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It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.
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No speaker
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soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman,
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a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses.
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there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there,
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as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden,
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice,
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!"<|quote|>It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings.</|quote|>"Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five
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The Lady and the Dog and Other Stories (2)
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shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.
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No speaker
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on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said
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women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage
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the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress
|
thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse
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and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing
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to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!"<|quote|>shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint.</|quote|>"Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to
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The Lady and the Dog and Other Stories (2)
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said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.
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No speaker
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paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been
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was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ...
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suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself
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little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was
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the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time,
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had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up,
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she
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preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor,"<|quote|>said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings.</|quote|>"Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The
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The Lady and the Dog and Other Stories (2)
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Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.
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No speaker
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real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may
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so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child,"
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the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may
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red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon
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physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost
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was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good....
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way."<|quote|>Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die.</|quote|>"She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he
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The Lady and the Dog and Other Stories (2)
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said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.
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No speaker
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say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is
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"She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a
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a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same
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what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly
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not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is
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of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ...
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their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child,"<|quote|>said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand.</|quote|>"The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother
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The Lady and the Dog and Other Stories (2)
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They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.
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No speaker
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may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come
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inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov.
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may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I
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Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is
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her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and
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everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said
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A DOCTOR'S VISIT THE Professor received a telegram from the Lyalikovs' factory; he was asked to come as quickly as possible. The daughter of some Madame Lyalikov, apparently the owner of the factory, was ill, and that was all that one could make out of the long, incoherent telegram. And the Professor did not go himself, but sent instead his assistant, Korolyov. It was two stations from Moscow, and there was a drive of three miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the
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in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that."<|quote|>They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.</|quote|>"I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been
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The Lady and the Dog and Other Stories (2)
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"I am the doctor come to see you,"
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Korolyov
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of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He
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that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed
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face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It
|
girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been
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the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine,
|
a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world
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miles from the station. A carriage with three horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The
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yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings.<|quote|>"I am the doctor come to see you,"</|quote|>said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is
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The Lady and the Dog and Other Stories (2)
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said Korolyov.
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No speaker
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doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his
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huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand,
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up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so
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it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks
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Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple;
|
doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is
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horses had been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings
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up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you,"<|quote|>said Korolyov.</|quote|>"Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there
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The Lady and the Dog and Other Stories (2)
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"Good evening."
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Korolyov
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to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and
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"I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large,
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the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all
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so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little,
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only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he
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women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those
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been sent to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold
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little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov.<|quote|>"Good evening."</|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And
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The Lady and the Dog and Other Stories (2)
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He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.
|
No speaker
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you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the
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the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was
|
she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything
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think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the
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and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She,
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in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse.
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to the station to meet Korolyov; the coachman wore a hat with a peacock's feather on it, and answered every question in a loud voice like a soldier: "No, sir!" "Certainly, sir!" It was Saturday evening; the sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face
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but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening."<|quote|>He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.</|quote|>"I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though
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The Lady and the Dog and Other Stories (2)
|
"I have palpitations of the heart,"
|
Liza
|
shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so
|
the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost
|
buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves
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the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands
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that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and
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lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if
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sun was setting, the workpeople were coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad
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was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered.<|quote|>"I have palpitations of the heart,"</|quote|>she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the
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The Lady and the Dog and Other Stories (2)
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she said,
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No speaker
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have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all
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and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of
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to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have
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in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her
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had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her
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with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is
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coming in crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and
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and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart,"<|quote|>she said,</|quote|>"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something
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The Lady and the Dog and Other Stories (2)
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"It was so awful all night.... I almost died of fright! Do give me something."
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Liza
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of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't
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were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her
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you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now,
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muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and
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and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing,
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sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria,
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crowds from the factory to the station, and they bowed to the carriage in which Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform
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immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said,<|quote|>"It was so awful all night.... I almost died of fright! Do give me something."</|quote|>"I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct,
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The Lady and the Dog and Other Stories (2)
|
"I will, I will; don't worry yourself."
|
Korolyov
|
fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged
|
night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is
|
cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go
|
of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes
|
from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for
|
flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts
|
Korolyov was driving. And he was charmed with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky
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die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something."<|quote|>"I will, I will; don't worry yourself."</|quote|>Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that,
|
The Lady and the Dog and Other Stories (2)
|
Korolyov examined her and shrugged his shoulders.
|
No speaker
|
I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right,"
|
give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going
|
evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp
|
cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower
|
a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept
|
hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing
|
with the evening, the farmhouses and villas on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a
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uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself."<|quote|>Korolyov examined her and shrugged his shoulders.</|quote|>"The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:
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The Lady and the Dog and Other Stories (2)
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"The heart is all right,"
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Korolyov
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her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going
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don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in
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sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room.
