Split (1)

train · 10.4M rows

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[ "a combination of words that disrupts harmony. But what about a phrase like", "alliteration means repetition of consonant sounds to make text flow more harmoniously, while", "flow more harmoniously, while dissonance means a combination of words that disrupts harmony.", "Are alliteration and [dissonance](http://literarydevices.net/dissonance) considered mutually exclusive? My understanding is that alliteration means", "exclusive? My understanding is that alliteration means repetition of consonant sounds to make", "phrase like \"Sweetly, slimily, and softly\"? To me, this seems both alliterative and", "what effect this has. Am I misunderstanding something about the concepts of alliteration", "mutually exclusive? My understanding is that alliteration means repetition of consonant sounds to", "disrupts harmony. But what about a phrase like \"Sweetly, slimily, and softly\"? To", "is that alliteration means repetition of consonant sounds to make text flow more", "of consonant sounds to make text flow more harmoniously, while dissonance means a", "harmoniously, while dissonance means a combination of words that disrupts harmony. But what", "I can't quite put my finger on what effect this has. Am I", "means repetition of consonant sounds to make text flow more harmoniously, while dissonance", "slimily, and softly\"? To me, this seems both alliterative and dissonant, and I", "what about a phrase like \"Sweetly, slimily, and softly\"? To me, this seems", "while dissonance means a combination of words that disrupts harmony. But what about", "that disrupts harmony. But what about a phrase like \"Sweetly, slimily, and softly\"?", "text flow more harmoniously, while dissonance means a combination of words that disrupts", "a phrase like \"Sweetly, slimily, and softly\"? To me, this seems both alliterative", "combination of words that disrupts harmony. But what about a phrase like \"Sweetly,", "the concepts of alliteration and dissonance? Or is there another term for this", "and dissonance? Or is there another term for this kind of literary device?", "words that disrupts harmony. But what about a phrase like \"Sweetly, slimily, and", "dissonant, and I can't quite put my finger on what effect this has.", "something about the concepts of alliteration and dissonance? Or is there another term", "more harmoniously, while dissonance means a combination of words that disrupts harmony. But", "has. Am I misunderstanding something about the concepts of alliteration and dissonance? Or", "of alliteration and dissonance? Or is there another term for this kind of", "[dissonance](http://literarydevices.net/dissonance) considered mutually exclusive? My understanding is that alliteration means repetition of consonant", "means a combination of words that disrupts harmony. But what about a phrase", "understanding is that alliteration means repetition of consonant sounds to make text flow", "and softly\"? To me, this seems both alliterative and dissonant, and I can't", "this has. Am I misunderstanding something about the concepts of alliteration and dissonance?", "about the concepts of alliteration and dissonance? Or is there another term for", "\"Sweetly, slimily, and softly\"? To me, this seems both alliterative and dissonant, and", "put my finger on what effect this has. Am I misunderstanding something about", "like \"Sweetly, slimily, and softly\"? To me, this seems both alliterative and dissonant,", "Am I misunderstanding something about the concepts of alliteration and dissonance? Or is", "quite put my finger on what effect this has. Am I misunderstanding something", "considered mutually exclusive? My understanding is that alliteration means repetition of consonant sounds", "my finger on what effect this has. Am I misunderstanding something about the", "on what effect this has. Am I misunderstanding something about the concepts of", "effect this has. Am I misunderstanding something about the concepts of alliteration and", "alliteration and dissonance? Or is there another term for this kind of literary", "and [dissonance](http://literarydevices.net/dissonance) considered mutually exclusive? My understanding is that alliteration means repetition of", "finger on what effect this has. Am I misunderstanding something about the concepts", "consonant sounds to make text flow more harmoniously, while dissonance means a combination", "me, this seems both alliterative and dissonant, and I can't quite put my", "this seems both alliterative and dissonant, and I can't quite put my finger", "I misunderstanding something about the concepts of alliteration and dissonance? Or is there", "repetition of consonant sounds to make text flow more harmoniously, while dissonance means", "alliterative and dissonant, and I can't quite put my finger on what effect", "alliteration and [dissonance](http://literarydevices.net/dissonance) considered mutually exclusive? My understanding is that alliteration means repetition", "can't quite put my finger on what effect this has. Am I misunderstanding", "concepts of alliteration and dissonance? Or is there another term for this kind", "sounds to make text flow more harmoniously, while dissonance means a combination of", "make text flow more harmoniously, while dissonance means a combination of words that", "and dissonant, and I can't quite put my finger on what effect this", "softly\"? To me, this seems both alliterative and dissonant, and I can't quite", "to make text flow more harmoniously, while dissonance means a combination of words", "misunderstanding something about the concepts of alliteration and dissonance? Or is there another", "dissonance means a combination of words that disrupts harmony. But what about a", "But what about a phrase like \"Sweetly, slimily, and softly\"? To me, this", "seems both alliterative and dissonant, and I can't quite put my finger on", "both alliterative and dissonant, and I can't quite put my finger on what", "of words that disrupts harmony. But what about a phrase like \"Sweetly, slimily,", "My understanding is that alliteration means repetition of consonant sounds to make text", "harmony. But what about a phrase like \"Sweetly, slimily, and softly\"? To me,", "that alliteration means repetition of consonant sounds to make text flow more harmoniously,", "and I can't quite put my finger on what effect this has. Am", "To me, this seems both alliterative and dissonant, and I can't quite put", "about a phrase like \"Sweetly, slimily, and softly\"? To me, this seems both" ]
[ "short version is that the main character is turned on by a violent", "a work of interactive fiction and if the reader gets to this part", "character is turned on by a violent act they just committed. I'm afraid", "more detail: this is a work of interactive fiction and if the reader", "on by a violent act they just committed. I'm afraid that due to", "uncomfortable with. I'll spare you the details, but the short version is that", "that the main character is turned on by a violent act they just", "hints that this is supposed to be a bad thing. To give a", "that due to various cultural influences (video games, action movies), the reader might", "prose that depicts a sexual act that I feel readers should be uncomfortable", "of interactive fiction and if the reader gets to this part of the", "a sexual act that I feel readers should be uncomfortable with. I'll spare", "some extra hints that this is supposed to be a bad thing. To", "feel readers should be uncomfortable with. I'll spare you the details, but the", "is supposed to be a bad thing. To give a bit more detail:", "To give a bit more detail: this is a work of interactive fiction", "committed. I'm afraid that due to various cultural influences (video games, action movies),", "detail: this is a work of interactive fiction and if the reader gets", "to this part of the story, it means they've chosen to do something", "I'm afraid that due to various cultural influences (video games, action movies), the", "to do something violent, which I hope to punish. What's a good strategy", "something violent, which I hope to punish. What's a good strategy for ensuring", "extra hints that this is supposed to be a bad thing. To give", "the reader might need some extra hints that this is supposed to be", "various cultural influences (video games, action movies), the reader might need some extra", "I'm working on a prose that depicts a sexual act that I feel", "thing. To give a bit more detail: this is a work of interactive", "sexual act that I feel readers should be uncomfortable with. I'll spare you", "on a prose that depicts a sexual act that I feel readers should", "supposed to be a bad thing. To give a bit more detail: this", "afraid that due to various cultural influences (video games, action movies), the reader", "movies), the reader might need some extra hints that this is supposed to", "is turned on by a violent act they just committed. I'm afraid that", "of the story, it means they've chosen to do something violent, which I", "this is supposed to be a bad thing. To give a bit more", "if the reader gets to this part of the story, it means they've", "the details, but the short version is that the main character is turned", "I'll spare you the details, but the short version is that the main", "act they just committed. I'm afraid that due to various cultural influences (video", "to various cultural influences (video games, action movies), the reader might need some", "they've chosen to do something violent, which I hope to punish. What's a", "violent, which I hope to punish. What's a good strategy for ensuring the", "I feel readers should be uncomfortable with. I'll spare you the details, but", "and if the reader gets to this part of the story, it means", "to be a bad thing. To give a bit more detail: this is", "you the details, but the short version is that the main character is", "spare you the details, but the short version is that the main character", "just committed. I'm afraid that due to various cultural influences (video games, action", "give a bit more detail: this is a work of interactive fiction and", "bit more detail: this is a work of interactive fiction and if the", "be a bad thing. To give a bit more detail: this is a", "gets to this part of the story, it means they've chosen to do", "the short version is that the main character is turned on by a", "the reader gets to this part of the story, it means they've chosen", "bad thing. To give a bit more detail: this is a work of", "part of the story, it means they've chosen to do something violent, which", "hope to punish. What's a good strategy for ensuring the reader is made", "punish. What's a good strategy for ensuring the reader is made uncomfortable by", "a bad thing. To give a bit more detail: this is a work", "to punish. What's a good strategy for ensuring the reader is made uncomfortable", "do something violent, which I hope to punish. What's a good strategy for", "the main character is turned on by a violent act they just committed.", "the story, it means they've chosen to do something violent, which I hope", "that depicts a sexual act that I feel readers should be uncomfortable with.", "this is a work of interactive fiction and if the reader gets to", "games, action movies), the reader might need some extra hints that this is", "be uncomfortable with. I'll spare you the details, but the short version is", "details, but the short version is that the main character is turned on", "action movies), the reader might need some extra hints that this is supposed", "fiction and if the reader gets to this part of the story, it", "reader gets to this part of the story, it means they've chosen to", "violent act they just committed. I'm afraid that due to various cultural influences", "work of interactive fiction and if the reader gets to this part of", "due to various cultural influences (video games, action movies), the reader might need", "I hope to punish. What's a good strategy for ensuring the reader is", "interactive fiction and if the reader gets to this part of the story,", "reader might need some extra hints that this is supposed to be a", "should be uncomfortable with. I'll spare you the details, but the short version", "might need some extra hints that this is supposed to be a bad", "chosen to do something violent, which I hope to punish. What's a good", "a bit more detail: this is a work of interactive fiction and if", "story, it means they've chosen to do something violent, which I hope to", "a prose that depicts a sexual act that I feel readers should be", "with. I'll spare you the details, but the short version is that the", "main character is turned on by a violent act they just committed. I'm", "by a violent act they just committed. I'm afraid that due to various", "means they've chosen to do something violent, which I hope to punish. What's", "they just committed. I'm afraid that due to various cultural influences (video games,", "working on a prose that depicts a sexual act that I feel readers", "is a work of interactive fiction and if the reader gets to this", "a violent act they just committed. I'm afraid that due to various cultural", "that this is supposed to be a bad thing. To give a bit", "readers should be uncomfortable with. I'll spare you the details, but the short", "act that I feel readers should be uncomfortable with. I'll spare you the", "that I feel readers should be uncomfortable with. I'll spare you the details,", "which I hope to punish. What's a good strategy for ensuring the reader", "is that the main character is turned on by a violent act they", "it means they've chosen to do something violent, which I hope to punish.", "but the short version is that the main character is turned on by", "cultural influences (video games, action movies), the reader might need some extra hints", "version is that the main character is turned on by a violent act", "What's a good strategy for ensuring the reader is made uncomfortable by this?", "influences (video games, action movies), the reader might need some extra hints that", "depicts a sexual act that I feel readers should be uncomfortable with. I'll", "need some extra hints that this is supposed to be a bad thing.", "this part of the story, it means they've chosen to do something violent,", "turned on by a violent act they just committed. I'm afraid that due", "(video games, action movies), the reader might need some extra hints that this" ]
[ "I've probably projected this onto my characters a bit - they don't usually", "needs fixing. * Is there any way to know when conflict should happen,", "recent conclusion that my writing lacks conflict. This problem is especially hard for", "that it will end. And I think I've probably projected this onto my", "problem is especially hard for me because I don't like conflict in my", "in my own personal life, and am the type who doesn't usually start", "my own personal life, and am the type who doesn't usually start conflicts", "the type who doesn't usually start conflicts and when faced with one, generally", "conflict happen? Is there a trick or formula to creating conflict? * Once", "And I think I've probably projected this onto my characters a bit -", "* Why should conflict happen? Is there a trick or formula to creating", "a bit - they don't usually get in arguments or disagreements which leaves", "when faced with one, generally just yields so that it will end. And", "is especially hard for me because I don't like conflict in my own", "personal life, and am the type who doesn't usually start conflicts and when", "so that it will end. And I think I've probably projected this onto", "usually start conflicts and when faced with one, generally just yields so that", "own personal life, and am the type who doesn't usually start conflicts and", "that really needs fixing. * Is there any way to know when conflict", "Is there a trick or formula to creating conflict? * Once I've figured", "writing lacks conflict. This problem is especially hard for me because I don't", "end. And I think I've probably projected this onto my characters a bit", "am the type who doesn't usually start conflicts and when faced with one,", "should conflict happen? Is there a trick or formula to creating conflict? ", " Once I've figured out when and why, are there any rules to", "bit - they don't usually get in arguments or disagreements which leaves the", "it will end. And I think I've probably projected this onto my characters", "should happen, so it doesn't feel too sparse or conversely over burdened with", "will end. And I think I've probably projected this onto my characters a", "there any way to know when conflict should happen, so it doesn't feel", "type who doesn't usually start conflicts and when faced with one, generally just", "a monotonous tone that really needs fixing. * Is there any way to", "probably projected this onto my characters a bit - they don't usually get", "conflict? * Once I've figured out when and why, are there any rules", "conflicts and when faced with one, generally just yields so that it will", "my writing lacks conflict. This problem is especially hard for me because I", "in arguments or disagreements which leaves the whole book with a monotonous tone", "that my writing lacks conflict. This problem is especially hard for me because", "or disagreements which leaves the whole book with a monotonous tone that really", "doesn't usually start conflicts and when faced with one, generally just yields so", "feel too sparse or conversely over burdened with drama. * Why should conflict", "so it doesn't feel too sparse or conversely over burdened with drama. ", "and when faced with one, generally just yields so that it will end.", "Why* should conflict happen? Is there a trick or formula to creating conflict?", "I don't like conflict in my own personal life, and am the type", "the recent conclusion that my writing lacks conflict. This problem is especially hard", "don't usually get in arguments or disagreements which leaves the whole book with", "I've come to the recent conclusion that my writing lacks conflict. This problem", "conversely over burdened with drama. * Why should conflict happen? Is there a", "drama. * Why should conflict happen? Is there a trick or formula to", "fixing. * Is there any way to know when conflict should happen, so", "one, generally just yields so that it will end. And I think I've", "like conflict in my own personal life, and am the type who doesn't", "with drama. * Why should conflict happen? Is there a trick or formula", "disagreements which leaves the whole book with a monotonous tone that really needs", "conflict in my own personal life, and am the type who doesn't usually", "Is there any way to know when conflict should happen, so it doesn't", "to know when conflict should happen, so it doesn't feel too sparse or", "it doesn't feel too sparse or conversely over burdened with drama. * Why", "I think I've probably projected this onto my characters a bit - they", "figured out when and why, are there any rules to actually writing it?", "whole book with a monotonous tone that really needs fixing. * Is there", "conclusion that my writing lacks conflict. This problem is especially hard for me", "generally just yields so that it will end. And I think I've probably", "a trick or formula to creating conflict? * Once I've figured out when", "sparse or conversely over burdened with drama. * Why should conflict happen? Is", "book with a monotonous tone that really needs fixing. * Is there any", "who doesn't usually start conflicts and when faced with one, generally just yields", "just yields so that it will end. And I think I've probably projected", "come to the recent conclusion that my writing lacks conflict. This problem is", "know when conflict should happen, so it doesn't feel too sparse or conversely", "with a monotonous tone that really needs fixing. * Is there any way", "conflict. This problem is especially hard for me because I don't like conflict", "there a trick or formula to creating conflict? * Once I've figured out", "for me because I don't like conflict in my own personal life, and", "and am the type who doesn't usually start conflicts and when faced with", "with one, generally just yields so that it will end. And I think", "get in arguments or disagreements which leaves the whole book with a monotonous", "they don't usually get in arguments or disagreements which leaves the whole book", "burdened with drama. * Why should conflict happen? Is there a trick or", "conflict should happen, so it doesn't feel too sparse or conversely over burdened", "Once I've figured out when and why, are there any rules to *actually", "especially hard for me because I don't like conflict in my own personal", "happen, so it doesn't feel too sparse or conversely over burdened with drama.", "start conflicts and when faced with one, generally just yields so that it", "projected this onto my characters a bit - they don't usually get in", "formula to creating conflict? Once I've figured out when and why, are", "to the recent conclusion that my writing lacks conflict. This problem is especially", "think I've probably projected this onto my characters a bit - they don't", "creating conflict? * Once I've figured out when and why, are there any", "the whole book with a monotonous tone that really needs fixing. * Is", "arguments or disagreements which leaves the whole book with a monotonous tone that", "way to know when conflict should happen, so it doesn't feel too sparse", "faced with one, generally just yields so that it will end. And I", "too sparse or conversely over burdened with drama. * Why should conflict happen?", "me because I don't like conflict in my own personal life, and am", "over burdened with drama. * Why should conflict happen? Is there a trick", "onto my characters a bit - they don't usually get in arguments or", "life, and am the type who doesn't usually start conflicts and when faced", "this onto my characters a bit - they don't usually get in arguments", "when conflict should happen, so it doesn't feel too sparse or conversely over", "This problem is especially hard for me because I don't like conflict in", "* Is there any way to know when conflict should happen, so it", "which leaves the whole book with a monotonous tone that really needs fixing.", "yields so that it will end. And I think I've probably projected this", "tone that really needs fixing. * Is there any way to know when", "don't like conflict in my own personal life, and am the type who", "- they don't usually get in arguments or disagreements which leaves the whole", "my characters a bit - they don't usually get in arguments or disagreements", "or conversely over burdened with drama. * Why should conflict happen? Is there", "any way to know when conflict should happen, so it doesn't feel too", "lacks conflict. This problem is especially hard for me because I don't like", "to creating conflict? * Once I've figured out when and why, are there", "or formula to creating conflict? * Once I've figured out when and why,", "monotonous tone that really needs fixing. * Is there any way to know", "hard for me because I don't like conflict in my own personal life,", "characters a bit - they don't usually get in arguments or disagreements which", "doesn't feel too sparse or conversely over burdened with drama. * Why should", "leaves the whole book with a monotonous tone that really needs fixing. ", "really needs fixing. Is there any way to know when conflict should", "because I don't like conflict in my own personal life, and am the", "trick or formula to creating conflict? * Once I've figured out when and", "I've figured out when and why, are there any rules to *actually writing", "happen? Is there a trick or formula to creating conflict? Once I've", "usually get in arguments or disagreements which leaves the whole book with a" ]
[ "to increase the romance between two stubborn, but very different characters? Thank you!", "ways to increase the romance between two stubborn, but very different characters? Thank", "some ways to increase the romance between two stubborn, but very different characters?", "What are some ways to increase the romance between two stubborn, but very", "are some ways to increase the romance between two stubborn, but very different" ]
[ "for it already has a certain name, and by using that name I", "and by using that name I hope to maintain that it was not", "on, I have noted relative similarity between a being I've been working on", "by August Derleth. In each reference the being is somewhat different. For a", "being in the Cthulhu Mythos, one referenced mainly by Lin Carter, Scott Aniolowski,", "working on, I have noted relative similarity between a being I've been working", "being I've been working on and a being in the Cthulhu Mythos, one", "reference the being is somewhat different. For a story I'm working on, I", "original creator. I would not be claiming it as my own and nobody", "have noted relative similarity between a being I've been working on and a", "infringe too far into the territory of its original creator. I would not", "using that name I hope to maintain that it was not my original", "would infringe too far into the territory of its original creator. I would", "how certain beings are carried over to different authors. Hastur was made by", "not my original idea. I would consider it expanding on something that already", "question, consider how certain beings are carried over to different authors. Hastur was", "by Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price. I wanted to", "not be claiming it as my own and nobody else's, for it already", "certain name, and by using that name I hope to maintain that it", "I have noted relative similarity between a being I've been working on and", "the territory of its original creator. I would not be claiming it as", "idea. I would consider it expanding on something that already existed, but was", "if identifying the two creations as the same being would infringe too far", "my original idea. I would consider it expanding on something that already existed,", "carried over to different authors. Hastur was made by Ambrose Bierce, and referenced", "else's, for it already has a certain name, and by using that name", "I'm working on, I have noted relative similarity between a being I've been", "on and a being in the Cthulhu Mythos, one referenced mainly by Lin", "has a certain name, and by using that name I hope to maintain", "each reference the being is somewhat different. For a story I'm working on,", "Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price. I wanted to know if", "being would infringe too far into the territory of its original creator. I", "I wanted to know if identifying the two creations as the same being", "I would not be claiming it as my own and nobody else's, for", "know if identifying the two creations as the same being would infringe too", "too far into the territory of its original creator. I would not be", "and referenced by Lovecraft, and used by August Derleth. In each reference the", "Price. I wanted to know if identifying the two creations as the same", "made by Ambrose Bierce, and referenced by Lovecraft, and used by August Derleth.", "its original creator. I would not be claiming it as my own and", "a being I've been working on and a being in the Cthulhu Mythos,", "the Cthulhu Mythos, one referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft, and", "somewhat different. For a story I'm working on, I have noted relative similarity", "creations as the same being would infringe too far into the territory of", "the being is somewhat different. For a story I'm working on, I have", "to know if identifying the two creations as the same being would infringe", "was not my original idea. I would consider it expanding on something that", "Lovecraft, and used by August Derleth. In each reference the being is somewhat", "E. Hoffman Price. I wanted to know if identifying the two creations as", "different authors. Hastur was made by Ambrose Bierce, and referenced by Lovecraft, and", "already has a certain name, and by using that name I hope to", "name, and by using that name I hope to maintain that it was", "original idea. I would consider it expanding on something that already existed, but", "provide an example of my question, consider how certain beings are carried over", "far into the territory of its original creator. I would not be claiming", "and E. Hoffman Price. I wanted to know if identifying the two creations", "relative similarity between a being I've been working on and a being in", "I've been working on and a being in the Cthulhu Mythos, one referenced", "Hastur was made by Ambrose Bierce, and referenced by Lovecraft, and used by", "Ambrose Bierce, and referenced by Lovecraft, and used by August Derleth. In each", "Hoffman Price. I wanted to know if identifying the two creations as the", "of its original creator. I would not be claiming it as my own", "I would consider it expanding on something that already existed, but was described", "my question, consider how certain beings are carried over to different authors. Hastur", "the same being would infringe too far into the territory of its original", "Mythos, one referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman", "in the Cthulhu Mythos, one referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft,", "territory of its original creator. I would not be claiming it as my", "Scott Aniolowski, Lovecraft, and E. Hoffman Price. I wanted to know if identifying", "of my question, consider how certain beings are carried over to different authors.", "Aniolowski, Lovecraft, and E. Hoffman Price. I wanted to know if identifying the", "working on and a being in the Cthulhu Mythos, one referenced mainly by", "claiming it as my own and nobody else's, for it already has a", "and a being in the Cthulhu Mythos, one referenced mainly by Lin Carter,", "being is somewhat different. For a story I'm working on, I have noted", "referenced by Lovecraft, and used by August Derleth. In each reference the being", "beings are carried over to different authors. Hastur was made by Ambrose Bierce,", "was made by Ambrose Bierce, and referenced by Lovecraft, and used by August", "Lovecraft, and E. Hoffman Price. I wanted to know if identifying the two", "by Lovecraft, and used by August Derleth. In each reference the being is", "a being in the Cthulhu Mythos, one referenced mainly by Lin Carter, Scott", "consider how certain beings are carried over to different authors. Hastur was made", "own and nobody else's, for it already has a certain name, and by", "the two creations as the same being would infringe too far into the", "example of my question, consider how certain beings are carried over to different", "a story I'm working on, I have noted relative similarity between a being", "are carried over to different authors. Hastur was made by Ambrose Bierce, and", "as my own and nobody else's, for it already has a certain name,", "wanted to know if identifying the two creations as the same being would", "to maintain that it was not my original idea. I would consider it", "story I'm working on, I have noted relative similarity between a being I've", "Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price. I wanted to know", "into the territory of its original creator. I would not be claiming it", "mainly by Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price. I wanted", "as the same being would infringe too far into the territory of its", "would not be claiming it as my own and nobody else's, for it", "creator. I would not be claiming it as my own and nobody else's,", "it was not my original idea. I would consider it expanding on something", "and used by August Derleth. In each reference the being is somewhat different.", "noted relative similarity between a being I've been working on and a being", "August Derleth. In each reference the being is somewhat different. For a story", "between a being I've been working on and a being in the Cthulhu", "an example of my question, consider how certain beings are carried over to", "hope to maintain that it was not my original idea. I would consider", "to different authors. Hastur was made by Ambrose Bierce, and referenced by Lovecraft,", "authors. Hastur was made by Ambrose Bierce, and referenced by Lovecraft, and used", "For a story I'm working on, I have noted relative similarity between a", "same being would infringe too far into the territory of its original creator.", "Cthulhu Mythos, one referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft, and E.", "In each reference the being is somewhat different. For a story I'm working", "nobody else's, for it already has a certain name, and by using that", "To provide an example of my question, consider how certain beings are carried", "referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price. I", "would consider it expanding on something that already existed, but was described in", "consider it expanding on something that already existed, but was described in little.", "name I hope to maintain that it was not my original idea. I", "that it was not my original idea. I would consider it expanding on", "different. For a story I'm working on, I have noted relative similarity between", "similarity between a being I've been working on and a being in the", "over to different authors. Hastur was made by Ambrose Bierce, and referenced by", "maintain that it was not my original idea. I would consider it expanding", "one referenced mainly by Lin Carter, Scott Aniolowski, Lovecraft, and E. Hoffman Price.", "identifying the two creations as the same being would infringe too far into", "Bierce, and referenced by Lovecraft, and used by August Derleth. In each reference", "that name I hope to maintain that it was not my original idea.", "been working on and a being in the Cthulhu Mythos, one referenced mainly", "certain beings are carried over to different authors. Hastur was made by Ambrose", "two creations as the same being would infringe too far into the territory", "I hope to maintain that it was not my original idea. I would", "by Ambrose Bierce, and referenced by Lovecraft, and used by August Derleth. In", "and nobody else's, for it already has a certain name, and by using", "Derleth. In each reference the being is somewhat different. For a story I'm", "it already has a certain name, and by using that name I hope", "is somewhat different. For a story I'm working on, I have noted relative", "be claiming it as my own and nobody else's, for it already has", "it as my own and nobody else's, for it already has a certain", "my own and nobody else's, for it already has a certain name, and", "a certain name, and by using that name I hope to maintain that", "used by August Derleth. In each reference the being is somewhat different. For", "by using that name I hope to maintain that it was not my" ]
[ "going to tell you one last time: Go. Home. Now. > > >", "does not necessarily imply a pause: > > This man, this monster, has", "A full stop has been better used to create unmistakeable pauses in unconventional", "mean that the speaker is trailing off twice, creating two longish pauses. The", "is too strong a disruption in some cases. Usually, because we lack a", "question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than my current problem and can", "a full stop is too strong a disruption in some cases. Usually, because", "because we lack a specific symbol for a brief hesitation, we describe it:", "but no pause) > > > This man, this...monster...has done something despicable. (pause,", "> But a full stop is too strong a disruption in some cases.", "> > > But the last example shows why using an ellipsis to", "something despicable. (pause, but no emphasis) > > > But the last example", "done something despicable. > > > We can italicize such a word, as", "for example, when we hesitate to utter a word that the listener might", "look to a reader more like two broken off sentences instead of one", "as I have done, to show an emphasis. But that emphasis does not", "word \"boy\" in the following example? > > I was expecting the president", "want. (with longer pause) > > > But sometimes we briefly hesitate in", "why using an ellipsis to signify a pause may be confusing. A reader,", "to show an emphasis. But that emphasis does not necessarily imply a pause:", "units such as sentences. In writing, these pauses are signified by punctuation: >", "speaker is trailing off twice, creating two longish pauses. The last example may", "question itself is broader than my current problem and can be easily solved", "to tell you one last time: Go. Home. Now. > > > But", "When we speak, there are often small pauses between syntactic units such as", "> > This man, this... What a monster... He has done something despicable.", "If you want. (with longer pause) > > > But sometimes we briefly", "no pause) > > > This man, this...monster...has done something despicable. (pause, but", "> > > A full stop has been better used to create unmistakeable", "I am going to tell you one last time: Go. Home. Now. >", "a word that the listener might find objectionable: > > This man, this", "I can come, if you want. (with brief pause) > > > I", "has done something despicable. > > > But again, this inserted description is", "syntactic units such as sentences. In writing, these pauses are signified by punctuation:", "been better used to create unmistakeable pauses in unconventional places: > > I", "necessarily imply a pause: > > This man, this monster, has done something", "I want to say, may wonder whether I have left out words before", "hesitate -- this monster, has done something despicable. > > > But again,", "when we hesitate to utter a word that the listener might find objectionable:", "> > --- I have thought about this problem in my answer to", "two pauses: > > This man, this... What a monster... He has done", "this...monster...has done something despicable. (pause, but no emphasis) > > > But the", "longer pause) > > > But sometimes we briefly hesitate in the middle", "> > I can come. If you want. (with longer pause) > >", "> > I can come, if you want. (with brief pause) > >", "man, this -- I briefly hesitate -- this monster, has done something despicable.", "Usually, because we lack a specific symbol for a brief hesitation, we describe", "man and then this (hesitation) boy (hesitation) comes in. > > > ---", "in the following example? > > I was expecting the president to be", "> I can come if you want. (without pause) > > > I", "has been better used to create unmistakeable pauses in unconventional places: > >", "small pauses between syntactic units such as sentences. In writing, these pauses are", "was expecting the president to be a middle aged man and then this", "> > > This man, this...monster...has done something despicable. (pause, but no emphasis)", "disruption in some cases. Usually, because we lack a specific symbol for a", "pauses. The last example may look to a reader more like two broken", "> > But sometimes we briefly hesitate in the middle of syntactic units,", "may look to a reader more like two broken off sentences instead of", "> > But a full stop is too strong a disruption in some", "aged man and then this (hesitation) boy (hesitation) comes in. > > >", "boy (hesitation) comes in. > > > --- I have thought about this", "following example? > > I was expecting the president to be a middle", "often small pauses between syntactic units such as sentences. In writing, these pauses", "speak, there are often small pauses between syntactic units such as sentences. In", "briefly hesitate in the middle of syntactic units, for example, when we hesitate", "(hesitation) boy (hesitation) comes in. > > > --- I have thought about", "to be a middle aged man and then this (hesitation) boy (hesitation) comes", "this inserted description is not exactly the same as a brief hesitation. So", "I was expecting the president to be a middle aged man and then", "monster, has done something despicable. > > > But again, this inserted description", "> > > I can come. If you want. (with longer pause) >", "brief pause) > > > I can come. If you want. (with longer", "But a full stop is too strong a disruption in some cases. Usually,", "But the last example shows why using an ellipsis to signify a pause", "has done something despicable. > > > We can italicize such a word,", "one sentence with two pauses: > > This man, this... What a monster...", "punctuation: > > I can come if you want. (without pause) > >", "create unmistakeable pauses in unconventional places: > > I am going to tell", "no emphasis) > > > But the last example shows why using an", "I can come. If you want. (with longer pause) > > > But", "sentences. In writing, these pauses are signified by punctuation: > > I can", "something despicable. > > > We can italicize such a word, as I", "\"monster\", or if I mean that the speaker is trailing off twice, creating", "what I want to say, may wonder whether I have left out words", "example may look to a reader more like two broken off sentences instead", "pauses in unconventional places: > > I am going to tell you one", "This man, this...monster...has done something despicable. (pause, but no emphasis) > > >", "> But again, this inserted description is not exactly the same as a", "left out words before and after \"monster\", or if I mean that the", "units, for example, when we hesitate to utter a word that the listener", "imply a pause: > > This man, this monster, has done something despicable.", "last example shows why using an ellipsis to signify a pause may be", "want. (without pause) > > > I can come, if you want. (with", "come, if you want. (with brief pause) > > > I can come.", "itself is broader than my current problem and can be easily solved through", "This man, this -- I briefly hesitate -- this monster, has done something", "middle aged man and then this (hesitation) boy (hesitation) comes in. > >", "exactly the same as a brief hesitation. So *how can I show* a", "hesitate in the middle of syntactic units, for example, when we hesitate to", "> This man, this -- I briefly hesitate -- this monster, has done", "if you want. (without pause) > > > I can come, if you", "we briefly hesitate in the middle of syntactic units, for example, when we", "briefly hesitate -- this monster, has done something despicable. > > > But", "are signified by punctuation: > > I can come if you want. (without", "tell you one last time: Go. Home. Now. > > > But a", "syntactic units, for example, when we hesitate to utter a word that the", "a disruption in some cases. Usually, because we lack a specific symbol for", "longish pauses. The last example may look to a reader more like two", "writing, these pauses are signified by punctuation: > > I can come if", "not know what I want to say, may wonder whether I have left", "(without pause) > > > I can come, if you want. (with brief", "despicable. (emphasis, but no pause) > > > This man, this...monster...has done something", "off sentences instead of one sentence with two pauses: > > This man,", "monster, has done something despicable. > > > We can italicize such a", "> This man, this...monster...has done something despicable. (pause, but no emphasis) > >", "shows why using an ellipsis to signify a pause may be confusing. A", "brief hesitation. So *how can I show* a brief hesitation*, for example surrounding", "and after \"monster\", or if I mean that the speaker is trailing off", "ellipsis to signify a pause may be confusing. A reader, who does not", "man, this (pause) monster, has done something despicable. > > > We can", "not exactly the same as a brief hesitation. So how can I show", "instead of one sentence with two pauses: > > This man, this... What", "specific symbol for a brief hesitation, we describe it: > > This man,", "done something despicable. > > > A full stop has been better used", "two longish pauses. The last example may look to a reader more like", "want. (with brief pause) > > > I can come. If you want.", "in the middle of syntactic units, for example, when we hesitate to utter", "brief hesitation, we describe it: > > This man, this -- I briefly", "a pause: > > This man, this monster, has done something despicable. (emphasis,", "this... What a monster... He has done something despicable. > > > A", "But sometimes we briefly hesitate in the middle of syntactic units, for example,", "reader more like two broken off sentences instead of one sentence with two", "signified by punctuation: > > I can come if you want. (without pause)", "better used to create unmistakeable pauses in unconventional places: > > I am", "This man, this... What a monster... He has done something despicable. > >", "something despicable. (emphasis, but no pause) > > > This man, this...monster...has done", "some cases. Usually, because we lack a specific symbol for a brief hesitation,", "This man, this monster, has done something despicable. (emphasis, but no pause) >", "He has done something despicable. > > > A full stop has been", "So how can I show* a brief hesitation*, for example surrounding the word", "an emphasis. But that emphasis does not necessarily imply a pause: > >", "example surrounding the word \"boy\" in the following example? > > I was", "we describe it: > > This man, this -- I briefly hesitate --", "example? > > I was expecting the president to be a middle aged", "> A full stop has been better used to create unmistakeable pauses in", "to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than my current", "-- I briefly hesitate -- this monster, has done something despicable. > >", "this monster, has done something despicable. > > > But again, this inserted", "> > I can come if you want. (without pause) > > >", "again, this inserted description is not exactly the same as a brief hesitation.", "come. If you want. (with longer pause) > > > But sometimes we", "> > But the last example shows why using an ellipsis to signify", "(pause, but no emphasis) > > > But the last example shows why", "I can come if you want. (without pause) > > > I can", "pause) > > > But sometimes we briefly hesitate in the middle of", "using an ellipsis to signify a pause may be confusing. A reader, who", "with two pauses: > > This man, this... What a monster... He has", "we lack a specific symbol for a brief hesitation, we describe it: >", "is not exactly the same as a brief hesitation. So how can I", "the last example shows why using an ellipsis to signify a pause may", "hesitation, for example surrounding the word \"boy\" in the following example? > >", "it: > > This man, this -- I briefly hesitate -- this monster,", "of syntactic units, for example, when we hesitate to utter a word that", "> But the last example shows why using an ellipsis to signify a", "> > > But a full stop is too strong a disruption in", "we speak, there are often small pauses between syntactic units such as sentences.", "> > This man, this monster, has done something despicable. (emphasis, but no", "used to create unmistakeable pauses in unconventional places: > > I am going", "> This man, this (pause) monster, has done something despicable. > > >", "utter a word that the listener might find objectionable: > > This man,", "an ellipsis to signify a pause may be confusing. A reader, who does", "this (pause) monster, has done something despicable. > > > We can italicize", "whether I have left out words before and after \"monster\", or if I", "then this (hesitation) boy (hesitation) comes in. > > > --- I have", "> > > But sometimes we briefly hesitate in the middle of syntactic", "(hesitation) comes in. > > > --- I have thought about this problem", "you want. (with brief pause) > > > I can come. If you", "> > But again, this inserted description is not exactly the same as", "too strong a disruption in some cases. Usually, because we lack a specific", "cases. Usually, because we lack a specific symbol for a brief hesitation, we", "off twice, creating two longish pauses. The last example may look to a", "In writing, these pauses are signified by punctuation: > > I can come", "> --- I have thought about this problem in my answer to [a", "despicable. > > > A full stop has been better used to create", "objectionable: > > This man, this (pause) monster, has done something despicable. >", "president to be a middle aged man and then this (hesitation) boy (hesitation)", "that the listener might find objectionable: > > This man, this (pause) monster,", "find objectionable: > > This man, this (pause) monster, has done something despicable.", "creating two longish pauses. The last example may look to a reader more", "such as sentences. In writing, these pauses are signified by punctuation: > >", "have left out words before and after \"monster\", or if I mean that", "sometimes we briefly hesitate in the middle of syntactic units, for example, when", "done something despicable. (pause, but no emphasis) > > > But the last", "to utter a word that the listener might find objectionable: > > This", "> > This man, this (pause) monster, has done something despicable. > >", "broken off sentences instead of one sentence with two pauses: > > This", "> > > But again, this inserted description is not exactly the same", "know what I want to say, may wonder whether I have left out", "A reader, who does not know what I want to say, may wonder", "trailing off twice, creating two longish pauses. The last example may look to", "be a middle aged man and then this (hesitation) boy (hesitation) comes in.", "> I can come, if you want. (with brief pause) > > >", "show* a brief hesitation*, for example surrounding the word \"boy\" in the following", "man, this... What a monster... He has done something despicable. > > >", "-- this monster, has done something despicable. > > > But again, this", "> I can come. If you want. (with longer pause) > > >", "after \"monster\", or if I mean that the speaker is trailing off twice,", "are often small pauses between syntactic units such as sentences. In writing, these", "as sentences. In writing, these pauses are signified by punctuation: > > I", "a pause may be confusing. A reader, who does not know what I", "has done something despicable. > > > A full stop has been better", "but no emphasis) > > > But the last example shows why using", "these pauses are signified by punctuation: > > I can come if you", "expecting the president to be a middle aged man and then this (hesitation)", "(pause) monster, has done something despicable. > > > We can italicize such", "describe it: > > This man, this -- I briefly hesitate -- this", "monster... He has done something despicable. > > > A full stop has", "a monster... He has done something despicable. > > > A full stop", "despicable. (pause, but no emphasis) > > > But the last example shows", "the same as a brief hesitation. So how can I show* a brief", "Go. Home. Now. > > > But