐœ๋ฐœ ์—ฐ๊ตฌ
Research and development for improving the Mobile Web Capture Video Learning completeness
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์—ฐ๋ž€(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ์ž„์˜ํ™˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ชจ๋ฐ”์ผ ์›น์ƒ์—์„œ ํ•™์Šต ๋™์˜์ƒ์„ ์ˆ˜๊ฐ•ํ•˜๋ฉด์„œ ์žฌํ•™์Šต์ด ํ•„์š”ํ•œ ํ”„๋ ˆ์ž„์„ ์บก์ณ ๊ธฐ๋Šฅ์œผ๋กœ ํ•™์Šต ์‹œ๊ฐ„๊ณผ ํ•จ๊ป˜ ์ด๋ฏธ์ง€๋กœ ์ €์žฅํ•œ๋‹ค. ์ตœ๋Œ€ 9๊ฐœ๊นŒ์ง€ ์บก์ณ ํ”„๋ ˆ์ž„์˜ ๋ชฉ๋ก์„ ํ‘œ์‹œํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ ์ด๋ฏธ์ง€๋ฅผ ์„ ํƒํ•˜๋ฉด ๋™์˜์ƒ ์‹œ๊ฐ„ ์œ„์น˜๋ถ€ํ„ฐ ์‹คํ–‰ํ•œ๋‹ค. ์บก์ณ ํ”„๋ ˆ์ž„ ์‹คํ–‰์€ ์ „์ฒด ํ•™์Šต์— ๋น„ํ•ด ํ•„์š”ํ•œ ํ”„๋ ˆ์ž„๋งŒ ํ•™์Šตํ•˜๋ฏ€๋กœ ํ•™์Šต ์‹œ๊ฐ„์„ ์ ˆ์•ฝํ•  ์ˆ˜ ์žˆ๊ณ  ๋ฌด์ž‘์œ„ ์ˆœ์„œ๋กœ ํ•™์Šตํ•  ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ํ•™์Šต์ž ์ˆ˜์ค€์— ๋งž์ถ˜ ๋ฐ˜๋ณต ํ•™์Šต์œผ๋กœ ํ•™์—… ์„ฑ์ทจ๋„์— ๊ธ์ •์ ์ธ ํšจ๊ณผ๋ฅผ ์ค„ ์ˆ˜ ์žˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.121
kci_detailed_000016.xml
ART001713261
oai_dc
์ œ์ž‘ํ˜• ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ต๊ณผ๋ชฉ๊ฐœ๋ฐœ ์—ฐ๊ตฌ
A Study of Curriculum Development for Production-type Animation Education
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ˆ์ผ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
๊ต์œก์ค‘์‹ฌ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜๊ต์œก์€ ํŠน์„ฑํ™”, ์ „๋ฌธํ™”, ์„ธ๋ถ„ํ™”๋œ ๊ต๊ณผ๊ณผ์ •์„ ํ†ตํ•ด ์ง„ํ–‰๋˜์–ด์•ผํ•œ๋‹ค. ๋”ฐ๋ผ์„œ ๋Œ€ํ•™์˜ ์ „๋ฌธ๊ต์œก์€ ๊ด€๋ จ ์‚ฐ์—…์ฒด์™€์˜ ํ•™ยท์‚ฐ์—ฐ๊ณ„๋ฅผ ํ†ตํ•œ ๊ต์œก๊ณผ์ •๊ฐœ๋ฐœ ๋“ฑ ์ƒˆ๋กœ์šด ์‚ฐ์—… ๊ตฌ์กฐ์— ๋ถ€ํ•ฉ๋˜๋Š” ๊ต์œก๋‚ด์šฉ์˜ ๋ณ€ํ™”๊ฐ€ ์š”๊ตฌ๋œ๋‹ค. ์ด๋ฒˆ์—ฐ๊ตฌ์—์„œ๋Š” ์‚ฐ์—…ํ˜„์žฅ์˜ ๋ณ€ํ™”๋œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์ค‘์‹ฌ์˜ ์ œ์ž‘๊ตฌ์กฐ์™€ ๊ต์œก์ค‘์‹ฌ์ธ ์„ธ๊ณ„ ๊ฐ ๋Œ€ํ•™์˜ ๊ต์œก๋‚ด์šฉ์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์• ๋‹ˆ๋ฉ”์ด์…˜์‚ฐ์—…ํ˜„์žฅ๊ณผ ๋Œ€ํ•™๊ต์œก์—์„œ ๊ณตํ†ต์ ์œผ๋กœ ์š”๊ตฌ๋˜๋Š” ๋””์ง€ํ„ธ์ œ์ž‘๊ตฌ์กฐ์™€ ์„ธ๋ถ€ ์ œ์ž‘ํŒŒํŠธ๋ฅผ ๋„์ถœํ•˜๊ณ , ์ด์— ๋งž๋Š” ์ œ์ž‘ ๊ต๊ณผ๋ชฉ์„ ๊ฐœ๋ฐœํ•จ์œผ๋กœ์จ ํšจ๊ณผ์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜๊ต์œก์„ ์œ„ํ•œ ์ž๋ฃŒ๋กœ ํ™œ์šฉํ•˜๊ณ ์žํ•˜์˜€๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.79
kci_detailed_000016.xml
ART001713289
oai_dc
๋„์‹œ๋””์ž์ธ์—์„œ ๊ณต๊ณต์„ฑ๊ณผ ์‹œ๋ฏผ์  ์ฐฝ์˜์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on Quasi public & Civil Creativity in City Design
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ฑํ˜ธ(์ค‘์›๋Œ€ํ•™๊ต); ์ด์ •์•„(๊ฒฝ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋„์‹œ ๋””์ž์ธ์€ ์šฐ๋ฆฌ์˜ ์ผ์ƒ ํ™˜๊ฒฝ์„ ์ด๋ฃจ๊ณ  ์žˆ๋Š” ํ•˜๋‚˜์˜ ์š”์†Œ์ด๊ณ , ์šฐ๋ฆฌ์˜ ์‚ถ์˜ ๋‹จ๋ฉด์„ ์ด๋ฏธ์ง€๋กœ ๋“œ๋Ÿฌ๋‚ด์ฃผ๋Š” ๋ฌธํ™”์  ํ…์ŠคํŠธ๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทผ๋ž˜์˜ ๊ตญ๋‚ด ๋„์‹œ ๋””์ž์ธ๋ฅผ์„ ์‚ดํŽด๋ณด๋ฉด, ๊ฒฝ์Ÿ ์œ„์ฃผ์˜ ๊ตญ๊ฐ€ ์ •์ฑ…์—์„œ ๊ณผ๋„ํ•œ ๋ฌผ์งˆ์  ์ƒ์‚ฐ๊ณผ ์–‘์  ํŒฝ์ฐฝ์„ ์ตœ์šฐ์„ ์œผ๋กœ ์‚ผ์•˜๋˜ ๊ณผ๊ฑฐ์˜ ๋ณ‘ํ๊ฐ€ ์—ฌ์ „ํžˆ ๋‚จ์•„ ์žˆ๊ณ , ๊ทธ๋Ÿฌํ•œ ๋ณ‘ํ๋Š” ๊ณ„์†ํ•ด์„œ ๋˜ ๋‹ค๋ฅธ ๋ณ‘ํ๋ฅผ ์–‘์‚ฐํ•˜๋Š” ์•…์ˆœํ™˜์˜ ๊ณผ์ •์„ ๋ฐ˜๋ณตํ•˜๊ณ  ์žˆ๋‹ค. ๋„์‹œ๊ณต๊ฐ„๊ณผ ๋””์ž์ธ์— ๋Œ€ํ•œ ์ธ์‹์˜ ๋ถ€์žฌ๋กœ ๋„์‹œ๋ฏผ์˜ ๋ฏธ์  ์ •์„œ์˜ ํ•˜๋ฝ์€ ์–ด๋–ค ๊ฒƒ์ด ์ข‹๊ณ  ๋‚˜์œ์ง€์— ๋Œ€ํ•œ ๊ธฐ์ค€์˜ ํŒ๋‹จ๋งˆ์ € ์ƒ์‹คํ•˜๊ฒŒ ๋งŒ๋“ค์—ˆ๊ณ , ์ด๋กœ ์ธํ•ด ํ™ฉํํ™”๋œ ๋„์‹œ๋ฏผ์˜ ๋ฏธํ•™์  ์‹ฌ์ƒ์ด ๋˜๋‹ค์‹œ ๋„์‹œ๊ณต๊ฐ„์— ํ‘œ์ถœ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.155
kci_detailed_000016.xml
ART001713252
oai_dc
์ž์œจ์  ํšŒํ™”์™€ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€์˜ ์ƒ๋ณด์  ๊ฒฐํ•ฉ์„ ํ†ตํ•œ ํ‘œํ˜„ ์—ฐ๊ตฌ - ๋ณธ์ธ์˜ ํšŒํ™”์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