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he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He
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with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she
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did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was
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on the road, and the birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross
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The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders.<|quote|>"The heart is all right,"</|quote|>he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no
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The Lady and the Dog and Other Stories (2)
|
he said;
|
No speaker
|
"The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily;
|
her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order.
|
concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient
|
this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a
|
say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not
|
stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look
|
birch-trees, and the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There
|
bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right,"<|quote|>he said;</|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to
|
The Lady and the Dog and Other Stories (2)
|
"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."
|
Liza
|
is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp
|
shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room.
|
her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the
|
the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her
|
is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left
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personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine.
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the quiet atmosphere all around, when the fields and woods and the sun seemed preparing, like the workpeople now on the eve of the holiday, to rest, and perhaps to pray.... He was born and had grown up in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was
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while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said;<|quote|>"it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."</|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an
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The Lady and the Dog and Other Stories (2)
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At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.
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No speaker
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down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again
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now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging
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her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over;
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to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice
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but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the
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as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in
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in Moscow; he did not know the country, and he had never taken any interest in factories, or been inside one, but he had happened to read about factories, and had been in the houses of manufacturers and had talked to them; and whenever he saw a factory far or near, he always thought how quiet and peaceable it was outside, but within there was always sure to be impenetrable ignorance and dull egoism on the side of the owners, wearisome, unhealthy toil on the side of the workpeople, squabbling, vermin, vodka. And now when the workpeople timidly and respectfully made way for the carriage, in their faces, their caps, their walk, he read physical impurity, drunkenness, nervous exhaustion, bewilderment. They drove in at the factory gates. On each side he caught glimpses of the little houses of workpeople, of the faces of women, of quilts and linen on the railings. "Look out!" shouted the coachman, not pulling up the horses. It was a wide courtyard without grass, with five immense blocks of buildings with tall chimneys a little distance one from another, warehouses and barracks, and over everything a sort of grey powder as though from dust. Here and there, like oases in the desert, there were pitiful gardens, and the green and red roofs of the houses in which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man
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talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep."<|quote|>At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know.</|quote|>"Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the
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The Lady and the Dog and Other Stories (2)
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she said, hugging her daughter to her.
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No speaker
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are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my
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did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it
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there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world
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had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given
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suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended
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lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh,
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which the managers and clerks lived. The coachman suddenly pulled up the horses, and the carriage stopped at the house, which had been newly painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year
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a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again,"<|quote|>she said, hugging her daughter to her.</|quote|>"My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at
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The Lady and the Dog and Other Stories (2)
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Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.
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No speaker
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pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no
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me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly.
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omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess,
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a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was
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noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary
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destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began
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painted grey; here was a flower garden, with a lilac bush covered with dust, and on the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have
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five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me."<|quote|>Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.</|quote|>"Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a
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The Lady and the Dog and Other Stories (2)
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"Come, give over; it's no use crying,"
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Korolyov
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bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there
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on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world
|
did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her
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could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face,
|
saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke
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this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked
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the yellow steps at the front door there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as
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the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand.<|quote|>"Come, give over; it's no use crying,"</|quote|>he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put
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The Lady and the Dog and Other Stories (2)
|
he said kindly.
|
No speaker
|
over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in
|
took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth
|
again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should
|
these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she
|
intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he
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huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures
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there was a strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the
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said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying,"<|quote|>he said kindly.</|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you
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The Lady and the Dog and Other Stories (2)
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"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."
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Korolyov
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use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's
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"Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...."
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she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the
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there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a
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she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I
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am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea
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strong smell of paint. "Please come in, doctor," said women's voices in the passage and the entry, and at the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't
|
of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly.<|quote|>"Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."</|quote|>And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing
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The Lady and the Dog and Other Stories (2)
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And inwardly he thought:
|
No speaker
|
won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was
|
worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the
|
pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"
|
expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor,
|
with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour
|
a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a
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the same time he heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"
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in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...."<|quote|>And inwardly he thought:</|quote|>"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had
|
The Lady and the Dog and Other Stories (2)
|
"It's high time she was married...."
|
Korolyov
|
good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory
|
we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the
|
me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of
|
had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but
|
simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"
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hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they
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heard sighs and whisperings. "Pray walk in.... We've been expecting you so long ... we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping
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Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought:<|quote|>"It's high time she was married...."</|quote|>"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes
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The Lady and the Dog and Other Stories (2)
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said the governess,
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No speaker
|
the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only
|
was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should
|
took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was
|
somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he
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What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't
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showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in
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we're in real trouble. Here, this way." Madame Lyalikov--a stout elderly lady wearing a black silk dress with fashionable sleeves, but, judging from her face, a simple uneducated woman--looked at the doctor in a flutter, and could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found
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not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati,"<|quote|>said the governess,</|quote|>"but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to
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The Lady and the Dog and Other Stories (2)
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And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.