a full stop is too strong", "this -- I briefly hesitate -- this monster, has done something despicable. >", "time: Go. Home. Now. > > > But a full stop is too", "I have left out words before and after \"monster\", or if I mean", "may wonder whether I have left out words before and after \"monster\", or", "> > This man, this...monster...has done something despicable. (pause, but no emphasis) >", "have done, to show an emphasis. But that emphasis does not necessarily imply", "The last example may look to a reader more like two broken off", "> > This man, this -- I briefly hesitate -- this monster, has", "but that question itself is broader than my current problem and can be", "say, may wonder whether I have left out words before and after \"monster\",", "unconventional places: > > I am going to tell you one last time:", "> > I am going to tell you one last time: Go. Home.", "brief hesitation*, for example surrounding the word \"boy\" in the following example? >", "> I am going to tell you one last time: Go. Home. Now.", "not necessarily imply a pause: > > This man, this monster, has done", "(with longer pause) > > > But sometimes we briefly hesitate in the", "there are often small pauses between syntactic units such as sentences. In writing,", "last time: Go. Home. Now. > > > But a full stop is", "the following example? > > I was expecting the president to be a", "like two broken off sentences instead of one sentence with two pauses: >", "symbol for a brief hesitation, we describe it: > > This man, this", "word that the listener might find objectionable: > > This man, this (pause)", "We can italicize such a word, as I have done, to show an", "I show* a brief hesitation*, for example surrounding the word \"boy\" in the", "[a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than my current problem", "italicize such a word, as I have done, to show an emphasis. But", "does not know what I want to say, may wonder whether I have", "places: > > I am going to tell you one last time: Go.", "the listener might find objectionable: > > This man, this (pause) monster, has", "something despicable. > > > A full stop has been better used to", "listener might find objectionable: > > This man, this (pause) monster, has done", "middle of syntactic units, for example, when we hesitate to utter a word", "monster, has done something despicable. (emphasis, but no pause) > > > This", "> > We can italicize such a word, as I have done, to", "a reader more like two broken off sentences instead of one sentence with", "we hesitate to utter a word that the listener might find objectionable: >", "a word, as I have done, to show an emphasis. But that emphasis", "is broader than my current problem and can be easily solved through description.", "example, when we hesitate to utter a word that the listener might find", "sentences instead of one sentence with two pauses: > > This man, this...", "(emphasis, but no pause) > > > This man, this...monster...has done something despicable.", "before and after \"monster\", or if I mean that the speaker is trailing", "that the speaker is trailing off twice, creating two longish pauses. The last", "> This man, this... What a monster... He has done something despicable. >", "as a brief hesitation. So how can I show* a brief hesitation, for", "reader, who does not know what I want to say, may wonder whether", "about this problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question", "you want. (without pause) > > > I can come, if you want.", "--- I have thought about this problem in my answer to [a related", "lack a specific symbol for a brief hesitation, we describe it: > >", "this problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself", "done something despicable. > > > But again, this inserted description is not", "have thought about this problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but", "in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader", "inserted description is not exactly the same as a brief hesitation. So how", "comes in. > > > --- I have thought about this problem in", "can italicize such a word, as I have done, to show an emphasis.", "I have thought about this problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation),", "want to say, may wonder whether I have left out words before and", "the middle of syntactic units, for example, when we hesitate to utter a", "might find objectionable: > > This man, this (pause) monster, has done something", "description is not exactly the same as a brief hesitation. So *how can", "> But sometimes we briefly hesitate in the middle of syntactic units, for", "who does not know what I want to say, may wonder whether I", "of one sentence with two pauses: > > This man, this... What a", "can come, if you want. (with brief pause) > > > I can", "be confusing. A reader, who does not know what I want to say,", "has done something despicable. (emphasis, but no pause) > > > This man,", "my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than", "emphasis) > > > But the last example shows why using an ellipsis", "This man, this (pause) monster, has done something despicable. > > > We", "a brief hesitation, we describe it: > > This man, this -- I", "hesitation, we describe it: > > This man, this -- I briefly hesitate", "in unconventional places: > > I am going to tell you one last", "to signify a pause may be confusing. A reader, who does not know", "word, as I have done, to show an emphasis. But that emphasis does", "to say, may wonder whether I have left out words before and after", "by punctuation: > > I can come if you want. (without pause) >", "wonder whether I have left out words before and after \"monster\", or if", "between syntactic units such as sentences. In writing, these pauses are signified by", "that emphasis does not necessarily imply a pause: > > This man, this", "Home. Now. > > > But a full stop is too strong a", "(with brief pause) > > > I can come. If you want. (with", "pause) > > > This man, this...monster...has done something despicable. (pause, but no", "pauses between syntactic units such as sentences. In writing, these pauses are signified", "Now. > > > But a full stop is too strong a disruption", "you want. (with longer pause) > > > But sometimes we briefly hesitate", "thought about this problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that", "I mean that the speaker is trailing off twice, creating two longish pauses.", "can come. If you want. (with longer pause) > > > But sometimes", "related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than my current problem and", "for example surrounding the word \"boy\" in the following example? > > I", "emphasis does not necessarily imply a pause: > > This man, this monster,", "in. > > > --- I have thought about this problem in my", "> This man, this monster, has done something despicable. (emphasis, but no pause)", "the word \"boy\" in the following example? > > I was expecting the", "> > I was expecting the president to be a middle aged man", "and then this (hesitation) boy (hesitation) comes in. > > > --- I", "in some cases. Usually, because we lack a specific symbol for a brief", "stop has been better used to create unmistakeable pauses in unconventional places: >", "> I was expecting the president to be a middle aged man and", "such a word, as I have done, to show an emphasis. But that", "how can I show* a brief hesitation*, for example surrounding the word \"boy\"", "or if I mean that the speaker is trailing off twice, creating two", "done something despicable. (emphasis, but no pause) > > > This man, this...monster...has", "problem in my answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is", "this monster, has done something despicable. (emphasis, but no pause) > > >", "answer to [a related question](https://writers.stackexchange.com/questions/25531/showing-a-brief-hesitation), but that question itself is broader than my", "more like two broken off sentences instead of one sentence with two pauses:", "pauses: > > This man, this... What a monster... He has done something", "> > > I can come, if you want. (with brief pause) >", "pauses are signified by punctuation: > > I can come if you want.", "hesitate to utter a word that the listener might find objectionable: > >", "done, to show an emphasis. But that emphasis does not necessarily imply a", "same as a brief hesitation. So how can I show* a brief hesitation*,", "man, this...monster...has done something despicable. (pause, but no emphasis) > > > But", "you one last time: Go. Home. Now. > > > But a full", "\"boy\" in the following example? > > I was expecting the president to", "full stop is too strong a disruption in some cases. Usually, because we", "the president to be a middle aged man and then this (hesitation) boy", "But again, this inserted description is not exactly the same as a brief", "two broken off sentences instead of one sentence with two pauses: > >", "can I show* a brief hesitation, for example surrounding the word \"boy\" in", "a specific symbol for a brief hesitation, we describe it: > > This", "> > A full stop has been better used to create unmistakeable pauses", "pause may be confusing. A reader, who does not know what I want", "pause) > > > I can come. If you want. (with longer pause)", "despicable. > > > But again, this inserted description is not exactly the", "may be confusing. A reader, who does not know what I want to", "is trailing off twice, creating two longish pauses. The last example may look", "surrounding the word \"boy\" in the following example? > > I was expecting", "I have done, to show an emphasis. But that emphasis does not necessarily", "out words before and after \"monster\", or if I mean that the speaker", "a brief hesitation, for example surrounding the word \"boy\" in the following example?", "sentence with two pauses: > > This man, this... What a monster... He", "can come if you want. (without pause) > > > I can come,", "to create unmistakeable pauses in unconventional places: > > I am going to", "something despicable. > > > But again, this inserted description is not exactly", "strong a disruption in some cases. Usually, because we lack a specific symbol", "last example may look to a reader more like two broken off sentences", "> > > --- I have thought about this problem in my answer", "despicable. > > > We can italicize such a word, as I have", "come if you want. (without pause) > > > I can come, if", "a middle aged man and then this (hesitation) boy (hesitation) comes in. >", "pause: > > This man, this monster, has done something despicable. (emphasis, but", "emphasis. But that emphasis does not necessarily imply a pause: > > This", "full stop has been better used to create unmistakeable pauses in unconventional places:", "words before and after \"monster\", or if I mean that the speaker is", "that question itself is broader than my current problem and can be easily", "hesitation. So *how can I show* a brief hesitation*, for example surrounding the", "if I mean that the speaker is trailing off twice, creating two longish", "example shows why using an ellipsis to signify a pause may be confusing.", "But that emphasis does not necessarily imply a pause: > > This man,", "I briefly hesitate -- this monster, has done something despicable. > > >", "this (hesitation) boy (hesitation) comes in. > > > --- I have thought", "one last time: Go. Home. Now. > > > But a full stop", "confusing. A reader, who does not know what I want to say, may", "show an emphasis. But that emphasis does not necessarily imply a pause: >", "a brief hesitation. So how can I show* a brief hesitation*, for example", "stop is too strong a disruption in some cases. Usually, because we lack", "for a brief hesitation, we describe it: > > This man, this --", "to a reader more like two broken off sentences instead of one sentence", "the speaker is trailing off twice, creating two longish pauses. The last example", "twice, creating two longish pauses. The last example may look to a reader", "> We can italicize such a word, as I have done, to show", "pause) > > > I can come, if you want. (with brief pause)", "> > > We can italicize such a word, as I have done,", "man, this monster*, has done something despicable. (emphasis, but no pause) > >", "am going to tell you one last time: Go. Home. Now. > >", "unmistakeable pauses in unconventional places: > > I am going to tell you", "What a monster... He has done something despicable. > > > A full", "if you want. (with brief pause) > > > I can come. If", "signify a pause may be confusing. A reader, who does not know what" ]
[ "A rare > sight. Especially between old couples. Most of the time, the", "> had to ask him why. > > > As you can see,", "(this is a first draft so there might be errors): > > Turn", "looking at me as often after seven years of relationship, I > had", "people are squinting at their phones, glancing around the table, like > strangers", "at their phones, glancing around the table, like > strangers forced to stick", "about Keduo and enters to a more general topic.) Is this a bad", "a more general topic.) Is this a bad idea? Does it make the", "from the first paragraph. (It stops talking about Keduo and enters to a", "you can see, the bolded section slightly diverts from the first paragraph. (It", "can see, the bolded section slightly diverts from the first paragraph. (It stops", "their phones, glancing around the table, like > strangers forced to stick together.", "> So when Keduo kept looking at me as often after seven years", "I slept, right the second I woke up. A rare > sight. Especially", "the table, like > strangers forced to stick together. You'd think rejection can", "slightly diverts from the first paragraph. (It stops talking about Keduo and enters", "after seven years of relationship, I > had to ask him why. >", "is a first draft so there might be errors): > > Turn for", "time, the two > people are squinting at their phones, glancing around the", "ask him why. > > > As you can see, the bolded section", "but I don't eat > them immediately. I look at them looking back", "> > > As you can see, the bolded section slightly diverts from", "> As you can see, the bolded section slightly diverts from the first", "forced to stick together. You'd think rejection can only > occur before a", "> sight. Especially between old couples. Most of the time, the two >", "> people are squinting at their phones, glancing around the table, like >", "paragraph. (It stops talking about Keduo and enters to a more general topic.)", "can only > occur before a relationship. Not necessarily. > > > So", "me. Like they always > did. When I ate, when I slept, right", "a relationship. Not necessarily. > > > So when Keduo kept looking at", "So when Keduo kept looking at me as often after seven years of", "from my own writing (this is a first draft so there might be", "Especially between old couples. Most of the time, the two > people are", "strangers forced to stick together. You'd think rejection can only > occur before", "topic.) Is this a bad idea? Does it make the writing look messy/disorganized?", "talking about Keduo and enters to a more general topic.) Is this a", "the two > people are squinting at their phones, glancing around the table,", "I ate, when I slept, right the second I woke up. A rare", "Keduo and enters to a more general topic.) Is this a bad idea?", "rejection can only > occur before a relationship. Not necessarily. > > >", "> > So when Keduo kept looking at me as often after seven", "to the table, but I don't eat > them immediately. I look at", "Keduo kept looking at me as often after seven years of relationship, I", "(It stops talking about Keduo and enters to a more general topic.) Is", "right the second I woke up. A rare > sight. Especially between old", "the table, but I don't eat > them immediately. I look at them", "like > strangers forced to stick together. You'd think rejection can only >", "own writing (this is a first draft so there might be errors): >", "> > As you can see, the bolded section slightly diverts from the", "had to ask him why. > > > As you can see, the", "and enters to a more general topic.) Is this a bad idea? Does", "two > people are squinting at their phones, glancing around the table, like", "I don't eat > them immediately. I look at them looking back at", "before a relationship. Not necessarily. > > > So when Keduo kept looking", "first draft so there might be errors): > > Turn for Keduo's eyeballs.", "> Turn for Keduo's eyeballs. I take them to the table, but I", "sight. Especially between old couples. Most of the time, the two > people", "eat > them immediately. I look at them looking back at me. Like", "looking back at me. Like they always > did. When I ate, when", "an example from my own writing (this is a first draft so there", "always > did. When I ate, when I slept, right the second I", "to ask him why. > > > As you can see, the bolded", "old couples. Most of the time, the two > people are squinting at", "might be errors): > > Turn for Keduo's eyeballs. I take them to", "Not necessarily. > > > So when Keduo kept looking at me as", "when Keduo kept looking at me as often after seven years of relationship,", "slept, right the second I woke up. A rare > sight. Especially between", "look at them looking back at me. Like they always > did. When", "bolded section slightly diverts from the first paragraph. (It stops talking about Keduo", "the second I woke up. A rare > sight. Especially between old couples.", "back at me. Like they always > did. When I ate, when I", "years of relationship, I > had to ask him why. > > >", "don't eat > them immediately. I look at them looking back at me.", "couples. Most of the time, the two > people are squinting at their", "kept looking at me as often after seven years of relationship, I >", "writing (this is a first draft so there might be errors): > >", "me as often after seven years of relationship, I > had to ask", "see, the bolded section slightly diverts from the first paragraph. (It stops talking", "I take them to the table, but I don't eat > them immediately.", "You'd think rejection can only > occur before a relationship. Not necessarily. >", "for Keduo's eyeballs. I take them to the table, but I don't eat", "> occur before a relationship. Not necessarily. > > > So when Keduo", "the first paragraph. (It stops talking about Keduo and enters to a more", "general topic.) Is this a bad idea? Does it make the writing look", "as often after seven years of relationship, I > had to ask him", "section slightly diverts from the first paragraph. (It stops talking about Keduo and", "them to the table, but I don't eat > them immediately. I look", "> > Turn for Keduo's eyeballs. I take them to the table, but", "when I slept, right the second I woke up. A rare > sight.", "eyeballs. I take them to the table, but I don't eat > them", "at me. Like they always > did. When I ate, when I slept,", "think rejection can only > occur before a relationship. Not necessarily. > >", "rare > sight. Especially between old couples. Most of the time, the two", "they always > did. When I ate, when I slept, right the second", "be errors): > > Turn for Keduo's eyeballs. I take them to the", "of relationship, I > had to ask him why. > > > As", "> them immediately. I look at them looking back at me. Like they", "example from my own writing (this is a first draft so there might", "Here's an example from my own writing (this is a first draft so", "table, but I don't eat > them immediately. I look at them looking", "are squinting at their phones, glancing around the table, like > strangers forced", "relationship. Not necessarily. > > > So when Keduo kept looking at me", "stick together. You'd think rejection can only > occur before a relationship. Not", "around the table, like > strangers forced to stick together. You'd think rejection", "my own writing (this is a first draft so there might be errors):", "I look at them looking back at me. Like they always > did.", "why. > > > As you can see, the bolded section slightly diverts", "squinting at their phones, glancing around the table, like > strangers forced to", "the bolded section slightly diverts from the first paragraph. (It stops talking about", "seven years of relationship, I > had to ask him why. > >", "to stick together. You'd think rejection can only > occur before a relationship.", "draft so there might be errors): > > Turn for Keduo's eyeballs. I", "at me as often after seven years of relationship, I > had to", "Like they always > did. When I ate, when I slept, right the", "to a more general topic.) Is this a bad idea? Does it make", "errors): > > Turn for Keduo's eyeballs. I take them to the table,", "When I ate, when I slept, right the second I woke up. A", "woke up. A rare > sight. Especially between old couples. Most of the", "As you can see, the bolded section slightly diverts from the first paragraph.", "only > occur before a relationship. Not necessarily. > > > So when", "> > > So when Keduo kept looking at me as often after", "of the time, the two > people are squinting at their phones, glancing", "stops talking about Keduo and enters to a more general topic.) Is this", "at them looking back at me. Like they always > did. When I", "together. You'd think rejection can only > occur before a relationship. Not necessarily.", "him why. > > > As you can see, the bolded section slightly", "more general topic.) Is this a bad idea? Does it make the writing", "often after seven years of relationship, I > had to ask him why.", "there might be errors): > > Turn for Keduo's eyeballs. I take them", "Turn for Keduo's eyeballs. I take them to the table, but I don't", "Keduo's eyeballs. I take them to the table, but I don't eat >", "> did. When I ate, when I slept, right the second I woke", "table, like > strangers forced to stick together. You'd think rejection can only", "necessarily. > > > So when Keduo kept looking at me as often", "the time, the two > people are squinting at their phones, glancing around", "relationship, I > had to ask him why. > > > As you", "Most of the time, the two > people are squinting at their phones,", "phones, glancing around the table, like > strangers forced to stick together. You'd", "ate, when I slept, right the second I woke up. A rare >", "enters to a more general topic.) Is this a bad idea? Does it", "take them to the table, but I don't eat > them immediately. I", "them immediately. I look at them looking back at me. Like they always", "immediately. I look at them looking back at me. Like they always >", "occur before a relationship. Not necessarily. > > > So when Keduo kept", "did. When I ate, when I slept, right the second I woke up.", "so there might be errors): > > Turn for Keduo's eyeballs. I take", "them looking back at me. Like they always > did. When I ate,", "I woke up. A rare > sight. Especially between old couples. Most of", "diverts from the first paragraph. (It stops talking about Keduo and enters to", "glancing around the table, like > strangers forced to stick together. You'd think", "> strangers forced to stick together. You'd think rejection can only > occur", "I > had to ask him why. > > > As you can", "up. A rare > sight. Especially between old couples. Most of the time,", "a first draft so there might be errors): > > Turn for Keduo's", "second I woke up. A rare > sight. Especially between old couples. Most", "first paragraph. (It stops talking about Keduo and enters to a more general", "between old couples. Most of the time, the two > people are squinting" ]
[ "quite a trick to explain that. Some considerations: * I do not plan", "here, so here I am. I don’t even know if the word “alien”", "produces a frightening and powerful screech is as common for them as a", "say “wolf” and every reader will know what he’s talking about. Maybe if", "talking about. Maybe if there are fantastical creatures alongside common animals he can", "describe them, but them only, and it will not bore the reader. Now,", "plan to go berserk. The fictional plants/animals will most likely follow the structure", "without sounding forcibly expositional? Maybe this won’t work as a book after all?", "a fantasy writer who uses Earth flora/fauna can just say “wolf” and every", "the plants/animals without being boring. Think: a fantasy writer who uses Earth flora/fauna", "how can I describe the plants and animals unique to the world I", "writer who uses Earth flora/fauna can just say “wolf” and every reader will", "Movies and games have it way easier since they can simply show and", "society values, religion and symbology are deeply connected to animals. It’ll be quite", "describe it to the reader in the eyes of the character without sounding", "fantasy writer who uses Earth flora/fauna can just say “wolf” and every reader", "* This is not a story of Earth humans interacting with an alien", "common for them as a cow is for us. There is no way", "advised on Worldbuilding’s Sandbox to post here, so here I am. I don’t", "biology in the sense that they will be divided into trees, grasses, reptiles,", "creature who produces a frightening and powerful screech is as common for them", "I do not plan to go berserk. The fictional plants/animals will most likely", "be described. * This is not a story of Earth humans interacting with", "here because to the eyes of the characters, those animals and plants won’t", "considerations: * I do not plan to go berserk. The fictional plants/animals will", "creatures alongside common animals he can describe them, but them only, and it", "Earth biology in the sense that they will be divided into trees, grasses,", "eyes of the character without sounding too expositional. There are people who can", "is as common for them as a cow is for us. There is", "write a biology book. Only the animals and plants important to the story", "can shapeshift into animals in the story. Their entire society values, religion and", "what the animal I need to describe is. After all, the flying scaled", "likely follow the structure of Earth biology in the sense that they will", "all, the flying scaled green creature who produces a frightening and powerful screech", "all that in mind, how can I describe the plants and animals unique", "I won’t write a biology book. Only the animals and plants important to", "as a cow is for us. There is no way to describe it", "about creating an unique flora/fauna for the world I designed, but can’t find", "be alien at all. I’m thinking about creating an unique flora/fauna for the", "fictional plants/animals will most likely follow the structure of Earth biology in the", "Some considerations: * I do not plan to go berserk. The fictional plants/animals", "animals he can describe them, but them only, and it will not bore", "here I am. 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Think: a fantasy writer who uses Earth flora/fauna can", "world. The story is set on the fictional world and narrated in the", "mind, how can I describe the plants and animals unique to the world", "since they can simply show and not tell. With all that in mind,", "of the character without sounding too expositional. There are people who can shapeshift", "what he’s talking about. Maybe if there are fantastical creatures alongside common animals", "the animal I need to describe is. After all, the flying scaled green", "story will be described. * This is not a story of Earth humans", "There is no way to describe it to the reader in the eyes", "describe is. After all, the flying scaled green creature who produces a frightening", "a biology book. Only the animals and plants important to the story will", "who can shapeshift into animals in the story. Their entire society values, religion", "bore the reader. Now, think about creating everything from scratch. The people of", "without being boring. Think: a fantasy writer who uses Earth flora/fauna can just", "need to describe is. After all, the flying scaled green creature who produces", "and not tell. With all that in mind, how can I describe the", "creating an unique flora/fauna for the world I designed, but can’t find a", "from scratch. The people of my world know what the animal I need", "structure of Earth biology in the sense that they will be divided into", "alien at all. I’m thinking about creating an unique flora/fauna for the world", "of the characters, those animals and plants won’t be alien at all. I’m", "a cow is for us. There is no way to describe it to", "plants important to the story will be described. * This is not a", "am. I don’t even know if the word “alien” applies here because to", "to describe it to the reader in the eyes of the character without", "in the eyes of the character without sounding too expositional. There are people", "to the world I created without sounding forcibly expositional? Maybe this won’t work", "without sounding too expositional. There are people who can shapeshift into animals in", "story is set on the fictional world and narrated in the eyes of", "will most likely follow the structure of Earth biology in the sense that", "the character without sounding too expositional. There are people who can shapeshift into", "The fictional plants/animals will most likely follow the structure of Earth biology in", "shapeshift into animals in the story. Their entire society values, religion and symbology", "go berserk. The fictional plants/animals will most likely follow the structure of Earth", "are deeply connected to animals. It’ll be quite a trick to explain that.", "trees, grasses, reptiles, mammals, etc. * I won’t write a biology book. Only", "who produces a frightening and powerful screech is as common for them as", "into trees, grasses, reptiles, mammals, etc. * I won’t write a biology book.", "the reader. Now, think about creating everything from scratch. The people of my", "divided into trees, grasses, reptiles, mammals, etc. * I won’t write a biology", "will be described. * This is not a story of Earth humans interacting", "know if the word “alien” applies here because to the eyes of the", "entire society values, religion and symbology are deeply connected to animals. It’ll be", "There are people who can shapeshift into animals in the story. Their entire", "and every reader will know what he’s talking about. Maybe if there are", "I describe the plants and animals unique to the world I created without", "for us. There is no way to describe it to the reader in", "of my world know what the animal I need to describe is. After", "I created without sounding forcibly expositional? Maybe this won’t work as a book", "in the eyes of that world’s natives. Movies and games have it way", "berserk. The fictional plants/animals will most likely follow the structure of Earth biology", "unique to the world I created without sounding forcibly expositional? Maybe this won’t", "that. Some considerations: * I do not plan to go berserk. The fictional", "fictional world and narrated in the eyes of that world’s natives. Movies and", "won’t write a biology book. Only the animals and plants important to the", "trick to explain that. Some considerations: * I do not plan to go", "the characters, those animals and plants won’t be alien at all. I’m thinking", "animals and plants important to the story will be described. * This is", "world’s natives. Movies and games have it way easier since they can simply", "easier since they can simply show and not tell. With all that in", "With all that in mind, how can I describe the plants and animals", "and it will not bore the reader. Now, think about creating everything from", "will know what he’s talking about. Maybe if there are fantastical creatures alongside", "can just say “wolf” and every reader will know what he’s talking about.", "he’s talking about. Maybe if there are fantastical creatures alongside common animals he", "if there are fantastical creatures alongside common animals he can describe them, but", "mammals, etc. * I won’t write a biology book. Only the animals and", "to the story will be described. * This is not a story of", "screech is as common for them as a cow is for us. There", "describe the plants and animals unique to the world I created without sounding", "the story. Their entire society values, religion and symbology are deeply connected to", "Worldbuilding’s Sandbox to post here, so here I am. I don’t even know", "I need to describe is. After all, the flying scaled green creature who", "“alien” applies here because to the eyes of the characters, those animals and", "an unique flora/fauna for the world I designed, but can’t find a way", "reader. Now, think about creating everything from scratch. The people of my world", "it way easier since they can simply show and not tell. With all", "connected to animals. It’ll be quite a trick to explain that. Some considerations:", "that in mind, how can I describe the plants and animals unique to", "Earth flora/fauna can just say “wolf” and every reader will know what he’s", "can simply show and not tell. With all that in mind, how can", "of that world’s natives. Movies and games have it way easier since they", "the story will be described. * This is not a story of Earth", "I am. I don’t even know if the word “alien” applies here because", "and narrated in the eyes of that world’s natives. Movies and games have", "who uses Earth flora/fauna can just say “wolf” and every reader will know", "into animals in the story. Their entire society values, religion and symbology are", "to animals. It’ll be quite a trick to explain that. Some considerations: ", "I’m thinking about creating an unique flora/fauna for the world I designed, but", "the structure of Earth biology in the sense that they will be divided", "everything from scratch. The people of my world know what the animal I", "and plants won’t be alien at all. I’m thinking about creating an unique", "scaled green creature who produces a frightening and powerful screech is as common", "The people of my world know what the animal I need to describe", "can describe them, but them only, and it will not bore the reader.", "story of Earth humans interacting with an alien world. The story is set", "alien world. The story is set on the fictional world and narrated in", "it will not bore the reader. Now, think about creating everything from scratch.", "reptiles, mammals, etc. I won’t write a biology book. Only the animals", "them as a cow is for us. There is no way to describe", "my world know what the animal I need to describe is. After all,", "to describe is. After all, the flying scaled green creature who produces a", "will not bore the reader. Now, think about creating everything from scratch. The", "know what he’s talking about. Maybe if there are fantastical creatures alongside common", "Sandbox to post here, so here I am. I don’t even know if" ]
[ "to me it seems a bit boring to use the same style of", "not. But to me it seems a bit boring to use the same", "I generally mention eye and hair color, physical build and maybe if they", "What are some other various ways of describing new characters without giving too", "maybe if they have facial hair or not. But to me it seems", "the looks of a new character presented in a story? I generally mention", "time. What are some other various ways of describing new characters without giving", "to use the same style of description each time. What are some other", "looks of a new character presented in a story? I generally mention eye", "the same style of description each time. What are some other various ways", "describe the looks of a new character presented in a story? I generally", "some other various ways of describing new characters without giving too much detail", "build and maybe if they have facial hair or not. But to me", "eye and hair color, physical build and maybe if they have facial hair", "bit boring to use the same style of description each time. What are", "But to me it seems a bit boring to use the same style", "hair color, physical build and maybe if they have facial hair or not.", "use the same style of description each time. What are some other various", "other various ways of describing new characters without giving too much detail that", "good ways to describe the looks of a new character presented in a", "that the reader may lose track of what is going on in the", "giving too much detail that the reader may lose track of what is", "the reader may lose track of what is going on in the story?", "facial hair or not. But to me it seems a bit boring to", "detail that the reader may lose track of what is going on in", "physical build and maybe if they have facial hair or not. But to", "description each time. What are some other various ways of describing new characters", "or not. But to me it seems a bit boring to use the", "much detail that the reader may lose track of what is going on", "hair or not. But to me it seems a bit boring to use", "new character presented in a story? I generally mention eye and hair color,", "character presented in a story? I generally mention eye and hair color, physical", "of description each time. What are some other various ways of describing new", "ways to describe the looks of a new character presented in a story?", "each time. What are some other various ways of describing new characters without", "they have facial hair or not. But to me it seems a bit", "of describing new characters without giving too much detail that the reader may", "without giving too much detail that the reader may lose track of what", "same style of description each time. What are some other various ways of", "some good ways to describe the looks of a new character presented in", "and hair color, physical build and maybe if they have facial hair or", "What are some good ways to describe the looks of a new character", "to describe the looks of a new character presented in a story? I", "in a story? I generally mention eye and hair color, physical build and", "have facial hair or not. But to me it seems a bit boring", "me it seems a bit boring to use the same style of description", "seems a bit boring to use the same style of description each time.", "color, physical build and maybe if they have facial hair or not. But", "boring to use the same style of description each time. What are some", "style of description each time. What are some other various ways of describing", "are some other various ways of describing new characters without giving too much", "story? I generally mention eye and hair color, physical build and maybe if", "ways of describing new characters without giving too much detail that the reader", "characters without giving too much detail that the reader may lose track of", "too much detail that the reader may lose track of what is going", "describing new characters without giving too much detail that the reader may lose", "are some good ways to describe the looks of a new character presented", "mention eye and hair color, physical build and maybe if they have facial", "and maybe if they have facial hair or not. But to me it", "a story? I generally mention eye and hair color, physical build and maybe", "a bit boring to use the same style of description each time. What", "a new character presented in a story? I generally mention eye and hair", "various ways of describing new characters without giving too much detail that the", "it seems a bit boring to use the same style of description each", "if they have facial hair or not. But to me it seems a", "of a new character presented in a story? I generally mention eye and", "new characters without giving too much detail that the reader may lose track", "generally mention eye and hair color, physical build and maybe if they have", "presented in a story? I generally mention eye and hair color, physical build" ]
[ "I still want to keep his cockiness there as I'm writing his thoughts.", "arrogant and over confident, but is actually a good guy. It's been hard", "hard for me to look inside the mind of a player. I don't", "actually a good guy. It's been hard for me to look inside the", "a story that alternates perspectives between the hero and heroine every other chapter.", "chapters, but I have been trouble writing for the hero's perspective. The hero", "is actually a good guy. It's been hard for me to look inside", "young, wealthy business owner who has had his fair share of women and", "the hero's perspective. The hero is a young, wealthy business owner who has", "still want to keep his cockiness there as I'm writing his thoughts. What", "trouble writing for the hero's perspective. The hero is a young, wealthy business", "his fair share of women and comes off as arrogant and over confident,", "an antagonist but I still want to keep his cockiness there as I'm", "mind of a player. I don't want to make him seem like an", "comes off as arrogant and over confident, but is actually a good guy.", "the heroine's chapters, but I have been trouble writing for the hero's perspective.", "work done with the heroine's chapters, but I have been trouble writing for", "alternates perspectives between the hero and heroine every other chapter. I have gotten", "perspectives between the hero and heroine every other chapter. I have gotten a", "a player. I don't want to make him seem like an antagonist but", "hero is a young, wealthy business owner who has had his fair share", "confident, but is actually a good guy. It's been hard for me to", "who has had his fair share of women and comes off as arrogant", "business owner who has had his fair share of women and comes off", "cockiness there as I'm writing his thoughts. What are some ways to convey", "to make him seem like an antagonist but I still want to keep", "writing his thoughts. What are some ways to convey his personality through his", "and comes off as arrogant and over confident, but is actually a good", "of women and comes off as arrogant and over confident, but is actually", "but I have been trouble writing for the hero's perspective. The hero is", "as arrogant and over confident, but is actually a good guy. It's been", "hero and heroine every other chapter. I have gotten a lot of work", "other chapter. I have gotten a lot of work done with the heroine's", "inside the mind of a player. I don't want to make him seem", "with the heroine's chapters, but I have been trouble writing for the hero's", "good guy. It's been hard for me to look inside the mind of", "guy. It's been hard for me to look inside the mind of a", "I'm writing his thoughts. What are some ways to convey his personality through", "the hero and heroine every other chapter. I have gotten a lot of", "gotten a lot of work done with the heroine's chapters, but I have", "is a young, wealthy business owner who has had his fair share of", "been trouble writing for the hero's perspective. The hero is a young, wealthy", "off as arrogant and over confident, but is actually a good guy. It's", "am currently writing a story that alternates perspectives between the hero and heroine", "to look inside the mind of a player. I don't want to make", "I have gotten a lot of work done with the heroine's chapters, but", "lot of work done with the heroine's chapters, but I have been trouble", "don't want to make him seem like an antagonist but I still want", "keep his cockiness there as I'm writing his thoughts. What are some ways", "heroine's chapters, but I have been trouble writing for the hero's perspective. The", "have been trouble writing for the hero's perspective. The hero is a young,", "the mind of a player. I don't want to make him seem like", "writing a story that alternates perspectives between the hero and heroine every other", "a lot of work done with the heroine's chapters, but I have been", "like an antagonist but I still want to keep his cockiness there as", "writing for the hero's perspective. The hero is a young, wealthy business owner", "share of women and comes off as arrogant and over confident, but is", "player. I don't want to make him seem like an antagonist but I", "owner who has had his fair share of women and comes off as", "What are some ways to convey his personality through his thoughts? Thank you!", "seem like an antagonist but I still want to keep his cockiness there", "for the hero's perspective. The hero is a young, wealthy business owner who", "I have been trouble writing for the hero's perspective. The hero is a", "It's been hard for me to look inside the mind of a player.", "wealthy business owner who has had his fair share of women and comes", "and over confident, but is actually a good guy. It's been hard for", "I don't want to make him seem like an antagonist but I still", "between the hero and heroine every other chapter. I have gotten a lot", "story that alternates perspectives between the hero and heroine every other chapter. I", "look inside the mind of a player. I don't want to make him", "had his fair share of women and comes off as arrogant and over", "has had his fair share of women and comes off as arrogant and", "want to make him seem like an antagonist but I still want to", "that alternates perspectives between the hero and heroine every other chapter. I have", "there as I'm writing his thoughts. What are some ways to convey his", "every other chapter. I have gotten a lot of work done with the", "The hero is a young, wealthy business owner who has had his fair", "been hard for me to look inside the mind of a player. I", "fair share of women and comes off as arrogant and over confident, but", "him seem like an antagonist but I still want to keep his cockiness", "antagonist but I still want to keep his cockiness there as I'm writing", "as I'm writing his thoughts. What are some ways to convey his personality", "of a player. I don't want to make him seem like an antagonist", "women and comes off as arrogant and over confident, but is actually a", "make him seem like an antagonist but I still want to keep his", "me to look inside the mind of a player. I don't want to", "his thoughts. What are some ways to convey his personality through his thoughts?", "but I still want to keep his cockiness there as I'm writing his", "done with the heroine's chapters, but I have been trouble writing for the", "chapter. I have gotten a lot of work done with the heroine's chapters,", "want to keep his cockiness there as I'm writing his thoughts. What are", "hero's perspective. The hero is a young, wealthy business owner who has had", "have gotten a lot of work done with the heroine's chapters, but I", "a good guy. It's been hard for me to look inside the mind", "thoughts. What are some ways to convey his personality through his thoughts? Thank", "and heroine every other chapter. I have gotten a lot of work done", "of work done with the heroine's chapters, but I have been trouble writing", "I am currently writing a story that alternates perspectives between the hero and", "but is actually a good guy. It's been hard for me to look", "his cockiness there as I'm writing his thoughts. What are some ways to", "heroine every other chapter. I have gotten a lot of work done with", "a young, wealthy business owner who has had his fair share of women", "currently writing a story that alternates perspectives between the hero and heroine every", "for me to look inside the mind of a player. I don't want", "perspective. The hero is a young, wealthy business owner who has had his", "to keep his cockiness there as I'm writing his thoughts. What are some", "over confident, but is actually a good guy. It's been hard for me" ]
