id stringlengths 24 24 | title stringclasses 442
values | context stringlengths 151 3.71k | question stringlengths 12 270 | answers dict |
|---|---|---|---|---|
57279d66ff5b5019007d9119 | Gramophone_record | By about 1910,[note 1] bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of... | What were early record album covers made of? | {
"answer_start": [
44
],
"text": [
"empty sleeves with a paperboard or leather cover"
]
} |
57279d66ff5b5019007d911a | Gramophone_record | By about 1910,[note 1] bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of... | What sizes were record album covers available in? | {
"answer_start": [
280
],
"text": [
"10-inch and 12-inch sizes"
]
} |
57279d66ff5b5019007d911b | Gramophone_record | By about 1910,[note 1] bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of... | How were record album covers intended to be stored? | {
"answer_start": [
436
],
"text": [
"upright"
]
} |
57279d66ff5b5019007d911c | Gramophone_record | By about 1910,[note 1] bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of... | What was the purpose of record album covers? | {
"answer_start": [
509
],
"text": [
"protecting them"
]
} |
57279e2cff5b5019007d9122 | Gramophone_record | In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight t... | When were albums as we currently know them widely released? | {
"answer_start": [
7
],
"text": [
"1930s"
]
} |
57279e2cff5b5019007d9123 | Gramophone_record | In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight t... | What is typically found on the front cover of an album? | {
"answer_start": [
162
],
"text": [
"artwork"
]
} |
57279e2cff5b5019007d9124 | Gramophone_record | In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight t... | How may records were commonly found in an album? | {
"answer_start": [
255
],
"text": [
"three or four"
]
} |
57279e2cff5b5019007d9125 | Gramophone_record | In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight t... | When did the vinyl LP records Era begin? | {
"answer_start": [
375
],
"text": [
"1949"
]
} |
57279e2cff5b5019007d9126 | Gramophone_record | In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight t... | How many songs did most albums contain? | {
"answer_start": [
306
],
"text": [
"six or eight"
]
} |
57279f213acd2414000de811 | Gramophone_record | For collectable or nostalgia purposes, or for the benefit of higher-quality audio playback provided by the 78 rpm speed with newer vinyl records and their lightweight stylus pickups, a small number of 78 rpm records have been released since the major labels ceased production. One of the first attempts at this was in th... | What are reasons for recent releases of 78 rpm speed vinyls? | {
"answer_start": [
4
],
"text": [
"collectable or nostalgia purposes"
]
} |
57279f213acd2414000de812 | Gramophone_record | For collectable or nostalgia purposes, or for the benefit of higher-quality audio playback provided by the 78 rpm speed with newer vinyl records and their lightweight stylus pickups, a small number of 78 rpm records have been released since the major labels ceased production. One of the first attempts at this was in th... | What is a benefit of newer releases of 78 rpm speed vinyls? | {
"answer_start": [
61
],
"text": [
"higher-quality audio playback"
]
} |
57279f213acd2414000de813 | Gramophone_record | For collectable or nostalgia purposes, or for the benefit of higher-quality audio playback provided by the 78 rpm speed with newer vinyl records and their lightweight stylus pickups, a small number of 78 rpm records have been released since the major labels ceased production. One of the first attempts at this was in th... | Who released 7" microgrooved records in the 1950s? | {
"answer_start": [
965
],
"text": [
"Bell Records"
]
} |
57279f213acd2414000de814 | Gramophone_record | For collectable or nostalgia purposes, or for the benefit of higher-quality audio playback provided by the 78 rpm speed with newer vinyl records and their lightweight stylus pickups, a small number of 78 rpm records have been released since the major labels ceased production. One of the first attempts at this was in th... | What benefits to vinyl have been found in the 1950s? | {
"answer_start": [
906
],
"text": [
"wider range of audio"
]
} |
57279f213acd2414000de815 | Gramophone_record | For collectable or nostalgia purposes, or for the benefit of higher-quality audio playback provided by the 78 rpm speed with newer vinyl records and their lightweight stylus pickups, a small number of 78 rpm records have been released since the major labels ceased production. One of the first attempts at this was in th... | Who founded Audiophile Records? | {
"answer_start": [
343
],
"text": [
"Ewing Dunbar Nunn"
]
} |
5727a043ff5b5019007d9140 | Gramophone_record | In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise d... | In what year did Reprise plan to release a series of 78 rpm singles? | {
"answer_start": [
3
],
"text": [
"1968"
]
} |
5727a043ff5b5019007d9141 | Gramophone_record | In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise d... | Which disc did Reprise release in 78 rpm format? | {
"answer_start": [
196
],
"text": [
"Think It's Going to Rain Today"
]
} |
5727a043ff5b5019007d9142 | Gramophone_record | In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise d... | What two songs were featured on the 1978 release by Leon Redbone in 78 rpm format? | {