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No speaker
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the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the
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to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the
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"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your
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me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope
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engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to
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I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some
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could not bring herself to hold out her hand to him; she did not dare. Beside her stood a personage with short hair and a pince-nez; she was wearing a blouse of many colours, and was very thin and no longer young. The servants called her Christina Dmitryevna, and Korolyov guessed that this was the governess. Probably, as the person of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not
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when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?"<|quote|>And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.</|quote|>"I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a
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The Lady and the Dog and Other Stories (2)
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"I find nothing special the matter,"
|
Korolyov
|
but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother
|
and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of
|
doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an
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factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And
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neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and
|
a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the
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of most education in the house, she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark,
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is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored.<|quote|>"I find nothing special the matter,"</|quote|>he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform.
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The Lady and the Dog and Other Stories (2)
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he said, addressing the mother as he went out of the bedroom.
|
No speaker
|
find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being
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medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor,
|
was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put
|
governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again.
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she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked
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bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on
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she had been charged to meet and receive the doctor, for she began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning;
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"It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter,"<|quote|>he said, addressing the mother as he went out of the bedroom.</|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of
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The Lady and the Dog and Other Stories (2)
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"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."
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Korolyov
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went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he
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addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while
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that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and
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thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last
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said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then
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put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his
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began immediately, in great haste, stating the causes of the illness, giving trivial and tiresome details, but without saying who was ill or what was the matter. The doctor and the governess were sitting talking while the lady of the house stood motionless at the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he
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something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom.<|quote|>"If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."</|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and
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The Lady and the Dog and Other Stories (2)
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He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.
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No speaker
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trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour
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change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock
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he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she
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her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal
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use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy
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which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor,
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the door, waiting. From the conversation Korolyov learned that the patient was Madame Lyalikov's only daughter and heiress, a girl of twenty, called Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and
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put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong."<|quote|>He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.</|quote|>"I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse
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The Lady and the Dog and Other Stories (2)
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"I have half an hour to catch the ten o'clock train,"
|
Korolyov
|
him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I
|
without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And
|
treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay
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a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home;
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good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they
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not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low
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Liza; she had been ill for a long time, and had consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he
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suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes.<|quote|>"I have half an hour to catch the ten o'clock train,"</|quote|>he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres
|
The Lady and the Dog and Other Stories (2)
|
he said.
|
No speaker
|
catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not
|
have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you
|
reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with
|
medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was
|
"Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all
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her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He
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consulted various doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met
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had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train,"<|quote|>he said.</|quote|>"I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but
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The Lady and the Dog and Other Stories (2)
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"I hope I am not too late."
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Korolyov
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ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she
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an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down
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changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ...
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felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening
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at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of
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round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large
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doctors, and the previous night she had suffered till morning from such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the
|
heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said.<|quote|>"I hope I am not too late."</|quote|>"And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's
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The Lady and the Dog and Other Stories (2)
|
she asked, and tears trickled down her cheeks again.
|
No speaker
|
late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble
|
hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would
|
nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it....
|
the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked
|
notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits,
|
in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were
|
such violent palpitations of the heart, that no one in the house had slept, and they had been afraid she might die. "She has been, one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known
|
and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?"<|quote|>she asked, and tears trickled down her cheeks again.</|quote|>"I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After
|
The Lady and the Dog and Other Stories (2)
|
she went on in an undertone, glancing towards the door,
|
No speaker
|
so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us!
|
but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have
|
eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting
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The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in
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forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his
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daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented.
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one may say, ailing from a child," said Christina Dmitryevna in a sing-song voice, continually wiping her lips with her hand. "The doctors say it is nerves; when she was a little girl she was scrofulous, and the doctors drove it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of
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feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake,"<|quote|>she went on in an undertone, glancing towards the door,</|quote|>"do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you
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The Lady and the Dog and Other Stories (2)
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He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.
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No speaker
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go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce
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can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to
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but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes
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stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern,
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education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven
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not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought
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it inwards, so I think it may be due to that." They went to see the invalid. Fully grown up, big and tall, but ugly like her mother, with the same little eyes and disproportionate breadth of the lower part of the face, lying with her hair in disorder, muffled up to the chin, she made upon Korolyov at the first minute the impression of a poor, destitute creature, sheltered and cared for here out of charity, and he could hardly believe that this was the heiress of the five huge buildings. "I am the doctor come to see you," said Korolyov. "Good evening." He mentioned his name and pressed her hand, a large, cold, ugly hand; she sat up, and, evidently accustomed to doctors, let herself be sounded, without showing the least concern that her shoulders and chest were uncovered. "I have palpitations of the heart," she said, "It was so awful all night.... I almost died of fright! Do give me something." "I will, I will; don't worry yourself." Korolyov examined her and shrugged his shoulders. "The heart is all right," he said; "it's all going on satisfactorily; everything is in good order. Your nerves must have been playing pranks a little, but that's so common. The attack is over by now, one must suppose; lie down and go to sleep." At that moment a lamp was brought into the bed-room. The patient screwed up her eyes at the light, then suddenly put her hands to her head and broke into sobs. And the impression of a destitute, ugly creature vanished, and Korolyov no longer noticed the little eyes or the heavy development of the lower part of the face. He saw a soft, suffering expression which was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ...
