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ART001607088
oai_dc
์ผ๋ณธ ๊ทผ๋Œ€ํŒํ™”์˜ ํƒ„์ƒ๊ณผ ๊ทธ ์‹œ๋Œ€์  ์—ญํ•  - ํ‰๋ฉด์  ์ „๊ฐœ๋กœ๋ถ€ํ„ฐ ์กฐํ˜•์  ํšŒํ™”์˜ ๋ฐœ์ƒ์œผ๋กœ -
THE Birth and Historical Role of Modern Prints; - From Two-dimensionality to Plastic Pictorial Art -
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[ "์ฒœ์ง„๊ทœ(ํƒ€๋งˆ๋ฏธ์ˆ ๋Œ€ํ•™๊ต)" ]
๋…ผ์ œ(๏ฅ้กŒ)๋กœ ์žˆ๋Š” ์ผ๋ณธ ๊ทผ๋Œ€๋ฏธ์ˆ ์— ์žˆ์–ด์„œ ๊ทผ๋Œ€ํŒํ™”๊ฐ€ ์„ฑ๋ฆฝํ•œ ํ˜•ํƒœ๋ฅผ ์ถ•์œผ๋กœ ํ˜•์„ฑ๋˜์–ด์ง„ใ€Œ์ฐฝ์ž‘ํŒํ™”ใ€๊ฐ€ ๊ธฐ๋ฒ•๊ณผ ํ‘œํ˜„์˜ ์–‘๋ฉด์œผ๋กœ๋ถ€ํ„ฐ ๋‹ค๊ทนํ™”ํ•ด ๋‚˜๊ฐ€๋Š” ์‹œ๋Œ€์— ์ดˆ์ ์„ ๋งž์ถ”๊ณ  ์žˆ๋‹ค. ์ผ๋ณธ์˜ ๊ทผ๋Œ€ํŒํ™”๋Š”, ์—๋„(ๆฑŸๆˆธ)๋ง๊ธฐ๋ถ€ํ„ฐ ๋ฉ”์ด์ง€(ๆ˜Žๆฒป). ๋‹ค์ด์‡ผ(ๅคงๆญฃ)์— ์ด๋ฅด๊ธฐ๊นŒ์ง€์˜ ๊ฒฝ์ œ์ , ์‚ฌํšŒ์ , ๋ฌธํ™”์ ใ€Œ่ฟ‘ไปฃๅŒ–ใ€์˜ ์‹œ๋Œ€์  ์กฐ๋ฅ˜์˜ ์ „ํ™˜๊ธฐ์—, ์ผ๋ณธ์˜ ๊ทผ๋Œ€ํŒํ™”๊ฐ€ ๋…์ž์ ์ธ ๋ฏธ์ˆ ์  ์žฅ๋ฅด๋ฅผ ํš๋“ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉํ‘œ๋กœ ํ•œ, ๊ทธ ๋™๊ธฐ์— ๊ด€ํ•˜์—ฌ ๊ณ ์ฐฐํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์˜ ์—ฐ๊ตฌ๋ชฉ์ ์€ ์ผ๋ณธ ๊ทผ๋Œ€ํŒํ™”์˜ ์—ญ์‚ฌ์  ์ธก๋ฉด์œผ๋กœ๋ถ€ํ„ฐ ํŒํ™”์˜ˆ์ˆ ์˜ ์—ญํ• ์— ๋Œ€ํ•˜์—ฌ ๊ฒ€์ฆํ•˜์—ฌ, ์ž‘๊ฐ€์˜ ๊ฐœ์„ฑ์— ์˜ํ•œ ์กฐํ˜•์ ๋ฐœ์ƒ์ด๋‚˜ ํ‘œํ˜„์กด์ค‘์— ์˜ํ•œ, ์˜ˆ์ˆ ์— ๋Œ€ํ•œ ์ ๊ทน...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.227
kci_detailed_000017.xml
ART001607084
oai_dc
ํ•ด์ฒด์™€ ๋…ธ๋งˆ๋“œ์  ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ฐ•๋™์ง„์˜ ํšŒํ™”์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
A STUDY ON Deconstruction and Non-sedentary Expression - Based on Park Don-Jin's Paintings -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•๋™์ง„(์ถ˜์ฒœ๊ต์œก๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ ๋™์ผ์„ฑ์˜ ๋ฐ˜๋ณต๊ณผ ์ด๋ฅผ ๋ฐ˜์˜ํ•œ ํ‘œํ˜„์€ ์–‘์‹ํ™”๋กœ ์ธํ•˜์—ฌ ๊ทธ ๋…์ฐฝ์„ฑ์„ ์˜์‹ฌ ๋ฐ›๊ณ  ์žˆ์œผ๋ฉฐ, ๋‹ค์›ํ™”๋กœ ํ™•์žฅ๋œ ์˜์‹๊ณผ ํ‘œํ˜„์€ ์†Œํ†ต๋ถ€์žฌ์˜ ๋ฌธ์ œ๋ฅผ ๋“œ๋Ÿฌ๋‚ด๊ณ  ์žˆ๋‹ค. ๋™์ผ์„ฑ์˜ ๊ทน๋ณต์„ ํ†ตํ•œ ๊ทผ๋Œ€ ์ดํ›„ ๋ฏธ์ˆ ์˜ ํ˜„์žฅ์˜ ๋…ธ๋ ฅ์€ ์ „์Šน๋œ ์–‘์‹์˜ ํ•ด์ฒด์™€ ๋Œ€์•ˆ์˜ ์‹คํ—˜์œผ๋กœ ๊ฐ€๋“ํ•˜๋‹ค. ๋Œ€์ค‘์ฃผ์˜์˜ ํ™•์‚ฐ๊ณผ ๋””์ง€ํ„ธ์˜ ์ƒํ˜ธ์ž‘์šฉ์„ฑ์€ ๋ฏธ์ˆ ์˜ ๊ฐ€์น˜์ฒด๊ณ„๋ฅผ ํ”๋“ค๊ณ  ๋น„ํ‰์˜ ์ƒˆ๋กœ์šด ํŒจ๋Ÿฌ๋‹ค์ž„์„ ์š”๊ตฌํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํ˜„๋Œ€๋ฏธ์ˆ ์—์„œ ๋™์ผ์„ฑ์˜ ํ•ด์ฒด์™€ ํ‘œํ˜„๊ณผ ์˜์‹์˜ ํ™•์žฅ์„ ๋ณธ์ธ์˜ ํšŒํ™”์— ๊ตฌํ˜„๋œ ํ•ด์ฒด์™€ ๋น„์ •์ฃผ์  ํ‘œํ˜„์˜ ๋ถ„์„์„ ํ†ตํ•˜์—ฌ ๋…ธ๋งˆ๋””์ฆ˜์  ํšŒํ™”์˜ ํ™•์žฅ์„ฑ๊ณผ ์†Œํ†ต ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ ์  ๋ณ€์šฉ์˜ ๊ฐ€๋Šฅ์„ฑ์„ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.175
kci_detailed_000017.xml
ART001606753
oai_dc
์ค‘๊ตญ์• ๋‹ˆ๋ฉ”์ด์…˜๊ต์œก์˜ ํ˜์‹ ๋ฐฉ์•ˆ ์—ฐ๊ตฌ - ๋Œ€ํ•™๊ต์œก์„ ์ค‘์‹ฌ์œผ๋กœ -
The Study of New College Education Methods for Revolution in Chinese Animation
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘๊ฑดํ™”(์ค‘๊ตญ์ค‘๋‚จ์žฌ๊ฒฝ์ •๋ฒ•๋Œ€ํ•™)" ]
์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ต์œก์€ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์‚ฐ์—…์˜ ์‹ ์†ํ•œ ๋ฐœ์ „์— ๋น„ํ•ด ๋‚™ํ›„๋œ ์ƒํ™ฉ์— ์žˆ์œผ๋ฉฐ, ์ธ์žฌ ์–‘์„ฑ์€ ์ฐฝ์˜์  ์‚ฌ๊ณ ์™€ ์ž์œจ์„ฑ์ด ๊ฒฐํ•๋˜์–ด ์žˆ๋‹ค. ์ด๋ฒˆ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ต์œก์˜ ์ฐฝ์˜์  ๋ฐฉ์•ˆ์˜ ๊ตฌ์ถ•์„ ์œ„ํ•ด ์Šค์Šค๋กœ๋ฅผ ๋˜๋Œ์•„๋ณด๋Š” ๊ธฐํšŒ๋กœ ์‚ผ์•˜์œผ๋ฉฐ, ์ค‘๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ต์œก์˜ ์ธ์žฌ์–‘์„ฑ์˜ ๋ฌธ์ œ์ ๊ณผ ์• ๋‹ˆ๋ฉ”์ด์…˜์‚ฐ์—… ์ฐฝ์ž‘๋ฐœ์ „์„ ์ œ์•ฝํ•˜๋Š” ๋ณ‘๋ชฉํ˜„์ƒ์˜ ์ฃผ์š”์›์ธ์„ ๋ถ„์„ํ•ด๋ณด์•˜๋‹ค. ์ด๋ฅผ ํ† ๋Œ€๋กœ ์ค‘๊ตญ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ต์œกํ˜์‹  ๋ฐฉ์•ˆ์„ ๊ตญ์ œ์  ํ”Œ๋žซํผ์— ์ž…๊ฐํ•ด์„œ, โ€˜์ˆ˜์ž…๊ณผ ์ˆ˜์ถœโ€™์ด๋ผ๋Š” ๋ฐœ์ „ ์›์น™์— ๋”ฐ๋ผ ํ•™๊ณผ์˜ ํŠน์„ฑํ™”, ๊ต์ˆ˜ ์š”์›์˜ ์ „๋ฌธํ™”, ์ฐฝ์˜์  ์ธ์žฌ ์–‘์„ฑ์ด๋ผ๋Š” ๋Œ€์•ˆ์„ ๋„์ถœํ•ด ๋ณด์•˜๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.7
kci_detailed_000017.xml
ART001607079
oai_dc
์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ  ๊ตฌ์„ฑ์š”์†Œ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
Research for the component of perceptible video content
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•๋ฏผ๊ตฌ(์„œ์ผ๋Œ€ํ•™๊ต); ์ •์ง„ํ—Œ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
์ง€๋‚œํ•ด ๊ฐ€์ •์šฉ 3D ์ž…์ฒด TV๊ฐ€ ๋ณด๊ธ‰๋˜๋ฉด์„œ ์˜์ƒ์ฝ˜ํ…์ธ ์˜ ์ง„ํ™”์  ํ˜•ํƒœ์ธ 3D์™€ 4D๋ฅผ ํฌ๊ด„ํ•œ ๊ฐœ๋…์ธ ์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ ๊ฐ€ ์ตœ๊ทผ ํ™”์ œ๊ฐ€ ๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ด€๋ จ์—…๊ณ„์—์„  ๋ฒŒ์จ๋ถ€ํ„ฐ 3D๋ฅผ ๋„˜์–ด์„  4D์‹œ๋Œ€์˜ ๋„๋ž˜๋ฅผ ์ ์น˜๊ณ  ์žˆ๋‹ค. TV, ๋…ธํŠธ๋ถPC, ํœด๋Œ€์šฉ ๊ฒŒ์ž„๊ธฐ, ์Šค๋งˆํŠธํฐ, ๊ด‘๊ณ ์ „๊ด‘ํŒ ๋“ฑ์œผ๋กœ ๋ฒ”์œ„๊ฐ€ ๋„“์–ด์ง€๋ฉด์„œ ํšจ๊ณผ๋ฅผ ๊ทน๋Œ€ํ™”ํ•˜๊ธฐ ์œ„ํ•œ ์‹œ๋„๊ฐ€ ๋”ํ•ด์ ธ ๊ฒฐ๊ตญ ์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ  ์‹œ๋Œ€๋ฅผ ์—ด ๊ฒƒ์ด๋ผ๋Š” ์˜ˆ์ธก์ด๋‹ค. ์ด์— ๋ณธ ์—ฐ๊ตฌ๋Š” ์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ ์˜ ์ด๋ก , ๊ธฐ์ˆ ์  ์—ฐ๊ตฌ์˜ ๋ฐ”ํƒ•์„ ์œ„ํ•ด ์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ ์˜ ๊ฐœ๋…๊ณผ ์—ญ์‚ฌ, ๋ฐœ์ „, ๊ทธ๋ฆฌ๊ณ  ์ ์šฉ๊ธฐ์ˆ , ๊ตฌ์„ฑ ์š”์†Œ๋ฅผ ๋‹ค๋ฃจ์–ด ๋ณด์•˜์œผ๋ฉฐ, ํ–ฅํ›„ ์ฒด๊ฐํ˜• ์˜์ƒ์ฝ˜ํ…์ธ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.119
kci_detailed_000017.xml
ART001607081
oai_dc
์‹œ๋ฎฌ๋ ˆ์ดํ„ฐ์šฉ ๋ผ์ด๋“œ ํ•„๋ฆ„ ์ œ์ž‘์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study on making 3 dimensional ride films for simulator
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ๊ตญ๋‚ด์—์„œ 3DTV์˜ ๋ณด๊ธ‰์œผ๋กœ ์ž…์ฒด์˜์ƒ์˜ ์ œ์ž‘์ธํ”„๋ผ๊ฐ€ ํ™•์ถฉ๋˜๊ณ  ์žˆ๋‹ค. ์ฐจ์„ธ๋Œ€ ์ฒจ๋‹จ๊ธฐ์ˆ  ๋ถ„์•ผ๋กœ ์ง€๋ชฉ๋˜์–ด ๋Œ€๋‹จ์œ„์˜ ์—ฐ๊ตฌ์™€ ํˆฌ์ž๊ฐ€ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋Š” ์ƒํ™ฉ์œผ๋กœ TV์šฉ ์ž…์ฒด์˜์ƒ(3D ์‹ค์‚ฌํ˜•)๊ณผ ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ(media faรงade)์™€ ๊ฐ™์€ ๊ฐ€์ƒํ˜„์‹คํ˜• ์ž…์ฒด์˜์ƒ, 4D๋ผ์ด๋“œ ํ•„๋ฆ„(Ride film), I-max์šฉ ๊ณ ํ™”์งˆ์˜ ๋Œ€ํ˜•์ž…์ฒด์˜์ƒ, ์ž…์ฒด 3D๊ฒŒ์ž„ ๋“ฑ์˜ ๋ถ„์•ผ์—์„œ ํ™œ๋ฐœํ•˜๊ฒŒ ์—ฐ๊ตฌ๊ฐ€ ์ง„ํ–‰๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ์ธ์€ ํ…Œ๋งˆํŒŒํฌ์˜ 4D๊ทน์žฅ์ด๋‚˜ ๋‹ค์–‘ํ•œ ์ฒดํ—˜๊ด€ ๋“ฑ์—์„œ ์ฃผ๋กœ ์ƒ์˜๋˜๊ณ  ์žˆ๋Š” ๋ผ์ด๋“œ ํ•„๋ฆ„ ๊ฐœ๋ฐœ๋ฐฉ๋ฒ•์„ ์‚ดํŽด ๊ทธ ํŠน์„ฑ์„ ์กฐ๋งํ•ด ๋ณด๊ธฐ ์œ„ํ•˜์—ฌ ๋Œ€ํ•™์žฌ์ง์ค‘์— ํŠน์„ฑํ™” ์‚ฌ์—…์˜ ์ผํ™˜์œผ๋กœ ์‚ฐยทํ•™ ํ˜‘๋ ฅ์„ ํ†ตํ•ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.139
kci_detailed_000017.xml
ART001607071
oai_dc
์ผ€๋ฅด์ฒด๋„ค์ธ  ์ „ํˆฌ์˜ ์ถฉ๋Œ๋ชฝํƒ€์ฃผ ์—ฐ์ถœ ์—ฐ๊ตฌ
A Study of Collision Montage Directing Shown in the Battle of Kerzhenets
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ˆ์ผ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
<์ผ€๋ฅด์ฒด๋„ค์ธ ์ „ํˆฌ>๋Š” ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ณด๋‹ค๋Š” ์ด๋ฏธ์ง€์— ์šฐ์„ ํ•˜์—ฌ ์‡ผํŠธ์˜ ์—ฐ์†์  ์ „๊ฐœ๋ฅผ ํ†ตํ•ด ํ‘œํ˜„ํ•œ ๋Œ€ํ‘œ์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์Šคํ† ๋ฆฌํ…”๋ง์˜ ์ „๊ฐœ์— ์žˆ์–ด ์ „ํˆฌ์ค€๋น„๊ณผ์ •, ๊ฒฉ๋ ฌํ•œ ์ „ํˆฌ ๊ทธ๋ฆฌ๊ณ  ์ „ํ›„ ๋ณต๊ตฌ์™€ ํ‰ํ™”๊ณผ์ •์„ ์„œ์ˆ ์ ์œผ๋กœ ๊ตฌ์„ฑํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ‘œํ˜„๋ฐฉ๋ฒ•์— ์žˆ์–ด์„œ๋Š” ํ”„๋ ˆ์Šค์ฝ”๊ธฐ๋ฒ•, ๊ทธ๋ฆฌ์Šค์ •๊ต์˜ ์ข…๊ต์  ์ƒ‰๊ฐ ๋“ฑ์˜ ์กฐํ˜•์  ์‹คํ—˜, ์ปท ์•„์›ƒ์ด๋ฏธ์ง€, ๋‹ค์ธต๋ ˆ์ด์–ด ๋“ฑ์˜ ์˜์ƒ์‹คํ—˜, ๋Ÿฌ์‹œ์•„ํ’์˜ ๊ตญ๋ฏผ์•…ํŒŒ์˜ ์Œ์•…ํ™œ์šฉ ๋“ฑ, ๋‹ค์–‘ํ•œ ์‹คํ—˜์„ ํ†ตํ•ด ๊ธด๋ฐ•๊ฐ ๋„˜์น˜๋Š” ์ž…์ฒด์  ์˜์ƒ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ <์ผ€๋ฅด์ฒด๋„ค์ธ ์ „ํˆฌ>์—์„œ๋Š” ์†Œ๋น„์—ํŠธ์‚ฌํšŒ์ฃผ์˜ ๋ฆฌ์–ผ๋ฆฌ์ฆ˜์˜ ๋‹ด๋ก  ์†์—์„œ ์ „ํˆฌ์—์„œ ๋“ฑ์žฅํ•œ ๋ถ‰์€ ์ข…, ํ•˜์–€ ์—ฌ์ธ, ๋ณ‘...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.17
kci_detailed_000017.xml
ART001607077
oai_dc
"์ฟตํ‘ธํŒฌ๋”" ์บ๋ฆญํ„ฐ์˜ ์š•๋ง๊ณผ ๋‘๋ ค์›€ ๋ถ„์„
An Analysis of the Desire and Dread of the "Kungfu Panda" Character
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘์„ธํ˜(์กฐ์„ ๋Œ€ํ•™๊ต)" ]
๋“œ๋ฆผ์›์Šค์• ๋‹ˆ๋ฉ”์ด์…˜็คพ์˜ <์ฟตํ‘ธํŒฌ๋”>๋Š” ๋…๋ณด์ ์ธ ์บ๋ฆญํ„ฐ์™€ ๋Œ€์ค‘์ ์ธ ์„œ์‚ฌ๊ตฌ์กฐ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํฌ๊ฒŒ ์„ฑ๊ณตํ•œ ์ž‘ํ’ˆ์ด๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” <์ฟตํ‘ธํŒฌ๋”> ์บ๋ฆญํ„ฐ์˜ ์š•๋ง๊ณผ ๋‘๋ ค์›€ ์„ค์ •์— ์ฃผ๋ชฉํ–ˆ๋Š”๋ฐ, ์ด๊ฒƒ์„ ์บ๋ฆญํ„ฐ์„ฑ์„ ํ˜•์„ฑํ•˜๋Š” ๋ณตํ•ฉ์š”์†Œ๋กœ์„œ ํƒ๊ตฌํ•œ ์„ ํ–‰์—ฐ๊ตฌ๋Š” ์•„์ง ๋ฏธ์ง„ํ•œ ๊ฒƒ์œผ๋กœ ํŒŒ์•…๋œ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ์ธ๊ฐ„์€ ์š•๋ง๊ณผ ๋‘๋ ค์›€์— ์˜ํ•ด ๋ชจ๋“  ์„ ํƒ๊ณผ ํ–‰๋™์˜ ๋ฐฉํ–ฅ์ด ์ •ํ•ด์ง€๊ธฐ ๋•Œ๋ฌธ์— ์‚ถ์ด ์ด ๋‘ ๊ฐ€์ง€ ์š”์†Œ์˜ ์ง€๋ฐฐ๋ฅผ ๋ฐ›๋Š”๋‹ค๊ณ  ์—ฌ๊ฒจ์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๊ด€์ ์—์„œ <์ฟตํ‘ธํŒฌ๋”>์˜ ์บ๋ฆญํ„ฐ๋ผ์ด์ง• ์ „๋žต์€ โ€˜์š•๋ง+๋‘๋ ค์›€โ€™์ด๋ผ๋Š” ๋‹ค์ฐจ์›์  ์š”์†Œ๋ฅผ ์ ์šฉํ•˜์—ฌ ๋ณด๋‹ค ์œ ๋™์ ์ด๋ฉฐ ์ž…์ฒด์ ์œผ๋กœ ์บ๋ฆญํ„ฐ์„ฑ์„ ๊ฐ•ํ™”ํ•˜๊ณ , ์„ฑ์žฅ๋‹ด์„ ๋ณด๋‹ค ์™„์ „ํ•˜๊ฒŒ ํ•˜๋Š” ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.95
kci_detailed_000017.xml
ART001607082
oai_dc
์œ ๋Ÿฝ์˜ ์˜์ƒ ๊ต์œก ์‚ฌ๋ก€์—ฐ๊ตฌ - ์˜๊ตญ๊ณผ ์Šค์›จ๋ด์„ ์ค‘์‹ฌ์œผ๋กœ -
Case Study on Video Education in Europe - Focus on England and Sweden -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜์กฐ(๊ฐ•์›๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ์ ์ฆํ•˜๋Š” ์˜์ƒ ๊ต์œก์˜ ์ค‘์š”์„ฑ์— ๋ถ€ํ•ฉํ•˜์—ฌ ๊ตญ๋‚ด์˜ ์˜์ƒ ๋งค๊ฐœ ๊ต์œก ์ฝ˜ํ…์ธ  ์—ฐ๊ตฌ์™€ ์ œ์ž‘ ํ™œ์„ฑํ™”๋ฅผ ์œ„ํ•œ ์‚ฌ๋ก€์—ฐ๊ตฌ๋กœ์„œ ์œ ๋Ÿฝ์˜ ์˜์ƒ ๊ต์œก ์ฝ˜ํ…์ธ ์— ๋Œ€ํ•˜์—ฌ ์˜๊ตญ์˜ BBC ๋Ÿฌ๋‹๊ณผ CBeebies, ์Šค์›จ๋ด์˜ UR๊ณผ SVTB ๋“ฑ 4๊ฐœ ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ˜„์ง€ ๋ฐฉ๋ฌธ์„ ํ†ตํ•œ ์‹ฌ์ธต ์ธํ„ฐ๋ทฐ๋ฅผ ํ†ตํ•˜์—ฌ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋ถ„์„ ๊ฒฐ๊ณผ BBC ๋Ÿฌ๋‹์€ ์˜์ƒ ๊ต์œก ์ œ์ž‘ ์ง€์› ๋ถ€์„œ๋กœ์„œ ์ œ์ž‘์˜ˆ์‚ฐ ์ œ๊ณต, ๊ธฐํš์ฐธ์—ฌ, ์กฐ์‚ฌ์—…๋ฌด ๋“ฑ์„ ํ†ตํ•ด BBC ์ฝ˜ํ…์ธ ์˜ ๊ต์œก์  ๊ฐ€์น˜๋ฅผ ๋†’์ด๋Š” ์ผ์„ ์ˆ˜ํ–‰ํ•˜์˜€๋‹ค. ์œ ์•„์ „๋ฌธ์ฑ„๋„ CBeebies๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋ณด๋‹ค๋Š” ์œ ์•„์˜ ์ง์ ‘ ์ถœ์—ฐ์„ ํ†ตํ•œ ๋‹ค์–‘ํ•œ ํ™œ๋™๊ณผ ์ง€์—ญ์„ฑ ์ฆ์ง„, ์žฅ์• ์ธ ์ถœ์—ฐ๊ณผ ๊ฐ™์€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.153
kci_detailed_000017.xml
ART001607073
oai_dc
ํšŒํ™”์— ํ™œ์šฉ๋œ ์‚ฌ์ง„์˜ ๋ง์  ํ…Œํฌ๋‹‰ ์—ฐ๊ตฌ
The research of the dot technique which is applied in painting
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ น(์ธํ•˜๊ณต์—…์ „๋ฌธ๋Œ€ํ•™)" ]
๋ง์ ์˜ ํ…Œํฌ๋‹‰์€ 1960๋…„๋Œ€ ์ดˆ๋ถ€ํ„ฐ ํŒ์•„ํŠธ ๊ฒฝํ–ฅ์˜ ๋ช‡๋ช‡ ์˜ˆ์ˆ ๊ฐ€๋“ค์— ์˜ํ•ด ํšŒํ™”์— ๋„์ž…๋˜์—ˆ๋‹ค : ์ถ”์ƒํ‘œํ˜„์ฃผ์˜์˜ ์ฃผ๊ด€์ ์ธ ๋ฏธํ•™์— ๋Œ€ํ•œ ๋ฐ˜๋™์œผ๋กœ ๋Œ€์ค‘ ์ด๋ฏธ์ง€๋‚˜ ์‚ฌ์ง„์ด ์ฐจ์šฉ๋˜๊ณ  ๊ฐ์„ฑ์ด ๋ฐฐ์ œ๋œ ๊ธฐ๊ณ„์ ์ธ ๋ฐฉ์‹์ด ์‚ฌ์šฉ๋˜์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ฆฌํžˆํ…์Šˆํƒ€์ธ, ์ž‘์ผ€ ๊ทธ๋ฆฌ๊ณ  ํด๊ฒŒ๋ฅผ ์„ ํƒํ•˜์—ฌ, ์ด๋“ค์ด ์ž์‹ ๋“ค์˜ ์˜ˆ์ˆ  ์˜๋„์— ๋ถ€ํ•ฉํ•˜๋Š” ๋ง์ ์„ ํ™”ํญ์— ์ „์‚ฌํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ์šฉํ•œ ๋ง์  ํ…Œํฌ๋‹‰์„ ์กฐ์‚ฌํ•˜์˜€๊ณ , ์ด ๋ฐฉ๋ฒ•์œผ๋กœ ์ œ์ž‘๋œ ๋Œ€ํ‘œ์ ์ธ ์ž‘ํ’ˆ๋“ค์—์„œ ๋“œ๋Ÿฌ๋‚˜๋Š” ๋ง์ ์˜ ํŠน์„ฑ๋“ค์„ ์ถ”์ถœํ•˜์˜€๋‹ค. ์ด ๊ฒฐ๊ณผ๋กœ, ๋ง์ ์— ์˜ํ•ด ์‹œ๊ฐ ํ˜ผํ•ฉ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๋Š” ์ด๋ฏธ์ง€์˜ ์žฌ๊ตฌ์กฐ๋Š” ๊ธฐ๊ณ„์ ์ด๊ณ  ๋น„๊ฐœ์„ฑ์˜ ๋ฏธํ•™์„ ํ™•๋ฆฝ์‹œํ‚ค๋ฉฐ, ์‚ฌ์ง„์ด ๊ฐ€์ง„ ๊ตฌ์กฐ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.37
kci_detailed_000017.xml
ART001607076
oai_dc
๋งŒํ™”์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ์ฐฝ์˜์  ํ‘œํ˜„๊ณผ ์‹ค๋ฌด ํ…Œํฌ๋‹‰์— ๋Œ€ํ•œ ํšจ์œจ์  ๋ณ‘ํ–‰๊ต์œก๋ฐฉ์•ˆ ์—ฐ๊ตฌ - ์กฐ์„ ๋Œ€ํ•™๊ต ํŒ€ํ‹ฐ์นญ ์‹ค์Šต๊ต๊ณผ๋ชฉ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Effective Combined Educational Methods for Creative Expression and Hands-on Techniques in Cartoon Animation - Focused on Team Teaching Practice Subject of Chosun University -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ผํƒœ(์กฐ์„ ๋Œ€ํ•™๊ต); ์–‘์„ธํ˜(์กฐ์„ ๋Œ€ํ•™๊ต)" ]
๋Œ€ํ•™์— ๋งŒํ™”์• ๋‹ˆ๋ฉ”์ด์…˜๊ด€๋ จ ํ•™๊ณผ๊ฐ€ ๊ฐœ์„ค๋œ ํ›„ 15์—ฌ๋…„์ด ์ง€๋‚œ ์˜ค๋Š˜๋‚ , ์‚ฐ์—…ํ˜„์žฅ๊ณผ ๊ต์œก๊ธฐ๊ด€์—์„œ๋Š” ํ˜„์žฅ์— ๋ถ€ํ•ฉํ•˜๋Š” ์‹ค๋ฌด์ค‘์‹ฌ์˜ ๊ต์œก์„ ๊ฐ•ํ™”ํ•ด์•ผ ํ•œ๋‹ค๋Š” ์š”๊ตฌ๊ฐ€ ์ปค์ง€๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋Ÿฌํ•œ ๋ฌธํ™”๊ธฐ์ˆ ์‚ฐ์—…๋ถ„์•ผ์— ๋Œ€ํ•œ ํ˜„์žฅ์˜ ์š”๊ตฌ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ๋Œ€ํ•™์˜ ๊ต์œก์€ ์•„์ง๋„ ๋‹ค์†Œ์˜ ๊ดด๋ฆฌ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฌธ์ œ์ ์„ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด ๊ด‘์ฃผ์ง€์—ญ ๋งŒํ™”์™€ ์• ๋‹ˆ๋ฉ”์ด์…˜ํ•™๊ณผ ํ•™์ƒ์˜ ํ˜„ํ™ฉ, ๋งŒํ™”์• ๋‹ˆ๋ฉ”์ด์…˜์— ๋Œ€ํ•œ ์‚ฐ์—…์ฒด์™€ ํ˜„์žฅ ์‹ค๋ฌด์ž์˜ ์˜๊ฒฌ, ์ด๋ก ๊ณผ ์‹ค์Šต์˜ ๊ท ํ˜•, ๊ตญ๋‚ด์™ธ ๋งŒํ™”์• ๋‹ˆ๋ฉ”์ด์…˜๊ด€๋ จํ•™๊ณผ์˜ ๊ต์œก๊ณผ์ • ๋“ฑ์„ ์ข…ํ•ฉ์ ์œผ๋กœ ๊ฒ€ํ† ํ•˜๊ณ  ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ ์ฐฝ์˜์  ํ‘œํ˜„๊ณผ ํ˜„์žฅ์‹ค๋ฌดํ…Œํฌ๋‹‰์„ ๋™์‹œ์— ๋ณ‘ํ–‰ํ•  ์ˆ˜ ์žˆ๋Š” ๊ต์œก๋ฐฉ๋ฒ•์ด ์ด์ƒ์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2011.10.2.77
kci_detailed_000017.xml
ART001494470
oai_dc