"answer_start": [
545
],
"text": [
"Alabama Jubilee and Please Don't Talk About Me When I'm Gone"
]
} |
5727a043ff5b5019007d9143 | Gramophone_record | In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise d... | What record company released recordings of 'Buena' and 'Tuff Enuff' in 1980? | {
"answer_start": [
649
],
"text": [
"Stiff Records"
]
} |
5727a043ff5b5019007d9144 | Gramophone_record | In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise d... | Why did Reprise only release one 78 rpm vinyl? | {
"answer_start": [
368
],
"text": [
"lack of sales for the single, and a lack of general interest"
]
} |
5727a1a43acd2414000de859 | Gramophone_record | In the 1990s Rhino Records issued a series of boxed sets of 78 rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. This was a disaster because Rhino did not warn customers that their records were made of vinyl, and that the vintage 78 RPM juke boxes were designed with heavy tone arms and... | When was the release by Rhino Records of 78 rpm for jukebox owners? | {
"answer_start": [
7
],
"text": [
"1990s"
]
} |
5727a1a43acd2414000de85a | Gramophone_record | In the 1990s Rhino Records issued a series of boxed sets of 78 rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. This was a disaster because Rhino did not warn customers that their records were made of vinyl, and that the vintage 78 RPM juke boxes were designed with heavy tone arms and... | What was the result of the use of this release of 78 rpm vinyl when used in vintage jukeboxes? | {
"answer_start": [
478
],
"text": [
"they were destroyed"
]
} |
5727a1a43acd2414000de85b | Gramophone_record | In the 1990s Rhino Records issued a series of boxed sets of 78 rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. This was a disaster because Rhino did not warn customers that their records were made of vinyl, and that the vintage 78 RPM juke boxes were designed with heavy tone arms and... | What was needed to successfully play the newer released 79 rpm vinyl? | {
"answer_start": [
603
],
"text": [
"lightweight tone arms and jewel needles"
]
} |
5727a1a43acd2414000de85c | Gramophone_record | In the 1990s Rhino Records issued a series of boxed sets of 78 rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. This was a disaster because Rhino did not warn customers that their records were made of vinyl, and that the vintage 78 RPM juke boxes were designed with heavy tone arms and... | For whom was the 1990 release of 78 rpm intended? | {
"answer_start": [
118
],
"text": [
"owners of vintage jukeboxes"
]
} |
5727a1a43acd2414000de85d | Gramophone_record | In the 1990s Rhino Records issued a series of boxed sets of 78 rpm reissues of early rock and roll hits, intended for owners of vintage jukeboxes. This was a disaster because Rhino did not warn customers that their records were made of vinyl, and that the vintage 78 RPM juke boxes were designed with heavy tone arms and... | How did the 1990 release of 78 rpm effect Rhino Records? | {
"answer_start": [
442
],
"text": [
"bad reputation"
]
} |
5727a6242ca10214002d92da | Gramophone_record | In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program-transcription discs. These revolutionary discs were designed for playback at 33 1⁄3 rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Vict... | What was the playing time of program-transcription discs? | {
"answer_start": [
277
],
"text": [
"ten minutes playing time per side"
]
} |
5727a6242ca10214002d92db | Gramophone_record | In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program-transcription discs. These revolutionary discs were designed for playback at 33 1⁄3 rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Vict... | How successful was RCA Victor's program-transcription discs? | {
"answer_start": [
370
],
"text": [
"commercial failure"
]
} |
5727a6242ca10214002d92dc | Gramophone_record | In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program-transcription discs. These revolutionary discs were designed for playback at 33 1⁄3 rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Vict... | When did RCA Victor release long play discs? | {
"answer_start": [
3
],
"text": [
"1931"
]
} |
5727a6242ca10214002d92dd | Gramophone_record | In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program-transcription discs. These revolutionary discs were designed for playback at 33 1⁄3 rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Vict... | Who released the first commercial long play discs? | {
"answer_start": [
312
],
"text": [
"RCA Victor"
]
} |
5727a6242ca10214002d92de | Gramophone_record | In 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed as program-transcription discs. These revolutionary discs were designed for playback at 33 1⁄3 rpm and pressed on a 30 cm diameter flexible plastic disc, with a duration of about ten minutes playing time per side. RCA Vict... | By when were long play records discontinued? | {
"answer_start": [
702
],
"text": [
"early 1933"
]
} |
5727a8062ca10214002d9308 | Gramophone_record | Vinyl's lower surface noise level than shellac was not forgotten, nor was its durability. In the late 1930s, radio commercials and pre-recorded radio programs being sent to disc jockeys started being stamped in vinyl, so they would not break in the mail. In the mid-1940s, special DJ copies of records started being made... | What was a benefit of using vinyl over shellac? | {