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speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..."<|quote|>He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.</|quote|>"I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and
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The Lady and the Dog and Other Stories (2)
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"I believe nothing would induce me to remain here to live ..."
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Korolyov
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unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back
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understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor,
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baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina
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culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached
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looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles,
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spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may
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was intelligent and touching: she seemed to him altogether graceful, feminine, and simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks
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went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul.<|quote|>"I believe nothing would induce me to remain here to live ..."</|quote|>he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there
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The Lady and the Dog and Other Stories (2)
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he thought, and went back to the music-books again.
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No speaker
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remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!"
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nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in
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the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking
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fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was
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oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.
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without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors,
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simple; and he longed to soothe her, not with drugs, not with advice, but with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of
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other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..."<|quote|>he thought, and went back to the music-books again.</|quote|>"Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three
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The Lady and the Dog and Other Stories (2)
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the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:
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No speaker
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"Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented.
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back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the
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metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service
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on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of
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a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel
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hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic
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with simple, kindly words. Her mother put her arms round her head and hugged her. What despair, what grief was in the old woman's face! She, her mother, had reared her and brought her up, spared nothing, and devoted her whole life to having her daughter taught French, dancing, music: had engaged a dozen teachers for her; had consulted the best doctors, kept a governess. And now she could not make out the reason of these tears, why there was all this misery, she could not understand, and was bewildered; and she had a guilty, agitated, despairing expression, as though she had omitted something very important, had left something undone, had neglected to call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.
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in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!"<|quote|>the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez:</|quote|>"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and
|
The Lady and the Dog and Other Stories (2)
|
"It looks as though you have no man in the house at all,"
|
Korolyov
|
they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr
|
Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and
|
the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one
|
table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some
|
the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there
|
spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are
|
call in somebody--and whom, she did not know. "Lizanka, you are crying again ... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the
|
hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too."<|quote|>"It looks as though you have no man in the house at all,"</|quote|>said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ...
|
The Lady and the Dog and Other Stories (2)
|
said Korolyov.
|
No speaker
|
in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died
|
though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half
|
tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the
|
but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After
|
a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace
|
but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without
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... again," she said, hugging her daughter to her. "My own, my darling, my child, tell me what it is! Have pity on me! Tell me." Both wept bitterly. Korolyov sat down on the side of the bed and took Liza's hand. "Come, give over; it's no use crying," he said kindly. "Why, there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of
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your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all,"<|quote|>said Korolyov.</|quote|>"Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink
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The Lady and the Dog and Other Stories (2)
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At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.
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No speaker
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years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony,
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living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating
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one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him,
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they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and
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me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors,
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the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the
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there is nothing in the world that is worth those tears. Come, we won't cry; that's no good...." And inwardly he thought: "It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did
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ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family."<|quote|>At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines.</|quote|>"Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look
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The Lady and the Dog and Other Stories (2)
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said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.
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No speaker
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don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After
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were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown
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In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the
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for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the
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governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way
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Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the
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"It's high time she was married...." "Our doctor at the factory gave her kalibromati," said the governess, "but I notice it only makes her worse. I should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself
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his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor,"<|quote|>said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant.</|quote|>"Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making
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The Lady and the Dog and Other Stories (2)
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After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.
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No speaker
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pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in
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found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he
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the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the
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Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and
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there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a
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the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the
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should have thought that if she is given anything for the heart it ought to be drops.... I forget the name.... Convallaria, isn't it?" And there followed all sorts of details. She interrupted the doctor, preventing his speaking, and there was a look of effort on her face, as though she supposed that, as the woman of most education in the house, she was duty bound to keep up a conversation with the doctor, and on no other subject but medicine. Korolyov felt bored. "I find nothing special the matter," he said, addressing the mother as he went out of the bedroom. "If your daughter is being attended by the factory doctor, let him go on attending her. The treatment so far has been perfectly correct, and I see no reason for changing your doctor. Why change? It's such an ordinary trouble; there's nothing seriously wrong." He spoke deliberately as he put on his gloves, while Madame Lyalikov stood without moving, and looked at him with her tearful eyes. "I have half an hour to catch the ten o'clock train," he said. "I hope I am not too late." "And can't you stay?" she asked, and tears trickled down her cheeks again. "I am ashamed to trouble you, but if you would be so good.... For God's sake," she went on in an undertone, glancing towards the door, "do stay to-night with us! She is all I have ... my only daughter.... She frightened me last night; I can't get over it.... Don't go away, for goodness' sake!..." He wanted to tell her that he had a great deal of work in Moscow, that his family were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And
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echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more."<|quote|>After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.</|quote|>"There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the
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The Lady and the Dog and Other Stories (2)
|
"There is something baffling in it, of course ..."