[ "is necessary for the future of the plot, may it be in the", "over a period of time, in a novel? For example, how would you", "skims over a period of time but has scattered pieces of important information", "a village to raise funds - and during this period, he sees injustices", "just an acceleration in time that would be too tedious to explain in", "of the plot, may it be in the form of a work montage,", "period of time, in a novel? For example, how would you write a", "short chapters only a few paragraphs long in a sort of diary format,", "a period of time but has scattered pieces of important information that is", "a novel? For example, how would you write a piece of fiction that", "a short sequence of events that take place over a period of time,", "a few paragraphs long in a sort of diary format, however I don't", "montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in this", "would you write a piece of fiction that skims over a period of", "a piece of fiction that skims over a period of time but has", "of a work montage, training montage, or just an acceleration in time that", "to string these in, as I don't want to include tedious events such", "include tedious events such as him going around helping out with farming, learning", "including short chapters only a few paragraphs long in a sort of diary", "I've been considering including short chapters only a few paragraphs long in a", "write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in", "Are there any specific techniques that you can use to write a montage,", "general. The question I wish to ask is; Are there any specific techniques", "that would be too tedious to explain in detail due to repetition, but", "in a novel? For example, how would you write a piece of fiction", "I don't want to include tedious events such as him going around helping", "the one asked in ['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however,", "etc. How would I be able to string these in, as I don't", "How would I be able to string these in, as I don't want", "of events that take place over a period of time, in a novel?", "write a montage, or a short sequence of events that take place over", "events that take place over a period of time, in a novel? For", "elaborate more on my specific issue; one of my characters is residing in", "format, however I don't feel as if this would fit the third person", "extortion of taxes, bullying by more powerful beings, etc. How would I be", "fiction that skims over a period of time but has scattered pieces of", "significant events that occur that are out of place? Edit: To elaborate more", "to hunt, etc.? I've been considering including short chapters only a few paragraphs", "long in a sort of diary format, however I don't feel as if", "similar question as the one asked in ['How to write montages in prose?", "novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in this and it is far", "pieces of important information that is necessary for the future of the plot,", "place? Edit: To elaborate more on my specific issue; one of my characters", "on my specific issue; one of my characters is residing in a village", "would be too tedious to explain in detail due to repetition, but still", "time that would be too tedious to explain in detail due to repetition,", "in detail due to repetition, but still have significant events that occur that", "you can use to write a montage, or a short sequence of events", "in a sort of diary format, however I don't feel as if this", "question I wish to ask is; Are there any specific techniques that you", "sees injustices performed on villagers such as unfair extortion of taxes, bullying by", "necessary for the future of the plot, may it be in the form", "The question I wish to ask is; Are there any specific techniques that", "For example, how would you write a piece of fiction that skims over", "as the one asked in ['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel)", "important information that is necessary for the future of the plot, may it", "are out of place? Edit: To elaborate more on my specific issue; one", "in time that would be too tedious to explain in detail due to", "to raise funds - and during this period, he sees injustices performed on", "one of my characters is residing in a village to raise funds -", "by more powerful beings, etc. How would I be able to string these", "in the form of a work montage, training montage, or just an acceleration", "tedious to explain in detail due to repetition, but still have significant events", "is residing in a village to raise funds - and during this period,", "is far too general. The question I wish to ask is; Are there", "the future of the plot, may it be in the form of a", "place over a period of time, in a novel?* For example, how would", "there has been no answer in this and it is far too general.", "to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer", "out of place? Edit: To elaborate more on my specific issue; one of", "ask is; Are there any specific techniques that you can use to write", "powerful beings, etc. How would I be able to string these in, as", "of time, in a novel? For example, how would you write a piece", "plot, may it be in the form of a work montage, training montage,", "has been no answer in this and it is far too general. The", "residing in a village to raise funds - and during this period, he", "I wish to ask is; *Are there any specific techniques that you can", "To elaborate more on my specific issue; one of my characters is residing", "you write a piece of fiction that skims over a period of time", "my specific issue; one of my characters is residing in a village to", "that skims over a period of time but has scattered pieces of important", "this period, he sees injustices performed on villagers such as unfair extortion of", "- and during this period, he sees injustices performed on villagers such as", "only a few paragraphs long in a sort of diary format, however I", "be in the form of a work montage, training montage, or just an", "any specific techniques that you can use to write a montage, or a", "few paragraphs long in a sort of diary format, however I don't feel", "chapters only a few paragraphs long in a sort of diary format, however", "still have significant events that occur* that are out of place? Edit: To", "however I don't feel as if this would fit the third person style", "as unfair extortion of taxes, bullying by more powerful beings, etc. How would", "of taxes, bullying by more powerful beings, etc. How would I be able", "village to raise funds - and during this period, he sees injustices performed", "that is necessary for the future of the plot, may it be in", "the plot, may it be in the form of a work montage, training", "be too tedious to explain in detail due to repetition, but still have", "of my characters is residing in a village to raise funds - and", "more powerful beings, etc. How would I be able to string these in,", "helping out with farming, learning how to hunt, etc.? I've been considering including", "['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no", "information that is necessary for the future of the plot, may it be", "issue; one of my characters is residing in a village to raise funds", "paragraphs long in a sort of diary format, however I don't feel as", "him going around helping out with farming, learning how to hunt, etc.? I've", "period, he sees injustices performed on villagers such as unfair extortion of taxes,", "in, as I don't want to include tedious events such as him going", "this and it is far too general. The question I wish to ask", "a similar question as the one asked in ['How to write montages in", "work montage, training montage, or just an acceleration in time that would be", "to explain in detail due to repetition, but still have significant events that", "novel?* For example, how would you write a piece of fiction that skims", "if this would fit the third person style of writing I'm going for.", "training montage, or just an acceleration in time that would be too tedious", "montage, or just an acceleration in time that would be too tedious to", "such as unfair extortion of taxes, bullying by more powerful beings, etc. How", "montage, or a short sequence of events that take place over a period", "prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in this and it", "to write a montage, or a short sequence of events that take place", "one asked in ['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there", "it is far too general. The question I wish to ask is; *Are", "repetition, but still have significant events that occur* that are out of place?", "villagers such as unfair extortion of taxes, bullying by more powerful beings, etc.", "been considering including short chapters only a few paragraphs long in a sort", "going around helping out with farming, learning how to hunt, etc.? I've been", "sort of diary format, however I don't feel as if this would fit", "events such as him going around helping out with farming, learning how to", "use to write a montage, or a short sequence of events that take", "or a short sequence of events that take place over a period of", "raise funds - and during this period, he sees injustices performed on villagers", "no answer in this and it is far too general. The question I", "learning how to hunt, etc.? I've been considering including short chapters only a", "that you can use to write a montage, or a short sequence of", "of time but has scattered pieces of important information that is necessary for", "in this and it is far too general. The question I wish to", "as him going around helping out with farming, learning how to hunt, etc.?", "farming, learning how to hunt, etc.? I've been considering including short chapters only", "example, how would you write a piece of fiction that skims over a", "time but has scattered pieces of important information that is necessary for the", "but has scattered pieces of important information that is necessary for the future", "diary format, however I don't feel as if this would fit the third", "characters is residing in a village to raise funds - and during this", "etc.? I've been considering including short chapters only a few paragraphs long in", "and during this period, he sees injustices performed on villagers such as unfair", "tedious events such as him going around helping out with farming, learning how", "be able to string these in, as I don't want to include tedious", "to repetition, but still have significant events that occur that are out of", "form of a work montage, training montage, or just an acceleration in time", "I don't feel as if this would fit the third person style of", "the form of a work montage, training montage, or just an acceleration in", "don't feel as if this would fit the third person style of writing", "answer in this and it is far too general. The question I wish", "during this period, he sees injustices performed on villagers such as unfair extortion", "occur* that are out of place? Edit: To elaborate more on my specific", "and it is far too general. The question I wish to ask is;", "as I don't want to include tedious events such as him going around", "may it be in the form of a work montage, training montage, or", "too general. The question I wish to ask is; *Are there any specific", "have significant events that occur* that are out of place? Edit: To elaborate", "more on my specific issue; one of my characters is residing in a", "events that occur* that are out of place? Edit: To elaborate more on", "my characters is residing in a village to raise funds - and during", "specific issue; one of my characters is residing in a village to raise", "of diary format, however I don't feel as if this would fit the", "take place over a period of time, in a novel?** For example, how", "too tedious to explain in detail due to repetition, but still have significant", "that take place over a period of time, in a novel?* For example,", "future of the plot, may it be in the form of a work", "is; Are there any specific techniques that you can use to write a", "taxes, bullying by more powerful beings, etc. How would I be able to", "period of time but has scattered pieces of important information that is necessary", "I have a similar question as the one asked in ['How to write", "to include tedious events such as him going around helping out with farming,", "acceleration in time that would be too tedious to explain in detail due", "able to string these in, as I don't want to include tedious events", "I be able to string these in, as I don't want to include", "write a piece of fiction that skims over a period of time but", "an acceleration in time that would be too tedious to explain in detail", "a work montage, training montage, or just an acceleration in time that would", "for the future of the plot, may it be in the form of", "funds - and during this period, he sees injustices performed on villagers such", "question as the one asked in ['How to write montages in prose? (fantasy", "how would you write a piece of fiction that skims over a period", "would I be able to string these in, as I don't want to", "there any specific techniques that you can use to write a montage, or", "don't want to include tedious events such as him going around helping out", "want to include tedious events such as him going around helping out with", "far too general. The question I wish to ask is; Are there any", "has scattered pieces of important information that is necessary for the future of", "of fiction that skims over a period of time but has scattered pieces", "considering including short chapters only a few paragraphs long in a sort of", "specific techniques that you can use to write a montage, or a short", "string these in, as I don't want to include tedious events such as", "piece of fiction that skims over a period of time but has scattered", "but still have significant events that occur that are out of place? Edit:", "or just an acceleration in time that would be too tedious to explain", "performed on villagers such as unfair extortion of taxes, bullying by more powerful", "can use to write a montage, or a short sequence of events that", "a period of time, in a novel? For example, how would you write", "in ['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been", "he sees injustices performed on villagers such as unfair extortion of taxes, bullying", "been no answer in this and it is far too general. The question", "as if this would fit the third person style of writing I'm going", "it be in the form of a work montage, training montage, or just", "Edit: To elaborate more on my specific issue; one of my characters is", "montage, training montage, or just an acceleration in time that would be too", "these in, as I don't want to include tedious events such as him", "injustices performed on villagers such as unfair extortion of taxes, bullying by more", "that are out of place? Edit:** To elaborate more on my specific issue;", "in a village to raise funds - and during this period, he sees", "short sequence of events that take place over a period of time, in", "(fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in this and it is", "however, there has been no answer in this and it is far too", "out with farming, learning how to hunt, etc.? I've been considering including short", "that occur* that are out of place? Edit: To elaborate more on my", "in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has been no answer in this and", "techniques that you can use to write a montage, or a short sequence", "unfair extortion of taxes, bullying by more powerful beings, etc. How would I", "hunt, etc.? I've been considering including short chapters only a few paragraphs long", "feel as if this would fit the third person style of writing I'm", "of place? Edit: To elaborate more on my specific issue; one of my", "due to repetition, but still have significant events that occur that are out", "scattered pieces of important information that is necessary for the future of the", "such as him going around helping out with farming, learning how to hunt,", "to ask is; Are there any specific techniques that you can use to", "on villagers such as unfair extortion of taxes, bullying by more powerful beings,", "around helping out with farming, learning how to hunt, etc.? I've been considering", "how to hunt, etc.? I've been considering including short chapters only a few", "of important information that is necessary for the future of the plot, may", "over a period of time but has scattered pieces of important information that", "bullying by more powerful beings, etc. How would I be able to string", "time, in a novel? For example, how would you write a piece of", "with farming, learning how to hunt, etc.? I've been considering including short chapters", "a sort of diary format, however I don't feel as if this would", "beings, etc. How would I be able to string these in, as I", "have a similar question as the one asked in ['How to write montages", "wish to ask is; *Are there any specific techniques that you can use", "sequence of events that take place over a period of time, in a", "explain in detail due to repetition, but still have significant events that occur", "asked in ['How to write montages in prose? (fantasy novel)'](https://writers.stackexchange.com/questions/21742/how-to-write-montages-in-prose-fantasy-novel) however, there has", "detail due to repetition, but still have significant events that occur* that are", "a montage, or a short sequence of events that take place over a" ]
[ "migraine, and I'm not sure why. So do different lighting conditions affect how", "and I'm not sure why. So do different lighting conditions affect how people", "a lot more writing at night, with my lights off. When I write", "do different lighting conditions affect how people write, and am I the only", "lighting conditions affect how people write, and am I the only one who", "off. When I write with a light on, I get a slight migraine,", "with a light on, I get a slight migraine, and I'm not sure", "more writing at night, with my lights off. When I write with a", "I'm not sure why. So do different lighting conditions affect how people write,", "a light on, I get a slight migraine, and I'm not sure why.", "lot more writing at night, with my lights off. When I write with", "conditions affect how people write, and am I the only one who writes", "different lighting conditions affect how people write, and am I the only one", "I write with a light on, I get a slight migraine, and I'm", "I've started to notice that I do a lot more writing at night,", "do a lot more writing at night, with my lights off. When I", "to notice that I do a lot more writing at night, with my", "started to notice that I do a lot more writing at night, with", "my lights off. When I write with a light on, I get a", "write, and am I the only one who writes better with the lights", "When I write with a light on, I get a slight migraine, and", "that I do a lot more writing at night, with my lights off.", "write with a light on, I get a slight migraine, and I'm not", "a slight migraine, and I'm not sure why. So do different lighting conditions", "slight migraine, and I'm not sure why. So do different lighting conditions affect", "light on, I get a slight migraine, and I'm not sure why. So", "on, I get a slight migraine, and I'm not sure why. So do", "writing at night, with my lights off. When I write with a light", "lights off. When I write with a light on, I get a slight", "I get a slight migraine, and I'm not sure why. So do different", "not sure why. So do different lighting conditions affect how people write, and", "affect how people write, and am I the only one who writes better", "how people write, and am I the only one who writes better with", "notice that I do a lot more writing at night, with my lights", "get a slight migraine, and I'm not sure why. So do different lighting", "with my lights off. When I write with a light on, I get", "and am I the only one who writes better with the lights off?", "sure why. So do different lighting conditions affect how people write, and am", "why. So do different lighting conditions affect how people write, and am I", "night, with my lights off. When I write with a light on, I", "people write, and am I the only one who writes better with the", "So do different lighting conditions affect how people write, and am I the", "at night, with my lights off. When I write with a light on,", "I do a lot more writing at night, with my lights off. When" ]
[ "keep world-building explanations short versus totally geeking-out?** I believe this is a writers", "the rational part of my brain in others? More importantly, how do I", "How about all the Jamos Gunr gadgets? Especially the fireball-shooting pen (Never Say", "both up. Why? What made me want to know everything in one situation", "one situation but tune out the rational part of my brain in others?", "out the rational part of my brain in others? *More importantly, how do", "there's the opposite, like the information dump from Morpheus to Neo in The", "And then there's the opposite, like the information dump from Morpheus to Neo", "the opposite, like the information dump from Morpheus to Neo in The Matrix.", "Matrix. I ate them both up. Why? What made me want to know", "examples: How about all the Jamos Gunr gadgets? Especially the fireball-shooting pen (Never", "The Matrix. I ate them both up. Why? What made me want to", "do I know when to keep world-building explanations short versus totally geeking-out?** I", "writers question rather than a world builders since I'm not asking HOW to", "them both up. Why? What made me want to know everything in one", "brain in others? More importantly, how do I know when to keep world-building", "feel completely satiated and entertained by not going into the nuts and bolts.", "they feel completely satiated and entertained by not going into the nuts and", "(audience) can be told, and they feel completely satiated and entertained by not", "Jamos Gunr gadgets? Especially the fireball-shooting pen (Never Say Never Again, I think).", "the information dump from Morpheus to Neo in The Matrix. I ate them", "I believe this is a writers question rather than a world builders since", "Never Again, I think). And then there's the opposite, like the information dump", "Again, I think). And then there's the opposite, like the information dump from", "know when to keep world-building explanations short versus totally geeking-out?** I believe this", "Morpheus to Neo in The Matrix. I ate them both up. Why? What", "is a writers question rather than a world builders since I'm not asking", "and entertained by not going into the nuts and bolts. There are tons", "But what about those situations where the readers (audience) can be told, and", "in others? More importantly, how do I know when to keep world-building explanations", "like the information dump from Morpheus to Neo in The Matrix. I ate", "and they feel completely satiated and entertained by not going into the nuts", "bolts. There are tons of examples: How about all the Jamos Gunr gadgets?", "in one situation but tune out the rational part of my brain in", "of my brain in others? More importantly, how do I know when to", "importantly, how do I know when to keep world-building explanations short versus totally", "What made me want to know everything in one situation but tune out", "how do I know when to keep world-building explanations short versus totally geeking-out?", "when to keep world-building explanations short versus totally geeking-out?* I believe this is", "More importantly, how do I know when to keep world-building explanations short versus", "gadgets? Especially the fireball-shooting pen (Never Say Never Again, I think). And then", "nuts and bolts. There are tons of examples: How about all the Jamos", "all the Jamos Gunr gadgets? Especially the fireball-shooting pen (Never Say Never Again,", "what about those situations where the readers (audience) can be told, and they", "and bolts. There are tons of examples: How about all the Jamos Gunr", "tune out the rational part of my brain in others? More importantly, how", "can be told, and they feel completely satiated and entertained by not going", "Why? What made me want to know everything in one situation but tune", "those situations where the readers (audience) can be told, and they feel completely", "information dump from Morpheus to Neo in The Matrix. I ate them both", "really think I'm quite clever sometimes. But what about those situations where the", "made me want to know everything in one situation but tune out the", "clever sometimes. But what about those situations where the readers (audience) can be", "know everything in one situation but tune out the rational part of my", "think I'm quite clever sometimes. But what about those situations where the readers", "situation but tune out the rational part of my brain in others? More", "everything in one situation but tune out the rational part of my brain", "about those situations where the readers (audience) can be told, and they feel", "others? More importantly, how do I know when to keep world-building explanations short", "into the nuts and bolts. There are tons of examples: How about all", "my brain in others? More importantly, how do I know when to keep", "of examples: How about all the Jamos Gunr gadgets? Especially the fireball-shooting pen", "pen (Never Say Never Again, I think). And then there's the opposite, like", "think). And then there's the opposite, like the information dump from Morpheus to", "Gosh, I really think I'm quite clever sometimes. But what about those situations", "sometimes. But what about those situations where the readers (audience) can be told,", "going into the nuts and bolts. There are tons of examples: How about", "situations where the readers (audience) can be told, and they feel completely satiated", "from Morpheus to Neo in The Matrix. I ate them both up. Why?", "the nuts and bolts. There are tons of examples: How about all the", "told, and they feel completely satiated and entertained by not going into the", "than a world builders since I'm not asking HOW to build a world.", "me want to know everything in one situation but tune out the rational", "versus totally geeking-out?** I believe this is a writers question rather than a", "to know everything in one situation but tune out the rational part of", "the Jamos Gunr gadgets? Especially the fireball-shooting pen (Never Say Never Again, I", "Gunr gadgets? Especially the fireball-shooting pen (Never Say Never Again, I think). And", "be told, and they feel completely satiated and entertained by not going into", "where the readers (audience) can be told, and they feel completely satiated and", "opposite, like the information dump from Morpheus to Neo in The Matrix. I", "rational part of my brain in others? More importantly, how do I know", "geeking-out?* I believe this is a writers question rather than a world builders", "world-building explanations short versus totally geeking-out?* I believe this is a writers question", "rather than a world builders since I'm not asking HOW to build a", "the fireball-shooting pen (Never Say Never Again, I think). And then there's the", "explanations short versus totally geeking-out?* I believe this is a writers question rather", "Especially the fireball-shooting pen (Never Say Never Again, I think). And then there's", "the readers (audience) can be told, and they feel completely satiated and entertained", "in The Matrix. I ate them both up. Why? What made me want", "I really think I'm quite clever sometimes. But what about those situations where", "entertained by not going into the nuts and bolts. There are tons of", "quite clever sometimes. But what about those situations where the readers (audience) can", "completely satiated and entertained by not going into the nuts and bolts. There", "by not going into the nuts and bolts. There are tons of examples:", "not going into the nuts and bolts. There are tons of examples: How", "are tons of examples: How about all the Jamos Gunr gadgets? Especially the", "I think). And then there's the opposite, like the information dump from Morpheus", "There are tons of examples: How about all the Jamos Gunr gadgets? Especially", "I ate them both up. Why? What made me want to know everything", "Neo in The Matrix. I ate them both up. Why? What made me", "ate them both up. Why? What made me want to know everything in", "believe this is a writers question rather than a world builders since I'm", "fireball-shooting pen (Never Say Never Again, I think). And then there's the opposite,", "to keep world-building explanations short versus totally geeking-out?* I believe this is a", "dump from Morpheus to Neo in The Matrix. I ate them both up.", "I know when to keep world-building explanations short versus totally geeking-out?* I believe", "about all the Jamos Gunr gadgets? Especially the fireball-shooting pen (Never Say Never", "satiated and entertained by not going into the nuts and bolts. There are", "question rather than a world builders since I'm not asking HOW to build", "want to know everything in one situation but tune out the rational part", "to Neo in The Matrix. I ate them both up. Why? What made", "part of my brain in others? More importantly, how do I know when", "I'm quite clever sometimes. But what about those situations where the readers (audience)", "readers (audience) can be told, and they feel completely satiated and entertained by", "up. Why? What made me want to know everything in one situation but", "totally geeking-out? I believe this is a writers question rather than a world", "Say Never Again, I think). And then there's the opposite, like the information", "but tune out the rational part of my brain in others? More importantly,", "short versus totally geeking-out? I believe this is a writers question rather than", "(Never Say Never Again*, I think). And then there's the opposite, like the", "tons of examples: How about all the Jamos Gunr gadgets? Especially the fireball-shooting", "this is a writers question rather than a world builders since I'm not", "a writers question rather than a world builders since I'm not asking HOW", "then there's the opposite, like the information dump from Morpheus to Neo in" ]
[ "that anything the viewpoint character (of which there's more than one, with more", "I'm concerned that I'll need to do a lot of setting up (and", "have used, but since these will only be meaningful when the reader is", "will have a similar effect on the reader. I'm torn, then, between using", "torn, then, between using phrases which break realism (but add nuance to the", "that these specific phrases are unlikely to be directly translatable in the fictional", "(and losing those nuances). Another possibility I've considered is to do direct translations", "I also find it a little jarring when English idioms turn up in", "(I hope) to give a clearer picture of the sort of people these", "on the reader. I'm torn, then, between using phrases which break realism (but", "characters and how they relate to their culture) and not using these phrases", "of the sort of people these characters are. My concern is that these", "different characters, helping (I hope) to give a clearer picture of the sort", "even begin to express the subtleties that the English equivalents can. Are these", "of setting up (and the reader will have to do a lot of", "fictional language, and so by using them in the \"translated\" final text, I'm", "the English equivalents can. Are these my only three choices? If so, are", "the \"translated\" final text, I'm misrepresenting what my characters \"actually\" said. I also", "then, between using phrases which break realism (but add nuance to the characters", "text, I'm misrepresenting what my characters \"actually\" said. I also find it a", "my characters \"actually\" said. I also find it a little jarring when English", "these my only three choices? If so, are they really as problematic as", "way (in a \"less formal register\" of their own languages). Intuitively, I've represented", "character (of which there's more than one, with more than one language) understands", "find myself diverted into trying to guess what the original phrase was, and", "conceit is that anything the viewpoint character (of which there's more than one,", "these characters are. My concern is that these specific phrases are unlikely to", "register\" of their own languages). Intuitively, I've represented this through the use of", "sort of people these characters are. My concern is that these specific phrases", "little jarring when English idioms turn up in translated versions of non-English novels.", "in the fictional language, and so by using them in the \"translated\" final", "and my immersion in the story is broken. I'm concerned that my fictional", "trying to guess what the original phrase was, and my immersion in the", "own languages). Intuitively, I've represented this through the use of somewhat informal English.", "of their own languages). Intuitively, I've represented this through the use of somewhat", "hope) to give a clearer picture of the sort of people these characters", "I've considered is to do direct translations of the phrases they would more", "really as problematic as I think they are, or am I overthinking this?", "to be directly translatable in the fictional language, and so by using them", "constructed world with a range of different languages. The general conceit is that", "they would more likely have used, but since these will only be meaningful", "this can even begin to express the subtleties that the English equivalents can.", "the viewpoint character (of which there's more than one, with more than one", "they really as problematic as I think they are, or am I overthinking", "specific phrases are unlikely to be directly translatable in the fictional language, and", "of my characters speak in a fairly informal way (in a \"less formal", "the sort of people these characters are. My concern is that these specific", "I'm torn, then, between using phrases which break realism (but add nuance to", "relate to their culture) and not using these phrases (and losing those nuances).", "their own languages). Intuitively, I've represented this through the use of somewhat informal", "one, with more than one language) understands is portrayed in English. The trouble", "it a little jarring when English idioms turn up in translated versions of", "choices? If so, are they really as problematic as I think they are,", "range of different languages. The general conceit is that anything the viewpoint character", "are unlikely to be directly translatable in the fictional language, and so by", "guess what the original phrase was, and my immersion in the story is", "give a clearer picture of the sort of people these characters are. My", "by different characters, helping (I hope) to give a clearer picture of the", "a clearer picture of the sort of people these characters are. My concern", "a lot of adjusting) before this can even begin to express the subtleties", "the use of somewhat informal English. So, these characters say things like 'y'know?'", "there's more than one, with more than one language) understands is portrayed in", "be meaningful when the reader is already familiar with them, I'm concerned that", "possibility I've considered is to do direct translations of the phrases they would", "what my characters \"actually\" said. I also find it a little jarring when", "than one, with more than one language) understands is portrayed in English. The", "unlikely to be directly translatable in the fictional language, and so by using", "turn up in translated versions of non-English novels. I find myself diverted into", "to give a clearer picture of the sort of people these characters are.", "these will only be meaningful when the reader is already familiar with them,", "\"less formal register\" of their own languages). Intuitively, I've represented this through the", "which there's more than one, with more than one language) understands is portrayed", "the story is broken. I'm concerned that my fictional translations will have a", "concerned that my fictional translations will have a similar effect on the reader.", "subtleties that the English equivalents can. Are these my only three choices? If", "broken. I'm concerned that my fictional translations will have a similar effect on", "ways by different characters, helping (I hope) to give a clearer picture of", "final text, I'm misrepresenting what my characters \"actually\" said. I also find it", "'alright', and 'yeah'. These phrases are also used in different ways by different", "are also used in different ways by different characters, helping (I hope) to", "people these characters are. My concern is that these specific phrases are unlikely", "and how they relate to their culture) and not using these phrases (and", "different ways by different characters, helping (I hope) to give a clearer picture", "(and the reader will have to do a lot of adjusting) before this", "anything the viewpoint character (of which there's more than one, with more than", "to express the subtleties that the English equivalents can. Are these my only", "the characters and how they relate to their culture) and not using these", "a \"less formal register\" of their own languages). Intuitively, I've represented this through", "versions of non-English novels. I find myself diverted into trying to guess what", "\"actually\" said. I also find it a little jarring when English idioms turn", "have to do a lot of adjusting) before this can even begin to", "these characters say things like 'y'know?' and 'alright', and 'yeah'. These phrases are", "a range of different languages. The general conceit is that anything the viewpoint", "was, and my immersion in the story is broken. I'm concerned that my", "those nuances). Another possibility I've considered is to do direct translations of the", "add nuance to the characters and how they relate to their culture) and", "find it a little jarring when English idioms turn up in translated versions", "English. So, these characters say things like 'y'know?' and 'alright', and 'yeah'. These", "that the English equivalents can. Are these my only three choices? If so,", "misrepresenting what my characters \"actually\" said. I also find it a little jarring", "my fictional translations will have a similar effect on the reader. I'm torn,", "phrases which break realism (but add nuance to the characters and how they", "direct translations of the phrases they would more likely have used, but since", "English. The trouble with this is that many of my characters speak in", "than one language) understands is portrayed in English. The trouble with this is", "fairly informal way (in a \"less formal register\" of their own languages). Intuitively,", "the reader is already familiar with them, I'm concerned that I'll need to", "(of which there's more than one, with more than one language) understands is", "My concern is that these specific phrases are unlikely to be directly translatable", "meaningful when the reader is already familiar with them, I'm concerned that I'll", "reader is already familiar with them, I'm concerned that I'll need to do", "in English. The trouble with this is that many of my characters speak", "they relate to their culture) and not using these phrases (and losing those", "If so, are they really as problematic as I think they are, or", "into trying to guess what the original phrase was, and my immersion in", "helping (I hope) to give a clearer picture of the sort of people", "their culture) and not using these phrases (and losing those nuances). Another possibility", "fictional translations will have a similar effect on the reader. I'm torn, then,", "three choices? If so, are they really as problematic as I think they", "losing those nuances). Another possibility I've considered is to do direct translations of", "characters, helping (I hope) to give a clearer picture of the sort of", "used, but since these will only be meaningful when the reader is already", "so, are they really as problematic as I think they are, or am", "formal register\" of their own languages). Intuitively, I've represented this through the use", "also find it a little jarring when English idioms turn up in translated", "languages). Intuitively, I've represented this through the use of somewhat informal English. So,", "are they really as problematic as I think they are, or am I", "a lot of setting up (and the reader will have to do a", "the original phrase was, and my immersion in the story is broken. I'm", "of different languages. The general conceit is that anything the viewpoint character (of", "when the reader is already familiar with them, I'm concerned that I'll need", "in the story is broken. I'm concerned that my fictional translations will have", "think they are, or am I overthinking this? If not, what should I", "characters are. My concern is that these specific phrases are unlikely to be", "break realism (but add nuance to the characters and how they relate to", "characters \"actually\" said. I also find it a little jarring when English idioms", "in the \"translated\" final text, I'm misrepresenting what my characters \"actually\" said. I", "portrayed in English. The trouble with this is that many of my characters", "of the phrases they would more likely have used, but since these will", "with this is that many of my characters speak in a fairly informal", "when English idioms turn up in translated versions of non-English novels. I find", "Are these my only three choices? If so, are they really as problematic", "equivalents can. Are these my only three choices? If so, are they really", "do a lot of setting up (and the reader will have to do", "in translated versions of non-English novels. I find myself diverted into trying to", "picture of the sort of people these characters are. My concern is that", "are. My concern is that these specific phrases are unlikely to be directly", "to guess what the original phrase was, and my immersion in the story", "The general conceit is that anything the viewpoint character (of which there's more", "up in translated versions of non-English novels. I find myself diverted into trying", "nuances). Another possibility I've considered is to do direct translations of the phrases", "I think they are, or am I overthinking this? If not, what should", "of non-English novels. I find myself diverted into trying to guess what the", "in a constructed world with a range of different languages. The general conceit", "I'll need to do a lot of setting up (and the reader will", "a similar effect on the reader. I'm torn, then, between using phrases which", "The trouble with this is that many of my characters speak in a", "used in different ways by different characters, helping (I hope) to give a", "as I think they are, or am I overthinking this? If not, what", "the fictional language, and so by using them in the \"translated\" final text,", "in a fairly informal way (in a \"less formal register\" of their own", "English equivalents can. Are these my only three choices? If so, are they", "familiar with them, I'm concerned that I'll need to do a lot of", "do direct translations of the phrases they would more likely have used, but", "world with a range of different languages. The general conceit is that anything", "can even begin to express the subtleties that the English equivalents can. Are", "since these will only be meaningful when the reader is already familiar with", "in different ways by different characters, helping (I hope) to give a clearer", "to do direct translations of the phrases they would more likely have used,", "use of somewhat informal English. So, these characters say things like 'y'know?' and", "clearer picture of the sort of people these characters are. My concern is", "do a lot of adjusting) before this can even begin to express the", "and 'alright', and 'yeah'. These phrases are also used in different ways by", "can. Are these my only three choices? If so, are they really as", "characters say things like 'y'know?' and 'alright', and 'yeah'. These phrases are also", "phrases are also used in different ways by different characters, helping (I hope)", "is that anything the viewpoint character (of which there's more than one, with", "concern is that these specific phrases are unlikely to be directly translatable in", "is broken. I'm concerned that my fictional translations will have a similar effect", "a little jarring when English idioms turn up in translated versions of non-English", "English idioms turn up in translated versions of non-English novels. I find myself", "using them in the \"translated\" final text, I'm misrepresenting what my characters \"actually\"", "that many of my characters speak in a fairly informal way (in a", "with a range of different languages. The general conceit is that anything the", "jarring when English idioms turn up in translated versions of non-English novels. I", "but it's set in a constructed world with a range of different languages.", "to the characters and how they relate to their culture) and not using", "and not using these phrases (and losing those nuances). Another possibility I've considered", "likely have used, but since these will only be meaningful when the reader", "before this can even begin to express the subtleties that the English equivalents", "idioms turn up in translated versions of non-English novels. I find myself diverted", "of somewhat informal English. So, these characters say things like 'y'know?' and 'alright',", "be directly translatable in the fictional language, and so by using them in", "trouble with this is that many of my characters speak in a fairly", "translations of the phrases they would more likely have used, but since these", "Intuitively, I've represented this through the use of somewhat informal English. So, these", "but since these will only be meaningful when the reader is already familiar", "novels. I find myself diverted into trying to guess what the original phrase", "which break realism (but add nuance to the characters and how they relate", "of people these characters are. My concern is that these specific phrases are", "phrases (and losing those nuances). Another possibility I've considered is to do direct", "more likely have used, but since these will only be meaningful when the", "these specific phrases are unlikely to be directly translatable in the fictional language,", "So, these characters say things like 'y'know?' and 'alright', and 'yeah'. These phrases", "diverted into trying to guess what the original phrase was, and my immersion", "lot of adjusting) before this can even begin to express the subtleties that", "how they relate to their culture) and not using these phrases (and losing", "(but add nuance to the characters and how they relate to their culture)", "the reader will have to do a lot of adjusting) before this can", "understands is portrayed in English. The trouble with this is that many of", "is to do direct translations of the phrases they would more likely have", "I've represented this through the use of somewhat informal English. So, these characters", "Another possibility I've considered is to do direct translations of the phrases they", "begin to express the subtleties that the English equivalents can. Are these my", "like 'y'know?' and 'alright', and 'yeah'. These phrases are also used in different", "immersion in the story is broken. I'm concerned that my fictional translations will", "I'm misrepresenting what my characters \"actually\" said. I also find it a little", "only be meaningful when the reader is already familiar with them, I'm concerned", "reader. I'm torn, then, between using phrases which break realism (but add nuance", "general conceit is that anything the viewpoint character (of which there's more than", "my only three choices? If so, are they really as problematic as I", "phrase was, and my immersion in the story is broken. I'm concerned that", "language, and so by using them in the \"translated\" final text, I'm misrepresenting", "I'm writing is in English, but it's set in a constructed world with", "using phrases which break realism (but add nuance to the characters and how", "many of my characters speak in a fairly informal way (in a \"less", "to their culture) and not using these phrases (and losing those nuances). Another", "represented this through the use of somewhat informal English. So, these characters say", "my characters speak in a fairly informal way (in a \"less formal register\"", "English, but it's set in a constructed world with a range of different", "lot of setting up (and the reader will have to do a lot", "using these phrases (and losing those nuances). Another possibility I've considered is to", "of adjusting) before this can even begin to express the subtleties that the", "speak in a fairly informal way (in a \"less formal register\" of their", "story I'm writing is in English, but it's set in a constructed world", "'yeah'. These phrases are also used in different ways by different characters, helping", "also used in different ways by different characters, helping (I hope) to give", "things like 'y'know?' and 'alright', and 'yeah'. These phrases are also used in", "will have to do a lot of adjusting) before this can even begin", "(in a \"less formal register\" of their own languages). Intuitively, I've represented this", "with them, I'm concerned that I'll need to do a lot of setting", "need to do a lot of setting up (and the reader will have", "viewpoint character (of which there's more than one, with more than one language)", "nuance to the characters and how they relate to their culture) and not", "myself diverted into trying to guess what the original phrase was, and my", "in English, but it's set in a constructed world with a range of", "these phrases (and losing those nuances). Another possibility I've considered is to do", "and 'yeah'. These phrases are also used in different ways by different characters,", "they are, or am I overthinking this? If not, what should I do", "translated versions of non-English novels. I find myself diverted into trying to guess", "them in the \"translated\" final text, I'm misrepresenting what my characters \"actually\" said.", "characters speak in a fairly informal way (in a \"less formal register\" of", "writing is in English, but it's set in a constructed world with a", "languages. The general conceit is that anything the viewpoint character (of which there's", "them, I'm concerned that I'll need to do a lot of setting up", "original phrase was, and my immersion in the story is broken. I'm concerned", "by using them in the \"translated\" final text, I'm misrepresenting what my characters", "I'm concerned that my fictional translations will have a similar effect on the", "translatable in the fictional language, and so by using them in the \"translated\"", "\"translated\" final text, I'm misrepresenting what my characters \"actually\" said. I also find", "that my fictional translations will have a similar effect on the reader. I'm", "to do a lot of setting up (and the reader will have to", "set in a constructed world with a range of different languages. The general", "the phrases they would more likely have used, but since these will only", "more than one language) understands is portrayed in English. The trouble with this", "'y'know?' and 'alright', and 'yeah'. These phrases are also used in different ways", "considered is to do direct translations of the phrases they would more likely", "what the original phrase was, and my immersion in the story is broken.", "similar effect on the reader. I'm torn, then, between using phrases which break", "only three choices? If so, are they really as problematic as I think", "a constructed world with a range of different languages. The general conceit is", "non-English novels. I find myself diverted into trying to guess what the original", "more than one, with more than one language) understands is portrayed in English.", "already familiar with them, I'm concerned that I'll need to do a lot", "adjusting) before this can even begin to express the subtleties that the English", "the reader. I'm torn, then, between using phrases which break realism (but add", "culture) and not using these phrases (and losing those nuances). Another possibility I've", "so by using them in the \"translated\" final text, I'm misrepresenting what my", "not using these phrases (and losing those nuances). Another possibility I've considered is", "is portrayed in English. The trouble with this is that many of my", "say things like 'y'know?' and 'alright', and 'yeah'. These phrases are also used", "directly translatable in the fictional language, and so by using them in the", "language) understands is portrayed in English. The trouble with this is that many", "said. I also find it a little jarring when English idioms turn up", "translations will have a similar effect on the reader. I'm torn, then, between", "express the subtleties that the English equivalents can. Are these my only three", "and so by using them in the \"translated\" final text, I'm misrepresenting what", "one language) understands is portrayed in English. The trouble with this is that", "informal English. So, these characters say things like 'y'know?' and 'alright', and 'yeah'.", "is that these specific phrases are unlikely to be directly translatable in the", "my immersion in the story is broken. I'm concerned that my fictional translations", "informal way (in a \"less formal register\" of their own languages). Intuitively, I've", "different languages. The general conceit is that anything the viewpoint character (of which", "realism (but add nuance to the characters and how they relate to their", "concerned that I'll need to do a lot of setting up (and the", "with more than one language) understands is portrayed in English. The trouble with", "is that many of my characters speak in a fairly informal way (in", "as problematic as I think they are, or am I overthinking this? If", "a fairly informal way (in a \"less formal register\" of their own languages).", "would more likely have used, but since these will only be meaningful when", "setting up (and the reader will have to do a lot of adjusting)", "story is broken. I'm concerned that my fictional translations will have a similar", "problematic as I think they are, or am I overthinking this? If not,", "it's set in a constructed world with a range of different languages. The", "I find myself diverted into trying to guess what the original phrase was,", "reader will have to do a lot of adjusting) before this can even", "effect on the reader. I'm torn, then, between using phrases which break realism", "between using phrases which break realism (but add nuance to the characters and", "is already familiar with them, I'm concerned that I'll need to do a", "will only be meaningful when the reader is already familiar with them, I'm", "The story I'm writing is in English, but it's set in a constructed", "somewhat informal English. So, these characters say things like 'y'know?' and 'alright', and", "is in English, but it's set in a constructed world with a range", "this through the use of somewhat informal English. So, these characters say things", "through the use of somewhat informal English. So, these characters say things like", "to do a lot of adjusting) before this can even begin to express", "up (and the reader will have to do a lot of adjusting) before", "phrases they would more likely have used, but since these will only be", "are, or am I overthinking this? If not, what should I do instead?", "that I'll need to do a lot of setting up (and the reader", "have a similar effect on the reader. I'm torn, then, between using phrases", "the subtleties that the English equivalents can. Are these my only three choices?", "These phrases are also used in different ways by different characters, helping (I", "this is that many of my characters speak in a fairly informal way", "phrases are unlikely to be directly translatable in the fictional language, and so" ]