"answer_start": [
8
],
"text": [
"lower surface noise"
]
} |
5727a8062ca10214002d9309 | Gramophone_record | Vinyl's lower surface noise level than shellac was not forgotten, nor was its durability. In the late 1930s, radio commercials and pre-recorded radio programs being sent to disc jockeys started being stamped in vinyl, so they would not break in the mail. In the mid-1940s, special DJ copies of records started being made... | By the mid 1940s what was the primary material records were made of? | {
"answer_start": [
324
],
"text": [
"vinyl"
]
} |
5727a8062ca10214002d930a | Gramophone_record | Vinyl's lower surface noise level than shellac was not forgotten, nor was its durability. In the late 1930s, radio commercials and pre-recorded radio programs being sent to disc jockeys started being stamped in vinyl, so they would not break in the mail. In the mid-1940s, special DJ copies of records started being made... | What was a factor in shellac availability? | {
"answer_start": [
397
],
"text": [
"World War II"
]
} |
5727a8062ca10214002d930b | Gramophone_record | Vinyl's lower surface noise level than shellac was not forgotten, nor was its durability. In the late 1930s, radio commercials and pre-recorded radio programs being sent to disc jockeys started being stamped in vinyl, so they would not break in the mail. In the mid-1940s, special DJ copies of records started being made... | Which material was more durable, shellac or vinyl? | {
"answer_start": [
211
],
"text": [
"vinyl"
]
} |
5727a8062ca10214002d930c | Gramophone_record | Vinyl's lower surface noise level than shellac was not forgotten, nor was its durability. In the late 1930s, radio commercials and pre-recorded radio programs being sent to disc jockeys started being stamped in vinyl, so they would not break in the mail. In the mid-1940s, special DJ copies of records started being made... | What material were most mailed records made of? | {
"answer_start": [
211
],
"text": [
"vinyl"
]
} |
5727a8cf3acd2414000de903 | Gramophone_record | Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of... | What caused a delay in the production of high quality records? | {
"answer_start": [
321
],
"text": [
"World War II"
]
} |
5727a8cf3acd2414000de904 | Gramophone_record | Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of... | Who released the 12 inch LP? | {
"answer_start": [
437
],
"text": [
"Columbia Record Company"
]
} |
5727a8cf3acd2414000de905 | Gramophone_record | Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of... | On what date was the 12 inch LP released? | {
"answer_start": [
495
],
"text": [
"June 18, 1948"
]
} |
5727a8cf3acd2414000de906 | Gramophone_record | Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of... | In what city was the 12 in LP released? | {
"answer_start": [
466
],
"text": [
"New York"
]
} |
5727a8cf3acd2414000de907 | Gramophone_record | Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of... | How long did it take Columbia to produce a consumer friendly long play record? | {
"answer_start": [
253
],
"text": [
"about eight years"
]
} |
5727ac6aff5b5019007d924e | Gramophone_record | Unwilling to accept and license Columbia's system, in February 1949 RCA Victor, in cooperation of its parent, the Radio Corporation of America, released the first 45 rpm single, 7 inches in diameter with a large center hole. The 45 rpm player included a changing mechanism that allowed multiple disks to be stacked, much... | What did RCA release to complete against Columbia's LP? | {
"answer_start": [
225
],
"text": [
"The 45 rpm player"
]
} |
5727ac6aff5b5019007d924f | Gramophone_record | Unwilling to accept and license Columbia's system, in February 1949 RCA Victor, in cooperation of its parent, the Radio Corporation of America, released the first 45 rpm single, 7 inches in diameter with a large center hole. The 45 rpm player included a changing mechanism that allowed multiple disks to be stacked, much... | What materials were 45 rpm records made of? | {
"answer_start": [
669
],
"text": [
"vinyl or polystyrene"
]
} |
5727ac6aff5b5019007d9250 | Gramophone_record | Unwilling to accept and license Columbia's system, in February 1949 RCA Victor, in cooperation of its parent, the Radio Corporation of America, released the first 45 rpm single, 7 inches in diameter with a large center hole. The 45 rpm player included a changing mechanism that allowed multiple disks to be stacked, much... | What was the play time of a 45 rpm | {
"answer_start": [
718
],
"text": [
"eight minutes"
]
} |
5727ac6aff5b5019007d9251 | Gramophone_record | Unwilling to accept and license Columbia's system, in February 1949 RCA Victor, in cooperation of its parent, the Radio Corporation of America, released the first 45 rpm single, 7 inches in diameter with a large center hole. The 45 rpm player included a changing mechanism that allowed multiple disks to be stacked, much... | What was the size of a RCA Victor 45 rpm? | {
"answer_start": [
178
],
"text": [
"7 inches"
]
} |