Expression studies through a complementary combination of autonomous paintings and digital images - Based on Cho, Myung-Shik's Paintings -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ๋ช…์‹(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ ์ธ์‹์†Œ(episteme)์˜ ๋ณ€ํ™”๋กœ ์ธํ•œ ๋™์ผ์„ฑ์˜ ํ•ด์ฒด๋Š” ๋ฏธ์ˆ  ์ „๋ฐ˜์— ๊ฐ€์น˜ ํŒ๋‹จ ์ค€๊ฑฐ์˜ ๋ฌธ์ œ์™€ ๋‹ค์›์  ํ•ด์„์˜ ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ€์ ธ์™”๋‹ค. ์ด๋Ÿฌํ•œ ํ‘œํ˜„๋ฐฉ์‹๊ณผ ์˜์‹์˜ ๋ณ€ํ˜์€ ํšŒํ™”์—์„œ ๋น›์˜ ํ•ด์„์„ ๋„˜์–ด ํšŒํ™”์˜ ์กด์žฌ๋ก ์  ์‚ฌ์œ ์™€ ๋””์ง€ํ„ธ ์ธ์‹์†Œ์˜ ๊ฐ„์˜ ์ธํ„ฐํŽ˜์ด์Šค์— ๊ด€์‹ฌ์„ ๊ฐ–๊ฒŒ ํ–ˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋ฌผ๋ฆฌ์  ์ž์œจ์„ฑ์˜ ํšŒํ™”์— ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋ฅผ ๋ณ€์šฉํ•˜์—ฌ ์œตํ•ฉํ•œ ์—ฐ๊ตฌ์ž์˜ ํšŒํ™”์ž‘ํ’ˆ ์ค‘์‹ฌ์œผ๋กœ, ๋‹ค์›์  ์ƒ๋ณด์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์‹คํ—˜ํ•˜๊ณ  ๋ถ„์„ํ•œ ์—ฐ๊ตฌ๋ฅผ ๋‹ด์•˜๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋™์‹œ๋Œ€ ๋ฏธ์ˆ ์˜ ๋ณ€ํ™”๋œ ์‹œ๊ฐ์ธ ๋ถˆ๊ฐ€๊ณต์•ฝ์  ํ˜„์ƒ๊ณผ ์—ฐ๊ณ„ํ•˜์—ฌ ์ƒˆ๋กœ์šด ๋ฏธํ•™์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์˜ˆ์ง„ํ•˜๋Š” ์‹œ๋ก ์ด ๋˜๊ณ ์ž ํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.7
kci_detailed_000016.xml
ART001713263
oai_dc
์˜ํ™”์‚ฌ(ๅฒ)์—์„œ ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์ด ๋ฏธ์นœ ์˜ํ–ฅ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์˜ํ™” "์•„๋ฐ”ํƒ€"๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Meaning of Computer Graphic from Movie History - The case of a movie "Avatar" -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ค๋ฏธ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์˜ํ™”๋ผ๋Š” ๋ฏธ๋””์–ด๋Š” ํ˜„์‹ค์žฌํ˜„์— ๊ธฐ๋ฐ˜์„ ๋‘๊ณ  ๋งŒ๋“ค์–ด์ง€๋Š” ์žฅ๋ฅด์ด๋‹ค. ์˜ํ™”๊ฐ€ ๋ฐœ์ „ํ•ด์˜จ ๋ฐœ์ž์ทจ๋ฅผ ๋˜๋Œ์•„๋ณด๋ฉด ๋Œ€๋ถ€๋ถ„ ํ˜„์‹ค๊ณผ ๊ฐ€์žฅ ํก์‚ฌํ•˜๊ฒŒ ๋ณด์—ฌ์ฃผ๊ธฐ ์œ„ํ•œ ๋ฐฉ๋ฒ•์„ ๋ชจ์ƒ‰ํ•˜๋Š” ๊ณผ์ •์ด์—ˆ๋‹ค. ์ตœ๊ทผ ์˜ํ™”๊ณ„์— ๊ธ‰๊ฒฉํ•œ ๋ณ€ํ™”๊ฐ€ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋Š”๋ฐ ๊ทธ๊ฒƒ์€ 3D ์ž…์ฒด์˜ํ™”์˜ ์—ดํ’์ด๋‹ค. 3D ์ž…์ฒด์˜ํ™”์˜ ํ˜•ํƒœ๋Š” 1950๋…„๋Œ€๋ถ€ํ„ฐ ์‹œ์ž‘๋˜์–ด ๋ฌด๋ ค ๊ทธ ์—ญ์‚ฌ๊ฐ€ ์•ฝ 60๋…„ ์ด์ƒ ๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ตœ๊ทผ ๋“ค์–ด ๋‹ค์‹œ ๊ฐ๊ด‘์„ ๋ฐ›๊ณ  ์•ž์œผ๋กœ์˜ ์˜ํ™” ํ˜•ํƒœ ๋ฐœ์ „์— ์‹œ๋ฐœ์ ์ด ๋œ ์ด์œ ๋Š” ๋ฌด์—‡์ผ๊นŒ. ๊ทธ ์ค‘์‹ฌ์— ์ œ์ž„์Šค ์นด๋ฉ”๋ก (James Cameron)์ด ๊ฐ๋…ํ•œ ์˜ํ™” ์•„๋ฐ”ํƒ€๊ฐ€ ์žˆ๋‹ค. <์•„๋ฐ”ํƒ€(Avatar)>๋Š” 3D ์ž…์ฒด์˜ํ™”๋กœ ์ œ์ž‘๋˜์–ด ๊ด€๊ฐ์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.99
kci_detailed_000016.xml
ART001713264
oai_dc
ํ™˜์ƒ์„ฑ๊ณผ ์„œ์‚ฌ๊ตฌ์กฐ ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Peculiar Properties of Narrative Structure & Fantastique
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์˜ํ˜ธ(๋ฐฐ์ œ๋Œ€ํ•™๊ต)" ]
๊ทผ๋ž˜ ๋“ค์–ด ์ดˆ์ž์—ฐ์ ์ด๊ณ  ํŒํƒ€์ง€์ ์ธ ์ˆ˜๋งŽ์€ ํ™˜์ƒ์„ฑ์„ ์†Œ์žฌ๋กœ ํ•œ ์ฝ˜ํ…์ธ (๋ฏธ๋””์–ด, ์˜์ƒ, ๋ฌธํ•™, ๊ฒŒ์ž„, ๋””์ž์ธ ๋“ฑ)๋“ค์ด ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์—์„œ ๋ฒ”๋žŒํ•˜๊ณ  ์žˆ์ง€๋งŒ ์ด๊ฒƒ๋“ค์ด ์ผ๋ฐ˜ ํŒํƒ€์ง€์™€ ๋‹ค๋ฅธ ๊ฐ€์žฅ ๋‘๋“œ๋Ÿฌ์ง„ ์ฐจ๋ณ„์€ ์„œ์‚ฌ๊ตฌ์กฐ๋ฅผ ํŠน์ง•์œผ๋กœ ํ•œ๋‹ค๋Š” ๊ฒƒ์ด๋‹ค. ๋‹ค์‹œ ๋งํ•˜๋ฉด ํ™˜์ƒ์„ฑ์€ ํŒํƒ€์ง€์™€ ๋™์ผํ•œ ๊ฒƒ์œผ๋กœ ๊ฐ„์ฃผํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ํ™˜์ƒ์„ฑ์„ ์ฃผ๋œ ํŠน์ง•์œผ๋กœ ์‚ผ๋Š” ์„œ์‚ฌ๋กœ ์ดํ•ด๋˜์–ด์•ผ ํ•จ์„ ๊ฐ•์กฐํ•˜๊ณ  ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ํ™˜์ƒ๋ฌธํ•™์—์„œ ์ผ๋ฐ˜์ ์ธ ํŒํƒ€์ง€๊ฐ€ ์•„๋‹Œ ํ™˜์ƒ์„ฑ์ด ๊ฐ–๋Š” ์„œ์‚ฌ๊ตฌ์กฐ์˜ ํŠน์„ฑ์„ ๋กœ์ง€์žญ์Šจ(Rosie Jackson)์˜ ํ˜„์‹ค๊ณผ ๋น„์‹ค์žฌ์  ๊ด€๊ณ„๋ฅผ ํ™˜์ƒ์„ฑ์˜ ๊ตฌ์กฐ๋ฅผ ํ†ตํ•ด ์‚ดํŽด๋ณด์•˜๊ณ , ๋‹ค์Œ์œผ๋กœ ์ธ ๋ฒ ํƒ•ํ†  ๋„๋กœํ”„(Tz...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.111
kci_detailed_000016.xml
ART001713260
oai_dc
์Šคํƒ‘๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ์œ„ํ•œ ํ•ซ ํผ๊ณผ ์‹ค๋ฆฌ์ฝ˜ ์บ๋ฆญํ„ฐ ์ œ์ž‘ ์—ฐ๊ตฌ - ์บ๋ฆญํ„ฐ ์ œ์ž‘ ๊ณผ์ •์„ ์ค‘์‹ฌ์œผ๋กœ-
A Study on the Production of Hot Form and Silicon Character for Stop Motion Animation - Focusing on the Character Production Process -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„๊ฒฝ(์ค‘์•™๋Œ€ํ•™๊ต ); ์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์Šคํ†ฑ๋ชจ์…˜ ์บ๋ฆญํ„ฐ ์• ๋‹ˆ๋ฉ”์ด์…˜(stop-motion animation)์—์„œ ์ธํ˜•์„ ์ œ์ž‘ํ•  ๋•Œ๋Š” ์–ด๋–ค ์žฌ๋ฃŒ๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ๋งŒ๋“ค์ง€ ์ •ํ•ด์•ผ ํ•œ๋‹ค. ์ž‘ํ’ˆ์˜ ์ด์•ผ๊ธฐ์™€ ์ด๋ฏธ์ง€์— ๋งž๋Š” ์žฌ๋ฃŒ๋ฅผ ์‚ฌ์šฉํ•˜๋Š”๋ฐ ๊ทธ ์žฌ๋ฃŒ๋“ค ๊ฐ€์šด๋ฐ ๋งŽ์ด ์‚ฌ์šฉ๋˜๋Š” ์žฌ๋ฃŒ์ธ ํ•ซ ํผ๊ณผ ์‹ค๋ฆฌ์ฝ˜์— ๋Œ€ํ•ด ์•Œ์•„๋ณด์•˜๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์žฌ๋ฃŒ๋ฅผ ์‚ฌ์šฉํ•ด ๋งŒ๋“  ์บ๋ฆญํ„ฐ๋“ค์˜ ์™„์„ฑ๋„๋ฅผ ๋†’์ด๊ธฐ ์œ„ํ•ด ์ œ์ž‘ ๊ณผ์ •์„ ์•Œ์•„๋ณด๊ณ  ๋ฌธ์ œ์ ์„ ์ฐพ์•„ ๋ณด์™„ํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ๊ฐ™์€ ์žฌ๋ฃŒ๋ฅผ ๋‘๊ณ ๋„ ์บ๋ฆญํ„ฐ ์ œ์ž‘์ž์˜ ๋น„๋ฒ•๊ณผ ์‹ค๋ ฅ์— ๋”ฐ๋ผ ์™„์„ฑ๋„ ์ฐจ์ด๊ฐ€ ์‹ฌํ•˜๋‹ค. ํ•ซ ํผ๊ณผ ์‹ค๋ฆฌ์ฝ˜๊ณผ ๊ฐ™์ด ํ™”ํ•™ ๋ฌผ์งˆ๋กœ ์ด๋ค„์ง„ ์žฌ๋ฃŒ๋“ค์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด์„œ๋Š” ์žฌ๋ฃŒ์˜ ํŠน์„ฑ์— ๋Œ€ํ•ด ๊ณต๋ถ€ํ•˜๊ณ  ์ œ์ž‘ ์—ฐ๊ตฌ๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2012.11.2.67