๋™๋ฌผ ํ•ด๋ถ€ํ•™์— ๊ทผ๊ฑฐ๋ฅผ ํ•œ 3D Animation์—์„œ Caracter Setup์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ณ ์žฌํ˜()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.5
kci_detailed_000017.xml
ART001494475
oai_dc
The research on the movie Nurnberg War Criminais from the point of the non-mainstream view in the movie Nurnberg
The research on the movie Nurnberg War Criminais from the point of the non-mainstream view in the movie Nurnberg
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ์ฐฝํ˜„()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.53
kci_detailed_000017.xml
ART001494483
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ ํŽ˜์Šคํ‹ฐ๋ฒŒ์˜ ํ™œ์„ฑํ™” ๋ฐฉ์•ˆ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์ •ํฌ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.101
kci_detailed_000017.xml
ART001494484
oai_dc
์‹œ๋ฎฌ๋ผ๋ฅดํฌ ๊ด€์ ์—์„œ ๋””์ง€ํ„ธ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋ฏธ์žฅ์„ผ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.115
kci_detailed_000017.xml
ART001494490
oai_dc
๋””์ง€ํ„ธ์˜ˆ์ˆ ์—์„œ์˜ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ง€ํฌ(ํ•œ์–‘์—ฌ์ž๋Œ€ํ•™)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.155
kci_detailed_000017.xml
ART001494481
oai_dc
๊ตญ๋‚ด ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋ฎค์ง๋น„๋””์˜ค์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์€ํ˜•()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.91
kci_detailed_000017.xml
ART001494493
oai_dc
๋‚ด์šฉ๊ธฐ๋ฐ˜ ์˜์ƒ ๊ฒ€์ƒ‰์„ ์ด์šฉํ•œ ๋ชฝํƒ€์ฃผ ์˜์ƒ ์ž๋™๊ตฌ์„ฑ ๋ฐฉ๋ฒ•
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ถŒํ–ฅ์•„(); ๋ฐฐ์„ฑ์ค€(); ์ตœ์ง€์„ (); ๊น€ํ˜•๊ธฐ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.169
kci_detailed_000017.xml
ART001494474
oai_dc
๊ฐ€์ƒํ˜„์‹ค์˜ ๋ฏธ(็พŽ)์  ๊ตฌ์กฐ์†์˜ ์ธํ„ฐ๋ž™์…˜ ์• ๋‹ˆ๋ฉ”์ด์…˜์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(๋ฒฝ์„ฑ๋Œ€ํ•™)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.37
kci_detailed_000017.xml
ART001494487
oai_dc
์›น ๋””์ž์ด๋„ˆ๋ฅผ ์œ„ํ•œ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ ์˜ ๊ฐ€์น˜์™€ ๋ธŒ๋žœ๋“œ ๋ถ„์„ ๋ฐฉ๋ฒ• ๋ฐ ์‹ค์ฆ์  ์‚ฌ๋ก€
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์€์˜()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.135
kci_detailed_000017.xml
ART001494494
oai_dc
๋‹ค์ค‘ ๋™์˜์ƒ ํ”Œ๋ ˆ์ด์–ด๋ฅผ ์ด์šฉํ•œ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ์•„ํŠธ์˜ ํ™•์žฅ์„ฑ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚˜์ •์กฐ(); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.175
kci_detailed_000017.xml
ART001494497
oai_dc
A Study of an Artist's Self-Development
A Study of an Artist's Self-Development
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "Marc Aronson()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.201
kci_detailed_000017.xml
ART001494485
oai_dc
์ฐฝ์ž‘์• ๋‹ˆ๋ฉ”์ด์…˜ โ€˜๊ฐ์ •์˜ ๋Œ€๋ฆฝโ€™์— ๋‚˜ํƒ€๋‚œ ๋‚ด๋ฉด์  ๊ฐˆ๋“ฑํ‘œํ˜„์˜ ํ˜•์ƒํ™” ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ์˜๊ถŒ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.125
kci_detailed_000017.xml
ART001494488
oai_dc
๋””์ง€ํ„ธ๊ฐ€์ƒ๊ณต๊ฐ„์— ์žˆ์–ด์„œ ์ด๋ฏธ์ง€์ „๋‹ฌ๋ฐฉ์‹์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.145
kci_detailed_000017.xml
ART001494498
oai_dc
New Vietnamese Photography
New Vietnamese Photography
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "Abby Robinson()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.211
kci_detailed_000017.xml
ART001494472
oai_dc
๋‰ด๋ฏธ๋””์–ด์˜ ๋„๋ž˜์— ๋”ฐ๋ฅธ ์‹œ๊ฐ๋ฌธํ™”์˜ ๋‹ด๋ก ์—ฐ๊ตฌ : ๋ฒค์•ผ๋ฏผ๊ณผ ์•„๋„๋ฅด๋…ธ์˜ ๋งค์ฒด์ด๋ก  ๋น„๊ต๋ถ„์„์„ ์ค‘์‹ฌ์œผ๋กœ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์œค๊ฒฝ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.17
kci_detailed_000017.xml
ART001494473
oai_dc
3D ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์—์„œ ํšŒํ™”์  ์กฐ๋ช… ์—ฐ์ถœ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์€ํ™˜()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.25
kci_detailed_000017.xml
ART001494477
oai_dc
์‹œ๋ฌผ๋ผ์‹œ์˜น ๊ด€์ ์—์„œ ๋ณธ ๋””์ง€ํ„ธ์ด๋ฏธ์ง€ ์ดํ•ด
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์—ฐ์›…()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.63
kci_detailed_000017.xml
ART001494478
oai_dc
ํ˜„๋Œ€์˜ˆ์ˆ ๊ณผ ํ‚ค๋„คํ‹ฑ์•„ํŠธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์˜์• ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.71
kci_detailed_000017.xml
ART001494480
oai_dc
๋น„๋””์˜ค ์•„ํŠธ์—์„œ ์˜์ƒ,์„ค์น˜์˜ ๋ฏธ๋””์–ด ๊ตฌ์กฐ ์—ฐ๊ตฌ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์œค์ฃผ()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.81
kci_detailed_000017.xml
ART001494491
oai_dc
๋น„์ฃผ์–ผ ํผํฌ๋จผ์Šค : ์ƒˆ๋กœ์šด ์˜ˆ์ˆ ํ˜•์‹์„ ์ง€ํ–ฅํ•˜๋ฉฐ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์šฉ๋„()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.163
kci_detailed_000017.xml
ART001494495
oai_dc
Gombrich์˜ Seeing ์ด๋ก ์˜ ๋ฐœ์ „๊ณผ ๊ทธ ์–‘์ƒ
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ •์ˆ™()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2008.7.1.185
kci_detailed_000017.xml
ART001536937
oai_dc
์ปดํ“จํ„ฐ ์•Œ๊ณ ๋ฆฌ์ฆ˜ ์ถ”์ฒœ์— ์˜ํ•œ ํฌํ† ๋ชจ์ž์ดํฌ ๊ธฐ๋ฒ•
A Photomosaics Method by Preference of a Computer Algorithm
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ „์˜์žฌ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์˜ค๊ฒฝ์ˆ˜(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
We propose a new photomosaics method using principle components of candidate photo set. PCA(Principle Component Analysis) reduces dimensions of non-intuitive high dimension data set and allows us to deal the data set more easily. Principle component is a good direction of a basis representing each data according to its...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.109
kci_detailed_000017.xml
ART001536933
oai_dc
์ „ํ†ตํ•œ์ง€(ๅ‚ณ็ตฑ้Ÿ“็ด™)์˜ ํ˜„๋Œ€์  ์‹ฌ๋ฏธ์„ฑ(ๅฏฉ็พŽๆ€ง)์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A modern aesthetic study on the Korean Traditional Paper
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(๋ฒฝ์„ฑ๋Œ€ํ•™)" ]
์ข…์ด๋Š” ์—ญ์‚ฌ๋Š” ์ธ๊ฐ„์—ญ์‚ฌ๋ฅผ ๋ฐ˜์˜ํ•œ๋‹ค. 4000๋…„ ์ „ ์ด์ง‘ํŠธ์˜ ํŒŒํ”ผ๋ฃจ์Šค(Papyrus)์ˆ˜์ดˆ๋ฅผ ์ด์šฉํ•œ ํŒŒํ”ผ๋ฃจ์Šค์ง€(็ด™)๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘๋œ ์ข…์ด์˜ ์—ญ์‚ฌ๋Š” ์„œ๊ธฐ 105๋…„์ค‘๊ตญ์˜ ์ฑ„๋ฅœ(่”กๅ€ซ)์ด ๋‹ฅ๋‚˜๋ฌด๋ฅผ ์ด์šฉํ•˜์—ฌ ์ฒœ์—ฐ์„ฌ์œ ์งˆ์˜ ์ข…์ด๋ฅผ ๋ฐœ๋ช…ํ•œ ์ดํ›„๋กœ ์ธ๊ฐ„๋ฌธ๋ช…์˜ ์—ญ์‚ฌ๋ฅผ ๋Œ€๋ณ€ํ•˜๊ณ  ์žˆ๋‹ค. ์ „ํ†ต์ ์ธ ๋™์–‘ํšŒํ™”์—์„œ ์ข…์ด๋Š” ๋ฐ”ํƒ•(Foundation) ์žฌ๋ฃŒ๋กœ์„œ์˜ ์—ญํ• ์„ ํ•˜๊ณ  ์žˆ๋‹ค. ์šฐ๋ฆฌ์˜ ๊ทผ๋Œ€ํšŒํ™”์—์„œ๋Š” ๊ทธ ์žฌ๋ฃŒ๋ฅผ ๋ฌด์—‡์„ ์‚ฌ์šฉํ•˜๋А๋ƒ์—๋”ฐ๋ผ ํšŒํ™”์žฅ๋ฅด๋ฅผ ๊ตฌ๋ถ„์ง€์–ด ์™”๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋Ÿฌํ•œ ์ด๋ถ„๋ฒ•์  ๊ตฌ๋ถ„์€ ์†Œ์œ„ ๋ชจ๋˜์˜ˆ์ˆ (Modernism Art) ์ดํ›„ ์‹œ๋Œ€์— ์˜ˆ์ˆ ์žฅ๋ฅด๊ฐ„์˜ ๊ฒฝ๊ณ„๊ฐ€ ์‚ฌ๋ผ์ง€๋ฉด์„œ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ํ—ˆ๋ฌผ์–ด์ ธ ๋ฒ„๋ฆฐ๋‹ค. ๋ชจ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.47
kci_detailed_000017.xml
ART001536941
oai_dc
์†Œ๋น„์ž์˜ ์‹œ์„  ์›€์ง์ž„์„ ํ†ตํ•œ ํšจ๊ณผ์  ์˜์ƒ ๊ด‘๊ณ  ์—ฐ๊ตฌ
The Effective Research of Commercial Movie through Consumer's Eye Movement
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๊ทœํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋ฏธ๋””์–ดํ•™๊ณผ); ๊น€์ถ˜ํฌ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€์ธ์„ญ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
The studies of effective storytelling in computer graphics through the observerโ€™s gaze control have continued for a long time steadily. This process is a part of effort that have deduced in the area of effective psychology. Moving image is catching seat by the most popular storytelling medium now since the invention of...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.143
kci_detailed_000017.xml
ART001536932
oai_dc
3์ฐจ์› ๊ฑด์ถ• ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๊ทธ๋ž˜ํ”ฝ ์ฐฝ์ž‘๋ชจ๋“ˆ์˜ ์„ค๊ณ„
Construction of 3D Architecture Simulation Graphic Creation Module
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์žฅํ›ˆ(ํ™์ต๋Œ€ํ•™๊ต); ์ž„์˜๊ธธ(ํ™์ต๋Œ€ํ•™๊ต)" ]
3์ฐจ์›๊ฐ€์ƒ๊ณต๊ฐ„์˜ ์ œ์ž‘์—”์ง„์„ ๊ตฌ์„ฑํ•˜์—ฌ 2Dยท3D๊ทธ๋ž˜ํ”ฝ์„ ํ†ตํ•ด ์ œ์ž‘๋˜์–ด์งˆ ์ˆ˜ ์žˆ๋Š” 3์ฐจ์›๊ฐ€์ƒ๊ณต๊ฐ„์ œ์ž‘ํ™˜๊ฒฝ์„ ๊ตฌ์„ฑํ•˜๊ณ  ์ด๋ฅผ ๊ฑด์ถ•์‹œ๋ฎฌ๋ ˆ์ด์…˜์˜ ์ฐฝ์ž‘๋ชจ๋“ˆ๋กœ ์„ค๊ณ„ํ•œ๋‹ค. ์šฐ๋ฆฌ์˜ ์‹œยท์ง€๊ฐ์ด 2์ฐจ์›์˜ ํ‰๋ฉด์„ 3์ฐจ์›์˜ ๊ณต๊ฐ„์œผ๋กœ ์ธ์‹ํ•˜๋„๋ก 3Dํ”„๋กœ๊ทธ๋žจ์ด ๊ฐœ๋ฐœ๋˜์–ด ํ˜„์‹ค๊ณผ์œ ์‚ฌํ•œ ๊ทธ๋ž˜ํ”ฝ ํ™˜๊ฒฝ์ด ์žฌํ˜„๋˜๊ณ  ์žˆ๋‹ค. ์‚ฌ์šฉ์ž๊ฐ€ ์‚ฌ์‹ค๊ณผ ๊ฐ™์€ ๊ฐ€์ƒํ˜„์‹ค์„ ๊ฒฝํ—˜ํ•˜๋„๋ก ์‚ฌ์‹ค์„ฑ์— ์น˜์ค‘ํ•˜์—ฌ ๊ธฐ์ˆ ์„ ๊ฐœ๋ฐœํ•˜๋ฉด์„œ ๊ฐ์„ฑ์ ์ธ ๋ถ€๋ถ„์— ๋ฏธํกํ•˜๊ฑฐ๋‚˜์–ด์ƒ‰ํ•จ์ด ๋“œ๋Ÿฌ๋‚˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์ด์— ์—ฐ๊ตฌ์ž๋Š” ๊ฐ€์ƒ๊ณต๊ฐ„์„ ๋ณด๋‹ค ์‹ค์šฉ์ ์ด๊ณ  ํšŒํ™”์ ์œผ๋กœ ๋“œ๋กœ์ž‰ํ•˜๋Š” ๋ฐฉ๋ฒ•์—์„œ 3์ฐจ์› ๊ฑด์ถ• ์‹œ๋ฎฌ๋ ˆ์ด์…˜์˜ ๊ทธ๋ž˜ํ”ฝ์ฐฝ์ž‘๋ชจ๋“ˆ์„์„ค๊ณ„ํ•˜๊ณ ์ž ํ•œ๋‹ค. 2์ฐจ์› ํ‰๋ฉด์œผ๋กœ ๋“œ๋กœ์ž‰์„ ํ•œ ํ›„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.33
kci_detailed_000017.xml
ART001536939
oai_dc
์‹ค์‚ฌ์˜ํ™”์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” 3DํŠน์ˆ˜ํšจ๊ณผ์˜ ์—ญํ• ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์˜ํ™” "์•„๋ฐ”ํƒ€"๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Roles of 3D Special Effects in Actuality Film: - The case of a movie "Avartar"
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋„๊ท (๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต); ์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
The new wave of 3D films launched by <Avartar> has become an issue in the film-making community. Although that is not the first movie produced by 3D technology,3D movies have lately come into spotlight again due to the movie produced by James Cameron. The reason is that the narrative of the movie is absolutely backed u...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.129
kci_detailed_000017.xml
ART001536931
oai_dc
๋ฏธ๋””์–ด์•„ํŠธ์—์„œ์˜ ํ–…ํ‹ฑ ์ธํ„ฐํŽ˜์ด์Šค ์ ์šฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
Research on the Application of Haptic Interface Technology in Media Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •์•„(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๋™ํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
This study proposes the research on the application of haptic interface technology in media art. Contemporary media technology helps people feel media with five senses. As of yet, expressions expending visual sense and auditory sense hold a large majority in media art technology. With the development of various technol...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.21
kci_detailed_000017.xml
ART001536930
oai_dc
๋ฐฑ๋‚จ์ค€๊ณผ ๋ธŒ๋ฃจ์Šค ๋‚˜์šฐ๋งŒ์˜ ์ดˆ๊ธฐ ๋น„๋””์˜ค์•„ํŠธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Early video works of Nam June Pack and Bruce Nauman
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†๋ณ‘๋ˆ(์ˆ˜์›๋Œ€ํ•™๊ต)" ]
Contemporary artwork as the product of superstructural activity (activities related to spiritual labor including art) must be considered as an independent existence with its own ontological validity. Sometimes, new forms of artwork (superstructure) do not have familiar ontological aspects that we can imagine based on a...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.7
kci_detailed_000017.xml
ART001536934
oai_dc
์‚ฌ์ด๋ณด๊ทธ์™€ ๊ฐ‘์ฃผ์˜ ์ •์‹ ์  ๋ฐ ์™ธํ˜•์  ๊ด€๋ จ์„ฑ์— ๋Œ€ํ•˜์—ฌ
The spiritual and external Relationship between Cyborg and Armor
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์ข…์ค€()" ]
In the complicated present society, personal characters are getting standardized. Also, people show their aggression toward others to keep their interests. On the other hands, they make their own defensive measure to protect themselves and their interests. Sometimes, it hurts them because it is strong too much. I think...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.59
kci_detailed_000017.xml
ART001536938
oai_dc
์˜ค๋Š˜์˜ ๋ฌธ๋ช… ์ƒํ™ฉ๊ณผ ๋””์ง€ํ„ธ ์˜์ƒ๋ฏธ๋””์–ด์˜ ๋ฌธ์ œ
The situation of the civilization of today and the problem of digital image media
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๋‘๋นˆ(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