5727ad89ff5b5019007d9260 | Gramophone_record | One early attempt at lengthening the playing time should be mentioned. At least one manufacturer in the early 1920s, World Records, produced records that played at a constant linear velocity, controlled by Noel Pemberton Billing's patented add-on governor device. As these were played from the outside to the inside, the... | Who had made an attempt in the 1920s to release a long play time recording? | {
"answer_start": [
117
],
"text": [
"World Records"
]
} |
5727ad89ff5b5019007d9261 | Gramophone_record | One early attempt at lengthening the playing time should be mentioned. At least one manufacturer in the early 1920s, World Records, produced records that played at a constant linear velocity, controlled by Noel Pemberton Billing's patented add-on governor device. As these were played from the outside to the inside, the... | What caused the constant linear velocity? | {
"answer_start": [
206
],
"text": [
"Noel Pemberton Billing's patented add-on governor device"
]
} |
5727ad89ff5b5019007d9262 | Gramophone_record | One early attempt at lengthening the playing time should be mentioned. At least one manufacturer in the early 1920s, World Records, produced records that played at a constant linear velocity, controlled by Noel Pemberton Billing's patented add-on governor device. As these were played from the outside to the inside, the... | What was a unique feature of World Records records? | {
"answer_start": [
278
],
"text": [
"played from the outside to the inside"
]
} |
5727ad89ff5b5019007d9263 | Gramophone_record | One early attempt at lengthening the playing time should be mentioned. At least one manufacturer in the early 1920s, World Records, produced records that played at a constant linear velocity, controlled by Noel Pemberton Billing's patented add-on governor device. As these were played from the outside to the inside, the... | What currently utilized item was World Records CLV similar to? | {
"answer_start": [
515
],
"text": [
"Philips Laser Disc"
]
} |
5727ae913acd2414000de97f | Gramophone_record | In 1925, 78.26 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor. This motor ran at 3600 rpm, such that a 46:1 gear ratio would produce 78.26 rpm. In parts of the world that used 50 Hz current, the standard was 77.92 rpm (3,000 rpm with a 77:2 ratio), whi... | What gear ration creates 78.26 rpm? | {
"answer_start": [
171
],
"text": [
"46:1"
]
} |
5727ae913acd2414000de980 | Gramophone_record | In 1925, 78.26 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor. This motor ran at 3600 rpm, such that a 46:1 gear ratio would produce 78.26 rpm. In parts of the world that used 50 Hz current, the standard was 77.92 rpm (3,000 rpm with a 77:2 ratio), whi... | In what year was 78.26 rpm chosen as standard? | {
"answer_start": [
3
],
"text": [
"1925"
]
} |
5727ae913acd2414000de981 | Gramophone_record | In 1925, 78.26 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor. This motor ran at 3600 rpm, such that a 46:1 gear ratio would produce 78.26 rpm. In parts of the world that used 50 Hz current, the standard was 77.92 rpm (3,000 rpm with a 77:2 ratio), whi... | How many rpm did the electrically powered synchronous turanable motor run at? | {
"answer_start": [
149
],
"text": [
"3600 rpm"
]
} |
5727ae913acd2414000de982 | Gramophone_record | In 1925, 78.26 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor. This motor ran at 3600 rpm, such that a 46:1 gear ratio would produce 78.26 rpm. In parts of the world that used 50 Hz current, the standard was 77.92 rpm (3,000 rpm with a 77:2 ratio), whi... | Why are these records known as '78s'? | {
"answer_start": [
502
],
"text": [
"to distinguish them from other newer disc record formats"
]
} |
5727b0292ca10214002d93d6 | Gramophone_record | The older 78 format continued to be mass-produced alongside the newer formats using new materials until about 1960 in the U.S., and in a few countries, such as India (where some Beatles recordings were issued on 78), into the 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records wa... | When did the 45 rpm gain popularity over the 78 rpm | {
"answer_start": [
652
],
"text": [
"1950s"
]
} |
5727b0292ca10214002d93d7 | Gramophone_record | The older 78 format continued to be mass-produced alongside the newer formats using new materials until about 1960 in the U.S., and in a few countries, such as India (where some Beatles recordings were issued on 78), into the 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records wa... | With which crowd did the 45 rpm gain popularity? | {
"answer_start": [
662
],
"text": [
"teenagers"
]
} |
5727b0292ca10214002d93d8 | Gramophone_record | The older 78 format continued to be mass-produced alongside the newer formats using new materials until about 1960 in the U.S., and in a few countries, such as India (where some Beatles recordings were issued on 78), into the 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records wa... | At which time were the 79 rpm no longer mass produced? | {
"answer_start": [
104
],
"text": [
"about 1960"
]
} |
5727b0292ca10214002d93d9 | Gramophone_record | The older 78 format continued to be mass-produced alongside the newer formats using new materials until about 1960 in the U.S., and in a few countries, such as India (where some Beatles recordings were issued on 78), into the 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records wa... | On which date did Columbia release it's last 78? | {
"answer_start": [
361
],
"text": [
"November 1, 1954."
