Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
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Somebody has even said that I", "Is it worth aiming for a poetic effect at the cost of not", "vague reflection of a stressed me breaking into a little grin on the", "to follow my writing. And my English teacher said that some of the", "know too well how to frame a proper question. I just happened to", "a \"charmingly old-fashioned way\". Keep in mind that I'm not a native English", "reflection of a stressed me breaking into a little grin on the damp", "moist. A fresh, earthy smell hung on the air. > > > I", "> I've been told that most of my sentences are too complex and", "keep in mind that this question was written a long time ago and", "this again one day and went on to patch up the issues it", "told that most of my sentences are too complex and that it isn't", "back: > > The sky seemed like a big, large pool of grey", "It has become kind of a habit for me to write unintelligible yet", "never write something like this now. But thanks for all of your thoughtful", "writing overly complex sentences which might not get understood that easily? Is it", "too well how to frame a proper question. I just happened to revisit", "my surroundings. I became lost into admiring the lovely shower for a few", "and fro to the movement of the minibus, blocking my view to some", "seemed like a big, large pool of grey smoke. The weather was cool,", "shower for a few moments before reality struck me hard. > > >", "an aspiring writer, nonetheless. And I still need to improve my English writing", "I could see the vague reflection of a stressed me breaking into a", "nonetheless. And I still need to improve my English writing skills a lot.", "that time. It is now over 2 years old and has been reopened", "time. It is now over 2 years old and has been reopened only", "I still need to improve my English writing skills a lot. ### NOTE", "was young and didn't know any better. 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I'm an aspiring writer, nonetheless. And", "revisit this again one day and went on to patch up the issues", "And that I try to cram too many information into a single sentence.", "on? How can I prevent myself from writing overly complex sentences which might", "bit. Please keep in mind that this question was written a long time", "clearly understood? It has become kind of a habit for me to write", "prevent myself from writing overly complex sentences which might not get understood that", "question. I just happened to revisit this again one day and went on", "damp window pane, as well as my surroundings. I became lost into admiring", "struck me hard. > > > I've been told that most of my", "the lovely shower for a few moments before reality struck me hard. >", "grey smoke. The weather was cool, moist. A fresh, earthy smell hung on", "and didn't know any better. I would never write something like this now.", "The weather was cool, moist. A fresh, earthy smell hung on the air.", "NOTE I'm not 12 anymore, hence the strikethrough on that bit. Please keep", "that this question was written a long time ago and got closed around", "from writing overly complex sentences which might not get understood that easily? Is", "frame a proper question. I just happened to revisit this again one day", "in a \"charmingly old-fashioned way\". Keep in mind that I'm not a native", "well how to frame a proper question. I just happened to revisit this", "the reader to understand what's going on? How can I prevent myself from", "anymore, hence the strikethrough on that bit. Please keep in mind that this", "get understood that easily? Is it worth aiming for a poetic effect at", "like a big, large pool of grey smoke. The weather was cool, moist.", "12 anymore, hence the strikethrough on that bit. Please keep in mind that", "still 12 (I'm 14 now, in fact) and now this piece is something", "sentence. Is it really too difficult for the reader to understand what's going", "in mind that this question was written a long time ago and got", "piece is something I'm incredibly ashamed of. All the cringey stuff I wrote", "light tinkle, creating a rhythmical musical tune which doubtlessly was perceived by quite", "droplets drizzled onto the closed glass pane with a light tinkle, creating a", "worth aiming for a poetic effect at the cost of not being clearly", "wrote back when I was young and didn't know any better. I would", "fro to the movement of the minibus, blocking my view to some extent.", "to and fro to the movement of the minibus, blocking my view to", "that bit. Please keep in mind that this question was written a long", "unintelligible yet impressive sentences. Somebody has even said that I write in a", "extent. Tiny rain droplets drizzled onto the closed glass pane with a light", "and that it isn't easy to follow my writing. And my English teacher", "could see the vague reflection of a stressed me breaking into a little", "Keep in mind that I'm not a native English speaker and only 12.", "and went on to patch up the issues it had. But I wasn't", "reader to understand what's going on? How can I prevent myself from writing", "become kind of a habit for me to write unintelligible yet impressive sentences.", "few. I could see the vague reflection of a stressed me breaking into", "only 12. I'm an aspiring writer, nonetheless. And I still need to improve", "just happened to revisit this again one day and went on to patch" ]
[ "should I do? I shared it on my social-networking page but that didn't", "sold. So any suggestions? What should I do? I shared it on my", "28 August 2016 and since then only seven copies sold. So any suggestions?", "do? I shared it on my social-networking page but that didn't help much.", "since then only seven copies sold. So any suggestions? What should I do?", "can I boost sales of my Segdle ebook? I published it on 28", "ebook? I published it on 28 August 2016 and since then only seven", "seven copies sold. So any suggestions? What should I do? I shared it", "sales of my Segdle ebook? I published it on 28 August 2016 and", "any suggestions? What should I do? I shared it on my social-networking page", "I boost sales of my Segdle ebook? I published it on 28 August", "suggestions? What should I do? I shared it on my social-networking page but", "boost sales of my Segdle ebook? I published it on 28 August 2016", "How can I boost sales of my Segdle ebook? I published it on", "my Segdle ebook? I published it on 28 August 2016 and since then", "it on 28 August 2016 and since then only seven copies sold. So", "of my Segdle ebook? I published it on 28 August 2016 and since", "published it on 28 August 2016 and since then only seven copies sold.", "I do? I shared it on my social-networking page but that didn't help", "2016 and since then only seven copies sold. So any suggestions? What should", "So any suggestions? What should I do? I shared it on my social-networking", "August 2016 and since then only seven copies sold. So any suggestions? What", "then only seven copies sold. So any suggestions? What should I do? I", "on 28 August 2016 and since then only seven copies sold. So any", "only seven copies sold. So any suggestions? What should I do? I shared", "and since then only seven copies sold. So any suggestions? What should I", "Segdle ebook? I published it on 28 August 2016 and since then only", "What should I do? I shared it on my social-networking page but that", "copies sold. So any suggestions? What should I do? I shared it on", "I published it on 28 August 2016 and since then only seven copies" ]
[ "share a full short story he has written with the readers within a", "with the reader directly. First person narrative * How can a character read", "directly. First person narrative * How can a character read a written work", "story, roughly 8,000 to 10,000 words * I prefer the writer sharing the", "and vice versa? This is a wordy short story, roughly 8,000 to 10,000", "narrative * How can a character read a written work within a story?", "roughly 8,000 to 10,000 words * I prefer the writer sharing the short", "writer himself, share a full short story he has written with the readers", "work and vice versa? This is a wordy short story, roughly 8,000 to", "the writer sharing the short story with the reader directly. First person narrative", "How can a character read a written work within a story? Third person", "* I prefer the writer sharing the short story with the reader directly.", "vice versa? This is a wordy short story, roughly 8,000 to 10,000 words", "to separate the frame story from the written work and vice versa? This", "the techniques he can use to separate the frame story from the written", "versa? This is a wordy short story, roughly 8,000 to 10,000 words ", "I prefer the writer sharing the short story with the reader directly. First", "writer sharing the short story with the reader directly. First person narrative ", "full short story he has written with the readers within a short story?", "story he has written with the readers within a short story? What are", "How can a protagonist, being a writer himself, share a full short story", "the short story with the reader directly. First person narrative * How can", "he has written with the readers within a short story? What are the", "with the readers within a short story? What are the techniques he can", "readers within a short story? What are the techniques he can use to", "wordy short story, roughly 8,000 to 10,000 words * I prefer the writer", "short story with the reader directly. First person narrative * How can a", "a full short story he has written with the readers within a short", "story with the reader directly. First person narrative * How can a character", "What are the techniques he can use to separate the frame story from", "the reader directly. First person narrative * How can a character read a", "First person narrative * How can a character read a written work within", "frame story from the written work and vice versa? This is a wordy", "a short story? What are the techniques he can use to separate the", "use to separate the frame story from the written work and vice versa?", "a character read a written work within a story? Third person omniscient narrative", "he can use to separate the frame story from the written work and", "story? What are the techniques he can use to separate the frame story", "10,000 words * I prefer the writer sharing the short story with the", "a wordy short story, roughly 8,000 to 10,000 words * I prefer the", "can a character read a written work within a story? Third person omniscient", "techniques he can use to separate the frame story from the written work", "written work and vice versa? This is a wordy short story, roughly 8,000", "the written work and vice versa? This is a wordy short story, roughly", "from the written work and vice versa? This is a wordy short story,", "8,000 to 10,000 words * I prefer the writer sharing the short story", "short story he has written with the readers within a short story? What", "has written with the readers within a short story? What are the techniques", "the frame story from the written work and vice versa? This is a", "person narrative * How can a character read a written work within a", "the readers within a short story? What are the techniques he can use", "words * I prefer the writer sharing the short story with the reader", "This is a wordy short story, roughly 8,000 to 10,000 words * I", "short story, roughly 8,000 to 10,000 words * I prefer the writer sharing", "story from the written work and vice versa? This is a wordy short", "short story? What are the techniques he can use to separate the frame", "a writer himself, share a full short story he has written with the", "are the techniques he can use to separate the frame story from the", "a protagonist, being a writer himself, share a full short story he has", "prefer the writer sharing the short story with the reader directly. First person", "sharing the short story with the reader directly. First person narrative * How", "can use to separate the frame story from the written work and vice", "* How can a character read a written work within a story? Third", "is a wordy short story, roughly 8,000 to 10,000 words * I prefer", "to 10,000 words * I prefer the writer sharing the short story with", "protagonist, being a writer himself, share a full short story he has written", "can a protagonist, being a writer himself, share a full short story he", "himself, share a full short story he has written with the readers within", "written with the readers within a short story? What are the techniques he", "being a writer himself, share a full short story he has written with", "separate the frame story from the written work and vice versa? This is", "reader directly. First person narrative * How can a character read a written", "within a short story? What are the techniques he can use to separate" ]
[ "little stupid world of securities went down. He wrote with similitudes, he described", "I read Raymond Chandler and my little stupid world of securities went down.", "stupid world of securities went down. He wrote with similitudes, he described places", "read that good writers shouldn't use similitudes and metaphors. Also, a writer shouldn't", "and my little stupid world of securities went down. He wrote with similitudes,", "writer shouldn't use too many descriptions. Then, I read Raymond Chandler and my", "down. He wrote with similitudes, he described places in a pedantic way etc.", "world of securities went down. He wrote with similitudes, he described places in", "shouldn't use too many descriptions. Then, I read Raymond Chandler and my little", "similitudes and metaphors. Also, a writer shouldn't use too many descriptions. Then, I", "with similitudes, he described places in a pedantic way etc. etc. So, what", "Also, a writer shouldn't use too many descriptions. Then, I read Raymond Chandler", "similitudes, he described places in a pedantic way etc. etc. So, what is", "a writer shouldn't use too many descriptions. Then, I read Raymond Chandler and", "metaphors. Also, a writer shouldn't use too many descriptions. Then, I read Raymond", "I always read that good writers shouldn't use similitudes and metaphors. Also, a", "of securities went down. He wrote with similitudes, he described places in a", "securities went down. He wrote with similitudes, he described places in a pedantic", "and metaphors. Also, a writer shouldn't use too many descriptions. Then, I read", "Raymond Chandler and my little stupid world of securities went down. He wrote", "my little stupid world of securities went down. He wrote with similitudes, he", "in a pedantic way etc. etc. So, what is a good writing \"habit\"?", "wrote with similitudes, he described places in a pedantic way etc. etc. So,", "He wrote with similitudes, he described places in a pedantic way etc. etc.", "many descriptions. Then, I read Raymond Chandler and my little stupid world of", "Then, I read Raymond Chandler and my little stupid world of securities went", "writers shouldn't use similitudes and metaphors. Also, a writer shouldn't use too many", "places in a pedantic way etc. etc. So, what is a good writing", "that good writers shouldn't use similitudes and metaphors. Also, a writer shouldn't use", "went down. He wrote with similitudes, he described places in a pedantic way", "described places in a pedantic way etc. etc. So, what is a good", "descriptions. Then, I read Raymond Chandler and my little stupid world of securities", "too many descriptions. Then, I read Raymond Chandler and my little stupid world", "Chandler and my little stupid world of securities went down. He wrote with", "shouldn't use similitudes and metaphors. Also, a writer shouldn't use too many descriptions.", "read Raymond Chandler and my little stupid world of securities went down. He", "always read that good writers shouldn't use similitudes and metaphors. Also, a writer", "use similitudes and metaphors. Also, a writer shouldn't use too many descriptions. Then,", "good writers shouldn't use similitudes and metaphors. Also, a writer shouldn't use too", "he described places in a pedantic way etc. etc. So, what is a", "use too many descriptions. Then, I read Raymond Chandler and my little stupid" ]
[ "Would I be able to get away with what I just described, as", "more than 100,000 words (or about 110,000 for fantasy). I don't think I've", "is a bit of a self-explanatory question to many people, but I just", "single book. Would I be able to get away with what I just", "Background ---------- I'm not sure if this is a bit of a self-explanatory", "Tons of blogs made for writers, magazines, and other forms of media state", "book in the series, I'd have too little to fill it with. My", "little to fill it with. My work would also work better if it", "writing would work best as a long, single book, about 150,000 words in", "I'm writing would work best as a long, single book, about 150,000 words", "long, single book, about 150,000 words in total. I feel like if I", "of media state that a debut author should not try submitting a manuscript", "can't figure this out. Tons of blogs made for writers, magazines, and other", "(or about 110,000 for fantasy). I don't think I've never seen anyone deny", "deny this. Question -------- So, Why do publishers not want to publish lengthy", "from debut authors? Personally, I think the story I'm writing would work best", "with what I just described, as a debut author who has never been", "to get away with what I just described, as a debut author who", "self-contained in a single book. Would I be able to get away with", "a bit of a self-explanatory question to many people, but I just can't", "have too little to fill it with. My work would also work better", "about 150,000 words in total. I feel like if I were to start", "a debut author should not try submitting a manuscript of more than 100,000", "in total. I feel like if I were to start a second book", "submitting a manuscript of more than 100,000 words (or about 110,000 for fantasy).", "series, I'd have too little to fill it with. My work would also", "book. Would I be able to get away with what I just described,", "to fill it with. My work would also work better if it were", "think the story I'm writing would work best as a long, single book,", "think I've never seen anyone deny this. Question -------- So, Why do publishers", "for writers, magazines, and other forms of media state that a debut author", "fill it with. My work would also work better if it were self-contained", "in a single book. Would I be able to get away with what", "work better if it were self-contained in a single book. Would I be", "don't think I've never seen anyone deny this. Question -------- So, Why do", "do publishers not want to publish lengthy work from debut authors?** Personally, I", "out. Tons of blogs made for writers, magazines, and other forms of media", "state that a debut author should not try submitting a manuscript of more", "Why do publishers not want to publish lengthy work from debut authors? Personally,", "150,000 words in total. I feel like if I were to start a", "a long, single book, about 150,000 words in total. I feel like if", "self-explanatory question to many people, but I just can't figure this out. Tons", "total. I feel like if I were to start a second book in", "were to start a second book in the series, I'd have too little", "second book in the series, I'd have too little to fill it with.", "lengthy work from debut authors? Personally, I think the story I'm writing would", "try submitting a manuscript of more than 100,000 words (or about 110,000 for", "debut authors? Personally, I think the story I'm writing would work best as", "made for writers, magazines, and other forms of media state that a debut", "blogs made for writers, magazines, and other forms of media state that a", "with. My work would also work better if it were self-contained in a", "this is a bit of a self-explanatory question to many people, but I", "words in total. I feel like if I were to start a second", "sure if this is a bit of a self-explanatory question to many people,", "as a long, single book, about 150,000 words in total. I feel like", "words (or about 110,000 for fantasy). I don't think I've never seen anyone", "100,000 words (or about 110,000 for fantasy). I don't think I've never seen", "this. Question -------- So, Why do publishers not want to publish lengthy work", "I feel like if I were to start a second book in the", "Personally, I think the story I'm writing would work best as a long,", "author should not try submitting a manuscript of more than 100,000 words (or", "better if it were self-contained in a single book. Would I be able", "were self-contained in a single book. Would I be able to get away", "anyone deny this. Question -------- So, Why do publishers not want to publish", "about 110,000 for fantasy). I don't think I've never seen anyone deny this.", "the series, I'd have too little to fill it with. My work would", "to start a second book in the series, I'd have too little to", "in the series, I'd have too little to fill it with. My work", "not sure if this is a bit of a self-explanatory question to many", "So, Why do publishers not want to publish lengthy work from debut authors?", "a self-explanatory question to many people, but I just can't figure this out.", "I just can't figure this out. Tons of blogs made for writers, magazines,", "I think the story I'm writing would work best as a long, single", "I don't think I've never seen anyone deny this. Question -------- So, Why", "able to get away with what I just described, as a debut author", "best as a long, single book, about 150,000 words in total. I feel", "work from debut authors? Personally, I think the story I'm writing would work", "get away with what I just described, as a debut author who has", "would also work better if it were self-contained in a single book. Would", "bit of a self-explanatory question to many people, but I just can't figure", "seen anyone deny this. Question -------- So, Why do publishers not want to", "also work better if it were self-contained in a single book. Would I", "a single book. Would I be able to get away with what I", "if I were to start a second book in the series, I'd have", "of more than 100,000 words (or about 110,000 for fantasy). I don't think", "many people, but I just can't figure this out. Tons of blogs made", "if it were self-contained in a single book. *Would I be able to", "forms of media state that a debut author should not try submitting a", "feel like if I were to start a second book in the series,", "but I just can't figure this out. Tons* of blogs made for writers,", "should not try submitting a manuscript of more than 100,000 words (or about", "of a self-explanatory question to many people, but I just can't figure this", "never seen anyone deny this. Question -------- So, Why do publishers not want", "it with. My work would also work better if it were self-contained in", "away with what I just described, as a debut author who has never", "of blogs made for writers, magazines, and other forms of media state that", "to publish lengthy work from debut authors? Personally, I think the story I'm", "too little to fill it with. My work would also work better if", "start a second book in the series, I'd have too little to fill", "writers, magazines, and other forms of media state that a debut author should", "like if I were to start a second book in the series, I'd", "not want to publish lengthy work from debut authors?** Personally, I think the", "I'm not sure if this is a bit of a self-explanatory question to", "question to many people, but I just can't figure this out. Tons of", "I just described, as a debut author who has never been published?** Thanks.", "to many people, but I just can't figure this out. Tons of blogs", "a second book in the series, I'd have too little to fill it", "a manuscript of more than 100,000 words (or about 110,000 for fantasy). I", "if this is a bit of a self-explanatory question to many people, but", "would work best as a long, single book, about 150,000 words in total.", "debut author should not try submitting a manuscript of more than 100,000 words", "media state that a debut author should not try submitting a manuscript of", "magazines, and other forms of media state that a debut author should not", "this out. Tons of blogs made for writers, magazines, and other forms of", "that a debut author should not try submitting a manuscript of more than", "work best as a long, single book, about 150,000 words in total. I", "what I just described, as a debut author who has never been published?", "single book, about 150,000 words in total. I feel like if I were", "it were self-contained in a single book. Would I be able to get", "I'd have too little to fill it with. My work would also work", "110,000 for fantasy). I don't think I've never seen anyone deny this. Question", "I've never seen anyone deny this. Question -------- So, Why do publishers not", "other forms of media state that a debut author should not try submitting", "My work would also work better if it were self-contained in a single", "fantasy). I don't think I've never seen anyone deny this. Question -------- So,", "the story I'm writing would work best as a long, single book, about", "---------- I'm not sure if this is a bit of a self-explanatory question", "manuscript of more than 100,000 words (or about 110,000 for fantasy). I don't", "I were to start a second book in the series, I'd have too", "story I'm writing would work best as a long, single book, about 150,000", "than 100,000 words (or about 110,000 for fantasy). I don't think I've never", "Question -------- So, Why do publishers not want to publish lengthy work from", "book, about 150,000 words in total. I feel like if I were to", "and other forms of media state that a debut author should not try", "I be able to get away with what I just described, as a", "work would also work better if it were self-contained in a single book.", "figure this out. Tons of blogs made for writers, magazines, and other forms", "be able to get away with what I just described, as a debut", "for fantasy). I don't think I've never seen anyone deny this. Question --------", "publish lengthy work from debut authors? Personally, I think the story I'm writing", "-------- So, Why do publishers not want to publish lengthy work from debut", "want to publish lengthy work from debut authors? Personally, I think the story", "authors? Personally, I think the story I'm writing would work best as a", "not try submitting a manuscript of more than 100,000 words (or about 110,000", "just can't figure this out. Tons of blogs made for writers, magazines, and", "people, but I just can't figure this out. Tons of blogs made for", "publishers not want to publish lengthy work from debut authors?** Personally, I think" ]
[ "in a fantasy world, within which there are multiple languages. I'm applying the", "a language that is very similar to the viewpoint character's own language. It's", "English, and everything else is written in the original language (as he would", "to the viewpoint character's own language. It's not close enough that he'd understand", "My question is, how can I convey this (in the sense of putting", "of putting the reader in the character's head) as clearly and simply as", "subjective third person, by the way) is able to immediately understand is rendered", "they mean. My question is, how can I convey this (in the sense", "question is, how can I convey this (in the sense of putting the", "person, by the way) is able to immediately understand is rendered as English,", "The trouble is that some characters speak a language that is very similar", "rough idea of what they mean. My question is, how can I convey", "there are multiple languages. I'm applying the rule that any speech the viewpoint", "understand is rendered as English, and everything else is written in the original", "is very similar to the viewpoint character's own language. It's not close enough", "within which there are multiple languages. I'm applying the rule that any speech", "convey this (in the sense of putting the reader in the character's head)", "of what they mean. My question is, how can I convey this (in", "background, I'm writing a novel set in a fantasy world, within which there", "that he'd understand every word, but he could probably get a rough idea", "which there are multiple languages. I'm applying the rule that any speech the", "and everything else is written in the original language (as he would hear", "rendered as English, and everything else is written in the original language (as", "third person, by the way) is able to immediately understand is rendered as", "I'm writing a novel set in a fantasy world, within which there are", "else is written in the original language (as he would hear it). The", "own language. It's not close enough that he'd understand every word, but he", "that some characters speak a language that is very similar to the viewpoint", "but he could probably get a rough idea of what they mean. My", "a fantasy world, within which there are multiple languages. I'm applying the rule", "get a rough idea of what they mean. My question is, how can", "that is very similar to the viewpoint character's own language. It's not close", "able to immediately understand is rendered as English, and everything else is written", "using subjective third person, by the way) is able to immediately understand is", "how can I convey this (in the sense of putting the reader in", "character's own language. It's not close enough that he'd understand every word, but", "could probably get a rough idea of what they mean. My question is,", "any speech the viewpoint character (I'm using subjective third person, by the way)", "what they mean. My question is, how can I convey this (in the", "provide a little background, I'm writing a novel set in a fantasy world,", "close enough that he'd understand every word, but he could probably get a", "language (as he would hear it). The trouble is that some characters speak", "the viewpoint character's own language. It's not close enough that he'd understand every", "as English, and everything else is written in the original language (as he", "(in the sense of putting the reader in the character's head) as clearly", "very similar to the viewpoint character's own language. It's not close enough that", "writing a novel set in a fantasy world, within which there are multiple", "world, within which there are multiple languages. I'm applying the rule that any", "It's not close enough that he'd understand every word, but he could probably", "set in a fantasy world, within which there are multiple languages. I'm applying", "the way) is able to immediately understand is rendered as English, and everything", "hear it). The trouble is that some characters speak a language that is", "enough that he'd understand every word, but he could probably get a rough", "character (I'm using subjective third person, by the way) is able to immediately", "I convey this (in the sense of putting the reader in the character's", "viewpoint character (I'm using subjective third person, by the way) is able to", "by the way) is able to immediately understand is rendered as English, and", "mean. My question is, how can I convey this (in the sense of", "fantasy world, within which there are multiple languages. I'm applying the rule that", "probably get a rough idea of what they mean. My question is, how", "a rough idea of what they mean. My question is, how can I", "multiple languages. I'm applying the rule that any speech the viewpoint character (I'm", "it). The trouble is that some characters speak a language that is very", "To provide a little background, I'm writing a novel set in a fantasy", "the original language (as he would hear it). The trouble is that some", "trouble is that some characters speak a language that is very similar to", "a novel set in a fantasy world, within which there are multiple languages.", "to immediately understand is rendered as English, and everything else is written in", "putting the reader in the character's head) as clearly and simply as possible?", "understand every word, but he could probably get a rough idea of what", "viewpoint character's own language. It's not close enough that he'd understand every word,", "word, but he could probably get a rough idea of what they mean.", "is rendered as English, and everything else is written in the original language", "are multiple languages. I'm applying the rule that any speech the viewpoint character", "languages. I'm applying the rule that any speech the viewpoint character (I'm using", "applying the rule that any speech the viewpoint character (I'm using subjective third", "this (in the sense of putting the reader in the character's head) as", "characters speak a language that is very similar to the viewpoint character's own", "novel set in a fantasy world, within which there are multiple languages. I'm", "(as he would hear it). The trouble is that some characters speak a", "little background, I'm writing a novel set in a fantasy world, within which", "sense of putting the reader in the character's head) as clearly and simply", "would hear it). The trouble is that some characters speak a language that", "I'm applying the rule that any speech the viewpoint character (I'm using subjective", "is able to immediately understand is rendered as English, and everything else is", "is that some characters speak a language that is very similar to the", "is written in the original language (as he would hear it). The trouble", "he could probably get a rough idea of what they mean. My question", "the rule that any speech the viewpoint character (I'm using subjective third person,", "every word, but he could probably get a rough idea of what they", "the sense of putting the reader in the character's head) as clearly and", "(I'm using subjective third person, by the way) is able to immediately understand", "the viewpoint character (I'm using subjective third person, by the way) is able", "not close enough that he'd understand every word, but he could probably get", "in the original language (as he would hear it). The trouble is that", "written in the original language (as he would hear it). The trouble is", "a little background, I'm writing a novel set in a fantasy world, within", "that any speech the viewpoint character (I'm using subjective third person, by the", "similar to the viewpoint character's own language. It's not close enough that he'd", "original language (as he would hear it). The trouble is that some characters", "language that is very similar to the viewpoint character's own language. It's not", "way) is able to immediately understand is rendered as English, and everything else", "immediately understand is rendered as English, and everything else is written in the", "speech the viewpoint character (I'm using subjective third person, by the way) is", "speak a language that is very similar to the viewpoint character's own language.", "he would hear it). The trouble is that some characters speak a language", "language. It's not close enough that he'd understand every word, but he could", "is, how can I convey this (in the sense of putting the reader", "can I convey this (in the sense of putting the reader in the", "everything else is written in the original language (as he would hear it).", "some characters speak a language that is very similar to the viewpoint character's", "idea of what they mean. My question is, how can I convey this", "rule that any speech the viewpoint character (I'm using subjective third person, by", "he'd understand every word, but he could probably get a rough idea of" ]
[ "a more descriptive sentence. Sometimes, I find a much more colorful way to", "more colorful way to express myself when editing out an -ly word. Other", "road to hell is paved with adverbs,\" said Spepfuj Kunw. He went on", "\", she said with a wry grin.\" Does this exercise improve my writing,", "I find myself avoiding them by transforming sentences in a straightforward manner, e.g.:", "transforming sentences in a straightforward manner, e.g.: \"The two silently admired Jupiter\" =>", "Spepfuj Kunw. He went on to explain that they should be used sparingly,", "on to explain that they should be used sparingly, not as a crutch", "my writing, or is it just as lazy as the original -ly adverb?", "much more colorful way to express myself when editing out an -ly word.", "Does this exercise improve my writing, or is it just as lazy as", "it just as lazy as the original -ly adverb? Any advice for when", "descriptive sentence. Sometimes, I find a much more colorful way to express myself", "-ly word. Other times, I find myself avoiding them by transforming sentences in", "she said with a wry grin.\" Does this exercise improve my writing, or", "two silently admired Jupiter\" => \"The two admired Jupiter in silence.\" \", she", "silence.\" \", she said wryly\" => \", she said with a wry grin.\"", "\", she said wryly\" => \", she said with a wry grin.\" Does", "a wry grin.\" Does this exercise improve my writing, or is it just", "improve my writing, or is it just as lazy as the original -ly", "when editing out an -ly word. Other times, I find myself avoiding them", "believe the road to hell is paved with adverbs,\" said Spepfuj Kunw. He", "two admired Jupiter in silence.\" \", she said wryly\" => \", she said", "more descriptive sentence. Sometimes, I find a much more colorful way to express", "be used sparingly, not as a crutch to avoid writing a more descriptive", "find myself avoiding them by transforming sentences in a straightforward manner, e.g.: \"The", "grin.\" Does this exercise improve my writing, or is it just as lazy", "in a straightforward manner, e.g.: \"The two silently admired Jupiter\" => \"The two", "that they should be used sparingly, not as a crutch to avoid writing", "word. Other times, I find myself avoiding them by transforming sentences in a", "silently admired Jupiter\" => \"The two admired Jupiter in silence.\" \", she said", "with a wry grin.\" Does this exercise improve my writing, or is it", "to hell is paved with adverbs,\" said Spepfuj Kunw. He went on to", "He went on to explain that they should be used sparingly, not as", "admired Jupiter\" => \"The two admired Jupiter in silence.\" \", she said wryly\"", "editing out an -ly word. Other times, I find myself avoiding them by", "myself when editing out an -ly word. Other times, I find myself avoiding", "said wryly\" => \", she said with a wry grin.\" Does this exercise", "way to express myself when editing out an -ly word. Other times, I", "to express myself when editing out an -ly word. Other times, I find", "adverbs,\" said Spepfuj Kunw. He went on to explain that they should be", "Jupiter\" => \"The two admired Jupiter in silence.\" \", she said wryly\" =>", "times, I find myself avoiding them by transforming sentences in a straightforward manner,", "express myself when editing out an -ly word. Other times, I find myself", "hell is paved with adverbs,\" said Spepfuj Kunw. He went on to explain", "find a much more colorful way to express myself when editing out an", "they should be used sparingly, not as a crutch to avoid writing a", "said Spepfuj Kunw. He went on to explain that they should be used", "I find a much more colorful way to express myself when editing out", "crutch to avoid writing a more descriptive sentence. Sometimes, I find a much", "should be used sparingly, not as a crutch to avoid writing a more", "straightforward manner, e.g.: \"The two silently admired Jupiter\" => \"The two admired Jupiter", "as lazy as the original -ly adverb? Any advice for when that rich", "manner, e.g.: \"The two silently admired Jupiter\" => \"The two admired Jupiter in", "the original -ly adverb? Any advice for when that rich description fails to", "them by transforming sentences in a straightforward manner, e.g.: \"The two silently admired", "Any advice for when that rich description fails to materialize in my mind?", "writing, or is it just as lazy as the original -ly adverb? Any", "not as a crutch to avoid writing a more descriptive sentence. Sometimes, I", "=> \", she said with a wry grin.\" Does this exercise improve my", "e.g.: \"The two silently admired Jupiter\" => \"The two admired Jupiter in silence.\"", "adverb? Any advice for when that rich description fails to materialize in my", "myself avoiding them by transforming sentences in a straightforward manner, e.g.: \"The two", "with adverbs,\" said Spepfuj Kunw. He went on to explain that they should", "Sometimes, I find a much more colorful way to express myself when editing", "admired Jupiter in silence.\" \", she said wryly\" => \", she said with", "out an -ly word. Other times, I find myself avoiding them by transforming", "as the original -ly adverb? Any advice for when that rich description fails", "paved with adverbs,\" said Spepfuj Kunw. He went on to explain that they", "a crutch to avoid writing a more descriptive sentence. Sometimes, I find a", "a straightforward manner, e.g.: \"The two silently admired Jupiter\" => \"The two admired", "or is it just as lazy as the original -ly adverb? Any advice", "\"The two admired Jupiter in silence.\" \", she said wryly\" => \", she", "in silence.\" \", she said wryly\" => \", she said with a wry", "just as lazy as the original -ly adverb? Any advice for when that", "went on to explain that they should be used sparingly, not as a", "is it just as lazy as the original -ly adverb? Any advice for", "by transforming sentences in a straightforward manner, e.g.: \"The two silently admired Jupiter\"", "Kunw. He went on to explain that they should be used sparingly, not", "=> \"The two admired Jupiter in silence.\" \", she said wryly\" => \",", "sentence. Sometimes, I find a much more colorful way to express myself when", "exercise improve my writing, or is it just as lazy as the original", "as a crutch to avoid writing a more descriptive sentence. Sometimes, I find", "wry grin.\" Does this exercise improve my writing, or is it just as", "a much more colorful way to express myself when editing out an -ly", "original -ly adverb? Any advice for when that rich description fails to materialize", "she said wryly\" => \", she said with a wry grin.\" Does this", "-ly adverb? Any advice for when that rich description fails to materialize in", "sparingly, not as a crutch to avoid writing a more descriptive sentence. Sometimes,", "sentences in a straightforward manner, e.g.: \"The two silently admired Jupiter\" => \"The", "explain that they should be used sparingly, not as a crutch to avoid", "Other times, I find myself avoiding them by transforming sentences in a straightforward", "said with a wry grin.\" Does this exercise improve my writing, or is", "to explain that they should be used sparingly, not as a crutch to", "avoiding them by transforming sentences in a straightforward manner, e.g.: \"The two silently", "to avoid writing a more descriptive sentence. Sometimes, I find a much more", "the road to hell is paved with adverbs,\" said Spepfuj Kunw. He went", "is paved with adverbs,\" said Spepfuj Kunw. He went on to explain that", "wryly\" => \", she said with a wry grin.\" Does this exercise improve", "colorful way to express myself when editing out an -ly word. Other times,", "this exercise improve my writing, or is it just as lazy as the", "writing a more descriptive sentence. Sometimes, I find a much more colorful way", "lazy as the original -ly adverb? Any advice for when that rich description", "Jupiter in silence.\" \", she said wryly\" => \", she said with a", "used sparingly, not as a crutch to avoid writing a more descriptive sentence.", "\"The two silently admired Jupiter\" => \"The two admired Jupiter in silence.\" \",", "\"I believe the road to hell is paved with adverbs,\" said Spepfuj Kunw.", "an -ly word. Other times, I find myself avoiding them by transforming sentences", "avoid writing a more descriptive sentence. Sometimes, I find a much more colorful" ]
[ "has not plot and is quite bad. I read somewhere that NaNo is", "my story has not plot and is quite bad. I read somewhere that", "way to 50k but I feel like my story has not plot and", "for quality of writing. (How) can I improve the quality of writing during", "I read somewhere that NaNo is awful for quality of writing. (How) can", "read somewhere that NaNo is awful for quality of writing. (How) can I", "feel like my story has not plot and is quite bad. I read", "but I feel like my story has not plot and is quite bad.", "plot and is quite bad. I read somewhere that NaNo is awful for", "quite bad. I read somewhere that NaNo is awful for quality of writing.", "story has not plot and is quite bad. I read somewhere that NaNo", "on my way to 50k but I feel like my story has not", "that NaNo is awful for quality of writing. (How) can I improve the", "like my story has not plot and is quite bad. I read somewhere", "I feel like my story has not plot and is quite bad. I", "quality of writing. (How) can I improve the quality of writing during NaNoWriMo?", "to 50k but I feel like my story has not plot and is", "somewhere that NaNo is awful for quality of writing. (How) can I improve", "awful for quality of writing. (How) can I improve the quality of writing", "not plot and is quite bad. I read somewhere that NaNo is awful", "is awful for quality of writing. (How) can I improve the quality of", "NaNo is awful for quality of writing. (How) can I improve the quality", "my way to 50k but I feel like my story has not plot", "I'm well on my way to 50k but I feel like my story", "and is quite bad. I read somewhere that NaNo is awful for quality", "bad. I read somewhere that NaNo is awful for quality of writing. **(How)", "is quite bad. I read somewhere that NaNo is awful for quality of", "50k but I feel like my story has not plot and is quite", "well on my way to 50k but I feel like my story has" ]
[ "the rest of the story because you know she is going to be", "know what will happen as a result of it, or does it lessen", "will happen as a result of it, or does it lessen the tension", "gives a little bit away. In my story, the main character gets captured", "I want to know about whether or not it's okay to start at", "story, the main character gets captured and that's the point I want to", "she gets captured and don't know what will happen as a result of", "does it lessen the tension of the rest of the story because you", "the point I want to start at and then flashback. Is this okay,", "considering you then can learn why she gets captured and don't know what", "point I want to start at and then flashback. Is this okay, considering", "a little bit away. In my story, the main character gets captured and", "don't know what will happen as a result of it, or does it", "the tension of the rest of the story because you know she is", "In my story, the main character gets captured and that's the point I", "Is this okay, considering you then can learn why she gets captured and", "then can learn why she gets captured and don't know what will happen", "what will happen as a result of it, or does it lessen the", "to start at and then flashback. Is this okay, considering you then can", "captured and don't know what will happen as a result of it, or", "I want to start at and then flashback. Is this okay, considering you", "gets captured and don't know what will happen as a result of it,", "lessen the tension of the rest of the story because you know she", "can learn why she gets captured and don't know what will happen as", "want to start at and then flashback. Is this okay, considering you then", "this okay, considering you then can learn why she gets captured and don't", "start at a point that gives a little bit away. In my story,", "as a result of it, or does it lessen the tension of the", "to know about whether or not it's okay to start at a point", "that's the point I want to start at and then flashback. Is this", "a result of it, or does it lessen the tension of the rest", "happen as a result of it, or does it lessen the tension of", "not it's okay to start at a point that gives a little bit", "rest of the story because you know she is going to be captured?", "bit away. In my story, the main character gets captured and that's the", "you then can learn why she gets captured and don't know what will", "that gives a little bit away. In my story, the main character gets", "tension of the rest of the story because you know she is going", "main character gets captured and that's the point I want to start at", "start at and then flashback. Is this okay, considering you then can learn", "captured and that's the point I want to start at and then flashback.", "why she gets captured and don't know what will happen as a result", "character gets captured and that's the point I want to start at and", "result of it, or does it lessen the tension of the rest of", "and then flashback. Is this okay, considering you then can learn why she", "or does it lessen the tension of the rest of the story because", "away. In my story, the main character gets captured and that's the point", "gets captured and that's the point I want to start at and then", "learn why she gets captured and don't know what will happen as a", "of the rest of the story because you know she is going to", "flashback. Is this okay, considering you then can learn why she gets captured", "a point that gives a little bit away. In my story, the main", "point that gives a little bit away. In my story, the main character", "it's okay to start at a point that gives a little bit away.", "the main character gets captured and that's the point I want to start", "to start at a point that gives a little bit away. In my", "at and then flashback. Is this okay, considering you then can learn why", "and don't know what will happen as a result of it, or does", "of it, or does it lessen the tension of the rest of the", "want to know about whether or not it's okay to start at a", "and that's the point I want to start at and then flashback. Is", "okay, considering you then can learn why she gets captured and don't know", "okay to start at a point that gives a little bit away. In", "it, or does it lessen the tension of the rest of the story", "or not it's okay to start at a point that gives a little", "know about whether or not it's okay to start at a point that", "Specifically, I want to know about whether or not it's okay to start", "it lessen the tension of the rest of the story because you know", "about whether or not it's okay to start at a point that gives", "my story, the main character gets captured and that's the point I want", "little bit away. In my story, the main character gets captured and that's", "then flashback. Is this okay, considering you then can learn why she gets", "at a point that gives a little bit away. In my story, the", "whether or not it's okay to start at a point that gives a" ]
[ "but I feel that as soon as the misunderstanding is revealed it can", "as soon as they are written down. However, this causes an issue when", "on the opportunity for the character to misinterpret what he hears, it almost", "misinterpret what he hears, it almost certainly means that he has heard incorrectly.", "onto the page Schrodinger's box is opened and the reader knows exactly which", "for forks.\" > > > The issue with this is that as soon", "are put onto the page Schrodinger's box is opened and the reader knows", "it than was intended by the speaker, which means that the reader doesn't", "I asked for fork handles. Handles for forks.\" > > > As soon", "by the speaker, which means that the reader doesn't get the same chance", "to deliberately write about someone hearing the incorrect words, because as soon as", "from the reader when it is revealed. *Is there any good way to", "the counter, \"good day sir, I would like four candles please.\" > >", "the counter. > > > \"No, I asked for fork handles. Handles for", "homophones](https://www.youtube.com/watch?v=3VkjDSxBVqw) that can cause confusion when speaking, but if the two similar sounding", "written as the POV character hears the words, but I feel that as", "not a problem,\" the shopkeeper was quite sure that he had heard the", "> > \"Of course, not a problem,\" the shopkeeper was quite sure that", "writing, for example: > > A man entered the shop and approached the", "and approached the counter, \"good day sir, I would like four candles please.\"", "from the shelf, and then placed them on the counter. > > >", "as they are written down. However, this causes an issue when attempting to", "please.\" > > > \"Of course, not a problem,\" the shopkeeper fetched four", "\"good day sir, I would like four candles please.\" > > > \"Of", "misheard, there would be no reason for the writer to mention it, which", "deliberately* write about someone hearing the incorrect words, because as soon as they", "written from the perspective of the shopkeeper: > > A man entered the", "no reason for the writer to mention it, which means the surprise is", "the same chance to have their own interpretation of the phrase spoken. I", "to misinterpret what he hears, it almost certainly means that he has heard", "can cause confusion when speaking, but if the two similar sounding words are", "he went to fetch four candles from the shelf, and then placed them", "accidentally, the writer purposefully decided to choose the opposite way to write it", "is [full of homophones](https://www.youtube.com/watch?v=3VkjDSxBVqw) that can cause confusion when speaking, but if the", "for fork handles. Handles for forks.\" > > > As soon as the", "easily misinterpreted the speaker accidentally, the writer purposefully decided to choose the opposite", "version is actually being said aloud. From a limited perspective, it can be", "the shelf, and then placed them on the counter. > > > \"No,", "had heard the customer correctly, so he went to fetch four candles from", "> > > \"Of course, not a problem,\" the shopkeeper fetched four candles", "four candles from the shelf and placed them on the counter. > >", "placed them on the counter. > > > \"No, I asked for fork", "is actually being said aloud. From a limited perspective, it can be written", "speaker, which means that the reader doesn't get the same chance to have", "sees this they will realize that, whilst the listener could have easily misinterpreted", "> > A man entered the shop and approached the counter, \"good day", "is taken from the reader when it is revealed. Is there any good", "problem,\" the shopkeeper fetched four candles from the shelf and placed them on", "they are written down. However, this causes an issue when attempting to deliberately", "asked for fork handles. Handles for forks.\" > > > As soon as", "> \"No, I asked for fork handles. Handles for forks.\" > > >", "words are spelled differently they can be clarified as soon as they are", "quite sure that he had heard the customer correctly, so he went to", "surprise is taken from the reader when it is revealed. Is there any", "soon as the writing focuses on the opportunity for the character to misinterpret", "when it is revealed. Is there any good way to write down a", "been misled. For example, written from the perspective of the shopkeeper: > >", "misinterpreted the speaker accidentally, the writer purposefully decided to choose the opposite way", "the misunderstanding is revealed it can completely jar the reader as they realize", "incorrect words, because as soon as they are put onto the page Schrodinger's", "a homophone that still leaves the correct (and incorrect) interpretation open to the", "down. However, this causes an issue when attempting to deliberately* write about someone", "four candles please.\" > > > \"Of course, not a problem,\" the shopkeeper", "could have easily misinterpreted the speaker accidentally, the writer purposefully decided to choose", "example, written from the perspective of the shopkeeper: > > A man entered", "limited perspective, it can be written as the POV character hears the words,", "be written as the POV character hears the words, but I feel that", "purposefully decided to choose the opposite way to write it than was intended", "> \"Of course, not a problem,\" the shopkeeper was quite sure that he", "which version is actually being said aloud. From a limited perspective, it can", "possibility of sewing an element of doubt into the writing, for example: >", "for forks.\" > > > As soon as the reader sees this they", "misled. For example, written from the perspective of the shopkeeper: > > A", "words, but I feel that as soon as the misunderstanding is revealed it", "when attempting to deliberately write about someone hearing the incorrect words, because as", "as the misunderstanding is revealed it can completely jar the reader as they", "\"Of course, not a problem,\" the shopkeeper was quite sure that he had", "the listener could have easily misinterpreted the speaker accidentally, the writer purposefully decided", "that as soon as the misunderstanding is revealed it can completely jar the", "candles please.\" > > > \"Of course, not a problem,\" the shopkeeper was", "when speaking, but if the two similar sounding words are spelled differently they", "hearing the incorrect words, because as soon as they are put onto the", "For example, written from the perspective of the shopkeeper: > > A man", "which means the surprise is taken from the reader when it is revealed.", "fork handles. Handles for forks.\" > > > The issue with this is", "way to write down a homophone that still leaves the correct (and incorrect)", "the speaker, which means that the reader doesn't get the same chance to", "writer purposefully decided to choose the opposite way to write it than was", "the opportunity for the character to misinterpret what he hears, it almost certainly", "from the shelf and placed them on the counter. > > > \"No,", "are written down. However, this causes an issue when attempting to deliberately write", "they will realize that, whilst the listener could have easily misinterpreted the speaker", "fetch four candles from the shelf, and then placed them on the counter.", "as the writing focuses on the opportunity for the character to misinterpret what", "that the reader doesn't get the same chance to have their own interpretation", "this causes an issue when attempting to deliberately write about someone hearing the", "phrase spoken. I did think about the possibility of sewing an element of", "what he hears, it almost certainly means that he has heard incorrectly. If", "then placed them on the counter. > > > \"No, I asked for", "> As soon as the reader sees this they will realize that, whilst", "as the reader sees this they will realize that, whilst the listener could", "that he had heard the customer correctly, so he went to fetch four", "soon as they are put onto the page Schrodinger's box is opened and", "> > As soon as the reader sees this they will realize that,", "the phrase spoken. I did think about the possibility of sewing an element", "he hadn't misheard, there would be no reason for the writer to mention", "a problem,\" the shopkeeper fetched four candles from the shelf and placed them", "man entered the shop and approached the counter, \"good day sir, I would", "as they are put onto the page Schrodinger's box is opened and the", "character hears the words, but I feel that as soon as the misunderstanding", "revealed. *Is there any good way to write down a homophone that still", "asked for fork handles. Handles for forks.\" > > > The issue with", "listener could have easily misinterpreted the speaker accidentally, the writer purposefully decided to", "and then placed them on the counter. > > > \"No, I asked", "the character to misinterpret what he hears, it almost certainly means that he", "good way to write down a homophone that still leaves the correct (and", "exactly which version is actually being said aloud. From a limited perspective, it", "As soon as the reader sees this they will realize that, whilst the", "the shop and approached the counter, \"good day sir, I would like four", "soon as the reader sees this they will realize that, whilst the listener", "that he has* heard incorrectly. If he hadn't misheard, there would be no", "as the POV character hears the words, but I feel that as soon", "\"No, I asked for fork handles. Handles for forks.\" > > > The", "intended by the speaker, which means that the reader doesn't get the same", "they can be clarified as soon as they are written down. However, this", "can be written as the POV character hears the words, but I feel", "incorrectly. If he hadn't misheard, there would be no reason for the writer", "of homophones](https://www.youtube.com/watch?v=3VkjDSxBVqw) that can cause confusion when speaking, but if the two similar", "differently they can be clarified as soon as they are written down. However,", "shop and approached the counter, \"good day sir, I would like four candles", "course, not a problem,\" the shopkeeper fetched four candles from the shelf and", "soon as they are written down. However, this causes an issue when attempting", "words, because as soon as they are put onto the page Schrodinger's box", "reader as they realize that they have deliberately been misled. For example, written", "it can be written as the POV character hears the words, but I", "reader doesn't get the same chance to have their own interpretation of the", "> > > The issue with this is that as soon as the", "page Schrodinger's box is opened and the reader knows exactly which version is", "the POV character hears the words, but I feel that as soon as", "soon as the misunderstanding is revealed it can completely jar the reader as", "think about the possibility of sewing an element of doubt into the writing,", "customer correctly, so he went to fetch four candles from the shelf, and", "has heard incorrectly. If he hadn't misheard, there would be no reason for", "the reader knows exactly which version is actually being said aloud. From a", "that as soon as the writing focuses on the opportunity for the character", "shelf, and then placed them on the counter. > > > \"No, I", "Handles for forks.\" > > > As soon as the reader sees this", "of doubt into the writing, for example: > > A man entered the", "way to write it than was intended by the speaker, which means that", "have deliberately been misled. For example, written from the perspective of the shopkeeper:", "taken from the reader when it is revealed. *Is there any good way", "certainly means that he has* heard incorrectly. If he hadn't misheard, there would", "of the phrase spoken. I did think about the possibility of sewing an", "to have their own interpretation of the phrase spoken. I did think about", "sounding words are spelled differently they can be clarified as soon as they", "hears, it almost certainly means that he has heard incorrectly. If he hadn't", "realize that they have deliberately been misled. For example, written from the perspective", "into the writing, for example: > > A man entered the shop and", "chance to have their own interpretation of the phrase spoken. I did think", "confusion when speaking, but if the two similar sounding words are spelled differently", "because as soon as they are put onto the page Schrodinger's box is", "course, not a problem,\" the shopkeeper was quite sure that he had heard", "writing focuses on the opportunity for the character to misinterpret what he hears,", "the surprise is taken from the reader when it is revealed. *Is there", "character to misinterpret what he hears, it almost certainly means that he has", "aloud. From a limited perspective, it can be written as the POV character", "an element of doubt into the writing, for example: > > A man", "the speaker accidentally, the writer purposefully decided to choose the opposite way to", "jar the reader as they realize that they have deliberately been misled. 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Handles for forks.\" > > > As soon as the reader", "from the perspective of the shopkeeper: > > A man entered the shop", "so he went to fetch four candles from the shelf, and then placed", "\"Of course, not a problem,\" the shopkeeper fetched four candles from the shelf", "speaker accidentally, the writer purposefully decided to choose the opposite way to write", "shopkeeper: > > A man entered the shop and approached the counter, \"good", "to fetch four candles from the shelf, and then placed them on the", "From a limited perspective, it can be written as the POV character hears", "whilst the listener could have easily misinterpreted the speaker accidentally, the writer purposefully", "put onto the page Schrodinger's box is opened and the reader knows exactly", "element of doubt into the writing, for example: > > A man entered", "which means that the reader doesn't get the same chance to have their", "causes an issue when attempting to deliberately* write about someone hearing the incorrect", "heard the customer correctly, so he went to fetch four candles from the", "four candles from the shelf, and then placed them on the counter. >", "forks.\" > > > As soon as the reader sees this they will", "they have deliberately been misled. For example, written from the perspective of the", "that, whilst the listener could have easily misinterpreted the speaker accidentally, the writer", "was quite sure that he had heard the customer correctly, so he went", "the shelf and placed them on the counter. > > > \"No, I", "issue with this is that as soon as the writing focuses on the", "reader sees this they will realize that, whilst the listener could have easily", "> > > \"No, I asked for fork handles. Handles for forks.\" >", "misunderstanding is revealed it can completely jar the reader as they realize that", "written down. However, this causes an issue when attempting to deliberately write about", "went to fetch four candles from the shelf, and then placed them on", "a limited perspective, it can be written as the POV character hears the", "opportunity for the character to misinterpret what he hears, it almost certainly means", "he hears, it almost certainly means that he has heard incorrectly. If he", "hears the words, but I feel that as soon as the misunderstanding is", "if the two similar sounding words are spelled differently they can be clarified", "and placed them on the counter. > > > \"No, I asked for", "Schrodinger's box is opened and the reader knows exactly which version is actually", "the perspective of the shopkeeper: > > A man entered the shop and", "the shopkeeper was quite sure that he had heard the customer correctly, so", "be clarified as soon as they are written down. However, this causes an", "> > > As soon as the reader sees this they will realize", "mention it, which means the surprise is taken from the reader when it", "revealed it can completely jar the reader as they realize that they have", "reader when it is revealed. Is there any good way to write down", "own interpretation of the phrase spoken. I did think about the possibility of", "would like four candles please.\" > > > \"Of course, not a problem,\"", "for the character to misinterpret what he hears, it almost certainly means that", "write it than was intended by the speaker, which means that the reader", "deliberately been misled. For example, written from the perspective of the shopkeeper: >", "their own interpretation of the phrase spoken. I did think about the possibility", "is opened and the reader knows exactly which version is actually being said", "the possibility of sewing an element of doubt into the writing, for example:", "shopkeeper was quite sure that he had heard the customer correctly, so he", "as soon as the misunderstanding is revealed it can completely jar the reader", "was intended by the speaker, which means that the reader doesn't get the", "have their own interpretation of the phrase spoken. I did think about the", "correctly, so he went to fetch four candles from the shelf, and then", "but if the two similar sounding words are spelled differently they can be", "means the surprise is taken from the reader when it is revealed. Is", "the words, but I feel that as soon as the misunderstanding is revealed", "the page Schrodinger's box is opened and the reader knows exactly which version", "> > \"Of course, not a problem,\" the shopkeeper fetched four candles from", "this is that as soon as the writing focuses on the opportunity for", "approached the counter, \"good day sir, I would like four candles please.\" >", "> The issue with this is that as soon as the writing focuses", "is revealed. *Is there any good way to write down a homophone that", "A man entered the shop and approached the counter, \"good day sir, I", "he has* heard incorrectly. If he hadn't misheard, there would be no reason", "sure that he had heard the customer correctly, so he went to fetch", "for fork handles. Handles for forks.\" > > > The issue with this", "Handles for forks.\" > > > The issue with this is that as", "the reader when it is revealed. *Is there any good way to write", "is that as soon as the writing focuses on the opportunity for the", "opened and the reader knows exactly which version is actually being said aloud.", "for example: > > A man entered the shop and approached the counter,", "I would like four candles please.\" > > > \"Of course, not a", "as soon as the writing focuses on the opportunity for the character to", "not a problem,\" the shopkeeper fetched four candles from the shelf and placed", "day sir, I would like four candles please.\" > > > \"Of course,", "forks.\" > > > The issue with this is that as soon as", "can be clarified as soon as they are written down. However, this causes", "reader knows exactly which version is actually being said aloud. From a limited", "sewing an element of doubt into the writing, for example: > > A", "with this is that as soon as the writing focuses on the opportunity", "handles. Handles for forks.\" > > > The issue with this is that", "> > The issue with this is that as soon as the writing", "[full of homophones](https://www.youtube.com/watch?v=3VkjDSxBVqw) that can cause confusion when speaking, but if the two", "the customer correctly, so he went to fetch four candles from the shelf,", "there any good way to write down a homophone that still leaves the", "counter. > > > \"No, I asked for fork handles. Handles for forks.\"", "\"No, I asked for fork handles. Handles for forks.\" > > > As", "perspective of the shopkeeper: > > A man entered the shop and approached", "knows exactly which version is actually being said aloud. From a limited perspective,", "have easily misinterpreted the speaker accidentally, the writer purposefully decided to choose the", "homophone that still leaves the correct (and incorrect) interpretation open to the reader?*", "it can completely jar the reader as they realize that they have deliberately", "handles. Handles for forks.\" > > > As soon as the reader sees", "focuses on the opportunity for the character to misinterpret what he hears, it", "heard incorrectly. If he hadn't misheard, there would be no reason for the", "as soon as they are put onto the page Schrodinger's box is opened", "problem,\" the shopkeeper was quite sure that he had heard the customer correctly,", "are spelled differently they can be clarified as soon as they are written", "I asked for fork handles. Handles for forks.\" > > > The issue", "spoken. I did think about the possibility of sewing an element of doubt", "can completely jar the reader as they realize that they have deliberately been", "feel that as soon as the misunderstanding is revealed it can completely jar", "of the shopkeeper: > > A man entered the shop and approached the", "there would be no reason for the writer to mention it, which means", "English is [full of homophones](https://www.youtube.com/watch?v=3VkjDSxBVqw) that can cause confusion when speaking, but if", "is revealed it can completely jar the reader as they realize that they", "> > \"No, I asked for fork handles. Handles for forks.\" > >", "for the writer to mention it, which means the surprise is taken from", "I feel that as soon as the misunderstanding is revealed it can completely", "down a homophone that still leaves the correct (and incorrect) interpretation open to", "candles from the shelf, and then placed them on the counter. > >", "the reader doesn't get the same chance to have their own interpretation of", "*Is there any good way to write down a homophone that still leaves", "the two similar sounding words are spelled differently they can be clarified as", "that can cause confusion when speaking, but if the two similar sounding words", "counter, \"good day sir, I would like four candles please.\" > > >", "choose the opposite way to write it than was intended by the speaker,", "the writer purposefully decided to choose the opposite way to write it than", "same chance to have their own interpretation of the phrase spoken. I did", "please.\" > > > \"Of course, not a problem,\" the shopkeeper was quite", "> A man entered the shop and approached the counter, \"good day sir,", "than was intended by the speaker, which means that the reader doesn't get", "the writing focuses on the opportunity for the character to misinterpret what he", "the reader as they realize that they have deliberately been misled. For example,", "example: > > A man entered the shop and approached the counter, \"good", "being said aloud. From a limited perspective, it can be written as the", "completely jar the reader as they realize that they have deliberately been misled.", "get the same chance to have their own interpretation of the phrase spoken.", "> > > \"Of course, not a problem,\" the shopkeeper was quite sure", "However, this causes an issue when attempting to deliberately* write about someone hearing", "this they will realize that, whilst the listener could have easily misinterpreted the", "If he hadn't misheard, there would be no reason for the writer to", "it almost certainly means that he has heard incorrectly. If he hadn't misheard,", "means that he has heard incorrectly. If he hadn't misheard, there would be", "candles please.\" > > > \"Of course, not a problem,\" the shopkeeper fetched", "doesn't get the same chance to have their own interpretation of the phrase", "actually being said aloud. From a limited perspective, it can be written as", "would be no reason for the writer to mention it, which means the", "write about someone hearing the incorrect words, because as soon as they are", "about someone hearing the incorrect words, because as soon as they are put", "will realize that, whilst the listener could have easily misinterpreted the speaker accidentally,", "almost certainly means that he has heard incorrectly. If he hadn't misheard, there", "said aloud. From a limited perspective, it can be written as the POV", "of sewing an element of doubt into the writing, for example: > >", "attempting to deliberately write about someone hearing the incorrect words, because as soon", "they realize that they have deliberately been misled. For example, written from the", "realize that, whilst the listener could have easily misinterpreted the speaker accidentally, the", "to write down a homophone that still leaves the correct (and incorrect) interpretation" ]
[ "does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm", "atm, MW. However, he does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In", "author usually writes the units out as kilometer, atmosphere, megawatt* instead of km,", "the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm* and millimeter are even used", "book What If?, the author usually writes the units out as kilometer, atmosphere,", "> The core of a lightning bolt is a few centimeters in diameter.", "find a reason to not use the SI symbols. I guess the reason", "example, I can't explain why the first number should use mm* while the", "used together: > > The core of a lightning bolt is a few", "SI symbols. I guess the reason is similar to writing numbers in words", "numbers in words when doing so doesn't look silly for a better reading-flow-feeling.", "when doing so doesn't look silly for a better reading-flow-feeling. But in the", "can't explain why the first number should use mm while the second one", "both mm and millimeter are even used together: > > The core of", "I can't explain why the first number should use mm while the second", "reason to not use the SI symbols. I guess the reason is similar", "in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm and millimeter are even", "is a few centimeters in diameter. A bullet fired from an AK-47 is", "confused because I can't find a reason to not use the SI symbols.", "few centimeters in diameter. A bullet fired from an AK-47 is about 26", "together: > > The core of a lightning bolt is a few centimeters", "fired from an AK-47 is about 26 mm long and moves at about", "the above example, I can't explain why the first number should use mm", "writing numbers in words when doing so doesn't look silly for a better", "[![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm and millimeter are even used together: >", "silly for a better reading-flow-feeling. But in the above example, I can't explain", "look silly for a better reading-flow-feeling. But in the above example, I can't", "mm long and moves at about 700 millimeters every millisecond. > > >", "In one line, both mm and millimeter are even used together: > >", "millimeters every millisecond. > > > This makes me confused because I can't", "> This makes me confused because I can't find a reason to not", "bolt is a few centimeters in diameter. A bullet fired from an AK-47", "symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm and millimeter are", "drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm and millimeter are even used together:", "number should use mm while the second one should use millimeter. Is there", "> > > This makes me confused because I can't find a reason", "mm and millimeter are even used together: > > The core of a", "> > The core of a lightning bolt is a few centimeters in", "the SI symbols. I guess the reason is similar to writing numbers in", "second one should use millimeter. Is there a general rule for writing out", "instead of km, atm, MW. However, he does use the symbols in the", "for a better reading-flow-feeling. But in the above example, I can't explain why", "is about 26 mm long and moves at about 700 millimeters every millisecond.", "first number should use mm while the second one should use millimeter. Is", "the reason is similar to writing numbers in words when doing so doesn't", "moves at about 700 millimeters every millisecond. > > > This makes me", "explain why the first number should use mm while the second one should", "a reason to not use the SI symbols. I guess the reason is", "words when doing so doesn't look silly for a better reading-flow-feeling. But in", "the units out as kilometer, atmosphere, megawatt instead of km, atm, MW. However,", "writes the units out as kilometer, atmosphere, megawatt instead of km, atm, MW.", "to writing numbers in words when doing so doesn't look silly for a", "are even used together: > > The core of a lightning bolt is", "should use millimeter. Is there a general rule for writing out the unit", "about 26 mm long and moves at about 700 millimeters every millisecond. >", "a lightning bolt is a few centimeters in diameter. A bullet fired from", "one should use millimeter. Is there a general rule for writing out the", "from an AK-47 is about 26 mm long and moves at about 700", "in words when doing so doesn't look silly for a better reading-flow-feeling. But", "use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm and", "> > This makes me confused because I can't find a reason to", "core of a lightning bolt is a few centimeters in diameter. A bullet", "AK-47 is about 26 mm long and moves at about 700 millimeters every", "even used together: > > The core of a lightning bolt is a", "diameter. A bullet fired from an AK-47 is about 26 mm long and", "above example, I can't explain why the first number should use mm while", "while the second one should use millimeter. Is there a general rule for", "the second one should use millimeter. Is there a general rule for writing", "better reading-flow-feeling. But in the above example, I can't explain why the first", "This makes me confused because I can't find a reason to not use", "similar to writing numbers in words when doing so doesn't look silly for", "the book What If?, the author usually writes the units out as kilometer,", "he does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both", "700 millimeters* every millisecond. > > > This makes me confused because I", "use millimeter. Is there a general rule for writing out the unit instead", "a few centimeters in diameter. A bullet fired from an AK-47 is about", "line, both mm and millimeter are even used together: > > The core", "a general rule for writing out the unit instead of its SI symbol?", "me confused because I can't find a reason to not use the SI", "can't find a reason to not use the SI symbols. I guess the", "megawatt* instead of km, atm, MW. However, he does use the symbols in", "a better reading-flow-feeling. But in the above example, I can't explain why the", "use mm while the second one should use millimeter. Is there a general", "reason is similar to writing numbers in words when doing so doesn't look", "I guess the reason is similar to writing numbers in words when doing", "units out as kilometer, atmosphere, megawatt instead of km, atm, MW. However, he", "In the book What If?, the author usually writes the units out as", "atmosphere, megawatt* instead of km, atm, MW. However, he does use the symbols", "lightning bolt is a few centimeters in diameter. A bullet fired from an", "in the above example, I can't explain why the first number should use", "The core of a lightning bolt is a few centimeters in diameter. A", "of a lightning bolt is a few centimeters in diameter. A bullet fired", "there a general rule for writing out the unit instead of its SI", "so doesn't look silly for a better reading-flow-feeling. But in the above example,", "doing so doesn't look silly for a better reading-flow-feeling. But in the above", "should use mm while the second one should use millimeter. Is there a", "why the first number should use mm while the second one should use", "But in the above example, I can't explain why the first number should", "to not use the SI symbols. I guess the reason is similar to", "long and moves at about 700 millimeters every millisecond. > > > This", "If?, the author usually writes the units out as kilometer, atmosphere, megawatt* instead", "centimeters in diameter. A bullet fired from an AK-47 is about 26 mm", "about 700 millimeters every millisecond. > > > This makes me confused because", "MW. However, he does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one", "doesn't look silly for a better reading-flow-feeling. But in the above example, I", "symbols. I guess the reason is similar to writing numbers in words when", "the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line, both mm* and millimeter", "mm while the second one should use millimeter. Is there a general rule", "Is there a general rule for writing out the unit instead of its", "as kilometer, atmosphere, megawatt instead of km, atm, MW. However, he does use", "makes me confused because I can't find a reason to not use the", "one line, both mm and millimeter are even used together: > > The", "the first number should use mm while the second one should use millimeter.", "millisecond. > > > This makes me confused because I can't find a", "not use the SI symbols. I guess the reason is similar to writing", "out as kilometer, atmosphere, megawatt instead of km, atm, MW. However, he does", "at about 700 millimeters every millisecond. > > > This makes me confused", "What If?, the author usually writes the units out as kilometer, atmosphere, megawatt", "guess the reason is similar to writing numbers in words when doing so", "bullet fired from an AK-47 is about 26 mm long and moves at", "and millimeter are even used together: > > The core of a lightning", "However, he does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png) In one line,", "millimeter. Is there a general rule for writing out the unit instead of", "A bullet fired from an AK-47 is about 26 mm long and moves", "because I can't find a reason to not use the SI symbols. I", "the author usually writes the units out as kilometer, atmosphere, megawatt instead of", "kilometer, atmosphere, megawatt instead of km, atm, MW. However, he does use the", "usually writes the units out as kilometer, atmosphere, megawatt instead of km, atm,", "reading-flow-feeling. But in the above example, I can't explain why the first number", "in diameter. A bullet fired from an AK-47 is about 26 mm* long", "is similar to writing numbers in words when doing so doesn't look silly", "millimeter are even used together: > > The core of a lightning bolt", "of km, atm, MW. However, he does use the symbols in the drawings:", "26 mm long and moves at about 700 millimeters every millisecond. > >", "use the SI symbols. I guess the reason is similar to writing numbers", "and moves at about 700 millimeters every millisecond. > > > This makes", "an AK-47 is about 26 mm long and moves at about 700 millimeters", "every millisecond. > > > This makes me confused because I can't find", "km, atm, MW. However, he does use the symbols in the drawings: [![](https://i.stack.imgur.com/jJ2Lg.png)](https://i.stack.imgur.com/jJ2Lg.png)", "I can't find a reason to not use the SI symbols. I guess" ]
[ "used that people now might not be familiar with. Should I replace these", "I'm in the process of planning a story right now, without the intention", "if I do. It's set in the 1880s and is formatted like a", "I do. It's set in the 1880s and is formatted like a journal", "is it okay to use the period-correct version? If the latter, would it", "with others, but I would like it to be comprehensible if I do.", "it with others, but I would like it to be comprehensible if I", "replace these with their modern counterparts, or is it okay to use the", "okay to use the period-correct version? If the latter, would it interesting and", "counterparts, or is it okay to use the period-correct version? If the latter,", "like a journal which belongs to a doctor, and there would be some", "not be familiar with. Should I replace these with their modern counterparts, or", "journal which belongs to a doctor, and there would be some words used", "I replace these with their modern counterparts, or is it okay to use", "it interesting and useful to include annotations (say, as if someone had later", "the intention of sharing it it with others, but I would like it", "and is formatted like a journal which belongs to a doctor, and there", "like it to be comprehensible if I do. It's set in the 1880s", "with. Should I replace these with their modern counterparts, or is it okay", "formatted like a journal which belongs to a doctor, and there would be", "modern counterparts, or is it okay to use the period-correct version? If the", "or is it okay to use the period-correct version? If the latter, would", "which belongs to a doctor, and there would be some words used that", "the 1880s and is formatted like a journal which belongs to a doctor,", "and there would be some words used that people now might not be", "words used that people now might not be familiar with. Should I replace", "be familiar with. Should I replace these with their modern counterparts, or is", "interesting and useful to include annotations (say, as if someone had later found", "a journal which belongs to a doctor, and there would be some words", "would like it to be comprehensible if I do. It's set in the", "right now, without the intention of sharing it it with others, but I", "period-correct version? If the latter, would it interesting and useful to include annotations", "familiar with. Should I replace these with their modern counterparts, or is it", "I would like it to be comprehensible if I do. It's set in", "the process of planning a story right now, without the intention of sharing", "to a doctor, and there would be some words used that people now", "to use the period-correct version? If the latter, would it interesting and useful", "do. It's set in the 1880s and is formatted like a journal which", "some words used that people now might not be familiar with. Should I", "now, without the intention of sharing it it with others, but I would", "it it with others, but I would like it to be comprehensible if", "version? If the latter, would it interesting and useful to include annotations (say,", "sharing it it with others, but I would like it to be comprehensible", "comprehensible if I do. It's set in the 1880s and is formatted like", "If the latter, would it interesting and useful to include annotations (say, as", "but I would like it to be comprehensible if I do. It's set", "doctor, and there would be some words used that people now might not", "might not be familiar with. Should I replace these with their modern counterparts,", "a story right now, without the intention of sharing it it with others,", "would be some words used that people now might not be familiar with.", "without the intention of sharing it it with others, but I would like", "that people now might not be familiar with. Should I replace these with", "belongs to a doctor, and there would be some words used that people", "story right now, without the intention of sharing it it with others, but", "and useful to include annotations (say, as if someone had later found the", "intention of sharing it it with others, but I would like it to", "to be comprehensible if I do. It's set in the 1880s and is", "process of planning a story right now, without the intention of sharing it", "useful to include annotations (say, as if someone had later found the journal)?", "is formatted like a journal which belongs to a doctor, and there would", "in the process of planning a story right now, without the intention of", "set in the 1880s and is formatted like a journal which belongs to", "of sharing it it with others, but I would like it to be", "these with their modern counterparts, or is it okay to use the period-correct", "with their modern counterparts, or is it okay to use the period-correct version?", "it okay to use the period-correct version? If the latter, would it interesting", "there would be some words used that people now might not be familiar", "be some words used that people now might not be familiar with. Should", "latter, would it interesting and useful to include annotations (say, as if someone", "planning a story right now, without the intention of sharing it it with", "their modern counterparts, or is it okay to use the period-correct version? If", "others, but I would like it to be comprehensible if I do. It's", "be comprehensible if I do. It's set in the 1880s and is formatted", "it to be comprehensible if I do. It's set in the 1880s and", "1880s and is formatted like a journal which belongs to a doctor, and", "of planning a story right now, without the intention of sharing it it", "a doctor, and there would be some words used that people now might", "in the 1880s and is formatted like a journal which belongs to a", "Should I replace these with their modern counterparts, or is it okay to", "would it interesting and useful to include annotations (say, as if someone had", "the period-correct version? If the latter, would it interesting and useful to include", "people now might not be familiar with. Should I replace these with their", "the latter, would it interesting and useful to include annotations (say, as if", "It's set in the 1880s and is formatted like a journal which belongs", "now might not be familiar with. Should I replace these with their modern", "use the period-correct version? If the latter, would it interesting and useful to" ]
[ "If she publishes photos of the paintings in her book, with attribution to", "are working on a book that will contain photographs of paintings that were", "many of them are deceased. If she publishes photos of the paintings in", "public service to help preserve and increase local knowledge concerning a local self-taught", "the paintings in her book, with attribution to the last known owner, but", "are deceased. If she publishes photos of the paintings in her book, with", "hung by wife or obtained from other photographs. All of the works are", "of paintings that were exhibited, with owner permission, in shows hung by wife", "artist. She is not doing the book for profit. It is purely a", "contain photographs of paintings that were exhibited, with owner permission, in shows hung", "that will contain photographs of paintings that were exhibited, with owner permission, in", "them are deceased. If she publishes photos of the paintings in her book,", "last known owner, but does not have written permission to do so, what", "for profit. It is purely a public service to help preserve and increase", "the works are by the same artist. She is not doing the book", "publishes photos of the paintings in her book, with attribution to the last", "1982. My wife has a record of the owners of all the works.", "are by the same artist. She is not doing the book for profit.", "by wife or obtained from other photographs. All of the works are by", "or obtained from other photographs. All of the works are by the same", "is not doing the book for profit. It is purely a public service", "of the works are by the same artist. She is not doing the", "of them are deceased. If she publishes photos of the paintings in her", "All of the works are by the same artist. She is not doing", "the book for profit. It is purely a public service to help preserve", "with attribution to the last known owner, but does not have written permission", "from other photographs. All of the works are by the same artist. She", "It is purely a public service to help preserve and increase local knowledge", "her book, with attribution to the last known owner, but does not have", "I are working on a book that will contain photographs of paintings that", "paintings in her book, with attribution to the last known owner, but does", "permission, in shows hung by wife or obtained from other photographs. All of", "wife has a record of the owners of all the works. However, many", "other photographs. All of the works are by the same artist. She is", "to help preserve and increase local knowledge concerning a local self-taught artist who", "artist who died in 1982. My wife has a record of the owners", "She is not doing the book for profit. It is purely a public", "a local self-taught artist who died in 1982. My wife has a record", "by the same artist. She is not doing the book for profit. It", "to the last known owner, but does not have written permission to do", "all the works. However, many of them are deceased. If she publishes photos", "in her book, with attribution to the last known owner, but does not", "attribution to the last known owner, but does not have written permission to", "local self-taught artist who died in 1982. My wife has a record of", "increase local knowledge concerning a local self-taught artist who died in 1982. My", "the same artist. She is not doing the book for profit. It is", "help preserve and increase local knowledge concerning a local self-taught artist who died", "My wife has a record of the owners of all the works. However,", "obtained from other photographs. All of the works are by the same artist.", "on a book that will contain photographs of paintings that were exhibited, with", "photos of the paintings in her book, with attribution to the last known", "in 1982. My wife has a record of the owners of all the", "she publishes photos of the paintings in her book, with attribution to the", "a record of the owners of all the works. However, many of them", "wife and I are working on a book that will contain photographs of", "known owner, but does not have written permission to do so, what is", "paintings that were exhibited, with owner permission, in shows hung by wife or", "service to help preserve and increase local knowledge concerning a local self-taught artist", "photographs of paintings that were exhibited, with owner permission, in shows hung by", "profit. It is purely a public service to help preserve and increase local", "owners of all the works. However, many of them are deceased. If she", "owner permission, in shows hung by wife or obtained from other photographs. All", "the owners of all the works. However, many of them are deceased. If", "with owner permission, in shows hung by wife or obtained from other photographs.", "were exhibited, with owner permission, in shows hung by wife or obtained from", "photographs. All of the works are by the same artist. She is not", "doing the book for profit. It is purely a public service to help", "wife or obtained from other photographs. All of the works are by the", "shows hung by wife or obtained from other photographs. All of the works", "self-taught artist who died in 1982. My wife has a record of the", "that were exhibited, with owner permission, in shows hung by wife or obtained", "purely a public service to help preserve and increase local knowledge concerning a", "works are by the same artist. She is not doing the book for", "preserve and increase local knowledge concerning a local self-taught artist who died in", "book, with attribution to the last known owner, but does not have written", "and increase local knowledge concerning a local self-taught artist who died in 1982.", "owner, but does not have written permission to do so, what is her", "and I are working on a book that will contain photographs of paintings", "the works. However, many of them are deceased. If she publishes photos of", "works. However, many of them are deceased. If she publishes photos of the", "record of the owners of all the works. However, many of them are", "the last known owner, but does not have written permission to do so,", "deceased. If she publishes photos of the paintings in her book, with attribution", "died in 1982. My wife has a record of the owners of all", "same artist. She is not doing the book for profit. It is purely", "not doing the book for profit. It is purely a public service to", "will contain photographs of paintings that were exhibited, with owner permission, in shows", "who died in 1982. My wife has a record of the owners of", "in shows hung by wife or obtained from other photographs. All of the", "book for profit. It is purely a public service to help preserve and", "of the owners of all the works. However, many of them are deceased.", "My wife and I are working on a book that will contain photographs", "a public service to help preserve and increase local knowledge concerning a local", "working on a book that will contain photographs of paintings that were exhibited,", "a book that will contain photographs of paintings that were exhibited, with owner", "However, many of them are deceased. If she publishes photos of the paintings", "book that will contain photographs of paintings that were exhibited, with owner permission,", "knowledge concerning a local self-taught artist who died in 1982. My wife has", "of the paintings in her book, with attribution to the last known owner,", "does not have written permission to do so, what is her liability exposure?", "exhibited, with owner permission, in shows hung by wife or obtained from other", "but does not have written permission to do so, what is her liability", "has a record of the owners of all the works. However, many of", "is purely a public service to help preserve and increase local knowledge concerning", "concerning a local self-taught artist who died in 1982. My wife has a", "of all the works. However, many of them are deceased. If she publishes", "local knowledge concerning a local self-taught artist who died in 1982. My wife" ]
[ "course, I could sit down and be inspired by something another author wrote", "you aren't the only one. Of course, I could sit down and be", "the issue. It's that now I've seen them, I can never have the", "that back. It's done, it's fixed. And I can never know if I", "I've just been struggling recently with this doubt that I could never think", "just been struggling recently with this doubt that I could never think of", "same vein. That's not the issue. It's that now I've seen them, I", "in the same vein. That's not the issue. It's that now I've seen", "back. It's done, it's fixed. And I can never know if I would", "vein. That's not the issue. It's that now I've seen them, I can", "know it's neurotic but has anyone else been in this position? I need", "can never have the idea off my own back. And that bothers me", "or not. Anytime I think of anything similar, it's just going to be", "I cannot take that back. It's done, it's fixed. And I can never", "me because I cannot take that back. It's done, it's fixed. And I", "And that bothers me because I cannot take that back. It's done, it's", "another author wrote and write something in the same vein. That's not the", "and write something in the same vein. That's not the issue. It's that", "anyone else been in this position? I need some clarity on this, an", "know if I would have thought of it myself or not. Anytime I", "sounds confusing to you, you aren't the only one. Of course, I could", "be based on what I read and not from my own creativity. I", "else been in this position? I need some clarity on this, an external", "write something in the same vein. That's not the issue. It's that now", "doubt that I could never think of ideas I've seen written on my", "only one. Of course, I could sit down and be inspired by something", "them, I can never have the idea off my own back. And that", "that bothers me because I cannot take that back. It's done, it's fixed.", "just going to be based on what I read and not from my", "own creativity. I know it's neurotic but has anyone else been in this", "the only one. Of course, I could sit down and be inspired by", "cannot take that back. It's done, it's fixed. And I can never know", "if I would have thought of it myself or not. Anytime I think", "of ideas I've seen written on my own. If that sounds confusing to", "in this position? I need some clarity on this, an external viewpoint you", "the idea off my own back. And that bothers me because I cannot", "Of course, I could sit down and be inspired by something another author", "I think of anything similar, it's just going to be based on what", "been struggling recently with this doubt that I could never think of ideas", "If that sounds confusing to you, you aren't the only one. Of course,", "to you, you aren't the only one. Of course, I could sit down", "this doubt that I could never think of ideas I've seen written on", "It's done, it's fixed. And I can never know if I would have", "It's that now I've seen them, I can never have the idea off", "anything similar, it's just going to be based on what I read and", "never know if I would have thought of it myself or not. Anytime", "sit down and be inspired by something another author wrote and write something", "wrote and write something in the same vein. That's not the issue. It's", "think of anything similar, it's just going to be based on what I", "to be based on what I read and not from my own creativity.", "something in the same vein. That's not the issue. It's that now I've", "recently with this doubt that I could never think of ideas I've seen", "back. And that bothers me because I cannot take that back. It's done,", "done, it's fixed. And I can never know if I would have thought", "issue. It's that now I've seen them, I can never have the idea", "could never think of ideas I've seen written on my own. If that", "creativity. I know it's neurotic but has anyone else been in this position?", "I would have thought of it myself or not. Anytime I think of", "And I can never know if I would have thought of it myself", "not. Anytime I think of anything similar, it's just going to be based", "my own back. And that bothers me because I cannot take that back.", "never have the idea off my own back. And that bothers me because", "the same vein. That's not the issue. It's that now I've seen them,", "now I've seen them, I can never have the idea off my own", "Anytime I think of anything similar, it's just going to be based on", "written on my own. If that sounds confusing to you, you aren't the", "inspired by something another author wrote and write something in the same vein.", "because I cannot take that back. It's done, it's fixed. And I can", "myself or not. Anytime I think of anything similar, it's just going to", "been in this position? I need some clarity on this, an external viewpoint", "read and not from my own creativity. I know it's neurotic but has", "something another author wrote and write something in the same vein. That's not", "and not from my own creativity. I know it's neurotic but has anyone", "not the issue. It's that now I've seen them, I can never have", "off my own back. And that bothers me because I cannot take that", "it's just going to be based on what I read and not from", "position? I need some clarity on this, an external viewpoint you might say.", "it's neurotic but has anyone else been in this position? I need some", "from my own creativity. I know it's neurotic but has anyone else been", "thought of it myself or not. Anytime I think of anything similar, it's", "I could never think of ideas I've seen written on my own. If", "it myself or not. Anytime I think of anything similar, it's just going", "I can never have the idea off my own back. And that bothers", "have thought of it myself or not. Anytime I think of anything similar,", "based on what I read and not from my own creativity. I know", "aren't the only one. Of course, I could sit down and be inspired", "of anything similar, it's just going to be based on what I read", "similar, it's just going to be based on what I read and not", "on my own. If that sounds confusing to you, you aren't the only", "one. Of course, I could sit down and be inspired by something another", "struggling recently with this doubt that I could never think of ideas I've", "fixed. And I can never know if I would have thought of it", "my own creativity. I know it's neurotic but has anyone else been in", "that now I've seen them, I can never have the idea off my", "that I could never think of ideas I've seen written on my own.", "never think of ideas I've seen written on my own. If that sounds", "bothers me because I cannot take that back. It's done, it's fixed. And", "I've seen written on my own. If that sounds confusing to you, you", "I know it's neurotic but has anyone else been in this position? I", "I can never know if I would have thought of it myself or", "would have thought of it myself or not. Anytime I think of anything", "it's fixed. And I can never know if I would have thought of", "I've seen them, I can never have the idea off my own back.", "my own. If that sounds confusing to you, you aren't the only one.", "idea off my own back. And that bothers me because I cannot take", "by something another author wrote and write something in the same vein. That's", "That's not the issue. It's that now I've seen them, I can never", "and be inspired by something another author wrote and write something in the", "have the idea off my own back. And that bothers me because I", "take that back. It's done, it's fixed. And I can never know if", "I read and not from my own creativity. I know it's neurotic but", "with this doubt that I could never think of ideas I've seen written", "that sounds confusing to you, you aren't the only one. Of course, I", "confusing to you, you aren't the only one. Of course, I could sit", "on what I read and not from my own creativity. I know it's", "can never know if I would have thought of it myself or not.", "author wrote and write something in the same vein. That's not the issue.", "own back. And that bothers me because I cannot take that back. It's", "own. If that sounds confusing to you, you aren't the only one. Of", "seen them, I can never have the idea off my own back. And", "seen written on my own. If that sounds confusing to you, you aren't", "I could sit down and be inspired by something another author wrote and", "could sit down and be inspired by something another author wrote and write", "of it myself or not. Anytime I think of anything similar, it's just", "not from my own creativity. I know it's neurotic but has anyone else", "what I read and not from my own creativity. I know it's neurotic", "you, you aren't the only one. Of course, I could sit down and", "down and be inspired by something another author wrote and write something in", "going to be based on what I read and not from my own", "has anyone else been in this position? I need some clarity on this,", "but has anyone else been in this position? I need some clarity on", "this position? I need some clarity on this, an external viewpoint you might", "think of ideas I've seen written on my own. If that sounds confusing", "neurotic but has anyone else been in this position? I need some clarity", "be inspired by something another author wrote and write something in the same", "ideas I've seen written on my own. If that sounds confusing to you," ]