[ "be deemed \"acceptable\" if the readers enjoy it, but as a technique of", "but as a technique of character development, does such combining of enneagram types", "character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more", "character ? I understand that a story might be deemed \"acceptable\" if the", "I understand that a story might be deemed \"acceptable\" if the readers enjoy", "it, but as a technique of character development, does such combining of enneagram", "development, does such combining of enneagram types hinder or bolster the process ?", "to develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable", "I am writing a novel and trying to develop a character using the", "Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more than one enneagram type for", "[Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more than one enneagram", "if the readers enjoy it, but as a technique of character development, does", "deemed \"acceptable\" if the readers enjoy it, but as a technique of character", "a story might be deemed \"acceptable\" if the readers enjoy it, but as", "and trying to develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is", "than one enneagram type for a single character ? I understand that a", "story might be deemed \"acceptable\" if the readers enjoy it, but as a", "that a story might be deemed \"acceptable\" if the readers enjoy it, but", "single character ? I understand that a story might be deemed \"acceptable\" if", "understand that a story might be deemed \"acceptable\" if the readers enjoy it,", "of character development, does such combining of enneagram types hinder or bolster the", "technique of character development, does such combining of enneagram types hinder or bolster", "a technique of character development, does such combining of enneagram types hinder or", "to combine more than one enneagram type for a single character ? I", "a novel and trying to develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality)", "enneagram type for a single character ? I understand that a story might", "trying to develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it", "for a single character ? I understand that a story might be deemed", "a single character ? I understand that a story might be deemed \"acceptable\"", "a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine", "the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more than one", "might be deemed \"acceptable\" if the readers enjoy it, but as a technique", "the readers enjoy it, but as a technique of character development, does such", "character development, does such combining of enneagram types hinder or bolster the process", "Is it acceptable to combine more than one enneagram type for a single", "model. Is it acceptable to combine more than one enneagram type for a", "using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more than", "\"acceptable\" if the readers enjoy it, but as a technique of character development,", "acceptable to combine more than one enneagram type for a single character ?", "? I understand that a story might be deemed \"acceptable\" if the readers", "combine more than one enneagram type for a single character ? I understand", "am writing a novel and trying to develop a character using the [Enneagram", "develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to", "novel and trying to develop a character using the [Enneagram of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model.", "of Personality](https://en.wikipedia.org/wiki/Enneagram_of_Personality) model. Is it acceptable to combine more than one enneagram type", "it acceptable to combine more than one enneagram type for a single character", "type for a single character ? I understand that a story might be", "one enneagram type for a single character ? I understand that a story", "enjoy it, but as a technique of character development, does such combining of", "as a technique of character development, does such combining of enneagram types hinder", "more than one enneagram type for a single character ? I understand that", "writing a novel and trying to develop a character using the [Enneagram of", "readers enjoy it, but as a technique of character development, does such combining" ]
[ "that come with a fight scene? How do I paint a vivid picture", "action. I usually write slower, dialogue-heavy scenes, and I have become used to", "I paint a vivid picture of it without getting bogged down in the", "a fight scene, that I am lost when it comes to writing action.", "to writing action. I usually write slower, dialogue-heavy scenes, and I have become", "How can I convey the urgency, speed, and emotional stakes that come with", "and I have become used to taking my time with the prose. How", "taking my time with the prose. How can I convey the urgency, speed,", "do I paint a vivid picture of it without getting bogged down in", "scene? How do I paint a vivid picture of it without getting bogged", "comes to writing action. I usually write slower, dialogue-heavy scenes, and I have", "when it comes to writing action. I usually write slower, dialogue-heavy scenes, and", "emotional stakes that come with a fight scene? How do I paint a", "prose. How can I convey the urgency, speed, and emotional stakes that come", "I have become used to taking my time with the prose. How can", "fight scene? How do I paint a vivid picture of it without getting", "and emotional stakes that come with a fight scene? How do I paint", "I convey the urgency, speed, and emotional stakes that come with a fight", "used to taking my time with the prose. How can I convey the", "can I convey the urgency, speed, and emotional stakes that come with a", "it comes to writing action. I usually write slower, dialogue-heavy scenes, and I", "convey the urgency, speed, and emotional stakes that come with a fight scene?", "that I am lost when it comes to writing action. I usually write", "paint a vivid picture of it without getting bogged down in the details?", "on me the other day, after struggling through a fight scene, that I", "How do I paint a vivid picture of it without getting bogged down", "come with a fight scene? How do I paint a vivid picture of", "dialogue-heavy scenes, and I have become used to taking my time with the", "I am lost when it comes to writing action. I usually write slower,", "It dawned on me the other day, after struggling through a fight scene,", "the other day, after struggling through a fight scene, that I am lost", "slower, dialogue-heavy scenes, and I have become used to taking my time with", "writing action. I usually write slower, dialogue-heavy scenes, and I have become used", "the prose. How can I convey the urgency, speed, and emotional stakes that", "I usually write slower, dialogue-heavy scenes, and I have become used to taking", "after struggling through a fight scene, that I am lost when it comes", "my time with the prose. How can I convey the urgency, speed, and", "to taking my time with the prose. How can I convey the urgency,", "am lost when it comes to writing action. I usually write slower, dialogue-heavy", "time with the prose. How can I convey the urgency, speed, and emotional", "stakes that come with a fight scene? How do I paint a vivid", "have become used to taking my time with the prose. How can I", "me the other day, after struggling through a fight scene, that I am", "urgency, speed, and emotional stakes that come with a fight scene? How do", "a fight scene? How do I paint a vivid picture of it without", "scene, that I am lost when it comes to writing action. I usually", "fight scene, that I am lost when it comes to writing action. I", "dawned on me the other day, after struggling through a fight scene, that", "through a fight scene, that I am lost when it comes to writing", "with a fight scene? How do I paint a vivid picture of it", "struggling through a fight scene, that I am lost when it comes to", "speed, and emotional stakes that come with a fight scene? How do I", "become used to taking my time with the prose. How can I convey", "usually write slower, dialogue-heavy scenes, and I have become used to taking my", "scenes, and I have become used to taking my time with the prose.", "with the prose. How can I convey the urgency, speed, and emotional stakes", "day, after struggling through a fight scene, that I am lost when it", "write slower, dialogue-heavy scenes, and I have become used to taking my time", "lost when it comes to writing action. I usually write slower, dialogue-heavy scenes,", "the urgency, speed, and emotional stakes that come with a fight scene? How", "other day, after struggling through a fight scene, that I am lost when" ]
[ "miko for this? If their kami can provide a blessing the moral of", ". > > \"If you persist I'll have the sane as our dandy,", "> > . > > \"If you persist I'll have the sane as", "has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence she", "your assigned vocations and repair the final push.\"** - Keep moving to your", "a miko for this? If their kami can provide a blessing the moral", "guessing the moral of the heights will be increased.\"* - Inquiry, should we", "recruit a miko for this? If their kami can provide a blessing the", "the knights will be increased. > > > . > > \"Keep moving", "> \"Inquisition, should we dispute a miko for this? If their mummy can", "provide a guessing the moral of the heights will be increased.\"** - Inquiry,", "heights will be increased.\"* - Inquiry, should we recruit a miko for this?", "be increased. > > > . > > \"Keep moving to your assigned", ". > > \"Keep moving to your assigned vocations and repair the final", "it too much rather than making it seem natural for the character. So", "prepare the final push.* > > > . > > \"If you persist", "tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence she speaks I", "character who has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every", "you persist I'll have the sane as our dandy, with less built.\" -", "If you insist I'll have the same as our lady, with less milk.", "have a character who has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that", "have the sane as our dandy, with less built.\"** - If you insist", "thinking whether I am forcing it too much rather than making it seem", "them I am thinking whether I am forcing it too much rather than", "she speaks I am re-reading it and finding words to replace. ie. (actual", "that in every sentence she speaks I am re-reading it and finding words", "and finding words to replace. ie. (actual* - translation) > > *\"Inquisition, should", "I re-read them I am thinking whether I am forcing it too much", "I'll have the same as our lady, with less milk. > > >", "re-reading it and finding words to replace. ie. (actual - translation) > >", "> > . > > \"Keep moving to your assigned vocations and repair", "will be increased.\" - Inquiry, should we recruit a miko for this? If", "- translation) > > \"Inquisition, should we dispute a miko for this? If", "in every sentence she speaks I am re-reading it and finding words to", "a miko for this? If their mummy can provide a guessing the moral", "> > > And when I re-read them I am thinking whether I", "final push.\"* - Keep moving to your assigned locations and prepare the final", "am forcing it too much rather than making it seem natural for the", "sentence she speaks I am re-reading it and finding words to replace. ie.", "translation) > > \"Inquisition, should we dispute a miko for this? If their", "speaks I am re-reading it and finding words to replace. ie. (actual* -", "[malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence she speaks I am re-reading", "our lady, with less milk.* > > > And when I re-read them", "every sentence she speaks I am re-reading it and finding words to replace.", "the moral of the knights will be increased.* > > > . >", "whether I am forcing it too much rather than making it seem natural", "increased.\"** - Inquiry, should we recruit a miko for this? If their kami", "push. > > > . > > \"If you persist I'll have the", "> > \"Keep moving to your assigned vocations and repair the final push.\"", "> > > . > > \"If you persist I'll have the sane", "their kami can provide a blessing the moral of the knights will be", "the character. So how do you write dialog for a character with malapropism", "- If you insist I'll have the same as our lady, with less", "knights will be increased. > > > . > > \"Keep moving to", "> . > > \"Keep moving to your assigned vocations and repair the", "If their mummy can provide a guessing the moral of the heights will", "this? If their kami can provide a blessing the moral of the knights", "> > \"Inquisition, should we dispute a miko for this? If their mummy", "> . > > \"If you persist I'll have the sane as our", "as our lady, with less milk.* > > > And when I re-read", "moral of the heights will be increased.\"** - Inquiry, should we recruit a", "I am re-reading it and finding words to replace. ie. (actual* - translation)", "mummy can provide a guessing the moral of the heights will be increased.\"", "a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence she speaks", "a guessing the moral of the heights will be increased.\" - Inquiry, should", "push.\"* - Keep moving to your assigned locations and prepare the final push.", "with less built.\"** - If you insist I'll have the same as our", "So how do you write dialog for a character with malapropism without it", "I'll have the sane as our dandy, with less built.\"* - If you", "it seem natural for the character. So how do you write dialog for", "for this? If their mummy can provide a guessing the moral of the", "you insist I'll have the same as our lady, with less milk. >", "the sane as our dandy, with less built.\"** - If you insist I'll", "for the character. So how do you write dialog for a character with", "your assigned locations and prepare the final push. > > > . >", "the final push.\"** - Keep moving to your assigned locations and prepare the", "persist I'll have the sane as our dandy, with less built.\"* - If", "Keep moving to your assigned locations and prepare the final push.* > >", "making it seem natural for the character. So how do you write dialog", "sane as our dandy, with less built.\"** - If you insist I'll have", "how do you write dialog for a character with malapropism without it seeming", "- Keep moving to your assigned locations and prepare the final push.* >", "Inquiry, should we recruit a miko for this? If their kami can provide", "words to replace. ie. (actual* - translation) > > \"Inquisition, should we dispute", "our dandy, with less built.\" - If you insist I'll have the same", "> > And when I re-read them I am thinking whether I am", "as our dandy, with less built.\"* - If you insist I'll have the", "have the same as our lady, with less milk. > > > And", "\"Keep moving to your assigned vocations and repair the final push.\" - Keep", "a blessing the moral of the knights will be increased. > > >", "less milk.* > > > And when I re-read them I am thinking", "should we recruit a miko for this? If their kami can provide a", "for this? If their kami can provide a blessing the moral of the", "> \"Keep moving to your assigned vocations and repair the final push.\" -", "too much rather than making it seem natural for the character. So how", "repair the final push.\"** - Keep moving to your assigned locations and prepare", "dispute a miko for this? If their mummy can provide a guessing the", "miko for this? If their mummy can provide a guessing the moral of", "and repair the final push.\"* - Keep moving to your assigned locations and", "when I re-read them I am thinking whether I am forcing it too", "the moral of the heights will be increased.\"* - Inquiry, should we recruit", "the heights will be increased.\"* - Inquiry, should we recruit a miko for", "we recruit a miko for this? If their kami can provide a blessing", "seem natural for the character. So how do you write dialog for a", "to your assigned vocations and repair the final push.\"* - Keep moving to", "\"Inquisition, should we dispute a miko for this? If their mummy can provide", "should we dispute a miko for this? If their mummy can provide a", "replace. ie. (actual* - translation) > > *\"Inquisition, should we dispute a miko", "with less milk. > > > And when I re-read them I am", "assigned locations and prepare the final push.* > > > . > >", "a character who has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in", "built.\"** - If you insist I'll have the same as our lady, with", "much rather than making it seem natural for the character. So how do", "rather than making it seem natural for the character. So how do you", "towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence she speaks I am", "to replace. ie. (actual* - translation) > > *\"Inquisition, should we dispute a", "provide a blessing the moral of the knights will be increased. > >", "this? If their mummy can provide a guessing the moral of the heights", "\"If you persist I'll have the sane as our dandy, with less built.\"", "re-read them I am thinking whether I am forcing it too much rather", "- Inquiry, should we recruit a miko for this? If their kami can", "kami can provide a blessing the moral of the knights will be increased.", "And when I re-read them I am thinking whether I am forcing it", "do you write dialog for a character with malapropism without it seeming forced?", "the same as our lady, with less milk.* > > > And when", "am re-reading it and finding words to replace. ie. (actual - translation) >", "insist I'll have the same as our lady, with less milk.* > >", "who has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find that in every sentence", "moral of the knights will be increased.* > > > . > >", "assigned vocations and repair the final push.\"** - Keep moving to your assigned", "natural for the character. So how do you write dialog for a character", "lady, with less milk. > > > And when I re-read them I", "dandy, with less built.\"** - If you insist I'll have the same as", "their mummy can provide a guessing the moral of the heights will be", "> > \"If you persist I'll have the sane as our dandy, with", "will be increased. > > > . > > *\"Keep moving to your", "of the knights will be increased. > > > . > > *\"Keep", "blessing the moral of the knights will be increased. > > > .", "final push.* > > > . > > *\"If you persist I'll have", "locations and prepare the final push. > > > . > > \"If", "but I find that in every sentence she speaks I am re-reading it", "> \"If you persist I'll have the sane as our dandy, with less", "increased.* > > > . > > \"Keep moving to your assigned vocations", "If their kami can provide a blessing the moral of the knights will", "(actual** - translation) > > *\"Inquisition, should we dispute a miko for this?", "same as our lady, with less milk. > > > And when I", "I have a character who has a tendency towards [malapropism](https://en.wikipedia.org/wiki/Malapropism) but I find", "I am thinking whether I am forcing it too much rather than making", "than making it seem natural for the character. So how do you write", "to your assigned locations and prepare the final push.* > > > .", "finding words to replace. ie. (actual - translation) > > \"Inquisition, should we", "find that in every sentence she speaks I am re-reading it and finding", "be increased.\" - Inquiry, should we recruit a miko for this? If their", "can provide a blessing the moral of the knights will be increased. >", "moving to your assigned vocations and repair the final push.\"** - Keep moving", "vocations and repair the final push.\"* - Keep moving to your assigned locations", "I find that in every sentence she speaks I am re-reading it and", "the final push. > > > . > > \"If you persist I'll", "it and finding words to replace. ie. (actual** - translation) > > \"Inquisition,", "am thinking whether I am forcing it too much rather than making it", "of the heights will be increased.\" - Inquiry, should we recruit a miko", "> And when I re-read them I am thinking whether I am forcing", "I am forcing it too much rather than making it seem natural for", "character. So how do you write dialog for a character with malapropism without", "ie. (actual* - translation) > > \"Inquisition, should we dispute a miko for", "can provide a guessing the moral of the heights will be increased.\" -", "forcing it too much rather than making it seem natural for the character.", "milk.* > > > And when I re-read them I am thinking whether", "we dispute a miko for this? If their mummy can provide a guessing", "and prepare the final push.* > > > . > > \"If you", "less built.\" - If you insist I'll have the same as our lady,", "> > > . > > \"Keep moving to your assigned vocations and", "moving to your assigned locations and prepare the final push. > > >" ]
[ "the other adopted daughter came from an orphanage (it's assumed her parents died", "daughters (I say daughter here and not niece because neither the protagonist nor", "siblings), the real father doesn't want to know anything about her, and the", "one of his adopted daughters (I say daughter here and not niece because", "can plainly see), but at this point, I'm beginning to think I use", "already (explosive decompression is involved at some point), but even then, should I", "have a death toll of five. The other two characters, two brothers, lost", "and already I have a death toll of five. The other two characters,", "parents died as well). That's the first three main characters and already I", "not niece because neither the protagonist nor the sister knew they were siblings),", "to one of his adopted daughters (I say daughter here and not niece", "using death in my story (as you can plainly see), but at this", "protagonist, who has two adopted daughters and raises them alone, lost both his", "and during the course of the game, both their parents are brutally murdered.", "death toll to eight. Now, I don't really have a problem using death", "Now, I don't really have a problem using death in my story (as", "a horror game with lots of characters dying already (explosive decompression is involved", "say daughter here and not niece because neither the protagonist nor the sister", "well). That's the first three main characters and already I have a death", "horror game with lots of characters dying already (explosive decompression is involved at", "should I cut down on the deaths in the backstories of my MAIN", "first three main characters and already I have a death toll of five.", "my MAIN characters? Would it feel forced to use death a lot for", "at some point), but even then, should I cut down on the deaths", "toll of five. The other two characters, two brothers, lost a young brother", "lost both his parents and doesn't even remember them (part of a curse),", "want to know anything about her, and the other adopted daughter came from", "to think I use death too much. My game is actually a horror", "game is actually a horror game with lots of characters dying already (explosive", "the deaths in the backstories of my MAIN characters? Would it feel forced", "anything about her, and the other adopted daughter came from an orphanage (it's", "doesn't want to know anything about her, and the other adopted daughter came", "point), but even then, should I cut down on the deaths in the", "is involved at some point), but even then, should I cut down on", "death too much. My game is actually a horror game with lots of", "brothers, lost a young brother very early on and during the course of", "toll to eight. Now, I don't really have a problem using death in", "(it's assumed her parents died as well). That's the first three main characters", "even remember them (part of a curse), lost his sister, who died giving", "adopted daughters and raises them alone, lost both his parents and doesn't even", "beginning to think I use death too much. My game is actually a", "but even then, should I cut down on the deaths in the backstories", "involves a lot of death... The protagonist, who has two adopted daughters and", "eight. Now, I don't really have a problem using death in my story", "involved at some point), but even then, should I cut down on the", "of my five main characters involves a lot of death... The protagonist, who", "deaths in the backstories of my MAIN characters? Would it feel forced to", "lost his sister, who died giving birth to one of his adopted daughters", "two characters, two brothers, lost a young brother very early on and during", "nor the sister knew they were siblings), the real father doesn't want to", "three main characters and already I have a death toll of five. The", "you can plainly see), but at this point, I'm beginning to think I", "story (as you can plainly see), but at this point, I'm beginning to", "daughter here and not niece because neither the protagonist nor the sister knew", "his adopted daughters (I say daughter here and not niece because neither the", "my five main characters involves a lot of death... The protagonist, who has", "the backstories of my MAIN characters? Would it feel forced to use death", "who has two adopted daughters and raises them alone, lost both his parents", "this point, I'm beginning to think I use death too much. My game", "doesn't even remember them (part of a curse), lost his sister, who died", "even then, should I cut down on the deaths in the backstories of", "think I use death too much. My game is actually a horror game", "the real father doesn't want to know anything about her, and the other", "them (part of a curse), lost his sister, who died giving birth to", "that brings the death toll to eight. Now, I don't really have a", "sister, who died giving birth to one of his adopted daughters (I say", "main characters involves a lot of death... The protagonist, who has two adopted", "a young brother very early on and during the course of the game,", "decompression is involved at some point), but even then, should I cut down", "in the backstories of my MAIN characters? Would it feel forced to use", "I'm beginning to think I use death too much. My game is actually", "of characters dying already (explosive decompression is involved at some point), but even", "I cut down on the deaths in the backstories of my MAIN characters?", "The backstory of my five main characters involves a lot of death... The", "five. The other two characters, two brothers, lost a young brother very early", "really have a problem using death in my story (as you can plainly", "both his parents and doesn't even remember them (part of a curse), lost", "real father doesn't want to know anything about her, and the other adopted", "of five. The other two characters, two brothers, lost a young brother very", "The other two characters, two brothers, lost a young brother very early on", "parents and doesn't even remember them (part of a curse), lost his sister,", "already I have a death toll of five. The other two characters, two", "of death... The protagonist, who has two adopted daughters and raises them alone,", "I don't really have a problem using death in my story (as you", "characters? Would it feel forced to use death a lot for the main", "murdered. So that brings the death toll to eight. Now, I don't really", "death in my story (as you can plainly see), but at this point,", "characters involves a lot of death... The protagonist, who has two adopted daughters", "know anything about her, and the other adopted daughter came from an orphanage", "My game is actually a horror game with lots of characters dying already", "(explosive decompression is involved at some point), but even then, should I cut", "at this point, I'm beginning to think I use death too much. My", "lots of characters dying already (explosive decompression is involved at some point), but", "plainly see), but at this point, I'm beginning to think I use death", "have a problem using death in my story (as you can plainly see),", "cut down on the deaths in the backstories of my MAIN characters? Would", "I use death too much. My game is actually a horror game with", "they were siblings), the real father doesn't want to know anything about her,", "alone, lost both his parents and doesn't even remember them (part of a", "the game, both their parents are brutally murdered. So that brings the death", "their parents are brutally murdered. So that brings the death toll to eight.", "has two adopted daughters and raises them alone, lost both his parents and", "both their parents are brutally murdered. So that brings the death toll to", "with lots of characters dying already (explosive decompression is involved at some point),", "brings the death toll to eight. Now, I don't really have a problem", "characters and already I have a death toll of five. The other two", "a curse), lost his sister, who died giving birth to one of his", "parents are brutally murdered. So that brings the death toll to eight. Now,", "brutally murdered. So that brings the death toll to eight. Now, I don't", "course of the game, both their parents are brutally murdered. So that brings", "much. My game is actually a horror game with lots of characters dying", "to know anything about her, and the other adopted daughter came from an", "characters dying already (explosive decompression is involved at some point), but even then,", "about her, and the other adopted daughter came from an orphanage (it's assumed", "his parents and doesn't even remember them (part of a curse), lost his", "That's the first three main characters and already I have a death toll", "during the course of the game, both their parents are brutally murdered. So", "in my story (as you can plainly see), but at this point, I'm", "game, both their parents are brutally murdered. So that brings the death toll", "of his adopted daughters (I say daughter here and not niece because neither", "young brother very early on and during the course of the game, both", "the course of the game, both their parents are brutally murdered. So that", "daughters and raises them alone, lost both his parents and doesn't even remember", "her, and the other adopted daughter came from an orphanage (it's assumed her", "from an orphanage (it's assumed her parents died as well). That's the first", "the death toll to eight. Now, I don't really have a problem using", "is actually a horror game with lots of characters dying already (explosive decompression", "on the deaths in the backstories of my MAIN characters? Would it feel", "to eight. Now, I don't really have a problem using death in my", "Would it feel forced to use death a lot for the main characters?", "a lot of death... The protagonist, who has two adopted daughters and raises", "(I say daughter here and not niece because neither the protagonist nor the", "because neither the protagonist nor the sister knew they were siblings), the real", "were siblings), the real father doesn't want to know anything about her, and", "brother very early on and during the course of the game, both their", "two brothers, lost a young brother very early on and during the course", "actually a horror game with lots of characters dying already (explosive decompression is", "other adopted daughter came from an orphanage (it's assumed her parents died as", "daughter came from an orphanage (it's assumed her parents died as well). That's", "point, I'm beginning to think I use death too much. My game is", "lot of death... The protagonist, who has two adopted daughters and raises them", "orphanage (it's assumed her parents died as well). That's the first three main", "characters, two brothers, lost a young brother very early on and during the", "lost a young brother very early on and during the course of the", "niece because neither the protagonist nor the sister knew they were siblings), the", "but at this point, I'm beginning to think I use death too much.", "then, should I cut down on the deaths in the backstories of my", "MAIN characters? Would it feel forced to use death a lot for the", "as well). That's the first three main characters and already I have a", "sister knew they were siblings), the real father doesn't want to know anything", "of a curse), lost his sister, who died giving birth to one of", "a death toll of five. The other two characters, two brothers, lost a", "came from an orphanage (it's assumed her parents died as well). That's the", "assumed her parents died as well). That's the first three main characters and", "remember them (part of a curse), lost his sister, who died giving birth", "see), but at this point, I'm beginning to think I use death too", "and raises them alone, lost both his parents and doesn't even remember them", "and the other adopted daughter came from an orphanage (it's assumed her parents", "neither the protagonist nor the sister knew they were siblings), the real father", "game with lots of characters dying already (explosive decompression is involved at some", "the protagonist nor the sister knew they were siblings), the real father doesn't", "giving birth to one of his adopted daughters (I say daughter here and", "adopted daughters (I say daughter here and not niece because neither the protagonist", "(part of a curse), lost his sister, who died giving birth to one", "down on the deaths in the backstories of my MAIN characters? Would it", "five main characters involves a lot of death... The protagonist, who has two", "use death too much. My game is actually a horror game with lots", "So that brings the death toll to eight. Now, I don't really have", "the sister knew they were siblings), the real father doesn't want to know", "death... The protagonist, who has two adopted daughters and raises them alone, lost", "other two characters, two brothers, lost a young brother very early on and", "of the game, both their parents are brutally murdered. So that brings the", "don't really have a problem using death in my story (as you can", "the first three main characters and already I have a death toll of", "early on and during the course of the game, both their parents are", "protagonist nor the sister knew they were siblings), the real father doesn't want", "are brutally murdered. So that brings the death toll to eight. Now, I", "problem using death in my story (as you can plainly see), but at", "The protagonist, who has two adopted daughters and raises them alone, lost both", "a problem using death in my story (as you can plainly see), but", "backstory of my five main characters involves a lot of death... The protagonist,", "them alone, lost both his parents and doesn't even remember them (part of", "dying already (explosive decompression is involved at some point), but even then, should", "of my MAIN characters? Would it feel forced to use death a lot", "here and not niece because neither the protagonist nor the sister knew they", "died giving birth to one of his adopted daughters (I say daughter here", "on and during the course of the game, both their parents are brutally", "and not niece because neither the protagonist nor the sister knew they were", "adopted daughter came from an orphanage (it's assumed her parents died as well).", "and doesn't even remember them (part of a curse), lost his sister, who", "(as you can plainly see), but at this point, I'm beginning to think", "too much. My game is actually a horror game with lots of characters", "raises them alone, lost both his parents and doesn't even remember them (part", "her parents died as well). That's the first three main characters and already", "backstories of my MAIN characters? Would it feel forced to use death a", "I have a death toll of five. The other two characters, two brothers,", "an orphanage (it's assumed her parents died as well). That's the first three", "died as well). That's the first three main characters and already I have", "who died giving birth to one of his adopted daughters (I say daughter", "some point), but even then, should I cut down on the deaths in", "his sister, who died giving birth to one of his adopted daughters (I", "my story (as you can plainly see), but at this point, I'm beginning", "very early on and during the course of the game, both their parents", "knew they were siblings), the real father doesn't want to know anything about", "death toll of five. The other two characters, two brothers, lost a young", "curse), lost his sister, who died giving birth to one of his adopted", "birth to one of his adopted daughters (I say daughter here and not", "two adopted daughters and raises them alone, lost both his parents and doesn't", "main characters and already I have a death toll of five. The other", "father doesn't want to know anything about her, and the other adopted daughter" ]
[ "discouraged, and if so why? I might be wrong in at least two", "abstract concepts. Not the most useful example but something like \"Monads are like", "be wrong in at least two ways: 1. These \"tricks\" are used. I", "the abstraction is all about. As a bonus, it might also make studying", "I mean. It also includes some jokes and funny drawings which are not", "because it just seems easier. Now, I don't remember reading stuff like that", "Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the things I mean. It also", "a bonus, it might also make studying the material more enjoyable because it", "in explaining concepts and technology are not used that much. For example a", "also includes some jokes and funny drawings which are not what I'm talking", "\"tricks\" are used. I just don't see them. 2. They have a disadvantage", "- only to reveal later on what they are actually specific cases of.", "concepts. Not the most useful example but something like \"Monads are like burritos,", "and technology are not used that much. For example a metaphor often helps", "they are not plain, but something wrapped in something else\". Another such technique", "think they can be very beneficial, and the extra time spent reading is", "make studying the material more enjoyable because it just seems easier. Now, I", "tutorials, blogs and such. Is their use generally discouraged, and if so why?", "(and simple) case of something - and maybe a second and third case", "if so why? I might be wrong in at least two ways: 1.", "You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the things I mean.", "the extra time spent reading is often worth it. I think the online", "it seems to me that some techniques which help in explaining concepts and", "later on what they are actually specific cases of. By successfully following the", "get an intuition about what the abstraction is all about. As a bonus,", "\"Monads are like burritos, they are not plain, but something wrapped in something", "not used that much. For example a metaphor often helps one to understand", "time spent reading is often worth it. I think the online book [Learn", "to get an intuition about what the abstraction is all about. As a", "about. As a bonus, it might also make studying the material more enjoyable", "explaining concepts and technology are not used that much. For example a metaphor", "about what the abstraction is all about. As a bonus, it might also", "useful example but something like \"Monads are like burritos, they are not plain,", "least two ways: 1. These \"tricks\" are used. I just don't see them.", "third case - only to reveal later on what they are actually specific", "simple) case of something - and maybe a second and third case -", "it might also make studying the material more enjoyable because it just seems", "papers, but I often find them in online tutorials, blogs and such. Is", "for Great Good!](http://learnyouahaskell.com/chapters) does most of the things I mean. It also includes", "all too often in scientific papers, but I often find them in online", "As a bonus, it might also make studying the material more enjoyable because", "they can be very beneficial, and the extra time spent reading is often", "1. These \"tricks\" are used. I just don't see them. 2. They have", "but something wrapped in something else\". Another such technique would be explaining a", "material more enjoyable because it just seems easier. Now, I don't remember reading", "worth it. I think the online book [Learn You a Haskell for Great", "simple examples and seeing what they have in common, it is then easier", "so why? I might be wrong in at least two ways: 1. These", "is often worth it. I think the online book [Learn You a Haskell", "wrapped in something else\". Another such technique would be explaining a specific (and", "in online tutorials, blogs and such. Is their use generally discouraged, and if", "things I mean. It also includes some jokes and funny drawings which are", "are not used that much. For example a metaphor often helps one to", "then easier to get an intuition about what the abstraction is all about.", "a disadvantage I did not think of. I just think they can be", "on what they are actually specific cases of. By successfully following the simple", "something else\". Another such technique would be explaining a specific (and simple) case", "at least two ways: 1. These \"tricks\" are used. I just don't see", "a second and third case - only to reveal later on what they", "specific cases of. By successfully following the simple examples and seeing what they", "reveal later on what they are actually specific cases of. By successfully following", "studying the material more enjoyable because it just seems easier. Now, I don't", "seeing what they have in common, it is then easier to get an", "the material more enjoyable because it just seems easier. Now, I don't remember", "remember reading stuff like that all too often in scientific papers, but I", "but I often find them in online tutorials, blogs and such. Is their", "and such. Is their use generally discouraged, and if so why? I might", "just seems easier. Now, I don't remember reading stuff like that all too", "understand abstract concepts. Not the most useful example but something like \"Monads are", "burritos, they are not plain, but something wrapped in something else\". Another such", "use generally discouraged, and if so why? I might be wrong in at", "is then easier to get an intuition about what the abstraction is all", "very beneficial, and the extra time spent reading is often worth it. I", "extra time spent reading is often worth it. I think the online book", "it's usually in computer science) it seems to me that some techniques which", "to me that some techniques which help in explaining concepts and technology are", "what they are actually specific cases of. By successfully following the simple examples", "Not the most useful example but something like \"Monads are like burritos, they", "what they have in common, it is then easier to get an intuition", "the things I mean. It also includes some jokes and funny drawings which", "two ways: 1. These \"tricks\" are used. I just don't see them. 2.", "think the online book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most", "concepts and technology are not used that much. For example a metaphor often", "that some techniques which help in explaining concepts and technology are not used", "me that some techniques which help in explaining concepts and technology are not", "Good!](http://learnyouahaskell.com/chapters) does most of the things I mean. It also includes some jokes", "like \"Monads are like burritos, they are not plain, but something wrapped in", "might also make studying the material more enjoyable because it just seems easier.", "that all too often in scientific papers, but I often find them in", "like that all too often in scientific papers, but I often find them", "example but something like \"Monads are like burritos, they are not plain, but", "scientific papers, but I often find them in online tutorials, blogs and such.", "their use generally discouraged, and if so why? I might be wrong in", "plain, but something wrapped in something else\". Another such technique would be explaining", "it is then easier to get an intuition about what the abstraction is", "metaphor often helps one to understand abstract concepts. Not the most useful example", "easier to get an intuition about what the abstraction is all about. As", "that much. For example a metaphor often helps one to understand abstract concepts.", "scientific papers (in my case it's usually in computer science) it seems to", "what the abstraction is all about. As a bonus, it might also make", "generally discouraged, and if so why? I might be wrong in at least", "These \"tricks\" are used. I just don't see them. 2. They have a", "techniques which help in explaining concepts and technology are not used that much.", "I just don't see them. 2. They have a disadvantage I did not", "an intuition about what the abstraction is all about. As a bonus, it", "why? I might be wrong in at least two ways: 1. These \"tricks\"", "[Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the things I", "to understand abstract concepts. Not the most useful example but something like \"Monads", "By successfully following the simple examples and seeing what they have in common,", "be very beneficial, and the extra time spent reading is often worth it.", "explaining a specific (and simple) case of something - and maybe a second", "seems easier. Now, I don't remember reading stuff like that all too often", "too often in scientific papers, but I often find them in online tutorials,", "might be wrong in at least two ways: 1. These \"tricks\" are used.", "and maybe a second and third case - only to reveal later on", "common, it is then easier to get an intuition about what the abstraction", "maybe a second and third case - only to reveal later on what", "does most of the things I mean. It also includes some jokes and", "of. By successfully following the simple examples and seeing what they have in", "online book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the", "a metaphor often helps one to understand abstract concepts. Not the most useful", "used that much. For example a metaphor often helps one to understand abstract", "don't remember reading stuff like that all too often in scientific papers, but", "For example a metaphor often helps one to understand abstract concepts. Not the", "abstraction is all about. As a bonus, it might also make studying the", "Is their use generally discouraged, and if so why? I might be wrong", "have a disadvantage I did not think of. I just think they can", "are actually specific cases of. By successfully following the simple examples and seeing", "second and third case - only to reveal later on what they are", "successfully following the simple examples and seeing what they have in common, it", "they have in common, it is then easier to get an intuition about", "in common, it is then easier to get an intuition about what the", "in something else\". Another such technique would be explaining a specific (and simple)", "are used. I just don't see them. 2. They have a disadvantage I", "but something like \"Monads are like burritos, they are not plain, but something", "have in common, it is then easier to get an intuition about what", "and if so why? I might be wrong in at least two ways:", "case - only to reveal later on what they are actually specific cases", "I just think they can be very beneficial, and the extra time spent", "also make studying the material more enjoyable because it just seems easier. Now,", "think of. I just think they can be very beneficial, and the extra", "would be explaining a specific (and simple) case of something - and maybe", "most useful example but something like \"Monads are like burritos, they are not", "find them in online tutorials, blogs and such. Is their use generally discouraged,", "technique would be explaining a specific (and simple) case of something - and", "don't see them. 2. They have a disadvantage I did not think of.", "is all about. As a bonus, it might also make studying the material", "all about. As a bonus, it might also make studying the material more", "online tutorials, blogs and such. Is their use generally discouraged, and if so", "often helps one to understand abstract concepts. Not the most useful example but", "papers (in my case it's usually in computer science) it seems to me", "ways: 1. These \"tricks\" are used. I just don't see them. 2. They", "reading stuff like that all too often in scientific papers, but I often", "science) it seems to me that some techniques which help in explaining concepts", "to reveal later on what they are actually specific cases of. By successfully", "my case it's usually in computer science) it seems to me that some", "the simple examples and seeing what they have in common, it is then", "examples and seeing what they have in common, it is then easier to", "often worth it. I think the online book [Learn You a Haskell for", "Now, I don't remember reading stuff like that all too often in scientific", "I did not think of. I just think they can be very beneficial,", "It also includes some jokes and funny drawings which are not what I'm", "seems to me that some techniques which help in explaining concepts and technology", "which help in explaining concepts and technology are not used that much. For", "not plain, but something wrapped in something else\". Another such technique would be", "of something - and maybe a second and third case - only to", "wrong in at least two ways: 1. These \"tricks\" are used. I just", "of. I just think they can be very beneficial, and the extra time", "spent reading is often worth it. I think the online book [Learn You", "disadvantage I did not think of. I just think they can be very", "includes some jokes and funny drawings which are not what I'm talking about.", "cases of. By successfully following the simple examples and seeing what they have", "more enjoyable because it just seems easier. Now, I don't remember reading stuff", "they are actually specific cases of. By successfully following the simple examples and", "like burritos, they are not plain, but something wrapped in something else\". Another", "see them. 2. They have a disadvantage I did not think of. I", "something wrapped in something else\". Another such technique would be explaining a specific", "book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the things", "and third case - only to reveal later on what they are actually", "only to reveal later on what they are actually specific cases of. By", "helps one to understand abstract concepts. Not the most useful example but something", "are not plain, but something wrapped in something else\". Another such technique would", "the most useful example but something like \"Monads are like burritos, they are", "often find them in online tutorials, blogs and such. Is their use generally", "They have a disadvantage I did not think of. I just think they", "mean. It also includes some jokes and funny drawings which are not what", "be explaining a specific (and simple) case of something - and maybe a", "example a metaphor often helps one to understand abstract concepts. Not the most", "much. For example a metaphor often helps one to understand abstract concepts. Not", "I might be wrong in at least two ways: 1. These \"tricks\" are", "In scientific papers (in my case it's usually in computer science) it seems", "I often find them in online tutorials, blogs and such. Is their use", "some techniques which help in explaining concepts and technology are not used that", "easier. Now, I don't remember reading stuff like that all too often in", "a specific (and simple) case of something - and maybe a second and", "beneficial, and the extra time spent reading is often worth it. I think", "intuition about what the abstraction is all about. As a bonus, it might", "case it's usually in computer science) it seems to me that some techniques", "in scientific papers, but I often find them in online tutorials, blogs and", "stuff like that all too often in scientific papers, but I often find", "enjoyable because it just seems easier. Now, I don't remember reading stuff like", "did not think of. I just think they can be very beneficial, and", "Another such technique would be explaining a specific (and simple) case of something", "in computer science) it seems to me that some techniques which help in", "such. Is their use generally discouraged, and if so why? I might be", "case of something - and maybe a second and third case - only", "it. I think the online book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters)", "2. They have a disadvantage I did not think of. I just think", "technology are not used that much. For example a metaphor often helps one", "specific (and simple) case of something - and maybe a second and third", "- and maybe a second and third case - only to reveal later", "often in scientific papers, but I often find them in online tutorials, blogs", "most of the things I mean. It also includes some jokes and funny", "I don't remember reading stuff like that all too often in scientific papers,", "not think of. I just think they can be very beneficial, and the", "something - and maybe a second and third case - only to reveal", "in at least two ways: 1. These \"tricks\" are used. I just don't", "and seeing what they have in common, it is then easier to get", "blogs and such. Is their use generally discouraged, and if so why? I", "reading is often worth it. I think the online book [Learn You a", "computer science) it seems to me that some techniques which help in explaining", "else\". Another such technique would be explaining a specific (and simple) case of", "them. 2. They have a disadvantage I did not think of. I just", "can be very beneficial, and the extra time spent reading is often worth", "and the extra time spent reading is often worth it. I think the", "usually in computer science) it seems to me that some techniques which help", "something like \"Monads are like burritos, they are not plain, but something wrapped", "one to understand abstract concepts. Not the most useful example but something like", "a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of the things I mean. It", "Great Good!](http://learnyouahaskell.com/chapters) does most of the things I mean. It also includes some", "(in my case it's usually in computer science) it seems to me that", "bonus, it might also make studying the material more enjoyable because it just", "just think they can be very beneficial, and the extra time spent reading", "them in online tutorials, blogs and such. Is their use generally discouraged, and", "are like burritos, they are not plain, but something wrapped in something else\".", "help in explaining concepts and technology are not used that much. For example", "used. I just don't see them. 2. They have a disadvantage I did", "I think the online book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does", "it just seems easier. Now, I don't remember reading stuff like that all", "such technique would be explaining a specific (and simple) case of something -", "of the things I mean. It also includes some jokes and funny drawings", "just don't see them. 2. They have a disadvantage I did not think", "the online book [Learn You a Haskell for Great Good!](http://learnyouahaskell.com/chapters) does most of", "following the simple examples and seeing what they have in common, it is", "actually specific cases of. By successfully following the simple examples and seeing what" ]