In what situation is the civilization of today placed in its deep inner spiritual aspect from a morphological viewpoint of world history?Did technological rapid progress and accumulated intellectual experience indeed give true freedom and happiness to man?Modern people who have piled up more knowledge than in any other...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.119
kci_detailed_000017.xml
ART001536935
oai_dc
์ธ๊ณต์ƒ๋ช…์˜ˆ์ˆ ์˜ ๋ฏธํ•™์  ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์‚ฌ์ด๋จผ ํŽ˜๋‹ˆ์˜โ€˜์ธ๊ณต์ƒ๋ช…์˜ˆ์ˆ ์˜ ๋ฏธํ•™โ€™์„ ์ค‘์‹ฌ์œผ๋กœ -
A Research on an Aesthetic Characteristic of the Artificial Life Art - Centered on Simon Penny's 'Aesthetics of Artificial Life Art' -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๊ฒฝํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋Œ€ํ•™์›); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
The human desire for creation of life is continued. Also the desire is continued through not only the technological efforts but artistic practice. This paper is research for Artificial Life(A-Life) Art that presented convergence of art and technology about life and artificial life. For this research, I survey the defin...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.81
kci_detailed_000017.xml
ART001536936
oai_dc
์˜์‹์˜ ๋งค๊ฐœ๋กœ์„œ์˜ ์Œ๊ณผ ์ƒ‰์ฑ„ - ๋ชจ๋˜ ์‹ ์ง€ํ•™์˜ ์ด๋ก ์„ ์ค‘์‹ฌ์œผ๋กœ
Consciousness through the intermediary of sounds and colors - on the focus of the modern theosophical theory
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ๊ด€์šฉ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
This essay is to study of modern theosophy we think sounds and colors of spiritual substance. Sounds and colors are in features of material objects at the same time as mind. They can be intermediate the consciou -sness between human and nature and appeared in numbers that are symbolized of every differentiation from th...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.2.93
kci_detailed_000017.xml
ART001536924
oai_dc
๋‰ด๋ฏธ๋””์–ด, ๋ฏธ๋””์–ด ํŒŒ์‚ฌ๋“œ ๊ธฐ์ˆ ์˜ ๊ตฌํ˜„๋ฐฉ๋ฒ•์— ๊ด€ํ•œ ์—ฐ๊ตฌ
New media, A study on the technical realization of media faรงade
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(๋ฒฝ์„ฑ๋Œ€ํ•™)" ]
The history of graphic using an outer wall from a redevelopment project in New York City in 1960โ€™s has been developed as a concept of Super Graphic in US in 1966. Today, it has placed a type of Space Graphic or Graphic in Environment, Out-Door Wall Painting, and Public Art. As humanโ€™s activities are increased at night ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.55
kci_detailed_000017.xml
ART001536920
oai_dc
ํ—ˆ๊ตฌ์˜ ๊ฐ์ •, ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์˜ ํ†ต์†์„ฑ
Emotion of Fiction, Popularity of Narrative
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌํฌ์ •(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ผ„๋‹ฌ ์›”ํŠผ์˜ โ€˜๊ฐ€์žฅ ์ƒ์ƒ ์ด๋ก โ€™์„ ํ†ตํ•ด ๊ฐ์ƒ์˜ ๋ณธ์งˆ๊ณผ ๊ฐ์ •์˜ ๊ด€๊ณ„๋ฅผ ์ œ์‹œํ•˜๊ณ ์ž ํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ ์€ ์˜ˆ์ˆ ์ด ์ดˆ๋ž˜ํ•˜๋Š” ํ‘œํ˜„์ด ์กด์žฌ์ ์œผ๋กœ ํ—ˆ๊ตฌ์  ์ผ์ง€๋ผ๋„ ๊ทธ๊ฒƒ์„ ์ˆ˜์šฉํ•˜๋Š” ์šฐ๋ฆฌ ์—ญ์‹œ ์ƒ์ƒ์— ์˜์กดํ•ด ๋ณด๊ณ  ํ—ˆ๊ตฌ์˜ ๊ฐ์ •์„ ๋งŒ๋“ ๋‹ค๋Š” ์˜์˜๊ฐ€ ์žˆ๋‹ค. ์ค‘์š”ํ•œ ๊ฒƒ์€ ํ—ˆ๊ตฌ์˜ ๊ฐ์ •์ด ์šฐ๋ฆฌ ์‹ค์ œ ์ƒํ™œ์— ํˆฌ์˜๋˜์–ด ์‹ค์ œ์˜ ๊ฐ์ •์œผ๋กœ ์ดํ–‰๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค. ์ด๋Ÿฐ ๋ฉด์—์„œ ํ—ˆ๊ตฌ์ ์ธ ๊ฐ์ •์€ ์—†๋‹ค.์˜ค๋Š˜๋‚ ์˜ ๋ฏธ๋””์–ด ์˜ˆ์ˆ ์€ ๋ฌด์—‡๋ณด๋‹ค ๊ฐ์ƒ์ž์˜ ๋Šฅ๋™์ ์ธ ์˜์‹ ๊ฐœ์ž…๊ณผ ํ–‰์œ„๋ฅผ ํ†ตํ•ด ์ ๊ทน์ ์ธ ๊ฐ์ƒ ํ–‰์œ„๋ฅผ ์ด๋Œ์–ด ๋‚ธ๋‹ค. ์ด๋•Œ ์šฐ๋ฆฌ๊ฐ€ ์ฒ˜ํ•œ ์ƒํ™ฉ์€ ์ธ์‹ ์ž‘์šฉ๊ณผ ์ธ์‹๋œ ๋Œ€์ƒ์— ๋”ฐ๋ฅธ ํ‘œํ˜„์  ์˜๋ฏธ๊ฐ€ ๋ถˆ๋ฆฌ ๋˜์ง€ ์•Š์œผ๋ฉฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.7
kci_detailed_000017.xml
ART001536925
oai_dc
3์ฐจ์›๊ฐ€์ƒ๋ฏธ์ˆ ๊ด€ ํ”„๋ ˆ์ž„์›Œํฌ๋””์ž์ธ - ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€์˜ ์ฆ๊ฐ•ํ˜„์‹ค ์ฐฝ์ž‘๋ชจ๋“ˆ์„ค๊ณ„
Fame-work Design On 3D Cyber Museum - Construction of Augmented Reality(AR) Creation Module Of National Museum Of Contemporary Art, Korea
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์žฅํ›ˆ(๊ณ„์›์˜ˆ์ˆ ๋Œ€ํ•™๊ต)" ]
์‚ฌ์šฉ์ž ํ†ตํ•ฉ ํ™˜๊ฒฝ์˜ ์‹œ๋Œ€์—์„œ ๋ฏธ์ˆ ๊ฐ€์™€ ๊ทธ๋ž˜ํ”ฝ๋””์ž์ด๋„ˆ๋“ค์ด ์ž์‹ ๋“ค์˜ ์ž์œจ์˜์ง€๋กœ ์ œ์ž‘ํ•œ ์ฐฝ์ž‘๋ฌผ๋“ค์„์ž์œ ๋กญ๊ฒŒ ์ „์‹œํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋ฐ˜์œผ๋กœ 3์ฐจ์› ๊ฐ€์ƒ๊ณต๊ฐ„์˜ ์ฆ๊ฐ•ํ˜„์‹ค ๋ฏธ์ˆ ๊ด€์„ ๊ตฌ์ถ•ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ํ†ตํ•ฉ๊ฐœ๋ฐœํ™˜๊ฒฝ(IDE)์—์„œ 3์ฐจ์›์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๋ฐฉ์‹์„ ํ™œ์šฉํ•˜๋Š” ๋ฏธ์ˆ ๊ฐ€์™€ ๊ทธ๋ž˜ํ”ฝ๋””์ž์ด๋„ˆ์˜ ์ฐฝ์ž‘์ž๋“ค์„ ์œ„ํ•œ ํ’์กฑํ•œ ํ†ตํ•ฉ์ œ์ž‘ํ™˜๊ฒฝ์„ ๊ตฌ์ถ•ํ•˜๋Š”๋ฐ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ฏธ์ˆ ๊ฐ€์™€ ๊ทธ๋ž˜ํ”ฝ๋””์ž์ด๋„ˆ๊ฐ€ ์ž์‹ ์˜ ์ž์œจ์˜์ง€๋กœ ๋งˆ์Œ๊ป ์ฐฝ์ž‘ํ•ด ๋‚˜๊ฐˆ ์ˆ˜ ์žˆ๋Š” ํ†ตํ•ฉ๊ฐœ๋ฐœํ™˜๊ฒฝ์—์„œ ์ฐฝ์ž‘์„ ์œ„ํ•œ 3์ฐจ์›์‹œ๋ฎฌ๋ ˆ์ด์…˜์—”์ง„์„๊ตฌ์„ฑํ•˜๊ณ  ์•ˆ๋“œ๋กœ์ด๋“œ์˜ 3์ฐจ์›๊ฐ€์ƒ๊ณต๊ฐ„ ์ฆ๊ฐ•ํ˜„์‹ค์˜ ์ฐฝ์ž‘๋ชจ๋“ˆ์„ ์„ค๊ณ„ํ•œ๋‹ค. ์ด๋ฅผ ์„ค๊ณ„ํ•˜์—ฌ ๋ฏธ์ˆ ๊ฐ€์™€ ๊ทธ๋ž˜ํ”ฝ๋””์ž์ด๋„ˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.67
kci_detailed_000017.xml
ART001536921
oai_dc
์‚ฌ์ง„ ์˜ˆ์ˆ ์—์„œ์˜ ํŽ˜๋ฅด์†Œ๋‚˜์  ํ‘œํ˜„ ์—ฐ๊ตฌ
Study of Expression Persona in Photograph
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ถŒ๊ฒฝ์šฉ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
The aspect of picture that it can be used as a tool to express persona became the main factor which inspires modern artists. On the contrary to early artists in the history of photography who had tried to express the internal of the image from just taking one's picture and recording it , modern artists cognize that the...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.21
kci_detailed_000017.xml
ART001536927
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜<Balance>์— ๋‚˜ํƒ€๋‚œ ๋„์ƒ ๊ธฐํ˜ธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์–ด์œˆ ํŒŒ๋…ธํ”„์Šคํ‚ค์˜ Iconology๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Icon Sign in Animation 'Balance' - Focusing on Iconology by Erwin Panofsky
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์œค๊ฒฝ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
The image and style in animation not just an expression of a visual image but visual communication that expands the action of meaning through the icon sign. The analysis of a visual and cultural factor suggests that the image and style in animation could play an important role as a cultural mode leading to new styles n...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.93
kci_detailed_000017.xml
ART001536922
oai_dc
๋ฏธ๋””์–ด ์˜ˆ์ˆ ์— ๋ฐ˜์˜๋œ ์ˆญ๊ณ ์  ์ด๋ฏธ์ง€์˜ ์žฌํ˜„
The reproduction of sublime image reflected in media art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑ์›(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต); ๊น€์ง€์• (์‹œ์†Œ๋””์ž์ธ์—ฐ๊ตฌ์†Œ)" ]
It has been rather difficult to define how the world of icons and means of creating images should be interrelated in the age of multimedia when diversified and generalized expressions are used to display individual paradigms. Accordingly, we need to establish more diversified paradigms in line with the changing trends ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.31
kci_detailed_000017.xml
ART001536923
oai_dc
GPU๋ฅผ ์ด์šฉํ•œ ์นด๋ฉ”๋ผ ๊ธฐ๋ฐ˜์˜ ์‹ค์‹œ๊ฐ„ ๊ฐ์ฒด ๊ฒ€์ถœ ์‹œ์Šคํ…œ
Real-time object detection in camera system using GPU
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ธ์ˆ˜(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๋ฐ•์˜์žฌ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์ตœํ˜•์ผ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
We proposed method of extraction object based on gaussian mixture model using GPU. The first we performed background subtraction then shadow removal using GPU model. The experimental result show that proposed method can be used real time object extraction system at industry. Because proposed method's computation time i...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.45
kci_detailed_000017.xml
ART001536928
oai_dc
H.P.Blavasky์˜ โ€˜์Œโ€™๊ณผ โ€˜์ƒ‰์ฑ„โ€™์˜ ์ƒ์„ฑ๊ธฐ์›๊ณผ ์†์„ฑ
The Origin of Formation and Attribute of Colors and Sounds based on H.P.Blavasky's Theosophy
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ๊ด€์šฉ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
This essay is to explore the origin offormation and attribute of colors and sounds based on H.P.Blavasky's theosophy. Sounds and colors do not only become in light reflecting on the object but rather it is a spiritual substance. They appeared in human beingโ€™s attributes and that of the universe. All that is composed of...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.105
kci_detailed_000017.xml
ART001536929
oai_dc
๊ตญ๊ฐ€ ์ •์ฒด์„ฑ์˜ ํ˜‘์ƒ๊ณผ ์•”์‹œ์˜ ์ •์น˜ - ํด๋ฆฐํŠธ ์ด์ŠคํŠธ์šฐ๋“œ์˜ ๊ทธ๋žœํ† ๋ฆฌ๋…ธ(2008)
A Negotiation of the National Identity and Politics of Suggestion : - Gran Torino(2008) by Clint Eastwood
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ›ˆ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
This paper explores the film Gran Torino as an example of how post-9/11 Hollywood films renegotiate national identity through their narrative time. In the case of Gran Torino,the director attempts to reconstruct national narrative in line with that of Reagan Era in order to intervene in current history by bringing dive...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.121
kci_detailed_000017.xml
ART001536926
oai_dc
๋ฏธ๋””์–ด์•„ํŠธ๋กœ์„œ์˜ ์ธ๊ณต์ƒ๋ช…์˜ˆ์ˆ ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๊ธฐ๊ณ„ ๊ฐœ๋… ๋ฐ ๊ธฐ๊ณ„ ๋ฏธํ•™์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Artificial Life Art as Media Art - Centered on the Concept of Machine and Aesthetic of Machinic
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๊ฒฝํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต ๋Œ€ํ•™์›); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
Defining media art that presented various experimental forms is difficult. Thus the question should be changed to how do media art action or work? The aesthetics of machinic from which Deleuze's concept of 'machine' is an another aproach to understand media art. In this paper, we approach to an unusual artistic practic...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2010.9.1.83
kci_detailed_000017.xml
ART001536915
oai_dc
20์„ธ๊ธฐ ์ดˆโ€˜์ง€๊ฐ Wahrnehmungโ€™์˜ ๋“ฑ์žฅ ์–‘์ƒ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ฒค์•ผ๋ฏผ, ์•„๋„๋ฅด๋…ธ, ํฌ๋ผ์นด์šฐ์–ด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Modality of Perception appeared in Early 20th Century -Around Benjamin, Adorno, and Kracauer' Theory-
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ณ‘๊ทœ(๊ฒฝํฌ๋Œ€ํ•™๊ต); ๊น€๋ณ‘์ฒ (๊ฒฝํฌ๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๋งค์ฒด๋ฅผ ํ†ตํ•ด ๋ฏธํ•™์œผ๋กœ ๋“ค์–ด๊ฐ„๋‹ค๋Š” ๊ฒƒ์€ ๊ฒฐ๊ตญ ๋Œ€์ƒ์„ ์ˆœ์ˆ˜ํ•œ์ง€๊ฐ์œผ๋กœ์ดํ•ดํ•œ๋‹ค๋Š”๊ฒƒ์ด๋‹ค.โ€œ ๋ชจ๋“ ๋งค์ฒด๋Š”์‹ฌ ๋ฆฌ์ ์ด๋“  ์œก์ฒด์ ์ด๋“  ๊ฐ„์— ํŠน์ •ํ•œ ์ธ๊ฐ„ ๊ตฌ์กฐ์˜ ํ™•์žฅ ์ด๋‹ค.โ€๋ผ๋Š” ๋งฅ๋ฃจ์–ธ์˜ ๋ช…์ œ๋Š” ์˜ˆ์ˆ ์˜ ์ฃผ์ฒด์™€ ๋Œ€์ƒ์ด ์ง€ ๊ฐ์„ ์ค‘์‹ฌ์œผ๋กœ ์ด๋ฃจ์–ด์กŒ๋‹ค๋Š” ๋ง๊ณผ ๋‹ค๋ฅด์ง€ ์•Š๋‹ค. ๋””์ง€ ํ„ธ๋ฏธ๋””์–ด๊ฐ€ ์ด‰๋ฐœ์‹œํ‚จ 21์„ธ๊ธฐ ๋งค์ฒด ์ „ํ™˜ ๋ฌผ๊ฒฐ์€ ๋ฏธํ•™ ์„ ์ง€๊ฐ ์ค‘์‹ฌ์œผ๋กœ ๋ถ„๊ด‘ํ•˜๋Š” ๊ฒƒ์ธ๋ฐ, ์šฐ๋ฆฌ๋Š” ๊ทธ ์ง€๊ฐ์˜ ๋ณต๊ถŒ์„ 20์„ธ๊ธฐ ์ดˆ์—์„œ๋ถ€ํ„ฐ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค. ์˜ํ™”๋ฅผ ๋น„ ๋กฏํ•œ ์‹œ๊ฐ๋งค์ฒด๊ฐ€ ๋ฌธ์ž๋งค์ฒด๋ฅผ ์••๋„ํ•˜๋ฉด์„œ ๋“ฑ์žฅํ•˜๊ฒŒ ๋˜ ์ž 20์„ธ๊ธฐ ์ดˆ ๋ฏธํ•™์ž๋“ค์€ ์ด ์ƒˆ๋กœ์šด ๊ฒฝํ—˜์„ ๊ธฐ์ˆ ํ•˜๊ณ  ํ‰๊ฐ€ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค. ๋ฒค์•ผ๋ฏผ ๋ฏธํ•™์˜ ํ•ต์‹ฌ์ธ ์•„์šฐ๋ผ์˜ ๋ถ•๊ดด๋Š” ๋ถ„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.69
kci_detailed_000017.xml
ART001536910
oai_dc
๋ผ์ดํŠธ ์•„ํŠธ์˜ ํ‘œํ˜„ ๋ฐฉ๋ฒ• ์—ฐ๊ตฌ
A Study on Expression Method of Light Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ง€ํฌ(ํ•œ์–‘์—ฌ์ž๋Œ€ํ•™)" ]
๋น›์€ ์˜ค๋žซ๋™์•ˆ ํ™”๊ฐ€๋“ค์˜ ๊ด€์‹ฌ์‚ฌ์˜€์œผ๋ฉฐ, ๊ทธ๋“ค์€ ๋น›์˜ ์—ฌ๋Ÿฌ ํ˜„์ƒ๋“ค์„ ์‚ฌ๋ฌผ์˜ ๋ฌ˜์‚ฌ๋ฅผ ํ†ตํ•ด ํ‘œํ˜„ํ•ด ์™”๋‹ค. ์ „๊ตฌ ๊ฐ€ ๋ฐœ๋ช…๋˜๊ณ , ์˜ค๋ธŒ์ œ ์—†์ด๋„ ๋ฏธ์ˆ ํ’ˆ์ด ๋งŒ๋“ค์–ด์งˆ ์ˆ˜ ์žˆ ๋‹ค๋Š” ์ƒ๊ฐ์ด ๋ฐ›์•„๋“ค์—ฌ์ง€์ž, ์ž‘๊ฐ€๋“ค์€ ๋น› ์ž์ฒด๋ฅผ ์ž‘ํ’ˆ ์˜ ์ง์ ‘์ ์ธ ์†Œ์žฌ์ด์ž ํ‘œํ˜„๋„๊ตฌ๋กœ ์‚ฌ์šฉํ•˜๊ณ  ์ด๋ฅผ ์ด ์šฉํ•œ ์„ค์น˜์ž‘ํ’ˆ์„ ๋ณด์—ฌ์ฃผ๊ฒŒ ๋œ๋‹ค. ๋น›์€ ์‹ค์ฒด๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์ง€ ์•Š์œผ๋‚˜ ๊ณต๊ฐ„์„ ๋น„์ถค์œผ๋กœ์จ ๊ณต๊ฐ„์„ ๋ณ€ํ™”์‹œํ‚ค๋Š” ํž˜์„ ๊ฐ€์ง€๊ณ  ์žˆ๊ณ  ์‹ค์ฒด๋ฅผ ๊ฐ๊ฐ์ ์œผ๋กœ ๋А๋ผ๊ฒŒ ํ•˜๋Š” ํž˜ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ๋น›์„ ์‚ฌ์šฉํ•œ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์ด ์ƒˆ๋กœ์šด ๊ด‘ ์›๋“ค์˜ ๋“ฑ์žฅ๊ณผ ๋ฏธ๋””์–ด์˜ ๋ฐœ์ „์— ๋”ฐ๋ผ ์–ด๋–ป๊ฒŒ ๋ฐœ์ „ํ–ˆ ๋Š”์ง€, 1960๋…„๋Œ€ ์ดˆ๊ธฐ ์ž‘ํ’ˆ์—์„œ๋ถ€ํ„ฐ ํ˜„์žฌ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.7