[ "I'm not always missing this sense of character in my novels. Not by", "will not) work for everyone. I'd like methods that work for a wide", "even though I was reading an excerpt and knew nothing about that character.", "characters (or at least the central ones) are people that the reader wants", "the case however. Note: This question can easily be subjective, so please do", "them details (certain traits, detailed and central inner conflicts, etc.). I recently read", "process that I can follow. I realize this might not be the case", "a sense of character?* Being a plotter, I'd obviously prefer a formula, a", "character falls flat though, and I'd like to know what I can do", "sense of character in my novels. Not by a long shot. Sometimes a", "however. Note: This question can easily be subjective, so please do not answer", "missing this sense of character in my novels. Not by a long shot.", "of one person. That method might not (and probably will not) work for", "about. I make them people the reader will find interesting, and will cheer", "flat though, and I'd like to know what I can do about it.", "conflicts, etc.). I recently read an excerpt of a novel. The excerpt had", "This question can easily be subjective, so please do not answer with just", "a novel. The excerpt had a profound sense of character. The character felt", "I was reading an excerpt and knew nothing about that character. The emotions,", "like to know what I can do about it. How do I create", "obviously prefer a formula, a process that I can follow. I realize this", "question. I believe this is referred to as a sense of character: that", "and I'd like to know what I can do about it. How do", "about it. How do I create a sense of character?* Being a plotter,", "and plan my novels and characters well before I write them. When it", "comes to character development, I make sure that my characters (or at least", "book. I achieve this by giving them details (certain traits, detailed and central", "of character. The character felt like a real person, even though I was", "character in my novels. Not by a long shot. Sometimes a character falls", "thoughts, and actions all just felt authentic. I can't really say why. That's", "that my characters (or at least the central ones) are people that the", "I can do about it. How do I create a sense of character?", "How do I create a sense of character? Being a plotter, I'd obviously", "of character*: that undefinable something* which just makes characters seem real. I'm not", "do not answer with just the opinion of one person. That method might", "well before I write them. When it comes to character development, I make", "seem real. I'm not always missing this sense of character in my novels.", "a real person, even though I was reading an excerpt and knew nothing", "cheer on past the end of the book. I achieve this by giving", "to as a sense of character: that undefinable something which just makes characters", "that undefinable something which just makes characters seem real. I'm not always missing", "something which just makes characters seem real. I'm not always missing this sense", "falls flat though, and I'd like to know what I can do about", "referred to as a sense of character: that undefinable something which just makes", "real. I'm not always missing this sense of character in my novels. Not", "subjective, so please do not answer with just the opinion of one person.", "sense of character. The character felt like a real person, even though I", "be the case however. Note: This question can easily be subjective, so please", "past the end of the book. I achieve this by giving them details", "my novels and characters well before I write them. When it comes to", "though I was reading an excerpt and knew nothing about that character. The", "an excerpt and knew nothing about that character. The emotions, thoughts, and actions", "in my novels. Not by a long shot. Sometimes a character falls flat", "characters well before I write them. When it comes to character development, I", "write them. When it comes to character development, I make sure that my", "I'd like to know what I can do about it. How do I", "reader wants to read about. I make them people the reader will find", "a plotter. I develop and plan my novels and characters well before I", "a sense of character: that undefinable something* which just makes characters seem real.", "I make them people the reader will find interesting, and will cheer on", "not always missing this sense of character in my novels. Not by a", "realize this might not be the case however. Note: This question can easily", "by giving them details (certain traits, detailed and central inner conflicts, etc.). I", "person. That method might not (and probably will not) work for everyone. I'd", "of character?* Being a plotter, I'd obviously prefer a formula, a process that", "like a real person, even though I was reading an excerpt and knew", "plotter, I'd obviously prefer a formula, a process that I can follow. I", "I make sure that my characters (or at least the central ones) are", "and central inner conflicts, etc.). I recently read an excerpt of a novel.", "might not be the case however. Note: This question can easily be subjective,", "as a sense of character: that undefinable something* which just makes characters seem", "not answer with just the opinion of one person. That method might not", "plan my novels and characters well before I write them. When it comes", "excerpt had a profound sense of character. The character felt like a real", "character? Being a plotter, I'd obviously prefer a formula, a process that I", "which just makes characters seem real. I'm not always missing this sense of", "can do about it. How do I create a sense of character?** Being", "I develop and plan my novels and characters well before I write them.", "not) work for everyone. I'd like methods that work for a wide variety", "I achieve this by giving them details (certain traits, detailed and central inner", "I'd obviously prefer a formula, a process that I can follow. I realize", "inner conflicts, etc.). I recently read an excerpt of a novel. The excerpt", "them people the reader will find interesting, and will cheer on past the", "read about. I make them people the reader will find interesting, and will", "that character. The emotions, thoughts, and actions all just felt authentic. I can't", "plotter. I develop and plan my novels and characters well before I write", "easily be subjective, so please do not answer with just the opinion of", "my characters (or at least the central ones) are people that the reader", "I write them. When it comes to character development, I make sure that", "(or at least the central ones) are people that the reader wants to", "Note: This question can easily be subjective, so please do not answer with", "etc.). I recently read an excerpt of a novel. The excerpt had a", "authentic. I can't really say why. That's why I'm asking this question. I", "I'm a plotter. I develop and plan my novels and characters well before", "the book. I achieve this by giving them details (certain traits, detailed and", "all just felt authentic. I can't really say why. That's why I'm asking", "do I create a sense of character?* Being a plotter, I'd obviously prefer", "(certain traits, detailed and central inner conflicts, etc.). I recently read an excerpt", "and knew nothing about that character. The emotions, thoughts, and actions all just", "knew nothing about that character. The emotions, thoughts, and actions all just felt", "will cheer on past the end of the book. I achieve this by", "a character falls flat though, and I'd like to know what I can", "that the reader wants to read about. I make them people the reader", "recently read an excerpt of a novel. The excerpt had a profound sense", "That's why I'm asking this question. I believe this is referred to as", "before I write them. When it comes to character development, I make sure", "sense of character: that undefinable something which just makes characters seem real. I'm", "to character development, I make sure that my characters (or at least the", "The excerpt had a profound sense of character. The character felt like a", "actions all just felt authentic. I can't really say why. That's why I'm", "work for everyone. I'd like methods that work for a wide variety of", "person, even though I was reading an excerpt and knew nothing about that", "just the opinion of one person. That method might not (and probably will", "method might not (and probably will not) work for everyone. I'd like methods", "The character felt like a real person, even though I was reading an", "one person. That method might not (and probably will not) work for everyone.", "ones) are people that the reader wants to read about. I make them", "just makes characters seem real. I'm not always missing this sense of character", "just felt authentic. I can't really say why. That's why I'm asking this", "why I'm asking this question. I believe this is referred to as a", "to know what I can do about it. How do I create a", "to read about. I make them people the reader will find interesting, and", "do about it. How do I create a sense of character? Being a", "I create a sense of character? Being a plotter, I'd obviously prefer a", "was reading an excerpt and knew nothing about that character. The emotions, thoughts,", "emotions, thoughts, and actions all just felt authentic. I can't really say why.", "and characters well before I write them. When it comes to character development,", "I'm asking this question. I believe this is referred to as a sense", "central inner conflicts, etc.). I recently read an excerpt of a novel. The", "When it comes to character development, I make sure that my characters (or", "question can easily be subjective, so please do not answer with just the", "the reader will find interesting, and will cheer on past the end of", "will find interesting, and will cheer on past the end of the book.", "believe this is referred to as a sense of character*: that undefinable something", "of the book. I achieve this by giving them details (certain traits, detailed", "asking this question. I believe this is referred to as a sense of", "it comes to character development, I make sure that my characters (or at", "novels. Not by a long shot. Sometimes a character falls flat though, and", "Being a plotter, I'd obviously prefer a formula, a process that I can", "felt like a real person, even though I was reading an excerpt and", "details (certain traits, detailed and central inner conflicts, etc.). I recently read an", "reader will find interesting, and will cheer on past the end of the", "central ones) are people that the reader wants to read about. I make", "not (and probably will not) work for everyone. I'd like methods that work", "character felt like a real person, even though I was reading an excerpt", "wants to read about. I make them people the reader will find interesting,", "create a sense of character?* Being a plotter, I'd obviously prefer a formula,", "can't really say why. That's why I'm asking this question. I believe this", "are people that the reader wants to read about. I make them people", "make them people the reader will find interesting, and will cheer on past", "character. The emotions, thoughts, and actions all just felt authentic. I can't really", "follow. I realize this might not be the case however. Note: This question", "this might not be the case however. Note: This question can easily be", "be subjective, so please do not answer with just the opinion of one", "why. That's why I'm asking this question. I believe this is referred to", "excerpt and knew nothing about that character. The emotions, thoughts, and actions all", "Not by a long shot. Sometimes a character falls flat though, and I'd", "at least the central ones) are people that the reader wants to read", "That method might not (and probably will not) work for everyone. I'd like", "the reader wants to read about. I make them people the reader will", "might not (and probably will not) work for everyone. I'd like methods that", "makes characters seem real. I'm not always missing this sense of character in", "develop and plan my novels and characters well before I write them. When", "real person, even though I was reading an excerpt and knew nothing about", "felt authentic. I can't really say why. That's why I'm asking this question.", "people the reader will find interesting, and will cheer on past the end", "a profound sense of character. The character felt like a real person, even", "make sure that my characters (or at least the central ones) are people", "about that character. The emotions, thoughts, and actions all just felt authentic. I", "is referred to as a sense of character: that undefinable something which just", "on past the end of the book. I achieve this by giving them", "The emotions, thoughts, and actions all just felt authentic. I can't really say", "shot. Sometimes a character falls flat though, and I'd like to know what", "probably will not) work for everyone. I'd like methods that work for a", "by a long shot. Sometimes a character falls flat though, and I'd like", "end of the book. I achieve this by giving them details (certain traits,", "I believe this is referred to as a sense of character: that undefinable", "this sense of character in my novels. Not by a long shot. Sometimes", "had a profound sense of character. The character felt like a real person,", "the central ones) are people that the reader wants to read about. I", "I can follow. I realize this might not be the case however. Note:", "my novels. Not by a long shot. Sometimes a character falls flat though,", "this question. I believe this is referred to as a sense of character:", "that I can follow. I realize this might not be the case however.", "formula, a process that I can follow. I realize this might not be", "reading an excerpt and knew nothing about that character. The emotions, thoughts, and", "the end of the book. I achieve this by giving them details (certain", "people that the reader wants to read about. I make them people the", "least the central ones) are people that the reader wants to read about.", "it. How do I create a sense of character?* Being a plotter, I'd", "character. The character felt like a real person, even though I was reading", "development, I make sure that my characters (or at least the central ones)", "a formula, a process that I can follow. I realize this might not", "answer with just the opinion of one person. That method might not (and", "an excerpt of a novel. The excerpt had a profound sense of character.", "and will cheer on past the end of the book. I achieve this", "sure that my characters (or at least the central ones) are people that", "I realize this might not be the case however. Note: This question can", "and actions all just felt authentic. I can't really say why. That's why", "this by giving them details (certain traits, detailed and central inner conflicts, etc.).", "say why. That's why I'm asking this question. I believe this is referred", "(and probably will not) work for everyone. I'd like methods that work for", "novel. The excerpt had a profound sense of character. The character felt like", "really say why. That's why I'm asking this question. I believe this is", "find interesting, and will cheer on past the end of the book. I", "character development, I make sure that my characters (or at least the central", "Sometimes a character falls flat though, and I'd like to know what I", "not be the case however. Note: This question can easily be subjective, so", "character*: that undefinable something* which just makes characters seem real. I'm not always", "case however. Note: This question can easily be subjective, so please do not", "of character in my novels. Not by a long shot. Sometimes a character", "please do not answer with just the opinion of one person. That method", "the opinion of one person. That method might not (and probably will not)", "can easily be subjective, so please do not answer with just the opinion", "long shot. Sometimes a character falls flat though, and I'd like to know", "them. When it comes to character development, I make sure that my characters", "though, and I'd like to know what I can do about it. How", "sense of character?* Being a plotter, I'd obviously prefer a formula, a process", "what I can do about it. *How do I create a sense of", "always missing this sense of character in my novels. Not by a long", "detailed and central inner conflicts, etc.). I recently read an excerpt of a", "nothing about that character. The emotions, thoughts, and actions all just felt authentic.", "profound sense of character. The character felt like a real person, even though", "of a novel. The excerpt had a profound sense of character. The character", "opinion of one person. That method might not (and probably will not) work", "for everyone. I'd like methods that work for a wide variety of people.", "interesting, and will cheer on past the end of the book. I achieve", "achieve this by giving them details (certain traits, detailed and central inner conflicts,", "excerpt of a novel. The excerpt had a profound sense of character. The", "so please do not answer with just the opinion of one person. That", "read an excerpt of a novel. The excerpt had a profound sense of", "characters seem real. I'm not always missing this sense of character in my", "traits, detailed and central inner conflicts, etc.). I recently read an excerpt of", "with just the opinion of one person. That method might not (and probably", "a long shot. Sometimes a character falls flat though, and I'd like to", "I can't really say why. That's why I'm asking this question. I believe", "can follow. I realize this might not be the case however. Note: This", "undefinable something* which just makes characters seem real. I'm not always missing this", "I recently read an excerpt of a novel. The excerpt had a profound", "prefer a formula, a process that I can follow. I realize this might", "this is referred to as a sense of character: that undefinable something which", "a plotter, I'd obviously prefer a formula, a process that I can follow.", "novels and characters well before I write them. When it comes to character", "giving them details (certain traits, detailed and central inner conflicts, etc.). I recently", "know what I can do about it. **How do I create a sense", "a process that I can follow. I realize this might not be the" ]
[ "as Crime-Detective Story. I'm a beginner of this genre and the first obstacle", "would try to write something as Crime-Detective Story. I'm a beginner of this", "genre and the first obstacle I find is the \"idea\" of a crime.", "model a crime to make it interesting and to make it able to", "not ordinary crime-case. Do you have any advice or technique that can help", "crime-case. Do you have any advice or technique that can help me in", "a beginner of this genre and the first obstacle I find is the", "I would try to write something as Crime-Detective Story. I'm a beginner of", "I find is the \"idea\" of a crime. I mean, I don't know", "mean, I don't know how to model a crime to make it interesting", "how to model a crime to make it interesting and to make it", "the first obstacle I find is the \"idea\" of a crime. I mean,", "Crime-Detective Story. I'm a beginner of this genre and the first obstacle I", "to make it interesting and to make it able to involve readers. Actually,", "small idea but I have difficulties to make it a not ordinary crime-case.", "difficulties to make it a not ordinary crime-case. Do you have any advice", "and to make it able to involve readers. Actually, I have a small", "but I have difficulties to make it a not ordinary crime-case. Do you", "obstacle I find is the \"idea\" of a crime. I mean, I don't", "to model a crime to make it interesting and to make it able", "to make it a not ordinary crime-case. Do you have any advice or", "make it a not ordinary crime-case. Do you have any advice or technique", "have any advice or technique that can help me in this strange creative", "crime. I mean, I don't know how to model a crime to make", "it able to involve readers. Actually, I have a small idea but I", "to involve readers. Actually, I have a small idea but I have difficulties", "write something as Crime-Detective Story. I'm a beginner of this genre and the", "I have difficulties to make it a not ordinary crime-case. Do you have", "don't know how to model a crime to make it interesting and to", "find is the \"idea\" of a crime. I mean, I don't know how", "beginner of this genre and the first obstacle I find is the \"idea\"", "crime to make it interesting and to make it able to involve readers.", "this genre and the first obstacle I find is the \"idea\" of a", "I'm a beginner of this genre and the first obstacle I find is", "is the \"idea\" of a crime. I mean, I don't know how to", "make it able to involve readers. Actually, I have a small idea but", "able to involve readers. Actually, I have a small idea but I have", "a not ordinary crime-case. Do you have any advice or technique that can", "a crime to make it interesting and to make it able to involve", "interesting and to make it able to involve readers. Actually, I have a", "Story. I'm a beginner of this genre and the first obstacle I find", "Actually, I have a small idea but I have difficulties to make it", "to make it able to involve readers. Actually, I have a small idea", "\"idea\" of a crime. I mean, I don't know how to model a", "readers. Actually, I have a small idea but I have difficulties to make", "ordinary crime-case. Do you have any advice or technique that can help me", "have a small idea but I have difficulties to make it a not", "I don't know how to model a crime to make it interesting and", "I mean, I don't know how to model a crime to make it", "to write something as Crime-Detective Story. I'm a beginner of this genre and", "make it interesting and to make it able to involve readers. Actually, I", "of this genre and the first obstacle I find is the \"idea\" of", "any advice or technique that can help me in this strange creative process?", "try to write something as Crime-Detective Story. I'm a beginner of this genre", "a crime. I mean, I don't know how to model a crime to", "I have a small idea but I have difficulties to make it a", "it a not ordinary crime-case. Do you have any advice or technique that", "of a crime. I mean, I don't know how to model a crime", "know how to model a crime to make it interesting and to make", "involve readers. Actually, I have a small idea but I have difficulties to", "have difficulties to make it a not ordinary crime-case. Do you have any", "Do you have any advice or technique that can help me in this", "you have any advice or technique that can help me in this strange", "and the first obstacle I find is the \"idea\" of a crime. I", "something as Crime-Detective Story. I'm a beginner of this genre and the first", "the \"idea\" of a crime. I mean, I don't know how to model", "idea but I have difficulties to make it a not ordinary crime-case. Do", "a small idea but I have difficulties to make it a not ordinary", "first obstacle I find is the \"idea\" of a crime. I mean, I", "it interesting and to make it able to involve readers. Actually, I have" ]
[ "the future i will probably come across many other typos like this one", "sources has a typo. More specifically instead of the word \"Christians\" the author", "is? I know that this is a minor mistake but in the future", "a typo. More specifically instead of the word \"Christians\" the author wrote \"christians\"", "word \"Christians\" the author wrote \"christians\" (lowercase C) which is wrong. Should i", "will probably come across many other typos like this one and i would", "is a minor mistake but in the future i will probably come across", "it or should i leave it as is? I know that this is", "like this one and i would like to know. PS. Im using MLA", "in the future i will probably come across many other typos like this", "of the word \"Christians\" the author wrote \"christians\" (lowercase C) which is wrong.", "C) which is wrong. Should i correct it or should i leave it", "research paper for my college and im facing the following dilemma. One of", "or should i leave it as is? I know that this is a", "is wrong. Should i correct it or should i leave it as is?", "for my college and im facing the following dilemma. One of my sources", "im facing the following dilemma. One of my sources has a typo. More", "other typos like this one and i would like to know. PS. Im", "and im facing the following dilemma. One of my sources has a typo.", "Should i correct it or should i leave it as is? I know", "(lowercase C) which is wrong. Should i correct it or should i leave", "\"christians\" (lowercase C) which is wrong. Should i correct it or should i", "which is wrong. Should i correct it or should i leave it as", "as is? I know that this is a minor mistake but in the", "wrote \"christians\" (lowercase C) which is wrong. Should i correct it or should", "paper for my college and im facing the following dilemma. One of my", "i leave it as is? I know that this is a minor mistake", "author wrote \"christians\" (lowercase C) which is wrong. Should i correct it or", "i correct it or should i leave it as is? I know that", "i will probably come across many other typos like this one and i", "that this is a minor mistake but in the future i will probably", "but in the future i will probably come across many other typos like", "the word \"Christians\" the author wrote \"christians\" (lowercase C) which is wrong. Should", "probably come across many other typos like this one and i would like", "dilemma. One of my sources has a typo. More specifically instead of the", "a minor mistake but in the future i will probably come across many", "my sources has a typo. More specifically instead of the word \"Christians\" the", "small research paper for my college and im facing the following dilemma. One", "process of writing a small research paper for my college and im facing", "I know that this is a minor mistake but in the future i", "come across many other typos like this one and i would like to", "wrong. Should i correct it or should i leave it as is? I", "college and im facing the following dilemma. One of my sources has a", "facing the following dilemma. One of my sources has a typo. More specifically", "Good evening, I'm in the process of writing a small research paper for", "the following dilemma. One of my sources has a typo. More specifically instead", "this one and i would like to know. PS. Im using MLA 8.", "instead of the word \"Christians\" the author wrote \"christians\" (lowercase C) which is", "following dilemma. One of my sources has a typo. More specifically instead of", "correct it or should i leave it as is? I know that this", "in the process of writing a small research paper for my college and", "know that this is a minor mistake but in the future i will", "typos like this one and i would like to know. PS. Im using", "one and i would like to know. PS. Im using MLA 8. Thanks", "of writing a small research paper for my college and im facing the", "across many other typos like this one and i would like to know.", "I'm in the process of writing a small research paper for my college", "this is a minor mistake but in the future i will probably come", "writing a small research paper for my college and im facing the following", "specifically instead of the word \"Christians\" the author wrote \"christians\" (lowercase C) which", "the process of writing a small research paper for my college and im", "evening, I'm in the process of writing a small research paper for my", "the author wrote \"christians\" (lowercase C) which is wrong. Should i correct it", "minor mistake but in the future i will probably come across many other", "my college and im facing the following dilemma. One of my sources has", "leave it as is? I know that this is a minor mistake but", "future i will probably come across many other typos like this one and", "\"Christians\" the author wrote \"christians\" (lowercase C) which is wrong. Should i correct", "and i would like to know. PS. Im using MLA 8. Thanks in", "typo. More specifically instead of the word \"Christians\" the author wrote \"christians\" (lowercase", "should i leave it as is? I know that this is a minor", "More specifically instead of the word \"Christians\" the author wrote \"christians\" (lowercase C)", "many other typos like this one and i would like to know. PS.", "a small research paper for my college and im facing the following dilemma.", "has a typo. More specifically instead of the word \"Christians\" the author wrote", "mistake but in the future i will probably come across many other typos", "i would like to know. PS. Im using MLA 8. Thanks in advance.", "One of my sources has a typo. More specifically instead of the word", "it as is? I know that this is a minor mistake but in", "of my sources has a typo. More specifically instead of the word \"Christians\"" ]
[ "xyz'). Which one is stylistically better? To me 'we' seems odd when I", "report xyz'). Which one is stylistically better? To me 'we' seems odd when", "paper. Usually when referring to oneself in a paper, 'we' is used. In", "am authoring a single author paper. Usually when referring to oneself in a", "'we' and 'I' (e.g., 'here we/I report xyz'). Which one is stylistically better?", "is stylistically better? To me 'we' seems odd when I read a single", "we/I report xyz'). Which one is stylistically better? To me 'we' seems odd", "oneself in a paper, 'we' is used. In single author papers I found", "Which one is stylistically better? To me 'we' seems odd when I read", "better? To me 'we' seems odd when I read a single author paper.", "and 'I' (e.g., 'here we/I report xyz'). Which one is stylistically better? To", "is used. In single author papers I found both 'we' and 'I' (e.g.,", "'I' (e.g., 'here we/I report xyz'). Which one is stylistically better? To me", "a single author paper. Usually when referring to oneself in a paper, 'we'", "authoring a single author paper. Usually when referring to oneself in a paper,", "single author paper. Usually when referring to oneself in a paper, 'we' is", "both 'we' and 'I' (e.g., 'here we/I report xyz'). Which one is stylistically", "to oneself in a paper, 'we' is used. In single author papers I", "I am authoring a single author paper. Usually when referring to oneself in", "stylistically better? To me 'we' seems odd when I read a single author", "in a paper, 'we' is used. In single author papers I found both", "when referring to oneself in a paper, 'we' is used. In single author", "I found both 'we' and 'I' (e.g., 'here we/I report xyz'). Which one", "'here we/I report xyz'). Which one is stylistically better? To me 'we' seems", "In single author papers I found both 'we' and 'I' (e.g., 'here we/I", "one is stylistically better? To me 'we' seems odd when I read a", "author paper. Usually when referring to oneself in a paper, 'we' is used.", "papers I found both 'we' and 'I' (e.g., 'here we/I report xyz'). Which", "'we' is used. In single author papers I found both 'we' and 'I'", "a paper, 'we' is used. In single author papers I found both 'we'", "(e.g., 'here we/I report xyz'). Which one is stylistically better? To me 'we'", "referring to oneself in a paper, 'we' is used. In single author papers", "Usually when referring to oneself in a paper, 'we' is used. In single", "paper, 'we' is used. In single author papers I found both 'we' and", "single author papers I found both 'we' and 'I' (e.g., 'here we/I report", "used. In single author papers I found both 'we' and 'I' (e.g., 'here", "found both 'we' and 'I' (e.g., 'here we/I report xyz'). Which one is", "author papers I found both 'we' and 'I' (e.g., 'here we/I report xyz')." ]
[ "So correct me if I am wrong but this is what he is", "says, `not infrequently`. Is it better practice here to write `frequently` e.g. `OFTEN", "the ear to other interests. ``` Would anyone care to comment on the", "always possible to turn the ear to other interests. ``` Would anyone care", "in the myths and the popular tales --- So correct me if I", "is always possible to turn the ear to other interests. ``` And then", "actual life and frequently in the myths and the popular tales, we encounter", "to other interests. ``` And then there is his way: ``` OFTEN IN", "IN ACTUAL LIFE, and frequently in the myths and the popular tales,...` Or", "REFERENCE, ABOVE HERE IS MY QUESTION > ---------------------------------------------------- > > > --- There", "and the popular tales,...` Or is this a question of style? What are", "``` OFTEN IN ACTUAL LIFE, we encounter the dull case of the call", "this and not infrequently in the myths and the popular tales --- So", "update. ``` OFTEN IN ACTUAL LIFE, and not infrequently in the myths and", "author escapes me at this minute, but i will update. ``` OFTEN IN", "e.g. `OFTEN IN ACTUAL LIFE, and frequently in the myths and the popular", "what he says: ``` Often in actual life and frequently in the myths", "to other interests. ``` Would anyone care to comment on the difference and", "to turn the ear to other interests. ``` part 2: and this and", "``` My question is in relation to the authors use of double negatives.", "popular tales --- So correct me if I am wrong but this is", "is my words of what he says: ``` Often in actual life and", "> as per @Thomas Myron comment > > > > BELOW IS FOR", "OFTEN IN ACTUAL LIFE, and not infrequently in the myths and the popular", "to try and understand it better part1: this part could be written on", "the difference and which one is better(or easier to understand). Is it just", "write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently in the myths and", "popular tales, we encounter the dull case of the call unanswered; for it", "own words: ``` Often in actual life and frequently in the myths and", "in actual life and frequently in the myths and the popular tales, we", "possible to turn the ear to other interests. ``` My question is in", "What are people thoughts on this? --- > > as per @Thomas Myron", "> > > --- There is probably more to this senctence than i", "difference and which one is better(or easier to understand). Is it just a", "not infrequently in the myths and the popular tales --- So correct me", "Or is it just me and my english is not the best i.e.", "to other interests. ``` My question is in relation to the authors use", "than i am getting. If I break this whole sentence down further to", "in the myths and the popular tales, we encounter the dull case of", "and frequently in the myths and the popular tales,...` Or is this a", "I have to write it down more simpler? Would appreciae peoples thoughts. I", "will update. ``` OFTEN IN ACTUAL LIFE, and not infrequently in the myths", "i will update. ``` OFTEN IN ACTUAL LIFE, and not infrequently in the", "easier to understand). Is it just a different style? Or is it just", "example he says, `not infrequently`. Is it better practice here to write `frequently`", "correct me if I am wrong but this is what he is saying", "ear to other interests. ``` --- So there is my words of what", "tales, we encounter the dull case of the call unanswered; for it is", "other interests. ``` part 2: and this and not infrequently in the myths", "``` Often in actual life and frequently in the myths and the popular", "sentence down further to try and understand it better part1: this part could", "there is my words of what he says: ``` Often in actual life", "own ``` OFTEN IN ACTUAL LIFE, we encounter the dull case of the", "there is his way: ``` OFTEN IN ACTUAL LIFE, and not infrequently in", "me at this minute, but i will update. ``` OFTEN IN ACTUAL LIFE,", "my words of what he says: ``` Often in actual life and frequently", "> BELOW IS FOR MY REFERENCE, ABOVE HERE IS MY QUESTION > ----------------------------------------------------", "in the myths and the popular tales,...` Or is this a question of", "care to comment on the difference and which one is better(or easier to", "I break this whole sentence down further to try and understand it better", "> > --- There is probably more to this senctence than i am", "just me and my english is not the best i.e. I have to", "ear to other interests. ``` My question is in relation to the authors", "LIFE, and frequently in the myths and the popular tales,...` Or is this", "this whole sentence down further to try and understand it better part1: this", "it is always possible to turn the ear to other interests. ``` Would", "have to write it down more simpler? Would appreciae peoples thoughts. I mean", "infrequently in the myths and the popular tales, we encounter the dull case", "Would appreciae peoples thoughts. I mean is the author consciously doing this or", "> > > > BELOW IS FOR MY REFERENCE, ABOVE HERE IS MY", "thoughts on this? --- > > as per @Thomas Myron comment > >", "is saying in my own words: ``` Often in actual life and frequently", "So there is my words of what he says: ``` Often in actual", "question is in relation to the authors use of double negatives. For example", "words of what he says: ``` Often in actual life and frequently in", "other interests. ``` Would anyone care to comment on the difference and which", "infrequently in the myths and the popular tales --- So correct me if", "wrong but this is what he is saying in my own words: ```", "always possible to turn the ear to other interests. ``` --- So there", "is not the best i.e. I have to write it down more simpler?", "My question is in relation to the authors use of double negatives. For", "to understand). Is it just a different style? Or is it just me", "not infrequently in the myths and the popular tales, we encounter the dull", "for it is always possible to turn the ear to other interests. ```", "--- So correct me if I am wrong but this is what he", "ACTUAL LIFE, we encounter the dull case of the call unanswered; for it", "this minute, but i will update. ``` OFTEN IN ACTUAL LIFE, and not", "ACTUAL LIFE, and not infrequently in the myths and the popular tales, we", "other interests. ``` My question is in relation to the authors use of", "english is not the best i.e. I have to write it down more", "more simpler? Would appreciae peoples thoughts. I mean is the author consciously doing", "from a book I am currently reading, the author escapes me at this", "is always possible to turn the ear to other interests. ``` part 2:", "unanswered; for it is always possible to turn the ear to other interests.", "> --- There is probably more to this senctence than i am getting.", "is this a question of style? What are people thoughts on this? ---", "infrequently`. Is it better practice here to write `frequently` e.g. `OFTEN IN ACTUAL", "and not infrequently in the myths and the popular tales --- So correct", "it is always possible to turn the ear to other interests. ``` And", "it just me and my english is not the best i.e. I have", "is better(or easier to understand). Is it just a different style? Or is", "best i.e. I have to write it down more simpler? Would appreciae peoples", "turn the ear to other interests. ``` part 2: and this and not", "it better part1: this part could be written on its own ``` OFTEN", "always possible to turn the ear to other interests. ``` My question is", "this senctence than i am getting. If I break this whole sentence down", "and understand it better part1: this part could be written on its own", "popular tales,...` Or is this a question of style? What are people thoughts", "understand it better part1: this part could be written on its own ```", "to turn the ear to other interests. ``` Would anyone care to comment", "of double negatives. For example he says, `not infrequently`. Is it better practice", "better(or easier to understand). Is it just a different style? Or is it", "style? What are people thoughts on this? --- > > as per @Thomas", "more to this senctence than i am getting. If I break this whole", "``` OFTEN IN ACTUAL LIFE, and not infrequently in the myths and the", "just a different style? Or is it just me and my english is", "interests. ``` part 2: and this and not infrequently in the myths and", "ear to other interests. ``` Would anyone care to comment on the difference", "to write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently in the myths", "the call unanswered; for it is always possible to turn the ear to", "it better practice here to write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and", "further to try and understand it better part1: this part could be written", "i.e. I have to write it down more simpler? Would appreciae peoples thoughts.", "not the best i.e. I have to write it down more simpler? Would", "other interests. ``` --- So there is my words of what he says:", "we encounter the dull case of the call unanswered; for it is always", "try and understand it better part1: this part could be written on its", "There is probably more to this senctence than i am getting. If I", "am currently reading, the author escapes me at this minute, but i will", "LIFE, and not infrequently in the myths and the popular tales, we encounter", "to turn the ear to other interests. ``` And then there is his", "of the call unanswered; for it is always possible to turn the ear", "always possible to turn the ear to other interests. ``` part 2: and", "my own words: ``` Often in actual life and frequently in the myths", "2: and this and not infrequently in the myths and the popular tales", "it down more simpler? Would appreciae peoples thoughts. I mean is the author", "myths and the popular tales --- So correct me if I am wrong", "a book I am currently reading, the author escapes me at this minute,", "is an extract from a book I am currently reading, the author escapes", "I am currently reading, the author escapes me at this minute, but i", "QUESTION > ---------------------------------------------------- > > > --- There is probably more to this", "is probably more to this senctence than i am getting. If I break", "currently reading, the author escapes me at this minute, but i will update.", "but i will update. ``` OFTEN IN ACTUAL LIFE, and not infrequently in", "`OFTEN IN ACTUAL LIFE, and frequently in the myths and the popular tales,...`", "of style? What are people thoughts on this? --- > > as per", "minute, but i will update. ``` OFTEN IN ACTUAL LIFE, and not infrequently", "``` And then there is his way: ``` OFTEN IN ACTUAL LIFE, and", "break this whole sentence down further to try and understand it better part1:", "possible to turn the ear to other interests. ``` --- So there is", "better part1: this part could be written on its own ``` OFTEN IN", "an extract from a book I am currently reading, the author escapes me", "interests. ``` Would anyone care to comment on the difference and which one", "authors use of double negatives. For example he says, `not infrequently`. Is it", "words: ``` Often in actual life and frequently in the myths and the", "the ear to other interests. ``` part 2: and this and not infrequently", "LIFE, we encounter the dull case of the call unanswered; for it is", "is what he is saying in my own words: ``` Often in actual", "anyone care to comment on the difference and which one is better(or easier", "the dull case of the call unanswered; for it is always possible to", "case of the call unanswered; for it is always possible to turn the", "to the authors use of double negatives. For example he says, `not infrequently`.", "IS FOR MY REFERENCE, ABOVE HERE IS MY QUESTION > ---------------------------------------------------- > >", "then there is his way: ``` OFTEN IN ACTUAL LIFE, and not infrequently", "this a question of style? What are people thoughts on this? --- >", "this? --- > > as per @Thomas Myron comment > > > >", "of what he says: ``` Often in actual life and frequently in the", "and frequently in the myths and the popular tales, we encounter the dull", "``` --- So there is my words of what he says: ``` Often", "Is it better practice here to write `frequently` e.g. `OFTEN IN ACTUAL LIFE,", "people thoughts on this? --- > > as per @Thomas Myron comment >", "part 2: and this and not infrequently in the myths and the popular", "BELOW IS FOR MY REFERENCE, ABOVE HERE IS MY QUESTION > ---------------------------------------------------- >", "and not infrequently in the myths and the popular tales, we encounter the", "what he is saying in my own words: ``` Often in actual life", "extract from a book I am currently reading, the author escapes me at", "says: ``` Often in actual life and frequently in the myths and the", "reading, the author escapes me at this minute, but i will update. ```", "life and frequently in the myths and the popular tales, we encounter the", "write it down more simpler? Would appreciae peoples thoughts. I mean is the", "one is better(or easier to understand). Is it just a different style? Or", "on this? --- > > as per @Thomas Myron comment > > >", "`frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently in the myths and the", "the ear to other interests. ``` My question is in relation to the", "and my english is not the best i.e. I have to write it", "IN ACTUAL LIFE, and not infrequently in the myths and the popular tales,", "--- There is probably more to this senctence than i am getting. If", "tales --- So correct me if I am wrong but this is what", "HERE IS MY QUESTION > ---------------------------------------------------- > > > --- There is probably", "this is what he is saying in my own words: ``` Often in", "he says, `not infrequently`. Is it better practice here to write `frequently` e.g.", "is always possible to turn the ear to other interests. ``` My question", "the best i.e. I have to write it down more simpler? Would appreciae", "down more simpler? Would appreciae peoples thoughts. I mean is the author consciously", "---------------------------------------------------- > > > --- There is probably more to this senctence than", "tales,...` Or is this a question of style? What are people thoughts on", "Myron comment > > > > BELOW IS FOR MY REFERENCE, ABOVE HERE", "call unanswered; for it is always possible to turn the ear to other", "double negatives. For example he says, `not infrequently`. Is it better practice here", "simpler? Would appreciae peoples thoughts. I mean is the author consciously doing this", "myths and the popular tales,...` Or is this a question of style? What", "is in relation to the authors use of double negatives. For example he", "comment > > > > BELOW IS FOR MY REFERENCE, ABOVE HERE IS", "i am getting. If I break this whole sentence down further to try", "in relation to the authors use of double negatives. For example he says,", "and this and not infrequently in the myths and the popular tales ---", "possible to turn the ear to other interests. ``` part 2: and this", "turn the ear to other interests. ``` --- So there is my words", "and the popular tales, we encounter the dull case of the call unanswered;", "escapes me at this minute, but i will update. ``` OFTEN IN ACTUAL", "in my own words: ``` Often in actual life and frequently in the", "ACTUAL LIFE, and frequently in the myths and the popular tales,...` Or is", "to turn the ear to other interests. ``` My question is in relation", "IN ACTUAL LIFE, we encounter the dull case of the call unanswered; for", "it is always possible to turn the ear to other interests. ``` ---", "it just a different style? Or is it just me and my english", "on the difference and which one is better(or easier to understand). Is it", "and which one is better(or easier to understand). Is it just a different", "as per @Thomas Myron comment > > > > BELOW IS FOR MY", "turn the ear to other interests. ``` And then there is his way:", "better practice here to write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently", "ear to other interests. ``` And then there is his way: ``` OFTEN", "is always possible to turn the ear to other interests. ``` Would anyone", "he says: ``` Often in actual life and frequently in the myths and", "its own ``` OFTEN IN ACTUAL LIFE, we encounter the dull case of", "here to write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently in the", "on its own ``` OFTEN IN ACTUAL LIFE, we encounter the dull case", "always possible to turn the ear to other interests. ``` And then there", "which one is better(or easier to understand). Is it just a different style?", "saying in my own words: ``` Often in actual life and frequently in", "> > BELOW IS FOR MY REFERENCE, ABOVE HERE IS MY QUESTION >", "MY QUESTION > ---------------------------------------------------- > > > --- There is probably more to", "to other interests. ``` --- So there is my words of what he", "me and my english is not the best i.e. I have to write", "he is saying in my own words: ``` Often in actual life and", "question of style? What are people thoughts on this? --- > > as", "the author escapes me at this minute, but i will update. ``` OFTEN", "Would anyone care to comment on the difference and which one is better(or", "if I am wrong but this is what he is saying in my", "turn the ear to other interests. ``` My question is in relation to", "a question of style? What are people thoughts on this? --- > >", "am getting. If I break this whole sentence down further to try and", "This is an extract from a book I am currently reading, the author", "OFTEN IN ACTUAL LIFE, we encounter the dull case of the call unanswered;", "the ear to other interests. ``` --- So there is my words of", "whole sentence down further to try and understand it better part1: this part", "is it just me and my english is not the best i.e. I", "senctence than i am getting. If I break this whole sentence down further", "down further to try and understand it better part1: this part could be", "> ---------------------------------------------------- > > > --- There is probably more to this senctence", "possible to turn the ear to other interests. ``` Would anyone care to", "``` part 2: and this and not infrequently in the myths and the", "relation to the authors use of double negatives. For example he says, `not", "the popular tales --- So correct me if I am wrong but this", "Is it just a different style? Or is it just me and my", "is his way: ``` OFTEN IN ACTUAL LIFE, and not infrequently in the", "am wrong but this is what he is saying in my own words:", "@Thomas Myron comment > > > > BELOW IS FOR MY REFERENCE, ABOVE", "frequently in the myths and the popular tales, we encounter the dull case", "`not infrequently`. Is it better practice here to write `frequently` e.g. `OFTEN IN", "frequently in the myths and the popular tales,...` Or is this a question", "the popular tales,...` Or is this a question of style? What are people", "dull case of the call unanswered; for it is always possible to turn", "use of double negatives. For example he says, `not infrequently`. Is it better", "practice here to write `frequently` e.g. `OFTEN IN ACTUAL LIFE, and frequently in", "my english is not the best i.e. I have to write it down", "the myths and the popular tales,...` Or is this a question of style?", "turn the ear to other interests. ``` Would anyone care to comment on", "the myths and the popular tales, we encounter the dull case of the", "book I am currently reading, the author escapes me at this minute, but", "to turn the ear to other interests. ``` --- So there is my", "to write it down more simpler? Would appreciae peoples thoughts. I mean is", "but this is what he is saying in my own words: ``` Often", "comment on the difference and which one is better(or easier to understand). Is", "way: ``` OFTEN IN ACTUAL LIFE, and not infrequently in the myths and", "myths and the popular tales, we encounter the dull case of the call", "is always possible to turn the ear to other interests. ``` --- So", "at this minute, but i will update. ``` OFTEN IN ACTUAL LIFE, and", "the ear to other interests. ``` And then there is his way: ```", "--- > > as per @Thomas Myron comment > > > > BELOW", "per @Thomas Myron comment > > > > BELOW IS FOR MY REFERENCE,", "possible to turn the ear to other interests. ``` And then there is", "could be written on its own ``` OFTEN IN ACTUAL LIFE, we encounter", "probably more to this senctence than i am getting. If I break this", "IS MY QUESTION > ---------------------------------------------------- > > > --- There is probably more", "and the popular tales --- So correct me if I am wrong but", "the popular tales, we encounter the dull case of the call unanswered; for", "to comment on the difference and which one is better(or easier to understand).", "to this senctence than i am getting. If I break this whole sentence", "part1: this part could be written on its own ``` OFTEN IN ACTUAL", "are people thoughts on this? --- > > as per @Thomas Myron comment", "``` Would anyone care to comment on the difference and which one is", "the authors use of double negatives. For example he says, `not infrequently`. Is", "it is always possible to turn the ear to other interests. ``` My", "me if I am wrong but this is what he is saying in", "be written on its own ``` OFTEN IN ACTUAL LIFE, we encounter the", "interests. ``` And then there is his way: ``` OFTEN IN ACTUAL LIFE,", "to other interests. ``` part 2: and this and not infrequently in the", "his way: ``` OFTEN IN ACTUAL LIFE, and not infrequently in the myths", "For example he says, `not infrequently`. Is it better practice here to write", "it is always possible to turn the ear to other interests. ``` part", "different style? Or is it just me and my english is not the", "FOR MY REFERENCE, ABOVE HERE IS MY QUESTION > ---------------------------------------------------- > > >", "ABOVE HERE IS MY QUESTION > ---------------------------------------------------- > > > --- There is", "--- So there is my words of what he says: ``` Often in", "encounter the dull case of the call unanswered; for it is always possible", "understand). Is it just a different style? Or is it just me and", "ear to other interests. ``` part 2: and this and not infrequently in", "And then there is his way: ``` OFTEN IN ACTUAL LIFE, and not", "getting. If I break this whole sentence down further to try and understand", "the myths and the popular tales --- So correct me if I am", "I am wrong but this is what he is saying in my own", "other interests. ``` And then there is his way: ``` OFTEN IN ACTUAL", "> > > BELOW IS FOR MY REFERENCE, ABOVE HERE IS MY QUESTION", "part could be written on its own ``` OFTEN IN ACTUAL LIFE, we", "this part could be written on its own ``` OFTEN IN ACTUAL LIFE,", "a different style? Or is it just me and my english is not", "MY REFERENCE, ABOVE HERE IS MY QUESTION > ---------------------------------------------------- > > > ---", "interests. ``` My question is in relation to the authors use of double", "Often in actual life and frequently in the myths and the popular tales,", "Or is this a question of style? What are people thoughts on this?", "negatives. For example he says, `not infrequently`. Is it better practice here to", "interests. ``` --- So there is my words of what he says: ```", "> > as per @Thomas Myron comment > > > > BELOW IS", "If I break this whole sentence down further to try and understand it", "written on its own ``` OFTEN IN ACTUAL LIFE, we encounter the dull", "style? Or is it just me and my english is not the best" ]
[ "to the direct point. I am confused with the usage of bullet points.", "is necessary to capitalize the first letter in each bullet point? Also, is", "point? Also, is it necessary to put full-stop at the end of a", "bullet point? Also, is it necessary to put full-stop at the end of", "come to the direct point. I am confused with the usage of bullet", "capitalize the first letter in each bullet point? Also, is it necessary to", "question may be related with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point.", "the direct point. I am confused with the usage of bullet points. Is", "Also, is it necessary to put full-stop at the end of a bullet", "points. Is is necessary to capitalize the first letter in each bullet point?", "direct point. I am confused with the usage of bullet points. Is is", "bullet points. Is is necessary to capitalize the first letter in each bullet", "letter in each bullet point? Also, is it necessary to put full-stop at", "be related with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I am", "Is is necessary to capitalize the first letter in each bullet point? Also,", "I come to the direct point. I am confused with the usage of", "the usage of bullet points. Is is necessary to capitalize the first letter", "with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I am confused with", "usage of bullet points. Is is necessary to capitalize the first letter in", "related with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I am confused", "in each bullet point? Also, is it necessary to put full-stop at the", "I am confused with the usage of bullet points. Is is necessary to", "necessary to capitalize the first letter in each bullet point? Also, is it", "with the usage of bullet points. Is is necessary to capitalize the first", "each bullet point? Also, is it necessary to put full-stop at the end", "of bullet points. Is is necessary to capitalize the first letter in each", "is it necessary to put full-stop at the end of a bullet point?", "point. I am confused with the usage of bullet points. Is is necessary", "confused with the usage of bullet points. Is is necessary to capitalize the", "first letter in each bullet point? Also, is it necessary to put full-stop", "This question may be related with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct", "question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I am confused with the usage", "the first letter in each bullet point? Also, is it necessary to put", "may be related with [this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I", "[this question](https://writers.stackexchange.com/q/2404/17968). I come to the direct point. I am confused with the", "to capitalize the first letter in each bullet point? Also, is it necessary", "am confused with the usage of bullet points. Is is necessary to capitalize" ]
[ "life of a character whose entirely fictional history includes many realistically humorous interludes", "middle age in approximately contemporary times.There is nothing autobiographical about it, I hasten", "as some serious, even tragic incidents? It begins with his birth in 1968", "It begins with his birth in 1968 and finishes when he is in", "realistically humorous interludes as well as some serious, even tragic incidents? It begins", "serious, even tragic incidents? It begins with his birth in 1968 and finishes", "many realistically humorous interludes as well as some serious, even tragic incidents? It", "and finishes when he is in late middle age in approximately contemporary times.There", "genre best describes my novel about the life of a character whose entirely", "the life of a character whose entirely fictional history includes many realistically humorous", "my novel about the life of a character whose entirely fictional history includes", "character whose entirely fictional history includes many realistically humorous interludes as well as", "birth in 1968 and finishes when he is in late middle age in", "novel about the life of a character whose entirely fictional history includes many", "history includes many realistically humorous interludes as well as some serious, even tragic", "about the life of a character whose entirely fictional history includes many realistically", "age in approximately contemporary times.There is nothing autobiographical about it, I hasten to", "some serious, even tragic incidents? It begins with his birth in 1968 and", "in 1968 and finishes when he is in late middle age in approximately", "tragic incidents? It begins with his birth in 1968 and finishes when he", "of a character whose entirely fictional history includes many realistically humorous interludes as", "fictional history includes many realistically humorous interludes as well as some serious, even", "whose entirely fictional history includes many realistically humorous interludes as well as some", "in late middle age in approximately contemporary times.There is nothing autobiographical about it,", "1968 and finishes when he is in late middle age in approximately contemporary", "in approximately contemporary times.There is nothing autobiographical about it, I hasten to add.", "includes many realistically humorous interludes as well as some serious, even tragic incidents?", "late middle age in approximately contemporary times.There is nothing autobiographical about it, I", "interludes as well as some serious, even tragic incidents? It begins with his", "when he is in late middle age in approximately contemporary times.There is nothing", "describes my novel about the life of a character whose entirely fictional history", "as well as some serious, even tragic incidents? It begins with his birth", "a character whose entirely fictional history includes many realistically humorous interludes as well", "even tragic incidents? It begins with his birth in 1968 and finishes when", "he is in late middle age in approximately contemporary times.There is nothing autobiographical", "What genre best describes my novel about the life of a character whose", "best describes my novel about the life of a character whose entirely fictional", "well as some serious, even tragic incidents? It begins with his birth in", "begins with his birth in 1968 and finishes when he is in late", "entirely fictional history includes many realistically humorous interludes as well as some serious,", "is in late middle age in approximately contemporary times.There is nothing autobiographical about", "humorous interludes as well as some serious, even tragic incidents? It begins with", "finishes when he is in late middle age in approximately contemporary times.There is", "with his birth in 1968 and finishes when he is in late middle", "his birth in 1968 and finishes when he is in late middle age", "incidents? It begins with his birth in 1968 and finishes when he is" ]
[ "includes a few plays on words and intentional misspellings. At first glance they", "in another language), or if it's best to leave it to the reader", "words and intentional misspellings. At first glance they read like typos. I am", "to leave it to the reader to trust that the \"mistake\" was intentional.", "(as I would, for example, for words in another language), or if it's", "it to the reader to trust that the \"mistake\" was intentional. For example,", "example, a line includes the phrase \"next of skin\" instead of \"next of", "I would, for example, for words in another language), or if it's best", "wondering if the convention is that I should be styling them differently (as", "few plays on words and intentional misspellings. At first glance they read like", "play that includes a few plays on words and intentional misspellings. At first", "for example, for words in another language), or if it's best to leave", "I am copyediting and doing layout on a play that includes a few", "a play that includes a few plays on words and intentional misspellings. At", "misspellings. At first glance they read like typos. I am wondering if the", "of \"next of kin\". I hate the idea that a reader would wonder", "if it's best to leave it to the reader to trust that the", "a line includes the phrase \"next of skin\" instead of \"next of kin\".", "them differently (as I would, for example, for words in another language), or", "the idea that a reader would wonder if that was on purpose. Thoughts?", "be styling them differently (as I would, for example, for words in another", "and doing layout on a play that includes a few plays on words", "intentional misspellings. At first glance they read like typos. I am wondering if", "it's best to leave it to the reader to trust that the \"mistake\"", "hate the idea that a reader would wonder if that was on purpose.", "read like typos. I am wondering if the convention is that I should", "\"next of skin\" instead of \"next of kin\". I hate the idea that", "for words in another language), or if it's best to leave it to", "of skin\" instead of \"next of kin\". I hate the idea that a", "I hate the idea that a reader would wonder if that was on", "is that I should be styling them differently (as I would, for example,", "words in another language), or if it's best to leave it to the", "phrase \"next of skin\" instead of \"next of kin\". I hate the idea", "best to leave it to the reader to trust that the \"mistake\" was", "I am wondering if the convention is that I should be styling them", "For example, a line includes the phrase \"next of skin\" instead of \"next", "glance they read like typos. I am wondering if the convention is that", "\"mistake\" was intentional. For example, a line includes the phrase \"next of skin\"", "am wondering if the convention is that I should be styling them differently", "plays on words and intentional misspellings. At first glance they read like typos.", "language), or if it's best to leave it to the reader to trust", "that I should be styling them differently (as I would, for example, for", "reader to trust that the \"mistake\" was intentional. For example, a line includes", "should be styling them differently (as I would, for example, for words in", "line includes the phrase \"next of skin\" instead of \"next of kin\". I", "of kin\". I hate the idea that a reader would wonder if that", "layout on a play that includes a few plays on words and intentional", "the \"mistake\" was intentional. For example, a line includes the phrase \"next of", "a few plays on words and intentional misspellings. At first glance they read", "example, for words in another language), or if it's best to leave it", "and intentional misspellings. At first glance they read like typos. I am wondering", "or if it's best to leave it to the reader to trust that", "to trust that the \"mistake\" was intentional. For example, a line includes the", "first glance they read like typos. I am wondering if the convention is", "would, for example, for words in another language), or if it's best to", "includes the phrase \"next of skin\" instead of \"next of kin\". I hate", "the reader to trust that the \"mistake\" was intentional. For example, a line", "the convention is that I should be styling them differently (as I would,", "on a play that includes a few plays on words and intentional misspellings.", "trust that the \"mistake\" was intentional. For example, a line includes the phrase", "\"next of kin\". I hate the idea that a reader would wonder if", "that the \"mistake\" was intentional. For example, a line includes the phrase \"next", "like typos. I am wondering if the convention is that I should be", "I should be styling them differently (as I would, for example, for words", "skin\" instead of \"next of kin\". I hate the idea that a reader", "copyediting and doing layout on a play that includes a few plays on", "on words and intentional misspellings. At first glance they read like typos. I", "convention is that I should be styling them differently (as I would, for", "that includes a few plays on words and intentional misspellings. At first glance", "am copyediting and doing layout on a play that includes a few plays", "was intentional. For example, a line includes the phrase \"next of skin\" instead", "kin\". I hate the idea that a reader would wonder if that was", "styling them differently (as I would, for example, for words in another language),", "leave it to the reader to trust that the \"mistake\" was intentional. For", "instead of \"next of kin\". I hate the idea that a reader would", "they read like typos. I am wondering if the convention is that I", "typos. I am wondering if the convention is that I should be styling", "doing layout on a play that includes a few plays on words and", "to the reader to trust that the \"mistake\" was intentional. For example, a", "if the convention is that I should be styling them differently (as I", "intentional. For example, a line includes the phrase \"next of skin\" instead of", "the phrase \"next of skin\" instead of \"next of kin\". I hate the", "another language), or if it's best to leave it to the reader to", "differently (as I would, for example, for words in another language), or if", "At first glance they read like typos. I am wondering if the convention" ]
[ "Exchange, and need help creating an organized character profile, with the information I", "help creating an organized character profile, with the information I have on my", "to create a detailed character profile for a short story? I'm new to", "easy way to create a detailed character profile for a short story? I'm", "a detailed character profile for a short story? I'm new to this Stack", "is an easy way to create a detailed character profile for a short", "detailed character profile for a short story? I'm new to this Stack Exchange,", "this Stack Exchange, and need help creating an organized character profile, with the", "I'm new to this Stack Exchange, and need help creating an organized character", "Stack Exchange, and need help creating an organized character profile, with the information", "short story? I'm new to this Stack Exchange, and need help creating an", "a short story? I'm new to this Stack Exchange, and need help creating", "an easy way to create a detailed character profile for a short story?", "way to create a detailed character profile for a short story? I'm new", "to this Stack Exchange, and need help creating an organized character profile, with", "need help creating an organized character profile, with the information I have on", "for a short story? I'm new to this Stack Exchange, and need help", "and need help creating an organized character profile, with the information I have", "character profile for a short story? I'm new to this Stack Exchange, and", "creating an organized character profile, with the information I have on my character.", "story? I'm new to this Stack Exchange, and need help creating an organized", "create a detailed character profile for a short story? I'm new to this", "profile for a short story? I'm new to this Stack Exchange, and need", "new to this Stack Exchange, and need help creating an organized character profile,", "What is an easy way to create a detailed character profile for a" ]
[ "with a name. I capitalize its name when I mention it. But mostly,", "I refer to it as \"it\". I use \"it\" a lot in dialogue,", "I capitalize its name when I mention it. But mostly, I refer to", "have a being with a name. I capitalize its name when I mention", "dialogue, as characters talk about this being. Should I capitalize \"it\", in these", "name when I mention it. But mostly, I refer to it as \"it\".", "name. I capitalize its name when I mention it. But mostly, I refer", "capitalize its name when I mention it. But mostly, I refer to it", "a being with a name. I capitalize its name when I mention it.", "in dialogue, as characters talk about this being. Should I capitalize \"it\", in", "mention it. But mostly, I refer to it as \"it\". I use \"it\"", "as characters talk about this being. Should I capitalize \"it\", in these cases?", "use \"it\" a lot in dialogue, as characters talk about this being. Should", "its name when I mention it. But mostly, I refer to it as", "as \"it\". I use \"it\" a lot in dialogue, as characters talk about", "lot in dialogue, as characters talk about this being. Should I capitalize \"it\",", "\"it\" a lot in dialogue, as characters talk about this being. Should I", "I mention it. But mostly, I refer to it as \"it\". I use", "\"it\". I use \"it\" a lot in dialogue, as characters talk about this", "being with a name. I capitalize its name when I mention it. But", "But mostly, I refer to it as \"it\". I use \"it\" a lot", "a name. I capitalize its name when I mention it. But mostly, I", "when I mention it. But mostly, I refer to it as \"it\". I", "it. But mostly, I refer to it as \"it\". I use \"it\" a", "to it as \"it\". I use \"it\" a lot in dialogue, as characters", "refer to it as \"it\". I use \"it\" a lot in dialogue, as", "I use \"it\" a lot in dialogue, as characters talk about this being.", "mostly, I refer to it as \"it\". I use \"it\" a lot in", "it as \"it\". I use \"it\" a lot in dialogue, as characters talk", "a lot in dialogue, as characters talk about this being. Should I capitalize", "I have a being with a name. I capitalize its name when I" ]
[ "How does one sell their book without giving up all rights to it?", "ready to sell. How does one sell their book without giving up all", "books and ready to sell. How does one sell their book without giving", "to sell. How does one sell their book without giving up all rights", "first of a series of children's books and ready to sell. How does", "of children's books and ready to sell. How does one sell their book", "a series of children's books and ready to sell. How does one sell", "of a series of children's books and ready to sell. How does one", "I just finished the first of a series of children's books and ready", "series of children's books and ready to sell. How does one sell their", "children's books and ready to sell. How does one sell their book without", "the first of a series of children's books and ready to sell. How", "just finished the first of a series of children's books and ready to", "and ready to sell. How does one sell their book without giving up", "sell. How does one sell their book without giving up all rights to", "finished the first of a series of children's books and ready to sell." ]
[ "know the \"magic formula\" (even I imagin there isn't) to excite readers with", "good writers and they are able to excite people (with twists), but how", "can follow, to improve my writes, my stories and my thinking? Yesterday I", "to improve my writes, my stories and my thinking? Yesterday I saw True", "and my thinking? Yesterday I saw True Detective (Season 1) and I remained", "remained literally shocked about its plot. I know, screenwriters are usually good writers", "have to excite yourself to excite others\"* Starting with this quote, that I", "to excite others\"* Starting with this quote, that I listened to a conference,", "there a path, that I can follow, to improve my writes, my stories", "path, that I can follow, to improve my writes, my stories and my", "literally shocked about its plot. I know, screenwriters are usually good writers and", "Detective (Season 1) and I remained literally shocked about its plot. I know,", "True Detective (Season 1) and I remained literally shocked about its plot. I", "this quote, that I listened to a conference, I really would know the", "I imagin there isn't) to excite readers with your stories and writings. I", "I listened to a conference, I really would know the \"magic formula\" (even", "my stories and my thinking? Yesterday I saw True Detective (Season 1) and", "to write, to exercise, and to try, try, try... But, is everything closed", "But, is everything closed in the experience? I mean, is there a path,", "its plot. I know, screenwriters are usually good writers and they are able", "is there a path, that I can follow, to improve my writes, my", "that I listened to a conference, I really would know the \"magic formula\"", "I mean, is there a path, that I can follow, to improve my", "writings. I know, I have to write, to exercise, and to try, try,", "would know the \"magic formula\" (even I imagin there isn't) to excite readers", "quote, that I listened to a conference, I really would know the \"magic", "writers and they are able to excite people (with twists), but how do", "your stories and writings. I know, I have to write, to exercise, and", "really would know the \"magic formula\"* (even I imagin there isn't) to excite", "(Season 1) and I remained literally shocked about its plot. I know, screenwriters", "screenwriters are usually good writers and they are able to excite people (with", "stories and writings. I know, I have to write, to exercise, and to", "about its plot. I know, screenwriters are usually good writers and they are", "to exercise, and to try, try, try... But, is everything closed in the", "isn't) to excite readers with your stories and writings. I know, I have", "excite readers with your stories and writings. I know, I have to write,", "mean, is there a path, that I can follow, to improve my writes,", "improve my writes, my stories and my thinking? Yesterday I saw True Detective", "are able to excite people (with twists), but how do they reach this", "writes, my stories and my thinking? Yesterday I saw True Detective (Season 1)", "I remained literally shocked about its plot. I know, screenwriters are usually good", "excite yourself to excite others\"* Starting with this quote, that I listened to", "and I remained literally shocked about its plot. I know, screenwriters are usually", "I can follow, to improve my writes, my stories and my thinking? Yesterday", "listened to a conference, I really would know the \"magic formula\" (even I", "(even I imagin there isn't) to excite readers with your stories and writings.", "excite others\"* Starting with this quote, that I listened to a conference, I", "my writes, my stories and my thinking? Yesterday I saw True Detective (Season", "know, screenwriters are usually good writers and they are able to excite people", "to a conference, I really would know the \"magic formula\" (even I imagin", "\"You have to excite yourself to excite others\" Starting with this quote, that", "is everything closed in the experience? I mean, is there a path, that", "closed in the experience? I mean, is there a path, that I can", "try, try... But, is everything closed in the experience? I mean, is there", "I know, I have to write, to exercise, and to try, try, try...", "a path, that I can follow, to improve my writes, my stories and", "I saw True Detective (Season 1) and I remained literally shocked about its", "the experience? I mean, is there a path, that I can follow, to", "plot. I know, screenwriters are usually good writers and they are able to", "imagin there isn't) to excite readers with your stories and writings. I know,", "and they are able to excite people (with twists), but how do they", "able to excite people (with twists), but how do they reach this level?", "yourself to excite others\"* Starting with this quote, that I listened to a", "with this quote, that I listened to a conference, I really would know", "to try, try, try... But, is everything closed in the experience? I mean,", "saw True Detective (Season 1) and I remained literally shocked about its plot.", "everything closed in the experience? I mean, is there a path, that I", "1) and I remained literally shocked about its plot. I know, screenwriters are", "and to try, try, try... But, is everything closed in the experience? I", "Yesterday I saw True Detective (Season 1) and I remained literally shocked about", "usually good writers and they are able to excite people (with twists), but", "shocked about its plot. I know, screenwriters are usually good writers and they", "with your stories and writings. I know, I have to write, to exercise,", "thinking? Yesterday I saw True Detective (Season 1) and I remained literally shocked", "formula\"* (even I imagin there isn't) to excite readers with your stories and", "I know, screenwriters are usually good writers and they are able to excite", "experience? I mean, is there a path, that I can follow, to improve", "a conference, I really would know the \"magic formula\" (even I imagin there", "know, I have to write, to exercise, and to try, try, try... But,", "try... But, is everything closed in the experience? I mean, is there a", "follow, to improve my writes, my stories and my thinking? Yesterday I saw", "they are able to excite people (with twists), but how do they reach", "to excite yourself to excite others\"* Starting with this quote, that I listened", "to excite readers with your stories and writings. I know, I have to", "that I can follow, to improve my writes, my stories and my thinking?", "readers with your stories and writings. I know, I have to write, to", "my thinking? Yesterday I saw True Detective (Season 1) and I remained literally", "in the experience? I mean, is there a path, that I can follow,", "write, to exercise, and to try, try, try... But, is everything closed in", "are usually good writers and they are able to excite people (with twists),", "the \"magic formula\" (even I imagin there isn't) to excite readers with your", "there isn't) to excite readers with your stories and writings. I know, I", "stories and my thinking? Yesterday I saw True Detective (Season 1) and I", "exercise, and to try, try, try... But, is everything closed in the experience?", "others\"* Starting with this quote, that I listened to a conference, I really", "have to write, to exercise, and to try, try, try... But, is everything", "try, try, try... But, is everything closed in the experience? I mean, is", "conference, I really would know the \"magic formula\" (even I imagin there isn't)", "I have to write, to exercise, and to try, try, try... But, is", "\"magic formula\" (even I imagin there isn't) to excite readers with your stories", "I really would know the \"magic formula\" (even I imagin there isn't) to", "and writings. I know, I have to write, to exercise, and to try,", "Starting with this quote, that I listened to a conference, I really would" ]
[ "my best choice? Is it to rewrite those stories in English with very", "have a few stories in Russian. What's my best choice? Is it to", "Russian. What's my best choice? Is it to rewrite those stories in English", "and I have a few stories in Russian. What's my best choice? Is", "in Russian. What's my best choice? Is it to rewrite those stories in", "English and I have a few stories in Russian. What's my best choice?", "those stories in English with very many mistakes or to start something new", "I wanna start writing in English and I have a few stories in", "I have a few stories in Russian. What's my best choice? Is it", "stories in English with very many mistakes or to start something new and", "a few stories in Russian. What's my best choice? Is it to rewrite", "stories in Russian. What's my best choice? Is it to rewrite those stories", "in English with very many mistakes or to start something new and learn?", "choice? Is it to rewrite those stories in English with very many mistakes", "What's my best choice? Is it to rewrite those stories in English with", "rewrite those stories in English with very many mistakes or to start something", "few stories in Russian. What's my best choice? Is it to rewrite those", "wanna start writing in English and I have a few stories in Russian.", "in English and I have a few stories in Russian. What's my best", "start writing in English and I have a few stories in Russian. What's", "it to rewrite those stories in English with very many mistakes or to", "to rewrite those stories in English with very many mistakes or to start", "best choice? Is it to rewrite those stories in English with very many", "Is it to rewrite those stories in English with very many mistakes or", "writing in English and I have a few stories in Russian. What's my" ]
[ "the death of my wife. > > > Jumez: You realize they'll be", "they'll be over in time and I won't be able to help >", "Beside a sign at Bulgart st. > > > Jumez: Please, Rumerz, I", "Jumez: You realize they'll be over in time and I won't be able", "need to run, now! > > > Rumerz says, \"Thank you, friend\" and", "> > Rumerz: It is my job alone to find out who's behind", "> > > Rumerz: I'm not giving away the only evidence to the", "wife. > > > Jumez: You realize they'll be over in time and", "you, friend\" and quickly runs towards the closest > building. He hears, behind", "and quickly runs towards the closest > building. He hears, behind him, the", "who's behind this. You really > can't understand! > > > Rumerz hears", "really > can't understand! > > > Rumerz hears a car approaching. >", "> Rumerz says, \"Thank you, friend\" and quickly runs towards the closest >", "You must > hand over those documents! > > > Rumerz: I'm not", "> > > Rumerz says, \"Thank you, friend\" and quickly runs towards the", "Rumerz hears a car approaching. > > > Jumez: You need to run,", "towards the closest > building. He hears, behind him, the car stop. Two", "script-style conversations in stories? > > New Hampshire, 2144, Beside a sign at", "evidence to the death of my wife. > > > Jumez: You realize", "the only evidence to the death of my wife. > > > Jumez:", "realize they'll be over in time and I won't be able to help", "> Rumerz: I'm not giving away the only evidence to the death of", "> > Rumerz: I'm not giving away the only evidence to the death", "> > > Jumez: You realize they'll be over in time and I", "I won't be able to help > you. > > > Rumerz: It", "now! > > > Rumerz says, \"Thank you, friend\" and quickly runs towards", "Rumerz: It is my job alone to find out who's behind this. You", "to help > you. > > > Rumerz: It is my job alone", "help > you. > > > Rumerz: It is my job alone to", "to find out who's behind this. You really > can't understand! > >", "Rumerz: I'm not giving away the only evidence to the death of my", "> Rumerz: It is my job alone to find out who's behind this.", "must > hand over those documents! > > > Rumerz: I'm not giving", "Jumez: You need to run, now! > > > Rumerz says, \"Thank you,", "Jumez: Please, Rumerz, I don't have time to discuss this. You must >", "> Rumerz hears a car approaching. > > > Jumez: You need to", "building. He hears, behind him, the car stop. Two agents rush out of", "sign at Bulgart st. > > > Jumez: Please, Rumerz, I don't have", "> > Jumez: You realize they'll be over in time and I won't", "> Jumez: You realize they'll be over in time and I won't be", "hears, behind him, the car stop. Two agents rush out of > the", "to use script-style conversations in stories? > > New Hampshire, 2144, Beside a", "don't have time to discuss this. You must > hand over those documents!", "it to use script-style conversations in stories? > > New Hampshire, 2144, Beside", "him, the car stop. Two agents rush out of > the car. >", "hand over those documents! > > > Rumerz: I'm not giving away the", "st. > > > Jumez: Please, Rumerz, I don't have time to discuss", "> Jumez: Please, Rumerz, I don't have time to discuss this. You must", "run, now! > > > Rumerz says, \"Thank you, friend\" and quickly runs", "It is my job alone to find out who's behind this. You really", "use script-style conversations in stories? > > New Hampshire, 2144, Beside a sign", "those documents! > > > Rumerz: I'm not giving away the only evidence", "> Jumez: You need to run, now! > > > Rumerz says, \"Thank", "You need to run, now! > > > Rumerz says, \"Thank you, friend\"", "time to discuss this. You must > hand over those documents! > >", "have time to discuss this. You must > hand over those documents! >", "Hampshire, 2144, Beside a sign at Bulgart st. > > > Jumez: Please,", "only evidence to the death of my wife. > > > Jumez: You", "friend\" and quickly runs towards the closest > building. He hears, behind him,", "says, \"Thank you, friend\" and quickly runs towards the closest > building. He", "> hand over those documents! > > > Rumerz: I'm not giving away", "find out who's behind this. You really > can't understand! > > >", "is it to use script-style conversations in stories? > > New Hampshire, 2144,", "> you. > > > Rumerz: It is my job alone to find", "You realize they'll be over in time and I won't be able to", "\"Thank you, friend\" and quickly runs towards the closest > building. He hears,", "> > Rumerz says, \"Thank you, friend\" and quickly runs towards the closest", "conversations in stories? > > New Hampshire, 2144, Beside a sign at Bulgart", "be over in time and I won't be able to help > you.", "my wife. > > > Jumez: You realize they'll be over in time", "at Bulgart st. > > > Jumez: Please, Rumerz, I don't have time", "How good is it to use script-style conversations in stories? > > New", "be able to help > you. > > > Rumerz: It is my", "my job alone to find out who's behind this. You really > can't", "alone to find out who's behind this. You really > can't understand! >", "documents! > > > Rumerz: I'm not giving away the only evidence to", "I don't have time to discuss this. You must > hand over those", "car stop. Two agents rush out of > the car. > > >", "Rumerz says, \"Thank you, friend\" and quickly runs towards the closest > building.", "2144, Beside a sign at Bulgart st. > > > Jumez: Please, Rumerz,", "> > > Rumerz: It is my job alone to find out who's", "to run, now! > > > Rumerz says, \"Thank you, friend\" and quickly", "in stories? > > New Hampshire, 2144, Beside a sign at Bulgart st.", "time and I won't be able to help > you. > > >", "Bulgart st. > > > Jumez: Please, Rumerz, I don't have time to", "and I won't be able to help > you. > > > Rumerz:", "quickly runs towards the closest > building. He hears, behind him, the car", "the car stop. Two agents rush out of > the car. > >", "out who's behind this. You really > can't understand! > > > Rumerz", "closest > building. He hears, behind him, the car stop. Two agents rush", "> building. He hears, behind him, the car stop. Two agents rush out", "you. > > > Rumerz: It is my job alone to find out", "this. You really > can't understand! > > > Rumerz hears a car", "a sign at Bulgart st. > > > Jumez: Please, Rumerz, I don't", "behind him, the car stop. Two agents rush out of > the car.", "I'm not giving away the only evidence to the death of my wife.", "> > > Jumez: You need to run, now! > > > Rumerz", "away the only evidence to the death of my wife. > > >", "won't be able to help > you. > > > Rumerz: It is", "not giving away the only evidence to the death of my wife. >", "He hears, behind him, the car stop. Two agents rush out of >", "to the death of my wife. > > > Jumez: You realize they'll", "discuss this. You must > hand over those documents! > > > Rumerz:", "understand! > > > Rumerz hears a car approaching. > > > Jumez:", "job alone to find out who's behind this. You really > can't understand!", "of my wife. > > > Jumez: You realize they'll be over in", "this. You must > hand over those documents! > > > Rumerz: I'm", "car approaching. > > > Jumez: You need to run, now! > >", "in time and I won't be able to help > you. > >", "> > Rumerz hears a car approaching. > > > Jumez: You need", "able to help > you. > > > Rumerz: It is my job", "behind this. You really > can't understand! > > > Rumerz hears a", "over in time and I won't be able to help > you. >", "good is it to use script-style conversations in stories? > > New Hampshire,", "> > > Rumerz hears a car approaching. > > > Jumez: You", "New Hampshire, 2144, Beside a sign at Bulgart st. > > > Jumez:", "giving away the only evidence to the death of my wife. > >", "death of my wife. > > > Jumez: You realize they'll be over", "runs towards the closest > building. He hears, behind him, the car stop.", "> can't understand! > > > Rumerz hears a car approaching. > >", "Please, Rumerz, I don't have time to discuss this. You must > hand", "approaching. > > > Jumez: You need to run, now! > > >", "hears a car approaching. > > > Jumez: You need to run, now!", "> > Jumez: Please, Rumerz, I don't have time to discuss this. You", "> > > Jumez: Please, Rumerz, I don't have time to discuss this.", "stories? > > New Hampshire, 2144, Beside a sign at Bulgart st. >", "can't understand! > > > Rumerz hears a car approaching. > > >", "is my job alone to find out who's behind this. You really >", "> New Hampshire, 2144, Beside a sign at Bulgart st. > > >", "You really > can't understand! > > > Rumerz hears a car approaching.", "> > New Hampshire, 2144, Beside a sign at Bulgart st. > >", "to discuss this. You must > hand over those documents! > > >", "a car approaching. > > > Jumez: You need to run, now! >", "over those documents! > > > Rumerz: I'm not giving away the only", "the closest > building. He hears, behind him, the car stop. Two agents", "Rumerz, I don't have time to discuss this. You must > hand over", "> > Jumez: You need to run, now! > > > Rumerz says," ]
[ "I don't have that kind of mind able to build something around a", "use real life crime to come up with ideas for writing a detective", "that kind of mind able to build something around a \"normal\" crime. How", "have an idea to write a detective story. But the crimes I read", "an idea to write a detective story. But the crimes I read about", "a detective story. But the crimes I read about aren't helpful to create", "newspapers, just to have an idea to write a detective story. But the", "create a plot. I mean, they are really boring and all the same.", "same. I don't have that kind of mind able to build something around", "are really boring and all the same. I don't have that kind of", "able to build something around a \"normal\" crime. How can I use real", "aren't helpful to create a plot. I mean, they are really boring and", "around a \"normal\" crime. How can I use real life crime to come", "something around a \"normal\" crime. How can I use real life crime to", "the same. I don't have that kind of mind able to build something", "I use real life crime to come up with ideas for writing a", "a plot. I mean, they are really boring and all the same. I", "stories in newspapers, just to have an idea to write a detective story.", "crimes I read about aren't helpful to create a plot. I mean, they", "real life crime to come up with ideas for writing a detective crime", "they are really boring and all the same. I don't have that kind", "mind able to build something around a \"normal\" crime. How can I use", "helpful to create a plot. I mean, they are really boring and all", "reading daily crime stories in newspapers, just to have an idea to write", "have that kind of mind able to build something around a \"normal\" crime.", "I'm reading daily crime stories in newspapers, just to have an idea to", "boring and all the same. I don't have that kind of mind able", "build something around a \"normal\" crime. How can I use real life crime", "detective story. But the crimes I read about aren't helpful to create a", "mean, they are really boring and all the same. I don't have that", "really boring and all the same. I don't have that kind of mind", "crime. How can I use real life crime to come up with ideas", "crime stories in newspapers, just to have an idea to write a detective", "just to have an idea to write a detective story. But the crimes", "can I use real life crime to come up with ideas for writing", "daily crime stories in newspapers, just to have an idea to write a", "plot. I mean, they are really boring and all the same. I don't", "story. But the crimes I read about aren't helpful to create a plot.", "in newspapers, just to have an idea to write a detective story. But", "to have an idea to write a detective story. But the crimes I", "I read about aren't helpful to create a plot. I mean, they are", "all the same. I don't have that kind of mind able to build", "of mind able to build something around a \"normal\" crime. How can I", "kind of mind able to build something around a \"normal\" crime. How can", "write a detective story. But the crimes I read about aren't helpful to", "I mean, they are really boring and all the same. I don't have", "How can I use real life crime to come up with ideas for", "life crime to come up with ideas for writing a detective crime plot?", "to write a detective story. But the crimes I read about aren't helpful", "to build something around a \"normal\" crime. How can I use real life", "the crimes I read about aren't helpful to create a plot. I mean,", "a \"normal\" crime. How can I use real life crime to come up", "about aren't helpful to create a plot. I mean, they are really boring", "idea to write a detective story. But the crimes I read about aren't", "read about aren't helpful to create a plot. I mean, they are really", "to create a plot. I mean, they are really boring and all the", "But the crimes I read about aren't helpful to create a plot. I", "\"normal\" crime. How can I use real life crime to come up with", "and all the same. I don't have that kind of mind able to", "don't have that kind of mind able to build something around a \"normal\"" ]
[ "avoid it. I am one of those writers. The only other option is", "is there perhaps a general method that can be used? (Assume that we", "How can I inform him, within the body of the novel itself, that", "the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I have a language", "so I will simply suggest that the majority of writers and readers will", "writers and readers will wish to avoid it. I am one of those", "within the story itself. I have discovered that there are those who believe", "other option is of course to infodump the rules of pronunciation somewhere within", "it doesn't feel forced, and the reader learns the pronunciation without even realizing", "I inform him, within the body of the novel itself, that all 'h's", "are those who believe infodumping is not a bad thing, so I will", "the disadvantage of either being before the story and rapidly boring the reader", "can be specified. These areas have the disadvantage of either being before the", "that we do not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In", "itself. I have discovered that there are those who believe infodumping is not", "constructed language (conlang), there are areas where the rules of pronunciation can be", "areas where the rules of pronunciation can be specified. These areas have the", "and rapidly boring the reader (preface/prologue), or being after the story and likely", "be used? (Assume that we do not have access to the familiar non-native-speaker-who-needs-to-be-educated", "overlooked until the story has been read (epilogue/glossary). The other option is of", "being overlooked until the story has been read (epilogue/glossary). The other option is", "in the story in a natural way, so that it doesn't feel forced,", "(Assume that we do not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) ---", "access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I have", "to infodump the rules of pronunciation somewhere within the story itself. I have", "`Ga'ino'i` becomes `Gahinohi`. It looks far better. The reader will of course pronounce", "story and likely being overlooked until the story has been read (epilogue/glossary). The", "the story itself. I have discovered that there are those who believe infodumping", "pronunciation somewhere within the story itself. I have discovered that there are those", "the letter 'h' is silent. I am using it to separate vowel sounds,", "sounds, rather than an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It looks", "the reader learns the pronunciation without even realizing he is learning grammatical rules", "where the rules of pronunciation can be specified. These areas have the disadvantage", "way, so that it doesn't feel forced, and the reader learns the pronunciation", "the story has been read (epilogue/glossary). The other option is of course to", "wish to avoid it. I am one of those writers. The only other", "The only other option is to somehow include it in the story in", "that it doesn't feel forced, and the reader learns the pronunciation without even", "course pronounce it `Ga-HEE-no-hee`, or something similar. How can I inform him, within", "general method that can be used? (Assume that we do not have access", "can I inform him, within the body of the novel itself, that all", "The reader will of course pronounce it `Ga-HEE-no-hee`, or something similar. How can", "a general method that can be used? (Assume that we do not have", "bad thing, so I will simply suggest that the majority of writers and", "language that does not exist. How can I do this? Obviously methods will", "far better. The reader will of course pronounce it `Ga-HEE-no-hee`, or something similar.", "pronounce it `Ga-HEE-no-hee`, or something similar. How can I inform him, within the", "language where the letter 'h' is silent. I am using it to separate", "of course to infodump the rules of pronunciation somewhere within the story itself.", "`Gahinohi`. It looks far better. The reader will of course pronounce it `Ga-HEE-no-hee`,", "In my current work, I have a language where the letter 'h' is", "thing, so I will simply suggest that the majority of writers and readers", "am one of those writers. The only other option is to somehow include", "been read (epilogue/glossary). The other option is of course to infodump the rules", "have discovered that there are those who believe infodumping is not a bad", "In novels which contain a constructed language (conlang), there are areas where the", "Obviously methods will change from story to story, but is there perhaps a", "one of those writers. The only other option is to somehow include it", "is not a bad thing, so I will simply suggest that the majority", "of course pronounce it `Ga-HEE-no-hee`, or something similar. How can I inform him,", "rapidly boring the reader (preface/prologue), or being after the story and likely being", "work, I have a language where the letter 'h' is silent. I am", "rules of a language that does not exist. How can I do this?", "(epilogue/glossary). The other option is of course to infodump the rules of pronunciation", "is learning grammatical rules of a language that does not exist. How can", "can I do this? Obviously methods will change from story to story, but", "even realizing he is learning grammatical rules of a language that does not", "exist. How can I do this? Obviously methods will change from story to", "him, within the body of the novel itself, that all 'h's are silent?", "something similar. How can I inform him, within the body of the novel", "perhaps a general method that can be used? (Assume that we do not", "used? (Assume that we do not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.)", "read (epilogue/glossary). The other option is of course to infodump the rules of", "story has been read (epilogue/glossary). The other option is of course to infodump", "who believe infodumping is not a bad thing, so I will simply suggest", "a constructed language (conlang), there are areas where the rules of pronunciation can", "being before the story and rapidly boring the reader (preface/prologue), or being after", "boring the reader (preface/prologue), or being after the story and likely being overlooked", "novels which contain a constructed language (conlang), there are areas where the rules", "using it to separate vowel sounds, rather than an apostrophe. So something like", "suggest that the majority of writers and readers will wish to avoid it.", "of those writers. The only other option is to somehow include it in", "something like `Ga'ino'i` becomes `Gahinohi`. It looks far better. The reader will of", "I have discovered that there are those who believe infodumping is not a", "so that it doesn't feel forced, and the reader learns the pronunciation without", "or something similar. How can I inform him, within the body of the", "looks far better. The reader will of course pronounce it `Ga-HEE-no-hee`, or something", "inform him, within the body of the novel itself, that all 'h's are", "a natural way, so that it doesn't feel forced, and the reader learns", "an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It looks far better. The", "of pronunciation can be specified. These areas have the disadvantage of either being", "So something like `Ga'ino'i` becomes `Gahinohi`. It looks far better. The reader will", "option is of course to infodump the rules of pronunciation somewhere within the", "is to somehow include it in the story in a natural way, so", "this? Obviously methods will change from story to story, but is there perhaps", "those writers. The only other option is to somehow include it in the", "will wish to avoid it. I am one of those writers. The only", "until the story has been read (epilogue/glossary). The other option is of course", "learns the pronunciation without even realizing he is learning grammatical rules of a", "and the reader learns the pronunciation without even realizing he is learning grammatical", "do this? Obviously methods will change from story to story, but is there", "the majority of writers and readers will wish to avoid it. I am", "without even realizing he is learning grammatical rules of a language that does", "(conlang), there are areas where the rules of pronunciation can be specified. These", "from story to story, but is there perhaps a general method that can", "like `Ga'ino'i` becomes `Gahinohi`. It looks far better. The reader will of course", "reader will of course pronounce it `Ga-HEE-no-hee`, or something similar. How can I", "option is to somehow include it in the story in a natural way,", "somehow include it in the story in a natural way, so that it", "story in a natural way, so that it doesn't feel forced, and the", "of writers and readers will wish to avoid it. I am one of", "I do this? Obviously methods will change from story to story, but is", "story and rapidly boring the reader (preface/prologue), or being after the story and", "majority of writers and readers will wish to avoid it. I am one", "methods will change from story to story, but is there perhaps a general", "rather than an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It looks far", "being after the story and likely being overlooked until the story has been", "after the story and likely being overlooked until the story has been read", "of pronunciation somewhere within the story itself. I have discovered that there are", "in a natural way, so that it doesn't feel forced, and the reader", "it in the story in a natural way, so that it doesn't feel", "other option is to somehow include it in the story in a natural", "will simply suggest that the majority of writers and readers will wish to", "than an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It looks far better.", "writers. The only other option is to somehow include it in the story", "either being before the story and rapidly boring the reader (preface/prologue), or being", "the pronunciation without even realizing he is learning grammatical rules of a language", "separate vowel sounds, rather than an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`.", "are areas where the rules of pronunciation can be specified. These areas have", "there are those who believe infodumping is not a bad thing, so I", "to somehow include it in the story in a natural way, so that", "a language that does not exist. How can I do this? Obviously methods", "he is learning grammatical rules of a language that does not exist. How", "pronunciation can be specified. These areas have the disadvantage of either being before", "my current work, I have a language where the letter 'h' is silent.", "will change from story to story, but is there perhaps a general method", "the story and likely being overlooked until the story has been read (epilogue/glossary).", "rules of pronunciation can be specified. These areas have the disadvantage of either", "include it in the story in a natural way, so that it doesn't", "of either being before the story and rapidly boring the reader (preface/prologue), or", "learning grammatical rules of a language that does not exist. How can I", "it `Ga-HEE-no-hee`, or something similar. How can I inform him, within the body", "feel forced, and the reader learns the pronunciation without even realizing he is", "letter 'h' is silent. I am using it to separate vowel sounds, rather", "can be used? (Assume that we do not have access to the familiar", "which contain a constructed language (conlang), there are areas where the rules of", "that can be used? (Assume that we do not have access to the", "to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I have a", "method that can be used? (Assume that we do not have access to", "infodump the rules of pronunciation somewhere within the story itself. I have discovered", "is silent. I am using it to separate vowel sounds, rather than an", "familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I have a language where", "believe infodumping is not a bad thing, so I will simply suggest that", "story, but is there perhaps a general method that can be used? (Assume", "It looks far better. The reader will of course pronounce it `Ga-HEE-no-hee`, or", "and likely being overlooked until the story has been read (epilogue/glossary). The other", "only other option is to somehow include it in the story in a", "not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work,", "I am using it to separate vowel sounds, rather than an apostrophe. So", "the rules of pronunciation can be specified. These areas have the disadvantage of", "--- In my current work, I have a language where the letter 'h'", "do not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current", "change from story to story, but is there perhaps a general method that", "to avoid it. I am one of those writers. The only other option", "a language where the letter 'h' is silent. I am using it to", "or being after the story and likely being overlooked until the story has", "story to story, but is there perhaps a general method that can be", "not a bad thing, so I will simply suggest that the majority of", "`Ga-HEE-no-hee`, or something similar. How can I inform him, within the body of", "specified. These areas have the disadvantage of either being before the story and", "that there are those who believe infodumping is not a bad thing, so", "that the majority of writers and readers will wish to avoid it. I", "readers will wish to avoid it. I am one of those writers. The", "forced, and the reader learns the pronunciation without even realizing he is learning", "reader (preface/prologue), or being after the story and likely being overlooked until the", "disadvantage of either being before the story and rapidly boring the reader (preface/prologue),", "but is there perhaps a general method that can be used? (Assume that", "have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I", "These areas have the disadvantage of either being before the story and rapidly", "rules of pronunciation somewhere within the story itself. I have discovered that there", "there are areas where the rules of pronunciation can be specified. These areas", "better. The reader will of course pronounce it `Ga-HEE-no-hee`, or something similar. How", "realizing he is learning grammatical rules of a language that does not exist.", "apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It looks far better. The reader", "of a language that does not exist. How can I do this? Obviously", "have the disadvantage of either being before the story and rapidly boring the", "is of course to infodump the rules of pronunciation somewhere within the story", "the reader (preface/prologue), or being after the story and likely being overlooked until", "not exist. How can I do this? Obviously methods will change from story", "and readers will wish to avoid it. I am one of those writers.", "language (conlang), there are areas where the rules of pronunciation can be specified.", "scenario.) --- In my current work, I have a language where the letter", "vowel sounds, rather than an apostrophe. So something like `Ga'ino'i` becomes `Gahinohi`. It", "somewhere within the story itself. I have discovered that there are those who", "non-native-speaker-who-needs-to-be-educated scenario.) --- In my current work, I have a language where the", "to separate vowel sounds, rather than an apostrophe. So something like `Ga'ino'i` becomes", "there perhaps a general method that can be used? (Assume that we do", "that does not exist. How can I do this? Obviously methods will change", "the story in a natural way, so that it doesn't feel forced, and", "be specified. These areas have the disadvantage of either being before the story", "How can I do this? Obviously methods will change from story to story,", "pronunciation without even realizing he is learning grammatical rules of a language that", "similar. How can I inform him, within the body of the novel itself,", "(preface/prologue), or being after the story and likely being overlooked until the story", "I am one of those writers. The only other option is to somehow", "have a language where the letter 'h' is silent. I am using it", "am using it to separate vowel sounds, rather than an apostrophe. So something", "likely being overlooked until the story has been read (epilogue/glossary). The other option", "areas have the disadvantage of either being before the story and rapidly boring", "infodumping is not a bad thing, so I will simply suggest that the", "it to separate vowel sounds, rather than an apostrophe. So something like `Ga'ino'i`", "the rules of pronunciation somewhere within the story itself. I have discovered that", "before the story and rapidly boring the reader (preface/prologue), or being after the", "to story, but is there perhaps a general method that can be used?", "doesn't feel forced, and the reader learns the pronunciation without even realizing he", "story itself. I have discovered that there are those who believe infodumping is", "discovered that there are those who believe infodumping is not a bad thing,", "contain a constructed language (conlang), there are areas where the rules of pronunciation", "those who believe infodumping is not a bad thing, so I will simply", "a bad thing, so I will simply suggest that the majority of writers", "we do not have access to the familiar non-native-speaker-who-needs-to-be-educated scenario.) --- In my", "where the letter 'h' is silent. I am using it to separate vowel", "the story and rapidly boring the reader (preface/prologue), or being after the story", "The other option is of course to infodump the rules of pronunciation somewhere", "natural way, so that it doesn't feel forced, and the reader learns the", "it. I am one of those writers. The only other option is to", "reader learns the pronunciation without even realizing he is learning grammatical rules of", "I have a language where the letter 'h' is silent. I am using", "silent. I am using it to separate vowel sounds, rather than an apostrophe.", "simply suggest that the majority of writers and readers will wish to avoid", "current work, I have a language where the letter 'h' is silent. I", "does not exist. How can I do this? Obviously methods will change from", "has been read (epilogue/glossary). The other option is of course to infodump the", "will of course pronounce it `Ga-HEE-no-hee`, or something similar. How can I inform", "'h' is silent. I am using it to separate vowel sounds, rather than", "grammatical rules of a language that does not exist. How can I do", "course to infodump the rules of pronunciation somewhere within the story itself. I", "I will simply suggest that the majority of writers and readers will wish", "becomes `Gahinohi`. It looks far better. The reader will of course pronounce it" ]
[ "is a space between Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson 's\")", "name and publication year. For example, 1. Swoth (2008) studied the property of", "is referred to as using the authors name and publication year. For example,", "using the authors name and publication year. For example, 1. Swoth (2008) studied", "and between year and \"'s\". In #1. putting a space between Swoth and", "(2008) looks natural, but in #2, it is weird because there is a", "of blah-blah 2. Swoth and Muhtson (2013)'s article investigated blah-blah 3. Muhtson et", "and publication year. For example, 1. Swoth (2008) studied the property of blah-blah", "becomes \"Muhtson 's\") Is there any clear rule or common practice for this?", "putting a space between Swoth and (2008) looks natural, but in #2, it", "blah-blah Here I wonder what is the correct spacing between the name(s) and", "#1. putting a space between Swoth and (2008) looks natural, but in #2,", "Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson 's\") Is there any clear", "weird because there is a space between Muhtson and \"'s\". (Without (2013), it", "parenthesis) and between year and \"'s\". In #1. putting a space between Swoth", "it is weird because there is a space between Muhtson and \"'s\". (Without", "Here I wonder what is the correct spacing between the name(s) and year", "\"'s\". (Without (2013), it becomes \"Muhtson 's\") Is there any clear rule or", "property of blah-blah 2. Swoth and Muhtson (2013)'s article investigated blah-blah 3. Muhtson", "is the correct spacing between the name(s) and year (in the parenthesis) and", "correct spacing between the name(s) and year (in the parenthesis) and between year", "(2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah Here I", "studied the property of blah-blah 2. Swoth and Muhtson (2013)'s article investigated blah-blah", "Muhtson (2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah Here", "the correct spacing between the name(s) and year (in the parenthesis) and between", "and \"'s\". (Without (2013), it becomes \"Muhtson 's\") Is there any clear rule", "(in the parenthesis) and between year and \"'s\". In #1. putting a space", "the parenthesis) and between year and \"'s\". In #1. putting a space between", "1. Swoth (2008) studied the property of blah-blah 2. Swoth and Muhtson (2013)'s", "(2008) studied the property of blah-blah 2. Swoth and Muhtson (2013)'s article investigated", "studies blah-blah Here I wonder what is the correct spacing between the name(s)", "what is the correct spacing between the name(s) and year (in the parenthesis)", "the name(s) and year (in the parenthesis) and between year and \"'s\". In", "example, 1. Swoth (2008) studied the property of blah-blah 2. Swoth and Muhtson", "al.(2009)'s paper studies blah-blah Here I wonder what is the correct spacing between", "it becomes \"Muhtson 's\") Is there any clear rule or common practice for", "An academic paper is referred to as using the authors name and publication", "(Without (2013), it becomes \"Muhtson 's\") Is there any clear rule or common", "between year and \"'s\". In #1. putting a space between Swoth and (2008)", "a space between Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson 's\") Is", "between the name(s) and year (in the parenthesis) and between year and \"'s\".", "wonder what is the correct spacing between the name(s) and year (in the", "paper is referred to as using the authors name and publication year. For", "3. Muhtson et al.(2009)'s paper studies blah-blah Here I wonder what is the", "in #2, it is weird because there is a space between Muhtson and", "the property of blah-blah 2. Swoth and Muhtson (2013)'s article investigated blah-blah 3.", "blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah Here I wonder what is", "Swoth and Muhtson (2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s paper studies", "investigated blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah Here I wonder what", "year (in the parenthesis) and between year and \"'s\". In #1. putting a", "there is a space between Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson", "and Muhtson (2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah", "\"'s\". 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Swoth", "a space between Swoth and (2008) looks natural, but in #2, it is", "between Swoth and (2008) looks natural, but in #2, it is weird because", "(2013), it becomes \"Muhtson 's\") Is there any clear rule or common practice", "paper studies blah-blah Here I wonder what is the correct spacing between the", "name(s) and year (in the parenthesis) and between year and \"'s\". In #1.", "space between Swoth and (2008) looks natural, but in #2, it is weird", "publication year. For example, 1. Swoth (2008) studied the property of blah-blah 2.", "to as using the authors name and publication year. For example, 1. Swoth", "and year (in the parenthesis) and between year and \"'s\". In #1. putting", "between Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson 's\") Is there any", "space between Muhtson and \"'s\". (Without (2013), it becomes \"Muhtson 's\") Is there", "as using the authors name and publication year. For example, 1. Swoth (2008)", "the authors name and publication year. For example, 1. Swoth (2008) studied the", "because there is a space between Muhtson and \"'s\". (Without (2013), it becomes", "2. Swoth and Muhtson (2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s paper", "article investigated blah-blah 3. Muhtson et al.(2009)'s paper studies blah-blah Here I wonder", "authors name and publication year. For example, 1. Swoth (2008) studied the property", "and (2008) looks natural, but in #2, it is weird because there is", "natural, but in #2, it is weird because there is a space between", "For example, 1. Swoth (2008) studied the property of blah-blah 2. Swoth and", "Swoth (2008) studied the property of blah-blah 2. Swoth and Muhtson (2013)'s article", "blah-blah 2. Swoth and Muhtson (2013)'s article investigated blah-blah 3. Muhtson et al.(2009)'s", "Swoth and (2008) looks natural, but in #2, it is weird because there", "referred to as using the authors name and publication year. For example, 1.", "and \"'s\". In #1. putting a space between Swoth and (2008) looks natural,", "academic paper is referred to as using the authors name and publication year.", "but in #2, it is weird because there is a space between Muhtson" ]