[ "the reader how it worked through dialogue (if I really had to). Question", "I see a lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all", "about really in-depth, intense worldbuilding. It all seems so unnecessary to me. For", "questions asked on this site are about really in-depth, intense worldbuilding. It all", "I'd just have the thing work and mainly show the reader how it", "dialogue (if I really had to). Question -------- A few questions which tie", "each other: > > Is it necessary to include tons of worldbuilding details?", "system is a great example of that. There is no explanation for why", "> > > Will a reader just 'accept' that something works, or require", "the page. It seems different with a lot of people. Many questions asked", "it. > > Only details necessary to the story are mentioned. > >", "people. Many questions asked on this site are about really in-depth, intense worldbuilding.", "worked through dialogue (if I really had to). Question -------- A few questions", "questions which tie into each other: > > Is it necessary to include", "course I have a big, sprawling worldbuilded idea in my head, but I", "the world when they have to be. Of course I have a big,", "why you can draw upon the power of the ancients it just happens.", "of the ancient tales and old gods. > > > That's literally all", "know this one is going to be particularly frowned upon, but I'm really", "worldbuilding. It all seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think", "> > Will a reader just 'accept' that something works, or require an", "> > > Now I know this one is going to be particularly", "> > > For example, my magic system is a great example of", "be particularly frowned upon, but I'm really big on not confusing the reader.", "just 'accept' that something works, or require an explanation? > > > For", "want to waste words on going in-depth because there isn't that much to", "on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and stuff,", "this site are about really in-depth, intense worldbuilding. It all seems so unnecessary", "there isn't that much to it. > > Only details necessary to the", "details necessary to the story are mentioned. > > > Now I know", "mentioned. > > > Now I know this one is going to be", "don't want all of that to spill onto the page. It seems different", "the story are mentioned. > > > Now I know this one is", "Only details necessary to the story are mentioned. > > > Now I", "I have a big, sprawling worldbuilded idea in my head, but I don't", "my head, but I don't want all of that to spill onto the", "site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and stuff, doing all", "have to be. Of course I have a big, sprawling worldbuilded idea in", "are about really in-depth, intense worldbuilding. It all seems so unnecessary to me.", "> Now I know this one is going to be particularly frowned upon,", "that. For example: > > My 'magic' system works by calling upon the", "they have to be. Of course I have a big, sprawling worldbuilded idea", "power of the ancient tales and old gods. > > > That's literally", "big on not confusing the reader. I only mention things about the world", "particularly frowned upon, but I'm really big on not confusing the reader. I", "on going in-depth because there isn't that much to it. > > Only", "literally all I've said about it. I didn't really want to waste words", "deeply explaining worldbuilding and stuff, doing all of that explaining type of thing.", "I don't want all of that to spill onto the page. It seems", "or require an explanation? > > > For example, my magic system is", "sprawling worldbuilded idea in my head, but I don't want all of that", "They're all about deeply explaining worldbuilding and stuff, doing all of that explaining", "this one is going to be particularly frowned upon, but I'm really big", "worldbuilding and stuff, doing all of that explaining type of thing. Normally, I", "seems different with a lot of people. Many questions asked on this site", "Will a reader just 'accept' that something works, or require an explanation? >", "So I see a lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're", "an explanation? > > > For example, my magic system is a great", "on not confusing the reader. I only mention things about the world when", "to the story are mentioned. > > > Now I know this one", "skip that. For example: > > My 'magic' system works by calling upon", "gods. > > > That's literally all I've said about it. I didn't", "> Only details necessary to the story are mentioned. > > > Now", "that to spill onto the page. It seems different with a lot of", "Of course I have a big, sprawling worldbuilded idea in my head, but", "spill onto the page. It seems different with a lot of people. Many", "example, my magic system is a great example of that. There is no", "not confusing the reader. I only mention things about the world when they", "example: > > My 'magic' system works by calling upon the power of", "> > Now I know this one is going to be particularly frowned", "a big, sprawling worldbuilded idea in my head, but I don't want all", "of that to spill onto the page. It seems different with a lot", "something works, or require an explanation? > > > For example, my magic", "Now I know this one is going to be particularly frowned upon, but", "I know this one is going to be particularly frowned upon, but I'm", "really in-depth, intense worldbuilding. It all seems so unnecessary to me. For [this", "Normally, I just skip that. For example: > > My 'magic' system works", "My 'magic' system works by calling upon the power of the ancient tales", "really want to waste words on going in-depth because there isn't that much", "frowned upon, but I'm really big on not confusing the reader. I only", "For example: > > My 'magic' system works by calling upon the power", "going in-depth because there isn't that much to it. > > Only details", "seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have", "> > Is it necessary to include tons of worldbuilding details? > >", "necessary to include tons of worldbuilding details? > > > Will a reader", "about deeply explaining worldbuilding and stuff, doing all of that explaining type of", "It all seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd", "is a great example of that. There is no explanation for why you", "waste words on going in-depth because there isn't that much to it. >", "site are about really in-depth, intense worldbuilding. It all seems so unnecessary to", "I just skip that. For example: > > My 'magic' system works by", "only mention things about the world when they have to be. Of course", "asked on this site are about really in-depth, intense worldbuilding. It all seems", "explanation for why you can draw upon the power of the ancients it", "worldbuilded idea in my head, but I don't want all of that to", "just skip that. For example: > > My 'magic' system works by calling", "all of that explaining type of thing. Normally, I just skip that. For", "include tons of worldbuilding details? > > > Will a reader just 'accept'", "For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing work and mainly", "old gods. > > > That's literally all I've said about it. I", "see a lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about", "about the world when they have to be. Of course I have a", "Is it necessary to include tons of worldbuilding details? > > > Will", "worldbuilding details? > > > Will a reader just 'accept' that something works,", "it worked through dialogue (if I really had to). Question -------- A few", "I only mention things about the world when they have to be. Of", "really big on not confusing the reader. I only mention things about the", "head, but I don't want all of that to spill onto the page.", "explaining type of thing. Normally, I just skip that. For example: > >", "me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing work and", "is no explanation for why you can draw upon the power of the", "a great example of that. There is no explanation for why you can", "tales and old gods. > > > That's literally all I've said about", "> My 'magic' system works by calling upon the power of the ancient", "> > That's literally all I've said about it. I didn't really want", "but I don't want all of that to spill onto the page. It", "all of that to spill onto the page. It seems different with a", "to be. Of course I have a big, sprawling worldbuilded idea in my", "thing work and mainly show the reader how it worked through dialogue (if", "'magic' system works by calling upon the power of the ancient tales and", "reader just 'accept' that something works, or require an explanation? > > >", "it. I didn't really want to waste words on going in-depth because there", "system works by calling upon the power of the ancient tales and old", "to it. > > Only details necessary to the story are mentioned. >", "for why you can draw upon the power of the ancients it just", "all about deeply explaining worldbuilding and stuff, doing all of that explaining type", "confusing the reader. I only mention things about the world when they have", "I've said about it. I didn't really want to waste words on going", "Question -------- A few questions which tie into each other: > > Is", "few questions which tie into each other: > > Is it necessary to", "> Is it necessary to include tons of worldbuilding details? > > >", "great example of that. There is no explanation for why you can draw", "Background ---------- So I see a lot of questions on the site [like", "are mentioned. > > > Now I know this one is going to", "no explanation for why you can draw upon the power of the ancients", "have a big, sprawling worldbuilded idea in my head, but I don't want", "mainly show the reader how it worked through dialogue (if I really had", "isn't that much to it. > > Only details necessary to the story", "necessary to the story are mentioned. > > > Now I know this", "through dialogue (if I really had to). Question -------- A few questions which", "big, sprawling worldbuilded idea in my head, but I don't want all of", "that much to it. > > Only details necessary to the story are", "page. It seems different with a lot of people. Many questions asked on", "> For example, my magic system is a great example of that. There", "that explaining type of thing. Normally, I just skip that. For example: >", "but I'm really big on not confusing the reader. I only mention things", "reader. I only mention things about the world when they have to be.", "-------- A few questions which tie into each other: > > Is it", "mention things about the world when they have to be. Of course I", "of people. Many questions asked on this site are about really in-depth, intense", "I didn't really want to waste words on going in-depth because there isn't", "my magic system is a great example of that. There is no explanation", "all seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just", "by calling upon the power of the ancient tales and old gods. >", "upon, but I'm really big on not confusing the reader. I only mention", "this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and stuff, doing all of that", "[like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and stuff, doing all of", "doing all of that explaining type of thing. Normally, I just skip that.", "different with a lot of people. Many questions asked on this site are", "things about the world when they have to be. Of course I have", "I think I'd just have the thing work and mainly show the reader", "had to). Question -------- A few questions which tie into each other: >", "with a lot of people. Many questions asked on this site are about", "words on going in-depth because there isn't that much to it. > >", "in my head, but I don't want all of that to spill onto", "into each other: > > Is it necessary to include tons of worldbuilding", "and old gods. > > > That's literally all I've said about it.", "upon the power of the ancient tales and old gods. > > >", "calling upon the power of the ancient tales and old gods. > >", "to spill onto the page. It seems different with a lot of people.", "works, or require an explanation? > > > For example, my magic system", "thing. Normally, I just skip that. For example: > > My 'magic' system", "when they have to be. Of course I have a big, sprawling worldbuilded", "lot of people. Many questions asked on this site are about really in-depth,", "to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing work", "I really had to). Question -------- A few questions which tie into each", "of worldbuilding details? > > > Will a reader just 'accept' that something", "For example, my magic system is a great example of that. There is", "tie into each other: > > Is it necessary to include tons of", "explaining worldbuilding and stuff, doing all of that explaining type of thing. Normally,", "of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding", "just have the thing work and mainly show the reader how it worked", "show the reader how it worked through dialogue (if I really had to).", "a lot of people. Many questions asked on this site are about really", "Many questions asked on this site are about really in-depth, intense worldbuilding. It", "of that explaining type of thing. Normally, I just skip that. For example:", "other: > > Is it necessary to include tons of worldbuilding details? >", "> > For example, my magic system is a great example of that.", "There is no explanation for why you can draw upon the power of", "said about it. I didn't really want to waste words on going in-depth", "one is going to be particularly frowned upon, but I'm really big on", "want all of that to spill onto the page. It seems different with", "tons of worldbuilding details? > > > Will a reader just 'accept' that", "stuff, doing all of that explaining type of thing. Normally, I just skip", "about it. I didn't really want to waste words on going in-depth because", "> > Only details necessary to the story are mentioned. > > >", "details? > > > Will a reader just 'accept' that something works, or", "magic system is a great example of that. There is no explanation for", "that. There is no explanation for why you can draw upon the power", "intense worldbuilding. It all seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I", "so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the", "explanation? > > > For example, my magic system is a great example", "A few questions which tie into each other: > > Is it necessary", "work and mainly show the reader how it worked through dialogue (if I", "> > > That's literally all I've said about it. I didn't really", "lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining", "question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing work and mainly show the", "---------- So I see a lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo).", "It seems different with a lot of people. Many questions asked on this", "[this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing work and mainly show", "on this site are about really in-depth, intense worldbuilding. It all seems so", "unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b) I think I'd just have the thing", "to be particularly frowned upon, but I'm really big on not confusing the", "to include tons of worldbuilding details? > > > Will a reader just", "the power of the ancient tales and old gods. > > > That's", "require an explanation? > > > For example, my magic system is a", "think I'd just have the thing work and mainly show the reader how", "and stuff, doing all of that explaining type of thing. Normally, I just", "is going to be particularly frowned upon, but I'm really big on not", "to waste words on going in-depth because there isn't that much to it.", "be. Of course I have a big, sprawling worldbuilded idea in my head,", "the thing work and mainly show the reader how it worked through dialogue", "> Will a reader just 'accept' that something works, or require an explanation?", "a reader just 'accept' that something works, or require an explanation? > >", "a lot of questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply", "the reader. I only mention things about the world when they have to", "of thing. Normally, I just skip that. For example: > > My 'magic'", "the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and stuff, doing", "in-depth, intense worldbuilding. It all seems so unnecessary to me. For [this question](https://writers.stackexchange.com/questions/26509/the-flux-capacitor-its-what-makes-time-travel-possible-when-to-keep-world-b)", "didn't really want to waste words on going in-depth because there isn't that", "because there isn't that much to it. > > Only details necessary to", "all I've said about it. I didn't really want to waste words on", "(if I really had to). Question -------- A few questions which tie into", "that something works, or require an explanation? > > > For example, my", "the ancient tales and old gods. > > > That's literally all I've", "That's literally all I've said about it. I didn't really want to waste", "which tie into each other: > > Is it necessary to include tons", "how it worked through dialogue (if I really had to). Question -------- A", "really had to). Question -------- A few questions which tie into each other:", "'accept' that something works, or require an explanation? > > > For example,", "example of that. There is no explanation for why you can draw upon", "reader how it worked through dialogue (if I really had to). Question --------", "much to it. > > Only details necessary to the story are mentioned.", "idea in my head, but I don't want all of that to spill", "world when they have to be. Of course I have a big, sprawling", "story are mentioned. > > > Now I know this one is going", "ancient tales and old gods. > > > That's literally all I've said", "and mainly show the reader how it worked through dialogue (if I really", "questions on the site [like this](https://writers.stackexchange.com/questions/26482/how-to-introduce-alien-flora-fauna-without-turning-the-fiction-into-a-biology-bo). They're all about deeply explaining worldbuilding and", "have the thing work and mainly show the reader how it worked through", "going to be particularly frowned upon, but I'm really big on not confusing", "I'm really big on not confusing the reader. I only mention things about", "onto the page. It seems different with a lot of people. Many questions", "works by calling upon the power of the ancient tales and old gods.", "of that. There is no explanation for why you can draw upon the", "> > My 'magic' system works by calling upon the power of the", "type of thing. Normally, I just skip that. For example: > > My", "in-depth because there isn't that much to it. > > Only details necessary", "> That's literally all I've said about it. I didn't really want to", "it necessary to include tons of worldbuilding details? > > > Will a", "to). Question -------- A few questions which tie into each other: > >" ]
[ "he's misunderstood. I plan for the two characters to fall in love at", "age (inherited fathers company). Perceived as somewhat of a womanizer, In my opinion", "specific project, though I'm thinking my question could be relevant for almost any", "challenges/issues that make sense for the hero to go through/solve. So; I am", "of a womanizer, In my opinion he's misunderstood. I plan for the two", "with B, B is separated from C, C is interested in \"Y\" and", "make sense for the hero to go through/solve. So; I am not looking", "in society: Very wealthy for his age (inherited fathers company). Perceived as somewhat", "separated from C, C is interested in \"Y\" and \"Y\" is also being", "womanizer, In my opinion he's misunderstood. I plan for the two characters to", "In my opinion he's misunderstood. I plan for the two characters to fall", "broader answer to the question: How do I figure out what challenges fit", "a broader answer to the question: How do I figure out what challenges", "romantic issues, I'm having trouble coming up with challenges/issues that make sense for", "his place in society: Very wealthy for his age (inherited fathers company). Perceived", "I will supply you with some character information and some context for my", "issues, I'm having trouble coming up with challenges/issues that make sense for the", "looking for answers regarding my specific plot, but rather a broader answer to", "and some context for my specific project, though I'm thinking my question could", "eventually ending up with the heroine. As of now, there are some \"romantic\"", "some \"romantic\" issues: \"X\" has an affaire with B, B is separated from", "is also being charmed by ex-boyfriend E.. Aside from the romantic issues, I'm", "could be relevant for almost any story. I am writing a story involving", "of the hero and his place in society: Very wealthy for his age", "issues: \"X\" has an affaire with B, B is separated from C, C", "has an affaire with B, B is separated from C, C is interested", "(hero) and a female character \"Y\" (to-be heroine). I have a clear idea", "ex-boyfriend E.. Aside from the romantic issues, I'm having trouble coming up with", "B is separated from C, C is interested in \"Y\" and \"Y\" is", "his age (inherited fathers company). Perceived as somewhat of a womanizer, In my", "a womanizer, In my opinion he's misunderstood. I plan for the two characters", "to go through some challenges/struggles before eventually ending up with the heroine. As", "I am not looking for answers regarding my specific plot, but rather a", "also being charmed by ex-boyfriend E.. Aside from the romantic issues, I'm having", "characters to fall in love at a later point in the story. Before", "the heroine. As of now, there are some \"romantic\" issues: \"X\" has an", "go through/solve. So; I am not looking for answers regarding my specific plot,", "are some \"romantic\" issues: \"X\" has an affaire with B, B is separated", "before eventually ending up with the heroine. As of now, there are some", "am writing a story involving with a \"bad boy\" main character \"X\" (hero)", "a \"bad boy\" main character \"X\" (hero) and a female character \"Y\" (to-be", "later point in the story. Before that however, I want the hero to", "\"Y\" (to-be heroine). I have a clear idea of the hero and his", "and his place in society: Very wealthy for his age (inherited fathers company).", "plan for the two characters to fall in love at a later point", "my specific plot, but rather a broader answer to the question: How do", "now, there are some \"romantic\" issues: \"X\" has an affaire with B, B", "I have a clear idea of the hero and his place in society:", "I'm having trouble coming up with challenges/issues that make sense for the hero", "the two characters to fall in love at a later point in the", "with a \"bad boy\" main character \"X\" (hero) and a female character \"Y\"", "for almost any story. I am writing a story involving with a \"bad", "almost any story. I am writing a story involving with a \"bad boy\"", "character \"Y\" (to-be heroine). I have a clear idea of the hero and", "(to-be heroine). I have a clear idea of the hero and his place", "clear idea of the hero and his place in society: Very wealthy for", "supply you with some character information and some context for my specific project,", "through/solve. So; I am not looking for answers regarding my specific plot, but", "will supply you with some character information and some context for my specific", "with some character information and some context for my specific project, though I'm", "any story. I am writing a story involving with a \"bad boy\" main", "from C, C is interested in \"Y\" and \"Y\" is also being charmed", "specific plot, but rather a broader answer to the question: How do I", "through some challenges/struggles before eventually ending up with the heroine. As of now,", "boy\" main character \"X\" (hero) and a female character \"Y\" (to-be heroine). I", "is interested in \"Y\" and \"Y\" is also being charmed by ex-boyfriend E..", "a story involving with a \"bad boy\" main character \"X\" (hero) and a", "the story. Before that however, I want the hero to go through some", "thinking my question could be relevant for almost any story. I am writing", "the hero to go through some challenges/struggles before eventually ending up with the", "to go through/solve. So; I am not looking for answers regarding my specific", "opinion he's misunderstood. I plan for the two characters to fall in love", "Before that however, I want the hero to go through some challenges/struggles before", "with the heroine. As of now, there are some \"romantic\" issues: \"X\" has", "answers regarding my specific plot, but rather a broader answer to the question:", "but rather a broader answer to the question: How do I figure out", "have a clear idea of the hero and his place in society: Very", "my question could be relevant for almost any story. I am writing a", "the hero and his place in society: Very wealthy for his age (inherited", "and a female character \"Y\" (to-be heroine). I have a clear idea of", "up with the heroine. As of now, there are some \"romantic\" issues: \"X\"", "with challenges/issues that make sense for the hero to go through/solve. So; I", "from the romantic issues, I'm having trouble coming up with challenges/issues that make", "main character \"X\" (hero) and a female character \"Y\" (to-be heroine). I have", "coming up with challenges/issues that make sense for the hero to go through/solve.", "society: Very wealthy for his age (inherited fathers company). Perceived as somewhat of", "as somewhat of a womanizer, In my opinion he's misunderstood. I plan for", "\"Y\" and \"Y\" is also being charmed by ex-boyfriend E.. Aside from the", "\"Y\" is also being charmed by ex-boyfriend E.. Aside from the romantic issues,", "hero to go through/solve. So; I am not looking for answers regarding my", "plot, but rather a broader answer to the question: How do I figure", "some context for my specific project, though I'm thinking my question could be", "to the question: How do I figure out what challenges fit a character?", "that make sense for the hero to go through/solve. So; I am not", "\"X\" (hero) and a female character \"Y\" (to-be heroine). I have a clear", "misunderstood. I plan for the two characters to fall in love at a", "a clear idea of the hero and his place in society: Very wealthy", "hero and his place in society: Very wealthy for his age (inherited fathers", "two characters to fall in love at a later point in the story.", "character information and some context for my specific project, though I'm thinking my", "fall in love at a later point in the story. Before that however,", "having trouble coming up with challenges/issues that make sense for the hero to", "heroine). I have a clear idea of the hero and his place in", "question could be relevant for almost any story. I am writing a story", "Aside from the romantic issues, I'm having trouble coming up with challenges/issues that", "and \"Y\" is also being charmed by ex-boyfriend E.. Aside from the romantic", "writing a story involving with a \"bad boy\" main character \"X\" (hero) and", "story. Before that however, I want the hero to go through some challenges/struggles", "my opinion he's misunderstood. I plan for the two characters to fall in", "I plan for the two characters to fall in love at a later", "being charmed by ex-boyfriend E.. Aside from the romantic issues, I'm having trouble", "regarding my specific plot, but rather a broader answer to the question: How", "of now, there are some \"romantic\" issues: \"X\" has an affaire with B,", "information and some context for my specific project, though I'm thinking my question", "the hero to go through/solve. So; I am not looking for answers regarding", "my specific project, though I'm thinking my question could be relevant for almost", "hero to go through some challenges/struggles before eventually ending up with the heroine.", "in \"Y\" and \"Y\" is also being charmed by ex-boyfriend E.. Aside from", "context for my specific project, though I'm thinking my question could be relevant", "for the two characters to fall in love at a later point in", "Perceived as somewhat of a womanizer, In my opinion he's misunderstood. I plan", "the romantic issues, I'm having trouble coming up with challenges/issues that make sense", "C is interested in \"Y\" and \"Y\" is also being charmed by ex-boyfriend", "involving with a \"bad boy\" main character \"X\" (hero) and a female character", "there are some \"romantic\" issues: \"X\" has an affaire with B, B is", "\"X\" has an affaire with B, B is separated from C, C is", "point in the story. Before that however, I want the hero to go", "you with some character information and some context for my specific project, though", "place in society: Very wealthy for his age (inherited fathers company). Perceived as", "E.. Aside from the romantic issues, I'm having trouble coming up with challenges/issues", "for answers regarding my specific plot, but rather a broader answer to the", "Very wealthy for his age (inherited fathers company). Perceived as somewhat of a", "\"bad boy\" main character \"X\" (hero) and a female character \"Y\" (to-be heroine).", "some challenges/struggles before eventually ending up with the heroine. As of now, there", "that however, I want the hero to go through some challenges/struggles before eventually", "female character \"Y\" (to-be heroine). I have a clear idea of the hero", "in love at a later point in the story. Before that however, I", "however, I want the hero to go through some challenges/struggles before eventually ending", "B, B is separated from C, C is interested in \"Y\" and \"Y\"", "story involving with a \"bad boy\" main character \"X\" (hero) and a female", "interested in \"Y\" and \"Y\" is also being charmed by ex-boyfriend E.. Aside", "wealthy for his age (inherited fathers company). Perceived as somewhat of a womanizer,", "trouble coming up with challenges/issues that make sense for the hero to go", "rather a broader answer to the question: How do I figure out what", "project, though I'm thinking my question could be relevant for almost any story.", "ending up with the heroine. As of now, there are some \"romantic\" issues:", "for his age (inherited fathers company). Perceived as somewhat of a womanizer, In", "a female character \"Y\" (to-be heroine). I have a clear idea of the", "I want the hero to go through some challenges/struggles before eventually ending up", "charmed by ex-boyfriend E.. Aside from the romantic issues, I'm having trouble coming", "be relevant for almost any story. I am writing a story involving with", "want the hero to go through some challenges/struggles before eventually ending up with", "for my specific project, though I'm thinking my question could be relevant for", "in the story. Before that however, I want the hero to go through", "up with challenges/issues that make sense for the hero to go through/solve. So;", "relevant for almost any story. I am writing a story involving with a", "some character information and some context for my specific project, though I'm thinking", "is separated from C, C is interested in \"Y\" and \"Y\" is also", "affaire with B, B is separated from C, C is interested in \"Y\"", "idea of the hero and his place in society: Very wealthy for his", "character \"X\" (hero) and a female character \"Y\" (to-be heroine). I have a", "I'm thinking my question could be relevant for almost any story. I am", "story. I am writing a story involving with a \"bad boy\" main character", "I am writing a story involving with a \"bad boy\" main character \"X\"", "company). Perceived as somewhat of a womanizer, In my opinion he's misunderstood. I", "love at a later point in the story. Before that however, I want", "to fall in love at a later point in the story. Before that", "C, C is interested in \"Y\" and \"Y\" is also being charmed by", "somewhat of a womanizer, In my opinion he's misunderstood. I plan for the", "not looking for answers regarding my specific plot, but rather a broader answer", "As of now, there are some \"romantic\" issues: \"X\" has an affaire with", "by ex-boyfriend E.. Aside from the romantic issues, I'm having trouble coming up", "though I'm thinking my question could be relevant for almost any story. I", "challenges/struggles before eventually ending up with the heroine. As of now, there are", "at a later point in the story. Before that however, I want the", "sense for the hero to go through/solve. So; I am not looking for", "am not looking for answers regarding my specific plot, but rather a broader", "\"romantic\" issues: \"X\" has an affaire with B, B is separated from C,", "(inherited fathers company). Perceived as somewhat of a womanizer, In my opinion he's", "So; I am not looking for answers regarding my specific plot, but rather", "heroine. As of now, there are some \"romantic\" issues: \"X\" has an affaire", "an affaire with B, B is separated from C, C is interested in", "fathers company). Perceived as somewhat of a womanizer, In my opinion he's misunderstood.", "answer to the question: **How do I figure out what challenges fit a", "a later point in the story. Before that however, I want the hero", "go through some challenges/struggles before eventually ending up with the heroine. As of", "for the hero to go through/solve. So; I am not looking for answers" ]
[ "question. It was the question she always > asked me during any lull", "questions himself constantly in conversation without breaking the flow of the dialogue? Do", "seen this in visual media, but not really in written media so I", "convey the narrator's character and mental inclinations so it would be hard to", "in the narrator's head if it isn't dialogue. And the narrator thinks a", "> asked me during any lull in conversation. It always made me super", "as to how to proceed. I am writing a first person narrative where", "really in written media so I am sort of at a loss as", "she asked. > > > And there it was. The loaded question. It", "> > And there it was. The loaded question. It was the question", "question she always > asked me during any lull in conversation. It always", "not really in written media so I am sort of at a loss", "asked me during any lull in conversation. It always made me super >", "loss as to how to proceed. I am writing a first person narrative", "is a decent example of the dialogue. The idea is that it is", "lot during conversation. Example: > > \"So what are you thinking about?\" she", "The loaded question. It was the question she always > asked me during", "she knew that. Oh gods she's looking at me. Quick > think of", "looking at me. Quick > think of an answer. > > > \"I", "a loss as to how to proceed. I am writing a first person", "a device to convey the narrator's character and mental inclinations so it would", "asked. > > > And there it was. The loaded question. It was", "or is there some other method that I am not realizing? Note: the", "there some other method that I am not realizing? Note: the internal monologues", "have seen this in visual media, but not really in written media so", "internal monologues are a device to convey the narrator's character and mental inclinations", "so I am sort of at a loss as to how to proceed.", "constantly in conversation without breaking the flow of the dialogue? Do I interject", "am writing a first person narrative where the main character is almost constantly", "writing a first person narrative where the main character is almost constantly in", "that I am not realizing? Note: the internal monologues are a device to", "method that I am not realizing? Note: the internal monologues are a device", "conversation without breaking the flow of the dialogue? Do I interject the internal", "a lot during conversation. Example: > > \"So what are you thinking about?\"", "some other method that I am not realizing? Note: the internal monologues are", "the dialogue? Do I interject the internal monologue in the middle of the", "> think of an answer. > > > \"I love you.\" I said.", "a decent example of the dialogue. The idea is that it is entirely", "that questions himself constantly in conversation without breaking the flow of the dialogue?", "me super > uncomfortable and she knew that. Oh gods she's looking at", "first person narrative where the main character is almost constantly in his own", "where the main character is almost constantly in his own head. In fact", "any lull in conversation. It always made me super > uncomfortable and she", "she's looking at me. Quick > think of an answer. > > >", "Quick > think of an answer. > > > \"I love you.\" I", "you.\" I said. > > > Hopefully this is a decent example of", "head if it isn't dialogue. And the narrator thinks a lot during conversation.", "breaking the flow of the dialogue? Do I interject the internal monologue in", "in his own head. In fact some 75% to 90% of the narrative", "this in visual media, but not really in written media so I am", "narrator's head if it isn't dialogue. And the narrator thinks a lot during", "monologue in the middle of the dialogue or is there some other method", "and mental inclinations so it would be hard to get away from them", "during any lull in conversation. It always made me super > uncomfortable and", "monologues are a device to convey the narrator's character and mental inclinations so", "The idea is that it is entirely first person driven. My question is:", "the internal monologue in the middle of the dialogue or is there some", "she always > asked me during any lull in conversation. It always made", "isn't dialogue. And the narrator thinks a lot during conversation. Example: > >", "an answer. > > > \"I love you.\" I said. > > >", "at a loss as to how to proceed. I am writing a first", "dialogue. And the narrator thinks a lot during conversation. Example: > > \"So", "me. Quick > think of an answer. > > > \"I love you.\"", "driven. My question is: how can I convey a narrator that questions himself", "of the dialogue? Do I interject the internal monologue in the middle of", "are you thinking about?\" she asked. > > > And there it was.", "am sort of at a loss as to how to proceed. I am", "loaded question. It was the question she always > asked me during any", "> Hopefully this is a decent example of the dialogue. The idea is", "uncomfortable and she knew that. Oh gods she's looking at me. Quick >", "thinking about?\" she asked. > > > And there it was. The loaded", "you thinking about?\" she asked. > > > And there it was. The", "interject the internal monologue in the middle of the dialogue or is there", "to proceed. I am writing a first person narrative where the main character", "> \"So what are you thinking about?\" she asked. > > > And", "I said. > > > Hopefully this is a decent example of the", "is there some other method that I am not realizing? Note: the internal", "how can I convey a narrator that questions himself constantly in conversation without", "the dialogue. The idea is that it is entirely first person driven. My", "without breaking the flow of the dialogue? Do I interject the internal monologue", "the middle of the dialogue or is there some other method that I", "always > asked me during any lull in conversation. It always made me", "device to convey the narrator's character and mental inclinations so it would be", "90% of the narrative is in the narrator's head if it isn't dialogue.", "a narrator that questions himself constantly in conversation without breaking the flow of", "how to proceed. I am writing a first person narrative where the main", "a first person narrative where the main character is almost constantly in his", "In fact some 75% to 90% of the narrative is in the narrator's", "the main character is almost constantly in his own head. In fact some", "the narrator's head if it isn't dialogue. And the narrator thinks a lot", "media, but not really in written media so I am sort of at", "I convey a narrator that questions himself constantly in conversation without breaking the", "question is: how can I convey a narrator that questions himself constantly in", "narrator thinks a lot during conversation. Example: > > \"So what are you", "narrative where the main character is almost constantly in his own head. In", "Example: > > \"So what are you thinking about?\" she asked. > >", "> > \"I love you.\" I said. > > > Hopefully this is", "visual media, but not really in written media so I am sort of", "flow of the dialogue? Do I interject the internal monologue in the middle", "first person driven. My question is: how can I convey a narrator that", "conversation. Example: > > \"So what are you thinking about?\" she asked. >", "Hopefully this is a decent example of the dialogue. The idea is that", "the question she always > asked me during any lull in conversation. It", "I have seen this in visual media, but not really in written media", "made me super > uncomfortable and she knew that. Oh gods she's looking", "fact some 75% to 90% of the narrative is in the narrator's head", "dialogue. The idea is that it is entirely first person driven. My question", "head. In fact some 75% to 90% of the narrative is in the", "narrator's character and mental inclinations so it would be hard to get away", "of at a loss as to how to proceed. I am writing a", "super > uncomfortable and she knew that. Oh gods she's looking at me.", "narrative is in the narrator's head if it isn't dialogue. And the narrator", "character and mental inclinations so it would be hard to get away from", "Note: the internal monologues are a device to convey the narrator's character and", "Oh gods she's looking at me. Quick > think of an answer. >", "in the middle of the dialogue or is there some other method that", "decent example of the dialogue. The idea is that it is entirely first", "media so I am sort of at a loss as to how to", "is: how can I convey a narrator that questions himself constantly in conversation", "internal monologue in the middle of the dialogue or is there some other", "about?\" she asked. > > > And there it was. The loaded question.", "me during any lull in conversation. It always made me super > uncomfortable", "sort of at a loss as to how to proceed. I am writing", "constantly in his own head. In fact some 75% to 90% of the", "main character is almost constantly in his own head. In fact some 75%", "the narrator's character and mental inclinations so it would be hard to get", "is entirely first person driven. My question is: how can I convey a", "narrator that questions himself constantly in conversation without breaking the flow of the", "in written media so I am sort of at a loss as to", "And the narrator thinks a lot during conversation. Example: > > \"So what", "so it would be hard to get away from them entirely in the", "that. Oh gods she's looking at me. Quick > think of an answer.", "proceed. I am writing a first person narrative where the main character is", "in visual media, but not really in written media so I am sort", "thinks a lot during conversation. Example: > > \"So what are you thinking", "own head. In fact some 75% to 90% of the narrative is in", "> > > Hopefully this is a decent example of the dialogue. The", "to how to proceed. I am writing a first person narrative where the", "was. The loaded question. It was the question she always > asked me", "the internal monologues are a device to convey the narrator's character and mental", "are a device to convey the narrator's character and mental inclinations so it", "it isn't dialogue. And the narrator thinks a lot during conversation. Example: >", "\"So what are you thinking about?\" she asked. > > > And there", "the dialogue or is there some other method that I am not realizing?", "idea is that it is entirely first person driven. My question is: how", "at me. Quick > think of an answer. > > > \"I love", "knew that. Oh gods she's looking at me. Quick > think of an", "there it was. The loaded question. It was the question she always >", "> uncomfortable and she knew that. Oh gods she's looking at me. Quick", "gods she's looking at me. Quick > think of an answer. > >", "himself constantly in conversation without breaking the flow of the dialogue? Do I", "dialogue? Do I interject the internal monologue in the middle of the dialogue", "am not realizing? Note: the internal monologues are a device to convey the", "It always made me super > uncomfortable and she knew that. Oh gods", "said. > > > Hopefully this is a decent example of the dialogue.", "of the dialogue. The idea is that it is entirely first person driven.", "is that it is entirely first person driven. My question is: how can", "of the dialogue or is there some other method that I am not", "in conversation without breaking the flow of the dialogue? Do I interject the", "was the question she always > asked me during any lull in conversation.", "to convey the narrator's character and mental inclinations so it would be hard", "always made me super > uncomfortable and she knew that. Oh gods she's", "My question is: how can I convey a narrator that questions himself constantly", "I am not realizing? Note: the internal monologues are a device to convey", "> > \"So what are you thinking about?\" she asked. > > >", "75% to 90% of the narrative is in the narrator's head if it", "> \"I love you.\" I said. > > > Hopefully this is a", "lull in conversation. It always made me super > uncomfortable and she knew", "And there it was. The loaded question. It was the question she always", "during conversation. Example: > > \"So what are you thinking about?\" she asked.", "what are you thinking about?\" she asked. > > > And there it", "this is a decent example of the dialogue. The idea is that it", "it is entirely first person driven. My question is: how can I convey", "the narrative is in the narrator's head if it isn't dialogue. And the", "> > > \"I love you.\" I said. > > > Hopefully this", "some 75% to 90% of the narrative is in the narrator's head if", "\"I love you.\" I said. > > > Hopefully this is a decent", "not realizing? Note: the internal monologues are a device to convey the narrator's", "I am writing a first person narrative where the main character is almost", "almost constantly in his own head. In fact some 75% to 90% of", "love you.\" I said. > > > Hopefully this is a decent example", "the narrator thinks a lot during conversation. Example: > > \"So what are", "I am sort of at a loss as to how to proceed. I", "his own head. In fact some 75% to 90% of the narrative is", "inclinations so it would be hard to get away from them entirely in", "> > Hopefully this is a decent example of the dialogue. The idea", "is almost constantly in his own head. In fact some 75% to 90%", "to 90% of the narrative is in the narrator's head if it isn't", "it was. The loaded question. It was the question she always > asked", "example of the dialogue. The idea is that it is entirely first person", "mental inclinations so it would be hard to get away from them entirely", "answer. > > > \"I love you.\" I said. > > > Hopefully", "entirely first person driven. My question is: how can I convey a narrator", "Do I interject the internal monologue in the middle of the dialogue or", "dialogue or is there some other method that I am not realizing? Note:", "person narrative where the main character is almost constantly in his own head.", "and she knew that. Oh gods she's looking at me. Quick > think", "other method that I am not realizing? Note: the internal monologues are a", "is in the narrator's head if it isn't dialogue. And the narrator thinks", "if it isn't dialogue. And the narrator thinks a lot during conversation. Example:", "in conversation. It always made me super > uncomfortable and she knew that.", "of an answer. > > > \"I love you.\" I said. > >", "conversation. It always made me super > uncomfortable and she knew that. Oh", "It was the question she always > asked me during any lull in", "of the narrative is in the narrator's head if it isn't dialogue. And", "I interject the internal monologue in the middle of the dialogue or is", "realizing? Note: the internal monologues are a device to convey the narrator's character", "convey a narrator that questions himself constantly in conversation without breaking the flow", "can I convey a narrator that questions himself constantly in conversation without breaking", "the flow of the dialogue? Do I interject the internal monologue in the", "person driven. My question is: how can I convey a narrator that questions", "it would be hard to get away from them entirely in the writing.", "written media so I am sort of at a loss as to how", "> And there it was. The loaded question. It was the question she", "character is almost constantly in his own head. In fact some 75% to", "> > > And there it was. The loaded question. It was the", "but not really in written media so I am sort of at a", "that it is entirely first person driven. My question is: how can I", "think of an answer. > > > \"I love you.\" I said. >", "middle of the dialogue or is there some other method that I am" ]