]
} |
5727b0292ca10214002d93da | Gramophone_record | The older 78 format continued to be mass-produced alongside the newer formats using new materials until about 1960 in the U.S., and in a few countries, such as India (where some Beatles recordings were issued on 78), into the 1960s. For example, Columbia Records' last reissue of Frank Sinatra songs on 78 rpm records wa... | What was the last country to phase out the 78 rpm? | {
"answer_start": [
467
],
"text": [
"United Kingdom"
]
} |
5727b186ff5b5019007d92b6 | Gramophone_record | Some of Elvis Presley's early singles on Sun Records might have sold more copies on 78 than on 45. This is because the majority of those sales in 1954–55 were to the "hillbilly" market in the South and Southwestern United States, where replacing the family 78 rpm player with a new 45 rpm player was a luxury few could a... | What percentage of Elvis Presley's single sales were of 78s? | {
"answer_start": [
403
],
"text": [
"less than 10%"
]
} |
5727b186ff5b5019007d92b7 | Gramophone_record | Some of Elvis Presley's early singles on Sun Records might have sold more copies on 78 than on 45. This is because the majority of those sales in 1954–55 were to the "hillbilly" market in the South and Southwestern United States, where replacing the family 78 rpm player with a new 45 rpm player was a luxury few could a... | What was the last 78 released in the UK by RCA? | {
"answer_start": [
663
],
"text": [
"A Mess Of Blues/Girl Of My Best Friend"
]
} |
5727b186ff5b5019007d92b8 | Gramophone_record | Some of Elvis Presley's early singles on Sun Records might have sold more copies on 78 than on 45. This is because the majority of those sales in 1954–55 were to the "hillbilly" market in the South and Southwestern United States, where replacing the family 78 rpm player with a new 45 rpm player was a luxury few could a... | Why did Elvis sales of 78s perform so well in the Southern States? | {
"answer_start": [
282
],
"text": [
"45 rpm player was a luxury few could afford at the time"
]
} |
5727b186ff5b5019007d92b9 | Gramophone_record | Some of Elvis Presley's early singles on Sun Records might have sold more copies on 78 than on 45. This is because the majority of those sales in 1954–55 were to the "hillbilly" market in the South and Southwestern United States, where replacing the family 78 rpm player with a new 45 rpm player was a luxury few could a... | On which label did Elvis release his early singles? | {
"answer_start": [
41
],
"text": [
"Sun Records"
]
} |
5727b186ff5b5019007d92ba | Gramophone_record | Some of Elvis Presley's early singles on Sun Records might have sold more copies on 78 than on 45. This is because the majority of those sales in 1954–55 were to the "hillbilly" market in the South and Southwestern United States, where replacing the family 78 rpm player with a new 45 rpm player was a luxury few could a... | What was the last Elvis Presley single released on 78? | {
"answer_start": [
591
],
"text": [
"I Got Stung/One Night"
]
} |
5727b3ab4b864d1900163ab8 | Gramophone_record | After World War II, two new competing formats came onto the market and gradually replaced the standard "78": the 33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm (see above). The 33 1⁄3 rpm LP (for "long-play") format was developed by Columbia Records and marketed in June 1948. RCA Victor developed the... | What two formats replaced the 78? | {
"answer_start": [
113
],
"text": [
"33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm"
]
} |
5727b3ab4b864d1900163ab9 | Gramophone_record | After World War II, two new competing formats came onto the market and gradually replaced the standard "78": the 33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm (see above). The 33 1⁄3 rpm LP (for "long-play") format was developed by Columbia Records and marketed in June 1948. RCA Victor developed the... | Who developed the 33 1/3 rpm LP? | {
"answer_start": [
252
],
"text": [
"Columbia Records"
]
} |
5727b3ab4b864d1900163aba | Gramophone_record | After World War II, two new competing formats came onto the market and gradually replaced the standard "78": the 33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm (see above). The 33 1⁄3 rpm LP (for "long-play") format was developed by Columbia Records and marketed in June 1948. RCA Victor developed the... | When did the 33 1/3 rpm hit the market? | {
"answer_start": [
285
],
"text": [
"June 1948"
]
} |
5727b3ab4b864d1900163abb | Gramophone_record | After World War II, two new competing formats came onto the market and gradually replaced the standard "78": the 33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm (see above). The 33 1⁄3 rpm LP (for "long-play") format was developed by Columbia Records and marketed in June 1948. RCA Victor developed the... | When did RCA release their 45 rpm format? | {