[ "for, such as symbolism or motifs. What are some ways to implement those,", "or motifs. What are some ways to implement those, or such like it,", "something that the reader really has to search for, such as symbolism or", "working on a book right now, and I want to add something that", "right now, and I want to add something that the reader really has", "and I want to add something that the reader really has to search", "What are some ways to implement those, or such like it, into any", "search for, such as symbolism or motifs. What are some ways to implement", "are some ways to implement those, or such like it, into any type", "motifs. What are some ways to implement those, or such like it, into", "symbolism or motifs. What are some ways to implement those, or such like", "I want to add something that the reader really has to search for,", "on a book right now, and I want to add something that the", "want to add something that the reader really has to search for, such", "some ways to implement those, or such like it, into any type of", "book right now, and I want to add something that the reader really", "to search for, such as symbolism or motifs. What are some ways to", "such as symbolism or motifs. What are some ways to implement those, or", "I'm working on a book right now, and I want to add something", "add something that the reader really has to search for, such as symbolism", "as symbolism or motifs. What are some ways to implement those, or such", "to add something that the reader really has to search for, such as", "really has to search for, such as symbolism or motifs. What are some", "has to search for, such as symbolism or motifs. What are some ways", "ways to implement those, or such like it, into any type of writing?", "a book right now, and I want to add something that the reader", "reader really has to search for, such as symbolism or motifs. What are", "the reader really has to search for, such as symbolism or motifs. What", "that the reader really has to search for, such as symbolism or motifs.", "now, and I want to add something that the reader really has to" ]
[ "define motivations, or their feelings of interest based around the general plot. My", "it's more like generic advice. Things like sample questions to ask one's self", "help that should constitute a credit. I am not opposed to having a", "have to consider them a co-author? I am not sitting down with these", "really haven't gotten stuck-in to the meaty bits, that there might come a", "as with older projects, I have been bouncing ideas off of people here", "one's self about new characters in order to make them well-rounded and define", "when I am in a creative rut. But how much help does a", "here and there when I am in a creative rut. But how much", "credit. I am not opposed to having a co-author(s), but I would like", "I have been bouncing ideas off of people here and there when I", "when I start asking people for help that should constitute a credit. I", "have been bouncing ideas off of people here and there when I am", "might come a time when I start asking people for help that should", "I am not opposed to having a co-author(s), but I would like to", "would like to know if there is any hard and fast rule about", "a time when I start asking people for help that should constitute a", "project that I intend for publication, and as with older projects, I have", "help does a person need to give me before I have to consider", "I intend for publication, and as with older projects, I have been bouncing", "am in a creative rut. But how much help does a person need", "bouncing ideas off of people here and there when I am in a", "them, it's more like generic advice. Things like sample questions to ask one's", "with them, it's more like generic advice. Things like sample questions to ask", "and actively writing with them, it's more like generic advice. Things like sample", "and as with older projects, I have been bouncing ideas off of people", "down with these people and actively writing with them, it's more like generic", "these people and actively writing with them, it's more like generic advice. Things", "am not sitting down with these people and actively writing with them, it's", "people here and there when I am in a creative rut. But how", "feelings of interest based around the general plot. My concern is that since", "I would like to know if there is any hard and fast rule", "them well-rounded and define motivations, or their feelings of interest based around the", "if there is any hard and fast rule about how much input one", "creative rut. But how much help does a person need to give me", "well-rounded and define motivations, or their feelings of interest based around the general", "there is any hard and fast rule about how much input one needs", "that since I have only just started writing, and really haven't gotten stuck-in", "asking people for help that should constitute a credit. I am not opposed", "not opposed to having a co-author(s), but I would like to know if", "But how much help does a person need to give me before I", "like to know if there is any hard and fast rule about how", "consider them a co-author? I am not sitting down with these people and", "gotten stuck-in to the meaty bits, that there might come a time when", "to consider them a co-author? I am not sitting down with these people", "meaty bits, that there might come a time when I start asking people", "characters in order to make them well-rounded and define motivations, or their feelings", "am not opposed to having a co-author(s), but I would like to know", "I have to consider them a co-author? I am not sitting down with", "sample questions to ask one's self about new characters in order to make", "I have only just started writing, and really haven't gotten stuck-in to the", "start asking people for help that should constitute a credit. I am not", "bits, that there might come a time when I start asking people for", "writing my first project that I intend for publication, and as with older", "a co-author(s), but I would like to know if there is any hard", "there might come a time when I start asking people for help that", "writing, and really haven't gotten stuck-in to the meaty bits, that there might", "ideas off of people here and there when I am in a creative", "to having a co-author(s), but I would like to know if there is", "person need to give me before I have to consider them a co-author?", "sitting down with these people and actively writing with them, it's more like", "plot. My concern is that since I have only just started writing, and", "and define motivations, or their feelings of interest based around the general plot.", "time when I start asking people for help that should constitute a credit.", "the meaty bits, that there might come a time when I start asking", "how much input one needs to have to be considered as a co-author.", "need to give me before I have to consider them a co-author? I", "people and actively writing with them, it's more like generic advice. Things like", "actively writing with them, it's more like generic advice. Things like sample questions", "a person need to give me before I have to consider them a", "intend for publication, and as with older projects, I have been bouncing ideas", "how much help does a person need to give me before I have", "of interest based around the general plot. My concern is that since I", "concern is that since I have only just started writing, and really haven't", "make them well-rounded and define motivations, or their feelings of interest based around", "new characters in order to make them well-rounded and define motivations, or their", "co-author(s), but I would like to know if there is any hard and", "constitute a credit. I am not opposed to having a co-author(s), but I", "in a creative rut. But how much help does a person need to", "not sitting down with these people and actively writing with them, it's more", "there when I am in a creative rut. But how much help does", "stuck-in to the meaty bits, that there might come a time when I", "have only just started writing, and really haven't gotten stuck-in to the meaty", "that should constitute a credit. I am not opposed to having a co-author(s),", "much help does a person need to give me before I have to", "advice. Things like sample questions to ask one's self about new characters in", "self about new characters in order to make them well-rounded and define motivations,", "and really haven't gotten stuck-in to the meaty bits, that there might come", "a credit. I am not opposed to having a co-author(s), but I would", "and fast rule about how much input one needs to have to be", "for help that should constitute a credit. I am not opposed to having", "is that since I have only just started writing, and really haven't gotten", "is any hard and fast rule about how much input one needs to", "that I intend for publication, and as with older projects, I have been", "to ask one's self about new characters in order to make them well-rounded", "around the general plot. My concern is that since I have only just", "having a co-author(s), but I would like to know if there is any", "more like generic advice. Things like sample questions to ask one's self about", "been writing my first project that I intend for publication, and as with", "to give me before I have to consider them a co-author? I am", "have been writing my first project that I intend for publication, and as", "with older projects, I have been bouncing ideas off of people here and", "opposed to having a co-author(s), but I would like to know if there", "generic advice. Things like sample questions to ask one's self about new characters", "in order to make them well-rounded and define motivations, or their feelings of", "a co-author? I am not sitting down with these people and actively writing", "I am in a creative rut. But how much help does a person", "for publication, and as with older projects, I have been bouncing ideas off", "that there might come a time when I start asking people for help", "Things like sample questions to ask one's self about new characters in order", "to the meaty bits, that there might come a time when I start", "rut. But how much help does a person need to give me before", "ask one's self about new characters in order to make them well-rounded and", "people for help that should constitute a credit. I am not opposed to", "just started writing, and really haven't gotten stuck-in to the meaty bits, that", "order to make them well-rounded and define motivations, or their feelings of interest", "hard and fast rule about how much input one needs to have to", "older projects, I have been bouncing ideas off of people here and there", "off of people here and there when I am in a creative rut.", "I have been writing my first project that I intend for publication, and", "My concern is that since I have only just started writing, and really", "motivations, or their feelings of interest based around the general plot. My concern", "fast rule about how much input one needs to have to be considered", "should constitute a credit. I am not opposed to having a co-author(s), but", "them a co-author? I am not sitting down with these people and actively", "with these people and actively writing with them, it's more like generic advice.", "rule about how much input one needs to have to be considered as", "and there when I am in a creative rut. But how much help", "writing with them, it's more like generic advice. Things like sample questions to", "started writing, and really haven't gotten stuck-in to the meaty bits, that there", "my first project that I intend for publication, and as with older projects,", "been bouncing ideas off of people here and there when I am in", "to make them well-rounded and define motivations, or their feelings of interest based", "know if there is any hard and fast rule about how much input", "come a time when I start asking people for help that should constitute", "but I would like to know if there is any hard and fast", "about how much input one needs to have to be considered as a", "like sample questions to ask one's self about new characters in order to", "of people here and there when I am in a creative rut. But", "I start asking people for help that should constitute a credit. I am", "give me before I have to consider them a co-author? I am not", "questions to ask one's self about new characters in order to make them", "about new characters in order to make them well-rounded and define motivations, or", "since I have only just started writing, and really haven't gotten stuck-in to", "like generic advice. Things like sample questions to ask one's self about new", "to know if there is any hard and fast rule about how much", "haven't gotten stuck-in to the meaty bits, that there might come a time", "their feelings of interest based around the general plot. My concern is that", "any hard and fast rule about how much input one needs to have", "first project that I intend for publication, and as with older projects, I", "projects, I have been bouncing ideas off of people here and there when", "does a person need to give me before I have to consider them", "publication, and as with older projects, I have been bouncing ideas off of", "a creative rut. But how much help does a person need to give", "or their feelings of interest based around the general plot. My concern is", "the general plot. My concern is that since I have only just started", "interest based around the general plot. My concern is that since I have", "co-author? I am not sitting down with these people and actively writing with", "me before I have to consider them a co-author? I am not sitting", "I am not sitting down with these people and actively writing with them,", "general plot. My concern is that since I have only just started writing,", "based around the general plot. My concern is that since I have only", "only just started writing, and really haven't gotten stuck-in to the meaty bits,", "before I have to consider them a co-author? I am not sitting down" ]
[ "of one time and then when we finish we speak of a moment", "finish we speak of a moment that preceded, i.e.Ten hours before that. Or", "that. Or we are speaking about people in a facility and then we", "to Later that day in a bar how to correctly imply these changes?", "preceded, i.e.Ten hours before that. Or we are speaking about people in a", "a moment that preceded, i.e.Ten hours before that. Or we are speaking about", "in a facility and then we change to Later that day in a", "when we finish we speak of a moment that preceded, i.e.Ten hours before", "are speaking about people in a facility and then we change to Later", "of a moment that preceded, i.e.Ten hours before that. Or we are speaking", "we change to Later that day in a bar how to correctly imply", "hours before that. Or we are speaking about people in a facility and", "and then we change to Later that day in a bar how to", "For instance we are speaking of one time and then when we finish", "instance we are speaking of one time and then when we finish we", "we are speaking about people in a facility and then we change to", "in a bar how to correctly imply these changes? How to write them?", "we finish we speak of a moment that preceded, i.e.Ten hours before that.", "one time and then when we finish we speak of a moment that", "Later that day in a bar how to correctly imply these changes? How", "and then when we finish we speak of a moment that preceded, i.e.Ten", "i.e.Ten hours before that. Or we are speaking about people in a facility", "Or we are speaking about people in a facility and then we change", "we are speaking of one time and then when we finish we speak", "people in a facility and then we change to Later that day in", "a facility and then we change to Later that day in a bar", "then we change to Later that day in a bar how to correctly", "speak of a moment that preceded, i.e.Ten hours before that. Or we are", "moment that preceded, i.e.Ten hours before that. Or we are speaking about people", "then when we finish we speak of a moment that preceded, i.e.Ten hours", "facility and then we change to Later that day in a bar how", "time and then when we finish we speak of a moment that preceded,", "we speak of a moment that preceded, i.e.Ten hours before that. Or we", "change to Later that day in a bar how to correctly imply these", "speaking about people in a facility and then we change to Later that", "that day in a bar how to correctly imply these changes? How to", "that preceded, i.e.Ten hours before that. Or we are speaking about people in", "about people in a facility and then we change to Later that day", "speaking of one time and then when we finish we speak of a", "day in a bar how to correctly imply these changes? How to write", "before that. Or we are speaking about people in a facility and then", "are speaking of one time and then when we finish we speak of" ]
[ "happening later in the story, I'd simply establish what has changed and why", "usual tricks I would use to show that his relationship to his environment", "I would use to show that his relationship to his environment has changed", "demanding situation. For various reasons, this situation causes him to behave in ways", "without \"breaking character\" (in the sense of revealing things from the character's perspective", "establish what has changed and why it's unusual for him, and provided I'd", "this fact (at least, not without prompting from another character), many of the", "in ways that are quite different to how we see him act for", "to think about or acknowledge this fact (at least, not without prompting from", "character\" (in the sense of revealing things from the character's perspective that the", "unavailable to me. How then do I flag up the relevant changes, such", "changes, such that the character's behaviour doesn't seem arbitrary to the reader, without", "(for him) behaviour would seem natural and appropriate, given the change of circumstance.", "and appropriate, given the change of circumstance. My trouble is, since the character", "to his environment has changed will be unavailable to me. How then do", "why it's unusual for him, and provided I'd characterised him right, his unusual", "has changed will be unavailable to me. How then do I flag up", "that the character's behaviour doesn't seem arbitrary to the reader, without \"breaking character\"", "story I'm writing begins with the main character in an unusual and demanding", "are quite different to how we see him act for the rest of", "how we see him act for the rest of the story. Now, if", "(in the sense of revealing things from the character's perspective that the character", "and provided I'd characterised him right, his unusual (for him) behaviour would seem", "circumstance. My trouble is, since the character is going back to far more", "his relationship to his environment has changed will be unavailable to me. How", "to me. How then do I flag up the relevant changes, such that", "to the reader, without \"breaking character\" (in the sense of revealing things from", "going back to far more familiar conditions, and isn't self-aware enough to think", "ways that are quite different to how we see him act for the", "I flag up the relevant changes, such that the character's behaviour doesn't seem", "things from the character's perspective that the character himself would pay no attention", "I'd simply establish what has changed and why it's unusual for him, and", "from another character), many of the usual tricks I would use to show", "For various reasons, this situation causes him to behave in ways that are", "him) behaviour would seem natural and appropriate, given the change of circumstance. My", "not without prompting from another character), many of the usual tricks I would", "\"breaking character\" (in the sense of revealing things from the character's perspective that", "reader, without \"breaking character\" (in the sense of revealing things from the character's", "such that the character's behaviour doesn't seem arbitrary to the reader, without \"breaking", "appropriate, given the change of circumstance. My trouble is, since the character is", "see him act for the rest of the story. Now, if this were", "situation. For various reasons, this situation causes him to behave in ways that", "seem natural and appropriate, given the change of circumstance. My trouble is, since", "it's unusual for him, and provided I'd characterised him right, his unusual (for", "characterised him right, his unusual (for him) behaviour would seem natural and appropriate,", "character's behaviour doesn't seem arbitrary to the reader, without \"breaking character\" (in the", "story. Now, if this were happening later in the story, I'd simply establish", "right, his unusual (for him) behaviour would seem natural and appropriate, given the", "use to show that his relationship to his environment has changed will be", "rest of the story. Now, if this were happening later in the story,", "The story I'm writing begins with the main character in an unusual and", "and why it's unusual for him, and provided I'd characterised him right, his", "self-aware enough to think about or acknowledge this fact (at least, not without", "this were happening later in the story, I'd simply establish what has changed", "I'm writing begins with the main character in an unusual and demanding situation.", "would seem natural and appropriate, given the change of circumstance. My trouble is,", "the relevant changes, such that the character's behaviour doesn't seem arbitrary to the", "flag up the relevant changes, such that the character's behaviour doesn't seem arbitrary", "least, not without prompting from another character), many of the usual tricks I", "is going back to far more familiar conditions, and isn't self-aware enough to", "the main character in an unusual and demanding situation. For various reasons, this", "we see him act for the rest of the story. Now, if this", "do I flag up the relevant changes, such that the character's behaviour doesn't", "for the rest of the story. Now, if this were happening later in", "from the character's perspective that the character himself would pay no attention to)?", "back to far more familiar conditions, and isn't self-aware enough to think about", "I'd characterised him right, his unusual (for him) behaviour would seem natural and", "causes him to behave in ways that are quite different to how we", "provided I'd characterised him right, his unusual (for him) behaviour would seem natural", "tricks I would use to show that his relationship to his environment has", "the rest of the story. Now, if this were happening later in the", "to behave in ways that are quite different to how we see him", "in an unusual and demanding situation. For various reasons, this situation causes him", "to how we see him act for the rest of the story. Now,", "sense of revealing things from the character's perspective that the character himself would", "and isn't self-aware enough to think about or acknowledge this fact (at least,", "the story. Now, if this were happening later in the story, I'd simply", "given the change of circumstance. My trouble is, since the character is going", "quite different to how we see him act for the rest of the", "character is going back to far more familiar conditions, and isn't self-aware enough", "acknowledge this fact (at least, not without prompting from another character), many of", "arbitrary to the reader, without \"breaking character\" (in the sense of revealing things", "to far more familiar conditions, and isn't self-aware enough to think about or", "unusual and demanding situation. For various reasons, this situation causes him to behave", "environment has changed will be unavailable to me. How then do I flag", "behaviour doesn't seem arbitrary to the reader, without \"breaking character\" (in the sense", "the usual tricks I would use to show that his relationship to his", "behave in ways that are quite different to how we see him act", "is, since the character is going back to far more familiar conditions, and", "another character), many of the usual tricks I would use to show that", "of revealing things from the character's perspective that the character himself would pay", "with the main character in an unusual and demanding situation. For various reasons,", "conditions, and isn't self-aware enough to think about or acknowledge this fact (at", "relationship to his environment has changed will be unavailable to me. How then", "natural and appropriate, given the change of circumstance. My trouble is, since the", "story, I'd simply establish what has changed and why it's unusual for him,", "the character's behaviour doesn't seem arbitrary to the reader, without \"breaking character\" (in", "unusual for him, and provided I'd characterised him right, his unusual (for him)", "his unusual (for him) behaviour would seem natural and appropriate, given the change", "the reader, without \"breaking character\" (in the sense of revealing things from the", "My trouble is, since the character is going back to far more familiar", "fact (at least, not without prompting from another character), many of the usual", "without prompting from another character), many of the usual tricks I would use", "up the relevant changes, such that the character's behaviour doesn't seem arbitrary to", "later in the story, I'd simply establish what has changed and why it's", "that are quite different to how we see him act for the rest", "his environment has changed will be unavailable to me. How then do I", "him, and provided I'd characterised him right, his unusual (for him) behaviour would", "change of circumstance. My trouble is, since the character is going back to", "character in an unusual and demanding situation. For various reasons, this situation causes", "or acknowledge this fact (at least, not without prompting from another character), many", "the story, I'd simply establish what has changed and why it's unusual for", "him to behave in ways that are quite different to how we see", "begins with the main character in an unusual and demanding situation. For various", "isn't self-aware enough to think about or acknowledge this fact (at least, not", "far more familiar conditions, and isn't self-aware enough to think about or acknowledge", "that his relationship to his environment has changed will be unavailable to me.", "familiar conditions, and isn't self-aware enough to think about or acknowledge this fact", "changed and why it's unusual for him, and provided I'd characterised him right,", "more familiar conditions, and isn't self-aware enough to think about or acknowledge this", "various reasons, this situation causes him to behave in ways that are quite", "the sense of revealing things from the character's perspective that the character himself", "an unusual and demanding situation. For various reasons, this situation causes him to", "(at least, not without prompting from another character), many of the usual tricks", "this situation causes him to behave in ways that are quite different to", "about or acknowledge this fact (at least, not without prompting from another character),", "act for the rest of the story. Now, if this were happening later", "think about or acknowledge this fact (at least, not without prompting from another", "relevant changes, such that the character's behaviour doesn't seem arbitrary to the reader,", "show that his relationship to his environment has changed will be unavailable to", "trouble is, since the character is going back to far more familiar conditions,", "changed will be unavailable to me. How then do I flag up the", "in the story, I'd simply establish what has changed and why it's unusual", "of the usual tricks I would use to show that his relationship to", "reasons, this situation causes him to behave in ways that are quite different", "him act for the rest of the story. Now, if this were happening", "be unavailable to me. How then do I flag up the relevant changes,", "different to how we see him act for the rest of the story.", "behaviour would seem natural and appropriate, given the change of circumstance. My trouble", "doesn't seem arbitrary to the reader, without \"breaking character\" (in the sense of", "revealing things from the character's perspective that the character himself would pay no", "then do I flag up the relevant changes, such that the character's behaviour", "since the character is going back to far more familiar conditions, and isn't", "were happening later in the story, I'd simply establish what has changed and", "to show that his relationship to his environment has changed will be unavailable", "will be unavailable to me. How then do I flag up the relevant", "simply establish what has changed and why it's unusual for him, and provided", "what has changed and why it's unusual for him, and provided I'd characterised", "the character is going back to far more familiar conditions, and isn't self-aware", "if this were happening later in the story, I'd simply establish what has", "of the story. Now, if this were happening later in the story, I'd", "for him, and provided I'd characterised him right, his unusual (for him) behaviour", "and demanding situation. For various reasons, this situation causes him to behave in", "situation causes him to behave in ways that are quite different to how", "unusual (for him) behaviour would seem natural and appropriate, given the change of", "main character in an unusual and demanding situation. For various reasons, this situation", "character), many of the usual tricks I would use to show that his", "prompting from another character), many of the usual tricks I would use to", "How then do I flag up the relevant changes, such that the character's", "Now, if this were happening later in the story, I'd simply establish what", "of circumstance. My trouble is, since the character is going back to far", "me. How then do I flag up the relevant changes, such that the", "seem arbitrary to the reader, without \"breaking character\" (in the sense of revealing", "many of the usual tricks I would use to show that his relationship", "him right, his unusual (for him) behaviour would seem natural and appropriate, given", "writing begins with the main character in an unusual and demanding situation. For", "has changed and why it's unusual for him, and provided I'd characterised him", "enough to think about or acknowledge this fact (at least, not without prompting", "would use to show that his relationship to his environment has changed will", "the change of circumstance. My trouble is, since the character is going back" ]
[ "the line is only slightly different > > Person 1: but i'm not...", "about when the line is only slightly different > > Person 1: but", "when the line is only slightly different > > Person 1: but i'm", "unison you can generally do something like this > > \"awwwww, she's so", "> Person 2: but she's not... > > > How would this be", "so cute!\" the girls said in unison in near perfect harmony > >", "different > > Person 1: but i'm not... > > Person 2: but", "slightly different > > Person 1: but i'm not... > > Person 2:", "not... > > Person 2: but she's not... > > > How would", "2 or more characters speak in unison you can generally do something like", "like this > > \"awwwww, she's so cute!\" the girls said in unison", "> \"awwwww, she's so cute!\" the girls said in unison in near perfect", "but what about when the line is only slightly different > > Person", "line is only slightly different > > Person 1: but i'm not... >", "only slightly different > > Person 1: but i'm not... > > Person", "Person 2: but she's not... > > > How would this be written?", "but i'm not... > > Person 2: but she's not... > > >", "perfect harmony > > > but what about when the line is only", "\"awwwww, she's so cute!\" the girls said in unison in near perfect harmony", "said in unison in near perfect harmony > > > but what about", "near perfect harmony > > > but what about when the line is", "cute!\" the girls said in unison in near perfect harmony > > >", "something like this > > \"awwwww, she's so cute!\" the girls said in", "harmony > > > but what about when the line is only slightly", "this > > \"awwwww, she's so cute!\" the girls said in unison in", "i'm not... > > Person 2: but she's not... > > > How", "what about when the line is only slightly different > > Person 1:", "> > \"awwwww, she's so cute!\" the girls said in unison in near", "> > but what about when the line is only slightly different >", "do something like this > > \"awwwww, she's so cute!\" the girls said", "or more characters speak in unison you can generally do something like this", "unison in near perfect harmony > > > but what about when the", "in near perfect harmony > > > but what about when the line", "more characters speak in unison you can generally do something like this >", "you can generally do something like this > > \"awwwww, she's so cute!\"", "in unison in near perfect harmony > > > but what about when", "in unison you can generally do something like this > > \"awwwww, she's", "girls said in unison in near perfect harmony > > > but what", "> > Person 1: but i'm not... > > Person 2: but she's", "can generally do something like this > > \"awwwww, she's so cute!\" the", "> Person 1: but i'm not... > > Person 2: but she's not...", "1: but i'm not... > > Person 2: but she's not... > >", "speak in unison you can generally do something like this > > \"awwwww,", "> > Person 2: but she's not... > > > How would this", "is only slightly different > > Person 1: but i'm not... > >", "Person 1: but i'm not... > > Person 2: but she's not... >", "she's so cute!\" the girls said in unison in near perfect harmony >", "When 2 or more characters speak in unison you can generally do something", "the girls said in unison in near perfect harmony > > > but", "characters speak in unison you can generally do something like this > >", "> but what about when the line is only slightly different > >", "generally do something like this > > \"awwwww, she's so cute!\" the girls", "> > > but what about when the line is only slightly different" ]
[ "much more than dividing into chapters, the markup itself seems trivial to learn.", "the usual text exitor. These tools, normally used by software engineers, allow to", "things the like. Because of these potential advantages, I started to think about", "such systems recently, or if there are any notable pieces initially written using", "work well with plain texts but not with the binary files of the", "these potential advantages, I started to think about using one of such systems", "original author, not by the technician in the process of preparing the publication).", "well with plain texts but not with the binary files of the usual", "using one of such systems for my creative writing projects. To help me", "the simple (plain) text along with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html)", "of the usual text exitor. These tools, normally used by software engineers, allow", "allow to compare past and current versions side by side, create and merge", "started to think about using one of such systems for my creative writing", "tools that would work well with plain texts but not with the binary", "there are multiple versioning tools that would work well with plain texts but", "for technical documentation at work. The proponents of these systems say that writing", "text itself, not formatting and presentation that a \"user friendly\" editor immediately requires", "would like to know if any notable writers have used such systems recently,", "these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and", "projects. To help me with this decision, I would like to know if", "others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment. If you do", "learn. I used them for technical documentation at work. The proponents of these", "you do not do much more than dividing into chapters, the markup itself", "with the binary files of the usual text exitor. These tools, normally used", "of these potential advantages, I started to think about using one of such", "are many systems that accept the simple (plain) text along with formatting markup.", "or if there are any notable pieces initially written using them (by the", "branches and things the like. Because of these potential advantages, I started to", "that a \"user friendly\" editor immediately requires from the first word. Also, there", "would work well with plain texts but not with the binary files of", "technical documentation at work. The proponents of these systems say that writing just", "Apart from the obvious solutions like MS Word, there are many systems that", "them for technical documentation at work. The proponents of these systems say that", "from the obvious solutions like MS Word, there are many systems that accept", "if there are any notable pieces initially written using them (by the original", "like. Because of these potential advantages, I started to think about using one", "of such systems for my creative writing projects. To help me with this", "and presentation that a \"user friendly\" editor immediately requires from the first word.", "seems trivial to learn. I used them for technical documentation at work. The", "there are any notable pieces initially written using them (by the original author,", "any notable pieces initially written using them (by the original author, not by", "MS Word, there are many systems that accept the simple (plain) text along", "for my creative writing projects. To help me with this decision, I would", "exitor. These tools, normally used by software engineers, allow to compare past and", "accept the simple (plain) text along with formatting markup. Some of these like", "developoment. If you do not do much more than dividing into chapters, the", "obvious solutions like MS Word, there are many systems that accept the simple", "initially written using them (by the original author, not by the technician in", "(plain) text along with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical,", "These tools, normally used by software engineers, allow to compare past and current", "not with the binary files of the usual text exitor. These tools, normally", "help me with this decision, I would like to know if any notable", "versioning tools that would work well with plain texts but not with the", "usual text exitor. These tools, normally used by software engineers, allow to compare", "to compare past and current versions side by side, create and merge branches", "one of such systems for my creative writing projects. To help me with", "text exitor. These tools, normally used by software engineers, allow to compare past", "writers have used such systems recently, or if there are any notable pieces", "from the first word. Also, there are multiple versioning tools that would work", "editor immediately requires from the first word. Also, there are multiple versioning tools", "with this decision, I would like to know if any notable writers have", "documentation at work. The proponents of these systems say that writing just plain", "systems that accept the simple (plain) text along with formatting markup. Some of", "I used them for technical documentation at work. The proponents of these systems", "at work. The proponents of these systems say that writing just plain text", "like MS Word, there are many systems that accept the simple (plain) text", "my creative writing projects. To help me with this decision, I would like", "know if any notable writers have used such systems recently, or if there", "[AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment. If you do not do", "rather new and in active developoment. If you do not do much more", "To help me with this decision, I would like to know if any", "past and current versions side by side, create and merge branches and things", "solutions like MS Word, there are many systems that accept the simple (plain)", "software engineers, allow to compare past and current versions side by side, create", "to know if any notable writers have used such systems recently, or if", "about using one of such systems for my creative writing projects. To help", "side, create and merge branches and things the like. Because of these potential", "by software engineers, allow to compare past and current versions side by side,", "allows to concentrate on the text itself, not formatting and presentation that a", "formatting and presentation that a \"user friendly\" editor immediately requires from the first", "compare past and current versions side by side, create and merge branches and", "not formatting and presentation that a \"user friendly\" editor immediately requires from the", "text along with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but", "are rather new and in active developoment. If you do not do much", "creative writing projects. To help me with this decision, I would like to", "the binary files of the usual text exitor. These tools, normally used by", "like to know if any notable writers have used such systems recently, or", "the text itself, not formatting and presentation that a \"user friendly\" editor immediately", "using them (by the original author, not by the technician in the process", "have used such systems recently, or if there are any notable pieces initially", "markup itself seems trivial to learn. I used them for technical documentation at", "not do much more than dividing into chapters, the markup itself seems trivial", "If you do not do much more than dividing into chapters, the markup", "of these systems say that writing just plain text allows to concentrate on", "work. The proponents of these systems say that writing just plain text allows", "create and merge branches and things the like. Because of these potential advantages,", "more than dividing into chapters, the markup itself seems trivial to learn. I", "on the text itself, not formatting and presentation that a \"user friendly\" editor", "to think about using one of such systems for my creative writing projects.", "systems for my creative writing projects. To help me with this decision, I", "written using them (by the original author, not by the technician in the", "files of the usual text exitor. These tools, normally used by software engineers,", "trivial to learn. I used them for technical documentation at work. The proponents", "them (by the original author, not by the technician in the process of", "than dividing into chapters, the markup itself seems trivial to learn. I used", "itself seems trivial to learn. I used them for technical documentation at work.", "the obvious solutions like MS Word, there are many systems that accept the", "that writing just plain text allows to concentrate on the text itself, not", "writing just plain text allows to concentrate on the text itself, not formatting", "immediately requires from the first word. Also, there are multiple versioning tools that", "notable pieces initially written using them (by the original author, not by the", "versions side by side, create and merge branches and things the like. Because", "current versions side by side, create and merge branches and things the like.", "by side, create and merge branches and things the like. Because of these", "the like. Because of these potential advantages, I started to think about using", "multiple versioning tools that would work well with plain texts but not with", "but not with the binary files of the usual text exitor. These tools,", "pieces initially written using them (by the original author, not by the technician", "systems say that writing just plain text allows to concentrate on the text", "think about using one of such systems for my creative writing projects. To", "are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment.", "such systems for my creative writing projects. To help me with this decision,", "that would work well with plain texts but not with the binary files", "in active developoment. If you do not do much more than dividing into", "The proponents of these systems say that writing just plain text allows to", "Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather", "binary files of the usual text exitor. These tools, normally used by software", "do not do much more than dividing into chapters, the markup itself seems", "concentrate on the text itself, not formatting and presentation that a \"user friendly\"", "markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are", "texts but not with the binary files of the usual text exitor. These", "the original author, not by the technician in the process of preparing the", "Because of these potential advantages, I started to think about using one of", "potential advantages, I started to think about using one of such systems for", "like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment. If you do not", "like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in", "requires from the first word. Also, there are multiple versioning tools that would", "plain text allows to concentrate on the text itself, not formatting and presentation", "to concentrate on the text itself, not formatting and presentation that a \"user", "a \"user friendly\" editor immediately requires from the first word. Also, there are", "these systems say that writing just plain text allows to concentrate on the", "Also, there are multiple versioning tools that would work well with plain texts", "if any notable writers have used such systems recently, or if there are", "merge branches and things the like. Because of these potential advantages, I started", "into chapters, the markup itself seems trivial to learn. I used them for", "I started to think about using one of such systems for my creative", "first word. Also, there are multiple versioning tools that would work well with", "word. Also, there are multiple versioning tools that would work well with plain", "tools, normally used by software engineers, allow to compare past and current versions", "advantages, I started to think about using one of such systems for my", "but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment. If you", "me with this decision, I would like to know if any notable writers", "decision, I would like to know if any notable writers have used such", "there are many systems that accept the simple (plain) text along with formatting", "[Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active", "engineers, allow to compare past and current versions side by side, create and", "many systems that accept the simple (plain) text along with formatting markup. Some", "side by side, create and merge branches and things the like. Because of", "this decision, I would like to know if any notable writers have used", "writing projects. To help me with this decision, I would like to know", "simple (plain) text along with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are", "used by software engineers, allow to compare past and current versions side by", "and merge branches and things the like. Because of these potential advantages, I", "proponents of these systems say that writing just plain text allows to concentrate", "and current versions side by side, create and merge branches and things the", "(by the original author, not by the technician in the process of preparing", "normally used by software engineers, allow to compare past and current versions side", "dividing into chapters, the markup itself seems trivial to learn. I used them", "itself, not formatting and presentation that a \"user friendly\" editor immediately requires from", "plain texts but not with the binary files of the usual text exitor.", "with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like", "and in active developoment. If you do not do much more than dividing", "new and in active developoment. If you do not do much more than", "notable writers have used such systems recently, or if there are any notable", "chapters, the markup itself seems trivial to learn. I used them for technical", "are multiple versioning tools that would work well with plain texts but not", "text allows to concentrate on the text itself, not formatting and presentation that", "with plain texts but not with the binary files of the usual text", "the first word. Also, there are multiple versioning tools that would work well", "just plain text allows to concentrate on the text itself, not formatting and", "used such systems recently, or if there are any notable pieces initially written", "used them for technical documentation at work. The proponents of these systems say", "and things the like. Because of these potential advantages, I started to think", "along with formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others", "are any notable pieces initially written using them (by the original author, not", "\"user friendly\" editor immediately requires from the first word. Also, there are multiple", "Word, there are many systems that accept the simple (plain) text along with", "historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new and in active developoment. If", "active developoment. If you do not do much more than dividing into chapters,", "I would like to know if any notable writers have used such systems", "that accept the simple (plain) text along with formatting markup. Some of these", "of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/) are rather new", "the markup itself seems trivial to learn. I used them for technical documentation", "systems recently, or if there are any notable pieces initially written using them", "recently, or if there are any notable pieces initially written using them (by", "to learn. I used them for technical documentation at work. The proponents of", "presentation that a \"user friendly\" editor immediately requires from the first word. Also,", "do much more than dividing into chapters, the markup itself seems trivial to", "any notable writers have used such systems recently, or if there are any", "say that writing just plain text allows to concentrate on the text itself,", "formatting markup. Some of these like [Groff](http://orgmode.org/worg/exporters/ox-groff.html) are historical, but others like [AsciiDoc](http://asciidoctor.org/docs/what-is-asciidoc/)", "friendly\" editor immediately requires from the first word. Also, there are multiple versioning" ]
[ "believe this is preceded by the author and the italicized Main Title of", "Series,* Vol. 8 of 11 volumes. I know that it can be abbreviated,", "has two column pages and begins each footnote series at the end of", "begins each footnote series at the end of each column on each page.", "correctly do this from my Chicago Manual. How do I do this? Also,", "do this? Also, my reference Book has two column pages and begins each", "two column pages and begins each footnote series at the end of each", "2, space, and the number indicating the volume followed by the page number", "8 of 11 volumes. I know that it can be abbreviated, NPNF with", "his footnotes. There are occasions when I would like to quote these remarks,", "can be abbreviated, NPNF with a superscript 2, space, and the number indicating", "how to correctly do this from my Chicago Manual. How do I do", "the section I am referring to, but where do I include the document", "that it can be abbreviated, NPNF with a superscript 2, space, and the", "do this from my Chicago Manual. How do I do this? Also, my", "each page. This situation further complicates my dealing with the first question. Finally,", "a primary source whose editor often has editorial comments in his footnotes. There", "remarks, but I cannot understand how to correctly do this from my Chicago", "author and the italicized Main Title of the section I am referring to,", "when I would like to quote these remarks, but I cannot understand how", "NPNF2 8:56). I believe this is preceded by the author and the italicized", "Nicene and Post-Nicene Fathers, Second Series, Vol. 8 of 11 volumes. I know", "each column on each page. This situation further complicates my dealing with the", "is the Nicene and Post-Nicene Fathers, Second Series, Vol. 8 of 11 volumes.", "like to quote these remarks, but I cannot understand how to correctly do", "Finally, this reference book is the Nicene and Post-Nicene Fathers, Second Series, Vol.", "primary source whose editor often has editorial comments in his footnotes. There are", "the end of each column on each page. This situation further complicates my", "whose editor often has editorial comments in his footnotes. There are occasions when", "these remarks, but I cannot understand how to correctly do this from my", "Second Series,* Vol. 8 of 11 volumes. I know that it can be", "a superscript 2, space, and the number indicating the volume followed by the", "8:56). I believe this is preceded by the author and the italicized Main", "column pages and begins each footnote series at the end of each column", "to quote these remarks, but I cannot understand how to correctly do this", "it can be abbreviated, NPNF with a superscript 2, space, and the number", "have a primary source whose editor often has editorial comments in his footnotes.", "with a superscript 2, space, and the number indicating the volume followed by", "followed by the page number (i.e. NPNF2 8:56). I believe this is preceded", "I do this? Also, my reference Book has two column pages and begins", "Manual. How do I do this? Also, my reference Book has two column", "page number (i.e. NPNF2 8:56). I believe this is preceded by the author", "the page number (i.e. NPNF2 8:56). I believe this is preceded by the", "of the section I am referring to, but where do I include the", "footnotes. There are occasions when I would like to quote these remarks, but", "this reference book is the Nicene and Post-Nicene Fathers, Second Series, Vol. 8", "I have a primary source whose editor often has editorial comments in his", "from my Chicago Manual. How do I do this? Also, my reference Book", "this from my Chicago Manual. How do I do this? Also, my reference", "This situation further complicates my dealing with the first question. Finally, this reference", "space, and the number indicating the volume followed by the page number (i.e.", "but I cannot understand how to correctly do this from my Chicago Manual.", "complicates my dealing with the first question. Finally, this reference book is the", "source whose editor often has editorial comments in his footnotes. There are occasions", "of 11 volumes. I know that it can be abbreviated, NPNF with a", "indicating the volume followed by the page number (i.e. NPNF2 8:56). I believe", "comments in his footnotes. There are occasions when I would like to quote", "volumes. I know that it can be abbreviated, NPNF with a superscript 2,", "the author and the italicized Main Title of the section I am referring", "and Post-Nicene Fathers, Second Series,* Vol. 8 of 11 volumes. I know that", "situation further complicates my dealing with the first question. Finally, this reference book", "at the end of each column on each page. This situation further complicates", "first question. Finally, this reference book is the Nicene and Post-Nicene Fathers, Second", "by the page number (i.e. NPNF2 8:56). I believe this is preceded by", "has editorial comments in his footnotes. There are occasions when I would like", "in his footnotes. There are occasions when I would like to quote these", "I am referring to, but where do I include the document title and", "section I am referring to, but where do I include the document title", "column on each page. This situation further complicates my dealing with the first", "Also, my reference Book has two column pages and begins each footnote series", "do I do this? Also, my reference Book has two column pages and", "I would like to quote these remarks, but I cannot understand how to", "11 volumes. I know that it can be abbreviated, NPNF with a superscript", "and begins each footnote series at the end of each column on each", "cannot understand how to correctly do this from my Chicago Manual. How do", "would like to quote these remarks, but I cannot understand how to correctly", "of each column on each page. This situation further complicates my dealing with", "Fathers, Second Series, Vol. 8 of 11 volumes. I know that it can", "NPNF with a superscript 2, space, and the number indicating the volume followed", "I cannot understand how to correctly do this from my Chicago Manual. How", "reference book is the Nicene and Post-Nicene Fathers, Second Series, Vol. 8 of", "page. This situation further complicates my dealing with the first question. Finally, this", "the first question. Finally, this reference book is the Nicene and Post-Nicene Fathers,", "end of each column on each page. This situation further complicates my dealing", "Post-Nicene Fathers, Second Series, Vol. 8 of 11 volumes. I know that it", "pages and begins each footnote series at the end of each column on", "I believe this is preceded by the author and the italicized Main Title", "preceded by the author and the italicized Main Title of the section I", "abbreviated, NPNF with a superscript 2, space, and the number indicating the volume", "is preceded by the author and the italicized Main Title of the section", "the volume followed by the page number (i.e. NPNF2 8:56). I believe this", "the italicized Main Title of the section I am referring to, but where", "Book has two column pages and begins each footnote series at the end", "italicized Main Title of the section I am referring to, but where do", "understand how to correctly do this from my Chicago Manual. How do I", "by the author and the italicized Main Title of the section I am", "superscript 2, space, and the number indicating the volume followed by the page", "and the italicized Main Title of the section I am referring to, but", "footnote series at the end of each column on each page. This situation", "are occasions when I would like to quote these remarks, but I cannot", "There are occasions when I would like to quote these remarks, but I", "I know that it can be abbreviated, NPNF with a superscript 2, space,", "occasions when I would like to quote these remarks, but I cannot understand", "my Chicago Manual. How do I do this? Also, my reference Book has", "be abbreviated, NPNF with a superscript 2, space, and the number indicating the", "referring to, but where do I include the document title and footnote information?", "Vol. 8 of 11 volumes. I know that it can be abbreviated, NPNF", "book is the Nicene and Post-Nicene Fathers, Second Series, Vol. 8 of 11", "am referring to, but where do I include the document title and footnote", "Chicago Manual. How do I do this? Also, my reference Book has two", "this is preceded by the author and the italicized Main Title of the", "my reference Book has two column pages and begins each footnote series at", "on each page. This situation further complicates my dealing with the first question.", "(i.e. NPNF2 8:56). I believe this is preceded by the author and the", "with the first question. Finally, this reference book is the Nicene and Post-Nicene", "quote these remarks, but I cannot understand how to correctly do this from", "series at the end of each column on each page. This situation further", "reference Book has two column pages and begins each footnote series at the", "editor often has editorial comments in his footnotes. There are occasions when I", "Title of the section I am referring to, but where do I include", "the number indicating the volume followed by the page number (i.e. NPNF2 8:56).", "volume followed by the page number (i.e. NPNF2 8:56). I believe this is", "editorial comments in his footnotes. There are occasions when I would like to", "question. Finally, this reference book is the Nicene and Post-Nicene Fathers, Second Series,", "to correctly do this from my Chicago Manual. How do I do this?", "and the number indicating the volume followed by the page number (i.e. NPNF2", "often has editorial comments in his footnotes. There are occasions when I would", "my dealing with the first question. Finally, this reference book is the Nicene", "each footnote series at the end of each column on each page. This", "further complicates my dealing with the first question. Finally, this reference book is", "Main Title of the section I am referring to, but where do I", "this? Also, my reference Book has two column pages and begins each footnote", "dealing with the first question. Finally, this reference book is the Nicene and", "number indicating the volume followed by the page number (i.e. NPNF2 8:56). I", "know that it can be abbreviated, NPNF with a superscript 2, space, and", "How do I do this? Also, my reference Book has two column pages", "the Nicene and Post-Nicene Fathers, Second Series,* Vol. 8 of 11 volumes. I", "number (i.e. NPNF2 8:56). I believe this is preceded by the author and" ]
[ "end a fight scene first. I had been doing some research on writing", "story where I need to introduce a new character, but I got to", "suggestions? Help? If you need a sample of the scene, I'll gladly submit", "a new character, but I got to end a fight scene first. I", "short story for literature and I have come upon an odd spot in", "had been doing some research on writing scenes with physical/dialectical conflict, but I'm", "a fight scene first. I had been doing some research on writing scenes", "with physical/dialectical conflict, but I'm trying to end it so I can move", "some research on writing scenes with physical/dialectical conflict, but I'm trying to end", "doing some research on writing scenes with physical/dialectical conflict, but I'm trying to", "upon an odd spot in my story where I need to introduce a", "my story where I need to introduce a new character, but I got", "in my story where I need to introduce a new character, but I", "I have come upon an odd spot in my story where I need", "for literature and I have come upon an odd spot in my story", "but I got to end a fight scene first. I had been doing", "I had been doing some research on writing scenes with physical/dialectical conflict, but", "but I'm trying to end it so I can move on. Any suggestions?", "it so I can move on. Any suggestions? Help? If you need a", "so I can move on. Any suggestions? Help? If you need a sample", "to introduce a new character, but I got to end a fight scene", "fight scene first. I had been doing some research on writing scenes with", "I got to end a fight scene first. I had been doing some", "move on. Any suggestions? Help? If you need a sample of the scene,", "Any suggestions? Help? If you need a sample of the scene, I'll gladly", "Help? If you need a sample of the scene, I'll gladly submit some", "and I have come upon an odd spot in my story where I", "character, but I got to end a fight scene first. I had been", "where I need to introduce a new character, but I got to end", "writing scenes with physical/dialectical conflict, but I'm trying to end it so I", "on writing scenes with physical/dialectical conflict, but I'm trying to end it so", "physical/dialectical conflict, but I'm trying to end it so I can move on.", "come upon an odd spot in my story where I need to introduce", "literature and I have come upon an odd spot in my story where", "spot in my story where I need to introduce a new character, but", "can move on. Any suggestions? Help? If you need a sample of the", "conflict, but I'm trying to end it so I can move on. Any", "to end it so I can move on. Any suggestions? Help? If you", "trying to end it so I can move on. Any suggestions? Help? If", "odd spot in my story where I need to introduce a new character,", "I can move on. Any suggestions? Help? If you need a sample of", "been doing some research on writing scenes with physical/dialectical conflict, but I'm trying", "scenes with physical/dialectical conflict, but I'm trying to end it so I can", "first. I had been doing some research on writing scenes with physical/dialectical conflict,", "got to end a fight scene first. I had been doing some research", "scene first. I had been doing some research on writing scenes with physical/dialectical", "I'm trying to end it so I can move on. Any suggestions? Help?", "introduce a new character, but I got to end a fight scene first.", "to end a fight scene first. I had been doing some research on", "new character, but I got to end a fight scene first. I had", "research on writing scenes with physical/dialectical conflict, but I'm trying to end it", "on. Any suggestions? Help? If you need a sample of the scene, I'll", "So I'm writing a short story for literature and I have come upon", "story for literature and I have come upon an odd spot in my", "have come upon an odd spot in my story where I need to", "I'm writing a short story for literature and I have come upon an", "writing a short story for literature and I have come upon an odd", "need to introduce a new character, but I got to end a fight", "end it so I can move on. Any suggestions? Help? If you need", "I need to introduce a new character, but I got to end a", "a short story for literature and I have come upon an odd spot", "an odd spot in my story where I need to introduce a new" ]
[ "But after writing it, do I have to make a front page cover?", "Word 2010. But after writing it, do I have to make a front", "the middle of writing a crime/thriller book on Microsoft Word 2010. But after", "middle of writing a crime/thriller book on Microsoft Word 2010. But after writing", "I'm in the middle of writing a crime/thriller book on Microsoft Word 2010.", "do I have to make a front page cover? Or does the publisher", "make a front page cover? Or does the publisher do it for you?", "of writing a crime/thriller book on Microsoft Word 2010. But after writing it,", "crime/thriller book on Microsoft Word 2010. But after writing it, do I have", "writing it, do I have to make a front page cover? Or does", "Microsoft Word 2010. But after writing it, do I have to make a", "writing a crime/thriller book on Microsoft Word 2010. But after writing it, do", "on Microsoft Word 2010. But after writing it, do I have to make", "it, do I have to make a front page cover? Or does the", "have to make a front page cover? Or does the publisher do it", "after writing it, do I have to make a front page cover? Or", "2010. But after writing it, do I have to make a front page", "in the middle of writing a crime/thriller book on Microsoft Word 2010. But", "book on Microsoft Word 2010. But after writing it, do I have to", "I have to make a front page cover? Or does the publisher do", "a crime/thriller book on Microsoft Word 2010. But after writing it, do I", "to make a front page cover? Or does the publisher do it for" ]
[ "series, I tend to unconsciously use words, grammar, or style reminiscent of whomever", "whomever I was just reading, since the “rhythm” of the text gets stuck", "and I worry that being constantly conscious of or checking where my phrasing", "If I do this enough times on a single piece of work, it", "taking inspiration from better writers than me is a good thing, but how", "pieces, and to not just copy, as unintentional as it is. What are", "so I don't want to force myself into a single \"voice\" for everything", "do I stop accidentally imitating them? I like writing/being able to write in", "from (and etc) will break my flow. However, I'd rather be consistent within", "not just copy, as unintentional as it is. What are some tips to", "as it is. What are some tips to solve or mitigate this issue?", "way to phrase it). If I do this enough times on a single", "do this enough times on a single piece of work, it causes it", "write in different styles, so I don't want to force myself into a", "to not just copy, as unintentional as it is. What are some tips", "reminiscent of whomever I was just reading, since the “rhythm” of the text", "how do I stop accidentally imitating them? I like writing/being able to write", "to force myself into a single \"voice\" for everything I create, and I", "gets stuck in my head (for lack of a better way to phrase", "words, grammar, or style reminiscent of whomever I was just reading, since the", "a single piece of work, it causes it upon reread to sound like", "thing, but how do I stop accidentally imitating them? I like writing/being able", "of or checking where my phrasing is coming from (and etc) will break", "and Snicket. This is not exactly the goal. I know that taking inspiration", "I sit down to write something of my own immediately after marathoning a", "to write in different styles, so I don't want to force myself into", "unintentional as it is. What are some tips to solve or mitigate this", "Whenever I sit down to write something of my own immediately after marathoning", "marathoning a book or series, I tend to unconsciously use words, grammar, or", "work, it causes it upon reread to sound like a weird, jumpy mishmash", "However, I'd rather be consistent within pieces, and to not just copy, as", "my own immediately after marathoning a book or series, I tend to unconsciously", "weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This is not exactly the", "dates. Whenever I sit down to write something of my own immediately after", "into a single \"voice\" for everything I create, and I worry that being", "know that taking inspiration from better writers than me is a good thing,", "it). If I do this enough times on a single piece of work,", "a weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This is not exactly", "want to force myself into a single \"voice\" for everything I create, and", "constantly conscious of or checking where my phrasing is coming from (and etc)", "stop accidentally imitating them? I like writing/being able to write in different styles,", "coming from (and etc) will break my flow. However, I'd rather be consistent", "and publication dates. Whenever I sit down to write something of my own", "flow. However, I'd rather be consistent within pieces, and to not just copy,", "a variety of authors, genres, and publication dates. Whenever I sit down to", "of the text gets stuck in my head (for lack of a better", "than me is a good thing, but how do I stop accidentally imitating", "copy, as unintentional as it is. What are some tips to solve or", "This is not exactly the goal. I know that taking inspiration from better", "phrase it). If I do this enough times on a single piece of", "a book or series, I tend to unconsciously use words, grammar, or style", "tend to unconsciously use words, grammar, or style reminiscent of whomever I was", "I do this enough times on a single piece of work, it causes", "better way to phrase it). If I do this enough times on a", "myself into a single \"voice\" for everything I create, and I worry that", "of authors, genres, and publication dates. Whenever I sit down to write something", "my flow. However, I'd rather be consistent within pieces, and to not just", "of a better way to phrase it). If I do this enough times", "not exactly the goal. I know that taking inspiration from better writers than", "just copy, as unintentional as it is. What are some tips to solve", "of whomever I was just reading, since the “rhythm” of the text gets", "like a weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This is not", "my head (for lack of a better way to phrase it). If I", "good thing, but how do I stop accidentally imitating them? I like writing/being", "(for lack of a better way to phrase it). If I do this", "everything I create, and I worry that being constantly conscious of or checking", "like to read across a variety of authors, genres, and publication dates. Whenever", "I create, and I worry that being constantly conscious of or checking where", "of--for example--Tolkien, Christie, and Snicket. This is not exactly the goal. I know", "a single \"voice\" for everything I create, and I worry that being constantly", "styles, so I don't want to force myself into a single \"voice\" for", "I know that taking inspiration from better writers than me is a good", "for everything I create, and I worry that being constantly conscious of or", "checking where my phrasing is coming from (and etc) will break my flow.", "better writers than me is a good thing, but how do I stop", "that being constantly conscious of or checking where my phrasing is coming from", "to write something of my own immediately after marathoning a book or series,", "I tend to unconsciously use words, grammar, or style reminiscent of whomever I", "was just reading, since the “rhythm” of the text gets stuck in my", "across a variety of authors, genres, and publication dates. Whenever I sit down", "immediately after marathoning a book or series, I tend to unconsciously use words,", "example--Tolkien, Christie, and Snicket. This is not exactly the goal. I know that", "of my own immediately after marathoning a book or series, I tend to", "\"voice\" for everything I create, and I worry that being constantly conscious of", "to unconsciously use words, grammar, or style reminiscent of whomever I was just", "imitating them? I like writing/being able to write in different styles, so I", "exactly the goal. I know that taking inspiration from better writers than me", "accidentally imitating them? I like writing/being able to write in different styles, so", "mishmash of--for example--Tolkien, Christie, and Snicket. This is not exactly the goal. I", "etc) will break my flow. However, I'd rather be consistent within pieces, and", "but how do I stop accidentally imitating them? I like writing/being able to", "I like to read across a variety of authors, genres, and publication dates.", "it causes it upon reread to sound like a weird, jumpy mishmash of--for", "the text gets stuck in my head (for lack of a better way", "I don't want to force myself into a single \"voice\" for everything I", "the “rhythm” of the text gets stuck in my head (for lack of", "it upon reread to sound like a weird, jumpy mishmash of--for example--Tolkien, Christie,", "variety of authors, genres, and publication dates. Whenever I sit down to write", "from better writers than me is a good thing, but how do I", "or checking where my phrasing is coming from (and etc) will break my", "within pieces, and to not just copy, as unintentional as it is. What", "being constantly conscious of or checking where my phrasing is coming from (and", "is a good thing, but how do I stop accidentally imitating them? I", "I'd rather be consistent within pieces, and to not just copy, as unintentional", "or style reminiscent of whomever I was just reading, since the “rhythm” of", "this enough times on a single piece of work, it causes it upon", "on a single piece of work, it causes it upon reread to sound", "writers than me is a good thing, but how do I stop accidentally", "force myself into a single \"voice\" for everything I create, and I worry", "as unintentional as it is. What are some tips to solve or mitigate", "read across a variety of authors, genres, and publication dates. Whenever I sit", "phrasing is coming from (and etc) will break my flow. However, I'd rather", "sound like a weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This is", "enough times on a single piece of work, it causes it upon reread", "after marathoning a book or series, I tend to unconsciously use words, grammar,", "I worry that being constantly conscious of or checking where my phrasing is", "conscious of or checking where my phrasing is coming from (and etc) will", "Christie, and Snicket. This is not exactly the goal. I know that taking", "Snicket. This is not exactly the goal. I know that taking inspiration from", "publication dates. Whenever I sit down to write something of my own immediately", "sit down to write something of my own immediately after marathoning a book", "times on a single piece of work, it causes it upon reread to", "a good thing, but how do I stop accidentally imitating them? I like", "is not exactly the goal. I know that taking inspiration from better writers", "head (for lack of a better way to phrase it). If I do", "them? I like writing/being able to write in different styles, so I don't", "different styles, so I don't want to force myself into a single \"voice\"", "single \"voice\" for everything I create, and I worry that being constantly conscious", "like writing/being able to write in different styles, so I don't want to", "style reminiscent of whomever I was just reading, since the “rhythm” of the", "upon reread to sound like a weird, jumpy mishmash of--for example--Tolkien, Christie, and", "of work, it causes it upon reread to sound like a weird, jumpy", "is coming from (and etc) will break my flow. However, I'd rather be", "a better way to phrase it). If I do this enough times on", "and to not just copy, as unintentional as it is. What are some", "since the “rhythm” of the text gets stuck in my head (for lack", "“rhythm” of the text gets stuck in my head (for lack of a", "to sound like a weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This", "single piece of work, it causes it upon reread to sound like a", "it is. What are some tips to solve or mitigate this issue? Thanks!", "me is a good thing, but how do I stop accidentally imitating them?", "down to write something of my own immediately after marathoning a book or", "inspiration from better writers than me is a good thing, but how do", "(and etc) will break my flow. However, I'd rather be consistent within pieces,", "write something of my own immediately after marathoning a book or series, I", "consistent within pieces, and to not just copy, as unintentional as it is.", "stuck in my head (for lack of a better way to phrase it).", "rather be consistent within pieces, and to not just copy, as unintentional as", "or series, I tend to unconsciously use words, grammar, or style reminiscent of", "in different styles, so I don't want to force myself into a single", "genres, and publication dates. Whenever I sit down to write something of my", "where my phrasing is coming from (and etc) will break my flow. However,", "grammar, or style reminiscent of whomever I was just reading, since the “rhythm”", "I was just reading, since the “rhythm” of the text gets stuck in", "I like writing/being able to write in different styles, so I don't want", "book or series, I tend to unconsciously use words, grammar, or style reminiscent", "unconsciously use words, grammar, or style reminiscent of whomever I was just reading,", "break my flow. However, I'd rather be consistent within pieces, and to not", "reading, since the “rhythm” of the text gets stuck in my head (for", "I stop accidentally imitating them? I like writing/being able to write in different", "worry that being constantly conscious of or checking where my phrasing is coming", "that taking inspiration from better writers than me is a good thing, but", "to read across a variety of authors, genres, and publication dates. Whenever I", "reread to sound like a weird, jumpy mishmash of--for example--Tolkien, Christie, and Snicket.", "in my head (for lack of a better way to phrase it). If", "be consistent within pieces, and to not just copy, as unintentional as it", "writing/being able to write in different styles, so I don't want to force", "authors, genres, and publication dates. Whenever I sit down to write something of", "create, and I worry that being constantly conscious of or checking where my", "use words, grammar, or style reminiscent of whomever I was just reading, since", "causes it upon reread to sound like a weird, jumpy mishmash of--for example--Tolkien,", "goal. I know that taking inspiration from better writers than me is a", "own immediately after marathoning a book or series, I tend to unconsciously use", "my phrasing is coming from (and etc) will break my flow. However, I'd", "piece of work, it causes it upon reread to sound like a weird,", "will break my flow. However, I'd rather be consistent within pieces, and to", "something of my own immediately after marathoning a book or series, I tend", "jumpy mishmash of--for example--Tolkien, Christie, and Snicket. This is not exactly the goal.", "text gets stuck in my head (for lack of a better way to", "lack of a better way to phrase it). If I do this enough", "just reading, since the “rhythm” of the text gets stuck in my head", "to phrase it). If I do this enough times on a single piece", "don't want to force myself into a single \"voice\" for everything I create,", "the goal. I know that taking inspiration from better writers than me is", "able to write in different styles, so I don't want to force myself" ]
[ "to get exciting. However... I thought that by 90,000 words I would have", "seriously don't believe her because I write my novels on a size 9.5", "> I'm pretty fortunate actually to have hit this word count just as", "quite a lot, I've cut off a huge amount of words, and maximised", "time the character's lives began to intercollide, and things begin to get exciting.", "only done about 130 pages. So, here's a bonus question: > > Is", "appropriate time to cut off with my novel, and turn it into a", "off even more words but... It's still just going to be so long", "underestimated myself.** I edit as I go through quite a lot, I've cut", "hit 70,000 words! Wow! It's about time the character's lives began to intercollide,", "whole book. I underestimated myself. I edit as I go through quite a", "off a huge amount of words, and maximised my usage of language to", "your cliffhanger have to have a huge impact on the next one in", "70,000 words! Wow! It's about time the character's lives began to intercollide, and", "a great time writing lately. On my latest masterpiece - book sorry -", "the plot would be ruined. So... I've come to the resolve that *I", "be honest, Eragon killing the shade didn't make me care at all. I", "really been having a great time writing lately. On my latest masterpiece -", "girl's dad died, I cried. When, oh my god terrible, the children got", "on the next one in the series? > > > --- My English", "to be a series, so I'm genuinely uncertain on what to do. I", "Sometimes, the sexy girl has died. Sometimes, the wimp has finally died. Sometimes,", "next one in the series? > > > --- My English teacher told", "worthy of ending a book and not a chapter? How can I create", "of way to end your first book? How do you think of a", "--- My English teacher told me that most novels are only 55,000 words.", "words but... It's still just going to be so long because the story", "How do you decide what kind of way to end your first book?", "bonus question: > > Is 80-85,000 words a wise time to be finishing", "character's lives began to intercollide, and things begin to get exciting. However... I", "the resolve that I need to create a series! Exciting! Question -------- >", "but... It's still just going to be so long because the story cannot", "dressed as a boy has been found out. Sometimes, Eragon has killed the", "I can end it. How do I pick the right one? To be", "When, oh my god terrible, the children got sucked into a portal... I...", "Sometimes, Eragon has killed the shade. > > How do you decide what", "90,000 words I would have finished my whole book. I underestimated myself.* I", "sunk. Sometimes, the character has just smiled. Sometimes, the sexy girl has died.", "character has just smiled. Sometimes, the sexy girl has died. Sometimes, the wimp", "non-published author, is it futile to try and write a series as my", "care. When the girl was found out I didn't care. When the little", "begin to collide, but I have a few options on how I can", "shade. > > How do you decide what kind of way to end", "told me that most novels are only 55,000 words. I seriously don't believe", "to do. I only really write completely self-contained things. Background ---------- I've really", "few options on how I can end it. How do I pick the", "130 pages. So, here's a bonus question: > > Is 80-85,000 words a", "has just smiled. Sometimes, the sexy girl has died. Sometimes, the wimp has", "- book sorry - I've hit 70,000* words! Wow! It's about time the", "count just as the character's lives begin to collide, but I have a", "you think of a way that will keep the reader reading? > >", "a series? > > > I've seen everything. I really have. 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Background ---------- I've really been having a", "terrible, the children got sucked into a portal... I... didn't care. How can", "words because the plot would be ruined. So... I've come to the resolve", "55,000 words I've only done about 130 pages. So, here's a bonus question:", "> I've seen everything. I really have. Sometimes, a ship has sunk. Sometimes,", "to cut off with my novel, and turn it into a series? >", "My English teacher told me that most novels are only 55,000 words. I", "> > I've seen everything. I really have. Sometimes, a ship has sunk.", "Does it matter if your cliffhanger doesn't carry over into the next novel?", "options on how I can end it. How do I pick the right", "Question -------- > > When is an appropriate time to cut off with", "I create one my reader will care about? > > Does it matter", "I thought that by 90,000 words I would have finished my whole book.", "How do you think of a way that will keep the reader reading?", "try and write a series as my debut into the fantasy genre? >", "masterpiece - book sorry - I've hit 70,000 words! Wow! It's about time", "at all. I just didn't care. When the girl was found out I", "can end it. How do I pick the right one? To be honest,", "words. I seriously don't believe her because I write my novels on a", "is an appropriate time to cut off with my novel, and turn it", "book and not a chapter? How can I create one my reader will", "has died. Sometimes, the wimp has finally died. Sometimes, the girl who dressed", "a portal... I... didn't care. How can I make a cliffhanger worthy of", "a boy has been found out. Sometimes, Eragon has killed the shade. >", "ship has sunk. 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Sometimes, the girl who dressed as a", "have finished my whole book. I underestimated myself. I edit as I go", "into a portal... I... didn't care. How can I make a cliffhanger worthy", "have hit this word count just as the character's lives begin to collide,", "me care at all. I just didn't care. When the girl was found", "end it. How do I pick the right one? To be honest, Eragon", "don't believe her because I write my novels on a size 9.5 font,", "the sexy girl has died. Sometimes, the wimp has finally died. Sometimes, the", "have a huge impact on the next one in the series? > >", "> Does it matter if your cliffhanger doesn't carry over into the next", "question: > > Is 80-85,000 words a wise time to be finishing the", "sorry - I've hit 70,000 words! Wow! It's about time the character's lives", "your cliffhanger doesn't carry over into the next novel? Does your cliffhanger have", "series, so I'm genuinely uncertain on what to do. I only really write", "novels on a size 9.5 font, and by 55,000 words I've only done", "I've come to the resolve that I need to create a series! Exciting!", "futile to try and write a series as my debut into the fantasy", "create one my reader will care about? > > Does it matter if", "make me care at all. I just didn't care. When the girl was", "teacher told me that most novels are only 55,000 words. I seriously don't", "believe her because I write my novels on a size 9.5 font, and", "to intercollide, and things begin to get exciting. However... I thought that by", "maximised my usage of language to get off even more words but... It's", "to try and write a series as my debut into the fantasy genre?", "be told unless it has time to develop.* I can't really take off", "over into the next novel? Does your cliffhanger have to have a huge", "this word count just as the character's lives begin to collide, but I", "series? > > > I've seen everything. I really have. Sometimes, a ship", "pretty fortunate actually to have hit this word count just as the character's", "to have hit this word count just as the character's lives begin to", "lately. On my latest masterpiece - book sorry - I've hit 70,000 words!", "into the next novel? Does your cliffhanger have to have a huge impact", "next novel? Does your cliffhanger have to have a huge impact on the", "a way that will keep the reader reading? > > > I'm pretty", "on how I can end it. How do I pick the right one?", "thought that by 90,000 words I would have finished my whole book. *I", "out. Sometimes, Eragon has killed the shade. > > How do you decide", "On my latest masterpiece - book sorry - I've hit 70,000* words! Wow!", "develop.* I can't really take off anymore words because the plot would be", "didn't care. How can I make a cliffhanger worthy of ending a book", "> Is 80-85,000 words a wise time to be finishing the first book", "ruined. So... I've come to the resolve that *I need to create a", "completely self-contained things. Background ---------- I've really been having a great time writing", "just smiled. Sometimes, the sexy girl has died. Sometimes, the wimp has finally", "I'm pretty fortunate actually to have hit this word count just as the", "will care about? > > Does it matter if your cliffhanger doesn't carry", "of words, and maximised my usage of language to get off even more", "book sorry - I've hit 70,000 words! Wow! It's about time the character's", "do you decide what kind of way to end your first book? How", "wise time to be finishing the first book in my brand new series?", "pages. So, here's a bonus question: > > Is 80-85,000 words a wise", "if your cliffhanger doesn't carry over into the next novel? Does your cliffhanger", "into a series? > > > I've seen everything. I really have. Sometimes,", "my novel, and turn it into a series? > > > I've seen", "told unless it has time to develop.* I can't really take off anymore", "> How do you decide what kind of way to end your first", "sucked into a portal... I... didn't care. How can I make a cliffhanger", "because I write my novels on a size 9.5 font, and by 55,000", "it matter if your cliffhanger doesn't carry over into the next novel? Does", "god terrible, the children got sucked into a portal... I... didn't care. How", "off anymore words because the plot would be ruined. So... I've come to", "who dressed as a boy has been found out. Sometimes, Eragon has killed", "> When is an appropriate time to cut off with my novel, and", "words! Wow! It's about time the character's lives began to intercollide, and things", "about? > > Does it matter if your cliffhanger doesn't carry over into", "> > Does it matter if your cliffhanger doesn't carry over into the", "got sucked into a portal... I... didn't care. How can I make a", "cliffhanger worthy of ending a book and not a chapter? How can I", "time to be finishing the first book in my brand new series? Because", "my god terrible, the children got sucked into a portal... I... didn't care.", "myself. I edit as I go through quite a lot, I've cut off", "come to the resolve that I need to create a series! Exciting! Question", "How can I make a cliffhanger worthy of ending a book and not", "---------- I've really been having a great time writing lately. On my latest", "size 9.5 font, and by 55,000 words I've only done about 130 pages.", "novel? Does your cliffhanger have to have a huge impact on the next", "as a boy has been found out. Sometimes, Eragon has killed the shade.", "book. I underestimated myself.** I edit as I go through quite a lot,", "I've only done about 130 pages. So, here's a bonus question: > >", "girl has died. Sometimes, the wimp has finally died. Sometimes, the girl who", "more words but... It's still just going to be so long because the", "found out I didn't care. When the little girl's dad died, I cried.", "as the character's lives begin to collide, but I have a few options", "I have a few options on how I can end it. How do", "matter if your cliffhanger doesn't carry over into the next novel? Does your", "I've seen everything. I really have. Sometimes, a ship has sunk. Sometimes, the", "write completely self-contained things. Background ---------- I've really been having a great time", "huge amount of words, and maximised my usage of language to get off", "Sometimes, a ship has sunk. Sometimes, the character has just smiled. Sometimes, the", "to end your first book? How do you think of a way that", "So... I've come to the resolve that I need to create a series!", "I would have finished my whole book. I underestimated myself. I edit as", "amount of words, and maximised my usage of language to get off even", "what to do. I only really write completely self-contained things. Background ---------- I've", "-------- > > When is an appropriate time to cut off with my", "begin to get exciting. However... I thought that by 90,000 words I would", "all. I just didn't care. When the girl was found out I didn't", "be a series, so I'm genuinely uncertain on what to do. I only", "keep the reader reading? > > > I'm pretty fortunate actually to have", "and write a series as my debut into the fantasy genre? > >", "I cried. When, oh my god terrible, the children got sucked into a", "hit this word count just as the character's lives begin to collide, but", "that I need to create a series!* Exciting! Question -------- > > When", "series? > > > --- My English teacher told me that most novels", "How can I create one my reader will care about? > > Does", "a huge impact on the next one in the series? > > >", "dad died, I cried. When, oh my god terrible, the children got sucked", "that by 90,000 words I would have finished my whole book. I underestimated", "> --- My English teacher told me that most novels are only 55,000", "write a series as my debut into the fantasy genre? > > >", "However... I thought that by 90,000 words I would have finished my whole", "So, here's a bonus question: > > Is 80-85,000 words a wise time", "character's lives begin to collide, but I have a few options on how", "not a chapter? How can I create one my reader will care about?", "English teacher told me that most novels are only 55,000 words. I seriously", "and not a chapter? How can I create one my reader will care", "fortunate actually to have hit this word count just as the character's lives", "need to create a series! Exciting! Question -------- > > When is an", "a size 9.5 font, and by 55,000 words I've only done about 130", "Wow! It's about time the character's lives began to intercollide, and things begin", "I make a cliffhanger worthy of ending a book and not a chapter?", "create a series! Exciting! Question -------- > > When is an appropriate time", "first book in my brand new series? Because I'm a non-published author, is", "about 130 pages. So, here's a bonus question: > > Is 80-85,000 words", "through quite a lot, I've cut off a huge amount of words, and", "never meant to be a series, so I'm genuinely uncertain on what to", "to create a series! Exciting! Question -------- > > When is an appropriate", "to be so long because the story cannot be told unless it has", "done about 130 pages. So, here's a bonus question: > > Is 80-85,000", "ending a book and not a chapter? How can I create one my", "I'm a non-published author, is it futile to try and write a series", "My book was never meant to be a series, so I'm genuinely uncertain", "of language to get off even more words but... It's still just going", "55,000 words. I seriously don't believe her because I write my novels on", "began to intercollide, and things begin to get exciting. However... I thought that", "died. Sometimes, the girl who dressed as a boy has been found out.", "turn it into a series? > > > I've seen everything. I really", "time to develop.* I can't really take off anymore words because the plot", "off with my novel, and turn it into a series? > > >", "I've hit 70,000 words! Wow! It's about time the character's lives began to", "died. Sometimes, the wimp has finally died. Sometimes, the girl who dressed as", "intercollide, and things begin to get exciting. However... I thought that by 90,000", "words, and maximised my usage of language to get off even more words", "little girl's dad died, I cried. When, oh my god terrible, the children", "When is an appropriate time to cut off with my novel, and turn", "doesn't carry over into the next novel? Does your cliffhanger have to have", "cried. When, oh my god terrible, the children got sucked into a portal...", "plot would be ruined. So... I've come to the resolve that *I need", "finally died. Sometimes, the girl who dressed as a boy has been found", "it futile to try and write a series as my debut into the", "book in my brand new series? Because I'm a non-published author, is it", "has sunk. Sometimes, the character has just smiled. Sometimes, the sexy girl has", "really write completely self-contained things. Background ---------- I've really been having a great", "killing the shade didn't make me care at all. I just didn't care.", "the first book in my brand new series? Because I'm a non-published author,", "get off even more words but... It's still just going to be so", "be finishing the first book in my brand new series? Because I'm a", "pick the right one? To be honest, Eragon killing the shade didn't make", "and maximised my usage of language to get off even more words but...", "Is 80-85,000 words a wise time to be finishing the first book in", "Eragon has killed the shade. > > How do you decide what kind", "the children got sucked into a portal... I... didn't care. How can I", "the next one in the series? > > > --- My English teacher", "edit as I go through quite a lot, I've cut off a huge", "author, is it futile to try and write a series as my debut", "collide, but I have a few options on how I can end it.", "would be ruined. So... I've come to the resolve that I need to", "the next novel? Does your cliffhanger have to have a huge impact on", "write my novels on a size 9.5 font, and by 55,000 words I've", "I write my novels on a size 9.5 font, and by 55,000 words", "I didn't care. When the little girl's dad died, I cried. When, oh", "I've cut off a huge amount of words, and maximised my usage of", "didn't make me care at all. I just didn't care. When the girl", "by 90,000 words I would have finished my whole book. I underestimated myself.*", "carry over into the next novel? Does your cliffhanger have to have a", "I really have. Sometimes, a ship has sunk. Sometimes, the character has just", "that will keep the reader reading? > > > I'm pretty fortunate actually", "my novels on a size 9.5 font, and by 55,000 words I've only", "one? To be honest, Eragon killing the shade didn't make me care at", "words I've only done about 130 pages. So, here's a bonus question: >", "died, I cried. When, oh my god terrible, the children got sucked into", "what kind of way to end your first book? How do you think", "and by 55,000 words I've only done about 130 pages. So, here's a", "- I've hit 70,000* words! Wow! It's about time the character's lives began", "first book? How do you think of a way that will keep the", "found out. Sometimes, Eragon has killed the shade. > > How do you", "finishing the first book in my brand new series? Because I'm a non-published", "has killed the shade. > > How do you decide what kind of", "I can't really take off anymore words because the plot would be ruined.", "your first book? How do you think of a way that will keep", "series? Because I'm a non-published author, is it futile to try and write", "was never meant to be a series, so I'm genuinely uncertain on what", "and turn it into a series? > > > I've seen everything. I", "it. How do I pick the right one? To be honest, Eragon killing", "shade didn't make me care at all. I just didn't care. When the", "a series, so I'm genuinely uncertain on what to do. I only really", "a huge amount of words, and maximised my usage of language to get", "her because I write my novels on a size 9.5 font, and by", "a bonus question: > > Is 80-85,000 words a wise time to be", "so long because the story cannot be told unless it has time to", "I go through quite a lot, I've cut off a huge amount of", "it has time to develop. I can't really take off anymore words because", "care. When the little girl's dad died, I cried. When, oh my god", "make a cliffhanger worthy of ending a book and not a chapter? How", "book? How do you think of a way that will keep the reader", "great time writing lately. On my latest masterpiece - book sorry - I've", "right one? To be honest, Eragon killing the shade didn't make me care", "chapter? How can I create one my reader will care about? > >", "[Related](https://writers.stackexchange.com/questions/407/how-to-go-about-breaking-up-a-looooong-ya-story) My book was never meant to be a series, so I'm genuinely", "do. I only really write completely self-contained things. Background ---------- I've really been", "word count just as the character's lives begin to collide, but I have", "you decide what kind of way to end your first book? How do", "to the resolve that I need to create a series! Exciting! Question --------", "exciting. However... I thought that by 90,000 words I would have finished my", "I edit as I go through quite a lot, I've cut off a", "on what to do. I only really write completely self-contained things. Background ----------", "about time the character's lives began to intercollide, and things begin to get", "> > How do you decide what kind of way to end your", "honest, Eragon killing the shade didn't make me care at all. I just", "the girl who dressed as a boy has been found out. Sometimes, Eragon", "new series? Because I'm a non-published author, is it futile to try and", "reader will care about? > > Does it matter if your cliffhanger doesn't", "things. Background ---------- I've really been having a great time writing lately. On", "didn't care. When the girl was found out I didn't care. When the", "in my brand new series? Because I'm a non-published author, is it futile", "my reader will care about? > > Does it matter if your cliffhanger", "out I didn't care. When the little girl's dad died, I cried. When,", "a few options on how I can end it. How do I pick", "When the girl was found out I didn't care. When the little girl's", "even more words but... It's still just going to be so long because", "just as the character's lives begin to collide, but I have a few", "way that will keep the reader reading? > > > I'm pretty fortunate", "language to get off even more words but... It's still just going to", "time to cut off with my novel, and turn it into a series?", "my whole book. I underestimated myself.* I edit as I go through quite", "long because the story cannot be told unless it has time to develop.", "seen everything. I really have. Sometimes, a ship has sunk. Sometimes, the character", "one in the series? > > > --- My English teacher told me", "the little girl's dad died, I cried. When, oh my god terrible, the", "have to have a huge impact on the next one in the series?", "wimp has finally died. Sometimes, the girl who dressed as a boy has", "a non-published author, is it futile to try and write a series as", "the wimp has finally died. Sometimes, the girl who dressed as a boy", "writing lately. On my latest masterpiece - book sorry - I've hit 70,000", "9.5 font, and by 55,000 words I've only done about 130 pages. So,", "book was never meant to be a series, so I'm genuinely uncertain on", "> > > I've seen everything. I really have. Sometimes, a ship has", "how I can end it. How do I pick the right one? To", "go through quite a lot, I've cut off a huge amount of words,", "a book and not a chapter? How can I create one my reader", "my brand new series? Because I'm a non-published author, is it futile to", "series!** Exciting! Question -------- > > When is an appropriate time to cut", "boy has been found out. Sometimes, Eragon has killed the shade. > >", "only 55,000 words. I seriously don't believe her because I write my novels", "kind of way to end your first book? How do you think of", "but I have a few options on how I can end it. How", "reader reading? > > > I'm pretty fortunate actually to have hit this", "oh my god terrible, the children got sucked into a portal... I... didn't", "is it futile to try and write a series as my debut into", "things begin to get exciting. However... I thought that by 90,000 words I", "cliffhanger doesn't carry over into the next novel? Does your cliffhanger have to" ]
[ "build understand a different schema, anyway.) That's workable (we script this build anyway),", "entirely yet, so a solution to this problem needs to account for PDF", "so a solution to this problem needs to account for PDF too. Our", "improvements on that would be welcome. Our primary output is HTML, but we", "use a semantic markup language, like DocBook XML or DITA XML, instead of", "language, like DocBook XML or DITA XML, instead of pure HTML. Semantic markup", "elements in the schema. I'm less familiar with DITA.) I assume that for", "with DITA.) I assume that for the build we'd have to add a", "familiar with DITA.) I assume that for the build we'd have to add", "use Flare with a semantic markup language, preserving the benefits of using the", "is \"baked in\" to Flare; can we bake in DocBook or DITA instead?", "on that would be welcome. Our primary output is HTML, but we also", "would be very difficult. Is there a way to use Flare with a", "solve a number of writing problems for us. But we've found no way", "instead? (Baking in a small subset of the DocBook spec would be fine;", "our PDF requirement is \"doesn't break\". 1 Other reasons: (a) no budget; (b)", "will be about the same as it is now? HTML is \"baked in\"", "Other reasons: (a) no budget; (b) this is the preferred corporate tool (so", "topics). The source is \"Flare HTML\", HTML with some Flare additions (for variables,", "welcome. Our primary output is HTML, but we also produce PDF, where the", "corporate tool (so politics); (c) this team has already changed tools once, about", "3-4 years ago I think, and every now and then we still bump", "making the Flare build understand a different schema, anyway.) That's workable (we script", "is \"looks good\" and our PDF requirement is \"doesn't break\". 1 Other reasons:", "DocBook I probably only used 20-25 of the 400 elements in the schema.", "way to use Flare with a semantic markup language, preserving the benefits of", "working directly with the Flare GUI almost exclusively. Some of our users have", "have to add a transformation step, to turn the semantic markup into HTML", "20-25 of the 400 elements in the schema. I'm less familiar with DITA.)", "TOC entries are updated when topic headings change). We would prefer to use", "understand a different schema, anyway.) That's workable (we script this build anyway), though", "would be welcome. Our primary output is HTML, but we also produce PDF,", "(Baking in a small subset of the DocBook spec would be fine; when", "markup language, preserving the benefits of using the Flare GUI so the experience", "Flare, and our writers are very attached to the tool, working directly with", "would prefer to use a semantic markup language, like DocBook XML or DITA", "Our HTML requirement is \"looks good\" and our PDF requirement is \"doesn't break\".", "the formatting sometimes ends up being kind of messy. We can't ditch the", "Flare with a semantic markup language, preserving the benefits of using the Flare", "(a) no budget; (b) this is the preferred corporate tool (so politics); (c)", "preferred corporate tool (so politics); (c) this team has already changed tools once,", "do some preprocessing (like making sure TOC entries are updated when topic headings", "account for PDF too. Our HTML requirement is \"looks good\" and our PDF", "expert-level knowledge of Flare; for this and other reasons,1 changing tools would be", "(for variables, admonitions, snippets, and so on). We use CSS to style the", "I'm less familiar with DITA.) I assume that for the build we'd have", "we've found no way to do this in Flare, and our writers are", "GUI so the experience for our writers will be about the same as", "already changed tools once, about 3-4 years ago I think, and every now", "for us. But we've found no way to do this in Flare, and", "PDF too. Our HTML requirement is \"looks good\" and our PDF requirement is", "We use CSS to style the HTML to our tastes. We use the", "feeding it to the Flare build. (That seems easier than making the Flare", "or DITA instead? (Baking in a small subset of the DocBook spec would", "anyway), though improvements on that would be welcome. Our primary output is HTML,", "additions (for variables, admonitions, snippets, and so on). We use CSS to style", "to Flare; can we bake in DocBook or DITA instead? (Baking in a", "MadCap Flare to produce a large body of documentation (thousands of topics). The", "a different schema, anyway.) That's workable (we script this build anyway), though improvements", "some preprocessing (like making sure TOC entries are updated when topic headings change).", "be welcome. Our primary output is HTML, but we also produce PDF, where", "I probably only used 20-25 of the 400 elements in the schema. I'm", "used DocBook I probably only used 20-25 of the 400 elements in the", "are updated when topic headings change). We would prefer to use a semantic", "Flare GUI almost exclusively. Some of our users have expert-level knowledge of Flare;", "in\" to Flare; can we bake in DocBook or DITA instead? (Baking in", "the Flare GUI almost exclusively. Some of our users have expert-level knowledge of", "of our users have expert-level knowledge of Flare; for this and other reasons,1", "experience for our writers will be about the same as it is now?", "I think, and every now and then we still bump into suboptimal artifacts", "this build anyway), though improvements on that would be welcome. Our primary output", "every now and then we still bump into suboptimal artifacts of that change.", "\"looks good\" and our PDF requirement is \"doesn't break\". 1 Other reasons: (a)", "like DocBook XML or DITA XML, instead of pure HTML. Semantic markup would", "turn the semantic markup into HTML before feeding it to the Flare build.", "we also produce PDF, where the formatting sometimes ends up being kind of", "to produce a large body of documentation (thousands of topics). The source is", "to our tastes. We use the build tool that comes with Flare to", "Our primary output is HTML, but we also produce PDF, where the formatting", "build we'd have to add a transformation step, to turn the semantic markup", "years ago I think, and every now and then we still bump into", "the Flare GUI so the experience for our writers will be about the", "the output, controlled by scripts that do some preprocessing (like making sure TOC", "us. But we've found no way to do this in Flare, and our", "HTML with some Flare additions (for variables, admonitions, snippets, and so on). We", "up being kind of messy. We can't ditch the PDF entirely yet, so", "to add a transformation step, to turn the semantic markup into HTML before", "our writers will be about the same as it is now? HTML is", "uses MadCap Flare to produce a large body of documentation (thousands of topics).", "though improvements on that would be welcome. Our primary output is HTML, but", "headings change). We would prefer to use a semantic markup language, like DocBook", "output, controlled by scripts that do some preprocessing (like making sure TOC entries", "in a small subset of the DocBook spec would be fine; when I've", "also produce PDF, where the formatting sometimes ends up being kind of messy.", "(That seems easier than making the Flare build understand a different schema, anyway.)", "a small subset of the DocBook spec would be fine; when I've used", "where the formatting sometimes ends up being kind of messy. We can't ditch", "The source is \"Flare HTML\", HTML with some Flare additions (for variables, admonitions,", "once, about 3-4 years ago I think, and every now and then we", "updated when topic headings change). We would prefer to use a semantic markup", "have expert-level knowledge of Flare; for this and other reasons,1 changing tools would", "this is the preferred corporate tool (so politics); (c) this team has already", "Is there a way to use Flare with a semantic markup language, preserving", "Some of our users have expert-level knowledge of Flare; for this and other", "being kind of messy. We can't ditch the PDF entirely yet, so a", "this team has already changed tools once, about 3-4 years ago I think,", "team has already changed tools once, about 3-4 years ago I think, and", "with Flare to produce the output, controlled by scripts that do some preprocessing", "That's workable (we script this build anyway), though improvements on that would be", "entries are updated when topic headings change). We would prefer to use a", "break\". 1 Other reasons: (a) no budget; (b) this is the preferred corporate", "we'd have to add a transformation step, to turn the semantic markup into", "Flare additions (for variables, admonitions, snippets, and so on). We use CSS to", "the Flare build. (That seems easier than making the Flare build understand a", "this problem needs to account for PDF too. Our HTML requirement is \"looks", "the semantic markup into HTML before feeding it to the Flare build. (That", "the build tool that comes with Flare to produce the output, controlled by", "the tool, working directly with the Flare GUI almost exclusively. Some of our", "can't ditch the PDF entirely yet, so a solution to this problem needs", "snippets, and so on). We use CSS to style the HTML to our", "to this problem needs to account for PDF too. Our HTML requirement is", "Flare build. 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(Baking in a small", "use the build tool that comes with Flare to produce the output, controlled", "our users have expert-level knowledge of Flare; for this and other reasons,1 changing", "DITA XML, instead of pure HTML. Semantic markup would solve a number of", "for PDF too. Our HTML requirement is \"looks good\" and our PDF requirement", "solution to this problem needs to account for PDF too. Our HTML requirement", "and other reasons,1 changing tools would be very difficult. Is there a way", "making sure TOC entries are updated when topic headings change). We would prefer", "same as it is now? HTML is \"baked in\" to Flare; can we", "with the Flare GUI almost exclusively. Some of our users have expert-level knowledge", "PDF entirely yet, so a solution to this problem needs to account for", "preprocessing (like making sure TOC entries are updated when topic headings change). We", "or DITA XML, instead of pure HTML. Semantic markup would solve a number", "other reasons,1 changing tools would be very difficult. Is there a way to", "Flare GUI so the experience for our writers will be about the same", "My team uses MadCap Flare to produce a large body of documentation (thousands", "in the schema. I'm less familiar with DITA.) I assume that for the", "pure HTML. Semantic markup would solve a number of writing problems for us.", "and every now and then we still bump into suboptimal artifacts of that", "kind of messy. We can't ditch the PDF entirely yet, so a solution", "\"doesn't break\". 1 Other reasons: (a) no budget; (b) this is the preferred", "about the same as it is now? HTML is \"baked in\" to Flare;", "ago I think, and every now and then we still bump into suboptimal", "too. Our HTML requirement is \"looks good\" and our PDF requirement is \"doesn't", "HTML\", HTML with some Flare additions (for variables, admonitions, snippets, and so on).", "for the build we'd have to add a transformation step, to turn the", "with some Flare additions (for variables, admonitions, snippets, and so on). We use", "controlled by scripts that do some preprocessing (like making sure TOC entries are", "script this build anyway), though improvements on that would be welcome. Our primary", "a number of writing problems for us. But we've found no way to", "the PDF entirely yet, so a solution to this problem needs to account", "of documentation (thousands of topics). The source is \"Flare HTML\", HTML with some", "with a semantic markup language, preserving the benefits of using the Flare GUI", "output is HTML, but we also produce PDF, where the formatting sometimes ends", "Flare to produce a large body of documentation (thousands of topics). The source", "small subset of the DocBook spec would be fine; when I've used DocBook", "it is now? HTML is \"baked in\" to Flare; can we bake in", "and our PDF requirement is \"doesn't break\". 1 Other reasons: (a) no budget;", "reasons: (a) no budget; (b) this is the preferred corporate tool (so politics);", "(like making sure TOC entries are updated when topic headings change). We would", "tool that comes with Flare to produce the output, controlled by scripts that", "to use a semantic markup language, like DocBook XML or DITA XML, instead", "that do some preprocessing (like making sure TOC entries are updated when topic", "tastes. We use the build tool that comes with Flare to produce the", "documentation (thousands of topics). The source is \"Flare HTML\", HTML with some Flare", "HTML before feeding it to the Flare build. (That seems easier than making", "the build we'd have to add a transformation step, to turn the semantic", "schema, anyway.) That's workable (we script this build anyway), though improvements on that", "markup would solve a number of writing problems for us. But we've found", "We would prefer to use a semantic markup language, like DocBook XML or", "no way to do this in Flare, and our writers are very attached", "politics); (c) this team has already changed tools once, about 3-4 years ago", "I assume that for the build we'd have to add a transformation step,", "less familiar with DITA.) I assume that for the build we'd have to", "would be fine; when I've used DocBook I probably only used 20-25 of", "style the HTML to our tastes. We use the build tool that comes", "step, to turn the semantic markup into HTML before feeding it to the", "build anyway), though improvements on that would be welcome. Our primary output is", "comes with Flare to produce the output, controlled by scripts that do some", "be fine; when I've used DocBook I probably only used 20-25 of the", "a transformation step, to turn the semantic markup into HTML before feeding it", "no budget; (b) this is the preferred corporate tool (so politics); (c) this", "(thousands of topics). The source is \"Flare HTML\", HTML with some Flare additions", "1 Other reasons: (a) no budget; (b) this is the preferred corporate tool", "to do this in Flare, and our writers are very attached to the", "transformation step, to turn the semantic markup into HTML before feeding it to", "We use the build tool that comes with Flare to produce the output,", "(we script this build anyway), though improvements on that would be welcome. Our", "PDF requirement is \"doesn't break\". 1 Other reasons: (a) no budget; (b) this", "XML, instead of pure HTML. Semantic markup would solve a number of writing", "ends up being kind of messy. We can't ditch the PDF entirely yet,", "that would be welcome. Our primary output is HTML, but we also produce", "produce PDF, where the formatting sometimes ends up being kind of messy. We", "(c) this team has already changed tools once, about 3-4 years ago I", "semantic markup language, preserving the benefits of using the Flare GUI so the", "variables, admonitions, snippets, and so on). We use CSS to style the HTML", "anyway.) That's workable (we script this build anyway), though improvements on that would", "semantic markup language, like DocBook XML or DITA XML, instead of pure HTML.", "the HTML to our tastes. We use the build tool that comes with", "We can't ditch the PDF entirely yet, so a solution to this problem", "needs to account for PDF too. Our HTML requirement is \"looks good\" and", "and so on). We use CSS to style the HTML to our tastes.", "(so politics); (c) this team has already changed tools once, about 3-4 years", "our writers are very attached to the tool, working directly with the Flare", "be about the same as it is now? HTML is \"baked in\" to", "so on). We use CSS to style the HTML to our tastes. We", "this in Flare, and our writers are very attached to the tool, working", "instead of pure HTML. Semantic markup would solve a number of writing problems", "users have expert-level knowledge of Flare; for this and other reasons,1 changing tools", "workable (we script this build anyway), though improvements on that would be welcome.", "for our writers will be about the same as it is now? HTML", "requirement is \"looks good\" and our PDF requirement is \"doesn't break\". 1 Other", "tool (so politics); (c) this team has already changed tools once, about 3-4", "the benefits of using the Flare GUI so the experience for our writers", "think, and every now and then we still bump into suboptimal artifacts of", "Flare; for this and other reasons,1 changing tools would be very difficult. Is", "number of writing problems for us. But we've found no way to do", "very attached to the tool, working directly with the Flare GUI almost exclusively.", "language, preserving the benefits of using the Flare GUI so the experience for", "and our writers are very attached to the tool, working directly with the", "to produce the output, controlled by scripts that do some preprocessing (like making", "good\" and our PDF requirement is \"doesn't break\". 1 Other reasons: (a) no", "Flare to produce the output, controlled by scripts that do some preprocessing (like", "markup language, like DocBook XML or DITA XML, instead of pure HTML. Semantic", "CSS to style the HTML to our tastes. We use the build tool", "\"baked in\" to Flare; can we bake in DocBook or DITA instead? (Baking", "DocBook spec would be fine; when I've used DocBook I probably only used" ]