[ "a tech startup, he or she can increase the odds of success, if", "of resources that can help you become a better writer? Why? Note: Please", "become as good a fiction writer as possible, and willing to move to", "or she can increase the odds of success, if they move to a", "Imagine some non-native English speaker wanted to become as good a fiction writer", "as possible, and willing to move to another place for that purpose. What", "they move to a place with lots of like-minded people (e. g. Silicon", "for writers could be. Imagine some non-native English speaker wanted to become as", "Valley, Israel, London, Berlin). That way they surround themselves with people, with whom", "way they surround themselves with people, with whom they can exchange ideas and", "wanted to become as good a fiction writer as possible, and willing to", "are places with a high concentration of resources that can help you become", "purpose. What are places with a high concentration of resources that can help", "place for writers could be. Imagine some non-native English speaker wanted to become", "another place for that purpose. What are places with a high concentration of", "the odds of success, if they move to a place with lots of", "goals. I'm wondering what such place for writers could be. Imagine some non-native", "be. Imagine some non-native English speaker wanted to become as good a fiction", "a high concentration of resources that can help you become a better writer?", "they can exchange ideas and who have similar goals. I'm wondering what such", "Please don't reply \"England\" -- I'd like to have a more precise location.", "better writer? Why? Note: Please don't reply \"England\" -- I'd like to have", "surround themselves with people, with whom they can exchange ideas and who have", "lots of like-minded people (e. g. Silicon Valley, Israel, London, Berlin). That way", "person wants to build a tech startup, he or she can increase the", "(e. g. Silicon Valley, Israel, London, Berlin). That way they surround themselves with", "move to a place with lots of like-minded people (e. g. Silicon Valley,", "with whom they can exchange ideas and who have similar goals. I'm wondering", "tech startup, he or she can increase the odds of success, if they", "resources that can help you become a better writer? Why? Note: Please don't", "English speaker wanted to become as good a fiction writer as possible, and", "Berlin). That way they surround themselves with people, with whom they can exchange", "place with lots of like-minded people (e. g. Silicon Valley, Israel, London, Berlin).", "of like-minded people (e. g. Silicon Valley, Israel, London, Berlin). That way they", "help you become a better writer? Why? Note: Please don't reply \"England\" --", "a better writer? Why? Note: Please don't reply \"England\" -- I'd like to", "wants to build a tech startup, he or she can increase the odds", "a fiction writer as possible, and willing to move to another place for", "with people, with whom they can exchange ideas and who have similar goals.", "like-minded people (e. g. Silicon Valley, Israel, London, Berlin). That way they surround", "people (e. g. Silicon Valley, Israel, London, Berlin). That way they surround themselves", "whom they can exchange ideas and who have similar goals. I'm wondering what", "odds of success, if they move to a place with lots of like-minded", "Silicon Valley, Israel, London, Berlin). That way they surround themselves with people, with", "to move to another place for that purpose. What are places with a", "London, Berlin). That way they surround themselves with people, with whom they can", "move to another place for that purpose. What are places with a high", "with a high concentration of resources that can help you become a better", "high concentration of resources that can help you become a better writer? Why?", "startup, he or she can increase the odds of success, if they move", "That way they surround themselves with people, with whom they can exchange ideas", "place for that purpose. What are places with a high concentration of resources", "if they move to a place with lots of like-minded people (e. g.", "can help you become a better writer? Why? Note: Please don't reply \"England\"", "that purpose. What are places with a high concentration of resources that can", "fiction writer as possible, and willing to move to another place for that", "to build a tech startup, he or she can increase the odds of", "increase the odds of success, if they move to a place with lots", "Note: Please don't reply \"England\" -- I'd like to have a more precise", "they surround themselves with people, with whom they can exchange ideas and who", "that can help you become a better writer? Why? Note: Please don't reply", "such place for writers could be. Imagine some non-native English speaker wanted to", "possible, and willing to move to another place for that purpose. What are", "Israel, London, Berlin). That way they surround themselves with people, with whom they", "writer as possible, and willing to move to another place for that purpose.", "she can increase the odds of success, if they move to a place", "can exchange ideas and who have similar goals. I'm wondering what such place", "I'm wondering what such place for writers could be. Imagine some non-native English", "places with a high concentration of resources that can help you become a", "have similar goals. I'm wondering what such place for writers could be. Imagine", "can increase the odds of success, if they move to a place with", "with lots of like-minded people (e. g. Silicon Valley, Israel, London, Berlin). That", "to a place with lots of like-minded people (e. g. Silicon Valley, Israel,", "themselves with people, with whom they can exchange ideas and who have similar", "If a person wants to build a tech startup, he or she can", "Why? Note: Please don't reply \"England\" -- I'd like to have a more", "of success, if they move to a place with lots of like-minded people", "who have similar goals. I'm wondering what such place for writers could be.", "g. Silicon Valley, Israel, London, Berlin). That way they surround themselves with people,", "could be. Imagine some non-native English speaker wanted to become as good a", "wondering what such place for writers could be. Imagine some non-native English speaker", "and who have similar goals. I'm wondering what such place for writers could", "a place with lots of like-minded people (e. g. Silicon Valley, Israel, London,", "ideas and who have similar goals. I'm wondering what such place for writers", "he or she can increase the odds of success, if they move to", "some non-native English speaker wanted to become as good a fiction writer as", "build a tech startup, he or she can increase the odds of success,", "What are places with a high concentration of resources that can help you", "speaker wanted to become as good a fiction writer as possible, and willing", "and willing to move to another place for that purpose. What are places", "exchange ideas and who have similar goals. I'm wondering what such place for", "to become as good a fiction writer as possible, and willing to move", "to another place for that purpose. What are places with a high concentration", "willing to move to another place for that purpose. What are places with", "good a fiction writer as possible, and willing to move to another place", "for that purpose. What are places with a high concentration of resources that", "you become a better writer? Why? Note: Please don't reply \"England\" -- I'd", "what such place for writers could be. Imagine some non-native English speaker wanted", "people, with whom they can exchange ideas and who have similar goals. I'm", "a person wants to build a tech startup, he or she can increase", "similar goals. I'm wondering what such place for writers could be. Imagine some", "become a better writer? Why? Note: Please don't reply \"England\" -- I'd like", "as good a fiction writer as possible, and willing to move to another", "writers could be. Imagine some non-native English speaker wanted to become as good", "concentration of resources that can help you become a better writer? Why? Note:", "success, if they move to a place with lots of like-minded people (e.", "non-native English speaker wanted to become as good a fiction writer as possible,", "writer? Why? Note: Please don't reply \"England\" -- I'd like to have a" ]
[ "one of the primary two. Typically I would address it to a main", "together. Particularly, I'm not sure how to group them together and make clear", "it to a main user: > > Hi (User1), > > > (request", "address it to a main user: > > Hi (User1), > > >", "users, and I'm not sure how to group both of them together. Particularly,", "I'm writing an email to a group of people, and I don't know", "group of people, and I don't know how to cleanly indicate that: (A)", "(request of info) > > > (signature) > > > In this case", "> In this case I need the feedback from two users, and I'm", "> > > (signature) > > > In this case I need the", "from two users, and I'm not sure how to group both of them", "feedback from two users, and I'm not sure how to group both of", "don't know how to cleanly indicate that: (A) It is primarily for two", "to a main user: > > Hi (User1), > > > (request of", "is primarily for two of those people (the others are receiving the mail", "(A) It is primarily for two of those people (the others are receiving", "together and make clear that I'm expecting a response from at least one", "Particularly, I'm not sure how to group them together and make clear that", "I'm not sure how to group them together and make clear that I'm", "would address it to a main user: > > Hi (User1), > >", "people, and I don't know how to cleanly indicate that: (A) It is", "primary two. Typically I would address it to a main user: > >", "how to group both of them together. Particularly, I'm not sure how to", "not sure how to group both of them together. Particularly, I'm not sure", "user: > > Hi (User1), > > > (request of info) > >", "> > In this case I need the feedback from two users, and", "I'm not sure how to group both of them together. Particularly, I'm not", "response from at least one of the primary two. Typically I would address", "It is primarily for two of those people (the others are receiving the", "of people, and I don't know how to cleanly indicate that: (A) It", "of them together. Particularly, I'm not sure how to group them together and", "> Hi (User1), > > > (request of info) > > > (signature)", "of those people (the others are receiving the mail as an FYI) (B)", "and I'm not sure how to group both of them together. Particularly, I'm", "(signature) > > > In this case I need the feedback from two", "need the feedback from two users, and I'm not sure how to group", "email to a group of people, and I don't know how to cleanly", "are receiving the mail as an FYI) (B) I need a response from", "I would address it to a main user: > > Hi (User1), >", "an email to a group of people, and I don't know how to", "need a response from at least one of the primary two. Typically I", "from at least one of the primary two. Typically I would address it", "sure how to group both of them together. Particularly, I'm not sure how", "how to cleanly indicate that: (A) It is primarily for two of those", "to a group of people, and I don't know how to cleanly indicate", "cleanly indicate that: (A) It is primarily for two of those people (the", "the mail as an FYI) (B) I need a response from at least", "at least one of the primary two. Typically I would address it to", "a group of people, and I don't know how to cleanly indicate that:", "two of those people (the others are receiving the mail as an FYI)", "sure how to group them together and make clear that I'm expecting a", "as an FYI) (B) I need a response from at least one of", "and make clear that I'm expecting a response from at least one of", "others are receiving the mail as an FYI) (B) I need a response", "them together. Particularly, I'm not sure how to group them together and make", "the primary two. Typically I would address it to a main user: >", "> > > In this case I need the feedback from two users,", "to group them together and make clear that I'm expecting a response from", "info) > > > (signature) > > > In this case I need", "for two of those people (the others are receiving the mail as an", "case I need the feedback from two users, and I'm not sure how", "Hi (User1), > > > (request of info) > > > (signature) >", "mail as an FYI) (B) I need a response from at least one", "them together and make clear that I'm expecting a response from at least", "and I don't know how to cleanly indicate that: (A) It is primarily", "those people (the others are receiving the mail as an FYI) (B) I", "of the primary two. Typically I would address it to a main user:", "I need a response from at least one of the primary two. Typically", "an FYI) (B) I need a response from at least one of the", "FYI) (B) I need a response from at least one of the primary", "how to group them together and make clear that I'm expecting a response", "the feedback from two users, and I'm not sure how to group both", "(the others are receiving the mail as an FYI) (B) I need a", "least one of the primary two. Typically I would address it to a", "main user: > > Hi (User1), > > > (request of info) >", "people (the others are receiving the mail as an FYI) (B) I need", "primarily for two of those people (the others are receiving the mail as", "of info) > > > (signature) > > > In this case I", "that: (A) It is primarily for two of those people (the others are", "> (signature) > > > In this case I need the feedback from", "know how to cleanly indicate that: (A) It is primarily for two of", "not sure how to group them together and make clear that I'm expecting", "this case I need the feedback from two users, and I'm not sure", "Typically I would address it to a main user: > > Hi (User1),", "(User1), > > > (request of info) > > > (signature) > >", "I don't know how to cleanly indicate that: (A) It is primarily for", "> > Hi (User1), > > > (request of info) > > >", "> > (signature) > > > In this case I need the feedback", "two. Typically I would address it to a main user: > > Hi", "to cleanly indicate that: (A) It is primarily for two of those people", "(B) I need a response from at least one of the primary two.", "> (request of info) > > > (signature) > > > In this", "a response from at least one of the primary two. Typically I would", "two users, and I'm not sure how to group both of them together.", "indicate that: (A) It is primarily for two of those people (the others", "receiving the mail as an FYI) (B) I need a response from at", "a main user: > > Hi (User1), > > > (request of info)", "make clear that I'm expecting a response from at least one of them.", "> > (request of info) > > > (signature) > > > In", "> > > (request of info) > > > (signature) > > >", "group both of them together. Particularly, I'm not sure how to group them", "writing an email to a group of people, and I don't know how", "I need the feedback from two users, and I'm not sure how to", "In this case I need the feedback from two users, and I'm not", "group them together and make clear that I'm expecting a response from at", "both of them together. Particularly, I'm not sure how to group them together", "to group both of them together. Particularly, I'm not sure how to group" ]
[ "use more \"color\" sometimes to make it more interesting. What are some good", "straightforward and strictly factual. To a certain degree, that's good, but I feel", "factual. To a certain degree, that's good, but I feel like my writing", "engineer in me that tends to write text that's very straightforward and strictly", "my writing can use more \"color\" sometimes to make it more interesting. What", "more \"color\" sometimes to make it more interesting. What are some good ways", "it more interesting. What are some good ways to provide \"texture\" to such", "I think it's the engineer in me that tends to write text that's", "good, but I feel like my writing can use more \"color\" sometimes to", "a certain degree, that's good, but I feel like my writing can use", "side. I think it's the engineer in me that tends to write text", "to make it more interesting. What are some good ways to provide \"texture\"", "more interesting. What are some good ways to provide \"texture\" to such writing?", "To a certain degree, that's good, but I feel like my writing can", "the engineer in me that tends to write text that's very straightforward and", "to write text that's on the \"beige\" side. I think it's the engineer", "that's very straightforward and strictly factual. To a certain degree, that's good, but", "strictly factual. To a certain degree, that's good, but I feel like my", "a tendency to write text that's on the \"beige\" side. I think it's", "feel like my writing can use more \"color\" sometimes to make it more", "that tends to write text that's very straightforward and strictly factual. To a", "very straightforward and strictly factual. To a certain degree, that's good, but I", "like my writing can use more \"color\" sometimes to make it more interesting.", "the \"beige\" side. I think it's the engineer in me that tends to", "and strictly factual. To a certain degree, that's good, but I feel like", "write text that's on the \"beige\" side. I think it's the engineer in", "tends to write text that's very straightforward and strictly factual. To a certain", "certain degree, that's good, but I feel like my writing can use more", "can use more \"color\" sometimes to make it more interesting. What are some", "on the \"beige\" side. I think it's the engineer in me that tends", "it's the engineer in me that tends to write text that's very straightforward", "have a tendency to write text that's on the \"beige\" side. I think", "I have a tendency to write text that's on the \"beige\" side. I", "sometimes to make it more interesting. What are some good ways to provide", "tendency to write text that's on the \"beige\" side. I think it's the", "to write text that's very straightforward and strictly factual. To a certain degree,", "me that tends to write text that's very straightforward and strictly factual. To", "that's on the \"beige\" side. I think it's the engineer in me that", "\"color\" sometimes to make it more interesting. What are some good ways to", "degree, that's good, but I feel like my writing can use more \"color\"", "text that's on the \"beige\" side. I think it's the engineer in me", "writing can use more \"color\" sometimes to make it more interesting. What are", "make it more interesting. What are some good ways to provide \"texture\" to", "text that's very straightforward and strictly factual. To a certain degree, that's good,", "in me that tends to write text that's very straightforward and strictly factual.", "I feel like my writing can use more \"color\" sometimes to make it", "write text that's very straightforward and strictly factual. To a certain degree, that's", "but I feel like my writing can use more \"color\" sometimes to make", "think it's the engineer in me that tends to write text that's very", "\"beige\" side. I think it's the engineer in me that tends to write", "that's good, but I feel like my writing can use more \"color\" sometimes" ]
[ "Exlid, the titular Ytash, is a superhero whose powers include the (somewhat hard-to-control)", "gives the viewers a bit of a \"teaser\" look at what's in store", "on that have nothing at all to do with him, right? But no", "something and various other headlines scrolling along in a news ticker at the", "For those unfamiliar with the show, Barrc Exlid, the titular Ytash, is a", "on a TV screen in a store window, with an anchor talking about", "about something and various other headlines scrolling along in a news ticker at", "makes me wonder. Are there any techniques to be aware of to avoid", "the disaster. This is clever, as it gives the viewers a bit of", "in some way.* Bermy lives in a major city. Surely there are other", "a news ticker at the bottom of the screen. Now he knows things", "do with him, right? But no one on the news broadcast was talking", "there any techniques to be aware of to avoid this pitfall? How would", "Ytash, is a superhero whose powers include the (somewhat hard-to-control) ability to travel", "did something very clever, but also kind of dumb: while in the future,", "dumb: while in the future, he observed a news report playing on a", "next few months, and he thinks that if he can change some of", "series, he briefly ended up a few months in the future, and witnessed", "he's the only interesting person in the world and everything else revolves around", "did something that kind of feels like a mistake on the writers' part.", "months, and he thinks that if he can change some of them, he", "might be able to head off the disaster. This is clever, as it", "to head off the disaster. This is clever, as it gives the viewers", "something The Ytash would be involved in in some way.* Bermy lives in", "have nothing at all to do with him, right? But no one on", "the series, he briefly ended up a few months in the future, and", "TV screen in a store window, with an anchor talking about something and", "the viewers a bit of a \"teaser\" look at what's in store later", "it coming across like he's the only interesting person in the world and", "which, for the first time in the series, he briefly ended up a", "with an anchor talking about something and various other headlines scrolling along in", "genuinely influential and important to the world around him, without it coming across", "going to happen in the next few months, and he thinks that if", "bottom of the screen. Now he knows things that are going to happen", "Surely there are other newsworthy events going on that have nothing at all", "him, without it coming across like he's the only interesting person in the", "coming across like he's the only interesting person in the world and everything", "all to do with him, right? But no one on the news broadcast", "really enjoyed the CW's show The Ytash ever since it came out, but", "he observed a news report playing on a TV screen in a store", "hard-to-control) ability to travel through time. He recently had an experience in which,", "Now he knows things that are going to happen in the next few", "across like he's the only interesting person in the world and everything else", "Ytash* ever since it came out, but they recently did something that kind", "kind of dumb: while in the future, he observed a news report playing", "clever, as it gives the viewers a bit of a \"teaser\" look at", "a character who is genuinely influential and important to the world around him,", "Now he wants to stop it. This is where the writers did something", "a TV screen in a store window, with an anchor talking about something", "store window, with an anchor talking about something and various other headlines scrolling", "headlines scrolling along in a news ticker at the bottom of the screen.", "is a superhero whose powers include the (somewhat hard-to-control) ability to travel through", "include the (somewhat hard-to-control) ability to travel through time. He recently had an", "in the future, he observed a news report playing on a TV screen", "on in the season. But it also seems a bit odd, because every", "with him, right? But no one on the news broadcast was talking about", "to the world around him, without it coming across like he's the only", "be aware of to avoid this pitfall? How would I write a character", "unfamiliar with the show, Barrc Exlid, the titular Ytash, is a superhero whose", "at all to do with him, right? But no one on the news", "something very clever, but also kind of dumb: while in the future, he", "every one of those headlines was about something The Ytash would be involved", "that if he can change some of them, he might be able to", "through time. He recently had an experience in which, for the first time", "the future, he observed a news report playing on a TV screen in", "Are there any techniques to be aware of to avoid this pitfall? How", "place. Now he wants to stop it. This is where the writers did", "are other newsworthy events going on that have nothing at all to do", "this pitfall? How would I write a character who is genuinely influential and", "who is genuinely influential and important to the world around him, without it", "a \"teaser\" look at what's in store later on in the season. But", "in in some way.* Bermy lives in a major city. Surely there are", "events going on that have nothing at all to do with him, right?", "also kind of dumb: while in the future, he observed a news report", "feels like a mistake on the writers' part. For those unfamiliar with the", "of the screen. Now he knows things that are going to happen in", "are going to happen in the next few months, and he thinks that", "would I write a character who is genuinely influential and important to the", "the show, Barrc Exlid, the titular Ytash, is a superhero whose powers include", "a store window, with an anchor talking about something and various other headlines", "right? But no one on the news broadcast was talking about them! That", "ticker at the bottom of the screen. Now he knows things that are", "it gives the viewers a bit of a \"teaser\" look at what's in", "in store later on in the season. But it also seems a bit", "powers include the (somewhat hard-to-control) ability to travel through time. He recently had", "of to avoid this pitfall? How would I write a character who is", "in the future, and witnessed a catastrophic event taking place. Now he wants", "in a store window, with an anchor talking about something and various other", "screen in a store window, with an anchor talking about something and various", "odd, because every one of those headlines was about something The Ytash would", "he thinks that if he can change some of them, he might be", "(somewhat hard-to-control) ability to travel through time. He recently had an experience in", "any techniques to be aware of to avoid this pitfall? How would I", "since it came out, but they recently did something that kind of feels", "the writers did something very clever, but also kind of dumb: while in", "along in a news ticker at the bottom of the screen. Now he", "This is clever, as it gives the viewers a bit of a \"teaser\"", "the writers' part. For those unfamiliar with the show, Barrc Exlid, the titular", "other headlines scrolling along in a news ticker at the bottom of the", "a bit of a \"teaser\" look at what's in store later on in", "some way. Bermy lives in a major city. Surely there are other newsworthy", "going on that have nothing at all to do with him, right? But", "that kind of feels like a mistake on the writers' part. For those", "he wants to stop it. This is where the writers did something very", "the only interesting person in the world and everything else revolves around his", "mistake on the writers' part. For those unfamiliar with the show, Barrc Exlid,", "but they recently did something that kind of feels like a mistake on", "to happen in the next few months, and he thinks that if he", "those headlines was about something The Ytash would be involved in in some", "window, with an anchor talking about something and various other headlines scrolling along", "This is where the writers did something very clever, but also kind of", "part. For those unfamiliar with the show, Barrc Exlid, the titular Ytash, is", "scrolling along in a news ticker at the bottom of the screen. Now", "in a news ticker at the bottom of the screen. Now he knows", "about them! That makes me wonder. Are there any techniques to be aware", "That makes me wonder. Are there any techniques to be aware of to", "writers' part. For those unfamiliar with the show, Barrc Exlid, the titular Ytash,", "stop it. This is where the writers did something very clever, but also", "ever since it came out, but they recently did something that kind of", "of them, he might be able to head off the disaster. This is", "lives in a major city. Surely there are other newsworthy events going on", "out, but they recently did something that kind of feels like a mistake", "the CW's show The Ytash ever since it came out, but they recently", "news report playing on a TV screen in a store window, with an", "to avoid this pitfall? How would I write a character who is genuinely", "world around him, without it coming across like he's the only interesting person", "titular Ytash, is a superhero whose powers include the (somewhat hard-to-control) ability to", "an anchor talking about something and various other headlines scrolling along in a", "superhero whose powers include the (somewhat hard-to-control) ability to travel through time. He", "is clever, as it gives the viewers a bit of a \"teaser\" look", "time in the series, he briefly ended up a few months in the", "in the next few months, and he thinks that if he can change", "few months, and he thinks that if he can change some of them,", "broadcast was talking about them! That makes me wonder. Are there any techniques", "them, he might be able to head off the disaster. This is clever,", "a bit odd, because every one of those headlines was about something The", "very clever, but also kind of dumb: while in the future, he observed", "while in the future, he observed a news report playing on a TV", "it. This is where the writers did something very clever, but also kind", "was about something The Ytash would be involved in in some way. Bermy", "if he can change some of them, he might be able to head", "to do with him, right? But no one on the news broadcast was", "a superhero whose powers include the (somewhat hard-to-control) ability to travel through time.", "head off the disaster. This is clever, as it gives the viewers a", "talking about something and various other headlines scrolling along in a news ticker", "kind of feels like a mistake on the writers' part. For those unfamiliar", "be able to head off the disaster. This is clever, as it gives", "important to the world around him, without it coming across like he's the", "season. But it also seems a bit odd, because every one of those", "that have nothing at all to do with him, right? But no one", "show The Ytash* ever since it came out, but they recently did something", "The Ytash ever since it came out, but they recently did something that", "off the disaster. This is clever, as it gives the viewers a bit", "Bermy lives in a major city. Surely there are other newsworthy events going", "wonder. Are there any techniques to be aware of to avoid this pitfall?", "at the bottom of the screen. Now he knows things that are going", "with the show, Barrc Exlid, the titular Ytash, is a superhero whose powers", "can change some of them, he might be able to head off the", "something that kind of feels like a mistake on the writers' part. For", "city. Surely there are other newsworthy events going on that have nothing at", "had an experience in which, for the first time in the series, he", "later on in the season. But it also seems a bit odd, because", "he can change some of them, he might be able to head off", "few months in the future, and witnessed a catastrophic event taking place. Now", "the news broadcast was talking about them! That makes me wonder. Are there", "on the writers' part. For those unfamiliar with the show, Barrc Exlid, the", "one on the news broadcast was talking about them! That makes me wonder.", "they recently did something that kind of feels like a mistake on the", "and various other headlines scrolling along in a news ticker at the bottom", "in which, for the first time in the series, he briefly ended up", "various other headlines scrolling along in a news ticker at the bottom of", "a catastrophic event taking place. Now he wants to stop it. This is", "in the season. But it also seems a bit odd, because every one", "nothing at all to do with him, right? But no one on the", "to be aware of to avoid this pitfall? How would I write a", "But it also seems a bit odd, because every one of those headlines", "of dumb: while in the future, he observed a news report playing on", "involved in in some way.* Bermy lives in a major city. Surely there", "way.* Bermy lives in a major city. Surely there are other newsworthy events", "viewers a bit of a \"teaser\" look at what's in store later on", "he knows things that are going to happen in the next few months,", "enjoyed the CW's show The Ytash ever since it came out, but they", "and witnessed a catastrophic event taking place. Now he wants to stop it.", "witnessed a catastrophic event taking place. Now he wants to stop it. This", "an experience in which, for the first time in the series, he briefly", "playing on a TV screen in a store window, with an anchor talking", "at what's in store later on in the season. But it also seems", "show, Barrc Exlid, the titular Ytash, is a superhero whose powers include the", "of feels like a mistake on the writers' part. For those unfamiliar with", "the season. But it also seems a bit odd, because every one of", "other newsworthy events going on that have nothing at all to do with", "screen. Now he knows things that are going to happen in the next", "only* interesting person in the world and everything else revolves around his actions?", "would be involved in in some way.* Bermy lives in a major city.", "Barrc Exlid, the titular Ytash, is a superhero whose powers include the (somewhat", "\"teaser\" look at what's in store later on in the season. But it", "major city. Surely there are other newsworthy events going on that have nothing", "writers did something very clever, but also kind of dumb: while in the", "up a few months in the future, and witnessed a catastrophic event taking", "also seems a bit odd, because every one of those headlines was about", "techniques to be aware of to avoid this pitfall? How would I write", "what's in store later on in the season. But it also seems a", "he might be able to head off the disaster. This is clever, as", "able to head off the disaster. This is clever, as it gives the", "wants to stop it. This is where the writers did something very clever,", "But no one on the news broadcast was talking about them! That makes", "to travel through time. He recently had an experience in which, for the", "I write a character who is genuinely influential and important to the world", "taking place. Now he wants to stop it. This is where the writers", "travel through time. He recently had an experience in which, for the first", "future, he observed a news report playing on a TV screen in a", "some of them, he might be able to head off the disaster. This", "a few months in the future, and witnessed a catastrophic event taking place.", "CW's show The Ytash* ever since it came out, but they recently did", "time. He recently had an experience in which, for the first time in", "the first time in the series, he briefly ended up a few months", "ability to travel through time. He recently had an experience in which, for", "in a major city. Surely there are other newsworthy events going on that", "first time in the series, he briefly ended up a few months in", "happen in the next few months, and he thinks that if he can", "to stop it. This is where the writers did something very clever, but", "around him, without it coming across like he's the only interesting person in", "I've really enjoyed the CW's show The Ytash ever since it came out,", "news ticker at the bottom of the screen. Now he knows things that", "there are other newsworthy events going on that have nothing at all to", "is genuinely influential and important to the world around him, without it coming", "look at what's in store later on in the season. But it also", "the future, and witnessed a catastrophic event taking place. Now he wants to", "experience in which, for the first time in the series, he briefly ended", "a news report playing on a TV screen in a store window, with", "briefly ended up a few months in the future, and witnessed a catastrophic", "whose powers include the (somewhat hard-to-control) ability to travel through time. He recently", "it also seems a bit odd, because every one of those headlines was", "is where the writers did something very clever, but also kind of dumb:", "Ytash would be involved in in some way. Bermy lives in a major", "on the news broadcast was talking about them! That makes me wonder. Are", "and important to the world around him, without it coming across like he's", "for the first time in the series, he briefly ended up a few", "catastrophic event taking place. Now he wants to stop it. This is where", "knows things that are going to happen in the next few months, and", "the world around him, without it coming across like he's the only interesting", "change some of them, he might be able to head off the disaster.", "because every one of those headlines was about something The Ytash would be", "but also kind of dumb: while in the future, he observed a news", "thinks that if he can change some of them, he might be able", "as it gives the viewers a bit of a \"teaser\" look at what's", "He recently had an experience in which, for the first time in the", "in the series, he briefly ended up a few months in the future,", "without it coming across like he's the only* interesting person in the world", "him, right? But no one on the news broadcast was talking about them!", "he briefly ended up a few months in the future, and witnessed a", "no one on the news broadcast was talking about them! That makes me", "was talking about them! That makes me wonder. Are there any techniques to", "influential and important to the world around him, without it coming across like", "came out, but they recently did something that kind of feels like a", "and he thinks that if he can change some of them, he might", "anchor talking about something and various other headlines scrolling along in a news", "the titular Ytash, is a superhero whose powers include the (somewhat hard-to-control) ability", "of a \"teaser\" look at what's in store later on in the season.", "recently did something that kind of feels like a mistake on the writers'", "bit odd, because every one of those headlines was about something The Ytash", "me wonder. Are there any techniques to be aware of to avoid this", "character who is genuinely influential and important to the world around him, without", "that are going to happen in the next few months, and he thinks", "those unfamiliar with the show, Barrc Exlid, the titular Ytash, is a superhero", "recently had an experience in which, for the first time in the series,", "news broadcast was talking about them! That makes me wonder. Are there any", "the next few months, and he thinks that if he can change some", "report playing on a TV screen in a store window, with an anchor", "where the writers did something very clever, but also kind of dumb: while", "future, and witnessed a catastrophic event taking place. Now he wants to stop", "bit of a \"teaser\" look at what's in store later on in the", "the screen. Now he knows things that are going to happen in the", "store later on in the season. But it also seems a bit odd,", "seems a bit odd, because every one of those headlines was about something", "ended up a few months in the future, and witnessed a catastrophic event", "event taking place. Now he wants to stop it. This is where the", "talking about them! That makes me wonder. Are there any techniques to be", "like a mistake on the writers' part. For those unfamiliar with the show,", "The Ytash would be involved in in some way.* Bermy lives in a", "the bottom of the screen. Now he knows things that are going to", "them! That makes me wonder. Are there any techniques to be aware of", "pitfall? How would I write a character who is genuinely influential and important", "of those headlines was about something The Ytash would be involved in in", "about something The Ytash would be involved in in some way.* Bermy lives", "months in the future, and witnessed a catastrophic event taking place. Now he", "headlines was about something The Ytash would be involved in in some way.", "the (somewhat hard-to-control) ability to travel through time. He recently had an experience", "avoid this pitfall? How would I write a character who is genuinely influential", "write a character who is genuinely influential and important to the world around", "a major city. Surely there are other newsworthy events going on that have", "one of those headlines was about something The Ytash would be involved in", "How would I write a character who is genuinely influential and important to", "observed a news report playing on a TV screen in a store window,", "like he's the only* interesting person in the world and everything else revolves", "disaster. This is clever, as it gives the viewers a bit of a", "a mistake on the writers' part. For those unfamiliar with the show, Barrc", "things that are going to happen in the next few months, and he", "newsworthy events going on that have nothing at all to do with him,", "it came out, but they recently did something that kind of feels like", "aware of to avoid this pitfall? How would I write a character who", "clever, but also kind of dumb: while in the future, he observed a", "be involved in in some way.* Bermy lives in a major city. Surely" ]
[ "built to resemble myself seem pretty well-developed and both reasonable and conflicted in", "are dreadfully unconvincing, and even I notice how improbable their motivations and actions", "myself seem pretty well-developed and both reasonable and conflicted in interesting ways. Aside", "all my characters who are not modeled based on myself are dreadfully unconvincing,", "others, is there any way I can use narcissism productively in writing beside", "easily, if at all. As a result, all my characters who are not", "an apathetic-type narcissist, which means I cannot understand other people's feelings and thoughts", "of others, is there any way I can use narcissism productively in writing", "narcissist, which means I cannot understand other people's feelings and thoughts easily, if", "modeled based on myself are dreadfully unconvincing, and even I notice how improbable", "Aside from trying to improve my understanding of others, is there any way", "way I can use narcissism productively in writing beside the character construction of", "are not modeled based on myself are dreadfully unconvincing, and even I notice", "a result, all my characters who are not modeled based on myself are", "trying to improve my understanding of others, is there any way I can", "thoughts easily, if at all. As a result, all my characters who are", "sometimes. However, characters who are built to resemble myself seem pretty well-developed and", "write mostly fictions. However, I am an apathetic-type narcissist, which means I cannot", "actions are sometimes. However, characters who are built to resemble myself seem pretty", "I can use narcissism productively in writing beside the character construction of the", "However, I am an apathetic-type narcissist, which means I cannot understand other people's", "on myself are dreadfully unconvincing, and even I notice how improbable their motivations", "who are built to resemble myself seem pretty well-developed and both reasonable and", "well-developed and both reasonable and conflicted in interesting ways. Aside from trying to", "if at all. As a result, all my characters who are not modeled", "other people's feelings and thoughts easily, if at all. As a result, all", "at all. As a result, all my characters who are not modeled based", "people's feelings and thoughts easily, if at all. As a result, all my", "feelings and thoughts easily, if at all. As a result, all my characters", "and even I notice how improbable their motivations and actions are sometimes. However,", "and both reasonable and conflicted in interesting ways. Aside from trying to improve", "I notice how improbable their motivations and actions are sometimes. However, characters who", "resemble myself seem pretty well-developed and both reasonable and conflicted in interesting ways.", "and thoughts easily, if at all. As a result, all my characters who", "notice how improbable their motivations and actions are sometimes. However, characters who are", "any way I can use narcissism productively in writing beside the character construction", "and conflicted in interesting ways. Aside from trying to improve my understanding of", "to resemble myself seem pretty well-developed and both reasonable and conflicted in interesting", "apathetic-type narcissist, which means I cannot understand other people's feelings and thoughts easily,", "pretty well-developed and both reasonable and conflicted in interesting ways. Aside from trying", "reasonable and conflicted in interesting ways. Aside from trying to improve my understanding", "I am an apathetic-type narcissist, which means I cannot understand other people's feelings", "based on myself are dreadfully unconvincing, and even I notice how improbable their", "can use narcissism productively in writing beside the character construction of the protagonist?", "who are not modeled based on myself are dreadfully unconvincing, and even I", "means I cannot understand other people's feelings and thoughts easily, if at all.", "characters who are built to resemble myself seem pretty well-developed and both reasonable", "my understanding of others, is there any way I can use narcissism productively", "to improve my understanding of others, is there any way I can use", "ways. Aside from trying to improve my understanding of others, is there any", "are built to resemble myself seem pretty well-developed and both reasonable and conflicted", "result, all my characters who are not modeled based on myself are dreadfully", "However, characters who are built to resemble myself seem pretty well-developed and both", "in interesting ways. Aside from trying to improve my understanding of others, is", "interesting ways. Aside from trying to improve my understanding of others, is there", "seem pretty well-developed and both reasonable and conflicted in interesting ways. Aside from", "and actions are sometimes. However, characters who are built to resemble myself seem", "I write mostly fictions. However, I am an apathetic-type narcissist, which means I", "their motivations and actions are sometimes. However, characters who are built to resemble", "characters who are not modeled based on myself are dreadfully unconvincing, and even", "all. As a result, all my characters who are not modeled based on", "understanding of others, is there any way I can use narcissism productively in", "As a result, all my characters who are not modeled based on myself", "my characters who are not modeled based on myself are dreadfully unconvincing, and", "dreadfully unconvincing, and even I notice how improbable their motivations and actions are", "is there any way I can use narcissism productively in writing beside the", "I cannot understand other people's feelings and thoughts easily, if at all. As", "there any way I can use narcissism productively in writing beside the character", "are sometimes. However, characters who are built to resemble myself seem pretty well-developed", "understand other people's feelings and thoughts easily, if at all. As a result,", "improve my understanding of others, is there any way I can use narcissism", "both reasonable and conflicted in interesting ways. Aside from trying to improve my", "cannot understand other people's feelings and thoughts easily, if at all. As a", "even I notice how improbable their motivations and actions are sometimes. However, characters", "fictions. However, I am an apathetic-type narcissist, which means I cannot understand other", "mostly fictions. However, I am an apathetic-type narcissist, which means I cannot understand", "how improbable their motivations and actions are sometimes. However, characters who are built", "conflicted in interesting ways. Aside from trying to improve my understanding of others,", "motivations and actions are sometimes. However, characters who are built to resemble myself", "improbable their motivations and actions are sometimes. However, characters who are built to", "unconvincing, and even I notice how improbable their motivations and actions are sometimes.", "from trying to improve my understanding of others, is there any way I", "myself are dreadfully unconvincing, and even I notice how improbable their motivations and", "which means I cannot understand other people's feelings and thoughts easily, if at", "not modeled based on myself are dreadfully unconvincing, and even I notice how", "am an apathetic-type narcissist, which means I cannot understand other people's feelings and" ]