kci_detailed_000016.xml
ART001554703
oai_dc
๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์—์„œ์˜ ์˜ค๋ธŒ์ œ ๋„์ž…์„ ํ†ตํ•œ ๊ฐ์„ฑ์  ๊ณต๊ฐ„ ํ‘œํ˜„ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Characteristics of Emotional Space Expression of Digital Media using Object
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ˆ˜์ง„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๊ณต๊ฐ„์—์„œ๋Š” ๋‹ค์–‘ํ•œ '์˜ค๋ธŒ์ œ' ๋„์ž…์œผ๋กœ ๊ฐ์„ฑ์  ๊ฒฝํ—˜์„ ๊ฐ–๊ฒŒ ํ•˜๋Š” ๊ฐ์„ฑ ๊ณต๊ฐ„์œผ๋กœ ์ง„ํ™”ํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์—์„œ ์˜ค๋ธŒ์ œ๋ฅผ ํ†ตํ•œ ๊ณต๊ฐ„์˜ ํ‘œํ˜„ ๊ธฐ์ค€๊ณผ ์ฒ™๋„๋Š” ์ œ์‹œ๋œ ๋ฐ” ์—†์œผ๋ฉฐ ์˜ค๋ธŒ์ œ์™€ ๊ฒฐํ•ฉ๋œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๊ณต๊ฐ„๊ณผ ํ‘œํ˜„๋ฐฉ๋ฒ• ๋˜ํ•œ ์—ฐ๊ตฌ๊ฐ€ ๋ฏธํกํ•œ ์‹ค์ •์ด๋‹ค. ๋”ฐ๋ผ์„œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์—์„œ ์˜ค๋ธŒ์ œ๋ฅผ ํ†ตํ•œ ๋‹ค์–‘ํ•œ ๊ฐ์„ฑ ๊ณต๊ฐ„๊ณผ ์ฒดํ—˜์˜ ํ‘œํ˜„ํŠน์„ฑ์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๊ณต๊ฐ„๊ณผ ์ƒˆ๋กœ์šด ํ˜•์‹์œผ๋กœ ๋„์ž…๋œ ์˜ค๋ธŒ์ œ์  ํ‘œํ˜„ํŠน์„ฑ์€ ๊ฐ์„ฑ์˜ ๋ชฉ์ ์— ๋”ฐ๋ผ ๋‹ค์–‘ํ•œ ์—ฐ์ถœ์„ ํ†ตํ•ด ์žฌ๊ตฌ์„ฑ๋œ๋‹ค. ์ด๋Š” ์ธ๊ฐ„์˜ ์ ๊ทน์ ์ธ ์ฐธ์—ฌ๋ฅผ ์œ ๋„ํ•˜๋ฉฐ, ๊ฐ๊ฐ์„ ์ž๊ทน์‹œํ‚ค๊ณ  ๊ฐ์„ฑ์„ ํ™œ์„ฑํ™”ํ™œ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.113
kci_detailed_000016.xml
ART001554654
oai_dc
์Šคํ†ฑ๋ชจ์…˜์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ์‹ค์‚ฌ ์˜ค๋ธŒ์ œ์˜ ํ™œ์šฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
An analysis of object usage in stopmotion animation
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๊ฒฝ์ง„(์ˆœ์ฒœ๋Œ€ํ•™๊ต); ์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์Šคํ†ฑ ๋ชจ์…˜์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ์˜ ์˜ค๋ธŒ์ œ๋Š” ๊ทธ๋ฆผ์„ ํ†ตํ•ด ๊ทธ๋ ค์ง€๋Š” 2์ฐจ์›์  ๊ธฐ๋ฒ•์„ ํ™œ์šฉํ•œ ๊ทธ๋ฆผ๊ณผ๋Š” ์ฐจ๋ณ„์„ ๋‘”๋‹ค. ์‹ค์ œ ์กฐ๋ช…์— ์˜ํ•œ ์‹ค์ œ ์‚ฌ๋ฌผ๋“ค์˜ ์งˆ๊ฐ์ด๋‚˜ ๋ฌผ๋ฆฌ์ ์ธ ์ž‘์šฉ๋“ค์€ ๋”์šฑ ๊ฐ•ํ•œ ํ‘œํ˜„๋ ฅ๊ณผ ๋ฐ€๋„ ์žˆ๋Š” ๊ณต๊ฐ„์  ์ •์„œ๋“ค์„ ํ‘œ์ถœํ•˜๊ฒŒ ๋œ๋‹ค. ์ž‘ํ’ˆ ์•ˆ์— ๋“ฑ์žฅํ•˜๋Š” ์˜ค๋ธŒ์ œ ์‚ฌ๋ฌผ๋“ค์€ ๋‚ด๋ฉด์˜ ๋„ค๋Ÿฌํ‹ฐ๋ธŒ์ ์ธ ์—ญํ• ๊ณผ ๋™์‹œ์— ์‹œ๊ฐ์ ์ธ ํšจ๊ณผ ๋“ฑ์„ ๋™์‹œ์— ์ˆ˜ํ–‰ํ•œ๋‹ค. ๋˜ํ•œ ๊ทธ๊ฒƒ์€ ์ž‘ํ’ˆ ์•ˆ์—์„œ ์—ฌ๋Ÿฌ ๋ณตํ•ฉ์ ์ธ ์ž‘์šฉ๊ณผ ์ถฉ๋Œ ๋“ฑ์„ ๋ฐœ์ƒ์‹œํ‚ค๊ณ  ์žฌํƒ„์ƒ์‹œํ‚จ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ์Šคํ†ฑ๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ์‹ค์ œ ์˜ค๋ธŒ์ œ์˜ ํ™œ์šฉ์€ ๋‹จ์ง€ ์‹œ๊ฐ์ ์ธ ํฅ๋ฏธ๋กœ์›€์ด๋‚˜ ์บ๋ฆญํ„ฐ๋ฅผ ๊ตฌ์ถ•ํ•˜๊ธฐ ์œ„ํ•œ ๋ถ€์ˆ˜์ ์ด๊ณ  ๋ณด์™„์ ์ธ ์—ญํ• ๋กœ ์‰ฝ๊ฒŒ ๋ฐ›์•„๋“ค์ด๊ธฐ ์‰ฝ๋‹ค. ํ•˜์ง€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.37
kci_detailed_000016.xml
ART001554709
oai_dc
์‹œ๊ฐ์  ํ™•์‹ค์„ฑ์˜ ๋ณ€์ฆ์  ๋ด‰ํ•ฉ๊ตฌ์กฐ - ์˜ํ™” <๋งจ์ถ”๋ฆฌ์•ˆ ์บ”๋””๋ฐ์ดํŠธ(2004)>์˜ ์ด์ค‘๊ตฌ์กฐ ์žฌ์ฝ๊ธฐ
On the Dialectic Contract between Uncertain Narrative and Visual Certainty - to Reread the Dual Structure of the Film <Manchurian Candidate(2004)>
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ›ˆ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์กฐ๋‚˜๋‹จ ๋“œ๋ฏธ(Jonathan Demme)์˜ ์˜ํ™” ๋งจ์ถ”๋ฆฌ์•ˆ ์บ”๋””๋ฐ์ดํŠธ์— ๋Œ€ํ•˜์—ฌ ๋ถˆํ™•์‹คํ•œ ์„œ์‚ฌ๊ตฌ์กฐ์™€ ์‹œ๊ฐ์  ํ™•์‹ค์„ฑ์˜ ๋ณ€์ฆ๋ฒ•์  ๋ด‰ํ•ฉ๊ตฌ์กฐ๋ฅผ ๋“œ๋Ÿฌ๋‚ด๋Š” ์žฌํ˜„์˜ํ™”์˜ ๊ด€์ ์—์„œ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ด ์˜ํ™”์—์„œ, ๋น„๋ก ๊ฐ๋…์ด 9/11์‚ฌ๊ฑด์˜ ์™ธ์  ๊ทธ๋ฆฌ๊ณ  ๋‚ด์ ์ธ ๊ตญ๊ฐ€์  ์„œ์‚ฌ๊ตฌ์กฐ๋ฅผ ์žฌ๊ตฌ์„ฑํ•˜๋ ค๊ณ  ์‹œ๋„ํ•˜์˜€์ง€๋งŒ, ์˜ํ™”๋Š” ๋™์‹œ์— ์ธ์ข…์ ์ธ ๋ฌธ์ œ์ ๊ณผ ์ •์น˜์ ์ธ ์ด์Šˆ๋ฅผ ์‹œ๊ฐํ™”ํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ด์œ ๋กœ, ์ด ์˜ํ™”๋Š” 9/11 ์ดํ›„์— ๋ฏธ๋””์–ด ์‹คํ–‰๊ณผ ๊ด€๋ จํ•˜์—ฌ ๋ฐ์ฟ ํŒŒ์ฃผ์˜ ํ˜•์‹์œผ๋กœ ๋ณด์—ฌ์งˆ ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋˜ํ•œ ์ด ์˜ํ™”๋ฅผ ํ˜„์žฌ ๋ฏธ๊ตญ์˜ ๋Œ€์ค‘์ด ๋ฏธ๋””์–ด ์‹คํ–‰์˜ ์‚ฐ๋ฌผ๋กœ ๊ฐ์ธ๋œ ๋Œ€์ค‘ ํšŒ์ƒ์ด๋‚˜ ์ฃผ๊ด€์„ฑ์— ๋Œ€ํ•œ ์žฌ ์ฝ๊ธฐ๋ฅผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.135
kci_detailed_000016.xml
ART001554636
oai_dc
