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[ "library near by, because of this I am told countless of times,\"to become", "am currently a Junior in Highschool, and my mother is a writer and", "to be labeled as one of those, 'Malineal illiterate Wannabe's.' Ever sense I", "to become a better writer. I am currently a Junior in Highschool, and", "with every bleeding second I read a book. During tests, Anxiety and fear", "at a huge disadvantage. I think the greatest fear I have in this", "I made a conscience effort to put as much space between myself and", "did love music/film/animation/and oral story telling. It wasn't until this year that my", "When I read I get stressful head and stomach aches. 10 minutes feels", "I certainly don't want to be labeled as one of those, 'Malineal illiterate", "acknowledged the fact that something wasn't right with me. I am slow reader", "my mother is a writer and librarian in a public library near by,", "a relatively smart kid, with a 3.8 GPA, but the American exam system", "had that drive that so many other have, and I certainly don't want", "the American exam system leaves people like me at a huge disadvantage. I", "a good writer you must read!\" I wish I could. I imagine myself", "myself and books as possible, I hated them and no one knew why,", "of this I am told countless of times,\"to become a good writer you", "other have, and I certainly don't want to be labeled as one of", "taker. When I read I get stressful head and stomach aches. 10 minutes", "obvious to me that these writers were able to overcome their disorder. But", "october, I need to do as good as possible on it. The stress", "I am slow reader and an awful test taker. When I read I", "public library near by, because of this I am told countless of times,\"to", "'Malineal illiterate Wannabe's.' Ever sense I was a kid I made a conscience", "no one knew why, however I did love music/film/animation/and oral story telling. It", "because I do not read other people's stories my own stories will never", "SAT is coming up in october, I need to do as good as", "die without bringing my ideas to life, and because I do not read", "near by, because of this I am told countless of times,\"to become a", "me, and I often go blank, wondering why I can't solve 18 -", "imagine myself in a chair reading a hundred books a day in a", "I loose concentration with every bleeding second I read a book. During tests,", "head and stomach aches. 10 minutes feels like a whole hour, as I", "because of this I am told countless of times,\"to become a good writer", "stories my own stories will never be as good as they should. I", "do as good as possible on it. The stress is building. I know", "hour, as I loose concentration with every bleeding second I read a book.", "Junior in Highschool, and my mother is a writer and librarian in a", "concentration with every bleeding second I read a book. During tests, Anxiety and", "you must read!\" I wish I could. I imagine myself in a chair", "The stress is building. I know I am a relatively smart kid, with", "can't solve 18 - 26. So it wasn't until I wanted to improve", "bringing my ideas to life, and because I do not read other people's", "house in the middle of no where. I really do want to read,", "lot. The SAT is coming up in october, I need to do as", "am told countless of times,\"to become a good writer you must read!\" I", "have in this entire world would be to grow old and die without", "space between myself and books as possible, I hated them and no one", "why, however I did love music/film/animation/and oral story telling. It wasn't until this", "leaves people like me at a huge disadvantage. I think the greatest fear", "life, and because I do not read other people's stories my own stories", "read I get stressful head and stomach aches. 10 minutes feels like a", "kid I made a conscience effort to put as much space between myself", "and I often go blank, wondering why I can't solve 18 - 26.", "a better writer. I am currently a Junior in Highschool, and my mother", "my quest to become a better writer. I am currently a Junior in", "has explained a lot. The SAT is coming up in october, I need", "I found out I had dyslexia, which has explained a lot. The SAT", "So it wasn't until I wanted to improve my writing that I found", "possible on it. The stress is building. I know I am a relatively", "read!\" I wish I could. I imagine myself in a chair reading a", "me at a huge disadvantage. I think the greatest fear I have in", "however I did love music/film/animation/and oral story telling. It wasn't until this year", "a kid I made a conscience effort to put as much space between", "it. The stress is building. I know I am a relatively smart kid,", "a chair reading a hundred books a day in a comfortable fancy house", "and an awful test taker. When I read I get stressful head and", "had dyslexia, so it's obvious to me that these writers were able to", "had dyslexia, which has explained a lot. The SAT is coming up in", "able to overcome their disorder. But with me, it seems like my dyslexia", "aches. 10 minutes feels like a whole hour, as I loose concentration with", "a public library near by, because of this I am told countless of", "these writers were able to overcome their disorder. But with me, it seems", "don't want to be labeled as one of those, 'Malineal illiterate Wannabe's.' Ever", "one of those, 'Malineal illiterate Wannabe's.' Ever sense I was a kid I", "people's stories my own stories will never be as good as they should.", "it seems like my dyslexia has done nothing good in my quest to", "middle of no where. I really do want to read, I wish I", "writer and librarian in a public library near by, because of this I", "26. So it wasn't until I wanted to improve my writing that I", "by, because of this I am told countless of times,\"to become a good", "It wasn't until this year that my parents and I acknowledged the fact", "and no one knew why, however I did love music/film/animation/and oral story telling.", "and I certainly don't want to be labeled as one of those, 'Malineal", "a lot. The SAT is coming up in october, I need to do", "read other people's stories my own stories will never be as good as", "grow old and die without bringing my ideas to life, and because I", "that drive that so many other have, and I certainly don't want to", "I read I get stressful head and stomach aches. 10 minutes feels like", "the middle of no where. I really do want to read, I wish", "up in october, I need to do as good as possible on it.", "in a comfortable fancy house in the middle of no where. I really", "But with me, it seems like my dyslexia has done nothing good in", "I wish I could. I imagine myself in a chair reading a hundred", "I did love music/film/animation/and oral story telling. It wasn't until this year that", "like a whole hour, as I loose concentration with every bleeding second I", "wish I had that drive that so many other have, and I certainly", "to improve my writing that I found out I had dyslexia, which has", "in a public library near by, because of this I am told countless", "to life, and because I do not read other people's stories my own", "where. I really do want to read, I wish I had that drive", "a conscience effort to put as much space between myself and books as", "to read, I wish I had that drive that so many other have,", "not read other people's stories my own stories will never be as good", "with me. I am slow reader and an awful test taker. When I", "entire world would be to grow old and die without bringing my ideas", "I get stressful head and stomach aches. 10 minutes feels like a whole", "my parents and I acknowledged the fact that something wasn't right with me.", "I read a book. During tests, Anxiety and fear control me, and I", "explained a lot. The SAT is coming up in october, I need to", "books a day in a comfortable fancy house in the middle of no", "Anxiety and fear control me, and I often go blank, wondering why I", "I understand that many great writers of the past had dyslexia, so it's", "every bleeding second I read a book. During tests, Anxiety and fear control", "many other have, and I certainly don't want to be labeled as one", "fear control me, and I often go blank, wondering why I can't solve", "were able to overcome their disorder. But with me, it seems like my", "sense I was a kid I made a conscience effort to put as", "ideas to life, and because I do not read other people's stories my", "love music/film/animation/and oral story telling. It wasn't until this year that my parents", "feels like a whole hour, as I loose concentration with every bleeding second", "do want to read, I wish I had that drive that so many", "I am a relatively smart kid, with a 3.8 GPA, but the American", "I know I am a relatively smart kid, with a 3.8 GPA, but", "this I am told countless of times,\"to become a good writer you must", "me that these writers were able to overcome their disorder. But with me,", "conscience effort to put as much space between myself and books as possible,", "nothing good in my quest to become a better writer. I am currently", "wasn't until this year that my parents and I acknowledged the fact that", "so it's obvious to me that these writers were able to overcome their", "and books as possible, I hated them and no one knew why, however", "until I wanted to improve my writing that I found out I had", "something wasn't right with me. I am slow reader and an awful test", "book. During tests, Anxiety and fear control me, and I often go blank,", "of times,\"to become a good writer you must read!\" I wish I could.", "other people's stories my own stories will never be as good as they", "comfortable fancy house in the middle of no where. I really do want", "reader and an awful test taker. When I read I get stressful head", "in october, I need to do as good as possible on it. The", "in my quest to become a better writer. I am currently a Junior", "blank, wondering why I can't solve 18 - 26. So it wasn't until", "right with me. I am slow reader and an awful test taker. When", "a day in a comfortable fancy house in the middle of no where.", "Ever sense I was a kid I made a conscience effort to put", "telling. It wasn't until this year that my parents and I acknowledged the", "currently a Junior in Highschool, and my mother is a writer and librarian", "until this year that my parents and I acknowledged the fact that something", "chair reading a hundred books a day in a comfortable fancy house in", "told countless of times,\"to become a good writer you must read!\" I wish", "Wannabe's.' Ever sense I was a kid I made a conscience effort to", "coming up in october, I need to do as good as possible on", "exam system leaves people like me at a huge disadvantage. I think the", "do not read other people's stories my own stories will never be as", "I imagine myself in a chair reading a hundred books a day in", "am a relatively smart kid, with a 3.8 GPA, but the American exam", "much space between myself and books as possible, I hated them and no", "a 3.8 GPA, but the American exam system leaves people like me at", "writing that I found out I had dyslexia, which has explained a lot.", "Highschool, and my mother is a writer and librarian in a public library", "books as possible, I hated them and no one knew why, however I", "the greatest fear I have in this entire world would be to grow", "I acknowledged the fact that something wasn't right with me. I am slow", "huge disadvantage. I think the greatest fear I have in this entire world", "I wish I had that drive that so many other have, and I", "system leaves people like me at a huge disadvantage. I think the greatest", "writers of the past had dyslexia, so it's obvious to me that these", "would be to grow old and die without bringing my ideas to life,", "to me that these writers were able to overcome their disorder. But with", "I have in this entire world would be to grow old and die", "illiterate Wannabe's.' Ever sense I was a kid I made a conscience effort", "I could. I imagine myself in a chair reading a hundred books a", "made a conscience effort to put as much space between myself and books", "solve 18 - 26. So it wasn't until I wanted to improve my", "read a book. During tests, Anxiety and fear control me, and I often", "so many other have, and I certainly don't want to be labeled as", "that many great writers of the past had dyslexia, so it's obvious to", "oral story telling. It wasn't until this year that my parents and I", "found out I had dyslexia, which has explained a lot. The SAT is", "greatest fear I have in this entire world would be to grow old", "is coming up in october, I need to do as good as possible", "many great writers of the past had dyslexia, so it's obvious to me", "relatively smart kid, with a 3.8 GPA, but the American exam system leaves", "go blank, wondering why I can't solve 18 - 26. So it wasn't", "like me at a huge disadvantage. I think the greatest fear I have", "dyslexia has done nothing good in my quest to become a better writer.", "was a kid I made a conscience effort to put as much space", "with me, it seems like my dyslexia has done nothing good in my", "fear I have in this entire world would be to grow old and", "of no where. I really do want to read, I wish I had", "tests, Anxiety and fear control me, and I often go blank, wondering why", "in a chair reading a hundred books a day in a comfortable fancy", "whole hour, as I loose concentration with every bleeding second I read a", "wanted to improve my writing that I found out I had dyslexia, which", "certainly don't want to be labeled as one of those, 'Malineal illiterate Wannabe's.'", "my writing that I found out I had dyslexia, which has explained a", "has done nothing good in my quest to become a better writer. I", "wasn't right with me. I am slow reader and an awful test taker.", "I had that drive that so many other have, and I certainly don't", "world would be to grow old and die without bringing my ideas to", "is a writer and librarian in a public library near by, because of", "During tests, Anxiety and fear control me, and I often go blank, wondering", "could. I imagine myself in a chair reading a hundred books a day", "a huge disadvantage. I think the greatest fear I have in this entire", "want to be labeled as one of those, 'Malineal illiterate Wannabe's.' Ever sense", "really do want to read, I wish I had that drive that so", "as possible, I hated them and no one knew why, however I did", "no where. I really do want to read, I wish I had that", "past had dyslexia, so it's obvious to me that these writers were able", "own stories will never be as good as they should. I need help.", "my dyslexia has done nothing good in my quest to become a better", "need to do as good as possible on it. The stress is building.", "out I had dyslexia, which has explained a lot. The SAT is coming", "disorder. But with me, it seems like my dyslexia has done nothing good", "and my mother is a writer and librarian in a public library near", "countless of times,\"to become a good writer you must read!\" I wish I", "that these writers were able to overcome their disorder. But with me, it", "knew why, however I did love music/film/animation/and oral story telling. It wasn't until", "that so many other have, and I certainly don't want to be labeled", "wasn't until I wanted to improve my writing that I found out I", "this year that my parents and I acknowledged the fact that something wasn't", "great writers of the past had dyslexia, so it's obvious to me that", "overcome their disorder. But with me, it seems like my dyslexia has done", "music/film/animation/and oral story telling. It wasn't until this year that my parents and", "fact that something wasn't right with me. I am slow reader and an", "as one of those, 'Malineal illiterate Wannabe's.' Ever sense I was a kid", "people like me at a huge disadvantage. 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During tests, Anxiety", "put as much space between myself and books as possible, I hated them", "to grow old and die without bringing my ideas to life, and because", "with a 3.8 GPA, but the American exam system leaves people like me", "wondering why I can't solve 18 - 26. So it wasn't until I", "the past had dyslexia, so it's obvious to me that these writers were", "I had dyslexia, which has explained a lot. The SAT is coming up", "done nothing good in my quest to become a better writer. I am", "possible, I hated them and no one knew why, however I did love", "minutes feels like a whole hour, as I loose concentration with every bleeding", "those, 'Malineal illiterate Wannabe's.' Ever sense I was a kid I made a", "to do as good as possible on it. The stress is building. I", "of the past had dyslexia, so it's obvious to me that these writers", "second I read a book. During tests, Anxiety and fear control me, and", "good in my quest to become a better writer. I am currently a", "it's obvious to me that these writers were able to overcome their disorder.", "and librarian in a public library near by, because of this I am", "kid, with a 3.8 GPA, but the American exam system leaves people like", "of those, 'Malineal illiterate Wannabe's.' Ever sense I was a kid I made", "control me, and I often go blank, wondering why I can't solve 18", "disadvantage. I think the greatest fear I have in this entire world would", "dyslexia, which has explained a lot. The SAT is coming up in october,", "story telling. It wasn't until this year that my parents and I acknowledged", "that something wasn't right with me. I am slow reader and an awful", "that I found out I had dyslexia, which has explained a lot. The", "want to read, I wish I had that drive that so many other", "I do not read other people's stories my own stories will never be", "hated them and no one knew why, however I did love music/film/animation/and oral", "as possible on it. The stress is building. I know I am a", "librarian in a public library near by, because of this I am told", "on it. The stress is building. I know I am a relatively smart", "I hated them and no one knew why, however I did love music/film/animation/and", "awful test taker. When I read I get stressful head and stomach aches.", "and because I do not read other people's stories my own stories will", "stress is building. I know I am a relatively smart kid, with a", "stomach aches. 10 minutes feels like a whole hour, as I loose concentration", "the fact that something wasn't right with me. I am slow reader and", "this entire world would be to grow old and die without bringing my", "my own stories will never be as good as they should. I need", "a book. During tests, Anxiety and fear control me, and I often go", "seems like my dyslexia has done nothing good in my quest to become", "improve my writing that I found out I had dyslexia, which has explained", "writer. I am currently a Junior in Highschool, and my mother is a", "a comfortable fancy house in the middle of no where. I really do", "get stressful head and stomach aches. 10 minutes feels like a whole hour,", "labeled as one of those, 'Malineal illiterate Wannabe's.' Ever sense I was a", "writers were able to overcome their disorder. But with me, it seems like", "- 26. So it wasn't until I wanted to improve my writing that", "a whole hour, as I loose concentration with every bleeding second I read", "like my dyslexia has done nothing good in my quest to become a", "why I can't solve 18 - 26. So it wasn't until I wanted", "and fear control me, and I often go blank, wondering why I can't", "know I am a relatively smart kid, with a 3.8 GPA, but the", "and die without bringing my ideas to life, and because I do not", "building. I know I am a relatively smart kid, with a 3.8 GPA,", "become a better writer. I am currently a Junior in Highschool, and my", "dyslexia, so it's obvious to me that these writers were able to overcome", "good writer you must read!\" I wish I could. I imagine myself in", "I think the greatest fear I have in this entire world would be", "hundred books a day in a comfortable fancy house in the middle of", "day in a comfortable fancy house in the middle of no where. I", "slow reader and an awful test taker. When I read I get stressful", "in the middle of no where. I really do want to read, I", "I need to do as good as possible on it. The stress is" ]
[ "employ to maximize success of the book? I plan on releasing it as", "the book? I plan on releasing it as an eBook and in paperback.", "3. Professional self-publication (like iUniverse and Kindle) 4. Professional marketing and promotion What", "in paperback. Obviously I need the following: 1. Professional content editing 2. Professional", "Professional content editing 2. Professional cover and artwork design 3. Professional self-publication (like", "releasing it as an eBook and in paperback. Obviously I need the following:", "enjoyed. Assuming I can raise the money on Kickstarter, what services should I", "need the following: 1. Professional content editing 2. Professional cover and artwork design", "plan on releasing it as an eBook and in paperback. Obviously I need", "read and enjoyed. Assuming I can raise the money on Kickstarter, what services", "Obviously I need the following: 1. Professional content editing 2. Professional cover and", "of a fiction book that several friends have read and enjoyed. Assuming I", "that several friends have read and enjoyed. Assuming I can raise the money", "I employ to maximize success of the book? I plan on releasing it", "of the book? I plan on releasing it as an eBook and in", "book that several friends have read and enjoyed. Assuming I can raise the", "I plan on releasing it as an eBook and in paperback. Obviously I", "what services should I employ to maximize success of the book? I plan", "have read and enjoyed. Assuming I can raise the money on Kickstarter, what", "should I employ to maximize success of the book? I plan on releasing", "an eBook and in paperback. Obviously I need the following: 1. Professional content", "(like iUniverse and Kindle) 4. Professional marketing and promotion What else should I", "success of the book? I plan on releasing it as an eBook and", "cover and artwork design 3. Professional self-publication (like iUniverse and Kindle) 4. Professional", "as an eBook and in paperback. Obviously I need the following: 1. Professional", "I can raise the money on Kickstarter, what services should I employ to", "Kickstarter, what services should I employ to maximize success of the book? I", "I completed a draft of a fiction book that several friends have read", "and in paperback. Obviously I need the following: 1. Professional content editing 2.", "money on Kickstarter, what services should I employ to maximize success of the", "it as an eBook and in paperback. Obviously I need the following: 1.", "Kindle) 4. Professional marketing and promotion What else should I add to this", "a fiction book that several friends have read and enjoyed. Assuming I can", "services should I employ to maximize success of the book? I plan on", "4. Professional marketing and promotion What else should I add to this list?", "editing 2. Professional cover and artwork design 3. Professional self-publication (like iUniverse and", "and enjoyed. Assuming I can raise the money on Kickstarter, what services should", "fiction book that several friends have read and enjoyed. Assuming I can raise", "book? I plan on releasing it as an eBook and in paperback. Obviously", "2. Professional cover and artwork design 3. Professional self-publication (like iUniverse and Kindle)", "maximize success of the book? I plan on releasing it as an eBook", "completed a draft of a fiction book that several friends have read and", "1. Professional content editing 2. Professional cover and artwork design 3. Professional self-publication", "to maximize success of the book? I plan on releasing it as an", "a draft of a fiction book that several friends have read and enjoyed.", "eBook and in paperback. Obviously I need the following: 1. Professional content editing", "the following: 1. Professional content editing 2. Professional cover and artwork design 3.", "Professional cover and artwork design 3. Professional self-publication (like iUniverse and Kindle) 4.", "design 3. Professional self-publication (like iUniverse and Kindle) 4. Professional marketing and promotion", "iUniverse and Kindle) 4. Professional marketing and promotion What else should I add", "raise the money on Kickstarter, what services should I employ to maximize success", "friends have read and enjoyed. Assuming I can raise the money on Kickstarter,", "several friends have read and enjoyed. Assuming I can raise the money on", "content editing 2. Professional cover and artwork design 3. Professional self-publication (like iUniverse", "and Kindle) 4. Professional marketing and promotion What else should I add to", "on releasing it as an eBook and in paperback. Obviously I need the", "Assuming I can raise the money on Kickstarter, what services should I employ", "Professional self-publication (like iUniverse and Kindle) 4. Professional marketing and promotion What else", "I need the following: 1. Professional content editing 2. Professional cover and artwork", "following: 1. Professional content editing 2. Professional cover and artwork design 3. Professional", "on Kickstarter, what services should I employ to maximize success of the book?", "the money on Kickstarter, what services should I employ to maximize success of", "artwork design 3. Professional self-publication (like iUniverse and Kindle) 4. Professional marketing and", "and artwork design 3. Professional self-publication (like iUniverse and Kindle) 4. Professional marketing", "self-publication (like iUniverse and Kindle) 4. Professional marketing and promotion What else should", "paperback. Obviously I need the following: 1. Professional content editing 2. Professional cover", "draft of a fiction book that several friends have read and enjoyed. Assuming", "can raise the money on Kickstarter, what services should I employ to maximize" ]
[ "claims that the insurance industry is in general prone to misrepresentation of facts", "enforcement/military organisation with quite a few details about their organisational structure in an", "I depict… 1. Law enforcement/military organisation with quite a few details about their", "a fiction novel, I depict… 1. Law enforcement/military organisation with quite a few", "to misrepresentation of facts while pitching their products) or more specifically stereotyping the", "industry is in general prone to misrepresentation of facts while pitching their products)", "the insurance industry is in general prone to misrepresentation of facts while pitching", "fiction novel, I depict… 1. Law enforcement/military organisation with quite a few details", "an inaccurate manner. 2. Not naming any specific company or brand name, but", "2. Not naming any specific company or brand name, but rather depicting an", "general prone to misrepresentation of facts while pitching their products) or more specifically", "about their organisational structure in an inaccurate manner. 2. Not naming any specific", "manner. 2. Not naming any specific company or brand name, but rather depicting", "an entire industry in bad light (For eg: making claims that the insurance", "entire industry in bad light (For eg: making claims that the insurance industry", "is in general prone to misrepresentation of facts while pitching their products) or", "rather depicting an entire industry in bad light (For eg: making claims that", "a problem (legal one) if in a fiction novel, I depict… 1. Law", "or brand name, but rather depicting an entire industry in bad light (For", "their organisational structure in an inaccurate manner. 2. Not naming any specific company", "organisational structure in an inaccurate manner. 2. Not naming any specific company or", "naming any specific company or brand name, but rather depicting an entire industry", "bad light (For eg: making claims that the insurance industry is in general", "name, but rather depicting an entire industry in bad light (For eg: making", "company or brand name, but rather depicting an entire industry in bad light", "making claims that the insurance industry is in general prone to misrepresentation of", "that the insurance industry is in general prone to misrepresentation of facts while", "specific company or brand name, but rather depicting an entire industry in bad", "eg: making claims that the insurance industry is in general prone to misrepresentation", "inaccurate manner. 2. Not naming any specific company or brand name, but rather", "if in a fiction novel, I depict… 1. Law enforcement/military organisation with quite", "insurance industry is in general prone to misrepresentation of facts while pitching their", "in general prone to misrepresentation of facts while pitching their products) or more", "light (For eg: making claims that the insurance industry is in general prone", "problem (legal one) if in a fiction novel, I depict… 1. Law enforcement/military", "misrepresentation of facts while pitching their products) or more specifically stereotyping the industry", "organisation with quite a few details about their organisational structure in an inaccurate", "be a problem (legal one) if in a fiction novel, I depict… 1.", "any specific company or brand name, but rather depicting an entire industry in", "(legal one) if in a fiction novel, I depict… 1. Law enforcement/military organisation", "depict… 1. Law enforcement/military organisation with quite a few details about their organisational", "few details about their organisational structure in an inaccurate manner. 2. Not naming", "in bad light (For eg: making claims that the insurance industry is in", "a few details about their organisational structure in an inaccurate manner. 2. Not", "brand name, but rather depicting an entire industry in bad light (For eg:", "one) if in a fiction novel, I depict… 1. Law enforcement/military organisation with", "Could it be a problem (legal one) if in a fiction novel, I", "with quite a few details about their organisational structure in an inaccurate manner.", "industry in bad light (For eg: making claims that the insurance industry is", "Not naming any specific company or brand name, but rather depicting an entire", "it be a problem (legal one) if in a fiction novel, I depict…", "(For eg: making claims that the insurance industry is in general prone to", "Law enforcement/military organisation with quite a few details about their organisational structure in", "prone to misrepresentation of facts while pitching their products) or more specifically stereotyping", "but rather depicting an entire industry in bad light (For eg: making claims", "novel, I depict… 1. Law enforcement/military organisation with quite a few details about", "structure in an inaccurate manner. 2. Not naming any specific company or brand", "of facts while pitching their products) or more specifically stereotyping the industry behaviour.", "quite a few details about their organisational structure in an inaccurate manner. 2.", "details about their organisational structure in an inaccurate manner. 2. Not naming any", "1. Law enforcement/military organisation with quite a few details about their organisational structure", "in an inaccurate manner. 2. Not naming any specific company or brand name,", "depicting an entire industry in bad light (For eg: making claims that the", "in a fiction novel, I depict… 1. Law enforcement/military organisation with quite a" ]
[ "meant to be realistic and accurate so just imagining what it would be", "never been to China; I have never even been to Asia. The story", "am also afraid of portraying stereotypes and media misconceptions of Chinese culture. So", "just imagining what it would be like to be in the place and", "China; I have never even been to Asia. The story is meant to", "wanted to write a short story about a man who visits China. I", "write a short story about a man who visits China. I have never", "be in the place and getting it completely wrong is not an option.", "I am also afraid of portraying stereotypes and media misconceptions of Chinese culture.", "in the place and getting it completely wrong is not an option. I", "and media misconceptions of Chinese culture. So how do I write about the", "culture. So how do I write about the experience of being in China", "So how do I write about the experience of being in China when", "I write about the experience of being in China when I don't know", "story is meant to be realistic and accurate so just imagining what it", "afraid of portraying stereotypes and media misconceptions of Chinese culture. So how do", "media misconceptions of Chinese culture. So how do I write about the experience", "do I write about the experience of being in China when I don't", "the place and getting it completely wrong is not an option. I am", "so just imagining what it would be like to be in the place", "I have never even been to Asia. The story is meant to be", "to be in the place and getting it completely wrong is not an", "of portraying stereotypes and media misconceptions of Chinese culture. So how do I", "to write a short story about a man who visits China. I have", "about the experience of being in China when I don't know it myself?", "been to Asia. The story is meant to be realistic and accurate so", "it would be like to be in the place and getting it completely", "accurate so just imagining what it would be like to be in the", "is meant to be realistic and accurate so just imagining what it would", "even been to Asia. The story is meant to be realistic and accurate", "who visits China. I have never been to China; I have never even", "Asia. The story is meant to be realistic and accurate so just imagining", "Chinese culture. So how do I write about the experience of being in", "and getting it completely wrong is not an option. I am also afraid", "The story is meant to be realistic and accurate so just imagining what", "also afraid of portraying stereotypes and media misconceptions of Chinese culture. So how", "is not an option. I am also afraid of portraying stereotypes and media", "story about a man who visits China. I have never been to China;", "getting it completely wrong is not an option. I am also afraid of", "wrong is not an option. I am also afraid of portraying stereotypes and", "an option. I am also afraid of portraying stereotypes and media misconceptions of", "be realistic and accurate so just imagining what it would be like to", "option. I am also afraid of portraying stereotypes and media misconceptions of Chinese", "not an option. I am also afraid of portraying stereotypes and media misconceptions", "would be like to be in the place and getting it completely wrong", "about a man who visits China. I have never been to China; I", "realistic and accurate so just imagining what it would be like to be", "like to be in the place and getting it completely wrong is not", "of Chinese culture. So how do I write about the experience of being", "imagining what it would be like to be in the place and getting", "and accurate so just imagining what it would be like to be in", "visits China. I have never been to China; I have never even been", "China. I have never been to China; I have never even been to", "have never been to China; I have never even been to Asia. The", "been to China; I have never even been to Asia. The story is", "I wanted to write a short story about a man who visits China.", "a short story about a man who visits China. I have never been", "it completely wrong is not an option. I am also afraid of portraying", "completely wrong is not an option. I am also afraid of portraying stereotypes", "a man who visits China. I have never been to China; I have", "what it would be like to be in the place and getting it", "misconceptions of Chinese culture. So how do I write about the experience of", "write about the experience of being in China when I don't know it", "have never even been to Asia. The story is meant to be realistic", "portraying stereotypes and media misconceptions of Chinese culture. So how do I write", "stereotypes and media misconceptions of Chinese culture. So how do I write about", "how do I write about the experience of being in China when I", "to Asia. The story is meant to be realistic and accurate so just", "man who visits China. I have never been to China; I have never", "I have never been to China; I have never even been to Asia.", "never even been to Asia. The story is meant to be realistic and", "to be realistic and accurate so just imagining what it would be like", "be like to be in the place and getting it completely wrong is", "short story about a man who visits China. I have never been to", "to China; I have never even been to Asia. The story is meant", "place and getting it completely wrong is not an option. I am also" ]
[ "though my character is nothing like the one on TV? Would I therefore", "besides the name they only share the characteristics of both being white and", "was pretty young when I came up for the idea for the characters,", "nothing like the one on TV? Would I therefore need to change his", "there with the same name, let alone that he was on a fairly", "to do with the one on TV; besides the name they only share", "that repeatedly used the name!) My character has nothing to do with the", "and you get a character on a popular show (I only withhold it", "I really like that name anyways, since it fits my character so well.", "character on a popular show (I only withhold it to save myself the", "the last name and you get a character on a popular show (I", "they only share the characteristics of both being white and male. I really", "even though my character is nothing like the one on TV? Would I", "TV; besides the name they only share the characteristics of both being white", "name!) My character has nothing to do with the one on TV; besides", "is nothing like the one on TV? Would I therefore need to change", "characteristics of both being white and male. I really like that name anyways,", "the one on TV? Would I therefore need to change his name? Edit:", "a character on a popular show (I only withhold it to save myself", "the idea for the characters, and wasn't really aware that there was another", "let alone that he was on a fairly popular show. (Found out when", "on a popular show (I only withhold it to save myself the embarrassment", "tried to publish this someday, would I run into copyright/legal issues, even though", "which one of the three main characters is a detective—who now seems to", "I've been writing a YA mystery book in which one of the three", "with another fictional character on TV. I was pretty young when I came", "copyright/legal issues, even though my character is nothing like the one on TV?", "just Herwed, but put that with the last name and you get a", "writing a YA mystery book in which one of the three main characters", "fairly popular show. (Found out when I saw commercials that repeatedly used the", "therefore need to change his name? Edit: the name itself is somewhat uncommon,", "when I saw commercials that repeatedly used the name!) My character has nothing", "used the name!) My character has nothing to do with the one on", "a fairly popular show. (Found out when I saw commercials that repeatedly used", "character on TV. I was pretty young when I came up for the", "I tried to publish this someday, would I run into copyright/legal issues, even", "together. The first name is just Herwed, but put that with the last", "just two fairly common names together. The first name is just Herwed, but", "mystery book in which one of the three main characters is a detective—who", "share the characteristics of both being white and male. I really like that", "repeatedly used the name!) My character has nothing to do with the one", "came up for the idea for the characters, and wasn't really aware that", "only share the characteristics of both being white and male. I really like", "a YA mystery book in which one of the three main characters is", "with the last name and you get a character on a popular show", "I run into copyright/legal issues, even though my character is nothing like the", "pretty young when I came up for the idea for the characters, and", "with the one on TV; besides the name they only share the characteristics", "it fits my character so well. If I tried to publish this someday,", "book in which one of the three main characters is a detective—who now", "been writing a YA mystery book in which one of the three main", "to share his name with another fictional character on TV. I was pretty", "name is just Herwed, but put that with the last name and you", "anyways, since it fits my character so well. If I tried to publish", "but it's really just two fairly common names together. The first name is", "do with the one on TV; besides the name they only share the", "with the same name, let alone that he was on a fairly popular", "and male. I really like that name anyways, since it fits my character", "like that name anyways, since it fits my character so well. If I", "character is nothing like the one on TV? Would I therefore need to", "TV? Would I therefore need to change his name? Edit: the name itself", "that name anyways, since it fits my character so well. If I tried", "show (I only withhold it to save myself the embarrassment of having it", "his name with another fictional character on TV. I was pretty young when", "since it fits my character so well. If I tried to publish this", "really like that name anyways, since it fits my character so well. If", "publish this someday, would I run into copyright/legal issues, even though my character", "only withhold it to save myself the embarrassment of having it on the", "name and you get a character on a popular show (I only withhold", "same name, let alone that he was on a fairly popular show. (Found", "my character so well. If I tried to publish this someday, would I", "Would I therefore need to change his name? Edit: the name itself is", "YA mystery book in which one of the three main characters is a", "fits my character so well. If I tried to publish this someday, would", "put that with the last name and you get a character on a", "popular show (I only withhold it to save myself the embarrassment of having", "alone that he was on a fairly popular show. (Found out when I", "main characters is a detective—who now seems to share his name with another", "fictional character out there with the same name, let alone that he was", "a popular show (I only withhold it to save myself the embarrassment of", "another fictional character out there with the same name, let alone that he", "really aware that there was another fictional character out there with the same", "really just two fairly common names together. The first name is just Herwed,", "share his name with another fictional character on TV. I was pretty young", "saw commercials that repeatedly used the name!) My character has nothing to do", "need to change his name? Edit: the name itself is somewhat uncommon, but", "his name? Edit: the name itself is somewhat uncommon, but it's really just", "young when I came up for the idea for the characters, and wasn't", "name anyways, since it fits my character so well. If I tried to", "If I tried to publish this someday, would I run into copyright/legal issues,", "commercials that repeatedly used the name!) My character has nothing to do with", "itself is somewhat uncommon, but it's really just two fairly common names together.", "for the characters, and wasn't really aware that there was another fictional character", "out there with the same name, let alone that he was on a", "it to save myself the embarrassment of having it on the Internet forever", "would I run into copyright/legal issues, even though my character is nothing like", "save myself the embarrassment of having it on the Internet forever :) )", "is just Herwed, but put that with the last name and you get", "somewhat uncommon, but it's really just two fairly common names together. The first", "name? 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The first name is just Herwed, but put that with the", "issues, even though my character is nothing like the one on TV? Would", "two fairly common names together. The first name is just Herwed, but put", "that he was on a fairly popular show. (Found out when I saw", "character out there with the same name, let alone that he was on", "last name and you get a character on a popular show (I only", "now seems to share his name with another fictional character on TV. I", "but put that with the last name and you get a character on", "fictional character on TV. I was pretty young when I came up for", "detective—who now seems to share his name with another fictional character on TV.", "was another fictional character out there with the same name, let alone that", "on a fairly popular show. (Found out when I saw commercials that repeatedly", "seems to share his name with another fictional character on TV. 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(Found out", "there was another fictional character out there with the same name, let alone", "my character is nothing like the one on TV? Would I therefore need", "on TV. I was pretty young when I came up for the idea", "that there was another fictional character out there with the same name, let", "uncommon, but it's really just two fairly common names together. The first name", "popular show. (Found out when I saw commercials that repeatedly used the name!)", "it's really just two fairly common names together. The first name is just", "get a character on a popular show (I only withhold it to save", "three main characters is a detective—who now seems to share his name with", "you get a character on a popular show (I only withhold it to", "out when I saw commercials that repeatedly used the name!) My character has", "(Found out when I saw commercials that repeatedly used the name!) 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My", "idea for the characters, and wasn't really aware that there was another fictional", "aware that there was another fictional character out there with the same name,", "(I only withhold it to save myself the embarrassment of having it on", "is somewhat uncommon, but it's really just two fairly common names together. The", "another fictional character on TV. I was pretty young when I came up", "name itself is somewhat uncommon, but it's really just two fairly common names", "characters is a detective—who now seems to share his name with another fictional", "being white and male. I really like that name anyways, since it fits", "the name they only share the characteristics of both being white and male.", "run into copyright/legal issues, even though my character is nothing like the one", "of both being white and male. I really like that name anyways, since", "one on TV? Would I therefore need to change his name? Edit: the", "male. I really like that name anyways, since it fits my character so", "the one on TV; besides the name they only share the characteristics of", "well. If I tried to publish this someday, would I run into copyright/legal" ]
[ "I say the men drove to the bank in a Ford van, could", "van, could Ford sue me for using their company name in that way?", "I be sued for it? What could happen if I do use the", "use the company in that way? Say if I say the men drove", "the company in that way? Say if I say the men drove to", "sued for it? What could happen if I do use the company in", "bank heist, can I be sued for it? What could happen if I", "What could happen if I do use the company in that way? Say", "drove to the bank in a Ford van, could Ford sue me for", "say the men drove to the bank in a Ford van, could Ford", "a real car company in telling a story about a bank heist, can", "if I say the men drove to the bank in a Ford van,", "I do use the company in that way? Say if I say the", "I use a real car company in telling a story about a bank", "bank in a Ford van, could Ford sue me for using their company", "in that way? Say if I say the men drove to the bank", "the men drove to the bank in a Ford van, could Ford sue", "in telling a story about a bank heist, can I be sued for", "for it? What could happen if I do use the company in that", "a story about a bank heist, can I be sued for it? What", "be sued for it? What could happen if I do use the company", "heist, can I be sued for it? What could happen if I do", "a Ford van, could Ford sue me for using their company name in", "could happen if I do use the company in that way? Say if", "happen if I do use the company in that way? Say if I", "If I use a real car company in telling a story about a", "do use the company in that way? Say if I say the men", "Say if I say the men drove to the bank in a Ford", "use a real car company in telling a story about a bank heist,", "in a Ford van, could Ford sue me for using their company name", "real car company in telling a story about a bank heist, can I", "telling a story about a bank heist, can I be sued for it?", "story about a bank heist, can I be sued for it? What could", "that way? Say if I say the men drove to the bank in", "the bank in a Ford van, could Ford sue me for using their", "car company in telling a story about a bank heist, can I be", "a bank heist, can I be sued for it? What could happen if", "Ford van, could Ford sue me for using their company name in that", "can I be sued for it? What could happen if I do use", "company in telling a story about a bank heist, can I be sued", "men drove to the bank in a Ford van, could Ford sue me", "to the bank in a Ford van, could Ford sue me for using", "it? What could happen if I do use the company in that way?", "company in that way? Say if I say the men drove to the", "about a bank heist, can I be sued for it? What could happen", "way? Say if I say the men drove to the bank in a", "if I do use the company in that way? Say if I say" ]
[ "I want to prevent this in the future, though don't want to stop", "one abomination, it takes time, but eventually they all become the same old", "eventually they all become the same old character with different weapons, or something.", "rich, so i'm better than you' demeanor... In the end, their personalities merged", "they all become the same old character with different weapons, or something. For", "with this. What i mean is, when running multiple characters I tend to", "So, I'm not much of a writer, in fact the last time I", "seem like a silly question, however I struggle with this. What i mean", "I tend to sort of *merge* their personalities into one abomination, it takes", "interacting with others, as we all make our way through some ridiculous problem", "when running multiple characters I tend to sort of *merge* their personalities into", "than you' demeanor... In the end, their personalities merged slightly and it was", "usually write is in roleplay situations. Where my characters are constantly interacting with", "named Osmluy. In the beginning Osmluy was a light hearted smooth talking kinda", "something. For example, I had two characters, one named Adrian, another named Osmluy.", "may seem like a silly question, however I struggle with this. What i", "was a light hearted smooth talking kinda guy, whereas Adrian was more on", "things. He had a classical 'I'm rich, so i'm better than you' demeanor...", "was 10 (Been nearly 10 years since). Where I usually write is in", "and it was just messy. I want to prevent this in the future,", "a classical 'I'm rich, so i'm better than you' demeanor... In the end,", "In the end, their personalities merged slightly and it was just messy. I", "we all make our way through some ridiculous problem together, or kill something", "together, or kill something disgustingly difficult. What I wanted to know, are there", "story was when I was 10 (Been nearly 10 years since). Where I", "any specific exercises I can take as a person to accomplish the following.", "weapons, or something. For example, I had two characters, one named Adrian, another", "it was just messy. I want to prevent this in the future, though", "For example, I had two characters, one named Adrian, another named Osmluy. In", "situations. Where my characters are constantly interacting with others, as we all make", "whereas Adrian was more on the Edgy side of things. He had a", "the future, though don't want to stop my Roleplay activities. Is there anything", "all become the same old character with different weapons, or something. For example,", "I had two characters, one named Adrian, another named Osmluy. In the beginning", "like a silly question, however I struggle with this. What i mean is,", "Osmluy. In the beginning Osmluy was a light hearted smooth talking kinda guy,", "more on the Edgy side of things. He had a classical 'I'm rich,", "characters personalities separate.** It may seem like a silly question, however I struggle", "I struggle with this. What i mean is, when running multiple characters I", "exercises I can take as a person to accomplish the following. **Keep My", "much of a writer, in fact the last time I wrote a story", "you' demeanor... In the end, their personalities merged slightly and it was just", "I usually write is in roleplay situations. Where my characters are constantly interacting", "writer, in fact the last time I wrote a story was when I", "disgustingly difficult. What I wanted to know, are there any specific exercises I", "demeanor... In the end, their personalities merged slightly and it was just messy.", "to know, are there any specific exercises I can take as a person", "the Edgy side of things. He had a classical 'I'm rich, so i'm", "can take as a person to accomplish the following. **Keep My characters personalities", "What I wanted to know, are there any specific exercises I can take", "last time I wrote a story was when I was 10 (Been nearly", "their personalities into one abomination, it takes time, but eventually they all become", "**Keep My characters personalities separate.** It may seem like a silly question, however", "make our way through some ridiculous problem together, or kill something disgustingly difficult.", "I wanted to know, are there any specific exercises I can take as", "was just messy. I want to prevent this in the future, though don't", "just messy. I want to prevent this in the future, though don't want", "another named Osmluy. In the beginning Osmluy was a light hearted smooth talking", "know, are there any specific exercises I can take as a person to", "of things. He had a classical 'I'm rich, so i'm better than you'", "wrote a story was when I was 10 (Been nearly 10 years since).", "characters are constantly interacting with others, as we all make our way through", "a light hearted smooth talking kinda guy, whereas Adrian was more on the", "when I was 10 (Been nearly 10 years since). Where I usually write", "characters I tend to sort of *merge* their personalities into one abomination, it", "named Adrian, another named Osmluy. In the beginning Osmluy was a light hearted", "person to accomplish the following. **Keep My characters personalities separate.** It may seem", "side of things. He had a classical 'I'm rich, so i'm better than", "to prevent this in the future, though don't want to stop my Roleplay", "in fact the last time I wrote a story was when I was", "(Been nearly 10 years since). Where I usually write is in roleplay situations.", "accomplish the following. **Keep My characters personalities separate.** It may seem like a", "are there any specific exercises I can take as a person to accomplish", "as a person to accomplish the following. **Keep My characters personalities separate.** It", "Osmluy was a light hearted smooth talking kinda guy, whereas Adrian was more", "a silly question, however I struggle with this. What i mean is, when", "takes time, but eventually they all become the same old character with different", "so i'm better than you' demeanor... In the end, their personalities merged slightly", "but eventually they all become the same old character with different weapons, or", "the end, their personalities merged slightly and it was just messy. I want", "prevent this in the future, though don't want to stop my Roleplay activities.", "fact the last time I wrote a story was when I was 10", "want to prevent this in the future, though don't want to stop my", "time, but eventually they all become the same old character with different weapons,", "example, I had two characters, one named Adrian, another named Osmluy. In the", "a story was when I was 10 (Been nearly 10 years since). Where", "running multiple characters I tend to sort of *merge* their personalities into one", "since). Where I usually write is in roleplay situations. Where my characters are", "a person to accomplish the following. **Keep My characters personalities separate.** It may", "my characters are constantly interacting with others, as we all make our way", "smooth talking kinda guy, whereas Adrian was more on the Edgy side of", "through some ridiculous problem together, or kill something disgustingly difficult. What I wanted", "It may seem like a silly question, however I struggle with this. What", "I'm not much of a writer, in fact the last time I wrote", "become the same old character with different weapons, or something. For example, I", "with different weapons, or something. For example, I had two characters, one named", "multiple characters I tend to sort of *merge* their personalities into one abomination,", "as we all make our way through some ridiculous problem together, or kill", "the same old character with different weapons, or something. For example, I had", "Adrian was more on the Edgy side of things. He had a classical", "Where I usually write is in roleplay situations. Where my characters are constantly", "it takes time, but eventually they all become the same old character with", "I wrote a story was when I was 10 (Been nearly 10 years", "take as a person to accomplish the following. **Keep My characters personalities separate.**", "all make our way through some ridiculous problem together, or kill something disgustingly", "difficult. What I wanted to know, are there any specific exercises I can", "the last time I wrote a story was when I was 10 (Been", "constantly interacting with others, as we all make our way through some ridiculous", "sort of *merge* their personalities into one abomination, it takes time, but eventually", "a writer, in fact the last time I wrote a story was when", "others, as we all make our way through some ridiculous problem together, or", "mean is, when running multiple characters I tend to sort of *merge* their", "had a classical 'I'm rich, so i'm better than you' demeanor... In the", "end, their personalities merged slightly and it was just messy. I want to", "nearly 10 years since). Where I usually write is in roleplay situations. Where", "problem together, or kill something disgustingly difficult. What I wanted to know, are", "guy, whereas Adrian was more on the Edgy side of things. He had", "had two characters, one named Adrian, another named Osmluy. In the beginning Osmluy", "is in roleplay situations. Where my characters are constantly interacting with others, as", "in roleplay situations. Where my characters are constantly interacting with others, as we", "into one abomination, it takes time, but eventually they all become the same", "separate.** It may seem like a silly question, however I struggle with this.", "He had a classical 'I'm rich, so i'm better than you' demeanor... In", "struggle with this. What i mean is, when running multiple characters I tend", "in the future, though don't want to stop my Roleplay activities. Is there", "time I wrote a story was when I was 10 (Been nearly 10", "our way through some ridiculous problem together, or kill something disgustingly difficult. What", "different weapons, or something. For example, I had two characters, one named Adrian,", "talking kinda guy, whereas Adrian was more on the Edgy side of things.", "or something. For example, I had two characters, one named Adrian, another named", "Edgy side of things. He had a classical 'I'm rich, so i'm better", "specific exercises I can take as a person to accomplish the following. **Keep", "of a writer, in fact the last time I wrote a story was", "the beginning Osmluy was a light hearted smooth talking kinda guy, whereas Adrian", "following. **Keep My characters personalities separate.** It may seem like a silly question,", "there any specific exercises I can take as a person to accomplish the", "something disgustingly difficult. What I wanted to know, are there any specific exercises", "messy. I want to prevent this in the future, though don't want to", "10 (Been nearly 10 years since). Where I usually write is in roleplay", "the following. **Keep My characters personalities separate.** It may seem like a silly", "on the Edgy side of things. He had a classical 'I'm rich, so", "not much of a writer, in fact the last time I wrote a", "personalities into one abomination, it takes time, but eventually they all become the", "their personalities merged slightly and it was just messy. I want to prevent", "slightly and it was just messy. I want to prevent this in the", "don't want to stop my Roleplay activities. Is there anything I can do?", "some ridiculous problem together, or kill something disgustingly difficult. What I wanted to", "In the beginning Osmluy was a light hearted smooth talking kinda guy, whereas", "of *merge* their personalities into one abomination, it takes time, but eventually they", "silly question, however I struggle with this. What i mean is, when running", "wanted to know, are there any specific exercises I can take as a", "however I struggle with this. What i mean is, when running multiple characters", "one named Adrian, another named Osmluy. In the beginning Osmluy was a light", "question, however I struggle with this. What i mean is, when running multiple", "roleplay situations. Where my characters are constantly interacting with others, as we all", "same old character with different weapons, or something. For example, I had two", "character with different weapons, or something. For example, I had two characters, one", "better than you' demeanor... In the end, their personalities merged slightly and it", "Adrian, another named Osmluy. In the beginning Osmluy was a light hearted smooth", "is, when running multiple characters I tend to sort of *merge* their personalities", "though don't want to stop my Roleplay activities. Is there anything I can", "this in the future, though don't want to stop my Roleplay activities. Is", "write is in roleplay situations. Where my characters are constantly interacting with others,", "I was 10 (Been nearly 10 years since). Where I usually write is", "tend to sort of *merge* their personalities into one abomination, it takes time,", "i mean is, when running multiple characters I tend to sort of *merge*", "to accomplish the following. **Keep My characters personalities separate.** It may seem like", "classical 'I'm rich, so i'm better than you' demeanor... In the end, their", "future, though don't want to stop my Roleplay activities. Is there anything I", "beginning Osmluy was a light hearted smooth talking kinda guy, whereas Adrian was", "abomination, it takes time, but eventually they all become the same old character", "or kill something disgustingly difficult. What I wanted to know, are there any", "this. What i mean is, when running multiple characters I tend to sort", "two characters, one named Adrian, another named Osmluy. In the beginning Osmluy was", "'I'm rich, so i'm better than you' demeanor... In the end, their personalities", "personalities merged slightly and it was just messy. I want to prevent this", "ridiculous problem together, or kill something disgustingly difficult. What I wanted to know,", "was when I was 10 (Been nearly 10 years since). Where I usually", "years since). Where I usually write is in roleplay situations. Where my characters", "kinda guy, whereas Adrian was more on the Edgy side of things. He", "merged slightly and it was just messy. I want to prevent this in", "old character with different weapons, or something. For example, I had two characters,", "way through some ridiculous problem together, or kill something disgustingly difficult. What I", "My characters personalities separate.** It may seem like a silly question, however I", "10 years since). Where I usually write is in roleplay situations. Where my", "Where my characters are constantly interacting with others, as we all make our", "characters, one named Adrian, another named Osmluy. In the beginning Osmluy was a", "are constantly interacting with others, as we all make our way through some", "to sort of *merge* their personalities into one abomination, it takes time, but", "personalities separate.** It may seem like a silly question, however I struggle with", "light hearted smooth talking kinda guy, whereas Adrian was more on the Edgy", "kill something disgustingly difficult. What I wanted to know, are there any specific", "*merge* their personalities into one abomination, it takes time, but eventually they all", "I can take as a person to accomplish the following. **Keep My characters", "was more on the Edgy side of things. He had a classical 'I'm", "with others, as we all make our way through some ridiculous problem together,", "i'm better than you' demeanor... In the end, their personalities merged slightly and", "What i mean is, when running multiple characters I tend to sort of", "hearted smooth talking kinda guy, whereas Adrian was more on the Edgy side" ]
[ "must only focus on one niche or a set of similar niches, so", "stuff in one blog, be unprofessional? Or is there a creative(or trendy) way", "two different niches - tech stuff(computer world) and lifestyle(life hacks and short stories)", "of similar niches, so will having lifestyle hacks and tech stuff in one", "and tech stuff in one blog, be unprofessional? Or is there a creative(or", "I want to get my own domain. I have heard that a blog", "a set of similar niches, so will having lifestyle hacks and tech stuff", "hacks and short stories) - but now I want to get my own", "but now I want to get my own domain. I have heard that", "and short stories) - but now I want to get my own domain.", "in one blog, be unprofessional? Or is there a creative(or trendy) way to", "set of similar niches, so will having lifestyle hacks and tech stuff in", "two blogs focusing on two different niches - tech stuff(computer world) and lifestyle(life", "will having lifestyle hacks and tech stuff in one blog, be unprofessional? Or", "world) and lifestyle(life hacks and short stories) - but now I want to", "blog must only focus on one niche or a set of similar niches,", "niches - tech stuff(computer world) and lifestyle(life hacks and short stories) - but", "I have heard that a blog must only focus on one niche or", "- tech stuff(computer world) and lifestyle(life hacks and short stories) - but now", "unprofessional? Or is there a creative(or trendy) way to put both in one?", "stuff(computer world) and lifestyle(life hacks and short stories) - but now I want", "tech stuff in one blog, be unprofessional? Or is there a creative(or trendy)", "and lifestyle(life hacks and short stories) - but now I want to get", "want to get my own domain. I have heard that a blog must", "own domain. I have heard that a blog must only focus on one", "hacks and tech stuff in one blog, be unprofessional? Or is there a", "on two different niches - tech stuff(computer world) and lifestyle(life hacks and short", "lifestyle(life hacks and short stories) - but now I want to get my", "get my own domain. I have heard that a blog must only focus", "short stories) - but now I want to get my own domain. I", "my own domain. I have heard that a blog must only focus on", "to get my own domain. I have heard that a blog must only", "be unprofessional? Or is there a creative(or trendy) way to put both in", "stories) - but now I want to get my own domain. I have", "blog, be unprofessional? Or is there a creative(or trendy) way to put both", "on one niche or a set of similar niches, so will having lifestyle", "so will having lifestyle hacks and tech stuff in one blog, be unprofessional?", "tech stuff(computer world) and lifestyle(life hacks and short stories) - but now I", "now I want to get my own domain. I have heard that a", "heard that a blog must only focus on one niche or a set", "I had been maintaining two blogs focusing on two different niches - tech", "domain. I have heard that a blog must only focus on one niche", "have heard that a blog must only focus on one niche or a", "that a blog must only focus on one niche or a set of", "or a set of similar niches, so will having lifestyle hacks and tech", "blogs focusing on two different niches - tech stuff(computer world) and lifestyle(life hacks", "had been maintaining two blogs focusing on two different niches - tech stuff(computer", "a blog must only focus on one niche or a set of similar", "having lifestyle hacks and tech stuff in one blog, be unprofessional? Or is", "niche or a set of similar niches, so will having lifestyle hacks and", "similar niches, so will having lifestyle hacks and tech stuff in one blog,", "niches, so will having lifestyle hacks and tech stuff in one blog, be", "focus on one niche or a set of similar niches, so will having", "one blog, be unprofessional? Or is there a creative(or trendy) way to put", "- but now I want to get my own domain. I have heard", "maintaining two blogs focusing on two different niches - tech stuff(computer world) and", "different niches - tech stuff(computer world) and lifestyle(life hacks and short stories) -", "focusing on two different niches - tech stuff(computer world) and lifestyle(life hacks and", "only focus on one niche or a set of similar niches, so will", "one niche or a set of similar niches, so will having lifestyle hacks", "lifestyle hacks and tech stuff in one blog, be unprofessional? Or is there", "been maintaining two blogs focusing on two different niches - tech stuff(computer world)" ]
[ "start the email I am writing to this person with a reminder of", "superior and I was wondering how to start the email I am writing", "the email I am writing to this person with a reminder of that", "a superior and I was wondering how to start the email I am", "person in question is a superior and I was wondering how to start", "wondering how to start the email I am writing to this person with", "and I was wondering how to start the email I am writing to", "to start the email I am writing to this person with a reminder", "was wondering how to start the email I am writing to this person", "question is a superior and I was wondering how to start the email", "how to start the email I am writing to this person with a", "The person in question is a superior and I was wondering how to", "I was wondering how to start the email I am writing to this", "email I am writing to this person with a reminder of that meeting.", "is a superior and I was wondering how to start the email I", "in question is a superior and I was wondering how to start the" ]
[ "I italicize it? Is there a rule here or is it predominantly an", "a rule here or is it predominantly an issue of style and/or author", "bobbling a box with the word books scrawled across the side. What do", "the word books scrawled across the side. What do I do with the", "Should I italicize it? Is there a rule here or is it predominantly", "do with the word, \"books\"? Do I quote it (as above)? Should I", "word, \"books\"? Do I quote it (as above)? Should I italicize it? Is", "\"books\"? Do I quote it (as above)? Should I italicize it? Is there", "the word, \"books\"? Do I quote it (as above)? Should I italicize it?", "Is there a rule here or is it predominantly an issue of style", "there a rule here or is it predominantly an issue of style and/or", "across the side. What do I do with the word, \"books\"? Do I", "“Where do you want these?” Jon’s publisher asked, bobbling a box with the", "asked, bobbling a box with the word books scrawled across the side. What", "is it predominantly an issue of style and/or author preference? What do you", "with the word books scrawled across the side. What do I do with", "it predominantly an issue of style and/or author preference? What do you think?", "it? Is there a rule here or is it predominantly an issue of", "these?” Jon’s publisher asked, bobbling a box with the word books scrawled across", "publisher asked, bobbling a box with the word books scrawled across the side.", "sentence is: “Where do you want these?” Jon’s publisher asked, bobbling a box", "or is it predominantly an issue of style and/or author preference? What do", "I quote it (as above)? Should I italicize it? Is there a rule", "with the word, \"books\"? Do I quote it (as above)? Should I italicize", "is: “Where do you want these?” Jon’s publisher asked, bobbling a box with", "a box with the word books scrawled across the side. What do I", "What do I do with the word, \"books\"? Do I quote it (as", "italicize it? Is there a rule here or is it predominantly an issue", "word books scrawled across the side. What do I do with the word,", "here or is it predominantly an issue of style and/or author preference? What", "side. What do I do with the word, \"books\"? Do I quote it", "above)? Should I italicize it? Is there a rule here or is it", "(as above)? Should I italicize it? Is there a rule here or is", "Jon’s publisher asked, bobbling a box with the word books scrawled across the", "box with the word books scrawled across the side. What do I do", "you want these?” Jon’s publisher asked, bobbling a box with the word books", "want these?” Jon’s publisher asked, bobbling a box with the word books scrawled", "I do with the word, \"books\"? Do I quote it (as above)? Should", "do I do with the word, \"books\"? Do I quote it (as above)?", "Do I quote it (as above)? Should I italicize it? Is there a", "it (as above)? Should I italicize it? Is there a rule here or", "do you want these?” Jon’s publisher asked, bobbling a box with the word", "The sentence is: “Where do you want these?” Jon’s publisher asked, bobbling a", "books scrawled across the side. What do I do with the word, \"books\"?", "the side. What do I do with the word, \"books\"? Do I quote", "scrawled across the side. What do I do with the word, \"books\"? Do", "rule here or is it predominantly an issue of style and/or author preference?", "quote it (as above)? Should I italicize it? Is there a rule here" ]
[ "italicize that word or part: > > \"I said there were *three* people", "two words shut up using italics. Normally, if there was only one word", "it's for a novel or online story publication.) I want to emphasize the", "is emphasized? Which is correct: > > \"*Shut up*!\" she yelled. (only the", "> > Clearly, only the word is italicized. What if the whole dialog", "yelled (the whole sentence, including quotation marks, is italicized.) > > > Or", "up!*\" she yelled (the exclamation mark is italicized) > > > *\"Shut up!\"*", "> > > \"*Shut up!*\" she yelled (the exclamation mark is italicized) >", "only one word or a part of a sentence emphasized, I would only", "using italics. Normally, if there was only one word or a part of", "italics. Normally, if there was only one word or a part of a", "*\"Shut up!\"* she yelled (the whole sentence, including quotation marks, is italicized.) >", "are italicized) > > > \"*Shut up!*\" she yelled (the exclamation mark is", "a novel or online story publication.) I want to emphasize the two words", "is correct: > > \"*Shut up*!\" she yelled. (only the two words are", "italicized) > > > \"*Shut up!*\" she yelled (the exclamation mark is italicized)", "dialog is emphasized? Which is correct: > > \"*Shut up*!\" she yelled. (only", "\"*Shut up*!\" she yelled. (only the two words are italicized) > > >", "shut up using italics. Normally, if there was only one word or a", "quotation marks, is italicized.) > > > Or are none of these correct?", "sentence emphasized, I would only italicize that word or part: > > \"I", "when you ramble.\" > > > (For context, it's for a novel or", "can't think when you ramble.\" > > > (For context, it's for a", "you ramble.\" > > > (For context, it's for a novel or online", "exclamation mark is italicized) > > > *\"Shut up!\"* she yelled (the whole", "> > > *\"Shut up!\"* she yelled (the whole sentence, including quotation marks,", "she yelled. \"I can't think when you ramble.\" > > > (For context,", "\"I said there were *three* people missing. Can't you ever listen?\" > >", "> > \"*Shut up!*\" she yelled (the exclamation mark is italicized) > >", "or part: > > \"I said there were *three* people missing. Can't you", "example, in the following exchange, > > \"Shut up!\" she yelled. \"I can't", "only italicize that word or part: > > \"I said there were *three*", "emphasized? Which is correct: > > \"*Shut up*!\" she yelled. (only the two", "a part of a sentence emphasized, I would only italicize that word or", "there were *three* people missing. Can't you ever listen?\" > > > Clearly,", "the following exchange, > > \"Shut up!\" she yelled. \"I can't think when", "mark is italicized) > > > *\"Shut up!\"* she yelled (the whole sentence,", "\"I can't think when you ramble.\" > > > (For context, it's for", "> > \"*Shut up*!\" she yelled. (only the two words are italicized) >", "word is italicized. What if the whole dialog is emphasized? Which is correct:", "is italicized. What if the whole dialog is emphasized? Which is correct: >", "For example, in the following exchange, > > \"Shut up!\" she yelled. \"I", "ever listen?\" > > > Clearly, only the word is italicized. What if", "Can't you ever listen?\" > > > Clearly, only the word is italicized.", "in the following exchange, > > \"Shut up!\" she yelled. \"I can't think", "up*!\" she yelled. (only the two words are italicized) > > > \"*Shut", "yelled (the exclamation mark is italicized) > > > *\"Shut up!\"* she yelled", "story publication.) I want to emphasize the two words shut up using italics.", "part of a sentence emphasized, I would only italicize that word or part:", "italicized) > > > *\"Shut up!\"* she yelled (the whole sentence, including quotation", "only the word is italicized. What if the whole dialog is emphasized? Which", "words shut up using italics. Normally, if there was only one word or", "exchange, > > \"Shut up!\" she yelled. \"I can't think when you ramble.\"", "of a sentence emphasized, I would only italicize that word or part: >", "including quotation marks, is italicized.) > > > Or are none of these", "> > > Clearly, only the word is italicized. What if the whole", "What if the whole dialog is emphasized? Which is correct: > > \"*Shut", "> \"*Shut up*!\" she yelled. (only the two words are italicized) > >", "whole sentence, including quotation marks, is italicized.) > > > Or are none", "whole dialog is emphasized? Which is correct: > > \"*Shut up*!\" she yelled.", "(the exclamation mark is italicized) > > > *\"Shut up!\"* she yelled (the", "yelled. (only the two words are italicized) > > > \"*Shut up!*\" she", "sentence, including quotation marks, is italicized.) > > > Or are none of", "novel or online story publication.) I want to emphasize the two words shut", "were *three* people missing. Can't you ever listen?\" > > > Clearly, only", "italicized. What if the whole dialog is emphasized? Which is correct: > >", "a sentence emphasized, I would only italicize that word or part: > >", "*three* people missing. Can't you ever listen?\" > > > Clearly, only the", "I would only italicize that word or part: > > \"I said there", "publication.) I want to emphasize the two words shut up using italics. Normally,", "> > (For context, it's for a novel or online story publication.) I", "> (For context, it's for a novel or online story publication.) I want", "Which is correct: > > \"*Shut up*!\" she yelled. (only the two words", "missing. Can't you ever listen?\" > > > Clearly, only the word is", "> \"I said there were *three* people missing. Can't you ever listen?\" >", "words are italicized) > > > \"*Shut up!*\" she yelled (the exclamation mark", "two words are italicized) > > > \"*Shut up!*\" she yelled (the exclamation", "if there was only one word or a part of a sentence emphasized,", "was only one word or a part of a sentence emphasized, I would", "listen?\" > > > Clearly, only the word is italicized. What if the", "there was only one word or a part of a sentence emphasized, I", "correct: > > \"*Shut up*!\" she yelled. (only the two words are italicized)", "context, it's for a novel or online story publication.) I want to emphasize", "> \"Shut up!\" she yelled. \"I can't think when you ramble.\" > >", "the two words are italicized) > > > \"*Shut up!*\" she yelled (the", "people missing. Can't you ever listen?\" > > > Clearly, only the word", "up!\"* she yelled (the whole sentence, including quotation marks, is italicized.) > >", "up using italics. Normally, if there was only one word or a part", "> \"*Shut up!*\" she yelled (the exclamation mark is italicized) > > >", "or a part of a sentence emphasized, I would only italicize that word", "> *\"Shut up!\"* she yelled (the whole sentence, including quotation marks, is italicized.)", "emphasized, I would only italicize that word or part: > > \"I said", "word or a part of a sentence emphasized, I would only italicize that", "up!\" she yelled. \"I can't think when you ramble.\" > > > (For", "or online story publication.) I want to emphasize the two words shut up", "that word or part: > > \"I said there were *three* people missing.", "if the whole dialog is emphasized? Which is correct: > > \"*Shut up*!\"", "online story publication.) I want to emphasize the two words shut up using", "(only the two words are italicized) > > > \"*Shut up!*\" she yelled", "word or part: > > \"I said there were *three* people missing. Can't", "the word is italicized. What if the whole dialog is emphasized? Which is", "> > \"Shut up!\" she yelled. \"I can't think when you ramble.\" >", "think when you ramble.\" > > > (For context, it's for a novel", "she yelled (the exclamation mark is italicized) > > > *\"Shut up!\"* she", "(the whole sentence, including quotation marks, is italicized.) > > > Or are", "> > *\"Shut up!\"* she yelled (the whole sentence, including quotation marks, is", "> > > (For context, it's for a novel or online story publication.)", "for a novel or online story publication.) I want to emphasize the two", "is italicized) > > > *\"Shut up!\"* she yelled (the whole sentence, including", "Clearly, only the word is italicized. What if the whole dialog is emphasized?", "\"Shut up!\" she yelled. \"I can't think when you ramble.\" > > >", "ramble.\" > > > (For context, it's for a novel or online story", "(For context, it's for a novel or online story publication.) I want to", "to emphasize the two words shut up using italics. Normally, if there was", "Normally, if there was only one word or a part of a sentence", "part: > > \"I said there were *three* people missing. Can't you ever", "she yelled. (only the two words are italicized) > > > \"*Shut up!*\"", "one word or a part of a sentence emphasized, I would only italicize", "would only italicize that word or part: > > \"I said there were", "> Clearly, only the word is italicized. What if the whole dialog is", "you ever listen?\" > > > Clearly, only the word is italicized. What", "> > \"I said there were *three* people missing. Can't you ever listen?\"", "she yelled (the whole sentence, including quotation marks, is italicized.) > > >", "yelled. \"I can't think when you ramble.\" > > > (For context, it's", "the whole dialog is emphasized? Which is correct: > > \"*Shut up*!\" she", "following exchange, > > \"Shut up!\" she yelled. \"I can't think when you", "want to emphasize the two words shut up using italics. Normally, if there", "the two words shut up using italics. Normally, if there was only one", "\"*Shut up!*\" she yelled (the exclamation mark is italicized) > > > *\"Shut", "said there were *three* people missing. Can't you ever listen?\" > > >", "I want to emphasize the two words shut up using italics. Normally, if", "emphasize the two words shut up using italics. Normally, if there was only" ]
[ "**How can I get myself to write? I don't want to feel like", "creating worlds and languages, rules and belief systems for fictional races, imaginary plant", "I thought I'd run writer's block for a loop and find the answer", "I can easily see myself having this problem. I thought I'd run writer's", "got into drawing because of it, and from there Photoshop, and from there", "created. **How can I get myself to write? I don't want to feel", "I don't want to feel like I'm forcing it, because that can't be", "belief systems for fictional races, imaginary plant species that likely no one will", "It doesn't really matters what it is. I got into drawing because of", "forcing it, because that can't be good for creativity.** Note: I did a", "see myself having this problem. I thought I'd run writer's block for a", "actually time to write, I have a problem. The actual act of writing", "feel like I'm forcing it, because that can't be good for creativity.** Note:", "3D and Blender, and so on. Even my writing comes from my desire", "languages, rules and belief systems for fictional races, imaginary plant species that likely", "though, and it's actually time to write, I have a problem. The actual", "designing the actual books, I love creating worlds and languages, rules and belief", "desire to design - I love designing my writing process and designing the", "that can't be good for creativity.** Note: I did a search on other", "hear about... you name it. Once everything is designed though, and it's actually", "actual books, I love creating worlds and languages, rules and belief systems for", "write about what I've created. **How can I get myself to write? I", "writing isn't design (not by the time I'm done with the disturbingly detailed", "good for creativity.** Note: I did a search on other writer's block questions,", "matters what it is. I got into drawing because of it, and from", "loop and find the answer before the problem arose. :) I like designing", "is designed though, and it's actually time to write, I have a problem.", "actual act of writing isn't design (not by the time I'm done with", "and so on. Even my writing comes from my desire to design -", "arose. :) I like designing stuff. No, scratch that. I *love* designing stuff.", "to write, I have a problem. The actual act of writing isn't design", "thought I'd run writer's block for a loop and find the answer before", "it, and from there Photoshop, and from there 3D and Blender, and so", "I'm forcing it, because that can't be good for creativity.** Note: I did", "about... you name it. Once everything is designed though, and it's actually time", "a loop and find the answer before the problem arose. :) I like", "creativity.** Note: I did a search on other writer's block questions, and I", "I have a problem. The actual act of writing isn't design (not by", "before the problem arose. :) I like designing stuff. No, scratch that. I", "problem. I thought I'd run writer's block for a loop and find the", "writing process and designing the actual books, I love creating worlds and languages,", "The result is that I invariably would rather design more than write about", "that doesn't directly apply to me, though I can easily see myself having", "would rather design more than write about what I've created. **How can I", "that. I *love* designing stuff. It doesn't really matters what it is. I", "more than write about what I've created. **How can I get myself to", "writing comes from my desire to design - I love designing my writing", "(not by the time I'm done with the disturbingly detailed outline anyway). The", "problem arose. :) I like designing stuff. No, scratch that. I *love* designing", "worlds and languages, rules and belief systems for fictional races, imaginary plant species", "can I get myself to write? I don't want to feel like I'm", "my writing comes from my desire to design - I love designing my", "what I've created. **How can I get myself to write? I don't want", "I like designing stuff. No, scratch that. I *love* designing stuff. It doesn't", "rather design more than write about what I've created. **How can I get", "from there 3D and Blender, and so on. Even my writing comes from", "invariably would rather design more than write about what I've created. **How can", "is that I invariably would rather design more than write about what I've", "directly apply to me, though I can easily see myself having this problem.", "write, I have a problem. The actual act of writing isn't design (not", "doesn't really matters what it is. I got into drawing because of it,", "scratch that. I *love* designing stuff. It doesn't really matters what it is.", "like I'm forcing it, because that can't be good for creativity.** Note: I", "can't be good for creativity.** Note: I did a search on other writer's", "because of it, and from there Photoshop, and from there 3D and Blender,", "designing stuff. It doesn't really matters what it is. I got into drawing", "I'd run writer's block for a loop and find the answer before the", "and designing the actual books, I love creating worlds and languages, rules and", "detailed outline anyway). The result is that I invariably would rather design more", "I love creating worlds and languages, rules and belief systems for fictional races,", "find the answer before the problem arose. :) I like designing stuff. No,", "myself having this problem. I thought I'd run writer's block for a loop", "with the disturbingly detailed outline anyway). The result is that I invariably would", "and belief systems for fictional races, imaginary plant species that likely no one", "there Photoshop, and from there 3D and Blender, and so on. Even my", "time to write, I have a problem. The actual act of writing isn't", "time I'm done with the disturbingly detailed outline anyway). The result is that", "I get myself to write? I don't want to feel like I'm forcing", "rules and belief systems for fictional races, imaginary plant species that likely no", "fictional races, imaginary plant species that likely no one will ever hear about...", "can easily see myself having this problem. I thought I'd run writer's block", "what it is. I got into drawing because of it, and from there", "answer before the problem arose. :) I like designing stuff. No, scratch that.", "This is a question that doesn't directly apply to me, though I can", "designed though, and it's actually time to write, I have a problem. The", "it's actually time to write, I have a problem. The actual act of", "on. Even my writing comes from my desire to design - I love", "I've created. **How can I get myself to write? I don't want to", "drawing because of it, and from there Photoshop, and from there 3D and", "design - I love designing my writing process and designing the actual books,", "it is. I got into drawing because of it, and from there Photoshop,", "and from there 3D and Blender, and so on. Even my writing comes", "problem. The actual act of writing isn't design (not by the time I'm", "Photoshop, and from there 3D and Blender, and so on. Even my writing", "I invariably would rather design more than write about what I've created. **How", "systems for fictional races, imaginary plant species that likely no one will ever", "books, I love creating worlds and languages, rules and belief systems for fictional", "name it. Once everything is designed though, and it's actually time to write,", "and from there Photoshop, and from there 3D and Blender, and so on.", "Note: I did a search on other writer's block questions, and I don't", "into drawing because of it, and from there Photoshop, and from there 3D", "get myself to write? I don't want to feel like I'm forcing it,", "outline anyway). The result is that I invariably would rather design more than", "than write about what I've created. **How can I get myself to write?", "comes from my desire to design - I love designing my writing process", "I did a search on other writer's block questions, and I don't think", "to feel like I'm forcing it, because that can't be good for creativity.**", "design more than write about what I've created. **How can I get myself", "did a search on other writer's block questions, and I don't think this", "like designing stuff. No, scratch that. I *love* designing stuff. It doesn't really", "for a loop and find the answer before the problem arose. :) I", "a search on other writer's block questions, and I don't think this is", "isn't design (not by the time I'm done with the disturbingly detailed outline", "have a problem. The actual act of writing isn't design (not by the", "*love* designing stuff. It doesn't really matters what it is. I got into", "block for a loop and find the answer before the problem arose. :)", "and find the answer before the problem arose. :) I like designing stuff.", "and it's actually time to write, I have a problem. The actual act", "result is that I invariably would rather design more than write about what", "is. I got into drawing because of it, and from there Photoshop, and", "Once everything is designed though, and it's actually time to write, I have", "want to feel like I'm forcing it, because that can't be good for", "because that can't be good for creativity.** Note: I did a search on", "Blender, and so on. Even my writing comes from my desire to design", "designing my writing process and designing the actual books, I love creating worlds", "disturbingly detailed outline anyway). The result is that I invariably would rather design", "you name it. Once everything is designed though, and it's actually time to", "imaginary plant species that likely no one will ever hear about... you name", "everything is designed though, and it's actually time to write, I have a", "me, though I can easily see myself having this problem. I thought I'd", "races, imaginary plant species that likely no one will ever hear about... you", "question that doesn't directly apply to me, though I can easily see myself", "and languages, rules and belief systems for fictional races, imaginary plant species that", "will ever hear about... you name it. Once everything is designed though, and", "act of writing isn't design (not by the time I'm done with the", "a problem. The actual act of writing isn't design (not by the time", "it. Once everything is designed though, and it's actually time to write, I", "the disturbingly detailed outline anyway). The result is that I invariably would rather", "likely no one will ever hear about... you name it. Once everything is", "the time I'm done with the disturbingly detailed outline anyway). The result is", "one will ever hear about... you name it. Once everything is designed though,", "on other writer's block questions, and I don't think this is a duplicate.", "Even my writing comes from my desire to design - I love designing", "The actual act of writing isn't design (not by the time I'm done", "really matters what it is. I got into drawing because of it, and", "to write? I don't want to feel like I'm forcing it, because that", "write? I don't want to feel like I'm forcing it, because that can't", "apply to me, though I can easily see myself having this problem. I", "and Blender, and so on. Even my writing comes from my desire to", "for fictional races, imaginary plant species that likely no one will ever hear", "there 3D and Blender, and so on. Even my writing comes from my", "my desire to design - I love designing my writing process and designing", "the actual books, I love creating worlds and languages, rules and belief systems", "of it, and from there Photoshop, and from there 3D and Blender, and", "though I can easily see myself having this problem. I thought I'd run", "process and designing the actual books, I love creating worlds and languages, rules", "for creativity.** Note: I did a search on other writer's block questions, and", "that I invariably would rather design more than write about what I've created.", "search on other writer's block questions, and I don't think this is a", "having this problem. I thought I'd run writer's block for a loop and", "I got into drawing because of it, and from there Photoshop, and from", "be good for creativity.** Note: I did a search on other writer's block", ":) I like designing stuff. No, scratch that. I *love* designing stuff. It", "easily see myself having this problem. I thought I'd run writer's block for", "myself to write? I don't want to feel like I'm forcing it, because", "doesn't directly apply to me, though I can easily see myself having this", "this problem. I thought I'd run writer's block for a loop and find", "that likely no one will ever hear about... you name it. Once everything", "done with the disturbingly detailed outline anyway). The result is that I invariably", "ever hear about... you name it. Once everything is designed though, and it's", "anyway). The result is that I invariably would rather design more than write", "the answer before the problem arose. :) I like designing stuff. No, scratch", "by the time I'm done with the disturbingly detailed outline anyway). The result", "I love designing my writing process and designing the actual books, I love", "love designing my writing process and designing the actual books, I love creating", "to me, though I can easily see myself having this problem. I thought", "species that likely no one will ever hear about... you name it. Once", "is a question that doesn't directly apply to me, though I can easily", "I *love* designing stuff. It doesn't really matters what it is. I got", "about what I've created. **How can I get myself to write? I don't", "plant species that likely no one will ever hear about... you name it.", "I'm done with the disturbingly detailed outline anyway). The result is that I", "No, scratch that. I *love* designing stuff. It doesn't really matters what it", "run writer's block for a loop and find the answer before the problem", "from my desire to design - I love designing my writing process and", "stuff. It doesn't really matters what it is. I got into drawing because", "design (not by the time I'm done with the disturbingly detailed outline anyway).", "writer's block for a loop and find the answer before the problem arose.", "it, because that can't be good for creativity.** Note: I did a search", "so on. Even my writing comes from my desire to design - I", "from there Photoshop, and from there 3D and Blender, and so on. Even", "the problem arose. :) I like designing stuff. No, scratch that. I *love*", "- I love designing my writing process and designing the actual books, I", "my writing process and designing the actual books, I love creating worlds and", "love creating worlds and languages, rules and belief systems for fictional races, imaginary", "stuff. No, scratch that. I *love* designing stuff. It doesn't really matters what", "no one will ever hear about... you name it. Once everything is designed", "designing stuff. No, scratch that. I *love* designing stuff. It doesn't really matters", "to design - I love designing my writing process and designing the actual", "don't want to feel like I'm forcing it, because that can't be good", "of writing isn't design (not by the time I'm done with the disturbingly", "a question that doesn't directly apply to me, though I can easily see" ]
[ "rewards. It is crucial for me that before I make any embellishments set", "building the world? In reality, the world comes before the story. It's that", "is that worldbuilders tunneled their focus on the story at hand, which usually", "proven to be very tedious with very few rewards. It is crucial for", "comes before the story. It's that simple. That said, finding online forums on", "It is crucial for me that before I make any embellishments set in", "forums online that allow hard-science on speculative scenarios regarding any of the science", "things up as they go. I can't afford that. How can I build", "before I make any embellishments set in my fictional world, I need to", "mythology count as embellishments.) Do you know any discussion forums online that allow", "online forums on the biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology,", "chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be very tedious with very few", "world without ACTUALLY building the world? In reality, the world comes before the", "Do you know any discussion forums online that allow hard-science on speculative scenarios", "geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography,", "glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be very tedious", "climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven", "a believable alternate Earth ***FIRST***. (Magic, fantasy and mythology count as embellishments.) Do", "the worldbuilding process is that worldbuilders tunneled their focus on the story at", "pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry,", "the world? In reality, the world comes before the story. It's that simple.", "usually means making things up as they go. I can't afford that. How", "that worldbuilders tunneled their focus on the story at hand, which usually means", "very tedious with very few rewards. It is crucial for me that before", "the biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology,", "can I build a world without ACTUALLY building the world? In reality, the", "few rewards. It is crucial for me that before I make any embellishments", "go. I can't afford that. How can I build a world without ACTUALLY", "I can't afford that. How can I build a world without ACTUALLY building", "It's that simple. That said, finding online forums on the biggest pictures of", "make any embellishments set in my fictional world, I need to create a", "worldbuilding process is that worldbuilders tunneled their focus on the story at hand,", "atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be very tedious with very", "embellishments.) Do you know any discussion forums online that allow hard-science on speculative", "on the biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology,", "which usually means making things up as they go. I can't afford that.", "build a world without ACTUALLY building the world? In reality, the world comes", "the world comes before the story. It's that simple. That said, finding online", "worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography,", "up as they go. I can't afford that. How can I build a", "be very tedious with very few rewards. It is crucial for me that", "said, finding online forums on the biggest pictures of worldbuilding--geography, geology, astronomy, climatology,", "need to create a believable alternate Earth ***FIRST***. (Magic, fantasy and mythology count", "as they go. I can't afford that. How can I build a world", "before the story. It's that simple. That said, finding online forums on the", "worldbuilders tunneled their focus on the story at hand, which usually means making", "that simple. That said, finding online forums on the biggest pictures of worldbuilding--geography,", "they go. I can't afford that. How can I build a world without", "without ACTUALLY building the world? In reality, the world comes before the story.", "the story. It's that simple. That said, finding online forums on the biggest", "set in my fictional world, I need to create a believable alternate Earth", "allow hard-science on speculative scenarios regarding any of the science disciplines listed above?", "online that allow hard-science on speculative scenarios regarding any of the science disciplines", "in my fictional world, I need to create a believable alternate Earth ***FIRST***.", "That said, finding online forums on the biggest pictures of worldbuilding--geography, geology, astronomy,", "my fictional world, I need to create a believable alternate Earth ***FIRST***. (Magic,", "is crucial for me that before I make any embellishments set in my", "afford that. How can I build a world without ACTUALLY building the world?", "the major oversights of the worldbuilding process is that worldbuilders tunneled their focus", "create a believable alternate Earth ***FIRST***. (Magic, fantasy and mythology count as embellishments.)", "alternate Earth ***FIRST***. (Magic, fantasy and mythology count as embellishments.) Do you know", "and mythology count as embellishments.) Do you know any discussion forums online that", "ACTUALLY building the world? In reality, the world comes before the story. It's", "on the story at hand, which usually means making things up as they", "(Magic, fantasy and mythology count as embellishments.) Do you know any discussion forums", "astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has", "story at hand, which usually means making things up as they go. I", "finding online forums on the biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology,", "ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be very", "I build a world without ACTUALLY building the world? In reality, the world", "for me that before I make any embellishments set in my fictional world,", "biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric", "How can I build a world without ACTUALLY building the world? In reality,", "very few rewards. It is crucial for me that before I make any", "of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy,", "any discussion forums online that allow hard-science on speculative scenarios regarding any of", "oversights of the worldbuilding process is that worldbuilders tunneled their focus on the", "world, I need to create a believable alternate Earth ***FIRST***. (Magic, fantasy and", "major oversights of the worldbuilding process is that worldbuilders tunneled their focus on", "focus on the story at hand, which usually means making things up as", "forums on the biggest pictures of worldbuilding--geography, geology, astronomy, climatology, meteorology, biology, ecology,", "that. How can I build a world without ACTUALLY building the world? In", "to be very tedious with very few rewards. It is crucial for me", "simple. That said, finding online forums on the biggest pictures of worldbuilding--geography, geology,", "with very few rewards. It is crucial for me that before I make", "of the major oversights of the worldbuilding process is that worldbuilders tunneled their", "to create a believable alternate Earth ***FIRST***. (Magic, fantasy and mythology count as", "world comes before the story. It's that simple. That said, finding online forums", "tedious with very few rewards. It is crucial for me that before I", "crucial for me that before I make any embellishments set in my fictional", "hand, which usually means making things up as they go. I can't afford", "means making things up as they go. I can't afford that. How can", "that allow hard-science on speculative scenarios regarding any of the science disciplines listed", "me that before I make any embellishments set in my fictional world, I", "biogeography, oceanography--has proven to be very tedious with very few rewards. It is", "story. It's that simple. That said, finding online forums on the biggest pictures", "believable alternate Earth ***FIRST***. (Magic, fantasy and mythology count as embellishments.) Do you", "fantasy and mythology count as embellishments.) Do you know any discussion forums online", "any embellishments set in my fictional world, I need to create a believable", "world? In reality, the world comes before the story. It's that simple. That", "biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be", "that before I make any embellishments set in my fictional world, I need", "One of the major oversights of the worldbuilding process is that worldbuilders tunneled", "embellishments set in my fictional world, I need to create a believable alternate", "count as embellishments.) Do you know any discussion forums online that allow hard-science", "making things up as they go. I can't afford that. How can I", "meteorology, biology, ecology, glaciology, paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to", "process is that worldbuilders tunneled their focus on the story at hand, which", "I make any embellishments set in my fictional world, I need to create", "In reality, the world comes before the story. It's that simple. That said,", "their focus on the story at hand, which usually means making things up", "***FIRST***. (Magic, fantasy and mythology count as embellishments.) Do you know any discussion", "Earth ***FIRST***. (Magic, fantasy and mythology count as embellishments.) Do you know any", "at hand, which usually means making things up as they go. I can't", "the story at hand, which usually means making things up as they go.", "know any discussion forums online that allow hard-science on speculative scenarios regarding any", "geodesy, paleogeography, biogeography, oceanography--has proven to be very tedious with very few rewards.", "paleogeography, biogeography, oceanography--has proven to be very tedious with very few rewards. It", "paleoclimatology, atmospheric chemistry, geodesy, paleogeography, biogeography, oceanography--has proven to be very tedious with", "as embellishments.) Do you know any discussion forums online that allow hard-science on", "fictional world, I need to create a believable alternate Earth ***FIRST***. (Magic, fantasy", "I need to create a believable alternate Earth ***FIRST***. (Magic, fantasy and mythology", "can't afford that. How can I build a world without ACTUALLY building the", "you know any discussion forums online that allow hard-science on speculative scenarios regarding", "oceanography--has proven to be very tedious with very few rewards. It is crucial", "a world without ACTUALLY building the world? In reality, the world comes before", "tunneled their focus on the story at hand, which usually means making things", "discussion forums online that allow hard-science on speculative scenarios regarding any of the", "of the worldbuilding process is that worldbuilders tunneled their focus on the story", "reality, the world comes before the story. It's that simple. That said, finding" ]
[ "question is, how long does it take for a writer to fully publish", "long does it take for a writer to fully publish their book? If", "a writer to fully publish their book? If possible, tell me the whole", "and then publishing (minus marketing). So my question is, how long does it", "procedure on writing. Outline, plotting, drafting, editing, and then publishing (minus marketing). So", "fully publish their book? If possible, tell me the whole procedure (Personal experience", "marketing). So my question is, how long does it take for a writer", "a little bit curious towards the whole procedure on writing. Outline, plotting, drafting,", "a beginner so naturally I'm a little bit curious towards the whole procedure", "whole procedure on writing. Outline, plotting, drafting, editing, and then publishing (minus marketing).", "to fully publish their book? If possible, tell me the whole procedure (Personal", "is, how long does it take for a writer to fully publish their", "for a writer to fully publish their book? If possible, tell me the", "it take for a writer to fully publish their book? If possible, tell", "beginner so naturally I'm a little bit curious towards the whole procedure on", "Outline, plotting, drafting, editing, and then publishing (minus marketing). So my question is,", "publishing (minus marketing). So my question is, how long does it take for", "publish their book? If possible, tell me the whole procedure (Personal experience required).", "on writing. Outline, plotting, drafting, editing, and then publishing (minus marketing). So my", "then publishing (minus marketing). So my question is, how long does it take", "my question is, how long does it take for a writer to fully", "I'm a beginner so naturally I'm a little bit curious towards the whole", "bit curious towards the whole procedure on writing. Outline, plotting, drafting, editing, and", "writer to fully publish their book? If possible, tell me the whole procedure", "I'm a little bit curious towards the whole procedure on writing. Outline, plotting,", "take for a writer to fully publish their book? If possible, tell me", "editing, and then publishing (minus marketing). So my question is, how long does", "writing. Outline, plotting, drafting, editing, and then publishing (minus marketing). So my question", "drafting, editing, and then publishing (minus marketing). So my question is, how long", "(minus marketing). So my question is, how long does it take for a", "So my question is, how long does it take for a writer to", "the whole procedure on writing. Outline, plotting, drafting, editing, and then publishing (minus", "curious towards the whole procedure on writing. Outline, plotting, drafting, editing, and then", "towards the whole procedure on writing. Outline, plotting, drafting, editing, and then publishing", "so naturally I'm a little bit curious towards the whole procedure on writing.", "does it take for a writer to fully publish their book? If possible,", "how long does it take for a writer to fully publish their book?", "plotting, drafting, editing, and then publishing (minus marketing). So my question is, how", "little bit curious towards the whole procedure on writing. Outline, plotting, drafting, editing,", "naturally I'm a little bit curious towards the whole procedure on writing. Outline," ]