kci_detailed_000017.xml
ART001536918
oai_dc
์˜์ƒ ์ด๋ฏธ์ง€์—์„œ ๋ฌผ์ฒด๋“ค๊ณผ ์‹œ๊ฐ์  ๋ณต์žก์„ฑ์˜ ๊ด€๊ณ„
The Relation of Visual Complexity and Objects in Video images
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†กํ•„์žฌ(๋™์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜์ƒ ์ด๋ฏธ์ง€์—์„œ ์กด์žฌํ•˜๋Š” ๋ฌผ์ฒด์˜ ์ˆ˜์™€ ์ธ ๊ฐ„์ด ๋ณต์žกํ•˜๊ฒŒ ๋А๋ผ๋Š” ๊ฒƒ์˜ ์ƒ๊ด€ ๊ด€๊ณ„๋ฅผ ์กฐ์‚ฌํ•ด ๋ณธ ๊ฒƒ ์ด๋‹ค. ์‹œ๊ฐ์  ๋ณต์žก์„ฑ์„ ๋‹จ์ˆœํ•œ ์ผ์ฐจ์›์  ๋ฐฉ๋ฒ•์œผ๋กœ ์ œ ์•ˆํ•˜์˜€๋‹ค. ๋ฌผ์ฒด์˜ ๊ฐœ์ˆ˜ ๋ฐฉ์‹๊ณผ ๋ณต์žก์„ฑ์€ ์ˆ˜ํ•™์ ์œผ๋กœ ์‰ฝ๊ฒŒ ํ‘œํ˜„๋  ์ˆ˜ ์žˆ๋‹ค. ์‹คํ—˜ ์ž๋ฃŒ๋กœ ๋‹ค์–‘ํ•œ ๋ฌผ์ฒด๋ฅผ ๊ฐ€ ์ง„ ์ด๋ฏธ์ง€๋กœ ์‹œ๊ฐ์  ๋ณต์žก์„ฑ์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ๋ถ„์„ ๋„๊ตฌ ๋กœ SPSS ํ”„๋กœ๊ทธ๋žจ์„ ์‚ฌ์šฉํ•˜์˜€๋‹ค. ์‹คํ—˜ ์ด๋ฏธ์ง€๋ฅผ ๊ตฌ ์„ฑํ•˜๋Š” ์š”์†Œ๋Š” ๋‹ค์–‘ํ•œ ๋ฌผ์ฒด๋“ค๊ณผ ๋ฌธ์–‘, ์ƒ‰์ƒ๋“ค์ด๋‹ค. ์ด๋ฏธ์ง€์—์„œ ๋ฌผ์ฒด์ˆ˜๋ฅผ ์•Œ๊ฒŒ ๋˜๋ฉด ์˜์ƒ์—์„œ ๋ณต์žก์„ฑ ์˜ ํ๋ฆ„์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์˜์ƒ์ œ์ž‘์ž๊ฐ€ ์˜์ƒ์—์„œ ์ผ๋ถ€๋ถ„ ์˜ ํ๋ฆ„์„ ์•„๋Š” ๊ฒƒ์€ ๋งค์šฐ ์ค‘์š”ํ•˜๋‹ค. ์‹œ๊ฐ์š”์†Œ๋“ค ์ค‘์— ์„œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.103
kci_detailed_000017.xml
ART001536914
oai_dc
๊ฐ€์ƒํ˜„์‹คํ˜• ์‚ฌ์ด๋ฒ„์‚ฌ๊ฒฉ์žฅ ๊ฐœ๋… ์—ฐ๊ตฌ
Study of Concept Building for Cyber Shooting Range in Virtual Reality - Based on EST-2000(Engagement Skills Trainer 2000)
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ™˜(๋ฒฝ์„ฑ๋Œ€ํ•™)" ]
์˜ค๋Š˜๋‚  ๊ฐ€์ƒํ˜„์‹ค๊ธฐ์ˆ ์€ ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์— ์ ์šฉ ํ™•์žฅ๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š”โ€˜๊ฐ€์ƒํ˜„์‹คํ˜• ์‚ฌ์ด๋ฒ„์‚ฌ๊ฒฉ์žฅ ๊ฐœ๋… ์—ฐ๊ตฌโ€™๋ฅผ ํ†ตํ•ด ๋ ˆ์ €, ๊ฒŒ์ž„, ๊ตฐ์‚ฌ ๋ถ„์•ผ ๋“ฑ์— ๋‹ค์–‘ํ•˜๊ฒŒ ์‘ ์šฉ ๊ฐ€๋Šฅํ•œ ์‹ค์‹œ๊ฐ„ ์ƒํ˜ธ์ž‘์šฉ(Interaction) ์ปค๋ฎค๋‹ˆ์ผ€์ด ์…˜ ๋ชจ๋ธ์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ตœ๊ทผ ์œก๊ตฐ์—์„œ๋Š” ๋ฏธ๋ž˜์ „์žฅ ํ™˜๊ฒฝ์— ๋ถ€ํ•ฉํ•˜๋Š” ๊ต์œก ํ›ˆ๋ จ์‹œ์Šคํ…œ์„ ๊ฐœ๋ฐœํ•˜๊ธฐ ์œ„ํ•˜์—ฌ VISION2025๋กœ ์นญํ•ด ์ง€๋Š” ๊ณ„ํš์„ ์ˆ˜๋ฆฝํ•˜์—ฌ ๋ฏธ๋ž˜์˜ ๊ฐ€์ƒํ˜„์‹คํ˜• ์ฒจ๋‹จ๊ธฐ์ˆ ์„ ์ ‘๋ชฉํ•œ ์ €๋น„์šฉ ๊ณ ํšจ์œจ์˜ ๊ต์œก์ฒด๊ณ„๋ฅผ ๊ตฌ์ถ•ํ•˜๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ๊ฒŒ์ž„์‚ฐ์—… ๋ถ„์•ผ์—์„œ๋„ ๊ณผ๊ฑฐ๋ณด๋‹ค ์›ํ™œํ•œ ์‹ค์‹œ๊ฐ„ ์ƒํ˜ธ์ž‘์šฉ์„ฑ๊ณผ ๋ชฐ์ž…์„ ํ†ตํ•œ ์›๊ฒฉํ˜„์ „(้ ้š”็พๅ‰) ์œ ์‚ฐ ์†Œ์šด๋™ ์ฝ˜ํ…์ธ ์‹œ์žฅ์ด ๊ธฐํ•˜๊ธ‰...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.59
kci_detailed_000017.xml
ART001536916
oai_dc
๋””์ง€ํ„ธ ํ™˜๊ฒฝ์—์„œ์˜ ๊ธ€๊ณผ ์ฑ…
An Introductory Survey on Digital Environments and Collapse of the Codex
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ข…ํ•œ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
๋ฏธ๋””์–ด๋ฅผ ์ธ๊ฐ„๊ณผ ์ž์—ฐ์˜ ์ƒํ˜ธ์ž‘์šฉ ์†์—์„œ ์ธ๊ฐ„์ด ์ž ์‹ ์˜ ๊ฒฝํ—˜๊ณผ ์ธ์‹, ํ˜น์€ ์ง€์‹์„ ์„œ๋กœ ๋‚˜๋ˆ„๊ณ  ๊ณต์œ ํ•˜๋Š” ๋งค๊ฐœ์ฒด๋ผ๊ณ  ์ •์˜ํ•  ๋•Œ, ์ „ํ†ต์‚ฌํšŒ์—์„œ ์ฑ…์€ ๊ฑฐ์˜ ์œ ์ผ ํ•œ ๋ฏธ๋””์–ด๋กœ ๊ธฐ๋Šฅํ•˜์˜€๋‹ค. ์ธ์‡„์ˆ ์ด ๋ฐœ์ „ํ•˜๋ฉด์„œ ์„œ์  ์ด ํ™œ๋ฐœํ•˜๊ฒŒ ๋ณด๊ธ‰๋˜์—ˆ๊ณ , ์ด๋กœ ์ธํ•ด ์ง€์‹์˜ ์†Œ์ˆ˜ ๋…์  ์ด ๋ถˆ๊ฐ€๋Šฅํ•˜๊ฒŒ ๋˜๋ฉด์„œ ์žฅ๊ตฌํ•œ ๊ธฐ๊ฐ„ ๋™์•ˆ ์ธ๊ฐ„์˜ ์˜์‹ ์„ธ๊ณ„๋ฅผ ์ง€๋ฐฐํ•ด ์˜จ ์ •์ „์€ ๋งˆ์นจ๋‚ด ๋ถ•๊ดด๋˜๊ธฐ์— ์ด๋ฅด๋ € ๋‹ค. ์ข…๊ต์  ๊ฐ€์น˜๋“ค์˜ ํ‡ด์กฐ์™€ ํ•จ๊ป˜ ์ผ์ƒ์ ์œผ๋กœ ๊ฒฝํ—˜ํ•˜ ๋Š” ๋ฌผ๋ฆฌ์  ์„ธ๊ณ„์™€ ์ƒ์ง•์˜ ์„ธ๊ณ„๊ฐ€ ๋ถ„๋ฆฌ, ๋˜๋Š” ๋ถ„ํ™”๋˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ทธ๊ฒƒ์ด ๊ทผ๋Œ€ ๋ฌธ๋ช… ๋‹จ๊ณ„์—์„œ์˜ ํƒˆ์‹ ํ™”ํ™” ๊ณผ์ •์œผ๋กœ ์ดํ–‰๋˜๋‹ค. ํŠนํžˆ ์„ฑ์„œ๋Š” ์ข…๊ต์˜ ๊ฐ€๋ฅด์นจ์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.79
kci_detailed_000017.xml
ART001536919
oai_dc
์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋””์ž์ธ ๋ฐฉ๋ฒ•๋ก ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - Virtual Garden์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on the design methodology of Interactive Animation - Focused on Virtual Garden
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ถ˜ํฌ()" ]
๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ์ „์€ ๋ฌธํ™” ๋ฐ ์˜ˆ์ˆ ์˜ ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ๋‹ค์–‘ ํ•œ ํ˜•ํƒœ๋กœ ๋ณ€ํ˜•์‹œ์ผœ ์™”๋‹ค. ํŠนํžˆ ์• ๋‹ˆ๋ฉ”์ด์…˜๋„ ๋‹ค์–‘ํ•œ ์˜์ƒ์ฒ˜๋ฆฌ ๊ธฐ์ˆ ์— ํž˜์ž…์–ด ์‹œ๊ฐ์  ํ˜•ํƒœ๋“ค์„ ๋ฐœ์ „์‹œ์ผœ ์™”๋‹ค. ์ตœ๊ทผ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ ๋””์ง€ํ„ธ ๋ฏธ๋”” ์–ด ๋””์ž์ธ ๊ธฐ์ˆ ๊ณผ ์ ‘๋ชฉ๋จ์œผ๋กœ์จ ๋ณด๋‹ค ์ง„๋ณด์ ์ธ ์˜ˆ์ˆ  ํ‘œํ˜„์˜์—ญ๊ณผ ๊ธฐ์ˆ ์˜์—ญ์—์„œ ๋งŽ์€ ๋ฐœ์ „์„ ํ–ˆ๋‹ค๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋ถ„์•ผ๋Š” ๋‹จ์ˆœํ•œ ๋™์  ์ด๋ฏธ์ง€์—์„œ ์ƒˆ๋กœ ์šด ํ‘œํ˜„ ๋””์ž์ธ ๋ฐฉ๋ฒ•์œผ๋กœ ๋ณ€ํ˜•๋˜๊ณ  ์žˆ๋‹ค. ์ด๋Š” ์ƒˆ๋กœ์šด ํ•˜๋“œ์›จ์–ด๋‚˜ ์†Œํ”„ํŠธ์›จ์–ด์ ์ธ ์˜์ƒ์ฒ˜๋ฆฌ ๊ธฐ์ˆ ๋กœ ๊ฐ€๋Šฅํ•ด ์ง„ ์ผ์ด๋‹ค. ํ˜„์žฌ 3D ๊ธฐ์ˆ ์€ ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ ๊ธฐ๋ณธ์„ ์ด๋ฃจ๋ฉฐ, ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜์ƒ์ด ๋‹จ์ˆœํžˆ ์Šคํฌ๋ฆฐ ์— ํˆฌ์˜๋˜๊ธฐ๋ณด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.111
kci_detailed_000017.xml
ART001536913
oai_dc
๊ณต์˜๋ฐฉ์†ก์˜ ์•ˆ์ •์ ์ธ ์žฌ์› ํ™•๋ณด์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Stable Financing for Public Service Broadcasting
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •๋Œ€์ข…(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๋ฅ˜์„ฑ์—ด(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋‹ค๋งค์ฒด ๋‹ค์ฑ„๋„ ์‹œ๋Œ€์— ์‹œ์ฒญ์ž์˜ ๋ณต์ง€๋ฅผ ์ฆ์ง„์‹œํ‚ค๊ณ , ๋””์ง€ํ„ธ ๊ฒฉ์ฐจ๋ฅผ ํ•ด์†Œํ•˜๋ฉฐ ๋‹ค์–‘ํ•œ ๋ณดํŽธ์  ์„œ๋น„์Šค๋ฅผ ์› ํ™œํ•˜๊ฒŒ ์ œ๊ณตํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ณต์˜๋ฐฉ์†ก์˜ ์•ˆ์ •์ ์ธ ์žฌ์› ํ™•๋ณด๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ์žฌ์›์œผ๋กœ๋Š” ์ˆ˜์‹ ๋ฃŒ, ๊ด‘๊ณ ์ˆ˜์ž…, ์ •๋ถ€ ๋ณด์กฐ๊ธˆ, ๊ธฐํƒ€ ๋ถ€๋Œ€์ˆ˜์ž… ๋“ฑ์„ ๋“ค ์ˆ˜ ์žˆ์œผ๋ฉฐ ์ •์น˜์  ์˜ ํ–ฅ๋ ฅ๊ณผ ๊ด‘๊ณ ์ฃผ์˜ ์ž…๊น€์œผ๋กœ๋ถ€ํ„ฐ ์ž์œ ๋กœ์šด ์ˆ˜์‹ ๋ฃŒ๋ฅผ ํ˜„ ์‹คํ™”ํ•˜๋Š” ๊ฒƒ์ด ๋ฐ”๋žŒ์งํ•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ฌธํ—Œ์—ฐ๊ตฌ์™€ ์‚ฌ๋ก€ ๋ถ„์„์„ ํ†ตํ•˜์—ฌ ๊ณต ์˜๋ฐฉ์†ก์˜ ์•ˆ์ •์ ์ธ ์žฌ์›์œผ๋กœ์„œ ์ˆ˜์‹ ๋ฃŒ ์ˆ˜์ž…์˜ ์ ์ •์„ฑ ๊ณผ ์ˆ˜์‹ ๋ฃŒ์˜ ์ธ์ƒ์˜ ํ•„์š”์„ฑ์„ ๊ฒ€ํ† ํ•˜๊ณ , ์ธ์ƒ์˜ ํญ๊ณผ ์ธ์ƒ์ ˆ์ฐจ์— ๋Œ€ํ•˜์—ฌ ์ •์น˜์  ์˜ํ–ฅ๋ ฅ์„ ๋ฐฐ์ œํ•˜๊ธฐ ์œ„ํ•œ ๋ฐฉ์•ˆ์œผ๋กœ, ์ธ์ƒ์˜ ์š”๊ฑด๊ณผ ์ ˆ์ฐจ๋ฅผ ๋ฐฉ์†ก๋ฒ•์—...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.47
kci_detailed_000017.xml
ART001536917
oai_dc
ํŒจ๋„์— ์˜ํ•œ ์กฐ์ž‘์  ํ™”๋ฉด๊ณต๊ฐ„ ์—ฐ๊ตฌ - ํด ๋“œ๋ฆฌ์„ผ(Paul Driessen) ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on Manipulative Screen Space by Panel - Centering on pieces of works of Paul Driessen
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ค๋ฏธ(ํ˜ธ์„œ๋Œ€ํ•™๊ต)" ]
ํ‰๋ฉด์  ๋ชฝํƒ€์ฃผ๋Š” ์˜์ƒ์˜ ํ๋ฆ„์— ๋”ฐ๋ผ ์‹œ๊ฐ„์„ฑ์„ ๊ฐ€์ง€ ๊ณ  ๋ฐฐ์น˜๋œ ์ผ๋ฐ˜์ ์ธ ๋ชฝํƒ€์ฃผ์™€๋Š” ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ๊ณต๊ฐ„ ์ž์ฒด๋ฅผ ํ™œ์šฉํ•˜๋Š” ์„ฑ๊ฒฉ์ด ๊ฐ•ํ•˜๋‹ค. ์ด๊ฒƒ์€ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์˜ ์ „๋‹ฌ์ด ์ค‘์š”์‹œ๋˜๋Š” ๊ธฐ์กด์˜ ์˜์ƒ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๋ชฝํƒ€์ฃผ ๊ตฌ์„ฑ๊ณผ๋Š” ์ฐจ๋ณ„ํ™”๋œ ์กฐ์ž‘์  ์• ๋‹ˆ๋ฉ”์ด์…˜ ๊ณต๊ฐ„์—ฐ์ถœ์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ™”๋ฉด ๊ณต๊ฐ„์—ฐ์ถœ์˜ ๋Œ€ํ‘œ์ ์ธ ์• ๋‹ˆ๋ฉ” ์ด์…˜์ž‘๊ฐ€์ธ ํด ๋“œ๋ฆฌ์„ผ์˜ ์ธํ„ฐ๋ทฐ ๋‚ด์šฉ๊ณผ ๊ทธ์˜ ์ž‘ํ’ˆ ใ€ŠThe End of the World in Four Seasonsใ€‹์˜ ๋ถ„์„ ์„ ํ†ตํ•ด ํ™”๋ฉด๊ณต๊ฐ„์˜ ํŠน์ง•๊ณผ ์ˆ˜์šฉ์ž์—๊ฒŒ ๋ฏธ์น˜๋Š” ํšจ๊ณผ ๋ฅผ ์—ฐ๊ตฌํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.93
kci_detailed_000017.xml
ART001536911
oai_dc
๋””์ง€ํ„ธ ๊ฒŒ์ž„ ์•„ํŠธ์˜ ํŠน์„ฑ ์—ฐ๊ตฌ
A Study on the Characteristics of Digital Game Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฑ์ˆ˜ํฌ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€์˜ˆ์ˆ ์—์„œ ํ•˜๋‚˜์˜ ์ฃผ๋ฅ˜๋ฅผ ํ˜•์„ฑํ•˜๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธ ์•„ํŠธ๋Š” ๋‹ค์–‘ํ•œ ํ…Œํฌ๋†€๋กœ์ง€์˜ ์œตํ•ฉ๊ณผ ๋”๋ถˆ์–ด ํšŒํ™”, ์กฐ ๊ฐ, ์„ค์น˜, ๊ทธ๋ฆฌ๊ณ  ํผํฌ๋จผ์Šค ๋“ฑ์˜ ๋ชจ๋“  ์˜ˆ์ˆ ์˜ ์žฅ๋ฅด๋ฅผ ํ†ตํ•ฉํ•˜๋Š” ๊ฒƒ๊ณผ ๋™์‹œ์— ์˜ˆ์ˆ ์˜ ํ‘œํ˜„ ๋ฐฉ์‹์„ ์ ์  ๋” ๋‹ค ์–‘ํ™”์‹œํ‚ค๊ณ  ์žˆ๋‹ค. ์ตœ๊ทผ ๋งŽ์€ ๋””์ง€ํ„ธ ์•„ํ‹ฐ์ŠคํŠธ๋“ค์€ ๊ทธ ๋“ค์˜ ์ž‘ํ’ˆ์— ์œ ํฌ์  ์ธก๋ฉด์„ ๊ฐ•์กฐํ•œ ๋†€์ด์  ์š”์†Œ์™€ ์ด ๋ฏธ ๋Œ€์ค‘๋ฌธํ™”์— ๊นŠ์ˆ™์ด ์นจํˆฌํ•œ ๋””์ง€ํ„ธ ๊ฒŒ์ž„์˜ ์š”์†Œ๋ฅผ ๊ฒฐํ•ฉ์‹œ์ผœ ๋Œ€์ค‘๋“ค์—๊ฒŒ ๋ณด๋‹ค ๊ฐ€๊นŒ์ด ์ ‘๊ทผํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒฝํ–ฅ์„ ๋ณด์ด๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋””์ง€ํ„ธ ์•„ํŠธ์˜ ๋ณ€ํ™”์™€ ํ๋ฆ„ ์†์—์„œ ๋ณธ ๋…ผ ๋ฌธ์€ ๋””์ง€ํ„ธ ์•„ํ‹ฐ์ŠคํŠธ๋“ค์ด ๊ทธ๋“ค์˜ ์ž‘ํ’ˆ์—์„œ ๊ฒŒ์ž„์˜ ํ˜•์‹ ๋˜๋Š” ๊ตฌ์กฐ๋ฅผ ์ฐจ์šฉํ•œ ๊ฒŒ์ž„ ํ˜•์‹์˜ ์˜ˆ์ˆ  ์ž‘...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.19
kci_detailed_000017.xml
ART001536912
oai_dc
์ด๋Œ€์›(๏งกๅคงๆบ)์˜ ํšŒํ™”์„ธ๊ณ„
Daiwon Lee's World of Painting
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„๋‘๋นˆ()" ]
ํ™”๊ฐ€ ์ด๋Œ€์›(1921~2005)์€ ํ•œ๊ตญ์˜ ํ˜„๋Œ€ ํ™”๋‹จ์—์„œ ๋… ํŠนํ•œ ์ด๋ ฅ์„ ๊ฐ€์ง„ ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ๊ทธ๋Š” ์œ ํ™”๋ฅผ ๊ทธ๋ ธ์œผ๋ฉด ์„œ๋„ ์„œ์–‘ํ™”์˜ ๋ช…์•”๋ฒ•๊ณผ ์›๊ทผ๋ฒ•์„ ๋ณธ๋Šฅ์ ์œผ๋กœ ์‹ซ์–ดํ•˜ ์—ฌ ์ผ์ƒ ๋™์•ˆ ์‚ฌ๋ฌผ์„ ๊ฑฐ์˜ ์ „๋ถ€ ํ‰๋ฉด์ ์œผ๋กœ ๊ทธ๋ฆฐ ํ™”๊ฐ€ ์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” ๋‹ค๋ฅธ ํ™”๊ฐ€๋“ค์ฒ˜๋Ÿผ ๋ฏธ์ˆ ๋Œ€ํ•™์„ ๋‚˜์˜จ ์‚ฌ๋žŒ์ด ์•„๋‹ˆ๋ผ ๋ฒ•๋Œ€๋ฅผ ๋‚˜์™€ ๋…ํ•™์œผ๋กœ ๊ทธ๋ฆผ ๊ณต๋ถ€๋ฅผ ํ•˜ ์—ฌ ํ™”๊ฐ€๊ฐ€ ๋œ ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ๊ทธ๋Š” ์ดˆ๊ธฐ์—” ํ‘œํ˜„์ฃผ์˜์  ๊ฒฝํ–ฅ์˜ ๊ทธ๋ฆผ์„ ๊ทธ๋ ธ์œผ๋‚˜ ์ Š์€ ์‹œ์ ˆ ๋ฏธ๊ตญ๊ณผ ์œ ๋Ÿฝ์˜ ๋ฏธ์ˆ ๊ณ„๋ฅผ ๋Œ์•„๋ณธ ์ดํ›„ ์ถฉ๊ฒฉ ์„ ๋ฐ›๊ณ  ์šฐ๋ฆฌ์˜ ์ •์‹ ์ด ์‚ด์•„์žˆ๋Š” ๋™์–‘์ ์ธ ํ˜„๋Œ€ํšŒํ™” ๋ฅผ ํ•ด์•ผ ํ•œ๋‹ค๋Š” ๊ฒฐ์‹ฌ์„ ํ•˜์˜€๋‹ค. ์ด ๊ฒฐ์‹ฌ์€ ํ‰์ƒ ๊ทธ๋ฅผ ์ด๋ˆ ์ขŒ์šฐ๋ช…์ด ๋˜์—ˆ๋‹ค. ๊ทธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.2.33
kci_detailed_000017.xml
ART001494601
oai_dc
์‘์‹œ์˜ ์‹œ๊ฐ์  ์žฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ณธ์ธ์˜ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Visual Representation of the Gaze - Centering on the Exhibition by Sohn, Byoung Dohn -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†๋ณ‘๋ˆ(์ˆ˜์›๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ฒซ์งธ ์‹œ๊ฐ๋ฏธ๋””์–ด์˜ ๊ตฌ์กฐ๋ฅผ ํŒŒ์•…ํ•˜๋Š” ๋ฐ ์žˆ ์–ด์„œ ๋ผ์บ‰์˜ ๋ฌด์˜์‹์˜ ๊ตฌ์กฐ์— ์˜์ง€ํ•˜์—ฌ ์‹œ๊ฐ๋ฏธ๋””์–ด์™€ โ€˜๋ณธ๋‹คโ€™๋Š” ๊ฒƒ(์‹œ์„ ๊ณผ ์‘์‹œ)์ด ์ƒํ˜ธ์ฃผ์ฒด์ ์ธ ๊ณผ์ •์ž„์„ ์„ค๋ช…ํ•ด์ค„ ์ˆ˜ ์žˆ๋Š” ์ด๋ก ์ ์ธ ํ‹€์„ ๋งˆ๋ จํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ๋‘˜ ์งธ ์ด๋ ‡๊ฒŒ ๋งˆ๋ จ๋œ ์ด๋ก ์  ํ‹€์„ ํ™œ์šฉํ•˜์—ฌ ์‹œ๊ฐ์  ๋ฏธ๋”” ์–ด์™€ ์ด๋ฏธ์ง€์— ์ ์šฉํ•ด ๋ณด๋ฉด ์Šคํฌ๋ฆฐ์€ ์š•๋ง์„ ๋‚ดํฌํ•˜ ๊ณ  ์žˆ๋Š” ํ…์ŠคํŠธ์ด์ž ๊ด€๊ฐ๊ณผ ์ƒํ˜ธ ์ž‘์šฉํ•˜๋Š” ํ™˜์ƒ์˜ ํ… ์ŠคํŠธ๋ผ๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฌํ•œ ๊ฒฐ๋ก ์„ ์–ป๊ธฐ ์œ„ํ•ด์„œ ๋ผ์บ‰์˜ ์ •์‹ ๋ถ„์„ ์ด๋ก  ์„ ์ด๋ฏธ์ง€ ๋ถ„์„์˜ ์ ์šฉ๊ณผ ํ•ด์„ ๊ฐ€๋Šฅ์„ฑ์ด๋ผ๋Š” ๊ด€์ ์— ์„œ ๊ฒ€ํ† ํ•˜์˜€๊ณ , ์‹œ์„ ๊ณผ ๊ถŒ๋ ฅ์— ๋Œ€ํ•œ ๊ธฐ์กด์˜ ๋…ผ์˜๋“ค์„ ์žฌ๊ตฌ์„ฑํ•˜๋ฉด์„œ ์ด๋ก ์ ์ด๊ณ  ๋ถ„์„์ ์ธ ์ˆ˜์ค€์—์„œ ์‹œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.61
kci_detailed_000017.xml
ART001494595
oai_dc
TV๋“œ๋ผ๋งˆ ์™ธ์ฃผ์ œ์ž‘ ์ •์ฑ…ํ˜„ํ™ฉ ๋ฐ ๋Œ€์‘๋ฐฉ์•ˆ - ์‚ฌ์ „์ œ์ž‘ ์˜๋ฌด์™ธ์ฃผ๋น„์œจ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Policy Status of TV Drama Outsourcing Production & Countermeasures - Focused on the Prearranged Production for Compulsory Outsourcing Ratio -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํฅ๋„(๋™๊ตญ๋Œ€ํ•™๊ต); ๊น€์„ฑํ˜ธ(ํ•œ์„ธ๋Œ€ํ•™๊ต)" ]
๊ตญ๋‚ด ๋ฐฉ์†ก์‚ฌ๋Š” ์™ธ์ฃผ์ œ์ž‘์˜ ํŽธ์„ฑ๊ถŒ๊ณผ ์ €์ž‘๊ถŒ์„ ํ–‰์‚ฌํ•˜ ๊ณ  ์žˆ์–ด ์‹ค์งˆ์ ์œผ๋กœ ์ œ์ž‘์— ์ฐธ์—ฌํ•˜๋Š” ์™ธ์ฃผ์ œ์ž‘์‚ฌ๋ณด๋‹ค ๋ฐฉ์†ก์‚ฌ๊ฐ€ ์ด๋“์„ ๊ฐ–๋„๋ก ๋˜์–ด์žˆ๋Š” ๋ถˆํ‰๋“ฑํ•œ ๊ตฌ์กฐ์ด ๋‹ค. ๋‚ด ์ƒํ™ฉ์€ ์™ธ์ฃผ์ œ์ž‘์ด๋ผ๋Š” ์ •์ฑ…์  ์ œ๋„๊ฐ€ ์žˆ์œผ๋‚˜ ํ˜„์‹ค์„ ์‚ดํŽด๋ณด๋ฉด ๊ตญ๋‚ด ๋ฐฉ์†ก์‚ฌ๋Š” ํŽธ์„ฑ๊ถŒ์ด๋ผ๋Š” ์ง„์ž…๊ทœ ์ œ๋ฅผ ํ™œ์šฉํ•˜์—ฌ ๋‹จ์ˆœ ํ•˜์ฒญ์‹์œผ๋กœ ์™ธ์ฃผ์ œ์ž‘์„ ์ฃผ์—ˆ์„ ๋ฟ ์ž‘ ์™ธ์ฃผ์ œ์ž‘์‚ฌ์˜ ์ˆ˜์ต์„ ์ฐฝ์ถœํ•  ์ˆ˜ ์žˆ๋Š” ์ €์ž‘๊ถŒ์˜ ํ™•๋ณด๋Š” ๋ถˆ๊ฐ€๋Šฅํ•˜๋„๋ก ํ•˜์˜€๋‹ค. ๋”ฐ๋ผ์„œ ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ํˆฌ์ž์˜ ๊ฐ์ฒด๋กœ์„œ์˜ ํ˜„ํ–‰ ์™ธ ์ฃผ์ œ์ž‘ ๋“œ๋ผ๋งˆ๊ฐ€ ๊ฐ–๊ณ  ์žˆ๋Š” ์ €์ž‘๊ถŒ ๋ฏธํ™•๋ณด ๋“ฑ์˜ ๋ฌธ์ œ ์ ์„ ๋ถ„์„ํ•˜๊ณ , ๊ฐœ์„ ๋ฐฉ์•ˆ์œผ๋กœโ€œ์‚ฌ์ „์ œ์ž‘์˜๋ฌด๋น„์œจ๊ณ  ์‹œโ€(๊ฐ€์นญ)๋ฅผ ์ œ์•ˆํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ธฐ์กด์˜ ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.33
kci_detailed_000017.xml
ART001494592
oai_dc
๋งค์ฒด ์‹คํ—˜์„ ํ†ตํ•œ ๊ณต๊ณต๋ฏธ์ˆ ์˜ ํ™•์žฅ ์—ฐ๊ตฌ