๊ฐ€์ƒํ˜„์‹คํ˜• ์‚ฌ์ด๋ฒ„๊ณต๊ฐ„์†์˜ ์ฒดํ—˜ํ˜• 3D๋ชจ๋ธํ•˜์šฐ์Šค ๊ตฌ์ถ•๊ธฐ์ˆ ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on a Technology of Building Experiment 3D Model House by Experience in Cyberspace of Virtual Reality
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๊ฐ€์ƒํ˜„์‹ค(Virtual Reality)์ด๋ž€ ์‹ค์ œ ํ™˜๊ฒฝ๊ณผ ์œ ์‚ฌํ•˜๊ฒŒ ๋งŒ๋“ค์–ด์ง„ ์ปดํ“จํ„ฐ๋ชจ๋ธ ์†์œผ๋กœ ๋“ค์–ด๊ฐ€ ์˜ค๊ฐ์„ ํ†ตํ•˜์—ฌ ๊ทธ ์†์—์„œ ์ •์˜๋œ ์„ธ๊ณ„๋ฅผ ๊ฒฝํ—˜ํ•˜๊ณ  ์ƒํ˜ธ์ž‘์šฉ์„ ํ†ตํ•œ ์ •๋ณด์˜ ๊ต๋ฅ˜๊ฐ€ ์ด๋ฃจ์–ด์ง€๋Š” ๊ฐœ๋…์œผ๋กœ ํ”„๋กœ๊ทธ๋ž˜๋ฐ, ์‹œ๋ฎฌ๋ ˆ์ด์…˜, ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค ๋“ฑ ๋‹ค์–‘ํ•œ ํ•™๋ฌธ์˜ ์ข…ํ•ฉ์ฒด์ด๋‹ค. ๊ฐ€์ƒํ˜„์‹คํ˜•ํƒœ์˜ ์ƒˆ๋กœ์šด ๋ฌธํ™”์  ํŒจ๋Ÿฌ๋‹ค์ž„์˜ ๋“ฑ์žฅ์€ ์šฐ๋ฆฌ์—๊ฒŒ ์ƒˆ๋กœ์šด ๊ฐœ๋…์˜ ์ฝ˜ํ…์ธ ๊ฐœ๋ฐœ ๋ฐฉ๋ฒ•๊ณผ ์ •๋ณด๊ต๋ฅ˜๋ฐฉ์‹์„ ์š”๊ตฌํ•˜๊ณ  ์žˆ๋‹ค. ์ตœ๊ทผ ๊ตญ๋‚ด์—์„œ๋Š” ์ดˆ๊ณ ์†์ธํ„ฐ๋„ท ์ธํ”„๋ผ์˜ ๋ฐœ์ „์œผ๋กœ Web3D๊ธฐ๋ฐ˜ ๊ฐ€์ƒํ˜„์‹คํ˜• ์‚ฌ์ด๋ฒ„์ฝ˜ํ…์ธ ์˜ ํ™œ์šฉ์ด ์ ๊ทน์ ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ๋†’์€ ์‚ฐ์—…์—ฐ๊ด€์„ฑ์„ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋Š” Web3D๊ธฐ์ˆ ์€ ์‹ค์‹œ๊ฐ„ ์ƒํ˜ธ์ž‘์šฉํ˜•...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.25
kci_detailed_000016.xml
ART001554701
oai_dc
ํ™๊ธธ๋™, ๋ชฉ์ (็‰ง็ฌ›), ์ฒ ์™„์•„ํ†ฐ(้ต่…•ใ‚ขใƒˆใƒ ) ์˜์ƒ๋ฏธํ•™ ์—ฐ๊ตฌ
The Study of Esthetics in the Visual Image with Hong, Gil-Dong, The Cowherd's Flute and Astro-Boy
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ˆ์ผ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋™์•„์‹œ์•„์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜ํŠน์ง•์„ ํ˜•์„ฑํ•˜๊ธฐ ์‹œ์ž‘ํ•œ 1960๋…„๋Œ€ ํ•œ๊ตญ, ์ค‘๊ตญ, ์ผ๋ณธ์˜ ๋Œ€ํ‘œ์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜์ธ ํ•œ๊ตญ์˜ โ€˜ํ™๊ธธ๋™โ€™๊ณผ ์ค‘๊ตญ์˜ โ€˜ํ”ผ๋ฆฌ ๋ถ€๋Š” ๋ชฉ๋™(็‰ง็ฌ›)โ€™ ์ผ๋ณธ์˜ โ€˜์ฒ ์™„์•„ํ†ฐ(้ต่…•ใ‚ขใƒˆใƒ )โ€™์„ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ ๊ฒฐ๊ณผ ์ž‘ํ’ˆ์— ๋ฐ˜์˜๋œ ํƒ€(ไป–)์™€ ๋ฌผ(็‰ฉ)๊นŒ์ง€๋„ ๋‚˜(ๆˆ‘) ์™€ ๋™์ผ์‹œํ•˜๋Š” ๋™์–‘์ ์ธ ํœด๋จธ๋‹ˆ์ฆ˜์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๋˜ํ•œ ์˜์ƒํ‘œํ˜„์— ์žˆ์–ด์„œ๋„ ํ•ดํ•™์  ๋ฆฌ์–ผ๋ฆฌ์ฆ˜๊ณผ ๋™์–‘์  ๊ณต๊ฐ„์—ฐ์ถœ ๋ฏธํ•™ ๊ทธ๋ฆฌ๊ณ  ๋…์ฐฝ์ ์ธ ํ‘œํ˜„๊ธฐ๋ฒ•์€ ์„œ๊ตฌ์• ๋‹ˆ๋ฉ”์ด์…˜๊ณผ๋Š” ์ฐจ๋ณ„ํ™”๋˜๋Š” ๋™์•„์‹œ์•„์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ํŠน์ง•์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.99
kci_detailed_000016.xml
ART001554668
oai_dc
๋‚ด๋ฉด์˜ ํ‘œ์ถœ๊ณผ ์žํ™”์ƒ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ณธ์ธ์˜ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ
A study on the inner expression and self-portrait - focused on Writer's Work
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •์€(ํ™์ต๋Œ€ํ•™๊ต)" ]
์žํ™”์ƒ์€ ์ž๊ธฐ์— ๋Œ€ํ•œ ์• ์ฐฉ๊ณผ ๊ด€์‹ฌ์œผ๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘๋œ๋‹ค๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์žํ™”์ƒ์€ ์˜ค๋žซ๋™์•ˆ ํ™”๊ฐ€๋“ค์˜ ๊ด€์‹ฌ์‚ฌ์˜€์œผ๋ฉฐ, ๊ทธ๋“ค์€ ๋‹ค์–‘ํ•œ ํ‘œํ˜„๋ฐฉ๋ฒ•์„ ํ†ตํ•˜์—ฌ ๋ฌ˜์‚ฌ๋ฅผ ํ•ด์™”๋‹ค. ์žํ™”์ƒ์€ ์ž‘๊ฐ€๊ฐ€ ์ฒ˜ํ•œ ์‹œ๋Œ€์™€ ์žฅ์†Œ ๋ฐ ๊ฐœ์ธ์ ์ธ ์‹ฌ๋ฆฌ๋ฅผ ์ž˜ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋Š” ๋งค๊ฐœ์ฒด์ด๋‹ค. ํ™”๊ฐ€๋“ค์€ ์žํ™”์ƒ์—์„œ ๋‹ค์–‘ํ•œ ํ‘œํ˜„๋ฐฉ๋ฒ•์„ ํ†ตํ•˜์—ฌ ์ž์‹ ์„ ๊ด€๊ฐ๋“ค์—๊ฒŒ ์ „๋‹ฌํ•˜์˜€๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ โ€˜ํƒ€์ธ์ด ๋ฐ”๋ผ๋ณด๋Š” ์ž์‹ โ€™๊ณผ โ€˜์ž์‹ ์ด ๋ฐ”๋ผ๋ณด๋Š” ๋‚˜โ€™์˜ ๋ชจ์Šต์—๋Š” ์ฐจ์ด๊ฐ€ ๋ฐœ์ƒํ•˜๋Š”๋ฐ ์ด๋Ÿฐ ์ž์‹ ์˜ ๋ชจ์Šต์€ ๋ณ€ํ˜•๊ณผ ์™œ๊ณก์˜ ํ‘œํ˜„๋ฐฉ๋ฒ•์„ ํ†ตํ•˜์—ฌ ํšจ๊ณผ์ ์œผ๋กœ ๋‚˜ํƒ€๋‚œ๋‹ค. ์ด๋Ÿฌํ•œ ์ฐจ์ด๋Š” ๋…์ผ์˜ ํ‘œํ˜„์ฃผ์˜ ์ž‘ํ’ˆ์—์„œ ์ž˜ ๋‚˜ํƒ€๋‚œ๋‹ค. 1์ฐจ ์„ธ๊ณ„๋Œ€์ „ ํ›„ ๋ถˆ์•ˆํ•œ ์‹ฌ๋ฆฌ์™€ ํ™˜๊ฒฝ ์†...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.45
kci_detailed_000016.xml
ART001554630
oai_dc
๋‹ค๋‹ˆ์—˜ ๋ท”๋ ์˜ โ€œ์žฌํ˜„์— ๋Œ€ํ•œ ๋ฌผ์Œโ€์— ๊ด€ํ•œ ์—ฐ๊ตฌ - โ€œin situ ์ž‘์—…โ€์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on the "Question of the Representation" of DANIEL BUREN - focused on "work in situ"
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ฑํ•˜(์„œ์šธ๋Œ€ํ•™๊ต)" ]
Daniel Buren queries the "representation" in the traditional sense, through "work in situ" and attempts to interpret it in a new way. He base this question on "relation between work and the place", "visible as a paintion itself", "repeated use of stripes", "zero status", "neutral", "visual tool". In this process, he ex...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.7