"answer_start": [
354
],
"text": [
"March 1949"
]
} |
5727b3ab4b864d1900163abc | Gramophone_record | After World War II, two new competing formats came onto the market and gradually replaced the standard "78": the 33 1⁄3 rpm (often just referred to as the 33 rpm), and the 45 rpm (see above). The 33 1⁄3 rpm LP (for "long-play") format was developed by Columbia Records and marketed in June 1948. RCA Victor developed the... | When were RIAA standards established? | {
"answer_start": [
633
],
"text": [
"mid-1950s"
]
} |
5727bb282ca10214002d94fc | Gramophone_record | Some recordings, such as books for the blind, were pressed at 16 2⁄3 rpm. Prestige Records released jazz records in this format in the late 1950s; for example, two of their Miles Davis albums were paired together in this format. Peter Goldmark, the man who developed the 33 1⁄3 rpm record, developed the Highway Hi-Fi 16... | What was 16 2/3 rpm speed used for? | {
"answer_start": [
551
],
"text": [
"narrated publications"
]
} |
5727bb282ca10214002d94fd | Gramophone_record | Some recordings, such as books for the blind, were pressed at 16 2⁄3 rpm. Prestige Records released jazz records in this format in the late 1950s; for example, two of their Miles Davis albums were paired together in this format. Peter Goldmark, the man who developed the 33 1⁄3 rpm record, developed the Highway Hi-Fi 16... | Who developed the 33 1/3 rpm speed record? | {
"answer_start": [
229
],
"text": [
"Peter Goldmark"
]
} |
5727bb282ca10214002d94fe | Gramophone_record | Some recordings, such as books for the blind, were pressed at 16 2⁄3 rpm. Prestige Records released jazz records in this format in the late 1950s; for example, two of their Miles Davis albums were paired together in this format. Peter Goldmark, the man who developed the 33 1⁄3 rpm record, developed the Highway Hi-Fi 16... | What record format was created for use in Chrysler automobiles? | {
"answer_start": [
304
],
"text": [
"Highway Hi-Fi 16 2⁄3 rpm record"
]
} |
5727bb282ca10214002d94ff | Gramophone_record | Some recordings, such as books for the blind, were pressed at 16 2⁄3 rpm. Prestige Records released jazz records in this format in the late 1950s; for example, two of their Miles Davis albums were paired together in this format. Peter Goldmark, the man who developed the 33 1⁄3 rpm record, developed the Highway Hi-Fi 16... | Why did Chrysler discontinue use of the Hifi 16 2/3 rpm record? | {
"answer_start": [
378
],
"text": [
"poor performance"
]
} |
5727bb282ca10214002d9500 | Gramophone_record | Some recordings, such as books for the blind, were pressed at 16 2⁄3 rpm. Prestige Records released jazz records in this format in the late 1950s; for example, two of their Miles Davis albums were paired together in this format. Peter Goldmark, the man who developed the 33 1⁄3 rpm record, developed the Highway Hi-Fi 16... | To the end of which era could you find 16 rpm setting on record players? | {
"answer_start": [
759
],
"text": [
"1970s"
]
} |
5727bc0b3acd2414000deaef | Gramophone_record | The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately ... | Which company lost the "War of the Speeds"? | {
"answer_start": [
453
],
"text": [
"RCA"
]
} |
5727bc0b3acd2414000deaf0 | Gramophone_record | The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately ... | What speed ultimantly ended up winning the war of the speeds? | {
"answer_start": [
510
],
"text": [
"45 rpm"
]
} |
5727bc0b3acd2414000deaee | Gramophone_record | The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately ... | Over which years did the "War of the Speeds" last? | {
"answer_start": [
212
],
"text": [
"1948 to 1950"
]
} |
5727bc0b3acd2414000deaf1 | Gramophone_record | The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately ... | By 1945 what was the total sale of 45s? | {
"answer_start": [
615
],
"text": [
"200 million"
]
} |
5727bc0b3acd2414000deaed | Gramophone_record | The commercial rivalry between RCA Victor and Columbia Records led to RCA Victor's introduction of what it had intended to be a competing vinyl format, the 7-inch (175 mm) 45 rpm disc. For a two-year period from 1948 to 1950, record companies and consumers faced uncertainty over which of these formats would ultimately ... | Which two companies were involved in the "War of the Speeds"? | {
"answer_start": [
31
],
"text": [
"RCA Victor and Columbia Records"
]
} |
5727bd22ff5b5019007d93dc | Gramophone_record | Eventually the 12-inch (300 mm) 33 1⁄3 rpm LP prevailed as the predominant format for musical albums, and 10-inch LPs were no longer issued. The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP record was an album called Hall of Fame, CL 2600, issued on October 26, 1956, containing six songs, on... | What format of LPs was discontinued? | {
"answer_start": [
106
],
"text": [
"10-inch"
]
} |