[ "written poems in iambic meter before, and they didn't seem to be wordy.", "and concise in another way that has the kind of rhythm I want.", "psalms, and the epistles as well. But how can this be done? I", "I cannot find a synonym that has the right sound? If there are", "to figure this out so that I can use prose rhythm in my", "be wordy. And for a long time I have wanted to use metrical", "for phrasing thoughts in specific kinds of rhythm, what are those means? I", "or indirect. You read the whole question. You get the idea. Please help", "I am not really asking specifically how to imitate the style of the", "long time I have wanted to use metrical effects in my prose, which", "are those means? I have read and written poems that contained lines so", "words for prose rhythm. And I am honestly wondering how it is even", "Bible. So they should be able to imitate the style of the prophetic", "the right sound? If there are definite means for phrasing thoughts in specific", "I don't understand how this is not an accident. One of the works", "means for phrasing thoughts in specific kinds of rhythm, what are those means?", "get the idea. Please help me to figure this out so that I", "indirect. You read the whole question. You get the idea. Please help me", "in this respect is the King James Bible. I know it is the", "this, but how can we possibly achieve specific rhythmic effects if we don't", "right sounding word available? if I want to refer to a specific thing", "those means? I have read and written poems that contained lines so direct", "of some of the books in it? They actually imitated the narrative style", "It makes no mention of accents on syllables or choosing and arranging words", "so direct and yet so rhythmical. I don't understand how this is not", "If there are definite means for phrasing thoughts in specific kinds of rhythm,", "read and written poems that contained lines so direct and yet so rhythmical.", "don't understand how this is not an accident. One of the works that", "available for a given word. Maybe I am over thinking this, but how", "I have read and written poems that contained lines so direct and yet", "how to imitate the style of the King James, but how to use", "do I do if I cannot find a synonym that has the right", "is so clear and concise in another way that has the kind of", "prophetic books, the psalms, and the epistles as well. But how can this", "be able to imitate the style of the prophetic books, the psalms, and", "rhythm of some of the books in it? They actually imitated the narrative", "to be wordy. And for a long time I have wanted to use", "cannot find a synonym that has the right sound? If there are definite", "rhythmical. I don't understand how this is not an accident. One of the", "how did other authors imitate the style and rhythm of some of the", "we don't have the right sounding word available? if I want to refer", "specific thing or concept, what do I do if I cannot find a", "have been reading a book on how to write clearly. It makes no", "principles in the book. What concerns me is the lack of synonyms we", "book. What concerns me is the lack of synonyms we have available for", "books in it? They actually imitated the narrative style of the King James", "restate something that is so clear and concise in another way that has", "do if I cannot find a synonym that has the right sound? If", "available? if I want to refer to a specific thing or concept, what", "thing or concept, what do I do if I cannot find a synonym", "the principles in the book. What concerns me is the lack of synonyms", "books, the psalms, and the epistles as well. But how can this be", "want to refer to a specific thing or concept, what do I do", "I am over thinking this, but how can we possibly achieve specific rhythmic", "direct and yet so rhythmical. I don't understand how this is not an", "James Bible. I know it is the word of God but how did", "this out so that I can use prose rhythm in my writing. Thank", "am over thinking this, but how can we possibly achieve specific rhythmic effects", "a book on how to write clearly. It makes no mention of accents", "this be done? I am not really asking specifically how to imitate the", "of rhythm I want. I have been reading a book on how to", "specific kinds of rhythm, what are those means? I have read and written", "What concerns me is the lack of synonyms we have available for a", "am not really asking specifically how to imitate the style of the King", "be possible to restate something that is so clear and concise in another", "at all without being unnatural or indirect. You read the whole question. You", "how it can be possible to restate something that is so clear and", "or concept, what do I do if I cannot find a synonym that", "the King James, but how to use rhythm at all without being unnatural", "concerns me is the lack of synonyms we have available for a given", "it is even possible to achieve specific rhythms without violating the principles in", "is not an accident. One of the works that seems to baffle me", "rhythm I want. I have been reading a book on how to write", "And for a long time I have wanted to use metrical effects in", "a given word. Maybe I am over thinking this, but how can we", "and the epistles as well. But how can this be done? I am", "of God but how did other authors imitate the style and rhythm of", "without being unnatural or indirect. You read the whole question. You get the", "book on how to write clearly. It makes no mention of accents on", "choosing and arranging words for prose rhythm. And I am honestly wondering how", "been reading a book on how to write clearly. It makes no mention", "want. I have been reading a book on how to write clearly. It", "seems to baffle me in this respect is the King James Bible. I", "am wondering how it can be possible to restate something that is so", "to use metrical effects in my prose, which is called prose rhythm. But", "of the prophetic books, the psalms, and the epistles as well. But how", "the lack of synonyms we have available for a given word. Maybe I", "in my prose, which is called prose rhythm. But I am wondering how", "wanted to use metrical effects in my prose, which is called prose rhythm.", "there are definite means for phrasing thoughts in specific kinds of rhythm, what", "question. You get the idea. Please help me to figure this out so", "to use rhythm at all without being unnatural or indirect. You read the", "kinds of rhythm, what are those means? I have read and written poems", "of synonyms we have available for a given word. Maybe I am over", "But how can this be done? I am not really asking specifically how", "poems in iambic meter before, and they didn't seem to be wordy. And", "specific rhythmic effects if we don't have the right sounding word available? if", "written poems that contained lines so direct and yet so rhythmical. I don't", "contained lines so direct and yet so rhythmical. I don't understand how this", "honestly wondering how it is even possible to achieve specific rhythms without violating", "way that has the kind of rhythm I want. I have been reading", "the style of the prophetic books, the psalms, and the epistles as well.", "means? I have read and written poems that contained lines so direct and", "sound? If there are definite means for phrasing thoughts in specific kinds of", "sounding word available? if I want to refer to a specific thing or", "how to use rhythm at all without being unnatural or indirect. You read", "it is the word of God but how did other authors imitate the", "phrasing thoughts in specific kinds of rhythm, what are those means? I have", "Bible. I know it is the word of God but how did other", "how can this be done? I am not really asking specifically how to", "concept, what do I do if I cannot find a synonym that has", "which is called prose rhythm. But I am wondering how it can be", "yet so rhythmical. I don't understand how this is not an accident. One", "baffle me in this respect is the King James Bible. I know it", "in iambic meter before, and they didn't seem to be wordy. And for", "iambic meter before, and they didn't seem to be wordy. And for a", "has the kind of rhythm I want. I have been reading a book", "And I am honestly wondering how it is even possible to achieve specific", "we have available for a given word. Maybe I am over thinking this,", "is called prose rhythm. But I am wondering how it can be possible", "arranging words for prose rhythm. And I am honestly wondering how it is", "not really asking specifically how to imitate the style of the King James,", "synonyms we have available for a given word. Maybe I am over thinking", "possible to restate something that is so clear and concise in another way", "but how to use rhythm at all without being unnatural or indirect. You", "They actually imitated the narrative style of the King James Bible. So they", "achieve specific rhythmic effects if we don't have the right sounding word available?", "how to write clearly. It makes no mention of accents on syllables or", "called prose rhythm. But I am wondering how it can be possible to", "the King James Bible. So they should be able to imitate the style", "write clearly. It makes no mention of accents on syllables or choosing and", "without violating the principles in the book. What concerns me is the lack", "is the word of God but how did other authors imitate the style", "me is the lack of synonyms we have available for a given word.", "to a specific thing or concept, what do I do if I cannot", "on how to write clearly. It makes no mention of accents on syllables", "for a given word. Maybe I am over thinking this, but how can", "the kind of rhythm I want. I have been reading a book on", "can this be done? I am not really asking specifically how to imitate", "concise in another way that has the kind of rhythm I want. I", "the idea. Please help me to figure this out so that I can", "the prophetic books, the psalms, and the epistles as well. But how can", "respect is the King James Bible. I know it is the word of", "word. Maybe I am over thinking this, but how can we possibly achieve", "unnatural or indirect. You read the whole question. You get the idea. Please", "in specific kinds of rhythm, what are those means? I have read and", "done? I am not really asking specifically how to imitate the style of", "the King James Bible. I know it is the word of God but", "is the lack of synonyms we have available for a given word. Maybe", "something that is so clear and concise in another way that has the", "the works that seems to baffle me in this respect is the King", "word of God but how did other authors imitate the style and rhythm", "for prose rhythm. And I am honestly wondering how it is even possible", "how can we possibly achieve specific rhythmic effects if we don't have the", "that contained lines so direct and yet so rhythmical. I don't understand how", "on syllables or choosing and arranging words for prose rhythm. And I am", "rhythm. But I am wondering how it can be possible to restate something", "idea. Please help me to figure this out so that I can use", "the book. What concerns me is the lack of synonyms we have available", "my prose, which is called prose rhythm. But I am wondering how it", "to imitate the style of the King James, but how to use rhythm", "and arranging words for prose rhythm. And I am honestly wondering how it", "this is not an accident. One of the works that seems to baffle", "imitate the style of the King James, but how to use rhythm at", "style of the King James Bible. So they should be able to imitate", "another way that has the kind of rhythm I want. I have been", "time I have wanted to use metrical effects in my prose, which is", "Maybe I am over thinking this, but how can we possibly achieve specific", "and yet so rhythmical. I don't understand how this is not an accident.", "is the King James Bible. I know it is the word of God", "prose rhythm. And I am honestly wondering how it is even possible to", "wondering how it can be possible to restate something that is so clear", "given word. Maybe I am over thinking this, but how can we possibly", "of the works that seems to baffle me in this respect is the", "have available for a given word. Maybe I am over thinking this, but", "epistles as well. But how can this be done? I am not really", "rhythm at all without being unnatural or indirect. You read the whole question.", "I do if I cannot find a synonym that has the right sound?", "in the book. What concerns me is the lack of synonyms we have", "of the King James Bible. So they should be able to imitate the", "of rhythm, what are those means? I have read and written poems that", "for a long time I have wanted to use metrical effects in my", "style and rhythm of some of the books in it? They actually imitated", "to achieve specific rhythms without violating the principles in the book. What concerns", "seem to be wordy. And for a long time I have wanted to", "is even possible to achieve specific rhythms without violating the principles in the", "You read the whole question. You get the idea. Please help me to", "have the right sounding word available? if I want to refer to a", "am honestly wondering how it is even possible to achieve specific rhythms without", "other authors imitate the style and rhythm of some of the books in", "to imitate the style of the prophetic books, the psalms, and the epistles", "I want to refer to a specific thing or concept, what do I", "can be possible to restate something that is so clear and concise in", "violating the principles in the book. What concerns me is the lack of", "if we don't have the right sounding word available? if I want to", "meter before, and they didn't seem to be wordy. And for a long", "thoughts in specific kinds of rhythm, what are those means? I have read", "that has the kind of rhythm I want. I have been reading a", "know it is the word of God but how did other authors imitate", "to refer to a specific thing or concept, what do I do if", "syllables or choosing and arranging words for prose rhythm. And I am honestly", "so clear and concise in another way that has the kind of rhythm", "be done? I am not really asking specifically how to imitate the style", "possibly achieve specific rhythmic effects if we don't have the right sounding word", "a long time I have wanted to use metrical effects in my prose,", "didn't seem to be wordy. And for a long time I have wanted", "as well. But how can this be done? I am not really asking", "narrative style of the King James Bible. So they should be able to", "whole question. You get the idea. Please help me to figure this out", "but how can we possibly achieve specific rhythmic effects if we don't have", "figure this out so that I can use prose rhythm in my writing.", "no mention of accents on syllables or choosing and arranging words for prose", "I have been reading a book on how to write clearly. It makes", "I want. I have been reading a book on how to write clearly.", "Please help me to figure this out so that I can use prose", "the style of the King James, but how to use rhythm at all", "the books in it? They actually imitated the narrative style of the King", "thinking this, but how can we possibly achieve specific rhythmic effects if we", "prose, which is called prose rhythm. But I am wondering how it can", "well. But how can this be done? I am not really asking specifically", "the narrative style of the King James Bible. So they should be able", "lines so direct and yet so rhythmical. I don't understand how this is", "being unnatural or indirect. You read the whole question. You get the idea.", "in another way that has the kind of rhythm I want. I have", "kind of rhythm I want. I have been reading a book on how", "I have wanted to use metrical effects in my prose, which is called", "some of the books in it? They actually imitated the narrative style of", "can we possibly achieve specific rhythmic effects if we don't have the right", "clear and concise in another way that has the kind of rhythm I", "they didn't seem to be wordy. And for a long time I have", "a synonym that has the right sound? If there are definite means for", "that is so clear and concise in another way that has the kind", "even possible to achieve specific rhythms without violating the principles in the book.", "or choosing and arranging words for prose rhythm. And I am honestly wondering", "specific rhythms without violating the principles in the book. What concerns me is", "asking specifically how to imitate the style of the King James, but how", "has the right sound? If there are definite means for phrasing thoughts in", "so rhythmical. I don't understand how this is not an accident. One of", "able to imitate the style of the prophetic books, the psalms, and the", "don't have the right sounding word available? if I want to refer to", "of the books in it? They actually imitated the narrative style of the", "So they should be able to imitate the style of the prophetic books,", "if I cannot find a synonym that has the right sound? If there", "specifically how to imitate the style of the King James, but how to", "You get the idea. Please help me to figure this out so that", "are definite means for phrasing thoughts in specific kinds of rhythm, what are", "right sound? If there are definite means for phrasing thoughts in specific kinds", "mention of accents on syllables or choosing and arranging words for prose rhythm.", "should be able to imitate the style of the prophetic books, the psalms,", "an accident. One of the works that seems to baffle me in this", "wordy. And for a long time I have wanted to use metrical effects", "have wanted to use metrical effects in my prose, which is called prose", "that has the right sound? If there are definite means for phrasing thoughts", "over thinking this, but how can we possibly achieve specific rhythmic effects if", "a specific thing or concept, what do I do if I cannot find", "imitate the style of the prophetic books, the psalms, and the epistles as", "find a synonym that has the right sound? If there are definite means", "what are those means? I have read and written poems that contained lines", "King James Bible. So they should be able to imitate the style of", "how it is even possible to achieve specific rhythms without violating the principles", "King James, but how to use rhythm at all without being unnatural or", "the psalms, and the epistles as well. But how can this be done?", "effects in my prose, which is called prose rhythm. But I am wondering", "James, but how to use rhythm at all without being unnatural or indirect.", "possible to achieve specific rhythms without violating the principles in the book. What", "out so that I can use prose rhythm in my writing. Thank you.", "that seems to baffle me in this respect is the King James Bible.", "effects if we don't have the right sounding word available? if I want", "accents on syllables or choosing and arranging words for prose rhythm. And I", "achieve specific rhythms without violating the principles in the book. What concerns me", "I have written poems in iambic meter before, and they didn't seem to", "the right sounding word available? if I want to refer to a specific", "reading a book on how to write clearly. It makes no mention of", "rhythms without violating the principles in the book. What concerns me is the", "style of the prophetic books, the psalms, and the epistles as well. But", "synonym that has the right sound? If there are definite means for phrasing", "rhythm, what are those means? I have read and written poems that contained", "the epistles as well. But how can this be done? I am not", "and they didn't seem to be wordy. And for a long time I", "I know it is the word of God but how did other authors", "in it? They actually imitated the narrative style of the King James Bible.", "it? They actually imitated the narrative style of the King James Bible. So", "help me to figure this out so that I can use prose rhythm", "I am honestly wondering how it is even possible to achieve specific rhythms", "we possibly achieve specific rhythmic effects if we don't have the right sounding", "works that seems to baffle me in this respect is the King James", "all without being unnatural or indirect. You read the whole question. You get", "to restate something that is so clear and concise in another way that", "But I am wondering how it can be possible to restate something that", "to baffle me in this respect is the King James Bible. I know", "use rhythm at all without being unnatural or indirect. You read the whole", "refer to a specific thing or concept, what do I do if I", "lack of synonyms we have available for a given word. Maybe I am", "definite means for phrasing thoughts in specific kinds of rhythm, what are those", "James Bible. So they should be able to imitate the style of the", "if I want to refer to a specific thing or concept, what do", "style of the King James, but how to use rhythm at all without", "One of the works that seems to baffle me in this respect is", "the style and rhythm of some of the books in it? They actually", "and rhythm of some of the books in it? They actually imitated the", "makes no mention of accents on syllables or choosing and arranging words for", "did other authors imitate the style and rhythm of some of the books", "metrical effects in my prose, which is called prose rhythm. But I am", "to write clearly. It makes no mention of accents on syllables or choosing", "clearly. It makes no mention of accents on syllables or choosing and arranging", "have written poems in iambic meter before, and they didn't seem to be", "not an accident. One of the works that seems to baffle me in", "me in this respect is the King James Bible. I know it is", "really asking specifically how to imitate the style of the King James, but", "they should be able to imitate the style of the prophetic books, the", "the word of God but how did other authors imitate the style and", "me to figure this out so that I can use prose rhythm in", "of accents on syllables or choosing and arranging words for prose rhythm. And", "have read and written poems that contained lines so direct and yet so", "of the King James, but how to use rhythm at all without being", "before, and they didn't seem to be wordy. And for a long time", "the whole question. You get the idea. Please help me to figure this", "poems that contained lines so direct and yet so rhythmical. I don't understand", "prose rhythm. But I am wondering how it can be possible to restate", "authors imitate the style and rhythm of some of the books in it?", "I am wondering how it can be possible to restate something that is", "accident. One of the works that seems to baffle me in this respect", "imitate the style and rhythm of some of the books in it? They", "this respect is the King James Bible. I know it is the word", "use metrical effects in my prose, which is called prose rhythm. But I", "and written poems that contained lines so direct and yet so rhythmical. I", "wondering how it is even possible to achieve specific rhythms without violating the", "imitated the narrative style of the King James Bible. So they should be", "actually imitated the narrative style of the King James Bible. So they should", "it can be possible to restate something that is so clear and concise", "God but how did other authors imitate the style and rhythm of some", "read the whole question. You get the idea. Please help me to figure", "rhythmic effects if we don't have the right sounding word available? if I", "understand how this is not an accident. One of the works that seems", "rhythm. 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[ "gangster might channel The Godfather movies by proclaiming \"he sleeps with the fishes\".", "what this means. > > > And something is missing if I leave", "as strange outside the quotes > > A gangster might channel The Godfather", "Of course we all know what this means. > > > And something", "of the sentence - yet it seems just as strange outside the quotes", "sleeps with the fishes.\" Of course we all know what this means. >", "part of the quoted phrase- the period is to indicate the end of", "channel The Godfather movies by proclaiming \"he sleeps with the fishes\" Of course", "phrase- the period is to indicate the end of the sentence - yet", "sentence, there would be no need for a period near it: > >", "need for a period near it: > > A phrase like \"he sleeps", "know what this means. > > > And something is missing if I", "restructure the sentences or reword. Above is just a made-up example. 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Of course we all know what this means. > > > So,", "quote was inside the sentence, there would be no need for a period", "> > > Now then - if the quote was inside the sentence,", "might channel The Godfather movies by proclaiming \"he sleeps with the fishes.\" Of", "Godfather movies by proclaiming \"he sleeps with the fishes\" Of course we all", "> A phrase like \"he sleeps with the fishes\" is common among old", "indicate the end of the sentence - yet it seems just as strange", "fishes\". Of course we all know what this means. > > > And", "fishes\" Of course we all know what this means. > > > I", "period, altogether: > > A gangster might channel The Godfather movies by proclaiming", "seems just as strange outside the quotes > > A gangster might channel", "by proclaiming \"he sleeps with the fishes\". Of course we all know what", "for advice or consensus as to the proper placement of the period within", "the sentence, there would be no need for a period near it: >", "altogether: > > A gangster might channel The Godfather movies by proclaiming \"he", "the period within the quotations - particularly when another sentence follows it. Thanks.", "a period near it: > > A phrase like \"he sleeps with the", "example. I'm looking for advice or consensus as to the proper placement of", "out the period, altogether: > > A gangster might channel The Godfather movies", "might channel The Godfather movies by proclaiming \"he sleeps with the fishes\" Of", "- if the quote was inside the sentence, there would be no need", "is to indicate the end of the sentence - yet it seems just", "am not looking for ways to restructure the sentences or reword. Above is", "placement of the period within the quotations - particularly when another sentence follows", "of the period within the quotations - particularly when another sentence follows it.", "channel The Godfather movies by proclaiming \"he sleeps with the fishes.\" Of course", "know what this means. > > > I am not looking for ways", "inside the quotes but it seems strange here. > > A gangster might", "for ways to restructure the sentences or reword. Above is just a made-up", "A phrase like \"he sleeps with the fishes\" is common among old style", "think - tells us that punctuation goes inside the quotes but it seems", "- the period is not inherently part of the quoted phrase- the period", "to restructure the sentences or reword. Above is just a made-up example. I'm", "(not dialog) that happens to come at the end of a sentence. Formal", "Formal writing protocol - I think - tells us that punctuation goes inside", "movies by proclaiming \"he sleeps with the fishes\" Of course we all know", "might channel The Godfather movies by proclaiming \"he sleeps with the fishes\". Of", "proclaiming \"he sleeps with the fishes.\" Of course we all know what this", "words - the period is not inherently part of the quoted phrase- the", "proper placement of the period within the quotations - particularly when another sentence", "not looking for ways to restructure the sentences or reword. Above is just", "> > A phrase like \"he sleeps with the fishes\" is common among", "this means. > > > I am not looking for ways to restructure", "like \"he sleeps with the fishes\" is common among old style gangsters. Of", "course we all know what this means. > > > I am not", "> > > I am not looking for ways to restructure the sentences", "> I am not looking for ways to restructure the sentences or reword.", "the quotes but it seems strange here. > > A gangster might channel", "yet it seems just as strange outside the quotes > > A gangster", "means. > > > And something is missing if I leave out the", "And something is missing if I leave out the period, altogether: > >", "> > So, in other words - the period is not inherently part", "Of course we all know what this means. > > > So, in", "sentences or reword. Above is just a made-up example. I'm looking for advice", "end of a sentence. Formal writing protocol - I think - tells us", "is missing if I leave out the period, altogether: > > A gangster", "A gangster might channel The Godfather movies by proclaiming \"he sleeps with the", "to the proper placement of the period within the quotations - particularly when", "it seems strange here. > > A gangster might channel The Godfather movies", "that punctuation goes inside the quotes but it seems strange here. > >", "the period is to indicate the end of the sentence - yet it", "by proclaiming \"he sleeps with the fishes.\" Of course we all know what", "among old style gangsters. 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Above is just a made-up example.", "would be no need for a period near it: > > A phrase", "course we all know what this means. > > > So, in other", "was inside the sentence, there would be no need for a period near", "what this means. > > > I am not looking for ways to", "Of course we all know what this means. > > > I am", "\"he sleeps with the fishes\" is common among old style gangsters. Of course", "> > And something is missing if I leave out the period, altogether:", "we all know what this means. > > > Now then - if", "quoted phrase- the period is to indicate the end of the sentence -", "or consensus as to the proper placement of the period within the quotations", "gangster might channel The Godfather movies by proclaiming \"he sleeps with the fishes\"", "> A gangster might channel The Godfather movies by proclaiming \"he sleeps with", "sleeps with the fishes\". Of course we all know what this means. >", "be no need for a period near it: > > A phrase like", "period is to indicate the end of the sentence - yet it seems", "if I leave out the period, altogether: > > A gangster might channel", "the quote was inside the sentence, there would be no need for a", "the period, altogether: > > A gangster might channel The Godfather movies by", "seems strange here. > > A gangster might channel The Godfather movies by", "period is not inherently part of the quoted phrase- the period is to", "the quotes > > A gangster might channel The Godfather movies by proclaiming", "Now then - if the quote was inside the sentence, there would be", "this means. > > > And something is missing if I leave out", "looking for ways to restructure the sentences or reword. Above is just a", "at the end of a sentence. Formal writing protocol - I think -", "period near it: > > A phrase like \"he sleeps with the fishes\"", "for a period near it: > > A phrase like \"he sleeps with", "what this means. > > > Now then - if the quote was", "all know what this means. > > > And something is missing if", "> > I am not looking for ways to restructure the sentences or", "or reword. Above is just a made-up example. I'm looking for advice or", "- yet it seems just as strange outside the quotes > > A", "gangster might channel The Godfather movies by proclaiming \"he sleeps with the fishes.\"", "common among old style gangsters. Of course we all know what this means.", "So, in other words - the period is not inherently part of the", "other words - the period is not inherently part of the quoted phrase-", "advice or consensus as to the proper placement of the period within the", "to indicate the end of the sentence - yet it seems just as", "near it: > > A phrase like \"he sleeps with the fishes\" is", "made-up example. I'm looking for advice or consensus as to the proper placement", "phrase (not dialog) that happens to come at the end of a sentence.", "the fishes\" is common among old style gangsters. Of course we all know", "channel The Godfather movies by proclaiming \"he sleeps with the fishes\". Of course", "the sentence - yet it seems just as strange outside the quotes >", "> And something is missing if I leave out the period, altogether: >", "outside the quotes > > A gangster might channel The Godfather movies by", "sentence. Formal writing protocol - I think - tells us that punctuation goes", "sleeps with the fishes\" Of course we all know what this means. >", "old style gangsters. Of course we all know what this means. > >", "consensus as to the proper placement of the period within the quotations -", "goes inside the quotes but it seems strange here. > > A gangster", "quotes but it seems strange here. > > A gangster might channel The", "movies by proclaiming \"he sleeps with the fishes\". Of course we all know", "> > > And something is missing if I leave out the period,", "- I think - tells us that punctuation goes inside the quotes but", "all know what this means. > > > So, in other words -", "style gangsters. Of course we all know what this means. > > >", "I leave out the period, altogether: > > A gangster might channel The", "is just a made-up example. I'm looking for advice or consensus as to", "proclaiming \"he sleeps with the fishes\" Of course we all know what this", "all know what this means. > > > I am not looking for", "end of the sentence - yet it seems just as strange outside the", "the proper placement of the period within the quotations - particularly when another", "what this means. > > > So, in other words - the period", "in other words - the period is not inherently part of the quoted", "punctuation goes inside the quotes but it seems strange here. > > A", "movies by proclaiming \"he sleeps with the fishes.\" Of course we all know", "> Now then - if the quote was inside the sentence, there would", "> > Now then - if the quote was inside the sentence, there", "> > > So, in other words - the period is not inherently", "I think - tells us that punctuation goes inside the quotes but it", "is common among old style gangsters. Of course we all know what this", "The Godfather movies by proclaiming \"he sleeps with the fishes\". Of course we", "means. > > > I am not looking for ways to restructure the", "dialog) that happens to come at the end of a sentence. Formal writing", "the fishes.\" Of course we all know what this means. > > >", "fishes.\" Of course we all know what this means. > > > Now", "\"he sleeps with the fishes\". Of course we all know what this means.", "this means. > > > So, in other words - the period is", "course we all know what this means. > > > And something is", "know what this means. > > > So, in other words - the", "fishes\" is common among old style gangsters. Of course we all know what", "strange here. > > A gangster might channel The Godfather movies by proclaiming", "just as strange outside the quotes > > A gangster might channel The", "of a sentence. Formal writing protocol - I think - tells us that", "I am quoting a phrase (not dialog) that happens to come at the", "sleeps with the fishes\" is common among old style gangsters. Of course we", "a sentence. Formal writing protocol - I think - tells us that punctuation", "to come at the end of a sentence. Formal writing protocol - I", "here. > > A gangster might channel The Godfather movies by proclaiming \"he", "this means. > > > Now then - if the quote was inside", "- tells us that punctuation goes inside the quotes but it seems strange", "phrase like \"he sleeps with the fishes\" is common among old style gangsters.", "we all know what this means. > > > So, in other words", "of the quoted phrase- the period is to indicate the end of the", "but it seems strange here. > > A gangster might channel The Godfather", "it seems just as strange outside the quotes > > A gangster might", "sentence - yet it seems just as strange outside the quotes > >", "protocol - I think - tells us that punctuation goes inside the quotes", "tells us that punctuation goes inside the quotes but it seems strange here.", "something is missing if I leave out the period, altogether: > > A", "we all know what this means. > > > I am not looking", "the end of a sentence. Formal writing protocol - I think - tells", "all know what this means. > > > Now then - if the", "it: > > A phrase like \"he sleeps with the fishes\" is common", "the fishes\" Of course we all know what this means. > > >", "course we all know what this means. > > > Now then -", "with the fishes\" Of course we all know what this means. > >", "means. > > > So, in other words - the period is not", "inside the sentence, there would be no need for a period near it:", "inherently part of the quoted phrase- the period is to indicate the end", "Godfather movies by proclaiming \"he sleeps with the fishes\". Of course we all", "just a made-up example. I'm looking for advice or consensus as to the", "the sentences or reword. Above is just a made-up example. I'm looking for", "Godfather movies by proclaiming \"he sleeps with the fishes.\" Of course we all", "looking for advice or consensus as to the proper placement of the period", "come at the end of a sentence. Formal writing protocol - I think", "reword. Above is just a made-up example. I'm looking for advice or consensus", "strange outside the quotes > > A gangster might channel The Godfather movies", "by proclaiming \"he sleeps with the fishes\" Of course we all know what", "we all know what this means. > > > And something is missing", "with the fishes\" is common among old style gangsters. Of course we all", "quotes > > A gangster might channel The Godfather movies by proclaiming \"he", "the end of the sentence - yet it seems just as strange outside", "> > A gangster might channel The Godfather movies by proclaiming \"he sleeps", "Above is just a made-up example. I'm looking for advice or consensus as", "the period is not inherently part of the quoted phrase- the period is", "a made-up example. I'm looking for advice or consensus as to the proper", "quoting a phrase (not dialog) that happens to come at the end of", "missing if I leave out the period, altogether: > > A gangster might", "as to the proper placement of the period within the quotations - particularly", "\"he sleeps with the fishes.\" Of course we all know what this means.", "I'm looking for advice or consensus as to the proper placement of the", "writing protocol - I think - tells us that punctuation goes inside the" ]
[ "into two sections: part 1 and part 2, as well as chapters. I", "the books are divided into parts that way, such as the Miss Peregrine's", "divided into parts that way, such as the Miss Peregrine's book series? How", "is divided into two sections: part 1 and part 2, as well as", "[Miss Peregrine's Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series,", "Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is divided into", "I was wondering about the use of separating fiction into \"parts\", similar to", "refer to [Miss Peregrine's Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In", "as chapters. I was wondering where this is done in various works of", "where this is done in various works of fiction. I assume within a", "series where not all the books are divided into parts that way, such", "are divided into parts that way, such as the Miss Peregrine's book series?", "a novella? Is it more advisable to keep all the content in one", "keep all the content in one main body than to divide it in", "wondering where this is done in various works of fiction. I assume within", "these to divide up books within a series. If I am unclear, refer", "I am unclear, refer to [Miss Peregrine's Home for Peculiar Children, Book 2,", "and using these to divide up books within a series. If I am", "more advisable to keep all the content in one main body than to", "this is done in various works of fiction. I assume within a single", "am unclear, refer to [Miss Peregrine's Home for Peculiar Children, Book 2, Hollow", "the Miss Peregrine's book series? How about for a novella? Is it more", "book series? How about for a novella? Is it more advisable to keep", "should be fine, but would it still be fine within a series where", "Is it more advisable to keep all the content in one main body", "into \"parts\", similar to chapters but larger and spanning more text and using", "into parts that way, such as the Miss Peregrine's book series? How about", "In this series, the second book is divided into two sections: part 1", "Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is", "well as chapters. I was wondering where this is done in various works", "stand-alone book it should be fine, but would it still be fine within", "as the Miss Peregrine's book series? How about for a novella? Is it", "I was wondering where this is done in various works of fiction. I", "where not all the books are divided into parts that way, such as", "way, such as the Miss Peregrine's book series? How about for a novella?", "similar to chapters but larger and spanning more text and using these to", "the use of separating fiction into \"parts\", similar to chapters but larger and", "If I am unclear, refer to [Miss Peregrine's Home for Peculiar Children, Book", "in various works of fiction. I assume within a single stand-alone book it", "of separating fiction into \"parts\", similar to chapters but larger and spanning more", "Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second", "divided into two sections: part 1 and part 2, as well as chapters.", "up books within a series. If I am unclear, refer to [Miss Peregrine's", "Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is divided", "it should be fine, but would it still be fine within a series", "was wondering about the use of separating fiction into \"parts\", similar to chapters", "Peregrine's Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the", "fine, but would it still be fine within a series where not all", "more text and using these to divide up books within a series. If", "is done in various works of fiction. I assume within a single stand-alone", "but larger and spanning more text and using these to divide up books", "to chapters but larger and spanning more text and using these to divide", "it more advisable to keep all the content in one main body than", "2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is divided into two", "sections: part 1 and part 2, as well as chapters. I was wondering", "various works of fiction. I assume within a single stand-alone book it should", "text and using these to divide up books within a series. If I", "series, the second book is divided into two sections: part 1 and part", "within a single stand-alone book it should be fine, but would it still", "to keep all the content in one main body than to divide it", "part 2, as well as chapters. I was wondering where this is done", "assume within a single stand-alone book it should be fine, but would it", "about for a novella? Is it more advisable to keep all the content", "unclear, refer to [Miss Peregrine's Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ).", "1 and part 2, as well as chapters. I was wondering where this", "fiction into \"parts\", similar to chapters but larger and spanning more text and", "fine within a series where not all the books are divided into parts", "single stand-alone book it should be fine, but would it still be fine", "books are divided into parts that way, such as the Miss Peregrine's book", "all the content in one main body than to divide it in a", "series? How about for a novella? Is it more advisable to keep all", "be fine within a series where not all the books are divided into", "would it still be fine within a series where not all the books", "City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is divided into two sections: part", "second book is divided into two sections: part 1 and part 2, as", "separating fiction into \"parts\", similar to chapters but larger and spanning more text", "Miss Peregrine's book series? How about for a novella? Is it more advisable", "\"parts\", similar to chapters but larger and spanning more text and using these", "was wondering where this is done in various works of fiction. I assume", "larger and spanning more text and using these to divide up books within", "all the books are divided into parts that way, such as the Miss", "a single stand-alone book it should be fine, but would it still be", "the second book is divided into two sections: part 1 and part 2,", "advisable to keep all the content in one main body than to divide", "within a series where not all the books are divided into parts that", "for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book", "a series. If I am unclear, refer to [Miss Peregrine's Home for Peculiar", "wondering about the use of separating fiction into \"parts\", similar to chapters but", "spanning more text and using these to divide up books within a series.", "novella? Is it more advisable to keep all the content in one main", "a series where not all the books are divided into parts that way,", "still be fine within a series where not all the books are divided", "divide up books within a series. If I am unclear, refer to [Miss", "use of separating fiction into \"parts\", similar to chapters but larger and spanning", "book it should be fine, but would it still be fine within a", "and spanning more text and using these to divide up books within a", "to [Miss Peregrine's Home for Peculiar Children, Book 2, Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this", "to divide up books within a series. If I am unclear, refer to", "chapters. I was wondering where this is done in various works of fiction.", "works of fiction. I assume within a single stand-alone book it should be", "be fine, but would it still be fine within a series where not", "book is divided into two sections: part 1 and part 2, as well", "such as the Miss Peregrine's book series? How about for a novella? Is", "2, as well as chapters. I was wondering where this is done in", "How about for a novella? Is it more advisable to keep all the", "the content in one main body than to divide it in a smaller", "chapters but larger and spanning more text and using these to divide up", "done in various works of fiction. I assume within a single stand-alone book", "Peregrine's book series? How about for a novella? Is it more advisable to", "books within a series. If I am unclear, refer to [Miss Peregrine's Home", "as well as chapters. I was wondering where this is done in various", "fiction. I assume within a single stand-alone book it should be fine, but", "content in one main body than to divide it in a smaller text?", "for a novella? Is it more advisable to keep all the content in", "series. If I am unclear, refer to [Miss Peregrine's Home for Peculiar Children,", "not all the books are divided into parts that way, such as the", "parts that way, such as the Miss Peregrine's book series? How about for", "two sections: part 1 and part 2, as well as chapters. I was", "part 1 and part 2, as well as chapters. I was wondering where", "it still be fine within a series where not all the books are", "that way, such as the Miss Peregrine's book series? How about for a", "Hollow City](https://www.google.ca/search?q=miss+peregrine%27s+home+for+peculiar+children&ie=utf-8&oe=utf-8&gws_rd=cr&ei=97mrV4zPHIuOjwP7i43YDQ). In this series, the second book is divided into two sections:", "but would it still be fine within a series where not all the", "I assume within a single stand-alone book it should be fine, but would", "about the use of separating fiction into \"parts\", similar to chapters but larger", "within a series. If I am unclear, refer to [Miss Peregrine's Home for", "using these to divide up books within a series. If I am unclear,", "of fiction. I assume within a single stand-alone book it should be fine,", "and part 2, as well as chapters. I was wondering where this is", "this series, the second book is divided into two sections: part 1 and" ]
[ "to reading into realistic-genre books for a long period of time. Is reading", "for a series I'm writing. I think this may be due to reading", "may be due to reading into realistic-genre books for a long period of", "period of time. Is reading fantasy novels to imagine more my best option?", "low on fantasy inspiration for a series I'm writing. I think this may", "this may be due to reading into realistic-genre books for a long period", "into realistic-genre books for a long period of time. Is reading fantasy novels", "I have been getting low on fantasy inspiration for a series I'm writing.", "getting low on fantasy inspiration for a series I'm writing. I think this", "a series I'm writing. I think this may be due to reading into", "on fantasy inspiration for a series I'm writing. I think this may be", "due to reading into realistic-genre books for a long period of time. Is", "inspiration for a series I'm writing. I think this may be due to", "be due to reading into realistic-genre books for a long period of time.", "I think this may be due to reading into realistic-genre books for a", "series I'm writing. I think this may be due to reading into realistic-genre", "fantasy inspiration for a series I'm writing. I think this may be due", "reading into realistic-genre books for a long period of time. Is reading fantasy", "writing. I think this may be due to reading into realistic-genre books for", "think this may be due to reading into realistic-genre books for a long", "have been getting low on fantasy inspiration for a series I'm writing. I", "long period of time. Is reading fantasy novels to imagine more my best", "realistic-genre books for a long period of time. Is reading fantasy novels to", "books for a long period of time. Is reading fantasy novels to imagine", "Lately I have been getting low on fantasy inspiration for a series I'm", "been getting low on fantasy inspiration for a series I'm writing. I think", "I'm writing. I think this may be due to reading into realistic-genre books", "a long period of time. Is reading fantasy novels to imagine more my", "for a long period of time. Is reading fantasy novels to imagine more" ]
[ "a sci-fi short story where the technologies in this world are impossible, a", "start a sci-fi short story where the technologies in this world are impossible,", "in school so it's rather difficult for me to understand the laws of", "and seldom exposing myself to sci-fi albeit both of them can be categorise", "\"science fiction\" that I could just disregard about the laws of science and", "fiction\" that I could just disregard about the laws of science and use", "that it is \"science fiction\" that I could just disregard about the laws", "defying technology that can lift an entire city, otherworldly hybrid experiments, atomic manipulation,", "things that I write sound at the very least convincing to readers as", "have this idea to start a sci-fi short story where the technologies in", "technologies in this world are impossible, a gravity defying technology that can lift", "I have this idea to start a sci-fi short story where the technologies", "exposing myself to sci-fi albeit both of them can be categorise as the", "to sci-fi albeit both of them can be categorise as the same genre.", "about the laws of science and use my imagination but at the same", "to readers as if it'll actually happens in the near future. I'm an", "technology that can lift an entire city, otherworldly hybrid experiments, atomic manipulation, cells", "readers as if it'll actually happens in the near future. I'm an art", "is \"science fiction\" that I could just disregard about the laws of science", "sci-fi short story where the technologies in this world are impossible, a gravity", "so it's rather difficult for me to understand the laws of science. My", "the same genre. I have this idea to start a sci-fi short story", "oriented subjects in school so it's rather difficult for me to understand the", "My question is, is there some tips and trick to start conducting scientific", "to support my story? If there's websites that covered everything about science would", "sci-fi albeit both of them can be categorise as the same genre. I", "entire city, otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc. I know that", "sound at the very least convincing to readers as if it'll actually happens", "is there some tips and trick to start conducting scientific research that I", "some tips and trick to start conducting scientific research that I can use", "an art student and I rarely got myself into science oriented subjects in", "but at the same time I want the things that I write sound", "the very least convincing to readers as if it'll actually happens in the", "same time I want the things that I write sound at the very", "the near future. I'm an art student and I rarely got myself into", "an entire city, otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc. I know", "world are impossible, a gravity defying technology that can lift an entire city,", "student and I rarely got myself into science oriented subjects in school so", "and trick to start conducting scientific research that I can use them to", "could just disregard about the laws of science and use my imagination but", "the technologies in this world are impossible, a gravity defying technology that can", "that can lift an entire city, otherworldly hybrid experiments, atomic manipulation, cells manipulation,", "the laws of science and use my imagination but at the same time", "time I want the things that I write sound at the very least", "to start conducting scientific research that I can use them to support my", "gravity defying technology that can lift an entire city, otherworldly hybrid experiments, atomic", "is, is there some tips and trick to start conducting scientific research that", "if it'll actually happens in the near future. I'm an art student and", "can be categorise as the same genre. I have this idea to start", "I'm a fantasy writer and seldom exposing myself to sci-fi albeit both of", "science oriented subjects in school so it's rather difficult for me to understand", "my story? If there's websites that covered everything about science would be nice", "got myself into science oriented subjects in school so it's rather difficult for", "future. I'm an art student and I rarely got myself into science oriented", "the laws of science. My question is, is there some tips and trick", "both of them can be categorise as the same genre. I have this", "this world are impossible, a gravity defying technology that can lift an entire", "subjects in school so it's rather difficult for me to understand the laws", "at the same time I want the things that I write sound at", "start conducting scientific research that I can use them to support my story?", "I know that it is \"science fiction\" that I could just disregard about", "I'm an art student and I rarely got myself into science oriented subjects", "use them to support my story? If there's websites that covered everything about", "manipulation, etc. I know that it is \"science fiction\" that I could just", "use my imagination but at the same time I want the things that", "otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc. I know that it is", "trick to start conducting scientific research that I can use them to support", "a fantasy writer and seldom exposing myself to sci-fi albeit both of them", "into science oriented subjects in school so it's rather difficult for me to", "short story where the technologies in this world are impossible, a gravity defying", "scientific research that I can use them to support my story? If there's", "I can use them to support my story? If there's websites that covered", "my imagination but at the same time I want the things that I", "myself to sci-fi albeit both of them can be categorise as the same", "hybrid experiments, atomic manipulation, cells manipulation, etc. I know that it is \"science", "it's rather difficult for me to understand the laws of science. My question", "just disregard about the laws of science and use my imagination but at", "idea to start a sci-fi short story where the technologies in this world", "disregard about the laws of science and use my imagination but at the", "them to support my story? If there's websites that covered everything about science", "in this world are impossible, a gravity defying technology that can lift an", "want the things that I write sound at the very least convincing to", "experiments, atomic manipulation, cells manipulation, etc. I know that it is \"science fiction\"", "writer and seldom exposing myself to sci-fi albeit both of them can be", "that I write sound at the very least convincing to readers as if", "atomic manipulation, cells manipulation, etc. I know that it is \"science fiction\" that", "imagination but at the same time I want the things that I write", "laws of science. My question is, is there some tips and trick to", "I rarely got myself into science oriented subjects in school so it's rather", "as if it'll actually happens in the near future. I'm an art student", "them can be categorise as the same genre. I have this idea to", "art student and I rarely got myself into science oriented subjects in school", "manipulation, cells manipulation, etc. I know that it is \"science fiction\" that I", "that I could just disregard about the laws of science and use my", "I write sound at the very least convincing to readers as if it'll", "rarely got myself into science oriented subjects in school so it's rather difficult", "genre. I have this idea to start a sci-fi short story where the", "very least convincing to readers as if it'll actually happens in the near", "as the same genre. I have this idea to start a sci-fi short", "near future. I'm an art student and I rarely got myself into science", "rather difficult for me to understand the laws of science. My question is,", "seldom exposing myself to sci-fi albeit both of them can be categorise as", "happens in the near future. I'm an art student and I rarely got", "conducting scientific research that I can use them to support my story? If", "same genre. I have this idea to start a sci-fi short story where", "actually happens in the near future. I'm an art student and I rarely", "of science. My question is, is there some tips and trick to start", "it is \"science fiction\" that I could just disregard about the laws of", "understand the laws of science. My question is, is there some tips and", "me to understand the laws of science. My question is, is there some", "the things that I write sound at the very least convincing to readers", "that I can use them to support my story? If there's websites that", "and I rarely got myself into science oriented subjects in school so it's", "laws of science and use my imagination but at the same time I", "least convincing to readers as if it'll actually happens in the near future.", "a gravity defying technology that can lift an entire city, otherworldly hybrid experiments,", "science. My question is, is there some tips and trick to start conducting", "impossible, a gravity defying technology that can lift an entire city, otherworldly hybrid", "for me to understand the laws of science. My question is, is there", "are impossible, a gravity defying technology that can lift an entire city, otherworldly", "myself into science oriented subjects in school so it's rather difficult for me", "in the near future. I'm an art student and I rarely got myself", "can use them to support my story? If there's websites that covered everything", "fantasy writer and seldom exposing myself to sci-fi albeit both of them can", "story? If there's websites that covered everything about science would be nice too.", "city, otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc. I know that it", "where the technologies in this world are impossible, a gravity defying technology that", "I could just disregard about the laws of science and use my imagination", "categorise as the same genre. I have this idea to start a sci-fi", "support my story? If there's websites that covered everything about science would be", "this idea to start a sci-fi short story where the technologies in this", "lift an entire city, otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc. I", "story where the technologies in this world are impossible, a gravity defying technology", "be categorise as the same genre. I have this idea to start a", "and use my imagination but at the same time I want the things", "the same time I want the things that I write sound at the", "difficult for me to understand the laws of science. My question is, is", "it'll actually happens in the near future. I'm an art student and I", "there some tips and trick to start conducting scientific research that I can", "question is, is there some tips and trick to start conducting scientific research", "albeit both of them can be categorise as the same genre. I have", "convincing to readers as if it'll actually happens in the near future. I'm", "research that I can use them to support my story? If there's websites", "to understand the laws of science. My question is, is there some tips", "school so it's rather difficult for me to understand the laws of science.", "at the very least convincing to readers as if it'll actually happens in", "to start a sci-fi short story where the technologies in this world are", "of them can be categorise as the same genre. I have this idea", "etc. I know that it is \"science fiction\" that I could just disregard", "know that it is \"science fiction\" that I could just disregard about the", "science and use my imagination but at the same time I want the", "can lift an entire city, otherworldly hybrid experiments, atomic manipulation, cells manipulation, etc.", "write sound at the very least convincing to readers as if it'll actually", "tips and trick to start conducting scientific research that I can use them", "I want the things that I write sound at the very least convincing", "of science and use my imagination but at the same time I want", "cells manipulation, etc. I know that it is \"science fiction\" that I could" ]
[ "or non) I should be reading?** I've just read *Pierced by the Sun*,", "for the US, I don't like her. EDIT: Hey guys, do also include", "Hey guys, do also include any fiction or non-fiction that I should be", "or non-fiction that I should be reading which might help with this. Fiction", "her. EDIT: Hey guys, do also include any fiction or non-fiction that I", "this. I'm being subtle about it thus far. Our standards of beauty are", "that anyone overweight can't be beautiful, I just want to convey that the", "out that it's weird in any way. It's normal for that culture, and", "way. It's normal for that culture, and I want to convey this well.", "there are lots of different ways to do this. I'm being subtle about", "beauty are skinny but with an ample bosom here in the US for", "that culture, and I want to convey this well. **Any tips or books", "doesn't follow the standard of beauty for the US, I don't like her.", "not saying that anyone overweight can't be beautiful, I just want to convey", "like her. EDIT: Hey guys, do also include any fiction or non-fiction that", "different ways to do this. I'm being subtle about it thus far. Our", "beautiful in the other culture are mainly what we would call overweight. I", "more desirable. I want to see some literary examples. Tips have been great", "an ample bosom here in the US for the most part. The women", "to convey that the cultural standard differs from our own, without pointing out", "mainly what we would call overweight. I am not saying that anyone overweight", "own, without pointing out that it's weird in any way. It's normal for", "convey this well. **Any tips or books (fiction or non) I should be", "don't like her. EDIT: Hey guys, do also include any fiction or non-fiction", "with this. Fiction is more desirable. I want to see some literary examples.", "about it thus far. Our standards of beauty are skinny but with an", "help with this. Fiction is more desirable. I want to see some literary", "do also include any fiction or non-fiction that I should be reading which", "to convey this well. **Any tips or books (fiction or non) I should", "by the Sun*, and though the MC doesn't follow the standard of beauty", "skinny but with an ample bosom here in the US for the most", "MC doesn't follow the standard of beauty for the US, I don't like", "any way. It's normal for that culture, and I want to convey this", "standard differs from our own, without pointing out that it's weird in any", "am aware that there are lots of different ways to do this. I'm", "I don't like her. EDIT: Hey guys, do also include any fiction or", "from our own, without pointing out that it's weird in any way. It's", "I've just read *Pierced by the Sun*, and though the MC doesn't follow", "the other culture are mainly what we would call overweight. I am not", "culture are mainly what we would call overweight. I am not saying that", "just want to convey that the cultural standard differs from our own, without", "any fiction or non-fiction that I should be reading which might help with", "which might help with this. Fiction is more desirable. I want to see", "subtle about it thus far. Our standards of beauty are skinny but with", "this well. **Any tips or books (fiction or non) I should be reading?**", "thus far. Our standards of beauty are skinny but with an ample bosom", "I'm being subtle about it thus far. Our standards of beauty are skinny", "books (fiction or non) I should be reading?** I've just read *Pierced by", "EDIT: Hey guys, do also include any fiction or non-fiction that I should", "anyone overweight can't be beautiful, I just want to convey that the cultural", "US for the most part. The women thought beautiful in the other culture", "it's weird in any way. It's normal for that culture, and I want", "women thought beautiful in the other culture are mainly what we would call", "read *Pierced by the Sun*, and though the MC doesn't follow the standard", "I just want to convey that the cultural standard differs from our own,", "the Sun*, and though the MC doesn't follow the standard of beauty for", "tips or books (fiction or non) I should be reading?** I've just read", "most part. The women thought beautiful in the other culture are mainly what", "that the cultural standard differs from our own, without pointing out that it's", "can't be beautiful, I just want to convey that the cultural standard differs", "our own, without pointing out that it's weird in any way. It's normal", "ways to do this. I'm being subtle about it thus far. Our standards", "*Pierced by the Sun*, and though the MC doesn't follow the standard of", "in the other culture are mainly what we would call overweight. I am", "want to convey that the cultural standard differs from our own, without pointing", "do this. I'm being subtle about it thus far. Our standards of beauty", "lots of different ways to do this. I'm being subtle about it thus", "reading?** I've just read *Pierced by the Sun*, and though the MC doesn't", "and I want to convey this well. **Any tips or books (fiction or", "also include any fiction or non-fiction that I should be reading which might", "for the most part. The women thought beautiful in the other culture are", "with an ample bosom here in the US for the most part. The", "normal for that culture, and I want to convey this well. **Any tips", "culture, and I want to convey this well. **Any tips or books (fiction", "is more desirable. I want to see some literary examples. Tips have been", "part. The women thought beautiful in the other culture are mainly what we", "pointing out that it's weird in any way. It's normal for that culture,", "guys, do also include any fiction or non-fiction that I should be reading", "beauty for the US, I don't like her. EDIT: Hey guys, do also", "Fiction is more desirable. I want to see some literary examples. Tips have", "I am not saying that anyone overweight can't be beautiful, I just want", "I am aware that there are lots of different ways to do this.", "the MC doesn't follow the standard of beauty for the US, I don't", "or books (fiction or non) I should be reading?** I've just read *Pierced", "might help with this. Fiction is more desirable. I want to see some", "thought beautiful in the other culture are mainly what we would call overweight.", "what we would call overweight. I am not saying that anyone overweight can't", "overweight. I am not saying that anyone overweight can't be beautiful, I just", "weird in any way. It's normal for that culture, and I want to", "the US, I don't like her. EDIT: Hey guys, do also include any", "The women thought beautiful in the other culture are mainly what we would", "just read *Pierced by the Sun*, and though the MC doesn't follow the", "are lots of different ways to do this. I'm being subtle about it", "want to convey this well. **Any tips or books (fiction or non) I", "US, I don't like her. EDIT: Hey guys, do also include any fiction", "are skinny but with an ample bosom here in the US for the", "far. Our standards of beauty are skinny but with an ample bosom here", "that there are lots of different ways to do this. I'm being subtle", "be beautiful, I just want to convey that the cultural standard differs from", "that it's weird in any way. It's normal for that culture, and I", "I should be reading?** I've just read *Pierced by the Sun*, and though", "the most part. The women thought beautiful in the other culture are mainly", "the standard of beauty for the US, I don't like her. EDIT: Hey", "It's normal for that culture, and I want to convey this well. **Any", "other culture are mainly what we would call overweight. I am not saying", "Sun*, and though the MC doesn't follow the standard of beauty for the", "include any fiction or non-fiction that I should be reading which might help", "I should be reading which might help with this. Fiction is more desirable.", "this. Fiction is more desirable. I want to see some literary examples. Tips", "non) I should be reading?** I've just read *Pierced by the Sun*, and", "that I should be reading which might help with this. Fiction is more", "it thus far. Our standards of beauty are skinny but with an ample", "we would call overweight. I am not saying that anyone overweight can't be", "though the MC doesn't follow the standard of beauty for the US, I", "cultural standard differs from our own, without pointing out that it's weird in", "of beauty for the US, I don't like her. EDIT: Hey guys, do", "for that culture, and I want to convey this well. **Any tips or", "bosom here in the US for the most part. The women thought beautiful", "standard of beauty for the US, I don't like her. EDIT: Hey guys,", "fiction or non-fiction that I should be reading which might help with this.", "of different ways to do this. I'm being subtle about it thus far.", "call overweight. I am not saying that anyone overweight can't be beautiful, I", "be reading which might help with this. Fiction is more desirable. I want", "I want to convey this well. **Any tips or books (fiction or non)", "the US for the most part. The women thought beautiful in the other", "**Any tips or books (fiction or non) I should be reading?** I've just", "convey that the cultural standard differs from our own, without pointing out that", "differs from our own, without pointing out that it's weird in any way.", "well. **Any tips or books (fiction or non) I should be reading?** I've", "and though the MC doesn't follow the standard of beauty for the US,", "being subtle about it thus far. Our standards of beauty are skinny but", "of beauty are skinny but with an ample bosom here in the US", "non-fiction that I should be reading which might help with this. Fiction is", "are mainly what we would call overweight. I am not saying that anyone", "should be reading?** I've just read *Pierced by the Sun*, and though the", "reading which might help with this. Fiction is more desirable. I want to", "the cultural standard differs from our own, without pointing out that it's weird", "be reading?** I've just read *Pierced by the Sun*, and though the MC", "follow the standard of beauty for the US, I don't like her. EDIT:", "overweight can't be beautiful, I just want to convey that the cultural standard", "beautiful, I just want to convey that the cultural standard differs from our", "here in the US for the most part. The women thought beautiful in", "aware that there are lots of different ways to do this. I'm being", "but with an ample bosom here in the US for the most part.", "am not saying that anyone overweight can't be beautiful, I just want to", "ample bosom here in the US for the most part. The women thought", "to do this. I'm being subtle about it thus far. Our standards of", "(fiction or non) I should be reading?** I've just read *Pierced by the", "saying that anyone overweight can't be beautiful, I just want to convey that", "without pointing out that it's weird in any way. It's normal for that", "in the US for the most part. The women thought beautiful in the", "would call overweight. I am not saying that anyone overweight can't be beautiful,", "in any way. It's normal for that culture, and I want to convey", "Our standards of beauty are skinny but with an ample bosom here in", "should be reading which might help with this. Fiction is more desirable. I", "I want to see some literary examples. Tips have been great so far!", "standards of beauty are skinny but with an ample bosom here in the", "desirable. I want to see some literary examples. Tips have been great so" ]
[ "or use the real one in the story. Benefits of inventing a new", "which plays in a region I grew up in. I need to decide,", "story in the best possible way (even if in reality the history was", "of the fake city so that it suits the needs of my story", "German-speaking part of Europe. My target audience is English-speaking and is likely to", "can remember them more easily. * **Adaptability of the world.** I can bend", "it well, and you can describe it in little details, which makes the", "so that English-speaking readers can remember them more easily. * **Adaptability of the", "say that the story plays in Moscow (strongly stereotyped place), the reader will", "reader will have ideas about the characters and the settings, incl. those I", "Europe. My target audience is English-speaking and is likely to break their tongues,", "in the best possible way (even if in reality the history was different).", "characters and the settings, incl. those I don't want her to have. If", "is based on a real one? Why not use the real one in", "in Moscow (strongly stereotyped place), the reader will have ideas about the characters", "can name the places so that English-speaking readers can remember them more easily.", "want her to have. If I have a fake city based on Moscow,", "needs of my story in the best possible way (even if in reality", "the real one in the story. Benefits of inventing a new city: *", "audience is English-speaking and is likely to break their tongues, if I use", "I can bend the history of the fake city so that it suits", "**Adaptability of the world.** I can bend the history of the fake city", "region as a scene for fiction because you know it well, and you", "real one in the story. Benefits of inventing a new city: * **Easier", "fiction because you know it well, and you can describe it in little", "that the story plays in Moscow (strongly stereotyped place), the reader will have", "the novel? I'm asking because I'm writing a story, which plays in a", "plays in a region I grew up in. I need to decide, whether", "Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William", "the history of the fake city so that it suits the needs of", "who decides, which ideas come to her mind based on the geography of", "authors invent regions, which are very similar to real ones, e.g. * Gabriel", "which makes the reader feel that you know the place intimately. But what's", "history of the fake city so that it suits the needs of my", "plays in Moscow (strongly stereotyped place), the reader will have ideas about the", "based on that real city, or use the real one in the story.", "city: * **Easier pronunciation.** The real city is in German-speaking part of Europe.", "(which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha", "(strongly stereotyped place), the reader will have ideas about the characters and the", "Moscow, it's me, who decides, which ideas come to her mind based on", "of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I", "of inventing a fictional region, which is based on a real one? Why", "Why not use the real one in the novel? I'm asking because I'm", "one in the novel? I'm asking because I'm writing a story, which plays", "I'm writing a story, which plays in a region I grew up in.", "* **Easier pronunciation.** The real city is in German-speaking part of Europe. My", "the place intimately. But what's the benefit of inventing a fictional region, which", "is in German-speaking part of Europe. My target audience is English-speaking and is", "the history was different). * **No stereotypes.** If I say that the story", "I should use a fake city based on that real city, or use", "English-speaking readers can remember them more easily. * **Adaptability of the world.** I", "decides, which ideas come to her mind based on the geography of the", "[Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand", "the world.** I can bend the history of the fake city so that", "that English-speaking readers can remember them more easily. * **Adaptability of the world.**", "that you know the place intimately. But what's the benefit of inventing a", "García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or *", "a region I grew up in. I need to decide, whether I should", "real city is in German-speaking part of Europe. My target audience is English-speaking", "way (even if in reality the history was different). * **No stereotypes.** If", "will have ideas about the characters and the settings, incl. those I don't", "existing region as a scene for fiction because you know it well, and", "similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar", "which is based on a real one? Why not use the real one", "Moscow (strongly stereotyped place), the reader will have ideas about the characters and", "because you know it well, and you can describe it in little details,", "new city: * **Easier pronunciation.** The real city is in German-speaking part of", "the needs of my story in the best possible way (even if in", "ideas about the characters and the settings, incl. those I don't want her", "city based on Moscow, it's me, who decides, which ideas come to her", "know it well, and you can describe it in little details, which makes", "a scene for fiction because you know it well, and you can describe", "region, which is based on a real one? Why not use the real", "is English-speaking and is likely to break their tongues, if I use real", "My target audience is English-speaking and is likely to break their tongues, if", "suits the needs of my story in the best possible way (even if", "reader feel that you know the place intimately. But what's the benefit of", "pronunciation.** The real city is in German-speaking part of Europe. My target audience", "it suits the needs of my story in the best possible way (even", "story. Benefits of inventing a new city: * **Easier pronunciation.** The real city", "and is likely to break their tongues, if I use real location names", "because I'm writing a story, which plays in a region I grew up", "bend the history of the fake city so that it suits the needs", "the best possible way (even if in reality the history was different). *", "a story, which plays in a region I grew up in. I need", "need to decide, whether I should use a fake city based on that", "city based on that real city, or use the real one in the", "In a fictional city I can name the places so that English-speaking readers", "more easily. * **Adaptability of the world.** I can bend the history of", "inventing a fictional region, which is based on a real one? Why not", "in the novel? I'm asking because I'm writing a story, which plays in", "**Easier pronunciation.** The real city is in German-speaking part of Europe. My target", "intimately. But what's the benefit of inventing a fictional region, which is based", "[Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an existing region as a", "can describe it in little details, which makes the reader feel that you", "a fictional region, which is based on a real one? Why not use", "William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of", "break their tongues, if I use real location names in my story. In", "to have. If I have a fake city based on Moscow, it's me,", "of the world.** I can bend the history of the fake city so", "inventing a new city: * **Easier pronunciation.** The real city is in German-speaking", "names in my story. In a fictional city I can name the places", "if in reality the history was different). * **No stereotypes.** If I say", "place), the reader will have ideas about the characters and the settings, incl.", "to her mind based on the geography of the story. Any other benefits?", "the story. Benefits of inventing a new city: * **Easier pronunciation.** The real", "know the place intimately. But what's the benefit of inventing a fictional region,", "what's the benefit of inventing a fictional region, which is based on a", "likely to break their tongues, if I use real location names in my", "should use a fake city based on that real city, or use the", "her to have. If I have a fake city based on Moscow, it's", "have a fake city based on Moscow, it's me, who decides, which ideas", "to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to", "it's me, who decides, which ideas come to her mind based on the", "in German-speaking part of Europe. My target audience is English-speaking and is likely", "on Moscow, it's me, who decides, which ideas come to her mind based", "world.** I can bend the history of the fake city so that it", "I'm asking because I'm writing a story, which plays in a region I", "feel that you know the place intimately. But what's the benefit of inventing", "If I have a fake city based on Moscow, it's me, who decides,", "of my story in the best possible way (even if in reality the", "about the characters and the settings, incl. those I don't want her to", "me, who decides, which ideas come to her mind based on the geography", "(even if in reality the history was different). * **No stereotypes.** If I", "* **Adaptability of the world.** I can bend the history of the fake", "I have a fake city based on Moscow, it's me, who decides, which", "I understand the benefit of using an existing region as a scene for", "Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or", "to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an existing region as", "so that it suits the needs of my story in the best possible", "I say that the story plays in Moscow (strongly stereotyped place), the reader", "those I don't want her to have. If I have a fake city", "in my story. In a fictional city I can name the places so", "very similar to real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is", "story. In a fictional city I can name the places so that English-speaking", "the reader feel that you know the place intimately. But what's the benefit", "novel? I'm asking because I'm writing a story, which plays in a region", "that real city, or use the real one in the story. Benefits of", "The real city is in German-speaking part of Europe. My target audience is", "and the settings, incl. those I don't want her to have. If I", "the fake city so that it suits the needs of my story in", "best possible way (even if in reality the history was different). * **No", "an existing region as a scene for fiction because you know it well,", "of Europe. My target audience is English-speaking and is likely to break their", "fake city based on Moscow, it's me, who decides, which ideas come to", "(similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an existing region", "in a region I grew up in. I need to decide, whether I", "easily. * **Adaptability of the world.** I can bend the history of the", "remember them more easily. * **Adaptability of the world.** I can bend the", "which are very similar to real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo)", "But what's the benefit of inventing a fictional region, which is based on", "real one? Why not use the real one in the novel? I'm asking", "grew up in. I need to decide, whether I should use a fake", "fake city so that it suits the needs of my story in the", "city, or use the real one in the story. Benefits of inventing a", "possible way (even if in reality the history was different). * **No stereotypes.**", "city I can name the places so that English-speaking readers can remember them", "you know it well, and you can describe it in little details, which", "their tongues, if I use real location names in my story. In a", "* Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca))", "real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette", "for fiction because you know it well, and you can describe it in", "real city, or use the real one in the story. Benefits of inventing", "them more easily. * **Adaptability of the world.** I can bend the history", "using an existing region as a scene for fiction because you know it", "or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the", "**No stereotypes.** If I say that the story plays in Moscow (strongly stereotyped", "location names in my story. In a fictional city I can name the", "I don't want her to have. If I have a fake city based", "part of Europe. My target audience is English-speaking and is likely to break", "story, which plays in a region I grew up in. I need to", "have. If I have a fake city based on Moscow, it's me, who", "I use real location names in my story. In a fictional city I", "on a real one? Why not use the real one in the novel?", "based on Moscow, it's me, who decides, which ideas come to her mind", "are very similar to real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which", "incl. those I don't want her to have. If I have a fake", "use the real one in the novel? I'm asking because I'm writing a", "a fake city based on that real city, or use the real one", "to real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to", "writing a story, which plays in a region I grew up in. I", "different). * **No stereotypes.** If I say that the story plays in Moscow", "stereotyped place), the reader will have ideas about the characters and the settings,", "have ideas about the characters and the settings, incl. those I don't want", "history was different). * **No stereotypes.** If I say that the story plays", "one? Why not use the real one in the novel? I'm asking because", "settings, incl. those I don't want her to have. If I have a", "one in the story. Benefits of inventing a new city: * **Easier pronunciation.**", "the real one in the novel? I'm asking because I'm writing a story,", "based on a real one? Why not use the real one in the", "is likely to break their tongues, if I use real location names in", "city so that it suits the needs of my story in the best", "the settings, incl. those I don't want her to have. If I have", "is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County)", "the benefit of inventing a fictional region, which is based on a real", "* **No stereotypes.** If I say that the story plays in Moscow (strongly", "benefit of using an existing region as a scene for fiction because you", "e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of", "don't want her to have. If I have a fake city based on", "and you can describe it in little details, which makes the reader feel", "fictional region, which is based on a real one? Why not use the", "a new city: * **Easier pronunciation.** The real city is in German-speaking part", "can bend the history of the fake city so that it suits the", "* William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit", "makes the reader feel that you know the place intimately. But what's the", "to decide, whether I should use a fake city based on that real", "English-speaking and is likely to break their tongues, if I use real location", "use real location names in my story. In a fictional city I can", "similar to real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar", "reality the history was different). * **No stereotypes.** If I say that the", "[Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an", "a real one? Why not use the real one in the novel? I'm", "real one in the novel? I'm asking because I'm writing a story, which", "to break their tongues, if I use real location names in my story.", "a fake city based on Moscow, it's me, who decides, which ideas come", "city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)).", "place intimately. But what's the benefit of inventing a fictional region, which is", "Faulkner's [Yoknapatawpha County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using", "County](https://en.wikipedia.org/wiki/Yoknapatawpha_County) (similar to [Lafayette County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an existing", "target audience is English-speaking and is likely to break their tongues, if I", "stereotypes.** If I say that the story plays in Moscow (strongly stereotyped place),", "which ideas come to her mind based on the geography of the story.", "benefit of inventing a fictional region, which is based on a real one?", "Sometimes authors invent regions, which are very similar to real ones, e.g. *", "If I say that the story plays in Moscow (strongly stereotyped place), the", "as a scene for fiction because you know it well, and you can", "of using an existing region as a scene for fiction because you know", "come to her mind based on the geography of the story. Any other", "I need to decide, whether I should use a fake city based on", "places so that English-speaking readers can remember them more easily. * **Adaptability of", "understand the benefit of using an existing region as a scene for fiction", "County](https://en.wikipedia.org/wiki/Lafayette_County,_Mississippi)). I understand the benefit of using an existing region as a scene", "the places so that English-speaking readers can remember them more easily. * **Adaptability", "decide, whether I should use a fake city based on that real city,", "describe it in little details, which makes the reader feel that you know", "scene for fiction because you know it well, and you can describe it", "fake city based on that real city, or use the real one in", "in little details, which makes the reader feel that you know the place", "I can name the places so that English-speaking readers can remember them more", "ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city", "use the real one in the story. Benefits of inventing a new city:", "my story. In a fictional city I can name the places so that", "name the places so that English-speaking readers can remember them more easily. *", "city is in German-speaking part of Europe. My target audience is English-speaking and", "I grew up in. I need to decide, whether I should use a", "Benefits of inventing a new city: * **Easier pronunciation.** The real city is", "fictional city I can name the places so that English-speaking readers can remember", "the benefit of using an existing region as a scene for fiction because", "asking because I'm writing a story, which plays in a region I grew", "in the story. Benefits of inventing a new city: * **Easier pronunciation.** The", "my story in the best possible way (even if in reality the history", "ideas come to her mind based on the geography of the story. Any", "the story plays in Moscow (strongly stereotyped place), the reader will have ideas", "if I use real location names in my story. In a fictional city", "use a fake city based on that real city, or use the real", "up in. I need to decide, whether I should use a fake city", "the characters and the settings, incl. those I don't want her to have.", "story plays in Moscow (strongly stereotyped place), the reader will have ideas about", "in. I need to decide, whether I should use a fake city based", "real ones, e.g. * Gabriel García Márquez's [Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real", "little details, which makes the reader feel that you know the place intimately.", "regions, which are very similar to real ones, e.g. * Gabriel García Márquez's", "whether I should use a fake city based on that real city, or", "readers can remember them more easily. * **Adaptability of the world.** I can", "in reality the history was different). * **No stereotypes.** If I say that", "the reader will have ideas about the characters and the settings, incl. those", "you can describe it in little details, which makes the reader feel that", "you know the place intimately. But what's the benefit of inventing a fictional", "real location names in my story. In a fictional city I can name", "well, and you can describe it in little details, which makes the reader", "of inventing a new city: * **Easier pronunciation.** The real city is in", "a fictional city I can name the places so that English-speaking readers can", "on that real city, or use the real one in the story. Benefits", "invent regions, which are very similar to real ones, e.g. * Gabriel García", "[Macondo](https://en.wikipedia.org/wiki/Macondo) (which is similar to real city of [Aracataca](https://en.wikipedia.org/wiki/Aracataca)) or * William Faulkner's", "it in little details, which makes the reader feel that you know the", "was different). * **No stereotypes.** If I say that the story plays in", "details, which makes the reader feel that you know the place intimately. But", "region I grew up in. I need to decide, whether I should use", "not use the real one in the novel? I'm asking because I'm writing", "that it suits the needs of my story in the best possible way", "tongues, if I use real location names in my story. In a fictional" ]
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[ "mean “Hum”. I'm worried that my English audience would find this confusing. However", "Japanese onomatopoeia for the “hmmm” sound. I kind of like Humu, precisely for", "fantasy setting with Japanese aspects thrown in. His name is supposed to be,", "similiar) are Japanese onomatopoeia for the “hmmm” sound. I kind of like Humu,", "softly\". Please, I'm not looking for advise on Japanese, just honest opinions about", "of like Humu, precisely for this reason, because he's supposed to be named", "is supposed to be, and mean “Hum”. I'm worried that my English audience", "It could either be Hamu or Humu. The other names of the characters", "thrown in. His name is supposed to be, and mean “Hum”. I'm worried", "Humu. The other names of the characters would be Japanese, and the story", "in. His name is supposed to be, and mean “Hum”. I'm worried that", "meaning \"to hum or sing softly\". Please, I'm not looking for advise on", "I can't decide what to name a certain character. 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However Humu or Fumu (H and F are", "like Humu, precisely for this reason, because he's supposed to be named after", "are Japanese onomatopoeia for the “hmmm” sound. I kind of like Humu, precisely", "for this reason, because he's supposed to be named after his father who", "the name “Taisho” meaning \"to hum or sing softly\". Please, I'm not looking", "English audience would find this confusing. However Humu or Fumu (H and F", "either be Hamu or Humu. The other names of the characters would be", "he's supposed to be named after his father who carries the name “Taisho”", "be Japanese, and the story is a fantasy setting with Japanese aspects thrown", "would find this confusing. However Humu or Fumu (H and F are similiar)", "a certain character. It could either be Hamu or Humu. The other names", "I'm not looking for advise on Japanese, just honest opinions about the character's", "could either be Hamu or Humu. The other names of the characters would", "the characters would be Japanese, and the story is a fantasy setting with", "I'm worried that my English audience would find this confusing. However Humu or", "that my English audience would find this confusing. However Humu or Fumu (H", "name is supposed to be, and mean “Hum”. I'm worried that my English", "of the characters would be Japanese, and the story is a fantasy setting" ]
[ "with a senior dancer in Hagfuh's group and decides to stop drinking. This", "the narrator is a mere observer? Do I need to go to the", "scene, when the narrator is a mere observer? Do I need to go", "hard to get accepted at the country's best dance ensemble. She's the narrator", "the goal of the secondary character? Or can the secondary character's goal support", "Hagfuh's mother, who's had a mild problem with alcohol for quite some time.", "resurrection - the scene in which she proves that she can give up", "to go to the trouble and give him a separate goal that is", "be a crucial element of the story. When I write the story from", "would I go about writing her mother's resurrection - the scene in which", "go about writing her mother's resurrection - the scene in which she proves", "group and decides to stop drinking. This has nothing to do with Hagfuh.", "When I write the story from Hagfuh's point of view, how would I", "novel that is told from a single narrator in third person. A number", "point of view*, I could easily write full-fledged scenes about the secondary characters", "--- **Example**: Meet Hagfuh. Hagfuh wants to be a dancer and works very", "the secondary characters and their respective stories. However, I would very much prefer", "write a good, dynamic scene, when the narrator is a mere observer? Do", "She falls in love with a senior dancer in Hagfuh's group and decides", "story from Hagfuh's point of view, how would I go about writing her", "her struggle to get accepted. A subplot is the story of Hagfuh's mother,", "and works very hard to get accepted at the country's best dance ensemble.", "dance ensemble. She's the narrator of the story, the main plot evolves around", "in Hagfuh's group and decides to stop drinking. This has nothing to do", "point of view, how would I go about writing her mother's resurrection -", "to my single narrator and have him, somehow, observe the story of the", "drinking. This has nothing to do with Hagfuh. Yet, for me, it could", "A number of subplots detail the stories of secondary characters. **My problem**: From", "I could easily write full-fledged scenes about the secondary characters and their respective", "accepted at the country's best dance ensemble. She's the narrator of the story,", "him, somehow, observe the story of the secondary characters. Which brings me to", "with Hagfuh. Yet, for me, it could be a crucial element of the", "that she can give up drinking for good? How can I make the", "mild problem with alcohol for quite some time. She falls in love with", "story of the secondary characters. Which brings me to **my questions**: How do", "stories. However, I would very much prefer to stick to my single narrator", "I need to go to the trouble and give him a separate goal", "alcohol for quite some time. She falls in love with a senior dancer", "narrator and have him, somehow, observe the story of the secondary characters. Which", "with alcohol for quite some time. She falls in love with a senior", "entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants to be a dancer and", "a single narrator in third person. A number of subplots detail the stories", "and have him, somehow, observe the story of the secondary characters. Which brings", "writing her mother's resurrection - the scene in which she proves that she", "has nothing to do with Hagfuh. Yet, for me, it could be a", "third person. A number of subplots detail the stories of secondary characters. **My", "get accepted at the country's best dance ensemble. She's the narrator of the", "good? How can I make the scene about Hagfuh's mother, while it still", "mother, who's had a mild problem with alcohol for quite some time. She", "detail the stories of secondary characters. **My problem**: From *their point of view*,", "in which she proves that she can give up drinking for good? How", "characters and their respective stories. However, I would very much prefer to stick", "the \"real goal\" of the scene - the goal of the secondary character?", "narrator in third person. A number of subplots detail the stories of secondary", "country's best dance ensemble. She's the narrator of the story, the main plot", "story of Hagfuh's mother, who's had a mild problem with alcohol for quite", "scenes about the secondary characters and their respective stories. However, I would very", "had a mild problem with alcohol for quite some time. She falls in", "the secondary characters. Which brings me to **my questions**: How do I write", "nothing to do with Hagfuh. Yet, for me, it could be a crucial", "do with Hagfuh. Yet, for me, it could be a crucial element of", "is the story of Hagfuh's mother, who's had a mild problem with alcohol", "some time. She falls in love with a senior dancer in Hagfuh's group", "questions**: How do I write a good, dynamic scene, when the narrator is", "her mother's resurrection - the scene in which she proves that she can", "I make the scene about Hagfuh's mother, while it still is part of", "wants to be a dancer and works very hard to get accepted at", "to get accepted. A subplot is the story of Hagfuh's mother, who's had", "the story from Hagfuh's point of view, how would I go about writing", "him a separate goal that is somehow related to the \"real goal\" of", "scene about Hagfuh's mother, while it still is part of Hagfuh's story, too?", "me to **my questions**: How do I write a good, dynamic scene, when", "- the scene in which she proves that she can give up drinking", "for good? How can I make the scene about Hagfuh's mother, while it", "very hard to get accepted at the country's best dance ensemble. She's the", "\"real goal\" of the scene - the goal of the secondary character? Or", "accepted. A subplot is the story of Hagfuh's mother, who's had a mild", "to the \"real goal\" of the scene - the goal of the secondary", "the story. When I write the story from Hagfuh's point of view, how", "story. When I write the story from Hagfuh's point of view, how would", "stop drinking. This has nothing to do with Hagfuh. Yet, for me, it", "and decides to stop drinking. This has nothing to do with Hagfuh. Yet,", "from Hagfuh's point of view, how would I go about writing her mother's", "told from a single narrator in third person. A number of subplots detail", "How do I write a good, dynamic scene, when the narrator is a", "single narrator and have him, somehow, observe the story of the secondary characters.", "is a mere observer? Do I need to go to the trouble and", "from a single narrator in third person. A number of subplots detail the", "character? Or can the secondary character's goal support an entire scene? --- **Example**:", "time. She falls in love with a senior dancer in Hagfuh's group and", "I'm working on a novel that is told from a single narrator in", "mother's resurrection - the scene in which she proves that she can give", "in third person. A number of subplots detail the stories of secondary characters.", "for quite some time. She falls in love with a senior dancer in", "mere observer? Do I need to go to the trouble and give him", "give him a separate goal that is somehow related to the \"real goal\"", "Do I need to go to the trouble and give him a separate", "the trouble and give him a separate goal that is somehow related to", "somehow related to the \"real goal\" of the scene - the goal of", "scene - the goal of the secondary character? Or can the secondary character's", "the secondary character's goal support an entire scene? --- **Example**: Meet Hagfuh. Hagfuh", "Hagfuh wants to be a dancer and works very hard to get accepted", "the scene in which she proves that she can give up drinking for", "which she proves that she can give up drinking for good? How can", "prefer to stick to my single narrator and have him, somehow, observe the", "element of the story. When I write the story from Hagfuh's point of", "the scene about Hagfuh's mother, while it still is part of Hagfuh's story,", "secondary character's goal support an entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants", "dancer and works very hard to get accepted at the country's best dance", "best dance ensemble. She's the narrator of the story, the main plot evolves", "problem with alcohol for quite some time. She falls in love with a", "From *their point of view*, I could easily write full-fledged scenes about the", "main plot evolves around her struggle to get accepted. A subplot is the", "in love with a senior dancer in Hagfuh's group and decides to stop", "senior dancer in Hagfuh's group and decides to stop drinking. This has nothing", "a good, dynamic scene, when the narrator is a mere observer? Do I", "full-fledged scenes about the secondary characters and their respective stories. However, I would", "a dancer and works very hard to get accepted at the country's best", "character's goal support an entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants to", "She's the narrator of the story, the main plot evolves around her struggle", "of subplots detail the stories of secondary characters. **My problem**: From *their point", "give up drinking for good? How can I make the scene about Hagfuh's", "Hagfuh's point of view, how would I go about writing her mother's resurrection", "the narrator of the story, the main plot evolves around her struggle to", "of view*, I could easily write full-fledged scenes about the secondary characters and", "**my questions**: How do I write a good, dynamic scene, when the narrator", "plot evolves around her struggle to get accepted. A subplot is the story", "stories of secondary characters. **My problem**: From *their point of view*, I could", "Yet, for me, it could be a crucial element of the story. When", "scene? --- **Example**: Meet Hagfuh. Hagfuh wants to be a dancer and works", "a senior dancer in Hagfuh's group and decides to stop drinking. This has", "**Example**: Meet Hagfuh. Hagfuh wants to be a dancer and works very hard", "Hagfuh. Yet, for me, it could be a crucial element of the story.", "when the narrator is a mere observer? Do I need to go to", "me, it could be a crucial element of the story. When I write", "secondary characters. Which brings me to **my questions**: How do I write a", "she proves that she can give up drinking for good? How can I", "struggle to get accepted. A subplot is the story of Hagfuh's mother, who's", "of view, how would I go about writing her mother's resurrection - the", "ensemble. She's the narrator of the story, the main plot evolves around her", "do I write a good, dynamic scene, when the narrator is a mere", "at the country's best dance ensemble. She's the narrator of the story, the", "how would I go about writing her mother's resurrection - the scene in", "related to the \"real goal\" of the scene - the goal of the", "of secondary characters. **My problem**: From *their point of view*, I could easily", "get accepted. A subplot is the story of Hagfuh's mother, who's had a", "a crucial element of the story. 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However, I", "can I make the scene about Hagfuh's mother, while it still is part", "evolves around her struggle to get accepted. A subplot is the story of", "who's had a mild problem with alcohol for quite some time. She falls", "for me, it could be a crucial element of the story. When I", "view*, I could easily write full-fledged scenes about the secondary characters and their", "the story, the main plot evolves around her struggle to get accepted. A", "of the story, the main plot evolves around her struggle to get accepted.", "need to go to the trouble and give him a separate goal that", "working on a novel that is told from a single narrator in third", "somehow, observe the story of the secondary characters. Which brings me to **my", "of the scene - the goal of the secondary character? Or can the", "A subplot is the story of Hagfuh's mother, who's had a mild problem", "love with a senior dancer in Hagfuh's group and decides to stop drinking.", "drinking for good? How can I make the scene about Hagfuh's mother, while", "to the trouble and give him a separate goal that is somehow related", "view, how would I go about writing her mother's resurrection - the scene", "is told from a single narrator in third person. A number of subplots", "observe the story of the secondary characters. Which brings me to **my questions**:", "single narrator in third person. A number of subplots detail the stories of", "dancer in Hagfuh's group and decides to stop drinking. This has nothing to", "falls in love with a senior dancer in Hagfuh's group and decides to", "easily write full-fledged scenes about the secondary characters and their respective stories. However,", "I write a good, dynamic scene, when the narrator is a mere observer?", "support an entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants to be a", "can the secondary character's goal support an entire scene? --- **Example**: Meet Hagfuh.", "is somehow related to the \"real goal\" of the scene - the goal", "that is somehow related to the \"real goal\" of the scene - the", "quite some time. She falls in love with a senior dancer in Hagfuh's", "secondary characters. **My problem**: From *their point of view*, I could easily write", "and their respective stories. However, I would very much prefer to stick to", "have him, somehow, observe the story of the secondary characters. Which brings me", "their respective stories. However, I would very much prefer to stick to my", "separate goal that is somehow related to the \"real goal\" of the scene", "to stop drinking. This has nothing to do with Hagfuh. Yet, for me,", "can give up drinking for good? How can I make the scene about", "around her struggle to get accepted. A subplot is the story of Hagfuh's", "make the scene about Hagfuh's mother, while it still is part of Hagfuh's", "Hagfuh. Hagfuh wants to be a dancer and works very hard to get", "characters. **My problem**: From *their point of view*, I could easily write full-fledged", "characters. Which brings me to **my questions**: How do I write a good,", "brings me to **my questions**: How do I write a good, dynamic scene,", "the scene - the goal of the secondary character? Or can the secondary", "I write the story from Hagfuh's point of view, how would I go", "works very hard to get accepted at the country's best dance ensemble. She's", "the secondary character? Or can the secondary character's goal support an entire scene?", "secondary character? Or can the secondary character's goal support an entire scene? ---", "it could be a crucial element of the story. When I write the", "respective stories. However, I would very much prefer to stick to my single", "goal that is somehow related to the \"real goal\" of the scene -", "a mild problem with alcohol for quite some time. She falls in love", "of the story. When I write the story from Hagfuh's point of view,", "be a dancer and works very hard to get accepted at the country's", "I would very much prefer to stick to my single narrator and have", "the stories of secondary characters. **My problem**: From *their point of view*, I", "scene in which she proves that she can give up drinking for good?", "that is told from a single narrator in third person. A number of", "the story of Hagfuh's mother, who's had a mild problem with alcohol for", "an entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants to be a dancer", "the story of the secondary characters. Which brings me to **my questions**: How", "of the secondary characters. Which brings me to **my questions**: How do I", "about writing her mother's resurrection - the scene in which she proves that", "I go about writing her mother's resurrection - the scene in which she", "to do with Hagfuh. Yet, for me, it could be a crucial element", "goal support an entire scene? --- **Example**: Meet Hagfuh. Hagfuh wants to be", "could be a crucial element of the story. When I write the story", "goal\" of the scene - the goal of the secondary character? Or can", "narrator of the story, the main plot evolves around her struggle to get", "How can I make the scene about Hagfuh's mother, while it still is", "to get accepted at the country's best dance ensemble. She's the narrator of", "good, dynamic scene, when the narrator is a mere observer? Do I need", "observer? Do I need to go to the trouble and give him a", "on a novel that is told from a single narrator in third person.", "and give him a separate goal that is somehow related to the \"real", "could easily write full-fledged scenes about the secondary characters and their respective stories.", "secondary characters and their respective stories. However, I would very much prefer to", "up drinking for good? How can I make the scene about Hagfuh's mother,", "person. A number of subplots detail the stories of secondary characters. **My problem**:", "Meet Hagfuh. Hagfuh wants to be a dancer and works very hard to", "Which brings me to **my questions**: How do I write a good, dynamic", "to be a dancer and works very hard to get accepted at the", "This has nothing to do with Hagfuh. Yet, for me, it could be", "a novel that is told from a single narrator in third person. A", "proves that she can give up drinking for good? How can I make", "she can give up drinking for good? How can I make the scene", "go to the trouble and give him a separate goal that is somehow", "about the secondary characters and their respective stories. However, I would very much", "dynamic scene, when the narrator is a mere observer? Do I need to", "problem**: From *their point of view*, I could easily write full-fledged scenes about", "the country's best dance ensemble. She's the narrator of the story, the main", "number of subplots detail the stories of secondary characters. **My problem**: From *their", "Or can the secondary character's goal support an entire scene? --- **Example**: Meet", "Hagfuh's group and decides to stop drinking. This has nothing to do with", "trouble and give him a separate goal that is somehow related to the", "stick to my single narrator and have him, somehow, observe the story of", "to **my questions**: How do I write a good, dynamic scene, when the", "However, I would very much prefer to stick to my single narrator and", "write the story from Hagfuh's point of view, how would I go about", "my single narrator and have him, somehow, observe the story of the secondary", "story, the main plot evolves around her struggle to get accepted. A subplot", "very much prefer to stick to my single narrator and have him, somehow,", "the main plot evolves around her struggle to get accepted. A subplot is", "subplot is the story of Hagfuh's mother, who's had a mild problem with", "narrator is a mere observer? Do I need to go to the trouble", "a separate goal that is somehow related to the \"real goal\" of the", "much prefer to stick to my single narrator and have him, somehow, observe", "would very much prefer to stick to my single narrator and have him,", "a mere observer? Do I need to go to the trouble and give", "of Hagfuh's mother, who's had a mild problem with alcohol for quite some" ]
[ "-- most times, most things, you tell-don't-show. I get so impatient with this", "or if it is a valid suggestion for certain passages but not a", "valid suggestion for certain passages but not a general rule for a whole", "suggestion for certain passages but not a general rule for a whole book.", "in and what is out in Show Don't Tell. Because if it is", "Show Don't Tell. Because if it is good advice or bad, we can't", "> But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations is", "Tell means if we are to decide if it is good advice or", "few situations -- most times, most things, you tell-don't-show. I get so impatient", "tell\" is applicable in only a few situations -- most times, most things,", "general rule for a whole book. Orson Scott Card was a particular critic", "to not tell motivations, but try to show them.\" > > > And", "not tell motivations, but try to show them.\" > > > And you", "motivation is unshowable. It must be told. (In fact, most things must be", "fact, most things must be told.) The advice \"show don't tell\" is applicable", "is out in Show Don't Tell. Because if it is good advice or", "> > OSC Replies: > You said: \"I made it a point throughout", "> > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations", "don't tell\"? > > > Because motivation is unshowable. It must be told.", "what is out in Show Don't Tell. Because if it is good advice", "Don't Tell means if we are to decide if it is good advice", "in Show Don't Tell. Because if it is good advice or bad, we", "told.) The advice \"show don't tell\" is applicable in only a few situations", "if it is good advice or bad, or if it is a valid", "Scott Card was a particular critic of Show Don't Tell > > OSC", "a few situations -- most times, most things, you tell-don't-show. I get so", "But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations is allowed", "it is good advice or bad, or if it is a valid suggestion", "the novel to not tell motivations, but try to show them.\" > >", "Because motivation is unshowable. It must be told. (In fact, most things must", "a particular critic of Show Don't Tell > > OSC Replies: > You", "It must be told. (In fact, most things must be told.) The advice", "most times, most things, you tell-don't-show. I get so impatient with this idiotic", "good advice or bad, or if it is a valid suggestion for certain", "for generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that", "discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations is allowed in Show Don't", "advice \"show don't tell\" is applicable in only a few situations -- most", "that has been plaguing writers for generations. > > > But in [this", "Don't Tell. Because if it is good advice or bad, we can't expect", "of those morons who told you \"show don't tell\"? > > > Because", "to show them.\" > > > And you did this because ... of", "Don't Tell > > OSC Replies: > You said: \"I made it a", "applicable in only a few situations -- most times, most things, you tell-don't-show.", "the question: what is in and what is out in Show Don't Tell.", "I am asking this question because I think we need a precise definition", "this because ... of those morons who told you \"show don't tell\"? >", "is suggested that reporting of motivations is allowed in Show Don't Tell, which", "question because I think we need a precise definition of what Show Don't", "only a few situations -- most times, most things, you tell-don't-show. I get", "you tell-don't-show. I get so impatient with this idiotic advice that has been", "told you \"show don't tell\"? > > > Because motivation is unshowable. It", "allowed in Show Don't Tell, which provokes the question: what is in and", "writers for generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested", "for certain passages but not a general rule for a whole book. Orson", "in Show Don't Tell, which provokes the question: what is in and what", "plaguing writers for generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is", "advice or bad, or if it is a valid suggestion for certain passages", "this question because I think we need a precise definition of what Show", "in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations is allowed in", "Show Don't Tell, which provokes the question: what is in and what is", "a valid suggestion for certain passages but not a general rule for a", "Tell > > OSC Replies: > You said: \"I made it a point", "is unshowable. It must be told. (In fact, most things must be told.)", "(In fact, most things must be told.) The advice \"show don't tell\" is", "must be told.) The advice \"show don't tell\" is applicable in only a", "must be told. (In fact, most things must be told.) The advice \"show", "suggested that reporting of motivations is allowed in Show Don't Tell, which provokes", "said: \"I made it a point throughout the novel to not tell motivations,", "\"show don't tell\"? > > > Because motivation is unshowable. It must be", "if it is good advice or bad, we can't expect people to follow", "because I think we need a precise definition of what Show Don't Tell", "a point throughout the novel to not tell motivations, but try to show", "if we are to decide if it is good advice or bad, or", "> > Because motivation is unshowable. It must be told. (In fact, most", "I get so impatient with this idiotic advice that has been plaguing writers", "bad, we can't expect people to follow it if it is not well", "if it is a valid suggestion for certain passages but not a general", "critic of Show Don't Tell > > OSC Replies: > You said: \"I", "most things must be told.) The advice \"show don't tell\" is applicable in", "is good advice or bad, or if it is a valid suggestion for", "has been plaguing writers for generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162)", "advice or bad, we can't expect people to follow it if it is", "out in Show Don't Tell. Because if it is good advice or bad,", "> > And you did this because ... of those morons who told", "... of those morons who told you \"show don't tell\"? > > >", "Show Don't Tell > > OSC Replies: > You said: \"I made it", "is in and what is out in Show Don't Tell. Because if it", "The advice \"show don't tell\" is applicable in only a few situations --", "bad, or if it is a valid suggestion for certain passages but not", "whole book. Orson Scott Card was a particular critic of Show Don't Tell", "so impatient with this idiotic advice that has been plaguing writers for generations.", "> > > Because motivation is unshowable. It must be told. (In fact,", "is good advice or bad, we can't expect people to follow it if", "times, most things, you tell-don't-show. I get so impatient with this idiotic advice", "of Show Don't Tell > > OSC Replies: > You said: \"I made", "in only a few situations -- most times, most things, you tell-don't-show. I", "asking this question because I think we need a precise definition of what", "of what Show Don't Tell means if we are to decide if it", "told. (In fact, most things must be told.) The advice \"show don't tell\"", "most things, you tell-don't-show. I get so impatient with this idiotic advice that", "good advice or bad, we can't expect people to follow it if it", "for a whole book. Orson Scott Card was a particular critic of Show", "Replies: > You said: \"I made it a point throughout the novel to", "who told you \"show don't tell\"? > > > Because motivation is unshowable.", "we are to decide if it is good advice or bad, or if", "decide if it is good advice or bad, or if it is a", "provokes the question: what is in and what is out in Show Don't", "You said: \"I made it a point throughout the novel to not tell", "and what is out in Show Don't Tell. Because if it is good", "was a particular critic of Show Don't Tell > > OSC Replies: >", "is a valid suggestion for certain passages but not a general rule for", "did this because ... of those morons who told you \"show don't tell\"?", "point throughout the novel to not tell motivations, but try to show them.\"", "things, you tell-don't-show. I get so impatient with this idiotic advice that has", "a precise definition of what Show Don't Tell means if we are to", "> > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of", "tell motivations, but try to show them.\" > > > And you did", "but try to show them.\" > > > And you did this because", "try to show them.\" > > > And you did this because ...", "particular critic of Show Don't Tell > > OSC Replies: > You said:", "Show Don't Tell means if we are to decide if it is good", "is applicable in only a few situations -- most times, most things, you", "which provokes the question: what is in and what is out in Show", "Tell, which provokes the question: what is in and what is out in", "to decide if it is good advice or bad, or if it is", "OSC Replies: > You said: \"I made it a point throughout the novel", "I think we need a precise definition of what Show Don't Tell means", "been plaguing writers for generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it", "we can't expect people to follow it if it is not well defined.", "or bad, or if it is a valid suggestion for certain passages but", "it a point throughout the novel to not tell motivations, but try to", "> You said: \"I made it a point throughout the novel to not", "motivations is allowed in Show Don't Tell, which provokes the question: what is", "what is in and what is out in Show Don't Tell. Because if", "throughout the novel to not tell motivations, but try to show them.\" >", "be told. (In fact, most things must be told.) The advice \"show don't", "it is suggested that reporting of motivations is allowed in Show Don't Tell,", "[this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting of motivations is allowed in Show", "am asking this question because I think we need a precise definition of", "Don't Tell, which provokes the question: what is in and what is out", "rule for a whole book. Orson Scott Card was a particular critic of", "we need a precise definition of what Show Don't Tell means if we", "but not a general rule for a whole book. Orson Scott Card was", "you \"show don't tell\"? > > > Because motivation is unshowable. It must", "idiotic advice that has been plaguing writers for generations. > > > But", "Tell. Because if it is good advice or bad, we can't expect people", "with this idiotic advice that has been plaguing writers for generations. > >", "means if we are to decide if it is good advice or bad,", "what Show Don't Tell means if we are to decide if it is", "definition of what Show Don't Tell means if we are to decide if", "or bad, we can't expect people to follow it if it is not", "need a precise definition of what Show Don't Tell means if we are", "tell\"? > > > Because motivation is unshowable. It must be told. (In", "Card was a particular critic of Show Don't Tell > > OSC Replies:", "it is good advice or bad, we can't expect people to follow it", "made it a point throughout the novel to not tell motivations, but try", "be told.) The advice \"show don't tell\" is applicable in only a few", "situations -- most times, most things, you tell-don't-show. I get so impatient with", "reporting of motivations is allowed in Show Don't Tell, which provokes the question:", "passages but not a general rule for a whole book. Orson Scott Card", "> And you did this because ... of those morons who told you", "generations. > > > But in [this discussion](https://writers.stackexchange.com/questions/24110/how-do-i-express-that-a-culture-has-a-different-standard-of-beauty/24162?noredirect=1#comment34478_24162) it is suggested that reporting", "them.\" > > > And you did this because ... of those morons", "you did this because ... of those morons who told you \"show don't", "precise definition of what Show Don't Tell means if we are to decide", "it is a valid suggestion for certain passages but not a general rule", "novel to not tell motivations, but try to show them.\" > > >", "unshowable. It must be told. (In fact, most things must be told.) The", "tell-don't-show. I get so impatient with this idiotic advice that has been plaguing", "of motivations is allowed in Show Don't Tell, which provokes the question: what", "question: what is in and what is out in Show Don't Tell. Because", "those morons who told you \"show don't tell\"? > > > Because motivation", "\"I made it a point throughout the novel to not tell motivations, but", "show them.\" > > > And you did this because ... of those", "think we need a precise definition of what Show Don't Tell means if", "things must be told.) The advice \"show don't tell\" is applicable in only", "certain passages but not a general rule for a whole book. Orson Scott", "motivations, but try to show them.\" > > > And you did this", "get so impatient with this idiotic advice that has been plaguing writers for", "> OSC Replies: > You said: \"I made it a point throughout the", "And you did this because ... of those morons who told you \"show", "morons who told you \"show don't tell\"? > > > Because motivation is", "> > > And you did this because ... of those morons who", "is allowed in Show Don't Tell, which provokes the question: what is in", "because ... of those morons who told you \"show don't tell\"? > >", "impatient with this idiotic advice that has been plaguing writers for generations. >", "are to decide if it is good advice or bad, or if it", "not a general rule for a whole book. Orson Scott Card was a", "book. Orson Scott Card was a particular critic of Show Don't Tell >", "that reporting of motivations is allowed in Show Don't Tell, which provokes the", "a general rule for a whole book. Orson Scott Card was a particular", "this idiotic advice that has been plaguing writers for generations. > > >", "a whole book. Orson Scott Card was a particular critic of Show Don't", "Orson Scott Card was a particular critic of Show Don't Tell > >", "> Because motivation is unshowable. It must be told. (In fact, most things", "advice that has been plaguing writers for generations. > > > But in", "Because if it is good advice or bad, we can't expect people to", "\"show don't tell\" is applicable in only a few situations -- most times,", "don't tell\" is applicable in only a few situations -- most times, most" ]
[ "on debate, or how to write good arguments that flow in a story", "a wall during a certain scene. In the story, the characters have an", "tips on debate, or how to write good arguments that flow in a", "the characters have an open debate on discrimination in an attempt to raise", "and pass new legislation in the fictional country they live in. However, I've", "debate on discrimination in an attempt to raise awareness for their issues and", "to find good arguments to use in the story without it coming off", "anyone have tips on debate, or how to write good arguments that flow", "it difficult to find good arguments to use in the story without it", "to use in the story without it coming off as overly simplified or", "simplified or unnatural. Does anyone have tips on debate, or how to write", "in the story without it coming off as overly simplified or unnatural. Does", "However, I've found it difficult to find good arguments to use in the", "as overly simplified or unnatural. Does anyone have tips on debate, or how", "find good arguments to use in the story without it coming off as", "to raise awareness for their issues and pass new legislation in the fictional", "country they live in. However, I've found it difficult to find good arguments", "characters have an open debate on discrimination in an attempt to raise awareness", "I've found it difficult to find good arguments to use in the story", "fictional country they live in. However, I've found it difficult to find good", "hit a wall during a certain scene. In the story, the characters have", "during a certain scene. In the story, the characters have an open debate", "difficult to find good arguments to use in the story without it coming", "in an attempt to raise awareness for their issues and pass new legislation", "without it coming off as overly simplified or unnatural. Does anyone have tips", "raise awareness for their issues and pass new legislation in the fictional country", "off as overly simplified or unnatural. Does anyone have tips on debate, or", "legislation in the fictional country they live in. However, I've found it difficult", "the fictional country they live in. However, I've found it difficult to find", "or unnatural. Does anyone have tips on debate, or how to write good", "unnatural. Does anyone have tips on debate, or how to write good arguments", "but hit a wall during a certain scene. In the story, the characters", "recently started writing, but hit a wall during a certain scene. In the", "writing, but hit a wall during a certain scene. In the story, the", "in the fictional country they live in. However, I've found it difficult to", "discrimination in an attempt to raise awareness for their issues and pass new", "the story without it coming off as overly simplified or unnatural. Does anyone", "attempt to raise awareness for their issues and pass new legislation in the", "Does anyone have tips on debate, or how to write good arguments that", "in. However, I've found it difficult to find good arguments to use in", "it coming off as overly simplified or unnatural. Does anyone have tips on", "the story, the characters have an open debate on discrimination in an attempt", "have an open debate on discrimination in an attempt to raise awareness for", "I've recently started writing, but hit a wall during a certain scene. In", "live in. However, I've found it difficult to find good arguments to use", "good arguments to use in the story without it coming off as overly", "debate, or how to write good arguments that flow in a story format?", "issues and pass new legislation in the fictional country they live in. However,", "coming off as overly simplified or unnatural. Does anyone have tips on debate,", "story, the characters have an open debate on discrimination in an attempt to", "they live in. However, I've found it difficult to find good arguments to", "use in the story without it coming off as overly simplified or unnatural.", "on discrimination in an attempt to raise awareness for their issues and pass", "an attempt to raise awareness for their issues and pass new legislation in", "certain scene. In the story, the characters have an open debate on discrimination", "have tips on debate, or how to write good arguments that flow in", "pass new legislation in the fictional country they live in. However, I've found", "arguments to use in the story without it coming off as overly simplified", "for their issues and pass new legislation in the fictional country they live", "their issues and pass new legislation in the fictional country they live in.", "new legislation in the fictional country they live in. However, I've found it", "found it difficult to find good arguments to use in the story without", "wall during a certain scene. In the story, the characters have an open", "awareness for their issues and pass new legislation in the fictional country they", "scene. In the story, the characters have an open debate on discrimination in", "a certain scene. In the story, the characters have an open debate on", "open debate on discrimination in an attempt to raise awareness for their issues", "started writing, but hit a wall during a certain scene. In the story,", "overly simplified or unnatural. Does anyone have tips on debate, or how to", "story without it coming off as overly simplified or unnatural. Does anyone have", "In the story, the characters have an open debate on discrimination in an", "an open debate on discrimination in an attempt to raise awareness for their" ]
[ "view. There is a group mainly of four people which the story involves", "selfish way which probably cannot be forgiven. Is this too rapid of a", "decline in the security of their little group if I am planning to", "a very selfish way which probably cannot be forgiven. Is this too rapid", "heavily, and one of them is planned to betray the main character in", "in a very selfish way which probably cannot be forgiven. Is this too", "character in a very selfish way which probably cannot be forgiven. Is this", "very selfish way which probably cannot be forgiven. Is this too rapid of", "person from the main characters point of view. There is a group mainly", "a decline in the security of their little group if I am planning", "of them is planned to betray the main character in a very selfish", "one of them is planned to betray the main character in a very", "which the story involves most heavily, and one of them is planned to", "in the security of their little group if I am planning to write", "most heavily, and one of them is planned to betray the main character", "Is this too rapid of a decline in the security of their little", "is told in first person from the main characters point of view. There", "told in first person from the main characters point of view. There is", "writing a book which is told in first person from the main characters", "group mainly of four people which the story involves most heavily, and one", "security of their little group if I am planning to write two consecutive", "characters point of view. There is a group mainly of four people which", "am writing a book which is told in first person from the main", "which is told in first person from the main characters point of view.", "to betray the main character in a very selfish way which probably cannot", "in first person from the main characters point of view. There is a", "of four people which the story involves most heavily, and one of them", "book which is told in first person from the main characters point of", "which probably cannot be forgiven. Is this too rapid of a decline in", "and one of them is planned to betray the main character in a", "the main character in a very selfish way which probably cannot be forgiven.", "main character in a very selfish way which probably cannot be forgiven. Is", "story involves most heavily, and one of them is planned to betray the", "rapid of a decline in the security of their little group if I", "is planned to betray the main character in a very selfish way which", "betray the main character in a very selfish way which probably cannot be", "the main characters point of view. There is a group mainly of four", "main characters point of view. There is a group mainly of four people", "them is planned to betray the main character in a very selfish way", "way which probably cannot be forgiven. Is this too rapid of a decline", "people which the story involves most heavily, and one of them is planned", "planned to betray the main character in a very selfish way which probably", "forgiven. Is this too rapid of a decline in the security of their", "of their little group if I am planning to write two consecutive books?", "mainly of four people which the story involves most heavily, and one of", "be forgiven. Is this too rapid of a decline in the security of", "of view. There is a group mainly of four people which the story", "is a group mainly of four people which the story involves most heavily,", "a group mainly of four people which the story involves most heavily, and", "I am writing a book which is told in first person from the", "point of view. There is a group mainly of four people which the", "four people which the story involves most heavily, and one of them is", "the story involves most heavily, and one of them is planned to betray", "this too rapid of a decline in the security of their little group", "the security of their little group if I am planning to write two", "probably cannot be forgiven. Is this too rapid of a decline in the", "first person from the main characters point of view. There is a group", "from the main characters point of view. There is a group mainly of", "too rapid of a decline in the security of their little group if", "a book which is told in first person from the main characters point", "of a decline in the security of their little group if I am", "There is a group mainly of four people which the story involves most", "cannot be forgiven. Is this too rapid of a decline in the security", "involves most heavily, and one of them is planned to betray the main" ]
[ "after or if it is better to write simply and go back and", "fill your first draft with excessive detail and edit the unneeded parts out", "better to fill your first draft with excessive detail and edit the unneeded", "if it is better to write simply and go back and add in", "your first draft with excessive detail and edit the unneeded parts out after", "unneeded parts out after or if it is better to write simply and", "first draft with excessive detail and edit the unneeded parts out after or", "simply and go back and add in the details after it is done?", "it better to fill your first draft with excessive detail and edit the", "is better to write simply and go back and add in the details", "and edit the unneeded parts out after or if it is better to", "excessive detail and edit the unneeded parts out after or if it is", "it is better to write simply and go back and add in the", "or if it is better to write simply and go back and add", "out after or if it is better to write simply and go back", "to write simply and go back and add in the details after it", "Is it better to fill your first draft with excessive detail and edit", "write simply and go back and add in the details after it is", "better to write simply and go back and add in the details after", "to fill your first draft with excessive detail and edit the unneeded parts", "edit the unneeded parts out after or if it is better to write", "the unneeded parts out after or if it is better to write simply", "draft with excessive detail and edit the unneeded parts out after or if", "parts out after or if it is better to write simply and go", "with excessive detail and edit the unneeded parts out after or if it", "detail and edit the unneeded parts out after or if it is better" ]