kci_detailed_000016.xml
ART001554693
oai_dc
๊ด€๊ฐ๊ณผ์˜ ๊ฑฐ๋ฆฌ๋ฅผ ํ†ตํ•œ ์‹ค์‹œ๊ฐ„ ์˜์ƒ ์ œ์–ด - ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ ์•„ํŠธ ์ค‘์‹ฌ์œผ๋กœ
Real-Time image control by distance from audience - focused on Interactive Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ—ˆํƒ๋ฌด(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์˜ค๊ฒฝ์ˆ˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๊ณผ๊ฑฐ์˜ ์˜ˆ์ˆ ์ž‘ํ’ˆ๋“ค์€ ๊ด€๊ฐ์—๊ฒŒ ์ผ๋ฐฉ์ ์ธ ํ˜•ํƒœ๋กœ ์ œ๊ณต๋˜์–ด ์˜ค๊ธฐ๋งŒ ํ–ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ตœ๊ทผ ์˜ˆ์ˆ ๊ฐ€๋“ค์€ ๊ณผ๊ฑฐ์˜ ๋ฐฉ์‹์—์„œ ๋ฒ—์–ด๋‚˜ ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๋ฏธ๋””์–ด๋“ค์„ ์‚ฌ์šฉํ•จ์œผ๋กœ์จ ์˜ˆ์ˆ ๊ฐ€๊ฐ€ ํ‘œํ˜„ํ•˜๊ณ ์žํ•˜๋Š” ๋ฐ”๋ฅผ ์ผ์ •ํ•œ ํ˜•์‹ ํ‹€์—์„œ ๋ฒ—์–ด๋‚˜ ๋‹ค์–‘ํ•œ ๋ฐฉ๋ฒ•์œผ๋กœ ์ž‘ํ’ˆ์„ ํ‘œํ˜„ํ•˜๊ณ  ๊ด€๊ฐ์—๊ฒŒ ๋ณด๋Š” ์ฆ๊ฑฐ์›€ ์™ธ์— ๋‹ค๋ฅธ ์—ฌ๋Ÿฌ ๋А๋‚Œ์„ ์ „๋‹ฌํ•ด ์ฃผ๊ณ  ์žˆ๋‹ค. ์šฐ๋ฆฌ ์—ญ์‹œ ๊ด€๊ฐ๊ณผ ์†Œํ†ตํ•  ์ˆ˜ ์žˆ๋„๋ก ๊นŠ์ด ์นด๋ฉ”๋ผ์™€ ์˜์ƒ ์นด๋ฉ”๋ผ ๋‘ ๋Œ€๋ฅผ ์‚ฌ์šฉํ•˜์˜€๋‹ค. ์šฐ๋ฆฌ๋Š” ๋‹ค๋ฅธ ์ž‘ํ’ˆ๋“ค์—์„œ ๋‹ค์†Œ ๋‹ค๋ฃจ์ง€ ์•Š์•˜๋˜ ์‹œ๊ฐ„์„ ๋‹ค๋ฃจ์–ด ์‹ค์‹œ๊ฐ„์œผ๋กœ ๊ด€๊ฐ๊ณผ ์ง์ ‘ ๋ชธ์œผ๋กœ ์†Œํ†ต ํ•˜๋ฉฐ ๊ด€๊ฐ๊ณผ ์ž‘ํ’ˆ์˜ ๊ฑฐ๋ฆฌ์— ๋”ฐ๋ผ ์ž‘ํ’ˆ์ด ๋ณ€ํ•˜๊ฒŒ ํ•˜๋Š” ์ž‘ํ’ˆ์„ ๋งŒ๋“ค์–ด ๋ƒˆ๋‹ค. ๋˜ํ•œ ๊ด€๊ฐ์—๊ฒŒ ์ž์‹ ์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.91
kci_detailed_000016.xml
ART001554706
oai_dc
Animation Rendering of Literary Text toward Digital Poetics - The Intermediality and the Vortex Space of Blake's Graphical Language
Animation Rendering of Literary Text toward Digital Poetics - The Intermediality and the Vortex Space of Blake's Graphical Language
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์€๋ น(์ดํ™”์—ฌ์ž๋Œ€ํ•™๊ต)" ]
The project seeks to set William Blakeโ€™works in the context computer science, media engineering, and the expanded poetry texts like digital poetry based on the medial changes for the purpose of exploring the artist's unique esthetic mind and notion of space where the dynamic inter-playing between image and words. Assum...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.125
kci_detailed_000016.xml
ART001554685
oai_dc
์Šคํ†ฑ๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ "Big City Night"์˜ ์กฐ๋ช… ์—ฐ์ถœ๊ธฐ๋ฒ•์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์ž์—ฐ๊ด‘ ํ‘œํ˜„์„ ์ค‘์‹ฌ์œผ๋กœ
Study for a Lighting on the Stop-motion Animation "Big City Night" - focused on Making Natural Lights
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์„ฑํ•œ(์„ธ์ข…์‚ฌ์ด๋ฒ„๋Œ€ํ•™๊ต); ์ž„์žฌ๋ฏผ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์Šคํ†ฑ๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ œ์ž‘ ๊ณผ์ •์—์„œ ์˜์ƒ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์˜ ์ด๋ฏธ์ง€์  ๋ถ„์œ„๊ธฐ๋ฅผ ๊ฒฐ์ •์ง“๋Š” ์ค‘์š”ํ•œ ์š”์†Œ ์ค‘ ํ•˜๋‚˜์ธ ์กฐ๋ช…๊ณผ ๋น›์˜ ํ‘œํ˜„๊ธฐ๋ฒ•์— ๊ด€ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ œ์ž‘์—์„œ ๋น›์— ๋Œ€ํ•œ ์—ฐ์ถœ์€ ์ตœ์ข… ์˜์ƒ ์ด๋ฏธ์ง€๋ฅผ ํ‘œํ˜„ํ•˜๋Š”๋ฐ ํฐ ๋น„์ค‘์„ ์ฐจ์ง€ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์‹œ๊ฐ„์ , ๊ณต๊ฐ„์ , ์˜๋ฏธ์  ์š”์†Œ ๋“ฑ์—์„œ ์žฅ๋ฉด์˜ ์ •๋ณด๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ์ „๋‹ฌํ•˜๋Š” ์ˆ˜๋‹จ์ด ๋œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์Šคํ†ฑ๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ <Big city night>์—์„œ ์—ฐ์ถœ๋œ ์กฐ๋ช…๊ธฐ๋ฒ•์„ ๋ถ„์„ํ•˜์—ฌ ๊ฐ ์ƒํ™ฉ์— ๋งž๋Š” ์กฐ๋ช…๋งต์„ ๊ตฌ์„ฑํ•˜๊ณ  ์ด๋ฅผ ๋ฐ์ดํ„ฐํ™” ํ•˜์˜€๋‹ค. ํ–ฅํ›„ ์Šคํ†ฑ๋ชจ์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์—ฐ์ถœ์— ์žˆ์–ด์„œ ์ฐฝ์˜์ ์ด๊ณ  ํšจ๊ณผ์ ์ธ ์กฐ๋ช… ์‚ฌ์šฉ์„ ํ†ตํ•ด ์—ฐ์ถœ์ž๊ฐ€ ์›...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.71
kci_detailed_000016.xml
ART001554679
oai_dc
์ค‘๋“ฑํ•™๊ต ๋งŒํ™” โ€ค ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ˆ˜์—…๊ต์žฌ ๊ฐœ๋ฐœ ์—ฐ๊ตฌ -โ€˜์ฐฝ์˜์  ์žฌ๋Ÿ‰ํ™œ๋™โ€™์„ ์ค‘์‹ฌ์œผ๋กœ
A Study to Develop Teaching Material for Cartoon-Animation Classes in the Middle School - Focused on โ€˜The Creative Discretionary Activitiesโ€™
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌ์žฌ์Šน(์„ธ์ข…๋Œ€ํ•™๊ต)" ]