A Study on the expansion of public art through media experiment
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏธ๊ฒฝ(์ดํ™”์—ฌ์ž๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ƒˆ๋กœ์šด ๋ฏธ๋””์–ด์˜ ๋ฐœ๋‹ฌ์— ์˜ํ•ด, ๋Œ€๋ถ€๋ถ„์˜ ๊ณต๊ณต๋ฏธ์ˆ ์ด ๋‚˜ ์„ค์น˜์˜ ํ˜•ํƒœ๋Š” ๋ณ€ํ™”๋˜์–ด์™”๋‹ค. ์ตœ๊ทผ์˜ ๊ณต๊ณต๋ฏธ์ˆ ์€ ๊ณต๊ณต์žฅ์†Œ์— ์„ค์น˜๋˜๋Š” ์ „ํ†ต์ ์ธ ๊ธฐ๋…๋ฌผ ์ด์ƒ์˜ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง„๋‹ค. ๊ณต๊ณต๋ฏธ์ˆ  ์•ˆ์—์„œ ์–‘์‹์˜ ๋ณ€ํ™”๋Š” ๋‹ค์–‘ํ•œ ๊ณต๊ฐ„ ๊ณผ ๊ฒฐํ•ฉ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋„์ž ๋งค์ฒด์—์„œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋ฅผ ํฌํ•จํ•˜๋Š” ๋‹ค์–‘ํ•œ ๋งค์ฒด ์‹คํ—˜์„ ํ†ตํ•˜์—ฌ ๊ธฐ๋Šฅ์  ์˜๋ฏธ์„ฑ ์„ ํ™•์žฅํ•˜์—ฌ ์™”๋‹ค. ํ˜„๋Œ€์˜ ๊ณต๊ณต๋ฏธ์ˆ ์€ ์ปค๋ฎค๋‹ˆํ‹ฐ ๊ธฐ๋ฐ˜ ์˜ ์กฐํ˜•์  ์œตํ•ฉ, ์‹œ๊ฐ์  ์ฒดํ—˜ ์ฆ๋Œ€, ์–‘๋ฐฉํ–ฅ ์†Œํ†ต์ฒด๊ณ„, ๊ณผ์ • ์ฐธ์—ฌ ๋“ฑ์˜ ํŠน์„ฑ์ด ๊ฐ•ํ•˜๋ฉฐ, ๊ด€๋žŒ์ž๋กœ ํ•˜์—ฌ๊ธˆ ๋‹จ์ˆœ ํžˆ ์ž‘ํ’ˆ์„ ๊ฐ์ƒํ•˜๋Š” ์œ„์น˜์—์„œ ๋ฒ—์–ด๋‚˜ ์ž‘ํ’ˆ ํ™˜๊ฒฝ ์•ˆ์— ๊ฑฐ์ฃผํ•˜๊ฑฐ๋‚˜ ์กฐ์ž‘ํ•˜๋Š” ๊ฐœ๋…์œผ๋กœ ํ™•์žฅ๋˜์—ˆ๋‹ค. ์ตœ๊ทผ, ๋„์‹œ์˜ ๋ชจ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.21
kci_detailed_000017.xml
ART001494611
oai_dc
์ƒ‰์ฑ„์™€ ์˜์‹ - 20์„ธ๊ธฐ ์ดˆ์˜ ์‹ ์ง€ํ•™์ด๋ก ์„ ์ค‘์‹ฌ์œผ๋กœ
Colors and Consciousness - on the focus of theosophical theory in the early 20 Century
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ๊ด€์šฉ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
์ƒ‰์ฑ„๋Š” ์‹ ์ง€ํ•™์—์„œ ์ ˆ๋Œ€์˜์‹์ด ์ •์‹ ๊ณผ ๋ฌผ์งˆ๋กœ ๋ถ„ํ™”๋˜ ๋ฉด์„œ ์ƒ์„ฑ๋œ ๊ฒƒ์œผ๋กœ์„œ ์˜์‹์˜ ์ผ๋ถ€๋ฅผ ์ด๋ฃจ๋Š” ๊ฒƒ์ด๋‹ค. ์ƒ‰์ฑ„๋Š” ์‹ ์ง€ํ•™์— ์˜ํ•˜๋ฉด ์ ˆ๋Œ€์˜์‹์ด ๋ถ„๋ฆฌ๋˜๋Š” ์ˆœ๊ฐ„ ๋ถ„ํ™”๋˜์–ด ๋‚˜์˜จ ๊ฒƒ์œผ๋กœ ๋น›์ด ํ”„๋ฆฌ์ฆ˜์„ ํ†ต๊ณผํ•˜์—ฌ ์ผ๊ณฑ ๋น›๊น”์˜ ์ƒ‰์œผ๋กœ ๋ถ„๋ฆฌ๋˜๋“ฏ์ด ์ •์‹ ๊ณผ ๋ฌผ์งˆ๋„ ๋™์ „์˜ ์•ž ๋’ท๋ฉด๊ณผ ๊ฐ™์ด ์ผ๊ณฑ ๊ฐœ์˜ ์ธต์œ„๋กœ ๋ถ„๋ฆฌ๋œ๋‹ค. ๋˜ํ•œ ๊ฐ๊ฐ์˜ ์ธต์œ„๋Š” ๊ฐ ์˜์‹์— ์ƒ์‘ํ•˜๋Š” ์—๋„ˆ์ง€์˜ ํŒŒ์žฅ์„ ๊ฐ€์ง€๊ณ  ๋ˆˆ์— ๋ณด์ด๋Š” ๋ฌผ์งˆ์„ธ๊ณ„์—์„œ๋„ ๊ทธ๋ ‡๋“ฏ์ด ๋ˆˆ์— ๋ณด์ด์ง€ ์•Š๋Š” ๋ฌผ์งˆ์„ธ๊ณ„์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋ฌด์ง€๊ฐœ์™€ ๊ฐ™์ด ์ผ๊ณฑ ๋น› ๊น”์˜ ์ƒ‰์ฑ„์˜ ์ธต์œ„๋ฅผ ์ด๋ฃจ๋ฉฐ, ๊ฐ๊ฐ์˜ ์˜์‹ ์ƒํƒœ๋ฅผ ์ง€๋‹ˆ ๋ฉฐ ์ž‘์šฉํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์ƒ๊ฐ๊ณผ ๊ฐ์ •์€ ์ƒ‰์ฑ„์˜ ์งˆ๊ณผ ํ˜•ํƒœ๋ฅผ ๋ ๋ฉฐ ์ถ”์ƒ์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.117
kci_detailed_000017.xml
ART001494598
oai_dc
์ƒˆ๋กœ์šด ์˜ˆ์ˆ ํ˜•์‹์œผ๋กœ์„œ์˜ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋น„๋””์˜ค ํผํฌ๋จผ์Šค ๊ฐ€๋Šฅ์„ฑ ์—ฐ๊ตฌ - ์ž‘ํ’ˆใ€ˆCycle of Hollow(่™›)ใ€‰๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Possibility of Interactive Video Performance as a New Form of Art
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„ฑํ™”์ง„(์ค‘์•™๋Œ€ํ•™๊ต); ์žฅ์„ฑ๊ฐ‘(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋‰ด๋ฏธ๋””์–ด๋กœ ๋Œ€๋ณ€๋˜๋Š” ๋””์ง€ํ„ธ ๋งค์ฒด์™€ ํผํฌ๋จผ์Šค๋ฅผ ์‹คํ—˜์ ์œผ๋กœ ๊ฒฐํ•ฉํ•œ ์ž‘ํ’ˆใ€ˆCycle of Hollow(่™›)ใ€‰์— ๋Œ€ํ•ด ๊ธฐ์ˆ ํ•œ๋‹ค. ์ž‘ํ’ˆ์—์„œ ๋ณด์—ฌ์ง€๋Š” ๋”” ์ง€ํ„ธ ๋งค์ฒด์™€ ํผํฌ๋จผ์Šค์™€์˜ ํ˜•์‹ ๊ด€๊ณ„๋ฅผ ํ•ด์„ํ•˜์—ฌ ์ž‘ ๊ฐ€ ํผํฌ๋จผ์Šค(Performance Art)์™€ ๋””์ง€ํ„ธ ๋งค์ฒด๊ฐ€ ์–ด ๋–ป๊ฒŒ ํ•˜๋‚˜์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํ˜•์„ฑํ•ด๋‚ผ ์ˆ˜ ์žˆ๋Š”๊ฐ€๋ฅผ ํƒ๊ตฌ ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ํผํฌ๋จผ์Šค ์•„ํŠธ์™€ ๋‰ด๋ฏธ๋””์–ด์˜ ์ค‘์š”์„ฑ ๊ณผ์™€ ํšจ๊ณผ๋ฅผ ๋ถ„์„ํ•˜๊ณ  ๋‰ด๋ฏธ๋””์–ด์™€ ํผํฌ๋จผ์Šค ์•„ํŠธ์˜ ์ƒˆ๋กœ์šด ์œตํ•ฉ ํ˜•ํƒœ๋ฅผ ์ œ์‹œํ•œ๋‹ค. ํผํฌ๋จผ์Šค๋Š” ๊ณ ๋Œ€์˜ ์ œ๋ก€์˜์‹์ด๋‚˜ ์ƒ์ง•์ ์ธ ์ถค ํ–‰ ์œ„๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•œ๋‹ค. ๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ๋กœ ์—ฌ๋Ÿฌ ๋งค์ฒด๊ฐ€ ๋“ฑ์žฅํ•˜์ž ์˜ˆ์ˆ ๊ฐ€๋“ค์€ ์ž‘๊ฐ€์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.45
kci_detailed_000017.xml
ART001494606
oai_dc
๋””์ง€ํ„ธ ์‹œ๋Œ€์ด์ „์˜ ์ฝœ๋ผ์ฃผ ๊ธฐ๋ฒ•์„ ์ด์šฉํ•œ ์‚ฌ์ง„์ˆ ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Photography of Using Collage Technique Before the Digital Era
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํƒœํ›ˆ(์ˆญ์‹ค๋Œ€ํ•™๊ต); ๊น€๊ทœ์ •(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์˜ค๋Š˜๋‚  ์‚ฌ์ง„์€ ํ‘œํ˜„๋งค์ฒด๋กœ์„œ ๊ทธ ์œ„์ƒ์„ ๋“œ๋†’์ด๊ณ  ์žˆ ๋‹ค. ํฌ์ŠคํŠธ๋ชจ๋˜์ด์ฆ˜๊ณผ ๋””์ง€ํ„ธ ์‹œ๋Œ€๋ฅผ ๊ฑฐ์น˜๋ฉด์„œ ์ง€์‹ ๊ณผ ์ •๋ณด์ „๋‹ฌ ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ ๊ณผ ๊ฐœ์ธ์˜ ์‚ฌ์ƒํ™œ์„ ํฌํ•จํ•˜ ๋Š” ๊ฑฐ์˜ ๋ชจ๋“  ์˜์—ญ์—์„œ ์ด๋ฏธ์ง€์˜ ์ฐฝ์กฐ์™€ ์ „๋‹ฌ์˜ ์—ญํ•  ์„ ํ›Œ๋ฅญํžˆ ์ˆ˜ํ–‰ํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋ ‡๋“ฏ ์‚ฌ์ง„๋งค์ฒด๊ฐ€ ์ด ์‹œ๋Œ€ ์˜ ํšจ๊ณผ์ ์ธ ๋งค์ฒด๋กœ ๋ฐœ์ „ํ•˜๊ธฐ๊นŒ์ง€ ๋งŽ์€ ๊ณผํ•™์ž์™€ ์ด ๋ก ๊ฐ€ ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ ๊ฐ€๋“ค์˜ ๋…ธ๋ ฅ์ด ์žˆ์—ˆ๋‹ค. ์‚ฌ์ง„์€ ํƒ„์ƒ ๋ถ€ํ„ฐ ์˜ˆ์ˆ ๊ณผ ๊ธฐ์ˆ ์˜ ์–‘๋ฉด์„ฑ์„ ๊ฐ€์ง€๊ณ  ์žˆ์–ด ๊ธฐ์กด์˜ ์˜ˆ ์ˆ ๊ณผ๋Š” ๋งŽ์€ ์ฐจ๋ณ„์„ ๋ฐ›์•„์™”๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์‹œ๋Œ€๊ฐ€ ๋ฐœ์ „ํ•˜๊ณ  ๊ธฐ์ˆ ๋ฌธ๋ช…์ด ์„ธ์ƒ์„ ๋ฐ”๊พธ๊ธฐ ์‹œ์ž‘ํ•˜์ž ์‚ฌ์ง„๋งค์ฒด์— ๋Œ€ํ•œ ์ธ์‹๋„ ๋ฐ”๋€Œ๊ธฐ ์‹œ์ž‘ํ•˜์˜€๊ณ  ๊ธ‰๊ธฐ์•ผ ๋””์ง€ํ„ธ์‹œ๋Œ€์—์„œ๋Š” ์ƒํ™œ์˜ ์ผ๋ถ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.91
kci_detailed_000017.xml
ART001494609
oai_dc
ํ•œ๊ตญํ˜• 3D์˜จ๋ผ์ธ๊ฒŒ์ž„(MMORPG) ์„œ์‚ฌ๊ตฌ์กฐ์˜ ๋ถ„์„์„ ํ†ตํ•œ ์œ ์ € ์ œ์ž‘๋ฒ ์ด์Šค์‹œ์Šคํ…œ์˜ ๊ตฌ์ถ•
Narrative Structure Feature of Korean-Style 3D Online Game(MMORPG) to Construction of User Created Base-System
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์žฅํ›ˆ(์žฅ์•ˆ๋Œ€ํ•™๊ต); ์ž„์˜๊ธธ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๊ฒŒ์ž„ ์ƒ์—์„œ์˜ ๊ฐ€์ƒ๊ณต๊ฐ„์€ ์ •ํ•ด์ง„ ๋ฃฐ ์•ˆ์—์„œ ์ •ํ•ด์ง„ ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ ์กฐ์ž‘ํ•˜์—ฌ ์ž„๋ฌด์ˆ˜ํ–‰, ํญ๋ ฅ, ๊ฑฐ๋ž˜ ๋“ฑ์„ ํ–‰ ์‚ฌํ•˜๋ฉฐ ๋งˆ๋‹ˆ์•„์ธต์„ ํ™•๋ณดํ•˜๊ณ  ์žˆ๊ณ  ์—ฌ๋Ÿฌ ๊ฐ€์ง€์˜ ๊ธ์ • ์ ์ธ ์˜ํ–ฅ๊ณผ ๋ถ€์ •์ ์ธ ์˜ํ–ฅ์„ ๋‚ณ๊ณ  ์žˆ๋‹ค. ์šฐ๋ฆฌ์—๊ฒŒ ํ•„ ์š”ํ•œ ๊ฒƒ์€ ๊ฒŒ์ž„ ์ƒ์—์„œ๋ณด๋‹ค ๊ฑด์„ค์ ์ด๊ณ  ๊ฑด์ „ํ•˜๋ฉฐ ๋ณด ๋‹ค ์ƒ์ƒํ•œ ๊ฐ€์ƒ๊ณต๊ฐ„์ด๋‹ค. ํ•œ๊ตญํ˜• 3D์˜จ๋ผ์ธ๊ฒŒ์ž„(MMORPG)์—์„œ๋Š” ์ œ์ž‘์ž๋Š” ์œ ์ €๊ฐ€ ์‚ฌ์šฉํ•˜๊ฒŒ ๋  ์บ๋ฆญํ„ฐ, ์‚ฌ๊ฑด, ์ƒํ™ฉ์„ ๋ฒ ์ด์Šค์‹œ์Šค ํ…œ์œผ๋กœ ์„ค์ •ํ•ด ๋†“๊ณ  ๋žœ๋ค ๋งต์— ๋ฟŒ๋ ค ๋†“์€ NPC(Non Player Character)๋“ค์„ ํ†ตํ•ด ์‹œ๋‚˜๋ฆฌ์˜ค์™€ ํ๋ฆ„์˜ ๋ฐฉ ํ–ฅ์„ ์กฐ์ ˆํ•ด ๊ฐ„๋‹ค. ์œ ์ €๋Š” ๊ฐ์ž๊ฐ€ ์ž์‹ ๋งŒ์˜ ์†”๋กœ์Šคํ†  ๋ฆฌ๋ฅผ ๋งŒ๋“ค์–ด๋‚˜๊ฐ€๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.103
kci_detailed_000017.xml
ART001494591
oai_dc
์ฐฝ์กฐ์  ๋„์‹œ๋ฌธํ™”ํ™˜๊ฒฝ์„ ์œ„ํ•œ ํ†ตํ•ฉ์  ์ ‘๊ทผ๋ฐฉ๋ฒ• - ์ฐฐ์Šค ๋žœ๋“œ๋ฆฌ์˜ใ€ˆ์ฐฝ์กฐ๋„์‹œใ€‰๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
The Integrate approach for Creative City Culture Environment - Focused on theใ€ˆ Creative Cityใ€‰by Charles Landry -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ฑํ˜ธ(ํ•œ์„ธ๋Œ€ํ•™๊ต)" ]
๊ทผ๋ž˜ ๋“ค์–ด ์„ธ๊ณ„์˜ ๋„์‹œ๋“ค์€โ€˜๋ฌธํ™”โ€™๊ฐ€ ๊ตญ๊ฐ€ ์ด๋ฏธ์ง€๋ฅผ ์ƒ์Šน์‹œํ‚ค๊ณ  ๊ฒฝ์Ÿ๋ ฅ์„ ๊ฐ•ํ™”์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ์ค‘์š”ํ•œ ์ž์› ์ž„์„ ์ธ์‹์‹œ์ผฐ๊ณ  ํ˜„์žฌ ์ด๋ฅผ ๋ชจ๋ฐฉํ•˜์—ฌ ๋งŽ์€ ๋„์‹œ๋“ค์ด ๋‹ค์–‘ํ•œ ๋…ธ๋ ฅ๊ณผ ์‹œ๋„๋ฅผ ํ•˜๊ณ  ์žˆ๋‹ค. ํ•œ๊ตญ์—์„œ๋„ ์ง€๋‚œ 2000๋…„ ์ค‘์•™์ •๋ถ€์˜โ€˜๋ฌธํ™”์ค‘์‹ฌ๋„์‹œ์กฐ์„ฑ์‚ฌ์—…โ€™์„ ์‹œ์ž‘ ์œผ๋กœ,โ€˜ ๋…น์ƒ‰๋„์‹œโ€™, โ€˜ ์„œ์šธ์‹œ ๋””์ž์ธ ์ค‘์‹ฌ๋„์‹œโ€™์™€ ๊ด‘์ฃผ ๊ด‘์—ญ์‹œ์˜โ€˜์•„์‹œ์•„์ค‘์‹ฌ ๋ฌธํ™”๋„์‹œโ€™๊ทธ์™ธ ์—ฌ๋Ÿฌ ์ง€์—ญ์—์„œ โ€˜๊ฑฐ๋ฆฌ๋ฌธํ™”๋„์‹œโ€™, โ€˜๋…น์ƒ‰๋ฌธํ™”๋„์‹œโ€™, โ€˜์ƒํƒœ๋ฌธํ™”๋„์‹œโ€™๋“ฑ ๋ฌธํ™”๋ฅผ ํ‘œ๋ฐฉํ•œ ์ง€์—ญ์˜ ์ด๋ฏธ์ง€ ํ–ฅ์ƒ๊ณผ ๋ฐœ์ „์„ ์œ„ํ•œ ๊ฐ ๊ณ ์˜ ๋…ธ๋ ฅ์„ ๊ธฐ์šธ์ด๊ณ  ์žˆ๋‹ค. 20์„ธ๊ธฐ์˜ ์‚ฐ์—…์‚ฌํšŒ์˜ ๋ฐœ์ „์— ๋”ฐ๋ฅธ ๊ฒฝ์ œ ์„ฑ์žฅ์€ ๋ฌผ ์งˆ ํ’์š”์˜ ์‚ฌํšŒ๋ฅผ ์ด๋ฃฉํ•˜์˜€์ง€๋งŒ, ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.7
kci_detailed_000017.xml
ART001494603
oai_dc
์‚ฌ์šด๋“œ์™€ ์ด๋ฏธ์ง€ ์ธํ„ฐ๋ž™์…˜์„ ์œ„ํ•œ ์Œ์•…์˜ ํŠน์„ฑ์—ฐ๊ตฌ - ์ง€๋ฌธ์˜ ์Œ์•…ํ™”๋ฅผ ์˜ˆ์‹œ๋กœ -
A Study on properties of music for Sound and Image Interaction - Focus on converting a fingerprint to a music -
{ "journal_name": "์˜ˆ์ˆ ๊ณผ๋ฏธ๋””์–ดํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ฒฝํ˜ธ(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€๋ณ‘๊ทœ(์ค‘์•™๋Œ€ํ•™๊ต); ๋ฐฐ์„ฑ์ค€(์ค‘์•™๋Œ€ํ•™๊ต); ๊น€ํ˜•๊ธฐ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€ ๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ๋ถ„์•ผ๋ฅผ ํ†ตํ•ฉํ•˜์—ฌ ํ‘œ ํ˜„ํ•˜๋Š” ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด์˜ ๊ฒฝํ–ฅ์ด ์ฃผ๋ฅ˜์ด๋‹ค. ๊ทธ๋Ÿฐ ์˜๋ฏธ์— ์„œ ์†Œ๋ฆฌ๋ฅผ ์˜์ƒํ™” ํ•˜๋Š” ๊ฒƒ์€ ๋‹น์—ฐํ•œ ํ๋ฆ„์ด๋ผ ํ•  ์ˆ˜ ์žˆ๊ฒ ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์‚ฌ์šด๋“œ ์‹œ๊ฐํ™”๋ฅผ ํ†ตํ•ด ์ข€ ๋” ๋‹ค์–‘ ํ•œ ์˜ˆ์ˆ ์  ํ‘œํ˜„ ๊ฐ€๋Šฅ์„ฑ์„ ๋„“ํžˆ๋Š” ๊ฒƒ์„ ๊ด‘์˜์˜ ๋ชฉ์ ์œผ ๋กœ ํ•˜๋ฉฐ ์ง€๋ฌธ์„ ์ด์šฉํ•œ <Virtual LP Player>๋Š” ์ด๋ฅผ ์œ„ํ•œ ๊ตฌ์ฒด์  ์—ฐ๊ตฌ ์˜ˆ์ด๋‹ค. ์šฐ์„  ์Œ์•…์˜ ์‹œ๊ฐํ™”๋ฅผ ์œ„ํ•ด ์Œ์•…์˜ ํŠน์„ฑ์„ ์—ฐ๊ตฌํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค. ์Œ์•…์€ ๊ฐ์ƒ์ž๋กœ์„  ๊ฐ๊ฐ์ ์ธ ๋ถ€๋ถ„ ์ฆ‰, ๋“ฃ๋Š” ๊ฒƒ๋งŒ์œผ๋กœ๋„ ์ถฉ๋ถ„ํžˆ ์ธ์ง€๊ฐ€ ๊ฐ€๋Šฅํ•˜๋‹ค. ํ•˜์ง€๋งŒ ์ž‘ ๊ฐ€๋Š” ๋†’์€ ์˜ˆ์ˆ ์  ๊ฐ€์น˜๊ฐ€ ์žˆ๋Š” ์Œ์•…์„ ์ฐฝ์ž‘ํ•˜๊ธฐ ์œ„ํ•ด ์Œ์•…์˜ ๋ฌผ๋ฆฌ์  ํŠน์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.36726/cammp.2009.8.1.75
kci_detailed_000017.xml
ART001972930
oai_dc
์‹ ๋ผํ•˜๋Œ€ ่–ไฝๅฏบ ์ฐฝ๊ฑด๊ธฐ ๊ธˆ๋‹น์˜ ์กฐ์„ฑ๊ณผ ๋ฐฐ๊ฒฝ -๊ณ ๊ณ ์ž๋ฃŒ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
The Process for the System-establishment and Derivation of the Silla's Government Officials Rank Based on the kaya's Government Officials Rank in Nihonshogi.
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์ข…ํƒœ((์žฌ)๋ฐฑ์ œ๋ฌธํ™”์žฌ์—ฐ๊ตฌ์›)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ณด๋ น์— ์œ„์น˜ํ•œ ่–ไฝๅฏบๅ€์˜ ๏คŠๅ ‚์ด โ€˜ไบ”ๅฑค้‡้–ฃโ€™์ด์—ˆ๋‹ค๋Š” ๋ฌธํ—Œ๊ธฐ๋ก์— ๆณจ็›ฎํ•˜์—ฌ ์ด๋ฅผ ่€ƒๅคๅญธ็š„์œผ๋กœ ๆชข่จŽํ•ด ๋ณด๊ณ  ์ด๋ฅผ ํ†ตํ•ด ่–ไฝๅฏบ ๅ‰ตๅปบๆœŸ ๏คŠๅ ‚์ด ๊ฐ–๋Š” ็‰นๅพต๊ณผ ้€ ๆˆ่ƒŒๆ™ฏ์„ ์—ฐ๊ตฌํ•˜๋Š”๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ่–ไฝๅฏบๅ€ ๏คŠๅ ‚์— ๋Œ€ํ•œ ๋ฐœ๊ตด์กฐ์‚ฌ ๊ฒฐ๊ณผ ๊ธˆ๋‹น์ง€์˜ ๊ธฐ๋ฐ˜์€ ํ• ์„์ธต๊ณผ ํŒ์ถ•๊ณผ์ •์œผ๋กœ ์กฐ์„ฑํ•œ ๊ฒƒ์ธ๋ฐ, ์ด๋Ÿฌํ•œ ๊ธฐ๋ฐ˜ ์กฐ์„ฑ๋ฐฉ๋ฒ•์€ ็™พๆฟŸ ๅฝŒๅ‹’ๅฏบๅ€ ๆœจๅก”ๅ€์™€ ๆ–ฐ็พ… ็š‡้พๅฏบๅ€ ๆœจๅก”ๅ€, ๅ››ๅคฉ็Ž‹ๅฏบๅ€ ๅก”ๅ€ ๋“ฑ์—์„œ๋„ ๋น„์Šทํ•œ ์‚ฌ๋ก€๊ฐ€ ๊ฒ€์ถœ๋œ๋ฐ” ์žˆ๋‹ค. ์ด๋กœ ๋ณด์•„ ์„ฑ์ฃผ์‚ฌ์ง€ ๊ธˆ๋‹น์ง€ ๊ธฐ๋ฐ˜์กฐ์„ฑ์€ ๊ณ ๋Œ€๋กœ๋ถ€ํ„ฐ ้‡ๅฑคๆง‹้€  ๊ฑด๋ฌผ์— ์ ํ•ฉํ•œ ๊ธฐ๋ฐ˜์กฐ์„ฑ ๋ฐฉ๋ฒ•์ด์—ˆ๋˜ ๊ฒƒ์œผ๋กœ ์ถ”์ •์ด ๊ฐ€๋Šฅํ•˜๋ฉฐ, ์„ฑ์ฃผ์‚ฌ์ง€ ๊ธˆ๋‹น ์—ญ์‹œ ้‡ๅฑคๅผ ๅปบ็ฏ‰็‰ฉ์ด์—ˆ์„ ๊ฐ€๋Šฅ์„ฑ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972931
oai_dc
๊ฒฝ์ฃผ ํ™ฉ๋‚จ๋Œ€์ด ๋ถ๋ถ„ ์ฃผ์ธ๊ณต ์„ฑ๊ฒฉ ์žฌ๊ณ 
Reconsideration for the North Mound of Hwangnamdeachong Tombโ€™s Buried Person
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ฃผํ—Œ(๊ตญ๋ฆฝ๋ฌธํ™”์žฌ์—ฐ๊ตฌ์†Œ)" ]
ํ™ฉ๋‚จ๋Œ€์ด์€ ๊ตญ๋‚ด์—์„œ ๊ฐ€์žฅ ํฐ ๊ทœ๋ชจ์™€ ์œ„์šฉ์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ์œผ๋‚˜, ํ˜„์žฌ๊นŒ์ง€ ์ถœํ† ๋œ ์œ ๋ฌผ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์ž ๊ฐ„์˜ ๋ถ„์„๋ฐฉ๋ฒ•๊ณผ ์—ญ์—ฐ๋Œ€์— ๋Œ€ํ•œ ์ธ์‹์˜ ์ฐจ์ด๋กœ ์ธํ•ด ๊ทธ ๋™์•ˆ ๊ณ ๋ถ„์˜ ์˜๋ฏธ๋ฅผ ์ œ๋Œ€๋กœ ํŒŒ์•…ํ•˜์ง€ ๋ชปํ•˜์˜€๋‹ค. ํŠนํžˆ, ๋ณด๊ณ ์„œ์—์„œ ๋ถ๋ถ„ ์ฃผ์ธ๊ณต์˜ ์ƒ๋ฌผํ•™์  ์„ฑ์„ โ€˜๏ฆๆ€งโ€™์œผ๋กœ ๊ฒฐ์ •ํ•œ ๊ทผ๊ฑฐ์ธ โ‘  ใ€Œๅคซไบบๅธถใ€๋ผ๋Š” ๋ช…๋ฌธ์ด ์ƒˆ๊ฒจ์ง„ ์€์ œ๊ณผ๋Œ€ โ‘ก ํ”ผ์žฅ์ž๊ฐ€ ๅคงๅˆ€๋ฅผ ์ฐฉ์žฅํ•˜์ง€ ์•Š์€ ๊ฒƒ โ‘ข ํ”ผ์žฅ์ž๊ฐ€ ์ฐฉ์šฉํ•œ ๊ธˆ์ œ๊ณผ๋Œ€์˜ ๋Œ€ํ˜•์š”ํŒจ๊ฐ€ ๋‚จ๋ถ„๊ณผ ๋‹ฌ๋ฆฌ ์˜ค๋ฅธ์ชฝ์— ์œ„์น˜ํ•œ ๊ฒƒ โ‘ฃ ๋‚จ๋ถ„๋ณด๋‹ค ๅคช้ถๅผ์˜ ๊ด€์ˆ˜ํ•˜์‹์ด ๋งŽ์€ ๊ฒƒ โ‘ค ๋ถ€์žฅํ’ˆ์œผ๋กœ ็ดก้Œ˜่ปŠ๊ฐ€ ํฌํ•จ๋˜์–ด ์žˆ๋Š” ๊ฒƒ์€ ์ด๋“ค ๊ณ ๊ณ ์ž๋ฃŒ์— ๋Œ€ํ•œ ๊ฐœ๋ณ„์ ์ธ ๋ถ„์„๊ณผ ๊ฒ€ํ† ๋ฅผ ํ†ตํ•ด ๋ณผ ๋•Œ, ๋ถ๋ถ„์„ ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972932
oai_dc
๋ฏธ๋ฅต์‚ฌ์ง€์„ํƒ‘์˜ ๊ธฐ์ˆ ๋ ฅ์ด ์‹ ๋ผ ์„ํƒ‘์— ๋ฏธ์นœ ์˜ํ–ฅ
Technical Effect of Mireuksaji Stone Pagoda on Silla Stone Pagoda
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•๊ฒฝ์‹(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
๋ฏธ๋ฅต์‚ฌ์ง€ ์„ํƒ‘์€ ๊ธฐ์™•์— ๊ฑด๋ฆฝ๋˜๋˜ ๋ชฉํƒ‘์—์„œ ์„ํƒ‘์œผ๋กœ ๋ณ€ํ™”๋ฅผ ๊พ€ํ•œ ์ตœ์ดˆ์˜ ๋ถˆํƒ‘์ด๊ธฐ์— ์ด์˜ ๊ฑดํƒ‘์—๋Š” ๊ธฐ์ˆ ์ ์ธ ๋ฉด์—์„œ ๋งŽ์€ ๋ถ€๋ถ„์—์„œ ๋ฌธ์ œ๊ฐ€ ๋“œ๋Ÿฌ๋‚ฌ์„ ๊ฒƒ์œผ๋กœ ์˜ˆ๊ฒฌ๋œ๋‹ค. ํ•˜์ง€๋งŒ ๋ฐฑ์ œ์˜ ์„๊ณต๋“ค์€ ์ด์›์‹๊ตฌ์กฐ์ฒด๋ผ๋Š” ๊ณต๋ฒ•์˜ ์ ์šฉ๊ณผ ๋”๋ถˆ์–ด 2์ธต๊ธฐ๋‹จ์˜ ์กฐ์„ฑ, ๋ฉด์„์˜ ์กฐ๋ฆฝ๊ณผ ์น˜์„ ๋ฐฉ๋ฒ• ๋“ฑ ๋‹ค์–‘ํ•œ ๊ธฐ์ˆ ๋ ฅ์„ ์ ์šฉํ•ด ์ด๋ฅผ ํ•ด๊ฒฐํ–ˆ๋‹ค. ๋•Œ๋ฌธ์— ใ€Žๆ–ฐๅขžๆฑๅœ‹่ผฟๅœฐๅ‹่ฆฝใ€, ๅท 33, ็›Šๅฑฑ้ƒก ไฝ›ๅฎ‡ๆข์— ใ€Œๆœ‰็Ÿณๅก”ๆฅตๅคง, ้ซ˜ๆ•ธไธˆ, ๆฑๆ–น็Ÿณๅก”ไน‹ๆœ€ใ€๋ผ๋Š” ๊ธฐ๋ก์œผ๋กœ ๊ทธ ์‹ค์ฒด๊ฐ€ ์ „ํ•˜๋Š” ๊ฒƒ์œผ๋กœ ํŒ๋‹จ๋œ๋‹ค. ์ด ์„ํƒ‘์€ ํ•œ๊ตญ์—์„œ ์ตœ์ดˆ๋กœ ๊ฑด๋ฆฝ๋œ ๊ฒƒ์ด๊ธฐ์— ์ดํ›„ ๊ฑด๋ฆฝ๋˜๋Š” ์‹ ๋ผ ์„ํƒ‘์— ์ง€๋Œ€ํ•œ ์˜ํ–ฅ์„ ์ฃผ์—ˆ์Œ์€ ๋ถ„๋ช…ํ•œ ๊ฒƒ์œผ๋กœ ์ƒ๊ฐ๋˜๋Š”๋ฐ, ์ด์— ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972933
oai_dc
์‚ผ๊ตญ ์™•์กฐ๋ช…์˜ ์ถ•์•ฝ์–ด ์‚ฌ์šฉ ๋ฌธ์ œ