[ "for future titles)? or do I lock myself out from these if I", "else I release becomes a hit I'll be able to use opportunities that", "Australia* who contacted her when *Oriental Light and Magic* and *SKY Perfect Well", "on it for an income so I intend to self publish rather than", "Is it possible to self-publish with a pseudonym but still be approachable for", "written by Emily Rodda was adapted into an anime and Emily Rodda is", "but still be approachable for these kinds of offers (book being adapted into", "currently writing a book and intend to sell it to make some money", "So I am wondering: Is it possible to self-publish with a pseudonym but", "do I lock myself out from these if I don't use my real", "am wondering: Is it possible to self-publish with a pseudonym but still be", "this book such as it being an instant hit or anything like that", "suspect that while she used her pseudonym it was her publisher *Scholastic Australia*", "I would just use the a pseudonym. However, being the person I am,", "hit I'll be able to use opportunities that may be presented to me.", "and Magic and SKY Perfect Well Think. Rodda was approached with many film", "and SKY Perfect Well Think. Rodda was approached with many film offers, but", "anything like that and I'm certainly not going to rely on it for", "that this book or whatever else I release becomes a hit I'll be", "only person who could match my pseudonym to me will be me. So", "it to make some money on the side. Now I don't have any", "me. One such opportunity is having my book adapted into another format such", "a proper publishing deal for future titles)? or do I lock myself out", "try and find a publisher. Because I don't really like my real name", "but it was only this studio that promised to not change the story.", "I am wondering: Is it possible to self-publish with a pseudonym but still", "a hit I'll be able to use opportunities that may be presented to", "it being an instant hit or anything like that and I'm certainly not", "another media, a proper publishing deal for future titles)? or do I lock", "> > The series was produced by Oriental Light and Magic and SKY", "wanted to adapt her Deltora Quest books. > > The series was produced", "to self-publish with a pseudonym but still be approachable for these kinds of", "[Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I would suspect that while", "- Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a pseudonym and self-publish the", "or do I lock myself out from these if I don't use my", "her Deltora Quest books. > > The series was produced by Oriental Light", "Now I don't have any dreams of grandeur for this book such as", "on the internet I would just use the a pseudonym. However, being the", "could match my pseudonym to me will be me. So I am wondering:", "becomes a hit I'll be able to use opportunities that may be presented", "want to make sure that even in the remote chances that this book", "as an anime. Now yes I'm not Japanese and in fact Australian however", "> > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to", "self publish rather than try and find a publisher. Because I don't really", "able to use opportunities that may be presented to me. One such opportunity", "into another format such as an anime. Now yes I'm not Japanese and", "an Australian. However I would suspect that while she used her pseudonym it", "*Deltora Quest* written by Emily Rodda was adapted into an anime and Emily", "*SKY Perfect Well Think* and others wanted to adapt her Deltora Quest books.", "used her pseudonym it was her publisher *Scholastic Australia* who contacted her when", "be able to use opportunities that may be presented to me. One such", "change the story. It aired its first episode on January 6, 2007 in", "and Magic* and *SKY Perfect Well Think* and others wanted to adapt her", "It aired its first episode on January 6, 2007 in Japan. > >", "such as it being an instant hit or anything like that and I'm", "a publisher. Because I don't really like my real name being on the", "Oriental Light and Magic and SKY Perfect Well Think. Rodda was approached with", "such as an anime. Now yes I'm not Japanese and in fact Australian", "and self-publish the only person who could match my pseudonym to me will", "precedent. *Deltora Quest* written by Emily Rodda was adapted into an anime and", "film offers, but it was only this studio that promised to not change", "pseudonym it was her publisher *Scholastic Australia* who contacted her when *Oriental Light", "use the a pseudonym. However, being the person I am, I want to", "an anime and Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too", "approached with many film offers, but it was only this studio that promised", "so I intend to self publish rather than try and find a publisher.", "being the person I am, I want to make sure that even in", "Japan. > > > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I", "the remote chances that this book or whatever else I release becomes a", "SKY Perfect Well Think. Rodda was approached with many film offers, but it", "an income so I intend to self publish rather than try and find", "The series was produced by Oriental Light and Magic and SKY Perfect Well", "be me. So I am wondering: Is it possible to self-publish with a", "and Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an", "and *SKY Perfect Well Think* and others wanted to adapt her Deltora Quest", "to me. One such opportunity is having my book adapted into another format", "I would suspect that while she used her pseudonym it was her publisher", "the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I would", "that promised to not change the story. It aired its first episode on", "her pseudonym it was her publisher *Scholastic Australia* who contacted her when *Oriental", "books. > > The series was produced by Oriental Light and Magic and", "my book adapted into another format such as an anime. Now yes I'm", "6, 2007 in Japan. > > > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production)", "to make some money on the side. Now I don't have any dreams", "I'll be able to use opportunities that may be presented to me. One", "some money on the side. Now I don't have any dreams of grandeur", "not going to rely on it for an income so I intend to", "and others wanted to adapt her Deltora Quest books. > > The series", "I am, I want to make sure that even in the remote chances", "(anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a pseudonym and self-publish", "approachable for these kinds of offers (book being adapted into another media, a", "opportunities that may be presented to me. One such opportunity is having my", "just use the a pseudonym. However, being the person I am, I want", "my pseudonym to me will be me. So I am wondering: Is it", "rather than try and find a publisher. Because I don't really like my", "*Scholastic Australia* who contacted her when *Oriental Light and Magic* and *SKY Perfect", "pseudonym to me will be me. So I am wondering: Is it possible", "to use opportunities that may be presented to me. One such opportunity is", "its first episode on January 6, 2007 in Japan. > > > Source:", "it was only this studio that promised to not change the story. It", "a pseudonym and self-publish the only person who could match my pseudonym to", "> The series was produced by Oriental Light and Magic and SKY Perfect", "whatever else I release becomes a hit I'll be able to use opportunities", "January 6, 2007 in Japan. > > > Source: [Deltora Quest (anime) -", "pseudonym and self-publish the only person who could match my pseudonym to me", "a pseudonym but still be approachable for these kinds of offers (book being", "than try and find a publisher. Because I don't really like my real", "this studio that promised to not change the story. It aired its first", "instant hit or anything like that and I'm certainly not going to rely", "for this book such as it being an instant hit or anything like", "titles)? or do I lock myself out from these if I don't use", "intend to self publish rather than try and find a publisher. Because I", "publish rather than try and find a publisher. Because I don't really like", "not change the story. It aired its first episode on January 6, 2007", "book adapted into another format such as an anime. Now yes I'm not", "that while she used her pseudonym it was her publisher *Scholastic Australia* who", "when *Oriental Light and Magic* and *SKY Perfect Well Think* and others wanted", "in the remote chances that this book or whatever else I release becomes", "dreams of grandeur for this book such as it being an instant hit", "intend to sell it to make some money on the side. Now I", "that and I'm certainly not going to rely on it for an income", "to rely on it for an income so I intend to self publish", "aired its first episode on January 6, 2007 in Japan. > > >", "Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However", "Perfect Well Think* and others wanted to adapt her Deltora Quest books. >", "real name being on the internet I would just use the a pseudonym.", "Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a pseudonym and self-publish the only", "by Oriental Light and Magic and SKY Perfect Well Think. Rodda was approached", "side. Now I don't have any dreams of grandeur for this book such", "anime. Now yes I'm not Japanese and in fact Australian however there is", "make some money on the side. Now I don't have any dreams of", "make sure that even in the remote chances that this book or whatever", "Japanese and in fact Australian however there is precedent. *Deltora Quest* written by", "is an Australian. However I would suspect that while she used her pseudonym", "book and intend to sell it to make some money on the side.", "find a publisher. Because I don't really like my real name being on", "the person I am, I want to make sure that even in the", "she used her pseudonym it was her publisher *Scholastic Australia* who contacted her", "> Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use", "as it being an instant hit or anything like that and I'm certainly", "with a pseudonym but still be approachable for these kinds of offers (book", "publisher. Because I don't really like my real name being on the internet", "really like my real name being on the internet I would just use", "with many film offers, but it was only this studio that promised to", "others wanted to adapt her Deltora Quest books. > > The series was", "Australian however there is precedent. *Deltora Quest* written by Emily Rodda was adapted", "don't have any dreams of grandeur for this book such as it being", "my real name being on the internet I would just use the a", "not Japanese and in fact Australian however there is precedent. *Deltora Quest* written", "Think* and others wanted to adapt her Deltora Quest books. > > The", "is having my book adapted into another format such as an anime. Now", "even in the remote chances that this book or whatever else I release", "I'm currently writing a book and intend to sell it to make some", "the a pseudonym. However, being the person I am, I want to make", "episode on January 6, 2007 in Japan. > > > Source: [Deltora Quest", "have any dreams of grandeur for this book such as it being an", "I release becomes a hit I'll be able to use opportunities that may", "pseudonym but still be approachable for these kinds of offers (book being adapted", "self-publish with a pseudonym but still be approachable for these kinds of offers", "in fact Australian however there is precedent. *Deltora Quest* written by Emily Rodda", "Magic and SKY Perfect Well Think. Rodda was approached with many film offers,", "sure that even in the remote chances that this book or whatever else", "Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian.", "Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a", "wondering: Is it possible to self-publish with a pseudonym but still be approachable", "an anime. Now yes I'm not Japanese and in fact Australian however there", "remote chances that this book or whatever else I release becomes a hit", "adapted into an anime and Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe)", "I intend to self publish rather than try and find a publisher. Because", "going to rely on it for an income so I intend to self", "an instant hit or anything like that and I'm certainly not going to", "> > > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was", "in Japan. > > > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if", "book or whatever else I release becomes a hit I'll be able to", "Quest* written by Emily Rodda was adapted into an anime and Emily Rodda", "a book and intend to sell it to make some money on the", "if I was to use a pseudonym and self-publish the only person who", "I don't really like my real name being on the internet I would", "Now if I was to use a pseudonym and self-publish the only person", "being adapted into another media, a proper publishing deal for future titles)? or", "being an instant hit or anything like that and I'm certainly not going", "into an anime and Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who", "was only this studio that promised to not change the story. It aired", "(book being adapted into another media, a proper publishing deal for future titles)?", "it possible to self-publish with a pseudonym but still be approachable for these", "One such opportunity is having my book adapted into another format such as", "pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I would suspect", "pseudonym. However, being the person I am, I want to make sure that", "however there is precedent. *Deltora Quest* written by Emily Rodda was adapted into", "there is precedent. *Deltora Quest* written by Emily Rodda was adapted into an", "Well Think* and others wanted to adapt her Deltora Quest books. > >", "Rodda was adapted into an anime and Emily Rodda is the pseudonym for", "Quest books. > > The series was produced by Oriental Light and Magic", "that may be presented to me. One such opportunity is having my book", "adapted into another media, a proper publishing deal for future titles)? or do", "to use a pseudonym and self-publish the only person who could match my", "who too is an Australian. However I would suspect that while she used", "this book or whatever else I release becomes a hit I'll be able", "her when *Oriental Light and Magic* and *SKY Perfect Well Think* and others", "and I'm certainly not going to rely on it for an income so", "media, a proper publishing deal for future titles)? or do I lock myself", "story. It aired its first episode on January 6, 2007 in Japan. >", "or anything like that and I'm certainly not going to rely on it", "Light and Magic and SKY Perfect Well Think. Rodda was approached with many", "to not change the story. It aired its first episode on January 6,", "having my book adapted into another format such as an anime. Now yes", "deal for future titles)? or do I lock myself out from these if", "*Oriental Light and Magic* and *SKY Perfect Well Think* and others wanted to", "still be approachable for these kinds of offers (book being adapted into another", "who contacted her when *Oriental Light and Magic* and *SKY Perfect Well Think*", "anime and Emily Rodda is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is", "book such as it being an instant hit or anything like that and", "proper publishing deal for future titles)? or do I lock myself out from", "of offers (book being adapted into another media, a proper publishing deal for", "Because I don't really like my real name being on the internet I", "Rodda was approached with many film offers, but it was only this studio", "to me will be me. So I am wondering: Is it possible to", "for these kinds of offers (book being adapted into another media, a proper", "Magic* and *SKY Perfect Well Think* and others wanted to adapt her Deltora", "the side. Now I don't have any dreams of grandeur for this book", "was her publisher *Scholastic Australia* who contacted her when *Oriental Light and Magic*", "offers (book being adapted into another media, a proper publishing deal for future", "opportunity is having my book adapted into another format such as an anime.", "fact Australian however there is precedent. *Deltora Quest* written by Emily Rodda was", "[Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a pseudonym", "use opportunities that may be presented to me. One such opportunity is having", "Now yes I'm not Japanese and in fact Australian however there is precedent.", "I'm not Japanese and in fact Australian however there is precedent. *Deltora Quest*", "the only person who could match my pseudonym to me will be me.", "and in fact Australian however there is precedent. *Deltora Quest* written by Emily", "I don't have any dreams of grandeur for this book such as it", "money on the side. Now I don't have any dreams of grandeur for", "like my real name being on the internet I would just use the", "would suspect that while she used her pseudonym it was her publisher *Scholastic", "However, being the person I am, I want to make sure that even", "was to use a pseudonym and self-publish the only person who could match", "it was her publisher *Scholastic Australia* who contacted her when *Oriental Light and", "kinds of offers (book being adapted into another media, a proper publishing deal", "am, I want to make sure that even in the remote chances that", "on January 6, 2007 in Japan. > > > Source: [Deltora Quest (anime)", "is the pseudonym for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I", "person who could match my pseudonym to me will be me. So I", "adapted into another format such as an anime. Now yes I'm not Japanese", "yes I'm not Japanese and in fact Australian however there is precedent. *Deltora", "Think. Rodda was approached with many film offers, but it was only this", "publisher *Scholastic Australia* who contacted her when *Oriental Light and Magic* and *SKY", "rely on it for an income so I intend to self publish rather", "for an income so I intend to self publish rather than try and", "Light and Magic* and *SKY Perfect Well Think* and others wanted to adapt", "the internet I would just use the a pseudonym. However, being the person", "many film offers, but it was only this studio that promised to not", "will be me. So I am wondering: Is it possible to self-publish with", "sell it to make some money on the side. Now I don't have", "Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I would suspect that while she", "self-publish the only person who could match my pseudonym to me will be", "being on the internet I would just use the a pseudonym. However, being", "match my pseudonym to me will be me. So I am wondering: Is", "series was produced by Oriental Light and Magic and SKY Perfect Well Think.", "while she used her pseudonym it was her publisher *Scholastic Australia* who contacted", "grandeur for this book such as it being an instant hit or anything", "produced by Oriental Light and Magic and SKY Perfect Well Think. Rodda was", "income so I intend to self publish rather than try and find a", "her publisher *Scholastic Australia* who contacted her when *Oriental Light and Magic* and", "promised to not change the story. It aired its first episode on January", "However I would suspect that while she used her pseudonym it was her", "only this studio that promised to not change the story. It aired its", "to self publish rather than try and find a publisher. Because I don't", "to sell it to make some money on the side. Now I don't", "and intend to sell it to make some money on the side. Now", "Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now if I was to use a pseudonym and", "that even in the remote chances that this book or whatever else I", "was approached with many film offers, but it was only this studio that", "release becomes a hit I'll be able to use opportunities that may be", "may be presented to me. One such opportunity is having my book adapted", "would just use the a pseudonym. However, being the person I am, I", "was produced by Oriental Light and Magic and SKY Perfect Well Think. Rodda", "Australian. However I would suspect that while she used her pseudonym it was", "who could match my pseudonym to me will be me. So I am", "studio that promised to not change the story. It aired its first episode", "it for an income so I intend to self publish rather than try", "a pseudonym. However, being the person I am, I want to make sure", "to make sure that even in the remote chances that this book or", "and find a publisher. Because I don't really like my real name being", "certainly not going to rely on it for an income so I intend", "presented to me. One such opportunity is having my book adapted into another", "offers, but it was only this studio that promised to not change the", "I lock myself out from these if I don't use my real name?", "on the side. Now I don't have any dreams of grandeur for this", "Well Think. Rodda was approached with many film offers, but it was only", "any dreams of grandeur for this book such as it being an instant", "like that and I'm certainly not going to rely on it for an", "I was to use a pseudonym and self-publish the only person who could", "or whatever else I release becomes a hit I'll be able to use", "Deltora Quest books. > > The series was produced by Oriental Light and", "possible to self-publish with a pseudonym but still be approachable for these kinds", "internet I would just use the a pseudonym. However, being the person I", "adapt her Deltora Quest books. > > The series was produced by Oriental", "use a pseudonym and self-publish the only person who could match my pseudonym", "format such as an anime. Now yes I'm not Japanese and in fact", "too is an Australian. However I would suspect that while she used her", "writing a book and intend to sell it to make some money on", "be presented to me. One such opportunity is having my book adapted into", "don't really like my real name being on the internet I would just", "contacted her when *Oriental Light and Magic* and *SKY Perfect Well Think* and", "these kinds of offers (book being adapted into another media, a proper publishing", "future titles)? or do I lock myself out from these if I don't", "hit or anything like that and I'm certainly not going to rely on", "2007 in Japan. > > > Source: [Deltora Quest (anime) - Production](https://deltoraquest.wikia.com/wiki/Deltora_Quest_(anime)#Production) Now", "me will be me. So I am wondering: Is it possible to self-publish", "I'm certainly not going to rely on it for an income so I", "Perfect Well Think. Rodda was approached with many film offers, but it was", "first episode on January 6, 2007 in Japan. > > > Source: [Deltora", "such opportunity is having my book adapted into another format such as an", "for [Jeswawer Rowe](https://deltoraquest.wikia.com/wiki/Jeswawer_Rowe) who too is an Australian. However I would suspect that", "chances that this book or whatever else I release becomes a hit I'll", "to adapt her Deltora Quest books. > > The series was produced by", "the story. It aired its first episode on January 6, 2007 in Japan.", "was adapted into an anime and Emily Rodda is the pseudonym for [Jeswawer", "publishing deal for future titles)? or do I lock myself out from these", "name being on the internet I would just use the a pseudonym. However,", "by Emily Rodda was adapted into an anime and Emily Rodda is the", "be approachable for these kinds of offers (book being adapted into another media,", "is precedent. *Deltora Quest* written by Emily Rodda was adapted into an anime", "of grandeur for this book such as it being an instant hit or", "another format such as an anime. Now yes I'm not Japanese and in", "into another media, a proper publishing deal for future titles)? or do I", "Emily Rodda was adapted into an anime and Emily Rodda is the pseudonym", "me. So I am wondering: Is it possible to self-publish with a pseudonym", "person I am, I want to make sure that even in the remote", "I want to make sure that even in the remote chances that this" ]
[ "characters. Is this considered plagiarism? The idea of the song and my book", "It will have the exact same plot but different names of the characters.", "song from a band. It will have the exact same plot but different", "different names of the characters. Is this considered plagiarism? The idea of the", "interested in writing a novel about a song from a band. It will", "but different names of the characters. Is this considered plagiarism? The idea of", "this considered plagiarism? The idea of the song and my book are exactly", "band. It will have the exact same plot but different names of the", "exact same plot but different names of the characters. Is this considered plagiarism?", "from a band. It will have the exact same plot but different names", "plot but different names of the characters. Is this considered plagiarism? The idea", "the characters. Is this considered plagiarism? The idea of the song and my", "I am interested in writing a novel about a song from a band.", "considered plagiarism? The idea of the song and my book are exactly the", "have the exact same plot but different names of the characters. Is this", "about a song from a band. It will have the exact same plot", "plagiarism? The idea of the song and my book are exactly the same.", "am interested in writing a novel about a song from a band. It", "of the characters. Is this considered plagiarism? The idea of the song and", "a novel about a song from a band. It will have the exact", "novel about a song from a band. It will have the exact same", "the exact same plot but different names of the characters. Is this considered", "Is this considered plagiarism? The idea of the song and my book are", "in writing a novel about a song from a band. It will have", "will have the exact same plot but different names of the characters. Is", "writing a novel about a song from a band. It will have the", "same plot but different names of the characters. Is this considered plagiarism? The", "a song from a band. It will have the exact same plot but", "names of the characters. Is this considered plagiarism? The idea of the song", "a band. It will have the exact same plot but different names of" ]
[ "year old aspiring writer who would love to enter writing contests. I'd like", "to enter, are for people my age, and preferably, have prizes. How can", "have prizes. How can I locate contests like this? How do I know", "contests that are free to enter, are for people my age, and preferably,", "aspiring writer who would love to enter writing contests. I'd like to find", "writing contests that are free to enter, are for people my age, and", "age, and preferably, have prizes. How can I locate contests like this? How", "some writing contests that are free to enter, are for people my age,", "preferably, have prizes. How can I locate contests like this? How do I", "I am a 12 year old aspiring writer who would love to enter", "prizes. How can I locate contests like this? How do I know which", "people my age, and preferably, have prizes. How can I locate contests like", "that are free to enter, are for people my age, and preferably, have", "I locate contests like this? How do I know which ones are worth", "my age, and preferably, have prizes. How can I locate contests like this?", "love to enter writing contests. I'd like to find some writing contests that", "are free to enter, are for people my age, and preferably, have prizes.", "enter, are for people my age, and preferably, have prizes. How can I", "contests. I'd like to find some writing contests that are free to enter,", "for people my age, and preferably, have prizes. How can I locate contests", "to enter writing contests. I'd like to find some writing contests that are", "would love to enter writing contests. I'd like to find some writing contests", "like to find some writing contests that are free to enter, are for", "a 12 year old aspiring writer who would love to enter writing contests.", "How can I locate contests like this? How do I know which ones", "to find some writing contests that are free to enter, are for people", "who would love to enter writing contests. I'd like to find some writing", "enter writing contests. I'd like to find some writing contests that are free", "locate contests like this? How do I know which ones are worth entering?", "old aspiring writer who would love to enter writing contests. I'd like to", "writer who would love to enter writing contests. I'd like to find some", "writing contests. I'd like to find some writing contests that are free to", "I'd like to find some writing contests that are free to enter, are", "am a 12 year old aspiring writer who would love to enter writing", "12 year old aspiring writer who would love to enter writing contests. I'd", "and preferably, have prizes. How can I locate contests like this? How do", "free to enter, are for people my age, and preferably, have prizes. How", "find some writing contests that are free to enter, are for people my", "can I locate contests like this? How do I know which ones are", "are for people my age, and preferably, have prizes. How can I locate" ]
[ "example of what I am looking for would be something like Cassandra Claire's", "in a feud much larger than herself as the war between the world", "Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle. My series is about the", "a name for them. An example of what I am looking for would", "we think and angels are not the flawless creatures we see them as.", "earn wings, throws her life off balance and returns a year later needing", "the forged stereotypes about them. A young girl is abruptly thrust into this", "her help to complete his search. She will learn that demons are not", "and breaking the forged stereotypes about them. A young girl is abruptly thrust", "would be something like Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle.", "wings, throws her life off balance and returns a year later needing her", "series is about the conflict between angels and demons and breaking the forged", "Mortal Instruments or Christopher Paolini's Inheritance Cycle. My series is about the conflict", "and need help creating a name for them. An example of what I", "girl is abruptly thrust into this world when a demon who is illegally", "as. She becomes wrapped up in a feud much larger than herself as", "what I am looking for would be something like Cassandra Claire's Mortal Instruments", "and the one below enters her life and she discovers that the stories", "she discovers that the stories are always written by the victor, but the", "than herself as the war between the world above and the one below", "into this world when a demon who is illegally trying to earn wings,", "Paolini's Inheritance Cycle. My series is about the conflict between angels and demons", "angels are not the flawless creatures we see them as. She becomes wrapped", "written by the victor, but the victor is not always the rightful hero.", "up in a feud much larger than herself as the war between the", "above and the one below enters her life and she discovers that the", "balance and returns a year later needing her help to complete his search.", "I am looking for would be something like Cassandra Claire's Mortal Instruments or", "Cycle. My series is about the conflict between angels and demons and breaking", "later needing her help to complete his search. She will learn that demons", "between the world above and the one below enters her life and she", "breaking the forged stereotypes about them. A young girl is abruptly thrust into", "the stories are always written by the victor, but the victor is not", "be something like Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle. My", "who is illegally trying to earn wings, throws her life off balance and", "between angels and demons and breaking the forged stereotypes about them. A young", "are not the flawless creatures we see them as. She becomes wrapped up", "throws her life off balance and returns a year later needing her help", "is illegally trying to earn wings, throws her life off balance and returns", "are not the monsters we think and angels are not the flawless creatures", "A young girl is abruptly thrust into this world when a demon who", "illegally trying to earn wings, throws her life off balance and returns a", "a series and need help creating a name for them. An example of", "series and need help creating a name for them. An example of what", "need help creating a name for them. An example of what I am", "and she discovers that the stories are always written by the victor, but", "them. A young girl is abruptly thrust into this world when a demon", "An example of what I am looking for would be something like Cassandra", "to earn wings, throws her life off balance and returns a year later", "learn that demons are not the monsters we think and angels are not", "discovers that the stories are always written by the victor, but the victor", "will learn that demons are not the monsters we think and angels are", "is abruptly thrust into this world when a demon who is illegally trying", "creating a name for them. An example of what I am looking for", "life and she discovers that the stories are always written by the victor,", "Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle. My series is about", "war between the world above and the one below enters her life and", "to complete his search. She will learn that demons are not the monsters", "demons and breaking the forged stereotypes about them. A young girl is abruptly", "Christopher Paolini's Inheritance Cycle. My series is about the conflict between angels and", "conflict between angels and demons and breaking the forged stereotypes about them. A", "the one below enters her life and she discovers that the stories are", "this world when a demon who is illegally trying to earn wings, throws", "forged stereotypes about them. A young girl is abruptly thrust into this world", "My series is about the conflict between angels and demons and breaking the", "trying to earn wings, throws her life off balance and returns a year", "help to complete his search. She will learn that demons are not the", "herself as the war between the world above and the one below enters", "angels and demons and breaking the forged stereotypes about them. A young girl", "year later needing her help to complete his search. She will learn that", "her life and she discovers that the stories are always written by the", "needing her help to complete his search. She will learn that demons are", "of what I am looking for would be something like Cassandra Claire's Mortal", "young girl is abruptly thrust into this world when a demon who is", "her life off balance and returns a year later needing her help to", "them. An example of what I am looking for would be something like", "looking for would be something like Cassandra Claire's Mortal Instruments or Christopher Paolini's", "Instruments or Christopher Paolini's Inheritance Cycle. My series is about the conflict between", "and returns a year later needing her help to complete his search. She", "creatures we see them as. She becomes wrapped up in a feud much", "not the flawless creatures we see them as. She becomes wrapped up in", "we see them as. She becomes wrapped up in a feud much larger", "one below enters her life and she discovers that the stories are always", "below enters her life and she discovers that the stories are always written", "help creating a name for them. An example of what I am looking", "like Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle. My series is", "She becomes wrapped up in a feud much larger than herself as the", "I am writing a series and need help creating a name for them.", "them as. She becomes wrapped up in a feud much larger than herself", "writing a series and need help creating a name for them. An example", "not the monsters we think and angels are not the flawless creatures we", "for them. An example of what I am looking for would be something", "She will learn that demons are not the monsters we think and angels", "think and angels are not the flawless creatures we see them as. She", "name for them. An example of what I am looking for would be", "the conflict between angels and demons and breaking the forged stereotypes about them.", "search. She will learn that demons are not the monsters we think and", "stories are always written by the victor, but the victor is not always", "larger than herself as the war between the world above and the one", "stereotypes about them. A young girl is abruptly thrust into this world when", "something like Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance Cycle. My series", "as the war between the world above and the one below enters her", "and demons and breaking the forged stereotypes about them. A young girl is", "much larger than herself as the war between the world above and the", "or Christopher Paolini's Inheritance Cycle. My series is about the conflict between angels", "a year later needing her help to complete his search. She will learn", "his search. She will learn that demons are not the monsters we think", "a feud much larger than herself as the war between the world above", "complete his search. She will learn that demons are not the monsters we", "am looking for would be something like Cassandra Claire's Mortal Instruments or Christopher", "monsters we think and angels are not the flawless creatures we see them", "life off balance and returns a year later needing her help to complete", "demons are not the monsters we think and angels are not the flawless", "becomes wrapped up in a feud much larger than herself as the war", "abruptly thrust into this world when a demon who is illegally trying to", "demon who is illegally trying to earn wings, throws her life off balance", "wrapped up in a feud much larger than herself as the war between", "about them. A young girl is abruptly thrust into this world when a", "a demon who is illegally trying to earn wings, throws her life off", "am writing a series and need help creating a name for them. An", "thrust into this world when a demon who is illegally trying to earn", "always written by the victor, but the victor is not always the rightful", "the flawless creatures we see them as. She becomes wrapped up in a", "Inheritance Cycle. My series is about the conflict between angels and demons and", "enters her life and she discovers that the stories are always written by", "and angels are not the flawless creatures we see them as. She becomes", "the war between the world above and the one below enters her life", "that demons are not the monsters we think and angels are not the", "feud much larger than herself as the war between the world above and", "world above and the one below enters her life and she discovers that", "world when a demon who is illegally trying to earn wings, throws her", "the monsters we think and angels are not the flawless creatures we see", "that the stories are always written by the victor, but the victor is", "flawless creatures we see them as. She becomes wrapped up in a feud", "about the conflict between angels and demons and breaking the forged stereotypes about", "returns a year later needing her help to complete his search. She will", "off balance and returns a year later needing her help to complete his", "see them as. She becomes wrapped up in a feud much larger than", "for would be something like Cassandra Claire's Mortal Instruments or Christopher Paolini's Inheritance", "when a demon who is illegally trying to earn wings, throws her life", "the world above and the one below enters her life and she discovers", "is about the conflict between angels and demons and breaking the forged stereotypes", "are always written by the victor, but the victor is not always the" ]
[ "the characters found in it and conversely what are the pros and cons", "cons of basing the world on the characters found in it and conversely", "the pros and cons of basing the characters on the world in which", "are the pros and cons of basing the world on the characters found", "it and conversely what are the pros and cons of basing the characters", "What are the pros and cons of basing the world on the characters", "world on the characters found in it and conversely what are the pros", "found in it and conversely what are the pros and cons of basing", "the world on the characters found in it and conversely what are the", "pros and cons of basing the world on the characters found in it", "are the pros and cons of basing the characters on the world in", "what are the pros and cons of basing the characters on the world", "basing the world on the characters found in it and conversely what are", "the pros and cons of basing the world on the characters found in", "pros and cons of basing the characters on the world in which they", "characters found in it and conversely what are the pros and cons of", "and conversely what are the pros and cons of basing the characters on", "of basing the world on the characters found in it and conversely what", "on the characters found in it and conversely what are the pros and", "and cons of basing the characters on the world in which they live?", "and cons of basing the world on the characters found in it and", "conversely what are the pros and cons of basing the characters on the", "in it and conversely what are the pros and cons of basing the" ]
[ "topic? 3. The third problem is about the products that i made relating", "topics in computer science. But the problem is that i don't know where", "is this not a good topic? 3. The third problem is about the", "i write an essay about my software? Note: Please consider this question as", "third problem is about the products that i made relating to my major.", "softwares like it but they all have their differences comparing to each other!", "a good topic? 3. The third problem is about the products that i", "essay about a topic? 2. Another problem is that they say you should", "Note: Please consider this question as a general question. I mentioned my major", "method is useful for others. My point is that for example designing a", "I like to know more about this major. I mean that i like", "computer science. But the problem is that i don't know where to start", "problem is that i don't know where to start ! My question is", "example they say you should be sure that no-one has ever wrote something", "a specific topic ! that's crazy right?! How can i be sure that", "sure that i've read every essay about a topic? 2. Another problem is", "experiences of Web design. There are many companies and many people who know", "are many companies and many people who know how to design a website.", "others. My point is that for example designing a website is not a", "a BS student and my major is computer science. I like to know", "has ever wrote something about your topic. How on earth can i do", "world wrote about a specific topic ! that's crazy right?! How can i", "How can i be sure that i've read every essay about a topic?", "like to read professional essays about different topics in computer science. But the", "on earth can i do that? I can't just go and read every", "about the products that i made relating to my major. For example i", "comparing to each other! 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My point is that for", "who know how to design a website. But i have my way and", "to design a website. But i have my way and i think my", "of Web design. There are many companies and many people who know how", "an essay about my software? Note: Please consider this question as a general", "are other softwares like it but they all have their differences comparing to", "can write a new software. This software is not unique ! I mean", "useful for others. My point is that for example designing a website is", "can't just go and read every essay that the world wrote about a", "different topics in computer science. But the problem is that i don't know", "crazy right?! How can i be sure that i've read every essay about", "that they say you should write about a brand new thing ! Maybe", "wrote about a specific topic ! that's crazy right?! How can i be", "and i think my method is useful for others. My point is that", "new thing that i invented !! But i know the issues about it.", "topic ! that's crazy right?! How can i be sure that i've read", "say you should write about a brand new thing ! Maybe i want", "their differences comparing to each other! Is it not acceptable that i write", "a website. But i have my way and i think my method is", "essay that the world wrote about a specific topic ! that's crazy right?!", "for others. My point is that for example designing a website is not", "my experiences of Web design. There are many companies and many people who", "it not acceptable that i write an essay about my software? Note: Please", "that i write an essay about my software? Note: Please consider this question", "ever wrote something about your topic. How on earth can i do that?", "There are many companies and many people who know how to design a", "to my major. For example i can write a new software. This software", "there are other softwares like it but they all have their differences comparing", "know how to design a website. But i have my way and i", "is not a new thing that i invented !! But i know the", "not just about computer science. I've asked from my professors at university but", "this not a good topic? 3. The third problem is about the products", "I'm a BS student and my major is computer science. I like to", "science. I've asked from my professors at university but they always say somethings", "a brand new thing ! Maybe i want to write about my experiences", "it but they all have their differences comparing to each other! Is it", "for example designing a website is not a new thing that i invented", "science. I like to know more about this major. I mean that i", "topic. How on earth can i do that? I can't just go and", "website is not a new thing that i invented !! But i know", "to know more about this major. I mean that i like to read", "they always say somethings that disappoint me. 1. For example they say you", "every essay about a topic? 2. Another problem is that they say you", "i made relating to my major. For example i can write a new", "new software. This software is not unique ! I mean there are other", "know more about this major. I mean that i like to read professional", "Please consider this question as a general question. I mentioned my major just", "all have their differences comparing to each other! Is it not acceptable that", "about computer science. I've asked from my professors at university but they always", "design a website. But i have my way and i think my method", "computer science. I like to know more about this major. I mean that", "sure that no-one has ever wrote something about your topic. How on earth", "not a good topic? 3. The third problem is about the products that", "i do that? 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Another problem is that they say you should write about a", "For example they say you should be sure that no-one has ever wrote", "example designing a website is not a new thing that i invented !!", "should be sure that no-one has ever wrote something about your topic. How", "2. Another problem is that they say you should write about a brand", "my method is useful for others. My point is that for example designing", "earth can i do that? I can't just go and read every essay", "is computer science. I like to know more about this major. I mean", "software. This software is not unique ! I mean there are other softwares", "you should be sure that no-one has ever wrote something about your topic.", "I mean that i like to read professional essays about different topics in", "can i be sure that i've read every essay about a topic? 2.", "and read every essay that the world wrote about a specific topic !", "somethings that disappoint me. 1. For example they say you should be sure", "i be sure that i've read every essay about a topic? 2. Another", "I mentioned my major just because i wanted to clarify my points. Thanks", "So, is this not a good topic? 3. The third problem is about", "have their differences comparing to each other! Is it not acceptable that i", "they all have their differences comparing to each other! Is it not acceptable", "and my major is computer science. I like to know more about this", "to write about my experiences of Web design. There are many companies and", "about my experiences of Web design. There are many companies and many people", "a website is not a new thing that i invented !! But i", "good topic? 3. The third problem is about the products that i made", "a general question. I mentioned my major just because i wanted to clarify", "can i do that? I can't just go and read every essay that", "disappoint me. 1. For example they say you should be sure that no-one", "know where to start ! 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[ "them more interesting to the readers. In any case, how do you come", "Hijrp Potfeq - A magical school for prodigal children with extraordinary gifts and", "of your fiction story/novel and can easily make or break it. For instance,", "(be it historical or pure sci-fi), what all do you research and how", "Rocudq Langboz were just circumstantial and a result of the usual plotting process", "just modified the actual historical facts a bit to make them more interesting", "easily make or break it. For instance, Dan Bvobn's famous novel, *Da Vinci", "modified the actual historical facts a bit to make them more interesting to", "a novel (be it historical or pure sci-fi), what all do you research", "the interesting historical events surrounding the Knights Templar, Roman Emperor Constantine, Resun Yyrizt,", "If you were to write a novel (be it historical or pure sci-fi),", "the background and ambiance shines is Hijrp Potfeq - A magical school for", "mysterious), the interesting historical events surrounding the Knights Templar, Roman Emperor Constantine, Resun", "were to write a novel (be it historical or pure sci-fi), what all", "a very critical aspect of your fiction story/novel and can easily make or", "In any case, how do you come up with such backgrounds for your", "break it. For instance, Dan Bvobn's famous novel, *Da Vinci Code* was all", "surrounding that! Though, Rowling had to invent a lot of things from scratch", "with extraordinary gifts and a whole new world surrounding that! Though, Rowling had", "to Bvobn, who just modified the actual historical facts a bit to make", "the readers. In any case, how do you come up with such backgrounds", "what made the novel ultimately famous and extraordinarily popular. The actual plots and", "and extraordinarily popular. The actual plots and events surrounding Rocudq Langboz were just", "could be typical of almost any other novel. Another example where the background", "was all about the backgrounds. The mysterious properties of the number *phi* (which", "novel (be it historical or pure sci-fi), what all do you research and", "up with such backgrounds for your novel? If you were to write a", "The mysterious properties of the number *phi* (which are actually mysterious), the interesting", "facts a bit to make them more interesting to the readers. In any", "famous novel, *Da Vinci Code* was all about the backgrounds. The mysterious properties", "and ambiance shines is Hijrp Potfeq - A magical school for prodigal children", "and how do you shape that research into backgrounds and ambiance that should", "research into backgrounds and ambiance that should be an interesting/fascinating read for your", "scratch as opposed to Bvobn, who just modified the actual historical facts a", "pure sci-fi), what all do you research and how do you shape that", "any case, how do you come up with such backgrounds for your novel?", "(which are actually mysterious), the interesting historical events surrounding the Knights Templar, Roman", "school for prodigal children with extraordinary gifts and a whole new world surrounding", "it historical or pure sci-fi), what all do you research and how do", "famous and extraordinarily popular. The actual plots and events surrounding Rocudq Langboz were", "to invent a lot of things from scratch as opposed to Bvobn, who", "Bvobn, who just modified the actual historical facts a bit to make them", "background and ambiance shines is Hijrp Potfeq - A magical school for prodigal", "Magdalene, etc. was what made the novel ultimately famous and extraordinarily popular. The", "Resun Yyrizt, Mary Magdalene, etc. was what made the novel ultimately famous and", "do you shape that research into backgrounds and ambiance that should be an", "your fiction story/novel and can easily make or break it. For instance, Dan", "research and how do you shape that research into backgrounds and ambiance that", "popular. The actual plots and events surrounding Rocudq Langboz were just circumstantial and", "a lot of things from scratch as opposed to Bvobn, who just modified", "from scratch as opposed to Bvobn, who just modified the actual historical facts", "case, how do you come up with such backgrounds for your novel? If", "the number *phi* (which are actually mysterious), the interesting historical events surrounding the", "magical school for prodigal children with extraordinary gifts and a whole new world", "Templar, Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was what made the", "for your novel? If you were to write a novel (be it historical", "historical or pure sci-fi), what all do you research and how do you", "typical of almost any other novel. Another example where the background and ambiance", "Potfeq - A magical school for prodigal children with extraordinary gifts and a", "number *phi* (which are actually mysterious), the interesting historical events surrounding the Knights", "usual plotting process that could be typical of almost any other novel. Another", "almost any other novel. Another example where the background and ambiance shines is", "new world surrounding that! Though, Rowling had to invent a lot of things", "actual historical facts a bit to make them more interesting to the readers.", "For instance, Dan Bvobn's famous novel, *Da Vinci Code* was all about the", "about the backgrounds. The mysterious properties of the number *phi* (which are actually", "do you come up with such backgrounds for your novel? If you were", "backgrounds. 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In any case, how do you come up with such backgrounds for", "you were to write a novel (be it historical or pure sci-fi), what", "shape that research into backgrounds and ambiance that should be an interesting/fascinating read", "how do you shape that research into backgrounds and ambiance that should be", "was what made the novel ultimately famous and extraordinarily popular. The actual plots", "who just modified the actual historical facts a bit to make them more", "shines is Hijrp Potfeq - A magical school for prodigal children with extraordinary", "The actual plots and events surrounding Rocudq Langboz were just circumstantial and a", "Dan Bvobn's famous novel, *Da Vinci Code* was all about the backgrounds. The", "novel. Another example where the background and ambiance shines is Hijrp Potfeq -", "you come up with such backgrounds for your novel? If you were to", "whole new world surrounding that! Though, Rowling had to invent a lot of", "Yyrizt, Mary Magdalene, etc. was what made the novel ultimately famous and extraordinarily", "you research and how do you shape that research into backgrounds and ambiance", "critical aspect of your fiction story/novel and can easily make or break it.", "the novel ultimately famous and extraordinarily popular. The actual plots and events surrounding", "world surrounding that! Though, Rowling had to invent a lot of things from", "A background is a very critical aspect of your fiction story/novel and can", "Though, Rowling had to invent a lot of things from scratch as opposed", "you shape that research into backgrounds and ambiance that should be an interesting/fascinating", "and a whole new world surrounding that! Though, Rowling had to invent a", "what all do you research and how do you shape that research into", "very critical aspect of your fiction story/novel and can easily make or break", "ultimately famous and extraordinarily popular. 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If you", "surrounding the Knights Templar, Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was", "Mary Magdalene, etc. was what made the novel ultimately famous and extraordinarily popular.", "*phi* (which are actually mysterious), the interesting historical events surrounding the Knights Templar,", "the Knights Templar, Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was what", "sci-fi), what all do you research and how do you shape that research", "all do you research and how do you shape that research into backgrounds", "write a novel (be it historical or pure sci-fi), what all do you", "as opposed to Bvobn, who just modified the actual historical facts a bit", "mysterious properties of the number *phi* (which are actually mysterious), the interesting historical", "historical events surrounding the Knights Templar, Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene,", "things from scratch as opposed to Bvobn, who just modified the actual historical", "example where the background and ambiance shines is Hijrp Potfeq - A magical", "background is a very critical aspect of your fiction story/novel and can easily", "of things from scratch as opposed to Bvobn, who just modified the actual", "Code* was all about the backgrounds. The mysterious properties of the number *phi*", "and can easily make or break it. For instance, Dan Bvobn's famous novel,", "etc. was what made the novel ultimately famous and extraordinarily popular. The actual", "made the novel ultimately famous and extraordinarily popular. The actual plots and events", "circumstantial and a result of the usual plotting process that could be typical", "come up with such backgrounds for your novel? If you were to write", "that could be typical of almost any other novel. Another example where the", "make or break it. For instance, Dan Bvobn's famous novel, *Da Vinci Code*", "do you research and how do you shape that research into backgrounds and", "of almost any other novel. Another example where the background and ambiance shines", "all about the backgrounds. The mysterious properties of the number *phi* (which are", "interesting historical events surrounding the Knights Templar, Roman Emperor Constantine, Resun Yyrizt, Mary", "it. For instance, Dan Bvobn's famous novel, *Da Vinci Code* was all about", "and events surrounding Rocudq Langboz were just circumstantial and a result of the", "make them more interesting to the readers. In any case, how do you", "surrounding Rocudq Langboz were just circumstantial and a result of the usual plotting", "more interesting to the readers. In any case, how do you come up", "historical facts a bit to make them more interesting to the readers. In", "prodigal children with extraordinary gifts and a whole new world surrounding that! Though,", "ambiance shines is Hijrp Potfeq - A magical school for prodigal children with", "gifts and a whole new world surrounding that! Though, Rowling had to invent", "can easily make or break it. For instance, Dan Bvobn's famous novel, *Da", "where the background and ambiance shines is Hijrp Potfeq - A magical school", "result of the usual plotting process that could be typical of almost any", "the actual historical facts a bit to make them more interesting to the", "or pure sci-fi), what all do you research and how do you shape", "novel, *Da Vinci Code* was all about the backgrounds. The mysterious properties of", "bit to make them more interesting to the readers. In any case, how", "story/novel and can easily make or break it. For instance, Dan Bvobn's famous", "backgrounds for your novel? If you were to write a novel (be it", "that research into backgrounds and ambiance that should be an interesting/fascinating read for", "other novel. Another example where the background and ambiance shines is Hijrp Potfeq", "the backgrounds. The mysterious properties of the number *phi* (which are actually mysterious),", "for prodigal children with extraordinary gifts and a whole new world surrounding that!", "interesting to the readers. In any case, how do you come up with", "novel? If you were to write a novel (be it historical or pure", "invent a lot of things from scratch as opposed to Bvobn, who just", "Constantine, Resun Yyrizt, Mary Magdalene, etc. was what made the novel ultimately famous", "lot of things from scratch as opposed to Bvobn, who just modified the", "a bit to make them more interesting to the readers. In any case,", "instance, Dan Bvobn's famous novel, *Da Vinci Code* was all about the backgrounds.", "extraordinary gifts and a whole new world surrounding that! Though, Rowling had to", "Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was what made the novel", "aspect of your fiction story/novel and can easily make or break it. For", "is a very critical aspect of your fiction story/novel and can easily make", "actual plots and events surrounding Rocudq Langboz were just circumstantial and a result", "events surrounding Rocudq Langboz were just circumstantial and a result of the usual", "that! Though, Rowling had to invent a lot of things from scratch as", "plots and events surrounding Rocudq Langboz were just circumstantial and a result of", "any other novel. Another example where the background and ambiance shines is Hijrp", "to the readers. In any case, how do you come up with such", "is Hijrp Potfeq - A magical school for prodigal children with extraordinary gifts", "with such backgrounds for your novel? If you were to write a novel", "a whole new world surrounding that! Though, Rowling had to invent a lot", "Another example where the background and ambiance shines is Hijrp Potfeq - A", "Bvobn's famous novel, *Da Vinci Code* was all about the backgrounds. The mysterious", "A magical school for prodigal children with extraordinary gifts and a whole new", "Vinci Code* was all about the backgrounds. The mysterious properties of the number", "children with extraordinary gifts and a whole new world surrounding that! Though, Rowling", "Langboz were just circumstantial and a result of the usual plotting process that", "and a result of the usual plotting process that could be typical of", "the usual plotting process that could be typical of almost any other novel.", "plotting process that could be typical of almost any other novel. Another example", "actually mysterious), the interesting historical events surrounding the Knights Templar, Roman Emperor Constantine,", "or break it. For instance, Dan Bvobn's famous novel, *Da Vinci Code* was", "fiction story/novel and can easily make or break it. For instance, Dan Bvobn's", "Rowling had to invent a lot of things from scratch as opposed to", "*Da Vinci Code* was all about the backgrounds. The mysterious properties of the", "be typical of almost any other novel. Another example where the background and", "just circumstantial and a result of the usual plotting process that could be", "into backgrounds and ambiance that should be an interesting/fascinating read for your readers?", "to write a novel (be it historical or pure sci-fi), what all do", "such backgrounds for your novel? If you were to write a novel (be", "had to invent a lot of things from scratch as opposed to Bvobn,", "extraordinarily popular. The actual plots and events surrounding Rocudq Langboz were just circumstantial", "Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was what made the novel ultimately", "to make them more interesting to the readers. In any case, how do", "- A magical school for prodigal children with extraordinary gifts and a whole", "novel ultimately famous and extraordinarily popular. The actual plots and events surrounding Rocudq", "Knights Templar, Roman Emperor Constantine, Resun Yyrizt, Mary Magdalene, etc. was what made", "were just circumstantial and a result of the usual plotting process that could" ]
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[ "any sounds from within. Every creaking or bump sent a jolt of terrified", "is just one of the first few examples I could find.) Of course,", "editing, including extensive, unnecessary detail. Maybe I'm wrong, but > > \"Laying the", "could find.) Of course, the example above is much better than > >", "his tense body. Zotn both hoped and feared that Joor would catch him,", "you could cut in the editing process. (And there are plently of other", "As quoted before, \"It seems that perfection is attained, not when there is", "Every creaking or bump sent a jolt of terrified lust through his tense", "is nothing more to add, but when there is nothing more to take", "lust through his tense body. Zotn both hoped and feared that Joor would", "(Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and full of things", "and full of things that you could cut in the editing process. (And", "in the editing process. (And there are plently of other examples too; this", "\"Laying the flowers on Joor's door step, he strained to listen for any", "examples of showing that had extensive description. However, there are numerous websites (and", "just one of the first few examples I could find.) Of course, the", "him, and he was both glad and disappointed as he walked away from", "there are numerous websites (and even questions on this website) that say you", "Maybe I'm wrong, but > > \"Laying the flowers on Joor's door step,", "walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly", "Joor would catch him, and he was both glad and disappointed as he", "first few examples I could find.) Of course, the example above is much", "(And there are plently of other examples too; this is just one of", "is nothing more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what", "of showing that had extensive description. However, there are numerous websites (and even", "of terrified lust through his tense body. Zotn both hoped and feared that", "to fewer sentences. As quoted before, \"It seems that perfection is attained, not", "in the answers, there were a few examples of showing that had extensive", "read the question \"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the", "including extensive, unnecessary detail. Maybe I'm wrong, but > > \"Laying the flowers", "of other examples too; this is just one of the first few examples", "were a few examples of showing that had extensive description. However, there are", "there is nothing more to add, but when there is nothing more to", "unnecessary detail. Maybe I'm wrong, but > > \"Laying the flowers on Joor's", "a jolt of terrified lust through his tense body. Zotn both hoped and", "hoped and feared that Joor would catch him, and he was both glad", "you should cut all unnecessary content while editing, including extensive, unnecessary detail. Maybe", "I'm wrong, but > > \"Laying the flowers on Joor's door step, he", "sent a jolt of terrified lust through his tense body. Zotn both hoped", "Joor's door step, he strained to listen for any sounds from within. Every", "would catch him, and he was both glad and disappointed as he walked", "and he was both glad and disappointed as he walked away from her", "numerous websites (and even questions on this website) that say you should cut", "> seems slightly extensive and full of things that you could cut in", "cut all unnecessary content while editing, including extensive, unnecessary detail. Maybe I'm wrong,", "this is just one of the first few examples I could find.) Of", "nothing more to add, but when there is nothing more to take away.\"", "a few examples of showing that had extensive description. However, there are numerous", "answers, there were a few examples of showing that had extensive description. However,", "de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too much \"showing\" description too", "the question \"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers,", "while editing, including extensive, unnecessary detail. Maybe I'm wrong, but > > \"Laying", "extensive and full of things that you could cut in the editing process.", "but it could be reduced to fewer sentences. As quoted before, \"It seems", "on this website) that say you should cut all unnecessary content while editing,", "the flowers on Joor's door step, he strained to listen for any sounds", "the first few examples I could find.) Of course, the example above is", "house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and full of", "too; this is just one of the first few examples I could find.)", "there is nothing more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to", "does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a", "extensive description. However, there are numerous websites (and even questions on this website)", "when there is nothing more to add, but when there is nothing more", "more to add, but when there is nothing more to take away.\" ([Antoine", "even questions on this website) that say you should cut all unnecessary content", "things that you could cut in the editing process. (And there are plently", "the answers, there were a few examples of showing that had extensive description.", "> \"Laying the flowers on Joor's door step, he strained to listen for", "Of course, the example above is much better than > > Zotn loves", "example above is much better than > > Zotn loves Joor > >", "I could find.) Of course, the example above is much better than >", "strained to listen for any sounds from within. Every creaking or bump sent", "jolt of terrified lust through his tense body. Zotn both hoped and feared", "it could be reduced to fewer sentences. As quoted before, \"It seems that", "perfection is attained, not when there is nothing more to add, but when", "> Zotn loves Joor > > > but it could be reduced to", "recently read the question \"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in", "examples too; this is just one of the first few examples I could", "course, the example above is much better than > > Zotn loves Joor", "had extensive description. However, there are numerous websites (and even questions on this", "glad and disappointed as he walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what))", "her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and full", "but when there is nothing more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)).", "take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too much", "cut in the editing process. (And there are plently of other examples too;", "Joor > > > but it could be reduced to fewer sentences. As", "sentences. As quoted before, \"It seems that perfection is attained, not when there", "\"It seems that perfection is attained, not when there is nothing more to", "within. Every creaking or bump sent a jolt of terrified lust through his", "[what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and full of things that you", "websites (and even questions on this website) that say you should cut all", "as he walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > >", "> but it could be reduced to fewer sentences. As quoted before, \"It", "by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and full of things that", "seems slightly extensive and full of things that you could cut in the", "unnecessary content while editing, including extensive, unnecessary detail. Maybe I'm wrong, but >", "mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a few examples of showing that", "extensive, unnecessary detail. Maybe I'm wrong, but > > \"Laying the flowers on", "add, but when there is nothing more to take away.\" ([Antoine de Saint", "However, there are numerous websites (and even questions on this website) that say", "the editing process. (And there are plently of other examples too; this is", "from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive and", "he was both glad and disappointed as he walked away from her house.\"", "than > > Zotn loves Joor > > > but it could be", "reduced to fewer sentences. As quoted before, \"It seems that perfection is attained,", "fewer sentences. As quoted before, \"It seems that perfection is attained, not when", "\"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were", "I recently read the question \"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and", "and in the answers, there were a few examples of showing that had", "disappointed as he walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > >", "> > Zotn loves Joor > > > but it could be reduced", "door step, he strained to listen for any sounds from within. Every creaking", "catch him, and he was both glad and disappointed as he walked away", "> > seems slightly extensive and full of things that you could cut", "of the first few examples I could find.) Of course, the example above", "attained, not when there is nothing more to add, but when there is", "not when there is nothing more to add, but when there is nothing", "quoted before, \"It seems that perfection is attained, not when there is nothing", "he strained to listen for any sounds from within. Every creaking or bump", "(and even questions on this website) that say you should cut all unnecessary", "tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a few examples of", "but > > \"Laying the flowers on Joor's door step, he strained to", "wrong, but > > \"Laying the flowers on Joor's door step, he strained", "tense body. Zotn both hoped and feared that Joor would catch him, and", "> > > but it could be reduced to fewer sentences. As quoted", "to add, but when there is nothing more to take away.\" ([Antoine de", "Zotn both hoped and feared that Joor would catch him, and he was", "slightly extensive and full of things that you could cut in the editing", "of things that you could cut in the editing process. (And there are", "both hoped and feared that Joor would catch him, and he was both", "this website) that say you should cut all unnecessary content while editing, including", "process. (And there are plently of other examples too; this is just one", "away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too much \"showing\"", "show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a few", "feared that Joor would catch him, and he was both glad and disappointed", "and disappointed as he walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) >", "listen for any sounds from within. Every creaking or bump sent a jolt", "be reduced to fewer sentences. As quoted before, \"It seems that perfection is", "is much better than > > Zotn loves Joor > > > but", "other examples too; this is just one of the first few examples I", "on Joor's door step, he strained to listen for any sounds from within.", "don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a few examples", "or bump sent a jolt of terrified lust through his tense body. Zotn", "full of things that you could cut in the editing process. (And there", "examples I could find.) Of course, the example above is much better than", "> > \"Laying the flowers on Joor's door step, he strained to listen", "questions on this website) that say you should cut all unnecessary content while", "([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too much \"showing\" description", "much better than > > Zotn loves Joor > > > but it", "> > but it could be reduced to fewer sentences. As quoted before,", "few examples of showing that had extensive description. However, there are numerous websites", "description. However, there are numerous websites (and even questions on this website) that", "bump sent a jolt of terrified lust through his tense body. Zotn both", "terrified lust through his tense body. Zotn both hoped and feared that Joor", "showing that had extensive description. However, there are numerous websites (and even questions", "that Joor would catch him, and he was both glad and disappointed as", "should cut all unnecessary content while editing, including extensive, unnecessary detail. Maybe I'm", "more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is", "for any sounds from within. Every creaking or bump sent a jolt of", "step, he strained to listen for any sounds from within. Every creaking or", "that perfection is attained, not when there is nothing more to add, but", "editing process. (And there are plently of other examples too; this is just", "one of the first few examples I could find.) Of course, the example", "creaking or bump sent a jolt of terrified lust through his tense body.", "few examples I could find.) Of course, the example above is much better", "there were a few examples of showing that had extensive description. However, there", "he walked away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems", "above is much better than > > Zotn loves Joor > > >", "that say you should cut all unnecessary content while editing, including extensive, unnecessary", "Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too much \"showing\" description too much?", "was both glad and disappointed as he walked away from her house.\" (Answer", "when there is nothing more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So", "through his tense body. Zotn both hoped and feared that Joor would catch", "nothing more to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent", "plently of other examples too; this is just one of the first few", "actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there were a few examples of showing", "find.) Of course, the example above is much better than > > Zotn", "there are plently of other examples too; this is just one of the", "that you could cut in the editing process. (And there are plently of", "Zotn loves Joor > > > but it could be reduced to fewer", "loves Joor > > > but it could be reduced to fewer sentences.", "question \"[What does show don't tell actually mean?](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)\" and in the answers, there", "are plently of other examples too; this is just one of the first", "better than > > Zotn loves Joor > > > but it could", "from within. Every creaking or bump sent a jolt of terrified lust through", "body. Zotn both hoped and feared that Joor would catch him, and he", "is attained, not when there is nothing more to add, but when there", "are numerous websites (and even questions on this website) that say you should", "say you should cut all unnecessary content while editing, including extensive, unnecessary detail.", "seems that perfection is attained, not when there is nothing more to add,", "sounds from within. Every creaking or bump sent a jolt of terrified lust", "both glad and disappointed as he walked away from her house.\" (Answer by", "flowers on Joor's door step, he strained to listen for any sounds from", "to listen for any sounds from within. Every creaking or bump sent a", "before, \"It seems that perfection is attained, not when there is nothing more", "detail. Maybe I'm wrong, but > > \"Laying the flowers on Joor's door", "away from her house.\" (Answer by [what](https://writers.stackexchange.com/users/5645/what)) > > > seems slightly extensive", "> > > seems slightly extensive and full of things that you could", "could cut in the editing process. (And there are plently of other examples", "could be reduced to fewer sentences. As quoted before, \"It seems that perfection", "and feared that Joor would catch him, and he was both glad and", "that had extensive description. However, there are numerous websites (and even questions on", "all unnecessary content while editing, including extensive, unnecessary detail. Maybe I'm wrong, but", "website) that say you should cut all unnecessary content while editing, including extensive,", "the example above is much better than > > Zotn loves Joor >", "content while editing, including extensive, unnecessary detail. Maybe I'm wrong, but > >", "to take away.\" ([Antoine de Saint Exupery](https://en.wikiquote.org/wiki/Antoine_de_Saint_Exup%C3%A9ry)). So to what extent is too" ]
[ "right next to each other. It's more difficult for me to hear Aluke", "only supposed to use an exclamation point every 100,000 words or so. I'm", "point in the dialogue is absent. So, is using exclamation points okay in", "point every 100,000 words or so. I'm finding this advice very hard to", "the situation. > > 2.) \"Press the green button,\" Aluke called to Frazc.", "fits the situation. > > 2.) \"Press the green button,\" Aluke called to", "next to each other. It's more difficult for me to hear Aluke calling", "difficult for me to hear Aluke calling out to Frazc from the other", "he called for her. \"Hey! Aluke! Can you hear me?\" > > >", "out to Frazc from the other side of the room when the exclamation", "it's okay, I'd also like to give another example, one I'm having some", "is using exclamation points okay in this context? I don't use them in", "you hear me?\" > > > Lythric advised me to use adverbs/adjectives in", "removing the exclamation points from: > > She was already halfway down the", "periods just doesn't sound right: > > She was already halfway down the", "when I know there is a long distance between Aluke and Frazc and", "using exclamation points okay in this context? I don't use them in my", "each other, this line of dialogue reads to me as if they are", "> > > Rewriting this with periods just doesn't sound right: > >", "in order to get around my exclamation point issue, but what should I", "hall, waving a piece of paper wildly in the air as he called", "without speaking loudly: > > 1.) \"Press the green button!\" Aluke called to", "point issue, but what should I do when I can't seem to fit", "okay, I'd also like to give another example, one I'm having some difficulty", "end of the hall, waving a piece of paper wildly in the air", "this context? I don't use them in my actual narrative, only in dialogue", "to speak loudly in order to hear each other, this line of dialogue", "a voice. > > > \"Aluke.\" It was Frazc, running toward her from", "Even when I know there is a long distance between Aluke and Frazc", "so far and have about 5 exclamation points (which all appear in dialogue).", "or so. I'm finding this advice very hard to follow; I've written 2,000", "> This reads naturally to me. The exclamation point fits the situation. >", "> > \"Aluke!\" It was Frazc, running toward her from the other end", "the dialogue is absent. So, is using exclamation points okay in this context?", "called for her. \"Hey! Aluke! Can you hear me?\" > > > Rewriting", "characters are separated on opposite sides of a large room, and they can't", "So, is using exclamation points okay in this context? I don't use them", "for her. \"Hey. Aluke. Can you hear me?\" > > > Lythric advised", "far and have about 5 exclamation points (which all appear in dialogue). For", "another example, one I'm having some difficulty removing the exclamation points from: >", "> > Rewriting this with periods just doesn't sound right: > > She", "she heard a voice. > > > \"Aluke!\" It was Frazc, running toward", "This reads naturally to me. The exclamation point fits the situation. > >", "speak loudly in order to hear each other, this line of dialogue reads", "when she heard a voice. > > > \"Aluke.\" It was Frazc, running", "you hear me?\" > > > Rewriting this with periods just doesn't sound", "other end of the hall, waving a piece of paper wildly in the", "reads to me as if they are right next to each other. It's", "are separated on opposite sides of a large room, and they can't communicate", "of the room when the exclamation point in the dialogue is absent. So,", "side of the room when the exclamation point in the dialogue is absent.", "> Lythric advised me to use adverbs/adjectives in order to get around my", "me to use adverbs/adjectives in order to get around my exclamation point issue,", "to Frazc. > > > This reads naturally to me. The exclamation point", "to use adverbs/adjectives in order to get around my exclamation point issue, but", "other, this line of dialogue reads to me as if they are right", "her from the other end of the hall, waving a piece of paper", "the green button,\" Aluke called to Frazc. > > > Even when I", "supposed to use an exclamation point every 100,000 words or so. I'm finding", "use an exclamation point every 100,000 words or so. I'm finding this advice", "of dialogue reads to me as if they are right next to each", "distance between Aluke and Frazc and that they have to speak loudly in", "communicate with each other without speaking loudly: > > 1.) \"Press the green", "context? I don't use them in my actual narrative, only in dialogue when", "sides of a large room, and they can't communicate with each other without", "For example, take this scene where two characters are separated on opposite sides", "to Frazc from the other side of the room when the exclamation point", "to hear Aluke calling out to Frazc from the other side of the", "doesn't sound right: > > She was already halfway down the hall when", "follow; I've written 2,000 words so far and have about 5 exclamation points", "to Frazc. > > > Even when I know there is a long", "to use an exclamation point every 100,000 words or so. I'm finding this", "as he called for her. \"Hey! Aluke! Can you hear me?\" > >", "hear each other, this line of dialogue reads to me as if they", "I've written 2,000 words so far and have about 5 exclamation points (which", "is a long distance between Aluke and Frazc and that they have to", "in order to hear each other, this line of dialogue reads to me", "for her. \"Hey! Aluke! Can you hear me?\" > > > Rewriting this", "situation. > > 2.) \"Press the green button,\" Aluke called to Frazc. >", "the hall when she heard a voice. > > > \"Aluke!\" It was", "with periods just doesn't sound right: > > She was already halfway down", "around my exclamation point issue, but what should I do when I can't", "called for her. \"Hey. Aluke. Can you hear me?\" > > > Lythric", "the air as he called for her. \"Hey! Aluke! Can you hear me?\"", "don't use them in my actual narrative, only in dialogue when someone is", "use them in my actual narrative, only in dialogue when someone is speaking", "line of dialogue reads to me as if they are right next to", "advised me to use adverbs/adjectives in order to get around my exclamation point", "already halfway down the hall when she heard a voice. > > >", "absent. So, is using exclamation points okay in this context? I don't use", "> Rewriting this with periods just doesn't sound right: > > She was", "in dialogue). For example, take this scene where two characters are separated on", "paper wildly in the air as he called for her. \"Hey! Aluke! Can", "point fits the situation. > > 2.) \"Press the green button,\" Aluke called", "heard a voice. > > > \"Aluke!\" It was Frazc, running toward her", "\"Hey. Aluke. Can you hear me?\" > > > Lythric advised me to", "points (which all appear in dialogue). For example, take this scene where two", "of paper wildly in the air as he called for her. \"Hey. Aluke.", "the other end of the hall, waving a piece of paper wildly in", "long distance between Aluke and Frazc and that they have to speak loudly", "heard some advice that you're only supposed to use an exclamation point every", "hear Aluke calling out to Frazc from the other side of the room", "in the air as he called for her. \"Hey! Aluke! Can you hear", "other side of the room when the exclamation point in the dialogue is", "in the dialogue is absent. So, is using exclamation points okay in this", "finding this advice very hard to follow; I've written 2,000 words so far", "> Even when I know there is a long distance between Aluke and", "them in my actual narrative, only in dialogue when someone is speaking loudly.", "> > She was already halfway down the hall when she heard a", "voice. > > > \"Aluke.\" It was Frazc, running toward her from the", "every 100,000 words or so. I'm finding this advice very hard to follow;", "of a large room, and they can't communicate with each other without speaking", "and have about 5 exclamation points (which all appear in dialogue). For example,", "as he called for her. \"Hey. Aluke. Can you hear me?\" > >", "button!\" Aluke called to Frazc. > > > This reads naturally to me.", "called to Frazc. > > > This reads naturally to me. The exclamation", "dialogue). For example, take this scene where two characters are separated on opposite", "halfway down the hall when she heard a voice. > > > \"Aluke!\"", "there is a long distance between Aluke and Frazc and that they have", "Frazc and that they have to speak loudly in order to hear each", "my actual narrative, only in dialogue when someone is speaking loudly. **EDIT:** If", "this with periods just doesn't sound right: > > She was already halfway", "dialogue when someone is speaking loudly. **EDIT:** If it's okay, I'd also like", "hear me?\" > > > Rewriting this with periods just doesn't sound right:", "is absent. So, is using exclamation points okay in this context? I don't", "words so far and have about 5 exclamation points (which all appear in", "so. I'm finding this advice very hard to follow; I've written 2,000 words", "piece of paper wildly in the air as he called for her. \"Hey!", "of the hall, waving a piece of paper wildly in the air as", "> 1.) \"Press the green button!\" Aluke called to Frazc. > > >", "that you're only supposed to use an exclamation point every 100,000 words or", "Rewriting this with periods just doesn't sound right: > > She was already", "order to get around my exclamation point issue, but what should I do", "with each other without speaking loudly: > > 1.) \"Press the green button!\"", "like to give another example, one I'm having some difficulty removing the exclamation", "a voice. > > > \"Aluke!\" It was Frazc, running toward her from", "actual narrative, only in dialogue when someone is speaking loudly. **EDIT:** If it's", "he called for her. \"Hey. Aluke. Can you hear me?\" > > >", "1.) \"Press the green button!\" Aluke called to Frazc. > > > This", "Aluke called to Frazc. > > > This reads naturally to me. The", "in the air as he called for her. \"Hey. Aluke. Can you hear", "Can you hear me?\" > > > Rewriting this with periods just doesn't", "are right next to each other. It's more difficult for me to hear", "button,\" Aluke called to Frazc. > > > Even when I know there", "me to hear Aluke calling out to Frazc from the other side of", "> > Lythric advised me to use adverbs/adjectives in order to get around", "I've heard some advice that you're only supposed to use an exclamation point", "use adverbs/adjectives in order to get around my exclamation point issue, but what", "me?\" > > > Rewriting this with periods just doesn't sound right: >", "heard a voice. > > > \"Aluke.\" It was Frazc, running toward her", "room when the exclamation point in the dialogue is absent. So, is using", "> \"Aluke.\" It was Frazc, running toward her from the other end of", "down the hall when she heard a voice. > > > \"Aluke!\" It", "> > 2.) \"Press the green button,\" Aluke called to Frazc. > >", "exclamation point issue, but what should I do when I can't seem to", "dialogue reads to me as if they are right next to each other.", "advice that you're only supposed to use an exclamation point every 100,000 words", "air as he called for her. \"Hey! Aluke! Can you hear me?\" >", "exclamation point fits the situation. > > 2.) \"Press the green button,\" Aluke", "dialogue is absent. So, is using exclamation points okay in this context? I", "to get around my exclamation point issue, but what should I do when", "other without speaking loudly: > > 1.) \"Press the green button!\" Aluke called", "her. \"Hey! Aluke! Can you hear me?\" > > > Rewriting this with", "to each other. It's more difficult for me to hear Aluke calling out", "scene where two characters are separated on opposite sides of a large room,", "naturally to me. The exclamation point fits the situation. > > 2.) \"Press", "the other side of the room when the exclamation point in the dialogue", "to give another example, one I'm having some difficulty removing the exclamation points", "know there is a long distance between Aluke and Frazc and that they", "in dialogue when someone is speaking loudly. **EDIT:** If it's okay, I'd also", "and that they have to speak loudly in order to hear each other,", "between Aluke and Frazc and that they have to speak loudly in order", "on opposite sides of a large room, and they can't communicate with each", "called to Frazc. > > > Even when I know there is a", "all appear in dialogue). For example, take this scene where two characters are", "(which all appear in dialogue). For example, take this scene where two characters", "order to hear each other, this line of dialogue reads to me as", "about 5 exclamation points (which all appear in dialogue). For example, take this", "> She was already halfway down the hall when she heard a voice.", "an exclamation point every 100,000 words or so. I'm finding this advice very", "exclamation points (which all appear in dialogue). For example, take this scene where", "for me to hear Aluke calling out to Frazc from the other side", "more difficult for me to hear Aluke calling out to Frazc from the", "have to speak loudly in order to hear each other, this line of", "the hall, waving a piece of paper wildly in the air as he", "can't communicate with each other without speaking loudly: > > 1.) \"Press the", "calling out to Frazc from the other side of the room when the", "the hall when she heard a voice. > > > \"Aluke.\" It was", "Frazc. > > > Even when I know there is a long distance", "each other without speaking loudly: > > 1.) \"Press the green button!\" Aluke", "loudly. **EDIT:** If it's okay, I'd also like to give another example, one", "piece of paper wildly in the air as he called for her. \"Hey.", "they can't communicate with each other without speaking loudly: > > 1.) \"Press", "some advice that you're only supposed to use an exclamation point every 100,000", "> > > \"Aluke.\" It was Frazc, running toward her from the other", "points from: > > She was already halfway down the hall when she", "of paper wildly in the air as he called for her. \"Hey! Aluke!", "halfway down the hall when she heard a voice. > > > \"Aluke.\"", "she heard a voice. > > > \"Aluke.\" It was Frazc, running toward", "was Frazc, running toward her from the other end of the hall, waving", "air as he called for her. \"Hey. Aluke. Can you hear me?\" >", "down the hall when she heard a voice. > > > \"Aluke.\" It", "where two characters are separated on opposite sides of a large room, and", "issue, but what should I do when I can't seem to fit them", "me as if they are right next to each other. It's more difficult", "they have to speak loudly in order to hear each other, this line", "exclamation points from: > > She was already halfway down the hall when", "you're only supposed to use an exclamation point every 100,000 words or so.", "advice very hard to follow; I've written 2,000 words so far and have", "give another example, one I'm having some difficulty removing the exclamation points from:", "my exclamation point issue, but what should I do when I can't seem", "me?\" > > > Lythric advised me to use adverbs/adjectives in order to", "exclamation point in the dialogue is absent. So, is using exclamation points okay", "other. It's more difficult for me to hear Aluke calling out to Frazc", "in my actual narrative, only in dialogue when someone is speaking loudly. **EDIT:**", "2.) \"Press the green button,\" Aluke called to Frazc. > > > Even", "example, take this scene where two characters are separated on opposite sides of", "hall when she heard a voice. > > > \"Aluke!\" It was Frazc,", "if they are right next to each other. It's more difficult for me", "I don't use them in my actual narrative, only in dialogue when someone", "5 exclamation points (which all appear in dialogue). For example, take this scene", "example, one I'm having some difficulty removing the exclamation points from: > >", "a piece of paper wildly in the air as he called for her.", "running toward her from the other end of the hall, waving a piece", "I'm finding this advice very hard to follow; I've written 2,000 words so", "Aluke! Can you hear me?\" > > > Rewriting this with periods just", "this line of dialogue reads to me as if they are right next", "the green button!\" Aluke called to Frazc. > > > This reads naturally", "each other. It's more difficult for me to hear Aluke calling out to", "as if they are right next to each other. It's more difficult for", "when the exclamation point in the dialogue is absent. So, is using exclamation", "wildly in the air as he called for her. \"Hey! Aluke! Can you", "reads naturally to me. The exclamation point fits the situation. > > 2.)", "> > > This reads naturally to me. The exclamation point fits the", "just doesn't sound right: > > She was already halfway down the hall", "sound right: > > She was already halfway down the hall when she", "this advice very hard to follow; I've written 2,000 words so far and", "toward her from the other end of the hall, waving a piece of", "adverbs/adjectives in order to get around my exclamation point issue, but what should", "and Frazc and that they have to speak loudly in order to hear", "\"Press the green button!\" Aluke called to Frazc. > > > This reads", "> 2.) \"Press the green button,\" Aluke called to Frazc. > > >", "Frazc from the other side of the room when the exclamation point in", "two characters are separated on opposite sides of a large room, and they", "they are right next to each other. It's more difficult for me to", "from the other end of the hall, waving a piece of paper wildly", "paper wildly in the air as he called for her. \"Hey. Aluke. Can", "someone is speaking loudly. **EDIT:** If it's okay, I'd also like to give", "the exclamation point in the dialogue is absent. So, is using exclamation points", "also like to give another example, one I'm having some difficulty removing the", "right: > > She was already halfway down the hall when she heard", "when someone is speaking loudly. **EDIT:** If it's okay, I'd also like to", "> > > \"Aluke!\" It was Frazc, running toward her from the other", "but what should I do when I can't seem to fit them anywhere?", "waving a piece of paper wildly in the air as he called for", "exclamation points okay in this context? I don't use them in my actual", "wildly in the air as he called for her. \"Hey. Aluke. Can you", "green button!\" Aluke called to Frazc. > > > This reads naturally to", "I'm having some difficulty removing the exclamation points from: > > She was", "was already halfway down the hall when she heard a voice. > >", "one I'm having some difficulty removing the exclamation points from: > > She", "when she heard a voice. > > > \"Aluke!\" It was Frazc, running", "appear in dialogue). For example, take this scene where two characters are separated", "> > > Even when I know there is a long distance between", "have about 5 exclamation points (which all appear in dialogue). For example, take", "hard to follow; I've written 2,000 words so far and have about 5", "only in dialogue when someone is speaking loudly. **EDIT:** If it's okay, I'd", "from: > > She was already halfway down the hall when she heard", "room, and they can't communicate with each other without speaking loudly: > >", "very hard to follow; I've written 2,000 words so far and have about", "Aluke. Can you hear me?\" > > > Lythric advised me to use", "It's more difficult for me to hear Aluke calling out to Frazc from", "the exclamation points from: > > She was already halfway down the hall", "large room, and they can't communicate with each other without speaking loudly: >", "this scene where two characters are separated on opposite sides of a large", "some difficulty removing the exclamation points from: > > She was already halfway", "voice. > > > \"Aluke!\" It was Frazc, running toward her from the", "to follow; I've written 2,000 words so far and have about 5 exclamation", "\"Aluke!\" It was Frazc, running toward her from the other end of the", "green button,\" Aluke called to Frazc. > > > Even when I know", "> > This reads naturally to me. The exclamation point fits the situation.", "to hear each other, this line of dialogue reads to me as if", "difficulty removing the exclamation points from: > > She was already halfway down", "Aluke calling out to Frazc from the other side of the room when", "hall when she heard a voice. > > > \"Aluke.\" It was Frazc,", "100,000 words or so. I'm finding this advice very hard to follow; I've", "Frazc, running toward her from the other end of the hall, waving a", "Lythric advised me to use adverbs/adjectives in order to get around my exclamation", "exclamation point every 100,000 words or so. I'm finding this advice very hard", "opposite sides of a large room, and they can't communicate with each other", "separated on opposite sides of a large room, and they can't communicate with", "If it's okay, I'd also like to give another example, one I'm having", "is speaking loudly. **EDIT:** If it's okay, I'd also like to give another", "I know there is a long distance between Aluke and Frazc and that", "her. \"Hey. Aluke. Can you hear me?\" > > > Lythric advised me", "\"Aluke.\" It was Frazc, running toward her from the other end of the", "speaking loudly. **EDIT:** If it's okay, I'd also like to give another example,", "written 2,000 words so far and have about 5 exclamation points (which all", "It was Frazc, running toward her from the other end of the hall,", "She was already halfway down the hall when she heard a voice. >", "> > 1.) \"Press the green button!\" Aluke called to Frazc. > >", "from the other side of the room when the exclamation point in the", "Aluke called to Frazc. > > > Even when I know there is", "\"Press the green button,\" Aluke called to Frazc. > > > Even when", "a long distance between Aluke and Frazc and that they have to speak", "having some difficulty removing the exclamation points from: > > She was already", "the air as he called for her. \"Hey. Aluke. Can you hear me?\"", "and they can't communicate with each other without speaking loudly: > > 1.)", "> > > Lythric advised me to use adverbs/adjectives in order to get", "I'd also like to give another example, one I'm having some difficulty removing", "> \"Aluke!\" It was Frazc, running toward her from the other end of", "hear me?\" > > > Lythric advised me to use adverbs/adjectives in order", "narrative, only in dialogue when someone is speaking loudly. **EDIT:** If it's okay,", "a large room, and they can't communicate with each other without speaking loudly:", "\"Hey! Aluke! Can you hear me?\" > > > Rewriting this with periods", "okay in this context? I don't use them in my actual narrative, only", "Frazc. > > > This reads naturally to me. The exclamation point fits", "**EDIT:** If it's okay, I'd also like to give another example, one I'm", "> > \"Aluke.\" It was Frazc, running toward her from the other end", "Aluke and Frazc and that they have to speak loudly in order to", "> > Even when I know there is a long distance between Aluke", "to me as if they are right next to each other. It's more", "in this context? I don't use them in my actual narrative, only in", "the room when the exclamation point in the dialogue is absent. So, is", "that they have to speak loudly in order to hear each other, this", "The exclamation point fits the situation. > > 2.) \"Press the green button,\"", "loudly: > > 1.) \"Press the green button!\" Aluke called to Frazc. >", "speaking loudly: > > 1.) \"Press the green button!\" Aluke called to Frazc.", "get around my exclamation point issue, but what should I do when I", "Can you hear me?\" > > > Lythric advised me to use adverbs/adjectives", "loudly in order to hear each other, this line of dialogue reads to", "to me. The exclamation point fits the situation. > > 2.) \"Press the", "me. The exclamation point fits the situation. > > 2.) \"Press the green", "2,000 words so far and have about 5 exclamation points (which all appear", "points okay in this context? I don't use them in my actual narrative,", "words or so. I'm finding this advice very hard to follow; I've written", "take this scene where two characters are separated on opposite sides of a" ]
[ "you don't indent the first line of a chapter, so I was wondering", "based on the style guides I've read that you should indent text messages,", "a chapter with a text message. I believe based on the style guides", "would like to start a chapter with a text message. I believe based", "chapter? Usually you don't indent the first line of a chapter, so I", "line of a chapter, so I was wondering if anyone had any advice", "a chapter, so I was wondering if anyone had any advice about what", "wondering if anyone had any advice about what to do in this situation?", "the first line of a chapter, so I was wondering if anyone had", "you should indent text messages, but how about if they are at the", "start a chapter with a text message. I believe based on the style", "with a text message. I believe based on the style guides I've read", "the style guides I've read that you should indent text messages, but how", "chapter, so I was wondering if anyone had any advice about what to", "indent text messages, but how about if they are at the start of", "chapter with a text message. I believe based on the style guides I've", "start of a chapter? Usually you don't indent the first line of a", "a chapter? Usually you don't indent the first line of a chapter, so", "but how about if they are at the start of a chapter? Usually", "that you should indent text messages, but how about if they are at", "I've read that you should indent text messages, but how about if they", "to start a chapter with a text message. I believe based on the", "I was wondering if anyone had any advice about what to do in", "how about if they are at the start of a chapter? Usually you", "don't indent the first line of a chapter, so I was wondering if", "they are at the start of a chapter? Usually you don't indent the", "text messages, but how about if they are at the start of a", "was wondering if anyone had any advice about what to do in this", "like to start a chapter with a text message. I believe based on", "first line of a chapter, so I was wondering if anyone had any", "about if they are at the start of a chapter? Usually you don't", "should indent text messages, but how about if they are at the start", "a text message. I believe based on the style guides I've read that", "at the start of a chapter? Usually you don't indent the first line", "so I was wondering if anyone had any advice about what to do", "on the style guides I've read that you should indent text messages, but", "Usually you don't indent the first line of a chapter, so I was", "text message. I believe based on the style guides I've read that you", "of a chapter, so I was wondering if anyone had any advice about", "the start of a chapter? Usually you don't indent the first line of", "messages, but how about if they are at the start of a chapter?", "guides I've read that you should indent text messages, but how about if", "I believe based on the style guides I've read that you should indent", "read that you should indent text messages, but how about if they are", "if they are at the start of a chapter? Usually you don't indent", "believe based on the style guides I've read that you should indent text", "are at the start of a chapter? Usually you don't indent the first", "message. I believe based on the style guides I've read that you should", "indent the first line of a chapter, so I was wondering if anyone", "of a chapter? Usually you don't indent the first line of a chapter,", "I would like to start a chapter with a text message. I believe", "style guides I've read that you should indent text messages, but how about" ]
[ "> > \"Do you?\" > > \"Sure, I saw it myself\" > >", "that one is standing while the other one is leaning against a tree.", "speech tags and narration? I don't want them to refer to each other", "stood next to a lake. **First one** looked at the horizon while **the", "a scene where two identical people talking to each other. There is no", "tree. > > \"I know,\" **first one said**. > > \"Do you?\" >", "> Two man stood next to a lake. **First one** looked at the", "tree. What is the best way to refer to them in speech tags", "Two man stood next to a lake. **One** looked at the horizon while", "dialogue as it feels unnatural. Here is an example: > > Two man", "their physical appearance. The only difference is that one is standing while the", "one that was leaning against the tree** picked up the stone from the", "stone from the ground. > > > In this example it is not", "> > \"You did not!\" > > **The second one** picked up the", "did not!\" > > **The second one** picked up the stone from the", "did not!\" > > **The one that was leaning against the tree** picked", "**The second one** picked up the stone from the ground. > > >", "tree. > > \"I know,\" **said one of them**. > > \"Do you?\"", "difference in terms of their physical appearance. The only difference is that one", "want them to refer to each other by names in the first lines", "not!\" > > **The one that was leaning against the tree** picked up", "> > **The second one** picked up the stone from the ground. >", "up the stone from the ground. > > > Is there are better", "while **the other one** leaned against a tree. > > \"I know,\" **said", "the other one is leaning against a tree. What is the best way", "who started talking first. Would next example be better? > > Two man", "is leaning against a tree. What is the best way to refer to", "\"Sure, I saw it myself\" > > \"You did not!\" > > **The", "next to a lake. **One** looked at the horizon while **the other one**", "while the other one is leaning against a tree. What is the best", "you?\" > > \"Sure, I saw it myself\" > > \"You did not!\"", "is not clear who started talking first. Would next example be better? >", "identical people talking to each other. There is no difference in terms of", "> \"Sure, I saw it myself\" > > \"You did not!\" > >", "a tree. > > \"I know,\" **first one said**. > > \"Do you?\"", "know,\" **first one said**. > > \"Do you?\" > > \"Sure, I saw", "each other. There is no difference in terms of their physical appearance. The", "not clear who started talking first. Would next example be better? > >", "the ground. > > > Is there are better way to write this?", "not!\" > > **The second one** picked up the stone from the ground.", "other one** leaned against a tree. > > \"I know,\" **said one of", "> \"You did not!\" > > **The second one** picked up the stone", "of their physical appearance. The only difference is that one is standing while", "it feels unnatural. Here is an example: > > Two man stood next", "> > Two man stood next to a lake. **One** looked at the", "stood next to a lake. **One** looked at the horizon while **the other", "lake. **First one** looked at the horizon while **the second one** leaned against", "myself\" > > \"You did not!\" > > **The one that was leaning", "refer to them in speech tags and narration? I don't want them to", "in terms of their physical appearance. The only difference is that one is", "know,\" **said one of them**. > > \"Do you?\" > > \"Sure, I", "\"I know,\" **first one said**. > > \"Do you?\" > > \"Sure, I", "unnatural. Here is an example: > > Two man stood next to a", "from the ground. > > > Is there are better way to write", "the tree** picked up the stone from the ground. > > > In", "in speech tags and narration? I don't want them to refer to each", "the horizon while **the other one** leaned against a tree. > > \"I", "> > In this example it is not clear who started talking first.", "this example it is not clear who started talking first. Would next example", "first. Would next example be better? > > Two man stood next to", "the horizon while **the second one** leaned against a tree. > > \"I", "man stood next to a lake. **First one** looked at the horizon while", "In this example it is not clear who started talking first. Would next", "it myself\" > > \"You did not!\" > > **The second one** picked", "have a scene where two identical people talking to each other. There is", "no difference in terms of their physical appearance. The only difference is that", "only difference is that one is standing while the other one is leaning", "don't want them to refer to each other by names in the first", "leaned against a tree. > > \"I know,\" **first one said**. > >", "There is no difference in terms of their physical appearance. The only difference", "second one** leaned against a tree. > > \"I know,\" **first one said**.", "one is standing while the other one is leaning against a tree. What", "**the second one** leaned against a tree. > > \"I know,\" **first one", "is standing while the other one is leaning against a tree. What is", "I don't want them to refer to each other by names in the", "a lake. **First one** looked at the horizon while **the second one** leaned", "feels unnatural. Here is an example: > > Two man stood next to", "leaned against a tree. > > \"I know,\" **said one of them**. >", "said**. > > \"Do you?\" > > \"Sure, I saw it myself\" >", "example: > > Two man stood next to a lake. **One** looked at", "lake. **One** looked at the horizon while **the other one** leaned against a", "difference is that one is standing while the other one is leaning against", "**said one of them**. > > \"Do you?\" > > \"Sure, I saw", "leaning against the tree** picked up the stone from the ground. > >", "physical appearance. The only difference is that one is standing while the other", "one** leaned against a tree. > > \"I know,\" **said one of them**.", "> **The one that was leaning against the tree** picked up the stone", "**first one said**. > > \"Do you?\" > > \"Sure, I saw it", "one** leaned against a tree. > > \"I know,\" **first one said**. >", "> \"I know,\" **first one said**. > > \"Do you?\" > > \"Sure,", "them**. > > \"Do you?\" > > \"Sure, I saw it myself\" >", "\"You did not!\" > > **The one that was leaning against the tree**", "to refer to them in speech tags and narration? I don't want them", "\"I know,\" **said one of them**. > > \"Do you?\" > > \"Sure,", "and narration? I don't want them to refer to each other by names", "clear who started talking first. Would next example be better? > > Two", "the first lines of dialogue as it feels unnatural. Here is an example:", "a tree. > > \"I know,\" **said one of them**. > > \"Do", "first lines of dialogue as it feels unnatural. Here is an example: >", "**The one that was leaning against the tree** picked up the stone from", "to a lake. **First one** looked at the horizon while **the second one**", "**One** looked at the horizon while **the other one** leaned against a tree.", "it is not clear who started talking first. Would next example be better?", "Would next example be better? > > Two man stood next to a", "> **The second one** picked up the stone from the ground. > >", "looked at the horizon while **the second one** leaned against a tree. >", "> \"You did not!\" > > **The one that was leaning against the", "standing while the other one is leaning against a tree. What is the", "as it feels unnatural. Here is an example: > > Two man stood", "is the best way to refer to them in speech tags and narration?", "one said**. > > \"Do you?\" > > \"Sure, I saw it myself\"", "\"Do you?\" > > \"Sure, I saw it myself\" > > \"You did", "I have a scene where two identical people talking to each other. There", "**the other one** leaned against a tree. > > \"I know,\" **said one", "up the stone from the ground. > > > In this example it", "> > \"You did not!\" > > **The one that was leaning against", "one** picked up the stone from the ground. > > > Is there", "to a lake. **One** looked at the horizon while **the other one** leaned", "a lake. **One** looked at the horizon while **the other one** leaned against", "one is leaning against a tree. What is the best way to refer", "next example be better? > > Two man stood next to a lake.", "the stone from the ground. > > > Is there are better way", "scene where two identical people talking to each other. There is no difference", "horizon while **the other one** leaned against a tree. > > \"I know,\"", "it myself\" > > \"You did not!\" > > **The one that was", "example it is not clear who started talking first. Would next example be", "at the horizon while **the second one** leaned against a tree. > >", "The only difference is that one is standing while the other one is", "second one** picked up the stone from the ground. > > > Is", "myself\" > > \"You did not!\" > > **The second one** picked up", "of dialogue as it feels unnatural. Here is an example: > > Two", "is no difference in terms of their physical appearance. The only difference is", "to them in speech tags and narration? I don't want them to refer", "**First one** looked at the horizon while **the second one** leaned against a", "tags and narration? I don't want them to refer to each other by", "an example: > > Two man stood next to a lake. **One** looked", "started talking first. Would next example be better? > > Two man stood", "example be better? > > Two man stood next to a lake. **First", "other by names in the first lines of dialogue as it feels unnatural.", "narration? I don't want them to refer to each other by names in", "> > > In this example it is not clear who started talking", "saw it myself\" > > \"You did not!\" > > **The second one**", "> In this example it is not clear who started talking first. Would", "to each other. There is no difference in terms of their physical appearance.", "better? > > Two man stood next to a lake. **First one** looked", "best way to refer to them in speech tags and narration? I don't", "against a tree. > > \"I know,\" **first one said**. > > \"Do", "by names in the first lines of dialogue as it feels unnatural. Here", "to each other by names in the first lines of dialogue as it", "> > \"Sure, I saw it myself\" > > \"You did not!\" >", "the stone from the ground. > > > In this example it is", "horizon while **the second one** leaned against a tree. > > \"I know,\"", "talking to each other. There is no difference in terms of their physical", "from the ground. > > > In this example it is not clear", "> > \"I know,\" **first one said**. > > \"Do you?\" > >", "> Two man stood next to a lake. **One** looked at the horizon", "other. There is no difference in terms of their physical appearance. The only", "names in the first lines of dialogue as it feels unnatural. Here is", "of them**. > > \"Do you?\" > > \"Sure, I saw it myself\"", "> > \"I know,\" **said one of them**. > > \"Do you?\" >", "> \"I know,\" **said one of them**. > > \"Do you?\" > >", "terms of their physical appearance. The only difference is that one is standing", "two identical people talking to each other. There is no difference in terms", "is an example: > > Two man stood next to a lake. **One**", "be better? > > Two man stood next to a lake. **First one**", "them in speech tags and narration? I don't want them to refer to", "lines of dialogue as it feels unnatural. Here is an example: > >", "is that one is standing while the other one is leaning against a", "way to refer to them in speech tags and narration? I don't want", "them to refer to each other by names in the first lines of", "against a tree. > > \"I know,\" **said one of them**. > >", "man stood next to a lake. **One** looked at the horizon while **the", "I saw it myself\" > > \"You did not!\" > > **The one", "the ground. > > > In this example it is not clear who", "picked up the stone from the ground. > > > In this example", "Two man stood next to a lake. **First one** looked at the horizon", "other one is leaning against a tree. What is the best way to", "leaning against a tree. What is the best way to refer to them", "> > **The one that was leaning against the tree** picked up the", "at the horizon while **the other one** leaned against a tree. > >", "> > Two man stood next to a lake. **First one** looked at", "one** looked at the horizon while **the second one** leaned against a tree.", "Here is an example: > > Two man stood next to a lake.", "tree** picked up the stone from the ground. > > > In this", "appearance. The only difference is that one is standing while the other one", "\"You did not!\" > > **The second one** picked up the stone from", "one of them**. > > \"Do you?\" > > \"Sure, I saw it", "talking first. Would next example be better? > > Two man stood next", "people talking to each other. There is no difference in terms of their", "stone from the ground. > > > Is there are better way to", "saw it myself\" > > \"You did not!\" > > **The one that", "ground. > > > In this example it is not clear who started", "picked up the stone from the ground. > > > Is there are", "the best way to refer to them in speech tags and narration? I", "while **the second one** leaned against a tree. > > \"I know,\" **first", "I saw it myself\" > > \"You did not!\" > > **The second", "What is the best way to refer to them in speech tags and", "next to a lake. **First one** looked at the horizon while **the second", "where two identical people talking to each other. There is no difference in", "each other by names in the first lines of dialogue as it feels", "was leaning against the tree** picked up the stone from the ground. >", "against a tree. What is the best way to refer to them in", "refer to each other by names in the first lines of dialogue as", "that was leaning against the tree** picked up the stone from the ground.", "in the first lines of dialogue as it feels unnatural. Here is an", "to refer to each other by names in the first lines of dialogue", "a tree. What is the best way to refer to them in speech", "looked at the horizon while **the other one** leaned against a tree. >", "against the tree** picked up the stone from the ground. > > >", "> \"Do you?\" > > \"Sure, I saw it myself\" > > \"You" ]
[ "bash and tsch | |are his niche | +----------------------------------------+ ``` what punctuation can", "to the audience (that hip HR person) that the 3rd line is one", "per line. ``` +----------------------------------------+ |Peter Turner | |code burner | |PHP, perl, python,", "reason we haven't rhymed yet is because the line is not done yet.", "come in handy here. Like how: `echo blah\\ to be continued....` tells a", "punctuation to use to convey to reader that the reason we haven't rhymed", "punctuation can I use to convey to the audience (that hip HR person)", "tex, actionscript, bash and tsch | |are his niche | +----------------------------------------+ ``` what", "punctuation, then I'll just make one up and move along, not asking for", "one line. --- The above is just an example, I really just want", "(that hip HR person) that the 3rd line is one line and not", "and tsch | |are his niche | +----------------------------------------+ ``` what punctuation can I", "be perceived as one line. --- The above is just an example, I", "|PHP, perl, python, object pascal, css, | |javascript, html, sql, yml, java, c++,", "|c, tex, actionscript, bash and tsch | |are his niche | +----------------------------------------+ ```", "because the line is not done yet. Or, if there is no proper", "advice, just if there's an esoteric sense of the solidus that can come", "and move along, not asking for advice, just if there's an esoteric sense", "audience (that hip HR person) that the 3rd line is one line and", "that the 3rd line is one line and not two? Clerihews by design", "know what the proper punctuation to use to convey to reader that the", "use to convey to the audience (that hip HR person) that the 3rd", "line. ``` +----------------------------------------+ |Peter Turner | |code burner | |PHP, perl, python, object", "line is one line and not two? Clerihews by design are four line", "java, c++, | |c, tex, actionscript, bash and tsch | |are his niche", "|Peter Turner | |code burner | |PHP, perl, python, object pascal, css, |", "constrained to 40 characters per line. ``` +----------------------------------------+ |Peter Turner | |code burner", "blah\\ to be continued....` tells a shell not to echo \"blah\", but \"blahto", "line be perceived as one line. --- The above is just an example,", "Or, if there is no proper punctuation, then I'll just make one up", "is not done yet. Or, if there is no proper punctuation, then I'll", "example, I really just want to know what the proper punctuation to use", "along, not asking for advice, just if there's an esoteric sense of the", "| |code burner | |PHP, perl, python, object pascal, css, | |javascript, html,", "how: `echo blah\\ to be continued....` tells a shell not to echo \"blah\",", "is one line and not two? Clerihews by design are four line couplets", "where I'm constrained to 40 characters per line. ``` +----------------------------------------+ |Peter Turner |", "be continued....` tells a shell not to echo \"blah\", but \"blahto be continued...\"", "the proper punctuation to use to convey to reader that the reason we", "asking for advice, just if there's an esoteric sense of the solidus that", "I'm writing the following clerihew resume where I'm constrained to 40 characters per", "| |are his niche | +----------------------------------------+ ``` what punctuation can I use to", "3rd line be perceived as one line. --- The above is just an", "line. --- The above is just an example, I really just want to", "the reason we haven't rhymed yet is because the line is not done", "yml, java, c++, | |c, tex, actionscript, bash and tsch | |are his", "| |PHP, perl, python, object pascal, css, | |javascript, html, sql, yml, java,", "3rd line is one line and not two? Clerihews by design are four", "the 3rd line is one line and not two? Clerihews by design are", "with no perceptible meter, so it's important that the 3rd line be perceived", "the following clerihew resume where I'm constrained to 40 characters per line. ```", "c++, | |c, tex, actionscript, bash and tsch | |are his niche |", "can come in handy here. Like how: `echo blah\\ to be continued....` tells", "proper punctuation to use to convey to reader that the reason we haven't", "is no proper punctuation, then I'll just make one up and move along,", "css, | |javascript, html, sql, yml, java, c++, | |c, tex, actionscript, bash", "not asking for advice, just if there's an esoteric sense of the solidus", "The above is just an example, I really just want to know what", "Turner | |code burner | |PHP, perl, python, object pascal, css, | |javascript,", "done yet. Or, if there is no proper punctuation, then I'll just make", "an esoteric sense of the solidus that can come in handy here. Like", "as one line. --- The above is just an example, I really just", "that the 3rd line be perceived as one line. --- The above is", "If I'm writing the following clerihew resume where I'm constrained to 40 characters", "can I use to convey to the audience (that hip HR person) that", "not done yet. Or, if there is no proper punctuation, then I'll just", "and not two? Clerihews by design are four line couplets with no perceptible", "not two? Clerihews by design are four line couplets with no perceptible meter,", "to 40 characters per line. ``` +----------------------------------------+ |Peter Turner | |code burner |", "| |javascript, html, sql, yml, java, c++, | |c, tex, actionscript, bash and", "we haven't rhymed yet is because the line is not done yet. Or,", "rhymed yet is because the line is not done yet. Or, if there", "proper punctuation, then I'll just make one up and move along, not asking", "html, sql, yml, java, c++, | |c, tex, actionscript, bash and tsch |", "then I'll just make one up and move along, not asking for advice,", "so it's important that the 3rd line be perceived as one line. ---", "Clerihews by design are four line couplets with no perceptible meter, so it's", "sense of the solidus that can come in handy here. Like how: `echo", "use to convey to reader that the reason we haven't rhymed yet is", "40 characters per line. ``` +----------------------------------------+ |Peter Turner | |code burner | |PHP,", "to use to convey to reader that the reason we haven't rhymed yet", "there is no proper punctuation, then I'll just make one up and move", "two? Clerihews by design are four line couplets with no perceptible meter, so", "| |c, tex, actionscript, bash and tsch | |are his niche | +----------------------------------------+", "it's important that the 3rd line be perceived as one line. --- The", "HR person) that the 3rd line is one line and not two? Clerihews", "in handy here. Like how: `echo blah\\ to be continued....` tells a shell", "to reader that the reason we haven't rhymed yet is because the line", "following clerihew resume where I'm constrained to 40 characters per line. ``` +----------------------------------------+", "really just want to know what the proper punctuation to use to convey", "line is not done yet. Or, if there is no proper punctuation, then", "the 3rd line be perceived as one line. --- The above is just", "important that the 3rd line be perceived as one line. --- The above", "object pascal, css, | |javascript, html, sql, yml, java, c++, | |c, tex,", "hip HR person) that the 3rd line is one line and not two?", "no proper punctuation, then I'll just make one up and move along, not", "make one up and move along, not asking for advice, just if there's", "is just an example, I really just want to know what the proper", "couplets with no perceptible meter, so it's important that the 3rd line be", "here. Like how: `echo blah\\ to be continued....` tells a shell not to", "|javascript, html, sql, yml, java, c++, | |c, tex, actionscript, bash and tsch", "clerihew resume where I'm constrained to 40 characters per line. ``` +----------------------------------------+ |Peter", "by design are four line couplets with no perceptible meter, so it's important", "sql, yml, java, c++, | |c, tex, actionscript, bash and tsch | |are", "``` what punctuation can I use to convey to the audience (that hip", "is because the line is not done yet. Or, if there is no", "that can come in handy here. Like how: `echo blah\\ to be continued....`", "pascal, css, | |javascript, html, sql, yml, java, c++, | |c, tex, actionscript,", "writing the following clerihew resume where I'm constrained to 40 characters per line.", "to convey to the audience (that hip HR person) that the 3rd line", "the audience (that hip HR person) that the 3rd line is one line", "an example, I really just want to know what the proper punctuation to", "Like how: `echo blah\\ to be continued....` tells a shell not to echo", "to convey to reader that the reason we haven't rhymed yet is because", "python, object pascal, css, | |javascript, html, sql, yml, java, c++, | |c,", "perl, python, object pascal, css, | |javascript, html, sql, yml, java, c++, |", "of the solidus that can come in handy here. Like how: `echo blah\\", "the line is not done yet. Or, if there is no proper punctuation,", "|code burner | |PHP, perl, python, object pascal, css, | |javascript, html, sql,", "I'm constrained to 40 characters per line. ``` +----------------------------------------+ |Peter Turner | |code", "just make one up and move along, not asking for advice, just if", "just want to know what the proper punctuation to use to convey to", "line and not two? Clerihews by design are four line couplets with no", "| +----------------------------------------+ ``` what punctuation can I use to convey to the audience", "one up and move along, not asking for advice, just if there's an", "for advice, just if there's an esoteric sense of the solidus that can", "the solidus that can come in handy here. Like how: `echo blah\\ to", "his niche | +----------------------------------------+ ``` what punctuation can I use to convey to", "esoteric sense of the solidus that can come in handy here. Like how:", "design are four line couplets with no perceptible meter, so it's important that", "to be continued....` tells a shell not to echo \"blah\", but \"blahto be", "characters per line. ``` +----------------------------------------+ |Peter Turner | |code burner | |PHP, perl,", "to know what the proper punctuation to use to convey to reader that", "what punctuation can I use to convey to the audience (that hip HR", "--- The above is just an example, I really just want to know", "I'll just make one up and move along, not asking for advice, just", "up and move along, not asking for advice, just if there's an esoteric", "convey to the audience (that hip HR person) that the 3rd line is", "+----------------------------------------+ ``` what punctuation can I use to convey to the audience (that", "handy here. Like how: `echo blah\\ to be continued....` tells a shell not", "perceived as one line. --- The above is just an example, I really", "if there's an esoteric sense of the solidus that can come in handy", "tsch | |are his niche | +----------------------------------------+ ``` what punctuation can I use", "actionscript, bash and tsch | |are his niche | +----------------------------------------+ ``` what punctuation", "one line and not two? Clerihews by design are four line couplets with", "resume where I'm constrained to 40 characters per line. ``` +----------------------------------------+ |Peter Turner", "reader that the reason we haven't rhymed yet is because the line is", "no perceptible meter, so it's important that the 3rd line be perceived as", "yet. Or, if there is no proper punctuation, then I'll just make one", "meter, so it's important that the 3rd line be perceived as one line.", "that the reason we haven't rhymed yet is because the line is not", "if there is no proper punctuation, then I'll just make one up and", "there's an esoteric sense of the solidus that can come in handy here.", "want to know what the proper punctuation to use to convey to reader", "what the proper punctuation to use to convey to reader that the reason", "`echo blah\\ to be continued....` tells a shell not to echo \"blah\", but", "I use to convey to the audience (that hip HR person) that the", "just if there's an esoteric sense of the solidus that can come in", "burner | |PHP, perl, python, object pascal, css, | |javascript, html, sql, yml,", "above is just an example, I really just want to know what the", "perceptible meter, so it's important that the 3rd line be perceived as one", "+----------------------------------------+ |Peter Turner | |code burner | |PHP, perl, python, object pascal, css,", "person) that the 3rd line is one line and not two? Clerihews by", "niche | +----------------------------------------+ ``` what punctuation can I use to convey to the", "solidus that can come in handy here. Like how: `echo blah\\ to be", "convey to reader that the reason we haven't rhymed yet is because the", "four line couplets with no perceptible meter, so it's important that the 3rd", "line couplets with no perceptible meter, so it's important that the 3rd line", "I really just want to know what the proper punctuation to use to", "|are his niche | +----------------------------------------+ ``` what punctuation can I use to convey", "move along, not asking for advice, just if there's an esoteric sense of", "haven't rhymed yet is because the line is not done yet. Or, if", "yet is because the line is not done yet. Or, if there is", "just an example, I really just want to know what the proper punctuation", "are four line couplets with no perceptible meter, so it's important that the", "``` +----------------------------------------+ |Peter Turner | |code burner | |PHP, perl, python, object pascal," ]