|
Korolyov
|
the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the
|
superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or
|
cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the
|
same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her
|
As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so
|
Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping
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were expecting him home; it was disagreeable to him to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there
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We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses.<|quote|>"There is something baffling in it, of course ..."</|quote|>he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the
|
The Lady and the Dog and Other Stories (2)
|
he thought, looking at the crimson windows.
|
No speaker
|
in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand
|
illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest
|
upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent
|
his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to
|
and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced,
|
too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from
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to spend the evening and the whole night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed
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the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..."<|quote|>he thought, looking at the crimson windows.</|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some
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The Lady and the Dog and Other Stories (2)
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"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."
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Korolyov
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looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange
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of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov
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of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair
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look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ...
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only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more
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no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school
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night in a strange house quite needlessly; but he looked at her face, heaved a sigh, and began taking off his gloves without a word. All the lamps and candles were lighted in his honour in the drawing-room and the dining-room. He sat down at the piano and began turning over the music. Then he looked at the pictures on the walls, at the portraits. The pictures, oil-paintings in gold frames, were views of the Crimea--a stormy sea with a ship, a Catholic monk with a wineglass; they were all dull, smooth daubs, with no trace of talent in them. There was not a single good-looking face among the portraits, nothing but broad cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a low forehead and a self-satisfied expression; his uniform sat like a sack on his bulky plebeian figure; on his breast was a medal and a Red Cross Badge. There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he
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buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows.<|quote|>"Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."</|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of
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The Lady and the Dog and Other Stories (2)
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Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like
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No speaker
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eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...."
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simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a
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the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk
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in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike,
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was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory
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the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual
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sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to
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in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira."<|quote|>Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like</|quote|>"Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The
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The Lady and the Dog and Other Stories (2)
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Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:
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No speaker
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"Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin
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sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it
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strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it
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enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an
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working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person
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a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was
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a medal on his neck.... He heard a whispering in the entry; some one was softly snoring. And suddenly from outside came harsh, abrupt, metallic sounds, such as Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking
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paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...."<|quote|>Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes:</|quote|>"Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness,
|
The Lady and the Dog and Other Stories (2)
|
Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:
|
No speaker
|
... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...."
|
unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the
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and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people
|
inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be
|
a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is
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croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was
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Korolyov had never heard before, and which he did not understand now; they roused strange, unpleasant echoes in his soul. "I believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything
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workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..."<|quote|>Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard:</|quote|>"Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there
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The Lady and the Dog and Other Stories (2)
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And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.
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No speaker
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"Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one
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the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the
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dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the
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a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material.
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injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation
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what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a
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believe nothing would induce me to remain here to live ..." he thought, and went back to the music-books again. "Doctor, please come to supper!" the governess called him in a low voice. He went into supper. The table was large and laid with a vast number of dishes and wines, but there were only two to supper: himself and Christina Dmitryevna. She drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it
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Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...."<|quote|>And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country.</|quote|>"Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the
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The Lady and the Dog and Other Stories (2)
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some one called to him at the gates in an abrupt voice.
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No speaker
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open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in
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of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made
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the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing;
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there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels
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pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The
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performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ...
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drank Madeira, ate rapidly, and talked, looking at him through her pince-nez: "Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help
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upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?"<|quote|>some one called to him at the gates in an abrupt voice.</|quote|>"It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were
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The Lady and the Dog and Other Stories (2)
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"It's just like being in prison,"
|
Korolyov
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gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no
|
called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and
|
though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night
|
drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and
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are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from
|
complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there
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"Our workpeople are very contented. We have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a
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how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice.<|quote|>"It's just like being in prison,"</|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the
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The Lady and the Dog and Other Stories (2)
|
he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.
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No speaker
|
just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels
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in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess,
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a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did
|
Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which
|
is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by
|
was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining
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have performances at the factory every winter; the workpeople act themselves. They have lectures with a magic lantern, a splendid tea-room, and everything they want. They are very much attached to us, and when they heard that Lizanka was worse they had a service sung for her. Though they have no education, they have their feelings, too." "It looks as though you have no man in the house at all," said Korolyov. "Not one. Pyotr Nikanoritch died a year and a half ago, and left us alone. And so there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all
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in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison,"<|quote|>he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.</|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.
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The Lady and the Dog and Other Stories (2)
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"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."
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Korolyov
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planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the
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Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did
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distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation
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gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday
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lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though
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from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms,
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there are the three of us. In the summer we live here, and in winter we live in Moscow, in Polianka. I have been living with them for eleven years--as one of the family." At supper they served sterlet, chicken rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not.
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came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking.<|quote|>"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."</|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."
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The Lady and the Dog and Other Stories (2)
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And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:
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No speaker
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being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair
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person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times.