Problem of Abbreviations between Three Kingdoms(Shilla, Baekje, Koguryo)
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ๊ทœ์ฒ (๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
๋ณธ๊ณ ๋Š” ์™•์กฐ๋ช…์ด ํ•œ ๊ธ€์ž์˜ ๋‹จ์นญ๊ณผ ๋‘ ๊ธ€์ž ์ด์ƒ์˜ ๋ณต์นญ์„ ์‚ฌ์šฉํ•˜๋Š” ์ด์œ ์™€ ์˜๋ฏธ๋ฅผ ์ƒ๊ฐํ•˜๋ฉด์„œ, ใ€Žไธ‰ๅœ‹ๅฒ่จ˜ใ€์™€ ใ€Žไธ‰ๅœ‹้บไบ‹ใ€ ๋“ฑ์—์„œ ์‹ ๋ผ, ๊ณ ๊ตฌ๋ ค, ๋ฐฑ์ œ๋ฅผ ์••์ถ•ํ•˜์—ฌ ๏คยท้บ—ยทๆฟŸ๋กœ ์‚ฌ์šฉํ•œ ์˜๋ฏธ์™€ ๋ฌธ์ œ์ ์„ ๊ฒ€ํ† ํ•˜๊ณ , ์™•์กฐ๋ช…์€ ๊ทธ๋Œ€๋กœ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์ด ์›์น™์ด๊ณ , ๊ตณ์ด ์ถ•์•ฝ์–ด๋ฅผ ์‚ฌ์šฉํ•ด์•ผ ํ•œ๋‹ค๋ฉด, ๋‹น๋‚˜๋ผ์˜ ใ€Ž็ฉด่จ˜ใ€์™€ ็”ณ้‡‡ๆตฉ๊ฐ€ ์ฒซ ๊ธ€์ž๋ฅผ ์จ์„œ ้ซ˜ยท็™พยทๆ–ฐ์ด๋ผ๊ณ  ํ‘œํ˜„ํ•˜์˜€๋˜ ๊ฒƒ์ฒ˜๋Ÿผ ํ•˜์—ฌ์•ผ ํ•จ์„ ์žฌ๊ฐ•์กฐํ•˜๋Š” ๋…ผ๊ณ ์ด๋‹ค. ์˜ค๋Š˜๋‚  ้Ÿ“ยทไธญยทๆ—ฅ์—์„œ๋Š” ์™•์กฐ๋ช… ๋‚ด์ง€ ๊ตญํ˜ธ๋ฅผ ๋ณ‘๋ ฌํ•  ๋•Œ ๊ตญํ˜ธ๋ฅผ ๊ทธ๋Œ€๋กœ ๋‚˜์—ดํ•˜์ง€ ์•Š๊ณ , ์ถ•์•ฝํ•˜์—ฌ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์ด ๊ด€๋ก€์ด๋‹ค. ใ€Ž์‚ผ๊ตญ์‚ฌ๊ธฐใ€ ๋“ฑ์ด ์™•์กฐ๋ช…์˜ ๋ ๊ธ€์ž์ธ ็พ…, ้บ—. ๆฟŸ๋กœ ์ถ•์•ฝํ•˜๊ฒŒ...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART001972934
oai_dc
<์‚ผ๊ตญ์‚ฌ๊ธฐ> ์ง๊ด€์ง€์˜ ๅ…ธๆ“š่ณ‡ๆ–™์™€ ์‹ ๋ผ์˜ ๊ด€์ œ ์ •๋น„ ๊ณผ์ •
A Study on Samguksaki Jikgwanji and Silla Dynastyโ€™s Government organization
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ™์Šน์šฐ(๊ฐ•์›๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ใ€Žไธ‰ๅœ‹ๅฒ่จ˜ใ€ ้›œๅฟ— ่ทๅฎ˜ๅฟ—์˜ ๊ธฐ์žฌ๋ฐฉ์‹์„ ํ†ตํ•ด ๊ทธ ์ „๊ฑฐ์ž๋ฃŒ์˜ ์„ฑ๊ฒฉ์„ ๋ฐํžˆ๊ณ , ๊ทธ๊ฒƒ์„ ํ†ตํ•ด ์ง๊ด€์ง€์— ๋ฌธ์ž๋กœ ํ‘œํ˜„๋˜์ง€ ์•Š๋Š” ๆ–ฐ็พ… ๅฎ˜ๅˆถ ์ •๋น„ ๊ณผ์ • ๋ณต์› ๊ฐ€๋Šฅ์„ฑ์„ ๋ชจ์ƒ‰ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ์ง๊ด€์ง€ ์ƒ์—๋Š” ์ค‘์•™ ๊ด€๋ถ€๋“ค์˜ ์—ฐํ˜๊ณผ ์†Œ์† ๊ด€์ง์˜ ๊ตฌ์„ฑ๊ณผ ์ •์› ๋ฐ ๊ทธ ์—ฐํ˜, ๊ทธ๋ฆฌ๊ณ  ๊ด€์ง์˜ ์ž„๋ช…๊ฐ€๋Šฅ๊ด€๋“ฑ์— ๋Œ€ํ•œ ์ •๋ณด๊ฐ€ ๋‹ด๊ฒจ ์žˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๊ทธ ํ˜•์‹๊ณผ ๊ธฐ์žฌ๋ฐฉ์‹์„ ๋ณผ ๋•Œ, ์ „๊ฑฐ์ž๋ฃŒ๊ฐ€ ์ตœ์ข… ์ •๋ฆฌ๋œ ํ˜•ํƒœ์˜ ๅฟ—๋‚˜ ํŠน์ • ์‹œ์ ์˜ ์ผ๊ด„์ž๋ฃŒ์ธ ๆณ•ๅ…ธ ํ˜น์€ ๅ…ธ็ซ ้กž๊ฐ€ ์•„๋‹ˆ๊ณ , ๊ด€์ œ์— ๋Œ€ํ•œ ์™•์˜ ๊ต๋‚˜ ๊ทธ ๊ต๋ฅผ ๋ชจ์•„ ๋ฒ•์กฐ๋ฌธํ™”ํ•œ โ€˜ๆ ผโ€™ ํ˜น์€ ๊ทธ๊ฒƒ๋“ค์„ ๋ฐ”ํƒ•์œผ๋กœ ์ •๋ฆฌํ•œ ์ž๋ฃŒ๋“ค์ด์—ˆ๋‹ค๋Š” ๊ฒƒ์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART001972935
oai_dc
ํ•œ๊ตญ๊ณ ๋Œ€ ์ˆ˜๋ฆฌ์‹œ์„ค์˜ ์—ญ์‚ฌ์„ฑ๊ณผ ์˜๋ฏธ
Study on the Historicity and Significance of an Ancient Korean Water Installation
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋…ธ์ค‘๊ตญ(๊ณ„๋ช…๋Œ€ํ•™๊ต)" ]
์˜ˆ๋‚˜ ์ง€๊ธˆ์ด๋‚˜ ๋†์—…์— ๊ฐ€์žฅ ํฐ ์˜ํ–ฅ์„ ์ฃผ๋Š” ๊ฒƒ์€ ํ•œ๋ฐœ, ํ™์ˆ˜, ๋ฐ”๋žŒ, ์„œ๋ฆฌ ๋“ฑ ์ž์—ฐ์žฌํ•ด์˜€๋‹ค. ์ „๊ทผ๋Œ€์‚ฌํšŒ์—์„œ ์ž์—ฐ์žฌํ•ด์— ๋Œ€์ฒ˜ํ•˜๋Š” ๊ฐ€์žฅ ์ ๊ทน์ ์ธ ๋ฐฉ๋ฒ•์ด ์ˆ˜๋ฆฌ์‹œ์„ค์˜ ํ™•์ถฉ๊ณผ ์ •๋น„์˜€๋‹ค. ์ด๋Š” ๊ณ ๋Œ€์‚ฌํšŒ์—์„œ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์˜€๋‹ค. ๋Œ€ํ‘œ์ ์ธ ๊ณ ๋Œ€์ €์ˆ˜์ง€๋กœ๋Š” ๊น€์ œ ๋ฒฝ๊ณจ์ œ, ์ œ์ฒœ ์˜๋ฆผ์ง€, ์ƒ์ฃผ ๊ณต๊ฒ€์ง€, ์˜์ฒœ ์ฒญ์ œ์™€ ๋ฐœ๊ตด์กฐ์‚ฌ๋ฅผ ํ†ตํ•ด ์•Œ๋ ค์ง„ ์šธ์‚ฐ ์•ฝ์‚ฌ๋™์ €์ˆ˜์ง€ ๋“ฑ์„ ๋“ค ์ˆ˜ ์žˆ๋‹ค. ๊น€์ œ ๋ฒฝ๊ณจ์ œ์˜ ๊ด€๊ฐœ ๋ฉด์ ์€ ์กฐ์„  ์ดˆ๊ธฐ์— ์•ฝ 1๋งŒ ๊ฒฐ์ด์—ˆ๋‹ค. ์ˆ˜๋ฌธํ•™์ ์ธ ์—ฐ๊ตฌ์—์„œ๋„ ์ด์™€ ๋น„์Šทํ•œ ๊ฒฐ๊ณผ๊ฐ€ ๋„์ถœ๋˜์—ˆ๋‹ค. ์˜์ฒœ ์ฒญ์ œ์˜ ๊ด€๊ฐœ ๋ฉด์ ์€ 1454๋…„์— ๋งŒ๋“ค์–ด์ง„ ใ€Ž๊ฒฝ์ƒ๋„์†์ฐฌ์ง€๋ฆฌ์ง€ใ€์—๋Š” 79๊ฒฐ๋กœ ๋‚˜์˜ค๋Š”๋ฐ ์ด๋Š” 1929๋…„์— ...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART001972936
oai_dc
์„œ์ •์ฃผ์˜ ์‹ ๋ผ์ •์‹  ์ˆ˜์šฉ๊ณผ ์†Œํ†ต์˜ ๋ฏธํ•™
Seo Jung Joo's absorption of Shilla spirit and esthetics of communication
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์˜ฅ์„ (๋™๊ตญ๋Œ€ํ•™๊ต)" ]
์„œ์ •์ฃผ์˜ ์‹œ๋Š” 1930๋…„๋Œ€ ์‹๋ฏผ์ง€ ์ƒํ™ฉ์„ ์‹œ๋ฐœ์ ์œผ๋กœ ํ•œ๋‹ค. ์‹๋ฏผ์ง€ ์ƒํ™ฉ์—์„œ ๊ทผ๋Œ€์— ๋Œ€ํ•œ ๊ทธ์˜ ์ž๊ฐ์€ ํœด๋จธ๋‹ˆ์ฆ˜์  ์ •์‹ ์œผ๋กœ ๋‚˜์•„๊ฐ„๋‹ค. ๊ทธ๊ฐ€ ์ง€ํ–ฅํ•œ ํœด๋จธ๋‹ˆ์ฆ˜์  ์ •์‹ ์€ ์ž์—ฐ์ธ์œผ๋กœ์„œ ์ธ๊ฐ„์„ฑ ํšŒ๋ณต์„ ์œ„ํ•œ ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฌํ•œ ์—ฐ์žฅ์„ ์—์„œ ๊ทธ๊ฐ€ ๋ฐœ๊ฒฌํ•œ ์‹ ๋ผ์ •์‹ ์€ ์‹ ๋ผ์ธ๋“ค์ด ๊ฐ€์กŒ๋˜ ์˜์›์„ฑ์ด์—ˆ๋‹ค. ์ด ์˜์›์„ฑ์€ ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์„ ์ดˆ์›”ํ•œ ํ™•์žฅ๋œ ์ •์‹ ์œผ๋กœ ์šฐ์ฃผ ๊ณต๊ฐ„ ์†์—์„œ ์˜(๏ฆณ)๊ณผ ์˜(๏ฆณ), ํ˜ผ(้ญ‚)๊ณผ ํ˜ผ(้ญ‚), ์‚ผ์„ธ(ไธ‰ไธ–)๊ฐ€ ์†Œํ†ตํ•˜๋ฉด์„œ ์ด๋ฃจ์–ด์ง€๋Š” ๊ฒƒ์ด๋‹ค. ๊ทธ์˜ ์‹ ๋ผ์ •์‹ ์€ ์ฒซ์งธ, ๋ถ„์ถœ๋˜๋Š” ์š•๋ง๊ณผ ์‚ถ์— ๋Œ€ํ•œ ํ•œ๊ณ„ ์˜์‹์„ ์ดˆ๊ทนํ•˜๊ธฐ ์œ„ํ•œ ๋ฐฉ๋ฒ•๋ก ์œผ๋กœ์„œ์˜ ์‹œ์  ์ˆ˜์šฉ์ด๋‹ค. ์‹๋ฏผ์ง€ ์ƒํ™ฉ์— ๋Œ€ํ•œ ์ ˆ๋ง๊ฐ๊ณผ ...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART001972937
oai_dc
๊ฒฝ์ฃผ ๋™๊ถ๊ณผ ์›”์ง€์˜ ์ฐจ๊ฒฝ(ๅ€Ÿๆ™ฏ) ๋ถ„์„
Borrowed scenery analysis of Gyeongju Dong Gung and Wol Ji
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•ํƒœํ˜ธ(๋™๊ตญ๋Œ€ํ•™๊ต); ์šฐ๋ฌธ๋™(๋™๊ตญ๋Œ€ํ•™๊ต); ๋ฆฌ์•„์˜คํŽ˜์ด(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ฒœ๋…„๊ณ ๋„ ๊ฒฝ์ฃผ์˜ ์‹ ๋ผ์™•๊ฒฝ ํ•ต์‹ฌ์œ ์  ๋ณต์› ์ •๋น„์‚ฌ์—…์„ ์œ„ํ•œ ๊ฒฝ์ฃผ ๋™๊ถ๊ณผ ์›”์ง€์˜ ์ฐจ๊ฒฝ ๊ธฐ๋ฒ• ๋ถ„์„์„ ๋ชฉ์ ์œผ๋กœ ์ˆ˜ํ–‰ํ•˜์˜€๋‹ค. ์ฐจ๊ฒฝ ๊ธฐ๋ฒ• ๋ถ„์„์„ ํ†ตํ•˜์—ฌ ๋™๊ถ๊ณผ ์›”์ง€์™€ ์—ฐ๊ด€๋œ ๊ด‘์—ญ ๊ฒฝ๊ด€๊ณผ์˜ ๊ด€๊ณ„๋ฅผ ๊ทœ๋ช…ํ•˜์˜€์œผ๋ฉฐ ๋™๊ถ๊ณผ ์›”์ง€ ์ฃผ๋ณ€์— ์œ„์น˜ํ•˜๊ณ  ์žˆ๋Š” ์›”์„ฑ, ํ™ฉ๋ฃก์‚ฌ ๋“ฑ์˜ ์‹œ๊ฐ๊ตฌ์กฐ๋ฅผ ๋ถ„์„ํ•˜์—ฌ ์ฒœ๋…„๊ณ ๋„ ๊ฒฝ์ฃผ์˜ ์—ญ์‚ฌ๋ฌธํ™” ์œ ์  ๋ณต์›์˜ ์ง„์ •์„ฑ ํ™•๋ณด๋ฅผ ์œ„ํ•œ ๊ฒฝ๊ด€ ๊ด€๋ฆฌ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ๊ฒฐ๊ณผ๋ฅผ ์ •๋ฆฌํ•˜๋ฉด ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, ์ฐจ๊ฒฝ์˜ ๊ธฐ์›, ์˜๋ฏธ, ์œ ํ˜•์„ ๋‹ค์‹œ ๊ทœ๋ช…ํ•˜์˜€๋‹ค. ํŠน์ด ์ฐจ๊ฒฝ์˜ ๊ธฐ์›์€ ์ผ๋ฐ˜์ ์œผ๋กœ ๋ช…๋Œ€ ๊ณ„์„ฑ์˜ใ€Œ์›์•ผใ€์—์„œ ์ฒ˜์Œ ๋‚˜ํƒ€๋‚˜๋Š” ๊ฒƒ์œผ๋กœ ๋ณด๊ณ  ์žˆ์œผ๋‚˜ ๋‹น๊ณผ ์†ก๋Œ€์˜ ๋ฌธํ—Œ์„ ๊ณ ...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART001972938
oai_dc
์‹ ๋ผ ํ—Œ๊ฐ•์™•๋Œ€ ๊ตญ์™• ์นœ์˜๋ก€์˜ ๋ณ€ํ™”
Change of Kingโ€™s Chinyeongnye during the Period of King Heongang of Silla
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ˆ˜ํƒœ(์ถฉ๋‚จ๋Œ€ํ•™๊ต)" ]
์‹ ๋ผ์˜ ๊ตญ์™•์— ์˜ํ•ด์„œ ์นœ์˜๋ก€๊ฐ€ ์ˆ˜์šฉ๋œ ์‹œ๊ธฐ๋Š” ์‹ ๋ฌธ์™•๋Œ€์˜ ์ผ์ด์—ˆ๋‹ค. ๋ช…์‚ฌ ๋ด‰์˜๋ก€์˜ ๋ฐฉ์‹์œผ๋กœ ์ด๋ฃจ์–ด์กŒ๋˜ ๊ฒƒ์ด๋‹ค. ํ˜„์žฌ ์•ฝ๊ฐ„์˜ ๋…ผ๋ž€์ด ์žˆ์ง€๋งŒ, ์ค‘๊ตญ์—์„œ ํ–‰ํ•ด์กŒ๋˜ ํ™ฉ์ œ์˜ ํ˜ผ์ธ ์‚ฌ๋ก€๋ฅผ ๋ณผ ๋•Œ ์ด๋ฅผ ์นœ์˜๋ก€์˜ ๋ฒ”์ฃผ์—์„œ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋‹ค. ์ดํ›„ ๊ตญ์™• ์นœ์˜๋ก€๋Š” ํ—Œ๊ฐ•์™•๋Œ€์— ์ด๋ฅด๋Ÿฌ ๋‹ค์‹œ ํ™•์ธํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋•Œ๋Š” ์œ ๊ถ ์นœ์˜๋ก€๋ผ๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ์‹์ด ์ ์šฉ๋˜์—ˆ๋‹ค. ๋ณด๋‹ค ๊ตฌ์ฒด์ ์œผ๋กœ ๊ตญ์™•์˜ ์นœ์˜๋ก€๊ฐ€ ์ด๋ฃจ์–ด์กŒ๋˜ ๊ฒƒ์ด๋‹ค. ๊ตญ์™•์ด ์‚ฌ์‹ ์„ ๋ณด๋‚ด์„œ ์™•๋น„๋ฅผ ๋งž์ดํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๊ตญ์™•์ด ๊ถ๊ถ ๋ฐ”๊นฅ์œผ๋กœ ๋‚˜๊ฐ€์„œ ์ž„์‹œ๋กœ ๋งŒ๋“ค์–ด์ง„ ์žฅ๋ง‰์ธ ์œ ๊ถ์—์„œ ์™•๋น„๋ฅผ ๋งž์•„ ํ˜ผ์ธ์‹์„ ๊ฑฐํ–‰ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๊ฒƒ์€ ํ†ต์ผ์‹ ๋ผ์‹œ๋Œ€ ์ด๋ž˜ ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972939
oai_dc
้›†ๅฎ‰้ซ˜ๅฅ้บ—็ข‘์™€ ๊ด‘๊ฐœํ† ์™•๋ฆ‰๋น„ ๅบ้ ญ์˜ ๋‹จ๋ฝ๊ตฌ์„ฑ๊ณผ ์„œ์ˆ ๋‚ด์šฉ ๋น„๊ต
N/A
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์—ฌํ˜ธ๊ทœ(ํ•œ๊ตญ์™ธ๊ตญ์–ด๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ้›†ๅฎ‰้ซ˜ๅฅ้บ—็ข‘์™€ ๅปฃ้–‹ๅœŸ็Ž‹้™ต็ข‘์˜ ๅบ้ ญ๋ฅผ ๋น„๊ต ๊ฒ€ํ† ํ•œ ๊ฒƒ์ด๋‹ค. ้›†ๅฎ‰็ข‘์˜ ์„œ๋‘๋Š” ์ถ”๋ชจ์™•์˜ ๊ฑด๊ตญ์‚ฌ์‹ค ์„ ์–ธ, ๊ฑด๊ตญ์„คํ™”, ์™•์œ„๊ณ„์Šน ๋“ฑ 3๋‹จ๋ฝ์œผ๋กœ ๊ตฌ๋ถ„๋œ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๆผขไปฃ ๅข“็ข‘ๆ–‡์˜ ํ˜•์‹์„ ์ฐธ์กฐํ•˜์—ฌ ็ต‚็ต่ฉž๋ฅผ ๊ธฐ์ค€์œผ๋กœ ๏ฅ™็ข‘ ์„œ๋‘์˜ ๋‹จ๋ฝ๊ตฌ์„ฑ์„ ๊ฒ€ํ† ํ•œ ๊ฒฐ๊ณผ, ้›†ๅฎ‰็ข‘ ์„œ๋‘์™€ ๊ฑฐ์˜ ๋™์ผํ•œ ์–‘์ƒ์„ ํ™•์ธํ•˜์˜€๋‹ค. ้›†ๅฎ‰็ข‘์™€ ๋Šฅ๋น„ ์„œ๋‘์˜ ๋‹จ๋ฝ๊ตฌ์„ฑ์€ ๊ธฐ๋ณธ์ ์œผ๋กœ ๋™์ผํ•œ ๊ฒƒ์ด๋‹ค. ๊ฑด๊ตญ์„คํ™”๋ฅผ ๆˆๆ–‡ๅŒ–ํ•˜๋˜ ์ดˆ๊ธฐ ๋‹จ๊ณ„์˜ ้›†ๅฎ‰็ข‘์—์„œ๋Š” ๅคฉ้“, ๅ…ƒ็Ž‹, ๅ…ˆ่– ๋“ฑ ์œ ๊ต์‹ ์šฉ์–ด๋ฅผ ๊ฑฐ์˜ ๊ทธ๋Œ€๋กœ ์‚ฌ์šฉํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์œ ๊ต์˜ ๊ตฐ์ฃผ๊ด€์ด ๅคฉๅ‘ฝ่ซ–๊ณผ ็Ž‹้“ๆ”ฟๆฒป่ซ–์— ์ž…๊ฐํ•œ ๋ฐ˜๋ฉด, ๊ณ ๊ตฌ๋ ค์˜ ๅ›ไธป่ง€์€ ๅคฉๅธ์˜ ํ˜ˆ์—ฐ์  ํ›„์†์ด๋ผ๋Š” ์ธ์‹์„ ๋ฐ”...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972940
oai_dc
์—ฌ๋ง์„ ์ดˆ ๏งถๆฟŸ็ฆช์˜ ๋ฒ•ํ†ตํ˜•์„ฑ๊ณผ ์กฐ์„ ํ›„๊ธฐ ๋…ผ์Ÿ
Establishment of Theory of Dharma Lineage Originated from Imje at the End of Koryo Dynasty and Early Joseon Dynasty and its Debate in the Late Joseon Dynasty
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค๊ฒฝํ›„(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
ํ•œ๊ตญ๋ถˆ๊ต์‚ฌ์—์„œ ๋ฒ•ํ†ต์€ ์กฐ์„ ํ›„๊ธฐ์— ํ™•๋ฆฝ๋˜์—ˆ๋‹ค. ์กฐ์„  ์ „๊ธฐ ๋ถˆ๊ต๊ณ„์˜ ๋Œ€ํ‘œ์ ์ธ ์Šน๋ ค๋“ค์ด ๋‚˜์˜น ํ˜œ๊ทผ๋ณด๋‹ค๋Š” ํƒœ๊ณ  ๋ณด์šฐ์˜ ๋ฒ•ํ†ต์„ ์ด์–ด ๋ฐ›์€ ๊ฒƒ์œผ๋กœ ์žฌ๊ตฌ์„ฑ๋œ ๊ฒƒ์ด๋‹ค. ์ด๋“ค์€ ๋ณด์กฐ ์ง€๋ˆŒ์„ โ€˜๋ณ„์ข…(ๅˆฅ็จฎ)โ€™์œผ๋กœ, ๋‚˜์˜น ํ˜œ๊ทผ์„ ํ‰์‚ฐ(ๅนณๅฑฑ)์œผ๋กœ โ€˜๋ถ„ํŒŒ(ๅˆ†ๆดพ)โ€™๋œ ๊ฒƒ์œผ๋กœ ๊ทœ์ •ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ™˜์•” ํ˜ผ์ˆ˜(ๅนป่ดๆททไฟฎ)ยท๊ตฌ๊ณก ๊ฐ์šด(้พœ่ฐท่ฆบ้›ฒ) ๋“ฑ ์—ฌ๋ง์„ ์ดˆ ์Šน๋ ค๋“ค์˜ ํ–‰์ ์€ ํƒœ๊ณ ๋ณด๋‹ค๋Š” ๋‚˜์˜น์˜ ์˜ํ–ฅ์„ ๊ฐ•ํ•˜๊ฒŒ ๋ฐ›์€ ๊ฒƒ์ด ์‚ฌ์‹ค์ด๋‹ค. ๋ฒ•ํ†ต์„ค์˜ ์žฌ๊ตฌ์„ฑ์€ ์กฐ์„ ํ›„๊ธฐ ๋ถˆ๊ต๊ณ„์—์„œ ๊ณต์‹ํ™”๋˜์—ˆ์ง€๋งŒ, ์ผ๋ จ์˜ ํ”์ ๋“ค์€ ๋‚˜์˜น ํ˜œ๊ทผ์˜ ๊ฐ€์น˜์™€ ์œ„์ƒ์„ ์žฌํ™•์ธํ•˜์˜€์œผ๋ฉฐ ํƒœ๊ณ ๋ฒ•ํ†ต์„ค์— ๋Œ€ํ•œ ํšŒ์˜์ ์ธ ๋ฐ˜์‘์„ ๋ณด์˜€๋‹ค. ์ด์™€ ๊ฐ™์€ ์—ญ์‚ฌ์  ์‚ฌ์‹ค...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972941
oai_dc
์˜์ •์˜ ใ€Ž๋Œ€๋‹น์„œ์—ญ๊ตฌ๋ฒ•๊ณ ์Šน์ „ใ€๊ณผ ์‹ ๋ผ์ธ
Uijeongโ€™sใ€ŽDaedangseoyeokgubeopgoseungjeonใ€and Shilla People
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ณต์ˆœ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
์‹ ๋ผ์ธ์˜ 7~8์„ธ๊ธฐ ํ™œ๋™์€ ์ค‘๊ตญ๊ณผ ๋™๋‚จ์•„โ€ค์ธ๋„ ๋“ฑ ๋Œ€๋‹จํžˆ ๋„“์€ ์ง€์—ญ์—์„œ ์ด๋ฃจ์–ด์กŒ๋‹ค. ็พฉๆทจ์˜ ใ€Žๅคงๅ”่ฅฟๅŸŸๆฑ‚ๆณ•้ซ˜ๅƒงๅ‚ณใ€์— ๋‚˜์˜ค๋Š” ์‹ ๋ผ์ธ์— ๋Œ€ํ•œ ๊ธฐ๋ก์€ ์ด๋ฅผ ๋’ท๋ฐ›์นจํ•ด ์ฃผ๋Š” ์ค‘์š”ํ•œ ์‚ฌ๋ฃŒ์ด๋‹ค. ์ฆ‰ ์ „์ฒด 61๋ช…์˜ ๊ณ ์Šน์ „๊ธฐ์ธ ใ€Žๅคงๅ”่ฅฟๅŸŸๆฑ‚ๆณ•้ซ˜ๅƒงๅ‚ณใ€์—๋Š” 8๋ช…์˜ ์‹ ๋ผ ์Šน๋ ค์™€ 1๋ช…์˜ ๊ณ ๊ตฌ๋ ค ์Šน๋ ค๊ฐ€ ์–ธ๊ธ‰๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋™์•ˆ์˜ ์—ฐ๊ตฌ๋Š” ็พฉๆทจ๊ณผ ใ€Žๅคงๅ”่ฅฟๅŸŸๆฑ‚ๆณ•้ซ˜ๅƒงๅ‚ณใ€์— ๋Œ€ํ•œ ์ƒ์„ธํ•œ ๋ถ„์„๋ณด๋‹ค ์šฐ๋ฆฌ์™€ ๊ด€๋ จ๋œ ๋ถ€๋ถ„๋งŒ ๊ฐ•์กฐ๋œ ์ƒํƒœ์˜€๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ณธ๊ณ ๋Š” ๋จผ์ € ็พฉๆทจ์˜ ์ƒ์• ์™€ ๆฑ‚ๆณ•ํ™œ๋™, ใ€Žๅคงๅ”่ฅฟๅŸŸๆฑ‚ๆณ•้ซ˜ๅƒงๅ‚ณใ€์˜ ๊ตฌ์„ฑ ๋“ฑ์œผ๋กœ ๊ทธ ๋‚ด์šฉ์œผ๋กœ ๋‹ค๋ฃจ์–ด ๋ณด์•˜๋‹ค. ๊ทธ ๊ฐ€์šด๋ฐ ์•„๋ฆฌ์•ผ๋ฐœ๋งˆ, ํ˜œ์—…, ํ˜„๊ฐ, ํ˜œ๋ฅœ ๋“ฑ ์šฐ๋ฆฌ์˜ ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972942
oai_dc
ํ†ต์ผ์‹ ๋ผ ๅ…ธๅž‹ๆจฃๅผ ์„ํƒ‘์˜ ๊ธฐ๋‹จ๋ถ€ ์œ ํ˜•๊ณผ 8์„ธ๊ธฐ ์„ํƒ‘์˜ ํŽธ๋…„ ๊ฒ€ํ† 
Stone Pagoda of Typical Form of Unified Silla Seen from Stylobate Part
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง€ํ˜„(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํ†ต์ผ์‹ ๋ผ ์ „ํ˜•์–‘์‹์˜ ์„ํƒ‘ ๊ธฐ๋‹จ๋ถ€ ๊ตฌ์กฐ๋ฅผ ์œ ํ˜•๋ถ„๋ฅ˜ํ•˜๊ณ , ์ด์— ๋”ฐ๋ฅธ ํŠน์ง•์„ ํ†ตํ•ด ์‹œ๊ธฐ๊ตฌ๋ถ„๊ณผ ์ „๊ฐœ๋ฅผ ํŒŒ์•…ํ•˜์—ฌ ๋‚˜์•„๊ฐ€ ํŽธ๋…„์˜ ๋…ผ๋ž€์ด ๋˜๋Š” ์„ํƒ‘์„ ๊ฒ€ํ† ํ•˜์˜€๋‹ค. ๋จผ์ € ์„ํƒ‘์˜ ๊ธฐ๋‹จ๋ถ€๋ฅผ ๋ถ„๋ฅ˜ํ•˜๋Š” ๊ธฐ์ค€์€ ็ตๆง‹ๆง‹้€ , ๊ฐ‘์„, ํ•˜์ธต๊ธฐ๋‹จ ๆฒป็Ÿณ๋ฐฉ๋ฒ•์„ ์ค‘์‹ฌ์œผ๋กœ, ๊ธฐ๋‹จ๋ถ€ ์•„๋ž˜ ํ˜น์€ ์ฃผ์œ„์˜ ์žฅ์น˜์ธ ๅก”ๅ€, ์ง€๋Œ€์„, ๅœŸๅฃ‡ ๋“ฑ์„ ๋ถ€๊ฐ€์ ์œผ๋กœ ์‚ดํŽด๋ณด์•˜๋‹ค. ์œ ํ˜•๋ถ„๋ฅ˜๋ฅผ ํ†ตํ•œ ํ†ต์ผ์‹œ๋ผ์‹œ๋Œ€ ์ „ํ˜•์–‘์‹์˜ ์„ํƒ‘์€ ๋Œ€๋žต 5ๆœŸ์˜ ์‹œ๋Œ€๋กœ ๊ตฌ๋ถ„๋˜์—ˆ๋‹ค. 1ๆœŸ(์‚ผ๊ตญํ†ต์ผ~7์„ธ๊ธฐ ๋ง๊ฒฝ)๋Š” ์ „ํ˜•์–‘์‹์˜ ์„ํƒ‘์ด ์ถœํ˜„ํ•˜๋Š” ์‹œ๊ธฐ์ด๋ฉฐ, 2ๆœŸ(7์„ธ๊ธฐ ๋ง~8์„ธ๊ธฐ ์ „๋ฐ˜ ๊ฒฝ)๋Š” 1๊ธฐ์˜ ์ „ํ˜•์–‘์‹์˜ ์„ํƒ‘์—์„œ ์ƒ์ธต๊ธฐ๋‹จ ๊ฒฐ๊ตฌ๊ตฌ์กฐ์˜ ๋ณ€ํ™”๋ฅผ ํ†ตํ•˜์—ฌ,...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART001972943
oai_dc
์‹ ๋ผ ไบฌไฝ ๅนฒ็พค ๅฎ˜็ญ‰์˜ ่ชžๆบ๊ณผ ์„ฑ๋ฆฝ๊ณผ์ •
A Comparative Study on the Paragraph Compositions and Contents of Description in the Foreword of โ€œKoguryo Monument at Jibanโ€ and โ€œGwangโ€™gaeโ€™to-wang Monumentโ€
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œค์„ ํƒœ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
์‹ ๋ผ ๅนฒ็พค ๊ด€๋“ฑ์˜ ๅŽŸๅฝข๊ณผ ๊ทธ ่ชžๆบ์„ ํ†ตํ•ด 17๊ด€๋“ฑ์˜ ์„ฑ๋ฆฝ๊ณผ์ •์„ ๊ฐœ๊ด„ํ•ด๋ณด๋ฉด ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์šฐ์„  ์‚ฌ๋กœ๊ตญ์˜ ๅนฒๆ”ฏ๊ฐ€ ์กด์žฌํ•˜๊ณ , ๊ทธ ์ •์น˜์  ์„ฑ์žฅ ์†์—์„œ ์—ฌ๋Ÿฌ ๋Œ€๊ตญ, ์†Œ๊ตญ ๅนฒๆ”ฏ๋“ค์„ ํฌ๊ด„ ์˜ˆ์†ํ•˜๊ฒŒ ๋œ๋‹ค. ์ด ์—ฐ๋งน์ฒด์˜ ้•ท์œผ๋กœ์„œ ๅฐผๅธซไปŠ, ์ฆ‰ ๆ–ฏ็พ…(ๆ–ฐ็พ…)็Ž‹์ด ํƒ„์ƒํ•˜์˜€๋‹ค. ์‹ ๋ผ ์˜ˆํ•˜๋กœ ํก์ˆ˜๋œ ๋Œ€์„ธ๋ ฅ ๋ฐ ์†Œ์„ธ๋ ฅ ๅนฒๆ”ฏ๋“ค์˜ ์ •์น˜์  ์„œ์—ด ๊ฒฝ์Ÿ ์†์—์„œ ์‹ ๋ผ์™• ํ•˜์—๋Š” ๋Œ€์„ธ๋ ฅ ๅนฒๆ”ฏ์—๊ฒŒ ่ง’ๅนฒ(ไธŠ้ฆ–ไฝ), ไธ€ๅนฒ(ไบŒ้ฆ–ไฝ)์˜ ไฝ่™Ÿ๊ฐ€, ์†Œ์„ธ๋ ฅ ๅนฒๆ”ฏ์—๊ฒŒ ๅŠๅนฒ(ๅคงๅนฒ)์˜ ์œ„ํ˜ธ๊ฐ€ ๋ถ€์—ฌ๋˜์–ด ์„œ์—ดํ™”๋˜์—ˆ๊ณ , ๋…๋ฆฝ์ ์ธ ๋…์ž์  ๊ธฐ๋ฐ˜์„ ไฟๆŒํ•œ ๋Œ€์„ธ๋ ฅ ๋˜๋Š” ์†Œ์„ธ๋ ฅ์˜ ๅนฒๆ”ฏ๋“ค๋„ ๋ณ‘์กดํ•˜์˜€๋‹ค. ์‹ ๋ผ์™•์ด๋‚˜ ๋…์ž์ ์ธ ๊ธฐ๋ฐ˜์˜ ๅนฒๆ”ฏ ํ•˜์—๋Š” ๊ทธ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029038
oai_dc
3์„ธ๊ธฐ ์ด์ „ ์ถ˜์ฒœ ์ง€์—ญ์˜ ์ทจ๋ฝ ์–‘์ƒ๊ณผ ์ •์น˜์ฒด์˜ ํ˜•์„ฑ
A Study on the Polities in Chuncheon Region and Their Traits Before 3rd. C.