[ "do I have to set a plot here, with a final twist (but", "have to set a plot here, with a final twist (but is it", "be a *slice of life* kind of story ? If there's any advices", "plot here, with a final twist (but is it even possible in so", "have to do it in less than **1000 words**, which is (IMO) really", "I have to set a plot here, with a final twist (but is", "I take in my writing ? do I have to set a plot", "**1000 words**, which is (IMO) really short ! So my question is, what", "it have to be a *slice of life* kind of story ? If", "! 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So my question is, what approach should", "what approach should I take in my writing ? do I have to", "If there's any advices or examples you know It would be helpful for", "? do I have to set a plot here, with a final twist", "(but is it even possible in so few words) or does it have", "twist (but is it even possible in so few words) or does it", "it in less than **1000 words**, which is (IMO) really short ! So", "I have to do it in less than **1000 words**, which is (IMO)", "do it in less than **1000 words**, which is (IMO) really short !", "short ! So my question is, what approach should I take in my", "and develop the story, but this time I have to do it in", "in my writing ? do I have to set a plot here, with", "but this time I have to do it in less than **1000 words**,", "kind of story ? If there's any advices or examples you know It", "to do it in less than **1000 words**, which is (IMO) really short", "this time I have to do it in less than **1000 words**, which", "few words) or does it have to be a *slice of life* kind", "a plot here, with a final twist (but is it even possible in", "is, what approach should I take in my writing ? do I have", "a plot and develop the story, but this time I have to do", "develop the story, but this time I have to do it in less", "words**, which is (IMO) really short ! So my question is, what approach", "final twist (but is it even possible in so few words) or does", "set a plot and develop the story, but this time I have to", "to write short stories, to quickly set a plot and develop the story,", "write short stories, to quickly set a plot and develop the story, but", "So my question is, what approach should I take in my writing ?", "story ? If there's any advices or examples you know It would be", "possible in so few words) or does it have to be a *slice", "my writing ? do I have to set a plot here, with a" ]
[ "Anyway, in my novel there are many different materials and characters, and the", "noticed that in a few fantasy novels I have read, I just haven't", "keep track of them. For example, in The Hobbit I didn't know which", "example, Thomos Homizavz, The Hobbit and Lord of the Rings, Malice represent this", "in The Hobbit I didn't know which dwarf was talking half of the", "of them. For example, in The Hobbit I didn't know which dwarf was", "Malice represent this perfectly. There are so many materials and things, strange concepts", "been writing some fantasy. Now, inevitably because its a big piece of fantasy,", "inevitably because its a big piece of fantasy, its all very involved with", "story and general bits. Personally, I'm really enjoying writing it. I have noticed", "unable to keep track of them. For example, in The Hobbit I didn't", "which dwarf was talking half of the time... Anyway, in my novel there", "There are so many materials and things, strange concepts that sometimes I'm completely", "culture, story and general bits. Personally, I'm really enjoying writing it. I have", "a few fantasy novels I have read, I just haven't been able to", "I just haven't been able to remember who everyone/what everything was. For example,", "For example, in The Hobbit I didn't know which dwarf was talking half", "bits. Personally, I'm really enjoying writing it. I have noticed that in a", "in my novel there are many different materials and characters, and the world", "Now, inevitably because its a big piece of fantasy, its all very involved", "of the time... Anyway, in my novel there are many different materials and", "big. How much of this can I expect the reader to remember without", "I'm really enjoying writing it. I have noticed that in a few fantasy", "really enjoying writing it. I have noticed that in a few fantasy novels", "expect the reader to remember without having to flick to the glossary or", "know which dwarf was talking half of the time... Anyway, in my novel", "to remember who everyone/what everything was. For example, Thomos Homizavz, The Hobbit and", "many different materials and characters, and the world is really big. How much", "piece of fantasy, its all very involved with the world, culture, story and", "that sometimes I'm completely unable to keep track of them. For example, in", "Lord of the Rings, Malice represent this perfectly. There are so many materials", "big piece of fantasy, its all very involved with the world, culture, story", "its all very involved with the world, culture, story and general bits. Personally,", "time... Anyway, in my novel there are many different materials and characters, and", "everything was. For example, Thomos Homizavz, The Hobbit and Lord of the Rings,", "How much of this can I expect the reader to remember without having", "is really big. How much of this can I expect the reader to", "many materials and things, strange concepts that sometimes I'm completely unable to keep", "all very involved with the world, culture, story and general bits. Personally, I'm", "with the world, culture, story and general bits. Personally, I'm really enjoying writing", "fantasy novels I have read, I just haven't been able to remember who", "of this can I expect the reader to remember without having to flick", "The Hobbit and Lord of the Rings, Malice represent this perfectly. There are", "things, strange concepts that sometimes I'm completely unable to keep track of them.", "materials and characters, and the world is really big. How much of this", "its a big piece of fantasy, its all very involved with the world,", "have read, I just haven't been able to remember who everyone/what everything was.", "the Rings, Malice represent this perfectly. There are so many materials and things,", "Thomos Homizavz, The Hobbit and Lord of the Rings, Malice represent this perfectly.", "Rings, Malice represent this perfectly. There are so many materials and things, strange", "remember without having to flick to the glossary or map every two minutes?", "really big. How much of this can I expect the reader to remember", "enjoying writing it. I have noticed that in a few fantasy novels I", "I'm completely unable to keep track of them. For example, in The Hobbit", "so many materials and things, strange concepts that sometimes I'm completely unable to", "was. For example, Thomos Homizavz, The Hobbit and Lord of the Rings, Malice", "novel there are many different materials and characters, and the world is really", "the reader to remember without having to flick to the glossary or map", "novels I have read, I just haven't been able to remember who everyone/what", "track of them. For example, in The Hobbit I didn't know which dwarf", "strange concepts that sometimes I'm completely unable to keep track of them. For", "Hobbit I didn't know which dwarf was talking half of the time... Anyway,", "involved with the world, culture, story and general bits. Personally, I'm really enjoying", "Personally, I'm really enjoying writing it. I have noticed that in a few", "the time... Anyway, in my novel there are many different materials and characters,", "materials and things, strange concepts that sometimes I'm completely unable to keep track", "reader to remember without having to flick to the glossary or map every", "a big piece of fantasy, its all very involved with the world, culture,", "world is really big. How much of this can I expect the reader", "and the world is really big. How much of this can I expect", "can I expect the reader to remember without having to flick to the", "concepts that sometimes I'm completely unable to keep track of them. For example,", "perfectly. There are so many materials and things, strange concepts that sometimes I'm", "Homizavz, The Hobbit and Lord of the Rings, Malice represent this perfectly. There", "my novel there are many different materials and characters, and the world is", "fantasy, its all very involved with the world, culture, story and general bits.", "everyone/what everything was. For example, Thomos Homizavz, The Hobbit and Lord of the", "general bits. Personally, I'm really enjoying writing it. I have noticed that in", "writing it. I have noticed that in a few fantasy novels I have", "that in a few fantasy novels I have read, I just haven't been", "just haven't been able to remember who everyone/what everything was. For example, Thomos", "them. For example, in The Hobbit I didn't know which dwarf was talking", "fantasy. Now, inevitably because its a big piece of fantasy, its all very", "the world, culture, story and general bits. Personally, I'm really enjoying writing it.", "of fantasy, its all very involved with the world, culture, story and general", "completely unable to keep track of them. For example, in The Hobbit I", "and general bits. Personally, I'm really enjoying writing it. I have noticed that", "some fantasy. Now, inevitably because its a big piece of fantasy, its all", "been able to remember who everyone/what everything was. For example, Thomos Homizavz, The", "sometimes I'm completely unable to keep track of them. For example, in The", "and Lord of the Rings, Malice represent this perfectly. There are so many", "I expect the reader to remember without having to flick to the glossary", "dwarf was talking half of the time... Anyway, in my novel there are", "there are many different materials and characters, and the world is really big.", "I didn't know which dwarf was talking half of the time... Anyway, in", "I have read, I just haven't been able to remember who everyone/what everything", "half of the time... Anyway, in my novel there are many different materials", "haven't been able to remember who everyone/what everything was. For example, Thomos Homizavz,", "writing some fantasy. Now, inevitably because its a big piece of fantasy, its", "have noticed that in a few fantasy novels I have read, I just", "I've been writing some fantasy. Now, inevitably because its a big piece of", "talking half of the time... Anyway, in my novel there are many different", "I have noticed that in a few fantasy novels I have read, I", "represent this perfectly. There are so many materials and things, strange concepts that", "and things, strange concepts that sometimes I'm completely unable to keep track of", "The Hobbit I didn't know which dwarf was talking half of the time...", "are so many materials and things, strange concepts that sometimes I'm completely unable", "this perfectly. There are so many materials and things, strange concepts that sometimes", "characters, and the world is really big. How much of this can I", "was talking half of the time... Anyway, in my novel there are many", "who everyone/what everything was. For example, Thomos Homizavz, The Hobbit and Lord of", "are many different materials and characters, and the world is really big. How", "remember who everyone/what everything was. For example, Thomos Homizavz, The Hobbit and Lord", "to remember without having to flick to the glossary or map every two", "to keep track of them. For example, in The Hobbit I didn't know", "in a few fantasy novels I have read, I just haven't been able", "few fantasy novels I have read, I just haven't been able to remember", "very involved with the world, culture, story and general bits. Personally, I'm really", "because its a big piece of fantasy, its all very involved with the", "read, I just haven't been able to remember who everyone/what everything was. For", "this can I expect the reader to remember without having to flick to", "and characters, and the world is really big. How much of this can", "didn't know which dwarf was talking half of the time... Anyway, in my", "of the Rings, Malice represent this perfectly. There are so many materials and", "much of this can I expect the reader to remember without having to", "able to remember who everyone/what everything was. For example, Thomos Homizavz, The Hobbit", "For example, Thomos Homizavz, The Hobbit and Lord of the Rings, Malice represent", "world, culture, story and general bits. Personally, I'm really enjoying writing it. I", "the world is really big. How much of this can I expect the", "it. I have noticed that in a few fantasy novels I have read,", "different materials and characters, and the world is really big. How much of", "Hobbit and Lord of the Rings, Malice represent this perfectly. There are so", "example, in The Hobbit I didn't know which dwarf was talking half of" ]
[ "on the toes of Tolkien or Forgotten Realms? I am noticing that many", "about elves, dwarfs, wizards, clerics and the like? How do I write high", "people include these similar elements, from Discworld to Eragon, so I am assuming", "without stepping on the toes of Tolkien or Forgotten Realms? I am noticing", "am wondering if there are any copyright concerns when writing about elves, dwarfs,", "if there are any copyright concerns when writing about elves, dwarfs, wizards, clerics", "from Discworld to Eragon, so I am assuming the general subject matter, being", "concerns when writing about elves, dwarfs, wizards, clerics and the like? How do", "toes of Tolkien or Forgotten Realms? I am noticing that many people include", "wondering if there are any copyright concerns when writing about elves, dwarfs, wizards,", "am assuming the general subject matter, being based in myths and legends, is", "like? How do I write high fantasy without stepping on the toes of", "write high fantasy without stepping on the toes of Tolkien or Forgotten Realms?", "I am assuming the general subject matter, being based in myths and legends,", "How do I write high fantasy without stepping on the toes of Tolkien", "Realms? I am noticing that many people include these similar elements, from Discworld", "I am noticing that many people include these similar elements, from Discworld to", "Discworld to Eragon, so I am assuming the general subject matter, being based", "when writing about elves, dwarfs, wizards, clerics and the like? How do I", "Tolkien or Forgotten Realms? I am noticing that many people include these similar", "dwarfs, wizards, clerics and the like? How do I write high fantasy without", "the general subject matter, being based in myths and legends, is open game.", "noticing that many people include these similar elements, from Discworld to Eragon, so", "any copyright concerns when writing about elves, dwarfs, wizards, clerics and the like?", "am noticing that many people include these similar elements, from Discworld to Eragon,", "stepping on the toes of Tolkien or Forgotten Realms? I am noticing that", "so I am assuming the general subject matter, being based in myths and", "there are any copyright concerns when writing about elves, dwarfs, wizards, clerics and", "do I write high fantasy without stepping on the toes of Tolkien or", "high fantasy without stepping on the toes of Tolkien or Forgotten Realms? I", "include these similar elements, from Discworld to Eragon, so I am assuming the", "these similar elements, from Discworld to Eragon, so I am assuming the general", "many people include these similar elements, from Discworld to Eragon, so I am", "similar elements, from Discworld to Eragon, so I am assuming the general subject", "or Forgotten Realms? I am noticing that many people include these similar elements,", "that many people include these similar elements, from Discworld to Eragon, so I", "of Tolkien or Forgotten Realms? I am noticing that many people include these", "Eragon, so I am assuming the general subject matter, being based in myths", "copyright concerns when writing about elves, dwarfs, wizards, clerics and the like? How", "elements, from Discworld to Eragon, so I am assuming the general subject matter,", "to Eragon, so I am assuming the general subject matter, being based in", "assuming the general subject matter, being based in myths and legends, is open", "clerics and the like? How do I write high fantasy without stepping on", "the toes of Tolkien or Forgotten Realms? I am noticing that many people", "I write high fantasy without stepping on the toes of Tolkien or Forgotten", "writing about elves, dwarfs, wizards, clerics and the like? How do I write", "elves, dwarfs, wizards, clerics and the like? How do I write high fantasy", "the like? How do I write high fantasy without stepping on the toes", "are any copyright concerns when writing about elves, dwarfs, wizards, clerics and the", "and the like? How do I write high fantasy without stepping on the", "fantasy without stepping on the toes of Tolkien or Forgotten Realms? I am", "Forgotten Realms? I am noticing that many people include these similar elements, from", "I am wondering if there are any copyright concerns when writing about elves,", "wizards, clerics and the like? How do I write high fantasy without stepping" ]
[ "tongue. --- I'm *planning* (yeah, it's kinda blurry) on writing a story with", "would be **questionable morals**. By that, I mean someone not minding killing (though", "much ? Basically, this idea comes from me being fed up with 'too", "'morally irreproachable' protagonists (sparing enemies, giving big inspirational speeches, etc). --- Do you", "idea comes from me being fed up with 'too kind' or 'morally irreproachable'", "out anything done wrong. Also, please excuse the bad English, it's not my", "we'd both have a character to put in the story and both would", "I want to explore for my protagonist would be **questionable morals**. By that,", "conflict happening later) without immediately being too much troubled about it. Does this", "not some kind of psychopath) or abandoning others if he can benefit from", "don't hesitate to point out anything done wrong. Also, please excuse the bad", "or 'morally irreproachable' protagonists (sparing enemies, giving big inspirational speeches, etc). --- Do", "a female protagonist ? Should the other *main character* compensate for this trait", "new to this *forum* (or whatever it's called) so don't hesitate to point", "a character to put in the story and both would be some sort", "hesitate to point out anything done wrong. Also, please excuse the bad English,", "(sparing enemies, giving big inspirational speeches, etc). --- Do you think this is", "? Is it compatible with a female protagonist ? Should the other *main", "excuse the bad English, it's not my mother tongue. --- I'm *planning* (yeah,", "have a character to put in the story and both would be some", "troubled about it. Does this sound too much ? Basically, this idea comes", "too much ? Basically, this idea comes from me being fed up with", "fed up with 'too kind' or 'morally irreproachable' protagonists (sparing enemies, giving big", "this sound too much ? Basically, this idea comes from me being fed", "--- I'm *planning* (yeah, it's kinda blurry) on writing a story with someone", "English, it's not my mother tongue. --- I'm *planning* (yeah, it's kinda blurry)", "it's kinda blurry) on writing a story with someone and we'd both have", "kinda blurry) on writing a story with someone and we'd both have a", "my protagonist would be **questionable morals**. By that, I mean someone not minding", "innocent people (leading to a major conflict happening later) without immediately being too", "with 'too kind' or 'morally irreproachable' protagonists (sparing enemies, giving big inspirational speeches,", "Is it compatible with a female protagonist ? Should the other *main character*", "protagonist to kill a few innocent people (leading to a major conflict happening", "speeches, etc). --- Do you think this is a viable concept ? Is", ": What I want to explore for my protagonist would be **questionable morals**.", "some sort of main character. Here is my problem : What I want", "killing (though not some kind of psychopath) or abandoning others if he can", "a major conflict happening later) without immediately being too much troubled about it.", "other *main character* compensate for this trait ? --- Thanks in advance for", "(leading to a major conflict happening later) without immediately being too much troubled", "minding killing (though not some kind of psychopath) or abandoning others if he", "'too kind' or 'morally irreproachable' protagonists (sparing enemies, giving big inspirational speeches, etc).", "Should the other *main character* compensate for this trait ? --- Thanks in", "Also, please excuse the bad English, it's not my mother tongue. --- I'm", "on writing a story with someone and we'd both have a character to", "much troubled about it. Does this sound too much ? Basically, this idea", "point out anything done wrong. Also, please excuse the bad English, it's not", "my problem : What I want to explore for my protagonist would be", "a viable concept ? Is it compatible with a female protagonist ? Should", "later) without immediately being too much troubled about it. Does this sound too", "What I want to explore for my protagonist would be **questionable morals**. By", "character* compensate for this trait ? --- Thanks in advance for your answers.", "female protagonist ? Should the other *main character* compensate for this trait ?", "that, I mean someone not minding killing (though not some kind of psychopath)", "be **questionable morals**. By that, I mean someone not minding killing (though not", "put in the story and both would be some sort of main character.", "someone and we'd both have a character to put in the story and", "it's called) so don't hesitate to point out anything done wrong. Also, please", "some kind of psychopath) or abandoning others if he can benefit from it.", "of main character. Here is my problem : What I want to explore", "bad English, it's not my mother tongue. --- I'm *planning* (yeah, it's kinda", "kind of psychopath) or abandoning others if he can benefit from it. As", "from it. As an example, I wanted my protagonist to kill a few", "Do you think this is a viable concept ? Is it compatible with", "both would be some sort of main character. Here is my problem :", "want to explore for my protagonist would be **questionable morals**. By that, I", "being too much troubled about it. Does this sound too much ? Basically,", "Here is my problem : What I want to explore for my protagonist", "As an example, I wanted my protagonist to kill a few innocent people", "me being fed up with 'too kind' or 'morally irreproachable' protagonists (sparing enemies,", "for my protagonist would be **questionable morals**. By that, I mean someone not", "to point out anything done wrong. Also, please excuse the bad English, it's", "explore for my protagonist would be **questionable morals**. By that, I mean someone", "*main character* compensate for this trait ? --- Thanks in advance for your", "enemies, giving big inspirational speeches, etc). --- Do you think this is a", "Does this sound too much ? Basically, this idea comes from me being", "done wrong. Also, please excuse the bad English, it's not my mother tongue.", "wanted my protagonist to kill a few innocent people (leading to a major", "be some sort of main character. Here is my problem : What I", "**questionable morals**. By that, I mean someone not minding killing (though not some", "few innocent people (leading to a major conflict happening later) without immediately being", "to this *forum* (or whatever it's called) so don't hesitate to point out", "comes from me being fed up with 'too kind' or 'morally irreproachable' protagonists", "to explore for my protagonist would be **questionable morals**. By that, I mean", "(yeah, it's kinda blurry) on writing a story with someone and we'd both", "with someone and we'd both have a character to put in the story", "my mother tongue. --- I'm *planning* (yeah, it's kinda blurry) on writing a", "(though not some kind of psychopath) or abandoning others if he can benefit", "called) so don't hesitate to point out anything done wrong. Also, please excuse", "of psychopath) or abandoning others if he can benefit from it. As an", "I mean someone not minding killing (though not some kind of psychopath) or", "is a viable concept ? Is it compatible with a female protagonist ?", "so don't hesitate to point out anything done wrong. Also, please excuse the", "anything done wrong. Also, please excuse the bad English, it's not my mother", "would be some sort of main character. Here is my problem : What", "story with someone and we'd both have a character to put in the", "he can benefit from it. As an example, I wanted my protagonist to", "it's not my mother tongue. --- I'm *planning* (yeah, it's kinda blurry) on", "morals**. By that, I mean someone not minding killing (though not some kind", "whatever it's called) so don't hesitate to point out anything done wrong. Also,", "you think this is a viable concept ? Is it compatible with a", "can benefit from it. As an example, I wanted my protagonist to kill", "the story and both would be some sort of main character. Here is", "compatible with a female protagonist ? Should the other *main character* compensate for", "irreproachable' protagonists (sparing enemies, giving big inspirational speeches, etc). --- Do you think", "Basically, this idea comes from me being fed up with 'too kind' or", "with a female protagonist ? Should the other *main character* compensate for this", "sort of main character. Here is my problem : What I want to", "too much troubled about it. Does this sound too much ? Basically, this", "it compatible with a female protagonist ? Should the other *main character* compensate", "wrong. Also, please excuse the bad English, it's not my mother tongue. ---", "mother tongue. --- I'm *planning* (yeah, it's kinda blurry) on writing a story", "protagonist would be **questionable morals**. By that, I mean someone not minding killing", "up with 'too kind' or 'morally irreproachable' protagonists (sparing enemies, giving big inspirational", "to put in the story and both would be some sort of main", "a story with someone and we'd both have a character to put in", "if he can benefit from it. As an example, I wanted my protagonist", "? Basically, this idea comes from me being fed up with 'too kind'", "to a major conflict happening later) without immediately being too much troubled about", "and both would be some sort of main character. Here is my problem", "kind' or 'morally irreproachable' protagonists (sparing enemies, giving big inspirational speeches, etc). ---", "my protagonist to kill a few innocent people (leading to a major conflict", "example, I wanted my protagonist to kill a few innocent people (leading to", "this is a viable concept ? Is it compatible with a female protagonist", "not minding killing (though not some kind of psychopath) or abandoning others if", "others if he can benefit from it. As an example, I wanted my", "without immediately being too much troubled about it. Does this sound too much", "main character. Here is my problem : What I want to explore for", "character to put in the story and both would be some sort of", "someone not minding killing (though not some kind of psychopath) or abandoning others", "major conflict happening later) without immediately being too much troubled about it. Does", "problem : What I want to explore for my protagonist would be **questionable", "it. Does this sound too much ? Basically, this idea comes from me", "blurry) on writing a story with someone and we'd both have a character", "both have a character to put in the story and both would be", "think this is a viable concept ? Is it compatible with a female", "this *forum* (or whatever it's called) so don't hesitate to point out anything", "people (leading to a major conflict happening later) without immediately being too much", "I'm *planning* (yeah, it's kinda blurry) on writing a story with someone and", "story and both would be some sort of main character. Here is my", "writing a story with someone and we'd both have a character to put", "psychopath) or abandoning others if he can benefit from it. As an example,", "abandoning others if he can benefit from it. As an example, I wanted", "not my mother tongue. --- I'm *planning* (yeah, it's kinda blurry) on writing", "this idea comes from me being fed up with 'too kind' or 'morally", "is my problem : What I want to explore for my protagonist would", "character. Here is my problem : What I want to explore for my", "--- Do you think this is a viable concept ? Is it compatible", "to kill a few innocent people (leading to a major conflict happening later)", "benefit from it. As an example, I wanted my protagonist to kill a", "completely new to this *forum* (or whatever it's called) so don't hesitate to", "or abandoning others if he can benefit from it. As an example, I", "sound too much ? Basically, this idea comes from me being fed up", "mean someone not minding killing (though not some kind of psychopath) or abandoning", "about it. Does this sound too much ? Basically, this idea comes from", "it. As an example, I wanted my protagonist to kill a few innocent", "kill a few innocent people (leading to a major conflict happening later) without", "a few innocent people (leading to a major conflict happening later) without immediately", "I wanted my protagonist to kill a few innocent people (leading to a", "*forum* (or whatever it's called) so don't hesitate to point out anything done", "protagonist ? Should the other *main character* compensate for this trait ? ---", "please excuse the bad English, it's not my mother tongue. --- I'm *planning*", "an example, I wanted my protagonist to kill a few innocent people (leading", "(or whatever it's called) so don't hesitate to point out anything done wrong.", "in the story and both would be some sort of main character. Here", "immediately being too much troubled about it. Does this sound too much ?", "big inspirational speeches, etc). --- Do you think this is a viable concept", "happening later) without immediately being too much troubled about it. Does this sound", "By that, I mean someone not minding killing (though not some kind of", "from me being fed up with 'too kind' or 'morally irreproachable' protagonists (sparing", "viable concept ? Is it compatible with a female protagonist ? Should the", "*planning* (yeah, it's kinda blurry) on writing a story with someone and we'd", "concept ? Is it compatible with a female protagonist ? Should the other", "the other *main character* compensate for this trait ? --- Thanks in advance", "the bad English, it's not my mother tongue. --- I'm *planning* (yeah, it's", "inspirational speeches, etc). --- Do you think this is a viable concept ?", "etc). --- Do you think this is a viable concept ? Is it", "and we'd both have a character to put in the story and both", "giving big inspirational speeches, etc). --- Do you think this is a viable", "? Should the other *main character* compensate for this trait ? --- Thanks", "protagonists (sparing enemies, giving big inspirational speeches, etc). --- Do you think this", "being fed up with 'too kind' or 'morally irreproachable' protagonists (sparing enemies, giving", "I'm completely new to this *forum* (or whatever it's called) so don't hesitate" ]
[ "no editing is done during NaNoWriMo, as unrealistic as that may be). I", "will take to write 1,666 words (assusming all planning is done and no", "helpfully, how do I gauge for myself in a realistic setting, how many", "as unrealistic as that may be). I suspect this will be different between", "editing is done during NaNoWriMo, as unrealistic as that may be). I suspect", "people, so I'd like a way to 'figure this out'. Like '*calculate your", "this will be different between people, so I'd like a way to 'figure", "do I gauge for myself in a realistic setting, how many hours an", "be different between people, so I'd like a way to 'figure this out'.", "I suspect this will be different between people, so I'd like a way", "evening it will take to write 1,666 words (assusming all planning is done", "to write 1,666 words (assusming all planning is done and no editing is", "Or more helpfully, how do I gauge for myself in a realistic setting,", "an evening it will take to write 1,666 words (assusming all planning is", "like a way to 'figure this out'. Like '*calculate your WPM then divide", "myself in a realistic setting, how many hours an evening it will take", "a realistic setting, how many hours an evening it will take to write", "realistic setting, how many hours an evening it will take to write 1,666", "done during NaNoWriMo, as unrealistic as that may be). I suspect this will", "WPM then divide by ten*' or '*Set an hour aside an hour see", "I gauge for myself in a realistic setting, how many hours an evening", "divide by ten*' or '*Set an hour aside an hour see how much", "unrealistic as that may be). I suspect this will be different between people,", "how do I gauge for myself in a realistic setting, how many hours", "gauge for myself in a realistic setting, how many hours an evening it", "that may be). I suspect this will be different between people, so I'd", "or '*Set an hour aside an hour see how much you can write*'.", "words (assusming all planning is done and no editing is done during NaNoWriMo,", "to 'figure this out'. Like '*calculate your WPM then divide by ten*' or", "planning is done and no editing is done during NaNoWriMo, as unrealistic as", "for myself in a realistic setting, how many hours an evening it will", "is done and no editing is done during NaNoWriMo, as unrealistic as that", "different between people, so I'd like a way to 'figure this out'. Like", "way to 'figure this out'. Like '*calculate your WPM then divide by ten*'", "Like '*calculate your WPM then divide by ten*' or '*Set an hour aside", "out'. Like '*calculate your WPM then divide by ten*' or '*Set an hour", "NaNoWriMo, as unrealistic as that may be). I suspect this will be different", "a way to 'figure this out'. Like '*calculate your WPM then divide by", "so I'd like a way to 'figure this out'. Like '*calculate your WPM", "'figure this out'. Like '*calculate your WPM then divide by ten*' or '*Set", "this out'. Like '*calculate your WPM then divide by ten*' or '*Set an", "then divide by ten*' or '*Set an hour aside an hour see how", "many hours an evening it will take to write 1,666 words (assusming all", "all planning is done and no editing is done during NaNoWriMo, as unrealistic", "in a realistic setting, how many hours an evening it will take to", "I'd like a way to 'figure this out'. Like '*calculate your WPM then", "(assusming all planning is done and no editing is done during NaNoWriMo, as", "'*calculate your WPM then divide by ten*' or '*Set an hour aside an", "your WPM then divide by ten*' or '*Set an hour aside an hour", "suspect this will be different between people, so I'd like a way to", "by ten*' or '*Set an hour aside an hour see how much you", "is done during NaNoWriMo, as unrealistic as that may be). I suspect this", "how many hours an evening it will take to write 1,666 words (assusming", "as that may be). I suspect this will be different between people, so", "will be different between people, so I'd like a way to 'figure this", "more helpfully, how do I gauge for myself in a realistic setting, how", "1,666 words (assusming all planning is done and no editing is done during", "done and no editing is done during NaNoWriMo, as unrealistic as that may", "and no editing is done during NaNoWriMo, as unrealistic as that may be).", "take to write 1,666 words (assusming all planning is done and no editing", "during NaNoWriMo, as unrealistic as that may be). I suspect this will be", "may be). I suspect this will be different between people, so I'd like", "between people, so I'd like a way to 'figure this out'. Like '*calculate", "be). I suspect this will be different between people, so I'd like a", "hours an evening it will take to write 1,666 words (assusming all planning", "it will take to write 1,666 words (assusming all planning is done and", "setting, how many hours an evening it will take to write 1,666 words", "ten*' or '*Set an hour aside an hour see how much you can", "write 1,666 words (assusming all planning is done and no editing is done" ]
[ "Joe in a fantasy setting well? What basic criteria should the Muggle character", "feel like this trope is a bit overdone, but still want to use", "bit overdone, but still want to use it. The part that worries me", "this trope straight? What does it takes to integrate an average Joe in", "suspension of disbelief. --- **Is it still possible to play this trope straight?", "it takes to integrate an average Joe in a fantasy setting well? What", "the suspension of disbelief. --- **Is it still possible to play this trope", "The average present-day human whisked away to a fantasy and/or scifi world is", "well? What basic criteria should the Muggle character (personnality/motivation/etc.) meet to not be", "or even break the suspension of disbelief. --- **Is it still possible to", "[stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a bit overdone, but still want", "What basic criteria should the Muggle character (personnality/motivation/etc.) meet to not be a", "criteria should the Muggle character (personnality/motivation/etc.) meet to not be a walking cliché?**", "some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of disbelief. ---", "setting well? What basic criteria should the Muggle character (personnality/motivation/etc.) meet to not", "What does it takes to integrate an average Joe in a fantasy setting", "in a fantasy setting well? What basic criteria should the Muggle character (personnality/motivation/etc.)", "most is the integration of the Muggle character into the setting. I'm afraid", "is the integration of the Muggle character into the setting. I'm afraid it", "add a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break", "break the suspension of disbelief. --- **Is it still possible to play this", "average Joe in a fantasy setting well? What basic criteria should the Muggle", "The part that worries me the most is the integration of the Muggle", "in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a bit overdone, but", "the integration of the Muggle character into the setting. I'm afraid it will", "or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of", "into the setting. I'm afraid it will end up being perceived as a", "world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up", "does it takes to integrate an average Joe in a fantasy setting well?", "an average Joe in a fantasy setting well? What basic criteria should the", "[trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I", "is a bit overdone, but still want to use it. The part that", "be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this", "[wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of disbelief. --- **Is it still", "to use it. The part that worries me the most is the integration", "to add a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even", "like this trope is a bit overdone, but still want to use it.", "overdone, but still want to use it. The part that worries me the", "disbelief. --- **Is it still possible to play this trope straight? What does", "cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension", "it. The part that worries me the most is the integration of the", "the setting. I'm afraid it will end up being perceived as a lazy", "a fantasy setting well? What basic criteria should the Muggle character (personnality/motivation/etc.) meet", "me the most is the integration of the Muggle character into the setting.", "common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate).", "want to use it. The part that worries me the most is the", "perceived as a lazy way to add a cabbagehead or as some sort", "[boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a bit overdone, but still", "lazy way to add a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story,", "average present-day human whisked away to a fantasy and/or scifi world is a", "human whisked away to a fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld).", "trope straight? What does it takes to integrate an average Joe in a", "still possible to play this trope straight? What does it takes to integrate", "part that worries me the most is the integration of the Muggle character", "use it. The part that worries me the most is the integration of", "fantasy setting well? What basic criteria should the Muggle character (personnality/motivation/etc.) meet to", "end up being perceived as a lazy way to add a cabbagehead or", "a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the", "[well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is", "It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel", "afraid it will end up being perceived as a lazy way to add", "straight? What does it takes to integrate an average Joe in a fantasy", "can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like", "way to add a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or", "fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia),", "Muggle character into the setting. I'm afraid it will end up being perceived", "of the Muggle character into the setting. I'm afraid it will end up", "of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of disbelief. --- **Is it", "trope is a bit overdone, but still want to use it. The part", "a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline)", "still want to use it. The part that worries me the most is", "I feel like this trope is a bit overdone, but still want to", "the most is the integration of the Muggle character into the setting. I'm", "used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope", "--- **Is it still possible to play this trope straight? What does it", "the Muggle character into the setting. I'm afraid it will end up being", "character into the setting. I'm afraid it will end up being perceived as", "as a lazy way to add a cabbagehead or as some sort of", "story, or even break the suspension of disbelief. --- **Is it still possible", "it will end up being perceived as a lazy way to add a", "and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or", "**Is it still possible to play this trope straight? What does it takes", "being perceived as a lazy way to add a cabbagehead or as some", "is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end up in", "to integrate an average Joe in a fantasy setting well? What basic criteria", "or end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a", "up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a bit overdone,", "basic criteria should the Muggle character (personnality/motivation/etc.) meet to not be a walking", "I'm afraid it will end up being perceived as a lazy way to", "possible to play this trope straight? What does it takes to integrate an", "to a fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be", "but still want to use it. The part that worries me the most", "a bit overdone, but still want to use it. The part that worries", "it still possible to play this trope straight? What does it takes to", "worries me the most is the integration of the Muggle character into the", "end up in [boring](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline?from=Main.SwordArtOnline) [stories](http://tvtropes.org/pmwiki/pmwiki.php/Literature/Gate?from=Main.Gate). I feel like this trope is a bit", "of disbelief. --- **Is it still possible to play this trope straight? What", "integration of the Muggle character into the setting. I'm afraid it will end", "away to a fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can", "up being perceived as a lazy way to add a cabbagehead or as", "integrate an average Joe in a fantasy setting well? What basic criteria should", "to play this trope straight? What does it takes to integrate an average", "a fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used", "scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It can be used [well](http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheChroniclesOfNarnia?from=Main.TheChroniclesOfNarnia), or end", "this trope is a bit overdone, but still want to use it. The", "will end up being perceived as a lazy way to add a cabbagehead", "takes to integrate an average Joe in a fantasy setting well? What basic", "even break the suspension of disbelief. --- **Is it still possible to play", "present-day human whisked away to a fantasy and/or scifi world is a common", "setting. I'm afraid it will end up being perceived as a lazy way", "as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of disbelief.", "whisked away to a fantasy and/or scifi world is a common [trope](http://tvtropes.org/pmwiki/pmwiki.php/Main/TrappedInAnotherWorld). It", "play this trope straight? What does it takes to integrate an average Joe", "a lazy way to add a cabbagehead or as some sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero)", "that worries me the most is the integration of the Muggle character into", "sort of [wish-fulfillment](http://tvtropes.org/pmwiki/pmwiki.php/Main/SummonEverymanHero) story, or even break the suspension of disbelief. --- **Is" ]
[ "hold without being buried under all the connective lines- I need something with", "programs, neither of which are going to work for my purposes as I'm", "or selective view. The best option I have found was the WriteItNow program,", "that since those other threads were made, some other options have come up", "wits end here- I've been surfing the internet looking for something useful all", "I need to be able to customize the connections in some capacity. *", "for something useful all day and have pretty much nothing to show for", "would meet this need (I looked through many suggestions in some older threads", "public (looking at you, Kumu) - my preference is for something that can", "aspects for a good many years now, and I'm finding myself in need", "WriteItNow program, but I don't care at all for the rest of the", "to lay some groundwork for a story that I've been working on in", "years now, and I'm finding myself in need of a visual representation of", "I'm attempting to lay some groundwork for a story that I've been working", "than I have. * Mind mapping software is OK if elements can be", "I'm finding is either mind mapping or flow chart type programs, neither of", "at you, Kumu) - my preference is for something that can be downloaded.", "downloaded. * I need to be able to customize the connections in some", "that I'd use isn't polished enough to justify me dropping a load of", "mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with much success. Most of", "already and it wouldn't provide enough of what I'd need to choose it", "lay some groundwork for a story that I've been working on in various", "my detailed character files are elsewhere already and it wouldn't provide enough of", "myself in need of a visual representation of character relationships. I've done some", "have so far not met with much success. Most of what I'm finding", "purposes as I'm trying to incorporate more characters than any of this sort", "it wouldn't provide enough of what I'd need to choose it over other", "something useful all day and have pretty much nothing to show for it.", "that connect directly to it. Otherwise, this type of software isn't going to", "ya'll have had better luck finding them than I have. * Mind mapping", "were made, some other options have come up and ya'll have had better", "in some older threads on the same subject at [Software for developing and", "of the program and the one feature that I'd use isn't polished enough", "under all the connective lines- I need something with a filter or selective", "being buried under all the connective lines- I need something with a filter", "OK if elements can be isolated to show only things that connect directly", "I'd use isn't polished enough to justify me dropping a load of money", "of software isn't going to work for me. * I'm looking for something", "when my detailed character files are elsewhere already and it wouldn't provide enough", "digging looking for software that would meet this need (I looked through many", "to show only things that connect directly to it. Otherwise, this type of", "the one feature that I'd use isn't polished enough to justify me dropping", "at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship", "detailed character files are elsewhere already and it wouldn't provide enough of what", "I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with", "the connections in some capacity. * Otherwise, I'm pretty open to ideas. At", "done some digging looking for software that would meet this need (I looked", "* I'm looking for something that isn't based online in such a way", "on the same subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com:", "selective view. The best option I have found was the WriteItNow program, but", "a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with much success.", "this type of software isn't going to work for me. * I'm looking", "visual representation of character relationships. I've done some digging looking for software that", "have found was the WriteItNow program, but I don't care at all for", "my preference is for something that can be downloaded. * I need to", "program, but I don't care at all for the rest of the program", "So, I'm hoping that since those other threads were made, some other options", "good many years now, and I'm finding myself in need of a visual", "older threads on the same subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters)", "than any of this sort of software could realistically hold without being buried", "some digging looking for software that would meet this need (I looked through", "this need (I looked through many suggestions in some older threads on the", "on in various aspects for a good many years now, and I'm finding", "if elements can be isolated to show only things that connect directly to", "- my preference is for something that can be downloaded. * I need", "feature that I'd use isn't polished enough to justify me dropping a load", "surfing the internet looking for something useful all day and have pretty much", "those other threads were made, some other options have come up and ya'll", "luck finding them than I have. * Mind mapping software is OK if", "of a visual representation of character relationships. I've done some digging looking for", "any of this sort of software could realistically hold without being buried under", "is OK if elements can be isolated to show only things that connect", "connective lines- I need something with a filter or selective view. The best", "or flow chart type programs, neither of which are going to work for", "more characters than any of this sort of software could realistically hold without", "only things that connect directly to it. Otherwise, this type of software isn't", "polished enough to justify me dropping a load of money on it- especially", "show only things that connect directly to it. Otherwise, this type of software", "finding them than I have. * Mind mapping software is OK if elements", "I have found was the WriteItNow program, but I don't care at all", "options have come up and ya'll have had better luck finding them than", "rest of the program and the one feature that I'd use isn't polished", "trying to incorporate more characters than any of this sort of software could", "to work for my purposes as I'm trying to incorporate more characters than", "the program and the one feature that I'd use isn't polished enough to", "of character relationships. I've done some digging looking for software that would meet", "you, Kumu) - my preference is for something that can be downloaded. *", "some groundwork for a story that I've been working on in various aspects", "filter or selective view. The best option I have found was the WriteItNow", "that isn't based online in such a way that it's visible to the", "at all for the rest of the program and the one feature that", "* Otherwise, I'm pretty open to ideas. At my wits end here- I've", "neither of which are going to work for my purposes as I'm trying", "looking for software that would meet this need (I looked through many suggestions", "(I looked through many suggestions in some older threads on the same subject", "met with much success. Most of what I'm finding is either mind mapping", "programs. So, I'm hoping that since those other threads were made, some other", "attempting to lay some groundwork for a story that I've been working on", "software that would meet this need (I looked through many suggestions in some", "enough to justify me dropping a load of money on it- especially when", "ideas. At my wits end here- I've been surfing the internet looking for", "* I need to be able to customize the connections in some capacity.", "subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a", "especially when my detailed character files are elsewhere already and it wouldn't provide", "I'm pretty open to ideas. At my wits end here- I've been surfing", "justify me dropping a load of money on it- especially when my detailed", "Kumu) - my preference is for something that can be downloaded. * I", "groundwork for a story that I've been working on in various aspects for", "that would meet this need (I looked through many suggestions in some older", "all for the rest of the program and the one feature that I'd", "which are going to work for my purposes as I'm trying to incorporate", "have come up and ya'll have had better luck finding them than I", "up and ya'll have had better luck finding them than I have. *", "a story that I've been working on in various aspects for a good", "I don't care at all for the rest of the program and the", "and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not", "suggestions in some older threads on the same subject at [Software for developing", "[Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping", "of this sort of software could realistically hold without being buried under all", "sort of software could realistically hold without being buried under all the connective", "(looking at you, Kumu) - my preference is for something that can be", "files are elsewhere already and it wouldn't provide enough of what I'd need", "going to work for me. * I'm looking for something that isn't based", "tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with much success. Most of what", "The best option I have found was the WriteItNow program, but I don't", "the rest of the program and the one feature that I'd use isn't", "to ideas. At my wits end here- I've been surfing the internet looking", "I'd need to choose it over other programs. So, I'm hoping that since", "my wits end here- I've been surfing the internet looking for something useful", "money on it- especially when my detailed character files are elsewhere already and", "much success. Most of what I'm finding is either mind mapping or flow", "for software that would meet this need (I looked through many suggestions in", "same subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need", "isolated to show only things that connect directly to it. Otherwise, this type", "the connective lines- I need something with a filter or selective view. The", "to choose it over other programs. So, I'm hoping that since those other", "open to ideas. At my wits end here- I've been surfing the internet", "view. The best option I have found was the WriteItNow program, but I", "At my wits end here- I've been surfing the internet looking for something", "better luck finding them than I have. * Mind mapping software is OK", "so far not met with much success. Most of what I'm finding is", "and it wouldn't provide enough of what I'd need to choose it over", "come up and ya'll have had better luck finding them than I have.", "it- especially when my detailed character files are elsewhere already and it wouldn't", "of software could realistically hold without being buried under all the connective lines-", "character relationships. I've done some digging looking for software that would meet this", "something with a filter or selective view. The best option I have found", "be able to customize the connections in some capacity. * Otherwise, I'm pretty", "many suggestions in some older threads on the same subject at [Software for", "I'm looking for something that isn't based online in such a way that", "pretty open to ideas. At my wits end here- I've been surfing the", "customize the connections in some capacity. * Otherwise, I'm pretty open to ideas.", "elements can be isolated to show only things that connect directly to it.", "far not met with much success. Most of what I'm finding is either", "visible to the public (looking at you, Kumu) - my preference is for", "in some capacity. * Otherwise, I'm pretty open to ideas. At my wits", "the WriteItNow program, but I don't care at all for the rest of", "made, some other options have come up and ya'll have had better luck", "one feature that I'd use isn't polished enough to justify me dropping a", "directly to it. Otherwise, this type of software isn't going to work for", "way that it's visible to the public (looking at you, Kumu) - my", "for something that can be downloaded. * I need to be able to", "software could realistically hold without being buried under all the connective lines- I", "of what I'm finding is either mind mapping or flow chart type programs,", "looking for something useful all day and have pretty much nothing to show", "mapping software is OK if elements can be isolated to show only things", "to it. Otherwise, this type of software isn't going to work for me.", "that it's visible to the public (looking at you, Kumu) - my preference", "some capacity. * Otherwise, I'm pretty open to ideas. At my wits end", "developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and", "not met with much success. Most of what I'm finding is either mind", "use isn't polished enough to justify me dropping a load of money on", "finding myself in need of a visual representation of character relationships. I've done", "threads were made, some other options have come up and ya'll have had", "what I'd need to choose it over other programs. So, I'm hoping that", "software isn't going to work for me. * I'm looking for something that", "relationships. I've done some digging looking for software that would meet this need", "for a story that I've been working on in various aspects for a", "to the public (looking at you, Kumu) - my preference is for something", "and I'm finding myself in need of a visual representation of character relationships.", "is either mind mapping or flow chart type programs, neither of which are", "to customize the connections in some capacity. * Otherwise, I'm pretty open to", "looked through many suggestions in some older threads on the same subject at", "characters than any of this sort of software could realistically hold without being", "and have so far not met with much success. Most of what I'm", "of what I'd need to choose it over other programs. So, I'm hoping", "I need something with a filter or selective view. The best option I", "in such a way that it's visible to the public (looking at you,", "but I don't care at all for the rest of the program and", "the public (looking at you, Kumu) - my preference is for something that", "elsewhere already and it wouldn't provide enough of what I'd need to choose", "a visual representation of character relationships. I've done some digging looking for software", "internet looking for something useful all day and have pretty much nothing to", "the same subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I", "for a good many years now, and I'm finding myself in need of", "some older threads on the same subject at [Software for developing and organizing", "able to customize the connections in some capacity. * Otherwise, I'm pretty open", "online in such a way that it's visible to the public (looking at", "success. Most of what I'm finding is either mind mapping or flow chart", "and the one feature that I'd use isn't polished enough to justify me", "end here- I've been surfing the internet looking for something useful all day", "that can be downloaded. * I need to be able to customize the", "to be able to customize the connections in some capacity. * Otherwise, I'm", "me. * I'm looking for something that isn't based online in such a", "going to work for my purposes as I'm trying to incorporate more characters", "load of money on it- especially when my detailed character files are elsewhere", "chart type programs, neither of which are going to work for my purposes", "choose it over other programs. So, I'm hoping that since those other threads", "what I'm finding is either mind mapping or flow chart type programs, neither", "have had better luck finding them than I have. * Mind mapping software", "character files are elsewhere already and it wouldn't provide enough of what I'd", "are elsewhere already and it wouldn't provide enough of what I'd need to", "work for my purposes as I'm trying to incorporate more characters than any", "since those other threads were made, some other options have come up and", "had better luck finding them than I have. * Mind mapping software is", "could realistically hold without being buried under all the connective lines- I need", "in various aspects for a good many years now, and I'm finding myself", "are going to work for my purposes as I'm trying to incorporate more", "be downloaded. * I need to be able to customize the connections in", "mind mapping or flow chart type programs, neither of which are going to", "can be isolated to show only things that connect directly to it. Otherwise,", "need to be able to customize the connections in some capacity. * Otherwise,", "through many suggestions in some older threads on the same subject at [Software", "I've done some digging looking for software that would meet this need (I", "connect directly to it. Otherwise, this type of software isn't going to work", "to work for me. * I'm looking for something that isn't based online", "and ya'll have had better luck finding them than I have. * Mind", "many years now, and I'm finding myself in need of a visual representation", "for my purposes as I'm trying to incorporate more characters than any of", "of money on it- especially when my detailed character files are elsewhere already", "my purposes as I'm trying to incorporate more characters than any of this", "software is OK if elements can be isolated to show only things that", "without being buried under all the connective lines- I need something with a", "need to choose it over other programs. So, I'm hoping that since those", "it's visible to the public (looking at you, Kumu) - my preference is", "type of software isn't going to work for me. * I'm looking for", "for something that isn't based online in such a way that it's visible", "the internet looking for something useful all day and have pretty much nothing", "need of a visual representation of character relationships. I've done some digging looking", "a good many years now, and I'm finding myself in need of a", "working on in various aspects for a good many years now, and I'm", "need (I looked through many suggestions in some older threads on the same", "other options have come up and ya'll have had better luck finding them", "things that connect directly to it. Otherwise, this type of software isn't going", "with much success. Most of what I'm finding is either mind mapping or", "a filter or selective view. The best option I have found was the", "I'm finding myself in need of a visual representation of character relationships. I've", "option I have found was the WriteItNow program, but I don't care at", "here- I've been surfing the internet looking for something useful all day and", "found was the WriteItNow program, but I don't care at all for the", "as I'm trying to incorporate more characters than any of this sort of", "a load of money on it- especially when my detailed character files are", "me dropping a load of money on it- especially when my detailed character", "relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with much success. Most", "for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/))", "* Mind mapping software is OK if elements can be isolated to show", "Mind mapping software is OK if elements can be isolated to show only", "meet this need (I looked through many suggestions in some older threads on", "enough of what I'd need to choose it over other programs. So, I'm", "them than I have. * Mind mapping software is OK if elements can", "incorporate more characters than any of this sort of software could realistically hold", "capacity. * Otherwise, I'm pretty open to ideas. At my wits end here-", "flow chart type programs, neither of which are going to work for my", "such a way that it's visible to the public (looking at you, Kumu)", "can be downloaded. * I need to be able to customize the connections", "threads on the same subject at [Software for developing and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and", "is for something that can be downloaded. * I need to be able", "been surfing the internet looking for something useful all day and have pretty", "I'm hoping that since those other threads were made, some other options have", "for me. * I'm looking for something that isn't based online in such", "and organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have", "either mind mapping or flow chart type programs, neither of which are going", "best option I have found was the WriteItNow program, but I don't care", "finding is either mind mapping or flow chart type programs, neither of which", "provide enough of what I'd need to choose it over other programs. So,", "a way that it's visible to the public (looking at you, Kumu) -", "isn't polished enough to justify me dropping a load of money on it-", "need something with a filter or selective view. The best option I have", "something that isn't based online in such a way that it's visible to", "to justify me dropping a load of money on it- especially when my", "on it- especially when my detailed character files are elsewhere already and it", "dropping a load of money on it- especially when my detailed character files", "to incorporate more characters than any of this sort of software could realistically", "connections in some capacity. * Otherwise, I'm pretty open to ideas. At my", "now, and I'm finding myself in need of a visual representation of character", "some other options have come up and ya'll have had better luck finding", "representation of character relationships. I've done some digging looking for software that would", "work for me. * I'm looking for something that isn't based online in", "type programs, neither of which are going to work for my purposes as", "I've been working on in various aspects for a good many years now,", "characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far", "program and the one feature that I'd use isn't polished enough to justify", "buried under all the connective lines- I need something with a filter or", "over other programs. So, I'm hoping that since those other threads were made,", "I have. * Mind mapping software is OK if elements can be isolated", "wouldn't provide enough of what I'd need to choose it over other programs.", "isn't going to work for me. * I'm looking for something that isn't", "it over other programs. So, I'm hoping that since those other threads were", "Most of what I'm finding is either mind mapping or flow chart type", "looking for something that isn't based online in such a way that it's", "that I've been working on in various aspects for a good many years", "hoping that since those other threads were made, some other options have come", "mapping or flow chart type programs, neither of which are going to work", "isn't based online in such a way that it's visible to the public", "realistically hold without being buried under all the connective lines- I need something", "with a filter or selective view. The best option I have found was", "was the WriteItNow program, but I don't care at all for the rest", "don't care at all for the rest of the program and the one", "this sort of software could realistically hold without being buried under all the", "other threads were made, some other options have come up and ya'll have", "preference is for something that can be downloaded. * I need to be", "of which are going to work for my purposes as I'm trying to", "been working on in various aspects for a good many years now, and", "various aspects for a good many years now, and I'm finding myself in", "in need of a visual representation of character relationships. I've done some digging", "organizing characters](https://writers.stackexchange.com/questions/8938/software-for-developing-and-organizing-characters) and [geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so", "need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met with much", "care at all for the rest of the program and the one feature", "I've been surfing the internet looking for something useful all day and have", "have. * Mind mapping software is OK if elements can be isolated to", "all the connective lines- I need something with a filter or selective view.", "[geek-related.com: I need a relationship mapping tool](https://geek-related.com/2012/01/24/i-need-a-relationship-mapping-tool/)) and have so far not met", "story that I've been working on in various aspects for a good many", "it. Otherwise, this type of software isn't going to work for me. *", "lines- I need something with a filter or selective view. The best option", "other programs. So, I'm hoping that since those other threads were made, some", "be isolated to show only things that connect directly to it. Otherwise, this", "something that can be downloaded. * I need to be able to customize", "Otherwise, this type of software isn't going to work for me. * I'm", "I'm trying to incorporate more characters than any of this sort of software", "for the rest of the program and the one feature that I'd use", "Otherwise, I'm pretty open to ideas. At my wits end here- I've been", "based online in such a way that it's visible to the public (looking" ]
[ "I do use this approach, then how do I introduce the character ?", "ruin the surprise. So how do I approach this ? Note: While the", "\"The Dictator\" would ruin the surprise. So how do I approach this ?", "do I introduce the character ? The setting is a post-apocalyptic world and", "is a post-apocalyptic world and the character is the titular reclusive dictator of", "you think of this approach ? Will the readers (or you as a", "him. So what I'm looking for is - 1. What do you think", "as that question was focused on a specific scenario and I'm looking for", "[this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him \"The Dictator\" would ruin", "of the chapter (without naming who he is), focus on his actions and", "dictator of the survivors. So calling him \"Thin man\" or \"The Long Haired", "omniscient) that I'm writing, there is one character that has an overbearing presence", "a specific scenario and I'm looking for a more generic approach (In other", "I'll be introducing the character at the beginning of the chapter (without naming", "I'm writing, there is one character that has an overbearing presence all through", "post-apocalyptic world and the character is the titular reclusive dictator of the survivors.", "ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him \"The Dictator\" would", "do is write the epilogue with the character as the focus. I'll be", "chapter ends, I will identify him. So what I'm looking for is -", "novel (3rd person omniscient) that I'm writing, there is one character that has", "books which have chapters using this approach ? 3. If I do use", "the character as the focus. I'll be introducing the character at the beginning", "my approach ? 2. Any Good books which have chapters using this approach", "What I'm trying to do is write the epilogue with the character as", "approach ? 2. Any Good books which have chapters using this approach ?", "to change my approach ? 2. Any Good books which have chapters using", "focus on his actions and just when the chapter ends, I will identify", "Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him", "beginning of the chapter (without naming who he is), focus on his actions", "and just when the chapter ends, I will identify him. So what I'm", "? 3. If I do use this approach, then how do I introduce", "it is not as that question was focused on a specific scenario and", "need to change my approach ? 2. Any Good books which have chapters", "do use this approach, then how do I introduce the character ? The", "ends, I will identify him. So what I'm looking for is - 1.", "the character is the titular reclusive dictator of the survivors. So calling him", "survivors. So calling him \"Thin man\" or \"The Long Haired man\" ala [this", "looking for is - 1. What do you think of this approach ?", "is never seen and no one interacts with him. What I'm trying to", "will identify him. So what I'm looking for is - 1. What do", "a reader) like this ? or do I need to change my approach", "a post-apocalyptic world and the character is the titular reclusive dictator of the", "calling him \"Thin man\" or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will", "question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him \"The Dictator\" would ruin the", "not be appropriate and calling him \"The Dictator\" would ruin the surprise. So", "the chapter ends, I will identify him. So what I'm looking for is", "I will identify him. So what I'm looking for is - 1. What", "(without naming who he is), focus on his actions and just when the", "at the beginning of the chapter (without naming who he is), focus on", "seen and no one interacts with him. What I'm trying to do is", "man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him \"The Dictator\"", "the beginning of the chapter (without naming who he is), focus on his", "but is never seen and no one interacts with him. What I'm trying", "? The setting is a post-apocalyptic world and the character is the titular", "the survivors. So calling him \"Thin man\" or \"The Long Haired man\" ala", "was focused on a specific scenario and I'm looking for a more generic", "never seen and no one interacts with him. What I'm trying to do", "the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was", "has an overbearing presence all through the story but is never seen and", "[this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was focused on a specific scenario", "I'm looking for is - 1. What do you think of this approach", "- 1. What do you think of this approach ? Will the readers", "the titular reclusive dictator of the survivors. So calling him \"Thin man\" or", "how do I introduce the character ? The setting is a post-apocalyptic world", "Dictator\" would ruin the surprise. So how do I approach this ? Note:", "you as a reader) like this ? or do I need to change", "the story but is never seen and no one interacts with him. What", "no one interacts with him. What I'm trying to do is write the", "is), focus on his actions and just when the chapter ends, I will", "So how do I approach this ? Note: While the question looks similar", "be introducing the character at the beginning of the chapter (without naming who", "2. Any Good books which have chapters using this approach ? 3. If", "is the titular reclusive dictator of the survivors. So calling him \"Thin man\"", "what I'm looking for is - 1. What do you think of this", "trying to do is write the epilogue with the character as the focus.", "focus. I'll be introducing the character at the beginning of the chapter (without", "the readers (or you as a reader) like this ? or do I", "for a more generic approach (In other words, I can't have tribal names).", "question was focused on a specific scenario and I'm looking for a more", "specific scenario and I'm looking for a more generic approach (In other words,", "looking for a more generic approach (In other words, I can't have tribal", "chapters using this approach ? 3. If I do use this approach, then", "(3rd person omniscient) that I'm writing, there is one character that has an", "just when the chapter ends, I will identify him. So what I'm looking", "this ? Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not", "and calling him \"The Dictator\" would ruin the surprise. So how do I", "the focus. I'll be introducing the character at the beginning of the chapter", "on his actions and just when the chapter ends, I will identify him.", "introducing the character at the beginning of the chapter (without naming who he", "change my approach ? 2. Any Good books which have chapters using this", "using this approach ? 3. If I do use this approach, then how", "Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that", "do you think of this approach ? Will the readers (or you as", "The setting is a post-apocalyptic world and the character is the titular reclusive", "not as that question was focused on a specific scenario and I'm looking", "I'm trying to do is write the epilogue with the character as the", "story but is never seen and no one interacts with him. What I'm", "calling him \"The Dictator\" would ruin the surprise. So how do I approach", "I introduce the character ? The setting is a post-apocalyptic world and the", "\"Thin man\" or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be", "the novel (3rd person omniscient) that I'm writing, there is one character that", "identify him. So what I'm looking for is - 1. What do you", "of this approach ? Will the readers (or you as a reader) like", "actions and just when the chapter ends, I will identify him. So what", "this approach ? 3. If I do use this approach, then how do", "introduce the character ? The setting is a post-apocalyptic world and the character", "appropriate and calling him \"The Dictator\" would ruin the surprise. So how do", "is write the epilogue with the character as the focus. I'll be introducing", "interacts with him. What I'm trying to do is write the epilogue with", "epilogue with the character as the focus. I'll be introducing the character at", "person omniscient) that I'm writing, there is one character that has an overbearing", "have chapters using this approach ? 3. If I do use this approach,", "reclusive dictator of the survivors. So calling him \"Thin man\" or \"The Long", "In the novel (3rd person omniscient) that I'm writing, there is one character", "all through the story but is never seen and no one interacts with", "character ? The setting is a post-apocalyptic world and the character is the", "I'm looking for a more generic approach (In other words, I can't have", "with the character as the focus. I'll be introducing the character at the", "presence all through the story but is never seen and no one interacts", "or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and", "readers (or you as a reader) like this ? or do I need", "approach ? Will the readers (or you as a reader) like this ?", "While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question", "scenario and I'm looking for a more generic approach (In other words, I", "him \"Thin man\" or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not", "man\" or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate", "then how do I introduce the character ? The setting is a post-apocalyptic", "character is the titular reclusive dictator of the survivors. So calling him \"Thin", "one interacts with him. What I'm trying to do is write the epilogue", "1. What do you think of this approach ? Will the readers (or", "as a reader) like this ? or do I need to change my", "do I need to change my approach ? 2. Any Good books which", "the surprise. So how do I approach this ? Note: While the question", "and I'm looking for a more generic approach (In other words, I can't", "of the survivors. So calling him \"Thin man\" or \"The Long Haired man\"", "(or you as a reader) like this ? or do I need to", "If I do use this approach, then how do I introduce the character", "this ? or do I need to change my approach ? 2. Any", "? Will the readers (or you as a reader) like this ? or", "will not be appropriate and calling him \"The Dictator\" would ruin the surprise.", "I need to change my approach ? 2. Any Good books which have", "there is one character that has an overbearing presence all through the story", "Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling him \"The", "? 2. Any Good books which have chapters using this approach ? 3.", "when the chapter ends, I will identify him. So what I'm looking for", "how do I approach this ? Note: While the question looks similar to", "What do you think of this approach ? Will the readers (or you", "? or do I need to change my approach ? 2. Any Good", "one character that has an overbearing presence all through the story but is", "the chapter (without naming who he is), focus on his actions and just", "him \"The Dictator\" would ruin the surprise. So how do I approach this", "with him. What I'm trying to do is write the epilogue with the", "approach, then how do I introduce the character ? The setting is a", "looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was focused on", "an overbearing presence all through the story but is never seen and no", "is - 1. What do you think of this approach ? Will the", "similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was focused on a", "to do is write the epilogue with the character as the focus. I'll", "question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was focused", "and no one interacts with him. What I'm trying to do is write", "the character ? The setting is a post-apocalyptic world and the character is", "approach this ? Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is", "Will the readers (or you as a reader) like this ? or do", "titular reclusive dictator of the survivors. So calling him \"Thin man\" or \"The", "who he is), focus on his actions and just when the chapter ends,", "character as the focus. I'll be introducing the character at the beginning of", "that question was focused on a specific scenario and I'm looking for a", "overbearing presence all through the story but is never seen and no one", "naming who he is), focus on his actions and just when the chapter", "3. If I do use this approach, then how do I introduce the", "would ruin the surprise. So how do I approach this ? Note: While", "his actions and just when the chapter ends, I will identify him. So", "be appropriate and calling him \"The Dictator\" would ruin the surprise. So how", "? Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as", "world and the character is the titular reclusive dictator of the survivors. So", "is one character that has an overbearing presence all through the story but", "surprise. So how do I approach this ? Note: While the question looks", "this approach, then how do I introduce the character ? The setting is", "him. What I'm trying to do is write the epilogue with the character", "and the character is the titular reclusive dictator of the survivors. So calling", "use this approach, then how do I introduce the character ? The setting", "as the focus. I'll be introducing the character at the beginning of the", "the epilogue with the character as the focus. I'll be introducing the character", "on a specific scenario and I'm looking for a more generic approach (In", "he is), focus on his actions and just when the chapter ends, I", "the character at the beginning of the chapter (without naming who he is),", "write the epilogue with the character as the focus. I'll be introducing the", "or do I need to change my approach ? 2. Any Good books", "reader) like this ? or do I need to change my approach ?", "to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it is not as that question was focused on a specific", "\"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address) will not be appropriate and calling", "do I approach this ? Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book),", "character that has an overbearing presence all through the story but is never", "this approach ? Will the readers (or you as a reader) like this", "writing, there is one character that has an overbearing presence all through the", "chapter (without naming who he is), focus on his actions and just when", "I approach this ? Note: While the question looks similar to [this](https://writers.stackexchange.com/questions/7262/how-to-have-a-character-be-nameless-for-the-first-few-paragraphs-of-a-book), it", "So calling him \"Thin man\" or \"The Long Haired man\" ala [this question](https://writers.stackexchange.com/questions/10196/multiple-characters-without-names-how-to-address)", "through the story but is never seen and no one interacts with him.", "like this ? or do I need to change my approach ? 2.", "approach ? 3. If I do use this approach, then how do I", "setting is a post-apocalyptic world and the character is the titular reclusive dictator", "think of this approach ? Will the readers (or you as a reader)", "Good books which have chapters using this approach ? 3. If I do", "which have chapters using this approach ? 3. If I do use this", "is not as that question was focused on a specific scenario and I'm", "for is - 1. What do you think of this approach ? Will", "Any Good books which have chapters using this approach ? 3. If I", "character at the beginning of the chapter (without naming who he is), focus", "focused on a specific scenario and I'm looking for a more generic approach", "that I'm writing, there is one character that has an overbearing presence all", "that has an overbearing presence all through the story but is never seen", "So what I'm looking for is - 1. What do you think of" ]
[ "dedication of my upcoming book, I have written > > For my child.", "> > For my child. > > > Do you think that period", "I have written > > For my child. > > > Do you", "my child. > > > Do you think that period should be there?", "For my child. > > > Do you think that period should be", "> For my child. > > > Do you think that period should", "the dedication of my upcoming book, I have written > > For my", "book, I have written > > For my child. > > > Do", "have written > > For my child. > > > Do you think", "written > > For my child. > > > Do you think that", "of my upcoming book, I have written > > For my child. >", "upcoming book, I have written > > For my child. > > >", "For the dedication of my upcoming book, I have written > > For", "my upcoming book, I have written > > For my child. > >" ]
[ "across as telling? Specific to this example, is it obvious and unambiguous that", "my action beats feel awkward and repetitive. I seem to reuse similar action", "reuse similar action patterns. For example, \"A studied/looked at/observed B\" or \"A smiled/grinned", "patient, weathered half-smile on his face**. “Look, we practiced this a hundred times.", "> How can I create more diversity, avoiding the the \"A studied/looked at/observed", "patterns. For example, \"A studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally,", "full of rocking chairs.” **He studied MujiTD, a patient, weathered half-smile on his", "example, \"A studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes", "at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback that", "in the cramped space capsule and slapped MujiTD on the back. “MujiTD, you", "slapped MujiTD on the back. “MujiTD, you got to relax. You’re ‘bout as", "to relax. You’re ‘bout as calm as a long-tailed cat in a room", "create more diversity, avoiding the the \"A studied/looked at/observed B\" pattern that I", "For example, \"A studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally, I", "“MujiTD, you got to relax. You’re ‘bout as calm as a long-tailed cat", "action patterns. For example, \"A studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\".", "sometimes get feedback that words in the beat that I assume are \"showing\"", "half-smile is on Djtan's face rather than MujiTD's? If not, how can I", "that the half-smile is on Djtan's face rather than MujiTD's? If not, how", "does it come across as telling? Specific to this example, is it obvious", "Djtan Lockwood twisted around in the cramped space capsule and slapped MujiTD on", "B\" or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback that words", "I seem to reuse similar action patterns. For example, \"A studied/looked at/observed B\"", "long-tailed cat in a room full of rocking chairs.” **He studied MujiTD, a", "example, is it obvious and unambiguous that the half-smile is on Djtan's face", "seem to reuse similar action patterns. For example, \"A studied/looked at/observed B\" or", "this example, is it obvious and unambiguous that the half-smile is on Djtan's", "rocking chairs.” **He studied MujiTD, a patient, weathered half-smile on his face**. “Look,", "the half-smile is on Djtan's face rather than MujiTD's? If not, how can", "words in the beat that I assume are \"showing\" are in reality \"telling\".", "as calm as a long-tailed cat in a room full of rocking chairs.”", "relax. You’re ‘bout as calm as a long-tailed cat in a room full", "descriptive, or does it come across as telling? Specific to this example, is", "beat that I assume are \"showing\" are in reality \"telling\". In this description", "that words in the beat that I assume are \"showing\" are in reality", "assume are \"showing\" are in reality \"telling\". In this description > > Djtan", "cramped space capsule and slapped MujiTD on the back. “MujiTD, you got to", "unambiguous that the half-smile is on Djtan's face rather than MujiTD's? If not,", "hundred times. It’s just another simulation, son.” > > > How can I", "avoiding the the \"A studied/looked at/observed B\" pattern that I seem to overuse?", "weathered half-smile on his face**. “Look, we practiced this a hundred times. It’s", "overuse? Is \"patient\" descriptive, or does it come across as telling? Specific to", "come across as telling? Specific to this example, is it obvious and unambiguous", "practiced this a hundred times. It’s just another simulation, son.” > > >", "is on Djtan's face rather than MujiTD's? If not, how can I improve?", "beats feel awkward and repetitive. I seem to reuse similar action patterns. For", "reality \"telling\". In this description > > Djtan Lockwood twisted around in the", "and repetitive. I seem to reuse similar action patterns. For example, \"A studied/looked", "\"showing\" are in reality \"telling\". In this description > > Djtan Lockwood twisted", "pattern that I seem to overuse? Is \"patient\" descriptive, or does it come", "“Look, we practiced this a hundred times. It’s just another simulation, son.” >", "studied MujiTD, a patient, weathered half-smile on his face**. “Look, we practiced this", "get feedback that words in the beat that I assume are \"showing\" are", "studied/looked at/observed B\" pattern that I seem to overuse? Is \"patient\" descriptive, or", "\"telling\". In this description > > Djtan Lockwood twisted around in the cramped", "I seem to overuse? Is \"patient\" descriptive, or does it come across as", "I sometimes get feedback that words in the beat that I assume are", "a room full of rocking chairs.” **He studied MujiTD, a patient, weathered half-smile", "more diversity, avoiding the the \"A studied/looked at/observed B\" pattern that I seem", "in reality \"telling\". In this description > > Djtan Lockwood twisted around in", "description > > Djtan Lockwood twisted around in the cramped space capsule and", "> > How can I create more diversity, avoiding the the \"A studied/looked", "a patient, weathered half-smile on his face**. “Look, we practiced this a hundred", "that I seem to overuse? Is \"patient\" descriptive, or does it come across", "capsule and slapped MujiTD on the back. “MujiTD, you got to relax. You’re", "feedback that words in the beat that I assume are \"showing\" are in", "I create more diversity, avoiding the the \"A studied/looked at/observed B\" pattern that", "we practiced this a hundred times. It’s just another simulation, son.” > >", "just another simulation, son.” > > > How can I create more diversity,", "adverb)\". Additionally, I sometimes get feedback that words in the beat that I", "Specific to this example, is it obvious and unambiguous that the half-smile is", "> Djtan Lockwood twisted around in the cramped space capsule and slapped MujiTD", "and slapped MujiTD on the back. “MujiTD, you got to relax. You’re ‘bout", "half-smile on his face**. “Look, we practiced this a hundred times. It’s just", "are in reality \"telling\". In this description > > Djtan Lockwood twisted around", "simulation, son.” > > > How can I create more diversity, avoiding the", "the cramped space capsule and slapped MujiTD on the back. “MujiTD, you got", "studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback", "‘bout as calm as a long-tailed cat in a room full of rocking", "(optional adverb)\". Additionally, I sometimes get feedback that words in the beat that", "on his face**. “Look, we practiced this a hundred times. It’s just another", "his face**. “Look, we practiced this a hundred times. It’s just another simulation,", "this a hundred times. It’s just another simulation, son.” > > > How", "I assume are \"showing\" are in reality \"telling\". In this description > >", "MujiTD on the back. “MujiTD, you got to relax. You’re ‘bout as calm", "cat in a room full of rocking chairs.” **He studied MujiTD, a patient,", "\"A studied/looked at/observed B\" pattern that I seem to overuse? Is \"patient\" descriptive,", "How can I create more diversity, avoiding the the \"A studied/looked at/observed B\"", "Additionally, I sometimes get feedback that words in the beat that I assume", "similar action patterns. For example, \"A studied/looked at/observed B\" or \"A smiled/grinned (optional", "you got to relax. You’re ‘bout as calm as a long-tailed cat in", "it obvious and unambiguous that the half-smile is on Djtan's face rather than", "At times, my action beats feel awkward and repetitive. I seem to reuse", "\"A smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback that words in the", "the the \"A studied/looked at/observed B\" pattern that I seem to overuse? Is", "B\" pattern that I seem to overuse? Is \"patient\" descriptive, or does it", "space capsule and slapped MujiTD on the back. “MujiTD, you got to relax.", "twisted around in the cramped space capsule and slapped MujiTD on the back.", "to reuse similar action patterns. For example, \"A studied/looked at/observed B\" or \"A", "to overuse? Is \"patient\" descriptive, or does it come across as telling? Specific", "the beat that I assume are \"showing\" are in reality \"telling\". In this", "repetitive. I seem to reuse similar action patterns. For example, \"A studied/looked at/observed", "and unambiguous that the half-smile is on Djtan's face rather than MujiTD's? If", "around in the cramped space capsule and slapped MujiTD on the back. “MujiTD,", "back. “MujiTD, you got to relax. You’re ‘bout as calm as a long-tailed", "it come across as telling? Specific to this example, is it obvious and", "as a long-tailed cat in a room full of rocking chairs.” **He studied", "awkward and repetitive. I seem to reuse similar action patterns. For example, \"A", "that I assume are \"showing\" are in reality \"telling\". In this description >", "You’re ‘bout as calm as a long-tailed cat in a room full of", "a hundred times. It’s just another simulation, son.” > > > How can", "smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback that words in the beat", "or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes get feedback that words in", "this description > > Djtan Lockwood twisted around in the cramped space capsule", "MujiTD, a patient, weathered half-smile on his face**. “Look, we practiced this a", "the back. “MujiTD, you got to relax. You’re ‘bout as calm as a", "is it obvious and unambiguous that the half-smile is on Djtan's face rather", "are \"showing\" are in reality \"telling\". In this description > > Djtan Lockwood", "Is \"patient\" descriptive, or does it come across as telling? Specific to this", "calm as a long-tailed cat in a room full of rocking chairs.” **He", "a long-tailed cat in a room full of rocking chairs.” **He studied MujiTD,", "> > > How can I create more diversity, avoiding the the \"A", "got to relax. You’re ‘bout as calm as a long-tailed cat in a", "\"patient\" descriptive, or does it come across as telling? Specific to this example,", "feel awkward and repetitive. I seem to reuse similar action patterns. For example,", "chairs.” **He studied MujiTD, a patient, weathered half-smile on his face**. “Look, we", "or does it come across as telling? Specific to this example, is it", "room full of rocking chairs.” **He studied MujiTD, a patient, weathered half-smile on", "as telling? Specific to this example, is it obvious and unambiguous that the", "the \"A studied/looked at/observed B\" pattern that I seem to overuse? Is \"patient\"", "action beats feel awkward and repetitive. I seem to reuse similar action patterns.", "times, my action beats feel awkward and repetitive. I seem to reuse similar", "can I create more diversity, avoiding the the \"A studied/looked at/observed B\" pattern", "**He studied MujiTD, a patient, weathered half-smile on his face**. “Look, we practiced", "in the beat that I assume are \"showing\" are in reality \"telling\". In", "times. It’s just another simulation, son.” > > > How can I create", "son.” > > > How can I create more diversity, avoiding the the", "seem to overuse? Is \"patient\" descriptive, or does it come across as telling?", "telling? Specific to this example, is it obvious and unambiguous that the half-smile", "to this example, is it obvious and unambiguous that the half-smile is on", "face**. “Look, we practiced this a hundred times. It’s just another simulation, son.”", "Lockwood twisted around in the cramped space capsule and slapped MujiTD on the", "\"A studied/looked at/observed B\" or \"A smiled/grinned (optional adverb)\". Additionally, I sometimes get", "at/observed B\" pattern that I seem to overuse? Is \"patient\" descriptive, or does", "of rocking chairs.” **He studied MujiTD, a patient, weathered half-smile on his face**.", "It’s just another simulation, son.” > > > How can I create more", "> > Djtan Lockwood twisted around in the cramped space capsule and slapped", "In this description > > Djtan Lockwood twisted around in the cramped space", "on the back. “MujiTD, you got to relax. You’re ‘bout as calm as", "diversity, avoiding the the \"A studied/looked at/observed B\" pattern that I seem to", "obvious and unambiguous that the half-smile is on Djtan's face rather than MujiTD's?", "another simulation, son.” > > > How can I create more diversity, avoiding", "in a room full of rocking chairs.” **He studied MujiTD, a patient, weathered" ]
[ "statement in the intro; what would you think is it a good practice", "in the intro; what would you think is it a good practice to", "would you think is it a good practice to have in non-academic writing", "the intro; what would you think is it a good practice to have", "thesis statement in the intro; what would you think is it a good", "you think is it a good practice to have in non-academic writing Thanks", "what would you think is it a good practice to have in non-academic", "intro; what would you think is it a good practice to have in", "Having thesis statement in the intro; what would you think is it a" ]
[ "would best suit my purposes. Details about what I'm looking for as requested:", "everyone else write something for that challenge. * I need to be able", "free. On that note, if I have anywhere above twenty people in one", "envisaging people starting out with basic challenges, proving themselves, and graduating to the", "about what you construct a website with, as in Wordpress, vbulletin, etc. I", "subdomain. Note: I have next to no knowledge of php, so any php", "have everyone else write something for that challenge. * I need to be", "writers (at least 1000, and up to 10,000). People tend to flood in", "one contest, I would create several contests to split them up. One person", "One person judging 1000 entries would take awhile. * I need control over", "'platform' might not be the best word. I am talking about what you", "a large operation. Even if it isn't, I would like the ability to", "enlightens me. I am considering creating a website to host online writing competitions.", "easily deal with any number of writers (at least 1000, and up to", "competitions. They would be free and have no prizes, save maybe on-site titles", "challenge, and then have everyone else write something for that challenge. * I", "that could easily support writing contests?** Bonus points if you can find one", "First off, 'platform' might not be the best word. I am talking about", "have several running at the same time. My problem is that I've so", "able to sort all this, so that one can find challenges and entries", "now, until someone enlightens me. I am considering creating a website to host", "am envisaging people starting out with basic challenges, proving themselves, and graduating to", "to 10,000). People tend to flood in when something is free. On that", "am talking about what you construct a website with, as in Wordpress, vbulletin,", "person judging 1000 entries would take awhile. * I need control over who", "the word platform for now, until someone enlightens me. I am considering creating", "me. I am considering creating a website to host online writing competitions. They", "and graduating to the harder challenges. This would also filter out the less-skilled", "then have everyone else write something for that challenge. * I need to", "about what I'm looking for as requested: * I anticipate this to be", "contests?** Bonus points if you can find one that supports blog format at", "at the same time. My problem is that I've so far been unable", "1000 entries would take awhile. * I need control over who has access", "* I need the ability for someone (not necessarily me) to give out", "and up to 10,000). People tend to flood in when something is free.", "off, 'platform' might not be the best word. I am talking about what", "talking about what you construct a website with, as in Wordpress, vbulletin, etc.", "can't seem to find what these are called. I will use the word", "word. I am talking about what you construct a website with, as in", "be free and have no prizes, save maybe on-site titles or something. They", "so that one can find challenges and entries and specific entries quickly and", "purposes. Details about what I'm looking for as requested: * I anticipate this", "People tend to flood in when something is free. On that note, if", "when something is free. On that note, if I have anywhere above twenty", "as requested: * I anticipate this to be a large operation. Even if", "best suit my purposes. Details about what I'm looking for as requested: *", "ability for someone (not necessarily me) to give out a challenge, and then", "a website 'platform' that would best suit my purposes. Details about what I'm", "to be a large operation. Even if it isn't, I would like the", "contest, I would create several contests to split them up. One person judging", "judging 1000 entries would take awhile. * I need control over who has", "are called. I will use the word platform for now, until someone enlightens", "number of writers (at least 1000, and up to 10,000). People tend to", "of a website platform that could easily support writing contests?** Bonus points if", "for someone (not necessarily me) to give out a challenge, and then have", "looking for as requested: * I anticipate this to be a large operation.", "have no prizes, save maybe on-site titles or something. They would be frequent,", "and then have everyone else write something for that challenge. * I need", "least 1000, and up to 10,000). People tend to flood in when something", "could easily support writing contests?** Bonus points if you can find one that", "with, as in Wordpress, vbulletin, etc. I can't seem to find what these", "has access to what. I am envisaging people starting out with basic challenges,", "to flood in when something is free. On that note, if I have", "easily support writing contests?** Bonus points if you can find one that supports", "the same time. My problem is that I've so far been unable to", "to split them up. One person judging 1000 entries would take awhile. *", "I need to be able to sort all this, so that one can", "over who has access to what. I am envisaging people starting out with", "format at the same time. Otherwise I would likely just create a subdomain.", "problem is that I've so far been unable to find a website 'platform'", "for as requested: * I anticipate this to be a large operation. Even", "would like the ability to easily deal with any number of writers (at", "writers. * I need the ability for someone (not necessarily me) to give", "with any number of writers (at least 1000, and up to 10,000). People", "in when something is free. On that note, if I have anywhere above", "points if you can find one that supports blog format at the same", "basic challenges, proving themselves, and graduating to the harder challenges. This would also", "at the same time. Otherwise I would likely just create a subdomain. Note:", "supports blog format at the same time. Otherwise I would likely just create", "maybe on-site titles or something. They would be frequent, and I would quite", "take awhile. * I need control over who has access to what. I", "up. One person judging 1000 entries would take awhile. * I need control", "up to 10,000). People tend to flood in when something is free. On", "anywhere above twenty people in one contest, I would create several contests to", "titles or something. They would be frequent, and I would quite possibly have", "and with ease. **Do you know of a website platform that could easily", "Bonus points if you can find one that supports blog format at the", "I would create several contests to split them up. One person judging 1000", "* I need to be able to sort all this, so that one", "in one contest, I would create several contests to split them up. One", "what. I am envisaging people starting out with basic challenges, proving themselves, and", "php, so any php editing you give me will go over my head.", "'platform' that would best suit my purposes. Details about what I'm looking for", "to no knowledge of php, so any php editing you give me will", "challenge. * I need to be able to sort all this, so that", "* I anticipate this to be a large operation. Even if it isn't,", "platform for now, until someone enlightens me. I am considering creating a website", "them up. One person judging 1000 entries would take awhile. * I need", "control over who has access to what. I am envisaging people starting out", "several running at the same time. My problem is that I've so far", "necessarily me) to give out a challenge, and then have everyone else write", "who has access to what. I am envisaging people starting out with basic", "all this, so that one can find challenges and entries and specific entries", "10,000). People tend to flood in when something is free. On that note,", "something. They would be frequent, and I would quite possibly have several running", "to easily deal with any number of writers (at least 1000, and up", "these are called. I will use the word platform for now, until someone", "find what these are called. I will use the word platform for now,", "tend to flood in when something is free. On that note, if I", "that challenge. * I need to be able to sort all this, so", "people starting out with basic challenges, proving themselves, and graduating to the harder", "Otherwise I would likely just create a subdomain. Note: I have next to", "This would also filter out the less-skilled writers. * I need the ability", "twenty people in one contest, I would create several contests to split them", "access to what. I am envisaging people starting out with basic challenges, proving", "that would best suit my purposes. Details about what I'm looking for as", "my purposes. Details about what I'm looking for as requested: * I anticipate", "be the best word. I am talking about what you construct a website", "be a large operation. Even if it isn't, I would like the ability", "find challenges and entries and specific entries quickly and with ease. **Do you", "to what. I am envisaging people starting out with basic challenges, proving themselves,", "a challenge, and then have everyone else write something for that challenge. *", "know of a website platform that could easily support writing contests?** Bonus points", "deal with any number of writers (at least 1000, and up to 10,000).", "would likely just create a subdomain. Note: I have next to no knowledge", "specific entries quickly and with ease. **Do you know of a website platform", "find a website 'platform' that would best suit my purposes. Details about what", "what I'm looking for as requested: * I anticipate this to be a", "until someone enlightens me. I am considering creating a website to host online", "for now, until someone enlightens me. I am considering creating a website to", "starting out with basic challenges, proving themselves, and graduating to the harder challenges.", "the less-skilled writers. * I need the ability for someone (not necessarily me)", "the harder challenges. This would also filter out the less-skilled writers. * I", "someone (not necessarily me) to give out a challenge, and then have everyone", "website to host online writing competitions. They would be free and have no", "website platform that could easily support writing contests?** Bonus points if you can", "would be frequent, and I would quite possibly have several running at the", "They would be frequent, and I would quite possibly have several running at", "Wordpress, vbulletin, etc. I can't seem to find what these are called. I", "have anywhere above twenty people in one contest, I would create several contests", "you construct a website with, as in Wordpress, vbulletin, etc. I can't seem", "blog format at the same time. Otherwise I would likely just create a", "if you can find one that supports blog format at the same time.", "far been unable to find a website 'platform' that would best suit my", "the same time. Otherwise I would likely just create a subdomain. Note: I", "website 'platform' that would best suit my purposes. Details about what I'm looking", "I'm looking for as requested: * I anticipate this to be a large", "vbulletin, etc. I can't seem to find what these are called. I will", "**Do you know of a website platform that could easily support writing contests?**", "a website with, as in Wordpress, vbulletin, etc. I can't seem to find", "ability to easily deal with any number of writers (at least 1000, and", "what these are called. I will use the word platform for now, until", "Even if it isn't, I would like the ability to easily deal with", "else write something for that challenge. * I need to be able to", "on-site titles or something. They would be frequent, and I would quite possibly", "is that I've so far been unable to find a website 'platform' that", "entries quickly and with ease. **Do you know of a website platform that", "am considering creating a website to host online writing competitions. They would be", "I anticipate this to be a large operation. Even if it isn't, I", "would create several contests to split them up. One person judging 1000 entries", "I have anywhere above twenty people in one contest, I would create several", "that I've so far been unable to find a website 'platform' that would", "will use the word platform for now, until someone enlightens me. I am", "would be free and have no prizes, save maybe on-site titles or something.", "you can find one that supports blog format at the same time. Otherwise", "so far been unable to find a website 'platform' that would best suit", "would quite possibly have several running at the same time. My problem is", "I would like the ability to easily deal with any number of writers", "and I would quite possibly have several running at the same time. My", "someone enlightens me. I am considering creating a website to host online writing", "to the harder challenges. This would also filter out the less-skilled writers. *", "anticipate this to be a large operation. Even if it isn't, I would", "need the ability for someone (not necessarily me) to give out a challenge,", "I am considering creating a website to host online writing competitions. They would", "prizes, save maybe on-site titles or something. They would be frequent, and I", "support writing contests?** Bonus points if you can find one that supports blog", "challenges and entries and specific entries quickly and with ease. **Do you know", "to host online writing competitions. They would be free and have no prizes,", "knowledge of php, so any php editing you give me will go over", "like the ability to easily deal with any number of writers (at least", "to find a website 'platform' that would best suit my purposes. Details about", "writing contests?** Bonus points if you can find one that supports blog format", "the best word. I am talking about what you construct a website with,", "proving themselves, and graduating to the harder challenges. This would also filter out", "Note: I have next to no knowledge of php, so any php editing", "contests to split them up. One person judging 1000 entries would take awhile.", "that note, if I have anywhere above twenty people in one contest, I", "need control over who has access to what. I am envisaging people starting", "same time. My problem is that I've so far been unable to find", "not be the best word. I am talking about what you construct a", "to find what these are called. I will use the word platform for", "running at the same time. My problem is that I've so far been", "quite possibly have several running at the same time. My problem is that", "called. I will use the word platform for now, until someone enlightens me.", "unable to find a website 'platform' that would best suit my purposes. Details", "frequent, and I would quite possibly have several running at the same time.", "if it isn't, I would like the ability to easily deal with any", "what you construct a website with, as in Wordpress, vbulletin, etc. I can't", "in Wordpress, vbulletin, etc. I can't seem to find what these are called.", "Details about what I'm looking for as requested: * I anticipate this to", "(at least 1000, and up to 10,000). People tend to flood in when", "I have next to no knowledge of php, so any php editing you", "construct a website with, as in Wordpress, vbulletin, etc. I can't seem to", "possibly have several running at the same time. My problem is that I've", "requested: * I anticipate this to be a large operation. Even if it", "the ability to easily deal with any number of writers (at least 1000,", "with basic challenges, proving themselves, and graduating to the harder challenges. This would", "save maybe on-site titles or something. They would be frequent, and I would", "with ease. **Do you know of a website platform that could easily support", "a subdomain. Note: I have next to no knowledge of php, so any", "creating a website to host online writing competitions. They would be free and", "give out a challenge, and then have everyone else write something for that", "to sort all this, so that one can find challenges and entries and", "operation. Even if it isn't, I would like the ability to easily deal", "that one can find challenges and entries and specific entries quickly and with", "you know of a website platform that could easily support writing contests?** Bonus", "out the less-skilled writers. * I need the ability for someone (not necessarily", "also filter out the less-skilled writers. * I need the ability for someone", "next to no knowledge of php, so any php editing you give me", "note, if I have anywhere above twenty people in one contest, I would", "be able to sort all this, so that one can find challenges and", "free and have no prizes, save maybe on-site titles or something. They would", "or something. They would be frequent, and I would quite possibly have several", "suit my purposes. Details about what I'm looking for as requested: * I", "would take awhile. * I need control over who has access to what.", "I would quite possibly have several running at the same time. My problem", "and specific entries quickly and with ease. **Do you know of a website", "My problem is that I've so far been unable to find a website", "it isn't, I would like the ability to easily deal with any number", "create several contests to split them up. One person judging 1000 entries would", "me) to give out a challenge, and then have everyone else write something", "just create a subdomain. Note: I have next to no knowledge of php,", "one that supports blog format at the same time. Otherwise I would likely", "for that challenge. * I need to be able to sort all this,", "flood in when something is free. On that note, if I have anywhere", "can find challenges and entries and specific entries quickly and with ease. **Do", "as in Wordpress, vbulletin, etc. I can't seem to find what these are", "quickly and with ease. **Do you know of a website platform that could", "I would likely just create a subdomain. Note: I have next to no", "one can find challenges and entries and specific entries quickly and with ease.", "of writers (at least 1000, and up to 10,000). People tend to flood", "this to be a large operation. Even if it isn't, I would like", "might not be the best word. I am talking about what you construct", "online writing competitions. They would be free and have no prizes, save maybe", "no knowledge of php, so any php editing you give me will go", "this, so that one can find challenges and entries and specific entries quickly", "that supports blog format at the same time. Otherwise I would likely just", "awhile. * I need control over who has access to what. I am", "I can't seem to find what these are called. I will use the", "seem to find what these are called. I will use the word platform", "less-skilled writers. * I need the ability for someone (not necessarily me) to", "They would be free and have no prizes, save maybe on-site titles or", "I need the ability for someone (not necessarily me) to give out a", "create a subdomain. Note: I have next to no knowledge of php, so", "I will use the word platform for now, until someone enlightens me. I", "use the word platform for now, until someone enlightens me. I am considering", "to give out a challenge, and then have everyone else write something for", "considering creating a website to host online writing competitions. They would be free", "themselves, and graduating to the harder challenges. This would also filter out the", "and entries and specific entries quickly and with ease. **Do you know of", "time. Otherwise I would likely just create a subdomain. Note: I have next", "1000, and up to 10,000). People tend to flood in when something is", "I am talking about what you construct a website with, as in Wordpress,", "etc. I can't seem to find what these are called. I will use", "sort all this, so that one can find challenges and entries and specific", "any number of writers (at least 1000, and up to 10,000). People tend", "a website to host online writing competitions. They would be free and have", "I've so far been unable to find a website 'platform' that would best", "word platform for now, until someone enlightens me. I am considering creating a", "I need control over who has access to what. I am envisaging people", "out with basic challenges, proving themselves, and graduating to the harder challenges. This", "best word. I am talking about what you construct a website with, as", "is free. On that note, if I have anywhere above twenty people in", "people in one contest, I would create several contests to split them up.", "challenges. This would also filter out the less-skilled writers. * I need the", "and have no prizes, save maybe on-site titles or something. They would be", "challenges, proving themselves, and graduating to the harder challenges. This would also filter", "likely just create a subdomain. Note: I have next to no knowledge of", "same time. Otherwise I would likely just create a subdomain. Note: I have", "isn't, I would like the ability to easily deal with any number of", "find one that supports blog format at the same time. Otherwise I would", "above twenty people in one contest, I would create several contests to split", "if I have anywhere above twenty people in one contest, I would create", "to be able to sort all this, so that one can find challenges", "time. My problem is that I've so far been unable to find a", "something for that challenge. * I need to be able to sort all", "several contests to split them up. One person judging 1000 entries would take", "(not necessarily me) to give out a challenge, and then have everyone else", "website with, as in Wordpress, vbulletin, etc. I can't seem to find what", "would also filter out the less-skilled writers. * I need the ability for", "been unable to find a website 'platform' that would best suit my purposes.", "out a challenge, and then have everyone else write something for that challenge.", "host online writing competitions. They would be free and have no prizes, save", "the ability for someone (not necessarily me) to give out a challenge, and", "of php, so any php editing you give me will go over my", "entries would take awhile. * I need control over who has access to", "no prizes, save maybe on-site titles or something. They would be frequent, and", "entries and specific entries quickly and with ease. **Do you know of a", "* I need control over who has access to what. I am envisaging", "On that note, if I have anywhere above twenty people in one contest,", "can find one that supports blog format at the same time. Otherwise I", "I am envisaging people starting out with basic challenges, proving themselves, and graduating", "be frequent, and I would quite possibly have several running at the same", "split them up. One person judging 1000 entries would take awhile. * I", "something is free. On that note, if I have anywhere above twenty people", "filter out the less-skilled writers. * I need the ability for someone (not", "ease. **Do you know of a website platform that could easily support writing", "platform that could easily support writing contests?** Bonus points if you can find", "writing competitions. They would be free and have no prizes, save maybe on-site", "graduating to the harder challenges. This would also filter out the less-skilled writers.", "need to be able to sort all this, so that one can find", "large operation. Even if it isn't, I would like the ability to easily", "a website platform that could easily support writing contests?** Bonus points if you", "harder challenges. This would also filter out the less-skilled writers. * I need", "write something for that challenge. * I need to be able to sort", "have next to no knowledge of php, so any php editing you give" ]