5727bd22ff5b5019007d93dd | Gramophone_record | Eventually the 12-inch (300 mm) 33 1⁄3 rpm LP prevailed as the predominant format for musical albums, and 10-inch LPs were no longer issued. The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP record was an album called Hall of Fame, CL 2600, issued on October 26, 1956, containing six songs, on... | What was the significance of October 26th, 1956? | {
"answer_start": [
141
],
"text": [
"The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP"
]
} |
5727bd22ff5b5019007d93de | Gramophone_record | Eventually the 12-inch (300 mm) 33 1⁄3 rpm LP prevailed as the predominant format for musical albums, and 10-inch LPs were no longer issued. The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP record was an album called Hall of Fame, CL 2600, issued on October 26, 1956, containing six songs, on... | In which country did the 10 in LP exist the longest? | {
"answer_start": [
468
],
"text": [
"United Kingdom"
]
} |
5727bd22ff5b5019007d93df | Gramophone_record | Eventually the 12-inch (300 mm) 33 1⁄3 rpm LP prevailed as the predominant format for musical albums, and 10-inch LPs were no longer issued. The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP record was an album called Hall of Fame, CL 2600, issued on October 26, 1956, containing six songs, on... | Which format offered up to 1/2 an hour of recordings per side? | {
"answer_start": [
886
],
"text": [
"12-inch LP"
]
} |
5727bd22ff5b5019007d93e0 | Gramophone_record | Eventually the 12-inch (300 mm) 33 1⁄3 rpm LP prevailed as the predominant format for musical albums, and 10-inch LPs were no longer issued. The last Columbia Records reissue of any Frank Sinatra songs on a 10-inch LP record was an album called Hall of Fame, CL 2600, issued on October 26, 1956, containing six songs, on... | Did the 45 rpm or 12 inch disc offer longer playing time? | {
"answer_start": [
886
],
"text": [
"12-inch LP"
]
} |
5727be4c3acd2414000deb31 | Gramophone_record | The 45 rpm discs also came in a variety known as extended play (EP), which achieved up to 10–15 minutes play at the expense of attenuating (and possibly compressing) the sound to reduce the width required by the groove. EP discs were cheaper to produce, and were used in cases where unit sales were likely to be more lim... | What do the initials EP stand for? | {
"answer_start": [
49
],
"text": [
"extended play"
]
} |
5727be4c3acd2414000deb32 | Gramophone_record | The 45 rpm discs also came in a variety known as extended play (EP), which achieved up to 10–15 minutes play at the expense of attenuating (and possibly compressing) the sound to reduce the width required by the groove. EP discs were cheaper to produce, and were used in cases where unit sales were likely to be more lim... | Why were 45s more popular with jukeboxes? | {
"answer_start": [
528
],
"text": [
"The large center hole"
]
} |
5727be4c3acd2414000deb33 | Gramophone_record | The 45 rpm discs also came in a variety known as extended play (EP), which achieved up to 10–15 minutes play at the expense of attenuating (and possibly compressing) the sound to reduce the width required by the groove. EP discs were cheaper to produce, and were used in cases where unit sales were likely to be more lim... | What format was phased out by the end of the 1950s? | {
"answer_start": [
607
],
"text": [
"EPs"
]
} |
5727be4c3acd2414000deb34 | Gramophone_record | The 45 rpm discs also came in a variety known as extended play (EP), which achieved up to 10–15 minutes play at the expense of attenuating (and possibly compressing) the sound to reduce the width required by the groove. EP discs were cheaper to produce, and were used in cases where unit sales were likely to be more lim... | What was a benefit of EPs over LPs? | {
"answer_start": [
220
],
"text": [
"EP discs were cheaper"
]
} |
5727bf733acd2414000deb61 | Gramophone_record | From the mid-1950s through the 1960s, in the U.S. the common home record player or "stereo" (after the introduction of stereo recording) would typically have had these features: a three- or four-speed player (78, 45, 33 1⁄3, and sometimes 16 2⁄3 rpm); with changer, a tall spindle that would hold several records and aut... | What three speeds were sound on most home stereos in the mid 1950's? | {
"answer_start": [
209
],
"text": [
"78, 45, 33 1⁄3"
]
} |
5727bf733acd2414000deb62 | Gramophone_record | From the mid-1950s through the 1960s, in the U.S. the common home record player or "stereo" (after the introduction of stereo recording) would typically have had these features: a three- or four-speed player (78, 45, 33 1⁄3, and sometimes 16 2⁄3 rpm); with changer, a tall spindle that would hold several records and aut... | What feature of 45s required an adapter in most home stereos? | {
"answer_start": [
556
],
"text": [
"larger center hole."