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Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly,
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station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the
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barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.
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profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise.
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rissoles, and stewed fruit; the wines were expensive French wines. "Please don't stand on ceremony, doctor," said Christina Dmitryevna, eating and wiping her mouth with her fist, and it was evident she found her life here exceedingly pleasant. "Please have some more." After supper the doctor was shown to his room, where a bed had been made up for him, but he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and went out. It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined against the damp air. As it was a holiday, they were not working, and the windows were dark, and in only one of the buildings was there a furnace burning; two windows were crimson, and fire mixed with smoke came from time to time from the chimney. Far away beyond the yard the frogs were croaking and the nightingales singing. Looking at the factory buildings and the barracks, where the workpeople were asleep, he thought again what he always thought when he saw a factory. They may have performances for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all the same, the workpeople he had met that day on his way from the station did not look in any way different from those he had known long ago in his childhood, before there were factory performances and improvements. As a doctor accustomed to judging correctly of chronic complaints, the radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and
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and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil."<|quote|>And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound:</|quote|>"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if,
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The Lady and the Dog and Other Stories (2)
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twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.
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No speaker
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... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...."
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the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk
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a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead.
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that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at
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hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's
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like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her
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radical cause of which was incomprehensible and incurable, he looked upon factories as something baffling, the cause of which also was obscure and not removable, and all the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of
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relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..."<|quote|>twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out.</|quote|>"Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning
|
The Lady and the Dog and Other Stories (2)
|
"Horribly disagreeable,"
|
Korolyov
|
"Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk
|
the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a
|
Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went
|
a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite
|
In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales
|
a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.
|
the improvements in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress
|
striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...."<|quote|>"Horribly disagreeable,"</|quote|>thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be....
|
The Lady and the Dog and Other Stories (2)
|
thought Korolyov.
|
No speaker
|
drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there
|
there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place,
|
the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the
|
anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in
|
hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing,
|
in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am
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in the life of the factory hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied;
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framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable,"<|quote|>thought Korolyov.</|quote|>"Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened,
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The Lady and the Dog and Other Stories (2)
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there resounded from a third place, abruptly, sharply, as though with annoyance--
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No speaker
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Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it
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... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike
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force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering,
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dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the
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the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his
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the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but
|
hands he looked upon not as superfluous, but as comparable with the treatment of incurable illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of
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was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..."<|quote|>there resounded from a third place, abruptly, sharply, as though with annoyance--</|quote|>"Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave
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The Lady and the Dog and Other Stories (2)
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And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.
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No speaker
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with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?"
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place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out
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twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door
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a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened
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a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.
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the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read
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illnesses. "There is something baffling in it, of course ..." he thought, looking at the crimson windows. "Fifteen hundred or two thousand workpeople are working without rest in unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and only waking from this nightmare at rare intervals in the tavern; a hundred people act as overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are
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It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...."<|quote|>And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.</|quote|>"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked
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The Lady and the Dog and Other Stories (2)
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"Is she having another attack?"
|
Korolyov
|
shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out
|
there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at
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twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open,
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for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen
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really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"
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are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say
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overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great
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the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet.<|quote|>"Is she having another attack?"</|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled
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The Lady and the Dog and Other Stories (2)
|
thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.
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No speaker
|
"Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked
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shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He
|
hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She
|
at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in
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at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise.
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But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She
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of that hundred is spent in imposing fines, in abuse, in injustice, and only two or three so-called owners enjoy the profits, though they don't work at all, and despise the wretched cotton. But what are the profits, and how do they enjoy them? Madame Lyalikov and her daughter are unhappy--it makes one wretched to look at them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose
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"The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?"<|quote|>thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.</|quote|>"How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One
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The Lady and the Dog and Other Stories (2)
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"How do you feel?"
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Korolyov
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were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you."
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in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then
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morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into
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adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking
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"Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person
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which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her
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all these five blocks of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it
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the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows.<|quote|>"How do you feel?"</|quote|>asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do
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The Lady and the Dog and Other Stories (2)
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asked Korolyov.
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No speaker
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windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched
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blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her
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the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face;
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whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock.
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dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help
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correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to
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of buildings are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up
|
station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?"<|quote|>asked Korolyov.</|quote|>"Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they
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The Lady and the Dog and Other Stories (2)
|
"Well, thank you."
|
Liza
|
do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then
|
down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had
|
and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were
|
was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair
|
dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if,
|
strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and
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are at work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away."
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thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov.<|quote|>"Well, thank you."</|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at
|
The Lady and the Dog and Other Stories (2)
|
He touched her pulse, then straightened her hair, that had fallen over her forehead.
|
No speaker
|
asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he
|
windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside.
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wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.