[ "or there might be effective ways to convey knowledge or information while at", "formally taught, even by himself. He may have learnt it through acute observation", "of formal teaching, such as the skills of salesmanship or advanced deception *", "and detailed framework for understanding certain types of social interaction or social environment", "Show is better than tell, but that is not the whole of the", "learnt through meditation about experience. I am trying to keep this question general,", "and how he uses them - that's if he actually does - how", "time depicting action. The knowledge need not have been learnt by a character", "social geography of high streets and the factors that have determined the architecture", "positioning of different kinds of shops * skills that have been learnt largely", "of different kinds of shops * skills that have been learnt largely in", "this knowledge or set of skills, and how he uses them - that's", "some tried and tested ways of conveying a lot of knowledge, understanding or", "would include life lessons learnt through meditation about experience. I am trying to", "and positioning of different kinds of shops * skills that have been learnt", "a character or the narrator has this knowledge or set of skills, and", "narrator through being formally taught, even by himself. He may have learnt it", "have been learnt largely in practice, with only a fairly small amount of", "tested ways of conveying a lot of knowledge, understanding or information - not", "is not the whole of the story. What are some tried and tested", "not necessarily technical - in a fairly short period of time in a", "knowledge or set of skills, and how he uses them - that's if", "knowledge need not have been learnt by a character or the narrator through", "character who likes to explain a lot, or there might be effective ways", "information while at the same time depicting action. The knowledge need not have", "am trying to keep this question general, but particular examples might include *", "general, but particular examples might include * the social geography of high streets", "the range and positioning of different kinds of shops * skills that have", "the same time depicting action. The knowledge need not have been learnt by", "short period of time in a novel? For example, one might have a", "skills of charming people * a solid and detailed framework for understanding certain", "social interaction or social environment that the character or narrator has conquered by", "of several years, perhaps without talking about it much or even at all.", "it through acute observation and detailed consideration and analysis, perhaps over a period", "example, one might have a character who likes to explain a lot, or", "it much or even at all. This would include life lessons learnt through", "ways of conveying a lot of knowledge, understanding or information - not necessarily", "period of several years, perhaps without talking about it much or even at", "about experience. I am trying to keep this question general, but particular examples", "keep this question general, but particular examples might include * the social geography", "question general, but particular examples might include * the social geography of high", "understanding or information - not necessarily technical - in a fairly short period", "understanding certain types of social interaction or social environment that the character or", "- in a fairly short period of time in a novel? For example,", "depicting action. The knowledge need not have been learnt by a character or", "by himself. He may have learnt it through acute observation and detailed consideration", "not the whole of the story. What are some tried and tested ways", "charming people * a solid and detailed framework for understanding certain types of", "social environment that the character or narrator has conquered by himself. Rather than", "whole of the story. What are some tried and tested ways of conveying", "types of social interaction or social environment that the character or narrator has", "over a period of several years, perhaps without talking about it much or", "shops * skills that have been learnt largely in practice, with only a", "of charming people * a solid and detailed framework for understanding certain types", "taught, even by himself. He may have learnt it through acute observation and", "formal teaching, such as the skills of salesmanship or advanced deception * highly", "learnt by a character or the narrator through being formally taught, even by", "even by himself. He may have learnt it through acute observation and detailed", "in a fairly short period of time in a novel? 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Rather than just showing that a character", "to explain a lot, or there might be effective ways to convey knowledge", "need not have been learnt by a character or the narrator through being", "but that is not the whole of the story. What are some tried", "not have been learnt by a character or the narrator through being formally", "For example, one might have a character who likes to explain a lot,", "observation and detailed consideration and analysis, perhaps over a period of several years,", "a lot of knowledge, understanding or information - not necessarily technical - in", "acute observation and detailed consideration and analysis, perhaps over a period of several", "learnt it through acute observation and detailed consideration and analysis, perhaps over a", "all. This would include life lessons learnt through meditation about experience. I am", "high streets and the factors that have determined the architecture and the range", "include * the social geography of high streets and the factors that have", "through being formally taught, even by himself. He may have learnt it through", "might include * the social geography of high streets and the factors that", "particular examples might include * the social geography of high streets and the", "convey knowledge or information while at the same time depicting action. The knowledge", "talking about it much or even at all. This would include life lessons", "experience. I am trying to keep this question general, but particular examples might", "been learnt by a character or the narrator through being formally taught, even", "salesmanship or advanced deception * highly honed skills of charming people * a", "narrator has conquered by himself. Rather than just showing that a character or", "meditation about experience. I am trying to keep this question general, but particular", "range and positioning of different kinds of shops * skills that have been", "have a character who likes to explain a lot, or there might be", "- that's if he actually does - how might we convey the knowledge", "the factors that have determined the architecture and the range and positioning of", "at the same time depicting action. The knowledge need not have been learnt", "that have been learnt largely in practice, with only a fairly small amount", "better than tell, but that is not the whole of the story. What", "narrator has this knowledge or set of skills, and how he uses them", "have been learnt by a character or the narrator through being formally taught,", "that's if he actually does - how might we convey the knowledge to", "a period of several years, perhaps without talking about it much or even", "- not necessarily technical - in a fairly short period of time in", "to keep this question general, but particular examples might include * the social", "with only a fairly small amount of formal teaching, such as the skills", "through meditation about experience. I am trying to keep this question general, but", "of the story. What are some tried and tested ways of conveying a", "trying to keep this question general, but particular examples might include * the", "only a fairly small amount of formal teaching, such as the skills of", "framework for understanding certain types of social interaction or social environment that the", "much or even at all. This would include life lessons learnt through meditation", "if he actually does - how might we convey the knowledge to the", "period of time in a novel? For example, one might have a character", "actually does - how might we convey the knowledge to the reader fast?", "he uses them - that's if he actually does - how might we", "by himself. Rather than just showing that a character or the narrator has", "a fairly small amount of formal teaching, such as the skills of salesmanship", "certain types of social interaction or social environment that the character or narrator", "that the character or narrator has conquered by himself. Rather than just showing", "of conveying a lot of knowledge, understanding or information - not necessarily technical", "and the range and positioning of different kinds of shops * skills that", "advanced deception * highly honed skills of charming people * a solid and", "novel? For example, one might have a character who likes to explain a", "he actually does - how might we convey the knowledge to the reader", "skills of salesmanship or advanced deception * highly honed skills of charming people", "there might be effective ways to convey knowledge or information while at the", "time in a novel? For example, one might have a character who likes", "at all. This would include life lessons learnt through meditation about experience. I", "showing that a character or the narrator has this knowledge or set of", "who likes to explain a lot, or there might be effective ways to", "information - not necessarily technical - in a fairly short period of time", "knowledge, understanding or information - not necessarily technical - in a fairly short", "by a character or the narrator through being formally taught, even by himself.", "solid and detailed framework for understanding certain types of social interaction or social", "than tell, but that is not the whole of the story. What are", "skills that have been learnt largely in practice, with only a fairly small", "that have determined the architecture and the range and positioning of different kinds", "small amount of formal teaching, such as the skills of salesmanship or advanced", "how he uses them - that's if he actually does - how might", "of shops * skills that have been learnt largely in practice, with only", "that is not the whole of the story. What are some tried and", "of knowledge, understanding or information - not necessarily technical - in a fairly", "have learnt it through acute observation and detailed consideration and analysis, perhaps over", "honed skills of charming people * a solid and detailed framework for understanding", "perhaps without talking about it much or even at all. This would include", "same time depicting action. The knowledge need not have been learnt by a", "might have a character who likes to explain a lot, or there might", "of time in a novel? For example, one might have a character who", "tried and tested ways of conveying a lot of knowledge, understanding or information", "What are some tried and tested ways of conveying a lot of knowledge,", "in a novel? For example, one might have a character who likes to", "and analysis, perhaps over a period of several years, perhaps without talking about", "analysis, perhaps over a period of several years, perhaps without talking about it", "factors that have determined the architecture and the range and positioning of different", "kinds of shops * skills that have been learnt largely in practice, with", "a fairly short period of time in a novel? For example, one might", "necessarily technical - in a fairly short period of time in a novel?", "technical - in a fairly short period of time in a novel? 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What are some tried and tested ways of", "than just showing that a character or the narrator has this knowledge or", "years, perhaps without talking about it much or even at all. This would", "or set of skills, and how he uses them - that's if he", "determined the architecture and the range and positioning of different kinds of shops", "of social interaction or social environment that the character or narrator has conquered", "or the narrator has this knowledge or set of skills, and how he", "* the social geography of high streets and the factors that have determined", "geography of high streets and the factors that have determined the architecture and", "even at all. This would include life lessons learnt through meditation about experience.", "but particular examples might include * the social geography of high streets and", "lessons learnt through meditation about experience. I am trying to keep this question", "the narrator through being formally taught, even by himself. He may have learnt", "about it much or even at all. This would include life lessons learnt", "have determined the architecture and the range and positioning of different kinds of", "and the factors that have determined the architecture and the range and positioning", "of salesmanship or advanced deception * highly honed skills of charming people *", "tell, but that is not the whole of the story. What are some", "of skills, and how he uses them - that's if he actually does", "The knowledge need not have been learnt by a character or the narrator", "without talking about it much or even at all. This would include life", "has conquered by himself. Rather than just showing that a character or the", "lot of knowledge, understanding or information - not necessarily technical - in a", "skills, and how he uses them - that's if he actually does -", "perhaps over a period of several years, perhaps without talking about it much", "or even at all. This would include life lessons learnt through meditation about", "the social geography of high streets and the factors that have determined the", "are some tried and tested ways of conveying a lot of knowledge, understanding", "is better than tell, but that is not the whole of the story.", "knowledge or information while at the same time depicting action. The knowledge need", "largely in practice, with only a fairly small amount of formal teaching, such", "architecture and the range and positioning of different kinds of shops * skills", "while at the same time depicting action. The knowledge need not have been", "a character or the narrator through being formally taught, even by himself. He", "streets and the factors that have determined the architecture and the range and", "the story. What are some tried and tested ways of conveying a lot", "environment that the character or narrator has conquered by himself. Rather than just", "the character or narrator has conquered by himself. Rather than just showing that", "or the narrator through being formally taught, even by himself. He may have", "just showing that a character or the narrator has this knowledge or set", "different kinds of shops * skills that have been learnt largely in practice,", "character or the narrator has this knowledge or set of skills, and how", "himself. He may have learnt it through acute observation and detailed consideration and", "or social environment that the character or narrator has conquered by himself. Rather", "several years, perhaps without talking about it much or even at all. This", "uses them - that's if he actually does - how might we convey", "a lot, or there might be effective ways to convey knowledge or information", "life lessons learnt through meditation about experience. I am trying to keep this", "the architecture and the range and positioning of different kinds of shops *", "such as the skills of salesmanship or advanced deception * highly honed skills", "or information while at the same time depicting action. The knowledge need not", "for understanding certain types of social interaction or social environment that the character", "set of skills, and how he uses them - that's if he actually", "story. What are some tried and tested ways of conveying a lot of", "include life lessons learnt through meditation about experience. I am trying to keep", "in practice, with only a fairly small amount of formal teaching, such as", "people * a solid and detailed framework for understanding certain types of social", "likes to explain a lot, or there might be effective ways to convey", "being formally taught, even by himself. He may have learnt it through acute", "I am trying to keep this question general, but particular examples might include", "highly honed skills of charming people * a solid and detailed framework for", "interaction or social environment that the character or narrator has conquered by himself.", "* a solid and detailed framework for understanding certain types of social interaction", "lot, or there might be effective ways to convey knowledge or information while", "character or narrator has conquered by himself. Rather than just showing that a", "Rather than just showing that a character or the narrator has this knowledge", "a character who likes to explain a lot, or there might be effective", "and detailed consideration and analysis, perhaps over a period of several years, perhaps", "He may have learnt it through acute observation and detailed consideration and analysis,", "the skills of salesmanship or advanced deception * highly honed skills of charming", "conquered by himself. Rather than just showing that a character or the narrator", "the narrator has this knowledge or set of skills, and how he uses", "This would include life lessons learnt through meditation about experience. I am trying", "as the skills of salesmanship or advanced deception * highly honed skills of", "to convey knowledge or information while at the same time depicting action. The", "consideration and analysis, perhaps over a period of several years, perhaps without talking", "fairly small amount of formal teaching, such as the skills of salesmanship or", "examples might include * the social geography of high streets and the factors", "this question general, but particular examples might include * the social geography of", "action. The knowledge need not have been learnt by a character or the", "may have learnt it through acute observation and detailed consideration and analysis, perhaps", "or information - not necessarily technical - in a fairly short period of", "of high streets and the factors that have determined the architecture and the", "through acute observation and detailed consideration and analysis, perhaps over a period of", "detailed consideration and analysis, perhaps over a period of several years, perhaps without", "or advanced deception * highly honed skills of charming people * a solid", "character or the narrator through being formally taught, even by himself. He may", "amount of formal teaching, such as the skills of salesmanship or advanced deception" ]
[ "were alone and had sex. As long as the book is destined for", "sex. As long as the book is destined for teenagers from 15-19, I", "novel with underage sex scenes, or with scenes taken out of a porn", "15-19, I would like to ask how should I handle the sex part.", "book into an adult romance novel with underage sex scenes, or with scenes", "am writing a book, in which the protagonists are two teenagers. They fell", "long as the book is destined for teenagers from 15-19, I would like", "romance novel with underage sex scenes, or with scenes taken out of a", "the book is destined for teenagers from 15-19, I would like to ask", "protagonists are two teenagers. They fell in love and it is time they", "part. What ways is sex generally handled in YA books? Are there commonly", "books? Are there commonly accepted methods for doing this without turning the book", "ways is sex generally handled in YA books? Are there commonly accepted methods", "methods for doing this without turning the book into an adult romance novel", "teenagers. They fell in love and it is time they were alone and", "are two teenagers. They fell in love and it is time they were", "I am writing a book, in which the protagonists are two teenagers. They", "turning the book into an adult romance novel with underage sex scenes, or", "fell in love and it is time they were alone and had sex.", "to ask how should I handle the sex part. What ways is sex", "should I handle the sex part. What ways is sex generally handled in", "Are there commonly accepted methods for doing this without turning the book into", "would like to ask how should I handle the sex part. What ways", "there commonly accepted methods for doing this without turning the book into an", "ask how should I handle the sex part. What ways is sex generally", "it is time they were alone and had sex. As long as the", "a book, in which the protagonists are two teenagers. They fell in love", "like to ask how should I handle the sex part. What ways is", "writing a book, in which the protagonists are two teenagers. They fell in", "sex part. What ways is sex generally handled in YA books? Are there", "alone and had sex. As long as the book is destined for teenagers", "teenagers from 15-19, I would like to ask how should I handle the", "adult romance novel with underage sex scenes, or with scenes taken out of", "had sex. As long as the book is destined for teenagers from 15-19,", "the book into an adult romance novel with underage sex scenes, or with", "the sex part. What ways is sex generally handled in YA books? Are", "I would like to ask how should I handle the sex part. What", "book is destined for teenagers from 15-19, I would like to ask how", "sex generally handled in YA books? Are there commonly accepted methods for doing", "into an adult romance novel with underage sex scenes, or with scenes taken", "and had sex. As long as the book is destined for teenagers from", "They fell in love and it is time they were alone and had", "As long as the book is destined for teenagers from 15-19, I would", "which the protagonists are two teenagers. They fell in love and it is", "for teenagers from 15-19, I would like to ask how should I handle", "is time they were alone and had sex. As long as the book", "love and it is time they were alone and had sex. As long", "commonly accepted methods for doing this without turning the book into an adult", "an adult romance novel with underage sex scenes, or with scenes taken out", "is sex generally handled in YA books? Are there commonly accepted methods for", "two teenagers. They fell in love and it is time they were alone", "book, in which the protagonists are two teenagers. They fell in love and", "in YA books? Are there commonly accepted methods for doing this without turning", "I handle the sex part. What ways is sex generally handled in YA", "without turning the book into an adult romance novel with underage sex scenes,", "destined for teenagers from 15-19, I would like to ask how should I", "generally handled in YA books? Are there commonly accepted methods for doing this", "they were alone and had sex. As long as the book is destined", "in love and it is time they were alone and had sex. As", "handled in YA books? Are there commonly accepted methods for doing this without", "accepted methods for doing this without turning the book into an adult romance", "for doing this without turning the book into an adult romance novel with", "and it is time they were alone and had sex. As long as", "as the book is destined for teenagers from 15-19, I would like to", "from 15-19, I would like to ask how should I handle the sex", "YA books? Are there commonly accepted methods for doing this without turning the", "is destined for teenagers from 15-19, I would like to ask how should", "doing this without turning the book into an adult romance novel with underage", "in which the protagonists are two teenagers. They fell in love and it", "time they were alone and had sex. As long as the book is", "with underage sex scenes, or with scenes taken out of a porn movie?", "What ways is sex generally handled in YA books? Are there commonly accepted", "how should I handle the sex part. What ways is sex generally handled", "handle the sex part. What ways is sex generally handled in YA books?", "this without turning the book into an adult romance novel with underage sex", "the protagonists are two teenagers. They fell in love and it is time" ]
[ "thought,the whole novel pops into my head from beginning to end.At times I", "hampered by the fact that I cannot type.I am both a manic writer,and", "fact that I cannot type.I am both a manic writer,and also lazy.Once I", "jump to others and return later The results can be chaotic.Though I have", "get a thought,the whole novel pops into my head from beginning to end.At", "gone months without writing a thing.I NEVER get writers block,my problem is quite", "this is complicated. The stories are brilliant....and in current form unreadable.I am a", "the least by screaming grandchildren,or blaring T V sets,then gone months without writing", "am a conflicted writer hampered by the fact that I cannot type.I am", "novels, 3 in kit form.I will try to be brief, but this is", "I have written 16 pages or more at a sitting,not being disturbed in", "4 novels, 3 in kit form.I will try to be brief, but this", "t stop to correct the obvious spelling mistakes or malaprop (everything is handwritten)the", "creative juices are flowing I don t stop to correct the obvious spelling", "that I cannot type.I am both a manic writer,and also lazy.Once I get", "16 pages or more at a sitting,not being disturbed in the least by", "(everything is handwritten)the upshot is that I write partial chapters,then jump to others", "being disturbed in the least by screaming grandchildren,or blaring T V sets,then gone", "form.I will try to be brief, but this is complicated. The stories are", "obvious spelling mistakes or malaprop (everything is handwritten)the upshot is that I write", "spelling mistakes or malaprop (everything is handwritten)the upshot is that I write partial", "is quite the opposite.When the creative juices are flowing I don t stop", "have written 16 pages or more at a sitting,not being disturbed in the", "by screaming grandchildren,or blaring T V sets,then gone months without writing a thing.I", "beginning to end.At times I have written 16 pages or more at a", "current form unreadable.I am a conflicted writer hampered by the fact that I", "a sitting,not being disturbed in the least by screaming grandchildren,or blaring T V", "grandchildren,or blaring T V sets,then gone months without writing a thing.I NEVER get", "both a manic writer,and also lazy.Once I get a thought,the whole novel pops", "The stories are brilliant....and in current form unreadable.I am a conflicted writer hampered", "to others and return later The results can be chaotic.Though I have improved", "juices are flowing I don t stop to correct the obvious spelling mistakes", "times I have written 16 pages or more at a sitting,not being disturbed", "sets,then gone months without writing a thing.I NEVER get writers block,my problem is", "NEVER get writers block,my problem is quite the opposite.When the creative juices are", "mistakes or malaprop (everything is handwritten)the upshot is that I write partial chapters,then", "more at a sitting,not being disturbed in the least by screaming grandchildren,or blaring", "need help. I have written 4 novels, 3 in kit form.I will try", "the creative juices are flowing I don t stop to correct the obvious", "writers block,my problem is quite the opposite.When the creative juices are flowing I", "and return later The results can be chaotic.Though I have improved considerably in", "writing a thing.I NEVER get writers block,my problem is quite the opposite.When the", "pages or more at a sitting,not being disturbed in the least by screaming", "a thing.I NEVER get writers block,my problem is quite the opposite.When the creative", "I get a thought,the whole novel pops into my head from beginning to", "thing.I NEVER get writers block,my problem is quite the opposite.When the creative juices", "novel pops into my head from beginning to end.At times I have written", "in current form unreadable.I am a conflicted writer hampered by the fact that", "by the fact that I cannot type.I am both a manic writer,and also", "written 16 pages or more at a sitting,not being disturbed in the least", "T V sets,then gone months without writing a thing.I NEVER get writers block,my", "3 in kit form.I will try to be brief, but this is complicated.", "unreadable.I am a conflicted writer hampered by the fact that I cannot type.I", "without writing a thing.I NEVER get writers block,my problem is quite the opposite.When", "get writers block,my problem is quite the opposite.When the creative juices are flowing", "be brief, but this is complicated. 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The stories are brilliant....and", "head from beginning to end.At times I have written 16 pages or more", "written 4 novels, 3 in kit form.I will try to be brief, but", "writer hampered by the fact that I cannot type.I am both a manic", "partial chapters,then jump to others and return later The results can be chaotic.Though", "conflicted writer hampered by the fact that I cannot type.I am both a", "into my head from beginning to end.At times I have written 16 pages", "correct the obvious spelling mistakes or malaprop (everything is handwritten)the upshot is that", "handwritten)the upshot is that I write partial chapters,then jump to others and return", "brilliant....and in current form unreadable.I am a conflicted writer hampered by the fact", "I need help. I have written 4 novels, 3 in kit form.I will", "don t stop to correct the obvious spelling mistakes or malaprop (everything is", "end.At times I have written 16 pages or more at a sitting,not being", "is complicated. 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[ "a story set in a completely foreign and alien world (fiction story). I", "up with: My Narrator is having to explain their world and recent history", "world (fiction story). I then uproot my main character from their place of", "once. I do know readers are not dumb and can adjust but I", "certain story development stages. I have intended there to be some curiosity as", "MC's, this is what really happened - as it happened). There would be", "be some curiosity as to who the Narrator and New arrival are in", "the surroundings and settings. I also felt they would get confused if I", "culture (to them). I felt if I just dived straight into the story,", "into the story, readers wouldn't be able to relate to the surroundings and", "up with the Narrator. The Narrator starts telling the story in Third Person", "history books but actually does know what happened to each character. So you", "this is what really happened - as it happened). There would be an", "features and have the Main Character's curiosity/misunderstanding/lack of knowledge mirror that of the", "is who and what might happen to certain characters. Is this feasible? or", "so that they can fully appreciate the current political and cultural situation. My", "mirror that of the reader's. But I still had trouble with POV. I", "rather have the confused MC experience something new and then later learn what", "completely foreign culture (to them). I felt if I just dived straight into", "to a completely foreign culture (to them). I felt if I just dived", "culture to slowly bring the New Arrival up to speed. My Narrator knows", "the Third Person Subjective/Omniscient style (ie thoughts and feelings are mentioned for the", "will interrupt the actual story flow. I'd rather have the confused MC experience", "to slowly bring the New Arrival up to speed. My Narrator knows everything", "speed. My Narrator knows everything that occurred as it is all in the", "and explained to them so that they can fully appreciate the current political", "uproot my main character from their place of birth to a completely foreign", "be able to relate to the surroundings and settings. I also felt they", "confused if I give them several contrasting settings and cultures at once. I", "felt I could use my MC's experience of culture shock to my advantage.", "Objective with the Narrator and New Arrival at certain story development stages. I", "to narrate my story is too complicated or not. I have a story", "would allow me to introduce differences/exotic features and have the Main Character's curiosity/misunderstanding/lack", "the Third person. So I have been toying with a narration sub story.", "I didn't want to write in the first person as I want to", "introductory few passages from the New Arrival's point of view, then he meets", "dumb and can adjust but I don't want to get side-tracked describing something", "set in a completely foreign and alien world (fiction story). I then uproot", "'censored' version of the story). The writing then switches to the Third Person", "introduce differences/exotic features and have the Main Character's curiosity/misunderstanding/lack of knowledge mirror that", "story in Third Person Objective style (ie no thoughts and feelings are mentioned", "MC, the New arrival is getting the slightly 'censored' version of the story).", "some curiosity as to who the Narrator and New arrival are in relation", "POV's? Or am I overthinking things again, and this is a completely normal", "I'd rather have the confused MC experience something new and then later learn", "of view, then he meets up with the Narrator. The Narrator starts telling", "Story. As well as how the Main Character's relate to the New arrival", "Is this feasible? or is it introducing too many different elements and POV's?", "the confused MC experience something new and then later learn what this and", "So I have been toying with a narration sub story. So far, this", "be a stand-in for the Reader. Everything is being 'dumbed' down and explained", "manner I have decided to narrate my story is too complicated or not.", "New Arrival up to speed. My Narrator knows everything that occurred as it", "what really happened - as it happened). There would be an occasional interruption", "want to write in the first person as I want to incorporate many", "the right term) and 'red herrings' hinting to who is who and what", "I do know readers are not dumb and can adjust but I don't", "'dumbed' down and explained to them so that they can fully appreciate the", "having to explain their world and recent history to a New Arrival to", "Third person Objective with the Narrator and New Arrival at certain story development", "that strange feature/animal/plant etc was. I felt I could use my MC's experience", "are mentioned for the several MC's, this is what really happened - as", "New arrival is getting the slightly 'censored' version of the story). The writing", "Narrator and New arrival are in relation to the Main Story. As well", "MC experience something new and then later learn what this and that strange", "mentioned of the MC, the New arrival is getting the slightly 'censored' version", "confused MC experience something new and then later learn what this and that", "the MC, the New arrival is getting the slightly 'censored' version of the", "with: My Narrator is having to explain their world and recent history to", "when it will interrupt the actual story flow. I'd rather have the confused", "a completely foreign and alien world (fiction story). I then uproot my main", "at certain story development stages. I have intended there to be some curiosity", "down and explained to them so that they can fully appreciate the current", "or not. I have a story set in a completely foreign and alien", "story development stages. I have intended there to be some curiosity as to", "certain characters. Is this feasible? or is it introducing too many different elements", "decided to narrate my story is too complicated or not. I have a", "are not dumb and can adjust but I don't want to get side-tracked", "characters. Is this feasible? or is it introducing too many different elements and", "learn what this and that strange feature/animal/plant etc was. I felt I could", "incorporate many different characters POV, so I have decided to write in the", "happened). There would be an occasional interruption back to Third person Objective with", "first person as I want to incorporate many different characters POV, so I", "New Arrival to the planet. This confused New Arrival would be a stand-in", "and can adjust but I don't want to get side-tracked describing something when", "the story of my MC's similar confusion and experiences of a new culture", "with a narration sub story. So far, this what I have come up", "main character from their place of birth to a completely foreign culture (to", "applied phlebotinum. The Narrator is not reliant on the Authorised history books but", "political and cultural situation. My Narrator is using the story of my MC's", "Narrator and New Arrival at certain story development stages. I have intended there", "several 'easter eggs'? (is that the right term) and 'red herrings' hinting to", "trouble deciding if the manner I have decided to narrate my story is", "I have decided to narrate my story is too complicated or not. I", "person Objective with the Narrator and New Arrival at certain story development stages.", "would get confused if I give them several contrasting settings and cultures at", "my story is too complicated or not. I have a story set in", "So far, this what I have come up with: My Narrator is having", "then switches to the Third Person Subjective/Omniscient style (ie thoughts and feelings are", "the Authorised history books but actually does know what happened to each character.", "happen to certain characters. Is this feasible? or is it introducing too many", "new culture to slowly bring the New Arrival up to speed. My Narrator", "something when it will interrupt the actual story flow. I'd rather have the", "was. I felt I could use my MC's experience of culture shock to", "bring the New Arrival up to speed. My Narrator knows everything that occurred", "adjust but I don't want to get side-tracked describing something when it will", "reliant on the Authorised history books but actually does know what happened to", "would be a stand-in for the Reader. Everything is being 'dumbed' down and", "the past, coupled with a tiny bit of applied phlebotinum. The Narrator is", "eggs'? (is that the right term) and 'red herrings' hinting to who is", "they can fully appreciate the current political and cultural situation. My Narrator is", "and 'red herrings' hinting to who is who and what might happen to", "feelings are mentioned for the several MC's, this is what really happened -", "elements and POV's? Or am I overthinking things again, and this is a", "felt if I just dived straight into the story, readers wouldn't be able", "place of birth to a completely foreign culture (to them). I felt if", "advantage. So my reader learns about the world through their eyes, as they", "recent history to a New Arrival to the planet. This confused New Arrival", "books but actually does know what happened to each character. So you will", "arrival and the Narrator. So there can/will be several 'easter eggs'? (is that", "a stand-in for the Reader. Everything is being 'dumbed' down and explained to", "cultural situation. My Narrator is using the story of my MC's similar confusion", "Person Objective style (ie no thoughts and feelings are mentioned of the MC,", "Third Person Objective style (ie no thoughts and feelings are mentioned of the", "of applied phlebotinum. The Narrator is not reliant on the Authorised history books", "This confused New Arrival would be a stand-in for the Reader. Everything is", "with the Narrator and New Arrival at certain story development stages. I have", "have intended there to be some curiosity as to who the Narrator and", "have a story set in a completely foreign and alien world (fiction story).", "you will have an introductory few passages from the New Arrival's point of", "but I don't want to get side-tracked describing something when it will interrupt", "able to relate to the surroundings and settings. I also felt they would", "do know readers are not dumb and can adjust but I don't want", "I have been toying with a narration sub story. So far, this what", "several contrasting settings and cultures at once. I do know readers are not", "of my MC's similar confusion and experiences of a new culture to slowly", "experience of culture shock to my advantage. So my reader learns about the", "about the world through their eyes, as they do. This would allow me", "world through their eyes, as they do. This would allow me to introduce", "Objective style (ie no thoughts and feelings are mentioned of the MC, the", "style (ie no thoughts and feelings are mentioned of the MC, the New", "have the confused MC experience something new and then later learn what this", "I felt if I just dived straight into the story, readers wouldn't be", "in a completely foreign and alien world (fiction story). I then uproot my", "or is it introducing too many different elements and POV's? Or am I", "fully appreciate the current political and cultural situation. My Narrator is using the", "style (ie thoughts and feelings are mentioned for the several MC's, this is", "complicated or not. I have a story set in a completely foreign and", "intended there to be some curiosity as to who the Narrator and New", "arrival are in relation to the Main Story. As well as how the", "POV. I didn't want to write in the first person as I want", "they do. This would allow me to introduce differences/exotic features and have the", "Narrator is using the story of my MC's similar confusion and experiences of", "to the Third Person Subjective/Omniscient style (ie thoughts and feelings are mentioned for", "This would allow me to introduce differences/exotic features and have the Main Character's", "far, this what I have come up with: My Narrator is having to", "happened to each character. So you will have an introductory few passages from", "getting the slightly 'censored' version of the story). The writing then switches to", "that of the reader's. But I still had trouble with POV. I didn't", "also felt they would get confused if I give them several contrasting settings", "who is who and what might happen to certain characters. Is this feasible?", "the planet. This confused New Arrival would be a stand-in for the Reader.", "settings and cultures at once. I do know readers are not dumb and", "characters POV, so I have decided to write in the Third person. So", "on the Authorised history books but actually does know what happened to each", "as I want to incorporate many different characters POV, so I have decided", "know what happened to each character. So you will have an introductory few", "deciding if the manner I have decided to narrate my story is too", "is being 'dumbed' down and explained to them so that they can fully", "that occurred as it is all in the past, coupled with a tiny", "the Narrator and New arrival are in relation to the Main Story. As", "meets up with the Narrator. The Narrator starts telling the story in Third", "Arrival to the planet. This confused New Arrival would be a stand-in for", "explained to them so that they can fully appreciate the current political and", "to who is who and what might happen to certain characters. Is this", "a completely foreign culture (to them). I felt if I just dived straight", "New Arrival at certain story development stages. I have intended there to be", "from the New Arrival's point of view, then he meets up with the", "character from their place of birth to a completely foreign culture (to them).", "etc was. I felt I could use my MC's experience of culture shock", "curiosity/misunderstanding/lack of knowledge mirror that of the reader's. But I still had trouble", "POV, so I have decided to write in the Third person. So I", "my reader learns about the world through their eyes, as they do. 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But", "the New arrival and the Narrator. So there can/will be several 'easter eggs'?", "readers are not dumb and can adjust but I don't want to get", "passages from the New Arrival's point of view, then he meets up with", "knowledge mirror that of the reader's. But I still had trouble with POV.", "slowly bring the New Arrival up to speed. My Narrator knows everything that", "can/will be several 'easter eggs'? (is that the right term) and 'red herrings'", "and cultures at once. I do know readers are not dumb and can", "to be some curiosity as to who the Narrator and New arrival are", "to them so that they can fully appreciate the current political and cultural", "to the Main Story. As well as how the Main Character's relate to", "have decided to write in the Third person. So I have been toying", "but actually does know what happened to each character. So you will have", "thoughts and feelings are mentioned for the several MC's, this is what really", "as to who the Narrator and New arrival are in relation to the", "an introductory few passages from the New Arrival's point of view, then he", "As well as how the Main Character's relate to the New arrival and", "get side-tracked describing something when it will interrupt the actual story flow. I'd", "not. I have a story set in a completely foreign and alien world", "Narrator starts telling the story in Third Person Objective style (ie no thoughts", "slightly 'censored' version of the story). The writing then switches to the Third", "reader learns about the world through their eyes, as they do. This would", "version of the story). The writing then switches to the Third Person Subjective/Omniscient", "my main character from their place of birth to a completely foreign culture", "too complicated or not. I have a story set in a completely foreign", "it will interrupt the actual story flow. I'd rather have the confused MC", "different elements and POV's? Or am I overthinking things again, and this is", "story, readers wouldn't be able to relate to the surroundings and settings. I", "Narrator. The Narrator starts telling the story in Third Person Objective style (ie", "as it happened). There would be an occasional interruption back to Third person", "to write in the Third person. So I have been toying with a", "Everything is being 'dumbed' down and explained to them so that they can", "(ie thoughts and feelings are mentioned for the several MC's, this is what", "can adjust but I don't want to get side-tracked describing something when it", "and that strange feature/animal/plant etc was. I felt I could use my MC's", "could use my MC's experience of culture shock to my advantage. So my", "story). The writing then switches to the Third Person Subjective/Omniscient style (ie thoughts", "surroundings and settings. I also felt they would get confused if I give", "readers wouldn't be able to relate to the surroundings and settings. I also", "phlebotinum. The Narrator is not reliant on the Authorised history books but actually", "story of my MC's similar confusion and experiences of a new culture to", "and recent history to a New Arrival to the planet. This confused New", "Character's curiosity/misunderstanding/lack of knowledge mirror that of the reader's. But I still had", "and experiences of a new culture to slowly bring the New Arrival up", "still had trouble with POV. I didn't want to write in the first", "many different characters POV, so I have decided to write in the Third", "describing something when it will interrupt the actual story flow. I'd rather have", "similar confusion and experiences of a new culture to slowly bring the New", "Arrival up to speed. My Narrator knows everything that occurred as it is", "relate to the surroundings and settings. I also felt they would get confused", "the story in Third Person Objective style (ie no thoughts and feelings are", "if the manner I have decided to narrate my story is too complicated", "straight into the story, readers wouldn't be able to relate to the surroundings", "explain their world and recent history to a New Arrival to the planet.", "then he meets up with the Narrator. The Narrator starts telling the story", "have come up with: My Narrator is having to explain their world and", "of the reader's. But I still had trouble with POV. I didn't want", "planet. This confused New Arrival would be a stand-in for the Reader. Everything", "tiny bit of applied phlebotinum. The Narrator is not reliant on the Authorised", "their world and recent history to a New Arrival to the planet. This", "and feelings are mentioned for the several MC's, this is what really happened", "that the right term) and 'red herrings' hinting to who is who and", "story set in a completely foreign and alien world (fiction story). I then", "There would be an occasional interruption back to Third person Objective with the", "give them several contrasting settings and cultures at once. I do know readers", "is too complicated or not. I have a story set in a completely", "to the New arrival and the Narrator. So there can/will be several 'easter", "be several 'easter eggs'? (is that the right term) and 'red herrings' hinting", "toying with a narration sub story. So far, this what I have come", "what happened to each character. So you will have an introductory few passages", "who and what might happen to certain characters. Is this feasible? or is", "I then uproot my main character from their place of birth to a", "the Main Character's relate to the New arrival and the Narrator. So there", "had trouble with POV. I didn't want to write in the first person", "New arrival are in relation to the Main Story. As well as how", "relate to the New arrival and the Narrator. So there can/will be several", "is having to explain their world and recent history to a New Arrival", "to Third person Objective with the Narrator and New Arrival at certain story", "might happen to certain characters. Is this feasible? or is it introducing too", "the actual story flow. I'd rather have the confused MC experience something new", "story flow. I'd rather have the confused MC experience something new and then", "narration sub story. So far, this what I have come up with: My", "want to incorporate many different characters POV, so I have decided to write", "something new and then later learn what this and that strange feature/animal/plant etc", "arrival is getting the slightly 'censored' version of the story). The writing then", "Narrator. So there can/will be several 'easter eggs'? 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I'd rather have the confused MC experience something new and", "strange feature/animal/plant etc was. I felt I could use my MC's experience of", "come up with: My Narrator is having to explain their world and recent", "I have decided to write in the Third person. So I have been", "would be an occasional interruption back to Third person Objective with the Narrator", "interruption back to Third person Objective with the Narrator and New Arrival at", "my MC's similar confusion and experiences of a new culture to slowly bring", "is not reliant on the Authorised history books but actually does know what", "be an occasional interruption back to Third person Objective with the Narrator and", "Character's relate to the New arrival and the Narrator. So there can/will be", "back to Third person Objective with the Narrator and New Arrival at certain", "the story, readers wouldn't be able to relate to the surroundings and settings.", "But I still had trouble with POV. I didn't want to write in", "person as I want to incorporate many different characters POV, so I have", "actually does know what happened to each character. So you will have an", "(ie no thoughts and feelings are mentioned of the MC, the New arrival", "herrings' hinting to who is who and what might happen to certain characters.", "really happened - as it happened). There would be an occasional interruption back", "the several MC's, this is what really happened - as it happened). There", "in relation to the Main Story. As well as how the Main Character's", "there to be some curiosity as to who the Narrator and New arrival", "and feelings are mentioned of the MC, the New arrival is getting the", "in Third Person Objective style (ie no thoughts and feelings are mentioned of", "of a new culture to slowly bring the New Arrival up to speed.", "hinting to who is who and what might happen to certain characters. 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So my reader learns", "can fully appreciate the current political and cultural situation. My Narrator is using", "Main Story. As well as how the Main Character's relate to the New", "New arrival and the Narrator. So there can/will be several 'easter eggs'? (is", "The writing then switches to the Third Person Subjective/Omniscient style (ie thoughts and", "an occasional interruption back to Third person Objective with the Narrator and New", "Or am I overthinking things again, and this is a completely normal setup?", "many different elements and POV's? Or am I overthinking things again, and this", "to the surroundings and settings. I also felt they would get confused if", "and New Arrival at certain story development stages. I have intended there to", "eyes, as they do. This would allow me to introduce differences/exotic features and", "didn't want to write in the first person as I want to incorporate", "I have come up with: My Narrator is having to explain their world", "few passages from the New Arrival's point of view, then he meets up", "I have intended there to be some curiosity as to who the Narrator", "the slightly 'censored' version of the story). The writing then switches to the", "write in the first person as I want to incorporate many different characters", "confused New Arrival would be a stand-in for the Reader. Everything is being", "if I give them several contrasting settings and cultures at once. I do", "too many different elements and POV's? Or am I overthinking things again, and", "allow me to introduce differences/exotic features and have the Main Character's curiosity/misunderstanding/lack of", "not reliant on the Authorised history books but actually does know what happened", "wouldn't be able to relate to the surroundings and settings. I also felt", "everything that occurred as it is all in the past, coupled with a", "the first person as I want to incorporate many different characters POV, so", "Third Person Subjective/Omniscient style (ie thoughts and feelings are mentioned for the several", "to explain their world and recent history to a New Arrival to the", "of the MC, the New arrival is getting the slightly 'censored' version of", "the world through their eyes, as they do. This would allow me to", "been toying with a narration sub story. So far, this what I have", "they would get confused if I give them several contrasting settings and cultures", "he meets up with the Narrator. 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The Narrator starts", "history to a New Arrival to the planet. This confused New Arrival would", "- as it happened). There would be an occasional interruption back to Third", "view, then he meets up with the Narrator. The Narrator starts telling the", "as they do. This would allow me to introduce differences/exotic features and have", "My Narrator is using the story of my MC's similar confusion and experiences", "does know what happened to each character. So you will have an introductory", "if I just dived straight into the story, readers wouldn't be able to", "don't want to get side-tracked describing something when it will interrupt the actual", "the Reader. Everything is being 'dumbed' down and explained to them so that", "their place of birth to a completely foreign culture (to them). I felt", "them). I felt if I just dived straight into the story, readers wouldn't", "have an introductory few passages from the New Arrival's point of view, then", "feature/animal/plant etc was. I felt I could use my MC's experience of culture", "a New Arrival to the planet. This confused New Arrival would be a", "is what really happened - as it happened). There would be an occasional", "later learn what this and that strange feature/animal/plant etc was. I felt I", "coupled with a tiny bit of applied phlebotinum. The Narrator is not reliant", "I want to incorporate many different characters POV, so I have decided to", "this feasible? or is it introducing too many different elements and POV's? Or", "each character. So you will have an introductory few passages from the New", "Authorised history books but actually does know what happened to each character. So", "telling the story in Third Person Objective style (ie no thoughts and feelings", "I also felt they would get confused if I give them several contrasting", "and have the Main Character's curiosity/misunderstanding/lack of knowledge mirror that of the reader's.", "story. 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This would allow me to introduce differences/exotic features and have the Main", "switches to the Third Person Subjective/Omniscient style (ie thoughts and feelings are mentioned", "(is that the right term) and 'red herrings' hinting to who is who", "culture shock to my advantage. So my reader learns about the world through", "right term) and 'red herrings' hinting to who is who and what might", "are mentioned of the MC, the New arrival is getting the slightly 'censored'", "their eyes, as they do. This would allow me to introduce differences/exotic features", "the story). The writing then switches to the Third Person Subjective/Omniscient style (ie", "what might happen to certain characters. Is this feasible? or is it introducing", "character. So you will have an introductory few passages from the New Arrival's", "different characters POV, so I have decided to write in the Third person.", "who the Narrator and New arrival are in relation to the Main Story.", "MC's similar confusion and experiences of a new culture to slowly bring the", "to introduce differences/exotic features and have the Main Character's curiosity/misunderstanding/lack of knowledge mirror", "writing then switches to the Third Person Subjective/Omniscient style (ie thoughts and feelings", "having trouble deciding if the manner I have decided to narrate my story", "with POV. I didn't want to write in the first person as I", "So my reader learns about the world through their eyes, as they do.", "reader's. But I still had trouble with POV. I didn't want to write", "and what might happen to certain characters. Is this feasible? or is it", "So there can/will be several 'easter eggs'? (is that the right term) and", "occurred as it is all in the past, coupled with a tiny bit", "Arrival at certain story development stages. I have intended there to be some", "for the Reader. Everything is being 'dumbed' down and explained to them so", "the reader's. But I still had trouble with POV. I didn't want to", "bit of applied phlebotinum. The Narrator is not reliant on the Authorised history", "using the story of my MC's similar confusion and experiences of a new", "is it introducing too many different elements and POV's? Or am I overthinking", "will have an introductory few passages from the New Arrival's point of view,", "my advantage. So my reader learns about the world through their eyes, as", "as it is all in the past, coupled with a tiny bit of", "the New arrival is getting the slightly 'censored' version of the story). The", "just dived straight into the story, readers wouldn't be able to relate to", "up to speed. My Narrator knows everything that occurred as it is all", "what I have come up with: My Narrator is having to explain their", "thoughts and feelings are mentioned of the MC, the New arrival is getting", "the manner I have decided to narrate my story is too complicated or", "MC's experience of culture shock to my advantage. So my reader learns about", "knows everything that occurred as it is all in the past, coupled with", "Arrival's point of view, then he meets up with the Narrator. The Narrator", "to who the Narrator and New arrival are in relation to the Main" ]
[ "life.' Do I need to introduce the fantasy concepts in the first act", "sufficient? I want the reveal that he's been poisoned to come out of", "or is hinting at their existence sufficient? I want the reveal that he's", "to introduce the fantasy concepts in the first act outright, or is hinting", "experience what the protag hallucinates, essentially making it real as more and more", "have an important drug that causes the protagonist to encounter people and things", "of the story and turn it all around, but even suggesting such a", "exist in acts 1 and 2 would instantly tip the audience off that", "causing others to experience what the protag hallucinates, essentially making it real as", "want the reveal that he's been poisoned to come out of nowhere at", "and 2 would instantly tip the audience off that the mystery isn't genuine.", "more and more people believe it is. Otherwise, the world is 'real life.'", "even suggesting such a drug could exist in acts 1 and 2 would", "sort of act related question. I have an important drug that causes the", "the foundation of a convoluted plan by the antagonist. The drug is fantastical,", "drug could exist in acts 1 and 2 would instantly tip the audience", "wouldn't, and it is the foundation of a convoluted plan by the antagonist.", "a drug could exist in acts 1 and 2 would instantly tip the", "the protagonist to encounter people and things he normally wouldn't, and it is", "This is a sort of act related question. I have an important drug", "existence sufficient? I want the reveal that he's been poisoned to come out", "is hinting at their existence sufficient? I want the reveal that he's been", "he's been poisoned to come out of nowhere at the end of the", "protagonist to encounter people and things he normally wouldn't, and it is the", "to experience what the protag hallucinates, essentially making it real as more and", "of act related question. I have an important drug that causes the protagonist", "turn it all around, but even suggesting such a drug could exist in", "poisoned to come out of nowhere at the end of the story and", "I have an important drug that causes the protagonist to encounter people and", "people and things he normally wouldn't, and it is the foundation of a", "the fantasy concepts in the first act outright, or is hinting at their", "hallucinates, essentially making it real as more and more people believe it is.", "out of nowhere at the end of the story and turn it all", "protag hallucinates, essentially making it real as more and more people believe it", "related question. I have an important drug that causes the protagonist to encounter", "concepts in the first act outright, or is hinting at their existence sufficient?", "Otherwise, the world is 'real life.' Do I need to introduce the fantasy", "acts 1 and 2 would instantly tip the audience off that the mystery", "of nowhere at the end of the story and turn it all around,", "in the first act outright, or is hinting at their existence sufficient? I", "and it is the foundation of a convoluted plan by the antagonist. The", "the reveal that he's been poisoned to come out of nowhere at the", "act related question. I have an important drug that causes the protagonist to", "and things he normally wouldn't, and it is the foundation of a convoluted", "in acts 1 and 2 would instantly tip the audience off that the", "at the end of the story and turn it all around, but even", "things he normally wouldn't, and it is the foundation of a convoluted plan", "all around, but even suggesting such a drug could exist in acts 1", "that causes the protagonist to encounter people and things he normally wouldn't, and", "more people believe it is. Otherwise, the world is 'real life.' Do I", "the antagonist. The drug is fantastical, causing others to experience what the protag", "it is. Otherwise, the world is 'real life.' Do I need to introduce", "I need to introduce the fantasy concepts in the first act outright, or", "such a drug could exist in acts 1 and 2 would instantly tip", "as more and more people believe it is. Otherwise, the world is 'real", "is a sort of act related question. I have an important drug that", "act outright, or is hinting at their existence sufficient? I want the reveal", "important drug that causes the protagonist to encounter people and things he normally", "reveal that he's been poisoned to come out of nowhere at the end", "people believe it is. Otherwise, the world is 'real life.' Do I need", "an important drug that causes the protagonist to encounter people and things he", "need to introduce the fantasy concepts in the first act outright, or is", "is. Otherwise, the world is 'real life.' Do I need to introduce the", "'real life.' Do I need to introduce the fantasy concepts in the first", "the protag hallucinates, essentially making it real as more and more people believe", "could exist in acts 1 and 2 would instantly tip the audience off", "of a convoluted plan by the antagonist. The drug is fantastical, causing others", "a convoluted plan by the antagonist. The drug is fantastical, causing others to", "to come out of nowhere at the end of the story and turn", "others to experience what the protag hallucinates, essentially making it real as more", "encounter people and things he normally wouldn't, and it is the foundation of", "the end of the story and turn it all around, but even suggesting", "believe it is. Otherwise, the world is 'real life.' Do I need to", "nowhere at the end of the story and turn it all around, but", "the world is 'real life.' Do I need to introduce the fantasy concepts", "first act outright, or is hinting at their existence sufficient? I want the", "is the foundation of a convoluted plan by the antagonist. The drug is", "it real as more and more people believe it is. Otherwise, the world", "Do I need to introduce the fantasy concepts in the first act outright,", "making it real as more and more people believe it is. Otherwise, the", "a sort of act related question. I have an important drug that causes", "he normally wouldn't, and it is the foundation of a convoluted plan by", "around, but even suggesting such a drug could exist in acts 1 and", "drug that causes the protagonist to encounter people and things he normally wouldn't,", "hinting at their existence sufficient? I want the reveal that he's been poisoned", "it all around, but even suggesting such a drug could exist in acts", "I want the reveal that he's been poisoned to come out of nowhere", "is fantastical, causing others to experience what the protag hallucinates, essentially making it", "is 'real life.' Do I need to introduce the fantasy concepts in the", "foundation of a convoluted plan by the antagonist. The drug is fantastical, causing", "been poisoned to come out of nowhere at the end of the story", "antagonist. The drug is fantastical, causing others to experience what the protag hallucinates,", "causes the protagonist to encounter people and things he normally wouldn't, and it", "convoluted plan by the antagonist. The drug is fantastical, causing others to experience", "world is 'real life.' Do I need to introduce the fantasy concepts in", "at their existence sufficient? I want the reveal that he's been poisoned to", "1 and 2 would instantly tip the audience off that the mystery isn't", "their existence sufficient? I want the reveal that he's been poisoned to come", "and turn it all around, but even suggesting such a drug could exist", "The drug is fantastical, causing others to experience what the protag hallucinates, essentially", "introduce the fantasy concepts in the first act outright, or is hinting at", "normally wouldn't, and it is the foundation of a convoluted plan by the", "to encounter people and things he normally wouldn't, and it is the foundation", "come out of nowhere at the end of the story and turn it", "story and turn it all around, but even suggesting such a drug could", "fantastical, causing others to experience what the protag hallucinates, essentially making it real", "fantasy concepts in the first act outright, or is hinting at their existence", "end of the story and turn it all around, but even suggesting such", "and more people believe it is. Otherwise, the world is 'real life.' Do", "what the protag hallucinates, essentially making it real as more and more people", "the story and turn it all around, but even suggesting such a drug", "plan by the antagonist. The drug is fantastical, causing others to experience what", "the first act outright, or is hinting at their existence sufficient? I want", "real as more and more people believe it is. Otherwise, the world is", "drug is fantastical, causing others to experience what the protag hallucinates, essentially making", "question. I have an important drug that causes the protagonist to encounter people", "that he's been poisoned to come out of nowhere at the end of", "essentially making it real as more and more people believe it is. Otherwise,", "it is the foundation of a convoluted plan by the antagonist. The drug", "by the antagonist. The drug is fantastical, causing others to experience what the", "but even suggesting such a drug could exist in acts 1 and 2", "suggesting such a drug could exist in acts 1 and 2 would instantly", "outright, or is hinting at their existence sufficient? I want the reveal that" ]
[ "blogs...) which describe proven techniques to obtain certain effects? For example: you will", "which describe proven techniques to obtain certain effects? For example: you will obtain", "effect if you use the first person, effective ways to describe fear, doubt,", "For example: you will obtain this effect if you use the first person,", "example: you will obtain this effect if you use the first person, effective", "you will obtain this effect if you use the first person, effective ways", "to obtain certain effects? For example: you will obtain this effect if you", "obtain certain effects? For example: you will obtain this effect if you use", "techniques to obtain certain effects? For example: you will obtain this effect if", "use the first person, effective ways to describe fear, doubt, exhaustion, love... are", "describe proven techniques to obtain certain effects? For example: you will obtain this", "obtain this effect if you use the first person, effective ways to describe", "Are there resources (books, blogs...) which describe proven techniques to obtain certain effects?", "will obtain this effect if you use the first person, effective ways to", "if you use the first person, effective ways to describe fear, doubt, exhaustion,", "there resources (books, blogs...) which describe proven techniques to obtain certain effects? For", "resources (books, blogs...) which describe proven techniques to obtain certain effects? For example:", "first person, effective ways to describe fear, doubt, exhaustion, love... are the following.", "effects? For example: you will obtain this effect if you use the first", "proven techniques to obtain certain effects? For example: you will obtain this effect", "certain effects? For example: you will obtain this effect if you use the", "you use the first person, effective ways to describe fear, doubt, exhaustion, love...", "(books, blogs...) which describe proven techniques to obtain certain effects? For example: you", "this effect if you use the first person, effective ways to describe fear,", "the first person, effective ways to describe fear, doubt, exhaustion, love... are the" ]
[ "a strong impact on readers mind. I know that my thoughts are very", "semantics rule which can explain this? Also can you suggest some alternate heading?", "(in case of common nouns) or \"$WORD and its opposite\" format (in case", "\"$WORD and its opposite\" format (in case of abstract nouns) at the end", "pure observations, far away from the rules. So, can you please help me", "common nouns) or \"$WORD and its opposite\" format (in case of abstract nouns)", "more impact rather than \"A tale of happiness\" or \"A tale of starvation\".", "\"A tale of\". Like \"A tale of two cities\", \"A tale of two", "I know that my thoughts are very subjective and are based on pure", "at the end of \"A tale of\". Like \"A tale of two cities\",", "its opposite\" format (in case of abstract nouns) at the end of \"A", "are based on pure observations, far away from the rules. So, can you", "rules. So, can you please help me by figuring which if there exist", "tale of happiness\" or \"A tale of starvation\". Apart from \"A tale of\"", "of abstract nouns) at the end of \"A tale of\". Like \"A tale", "\"A tale of happiness\" or \"A tale of starvation\". Apart from \"A tale", "even \"A song of Ice and Fire\", \"Beauty and the Beast\" give a", "write a blog under the heading \"A tale of happiness\". The problem is", "there exist some semantics rule which can explain this? Also can you suggest", "of starvation\". Apart from \"A tale of\" examples, even \"A song of Ice", "have \"two $NOUN\" format (in case of common nouns) or \"$WORD and its", "So, can you please help me by figuring which if there exist some", "or \"$WORD and its opposite\" format (in case of abstract nouns) at the", "that sound right have \"two $NOUN\" format (in case of common nouns) or", "on readers mind. I know that my thoughts are very subjective and are", "figuring which if there exist some semantics rule which can explain this? Also", "some semantics rule which can explain this? Also can you suggest some alternate", "on pure observations, far away from the rules. So, can you please help", "tale of happiness\". The problem is that it sounds odd and almost all", "sound right have \"two $NOUN\" format (in case of common nouns) or \"$WORD", "if there exist some semantics rule which can explain this? Also can you", "a blog under the heading \"A tale of happiness\". The problem is that", "\"A tale of starvation\". Apart from \"A tale of\" examples, even \"A song", "\"A tale of\" examples, even \"A song of Ice and Fire\", \"Beauty and", "all the heading that sound right have \"two $NOUN\" format (in case of", "tale of two sisters\", \"A tale of Love and Darkness\" etc. These headings", "song of Ice and Fire\", \"Beauty and the Beast\" give a strong impact", "impact on readers mind. I know that my thoughts are very subjective and", "right have \"two $NOUN\" format (in case of common nouns) or \"$WORD and", "of happiness\" or \"A tale of starvation\". Apart from \"A tale of\" examples,", "of common nouns) or \"$WORD and its opposite\" format (in case of abstract", "case of abstract nouns) at the end of \"A tale of\". Like \"A", "sounds odd and almost all the heading that sound right have \"two $NOUN\"", "examples, even \"A song of Ice and Fire\", \"Beauty and the Beast\" give", "happiness\". The problem is that it sounds odd and almost all the heading", "tale of\". Like \"A tale of two cities\", \"A tale of two sisters\",", "readers mind. I know that my thoughts are very subjective and are based", "two sisters\", \"A tale of Love and Darkness\" etc. These headings have more", "of\" examples, even \"A song of Ice and Fire\", \"Beauty and the Beast\"", "(in case of abstract nouns) at the end of \"A tale of\". Like", "is that it sounds odd and almost all the heading that sound right", "it sounds odd and almost all the heading that sound right have \"two", "happiness\" or \"A tale of starvation\". Apart from \"A tale of\" examples, even", "\"A tale of happiness\". The problem is that it sounds odd and almost", "These headings have more impact rather than \"A tale of happiness\" or \"A", "etc. These headings have more impact rather than \"A tale of happiness\" or", "the heading that sound right have \"two $NOUN\" format (in case of common", "help me by figuring which if there exist some semantics rule which can", "\"Beauty and the Beast\" give a strong impact on readers mind. I know", "of two cities\", \"A tale of two sisters\", \"A tale of Love and", "and Fire\", \"Beauty and the Beast\" give a strong impact on readers mind.", "exist some semantics rule which can explain this? Also can you suggest some", "odd and almost all the heading that sound right have \"two $NOUN\" format", "strong impact on readers mind. I know that my thoughts are very subjective", "than \"A tale of happiness\" or \"A tale of starvation\". Apart from \"A", "Beast\" give a strong impact on readers mind. I know that my thoughts", "of happiness\". The problem is that it sounds odd and almost all the", "tale of\" examples, even \"A song of Ice and Fire\", \"Beauty and the", "from \"A tale of\" examples, even \"A song of Ice and Fire\", \"Beauty", "Fire\", \"Beauty and the Beast\" give a strong impact on readers mind. I", "two cities\", \"A tale of two sisters\", \"A tale of Love and Darkness\"", "starvation\". Apart from \"A tale of\" examples, even \"A song of Ice and", "by figuring which if there exist some semantics rule which can explain this?", "\"two $NOUN\" format (in case of common nouns) or \"$WORD and its opposite\"", "\"A tale of two sisters\", \"A tale of Love and Darkness\" etc. These", "\"A tale of two cities\", \"A tale of two sisters\", \"A tale of", "are very subjective and are based on pure observations, far away from the", "Apart from \"A tale of\" examples, even \"A song of Ice and Fire\",", "and its opposite\" format (in case of abstract nouns) at the end of", "Love and Darkness\" etc. These headings have more impact rather than \"A tale", "very subjective and are based on pure observations, far away from the rules.", "the rules. So, can you please help me by figuring which if there", "tale of two cities\", \"A tale of two sisters\", \"A tale of Love", "can you please help me by figuring which if there exist some semantics", "far away from the rules. So, can you please help me by figuring", "under the heading \"A tale of happiness\". The problem is that it sounds", "Like \"A tale of two cities\", \"A tale of two sisters\", \"A tale", "format (in case of common nouns) or \"$WORD and its opposite\" format (in", "thoughts are very subjective and are based on pure observations, far away from", "that my thoughts are very subjective and are based on pure observations, far", "to write a blog under the heading \"A tale of happiness\". The problem", "mind. I know that my thoughts are very subjective and are based on", "the Beast\" give a strong impact on readers mind. I know that my", "headings have more impact rather than \"A tale of happiness\" or \"A tale", "of Ice and Fire\", \"Beauty and the Beast\" give a strong impact on", "Ice and Fire\", \"Beauty and the Beast\" give a strong impact on readers", "or \"A tale of starvation\". Apart from \"A tale of\" examples, even \"A", "you please help me by figuring which if there exist some semantics rule", "that it sounds odd and almost all the heading that sound right have", "of\". Like \"A tale of two cities\", \"A tale of two sisters\", \"A", "have more impact rather than \"A tale of happiness\" or \"A tale of", "which if there exist some semantics rule which can explain this? Also can", "and almost all the heading that sound right have \"two $NOUN\" format (in", "case of common nouns) or \"$WORD and its opposite\" format (in case of", "of two sisters\", \"A tale of Love and Darkness\" etc. These headings have", "please help me by figuring which if there exist some semantics rule which", "me by figuring which if there exist some semantics rule which can explain", "almost all the heading that sound right have \"two $NOUN\" format (in case", "$NOUN\" format (in case of common nouns) or \"$WORD and its opposite\" format", "the heading \"A tale of happiness\". The problem is that it sounds odd", "subjective and are based on pure observations, far away from the rules. So,", "end of \"A tale of\". Like \"A tale of two cities\", \"A tale", "away from the rules. So, can you please help me by figuring which", "tale of Love and Darkness\" etc. These headings have more impact rather than", "Darkness\" etc. These headings have more impact rather than \"A tale of happiness\"", "heading \"A tale of happiness\". The problem is that it sounds odd and", "I'm trying to write a blog under the heading \"A tale of happiness\".", "know that my thoughts are very subjective and are based on pure observations,", "rather than \"A tale of happiness\" or \"A tale of starvation\". Apart from", "the end of \"A tale of\". Like \"A tale of two cities\", \"A", "tale of starvation\". Apart from \"A tale of\" examples, even \"A song of", "format (in case of abstract nouns) at the end of \"A tale of\".", "heading that sound right have \"two $NOUN\" format (in case of common nouns)", "sisters\", \"A tale of Love and Darkness\" etc. These headings have more impact", "abstract nouns) at the end of \"A tale of\". Like \"A tale of", "nouns) or \"$WORD and its opposite\" format (in case of abstract nouns) at", "\"A tale of Love and Darkness\" etc. These headings have more impact rather", "opposite\" format (in case of abstract nouns) at the end of \"A tale", "from the rules. So, can you please help me by figuring which if", "of \"A tale of\". Like \"A tale of two cities\", \"A tale of", "and Darkness\" etc. These headings have more impact rather than \"A tale of", "\"A song of Ice and Fire\", \"Beauty and the Beast\" give a strong", "and the Beast\" give a strong impact on readers mind. I know that", "problem is that it sounds odd and almost all the heading that sound", "based on pure observations, far away from the rules. So, can you please", "my thoughts are very subjective and are based on pure observations, far away", "cities\", \"A tale of two sisters\", \"A tale of Love and Darkness\" etc.", "observations, far away from the rules. So, can you please help me by", "The problem is that it sounds odd and almost all the heading that", "and are based on pure observations, far away from the rules. So, can", "trying to write a blog under the heading \"A tale of happiness\". The", "give a strong impact on readers mind. I know that my thoughts are", "impact rather than \"A tale of happiness\" or \"A tale of starvation\". Apart", "of Love and Darkness\" etc. These headings have more impact rather than \"A", "blog under the heading \"A tale of happiness\". The problem is that it", "nouns) at the end of \"A tale of\". Like \"A tale of two" ]
[ "any problems down the track particularly if people find out who I really", "was thinking up names I could use currently coming up with a lot", "people find out who I really am? Note: This question is in the", "the track particularly if people find out who I really am? Note: This", "out who I really am? Note: This question is in the context of", "> > > I was thinking up names I could use currently coming", "of female Japanese names, the latter probably influenced by all the anime/manga/light novels/games", "> > I was thinking up names I could use currently coming up", "advice [here](https://writers.stackexchange.com/a/24211/9888) > > You might notice that pen names usually sound like", "a real person would have. So when you want to make a writing", "Being male and not of any sort of Japanese descent, could I run", "any sort of Japanese descent, could I run into any problems down the", "could use currently coming up with a lot of female Japanese names, the", "names I could use currently coming up with a lot of female Japanese", "obvious pseudonym than *Memor-X*. > > > I was thinking up names I", "could I run into any problems down the track particularly if people find", "a pen name, you might want to pick a less obvious pseudonym than", "a writing career under a pen name, you might want to pick a", "would have. So when you want to make a writing career under a", "problems down the track particularly if people find out who I really am?", "particularly if people find out who I really am? Note: This question is", "to make a writing career under a pen name, you might want to", "if people find out who I really am? Note: This question is in", "name, you might want to pick a less obvious pseudonym than *Memor-X*. >", "usually sound like names a real person would have. So when you want", "than *Memor-X*. > > > I was thinking up names I could use", "latter probably influenced by all the anime/manga/light novels/games I have. Being male and", "writing career under a pen name, you might want to pick a less", "pen name, you might want to pick a less obvious pseudonym than *Memor-X*.", "not of any sort of Japanese descent, could I run into any problems", "descent, could I run into any problems down the track particularly if people", "might want to pick a less obvious pseudonym than *Memor-X*. > > >", "So when you want to make a writing career under a pen name,", "novels/games I have. Being male and not of any sort of Japanese descent,", "who I really am? Note: This question is in the context of self-publishing.", "pen names usually sound like names a real person would have. So when", "person would have. So when you want to make a writing career under", "real person would have. So when you want to make a writing career", "sound like names a real person would have. So when you want to", "> I was thinking up names I could use currently coming up with", "up with a lot of female Japanese names, the latter probably influenced by", "have. Being male and not of any sort of Japanese descent, could I", "track particularly if people find out who I really am? Note: This question", "all the anime/manga/light novels/games I have. Being male and not of any sort", "by all the anime/manga/light novels/games I have. Being male and not of any", "anime/manga/light novels/games I have. Being male and not of any sort of Japanese", "male and not of any sort of Japanese descent, could I run into", "find out who I really am? Note: This question is in the context", "names a real person would have. So when you want to make a", "female Japanese names, the latter probably influenced by all the anime/manga/light novels/games I", "want to make a writing career under a pen name, you might want", "pick a less obvious pseudonym than *Memor-X*. > > > I was thinking", "with a lot of female Japanese names, the latter probably influenced by all", "up names I could use currently coming up with a lot of female", "to pick a less obvious pseudonym than *Memor-X*. > > > I was", "> > You might notice that pen names usually sound like names a", "thinking up names I could use currently coming up with a lot of", "currently coming up with a lot of female Japanese names, the latter probably", "use currently coming up with a lot of female Japanese names, the latter", "[here](https://writers.stackexchange.com/a/24211/9888) > > You might notice that pen names usually sound like names", "Japanese descent, could I run into any problems down the track particularly if", "probably influenced by all the anime/manga/light novels/games I have. Being male and not", "*Memor-X*. > > > I was thinking up names I could use currently", "and not of any sort of Japanese descent, could I run into any", "down the track particularly if people find out who I really am? Note:", "that pen names usually sound like names a real person would have. So", "like names a real person would have. So when you want to make", "might notice that pen names usually sound like names a real person would", "under a pen name, you might want to pick a less obvious pseudonym", "career under a pen name, you might want to pick a less obvious", "make a writing career under a pen name, you might want to pick", "the anime/manga/light novels/games I have. Being male and not of any sort of", "when you want to make a writing career under a pen name, you", "have. So when you want to make a writing career under a pen", "Taking some advice [here](https://writers.stackexchange.com/a/24211/9888) > > You might notice that pen names usually", "into any problems down the track particularly if people find out who I", "of Japanese descent, could I run into any problems down the track particularly", "run into any problems down the track particularly if people find out who", "I run into any problems down the track particularly if people find out", "coming up with a lot of female Japanese names, the latter probably influenced", "I was thinking up names I could use currently coming up with a", "a lot of female Japanese names, the latter probably influenced by all the", "you might want to pick a less obvious pseudonym than *Memor-X*. > >", "notice that pen names usually sound like names a real person would have.", "less obvious pseudonym than *Memor-X*. > > > I was thinking up names", "some advice [here](https://writers.stackexchange.com/a/24211/9888) > > You might notice that pen names usually sound", "I could use currently coming up with a lot of female Japanese names,", "Japanese names, the latter probably influenced by all the anime/manga/light novels/games I have.", "pseudonym than *Memor-X*. > > > I was thinking up names I could", "sort of Japanese descent, could I run into any problems down the track", "names usually sound like names a real person would have. So when you", "a less obvious pseudonym than *Memor-X*. > > > I was thinking up", "of any sort of Japanese descent, could I run into any problems down", "the latter probably influenced by all the anime/manga/light novels/games I have. Being male", "influenced by all the anime/manga/light novels/games I have. Being male and not of", "You might notice that pen names usually sound like names a real person", "want to pick a less obvious pseudonym than *Memor-X*. > > > I", "names, the latter probably influenced by all the anime/manga/light novels/games I have. Being", "lot of female Japanese names, the latter probably influenced by all the anime/manga/light", "> You might notice that pen names usually sound like names a real", "you want to make a writing career under a pen name, you might", "I have. Being male and not of any sort of Japanese descent, could" ]
[ "some lab assistant who teleports not from A to B, but back into", "timescale we know and produce an infamous art thief usually known for other", "and even earning enough money for a living. I do not think there", "or less as \"insane\" as the other ones... **but why does one keep", "or worse than the \"finished\" ones. I often ponder about why I never", "bookstores and looking upon new books I start wondering \"*This has been printed?", "that what has been typed to virtual paper is crazy batsh!t and not", "continue?** When carving out this cry for help I stumbled upon [this writers", "are... it messes up the timescale we know and produce an infamous art", "I didn't even notice), while the other one confused the living daylight out", "I will pick up something to read which I stumbled upon some time", "again started wondering what might be the problem that keeps me from finishing", "reader (while I hoped it was way more... tidy in terms of structure).", "to favorite media art. To be honest, both stories are kind of insane", "up the suspension of disbelieve... but at the other hand there are stories", "characters lay waste to the grand exhibition (the first world exhibition in London)", "create a new story (as discovery-writer I cannot tell what will happen at", "responses about books to read please consider that English isn't my first language", "hard to get here. Greetings, ConfusedMerlin --- EDiT: From one answer I will", "through while I (not even aiming to publish this) end up thinking bad", "these was really liked by its (single) reader while I thought it was", "ones... **but why does one keep ending up with the impression that what", "mess (looks like there is serious character development happening I didn't even notice),", "in that case) came to a complete halt at a point early in", "serious character development happening I didn't even notice), while the other one confused", "made up so far. Thinking more about it usually leads to the idea", "first language and less common books in English sometimes are hard to get", "up in... uhm... lets say there are mummies, airships, vampires, conspiracies and romances", "example includes a classic fantasy-world, a pyramid, some guys which failed to summon", "experimental blimp which ended up in... uhm... lets say there are mummies, airships,", "20 pages), which may be better or worse than the \"finished\" ones. I", "direction I would be most grateful. Before formulating any responses about books to", "discovery-writer I cannot tell what will happen at this point of time). And", "missing battleship, a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared", "are mummies, airships, vampires, conspiracies and romances happening. * Other example includes some", "produce an infamous art thief usually known for other reasons. * Some older", "classic fantasy-world, a pyramid, some guys which failed to summon a demon and", "and fantasy with some espionage elements or steam-punky worlds, cruel architecture and some", "up something to read which I stumbled upon some time ago but didn't", "it, but for some reason they came to an end. Now whats wrong", "for all who can't/won't watch a video, this link of mine will offer", "this further... this is highly sujective perception, but sometimes when wandering through bookstores", "up so far. Thinking more about it usually leads to the idea that", "some reason they came to an end. Now whats wrong with all these", "and not worth a continue?** When carving out this cry for help I", "and some references to favorite media art. To be honest, both stories are", "at a point early in the story and keep on thinking \"*that's just", "older stuff includes (sci-fi this time) a missing battleship, a near-collision, huge empty", "one (I in that case) came to a complete halt at a point", "was a huge mess (looks like there is serious character development happening I", "it was a huge mess (looks like there is serious character development happening", "the world or being beaten by some pretty unlikely heroes. Why this feels", "notice), while the other one confused the living daylight out of the other", "stupid*. Its not like the finished ones are more \"sane\" in any case;", "is highly sujective perception, but sometimes when wandering through bookstores and looking upon", "about it usually leads to the idea that I simply failed or will", "or being beaten by some pretty unlikely heroes. Why this feels more sane", "can point me in a good direction I would be most grateful. Before", "less common books in English sometimes are hard to get here. Greetings, ConfusedMerlin", "as \"insane\" as the other ones... **but why does one keep ending up", "they are more or less as \"insane\" as the other ones... **but why", "pull this through while I (not even aiming to publish this) end up", "virtual paper is crazy batsh!t and not worth a continue?** When carving out", "way more... tidy in terms of structure). Beside this, there must be about", "are busy writing stuff like this and even earning enough money for a", "know it will be hard to find out if you didn't read them,", "didn't even notice), while the other one confused the living daylight out of", "a classic fantasy-world, a pyramid, some guys which failed to summon a demon", "but for some reason they came to an end. Now whats wrong with", "while I (not even aiming to publish this) end up thinking bad about", "that keeps me from finishing most of my novels. To compare, there are", "the same conclusion: *It feels stupid*. Its not like the finished ones are", "been printed? Seriously?*\", and wonder why they managed to pull this through while", "Bun Tednkegn, but for all who can't/won't watch a video, this link of", "didn't remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube", "of structure). Beside this, there must be about 20 or more drafts which", "fantasy with some espionage elements or steam-punky worlds, cruel architecture and some references", "motivation building up to create a new story (as discovery-writer I cannot tell", "(sci-fi this time) a missing battleship, a near-collision, huge empty areas, invisible stalkers,", "we know and produce an infamous art thief usually known for other reasons.", "the impression that what has been typed to virtual paper is crazy batsh!t", "usually known for other reasons. * Some older stuff includes (sci-fi this time)", "50 pages (usually it stops at 20 pages), which may be better or", "is a \"secret\" they have, but... what is missing at my side? I", "reader while I thought it was a huge mess (looks like there is", "two novels about 400 pages; one of these was really liked by its", "far. Thinking more about it usually leads to the idea that I simply", "thief usually known for other reasons. * Some older stuff includes (sci-fi this", "other ones... **but why does one keep ending up with the impression that", "and less common books in English sometimes are hard to get here. Greetings,", "being beaten by some pretty unlikely heroes. Why this feels more sane than...", "lay waste to the grand exhibition (the first world exhibition in London) using", "(single) reader (while I hoped it was way more... tidy in terms of", "about 20 or more drafts which barely made it past 50 pages (usually", "con. Oh, and Bob of course, which is... a janitor. So why did", "world or being beaten by some pretty unlikely heroes. Why this feels more", "which ended up in... uhm... lets say there are mummies, airships, vampires, conspiracies", "point early in the story and keep on thinking \"*that's just plain stupid,", "authors are busy writing stuff like this and even earning enough money for", "can't/won't watch a video, this link of mine will offer a silent reading", "which leads right next to the comic con. Oh, and Bob of course,", "of... Bun Tednkegn, but for all who can't/won't watch a video, this link", "case) came to a complete halt at a point early in the story", "story and keep on thinking \"*that's just plain stupid, do not waste your", "happening. * Other example includes some lab assistant who teleports not from A", "janitor. So why did one (I in that case) came to a complete", "other one confused the living daylight out of the other (single) reader (while", "example includes some lab assistant who teleports not from A to B, but", "(not even aiming to publish this) end up thinking bad about what I", "the \"finished\" ones. I often ponder about why I never did end them,", "and usually its the same conclusion: *It feels stupid*. Its not like the", "ponder about why I never did end them, and usually its the same", "my side? I feel motivation building up to create a new story (as", "I hope I can end it at least. Wonder who will be the", "kind of insane when thinking about it, but for some reason they came", "help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of", "pretty scared (not scary) mutants. * Last example includes a classic fantasy-world, a", "paper is crazy batsh!t and not worth a continue?** When carving out this", "keep on thinking \"*that's just plain stupid, do not waste your time!*\", while", "is crazy batsh!t and not worth a continue?** When carving out this cry", "stuff like this and even earning enough money for a living. I do", "not worth a continue?** When carving out this cry for help I stumbled", "to pull this through while I (not even aiming to publish this) end", "are talking about sci-fi and fantasy with some espionage elements or steam-punky worlds,", "espionage elements or steam-punky worlds, cruel architecture and some references to favorite media", "stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close to", "grateful. Before formulating any responses about books to read please consider that English", "pick up something to read which I stumbled upon some time ago but", "its the same conclusion: *It feels stupid*. Its not like the finished ones", "one confused the living daylight out of the other (single) reader (while I", "Anyway, If you can point me in a good direction I would be", "the timescale we know and produce an infamous art thief usually known for", "ended up in... uhm... lets say there are mummies, airships, vampires, conspiracies and", "youtube link in the answer of... Bun Tednkegn, but for all who can't/won't", "least. Wonder who will be the single reader this time. Anyway, If you", "it past 50 pages (usually it stops at 20 pages), which may be", "this cry for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a", "the finished ones are more \"sane\" in any case; we are talking about", "has been typed to virtual paper is crazy batsh!t and not worth a", "case; we are talking about sci-fi and fantasy with some espionage elements or", "to an end. Now whats wrong with all these other stories? I know", "liked by its (single) reader while I thought it was a huge mess", "you didn't read them, but usually they are more or less as \"insane\"", "I (not even aiming to publish this) end up thinking bad about what", "400 pages; one of these was really liked by its (single) reader while", "often ponder about why I never did end them, and usually its the", "at my side? I feel motivation building up to create a new story", "offering some insight). To push this further... this is highly sujective perception, but", "\"insane\" as the other ones... **but why does one keep ending up with", "to get here. Greetings, ConfusedMerlin --- EDiT: From one answer I will pick", "To push this further... this is highly sujective perception, but sometimes when wandering", "And this time I hope I can end it at least. Wonder who", "to the grand exhibition (the first world exhibition in London) using a experimental", "conclusion: *It feels stupid*. Its not like the finished ones are more \"sane\"", "stumbled upon some time ago but didn't remember exactly what is was about:", "I simply failed or will fail to keep up the suspension of disbelieve...", "new story (as discovery-writer I cannot tell what will happen at this point", "the other hand there are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking", "will happen at this point of time). And this time I hope I", "tell what will happen at this point of time). And this time I", "this, there must be about 20 or more drafts which barely made it", "at 20 pages), which may be better or worse than the \"finished\" ones.", "I once let my characters lay waste to the grand exhibition (the first", "common books in English sometimes are hard to get here. Greetings, ConfusedMerlin ---", "but usually they are more or less as \"insane\" as the other ones...", "it will be hard to find out if you didn't read them, but", "me in a good direction I would be most grateful. Before formulating any", "language and less common books in English sometimes are hard to get here.", "ConfusedMerlin --- EDiT: From one answer I will pick up something to read", "stories? I know it will be hard to find out if you didn't", "suspension of disbelieve... but at the other hand there are stories out there", "started wondering what might be the problem that keeps me from finishing most", "why did one (I in that case) came to a complete halt at", "more about it usually leads to the idea that I simply failed or", "I once again started wondering what might be the problem that keeps me", "\"*This has been printed? Seriously?*\", and wonder why they managed to pull this", "Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the answer of... Bun Tednkegn, but", "up with an answer for me (while still offering some insight). To push", "exhibition in London) using a experimental blimp which ended up in... uhm... lets", "I start wondering \"*This has been printed? Seriously?*\", and wonder why they managed", "* I once let my characters lay waste to the grand exhibition (the", "beaten by some pretty unlikely heroes. Why this feels more sane than... hm...", "happening after this are... it messes up the timescale we know and produce", "better or worse than the \"finished\" ones. I often ponder about why I", "stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants. * Last example includes a", "Why this feels more sane than... hm... * I once let my characters", "end it at least. Wonder who will be the single reader this time.", "Servus, I once again started wondering what might be the problem that keeps", "pages; one of these was really liked by its (single) reader while I", "them, but usually they are more or less as \"insane\" as the other", "on thinking \"*that's just plain stupid, do not waste your time!*\", while out", "be about 20 or more drafts which barely made it past 50 pages", "time. Anyway, If you can point me in a good direction I would", "* Last example includes a classic fantasy-world, a pyramid, some guys which failed", "the problem that keeps me from finishing most of my novels. To compare,", "not think there is a \"secret\" they have, but... what is missing at", "is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the answer", "which may be better or worse than the \"finished\" ones. I often ponder", "[The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the answer of... Bun Tednkegn,", "offer a silent reading of what this is about (and that video too).", "\"secret\" they have, but... what is missing at my side? I feel motivation", "You'll find a youtube link in the answer of... Bun Tednkegn, but for", "will be hard to find out if you didn't read them, but usually", "books in English sometimes are hard to get here. Greetings, ConfusedMerlin --- EDiT:", "back into time, and whats happening after this are... it messes up the", "\"sane\" in any case; we are talking about sci-fi and fantasy with some", "writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close to mine, but it", "sujective perception, but sometimes when wandering through bookstores and looking upon new books", "same conclusion: *It feels stupid*. Its not like the finished ones are more", "still offering some insight). To push this further... this is highly sujective perception,", "sometimes are hard to get here. Greetings, ConfusedMerlin --- EDiT: From one answer", "problem that keeps me from finishing most of my novels. To compare, there", "why I never did end them, and usually its the same conclusion: *It", "Now whats wrong with all these other stories? I know it will be", "lab assistant who teleports not from A to B, but back into time,", "huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants. *", "once let my characters lay waste to the grand exhibition (the first world", "hm... * I once let my characters lay waste to the grand exhibition", "EDiT: From one answer I will pick up something to read which I", "may be better or worse than the \"finished\" ones. I often ponder about", "with all these other stories? I know it will be hard to find", "scary) mutants. * Last example includes a classic fantasy-world, a pyramid, some guys", "didn't read them, but usually they are more or less as \"insane\" as", "some insight). To push this further... this is highly sujective perception, but sometimes", "I often ponder about why I never did end them, and usually its", "a magical gate which leads right next to the comic con. Oh, and", "publish this) end up thinking bad about what I made up so far.", "barely made it past 50 pages (usually it stops at 20 pages), which", "who can't/won't watch a video, this link of mine will offer a silent", "out of the other (single) reader (while I hoped it was way more...", "there must be about 20 or more drafts which barely made it past", "or will fail to keep up the suspension of disbelieve... but at the", "it was way more... tidy in terms of structure). Beside this, there must", "why does one keep ending up with the impression that what has been", "my novels. To compare, there are two novels about 400 pages; one of", "be better or worse than the \"finished\" ones. I often ponder about why", "Oh, and Bob of course, which is... a janitor. So why did one", "idea that I simply failed or will fail to keep up the suspension", "but didn't remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a", "near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants.", "of time). And this time I hope I can end it at least.", "in London) using a experimental blimp which ended up in... uhm... lets say", "one of these was really liked by its (single) reader while I thought", "a demon and a magical gate which leads right next to the comic", "for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind", "a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not scary)", "there is serious character development happening I didn't even notice), while the other", "kind of close to mine, but it didn't came up with an answer", "infamous art thief usually known for other reasons. * Some older stuff includes", "about it, but for some reason they came to an end. Now whats", "building up to create a new story (as discovery-writer I cannot tell what", "you can point me in a good direction I would be most grateful.", "reasons. * Some older stuff includes (sci-fi this time) a missing battleship, a", "most grateful. Before formulating any responses about books to read please consider that", "Greetings, ConfusedMerlin --- EDiT: From one answer I will pick up something to", "an end. Now whats wrong with all these other stories? I know it", "end up thinking bad about what I made up so far. Thinking more", "answer for me (while still offering some insight). To push this further... this", "I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close", "enough money for a living. I do not think there is a \"secret\"", "I thought it was a huge mess (looks like there is serious character", "talking about sci-fi and fantasy with some espionage elements or steam-punky worlds, cruel", "this point of time). And this time I hope I can end it", "think there is a \"secret\" they have, but... what is missing at my", "perception, but sometimes when wandering through bookstores and looking upon new books I", "development happening I didn't even notice), while the other one confused the living", "simply failed or will fail to keep up the suspension of disbelieve... but", "early in the story and keep on thinking \"*that's just plain stupid, do", "earning enough money for a living. I do not think there is a", "Thinking more about it usually leads to the idea that I simply failed", "waste to the grand exhibition (the first world exhibition in London) using a", "hard to find out if you didn't read them, but usually they are", "the story and keep on thinking \"*that's just plain stupid, do not waste", "drafts which barely made it past 50 pages (usually it stops at 20", "more drafts which barely made it past 50 pages (usually it stops at", "the other (single) reader (while I hoped it was way more... tidy in", "is... a janitor. So why did one (I in that case) came to", "did end them, and usually its the same conclusion: *It feels stupid*. Its", "in any case; we are talking about sci-fi and fantasy with some espionage", "will offer a silent reading of what this is about (and that video", "like this and even earning enough money for a living. I do not", "Wonder who will be the single reader this time. Anyway, If you can", "to B, but back into time, and whats happening after this are... it", "* Other example includes some lab assistant who teleports not from A to", "read please consider that English isn't my first language and less common books", "20 or more drafts which barely made it past 50 pages (usually it", "about sci-fi and fantasy with some espionage elements or steam-punky worlds, cruel architecture", "cannot tell what will happen at this point of time). And this time", "up with the impression that what has been typed to virtual paper is", "did one (I in that case) came to a complete halt at a", "of insane when thinking about it, but for some reason they came to", "point me in a good direction I would be most grateful. Before formulating", "a missing battleship, a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty", "cry for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic", "other hand there are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over", "magical gate which leads right next to the comic con. Oh, and Bob", "(the first world exhibition in London) using a experimental blimp which ended up", "link of mine will offer a silent reading of what this is about", "comic con. Oh, and Bob of course, which is... a janitor. So why", "(not scary) mutants. * Last example includes a classic fantasy-world, a pyramid, some", "end. Now whats wrong with all these other stories? I know it will", "them, and usually its the same conclusion: *It feels stupid*. Its not like", "other reasons. * Some older stuff includes (sci-fi this time) a missing battleship,", "is serious character development happening I didn't even notice), while the other one", "Tednkegn, but for all who can't/won't watch a video, this link of mine", "honest, both stories are kind of insane when thinking about it, but for", "to virtual paper is crazy batsh!t and not worth a continue?** When carving", "touched a topic kind of close to mine, but it didn't came up", "a youtube link in the answer of... Bun Tednkegn, but for all who", "can end it at least. Wonder who will be the single reader this", "ones are more \"sane\" in any case; we are talking about sci-fi and", "start wondering \"*This has been printed? Seriously?*\", and wonder why they managed to", "includes some lab assistant who teleports not from A to B, but back", "be most grateful. Before formulating any responses about books to read please consider", "what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the", "upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close to mine,", "(looks like there is serious character development happening I didn't even notice), while", "a continue?** When carving out this cry for help I stumbled upon [this", "Seriously?*\", and wonder why they managed to pull this through while I (not", "wondering \"*This has been printed? Seriously?*\", and wonder why they managed to pull", "this time. Anyway, If you can point me in a good direction I", "known for other reasons. * Some older stuff includes (sci-fi this time) a", "vampires, conspiracies and romances happening. * Other example includes some lab assistant who", "When carving out this cry for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing)", "So why did one (I in that case) came to a complete halt", "does one keep ending up with the impression that what has been typed", "watch a video, this link of mine will offer a silent reading of", "a video, this link of mine will offer a silent reading of what", "are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or", "failed or will fail to keep up the suspension of disbelieve... but at", "summon a demon and a magical gate which leads right next to the", "even earning enough money for a living. I do not think there is", "heroes. Why this feels more sane than... hm... * I once let my", "who teleports not from A to B, but back into time, and whats", "terms of structure). Beside this, there must be about 20 or more drafts", "wonder why they managed to pull this through while I (not even aiming", "more sane than... hm... * I once let my characters lay waste to", "feel motivation building up to create a new story (as discovery-writer I cannot", "crazy batsh!t and not worth a continue?** When carving out this cry for", "leads to the idea that I simply failed or will fail to keep", "English sometimes are hard to get here. Greetings, ConfusedMerlin --- EDiT: From one", "it stops at 20 pages), which may be better or worse than the", "*It feels stupid*. Its not like the finished ones are more \"sane\" in", "wrong with all these other stories? I know it will be hard to", "out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten", "right next to the comic con. Oh, and Bob of course, which is...", "but for all who can't/won't watch a video, this link of mine will", "usually its the same conclusion: *It feels stupid*. Its not like the finished", "mutants. * Last example includes a classic fantasy-world, a pyramid, some guys which", "through bookstores and looking upon new books I start wondering \"*This has been", "living. I do not think there is a \"secret\" they have, but... what", "even notice), while the other one confused the living daylight out of the", "there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten by", "Bob of course, which is... a janitor. So why did one (I in", "of disbelieve... but at the other hand there are stories out there which", "what is missing at my side? I feel motivation building up to create", "answer of... Bun Tednkegn, but for all who can't/won't watch a video, this", "insane when thinking about it, but for some reason they came to an", "at the other hand there are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here", "references to favorite media art. To be honest, both stories are kind of", "might be the problem that keeps me from finishing most of my novels.", "and wonder why they managed to pull this through while I (not even", "favorite media art. To be honest, both stories are kind of insane when", "they have, but... what is missing at my side? I feel motivation building", "all these other stories? I know it will be hard to find out", "impression that what has been typed to virtual paper is crazy batsh!t and", "(while I hoped it was way more... tidy in terms of structure). Beside", "me (while still offering some insight). To push this further... this is highly", "this feels more sane than... hm... * I once let my characters lay", "this time) a missing battleship, a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten", "(usually it stops at 20 pages), which may be better or worse than", "the idea that I simply failed or will fail to keep up the", "I hoped it was way more... tidy in terms of structure). Beside this,", "this time I hope I can end it at least. Wonder who will", "battleship, a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not", "so far. Thinking more about it usually leads to the idea that I", "keep up the suspension of disbelieve... but at the other hand there are", "has been printed? Seriously?*\", and wonder why they managed to pull this through", "at this point of time). And this time I hope I can end", "To be honest, both stories are kind of insane when thinking about it,", "hope I can end it at least. Wonder who will be the single", "highly sujective perception, but sometimes when wandering through bookstores and looking upon new", "exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in", "conspiracies and romances happening. * Other example includes some lab assistant who teleports", "mine, but it didn't came up with an answer for me (while still", "steam-punky worlds, cruel architecture and some references to favorite media art. To be", "sci-fi and fantasy with some espionage elements or steam-punky worlds, cruel architecture and", "--- EDiT: From one answer I will pick up something to read which", "a point early in the story and keep on thinking \"*that's just plain", "it messes up the timescale we know and produce an infamous art thief", "this are... it messes up the timescale we know and produce an infamous", "to read please consider that English isn't my first language and less common", "world exhibition in London) using a experimental blimp which ended up in... uhm...", "happen at this point of time). And this time I hope I can", "aiming to publish this) end up thinking bad about what I made up", "bad about what I made up so far. Thinking more about it usually", "what will happen at this point of time). And this time I hope", "are two novels about 400 pages; one of these was really liked by", "mine will offer a silent reading of what this is about (and that", "ending up with the impression that what has been typed to virtual paper", "teleports not from A to B, but back into time, and whats happening", "pages), which may be better or worse than the \"finished\" ones. I often", "using a experimental blimp which ended up in... uhm... lets say there are", "pretty unlikely heroes. Why this feels more sane than... hm... * I once", "art thief usually known for other reasons. * Some older stuff includes (sci-fi", "\"finished\" ones. I often ponder about why I never did end them, and", "living daylight out of the other (single) reader (while I hoped it was", "came up with an answer for me (while still offering some insight). To", "Some older stuff includes (sci-fi this time) a missing battleship, a near-collision, huge", "was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the answer of...", "a \"secret\" they have, but... what is missing at my side? I feel", "for other reasons. * Some older stuff includes (sci-fi this time) a missing", "but at the other hand there are stories out there which are about", "which barely made it past 50 pages (usually it stops at 20 pages),", "been typed to virtual paper is crazy batsh!t and not worth a continue?**", "really liked by its (single) reader while I thought it was a huge", "less as \"insane\" as the other ones... **but why does one keep ending", "which I stumbled upon some time ago but didn't remember exactly what is", "like there is serious character development happening I didn't even notice), while the", "just plain stupid, do not waste your time!*\", while out there authors are", "find out if you didn't read them, but usually they are more or", "a living. I do not think there is a \"secret\" they have, but...", "answer I will pick up something to read which I stumbled upon some", "ninja-assassin-kitten and pretty scared (not scary) mutants. * Last example includes a classic", "finishing most of my novels. To compare, there are two novels about 400", "are more or less as \"insane\" as the other ones... **but why does", "to create a new story (as discovery-writer I cannot tell what will happen", "which touched a topic kind of close to mine, but it didn't came", "(while still offering some insight). To push this further... this is highly sujective", "out there authors are busy writing stuff like this and even earning enough", "side? I feel motivation building up to create a new story (as discovery-writer", "to find out if you didn't read them, but usually they are more", "Beside this, there must be about 20 or more drafts which barely made", "your time!*\", while out there authors are busy writing stuff like this and", "failed to summon a demon and a magical gate which leads right next", "exhibition (the first world exhibition in London) using a experimental blimp which ended", "in terms of structure). Beside this, there must be about 20 or more", "**but why does one keep ending up with the impression that what has", "first world exhibition in London) using a experimental blimp which ended up in...", "consider that English isn't my first language and less common books in English", "assistant who teleports not from A to B, but back into time, and", "read them, but usually they are more or less as \"insane\" as the", "the comic con. Oh, and Bob of course, which is... a janitor. So", "tidy in terms of structure). Beside this, there must be about 20 or", "unlikely heroes. Why this feels more sane than... hm... * I once let", "* Some older stuff includes (sci-fi this time) a missing battleship, a near-collision,", "that English isn't my first language and less common books in English sometimes", "English isn't my first language and less common books in English sometimes are", "stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being", "more or less as \"insane\" as the other ones... **but why does one", "zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten by some pretty unlikely heroes.", "time ago but didn't remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll", "or steam-punky worlds, cruel architecture and some references to favorite media art. To", "the answer of... Bun Tednkegn, but for all who can't/won't watch a video,", "From one answer I will pick up something to read which I stumbled", "please consider that English isn't my first language and less common books in", "all who can't/won't watch a video, this link of mine will offer a", "includes a classic fantasy-world, a pyramid, some guys which failed to summon a", "romances happening. * Other example includes some lab assistant who teleports not from", "once again started wondering what might be the problem that keeps me from", "novels. To compare, there are two novels about 400 pages; one of these", "demon and a magical gate which leads right next to the comic con.", "missing at my side? I feel motivation building up to create a new", "my first language and less common books in English sometimes are hard to", "other (single) reader (while I hoped it was way more... tidy in terms", "wandering through bookstores and looking upon new books I start wondering \"*This has", "uhm... lets say there are mummies, airships, vampires, conspiracies and romances happening. *", "upon some time ago but didn't remember exactly what is was about: [The", "ago but didn't remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find", "the single reader this time. Anyway, If you can point me in a", "disbelieve... but at the other hand there are stories out there which are", "with an answer for me (while still offering some insight). To push this", "are kind of insane when thinking about it, but for some reason they", "in the story and keep on thinking \"*that's just plain stupid, do not", "we are talking about sci-fi and fantasy with some espionage elements or steam-punky", "about what I made up so far. Thinking more about it usually leads", "to mine, but it didn't came up with an answer for me (while", "be hard to find out if you didn't read them, but usually they", "ones. I often ponder about why I never did end them, and usually", "will fail to keep up the suspension of disbelieve... but at the other", "while I thought it was a huge mess (looks like there is serious", "by some pretty unlikely heroes. Why this feels more sane than... hm... *", "its (single) reader while I thought it was a huge mess (looks like", "other stories? I know it will be hard to find out if you", "about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten by some pretty unlikely", "A to B, but back into time, and whats happening after this are...", "I know it will be hard to find out if you didn't read", "came to a complete halt at a point early in the story and", "an infamous art thief usually known for other reasons. * Some older stuff", "past 50 pages (usually it stops at 20 pages), which may be better", "of close to mine, but it didn't came up with an answer for", "a good direction I would be most grateful. Before formulating any responses about", "usually they are more or less as \"insane\" as the other ones... **but", "who will be the single reader this time. Anyway, If you can point", "media art. To be honest, both stories are kind of insane when thinking", "one answer I will pick up something to read which I stumbled upon", "complete halt at a point early in the story and keep on thinking", "any responses about books to read please consider that English isn't my first", "waste your time!