[ "and is interrupted by actions without continuing dialogue. \"Maybe we could—\" My phone", "finish. \"This is one of the best—\" Started Jim. Is it correct to", "\"This is one of the best—\" Started Jim. Is it correct to capitalize", "was interrupted by Dinhy. \"This is one of the best—\" She didn't finish.", "could—\" Was that a scream? Was it correct to capitalize My, The, He", "the best—\" She didn't finish. \"This is one of the best—\" Started Jim.", "best—\" She was interrupted by Dinhy. \"This is one of the best—\" She", "is one of the best—\" She didn't finish. \"This is one of the", "of the best—\" She was interrupted by Dinhy. \"This is one of the", "The, He and Was? Also, when another person is speaking and is interrupted.", "spacing, and capitalization when a character is speaking and is interrupted by actions", "raised his hand to silence me. \"Maybe we could—\" Was that a scream?", "to silence me. \"Maybe we could—\" Was that a scream? Was it correct", "person is speaking and is interrupted. \"This is one of the best—\" She", "Dinhy. \"This is one of the best—\" She didn't finish. \"This is one", "started barking. \"Maybe we could—\" He raised his hand to silence me. \"Maybe", "and is interrupted. \"This is one of the best—\" She was interrupted by", "interrupted. \"This is one of the best—\" She was interrupted by Dinhy. \"This", "correct to capitalize My, The, He and Was? Also, when another person is", "we could—\" Was that a scream? Was it correct to capitalize My, The,", "is interrupted. \"This is one of the best—\" She was interrupted by Dinhy.", "by actions without continuing dialogue. \"Maybe we could—\" My phone rang. \"Maybe we", "could—\" The dog started barking. \"Maybe we could—\" He raised his hand to", "of the best—\" Started Jim. Is it correct to capitalize She and Started?", "one of the best—\" She was interrupted by Dinhy. \"This is one of", "interrupted by Dinhy. \"This is one of the best—\" She didn't finish. \"This", "capitalization when a character is speaking and is interrupted by actions without continuing", "rang. \"Maybe we could—\" The dog started barking. \"Maybe we could—\" He raised", "another person is speaking and is interrupted. \"This is one of the best—\"", "\"Maybe we could—\" Was that a scream? Was it correct to capitalize My,", "dog started barking. \"Maybe we could—\" He raised his hand to silence me.", "of the best—\" She didn't finish. \"This is one of the best—\" Started", "by Dinhy. \"This is one of the best—\" She didn't finish. \"This is", "a scream? Was it correct to capitalize My, The, He and Was? Also,", "She was interrupted by Dinhy. \"This is one of the best—\" She didn't", "and capitalization when a character is speaking and is interrupted by actions without", "didn't finish. \"This is one of the best—\" Started Jim. Is it correct", "The dog started barking. \"Maybe we could—\" He raised his hand to silence", "\"Maybe we could—\" My phone rang. \"Maybe we could—\" The dog started barking.", "He raised his hand to silence me. \"Maybe we could—\" Was that a", "proper punctuation, spacing, and capitalization when a character is speaking and is interrupted", "hand to silence me. \"Maybe we could—\" Was that a scream? Was it", "punctuation, spacing, and capitalization when a character is speaking and is interrupted by", "barking. \"Maybe we could—\" He raised his hand to silence me. \"Maybe we", "speaking and is interrupted by actions without continuing dialogue. \"Maybe we could—\" My", "we could—\" He raised his hand to silence me. \"Maybe we could—\" Was", "scream? Was it correct to capitalize My, The, He and Was? Also, when", "Was that a scream? Was it correct to capitalize My, The, He and", "is one of the best—\" Started Jim. Is it correct to capitalize She", "is one of the best—\" She was interrupted by Dinhy. \"This is one", "without continuing dialogue. \"Maybe we could—\" My phone rang. \"Maybe we could—\" The", "character is speaking and is interrupted by actions without continuing dialogue. \"Maybe we", "that a scream? Was it correct to capitalize My, The, He and Was?", "one of the best—\" Started Jim. Is it correct to capitalize She and", "She didn't finish. \"This is one of the best—\" Started Jim. Is it", "interrupted by actions without continuing dialogue. \"Maybe we could—\" My phone rang. \"Maybe", "me. \"Maybe we could—\" Was that a scream? Was it correct to capitalize", "continuing dialogue. \"Maybe we could—\" My phone rang. \"Maybe we could—\" The dog", "could—\" He raised his hand to silence me. \"Maybe we could—\" Was that", "we could—\" My phone rang. \"Maybe we could—\" The dog started barking. \"Maybe", "could—\" My phone rang. \"Maybe we could—\" The dog started barking. \"Maybe we", "is interrupted by actions without continuing dialogue. \"Maybe we could—\" My phone rang.", "is speaking and is interrupted by actions without continuing dialogue. \"Maybe we could—\"", "Was? Also, when another person is speaking and is interrupted. \"This is one", "\"Maybe we could—\" He raised his hand to silence me. \"Maybe we could—\"", "and Was? Also, when another person is speaking and is interrupted. \"This is", "about proper punctuation, spacing, and capitalization when a character is speaking and is", "speaking and is interrupted. \"This is one of the best—\" She was interrupted", "a character is speaking and is interrupted by actions without continuing dialogue. \"Maybe", "I'm confused about proper punctuation, spacing, and capitalization when a character is speaking", "phone rang. \"Maybe we could—\" The dog started barking. \"Maybe we could—\" He", "best—\" She didn't finish. \"This is one of the best—\" Started Jim. Is", "his hand to silence me. \"Maybe we could—\" Was that a scream? Was", "\"Maybe we could—\" The dog started barking. \"Maybe we could—\" He raised his", "Was it correct to capitalize My, The, He and Was? Also, when another", "He and Was? Also, when another person is speaking and is interrupted. \"This", "when another person is speaking and is interrupted. \"This is one of the", "\"This is one of the best—\" She was interrupted by Dinhy. \"This is", "it correct to capitalize My, The, He and Was? Also, when another person", "the best—\" She was interrupted by Dinhy. \"This is one of the best—\"", "when a character is speaking and is interrupted by actions without continuing dialogue.", "actions without continuing dialogue. \"Maybe we could—\" My phone rang. \"Maybe we could—\"", "My, The, He and Was? Also, when another person is speaking and is", "capitalize My, The, He and Was? Also, when another person is speaking and", "My phone rang. \"Maybe we could—\" The dog started barking. \"Maybe we could—\"", "is speaking and is interrupted. \"This is one of the best—\" She was", "confused about proper punctuation, spacing, and capitalization when a character is speaking and", "\"This is one of the best—\" She didn't finish. \"This is one of", "Also, when another person is speaking and is interrupted. \"This is one of", "silence me. \"Maybe we could—\" Was that a scream? Was it correct to", "to capitalize My, The, He and Was? Also, when another person is speaking", "one of the best—\" She didn't finish. \"This is one of the best—\"", "dialogue. \"Maybe we could—\" My phone rang. \"Maybe we could—\" The dog started", "we could—\" The dog started barking. \"Maybe we could—\" He raised his hand" ]
[ "picture in third person limited in the following scene (and the POV continues", "doctor. The MC enters the picture in third person limited in the following", "a story which starts with the birth of the MC; the scene just", "the following scene (and the POV continues throughout the story). Is this still", "person limited in the following scene (and the POV continues throughout the story).", "in third person limited in the following scene (and the POV continues throughout", "the scene just shows the parents talking with the doctor. The MC enters", "still third person limited? Or it's third person omniscient at first and then", "scene just shows the parents talking with the doctor. The MC enters the", "Or it's third person omniscient at first and then I have to change", "the birth of the MC; the scene just shows the parents talking with", "which starts with the birth of the MC; the scene just shows the", "third person limited? Or it's third person omniscient at first and then I", "of the MC; the scene just shows the parents talking with the doctor.", "person omniscient at first and then I have to change the POV to", "the picture in third person limited in the following scene (and the POV", "just shows the parents talking with the doctor. The MC enters the picture", "throughout the story). Is this still third person limited? Or it's third person", "it's third person omniscient at first and then I have to change the", "I have to change the POV to third person limited with a scene", "the story). Is this still third person limited? Or it's third person omniscient", "(and the POV continues throughout the story). Is this still third person limited?", "POV continues throughout the story). Is this still third person limited? Or it's", "this still third person limited? Or it's third person omniscient at first and", "birth of the MC; the scene just shows the parents talking with the", "limited in the following scene (and the POV continues throughout the story). Is", "shows the parents talking with the doctor. The MC enters the picture in", "with the birth of the MC; the scene just shows the parents talking", "then I have to change the POV to third person limited with a", "person limited? Or it's third person omniscient at first and then I have", "story which starts with the birth of the MC; the scene just shows", "the MC; the scene just shows the parents talking with the doctor. The", "the parents talking with the doctor. The MC enters the picture in third", "limited? Or it's third person omniscient at first and then I have to", "Is this still third person limited? Or it's third person omniscient at first", "the POV continues throughout the story). Is this still third person limited? Or", "MC enters the picture in third person limited in the following scene (and", "continues throughout the story). Is this still third person limited? Or it's third", "enters the picture in third person limited in the following scene (and the", "writing a story which starts with the birth of the MC; the scene", "following scene (and the POV continues throughout the story). Is this still third", "The MC enters the picture in third person limited in the following scene", "third person limited in the following scene (and the POV continues throughout the", "omniscient at first and then I have to change the POV to third", "have to change the POV to third person limited with a scene break?", "talking with the doctor. The MC enters the picture in third person limited", "third person omniscient at first and then I have to change the POV", "parents talking with the doctor. The MC enters the picture in third person", "in the following scene (and the POV continues throughout the story). Is this", "with the doctor. The MC enters the picture in third person limited in", "MC; the scene just shows the parents talking with the doctor. The MC", "the doctor. The MC enters the picture in third person limited in the", "scene (and the POV continues throughout the story). Is this still third person", "first and then I have to change the POV to third person limited", "starts with the birth of the MC; the scene just shows the parents", "and then I have to change the POV to third person limited with", "I'm writing a story which starts with the birth of the MC; the", "at first and then I have to change the POV to third person", "story). Is this still third person limited? Or it's third person omniscient at" ]
[ "some documents (not publicly viewable) that state that footnotes (for the purposes of", "anybody point me toward a reputable source (or at least a definitive example)", "(not publicly viewable) that state that footnotes (for the purposes of adding further", "rule in this particular academic sidestreet. Could anybody point me toward a reputable", "in an academic text writen using in-text citations. This seems nonsense to me", "reputable source (or at least a definitive example) indicating either way on the", "in-text citations. This seems nonsense to me and I strongly suspect it is", "that state that footnotes (for the purposes of adding further information) are not", "in this particular academic sidestreet. Could anybody point me toward a reputable source", "citations. This seems nonsense to me and I strongly suspect it is a", "to me and I strongly suspect it is a misunderstanding that has solidified", "a rule in this particular academic sidestreet. Could anybody point me toward a", "are not permitted in an academic text writen using in-text citations. This seems", "I have come across some documents (not publicly viewable) that state that footnotes", "is a misunderstanding that has solidified into a rule in this particular academic", "further information) are not permitted in an academic text writen using in-text citations.", "solidified into a rule in this particular academic sidestreet. Could anybody point me", "strongly suspect it is a misunderstanding that has solidified into a rule in", "purposes of adding further information) are not permitted in an academic text writen", "seems nonsense to me and I strongly suspect it is a misunderstanding that", "permitted in an academic text writen using in-text citations. This seems nonsense to", "this particular academic sidestreet. Could anybody point me toward a reputable source (or", "publicly viewable) that state that footnotes (for the purposes of adding further information)", "misunderstanding that has solidified into a rule in this particular academic sidestreet. Could", "I strongly suspect it is a misunderstanding that has solidified into a rule", "a reputable source (or at least a definitive example) indicating either way on", "has solidified into a rule in this particular academic sidestreet. Could anybody point", "toward a reputable source (or at least a definitive example) indicating either way", "come across some documents (not publicly viewable) that state that footnotes (for the", "footnotes (for the purposes of adding further information) are not permitted in an", "into a rule in this particular academic sidestreet. Could anybody point me toward", "state that footnotes (for the purposes of adding further information) are not permitted", "not permitted in an academic text writen using in-text citations. This seems nonsense", "me and I strongly suspect it is a misunderstanding that has solidified into", "it is a misunderstanding that has solidified into a rule in this particular", "documents (not publicly viewable) that state that footnotes (for the purposes of adding", "writen using in-text citations. This seems nonsense to me and I strongly suspect", "nonsense to me and I strongly suspect it is a misunderstanding that has", "and I strongly suspect it is a misunderstanding that has solidified into a", "of adding further information) are not permitted in an academic text writen using", "particular academic sidestreet. Could anybody point me toward a reputable source (or at", "point me toward a reputable source (or at least a definitive example) indicating", "an academic text writen using in-text citations. This seems nonsense to me and", "me toward a reputable source (or at least a definitive example) indicating either", "sidestreet. Could anybody point me toward a reputable source (or at least a", "Could anybody point me toward a reputable source (or at least a definitive", "academic sidestreet. Could anybody point me toward a reputable source (or at least", "text writen using in-text citations. This seems nonsense to me and I strongly", "adding further information) are not permitted in an academic text writen using in-text", "This seems nonsense to me and I strongly suspect it is a misunderstanding", "(for the purposes of adding further information) are not permitted in an academic", "a misunderstanding that has solidified into a rule in this particular academic sidestreet.", "suspect it is a misunderstanding that has solidified into a rule in this", "across some documents (not publicly viewable) that state that footnotes (for the purposes", "academic text writen using in-text citations. This seems nonsense to me and I", "that footnotes (for the purposes of adding further information) are not permitted in", "viewable) that state that footnotes (for the purposes of adding further information) are", "that has solidified into a rule in this particular academic sidestreet. Could anybody", "the purposes of adding further information) are not permitted in an academic text", "information) are not permitted in an academic text writen using in-text citations. This", "using in-text citations. This seems nonsense to me and I strongly suspect it", "have come across some documents (not publicly viewable) that state that footnotes (for", "source (or at least a definitive example) indicating either way on the issue?" ]
[ "descriptions that become repetitive, e.g. variations of > > for a heartbeat or", "and noticed that I mark the passage of a very brief time, of", "What strategies can I use to find fresh ways to convey a brief", "I use to find fresh ways to convey a brief hesitation or pause", "of a hesitation, using a small number of descriptions that become repetitive, e.g.", "on a revision of my novel and noticed that I mark the passage", "small number of descriptions that become repetitive, e.g. variations of > > for", "hesitation, using a small number of descriptions that become repetitive, e.g. variations of", "repetitive, e.g. variations of > > for a heartbeat or two > >", "variations of > > for a heartbeat or two > > > he", "> > > he breathed in, held the air, and let it out", "a small number of descriptions that become repetitive, e.g. variations of > >", "> > > What strategies can I use to find fresh ways to", "revision of my novel and noticed that I mark the passage of a", "he breathed in, held the air, and let it out > > >", "mark the passage of a very brief time, of a hesitation, using a", "using a small number of descriptions that become repetitive, e.g. variations of >", "e.g. variations of > > for a heartbeat or two > > >", "heartbeat or two > > > he breathed in, held the air, and", "strategies can I use to find fresh ways to convey a brief hesitation", "my novel and noticed that I mark the passage of a very brief", "the passage of a very brief time, of a hesitation, using a small", "for a heartbeat or two > > > he breathed in, held the", "that I mark the passage of a very brief time, of a hesitation,", "can I use to find fresh ways to convey a brief hesitation or", "air, and let it out > > > What strategies can I use", "noticed that I mark the passage of a very brief time, of a", "become repetitive, e.g. variations of > > for a heartbeat or two >", "> he breathed in, held the air, and let it out > >", "of descriptions that become repetitive, e.g. variations of > > for a heartbeat", "to find fresh ways to convey a brief hesitation or pause in action", "working on a revision of my novel and noticed that I mark the", "time, of a hesitation, using a small number of descriptions that become repetitive,", "in, held the air, and let it out > > > What strategies", "use to find fresh ways to convey a brief hesitation or pause in", "> > he breathed in, held the air, and let it out >", "> What strategies can I use to find fresh ways to convey a", "two > > > he breathed in, held the air, and let it", "or two > > > he breathed in, held the air, and let", "a very brief time, of a hesitation, using a small number of descriptions", "find fresh ways to convey a brief hesitation or pause in action or", "of > > for a heartbeat or two > > > he breathed", "a heartbeat or two > > > he breathed in, held the air,", "a revision of my novel and noticed that I mark the passage of", "> > for a heartbeat or two > > > he breathed in,", "that become repetitive, e.g. variations of > > for a heartbeat or two", "breathed in, held the air, and let it out > > > What", "brief time, of a hesitation, using a small number of descriptions that become", "I'm working on a revision of my novel and noticed that I mark", "> > What strategies can I use to find fresh ways to convey", "very brief time, of a hesitation, using a small number of descriptions that", "it out > > > What strategies can I use to find fresh", "of a very brief time, of a hesitation, using a small number of", "of my novel and noticed that I mark the passage of a very", "and let it out > > > What strategies can I use to", "held the air, and let it out > > > What strategies can", "I mark the passage of a very brief time, of a hesitation, using", "a hesitation, using a small number of descriptions that become repetitive, e.g. variations", "> for a heartbeat or two > > > he breathed in, held", "passage of a very brief time, of a hesitation, using a small number", "the air, and let it out > > > What strategies can I", "out > > > What strategies can I use to find fresh ways", "novel and noticed that I mark the passage of a very brief time,", "let it out > > > What strategies can I use to find", "fresh ways to convey a brief hesitation or pause in action or dialog?", "number of descriptions that become repetitive, e.g. variations of > > for a" ]
[ "believe writing in the first person gets the reader closer to the character.", "novel, but I'm wondering if this is going to remove the reader's focus", "I can split the PoV and the protagonist. I know I can do", "To future viewers: Choosing the answer was a toss-up between Mike C. Ford", "really good for the novel, but I'm wondering if this is going to", "writing the PoV in first person, which I think would sound really good", "and the protagonist. I know I can do that. This question deals with", "write in the first person and still keep the focus on the protagonist,", "if this is going to remove the reader's focus from the protagonist. I", "you look at what's answer. It has some interesting insights which could prove", "The question isn't whether I can split the PoV and the protagonist. I", "--- This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether", "or even anger in the reader if she was who the novel is", "the PoV in the first person draw my reader closer to her, away", "I want to keep the reader's focus on the protagonist, largely because the", "am currently writing has a PoV who is not the protagonist. I am", "that it is (generally) accepted that first person PoV draws the reader closer", "that. This question deals with using the first person for that PoV, given", "draws the reader closer to the character, and the story is about the", "the reader's focus on the protagonist, largely because the PoV, in her current", "person. Will writing the PoV in the first person draw my reader closer", "true. That's not all there is to character development, certainly, but it gets", "focus on the protagonist, largely because the PoV, in her current state, would", "it, and would almost certainly inspire thoughts of boredom or even anger in", "reader's focus on the protagonist, largely because the PoV, in her current state,", "current state, would not make a very good one. She is selfish, sometimes", "can do that. This question deals with using the first person for that", "deals with using the first person for that PoV, given that it is", "PoV, given that it is (generally) accepted that first person PoV draws the", "inspire thoughts of boredom or even anger in the reader if she was", "the reader through my PoV. Unless I write in the first person. Will", "to the character, and the story is about the protagonist. --- To future", "character development, certainly, but it gets the reader in a better mind-set for", "it is (generally) accepted that first person PoV draws the reader closer to", "certainly inspire thoughts of boredom or even anger in the reader if she", "is selfish, sometimes without even knowing it, and would almost certainly inspire thoughts", "is (generally) accepted that first person PoV draws the reader closer to the", "like I've made this distinction, and there is no threat of alienating the", "is about the protagonist. --- To future viewers: Choosing the answer was a", "the first person for that PoV, given that it is (generally) accepted that", "protagonist. I feel like I've made this distinction, and there is no threat", "I believe writing in the first person gets the reader closer to the", "toss-up between Mike C. Ford and WolfeFan; they both have excellent answers. I", "because the PoV, in her current state, would not make a very good", "character. The novel I am currently writing has a PoV who is not", "without even knowing it, and would almost certainly inspire thoughts of boredom or", "I am currently writing has a PoV who is not the protagonist. I", "the protagonist. I am considering writing the PoV in first person, which I", "question isn't whether I can split the PoV and the protagonist. I know", "for the novel, but I'm wondering if this is going to remove the", "this is generally accepted as true. That's not all there is to character", "sound really good for the novel, but I'm wondering if this is going", "to make sure I'm not walking into a trap here. --- This is", "I can do that. This question deals with using the first person for", "feel like I've made this distinction, and there is no threat of alienating", "alienating the reader through my PoV. Unless I write in the first person.", "closer to the character, and the story is about the protagonist. --- To", "boredom or even anger in the reader if she was who the novel", "look at what's answer. It has some interesting insights which could prove useful.", "therefore further in general from the novel? It's my personal opinion that I", "writing the PoV in the first person draw my reader closer to her,", "PoV, in her current state, would not make a very good one. She", "between Mike C. Ford and WolfeFan; they both have excellent answers. I would", "general from the novel? It's my personal opinion that I can write in", "WolfeFan; they both have excellent answers. I would also recommend that you look", "question deals with using the first person for that PoV, given that it", "want to make sure I'm not walking into a trap here. --- This", "novel is about. But she's not. The novel is about the protagonist. I", "her current state, would not make a very good one. She is selfish,", "she's not. The novel is about the protagonist. I feel like I've made", "reader closer to the character. As far as I know, this is generally", "the reader if she was who the novel is about. But she's not.", "the story is about the protagonist. --- To future viewers: Choosing the answer", "and therefore further in general from the novel? It's my personal opinion that", "there is to character development, certainly, but it gets the reader in a", "the protagonist, and therefore further in general from the novel? It's my personal", "about. But she's not. The novel is about the protagonist. I feel like", "one. She is selfish, sometimes without even knowing it, and would almost certainly", "person PoV draws the reader closer to the character, and the story is", "she was who the novel is about. But she's not. The novel is", "to keep the reader's focus on the protagonist, largely because the PoV, in", "here. --- This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't", "That's not all there is to character development, certainly, but it gets the", "the character. The novel I am currently writing has a PoV who is", "in first person, which I think would sound really good for the novel,", "the focus on the protagonist, but I want to make sure I'm not", "reader closer to her, away from the protagonist, and therefore further in general", "they both have excellent answers. I would also recommend that you look at", "character. As far as I know, this is generally accepted as true. That's", "if she was who the novel is about. But she's not. The novel", "generally accepted as true. That's not all there is to character development, certainly,", "from the novel? It's my personal opinion that I can write in the", "for 'closeness' with the character. The novel I am currently writing has a", "the reader closer to the character. As far as I know, this is", "draw my reader closer to her, away from the protagonist, and therefore further", "person, which I think would sound really good for the novel, but I'm", "even anger in the reader if she was who the novel is about.", "gets the reader in a better mind-set for 'closeness' with the character. The", "The novel I am currently writing has a PoV who is not the", "who is not the protagonist. I am considering writing the PoV in first", "Will writing the PoV in the first person draw my reader closer to", "threat of alienating the reader through my PoV. Unless I write in the", "excellent answers. I would also recommend that you look at what's answer. It", "but it gets the reader in a better mind-set for 'closeness' with the", "closer to the character. As far as I know, this is generally accepted", "would also recommend that you look at what's answer. It has some interesting", "PoV in first person, which I think would sound really good for the", "know, this is generally accepted as true. That's not all there is to", "I would also recommend that you look at what's answer. It has some", "trap here. --- This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question", "answers. I would also recommend that you look at what's answer. It has", "story is about the protagonist. --- To future viewers: Choosing the answer was", "It's my personal opinion that I can write in the first person and", "writing in the first person gets the reader closer to the character. As", "make a very good one. She is selfish, sometimes without even knowing it,", "first person. Will writing the PoV in the first person draw my reader", "it gets the reader in a better mind-set for 'closeness' with the character.", "still keep the focus on the protagonist, but I want to make sure", "the novel is about. But she's not. The novel is about the protagonist.", "from the protagonist. I want to keep the reader's focus on the protagonist,", "person and still keep the focus on the protagonist, but I want to", "even knowing it, and would almost certainly inspire thoughts of boredom or even", "make sure I'm not walking into a trap here. --- This is not", "(generally) accepted that first person PoV draws the reader closer to the character,", "keep the focus on the protagonist, but I want to make sure I'm", "my personal opinion that I can write in the first person and still", "not all there is to character development, certainly, but it gets the reader", "person for that PoV, given that it is (generally) accepted that first person", "the protagonist. I know I can do that. This question deals with using", "to remove the reader's focus from the protagonist. I want to keep the", "was who the novel is about. But she's not. The novel is about", "PoV who is not the protagonist. I am considering writing the PoV in", "there is no threat of alienating the reader through my PoV. Unless I", "keep the reader's focus on the protagonist, largely because the PoV, in her", "Unless I write in the first person. Will writing the PoV in the", "protagonist, but I want to make sure I'm not walking into a trap", "walking into a trap here. --- This is not a duplicate of [this", "is not the protagonist. I am considering writing the PoV in first person,", "the reader in a better mind-set for 'closeness' with the character. The novel", "is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can", "I write in the first person. Will writing the PoV in the first", "is going to remove the reader's focus from the protagonist. I want to", "As far as I know, this is generally accepted as true. That's not", "not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split", "know I can do that. This question deals with using the first person", "novel I am currently writing has a PoV who is not the protagonist.", "protagonist. --- To future viewers: Choosing the answer was a toss-up between Mike", "knowing it, and would almost certainly inspire thoughts of boredom or even anger", "with the character. The novel I am currently writing has a PoV who", "focus on the protagonist, but I want to make sure I'm not walking", "whether I can split the PoV and the protagonist. I know I can", "would sound really good for the novel, but I'm wondering if this is", "do that. This question deals with using the first person for that PoV,", "This question deals with using the first person for that PoV, given that", "almost certainly inspire thoughts of boredom or even anger in the reader if", "good for the novel, but I'm wondering if this is going to remove", "answer was a toss-up between Mike C. Ford and WolfeFan; they both have", "split the PoV and the protagonist. I know I can do that. This", "in the first person gets the reader closer to the character. As far", "who the novel is about. But she's not. The novel is about the", "into a trap here. --- This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov).", "a better mind-set for 'closeness' with the character. The novel I am currently", "is to character development, certainly, but it gets the reader in a better", "in a better mind-set for 'closeness' with the character. The novel I am", "Choosing the answer was a toss-up between Mike C. Ford and WolfeFan; they", "character, and the story is about the protagonist. --- To future viewers: Choosing", "first person and still keep the focus on the protagonist, but I want", "isn't whether I can split the PoV and the protagonist. I know I", "focus from the protagonist. I want to keep the reader's focus on the", "sure I'm not walking into a trap here. --- This is not a", "the first person. Will writing the PoV in the first person draw my", "that first person PoV draws the reader closer to the character, and the", "in the first person and still keep the focus on the protagonist, but", "But she's not. The novel is about the protagonist. I feel like I've", "further in general from the novel? It's my personal opinion that I can", "largely because the PoV, in her current state, would not make a very", "thoughts of boredom or even anger in the reader if she was who", "protagonist. I know I can do that. This question deals with using the", "mind-set for 'closeness' with the character. The novel I am currently writing has", "is about. But she's not. The novel is about the protagonist. I feel", "opinion that I can write in the first person and still keep the", "PoV and the protagonist. I know I can do that. This question deals", "the protagonist. I want to keep the reader's focus on the protagonist, largely", "was a toss-up between Mike C. Ford and WolfeFan; they both have excellent", "recommend that you look at what's answer. It has some interesting insights which", "about the protagonist. --- To future viewers: Choosing the answer was a toss-up", "both have excellent answers. I would also recommend that you look at what's", "all there is to character development, certainly, but it gets the reader in", "through my PoV. Unless I write in the first person. Will writing the", "reader in a better mind-set for 'closeness' with the character. The novel I", "The novel is about the protagonist. I feel like I've made this distinction,", "this distinction, and there is no threat of alienating the reader through my", "I'm wondering if this is going to remove the reader's focus from the", "a toss-up between Mike C. Ford and WolfeFan; they both have excellent answers.", "but I'm wondering if this is going to remove the reader's focus from", "as I know, this is generally accepted as true. That's not all there", "I am considering writing the PoV in first person, which I think would", "the reader's focus from the protagonist. I want to keep the reader's focus", "a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split the", "the PoV, in her current state, would not make a very good one.", "is no threat of alienating the reader through my PoV. Unless I write", "that PoV, given that it is (generally) accepted that first person PoV draws", "I know, this is generally accepted as true. That's not all there is", "reader through my PoV. Unless I write in the first person. Will writing", "I can write in the first person and still keep the focus on", "no threat of alienating the reader through my PoV. Unless I write in", "and WolfeFan; they both have excellent answers. I would also recommend that you", "the protagonist, but I want to make sure I'm not walking into a", "of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split the PoV and", "person draw my reader closer to her, away from the protagonist, and therefore", "would almost certainly inspire thoughts of boredom or even anger in the reader", "accepted as true. That's not all there is to character development, certainly, but", "far as I know, this is generally accepted as true. That's not all", "with using the first person for that PoV, given that it is (generally)", "has a PoV who is not the protagonist. I am considering writing the", "--- To future viewers: Choosing the answer was a toss-up between Mike C.", "not. The novel is about the protagonist. I feel like I've made this", "question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split the PoV and the protagonist.", "PoV in the first person draw my reader closer to her, away from", "a very good one. She is selfish, sometimes without even knowing it, and", "going to remove the reader's focus from the protagonist. I want to keep", "novel? It's my personal opinion that I can write in the first person", "on the protagonist, but I want to make sure I'm not walking into", "would not make a very good one. She is selfish, sometimes without even", "in the first person draw my reader closer to her, away from the", "as true. That's not all there is to character development, certainly, but it", "duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split the PoV", "I know I can do that. This question deals with using the first", "good one. She is selfish, sometimes without even knowing it, and would almost", "the answer was a toss-up between Mike C. Ford and WolfeFan; they both", "remove the reader's focus from the protagonist. I want to keep the reader's", "about the protagonist. I feel like I've made this distinction, and there is", "person gets the reader closer to the character. As far as I know,", "that you look at what's answer. It has some interesting insights which could", "future viewers: Choosing the answer was a toss-up between Mike C. Ford and", "protagonist. I want to keep the reader's focus on the protagonist, largely because", "is generally accepted as true. That's not all there is to character development,", "given that it is (generally) accepted that first person PoV draws the reader", "She is selfish, sometimes without even knowing it, and would almost certainly inspire", "of boredom or even anger in the reader if she was who the", "the first person gets the reader closer to the character. As far as", "and still keep the focus on the protagonist, but I want to make", "think would sound really good for the novel, but I'm wondering if this", "protagonist, largely because the PoV, in her current state, would not make a", "write in the first person. Will writing the PoV in the first person", "that I can write in the first person and still keep the focus", "which I think would sound really good for the novel, but I'm wondering", "can write in the first person and still keep the focus on the", "in general from the novel? It's my personal opinion that I can write", "Mike C. Ford and WolfeFan; they both have excellent answers. I would also", "PoV. Unless I write in the first person. Will writing the PoV in", "Ford and WolfeFan; they both have excellent answers. I would also recommend that", "reader's focus from the protagonist. I want to keep the reader's focus on", "to the character. As far as I know, this is generally accepted as", "wondering if this is going to remove the reader's focus from the protagonist.", "want to keep the reader's focus on the protagonist, largely because the PoV,", "protagonist, and therefore further in general from the novel? It's my personal opinion", "using the first person for that PoV, given that it is (generally) accepted", "C. Ford and WolfeFan; they both have excellent answers. I would also recommend", "protagonist. I am considering writing the PoV in first person, which I think", "the PoV and the protagonist. I know I can do that. This question", "currently writing has a PoV who is not the protagonist. I am considering", "the first person and still keep the focus on the protagonist, but I", "considering writing the PoV in first person, which I think would sound really", "not make a very good one. She is selfish, sometimes without even knowing", "development, certainly, but it gets the reader in a better mind-set for 'closeness'", "first person for that PoV, given that it is (generally) accepted that first", "very good one. She is selfish, sometimes without even knowing it, and would", "away from the protagonist, and therefore further in general from the novel? It's", "to character development, certainly, but it gets the reader in a better mind-set", "have excellent answers. I would also recommend that you look at what's answer.", "is about the protagonist. I feel like I've made this distinction, and there", "I think would sound really good for the novel, but I'm wondering if", "in her current state, would not make a very good one. She is", "my reader closer to her, away from the protagonist, and therefore further in", "first person, which I think would sound really good for the novel, but", "the character, and the story is about the protagonist. --- To future viewers:", "I've made this distinction, and there is no threat of alienating the reader", "accepted that first person PoV draws the reader closer to the character, and", "selfish, sometimes without even knowing it, and would almost certainly inspire thoughts of", "certainly, but it gets the reader in a better mind-set for 'closeness' with", "gets the reader closer to the character. As far as I know, this", "made this distinction, and there is no threat of alienating the reader through", "first person draw my reader closer to her, away from the protagonist, and", "her, away from the protagonist, and therefore further in general from the novel?", "but I want to make sure I'm not walking into a trap here.", "[this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I can split the PoV and the", "my PoV. Unless I write in the first person. Will writing the PoV", "personal opinion that I can write in the first person and still keep", "this is going to remove the reader's focus from the protagonist. I want", "the protagonist. I feel like I've made this distinction, and there is no", "for that PoV, given that it is (generally) accepted that first person PoV", "am considering writing the PoV in first person, which I think would sound", "and would almost certainly inspire thoughts of boredom or even anger in the", "closer to her, away from the protagonist, and therefore further in general from", "first person gets the reader closer to the character. As far as I", "I'm not walking into a trap here. --- This is not a duplicate", "the character. As far as I know, this is generally accepted as true.", "to her, away from the protagonist, and therefore further in general from the", "on the protagonist, largely because the PoV, in her current state, would not", "can split the PoV and the protagonist. I know I can do that.", "sometimes without even knowing it, and would almost certainly inspire thoughts of boredom", "I feel like I've made this distinction, and there is no threat of", "and the story is about the protagonist. --- To future viewers: Choosing the", "not the protagonist. I am considering writing the PoV in first person, which", "a trap here. --- This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The", "'closeness' with the character. The novel I am currently writing has a PoV", "state, would not make a very good one. She is selfish, sometimes without", "also recommend that you look at what's answer. It has some interesting insights", "reader if she was who the novel is about. But she's not. The", "the PoV in first person, which I think would sound really good for", "in the reader if she was who the novel is about. But she's", "of alienating the reader through my PoV. Unless I write in the first", "writing has a PoV who is not the protagonist. I am considering writing", "viewers: Choosing the answer was a toss-up between Mike C. Ford and WolfeFan;", "anger in the reader if she was who the novel is about. But", "distinction, and there is no threat of alienating the reader through my PoV.", "not walking into a trap here. --- This is not a duplicate of", "from the protagonist, and therefore further in general from the novel? It's my", "the first person draw my reader closer to her, away from the protagonist,", "reader closer to the character, and the story is about the protagonist. ---", "in the first person. Will writing the PoV in the first person draw", "a PoV who is not the protagonist. I am considering writing the PoV", "the protagonist, largely because the PoV, in her current state, would not make", "the protagonist. --- To future viewers: Choosing the answer was a toss-up between", "better mind-set for 'closeness' with the character. The novel I am currently writing", "first person PoV draws the reader closer to the character, and the story", "the novel, but I'm wondering if this is going to remove the reader's", "PoV draws the reader closer to the character, and the story is about", "the novel? It's my personal opinion that I can write in the first", "the reader closer to the character, and the story is about the protagonist.", "This is not a duplicate of [this question](https://writers.stackexchange.com/questions/18205/do-i-have-to-write-my-book-in-the-main-characters-pov). The question isn't whether I", "novel is about the protagonist. I feel like I've made this distinction, and", "and there is no threat of alienating the reader through my PoV. Unless", "I want to make sure I'm not walking into a trap here. ---" ]
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[ "is good.) It should be noted that I see my mimicry as a", "of. This mindset on reading has given rise to the situation I now", "I can control my mimicry to a certain extent, but I don't want", "over and over. I feel like I need to expand my horizons without", "the obvious desire to not read poorly done works, I mimic what I", "of the books I look up. Wikipedia gives the plot and isn't really", "is simply to not have bad writing in my head while I write.", "from the obvious desire to not read poorly done works, I mimic what", "don't want to have bad writing in the back of my mind while", "find myself in: reading the same small collection of excellently written books over", "Note: Do not confuse the question. I'm not looking for writing I can", "known for being well done? P.S. Obviously a lot depends on my definition", "don't want to read just anything though. There's some content I don't want.", "I need to expand my horizons without damaging my writing. Note: Do not", "that I see my mimicry as a useful ability, and not something to", "was on that list. The question: What can I do? How can I", "mimic what I read to a high degree. I can control my mimicry", "The main goal is simply to not have bad writing in my head", "I want to read a lot. I don't want to read just anything", "I read to a high degree. I can control my mimicry to a", "I do believe this question will help other writers. As an author, I", "equivalent of the iMDB, and I've found a few results, but these websites", "book. I've tried searching for the novel equivalent of the iMDB, and I've", "question will help other writers. As an author, I want to read a", "for discerning the level of writing of a particular novel. For a time", "not have bad writing in my head while I write.* The problem: Doing", "my mind while I am creating my future bestsellers. (What? Optimism is good.)", "other writers. As an author, I want to read a lot. I don't", "I considered 'low quality' writing was on that list. The question: What can", "my head while I write.* The problem: Doing this is easier said than", "see my mimicry as a useful ability, and not something to be gotten", "what I considered 'low quality' writing was on that list. The question: What", "have bad writing in the back of my mind while I am creating", "reading the same small collection of excellently written books over and over. I", "not looking for writing I can mimic. I'm simply looking for examples of", "expand my horizons without damaging my writing. Note: Do not confuse the question.", "gotten rid of. This mindset on reading has given rise to the situation", "usually have only half or fewer of the books I look up. Wikipedia", "but I don't want to have bad writing in the back of my", "degree. I can control my mimicry to a certain extent, but I don't", "how to ask this question and stay on topic. This is my best", "to not read poorly done works, I mimic what I read to a", "I feel like I need to expand my horizons without damaging my writing.", "attempt. I do believe this question will help other writers. As an author,", "want to have bad writing in the back of my mind while I", "novel. For a time I watched the NYT Bestsellers List, but I quickly", "equally passionate criticisms of the same book. I've tried searching for the novel", "poor examples of characterization, plotting, stakes, etc. Then there's the vague 'well written'", "I do? How can I locate novels that are known for being well", "definition of 'well done,' so I'm mainly looking for a breakdown of novels,", "to read just anything though. There's some content I don't want. Beyond that,", "a lot. I don't want to read just anything though. There's some content", "that I wasn't entirely sure how to ask this question and stay on", "stay on topic. This is my best attempt. I do believe this question", "works, I mimic what I read to a high degree. I can control", "of excellently written books over and over. I feel like I need to", "I locate novels that are known for being well done? P.S. Obviously a", "while I write.* The problem: Doing this is easier said than done. I've", "I am creating my future bestsellers. (What? Optimism is good.) It should be", "head while I write.* The problem: Doing this is easier said than done.", "half or fewer of the books I look up. Wikipedia gives the plot", "up. Wikipedia gives the plot and isn't really the best place for discerning", "'well written' requirement. Aside from the obvious desire to not read poorly done", "I watched the NYT Bestsellers List, but I quickly discovered that a lot", "not confuse the question. I'm not looking for writing I can mimic. I'm", "plenty of passionate recommendations on this site alone, but they always seem to", "a few results, but these websites usually have only half or fewer of", "plot and isn't really the best place for discerning the level of writing", "question. I'm not looking for writing I can mimic. I'm simply looking for", "books over and over. I feel like I need to expand my horizons", "written' requirement. Aside from the obvious desire to not read poorly done works,", "my best attempt. I do believe this question will help other writers. As", "by saying that I wasn't entirely sure how to ask this question and", "though. There's some content I don't want. Beyond that, I obviously don't want", "I see my mimicry as a useful ability, and not something to be", "fewer of the books I look up. Wikipedia gives the plot and isn't", "be gotten rid of. This mindset on reading has given rise to the", "that are known for being well done? P.S. Obviously a lot depends on", "I look up. Wikipedia gives the plot and isn't really the best place", "on this site alone, but they always seem to be followed by equally", "not something to be gotten rid of. This mindset on reading has given", "feel like I need to expand my horizons without damaging my writing. Note:", "of 'well done,' so I'm mainly looking for a breakdown of novels, without", "for writing I can mimic. I'm simply looking for examples of good writing.", "on reading has given rise to the situation I now find myself in:", "only half or fewer of the books I look up. Wikipedia gives the", "found a few results, but these websites usually have only half or fewer", "writing in the back of my mind while I am creating my future", "writing I can mimic. I'm simply looking for examples of good writing. The", "but I quickly discovered that a lot of what I considered 'low quality'", "mimicry to a certain extent, but I don't want to have bad writing", "write.* The problem: Doing this is easier said than done. I've found plenty", "'well done,' so I'm mainly looking for a breakdown of novels, without revealing", "content I don't want. Beyond that, I obviously don't want to read books", "a certain extent, but I don't want to have bad writing in the", "List, but I quickly discovered that a lot of what I considered 'low", "P.S. Obviously a lot depends on my definition of 'well done,' so I'm", "want to read a lot. I don't want to read just anything though.", "I write.* The problem: Doing this is easier said than done. I've found", "few results, but these websites usually have only half or fewer of the", "read just anything though. There's some content I don't want. Beyond that, I", "the level of writing of a particular novel. For a time I watched", "desire to not read poorly done works, I mimic what I read to", "want. Beyond that, I obviously don't want to read books that are poor", "the iMDB, and I've found a few results, but these websites usually have", "I'm simply looking for examples of good writing. The main goal is simply", "given rise to the situation I now find myself in: reading the same", "in the back of my mind while I am creating my future bestsellers.", "lot of what I considered 'low quality' writing was on that list. The", "this site alone, but they always seem to be followed by equally passionate", "anything though. There's some content I don't want. Beyond that, I obviously don't", "are poor examples of characterization, plotting, stakes, etc. Then there's the vague 'well", "I'm not looking for writing I can mimic. I'm simply looking for examples", "quality' writing was on that list. The question:** What can I do? How", "criticisms of the same book. I've tried searching for the novel equivalent of", "mimic. I'm simply looking for examples of good writing. The main goal is", "It should be noted that I see my mimicry as a useful ability,", "the question. I'm not looking for writing I can mimic. I'm simply looking", "I've found a few results, but these websites usually have only half or", "in my head while I write.* The problem: Doing this is easier said", "that, I obviously don't want to read books that are poor examples of", "This is my best attempt. I do believe this question will help other", "there's the vague 'well written' requirement. Aside from the obvious desire to not", "while I am creating my future bestsellers. (What? Optimism is good.) It should", "to ask this question and stay on topic. This is my best attempt.", "writing. Note: Do not confuse the question. I'm not looking for writing I", "be followed by equally passionate criticisms of the same book. I've tried searching", "passionate criticisms of the same book. I've tried searching for the novel equivalent", "for the novel equivalent of the iMDB, and I've found a few results,", "good writing. The main goal is simply to not have bad writing in", "good.) It should be noted that I see my mimicry as a useful", "being well done? P.S. Obviously a lot depends on my definition of 'well", "to not have bad writing in my head while I write.* The problem:", "passionate recommendations on this site alone, but they always seem to be followed", "looking for examples of good writing. The main goal is simply to not", "certain extent, but I don't want to have bad writing in the back", "my future bestsellers. (What? Optimism is good.) It should be noted that I", "be noted that I see my mimicry as a useful ability, and not", "written books over and over. I feel like I need to expand my", "need to expand my horizons without damaging my writing. Note:* Do not confuse", "Then there's the vague 'well written' requirement. Aside from the obvious desire to", "has given rise to the situation I now find myself in: reading the", "of the same book. I've tried searching for the novel equivalent of the", "I don't want. Beyond that, I obviously don't want to read books that", "etc. Then there's the vague 'well written' requirement. Aside from the obvious desire", "can control my mimicry to a certain extent, but I don't want to", "myself in: reading the same small collection of excellently written books over and", "done,' so I'm mainly looking for a breakdown of novels, without revealing the", "ability, and not something to be gotten rid of. This mindset on reading", "can I locate novels that are known for being well done? P.S. Obviously", "without damaging my writing. Note: Do not confuse the question. I'm not looking", "same book. I've tried searching for the novel equivalent of the iMDB, and", "on topic. This is my best attempt. I do believe this question will", "to expand my horizons without damaging my writing. Note: Do not confuse the", "high degree. I can control my mimicry to a certain extent, but I", "considered 'low quality' writing was on that list. The question: What can I", "question: What can I do? How can I locate novels that are known", "my mimicry as a useful ability, and not something to be gotten rid", "damaging my writing. Note: Do not confuse the question. I'm not looking for", "have only half or fewer of the books I look up. Wikipedia gives", "mindset on reading has given rise to the situation I now find myself", "don't want. Beyond that, I obviously don't want to read books that are", "do believe this question will help other writers. As an author, I want", "like I need to expand my horizons without damaging my writing. Note: Do", "The problem:** Doing this is easier said than done. I've found plenty of", "Wikipedia gives the plot and isn't really the best place for discerning the", "so I'm mainly looking for a breakdown of novels, without revealing the plot.", "on my definition of 'well done,' so I'm mainly looking for a breakdown", "as a useful ability, and not something to be gotten rid of. This", "something to be gotten rid of. This mindset on reading has given rise", "to be followed by equally passionate criticisms of the same book. I've tried", "read books that are poor examples of characterization, plotting, stakes, etc. Then there's", "just anything though. There's some content I don't want. Beyond that, I obviously", "writers. As an author, I want to read a lot. I don't want", "now find myself in: reading the same small collection of excellently written books", "depends on my definition of 'well done,' so I'm mainly looking for a", "back of my mind while I am creating my future bestsellers. (What? Optimism", "open by saying that I wasn't entirely sure how to ask this question", "want to read books that are poor examples of characterization, plotting, stakes, etc.", "the same book. I've tried searching for the novel equivalent of the iMDB,", "bad writing in my head while I write.* The problem: Doing this is", "wasn't entirely sure how to ask this question and stay on topic. This", "I can mimic. I'm simply looking for examples of good writing. The main", "quickly discovered that a lot of what I considered 'low quality' writing was", "a particular novel. For a time I watched the NYT Bestsellers List, but", "obvious desire to not read poorly done works, I mimic what I read", "entirely sure how to ask this question and stay on topic. This is", "Optimism is good.) It should be noted that I see my mimicry as", "websites usually have only half or fewer of the books I look up.", "writing in my head while I write.* The problem: Doing this is easier", "As an author, I want to read a lot. I don't want to", "of characterization, plotting, stakes, etc. Then there's the vague 'well written' requirement. Aside", "time I watched the NYT Bestsellers List, but I quickly discovered that a", "is easier said than done. I've found plenty of passionate recommendations on this", "to read books that are poor examples of characterization, plotting, stakes, etc. Then", "am creating my future bestsellers. (What? Optimism is good.) It should be noted", "'low quality' writing was on that list. The question: What can I do?", "I've tried searching for the novel equivalent of the iMDB, and I've found", "the books I look up. Wikipedia gives the plot and isn't really the", "that list. The question: What can I do? How can I locate novels", "mind while I am creating my future bestsellers. (What? Optimism is good.) It", "characterization, plotting, stakes, etc. Then there's the vague 'well written' requirement. Aside from", "Aside from the obvious desire to not read poorly done works, I mimic", "can I do? How can I locate novels that are known for being", "to have bad writing in the back of my mind while I am", "me open by saying that I wasn't entirely sure how to ask this", "that a lot of what I considered 'low quality' writing was on that", "(What? Optimism is good.) It should be noted that I see my mimicry", "looking for writing I can mimic. I'm simply looking for examples of good", "and not something to be gotten rid of. This mindset on reading has", "the situation I now find myself in: reading the same small collection of", "recommendations on this site alone, but they always seem to be followed by", "of a particular novel. For a time I watched the NYT Bestsellers List,", "novels that are known for being well done? P.S. Obviously a lot depends", "horizons without damaging my writing. Note: Do not confuse the question. I'm not", "I now find myself in: reading the same small collection of excellently written", "I obviously don't want to read books that are poor examples of characterization,", "an author, I want to read a lot. I don't want to read", "site alone, but they always seem to be followed by equally passionate criticisms", "some content I don't want. Beyond that, I obviously don't want to read", "There's some content I don't want. Beyond that, I obviously don't want to", "I mimic what I read to a high degree. I can control my", "these websites usually have only half or fewer of the books I look", "best attempt. I do believe this question will help other writers. As an", "iMDB, and I've found a few results, but these websites usually have only", "but they always seem to be followed by equally passionate criticisms of the", "they always seem to be followed by equally passionate criticisms of the same", "useful ability, and not something to be gotten rid of. This mindset on", "to be gotten rid of. This mindset on reading has given rise to", "reading has given rise to the situation I now find myself in: reading", "have bad writing in my head while I write.* The problem: Doing this", "bad writing in the back of my mind while I am creating my", "but these websites usually have only half or fewer of the books I", "to a high degree. I can control my mimicry to a certain extent,", "read poorly done works, I mimic what I read to a high degree.", "are known for being well done? P.S. Obviously a lot depends on my", "writing of a particular novel. For a time I watched the NYT Bestsellers", "believe this question will help other writers. As an author, I want to", "and I've found a few results, but these websites usually have only half", "a useful ability, and not something to be gotten rid of. This mindset", "Beyond that, I obviously don't want to read books that are poor examples", "is my best attempt. I do believe this question will help other writers.", "don't want to read books that are poor examples of characterization, plotting, stakes,", "Let me open by saying that I wasn't entirely sure how to ask", "control my mimicry to a certain extent, but I don't want to have", "will help other writers. As an author, I want to read a lot.", "of my mind while I am creating my future bestsellers. (What? Optimism is", "stakes, etc. Then there's the vague 'well written' requirement. Aside from the obvious", "what I read to a high degree. I can control my mimicry to", "and stay on topic. This is my best attempt. I do believe this", "collection of excellently written books over and over. I feel like I need", "vague 'well written' requirement. Aside from the obvious desire to not read poorly", "isn't really the best place for discerning the level of writing of a", "Do not confuse the question. I'm not looking for writing I can mimic.", "to read a lot. I don't want to read just anything though. There's", "and isn't really the best place for discerning the level of writing of", "discovered that a lot of what I considered 'low quality' writing was on", "always seem to be followed by equally passionate criticisms of the same book.", "the novel equivalent of the iMDB, and I've found a few results, but", "novel equivalent of the iMDB, and I've found a few results, but these", "ask this question and stay on topic. This is my best attempt. I", "by equally passionate criticisms of the same book. I've tried searching for the", "this question will help other writers. As an author, I want to read", "found plenty of passionate recommendations on this site alone, but they always seem", "What can I do? How can I locate novels that are known for", "the NYT Bestsellers List, but I quickly discovered that a lot of what", "simply looking for examples of good writing. The main goal is simply to", "examples of characterization, plotting, stakes, etc. Then there's the vague 'well written' requirement.", "future bestsellers. (What? Optimism is good.) It should be noted that I see", "same small collection of excellently written books over and over. I feel like", "situation I now find myself in: reading the same small collection of excellently", "this is easier said than done. I've found plenty of passionate recommendations on", "a high degree. I can control my mimicry to a certain extent, but", "extent, but I don't want to have bad writing in the back of", "help other writers. As an author, I want to read a lot. I", "a time I watched the NYT Bestsellers List, but I quickly discovered that", "the plot and isn't really the best place for discerning the level of", "rid of. This mindset on reading has given rise to the situation I", "For a time I watched the NYT Bestsellers List, but I quickly discovered", "alone, but they always seem to be followed by equally passionate criticisms of", "should be noted that I see my mimicry as a useful ability, and", "plotting, stakes, etc. Then there's the vague 'well written' requirement. Aside from the", "done? P.S. Obviously a lot depends on my definition of 'well done,' so", "The question: What can I do? How can I locate novels that are", "of good writing. The main goal is simply to not have bad writing", "read to a high degree. I can control my mimicry to a certain", "I don't want to read just anything though. There's some content I don't", "main goal is simply to not have bad writing in my head while", "bestsellers. (What? Optimism is good.) It should be noted that I see my", "I quickly discovered that a lot of what I considered 'low quality' writing", "easier said than done. I've found plenty of passionate recommendations on this site", "over. I feel like I need to expand my horizons without damaging my", "not read poorly done works, I mimic what I read to a high", "simply to not have bad writing in my head while I write. The", "discerning the level of writing of a particular novel. For a time I", "the vague 'well written' requirement. Aside from the obvious desire to not read", "the best place for discerning the level of writing of a particular novel.", "the back of my mind while I am creating my future bestsellers. (What?", "can mimic. I'm simply looking for examples of good writing. The main goal", "NYT Bestsellers List, but I quickly discovered that a lot of what I", "and over. I feel like I need to expand my horizons without damaging", "small collection of excellently written books over and over. I feel like I", "I wasn't entirely sure how to ask this question and stay on topic.", "locate novels that are known for being well done? P.S. Obviously a lot", "said than done. I've found plenty of passionate recommendations on this site alone,", "of passionate recommendations on this site alone, but they always seem to be", "books I look up. Wikipedia gives the plot and isn't really the best", "for being well done? P.S. Obviously a lot depends on my definition of", "seem to be followed by equally passionate criticisms of the same book. I've", "sure how to ask this question and stay on topic. This is my", "my definition of 'well done,' so I'm mainly looking for a breakdown of", "tried searching for the novel equivalent of the iMDB, and I've found a", "look up. Wikipedia gives the plot and isn't really the best place for", "to a certain extent, but I don't want to have bad writing in", "want to read just anything though. There's some content I don't want. Beyond", "searching for the novel equivalent of the iMDB, and I've found a few", "list. The question:** What can I do? How can I locate novels that", "requirement. Aside from the obvious desire to not read poorly done works, I", "obviously don't want to read books that are poor examples of characterization, plotting,", "or fewer of the books I look up. Wikipedia gives the plot and", "this question and stay on topic. This is my best attempt. I do", "done. I've found plenty of passionate recommendations on this site alone, but they", "confuse the question. I'm not looking for writing I can mimic. I'm simply", "a lot of what I considered 'low quality' writing was on that list.", "writing. The main goal is simply to not have bad writing in my", "of what I considered 'low quality' writing was on that list. The question:", "for examples of good writing. The main goal is simply to not have", "well done? P.S. Obviously a lot depends on my definition of 'well done,'", "topic. This is my best attempt. I do believe this question will help", "read a lot. I don't want to read just anything though. There's some", "to the situation I now find myself in: reading the same small collection", "excellently written books over and over. I feel like I need to expand", "of writing of a particular novel. For a time I watched the NYT", "my writing. Note: Do not confuse the question. I'm not looking for writing", "I've found plenty of passionate recommendations on this site alone, but they always", "particular novel. For a time I watched the NYT Bestsellers List, but I", "Doing this is easier said than done. I've found plenty of passionate recommendations", "Obviously a lot depends on my definition of 'well done,' so I'm mainly", "of the iMDB, and I've found a few results, but these websites usually", "a lot depends on my definition of 'well done,' so I'm mainly looking", "really the best place for discerning the level of writing of a particular", "goal is simply to not have bad writing in my head while I", "do? How can I locate novels that are known for being well done?", "followed by equally passionate criticisms of the same book. I've tried searching for", "Bestsellers List, but I quickly discovered that a lot of what I considered", "gives the plot and isn't really the best place for discerning the level", "place for discerning the level of writing of a particular novel. For a", "lot depends on my definition of 'well done,' so I'm mainly looking for", "books that are poor examples of characterization, plotting, stakes, etc. Then there's the", "saying that I wasn't entirely sure how to ask this question and stay", "that are poor examples of characterization, plotting, stakes, etc. Then there's the vague", "lot. I don't want to read just anything though. There's some content I", "mimicry as a useful ability, and not something to be gotten rid of.", "than done. I've found plenty of passionate recommendations on this site alone, but", "How can I locate novels that are known for being well done? P.S.", "on that list. The question:* What can I do? How can I locate", "my mimicry to a certain extent, but I don't want to have bad", "I don't want to have bad writing in the back of my mind", "level of writing of a particular novel. For a time I watched the", "This mindset on reading has given rise to the situation I now find", "results, but these websites usually have only half or fewer of the books", "watched the NYT Bestsellers List, but I quickly discovered that a lot of", "question and stay on topic. This is my best attempt. I do believe", "problem: Doing this is easier said than done. I've found plenty of passionate", "done works, I mimic what I read to a high degree. I can", "the same small collection of excellently written books over and over. I feel", "in: reading the same small collection of excellently written books over and over.", "writing was on that list. The question:** What can I do? How can", "poorly done works, I mimic what I read to a high degree. I", "author, I want to read a lot. I don't want to read just", "rise to the situation I now find myself in: reading the same small", "examples of good writing. The main goal is simply to not have bad", "my horizons without damaging my writing. Note:* Do not confuse the question. I'm", "noted that I see my mimicry as a useful ability, and not something", "best place for discerning the level of writing of a particular novel. For", "creating my future bestsellers. (What? Optimism is good.) It should be noted that" ]
[ "testing for graduating so it was submitted to the Government of Education. If", "story as an English major work whilst at high school, one that was", "I have issues with self-plagarism? Or not because it technically hasn't been previously", "wrote a short story as an English major work whilst at high school,", "English major work whilst at high school, one that was part of my", "part of my final testing for graduating so it was submitted to the", "school, one that was part of my final testing for graduating so it", "my final testing for graduating so it was submitted to the Government of", "short story as an English major work whilst at high school, one that", "an English major work whilst at high school, one that was part of", "the Government of Education. If I wanted to rework this and publish it", "as a short novel, would I have issues with self-plagarism? Or not because", "rework this and publish it as a short novel, would I have issues", "and publish it as a short novel, would I have issues with self-plagarism?", "it as a short novel, would I have issues with self-plagarism? Or not", "was part of my final testing for graduating so it was submitted to", "high school, one that was part of my final testing for graduating so", "one that was part of my final testing for graduating so it was", "to the Government of Education. If I wanted to rework this and publish", "I wrote a short story as an English major work whilst at high", "would I have issues with self-plagarism? Or not because it technically hasn't been", "submitted to the Government of Education. If I wanted to rework this and", "graduating so it was submitted to the Government of Education. If I wanted", "was submitted to the Government of Education. If I wanted to rework this", "for graduating so it was submitted to the Government of Education. If I", "a short novel, would I have issues with self-plagarism? Or not because it", "of my final testing for graduating so it was submitted to the Government", "to rework this and publish it as a short novel, would I have", "major work whilst at high school, one that was part of my final", "have issues with self-plagarism? Or not because it technically hasn't been previously published?", "that was part of my final testing for graduating so it was submitted", "of Education. If I wanted to rework this and publish it as a", "as an English major work whilst at high school, one that was part", "If I wanted to rework this and publish it as a short novel,", "short novel, would I have issues with self-plagarism? Or not because it technically", "Education. If I wanted to rework this and publish it as a short", "a short story as an English major work whilst at high school, one", "publish it as a short novel, would I have issues with self-plagarism? Or", "I wanted to rework this and publish it as a short novel, would", "work whilst at high school, one that was part of my final testing", "so it was submitted to the Government of Education. If I wanted to", "wanted to rework this and publish it as a short novel, would I", "at high school, one that was part of my final testing for graduating", "this and publish it as a short novel, would I have issues with", "final testing for graduating so it was submitted to the Government of Education.", "Government of Education. If I wanted to rework this and publish it as", "whilst at high school, one that was part of my final testing for", "it was submitted to the Government of Education. If I wanted to rework", "novel, would I have issues with self-plagarism? Or not because it technically hasn't" ]
[ "millennia past—or a deva. The treeline > sheered off raggedly at its periphery,", "I want for my readers. I want my text to extract an image", "able to do it. I mean, I can paint a picture in my", "a deva. The treeline > sheered off raggedly at its periphery, trees leaning", "action, something like that (I know it might be a tall order, but", "response to Laurem Ipsum's question - First of all, when I say \"a", "> ... (Some Text Removed) > > > Whether you believed the legend", "feels as if it is missing something. I am looking to make my", "my ability to write descriptions ? Maybe any online resources or some recommended", "one dark shadow amidst many. > The sinuous curve of a longbow was", "left by a giant in millennia past—or a deva. The treeline > sheered", "of torrential rain, glimpsed darkly. Upon a grassy, > green mound in the", "thousand tongues. It shirred like > an angry cobra upon the large fronds", "what I want for my readers. I want my text to extract an", "desperate, > outnumbered, outmatched, last stand. > > > Rama. > > >", "write descriptions ? Maybe any online resources or some recommended books ? I", "shines in the moonlight, its entire awe inspiring structure but when I put", "looking to make my descriptions more rich and vivid and immersive to the", "whole thing exactly as it is described. I'm completely immersed in this. This", "> Rama. > > > Through a shroud of torrential rain, glimpsed darkly.", "believed the legend or not, it was a > good spot to make", "against a horde of rakshasas. A desperate, > outnumbered, outmatched, last stand. >", "people interpret differently and I do not want to force every scene but", "should have said practical-oriented)...for e.g. starting with a scenario and making it better", "rattled like hailstones on the hollow worm-corrupted length of a > rotten trunk.", "better with each tip so that I can actually see the tip in", "> hundred feet wide: broadest in the north, narrowing in the centre and", "am not able to make it as immersive as it is in my", "description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean Wesley Smith", "do to improve my ability to write descriptions ? Maybe any online resources", "very > tall oak tree, concealed from the eyes of the mortals below,", "From time to time, he shifted > slightly, always keeping the mortal warrior", "do well when writing action sequences, when writing dialogues, when showing character interactions", "visualise the whole thing exactly as it is described. I'm completely immersed in", "always keeping the mortal warrior below clearly in view. He > hugged the", "am looking to make my descriptions more rich and vivid and immersive to", "vivid and immersive to the reader. So what can I do to improve", "observe the scene with all my senses but when i try to put", "that I can actually see the tip in action, something like that (I", "centre of a clearing in the heart of a jungle named > Janasthana.", "put it in on paper, I am not able to make it as", "every scene but in certain scenes, I want to create an experience the", "immersed in. Take a look at the below excerpt from an Ashok Banker", "of a jungle named > Janasthana. Motionless as a redstone statue, rain sluicing", "last stand. > > > Rama. > > > The rain fell steadily,", "angry cobra upon the large fronds of plantain and papaya trees, > rattled", "clearly in view. He > hugged the trunk beside him with spindly yet", "keeping the mortal warrior below clearly in view. He > hugged the trunk", "atop a very > tall oak tree, concealed from the eyes of the", "those below. > > > The text maybe a bit purple for some", "in on paper, I am not able to make it as immersive as", "a > good spot to make a stand against a horde of rakshasas.", "the visualisation (as is in the five senses approach), In any scene -", "tall order, but doesn't hurt to ask :)) Second, The issue I've is", "length of a longsword hanging by a thongbelt at his slender > waist.", "time to time, he shifted > slightly, always keeping the mortal warrior below", "haze, the > canopy of newly-grown spring foliage was dense enough to mask", "face while writing my novel is that I often get stuck when writing", "I'm trying to describe a palace, in my head I can see its", "sinuous curve of a longbow was welded to his silhouette; rain ran >", "end. It broke the > dense continuity of the ancient jungle with shocking", "(I know it might be a tall order, but doesn't hurt to ask", "many. > The sinuous curve of a longbow was welded to his silhouette;", "hurt to ask :)) Second, The issue I've is not with the visualisation", "readers do not walk away with the same impression that I've in my", "scenes, I want to create an experience the readers want to be immersed", "a bit purple for some but it allows me to visualise the whole", "am not able to do it. I mean, I can paint a picture", "stand. > > > Rama. > > > The rain fell steadily, speaking", "two > hundred feet wide: broadest in the north, narrowing in the centre", "just does not translate the same to the paper. It misses the richness,", "novel is that I often get stuck when writing descriptions. I do well", "make it as immersive as it is in my head. My beta readers", "its white walls, how it shines in the moonlight, its entire awe inspiring", "clearing was a rough oval some five hundred feet long and two >", "for is a more practical approach with practical tips and examples reflecting them.", "a horde of rakshasas. A desperate, > outnumbered, outmatched, last stand. > >", "the upper branches in a fine mist-like haze, the > canopy of newly-grown", "ability to write descriptions ? Maybe any online resources or some recommended books", "cobra upon the large fronds of plantain and papaya trees, > rattled like", "the problem areas that I face while writing my novel is that I", "rain, glimpsed darkly. Upon a grassy, > green mound in the centre of", "visibly bad. I find myself using the same phrases again and again. For", "have said practical-oriented)...for e.g. starting with a scenario and making it better with", "hollow worm-corrupted length of a > rotten trunk. At the northernmost edge of", "So what can I do to improve my ability to write descriptions ?", "in response to Laurem Ipsum's question - First of all, when I say", "Update: I'm clarifying my question in response to Laurem Ipsum's question - First", "and not in the sense of feasibility (I should have said practical-oriented)...for e.g.", "a sturdy branch. From time to time, he shifted > slightly, always keeping", "Ashok Banker book: > > Rama. > > > Through a shroud of", "clarifying my question in response to Laurem Ipsum's question - First of all,", "is in the five senses approach), In any scene - I can observe", "grassy, > green mound in the centre of a clearing in the heart", "time, he shifted > slightly, always keeping the mortal warrior below clearly in", "its entire awe inspiring structure but when I put it to paper, it", "the vividness that I want. And even when I force myself, the end", "planes of his body, he stood, one dark shadow amidst many. > The", "it. I mean, I can paint a picture in my head but it", "how it shines in the moonlight, its entire awe inspiring structure but when", "I am looking for is a more practical approach with practical tips and", "with all my senses but when i try to put it in on", "While they deal with theories to use (5 senses approach, etc.), what I", "Laurem Ipsum's question - First of all, when I say \"a practical approach\",", "I can see its white walls, how it shines in the moonlight, its", "I often get stuck when writing descriptions. I do well when writing action", "better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean", "but when it comes to describing the surroundings, I simply am not able", "to the paper. It misses the richness, the vividness that I want. And", "practical approach with practical tips and examples reflecting them. Update: I'm clarifying my", "torrential rain, glimpsed darkly. Upon a grassy, > green mound in the centre", "past—or a deva. The treeline > sheered off raggedly at its periphery, trees", "the > rain not cloaked the upper branches in a fine mist-like haze,", "of the clearing, atop a very > tall oak tree, concealed from the", "I want. And even when I force myself, the end product comes out", "outnumbered, outmatched, last stand. > > > Rama. > > > The rain", "thing exactly as it is described. I'm completely immersed in this. This is", "in the centre and > tapering into thorny undergrowth at the southern end.", "again. For e.g., If I'm trying to describe a palace, in my head", "a look at Dean Wesley Smith and Kristine Kathryn Rusch. While they deal", "I simply am not able to do it. I mean, I can paint", "doesn't hurt to ask :)) Second, The issue I've is not with the", "mean, I can paint a picture in my head but it just does", "For e.g., If I'm trying to describe a palace, in my head I", "feet long and two > hundred feet wide: broadest in the north, narrowing", "say \"a practical approach\", I mean it in the sense of an example", "> creature squatted on a sturdy branch. From time to time, he shifted", "longbow was welded to his silhouette; rain ran > down the length of", "I force myself, the end product comes out looking visibly bad. I find", "> > > Whether you believed the legend or not, it was a", "an angry cobra upon the large fronds of plantain and papaya trees, >", "be immersed in. Take a look at the below excerpt from an Ashok", "a look at the below excerpt from an Ashok Banker book: > >", "structure but when I put it to paper, it just does not evoke", "some recommended books ? I have had a look at these questions -", "in. Take a look at the below excerpt from an Ashok Banker book:", "The rain fell steadily, speaking a thousand tongues. It shirred like > an", "Kristine Kathryn Rusch. While they deal with theories to use (5 senses approach,", "trees, > rattled like hailstones on the hollow worm-corrupted length of a >", "the north, narrowing in the centre and > tapering into thorny undergrowth at", "below excerpt from an Ashok Banker book: > > Rama. > > >", "> > > ... (Some Text Removed) > > > Whether you believed", "hugged the trunk beside him with spindly yet strong arms. Even had the", "The sinuous curve of a longbow was welded to his silhouette; rain ran", "in view. He > hugged the trunk beside him with spindly yet strong", "a fine mist-like haze, the > canopy of newly-grown spring foliage was dense", "> > Rama. > > > Through a shroud of torrential rain, glimpsed", "of a longbow was welded to his silhouette; rain ran > down the", "differently and I do not want to force every scene but in certain", "my mind. I understand that people interpret differently and I do not want", "had a look at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful", "moonlight, its entire awe inspiring structure but when I put it to paper,", "continuity of the ancient jungle with shocking abruptness, like > a footprint left", "The text maybe a bit purple for some but it allows me to", "its periphery, trees leaning inwards drunkenly > like a ragged ring of bhang-sodden", "the clearing, atop a very > tall oak tree, concealed from the eyes", "with practical tips and examples reflecting them. Update: I'm clarifying my question in", "readers want to be immersed in. Take a look at the below excerpt", "more rich and vivid and immersive to the reader. So what can I", "in this. This is what I want for my readers. I want my", "at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how", "a giant in millennia past—or a deva. The treeline > sheered off raggedly", "not want to force every scene but in certain scenes, I want to", "It misses the richness, the vividness that I want. And even when I", "branches in a fine mist-like haze, the > canopy of newly-grown spring foliage", "exactly as it is described. I'm completely immersed in this. This is what", "and I do not want to force every scene but in certain scenes,", "body, he stood, one dark shadow amidst many. > The sinuous curve of", "the > hardened planes of his body, he stood, one dark shadow amidst", "reader. So what can I do to improve my ability to write descriptions", "> Through a shroud of torrential rain, glimpsed darkly. Upon a grassy, >", "longsword hanging by a thongbelt at his slender > waist. > > >", "it better with each tip so that I can actually see the tip", "the heart of a jungle named > Janasthana. Motionless as a redstone statue,", "jungle with shocking abruptness, like > a footprint left by a giant in", "and two > hundred feet wide: broadest in the north, narrowing in the", "to do it. I mean, I can paint a picture in my head", "my question in response to Laurem Ipsum's question - First of all, when", "> sheered off raggedly at its periphery, trees leaning inwards drunkenly > like", "writing action sequences, when writing dialogues, when showing character interactions but when it", "a look at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips", "away with the same impression that I've in my mind. I understand that", "A desperate, > outnumbered, outmatched, last stand. > > > Rama. > >", "to time, he shifted > slightly, always keeping the mortal warrior below clearly", "hundred feet long and two > hundred feet wide: broadest in the north,", "when writing action sequences, when writing dialogues, when showing character interactions but when", "rich and vivid and immersive to the reader. So what can I do", "readers. I want my text to extract an image out of the reader.", "is a more practical approach with practical tips and examples reflecting them. Update:", "palace, in my head I can see its white walls, how it shines", "my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean Wesley Smith and Kristine", "the reader. So what can I do to improve my ability to write", "speaking a thousand tongues. It shirred like > an angry cobra upon the", "books ? I have had a look at these questions - [Improving techniques", "can see its white walls, how it shines in the moonlight, its entire", "tip in action, something like that (I know it might be a tall", "to mask his > presence from those below. > > > The text", "create an experience the readers want to be immersed in. Take a look", "practical tips and examples reflecting them. Update: I'm clarifying my question in response", "eyes of the mortals below, a simian > creature squatted on a sturdy", "even when I force myself, the end product comes out looking visibly bad.", "below clearly in view. He > hugged the trunk beside him with spindly", "I mean it in the sense of an example oriented approach and not", "mind. I understand that people interpret differently and I do not want to", "the eyes of the mortals below, a simian > creature squatted on a", "> rattled like hailstones on the hollow worm-corrupted length of a > rotten", "and making it better with each tip so that I can actually see", "slightly, always keeping the mortal warrior below clearly in view. He > hugged", "can paint a picture in my head but it just does not translate", "a simian > creature squatted on a sturdy branch. From time to time,", "they deal with theories to use (5 senses approach, etc.), what I am", "darkly. Upon a grassy, > green mound in the centre of a clearing", "to write descriptions ? Maybe any online resources or some recommended books ?", "as it is in my head. My beta readers do not walk away", "make a stand against a horde of rakshasas. A desperate, > outnumbered, outmatched,", "entire awe inspiring structure but when I put it to paper, it just", "that (I know it might be a tall order, but doesn't hurt to", "my senses but when i try to put it in on paper, I", "I do well when writing action sequences, when writing dialogues, when showing character", "and examples reflecting them. Update: I'm clarifying my question in response to Laurem", "statue, rain sluicing off the > hardened planes of his body, he stood,", "? Maybe any online resources or some recommended books ? I have had", "it comes to describing the surroundings, I simply am not able to do", "but doesn't hurt to ask :)) Second, The issue I've is not with", "simian > creature squatted on a sturdy branch. From time to time, he", "feast day. > > > ... (Some Text Removed) > > > Whether", "of plantain and papaya trees, > rattled like hailstones on the hollow worm-corrupted", "any online resources or some recommended books ? I have had a look", "Dean Wesley Smith and Kristine Kathryn Rusch. While they deal with theories to", "the surroundings, I simply am not able to do it. I mean, I", "I can observe the scene with all my senses but when i try", "feet wide: broadest in the north, narrowing in the centre and > tapering", "make my descriptions more rich and vivid and immersive to the reader. So", "deal with theories to use (5 senses approach, etc.), what I am looking", "In any scene - I can observe the scene with all my senses", "the same phrases again and again. For e.g., If I'm trying to describe", "reaction. It just feels as if it is missing something. I am looking", "and also taken a look at Dean Wesley Smith and Kristine Kathryn Rusch.", "> green mound in the centre of a clearing in the heart of", "dark shadow amidst many. > The sinuous curve of a longbow was welded", "long and two > hundred feet wide: broadest in the north, narrowing in", "of newly-grown spring foliage was dense enough to mask his > presence from", "I face while writing my novel is that I often get stuck when", "clearing, atop a very > tall oak tree, concealed from the eyes of", "independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better use description in my", "paper, it just does not evoke the same reaction. It just feels as", "can I do to improve my ability to write descriptions ? Maybe any", "mist-like haze, the > canopy of newly-grown spring foliage was dense enough to", "of bhang-sodden revellers on a feast day. > > > ... (Some Text", "feasibility (I should have said practical-oriented)...for e.g. starting with a scenario and making", "my novel is that I often get stuck when writing descriptions. I do", "jungle named > Janasthana. Motionless as a redstone statue, rain sluicing off the", "in the five senses approach), In any scene - I can observe the", "glimpsed darkly. Upon a grassy, > green mound in the centre of a", "wide: broadest in the north, narrowing in the centre and > tapering into", "that I want. And even when I force myself, the end product comes", "with theories to use (5 senses approach, etc.), what I am looking for", "Text Removed) > > > Whether you believed the legend or not, it", "try to put it in on paper, I am not able to make", "Motionless as a redstone statue, rain sluicing off the > hardened planes of", "undergrowth at the southern end. It broke the > dense continuity of the", "to ask :)) Second, The issue I've is not with the visualisation (as", "mound in the centre of a clearing in the heart of a jungle", "It broke the > dense continuity of the ancient jungle with shocking abruptness,", "or some recommended books ? I have had a look at these questions", "five senses approach), In any scene - I can observe the scene with", "phrases again and again. For e.g., If I'm trying to describe a palace,", "periphery, trees leaning inwards drunkenly > like a ragged ring of bhang-sodden revellers", "At the northernmost edge of the clearing, atop a very > tall oak", "in the moonlight, its entire awe inspiring structure but when I put it", "in the sense of feasibility (I should have said practical-oriented)...for e.g. starting with", "fine mist-like haze, the > canopy of newly-grown spring foliage was dense enough", "it to paper, it just does not evoke the same reaction. It just", "theories to use (5 senses approach, etc.), what I am looking for is", "I do not want to force every scene but in certain scenes, I", "using the same phrases again and again. For e.g., If I'm trying to", "same reaction. It just feels as if it is missing something. I am", "to make my descriptions more rich and vivid and immersive to the reader.", "all, when I say \"a practical approach\", I mean it in the sense", "immersive as it is in my head. My beta readers do not walk", "text maybe a bit purple for some but it allows me to visualise", "it is missing something. I am looking to make my descriptions more rich", "improve my ability to write descriptions ? Maybe any online resources or some", "I'm completely immersed in this. This is what I want for my readers.", "to make it as immersive as it is in my head. My beta", "the > canopy of newly-grown spring foliage was dense enough to mask his", "visualisation (as is in the five senses approach), In any scene - I", "not walk away with the same impression that I've in my mind. I", "thongbelt at his slender > waist. > > > The clearing was a", "to describing the surroundings, I simply am not able to do it. I", "presence from those below. > > > The text maybe a bit purple", "if it is missing something. I am looking to make my descriptions more", "use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean Wesley", "when writing descriptions. I do well when writing action sequences, when writing dialogues,", "what can I do to improve my ability to write descriptions ? Maybe", "rain ran > down the length of a longsword hanging by a thongbelt", "approach with practical tips and examples reflecting them. Update: I'm clarifying my question", "I've in my mind. I understand that people interpret differently and I do", "that I often get stuck when writing descriptions. I do well when writing", "the readers want to be immersed in. Take a look at the below", "not able to make it as immersive as it is in my head.", "hardened planes of his body, he stood, one dark shadow amidst many. >", "a longbow was welded to his silhouette; rain ran > down the length", "warrior below clearly in view. He > hugged the trunk beside him with", "waist. > > > The clearing was a rough oval some five hundred", "or not, it was a > good spot to make a stand against", "me to visualise the whole thing exactly as it is described. I'm completely", "tapering into thorny undergrowth at the southern end. It broke the > dense", "> an angry cobra upon the large fronds of plantain and papaya trees,", "I have had a look at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description)", "action sequences, when writing dialogues, when showing character interactions but when it comes", "My beta readers do not walk away with the same impression that I've", "to force every scene but in certain scenes, I want to create an", "Whether you believed the legend or not, it was a > good spot", "It just feels as if it is missing something. I am looking to", "I do to improve my ability to write descriptions ? Maybe any online", "> like a ragged ring of bhang-sodden revellers on a feast day. >", "in action, something like that (I know it might be a tall order,", "is missing something. I am looking to make my descriptions more rich and", "question - First of all, when I say \"a practical approach\", I mean", "the southern end. It broke the > dense continuity of the ancient jungle", "I am not able to make it as immersive as it is in", "The clearing was a rough oval some five hundred feet long and two", "I understand that people interpret differently and I do not want to force", "was a rough oval some five hundred feet long and two > hundred", "allows me to visualise the whole thing exactly as it is described. I'm", "head I can see its white walls, how it shines in the moonlight,", "a shroud of torrential rain, glimpsed darkly. Upon a grassy, > green mound", "with the visualisation (as is in the five senses approach), In any scene", "the centre and > tapering into thorny undergrowth at the southern end. It", "stuck when writing descriptions. I do well when writing action sequences, when writing", "the scene with all my senses but when i try to put it", "missing something. I am looking to make my descriptions more rich and vivid", "shadow amidst many. > The sinuous curve of a longbow was welded to", "vividness that I want. And even when I force myself, the end product", "look at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on", "approach, etc.), what I am looking for is a more practical approach with", "scene with all my senses but when i try to put it in", "to paper, it just does not evoke the same reaction. It just feels", "some but it allows me to visualise the whole thing exactly as it", "Wesley Smith and Kristine Kathryn Rusch. While they deal with theories to use", "writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean Wesley Smith and Kristine Kathryn", "on paper, I am not able to make it as immersive as it", "end product comes out looking visibly bad. I find myself using the same", "> > > The clearing was a rough oval some five hundred feet", "large fronds of plantain and papaya trees, > rattled like hailstones on the", "an experience the readers want to be immersed in. Take a look at", "giant in millennia past—or a deva. The treeline > sheered off raggedly at", "trees leaning inwards drunkenly > like a ragged ring of bhang-sodden revellers on", "to the reader. So what can I do to improve my ability to", "Second, The issue I've is not with the visualisation (as is in the", "that people interpret differently and I do not want to force every scene", "writing my novel is that I often get stuck when writing descriptions. I", "revellers on a feast day. > > > ... (Some Text Removed) >", "This is what I want for my readers. I want my text to", "the mortal warrior below clearly in view. He > hugged the trunk beside", "a redstone statue, rain sluicing off the > hardened planes of his body,", "surroundings, I simply am not able to do it. I mean, I can", "beside him with spindly yet strong arms. Even had the > rain not", "but it just does not translate the same to the paper. It misses", "to create an experience the readers want to be immersed in. Take a", "I'm clarifying my question in response to Laurem Ipsum's question - First of", "immersed in this. This is what I want for my readers. I want", "my head. My beta readers do not walk away with the same impression", "impression that I've in my mind. I understand that people interpret differently and", "Rama. > > > Through a shroud of torrential rain, glimpsed darkly. Upon", "inwards drunkenly > like a ragged ring of bhang-sodden revellers on a feast", "the legend or not, it was a > good spot to make a", "white walls, how it shines in the moonlight, its entire awe inspiring structure", "strong arms. Even had the > rain not cloaked the upper branches in", "issue I've is not with the visualisation (as is in the five senses", "ask :)) Second, The issue I've is not with the visualisation (as is", "the five senses approach), In any scene - I can observe the scene", "tip so that I can actually see the tip in action, something like", "his > presence from those below. > > > The text maybe a", "a picture in my head but it just does not translate the same", "of feasibility (I should have said practical-oriented)...for e.g. starting with a scenario and", "the end product comes out looking visibly bad. I find myself using the", "> dense continuity of the ancient jungle with shocking abruptness, like > a", "examples reflecting them. Update: I'm clarifying my question in response to Laurem Ipsum's", "a feast day. > > > ... (Some Text Removed) > > >", "mortals below, a simian > creature squatted on a sturdy branch. From time", "Through a shroud of torrential rain, glimpsed darkly. Upon a grassy, > green", "> > Rama. > > > The rain fell steadily, speaking a thousand", "It shirred like > an angry cobra upon the large fronds of plantain", "oriented approach and not in the sense of feasibility (I should have said", "want to force every scene but in certain scenes, I want to create", "silhouette; rain ran > down the length of a longsword hanging by a", "how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look", "when i try to put it in on paper, I am not able", "force every scene but in certain scenes, I want to create an experience", "Ipsum's question - First of all, when I say \"a practical approach\", I", "I find myself using the same phrases again and again. For e.g., If", "a very > tall oak tree, concealed from the eyes of the mortals", "tongues. It shirred like > an angry cobra upon the large fronds of", "as a redstone statue, rain sluicing off the > hardened planes of his", "at the southern end. It broke the > dense continuity of the ancient", "head but it just does not translate the same to the paper. It", "do it. I mean, I can paint a picture in my head but", "amidst many. > The sinuous curve of a longbow was welded to his", "- First of all, when I say \"a practical approach\", I mean it", "named > Janasthana. Motionless as a redstone statue, rain sluicing off the >", "with shocking abruptness, like > a footprint left by a giant in millennia", "papaya trees, > rattled like hailstones on the hollow worm-corrupted length of a", "resources or some recommended books ? I have had a look at these", "arms. Even had the > rain not cloaked the upper branches in a", "not translate the same to the paper. It misses the richness, the vividness", "able to make it as immersive as it is in my head. My", "broke the > dense continuity of the ancient jungle with shocking abruptness, like", "and vivid and immersive to the reader. So what can I do to", "redstone statue, rain sluicing off the > hardened planes of his body, he", "Upon a grassy, > green mound in the centre of a clearing in", "have had a look at these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any", "each tip so that I can actually see the tip in action, something", "might be a tall order, but doesn't hurt to ask :)) Second, The", "same to the paper. It misses the richness, the vividness that I want.", "as immersive as it is in my head. My beta readers do not", "paper, I am not able to make it as immersive as it is", "the centre of a clearing in the heart of a jungle named >", "is what I want for my readers. I want my text to extract", "First of all, when I say \"a practical approach\", I mean it in", "my head but it just does not translate the same to the paper.", "myself, the end product comes out looking visibly bad. I find myself using", "it just does not evoke the same reaction. It just feels as if", "rakshasas. A desperate, > outnumbered, outmatched, last stand. > > > Rama. >", "maybe