์ฐฝ์˜์  ์žฌ๋Ÿ‰ํ™œ๋™ ์ˆ˜์—…์€ ์ œ 7์ฐจ ๊ต์œก๊ณผ์ •์˜ ํŠน์ƒ‰์ด๋ฉด์„œ ํ•™์Šต์ž ์ค‘์‹ฌ์˜ ๊ต์œก๋ฐฉ๋ฒ• ์ค‘ ํ•˜๋‚˜๋กœ ํ•™๊ต๊ต์œก์— ๋Œ€ํ•œ ํ•™์ƒ๊ณผ ํ•™๋ถ€๋ชจ์˜ ๊ต์œก์  ์š”๊ตฌ๋ฅผ ํ•ฉ๋ฆฌ์ ์œผ๋กœ ์ˆ˜์šฉํ•˜์—ฌ ๋ฏธ๋ž˜์ง€ํ–ฅ์ ์ธ ๊ฐœ์„ฑ์„ ๊ฐ€์ง„ ์ฐฝ์˜์ ์ธ ์ธ์žฌ๋ฅผ ํ‚ค์šฐ๋Š” ๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ค‘๋“ฑํ•™๊ต์—์„œ์˜ ์ฐฝ์˜์  ์žฌ๋Ÿ‰ํ™œ๋™ ๋งŒํ™”ยท์• ๋‹ˆ๋ฉ”์ด์…˜ ์ˆ˜์—…๊ต์žฌ์˜ ๋ฐœ์ „๋ฐฉ์•ˆ๊ณผ ๋ฏธ๋””์–ด ๋ฆฌํ„ฐ๋Ÿฌ์‹œ ๊ต์œก์˜ ์—ฐ๊ณ„์„ฑ์„ ์—ฐ๊ตฌํ•˜๊ณ  ์ฒญ์†Œ๋…„์„ ์œ„ํ•œ ๋””์ง€ํ„ธ ์‹œ๋Œ€์˜ ์ฐฝ์˜์„ฑ ํ–ฅ์ƒ๊ณผ ๋น„ํŒ์  ์‚ฌ๊ณ ๋ฅผ ์œ„ํ•œ ๋ฐฉ์•ˆ์„ ์—ฐ๊ตฌํ•œ๋‹ค. ์ ์ฐจ ๊ทธ ์ค‘์š”์„ฑ์ด ๋Œ€๋‘๋˜๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด ๋ฆฌํ„ฐ๋Ÿฌ์‹œ ๊ต์œก์œผ๋กœ์„œ์˜ ๋งŒํ™”ยท์• ๋‹ˆ๋ฉ”์ด์…˜ ์ˆ˜์—…๊ต์žฌ๊ฐ€ ํ•™์ƒ๋“ค์˜ ํฅ๋ฏธ๋ฅผ ์œ ๋ฐœํ•˜๊ณ  ๊ฒฝ์Ÿ๋ ฅ์„ ๊ฐ€์งˆ ์ˆ˜ ์žˆ๊ธฐ ์œ„ํ•˜์—ฌ ํ˜„ํ–‰ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.59
kci_detailed_000016.xml
ART001554687
oai_dc
ๅฎ‹ไปฃๅฑฑๆฐด็•ต็š„็™ผๅฑ•ๅ’Œๆ–‡ไบบๅฏฉ็พŽๆ„่ญ˜
A Research on the Literati Aesthetic Consciousness and the Development of Landscape Painting in Song Dynasty
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ์ •๋ž˜(ํ•œ๋ฆผ๋Œ€ํ•™๊ต)" ]
ๅฎ‹ไปฃๆ–‡ไบบ็š„ๅฏฉ็พŽๆ„่ญ˜ๅœจ็‹ฌ็จ็‰น็š„็คพๆœƒ็Žฏๅขƒๅ’Œๆ–‡ๅŒ–่ƒŒๆ™ฏไธ‹ๅ‘ˆ็พใ€‚ไป–ๅ€‘็š„ๅฏฉ็พŽๆƒ…่ถฃๅœจ็นผๆ‰ฟไผ ็ปŸ็š„ๅŸบ็ก€ไธŠ๏ผŒ็ƒ™ไธ‹ไบ†ๆ˜Žๆ˜พ็š„ๆ—ถไปฃ็‰นๅพ,ๆทฑๅˆปๅฝฑๅ“ไบ†ๅฏฉ็พŽๆ–‡ๅŒ–ๅฟƒ็†็ป“ๆž„็š„ๆž„ๅปบใ€‚ๅฐคๅ…ถๆ˜ฏ๏ผŒๆˆ‘ไปฌๅฏไปฅ็œ‹ๅˆฐๆ–‡ไบบๅฎก็พŽๆ„่ฏ†ๅฏนๅฑฑๆฐด็”ปๅผบ็ƒˆ็š„ๆ„ŸๆŸ“ๅ’Œๅฝฑๅ“๏ผŒๅ…ถไธป่ฆๆ˜ฏๆŠŠๅฏน่‡ช็„ถ็š„ๅฑ•็Žฐ่ฝฌๅ‘ไบ†ไธป่ง‚ๆƒ…่ถฃ็š„่กจ็Žฐใ€‚ๅ› ๆญค็ ”็ฉถๅฎ‹ไปฃๆ–‡ไบบ็”ป็š„็†่ฎบ็‰น่‰ฒๅ’Œ่‰บๆœฏ้ขจๆ ผๅฐฑๆ˜พๅพ—ๅ…ทๆœ‰ๅๅˆ†้‡ๅคง็š„ๆ„ไน‰ใ€‚ๆœฌๆ–‡ๅฐ†่ฏ•ๅ›พ็ป“ๅˆๅฎ‹ไปฃๅฑฑๆฐด็”ปๅ‘ๅฑ•ๅ’Œๆ–‡ไบบๅฏฉ็พŽๆ„่ญ˜ๆฅ็ ”็ฉถๆ–‡ไบบ็”ป็š„่‰บๆœฏๆƒ…่ถฃ๏ผŒ้‡‡็”จ็พŽๅญฆ่Œƒ็•ดๅˆ†ๆž็š„ๆ–นๆณ•๏ผŒๅฑ‚ๅฑ‚ๆŽจ่ฟ›๏ผŒๆขณ็†่ตทๅฎ‹ไปฃๆ–‡ไบบ็ฒพ็ฅžๅ’Œ่‰บๆœฏ็‰นๅพ่กๅŒ–็š„็†่ฎบๆ–‡่„‰ใ€‚
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.81
kci_detailed_000016.xml
ART001554634
oai_dc
Maya๋ฅผ ์ด์šฉํ•œ ํŠน์ˆ˜ํšจ๊ณผ์˜ ํ‘œํ˜„ ์—ฐ๊ตฌ - ๋‹จํŽธ์˜ํ™” "๋ฏธ๋กœ"๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study for the Special Visual Effects using Maya - focused on Short film "Lost"
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ํฌ์‚ผ(๋™์„œ์šธ๋Œ€ํ•™๊ต); ์†กํ•„์žฌ(๋™์„œ์šธ๋Œ€ํ•™๊ต)" ]
90๋…„๋Œ€ ์ดํ›„ CGI(computer generated imagery)๋Š” ํŠน์ˆ˜ํšจ๊ณผ์˜ ์ตœ์ฒจ๋‹จ ๊ธฐ์ˆ ์„ ๊ฐ€์ ธ์™”๋‹ค. CGI๋Š” ์˜ํ™” ์ œ์ž‘์ž์—๊ฒŒ ๊ธฐ์ˆ ์  ๋ฐœ์ „์— ๋”ฐ๋ผ ์ €๋น„์šฉ์œผ๋กœ ๋ณด๋‹ค ์•ˆ์ „ํ•˜๊ณ  ํŽธ๋ฆฌํ•˜๊ฒŒ ๋งŽ์€ ํšจ๊ณผ๋ฅผ ์ด๋ฃฐ ์ˆ˜ ์žˆ๊ฒŒ ํ•ด ์ฃผ์—ˆ๋‹ค. ๊ทธ ๊ฒฐ๊ณผ ๋งŽ์€ ๊ด‘ํ•™์  ๋ฐ ๊ธฐ์ˆ ์  ํšจ๊ณผ ๊ธฐ์ˆ ์ด CGI๋กœ ๋Œ€์ฒด ๋˜์—ˆ๋‹ค. ํ˜„์žฌ ์˜ํ™”์—์„œ 3D ํ”„๋กœ๊ทธ๋žจ์œผ๋กœ ์ฃผ๊ณ  ์‚ฌ์šฉ๋˜๊ณ  ์žˆ๋Š” Maya๋Š” ์˜ํ™”, ๊ฒŒ์ž„, CF ๋“ฑ์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋””์ง€ํ„ธ์ด๋ฏธ์ง€๋ฅผ ๋งŒ๋“œ๋Š” ๋ฐ ํ•„์š”ํ•œ 3D ๋ชจ๋ธ๋ง, ์• ๋‹ˆ๋ฉ”์ด์…˜, ๋ Œ๋”๋ง ๋„๊ตฌ ์„ธํŠธ, ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๋ฐ ์ปดํฌ์ง€ํŒ… ๊ธฐ์ˆ , SDK ๋ฐ ์Šคํฌ๋ฆฝํŒ… ๊ธฐ๋Šฅ ๋“ฑ์— ๋„๋ฆฌ ์ด์šฉ๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.1.17
kci_detailed_000016.xml
ART001607080
oai_dc
๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๊ณจํ”„์—ฐ๊ตฌ - ์ƒํ™ฉ๋ณ€ํ™”์— ๋”ฐ๋ฅธ ๋น„๊ฑฐ๋ฆฌ ๋ฐ ๋ฐฉํ–ฅ์„ ์ค‘์‹ฌ์œผ๋กœ -
Study on simulation Golf using Media - on Situation Change of distance Control to Change of Swing Speed -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •์™„(๊ฒฝ์ƒ๋Œ€ํ•™๊ต); ์ด๋ฒ”(์ฐฝ์›๋ฌธ์„ฑ๋Œ€ํ•™)" ]
๋ถˆ๊ทœ์น™ํ•œ ๊ฒฝ์‚ฌ 0ยฐ, 5ยฐ, 10ยฐ ์™€ 15ยฐ ๋ผ์ด์—์„œ ๊ณจํ”„ ์Šค์œ™์˜ ๋น„๊ฑฐ๋ฆฌ ์ปจํŠธ๋กค์„ 3๋ฒˆ ์šฐ๋“œ, 6๋ฒˆ ์•„์ด์–ธ ๊ทธ๋ฆฌ๊ณ  ํ”ผ์นญ ํด๋Ÿฝ์— ๋Œ€ํ•˜์—ฌ ๋ฏธ๋””์–ด๋ฅผ ์‚ฌ์šฉํ•œ ์‹œ๋ฎฌ๋ ˆ์ด์…˜์œผ๋กœ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋ฅผ ํ•„๋“œ์—์„œ 8๋ช…์˜ ํ”„๋กœ ๊ณจํผ๊ฐ€ ์‹คํ—˜ํ•˜์˜€๋‹ค. ๊ฒฝ์‚ฌ ๋ผ์ด๊ฐ€ ์ฆ๊ฐ€ํ•จ์— ๋”ฐ๋ผ ํƒ€๊นƒ์—์„œ ๋งŽ์ด ๋ฒ—์–ด๋‚ฌ๋‹ค. ํด๋Ÿฝ ๋„˜๋ฒ„๊ฐ€ ์ฆ๊ฐ€ํ• ์ˆ˜๋ก ๊ฒฝ์‚ฌ ๋ผ์ด์˜ ํšจ๊ณผ๊ฐ€ ๊ฐ์†Œํ•˜์˜€๋‹ค. ๊ฒฝ์‚ฌ ๋ผ์ด๊ฐ€ ์•ฝ 10 ยฐ์ฆ๊ฐ€ํ•จ์— ๋”ฐ๋ผ ํ•œ ํด๋Ÿฝ ์˜ฌ๋ ค ์žก๊ณ  ์Šค์œ™ํ•ด์•ผ ํ•จ์„ ๋ณด์˜€๋‹ค. ํƒ€๊นƒ๊นŒ์ง€์˜ ๊ฑฐ๋ฆฌ๊ฐ€ ๋ฉ€์ˆ˜๋ก ์˜จ ๊ทธ๋ฆฐํ•˜๊ธฐ๊ฐ€ ์–ด๋ ค์› ๊ณ  ๊ฒฝ์‚ฌ ๋ผ์ด ํšจ๊ณผ๋Š” ๋งค์šฐ ์ปธ๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ๊ณจํผ๋Š” ๊ฐ ํด๋Ÿฝ ๋ผ์ด์— ๋”ฐ๋ฅธ ์ ์‘ ํ›ˆ๋ จ์ด ํ•„์š”ํ•˜๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.129
kci_detailed_000016.xml