*\", while out there authors are busy writing stuff like this", "a complete halt at a point early in the story and keep on", "be the single reader this time. Anyway, If you can point me in", "not waste your time!*\", while out there authors are busy writing stuff like", "be the problem that keeps me from finishing most of my novels. To", "structure). Beside this, there must be about 20 or more drafts which barely", "busy writing stuff like this and even earning enough money for a living.", "a new story (as discovery-writer I cannot tell what will happen at this", "Before formulating any responses about books to read please consider that English isn't", "it at least. Wonder who will be the single reader this time. Anyway,", "guys which failed to summon a demon and a magical gate which leads", "of my novels. To compare, there are two novels about 400 pages; one", "to summon a demon and a magical gate which leads right next to", "is missing at my side? I feel motivation building up to create a", "further... this is highly sujective perception, but sometimes when wandering through bookstores and", "with some espionage elements or steam-punky worlds, cruel architecture and some references to", "topic kind of close to mine, but it didn't came up with an", "thinking about it, but for some reason they came to an end. Now", "taking over the world or being beaten by some pretty unlikely heroes. Why", "mummies, airships, vampires, conspiracies and romances happening. * Other example includes some lab", "up thinking bad about what I made up so far. Thinking more about", "me from finishing most of my novels. To compare, there are two novels", "must be about 20 or more drafts which barely made it past 50", "messes up the timescale we know and produce an infamous art thief usually", "this and even earning enough money for a living. I do not think", "will be the single reader this time. Anyway, If you can point me", "art. To be honest, both stories are kind of insane when thinking about", "this is highly sujective perception, but sometimes when wandering through bookstores and looking", "printed? Seriously?*\", and wonder why they managed to pull this through while I", "time). And this time I hope I can end it at least. Wonder", "halt at a point early in the story and keep on thinking \"*that's", "of course, which is... a janitor. So why did one (I in that", "I stumbled upon some time ago but didn't remember exactly what is was", "from A to B, but back into time, and whats happening after this", "and keep on thinking \"*that's just plain stupid, do not waste your time!*\",", "managed to pull this through while I (not even aiming to publish this)", "single reader this time. Anyway, If you can point me in a good", "carving out this cry for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which", "in the answer of... Bun Tednkegn, but for all who can't/won't watch a", "course, which is... a janitor. So why did one (I in that case)", "which failed to summon a demon and a magical gate which leads right", "grand exhibition (the first world exhibition in London) using a experimental blimp which", "into time, and whats happening after this are... it messes up the timescale", "a pyramid, some guys which failed to summon a demon and a magical", "are hard to get here. Greetings, ConfusedMerlin --- EDiT: From one answer I", "in a good direction I would be most grateful. Before formulating any responses", "I cannot tell what will happen at this point of time). And this", "leads right next to the comic con. Oh, and Bob of course, which", "and looking upon new books I start wondering \"*This has been printed? Seriously?*\",", "whats happening after this are... it messes up the timescale we know and", "if you didn't read them, but usually they are more or less as", "for me (while still offering some insight). To push this further... this is", "an answer for me (while still offering some insight). To push this further...", "If you can point me in a good direction I would be most", "video, this link of mine will offer a silent reading of what this", "any case; we are talking about sci-fi and fantasy with some espionage elements", "airships, vampires, conspiracies and romances happening. * Other example includes some lab assistant", "(as discovery-writer I cannot tell what will happen at this point of time).", "by its (single) reader while I thought it was a huge mess (looks", "reader this time. Anyway, If you can point me in a good direction", "stories are kind of insane when thinking about it, but for some reason", "I feel motivation building up to create a new story (as discovery-writer I", "I made up so far. Thinking more about it usually leads to the", "time) a missing battleship, a near-collision, huge empty areas, invisible stalkers, ninja-assassin-kitten and", "was really liked by its (single) reader while I thought it was a", "thought it was a huge mess (looks like there is serious character development", "hand there are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the", "for a living. I do not think there is a \"secret\" they have,", "whats wrong with all these other stories? I know it will be hard", "batsh!t and not worth a continue?** When carving out this cry for help", "and Bob of course, which is... a janitor. So why did one (I", "plain stupid, do not waste your time!*\", while out there authors are busy", "time I hope I can end it at least. Wonder who will be", "(single) reader while I thought it was a huge mess (looks like there", "writing stuff like this and even earning enough money for a living. I", "looking upon new books I start wondering \"*This has been printed? Seriously?*\", and", "but sometimes when wandering through bookstores and looking upon new books I start", "in... uhm... lets say there are mummies, airships, vampires, conspiracies and romances happening.", "Other example includes some lab assistant who teleports not from A to B,", "scared (not scary) mutants. * Last example includes a classic fantasy-world, a pyramid,", "reason they came to an end. Now whats wrong with all these other", "these other stories? I know it will be hard to find out if", "keep ending up with the impression that what has been typed to virtual", "worse than the \"finished\" ones. I often ponder about why I never did", "came to an end. Now whats wrong with all these other stories? I", "there authors are busy writing stuff like this and even earning enough money", "elements or steam-punky worlds, cruel architecture and some references to favorite media art.", "read which I stumbled upon some time ago but didn't remember exactly what", "do not think there is a \"secret\" they have, but... what is missing", "to the idea that I simply failed or will fail to keep up", "some espionage elements or steam-punky worlds, cruel architecture and some references to favorite", "let my characters lay waste to the grand exhibition (the first world exhibition", "of these was really liked by its (single) reader while I thought it", "architecture and some references to favorite media art. To be honest, both stories", "which is... a janitor. So why did one (I in that case) came", "and whats happening after this are... it messes up the timescale we know", "feels stupid*. Its not like the finished ones are more \"sane\" in any", "to the comic con. Oh, and Bob of course, which is... a janitor.", "would be most grateful. Before formulating any responses about books to read please", "when wandering through bookstores and looking upon new books I start wondering \"*This", "pages (usually it stops at 20 pages), which may be better or worse", "insight). To push this further... this is highly sujective perception, but sometimes when", "time!*\", while out there authors are busy writing stuff like this and even", "good direction I would be most grateful. Before formulating any responses about books", "worth a continue?** When carving out this cry for help I stumbled upon", "for some reason they came to an end. Now whats wrong with all", "and romances happening. * Other example includes some lab assistant who teleports not", "stops at 20 pages), which may be better or worse than the \"finished\"", "hoped it was way more... tidy in terms of structure). Beside this, there", "out this cry for help I stumbled upon [this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched", "from finishing most of my novels. To compare, there are two novels about", "they came to an end. Now whats wrong with all these other stories?", "my characters lay waste to the grand exhibition (the first world exhibition in", "most of my novels. To compare, there are two novels about 400 pages;", "are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten by some pretty", "not from A to B, but back into time, and whats happening after", "Its not like the finished ones are more \"sane\" in any case; we", "never did end them, and usually its the same conclusion: *It feels stupid*.", "sometimes when wandering through bookstores and looking upon new books I start wondering", "thinking bad about what I made up so far. Thinking more about it", "I do not think there is a \"secret\" they have, but... what is", "but... what is missing at my side? I feel motivation building up to", "about books to read please consider that English isn't my first language and", "fantasy-world, a pyramid, some guys which failed to summon a demon and a", "it didn't came up with an answer for me (while still offering some", "made it past 50 pages (usually it stops at 20 pages), which may", "formulating any responses about books to read please consider that English isn't my", "[this writers question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close to mine, but", "be honest, both stories are kind of insane when thinking about it, but", "usually leads to the idea that I simply failed or will fail to", "I can end it at least. Wonder who will be the single reader", "to read which I stumbled upon some time ago but didn't remember exactly", "sane than... hm... * I once let my characters lay waste to the", "this) end up thinking bad about what I made up so far. Thinking", "this through while I (not even aiming to publish this) end up thinking", "here. Greetings, ConfusedMerlin --- EDiT: From one answer I will pick up something", "up to create a new story (as discovery-writer I cannot tell what will", "like the finished ones are more \"sane\" in any case; we are talking", "happening I didn't even notice), while the other one confused the living daylight", "which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world or being beaten by some", "some time ago but didn't remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/)", "do not waste your time!*\", while out there authors are busy writing stuff", "not like the finished ones are more \"sane\" in any case; we are", "with the impression that what has been typed to virtual paper is crazy", "to publish this) end up thinking bad about what I made up so", "about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link in the answer of... Bun", "books to read please consider that English isn't my first language and less", "a topic kind of close to mine, but it didn't came up with", "one keep ending up with the impression that what has been typed to", "the living daylight out of the other (single) reader (while I hoped it", "the other ones... **but why does one keep ending up with the impression", "blimp which ended up in... uhm... lets say there are mummies, airships, vampires,", "some references to favorite media art. To be honest, both stories are kind", "cruel architecture and some references to favorite media art. To be honest, both", "fail to keep up the suspension of disbelieve... but at the other hand", "next to the comic con. Oh, and Bob of course, which is... a", "time, and whats happening after this are... it messes up the timescale we", "what might be the problem that keeps me from finishing most of my", "compare, there are two novels about 400 pages; one of these was really", "I would be most grateful. Before formulating any responses about books to read", "to keep up the suspension of disbelieve... but at the other hand there", "will pick up something to read which I stumbled upon some time ago", "of the other (single) reader (while I hoped it was way more... tidy", "question](https://writers.stackexchange.com/questions/22135/how-to-keep-writing) which touched a topic kind of close to mine, but it didn't", "invisible stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants. * Last example includes", "didn't came up with an answer for me (while still offering some insight).", "end them, and usually its the same conclusion: *It feels stupid*. Its not", "isn't my first language and less common books in English sometimes are hard", "wondering what might be the problem that keeps me from finishing most of", "after this are... it messes up the timescale we know and produce an", "and pretty scared (not scary) mutants. * Last example includes a classic fantasy-world,", "money for a living. I do not think there is a \"secret\" they", "includes (sci-fi this time) a missing battleship, a near-collision, huge empty areas, invisible", "that I simply failed or will fail to keep up the suspension of", "that case) came to a complete halt at a point early in the", "get here. Greetings, ConfusedMerlin --- EDiT: From one answer I will pick up", "typed to virtual paper is crazy batsh!t and not worth a continue?** When", "feels more sane than... hm... * I once let my characters lay waste", "about 400 pages; one of these was really liked by its (single) reader", "what has been typed to virtual paper is crazy batsh!t and not worth", "this link of mine will offer a silent reading of what this is", "than the \"finished\" ones. I often ponder about why I never did end", "they managed to pull this through while I (not even aiming to publish", "as the other ones... **but why does one keep ending up with the", "there are stories out there which are about zombies/apes/aliens/insert-favorite-menace-here taking over the world", "there are two novels about 400 pages; one of these was really liked", "about why I never did end them, and usually its the same conclusion:", "push this further... this is highly sujective perception, but sometimes when wandering through", "stuff includes (sci-fi this time) a missing battleship, a near-collision, huge empty areas,", "huge mess (looks like there is serious character development happening I didn't even", "when thinking about it, but for some reason they came to an end.", "at least. Wonder who will be the single reader this time. Anyway, If", "something to read which I stumbled upon some time ago but didn't remember", "pyramid, some guys which failed to summon a demon and a magical gate", "but it didn't came up with an answer for me (while still offering", "London) using a experimental blimp which ended up in... uhm... lets say there", "\"*that's just plain stupid, do not waste your time!*\", while out there authors", "there are mummies, airships, vampires, conspiracies and romances happening. * Other example includes", "and produce an infamous art thief usually known for other reasons. * Some", "link in the answer of... Bun Tednkegn, but for all who can't/won't watch", "more... tidy in terms of structure). Beside this, there must be about 20", "both stories are kind of insane when thinking about it, but for some", "and a magical gate which leads right next to the comic con. Oh,", "while out there authors are busy writing stuff like this and even earning", "there is a \"secret\" they have, but... what is missing at my side?", "but back into time, and whats happening after this are... it messes up", "to a complete halt at a point early in the story and keep", "empty areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants. * Last", "To compare, there are two novels about 400 pages; one of these was", "why they managed to pull this through while I (not even aiming to", "know and produce an infamous art thief usually known for other reasons. *", "of mine will offer a silent reading of what this is about (and", "while the other one confused the living daylight out of the other (single)", "close to mine, but it didn't came up with an answer for me", "gate which leads right next to the comic con. Oh, and Bob of", "areas, invisible stalkers, ninja-assassin-kitten and pretty scared (not scary) mutants. * Last example", "in English sometimes are hard to get here. Greetings, ConfusedMerlin --- EDiT: From", "confused the living daylight out of the other (single) reader (while I hoped", "up the timescale we know and produce an infamous art thief usually known", "out if you didn't read them, but usually they are more or less", "the other one confused the living daylight out of the other (single) reader", "thinking \"*that's just plain stupid, do not waste your time!*\", while out there", "than... hm... * I once let my characters lay waste to the grand", "finished ones are more \"sane\" in any case; we are talking about sci-fi", "B, but back into time, and whats happening after this are... it messes", "worlds, cruel architecture and some references to favorite media art. To be honest,", "find a youtube link in the answer of... Bun Tednkegn, but for all", "a huge mess (looks like there is serious character development happening I didn't", "daylight out of the other (single) reader (while I hoped it was way", "books I start wondering \"*This has been printed? Seriously?*\", and wonder why they", "say there are mummies, airships, vampires, conspiracies and romances happening. * Other example", "remember exactly what is was about: [The Gap](https://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/) You'll find a youtube link", "some guys which failed to summon a demon and a magical gate which", "the grand exhibition (the first world exhibition in London) using a experimental blimp", "I never did end them, and usually its the same conclusion: *It feels", "what I made up so far. Thinking more about it usually leads to", "stupid, do not waste your time!*\", while out there authors are busy writing", "(I in that case) came to a complete halt at a point early", "story (as discovery-writer I cannot tell what will happen at this point of", "was way more... tidy in terms of structure). Beside this, there must be", "keeps me from finishing most of my novels. To compare, there are two", "Last example includes a classic fantasy-world, a pyramid, some guys which failed to", "lets say there are mummies, airships, vampires, conspiracies and romances happening. * Other", "point of time). And this time I hope I can end it at", "character development happening I didn't even notice), while the other one confused the", "even aiming to publish this) end up thinking bad about what I made", "have, but... what is missing at my side? I feel motivation building up", "a janitor. So why did one (I in that case) came to a", "or more drafts which barely made it past 50 pages (usually it stops", "over the world or being beaten by some pretty unlikely heroes. Why this", "some pretty unlikely heroes. Why this feels more sane than... hm... * I", "upon new books I start wondering \"*This has been printed? Seriously?*\", and wonder", "the suspension of disbelieve... but at the other hand there are stories out", "new books I start wondering \"*This has been printed? Seriously?*\", and wonder why", "it usually leads to the idea that I simply failed or will fail", "a experimental blimp which ended up in... uhm... lets say there are mummies,", "are more \"sane\" in any case; we are talking about sci-fi and fantasy", "more \"sane\" in any case; we are talking about sci-fi and fantasy with", "novels about 400 pages; one of these was really liked by its (single)" ]
[ "keep in mind when planning a book? Is it important to create every", "planning a book? Is it important to create every character and it's abilities", "What is important to keep in mind when planning a book? Is it", "in mind when planning a book? Is it important to create every character", "the actual book? How hard is it to start writing if you don't", "mind when planning a book? Is it important to create every character and", "book? Is it important to create every character and it's abilities before you", "if you don't have the plot fully planned out? I'm thankfull for answers.", "Is it important to create every character and it's abilities before you start", "book? How hard is it to start writing if you don't have the", "hard is it to start writing if you don't have the plot fully", "important to create every character and it's abilities before you start to write", "you start to write the actual book? How hard is it to start", "to keep in mind when planning a book? Is it important to create", "character and it's abilities before you start to write the actual book? How", "important to keep in mind when planning a book? Is it important to", "to write the actual book? How hard is it to start writing if", "write the actual book? How hard is it to start writing if you", "every character and it's abilities before you start to write the actual book?", "to create every character and it's abilities before you start to write the", "start to write the actual book? How hard is it to start writing", "it's abilities before you start to write the actual book? How hard is", "abilities before you start to write the actual book? How hard is it", "a book? Is it important to create every character and it's abilities before", "when planning a book? Is it important to create every character and it's", "before you start to write the actual book? How hard is it to", "start writing if you don't have the plot fully planned out? I'm thankfull", "and it's abilities before you start to write the actual book? How hard", "you don't have the plot fully planned out? I'm thankfull for answers. Cheers!", "How hard is it to start writing if you don't have the plot", "is it to start writing if you don't have the plot fully planned", "create every character and it's abilities before you start to write the actual", "writing if you don't have the plot fully planned out? I'm thankfull for", "is important to keep in mind when planning a book? Is it important", "it important to create every character and it's abilities before you start to", "it to start writing if you don't have the plot fully planned out?", "to start writing if you don't have the plot fully planned out? I'm", "actual book? How hard is it to start writing if you don't have" ]
[ "really have space for that since it's a light novel, so i'm wondering", "it's a light novel, so i'm wondering if and how impotant the scenery", "different than the world we're used to and thus I feel like I", "like I have to describe every single detail. However I won't really have", "novel, so i'm wondering if and how impotant the scenery would be in", "used to and thus I feel like I have to describe every single", "so i'm wondering if and how impotant the scenery would be in my", "world looks really different than the world we're used to and thus I", "novel, in which the world looks really different than the world we're used", "light novel, in which the world looks really different than the world we're", "have space for that since it's a light novel, so i'm wondering if", "writing a futuristic light novel, in which the world looks really different than", "thus I feel like I have to describe every single detail. However I", "really different than the world we're used to and thus I feel like", "I'm writing a futuristic light novel, in which the world looks really different", "which the world looks really different than the world we're used to and", "the world we're used to and thus I feel like I have to", "than the world we're used to and thus I feel like I have", "I have to describe every single detail. However I won't really have space", "in which the world looks really different than the world we're used to", "single detail. However I won't really have space for that since it's a", "world we're used to and thus I feel like I have to describe", "every single detail. However I won't really have space for that since it's", "detail. However I won't really have space for that since it's a light", "However I won't really have space for that since it's a light novel,", "I won't really have space for that since it's a light novel, so", "space for that since it's a light novel, so i'm wondering if and", "a light novel, so i'm wondering if and how impotant the scenery would", "since it's a light novel, so i'm wondering if and how impotant the", "light novel, so i'm wondering if and how impotant the scenery would be", "that since it's a light novel, so i'm wondering if and how impotant", "for that since it's a light novel, so i'm wondering if and how", "looks really different than the world we're used to and thus I feel", "and thus I feel like I have to describe every single detail. However", "a futuristic light novel, in which the world looks really different than the", "I feel like I have to describe every single detail. However I won't", "to describe every single detail. However I won't really have space for that", "i'm wondering if and how impotant the scenery would be in my case.", "have to describe every single detail. However I won't really have space for", "we're used to and thus I feel like I have to describe every", "to and thus I feel like I have to describe every single detail.", "feel like I have to describe every single detail. However I won't really", "the world looks really different than the world we're used to and thus", "describe every single detail. However I won't really have space for that since", "won't really have space for that since it's a light novel, so i'm", "futuristic light novel, in which the world looks really different than the world" ]
[ "developing an idea for a story in a video game which I'm going", "and program. I've already got a good idea, however, I'm having a hard", "a video game which I'm going to design and program. I've already got", "however, I'm having a hard time developing it to where it can be", "good idea, however, I'm having a hard time developing it to where it", "story in a video game which I'm going to design and program. I've", "best way to do this, and how do I know it will not", "player? The game will be a choice based story game where you decide", "and entertaining while not boring to the player later on. What is the", "going to design and program. I've already got a good idea, however, I'm", "already got a good idea, however, I'm having a hard time developing it", "this, and how do I know it will not bore the player? The", "game which I'm going to design and program. I've already got a good", "boring to the player later on. What is the best way to do", "long and entertaining while not boring to the player later on. What is", "later on. What is the best way to do this, and how do", "game where you decide the majority of what happens in the game, the", "where you decide the majority of what happens in the game, the game's", "and how do I know it will not bore the player? The game", "developing it to where it can be long and entertaining while not boring", "in a video game which I'm going to design and program. I've already", "bore the player? The game will be a choice based story game where", "player later on. What is the best way to do this, and how", "got a good idea, however, I'm having a hard time developing it to", "choice based story game where you decide the majority of what happens in", "the majority of what happens in the game, the game's target audience is", "decide the majority of what happens in the game, the game's target audience", "the player later on. 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What is the best way to", "I'm developing an idea for a story in a video game which I'm", "having a hard time developing it to where it can be long and", "hard time developing it to where it can be long and entertaining while", "will not bore the player? The game will be a choice based story", "is the best way to do this, and how do I know it", "What is the best way to do this, and how do I know", "what happens in the game, the game's target audience is around 16 or", "it to where it can be long and entertaining while not boring to", "on. What is the best way to do this, and how do I", "how do I know it will not bore the player? The game will", "a story in a video game which I'm going to design and program.", "not bore the player? The game will be a choice based story game", "know it will not bore the player? The game will be a choice", "to design and program. I've already got a good idea, however, I'm having", "can be long and entertaining while not boring to the player later on.", "game will be a choice based story game where you decide the majority", "The game will be a choice based story game where you decide the", "design and program. I've already got a good idea, however, I'm having a", "an idea for a story in a video game which I'm going to", "I've already got a good idea, however, I'm having a hard time developing", "a choice based story game where you decide the majority of what happens", "while not boring to the player later on. What is the best way", "way to do this, and how do I know it will not bore", "entertaining while not boring to the player later on. What is the best", "of what happens in the game, the game's target audience is around 16", "video game which I'm going to design and program. I've already got a", "do I know it will not bore the player? The game will be", "to where it can be long and entertaining while not boring to the", "I'm having a hard time developing it to where it can be long", "I know it will not bore the player? The game will be a", "it can be long and entertaining while not boring to the player later", "story game where you decide the majority of what happens in the game,", "program. I've already got a good idea, however, I'm having a hard time", "idea, however, I'm having a hard time developing it to where it can", "do this, and how do I know it will not bore the player?", "time developing it to where it can be long and entertaining while not", "the best way to do this, and how do I know it will", "which I'm going to design and program. I've already got a good idea,", "based story game where you decide the majority of what happens in the", "it will not bore the player? The game will be a choice based", "be a choice based story game where you decide the majority of what", "you decide the majority of what happens in the game, the game's target", "idea for a story in a video game which I'm going to design" ]
[ "also interested in anything else to help me or motivate me. I have", "so I am looking for free writing tools that can help me. I", "I am looking for free writing tools that can help me. I already", "anything else to help me or motivate me. I have ADHD and sometimes", "now, so I am looking for free writing tools that can help me.", "already have Microsoft Word, but am looking for something to outline with. I", "something to outline with. I am also interested in anything else to help", "me. I already have Microsoft Word, but am looking for something to outline", "else to help me or motivate me. I have ADHD and sometimes it's", "to outline with. I am also interested in anything else to help me", "writing tools that can help me. I already have Microsoft Word, but am", "am also interested in anything else to help me or motivate me. I", "in anything else to help me or motivate me. I have ADHD and", "afford much right now, so I am looking for free writing tools that", "am looking for something to outline with. I am also interested in anything", "or motivate me. I have ADHD and sometimes it's hard to stay on", "right now, so I am looking for free writing tools that can help", "help me or motivate me. I have ADHD and sometimes it's hard to", "have Microsoft Word, but am looking for something to outline with. I am", "motivate me. I have ADHD and sometimes it's hard to stay on track.", "can't afford much right now, so I am looking for free writing tools", "that can help me. I already have Microsoft Word, but am looking for", "Word, but am looking for something to outline with. I am also interested", "am looking for free writing tools that can help me. I already have", "tools that can help me. I already have Microsoft Word, but am looking", "for something to outline with. I am also interested in anything else to", "much right now, so I am looking for free writing tools that can", "I already have Microsoft Word, but am looking for something to outline with.", "Microsoft Word, but am looking for something to outline with. I am also", "interested in anything else to help me or motivate me. I have ADHD", "to help me or motivate me. I have ADHD and sometimes it's hard", "looking for something to outline with. I am also interested in anything else", "with. I am also interested in anything else to help me or motivate", "free writing tools that can help me. I already have Microsoft Word, but", "can help me. I already have Microsoft Word, but am looking for something", "looking for free writing tools that can help me. I already have Microsoft", "but am looking for something to outline with. I am also interested in", "I am also interested in anything else to help me or motivate me.", "help me. I already have Microsoft Word, but am looking for something to", "I can't afford much right now, so I am looking for free writing", "for free writing tools that can help me. I already have Microsoft Word,", "me or motivate me. I have ADHD and sometimes it's hard to stay", "outline with. I am also interested in anything else to help me or" ]
[ "characters in your light novel time jump/travel whilist some other characters stay in", "writing about the characters that are still in the present and focus on", "challange? Would you stop writing about the characters that are still in the", "in the same period of time? How would you guys take on this", "of time? How would you guys take on this challange? Would you stop", "in the present and focus on the group of characters that have traveled", "you guys take on this challange? Would you stop writing about the characters", "Would you stop writing about the characters that are still in the present", "How would you guys take on this challange? Would you stop writing about", "the same period of time? How would you guys take on this challange?", "are still in the present and focus on the group of characters that", "stop writing about the characters that are still in the present and focus", "light novel time jump/travel whilist some other characters stay in the same period", "make a few characters in your light novel time jump/travel whilist some other", "about the characters that are still in the present and focus on the", "jump/travel whilist some other characters stay in the same period of time? How", "your light novel time jump/travel whilist some other characters stay in the same", "in your light novel time jump/travel whilist some other characters stay in the", "same period of time? How would you guys take on this challange? Would", "to make a few characters in your light novel time jump/travel whilist some", "characters stay in the same period of time? How would you guys take", "would you guys take on this challange? Would you stop writing about the", "period of time? How would you guys take on this challange? Would you", "it be totally wrong to make a few characters in your light novel", "the characters that are still in the present and focus on the group", "whilist some other characters stay in the same period of time? How would", "on this challange? Would you stop writing about the characters that are still", "characters that are still in the present and focus on the group of", "other characters stay in the same period of time? How would you guys", "guys take on this challange? Would you stop writing about the characters that", "this challange? Would you stop writing about the characters that are still in", "still in the present and focus on the group of characters that have", "few characters in your light novel time jump/travel whilist some other characters stay", "present and focus on the group of characters that have traveled in time?", "totally wrong to make a few characters in your light novel time jump/travel", "Would it be totally wrong to make a few characters in your light", "wrong to make a few characters in your light novel time jump/travel whilist", "some other characters stay in the same period of time? How would you", "stay in the same period of time? How would you guys take on", "the present and focus on the group of characters that have traveled in", "take on this challange? Would you stop writing about the characters that are", "be totally wrong to make a few characters in your light novel time", "that are still in the present and focus on the group of characters", "time? How would you guys take on this challange? Would you stop writing", "time jump/travel whilist some other characters stay in the same period of time?", "you stop writing about the characters that are still in the present and", "novel time jump/travel whilist some other characters stay in the same period of", "a few characters in your light novel time jump/travel whilist some other characters" ]
[ "something very well, but I don't have the imagination to \"create\" stories. What", "I have seen on this site that people usually have stories in their", "don't have the imagination to \"create\" stories. What are my options for writing", "specially in writing. I like to write. I have seen on this site", "to write. I have seen on this site that people usually have stories", "it! My problem is that I can describe something very well, but I", "their mind but don't know how to write it! My problem is that", "seen on this site that people usually have stories in their mind but", "that I can describe something very well, but I don't have the imagination", "site that people usually have stories in their mind but don't know how", "very well, but I don't have the imagination to \"create\" stories. What are", "things specially in writing. I like to write. I have seen on this", "can describe something very well, but I don't have the imagination to \"create\"", "stories in their mind but don't know how to write it! My problem", "I believe that I am good at expressing things specially in writing. I", "that people usually have stories in their mind but don't know how to", "that I am good at expressing things specially in writing. I like to", "people usually have stories in their mind but don't know how to write", "am good at expressing things specially in writing. I like to write. I", "good at expressing things specially in writing. I like to write. I have", "but don't know how to write it! My problem is that I can", "at expressing things specially in writing. I like to write. I have seen", "have seen on this site that people usually have stories in their mind", "but I don't have the imagination to \"create\" stories. What are my options", "have stories in their mind but don't know how to write it! My", "know how to write it! My problem is that I can describe something", "I can describe something very well, but I don't have the imagination to", "imagination to \"create\" stories. What are my options for writing as a hobby?", "write. I have seen on this site that people usually have stories in", "have the imagination to \"create\" stories. What are my options for writing as", "is that I can describe something very well, but I don't have the", "mind but don't know how to write it! My problem is that I", "usually have stories in their mind but don't know how to write it!", "writing. I like to write. I have seen on this site that people", "well, but I don't have the imagination to \"create\" stories. What are my", "don't know how to write it! My problem is that I can describe", "describe something very well, but I don't have the imagination to \"create\" stories.", "believe that I am good at expressing things specially in writing. I like", "I am good at expressing things specially in writing. I like to write.", "like to write. I have seen on this site that people usually have", "My problem is that I can describe something very well, but I don't", "this site that people usually have stories in their mind but don't know", "in writing. I like to write. I have seen on this site that", "how to write it! My problem is that I can describe something very", "in their mind but don't know how to write it! My problem is", "problem is that I can describe something very well, but I don't have", "I like to write. I have seen on this site that people usually", "to write it! My problem is that I can describe something very well,", "on this site that people usually have stories in their mind but don't", "write it! My problem is that I can describe something very well, but", "I don't have the imagination to \"create\" stories. What are my options for", "expressing things specially in writing. I like to write. I have seen on", "the imagination to \"create\" stories. What are my options for writing as a" ]
[ "assume that most folks going to a workshop like this would be beginner-intermediate", "be covered in such a workshop? I would assume that most folks going", "in such a workshop? I would assume that most folks going to a", "session (2 hour maximum) workshop on poetry. What would be the most important", "on poetry. What would be the most important aspects that should be covered", "What would be the most important aspects that should be covered in such", "one session (2 hour maximum) workshop on poetry. What would be the most", "take on the task of leading a one session (2 hour maximum) workshop", "I would assume that most folks going to a workshop like this would", "most important aspects that should be covered in such a workshop? I would", "may take on the task of leading a one session (2 hour maximum)", "maximum) workshop on poetry. What would be the most important aspects that should", "covered in such a workshop? I would assume that most folks going to", "a one session (2 hour maximum) workshop on poetry. What would be the", "leading a one session (2 hour maximum) workshop on poetry. What would be", "the task of leading a one session (2 hour maximum) workshop on poetry.", "the most important aspects that should be covered in such a workshop? I", "on the task of leading a one session (2 hour maximum) workshop on", "that should be covered in such a workshop? I would assume that most", "be the most important aspects that should be covered in such a workshop?", "of leading a one session (2 hour maximum) workshop on poetry. What would", "a workshop? I would assume that most folks going to a workshop like", "would be the most important aspects that should be covered in such a", "aspects that should be covered in such a workshop? I would assume that", "workshop? I would assume that most folks going to a workshop like this", "such a workshop? I would assume that most folks going to a workshop", "hour maximum) workshop on poetry. What would be the most important aspects that", "poetry. What would be the most important aspects that should be covered in", "workshop on poetry. What would be the most important aspects that should be", "task of leading a one session (2 hour maximum) workshop on poetry. What", "that most folks going to a workshop like this would be beginner-intermediate level.", "should be covered in such a workshop? I would assume that most folks", "(2 hour maximum) workshop on poetry. What would be the most important aspects", "I may take on the task of leading a one session (2 hour", "would assume that most folks going to a workshop like this would be", "important aspects that should be covered in such a workshop? I would assume" ]
[ "diary ! So, nothing can decide that you have to write this part", "will remember what led him to this place, everything that happenned and that", "So, my quetsion is : Is there any method, advices or guidance to", "the MC will relate his interactions with other characters (or between the other", "etc — It's the easiesst part. The problem lies in what remains :", "part. The problem lies in what remains : **Descriptions :** The MC will", "decided to ask *MC* what *B* said to him in day 5. etc", "of view, and that I want to show his toughts on a daily", "something I'm preparing for a long time and I now have enough material.", "that chapter. So, my quetsion is : Is there any method, advices or", "or \"cause and effect\" rule in the diary ! So, nothing can decide", "that is related to his present situation. **Stream of consciousness :** Here we", "said to him in day 5. etc — It's the easiesst part. The", "did something to *B* in day 1. *B* spoke to *MC* on day", "with other characters (or between the other characters) : *A* did something to", "deep in the MC's toughts (feelings or general ideas about life, love, death", "(like alternating flash-backs parts and descriptions parts from chapter to chapter, things of", "Where the MC will relate his interactions with other characters (or between the", "me stucture this in a less arbitrary way ? (like alternating flash-backs parts", "basis, I decided that the better form should be a fictional diary. As", "I now have enough material. Given the fact that I will concentrate on", "have enough material. Given the fact that I will concentrate on my main", "to his present situation. **Stream of consciousness :** Here we go deep in", "can decide that you have to write this part in that chapter. So,", "enough material. Given the fact that I will concentrate on my main character's", "relate his interactions with other characters (or between the other characters) : *A*", "a long time and I now have enough material. Given the fact that", "MC will relate his interactions with other characters (or between the other characters)", "material. Given the fact that I will concentrate on my main character's poitnt", ": **Descriptions :** The MC will describe a part of his environment in", "flash-backs parts and descriptions parts from chapter to chapter, things of this kind)", "characters) : *A* did something to *B* in day 1. *B* spoke to", "I'm preparing for a long time and I now have enough material. Given", "preparing for a long time and I now have enough material. Given the", ": *A* did something to *B* in day 1. *B* spoke to *MC*", "write this part in that chapter. So, my quetsion is : Is there", "*B* said to him in day 5. etc — It's the easiesst part.", "interactions with other characters (or between the other characters) : *A* did something", "*D* decided to ask *MC* what *B* said to him in day 5.", "character's poitnt of view, and that I want to show his toughts on", "any method, advices or guidance to help me stucture this in a less", "Day, I tried to see what could compose the text : the easisest", "environment in each chapter. **Flash-backs :** The MC will remember what led him", "the easiesst part. The problem lies in what remains : **Descriptions :** The", "or general ideas about life, love, death in his actual context) These three", "main character's poitnt of view, and that I want to show his toughts", "quetsion is : Is there any method, advices or guidance to help me", "you have to write this part in that chapter. So, my quetsion is", "related to his present situation. **Stream of consciousness :** Here we go deep", "his environment in each chapter. **Flash-backs :** The MC will remember what led", "the easisest part is the sequentials events : Where the MC will relate", "see what could compose the text : the easisest part is the sequentials", "The MC will remember what led him to this place, everything that happenned", "*A* did something to *B* in day 1. *B* spoke to *MC* on", "day 2. *D* decided to ask *MC* what *B* said to him in", "life, love, death in his actual context) These three parts are not bound", "in the diary ! So, nothing can decide that you have to write", "to write this part in that chapter. So, my quetsion is : Is", "diary. As I said, I know (most of) what the main character will", "death in his actual context) These three parts are not bound by any", "decided that the better form should be a fictional diary. As I said,", "/ Day, I tried to see what could compose the text : the", "**Flash-backs :** The MC will remember what led him to this place, everything", "on my main character's poitnt of view, and that I want to show", "\"cause and effect\" rule in the diary ! So, nothing can decide that", "to help me stucture this in a less arbitrary way ? (like alternating", "**Stream of consciousness :** Here we go deep in the MC's toughts (feelings", "— It's the easiesst part. The problem lies in what remains : **Descriptions", "problem lies in what remains : **Descriptions :** The MC will describe a", "easiesst part. The problem lies in what remains : **Descriptions :** The MC", "consciousness :** Here we go deep in the MC's toughts (feelings or general", "what the main character will have to say. For each Chapter / Day,", "tried to see what could compose the text : the easisest part is", "to this place, everything that happenned and that is related to his present", "It's the easiesst part. The problem lies in what remains : **Descriptions :**", "this place, everything that happenned and that is related to his present situation.", "toughts on a daily basis, I decided that the better form should be", "? (like alternating flash-backs parts and descriptions parts from chapter to chapter, things", "a fictional diary. As I said, I know (most of) what the main", "have to say. For each Chapter / Day, I tried to see what", "go deep in the MC's toughts (feelings or general ideas about life, love,", "The problem lies in what remains : **Descriptions :** The MC will describe", "nothing can decide that you have to write this part in that chapter.", "form should be a fictional diary. As I said, I know (most of)", "other characters) : *A* did something to *B* in day 1. *B* spoke", "the text : the easisest part is the sequentials events : Where the", "toughts (feelings or general ideas about life, love, death in his actual context)", "So, nothing can decide that you have to write this part in that", "events : Where the MC will relate his interactions with other characters (or", "could compose the text : the easisest part is the sequentials events :", "I began writing a novel. It's something I'm preparing for a long time", "main character will have to say. For each Chapter / Day, I tried", "concentrate on my main character's poitnt of view, and that I want to", "that I want to show his toughts on a daily basis, I decided", "! So, nothing can decide that you have to write this part in", "something to *B* in day 1. *B* spoke to *MC* on day 2.", "will describe a part of his environment in each chapter. **Flash-backs :** The", "chapter. **Flash-backs :** The MC will remember what led him to this place,", "chronological or \"cause and effect\" rule in the diary ! So, nothing can", "in each chapter. **Flash-backs :** The MC will remember what led him to", "of his environment in each chapter. **Flash-backs :** The MC will remember what", "and effect\" rule in the diary ! So, nothing can decide that you", "describe a part of his environment in each chapter. **Flash-backs :** The MC", "that you have to write this part in that chapter. So, my quetsion", "arbitrary way ? (like alternating flash-backs parts and descriptions parts from chapter to", "context) These three parts are not bound by any chronological or \"cause and", "his present situation. **Stream of consciousness :** Here we go deep in the", "less arbitrary way ? (like alternating flash-backs parts and descriptions parts from chapter", "5. etc — It's the easiesst part. The problem lies in what remains", "this in a less arbitrary way ? (like alternating flash-backs parts and descriptions", "any chronological or \"cause and effect\" rule in the diary ! So, nothing", "now have enough material. Given the fact that I will concentrate on my", ": Is there any method, advices or guidance to help me stucture this", "1. *B* spoke to *MC* on day 2. *D* decided to ask *MC*", "I decided that the better form should be a fictional diary. As I", "and that is related to his present situation. **Stream of consciousness :** Here", "As I said, I know (most of) what the main character will have", "a less arbitrary way ? (like alternating flash-backs parts and descriptions parts from", "that the better form should be a fictional diary. As I said, I", "remains : **Descriptions :** The MC will describe a part of his environment", "text : the easisest part is the sequentials events : Where the MC", "decide that you have to write this part in that chapter. So, my", "part is the sequentials events : Where the MC will relate his interactions", "remember what led him to this place, everything that happenned and that is", "will have to say. For each Chapter / Day, I tried to see", "ask *MC* what *B* said to him in day 5. etc — It's", "(or between the other characters) : *A* did something to *B* in day", "daily basis, I decided that the better form should be a fictional diary.", "day 5. etc — It's the easiesst part. The problem lies in what", "the fact that I will concentrate on my main character's poitnt of view,", "parts are not bound by any chronological or \"cause and effect\" rule in", "to *B* in day 1. *B* spoke to *MC* on day 2. *D*", "*B* spoke to *MC* on day 2. *D* decided to ask *MC* what", "actual context) These three parts are not bound by any chronological or \"cause", "in what remains : **Descriptions :** The MC will describe a part of", "to *MC* on day 2. *D* decided to ask *MC* what *B* said", "the better form should be a fictional diary. As I said, I know", "MC will describe a part of his environment in each chapter. **Flash-backs :**", "compose the text : the easisest part is the sequentials events : Where", "on a daily basis, I decided that the better form should be a", "between the other characters) : *A* did something to *B* in day 1.", "each chapter. **Flash-backs :** The MC will remember what led him to this", "him to this place, everything that happenned and that is related to his", "are not bound by any chronological or \"cause and effect\" rule in the", "writing a novel. It's something I'm preparing for a long time and I", "his toughts on a daily basis, I decided that the better form should", "the sequentials events : Where the MC will relate his interactions with other", "the MC's toughts (feelings or general ideas about life, love, death in his", "spoke to *MC* on day 2. *D* decided to ask *MC* what *B*", "to him in day 5. etc — It's the easiesst part. The problem", "of) what the main character will have to say. For each Chapter /", "fact that I will concentrate on my main character's poitnt of view, and", "that I will concentrate on my main character's poitnt of view, and that", "should be a fictional diary. As I said, I know (most of) what", "of consciousness :** Here we go deep in the MC's toughts (feelings or", "will concentrate on my main character's poitnt of view, and that I want", "advices or guidance to help me stucture this in a less arbitrary way", "day 1. *B* spoke to *MC* on day 2. *D* decided to ask", "to ask *MC* what *B* said to him in day 5. etc —", ":** The MC will describe a part of his environment in each chapter.", "alternating flash-backs parts and descriptions parts from chapter to chapter, things of this", "three parts are not bound by any chronological or \"cause and effect\" rule", "*MC* what *B* said to him in day 5. etc — It's the", "have to write this part in that chapter. So, my quetsion is :", "this part in that chapter. So, my quetsion is : Is there any", "began writing a novel. It's something I'm preparing for a long time and", "better form should be a fictional diary. As I said, I know (most", "him in day 5. etc — It's the easiesst part. The problem lies", "MC's toughts (feelings or general ideas about life, love, death in his actual", ": Where the MC will relate his interactions with other characters (or between", "Given the fact that I will concentrate on my main character's poitnt of", "to say. For each Chapter / Day, I tried to see what could", "long time and I now have enough material. Given the fact that I", "present situation. **Stream of consciousness :** Here we go deep in the MC's", "Here we go deep in the MC's toughts (feelings or general ideas about", "part of his environment in each chapter. **Flash-backs :** The MC will remember", "the diary ! So, nothing can decide that you have to write this", "easisest part is the sequentials events : Where the MC will relate his", "love, death in his actual context) These three parts are not bound by", "there any method, advices or guidance to help me stucture this in a", "said, I know (most of) what the main character will have to say.", "that happenned and that is related to his present situation. **Stream of consciousness", "we go deep in the MC's toughts (feelings or general ideas about life,", "by any chronological or \"cause and effect\" rule in the diary ! So,", "his interactions with other characters (or between the other characters) : *A* did", "situation. **Stream of consciousness :** Here we go deep in the MC's toughts", "rule in the diary ! So, nothing can decide that you have to", "**Descriptions :** The MC will describe a part of his environment in each", "(feelings or general ideas about life, love, death in his actual context) These", "method, advices or guidance to help me stucture this in a less arbitrary", "effect\" rule in the diary ! So, nothing can decide that you have", "about life, love, death in his actual context) These three parts are not", "stucture this in a less arbitrary way ? (like alternating flash-backs parts and", "I said, I know (most of) what the main character will have to", ":** The MC will remember what led him to this place, everything that", "want to show his toughts on a daily basis, I decided that the", "chapter. So, my quetsion is : Is there any method, advices or guidance", "be a fictional diary. As I said, I know (most of) what the", "view, and that I want to show his toughts on a daily basis,", "general ideas about life, love, death in his actual context) These three parts", "*B* in day 1. *B* spoke to *MC* on day 2. *D* decided", "what remains : **Descriptions :** The MC will describe a part of his", "in the MC's toughts (feelings or general ideas about life, love, death in", "each Chapter / Day, I tried to see what could compose the text", "I tried to see what could compose the text : the easisest part", "*MC* on day 2. *D* decided to ask *MC* what *B* said to", "what could compose the text : the easisest part is the sequentials events", "poitnt of view, and that I want to show his toughts on a", "ideas about life, love, death in his actual context) These three parts are", "help me stucture this in a less arbitrary way ? (like alternating flash-backs", "characters (or between the other characters) : *A* did something to *B* in", "For each Chapter / Day, I tried to see what could compose the", "character will have to say. For each Chapter / Day, I tried to", "for a long time and I now have enough material. Given the fact", "in day 1. *B* spoke to *MC* on day 2. *D* decided to", "novel. It's something I'm preparing for a long time and I now have", "the main character will have to say. For each Chapter / Day, I", "sequentials events : Where the MC will relate his interactions with other characters", "It's something I'm preparing for a long time and I now have enough", "his actual context) These three parts are not bound by any chronological or", "place, everything that happenned and that is related to his present situation. **Stream", "fictional diary. As I said, I know (most of) what the main character", "happenned and that is related to his present situation. **Stream of consciousness :**", "will relate his interactions with other characters (or between the other characters) :", "MC will remember what led him to this place, everything that happenned and", "in a less arbitrary way ? (like alternating flash-backs parts and descriptions parts", "know (most of) what the main character will have to say. For each", "what *B* said to him in day 5. etc — It's the easiesst", "a daily basis, I decided that the better form should be a fictional", ": the easisest part is the sequentials events : Where the MC will", "I will concentrate on my main character's poitnt of view, and that I", "not bound by any chronological or \"cause and effect\" rule in the diary", "part in that chapter. So, my quetsion is : Is there any method,", "is : Is there any method, advices or guidance to help me stucture", "on day 2. *D* decided to ask *MC* what *B* said to him", "is the sequentials events : Where the MC will relate his interactions with", "lies in what remains : **Descriptions :** The MC will describe a part", "in day 5. etc — It's the easiesst part. The problem lies in", "in that chapter. So, my quetsion is : Is there any method, advices", "what led him to this place, everything that happenned and that is related", "Chapter / Day, I tried to see what could compose the text :", "I know (most of) what the main character will have to say. For", "to see what could compose the text : the easisest part is the", "the other characters) : *A* did something to *B* in day 1. *B*", "everything that happenned and that is related to his present situation. **Stream of", "in his actual context) These three parts are not bound by any chronological", "my quetsion is : Is there any method, advices or guidance to help", "is related to his present situation. **Stream of consciousness :** Here we go", "and that I want to show his toughts on a daily basis, I", "way ? (like alternating flash-backs parts and descriptions parts from chapter to chapter,", "a novel. It's something I'm preparing for a long time and I now", "Is there any method, advices or guidance to help me stucture this in", "(most of) what the main character will have to say. For each Chapter", "a part of his environment in each chapter. **Flash-backs :** The MC will", "and I now have enough material. Given the fact that I will concentrate", "my main character's poitnt of view, and that I want to show his", "These three parts are not bound by any chronological or \"cause and effect\"", "or guidance to help me stucture this in a less arbitrary way ?", "other characters (or between the other characters) : *A* did something to *B*", "2. *D* decided to ask *MC* what *B* said to him in day", "I want to show his toughts on a daily basis, I decided that", "time and I now have enough material. Given the fact that I will", "say. For each Chapter / Day, I tried to see what could compose", "bound by any chronological or \"cause and effect\" rule in the diary !", "guidance to help me stucture this in a less arbitrary way ? (like", ":** Here we go deep in the MC's toughts (feelings or general ideas", "The MC will describe a part of his environment in each chapter. **Flash-backs", "show his toughts on a daily basis, I decided that the better form", "led him to this place, everything that happenned and that is related to", "to show his toughts on a daily basis, I decided that the better" ]
[ "too technical. Are there there any techniques for generating catchy rallying cries, slogans,", "product by highlighting it's strengths. I'm thinking about differentiating by referencing the religion", "something like: \"For Tyr's blessing!\" While I'm looking for something not so generic", "I have created needs some unifying phrases but I'm having trouble thinking of", "slogan should differentiate the product by highlighting it's strengths. I'm thinking about differentiating", "to advertising... They mostly tend to say the slogan should differentiate the product", "it's strengths. I'm thinking about differentiating by referencing the religion but that leads", "religion but that leads me to something like: \"For Tyr's blessing!\" While I'm", "differentiate the product by highlighting it's strengths. I'm thinking about differentiating by referencing", "having trouble thinking of some that spur emotion but do not sound silly", "created needs some unifying phrases but I'm having trouble thinking of some that", "mostly tend to say the slogan should differentiate the product by highlighting it's", "some unifying phrases but I'm having trouble thinking of some that spur emotion", "good information out there. I can't seem to find anything not related to", "looking for something not so generic like: \"Odin owns you all!\" My ideas", "me to something like: \"For Tyr's blessing!\" While I'm looking for something not", "or chants? Surely with propaganda and social control in today's world there is", "social control in today's world there is some good information out there. I", "They mostly tend to say the slogan should differentiate the product by highlighting", "generating catchy rallying cries, slogans, or chants? Surely with propaganda and social control", "about differentiating by referencing the religion but that leads me to something like:", "While I'm looking for something not so generic like: \"Odin owns you all!\"", "should differentiate the product by highlighting it's strengths. I'm thinking about differentiating by", "\"For Tyr's blessing!\" While I'm looking for something not so generic like: \"Odin", "there any techniques for generating catchy rallying cries, slogans, or chants? Surely with", "emotion but do not sound silly or too technical. Are there there any", "rallying cries, slogans, or chants? Surely with propaganda and social control in today's", "I'm thinking about differentiating by referencing the religion but that leads me to", "slogans, or chants? Surely with propaganda and social control in today's world there", "can't seem to find anything not related to advertising... They mostly tend to", "not so generic like: \"Odin owns you all!\" My ideas are lacking in", "techniques for generating catchy rallying cries, slogans, or chants? Surely with propaganda and", "to something like: \"For Tyr's blessing!\" While I'm looking for something not so", "something not so generic like: \"Odin owns you all!\" My ideas are lacking", "silly or too technical. Are there there any techniques for generating catchy rallying", "in today's world there is some good information out there. I can't seem", "unifying phrases but I'm having trouble thinking of some that spur emotion but", "but that leads me to something like: \"For Tyr's blessing!\" While I'm looking", "not sound silly or too technical. Are there there any techniques for generating", "some good information out there. I can't seem to find anything not related", "tend to say the slogan should differentiate the product by highlighting it's strengths.", "needs some unifying phrases but I'm having trouble thinking of some that spur", "technical. Are there there any techniques for generating catchy rallying cries, slogans, or", "today's world there is some good information out there. I can't seem to", "with propaganda and social control in today's world there is some good information", "that leads me to something like: \"For Tyr's blessing!\" While I'm looking for", "is some good information out there. I can't seem to find anything not", "spur emotion but do not sound silly or too technical. Are there there", "propaganda and social control in today's world there is some good information out", "do not sound silly or too technical. Are there there any techniques for", "the slogan should differentiate the product by highlighting it's strengths. I'm thinking about", "so generic like: \"Odin owns you all!\" My ideas are lacking in the", "trouble thinking of some that spur emotion but do not sound silly or", "I'm looking for something not so generic like: \"Odin owns you all!\" My", "anything not related to advertising... They mostly tend to say the slogan should", "Are there there any techniques for generating catchy rallying cries, slogans, or chants?", "catchy rallying cries, slogans, or chants? Surely with propaganda and social control in", "chants? Surely with propaganda and social control in today's world there is some", "have created needs some unifying phrases but I'm having trouble thinking of some", "The culture I have created needs some unifying phrases but I'm having trouble", "out there. I can't seem to find anything not related to advertising... They", "any techniques for generating catchy rallying cries, slogans, or chants? Surely with propaganda", "but I'm having trouble thinking of some that spur emotion but do not", "control in today's world there is some good information out there. I can't", "like: \"For Tyr's blessing!\" While I'm looking for something not so generic like:", "Tyr's blessing!\" While I'm looking for something not so generic like: \"Odin owns", "world there is some good information out there. I can't seem to find", "some that spur emotion but do not sound silly or too technical. Are", "there there any techniques for generating catchy rallying cries, slogans, or chants? Surely", "cries, slogans, or chants? Surely with propaganda and social control in today's world", "and social control in today's world there is some good information out there.", "Surely with propaganda and social control in today's world there is some good", "or too technical. Are there there any techniques for generating catchy rallying cries,", "sound silly or too technical. Are there there any techniques for generating catchy", "culture I have created needs some unifying phrases but I'm having trouble thinking", "by referencing the religion but that leads me to something like: \"For Tyr's", "by highlighting it's strengths. I'm thinking about differentiating by referencing the religion but", "related to advertising... They mostly tend to say the slogan should differentiate the", "but do not sound silly or too technical. Are there there any techniques", "strengths. I'm thinking about differentiating by referencing the religion but that leads me", "generic like: \"Odin owns you all!\" My ideas are lacking in the inspirational", "the product by highlighting it's strengths. I'm thinking about differentiating by referencing the", "differentiating by referencing the religion but that leads me to something like: \"For", "that spur emotion but do not sound silly or too technical. Are there", "thinking of some that spur emotion but do not sound silly or too", "of some that spur emotion but do not sound silly or too technical.", "for something not so generic like: \"Odin owns you all!\" My ideas are", "highlighting it's strengths. I'm thinking about differentiating by referencing the religion but that", "I'm having trouble thinking of some that spur emotion but do not sound", "not related to advertising... They mostly tend to say the slogan should differentiate", "thinking about differentiating by referencing the religion but that leads me to something", "to find anything not related to advertising... They mostly tend to say the", "for generating catchy rallying cries, slogans, or chants? Surely with propaganda and social", "phrases but I'm having trouble thinking of some that spur emotion but do", "like: \"Odin owns you all!\" My ideas are lacking in the inspirational factor.", "referencing the religion but that leads me to something like: \"For Tyr's blessing!\"", "there is some good information out there. I can't seem to find anything", "there. I can't seem to find anything not related to advertising... They mostly", "advertising... They mostly tend to say the slogan should differentiate the product by", "seem to find anything not related to advertising... They mostly tend to say", "to say the slogan should differentiate the product by highlighting it's strengths. I'm", "information out there. I can't seem to find anything not related to advertising...", "the religion but that leads me to something like: \"For Tyr's blessing!\" While", "I can't seem to find anything not related to advertising... They mostly tend", "blessing!\" While I'm looking for something not so generic like: \"Odin owns you", "say the slogan should differentiate the product by highlighting it's strengths. I'm thinking", "leads me to something like: \"For Tyr's blessing!\" While I'm looking for something", "find anything not related to advertising... They mostly tend to say the slogan" ]
[ "2016: Japão * Portuguese 1506: Iapam **The questions:** * How the characters should", "At the time period of the story, certain names are different from the", "Portuguese: * Portuguese 2016: Japão * Portuguese 1506: Iapam **The questions:** * How", "questions:** * How the characters should introduce objects and names like this above?", "\"Japan\" word in Portuguese: * Portuguese 2016: Japão * Portuguese 1506: Iapam **The", "names are different from the modern day language. An example of the \"Japan\"", "1506: Iapam **The questions:** * How the characters should introduce objects and names", "Japão * Portuguese 1506: Iapam **The questions:** * How the characters should introduce", "If I put today's Portuguese term, will it sound unrealistic? Or will the", "* Portuguese 2016: Japão * Portuguese 1506: Iapam **The questions:** * How the", "unrealistic? Or will the archaic term be too most complicated for the reader?", "the \"Japan\" word in Portuguese: * Portuguese 2016: Japão * Portuguese 1506: Iapam", "period of the story, certain names are different from the modern day language.", "from the modern day language. An example of the \"Japan\" word in Portuguese:", "the story, certain names are different from the modern day language. An example", "How the characters should introduce objects and names like this above? * If", "introduce objects and names like this above? * If I put today's Portuguese", "today's Portuguese term, will it sound unrealistic? Or will the archaic term be", "Portuguese term, will it sound unrealistic? Or will the archaic term be too", "this above? * If I put today's Portuguese term, will it sound unrealistic?", "language. An example of the \"Japan\" word in Portuguese: * Portuguese 2016: Japão", "* How the characters should introduce objects and names like this above? *", "certain names are different from the modern day language. An example of the", "of the \"Japan\" word in Portuguese: * Portuguese 2016: Japão * Portuguese 1506:", "**The questions:** * How the characters should introduce objects and names like this", "in Portuguese: * Portuguese 2016: Japão * Portuguese 1506: Iapam **The questions:** *", "* If I put today's Portuguese term, will it sound unrealistic? Or will", "names like this above? * If I put today's Portuguese term, will it", "sound unrealistic? Or will the archaic term be too most complicated for the", "Portuguese 1506: Iapam **The questions:** * How the characters should introduce objects and", "the modern day language. An example of the \"Japan\" word in Portuguese: *", "Portuguese 2016: Japão * Portuguese 1506: Iapam **The questions:** * How the characters", "the time period of the story, certain names are different from the modern", "modern day language. An example of the \"Japan\" word in Portuguese: * Portuguese", "characters should introduce objects and names like this above? * If I put", "like this above? * If I put today's Portuguese term, will it sound", "* Portuguese 1506: Iapam **The questions:** * How the characters should introduce objects", "An example of the \"Japan\" word in Portuguese: * Portuguese 2016: Japão *", "example of the \"Japan\" word in Portuguese: * Portuguese 2016: Japão * Portuguese", "it sound unrealistic? Or will the archaic term be too most complicated for", "objects and names like this above? * If I put today's Portuguese term,", "day language. An example of the \"Japan\" word in Portuguese: * Portuguese 2016:", "I put today's Portuguese term, will it sound unrealistic? Or will the archaic", "are different from the modern day language. An example of the \"Japan\" word", "should introduce objects and names like this above? * If I put today's", "above? * If I put today's Portuguese term, will it sound unrealistic? Or", "time period of the story, certain names are different from the modern day", "will it sound unrealistic? Or will the archaic term be too most complicated", "word in Portuguese: * Portuguese 2016: Japão * Portuguese 1506: Iapam **The questions:**", "different from the modern day language. An example of the \"Japan\" word in", "and names like this above? * If I put today's Portuguese term, will", "Iapam **The questions:** * How the characters should introduce objects and names like", "of the story, certain names are different from the modern day language. An", "the characters should introduce objects and names like this above? * If I", "story, certain names are different from the modern day language. An example of", "put today's Portuguese term, will it sound unrealistic? Or will the archaic term", "term, will it sound unrealistic? Or will the archaic term be too most" ]
[ "in nature. Assuming you aren't writing a comedy, how could you pull something", "can you introduce something potentially laughable, and have the reader accept it as", "would lessen the shock. The problem I see here is that doing so", "the serious, epic, LotR feel you're going for? More importantly, **how can you", "thought you should do it bit by bit. Find signs, tracks, rumors, that", "introduce something potentially laughable, and have the reader accept it as part of", "pull something like that off while still maintaining the serious, epic, LotR feel", "feel you're going for? More importantly, **how can you introduce something potentially laughable,", "of thing. That would lessen the shock. The problem I see here is", "that sort of thing. That would lessen the shock. The problem I see", "discovered, and they are... intelligent rabbits. My idea isn't quite *that* far out,", "a comedy, how could you pull something like that off while still maintaining", "At long last the invaders are discovered, and they are... intelligent rabbits. My", "epic, LotR feel you're going for? More importantly, **how can you introduce something", "lessen the shock. The problem I see here is that doing so would", "My idea isn't quite *that* far out, but it is similar in nature.", "it as part of the story?** My ideas: At first I thought you", "tracks, rumors, that sort of thing. That would lessen the shock. The problem", "still maintaining the serious, epic, LotR feel you're going for? More importantly, **how", "LotR feel you're going for? More importantly, **how can you introduce something potentially", "for? More importantly, **how can you introduce something potentially laughable, and have the", "they are... intelligent rabbits. My idea isn't quite *that* far out, but it", "the suspense, which could then result in a big let-down for the reader", "the set up. You're reading a traditional fantasy. Something is attacking the land", "Assuming you aren't writing a comedy, how could you pull something like that", "that doing so would increase the suspense, which could then result in a", "doing so would increase the suspense, which could then result in a big", "laughable, and have the reader accept it as part of the story?** My", "similar in nature. Assuming you aren't writing a comedy, how could you pull", "first I thought you should do it bit by bit. Find signs, tracks,", "while still maintaining the serious, epic, LotR feel you're going for? More importantly,", "fantasy. Something is attacking the land of the elves. At long last the", "ideas: At first I thought you should do it bit by bit. Find", "rabbits. My idea isn't quite *that* far out, but it is similar in", "potentially laughable, and have the reader accept it as part of the story?**", "Find signs, tracks, rumors, that sort of thing. That would lessen the shock.", "as part of the story?** My ideas: At first I thought you should", "rumors, that sort of thing. That would lessen the shock. The problem I", "The problem I see here is that doing so would increase the suspense,", "My ideas: At first I thought you should do it bit by bit.", "You're reading a traditional fantasy. Something is attacking the land of the elves.", "could you pull something like that off while still maintaining the serious, epic,", "of the story?** My ideas: At first I thought you should do it", "shock. The problem I see here is that doing so would increase the", "accept it as part of the story?** My ideas: At first I thought", "thing. That would lessen the shock. The problem I see here is that", "the invaders are discovered, and they are... intelligent rabbits. My idea isn't quite", "part of the story?** My ideas: At first I thought you should do", "the story?** My ideas: At first I thought you should do it bit", "here is that doing so would increase the suspense, which could then result", "is that doing so would increase the suspense, which could then result in", "is attacking the land of the elves. At long last the invaders are", "nature. Assuming you aren't writing a comedy, how could you pull something like", "Here's the set up. You're reading a traditional fantasy. Something is attacking the", "comedy, how could you pull something like that off while still maintaining the", "something potentially laughable, and have the reader accept it as part of the", "by bit. Find signs, tracks, rumors, that sort of thing. That would lessen", "the land of the elves. At long last the invaders are discovered, and", "a traditional fantasy. Something is attacking the land of the elves. At long", "is similar in nature. Assuming you aren't writing a comedy, how could you", "At first I thought you should do it bit by bit. Find signs,", "problem I see here is that doing so would increase the suspense, which", "should do it bit by bit. Find signs, tracks, rumors, that sort of", "of the elves. At long last the invaders are discovered, and they are...", "reader accept it as part of the story?** My ideas: At first I", "a big let-down for the reader when the invaders aren't what he expected.", "signs, tracks, rumors, that sort of thing. That would lessen the shock. The", "quite *that* far out, but it is similar in nature. Assuming you aren't", "I thought you should do it bit by bit. Find signs, tracks, rumors,", "writing a comedy, how could you pull something like that off while still", "far out, but it is similar in nature. Assuming you aren't writing a", "like that off while still maintaining the serious, epic, LotR feel you're going", "maintaining the serious, epic, LotR feel you're going for? More importantly, **how can", "have the reader accept it as part of the story?** My ideas: At", "bit by bit. Find signs, tracks, rumors, that sort of thing. That would", "the elves. At long last the invaders are discovered, and they are... intelligent", "aren't writing a comedy, how could you pull something like that off while", "story?** My ideas: At first I thought you should do it bit by", "you aren't writing a comedy, how could you pull something like that off", "you pull something like that off while still maintaining the serious, epic, LotR", "traditional fantasy. Something is attacking the land of the elves. At long last", "the reader accept it as part of the story?** My ideas: At first", "bit. Find signs, tracks, rumors, that sort of thing. That would lessen the", "attacking the land of the elves. At long last the invaders are discovered,", "More importantly, **how can you introduce something potentially laughable, and have the reader", "something like that off while still maintaining the serious, epic, LotR feel you're", "serious, epic, LotR feel you're going for? More importantly, **how can you introduce", "then result in a big let-down for the reader when the invaders aren't", "you introduce something potentially laughable, and have the reader accept it as part", "out, but it is similar in nature. Assuming you aren't writing a comedy,", "result in a big let-down for the reader when the invaders aren't what", "which could then result in a big let-down for the reader when the", "suspense, which could then result in a big let-down for the reader when", "increase the suspense, which could then result in a big let-down for the", "sort of thing. That would lessen the shock. The problem I see here", "how could you pull something like that off while still maintaining the serious,", "off while still maintaining the serious, epic, LotR feel you're going for? More", "are discovered, and they are... intelligent rabbits. My idea isn't quite *that* far", "isn't quite *that* far out, but it is similar in nature. Assuming you", "and have the reader accept it as part of the story?** My ideas:", "so would increase the suspense, which could then result in a big let-down", "importantly, **how can you introduce something potentially laughable, and have the reader accept", "are... intelligent rabbits. My idea isn't quite *that* far out, but it is", "*that* far out, but it is similar in nature. Assuming you aren't writing", "**how can you introduce something potentially laughable, and have the reader accept it", "could then result in a big let-down for the reader when the invaders", "and they are... intelligent rabbits. My idea isn't quite *that* far out, but", "intelligent rabbits. My idea isn't quite *that* far out, but it is similar", "it bit by bit. Find signs, tracks, rumors, that sort of thing. That", "but it is similar in nature. Assuming you aren't writing a comedy, how", "invaders are discovered, and they are... intelligent rabbits. My idea isn't quite *that*", "it is similar in nature. Assuming you aren't writing a comedy, how could", "would increase the suspense, which could then result in a big let-down for", "in a big let-down for the reader when the invaders aren't what he", "land of the elves. At long last the invaders are discovered, and they", "up. You're reading a traditional fantasy. Something is attacking the land of the", "That would lessen the shock. The problem I see here is that doing", "you should do it bit by bit. Find signs, tracks, rumors, that sort", "long last the invaders are discovered, and they are... intelligent rabbits. My idea", "Something is attacking the land of the elves. At long last the invaders", "going for? More importantly, **how can you introduce something potentially laughable, and have", "do it bit by bit. Find signs, tracks, rumors, that sort of thing.", "the shock. The problem I see here is that doing so would increase", "that off while still maintaining the serious, epic, LotR feel you're going for?", "see here is that doing so would increase the suspense, which could then", "last the invaders are discovered, and they are... intelligent rabbits. My idea isn't", "reading a traditional fantasy. Something is attacking the land of the elves. At", "you're going for? More importantly, **how can you introduce something potentially laughable, and", "I see here is that doing so would increase the suspense, which could", "set up. You're reading a traditional fantasy. Something is attacking the land of", "elves. At long last the invaders are discovered, and they are... intelligent rabbits.", "idea isn't quite *that* far out, but it is similar in nature. Assuming" ]
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I believe I have 3 options: 1. Linear narrative with large time", "historical conversation) 3. Non-linear narrative My question is which is generally regarded as", "am planning a series of fantasy novels which will be told in linear", "told in linear time with relatively small time jumps. One novel in the", "3. Non-linear narrative My question is which is generally regarded as easier for", "jumps. One novel in the collection, however must span several generations while keeping", "1. Linear narrative with large time jumps (Resulting in several large gaps) 2.", "Linear narrative with large time jumps (Resulting in several large gaps) 2. Linear", "time with relatively small time jumps. One novel in the collection, however must", "jumps (Resulting in several large gaps) 2. Linear narrative with much exposition to", "or historical conversation) 3. Non-linear narrative My question is which is generally regarded", "jumps and I'm worried about readability. I believe I have 3 options: 1.", "planning a series of fantasy novels which will be told in linear time", "and I'm worried about readability. I believe I have 3 options: 1. Linear", "in roughly 1/3 of novel being exposition or historical conversation) 3. Non-linear narrative", "which will be told in linear time with relatively small time jumps. One", "with large time jumps (Resulting in several large gaps) 2. Linear narrative with", "large time jumps (Resulting in several large gaps) 2. Linear narrative with much", "need to have several large time jumps and I'm worried about readability. I", "is which is generally regarded as easier for the reader to follow? Also", "with relatively small time jumps. One novel in the collection, however must span", "regarded as easier for the reader to follow? Also if I missed an", "I'm worried about readability. I believe I have 3 options: 1. Linear narrative", "believe I have 3 options: 1. Linear narrative with large time jumps (Resulting", "large gaps) 2. Linear narrative with much exposition to explain past events (Resulting", "novel being exposition or historical conversation) 3. Non-linear narrative My question is which", "protagonist. This novel will need to have several large time jumps and I'm", "narrative My question is which is generally regarded as easier for the reader", "time jumps (Resulting in several large gaps) 2. Linear narrative with much exposition", "series of fantasy novels which will be told in linear time with relatively", "(Resulting in roughly 1/3 of novel being exposition or historical conversation) 3. Non-linear", "I have 3 options: 1. Linear narrative with large time jumps (Resulting in", "the reader to follow? Also if I missed an option it'd be nice", "a series of fantasy novels which will be told in linear time with", "gaps) 2. Linear narrative with much exposition to explain past events (Resulting in", "while keeping the same protagonist. This novel will need to have several large", "keeping the same protagonist. This novel will need to have several large time", "Non-linear narrative My question is which is generally regarded as easier for the", "easier for the reader to follow? Also if I missed an option it'd", "linear time with relatively small time jumps. One novel in the collection, however", "will need to have several large time jumps and I'm worried about readability.", "novels which will be told in linear time with relatively small time jumps.", "to explain past events (Resulting in roughly 1/3 of novel being exposition or", "large time jumps and I'm worried about readability. I believe I have 3", "roughly 1/3 of novel being exposition or historical conversation) 3. Non-linear narrative My", "small time jumps. One novel in the collection, however must span several generations", "past events (Resulting in roughly 1/3 of novel being exposition or historical conversation)", "Linear narrative with much exposition to explain past events (Resulting in roughly 1/3", "(Resulting in several large gaps) 2. Linear narrative with much exposition to explain", "exposition to explain past events (Resulting in roughly 1/3 of novel being exposition", "time jumps and I'm worried about readability. I believe I have 3 options:", "of novel being exposition or historical conversation) 3. Non-linear narrative My question is", "the same protagonist. This novel will need to have several large time jumps", "will be told in linear time with relatively small time jumps. One novel", "for the reader to follow? Also if I missed an option it'd be", "generations while keeping the same protagonist. This novel will need to have several", "fantasy novels which will be told in linear time with relatively small time", "collection, however must span several generations while keeping the same protagonist. This novel", "I am planning a series of fantasy novels which will be told in", "worried about readability. I believe I have 3 options: 1. Linear narrative with", "same protagonist. This novel will need to have several large time jumps and", "to have several large time jumps and I'm worried about readability. I believe", "explain past events (Resulting in roughly 1/3 of novel being exposition or historical" ]
[ "weird tentacle creatures. It was gross. I could barely write that synopsis without", "beasts, these weird tentacle creatures. It was gross. I could barely write that", "is going to make me spew sick all over my toilet seat? Are", "of maggots everywhere, and these huge flying beasts, these weird tentacle creatures. It", "rush to the toilet because I knew I would vomit, and I actually", "to keep the meal going around. There was loads of maggots everywhere, and", "write about creatures that would vomit maggots, and then a different creature would", "Earlier, while actually trying to write about that, I had to rush to", "I would vomit, and I actually did. If I'm vomiting and retching as", "vomit maggots, and then a different creature would lick it back up and", "because I knew I would vomit, and I actually did. If I'm vomiting", "creatures. It was gross. I could barely write that synopsis without retching. Earlier,", "creature would lick it back up and vomit it out again to keep", "back up and vomit it out again to keep the meal going around.", "toilet because I knew I would vomit, and I actually did. If I'm", "knew I would vomit, and I actually did. If I'm vomiting and retching", "vomit it out again to keep the meal going around. There was loads", "write about this, does that mean my reader will too? Is it even", "would vomit maggots, and then a different creature would lick it back up", "actually trying to write about that, I had to rush to the toilet", "reader will too? Is it even a good idea to write about something", "up and vomit it out again to keep the meal going around. There", "going to make me spew sick all over my toilet seat? Are there", "and vomit it out again to keep the meal going around. There was", "maggots, and then a different creature would lick it back up and vomit", "was loads of maggots everywhere, and these huge flying beasts, these weird tentacle", "vomit, and I actually did. If I'm vomiting and retching as I write", "over my toilet seat? Are there any tactics to help me get through", "that, I had to rush to the toilet because I knew I would", "about that, I had to rush to the toilet because I knew I", "me spew sick all over my toilet seat? Are there any tactics to", "good idea to write about something which is going to make me spew", "going around. There was loads of maggots everywhere, and these huge flying beasts,", "to the toilet because I knew I would vomit, and I actually did.", "to write about creatures that would vomit maggots, and then a different creature", "it even a good idea to write about something which is going to", "the meal going around. There was loads of maggots everywhere, and these huge", "I write about this, does that mean my reader will too? Is it", "flying beasts, these weird tentacle creatures. It was gross. I could barely write", "even a good idea to write about something which is going to make", "was gross. I could barely write that synopsis without retching. Earlier, while actually", "retching. Earlier, while actually trying to write about that, I had to rush", "seat? Are there any tactics to help me get through these 2 chapters", "maggots everywhere, and these huge flying beasts, these weird tentacle creatures. It was", "a different creature would lick it back up and vomit it out again", "trying to write about that, I had to rush to the toilet because", "creatures that would vomit maggots, and then a different creature would lick it", "There was loads of maggots everywhere, and these huge flying beasts, these weird", "these huge flying beasts, these weird tentacle creatures. It was gross. I could", "tentacle creatures. It was gross. I could barely write that synopsis without retching.", "spew sick all over my toilet seat? Are there any tactics to help", "synopsis without retching. Earlier, while actually trying to write about that, I had", "which is going to make me spew sick all over my toilet seat?", "a good idea to write about something which is going to make me", "that would vomit maggots, and then a different creature would lick it back", "out again to keep the meal going around. There was loads of maggots", "does that mean my reader will too? Is it even a good idea", "something which is going to make me spew sick all over my toilet", "actually did. If I'm vomiting and retching as I write about this, does", "as I write about this, does that mean my reader will too? Is", "everywhere, and these huge flying beasts, these weird tentacle creatures. It was gross.", "idea to write about something which is going to make me spew sick", "Are there any tactics to help me get through these 2 chapters which", "about this, does that mean my reader will too? Is it even a", "write that synopsis without retching. Earlier, while actually trying to write about that,", "Is it even a good idea to write about something which is going", "too? Is it even a good idea to write about something which is", "to write about something which is going to make me spew sick all", "sick all over my toilet seat? Are there any tactics to help me", "to make me spew sick all over my toilet seat? Are there any", "I'm vomiting and retching as I write about this, does that mean my", "about creatures that would vomit maggots, and then a different creature would lick", "around. There was loads of maggots everywhere, and these huge flying beasts, these", "my toilet seat? Are there any tactics to help me get through these", "meal going around. There was loads of maggots everywhere, and these huge flying", "I was trying to write about creatures that would vomit maggots, and then", "could barely write that synopsis without retching. Earlier, while actually trying to write", "would vomit, and I actually did. If I'm vomiting and retching as I", "again to keep the meal going around. There was loads of maggots everywhere,", "toilet seat? Are there any tactics to help me get through these 2", "had to rush to the toilet because I knew I would vomit, and", "write about something which is going to make me spew sick all over", "barely write that synopsis without retching. Earlier, while actually trying to write about", "lick it back up and vomit it out again to keep the meal", "my reader will too? Is it even a good idea to write about", "and these huge flying beasts, these weird tentacle creatures. It was gross. I", "to rush to the toilet because I knew I would vomit, and I", "that mean my reader will too? Is it even a good idea to", "write about that, I had to rush to the toilet because I knew", "and retching as I write about this, does that mean my reader will", "that synopsis without retching. Earlier, while actually trying to write about that, I", "without retching. Earlier, while actually trying to write about that, I had to", "will too? Is it even a good idea to write about something which", "while actually trying to write about that, I had to rush to the", "the toilet because I knew I would vomit, and I actually did. If", "If I'm vomiting and retching as I write about this, does that mean", "was trying to write about creatures that would vomit maggots, and then a", "retching as I write about this, does that mean my reader will too?", "this, does that mean my reader will too? Is it even a good", "these weird tentacle creatures. It was gross. I could barely write that synopsis", "and I actually did. If I'm vomiting and retching as I write about", "it back up and vomit it out again to keep the meal going", "loads of maggots everywhere, and these huge flying beasts, these weird tentacle creatures.", "huge flying beasts, these weird tentacle creatures. It was gross. I could barely", "make me spew sick all over my toilet seat? Are there any tactics", "mean my reader will too? Is it even a good idea to write", "there any tactics to help me get through these 2 chapters which are", "tactics to help me get through these 2 chapters which are really gross?", "did. If I'm vomiting and retching as I write about this, does that", "It was gross. I could barely write that synopsis without retching. Earlier, while", "gross. I could barely write that synopsis without retching. Earlier, while actually trying", "trying to write about creatures that would vomit maggots, and then a different", "it out again to keep the meal going around. There was loads of", "then a different creature would lick it back up and vomit it out", "and then a different creature would lick it back up and vomit it", "I knew I would vomit, and I actually did. If I'm vomiting and", "different creature would lick it back up and vomit it out again to", "about something which is going to make me spew sick all over my", "I could barely write that synopsis without retching. Earlier, while actually trying to", "keep the meal going around. There was loads of maggots everywhere, and these", "vomiting and retching as I write about this, does that mean my reader", "So I was trying to write about creatures that would vomit maggots, and", "I actually did. If I'm vomiting and retching as I write about this,", "any tactics to help me get through these 2 chapters which are really", "I had to rush to the toilet because I knew I would vomit,", "would lick it back up and vomit it out again to keep the", "all over my toilet seat? Are there any tactics to help me get", "to write about that, I had to rush to the toilet because I" ]
[ "this forum. I have plenty of ideas for stories and I come up", "and I come up with new ones all the time, which always results", "time, which always results in me starting off very ambitiously creating a story", "writing a story. (By finishing I mean having a beginning, middle and end.", "of this forum. I have plenty of ideas for stories and I come", "this is a very generic question, and I apologize if it doesn't meet", "plenty of ideas for stories and I come up with new ones all", "of ideas for stories and I come up with new ones all the", "new idea which I feel like I have to write down before I", "with new ones all the time, which always results in me starting off", "is: What are some key elements to finishing writing a story. (By finishing", "a story world, characters, the main storyline etc. But I'm never able to", "idea which I feel like I have to write down before I forget", "question is: What are some key elements to finishing writing a story. (By", "stories and I come up with new ones all the time, which always", "up with new ones all the time, which always results in me starting", "feel like I have to write down before I forget it. So my", "which I feel like I have to write down before I forget it.", "which always results in me starting off very ambitiously creating a story world,", "my question is: What are some key elements to finishing writing a story.", "I have plenty of ideas for stories and I come up with new", "starting off very ambitiously creating a story world, characters, the main storyline etc.", "What are some key elements to finishing writing a story. (By finishing I", "I do realize that this is a very generic question, and I apologize", "I feel like I have to write down before I forget it. So", "me starting off very ambitiously creating a story world, characters, the main storyline", "forum. I have plenty of ideas for stories and I come up with", "that this is a very generic question, and I apologize if it doesn't", "doesn't meet the requirements of this forum. I have plenty of ideas for", "ambitiously creating a story world, characters, the main storyline etc. But I'm never", "a new idea which I feel like I have to write down before", "write down before I forget it. So my question is: What are some", "down before I forget it. So my question is: What are some key", "is a very generic question, and I apologize if it doesn't meet the", "to write down before I forget it. So my question is: What are", "meet the requirements of this forum. I have plenty of ideas for stories", "for stories and I come up with new ones all the time, which", "elements to finishing writing a story. (By finishing I mean having a beginning,", "apologize if it doesn't meet the requirements of this forum. I have plenty", "I get a new idea which I feel like I have to write", "forget it. So my question is: What are some key elements to finishing", "to finish it before I get a new idea which I feel like", "question, and I apologize if it doesn't meet the requirements of this forum.", "have to write down before I forget it. So my question is: What", "to finishing writing a story. (By finishing I mean having a beginning, middle", "new ones all the time, which always results in me starting off very", "finishing I mean having a beginning, middle and end. Finishing touches are not", "have plenty of ideas for stories and I come up with new ones", "storyline etc. But I'm never able to finish it before I get a", "it doesn't meet the requirements of this forum. I have plenty of ideas", "in me starting off very ambitiously creating a story world, characters, the main", "like I have to write down before I forget it. So my question", "I have to write down before I forget it. So my question is:", "very ambitiously creating a story world, characters, the main storyline etc. But I'm", "story. (By finishing I mean having a beginning, middle and end. Finishing touches", "come up with new ones all the time, which always results in me", "story world, characters, the main storyline etc. But I'm never able to finish", "I mean having a beginning, middle and end. Finishing touches are not included.)", "ones all the time, which always results in me starting off very ambitiously", "I apologize if it doesn't meet the requirements of this forum. I have", "finishing writing a story. (By finishing I mean having a beginning, middle and", "key elements to finishing writing a story. (By finishing I mean having a", "if it doesn't meet the requirements of this forum. I have plenty of", "before I forget it. So my question is: What are some key elements", "world, characters, the main storyline etc. But I'm never able to finish it", "So my question is: What are some key elements to finishing writing a", "are some key elements to finishing writing a story. (By finishing I mean", "able to finish it before I get a new idea which I feel", "generic question, and I apologize if it doesn't meet the requirements of this", "finish it before I get a new idea which I feel like I", "creating a story world, characters, the main storyline etc. But I'm never able", "the main storyline etc. But I'm never able to finish it before I", "I'm never able to finish it before I get a new idea which", "requirements of this forum. I have plenty of ideas for stories and I", "realize that this is a very generic question, and I apologize if it", "ideas for stories and I come up with new ones all the time,", "very generic question, and I apologize if it doesn't meet the requirements of", "some key elements to finishing writing a story. (By finishing I mean having", "I come up with new ones all the time, which always results in", "But I'm never able to finish it before I get a new idea", "a story. (By finishing I mean having a beginning, middle and end. Finishing", "always results in me starting off very ambitiously creating a story world, characters,", "it before I get a new idea which I feel like I have", "and I apologize if it doesn't meet the requirements of this forum. I", "before I get a new idea which I feel like I have to", "the requirements of this forum. I have plenty of ideas for stories and", "etc. But I'm never able to finish it before I get a new", "a very generic question, and I apologize if it doesn't meet the requirements", "all the time, which always results in me starting off very ambitiously creating", "get a new idea which I feel like I have to write down", "characters, the main storyline etc. But I'm never able to finish it before", "it. So my question is: What are some key elements to finishing writing", "never able to finish it before I get a new idea which I", "results in me starting off very ambitiously creating a story world, characters, the", "do realize that this is a very generic question, and I apologize if", "off very ambitiously creating a story world, characters, the main storyline etc. But", "(By finishing I mean having a beginning, middle and end. Finishing touches are", "main storyline etc. But I'm never able to finish it before I get", "the time, which always results in me starting off very ambitiously creating a", "I forget it. So my question is: What are some key elements to" ]
[ "final meaning being open, the two forces are unmistakeable and the story tells", "that I am always dissapointed when the antagonist is revealed in a horror", "Ring (the goal of the antagonist) from its title and with it the", "conflict needs two or more goals to be pitted against each other. In", "an interesting and satisfying read despite the lacking climactic battle? And more to", "makers felt the same way – the movie turns from suspense to action.", "that Sauron and his forces represent Nazi Germany, or industrialization, or just plain", "as a conflict needs two or more goals to be pitted against each", "old black-and-white Fankenstein movie, there was a strong sense of mystery and suspense,", "of the Rings* without an antagonist would lose both the Lord (the antagonist)", "not revealing them, by having them remain unknown and unknowable (which, I believe,", "and maybe they would manage to do it in the right manner, but", "antagonist can battle it out during climax. What I am wondering is, how", "antagonist, there would be no conflict, as a conflict needs two or more", "is, the protagonist works towards his goal against an opposed force, the source", "remain what they are. And I think the only way is by not", "story without antagonist, there would be no opposing goal. Even the protagonist does", "and his forces represent Nazi Germany, or industrialization, or just plain Evil, but", "think the only way is by not revealing them, by having them remain", "but they would have to figure out a solution by trial and error.", "to form a coherent plan. They wouldn't know the goal of their opponent,", "the draft stills once you close the window, but you never get to", "with desaster. It would be a social or political novel. How could it", "in a horror or fantasy novel. When, as a teenager, I watched the", "story. It would no longer be a story of two opposing forces, but", "of their success would be the letting off of Saurons attacks. Much like", "a teenager, I watched the old black-and-white Fankenstein movie, there was a strong", "their conflict. In a story without antagonist, there would be no conflict, as", "How could it remain fantasy? Finally, are there examples of novels (or films)", "I am always dissapointed when the antagonist is revealed in a horror or", "never revealed. Think of the *Lord of the Rings* without anyone knowing of", "the Iluen, it appears banal and unterrifying and – as if the movie", "antagonist remains unknown, so that I could look at a working example? ---", "one pull that off? How could that be an interesting and satisfying read", "are. And I think the only way is by not revealing them, by", "teenager, I watched the old black-and-white Fankenstein movie, there was a strong sense", "see the source of the wind. How would one pull that off? How", "his weakness, the purpose of his actions, the relationship between him and the", "you close the window, but you never get to see the source of", "Sauron and what he wants. The hobbits and Gandalf would be unable to", "the terrible, the strange, can remain what they are. And I think the", "or political novel. How could it remain fantasy? Finally, are there examples of", "a horror or fantasy novel. When, as a teenager, I watched the old", "forces, but a story of – what? I guess it would be a", "novel, but they would have to figure out a solution by trial and", "but all the indication they got of their success would be the letting", "without antagonist, there would be no conflict, as a conflict needs two or", "it out during climax. What I am wondering is, how can a story", "Nazgul, seek information and allies, just as they do in Tolkien's novel, but", "without an antagonist would lose both the Lord (the antagonist) and the Ring", "– the movie turns from suspense to action. I have always wondered how", "always dissapointed when the antagonist is revealed in a horror or fantasy novel.", "always wondered how you can uphold the mystery. How the supernatural, the terrible,", "that protagonist and antagonist can battle it out during climax. What I am", "its title and with it the essence of its story. It would no", "Burux Katdoff appeard. Immediately the wonder of the movie was lost. Special effects", "are there examples of novels (or films) where the antagonist remains unknown, so", "either known throughout the book or revealed before the end, so that protagonist", "a coherent plan. They wouldn't know the goal of their opponent, his weakness,", "(which, I believe, is one reason the judaeo-christian God is such a powerful", "unknowable (which, I believe, is one reason the judaeo-christian God is such a", "a conflict between two identifiable forces. There are many interpretations, e.g. that Sauron", "Even the protagonist does not have a veritable goal except to end the", "they got of their success would be the letting off of Saurons attacks.", "where the antagonist remains unknown, so that I could look at a working", "antagonist remains unknown? That is, the protagonist works towards his goal against an", "there would be no opposing goal. Even the protagonist does not have a", "forces. There are many interpretations, e.g. that Sauron and his forces represent Nazi", "goal except to end the disruption. The *Lord of the Rings* without an", "story without antagonist, there would be no conflict, as a conflict needs two", "a story of a society that has to deal with desaster. It would", "there was a strong sense of mystery and suspense, until Burux Katdoff appeard.", "Immediately the wonder of the movie was lost. Special effects have gotten better,", "was lost. Special effects have gotten better, but still the same happens to", "look at a working example? --- The reason I ask this question is", "towards his goal against an opposed force, the source of which is never", "source of which is never revealed. Think of the *Lord of the Rings*", "title and with it the essence of its story. It would no longer", "Or it would be a story of a society that has to deal", "I think the only way is by not revealing them, by having them", "action. I have always wondered how you can uphold the mystery. How the", "to the point: What story would we tell? In *The Lord of the", "an antagonist would lose both the Lord (the antagonist) and the Ring (the", "the goal of their opponent, his weakness, the purpose of his actions, the", "films) where the antagonist remains unknown, so that I could look at a", "there would be no conflict, as a conflict needs two or more goals", "are unmistakeable and the story tells of their conflict. In a story without", "I have always wondered how you can uphold the mystery. How the supernatural,", "more to the point: What story would we tell? In *The Lord of", "Sauron and his forces represent Nazi Germany, or industrialization, or just plain Evil,", "do in Tolkien's novel, but they would have to figure out a solution", "as a teenager, I watched the old black-and-white Fankenstein movie, there was a", "novels (or films) where the antagonist remains unknown, so that I could look", "error. Maybe they would come to the conclusion that they have to destroy", "have to figure out a solution by trial and error. Maybe they would", "draft stills once you close the window, but you never get to see", "from suspense to action. I have always wondered how you can uphold the", "got of their success would be the letting off of Saurons attacks. Much", "the old black-and-white Fankenstein movie, there was a strong sense of mystery and", "would be unable to form a coherent plan. They wouldn't know the goal", "protagonist works towards his goal against an opposed force, the source of which", "be a story of a society that has to deal with desaster. It", "would we tell? In *The Lord of the Rings* there is a conflict", "movie was lost. Special effects have gotten better, but still the same happens", "unmistakeable and the story tells of their conflict. In a story without antagonist,", "by trial and error. Maybe they would come to the conclusion that they", "and allies, just as they do in Tolkien's novel, but they would have", "I guess it would be a story of whatever goes on inside the", "appears banal and unterrifying and – as if the movie makers felt the", "once you close the window, but you never get to see the source", "what? I guess it would be a story of whatever goes on inside", "of a society that has to deal with desaster. It would be a", "his forces represent Nazi Germany, or industrialization, or just plain Evil, but despite", "It would no longer be a story of two opposing forces, but a", "What story would we tell? In *The Lord of the Rings* there is", "force, the source of which is never revealed. Think of the *Lord of", "to be pitted against each other. In a story without antagonist, there would", "a psychological novel. Or it would be a story of a society that", "can uphold the mystery. How the supernatural, the terrible, the strange, can remain", "this question is that I am always dissapointed when the antagonist is revealed", "flee the Nazgul, seek information and allies, just as they do in Tolkien's", "of mystery and suspense, until Burux Katdoff appeard. Immediately the wonder of the", "wonder of the movie was lost. Special effects have gotten better, but still", "before the end, so that protagonist and antagonist can battle it out during", "but despite the final meaning being open, the two forces are unmistakeable and", "by not revealing them, by having them remain unknown and unknowable (which, I", "banal and unterrifying and – as if the movie makers felt the same", "as I see the Iluen, it appears banal and unterrifying and – as", "the movie turns from suspense to action. I have always wondered how you", "read despite the lacking climactic battle? And more to the point: What story", "And more to the point: What story would we tell? In *The Lord", "or industrialization, or just plain Evil, but despite the final meaning being open,", "they are. And I think the only way is by not revealing them,", "was a strong sense of mystery and suspense, until Burux Katdoff appeard. Immediately", "the lacking climactic battle? And more to the point: What story would we", "goal. Even the protagonist does not have a veritable goal except to end", "(the antagonist) and the Ring (the goal of the antagonist) from its title", "solution by trial and error. Maybe they would come to the conclusion that", "disruption. The *Lord of the Rings* without an antagonist would lose both the", "to action. I have always wondered how you can uphold the mystery. How", "of Saurons attacks. Much like the draft stills once you close the window,", "revealed. Think of the *Lord of the Rings* without anyone knowing of Sauron", "out, if the antagonist remains unknown? That is, the protagonist works towards his", "how you can uphold the mystery. How the supernatural, the terrible, the strange,", "terrible, the strange, can remain what they are. And I think the only", "would be no conflict, as a conflict needs two or more goals to", "just as they do in Tolkien's novel, but they would have to figure", "would be a story of whatever goes on inside the heroes. It would", "of the antagonist) from its title and with it the essence of its", "the Nazgul, seek information and allies, just as they do in Tolkien's novel,", "the source of the wind. How would one pull that off? How could", "maybe they would manage to do it in the right manner, but all", "between him and the Ring. They would flee the Nazgul, seek information and", "novel. How could it remain fantasy? Finally, are there examples of novels (or", "trial and error. Maybe they would come to the conclusion that they have", "antagonist is usually either known throughout the book or revealed before the end,", "It would be a psychological novel. Or it would be a story of", "be no conflict, as a conflict needs two or more goals to be", "story of – what? I guess it would be a story of whatever", "There are many interpretations, e.g. that Sauron and his forces represent Nazi Germany,", "their success would be the letting off of Saurons attacks. Much like the", "can remain what they are. And I think the only way is by", "to do it in the right manner, but all the indication they got", "*The Lord of the Rings* there is a conflict between two identifiable forces.", "how can a story work out, if the antagonist remains unknown? That is,", "the letting off of Saurons attacks. Much like the draft stills once you", "the purpose of his actions, the relationship between him and the Ring. They", "the Rings* without anyone knowing of Sauron and what he wants. The hobbits", "get to see the source of the wind. How would one pull that", "end the disruption. The *Lord of the Rings* without an antagonist would lose", "wouldn't know the goal of their opponent, his weakness, the purpose of his", "unknown, so that I could look at a working example? --- The reason", "I ask this question is that I am always dissapointed when the antagonist", "climax. What I am wondering is, how can a story work out, if", "protagonist and antagonist can battle it out during climax. What I am wondering", "the story tells of their conflict. In a story without antagonist, there would", "you can uphold the mystery. How the supernatural, the terrible, the strange, can", "story of two opposing forces, but a story of – what? I guess", "success would be the letting off of Saurons attacks. Much like the draft", "it the essence of its story. It would no longer be a story", "could that be an interesting and satisfying read despite the lacking climactic battle?", "felt the same way – the movie turns from suspense to action. I", "Ring. They would flee the Nazgul, seek information and allies, just as they", "but still the same happens to me: as soon as I see the", "unknown and unknowable (which, I believe, is one reason the judaeo-christian God is", "is revealed in a horror or fantasy novel. When, as a teenager, I", "Lord of the Rings* there is a conflict between two identifiable forces. There", "of their conflict. 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It would be a social or political novel.", "with it the essence of its story. It would no longer be a", "actions, the relationship between him and the Ring. They would flee the Nazgul,", "there is a conflict between two identifiable forces. There are many interpretations, e.g.", "a story work out, if the antagonist remains unknown? That is, the protagonist", "lose both the Lord (the antagonist) and the Ring (the goal of the", "its story. It would no longer be a story of two opposing forces,", "having them remain unknown and unknowable (which, I believe, is one reason the", "remain fantasy? Finally, are there examples of novels (or films) where the antagonist", "they would manage to do it in the right manner, but all the", "remains unknown, so that I could look at a working example? --- The", "on inside the heroes. It would be a psychological novel. Or it would", "does not have a veritable goal except to end the disruption. 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Even the protagonist does not have a veritable goal except to", "way – the movie turns from suspense to action. I have always wondered", "a veritable goal except to end the disruption. The *Lord of the Rings*", "would come to the conclusion that they have to destroy the Ring, and", "in Tolkien's novel, but they would have to figure out a solution by", "but you never get to see the source of the wind. How would", "when the antagonist is revealed in a horror or fantasy novel. When, as", "two identifiable forces. There are many interpretations, e.g. that Sauron and his forces", "I could look at a working example? --- The reason I ask this", "stills once you close the window, but you never get to see the", "just plain Evil, but despite the final meaning being open, the two forces", "lost. Special effects have gotten better, but still the same happens to me:", "What I am wondering is, how can a story work out, if the", "unable to form a coherent plan. 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They would flee the Nazgul, seek information and allies,", "of novels (or films) where the antagonist remains unknown, so that I could", "longer be a story of two opposing forces, but a story of –", "question is that I am always dissapointed when the antagonist is revealed in", "How the supernatural, the terrible, the strange, can remain what they are. And", "right manner, but all the indication they got of their success would be", "satisfying read despite the lacking climactic battle? And more to the point: What", "e.g. that Sauron and his forces represent Nazi Germany, or industrialization, or just", "if the movie makers felt the same way – the movie turns from", "figure out a solution by trial and error. Maybe they would come to", "have a veritable goal except to end the disruption. 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Maybe", "do it in the right manner, but all the indication they got of", "That is, the protagonist works towards his goal against an opposed force, the", "am wondering is, how can a story work out, if the antagonist remains", "movie turns from suspense to action. I have always wondered how you can", "between two identifiable forces. There are many interpretations, e.g. that Sauron and his", "In genre fiction, the antagonist is usually either known throughout the book or", "revealed in a horror or fantasy novel. When, as a teenager, I watched", "both the Lord (the antagonist) and the Ring (the goal of the antagonist)", "a story without antagonist, there would be no conflict, as a conflict needs", "anyone knowing of Sauron and what he wants. The hobbits and Gandalf would", "of the *Lord of the Rings* without anyone knowing of Sauron and what", "no opposing goal. 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Finally, are there examples of novels (or films) where the", "the disruption. The *Lord of the Rings* without an antagonist would lose both", "the same happens to me: as soon as I see the Iluen, it", "I see the Iluen, it appears banal and unterrifying and – as if", "out a solution by trial and error. Maybe they would come to the", "is that I am always dissapointed when the antagonist is revealed in a", "all the indication they got of their success would be the letting off", "be the letting off of Saurons attacks. Much like the draft stills once", "they would come to the conclusion that they have to destroy the Ring,", "is, how can a story work out, if the antagonist remains unknown? That", "unterrifying and – as if the movie makers felt the same way –", "pull that off? How could that be an interesting and satisfying read despite", "fiction, the antagonist is usually either known throughout the book or revealed before", "tells of their conflict. 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There are many interpretations, e.g. that", "allies, just as they do in Tolkien's novel, but they would have to", "two opposing forces, but a story of – what? I guess it would", "be a social or political novel. How could it remain fantasy? Finally, are", "turns from suspense to action. I have always wondered how you can uphold", "goals to be pitted against each other. In a story without antagonist, there", "antagonist, there would be no opposing goal. Even the protagonist does not have", "during climax. What I am wondering is, how can a story work out,", "conclusion that they have to destroy the Ring, and maybe they would manage", "to destroy the Ring, and maybe they would manage to do it in", "same happens to me: as soon as I see the Iluen, it appears", "is usually either known throughout the book or revealed before the end, so", "story of a society that has to deal with desaster. 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How could that be an interesting and", "usually either known throughout the book or revealed before the end, so that", "How could that be an interesting and satisfying read despite the lacking climactic", "the book or revealed before the end, so that protagonist and antagonist can", "story of whatever goes on inside the heroes. It would be a psychological", "that be an interesting and satisfying read despite the lacking climactic battle? And", "Saurons attacks. Much like the draft stills once you close the window, but", "unknown? That is, the protagonist works towards his goal against an opposed force,", "so that I could look at a working example? --- The reason I", "remain unknown and unknowable (which, I believe, is one reason the judaeo-christian God", "would lose both the Lord (the antagonist) and the Ring (the goal of", "would be a psychological novel. 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What I am wondering is, how can a story work", "which is never revealed. Think of the *Lord of the Rings* without anyone", "information and allies, just as they do in Tolkien's novel, but they would", "interpretations, e.g. that Sauron and his forces represent Nazi Germany, or industrialization, or", "Ring, and maybe they would manage to do it in the right manner,", "the Rings* without an antagonist would lose both the Lord (the antagonist) and", "Rings* there is a conflict between two identifiable forces. There are many interpretations,", "supernatural, the terrible, the strange, can remain what they are. And I think", "known throughout the book or revealed before the end, so that protagonist and", "to me: as soon as I see the Iluen, it appears banal and", "working example? --- The reason I ask this question is that I am", "effects have gotten better, but still the same happens to me: as soon", "would no longer be a story of two opposing forces, but a story", "the strange, can remain what they are. And I think the only way", "conflict, as a conflict needs two or more goals to be pitted against", "would have to figure out a solution by trial and error. Maybe they", "Fankenstein movie, there was a strong sense of mystery and suspense, until Burux", "story tells of their conflict. In a story without antagonist, there would be", "the conclusion that they have to destroy the Ring, and maybe they would", "the indication they got of their success would be the letting off of", "horror or fantasy novel. When, as a teenager, I watched the old black-and-white", "watched the old black-and-white Fankenstein movie, there was a strong sense of mystery", "coherent plan. They wouldn't know the goal of their opponent, his weakness, the", "examples of novels (or films) where the antagonist remains unknown, so that I", "Tolkien's novel, but they would have to figure out a solution by trial", "remains unknown? That is, the protagonist works towards his goal against an opposed", "Rings* without an antagonist would lose both the Lord (the antagonist) and the", "novel. When, as a teenager, I watched the old black-and-white Fankenstein movie, there", "guess it would be a story of whatever goes on inside the heroes.", "a conflict needs two or more goals to be pitted against each other.", "the antagonist is usually either known throughout the book or revealed before the", "They wouldn't know the goal of their opponent, his weakness, the purpose of" ]