a bit purple for some but it allows me to visualise the", "of his body, he stood, one dark shadow amidst many. > The sinuous", "picture in my head but it just does not translate the same to", "a > rotten trunk. At the northernmost edge of the clearing, atop a", "my descriptions more rich and vivid and immersive to the reader. So what", "practical-oriented)...for e.g. starting with a scenario and making it better with each tip", "but when i try to put it in on paper, I am not", "> rotten trunk. At the northernmost edge of the clearing, atop a very", "Take a look at the below excerpt from an Ashok Banker book: >", "comes out looking visibly bad. I find myself using the same phrases again", "of the problem areas that I face while writing my novel is that", "practical approach\", I mean it in the sense of an example oriented approach", "to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at", "The issue I've is not with the visualisation (as is in the five", "that I face while writing my novel is that I often get stuck", "> waist. > > > The clearing was a rough oval some five", "walls, how it shines in the moonlight, its entire awe inspiring structure but", "head. My beta readers do not walk away with the same impression that", "i try to put it in on paper, I am not able to", "? I have had a look at these questions - [Improving techniques independently:", "cloaked the upper branches in a fine mist-like haze, the > canopy of", "> The sinuous curve of a longbow was welded to his silhouette; rain", "> > The text maybe a bit purple for some but it allows", "it shines in the moonlight, its entire awe inspiring structure but when I", "to make a stand against a horde of rakshasas. A desperate, > outnumbered,", "certain scenes, I want to create an experience the readers want to be", "stand against a horde of rakshasas. A desperate, > outnumbered, outmatched, last stand.", "abruptness, like > a footprint left by a giant in millennia past—or a", "reflecting them. Update: I'm clarifying my question in response to Laurem Ipsum's question", "translate the same to the paper. It misses the richness, the vividness that", "the trunk beside him with spindly yet strong arms. Even had the >", "in the centre of a clearing in the heart of a jungle named", "inspiring structure but when I put it to paper, it just does not", "use (5 senses approach, etc.), what I am looking for is a more", "Even had the > rain not cloaked the upper branches in a fine", "want for my readers. I want my text to extract an image out", "sturdy branch. From time to time, he shifted > slightly, always keeping the", "while writing my novel is that I often get stuck when writing descriptions.", "stood, one dark shadow amidst many. > The sinuous curve of a longbow", "it in on paper, I am not able to make it as immersive", "> Rama. > > > The rain fell steadily, speaking a thousand tongues.", "- I can observe the scene with all my senses but when i", "shirred like > an angry cobra upon the large fronds of plantain and", "in my head I can see its white walls, how it shines in", "length of a > rotten trunk. At the northernmost edge of the clearing,", "that I've in my mind. I understand that people interpret differently and I", "with spindly yet strong arms. Even had the > rain not cloaked the", "e.g. starting with a scenario and making it better with each tip so", "I've is not with the visualisation (as is in the five senses approach),", "scenario and making it better with each tip so that I can actually", "branch. From time to time, he shifted > slightly, always keeping the mortal", "If I'm trying to describe a palace, in my head I can see", "in my head. My beta readers do not walk away with the same", "comes to describing the surroundings, I simply am not able to do it.", "approach\", I mean it in the sense of an example oriented approach and", "ring of bhang-sodden revellers on a feast day. > > > ... (Some", "at Dean Wesley Smith and Kristine Kathryn Rusch. While they deal with theories", "force myself, the end product comes out looking visibly bad. I find myself", "view. He > hugged the trunk beside him with spindly yet strong arms.", "example oriented approach and not in the sense of feasibility (I should have", "spindly yet strong arms. Even had the > rain not cloaked the upper", "with the same impression that I've in my mind. I understand that people", "the > dense continuity of the ancient jungle with shocking abruptness, like >", "upon the large fronds of plantain and papaya trees, > rattled like hailstones", "see the tip in action, something like that (I know it might be", "a more practical approach with practical tips and examples reflecting them. Update: I'm", "and papaya trees, > rattled like hailstones on the hollow worm-corrupted length of", "off the > hardened planes of his body, he stood, one dark shadow", "his slender > waist. > > > The clearing was a rough oval", "not evoke the same reaction. It just feels as if it is missing", "an example oriented approach and not in the sense of feasibility (I should", "a footprint left by a giant in millennia past—or a deva. The treeline", "writing dialogues, when showing character interactions but when it comes to describing the", "down the length of a longsword hanging by a thongbelt at his slender", "Removed) > > > Whether you believed the legend or not, it was", "approach), In any scene - I can observe the scene with all my", "is in my head. My beta readers do not walk away with the", "Rusch. While they deal with theories to use (5 senses approach, etc.), what", "oval some five hundred feet long and two > hundred feet wide: broadest", "is described. I'm completely immersed in this. This is what I want for", "my head I can see its white walls, how it shines in the", "senses approach), In any scene - I can observe the scene with all", "descriptions more rich and vivid and immersive to the reader. So what can", "\"a practical approach\", I mean it in the sense of an example oriented", "when I force myself, the end product comes out looking visibly bad. I", "raggedly at its periphery, trees leaning inwards drunkenly > like a ragged ring", "it just does not translate the same to the paper. It misses the", "> > Whether you believed the legend or not, it was a >", "into thorny undergrowth at the southern end. It broke the > dense continuity", "> > > Through a shroud of torrential rain, glimpsed darkly. Upon a", "again and again. For e.g., If I'm trying to describe a palace, in", "techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better use description in", "it as immersive as it is in my head. My beta readers do", "in the north, narrowing in the centre and > tapering into thorny undergrowth", "any scene - I can observe the scene with all my senses but", "questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better", "I want to create an experience the readers want to be immersed in.", "good spot to make a stand against a horde of rakshasas. A desperate,", "the richness, the vividness that I want. And even when I force myself,", "etc.), what I am looking for is a more practical approach with practical", "> a footprint left by a giant in millennia past—or a deva. The", "of a > rotten trunk. At the northernmost edge of the clearing, atop", "beta readers do not walk away with the same impression that I've in", "was dense enough to mask his > presence from those below. > >", "do not walk away with the same impression that I've in my mind.", "I can actually see the tip in action, something like that (I know", "like > an angry cobra upon the large fronds of plantain and papaya", "spot to make a stand against a horde of rakshasas. A desperate, >", "mortal warrior below clearly in view. He > hugged the trunk beside him", "also taken a look at Dean Wesley Smith and Kristine Kathryn Rusch. While", "look at Dean Wesley Smith and Kristine Kathryn Rusch. While they deal with", "edge of the clearing, atop a very > tall oak tree, concealed from", "I can paint a picture in my head but it just does not", "the same impression that I've in my mind. I understand that people interpret", "> canopy of newly-grown spring foliage was dense enough to mask his >", "> down the length of a longsword hanging by a thongbelt at his", "like hailstones on the hollow worm-corrupted length of a > rotten trunk. At", "> slightly, always keeping the mortal warrior below clearly in view. He >", "slender > waist. > > > The clearing was a rough oval some", "when showing character interactions but when it comes to describing the surroundings, I", "a thongbelt at his slender > waist. > > > The clearing was", "tips and examples reflecting them. Update: I'm clarifying my question in response to", "north, narrowing in the centre and > tapering into thorny undergrowth at the", "Kathryn Rusch. While they deal with theories to use (5 senses approach, etc.),", "a clearing in the heart of a jungle named > Janasthana. Motionless as", "on the hollow worm-corrupted length of a > rotten trunk. At the northernmost", "it allows me to visualise the whole thing exactly as it is described.", "> The text maybe a bit purple for some but it allows me", "outmatched, last stand. > > > Rama. > > > The rain fell", "tree, concealed from the eyes of the mortals below, a simian > creature", "want to create an experience the readers want to be immersed in. Take", "book: > > Rama. > > > Through a shroud of torrential rain,", "he stood, one dark shadow amidst many. > The sinuous curve of a", "northernmost edge of the clearing, atop a very > tall oak tree, concealed", "an Ashok Banker book: > > Rama. > > > Through a shroud", "> rain not cloaked the upper branches in a fine mist-like haze, the", "and > tapering into thorny undergrowth at the southern end. It broke the", "often get stuck when writing descriptions. I do well when writing action sequences,", "the sense of feasibility (I should have said practical-oriented)...for e.g. starting with a", "in the heart of a jungle named > Janasthana. Motionless as a redstone", "on how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a", "rain sluicing off the > hardened planes of his body, he stood, one", "like a ragged ring of bhang-sodden revellers on a feast day. > >", "> Whether you believed the legend or not, it was a > good", "helpful tips on how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also", "> > > The rain fell steadily, speaking a thousand tongues. It shirred", "his silhouette; rain ran > down the length of a longsword hanging by", "sense of an example oriented approach and not in the sense of feasibility", "be a tall order, but doesn't hurt to ask :)) Second, The issue", "richness, the vividness that I want. And even when I force myself, the", "all my senses but when i try to put it in on paper,", "of a clearing in the heart of a jungle named > Janasthana. Motionless", "some five hundred feet long and two > hundred feet wide: broadest in", "is not with the visualisation (as is in the five senses approach), In", "describing the surroundings, I simply am not able to do it. I mean,", "just feels as if it is missing something. I am looking to make", "(I should have said practical-oriented)...for e.g. starting with a scenario and making it", "it was a > good spot to make a stand against a horde", "in the sense of an example oriented approach and not in the sense", "out looking visibly bad. I find myself using the same phrases again and", "what I am looking for is a more practical approach with practical tips", "drunkenly > like a ragged ring of bhang-sodden revellers on a feast day.", "> > > Rama. > > > The rain fell steadily, speaking a", "do not want to force every scene but in certain scenes, I want", "Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing)", "tall oak tree, concealed from the eyes of the mortals below, a simian", "awe inspiring structure but when I put it to paper, it just does", "walk away with the same impression that I've in my mind. I understand", "was welded to his silhouette; rain ran > down the length of a", "... (Some Text Removed) > > > Whether you believed the legend or", "shroud of torrential rain, glimpsed darkly. Upon a grassy, > green mound in", "mean it in the sense of an example oriented approach and not in", "starting with a scenario and making it better with each tip so that", "looking visibly bad. I find myself using the same phrases again and again.", "the same reaction. It just feels as if it is missing something. I", "squatted on a sturdy branch. From time to time, he shifted > slightly,", "upper branches in a fine mist-like haze, the > canopy of newly-grown spring", "newly-grown spring foliage was dense enough to mask his > presence from those", "descriptions. I do well when writing action sequences, when writing dialogues, when showing", "this. This is what I want for my readers. I want my text", "it in the sense of an example oriented approach and not in the", "when I say \"a practical approach\", I mean it in the sense of", "centre and > tapering into thorny undergrowth at the southern end. It broke", "more practical approach with practical tips and examples reflecting them. Update: I'm clarifying", "curve of a longbow was welded to his silhouette; rain ran > down", "trunk beside him with spindly yet strong arms. Even had the > rain", "Janasthana. Motionless as a redstone statue, rain sluicing off the > hardened planes", "canopy of newly-grown spring foliage was dense enough to mask his > presence", "I say \"a practical approach\", I mean it in the sense of an", "plantain and papaya trees, > rattled like hailstones on the hollow worm-corrupted length", "of a longsword hanging by a thongbelt at his slender > waist. >", "completely immersed in this. This is what I want for my readers. I", "for my readers. I want my text to extract an image out of", "senses approach, etc.), what I am looking for is a more practical approach", "when I put it to paper, it just does not evoke the same", "I put it to paper, it just does not evoke the same reaction.", "in certain scenes, I want to create an experience the readers want to", "product comes out looking visibly bad. I find myself using the same phrases", "to use (5 senses approach, etc.), what I am looking for is a", "bad. I find myself using the same phrases again and again. For e.g.,", "> The clearing was a rough oval some five hundred feet long and", "dense continuity of the ancient jungle with shocking abruptness, like > a footprint", "a ragged ring of bhang-sodden revellers on a feast day. > > >", "narrowing in the centre and > tapering into thorny undergrowth at the southern", "well when writing action sequences, when writing dialogues, when showing character interactions but", "them. Update: I'm clarifying my question in response to Laurem Ipsum's question -", "making it better with each tip so that I can actually see the", "spring foliage was dense enough to mask his > presence from those below.", "from an Ashok Banker book: > > Rama. > > > Through a", "had the > rain not cloaked the upper branches in a fine mist-like", "the tip in action, something like that (I know it might be a", "a grassy, > green mound in the centre of a clearing in the", "the ancient jungle with shocking abruptness, like > a footprint left by a", "see its white walls, how it shines in the moonlight, its entire awe", "but it allows me to visualise the whole thing exactly as it is", "the sense of an example oriented approach and not in the sense of", "said practical-oriented)...for e.g. starting with a scenario and making it better with each", "Banker book: > > Rama. > > > Through a shroud of torrential", "> Janasthana. Motionless as a redstone statue, rain sluicing off the > hardened", "One of the problem areas that I face while writing my novel is", "to his silhouette; rain ran > down the length of a longsword hanging", "in my head but it just does not translate the same to the", "a palace, in my head I can see its white walls, how it", "sense of feasibility (I should have said practical-oriented)...for e.g. starting with a scenario", "scene but in certain scenes, I want to create an experience the readers", "> tapering into thorny undergrowth at the southern end. It broke the >", "Smith and Kristine Kathryn Rusch. While they deal with theories to use (5", "ran > down the length of a longsword hanging by a thongbelt at", "Maybe any online resources or some recommended books ? I have had a", "at its periphery, trees leaning inwards drunkenly > like a ragged ring of", "to improve my ability to write descriptions ? Maybe any online resources or", "welded to his silhouette; rain ran > down the length of a longsword", "a longsword hanging by a thongbelt at his slender > waist. > >", "approach and not in the sense of feasibility (I should have said practical-oriented)...for", "senses but when i try to put it in on paper, I am", "recommended books ? I have had a look at these questions - [Improving", "I mean, I can paint a picture in my head but it just", "to Laurem Ipsum's question - First of all, when I say \"a practical", "you believed the legend or not, it was a > good spot to", "misses the richness, the vividness that I want. And even when I force", "scene - I can observe the scene with all my senses but when", "when it comes to describing the surroundings, I simply am not able to", "sheered off raggedly at its periphery, trees leaning inwards drunkenly > like a", "a tall order, but doesn't hurt to ask :)) Second, The issue I've", "something like that (I know it might be a tall order, but doesn't", "not with the visualisation (as is in the five senses approach), In any", "experience the readers want to be immersed in. Take a look at the", "a scenario and making it better with each tip so that I can", "enough to mask his > presence from those below. > > > The", "to visualise the whole thing exactly as it is described. I'm completely immersed", "of all, when I say \"a practical approach\", I mean it in the", "green mound in the centre of a clearing in the heart of a", "below, a simian > creature squatted on a sturdy branch. From time to", "with each tip so that I can actually see the tip in action,", "from the eyes of the mortals below, a simian > creature squatted on", "these questions - [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to,", "> > The clearing was a rough oval some five hundred feet long", "taken a look at Dean Wesley Smith and Kristine Kathryn Rusch. While they", "looking for is a more practical approach with practical tips and examples reflecting", "bhang-sodden revellers on a feast day. > > > ... (Some Text Removed)", "and Kristine Kathryn Rusch. While they deal with theories to use (5 senses", "footprint left by a giant in millennia past—or a deva. The treeline >", "rough oval some five hundred feet long and two > hundred feet wide:", "steadily, speaking a thousand tongues. It shirred like > an angry cobra upon", "not in the sense of feasibility (I should have said practical-oriented)...for e.g. starting", "> outnumbered, outmatched, last stand. > > > Rama. > > > The", "a stand against a horde of rakshasas. A desperate, > outnumbered, outmatched, last", "off raggedly at its periphery, trees leaning inwards drunkenly > like a ragged", "the length of a longsword hanging by a thongbelt at his slender >", "a jungle named > Janasthana. Motionless as a redstone statue, rain sluicing off", "not able to do it. I mean, I can paint a picture in", "of an example oriented approach and not in the sense of feasibility (I", "day. > > > ... (Some Text Removed) > > > Whether you", "> hardened planes of his body, he stood, one dark shadow amidst many.", "him with spindly yet strong arms. Even had the > rain not cloaked", "for some but it allows me to visualise the whole thing exactly as", "e.g., If I'm trying to describe a palace, in my head I can", "problem areas that I face while writing my novel is that I often", "described. I'm completely immersed in this. This is what I want for my", "dense enough to mask his > presence from those below. > > >", "paint a picture in my head but it just does not translate the", "actually see the tip in action, something like that (I know it might", "same phrases again and again. For e.g., If I'm trying to describe a", "bit purple for some but it allows me to visualise the whole thing", "he shifted > slightly, always keeping the mortal warrior below clearly in view.", "immersive to the reader. So what can I do to improve my ability", "by a thongbelt at his slender > waist. > > > The clearing", "of the ancient jungle with shocking abruptness, like > a footprint left by", "yet strong arms. Even had the > rain not cloaked the upper branches", "with a scenario and making it better with each tip so that I", "to describe a palace, in my head I can see its white walls,", "and immersive to the reader. So what can I do to improve my", "ancient jungle with shocking abruptness, like > a footprint left by a giant", "at his slender > waist. > > > The clearing was a rough", "Rama. > > > The rain fell steadily, speaking a thousand tongues. It", "interpret differently and I do not want to force every scene but in", "the moonlight, its entire awe inspiring structure but when I put it to", "like that (I know it might be a tall order, but doesn't hurt", "concealed from the eyes of the mortals below, a simian > creature squatted", "in my mind. I understand that people interpret differently and I do not", "like > a footprint left by a giant in millennia past—or a deva.", "shifted > slightly, always keeping the mortal warrior below clearly in view. He", "when writing dialogues, when showing character interactions but when it comes to describing", "of rakshasas. A desperate, > outnumbered, outmatched, last stand. > > > Rama.", "in millennia past—or a deva. The treeline > sheered off raggedly at its", "understand that people interpret differently and I do not want to force every", "a rough oval some five hundred feet long and two > hundred feet", "purple for some but it allows me to visualise the whole thing exactly", "the below excerpt from an Ashok Banker book: > > Rama. > >", "broadest in the north, narrowing in the centre and > tapering into thorny", "but in certain scenes, I want to create an experience the readers want", "know it might be a tall order, but doesn't hurt to ask :))", "sequences, when writing dialogues, when showing character interactions but when it comes to", "below. > > > The text maybe a bit purple for some but", "on a feast day. > > > ... (Some Text Removed) > >", "[Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better use description", "legend or not, it was a > good spot to make a stand", "> The rain fell steadily, speaking a thousand tongues. It shirred like >", "want to be immersed in. Take a look at the below excerpt from", "ragged ring of bhang-sodden revellers on a feast day. > > > ...", "southern end. It broke the > dense continuity of the ancient jungle with", "mask his > presence from those below. > > > The text maybe", "the same to the paper. It misses the richness, the vividness that I", "to be immersed in. Take a look at the below excerpt from an", "but when I put it to paper, it just does not evoke the", "put it to paper, it just does not evoke the same reaction. It", "> > Through a shroud of torrential rain, glimpsed darkly. Upon a grassy,", "heart of a jungle named > Janasthana. Motionless as a redstone statue, rain", "oak tree, concealed from the eyes of the mortals below, a simian >", "character interactions but when it comes to describing the surroundings, I simply am", "horde of rakshasas. A desperate, > outnumbered, outmatched, last stand. > > >", "rotten trunk. At the northernmost edge of the clearing, atop a very >", "creature squatted on a sturdy branch. From time to time, he shifted >", "deva. The treeline > sheered off raggedly at its periphery, trees leaning inwards", "the northernmost edge of the clearing, atop a very > tall oak tree,", "paper. It misses the richness, the vividness that I want. And even when", "my readers. I want my text to extract an image out of the", "excerpt from an Ashok Banker book: > > Rama. > > > Through", "the mortals below, a simian > creature squatted on a sturdy branch. From", "showing character interactions but when it comes to describing the surroundings, I simply", "hundred feet wide: broadest in the north, narrowing in the centre and >", "evoke the same reaction. It just feels as if it is missing something.", "not cloaked the upper branches in a fine mist-like haze, the > canopy", "> tall oak tree, concealed from the eyes of the mortals below, a", "foliage was dense enough to mask his > presence from those below. >", "worm-corrupted length of a > rotten trunk. At the northernmost edge of the", "interactions but when it comes to describing the surroundings, I simply am not", "want. And even when I force myself, the end product comes out looking", "a thousand tongues. It shirred like > an angry cobra upon the large", "online resources or some recommended books ? I have had a look at", "treeline > sheered off raggedly at its periphery, trees leaning inwards drunkenly >", "so that I can actually see the tip in action, something like that", ":)) Second, The issue I've is not with the visualisation (as is in", "hanging by a thongbelt at his slender > waist. > > > The", "can observe the scene with all my senses but when i try to", "descriptions ? Maybe any online resources or some recommended books ? I have", "> > The rain fell steadily, speaking a thousand tongues. It shirred like", "the paper. It misses the richness, the vividness that I want. And even", "writing descriptions. I do well when writing action sequences, when writing dialogues, when", "> good spot to make a stand against a horde of rakshasas. A", "question in response to Laurem Ipsum's question - First of all, when I", "- [Improving techniques independently: Description](https://writers.stackexchange.com/questions/7664/improving-techniques-independently-description) [Any helpful tips on how to, better use", "the whole thing exactly as it is described. I'm completely immersed in this.", "trying to describe a palace, in my head I can see its white", "does not evoke the same reaction. It just feels as if it is", "something. I am looking to make my descriptions more rich and vivid and", "the large fronds of plantain and papaya trees, > rattled like hailstones on", "is that I often get stuck when writing descriptions. I do well when", "it is in my head. My beta readers do not walk away with", "rain not cloaked the upper branches in a fine mist-like haze, the >", "as it is described. I'm completely immersed in this. This is what I", "(Some Text Removed) > > > Whether you believed the legend or not,", "does not translate the same to the paper. It misses the richness, the", "myself using the same phrases again and again. For e.g., If I'm trying", "fronds of plantain and papaya trees, > rattled like hailstones on the hollow", "> > ... (Some Text Removed) > > > Whether you believed the", "The treeline > sheered off raggedly at its periphery, trees leaning inwards drunkenly", "areas that I face while writing my novel is that I often get", "[Any helpful tips on how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and", "can actually see the tip in action, something like that (I know it", "simply am not able to do it. I mean, I can paint a", "same impression that I've in my mind. I understand that people interpret differently", "his body, he stood, one dark shadow amidst many. > The sinuous curve", "tips on how to, better use description in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken", "not, it was a > good spot to make a stand against a", "He > hugged the trunk beside him with spindly yet strong arms. Even", "and again. For e.g., If I'm trying to describe a palace, in my", "from those below. > > > The text maybe a bit purple for", "just does not evoke the same reaction. It just feels as if it", "by a giant in millennia past—or a deva. The treeline > sheered off", "get stuck when writing descriptions. I do well when writing action sequences, when", "as if it is missing something. I am looking to make my descriptions", "fell steadily, speaking a thousand tongues. It shirred like > an angry cobra", "order, but doesn't hurt to ask :)) Second, The issue I've is not", "(5 senses approach, etc.), what I am looking for is a more practical", "hailstones on the hollow worm-corrupted length of a > rotten trunk. At the", "clearing in the heart of a jungle named > Janasthana. Motionless as a", "> hugged the trunk beside him with spindly yet strong arms. Even had", "of the mortals below, a simian > creature squatted on a sturdy branch.", "trunk. At the northernmost edge of the clearing, atop a very > tall", "it is described. I'm completely immersed in this. This is what I want", "shocking abruptness, like > a footprint left by a giant in millennia past—or", "I am looking to make my descriptions more rich and vivid and immersive", "find myself using the same phrases again and again. For e.g., If I'm", "(as is in the five senses approach), In any scene - I can", "thorny undergrowth at the southern end. It broke the > dense continuity of", "rain fell steadily, speaking a thousand tongues. It shirred like > an angry", "describe a palace, in my head I can see its white walls, how", "to put it in on paper, I am not able to make it", "look at the below excerpt from an Ashok Banker book: > > Rama.", "it might be a tall order, but doesn't hurt to ask :)) Second,", "five hundred feet long and two > hundred feet wide: broadest in the", "am looking for is a more practical approach with practical tips and examples", "> presence from those below. > > > The text maybe a bit", "sluicing off the > hardened planes of his body, he stood, one dark", "dialogues, when showing character interactions but when it comes to describing the surroundings,", "leaning inwards drunkenly > like a ragged ring of bhang-sodden revellers on a", "at the below excerpt from an Ashok Banker book: > > Rama. >", "on a sturdy branch. From time to time, he shifted > slightly, always", "in a fine mist-like haze, the > canopy of newly-grown spring foliage was", "And even when I force myself, the end product comes out looking visibly", "in my writing?](https://writers.stackexchange.com/questions/16737/any-helpful-tips-on-how-to-better-use-description-in-my-writing) and also taken a look at Dean Wesley Smith and", "the hollow worm-corrupted length of a > rotten trunk. At the northernmost edge", "> > > The text maybe a bit purple for some but it", "was a > good spot to make a stand against a horde of" ]
[ "the process of editing my novel, and realized that it would be much", "be much better when narrated in third person. i was a much better", "way to transfer from third to first person? Should I do it? Or", "in the process of editing my novel, and realized that it would be", "would be much better when narrated in third person. i was a much", "Is there a good way to transfer from third to first person? Should", "was a much better person when it comes to writing in third person.", "realized that it would be much better when narrated in third person. i", "third person. i was a much better person when it comes to writing", "process of editing my novel, and realized that it would be much better", "when narrated in third person. i was a much better person when it", "person. Is there a good way to transfer from third to first person?", "it would be much better when narrated in third person. i was a", "i was a much better person when it comes to writing in third", "a much better person when it comes to writing in third person. Is", "narrated in third person. i was a much better person when it comes", "there a good way to transfer from third to first person? Should I", "a good way to transfer from third to first person? Should I do", "I'm in the process of editing my novel, and realized that it would", "good way to transfer from third to first person? Should I do it?", "third person. Is there a good way to transfer from third to first", "third to first person? Should I do it? Or is rewriting the only", "that it would be much better when narrated in third person. i was", "when it comes to writing in third person. Is there a good way", "to transfer from third to first person? Should I do it? Or is", "from third to first person? Should I do it? Or is rewriting the", "comes to writing in third person. Is there a good way to transfer", "better person when it comes to writing in third person. Is there a", "writing in third person. Is there a good way to transfer from third", "transfer from third to first person? Should I do it? Or is rewriting", "to writing in third person. Is there a good way to transfer from", "of editing my novel, and realized that it would be much better when", "and realized that it would be much better when narrated in third person.", "editing my novel, and realized that it would be much better when narrated", "person when it comes to writing in third person. Is there a good", "my novel, and realized that it would be much better when narrated in", "in third person. Is there a good way to transfer from third to", "novel, and realized that it would be much better when narrated in third", "it comes to writing in third person. Is there a good way to", "in third person. i was a much better person when it comes to", "much better person when it comes to writing in third person. Is there", "person. i was a much better person when it comes to writing in", "much better when narrated in third person. i was a much better person", "better when narrated in third person. i was a much better person when", "to first person? Should I do it? Or is rewriting the only way?" ]
[ "here - I develop the book first), but I do not yet have", "obviously the comment author's opinion, but it got me wondering: are there rules", "and do include such things as brainstorming, translating, and name generators. This question", "helped me in that area, but now that I'm starting to find names,", "and name generators. This question deals with finding the right name. Once I", "with the same letter, or the reader will confuse the characters. That's obviously", "I develop the book first), but I do not yet have names for", "reader will confuse the characters. That's obviously the comment author's opinion, but it", "sure I get the right one. Overlap: That being said, there is some", "discussed in this question might (and probably will) be useful in finding names.", "have names for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me", "naming characters? --- Note: And before someone asks, no, this is not a", "start with the same letter, or the reader will confuse the characters. That's", "there rules or guidelines I should be aware of when naming characters? I'm", "should be aware of when naming characters? I'm thinking specifically of fantasy or", "names) should not start with the same letter, or the reader will confuse", "such things as brainstorming, translating, and name generators. This question deals with finding", "now that I'm starting to find names, I have another question. A comment", "make sure I get the right one. Overlap:** That being said, there is", "That being said, there is some overlap. Strategies discussed in this question might", "sound half way decent, I want to make sure I get the right", "duplicate of the above linked question. That question deals largely with discovering names,", "yet have names for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped", "there is some overlap. Strategies discussed in this question might (and probably will)", "comment on that question said that names (specifically fantasy names) should not start", "half way decent, I want to make sure I get the right one.", "this is not a duplicate of the above linked question. That question deals", "me wondering: are there rules or guidelines I should be aware of when", "characters? I'm thinking specifically of fantasy or sci-fi works, where the names will", "I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but now that", "have a list of names that sound half way decent, I want to", "Note: And before someone asks, no, this is not a duplicate of the", "question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but now that I'm starting to", "I have a list of names that sound half way decent, I want", "but it got me wondering: are there rules or guidelines I should be", "apply to any genre. Are there rules/guidelines for naming characters? --- Note: And", "thinking specifically of fantasy or sci-fi works, where the names will be largely", "question said that names (specifically fantasy names) should not start with the same", "starting to find names, I have another question. A comment on that question", "find names, I have another question. A comment on that question said that", "of when naming characters? I'm thinking specifically of fantasy or sci-fi works, where", "my first novel (plotter here - I develop the book first), but I", "finding the right name. Once I have a list of names that sound", "will confuse the characters. That's obviously the comment author's opinion, but it got", "do include such things as brainstorming, translating, and name generators. This question deals", "first novel (plotter here - I develop the book first), but I do", "discovering names, and answers can and do include such things as brainstorming, translating,", "Strategies discussed in this question might (and probably will) be useful in finding", "characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but now", "guidelines I should be aware of when naming characters? I'm thinking specifically of", "same letter, or the reader will confuse the characters. That's obviously the comment", "author's opinion, but it got me wondering: are there rules or guidelines I", "brainstorming, translating, and name generators. This question deals with finding the right name.", "fantasy names) should not start with the same letter, or the reader will", "I should be aware of when naming characters? I'm thinking specifically of fantasy", "names, I have another question. A comment on that question said that names", "letter, or the reader will confuse the characters. That's obviously the comment author's", "getting close to writing my first novel (plotter here - I develop the", "the reader will confuse the characters. That's obviously the comment author's opinion, but", "rules or guidelines I should be aware of when naming characters? I'm thinking", "And before someone asks, no, this is not a duplicate of the above", "- I develop the book first), but I do not yet have names", "overlap. Strategies discussed in this question might (and probably will) be useful in", "answers can and do include such things as brainstorming, translating, and name generators.", "for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that", "question deals largely with discovering names, and answers can and do include such", "question deals with finding the right name. Once I have a list of", "include such things as brainstorming, translating, and name generators. This question deals with", "I do not yet have names for my main characters. I found [this", "before someone asks, no, this is not a duplicate of the above linked", "characters? --- Note: And before someone asks, no, this is not a duplicate", "rules/guidelines for naming characters? --- Note: And before someone asks, no, this is", "the characters. That's obviously the comment author's opinion, but it got me wondering:", "a list of names that sound half way decent, I want to make", "that sound half way decent, I want to make sure I get the", "of fantasy or sci-fi works, where the names will be largely unfamiliar, but", "which helped me in that area, but now that I'm starting to find", "specifically of fantasy or sci-fi works, where the names will be largely unfamiliar,", "main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but", "the right name. Once I have a list of names that sound half", "a duplicate of the above linked question. That question deals largely with discovering", "one. Overlap: That being said, there is some overlap. Strategies discussed in this", "[this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but now that I'm starting", "I have another question. A comment on that question said that names (specifically", "(plotter here - I develop the book first), but I do not yet", "want to make sure I get the right one. Overlap: That being said,", "my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area,", "That's obviously the comment author's opinion, but it got me wondering: are there", "asks, no, this is not a duplicate of the above linked question. That", "comment author's opinion, but it got me wondering: are there rules or guidelines", "name. Once I have a list of names that sound half way decent,", "and answers can and do include such things as brainstorming, translating, and name", "question. A comment on that question said that names (specifically fantasy names) should", "it got me wondering: are there rules or guidelines I should be aware", "That question deals largely with discovering names, and answers can and do include", "or guidelines I should be aware of when naming characters? I'm thinking specifically", "names (specifically fantasy names) should not start with the same letter, or the", "some overlap. Strategies discussed in this question might (and probably will) be useful", "--- Note: And before someone asks, no, this is not a duplicate of", "be largely unfamiliar, but this question can apply to any genre. *Are there", "that names (specifically fantasy names) should not start with the same letter, or", "being said, there is some overlap. Strategies discussed in this question might (and", "largely with discovering* names, and answers can and do include such things as", "when naming characters? I'm thinking specifically of fantasy or sci-fi works, where the", "linked question. That question deals largely with discovering names, and answers can and", "I'm getting close to writing my first novel (plotter here - I develop", "to any genre. Are there rules/guidelines for naming characters? --- Note: And before", "but now that I'm starting to find names, I have another question. A", "should not start with the same letter, or the reader will confuse the", "opinion, but it got me wondering: are there rules or guidelines I should", "translating, and name generators. This question deals with finding the right name. Once", "said, there is some overlap. Strategies discussed in this question might (and probably", "close to writing my first novel (plotter here - I develop the book", "A comment on that question said that names (specifically fantasy names) should not", "are there rules or guidelines I should be aware of when naming characters?", "is not a duplicate of the above linked question. That question deals largely", "name generators. This question deals with finding the right name. Once I have", "generators. This question deals with finding the right name. Once I have a", "not yet have names for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which", "on that question said that names (specifically fantasy names) should not start with", "names that sound half way decent, I want to make sure I get", "have another question. A comment on that question said that names (specifically fantasy", "I'm thinking specifically of fantasy or sci-fi works, where the names will be", "deals largely with discovering names, and answers can and do include such things", "or the reader will confuse the characters. That's obviously the comment author's opinion,", "aware of when naming characters? I'm thinking specifically of fantasy or sci-fi works,", "can and do include such things as brainstorming, translating, and name generators. This", "wondering: are there rules or guidelines I should be aware of when naming", "Are there rules/guidelines for naming characters? --- Note: And before someone asks, no,", "will be largely unfamiliar, but this question can apply to any genre. Are", "Once I have a list of names that sound half way decent, I", "for naming characters? --- Note: And before someone asks, no, this is not", "area, but now that I'm starting to find names, I have another question.", "the above linked question. That question deals largely with discovering names, and answers", "names, and answers can and do include such things as brainstorming, translating, and", "the same letter, or the reader will confuse the characters. That's obviously the", "largely unfamiliar, but this question can apply to any genre. *Are there rules/guidelines", "that question said that names (specifically fantasy names) should not start with the", "right* name. Once I have a list of names that sound half way", "another question. A comment on that question said that names (specifically fantasy names)", "as brainstorming, translating, and name generators. This question deals with finding the right", "novel (plotter here - I develop the book first), but I do not", "not a duplicate of the above linked question. That question deals largely with", "to find names, I have another question. A comment on that question said", "that I'm starting to find names, I have another question. A comment on", "the book first), but I do not yet have names for my main", "fantasy or sci-fi works, where the names will be largely unfamiliar, but this", "the names will be largely unfamiliar, but this question can apply to any", "above linked question. That question deals largely with discovering names, and answers can", "be aware of when naming characters? I'm thinking specifically of fantasy or sci-fi", "This question deals with finding the right name. Once I have a list", "things as brainstorming, translating, and name generators. This question deals with finding the", "but this question can apply to any genre. Are there rules/guidelines for naming", "any genre. Are there rules/guidelines for naming characters? --- Note: And before someone", "someone asks, no, this is not a duplicate of the above linked question.", "I want to make sure I get the right one. Overlap: That being", "Overlap: That being said, there is some overlap. Strategies discussed in this question", "got me wondering: are there rules or guidelines I should be aware of", "do not yet have names for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story),", "to writing my first novel (plotter here - I develop the book first),", "to make sure I get the right one. Overlap: That being said, there", "there rules/guidelines for naming characters? --- Note: And before someone asks, no, this", "I get the right one. Overlap: That being said, there is some overlap.", "question. That question deals largely with discovering names, and answers can and do", "get the right one. Overlap: That being said, there is some overlap. Strategies", "where the names will be largely unfamiliar, but this question can apply to", "confuse the characters. That's obviously the comment author's opinion, but it got me", "this question can apply to any genre. Are there rules/guidelines for naming characters?", "unfamiliar, but this question can apply to any genre. Are there rules/guidelines for", "is some overlap. Strategies discussed in this question might (and probably will) be", "develop the book first), but I do not yet have names for my", "the comment author's opinion, but it got me wondering: are there rules or", "that area, but now that I'm starting to find names, I have another", "writing my first novel (plotter here - I develop the book first), but", "genre. Are there rules/guidelines for naming characters? --- Note: And before someone asks,", "not start with the same letter, or the reader will confuse the characters.", "but I do not yet have names for my main characters. I found", "can apply to any genre. Are there rules/guidelines for naming characters? --- Note:", "found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in that area, but now that I'm", "book first), but I do not yet have names for my main characters.", "no, this is not a duplicate of the above linked question. That question", "first), but I do not yet have names for my main characters. I", "naming characters? I'm thinking specifically of fantasy or sci-fi works, where the names", "(specifically fantasy names) should not start with the same letter, or the reader", "works, where the names will be largely unfamiliar, but this question can apply", "of names that sound half way decent, I want to make sure I", "or sci-fi works, where the names will be largely unfamiliar, but this question", "question can apply to any genre. Are there rules/guidelines for naming characters? ---", "way decent, I want to make sure I get the right one. Overlap:*", "with finding the right* name. Once I have a list of names that", "in that area, but now that I'm starting to find names, I have", "list of names that sound half way decent, I want to make sure", "characters. That's obviously the comment author's opinion, but it got me wondering: are", "right one. Overlap: That being said, there is some overlap. Strategies discussed in", "of the above linked question. That question deals largely with discovering names, and", "decent, I want to make sure I get the right one. Overlap: That", "I'm starting to find names, I have another question. A comment on that", "sci-fi works, where the names will be largely unfamiliar, but this question can", "deals with finding the right name. Once I have a list of names", "said that names (specifically fantasy names) should not start with the same letter,", "names will be largely unfamiliar, but this question can apply to any genre.", "me in that area, but now that I'm starting to find names, I", "the right one. Overlap: That being said, there is some overlap. Strategies discussed", "names for my main characters. I found [this question](https://writers.stackexchange.com/questions/138/how-to-name-the-characters-of-your-story), which helped me in", "with discovering names, and answers can and do include such things as brainstorming," ]
[ "I've already established that the town the characters live in is three hours", "from their hometown, while they're in Hawaii. But, this person is using an", "this far into the novel, I don't want to have to go back", "where the characters live. Now, this is may seem like a rather trivial", "so long and never mentioning it, it probably bears no consequence for the", "novel, I don't want to have to go back and change any details", "characters are trying to locate a person from their hometown, while they're in", "it, it probably bears no consequence for the readers, because the story probably", "but being this far into the novel, I don't want to have to", "not fit for a story taking place in Lakewood. If I've already established", "away from a camp in northern New York, would it be correct for", "to show that the characters have no doubt that this is the person", "a camp in northern New York, would it be correct for me to", "into the novel, I don't want to have to go back and change", "while they're in Hawaii. But, this person is using an alias, so by", "New York, would it be correct for me to make up a generic", "under an alias – who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania –", "far into the novel, I don't want to have to go back and", "hometown, while they're in Hawaii. But, this person is using an alias, so", "\\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and the Parkersons confirmed they’d brought", "they’d brought their kids to. > > > I want to put the", "say this to show that the characters have no doubt that this is", "put Lakewood Pennsylvania, but being this far into the novel, I don't want", "probably can take place anywhere, but that isn't the case. Right now, the", "go back and change any details that may not fit for a story", "person is using an alias, so by way of description, I say this", "long and never mentioning it, it probably bears no consequence for the readers,", "name of a city there. I was going to put Lakewood Pennsylvania, but", "the practice Mrs. Mayes and the Parkersons confirmed they’d brought their kids to.", "town the characters live in is three hours away from a camp in", "So, I'm nearing the conclusion of a novel, and I just realized that", "like a rather trivial detail, and if after developing the story for so", "brought their kids to. > > > I want to put the name", "I was going to put Lakewood Pennsylvania, but being this far into the", "for a Craig Melbourne – apparently, Dr. MrugTs was working under an alias", "the name of a city there. I was going to put Lakewood Pennsylvania,", "back and change any details that may not fit for a story taking", "are trying to locate a person from their hometown, while they're in Hawaii.", "being this far into the novel, I don't want to have to go", "If I've already established that the town the characters live in is three", "story probably can take place anywhere, but that isn't the case. Right now,", "after developing the story for so long and never mentioning it, it probably", "apparently, Dr. MrugTs was working under an alias – who frequents a Family", "I want to put the name of a city there. I was going", "no doubt that this is the person they are trying to find: >", "trivial detail, and if after developing the story for so long and never", "to locate a person from their hometown, while they're in Hawaii. But, this", "are trying to find: > > Ms. Lawravru finally gets a current location", "the story probably can take place anywhere, but that isn't the case. Right", "they are trying to find: > > Ms. Lawravru finally gets a current", "> I want to put the name of a city there. I was", "is using an alias, so by way of description, I say this to", "no consequence for the readers, because the story probably can take place anywhere,", "want to have to go back and change any details that may not", "a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and the", "there. I was going to put Lakewood Pennsylvania, but being this far into", "details that may not fit for a story taking place in Lakewood. If", "place in Lakewood. If I've already established that the town the characters live", "the story for so long and never mentioning it, it probably bears no", "finally gets a current location for a Craig Melbourne – apparently, Dr. MrugTs", "a person from their hometown, while they're in Hawaii. But, this person is", "this is may seem like a rather trivial detail, and if after developing", "Craig Melbourne – apparently, Dr. MrugTs was working under an alias – who", "the case. Right now, the characters are trying to locate a person from", "in Hawaii. But, this person is using an alias, so by way of", "never told the readers where the characters live. Now, this is may seem", "that the characters have no doubt that this is the person they are", "using an alias, so by way of description, I say this to show", "live. Now, this is may seem like a rather trivial detail, and if", "already established that the town the characters live in is three hours away", "confirmed they’d brought their kids to. > > > I want to put", "developing the story for so long and never mentioning it, it probably bears", "a current location for a Craig Melbourne – apparently, Dr. MrugTs was working", "Right now, the characters are trying to locate a person from their hometown,", "rather trivial detail, and if after developing the story for so long and", "words in, I've never told the readers where the characters live. Now, this", "location for a Craig Melbourne – apparently, Dr. MrugTs was working under an", "for the readers, because the story probably can take place anywhere, but that", "is the person they are trying to find: > > Ms. Lawravru finally", "case. Right now, the characters are trying to locate a person from their", "because the story probably can take place anywhere, but that isn't the case.", "anywhere, but that isn't the case. Right now, the characters are trying to", "find: > > Ms. Lawravru finally gets a current location for a Craig", "> > Ms. Lawravru finally gets a current location for a Craig Melbourne", "a city there. I was going to put Lakewood Pennsylvania, but being this", "live in is three hours away from a camp in northern New York,", "and the Parkersons confirmed they’d brought their kids to. > > > I", "Lakewood. If I've already established that the town the characters live in is", "the characters live in is three hours away from a camp in northern", "seem like a rather trivial detail, and if after developing the story for", "in, I've never told the readers where the characters live. Now, this is", "the person they are trying to find: > > Ms. Lawravru finally gets", "York, would it be correct for me to make up a generic town", "any details that may not fit for a story taking place in Lakewood.", "– who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs.", "probably bears no consequence for the readers, because the story probably can take", "story for so long and never mentioning it, it probably bears no consequence", "Melbourne – apparently, Dr. MrugTs was working under an alias – who frequents", "alias, so by way of description, I say this to show that the", "so by way of description, I say this to show that the characters", "city there. I was going to put Lakewood Pennsylvania, but being this far", "going to put Lakewood Pennsylvania, but being this far into the novel, I", "taking place in Lakewood. If I've already established that the town the characters", "their hometown, while they're in Hawaii. But, this person is using an alias,", "Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and the Parkersons", "want to put the name of a city there. I was going to", "Pennsylvania – the practice Mrs. Mayes and the Parkersons confirmed they’d brought their", "this is the person they are trying to find: > > Ms. Lawravru", "person they are trying to find: > > Ms. Lawravru finally gets a", "that may not fit for a story taking place in Lakewood. If I've", "have no doubt that this is the person they are trying to find:", "characters have no doubt that this is the person they are trying to", "in is three hours away from a camp in northern New York, would", "Lawravru finally gets a current location for a Craig Melbourne – apparently, Dr.", "and I just realized that 70,000 words in, I've never told the readers", "readers where the characters live. Now, this is may seem like a rather", "isn't the case. Right now, the characters are trying to locate a person", "– apparently, Dr. MrugTs was working under an alias – who frequents a", "the Parkersons confirmed they’d brought their kids to. > > > I want", "Pennsylvania, but being this far into the novel, I don't want to have", "I say this to show that the characters have no doubt that this", "have to go back and change any details that may not fit for", "is may seem like a rather trivial detail, and if after developing the", "Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and the Parkersons confirmed", "the conclusion of a novel, and I just realized that 70,000 words in,", "that isn't the case. Right now, the characters are trying to locate a", "to put Lakewood Pennsylvania, but being this far into the novel, I don't", "that the town the characters live in is three hours away from a", "but that isn't the case. Right now, the characters are trying to locate", "> Ms. Lawravru finally gets a current location for a Craig Melbourne –", "working under an alias – who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania", "readers, because the story probably can take place anywhere, but that isn't the", "for so long and never mentioning it, it probably bears no consequence for", "to put the name of a city there. I was going to put", "for a story taking place in Lakewood. If I've already established that the", "it probably bears no consequence for the readers, because the story probably can", "the town the characters live in is three hours away from a camp", "bears no consequence for the readers, because the story probably can take place", "alias – who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice", "characters live in is three hours away from a camp in northern New", "to go back and change any details that may not fit for a", "northern New York, would it be correct for me to make up a", "nearing the conclusion of a novel, and I just realized that 70,000 words", "doubt that this is the person they are trying to find: > >", "Parkersons confirmed they’d brought their kids to. > > > I want to", "in northern New York, would it be correct for me to make up", "if after developing the story for so long and never mentioning it, it", "put the name of a city there. I was going to put Lakewood", "established that the town the characters live in is three hours away from", "this person is using an alias, so by way of description, I say", "Lakewood Pennsylvania, but being this far into the novel, I don't want to", "Dr. MrugTs was working under an alias – who frequents a Family Psychiatry", "this to show that the characters have no doubt that this is the", "don't want to have to go back and change any details that may", "place anywhere, but that isn't the case. Right now, the characters are trying", "hours away from a camp in northern New York, would it be correct", "detail, and if after developing the story for so long and never mentioning", "I just realized that 70,000 words in, I've never told the readers where", "can take place anywhere, but that isn't the case. Right now, the characters", "never mentioning it, it probably bears no consequence for the readers, because the", "in Lakewood. If I've already established that the town the characters live in", "just realized that 70,000 words in, I've never told the readers where the", "that 70,000 words in, I've never told the readers where the characters live.", "show that the characters have no doubt that this is the person they", "conclusion of a novel, and I just realized that 70,000 words in, I've", "to find: > > Ms. Lawravru finally gets a current location for a", "I've never told the readers where the characters live. Now, this is may", "practice Mrs. Mayes and the Parkersons confirmed they’d brought their kids to. >", "> > I want to put the name of a city there. I", "– the practice Mrs. Mayes and the Parkersons confirmed they’d brought their kids", "trying to find: > > Ms. Lawravru finally gets a current location for", "in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and the Parkersons confirmed they’d", "the characters are trying to locate a person from their hometown, while they're", "of description, I say this to show that the characters have no doubt", "> > > I want to put the name of a city there.", "a story taking place in Lakewood. If I've already established that the town", "and change any details that may not fit for a story taking place", "the readers, because the story probably can take place anywhere, but that isn't", "an alias – who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the", "their kids to. > > > I want to put the name of", "was going to put Lakewood Pennsylvania, but being this far into the novel,", "MrugTs was working under an alias – who frequents a Family Psychiatry in", "kids to. > > > I want to put the name of a", "realized that 70,000 words in, I've never told the readers where the characters", "the readers where the characters live. Now, this is may seem like a", "and never mentioning it, it probably bears no consequence for the readers, because", "way of description, I say this to show that the characters have no", "characters live. Now, this is may seem like a rather trivial detail, and", "Mrs. Mayes and the Parkersons confirmed they’d brought their kids to. > >", "locate a person from their hometown, while they're in Hawaii. But, this person", "But, this person is using an alias, so by way of description, I", "a novel, and I just realized that 70,000 words in, I've never told", "now, the characters are trying to locate a person from their hometown, while", "they're in Hawaii. But, this person is using an alias, so by way", "the novel, I don't want to have to go back and change any", "Hawaii. But, this person is using an alias, so by way of description,", "I don't want to have to go back and change any details that", "would it be correct for me to make up a generic town name?", "that this is the person they are trying to find: > > Ms.", "is three hours away from a camp in northern New York, would it", "from a camp in northern New York, would it be correct for me", "the characters live. Now, this is may seem like a rather trivial detail,", "frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes and", "person from their hometown, while they're in Hawaii. But, this person is using", "fit for a story taking place in Lakewood. If I've already established that", "of a novel, and I just realized that 70,000 words in, I've never", "an alias, so by way of description, I say this to show that", "three hours away from a camp in northern New York, would it be", "current location for a Craig Melbourne – apparently, Dr. MrugTs was working under", "story taking place in Lakewood. If I've already established that the town the", "a rather trivial detail, and if after developing the story for so long", "gets a current location for a Craig Melbourne – apparently, Dr. MrugTs was", "of a city there. I was going to put Lakewood Pennsylvania, but being", "may seem like a rather trivial detail, and if after developing the story", "and if after developing the story for so long and never mentioning it,", "told the readers where the characters live. Now, this is may seem like", "novel, and I just realized that 70,000 words in, I've never told the", "mentioning it, it probably bears no consequence for the readers, because the story", "consequence for the readers, because the story probably can take place anywhere, but", "camp in northern New York, would it be correct for me to make", "the characters have no doubt that this is the person they are trying", "who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_, Pennsylvania – the practice Mrs. Mayes", "Ms. Lawravru finally gets a current location for a Craig Melbourne – apparently,", "to have to go back and change any details that may not fit", "change any details that may not fit for a story taking place in", "take place anywhere, but that isn't the case. Right now, the characters are", "description, I say this to show that the characters have no doubt that", "Mayes and the Parkersons confirmed they’d brought their kids to. > > >", "to. > > > I want to put the name of a city", "I'm nearing the conclusion of a novel, and I just realized that 70,000", "Now, this is may seem like a rather trivial detail, and if after", "a Craig Melbourne – apparently, Dr. MrugTs was working under an alias –", "70,000 words in, I've never told the readers where the characters live. Now,", "may not fit for a story taking place in Lakewood. If I've already", "trying to locate a person from their hometown, while they're in Hawaii. But,", "by way of description, I say this to show that the characters have", "was working under an alias – who frequents a Family Psychiatry in \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_," ]
[ "second person plural (equivalent to 'vous' and 'vós') and 'thou' as the second", "as the second person plural (equivalent to 'vous' and 'vós') and 'thou' as", "one would use the polite 'you' rather than the informal 'thou'. Nevertheless, as", "a historical novel set in medieval times. The use of the formal/polite 'vous'/'vós'", "The use of the formal/polite 'vous'/'vós' often gives subtle but important cues for", "as 'thou' and 'tu' as 'you'? And would that suffice to transmit to", "be to use 'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage", "decided the simplest way of maintaining these cues would be to use 'thou'", "as more formal than 'you'. Should I then translate 'vous'/'vós' as 'thou' and", "then translate 'vous'/'vós' as 'thou' and 'tu' as 'you'? And would that suffice", "'you'. Should I then translate 'vous'/'vós' as 'thou' and 'tu' as 'you'? And", "caused modern speakers (I believe) to see 'thou' as more formal than 'you'.", "and became a simple form of treatment without distinction between formal and informal.", "as 'you'? And would that suffice to transmit to the English readers the", "between formal and informal. I'm attempting to translate a historical novel set in", "these cues would be to use 'thou' and 'you'. Technically speaking, 'thou'='tu' and", "I then translate 'vous'/'vós' as 'thou' and 'tu' as 'you'? And would that", "attempting to translate a historical novel set in medieval times. The use of", "'thou' as more formal than 'you'. Should I then translate 'vous'/'vós' as 'thou'", "'thou' as the second person singular (equivalent to 'tu'). When talking to a", "'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern", "than 'you'. Should I then translate 'vous'/'vós' as 'thou' and 'tu' as 'you'?", "(equivalent to 'tu'). When talking to a person in a higher position, one", "but important cues for the plot, therefore I decided the simplest way of", "subtle but important cues for the plot, therefore I decided the simplest way", "'vous'/'vós' often gives subtle but important cues for the plot, therefore I decided", "the polite 'you' (nearly) erased 'thou' from existence and became a simple form", "'thou' from existence and became a simple form of treatment without distinction between", "novel set in medieval times. The use of the formal/polite 'vous'/'vós' often gives", "gives subtle but important cues for the plot, therefore I decided the simplest", "I'm attempting to translate a historical novel set in medieval times. The use", "polite 'you' (nearly) erased 'thou' from existence and became a simple form of", "has caused modern speakers (I believe) to see 'thou' as more formal than", "to 'tu'). When talking to a person in a higher position, one would", "modern speakers (I believe) to see 'thou' as more formal than 'you'. Should", "'you'? And would that suffice to transmit to the English readers the aforementioned", "use the polite 'you' rather than the informal 'thou'. Nevertheless, as time went", "way of maintaining these cues would be to use 'thou' and 'you'. Technically", "informal. I'm attempting to translate a historical novel set in medieval times. The", "the simplest way of maintaining these cues would be to use 'thou' and", "I decided the simplest way of maintaining these cues would be to use", "informal 'thou'. Nevertheless, as time went by, the polite 'you' (nearly) erased 'thou'", "than the informal 'thou'. Nevertheless, as time went by, the polite 'you' (nearly)", "by, the polite 'you' (nearly) erased 'thou' from existence and became a simple", "position, one would use the polite 'you' rather than the informal 'thou'. Nevertheless,", "translate 'vous'/'vós' as 'thou' and 'tu' as 'you'? And would that suffice to", "Should I then translate 'vous'/'vós' as 'thou' and 'tu' as 'you'? And would", "'tu'). When talking to a person in a higher position, one would use", "cues for the plot, therefore I decided the simplest way of maintaining these", "and 'tu' as 'you'? And would that suffice to transmit to the English", "would be to use 'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However,", "more formal than 'you'. Should I then translate 'vous'/'vós' as 'thou' and 'tu'", "a higher position, one would use the polite 'you' rather than the informal", "would use the polite 'you' rather than the informal 'thou'. Nevertheless, as time", "person singular (equivalent to 'tu'). When talking to a person in a higher", "existence and became a simple form of treatment without distinction between formal and", "once used 'you' as the second person plural (equivalent to 'vous' and 'vós')", "'vous'/'vós' as 'thou' and 'tu' as 'you'? And would that suffice to transmit", "to 'vous' and 'vós') and 'thou' as the second person singular (equivalent to", "plural (equivalent to 'vous' and 'vós') and 'thou' as the second person singular", "of the formal/polite 'vous'/'vós' often gives subtle but important cues for the plot,", "simplest way of maintaining these cues would be to use 'thou' and 'you'.", "usage has caused modern speakers (I believe) to see 'thou' as more formal", "singular (equivalent to 'tu'). When talking to a person in a higher position,", "formal/polite 'vous'/'vós' often gives subtle but important cues for the plot, therefore I", "the informal 'thou'. Nevertheless, as time went by, the polite 'you' (nearly) erased", "'you' (nearly) erased 'thou' from existence and became a simple form of treatment", "use of the formal/polite 'vous'/'vós' often gives subtle but important cues for the", "the plot, therefore I decided the simplest way of maintaining these cues would", "second person singular (equivalent to 'tu'). When talking to a person in a", "historical novel set in medieval times. The use of the formal/polite 'vous'/'vós' often", "speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern speakers (I believe) to", "distinction between formal and informal. I'm attempting to translate a historical novel set", "'vous' and 'vós') and 'thou' as the second person singular (equivalent to 'tu').", "(I believe) to see 'thou' as more formal than 'you'. Should I then", "(nearly) erased 'thou' from existence and became a simple form of treatment without", "Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern speakers (I believe)", "'you' as the second person plural (equivalent to 'vous' and 'vós') and 'thou'", "medieval times. The use of the formal/polite 'vous'/'vós' often gives subtle but important", "plot, therefore I decided the simplest way of maintaining these cues would be", "'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern speakers (I believe) to see", "translate a historical novel set in medieval times. The use of the formal/polite", "erased 'thou' from existence and became a simple form of treatment without distinction", "maintaining these cues would be to use 'thou' and 'you'. Technically speaking, 'thou'='tu'", "to a person in a higher position, one would use the polite 'you'", "(equivalent to 'vous' and 'vós') and 'thou' as the second person singular (equivalent", "often gives subtle but important cues for the plot, therefore I decided the", "see 'thou' as more formal than 'you'. Should I then translate 'vous'/'vós' as", "from existence and became a simple form of treatment without distinction between formal", "speakers (I believe) to see 'thou' as more formal than 'you'. Should I", "of maintaining these cues would be to use 'thou' and 'you'. Technically speaking,", "and 'you'='vous'/'vós'. However, usage has caused modern speakers (I believe) to see 'thou'", "'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern speakers (I", "person plural (equivalent to 'vous' and 'vós') and 'thou' as the second person", "English once used 'you' as the second person plural (equivalent to 'vous' and", "the polite 'you' rather than the informal 'thou'. Nevertheless, as time went by,", "and 'thou' as the second person singular (equivalent to 'tu'). When talking to", "person in a higher position, one would use the polite 'you' rather than", "speaking, English once used 'you' as the second person plural (equivalent to 'vous'", "set in medieval times. The use of the formal/polite 'vous'/'vós' often gives subtle", "the second person plural (equivalent to 'vous' and 'vós') and 'thou' as the", "use 'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused", "as time went by, the polite 'you' (nearly) erased 'thou' from existence and", "for the plot, therefore I decided the simplest way of maintaining these cues", "'you' rather than the informal 'thou'. Nevertheless, as time went by, the polite", "and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has caused modern speakers", "rather than the informal 'thou'. Nevertheless, as time went by, the polite 'you'", "'you'='vous'/'vós'. However, usage has caused modern speakers (I believe) to see 'thou' as", "And would that suffice to transmit to the English readers the aforementioned cues?", "time went by, the polite 'you' (nearly) erased 'thou' from existence and became", "formal than 'you'. Should I then translate 'vous'/'vós' as 'thou' and 'tu' as", "believe) to see 'thou' as more formal than 'you'. Should I then translate", "'thou'. Nevertheless, as time went by, the polite 'you' (nearly) erased 'thou' from", "formal and informal. I'm attempting to translate a historical novel set in medieval", "a simple form of treatment without distinction between formal and informal. I'm attempting", "times. The use of the formal/polite 'vous'/'vós' often gives subtle but important cues", "used 'you' as the second person plural (equivalent to 'vous' and 'vós') and", "treatment without distinction between formal and informal. I'm attempting to translate a historical", "the formal/polite 'vous'/'vós' often gives subtle but important cues for the plot, therefore", "of treatment without distinction between formal and informal. I'm attempting to translate a", "'tu' as 'you'? And would that suffice to transmit to the English readers", "Generally speaking, English once used 'you' as the second person plural (equivalent to", "cues would be to use 'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'.", "to use 'thou' and 'you'. Technically speaking, 'thou'='tu' and 'you'='vous'/'vós'. However, usage has", "form of treatment without distinction between formal and informal. I'm attempting to translate", "in medieval times. The use of the formal/polite 'vous'/'vós' often gives subtle but", "When talking to a person in a higher position, one would use the", "without distinction between formal and informal. 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I'm attempting to translate a historical novel set in medieval times.", "and 'vós') and 'thou' as the second person singular (equivalent to 'tu'). When", "to see 'thou' as more formal than 'you'. Should I then translate 'vous'/'vós'", "'thou' and 'tu' as 'you'? And would that suffice to transmit to the", "became a simple form of treatment without distinction between formal and informal. I'm", "therefore I decided the simplest way of maintaining these cues would be to", "talking to a person in a higher position, one would use the polite", "important cues for the plot, therefore I decided the simplest way of maintaining", "went by, the polite 'you' (nearly) erased 'thou' from existence and became a" ]
[ "to write it without any hero, and telling the story from the POV", "all the players just like a reality game show. Is that possible? if", "write a short-story about 10 players in a post-apocalyptic zombies game show, split", "is that I want to write it without any hero, and telling the", "the last survivor wins. I already have the rules, the challenges and some", "rules, the challenges and some characters. The problem is that I want to", "and some characters. The problem is that I want to write it without", "post-apocalyptic zombies game show, split between teams, the last survivor wins. I already", "telling the story from the POV of all the players just like a", "the rules, the challenges and some characters. The problem is that I want", "of all the players just like a reality game show. Is that possible?", "that I want to write it without any hero, and telling the story", "last survivor wins. I already have the rules, the challenges and some characters.", "zombies game show, split between teams, the last survivor wins. I already have", "I want to write it without any hero, and telling the story from", "the players just like a reality game show. Is that possible? if yes", "I want to write a short-story about 10 players in a post-apocalyptic zombies", "survivor wins. I already have the rules, the challenges and some characters. The", "without any hero, and telling the story from the POV of all the", "the POV of all the players just like a reality game show. Is", "teams, the last survivor wins. I already have the rules, the challenges and", "I already have the rules, the challenges and some characters. The problem is", "split between teams, the last survivor wins. I already have the rules, the", "short-story about 10 players in a post-apocalyptic zombies game show, split between teams,", "the challenges and some characters. The problem is that I want to write", "to write a short-story about 10 players in a post-apocalyptic zombies game show,", "10 players in a post-apocalyptic zombies game show, split between teams, the last", "like a reality game show. Is that possible? if yes how can I", "challenges and some characters. The problem is that I want to write it", "a reality game show. Is that possible? if yes how can I proceed?", "players in a post-apocalyptic zombies game show, split between teams, the last survivor", "story from the POV of all the players just like a reality game", "from the POV of all the players just like a reality game show.", "players just like a reality game show. Is that possible? if yes how", "just like a reality game show. Is that possible? if yes how can", "characters. The problem is that I want to write it without any hero,", "hero, and telling the story from the POV of all the players just", "some characters. The problem is that I want to write it without any", "want to write a short-story about 10 players in a post-apocalyptic zombies game", "wins. I already have the rules, the challenges and some characters. The problem", "the story from the POV of all the players just like a reality", "between teams, the last survivor wins. I already have the rules, the challenges", "any hero, and telling the story from the POV of all the players", "in a post-apocalyptic zombies game show, split between teams, the last survivor wins.", "problem is that I want to write it without any hero, and telling", "The problem is that I want to write it without any hero, and", "about 10 players in a post-apocalyptic zombies game show, split between teams, the", "already have the rules, the challenges and some characters. The problem is that", "and telling the story from the POV of all the players just like", "POV of all the players just like a reality game show. Is that", "show, split between teams, the last survivor wins. I already have the rules,", "have the rules, the challenges and some characters. The problem is that I", "want to write it without any hero, and telling the story from the", "write it without any hero, and telling the story from the POV of", "it without any hero, and telling the story from the POV of all", "game show, split between teams, the last survivor wins. I already have the", "a post-apocalyptic zombies game show, split between teams, the last survivor wins. I", "a short-story about 10 players in a post-apocalyptic zombies game show, split between" ]
[ "thing to do. She breaks down and hugs the man. In this bit", "some political risk to rescue one of her assets because he believed it", "way to overwhelming joy. Warm drops rolled over her cheeks. She thrust her", "had just hugged the President of the United States. > > > And", "a kind, intelligent, fatherly man. SonakX is a high-ranking NSA official and has", "sexual. My attempt is bolded but feels unsatisfying. What strategies can I use", "intense pressure that has finally been released. The President took some political risk", "prevent the reader from misinterpreting the hug? > > The corners of SonakX’s", "> > SonakX Wells, level-headed Deputy Director of the National Intelligence Agency, had", "to make it plain that this is in no way sexual. My attempt", "it plain that this is in no way sexual. My attempt is bolded", "no way sexual. My attempt is bolded but feels unsatisfying. What strategies can", "> SonakX Wells, level-headed Deputy Director of the National Intelligence Agency, had just", "novel. The President is a kind, intelligent, fatherly man. SonakX is a high-ranking", "over her cheeks. She thrust her arms out and pulled the President toward", "overwhelming joy. Warm drops rolled over her cheeks. She thrust her arms out", "make it plain that this is in no way sexual. My attempt is", "of weariness gave way to overwhelming joy. Warm drops rolled over her cheeks.", "of my novel. The President is a kind, intelligent, fatherly man. SonakX is", "strategies can I use to prevent the reader from misinterpreting the hug? >", "one of the final scenes of my novel. The President is a kind,", "man. SonakX is a high-ranking NSA official and has been through months of", "toward her, one human being sharing a powerful moment with another. > >", "one human being sharing a powerful moment with another. > > > SonakX", "another. > > > SonakX Wells, level-headed Deputy Director of the National Intelligence", "finally been released. The President took some political risk to rescue one of", "broke into a delighted smile. Her cheeks pressed up and her eyes watered.", "has been through months of intense pressure that has finally been released. The", "weariness gave way to overwhelming joy. Warm drops rolled over her cheeks. She", "United States. > > > And he hugged her back. > > >", "> > > SonakX Wells, level-headed Deputy Director of the National Intelligence Agency,", "man. In this bit of dialog, I want to make it plain that", "dialog, I want to make it plain that this is in no way", "in no way sexual. My attempt is bolded but feels unsatisfying. What strategies", "and hugs the man. In this bit of dialog, I want to make", "Months of weariness gave way to overwhelming joy. Warm drops rolled over her", "human being sharing a powerful moment with another. > > > SonakX Wells,", "The President took some political risk to rescue one of her assets because", "he believed it was the right thing to do. She breaks down and", "Warm drops rolled over her cheeks. She thrust her arms out and pulled", "misinterpreting the hug? > > The corners of SonakX’s mouth turned up. She", "I use to prevent the reader from misinterpreting the hug? > > The", "the President of the United States. > > > And he hugged her", "and pulled the President toward her, one human being sharing a powerful moment", "President took some political risk to rescue one of her assets because he", "> > The corners of SonakX’s mouth turned up. She pressed her lips", "do. She breaks down and hugs the man. In this bit of dialog,", "and her eyes watered. Months of weariness gave way to overwhelming joy. Warm", "pressed her lips tight but it was no use. She broke into a", "feels unsatisfying. What strategies can I use to prevent the reader from misinterpreting", "SonakX’s mouth turned up. She pressed her lips tight but it was no", "plain that this is in no way sexual. My attempt is bolded but", "She broke into a delighted smile. Her cheeks pressed up and her eyes", "up and her eyes watered. Months of weariness gave way to overwhelming joy.", "of her assets because he believed it was the right thing to do.", "it was the right thing to do. She breaks down and hugs the", "being sharing a powerful moment with another. > > > SonakX Wells, level-headed", "Her cheeks pressed up and her eyes watered. Months of weariness gave way", "is in no way sexual. My attempt is bolded but feels unsatisfying. What", "was no use. She broke into a delighted smile. Her cheeks pressed up", "use. She broke into a delighted smile. Her cheeks pressed up and her", "SonakX is a high-ranking NSA official and has been through months of intense", "the reader from misinterpreting the hug? > > The corners of SonakX’s mouth", "of the National Intelligence Agency, had just hugged the President of the United", "cheeks pressed up and her eyes watered. Months of weariness gave way to", "Wells, level-headed Deputy Director of the National Intelligence Agency, had just hugged the", "tight but it was no use. She broke into a delighted smile. Her", "the United States. > > > And he hugged her back. > >", "bolded but feels unsatisfying. What strategies can I use to prevent the reader", "released. The President took some political risk to rescue one of her assets", "with another. > > > SonakX Wells, level-headed Deputy Director of the National", "joy. Warm drops rolled over her cheeks. She thrust her arms out and", "scenes of my novel. The President is a kind, intelligent, fatherly man. SonakX", "want to make it plain that this is in no way sexual. My", "that this is in no way sexual. My attempt is bolded but feels", "SonakX Wells, level-headed Deputy Director of the National Intelligence Agency, had just hugged", "and has been through months of intense pressure that has finally been released.", "to overwhelming joy. Warm drops rolled over her cheeks. She thrust her arms", "right thing to do. She breaks down and hugs the man. In this", "from misinterpreting the hug? > > The corners of SonakX’s mouth turned up.", "drops rolled over her cheeks. She thrust her arms out and pulled the", "Director of the National Intelligence Agency, had just hugged the President of the", "She thrust her arms out and pulled the President toward her, one human", "down and hugs the man. In this bit of dialog, I want to", "President is a kind, intelligent, fatherly man. SonakX is a high-ranking NSA official", "rolled over her cheeks. She thrust her arms out and pulled the President", "thrust her arms out and pulled the President toward her, one human being", "Agency, had just hugged the President of the United States. > > >", "President of the United States. > > > And he hugged her back.", "believed it was the right thing to do. She breaks down and hugs", "final scenes of my novel. The President is a kind, intelligent, fatherly man.", "up. She pressed her lips tight but it was no use. She broke", "to prevent the reader from misinterpreting the hug? > > The corners of", "the final scenes of my novel. The President is a kind, intelligent, fatherly", "but feels unsatisfying. What strategies can I use to prevent the reader from", "into a delighted smile. Her cheeks pressed up and her eyes watered. Months", "of the United States. > > > And he hugged her back. >", "out and pulled the President toward her, one human being sharing a powerful", "She breaks down and hugs the man. In this bit of dialog, I", "of dialog, I want to make it plain that this is in no", "smile. Her cheeks pressed up and her eyes watered. Months of weariness gave", "assets because he believed it was the right thing to do. She breaks", "the President toward her, one human being sharing a powerful moment with another.", "her arms out and pulled the President toward her, one human being sharing", "pressure that has finally been released. The President took some political risk to", "NSA official and has been through months of intense pressure that has finally", "can I use to prevent the reader from misinterpreting the hug? > >", "official and has been through months of intense pressure that has finally been", "In this bit of dialog, I want to make it plain that this", "lips tight but it was no use. She broke into a delighted smile.", "cheeks. She thrust her arms out and pulled the President toward her, one", "arms out and pulled the President toward her, one human being sharing a", "powerful moment with another. > > > SonakX Wells, level-headed Deputy Director of", "but it was no use. She broke into a delighted smile. Her cheeks", "delighted smile. Her cheeks pressed up and her eyes watered. Months of weariness", "to do. She breaks down and hugs the man. In this bit of", "fatherly man. SonakX is a high-ranking NSA official and has been through months", "it was no use. She broke into a delighted smile. Her cheeks pressed", "gave way to overwhelming joy. Warm drops rolled over her cheeks. She thrust", "What strategies can I use to prevent the reader from misinterpreting the hug?", "reader from misinterpreting the hug? > > The corners of SonakX’s mouth turned", "took some political risk to rescue one of her assets because he believed", "hugs the man. In this bit of dialog, I want to make it", "her lips tight but it was no use. She broke into a delighted", "Intelligence Agency, had just hugged the President of the United States. > >", "way sexual. My attempt is bolded but feels unsatisfying. What strategies can I", "corners of SonakX’s mouth turned up. She pressed her lips tight but it", "been released. The President took some political risk to rescue one of her", "President toward her, one human being sharing a powerful moment with another. >", "has finally been released. The President took some political risk to rescue one", "pulled the President toward her, one human being sharing a powerful moment with", "of the final scenes of my novel. The President is a kind, intelligent,", "high-ranking NSA official and has been through months of intense pressure that has", "sharing a powerful moment with another. > > > SonakX Wells, level-headed Deputy", "the right thing to do. She breaks down and hugs the man. In", "turned up. 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My attempt is bolded but feels unsatisfying.", "on one of the final scenes of my novel. The President is a", "rescue one of her assets because he believed it was the right thing", "was the right thing to do. She breaks down and hugs the man.", "is a kind, intelligent, fatherly man. SonakX is a high-ranking NSA official and", "hug? > > The corners of SonakX’s mouth turned up. She pressed her", "her, one human being sharing a powerful moment with another. > > >", "The President is a kind, intelligent, fatherly man. SonakX is a high-ranking NSA", "the man. In this bit of dialog, I want to make it plain", "the National Intelligence Agency, had just hugged the President of the United States.", "level-headed Deputy Director of the National Intelligence Agency, had just hugged the President", "National Intelligence Agency, had just hugged the President of the United States. >", "working on one of the final scenes of my novel. The President is", "the hug? > > The corners of SonakX’s mouth turned up. She pressed", "because he believed it was the right thing to do. She breaks down", "moment with another. > > > SonakX Wells, level-headed Deputy Director of the", "of SonakX’s mouth turned up. She pressed her lips tight but it was", "her assets because he believed it was the right thing to do. She", "kind, intelligent, fatherly man. SonakX is a high-ranking NSA official and has been", "breaks down and hugs the man. In this bit of dialog, I want", "I want to make it plain that this is in no way sexual.", "pressed up and her eyes watered. Months of weariness gave way to overwhelming", "months of intense pressure that has finally been released. The President took some", "just hugged the President of the United States. > > > And he", "her cheeks. She thrust her arms out and pulled the President toward her,", "risk to rescue one of her assets because he believed it was the", "no use. She broke into a delighted smile. Her cheeks pressed up and", "that has finally been released. The President took some political risk to rescue", "mouth turned up. She pressed her lips tight but it was no use.", "a high-ranking NSA official and has been through months of intense pressure that", "watered. Months of weariness gave way to overwhelming joy. Warm drops rolled over", "The corners of SonakX’s mouth turned up. She pressed her lips tight but", "to rescue one of her assets because he believed it was the right", "hugged the President of the United States. > > > And he hugged", "is bolded but feels unsatisfying. What strategies can I use to prevent the", "been through months of intense pressure that has finally been released. The President", "this bit of dialog, I want to make it plain that this is", "I'm working on one of the final scenes of my novel. The President", "through months of intense pressure that has finally been released. The President took", "a powerful moment with another. > > > SonakX Wells, level-headed Deputy Director", "my novel. The President is a kind, intelligent, fatherly man. SonakX is a", "unsatisfying. What strategies can I use to prevent the reader from misinterpreting the", "a delighted smile. Her cheeks pressed up and her eyes watered. Months of", "is a high-ranking NSA official and has been through months of intense pressure", "use to prevent the reader from misinterpreting the hug? > > The corners", "intelligent, fatherly man. SonakX is a high-ranking NSA official and has been through" ]
[ "like vultures. > > > And this: > > Closing her eyes, she", "so confident and handsome, women circled him like vultures. > > > Mainly,", "women circled him like vultures. > > > And this: > > Closing", "> > Being so confident and handsome, women circled him like vultures. >", "example, what's the difference between: > > She closed her eyes and thought", "He was so confident and handsome women circled him like vultures. > >", "> > > Being so confident and handsome, women circled him like vultures.", "Being so confident and handsome, women circled him like vultures. > > >", "handsome women circled him like vultures. > > > And this: > >", "> > Closing her eyes, she > thought about her life. > >", "between: > > She closed her eyes and thought about her life. >", "and handsome, women circled him like vultures. > > > Mainly, what effect", "him like vultures. > > > And this: > > Closing her eyes,", "like vultures. > > > Mainly, what effect they cause in the reader?", "so confident and handsome women circled him like vultures. > > > And", "> > And this: > > Closing her eyes, she > thought about", "> Mainly, what effect they cause in the reader? When to use the", "they cause in the reader? When to use the former and when to", "Closing her eyes, she > thought about her life. > > > Being", "confident and handsome, women circled him like vultures. > > > Mainly, what", "her eyes, she > thought about her life. > > > Being so", "> > > And this: > > Closing her eyes, she > thought", "life. > > > Being so confident and handsome, women circled him like", "handsome, women circled him like vultures. > > > Mainly, what effect they", "effect they cause in the reader? When to use the former and when", "life. > > > He was so confident and handsome women circled him", "> > She closed her eyes and thought about her life. > >", "her eyes and thought about her life. > > > He was so", "> Closing her eyes, she > thought about her life. > > >", "her life. > > > Being so confident and handsome, women circled him", "women circled him like vultures. > > > Mainly, what effect they cause", "> > He was so confident and handsome women circled him like vultures.", "what's the difference between: > > She closed her eyes and thought about", "thought about her life. > > > He was so confident and handsome", "this: > > Closing her eyes, she > thought about her life. >", "> thought about her life. > > > Being so confident and handsome,", "Mainly, what effect they cause in the reader? When to use the former", "For example, what's the difference between: > > She closed her eyes and", "difference between: > > She closed her eyes and thought about her life.", "And this: > > Closing her eyes, she > thought about her life.", "what effect they cause in the reader? When to use the former and", "She closed her eyes and thought about her life. > > > He", "eyes and thought about her life. > > > He was so confident", "in the reader? When to use the former and when to use the", "her life. > > > He was so confident and handsome women circled", "closed her eyes and thought about her life. > > > He was", "vultures. > > > Mainly, what effect they cause in the reader? When", "> And this: > > Closing her eyes, she > thought about her", "vultures. > > > And this: > > Closing her eyes, she >", "the difference between: > > She closed her eyes and thought about her", "> > > Mainly, what effect they cause in the reader? When to", "about her life. > > > Being so confident and handsome, women circled", "and handsome women circled him like vultures. > > > And this: >", "> He was so confident and handsome women circled him like vultures. >", "> > Mainly, what effect they cause in the reader? When to use", "and thought about her life. > > > He was so confident and", "confident and handsome women circled him like vultures. > > > And this:", "thought about her life. > > > Being so confident and handsome, women", "circled him like vultures. > > > Mainly, what effect they cause in", "the reader? When to use the former and when to use the latter?", "> She closed her eyes and thought about her life. > > >", "> > > He was so confident and handsome women circled him like", "she > thought about her life. > > > Being so confident and", "was so confident and handsome women circled him like vultures. > > >", "cause in the reader? When to use the former and when to use", "him like vultures. > > > Mainly, what effect they cause in the", "about her life. > > > He was so confident and handsome women", "circled him like vultures. > > > And this: > > Closing her", "> Being so confident and handsome, women circled him like vultures. > >", "eyes, she > thought about her life. > > > Being so confident" ]
[ "that large. How should I go about writing about the city? Also, in", "writing about the city? Also, in Hawaii, we use a lot of slang", "it mean I would have to start using a different vocabulary for the", "instead of flip flops) would it mean I would have to start using", "about the city? Also, in Hawaii, we use a lot of slang words", "of slang words for talking to people or about things, (for example: we", "people or about things, (for example: we say slippers instead of flip flops)", "Hawaii, we use a lot of slang words for talking to people or", "use a lot of slang words for talking to people or about things,", "to write a book that takes place somewhere in America, maybe New York,", "a city that large. How should I go about writing about the city?", "problem is, I live in Hawaii and have never been to a city", "But the problem is, I live in Hawaii and have never been to", "the city? Also, in Hawaii, we use a lot of slang words for", "flops) would it mean I would have to start using a different vocabulary", "in Hawaii, we use a lot of slang words for talking to people", "mean I would have to start using a different vocabulary for the story?", "write a book that takes place somewhere in America, maybe New York, Chicago,", "maybe New York, Chicago, or another large city. But the problem is, I", "slippers instead of flip flops) would it mean I would have to start", "I live in Hawaii and have never been to a city that large.", "large city. But the problem is, I live in Hawaii and have never", "is, I live in Hawaii and have never been to a city that", "Also, in Hawaii, we use a lot of slang words for talking to", "for talking to people or about things, (for example: we say slippers instead", "a book that takes place somewhere in America, maybe New York, Chicago, or", "Hawaii and have never been to a city that large. How should I", "and have never been to a city that large. How should I go", "city? Also, in Hawaii, we use a lot of slang words for talking", "York, Chicago, or another large city. But the problem is, I live in", "words for talking to people or about things, (for example: we say slippers", "live in Hawaii and have never been to a city that large. How", "talking to people or about things, (for example: we say slippers instead of", "in Hawaii and have never been to a city that large. How should", "lot of slang words for talking to people or about things, (for example:", "place somewhere in America, maybe New York, Chicago, or another large city. But", "been trying to write a book that takes place somewhere in America, maybe", "go about writing about the city? Also, in Hawaii, we use a lot", "city that large. How should I go about writing about the city? Also,", "in America, maybe New York, Chicago, or another large city. But the problem", "have never been to a city that large. How should I go about", "New York, Chicago, or another large city. But the problem is, I live", "large. How should I go about writing about the city? Also, in Hawaii,", "somewhere in America, maybe New York, Chicago, or another large city. But the", "say slippers instead of flip flops) would it mean I would have to", "Chicago, or another large city. But the problem is, I live in Hawaii", "(for example: we say slippers instead of flip flops) would it mean I", "never been to a city that large. How should I go about writing", "How should I go about writing about the city? Also, in Hawaii, we", "the problem is, I live in Hawaii and have never been to a", "to people or about things, (for example: we say slippers instead of flip", "flip flops) would it mean I would have to start using a different", "trying to write a book that takes place somewhere in America, maybe New", "about writing about the city? Also, in Hawaii, we use a lot of", "I've been trying to write a book that takes place somewhere in America,", "or about things, (for example: we say slippers instead of flip flops) would", "example: we say slippers instead of flip flops) would it mean I would", "book that takes place somewhere in America, maybe New York, Chicago, or another", "been to a city that large. How should I go about writing about", "that takes place somewhere in America, maybe New York, Chicago, or another large", "America, maybe New York, Chicago, or another large city. But the problem is,", "city. But the problem is, I live in Hawaii and have never been", "we say slippers instead of flip flops) would it mean I would have", "of flip flops) would it mean I would have to start using a", "a lot of slang words for talking to people or about things, (for", "should I go about writing about the city? Also, in Hawaii, we use", "we use a lot of slang words for talking to people or about", "slang words for talking to people or about things, (for example: we say", "or another large city. But the problem is, I live in Hawaii and", "I go about writing about the city? Also, in Hawaii, we use a", "things, (for example: we say slippers instead of flip flops) would it mean", "to a city that large. How should I go about writing about the", "about things, (for example: we say slippers instead of flip flops) would it", "would it mean I would have to start using a different vocabulary for", "takes place somewhere in America, maybe New York, Chicago, or another large city.", "another large city. But the problem is, I live in Hawaii and have" ]
[ "more accepted, the onomatopoeia coming before or after the source action is implied.", "rose and... > > > \\SLAP!\\ > > > \"I won't have you", "it was all Hayate could do short from wanting to ring Nevulis's neck", "the tome. your processing your love for a inanimate object\" > > >", "alive! could an inanimate object be the father of our daughter!\" > >", "> Hayate's rage boiled over. without thinking, ignoring the possible repercussions from Nevulis", "possible repercussions from Nevulis her hand rose and... > > > \\SLAP!\\ >", "is generally more accepted, the onomatopoeia coming before or after the source action", "from wanting to ring Nevulis's neck \"I won't have you talk about her", "of our daughter!\" > > > The onomatopoeia *after* source action is implied:", "> > The onomatopoeia *after* source action is implied: > > \"you do", "striking Nevulis in anger from her comment. I am wondering which is generally", "both cases it's implied that the slap has come from Hayate striking Nevulis", "she's the personification of the tome. your processing your love for a inanimate", "Nevulis in anger from her comment. I am wondering which is generally more", "> > > \"I won't have you talk about her like that. Reinforce", "your love for a inanimate object\" > > > \\SLAP!\\ > > >", "it's implied that the slap has come from Hayate striking Nevulis in anger", "> > > The onomatopoeia *after* source action is implied: > > \"you", "come from Hayate striking Nevulis in anger from her comment. I am wondering", "> > In both cases it's implied that the slap has come from", "without thinking, ignoring the possible repercussions from Nevulis her hand rose and... >", "ways The onomatopoeia *before* source action is implied: > > \"you do realize", "hand rose and... > > > \\SLAP!\\ > > > \"I won't have", "boiled over. without thinking, ignoring the possible repercussions from Nevulis her hand rose", "anger from her comment. I am wondering which is generally more accepted, the", "from her comment. I am wondering which is generally more accepted, the onomatopoeia", "is alive! could an inanimate object be the father of our daughter!\" >", "implied: > > \"you do realize that she's the personification of the tome.", "was all Hayate could do short from wanting to ring Nevulis's neck \"I", "Reinforce is alive! could an inanimate object be the father of our daughter!\"", "processing your love for a inanimate object\" > > > \\SLAP!\\ > >", "rage boiled over. without thinking, ignoring the possible repercussions from Nevulis her hand", "> > > \\SLAP!\\ > > > \"I won't have you talk about", "onomatopoeia *before* source action is implied: > > \"you do realize that she's", "you talk about her like that. Reinforce is alive! could an inanimate object", "tome. your processing your love for a inanimate object\" > > > Hayate's", "\"I won't have you talk about her like that. Reinforce is alive! could", "short from wanting to ring Nevulis's neck \"I won't have you talk about", "over. without thinking, ignoring the possible repercussions from Nevulis her hand rose and...", "that. Reinforce is alive! could an inanimate object be the father of our", "a section which uses an onomatopoeia but I can write it in 2", "inanimate object\" > > > Hayate's rage boiled over. without thinking, ignoring the", "I have a section which uses an onomatopoeia but I can write it", "> > it was an instant response with total disregard to the possible", "instant response with total disregard to the possible repercussion, it was all Hayate", "be the father of our daughter!\" > > > In both cases it's", "total disregard to the possible repercussion, it was all Hayate could do short", "was an instant response with total disregard to the possible repercussion, it was", "personification of the tome. your processing your love for a inanimate object\" >", "a inanimate object\" > > > Hayate's rage boiled over. without thinking, ignoring", "> > > In both cases it's implied that the slap has come", "> > \"I won't have you talk about her like that. Reinforce is", "generally more accepted, the onomatopoeia coming before or after the source action is", "Nevulis her hand rose and... > > > \\SLAP!\\ > > > \"I", "an onomatopoeia but I can write it in 2 ways The onomatopoeia *before", "do realize that she's the personification of the tome. your processing your love", "uses an onomatopoeia but I can write it in 2 ways The onomatopoeia", "onomatopoeia but I can write it in 2 ways The onomatopoeia before* source", "inanimate object be the father of our daughter!\" > > > In both", "I can write it in 2 ways The onomatopoeia *before* source action is", "*after* source action is implied: > > \"you do realize that she's the", "Hayate could do short from wanting to ring Nevulis's neck \"I won't have", "in anger from her comment. I am wondering which is generally more accepted,", "thinking, ignoring the possible repercussions from Nevulis her hand rose and... > >", "for a inanimate object\" > > > \\SLAP!\\ > > > it was", "*before* source action is implied: > > \"you do realize that she's the", "all Hayate could do short from wanting to ring Nevulis's neck \"I won't", "\\SLAP!\\ > > > it was an instant response with total disregard to", "could do short from wanting to ring Nevulis's neck \"I won't have you", "daughter!\" > > > The onomatopoeia *after* source action is implied: > >", "> > \"you do realize that she's the personification of the tome. your", "your love for a inanimate object\" > > > Hayate's rage boiled over.", "> it was an instant response with total disregard to the possible repercussion,", "your processing your love for a inanimate object\" > > > \\SLAP!\\ >", "of our daughter!\" > > > In both cases it's implied that the", "father of our daughter!\" > > > The onomatopoeia *after* source action is", "wanting to ring Nevulis's neck \"I won't have you talk about her like", "repercussions from Nevulis her hand rose and... > > > \\SLAP!\\ > >", "Nevulis's neck \"I won't have you talk about her like that. Reinforce is", "realize that she's the personification of the tome. your processing your love for", "won't have you talk about her like that. Reinforce is alive! could an", "is implied: > > \"you do realize that she's the personification of the", "it was an instant response with total disregard to the possible repercussion, it", "\"you do realize that she's the personification of the tome. your processing your", "from Hayate striking Nevulis in anger from her comment. I am wondering which", "that the slap has come from Hayate striking Nevulis in anger from her", "repercussion, it was all Hayate could do short from wanting to ring Nevulis's", "The onomatopoeia *before* source action is implied: > > \"you do realize that", "> \"you do realize that she's the personification of the tome. your processing", "wondering which is generally more accepted, the onomatopoeia coming before or after the", "the father of our daughter!\" > > > In both cases it's implied", "an inanimate object be the father of our daughter!\" > > > The", "implied that the slap has come from Hayate striking Nevulis in anger from", "> > Hayate's rage boiled over. without thinking, ignoring the possible repercussions from", "about her like that. Reinforce is alive! could an inanimate object be the", "cases it's implied that the slap has come from Hayate striking Nevulis in", "I am wondering which is generally more accepted, the onomatopoeia coming before or", "love for a inanimate object\" > > > Hayate's rage boiled over. without", "the possible repercussions from Nevulis her hand rose and... > > > \\SLAP!\\", "> > > \\SLAP!\\ > > > it was an instant response with", "> \\SLAP!\\ > > > \"I won't have you talk about her like", "> > > it was an instant response with total disregard to the", "ignoring the possible repercussions from Nevulis her hand rose and... > > >", "> > \\SLAP!\\ > > > \"I won't have you talk about her", "has come from Hayate striking Nevulis in anger from her comment. I am", "for a inanimate object\" > > > Hayate's rage boiled over. without thinking,", "in 2 ways The onomatopoeia *before* source action is implied: > > \"you", "slap has come from Hayate striking Nevulis in anger from her comment. I", "her comment. I am wondering which is generally more accepted, the onomatopoeia coming", "your processing your love for a inanimate object\" > > > Hayate's rage", "the possible repercussion, it was all Hayate could do short from wanting to", "onomatopoeia *after* source action is implied: > > \"you do realize that she's", "possible repercussion, it was all Hayate could do short from wanting to ring", "talk about her like that. Reinforce is alive! could an inanimate object be", "> \"I won't have you talk about her like that. Reinforce is alive!", "love for a inanimate object\" > > > \\SLAP!\\ > > > it", "from Nevulis her hand rose and... > > > \\SLAP!\\ > > >", "her hand rose and... > > > \\SLAP!\\ > > > \"I won't", "daughter!\" > > > In both cases it's implied that the slap has", "to ring Nevulis's neck \"I won't have you talk about her like that.", "object be the father of our daughter!\" > > > The onomatopoeia *after", "of the tome. your processing your love for a inanimate object\" > >", "Hayate's rage boiled over. without thinking, ignoring the possible repercussions from Nevulis her", "Hayate striking Nevulis in anger from her comment. I am wondering which is", "> The onomatopoeia after* source action is implied: > > \"you do realize", "and... > > > \\SLAP!\\ > > > \"I won't have you talk", "have a section which uses an onomatopoeia but I can write it in", "with total disregard to the possible repercussion, it was all Hayate could do", "our daughter!\" > > > The onomatopoeia *after* source action is implied: >", "that she's the personification of the tome. your processing your love for a", "In both cases it's implied that the slap has come from Hayate striking", "am wondering which is generally more accepted, the onomatopoeia coming before or after", "object be the father of our daughter!\" > > > In both cases", "The onomatopoeia *after* source action is implied: > > \"you do realize that", "object\" > > > Hayate's rage boiled over. without thinking, ignoring the possible", "2 ways The onomatopoeia *before* source action is implied: > > \"you do", "inanimate object be the father of our daughter!\" > > > The onomatopoeia", "could an inanimate object be the father of our daughter!\" > > >", "action is implied: > > \"you do realize that she's the personification of", "have you talk about her like that. Reinforce is alive! could an inanimate", "the father of our daughter!\" > > > The onomatopoeia *after* source action", "do short from wanting to ring Nevulis's neck \"I won't have you talk", "comment. I am wondering which is generally more accepted, the onomatopoeia coming before", "object\" > > > \\SLAP!\\ > > > it was an instant response", "the slap has come from Hayate striking Nevulis in anger from her comment.", "ring Nevulis's neck \"I won't have you talk about her like that. Reinforce", "a inanimate object\" > > > \\SLAP!\\ > > > it was an", "an instant response with total disregard to the possible repercussion, it was all", "father of our daughter!\" > > > In both cases it's implied that", "can write it in 2 ways The onomatopoeia *before* source action is implied:", "the personification of the tome. your processing your love for a inanimate object\"", "section which uses an onomatopoeia but I can write it in 2 ways", "an inanimate object be the father of our daughter!\" > > > In", "to the possible repercussion, it was all Hayate could do short from wanting", "tome. your processing your love for a inanimate object\" > > > \\SLAP!\\", "be the father of our daughter!\" > > > The onomatopoeia *after* source", "which uses an onomatopoeia but I can write it in 2 ways The", "> > \\SLAP!\\ > > > it was an instant response with total", "inanimate object\" > > > \\SLAP!\\ > > > it was an instant", "it in 2 ways The onomatopoeia *before* source action is implied: > >", "her like that. Reinforce is alive! could an inanimate object be the father", "source action is implied: > > \"you do realize that she's the personification", "response with total disregard to the possible repercussion, it was all Hayate could", "our daughter!\" > > > In both cases it's implied that the slap", "\\SLAP!\\ > > > \"I won't have you talk about her like that.", "but I can write it in 2 ways The onomatopoeia *before* source action", "like that. Reinforce is alive! could an inanimate object be the father of", "processing your love for a inanimate object\" > > > Hayate's rage boiled", "> In both cases it's implied that the slap has come from Hayate", "write it in 2 ways The onomatopoeia *before* source action is implied: >", "which is generally more accepted, the onomatopoeia coming before or after the source", "neck \"I won't have you talk about her like that. Reinforce is alive!", "disregard to the possible repercussion, it was all Hayate could do short from", "> > > Hayate's rage boiled over. without thinking, ignoring the possible repercussions", "> \\SLAP!\\ > > > it was an instant response with total disregard" ]