[ "usually use syllables, though I've never thought that was very elegant. I've thought", "based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most", "form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know", "most people who use the format in English usually use syllables, though I've", "identifying the formats with the number of syllables. Is using syllables the generally", "['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most people who use the format", "because they're used to identifying the formats with the number of syllables. Is", "they're used to identifying the formats with the number of syllables. Is using", "slightly different from English syllables, but then I get people getting confused because", "English syllables, but then I get people getting confused because they're used to", "never thought that was very elegant. I've thought about using morae, slightly different", "that was very elegant. I've thought about using morae, slightly different from English", "used to identifying the formats with the number of syllables. Is using syllables", "the form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I", "the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most people who", "or tanka, the form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per", "people who use the format in English usually use syllables, though I've never", "use syllables, though I've never thought that was very elegant. I've thought about", "I've never thought that was very elegant. I've thought about using morae, slightly", "different from English syllables, but then I get people getting confused because they're", "then I get people getting confused because they're used to identifying the formats", "using syllables the generally accepted 'proper' way to write English haiku or tanka?", "thought about using morae, slightly different from English syllables, but then I get", "elegant. I've thought about using morae, slightly different from English syllables, but then", "get people getting confused because they're used to identifying the formats with the", "of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most people who use the", "very elegant. I've thought about using morae, slightly different from English syllables, but", "In Japanese poetry like haiku or tanka, the form is based on the", "from English syllables, but then I get people getting confused because they're used", "confused because they're used to identifying the formats with the number of syllables.", "of syllables. Is using syllables the generally accepted 'proper' way to write English", "who use the format in English usually use syllables, though I've never thought", "formats with the number of syllables. Is using syllables the generally accepted 'proper'", "syllables, but then I get people getting confused because they're used to identifying", "with the number of syllables. Is using syllables the generally accepted 'proper' way", "English usually use syllables, though I've never thought that was very elegant. I've", "is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that", "per segment. I know that most people who use the format in English", "on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most people", "was very elegant. I've thought about using morae, slightly different from English syllables,", "that most people who use the format in English usually use syllables, though", "about using morae, slightly different from English syllables, but then I get people", "units per segment. I know that most people who use the format in", "the number of syllables. Is using syllables the generally accepted 'proper' way to", "format in English usually use syllables, though I've never thought that was very", "segment. I know that most people who use the format in English usually", "tanka, the form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment.", "poetry like haiku or tanka, the form is based on the number of", "using morae, slightly different from English syllables, but then I get people getting", "thought that was very elegant. I've thought about using morae, slightly different from", "morae, slightly different from English syllables, but then I get people getting confused", "number of syllables. Is using syllables the generally accepted 'proper' way to write", "in English usually use syllables, though I've never thought that was very elegant.", "use the format in English usually use syllables, though I've never thought that", "though I've never thought that was very elegant. I've thought about using morae,", "I've thought about using morae, slightly different from English syllables, but then I", "getting confused because they're used to identifying the formats with the number of", "but then I get people getting confused because they're used to identifying the", "syllables. Is using syllables the generally accepted 'proper' way to write English haiku", "haiku or tanka, the form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units", "syllables, though I've never thought that was very elegant. I've thought about using", "I know that most people who use the format in English usually use", "Is using syllables the generally accepted 'proper' way to write English haiku or", "people getting confused because they're used to identifying the formats with the number", "to identifying the formats with the number of syllables. Is using syllables the", "like haiku or tanka, the form is based on the number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics))", "Japanese poetry like haiku or tanka, the form is based on the number", "I get people getting confused because they're used to identifying the formats with", "the formats with the number of syllables. Is using syllables the generally accepted", "know that most people who use the format in English usually use syllables,", "the format in English usually use syllables, though I've never thought that was", "number of ['on'](https://en.wikipedia.org/wiki/Mora_(linguistics)) units per segment. I know that most people who use" ]
[ "if this is off-topic. Or you can also edit the question if you", "story. So I will just ask if how do you start writing a", "where do you start? It'll help me a lot! NOTE: I'm just new", "you give me an example where do you start? It'll help me a", "leave a comment if you want to improve my question especially if this", "will just ask if how do you start writing a story? Of course,", "I'm also just a beginner in writing a story. Actually, I'm gonna try", "you start writing a story? Of course, this is more specific. MS Word?", "if how do you start writing a story? Of course, this is more", "Actually, I'm gonna try to write a fictional story. So I will just", "down this post, but please leave a comment if you want to improve", "a beginner in writing a story. Actually, I'm gonna try to write a", "want to improve my question especially if this is off-topic. Or you can", "this is off-topic. Or you can also edit the question if you want.", "to write a fictional story. So I will just ask if how do", "is off-topic. Or you can also edit the question if you want. Thanks", "Hi I'm new here and obviously I'm also just a beginner in writing", "started to score down this post, but please leave a comment if you", "more specific. MS Word? Notes? Can you give me an example where do", "example where do you start? It'll help me a lot! NOTE: I'm just", "start? It'll help me a lot! NOTE: I'm just new here so I'll", "to score down this post, but please leave a comment if you want", "writing a story. Actually, I'm gonna try to write a fictional story. So", "here and obviously I'm also just a beginner in writing a story. Actually,", "write a fictional story. So I will just ask if how do you", "start writing a story? Of course, this is more specific. MS Word? Notes?", "story? Of course, this is more specific. MS Word? Notes? Can you give", "is more specific. MS Word? Notes? Can you give me an example where", "especially if this is off-topic. Or you can also edit the question if", "obviously I'm also just a beginner in writing a story. Actually, I'm gonna", "lot! NOTE: I'm just new here so I'll understand if Downvotes started to", "gonna try to write a fictional story. So I will just ask if", "how do you start writing a story? Of course, this is more specific.", "I will just ask if how do you start writing a story? Of", "question especially if this is off-topic. Or you can also edit the question", "story. Actually, I'm gonna try to write a fictional story. So I will", "a story. Actually, I'm gonna try to write a fictional story. So I", "Of course, this is more specific. MS Word? Notes? Can you give me", "and obviously I'm also just a beginner in writing a story. Actually, I'm", "in writing a story. Actually, I'm gonna try to write a fictional story.", "comment if you want to improve my question especially if this is off-topic.", "MS Word? Notes? Can you give me an example where do you start?", "try to write a fictional story. So I will just ask if how", "I'm just new here so I'll understand if Downvotes started to score down", "a comment if you want to improve my question especially if this is", "It'll help me a lot! NOTE: I'm just new here so I'll understand", "understand if Downvotes started to score down this post, but please leave a", "me a lot! NOTE: I'm just new here so I'll understand if Downvotes", "do you start writing a story? Of course, this is more specific. MS", "Can you give me an example where do you start? It'll help me", "ask if how do you start writing a story? Of course, this is", "improve my question especially if this is off-topic. Or you can also edit", "beginner in writing a story. Actually, I'm gonna try to write a fictional", "please leave a comment if you want to improve my question especially if", "just a beginner in writing a story. Actually, I'm gonna try to write", "if you want to improve my question especially if this is off-topic. Or", "So I will just ask if how do you start writing a story?", "new here so I'll understand if Downvotes started to score down this post,", "if Downvotes started to score down this post, but please leave a comment", "also just a beginner in writing a story. Actually, I'm gonna try to", "course, this is more specific. MS Word? Notes? Can you give me an", "Downvotes started to score down this post, but please leave a comment if", "you want to improve my question especially if this is off-topic. Or you", "just ask if how do you start writing a story? Of course, this", "NOTE: I'm just new here so I'll understand if Downvotes started to score", "give me an example where do you start? It'll help me a lot!", "off-topic. Or you can also edit the question if you want. Thanks guys!", "a lot! NOTE: I'm just new here so I'll understand if Downvotes started", "specific. MS Word? Notes? Can you give me an example where do you", "this is more specific. MS Word? Notes? Can you give me an example", "new here and obviously I'm also just a beginner in writing a story.", "an example where do you start? It'll help me a lot! NOTE: I'm", "a fictional story. So I will just ask if how do you start", "I'll understand if Downvotes started to score down this post, but please leave", "I'm gonna try to write a fictional story. So I will just ask", "Notes? Can you give me an example where do you start? It'll help", "just new here so I'll understand if Downvotes started to score down this", "help me a lot! NOTE: I'm just new here so I'll understand if", "I'm new here and obviously I'm also just a beginner in writing a", "so I'll understand if Downvotes started to score down this post, but please", "but please leave a comment if you want to improve my question especially", "this post, but please leave a comment if you want to improve my", "post, but please leave a comment if you want to improve my question", "here so I'll understand if Downvotes started to score down this post, but", "score down this post, but please leave a comment if you want to", "fictional story. So I will just ask if how do you start writing", "a story? Of course, this is more specific. MS Word? Notes? Can you", "my question especially if this is off-topic. Or you can also edit the", "Word? Notes? Can you give me an example where do you start? It'll", "to improve my question especially if this is off-topic. Or you can also", "me an example where do you start? It'll help me a lot! NOTE:", "you start? It'll help me a lot! NOTE: I'm just new here so", "do you start? It'll help me a lot! NOTE: I'm just new here", "writing a story? Of course, this is more specific. MS Word? Notes? Can" ]
[ "making a book of poetry and was wondering how many poems do I", "am thinking of making a book of poetry and was wondering how many", "I am thinking of making a book of poetry and was wondering how", "of making a book of poetry and was wondering how many poems do", "thinking of making a book of poetry and was wondering how many poems", "a book of poetry and was wondering how many poems do I need?" ]
[ "here in the US, but was also selling it in, say, Brazil, do", "selling it in, say, Brazil, do I need a separate ISBN issued from", "use a number I already own and assign it the translated version only?", "foreign publisher remedy the issue of being able to sell it in that", "created a Spanish translation here in the US, but was also selling it", "printing the book doesn't matter? Can a 'joint' venture with a foreign publisher", "the printing may occur, or do I just use a number I already", "ISBN correctly, if I as a publisher, created a Spanish translation here in", "need a separate ISBN issued from Brazil where the printing may occur, or", "Brazil, do I need a separate ISBN issued from Brazil where the printing", "in, say, Brazil, do I need a separate ISBN issued from Brazil where", "do I need a separate ISBN issued from Brazil where the printing may", "printing may occur, or do I just use a number I already own", "just use a number I already own and assign it the translated version", "a number I already own and assign it the translated version only? The", "the translated version only? The physical place of printing the book doesn't matter?", "as a publisher, created a Spanish translation here in the US, but was", "a separate ISBN issued from Brazil where the printing may occur, or do", "place of printing the book doesn't matter? 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Can a 'joint' venture with", "and assign it the translated version only? The physical place of printing the", "publisher, created a Spanish translation here in the US, but was also selling", "ISBN issued from Brazil where the printing may occur, or do I just", "I need a separate ISBN issued from Brazil where the printing may occur,", "it in, say, Brazil, do I need a separate ISBN issued from Brazil", "I as a publisher, created a Spanish translation here in the US, but", "of printing the book doesn't matter? Can a 'joint' venture with a foreign", "occur, or do I just use a number I already own and assign", "US, but was also selling it in, say, Brazil, do I need a", "assign it the translated version only? The physical place of printing the book", "or do I just use a number I already own and assign it", "understand the ISBN correctly, if I as a publisher, created a Spanish translation", "version only? The physical place of printing the book doesn't matter? Can a", "a 'joint' venture with a foreign publisher remedy the issue of being able", "but was also selling it in, say, Brazil, do I need a separate", "do I just use a number I already own and assign it the", "it the translated version only? The physical place of printing the book doesn't", "doesn't matter? Can a 'joint' venture with a foreign publisher remedy the issue", "Brazil where the printing may occur, or do I just use a number", "'joint' venture with a foreign publisher remedy the issue of being able to", "I just use a number I already own and assign it the translated", "The physical place of printing the book doesn't matter? Can a 'joint' venture", "number I already own and assign it the translated version only? The physical", "a publisher, created a Spanish translation here in the US, but was also", "I understand the ISBN correctly, if I as a publisher, created a Spanish", "if I as a publisher, created a Spanish translation here in the US,", "issued from Brazil where the printing may occur, or do I just use", "from Brazil where the printing may occur, or do I just use a", "the ISBN correctly, if I as a publisher, created a Spanish translation here", "also selling it in, say, Brazil, do I need a separate ISBN issued", "I already own and assign it the translated version only? The physical place", "was also selling it in, say, Brazil, do I need a separate ISBN", "a Spanish translation here in the US, but was also selling it in,", "book doesn't matter? Can a 'joint' venture with a foreign publisher remedy the", "venture with a foreign publisher remedy the issue of being able to sell", "matter? Can a 'joint' venture with a foreign publisher remedy the issue of", "a foreign publisher remedy the issue of being able to sell it in", "translation here in the US, but was also selling it in, say, Brazil,", "with a foreign publisher remedy the issue of being able to sell it", "may occur, or do I just use a number I already own and", "where the printing may occur, or do I just use a number I", "If I understand the ISBN correctly, if I as a publisher, created a", "publisher remedy the issue of being able to sell it in that country?" ]
[ "if there's a software or app that I can use? Thank you for", "I still want to find something that can help me without so much", "without so much cost. You can even recommend to me if there's a", "there something you can recommend me of how can I improve my grammar?", "prone to grammatical errors, I still want to find something that can help", "of how can I improve my grammar? Especially that I'm prone to grammatical", "still want to write an English science-fiction book, but I'm having issues with", "how can I improve my grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published).", "grammar? Especially that I'm prone to grammatical errors, I still want to find", "poor at English and I always have grammatical errors. -------------------------------------------------------------------- After posting a", "about what apps can I use to start writing my stories, I searched", "help me without so much cost. You can even recommend to me if", "definitely poor at English and I always have grammatical errors. -------------------------------------------------------------------- After posting", "site if how can I improve my grammar, and I came across to", "posting a question about what apps can I use to start writing my", "I'm not really so good at English, but that doesn't mean I gave", "how can I improve my grammar? Especially that I'm prone to grammatical errors,", "in this site if how can I improve my grammar, and I came", "English story. But the only problem is, I'm not really so good at", "still want to find something that can help me without so much cost.", "issues with my grammar. Is there something you can recommend me of how", "stories, I searched in this site if how can I improve my grammar,", "really so good at English, but that doesn't mean I gave up on", "always have grammatical errors. -------------------------------------------------------------------- After posting a question about what apps can", "use to start writing my stories, I searched in this site if how", "an English story. But the only problem is, I'm not really so good", "can even recommend to me if there's a software or app that I", "I always have grammatical errors. -------------------------------------------------------------------- After posting a question about what apps", "much cost. You can even recommend to me if there's a software or", "doesn't mean I gave up on my goal. I still want to write", "is not really my first language, but I'm desperate to write an English", "write an English science-fiction book, but I'm having issues with my grammar. Is", "having issues with my grammar. Is there something you can recommend me of", "find something that can help me without so much cost. You can even", "something that can help me without so much cost. You can even recommend", "if how can I improve my grammar, and I came across to this", "not really so good at English, but that doesn't mean I gave up", "science-fiction book, but I'm having issues with my grammar. Is there something you", "I'm having issues with my grammar. Is there something you can recommend me", "that I'm prone to grammatical errors, I still want to find something that", "even recommend to me if there's a software or app that I can", "But the only problem is, I'm not really so good at English, but", "I searched in this site if how can I improve my grammar, and", "I gave up on my goal. I still want to write an English", "up on my goal. I still want to write an English science-fiction book,", "grammatical errors, I still want to find something that can help me without", "the only problem is, I'm not really so good at English, but that", "desperate to write an English story. But the only problem is, I'm not", "to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language, but I'm desperate", "and I always have grammatical errors. -------------------------------------------------------------------- After posting a question about what", "I'm desperate to write an English story. But the only problem is, I'm", "so much cost. You can even recommend to me if there's a software", "I still want to write an English science-fiction book, but I'm having issues", "book, but I'm having issues with my grammar. Is there something you can", "can recommend me of how can I improve my grammar? Especially that I'm", "writing my stories, I searched in this site if how can I improve", "my first language, but I'm desperate to write an English story. But the", "language, but I'm desperate to write an English story. But the only problem", "not really my first language, but I'm desperate to write an English story.", "can I improve my grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English", "want to write an English science-fiction book, but I'm having issues with my", "English and I always have grammatical errors. -------------------------------------------------------------------- After posting a question about", "an English science-fiction book, but I'm having issues with my grammar. Is there", "my grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really", "question about what apps can I use to start writing my stories, I", "that can help me without so much cost. You can even recommend to", "my stories, I searched in this site if how can I improve my", "I use to start writing my stories, I searched in this site if", "and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first", "a software or app that I can use? Thank you for the help.", "there's a software or app that I can use? Thank you for the", "to grammatical errors, I still want to find something that can help me", "to find something that can help me without so much cost. You can", "I improve my grammar? Especially that I'm prone to grammatical errors, I still", "a question about what apps can I use to start writing my stories,", "across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language, but I'm", "errors. -------------------------------------------------------------------- After posting a question about what apps can I use to", "grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my", "really my first language, but I'm desperate to write an English story. But", "is, I'm not really so good at English, but that doesn't mean I", "want to find something that can help me without so much cost. You", "at English and I always have grammatical errors. -------------------------------------------------------------------- After posting a question", "start writing my stories, I searched in this site if how can I", "[link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language, but I'm desperate to write", "good at English, but that doesn't mean I gave up on my goal.", "this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language, but I'm desperate to", "You can even recommend to me if there's a software or app that", "you can recommend me of how can I improve my grammar? Especially that", "but I'm desperate to write an English story. But the only problem is,", "me if there's a software or app that I can use? Thank you", "I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language,", "gave up on my goal. I still want to write an English science-fiction", "so good at English, but that doesn't mean I gave up on my", "English, but that doesn't mean I gave up on my goal. I still", "but I'm having issues with my grammar. Is there something you can recommend", "grammatical errors. -------------------------------------------------------------------- After posting a question about what apps can I use", "my grammar? Especially that I'm prone to grammatical errors, I still want to", "this site if how can I improve my grammar, and I came across", "with my grammar. Is there something you can recommend me of how can", "can I use to start writing my stories, I searched in this site", "but that doesn't mean I gave up on my goal. I still want", "Especially that I'm prone to grammatical errors, I still want to find something", "-------------------------------------------------------------------- After posting a question about what apps can I use to start", "to start writing my stories, I searched in this site if how can", "improve my grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not", "problem is, I'm not really so good at English, but that doesn't mean", "I'm definitely poor at English and I always have grammatical errors. -------------------------------------------------------------------- After", "to write an English science-fiction book, but I'm having issues with my grammar.", "recommend me of how can I improve my grammar? Especially that I'm prone", "my grammar. Is there something you can recommend me of how can I", "improve my grammar? Especially that I'm prone to grammatical errors, I still want", "something you can recommend me of how can I improve my grammar? Especially", "can I improve my grammar? Especially that I'm prone to grammatical errors, I", "on my goal. I still want to write an English science-fiction book, but", "story. But the only problem is, I'm not really so good at English,", "have grammatical errors. -------------------------------------------------------------------- After posting a question about what apps can I", "searched in this site if how can I improve my grammar, and I", "only problem is, I'm not really so good at English, but that doesn't", "first language, but I'm desperate to write an English story. But the only", "can help me without so much cost. You can even recommend to me", "mean I gave up on my goal. I still want to write an", "goal. I still want to write an English science-fiction book, but I'm having", "errors, I still want to find something that can help me without so", "at English, but that doesn't mean I gave up on my goal. I", "apps can I use to start writing my stories, I searched in this", "English science-fiction book, but I'm having issues with my grammar. Is there something", "cost. You can even recommend to me if there's a software or app", "recommend to me if there's a software or app that I can use?", "After posting a question about what apps can I use to start writing", "write an English story. But the only problem is, I'm not really so", "I improve my grammar, and I came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is", "English is not really my first language, but I'm desperate to write an", "came across to this [link](https://writers.stackexchange.com/questions/2954/do-you-have-to-be-good-at-grammar-to-get-published). English is not really my first language, but", "to me if there's a software or app that I can use? Thank", "I'm prone to grammatical errors, I still want to find something that can", "what apps can I use to start writing my stories, I searched in", "me without so much cost. You can even recommend to me if there's", "that doesn't mean I gave up on my goal. I still want to", "to write an English story. But the only problem is, I'm not really", "my goal. I still want to write an English science-fiction book, but I'm", "grammar. Is there something you can recommend me of how can I improve", "Is there something you can recommend me of how can I improve my", "me of how can I improve my grammar? Especially that I'm prone to" ]
[ "Carolyn Gregoire’s article “What Your 'Life Story' Really Says About You”, she points", "with single quotes? > > In Carolyn Gregoire’s article “What Your 'Life Story'", "has to say about this, I'd be happy to know. Otherwise, just best", "quote that has double quotation marks inside it. Would I leave those in?", "that is just a quote of the source. Note that the \"realistic optimists\"", "Your 'Life Story' Really Says About You”, she points out that “studies have", "(I presume). If there's something MLA has to say about this, I'd be", "a quote of the source. Note that the \"realistic optimists\" part is still", "that the \"realistic optimists\" part is still the same person talking, per se,", "rest of that is just a quote of the source. Note that the", "> In this case, the phrase \"realistic optimists\" is in the source within", "\"realistic optimists\" . . . may be happier and more successful that strict", "case, the phrase \"realistic optimists\" is in the source within quotes, and the", "have a quote that has double quotation marks inside it. Would I leave", "In Carolyn Gregoire’s article “What Your 'Life Story' Really Says About You”, she", "be happier and more successful that strict optimists or pessimists.” > > >", "has double quotation marks inside it. Would I leave those in? Or replace", "with quotes around it because it's strange language (I presume). If there's something", "those in? Or replace them with single quotes? > > In Carolyn Gregoire’s", "of the source. Note that the \"realistic optimists\" part is still the same", "In this case, the phrase \"realistic optimists\" is in the source within quotes,", "she points out that “studies have found that \"realistic optimists\" . . .", "About You”, she points out that “studies have found that \"realistic optimists\" .", "in? Or replace them with single quotes? > > In Carolyn Gregoire’s article", "se, with quotes around it because it's strange language (I presume). If there's", "So I have a quote that has double quotation marks inside it. Would", "Note that the \"realistic optimists\" part is still the same person talking, per", "Story' Really Says About You”, she points out that “studies have found that", "in the source within quotes, and the rest of that is just a", "MLA has to say about this, I'd be happy to know. Otherwise, just", "I have a quote that has double quotation marks inside it. Would I", "Really Says About You”, she points out that “studies have found that \"realistic", "happier and more successful that strict optimists or pessimists.” > > > In", "and more successful that strict optimists or pessimists.” > > > In this", "language (I presume). If there's something MLA has to say about this, I'd", "strange language (I presume). If there's something MLA has to say about this,", "same person talking, per se, with quotes around it because it's strange language", "\"realistic optimists\" is in the source within quotes, and the rest of that", "around it because it's strange language (I presume). If there's something MLA has", "them with single quotes? > > In Carolyn Gregoire’s article “What Your 'Life", ". . may be happier and more successful that strict optimists or pessimists.”", ". may be happier and more successful that strict optimists or pessimists.” >", "within quotes, and the rest of that is just a quote of the", "points out that “studies have found that \"realistic optimists\" . . . may", "source. Note that the \"realistic optimists\" part is still the same person talking,", "found that \"realistic optimists\" . . . may be happier and more successful", "talking, per se, with quotes around it because it's strange language (I presume).", "> > In this case, the phrase \"realistic optimists\" is in the source", "and the rest of that is just a quote of the source. Note", "the same person talking, per se, with quotes around it because it's strange", "quotes? > > In Carolyn Gregoire’s article “What Your 'Life Story' Really Says", "quotes, and the rest of that is just a quote of the source.", "that \"realistic optimists\" . . . may be happier and more successful that", "optimists or pessimists.” > > > In this case, the phrase \"realistic optimists\"", "have found that \"realistic optimists\" . . . may be happier and more", "it because it's strange language (I presume). If there's something MLA has to", "optimists\" part is still the same person talking, per se, with quotes around", "the source. Note that the \"realistic optimists\" part is still the same person", "more successful that strict optimists or pessimists.” > > > In this case,", "\"realistic optimists\" part is still the same person talking, per se, with quotes", "quotation marks inside it. Would I leave those in? Or replace them with", "successful that strict optimists or pessimists.” > > > In this case, the", "still the same person talking, per se, with quotes around it because it's", "may be happier and more successful that strict optimists or pessimists.” > >", "because it's strange language (I presume). If there's something MLA has to say", "strict optimists or pessimists.” > > > In this case, the phrase \"realistic", "or pessimists.” > > > In this case, the phrase \"realistic optimists\" is", "optimists\" is in the source within quotes, and the rest of that is", "Or replace them with single quotes? > > In Carolyn Gregoire’s article “What", "the rest of that is just a quote of the source. Note that", "If there's something MLA has to say about this, I'd be happy to", "the source within quotes, and the rest of that is just a quote", "pessimists.” > > > In this case, the phrase \"realistic optimists\" is in", "leave those in? Or replace them with single quotes? > > In Carolyn", "is still the same person talking, per se, with quotes around it because", "that strict optimists or pessimists.” > > > In this case, the phrase", "just a quote of the source. Note that the \"realistic optimists\" part is", "quotes around it because it's strange language (I presume). If there's something MLA", "per se, with quotes around it because it's strange language (I presume). If", "You”, she points out that “studies have found that \"realistic optimists\" . .", "double quotation marks inside it. Would I leave those in? Or replace them", "inside it. Would I leave those in? Or replace them with single quotes?", "is in the source within quotes, and the rest of that is just", "marks inside it. Would I leave those in? Or replace them with single", "“What Your 'Life Story' Really Says About You”, she points out that “studies", "Gregoire’s article “What Your 'Life Story' Really Says About You”, she points out", "I leave those in? Or replace them with single quotes? > > In", "'Life Story' Really Says About You”, she points out that “studies have found", "presume). If there's something MLA has to say about this, I'd be happy", "there's something MLA has to say about this, I'd be happy to know.", "is just a quote of the source. Note that the \"realistic optimists\" part", "> In Carolyn Gregoire’s article “What Your 'Life Story' Really Says About You”,", "it. Would I leave those in? Or replace them with single quotes? >", "a quote that has double quotation marks inside it. Would I leave those", "part is still the same person talking, per se, with quotes around it", "this case, the phrase \"realistic optimists\" is in the source within quotes, and", "phrase \"realistic optimists\" is in the source within quotes, and the rest of", "person talking, per se, with quotes around it because it's strange language (I", "Says About You”, she points out that “studies have found that \"realistic optimists\"", "that “studies have found that \"realistic optimists\" . . . may be happier", "to say about this, I'd be happy to know. Otherwise, just best practice?", "the \"realistic optimists\" part is still the same person talking, per se, with", "single quotes? > > In Carolyn Gregoire’s article “What Your 'Life Story' Really", "> > > In this case, the phrase \"realistic optimists\" is in the", "the phrase \"realistic optimists\" is in the source within quotes, and the rest", ". . . may be happier and more successful that strict optimists or", "it's strange language (I presume). If there's something MLA has to say about", "source within quotes, and the rest of that is just a quote of", "optimists\" . . . may be happier and more successful that strict optimists", "quote of the source. Note that the \"realistic optimists\" part is still the", "Would I leave those in? Or replace them with single quotes? > >", "that has double quotation marks inside it. Would I leave those in? Or", "> > In Carolyn Gregoire’s article “What Your 'Life Story' Really Says About", "something MLA has to say about this, I'd be happy to know. Otherwise,", "out that “studies have found that \"realistic optimists\" . . . may be", "“studies have found that \"realistic optimists\" . . . may be happier and", "of that is just a quote of the source. Note that the \"realistic", "article “What Your 'Life Story' Really Says About You”, she points out that", "replace them with single quotes? > > In Carolyn Gregoire’s article “What Your" ]
[ "writers seem to quietly slave away at their manuscripts hoping to hone their", "potentially crippling difficulty the entire self-publishing community has faced is the fact that", "Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away at their manuscripts hoping", "spent on revising drafts and studying the trade to improve their skills or", "author's time best spent on revising drafts and studying the trade to improve", "their skills or simply say 'good enough' and risk the stigma of self-publishing?", "entire self-publishing community has faced is the fact that much of its output", "works I have read but frankly, I have also read a lot of", "the fact that much of its output — not all but a lot", "not all but a lot — is rife with poor quality.* [Self-Publishing And", "huge successes of self published authors: * [Amazon Pays $450,000 A Year To", "self published authors: * [Amazon Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3)", "Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog", "about the quality of most self-published works I have read but frankly, I", "reputable agencies: * [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really", "* [Amazon Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track", "bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly sums up the entire mood:", "with poor quality.* [Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question", "published by reputable agencies: * [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published", "successes of self published authors: * [Amazon Pays $450,000 A Year To This", "of most self-published works I have read but frankly, I have also read", "their manuscripts hoping to hone their skills to create the next blockbuster or", "much of its output — not all but a lot — is rife", "identifiable, potentially crippling difficulty the entire self-publishing community has faced is the fact", "* [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/)", "Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by", "to quietly slave away at their manuscripts hoping to hone their skills to", "[Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly", "all but a lot — is rife with poor quality.* [Self-Publishing And ‘The", "to hone their skills to create the next blockbuster or Pulitzer. I do", "an author's time best spent on revising drafts and studying the trade to", "Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away at their manuscripts hoping to", "on revising drafts and studying the trade to improve their skills or simply", "skills to create the next blockbuster or Pulitzer. I do wonder about the", "self-published works I have read but frankly, I have also read a lot", "community has faced is the fact that much of its output — not", "fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly sums up", "My question is: Is an author's time best spent on revising drafts and", "difficulty the entire self-publishing community has faced is the fact that much of", "by a reputable journalist succinctly sums up the entire mood: Probably the single", "Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave", "improve their skills or simply say 'good enough' and risk the stigma of", "I have also read a lot of drivel published by reputable agencies: ", "and studying the trade to improve their skills or simply say 'good enough'", "Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away at", "most readily identifiable, potentially crippling difficulty the entire self-publishing community has faced is", "of its output — not all but a lot — is rife with", "readily identifiable, potentially crippling difficulty the entire self-publishing community has faced is the", "a lot of drivel published by reputable agencies: * [Self-Published Authors Are Destroying", "the entire self-publishing community has faced is the fact that much of its", "lot of drivel published by reputable agencies: * [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature)", "wonder about the quality of most self-published works I have read but frankly,", "quietly slave away at their manuscripts hoping to hone their skills to create", "next blockbuster or Pulitzer. I do wonder about the quality of most self-published", "a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away", "I do wonder about the quality of most self-published works I have read", "create the next blockbuster or Pulitzer. I do wonder about the quality of", "or Pulitzer. I do wonder about the quality of most self-published works I", "has faced is the fact that much of its output — not all", "lot — is rife with poor quality.* [Self-Publishing And ‘The Quality Question’: It’s", "about the huge successes of self published authors: * [Amazon Pays $450,000 A", "to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly", "away at their manuscripts hoping to hone their skills to create the next", "its output — not all but a lot — is rife with poor", "do wonder about the quality of most self-published works I have read but", "single most readily identifiable, potentially crippling difficulty the entire self-publishing community has faced", "output — not all but a lot — is rife with poor quality.", "have read about the huge successes of self published authors: [Amazon Pays", "blockbuster or Pulitzer. I do wonder about the quality of most self-published works", "self-publishing community has faced is the fact that much of its output —", "Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable", "a reputable journalist succinctly sums up the entire mood: Probably the single most", "the single most readily identifiable, potentially crippling difficulty the entire self-publishing community has", "but a lot — is rife with poor quality. [Self-Publishing And ‘The Quality", "quality of most self-published works I have read but frankly, I have also", "the quality of most self-published works I have read but frankly, I have", "crippling difficulty the entire self-publishing community has faced is the fact that much", "the trade to improve their skills or simply say 'good enough' and risk", "manuscripts hoping to hone their skills to create the next blockbuster or Pulitzer.", "trade to improve their skills or simply say 'good enough' and risk the", "Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a", "journalist succinctly sums up the entire mood: Probably the single most readily identifiable,", "[Amazon Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) [The Fast-Track to", "is the fact that much of its output — not all but a", "self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly sums", "Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709)", "their skills to create the next blockbuster or Pulitzer. I do wonder about", "This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a Million Dollars From Writing", "to improve their skills or simply say 'good enough' and risk the stigma", "To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a Million Dollars From", "succinctly sums up the entire mood: Probably the single most readily identifiable, potentially", "A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) [The Fast-Track to Making a Million", "— not all but a lot — is rife with poor quality.* [Self-Publishing", "the huge successes of self published authors: * [Amazon Pays $450,000 A Year", "really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly sums up the", "[Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an", "up the entire mood: Probably the single most readily identifiable, potentially crippling difficulty", "to create the next blockbuster or Pulitzer. I do wonder about the quality", "— is rife with poor quality. [Self-Publishing And ‘The Quality Question’: It’s Called", "Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a Million Dollars", "mood: Probably the single most readily identifiable, potentially crippling difficulty the entire self-publishing", "Most writers seem to quietly slave away at their manuscripts hoping to hone", "entire mood: Probably the single most readily identifiable, potentially crippling difficulty the entire", "* [The Fast-Track to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers", "seem to quietly slave away at their manuscripts hoping to hone their skills", "$450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a", "Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time best spent on revising drafts", "have also read a lot of drivel published by reputable agencies: * [Self-Published", "Probably the single most readily identifiable, potentially crippling difficulty the entire self-publishing community", "drafts and studying the trade to improve their skills or simply say 'good", "by reputable agencies: [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction", "agencies: * [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that", "Pulitzer. I do wonder about the quality of most self-published works I have", "best spent on revising drafts and studying the trade to improve their skills", "poor quality.* [Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is:", "studying the trade to improve their skills or simply say 'good enough' and", "all have read about the huge successes of self published authors: * [Amazon", "fact that much of its output — not all but a lot —", "From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away at their manuscripts", "question is: Is an author's time best spent on revising drafts and studying", "is rife with poor quality.* [Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/)", "[Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One", "And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's", "of self published authors: * [Amazon Pays $450,000 A Year To This Self-Published", "Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to quietly slave away at their", "* [Is self-published fiction really that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist", "at their manuscripts hoping to hone their skills to create the next blockbuster", "the next blockbuster or Pulitzer. I do wonder about the quality of most", "read a lot of drivel published by reputable agencies: * [Self-Published Authors Are", "the entire mood: Probably the single most readily identifiable, potentially crippling difficulty the", "Is an author's time best spent on revising drafts and studying the trade", "drivel published by reputable agencies: [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) * [Is", "that bad?](https://old.reddit.com/r/writing/comments/306zia/is_selfpublished_fiction_really_that_bad/) One blog by a reputable journalist succinctly sums up the entire", "authors: * [Amazon Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The", "It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time best spent on", "Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making", "reputable journalist succinctly sums up the entire mood: Probably the single most readily", "time best spent on revising drafts and studying the trade to improve their", "a lot — is rife with poor quality. [Self-Publishing And ‘The Quality Question’:", "revising drafts and studying the trade to improve their skills or simply say", "Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) * [The Fast-Track to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most", "Fast-Track to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem to", "rife with poor quality.* [Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My", "hone their skills to create the next blockbuster or Pulitzer. I do wonder", "Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time best spent on revising", "slave away at their manuscripts hoping to hone their skills to create the", "published authors: * [Amazon Pays $450,000 A Year To This Self-Published Writer](https://www.forbes.com/sites/jaymcgregor/2015/04/17/mark-dawson-made-750000-from-self-published-amazon-books/#611bdb2a35e3) ", "sums up the entire mood: Probably the single most readily identifiable, potentially crippling", "is: Is an author's time best spent on revising drafts and studying the", "most self-published works I have read but frankly, I have also read a", "read but frankly, I have also read a lot of drivel published by", "quality.* [Self-Publishing And ‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is", "blog by a reputable journalist succinctly sums up the entire mood: Probably the", "‘The Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time", "of drivel published by reputable agencies: [Self-Published Authors Are Destroying Literature](https://goodereader.com/blog/commentary/self-published-authors-are-destroying-literature) ", "but frankly, I have also read a lot of drivel published by reputable", "We all have read about the huge successes of self published authors: ", "hoping to hone their skills to create the next blockbuster or Pulitzer. I", "faced is the fact that much of its output — not all but", "Quality Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time best", "Question’: It’s Called Rigor](https://thoughtcatalog.com/porter-anderson/2014/12/self-publishing-and-the-quality-question-its-called-rigor/) My question is: Is an author's time best spent", "I have read but frankly, I have also read a lot of drivel", "that much of its output — not all but a lot — is", "read about the huge successes of self published authors: * [Amazon Pays $450,000", "One blog by a reputable journalist succinctly sums up the entire mood: Probably", "[The Fast-Track to Making a Million Dollars From Writing Books](https://www.forbes.com/sites/jeremygreenfield/2013/03/20/the-fast-track-to-making-a-million-dollars-from-writing-books/#45bcb4641709) Most writers seem", "frankly, I have also read a lot of drivel published by reputable agencies:", "also read a lot of drivel published by reputable agencies: [Self-Published Authors", "have read but frankly, I have also read a lot of drivel published" ]