[ "does my outline need to be before I start writing? I've got my", "outlining. My question is how complete does my outline need to be before", "two novels outlined pretty well and just rough outlines of the next 3.", "just rough outlines of the next 3. The first novel does have a", "deal with those when they come up in the writing or complete the", "writing? I've got my first two novels outlined pretty well and just rough", "into writing the first one that I realized the need to do some", "I've got my first two novels outlined pretty well and just rough outlines", "I'm wondering if I should deal with those when they come up in", "I start writing? I've got my first two novels outlined pretty well and", "start writing? I've got my first two novels outlined pretty well and just", "I am working on a series of novels and it didn't take long", "have a few minor gaps in my outline but I'm wondering if I", "3. The first novel does have a few minor gaps in my outline", "next 3. The first novel does have a few minor gaps in my", "complete does my outline need to be before I start writing? I've got", "wondering if I should deal with those when they come up in the", "but I'm wondering if I should deal with those when they come up", "if I should deal with those when they come up in the writing", "My question is how complete does my outline need to be before I", "with those when they come up in the writing or complete the outline", "of the next 3. The first novel does have a few minor gaps", "to be before I start writing? I've got my first two novels outlined", "my outline but I'm wondering if I should deal with those when they", "on a series of novels and it didn't take long into writing the", "working on a series of novels and it didn't take long into writing", "long into writing the first one that I realized the need to do", "in my outline but I'm wondering if I should deal with those when", "few minor gaps in my outline but I'm wondering if I should deal", "does have a few minor gaps in my outline but I'm wondering if", "novels outlined pretty well and just rough outlines of the next 3. The", "series of novels and it didn't take long into writing the first one", "outline need to be before I start writing? I've got my first two", "my outline need to be before I start writing? I've got my first", "I realized the need to do some more outlining. My question is how", "rough outlines of the next 3. The first novel does have a few", "The first novel does have a few minor gaps in my outline but", "novel does have a few minor gaps in my outline but I'm wondering", "before I start writing? I've got my first two novels outlined pretty well", "the next 3. The first novel does have a few minor gaps in", "gaps in my outline but I'm wondering if I should deal with those", "to do some more outlining. My question is how complete does my outline", "pretty well and just rough outlines of the next 3. The first novel", "minor gaps in my outline but I'm wondering if I should deal with", "be before I start writing? I've got my first two novels outlined pretty", "got my first two novels outlined pretty well and just rough outlines of", "writing the first one that I realized the need to do some more", "need to be before I start writing? I've got my first two novels", "should deal with those when they come up in the writing or complete", "outlined pretty well and just rough outlines of the next 3. The first", "didn't take long into writing the first one that I realized the need", "outlines of the next 3. The first novel does have a few minor", "some more outlining. My question is how complete does my outline need to", "first one that I realized the need to do some more outlining. My", "those when they come up in the writing or complete the outline before", "of novels and it didn't take long into writing the first one that", "realized the need to do some more outlining. My question is how complete", "and just rough outlines of the next 3. The first novel does have", "question is how complete does my outline need to be before I start", "and it didn't take long into writing the first one that I realized", "it didn't take long into writing the first one that I realized the", "a few minor gaps in my outline but I'm wondering if I should", "well and just rough outlines of the next 3. The first novel does", "the first one that I realized the need to do some more outlining.", "am working on a series of novels and it didn't take long into", "first novel does have a few minor gaps in my outline but I'm", "first two novels outlined pretty well and just rough outlines of the next", "need to do some more outlining. My question is how complete does my", "that I realized the need to do some more outlining. My question is", "more outlining. My question is how complete does my outline need to be", "take long into writing the first one that I realized the need to", "do some more outlining. My question is how complete does my outline need", "outline but I'm wondering if I should deal with those when they come", "how complete does my outline need to be before I start writing? I've", "novels and it didn't take long into writing the first one that I", "I should deal with those when they come up in the writing or", "one that I realized the need to do some more outlining. My question", "is how complete does my outline need to be before I start writing?", "the need to do some more outlining. My question is how complete does", "my first two novels outlined pretty well and just rough outlines of the", "when they come up in the writing or complete the outline before starting.", "a series of novels and it didn't take long into writing the first" ]
[ "cheatsheet! Is there any known single (or maybe two-part) word that implies a", "to be able to sort of follow the gist. Yes, I'd like to", "sort of follow the gist. Yes, I'd like to be ambigious but not", "implies more than one person, but can imply one). In another tense you", "get together with them*''... (1 single and two groups, or is that 2", "decipher the prophecies 2 months after I've written them, without using a cheatsheet!", "not too happy with it. Or should I just pick a random word", "or phrases for what I'm after, maybe some writer or even entire language", "solution is in. I also feel Writers SE may be more aware of", "to sort of follow the gist. Yes, I'd like to be ambigious but", "with was combining, 'he', 'she', and 'them' to get 'shem'. I'm not too", "the same time as the individual. A prophecy that goes...''*and they decided that", "written them, without using a cheatsheet! Is there any known single (or maybe", "mention specifically gender-mentioned individuals (without actually naming them) alongside my unspecified individual. A", "SE, because I don't mind what language the solution is in. I also", "tried just making something up myself, I don't think with much luck. The", "form for the ideas behind the words 'them' and 'they'? You have 'he',", "want to write 'he' or 'she' as I want to keep the gender", "will be able to explain the concept of the word in my text.", "as I will be able to explain the concept of the word in", "an individual. I don't want to write 'he' or 'she' as I want", "language the solution is in. I also feel Writers SE may be more", "to explain the concept of the word in my text. I can have", "ambigious but not so ambigious that *I* can't even decipher the prophecies 2", "Yes, I'd like to be ambigious but not so ambigious that *I* can't", "another language (although the reader would be reading an English 'translation'). As long", "I'm asking in Writers SE and not English Usage SE, because I don't", "be able to mention non-specifc groups at the same time as the individual.", "haven't come across. I'm not too fussed on the language. My story is", "prophecy that goes...\"\\*He married her, much to the joy and celebration of 'them\\*\\*'.", "without using a cheatsheet! Is there any known single (or maybe two-part) word", "able to sort of follow the gist. Yes, I'd like to be ambigious", "or is that 2 singles and one group, or wait is that 1", "The best I could come up with was combining, 'he', 'she', and 'them'", "the word in my text. I can have the word come across as", "some writer or even entire language has already had this problem. I'm trying", "what I'm after, maybe some writer or even entire language has already had", "'he' or 'she' as I want to keep the gender underwraps. I could", "alongside my unspecified individual. A prophecy that goes...\"\\*He married her, much to the", "'translation'). As long as I will be able to explain the concept of", "long as I will be able to explain the concept of the word", "because I don't mind what language the solution is in. I also feel", "read, if I hadn't put in some asterisks). I realise prophecy is meant", "even decipher the prophecies 2 months after I've written them, without using a", "specifically indicate a single Individual\\* rather than a group\\*\\*. I'd also like to", "too happy with it. Or should I just pick a random word or", "specifically gender-mentioned individuals (without actually naming them) alongside my unspecified individual. A prophecy", "what language the solution is in. I also feel Writers SE may be", "already had this problem. I'm trying to write a non gender-identifying 'prophecy' about", "or wait is that 1 individual mentioned twice and one group?) I'd also", "(without actually naming them) alongside my unspecified individual. A prophecy that goes...\"\\*He married", "asking in Writers SE and not English Usage SE, because I don't mind", "I'm trying to write a non gender-identifying 'prophecy' about an individual. I don't", "explain the concept of the word in my text. I can have the", "You have 'he', 'she', and 'they' (which often implies more than one person,", "two-part) word that implies a gender neutral individual person? Maybe some writing convention", "as 'didn't translate'/'no English equivalent'... I have tried just making something up myself,", "use 'they', but I want to specifically indicate a single Individual\\* rather than", "that goes...''*and they decided that they need to get together with them*''... (1", "may be more aware of other conventions or phrases for what I'm after,", "singles and one group, or wait is that 1 individual mentioned twice and", "more aware of other conventions or phrases for what I'm after, maybe some", "'she', and 'them' to get 'shem'. I'm not too happy with it. Or", "meant to be ambigious. But... I'd still like myself, the readers and the", "reader would be reading an English 'translation'). As long as I will be", "single and two groups, or is that 2 singles and one group, or", "2 months after I've written them, without using a cheatsheet! Is there any", "'them' (which again implies both a single individual AND a group). Before I", "I'd still like myself, the readers and the characters to be able to", "that goes...\"\\*He married her, much to the joy and celebration of 'them\\*\\*'. After", "my unspecified individual. A prophecy that goes...\"\\*He married her, much to the joy", "hadn't put in some asterisks). I realise prophecy is meant to be ambigious.", "groups, or is that 2 singles and one group, or wait is that", "to mention specifically gender-mentioned individuals (without actually naming them) alongside my unspecified individual.", "there any known single (or maybe two-part) word that implies a gender neutral", "the characters to be able to sort of follow the gist. Yes, I'd", "the prophecies 2 months after I've written them, without using a cheatsheet! Is", "SE and not English Usage SE, because I don't mind what language the", "language (although the reader would be reading an English 'translation'). As long as", "about an individual. I don't want to write 'he' or 'she' as I", "language has already had this problem. I'm trying to write a non gender-identifying", "I want to specifically indicate a single Individual\\* rather than a group\\*\\*. I'd", "Impressed and kill him/her\\*\" is kindof ambigious and confusing (to write and to", "were not Impressed and kill him/her\\*\" is kindof ambigious and confusing (to write", "My story is set a long long time from now and would theoretically", "come up with was combining, 'he', 'she', and 'them' to get 'shem'. I'm", "twice and one group?) I'd also like to mention specifically gender-mentioned individuals (without", "them) alongside my unspecified individual. A prophecy that goes...\"\\*He married her, much to", "'prophecy' about an individual. I don't want to write 'he' or 'she' as", "Is there any known single (or maybe two-part) word that implies a gender", "my text. I can have the word come across as 'didn't translate'/'no English", "that implies a gender neutral individual person? Maybe some writing convention I haven't", "I could use 'they', but I want to specifically indicate a single Individual\\*", "behind the words 'them' and 'they'? You have 'he', 'she', and 'they' (which", "and confusing (to write and to read, if I hadn't put in some", "come across. I'm not too fussed on the language. My story is set", "years had an argument with 'them\\*'. 'They\\*\\*' were not Impressed and kill him/her\\*\"", "across. I'm not too fussed on the language. My story is set a", "Before I go on, I'm asking in Writers SE and not English Usage", "realise prophecy is meant to be ambigious. But... I'd still like myself, the", "able to explain the concept of the word in my text. I can", "ambigious. But... I'd still like myself, the readers and the characters to be", "often implies more than one person, but can imply one). In another tense", "across as 'didn't translate'/'no English equivalent'... I have tried just making something up", "As long as I will be able to explain the concept of the", "I'm after, maybe some writer or even entire language has already had this", "would be reading an English 'translation'). As long as I will be able", "myself, the readers and the characters to be able to sort of follow", "person, but can imply one). In another tense you have, 'him', 'her' and", "individual AND a group). Before I go on, I'm asking in Writers SE", "a group). Before I go on, I'm asking in Writers SE and not", "like myself, the readers and the characters to be able to sort of", "English equivalent'... I have tried just making something up myself, I don't think", "asterisks). I realise prophecy is meant to be ambigious. But... I'd still like", "some asterisks). I realise prophecy is meant to be ambigious. But... I'd still", "word in my text. I can have the word come across as 'didn't", "with 'them\\*'. 'They\\*\\*' were not Impressed and kill him/her\\*\" is kindof ambigious and", "combining, 'he', 'she', and 'them' to get 'shem'. I'm not too happy with", "'them\\*\\*'. After X years had an argument with 'them\\*'. 'They\\*\\*' were not Impressed", "in. I also feel Writers SE may be more aware of other conventions", "individuals (without actually naming them) alongside my unspecified individual. A prophecy that goes...\"\\*He", "entire language has already had this problem. I'm trying to write a non", "same time as the individual. A prophecy that goes...''*and they decided that they", "I'm not too happy with it. Or should I just pick a random", "*I* can't even decipher the prophecies 2 months after I've written them, without", "non gender-identifying 'prophecy' about an individual. I don't want to write 'he' or", "and would theoretically be in another language (although the reader would be reading", "put in some asterisks). I realise prophecy is meant to be ambigious. But...", "time as the individual. A prophecy that goes...''*and they decided that they need", "gender-identifying 'prophecy' about an individual. I don't want to write 'he' or 'she'", "Usage SE, because I don't mind what language the solution is in. I", "as the individual. A prophecy that goes...''*and they decided that they need to", "if I hadn't put in some asterisks). I realise prophecy is meant to", "I don't want to write 'he' or 'she' as I want to keep", "don't mind what language the solution is in. I also feel Writers SE", "myself, I don't think with much luck. The best I could come up", "2 singles and one group, or wait is that 1 individual mentioned twice", "two groups, or is that 2 singles and one group, or wait is", "the ideas behind the words 'them' and 'they'? You have 'he', 'she', and", "can imply one). In another tense you have, 'him', 'her' and 'them' (which", "come across as 'didn't translate'/'no English equivalent'... I have tried just making something", "like to be able to mention non-specifc groups at the same time as", "and 'they' (which often implies more than one person, but can imply one).", "(which again implies both a single individual AND a group). Before I go", "and to read, if I hadn't put in some asterisks). I realise prophecy", "'he', 'she', and 'them' to get 'shem'. I'm not too happy with it.", "one group, or wait is that 1 individual mentioned twice and one group?)", "using a cheatsheet! Is there any known single (or maybe two-part) word that", "had this problem. I'm trying to write a non gender-identifying 'prophecy' about an", "individual person? Maybe some writing convention I haven't come across. I'm not too", "that 1 individual mentioned twice and one group?) I'd also like to mention", "individual mentioned twice and one group?) I'd also like to mention specifically gender-mentioned", "the solution is in. I also feel Writers SE may be more aware", "and kill him/her\\*\" is kindof ambigious and confusing (to write and to read,", "In another tense you have, 'him', 'her' and 'them' (which again implies both", "words 'them' and 'they'? You have 'he', 'she', and 'they' (which often implies", "and one group, or wait is that 1 individual mentioned twice and one", "'her' and 'them' (which again implies both a single individual AND a group).", "and one group?) I'd also like to mention specifically gender-mentioned individuals (without actually", "characters to be able to sort of follow the gist. Yes, I'd like", "I don't think with much luck. The best I could come up with", "have 'he', 'she', and 'they' (which often implies more than one person, but", "is that 1 individual mentioned twice and one group?) I'd also like to", "still like myself, the readers and the characters to be able to sort", "have, 'him', 'her' and 'them' (which again implies both a single individual AND", "not Impressed and kill him/her\\*\" is kindof ambigious and confusing (to write and", "'she', and 'they' (which often implies more than one person, but can imply", "just making something up myself, I don't think with much luck. The best", "groups at the same time as the individual. A prophecy that goes...''*and they", "and 'them' to get 'shem'. I'm not too happy with it. Or should", "luck. The best I could come up with was combining, 'he', 'she', and", "in some asterisks). I realise prophecy is meant to be ambigious. But... I'd", "English 'translation'). As long as I will be able to explain the concept", "get 'shem'. I'm not too happy with it. Or should I just pick", "I want to keep the gender underwraps. I could use 'they', but I", "or 'she' as I want to keep the gender underwraps. I could use", "'They\\*\\*' were not Impressed and kill him/her\\*\" is kindof ambigious and confusing (to", "to the joy and celebration of 'them\\*\\*'. After X years had an argument", "'they' (which often implies more than one person, but can imply one). In", "'they'? You have 'he', 'she', and 'they' (which often implies more than one", "the gender underwraps. I could use 'they', but I want to specifically indicate", "other conventions or phrases for what I'm after, maybe some writer or even", "gender underwraps. I could use 'they', but I want to specifically indicate a", "kill him/her\\*\" is kindof ambigious and confusing (to write and to read, if", "that they need to get together with them*''... (1 single and two groups,", "an English 'translation'). As long as I will be able to explain the", "group, or wait is that 1 individual mentioned twice and one group?) I'd", "(or maybe two-part) word that implies a gender neutral individual person? Maybe some", "after I've written them, without using a cheatsheet! Is there any known single", "too fussed on the language. My story is set a long long time", "rather than a group\\*\\*. I'd also like to be able to mention non-specifc", "is in. I also feel Writers SE may be more aware of other", "person? Maybe some writing convention I haven't come across. I'm not too fussed", "I realise prophecy is meant to be ambigious. But... I'd still like myself,", "they decided that they need to get together with them*''... (1 single and", "1 individual mentioned twice and one group?) I'd also like to mention specifically", "again implies both a single individual AND a group). Before I go on,", "I'd also like to mention specifically gender-mentioned individuals (without actually naming them) alongside", "keep the gender underwraps. I could use 'they', but I want to specifically", "individual. A prophecy that goes...''*and they decided that they need to get together", "the word come across as 'didn't translate'/'no English equivalent'... I have tried just", "group\\*\\*. I'd also like to be able to mention non-specifc groups at the", "one person, but can imply one). In another tense you have, 'him', 'her'", "and celebration of 'them\\*\\*'. After X years had an argument with 'them\\*'. 'They\\*\\*'", "neutral individual person? Maybe some writing convention I haven't come across. I'm not", "(although the reader would be reading an English 'translation'). As long as I", "can have the word come across as 'didn't translate'/'no English equivalent'... I have", "convention I haven't come across. I'm not too fussed on the language. My", "long time from now and would theoretically be in another language (although the", "at the same time as the individual. A prophecy that goes...''*and they decided", "celebration of 'them\\*\\*'. After X years had an argument with 'them\\*'. 'They\\*\\*' were", "of follow the gist. Yes, I'd like to be ambigious but not so", "a singular form for the ideas behind the words 'them' and 'they'? You", "is set a long long time from now and would theoretically be in", "fussed on the language. My story is set a long long time from", "underwraps. I could use 'they', but I want to specifically indicate a single", "Is there a singular form for the ideas behind the words 'them' and", "think with much luck. The best I could come up with was combining,", "go on, I'm asking in Writers SE and not English Usage SE, because", "want to specifically indicate a single Individual\\* rather than a group\\*\\*. I'd also", "to keep the gender underwraps. I could use 'they', but I want to", "'she' as I want to keep the gender underwraps. I could use 'they',", "be able to sort of follow the gist. Yes, I'd like to be", "implies both a single individual AND a group). Before I go on, I'm", "something up myself, I don't think with much luck. The best I could", "there a singular form for the ideas behind the words 'them' and 'they'?", "AND a group). Before I go on, I'm asking in Writers SE and", "tense you have, 'him', 'her' and 'them' (which again implies both a single", "not so ambigious that *I* can't even decipher the prophecies 2 months after", "word that implies a gender neutral individual person? Maybe some writing convention I", "wait is that 1 individual mentioned twice and one group?) I'd also like", "for what I'm after, maybe some writer or even entire language has already", "to be able to mention non-specifc groups at the same time as the", "concept of the word in my text. I can have the word come", "ambigious and confusing (to write and to read, if I hadn't put in", "after, maybe some writer or even entire language has already had this problem.", "maybe some writer or even entire language has already had this problem. I'm", "to read, if I hadn't put in some asterisks). I realise prophecy is", "aware of other conventions or phrases for what I'm after, maybe some writer", "in my text. 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You have 'he', 'she', and 'they' (which often", "After X years had an argument with 'them\\*'. 'They\\*\\*' were not Impressed and", "also like to mention specifically gender-mentioned individuals (without actually naming them) alongside my", "and 'they'? You have 'he', 'she', and 'they' (which often implies more than", "and the characters to be able to sort of follow the gist. Yes,", "problem. I'm trying to write a non gender-identifying 'prophecy' about an individual. I", "have the word come across as 'didn't translate'/'no English equivalent'... I have tried", "so ambigious that *I* can't even decipher the prophecies 2 months after I've", "prophecy that goes...''*and they decided that they need to get together with them*''...", "'shem'. I'm not too happy with it. Or should I just pick a", "language. My story is set a long long time from now and would", "goes...\"\\*He married her, much to the joy and celebration of 'them\\*\\*'. After X", "'them' to get 'shem'. I'm not too happy with it. Or should I", "'him', 'her' and 'them' (which again implies both a single individual AND a", "I have tried just making something up myself, I don't think with much", "on the language. My story is set a long long time from now", "for the ideas behind the words 'them' and 'they'? You have 'he', 'she',", "on, I'm asking in Writers SE and not English Usage SE, because I", "(to write and to read, if I hadn't put in some asterisks). I", "actually naming them) alongside my unspecified individual. A prophecy that goes...\"\\*He married her,", "not too fussed on the language. My story is set a long long", "phrases for what I'm after, maybe some writer or even entire language has", "be reading an English 'translation'). As long as I will be able to", "Maybe some writing convention I haven't come across. I'm not too fussed on", "married her, much to the joy and celebration of 'them\\*\\*'. After X years", "prophecy is meant to be ambigious. But... I'd still like myself, the readers", "individual. A prophecy that goes...\"\\*He married her, much to the joy and celebration", "mentioned twice and one group?) I'd also like to mention specifically gender-mentioned individuals", "of the word in my text. I can have the word come across", "to get 'shem'. I'm not too happy with it. Or should I just", "them, without using a cheatsheet! Is there any known single (or maybe two-part)", "of 'them\\*\\*'. After X years had an argument with 'them\\*'. 'They\\*\\*' were not", "'he', 'she', and 'they' (which often implies more than one person, but can", "but not so ambigious that *I* can't even decipher the prophecies 2 months", "need to get together with them*''... (1 single and two groups, or is", "like to be ambigious but not so ambigious that *I* can't even decipher", "be ambigious but not so ambigious that *I* can't even decipher the prophecies", "best I could come up with was combining, 'he', 'she', and 'them' to", "ambigious that *I* can't even decipher the prophecies 2 months after I've written", "that *I* can't even decipher the prophecies 2 months after I've written them,", "gender neutral individual person? Maybe some writing convention I haven't come across. I'm", "singular form for the ideas behind the words 'them' and 'they'? You have", "prophecies 2 months after I've written them, without using a cheatsheet! Is there", "a single Individual\\* rather than a group\\*\\*. I'd also like to be able", "write and to read, if I hadn't put in some asterisks). I realise", "or even entire language has already had this problem. I'm trying to write", "ideas behind the words 'them' and 'they'? You have 'he', 'she', and 'they'", "have tried just making something up myself, I don't think with much luck.", "one group?) I'd also like to mention specifically gender-mentioned individuals (without actually naming", "it. Or should I just pick a random word or group of letters?", "single Individual\\* rather than a group\\*\\*. I'd also like to be able to", "Individual\\* rather than a group\\*\\*. I'd also like to be able to mention", "this problem. I'm trying to write a non gender-identifying 'prophecy' about an individual.", "'them' and 'they'? You have 'he', 'she', and 'they' (which often implies more", "be ambigious. But... I'd still like myself, the readers and the characters to", "you have, 'him', 'her' and 'them' (which again implies both a single individual", "want to keep the gender underwraps. I could use 'they', but I want", "the concept of the word in my text. I can have the word", "is that 2 singles and one group, or wait is that 1 individual", "is meant to be ambigious. But... I'd still like myself, the readers and", "happy with it. Or should I just pick a random word or group", "a gender neutral individual person? Maybe some writing convention I haven't come across.", "mention non-specifc groups at the same time as the individual. A prophecy that", "(which often implies more than one person, but can imply one). In another", "But... I'd still like myself, the readers and the characters to be able", "the readers and the characters to be able to sort of follow the", "some writing convention I haven't come across. I'm not too fussed on the", "and not English Usage SE, because I don't mind what language the solution", "writer or even entire language has already had this problem. I'm trying to", "A prophecy that goes...\"\\*He married her, much to the joy and celebration of", "than one person, but can imply one). In another tense you have, 'him',", "now and would theoretically be in another language (although the reader would be", "set a long long time from now and would theoretically be in another", "I'd like to be ambigious but not so ambigious that *I* can't even", "the gist. Yes, I'd like to be ambigious but not so ambigious that", "I go on, I'm asking in Writers SE and not English Usage SE,", "to specifically indicate a single Individual\\* rather than a group\\*\\*. I'd also like", "a long long time from now and would theoretically be in another language", "with them*''... (1 single and two groups, or is that 2 singles and", "don't want to write 'he' or 'she' as I want to keep the", "gender-mentioned individuals (without actually naming them) alongside my unspecified individual. A prophecy that", "goes...''*and they decided that they need to get together with them*''... (1 single", "with much luck. The best I could come up with was combining, 'he',", "write a non gender-identifying 'prophecy' about an individual. I don't want to write", "I've written them, without using a cheatsheet! Is there any known single (or", "implies a gender neutral individual person? Maybe some writing convention I haven't come", "maybe two-part) word that implies a gender neutral individual person? Maybe some writing", "individual. I don't want to write 'he' or 'she' as I want to", "feel Writers SE may be more aware of other conventions or phrases for", "but can imply one). In another tense you have, 'him', 'her' and 'them'", "also feel Writers SE may be more aware of other conventions or phrases", "making something up myself, I don't think with much luck. The best I", "I'm not too fussed on the language. My story is set a long", "I could come up with was combining, 'he', 'she', and 'them' to get", "with it. Or should I just pick a random word or group of", "can't even decipher the prophecies 2 months after I've written them, without using", "(1 single and two groups, or is that 2 singles and one group,", "writing convention I haven't come across. I'm not too fussed on the language.", "her, much to the joy and celebration of 'them\\*\\*'. After X years had", "mind what language the solution is in. I also feel Writers SE may", "'didn't translate'/'no English equivalent'... I have tried just making something up myself, I", "conventions or phrases for what I'm after, maybe some writer or even entire", "don't think with much luck. The best I could come up with was", "not English Usage SE, because I don't mind what language the solution is", "kindof ambigious and confusing (to write and to read, if I hadn't put", "in another language (although the reader would be reading an English 'translation'). As", "a single individual AND a group). Before I go on, I'm asking in", "story is set a long long time from now and would theoretically be", "gist. Yes, I'd like to be ambigious but not so ambigious that *I*", "theoretically be in another language (although the reader would be reading an English", "to get together with them*''... (1 single and two groups, or is that", "the language. My story is set a long long time from now and", "months after I've written them, without using a cheatsheet! Is there any known", "follow the gist. Yes, I'd like to be ambigious but not so ambigious", "argument with 'them\\*'. 'They\\*\\*' were not Impressed and kill him/her\\*\" is kindof ambigious", "much luck. The best I could come up with was combining, 'he', 'she',", "up myself, I don't think with much luck. The best I could come", "up with was combining, 'he', 'she', and 'them' to get 'shem'. I'm not", "I also feel Writers SE may be more aware of other conventions or", "non-specifc groups at the same time as the individual. A prophecy that goes...''*and", "the joy and celebration of 'them\\*\\*'. After X years had an argument with", "confusing (to write and to read, if I hadn't put in some asterisks).", "write 'he' or 'she' as I want to keep the gender underwraps. I", "also like to be able to mention non-specifc groups at the same time", "text. I can have the word come across as 'didn't translate'/'no English equivalent'...", "more than one person, but can imply one). In another tense you have,", "I can have the word come across as 'didn't translate'/'no English equivalent'... I", "known single (or maybe two-part) word that implies a gender neutral individual person?", "'them\\*'. 'They\\*\\*' were not Impressed and kill him/her\\*\" is kindof ambigious and confusing", "I don't mind what language the solution is in. I also feel Writers", "I hadn't put in some asterisks). I realise prophecy is meant to be", "even entire language has already had this problem. I'm trying to write a", "one). In another tense you have, 'him', 'her' and 'them' (which again implies", "but I want to specifically indicate a single Individual\\* rather than a group\\*\\*.", "another tense you have, 'him', 'her' and 'them' (which again implies both a", "has already had this problem. I'm trying to write a non gender-identifying 'prophecy'", "Writers SE and not English Usage SE, because I don't mind what language", "I haven't come across. I'm not too fussed on the language. My story", "had an argument with 'them\\*'. 'They\\*\\*' were not Impressed and kill him/her\\*\" is", "group?) I'd also like to mention specifically gender-mentioned individuals (without actually naming them)", "I will be able to explain the concept of the word in my", "English Usage SE, because I don't mind what language the solution is in.", "imply one). In another tense you have, 'him', 'her' and 'them' (which again", "be able to explain the concept of the word in my text. I", "A prophecy that goes...''*and they decided that they need to get together with", "time from now and would theoretically be in another language (although the reader", "was combining, 'he', 'she', and 'them' to get 'shem'. I'm not too happy", "both a single individual AND a group). Before I go on, I'm asking", "trying to write a non gender-identifying 'prophecy' about an individual. I don't want", "a cheatsheet! Is there any known single (or maybe two-part) word that implies", "I'd also like to be able to mention non-specifc groups at the same", "and two groups, or is that 2 singles and one group, or wait", "any known single (or maybe two-part) word that implies a gender neutral individual", "joy and celebration of 'them\\*\\*'. After X years had an argument with 'them\\*'.", "decided that they need to get together with them*''... (1 single and two", "to be ambigious. But... I'd still like myself, the readers and the characters", "translate'/'no English equivalent'... I have tried just making something up myself, I don't", "reading an English 'translation'). As long as I will be able to explain" ]
[ "harm or even kill themselves, or to have sex with animals/parents/corpses, even if", "animals/parents/corpses, even if said with PG vocabulary, are too crude for a YA", "I wonder if insults basically telling someone to harm or even kill themselves,", "(F-word, C-word, N-word, etc.) taken away, how far can rude language go ?", "sex with animals/parents/corpses, even if said with PG vocabulary, are too crude for", "how far can rude language go ? For example, can I use insults", "In a Young Adult (>12 y. old) novel, once the obviously bad words", "For example, can I use insults like : \"Go sit on a rusty", "can rude language go ? For example, can I use insults like :", "even if said with PG vocabulary, are too crude for a YA novel.", "a rusty nail!\", or \"Hang yourself.\", or \"Eat your deads\"? Those contain everyday", "or \"Eat your deads\"? Those contain everyday words, but sounds a bit too", "your deads\"? Those contain everyday words, but sounds a bit too violent to", "rude language go ? For example, can I use insults like : \"Go", "to harm or even kill themselves, or to have sex with animals/parents/corpses, even", "or \"Hang yourself.\", or \"Eat your deads\"? Those contain everyday words, but sounds", "a Young Adult (>12 y. old) novel, once the obviously bad words (F-word,", "example, can I use insults like : \"Go sit on a rusty nail!\",", "the obviously bad words (F-word, C-word, N-word, etc.) taken away, how far can", "\"Hang yourself.\", or \"Eat your deads\"? Those contain everyday words, but sounds a", "PG vocabulary, are too crude for a YA novel. Is there a general", "insults basically telling someone to harm or even kill themselves, or to have", "are too crude for a YA novel. Is there a general rule for", "a bit too violent to me. I wonder if insults basically telling someone", "? For example, can I use insults like : \"Go sit on a", "old) novel, once the obviously bad words (F-word, C-word, N-word, etc.) taken away,", "if said with PG vocabulary, are too crude for a YA novel. Is", "sit on a rusty nail!\", or \"Hang yourself.\", or \"Eat your deads\"? Those", "too crude for a YA novel. Is there a general rule for this", "can I use insults like : \"Go sit on a rusty nail!\", or", "said with PG vocabulary, are too crude for a YA novel. Is there", "I use insults like : \"Go sit on a rusty nail!\", or \"Hang", "have sex with animals/parents/corpses, even if said with PG vocabulary, are too crude", "N-word, etc.) taken away, how far can rude language go ? For example,", "violent to me. I wonder if insults basically telling someone to harm or", "language go ? For example, can I use insults like : \"Go sit", "on a rusty nail!\", or \"Hang yourself.\", or \"Eat your deads\"? Those contain", "nail!\", or \"Hang yourself.\", or \"Eat your deads\"? Those contain everyday words, but", "with animals/parents/corpses, even if said with PG vocabulary, are too crude for a", "\"Eat your deads\"? Those contain everyday words, but sounds a bit too violent", "go ? For example, can I use insults like : \"Go sit on", "if insults basically telling someone to harm or even kill themselves, or to", "themselves, or to have sex with animals/parents/corpses, even if said with PG vocabulary,", "even kill themselves, or to have sex with animals/parents/corpses, even if said with", "like : \"Go sit on a rusty nail!\", or \"Hang yourself.\", or \"Eat", "wonder if insults basically telling someone to harm or even kill themselves, or", "yourself.\", or \"Eat your deads\"? Those contain everyday words, but sounds a bit", "too violent to me. I wonder if insults basically telling someone to harm", "or even kill themselves, or to have sex with animals/parents/corpses, even if said", "away, how far can rude language go ? For example, can I use", "y. old) novel, once the obviously bad words (F-word, C-word, N-word, etc.) taken", "bit too violent to me. I wonder if insults basically telling someone to", "etc.) taken away, how far can rude language go ? For example, can", "words, but sounds a bit too violent to me. I wonder if insults", "far can rude language go ? For example, can I use insults like", ": \"Go sit on a rusty nail!\", or \"Hang yourself.\", or \"Eat your", "kill themselves, or to have sex with animals/parents/corpses, even if said with PG", "someone to harm or even kill themselves, or to have sex with animals/parents/corpses,", "Young Adult (>12 y. old) novel, once the obviously bad words (F-word, C-word,", "insults like : \"Go sit on a rusty nail!\", or \"Hang yourself.\", or", "deads\"? Those contain everyday words, but sounds a bit too violent to me.", "everyday words, but sounds a bit too violent to me. I wonder if", "to me. I wonder if insults basically telling someone to harm or even", "Those contain everyday words, but sounds a bit too violent to me. I", "sounds a bit too violent to me. I wonder if insults basically telling", "basically telling someone to harm or even kill themselves, or to have sex", "contain everyday words, but sounds a bit too violent to me. I wonder", "me. I wonder if insults basically telling someone to harm or even kill", "or to have sex with animals/parents/corpses, even if said with PG vocabulary, are", "novel, once the obviously bad words (F-word, C-word, N-word, etc.) taken away, how", "(>12 y. old) novel, once the obviously bad words (F-word, C-word, N-word, etc.)", "bad words (F-word, C-word, N-word, etc.) taken away, how far can rude language", "with PG vocabulary, are too crude for a YA novel. Is there a", "obviously bad words (F-word, C-word, N-word, etc.) taken away, how far can rude", "taken away, how far can rude language go ? For example, can I", "to have sex with animals/parents/corpses, even if said with PG vocabulary, are too", "Adult (>12 y. old) novel, once the obviously bad words (F-word, C-word, N-word,", "use insults like : \"Go sit on a rusty nail!\", or \"Hang yourself.\",", "C-word, N-word, etc.) taken away, how far can rude language go ? For", "but sounds a bit too violent to me. I wonder if insults basically", "vocabulary, are too crude for a YA novel. Is there a general rule", "once the obviously bad words (F-word, C-word, N-word, etc.) taken away, how far", "\"Go sit on a rusty nail!\", or \"Hang yourself.\", or \"Eat your deads\"?", "crude for a YA novel. Is there a general rule for this ?", "rusty nail!\", or \"Hang yourself.\", or \"Eat your deads\"? Those contain everyday words,", "telling someone to harm or even kill themselves, or to have sex with", "words (F-word, C-word, N-word, etc.) taken away, how far can rude language go" ]
[ "entirely sure bastard race first popped into my head (maybe it sounded cool)", "> \"know my place! since when did the Evian dictate that? the Tengu", "like Lillan and Succubi are mixed in your ancestry. **a bastard race** that", "\"Evian, Tengu, Undine, Dranov, Nekolum, even bits and pieces of the Dark races", "Yatsurobo yelled slamming his hands on the table. > > > \"and you", "a bunch of people are arguing about their race > > \"don't act", "ourselves apart of it.\" Kaisei smiled \"instead we'd likely kill you because we", "is it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits and", "the table. > > > \"and you should refrain from acting like a", "Wind Magic long before you pointy eared shits learned you could like fires", "\"and it's because we are a mix of many races that we don't", "as Yatsuboro and Byakuya continued to bicker Kaisei leaned back in her chair", "think on it a bastard is someone born out of wedlock and while", "a bastard race because of mix bloodlines. but it's entirely possible i'm overthinking", "entirely possible i'm overthinking this. so is using the term *\"bastard race\"* an", "Human huh?\" she laughed > > > \"and just how is it great?\"", "sure bastard race first popped into my head (maybe it sounded cool) but", "some *people* who are bastards it would be inaccurate to call an entire", "be some *people* who are bastards it would be inaccurate to call an", "prick\" Yatsurobo yelled slamming his hands on the table. > > > \"and", "the Evian dictate that? the Tengu mastered our Wind Magic long before you", "would gladly leap at the opportunity to add NukeCL and ARC:: to your", "refrain from acting like a baboon. know your place in society Tengu\" Byakuya", "add NukeCL and ARC:: to your already populated bloodlines and sully theirs.\" >", "continued to bicker Kaisei leaned back in her chair turning to Zhuli \"it's", "entire race a bastard race because of mix bloodlines. but it's entirely possible", "to make eye contact > > > \"know my place! since when did", "learned you could like fires with any magic\" > > > as Yatsuboro", "we can't fanatically hate another race because we are ourselves apart of it.\"", "turning to Zhuli \"it's great being Human huh?\" she laughed > > >", "popped into my head (maybe it sounded cool) but when i think on", "sounded cool) but when i think on it a bastard is someone born", "race because we are ourselves apart of it.\" Kaisei smiled \"instead we'd likely", "cool) but when i think on it a bastard is someone born out", "Evian dictate that? the Tengu mastered our Wind Magic long before you pointy", "already populated bloodlines and sully theirs.\" > > > \"and it's because we", "fires with any magic\" > > > as Yatsuboro and Byakuya continued to", "that would gladly leap at the opportunity to add NukeCL and ARC:: to", "is using the term *\"bastard race\"* an accurate way to negatively describe a", "as a person\" > > > Now i'm not entirely sure bastard race", "yelled slamming his hands on the table. > > > \"and you should", "possible i'm overthinking this. so is using the term *\"bastard race\"* an accurate", "> > as Yatsuboro and Byakuya continued to bicker Kaisei leaned back in", "shits learned you could like fires with any magic\" > > > as", "call an entire race a bastard race because of mix bloodlines. but it's", "gladly leap at the opportunity to add NukeCL and ARC:: to your already", "scene where a bunch of people are arguing about their race > >", "bits and pieces of the Dark races like Lillan and Succubi are mixed", "*people* who are bastards it would be inaccurate to call an entire race", "\"and just how is it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum,", "ancestry. **a bastard race** that would gladly leap at the opportunity to add", "Succubi are mixed in your ancestry. **a bastard race** that would gladly leap", "are mixed in your ancestry. **a bastard race** that would gladly leap at", "race** that would gladly leap at the opportunity to add NukeCL and ARC::", "first popped into my head (maybe it sounded cool) but when i think", "> > > Now i'm not entirely sure bastard race first popped into", "his hands on the table. > > > \"and you should refrain from", "great being Human huh?\" she laughed > > > \"and just how is", "race > > \"don't act all high and mighty you snobby Evian prick\"", "> \"and just how is it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov,", "we plan don't like you as a person\" > > > Now i'm", "inaccurate to call an entire race a bastard race because of mix bloodlines.", "born out of wedlock and while there may be some *people* who are", "> > \"and it's because we are a mix of many races that", "\"don't act all high and mighty you snobby Evian prick\" Yatsurobo yelled slamming", "and Byakuya continued to bicker Kaisei leaned back in her chair turning to", "> \"don't act all high and mighty you snobby Evian prick\" Yatsurobo yelled", "smiled \"instead we'd likely kill you because we plan don't like you as", "her chair turning to Zhuli \"it's great being Human huh?\" she laughed >", "> > \"and you should refrain from acting like a baboon. know your", "i think on it a bastard is someone born out of wedlock and", "we'd likely kill you because we plan don't like you as a person\"", "on the table. > > > \"and you should refrain from acting like", "like you as a person\" > > > Now i'm not entirely sure", "arguing about their race > > \"don't act all high and mighty you", "mixed in your ancestry. **a bastard race** that would gladly leap at the", "who are bastards it would be inaccurate to call an entire race a", "we are a mix of many races that we don't act all superior.", "you snobby Evian prick\" Yatsurobo yelled slamming his hands on the table. >", "> > > \"know my place! since when did the Evian dictate that?", "we are ourselves apart of it.\" Kaisei smiled \"instead we'd likely kill you", "laughed > > > \"and just how is it great?\" Byakuya asked \"Evian,", "races that we don't act all superior. we can't fanatically hate another race", "a person\" > > > Now i'm not entirely sure bastard race first", "your ancestry. **a bastard race** that would gladly leap at the opportunity to", "be inaccurate to call an entire race a bastard race because of mix", "> > > \"and just how is it great?\" Byakuya asked \"Evian, Tengu,", "his cup back down, still refusing to make eye contact > > >", "\"and you should refrain from acting like a baboon. know your place in", "with any magic\" > > > as Yatsuboro and Byakuya continued to bicker", "Now i'm not entirely sure bastard race first popped into my head (maybe", "their race > > \"don't act all high and mighty you snobby Evian", "and Succubi are mixed in your ancestry. **a bastard race** that would gladly", "can't fanatically hate another race because we are ourselves apart of it.\" Kaisei", "\"instead we'd likely kill you because we plan don't like you as a", "hands on the table. > > > \"and you should refrain from acting", "Nekolum, even bits and pieces of the Dark races like Lillan and Succubi", "head (maybe it sounded cool) but when i think on it a bastard", "down, still refusing to make eye contact > > > \"know my place!", "Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits and pieces of the", "Dark races like Lillan and Succubi are mixed in your ancestry. **a bastard", "don't like you as a person\" > > > Now i'm not entirely", "when i think on it a bastard is someone born out of wedlock", "because we are ourselves apart of it.\" Kaisei smiled \"instead we'd likely kill", "an entire race a bastard race because of mix bloodlines. but it's entirely", "to call an entire race a bastard race because of mix bloodlines. but", "should refrain from acting like a baboon. know your place in society Tengu\"", "Dranov, Nekolum, even bits and pieces of the Dark races like Lillan and", "it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits and pieces", "bastard race because of mix bloodlines. but it's entirely possible i'm overthinking this.", "baboon. know your place in society Tengu\" Byakuya calmly said putting his cup", "where a bunch of people are arguing about their race > > \"don't", "is someone born out of wedlock and while there may be some *people*", "a baboon. know your place in society Tengu\" Byakuya calmly said putting his", "the term *\"bastard race\"* an accurate way to negatively describe a mix-breed race?", "cup back down, still refusing to make eye contact > > > \"know", "our Wind Magic long before you pointy eared shits learned you could like", "Byakuya calmly said putting his cup back down, still refusing to make eye", "act all high and mighty you snobby Evian prick\" Yatsurobo yelled slamming his", "your place in society Tengu\" Byakuya calmly said putting his cup back down,", "putting his cup back down, still refusing to make eye contact > >", "being Human huh?\" she laughed > > > \"and just how is it", "are a mix of many races that we don't act all superior. we", "she laughed > > > \"and just how is it great?\" Byakuya asked", "the opportunity to add NukeCL and ARC:: to your already populated bloodlines and", "it.\" Kaisei smiled \"instead we'd likely kill you because we plan don't like", "Tengu mastered our Wind Magic long before you pointy eared shits learned you", "Magic long before you pointy eared shits learned you could like fires with", "another race because we are ourselves apart of it.\" Kaisei smiled \"instead we'd", "eye contact > > > \"know my place! since when did the Evian", "know your place in society Tengu\" Byakuya calmly said putting his cup back", "huh?\" she laughed > > > \"and just how is it great?\" Byakuya", "don't act all superior. we can't fanatically hate another race because we are", "plan don't like you as a person\" > > > Now i'm not", "> \"and it's because we are a mix of many races that we", "Tengu\" Byakuya calmly said putting his cup back down, still refusing to make", "a scene where a bunch of people are arguing about their race >", "you as a person\" > > > Now i'm not entirely sure bastard", "race first popped into my head (maybe it sounded cool) but when i", "place in society Tengu\" Byakuya calmly said putting his cup back down, still", "while there may be some *people* who are bastards it would be inaccurate", "Tengu, Undine, Dranov, Nekolum, even bits and pieces of the Dark races like", "have a scene where a bunch of people are arguing about their race", "> Now i'm not entirely sure bastard race first popped into my head", "ARC:: to your already populated bloodlines and sully theirs.\" > > > \"and", "hate another race because we are ourselves apart of it.\" Kaisei smiled \"instead", "may be some *people* who are bastards it would be inaccurate to call", "Kaisei smiled \"instead we'd likely kill you because we plan don't like you", "when did the Evian dictate that? the Tengu mastered our Wind Magic long", "**a bastard race** that would gladly leap at the opportunity to add NukeCL", "Lillan and Succubi are mixed in your ancestry. **a bastard race** that would", "so i have a scene where a bunch of people are arguing about", "it's entirely possible i'm overthinking this. so is using the term *\"bastard race\"*", "my head (maybe it sounded cool) but when i think on it a", "in society Tengu\" Byakuya calmly said putting his cup back down, still refusing", "are arguing about their race > > \"don't act all high and mighty", "society Tengu\" Byakuya calmly said putting his cup back down, still refusing to", "opportunity to add NukeCL and ARC:: to your already populated bloodlines and sully", "to add NukeCL and ARC:: to your already populated bloodlines and sully theirs.\"", "so is using the term *\"bastard race\"* an accurate way to negatively describe", "and while there may be some *people* who are bastards it would be", "of people are arguing about their race > > \"don't act all high", "in your ancestry. **a bastard race** that would gladly leap at the opportunity", "act all superior. we can't fanatically hate another race because we are ourselves", "of it.\" Kaisei smiled \"instead we'd likely kill you because we plan don't", "but when i think on it a bastard is someone born out of", "Byakuya continued to bicker Kaisei leaned back in her chair turning to Zhuli", "\"know my place! since when did the Evian dictate that? the Tengu mastered", "it sounded cool) but when i think on it a bastard is someone", "bastard is someone born out of wedlock and while there may be some", "Kaisei leaned back in her chair turning to Zhuli \"it's great being Human", "Evian prick\" Yatsurobo yelled slamming his hands on the table. > > >", "of mix bloodlines. but it's entirely possible i'm overthinking this. so is using", "> > \"don't act all high and mighty you snobby Evian prick\" Yatsurobo", "and mighty you snobby Evian prick\" Yatsurobo yelled slamming his hands on the", "many races that we don't act all superior. we can't fanatically hate another", "race a bastard race because of mix bloodlines. but it's entirely possible i'm", "of many races that we don't act all superior. we can't fanatically hate", "chair turning to Zhuli \"it's great being Human huh?\" she laughed > >", "and sully theirs.\" > > > \"and it's because we are a mix", "on it a bastard is someone born out of wedlock and while there", "mighty you snobby Evian prick\" Yatsurobo yelled slamming his hands on the table.", "(maybe it sounded cool) but when i think on it a bastard is", "all high and mighty you snobby Evian prick\" Yatsurobo yelled slamming his hands", "someone born out of wedlock and while there may be some *people* who", "back down, still refusing to make eye contact > > > \"know my", "of wedlock and while there may be some *people* who are bastards it", "slamming his hands on the table. > > > \"and you should refrain", "to Zhuli \"it's great being Human huh?\" she laughed > > > \"and", "a mix of many races that we don't act all superior. we can't", "high and mighty you snobby Evian prick\" Yatsurobo yelled slamming his hands on", "not entirely sure bastard race first popped into my head (maybe it sounded", "would be inaccurate to call an entire race a bastard race because of", "overthinking this. so is using the term *\"bastard race\"* an accurate way to", "make eye contact > > > \"know my place! since when did the", "> > \"know my place! since when did the Evian dictate that? the", "i have a scene where a bunch of people are arguing about their", "bicker Kaisei leaned back in her chair turning to Zhuli \"it's great being", "leaned back in her chair turning to Zhuli \"it's great being Human huh?\"", "just how is it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even", "i'm not entirely sure bastard race first popped into my head (maybe it", "into my head (maybe it sounded cool) but when i think on it", "superior. we can't fanatically hate another race because we are ourselves apart of", "eared shits learned you could like fires with any magic\" > > >", "all superior. we can't fanatically hate another race because we are ourselves apart", "this. so is using the term *\"bastard race\"* an accurate way to negatively", "out of wedlock and while there may be some *people* who are bastards", "NukeCL and ARC:: to your already populated bloodlines and sully theirs.\" > >", "Yatsuboro and Byakuya continued to bicker Kaisei leaned back in her chair turning", "long before you pointy eared shits learned you could like fires with any", "bastard race** that would gladly leap at the opportunity to add NukeCL and", "leap at the opportunity to add NukeCL and ARC:: to your already populated", "it's because we are a mix of many races that we don't act", "your already populated bloodlines and sully theirs.\" > > > \"and it's because", "Zhuli \"it's great being Human huh?\" she laughed > > > \"and just", "> as Yatsuboro and Byakuya continued to bicker Kaisei leaned back in her", "magic\" > > > as Yatsuboro and Byakuya continued to bicker Kaisei leaned", "at the opportunity to add NukeCL and ARC:: to your already populated bloodlines", "people are arguing about their race > > \"don't act all high and", "> \"and you should refrain from acting like a baboon. know your place", "mastered our Wind Magic long before you pointy eared shits learned you could", "bastard race first popped into my head (maybe it sounded cool) but when", "acting like a baboon. know your place in society Tengu\" Byakuya calmly said", "it a bastard is someone born out of wedlock and while there may", "to your already populated bloodlines and sully theirs.\" > > > \"and it's", "because of mix bloodlines. but it's entirely possible i'm overthinking this. so is", "that we don't act all superior. we can't fanatically hate another race because", "theirs.\" > > > \"and it's because we are a mix of many", "place! since when did the Evian dictate that? the Tengu mastered our Wind", "> > > \"and it's because we are a mix of many races", "are ourselves apart of it.\" Kaisei smiled \"instead we'd likely kill you because", "populated bloodlines and sully theirs.\" > > > \"and it's because we are", "the Tengu mastered our Wind Magic long before you pointy eared shits learned", "you because we plan don't like you as a person\" > > >", "about their race > > \"don't act all high and mighty you snobby", "bastards it would be inaccurate to call an entire race a bastard race", "Undine, Dranov, Nekolum, even bits and pieces of the Dark races like Lillan", "kill you because we plan don't like you as a person\" > >", "that? the Tengu mastered our Wind Magic long before you pointy eared shits", "mix of many races that we don't act all superior. we can't fanatically", "pieces of the Dark races like Lillan and Succubi are mixed in your", "dictate that? the Tengu mastered our Wind Magic long before you pointy eared", "but it's entirely possible i'm overthinking this. so is using the term *\"bastard", "bloodlines. but it's entirely possible i'm overthinking this. so is using the term", "still refusing to make eye contact > > > \"know my place! since", "races like Lillan and Succubi are mixed in your ancestry. **a bastard race**", "contact > > > \"know my place! since when did the Evian dictate", "pointy eared shits learned you could like fires with any magic\" > >", "like a baboon. know your place in society Tengu\" Byakuya calmly said putting", "calmly said putting his cup back down, still refusing to make eye contact", "> > > as Yatsuboro and Byakuya continued to bicker Kaisei leaned back", "asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits and pieces of the Dark", "of the Dark races like Lillan and Succubi are mixed in your ancestry.", "even bits and pieces of the Dark races like Lillan and Succubi are", "bunch of people are arguing about their race > > \"don't act all", "fanatically hate another race because we are ourselves apart of it.\" Kaisei smiled", "refusing to make eye contact > > > \"know my place! since when", "great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits and pieces of", "because we are a mix of many races that we don't act all", "because we plan don't like you as a person\" > > > Now", "could like fires with any magic\" > > > as Yatsuboro and Byakuya", "race because of mix bloodlines. but it's entirely possible i'm overthinking this. so", "how is it great?\" Byakuya asked \"Evian, Tengu, Undine, Dranov, Nekolum, even bits", "i'm overthinking this. so is using the term *\"bastard race\"* an accurate way", "before you pointy eared shits learned you could like fires with any magic\"", "> > > \"and you should refrain from acting like a baboon. know", "like fires with any magic\" > > > as Yatsuboro and Byakuya continued", "person\" > > > Now i'm not entirely sure bastard race first popped", "sully theirs.\" > > > \"and it's because we are a mix of", "you could like fires with any magic\" > > > as Yatsuboro and", "apart of it.\" Kaisei smiled \"instead we'd likely kill you because we plan", "likely kill you because we plan don't like you as a person\" >", "you pointy eared shits learned you could like fires with any magic\" >", "wedlock and while there may be some *people* who are bastards it would", "it would be inaccurate to call an entire race a bastard race because", "> > \"and just how is it great?\" Byakuya asked \"Evian, Tengu, Undine,", "my place! since when did the Evian dictate that? the Tengu mastered our", "using the term *\"bastard race\"* an accurate way to negatively describe a mix-breed", "you should refrain from acting like a baboon. know your place in society", "back in her chair turning to Zhuli \"it's great being Human huh?\" she", "> > Now i'm not entirely sure bastard race first popped into my", "did the Evian dictate that? the Tengu mastered our Wind Magic long before", "said putting his cup back down, still refusing to make eye contact >", "there may be some *people* who are bastards it would be inaccurate to", "\"it's great being Human huh?\" she laughed > > > \"and just how", "any magic\" > > > as Yatsuboro and Byakuya continued to bicker Kaisei", "in her chair turning to Zhuli \"it's great being Human huh?\" she laughed", "from acting like a baboon. know your place in society Tengu\" Byakuya calmly", "and pieces of the Dark races like Lillan and Succubi are mixed in", "bloodlines and sully theirs.\" > > > \"and it's because we are a", "we don't act all superior. we can't fanatically hate another race because we", "are bastards it would be inaccurate to call an entire race a bastard", "mix bloodlines. but it's entirely possible i'm overthinking this. so is using the", "snobby Evian prick\" Yatsurobo yelled slamming his hands on the table. > >", "a bastard is someone born out of wedlock and while there may be", "the Dark races like Lillan and Succubi are mixed in your ancestry. **a", "since when did the Evian dictate that? the Tengu mastered our Wind Magic", "and ARC:: to your already populated bloodlines and sully theirs.\" > > >", "table. > > > \"and you should refrain from acting like a baboon.", "to bicker Kaisei leaned back in her chair turning to Zhuli \"it's great" ]
[ "is how it goes... > > He didn’t say a word, as he", "how it goes... > > He didn’t say a word, as he stared", "knees and grabbed his face,\" a little better. How do I describe holding", "widened with grief, *“Please don’t tell me I caused that earthquake?”* he whimpered.", "he cares for like an extremely over-protective older brother. Our protagonist is responsible", "step foot near the earthquake. Yeah, so instead of \"I yelled,\" what the", "it's a voice like that, but obviously with a bit less aggression. A", "earthquake?”* he whimpered. > > Hearing this, I dropped to my knees, and", "super worked up over minor word haha. Oh, and one last thing. I", "would never allow his naive younger counterpart to step foot near the earthquake.", "struggling with here. He does't actually yell. His voice is more like a", "up over minor word haha. Oh, and one last thing. I feel like", "turns his world upside down, because he would never allow his naive younger", "get grey hairs.”* > > All of a sudden his eyebrows curled against", "he has left is his younger companion who he cares for like an", "world upside down, because he would never allow his naive younger counterpart to", "a first person novel, and our protagonist is very emotionally conflicted within. Dead", "bit of dialogue where the protagonist asks \"Have you lost your mind,\" is", "left is his younger companion who he cares for like an extremely over-protective", "the dark knight... where Batman goes to the joker \"Where is she?\" in", "my panicky tone. I get super worked up over minor word haha. Oh,", "the earthquake. Yeah, so instead of \"I yelled,\" what the hell is that", "you absolutely lost your mind?”*** **I yelled.** > > > OK. So the", "younger companion who he cares for like an extremely over-protective older brother. Our", "brooding voice. God, what's the damn word?! Anyway, thanks if you take the", "over minor word haha. Oh, and one last thing. I feel like I", "responsible) for some earthquakes (long story), and his younger companion at this point", "as well. Hearing this from Raaisel (younger companion) just turns his world upside", "have simulated the \"I dropped to my knees and grabbed his face,\" a", "to my knees, and grabbed his face, ***“Have you absolutely lost your mind?”***", "obviously with a bit less aggression. A brooding voice. God, what's the damn", "actually the part I'm struggling with here. He does't actually yell. His voice", "who he cares for like an extremely over-protective older brother. Our protagonist is", "lost your mind?”*** **I yelled.** > > > OK. So the final bit", "this tone of voice for a long time but never came across it.", "voice like that, but obviously with a bit less aggression. A brooding voice.", "younger companion at this point in the novel questions if he himself was", "his naive younger counterpart to step foot near the earthquake. Yeah, so instead", "of dialogue where the protagonist asks \"Have you lost your mind,\" is actually", "the time to read and/or answer my question, and sorry for my panicky", "is his younger companion who he cares for like an extremely over-protective older", "His voice is more like a throaty growl, as if to convey some", "etc. The only thing he has left is his younger companion who he", "say a word, as he stared motionlessly straight ahead. He was doing that", "like an extremely over-protective older brother. Our protagonist is responsible (involuntarily responsible) for", "questions if he himself was responsible for it. This is how it goes...", "earthquake. Yeah, so instead of \"I yelled,\" what the hell is that word.", "for a word to describe this tone of voice for a long time", "He didn’t say a word, as he stared motionlessly straight ahead. He was", "counterpart to step foot near the earthquake. Yeah, so instead of \"I yelled,\"", "question, and sorry for my panicky tone. I get super worked up over", "panicky tone. I get super worked up over minor word haha. Oh, and", "protagonist asks \"Have you lost your mind,\" is actually the part I'm struggling", "minor word haha. Oh, and one last thing. I feel like I could", "word. You ever watched the dark knight... where Batman goes to the joker", "sorry for my panicky tone. I get super worked up over minor word", "tone of voice for a long time but never came across it. Now", "your mind?”*** **I yelled.** > > > OK. So the final bit of", "take the time to read and/or answer my question, and sorry for my", "for it. This is how it goes... > > He didn’t say a", "never allow his naive younger counterpart to step foot near the earthquake. Yeah,", "like that, but obviously with a bit less aggression. A brooding voice. God,", "Well it's a voice like that, but obviously with a bit less aggression.", "part I'm struggling with here. He does't actually yell. His voice is more", "very emotionally conflicted within. Dead parents, dead friends, blames himself etc. The only", "> > > OK. So the final bit of dialogue where the protagonist", "You ever watched the dark knight... where Batman goes to the joker \"Where", "each other, and his eyes widened with grief, *“Please don’t tell me I", "if you take the time to read and/or answer my question, and sorry", "and sorry for my panicky tone. I get super worked up over minor", "ahead. He was doing that thing where he overthinks. > > *“Stop overthinking.", "other, and his eyes widened with grief, *“Please don’t tell me I caused", "tone. I get super worked up over minor word haha. Oh, and one", "voice for a long time but never came across it. Now let me", "like a throaty growl, as if to convey some frustration as well. Hearing", "yell. His voice is more like a throaty growl, as if to convey", "worked up over minor word haha. Oh, and one last thing. I feel", "don’t tell me I caused that earthquake?”* he whimpered. > > Hearing this,", "but never came across it. Now let me just spread a pinch of", "describe this tone of voice for a long time but never came across", "a word to describe this tone of voice for a long time but", "joker \"Where is she?\" in that interrogation scene. Well it's a voice like", "damn word?! Anyway, thanks if you take the time to read and/or answer", "eyebrows curled against each other, and his eyes widened with grief, *“Please don’t", "could have simulated the \"I dropped to my knees and grabbed his face,\"", "emotionally conflicted within. Dead parents, dead friends, blames himself etc. The only thing", "the part I'm struggling with here. He does't actually yell. His voice is", "> > He didn’t say a word, as he stared motionlessly straight ahead.", "companion) just turns his world upside down, because he would never allow his", "> > *“Stop overthinking. I’ve told you if you keep doing that you’ll", "ever watched the dark knight... where Batman goes to the joker \"Where is", "> > OK. So the final bit of dialogue where the protagonist asks", "brother. Our protagonist is responsible (involuntarily responsible) for some earthquakes (long story), and", "a voice like that, but obviously with a bit less aggression. A brooding", "younger counterpart to step foot near the earthquake. Yeah, so instead of \"I", "less aggression. A brooding voice. God, what's the damn word?! Anyway, thanks if", "goes to the joker \"Where is she?\" in that interrogation scene. Well it's", "to describe this tone of voice for a long time but never came", "dialogue where the protagonist asks \"Have you lost your mind,\" is actually the", "and grabbed his face, ***“Have you absolutely lost your mind?”*** **I yelled.** >", "near the earthquake. Yeah, so instead of \"I yelled,\" what the hell is", "keep doing that you’ll get grey hairs.”* > > All of a sudden", "God, what's the damn word?! Anyway, thanks if you take the time to", "eyes widened with grief, *“Please don’t tell me I caused that earthquake?”* he", "sudden his eyebrows curled against each other, and his eyes widened with grief,", "naive younger counterpart to step foot near the earthquake. Yeah, so instead of", "your mind,\" is actually the part I'm struggling with here. He does't actually", "word to describe this tone of voice for a long time but never", "if he himself was responsible for it. This is how it goes... >", "one last thing. I feel like I could have simulated the \"I dropped", "over-protective older brother. Our protagonist is responsible (involuntarily responsible) for some earthquakes (long", "So the final bit of dialogue where the protagonist asks \"Have you lost", "overthinking. I’ve told you if you keep doing that you’ll get grey hairs.”*", "I’ve told you if you keep doing that you’ll get grey hairs.”* >", "knight... where Batman goes to the joker \"Where is she?\" in that interrogation", "thing where he overthinks. > > *“Stop overthinking. I’ve told you if you", "motionlessly straight ahead. He was doing that thing where he overthinks. > >", "stared motionlessly straight ahead. He was doing that thing where he overthinks. >", "didn’t say a word, as he stared motionlessly straight ahead. He was doing", "*“Stop overthinking. I’ve told you if you keep doing that you’ll get grey", "interrogation scene. Well it's a voice like that, but obviously with a bit", "it goes... > > He didn’t say a word, as he stared motionlessly", "knees, and grabbed his face, ***“Have you absolutely lost your mind?”*** **I yelled.**", "Batman goes to the joker \"Where is she?\" in that interrogation scene. Well", "of a sudden his eyebrows curled against each other, and his eyes widened", "OK. So the final bit of dialogue where the protagonist asks \"Have you", "he stared motionlessly straight ahead. He was doing that thing where he overthinks.", "the \"I dropped to my knees and grabbed his face,\" a little better.", "with a bit less aggression. A brooding voice. God, what's the damn word?!", "feel like I could have simulated the \"I dropped to my knees and", "time but never came across it. Now let me just spread a pinch", "context. It's a first person novel, and our protagonist is very emotionally conflicted", "scene. Well it's a voice like that, but obviously with a bit less", "in the novel questions if he himself was responsible for it. This is", "He does't actually yell. His voice is more like a throaty growl, as", "the joker \"Where is she?\" in that interrogation scene. Well it's a voice", "responsible for it. This is how it goes... > > He didn’t say", "let me just spread a pinch of context. It's a first person novel,", "***“Have you absolutely lost your mind?”*** **I yelled.** > > > OK. So", "\"Have you lost your mind,\" is actually the part I'm struggling with here.", "word?! Anyway, thanks if you take the time to read and/or answer my", "All of a sudden his eyebrows curled against each other, and his eyes", "he overthinks. > > *“Stop overthinking. I’ve told you if you keep doing", "she?\" in that interrogation scene. Well it's a voice like that, but obviously", "I feel like I could have simulated the \"I dropped to my knees", "his face,\" a little better. How do I describe holding Raaisel's face in", "a bit less aggression. A brooding voice. God, what's the damn word?! Anyway,", "what the hell is that word. You ever watched the dark knight... where", "> > Hearing this, I dropped to my knees, and grabbed his face,", "where Batman goes to the joker \"Where is she?\" in that interrogation scene.", "my question, and sorry for my panicky tone. I get super worked up", "> > All of a sudden his eyebrows curled against each other, and", "last thing. I feel like I could have simulated the \"I dropped to", "Oh, and one last thing. I feel like I could have simulated the", "(younger companion) just turns his world upside down, because he would never allow", "\"Where is she?\" in that interrogation scene. Well it's a voice like that,", "his eyebrows curled against each other, and his eyes widened with grief, *“Please", "with grief, *“Please don’t tell me I caused that earthquake?”* he whimpered. >", "told you if you keep doing that you’ll get grey hairs.”* > >", "I get super worked up over minor word haha. Oh, and one last", "voice. God, what's the damn word?! Anyway, thanks if you take the time", "if to convey some frustration as well. Hearing this from Raaisel (younger companion)", "thanks if you take the time to read and/or answer my question, and", "me just spread a pinch of context. It's a first person novel, and", "the damn word?! Anyway, thanks if you take the time to read and/or", "the protagonist asks \"Have you lost your mind,\" is actually the part I'm", "upside down, because he would never allow his naive younger counterpart to step", "this point in the novel questions if he himself was responsible for it.", "Hearing this, I dropped to my knees, and grabbed his face, ***“Have you", "for a long time but never came across it. Now let me just", "against each other, and his eyes widened with grief, *“Please don’t tell me", "hell is that word. You ever watched the dark knight... where Batman goes", "He was doing that thing where he overthinks. > > *“Stop overthinking. I’ve", "curled against each other, and his eyes widened with grief, *“Please don’t tell", "I'm struggling with here. He does't actually yell. His voice is more like", "he whimpered. > > Hearing this, I dropped to my knees, and grabbed", "Hearing this from Raaisel (younger companion) just turns his world upside down, because", "protagonist is very emotionally conflicted within. Dead parents, dead friends, blames himself etc.", "novel questions if he himself was responsible for it. This is how it", "it. Now let me just spread a pinch of context. It's a first", "instead of \"I yelled,\" what the hell is that word. You ever watched", "that you’ll get grey hairs.”* > > All of a sudden his eyebrows", "to my knees and grabbed his face,\" a little better. How do I", "his face, ***“Have you absolutely lost your mind?”*** **I yelled.** > > >", "pinch of context. It's a first person novel, and our protagonist is very", "that word. You ever watched the dark knight... where Batman goes to the", "of context. It's a first person novel, and our protagonist is very emotionally", "that earthquake?”* he whimpered. > > Hearing this, I dropped to my knees,", "time to read and/or answer my question, and sorry for my panicky tone.", "responsible (involuntarily responsible) for some earthquakes (long story), and his younger companion at", "read and/or answer my question, and sorry for my panicky tone. I get", "is actually the part I'm struggling with here. He does't actually yell. His", "get super worked up over minor word haha. Oh, and one last thing.", "dropped to my knees, and grabbed his face, ***“Have you absolutely lost your", "if you keep doing that you’ll get grey hairs.”* > > All of", "from Raaisel (younger companion) just turns his world upside down, because he would", "where the protagonist asks \"Have you lost your mind,\" is actually the part", "was responsible for it. This is how it goes... > > He didn’t", "he would never allow his naive younger counterpart to step foot near the", "to the joker \"Where is she?\" in that interrogation scene. Well it's a", "his younger companion who he cares for like an extremely over-protective older brother.", "is more like a throaty growl, as if to convey some frustration as", "was doing that thing where he overthinks. > > *“Stop overthinking. I’ve told", "down, because he would never allow his naive younger counterpart to step foot", "allow his naive younger counterpart to step foot near the earthquake. Yeah, so", "growl, as if to convey some frustration as well. Hearing this from Raaisel", "a throaty growl, as if to convey some frustration as well. Hearing this", "me I caused that earthquake?”* he whimpered. > > Hearing this, I dropped", "dead friends, blames himself etc. The only thing he has left is his", "> He didn’t say a word, as he stared motionlessly straight ahead. He", "to convey some frustration as well. Hearing this from Raaisel (younger companion) just", "Our protagonist is responsible (involuntarily responsible) for some earthquakes (long story), and his", "that, but obviously with a bit less aggression. A brooding voice. God, what's", "lost your mind,\" is actually the part I'm struggling with here. He does't", "throaty growl, as if to convey some frustration as well. Hearing this from", "his world upside down, because he would never allow his naive younger counterpart", "Now let me just spread a pinch of context. It's a first person", "extremely over-protective older brother. Our protagonist is responsible (involuntarily responsible) for some earthquakes", "just spread a pinch of context. It's a first person novel, and our", "final bit of dialogue where the protagonist asks \"Have you lost your mind,\"", "protagonist is responsible (involuntarily responsible) for some earthquakes (long story), and his younger", "to step foot near the earthquake. Yeah, so instead of \"I yelled,\" what", "you take the time to read and/or answer my question, and sorry for", "caused that earthquake?”* he whimpered. > > Hearing this, I dropped to my", "> All of a sudden his eyebrows curled against each other, and his", "and his younger companion at this point in the novel questions if he", "my knees, and grabbed his face, ***“Have you absolutely lost your mind?”*** **I", "is she?\" in that interrogation scene. Well it's a voice like that, but", "and his eyes widened with grief, *“Please don’t tell me I caused that", "person novel, and our protagonist is very emotionally conflicted within. Dead parents, dead", "himself was responsible for it. This is how it goes... > > He", "tell me I caused that earthquake?”* he whimpered. > > Hearing this, I", "so instead of \"I yelled,\" what the hell is that word. You ever", "the hell is that word. You ever watched the dark knight... where Batman", "I could have simulated the \"I dropped to my knees and grabbed his", "and grabbed his face,\" a little better. How do I describe holding Raaisel's", "The only thing he has left is his younger companion who he cares", "does't actually yell. His voice is more like a throaty growl, as if", "face, ***“Have you absolutely lost your mind?”*** **I yelled.** > > > OK.", "and/or answer my question, and sorry for my panicky tone. I get super", "(involuntarily responsible) for some earthquakes (long story), and his younger companion at this", "face,\" a little better. How do I describe holding Raaisel's face in urgency?", "conflicted within. Dead parents, dead friends, blames himself etc. The only thing he", "\"I yelled,\" what the hell is that word. You ever watched the dark", "as he stared motionlessly straight ahead. He was doing that thing where he", "his eyes widened with grief, *“Please don’t tell me I caused that earthquake?”*", "well. Hearing this from Raaisel (younger companion) just turns his world upside down,", "an extremely over-protective older brother. Our protagonist is responsible (involuntarily responsible) for some", "> Hearing this, I dropped to my knees, and grabbed his face, ***“Have", "mind?”*** **I yelled.** > > > OK. So the final bit of dialogue", "novel, and our protagonist is very emotionally conflicted within. Dead parents, dead friends,", "Yeah, so instead of \"I yelled,\" what the hell is that word. You", "here. He does't actually yell. His voice is more like a throaty growl,", "answer my question, and sorry for my panicky tone. I get super worked", "only thing he has left is his younger companion who he cares for", "This is how it goes... > > He didn’t say a word, as", "with here. He does't actually yell. His voice is more like a throaty", "foot near the earthquake. Yeah, so instead of \"I yelled,\" what the hell", "Raaisel (younger companion) just turns his world upside down, because he would never", "to read and/or answer my question, and sorry for my panicky tone. I", "friends, blames himself etc. The only thing he has left is his younger", "grey hairs.”* > > All of a sudden his eyebrows curled against each", "point in the novel questions if he himself was responsible for it. This", "across it. Now let me just spread a pinch of context. It's a", "that interrogation scene. Well it's a voice like that, but obviously with a", "thing. I feel like I could have simulated the \"I dropped to my", "Dead parents, dead friends, blames himself etc. The only thing he has left", "story), and his younger companion at this point in the novel questions if", "yelled,\" what the hell is that word. You ever watched the dark knight...", "the final bit of dialogue where the protagonist asks \"Have you lost your", "A brooding voice. God, what's the damn word?! Anyway, thanks if you take", "\"I dropped to my knees and grabbed his face,\" a little better. How", "absolutely lost your mind?”*** **I yelled.** > > > OK. So the final", "is that word. You ever watched the dark knight... where Batman goes to", "companion who he cares for like an extremely over-protective older brother. Our protagonist", "grief, *“Please don’t tell me I caused that earthquake?”* he whimpered. > >", "for some earthquakes (long story), and his younger companion at this point in", "Anyway, thanks if you take the time to read and/or answer my question,", "the novel questions if he himself was responsible for it. This is how", "*“Please don’t tell me I caused that earthquake?”* he whimpered. > > Hearing", "hairs.”* > > All of a sudden his eyebrows curled against each other,", "frustration as well. Hearing this from Raaisel (younger companion) just turns his world", "mind,\" is actually the part I'm struggling with here. He does't actually yell.", "that thing where he overthinks. > > *“Stop overthinking. I’ve told you if", "**I yelled.** > > > OK. So the final bit of dialogue where", "a pinch of context. It's a first person novel, and our protagonist is", "parents, dead friends, blames himself etc. The only thing he has left is", "our protagonist is very emotionally conflicted within. Dead parents, dead friends, blames himself", "> *“Stop overthinking. I’ve told you if you keep doing that you’ll get", "spread a pinch of context. It's a first person novel, and our protagonist", "It's a first person novel, and our protagonist is very emotionally conflicted within.", "you lost your mind,\" is actually the part I'm struggling with here. He", "you’ll get grey hairs.”* > > All of a sudden his eyebrows curled", "straight ahead. He was doing that thing where he overthinks. > > *“Stop", "word, as he stared motionlessly straight ahead. He was doing that thing where", "is very emotionally conflicted within. Dead parents, dead friends, blames himself etc. The", "because he would never allow his naive younger counterpart to step foot near", "has left is his younger companion who he cares for like an extremely", "first person novel, and our protagonist is very emotionally conflicted within. Dead parents,", "blames himself etc. The only thing he has left is his younger companion", "simulated the \"I dropped to my knees and grabbed his face,\" a little", "yelled.** > > > OK. So the final bit of dialogue where the", "of \"I yelled,\" what the hell is that word. You ever watched the", "overthinks. > > *“Stop overthinking. I’ve told you if you keep doing that", "I dropped to my knees, and grabbed his face, ***“Have you absolutely lost", "and our protagonist is very emotionally conflicted within. Dead parents, dead friends, blames", "a sudden his eyebrows curled against each other, and his eyes widened with", "doing that you’ll get grey hairs.”* > > All of a sudden his", "I caused that earthquake?”* he whimpered. > > Hearing this, I dropped to", "earthquakes (long story), and his younger companion at this point in the novel", "you if you keep doing that you’ll get grey hairs.”* > > All", "this from Raaisel (younger companion) just turns his world upside down, because he", "older brother. Our protagonist is responsible (involuntarily responsible) for some earthquakes (long story),", "word haha. Oh, and one last thing. I feel like I could have", "never came across it. Now let me just spread a pinch of context.", "but obviously with a bit less aggression. A brooding voice. God, what's the", "long time but never came across it. Now let me just spread a", "some earthquakes (long story), and his younger companion at this point in the", "a long time but never came across it. Now let me just spread", "more like a throaty growl, as if to convey some frustration as well.", "this, I dropped to my knees, and grabbed his face, ***“Have you absolutely", "cares for like an extremely over-protective older brother. Our protagonist is responsible (involuntarily", "what's the damn word?! Anyway, thanks if you take the time to read", "> OK. So the final bit of dialogue where the protagonist asks \"Have", "at this point in the novel questions if he himself was responsible for", "came across it. Now let me just spread a pinch of context. It's", "doing that thing where he overthinks. > > *“Stop overthinking. I’ve told you", "looking for a word to describe this tone of voice for a long", "voice is more like a throaty growl, as if to convey some frustration", "some frustration as well. Hearing this from Raaisel (younger companion) just turns his", "grabbed his face,\" a little better. How do I describe holding Raaisel's face", "bit less aggression. A brooding voice. God, what's the damn word?! Anyway, thanks", "I've been looking for a word to describe this tone of voice for", "like I could have simulated the \"I dropped to my knees and grabbed", "(long story), and his younger companion at this point in the novel questions", "convey some frustration as well. Hearing this from Raaisel (younger companion) just turns", "dropped to my knees and grabbed his face,\" a little better. How do", "where he overthinks. > > *“Stop overthinking. I’ve told you if you keep", "is responsible (involuntarily responsible) for some earthquakes (long story), and his younger companion", "his younger companion at this point in the novel questions if he himself", "he himself was responsible for it. This is how it goes... > >", "for like an extremely over-protective older brother. Our protagonist is responsible (involuntarily responsible)", "dark knight... where Batman goes to the joker \"Where is she?\" in that", "grabbed his face, ***“Have you absolutely lost your mind?”*** **I yelled.** > >", "in that interrogation scene. Well it's a voice like that, but obviously with", "you keep doing that you’ll get grey hairs.”* > > All of a", "watched the dark knight... where Batman goes to the joker \"Where is she?\"", "and one last thing. I feel like I could have simulated the \"I", "actually yell. His voice is more like a throaty growl, as if to", "himself etc. The only thing he has left is his younger companion who", "it. This is how it goes... > > He didn’t say a word,", "asks \"Have you lost your mind,\" is actually the part I'm struggling with", "thing he has left is his younger companion who he cares for like", "a word, as he stared motionlessly straight ahead. He was doing that thing", "whimpered. > > Hearing this, I dropped to my knees, and grabbed his", "just turns his world upside down, because he would never allow his naive", "companion at this point in the novel questions if he himself was responsible", "within. Dead parents, dead friends, blames himself etc. The only thing he has", "goes... > > He didn’t say a word, as he stared motionlessly straight", "aggression. A brooding voice. God, what's the damn word?! Anyway, thanks if you", "my knees and grabbed his face,\" a little better. How do I describe", "for my panicky tone. I get super worked up over minor word haha.", "of voice for a long time but never came across it. Now let", "haha. Oh, and one last thing. I feel like I could have simulated", "as if to convey some frustration as well. Hearing this from Raaisel (younger", "been looking for a word to describe this tone of voice for a" ]
[ "writing a novel in which the story is told from a first person", "person pov. I don't want it to be predictable so I feel that", "give it a sense of difference since they usually don't die and the", "I don't want it to be predictable so I feel that if I", "the story is told from a first person pov. I don't want it", "I feel that if I kill the protagonist it will give it a", "I kill the protagonist it will give it a sense of difference since", "it to be predictable so I feel that if I kill the protagonist", "novel in which the story is told from a first person pov. I", "is told from a first person pov. I don't want it to be", "pov. I don't want it to be predictable so I feel that if", "protagonist it will give it a sense of difference since they usually don't", "from a first person pov. I don't want it to be predictable so", "it will give it a sense of difference since they usually don't die", "it a sense of difference since they usually don't die and the readers", "usually don't die and the readers know it. How can I do so?", "of difference since they usually don't die and the readers know it. How", "a sense of difference since they usually don't die and the readers know", "don't want it to be predictable so I feel that if I kill", "to be predictable so I feel that if I kill the protagonist it", "kill the protagonist it will give it a sense of difference since they", "be predictable so I feel that if I kill the protagonist it will", "since they usually don't die and the readers know it. How can I", "they usually don't die and the readers know it. How can I do", "want it to be predictable so I feel that if I kill the", "if I kill the protagonist it will give it a sense of difference", "story is told from a first person pov. I don't want it to", "feel that if I kill the protagonist it will give it a sense", "predictable so I feel that if I kill the protagonist it will give", "a novel in which the story is told from a first person pov.", "will give it a sense of difference since they usually don't die and", "sense of difference since they usually don't die and the readers know it.", "a first person pov. I don't want it to be predictable so I", "told from a first person pov. I don't want it to be predictable", "so I feel that if I kill the protagonist it will give it", "which the story is told from a first person pov. I don't want", "that if I kill the protagonist it will give it a sense of", "I'm writing a novel in which the story is told from a first", "difference since they usually don't die and the readers know it. How can", "first person pov. I don't want it to be predictable so I feel", "in which the story is told from a first person pov. I don't", "the protagonist it will give it a sense of difference since they usually" ]
[ "write this for a while, nevertheless there some points that I would love", "I've been meaning to write this for a while, nevertheless there some points", "meaning to write this for a while, nevertheless there some points that I", "to write this for a while, nevertheless there some points that I would", "there some points that I would love to have clear before doing so.", "while, nevertheless there some points that I would love to have clear before", "this for a while, nevertheless there some points that I would love to", "nevertheless there some points that I would love to have clear before doing", "for a while, nevertheless there some points that I would love to have", "been meaning to write this for a while, nevertheless there some points that", "a while, nevertheless there some points that I would love to have clear" ]
[ "the hero is injured). There are also a few points where the narrator", "very short. The dialogue is actually pretty long -- it's about two pages", "this dialogue is occurring (think super-villain explaining their evil plan while the hero", "The dialogue is actually pretty long -- it's about two pages in length.", "information for the audience. What's a good way to multitask and convey that", "point in the story where two characters are having a dialogue, while the", "a dialogue, while the narrator is listening. The problem is that the narrator", "questions during the dialogue, although these questions are very short. The dialogue is", "multitask and convey that the narrator is in pain, while also including the", "are very short. The dialogue is actually pretty long -- it's about two", "-- it's about two pages in length. The dialogue needs to make it", "dialogue is actually pretty long -- it's about two pages in length. The", "problem is that the narrator is also in pain while this dialogue is", "the narrator is also in pain while this dialogue is occurring (think super-villain", "a story in first person. There's a point in the story where two", "these questions are very short. The dialogue is actually pretty long -- it's", "having a dialogue, while the narrator is listening. The problem is that the", "way to multitask and convey that the narrator is in pain, while also", "first person. There's a point in the story where two characters are having", "also a few points where the narrator asks questions during the dialogue, although", "contains important information for the audience. What's a good way to multitask and", "also in pain while this dialogue is occurring (think super-villain explaining their evil", "few points where the narrator asks questions during the dialogue, although these questions", "where two characters are having a dialogue, while the narrator is listening. The", "dialogue needs to make it into the story -- it contains important information", "and convey that the narrator is in pain, while also including the dialogue", "actually pretty long -- it's about two pages in length. The dialogue needs", "story in first person. There's a point in the story where two characters", "the narrator asks questions during the dialogue, although these questions are very short.", "good way to multitask and convey that the narrator is in pain, while", "story -- it contains important information for the audience. What's a good way", "dialogue, although these questions are very short. The dialogue is actually pretty long", "the dialogue, although these questions are very short. The dialogue is actually pretty", "are having a dialogue, while the narrator is listening. The problem is that", "is also in pain while this dialogue is occurring (think super-villain explaining their", "the narrator is in pain, while also including the dialogue in its entirety", "evil plan while the hero is injured). There are also a few points", "is actually pretty long -- it's about two pages in length. The dialogue", "length. The dialogue needs to make it into the story -- it contains", "(think super-villain explaining their evil plan while the hero is injured). There are", "the story where two characters are having a dialogue, while the narrator is", "it into the story -- it contains important information for the audience. What's", "that the narrator is also in pain while this dialogue is occurring (think", "in length. The dialogue needs to make it into the story -- it", "it's about two pages in length. The dialogue needs to make it into", "is in pain, while also including the dialogue in its entirety into the", "narrator asks questions during the dialogue, although these questions are very short. The", "pretty long -- it's about two pages in length. The dialogue needs to", "I'm writing a story in first person. There's a point in the story", "although these questions are very short. The dialogue is actually pretty long --", "narrator is also in pain while this dialogue is occurring (think super-villain explaining", "characters are having a dialogue, while the narrator is listening. The problem is", "is listening. The problem is that the narrator is also in pain while", "injured). There are also a few points where the narrator asks questions during", "during the dialogue, although these questions are very short. The dialogue is actually", "explaining their evil plan while the hero is injured). There are also a", "is injured). There are also a few points where the narrator asks questions", "where the narrator asks questions during the dialogue, although these questions are very", "needs to make it into the story -- it contains important information for", "make it into the story -- it contains important information for the audience.", "that the narrator is in pain, while also including the dialogue in its", "is that the narrator is also in pain while this dialogue is occurring", "a good way to multitask and convey that the narrator is in pain,", "questions are very short. The dialogue is actually pretty long -- it's about", "person. There's a point in the story where two characters are having a", "while the narrator is listening. The problem is that the narrator is also", "writing a story in first person. There's a point in the story where", "in the story where two characters are having a dialogue, while the narrator", "hero is injured). There are also a few points where the narrator asks", "in pain, while also including the dialogue in its entirety into the story?", "to make it into the story -- it contains important information for the", "What's a good way to multitask and convey that the narrator is in", "about two pages in length. The dialogue needs to make it into the", "story where two characters are having a dialogue, while the narrator is listening.", "convey that the narrator is in pain, while also including the dialogue in", "to multitask and convey that the narrator is in pain, while also including", "their evil plan while the hero is injured). There are also a few", "two characters are having a dialogue, while the narrator is listening. The problem", "listening. The problem is that the narrator is also in pain while this", "important information for the audience. What's a good way to multitask and convey", "while this dialogue is occurring (think super-villain explaining their evil plan while the", "The dialogue needs to make it into the story -- it contains important", "in pain while this dialogue is occurring (think super-villain explaining their evil plan", "the narrator is listening. The problem is that the narrator is also in", "the story -- it contains important information for the audience. What's a good", "the audience. What's a good way to multitask and convey that the narrator", "pain while this dialogue is occurring (think super-villain explaining their evil plan while", "dialogue is occurring (think super-villain explaining their evil plan while the hero is", "two pages in length. The dialogue needs to make it into the story", "points where the narrator asks questions during the dialogue, although these questions are", "plan while the hero is injured). There are also a few points where", "into the story -- it contains important information for the audience. What's a", "narrator is in pain, while also including the dialogue in its entirety into", "is occurring (think super-villain explaining their evil plan while the hero is injured).", "occurring (think super-villain explaining their evil plan while the hero is injured). There", "in first person. There's a point in the story where two characters are", "asks questions during the dialogue, although these questions are very short. The dialogue", "audience. What's a good way to multitask and convey that the narrator is", "pages in length. The dialogue needs to make it into the story --", "for the audience. What's a good way to multitask and convey that the", "-- it contains important information for the audience. What's a good way to", "long -- it's about two pages in length. The dialogue needs to make", "it contains important information for the audience. What's a good way to multitask", "a point in the story where two characters are having a dialogue, while", "There's a point in the story where two characters are having a dialogue,", "a few points where the narrator asks questions during the dialogue, although these", "There are also a few points where the narrator asks questions during the", "while the hero is injured). There are also a few points where the", "super-villain explaining their evil plan while the hero is injured). There are also", "dialogue, while the narrator is listening. The problem is that the narrator is", "are also a few points where the narrator asks questions during the dialogue,", "The problem is that the narrator is also in pain while this dialogue", "short. The dialogue is actually pretty long -- it's about two pages in", "narrator is listening. The problem is that the narrator is also in pain" ]
[ "\"*Kimberly Rose*,\" but the thing is, I'm 12. I'm not sure if there", "the thing is, I'm 12. I'm not sure if there is an age", "sure if there is an age cap when it comes to publishing books.", "if there is an age cap when it comes to publishing books. Please", "12. I'm not sure if there is an age cap when it comes", "is, I'm 12. I'm not sure if there is an age cap when", "I'm not sure if there is an age cap when it comes to", "age cap when it comes to publishing books. Please tell me if you", "I am writing a novel called \"*Kimberly Rose*,\" but the thing is, I'm", "cap when it comes to publishing books. Please tell me if you know.", "but the thing is, I'm 12. I'm not sure if there is an", "Rose*,\" but the thing is, I'm 12. I'm not sure if there is", "an age cap when it comes to publishing books. Please tell me if", "called \"*Kimberly Rose*,\" but the thing is, I'm 12. I'm not sure if", "there is an age cap when it comes to publishing books. Please tell", "I'm 12. I'm not sure if there is an age cap when it", "am writing a novel called \"*Kimberly Rose*,\" but the thing is, I'm 12.", "is an age cap when it comes to publishing books. Please tell me", "a novel called \"*Kimberly Rose*,\" but the thing is, I'm 12. I'm not", "not sure if there is an age cap when it comes to publishing", "thing is, I'm 12. I'm not sure if there is an age cap", "writing a novel called \"*Kimberly Rose*,\" but the thing is, I'm 12. I'm", "novel called \"*Kimberly Rose*,\" but the thing is, I'm 12. I'm not sure" ]
[ "about this using screen names? Or a public chat with multiple strangers and", "like \"U\" and \"R\" and how would you go about this using screen", "multiple strangers and adding in random people for the effect? I seem to", "this using screen names? Or a public chat with multiple strangers and adding", "a public chat with multiple strangers and adding in random people for the", "names? Or a public chat with multiple strangers and adding in random people", "are chatting like \"U\" and \"R\" and how would you go about this", "you go about this using screen names? Or a public chat with multiple", "go about this using screen names? Or a public chat with multiple strangers", "using screen names? Or a public chat with multiple strangers and adding in", "Or a public chat with multiple strangers and adding in random people for", "but often people use short hand when they are chatting like \"U\" and", "short hand when they are chatting like \"U\" and \"R\" and how would", "on here but often people use short hand when they are chatting like", "screen names? Or a public chat with multiple strangers and adding in random", "chat with multiple strangers and adding in random people for the effect? I", "here but often people use short hand when they are chatting like \"U\"", "seen similar questions on here but often people use short hand when they", "hand when they are chatting like \"U\" and \"R\" and how would you", "and how would you go about this using screen names? Or a public", "people use short hand when they are chatting like \"U\" and \"R\" and", "and adding in random people for the effect? I seem to be having", "\"U\" and \"R\" and how would you go about this using screen names?", "adding in random people for the effect? I seem to be having trouble", "random people for the effect? I seem to be having trouble doing this.", "with multiple strangers and adding in random people for the effect? I seem", "strangers and adding in random people for the effect? I seem to be", "and \"R\" and how would you go about this using screen names? Or", "\"R\" and how would you go about this using screen names? Or a", "in random people for the effect? I seem to be having trouble doing", "use short hand when they are chatting like \"U\" and \"R\" and how", "how would you go about this using screen names? Or a public chat", "public chat with multiple strangers and adding in random people for the effect?", "would you go about this using screen names? Or a public chat with", "when they are chatting like \"U\" and \"R\" and how would you go", "I've seen similar questions on here but often people use short hand when", "often people use short hand when they are chatting like \"U\" and \"R\"", "similar questions on here but often people use short hand when they are", "they are chatting like \"U\" and \"R\" and how would you go about", "chatting like \"U\" and \"R\" and how would you go about this using", "questions on here but often people use short hand when they are chatting" ]
[ "character very much, one of those other characters liked her the least. I", "to have the characters find out that this deceased character was actually his", "of the twist as simple as possible: There are 8 main characters trying", "the book too quickly and leaving the readers with questions unanswered, I had", "and it would definitely change his view of the character. Neither character involved", "start by saying that this question is not this question, [How to decide", "specific twist is good, rather, **is it needed?** In a more general sense,", "either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation.", "to put into the book. I'll keep the explanation of the twist as", "here is the situation. The novel that I'm working on is very close", "situation. The novel that I'm working on is very close to completion; the", "I had thought of a twist to put into the book. I'll keep", "be an interesting twist to the story and it would definitely change his", "twist to the story and it would definitely change his view of the", "when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel that I'm working", "they sound. And, the answer I'm looking for was not at this question", "intend to have the characters find out that this deceased character was actually", "general sense, **how do you differentiate between a good plot twist and a", "8 main characters trying to escape a very dangerous situation. So dangerous, that", "dangerous, that one of the characters perishes in the escape. Now the other", "characters liked her the least. I intend to have the characters find out", "those other characters liked her the least. I intend to have the characters", "very dangerous situation. So dangerous, that one of the characters perishes in the", "ending of the book, but I still think it would be an interesting", "perishes in the escape. Now the other characters didn't like this character very", "despite how similar they sound. And, the answer I'm looking for was not", "In a more general sense, **how do you differentiate between a good plot", "sister. Now, I don't think this will change much of the ending of", "characters find out that this deceased character was actually his little sister. Now,", "looking for was not at this question either, [How/When to include twists when", "an interesting twist to the story and it would definitely change his view", "I should start by saying that this question is not this question, [How", "is not this question, [How to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing)", "the situation. The novel that I'm working on is very close to completion;", "quickly and leaving the readers with questions unanswered, I had thought of a", "deceased character was actually his little sister. Now, I don't think this will", "was actually his little sister. Now, I don't think this will change much", "will change much of the ending of the book, but I still think", "characters didn't like this character very much, one of those other characters liked", "book, but I still think it would be an interesting twist to the", "to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel", "characters perishes in the escape. Now the other characters didn't like this character", "**how do you differentiate between a good plot twist and a unnecessary page", "but I still think it would be an interesting twist to the story", "to escape a very dangerous situation. So dangerous, that one of the characters", "explanation of the twist as simple as possible: There are 8 main characters", "a twist to put into the book. I'll keep the explanation of the", "ending the book too quickly and leaving the readers with questions unanswered, I", "is very close to completion; the climax and falling action are done, and", "much, one of those other characters liked her the least. I intend to", "to the story and it would definitely change his view of the character.", "question either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the", "the climax and falling action are done, and it's in its resolution. But,", "the twist as simple as possible: There are 8 main characters trying to", "of the ending of the book, but I still think it would be", "the twist is the protagonist of the story, though you do see things", "things from the potential brother's perspective twice. I'm not asking whether or not", "question is not this question, [How to decide if a plot twist worth", "doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the answer I'm looking for was", "the characters perishes in the escape. Now the other characters didn't like this", "good, rather, **is it needed?** In a more general sense, **how do you", "sense, **how do you differentiate between a good plot twist and a unnecessary", "more general sense, **how do you differentiate between a good plot twist and", "are done, and it's in its resolution. But, to avoid ending the book", "asking whether or not this specific twist is good, rather, **is it needed?**", "thought of a twist to put into the book. I'll keep the explanation", "actually his little sister. Now, I don't think this will change much of", "was not at this question either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot)", "novel that I'm working on is very close to completion; the climax and", "have the characters find out that this deceased character was actually his little", "Now, I don't think this will change much of the ending of the", "keep the explanation of the twist as simple as possible: There are 8", "twist as simple as possible: There are 8 main characters trying to escape", "at this question either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here", "that I'm working on is very close to completion; the climax and falling", "sound. And, the answer I'm looking for was not at this question either,", "characters trying to escape a very dangerous situation. So dangerous, that one of", "twist is the protagonist of the story, though you do see things from", "one of the characters perishes in the escape. Now the other characters didn't", "twice. I'm not asking whether or not this specific twist is good, rather,", "[How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The", "are 8 main characters trying to escape a very dangerous situation. So dangerous,", "in its resolution. But, to avoid ending the book too quickly and leaving", "would definitely change his view of the character. Neither character involved in the", "this specific twist is good, rather, **is it needed?** In a more general", "that this deceased character was actually his little sister. Now, I don't think", "escape a very dangerous situation. So dangerous, that one of the characters perishes", "protagonist of the story, though you do see things from the potential brother's", "had thought of a twist to put into the book. I'll keep the", "situation. So dangerous, that one of the characters perishes in the escape. Now", "simple as possible: There are 8 main characters trying to escape a very", "in the escape. Now the other characters didn't like this character very much,", "I'm working on is very close to completion; the climax and falling action", "unanswered, I had thought of a twist to put into the book. I'll", "do you differentiate between a good plot twist and a unnecessary page filler?**", "and it's in its resolution. But, to avoid ending the book too quickly", "from the potential brother's perspective twice. I'm not asking whether or not this", "little sister. Now, I don't think this will change much of the ending", "its resolution. But, to avoid ending the book too quickly and leaving the", "if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the", "plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel that I'm working on is", "decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And,", "put into the book. I'll keep the explanation of the twist as simple", "the character. Neither character involved in the twist is the protagonist of the", "saying that this question is not this question, [How to decide if a", "the answer I'm looking for was not at this question either, [How/When to", "not this specific twist is good, rather, **is it needed?** In a more", "story and it would definitely change his view of the character. Neither character", "should start by saying that this question is not this question, [How to", "you do see things from the potential brother's perspective twice. I'm not asking", "and falling action are done, and it's in its resolution. But, to avoid", "as possible: There are 8 main characters trying to escape a very dangerous", "is good, rather, **is it needed?** In a more general sense, **how do", "**is it needed?** In a more general sense, **how do you differentiate between", "see things from the potential brother's perspective twice. I'm not asking whether or", "is the situation. The novel that I'm working on is very close to", "the escape. Now the other characters didn't like this character very much, one", "didn't like this character very much, one of those other characters liked her", "the characters find out that this deceased character was actually his little sister.", "I still think it would be an interesting twist to the story and", "it would be an interesting twist to the story and it would definitely", "it needed?** In a more general sense, **how do you differentiate between a", "a more general sense, **how do you differentiate between a good plot twist", "answer I'm looking for was not at this question either, [How/When to include", "her the least. I intend to have the characters find out that this", "that this question is not this question, [How to decide if a plot", "developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel that I'm working on", "the least. I intend to have the characters find out that this deceased", "twist to put into the book. I'll keep the explanation of the twist", "Now the other characters didn't like this character very much, one of those", "how similar they sound. And, the answer I'm looking for was not at", "find out that this deceased character was actually his little sister. Now, I", "climax and falling action are done, and it's in its resolution. But, to", "The novel that I'm working on is very close to completion; the climax", "least. I intend to have the characters find out that this deceased character", "brother's perspective twice. I'm not asking whether or not this specific twist is", "Neither character involved in the twist is the protagonist of the story, though", "a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the answer", "this question, [How to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how", "trying to escape a very dangerous situation. So dangerous, that one of the", "character was actually his little sister. Now, I don't think this will change", "his little sister. Now, I don't think this will change much of the", "And, the answer I'm looking for was not at this question either, [How/When", "the explanation of the twist as simple as possible: There are 8 main", "main characters trying to escape a very dangerous situation. So dangerous, that one", "still think it would be an interesting twist to the story and it", "liked her the least. I intend to have the characters find out that", "view of the character. Neither character involved in the twist is the protagonist", "twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel that I'm", "like this character very much, one of those other characters liked her the", "involved in the twist is the protagonist of the story, though you do", "worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the answer I'm looking for", "resolution. But, to avoid ending the book too quickly and leaving the readers", "to avoid ending the book too quickly and leaving the readers with questions", "not asking whether or not this specific twist is good, rather, **is it", "do see things from the potential brother's perspective twice. I'm not asking whether", "dangerous situation. So dangerous, that one of the characters perishes in the escape.", "interesting twist to the story and it would definitely change his view of", "change much of the ending of the book, but I still think it", "of the book, but I still think it would be an interesting twist", "of the character. Neither character involved in the twist is the protagonist of", "is the protagonist of the story, though you do see things from the", "the book, but I still think it would be an interesting twist to", "this character very much, one of those other characters liked her the least.", "much of the ending of the book, but I still think it would", "I don't think this will change much of the ending of the book,", "the ending of the book, but I still think it would be an", "very much, one of those other characters liked her the least. I intend", "think it would be an interesting twist to the story and it would", "I intend to have the characters find out that this deceased character was", "twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the answer I'm looking", "a very dangerous situation. So dangerous, that one of the characters perishes in", "twist is good, rather, **is it needed?** In a more general sense, **how", "potential brother's perspective twice. I'm not asking whether or not this specific twist", "done, and it's in its resolution. But, to avoid ending the book too", "change his view of the character. Neither character involved in the twist is", "rather, **is it needed?** In a more general sense, **how do you differentiate", "other characters liked her the least. I intend to have the characters find", "this question is not this question, [How to decide if a plot twist", "But, to avoid ending the book too quickly and leaving the readers with", "into the book. I'll keep the explanation of the twist as simple as", "character involved in the twist is the protagonist of the story, though you", "out that this deceased character was actually his little sister. Now, I don't", "in the twist is the protagonist of the story, though you do see", "the protagonist of the story, though you do see things from the potential", "of those other characters liked her the least. I intend to have the", "definitely change his view of the character. Neither character involved in the twist", "I'm looking for was not at this question either, [How/When to include twists", "falling action are done, and it's in its resolution. But, to avoid ending", "with questions unanswered, I had thought of a twist to put into the", "don't think this will change much of the ending of the book, but", "perspective twice. I'm not asking whether or not this specific twist is good,", "story, though you do see things from the potential brother's perspective twice. I'm", "this question either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is", "book. I'll keep the explanation of the twist as simple as possible: There", "his view of the character. Neither character involved in the twist is the", "So dangerous, that one of the characters perishes in the escape. Now the", "needed?** In a more general sense, **how do you differentiate between a good", "other characters didn't like this character very much, one of those other characters", "book too quickly and leaving the readers with questions unanswered, I had thought", "think this will change much of the ending of the book, but I", "of the characters perishes in the escape. Now the other characters didn't like", "the story, though you do see things from the potential brother's perspective twice.", "to completion; the climax and falling action are done, and it's in its", "question, [How to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar", "or not this specific twist is good, rather, **is it needed?** In a", "possible: There are 8 main characters trying to escape a very dangerous situation.", "of the story, though you do see things from the potential brother's perspective", "too quickly and leaving the readers with questions unanswered, I had thought of", "completion; the climax and falling action are done, and it's in its resolution.", "So, here is the situation. The novel that I'm working on is very", "it's in its resolution. But, to avoid ending the book too quickly and", "readers with questions unanswered, I had thought of a twist to put into", "it would definitely change his view of the character. Neither character involved in", "similar they sound. And, the answer I'm looking for was not at this", "as simple as possible: There are 8 main characters trying to escape a", "one of those other characters liked her the least. I intend to have", "would be an interesting twist to the story and it would definitely change", "the potential brother's perspective twice. I'm not asking whether or not this specific", "whether or not this specific twist is good, rather, **is it needed?** In", "plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound. And, the answer I'm", "very close to completion; the climax and falling action are done, and it's", "escape. Now the other characters didn't like this character very much, one of", "leaving the readers with questions unanswered, I had thought of a twist to", "close to completion; the climax and falling action are done, and it's in", "not at this question either, [How/When to include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So,", "action are done, and it's in its resolution. But, to avoid ending the", "to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they sound.", "this deceased character was actually his little sister. Now, I don't think this", "this will change much of the ending of the book, but I still", "the book. I'll keep the explanation of the twist as simple as possible:", "not this question, [How to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite", "There are 8 main characters trying to escape a very dangerous situation. So", "I'll keep the explanation of the twist as simple as possible: There are", "questions unanswered, I had thought of a twist to put into the book.", "the readers with questions unanswered, I had thought of a twist to put", "of a twist to put into the book. I'll keep the explanation of", "the other characters didn't like this character very much, one of those other", "the story and it would definitely change his view of the character. Neither", "include twists when developing plot.](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot) So, here is the situation. The novel that", "I'm not asking whether or not this specific twist is good, rather, **is", "character. Neither character involved in the twist is the protagonist of the story,", "on is very close to completion; the climax and falling action are done,", "avoid ending the book too quickly and leaving the readers with questions unanswered,", "for was not at this question either, [How/When to include twists when developing", "[How to decide if a plot twist worth doing](https://writers.stackexchange.com/questions/21329/how-to-decide-if-a-plot-twist-worth-doing) despite how similar they", "by saying that this question is not this question, [How to decide if", "and leaving the readers with questions unanswered, I had thought of a twist", "working on is very close to completion; the climax and falling action are", "that one of the characters perishes in the escape. Now the other characters", "though you do see things from the potential brother's perspective twice. I'm not" ]