[ "At first I was going to tell my story told from my main", "to have it come from a third-person narrative point of view. What are", "character's point of view, but now I'm wondering if I should make it", "wanted the main character to display her thoughts and emotions to the reader,", "I can think to do this is to have it come from a", "display her thoughts and emotions to the reader, but I also wanted the", "to the reader, but I also wanted the reader to experience scenes with", "The only way I can think to do this is to have it", "point of view, but now I'm wondering if I should make it coming", "can think to do this is to have it come from a third-person", "point of view of a third-person narrator. I wanted the main character to", "and emotions to the reader, but I also wanted the reader to experience", "a third-person narrator. I wanted the main character to display her thoughts and", "main character knowing. The only way I can think to do this is", "scenes with other characters without the main character knowing. The only way I", "I should make it coming from the point of view of a third-person", "I'm wondering if I should make it coming from the point of view", "of a third-person narrator. I wanted the main character to display her thoughts", "view, but now I'm wondering if I should make it coming from the", "first I was going to tell my story told from my main character's", "it come from a third-person narrative point of view. What are my options?", "to tell my story told from my main character's point of view, but", "this is to have it come from a third-person narrative point of view.", "tell my story told from my main character's point of view, but now", "her thoughts and emotions to the reader, but I also wanted the reader", "but now I'm wondering if I should make it coming from the point", "now I'm wondering if I should make it coming from the point of", "have it come from a third-person narrative point of view. What are my", "characters without the main character knowing. The only way I can think to", "the main character knowing. The only way I can think to do this", "of view of a third-person narrator. I wanted the main character to display", "from the point of view of a third-person narrator. I wanted the main", "the main character to display her thoughts and emotions to the reader, but", "is to have it come from a third-person narrative point of view. What", "main character to display her thoughts and emotions to the reader, but I", "emotions to the reader, but I also wanted the reader to experience scenes", "view of a third-person narrator. I wanted the main character to display her", "with other characters without the main character knowing. The only way I can", "wanted the reader to experience scenes with other characters without the main character", "I wanted the main character to display her thoughts and emotions to the", "main character's point of view, but now I'm wondering if I should make", "should make it coming from the point of view of a third-person narrator.", "I was going to tell my story told from my main character's point", "going to tell my story told from my main character's point of view,", "coming from the point of view of a third-person narrator. I wanted the", "of view, but now I'm wondering if I should make it coming from", "narrator. I wanted the main character to display her thoughts and emotions to", "told from my main character's point of view, but now I'm wondering if", "it coming from the point of view of a third-person narrator. I wanted", "wondering if I should make it coming from the point of view of", "thoughts and emotions to the reader, but I also wanted the reader to", "from my main character's point of view, but now I'm wondering if I", "do this is to have it come from a third-person narrative point of", "other characters without the main character knowing. The only way I can think", "story told from my main character's point of view, but now I'm wondering", "character to display her thoughts and emotions to the reader, but I also", "think to do this is to have it come from a third-person narrative", "to do this is to have it come from a third-person narrative point", "the reader to experience scenes with other characters without the main character knowing.", "my story told from my main character's point of view, but now I'm", "way I can think to do this is to have it come from", "my main character's point of view, but now I'm wondering if I should", "experience scenes with other characters without the main character knowing. The only way", "also wanted the reader to experience scenes with other characters without the main", "but I also wanted the reader to experience scenes with other characters without", "reader to experience scenes with other characters without the main character knowing. The", "make it coming from the point of view of a third-person narrator. I", "to experience scenes with other characters without the main character knowing. The only", "third-person narrator. I wanted the main character to display her thoughts and emotions", "character knowing. The only way I can think to do this is to", "if I should make it coming from the point of view of a", "knowing. The only way I can think to do this is to have", "the point of view of a third-person narrator. I wanted the main character", "was going to tell my story told from my main character's point of", "I also wanted the reader to experience scenes with other characters without the", "reader, but I also wanted the reader to experience scenes with other characters", "to display her thoughts and emotions to the reader, but I also wanted", "only way I can think to do this is to have it come", "without the main character knowing. The only way I can think to do", "the reader, but I also wanted the reader to experience scenes with other" ]
[ "on the other side of these websites. Given these two options, what have", "that previous responses to this question are either, \"Ask friends and family for", "any experience with these to know the difference or who is on the", "the difference or who is on the other side of these websites. Given", "responses to this question are either, \"Ask friends and family for a reference\"", "So I've found professional editor associations, however searching through the bios on these", "such as reedsy.com and bibliocruch.com, but I don't have any experience with these", "to know the difference or who is on the other side of these", "these two options, what have been your experience? Is there a better third", "bibliocruch.com, but I don't have any experience with these to know the difference", "see that previous responses to this question are either, \"Ask friends and family", "internet\" (thanks). So I've found professional editor associations, however searching through the bios", "friends and family for a reference\" (I'll pass),or \"Search the internet\" (thanks). So", "deeper the rabbit hole goes. I see that previous responses to this question", "previous responses to this question are either, \"Ask friends and family for a", "more I research places to hire an editor, the deeper the rabbit hole", "family for a reference\" (I'll pass),or \"Search the internet\" (thanks). So I've found", "these sites is uninspiring and feels like a roll of the dice. There", "a reference\" (I'll pass),or \"Search the internet\" (thanks). So I've found professional editor", "these to know the difference or who is on the other side of", "and bibliocruch.com, but I don't have any experience with these to know the", "also fancier freelance websites such as reedsy.com and bibliocruch.com, but I don't have", "bios on these sites is uninspiring and feels like a roll of the", "is uninspiring and feels like a roll of the dice. There are also", "dice. There are also fancier freelance websites such as reedsy.com and bibliocruch.com, but", "and feels like a roll of the dice. There are also fancier freelance", "the deeper the rabbit hole goes. I see that previous responses to this", "the dice. There are also fancier freelance websites such as reedsy.com and bibliocruch.com,", "websites. Given these two options, what have been your experience? Is there a", "as reedsy.com and bibliocruch.com, but I don't have any experience with these to", "the internet\" (thanks). So I've found professional editor associations, however searching through the", "don't have any experience with these to know the difference or who is", "these websites. Given these two options, what have been your experience? Is there", "editor, the deeper the rabbit hole goes. I see that previous responses to", "options, what have been your experience? Is there a better third option? Thanks", "however searching through the bios on these sites is uninspiring and feels like", "is on the other side of these websites. Given these two options, what", "feels like a roll of the dice. There are also fancier freelance websites", "other side of these websites. Given these two options, what have been your", "hire an editor, the deeper the rabbit hole goes. I see that previous", "who is on the other side of these websites. Given these two options,", "searching through the bios on these sites is uninspiring and feels like a", "I don't have any experience with these to know the difference or who", "goes. I see that previous responses to this question are either, \"Ask friends", "the bios on these sites is uninspiring and feels like a roll of", "pass),or \"Search the internet\" (thanks). So I've found professional editor associations, however searching", "(thanks). So I've found professional editor associations, however searching through the bios on", "are either, \"Ask friends and family for a reference\" (I'll pass),or \"Search the", "to hire an editor, the deeper the rabbit hole goes. I see that", "and family for a reference\" (I'll pass),or \"Search the internet\" (thanks). So I've", "for a reference\" (I'll pass),or \"Search the internet\" (thanks). So I've found professional", "of the dice. There are also fancier freelance websites such as reedsy.com and", "or who is on the other side of these websites. Given these two", "associations, however searching through the bios on these sites is uninspiring and feels", "reedsy.com and bibliocruch.com, but I don't have any experience with these to know", "I research places to hire an editor, the deeper the rabbit hole goes.", "the other side of these websites. Given these two options, what have been", "roll of the dice. There are also fancier freelance websites such as reedsy.com", "I see that previous responses to this question are either, \"Ask friends and", "through the bios on these sites is uninspiring and feels like a roll", "experience with these to know the difference or who is on the other", "an editor, the deeper the rabbit hole goes. I see that previous responses", "to this question are either, \"Ask friends and family for a reference\" (I'll", "Given these two options, what have been your experience? Is there a better", "rabbit hole goes. I see that previous responses to this question are either,", "are also fancier freelance websites such as reedsy.com and bibliocruch.com, but I don't", "on these sites is uninspiring and feels like a roll of the dice.", "sites is uninspiring and feels like a roll of the dice. There are", "hole goes. I see that previous responses to this question are either, \"Ask", "(I'll pass),or \"Search the internet\" (thanks). So I've found professional editor associations, however", "freelance websites such as reedsy.com and bibliocruch.com, but I don't have any experience", "\"Ask friends and family for a reference\" (I'll pass),or \"Search the internet\" (thanks).", "have any experience with these to know the difference or who is on", "two options, what have been your experience? Is there a better third option?", "found professional editor associations, however searching through the bios on these sites is", "research places to hire an editor, the deeper the rabbit hole goes. I", "like a roll of the dice. There are also fancier freelance websites such", "The more I research places to hire an editor, the deeper the rabbit", "\"Search the internet\" (thanks). So I've found professional editor associations, however searching through", "side of these websites. Given these two options, what have been your experience?", "reference\" (I'll pass),or \"Search the internet\" (thanks). So I've found professional editor associations,", "professional editor associations, however searching through the bios on these sites is uninspiring", "know the difference or who is on the other side of these websites.", "but I don't have any experience with these to know the difference or", "the rabbit hole goes. I see that previous responses to this question are", "editor associations, however searching through the bios on these sites is uninspiring and", "a roll of the dice. There are also fancier freelance websites such as", "fancier freelance websites such as reedsy.com and bibliocruch.com, but I don't have any", "of these websites. Given these two options, what have been your experience? Is", "question are either, \"Ask friends and family for a reference\" (I'll pass),or \"Search", "with these to know the difference or who is on the other side", "websites such as reedsy.com and bibliocruch.com, but I don't have any experience with", "places to hire an editor, the deeper the rabbit hole goes. I see", "either, \"Ask friends and family for a reference\" (I'll pass),or \"Search the internet\"", "There are also fancier freelance websites such as reedsy.com and bibliocruch.com, but I", "I've found professional editor associations, however searching through the bios on these sites", "difference or who is on the other side of these websites. Given these", "have been your experience? Is there a better third option? Thanks very much!", "this question are either, \"Ask friends and family for a reference\" (I'll pass),or", "what have been your experience? Is there a better third option? Thanks very", "uninspiring and feels like a roll of the dice. There are also fancier" ]
[ "create screenplays. Do writers start with a basic plot and then add the", "do they have a very very tiny basic plot and write the scenes", "is meant as a collaborative tool, while a novel/short-story is the finished product.", "them, expanding on the plan? Or do they have a very very tiny", "a very very tiny basic plot and write the scenes in a more", "a basic plot and then add the scenes and arrange them, expanding on", "way? Is planning/discovery significantly different when the goal is a screenplay instead of", "scenes in a more freestyle way? Is planning/discovery significantly different when the goal", "more freestyle way? Is planning/discovery significantly different when the goal is a screenplay", "the goal is a fixed amount of pages/minutes? Or can you \"pants\" it,", "pages/minutes? Or can you \"pants\" it, and then use the editing/collaboration time to", "a more freestyle way? Is planning/discovery significantly different when the goal is a", "if more people will be involved, and because the goal is a fixed", "that a screenplay is meant as a collaborative tool, while a novel/short-story is", "writers and outliners, planners vs. pantsers. I am very curious to know how", "involved, and because the goal is a fixed amount of pages/minutes? Or can", "will be involved, and because the goal is a fixed amount of pages/minutes?", "can you \"pants\" it, and then use the editing/collaboration time to bring things", "and arrange them, expanding on the plan? Or do they have a very", "instead of a short story or novel? One reason I wonder about this", "pantsers. I am very curious to know how screenwriters create screenplays. Do writers", "Do writers start with a basic plot and then add the scenes and", "plan? Or do they have a very very tiny basic plot and write", "different when the goal is a screenplay instead of a short story or", "the goal is a screenplay instead of a short story or novel? One", "story or novel? One reason I wonder about this is that a screenplay", "outliners, planners vs. pantsers. I am very curious to know how screenwriters create", "discovery writers and outliners, planners vs. pantsers. I am very curious to know", "planning/discovery significantly different when the goal is a screenplay instead of a short", "very curious to know how screenwriters create screenplays. Do writers start with a", "then add the scenes and arrange them, expanding on the plan? Or do", "reason I wonder about this is that a screenplay is meant as a", "a collaborative tool, while a novel/short-story is the finished product. Is more planning", "when the goal is a screenplay instead of a short story or novel?", "finished product. Is more planning needed if more people will be involved, and", "plot and then add the scenes and arrange them, expanding on the plan?", "needed if more people will be involved, and because the goal is a", "goal is a screenplay instead of a short story or novel? One reason", "amount of pages/minutes? Or can you \"pants\" it, and then use the editing/collaboration", "is that a screenplay is meant as a collaborative tool, while a novel/short-story", "One reason I wonder about this is that a screenplay is meant as", "a screenplay instead of a short story or novel? One reason I wonder", "planners vs. pantsers. I am very curious to know how screenwriters create screenplays.", "a novel/short-story is the finished product. Is more planning needed if more people", "goal is a fixed amount of pages/minutes? Or can you \"pants\" it, and", "fixed amount of pages/minutes? Or can you \"pants\" it, and then use the", "tool, while a novel/short-story is the finished product. Is more planning needed if", "novel/short-story is the finished product. Is more planning needed if more people will", "while a novel/short-story is the finished product. Is more planning needed if more", "Is more planning needed if more people will be involved, and because the", "because the goal is a fixed amount of pages/minutes? Or can you \"pants\"", "am very curious to know how screenwriters create screenplays. Do writers start with", "very very tiny basic plot and write the scenes in a more freestyle", "how screenwriters create screenplays. Do writers start with a basic plot and then", "screenplay is meant as a collaborative tool, while a novel/short-story is the finished", "the scenes in a more freestyle way? Is planning/discovery significantly different when the", "have a very very tiny basic plot and write the scenes in a", "the scenes and arrange them, expanding on the plan? Or do they have", "general, there are discovery writers and outliners, planners vs. pantsers. I am very", "and then add the scenes and arrange them, expanding on the plan? Or", "curious to know how screenwriters create screenplays. Do writers start with a basic", "I am very curious to know how screenwriters create screenplays. Do writers start", "of a short story or novel? One reason I wonder about this is", "the finished product. Is more planning needed if more people will be involved,", "tiny basic plot and write the scenes in a more freestyle way? Is", "and write the scenes in a more freestyle way? Is planning/discovery significantly different", "to know how screenwriters create screenplays. Do writers start with a basic plot", "know how screenwriters create screenplays. Do writers start with a basic plot and", "this is that a screenplay is meant as a collaborative tool, while a", "or novel? One reason I wonder about this is that a screenplay is", "writing in general, there are discovery writers and outliners, planners vs. pantsers. I", "Or do they have a very very tiny basic plot and write the", "with a basic plot and then add the scenes and arrange them, expanding", "in a more freestyle way? Is planning/discovery significantly different when the goal is", "in general, there are discovery writers and outliners, planners vs. pantsers. I am", "\"pants\" it, and then use the editing/collaboration time to bring things into focus?", "Or can you \"pants\" it, and then use the editing/collaboration time to bring", "of pages/minutes? Or can you \"pants\" it, and then use the editing/collaboration time", "meant as a collaborative tool, while a novel/short-story is the finished product. Is", "and because the goal is a fixed amount of pages/minutes? Or can you", "are discovery writers and outliners, planners vs. pantsers. I am very curious to", "writers start with a basic plot and then add the scenes and arrange", "on the plan? Or do they have a very very tiny basic plot", "vs. pantsers. I am very curious to know how screenwriters create screenplays. Do", "freestyle way? Is planning/discovery significantly different when the goal is a screenplay instead", "is the finished product. Is more planning needed if more people will be", "screenwriters create screenplays. Do writers start with a basic plot and then add", "basic plot and write the scenes in a more freestyle way? Is planning/discovery", "a fixed amount of pages/minutes? Or can you \"pants\" it, and then use", "as a collaborative tool, while a novel/short-story is the finished product. Is more", "planning needed if more people will be involved, and because the goal is", "Is planning/discovery significantly different when the goal is a screenplay instead of a", "very tiny basic plot and write the scenes in a more freestyle way?", "scenes and arrange them, expanding on the plan? Or do they have a", "more people will be involved, and because the goal is a fixed amount", "about this is that a screenplay is meant as a collaborative tool, while", "significantly different when the goal is a screenplay instead of a short story", "a screenplay is meant as a collaborative tool, while a novel/short-story is the", "they have a very very tiny basic plot and write the scenes in", "expanding on the plan? Or do they have a very very tiny basic", "a short story or novel? One reason I wonder about this is that", "write the scenes in a more freestyle way? Is planning/discovery significantly different when", "collaborative tool, while a novel/short-story is the finished product. Is more planning needed", "arrange them, expanding on the plan? Or do they have a very very", "is a screenplay instead of a short story or novel? One reason I", "is a fixed amount of pages/minutes? Or can you \"pants\" it, and then", "start with a basic plot and then add the scenes and arrange them,", "there are discovery writers and outliners, planners vs. pantsers. I am very curious", "I wonder about this is that a screenplay is meant as a collaborative", "novel? One reason I wonder about this is that a screenplay is meant", "basic plot and then add the scenes and arrange them, expanding on the", "be involved, and because the goal is a fixed amount of pages/minutes? Or", "screenplays. Do writers start with a basic plot and then add the scenes", "add the scenes and arrange them, expanding on the plan? Or do they", "screenplay instead of a short story or novel? One reason I wonder about", "more planning needed if more people will be involved, and because the goal", "and outliners, planners vs. pantsers. I am very curious to know how screenwriters", "wonder about this is that a screenplay is meant as a collaborative tool,", "you \"pants\" it, and then use the editing/collaboration time to bring things into", "people will be involved, and because the goal is a fixed amount of", "In writing in general, there are discovery writers and outliners, planners vs. pantsers.", "short story or novel? One reason I wonder about this is that a", "the plan? Or do they have a very very tiny basic plot and", "product. Is more planning needed if more people will be involved, and because", "plot and write the scenes in a more freestyle way? Is planning/discovery significantly" ]
[ "the main plot of the story. My story has many intertwined plots all", "happened? Get happier? My character has suffered a series of traumatic, personal events.", "My character has suffered a series of traumatic, personal events. Now he has", "and I don't know how to get him on the \"back again\" path.", "in the future. I am seriously stuck, I don't know how to fix", "have a character, Seck, and I don't know how to get him on", "personal events. Now he has to cope with the aftermath, plus new responsibilities,", "future. I am seriously stuck, I don't know how to fix what I've", "has suffered a series of traumatic, personal events. Now he has to cope", "I go about trying to keep him mentally stable even? How on Earth", "suffered a series of traumatic, personal events. Now he has to cope with", "so I have a character, Seck, and I don't know how to get", "you move past what happened? Get happier? My character has suffered a series", "Earth do I fix this? Oh, and not only that but...That's not the", "how to get him on the \"back again\" path. You know, when you", "the story. My story has many intertwined plots all in one big ball...So", "what I've done. How should I go about trying to keep him mentally", "worried about more traumas happening in the future. I am seriously stuck, I", "about trying to keep him mentally stable even? How on Earth do I", "he has to cope with the aftermath, plus new responsibilities, guilt he places", "know, when you move past what happened? Get happier? My character has suffered", "I fix this? Oh, and not only that but...That's not the main plot", "has many intertwined plots all in one big ball...So I can't focus ONLY", "this? Oh, and not only that but...That's not the main plot of the", "get him on the \"back again\" path. You know, when you move past", "move past what happened? Get happier? My character has suffered a series of", "am seriously stuck, I don't know how to fix what I've done. How", "of the story. My story has many intertwined plots all in one big", "the \"back again\" path. You know, when you move past what happened? Get", "don't know how to get him on the \"back again\" path. You know,", "\"back again\" path. You know, when you move past what happened? Get happier?", "to get him on the \"back again\" path. You know, when you move", "stuck, I don't know how to fix what I've done. How should I", "I've done. How should I go about trying to keep him mentally stable", "How should I go about trying to keep him mentally stable even? How", "to keep him mentally stable even? How on Earth do I fix this?", "traumas happening in the future. I am seriously stuck, I don't know how", "fix this? Oh, and not only that but...That's not the main plot of", "How on Earth do I fix this? Oh, and not only that but...That's", "I am seriously stuck, I don't know how to fix what I've done.", "happier? My character has suffered a series of traumatic, personal events. Now he", "story. My story has many intertwined plots all in one big ball...So I", "others, and he's worried about more traumas happening in the future. I am", "I don't know how to get him on the \"back again\" path. You", "himself, blame placed on him by others, and he's worried about more traumas", "Now he has to cope with the aftermath, plus new responsibilities, guilt he", "many intertwined plots all in one big ball...So I can't focus ONLY on", "keep him mentally stable even? How on Earth do I fix this? Oh,", "You know, when you move past what happened? Get happier? My character has", "mentally stable even? How on Earth do I fix this? Oh, and not", "responsibilities, guilt he places on himself, blame placed on him by others, and", "to cope with the aftermath, plus new responsibilities, guilt he places on himself,", "series of traumatic, personal events. Now he has to cope with the aftermath,", "trying to keep him mentally stable even? How on Earth do I fix", "My story has many intertwined plots all in one big ball...So I can't", "story has many intertwined plots all in one big ball...So I can't focus", "of traumatic, personal events. Now he has to cope with the aftermath, plus", "on Earth do I fix this? Oh, and not only that but...That's not", "more traumas happening in the future. I am seriously stuck, I don't know", "know how to get him on the \"back again\" path. You know, when", "go about trying to keep him mentally stable even? How on Earth do", "past what happened? Get happier? My character has suffered a series of traumatic,", "places on himself, blame placed on him by others, and he's worried about", "character has suffered a series of traumatic, personal events. Now he has to", "on him by others, and he's worried about more traumas happening in the", "even? How on Earth do I fix this? Oh, and not only that", "should I go about trying to keep him mentally stable even? How on", "the aftermath, plus new responsibilities, guilt he places on himself, blame placed on", "path. You know, when you move past what happened? Get happier? My character", "him by others, and he's worried about more traumas happening in the future.", "seriously stuck, I don't know how to fix what I've done. How should", "on himself, blame placed on him by others, and he's worried about more", "the future. I am seriously stuck, I don't know how to fix what", "traumatic, personal events. Now he has to cope with the aftermath, plus new", "Oh, and not only that but...That's not the main plot of the story.", "Get happier? My character has suffered a series of traumatic, personal events. Now", "him mentally stable even? How on Earth do I fix this? Oh, and", "done. How should I go about trying to keep him mentally stable even?", "I don't know how to fix what I've done. How should I go", "I have a character, Seck, and I don't know how to get him", "don't know how to fix what I've done. How should I go about", "intertwined plots all in one big ball...So I can't focus ONLY on this.", "and he's worried about more traumas happening in the future. I am seriously", "main plot of the story. My story has many intertwined plots all in", "aftermath, plus new responsibilities, guilt he places on himself, blame placed on him", "plus new responsibilities, guilt he places on himself, blame placed on him by", "when you move past what happened? Get happier? My character has suffered a", "he places on himself, blame placed on him by others, and he's worried", "not the main plot of the story. My story has many intertwined plots", "a character, Seck, and I don't know how to get him on the", "and not only that but...That's not the main plot of the story. My", "events. Now he has to cope with the aftermath, plus new responsibilities, guilt", "placed on him by others, and he's worried about more traumas happening in", "not only that but...That's not the main plot of the story. My story", "a series of traumatic, personal events. Now he has to cope with the", "again\" path. You know, when you move past what happened? Get happier? My", "fix what I've done. How should I go about trying to keep him", "plot of the story. My story has many intertwined plots all in one", "only that but...That's not the main plot of the story. My story has", "stable even? How on Earth do I fix this? Oh, and not only", "do I fix this? Oh, and not only that but...That's not the main", "Ok, so I have a character, Seck, and I don't know how to", "character, Seck, and I don't know how to get him on the \"back", "he's worried about more traumas happening in the future. I am seriously stuck,", "about more traumas happening in the future. I am seriously stuck, I don't", "to fix what I've done. How should I go about trying to keep", "that but...That's not the main plot of the story. My story has many", "on the \"back again\" path. You know, when you move past what happened?", "with the aftermath, plus new responsibilities, guilt he places on himself, blame placed", "blame placed on him by others, and he's worried about more traumas happening", "how to fix what I've done. How should I go about trying to", "what happened? Get happier? My character has suffered a series of traumatic, personal", "him on the \"back again\" path. You know, when you move past what", "know how to fix what I've done. How should I go about trying", "new responsibilities, guilt he places on himself, blame placed on him by others,", "happening in the future. I am seriously stuck, I don't know how to", "but...That's not the main plot of the story. My story has many intertwined", "has to cope with the aftermath, plus new responsibilities, guilt he places on", "by others, and he's worried about more traumas happening in the future. I", "guilt he places on himself, blame placed on him by others, and he's", "cope with the aftermath, plus new responsibilities, guilt he places on himself, blame", "Seck, and I don't know how to get him on the \"back again\"" ]
[ "must do this. There will be no argument.\"* Regardless of this being a", "be no argument.\"* Now, there are many ways to express the same thought,", "there are many ways to express the same thought, but the problem was", "sample okay? Or can you put a colon after the dialogue tag and", "shown in the sample okay? Or can you put a colon after the", "the sample okay? Or can you put a colon after the dialogue tag", "way it could be valid. So is inserting the dialogue with the normal", "be called that in this case) is way too long, but in a", "a colon after the dialogue tag and insert the dialogue in a new", "a letter to her friend but inside the letter there was a dialogue", "this, there will be no argument.\"* Now, there are many ways to express", "do this. There will be no argument.\"* Regardless of this being a letter,", "but all they said was:* \"You must do this. There will be no", "could be valid. So is inserting the dialogue with the normal convention as", "I ran into a problem. A character wrote a letter to her friend", "come up with, but all they said was: \"You must do this. There", "change their mind and made every possible excuse I could come up with,", "I could come up with, but all they said was: \"You must do", "the dialogue in a new paragraph? I tried to change their mind and", "dialogue tag (if it can even be called that in this case) is", "with but they said, “You must do this, there will be no argument.\"", "new paragraph? I tried to change their mind and made every possible excuse", "possible excuse I could come up with, but all they said was:* \"You", "\"You must do this. There will be no argument.\"* Regardless of this being", "a letter, can the above correction (if it is correct) be used in", "but in a way it could be valid. So is inserting the dialogue", "to express the same thought, but the problem was the punctuation. The dialogue", "punctuation. The dialogue tag (if it can even be called that in this", "up with but they said, “You must do this, there will be no", "is inserting the dialogue with the normal convention as shown in the sample", "argument.\"* Now, there are many ways to express the same thought, but the", "you put a colon after the dialogue tag and insert the dialogue in", "but the problem was the punctuation. The dialogue tag (if it can even", "they said, “You must do this, there will be no argument.\"* Now, there", "(quoting her parents) inserted. I tried to change their mind and made every", "inserted. I tried to change their mind and made every excuse I could", "paragraph? I tried to change their mind and made every possible excuse I", "in this case) is way too long, but in a way it could", "excuse I could come up with but they said, “You must do this,", "her friend but inside the letter there was a dialogue (quoting her parents)", "her parents) inserted. I tried to change their mind and made every excuse", "many ways to express the same thought, but the problem was the punctuation.", "put a colon after the dialogue tag and insert the dialogue in a", "I tried to change their mind and made every possible excuse I could", "even be called that in this case) is way too long, but in", "argument.\" Regardless of this being a letter, can the above correction (if it", "every excuse I could come up with but they said, “You must do", "being a letter, can the above correction (if it is correct) be used", "to her friend but inside the letter there was a dialogue (quoting her", "that in this case) is way too long, but in a way it", "with the normal convention as shown in the sample okay? Or can you", "ways to express the same thought, but the problem was the punctuation. The", "I was editing a friend's story and I ran into a problem. A", "in the sample okay? Or can you put a colon after the dialogue", "So is inserting the dialogue with the normal convention as shown in the", "can the above correction (if it is correct) be used in appropriate scenarios?", "letter, can the above correction (if it is correct) be used in appropriate", "do this, there will be no argument.\"* Now, there are many ways to", "a way it could be valid. So is inserting the dialogue with the", "was editing a friend's story and I ran into a problem. A character", "but inside the letter there was a dialogue (quoting her parents) inserted. I", "the problem was the punctuation. The dialogue tag (if it can even be", "could come up with but they said, “You must do this, there will", "“You must do this, there will be no argument.\" Now, there are many", "in a way it could be valid. So is inserting the dialogue with", "this. There will be no argument.\"* Regardless of this being a letter, can", "inserting the dialogue with the normal convention as shown in the sample okay?", "it can even be called that in this case) is way too long,", "tried to change their mind and made every excuse I could come up", "a problem. A character wrote a letter to her friend but inside the", "to change their mind and made every excuse I could come up with", "will be no argument.\"* Regardless of this being a letter, can the above", "problem. A character wrote a letter to her friend but inside the letter", "can even be called that in this case) is way too long, but", "tried to change their mind and made every possible excuse I could come", "their mind and made every possible excuse I could come up with, but", "convention as shown in the sample okay? Or can you put a colon", "this case) is way too long, but in a way it could be", "and made every possible excuse I could come up with, but all they", "too long, but in a way it could be valid. So is inserting", "are many ways to express the same thought, but the problem was the", "into a problem. A character wrote a letter to her friend but inside", "to change their mind and made every possible excuse I could come up", "the letter there was a dialogue (quoting her parents) inserted. I tried to", "a dialogue (quoting her parents) inserted. I tried to change their mind and", "A character wrote a letter to her friend but inside the letter there", "every possible excuse I could come up with, but all they said was:", "the normal convention as shown in the sample okay? Or can you put", "colon after the dialogue tag and insert the dialogue in a new paragraph?", "a friend's story and I ran into a problem. A character wrote a", "it could be valid. So is inserting the dialogue with the normal convention", "was a dialogue (quoting her parents) inserted. I tried to change their mind", "valid. So is inserting the dialogue with the normal convention as shown in", "the dialogue tag and insert the dialogue in a new paragraph? I tried", "dialogue in a new paragraph? I tried to change their mind and made", "there will be no argument.\"* Now, there are many ways to express the", "and insert the dialogue in a new paragraph? I tried to change their", "after the dialogue tag and insert the dialogue in a new paragraph? I", "they said was:* \"You must do this. There will be no argument.\" Regardless", "the punctuation. The dialogue tag (if it can even be called that in", "excuse I could come up with, but all they said was:* \"You must", "character wrote a letter to her friend but inside the letter there was", "called that in this case) is way too long, but in a way", "dialogue tag and insert the dialogue in a new paragraph? I tried to", "ran into a problem. A character wrote a letter to her friend but", "story and I ran into a problem. A character wrote a letter to", "inside the letter there was a dialogue (quoting her parents) inserted. I tried", "this being a letter, can the above correction (if it is correct) be", "express the same thought, but the problem was the punctuation. The dialogue tag", "tag and insert the dialogue in a new paragraph? I tried to change", "come up with but they said, “You must do this, there will be", "there was a dialogue (quoting her parents) inserted. I tried to change their", "said, “You must do this, there will be no argument.\" Now, there are", "friend but inside the letter there was a dialogue (quoting her parents) inserted.", "could come up with, but all they said was:* \"You must do this.", "editing a friend's story and I ran into a problem. A character wrote", "thought, but the problem was the punctuation. The dialogue tag (if it can", "the dialogue with the normal convention as shown in the sample okay? Or", "insert the dialogue in a new paragraph? I tried to change their mind", "letter there was a dialogue (quoting her parents) inserted. I tried to change", "Or can you put a colon after the dialogue tag and insert the", "friend's story and I ran into a problem. A character wrote a letter", "be no argument.\" Regardless of this being a letter, can the above correction", "the same thought, but the problem was the punctuation. The dialogue tag (if", "case) is way too long, but in a way it could be valid.", "wrote a letter to her friend but inside the letter there was a", "Now, there are many ways to express the same thought, but the problem", "letter to her friend but inside the letter there was a dialogue (quoting", "made every possible excuse I could come up with, but all they said", "okay? Or can you put a colon after the dialogue tag and insert", "same thought, but the problem was the punctuation. The dialogue tag (if it", "no argument.\"* Regardless of this being a letter, can the above correction (if", "long, but in a way it could be valid. So is inserting the", "There will be no argument.\"* Regardless of this being a letter, can the", "normal convention as shown in the sample okay? Or can you put a", "and I ran into a problem. A character wrote a letter to her", "was:* \"You must do this. There will be no argument.\" Regardless of this", "all they said was:* \"You must do this. There will be no argument.\"", "mind and made every excuse I could come up with but they said,", "and made every excuse I could come up with but they said, “You", "in a new paragraph? I tried to change their mind and made every", "(if it can even be called that in this case) is way too", "problem was the punctuation. The dialogue tag (if it can even be called", "as shown in the sample okay? Or can you put a colon after", "no argument.\" Now, there are many ways to express the same thought, but", "dialogue with the normal convention as shown in the sample okay? Or can", "of this being a letter, can the above correction (if it is correct)", "I tried to change their mind and made every excuse I could come", "made every excuse I could come up with but they said, “You must", "way too long, but in a way it could be valid. So is", "The dialogue tag (if it can even be called that in this case)", "dialogue (quoting her parents) inserted. I tried to change their mind and made", "I could come up with but they said, “You must do this, there", "will be no argument.\"* Now, there are many ways to express the same", "must do this, there will be no argument.\"* Now, there are many ways", "be valid. So is inserting the dialogue with the normal convention as shown", "with, but all they said was:* \"You must do this. There will be", "is way too long, but in a way it could be valid. So", "Regardless of this being a letter, can the above correction (if it is", "their mind and made every excuse I could come up with but they", "mind and made every possible excuse I could come up with, but all", "a new paragraph? I tried to change their mind and made every possible", "tag (if it can even be called that in this case) is way", "can you put a colon after the dialogue tag and insert the dialogue", "said was:* \"You must do this. There will be no argument.\" Regardless of", "parents) inserted. I tried to change their mind and made every excuse I", "was the punctuation. The dialogue tag (if it can even be called that", "up with, but all they said was: \"You must do this. There will", "but they said, “You must do this, there will be no argument.\" Now,", "change their mind and made every excuse I could come up with but" ]
[ "imply any death or even really dramatic event ! The novel tells about", "tells about the main character's strugglings and conflictuous relationships, but death never occurs", "seriously and don't be considered too lightweight from a dramatic point of view", "writing a novel that don't imply any death or even really dramatic event", "? And, in a general way, do you know a great novel that", "novel tells about the main character's strugglings and conflictuous relationships, but death never", "or even really dramatic event ! The novel tells about the main character's", "myself this question while writing a novel that don't imply any death or", "a great novel that don't involve death of any of its characters ?", "question while writing a novel that don't imply any death or even really", "I was asking myself this question while writing a novel that don't imply", "death or even really dramatic event ! The novel tells about the main", "this question while writing a novel that don't imply any death or even", "and conflictuous relationships, but death never occurs in the story ! Can a", "relationships, but death never occurs in the story ! Can a story like", "occurs in the story ! Can a story like this be taken seriously", "novel that don't imply any death or even really dramatic event ! The", "don't imply any death or even really dramatic event ! The novel tells", "be considered too lightweight from a dramatic point of view ? And, in", "any death or even really dramatic event ! The novel tells about the", "a general way, do you know a great novel that don't involve death", "like this be taken seriously and don't be considered too lightweight from a", "but death never occurs in the story ! Can a story like this", "death never occurs in the story ! Can a story like this be", "know a great novel that don't involve death of any of its characters", "in the story ! Can a story like this be taken seriously and", "of view ? And, in a general way, do you know a great", "that don't imply any death or even really dramatic event ! The novel", "story ! Can a story like this be taken seriously and don't be", "a dramatic point of view ? And, in a general way, do you", "And, in a general way, do you know a great novel that don't", "way, do you know a great novel that don't involve death of any", "really dramatic event ! The novel tells about the main character's strugglings and", "lightweight from a dramatic point of view ? And, in a general way,", "strugglings and conflictuous relationships, but death never occurs in the story ! Can", "be taken seriously and don't be considered too lightweight from a dramatic point", "in a general way, do you know a great novel that don't involve", "this be taken seriously and don't be considered too lightweight from a dramatic", "the main character's strugglings and conflictuous relationships, but death never occurs in the", "too lightweight from a dramatic point of view ? And, in a general", "! Can a story like this be taken seriously and don't be considered", "event ! The novel tells about the main character's strugglings and conflictuous relationships,", "point of view ? And, in a general way, do you know a", "from a dramatic point of view ? And, in a general way, do", "about the main character's strugglings and conflictuous relationships, but death never occurs in", "view ? And, in a general way, do you know a great novel", "general way, do you know a great novel that don't involve death of", "story like this be taken seriously and don't be considered too lightweight from", "you know a great novel that don't involve death of any of its", "dramatic point of view ? And, in a general way, do you know", "dramatic event ! The novel tells about the main character's strugglings and conflictuous", "main character's strugglings and conflictuous relationships, but death never occurs in the story", "a story like this be taken seriously and don't be considered too lightweight", "the story ! Can a story like this be taken seriously and don't", "even really dramatic event ! The novel tells about the main character's strugglings", "considered too lightweight from a dramatic point of view ? And, in a", "Can a story like this be taken seriously and don't be considered too", "do you know a great novel that don't involve death of any of", "asking myself this question while writing a novel that don't imply any death", "never occurs in the story ! Can a story like this be taken", "don't be considered too lightweight from a dramatic point of view ? And,", "conflictuous relationships, but death never occurs in the story ! Can a story", "taken seriously and don't be considered too lightweight from a dramatic point of", "character's strugglings and conflictuous relationships, but death never occurs in the story !", "a novel that don't imply any death or even really dramatic event !", "The novel tells about the main character's strugglings and conflictuous relationships, but death", "while writing a novel that don't imply any death or even really dramatic", "was asking myself this question while writing a novel that don't imply any", "and don't be considered too lightweight from a dramatic point of view ?", "! The novel tells about the main character's strugglings and conflictuous relationships, but" ]
[ "grammar just to please the odd poindexter who may read their book. Especially", "and then get frustrated by having to learn all this very intricate grammar", "I realise people like me are probably many, i.e., amateurs who want to", "this very intricate grammar just to please the odd poindexter who may read", "even identify good grammar are very scarce. Do many people even care about", "amateurs who want to write a book and then get frustrated by having", "their book. Especially these days with grammar on the decline, it seems those", "those who can even identify good grammar are very scarce. Do many people", "want to write a book and then get frustrated by having to learn", "please the odd poindexter who may read their book. Especially these days with", "by having to learn all this very intricate grammar just to please the", "it seems those who can even identify good grammar are very scarce. Do", "grammar are very scarce. Do many people even care about \"good\" grammar in", "Especially these days with grammar on the decline, it seems those who can", "many, i.e., amateurs who want to write a book and then get frustrated", "me are probably many, i.e., amateurs who want to write a book and", "good grammar are very scarce. Do many people even care about \"good\" grammar", "days with grammar on the decline, it seems those who can even identify", "on the decline, it seems those who can even identify good grammar are", "may read their book. Especially these days with grammar on the decline, it", "the odd poindexter who may read their book. Especially these days with grammar", "seems those who can even identify good grammar are very scarce. Do many", "having to learn all this very intricate grammar just to please the odd", "people like me are probably many, i.e., amateurs who want to write a", "a book and then get frustrated by having to learn all this very", "read their book. Especially these days with grammar on the decline, it seems", "frustrated by having to learn all this very intricate grammar just to please", "are very scarce. Do many people even care about \"good\" grammar in novels?", "realise people like me are probably many, i.e., amateurs who want to write", "write a book and then get frustrated by having to learn all this", "identify good grammar are very scarce. Do many people even care about \"good\"", "to please the odd poindexter who may read their book. Especially these days", "probably many, i.e., amateurs who want to write a book and then get", "all this very intricate grammar just to please the odd poindexter who may", "the decline, it seems those who can even identify good grammar are very", "decline, it seems those who can even identify good grammar are very scarce.", "get frustrated by having to learn all this very intricate grammar just to", "just to please the odd poindexter who may read their book. Especially these", "then get frustrated by having to learn all this very intricate grammar just", "intricate grammar just to please the odd poindexter who may read their book.", "who can even identify good grammar are very scarce. Do many people even", "odd poindexter who may read their book. Especially these days with grammar on", "are probably many, i.e., amateurs who want to write a book and then", "poindexter who may read their book. Especially these days with grammar on the", "book. Especially these days with grammar on the decline, it seems those who", "book and then get frustrated by having to learn all this very intricate", "to learn all this very intricate grammar just to please the odd poindexter", "to write a book and then get frustrated by having to learn all", "learn all this very intricate grammar just to please the odd poindexter who", "can even identify good grammar are very scarce. Do many people even care", "very intricate grammar just to please the odd poindexter who may read their", "grammar on the decline, it seems those who can even identify good grammar", "like me are probably many, i.e., amateurs who want to write a book", "i.e., amateurs who want to write a book and then get frustrated by", "with grammar on the decline, it seems those who can even identify good", "who may read their book. Especially these days with grammar on the decline,", "who want to write a book and then get frustrated by having to", "these days with grammar on the decline, it seems those who can even" ]
[ "to my writing, but here is my concern. The novel I'm writing is", "etc. but I wrote it in 3rd person omniscient with occasional 3rd person", "I started the novel in one character's POV (in 3rd person limited), will", "it's going to end, etc. but I wrote it in 3rd person omniscient", "just thought I'd put the question out there in case anyone could provide", "it in another character's POV or in omniscient? I'm not quite sure if", "comes to my writing, but here is my concern. The novel I'm writing", "with occasional 3rd person limited for zooming in. If I started the novel", "limited), will the novel feel disconnected if I end it in another character's", "person limited), will the novel feel disconnected if I end it in another", "wrote it in 3rd person omniscient with occasional 3rd person limited for zooming", "is my concern. The novel I'm writing is in its last chapter, I", "person limited for zooming in. If I started the novel in one character's", "one character's POV (in 3rd person limited), will the novel feel disconnected if", "when it comes to my writing, but here is my concern. The novel", "3rd person omniscient with occasional 3rd person limited for zooming in. If I", "here is my concern. The novel I'm writing is in its last chapter,", "writing is in its last chapter, I know exactly what's going to happen,", "if I end it in another character's POV or in omniscient? I'm not", "as I usually do when it comes to my writing, but here is", "started the novel in one character's POV (in 3rd person limited), will the", "disconnected if I end it in another character's POV or in omniscient? I'm", "POV or in omniscient? I'm not quite sure if this matters one way", "If I started the novel in one character's POV (in 3rd person limited),", "or another, but I just thought I'd put the question out there in", "an odd question, and perhaps I am over analyzing this a bit too", "in its last chapter, I know exactly what's going to happen, how it's", "seem like an odd question, and perhaps I am over analyzing this a", "way or another, but I just thought I'd put the question out there", "bit too much, as I usually do when it comes to my writing,", "perhaps I am over analyzing this a bit too much, as I usually", "another character's POV or in omniscient? I'm not quite sure if this matters", "if this matters one way or another, but I just thought I'd put", "and perhaps I am over analyzing this a bit too much, as I", "another, but I just thought I'd put the question out there in case", "person omniscient with occasional 3rd person limited for zooming in. If I started", "happen, how it's going to end, etc. but I wrote it in 3rd", "quite sure if this matters one way or another, but I just thought", "thought I'd put the question out there in case anyone could provide an", "how it's going to end, etc. but I wrote it in 3rd person", "will the novel feel disconnected if I end it in another character's POV", "what's going to happen, how it's going to end, etc. but I wrote", "exactly what's going to happen, how it's going to end, etc. but I", "end, etc. but I wrote it in 3rd person omniscient with occasional 3rd", "in omniscient? I'm not quite sure if this matters one way or another,", "but I just thought I'd put the question out there in case anyone", "omniscient? I'm not quite sure if this matters one way or another, but", "novel in one character's POV (in 3rd person limited), will the novel feel", "but here is my concern. The novel I'm writing is in its last", "I'm not quite sure if this matters one way or another, but I", "to end, etc. but I wrote it in 3rd person omniscient with occasional", "like an odd question, and perhaps I am over analyzing this a bit", "may seem like an odd question, and perhaps I am over analyzing this", "am over analyzing this a bit too much, as I usually do when", "going to end, etc. but I wrote it in 3rd person omniscient with", "the novel feel disconnected if I end it in another character's POV or", "matters one way or another, but I just thought I'd put the question", "do when it comes to my writing, but here is my concern. The", "omniscient with occasional 3rd person limited for zooming in. If I started the", "I usually do when it comes to my writing, but here is my", "feel disconnected if I end it in another character's POV or in omniscient?", "it comes to my writing, but here is my concern. The novel I'm", "I am over analyzing this a bit too much, as I usually do", "concern. The novel I'm writing is in its last chapter, I know exactly", "but I wrote it in 3rd person omniscient with occasional 3rd person limited", "end it in another character's POV or in omniscient? I'm not quite sure", "my concern. The novel I'm writing is in its last chapter, I know", "novel feel disconnected if I end it in another character's POV or in", "it in 3rd person omniscient with occasional 3rd person limited for zooming in.", "know exactly what's going to happen, how it's going to end, etc. but", "character's POV (in 3rd person limited), will the novel feel disconnected if I", "analyzing this a bit too much, as I usually do when it comes", "to happen, how it's going to end, etc. but I wrote it in", "3rd person limited), will the novel feel disconnected if I end it in", "I wrote it in 3rd person omniscient with occasional 3rd person limited for", "in one character's POV (in 3rd person limited), will the novel feel disconnected", "over analyzing this a bit too much, as I usually do when it", "my writing, but here is my concern. The novel I'm writing is in", "zooming in. If I started the novel in one character's POV (in 3rd", "novel I'm writing is in its last chapter, I know exactly what's going", "or in omniscient? I'm not quite sure if this matters one way or", "question, and perhaps I am over analyzing this a bit too much, as", "This may seem like an odd question, and perhaps I am over analyzing", "The novel I'm writing is in its last chapter, I know exactly what's", "for zooming in. If I started the novel in one character's POV (in", "is in its last chapter, I know exactly what's going to happen, how", "in another character's POV or in omniscient? I'm not quite sure if this", "POV (in 3rd person limited), will the novel feel disconnected if I end", "its last chapter, I know exactly what's going to happen, how it's going", "this matters one way or another, but I just thought I'd put the", "going to happen, how it's going to end, etc. but I wrote it", "chapter, I know exactly what's going to happen, how it's going to end,", "this a bit too much, as I usually do when it comes to", "last chapter, I know exactly what's going to happen, how it's going to", "I just thought I'd put the question out there in case anyone could", "too much, as I usually do when it comes to my writing, but", "much, as I usually do when it comes to my writing, but here", "limited for zooming in. If I started the novel in one character's POV", "the novel in one character's POV (in 3rd person limited), will the novel", "3rd person limited for zooming in. If I started the novel in one", "I know exactly what's going to happen, how it's going to end, etc.", "in 3rd person omniscient with occasional 3rd person limited for zooming in. If", "character's POV or in omniscient? I'm not quite sure if this matters one", "usually do when it comes to my writing, but here is my concern.", "not quite sure if this matters one way or another, but I just", "odd question, and perhaps I am over analyzing this a bit too much,", "(in 3rd person limited), will the novel feel disconnected if I end it", "one way or another, but I just thought I'd put the question out", "occasional 3rd person limited for zooming in. If I started the novel in", "in. If I started the novel in one character's POV (in 3rd person", "writing, but here is my concern. The novel I'm writing is in its", "I end it in another character's POV or in omniscient? I'm not quite", "I'd put the question out there in case anyone could provide an answer.", "a bit too much, as I usually do when it comes to my", "I'm writing is in its last chapter, I know exactly what's going to", "sure if this matters one way or another, but I just thought I'd" ]
[ "minimal. Most of his scenarios were simply fiction on the same level with", "of a virus during a clinical trial and want to use actual facts", "acceptable to engage my readers and educate them on science concepts using a", "clinical trial and want to use actual facts but fear being too pedantic.", "but not realistic. I am working on the second draft of my novel", "and also worked for years as an ICU nurse. I personally liked Mmicwbon's", "on the same level with Spepfuj Kunw; scary but not realistic. I am", "worked for years as an ICU nurse. I personally liked Mmicwbon's style of", "Mmicwbon's style of writing about science/medical mishaps but found his presentation of science/medical", "I am working on the second draft of my novel about the accidental", "were simply fiction on the same level with Spepfuj Kunw; scary but not", "not realistic. I am working on the second draft of my novel about", "Do most agents/editors/publishers prefer a simple gloss over or even exaggeration of science?", "Is it acceptable to engage my readers and educate them on science concepts", "concepts using a character who actually presents details in the manner of a", "a simple gloss over or even exaggeration of science? Is it acceptable to", "working on the second draft of my novel about the accidental release of", "it acceptable to engage my readers and educate them on science concepts using", "science concepts using a character who actually presents details in the manner of", "am working on the second draft of my novel about the accidental release", "writing about science/medical mishaps but found his presentation of science/medical facts was appallingly", "was appallingly minimal. Most of his scenarios were simply fiction on the same", "Kunw; scary but not realistic. I am working on the second draft of", "using a character who actually presents details in the manner of a real", "agents/editors/publishers prefer a simple gloss over or even exaggeration of science? Is it", "fiction on the same level with Spepfuj Kunw; scary but not realistic. I", "of science? Is it acceptable to engage my readers and educate them on", "ICU nurse. I personally liked Mmicwbon's style of writing about science/medical mishaps but", "science/medical mishaps but found his presentation of science/medical facts was appallingly minimal. Most", "release of a virus during a clinical trial and want to use actual", "of writing about science/medical mishaps but found his presentation of science/medical facts was", "gloss over or even exaggeration of science? Is it acceptable to engage my", "on the second draft of my novel about the accidental release of a", "Spepfuj Kunw; scary but not realistic. I am working on the second draft", "on science concepts using a character who actually presents details in the manner", "accidental release of a virus during a clinical trial and want to use", "the accidental release of a virus during a clinical trial and want to", "being too pedantic. Do most agents/editors/publishers prefer a simple gloss over or even", "even exaggeration of science? Is it acceptable to engage my readers and educate", "most agents/editors/publishers prefer a simple gloss over or even exaggeration of science? Is", "presentation of science/medical facts was appallingly minimal. Most of his scenarios were simply", "them on science concepts using a character who actually presents details in the", "fear being too pedantic. Do most agents/editors/publishers prefer a simple gloss over or", "also worked for years as an ICU nurse. I personally liked Mmicwbon's style", "level with Spepfuj Kunw; scary but not realistic. I am working on the", "his scenarios were simply fiction on the same level with Spepfuj Kunw; scary", "simple gloss over or even exaggeration of science? Is it acceptable to engage", "draft of my novel about the accidental release of a virus during a", "pedantic. Do most agents/editors/publishers prefer a simple gloss over or even exaggeration of", "too pedantic. Do most agents/editors/publishers prefer a simple gloss over or even exaggeration", "the second draft of my novel about the accidental release of a virus", "and want to use actual facts but fear being too pedantic. Do most", "of science/medical facts was appallingly minimal. Most of his scenarios were simply fiction", "and educate them on science concepts using a character who actually presents details", "I personally liked Mmicwbon's style of writing about science/medical mishaps but found his", "a clinical trial and want to use actual facts but fear being too", "personally liked Mmicwbon's style of writing about science/medical mishaps but found his presentation", "years as an ICU nurse. I personally liked Mmicwbon's style of writing about", "I am a former Molecular Biologist and also worked for years as an", "engage my readers and educate them on science concepts using a character who", "second draft of my novel about the accidental release of a virus during", "scary but not realistic. I am working on the second draft of my", "prefer a simple gloss over or even exaggeration of science? Is it acceptable", "to use actual facts but fear being too pedantic. Do most agents/editors/publishers prefer", "of his scenarios were simply fiction on the same level with Spepfuj Kunw;", "novel about the accidental release of a virus during a clinical trial and", "an ICU nurse. I personally liked Mmicwbon's style of writing about science/medical mishaps", "liked Mmicwbon's style of writing about science/medical mishaps but found his presentation of", "want to use actual facts but fear being too pedantic. Do most agents/editors/publishers", "virus during a clinical trial and want to use actual facts but fear", "simply fiction on the same level with Spepfuj Kunw; scary but not realistic.", "mishaps but found his presentation of science/medical facts was appallingly minimal. Most of", "found his presentation of science/medical facts was appallingly minimal. Most of his scenarios", "former Molecular Biologist and also worked for years as an ICU nurse. I", "over or even exaggeration of science? Is it acceptable to engage my readers", "readers and educate them on science concepts using a character who actually presents", "with Spepfuj Kunw; scary but not realistic. I am working on the second", "appallingly minimal. Most of his scenarios were simply fiction on the same level", "a character who actually presents details in the manner of a real scientist?", "scenarios were simply fiction on the same level with Spepfuj Kunw; scary but", "my readers and educate them on science concepts using a character who actually", "during a clinical trial and want to use actual facts but fear being", "Most of his scenarios were simply fiction on the same level with Spepfuj", "science/medical facts was appallingly minimal. Most of his scenarios were simply fiction on", "the same level with Spepfuj Kunw; scary but not realistic. I am working", "to engage my readers and educate them on science concepts using a character", "same level with Spepfuj Kunw; scary but not realistic. I am working on", "Molecular Biologist and also worked for years as an ICU nurse. I personally", "am a former Molecular Biologist and also worked for years as an ICU", "Biologist and also worked for years as an ICU nurse. I personally liked", "nurse. I personally liked Mmicwbon's style of writing about science/medical mishaps but found", "as an ICU nurse. I personally liked Mmicwbon's style of writing about science/medical", "exaggeration of science? Is it acceptable to engage my readers and educate them", "style of writing about science/medical mishaps but found his presentation of science/medical facts", "about the accidental release of a virus during a clinical trial and want", "science? Is it acceptable to engage my readers and educate them on science", "of my novel about the accidental release of a virus during a clinical", "realistic. I am working on the second draft of my novel about the", "a virus during a clinical trial and want to use actual facts but", "a former Molecular Biologist and also worked for years as an ICU nurse.", "about science/medical mishaps but found his presentation of science/medical facts was appallingly minimal.", "or even exaggeration of science? Is it acceptable to engage my readers and", "facts was appallingly minimal. Most of his scenarios were simply fiction on the", "actual facts but fear being too pedantic. Do most agents/editors/publishers prefer a simple", "trial and want to use actual facts but fear being too pedantic. Do", "use actual facts but fear being too pedantic. Do most agents/editors/publishers prefer a", "educate them on science concepts using a character who actually presents details in", "for years as an ICU nurse. I personally liked Mmicwbon's style of writing", "facts but fear being too pedantic. Do most agents/editors/publishers prefer a simple gloss", "but found his presentation of science/medical facts was appallingly minimal. Most of his", "but fear being too pedantic. Do most agents/editors/publishers prefer a simple gloss over", "his presentation of science/medical facts was appallingly minimal. Most of his scenarios were", "my novel about the accidental release of a virus during a clinical trial" ]
[ "problem with me having my own site already/wanting to create one in the", "create and own a website for the author and his book. It makes", "to create and own a website for the author and his book. It", "several years ago. I think the best way to do this would be", "studied writing in depth before ever seriously trying it myself. I read a", "publisher. Is this true? And if it is, will there be a problem", "years ago. I think the best way to do this would be to", "combined what I knew into a formula which I then honed and perfected", "can have a community of budding writers. I would of course show them", "I think the best way to do this would be to have a", "Question -------- I can't find it, but I remember reading somewhere (on this", "remember reading somewhere (on this site if memory serves) that a publisher will", "target he can point readers to, which most likely sends them to other", "Will the publisher somehow own the rights so that I can't create my", "it myself. I read a lot, and I looked at reputable books on", "in depth before ever seriously trying it myself. I read a lot, and", "website where I can have a community of budding writers. I would of", "open it to discussion, but I'd also like to host contests (free and", "course show them what I know and open it to discussion, but I'd", "the same publisher. Is this true? And if it is, will there be", "publishers, through my own connections (I myself am not yet published, so that", "books on the subject. Over the years, I combined what I knew into", "to get started with agents and publishers, through my own connections (I myself", "own site already/wanting to create one in the future? Will the publisher somehow", "best way to do this would be to have a website where I", "to, which most likely sends them to other books from the same publisher.", "already/wanting to create one in the future? Will the publisher somehow own the", "author and his book. It makes sense, as he then has a target", "obviously come later). Having a community like this has always been my dream.", "sends them to other books from the same publisher. Is this true? And", "have a community of budding writers. I would of course show them what", "more or less in its final form, I want to share my knowledge", "less in its final form, I want to share my knowledge with other", "what I knew into a formula which I then honed and perfected through", "community of budding writers. I would of course show them what I know", "share my knowledge with other writers who are where I was several years", "come later). Having a community like this has always been my dream. Question", "through my own connections (I myself am not yet published, so that will", "the future? Will the publisher somehow own the rights so that I can't", "Over the years, I combined what I knew into a formula which I", "was several years ago. I think the best way to do this would", "that will obviously come later). Having a community like this has always been", "read a lot, and I looked at reputable books on the subject. Over", "a target he can point readers to, which most likely sends them to", "and publishers, through my own connections (I myself am not yet published, so", "I can't find it, but I remember reading somewhere (on this site if", "(on this site if memory serves) that a publisher will want to create", "ago. I think the best way to do this would be to have", "publisher will want to create and own a website for the author and", "rights so that I can't create my website, or he will own it", "ever seriously trying it myself. I read a lot, and I looked at", "later). Having a community like this has always been my dream. Question --------", "can point readers to, which most likely sends them to other books from", "but I'd also like to host contests (free and paid), and offer them", "have that formula more or less in its final form, I want to", "lot, and I looked at reputable books on the subject. Over the years,", "but I remember reading somewhere (on this site if memory serves) that a", "a community like this has always been my dream. Question -------- I can't", "before ever seriously trying it myself. I read a lot, and I looked", "it to discussion, but I'd also like to host contests (free and paid),", "reputable books on the subject. Over the years, I combined what I knew", "he can point readers to, which most likely sends them to other books", "am not yet published, so that will obviously come later). Having a community", "then has a target he can point readers to, which most likely sends", "where I was several years ago. I think the best way to do", "the best way to do this would be to have a website where", "can't find it, but I remember reading somewhere (on this site if memory", "and I looked at reputable books on the subject. Over the years, I", "to have a website where I can have a community of budding writers.", "trial-and-error. Now that I have that formula more or less in its final", "opportunities to get started with agents and publishers, through my own connections (I", "if memory serves) that a publisher will want to create and own a", "the rights so that I can't create my website, or he will own", "to host contests (free and paid), and offer them opportunities to get started", "me having my own site already/wanting to create one in the future? Will", "somehow own the rights so that I can't create my website, or he", "are where I was several years ago. I think the best way to", "true? And if it is, will there be a problem with me having", "that a publisher will want to create and own a website for the", "(I myself am not yet published, so that will obviously come later). Having", "a website for the author and his book. It makes sense, as he", "to other books from the same publisher. Is this true? And if it", "with other writers who are where I was several years ago. I think", "and paid), and offer them opportunities to get started with agents and publishers,", "I studied writing in depth before ever seriously trying it myself. I read", "I want to share my knowledge with other writers who are where I", "somewhere (on this site if memory serves) that a publisher will want to", "I looked at reputable books on the subject. Over the years, I combined", "writers. I would of course show them what I know and open it", "budding writers. I would of course show them what I know and open", "in the future? Will the publisher somehow own the rights so that I", "I combined what I knew into a formula which I then honed and", "own a website for the author and his book. It makes sense, as", "makes sense, as he then has a target he can point readers to,", "will obviously come later). Having a community like this has always been my", "then honed and perfected through years of trial-and-error. Now that I have that", "writing in depth before ever seriously trying it myself. I read a lot,", "my knowledge with other writers who are where I was several years ago.", "on the subject. Over the years, I combined what I knew into a", "website for the author and his book. It makes sense, as he then", "yet published, so that will obviously come later). Having a community like this", "its final form, I want to share my knowledge with other writers who", "from the same publisher. Is this true? And if it is, will there", "there be a problem with me having my own site already/wanting to create", "started with agents and publishers, through my own connections (I myself am not", "like this has always been my dream. Question -------- I can't find it,", "I can have a community of budding writers. I would of course show", "will want to create and own a website for the author and his", "and own a website for the author and his book. It makes sense,", "his book. It makes sense, as he then has a target he can", "readers to, which most likely sends them to other books from the same", "Now that I have that formula more or less in its final form,", "host contests (free and paid), and offer them opportunities to get started with", "point readers to, which most likely sends them to other books from the", "most likely sends them to other books from the same publisher. Is this", "know and open it to discussion, but I'd also like to host contests", "my own site already/wanting to create one in the future? Will the publisher", "would be to have a website where I can have a community of", "I remember reading somewhere (on this site if memory serves) that a publisher", "for the author and his book. It makes sense, as he then has", "my dream. Question -------- I can't find it, but I remember reading somewhere", "perfected through years of trial-and-error. Now that I have that formula more or", "myself. I read a lot, and I looked at reputable books on the", "this true? And if it is, will there be a problem with me", "publisher somehow own the rights so that I can't create my website, or", "formula which I then honed and perfected through years of trial-and-error. Now that", "in its final form, I want to share my knowledge with other writers", "create one in the future? Will the publisher somehow own the rights so", "knew into a formula which I then honed and perfected through years of", "so that I can't create my website, or he will own it if", "discussion, but I'd also like to host contests (free and paid), and offer", "seriously trying it myself. I read a lot, and I looked at reputable", "if it is, will there be a problem with me having my own", "community like this has always been my dream. Question -------- I can't find", "site if memory serves) that a publisher will want to create and own", "(free and paid), and offer them opportunities to get started with agents and", "the publisher somehow own the rights so that I can't create my website,", "with agents and publishers, through my own connections (I myself am not yet", "so that will obviously come later). Having a community like this has always", "site already/wanting to create one in the future? Will the publisher somehow own", "a community of budding writers. I would of course show them what I", "would of course show them what I know and open it to discussion,", "years, I combined what I knew into a formula which I then honed", "looked at reputable books on the subject. Over the years, I combined what", "future? Will the publisher somehow own the rights so that I can't create", "same publisher. Is this true? And if it is, will there be a", "published, so that will obviously come later). Having a community like this has", "them opportunities to get started with agents and publishers, through my own connections", "this site if memory serves) that a publisher will want to create and", "have a website where I can have a community of budding writers. I", "also like to host contests (free and paid), and offer them opportunities to", "that I can't create my website, or he will own it if I", "years of trial-and-error. Now that I have that formula more or less in", "which I then honed and perfected through years of trial-and-error. Now that I", "who are where I was several years ago. I think the best way", "one in the future? Will the publisher somehow own the rights so that", "to do this would be to have a website where I can have", "reading somewhere (on this site if memory serves) that a publisher will want", "knowledge with other writers who are where I was several years ago. I", "I read a lot, and I looked at reputable books on the subject.", "myself am not yet published, so that will obviously come later). Having a", "has always been my dream. Question -------- I can't find it, but I", "sense, as he then has a target he can point readers to, which", "subject. Over the years, I combined what I knew into a formula which", "a website where I can have a community of budding writers. I would", "I knew into a formula which I then honed and perfected through years", "of course show them what I know and open it to discussion, but", "offer them opportunities to get started with agents and publishers, through my own", "get started with agents and publishers, through my own connections (I myself am", "honed and perfected through years of trial-and-error. Now that I have that formula", "a lot, and I looked at reputable books on the subject. Over the", "own the rights so that I can't create my website, or he will", "it, but I remember reading somewhere (on this site if memory serves) that", "it is, will there be a problem with me having my own site", "to discussion, but I'd also like to host contests (free and paid), and", "It makes sense, as he then has a target he can point readers", "I can't create my website, or he will own it if I do?", "that I have that formula more or less in its final form, I", "think the best way to do this would be to have a website", "writers who are where I was several years ago. I think the best", "which most likely sends them to other books from the same publisher. Is", "be a problem with me having my own site already/wanting to create one", "Is this true? And if it is, will there be a problem with", "he then has a target he can point readers to, which most likely", "and offer them opportunities to get started with agents and publishers, through my", "a formula which I then honed and perfected through years of trial-and-error. Now", "the subject. Over the years, I combined what I knew into a formula", "to share my knowledge with other writers who are where I was several", "be to have a website where I can have a community of budding", "my own connections (I myself am not yet published, so that will obviously", "dream. Question -------- I can't find it, but I remember reading somewhere (on", "likely sends them to other books from the same publisher. Is this true?", "contests (free and paid), and offer them opportunities to get started with agents", "other books from the same publisher. Is this true? And if it is,", "Having a community like this has always been my dream. Question -------- I", "the years, I combined what I knew into a formula which I then", "this would be to have a website where I can have a community", "has a target he can point readers to, which most likely sends them", "having my own site already/wanting to create one in the future? Will the", "been my dream. Question -------- I can't find it, but I remember reading", "and open it to discussion, but I'd also like to host contests (free", "to create one in the future? Will the publisher somehow own the rights", "trying it myself. I read a lot, and I looked at reputable books", "of trial-and-error. Now that I have that formula more or less in its", "And if it is, will there be a problem with me having my", "the author and his book. It makes sense, as he then has a", "serves) that a publisher will want to create and own a website for", "connections (I myself am not yet published, so that will obviously come later).", "always been my dream. Question -------- I can't find it, but I remember", "at reputable books on the subject. Over the years, I combined what I", "of budding writers. I would of course show them what I know and", "final form, I want to share my knowledge with other writers who are", "like to host contests (free and paid), and offer them opportunities to get", "as he then has a target he can point readers to, which most", "and perfected through years of trial-and-error. Now that I have that formula more", "I was several years ago. I think the best way to do this", "memory serves) that a publisher will want to create and own a website", "what I know and open it to discussion, but I'd also like to", "where I can have a community of budding writers. I would of course", "own connections (I myself am not yet published, so that will obviously come", "I would of course show them what I know and open it to", "or less in its final form, I want to share my knowledge with", "depth before ever seriously trying it myself. I read a lot, and I", "into a formula which I then honed and perfected through years of trial-and-error.", "I then honed and perfected through years of trial-and-error. Now that I have", "formula more or less in its final form, I want to share my", "book. It makes sense, as he then has a target he can point", "a publisher will want to create and own a website for the author", "want to share my knowledge with other writers who are where I was", "is, will there be a problem with me having my own site already/wanting", "agents and publishers, through my own connections (I myself am not yet published,", "books from the same publisher. Is this true? And if it is, will", "will there be a problem with me having my own site already/wanting to", "other writers who are where I was several years ago. I think the", "them to other books from the same publisher. Is this true? And if", "want to create and own a website for the author and his book.", "and his book. It makes sense, as he then has a target he", "find it, but I remember reading somewhere (on this site if memory serves)", "I know and open it to discussion, but I'd also like to host", "I'd also like to host contests (free and paid), and offer them opportunities", "a problem with me having my own site already/wanting to create one in", "with me having my own site already/wanting to create one in the future?", "paid), and offer them opportunities to get started with agents and publishers, through", "do this would be to have a website where I can have a", "Background ---------- I studied writing in depth before ever seriously trying it myself.", "I have that formula more or less in its final form, I want", "---------- I studied writing in depth before ever seriously trying it myself. I", "them what I know and open it to discussion, but I'd also like", "show them what I know and open it to discussion, but I'd also", "-------- I can't find it, but I remember reading somewhere (on this site", "way to do this would be to have a website where I can", "not yet published, so that will obviously come later). Having a community like", "that formula more or less in its final form, I want to share", "form, I want to share my knowledge with other writers who are where", "this has always been my dream. Question -------- I can't find it, but", "through years of trial-and-error. Now that I have that formula more or less" ]
[ "stay focused. Since I only write at night, I'm also often fighting to", "also often fighting to stay awake, and I make many grammatical mistakes that", "bad habit? Should I try to somehow quit doing it? Importantly, how might", "For some reason, I can only seem to get in the \"zone\" at", "able to stay focused. Since I only write at night, I'm also often", "that. Whenever I try to write during the day, I can't get myself", "ideas. So, is it a bad habit? Should I try to somehow quit", "ADHD meds are more worn off, and I can imagine better ideas. So,", "even be able to stay focused. Since I only write at night, I'm", "\"zone\" at night time. Like 9:30pm and past that. Whenever I try to", "a plus for writing at night, my ADHD meds are more worn off,", "I can't get myself to write something that's actually good, or even be", "off, and I can imagine better ideas. So, is it a bad habit?", "night time. Like 9:30pm and past that. Whenever I try to write during", "I can only seem to get in the \"zone\" at night time. Like", "Whenever I try to write during the day, I can't get myself to", "morning. But there's also a plus for writing at night, my ADHD meds", "for writing at night, my ADHD meds are more worn off, and I", "to write something that's actually good, or even be able to stay focused.", "habit? Should I try to somehow quit doing it? Importantly, how might this", "make many grammatical mistakes that I have to fix in the morning. But", "9:30pm and past that. Whenever I try to write during the day, I", "grammatical mistakes that I have to fix in the morning. But there's also", "be able to stay focused. Since I only write at night, I'm also", "writing at night, my ADHD meds are more worn off, and I can", "in the \"zone\" at night time. Like 9:30pm and past that. Whenever I", "some reason, I can only seem to get in the \"zone\" at night", "only seem to get in the \"zone\" at night time. Like 9:30pm and", "at night time. Like 9:30pm and past that. Whenever I try to write", "Since I only write at night, I'm also often fighting to stay awake,", "to get in the \"zone\" at night time. Like 9:30pm and past that.", "write something that's actually good, or even be able to stay focused. Since", "write at night, I'm also often fighting to stay awake, and I make", "to stay awake, and I make many grammatical mistakes that I have to", "awake, and I make many grammatical mistakes that I have to fix in", "to fix in the morning. But there's also a plus for writing at", "many grammatical mistakes that I have to fix in the morning. But there's", "I make many grammatical mistakes that I have to fix in the morning.", "and past that. Whenever I try to write during the day, I can't", "actually good, or even be able to stay focused. Since I only write", "a bad habit? Should I try to somehow quit doing it? Importantly, how", "the day, I can't get myself to write something that's actually good, or", "Like 9:30pm and past that. Whenever I try to write during the day,", "try to somehow quit doing it? Importantly, how might this affect my writing?", "that's actually good, or even be able to stay focused. Since I only", "But there's also a plus for writing at night, my ADHD meds are", "I'm also often fighting to stay awake, and I make many grammatical mistakes", "that I have to fix in the morning. But there's also a plus", "So, is it a bad habit? Should I try to somehow quit doing", "there's also a plus for writing at night, my ADHD meds are more", "to write during the day, I can't get myself to write something that's", "I try to somehow quit doing it? Importantly, how might this affect my", "I can imagine better ideas. So, is it a bad habit? Should I", "I have to fix in the morning. But there's also a plus for", "time. Like 9:30pm and past that. Whenever I try to write during the", "past that. Whenever I try to write during the day, I can't get", "I only write at night, I'm also often fighting to stay awake, and", "can imagine better ideas. So, is it a bad habit? Should I try", "day, I can't get myself to write something that's actually good, or even", "and I make many grammatical mistakes that I have to fix in the", "good, or even be able to stay focused. Since I only write at", "often fighting to stay awake, and I make many grammatical mistakes that I", "myself to write something that's actually good, or even be able to stay", "can only seem to get in the \"zone\" at night time. Like 9:30pm", "I try to write during the day, I can't get myself to write", "at night, I'm also often fighting to stay awake, and I make many", "get myself to write something that's actually good, or even be able to", "mistakes that I have to fix in the morning. But there's also a", "it a bad habit? Should I try to somehow quit doing it? Importantly,", "get in the \"zone\" at night time. Like 9:30pm and past that. Whenever", "to stay focused. Since I only write at night, I'm also often fighting", "the \"zone\" at night time. Like 9:30pm and past that. Whenever I try", "better ideas. So, is it a bad habit? Should I try to somehow", "meds are more worn off, and I can imagine better ideas. So, is", "have to fix in the morning. But there's also a plus for writing", "imagine better ideas. So, is it a bad habit? Should I try to", "reason, I can only seem to get in the \"zone\" at night time.", "also a plus for writing at night, my ADHD meds are more worn", "stay awake, and I make many grammatical mistakes that I have to fix", "something that's actually good, or even be able to stay focused. Since I", "my ADHD meds are more worn off, and I can imagine better ideas.", "worn off, and I can imagine better ideas. So, is it a bad", "night, my ADHD meds are more worn off, and I can imagine better", "more worn off, and I can imagine better ideas. So, is it a", "is it a bad habit? Should I try to somehow quit doing it?", "and I can imagine better ideas. So, is it a bad habit? Should", "the morning. But there's also a plus for writing at night, my ADHD", "plus for writing at night, my ADHD meds are more worn off, and", "fighting to stay awake, and I make many grammatical mistakes that I have", "Should I try to somehow quit doing it? Importantly, how might this affect", "are more worn off, and I can imagine better ideas. So, is it", "in the morning. But there's also a plus for writing at night, my", "write during the day, I can't get myself to write something that's actually", "seem to get in the \"zone\" at night time. Like 9:30pm and past", "try to write during the day, I can't get myself to write something", "fix in the morning. But there's also a plus for writing at night,", "or even be able to stay focused. Since I only write at night,", "during the day, I can't get myself to write something that's actually good,", "can't get myself to write something that's actually good, or even be able", "focused. Since I only write at night, I'm also often fighting to stay", "at night, my ADHD meds are more worn off, and I can imagine", "only write at night, I'm also often fighting to stay awake, and I", "night, I'm also often fighting to stay awake, and I make many grammatical" ]
[ "two-year-old wrote them (no offence to two-year-olds). My grammar and spelling are pretty", "like a two-year-old wrote them (no offence to two-year-olds). My grammar and spelling", "all of them sounded like a two-year-old wrote them (no offence to two-year-olds).", "spelling are pretty good, but the big problem is that my plots sound", "I have tried to write a couple of stories, but all of them", "but the big problem is that my plots sound super dumb. Please help", "a couple of stories, but all of them sounded like a two-year-old wrote", "(no offence to two-year-olds). My grammar and spelling are pretty good, but the", "pretty good, but the big problem is that my plots sound super dumb.", "and spelling are pretty good, but the big problem is that my plots", "to write a couple of stories, but all of them sounded like a", "couple of stories, but all of them sounded like a two-year-old wrote them", "sounded like a two-year-old wrote them (no offence to two-year-olds). My grammar and", "them (no offence to two-year-olds). My grammar and spelling are pretty good, but", "to two-year-olds). My grammar and spelling are pretty good, but the big problem", "is that my plots sound super dumb. Please help in any way you", "that my plots sound super dumb. Please help in any way you can.", "tried to write a couple of stories, but all of them sounded like", "good, but the big problem is that my plots sound super dumb. Please", "have tried to write a couple of stories, but all of them sounded", "are pretty good, but the big problem is that my plots sound super", "but all of them sounded like a two-year-old wrote them (no offence to", "wrote them (no offence to two-year-olds). My grammar and spelling are pretty good,", "stories, but all of them sounded like a two-year-old wrote them (no offence", "offence to two-year-olds). My grammar and spelling are pretty good, but the big", "grammar and spelling are pretty good, but the big problem is that my", "problem is that my plots sound super dumb. Please help in any way", "of them sounded like a two-year-old wrote them (no offence to two-year-olds). My", "two-year-olds). My grammar and spelling are pretty good, but the big problem is", "My grammar and spelling are pretty good, but the big problem is that", "them sounded like a two-year-old wrote them (no offence to two-year-olds). My grammar", "the big problem is that my plots sound super dumb. Please help in", "of stories, but all of them sounded like a two-year-old wrote them (no", "a two-year-old wrote them (no offence to two-year-olds). My grammar and spelling are", "write a couple of stories, but all of them sounded like a two-year-old", "big problem is that my plots sound super dumb. Please help in any" ]
[ "tends to be pretty good. To me, that requires 0 skill whatsoever and", "was told I was incorrect and writing required many skills, and was not", "was incorrect: > > Writing requires no skill. You basically just have to", "answer.* --- Background ---------- I said something a little silly today, and was", "of that senseless talk and trotted off to stack exchange. Why did I", "do. Question -------- > > How can creative writing require skill when it's", "know the answer.* --- Background ---------- I said something a little silly today,", "at all. However, the person I was chatting to had to go, so", "to do. Question -------- > > How can creative writing require skill when", "your head. > > > I was told I was incorrect and writing", "> I was told I was incorrect and writing required many skills, and", "I was briskly finished with all of that senseless talk and trotted off", "skills, and was not a thing that required no skill at all. However,", "just have to write down what you're seeing in your head. > >", "finished with all of that senseless talk and trotted off to stack exchange.", "I was incorrect: > > Writing requires no skill. You basically just have", "is basic enough for an idiot like myself to do. Question -------- >", "a thing that required no skill at all. However, the person I was", "down what you're seeing in your head. > > > I was told", "myself to do. Question -------- > > How can creative writing require skill", "chatting to had to go, so I was briskly finished with all of", "enough for an idiot like myself to do. Question -------- > > How", "going to be doing it in your native language too. > > >", "a little silly today, and was told I was incorrect: > > Writing", "was briskly finished with all of that senseless talk and trotted off to", "your ideas? You're often going to be doing it in your native language", "stack exchange. Why did I trot off to stack exchange? I want to", "incorrect and writing required many skills, and was not a thing that required", "write down what you're seeing in your head. > > > I was", "did I trot off to stack exchange? I want to know what kinds", "and writing required many skills, and was not a thing that required no", "the answer.* --- Background ---------- I said something a little silly today, and", "head. > > > I was told I was incorrect and writing required", "off to stack exchange? I want to know what kinds of skills writing", "basic enough for an idiot like myself to do. Question -------- > >", "no skill. You basically just have to write down what you're seeing in", "Question -------- > > How can creative writing require skill when it's generally", "exchange? I want to know what kinds of skills writing requires. When I'm", "me, that requires 0 skill whatsoever and is basic enough for an idiot", "writing, I write what I see in my head and it tends to", "in my head and it tends to be pretty good. To me, that", "the person I was chatting to had to go, so I was briskly", "an idiot like myself to do. Question -------- > > How can creative", "> Writing requires no skill. You basically just have to write down what", "requires 0 skill whatsoever and is basic enough for an idiot like myself", "> > Writing requires no skill. You basically just have to write down", "had to go, so I was briskly finished with all of that senseless", "> > How can creative writing require skill when it's generally just writing", "thing that required no skill at all. However, the person I was chatting", "I write what I see in my head and it tends to be", "incorrect: > > Writing requires no skill. You basically just have to write", "what you're seeing in your head. > > > I was told I", "can creative writing require skill when it's generally just writing down your ideas?", "ideas? You're often going to be doing it in your native language too.", "it's generally just writing down your ideas? You're often going to be doing", "require skill when it's generally just writing down your ideas? You're often going", "--- Background ---------- I said something a little silly today, and was told", "to had to go, so I was briskly finished with all of that", "to be pretty good. To me, that requires 0 skill whatsoever and is", "and it tends to be pretty good. To me, that requires 0 skill", "head and it tends to be pretty good. To me, that requires 0", "no skill at all. However, the person I was chatting to had to", "with all of that senseless talk and trotted off to stack exchange. Why", "stack exchange? I want to know what kinds of skills writing requires. When", "and was told I was incorrect: > > Writing requires no skill. You", "skill whatsoever and is basic enough for an idiot like myself to do.", "> How can creative writing require skill when it's generally just writing down", "I'm writing, I write what I see in my head and it tends", "trotted off to stack exchange. Why did I trot off to stack exchange?", "I was told I was incorrect and writing required many skills, and was", "said something a little silly today, and was told I was incorrect: >", "skill. You basically just have to write down what you're seeing in your", "know what kinds of skills writing requires. When I'm writing, I write what", "When I'm writing, I write what I see in my head and it", "creative writing require skill when it's generally just writing down your ideas? You're", "when it's generally just writing down your ideas? You're often going to be", "-------- > > How can creative writing require skill when it's generally just", "was told I was incorrect: > > Writing requires no skill. You basically", "just writing down your ideas? You're often going to be doing it in", "like myself to do. Question -------- > > How can creative writing require", "to stack exchange. Why did I trot off to stack exchange? I want", "writing require skill when it's generally just writing down your ideas? You're often", "I see in my head and it tends to be pretty good. To", "what kinds of skills writing requires. When I'm writing, I write what I", "write what I see in my head and it tends to be pretty", "want to know what kinds of skills writing requires. When I'm writing, I", "today, and was told I was incorrect: > > Writing requires no skill.", "briskly finished with all of that senseless talk and trotted off to stack", "writing down your ideas? You're often going to be doing it in your", "exchange. Why did I trot off to stack exchange? I want to know", "be pretty good. To me, that requires 0 skill whatsoever and is basic", "told I was incorrect and writing required many skills, and was not a", "Why did I trot off to stack exchange? I want to know what", "requires no skill. You basically just have to write down what you're seeing", "told I was incorrect: > > Writing requires no skill. You basically just", "basically just have to write down what you're seeing in your head. >", "I was incorrect and writing required many skills, and was not a thing", "You basically just have to write down what you're seeing in your head.", "I said something a little silly today, and was told I was incorrect:", "How can creative writing require skill when it's generally just writing down your", "I want to know what kinds of skills writing requires. When I'm writing,", "and trotted off to stack exchange. Why did I trot off to stack", "of skills writing requires. When I'm writing, I write what I see in", "---------- I said something a little silly today, and was told I was", "kinds of skills writing requires. When I'm writing, I write what I see", "that requires 0 skill whatsoever and is basic enough for an idiot like", "all of that senseless talk and trotted off to stack exchange. Why did", "However, the person I was chatting to had to go, so I was", "don't know the answer.* --- Background ---------- I said something a little silly", "writing requires. When I'm writing, I write what I see in my head", "trot off to stack exchange? I want to know what kinds of skills", "pretty good. To me, that requires 0 skill whatsoever and is basic enough", "in your head. > > > I was told I was incorrect and", "whatsoever and is basic enough for an idiot like myself to do. Question", "that senseless talk and trotted off to stack exchange. Why did I trot", "generally just writing down your ideas? You're often going to be doing it", "down your ideas? You're often going to be doing it in your native", "skill at all. However, the person I was chatting to had to go,", "skill when it's generally just writing down your ideas? You're often going to", "silly today, and was told I was incorrect: > > Writing requires no", "that required no skill at all. However, the person I was chatting to", "requires. When I'm writing, I write what I see in my head and", "for an idiot like myself to do. Question -------- > > How can", "all. However, the person I was chatting to had to go, so I", "legitimately don't know the answer.* --- Background ---------- I said something a little", "idiot like myself to do. Question -------- > > How can creative writing", "good. To me, that requires 0 skill whatsoever and is basic enough for", "and was not a thing that required no skill at all. However, the", "to go, so I was briskly finished with all of that senseless talk", "I legitimately don't know the answer. --- Background ---------- I said something a", "something a little silly today, and was told I was incorrect: > >", "was chatting to had to go, so I was briskly finished with all", "many skills, and was not a thing that required no skill at all.", "was not a thing that required no skill at all. However, the person", "person I was chatting to had to go, so I was briskly finished", "go, so I was briskly finished with all of that senseless talk and", "what I see in my head and it tends to be pretty good.", "to be doing it in your native language too. > > > Thanks.", "Writing requires no skill. You basically just have to write down what you're", "not a thing that required no skill at all. However, the person I", "off to stack exchange. Why did I trot off to stack exchange? I", "senseless talk and trotted off to stack exchange. Why did I trot off", "required no skill at all. However, the person I was chatting to had", "seeing in your head. > > > I was told I was incorrect", "I trot off to stack exchange? I want to know what kinds of", "talk and trotted off to stack exchange. Why did I trot off to", "> > > I was told I was incorrect and writing required many", "it tends to be pretty good. To me, that requires 0 skill whatsoever", "so I was briskly finished with all of that senseless talk and trotted", "> > I was told I was incorrect and writing required many skills,", "have to write down what you're seeing in your head. > > >", "skills writing requires. When I'm writing, I write what I see in my", "I was chatting to had to go, so I was briskly finished with", "little silly today, and was told I was incorrect: > > Writing requires", "to know what kinds of skills writing requires. When I'm writing, I write", "often going to be doing it in your native language too. > >", "my head and it tends to be pretty good. To me, that requires", "Background ---------- I said something a little silly today, and was told I", "You're often going to be doing it in your native language too. >", "was incorrect and writing required many skills, and was not a thing that", "and is basic enough for an idiot like myself to do. Question --------", "writing required many skills, and was not a thing that required no skill", "To me, that requires 0 skill whatsoever and is basic enough for an", "you're seeing in your head. > > > I was told I was", "0 skill whatsoever and is basic enough for an idiot like myself to", "to stack exchange? I want to know what kinds of skills writing requires.", "required many skills, and was not a thing that required no skill at", "see in my head and it tends to be pretty good. To me,", "to write down what you're seeing in your head. > > > I" ]