ART001607087
oai_dc
๋ธ”๋ผ๋ด์ธ ํ‚ค์˜ ์‹ ์ง€ํ•™ ์ด๋ก ์˜ ์ˆ˜์šฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - 20์„ธ๊ธฐ ์ดˆ์˜ ์ถ”์ƒ๋ฏธ์ˆ ์˜ ์ •์‹ ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on acceptance of Blavasky' theosophic theory - Focusing on the spirit of abstract arts in the beginning of 20 Century -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ๊ด€์šฉ(์„ฑ์‹ ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ๋ธ”๋ผ๋ด์ธ ํ‚ค์˜ ์‹ ์ง€ํ•™์˜ ์ด๋ก ์ด 20์„ธ๊ธฐ ์ดˆ์˜ ์ถ”์ƒ๋ฏธ์ˆ ์˜ ์ด๋…์— ์ˆ˜์šฉ๋œ ๋ถ€๋ฌธ์„ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. 20์„ธ๊ธฐ ์ดˆ์˜ ์ถ”์ƒ๋ฏธ์ˆ ์˜ ์ •์‹ ์€ 20์„ธ๊ธฐ ๋ง์˜ ์ถ”์ƒ๋ฏธ์ˆ ์˜ ์ •์‹ ์— ์˜ํ–ฅ์„ ์ฃผ๋Š” ํ•˜๋‚˜์˜ ์ถ•์œผ๋กœ์จ 20์„ธ๊ธฐ ์ดˆ์˜ ์ถ”์ƒ๋ฏธ์ˆ ์˜ ์ •์‹ ์˜ ๊ธฐ๋ฐ˜์ด ๋˜๋Š” ์ด๋ก ๋“ค์„ ์‚ดํŽด๋ด„์œผ๋กœ์จ ํ˜„๋Œ€ ์ถ”์ƒ ํšŒํ™”์˜ ์ •์‹ ์ ์ธ ํ๋ฆ„์ด ๋˜๋Š” ํ•˜๋‚˜์˜ ์ง€๋ฅ˜๋ฅผ ์•Œ์•„๋ณด๋Š” ๋ฐ์— ์žˆ๋‹ค. ์ธ๊ฐ„์˜ ์˜์‹์€ ์ •์‹ ๊ณผ ๋ฌผ์งˆ์ด ๋ถ„๋ฆฌ๋œ ์‹ค์ฒด๊ฐ€ ์•„๋‹ˆ๋ผ 7๊ฐœ์˜ ์กด์žฌ ๊ตฌ์กฐ๋ฅผ ํ†ตํ•ด ์ž์—ฐ๊ณผ ์šฐ์ฃผ์˜ ๋ชจ๋“  ์กด์žฌ๋“ค๊ณผ ์—ฐ๊ฒฐ๋œ ์‹ค์ฒด๋ผ๋Š” ๋ธ”๋ผ๋ด์ธ ํ‚ค์˜ ์‹ ์ง€ํ•™์˜ ์ด๋ก ์€ ์• ๋‹ˆ ๋ฒ ์‚ฐํŠธ์™€ ๋ฆฌ๋“œ๋น„ํ„ฐ์— ์˜ํ•ด ์Œ๊ณผ ์ƒ‰์ฑ„์™€ ์‚ฌ์œ ์™€์˜ ์ƒํ˜ธ ๊ด€๊ณ„๋ฅผ ํ•ด๋ช…ํ•˜์˜€์œผ๋ฉฐ, ๋ฃจ๋Œํ”„ ์Šคํƒ€์ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.207
kci_detailed_000016.xml
ART001607072
oai_dc
ํด๋ž˜์‹์Œ์•…์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜์ƒ์—ฐ์ถœ ์—ฐ๊ตฌ - ํŒํƒ€์ง€์•„์™€ ์•Œ๋ ˆ๊ทธ๋กœ ๋…ผ ํŠธ๋กœํฌ ๋น„๊ต๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study of Animation Images Directing Based on Classical Music - Focusing on Fantasia & Allegro non troppo -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ˆ์ผ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
์• ๋‹ˆ๋ฉ”์ด์…˜์ด ์Šคํ† ๋ฆฌ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์ด๋ฏธ์ง€์˜ ์—ฐ์†์  ์ „๊ฐœ๋ฅผ ํ†ตํ•ด ํ‘œํ˜„๋˜๋Š” ์˜ˆ์ˆ ๋ฐฉ์‹์ด๋ผ๊ณ  ๋ณผ ๋•Œ <ํŒํƒ€์ง€์•„>์™€ <์•Œ๋ ˆ๊ทธ๋กœ ๋…ผ ํŠธ๋กœํฌ>๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ์‹์˜ ์—ฐ์ถœ์„ ํ†ตํ•ด ์Šคํ† ๋ฆฌํ…”๋ง์„ ํ•˜๊ณ  ์žˆ์Œ์„ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ฆ‰ ๋‘ ์ž‘ํ’ˆ์€โ€˜๊ณตํ†ต์ ์œผ๋กœ ๋“ฃ๋Š” ์˜์ƒโ€™โ€˜๋ณด๋Š” ์Œ์•…โ€™์ด๋ผ๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜์—ฐ์ถœ๋ฐฉ์‹์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ๋ฐ˜๋ฉด ๋‘ ์ž‘ํ’ˆ์—์„œ <ํŒํƒ€์ง€์•„>๋Š” ๋””์ฆˆ๋‹ˆ ํŠน์œ ์˜ ์—ฐ์ถœ๋œ ์œ ๋จธ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๊ฐœ๋ณ„ ์—ํ”ผ์†Œ๋“œ์˜ ์™„๊ฒฐ์„ฑ์„ ๊ฐ•์กฐํ•œ๋ฐ ๋ฐ˜ํ•ด, <์•Œ๋ ˆ๊ทธ๋กœ๋…ผ ํŠธ๋กœํฌ>๋Š” ๊ฐœ๋ณ„ ์—ํ”ผ์†Œ๋“œ๊ฐ€ ๋น„ํŒ์  ํ•ดํ•™์ด๋ผ๋Š” ์ฃผ์ œ์˜์‹์„ ๊ฐ•์กฐํ•˜๋Š” ์š”์†Œ๋กœ์„œ ์ž‘์šฉ์ผ€ ํ•˜๋Š” ์ž‘ํ’ˆ์—ฐ์ถœ์˜ ์ฐจ์ด์ ์„ ๋ฐœ๊ฒฌ ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.27
kci_detailed_000016.xml
ART001607086
oai_dc
์ฆ์ƒ๊ณผ ์ด๋ฏธ์ง€ - ์šฐ์šธ์ฆ์„ ์ค‘์‹ฌ์œผ๋กœ -
Symptoms and image - focused on melancholy -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌํฌ์ •(์„œ์šธ๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ๊ฐ€์˜ ์˜ˆ์ˆ ์  ํ‘œํ˜„๊ณผ ๊ด€๊ณ„ํ•ด์„œ ์ž์˜์‹์ด๋ผ๊ณ  ๋ถ€๋ฅผ ๋งŒํ•œ ๊ทผ๊ฑฐ๊ฐ€ ๋ฌด์—‡์ธ์ง€๋ฅผ ๋ฐํžˆ๋Š” ๊ฒƒ์€ ์–ด๋ ค์šด ๋‚œ์ œ์ด๋‹ค. ์‹ฌ๋ฆฌํ•™, ์ •์‹ ๋ถ„์„ํ•™, ํ˜„์ƒํ•™, ์ธ์ง€๊ณผํ•™, ์‹ ๊ฒฝ๊ณผํ•™ ๋“ฑ๋“ฑ ๋ถ„๊ณผ ๋งˆ๋‹ค ๊ทธ๋ฆฌ๊ณ  ํ•™์ž๋“ค ๋งˆ๋‹ค ์˜์‹์— ๋Œ€ํ•œ ์ •์˜๊ฐ€ ๋‹ค๋ฅด๋“ฏ์ด, ์ •์„œ ๋ฐ ์‚ฌ๊ณ ์— ๋Œ€ํ•œ ์ •์˜ ๋˜ํ•œ ๋‹ค๋ฅด๋‹ค. ์‹ ์ฒด์™€ ์ •์‹ ์˜ ๋ณธ์งˆ์„ ์ดํ•ดํ•˜๋Š” ์ธก๋ฉด์—์„œ ๋ณดํŽธํƒ€๋‹นํ•œ ๊ทผ๊ฑฐ๋ฅผ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์€ ์•„์ง๊นŒ์ง€ ๋…ผ์Ÿ์˜ ์—ฌ์ง€๊ฐ€ ์žˆ์ง€๋งŒ, ํ˜„์žฌ์˜ ํ•™๋ฌธ์  ๋ฐฉํ–ฅ์ด ์ƒ๋ฌผํ•™์˜ ๋ฐฉํ–ฅ์—์„œ ์ธ์ง€์™€ ์ •์„œ ์–‘์ž ๋ชจ๋‘๋ฅผ ํ†ตํ•ฉ ํ•˜๋Š” ๊ฒƒ์— ์ฃผ๋„์ ์ด๋ž€ ๊ฒƒ์€ ์ฃผ์ง€์˜ ์‚ฌ์‹ค์ด๋‹ค. ์ด์ ์—์„œ ์‹ ์ฒด์™€ ์ •์‹ ์˜ ์–‘์ž์ ์ธ ์ž…์žฅ์„ ๋“œ๋Ÿฌ๋‚ด๋Š” ์‹ ๊ฒฝํ•™์  ์ฆ์ƒ๋“ค์€ ๋‹จ์ง€ ์‹ ์ฒด ์ƒํƒœ ์ด์ƒ์˜ ๊ฐ์ •...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.185
kci_detailed_000016.xml
ART001607083
oai_dc
INTER-MEDIA ART์—์„œ ์ฐฉ์ข…(้Œฏ็ถœ) ํ˜„์ƒ์— ๊ด€ํ•œ ๊ณ ์ฐฐ