[ "writing a story and it is really hard to avoid putting my own", "into my stories. Especially for the mean and dark types. My character is", "like me and before I know it, stray off the storyline I wanted", "a story and it is really hard to avoid putting my own speech", "for the mean and dark types. My character is a deceiving, mischievous leader.", "plays poker a lot and cheats at games (or bends the rules). I", "rules). I always end up making the characters sound like me and before", "speech patterns into my stories. Especially for the mean and dark types. My", "poker a lot and cheats at games (or bends the rules). I always", "cheats at games (or bends the rules). I always end up making the", "dark types. My character is a deceiving, mischievous leader. He plays poker a", "Especially for the mean and dark types. My character is a deceiving, mischievous", "My character is a deceiving, mischievous leader. He plays poker a lot and", "a lot and cheats at games (or bends the rules). I always end", "and dark types. My character is a deceiving, mischievous leader. He plays poker", "up making the characters sound like me and before I know it, stray", "and cheats at games (or bends the rules). I always end up making", "really hard to avoid putting my own speech patterns into my stories. Especially", "story and it is really hard to avoid putting my own speech patterns", "mean and dark types. My character is a deceiving, mischievous leader. He plays", "lot and cheats at games (or bends the rules). I always end up", "and it is really hard to avoid putting my own speech patterns into", "before I know it, stray off the storyline I wanted it to be.", "(or bends the rules). I always end up making the characters sound like", "mischievous leader. He plays poker a lot and cheats at games (or bends", "own speech patterns into my stories. Especially for the mean and dark types.", "to avoid putting my own speech patterns into my stories. Especially for the", "bends the rules). I always end up making the characters sound like me", "making the characters sound like me and before I know it, stray off", "avoid putting my own speech patterns into my stories. Especially for the mean", "it is really hard to avoid putting my own speech patterns into my", "the rules). I always end up making the characters sound like me and", "my stories. Especially for the mean and dark types. My character is a", "stories. Especially for the mean and dark types. My character is a deceiving,", "character is a deceiving, mischievous leader. He plays poker a lot and cheats", "deceiving, mischievous leader. He plays poker a lot and cheats at games (or", "is really hard to avoid putting my own speech patterns into my stories.", "the mean and dark types. My character is a deceiving, mischievous leader. He", "I'm writing a story and it is really hard to avoid putting my", "a deceiving, mischievous leader. He plays poker a lot and cheats at games", "leader. He plays poker a lot and cheats at games (or bends the", "the characters sound like me and before I know it, stray off the", "characters sound like me and before I know it, stray off the storyline", "and before I know it, stray off the storyline I wanted it to", "is a deceiving, mischievous leader. He plays poker a lot and cheats at", "at games (or bends the rules). I always end up making the characters", "games (or bends the rules). I always end up making the characters sound", "end up making the characters sound like me and before I know it,", "He plays poker a lot and cheats at games (or bends the rules).", "my own speech patterns into my stories. Especially for the mean and dark", "types. My character is a deceiving, mischievous leader. He plays poker a lot", "hard to avoid putting my own speech patterns into my stories. Especially for", "putting my own speech patterns into my stories. Especially for the mean and", "always end up making the characters sound like me and before I know", "sound like me and before I know it, stray off the storyline I", "me and before I know it, stray off the storyline I wanted it", "patterns into my stories. Especially for the mean and dark types. My character", "I always end up making the characters sound like me and before I" ]
[ "so that has to count for something, right? I just feel really let", "size--which means being good at something so that I actually have material to", "novel one day, but I have no clue where to start or if", "if I'm even qualified to write one. Can anyone give me some tips?", "I just feel like there's something missing. I'd like to write a novel", "able to write on a native level because I wasn't born in the", "because I wasn't born in the UK or America. I did, however, go", "of blogs and such daily, and I constantly try to improve my writing", "a novel one day, but I have no clue where to start or", "or America. I did, however, go to elementary school in the US at", "think it would be quite cool to make a living writing. However, I'm", "go to elementary school in the US at the ages of 5-10 or", "the ages of 5-10 or so, so that has to count for something,", "I'm even qualified to write one. Can anyone give me some tips? I'm", "decided on a major yet, but I've been considering Professional Writing/Technical Communication because", "at the ages of 5-10 or so, so that has to count for", "said that I'll never be able to write on a native level because", "because I think it would be quite cool to make a living writing.", "haven't decided on a major yet, but I've been considering Professional Writing/Technical Communication", "so, so that has to count for something, right? I just feel really", "I think it would be quite cool to make a living writing. However,", "give me some tips? I'm currently a nineteen-year-old freshman in college pursuing a", "degree choice. A lot of people say that it's not very marketable. I", "I wasn't born in the UK or America. I did, however, go to", "not very marketable. I do read a lot of blogs and such daily,", "and I constantly try to improve my writing by writing as concisely as", "anyone give me some tips? I'm currently a nineteen-year-old freshman in college pursuing", "would be quite cool to make a living writing. However, I'm not sure", "born in the UK or America. I did, however, go to elementary school", "A lot of people say that it's not very marketable. I do read", "So a little while ago someone said that I'll never be able to", "elementary school in the US at the ages of 5-10 or so, so", "Professional Writing/Technical Communication because I think it would be quite cool to make", "I have no clue where to start or if I'm even qualified to", "right? I just feel really let down for some reason. I can definitely", "to make a living writing. However, I'm not sure if that would be", "a lot of blogs and such daily, and I constantly try to improve", "lot of blogs and such daily, and I constantly try to improve my", "write on a native level because I wasn't born in the UK or", "as concisely as possible. I feel like the biggest thing that I need", "while ago someone said that I'll never be able to write on a", "be quite cool to make a living writing. However, I'm not sure if", "US at the ages of 5-10 or so, so that has to count", "writing. However, I'm not sure if that would be a poor degree choice.", "in college pursuing a bachelor's. I haven't decided on a major yet, but", "to write one. Can anyone give me some tips? I'm currently a nineteen-year-old", "did, however, go to elementary school in the US at the ages of", "increasing my vocabulary size--which means being good at something so that I actually", "Writing/Technical Communication because I think it would be quite cool to make a", "ago someone said that I'll never be able to write on a native", "to write on a native level because I wasn't born in the UK", "bachelor's. I haven't decided on a major yet, but I've been considering Professional", "people say that it's not very marketable. I do read a lot of", "I do read a lot of blogs and such daily, and I constantly", "just feel like there's something missing. I'd like to write a novel one", "where to start or if I'm even qualified to write one. Can anyone", "I did, however, go to elementary school in the US at the ages", "in the UK or America. I did, however, go to elementary school in", "to write a novel one day, but I have no clue where to", "not sure if that would be a poor degree choice. A lot of", "it would be quite cool to make a living writing. However, I'm not", "the UK or America. I did, however, go to elementary school in the", "good at something so that I actually have material to write about. Thanks!", "when a sentence is or isn't grammatically correct, but I just feel like", "be able to write on a native level because I wasn't born in", "that I'll never be able to write on a native level because I", "or isn't grammatically correct, but I just feel like there's something missing. I'd", "quite cool to make a living writing. However, I'm not sure if that", "count for something, right? I just feel really let down for some reason.", "but I have no clue where to start or if I'm even qualified", "or if I'm even qualified to write one. Can anyone give me some", "choice. A lot of people say that it's not very marketable. I do", "to improve my writing by writing as concisely as possible. I feel like", "someone said that I'll never be able to write on a native level", "however, go to elementary school in the US at the ages of 5-10", "sure if that would be a poor degree choice. A lot of people", "means being good at something so that I actually have material to write", "isn't grammatically correct, but I just feel like there's something missing. I'd like", "very marketable. I do read a lot of blogs and such daily, and", "something, right? I just feel really let down for some reason. I can", "sentence is or isn't grammatically correct, but I just feel like there's something", "vocabulary size--which means being good at something so that I actually have material", "as possible. I feel like the biggest thing that I need to work", "of 5-10 or so, so that has to count for something, right? I", "is or isn't grammatically correct, but I just feel like there's something missing.", "like to write a novel one day, but I have no clue where", "my vocabulary size--which means being good at something so that I actually have", "wasn't born in the UK or America. I did, however, go to elementary", "it's not very marketable. I do read a lot of blogs and such", "on right now is increasing my vocabulary size--which means being good at something", "one. Can anyone give me some tips? I'm currently a nineteen-year-old freshman in", "definitely tell when a sentence is or isn't grammatically correct, but I just", "be a poor degree choice. A lot of people say that it's not", "the US at the ages of 5-10 or so, so that has to", "a bachelor's. I haven't decided on a major yet, but I've been considering", "to start or if I'm even qualified to write one. Can anyone give", "would be a poor degree choice. A lot of people say that it's", "for some reason. I can definitely tell when a sentence is or isn't", "a nineteen-year-old freshman in college pursuing a bachelor's. I haven't decided on a", "ages of 5-10 or so, so that has to count for something, right?", "improve my writing by writing as concisely as possible. I feel like the", "Can anyone give me some tips? I'm currently a nineteen-year-old freshman in college", "such daily, and I constantly try to improve my writing by writing as", "I can definitely tell when a sentence is or isn't grammatically correct, but", "grammatically correct, but I just feel like there's something missing. I'd like to", "feel like the biggest thing that I need to work on right now", "no clue where to start or if I'm even qualified to write one.", "and such daily, and I constantly try to improve my writing by writing", "do read a lot of blogs and such daily, and I constantly try", "considering Professional Writing/Technical Communication because I think it would be quite cool to", "tell when a sentence is or isn't grammatically correct, but I just feel", "some reason. I can definitely tell when a sentence is or isn't grammatically", "by writing as concisely as possible. I feel like the biggest thing that", "on a major yet, but I've been considering Professional Writing/Technical Communication because I", "major yet, but I've been considering Professional Writing/Technical Communication because I think it", "to work on right now is increasing my vocabulary size--which means being good", "reason. I can definitely tell when a sentence is or isn't grammatically correct,", "been considering Professional Writing/Technical Communication because I think it would be quite cool", "pursuing a bachelor's. I haven't decided on a major yet, but I've been", "currently a nineteen-year-old freshman in college pursuing a bachelor's. I haven't decided on", "of people say that it's not very marketable. I do read a lot", "a native level because I wasn't born in the UK or America. I", "writing as concisely as possible. I feel like the biggest thing that I", "possible. I feel like the biggest thing that I need to work on", "blogs and such daily, and I constantly try to improve my writing by", "marketable. I do read a lot of blogs and such daily, and I", "I just feel really let down for some reason. I can definitely tell", "like there's something missing. I'd like to write a novel one day, but", "constantly try to improve my writing by writing as concisely as possible. I", "I haven't decided on a major yet, but I've been considering Professional Writing/Technical", "a little while ago someone said that I'll never be able to write", "just feel really let down for some reason. I can definitely tell when", "school in the US at the ages of 5-10 or so, so that", "a living writing. However, I'm not sure if that would be a poor", "I need to work on right now is increasing my vocabulary size--which means", "even qualified to write one. Can anyone give me some tips? I'm currently", "writing by writing as concisely as possible. I feel like the biggest thing", "down for some reason. I can definitely tell when a sentence is or", "clue where to start or if I'm even qualified to write one. Can", "I'm currently a nineteen-year-old freshman in college pursuing a bachelor's. I haven't decided", "I feel like the biggest thing that I need to work on right", "something missing. I'd like to write a novel one day, but I have", "However, I'm not sure if that would be a poor degree choice. A", "biggest thing that I need to work on right now is increasing my", "work on right now is increasing my vocabulary size--which means being good at", "correct, but I just feel like there's something missing. I'd like to write", "I'd like to write a novel one day, but I have no clue", "feel like there's something missing. I'd like to write a novel one day,", "tips? I'm currently a nineteen-year-old freshman in college pursuing a bachelor's. I haven't", "but I've been considering Professional Writing/Technical Communication because I think it would be", "my writing by writing as concisely as possible. I feel like the biggest", "that it's not very marketable. I do read a lot of blogs and", "that I need to work on right now is increasing my vocabulary size--which", "little while ago someone said that I'll never be able to write on", "native level because I wasn't born in the UK or America. I did,", "I'll never be able to write on a native level because I wasn't", "never be able to write on a native level because I wasn't born", "to elementary school in the US at the ages of 5-10 or so,", "write one. Can anyone give me some tips? I'm currently a nineteen-year-old freshman", "living writing. However, I'm not sure if that would be a poor degree", "for something, right? I just feel really let down for some reason. I", "poor degree choice. A lot of people say that it's not very marketable.", "being good at something so that I actually have material to write about.", "freshman in college pursuing a bachelor's. I haven't decided on a major yet,", "daily, and I constantly try to improve my writing by writing as concisely", "yet, but I've been considering Professional Writing/Technical Communication because I think it would", "write a novel one day, but I have no clue where to start", "is increasing my vocabulary size--which means being good at something so that I", "let down for some reason. I can definitely tell when a sentence is", "America. I did, however, go to elementary school in the US at the", "in the US at the ages of 5-10 or so, so that has", "that has to count for something, right? I just feel really let down", "level because I wasn't born in the UK or America. I did, however,", "some tips? I'm currently a nineteen-year-old freshman in college pursuing a bachelor's. I", "I'm not sure if that would be a poor degree choice. A lot", "now is increasing my vocabulary size--which means being good at something so that", "really let down for some reason. I can definitely tell when a sentence", "qualified to write one. Can anyone give me some tips? I'm currently a", "day, but I have no clue where to start or if I'm even", "have no clue where to start or if I'm even qualified to write", "to count for something, right? I just feel really let down for some", "start or if I'm even qualified to write one. Can anyone give me", "or so, so that has to count for something, right? I just feel", "a poor degree choice. A lot of people say that it's not very", "read a lot of blogs and such daily, and I constantly try to", "the biggest thing that I need to work on right now is increasing", "missing. I'd like to write a novel one day, but I have no", "a sentence is or isn't grammatically correct, but I just feel like there's", "cool to make a living writing. However, I'm not sure if that would", "thing that I need to work on right now is increasing my vocabulary", "make a living writing. However, I'm not sure if that would be a", "but I just feel like there's something missing. I'd like to write a", "I've been considering Professional Writing/Technical Communication because I think it would be quite", "Communication because I think it would be quite cool to make a living", "college pursuing a bachelor's. I haven't decided on a major yet, but I've", "that would be a poor degree choice. A lot of people say that", "right now is increasing my vocabulary size--which means being good at something so", "one day, but I have no clue where to start or if I'm", "UK or America. I did, however, go to elementary school in the US", "try to improve my writing by writing as concisely as possible. I feel", "on a native level because I wasn't born in the UK or America.", "nineteen-year-old freshman in college pursuing a bachelor's. I haven't decided on a major", "I constantly try to improve my writing by writing as concisely as possible.", "has to count for something, right? I just feel really let down for", "like the biggest thing that I need to work on right now is", "concisely as possible. I feel like the biggest thing that I need to", "feel really let down for some reason. I can definitely tell when a", "there's something missing. I'd like to write a novel one day, but I", "if that would be a poor degree choice. A lot of people say", "say that it's not very marketable. I do read a lot of blogs", "a major yet, but I've been considering Professional Writing/Technical Communication because I think", "lot of people say that it's not very marketable. I do read a", "need to work on right now is increasing my vocabulary size--which means being", "me some tips? I'm currently a nineteen-year-old freshman in college pursuing a bachelor's.", "5-10 or so, so that has to count for something, right? I just", "can definitely tell when a sentence is or isn't grammatically correct, but I" ]
[ "but this story will easily take an entire page or two. Is it", "noobie here. I'm at a point in my story where one of the", "but I can't recall if I've seen how this can presented to the", "them. I've written what I want them to say but I can't recall", "I want them to say but I can't recall if I've seen how", "I can't recall if I've seen how this can presented to the reader.", "comes to mind is back and forth dialogue but this story will easily", "and forth dialogue but this story will easily take an entire page or", "reader. All that comes to mind is back and forth dialogue but this", "page or two. Is it awkward to have an entire page devoted to", "point in my story where one of the characters recalls a memory from", "it had on them. I've written what I want them to say but", "written what I want them to say but I can't recall if I've", "recalls a memory from their past and talks about the impact it had", "Writing noobie here. I'm at a point in my story where one of", "story will easily take an entire page or two. Is it awkward to", "how this can presented to the reader. All that comes to mind is", "mind is back and forth dialogue but this story will easily take an", "I'm at a point in my story where one of the characters recalls", "forth dialogue but this story will easily take an entire page or two.", "is back and forth dialogue but this story will easily take an entire", "presented to the reader. All that comes to mind is back and forth", "from their past and talks about the impact it had on them. I've", "about the impact it had on them. I've written what I want them", "to the reader. All that comes to mind is back and forth dialogue", "this can presented to the reader. All that comes to mind is back", "memory from their past and talks about the impact it had on them.", "talks about the impact it had on them. I've written what I want", "what I want them to say but I can't recall if I've seen", "characters recalls a memory from their past and talks about the impact it", "to say but I can't recall if I've seen how this can presented", "Is it awkward to have an entire page devoted to one character talking?", "a point in my story where one of the characters recalls a memory", "I've written what I want them to say but I can't recall if", "say but I can't recall if I've seen how this can presented to", "here. I'm at a point in my story where one of the characters", "can presented to the reader. All that comes to mind is back and", "I've seen how this can presented to the reader. All that comes to", "or two. Is it awkward to have an entire page devoted to one", "of the characters recalls a memory from their past and talks about the", "that comes to mind is back and forth dialogue but this story will", "take an entire page or two. Is it awkward to have an entire", "and talks about the impact it had on them. I've written what I", "their past and talks about the impact it had on them. I've written", "will easily take an entire page or two. Is it awkward to have", "recall if I've seen how this can presented to the reader. All that", "had on them. I've written what I want them to say but I", "easily take an entire page or two. Is it awkward to have an", "past and talks about the impact it had on them. I've written what", "an entire page or two. Is it awkward to have an entire page", "to mind is back and forth dialogue but this story will easily take", "impact it had on them. I've written what I want them to say", "want them to say but I can't recall if I've seen how this", "on them. I've written what I want them to say but I can't", "in my story where one of the characters recalls a memory from their", "story where one of the characters recalls a memory from their past and", "the characters recalls a memory from their past and talks about the impact", "a memory from their past and talks about the impact it had on", "the reader. All that comes to mind is back and forth dialogue but", "back and forth dialogue but this story will easily take an entire page", "the impact it had on them. I've written what I want them to", "this story will easily take an entire page or two. Is it awkward", "one of the characters recalls a memory from their past and talks about", "two. Is it awkward to have an entire page devoted to one character", "at a point in my story where one of the characters recalls a", "can't recall if I've seen how this can presented to the reader. All", "seen how this can presented to the reader. All that comes to mind", "if I've seen how this can presented to the reader. All that comes", "All that comes to mind is back and forth dialogue but this story", "where one of the characters recalls a memory from their past and talks", "entire page or two. Is it awkward to have an entire page devoted", "my story where one of the characters recalls a memory from their past", "dialogue but this story will easily take an entire page or two. Is", "them to say but I can't recall if I've seen how this can" ]
[ "a method that can be used by other writers and in other situations,", "asking this without examples from my own writing and in a general manner,", "that makes my characters who they are at the beginning, that are an", "right. So how could I deduce a character's lack, fault, flaw, or weakness", "weakness from the plot (or character arc)? --- I'm asking this without examples", "the changes the characters undergo, that is, the character arcs have been devised.", "arc)? --- I'm asking this without examples from my own writing and in", "lack or fault that makes my characters who they are at the beginning,", "is the lack or fault that makes my characters who they are at", "perfectly right. So how could I deduce a character's lack, fault, flaw, or", "be several options, none of which feel perfectly right. So how could I", "I'm working on a plot-driven novel. The plot stands, and the changes the", "I deduce a character's lack, fault, flaw, or weakness from the plot (or", "in a general manner, because I hope to find a method that can", "to find a method that can be used by other writers and in", "characters undergo, that is, the character arcs have been devised. What I need", "seem to be several options, none of which feel perfectly right. So how", "beginning, that are an obstacle to their goal, and that they finally overcome.", "own writing and in a general manner, because I hope to find a", "who they are at the beginning, that are an obstacle to their goal,", "been devised. What I need now is the lack or fault that makes", "in other situations, too. But do use examples if you feel that helps", "makes my characters who they are at the beginning, that are an obstacle", "plot (or character arc)? --- I'm asking this without examples from my own", "that can be used by other writers and in other situations, too. But", "undergo, that is, the character arcs have been devised. What I need now", "plot stands, and the changes the characters undergo, that is, the character arcs", "from my own writing and in a general manner, because I hope to", "hope to find a method that can be used by other writers and", "to be several options, none of which feel perfectly right. So how could", "they are at the beginning, that are an obstacle to their goal, and", "feel perfectly right. So how could I deduce a character's lack, fault, flaw,", "can be used by other writers and in other situations, too. But do", "find a method that can be used by other writers and in other", "manner, because I hope to find a method that can be used by", "options, none of which feel perfectly right. So how could I deduce a", "other situations, too. But do use examples if you feel that helps your", "without examples from my own writing and in a general manner, because I", "The plot stands, and the changes the characters undergo, that is, the character", "need now is the lack or fault that makes my characters who they", "have been devised. What I need now is the lack or fault that", "I hope to find a method that can be used by other writers", "they finally overcome. There seem to be several options, none of which feel", "how could I deduce a character's lack, fault, flaw, or weakness from the", "I'm asking this without examples from my own writing and in a general", "be used by other writers and in other situations, too. But do use", "novel. The plot stands, and the changes the characters undergo, that is, the", "There seem to be several options, none of which feel perfectly right. So", "other writers and in other situations, too. But do use examples if you", "lack, fault, flaw, or weakness from the plot (or character arc)? --- I'm", "method that can be used by other writers and in other situations, too.", "are an obstacle to their goal, and that they finally overcome. There seem", "characters who they are at the beginning, that are an obstacle to their", "that they finally overcome. There seem to be several options, none of which", "their goal, and that they finally overcome. There seem to be several options,", "examples from my own writing and in a general manner, because I hope", "a general manner, because I hope to find a method that can be", "is, the character arcs have been devised. What I need now is the", "general manner, because I hope to find a method that can be used", "or fault that makes my characters who they are at the beginning, that", "on a plot-driven novel. The plot stands, and the changes the characters undergo,", "that are an obstacle to their goal, and that they finally overcome. There", "none of which feel perfectly right. So how could I deduce a character's", "changes the characters undergo, that is, the character arcs have been devised. What", "and that they finally overcome. There seem to be several options, none of", "now is the lack or fault that makes my characters who they are", "from the plot (or character arc)? --- I'm asking this without examples from", "because I hope to find a method that can be used by other", "the characters undergo, that is, the character arcs have been devised. What I", "arcs have been devised. What I need now is the lack or fault", "What I need now is the lack or fault that makes my characters", "character's lack, fault, flaw, or weakness from the plot (or character arc)? ---", "of which feel perfectly right. So how could I deduce a character's lack,", "are at the beginning, that are an obstacle to their goal, and that", "goal, and that they finally overcome. There seem to be several options, none", "character arc)? --- I'm asking this without examples from my own writing and", "and the changes the characters undergo, that is, the character arcs have been", "(or character arc)? --- I'm asking this without examples from my own writing", "could I deduce a character's lack, fault, flaw, or weakness from the plot", "--- I'm asking this without examples from my own writing and in a", "and in a general manner, because I hope to find a method that", "this without examples from my own writing and in a general manner, because", "writers and in other situations, too. But do use examples if you feel", "my own writing and in a general manner, because I hope to find", "devised. What I need now is the lack or fault that makes my", "I need now is the lack or fault that makes my characters who", "an obstacle to their goal, and that they finally overcome. There seem to", "plot-driven novel. The plot stands, and the changes the characters undergo, that is,", "stands, and the changes the characters undergo, that is, the character arcs have", "overcome. There seem to be several options, none of which feel perfectly right.", "or weakness from the plot (or character arc)? --- I'm asking this without", "a plot-driven novel. The plot stands, and the changes the characters undergo, that", "So how could I deduce a character's lack, fault, flaw, or weakness from", "finally overcome. There seem to be several options, none of which feel perfectly", "fault, flaw, or weakness from the plot (or character arc)? --- I'm asking", "several options, none of which feel perfectly right. So how could I deduce", "and in other situations, too. But do use examples if you feel that", "obstacle to their goal, and that they finally overcome. There seem to be", "working on a plot-driven novel. The plot stands, and the changes the characters", "the lack or fault that makes my characters who they are at the", "a character's lack, fault, flaw, or weakness from the plot (or character arc)?", "that is, the character arcs have been devised. What I need now is", "writing and in a general manner, because I hope to find a method", "which feel perfectly right. So how could I deduce a character's lack, fault,", "deduce a character's lack, fault, flaw, or weakness from the plot (or character", "to their goal, and that they finally overcome. There seem to be several", "fault that makes my characters who they are at the beginning, that are", "by other writers and in other situations, too. But do use examples if", "flaw, or weakness from the plot (or character arc)? --- I'm asking this", "the plot (or character arc)? --- I'm asking this without examples from my", "situations, too. But do use examples if you feel that helps your explanation.", "character arcs have been devised. What I need now is the lack or", "the character arcs have been devised. What I need now is the lack", "at the beginning, that are an obstacle to their goal, and that they", "used by other writers and in other situations, too. But do use examples", "my characters who they are at the beginning, that are an obstacle to", "the beginning, that are an obstacle to their goal, and that they finally" ]
[ "> > > What I am trying to ask here is if coding", "the most important thing in someone's life. What is the best way to", "way of life?\" > > > What I am trying to ask here", "to ask here is if coding is the most important thing in someone's", "this statement is sound: > > \"Is code your way of life?\" >", "statement is sound: > > \"Is code your way of life?\" > >", "> What I am trying to ask here is if coding is the", "I wonder if this statement is sound: > > \"Is code your way", "life?\" > > > What I am trying to ask here is if", "trying to ask here is if coding is the most important thing in", "ask here is if coding is the most important thing in someone's life.", "here is if coding is the most important thing in someone's life. What", "What I am trying to ask here is if coding is the most", "am trying to ask here is if coding is the most important thing", "wonder if this statement is sound: > > \"Is code your way of", "is if coding is the most important thing in someone's life. What is", "I am trying to ask here is if coding is the most important", "is the most important thing in someone's life. What is the best way", "most important thing in someone's life. What is the best way to write", "your way of life?\" > > > What I am trying to ask", "coding is the most important thing in someone's life. What is the best", "is sound: > > \"Is code your way of life?\" > > >", "important thing in someone's life. What is the best way to write that?", "> \"Is code your way of life?\" > > > What I am", "if coding is the most important thing in someone's life. What is the", "if this statement is sound: > > \"Is code your way of life?\"", "> > \"Is code your way of life?\" > > > What I", "\"Is code your way of life?\" > > > What I am trying", "of life?\" > > > What I am trying to ask here is", "> > What I am trying to ask here is if coding is", "code your way of life?\" > > > What I am trying to", "sound: > > \"Is code your way of life?\" > > > What" ]
[ "and have very different readers as far as tastes are concerned. Therefore, I", "by the sci-fi elements, and sci-fi readers would be turned off by the", "and sci-fi readers would be turned off by the fantasy elements, thus turning", "to one or the other). Consider some examples: * A fantasy novel, concerning", "The idea is that the novel is both science fiction *and* fantasy, no", "idea?** My assumption is that it would be, as fantasy readers would be", "contrast between the two sides of the genre. Creating a novel like this", "elements, and sci-fi readers would be turned off by the fantasy elements, thus", "I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that the novel", "the sci-fi elements, and sci-fi readers would be turned off by the fantasy", "strange fantasy world, which turns out to be a massive space ship hurtling", "both, but I digress). My point is, those two genres are different, and", "the readers of the other genre will not know who he is (to", "is to simply be a bestseller in both, but I digress). My point", "be turned off by the fantasy elements, thus turning out a novel that", "is, those two genres are different, and have very different readers as far", "**Is this a bad idea?** My assumption is that it would be, as", "even says that an author should stick to only one genre, as the", "* A strange fantasy world, which turns out to be a massive space", "the other genre will not know who he is (to which my answer", "assumption is that it would be, as fantasy readers would be turned off", "superior elves, using magic to invade Earth. The last one in particular is", "*and* fantasy, no matter how inconceivable that might seem at first. **Is this", "best (obviously there would be some cross-over, but on the whole readers tend", "sci-fi readers, and even says that an author should stick to only one", "out a novel that was 'mediocrely' received at best (obviously there would be", "to Write Science Fiction and Fantasy*, Orson Scott Card mentions the differences between", "certainly be original (to the best of my knowledge). But would it work?", "was 'mediocrely' received at best (obviously there would be some cross-over, but on", "and explained as such. * A strange fantasy world, which turns out to", "seem at first. **Is this a bad idea?** My assumption is that it", "would be turned off by the fantasy elements, thus turning out a novel", "in both, but I digress). My point is, those two genres are different,", "but taking place in a post-apocalyptic setting where 'magic' is based in hard", "last one in particular is a prime example of what I'm going for,", "taking place in a post-apocalyptic setting where 'magic' is based in hard science,", "two genres are different, and have very different readers as far as tastes", "* A fantasy novel, concerning elves and magic and such, but taking place", "a massive space ship hurtling through space. * An advanced sci-fi civilization, which", "bestseller in both, but I digress). My point is, those two genres are", "and destroyed by vastly superior elves, using magic to invade Earth. The last", "vastly superior elves, using magic to invade Earth. The last one in particular", "the two sides of the genre. Creating a novel like this would certainly", "to create what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is", "examples: * A fantasy novel, concerning elves and magic and such, but taking", "stick to only one genre, as the readers of the other genre will", "world, which turns out to be a massive space ship hurtling through space.", "readers of the other genre will not know who he is (to which", "cross-over, but on the whole readers tend to stick to one or the", "a bestseller in both, but I digress). My point is, those two genres", "whole readers tend to stick to one or the other). Consider some examples:", "to invade Earth. The last one in particular is a prime example of", "my answer is to simply be a bestseller in both, but I digress).", "be some cross-over, but on the whole readers tend to stick to one", "might seem at first. **Is this a bad idea?** My assumption is that", "such, but taking place in a post-apocalyptic setting where 'magic' is based in", "as the readers of the other genre will not know who he is", "are different, and have very different readers as far as tastes are concerned.", "answer is to simply be a bestseller in both, but I digress). My", "one genre, as the readers of the other genre will not know who", "space. * An advanced sci-fi civilization, which gets invaded and destroyed by vastly", "is a bad idea to create what I am terming 'Science-Fiction-Fantasy.' Or maybe", "what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that the", "both science fiction *and* fantasy, no matter how inconceivable that might seem at", "he is (to which my answer is to simply be a bestseller in", "hurtling through space. * An advanced sci-fi civilization, which gets invaded and destroyed", "create what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that", "of the genre. Creating a novel like this would certainly be original (to", "off by the sci-fi elements, and sci-fi readers would be turned off by", "it would be, as fantasy readers would be turned off by the sci-fi", "elves and magic and such, but taking place in a post-apocalyptic setting where", "to be a massive space ship hurtling through space. * An advanced sci-fi", "those two genres are different, and have very different readers as far as", "a novel like this would certainly be original (to the best of my", "that the novel is both science fiction *and* fantasy, no matter how inconceivable", "fantasy readers would be turned off by the sci-fi elements, and sci-fi readers", "I digress). My point is, those two genres are different, and have very", "be a bestseller in both, but I digress). My point is, those two", "as such. * A strange fantasy world, which turns out to be a", "would certainly be original (to the best of my knowledge). But would it", "massive space ship hurtling through space. * An advanced sci-fi civilization, which gets", "will not know who he is (to which my answer is to simply", "some cross-over, but on the whole readers tend to stick to one or", "a post-apocalyptic setting where 'magic' is based in hard science, and explained as", "advanced sci-fi civilization, which gets invaded and destroyed by vastly superior elves, using", "for, and I think it really shows the total contrast between the two", "'Fantastical-Science-Fiction.' The idea is that the novel is both science fiction *and* fantasy,", "Write Science Fiction and Fantasy*, Orson Scott Card mentions the differences between fantasy", "or the other). Consider some examples: * A fantasy novel, concerning elves and", "a prime example of what I'm going for, and I think it really", "using magic to invade Earth. The last one in particular is a prime", "book *How to Write Science Fiction and Fantasy*, Orson Scott Card mentions the", "really shows the total contrast between the two sides of the genre. Creating", "genres are different, and have very different readers as far as tastes are", "how inconceivable that might seem at first. **Is this a bad idea?** My", "sci-fi elements, and sci-fi readers would be turned off by the fantasy elements,", "this would certainly be original (to the best of my knowledge). But would", "which turns out to be a massive space ship hurtling through space. *", "Or maybe 'Fantastical-Science-Fiction.' The idea is that the novel is both science fiction", "where 'magic' is based in hard science, and explained as such. * A", "My point is, those two genres are different, and have very different readers", "and sci-fi readers, and even says that an author should stick to only", "fantasy, no matter how inconceivable that might seem at first. **Is this a", "be turned off by the sci-fi elements, and sci-fi readers would be turned", "(to which my answer is to simply be a bestseller in both, but", "turns out to be a massive space ship hurtling through space. * An", "as fantasy readers would be turned off by the sci-fi elements, and sci-fi", "Therefore, I am wondering if it is a bad idea to create what", "novel is both science fiction *and* fantasy, no matter how inconceivable that might", "are concerned. Therefore, I am wondering if it is a bad idea to", "far as tastes are concerned. Therefore, I am wondering if it is a", "fantasy and sci-fi readers, and even says that an author should stick to", "at best (obviously there would be some cross-over, but on the whole readers", "readers tend to stick to one or the other). Consider some examples: *", "the novel is both science fiction *and* fantasy, no matter how inconceivable that", "A fantasy novel, concerning elves and magic and such, but taking place in", "explained as such. * A strange fantasy world, which turns out to be", "am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that the novel is", "gets invaded and destroyed by vastly superior elves, using magic to invade Earth.", "have very different readers as far as tastes are concerned. Therefore, I am", "elves, using magic to invade Earth. The last one in particular is a", "other genre will not know who he is (to which my answer is", "Earth. The last one in particular is a prime example of what I'm", "in hard science, and explained as such. * A strange fantasy world, which", "I am wondering if it is a bad idea to create what I", "to stick to one or the other). Consider some examples: * A fantasy", "civilization, which gets invaded and destroyed by vastly superior elves, using magic to", "I think it really shows the total contrast between the two sides of", "as tastes are concerned. Therefore, I am wondering if it is a bad", "readers, and even says that an author should stick to only one genre,", "through space. * An advanced sci-fi civilization, which gets invaded and destroyed by", "Scott Card mentions the differences between fantasy and sci-fi readers, and even says", "in particular is a prime example of what I'm going for, and I", "it really shows the total contrast between the two sides of the genre.", "In his book *How to Write Science Fiction and Fantasy*, Orson Scott Card", "tastes are concerned. Therefore, I am wondering if it is a bad idea", "hard science, and explained as such. * A strange fantasy world, which turns", "space ship hurtling through space. * An advanced sci-fi civilization, which gets invaded", "going for, and I think it really shows the total contrast between the", "think it really shows the total contrast between the two sides of the", "thus turning out a novel that was 'mediocrely' received at best (obviously there", "genre, as the readers of the other genre will not know who he", "of the other genre will not know who he is (to which my", "example of what I'm going for, and I think it really shows the", "like this would certainly be original (to the best of my knowledge). But", "out to be a massive space ship hurtling through space. * An advanced", "is based in hard science, and explained as such. * A strange fantasy", "would be some cross-over, but on the whole readers tend to stick to", "to only one genre, as the readers of the other genre will not", "wondering if it is a bad idea to create what I am terming", "which gets invaded and destroyed by vastly superior elves, using magic to invade", "readers as far as tastes are concerned. Therefore, I am wondering if it", "would be, as fantasy readers would be turned off by the sci-fi elements,", "prime example of what I'm going for, and I think it really shows", "differences between fantasy and sci-fi readers, and even says that an author should", "magic and such, but taking place in a post-apocalyptic setting where 'magic' is", "'magic' is based in hard science, and explained as such. * A strange", "the fantasy elements, thus turning out a novel that was 'mediocrely' received at", "between fantasy and sci-fi readers, and even says that an author should stick", "there would be some cross-over, but on the whole readers tend to stick", "who he is (to which my answer is to simply be a bestseller", "says that an author should stick to only one genre, as the readers", "that it would be, as fantasy readers would be turned off by the", "readers would be turned off by the fantasy elements, thus turning out a", "the whole readers tend to stick to one or the other). Consider some", "novel that was 'mediocrely' received at best (obviously there would be some cross-over,", "by the fantasy elements, thus turning out a novel that was 'mediocrely' received", "concerning elves and magic and such, but taking place in a post-apocalyptic setting", "based in hard science, and explained as such. * A strange fantasy world,", "such. * A strange fantasy world, which turns out to be a massive", "sides of the genre. Creating a novel like this would certainly be original", "Fiction and Fantasy*, Orson Scott Card mentions the differences between fantasy and sci-fi", "simply be a bestseller in both, but I digress). My point is, those", "science, and explained as such. * A strange fantasy world, which turns out", "this a bad idea?** My assumption is that it would be, as fantasy", "very different readers as far as tastes are concerned. Therefore, I am wondering", "particular is a prime example of what I'm going for, and I think", "between the two sides of the genre. Creating a novel like this would", "different readers as far as tastes are concerned. Therefore, I am wondering if", "at first. **Is this a bad idea?** My assumption is that it would", "a bad idea?** My assumption is that it would be, as fantasy readers", "invade Earth. The last one in particular is a prime example of what", "and such, but taking place in a post-apocalyptic setting where 'magic' is based", "matter how inconceivable that might seem at first. **Is this a bad idea?**", "fiction *and* fantasy, no matter how inconceivable that might seem at first. **Is", "be, as fantasy readers would be turned off by the sci-fi elements, and", "genre. Creating a novel like this would certainly be original (to the best", "sci-fi civilization, which gets invaded and destroyed by vastly superior elves, using magic", "received at best (obviously there would be some cross-over, but on the whole", "A strange fantasy world, which turns out to be a massive space ship", "the genre. Creating a novel like this would certainly be original (to the", "a novel that was 'mediocrely' received at best (obviously there would be some", "magic to invade Earth. The last one in particular is a prime example", "and I think it really shows the total contrast between the two sides", "that an author should stick to only one genre, as the readers of", "terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that the novel is both", "and Fantasy*, Orson Scott Card mentions the differences between fantasy and sci-fi readers,", "not know who he is (to which my answer is to simply be", "My assumption is that it would be, as fantasy readers would be turned", "turned off by the fantasy elements, thus turning out a novel that was", "different, and have very different readers as far as tastes are concerned. Therefore,", "total contrast between the two sides of the genre. Creating a novel like", "Creating a novel like this would certainly be original (to the best of", "the differences between fantasy and sci-fi readers, and even says that an author", "in a post-apocalyptic setting where 'magic' is based in hard science, and explained", "readers would be turned off by the sci-fi elements, and sci-fi readers would", "only one genre, as the readers of the other genre will not know", "would be turned off by the sci-fi elements, and sci-fi readers would be", "an author should stick to only one genre, as the readers of the", "* An advanced sci-fi civilization, which gets invaded and destroyed by vastly superior", "by vastly superior elves, using magic to invade Earth. The last one in", "his book *How to Write Science Fiction and Fantasy*, Orson Scott Card mentions", "'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea is that the novel is both science", "post-apocalyptic setting where 'magic' is based in hard science, and explained as such.", "one in particular is a prime example of what I'm going for, and", "genre will not know who he is (to which my answer is to", "one or the other). Consider some examples: * A fantasy novel, concerning elves", "on the whole readers tend to stick to one or the other). Consider", "is both science fiction *and* fantasy, no matter how inconceivable that might seem", "should stick to only one genre, as the readers of the other genre", "(obviously there would be some cross-over, but on the whole readers tend to", "digress). My point is, those two genres are different, and have very different", "idea is that the novel is both science fiction *and* fantasy, no matter", "idea to create what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The idea", "tend to stick to one or the other). Consider some examples: * A", "is that it would be, as fantasy readers would be turned off by", "other). Consider some examples: * A fantasy novel, concerning elves and magic and", "but I digress). My point is, those two genres are different, and have", "fantasy novel, concerning elves and magic and such, but taking place in a", "shows the total contrast between the two sides of the genre. Creating a", "novel, concerning elves and magic and such, but taking place in a post-apocalyptic", "off by the fantasy elements, thus turning out a novel that was 'mediocrely'", "setting where 'magic' is based in hard science, and explained as such. *", "An advanced sci-fi civilization, which gets invaded and destroyed by vastly superior elves,", "invaded and destroyed by vastly superior elves, using magic to invade Earth. The", "Consider some examples: * A fantasy novel, concerning elves and magic and such,", "place in a post-apocalyptic setting where 'magic' is based in hard science, and", "destroyed by vastly superior elves, using magic to invade Earth. The last one", "Science Fiction and Fantasy*, Orson Scott Card mentions the differences between fantasy and", "Fantasy*, Orson Scott Card mentions the differences between fantasy and sci-fi readers, and", "sci-fi readers would be turned off by the fantasy elements, thus turning out", "The last one in particular is a prime example of what I'm going", "and magic and such, but taking place in a post-apocalyptic setting where 'magic'", "am wondering if it is a bad idea to create what I am", "Card mentions the differences between fantasy and sci-fi readers, and even says that", "if it is a bad idea to create what I am terming 'Science-Fiction-Fantasy.'", "is that the novel is both science fiction *and* fantasy, no matter how", "ship hurtling through space. * An advanced sci-fi civilization, which gets invaded and", "Orson Scott Card mentions the differences between fantasy and sci-fi readers, and even", "mentions the differences between fantasy and sci-fi readers, and even says that an", "*How to Write Science Fiction and Fantasy*, Orson Scott Card mentions the differences", "elements, thus turning out a novel that was 'mediocrely' received at best (obviously", "I'm going for, and I think it really shows the total contrast between", "turned off by the sci-fi elements, and sci-fi readers would be turned off", "novel like this would certainly be original (to the best of my knowledge).", "and even says that an author should stick to only one genre, as", "'mediocrely' received at best (obviously there would be some cross-over, but on the", "stick to one or the other). Consider some examples: * A fantasy novel,", "concerned. Therefore, I am wondering if it is a bad idea to create", "science fiction *and* fantasy, no matter how inconceivable that might seem at first.", "is a prime example of what I'm going for, and I think it", "inconceivable that might seem at first. **Is this a bad idea?** My assumption", "that might seem at first. **Is this a bad idea?** My assumption is", "a bad idea to create what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.'", "fantasy elements, thus turning out a novel that was 'mediocrely' received at best", "of what I'm going for, and I think it really shows the total", "the total contrast between the two sides of the genre. Creating a novel", "turning out a novel that was 'mediocrely' received at best (obviously there would", "be a massive space ship hurtling through space. * An advanced sci-fi civilization,", "no matter how inconceivable that might seem at first. **Is this a bad", "two sides of the genre. Creating a novel like this would certainly be", "maybe 'Fantastical-Science-Fiction.' The idea is that the novel is both science fiction *and*", "to simply be a bestseller in both, but I digress). My point is,", "the other). Consider some examples: * A fantasy novel, concerning elves and magic", "it is a bad idea to create what I am terming 'Science-Fiction-Fantasy.' Or", "bad idea?** My assumption is that it would be, as fantasy readers would", "what I'm going for, and I think it really shows the total contrast", "as far as tastes are concerned. Therefore, I am wondering if it is", "point is, those two genres are different, and have very different readers as", "first. **Is this a bad idea?** My assumption is that it would be,", "that was 'mediocrely' received at best (obviously there would be some cross-over, but", "fantasy world, which turns out to be a massive space ship hurtling through", "author should stick to only one genre, as the readers of the other", "but on the whole readers tend to stick to one or the other).", "know who he is (to which my answer is to simply be a", "bad idea to create what I am terming 'Science-Fiction-Fantasy.' Or maybe 'Fantastical-Science-Fiction.' The", "which my answer is to simply be a bestseller in both, but I", "some examples: * A fantasy novel, concerning elves and magic and such, but", "is (to which my answer is to simply be a bestseller in both," ]
[ "similar blunder with much larger stakes, is there any way I can determine", "book reviews and spending hours browsing forums, but I'm wondering if there is", "Write Fantasy & Science-Fiction*. Orson Scott Card is the author of *Ender's Game*,", "thought that Paolini did a fine job, especially given his age (minus the", "other sci-fi and fantasy books, and I've always assumed he was generally respected", "on how to write, seeing as he is a bestselling author. I was", "how to write, seeing as he is a bestselling author. I was surprised,", "respected as a reliable source on how to write, seeing as he is", "determine an author's standing amongst the readers? Obviously I could do detailed searches", "generally *not* respected as a reliable source. This isn't the only time this", "with a hefty dose of salt. > > > This implies that OSC", "author's standing amongst the readers? Obviously I could do detailed searches on everyone,", "seeing as he is a bestselling author. I was surprised, therefore, when a", "when a user left a comment on the question, as follows: > >", "assumed he was generally respected as a reliable source on how to write,", "I came here, I found that the general opinion of Paolini was very", "was generally respected as a reliable source on how to write, seeing as", "as follows: > > Consider the source. I would take anything OSC proclaims", "well as many other sci-fi and fantasy books, and I've always assumed he", "I found that the general opinion of Paolini was very low indeed. In", "wondering if there is a location that puts it all into a concise", "he is a bestselling author. I was surprised, therefore, when a user left", "> This implies that OSC is generally *not* respected as a reliable source.", "but I'm wondering if there is a location that puts it all into", "Scott Card, *How to Write Fantasy & Science-Fiction*. Orson Scott Card is the", "write, seeing as he is a bestselling author. I was surprised, therefore, when", "Cycle, I thought that Paolini did a fine job, especially given his age", "Science-Fiction*. Orson Scott Card is the author of *Ender's Game*, as well as", "books, and I've always assumed he was generally respected as a reliable source", "> > > This implies that OSC is generally *not* respected as a", "do detailed searches on everyone, looking up book reviews and spending hours browsing", "of *Eldest*). When I came here, I found that the general opinion of", "only time this has happened: When reading the Inheritence Cycle, I thought that", "is the author of *Ender's Game*, as well as many other sci-fi and", "take anything OSC proclaims with a hefty dose of salt. > > >", "salt. > > > This implies that OSC is generally *not* respected as", "that the general opinion of Paolini was very low indeed. In order to", "as he is a bestselling author. I was surprised, therefore, when a user", "& Science-Fiction*. Orson Scott Card is the author of *Ender's Game*, as well", "was surprised, therefore, when a user left a comment on the question, as", "to avoid making a similar blunder with much larger stakes, is there any", "there any way I can determine an author's standing amongst the readers? Obviously", "anything OSC proclaims with a hefty dose of salt. > > > This", "opinion of Paolini was very low indeed. In order to avoid making a", "detailed searches on everyone, looking up book reviews and spending hours browsing forums,", "a reliable source. This isn't the only time this has happened: When reading", "with much larger stakes, is there any way I can determine an author's", "a concise 'general opinion' description. **Where I can I find such a description?**", "(minus the boring half of *Eldest*). When I came here, I found that", "a reliable source on how to write, seeing as he is a bestselling", "source. This isn't the only time this has happened: When reading the Inheritence", "time this has happened: When reading the Inheritence Cycle, I thought that Paolini", "reliable source on how to write, seeing as he is a bestselling author.", "Consider the source. I would take anything OSC proclaims with a hefty dose", "boring half of *Eldest*). When I came here, I found that the general", "much larger stakes, is there any way I can determine an author's standing", "stakes, is there any way I can determine an author's standing amongst the", "is there any way I can determine an author's standing amongst the readers?", "a bestselling author. I was surprised, therefore, when a user left a comment", "When reading the Inheritence Cycle, I thought that Paolini did a fine job,", "his age (minus the boring half of *Eldest*). When I came here, I", "I'm wondering if there is a location that puts it all into a", "Game*, as well as many other sci-fi and fantasy books, and I've always", "puts it all into a concise 'general opinion' description. **Where I can I", "there is a location that puts it all into a concise 'general opinion'", "could do detailed searches on everyone, looking up book reviews and spending hours", "a user left a comment on the question, as follows: > > Consider", "I've always assumed he was generally respected as a reliable source on how", "left a comment on the question, as follows: > > Consider the source.", "everyone, looking up book reviews and spending hours browsing forums, but I'm wondering", "job, especially given his age (minus the boring half of *Eldest*). When I", "if there is a location that puts it all into a concise 'general", "has happened: When reading the Inheritence Cycle, I thought that Paolini did a", "the general opinion of Paolini was very low indeed. In order to avoid", "forums, but I'm wondering if there is a location that puts it all", "bestselling author. I was surprised, therefore, when a user left a comment on", "therefore, when a user left a comment on the question, as follows: >", "as well as many other sci-fi and fantasy books, and I've always assumed", "Paolini did a fine job, especially given his age (minus the boring half", "that OSC is generally *not* respected as a reliable source. This isn't the", "spending hours browsing forums, but I'm wondering if there is a location that", "I would take anything OSC proclaims with a hefty dose of salt. >", "reviews and spending hours browsing forums, but I'm wondering if there is a", "an author's standing amongst the readers? Obviously I could do detailed searches on", "Scott Card is the author of *Ender's Game*, as well as many other", "the boring half of *Eldest*). When I came here, I found that the", "> Consider the source. I would take anything OSC proclaims with a hefty", "> > This implies that OSC is generally *not* respected as a reliable", "Inheritence Cycle, I thought that Paolini did a fine job, especially given his", "author of *Ender's Game*, as well as many other sci-fi and fantasy books,", "*Ender's Game*, as well as many other sci-fi and fantasy books, and I've", "*How to Write Fantasy & Science-Fiction*. Orson Scott Card is the author of", "up book reviews and spending hours browsing forums, but I'm wondering if there", "When I came here, I found that the general opinion of Paolini was", "age (minus the boring half of *Eldest*). When I came here, I found", "on everyone, looking up book reviews and spending hours browsing forums, but I'm", "avoid making a similar blunder with much larger stakes, is there any way", "Card, *How to Write Fantasy & Science-Fiction*. Orson Scott Card is the author", "the question, as follows: > > Consider the source. I would take anything", "I recently asked a question which cited a book by Orson Scott Card,", "OSC is generally *not* respected as a reliable source. This isn't the only", "*not* respected as a reliable source. This isn't the only time this has", "isn't the only time this has happened: When reading the Inheritence Cycle, I", "that Paolini did a fine job, especially given his age (minus the boring", "In order to avoid making a similar blunder with much larger stakes, is", "source on how to write, seeing as he is a bestselling author. I", "is generally *not* respected as a reliable source. This isn't the only time", "here, I found that the general opinion of Paolini was very low indeed.", "a question which cited a book by Orson Scott Card, *How to Write", "fine job, especially given his age (minus the boring half of *Eldest*). When", "very low indeed. In order to avoid making a similar blunder with much", "always assumed he was generally respected as a reliable source on how to", "order to avoid making a similar blunder with much larger stakes, is there", "sci-fi and fantasy books, and I've always assumed he was generally respected as", "I can determine an author's standing amongst the readers? Obviously I could do", "can determine an author's standing amongst the readers? Obviously I could do detailed", "it all into a concise 'general opinion' description. **Where I can I find", "found that the general opinion of Paolini was very low indeed. In order", "a fine job, especially given his age (minus the boring half of *Eldest*).", "blunder with much larger stakes, is there any way I can determine an", "into a concise 'general opinion' description. **Where I can I find such a", "this has happened: When reading the Inheritence Cycle, I thought that Paolini did", "location that puts it all into a concise 'general opinion' description. **Where I", "implies that OSC is generally *not* respected as a reliable source. This isn't", "any way I can determine an author's standing amongst the readers? Obviously I", "recently asked a question which cited a book by Orson Scott Card, *How", "This isn't the only time this has happened: When reading the Inheritence Cycle,", "Orson Scott Card, *How to Write Fantasy & Science-Fiction*. Orson Scott Card is", "and spending hours browsing forums, but I'm wondering if there is a location", "browsing forums, but I'm wondering if there is a location that puts it", "book by Orson Scott Card, *How to Write Fantasy & Science-Fiction*. Orson Scott", "indeed. In order to avoid making a similar blunder with much larger stakes,", "standing amongst the readers? Obviously I could do detailed searches on everyone, looking", "and fantasy books, and I've always assumed he was generally respected as a", "surprised, therefore, when a user left a comment on the question, as follows:", "reading the Inheritence Cycle, I thought that Paolini did a fine job, especially", "a book by Orson Scott Card, *How to Write Fantasy & Science-Fiction*. Orson", "as many other sci-fi and fantasy books, and I've always assumed he was", "source. I would take anything OSC proclaims with a hefty dose of salt.", "to Write Fantasy & Science-Fiction*. Orson Scott Card is the author of *Ender's", "proclaims with a hefty dose of salt. > > > This implies that", "dose of salt. > > > This implies that OSC is generally *not*", "hours browsing forums, but I'm wondering if there is a location that puts", "is a location that puts it all into a concise 'general opinion' description.", "as a reliable source. This isn't the only time this has happened: When", "I thought that Paolini did a fine job, especially given his age (minus", "a similar blunder with much larger stakes, is there any way I can", "> > Consider the source. I would take anything OSC proclaims with a", "the readers? Obviously I could do detailed searches on everyone, looking up book", "comment on the question, as follows: > > Consider the source. I would", "I was surprised, therefore, when a user left a comment on the question,", "was very low indeed. In order to avoid making a similar blunder with", "half of *Eldest*). When I came here, I found that the general opinion", "Orson Scott Card is the author of *Ender's Game*, as well as many", "a location that puts it all into a concise 'general opinion' description. **Where", "low indeed. In order to avoid making a similar blunder with much larger", "OSC proclaims with a hefty dose of salt. > > > This implies", "looking up book reviews and spending hours browsing forums, but I'm wondering if", "the author of *Ender's Game*, as well as many other sci-fi and fantasy", "asked a question which cited a book by Orson Scott Card, *How to", "question, as follows: > > Consider the source. I would take anything OSC", "a comment on the question, as follows: > > Consider the source. I", "the Inheritence Cycle, I thought that Paolini did a fine job, especially given", "follows: > > Consider the source. I would take anything OSC proclaims with", "Obviously I could do detailed searches on everyone, looking up book reviews and", "all into a concise 'general opinion' description. **Where I can I find such", "author. I was surprised, therefore, when a user left a comment on the", "is a bestselling author. I was surprised, therefore, when a user left a", "way I can determine an author's standing amongst the readers? Obviously I could", "by Orson Scott Card, *How to Write Fantasy & Science-Fiction*. Orson Scott Card", "respected as a reliable source. This isn't the only time this has happened:", "given his age (minus the boring half of *Eldest*). When I came here,", "I could do detailed searches on everyone, looking up book reviews and spending", "of Paolini was very low indeed. In order to avoid making a similar", "on the question, as follows: > > Consider the source. I would take", "that puts it all into a concise 'general opinion' description. **Where I can", "especially given his age (minus the boring half of *Eldest*). When I came", "amongst the readers? Obviously I could do detailed searches on everyone, looking up", "which cited a book by Orson Scott Card, *How to Write Fantasy &", "question which cited a book by Orson Scott Card, *How to Write Fantasy", "would take anything OSC proclaims with a hefty dose of salt. > >", "Fantasy & Science-Fiction*. Orson Scott Card is the author of *Ender's Game*, as", "came here, I found that the general opinion of Paolini was very low", "of salt. > > > This implies that OSC is generally *not* respected", "reliable source. This isn't the only time this has happened: When reading the", "making a similar blunder with much larger stakes, is there any way I", "of *Ender's Game*, as well as many other sci-fi and fantasy books, and", "This implies that OSC is generally *not* respected as a reliable source. This", "a hefty dose of salt. > > > This implies that OSC is", "many other sci-fi and fantasy books, and I've always assumed he was generally", "user left a comment on the question, as follows: > > Consider the", "generally respected as a reliable source on how to write, seeing as he", "did a fine job, especially given his age (minus the boring half of", "general opinion of Paolini was very low indeed. In order to avoid making", "and I've always assumed he was generally respected as a reliable source on", "he was generally respected as a reliable source on how to write, seeing", "Card is the author of *Ender's Game*, as well as many other sci-fi", "searches on everyone, looking up book reviews and spending hours browsing forums, but", "larger stakes, is there any way I can determine an author's standing amongst", "fantasy books, and I've always assumed he was generally respected as a reliable", "hefty dose of salt. > > > This implies that OSC is generally", "cited a book by Orson Scott Card, *How to Write Fantasy & Science-Fiction*.", "Paolini was very low indeed. In order to avoid making a similar blunder", "*Eldest*). When I came here, I found that the general opinion of Paolini", "the only time this has happened: When reading the Inheritence Cycle, I thought", "as a reliable source on how to write, seeing as he is a", "happened: When reading the Inheritence Cycle, I thought that Paolini did a fine", "the source. I would take anything OSC proclaims with a hefty dose of", "to write, seeing as he is a bestselling author. I was surprised, therefore,", "readers? Obviously I could do detailed searches on everyone, looking up book reviews" ]
[ "from children to teens to young adults... that and it would be fairly", "really happened would be that they would have gone from children to teens", "enough of a plot? I mean that's the 'plot' of 'Doctor Who' so...?", "people in the story would have many adventures but, at the end of", "happened would be that they would have gone from children to teens to", "that story would have no real plot. The characters and people in the", "characters and actions that these characters went through to write a whole book", "more then enough background material from the characters and actions that these characters", "have no real plot. The characters and people in the story would have", "book, all that would have really happened would be that they would have", "exactly have happy happy lives, that's why they go so far to have", "was writing a story and realized that there was more then enough background", "Age\" story, only one character really \"Comes of Age\" during this story, while", "and the adventures they went on beforehand. But that story would have no", "they went on beforehand. But that story would have no real plot. The", "far to have fun... so basically... So do I need a plot for", "of a \"Coming of Age\" story, only one character really \"Comes of Age\"", "Who' so...? EDIT: Its not much of a \"Coming of Age\" story, only", "the adventures they went on beforehand. But that story would have no real", "have gone from children to teens to young adults... that and it would", "between growing older and \"Coming of age\", and the one character that does", "be that they would have gone from children to teens to young adults...", "have fun... so basically... So do I need a plot for this book....", "happy lives, that's why they go so far to have fun... so basically...", "that's the 'plot' of 'Doctor Who' so...? EDIT: Its not much of a", "for this book.... or is 'sorrow and fun' enough of a plot? I", "would be that they would have gone from children to teens to young", "would have many adventures but, at the end of the book, all that", "a plot? I mean that's the 'plot' of 'Doctor Who' so...? EDIT: Its", "would be fairly traumatizing as they don't exactly have happy happy lives, that's", "actions that these characters went through to write a whole book just on", "went through to write a whole book just on them and the adventures", "the end of the book, all that would have really happened would be", "story and realized that there was more then enough background material from the", "lives, that's why they go so far to have fun... so basically... So", "others grow up there's an important difference between growing older and \"Coming of", "and the one character that does is a secondary character. Any help here", "adventures they went on beforehand. But that story would have no real plot.", "was more then enough background material from the characters and actions that these", "The characters and people in the story would have many adventures but, at", "that and it would be fairly traumatizing as they don't exactly have happy", "this book.... or is 'sorrow and fun' enough of a plot? I mean", "they don't exactly have happy happy lives, that's why they go so far", "them and the adventures they went on beforehand. But that story would have", "and people in the story would have many adventures but, at the end", "would have really happened would be that they would have gone from children", "that they would have gone from children to teens to young adults... that", "would have gone from children to teens to young adults... that and it", "one character that does is a secondary character. Any help here would be", "character really \"Comes of Age\" during this story, while the others grow up", "adults... that and it would be fairly traumatizing as they don't exactly have", "the book, all that would have really happened would be that they would", "background material from the characters and actions that these characters went through to", "book.... or is 'sorrow and fun' enough of a plot? I mean that's", "character that does is a secondary character. Any help here would be great.", "then enough background material from the characters and actions that these characters went", "plot? I mean that's the 'plot' of 'Doctor Who' so...? EDIT: Its not", "teens to young adults... that and it would be fairly traumatizing as they", "only one character really \"Comes of Age\" during this story, while the others", "and actions that these characters went through to write a whole book just", "just on them and the adventures they went on beforehand. But that story", "would have no real plot. The characters and people in the story would", "But that story would have no real plot. The characters and people in", "of a plot? I mean that's the 'plot' of 'Doctor Who' so...? EDIT:", "during this story, while the others grow up there's an important difference between", "write a whole book just on them and the adventures they went on", "important difference between growing older and \"Coming of age\", and the one character", "there was more then enough background material from the characters and actions that", "to young adults... that and it would be fairly traumatizing as they don't", "I was writing a story and realized that there was more then enough", "from the characters and actions that these characters went through to write a", "at the end of the book, all that would have really happened would", "and \"Coming of age\", and the one character that does is a secondary", "the 'plot' of 'Doctor Who' so...? EDIT: Its not much of a \"Coming", "\"Coming of age\", and the one character that does is a secondary character.", "'sorrow and fun' enough of a plot? I mean that's the 'plot' of", "plot. The characters and people in the story would have many adventures but,", "fun' enough of a plot? I mean that's the 'plot' of 'Doctor Who'", "of 'Doctor Who' so...? EDIT: Its not much of a \"Coming of Age\"", "characters went through to write a whole book just on them and the", "one character really \"Comes of Age\" during this story, while the others grow", "older and \"Coming of age\", and the one character that does is a", "story, while the others grow up there's an important difference between growing older", "so far to have fun... so basically... So do I need a plot", "to write a whole book just on them and the adventures they went", "of age\", and the one character that does is a secondary character. Any", "as they don't exactly have happy happy lives, that's why they go so", "do I need a plot for this book.... or is 'sorrow and fun'", "that would have really happened would be that they would have gone from", "and realized that there was more then enough background material from the characters", "basically... So do I need a plot for this book.... or is 'sorrow", "difference between growing older and \"Coming of age\", and the one character that", "and it would be fairly traumatizing as they don't exactly have happy happy", "gone from children to teens to young adults... that and it would be", "or is 'sorrow and fun' enough of a plot? I mean that's the", "many adventures but, at the end of the book, all that would have", "'Doctor Who' so...? EDIT: Its not much of a \"Coming of Age\" story,", "much of a \"Coming of Age\" story, only one character really \"Comes of", "they would have gone from children to teens to young adults... that and", "this story, while the others grow up there's an important difference between growing", "of Age\" story, only one character really \"Comes of Age\" during this story,", "why they go so far to have fun... so basically... So do I", "book just on them and the adventures they went on beforehand. But that", "so basically... So do I need a plot for this book.... or is", "young adults... that and it would be fairly traumatizing as they don't exactly", "a plot for this book.... or is 'sorrow and fun' enough of a", "on them and the adventures they went on beforehand. But that story would", "have really happened would be that they would have gone from children to", "no real plot. The characters and people in the story would have many", "went on beforehand. But that story would have no real plot. The characters", "end of the book, all that would have really happened would be that", "realized that there was more then enough background material from the characters and", "happy happy lives, that's why they go so far to have fun... so", "need a plot for this book.... or is 'sorrow and fun' enough of", "be fairly traumatizing as they don't exactly have happy happy lives, that's why", "go so far to have fun... so basically... So do I need a", "I need a plot for this book.... or is 'sorrow and fun' enough", "Age\" during this story, while the others grow up there's an important difference", "the characters and actions that these characters went through to write a whole", "have many adventures but, at the end of the book, all that would", "\"Coming of Age\" story, only one character really \"Comes of Age\" during this", "an important difference between growing older and \"Coming of age\", and the one", "story would have no real plot. The characters and people in the story", "they go so far to have fun... so basically... So do I need", "fairly traumatizing as they don't exactly have happy happy lives, that's why they", "I mean that's the 'plot' of 'Doctor Who' so...? EDIT: Its not much", "of Age\" during this story, while the others grow up there's an important", "there's an important difference between growing older and \"Coming of age\", and the", "age\", and the one character that does is a secondary character. Any help", "the others grow up there's an important difference between growing older and \"Coming", "enough background material from the characters and actions that these characters went through", "the story would have many adventures but, at the end of the book,", "grow up there's an important difference between growing older and \"Coming of age\",", "mean that's the 'plot' of 'Doctor Who' so...? EDIT: Its not much of", "Its not much of a \"Coming of Age\" story, only one character really", "that these characters went through to write a whole book just on them", "real plot. The characters and people in the story would have many adventures", "EDIT: Its not much of a \"Coming of Age\" story, only one character", "\"Comes of Age\" during this story, while the others grow up there's an", "through to write a whole book just on them and the adventures they", "really \"Comes of Age\" during this story, while the others grow up there's", "up there's an important difference between growing older and \"Coming of age\", and", "don't exactly have happy happy lives, that's why they go so far to", "story, only one character really \"Comes of Age\" during this story, while the", "writing a story and realized that there was more then enough background material", "in the story would have many adventures but, at the end of the", "fun... so basically... So do I need a plot for this book.... or", "a \"Coming of Age\" story, only one character really \"Comes of Age\" during", "to have fun... so basically... So do I need a plot for this", "that there was more then enough background material from the characters and actions", "children to teens to young adults... that and it would be fairly traumatizing", "so...? EDIT: Its not much of a \"Coming of Age\" story, only one", "beforehand. But that story would have no real plot. The characters and people", "'plot' of 'Doctor Who' so...? EDIT: Its not much of a \"Coming of", "not much of a \"Coming of Age\" story, only one character really \"Comes", "but, at the end of the book, all that would have really happened", "have happy happy lives, that's why they go so far to have fun...", "a story and realized that there was more then enough background material from", "these characters went through to write a whole book just on them and", "adventures but, at the end of the book, all that would have really", "characters and people in the story would have many adventures but, at the", "a whole book just on them and the adventures they went on beforehand.", "is 'sorrow and fun' enough of a plot? I mean that's the 'plot'", "material from the characters and actions that these characters went through to write", "story would have many adventures but, at the end of the book, all", "the one character that does is a secondary character. Any help here would", "plot for this book.... or is 'sorrow and fun' enough of a plot?", "on beforehand. But that story would have no real plot. The characters and", "So I was writing a story and realized that there was more then", "that's why they go so far to have fun... so basically... So do", "traumatizing as they don't exactly have happy happy lives, that's why they go", "while the others grow up there's an important difference between growing older and", "and fun' enough of a plot? I mean that's the 'plot' of 'Doctor", "to teens to young adults... that and it would be fairly traumatizing as", "growing older and \"Coming of age\", and the one character that does is", "all that would have really happened would be that they would have gone", "So do I need a plot for this book.... or is 'sorrow and", "of the book, all that would have really happened would be that they", "whole book just on them and the adventures they went on beforehand. But", "it would be fairly traumatizing as they don't exactly have happy happy lives," ]
[ "the heroes have saved their friend from death at the last moment, and", "but they don't fight a villain. How do I know when to stop", "this where they escape. The midboss from before is back for one last", "I know when to stop the action? The story isn't done, but the", "unpleasant. How much falling action can I have before it starts to drag", "Or, put another way, would the reader feel cheated if the scene cuts", "the climax. It almost feels like a required dangling bit of story, which", "purposes of tying off loose ends, mending relationships, etc. What I want to", "bit of story, which feels unpleasant. How much falling action can I have", "cheated if the scene cuts to the heroes escaping the dangerous underground with", "the middle, where the escape is exciting but they don't fight a villain.", "Alternatively, I can brush the escape aside and cut to them making it", "can I have before it starts to drag on? Or, put another way,", "be underwhelming to show an escape from the underground temple after defeating the", "saved their friend from death at the last moment, and the cave/tomb is", "battle above a rickety old bridge, with a literal cliff hanger before the", "underground with the friend they've saved? EDIT: I know I can have story", "right into the resolution; or I can do something in the middle, where", "or I can do something in the middle, where the escape is exciting", "I have before it starts to drag on? Or, put another way, would", "an action-y climax: in this example, whether it would be underwhelming to show", "is about to collapse around them. Now, I have a dilemma. I currently", "the escape aside and cut to them making it out just before the", "I can do something in the middle, where the escape is exciting but", "scene after this where they escape. The midboss from before is back for", "where they escape. The midboss from before is back for one last fight,", "would be underwhelming to show an escape from the underground temple after defeating", "saved? EDIT: I know I can have story follow the climax for the", "the remainder can't compete with the climax. It almost feels like a required", "underwhelming to show an escape from the underground temple after defeating the big", "a dilemma. I currently have a scene after this where they escape. The", "where the escape is exciting but they don't fight a villain. How do", "with the climax. It almost feels like a required dangling bit of story,", "mediocre after a stunning climax. Alternatively, I can brush the escape aside and", "Indiana Jones or Tomb Raider. I've reached the climax, where the heroes have", "the escape is exciting but they don't fight a villain. How do I", "feels like a required dangling bit of story, which feels unpleasant. How much", "have a dilemma. I currently have a scene after this where they escape.", "But that feels like I've put something mediocre after a stunning climax. Alternatively,", "put something mediocre after a stunning climax. Alternatively, I can brush the escape", "like a required dangling bit of story, which feels unpleasant. How much falling", "example, whether it would be underwhelming to show an escape from the underground", "after a stunning climax. Alternatively, I can brush the escape aside and cut", "friend they've saved? EDIT: I know I can have story follow the climax", "cuts to the heroes escaping the dangerous underground with the friend they've saved?", "escape is exciting but they don't fight a villain. How do I know", "know is if there's room for action after an action-y climax: in this", "back for one last fight, and they battle above a rickety old bridge,", "climax, where the heroes have saved their friend from death at the last", "required dangling bit of story, which feels unpleasant. How much falling action can", "Now, I have a dilemma. I currently have a scene after this where", "have a scene after this where they escape. The midboss from before is", "feel cheated if the scene cuts to the heroes escaping the dangerous underground", "in the middle, where the escape is exciting but they don't fight a", "climax: in this example, whether it would be underwhelming to show an escape", "for the purposes of tying off loose ends, mending relationships, etc. What I", "of story, which feels unpleasant. How much falling action can I have before", "EDIT: I know I can have story follow the climax for the purposes", "have story follow the climax for the purposes of tying off loose ends,", "the purposes of tying off loose ends, mending relationships, etc. What I want", "to stop the action? The story isn't done, but the remainder can't compete", "in the same genre as Indiana Jones or Tomb Raider. I've reached the", "to them making it out just before the rocks fall, and pivot right", "It almost feels like a required dangling bit of story, which feels unpleasant.", "I currently have a scene after this where they escape. The midboss from", "relationships, etc. What I want to know is if there's room for action", "Raider. I've reached the climax, where the heroes have saved their friend from", "know when to stop the action? The story isn't done, but the remainder", "if there's room for action after an action-y climax: in this example, whether", "this example, whether it would be underwhelming to show an escape from the", "exciting but they don't fight a villain. How do I know when to", "isn't done, but the remainder can't compete with the climax. It almost feels", "fight, and they battle above a rickety old bridge, with a literal cliff", "loose ends, mending relationships, etc. What I want to know is if there's", "or Tomb Raider. I've reached the climax, where the heroes have saved their", "them. Now, I have a dilemma. I currently have a scene after this", "them making it out just before the rocks fall, and pivot right into", "I'm writing an action/adventure in the same genre as Indiana Jones or Tomb", "a scene after this where they escape. The midboss from before is back", "fight a villain. How do I know when to stop the action? The", "same genre as Indiana Jones or Tomb Raider. I've reached the climax, where", "the reader feel cheated if the scene cuts to the heroes escaping the", "friend from death at the last moment, and the cave/tomb is about to", "death at the last moment, and the cave/tomb is about to collapse around", "there's room for action after an action-y climax: in this example, whether it", "I can brush the escape aside and cut to them making it out", "making it out just before the rocks fall, and pivot right into the", "story isn't done, but the remainder can't compete with the climax. It almost", "can't compete with the climax. It almost feels like a required dangling bit", "before is back for one last fight, and they battle above a rickety", "heroes escape to the surface. But that feels like I've put something mediocre", "and the cave/tomb is about to collapse around them. Now, I have a", "I have a dilemma. I currently have a scene after this where they", "out just before the rocks fall, and pivot right into the resolution; or", "way, would the reader feel cheated if the scene cuts to the heroes", "pivot right into the resolution; or I can do something in the middle,", "to collapse around them. Now, I have a dilemma. I currently have a", "moment, and the cave/tomb is about to collapse around them. Now, I have", "rickety old bridge, with a literal cliff hanger before the heroes escape to", "literal cliff hanger before the heroes escape to the surface. But that feels", "middle, where the escape is exciting but they don't fight a villain. How", "to the heroes escaping the dangerous underground with the friend they've saved? EDIT:", "What I want to know is if there's room for action after an", "around them. Now, I have a dilemma. I currently have a scene after", "bridge, with a literal cliff hanger before the heroes escape to the surface.", "but the remainder can't compete with the climax. It almost feels like a", "to show an escape from the underground temple after defeating the big boss.", "after this where they escape. The midboss from before is back for one", "genre as Indiana Jones or Tomb Raider. I've reached the climax, where the", "something in the middle, where the escape is exciting but they don't fight", "want to know is if there's room for action after an action-y climax:", "fall, and pivot right into the resolution; or I can do something in", "falling action can I have before it starts to drag on? Or, put", "the friend they've saved? EDIT: I know I can have story follow the", "they escape. The midboss from before is back for one last fight, and", "The midboss from before is back for one last fight, and they battle", "tying off loose ends, mending relationships, etc. What I want to know is", "above a rickety old bridge, with a literal cliff hanger before the heroes", "put another way, would the reader feel cheated if the scene cuts to", "about to collapse around them. Now, I have a dilemma. I currently have", "on? Or, put another way, would the reader feel cheated if the scene", "another way, would the reader feel cheated if the scene cuts to the", "scene cuts to the heroes escaping the dangerous underground with the friend they've", "one last fight, and they battle above a rickety old bridge, with a", "the last moment, and the cave/tomb is about to collapse around them. Now,", "writing an action/adventure in the same genre as Indiana Jones or Tomb Raider.", "the rocks fall, and pivot right into the resolution; or I can do", "etc. What I want to know is if there's room for action after", "can brush the escape aside and cut to them making it out just", "is if there's room for action after an action-y climax: in this example,", "do something in the middle, where the escape is exciting but they don't", "Tomb Raider. I've reached the climax, where the heroes have saved their friend", "where the heroes have saved their friend from death at the last moment,", "heroes have saved their friend from death at the last moment, and the", "story follow the climax for the purposes of tying off loose ends, mending", "with the friend they've saved? EDIT: I know I can have story follow", "before the rocks fall, and pivot right into the resolution; or I can", "How much falling action can I have before it starts to drag on?", "action after an action-y climax: in this example, whether it would be underwhelming", "action? The story isn't done, but the remainder can't compete with the climax.", "don't fight a villain. How do I know when to stop the action?", "and they battle above a rickety old bridge, with a literal cliff hanger", "something mediocre after a stunning climax. Alternatively, I can brush the escape aside", "I can have story follow the climax for the purposes of tying off", "starts to drag on? Or, put another way, would the reader feel cheated", "the resolution; or I can do something in the middle, where the escape", "escape. The midboss from before is back for one last fight, and they", "hanger before the heroes escape to the surface. But that feels like I've", "before it starts to drag on? Or, put another way, would the reader", "stunning climax. Alternatively, I can brush the escape aside and cut to them", "stop the action? The story isn't done, but the remainder can't compete with", "almost feels like a required dangling bit of story, which feels unpleasant. How", "before the heroes escape to the surface. But that feels like I've put", "know I can have story follow the climax for the purposes of tying", "cave/tomb is about to collapse around them. Now, I have a dilemma. I", "it would be underwhelming to show an escape from the underground temple after", "that feels like I've put something mediocre after a stunning climax. Alternatively, I", "whether it would be underwhelming to show an escape from the underground temple", "climax. It almost feels like a required dangling bit of story, which feels", "the heroes escaping the dangerous underground with the friend they've saved? EDIT: I", "it out just before the rocks fall, and pivot right into the resolution;", "compete with the climax. It almost feels like a required dangling bit of", "to the surface. But that feels like I've put something mediocre after a", "remainder can't compete with the climax. It almost feels like a required dangling", "mending relationships, etc. What I want to know is if there's room for", "escaping the dangerous underground with the friend they've saved? EDIT: I know I", "I want to know is if there's room for action after an action-y", "feels unpleasant. How much falling action can I have before it starts to", "surface. But that feels like I've put something mediocre after a stunning climax.", "I've reached the climax, where the heroes have saved their friend from death", "done, but the remainder can't compete with the climax. It almost feels like", "if the scene cuts to the heroes escaping the dangerous underground with the", "can do something in the middle, where the escape is exciting but they", "climax for the purposes of tying off loose ends, mending relationships, etc. What", "reached the climax, where the heroes have saved their friend from death at", "for one last fight, and they battle above a rickety old bridge, with", "a literal cliff hanger before the heroes escape to the surface. But that", "just before the rocks fall, and pivot right into the resolution; or I", "dilemma. I currently have a scene after this where they escape. The midboss", "like I've put something mediocre after a stunning climax. Alternatively, I can brush", "the action? The story isn't done, but the remainder can't compete with the", "the surface. But that feels like I've put something mediocre after a stunning", "the dangerous underground with the friend they've saved? EDIT: I know I can", "brush the escape aside and cut to them making it out just before", "dangerous underground with the friend they've saved? EDIT: I know I can have", "I know I can have story follow the climax for the purposes of", "I've put something mediocre after a stunning climax. Alternatively, I can brush the", "is back for one last fight, and they battle above a rickety old", "much falling action can I have before it starts to drag on? Or,", "villain. How do I know when to stop the action? The story isn't", "dangling bit of story, which feels unpleasant. How much falling action can I", "have saved their friend from death at the last moment, and the cave/tomb", "drag on? Or, put another way, would the reader feel cheated if the", "is exciting but they don't fight a villain. How do I know when", "reader feel cheated if the scene cuts to the heroes escaping the dangerous", "ends, mending relationships, etc. What I want to know is if there's room", "from before is back for one last fight, and they battle above a", "and cut to them making it out just before the rocks fall, and", "currently have a scene after this where they escape. The midboss from before", "heroes escaping the dangerous underground with the friend they've saved? EDIT: I know", "a stunning climax. Alternatively, I can brush the escape aside and cut to", "in this example, whether it would be underwhelming to show an escape from", "The story isn't done, but the remainder can't compete with the climax. It", "they battle above a rickety old bridge, with a literal cliff hanger before", "they've saved? EDIT: I know I can have story follow the climax for", "resolution; or I can do something in the middle, where the escape is", "would the reader feel cheated if the scene cuts to the heroes escaping", "follow the climax for the purposes of tying off loose ends, mending relationships,", "room for action after an action-y climax: in this example, whether it would", "action-y climax: in this example, whether it would be underwhelming to show an", "they don't fight a villain. How do I know when to stop the", "cliff hanger before the heroes escape to the surface. But that feels like", "from death at the last moment, and the cave/tomb is about to collapse", "story, which feels unpleasant. How much falling action can I have before it", "to drag on? Or, put another way, would the reader feel cheated if", "the scene cuts to the heroes escaping the dangerous underground with the friend", "after an action-y climax: in this example, whether it would be underwhelming to", "at the last moment, and the cave/tomb is about to collapse around them.", "last fight, and they battle above a rickety old bridge, with a literal", "feels like I've put something mediocre after a stunning climax. Alternatively, I can", "with a literal cliff hanger before the heroes escape to the surface. But", "the same genre as Indiana Jones or Tomb Raider. I've reached the climax,", "of tying off loose ends, mending relationships, etc. What I want to know", "cut to them making it out just before the rocks fall, and pivot", "can have story follow the climax for the purposes of tying off loose", "for action after an action-y climax: in this example, whether it would be", "aside and cut to them making it out just before the rocks fall,", "a villain. How do I know when to stop the action? The story", "the climax for the purposes of tying off loose ends, mending relationships, etc.", "the cave/tomb is about to collapse around them. Now, I have a dilemma.", "do I know when to stop the action? The story isn't done, but", "have before it starts to drag on? Or, put another way, would the", "the heroes escape to the surface. But that feels like I've put something", "old bridge, with a literal cliff hanger before the heroes escape to the", "Jones or Tomb Raider. I've reached the climax, where the heroes have saved", "the climax, where the heroes have saved their friend from death at the", "as Indiana Jones or Tomb Raider. I've reached the climax, where the heroes", "action/adventure in the same genre as Indiana Jones or Tomb Raider. I've reached", "climax. Alternatively, I can brush the escape aside and cut to them making", "and pivot right into the resolution; or I can do something in the", "into the resolution; or I can do something in the middle, where the", "How do I know when to stop the action? The story isn't done,", "when to stop the action? The story isn't done, but the remainder can't", "midboss from before is back for one last fight, and they battle above", "which feels unpleasant. How much falling action can I have before it starts", "a required dangling bit of story, which feels unpleasant. How much falling action", "it starts to drag on? Or, put another way, would the reader feel", "action can I have before it starts to drag on? Or, put another", "last moment, and the cave/tomb is about to collapse around them. Now, I", "off loose ends, mending relationships, etc. What I want to know is if", "escape aside and cut to them making it out just before the rocks", "to know is if there's room for action after an action-y climax: in", "escape to the surface. But that feels like I've put something mediocre after", "an action/adventure in the same genre as Indiana Jones or Tomb Raider. I've", "their friend from death at the last moment, and the cave/tomb is about", "rocks fall, and pivot right into the resolution; or I can do something", "collapse around them. Now, I have a dilemma. I currently have a scene", "a rickety old bridge, with a literal cliff hanger before the heroes escape" ]
[ "you?\" > > > \"How do you know it's me in here?\" Kabaru", "*\"I told you off for the same thing too remember? Don't be surprised", "with having to repeatedly say \"he/she said in his/her mind.\" Is this the", "to repeatedly say \"he/she said in his/her mind.\" Is this the generally the", "another that allows them to communicate to each other with their minds. >", "his/her mind.\" Is this the generally the accepted format style for telepathic communication", "can see currently when I want to show that a conversation is occurring", "to send me photos of a prostitute who looked like you?\" > >", "the hell you thought it funny to send me photos of a prostitute", "know the truth.\"* > > > Hitagi turned her head sharply glaring at", "mind.\" Is this the generally the accepted format style for telepathic communication in", "the midst of verbal communication? If not, and if there is one, what", "too remember? Don't be surprised if Wose starts beating you with her staff", "that 2 characters share a telepathic link with one another that allows them", "this from the vocal stuff with having to repeatedly say \"he/she said in", "I know you're both using that telepathy thing.\" > > > As you", "point in my story, it's already been revealed that 2 characters share a", "already been revealed that 2 characters share a telepathic link with one another", "of a prostitute who looked like you?\" > > > \"How do you", "here?\" Kabaru asked, her voice distorted by the vocal mask inbuilt into her", "> \"Now before we get to business there is one issue I must", "minds of characters, I use italics (plain text wise I use tags to", "now that she know the truth.\"* > > > Hitagi turned her head", "a prostitute who looked like you?\" > > > \"How do you know", "my story, it's already been revealed that 2 characters share a telepathic link", "allows them to communicate to each other with their minds. > > \"Now", "like you?\" > > > \"How do you know it's me in here?\"", "for the same thing too remember? Don't be surprised if Wose starts beating", "must resolve,\" Hitagi said, getting up before pinning Kabaru against the wall with", "story, it's already been revealed that 2 characters share a telepathic link with", "get to business there is one issue I must resolve,\" Hitagi said, getting", "repeatedly say \"he/she said in his/her mind.\" Is this the generally the accepted", "with one another that allows them to communicate to each other with their", "her head sharply glaring at Yulia. \"Knock it off. I know you're both", "that a conversation is occurring in the minds of characters, I use italics", "vocal stuff with having to repeatedly say \"he/she said in his/her mind.\" Is", "other with their minds. > > \"Now before we get to business there", "for telepathic communication in the midst of verbal communication? If not, and if", "you know it's me in here?\" Kabaru asked, her voice distorted by the", "that allows them to communicate to each other with their minds. > >", "that she know the truth.\"* > > > Hitagi turned her head sharply", "midst of verbal communication? If not, and if there is one, what would", "sharply glaring at Yulia. \"Knock it off. I know you're both using that", "wall with her heel. \"Care to explain why the hell you thought it", "accepted format style for telepathic communication in the midst of verbal communication? If", "remember? Don't be surprised if Wose starts beating you with her staff after", "pinning Kabaru against the wall with her heel. \"Care to explain why the", "beating you with her staff after this now that she know the truth.\"*", "issue I must resolve,\" Hitagi said, getting up before pinning Kabaru against the", "to business there is one issue I must resolve,\" Hitagi said, getting up", "with her heel. \"Care to explain why the hell you thought it funny", "heel. \"Care to explain why the hell you thought it funny to send", "inbuilt into her helmet. *\"Yulia, help?\"* > > > *\"I told you off", "telepathic link with one another that allows them to communicate to each other", "of verbal communication? If not, and if there is one, what would be", "say \"he/she said in his/her mind.\" Is this the generally the accepted format", "with their minds. > > \"Now before we get to business there is", "communicate to each other with their minds. > > \"Now before we get", "to each other with their minds. > > \"Now before we get to", "2 characters share a telepathic link with one another that allows them to", "the same thing too remember? Don't be surprised if Wose starts beating you", "both using that telepathy thing.\" > > > As you can see currently", "know you're both using that telepathy thing.\" > > > As you can", "goes). This way it distinguishes this from the vocal stuff with having to", "and if there is one, what would be the general format style for", "glaring at Yulia. \"Knock it off. I know you're both using that telepathy", "in his/her mind.\" Is this the generally the accepted format style for telepathic", "of characters, I use italics (plain text wise I use tags to show", "This way it distinguishes this from the vocal stuff with having to repeatedly", "it funny to send me photos of a prostitute who looked like you?\"", "from the vocal stuff with having to repeatedly say \"he/she said in his/her", "Kabaru asked, her voice distorted by the vocal mask inbuilt into her helmet.", "same thing too remember? Don't be surprised if Wose starts beating you with", "one another that allows them to communicate to each other with their minds.", "text wise I use tags to show where it goes). This way it", "show where it goes). This way it distinguishes this from the vocal stuff", "wise I use tags to show where it goes). This way it distinguishes", "having to repeatedly say \"he/she said in his/her mind.\" Is this the generally", "head sharply glaring at Yulia. \"Knock it off. I know you're both using", "it's already been revealed that 2 characters share a telepathic link with one", "to explain why the hell you thought it funny to send me photos", "surprised if Wose starts beating you with her staff after this now that", "the vocal mask inbuilt into her helmet. *\"Yulia, help?\"* > > > *\"I", "currently when I want to show that a conversation is occurring in the", "characters share a telepathic link with one another that allows them to communicate", "occurring in the minds of characters, I use italics (plain text wise I", "\"Knock it off. I know you're both using that telepathy thing.\" > >", "show that a conversation is occurring in the minds of characters, I use", "Hitagi said, getting up before pinning Kabaru against the wall with her heel.", "it distinguishes this from the vocal stuff with having to repeatedly say \"he/she", "the accepted format style for telepathic communication in the midst of verbal communication?", "\"Now before we get to business there is one issue I must resolve,\"", "it's me in here?\" Kabaru asked, her voice distorted by the vocal mask", "italics (plain text wise I use tags to show where it goes). This", "thought it funny to send me photos of a prostitute who looked like", "verbal communication? If not, and if there is one, what would be the", "telepathy thing.\" > > > As you can see currently when I want", "vocal mask inbuilt into her helmet. *\"Yulia, help?\"* > > > *\"I told", "> > > *\"I told you off for the same thing too remember?", "Yulia. \"Knock it off. I know you're both using that telepathy thing.\" >", "you're both using that telepathy thing.\" > > > As you can see", "voice distorted by the vocal mask inbuilt into her helmet. *\"Yulia, help?\"* >", "been revealed that 2 characters share a telepathic link with one another that", "I must resolve,\" Hitagi said, getting up before pinning Kabaru against the wall", "the generally the accepted format style for telepathic communication in the midst of", "it goes). This way it distinguishes this from the vocal stuff with having", "getting up before pinning Kabaru against the wall with her heel. \"Care to", "funny to send me photos of a prostitute who looked like you?\" >", "asked, her voice distorted by the vocal mask inbuilt into her helmet. *\"Yulia,", "> *\"I told you off for the same thing too remember? Don't be", "use tags to show where it goes). This way it distinguishes this from", "At this point in my story, it's already been revealed that 2 characters", "mask inbuilt into her helmet. *\"Yulia, help?\"* > > > *\"I told you", "you can see currently when I want to show that a conversation is", "*\"Yulia, help?\"* > > > *\"I told you off for the same thing", "way it distinguishes this from the vocal stuff with having to repeatedly say", "their minds. > > \"Now before we get to business there is one", "turned her head sharply glaring at Yulia. \"Knock it off. I know you're", "said, getting up before pinning Kabaru against the wall with her heel. \"Care", "them to communicate to each other with their minds. > > \"Now before", "> > *\"I told you off for the same thing too remember? Don't", "that telepathy thing.\" > > > As you can see currently when I", "there is one issue I must resolve,\" Hitagi said, getting up before pinning", "when I want to show that a conversation is occurring in the minds", "to show that a conversation is occurring in the minds of characters, I", "you off for the same thing too remember? Don't be surprised if Wose", "is occurring in the minds of characters, I use italics (plain text wise", "help?\"* > > > *\"I told you off for the same thing too", "in my story, it's already been revealed that 2 characters share a telepathic", "not, and if there is one, what would be the general format style", "resolve,\" Hitagi said, getting up before pinning Kabaru against the wall with her", "send me photos of a prostitute who looked like you?\" > > >", "link with one another that allows them to communicate to each other with", "each other with their minds. > > \"Now before we get to business", "> > \"Now before we get to business there is one issue I", "before pinning Kabaru against the wall with her heel. \"Care to explain why", "by the vocal mask inbuilt into her helmet. *\"Yulia, help?\"* > > >", "> > > Hitagi turned her head sharply glaring at Yulia. \"Knock it", "I use tags to show where it goes). This way it distinguishes this", "want to show that a conversation is occurring in the minds of characters,", "me photos of a prostitute who looked like you?\" > > > \"How", "photos of a prostitute who looked like you?\" > > > \"How do", "she know the truth.\"* > > > Hitagi turned her head sharply glaring", "is one issue I must resolve,\" Hitagi said, getting up before pinning Kabaru", "the wall with her heel. \"Care to explain why the hell you thought", "off. I know you're both using that telepathy thing.\" > > > As", "> > > As you can see currently when I want to show", "minds. > > \"Now before we get to business there is one issue", "Don't be surprised if Wose starts beating you with her staff after this", "generally the accepted format style for telepathic communication in the midst of verbal", "distinguishes this from the vocal stuff with having to repeatedly say \"he/she said", "format style for telepathic communication in the midst of verbal communication? If not,", "with her staff after this now that she know the truth.\"* > >", "(plain text wise I use tags to show where it goes). This way", "Hitagi turned her head sharply glaring at Yulia. \"Knock it off. I know", "stuff with having to repeatedly say \"he/she said in his/her mind.\" Is this", "explain why the hell you thought it funny to send me photos of", "the minds of characters, I use italics (plain text wise I use tags", "truth.\"* > > > Hitagi turned her head sharply glaring at Yulia. \"Knock", "share a telepathic link with one another that allows them to communicate to", "I want to show that a conversation is occurring in the minds of", "Is this the generally the accepted format style for telepathic communication in the", "do you know it's me in here?\" Kabaru asked, her voice distorted by", "staff after this now that she know the truth.\"* > > > Hitagi", "who looked like you?\" > > > \"How do you know it's me", "in here?\" Kabaru asked, her voice distorted by the vocal mask inbuilt into", "at Yulia. \"Knock it off. I know you're both using that telepathy thing.\"", "\"he/she said in his/her mind.\" Is this the generally the accepted format style", "me in here?\" Kabaru asked, her voice distorted by the vocal mask inbuilt", "where it goes). This way it distinguishes this from the vocal stuff with", "communication in the midst of verbal communication? If not, and if there is", "in the midst of verbal communication? If not, and if there is one,", "communication? If not, and if there is one, what would be the general", "thing too remember? Don't be surprised if Wose starts beating you with her", "you thought it funny to send me photos of a prostitute who looked", "> > \"How do you know it's me in here?\" Kabaru asked, her", "to communicate to each other with their minds. > > \"Now before we", "her heel. \"Care to explain why the hell you thought it funny to", "helmet. *\"Yulia, help?\"* > > > *\"I told you off for the same", "told you off for the same thing too remember? Don't be surprised if", "this the generally the accepted format style for telepathic communication in the midst", "telepathic communication in the midst of verbal communication? If not, and if there", "into her helmet. *\"Yulia, help?\"* > > > *\"I told you off for", "the truth.\"* > > > Hitagi turned her head sharply glaring at Yulia.", "this point in my story, it's already been revealed that 2 characters share", "business there is one issue I must resolve,\" Hitagi said, getting up before", "hell you thought it funny to send me photos of a prostitute who", "to show where it goes). This way it distinguishes this from the vocal", "> As you can see currently when I want to show that a", "conversation is occurring in the minds of characters, I use italics (plain text", "Wose starts beating you with her staff after this now that she know", "prostitute who looked like you?\" > > > \"How do you know it's", "you with her staff after this now that she know the truth.\"* >", "why the hell you thought it funny to send me photos of a", "up before pinning Kabaru against the wall with her heel. \"Care to explain", "> > Hitagi turned her head sharply glaring at Yulia. \"Knock it off.", "we get to business there is one issue I must resolve,\" Hitagi said,", "> > As you can see currently when I want to show that", "know it's me in here?\" Kabaru asked, her voice distorted by the vocal", "a conversation is occurring in the minds of characters, I use italics (plain", "the vocal stuff with having to repeatedly say \"he/she said in his/her mind.\"", "if there is one, what would be the general format style for this?", "distorted by the vocal mask inbuilt into her helmet. *\"Yulia, help?\"* > >", "As you can see currently when I want to show that a conversation", "use italics (plain text wise I use tags to show where it goes).", "this now that she know the truth.\"* > > > Hitagi turned her", "using that telepathy thing.\" > > > As you can see currently when", "thing.\" > > > As you can see currently when I want to", "before we get to business there is one issue I must resolve,\" Hitagi", "in the minds of characters, I use italics (plain text wise I use", "it off. I know you're both using that telepathy thing.\" > > >", "characters, I use italics (plain text wise I use tags to show where", "revealed that 2 characters share a telepathic link with one another that allows", "her voice distorted by the vocal mask inbuilt into her helmet. *\"Yulia, help?\"*", "after this now that she know the truth.\"* > > > Hitagi turned", "starts beating you with her staff after this now that she know the", "> \"How do you know it's me in here?\" Kabaru asked, her voice", "\"How do you know it's me in here?\" Kabaru asked, her voice distorted", "I use italics (plain text wise I use tags to show where it", "\"Care to explain why the hell you thought it funny to send me", "If not, and if there is one, what would be the general format", "her staff after this now that she know the truth.\"* > > >", "her helmet. *\"Yulia, help?\"* > > > *\"I told you off for the", "> Hitagi turned her head sharply glaring at Yulia. \"Knock it off. I", "tags to show where it goes). This way it distinguishes this from the", "be surprised if Wose starts beating you with her staff after this now", "against the wall with her heel. \"Care to explain why the hell you", "said in his/her mind.\" Is this the generally the accepted format style for", "Kabaru against the wall with her heel. \"Care to explain why the hell", "off for the same thing too remember? Don't be surprised if Wose starts", "> > > \"How do you know it's me in here?\" Kabaru asked,", "style for telepathic communication in the midst of verbal communication? If not, and", "a telepathic link with one another that allows them to communicate to each", "see currently when I want to show that a conversation is occurring in", "if Wose starts beating you with her staff after this now that she", "looked like you?\" > > > \"How do you know it's me in", "one issue I must resolve,\" Hitagi said, getting up before pinning Kabaru against" ]
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