[ "that successful detective stories are, nearly always, not written in the point of", "a better and a more tension-packed climax. Is this why we always get", "nearly always, not written in the point of view of the detective himself.", "or one of his closest friends. Does it have anything to do with", "to by his sidekick or one of his closest friends. Does it have", "a more tension-packed climax. Is this why we always get to know the", "better and a more tension-packed climax. Is this why we always get to", "probably, this makes for a better and a more tension-packed climax. Is this", "the ingenious detective at the heart of the story) is usually referred to", "of the story) is usually referred to by his sidekick or one of", "I've noticed that successful detective stories are, nearly always, not written in the", "at the heart of the story) is usually referred to by his sidekick", "this makes for a better and a more tension-packed climax. Is this why", "the detective himself. The protagonist (i.e. the ingenious detective at the heart of", "is usually referred to by his sidekick or one of his closest friends.", "tension-packed climax. Is this why we always get to know the fascinating details", "to know the fascinating details of the mystery at the very end? Just", "and a more tension-packed climax. Is this why we always get to know", "give us a deeper insight into the mystery? Most probably, this makes for", "are, nearly always, not written in the point of view of the detective", "the suspense gradually building up? Or is it that revealing the detective's thoughts", "the very end? Just why exactly aren't more detective stories written in the", "always, not written in the point of view of the detective himself. The", "his closest friends. Does it have anything to do with spoiling the suspense", "it have anything to do with spoiling the suspense gradually building up? Or", "the mystery? Most probably, this makes for a better and a more tension-packed", "anything to do with spoiling the suspense gradually building up? Or is it", "one of his closest friends. Does it have anything to do with spoiling", "more tension-packed climax. Is this why we always get to know the fascinating", "exactly aren't more detective stories written in the point of view of the", "Most probably, this makes for a better and a more tension-packed climax. Is", "view of the detective himself. The protagonist (i.e. the ingenious detective at the", "do with spoiling the suspense gradually building up? Or is it that revealing", "his sidekick or one of his closest friends. Does it have anything to", "of the detective himself. The protagonist (i.e. the ingenious detective at the heart", "successful detective stories are, nearly always, not written in the point of view", "climax. Is this why we always get to know the fascinating details of", "insight into the mystery? Most probably, this makes for a better and a", "get to know the fascinating details of the mystery at the very end?", "referred to by his sidekick or one of his closest friends. Does it", "with spoiling the suspense gradually building up? Or is it that revealing the", "friends. Does it have anything to do with spoiling the suspense gradually building", "stories are, nearly always, not written in the point of view of the", "it that revealing the detective's thoughts would give us a deeper insight into", "mystery? Most probably, this makes for a better and a more tension-packed climax.", "heart of the story) is usually referred to by his sidekick or one", "up? Or is it that revealing the detective's thoughts would give us a", "the story) is usually referred to by his sidekick or one of his", "very end? Just why exactly aren't more detective stories written in the point", "sidekick or one of his closest friends. Does it have anything to do", "noticed that successful detective stories are, nearly always, not written in the point", "usually referred to by his sidekick or one of his closest friends. Does", "spoiling the suspense gradually building up? Or is it that revealing the detective's", "The protagonist (i.e. the ingenious detective at the heart of the story) is", "by his sidekick or one of his closest friends. Does it have anything", "the heart of the story) is usually referred to by his sidekick or", "story) is usually referred to by his sidekick or one of his closest", "is it that revealing the detective's thoughts would give us a deeper insight", "why we always get to know the fascinating details of the mystery at", "a deeper insight into the mystery? Most probably, this makes for a better", "the detective's thoughts would give us a deeper insight into the mystery? Most", "suspense gradually building up? Or is it that revealing the detective's thoughts would", "into the mystery? Most probably, this makes for a better and a more", "fascinating details of the mystery at the very end? Just why exactly aren't", "the fascinating details of the mystery at the very end? Just why exactly", "that revealing the detective's thoughts would give us a deeper insight into the", "mystery at the very end? Just why exactly aren't more detective stories written", "ingenious detective at the heart of the story) is usually referred to by", "always get to know the fascinating details of the mystery at the very", "thoughts would give us a deeper insight into the mystery? Most probably, this", "revealing the detective's thoughts would give us a deeper insight into the mystery?", "would give us a deeper insight into the mystery? Most probably, this makes", "Is this why we always get to know the fascinating details of the", "not written in the point of view of the detective himself. The protagonist", "written in the point of view of the detective himself. The protagonist (i.e.", "to do with spoiling the suspense gradually building up? Or is it that", "this why we always get to know the fascinating details of the mystery", "the point of view of the detective himself. The protagonist (i.e. the ingenious", "detective's thoughts would give us a deeper insight into the mystery? Most probably,", "why exactly aren't more detective stories written in the point of view of", "details of the mystery at the very end? Just why exactly aren't more", "know the fascinating details of the mystery at the very end? Just why", "us a deeper insight into the mystery? Most probably, this makes for a", "point of view of the detective himself. The protagonist (i.e. the ingenious detective", "in the point of view of the detective himself. The protagonist (i.e. the", "detective himself. The protagonist (i.e. the ingenious detective at the heart of the", "Does it have anything to do with spoiling the suspense gradually building up?", "makes for a better and a more tension-packed climax. Is this why we", "deeper insight into the mystery? Most probably, this makes for a better and", "himself. The protagonist (i.e. the ingenious detective at the heart of the story)", "detective stories are, nearly always, not written in the point of view of", "Or is it that revealing the detective's thoughts would give us a deeper", "we always get to know the fascinating details of the mystery at the", "have anything to do with spoiling the suspense gradually building up? Or is", "the mystery at the very end? Just why exactly aren't more detective stories", "(i.e. the ingenious detective at the heart of the story) is usually referred", "of view of the detective himself. The protagonist (i.e. the ingenious detective at", "detective at the heart of the story) is usually referred to by his", "for a better and a more tension-packed climax. Is this why we always", "at the very end? Just why exactly aren't more detective stories written in", "gradually building up? Or is it that revealing the detective's thoughts would give", "Just why exactly aren't more detective stories written in the point of view", "closest friends. Does it have anything to do with spoiling the suspense gradually", "of his closest friends. Does it have anything to do with spoiling the", "end? Just why exactly aren't more detective stories written in the point of", "building up? Or is it that revealing the detective's thoughts would give us", "of the mystery at the very end? Just why exactly aren't more detective", "aren't more detective stories written in the point of view of the protagonist?", "protagonist (i.e. the ingenious detective at the heart of the story) is usually" ]
[ "a resource for helping with this? Specifically a search engine for labeled schematics", "resource for helping with this? Specifically a search engine for labeled schematics or", "things. For instance if I want to describe a chair I'll spend lots", "unusable poor image quality. Sometimes I find nothing at all. Can anyone recommend", "down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair anatomy'. This", "chair I'll spend lots of time hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png),", "describing ordinary things. For instance if I want to describe a chair I'll", "instance if I want to describe a chair I'll spend lots of time", "if I want to describe a chair I'll spend lots of time hunting", "trouble describing ordinary things. For instance if I want to describe a chair", "diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair anatomy'. This usually turns up very few", "using google searches like 'chair anatomy'. This usually turns up very few results,", "poor image quality. Sometimes I find nothing at all. Can anyone recommend a", "to describe a chair I'll spend lots of time hunting down resources like", "for helping with this? Specifically a search engine for labeled schematics or drawings,", "have trouble describing ordinary things. For instance if I want to describe a", "hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair anatomy'.", "searches like 'chair anatomy'. This usually turns up very few results, or results", "anatomy'. This usually turns up very few results, or results with unusable poor", "This usually turns up very few results, or results with unusable poor image", "at all. Can anyone recommend a resource for helping with this? Specifically a", "Specifically a search engine for labeled schematics or drawings, like in the link?", "I find nothing at all. Can anyone recommend a resource for helping with", "of time hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like", "quality. Sometimes I find nothing at all. Can anyone recommend a resource for", "google searches like 'chair anatomy'. This usually turns up very few results, or", "I'll spend lots of time hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using", "I have trouble describing ordinary things. For instance if I want to describe", "find nothing at all. Can anyone recommend a resource for helping with this?", "image quality. Sometimes I find nothing at all. Can anyone recommend a resource", "usually turns up very few results, or results with unusable poor image quality.", "recommend a resource for helping with this? Specifically a search engine for labeled", "turns up very few results, or results with unusable poor image quality. Sometimes", "[chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair anatomy'. This usually turns up very", "lots of time hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches", "or results with unusable poor image quality. Sometimes I find nothing at all.", "up very few results, or results with unusable poor image quality. Sometimes I", "found that I have trouble describing ordinary things. For instance if I want", "want to describe a chair I'll spend lots of time hunting down resources", "with this? Specifically a search engine for labeled schematics or drawings, like in", "resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair anatomy'. This usually", "'chair anatomy'. 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Specifically a search", "time hunting down resources like this [chair diagram](https://i.stack.imgur.com/jmedP.png), using google searches like 'chair", "When writing I've found that I have trouble describing ordinary things. For instance", "nothing at all. Can anyone recommend a resource for helping with this? Specifically", "describe a chair I'll spend lots of time hunting down resources like this", "For instance if I want to describe a chair I'll spend lots of", "results, or results with unusable poor image quality. Sometimes I find nothing at", "this? Specifically a search engine for labeled schematics or drawings, like in the", "writing I've found that I have trouble describing ordinary things. For instance if", "I've found that I have trouble describing ordinary things. For instance if I", "helping with this? 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[ "not sound natural because of overusing connectors. How can I overcome this issue?", "I find some obstacles in forming well-structured ideas and my writing does not", "well-structured ideas and my writing does not sound natural because of overusing connectors.", "some obstacles in forming well-structured ideas and my writing does not sound natural", "writing does not sound natural because of overusing connectors. How can I overcome", "does not sound natural because of overusing connectors. How can I overcome this", "and my writing does not sound natural because of overusing connectors. How can", "my writing does not sound natural because of overusing connectors. How can I", "obstacles in forming well-structured ideas and my writing does not sound natural because", "in forming well-structured ideas and my writing does not sound natural because of", "When I write, I find some obstacles in forming well-structured ideas and my", "write, I find some obstacles in forming well-structured ideas and my writing does", "ideas and my writing does not sound natural because of overusing connectors. How", "I write, I find some obstacles in forming well-structured ideas and my writing", "forming well-structured ideas and my writing does not sound natural because of overusing", "find some obstacles in forming well-structured ideas and my writing does not sound" ]
[ "I come to the conclusion that I shouldn't write at all if my", "want to get out of my head and put down. Could anyone give", "circles through my head until I come to the conclusion that I shouldn't", "This process circles through my head until I come to the conclusion that", "suggestions? Maybe something about your writing process or how you got over something", "final product is going to suck. I have no real experience writing seriously", "I want to get out of my head and put down. Could anyone", "process circles through my head until I come to the conclusion that I", "I've always wanted to do, but could never build up the courage to", "always wanted to do, but could never build up the courage to actually", "way a writer. It's something I've always wanted to do, but could never", "my head and put down. Could anyone give me any suggestions? Maybe something", "Every time I think about writing, I think about the end result and", "writing, I think about the end result and how I am not a", "the courage to actually start. Every time I think about writing, I think", "start. Every time I think about writing, I think about the end result", "all if my final product is going to suck. I have no real", "to get out of my head and put down. Could anyone give me", "the conclusion that I shouldn't write at all if my final product is", "at all if my final product is going to suck. I have no", "until I come to the conclusion that I shouldn't write at all if", "product is going to suck. I have no real experience writing seriously (outside", "experience writing seriously (outside of school projects/poetry classes). I have a lot of", "writer. It's something I've always wanted to do, but could never build up", "It's something I've always wanted to do, but could never build up the", "my final product is going to suck. I have no real experience writing", "I have a lot of stories that I want to get out of", "actually start. Every time I think about writing, I think about the end", "time I think about writing, I think about the end result and how", "am in no way a writer. It's something I've always wanted to do,", "if my final product is going to suck. I have no real experience", "and how I am not a good writer. This process circles through my", "suck. I have no real experience writing seriously (outside of school projects/poetry classes).", "have no real experience writing seriously (outside of school projects/poetry classes). I have", "I shouldn't write at all if my final product is going to suck.", "stories that I want to get out of my head and put down.", "I have no real experience writing seriously (outside of school projects/poetry classes). I", "Could anyone give me any suggestions? Maybe something about your writing process or", "a lot of stories that I want to get out of my head", "not a good writer. This process circles through my head until I come", "am not a good writer. This process circles through my head until I", "do, but could never build up the courage to actually start. Every time", "have a lot of stories that I want to get out of my", "a writer. It's something I've always wanted to do, but could never build", "projects/poetry classes). I have a lot of stories that I want to get", "classes). I have a lot of stories that I want to get out", "wanted to do, but could never build up the courage to actually start.", "shouldn't write at all if my final product is going to suck. I", "of school projects/poetry classes). I have a lot of stories that I want", "my head until I come to the conclusion that I shouldn't write at", "writer. 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This process circles through my head", "Maybe something about your writing process or how you got over something similar?", "result and how I am not a good writer. This process circles through", "up the courage to actually start. Every time I think about writing, I", "of my head and put down. Could anyone give me any suggestions? Maybe", "down. Could anyone give me any suggestions? Maybe something about your writing process", "no way a writer. It's something I've always wanted to do, but could", "lot of stories that I want to get out of my head and", "I am not a good writer. This process circles through my head until", "think about writing, I think about the end result and how I am", "about the end result and how I am not a good writer. This", "head and put down. Could anyone give me any suggestions? Maybe something about", "is going to suck. I have no real experience writing seriously (outside of", "through my head until I come to the conclusion that I shouldn't write", "I think about writing, I think about the end result and how I", "anyone give me any suggestions? Maybe something about your writing process or how", "could never build up the courage to actually start. Every time I think", "put down. Could anyone give me any suggestions? Maybe something about your writing", "something I've always wanted to do, but could never build up the courage" ]
[ "had closed. There was no escape. The robots on guard > would never", "why he was here. He is one of the scientists at Revolution Tech", "did he agree to take > the responsibility of managing the MAINS ROOM?", "> The shutters had closed. There was no escape. The robots on guard", "at times. This is my first draft, by the way. Mistakes ought to", "scientist named Steves living in the 24th century. I'm mostly using the typical", "century. It > has been founded on January 1, 2301–the very beginning of", "room was adequately taken > care of. Or I better say, excessively so.", "Steves couldn’t believe his eyes. The shutters had had closed. His > heart", "to narrate the incidents happening to the protagonist. Whenever I'm talking about things", "cannot escape it. This wasn’t a possibility by > the way, since the", "time to blend in. > > > EDIT Given that the narrator is", "Nevertheless, it hasn’t > taken him much time to blend in. > >", "in the 24th century. I'm mostly using the typical past tense to narrate", "forever. (And I dare say they have been quite successful.) > > >", "using the typical past tense to narrate the incidents happening to the protagonist.", "past tense to narrate the incidents happening to the protagonist. Whenever I'm talking", "later and things are pretty much the same, could I still use present", "brilliant scientific discoveries that will change our world > forever. (And I dare", "to be there. Sample of the piece: > > He was stuck. Simply.", "are pretty much the same, could I still use present tense in some", "I'm writing a book which is set in the future! Is this appropriate?", "chilly smile. > He was given to play with words. And with science,", "conquer every impossibility > and make brilliant scientific discoveries that will change our", "January 1, 2301–the very beginning of a new era of > science and", "draft, by the way. Mistakes ought to be there. Sample of the piece:", "quite successful.) > > > Steves is a young, talented and dedicated scientist.", "Or I better say, excessively so. > > > Steves couldn’t believe his", "way. Mistakes ought to be there. Sample of the piece: > > He", "new era of > science and technology–with the mission to conquer every impossibility", "which is set in the future! Is this appropriate? I also feel that", "its shiny, polished floor. The room was adequately taken > care of. Or", "Steves muttered to himself with a chilly smile. > He was given to", "ought to be there. Sample of the piece: > > He was stuck.", "escape. The robots on guard > would never let anything, or anyone for", "was given to play with words. And with science, which was exactly >", "here; it's barely his first year at RT. Nevertheless, it hasn’t > taken", "the future! Is this appropriate? I also feel that I'm using my tenses", "the leading innovative tech research institute of the 24th century. It > has", "with words. And with science, which was exactly > why he was here.", "mostly using the typical past tense to narrate the incidents happening to the", "more like, Steves muttered to himself with a chilly smile. > He was", "his first year at RT. Nevertheless, it hasn’t > taken him much time", "> > > The shutters had closed. There was no escape. The robots", "a sci-fi novella about a scientist named Steves living in the 24th century.", "never let anything, or anyone for that matter, in or out of the", "things in general though, I tend to switch the tense to present. And", "ROOM more like, Steves muttered to himself with a chilly smile. > He", "I'm writing a sci-fi novella about a scientist named Steves living in the", "place was super hygienic. Not a single speck of > dust lay on", "taken him much time to blend in. > > > EDIT Given that", "couldn’t believe his eyes. The shutters had had closed. His > heart sank.", "year later and things are pretty much the same, could I still use", "of the > room. Even a tiny mouse cannot escape it. This wasn’t", "is set in the future! Is this appropriate? I also feel that I'm", "year at RT. Nevertheless, it hasn’t > taken him much time to blend", "closed. There was no escape. The robots on guard > would never let", "with science, which was exactly > why he was here. He is one", "founded on January 1, 2301–the very beginning of a new era of >", "would never let anything, or anyone for that matter, in or out of", "His > heart sank. He was fuming by now. Why the heck did", "story 1 year later and things are pretty much the same, could I", "a chilly smile. > He was given to play with words. And with", "in. > > > EDIT Given that the narrator is telling the story", "the incidents happening to the protagonist. Whenever I'm talking about things in general", "the story 1 year later and things are pretty much the same, could", "every impossibility > and make brilliant scientific discoveries that will change our world", "to switch the tense to present. 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And with science, which was exactly > why he was", "in the future! Is this appropriate? I also feel that I'm using my", "the way, since the place was super hygienic. Not a single speck of", "It > has been founded on January 1, 2301–the very beginning of a", "been quite successful.) > > > Steves is a young, talented and dedicated", "> > > DOOM’S ROOM more like, Steves muttered to himself with a", "Whenever I'm talking about things in general though, I tend to switch the", "tense to present. And all the while, I'm writing a book which is", "believe his eyes. The shutters had had closed. His > heart sank. He", "Is this appropriate? I also feel that I'm using my tenses wrongly at", "Steves living in the 24th century. I'm mostly using the typical past tense", "> and make brilliant scientific discoveries that will change our world > forever.", "book which is set in the future! Is this appropriate? I also feel", "a possibility by > the way, since the place was super hygienic. Not", "This wasn’t a possibility by > the way, since the place was super", "ROOM? He knew he still > wasn’t that qualified to handle that flaming", "dare say they have been quite successful.) > > > Steves is a", "that matter, in or out of the > room. Even a tiny mouse", "named Steves living in the 24th century. I'm mostly using the typical past", "Even a tiny mouse cannot escape it. This wasn’t a possibility by >", "> forever. (And I dare say they have been quite successful.) > >", "and technology–with the mission to conquer every impossibility > and make brilliant scientific", "a scientist named Steves living in the 24th century. I'm mostly using the", "> taken him much time to blend in. > > > EDIT Given", "so. > > > Steves couldn’t believe his eyes. The shutters had had", "young, talented and dedicated scientist. He’s fairly new > here; it's barely his", "possibility by > the way, since the place was super hygienic. Not a", "by the way. Mistakes ought to be there. 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He is one of", "speck of > dust lay on its shiny, polished floor. The room was", "shutters had had closed. His > heart sank. He was fuming by now.", "tech research institute of the 24th century. It > has been founded on", "times. This is my first draft, by the way. Mistakes ought to be", "by now. Why the heck did he agree to take > the responsibility", "barely his first year at RT. Nevertheless, it hasn’t > taken him much", "he was here. He is one of the scientists at Revolution Tech (RT)", "to himself with a chilly smile. > He was given to play with", "for that matter, in or out of the > room. Even a tiny", "qualified to handle that flaming room. > > > DOOM’S ROOM more like,", "to blend in. > > > EDIT Given that the narrator is telling", "blend in. > > > EDIT Given that the narrator is telling the", "1 year later and things are pretty much the same, could I still", "I better say, excessively so. > > > Steves couldn’t believe his eyes.", "mission to conquer every impossibility > and make brilliant scientific discoveries that will", "the place was super hygienic. Not a single speck of > dust lay", "to present. And all the while, I'm writing a book which is set", "feel that I'm using my tenses wrongly at times. This is my first", "lay on its shiny, polished floor. The room was adequately taken > care", "> the leading innovative tech research institute of the 24th century. It >", "words. And with science, which was exactly > why he was here. He", "century. I'm mostly using the typical past tense to narrate the incidents happening", "present. And all the while, I'm writing a book which is set in", "better say, excessively so. > > > Steves couldn’t believe his eyes. The", "> > The shutters had closed. There was no escape. The robots on", "closed. His > heart sank. He was fuming by now. Why the heck", "This is my first draft, by the way. Mistakes ought to be there.", "The robots on guard > would never let anything, or anyone for that", "> room. Even a tiny mouse cannot escape it. This wasn’t a possibility", "matter, in or out of the > room. Even a tiny mouse cannot", "> has been founded on January 1, 2301–the very beginning of a new", "dedicated scientist. He’s fairly new > here; it's barely his first year at", "(RT) – > the leading innovative tech research institute of the 24th century.", "dust lay on its shiny, polished floor. The room was adequately taken >", "discoveries that will change our world > forever. (And I dare say they", "successful.) > > > Steves is a young, talented and dedicated scientist. He’s", "The room was adequately taken > care of. Or I better say, excessively", "general though, I tend to switch the tense to present. And all the", "world > forever. (And I dare say they have been quite successful.) >", "knew he still > wasn’t that qualified to handle that flaming room. >", "him much time to blend in. > > > EDIT Given that the", "to conquer every impossibility > and make brilliant scientific discoveries that will change", "I'm mostly using the typical past tense to narrate the incidents happening to", "novella about a scientist named Steves living in the 24th century. I'm mostly", "Mistakes ought to be there. Sample of the piece: > > He was", "the way. Mistakes ought to be there. Sample of the piece: > >", "no escape. 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Nevertheless,", "I'm talking about things in general though, I tend to switch the tense", "since the place was super hygienic. Not a single speck of > dust", "robots on guard > would never let anything, or anyone for that matter,", "innovative tech research institute of the 24th century. It > has been founded", "technology–with the mission to conquer every impossibility > and make brilliant scientific discoveries", "He was given to play with words. And with science, which was exactly", "the mission to conquer every impossibility > and make brilliant scientific discoveries that", "that I'm using my tenses wrongly at times. This is my first draft,", "of. Or I better say, excessively so. > > > Steves couldn’t believe", "way, since the place was super hygienic. Not a single speck of >", "switch the tense to present. And all the while, I'm writing a book", "it. This wasn’t a possibility by > the way, since the place was", "> > Steves is a young, talented and dedicated scientist. He’s fairly new", "a book which is set in the future! Is this appropriate? I also", "single speck of > dust lay on its shiny, polished floor. The room", "anyone for that matter, in or out of the > room. Even a", "a single speck of > dust lay on its shiny, polished floor. The", "happening to the protagonist. Whenever I'm talking about things in general though, I", "sank. He was fuming by now. Why the heck did he agree to", "super hygienic. Not a single speck of > dust lay on its shiny,", "his eyes. The shutters had had closed. His > heart sank. He was", "to take > the responsibility of managing the MAINS ROOM? He knew he", "> > Steves couldn’t believe his eyes. The shutters had had closed. His", "at Revolution Tech (RT) – > the leading innovative tech research institute of", "while, I'm writing a book which is set in the future! Is this", "> the way, since the place was super hygienic. Not a single speck", "had closed. His > heart sank. He was fuming by now. Why the", "> why he was here. He is one of the scientists at Revolution", "scientist. He’s fairly new > here; it's barely his first year at RT.", "was here. He is one of the scientists at Revolution Tech (RT) –", "the responsibility of managing the MAINS ROOM? He knew he still > wasn’t", "The shutters had closed. There was no escape. The robots on guard >", "the MAINS ROOM? He knew he still > wasn’t that qualified to handle", "things are pretty much the same, could I still use present tense in", "my tenses wrongly at times. This is my first draft, by the way.", "a new era of > science and technology–with the mission to conquer every", "wasn’t a possibility by > the way, since the place was super hygienic.", "tend to switch the tense to present. And all the while, I'm writing", "Sample of the piece: > > He was stuck. Simply. > > >", "by > the way, since the place was super hygienic. Not a single", "writing a book which is set in the future! Is this appropriate? I", "institute of the 24th century. It > has been founded on January 1,", "of > dust lay on its shiny, polished floor. The room was adequately", "EDIT Given that the narrator is telling the story 1 year later and", "exactly > why he was here. He is one of the scientists at", "all the while, I'm writing a book which is set in the future!", "that qualified to handle that flaming room. > > > DOOM’S ROOM more", "handle that flaming room. > > > DOOM’S ROOM more like, Steves muttered", "heart sank. He was fuming by now. Why the heck did he agree", "here. He is one of the scientists at Revolution Tech (RT) – >", "on January 1, 2301–the very beginning of a new era of > science", "to handle that flaming room. > > > DOOM’S ROOM more like, Steves", "> > > Steves is a young, talented and dedicated scientist. He’s fairly", "our world > forever. (And I dare say they have been quite successful.)", "> heart sank. He was fuming by now. Why the heck did he", "that will change our world > forever. (And I dare say they have", "taken > care of. Or I better say, excessively so. > > >", "Tech (RT) – > the leading innovative tech research institute of the 24th", "is my first draft, by the way. Mistakes ought to be there. Sample", "leading innovative tech research institute of the 24th century. It > has been", "research institute of the 24th century. It > has been founded on January", "the heck did he agree to take > the responsibility of managing the", "take > the responsibility of managing the MAINS ROOM? He knew he still", "of the 24th century. It > has been founded on January 1, 2301–the", "And with science, which was exactly > why he was here. He is", "hasn’t > taken him much time to blend in. > > > EDIT", "much time to blend in. > > > EDIT Given that the narrator", "to the protagonist. Whenever I'm talking about things in general though, I tend", "a young, talented and dedicated scientist. He’s fairly new > here; it's barely", "narrator is telling the story 1 year later and things are pretty much", "Given that the narrator is telling the story 1 year later and things", "first year at RT. Nevertheless, it hasn’t > taken him much time to", "24th century. It > has been founded on January 1, 2301–the very beginning", "writing a sci-fi novella about a scientist named Steves living in the 24th", "The shutters had had closed. His > heart sank. He was fuming by", "was adequately taken > care of. Or I better say, excessively so. >", "> > DOOM’S ROOM more like, Steves muttered to himself with a chilly", "set in the future! Is this appropriate? I also feel that I'm using", "the tense to present. And all the while, I'm writing a book which", "or anyone for that matter, in or out of the > room. Even", "protagonist. Whenever I'm talking about things in general though, I tend to switch", "piece: > > He was stuck. Simply. > > > The shutters had", "like, Steves muttered to himself with a chilly smile. > He was given", "there. Sample of the piece: > > He was stuck. Simply. > >", "smile. > He was given to play with words. And with science, which", "and things are pretty much the same, could I still use present tense", "future! Is this appropriate? I also feel that I'm using my tenses wrongly", "or out of the > room. Even a tiny mouse cannot escape it.", "agree to take > the responsibility of managing the MAINS ROOM? He knew", "one of the scientists at Revolution Tech (RT) – > the leading innovative", "tiny mouse cannot escape it. This wasn’t a possibility by > the way,", "room. Even a tiny mouse cannot escape it. This wasn’t a possibility by", "was no escape. The robots on guard > would never let anything, or", "> care of. Or I better say, excessively so. > > > Steves", "room. > > > DOOM’S ROOM more like, Steves muttered to himself with", "2301–the very beginning of a new era of > science and technology–with the", "I dare say they have been quite successful.) > > > Steves is", "fuming by now. Why the heck did he agree to take > the", "heck did he agree to take > the responsibility of managing the MAINS", "24th century. I'm mostly using the typical past tense to narrate the incidents", "it hasn’t > taken him much time to blend in. > > >", "on guard > would never let anything, or anyone for that matter, in", "wasn’t that qualified to handle that flaming room. > > > DOOM’S ROOM", "with a chilly smile. > He was given to play with words. And", "was exactly > why he was here. He is one of the scientists", "> He was stuck. Simply. > > > The shutters had closed. There", "was stuck. Simply. > > > The shutters had closed. There was no", "(And I dare say they have been quite successful.) > > > Steves", "also feel that I'm using my tenses wrongly at times. This is my", "science and technology–with the mission to conquer every impossibility > and make brilliant", "care of. Or I better say, excessively so. > > > Steves couldn’t", "of the scientists at Revolution Tech (RT) – > the leading innovative tech", "talking about things in general though, I tend to switch the tense to", "the 24th century. I'm mostly using the typical past tense to narrate the", "have been quite successful.) > > > Steves is a young, talented and", "say, excessively so. > > > Steves couldn’t believe his eyes. The shutters", "given to play with words. And with science, which was exactly > why", "about a scientist named Steves living in the 24th century. I'm mostly using", "shiny, polished floor. The room was adequately taken > care of. Or I", "hygienic. Not a single speck of > dust lay on its shiny, polished", "mouse cannot escape it. This wasn’t a possibility by > the way, since", "change our world > forever. (And I dare say they have been quite", "telling the story 1 year later and things are pretty much the same,", "Not a single speck of > dust lay on its shiny, polished floor.", "> DOOM’S ROOM more like, Steves muttered to himself with a chilly smile.", "> EDIT Given that the narrator is telling the story 1 year later", "using my tenses wrongly at times. This is my first draft, by the", "incidents happening to the protagonist. Whenever I'm talking about things in general though,", "let anything, or anyone for that matter, in or out of the >", "> the responsibility of managing the MAINS ROOM? He knew he still >", "eyes. The shutters had had closed. His > heart sank. He was fuming", "I also feel that I'm using my tenses wrongly at times. This is", "sci-fi novella about a scientist named Steves living in the 24th century. I'm", "the scientists at Revolution Tech (RT) – > the leading innovative tech research", "Simply. > > > The shutters had closed. There was no escape. The", "though, I tend to switch the tense to present. And all the while,", "had had closed. His > heart sank. He was fuming by now. Why", "first draft, by the way. Mistakes ought to be there. Sample of the", "guard > would never let anything, or anyone for that matter, in or", "was super hygienic. Not a single speck of > dust lay on its", "in or out of the > room. Even a tiny mouse cannot escape", "> wasn’t that qualified to handle that flaming room. > > > DOOM’S", "He was stuck. Simply. > > > The shutters had closed. There was", "There was no escape. The robots on guard > would never let anything,", "make brilliant scientific discoveries that will change our world > forever. (And I", "He is one of the scientists at Revolution Tech (RT) – > the", "managing the MAINS ROOM? He knew he still > wasn’t that qualified to", "impossibility > and make brilliant scientific discoveries that will change our world >", "era of > science and technology–with the mission to conquer every impossibility >", "I tend to switch the tense to present. And all the while, I'm", "has been founded on January 1, 2301–the very beginning of a new era" ]
[ "mainly two reasons: * an elf named Legolas is way more charismatic than", "way more charismatic than his cousin named NevisMI * it gives an exotic", "on). Some authors use special naming convention, like Robin Hobb who uses a", "it gives an exotic touch, because magic isn't enough exotic by itself Are", "Kvothe, Daenerys, Pug and so on). Some authors use special naming convention, like", "touch, because magic isn't enough exotic by itself Are there other reasons? For", "like Robin Hobb who uses a quality for name (Shrewd Farseer) in the", "quality for name (Shrewd Farseer) in the Farseer Trilogy. I see mainly two", "vast majority of fantasy novels, the characters' names are somewhat original (Balyo, Kvothe,", "Pug and so on). Some authors use special naming convention, like Robin Hobb", "because magic isn't enough exotic by itself Are there other reasons? For fantasy", "authors use special naming convention, like Robin Hobb who uses a quality for", "an exotic touch, because magic isn't enough exotic by itself Are there other", "who uses a quality for name (Shrewd Farseer) in the Farseer Trilogy. I", "somewhat original (Balyo, Kvothe, Daenerys, Pug and so on). Some authors use special", "uses a quality for name (Shrewd Farseer) in the Farseer Trilogy. I see", "special naming convention, like Robin Hobb who uses a quality for name (Shrewd", "NevisMI * it gives an exotic touch, because magic isn't enough exotic by", "convention, like Robin Hobb who uses a quality for name (Shrewd Farseer) in", "than his cousin named NevisMI * it gives an exotic touch, because magic", "isn't enough exotic by itself Are there other reasons? For fantasy in a", "cousin named NevisMI * it gives an exotic touch, because magic isn't enough", "and so on). Some authors use special naming convention, like Robin Hobb who", "naming convention, like Robin Hobb who uses a quality for name (Shrewd Farseer)", "elf named Legolas is way more charismatic than his cousin named NevisMI ", "the characters' names are somewhat original (Balyo, Kvothe, Daenerys, Pug and so on).", "see mainly two reasons: an elf named Legolas is way more charismatic", "enough exotic by itself Are there other reasons? For fantasy in a medieval-europe", "characters' names are somewhat original (Balyo, Kvothe, Daenerys, Pug and so on). Some", "his cousin named NevisMI * it gives an exotic touch, because magic isn't", "gives an exotic touch, because magic isn't enough exotic by itself Are there", "fantasy novels, the characters' names are somewhat original (Balyo, Kvothe, Daenerys, Pug and", "(Shrewd Farseer) in the Farseer Trilogy. I see mainly two reasons: * an", "an elf named Legolas is way more charismatic than his cousin named NevisMI", "more charismatic than his cousin named NevisMI * it gives an exotic touch,", "named NevisMI * it gives an exotic touch, because magic isn't enough exotic", "of fantasy novels, the characters' names are somewhat original (Balyo, Kvothe, Daenerys, Pug", "exotic by itself Are there other reasons? For fantasy in a medieval-europe like", "* an elf named Legolas is way more charismatic than his cousin named", "For fantasy in a medieval-europe like world, is there really a need to", "in the Farseer Trilogy. I see mainly two reasons: * an elf named", "Trilogy. I see mainly two reasons: * an elf named Legolas is way", "by itself Are there other reasons? For fantasy in a medieval-europe like world,", "exotic touch, because magic isn't enough exotic by itself Are there other reasons?", "novels, the characters' names are somewhat original (Balyo, Kvothe, Daenerys, Pug and so", "(Balyo, Kvothe, Daenerys, Pug and so on). Some authors use special naming convention,", "Some authors use special naming convention, like Robin Hobb who uses a quality", "name (Shrewd Farseer) in the Farseer Trilogy. I see mainly two reasons: ", "original (Balyo, Kvothe, Daenerys, Pug and so on). Some authors use special naming", "the Farseer Trilogy. I see mainly two reasons: an elf named Legolas", "a quality for name (Shrewd Farseer) in the Farseer Trilogy. I see mainly", "are somewhat original (Balyo, Kvothe, Daenerys, Pug and so on). Some authors use", "Robin Hobb who uses a quality for name (Shrewd Farseer) in the Farseer", "majority of fantasy novels, the characters' names are somewhat original (Balyo, Kvothe, Daenerys,", "so on). Some authors use special naming convention, like Robin Hobb who uses", "named Legolas is way more charismatic than his cousin named NevisMI * it", "in a medieval-europe like world, is there really a need to be so", "fantasy in a medieval-europe like world, is there really a need to be", "* it gives an exotic touch, because magic isn't enough exotic by itself", "there other reasons? For fantasy in a medieval-europe like world, is there really", "In the vast majority of fantasy novels, the characters' names are somewhat original", "magic isn't enough exotic by itself Are there other reasons? For fantasy in", "reasons? For fantasy in a medieval-europe like world, is there really a need", "a medieval-europe like world, is there really a need to be so original?", "charismatic than his cousin named NevisMI * it gives an exotic touch, because", "Are there other reasons? For fantasy in a medieval-europe like world, is there", "is way more charismatic than his cousin named NevisMI * it gives an", "Farseer) in the Farseer Trilogy. I see mainly two reasons: * an elf", "use special naming convention, like Robin Hobb who uses a quality for name", "reasons: * an elf named Legolas is way more charismatic than his cousin", "Legolas is way more charismatic than his cousin named NevisMI * it gives", "Hobb who uses a quality for name (Shrewd Farseer) in the Farseer Trilogy.", "Daenerys, Pug and so on). Some authors use special naming convention, like Robin", "for name (Shrewd Farseer) in the Farseer Trilogy. I see mainly two reasons:", "the vast majority of fantasy novels, the characters' names are somewhat original (Balyo,", "I see mainly two reasons: * an elf named Legolas is way more", "other reasons? For fantasy in a medieval-europe like world, is there really a", "Farseer Trilogy. I see mainly two reasons: * an elf named Legolas is", "two reasons: * an elf named Legolas is way more charismatic than his", "names are somewhat original (Balyo, Kvothe, Daenerys, Pug and so on). Some authors", "itself Are there other reasons? For fantasy in a medieval-europe like world, is" ]
[ "things instead of developing and telling an intriguing plot with twists and turns.", "great, wouldn't there be \"storyshowers\" instead of storytellers? Storytelling is a very old", "do so many veteran writers hammer beginners like me to \"show, not tell\"?", "way too many pages describing things instead of developing and telling an intriguing", "read fiction, but have found over the years that my tastes have changed", "was so great, wouldn't there be \"storyshowers\" instead of storytellers? Storytelling is a", "wordsmithing than in spinning an interesting yarn. So, why do so many veteran", "which I readily admit can be very bland. On occasion I read fiction,", "Overly descriptive scenes leave me wanting less; I don't read many newer novels", "very old tradition and is the basis of screenwriting. I am less interested", "leave me wanting less; I don't read many newer novels because they spend", "a very old tradition and is the basis of screenwriting. I am less", "spend way too many pages describing things instead of developing and telling an", "novels because they spend way too many pages describing things instead of developing", "my tastes have changed considerably. Overly descriptive scenes leave me wanting less; I", "spinning an interesting yarn. So, why do so many veteran writers hammer beginners", "readily admit can be very bland. On occasion I read fiction, but have", "twists and turns. If show was so great, wouldn't there be \"storyshowers\" instead", "me wanting less; I don't read many newer novels because they spend way", "that my tastes have changed considerably. Overly descriptive scenes leave me wanting less;", "considerably. Overly descriptive scenes leave me wanting less; I don't read many newer", "storytellers? Storytelling is a very old tradition and is the basis of screenwriting.", "don't read many newer novels because they spend way too many pages describing", "and telling an intriguing plot with twists and turns. If show was so", "be \"storyshowers\" instead of storytellers? Storytelling is a very old tradition and is", "tradition and is the basis of screenwriting. I am less interested in wordsmithing", "I don't read many newer novels because they spend way too many pages", "very bland. On occasion I read fiction, but have found over the years", "basis of screenwriting. I am less interested in wordsmithing than in spinning an", "and turns. If show was so great, wouldn't there be \"storyshowers\" instead of", "I readily admit can be very bland. On occasion I read fiction, but", "am less interested in wordsmithing than in spinning an interesting yarn. So, why", "science, which I readily admit can be very bland. On occasion I read", "interested in wordsmithing than in spinning an interesting yarn. So, why do so", "be very bland. On occasion I read fiction, but have found over the", "I read fiction, but have found over the years that my tastes have", "but have found over the years that my tastes have changed considerably. Overly", "with twists and turns. If show was so great, wouldn't there be \"storyshowers\"", "write primarily science, which I readily admit can be very bland. On occasion", "plot with twists and turns. If show was so great, wouldn't there be", "wanting less; I don't read many newer novels because they spend way too", "an interesting yarn. So, why do so many veteran writers hammer beginners like", "screenwriting. I am less interested in wordsmithing than in spinning an interesting yarn.", "turns. If show was so great, wouldn't there be \"storyshowers\" instead of storytellers?", "changed considerably. Overly descriptive scenes leave me wanting less; I don't read many", "bland. On occasion I read fiction, but have found over the years that", "admit can be very bland. On occasion I read fiction, but have found", "of developing and telling an intriguing plot with twists and turns. If show", "\"storyshowers\" instead of storytellers? Storytelling is a very old tradition and is the", "I am less interested in wordsmithing than in spinning an interesting yarn. So,", "found over the years that my tastes have changed considerably. Overly descriptive scenes", "primarily science, which I readily admit can be very bland. On occasion I", "in wordsmithing than in spinning an interesting yarn. So, why do so many", "many pages describing things instead of developing and telling an intriguing plot with", "so great, wouldn't there be \"storyshowers\" instead of storytellers? Storytelling is a very", "than in spinning an interesting yarn. So, why do so many veteran writers", "of storytellers? Storytelling is a very old tradition and is the basis of", "Storytelling is a very old tradition and is the basis of screenwriting. I", "the years that my tastes have changed considerably. Overly descriptive scenes leave me", "many newer novels because they spend way too many pages describing things instead", "old tradition and is the basis of screenwriting. I am less interested in", "developing and telling an intriguing plot with twists and turns. If show was", "describing things instead of developing and telling an intriguing plot with twists and", "because they spend way too many pages describing things instead of developing and", "If show was so great, wouldn't there be \"storyshowers\" instead of storytellers? Storytelling", "is a very old tradition and is the basis of screenwriting. I am", "can be very bland. On occasion I read fiction, but have found over", "and is the basis of screenwriting. I am less interested in wordsmithing than", "descriptive scenes leave me wanting less; I don't read many newer novels because", "telling an intriguing plot with twists and turns. If show was so great,", "years that my tastes have changed considerably. Overly descriptive scenes leave me wanting", "an intriguing plot with twists and turns. If show was so great, wouldn't", "they spend way too many pages describing things instead of developing and telling", "is the basis of screenwriting. I am less interested in wordsmithing than in", "why do so many veteran writers hammer beginners like me to \"show, not", "have changed considerably. Overly descriptive scenes leave me wanting less; I don't read", "newer novels because they spend way too many pages describing things instead of", "On occasion I read fiction, but have found over the years that my", "instead of storytellers? Storytelling is a very old tradition and is the basis", "pages describing things instead of developing and telling an intriguing plot with twists", "I write primarily science, which I readily admit can be very bland. On", "tastes have changed considerably. Overly descriptive scenes leave me wanting less; I don't", "too many pages describing things instead of developing and telling an intriguing plot", "in spinning an interesting yarn. So, why do so many veteran writers hammer", "over the years that my tastes have changed considerably. Overly descriptive scenes leave", "So, why do so many veteran writers hammer beginners like me to \"show,", "read many newer novels because they spend way too many pages describing things", "intriguing plot with twists and turns. If show was so great, wouldn't there", "there be \"storyshowers\" instead of storytellers? Storytelling is a very old tradition and", "less; I don't read many newer novels because they spend way too many", "less interested in wordsmithing than in spinning an interesting yarn. So, why do", "wouldn't there be \"storyshowers\" instead of storytellers? Storytelling is a very old tradition", "yarn. So, why do so many veteran writers hammer beginners like me to", "instead of developing and telling an intriguing plot with twists and turns. If", "interesting yarn. So, why do so many veteran writers hammer beginners like me", "show was so great, wouldn't there be \"storyshowers\" instead of storytellers? Storytelling is", "fiction, but have found over the years that my tastes have changed considerably.", "have found over the years that my tastes have changed considerably. Overly descriptive", "of screenwriting. I am less interested in wordsmithing than in spinning an interesting", "occasion I read fiction, but have found over the years that my tastes", "the basis of screenwriting. I am less interested in wordsmithing than in spinning", "scenes leave me wanting less; I don't read many newer novels because they" ]
[ "on the fence right now. I just can't decide, this is an impossibly", "the first book, perfect it, write the second book, perfect it, so on", "interesting question, but I'm thinking about not one book... a trilogy. Or a", "so on and so forth. Or, should I write all the books (without", "work with, but I'm really on the fence right now. I just can't", "my books and edit them one by one. For example, I write the", "series of any length, really. So, I was wondering whether I should write", "entire thing to work with, but I'm really on the fence right now.", "editing as I go, clearing up the bad chapters, but haven't properly gone", "[this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about not one book... a", "through the whole thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting", "write all the books (without editing them) and then perfect the complete work?", "saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about not one book...", "that to perfection, then the second one, edit that to perfection, so on", "I should write the entire series first then edit or write one book,", "it, so on and so forth. Or, should I write all the books", "chapter away from finishing. I've done a little editing as I go, clearing", "and so on. I'm beginning to lean towards writing the entire series, because", "write the second book, perfect it, so on and so forth. Or, should", "books (without editing them) and then perfect the complete work? > > >", "finishing. I've done a little editing as I go, clearing up the bad", "So, I was wondering whether I should write the entire series first then", "Should I write my books and edit them one by one. For example,", "and edit them one by one. For example, I write the first book,", "I just can't decide, this is an impossibly tricky dilemma. --- Question --------", "whole thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but", "so on. I'm beginning to lean towards writing the entire series, because I'll", "entire series, because I'll have the entire thing to work with, but I'm", "Or, should I write all the books (without editing them) and then perfect", "book, perfect it, write the second book, perfect it, so on and so", "perfection, then the second one, edit that to perfection, so on and so", "perfection, so on and so on. I'm beginning to lean towards writing the", "I'm really on the fence right now. I just can't decide, this is", "really on the fence right now. I just can't decide, this is an", "whether I should write the entire series first then edit or write one", "> > Should I write my books and edit them one by one.", "from finishing. I've done a little editing as I go, clearing up the", "this is an impossibly tricky dilemma. --- Question -------- > > Should I", "perfect it, write the second book, perfect it, so on and so forth.", "of a trilogy* is one chapter away from finishing. I've done a little", "on and so on. I'm beginning to lean towards writing the entire series,", "away from finishing. I've done a little editing as I go, clearing up", "to lean towards writing the entire series, because I'll have the entire thing", "is an impossibly tricky dilemma. --- Question -------- > > Should I write", "write one book, edit that to perfection, then the second one, edit that", "all the books (without editing them) and then perfect the complete work? >", "trilogy. Or a series of any length, really. So, I was wondering whether", "edit that to perfection, so on and so on. I'm beginning to lean", "now. I just can't decide, this is an impossibly tricky dilemma. --- Question", "the books (without editing them) and then perfect the complete work? > >", "because I'll have the entire thing to work with, but I'm really on", "one book, edit that to perfection, then the second one, edit that to", "on and so forth. Or, should I write all the books (without editing", "Or a series of any length, really. So, I was wondering whether I", "then the second one, edit that to perfection, so on and so on.", "or write one book, edit that to perfection, then the second one, edit", "an impossibly tricky dilemma. --- Question -------- > > Should I write my", "any length, really. So, I was wondering whether I should write the entire", "that to perfection, so on and so on. I'm beginning to lean towards", "by one. For example, I write the first book, perfect it, write the", "have the entire thing to work with, but I'm really on the fence", "but haven't properly gone through the whole thing or anything. Firstly, I saw", "is one chapter away from finishing. I've done a little editing as I", "can't decide, this is an impossibly tricky dilemma. --- Question -------- > >", "first then edit or write one book, edit that to perfection, then the", "come, my first book of a trilogy is one chapter away from finishing.", "right now. I just can't decide, this is an impossibly tricky dilemma. ---", "The time has come, my first book of a trilogy is one chapter", "dilemma. --- Question -------- > > Should I write my books and edit", "chapters, but haven't properly gone through the whole thing or anything. Firstly, I", "just can't decide, this is an impossibly tricky dilemma. --- Question -------- >", "a series of any length, really. So, I was wondering whether I should", "writing the entire series, because I'll have the entire thing to work with,", "I was wondering whether I should write the entire series first then edit", "example, I write the first book, perfect it, write the second book, perfect", "a trilogy. Or a series of any length, really. So, I was wondering", "gone through the whole thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an", "I'm beginning to lean towards writing the entire series, because I'll have the", "series, because I'll have the entire thing to work with, but I'm really", "the whole thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question,", "Question -------- > > Should I write my books and edit them one", "my first book of a trilogy is one chapter away from finishing. I've", "book, perfect it, so on and so forth. Or, should I write all", "beginning to lean towards writing the entire series, because I'll have the entire", "to perfection, so on and so on. I'm beginning to lean towards writing", "I've done a little editing as I go, clearing up the bad chapters,", "as I go, clearing up the bad chapters, but haven't properly gone through", "on. I'm beginning to lean towards writing the entire series, because I'll have", "the fence right now. I just can't decide, this is an impossibly tricky", "the second book, perfect it, so on and so forth. Or, should I", "a trilogy* is one chapter away from finishing. I've done a little editing", "Background ---------- Woohoo! The time has come, my first book of a trilogy", "--- Background ---------- Woohoo! The time has come, my first book of a", "anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about", "or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking", "I'm thinking about not one book... a trilogy. Or a series of any", "of any length, really. So, I was wondering whether I should write the", "book of a trilogy is one chapter away from finishing. I've done a", "was wondering whether I should write the entire series first then edit or", "edit them one by one. For example, I write the first book, perfect", "the entire series first then edit or write one book, edit that to", "thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm", "with, but I'm really on the fence right now. I just can't decide,", "question, but I'm thinking about not one book... a trilogy. Or a series", "I'll have the entire thing to work with, but I'm really on the", "write the entire series first then edit or write one book, edit that", "entire series first then edit or write one book, edit that to perfection,", "-------- > > Should I write my books and edit them one by", "decide, this is an impossibly tricky dilemma. --- Question -------- > > Should", "so on and so on. I'm beginning to lean towards writing the entire", "to work with, but I'm really on the fence right now. I just", "really. So, I was wondering whether I should write the entire series first", "fence right now. I just can't decide, this is an impossibly tricky dilemma.", "impossibly tricky dilemma. --- Question -------- > > Should I write my books", "it, write the second book, perfect it, so on and so forth. Or,", "bad chapters, but haven't properly gone through the whole thing or anything. Firstly,", "haven't properly gone through the whole thing or anything. Firstly, I saw [this", "trilogy* is one chapter away from finishing. I've done a little editing as", "but I'm thinking about not one book... a trilogy. Or a series of", "length, really. So, I was wondering whether I should write the entire series", "little editing as I go, clearing up the bad chapters, but haven't properly", "I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about not one", "the entire thing to work with, but I'm really on the fence right", "wondering whether I should write the entire series first then edit or write", "and so forth. Or, should I write all the books (without editing them)", "so forth. Or, should I write all the books (without editing them) and", "go, clearing up the bad chapters, but haven't properly gone through the whole", "the entire series, because I'll have the entire thing to work with, but", "one. For example, I write the first book, perfect it, write the second", "to perfection, then the second one, edit that to perfection, so on and", "up the bad chapters, but haven't properly gone through the whole thing or", "about not one book... a trilogy. Or a series of any length, really.", "should write the entire series first then edit or write one book, edit", "> Should I write my books and edit them one by one. For", "but I'm really on the fence right now. I just can't decide, this", "tricky dilemma. --- Question -------- > > Should I write my books and", "forth. Or, should I write all the books (without editing them) and then", "write the first book, perfect it, write the second book, perfect it, so", "I write the first book, perfect it, write the second book, perfect it,", "---------- Woohoo! The time has come, my first book of a trilogy is", "thing to work with, but I'm really on the fence right now. I", "one book... a trilogy. Or a series of any length, really. So, I", "--- Question -------- > > Should I write my books and edit them", "them one by one. For example, I write the first book, perfect it,", "Woohoo! The time has come, my first book of a trilogy is one", "time has come, my first book of a trilogy is one chapter away", "done a little editing as I go, clearing up the bad chapters, but", "an interesting question, but I'm thinking about not one book... a trilogy. Or", "series first then edit or write one book, edit that to perfection, then", "one by one. For example, I write the first book, perfect it, write", "then edit or write one book, edit that to perfection, then the second", "lean towards writing the entire series, because I'll have the entire thing to", "clearing up the bad chapters, but haven't properly gone through the whole thing", "thinking about not one book... a trilogy. Or a series of any length,", "edit or write one book, edit that to perfection, then the second one,", "first book of a trilogy is one chapter away from finishing. I've done", "write my books and edit them one by one. For example, I write", "Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about not", "second book, perfect it, so on and so forth. Or, should I write", "I write all the books (without editing them) and then perfect the complete", "the bad chapters, but haven't properly gone through the whole thing or anything.", "book... a trilogy. Or a series of any length, really. So, I was", "I write my books and edit them one by one. For example, I", "has come, my first book of a trilogy is one chapter away from", "books and edit them one by one. For example, I write the first", "perfect it, so on and so forth. Or, should I write all the", "properly gone through the whole thing or anything. Firstly, I saw [this question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go),", "towards writing the entire series, because I'll have the entire thing to work", "book, edit that to perfection, then the second one, edit that to perfection,", "edit that to perfection, then the second one, edit that to perfection, so", "I go, clearing up the bad chapters, but haven't properly gone through the", "not one book... a trilogy. Or a series of any length, really. So,", "the second one, edit that to perfection, so on and so on. I'm", "second one, edit that to perfection, so on and so on. I'm beginning", "first book, perfect it, write the second book, perfect it, so on and", "should I write all the books (without editing them) and then perfect the", "question](https://writers.stackexchange.com/questions/3513/write-to-the-finish-or-edit-as-you-go), an interesting question, but I'm thinking about not one book... a trilogy.", "one, edit that to perfection, so on and so on. I'm beginning to", "a little editing as I go, clearing up the bad chapters, but haven't", "For example, I write the first book, perfect it, write the second book,", "one chapter away from finishing. I've done a little editing as I go," ]
[ "very long time) is that I seem to be unable to write in", "not have been time constraints that made it not possible to take measurements", "the 'end' of a sentence rather than building up to the main point.", "to use these slow increases in temperature. > > > It is just", "slow increases in temperature. > > > It is just very convoluted, not", "writing seems to take me a very long time) is that I seem", "just very convoluted, not clear, and I don't think it even makes grammatical", "sentences, writing more clearly, and writing faster. I am grouping these together here", "of my main problems (and the reason why writing seems to take me", "write in shorter sentences and my sentences become very convoluted. It seems as", "been a better idea to use these slow increases in temperature. > >", "not clear, and I don't think it even makes grammatical sense. I would", "of writing in shorter sentences, writing more clearly, and writing faster. I am", "or exercises to do, that would help someone to get in the habit", "with writing an awful lot and would like to improve. One of my", "always start writing from the 'end' of a sentence rather than building up", "and I found myself writing the following sentence: > > Considering the likely", "of error, had there not have been time constraints that made it not", "clearly, and writing faster. I am grouping these together here because I think", "shorter sentences and my sentences become very convoluted. It seems as if I", "problems (and the reason why writing seems to take me a very long", "have been a better idea to use these slow increases in temperature. >", "an awful lot and would like to improve. One of my main problems", "sentences become very convoluted. It seems as if I always start writing from", "like to improve. One of my main problems (and the reason why writing", "emf temperature slightly, allowing the temperature of thermocouple and thermistor system to equilibrate,", "be unable to write in shorter sentences and my sentences become very convoluted.", "temperature again, it would certainly have been a better idea to use these", "become very convoluted. It seems as if I always start writing from the", "temperature of thermocouple and thermistor system to equilibrate, before increasing the temperature again,", "a very long time) is that I seem to be unable to write", "> Considering the likely greatest source of error, had there not have been", "made it not possible to take measurements by increasing the thermal emf temperature", "in the habit of writing in shorter sentences, writing more clearly, and writing", "would like to improve. One of my main problems (and the reason why", "would help someone to get in the habit of writing in shorter sentences,", "because I think they often (though definitely not always) come together as one", "sentence rather than building up to the main point. For example, I am", "take measurements by increasing the thermal emf temperature slightly, allowing the temperature of", "am grouping these together here because I think they often (though definitely not", "point. For example, I am currently writing a report on a scientific experiment", "greatest source of error, had there not have been time constraints that made", "writing the following sentence: > > Considering the likely greatest source of error,", "time constraints that made it not possible to take measurements by increasing the", "slightly, allowing the temperature of thermocouple and thermistor system to equilibrate, before increasing", "experiment I conducted, and I found myself writing the following sentence: > >", "as if I always start writing from the 'end' of a sentence rather", "on a scientific experiment I conducted, and I found myself writing the following", "be grateful to know if there are any techniques one can use, or", "Considering the likely greatest source of error, had there not have been time", "up to the main point. For example, I am currently writing a report", "I am grouping these together here because I think they often (though definitely", "don't think it even makes grammatical sense. I would be grateful to know", "rather than building up to the main point. For example, I am currently", "and I don't think it even makes grammatical sense. I would be grateful", "if I always start writing from the 'end' of a sentence rather than", "in shorter sentences and my sentences become very convoluted. It seems as if", "me a very long time) is that I seem to be unable to", "grateful to know if there are any techniques one can use, or exercises", "it even makes grammatical sense. I would be grateful to know if there", "main problems (and the reason why writing seems to take me a very", "writing more clearly, and writing faster. I am grouping these together here because", "to be unable to write in shorter sentences and my sentences become very", "here because I think they often (though definitely not always) come together as", "I seem to be unable to write in shorter sentences and my sentences", "> > Considering the likely greatest source of error, had there not have", "seems to take me a very long time) is that I seem to", "the temperature again, it would certainly have been a better idea to use", "start writing from the 'end' of a sentence rather than building up to", "do, that would help someone to get in the habit of writing in", "writing faster. I am grouping these together here because I think they often", "scientific experiment I conducted, and I found myself writing the following sentence: >", "from the 'end' of a sentence rather than building up to the main", "and would like to improve. One of my main problems (and the reason", "there not have been time constraints that made it not possible to take", "if there are any techniques one can use, or exercises to do, that", "very convoluted. It seems as if I always start writing from the 'end'", "found myself writing the following sentence: > > Considering the likely greatest source", "a scientific experiment I conducted, and I found myself writing the following sentence:", "writing a report on a scientific experiment I conducted, and I found myself", "before increasing the temperature again, it would certainly have been a better idea", "exercises to do, that would help someone to get in the habit of", "would certainly have been a better idea to use these slow increases in", "lot and would like to improve. One of my main problems (and the", "unable to write in shorter sentences and my sentences become very convoluted. It", "convoluted. It seems as if I always start writing from the 'end' of", "why writing seems to take me a very long time) is that I", "temperature slightly, allowing the temperature of thermocouple and thermistor system to equilibrate, before", "sense. I would be grateful to know if there are any techniques one", "One of my main problems (and the reason why writing seems to take", "techniques one can use, or exercises to do, that would help someone to", "writing an awful lot and would like to improve. One of my main", "take me a very long time) is that I seem to be unable", "is just very convoluted, not clear, and I don't think it even makes", "the habit of writing in shorter sentences, writing more clearly, and writing faster.", "in temperature. > > > It is just very convoluted, not clear, and", "the thermal emf temperature slightly, allowing the temperature of thermocouple and thermistor system", "can use, or exercises to do, that would help someone to get in", "It is just very convoluted, not clear, and I don't think it even", "increasing the thermal emf temperature slightly, allowing the temperature of thermocouple and thermistor", "grouping these together here because I think they often (though definitely not always)", "a sentence rather than building up to the main point. For example, I", "equilibrate, before increasing the temperature again, it would certainly have been a better", "writing from the 'end' of a sentence rather than building up to the", "I conducted, and I found myself writing the following sentence: > > Considering", "had there not have been time constraints that made it not possible to", "a better idea to use these slow increases in temperature. > > >", "I would be grateful to know if there are any techniques one can", "system to equilibrate, before increasing the temperature again, it would certainly have been", "the following sentence: > > Considering the likely greatest source of error, had", "'end' of a sentence rather than building up to the main point. For", "a report on a scientific experiment I conducted, and I found myself writing", "I found myself writing the following sentence: > > Considering the likely greatest", "sentence: > > Considering the likely greatest source of error, had there not", "building up to the main point. For example, I am currently writing a", "again, it would certainly have been a better idea to use these slow", "report on a scientific experiment I conducted, and I found myself writing the", "use these slow increases in temperature. > > > It is just very", "the temperature of thermocouple and thermistor system to equilibrate, before increasing the temperature", "increases in temperature. > > > It is just very convoluted, not clear,", "> > It is just very convoluted, not clear, and I don't think", "the likely greatest source of error, had there not have been time constraints", "seems as if I always start writing from the 'end' of a sentence", "I struggle with writing an awful lot and would like to improve. One", "temperature. > > > It is just very convoluted, not clear, and I", "and writing faster. I am grouping these together here because I think they", "the reason why writing seems to take me a very long time) is", "struggle with writing an awful lot and would like to improve. One of", "someone to get in the habit of writing in shorter sentences, writing more", "thermocouple and thermistor system to equilibrate, before increasing the temperature again, it would", "to get in the habit of writing in shorter sentences, writing more clearly,", "grammatical sense. I would be grateful to know if there are any techniques", "these together here because I think they often (though definitely not always) come", "possible to take measurements by increasing the thermal emf temperature slightly, allowing the", "my sentences become very convoluted. It seems as if I always start writing", "know if there are any techniques one can use, or exercises to do,", "there are any techniques one can use, or exercises to do, that would", "faster. I am grouping these together here because I think they often (though", "increasing the temperature again, it would certainly have been a better idea to", "use, or exercises to do, that would help someone to get in the", "not possible to take measurements by increasing the thermal emf temperature slightly, allowing", "I think they often (though definitely not always) come together as one problem.", "(and the reason why writing seems to take me a very long time)", "to equilibrate, before increasing the temperature again, it would certainly have been a", "have been time constraints that made it not possible to take measurements by", "seem to be unable to write in shorter sentences and my sentences become", "these slow increases in temperature. > > > It is just very convoluted,", "to write in shorter sentences and my sentences become very convoluted. It seems", "is that I seem to be unable to write in shorter sentences and", "think it even makes grammatical sense. I would be grateful to know if", "to take me a very long time) is that I seem to be", "reason why writing seems to take me a very long time) is that", "writing in shorter sentences, writing more clearly, and writing faster. I am grouping", "I am currently writing a report on a scientific experiment I conducted, and", "to know if there are any techniques one can use, or exercises to", "currently writing a report on a scientific experiment I conducted, and I found", "than building up to the main point. For example, I am currently writing", "thermal emf temperature slightly, allowing the temperature of thermocouple and thermistor system to", "certainly have been a better idea to use these slow increases in temperature.", "sentences and my sentences become very convoluted. It seems as if I always", "my main problems (and the reason why writing seems to take me a", "following sentence: > > Considering the likely greatest source of error, had there", "allowing the temperature of thermocouple and thermistor system to equilibrate, before increasing the", "am currently writing a report on a scientific experiment I conducted, and I", "would be grateful to know if there are any techniques one can use,", "and thermistor system to equilibrate, before increasing the temperature again, it would certainly", "the main point. For example, I am currently writing a report on a", "I always start writing from the 'end' of a sentence rather than building", "myself writing the following sentence: > > Considering the likely greatest source of", "clear, and I don't think it even makes grammatical sense. I would be", "are any techniques one can use, or exercises to do, that would help", "to improve. One of my main problems (and the reason why writing seems", "awful lot and would like to improve. One of my main problems (and", "and my sentences become very convoluted. It seems as if I always start", "very convoluted, not clear, and I don't think it even makes grammatical sense.", "convoluted, not clear, and I don't think it even makes grammatical sense. I", "For example, I am currently writing a report on a scientific experiment I", "example, I am currently writing a report on a scientific experiment I conducted,", "thermistor system to equilibrate, before increasing the temperature again, it would certainly have", "habit of writing in shorter sentences, writing more clearly, and writing faster. I", "by increasing the thermal emf temperature slightly, allowing the temperature of thermocouple and", "that made it not possible to take measurements by increasing the thermal emf", "of thermocouple and thermistor system to equilibrate, before increasing the temperature again, it", "to do, that would help someone to get in the habit of writing", "that would help someone to get in the habit of writing in shorter", "to take measurements by increasing the thermal emf temperature slightly, allowing the temperature", "I don't think it even makes grammatical sense. I would be grateful to", "even makes grammatical sense. I would be grateful to know if there are", "likely greatest source of error, had there not have been time constraints that", "long time) is that I seem to be unable to write in shorter", "error, had there not have been time constraints that made it not possible", "makes grammatical sense. 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For example, I am currently writing a report on a scientific", "any techniques one can use, or exercises to do, that would help someone", "been time constraints that made it not possible to take measurements by increasing", "measurements by increasing the thermal emf temperature slightly, allowing the temperature of thermocouple", "one can use, or exercises to do, that would help someone to get", "better idea to use these slow increases in temperature. > > > It", "> > > It is just very convoluted, not clear, and I don't", "constraints that made it not possible to take measurements by increasing the thermal", "It seems as if I always start writing from the 'end' of a", "together here because I think they often (though definitely not always) come together", "to the main point. For example, I am currently writing a report on", "of a sentence rather than building up to the main point. For example,", "that I seem to be unable to write in shorter sentences and my", "conducted, and I found myself writing the following sentence: > > Considering the", "source of error, had there not have been time constraints that made it", "shorter sentences, writing more clearly, and writing faster. I am grouping these together", "help someone to get in the habit of writing in shorter sentences, writing", "in shorter sentences, writing more clearly, and writing faster. I am grouping these" ]
[ "it is facial expressions, voice tone, or something else. Some actors are better", "see it\" sounds better than saying to someone, \"They have to show it.\"", "and most times it doesn't make for a good story. All of us", "amateur actor tells more than she shows and most times it doesn't make", "To me that means lots of showing and less telling. Other books don't", "descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had this thought: If", "on the actors in film to show us how they feel to make", "a person who didn't it. It's difficult. They have to see it, even", "less telling. Other books don't seem to have that much description. Some Sci-Fi", "I've downloaded lots of samples from Amazon and these (same genres) have more", "compared to someone like Brooks, and it is very popular. Are these just", "they feel to make it real, whether it is facial expressions, voice tone,", "War didn't have a lot of description in it either, compared to someone", "of description in it either, compared to someone like Brooks, and it is", "reviews. On the other hand, Old Man's War didn't have a lot of", "writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had this thought: If it", "like Brooks, and it is very popular. Are these just different styles? Edit:", "popular. Are these just different styles? Edit: This question is useful, but not", "a lot of description in it either, compared to someone like Brooks, and", "by Paolini, and Magic Kingdom by Terry Brooks. These both have lots of", "& Chrichton's other books. I've downloaded lots of samples from Amazon and these", "actor to communicate a scene and feeling in a movie, then you have", "make for a good story. All of us have tried to explain a", "movie to a person who didn't it. It's difficult. They have to see", "telling. Other books don't seem to have that much description. Some Sci-Fi has", "other hand, Old Man's War didn't have a lot of description in it", "facial expressions, voice tone, or something else. Some actors are better at it", "Edit: Based on what's link, I had this thought: If it requires a", "than showing or what I am calling description. These authors aren't as big,", "actor tells more than she shows and most times it doesn't make for", "difficult. They have to see it, even though you just told it. \"You", "don't seem to have that much description. Some Sci-Fi has this as well,", "as well, Jurassic Park, & Chrichton's other books. I've downloaded lots of samples", "communicate a scene and feeling in a movie, then you have to show", "question is useful, but not the same, [How to develop a more vivid", "to have that much description. Some Sci-Fi has this as well, Jurassic Park,", "shows and most times it doesn't make for a good story. All of", "and less telling. Other books don't seem to have that much description. Some", "to make it real, whether it is facial expressions, voice tone, or something", "it. We rely on the actors in film to show us how they", "Eragon by Paolini, and Magic Kingdom by Terry Brooks. These both have lots", "scene and feeling in a movie, then you have to show it. We", "book Eragon by Paolini, and Magic Kingdom by Terry Brooks. These both have", "[How to develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on", "in it either, compared to someone like Brooks, and it is very popular.", "didn't have a lot of description in it either, compared to someone like", "styles? Edit: This question is useful, but not the same, [How to develop", "others. The amateur actor tells more than she shows and most times it", "better at it than others. The amateur actor tells more than she shows", "these just different styles? Edit: This question is useful, but not the same,", "have that much description. Some Sci-Fi has this as well, Jurassic Park, &", "to a person who didn't it. It's difficult. They have to see it,", "It's difficult. They have to see it, even though you just told it.", "Terry Brooks. These both have lots of description. To me that means lots", "for a good story. All of us have tried to explain a scene", "who didn't it. It's difficult. They have to see it, even though you", "samples from Amazon and these (same genres) have more telling than showing or", "though you just told it. \"You have to see it\" sounds better than", "These both have lots of description. To me that means lots of showing", "more telling than showing or what I am calling description. These authors aren't", "show it. We rely on the actors in film to show us how", "well, Jurassic Park, & Chrichton's other books. I've downloaded lots of samples from", "not the same, [How to develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style)", "same, [How to develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based", "rely on the actors in film to show us how they feel to", "Paolini, and Magic Kingdom by Terry Brooks. These both have lots of description.", "it real, whether it is facial expressions, voice tone, or something else. Some", "much description. Some Sci-Fi has this as well, Jurassic Park, & Chrichton's other", "than others. The amateur actor tells more than she shows and most times", "have 100 reviews. On the other hand, Old Man's War didn't have a", "Magic Kingdom by Terry Brooks. These both have lots of description. To me", "seem to have that much description. Some Sci-Fi has this as well, Jurassic", "and it is very popular. Are these just different styles? Edit: This question", "other books. I've downloaded lots of samples from Amazon and these (same genres)", "the book Eragon by Paolini, and Magic Kingdom by Terry Brooks. These both", "it. It's difficult. They have to see it, even though you just told", "very popular. Are these just different styles? Edit: This question is useful, but", "Jurassic Park, & Chrichton's other books. I've downloaded lots of samples from Amazon", "they have 100 reviews. On the other hand, Old Man's War didn't have", "Sci-Fi has this as well, Jurassic Park, & Chrichton's other books. I've downloaded", "If it requires a camera and an actor to communicate a scene and", "lots of samples from Amazon and these (same genres) have more telling than", "I am calling description. These authors aren't as big, maybe they have 100", "hand, Old Man's War didn't have a lot of description in it either,", "aren't as big, maybe they have 100 reviews. On the other hand, Old", "the same, [How to develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit:", "me that means lots of showing and less telling. Other books don't seem", "For example the book Eragon by Paolini, and Magic Kingdom by Terry Brooks.", "Brooks. These both have lots of description. To me that means lots of", "Brooks, and it is very popular. Are these just different styles? Edit: This", "Chrichton's other books. I've downloaded lots of samples from Amazon and these (same", "vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had this", "Are these just different styles? Edit: This question is useful, but not the", "style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had this thought: If it requires", "just different styles? Edit: This question is useful, but not the same, [How", "than she shows and most times it doesn't make for a good story.", "books don't seem to have that much description. Some Sci-Fi has this as", "I had this thought: If it requires a camera and an actor to", "real, whether it is facial expressions, voice tone, or something else. Some actors", "downloaded lots of samples from Amazon and these (same genres) have more telling", "it. \"You have to see it\" sounds better than saying to someone, \"They", "different styles? Edit: This question is useful, but not the same, [How to", "link, I had this thought: If it requires a camera and an actor", "am calling description. These authors aren't as big, maybe they have 100 reviews.", "feeling in a movie, then you have to show it. We rely on", "to show us how they feel to make it real, whether it is", "most times it doesn't make for a good story. All of us have", "have more telling than showing or what I am calling description. These authors", "either, compared to someone like Brooks, and it is very popular. Are these", "that much description. Some Sci-Fi has this as well, Jurassic Park, & Chrichton's", "have to see it, even though you just told it. \"You have to", "then you have to show it. We rely on the actors in film", "she shows and most times it doesn't make for a good story. All", "Kingdom by Terry Brooks. These both have lots of description. To me that", "These authors aren't as big, maybe they have 100 reviews. On the other", "have tried to explain a scene in a movie to a person who", "actors in film to show us how they feel to make it real,", "Park, & Chrichton's other books. I've downloaded lots of samples from Amazon and", "or something else. Some actors are better at it than others. The amateur", "This question is useful, but not the same, [How to develop a more", "showing and less telling. Other books don't seem to have that much description.", "it than others. The amateur actor tells more than she shows and most", "of description. To me that means lots of showing and less telling. Other", "description in it either, compared to someone like Brooks, and it is very", "are better at it than others. The amateur actor tells more than she", "told it. \"You have to see it\" sounds better than saying to someone,", "a movie to a person who didn't it. It's difficult. They have to", "calling description. These authors aren't as big, maybe they have 100 reviews. On", "at it than others. The amateur actor tells more than she shows and", "us have tried to explain a scene in a movie to a person", "to someone like Brooks, and it is very popular. Are these just different", "as big, maybe they have 100 reviews. On the other hand, Old Man's", "is useful, but not the same, [How to develop a more vivid and", "telling than showing or what I am calling description. These authors aren't as", "authors aren't as big, maybe they have 100 reviews. On the other hand,", "an actor to communicate a scene and feeling in a movie, then you", "to communicate a scene and feeling in a movie, then you have to", "something else. Some actors are better at it than others. The amateur actor", "Some actors are better at it than others. The amateur actor tells more", "tone, or something else. Some actors are better at it than others. The", "have a lot of description in it either, compared to someone like Brooks,", "in a movie, then you have to show it. We rely on the", "a good story. All of us have tried to explain a scene in", "how they feel to make it real, whether it is facial expressions, voice", "\"You have to see it\" sounds better than saying to someone, \"They have", "you just told it. \"You have to see it\" sounds better than saying", "more than she shows and most times it doesn't make for a good", "tried to explain a scene in a movie to a person who didn't", "and feeling in a movie, then you have to show it. We rely", "expressions, voice tone, or something else. Some actors are better at it than", "this as well, Jurassic Park, & Chrichton's other books. I've downloaded lots of", "or what I am calling description. These authors aren't as big, maybe they", "Based on what's link, I had this thought: If it requires a camera", "Old Man's War didn't have a lot of description in it either, compared", "is facial expressions, voice tone, or something else. Some actors are better at", "have to see it\" sounds better than saying to someone, \"They have to", "person who didn't it. It's difficult. They have to see it, even though", "to explain a scene in a movie to a person who didn't it.", "a movie, then you have to show it. We rely on the actors", "the actors in film to show us how they feel to make it", "useful, but not the same, [How to develop a more vivid and descriptive", "The amateur actor tells more than she shows and most times it doesn't", "develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link,", "else. Some actors are better at it than others. The amateur actor tells", "example the book Eragon by Paolini, and Magic Kingdom by Terry Brooks. These", "thought: If it requires a camera and an actor to communicate a scene", "on what's link, I had this thought: If it requires a camera and", "Other books don't seem to have that much description. Some Sci-Fi has this", "a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I", "even though you just told it. \"You have to see it\" sounds better", "from Amazon and these (same genres) have more telling than showing or what", "100 reviews. On the other hand, Old Man's War didn't have a lot", "means lots of showing and less telling. Other books don't seem to have", "have to show it. We rely on the actors in film to show", "actors are better at it than others. The amateur actor tells more than", "see it, even though you just told it. \"You have to see it\"", "to see it\" sounds better than saying to someone, \"They have to show", "what's link, I had this thought: If it requires a camera and an", "a scene in a movie to a person who didn't it. It's difficult.", "good story. All of us have tried to explain a scene in a", "the other hand, Old Man's War didn't have a lot of description in", "a scene and feeling in a movie, then you have to show it.", "All of us have tried to explain a scene in a movie to", "description. Some Sci-Fi has this as well, Jurassic Park, & Chrichton's other books.", "genres) have more telling than showing or what I am calling description. These", "requires a camera and an actor to communicate a scene and feeling in", "scene in a movie to a person who didn't it. It's difficult. They", "that means lots of showing and less telling. Other books don't seem to", "more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had", "it, even though you just told it. \"You have to see it\" sounds", "it requires a camera and an actor to communicate a scene and feeling", "and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's link, I had this thought:", "it doesn't make for a good story. All of us have tried to", "Edit: This question is useful, but not the same, [How to develop a", "just told it. \"You have to see it\" sounds better than saying to", "of us have tried to explain a scene in a movie to a", "On the other hand, Old Man's War didn't have a lot of description", "Man's War didn't have a lot of description in it either, compared to", "show us how they feel to make it real, whether it is facial", "to develop a more vivid and descriptive writing style](https://writers.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style) Edit: Based on what's", "explain a scene in a movie to a person who didn't it. It's", "had this thought: If it requires a camera and an actor to communicate", "film to show us how they feel to make it real, whether it", "tells more than she shows and most times it doesn't make for a", "someone like Brooks, and it is very popular. Are these just different styles?", "you have to show it. We rely on the actors in film to", "feel to make it real, whether it is facial expressions, voice tone, or", "voice tone, or something else. Some actors are better at it than others.", "is very popular. Are these just different styles? Edit: This question is useful,", "story. All of us have tried to explain a scene in a movie", "lots of description. To me that means lots of showing and less telling.", "these (same genres) have more telling than showing or what I am calling", "camera and an actor to communicate a scene and feeling in a movie,", "what I am calling description. These authors aren't as big, maybe they have", "books. I've downloaded lots of samples from Amazon and these (same genres) have", "lot of description in it either, compared to someone like Brooks, and it", "lots of showing and less telling. Other books don't seem to have that", "it is very popular. Are these just different styles? Edit: This question is", "Some Sci-Fi has this as well, Jurassic Park, & Chrichton's other books. I've", "big, maybe they have 100 reviews. On the other hand, Old Man's War", "didn't it. It's difficult. They have to see it, even though you just", "has this as well, Jurassic Park, & Chrichton's other books. I've downloaded lots", "have lots of description. To me that means lots of showing and less", "in a movie to a person who didn't it. It's difficult. They have", "by Terry Brooks. These both have lots of description. To me that means", "and these (same genres) have more telling than showing or what I am", "a camera and an actor to communicate a scene and feeling in a", "doesn't make for a good story. All of us have tried to explain", "They have to see it, even though you just told it. \"You have", "this thought: If it requires a camera and an actor to communicate a", "and Magic Kingdom by Terry Brooks. These both have lots of description. To", "but not the same, [How to develop a more vivid and descriptive writing", "and an actor to communicate a scene and feeling in a movie, then", "movie, then you have to show it. We rely on the actors in", "description. These authors aren't as big, maybe they have 100 reviews. On the", "showing or what I am calling description. These authors aren't as big, maybe", "make it real, whether it is facial expressions, voice tone, or something else.", "in film to show us how they feel to make it real, whether", "times it doesn't make for a good story. All of us have tried", "We rely on the actors in film to show us how they feel", "to show it. We rely on the actors in film to show us", "both have lots of description. To me that means lots of showing and", "us how they feel to make it real, whether it is facial expressions,", "of samples from Amazon and these (same genres) have more telling than showing", "maybe they have 100 reviews. On the other hand, Old Man's War didn't", "it either, compared to someone like Brooks, and it is very popular. Are", "to see it, even though you just told it. \"You have to see", "(same genres) have more telling than showing or what I am calling description.", "description. To me that means lots of showing and less telling. Other books", "Amazon and these (same genres) have more telling than showing or what I", "of showing and less telling. Other books don't seem to have that much", "whether it is facial expressions, voice tone, or something else. Some actors are" ]
[ "have said. > > > The \"he\" is an animal, incapable of speech.", "that you should be consistent regarding which mark you use, regardless of circumstance.", "or not it is acceptable to use the alternate quotation mark to denote", "I used single quotation marks to make it more obvious that he wasn't", "the alternate quotation mark to denote something that is a quote, but is", "British standard is to use single quotation marks ('example'). Style guides insist that", "obvious that he wasn't actually saying those words. Is this acceptable? Thanks, everyone.", "a kind of joke, I wrote: > > 'Of course I know,' he", "probably would have said. > > > The \"he\" is an animal, incapable", "denote something that is a quote, but is not dialogue. For example, as", "that readers sometimes jump from quotation to quotation, ignoring attributions, so I used", "insist that you should be consistent regarding which mark you use, regardless of", "> The \"he\" is an animal, incapable of speech. I know that readers", "it more obvious that he wasn't actually saying those words. Is this acceptable?", "standard is to use double quotation marks (\"example\") and the British standard is", "readers sometimes jump from quotation to quotation, ignoring attributions, so I used single", "said. > > > The \"he\" is an animal, incapable of speech. I", "mark to denote something that is a quote, but is not dialogue. For", "incapable of speech. I know that readers sometimes jump from quotation to quotation,", "ignoring attributions, so I used single quotation marks to make it more obvious", "use, regardless of circumstance. My question is whether or not it is acceptable", "guides insist that you should be consistent regarding which mark you use, regardless", "use double quotation marks (\"example\") and the British standard is to use single", "marks ('example'). Style guides insist that you should be consistent regarding which mark", "know,' he probably would have said. > > > The \"he\" is an", "\"he\" is an animal, incapable of speech. I know that readers sometimes jump", "I know,' he probably would have said. > > > The \"he\" is", "wrote: > > 'Of course I know,' he probably would have said. >", "regardless of circumstance. My question is whether or not it is acceptable to", "that is a quote, but is not dialogue. For example, as a kind", "quotation marks (\"example\") and the British standard is to use single quotation marks", "question is whether or not it is acceptable to use the alternate quotation", "double quotation marks (\"example\") and the British standard is to use single quotation", "not it is acceptable to use the alternate quotation mark to denote something", "to use the alternate quotation mark to denote something that is a quote,", "of joke, I wrote: > > 'Of course I know,' he probably would", "('example'). Style guides insist that you should be consistent regarding which mark you", "to use single quotation marks ('example'). Style guides insist that you should be", "My question is whether or not it is acceptable to use the alternate", "I wrote: > > 'Of course I know,' he probably would have said.", "alternate quotation mark to denote something that is a quote, but is not", "circumstance. My question is whether or not it is acceptable to use the", "dialogue. For example, as a kind of joke, I wrote: > > 'Of", "American standard is to use double quotation marks (\"example\") and the British standard", "to denote something that is a quote, but is not dialogue. For example,", "a quote, but is not dialogue. For example, as a kind of joke,", "but is not dialogue. For example, as a kind of joke, I wrote:", "from quotation to quotation, ignoring attributions, so I used single quotation marks to", "> > > The \"he\" is an animal, incapable of speech. I know", "attributions, so I used single quotation marks to make it more obvious that", "consistent regarding which mark you use, regardless of circumstance. My question is whether", "course I know,' he probably would have said. > > > The \"he\"", "to make it more obvious that he wasn't actually saying those words. Is", "would have said. > > > The \"he\" is an animal, incapable of", "use single quotation marks ('example'). Style guides insist that you should be consistent", "not dialogue. For example, as a kind of joke, I wrote: > >", "example, as a kind of joke, I wrote: > > 'Of course I", "sometimes jump from quotation to quotation, ignoring attributions, so I used single quotation", "marks to make it more obvious that he wasn't actually saying those words.", "use the alternate quotation mark to denote something that is a quote, but", "> > 'Of course I know,' he probably would have said. > >", "he probably would have said. > > > The \"he\" is an animal,", "the British standard is to use single quotation marks ('example'). Style guides insist", "is to use single quotation marks ('example'). Style guides insist that you should", "The American standard is to use double quotation marks (\"example\") and the British", "should be consistent regarding which mark you use, regardless of circumstance. My question", "jump from quotation to quotation, ignoring attributions, so I used single quotation marks", "Style guides insist that you should be consistent regarding which mark you use,", "used single quotation marks to make it more obvious that he wasn't actually", "is a quote, but is not dialogue. For example, as a kind of", "> 'Of course I know,' he probably would have said. > > >", "speech. I know that readers sometimes jump from quotation to quotation, ignoring attributions,", "animal, incapable of speech. I know that readers sometimes jump from quotation to", "For example, as a kind of joke, I wrote: > > 'Of course", "you use, regardless of circumstance. My question is whether or not it is", "kind of joke, I wrote: > > 'Of course I know,' he probably", "be consistent regarding which mark you use, regardless of circumstance. My question is", "acceptable to use the alternate quotation mark to denote something that is a", "quotation marks to make it more obvious that he wasn't actually saying those", "is to use double quotation marks (\"example\") and the British standard is to", "to quotation, ignoring attributions, so I used single quotation marks to make it", "> > The \"he\" is an animal, incapable of speech. I know that", "is acceptable to use the alternate quotation mark to denote something that is", "you should be consistent regarding which mark you use, regardless of circumstance. My", "is not dialogue. For example, as a kind of joke, I wrote: >", "'Of course I know,' he probably would have said. > > > The", "of circumstance. My question is whether or not it is acceptable to use", "standard is to use single quotation marks ('example'). Style guides insist that you", "regarding which mark you use, regardless of circumstance. My question is whether or", "quotation marks ('example'). Style guides insist that you should be consistent regarding which", "make it more obvious that he wasn't actually saying those words. Is this", "is an animal, incapable of speech. I know that readers sometimes jump from", "quote, but is not dialogue. For example, as a kind of joke, I", "is whether or not it is acceptable to use the alternate quotation mark", "(\"example\") and the British standard is to use single quotation marks ('example'). Style", "more obvious that he wasn't actually saying those words. Is this acceptable? Thanks,", "joke, I wrote: > > 'Of course I know,' he probably would have", "it is acceptable to use the alternate quotation mark to denote something that", "quotation mark to denote something that is a quote, but is not dialogue.", "single quotation marks to make it more obvious that he wasn't actually saying", "whether or not it is acceptable to use the alternate quotation mark to", "single quotation marks ('example'). Style guides insist that you should be consistent regarding", "The \"he\" is an animal, incapable of speech. I know that readers sometimes", "something that is a quote, but is not dialogue. For example, as a", "quotation to quotation, ignoring attributions, so I used single quotation marks to make", "mark you use, regardless of circumstance. My question is whether or not it", "to use double quotation marks (\"example\") and the British standard is to use", "as a kind of joke, I wrote: > > 'Of course I know,'", "which mark you use, regardless of circumstance. My question is whether or not", "so I used single quotation marks to make it more obvious that he", "and the British standard is to use single quotation marks ('example'). Style guides", "know that readers sometimes jump from quotation to quotation, ignoring attributions, so I", "I know that readers sometimes jump from quotation to quotation, ignoring attributions, so", "marks (\"example\") and the British standard is to use single quotation marks ('example').", "an animal, incapable of speech. I know that readers sometimes jump from quotation", "quotation, ignoring attributions, so I used single quotation marks to make it more", "of speech. I know that readers sometimes jump from quotation to quotation, ignoring" ]
[ "I have to confess that I find Strunk & White's \"The Elements of", "White's \"The Elements of Style\" to be a very tedious read. Can anyone", "confess that I find Strunk & White's \"The Elements of Style\" to be", "be a very tedious read. Can anyone recommend an alternative title that covers", "that I find Strunk & White's \"The Elements of Style\" to be a", "& White's \"The Elements of Style\" to be a very tedious read. Can", "Elements of Style\" to be a very tedious read. Can anyone recommend an", "find Strunk & White's \"The Elements of Style\" to be a very tedious", "Strunk & White's \"The Elements of Style\" to be a very tedious read.", "to confess that I find Strunk & White's \"The Elements of Style\" to", "Style\" to be a very tedious read. Can anyone recommend an alternative title", "\"The Elements of Style\" to be a very tedious read. Can anyone recommend", "a very tedious read. Can anyone recommend an alternative title that covers similar", "very tedious read. Can anyone recommend an alternative title that covers similar ground?", "have to confess that I find Strunk & White's \"The Elements of Style\"", "to be a very tedious read. Can anyone recommend an alternative title that", "I find Strunk & White's \"The Elements of Style\" to be a very", "of Style\" to be a very tedious read. Can anyone recommend an alternative" ]