The art of tangle : Inter-media art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ถŒ๊ฒฝ์šฉ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ๊ฐ€๋“ค์€ ๋‹ค์–‘ํ•œ ๋ฏธ๋””์–ด๋ฅผ ์ฐฝ์ž‘ํ™œ๋™์— ๋Œ์–ด๋“ค์—ฌ ์ƒˆ๋กœ์šด ์˜ˆ์ˆ ์„ ๋งŒ๋“ค์–ด๋‚ด๋Š”๋ฐ ํ™œ์šฉํ•˜๊ณ ์ž ํ•˜์˜€์œผ๋ฉฐ, ์ด์— ๋”ฐ๋ผ ์˜ˆ์ˆ ์ž‘ํ’ˆ์˜ ํ˜•ํƒœ๋Š” ๋ฏธ๋””์–ด์˜ ํŠน์„ฑ์— ๋งž์ถฐ ๋ณ€๋ชจํ•˜๊ธฐ๋„ ํ•˜์˜€๋‹ค. ์ด์™€ ๊ฐ™์€ ํ˜„์ƒ์€ ์Œ์•…, ๋ฏธ์ˆ , ๋ฌด์šฉ, ์—ฐ๊ทน, ์˜ํ™” ๋“ฑ ์˜ˆ์ˆ ์˜ ๊ฐ ์žฅ๋ฅด์—์„œ ๊ณตํ†ต๋˜๊ฒŒ ๋‚˜ํƒ€๋‚ฌ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ ์ค‘์—์„œ๋„ ๋ฏธ๋””์–ด ๊ฐ„์˜ ํ˜‘์—…๊ณผ ์ˆ˜๋ ด ํ˜„์ƒ์€ 1960๋…„๋Œ€์— ๋“ค์–ด ์ •์ ์— ์ด๋ฅด๋ €์œผ๋ฉฐ, ์ด ๋•Œ ์ดํ›„๋กœ ๋ฐœ์ „๋œ ์–‘์‹๋“ค์€ ์–ด๋А ํ•œ ์žฅ๋ฅด(genres)๋กœ ์„ค๋ช…ํ•˜๊ธฐ ์–ด๋ ค์šด ํ˜•ํƒœ๋ฅผ ๋ ๊ฒŒ ๋˜์—ˆ์œผ๋ฉฐ, ํ•œ ์˜ˆ์ˆ  ์žฅ๋ฅด์˜ ๋ณ€ํ˜•์ด๋ผ๊ธฐ๋ณด๋‹ค๋Š” โ€˜์ธํ„ฐ๋ฏธ๋””์–ด ์•„ํŠธ(intermedia art)โ€™๋ผ๋Š” ์ƒˆ๋กœ์šด ์ด๋ฆ„์œผ๋กœ ์ •์˜ํ•ด์•ผ ํ•  ํ•„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.163
kci_detailed_000016.xml
ART001607074
oai_dc
์–ธ์บ๋‹ˆ ์ด๋ก ์„ ํ†ตํ•œ ๋ผ์ œ๋–ผ ์—ฐ๊ตฌ
A film analysis of La jetรฉe through uncanny theory
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„์›(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€์„ฑํ˜ธ(์ค‘์›๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ๋Š” ํ”„๋กœ์ดํŠธ(Sigmund Freud)์˜ ์–ธ์บ๋‹ˆ(Uncanny)๊ฐœ๋…์„ ์ด์šฉํ•˜์—ฌ ํฌ๋ฆฌ์Šค ๋งˆ๋ฅด์ผ€(Chris Marker)์˜ ์˜ํ™” <๋ผ์ œ๋–ผ, La jetรฉe>๋ฅผ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ์–ธ์บ๋‹ˆ๋Š” ์‹ค์กด์ฃผ์˜, ๋‚ญ๋งŒ์ฃผ์˜, ์ดˆํ˜„์‹ค์ฃผ์˜ ๋“ฑ ์ฒ ํ•™, ๋ฌธํ•™, ๋ฏธ์ˆ ์—์„œ ์ค‘์š”ํ•œ ๊ฐœ๋…์œผ๋กœ ์ž‘์šฉํ•˜๋Š”๋ฐ, ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์–ธ์บ๋‹ˆ ์ด๋ก ์ด ์˜์ƒ ์ด๋ฏธ์ง€์—์„œ ์–ด๋–ป๊ฒŒ ํ™•์žฅํ•ด์„œ ๋ถ„์„๋  ์ˆ˜ ์žˆ๋Š”์ง€๋ฅผ <๋ผ์ œ๋–ผ>๋ฅผ ํ†ตํ•ด์„œ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์—ฐ๊ตฌ์˜ ์ „๊ฐœ๋Š” ๋ณธ๋ฌธ 2.1. ์‹ ๊ฒฝ์งˆ์ ์ธ ๋ถˆ์•ˆ๊ณผ ํŠธ๋ผ์šฐ๋งˆ์— ๋Œ€ํ•œ ์—ฌ์ž์˜ ๋ถˆ์•ˆํ•œ ์‹ฌ๋ฆฌ๋ฅผ ๋ชธ์ง“์œผ๋กœ ํ‘œํ˜„ํ•˜๋Š” ๊ฒƒ์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๊ณ , ๋‹ค์Œ 2.2.๋Š” ์ฃฝ์Œ ์ถฉ๋™๊ณผ ์ฃผ์ธ๊ณต๊ณผ ์—ฌ์ž์™€์˜ ๊ด€๊ณ„์„ฑ,...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.49
kci_detailed_000016.xml
ART001607075
oai_dc
์–ธ์บ๋‹ˆ ์ด๋ก ์„ ์ ์šฉํ•œ ์˜ํ™” ์‚ฌ๋ก€๋ถ„์„
A Study on Movie Case Analyses by Applying the Uncanny Theory
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„์›(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์ž„๊ฒฝํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์–ธ์บ๋‹ˆ(Uncanny) ์ด๋ก ์„ ์ ์šฉํ•ด์„œ ์˜ํ™”์˜ ์‚ฌ๋ก€๋ฅผ ๋ถ„์„ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ์˜ํ™”์˜ ์‚ฌ๋ก€๋ฅผ ๋ถ„์„ํ•˜๊ธฐ ์œ„ํ•ด์„œ ํฌ๋ฆฌ์Šค ๋งˆ๋ฅด์ผ€(Chris Marker)์˜ ์‹คํ—˜์˜ํ™” <๋ผ์ œ๋–ผ,La jetรฉe, 1962>๋ฅผ ๊ธฐ์ค€์œผ๋กœ ์„ ์ •ํ•œ ์„ธ ํŽธ์˜ ์˜ํ™”๋ฅผ ์–ธ์บ๋‹ˆ ์ด๋ก ์œผ๋กœ ์ ์šฉํ•ด์„œ ์‚ดํŽด๋ณด์•˜๋‹ค. ์„ธ ํŽธ์˜ ์˜ํ™”๋Š” ํ”„๋กœ์ดํŠธ(Sigmund Freud)์˜ ์–ธ์บ๋‹ˆ์— ๋Œ€ํ•œ ์ถฉ๋ถ„ํ•œ ์ดํ•ด์™€ ํ•ด์„ ๋Šฅ๋ ฅ์„ ๊ฐ–์ถ”๊ณ  ์žˆ๋‹ค. ์–ธ์บ๋‹ˆ ์ด๋ก ์œผ๋กœ ์ ์šฉ๋œ ์˜ํ™”๋Š” <๋ผ์ œ๋–ผ> ๋ณด๋‹ค ์•ž์„œ ์ƒ์˜ํ•œ ์•Œํ”„๋ ˆ๋“œ ํžˆ์น˜์ฝ•(Alfred Hitchcock)์˜ <์‚ฌ์ด์ฝ”: Psycho,1960>์™€ <๋ผ์ œ๋–ผ>๊ฐ€ ์ œ์ž‘๋˜๊ธฐ ์˜ค๋ž˜์ „์— ์ด๋ฏธ ๋“ฑ์žฅํ•œ ๋กœ๋ฒ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.61
kci_detailed_000016.xml
ART001607078
oai_dc
3D ํ™€๋กœ๊ทธ๋ž˜ํ”ผ๋ฅผ ํ™œ์šฉํ•œ ํ”„๋กœ์ ์…˜ ๋งคํ•‘ ๊ด‘๊ณ ์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ ๊ตฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Narrative Embodiment of Projection Mapping Advertisement using 3D Holography
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ˆ˜์ง„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๋‚จํšจ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
ํ”„๋กœ์ ์…˜ ๋งคํ•‘ ๊ธฐ์ˆ ์€ ์‹ค์ œ 3D ์ œํ’ˆ ํ˜น ๋ชจํ˜•, ๊ฑด์ถ•๋ฌผ์— 3์ฐจ์› ํ™€๋กœ๊ทธ๋ž˜ํ”ผ ์˜์ƒ์„ ๋ง๋ถ™์ด๋Š” ๋‹จ์ˆœํ•œ ์˜์ƒ ๊ตฌํ˜„์„ ๋„˜์–ด์„ , ์ž…์ฒด์ ์ด๊ณ  ํ™˜์ƒ์ ์ธ ํšจ๊ณผ๋ฅผ ์ œ๊ณตํ•˜์—ฌ ์•„ํŠธ ํผํฌ๋จผ์Šค์™€ ์ƒ์—… ๊ด‘๊ณ ์˜ ๊ฒฝ๊ณ„๋ฅผ ํ—ˆ๋ฌผ์–ด ์†Œ๋น„์ž๋“ค์—๊ฒŒ ๊ฐ์„ฑ์ ์ธ ์†Œํ†ต์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•˜๋Š” ๊ฐ•๋ ฅํ•œ ๋งค์ฒด๋กœ ๋น ๋ฅด๊ฒŒ ์ค‘์š”ํ•œ ์˜์—ญ์œผ๋กœ ์ž๋ฆฌ ์žก๊ณ  ์žˆ๋‹ค. ํ”„๋กœ์ ์…˜ ๋งคํ•‘ ๊ด‘๊ณ ๋Š” 3D ํ™€๋กœ๊ทธ๋ž˜ํ”ผ๋ฅผ ํ†ตํ•ด ํˆฌ์˜๋œ ๊ด‘๊ณ  ์ด๋ฏธ์ง€์˜ ์ž…์ฒด๊ฐ ํ‘œํ˜„๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋น›๊ณผ ๊ณต๊ฐ„ ์กฐํ˜•์˜ ๊ตฌํ˜„์ด ๊ฐ€๋Šฅํ•˜๋‹ค. ๋”ฐ๋ผ์„œ ์†Œ๋น„์ž์˜ ์ด์ฒด์ ์ธ ์‹œ์ง€๊ฐ์˜ ํ˜ธ๊ธฐ์‹ฌ์„ ์ž๊ทนํ•˜๋Š” ๊ฐ€์ƒ์  ์ฒดํ—˜๊ณผ ์‚ฌ์‹ค์  ์žฌํ˜„์œผ๋กœ ๊ด‘๊ณ ์˜ ๋ฉ”์‹œ์ง€๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ์ „๋‹ฌ ํ•  ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.107
kci_detailed_000016.xml