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ฐฝ์„(๊ฐ•์›๋Œ€ํ•™๊ต)" ]
์‹ ์„๊ธฐ์‹œ๋Œ€ ์ถ˜์ฒœ ์ง€์—ญ์€ ์ธ๊ตฌ๊ฐ€ ํฌ์†Œํ–ˆ๊ณ  ์ •์ฃผ๋„ ํ™œ๋ฐœํžˆ ์ด๋ค„์ง€์ง€ ์•Š์•˜๋‹ค. ์‹ ์„๊ธฐ์‹œ๋Œ€ ํ›„๊ธฐ์— 10์—ฌ ๊ฐœ์˜ ์ง‘๋‹จ์ด ๊ฐ๊ธฐ ๋ฌด๋ฆฌ๋ฅผ ์ด๋ฃจ์–ด ํฉ์–ด์ ธ ์‚ด์•˜๊ณ  ๋‹ค๋ฅธ ์ง‘๋‹จ๊ณผ ์ •๋ก€์ ์ธ ๊ด€๊ณ„๋ฅผ ๋งบ์„ ์—ฌ์ง€๋Š” ์ž‘์•˜๋‹ค. ์ฒญ๋™๊ธฐ์‹œ๋Œ€์—๋Š” ์ทจ๋ฝ์˜ ์ˆซ์ž๊ฐ€ ์ฆ๊ฐ€ํ–ˆ๊ณ  ์ƒˆ๋กœ์šด ์ง€์ ์—์„œ ์ทจ๋ฝ์ด ์„ฑ๋ฆฝํ–ˆ๋‹ค. ์ทจ๋ฝ์˜ ๊ทœ๋ชจ๊ฐ€ ์ฃผ๊ฑฐ์ง€ 20~70๋™ ์ •๋„๊นŒ์ง€ ํ™•๋Œ€๋˜์–ด ๋น„๋กœ์†Œ ์—„๋ฐ€ํ•œ ์˜๋ฏธ์˜ โ€˜์ทจ๋ฝโ€™์ด ์„ฑ๋ฆฝํ–ˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ํ•œ๊ตญ ๊ณ ๋Œ€๊ตญ๊ฐ€์˜ ํ˜•์„ฑ๊ณผ์ •์„ <๊ฐœ๋ณ„ ์ฃผ๊ฑฐ - ์ทจ๋ฝ - ์ทจ๋ฝ๊ตฐ - ์๋ฝ - ์†Œ๊ตญ - ๊ณ ๋Œ€๊ตญ๊ฐ€>์˜ ์ฒด๊ณ„๋กœ ์„ค๋ช…ํ•ด๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ตœ๊ทผ ๋ฐœ๊ตด๋œ ์ถ˜์ฒœ ไธญๅณถ์˜ ๋ ˆ๊ณ ๋žœ๋“œ ๋ถ€์ง€ ์œ ์ ์—๋Š” ์•ฝ 20๊ฐœ์˜ ์ทจ๋ฝ๊ตฐ์ด ํ˜•์„ฑ๋˜...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029046
oai_dc
่€ณๆบช ๆดช่‰ฏๆตฉ์˜ ํ•™๋ฌธ์ž์„ธ์™€ ํ•™์ ์„ฑ์ทจ - ๆ–ฐ็พ… ๊ด€๋ จ ็ข‘ๆ–‡ใ†็ฅญๆ–‡์„ ์ค‘์‹ฌ์œผ๋กœ
Igey, Hong-yanghoโ€™s academic attitude and achievement - focused on the epitaphs and the funeral orations related to the Silla dynasty -
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ฑ„๊ฒฝ(์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ)" ]
่€ณๆบช ๆดช่‰ฏๆตฉ(1724~1802)๋Š” ์กฐ์„  ํ›„๊ธฐ์˜ ๋ฌธ์ธ ํ•™์ž์ด์ž ๊ด€๋ฃŒ์˜€๋‹ค. ๊ทธ๋Š” ๋‹น์‹œ ๆ–‡่กก์„ ์ง€๋‚ธ ๋ฌธ์žฅ๊ฐ€์ด๋ฉฐ, ่‹ฑ็ฅ–์—๊ฒŒ โ€˜ๅšๅญธโ€™์œผ๋กœ ์ง€๋ชฉ ๋ฐ›์€ ํ•™์ž์ด๊ณ , ๋‚ด์™ธ ๊ด€์ง์—์„œ ๋ฏผ์ƒ์— ๋„์›€์ด ๋˜๋Š” ์น˜์ ์„ ๋‚จ๊ธด ็‰งๆฐ‘ๅฎ˜์ด์—ˆ๋‹ค. ํŠนํžˆ ๊ทธ๋Š” 1760๋…„์— ๆ…ถๅทžๅบœๅฐน์œผ๋กœ ์™€์„œ ๆ–ฐ็พ…้บ่นŸ์— ๊ด€์‹ฌ์„ ๊ฐ–๊ณ  ์ˆ˜๋งŽ์€ ็ข‘ๆ–‡์— ๋Œ€ํ•œ ๊ธฐ๋ก๊ณผ ็ฅญๆ–‡ ๋“ฑ์„ ๋‚จ๊ฒผ๋‹ค. ๋ณธ๊ณ ๋Š” ์ด๊ณ„์˜ ํ•™๋ฌธ์ž์„ธ์™€ ํ•™์ ์„ฑ์ทจ๋ฅผ ์—ฐ๊ตฌํ•˜๋Š” ๋ฐ ๋ชฉ์ ์„ ๋‘์—ˆ๋‹ค. ์ฆ‰ ๊ทธ๊ฐ€ ๋‚จ๊ธด ์‹ ๋ผ์œ ์  ๊ด€๋ จ ๋น„๋ฌธ ๊ธฐ๋ก๊ณผ ์ œ๋ฌธ์„ ่€ƒ็ฉถํ•จ์œผ๋กœ์จ ๊ทธ์˜ ํ•™๋ฌธ๊ณผ ์„ฑ๊ณผ๋ฅผ ์กฐ๋ช…ํ•˜์˜€๋‹ค. ๊ทธ๋™์•ˆ ์ด๊ณ„์— ๊ด€ํ•ด์„œ๋Š” ๋‹ค์–‘ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์ด๋ฃจ์–ด์กŒ์ง€๋งŒ, ๊ทธ๊ฐ€ ๊ฒฝ์ฃผ์ง€์—ญ๊ณผ ์‹ ๋ผ์œ ์ ์„ ๋‹ต์‚ฌํ•˜๊ณ  ๊ธฐ๋ก...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029047
oai_dc
๊ฒฝ์ฃผ๊ฐœ ๋™๊ฒฝ์ด์˜ ๋ฌธํ™”์œ ์‚ฐ์  ๊ฐ€์น˜์™€ ํ™œ์šฉ
Utilizing the cultural archetype and the value of the national dog, โ€˜Donggyeongโ€™
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ฐฝ์‹(์„ธ๋ช…๋Œ€ํ•™๊ต)" ]
๊ฒฝ์ฃผ๊ฐœ ๋™๊ฒฝ์ด๋Š” ํ•œ๊ตญ ํ† ์ข…๊ฐœ ์ค‘ ํ•˜๋‚˜๋กœ ๋ฌธํ—Œ๊ธฐ๋ก์ƒ ๊ฐ€์žฅ ์˜ค๋ž˜๋œ ๊ฐœ๋กœ ํ™•์ธ๋˜์—ˆ๋‹ค. ์‹ ๋ผ์™€ ์—ฐ๊ด€๋œ ๊ฐœ์ธ๋ฐ ๊ฒฝ์ฃผ์ง€์—ญ์—์„œ ์ถœํ† ๋œ 5~6์„ธ๊ธฐ๊ฒฝ์˜ ๋™๋ฌผ ์œ ๋ฌผ์—์„œ ๊ผฌ๋ฆฌ ์งง์€ ๊ฐœ ๋ชจ์–‘์˜ ํ† ์šฐ์™€ ํ† ๊ธฐ ํŒŒํŽธ์„ ํ†ตํ•ด ์ด๋ฅผ ์ž…์ฆํ•œ๋‹ค. ์ด ์ค‘ ๊ฐœ ํ† ์šฐ๊ฐ€ ๊ผฌ๋ฆฌ๊ฐ€ ์งง์€ ๊ฒƒ์œผ๋กœ ๋ณด์•„ ์‹ ๋ผ์‹œ๋Œ€๋ถ€ํ„ฐ ์‚ฌ์œก๋˜์—ˆ๋˜ ํ† ์ข…๊ฐœ๋กœ ์˜๋ก€์  ๊ธฐ๋Šฅ๋„ ์žˆ์—ˆ์Œ์„ ์ถ”์ •ํ•˜๊ณ  ์žˆ๋‹ค. ๊ฒฝ์ฃผ๊ฐœ ๋™๊ฒฝ์ด๋Š” ๊ฒฝ์ฃผ ์ฃผ๋ณ€์—์„œ ์‰ฝ๊ฒŒ ์ฐพ์•„ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋ฏผ์กฑ์  ํŠน์„ฑ์„ ๊ฐ€์ง„ ๋ณด์กด ๊ฐ€์น˜๊ฐ€ ์žˆ๋Š” ๊ตญ๊ฒฌ ํ† ์ข…๊ฐœ์˜€์œผ๋‚˜, ์ผ์ œ๊ฐ•์ ๊ธฐ ์ผ๋ณธ์—์„œ ์™•๊ฐ€๋‚˜ ์‹ ์‚ฌ์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฐœ์˜ ํ˜•์ƒ์ธ ๊ณ ๋งˆ์ด๋ˆ„์™€ ๋‹ฎ์•˜๋‹ค๋Š” ์ด์œ ๋กœ ํ•™์‚ด์„ ๋‹นํ•˜์˜€๊ณ , ๊ฒฌํ”ผ๋ฅผ ๋Œ€๋Ÿ‰ ์ƒ์‚ฐํ•จ์œผ๋กœ์จ ์ธํ•ด...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029048
oai_dc
๊ฒฝ์ฃผ์์„ฑ์˜ ๋ณด์กด ๋ฐ ๊ด€๋ฆฌ
The Preservation and Management of Gyeongjueupseong Fortress
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•ํƒœํ˜ธ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๊ฒฝ์ฃผ๊ณ ๋„๋ณด์กด์œก์„ฑ ์ฃผ์š”์‚ฌ์—…์ธ ๊ฒฝ์ฃผ์์„ฑ ๋ณต์› ์ •๋น„ ์‚ฌ์—… ์ถ”์ง„์„ ์œ„ํ•œ ๋ณด์กด ๋ฐ ๊ด€๋ฆฌ ๋ฐฉ์•ˆ ์ œ์‹œ๋ฅผ ๋ชฉ์ ์œผ๋กœ ์ˆ˜ํ–‰ํ•˜์˜€๋‹ค. ๊ฒฝ์ฃผ์์„ฑ ์ธ๊ทผ ์ฃผ๋ฏผ์„ ๋Œ€์ƒ์œผ๋กœ ์ฃผ๋ฏผ์˜์‹ ์„ค๋ฌธ์กฐ์‚ฌ๋ฅผ ์‹ค์‹œํ•˜์—ฌ ๋ถ„์„ ๊ฒฐ๊ณผ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๊ฒฝ์ฃผ์์„ฑ์˜ ๋ณด์กด ๋ฐ ๊ด€๋ฆฌ ๋ฐฉํ–ฅ์„ ๋ชจ์ƒ‰ํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ์˜ ๊ฒฐ๊ณผ ์ฒซ์งธ, ๊ฒฝ์ฃผ์์„ฑ์€ ๊ณ ๋ ค ์‹œ๋Œ€์— ์ถ•์„ฑํ•˜๊ณ  20์„ธ๊ธฐ ์ดˆ์— ์ด๋ฅด๋Ÿฌ ์ผ์ œ์— ์˜ํ•ด ๋Œ€๋ถ€๋ถ„ ํ—ˆ๋ฌผ์–ด์กŒ๋‹ค. 2004๋…„ ์ผ๋ถ€ ์„ฑ๋ฒฝ๊ณผ ์น˜๋ฅผ ๋ณด์ˆ˜ ๋ณต์›ํ•˜์˜€์œผ๋ฉฐ ์ง€๊ธˆ์€ ๋ณต์›์ •๋น„ ์‚ฌ์—…์ด ๊ณ„ํš์ ์œผ๋กœ ์ถ”์ง„๋˜๊ณ  ์žˆ๋‹ค. ๋‘˜์งธ, ๊ฒฝ์ฃผ์์„ฑ์— ๋Œ€ํ•œ ์ฃผ๋ฏผ ์˜์‹์กฐ์‚ฌ ๊ฒฐ๊ณผ ๊ฒฝ์ฃผ์์„ฑ์˜ ๋ณต์›์ •๋น„ ์‚ฌ์—…์—์„œ ํœด์‹ ๊ณต๊ฐ„์˜ ์„ค์น˜, ๋ฌธํ™”์žฌ์˜ ์™„์ „ํ•œ ๋ณต์›, ...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029049
oai_dc
๊น€์œ ์‹  ๋ฌธํ™”์ฝ˜ํ…์ธ  ๊ธฐํš - ์žฌ๋งค์ •ํƒ ๋ณต์›๊ณผ ๊ด€๋ จ๋œ ํ™œ์šฉ๋ฐฉ์•ˆ -
Cultural Contents Planning for Kim Yu-sin(๏คŠๅบพไฟก)- The Utilization Plans of the Restoration of Jaemaejeong(่ฒก่ฒทไบ•)
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅ์„ฑ์žฌ(์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ)" ]
์ด ๊ธ€์€ ์žฌ๋งค์ •ํƒ์ด ๊น€์œ ์‹ ์˜ ์žํƒ์ด๋ผ๋Š” ์ „์ œ์—์„œ, ๊น€์œ ์‹ ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ๋ฌธํ™”์ฝ˜ํ…์ธ  ๊ธฐํš๋ฐฉ์•ˆ์„ ๊ตฌ์„ฑํ•ด ๋ณด์•˜๋‹ค. ์ „์‹œโ€ค๊ณต์—ฐ, ์ฒดํ—˜๋†€์ด๊ต์œก ๋ฐ ์ƒํ’ˆํ™” ๋“ฑ ์ƒ์‹œ๊ฐœ์„ค ์ฝ˜ํ…์ธ ์™€ ์—ฐ๋ก€์ถ•์ œํ–‰์‚ฌ ์ฝ˜ํ…์ธ ๋กœ ๋‚˜๋ˆ„์–ด, ์ง„์‹ค์„ฑ๊ณผ ๋…์ฐฝ์„ฑ ๊ทธ๋ฆฌ๊ณ  ์˜ค๋ฝ์„ฑ ๋ฐ ์ผ๊ด€์„ฑ์˜ ๊ด€์ ์—์„œ ์‚ดํŽด๋ณด์•˜๋‹ค. ๊ทธ ๊ฒฐ๊ณผ๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. โ‘  ์ง„์‹ค์„ฑ์˜ ๊ด€์ ์—์„œ ๊น€์œ ์‹ ๊ณผ ์žฌ๋งค์ •ํƒ์˜ ๊ด€๋ จ๊ธฐ๋ก์— ๊ทผ๊ฑฐํ•˜์—ฌ ์ถ•๊ตญ๊ณผ ์—ฐ๋‚ ๋ฆฌ๊ธฐ, ์ „ํ†ต ์‹์Œ๋ฃŒ ๋“ฑ ๋ฌธํ™”์›ํ˜•์  ๋‚ด์šฉ๋“ค๊ณผ ๊ทธ ์˜๋ฏธ๋ฅผ ์ฐพ์•„๋ณด์•˜๋‹ค. โ‘ก ๋…์ฐฝ์„ฑ์˜ ๊ด€์ ์—์„œ ๋ฌธํ™”์›ํ˜•์˜ ์ฝ˜ํ…์ธ ๋“ค์„ ์ „ํ†ต๋ช…์ ˆ์ธ ๋Œ€๋ณด๋ฆ„๊ณผ ์‚ผ์ง‡๋‚  ๋ฐ ๊น€์œ ์‹ ์˜ ๊ธฐ์ผ์— ๋งž์ถฐ ๋‹ค๋ฅธ ์žฅ์†Œ๋‚˜ ํ–‰์‚ฌ์™€ ์ฐจ๋ณ„๋˜๋Š” ๋‚ด์šฉ๋“ค์„ ์ค‘์‹ฌ์œผ๋กœ ๊ธฐํšํ•ด...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029050
oai_dc
๊ฒฝ์ฃผ์ง€์—ญ ์‹ ๋ผํ† ์šฐ ์œ ํ˜• ๊ฒ€ํ† 
A Review of the Types of Silla Clay Figurines from Gyeongju Area
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†๋ช…์ˆœ(์‹ ๋ผ๋ฌธํ™”์œ ์‚ฐ์—ฐ๊ตฌ์›)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์‹ ๋ผ์˜ ์ˆ˜๋„ ๊ฒฝ์ฃผ์—์„œ ์ถœํ† ๋œ ์‹ ๋ผํ† ์šฐ์— ๋Œ€ํ•˜์—ฌ ์ถœํ† ์œ ์ ๋ณ„ ์œ ํ˜•์„ ๊ฒ€ํ† ํ•œ ๊ฒƒ์ด๋‹ค. ์‹ ๋ผํ† ์šฐ์˜ ๋Œ€๋ถ€๋ถ„์€ ์ผ์ œ๊ฐ•์ ๊ธฐ ํ™ฉ๋‚จ๋™ ์ผ๋Œ€ ์„๊ณฝ๋ฌ˜์—์„œ ์ถœํ† ๋จ์— ๋”ฐ๋ผ ํŠน์ •๊ณ„์ธต์ด๋‚˜ ์ง‘๋‹จ์˜ ๋ฌด๋ค์ด ์•„๋‹๊นŒ๋ผ๋Š” ์˜๋ฌธ์„ ๊ฐ€์ง€๊ณ  ๋จผ์ € ๊ฒฝ์ฃผ์ง€์—ญ ์ถœํ†  ํ† ์šฐ์˜ ์œ ํ˜•์„ ์ •๋ฆฌํ•˜์—ฌ ์ถœํ† ์œ ์ ์— ๋”ฐ๋ฅธ ์œ ํ˜• ๋ถ„๋ฅ˜ ๋ฐ ์ •ํ˜•์„ฑ์˜ ์œ ๋ฌด๋ฅผ ๊ฒ€ํ† ํ•˜์˜€๋‹ค. ํ† ์šฐ์˜ ๋“ฑ์žฅ์€ ์™•๋ฆ‰๊ธ‰์˜ ๋Œ€ํ˜•๊ณ ๋ถ„์ด ์•„๋‹Œ ์ค‘์†Œํ˜•์˜ ์ ์„๋ชฉ๊ณฝ๋ถ„์—์„œ ์‹œ์ž‘๋˜์—ˆ์œผ๋ฉฐ, ๋ถ„๋ฌ˜์œ ์ ์—์„œ ํ† ์šฐ์˜ ์กด์†๊ธฐ๊ฐ„์€ 5์„ธ๊ธฐ ์ค‘ํ›„๋ฐ˜์—์„œ 6์„ธ๊ธฐ๋Œ€๋กœ ์•ฝ 100๋…„ ๋‚ด์™ธ์ด๋‹ค. ์ ์„๋ชฉ๊ณฝ๋ถ„ ์ถœํ†  ํ† ์šฐ์˜ ๊ฒฝ์šฐ ํ† ๊ธฐ ํ‘œ๋ฉด์— ํ•œ ์  ํ˜น์€ ๋‘ ์ ์˜ ํ† ์šฐ๋ฅผ ๋ถ€์ฐฉํ•˜์˜€์œผ๋ฉฐ, ํ† ์šฐ์˜ ์ข…๋ฅ˜๋‚˜...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029051
oai_dc
์‹ ๋ผ ๊ฒฝ๋•์™•๋Œ€ ๊ตญ๋‚ด์™ธ์ •์„ธ์—์„œ ๋ณธ ์ผ๋ณธ์˜ โ€˜์‹ ๋ผ์ •ํ† ๊ณ„ํšโ€™
National and International Perspectives during King Kyungduk Era
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐ์ด์˜ฅ(๋Œ€๊ตฌ๋Œ€ํ•™๊ต)" ]
์ด๋ฅธ๋ฐ” ์ผ๋ณธ์˜ โ€˜ๆ–ฐ็พ…ๅพ่จŽ่จˆๅŠƒโ€™์ด๋ž€ 8์„ธ๊ธฐ ์ค‘์—ฝ ์ผ๋ณธ์ด ์‹ ๋ผ๋ฅผ ์นจ๊ณตํ•˜๊ณ ์ž ํ–ˆ๋˜ ์ผ๋ จ์˜ ์‚ฌ๊ฑด์„ ๋ช…๋ช…ํ•œ ๊ฒƒ์ธ๋ฐ, ์ด ์‹œ๊ธฐ์— ์‹ ๋ผ๋Š” ๆ™ฏๅพท็Ž‹์ด ์ง‘๊ถŒํ•˜๊ณ  ์žˆ๋˜ ์‹œ๋Œ€์˜€๋‹ค. ์‹ ๋ผ์‚ฌ์— ์žˆ์–ด ๊ฒฝ๋•์™•๋Œ€(742๋…„-765๋…„)๋Š” ์ •์น˜, ์‚ฌํšŒ, ๋ฌธํ™”์ ์œผ๋กœ ํ™ฉ๊ธˆ๊ธฐ์— ํ•ด๋‹นํ•œ๋‹ค. ์ฆ‰ ๊ฒฝ๋•์™•์€ ์ฆ‰์œ„ ์ด๋ž˜ ์ค‘์•™์ง‘๊ถŒ์  ์œจ๋ น๊ตญ๊ฐ€์ฒด์ œ๋ฅผ ์ •๋น„ํ•˜์—ฌ ๊ฐ•๋ ฅํ•œ ์™•๊ถŒ์„ ๊ตฌ์ถ•ํ•˜์˜€๋‹ค. 757๋…„์—๋Š” ์•ˆ์ •๋œ ์™•๊ถŒ์„ ๋ฐ”ํƒ•์œผ๋กœ ๊ตฐํ˜„์ œ์— ๋Œ€ํ•œ ๊ฐœํŽธ๊ณผ ํ•จ๊ป˜ ๊ตฐ๋น„ ํ™•์žฅ์„ ๋„๋ชจํ•˜๊ธฐ๋„ ํ•˜์˜€๋‹ค. ์ผ๋ณธ์˜ โ€˜์‹ ๋ผ์ •ํ† ๊ณ„ํšโ€™์€ 759๋…„ 6์›”๋ถ€ํ„ฐ ๊ตญ๊ฐ€์  ๋ฐฉ์นจ์œผ๋กœ ์ •์‹ ๋ฐœ์˜๋˜์–ด 762๋…„๊นŒ์ง€ ์ถ”์ง„๋˜๋Š”๋ฐ, ์‹ ๋ผ ๊ฒฝ๋•์™•์€ 755๋…„ ๋‹น์—์„œ ์ผ์–ด๋‚œ ๅฎ‰ๅฒ์˜...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029039
oai_dc
ํ•ด์ธ์‚ฌ์˜ ์กฐ๊ฒฝ์‹๋ฌผ ๋ฐ ์‹์žฌํŠน์„ฑ ๋ถ„์„
Analysis on Planting Characteristics and Landscape Plants of Haeinsa
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ์ฃผํ•œ(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๊ฒฝ์ƒ๋‚จ๋„ ํ•ฉ์ฒœ๊ตฐ์— ์œ„์น˜ํ•œ ํ•ด์ธ์‚ฌ์— ์‹์žฌ๋œ ์‹๋ฌผ์ข…๊ณผ ๊ทธ์— ๋”ฐ๋ฅธ ๋ฌธ์ œ์ ์„ ์ง„๋‹จํ•˜๊ณ  ๋ถ„์„ํ•˜์—ฌ ์ „ํ†ต์‚ฌ์ฐฐ์˜ ์ง€์†๊ฐ€๋Šฅํ•œ ๊ด€๋ฆฌ ๋ฐ ์œ ์ง€๋ฅผ ์œ„ํ•œ ๊ธฐ์ดˆ ์ž๋ฃŒ ์ œ๊ณต์— ๋ชฉ์ ์ด ์žˆ๋‹ค. ํ•ด์ธ์‚ฌ ๊ฒฝ๋‚ด์— ์‹์žฌ๋œ ์ข…์€ 36๊ณผ 55์† 53์ข… 1์•„์ข… 7๋ณ€์ข… 3ํ’ˆ์ข… ๋“ฑ ์ด 64๋ถ„๋ฅ˜๊ตฐ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ํ•ด์ธ์‚ฌ ๋‚ด ์‹์žฌ์ข…์— ๋Œ€ํ•œ ๋ณ€ํ™”์–‘์ƒ์„ ์‚ดํŽด๋ณด๋ฉด, 1993๋…„์€ 51๋ถ„๋ฅ˜๊ตฐ, 2010๋…„์€ 52๋ถ„๋ฅ˜๊ตฐ, 2014๋…„์€ 64๋ถ„๋ฅ˜๊ตฐ์œผ๋กœ ์ ์ฐจ ์ฆ๊ฐ€ํ•œ ๊ฒƒ์œผ๋กœ ๋ถ„์„๋˜์—ˆ๋‹ค. ์ƒˆ๋กœ ์‹์žฌ๋œ ์ข…์€ ์†ก์—ฝ๊ตญ, ๋ˆ๋ˆ์ด๋Œ€๋‚˜๋ฌผ, ๋งค๋ฐœํ†ฑ๊ฝƒ, ๋นˆ๋„๋ฆฌ ๋“ฑ 14๋ถ„๋ฅ˜๊ตฐ์ด์—ˆ๋‹ค. ๋˜ํ•œ ์ƒˆ๋กœ ํ™•์ธ๋œ ์ข…์€ ๋‹น๋‹จํ’๋‚˜๋ฌด, ๋ฌด๊ถํ™”, ๋ฐฐ๋กฑ๋‚˜๋ฌด,...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029040
oai_dc
์šธ์‚ฐ์•ฝ์‚ฌ๋™๋ถ๋™์œ ์  ์‚ผ๊ตญ์‹œ๋Œ€ ๊ณ ๋ถ„๊ตฐ์˜ ๋ณ€์ฒœ๊ณผ ์„ฑ๊ฒฉ
Character and transformation of Tombs of the Three Kingdoms Period in Yaksa-dong and Buk-dong archaeological site, Ulsan
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ˆ˜ํ˜•((์žฌ)์šธ์‚ฐ๋ฌธํ™”์žฌ์—ฐ๊ตฌ์›)" ]
์šธ์‚ฐ์ง€์—ญ์€ <<ไธ‰ๅœ‹ๅฒ่จ˜>>์— ๊ธฐ๋ก๋œ โ€˜ไบŽๅฐธๅฑฑๅœ‹โ€™์˜ ๊ณ ์ง€์ด๋ฉฐ, 3C๋Œ€ ๋Œ€ํ˜• ๋ชฉ๊ณฝ๋ฌ˜์˜ ์ถ•์กฐ์™€ ๋‹ค์–‘ํ•œ ์ถœํ† ์œ ๋ฌผ๋กœ ๋ณผ ๋•Œ, ํ•˜๋‚˜์˜ ๋…๋ฆฝ๋œ ์†Œ๊ตญ์„ ํ˜•์„ฑํ•˜์˜€๋˜ ๊ฒƒ์œผ๋กœ ํŒŒ์•…๋œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 4C๋Œ€์— ์ ‘์–ด๋“ค๋ฉด์„œ ์šธ์‚ฐ์€ ๊ตํ†ต์˜ ์š”์ถฉ์ง€๋กœ์„œ ๊ทธ๋ฆฌ๊ณ  ์ฒ ์ƒ์‚ฐ์˜ ์ค‘์š”์„ฑ ๋“ฑ์œผ๋กœ ์ธํ•˜์—ฌ ์ผ์ฐ์ด ์‹ ๋ผ์— ํŽธ์ž…๋˜์–ด ์งโ‹…๊ฐ„์ ‘์ ์ธ ์ง€๋ฐฐ๋ฅผ ๋ฐ›๊ฒŒ ๋œ๋‹ค. ์ด๋Ÿฌํ•œ ๋‹น๋Œ€์˜ ์ •์น˜โ‹…์‚ฌํšŒ์  ํ™˜๊ฒฝ ์†์—์„œ ์‚ผ๊ตญ์‹œ๋Œ€์— ํ˜•์„ฑ๋œ ์šธ์‚ฐ์•ฝ์‚ฌ๋™๋ถ๋™์œ ์  ๊ณ ๋ถ„๊ตฐ(๋ชฉ๊ณฝ๋ฌ˜-์„๊ณฝ๋ฌ˜-์„์‹ค๋ฌ˜)์„ ๋Œ€์ƒ์œผ๋กœ ๋ฌ˜์ œ์˜ ๋ณ€์ฒœ๊ณผ์ •๊ณผ ์ถ•์กฐ์ง‘๋‹จ์˜ ์„ฑ๊ฒฉ์— ๋Œ€ํ•ด ์‚ดํŽด๋ณด์•˜๋‹ค. ๋ถ๋™์œ ์ ์€ 4C ํ›„๋ฐ˜์— ์„ธ์žฅ๋ฐฉํ˜•์˜ ์ฃผโ‹…๋ถ€๊ณฝ์‹๋ชฉ๊ณฝ๋ฌ˜๊ฐ€ ์ฒ˜์Œ์œผ๋กœ ์ถ•์กฐ๋˜๊ธฐ ์‹œ์ž‘ํ•˜์—ฌ 7C ํ›„๋ฐ˜...