]
} |
5727bf733acd2414000deb63 | Gramophone_record | From the mid-1950s through the 1960s, in the U.S. the common home record player or "stereo" (after the introduction of stereo recording) would typically have had these features: a three- or four-speed player (78, 45, 33 1⁄3, and sometimes 16 2⁄3 rpm); with changer, a tall spindle that would hold several records and aut... | What feature was found on more home stereos that allowed continuous play between records? | {
"answer_start": [
257
],
"text": [
"changer"
]
} |
5727bf733acd2414000deb64 | Gramophone_record | From the mid-1950s through the 1960s, in the U.S. the common home record player or "stereo" (after the introduction of stereo recording) would typically have had these features: a three- or four-speed player (78, 45, 33 1⁄3, and sometimes 16 2⁄3 rpm); with changer, a tall spindle that would hold several records and aut... | What format was less common but could sometimes be found on home stereos? | {
"answer_start": [
239
],
"text": [
"16 2⁄3 rpm"
]
} |
5727c0a73acd2414000deb97 | Gramophone_record | RCA 45s were also adapted to the smaller spindle of an LP player with a plastic snap-in insert known as a "spider". These inserts, commissioned by RCA president David Sarnoff and invented by Thomas Hutchison, were prevalent starting in the 1960s, selling in the tens of millions per year during the 45 rpm heyday. In cou... | Wy did records outside of the US often have small holes with the ability to punch out the center? | {
"answer_start": [
635
],
"text": [
"for use in jukeboxes"
]
} |
5727c0a73acd2414000deb98 | Gramophone_record | RCA 45s were also adapted to the smaller spindle of an LP player with a plastic snap-in insert known as a "spider". These inserts, commissioned by RCA president David Sarnoff and invented by Thomas Hutchison, were prevalent starting in the 1960s, selling in the tens of millions per year during the 45 rpm heyday. In cou... | What were the plastic inserts which would adapt 45s to the smaller spindle of an LP player called? | {
"answer_start": [
107
],
"text": [
"spider"
]
} |
5727c0a73acd2414000deb99 | Gramophone_record | RCA 45s were also adapted to the smaller spindle of an LP player with a plastic snap-in insert known as a "spider". These inserts, commissioned by RCA president David Sarnoff and invented by Thomas Hutchison, were prevalent starting in the 1960s, selling in the tens of millions per year during the 45 rpm heyday. In cou... | What invention did Thomas Hutchinson introduce? | {
"answer_start": [
107
],
"text": [
"spider"
]
} |
5727c0a73acd2414000deb9a | Gramophone_record | RCA 45s were also adapted to the smaller spindle of an LP player with a plastic snap-in insert known as a "spider". These inserts, commissioned by RCA president David Sarnoff and invented by Thomas Hutchison, were prevalent starting in the 1960s, selling in the tens of millions per year during the 45 rpm heyday. In cou... | Whom were the adaptable inserts for 45s to LPs commissioned by? | {
"answer_start": [
147
],
"text": [
"RCA president David Sarnoff"
]
} |
5727c0a73acd2414000deb9b | Gramophone_record | RCA 45s were also adapted to the smaller spindle of an LP player with a plastic snap-in insert known as a "spider". These inserts, commissioned by RCA president David Sarnoff and invented by Thomas Hutchison, were prevalent starting in the 1960s, selling in the tens of millions per year during the 45 rpm heyday. In cou... | How many spiders were sold in the 45 rpm heydays? | {
"answer_start": [
262
],
"text": [
"tens of millions per year"
]
} |
5727c39d2ca10214002d95b0 | Gramophone_record | The term "high fidelity" was coined in the 1920s by some manufacturers of radio receivers and phonographs to differentiate their better-sounding products claimed as providing "perfect" sound reproduction. The term began to be used by some audio engineers and consumers through the 1930s and 1940s. After 1949 a variety o... | What term was coined to differentiate better sounding products in the 1920s? | {
"answer_start": [
10
],
"text": [
"high fidelity"
]
} |
5727c39d2ca10214002d95b1 | Gramophone_record | The term "high fidelity" was coined in the 1920s by some manufacturers of radio receivers and phonographs to differentiate their better-sounding products claimed as providing "perfect" sound reproduction. The term began to be used by some audio engineers and consumers through the 1930s and 1940s. After 1949 a variety o... | What magazines provided reviews for audio equipment? | {
"answer_start": [
620
],
"text": [
"High Fidelity and Audio"
]
} |
5727c39d2ca10214002d95b2 | Gramophone_record | The term "high fidelity" was coined in the 1920s by some manufacturers of radio receivers and phonographs to differentiate their better-sounding products claimed as providing "perfect" sound reproduction. The term began to be used by some audio engineers and consumers through the 1930s and 1940s. After 1949 a variety o... | What happened in 1958 that changed the home music scene? | {
"answer_start": [
311
],
"text": [
"variety of improvements in recording and playback technologies"
]
} |
5727c39d2ca10214002d95b3 | Gramophone_record | The term "high fidelity" was coined in the 1920s by some manufacturers of radio receivers and phonographs to differentiate their better-sounding products claimed as providing "perfect" sound reproduction. The term began to be used by some audio engineers and consumers through the 1930s and 1940s. After 1949 a variety o... | During what years did the term HiFi take off with engineers? | {
"answer_start": [
281
],
"text": [
"1930s and 1940s"
]
} |
5727c39d2ca10214002d95b4 | Gramophone_record | The term "high fidelity" was coined in the 1920s by some manufacturers of radio receivers and phonographs to differentiate their better-sounding products claimed as providing "perfect" sound reproduction. The term began to be used by some audio engineers and consumers through the 1930s and 1940s. After 1949 a variety o... | What term would be used when one said they produced perfect sound reproduction? | {
"answer_start": [
10
],
"text": [
"high fidelity"
]
} |
5727c4faff5b5019007d94c4 | Gramophone_record | Stereophonic sound recording, which attempts to provide a more natural listening experience by reproducing the spatial locations of sound sources in the horizontal plane, was the natural extension to monophonic recording, and attracted various alternative engineering attempts. The ultimately dominant "45/45" stereophon... | What did Alan Blumlein event? | {
"answer_start": [
310
],
"text": [
"stereophonic record system"
]
} |
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