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of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I
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times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being
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the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she
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and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna may eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are
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intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you."<|quote|>He touched her pulse, then straightened her hair, that had fallen over her forehead.</|quote|>"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little
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The Lady and the Dog and Other Stories (2)
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"You are not asleep,"
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Korolyov
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had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather
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then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales
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sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to
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went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here
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end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on,
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article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that
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eat sterlet and drink Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a
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at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead.<|quote|>"You are not asleep,"</|quote|>he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him
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The Lady and the Dog and Other Stories (2)
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he said.
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No speaker
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forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's
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that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing,
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chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"
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a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"
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there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at
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school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted
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Madeira." Suddenly there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent
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at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep,"<|quote|>he said.</|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to
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The Lady and the Dog and Other Stories (2)
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"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."
|
Korolyov
|
are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into
|
fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were
|
her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman
|
at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as
|
out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that
|
was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting
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there came a strange noise, the same sound Korolyov had heard before supper. Some one was striking on a sheet of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you
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heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said.<|quote|>"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."</|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely.
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The Lady and the Dog and Other Stories (2)
|
She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.
|
No speaker
|
dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you
|
and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved
|
windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I
|
the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion.
|
abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me
|
which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible
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of metal near one of the buildings; he struck a note, and then at once checked the vibrations, so that short, abrupt, discordant sounds were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting
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woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something."<|quote|>She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.</|quote|>"Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they
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The Lady and the Dog and Other Stories (2)
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"Does this happen to you often?"
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Korolyov
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to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her
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it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I
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"You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"
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sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I
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it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I
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victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings
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were produced, rather like "Dair ... dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his
|
both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him.<|quote|>"Does this happen to you often?"</|quote|>he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little.
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The Lady and the Dog and Other Stories (2)
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he said. She moved her lips, and answered:
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No speaker
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this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost
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say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment
|
"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I
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her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary
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dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"
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submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave
|
dair ... dair...." Then there was half a minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning
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as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?"<|quote|>he said. She moved her lips, and answered:</|quote|>"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything
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The Lady and the Dog and Other Stories (2)
|
"Often, I feel wretched almost every night."
|
Liza
|
moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman
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you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking
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are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed
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dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to
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to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have
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life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night;
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minute of stillness, and from another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they
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dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered:<|quote|>"Often, I feel wretched almost every night."</|quote|>At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear
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The Lady and the Dog and Other Stories (2)
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At that moment the watchman in the yard began striking two o'clock. They heard:
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No speaker
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feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and
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lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings
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dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all
|
blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy
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a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how
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sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only
|
there came sounds equally abrupt and unpleasant, lower bass notes: "Drin ... drin ... drin ..." Eleven times. Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and
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the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night."<|quote|>At that moment the watchman in the yard began striking two o'clock. They heard:</|quote|>"Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so
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The Lady and the Dog and Other Stories (2)
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and she shuddered.
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No speaker
|
heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?"
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began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know.
|
and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."
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pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving
|
and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read
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mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to
|
Evidently it was the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as
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apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..."<|quote|>and she shuddered.</|quote|>"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible
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The Lady and the Dog and Other Stories (2)
|
"Do those knockings worry you?"
|
Korolyov
|
dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know.
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o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she
|
evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you
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her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I
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"Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say
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really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did
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the watchman striking the hour. Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with
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there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered.<|quote|>"Do those knockings worry you?"</|quote|>he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at
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The Lady and the Dog and Other Stories (2)
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he asked.
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No speaker
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"Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here
|
dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and
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something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my
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over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly
|
thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and
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at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know
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Near the third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower
|
the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?"<|quote|>he asked.</|quote|>"I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is
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The Lady and the Dog and Other Stories (2)
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"I don't know. Everything here worries me,"
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Liza
|
knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything
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and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy
|
him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I
|
forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at
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He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious;
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Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is
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third building he heard: "Zhuk ... zhuk ... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him,
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for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked.<|quote|>"I don't know. Everything here worries me,"</|quote|>she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as
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The Lady and the Dog and Other Stories (2)
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she answered, and pondered.
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No speaker
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know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear
|
you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it
|
he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but
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"It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she
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at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and
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passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men
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... zhuk...." And so near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and
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a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me,"<|quote|>she answered, and pondered.</|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you
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The Lady and the Dog and Other Stories (2)
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"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."
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Liza
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me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you."
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don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you
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her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for
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It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk,
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now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my
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was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money
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near all the buildings, and then behind the barracks and beyond the gates. And in the stillness of the night it seemed as though these sounds were uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and
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strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered.<|quote|>"Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."</|quote|>"Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it
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The Lady and the Dog and Other Stories (2)
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"Tell me, I beg you."
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Korolyov
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tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you
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saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems
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dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving
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and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but
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of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from
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look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such
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uttered by a monster with crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The
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relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it."<|quote|>"Tell me, I beg you."</|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or
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The Lady and the Dog and Other Stories (2)
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"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"
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Liza
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"Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at
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tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave
|
"Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and
|
evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little.