์—ญ์‚ฌํ•™
null
kci_detailed_000017.xml
ART002029041
oai_dc
ๅˆๅ”่ฉฉไบบ ๏คš่ณ“็Ž‹์˜ ์‹ค์ข…๊ณผ ๆ–ฐ็พ…
Study of an Early Tang Dynasty poet Luo Binwang's disappearance and nation Silla's connection
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฑ์Šน์„(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋‚™๋นˆ์™•์ด ์„œ๊ฒฝ์—…์„ ๋„์™€์„œ ๋ฌด์ธก์ฒœ์— ๋ฐ˜๊ธฐ๋ฅผ ๋“ค์—ˆ๋˜ ์–‘์ฃผ ๋ชจ๋ฐ˜ ์ดํ›„ ๊ทธ์˜ ์‹ค์ข…๊ณผ ์‹ ๋ผ์— ๋Œ€ํ•œ ๊ด€๋ จ์„ฑ์„ ๊ณ ์ฐฐํ•ด ๋ณธ ๊ฒƒ์ด๋‹ค. ๏คš่ณ“็Ž‹์€ ๋›ฐ์–ด๋‚œ ๋ฌธํ•™์  ์žฌ๋Šฅ์œผ๋กœ ๆญฆๅ‰‡ๅคฉ์กฐ์ฐจ๋„ ํฌ๊ฒŒ ์ถฉ๊ฒฉ์„ ๋ฐ›์•˜๋˜ ๆช„ๆ–‡ใ€ŒไปฃๆŽๆ•ฌๆฅญๅ‚ณๆช„ๅคฉไธ‹ๆ–‡ใ€์„ ์ง€์–ด, ๆญฆๅŽ ์ง‘๋‹จ์˜ ์ฃ„์ƒ์„ ์„ฑํ† ํ•จ๊ณผ ๋™์‹œ์— ๋ฐ˜๋ž€์˜ ๋‹น์œ„์„ฑ์„ ์ „๊ตญ์— ์•Œ๋ฆฌ๋ฉฐ ์ ๊ทน์ ์œผ๋กœ ๋ฐ˜๋ž€์— ์ฐธ๊ฐ€ํ–ˆ์œผ๋‚˜, 3๊ฐœ์›” ๋งŒ์— ๊ฑฐ์‚ฌ์˜ ์‹คํŒจ์™€ ๋™์‹œ์— ์‹ค์ข…๋˜๊ณ  ๋ง์•˜๋‹ค. ๋ณธ๊ณ ๋Š” ๊ฑฐ์‚ฌ ์‹คํŒจ ํ›„ ๅพๆ•ฌๆฅญ ์ผํ–‰์ด โ€œ๋ฐ”๋‹ค๋ฅผ ํ†ตํ•ด์„œ ้ซ˜้บ—๋กœ ๋‹ฌ์•„๋‚˜๋ ค๊ณ  ํ–ˆ๋‹ค(ๅฐ‡ๅ…ฅๆตท้€ƒ้ซ˜้บ—)โ€๋ผ๋Š” ใ€Žๆ–ฐๅ”ๆ›ธใ€์˜ ๊ธฐ๋ก์—์„œ ์ถœ๋ฐœํ•˜์—ฌ ๊ทธ์˜ ํ–‰๋ฐฉ์— ๋Œ€ํ•œ ๋‹จ์„œ๋ฅผ ์ฐพ์•„๋ณด์•˜๋‹ค. ๋จผ์ € ใ€Ž์‹ ๋‹น์„œใ€์—์„œ ๋งํ•˜...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029042
oai_dc
์‹ ๋ผ ๏คŠๅ…ฅ๏จ„๊ณผ ่ฒก่ฒทไบ•๏จ„
Geumiptaek (gold-plate house) and Jaemaejeongtaek (mansion in Gyeongju in the golden age of Silla) of Silla
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ฃผ๋ณด๋ˆ(๊ฒฝ๋ถ๋Œ€ํ•™๊ต)" ]
<<์‚ผ๊ตญ์œ ์‚ฌ>> ์ง„ํ•œ์กฐ์—๋Š” 35๊ธˆ์ž…ํƒ์ด๋ผ๋Š” ํฅ๋ฏธ๋กœ์šด ๋‚ด์šฉ์ด ๋ณด์ธ๋‹ค. ๊ธˆ์ž…ํƒ์€ ๊ธ€์ž ๊ทธ๋Œ€๋กœ ์žฌํ™”๊ฐ€ ๋“ค์–ด๊ฐ€๋Š” ๋ถ€์œ ํ•œ ์ €ํƒ์„ ์˜๋ฏธํ•˜์ง€๋งŒ ๊ฐ€์žฅ ์œ ๋ ฅํ•œ ์ง„๊ณจ๊ท€์กฑ์˜ ์ง‘์•ˆ์„ ๊ฐ€๋ฆฌํ‚จ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ๊ทธ๊ฒƒ์ด ์‹ ๋ผ ๋ง๊ธฐ์˜ ์‚ฌ์ •์„ ์ „ํ•˜๋Š” ๊ฒƒ์œผ๋กœ ์—ฌ๊ฒจ์ ธ ์™”์œผ๋‚˜ ์ž๋ฃŒ๋ฅผ ๋ฉด๋ฐ€ํ•˜๊ฒŒ ๋ถ„์„ํ•˜๋ฉด ์‹ค์ƒ์€ ์‹ ๋ผ๊ฐ€ ์ตœ๊ณ  ์ „์„ฑ๊ธฐ์ธ 8์„ธ๊ธฐ ์ค‘์—ฝ์˜ ๊ฒƒ์ด๋ผ ์—ฌ๊ฒจ์ง„๋‹ค. ๋‹ค๋งŒ, ๊ทธ ์‹œ์›์€ ์ง„ํ•œ ์‹œ๊ธฐ์—๊นŒ์ง€ ์†Œ๊ธ‰๋˜๋ฉฐ, ๊ทธ๊ฒƒ์ด ์ˆ˜์น˜์ƒ์€ ๋ฌผ๋ก , ๊ตฌ์„ฑ์ƒ์œผ๋กœ๋„ ๋ณ€ํ™”๋ฅผ ๊ฑฐ์น˜๋ฉด์„œ ์‹ ๋ผ ๋ง๊ธฐ๊นŒ์ง€ ์ด์–ด์กŒ๋‹ค. 35๊ธˆ์ž…ํƒ์ด๋ผ ํ•˜๋ฉด์„œ๋„ ์‚ฌ์‹ค์ƒ 39๊ฐœ๋ฅผ ์—ด๊ฑฐํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ๋‹จ์ˆœํ•œ ์ฐฉ์˜ค๊ฐ€ ์•„๋‹ˆ๋ผ 35๋ผ๋Š” ์ˆ˜์น˜๊ฐ€ ์–ด๋А ์‹œ์ ์— ๊ณ ์ฐฉ๋œ ๋ฐ์„œ ๊ธฐ์ธํ•˜...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029043
oai_dc
<๊ตฌ์ง€๊ฐ€>, <ํ•ด๊ฐ€>, <ํ—Œํ™”๊ฐ€>์˜ ๋น„๊ต ์—ฐ๊ตฌ
The Comparative Study on <Gujiga>, <Haega> and <Heonhwaga>
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ž„์ˆ˜(๋™๊ตญ๋Œ€ํ•™๊ต)" ]
<๊ตฌ์ง€๊ฐ€>์™€ <ํ—Œํ™”๊ฐ€>์— ๋Œ€ํ•œ ๊ฐœ๋ณ„ ์—ฐ๊ตฌ์—…์ ์€ ๋Œ€๋‹จํžˆ ๋งŽ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ <ํ•ด๊ฐ€>์— ๋Œ€ํ•œ ๋‹จ๋… ๋…ผ๋ฌธ๋„ ์—†๊ณ , ์ด๋“ค ์„ธ ์ž‘ํ’ˆ์— ๋Œ€ํ•œ ์ƒ๊ด€๊ด€๊ณ„๋‚˜ ๋น„๊ต์—ฐ๊ตฌ๋„ ์ฐพ๊ธฐ๊ฐ€ ์–ด๋ ต๋‹ค. ์„ธ ์ž‘ํ’ˆ์€ ์„œ๋กœ ๊ธด๋ฐ€ํ•œ ์˜ํ–ฅ๊ด€๊ณ„์— ๋†“์—ฌ ์žˆ๊ธฐ์— ๋น„๊ต์—ฐ๊ตฌ๊ฐ€ ๊ฐ€๋Šฅํ•˜๋‹ค. ์ฃผ์ธ๊ณต์˜ ๋ช…์นญ, ์ž‘ํ’ˆ์˜ ๊ตฌ์„ฑ, ๋ฌธ์ œํ•ด๊ฒฐ๋ฐฉ๋ฒ•, ์†Œ์žฌ์˜ ์ƒ‰๊น” ๋“ฑ์—์„œ ์„œ๋กœ ๋ฐ€์ ‘ํ•œ ์ƒ๊ด€๊ด€๊ณ„๋ฅผ ๊ฐ–๊ณ  ์žˆ๋‹ค. <๊ตฌ์ง€๊ฐ€>๋Š” 1์„ธ๊ธฐ ๊ฐ€๋ฝ๊ตญ์˜ ๊ฑด๊ตญ์„คํ™”์— ๋‚˜์˜ค๋Š” ๋…ธ๋ž˜์ด๊ณ , <ํ—Œํ™”๊ฐ€>์™€ <ํ•ด๊ฐ€>๋Š” 8์„ธ๊ธฐ ์‹ ๋ผ ์„ฑ๋•์™•(702-736) ๋•Œ์˜ ๊ธฐ๋ก์œผ๋กœ 700๋…„ ๊ฐ€๊นŒ์šด ์‹œ๊ฐ„์  ๊ฑฐ๋ฆฌ๊ฐ€ ์žˆ๋‹ค. ์ฐฝ์ž‘ ์žฅ์†Œ๋Š” ๊ฒฝ๋‚จ ๊น€ํ•ด์—์„œ ๊ฒฝ๋ถ ์˜๋•, ์šธ์ง„ ๋“ฑ ๋™ํ•ด์•ˆ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋“ค...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029044
oai_dc
[ํ•ด๋™๊ณ ์Šน์ „] ใ€Œ้‡‹์•ˆํ•จใ€์ „์˜ ๋ถ„์„
A Biography of An Eminent Korean Monk called AhnHaam
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅํ™œ์‹(๋ถ€์‚ฐ๋Œ€ํ•™๊ต)" ]
โ€˜์•ˆํ•จโ€™๊ณผ โ€˜์•ˆํ™โ€™์ด ๋ณ„๊ฐœ์ธ๋ฌผ ํ˜น์€ ๋™์ผ์ธ๋ฌผ์ด๋ผ๋Š” ๊ฐ€์„ค์„ ์„ค์ •ํ•˜๊ณ  ๊ทธ ๊ฐ€์„ค์„ ๋’ท๋ฐ›์นจํ•˜๊ฑฐ๋‚˜ ๋ฐ˜๋ฐ•ํ•˜๋Š” ๊ทผ๊ฑฐ๋ฅผ ์ œ์‹œํ–ˆ๋˜ ๊ธฐ์กด์˜ ๋ถ„์„๋ฐฉ๋ฒ•์€ ์‚ฌ๋ฃŒ๋ฅผ ์„ ํƒ์ ์œผ๋กœ ํ™œ์šฉํ•˜๊ณ  ๋‹จ๋ฉด์˜ ๊ณ ์ฐฐ์— ์ง‘์ค‘ํ•˜๋Š” ๊ฒฝํ–ฅ์ด ์žˆ์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” โ€˜์•ˆํ•จโ€™๊ณผ โ€˜์•ˆํ™โ€™์— ๊ด€ํ•œ ์‚ฌ๋ฃŒ๋ฅผ ์ฒ ์ €ํžˆ ๋ถ„๋ฆฌํ•˜์—ฌ ๋…๋ฆฝ์ ์œผ๋กœ ๊ณ ์ฐฐํ•˜๊ณ , ์ค‘๋ฆฝ์  ๊ด€์ ์—์„œ ๊ด€๊ณ„๋ฅผ ๊ฒฐ์ •์ง€์—ˆ๋‹ค. ์š”์ ์€ ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, โ€˜์•ˆํ•จโ€™๊ณผ โ€˜์•ˆํ™โ€™์€ ๋™์ผ์ธ์œผ๋กœ ํŒ๋‹จ๋˜์—ˆ๋‹ค. โ€˜์•ˆํ•จโ€™๊ณผ โ€˜์•ˆํ™โ€™ ๊ด€๋ จ๊ธฐ๋ก์—์„œ ์˜๋„์  ์œค์ƒ‰, ๊ฐ€ํ•„, ์˜ค๋ฅ˜๋ฅผ ์ œ๊ฑฐํ•˜๊ณ  ๋‚˜๋ฉด, โ€˜์•ˆํ•จโ€™๊ณผ โ€˜์•ˆํ™โ€™์˜ ์ถœ์ž์™€ ํ–‰์ ์€ ์ •ํ™•ํ•˜๊ฒŒ ์ผ์น˜ํ•˜๋ฉฐ, ์„œ๋กœ ๋‹ค๋ฅธ ์ธ๋ฌผ๋กœ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ๋Š” ๋‚จ์ง€ ์•Š๋Š”๋‹ค...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029045
oai_dc
ํ™ฉ๊ธˆ๋น„์œจ์˜ ํŠน์„ฑ์œผ๋กœ ๋ณธ ๋ถˆ๊ตญ์‚ฌ ์„๊ฐ€ํƒ‘์˜ ์™ธ์ ‘๋ฐฉํ˜•
The Minimum Bounding Rectangles of Golden Ratios on the Drawing of the Sakyamuni Pagoda of Bulguksa Temple
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํšจ์œจ(์ธ์ฒœ๋Œ€ํ•™๊ต)" ]
๊ธฐํ•˜ํ•™์  ์ž‘ํ’ˆ์ธ ๋ถˆ๊ตญ์‚ฌ์˜ ์„๊ฐ€ํƒ‘์—์„œ ๊ธˆ๋น„๋ถ„ํ• (๋“ฑ๊ณ ์„ ์˜ ๊ฐ„๊ฒฉ), ๊ธˆ๋น„๋ฐฉํ˜•(๋ฐฉํ˜•์˜ ๊ณ ํญ๋น„์œจ), ๊ธˆ๋น„์‚ฌ์„ (์„ ๋ถ„์˜ ๊ธฐ์šธ๊ธฐ)์˜ ๊ธˆ๋น„๋“ค์ด ๋ฐœ๊ฒฌ๋˜์—ˆ๋‹ค. ์ด๋Ÿฐ ์„ค๊ณ„์—๋Š” ์‚ฌ์ „ ๊ฒฐ์ •๋œ ๊ณ ํญ๋น„์œจ์˜ ์™ธ์ ‘๋ฐฉํ˜•์ด ํ•„์š”ํ•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด ๊ณ ํญ๋น„์œจ์„ ๊ธˆ๋น„์ผ ๊ฒƒ์œผ๋กœ ์ถ”์ •ํ•˜์—ฌ ์„๊ฐ€ํƒ‘์˜ ๊ฑฐ์‹œ๊ตฌ์กฐ ๊ทœ๋ช…์— ๊ธฐ์—ฌํ•˜์˜€๋‹ค. ์™ธ์ ‘๋ฐฉํ˜•์˜ ๊ธˆ๋น„์ ์šฉ ์—ฌ๋ถ€๋Š” ์„๊ฐ€ํƒ‘ ๊ธฐ๋ฐœ๊ฒฌ ๊ธˆ๋น„ํŠน์„ฑ์œผ๋กœ ํŒ๋‹จ๋  ์ˆ˜ ์žˆ๋‹ค. ์„๊ฐ€ํƒ‘ ๊ธฐ๋ฐœ๊ฒฌ ๊ธˆ๋น„๋ฐฉํ˜•๋“ค์˜ ๊ณ ํญ๋น„์œจ์€ ฯ†n์˜ ๊ธฐ๋ณธํ˜•๊ณผ aฯ†n, (โˆš5)n์˜ ๋ณ€ํ™”ํ˜•์œผ๋กœ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ด ํŠน์„ฑ์„ ์ด์šฉํ•œ ๊ธˆ๋น„๋ฐฉํ˜• ํ…Œ์ŠคํŠธ์—์„œ ์„๊ฐ€ํƒ‘์€ ๊ณ ํญ๋น„์œจ์ด ฯ†2์ธ ํƒ‘์‹ ์ƒ๋ฅœ๋ถ€, (โˆš5)-4์ธ ์ƒ๊ฐ‘์ฒ˜๋งˆ, ฯ†0/2์ธ ...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml
ART002029037
oai_dc
์‹ ๋ผ ็ฅžๆญฆ-ๆ–‡่–็Ž‹ไปฃ์˜ ์ •์น˜ ๋ณ€๋™๊ณผ ไธ‰้Ÿ“ไธ€็ตฑๆ„่ญ˜์˜ ์ถœํ˜„
Political Changes that occurred during the reigns of Shilla kings from Shinmu-wang(็ฅžๆญฆ็Ž‹) to Munseong-wang(ๆ–‡่–็Ž‹), and the Emergence of the Notion of โ€œThree Hans becoming One(ไธ‰้Ÿ“ไธ€็ตฑๆ„่ญ˜)โ€
{ "journal_name": "์‹ ๋ผ๋ฌธํ™”์—ฐ๊ตฌ์†Œ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œค๊ฒฝ์ง„(๊ฒฝ์ƒ๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ๋Š” ์‹ ๋ผ ์‹ ๋ฌด-๋ฌธ์„ฑ์™•๋Œ€ ๋ฌด์—ด์™•๊ณ„๊ฐ€ ๋ณต๊ถŒ๋˜๋ฉด์„œ ์ฒด์ œ ํ†ตํ•ฉ์˜ ์ด๋…์œผ๋กœ์„œ ไธ‰้Ÿ“ไธ€็ตฑๆ„่ญ˜์ด ์ถœํ˜„ํ•˜๋Š” ์–‘์ƒ์„ ๊ฒ€ํ† ํ•œ ๊ฒƒ์ด๋‹ค. ์ด๊ฒƒ์€ ์•ž์„œ ํฅ๋•์™•์ด ๏คŠๅบพไฟก์„ ่ˆˆๆญฆๅคง็Ž‹์œผ๋กœ ่ฟฝๅฐํ•˜์—ฌ ํ†ตํ•ฉ์˜ ์ƒ์ง•์œผ๋กœ ํ™œ์šฉํ•˜๋ ค ํ•œ ๊ฒƒ์—์„œ โ€˜ํ†ต์ผโ€™์ „์Ÿ์˜ ๊ฒฝํ—˜์„ ์ •์น˜ ์ด๋…์œผ๋กœ ํ™œ์šฉํ•˜๋Š” ๋‹จ๊ณ„๋กœ ๋‚˜์•„๊ฐ€๊ฒŒ ๋จ์„ ๋ฐ˜์˜ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๋ณ€ํ™”์˜ ๊ณ„๊ธฐ๋ฅผ ์ œ๊ณตํ•œ ๊ฒƒ์€ ๋ฌด์—ด์™•์˜ ํ›„์†์ธ ๏คŠ้™ฝ์ด์—ˆ๋‹ค. ๊ทธ๋Š” ํฅ๋•์™• ์‚ฌํ›„ ๋ฒŒ์–ด์ง„ ์™•์œ„์Ÿํƒˆ์ „์—์„œ ๅ‡่ฒž์„ ์ง€์›ํ•˜์˜€๊ณ , ๊ทธ ์•„๋“ค ็ฅๅพต์ด ๆทธๆตท้Žญ์— ๋“ค์–ด๊ฐ€์ž ๊ตฐ์‚ฌ๋ฅผ ๋ชจ์•„ ํ•ฉ๋ฅ˜ํ•˜์˜€๋‹ค. ๊ทธ๋Š” ์ฒญํ•ด์ง„์˜ ๊ตฐ๋Œ€๋ฅผ ์ด๋Œ๊ณ  ์™•๊ฒฝ์„ ๊ณต๊ฒฉํ•˜์—ฌ ๋ฏผ์• ์™•์„ ์ œ๊ฑฐํ•˜๊ณ  ์‹ ๋ฌด์™•์„ ์˜น๋ฆฝํ•˜์˜€๋‹ค. ์ด๋Š” ๋ฌด์—ด์™•๊ณ„๊ฐ€ ์ •...
์—ญ์‚ฌํ•™
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kci_detailed_000017.xml