[ "personal views? And what if the book is semi-autobiographical? Do readers see the", "whether readers generally view the work as completely independent from the author's personal", "generally view the work as completely independent from the author's personal views? And", "the book is semi-autobiographical? Do readers see the author as part-and-parcel with the", "view the work as completely independent from the author's personal views? And what", "the work as completely independent from the author's personal views? And what if", "Do readers see the author as part-and-parcel with the book as it tells", "as completely independent from the author's personal views? And what if the book", "what if the book is semi-autobiographical? Do readers see the author as part-and-parcel", "I disagree with an author's views or actions, this has influenced me not", "see the author as part-and-parcel with the book as it tells much about", "author, I therefore wonder whether readers generally view the work as completely independent", "completely independent from the author's personal views? And what if the book is", "from the author's personal views? And what if the book is semi-autobiographical? Do", "views or actions, this has influenced me not to buy their books. As", "that when I disagree with an author's views or actions, this has influenced", "is semi-autobiographical? Do readers see the author as part-and-parcel with the book as", "And what if the book is semi-autobiographical? Do readers see the author as", "author as part-and-parcel with the book as it tells much about its creator?", "me not to buy their books. As an author, I therefore wonder whether", "wonder whether readers generally view the work as completely independent from the author's", "if the book is semi-autobiographical? Do readers see the author as part-and-parcel with", "have found that when I disagree with an author's views or actions, this", "work as completely independent from the author's personal views? And what if the", "semi-autobiographical? Do readers see the author as part-and-parcel with the book as it", "an author's views or actions, this has influenced me not to buy their", "or actions, this has influenced me not to buy their books. As an", "actions, this has influenced me not to buy their books. As an author,", "when I disagree with an author's views or actions, this has influenced me", "an author, I therefore wonder whether readers generally view the work as completely", "the author's personal views? And what if the book is semi-autobiographical? Do readers", "reader, I have found that when I disagree with an author's views or", "buy their books. As an author, I therefore wonder whether readers generally view", "the author as part-and-parcel with the book as it tells much about its", "a reader, I have found that when I disagree with an author's views", "I have found that when I disagree with an author's views or actions,", "I therefore wonder whether readers generally view the work as completely independent from", "therefore wonder whether readers generally view the work as completely independent from the", "readers generally view the work as completely independent from the author's personal views?", "As a reader, I have found that when I disagree with an author's", "their books. As an author, I therefore wonder whether readers generally view the", "independent from the author's personal views? And what if the book is semi-autobiographical?", "disagree with an author's views or actions, this has influenced me not to", "views? And what if the book is semi-autobiographical? Do readers see the author", "with an author's views or actions, this has influenced me not to buy", "not to buy their books. As an author, I therefore wonder whether readers", "this has influenced me not to buy their books. As an author, I", "found that when I disagree with an author's views or actions, this has", "author's views or actions, this has influenced me not to buy their books.", "books. As an author, I therefore wonder whether readers generally view the work", "influenced me not to buy their books. As an author, I therefore wonder", "to buy their books. As an author, I therefore wonder whether readers generally", "readers see the author as part-and-parcel with the book as it tells much", "As an author, I therefore wonder whether readers generally view the work as", "has influenced me not to buy their books. As an author, I therefore", "book is semi-autobiographical? Do readers see the author as part-and-parcel with the book", "author's personal views? And what if the book is semi-autobiographical? Do readers see" ]
[ "for example a battle. Is it a good idea as it is not", "just scenes, for example a battle. Is it a good idea as it", "battle. Is it a good idea as it is not integrated in a", "the way I write, and so I started to create just scenes, for", "Is it a good idea as it is not integrated in a well-established", "improve the way I write, and so I started to create just scenes,", "create just scenes, for example a battle. Is it a good idea as", "I write, and so I started to create just scenes, for example a", "example a battle. Is it a good idea as it is not integrated", "to improve the way I write, and so I started to create just", "so I started to create just scenes, for example a battle. Is it", "a battle. Is it a good idea as it is not integrated in", "and so I started to create just scenes, for example a battle. Is", "write, and so I started to create just scenes, for example a battle.", "way I write, and so I started to create just scenes, for example", "I started to create just scenes, for example a battle. Is it a", "a good idea as it is not integrated in a well-established story ?", "started to create just scenes, for example a battle. Is it a good", "I'm searching to improve the way I write, and so I started to", "to create just scenes, for example a battle. Is it a good idea", "it a good idea as it is not integrated in a well-established story", "scenes, for example a battle. Is it a good idea as it is", "searching to improve the way I write, and so I started to create" ]
[ "'because Spepfuj Kunw doesn't like them,’ how did bookisms fall so far out", "add any inflection to what is written. We are told to contort our", "written, in order to work around the need for nonstandard dialogue tags. Alternatively,", "this is crippling writers in terms of semantics and inflection. Semantically, 'said' is", "dialogue tags. Alternatively, we are urged to use of a never ending stream", "to said-bookisms -- the practice of using a verb other than \"said\" or", "it doesn't add any inflection to what is written. We are told to", "I feel like this is crippling writers in terms of semantics and inflection.", "are told to contort our natural dialogue so the reader can understand what", "of semantics and inflection. Semantically, 'said' is a verb now primarily used as", "what is written, in order to work around the need for nonstandard dialogue", "vehemence of many writers' objection to said-bookisms -- the practice of using a", "terms of semantics and inflection. Semantically, 'said' is a verb now primarily used", "of favor in current writing? Why did great writers of the past have", "of 'said' or 'asked' because they are invisible to the readers. Other than", "the vehemence of many writers' objection to said-bookisms -- the practice of using", "a never ending stream of 'said' or 'asked' because they are invisible to", "practice of using a verb other than \"said\" or \"asked\" in order to", "what is written. We are told to contort our natural dialogue so the", "a verb other than \"said\" or \"asked\" in order to convey dialog. Writers", "trouble using them, but today they are viewed as a sign of an", "dialog. Writers are told you can't hiss an entire sentence nor laugh one", "writers in terms of semantics and inflection. Semantically, 'said' is a verb now", "primarily used as a placemarker to identify the speaker. Yet it doesn't add", "hiss an entire sentence nor laugh one either. I feel like this is", "order to convey dialog. Writers are told you can't hiss an entire sentence", "how did bookisms fall so far out of favor in current writing? Why", "them, but today they are viewed as a sign of an amateur writer?", "as a placemarker to identify the speaker. Yet it doesn't add any inflection", "them,’ how did bookisms fall so far out of favor in current writing?", "one either. I feel like this is crippling writers in terms of semantics", "are told you can't hiss an entire sentence nor laugh one either. I", "the readers. Other than Groupthink and 'because Spepfuj Kunw doesn't like them,’ how", "tags. Alternatively, we are urged to use of a never ending stream of", "now primarily used as a placemarker to identify the speaker. Yet it doesn't", "for nonstandard dialogue tags. Alternatively, we are urged to use of a never", "our natural dialogue so the reader can understand what is written, in order", "of the past have no trouble using them, but today they are viewed", "an entire sentence nor laugh one either. I feel like this is crippling", "said-bookisms -- the practice of using a verb other than \"said\" or \"asked\"", "need for nonstandard dialogue tags. Alternatively, we are urged to use of a", "Writers are told you can't hiss an entire sentence nor laugh one either.", "placemarker to identify the speaker. Yet it doesn't add any inflection to what", "readers. Other than Groupthink and 'because Spepfuj Kunw doesn't like them,’ how did", "verb other than \"said\" or \"asked\" in order to convey dialog. Writers are", "using a verb other than \"said\" or \"asked\" in order to convey dialog.", "dialogue so the reader can understand what is written, in order to work", "work around the need for nonstandard dialogue tags. Alternatively, we are urged to", "natural dialogue so the reader can understand what is written, in order to", "We are told to contort our natural dialogue so the reader can understand", "than \"said\" or \"asked\" in order to convey dialog. Writers are told you", "nor laugh one either. I feel like this is crippling writers in terms", "a verb now primarily used as a placemarker to identify the speaker. Yet", "and 'because Spepfuj Kunw doesn't like them,’ how did bookisms fall so far", "doesn't like them,’ how did bookisms fall so far out of favor in", "to the readers. Other than Groupthink and 'because Spepfuj Kunw doesn't like them,’", "semantics and inflection. Semantically, 'said' is a verb now primarily used as a", "to work around the need for nonstandard dialogue tags. Alternatively, we are urged", "to use of a never ending stream of 'said' or 'asked' because they", "the need for nonstandard dialogue tags. Alternatively, we are urged to use of", "sentence nor laugh one either. I feel like this is crippling writers in", "'said' or 'asked' because they are invisible to the readers. Other than Groupthink", "speaker. Yet it doesn't add any inflection to what is written. We are", "they are invisible to the readers. Other than Groupthink and 'because Spepfuj Kunw", "urged to use of a never ending stream of 'said' or 'asked' because", "either. I feel like this is crippling writers in terms of semantics and", "is written. We are told to contort our natural dialogue so the reader", "stream of 'said' or 'asked' because they are invisible to the readers. Other", "fall so far out of favor in current writing? Why did great writers", "in order to convey dialog. Writers are told you can't hiss an entire", "of a never ending stream of 'said' or 'asked' because they are invisible", "understand what is written, in order to work around the need for nonstandard", "told you can't hiss an entire sentence nor laugh one either. I feel", "the practice of using a verb other than \"said\" or \"asked\" in order", "or 'asked' because they are invisible to the readers. Other than Groupthink and", "you can't hiss an entire sentence nor laugh one either. I feel like", "because they are invisible to the readers. Other than Groupthink and 'because Spepfuj", "than Groupthink and 'because Spepfuj Kunw doesn't like them,’ how did bookisms fall", "by the vehemence of many writers' objection to said-bookisms -- the practice of", "like them,’ how did bookisms fall so far out of favor in current", "are urged to use of a never ending stream of 'said' or 'asked'", "crippling writers in terms of semantics and inflection. Semantically, 'said' is a verb", "around the need for nonstandard dialogue tags. Alternatively, we are urged to use", "we are urged to use of a never ending stream of 'said' or", "many writers' objection to said-bookisms -- the practice of using a verb other", "favor in current writing? Why did great writers of the past have no", "identify the speaker. Yet it doesn't add any inflection to what is written.", "the past have no trouble using them, but today they are viewed as", "Other than Groupthink and 'because Spepfuj Kunw doesn't like them,’ how did bookisms", "have no trouble using them, but today they are viewed as a sign", "current writing? Why did great writers of the past have no trouble using", "'asked' because they are invisible to the readers. Other than Groupthink and 'because", "and inflection. Semantically, 'said' is a verb now primarily used as a placemarker", "like this is crippling writers in terms of semantics and inflection. Semantically, 'said'", "\"said\" or \"asked\" in order to convey dialog. Writers are told you can't", "is written, in order to work around the need for nonstandard dialogue tags.", "convey dialog. Writers are told you can't hiss an entire sentence nor laugh", "so far out of favor in current writing? Why did great writers of", "nonstandard dialogue tags. Alternatively, we are urged to use of a never ending", "Kunw doesn't like them,’ how did bookisms fall so far out of favor", "feel like this is crippling writers in terms of semantics and inflection. Semantically,", "a placemarker to identify the speaker. Yet it doesn't add any inflection to", "writers of the past have no trouble using them, but today they are", "in terms of semantics and inflection. Semantically, 'said' is a verb now primarily", "in order to work around the need for nonstandard dialogue tags. Alternatively, we", "\"asked\" in order to convey dialog. Writers are told you can't hiss an", "to identify the speaker. Yet it doesn't add any inflection to what is", "out of favor in current writing? Why did great writers of the past", "verb now primarily used as a placemarker to identify the speaker. Yet it", "entire sentence nor laugh one either. I feel like this is crippling writers", "did great writers of the past have no trouble using them, but today", "far out of favor in current writing? Why did great writers of the", "or \"asked\" in order to convey dialog. Writers are told you can't hiss", "using them, but today they are viewed as a sign of an amateur", "to contort our natural dialogue so the reader can understand what is written,", "Groupthink and 'because Spepfuj Kunw doesn't like them,’ how did bookisms fall so", "other than \"said\" or \"asked\" in order to convey dialog. Writers are told", "Semantically, 'said' is a verb now primarily used as a placemarker to identify", "'said' is a verb now primarily used as a placemarker to identify the", "Spepfuj Kunw doesn't like them,’ how did bookisms fall so far out of", "the speaker. Yet it doesn't add any inflection to what is written. We", "invisible to the readers. Other than Groupthink and 'because Spepfuj Kunw doesn't like", "written. We are told to contort our natural dialogue so the reader can", "doesn't add any inflection to what is written. We are told to contort", "so the reader can understand what is written, in order to work around", "of many writers' objection to said-bookisms -- the practice of using a verb", "is crippling writers in terms of semantics and inflection. Semantically, 'said' is a", "inflection. Semantically, 'said' is a verb now primarily used as a placemarker to", "contort our natural dialogue so the reader can understand what is written, in", "Alternatively, we are urged to use of a never ending stream of 'said'", "ending stream of 'said' or 'asked' because they are invisible to the readers.", "am surprised by the vehemence of many writers' objection to said-bookisms -- the", "the reader can understand what is written, in order to work around the", "never ending stream of 'said' or 'asked' because they are invisible to the", "can understand what is written, in order to work around the need for", "writers' objection to said-bookisms -- the practice of using a verb other than", "is a verb now primarily used as a placemarker to identify the speaker.", "of using a verb other than \"said\" or \"asked\" in order to convey", "reader can understand what is written, in order to work around the need", "Why did great writers of the past have no trouble using them, but", "no trouble using them, but today they are viewed as a sign of", "did bookisms fall so far out of favor in current writing? Why did", "Yet it doesn't add any inflection to what is written. We are told", "bookisms fall so far out of favor in current writing? Why did great", "are invisible to the readers. Other than Groupthink and 'because Spepfuj Kunw doesn't", "told to contort our natural dialogue so the reader can understand what is", "to convey dialog. Writers are told you can't hiss an entire sentence nor", "-- the practice of using a verb other than \"said\" or \"asked\" in", "order to work around the need for nonstandard dialogue tags. Alternatively, we are", "laugh one either. I feel like this is crippling writers in terms of", "used as a placemarker to identify the speaker. Yet it doesn't add any", "writing? Why did great writers of the past have no trouble using them,", "can't hiss an entire sentence nor laugh one either. I feel like this", "inflection to what is written. We are told to contort our natural dialogue", "to what is written. We are told to contort our natural dialogue so", "surprised by the vehemence of many writers' objection to said-bookisms -- the practice", "I am surprised by the vehemence of many writers' objection to said-bookisms --", "any inflection to what is written. We are told to contort our natural", "use of a never ending stream of 'said' or 'asked' because they are", "in current writing? Why did great writers of the past have no trouble", "past have no trouble using them, but today they are viewed as a", "objection to said-bookisms -- the practice of using a verb other than \"said\"", "great writers of the past have no trouble using them, but today they" ]
[ "Sure, you can name things the animal does like a cat that \"padded\"", "What can a writer use in an animal fantasy? I'm sure it depends", "(among other things). What can a writer use in an animal fantasy? I'm", "how do you show what the animal is doing, thinking, etc., without making", "a cat that \"padded\" up the road, instead of running up the road.", "running up the road. But soon or later you run out of things.", "expressions for showing (among other things). What can a writer use in an", "showing (among other things). What can a writer use in an animal fantasy?", "\"padded\" up the road, instead of running up the road. But soon or", "in an animal fantasy? I'm sure it depends on the animal, but aside", "in a rat or animal costume. Sure, you can name things the animal", "other mannerisms humans do? Edit: Sorry I forgot to put the animal: Birds", "animal's feelings, as an animal, when they don't have near the facial expressions", "I read showing in stories with people, they describe facial expressions for showing", "costume. Sure, you can name things the animal does like a cat that", "expressions and other mannerisms humans do? Edit: Sorry I forgot to put the", "animal, but aside from a mouse or rat, try a bird, how do", "other things). What can a writer use in an animal fantasy? I'm sure", "or animal costume. Sure, you can name things the animal does like a", "up the road, instead of running up the road. But soon or later", "you run out of things. How can I do showing the animal's feelings,", "stories with people, they describe facial expressions for showing (among other things). What", "animal is doing, thinking, etc., without making them simply a human dressed up", "rat, try a bird, how do you show what the animal is doing,", "the facial expressions and other mannerisms humans do? Edit: Sorry I forgot to", "aside from a mouse or rat, try a bird, how do you show", "bird, how do you show what the animal is doing, thinking, etc., without", "etc., without making them simply a human dressed up in a rat or", "the animal is doing, thinking, etc., without making them simply a human dressed", "rat or animal costume. Sure, you can name things the animal does like", "road, instead of running up the road. But soon or later you run", "thinking, etc., without making them simply a human dressed up in a rat", "instead of running up the road. But soon or later you run out", "a writer use in an animal fantasy? I'm sure it depends on the", "but aside from a mouse or rat, try a bird, how do you", "or rat, try a bird, how do you show what the animal is", "when they don't have near the facial expressions and other mannerisms humans do?", "the animal, but aside from a mouse or rat, try a bird, how", "out of things. How can I do showing the animal's feelings, as an", "simply a human dressed up in a rat or animal costume. Sure, you", "name things the animal does like a cat that \"padded\" up the road,", "When I read showing in stories with people, they describe facial expressions for", "road. But soon or later you run out of things. How can I", "a rat or animal costume. Sure, you can name things the animal does", "fantasy? I'm sure it depends on the animal, but aside from a mouse", "animal costume. Sure, you can name things the animal does like a cat", "run out of things. How can I do showing the animal's feelings, as", "have near the facial expressions and other mannerisms humans do? Edit: Sorry I", "like a cat that \"padded\" up the road, instead of running up the", "soon or later you run out of things. How can I do showing", "you show what the animal is doing, thinking, etc., without making them simply", "things. How can I do showing the animal's feelings, as an animal, when", "try a bird, how do you show what the animal is doing, thinking,", "I'm sure it depends on the animal, but aside from a mouse or", "sure it depends on the animal, but aside from a mouse or rat,", "with people, they describe facial expressions for showing (among other things). What can", "facial expressions and other mannerisms humans do? Edit: Sorry I forgot to put", "How can I do showing the animal's feelings, as an animal, when they", "that \"padded\" up the road, instead of running up the road. But soon", "do showing the animal's feelings, as an animal, when they don't have near", "showing in stories with people, they describe facial expressions for showing (among other", "can name things the animal does like a cat that \"padded\" up the", "what the animal is doing, thinking, etc., without making them simply a human", "But soon or later you run out of things. How can I do", "do you show what the animal is doing, thinking, etc., without making them", "without making them simply a human dressed up in a rat or animal", "for showing (among other things). What can a writer use in an animal", "a bird, how do you show what the animal is doing, thinking, etc.,", "or later you run out of things. How can I do showing the", "them simply a human dressed up in a rat or animal costume. Sure,", "on the animal, but aside from a mouse or rat, try a bird,", "doing, thinking, etc., without making them simply a human dressed up in a", "it depends on the animal, but aside from a mouse or rat, try", "feelings, as an animal, when they don't have near the facial expressions and", "describe facial expressions for showing (among other things). What can a writer use", "can a writer use in an animal fantasy? I'm sure it depends on", "near the facial expressions and other mannerisms humans do? Edit: Sorry I forgot", "mouse or rat, try a bird, how do you show what the animal", "the road, instead of running up the road. But soon or later you", "and other mannerisms humans do? Edit: Sorry I forgot to put the animal:", "cat that \"padded\" up the road, instead of running up the road. But", "animal, when they don't have near the facial expressions and other mannerisms humans", "things). What can a writer use in an animal fantasy? I'm sure it", "is doing, thinking, etc., without making them simply a human dressed up in", "of running up the road. But soon or later you run out of", "you can name things the animal does like a cat that \"padded\" up", "showing the animal's feelings, as an animal, when they don't have near the", "people, they describe facial expressions for showing (among other things). What can a", "later you run out of things. How can I do showing the animal's", "read showing in stories with people, they describe facial expressions for showing (among", "as an animal, when they don't have near the facial expressions and other", "a mouse or rat, try a bird, how do you show what the", "the animal does like a cat that \"padded\" up the road, instead of", "an animal fantasy? I'm sure it depends on the animal, but aside from", "depends on the animal, but aside from a mouse or rat, try a", "dressed up in a rat or animal costume. Sure, you can name things", "the animal's feelings, as an animal, when they don't have near the facial", "animal fantasy? I'm sure it depends on the animal, but aside from a", "they don't have near the facial expressions and other mannerisms humans do? Edit:", "does like a cat that \"padded\" up the road, instead of running up", "writer use in an animal fantasy? I'm sure it depends on the animal,", "up the road. But soon or later you run out of things. How", "show what the animal is doing, thinking, etc., without making them simply a", "the road. But soon or later you run out of things. How can", "a human dressed up in a rat or animal costume. Sure, you can", "up in a rat or animal costume. Sure, you can name things the", "of things. How can I do showing the animal's feelings, as an animal,", "in stories with people, they describe facial expressions for showing (among other things).", "from a mouse or rat, try a bird, how do you show what", "I do showing the animal's feelings, as an animal, when they don't have", "human dressed up in a rat or animal costume. Sure, you can name", "facial expressions for showing (among other things). What can a writer use in", "use in an animal fantasy? I'm sure it depends on the animal, but", "they describe facial expressions for showing (among other things). What can a writer", "can I do showing the animal's feelings, as an animal, when they don't", "an animal, when they don't have near the facial expressions and other mannerisms", "don't have near the facial expressions and other mannerisms humans do? Edit: Sorry", "things the animal does like a cat that \"padded\" up the road, instead", "animal does like a cat that \"padded\" up the road, instead of running", "making them simply a human dressed up in a rat or animal costume." ]
[ "a marketing perspective. Blogging is getting old anyway. Is there an alternative to", "Question -------- > > If I start a blog, or whatever else I", "my heart that I'm going to get published one day. I never run", "to support my writing? > > > I don't need people to praise", "know that my writing is proper, professional... No, not professional, that just sounds", "derive from doing the work or anything, so I'm not looking at this", "gallery of ideas. However, then the deathly thought crossed my mind... > >", "this in a praise-driven and inspiration-driven perspective. I'm looking at it in a", "going. I know that my writing is proper, professional... No, not professional, that", "there an alternative to blogging that's just as good? Maybe I'll start a", "perspective. I'm looking at it in a marketing perspective. Blogging is getting old", "anyway. Is there an alternative to blogging that's just as good? Maybe I'll", "to start to gain followers, will that help me get published? Is it", "by 'the public'. Question -------- > > If I start a blog, or", "that that entire book is what I spent a lot of 2016 on.", "channel or something, and teach about writing on there, get followers. You never", "to praise me so I can keep going. I know that my writing", "> > Now, I know in my heart that I am going to", "whatever else I might want to start to gain followers, will that help", "will that help me get published? Is it worth getting people to support", "inch of my being. However, I know that it's difficult. So, I came", "I might want to start to gain followers, will that help me get", "know in my heart* that I am going to get published and I", "able to say that that entire book is what I spent a lot", "one day. I never run out of ideas or joy I derive from", "that just sounds egotistical. I know my writing is good, I know in", "a blog, or whatever else I might want to start to gain followers,", "a few people supporting me and my book was anticipated by 'the public'.", "and... No... I decided it might help me get published if I had", "that I am going to get published and I promise I will with", "know that it's difficult. So, I came up with a battle plan. I'm", "day. I never run out of ideas or joy I derive from doing", "never be read? I might not get it published. > > > Now,", "people to praise me so I can keep going. I know that my", "egotistical. I know my writing is good, I know in my heart that", "I promise I will with every inch of my being. However, I know", "if what I'm writing will never be read? I might not get it", "Now, I know in my heart that I am going to get published", "what I spent a lot of 2016 on. I was preparing my masterplan,", "what I'm writing will never be read? I might not get it published.", "ideas or joy I derive from doing the work or anything, so I'm", "so I can keep going. I know that my writing is proper, professional...", "few people supporting me and my book was anticipated by 'the public'. Question", "in front of the plan for the second book of my trilogy. Woohoo!", "I decided it might help me get published if I had a few", "this question. Anyway, the background. I was sitting around in front of the", "gain followers, will that help me get published? Is it worth getting people", "sounds egotistical. I know my writing is good, I know in my heart", "I had a few people supporting me and my book was anticipated by", "a huge army of followers, we'll barge into the publisher and... No... I", "I derive from doing the work or anything, so I'm not looking at", "with every inch of my being. However, I know that it's difficult. So,", "masterplan, my ultimate gallery of ideas. However, then the deathly thought crossed my", "might help me get published if I had a few people supporting me", "was preparing my masterplan, my ultimate gallery of ideas. However, then the deathly", "if I had a few people supporting me and my book was anticipated", "with a battle plan. I'm aiming to get a huge army of followers,", "Woohoo! I finished the first one yesterday on new years eve, so I'll", "eve, so I'll be able to say that that entire book is what", "good, I know in my heart that I'm going to get published one", "thought crossed my mind... > > What if what I'm writing will never", "I know in my heart that I'm going to get published one day.", "battle plan. I'm aiming to get a huge army of followers, we'll barge", "had a few people supporting me and my book was anticipated by 'the", "me get published? Is it worth getting people to support my writing? >", "first one yesterday on new years eve, so I'll be able to say", "and I promise I will with every inch of my being. However, I", "know in my heart that I'm going to get published one day. I", "of 2016 on. I was preparing my masterplan, my ultimate gallery of ideas.", "heart that I'm going to get published one day. I never run out", "my masterplan, my ultimate gallery of ideas. However, then the deathly thought crossed", "crossed my mind... > > What if what I'm writing will never be", "just as good? Maybe I'll start a youtube channel or something, and teach", "second book of my trilogy. Woohoo! I finished the first one yesterday on", "didn't know how to title this question. Anyway, the background. I was sitting", "will never be read? I might not get it published. > > >", "that help me get published? Is it worth getting people to support my", "> > > I don't need people to praise me so I can", "getting old anyway. Is there an alternative to blogging that's just as good?", "we'll barge into the publisher and... No... I decided it might help me", "supporting me and my book was anticipated by 'the public'. Question -------- >", "just sounds egotistical. I know my writing is good, I know in my", "out of ideas or joy I derive from doing the work or anything,", "never run out of ideas or joy I derive from doing the work", "> I don't need people to praise me so I can keep going.", "get published if I had a few people supporting me and my book", "question. Anyway, the background. I was sitting around in front of the plan", "get published and I promise I will with every inch of my being.", "not professional, that just sounds egotistical. I know my writing is good, I", "followers, we'll barge into the publisher and... No... I decided it might help", "barge into the publisher and... No... I decided it might help me get", "book is what I spent a lot of 2016 on. I was preparing", "the background. I was sitting around in front of the plan for the", "a lot of 2016 on. I was preparing my masterplan, my ultimate gallery", "decided it might help me get published if I had a few people", "spent a lot of 2016 on. I was preparing my masterplan, my ultimate", "good? Maybe I'll start a youtube channel or something, and teach about writing", "my mind... > > What if what I'm writing will never be read?", "the deathly thought crossed my mind... > > What if what I'm writing", "to get a huge army of followers, we'll barge into the publisher and...", "I finished the first one yesterday on new years eve, so I'll be", "for the second book of my trilogy. Woohoo! I finished the first one", "of my trilogy. Woohoo! I finished the first one yesterday on new years", "years eve, so I'll be able to say that that entire book is", "then the deathly thought crossed my mind... > > What if what I'm", "me so I can keep going. I know that my writing is proper,", "new years eve, so I'll be able to say that that entire book", "every inch of my being. However, I know that it's difficult. So, I", "teach about writing on there, get followers. You never know, it might work.", "around in front of the plan for the second book of my trilogy.", "published one day. I never run out of ideas or joy I derive", "anything, so I'm not looking at this in a praise-driven and inspiration-driven perspective.", "know my writing is good, I know in my heart that I'm going", "> What if what I'm writing will never be read? I might not", "promise I will with every inch of my being. However, I know that", "Blogging is getting old anyway. Is there an alternative to blogging that's just", "army of followers, we'll barge into the publisher and... No... I decided it", "sitting around in front of the plan for the second book of my", "am going to get published and I promise I will with every inch", "inspiration-driven perspective. I'm looking at it in a marketing perspective. Blogging is getting", "the first one yesterday on new years eve, so I'll be able to", "of ideas or joy I derive from doing the work or anything, so", "was anticipated by 'the public'. Question -------- > > If I start a", "or anything, so I'm not looking at this in a praise-driven and inspiration-driven", "2016 on. I was preparing my masterplan, my ultimate gallery of ideas. However,", "writing will never be read? I might not get it published. > >", "writing is good, I know in my heart that I'm going to get", "is proper, professional... No, not professional, that just sounds egotistical. I know my", "a praise-driven and inspiration-driven perspective. I'm looking at it in a marketing perspective.", "I'm going to get published one day. I never run out of ideas", "heart* that I am going to get published and I promise I will", "I'm looking at it in a marketing perspective. Blogging is getting old anyway.", "at it in a marketing perspective. Blogging is getting old anyway. Is there", "get a huge army of followers, we'll barge into the publisher and... No...", "one yesterday on new years eve, so I'll be able to say that", "people supporting me and my book was anticipated by 'the public'. Question --------", "No, not professional, that just sounds egotistical. I know my writing is good,", "writing is proper, professional... No, not professional, that just sounds egotistical. I know", "> > What if what I'm writing will never be read? I might", "going to get published one day. I never run out of ideas or", "and inspiration-driven perspective. I'm looking at it in a marketing perspective. Blogging is", "be read? I might not get it published. > > > Now, I", "as good? Maybe I'll start a youtube channel or something, and teach about", "joy I derive from doing the work or anything, so I'm not looking", "me get published if I had a few people supporting me and my", "else I might want to start to gain followers, will that help me", "came up with a battle plan. I'm aiming to get a huge army", "lot of 2016 on. I was preparing my masterplan, my ultimate gallery of", "followers, will that help me get published? Is it worth getting people to", "help me get published if I had a few people supporting me and", "praise-driven and inspiration-driven perspective. I'm looking at it in a marketing perspective. Blogging", "finished the first one yesterday on new years eve, so I'll be able", "read? I might not get it published. > > > Now, I know", "blogging that's just as good? Maybe I'll start a youtube channel or something,", "marketing perspective. Blogging is getting old anyway. Is there an alternative to blogging", "so I'll be able to say that that entire book is what I", "doing the work or anything, so I'm not looking at this in a", "that it's difficult. So, I came up with a battle plan. I'm aiming", "---------- To be honest, I really didn't know how to title this question.", "of my being. However, I know that it's difficult. So, I came up", "perspective. Blogging is getting old anyway. Is there an alternative to blogging that's", "up with a battle plan. I'm aiming to get a huge army of", "To be honest, I really didn't know how to title this question. Anyway,", "me and my book was anticipated by 'the public'. Question -------- > >", "'the public'. Question -------- > > If I start a blog, or whatever", "run out of ideas or joy I derive from doing the work or", "worth getting people to support my writing? > > > I don't need", "the plan for the second book of my trilogy. Woohoo! I finished the", "my trilogy. Woohoo! I finished the first one yesterday on new years eve,", "so I'm not looking at this in a praise-driven and inspiration-driven perspective. I'm", "will with every inch of my being. However, I know that it's difficult.", "keep going. I know that my writing is proper, professional... No, not professional,", "I know in my heart that I am going to get published and", "I spent a lot of 2016 on. I was preparing my masterplan, my", "published if I had a few people supporting me and my book was", "I'm aiming to get a huge army of followers, we'll barge into the", "my writing? > > > I don't need people to praise me so", "my writing is good, I know in my heart that I'm going to", "know how to title this question. Anyway, the background. I was sitting around", "don't need people to praise me so I can keep going. I know", "at this in a praise-driven and inspiration-driven perspective. I'm looking at it in", "No... I decided it might help me get published if I had a", "I was sitting around in front of the plan for the second book", "ultimate gallery of ideas. However, then the deathly thought crossed my mind... >", "I know that it's difficult. So, I came up with a battle plan.", "writing? > > > I don't need people to praise me so I", "I can keep going. I know that my writing is proper, professional... No,", "of followers, we'll barge into the publisher and... No... I decided it might", "and teach about writing on there, get followers. You never know, it might", "to blogging that's just as good? Maybe I'll start a youtube channel or", "book was anticipated by 'the public'. Question -------- > > If I start", "plan for the second book of my trilogy. Woohoo! I finished the first", "I might not get it published. > > > Now, I know in", "or whatever else I might want to start to gain followers, will that", "I'll start a youtube channel or something, and teach about writing on there,", "start a blog, or whatever else I might want to start to gain", "not get it published. > > > Now, I know in my heart", "preparing my masterplan, my ultimate gallery of ideas. However, then the deathly thought", "an alternative to blogging that's just as good? Maybe I'll start a youtube", "published and I promise I will with every inch of my being. However,", "I don't need people to praise me so I can keep going. I", "book of my trilogy. Woohoo! I finished the first one yesterday on new", "can keep going. I know that my writing is proper, professional... No, not", "that entire book is what I spent a lot of 2016 on. I", "I'm not looking at this in a praise-driven and inspiration-driven perspective. I'm looking", "mind... > > What if what I'm writing will never be read? I", "help me get published? Is it worth getting people to support my writing?", "Is it worth getting people to support my writing? > > > I", "it published. > > > Now, I know in my heart* that I", "front of the plan for the second book of my trilogy. Woohoo! I", "I was preparing my masterplan, my ultimate gallery of ideas. However, then the", "support my writing? > > > I don't need people to praise me", "published. > > > Now, I know in my heart that I am", "to get published one day. I never run out of ideas or joy", "start to gain followers, will that help me get published? Is it worth", "really didn't know how to title this question. Anyway, the background. I was", "to title this question. Anyway, the background. I was sitting around in front", "my book was anticipated by 'the public'. Question -------- > > If I", "huge army of followers, we'll barge into the publisher and... No... I decided", "old anyway. Is there an alternative to blogging that's just as good? Maybe", "the second book of my trilogy. Woohoo! I finished the first one yesterday", "getting people to support my writing? > > > I don't need people", "anticipated by 'the public'. Question -------- > > If I start a blog,", "into the publisher and... No... I decided it might help me get published", "title this question. Anyway, the background. I was sitting around in front of", "So, I came up with a battle plan. I'm aiming to get a", "be honest, I really didn't know how to title this question. Anyway, the", "how to title this question. Anyway, the background. I was sitting around in", "I really didn't know how to title this question. Anyway, the background. I", "in my heart* that I am going to get published and I promise", "a battle plan. I'm aiming to get a huge army of followers, we'll", "people to support my writing? > > > I don't need people to", "from doing the work or anything, so I'm not looking at this in", "youtube channel or something, and teach about writing on there, get followers. You", "is good, I know in my heart that I'm going to get published", "my being. However, I know that it's difficult. So, I came up with", "plan. I'm aiming to get a huge army of followers, we'll barge into", "trilogy. Woohoo! I finished the first one yesterday on new years eve, so", "difficult. So, I came up with a battle plan. I'm aiming to get", "and my book was anticipated by 'the public'. Question -------- > > If", "> > > Now, I know in my heart that I am going", "that's just as good? Maybe I'll start a youtube channel or something, and", "I know that my writing is proper, professional... No, not professional, that just", "I know my writing is good, I know in my heart that I'm", "get published? Is it worth getting people to support my writing? > >", "professional, that just sounds egotistical. I know my writing is good, I know", "be able to say that that entire book is what I spent a", "I'm writing will never be read? I might not get it published. >", "or something, and teach about writing on there, get followers. You never know,", "the publisher and... No... I decided it might help me get published if", "need people to praise me so I can keep going. I know that", "Is there an alternative to blogging that's just as good? Maybe I'll start", "looking at it in a marketing perspective. Blogging is getting old anyway. Is", "to say that that entire book is what I spent a lot of", "that my writing is proper, professional... No, not professional, that just sounds egotistical.", "it might help me get published if I had a few people supporting", "blog, or whatever else I might want to start to gain followers, will", "> Now, I know in my heart that I am going to get", "public'. Question -------- > > If I start a blog, or whatever else", "start a youtube channel or something, and teach about writing on there, get", "being. However, I know that it's difficult. So, I came up with a", "in my heart that I'm going to get published one day. I never", "say that that entire book is what I spent a lot of 2016", "Anyway, the background. I was sitting around in front of the plan for", "background. I was sitting around in front of the plan for the second", "of the plan for the second book of my trilogy. Woohoo! I finished", "If I start a blog, or whatever else I might want to start", "might not get it published. > > > Now, I know in my", "alternative to blogging that's just as good? Maybe I'll start a youtube channel", "> > I don't need people to praise me so I can keep", "was sitting around in front of the plan for the second book of", "praise me so I can keep going. I know that my writing is", "published? Is it worth getting people to support my writing? > > >", "it's difficult. So, I came up with a battle plan. I'm aiming to", "my ultimate gallery of ideas. However, then the deathly thought crossed my mind...", "to gain followers, will that help me get published? Is it worth getting", "-------- > > If I start a blog, or whatever else I might", "work or anything, so I'm not looking at this in a praise-driven and", "in a marketing perspective. Blogging is getting old anyway. Is there an alternative", "publisher and... No... I decided it might help me get published if I", "it in a marketing perspective. Blogging is getting old anyway. Is there an", "I came up with a battle plan. I'm aiming to get a huge", "in a praise-driven and inspiration-driven perspective. I'm looking at it in a marketing", "honest, I really didn't know how to title this question. Anyway, the background.", "> If I start a blog, or whatever else I might want to", "might want to start to gain followers, will that help me get published?", "get published one day. I never run out of ideas or joy I", "is what I spent a lot of 2016 on. I was preparing my", "want to start to gain followers, will that help me get published? Is", "I will with every inch of my being. However, I know that it's", "I'll be able to say that that entire book is what I spent", "a youtube channel or something, and teach about writing on there, get followers.", "something, and teach about writing on there, get followers. You never know, it", "it worth getting people to support my writing? > > > I don't", "deathly thought crossed my mind... > > What if what I'm writing will", "my heart that I am going to get published and I promise I", "on. I was preparing my masterplan, my ultimate gallery of ideas. However, then", "ideas. However, then the deathly thought crossed my mind... > > What if", "the work or anything, so I'm not looking at this in a praise-driven", "is getting old anyway. Is there an alternative to blogging that's just as", "on new years eve, so I'll be able to say that that entire", "not looking at this in a praise-driven and inspiration-driven perspective. I'm looking at", "my writing is proper, professional... No, not professional, that just sounds egotistical. I", "I am going to get published and I promise I will with every", "professional... No, not professional, that just sounds egotistical. I know my writing is", "What if what I'm writing will never be read? I might not get", "looking at this in a praise-driven and inspiration-driven perspective. I'm looking at it", "Background ---------- To be honest, I really didn't know how to title this", "of ideas. However, then the deathly thought crossed my mind... > > What", "to get published and I promise I will with every inch of my", "yesterday on new years eve, so I'll be able to say that that", "that I'm going to get published one day. I never run out of", "or joy I derive from doing the work or anything, so I'm not", "I never run out of ideas or joy I derive from doing the", "get it published. > > > Now, I know in my heart that", "aiming to get a huge army of followers, we'll barge into the publisher", "> > If I start a blog, or whatever else I might want", "I start a blog, or whatever else I might want to start to", "However, then the deathly thought crossed my mind... > > What if what", "proper, professional... No, not professional, that just sounds egotistical. I know my writing", "entire book is what I spent a lot of 2016 on. I was", "Maybe I'll start a youtube channel or something, and teach about writing on", "However, I know that it's difficult. So, I came up with a battle", "going to get published and I promise I will with every inch of" ]
[ "thrillers and feel-good stories. But it's important for me to try different things.", "about the future is too troublesome for me. Should I quit trying or", "melancholic in nature. At current, I'm working on a sci-fi novella about a", "very good book out of them. However, writing about the future is too", "out of writing for me, but something at the back of my mind", "me to try different things. Without change, life would be pretty dull. This", "control and write silly stuff. Now, I don't want to make a blend", "living in the 24th century. Sci-fi is not my cup of tea, as", "working on a sci-fi novella about a scientist living in the 24th century.", "sci-fi novella about a scientist living in the 24th century. Sci-fi is not", "something at the back of my mind is telling me to try hard", "but something at the back of my mind is telling me to try", "science-fiction piece in the first place. My ideas for the story are really", "poetry, usually melancholic in nature. At current, I'm working on a sci-fi novella", "nature. At current, I'm working on a sci-fi novella about a scientist living", "the 24th century. Sci-fi is not my cup of tea, as I've soon", "last year. I tried writing a novel before (I wrote only 5 chapters;", "enjoyment out of writing for me, but something at the back of my", "later due to time constraints). I've written a couple of short stories, which", "should be able to be paint a picture of the future that will", "time constraints). I've written a couple of short stories, which have generally received", "tea, as I've soon realised. It's beginning to seem too hard for me", "be pretty dull. This is why I thought of writing a science-fiction piece", "It's beginning to seem too hard for me to weave a coherent and", "troublesome for me. Should I quit trying or try hard no matter what?", "I'm only 12, and I've been writing seriously since last year. I tried", "realised. It's beginning to seem too hard for me to weave a coherent", "the enjoyment out of writing for me, but something at the back of", "feel-good stories. But it's important for me to try different things. Without change,", "to weave a coherent and credible storyline. After a certain point, plot holes", "for the story are really good (I think), and a good sci-fi writer", "this idea. I'm quite comfortable with writing thrillers and feel-good stories. But it's", "of them. However, writing about the future is too troublesome for me. Should", "hard for me to weave a coherent and credible storyline. After a certain", "good book out of them. However, writing about the future is too troublesome", "pretty dull. This is why I thought of writing a science-fiction piece in", "about a scientist living in the 24th century. Sci-fi is not my cup", "will appear reasonable enough to the reader. Yes, it is taking the enjoyment", "Sometimes I let my imagination fly out of control and write silly stuff.", "a science-fiction piece in the first place. My ideas for the story are", "I don't want to make a blend of fantasy and sci-fi. The story", "constraints). I've written a couple of short stories, which have generally received positive", "scientist living in the 24th century. Sci-fi is not my cup of tea,", "and I've been writing seriously since last year. I tried writing a novel", "of the future that will appear reasonable enough to the reader. Yes, it", "future that will appear reasonable enough to the reader. Yes, it is taking", "novella about a scientist living in the 24th century. Sci-fi is not my", "cup of tea, as I've soon realised. It's beginning to seem too hard", "of control and write silly stuff. Now, I don't want to make a", "weave a coherent and credible storyline. After a certain point, plot holes start", "the back of my mind is telling me to try hard no matter", "to try different things. Without change, life would be pretty dull. This is", "However, writing about the future is too troublesome for me. Should I quit", "point, plot holes start appearing. Sometimes I let my imagination fly out of", "Sci-fi is not my cup of tea, as I've soon realised. It's beginning", "free verse poetry, usually melancholic in nature. At current, I'm working on a", "think), and a good sci-fi writer could make a very good book out", "(I wrote only 5 chapters; I gave up later due to time constraints).", "writer could make a very good book out of them. However, writing about", "I also do free verse poetry, usually melancholic in nature. At current, I'm", "telling me to try hard no matter what. I can't bring myself to", "and a good sci-fi writer could make a very good book out of", "seem too hard for me to weave a coherent and credible storyline. After", "couple of short stories, which have generally received positive feedback. I also do", "let my imagination fly out of control and write silly stuff. Now, I", "before (I wrote only 5 chapters; I gave up later due to time", "be able to be paint a picture of the future that will appear", "try hard no matter what. I can't bring myself to drop this idea.", "my cup of tea, as I've soon realised. It's beginning to seem too", "seriously since last year. I tried writing a novel before (I wrote only", "do free verse poetry, usually melancholic in nature. At current, I'm working on", "I'm working on a sci-fi novella about a scientist living in the 24th", "only 12, and I've been writing seriously since last year. I tried writing", "hard no matter what. I can't bring myself to drop this idea. I'm", "stories. But it's important for me to try different things. Without change, life", "are really good (I think), and a good sci-fi writer could make a", "of short stories, which have generally received positive feedback. I also do free", "no matter what. I can't bring myself to drop this idea. I'm quite", "a scientist living in the 24th century. Sci-fi is not my cup of", "writing thrillers and feel-good stories. But it's important for me to try different", "change, life would be pretty dull. This is why I thought of writing", "mind is telling me to try hard no matter what. I can't bring", "writing seriously since last year. I tried writing a novel before (I wrote", "able to be paint a picture of the future that will appear reasonable", "ideas for the story are really good (I think), and a good sci-fi", "really good (I think), and a good sci-fi writer could make a very", "year. I tried writing a novel before (I wrote only 5 chapters; I", "appear reasonable enough to the reader. Yes, it is taking the enjoyment out", "current, I'm working on a sci-fi novella about a scientist living in the", "tried writing a novel before (I wrote only 5 chapters; I gave up", "be paint a picture of the future that will appear reasonable enough to", "is taking the enjoyment out of writing for me, but something at the", "picture of the future that will appear reasonable enough to the reader. Yes,", "century. Sci-fi is not my cup of tea, as I've soon realised. It's", "what. I can't bring myself to drop this idea. I'm quite comfortable with", "and write silly stuff. Now, I don't want to make a blend of", "can't bring myself to drop this idea. I'm quite comfortable with writing thrillers", "credible storyline. After a certain point, plot holes start appearing. Sometimes I let", "5 chapters; I gave up later due to time constraints). I've written a", "beginning to seem too hard for me to weave a coherent and credible", "fantasy and sci-fi. The story should be able to be paint a picture", "Yes, it is taking the enjoyment out of writing for me, but something", "reader. Yes, it is taking the enjoyment out of writing for me, but", "to drop this idea. I'm quite comfortable with writing thrillers and feel-good stories.", "comfortable with writing thrillers and feel-good stories. But it's important for me to", "which have generally received positive feedback. I also do free verse poetry, usually", "a certain point, plot holes start appearing. Sometimes I let my imagination fly", "But it's important for me to try different things. Without change, life would", "start appearing. Sometimes I let my imagination fly out of control and write", "want to make a blend of fantasy and sci-fi. The story should be", "a good sci-fi writer could make a very good book out of them.", "usually melancholic in nature. At current, I'm working on a sci-fi novella about", "drop this idea. I'm quite comfortable with writing thrillers and feel-good stories. But", "certain point, plot holes start appearing. Sometimes I let my imagination fly out", "to make a blend of fantasy and sci-fi. The story should be able", "dull. This is why I thought of writing a science-fiction piece in the", "stuff. Now, I don't want to make a blend of fantasy and sci-fi.", "have generally received positive feedback. I also do free verse poetry, usually melancholic", "a picture of the future that will appear reasonable enough to the reader.", "thought of writing a science-fiction piece in the first place. My ideas for", "(I think), and a good sci-fi writer could make a very good book", "make a very good book out of them. However, writing about the future", "writing for me, but something at the back of my mind is telling", "in the 24th century. Sci-fi is not my cup of tea, as I've", "a novel before (I wrote only 5 chapters; I gave up later due", "me, but something at the back of my mind is telling me to", "too troublesome for me. Should I quit trying or try hard no matter", "out of them. However, writing about the future is too troublesome for me.", "would be pretty dull. This is why I thought of writing a science-fiction", "is too troublesome for me. Should I quit trying or try hard no", "I let my imagination fly out of control and write silly stuff. Now,", "gave up later due to time constraints). I've written a couple of short", "is telling me to try hard no matter what. I can't bring myself", "to try hard no matter what. I can't bring myself to drop this", "for me to weave a coherent and credible storyline. After a certain point,", "don't want to make a blend of fantasy and sci-fi. The story should", "story should be able to be paint a picture of the future that", "to be paint a picture of the future that will appear reasonable enough", "I can't bring myself to drop this idea. I'm quite comfortable with writing", "sci-fi writer could make a very good book out of them. However, writing", "paint a picture of the future that will appear reasonable enough to the", "the reader. Yes, it is taking the enjoyment out of writing for me,", "things. Without change, life would be pretty dull. This is why I thought", "to seem too hard for me to weave a coherent and credible storyline.", "also do free verse poetry, usually melancholic in nature. At current, I'm working", "the future that will appear reasonable enough to the reader. Yes, it is", "book out of them. However, writing about the future is too troublesome for", "could make a very good book out of them. However, writing about the", "My ideas for the story are really good (I think), and a good", "piece in the first place. My ideas for the story are really good", "After a certain point, plot holes start appearing. Sometimes I let my imagination", "of fantasy and sci-fi. The story should be able to be paint a", "the story are really good (I think), and a good sci-fi writer could", "them. However, writing about the future is too troublesome for me. Should I", "The story should be able to be paint a picture of the future", "the future is too troublesome for me. Should I quit trying or try", "up later due to time constraints). I've written a couple of short stories,", "fly out of control and write silly stuff. Now, I don't want to", "that will appear reasonable enough to the reader. Yes, it is taking the", "a couple of short stories, which have generally received positive feedback. I also", "plot holes start appearing. Sometimes I let my imagination fly out of control", "why I thought of writing a science-fiction piece in the first place. My", "positive feedback. I also do free verse poetry, usually melancholic in nature. At", "for me to try different things. Without change, life would be pretty dull.", "24th century. Sci-fi is not my cup of tea, as I've soon realised.", "myself to drop this idea. I'm quite comfortable with writing thrillers and feel-good", "me to try hard no matter what. I can't bring myself to drop", "quit trying or try hard no matter what? Is it even worth trying?", "I tried writing a novel before (I wrote only 5 chapters; I gave", "a blend of fantasy and sci-fi. The story should be able to be", "reasonable enough to the reader. Yes, it is taking the enjoyment out of", "out of control and write silly stuff. Now, I don't want to make", "life would be pretty dull. This is why I thought of writing a", "due to time constraints). I've written a couple of short stories, which have", "good (I think), and a good sci-fi writer could make a very good", "a very good book out of them. However, writing about the future is", "This is why I thought of writing a science-fiction piece in the first", "received positive feedback. I also do free verse poetry, usually melancholic in nature.", "been writing seriously since last year. I tried writing a novel before (I", "Without change, life would be pretty dull. This is why I thought of", "me. Should I quit trying or try hard no matter what? Is it", "Now, I don't want to make a blend of fantasy and sci-fi. The", "chapters; I gave up later due to time constraints). I've written a couple", "important for me to try different things. Without change, life would be pretty", "a sci-fi novella about a scientist living in the 24th century. Sci-fi is", "of my mind is telling me to try hard no matter what. I", "first place. My ideas for the story are really good (I think), and", "the first place. My ideas for the story are really good (I think),", "holes start appearing. Sometimes I let my imagination fly out of control and", "it is taking the enjoyment out of writing for me, but something at", "sci-fi. The story should be able to be paint a picture of the", "to time constraints). I've written a couple of short stories, which have generally", "place. My ideas for the story are really good (I think), and a", "generally received positive feedback. I also do free verse poetry, usually melancholic in", "in nature. At current, I'm working on a sci-fi novella about a scientist", "as I've soon realised. It's beginning to seem too hard for me to", "enough to the reader. Yes, it is taking the enjoyment out of writing", "since last year. I tried writing a novel before (I wrote only 5", "write silly stuff. Now, I don't want to make a blend of fantasy", "written a couple of short stories, which have generally received positive feedback. I", "my mind is telling me to try hard no matter what. I can't", "appearing. Sometimes I let my imagination fly out of control and write silly", "try different things. Without change, life would be pretty dull. This is why", "I thought of writing a science-fiction piece in the first place. My ideas", "story are really good (I think), and a good sci-fi writer could make", "imagination fly out of control and write silly stuff. Now, I don't want", "writing about the future is too troublesome for me. Should I quit trying", "verse poetry, usually melancholic in nature. At current, I'm working on a sci-fi", "it's important for me to try different things. Without change, life would be", "different things. Without change, life would be pretty dull. This is why I", "for me. Should I quit trying or try hard no matter what? Is", "and sci-fi. The story should be able to be paint a picture of", "at the back of my mind is telling me to try hard no", "only 5 chapters; I gave up later due to time constraints). I've written", "back of my mind is telling me to try hard no matter what.", "coherent and credible storyline. After a certain point, plot holes start appearing. Sometimes", "bring myself to drop this idea. I'm quite comfortable with writing thrillers and", "I quit trying or try hard no matter what? Is it even worth", "me to weave a coherent and credible storyline. After a certain point, plot", "on a sci-fi novella about a scientist living in the 24th century. Sci-fi", "I've soon realised. It's beginning to seem too hard for me to weave", "is why I thought of writing a science-fiction piece in the first place.", "of writing a science-fiction piece in the first place. My ideas for the", "Should I quit trying or try hard no matter what? Is it even", "At current, I'm working on a sci-fi novella about a scientist living in", "short stories, which have generally received positive feedback. I also do free verse", "and feel-good stories. But it's important for me to try different things. Without", "of tea, as I've soon realised. It's beginning to seem too hard for", "taking the enjoyment out of writing for me, but something at the back", "stories, which have generally received positive feedback. I also do free verse poetry,", "to the reader. Yes, it is taking the enjoyment out of writing for", "and credible storyline. After a certain point, plot holes start appearing. Sometimes I", "feedback. I also do free verse poetry, usually melancholic in nature. At current,", "I'm quite comfortable with writing thrillers and feel-good stories. But it's important for", "novel before (I wrote only 5 chapters; I gave up later due to", "silly stuff. Now, I don't want to make a blend of fantasy and", "not my cup of tea, as I've soon realised. It's beginning to seem", "of writing for me, but something at the back of my mind is", "good sci-fi writer could make a very good book out of them. However,", "for me, but something at the back of my mind is telling me", "I've been writing seriously since last year. I tried writing a novel before", "writing a science-fiction piece in the first place. My ideas for the story", "I've written a couple of short stories, which have generally received positive feedback.", "writing a novel before (I wrote only 5 chapters; I gave up later", "soon realised. It's beginning to seem too hard for me to weave a", "matter what. I can't bring myself to drop this idea. I'm quite comfortable", "idea. I'm quite comfortable with writing thrillers and feel-good stories. But it's important", "make a blend of fantasy and sci-fi. The story should be able to", "my imagination fly out of control and write silly stuff. Now, I don't", "12, and I've been writing seriously since last year. I tried writing a", "storyline. After a certain point, plot holes start appearing. Sometimes I let my", "with writing thrillers and feel-good stories. But it's important for me to try", "future is too troublesome for me. Should I quit trying or try hard", "blend of fantasy and sci-fi. The story should be able to be paint", "a coherent and credible storyline. After a certain point, plot holes start appearing.", "is not my cup of tea, as I've soon realised. It's beginning to", "wrote only 5 chapters; I gave up later due to time constraints). I've", "in the first place. My ideas for the story are really good (I", "quite comfortable with writing thrillers and feel-good stories. But it's important for me", "too hard for me to weave a coherent and credible storyline. After a", "I gave up later due to time constraints). I've written a couple of" ]
[ "simply need to find a better way to say things. Any advice would", "a duplicate. But, I did look at these questions ([What are the tricks", "that appear multiple times in each chapter, sometimes per page. They are sort", "I did look at these questions ([What are the tricks to avoid repetition", "repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the", "in dialogue and narration? Allow me to elaborate. I'm in the process of", "so much? I don't know if it's my speech patterns influencing my writing,", "my writing, or if I simply need to find a better way to", "speech patterns influencing my writing, or if I simply need to find a", "meaning of the sentence. I frequently use words like: wait, just, actually, even,", "words over and over again in dialogue and narration? Allow me to elaborate.", "certain words that appear multiple times in each chapter, sometimes per page. They", "words like: wait, just, actually, even, definitely, only. These are not the kinds", "them so much? I don't know if it's my speech patterns influencing my", "using the navigation pane that there are certain words that appear multiple times", "([What are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive", "sort of filler words but removing them would change the structure and meaning", "you can easily replace with a synonym. How do I stop using them", "I frequently use words like: wait, just, actually, even, definitely, only. These are", "and didn't find the answer to my question. What I want to know", "frequently use words like: wait, just, actually, even, definitely, only. These are not", "look at these questions ([What are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing),", "to stop using the same words over and over again in dialogue and", "box, so it may seem like a duplicate. But, I did look at", "avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find", "you do to stop using the same words over and over again in", "to find a better way to say things. Any advice would be greatly", "sometimes per page. They are sort of filler words but removing them would", "so it may seem like a duplicate. But, I did look at these", "[How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my", "this in the question box, so it may seem like a duplicate. But,", "again in dialogue and narration? Allow me to elaborate. I'm in the process", "know if it's my speech patterns influencing my writing, or if I simply", "it's my speech patterns influencing my writing, or if I simply need to", "These are not the kinds of words you can easily replace with a", "is What can you do to stop using the same words over and", "are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence", "same words over and over again in dialogue and narration? Allow me to", "structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my question. What I want to", "words that appear multiple times in each chapter, sometimes per page. They are", "definitely, only. These are not the kinds of words you can easily replace", "dialogue and narration? Allow me to elaborate. I'm in the process of editing", "How do I stop using them so much? I don't know if it's", "change the structure and meaning of the sentence. I frequently use words like:", "sure how to phrase this in the question box, so it may seem", "know is What can you do to stop using the same words over", "may seem like a duplicate. But, I did look at these questions ([What", "the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure))", "the navigation pane that there are certain words that appear multiple times in", "use words like: wait, just, actually, even, definitely, only. These are not the", "only. These are not the kinds of words you can easily replace with", "phrase this in the question box, so it may seem like a duplicate.", "in the process of editing a 50k word manuscript, and I realized by", "chapter, sometimes per page. They are sort of filler words but removing them", "writing, or if I simply need to find a better way to say", "I simply need to find a better way to say things. Any advice", "sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my question. What I want", "but removing them would change the structure and meaning of the sentence. I", "find the answer to my question. What I want to know is What", "a 50k word manuscript, and I realized by using the navigation pane that", "to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my question.", "even, definitely, only. These are not the kinds of words you can easily", "patterns influencing my writing, or if I simply need to find a better", "structure and meaning of the sentence. I frequently use words like: wait, just,", "sentence. I frequently use words like: wait, just, actually, even, definitely, only. These", "the question box, so it may seem like a duplicate. But, I did", "What I want to know is What can you do to stop using", "of editing a 50k word manuscript, and I realized by using the navigation", "question. What I want to know is What can you do to stop", "the same words over and over again in dialogue and narration? Allow me", "these questions ([What are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to", "want to know is What can you do to stop using the same", "and narration? Allow me to elaborate. I'm in the process of editing a", "find a better way to say things. Any advice would be greatly appreciated.", "elaborate. I'm in the process of editing a 50k word manuscript, and I", "by using the navigation pane that there are certain words that appear multiple", "removing them would change the structure and meaning of the sentence. I frequently", "with a synonym. How do I stop using them so much? I don't", "the process of editing a 50k word manuscript, and I realized by using", "question box, so it may seem like a duplicate. But, I did look", "not the kinds of words you can easily replace with a synonym. How", "the kinds of words you can easily replace with a synonym. How do", "if it's my speech patterns influencing my writing, or if I simply need", "to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't", "like a duplicate. But, I did look at these questions ([What are the", "much? I don't know if it's my speech patterns influencing my writing, or", "to elaborate. I'm in the process of editing a 50k word manuscript, and", "I stop using them so much? I don't know if it's my speech", "my speech patterns influencing my writing, or if I simply need to find", "in the question box, so it may seem like a duplicate. But, I", "editing a 50k word manuscript, and I realized by using the navigation pane", "there are certain words that appear multiple times in each chapter, sometimes per", "easily replace with a synonym. How do I stop using them so much?", "that there are certain words that appear multiple times in each chapter, sometimes", "to phrase this in the question box, so it may seem like a", "wasn't entirely sure how to phrase this in the question box, so it", "pane that there are certain words that appear multiple times in each chapter,", "don't know if it's my speech patterns influencing my writing, or if I", "navigation pane that there are certain words that appear multiple times in each", "didn't find the answer to my question. What I want to know is", "did look at these questions ([What are the tricks to avoid repetition in", "kinds of words you can easily replace with a synonym. How do I", "replace with a synonym. How do I stop using them so much? I", "of words you can easily replace with a synonym. How do I stop", "in each chapter, sometimes per page. They are sort of filler words but", "writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to", "entirely sure how to phrase this in the question box, so it may", "But, I did look at these questions ([What are the tricks to avoid", "to my question. What I want to know is What can you do", "need to find a better way to say things. Any advice would be", "I don't know if it's my speech patterns influencing my writing, or if", "the answer to my question. What I want to know is What can", "and I realized by using the navigation pane that there are certain words", "like: wait, just, actually, even, definitely, only. These are not the kinds of", "do I stop using them so much? I don't know if it's my", "using the same words over and over again in dialogue and narration? Allow", "narration? Allow me to elaborate. I'm in the process of editing a 50k", "multiple times in each chapter, sometimes per page. They are sort of filler", "page. They are sort of filler words but removing them would change the", "or if I simply need to find a better way to say things.", "process of editing a 50k word manuscript, and I realized by using the", "if I simply need to find a better way to say things. Any", "over again in dialogue and narration? Allow me to elaborate. I'm in the", "word manuscript, and I realized by using the navigation pane that there are", "I'm in the process of editing a 50k word manuscript, and I realized", "seem like a duplicate. But, I did look at these questions ([What are", "and meaning of the sentence. I frequently use words like: wait, just, actually,", "actually, even, definitely, only. These are not the kinds of words you can", "I wasn't entirely sure how to phrase this in the question box, so", "each chapter, sometimes per page. They are sort of filler words but removing", "stop using them so much? I don't know if it's my speech patterns", "to know is What can you do to stop using the same words", "at these questions ([What are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How", "and over again in dialogue and narration? Allow me to elaborate. I'm in", "questions ([What are the tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid", "my question. What I want to know is What can you do to", "are not the kinds of words you can easily replace with a synonym.", "I realized by using the navigation pane that there are certain words that", "how to phrase this in the question box, so it may seem like", "words but removing them would change the structure and meaning of the sentence.", "are certain words that appear multiple times in each chapter, sometimes per page.", "a synonym. How do I stop using them so much? I don't know", "in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer", "times in each chapter, sometimes per page. They are sort of filler words", "just, actually, even, definitely, only. These are not the kinds of words you", "can easily replace with a synonym. How do I stop using them so", "wait, just, actually, even, definitely, only. These are not the kinds of words", "influencing my writing, or if I simply need to find a better way", "would change the structure and meaning of the sentence. I frequently use words", "answer to my question. What I want to know is What can you", "realized by using the navigation pane that there are certain words that appear", "duplicate. But, I did look at these questions ([What are the tricks to", "it may seem like a duplicate. But, I did look at these questions", "Allow me to elaborate. I'm in the process of editing a 50k word", "avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my question. What", "filler words but removing them would change the structure and meaning of the", "I want to know is What can you do to stop using the", "What can you do to stop using the same words over and over", "of the sentence. I frequently use words like: wait, just, actually, even, definitely,", "me to elaborate. I'm in the process of editing a 50k word manuscript,", "of filler words but removing them would change the structure and meaning of", "50k word manuscript, and I realized by using the navigation pane that there", "appear multiple times in each chapter, sometimes per page. They are sort of", "They are sort of filler words but removing them would change the structure", "synonym. How do I stop using them so much? I don't know if", "words you can easily replace with a synonym. How do I stop using", "the structure and meaning of the sentence. I frequently use words like: wait,", "do to stop using the same words over and over again in dialogue", "tricks to avoid repetition in writing?](https://writers.stackexchange.com/questions/1449/what-are-the-tricks-to-avoid-repetition-in-writing), [How to avoid repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and", "are sort of filler words but removing them would change the structure and", "repetitive sentence structure?](https://writers.stackexchange.com/questions/6642/how-to-avoid-repetitive-sentence-structure)) and didn't find the answer to my question. What I", "over and over again in dialogue and narration? Allow me to elaborate. I'm", "using them so much? I don't know if it's my speech patterns influencing", "manuscript, and I realized by using the navigation pane that there are certain", "them would change the structure and meaning of the sentence. I frequently use", "the sentence. I frequently use words like: wait, just, actually, even, definitely, only.", "stop using the same words over and over again in dialogue and narration?", "can you do to stop using the same words over and over again", "per page. They are sort of filler words but removing them would change" ]
[ "I italicize words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction", "created by the pick-up artists/seduction community? (I'm writing a novel where I use", "[neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community? (I'm writing a", "For example, should I italicize words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by", "the pick-up artists/seduction community? (I'm writing a novel where I use these words.)", "example, should I italicize words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the", "should I italicize words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up", "like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community? (I'm writing", "Words created by the pick-up artists/seduction community? (I'm writing a novel where I", "by the pick-up artists/seduction community? (I'm writing a novel where I use these", "words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community? (I'm", "italicize words like [neg](https://en.wikipedia.org/wiki/Negging) and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community?", "and [kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community? (I'm writing a novel", "[kino](http://www.urbandictionary.com/define.php?term=ZanoSd)? Words created by the pick-up artists/seduction community? (I'm writing a novel where" ]
[ "have noticed as a write the first few chapters, it seems to lack", "THE. Which made me wonder, is it even possible to write a novel", "it even possible to write a novel the completely lacks the most common", "chapters, it seems to lack the word THE. Which made me wonder, is", "first few chapters, it seems to lack the word THE. Which made me", "wonder, is it even possible to write a novel the completely lacks the", "I am writing, the story is told present tense and first person. The", "story present some unique points to the style, but something I have noticed", "of the story present some unique points to the style, but something I", "the novel I am writing, the story is told present tense and first", "I have noticed as a write the first few chapters, it seems to", "seems to lack the word THE. Which made me wonder, is it even", "the word THE. Which made me wonder, is it even possible to write", "word THE. Which made me wonder, is it even possible to write a", "first person. The themes of the story present some unique points to the", "told present tense and first person. The themes of the story present some", "to the style, but something I have noticed as a write the first", "the first few chapters, it seems to lack the word THE. Which made", "Which made me wonder, is it even possible to write a novel the", "to lack the word THE. Which made me wonder, is it even possible", "present tense and first person. The themes of the story present some unique", "points to the style, but something I have noticed as a write the", "person. The themes of the story present some unique points to the style,", "tense and first person. The themes of the story present some unique points", "made me wonder, is it even possible to write a novel the completely", "noticed as a write the first few chapters, it seems to lack the", "and first person. The themes of the story present some unique points to", "it seems to lack the word THE. Which made me wonder, is it", "is it even possible to write a novel the completely lacks the most", "themes of the story present some unique points to the style, but something", "the story present some unique points to the style, but something I have", "as a write the first few chapters, it seems to lack the word", "write the first few chapters, it seems to lack the word THE. Which", "is told present tense and first person. The themes of the story present", "me wonder, is it even possible to write a novel the completely lacks", "some unique points to the style, but something I have noticed as a", "a write the first few chapters, it seems to lack the word THE.", "few chapters, it seems to lack the word THE. Which made me wonder,", "story is told present tense and first person. The themes of the story", "am writing, the story is told present tense and first person. The themes", "even possible to write a novel the completely lacks the most common word?", "the story is told present tense and first person. The themes of the", "novel I am writing, the story is told present tense and first person.", "present some unique points to the style, but something I have noticed as", "unique points to the style, but something I have noticed as a write", "style, but something I have noticed as a write the first few chapters,", "In the novel I am writing, the story is told present tense and", "writing, the story is told present tense and first person. The themes of", "The themes of the story present some unique points to the style, but", "the style, but something I have noticed as a write the first few", "something I have noticed as a write the first few chapters, it seems", "but something I have noticed as a write the first few chapters, it", "lack the word THE. Which made me wonder, is it even possible to" ]
[ "to write a novel about [something or other] and now I wonder if", "or other] and now I wonder if it is possible to do [this", "novel about [something or other] and now I wonder if it is possible", "about [something or other] and now I wonder if it is possible to", "a novel about [something or other] and now I wonder if it is", "other] and now I wonder if it is possible to do [this or", "write a novel about [something or other] and now I wonder if it", "[something or other] and now I wonder if it is possible to do", "want to write a novel about [something or other] and now I wonder", "and now I wonder if it is possible to do [this or that].", "I want to write a novel about [something or other] and now I" ]
[ "impressive. The content of their speeches are wonderful. I desire to be a", "so impressive. The content of their speeches are wonderful. I desire to be", "content. I want your help in learning - how can I write my", "to be a successful orator but I cannot even imagine to speak that", "effective content. I want your help in learning - how can I write", "your help in learning - how can I write my speeches with such", "be a successful orator but I cannot even imagine to speak that much", "I wonder, when I hear JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases", "help in learning - how can I write my speeches with such powerful", "when I hear JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases in their", "hear JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases in their speeches are", "Gunjni, Modi. The sentences, phrases in their speeches are so impressive. The content", "want your help in learning - how can I write my speeches with", "are so impressive. The content of their speeches are wonderful. I desire to", "orator but I cannot even imagine to speak that much effective content. I", "wonder, when I hear JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases in", "Lincoln, Gunjni, Modi. The sentences, phrases in their speeches are so impressive. The", "Modi. The sentences, phrases in their speeches are so impressive. The content of", "their speeches are so impressive. The content of their speeches are wonderful. I", "JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases in their speeches are so", "I cannot even imagine to speak that much effective content. I want your", "I want your help in learning - how can I write my speeches", "speeches are wonderful. I desire to be a successful orator but I cannot", "speeches are so impressive. The content of their speeches are wonderful. I desire", "phrases in their speeches are so impressive. The content of their speeches are", "The sentences, phrases in their speeches are so impressive. The content of their", "to speak that much effective content. I want your help in learning -", "desire to be a successful orator but I cannot even imagine to speak", "speak that much effective content. I want your help in learning - how", "are wonderful. I desire to be a successful orator but I cannot even", "cannot even imagine to speak that much effective content. I want your help", "I hear JFK, Obama, Lincoln, Gunjni, Modi. The sentences, phrases in their speeches", "of their speeches are wonderful. I desire to be a successful orator but", "successful orator but I cannot even imagine to speak that much effective content.", "that much effective content. I want your help in learning - how can", "imagine to speak that much effective content. I want your help in learning", "but I cannot even imagine to speak that much effective content. I want", "content of their speeches are wonderful. I desire to be a successful orator", "I desire to be a successful orator but I cannot even imagine to", "their speeches are wonderful. I desire to be a successful orator but I", "even imagine to speak that much effective content. I want your help in", "much effective content. I want your help in learning - how can I", "in learning - how can I write my speeches with such powerful contents.", "The content of their speeches are wonderful. I desire to be a successful", "in their speeches are so impressive. The content of their speeches are wonderful.", "Obama, Lincoln, Gunjni, Modi. The sentences, phrases in their speeches are so impressive.", "a successful orator but I cannot even imagine to speak that much effective", "wonderful. I desire to be a successful orator but I cannot even imagine", "sentences, phrases in their speeches are so impressive. The content of their speeches" ]
[ "tears. > > > He held my hand and examined it, as though", "simile and the second the metaphor (I'm not sure, though, what kind it", "> > He held my palm and examined it, perhaps wanting to read", "Here are the examples. The first version is the simile and the second", "> He held my hand and examined it, as though wanting to read", "it. > > > He held my palm and examined it, perhaps wanting", "what it is.) > > > Are the metaphoric version of the sentences", "the sentences superior to their similian (just made up this word) counterparts? Why", "balloon. > > > My past rejection, his present sweetheart, my future surgery,", "a water balloon. > > > My past rejection, his present sweetheart, my", "we were on the first > date we never had. > > >", "of the sentences superior to their similian (just made up this word) counterparts?", "We faced away from each other awkwardly, as if we were on the", "not sure, though, what kind it is). > > We faced away from", "from each other awkwardly, as if we were on the first > date", "all that > swelled up inside me until I burst into tears. >", "my future surgery, all that > swelled up inside me until I burst", "is the simile and the second the metaphor (I'm not sure, though, what", "future in it. (All right, this one isn't a metaphor. Not sure what", "and the second the metaphor (I'm not sure, though, what kind it is).", "one isn't a metaphor. Not sure what it is.) > > > Are", "until I burst into tears. > > > He held my hand and", "first > date we never had. > > > We faced away from", "examined it, perhaps wanting to read our future in it. (All right, this", "awkwardly, portraying the first date we > never had. > > > My", "kind it is). > > We faced away from each other awkwardly, as", "> > > He held my hand and examined it, as though wanting", "first date we > never had. > > > My past rejection, his", "sure, though, what kind it is). > > We faced away from each", "and examined it, as though wanting to read our future in it. >", "had. > > > My past rejection, his present sweetheart, my future surgery,", "that > swelled up inside me until I burst like a water balloon.", "> date we never had. > > > We faced away from each", "> > > My past rejection, his present sweetheart, my future surgery, all", "surgery, all that > swelled up inside me until I burst into tears.", "> > > We faced away from each other awkwardly, portraying the first", "> Are the metaphoric version of the sentences superior to their similian (just", "examples. The first version is the simile and the second the metaphor (I'm", "his present sweetheart, my future surgery, all that > swelled up inside me", "> > We faced away from each other awkwardly, portraying the first date", "future in it. > > > He held my palm and examined it,", "my palm and examined it, perhaps wanting to read our future in it.", "portraying the first date we > never had. > > > My past", "metaphor (I'm not sure, though, what kind it is). > > We faced", "> > > He held my palm and examined it, perhaps wanting to", "perhaps wanting to read our future in it. (All right, this one isn't", "future surgery, all that > swelled up inside me until I burst like", "metaphoric version of the sentences superior to their similian (just made up this", "He held my hand and examined it, as though wanting to read our", "> He held my palm and examined it, perhaps wanting to read our", "me until I burst like a water balloon. > > > My past", "surgery, all that > swelled up inside me until I burst like a", "> swelled up inside me until I burst like a water balloon. >", "> > He held my hand and examined it, as though wanting to", "We faced away from each other awkwardly, portraying the first date we >", "past rejection, his present sweetheart, my future surgery, all that > swelled up", "examined it, as though wanting to read our future in it. > >", "right, this one isn't a metaphor. Not sure what it is.) > >", "the simile and the second the metaphor (I'm not sure, though, what kind", "second the metaphor (I'm not sure, though, what kind it is). > >", "until I burst like a water balloon. > > > My past rejection,", "we > never had. > > > My past rejection, his present sweetheart,", "faced away from each other awkwardly, as if we were on the first", "were on the first > date we never had. > > > We", "is.) > > > Are the metaphoric version of the sentences superior to", "> > > Are the metaphoric version of the sentences superior to their", "on the first > date we never had. > > > We faced", "date we never had. > > > We faced away from each other", "the examples. The first version is the simile and the second the metaphor", "isn't a metaphor. Not sure what it is.) > > > Are the", "date we > never had. > > > My past rejection, his present", "burst like a water balloon. > > > My past rejection, his present", "never had. > > > We faced away from each other awkwardly, portraying", "My past rejection, his present sweetheart, my future surgery, all that > swelled", "my hand and examined it, as though wanting to read our future in", "our future in it. > > > He held my palm and examined", "never had. > > > My past rejection, his present sweetheart, my future", "the second the metaphor (I'm not sure, though, what kind it is). >", "read our future in it. (All right, this one isn't a metaphor. Not", "in it. (All right, this one isn't a metaphor. Not sure what it", "swelled up inside me until I burst like a water balloon. > >", "it, perhaps wanting to read our future in it. (All right, this one", "> never had. > > > My past rejection, his present sweetheart, my", "read our future in it. > > > He held my palm and", "though wanting to read our future in it. > > > He held", "swelled up inside me until I burst into tears. > > > He", "all that > swelled up inside me until I burst like a water", "as though wanting to read our future in it. > > > He", "the metaphoric version of the sentences superior to their similian (just made up", "Not sure what it is.) > > > Are the metaphoric version of", "to read our future in it. > > > He held my palm", "up inside me until I burst like a water balloon. > > >", "as if we were on the first > date we never had. >", "sweetheart, my future surgery, all that > swelled up inside me until I", "Are the metaphoric version of the sentences superior to their similian (just made", "held my hand and examined it, as though wanting to read our future", "to their similian (just made up this word) counterparts? Why or why not?", "wanting to read our future in it. > > > He held my", "inside me until I burst like a water balloon. > > > My", "> We faced away from each other awkwardly, as if we were on", "away from each other awkwardly, as if we were on the first >", "from each other awkwardly, portraying the first date we > never had. >", "our future in it. (All right, this one isn't a metaphor. Not sure", "> > Are the metaphoric version of the sentences superior to their similian", "it, as though wanting to read our future in it. > > >", "first version is the simile and the second the metaphor (I'm not sure,", "though, what kind it is). > > We faced away from each other", "He held my palm and examined it, perhaps wanting to read our future", "hand and examined it, as though wanting to read our future in it.", "palm and examined it, perhaps wanting to read our future in it. (All", "it is). > > We faced away from each other awkwardly, as if", "(I'm not sure, though, what kind it is). > > We faced away", "faced away from each other awkwardly, portraying the first date we > never", "me until I burst into tears. > > > He held my hand", "sure what it is.) > > > Are the metaphoric version of the", "each other awkwardly, as if we were on the first > date we", "burst into tears. > > > He held my hand and examined it,", "if we were on the first > date we never had. > >", "are the examples. The first version is the simile and the second the", "each other awkwardly, portraying the first date we > never had. > >", "awkwardly, as if we were on the first > date we never had.", "into tears. > > > He held my hand and examined it, as", "future surgery, all that > swelled up inside me until I burst into", "and examined it, perhaps wanting to read our future in it. (All right,", "held my palm and examined it, perhaps wanting to read our future in", "> My past rejection, his present sweetheart, my future surgery, all that >", "The first version is the simile and the second the metaphor (I'm not", "a metaphor. Not sure what it is.) > > > Are the metaphoric", "in it. > > > He held my palm and examined it, perhaps", "this one isn't a metaphor. Not sure what it is.) > > >", "is). > > We faced away from each other awkwardly, as if we", "up inside me until I burst into tears. > > > He held", "we never had. > > > We faced away from each other awkwardly,", "other awkwardly, portraying the first date we > never had. > > >", "present sweetheart, my future surgery, all that > swelled up inside me until", "(All right, this one isn't a metaphor. Not sure what it is.) >", "> We faced away from each other awkwardly, portraying the first date we", "> > My past rejection, his present sweetheart, my future surgery, all that", "what kind it is). > > We faced away from each other awkwardly,", "to read our future in it. (All right, this one isn't a metaphor.", "water balloon. > > > My past rejection, his present sweetheart, my future", "wanting to read our future in it. (All right, this one isn't a", "I burst like a water balloon. > > > My past rejection, his", "other awkwardly, as if we were on the first > date we never", "like a water balloon. > > > My past rejection, his present sweetheart,", "the metaphor (I'm not sure, though, what kind it is). > > We", "had. > > > We faced away from each other awkwardly, portraying the", "away from each other awkwardly, portraying the first date we > never had.", "version is the simile and the second the metaphor (I'm not sure, though,", "rejection, his present sweetheart, my future surgery, all that > swelled up inside", "> > We faced away from each other awkwardly, as if we were", "> swelled up inside me until I burst into tears. > > >", "inside me until I burst into tears. > > > He held my", "it is.) > > > Are the metaphoric version of the sentences superior", "metaphor. Not sure what it is.) > > > Are the metaphoric version", "superior to their similian (just made up this word) counterparts? Why or why", "the first date we > never had. > > > My past rejection,", "that > swelled up inside me until I burst into tears. > >", "version of the sentences superior to their similian (just made up this word)", "it. (All right, this one isn't a metaphor. Not sure what it is.)", "I burst into tears. > > > He held my hand and examined", "sentences superior to their similian (just made up this word) counterparts? Why or", "the first > date we never had. > > > We faced away" ]
[ "out of use. 'Th' has about 500 pronunciations anyway, so þ would be", "can you help a reader know which sound a combination of letters or", "as an example, however, this encompasses anybody's story where they might want to", "illustrious city, Ethil, incorrectly. Ethil is not pronounced with a 'f' sound as", "life, will þ - the most useful letter - once again become a", "Eþil? > > > If I campaign hard enough or start using þ", "of letters or letter makes if it has a lot of pronunciations, like", "500 pronunciations anyway, so þ would be a good letter to help differentiate", "between them. Question -------- > > Should I write Ethil or Eþil? >", "pronunciations anyway, so þ would be a good letter to help differentiate between", "a total mistake. It is an absolutely necessary letter and I am deeply", "using þ in my everyday life, will þ - the most useful letter", "example. So: > > Will the average reader know how to pronounce these", "issue with the spelling of places in my novel. Someone pronounced a rather", "'Th' has about 500 pronunciations anyway, so þ would be a good letter", "a good letter to help differentiate between them. Question -------- > > Should", "had my first ever issue with the spelling of places in my novel.", "good letter to help differentiate between them. Question -------- > > Should I", "letters? How can you help a reader know which sound a combination of", "Will the average reader know how to pronounce these letters? How can you", "with a 'f' sound as in 'fill', it is pronounced with a 'th'", "þ - the most useful letter - once again become a letter? >", "useful letter - once again become a letter? > > > I used", "letter and I am deeply upset that such a useful letter fell out", "letters or letter makes if it has a lot of pronunciations, like 'th'?", "how to pronounce these letters? How can you help a reader know which", "places in my novel. Someone pronounced a rather illustrious city, Ethil, incorrectly. Ethil", "is an absolutely necessary letter and I am deeply upset that such a", "a useful letter fell out of use. 'Th' has about 500 pronunciations anyway,", "I campaign hard enough or start using þ in my everyday life, will", "differentiate between them. Question -------- > > Should I write Ethil or Eþil?", "for example. So: > > Will the average reader know how to pronounce", "honest, removing þ from the alphabet was a total mistake. It is an", "to use weird letters, like æ for example. So: > > Will the", "hard enough or start using þ in my everyday life, will þ -", "mistake. It is an absolutely necessary letter and I am deeply upset that", "a reader know which sound a combination of letters or letter makes if", "where they might want to use weird letters, like æ for example. So:", "once again become a letter? > > > I used my own story", "from the alphabet was a total mistake. It is an absolutely necessary letter", "þ from the alphabet was a total mistake. It is an absolutely necessary", "a rather illustrious city, Ethil, incorrectly. Ethil is not pronounced with a 'f'", "fell out of use. 'Th' has about 500 pronunciations anyway, so þ would", "þ would be a good letter to help differentiate between them. Question --------", "letter? > > > I used my own story as an example, however,", "has about 500 pronunciations anyway, so þ would be a good letter to", "about 500 pronunciations anyway, so þ would be a good letter to help", "I recently had my first ever issue with the spelling of places in", "in my everyday life, will þ - the most useful letter - once", "my own story as an example, however, this encompasses anybody's story where they", "encompasses anybody's story where they might want to use weird letters, like æ", "city, Ethil, incorrectly. Ethil is not pronounced with a 'f' sound as in", "combination of letters or letter makes if it has a lot of pronunciations,", "> Should I write Ethil or Eþil? > > > If I campaign", "> > I used my own story as an example, however, this encompasses", "which sound a combination of letters or letter makes if it has a", "a letter? > > > I used my own story as an example,", "sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the", "an example, however, this encompasses anybody's story where they might want to use", "used my own story as an example, however, this encompasses anybody's story where", "How can you help a reader know which sound a combination of letters", "Someone pronounced a rather illustrious city, Ethil, incorrectly. Ethil is not pronounced with", "a combination of letters or letter makes if it has a lot of", "If I campaign hard enough or start using þ in my everyday life,", "this encompasses anybody's story where they might want to use weird letters, like", "story where they might want to use weird letters, like æ for example.", "the spelling of places in my novel. Someone pronounced a rather illustrious city,", "'fill', it is pronounced with a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'.", "know how to pronounce these letters? How can you help a reader know", "such a useful letter fell out of use. 'Th' has about 500 pronunciations", "> > Will the average reader know how to pronounce these letters? How", "not pronounced with a 'f' sound as in 'fill', it is pronounced with", "in my novel. Someone pronounced a rather illustrious city, Ethil, incorrectly. Ethil is", "my novel. Someone pronounced a rather illustrious city, Ethil, incorrectly. Ethil is not", "total mistake. It is an absolutely necessary letter and I am deeply upset", "or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the alphabet was a total", "> If I campaign hard enough or start using þ in my everyday", "most useful letter - once again become a letter? > > > I", "again become a letter? > > > I used my own story as", "of places in my novel. Someone pronounced a rather illustrious city, Ethil, incorrectly.", "an absolutely necessary letter and I am deeply upset that such a useful", "it is pronounced with a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To", "with the spelling of places in my novel. Someone pronounced a rather illustrious", "absolutely necessary letter and I am deeply upset that such a useful letter", "and I am deeply upset that such a useful letter fell out of", "þ in my everyday life, will þ - the most useful letter -", "want to use weird letters, like æ for example. So: > > Will", "that such a useful letter fell out of use. 'Th' has about 500", "recently had my first ever issue with the spelling of places in my", "letters, like æ for example. So: > > Will the average reader know", "with a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing", "pronounced a rather illustrious city, Ethil, incorrectly. Ethil is not pronounced with a", "of use. 'Th' has about 500 pronunciations anyway, so þ would be a", "Background ---------- So I recently had my first ever issue with the spelling", "incorrectly. Ethil is not pronounced with a 'f' sound as in 'fill', it", "average reader know how to pronounce these letters? How can you help a", "> Will the average reader know how to pronounce these letters? How can", "first ever issue with the spelling of places in my novel. Someone pronounced", "novel. Someone pronounced a rather illustrious city, Ethil, incorrectly. Ethil is not pronounced", "is not pronounced with a 'f' sound as in 'fill', it is pronounced", "To be honest, removing þ from the alphabet was a total mistake. It", "use. 'Th' has about 500 pronunciations anyway, so þ would be a good", "be a good letter to help differentiate between them. Question -------- > >", "> > Should I write Ethil or Eþil? > > > If I", "- once again become a letter? > > > I used my own", "> > > I used my own story as an example, however, this", "'[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the alphabet was a total mistake.", "spelling of places in my novel. Someone pronounced a rather illustrious city, Ethil,", "the alphabet was a total mistake. It is an absolutely necessary letter and", "a 'f' sound as in 'fill', it is pronounced with a 'th' sound", "as in 'fill', it is pronounced with a 'th' sound as in 'the'", "as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the alphabet", "was a total mistake. It is an absolutely necessary letter and I am", "will þ - the most useful letter - once again become a letter?", "> I used my own story as an example, however, this encompasses anybody's", "Ethil or Eþil? > > > If I campaign hard enough or start", "I write Ethil or Eþil? > > > If I campaign hard enough", "my everyday life, will þ - the most useful letter - once again", "anyway, so þ would be a good letter to help differentiate between them.", "in 'fill', it is pronounced with a 'th' sound as in 'the' or", "Ethil, incorrectly. Ethil is not pronounced with a 'f' sound as in 'fill',", "Ethil is not pronounced with a 'f' sound as in 'fill', it is", "reader know how to pronounce these letters? How can you help a reader", "---------- So I recently had my first ever issue with the spelling of", "pronounce these letters? How can you help a reader know which sound a", "deeply upset that such a useful letter fell out of use. 'Th' has", "would be a good letter to help differentiate between them. Question -------- >", "I used my own story as an example, however, this encompasses anybody's story", "removing þ from the alphabet was a total mistake. It is an absolutely", "help a reader know which sound a combination of letters or letter makes", "or start using þ in my everyday life, will þ - the most", "sound a combination of letters or letter makes if it has a lot", "write Ethil or Eþil? > > > If I campaign hard enough or", "them. Question -------- > > Should I write Ethil or Eþil? > >", "'f' sound as in 'fill', it is pronounced with a 'th' sound as", "> > If I campaign hard enough or start using þ in my", "like æ for example. So: > > Will the average reader know how", "use weird letters, like æ for example. So: > > Will the average", "pronounced with a 'f' sound as in 'fill', it is pronounced with a", "know which sound a combination of letters or letter makes if it has", "'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from", "It is an absolutely necessary letter and I am deeply upset that such", "pronounced with a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest,", "so þ would be a good letter to help differentiate between them. Question", "sound as in 'fill', it is pronounced with a 'th' sound as in", "to pronounce these letters? How can you help a reader know which sound", "might want to use weird letters, like æ for example. So: > >", "I am deeply upset that such a useful letter fell out of use.", "So I recently had my first ever issue with the spelling of places", "story as an example, however, this encompasses anybody's story where they might want", "reader know which sound a combination of letters or letter makes if it", "So: > > Will the average reader know how to pronounce these letters?", "upset that such a useful letter fell out of use. 'Th' has about", "useful letter fell out of use. 'Th' has about 500 pronunciations anyway, so", "these letters? How can you help a reader know which sound a combination", "letter fell out of use. 'Th' has about 500 pronunciations anyway, so þ", "the most useful letter - once again become a letter? > > >", "Should I write Ethil or Eþil? > > > If I campaign hard", "they might want to use weird letters, like æ for example. So: >", "alphabet was a total mistake. It is an absolutely necessary letter and I", "necessary letter and I am deeply upset that such a useful letter fell", "letter makes if it has a lot of pronunciations, like 'th'? > >", "letter - once again become a letter? > > > I used my", "- the most useful letter - once again become a letter? > >", "start using þ in my everyday life, will þ - the most useful", "example, however, this encompasses anybody's story where they might want to use weird", "æ for example. So: > > Will the average reader know how to", "Question -------- > > Should I write Ethil or Eþil? > > >", "> > > If I campaign hard enough or start using þ in", "or Eþil? > > > If I campaign hard enough or start using", "-------- > > Should I write Ethil or Eþil? > > > If", "be honest, removing þ from the alphabet was a total mistake. It is", "my first ever issue with the spelling of places in my novel. Someone", "or letter makes if it has a lot of pronunciations, like 'th'? >", "anybody's story where they might want to use weird letters, like æ for", "rather illustrious city, Ethil, incorrectly. Ethil is not pronounced with a 'f' sound", "own story as an example, however, this encompasses anybody's story where they might", "the average reader know how to pronounce these letters? How can you help", "a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ", "ever issue with the spelling of places in my novel. Someone pronounced a", "enough or start using þ in my everyday life, will þ - the", "everyday life, will þ - the most useful letter - once again become", "to help differentiate between them. Question -------- > > Should I write Ethil", "in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the alphabet was", "become a letter? > > > I used my own story as an", "is pronounced with a 'th' sound as in 'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be", "campaign hard enough or start using þ in my everyday life, will þ", "letter to help differentiate between them. Question -------- > > Should I write", "help differentiate between them. Question -------- > > Should I write Ethil or", "am deeply upset that such a useful letter fell out of use. 'Th'", "'the' or '[þorn](https://en.wikipedia.org/wiki/Thorn_(letter))'. To be honest, removing þ from the alphabet was a", "weird letters, like æ for example. So: > > Will the average reader", "makes if it has a lot of pronunciations, like 'th'? > > >", "however, this encompasses anybody's story where they might want to use weird letters,", "you help a reader know which sound a combination of letters or letter" ]
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