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of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted
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day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout
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crimson eyes--the devil himself, who controlled the owners and the work-people alike, and was deceiving both. Korolyov went out of the yard into the open country. "Who goes there?" some one called to him at the gates in an abrupt voice. "It's just like being in prison," he thought, and made no answer. Here the nightingales and the frogs could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he
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"Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you."<|quote|>"I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"</|quote|>she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a
|
The Lady and the Dog and Other Stories (2)
|
she went on, looking at her knees, and she gave a shy smile.
|
No speaker
|
I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of
|
moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not
|
seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"
|
know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil
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are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she
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of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress
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could be heard more distinctly, and one could feel it was a night in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to
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the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored,"<|quote|>she went on, looking at her knees, and she gave a shy smile.</|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up
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The Lady and the Dog and Other Stories (2)
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"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."
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Liza
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she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked
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looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I
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and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and
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hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there
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are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if
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thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign.
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in May. From the station came the noise of a train; somewhere in the distance drowsy cocks were crowing; but, all the same, the night was still, the world was sleeping tranquilly. In a field not far from the factory there could be seen the framework of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile.<|quote|>"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."</|quote|>"Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and
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The Lady and the Dog and Other Stories (2)
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"Have you no friends?"
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Korolyov
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I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely.
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and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I
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gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil
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that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."
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her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave
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little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a
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of a house and heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong."<|quote|>"Have you no friends?"</|quote|>asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even
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The Lady and the Dog and Other Stories (2)
|
asked Korolyov.
|
No speaker
|
wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have
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that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her,
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"I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he
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and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you
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"Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil
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to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as
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heaps of building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?"<|quote|>asked Korolyov.</|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their
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The Lady and the Dog and Other Stories (2)
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"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."
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Liza
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you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great
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was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my
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very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She
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because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for
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feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to
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house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will
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building material. Korolyov sat down on the planks and went on thinking. "The only person who feels happy here is the governess, and the factory hands are working for her gratification. But that's only apparent: she is only the figurehead. The real person, for whom everything is being done, is the devil." And he thought about the devil, in whom he did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov.<|quote|>"I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."</|quote|>"Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin
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The Lady and the Dog and Other Stories (2)
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"Do you read a great deal?"
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Korolyov
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and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole
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not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning
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all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to
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treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew
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saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they
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morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for
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did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<|quote|>"Do you read a great deal?"</|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to
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The Lady and the Dog and Other Stories (2)
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"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."
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Liza
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you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at
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she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but
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That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she
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should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave
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you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if
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and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What
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round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?"<|quote|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."</|quote|>"Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one
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The Lady and the Dog and Other Stories (2)
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"Do you see anything at night?"
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Korolyov
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there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I
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is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised
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where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did.
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asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at
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and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it
|
dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?"
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created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it."<|quote|>"Do you see anything at night?"</|quote|>asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be
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The Lady and the Dog and Other Stories (2)
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asked Korolyov.
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No speaker
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you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She
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are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes
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was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she
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have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it
|
to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it
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The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza.
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strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?"<|quote|>asked Korolyov.</|quote|>"No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where
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The Lady and the Dog and Other Stories (2)
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"No, but I feel...."
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Liza
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anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her
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in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and
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and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting
|
mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him,
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so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward,
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were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I
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the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov.<|quote|>"No, but I feel...."</|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it;
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The Lady and the Dog and Other Stories (2)
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She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.
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No speaker
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Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say
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see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is
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devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you
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but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At
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otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they
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windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but
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blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...."<|quote|>She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.</|quote|>"How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and
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The Lady and the Dog and Other Stories (2)
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"How is one to say it?"
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Korolyov
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usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it
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about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he
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very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is
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she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but
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again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and
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the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close
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... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long.<|quote|>"How is one to say it?"</|quote|>Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the
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The Lady and the Dog and Other Stories (2)
|
Korolyov wondered.
|
No speaker
|
is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to
|
embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what
|
so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than
|
only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound;
|
doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away."
|
uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand,
|
..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
|
is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?"<|quote|>Korolyov wondered.</|quote|>"And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell
|
The Lady and the Dog and Other Stories (2)
|
"And is it necessary to speak?"
|
Korolyov
|
to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he
|
and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way:
|
money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly,
|
for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are
|
looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they
|
for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright
|
times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
|
worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered.<|quote|>"And is it necessary to speak?"</|quote|>And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed.
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The Lady and the Dog and Other Stories (2)
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And he said what he meant in a roundabout way:
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No speaker
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is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of
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say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a
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a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit;
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confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying
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intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of
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about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought
|
for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
|
that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil." "Do you read a great deal?" "Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?"<|quote|>And he said what he meant in a roundabout way:</|quote|>"You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.
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The Lady and the Dog and Other Stories (2)
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