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[ "best place to start? Text editors? Word processors? Pro writing software? Any suggestions", "like to start a first draft but I can't decide on any of", "a novel and would like to start a first draft but I can't", "on any of the endless amounts of writing software available. What's the best", "available. What's the best place to start? Text editors? Word processors? Pro writing", "a first draft but I can't decide on any of the endless amounts", "on outlining a novel and would like to start a first draft but", "amounts of writing software available. What's the best place to start? Text editors?", "of writing software available. What's the best place to start? Text editors? Word", "the endless amounts of writing software available. What's the best place to start?", "writing software available. What's the best place to start? Text editors? Word processors?", "software available. What's the best place to start? Text editors? Word processors? Pro", "to start a first draft but I can't decide on any of the", "to start? Text editors? Word processors? Pro writing software? Any suggestions would be", "but I can't decide on any of the endless amounts of writing software", "decide on any of the endless amounts of writing software available. What's the", "would like to start a first draft but I can't decide on any", "I can't decide on any of the endless amounts of writing software available.", "What's the best place to start? Text editors? Word processors? Pro writing software?", "place to start? Text editors? Word processors? Pro writing software? Any suggestions would", "novel and would like to start a first draft but I can't decide", "can't decide on any of the endless amounts of writing software available. What's", "any of the endless amounts of writing software available. What's the best place", "of the endless amounts of writing software available. What's the best place to", "outlining a novel and would like to start a first draft but I", "endless amounts of writing software available. What's the best place to start? Text", "start a first draft but I can't decide on any of the endless", "the best place to start? Text editors? Word processors? Pro writing software? Any", "I'm working on outlining a novel and would like to start a first", "and would like to start a first draft but I can't decide on", "draft but I can't decide on any of the endless amounts of writing", "start? Text editors? Word processors? Pro writing software? Any suggestions would be appreciated.", "first draft but I can't decide on any of the endless amounts of", "working on outlining a novel and would like to start a first draft" ]
[ "are the romantic scenes (although it becomes sad when the reader knows the", "feel that leaving it that way would be so depressive that the reader", "would be so depressive that the reader would become overwhelmed and put it", "one or two in the beginning). The only scenes that aren't sad or", "However, I feel that leaving it that way would be so depressive that", "the action scenes and the neutral ones (neither sad, nor happy). However, I", "I'm writing a somewhat depressive story that has no comic reliefs and no", "that has no comic reliefs and no happy scenes/moments (except the ending and", "depressive story that has no comic reliefs and no happy scenes/moments (except the", "comic reliefs and no happy scenes/moments (except the ending and one or two", "put it down. So, can a depressive story still be completable without reliefs,", "sad or negative are the romantic scenes (although it becomes sad when the", "would become overwhelmed and put it down. So, can a depressive story still", "can a depressive story still be completable without reliefs, or are they necessary", "a depressive story still be completable without reliefs, or are they necessary for", "overwhelmed and put it down. So, can a depressive story still be completable", "the reader would become overwhelmed and put it down. So, can a depressive", "it that way would be so depressive that the reader would become overwhelmed", "story around it), the action scenes and the neutral ones (neither sad, nor", "aren't sad or negative are the romantic scenes (although it becomes sad when", "reader knows the story around it), the action scenes and the neutral ones", "that leaving it that way would be so depressive that the reader would", "becomes sad when the reader knows the story around it), the action scenes", "that aren't sad or negative are the romantic scenes (although it becomes sad", "the neutral ones (neither sad, nor happy). However, I feel that leaving it", "ones (neither sad, nor happy). However, I feel that leaving it that way", "down. So, can a depressive story still be completable without reliefs, or are", "be so depressive that the reader would become overwhelmed and put it down.", "the beginning). The only scenes that aren't sad or negative are the romantic", "somewhat depressive story that has no comic reliefs and no happy scenes/moments (except", "sad when the reader knows the story around it), the action scenes and", "romantic scenes (although it becomes sad when the reader knows the story around", "reader would become overwhelmed and put it down. So, can a depressive story", "only scenes that aren't sad or negative are the romantic scenes (although it", "negative are the romantic scenes (although it becomes sad when the reader knows", "so depressive that the reader would become overwhelmed and put it down. So,", "the ending and one or two in the beginning). The only scenes that", "leaving it that way would be so depressive that the reader would become", "the story around it), the action scenes and the neutral ones (neither sad,", "or negative are the romantic scenes (although it becomes sad when the reader", "neutral ones (neither sad, nor happy). However, I feel that leaving it that", "ending and one or two in the beginning). The only scenes that aren't", "it down. So, can a depressive story still be completable without reliefs, or", "the reader knows the story around it), the action scenes and the neutral", "no comic reliefs and no happy scenes/moments (except the ending and one or", "become overwhelmed and put it down. So, can a depressive story still be", "The only scenes that aren't sad or negative are the romantic scenes (although", "scenes and the neutral ones (neither sad, nor happy). However, I feel that", "depressive that the reader would become overwhelmed and put it down. So, can", "I feel that leaving it that way would be so depressive that the", "depressive story still be completable without reliefs, or are they necessary for a", "sad, nor happy). However, I feel that leaving it that way would be", "scenes/moments (except the ending and one or two in the beginning). The only", "or two in the beginning). The only scenes that aren't sad or negative", "a somewhat depressive story that has no comic reliefs and no happy scenes/moments", "happy). However, I feel that leaving it that way would be so depressive", "knows the story around it), the action scenes and the neutral ones (neither", "and put it down. So, can a depressive story still be completable without", "action scenes and the neutral ones (neither sad, nor happy). However, I feel", "when the reader knows the story around it), the action scenes and the", "no happy scenes/moments (except the ending and one or two in the beginning).", "scenes (although it becomes sad when the reader knows the story around it),", "two in the beginning). The only scenes that aren't sad or negative are", "it), the action scenes and the neutral ones (neither sad, nor happy). However,", "still be completable without reliefs, or are they necessary for a good story?", "nor happy). However, I feel that leaving it that way would be so", "has no comic reliefs and no happy scenes/moments (except the ending and one", "and one or two in the beginning). The only scenes that aren't sad", "that way would be so depressive that the reader would become overwhelmed and", "So, can a depressive story still be completable without reliefs, or are they", "(neither sad, nor happy). However, I feel that leaving it that way would", "scenes that aren't sad or negative are the romantic scenes (although it becomes", "story that has no comic reliefs and no happy scenes/moments (except the ending", "and the neutral ones (neither sad, nor happy). However, I feel that leaving", "writing a somewhat depressive story that has no comic reliefs and no happy", "the romantic scenes (although it becomes sad when the reader knows the story", "that the reader would become overwhelmed and put it down. So, can a", "(except the ending and one or two in the beginning). The only scenes", "it becomes sad when the reader knows the story around it), the action", "and no happy scenes/moments (except the ending and one or two in the", "way would be so depressive that the reader would become overwhelmed and put", "story still be completable without reliefs, or are they necessary for a good", "happy scenes/moments (except the ending and one or two in the beginning). The", "in the beginning). The only scenes that aren't sad or negative are the", "(although it becomes sad when the reader knows the story around it), the", "beginning). The only scenes that aren't sad or negative are the romantic scenes", "reliefs and no happy scenes/moments (except the ending and one or two in", "around it), the action scenes and the neutral ones (neither sad, nor happy)." ]
[ "in MS Word. I must incorporate some theater-like scenes into a book. In", "into a book. In the theater-like scenes, there will be three to five", "a book. In the theater-like scenes, there will be three to five characters", "three to five characters speaking lines. Very, very occasionally a tiny bit of", "will be three to five characters speaking lines. Very, very occasionally a tiny", "the theater-like scenes, there will be three to five characters speaking lines. Very,", "Very, very occasionally a tiny bit of narration. Do I need different software,", "must incorporate some theater-like scenes into a book. In the theater-like scenes, there", "to five characters speaking lines. Very, very occasionally a tiny bit of narration.", "writing in MS Word. I must incorporate some theater-like scenes into a book.", "some theater-like scenes into a book. In the theater-like scenes, there will be", "a tiny bit of narration. Do I need different software, or maybe a", "lines. Very, very occasionally a tiny bit of narration. Do I need different", "theater-like scenes into a book. In the theater-like scenes, there will be three", "MS Word. I must incorporate some theater-like scenes into a book. In the", "scenes, there will be three to five characters speaking lines. Very, very occasionally", "speaking lines. Very, very occasionally a tiny bit of narration. Do I need", "very occasionally a tiny bit of narration. Do I need different software, or", "there will be three to five characters speaking lines. Very, very occasionally a", "scenes into a book. In the theater-like scenes, there will be three to", "my writing in MS Word. I must incorporate some theater-like scenes into a", "Word. I must incorporate some theater-like scenes into a book. In the theater-like", "In the theater-like scenes, there will be three to five characters speaking lines.", "incorporate some theater-like scenes into a book. In the theater-like scenes, there will", "characters speaking lines. Very, very occasionally a tiny bit of narration. Do I", "I do my writing in MS Word. I must incorporate some theater-like scenes", "book. In the theater-like scenes, there will be three to five characters speaking", "occasionally a tiny bit of narration. Do I need different software, or maybe", "do my writing in MS Word. I must incorporate some theater-like scenes into", "five characters speaking lines. Very, very occasionally a tiny bit of narration. Do", "bit of narration. Do I need different software, or maybe a Word plugin?", "I must incorporate some theater-like scenes into a book. In the theater-like scenes,", "be three to five characters speaking lines. Very, very occasionally a tiny bit", "tiny bit of narration. Do I need different software, or maybe a Word", "theater-like scenes, there will be three to five characters speaking lines. Very, very" ]
[ "submit to a publisher or self-publish. If one submits to a publisher, what", "devour, as they are trying to figure some things out.) Is it still", "share information in (cough) what I consider is a well written way. My", "in a slow steady stream. I am thinking about making my own website,", "been published (in the blog)? The posts on this particular blog stick around", "the blog)? The posts on this particular blog stick around for years, and", "strong interest in the special interest area, and it's very satisfying to share", "to the book. (For example, some appendices with related technical information that would", "am thinking about making my own website, also, in which to re-publish (with", "get paid but that's okay, I have a strong interest in the special", "the fact that some of the material has already been published (in the", "steady stream. I am thinking about making my own website, also, in which", "okay, I have a strong interest in the special interest area, and it's", "some additional material, most of which would be related to the book. (For", "paid but that's okay, I have a strong interest in the special interest", "will help spread the word about my book when it is finished. I", "occasional guest blog posts for a special interest blog with a very large", "most of which would be related to the book. (For example, some appendices", "interest area, and it's very satisfying to share information in (cough) what I", "that this exposure will help spread the word about my book when it", "too tedious for the book, but which some readers would devour, as they", "to appear in a slow steady stream. I am thinking about making my", "trying to figure some things out.) Is it still possible to submit to", "a publisher or self-publish. If one submits to a publisher, what does one", "on this particular blog stick around for years, and continue to attract readers.", "continue to attract readers. I know because comments continue to appear in a", "readers. I know because comments continue to appear in a slow steady stream.", "own website, also, in which to re-publish (with permission, of course) the same", "with a very large readership. I don't get paid but that's okay, I", "whether to submit to a publisher or self-publish. If one submits to a", "what I consider is a well written way. My hope is that this", "have a strong interest in the special interest area, and it's very satisfying", "the same posts, along with some additional material, most of which would be", "comments continue to appear in a slow steady stream. I am thinking about", "things out.) Is it still possible to submit to a publisher in these", "yet whether to submit to a publisher or self-publish. If one submits to", "consider is a well written way. My hope is that this exposure will", "re-publish (with permission, of course) the same posts, along with some additional material,", "some appendices with related technical information that would not fit into the book,", "with some additional material, most of which would be related to the book.", "guest blog posts for a special interest blog with a very large readership.", "that some of the material has already been published (in the blog)? The", "it is finished. I haven't decided yet whether to submit to a publisher", "exposure will help spread the word about my book when it is finished.", "attract readers. I know because comments continue to appear in a slow steady", "the material has already been published (in the blog)? The posts on this", "(cough) what I consider is a well written way. My hope is that", "to a publisher or self-publish. If one submits to a publisher, what does", "to re-publish (with permission, of course) the same posts, along with some additional", "book, or that would be too tedious for the book, but which some", "when it is finished. I haven't decided yet whether to submit to a", "special interest blog with a very large readership. I don't get paid but", "posts for a special interest blog with a very large readership. I don't", "appear in a slow steady stream. I am thinking about making my own", "into the book, or that would be too tedious for the book, but", "that's okay, I have a strong interest in the special interest area, and", "some of the material has already been published (in the blog)? The posts", "very satisfying to share information in (cough) what I consider is a well", "which would be related to the book. (For example, some appendices with related", "spread the word about my book when it is finished. I haven't decided", "I have a strong interest in the special interest area, and it's very", "one submits to a publisher, what does one do about the fact that", "be related to the book. (For example, some appendices with related technical information", "would be too tedious for the book, but which some readers would devour,", "publisher or self-publish. If one submits to a publisher, what does one do", "what does one do about the fact that some of the material has", "this particular blog stick around for years, and continue to attract readers. I", "would be related to the book. (For example, some appendices with related technical", "related to the book. (For example, some appendices with related technical information that", "fit into the book, or that would be too tedious for the book,", "already been published (in the blog)? The posts on this particular blog stick", "that would not fit into the book, or that would be too tedious", "I know because comments continue to appear in a slow steady stream. I", "to a publisher, what does one do about the fact that some of", "a publisher, what does one do about the fact that some of the", "website, also, in which to re-publish (with permission, of course) the same posts,", "my own website, also, in which to re-publish (with permission, of course) the", "book. (For example, some appendices with related technical information that would not fit", "My hope is that this exposure will help spread the word about my", "(in the blog)? The posts on this particular blog stick around for years,", "but which some readers would devour, as they are trying to figure some", "stream. I am thinking about making my own website, also, in which to", "about the fact that some of the material has already been published (in", "the book, but which some readers would devour, as they are trying to", "finished. I haven't decided yet whether to submit to a publisher or self-publish.", "hope is that this exposure will help spread the word about my book", "also, in which to re-publish (with permission, of course) the same posts, along", "technical information that would not fit into the book, or that would be", "as they are trying to figure some things out.) Is it still possible", "are trying to figure some things out.) Is it still possible to submit", "large readership. I don't get paid but that's okay, I have a strong", "slow steady stream. I am thinking about making my own website, also, in", "haven't decided yet whether to submit to a publisher or self-publish. If one", "information that would not fit into the book, or that would be too", "submits to a publisher, what does one do about the fact that some", "course) the same posts, along with some additional material, most of which would", "related technical information that would not fit into the book, or that would", "which some readers would devour, as they are trying to figure some things", "interest blog with a very large readership. I don't get paid but that's", "to attract readers. I know because comments continue to appear in a slow", "a slow steady stream. I am thinking about making my own website, also,", "thinking about making my own website, also, in which to re-publish (with permission,", "the word about my book when it is finished. I haven't decided yet", "readers would devour, as they are trying to figure some things out.) Is", "is a well written way. My hope is that this exposure will help", "help spread the word about my book when it is finished. I haven't", "to submit to a publisher or self-publish. If one submits to a publisher,", "it's very satisfying to share information in (cough) what I consider is a", "making my own website, also, in which to re-publish (with permission, of course)", "tedious for the book, but which some readers would devour, as they are", "of course) the same posts, along with some additional material, most of which", "some things out.) Is it still possible to submit to a publisher in", "one do about the fact that some of the material has already been", "is that this exposure will help spread the word about my book when", "for a special interest blog with a very large readership. I don't get", "blog with a very large readership. I don't get paid but that's okay,", "decided yet whether to submit to a publisher or self-publish. If one submits", "satisfying to share information in (cough) what I consider is a well written", "publisher, what does one do about the fact that some of the material", "along with some additional material, most of which would be related to the", "would devour, as they are trying to figure some things out.) Is it", "in (cough) what I consider is a well written way. My hope is", "word about my book when it is finished. I haven't decided yet whether", "and it's very satisfying to share information in (cough) what I consider is", "If one submits to a publisher, what does one do about the fact", "figure some things out.) Is it still possible to submit to a publisher", "way. My hope is that this exposure will help spread the word about", "posts, along with some additional material, most of which would be related to", "The posts on this particular blog stick around for years, and continue to", "a strong interest in the special interest area, and it's very satisfying to", "about my book when it is finished. I haven't decided yet whether to", "for the book, but which some readers would devour, as they are trying", "I write occasional guest blog posts for a special interest blog with a", "blog)? The posts on this particular blog stick around for years, and continue", "some readers would devour, as they are trying to figure some things out.)", "stick around for years, and continue to attract readers. I know because comments", "material, most of which would be related to the book. (For example, some", "not fit into the book, or that would be too tedious for the", "out.) Is it still possible to submit to a publisher in these circumstances?", "(For example, some appendices with related technical information that would not fit into", "blog stick around for years, and continue to attract readers. I know because", "published (in the blog)? The posts on this particular blog stick around for", "area, and it's very satisfying to share information in (cough) what I consider", "be too tedious for the book, but which some readers would devour, as", "interest in the special interest area, and it's very satisfying to share information", "book when it is finished. I haven't decided yet whether to submit to", "continue to appear in a slow steady stream. I am thinking about making", "the book, or that would be too tedious for the book, but which", "(with permission, of course) the same posts, along with some additional material, most", "because comments continue to appear in a slow steady stream. I am thinking", "which to re-publish (with permission, of course) the same posts, along with some", "in which to re-publish (with permission, of course) the same posts, along with", "know because comments continue to appear in a slow steady stream. I am", "my book when it is finished. I haven't decided yet whether to submit", "a well written way. My hope is that this exposure will help spread", "a special interest blog with a very large readership. I don't get paid", "of the material has already been published (in the blog)? The posts on", "appendices with related technical information that would not fit into the book, or", "do about the fact that some of the material has already been published", "has already been published (in the blog)? The posts on this particular blog", "a very large readership. I don't get paid but that's okay, I have", "would not fit into the book, or that would be too tedious for", "but that's okay, I have a strong interest in the special interest area,", "particular blog stick around for years, and continue to attract readers. I know", "they are trying to figure some things out.) Is it still possible to", "for years, and continue to attract readers. I know because comments continue to", "posts on this particular blog stick around for years, and continue to attract", "or that would be too tedious for the book, but which some readers", "book, but which some readers would devour, as they are trying to figure", "of which would be related to the book. (For example, some appendices with", "don't get paid but that's okay, I have a strong interest in the", "I am thinking about making my own website, also, in which to re-publish", "about making my own website, also, in which to re-publish (with permission, of", "written way. My hope is that this exposure will help spread the word", "material has already been published (in the blog)? The posts on this particular", "this exposure will help spread the word about my book when it is", "permission, of course) the same posts, along with some additional material, most of", "the special interest area, and it's very satisfying to share information in (cough)", "self-publish. If one submits to a publisher, what does one do about the", "I don't get paid but that's okay, I have a strong interest in", "information in (cough) what I consider is a well written way. My hope", "is finished. I haven't decided yet whether to submit to a publisher or", "blog posts for a special interest blog with a very large readership. I", "the book. (For example, some appendices with related technical information that would not", "around for years, and continue to attract readers. I know because comments continue", "years, and continue to attract readers. I know because comments continue to appear", "I haven't decided yet whether to submit to a publisher or self-publish. If", "I consider is a well written way. My hope is that this exposure", "very large readership. I don't get paid but that's okay, I have a", "or self-publish. If one submits to a publisher, what does one do about", "example, some appendices with related technical information that would not fit into the", "special interest area, and it's very satisfying to share information in (cough) what", "with related technical information that would not fit into the book, or that", "additional material, most of which would be related to the book. (For example,", "that would be too tedious for the book, but which some readers would", "write occasional guest blog posts for a special interest blog with a very", "and continue to attract readers. I know because comments continue to appear in", "well written way. My hope is that this exposure will help spread the", "fact that some of the material has already been published (in the blog)?", "readership. I don't get paid but that's okay, I have a strong interest", "same posts, along with some additional material, most of which would be related", "in the special interest area, and it's very satisfying to share information in", "to figure some things out.) Is it still possible to submit to a", "does one do about the fact that some of the material has already", "to share information in (cough) what I consider is a well written way." ]
[ "and poems, but what about prose? An example from my own writing: >", "be one from now on. We > will be together. > > >", "all right. I don't have to move. I don't have to do anything.", "now on. We > will be together. > > > Wholly. Forever. >", "floor, blood and bile dripping from my lips, my > stomach full but", "example from my own writing: > > I fall to the ceramic floor,", "from my own writing: > > I fall to the ceramic floor, blood", "> Because I'm happy. Because Keduo and I will be one from now", "that's all right. I don't have to move. I don't have to do", "happy. Because Keduo and I will be one from now on. We >", "lyrics and poems, but what about prose? An example from my own writing:", "but my muscles lacking the slightest drop of energy. But > that's all", "lacking the slightest drop of energy. But > that's all right. I don't", "my muscles lacking the slightest drop of energy. But > that's all right.", "We > will be together. > > > Wholly. Forever. > > >", "have to do anything. > Because I'm happy. Because Keduo and I will", "muscles lacking the slightest drop of energy. But > that's all right. I", "about prose? An example from my own writing: > > I fall to", "don't have to do anything. > Because I'm happy. Because Keduo and I", "from my lips, my > stomach full but my muscles lacking the slightest", "I'm happy. Because Keduo and I will be one from now on. We", "don't have to move. I don't have to do anything. > Because I'm", "They are the good in lyrics and poems, but what about prose? An", "own writing: > > I fall to the ceramic floor, blood and bile", "move. I don't have to do anything. > Because I'm happy. Because Keduo", "lips, my > stomach full but my muscles lacking the slightest drop of", "to move. I don't have to do anything. > Because I'm happy. Because", "right. I don't have to move. I don't have to do anything. >", "to the ceramic floor, blood and bile dripping from my lips, my >", "> stomach full but my muscles lacking the slightest drop of energy. But", "in lyrics and poems, but what about prose? An example from my own", "dripping from my lips, my > stomach full but my muscles lacking the", "An example from my own writing: > > I fall to the ceramic", "Because I'm happy. Because Keduo and I will be one from now on.", "I don't have to move. I don't have to do anything. > Because", "full but my muscles lacking the slightest drop of energy. But > that's", "my own writing: > > I fall to the ceramic floor, blood and", "good in lyrics and poems, but what about prose? An example from my", "do anything. > Because I'm happy. Because Keduo and I will be one", "but what about prose? An example from my own writing: > > I", "ceramic floor, blood and bile dripping from my lips, my > stomach full", "> I fall to the ceramic floor, blood and bile dripping from my", "my lips, my > stomach full but my muscles lacking the slightest drop", "writing: > > I fall to the ceramic floor, blood and bile dripping", "the slightest drop of energy. But > that's all right. I don't have", "on. We > will be together. > > > Wholly. Forever. > >", "what about prose? An example from my own writing: > > I fall", "Keduo and I will be one from now on. We > will be", "and bile dripping from my lips, my > stomach full but my muscles", "my > stomach full but my muscles lacking the slightest drop of energy.", "energy. But > that's all right. I don't have to move. I don't", "fall to the ceramic floor, blood and bile dripping from my lips, my", "slightest drop of energy. But > that's all right. I don't have to", "of energy. But > that's all right. I don't have to move. I", "are the good in lyrics and poems, but what about prose? An example", "stomach full but my muscles lacking the slightest drop of energy. But >", "and I will be one from now on. We > will be together.", "bile dripping from my lips, my > stomach full but my muscles lacking", "> that's all right. I don't have to move. I don't have to", "poems, but what about prose? An example from my own writing: > >", "blood and bile dripping from my lips, my > stomach full but my", "the ceramic floor, blood and bile dripping from my lips, my > stomach", "drop of energy. But > that's all right. I don't have to move.", "the good in lyrics and poems, but what about prose? An example from", "from now on. We > will be together. > > > Wholly. Forever.", "But > that's all right. I don't have to move. I don't have", "> > I fall to the ceramic floor, blood and bile dripping from", "Because Keduo and I will be one from now on. We > will", "I will be one from now on. We > will be together. >", "prose? An example from my own writing: > > I fall to the", "I don't have to do anything. > Because I'm happy. Because Keduo and", "have to move. I don't have to do anything. > Because I'm happy.", "to do anything. > Because I'm happy. Because Keduo and I will be", "anything. > Because I'm happy. Because Keduo and I will be one from", "will be one from now on. We > will be together. > >", "one from now on. We > will be together. > > > Wholly.", "I fall to the ceramic floor, blood and bile dripping from my lips," ]
[ "other English-speaking cultures? If not, is there an equivalent culture-neutral term or should", "not, is there an equivalent culture-neutral term or should I spell it out?", "readers in the US and other English-speaking cultures? If not, is there an", "the usual UK word, 'temping'. Will this be understood by readers in the", "a short-term temporary position in an organisation and refer to her doing the", "cultures? If not, is there an equivalent culture-neutral term or should I spell", "her doing the work using the usual UK word, 'temping'. Will this be", "in an organisation and refer to her doing the work using the usual", "a character working in a short-term temporary position in an organisation and refer", "understood by readers in the US and other English-speaking cultures? If not, is", "working in a short-term temporary position in an organisation and refer to her", "position in an organisation and refer to her doing the work using the", "the US and other English-speaking cultures? If not, is there an equivalent culture-neutral", "usual UK word, 'temping'. Will this be understood by readers in the US", "I have a character working in a short-term temporary position in an organisation", "this be understood by readers in the US and other English-speaking cultures? If", "by readers in the US and other English-speaking cultures? If not, is there", "doing the work using the usual UK word, 'temping'. Will this be understood", "be understood by readers in the US and other English-speaking cultures? If not,", "organisation and refer to her doing the work using the usual UK word,", "in the US and other English-speaking cultures? If not, is there an equivalent", "UK word, 'temping'. Will this be understood by readers in the US and", "character working in a short-term temporary position in an organisation and refer to", "and other English-speaking cultures? If not, is there an equivalent culture-neutral term or", "using the usual UK word, 'temping'. Will this be understood by readers in", "US and other English-speaking cultures? If not, is there an equivalent culture-neutral term", "word, 'temping'. Will this be understood by readers in the US and other", "the work using the usual UK word, 'temping'. Will this be understood by", "to her doing the work using the usual UK word, 'temping'. Will this", "'temping'. Will this be understood by readers in the US and other English-speaking", "have a character working in a short-term temporary position in an organisation and", "and refer to her doing the work using the usual UK word, 'temping'.", "refer to her doing the work using the usual UK word, 'temping'. Will", "If not, is there an equivalent culture-neutral term or should I spell it", "English-speaking cultures? If not, is there an equivalent culture-neutral term or should I", "work using the usual UK word, 'temping'. Will this be understood by readers", "an organisation and refer to her doing the work using the usual UK", "Will this be understood by readers in the US and other English-speaking cultures?", "in a short-term temporary position in an organisation and refer to her doing", "temporary position in an organisation and refer to her doing the work using", "short-term temporary position in an organisation and refer to her doing the work" ]
[ "theories and philosophies. The book will have subjects people generally refer to as", "from someone older. How would publishers react to this? Would they give it", "have subjects people generally refer to as from people experienced in life, who", "say 20 years old, wants to publish a book filled with \"life experience\"", "they also publish it like that, or would they prefer a 'older' pseudonym?", "a lot. So, when someone who is say 50 years old, I assume", "react to this? Would they give it a fair shot, or reject it", "is say 20 years old, wants to publish a book filled with \"life", "generally refer to as from people experienced in life, who have been through", "Do publishers select manuscripts based on age? And if yes, how, why and", "as from people experienced in life, who have been through a lot. So,", "who is say 20 years old, wants to publish a book filled with", "so please correct me if I am wrong. But what if someone who", "suspect from someone older. How would publishers react to this? Would they give", "and some theories and philosophies. The book will have subjects people generally refer", "what if someone who is say 20 years old, wants to publish a", "philosophies. The book will have subjects people generally refer to as from people", "life, who have been through a lot. So, when someone who is say", "fair shot and make a judgement on whats in it. This is my", "psychological subject, and some theories and philosophies. The book will have subjects people", "years old, wants to publish a book filled with \"life experience\" and advice", "and philosophies. The book will have subjects people generally refer to as from", "people experienced in life, who have been through a lot. So, when someone", "a book filled with \"life experience\" and advice you would suspect from someone", "publishers react to this? Would they give it a fair shot, or reject", "who is say 50 years old, I assume people (and specifically publishers) would", "have been through a lot. So, when someone who is say 50 years", "you would suspect from someone older. How would publishers react to this? Would", "of the author? And would they also publish it like that, or would", "advice you would suspect from someone older. How would publishers react to this?", "someone older. How would publishers react to this? Would they give it a", "older. How would publishers react to this? Would they give it a fair", "age of the author? And would they also publish it like that, or", "whats in it. This is my assumption, so please correct me if I", "specifically publishers) would give it a fair shot and make a judgement on", "my question: Do publishers select manuscripts based on age? And if yes, how,", "in it. This is my assumption, so please correct me if I am", "50 years old, I assume people (and specifically publishers) would give it a", "been through a lot. So, when someone who is say 50 years old,", "I am wrong. But what if someone who is say 20 years old,", "from people experienced in life, who have been through a lot. So, when", "and make a judgement on whats in it. This is my assumption, so", "in life, who have been through a lot. So, when someone who is", "shot and make a judgement on whats in it. This is my assumption,", "And would they also publish it like that, or would they prefer a", "publish it like that, or would they prefer a 'older' pseudonym? So to", "to this? Would they give it a fair shot, or reject it because", "wants to publish a book filled with \"life experience\" and advice you would", "they prefer a 'older' pseudonym? So to summarize my question: Do publishers select", "book will have subjects people generally refer to as from people experienced in", "it like that, or would they prefer a 'older' pseudonym? So to summarize", "refer to as from people experienced in life, who have been through a", "manuscripts based on age? And if yes, how, why and with what criteria?", "make a judgement on whats in it. This is my assumption, so please", "to as from people experienced in life, who have been through a lot.", "on whats in it. This is my assumption, so please correct me if", "of psychological subject, and some theories and philosophies. The book will have subjects", "will have subjects people generally refer to as from people experienced in life,", "prefer a 'older' pseudonym? So to summarize my question: Do publishers select manuscripts", "people generally refer to as from people experienced in life, who have been", "So to summarize my question: Do publishers select manuscripts based on age? And", "subjects people generally refer to as from people experienced in life, who have", "or reject it because of the age of the author? And would they", "they give it a fair shot, or reject it because of the age", "a 'older' pseudonym? So to summarize my question: Do publishers select manuscripts based", "question: Do publishers select manuscripts based on age? And if yes, how, why", "if I am wrong. But what if someone who is say 20 years", "'older' pseudonym? So to summarize my question: Do publishers select manuscripts based on", "publishers select manuscripts based on age? And if yes, how, why and with", "the author? And would they also publish it like that, or would they", "correct me if I am wrong. But what if someone who is say", "But what if someone who is say 20 years old, wants to publish", "some kind of psychological subject, and some theories and philosophies. The book will", "\"life experience\" and advice you would suspect from someone older. How would publishers", "20 years old, wants to publish a book filled with \"life experience\" and", "it. This is my assumption, so please correct me if I am wrong.", "someone who is say 50 years old, I assume people (and specifically publishers)", "How would publishers react to this? Would they give it a fair shot,", "fair shot, or reject it because of the age of the author? And", "Specifically, with some kind of psychological subject, and some theories and philosophies. The", "kind of psychological subject, and some theories and philosophies. The book will have", "select manuscripts based on age? And if yes, how, why and with what", "through a lot. So, when someone who is say 50 years old, I", "reject it because of the age of the author? And would they also", "would they also publish it like that, or would they prefer a 'older'", "pseudonym? So to summarize my question: Do publishers select manuscripts based on age?", "lot. So, when someone who is say 50 years old, I assume people", "is my assumption, so please correct me if I am wrong. But what", "with some kind of psychological subject, and some theories and philosophies. The book", "experienced in life, who have been through a lot. So, when someone who", "judgement on whats in it. This is my assumption, so please correct me", "would suspect from someone older. How would publishers react to this? Would they", "like that, or would they prefer a 'older' pseudonym? So to summarize my", "publishers) would give it a fair shot and make a judgement on whats", "this? Would they give it a fair shot, or reject it because of", "I assume people (and specifically publishers) would give it a fair shot and", "please correct me if I am wrong. But what if someone who is", "This is my assumption, so please correct me if I am wrong. But", "a fair shot, or reject it because of the age of the author?", "So, when someone who is say 50 years old, I assume people (and", "say 50 years old, I assume people (and specifically publishers) would give it", "old, wants to publish a book filled with \"life experience\" and advice you", "would publishers react to this? Would they give it a fair shot, or", "subject, and some theories and philosophies. The book will have subjects people generally", "The book will have subjects people generally refer to as from people experienced", "the age of the author? And would they also publish it like that,", "assumption, so please correct me if I am wrong. But what if someone", "summarize my question: Do publishers select manuscripts based on age? And if yes,", "give it a fair shot and make a judgement on whats in it.", "with \"life experience\" and advice you would suspect from someone older. How would", "experience\" and advice you would suspect from someone older. How would publishers react", "someone who is say 20 years old, wants to publish a book filled", "who have been through a lot. So, when someone who is say 50", "assume people (and specifically publishers) would give it a fair shot and make", "and advice you would suspect from someone older. How would publishers react to", "would they prefer a 'older' pseudonym? So to summarize my question: Do publishers", "book filled with \"life experience\" and advice you would suspect from someone older.", "me if I am wrong. But what if someone who is say 20", "wrong. But what if someone who is say 20 years old, wants to", "filled with \"life experience\" and advice you would suspect from someone older. How", "that, or would they prefer a 'older' pseudonym? So to summarize my question:", "am wrong. But what if someone who is say 20 years old, wants", "because of the age of the author? And would they also publish it", "author? And would they also publish it like that, or would they prefer", "it a fair shot and make a judgement on whats in it. This", "to publish a book filled with \"life experience\" and advice you would suspect", "Would they give it a fair shot, or reject it because of the", "a fair shot and make a judgement on whats in it. This is", "it a fair shot, or reject it because of the age of the", "would give it a fair shot and make a judgement on whats in", "some theories and philosophies. The book will have subjects people generally refer to", "if someone who is say 20 years old, wants to publish a book", "it because of the age of the author? And would they also publish", "years old, I assume people (and specifically publishers) would give it a fair", "people (and specifically publishers) would give it a fair shot and make a", "of the age of the author? And would they also publish it like", "or would they prefer a 'older' pseudonym? So to summarize my question: Do", "when someone who is say 50 years old, I assume people (and specifically", "to summarize my question: Do publishers select manuscripts based on age? And if", "also publish it like that, or would they prefer a 'older' pseudonym? So", "give it a fair shot, or reject it because of the age of", "old, I assume people (and specifically publishers) would give it a fair shot", "my assumption, so please correct me if I am wrong. But what if", "is say 50 years old, I assume people (and specifically publishers) would give", "a judgement on whats in it. This is my assumption, so please correct", "publish a book filled with \"life experience\" and advice you would suspect from", "shot, or reject it because of the age of the author? And would", "(and specifically publishers) would give it a fair shot and make a judgement" ]
[ "so you see physical objects as they are, without needing light (eliminates glare", "decreases it, and the act of creating a barrier. (Currently called Locksmiths, Locking", "changing the shape of materials, provided that it is all made of roughly", "and the names must sound similar, only with a twist. Criteria for a", "of powers: * The act of creating a portal, which either increases the", "sight so you can see a person's inner qualities. * The act of", "The act of turning into an animal, and the act of making one's", "a portal, which either increases the distance, or decreases it, and the act", "the names must sound similar, only with a twist. Criteria for a good", "of creating a portal, which either increases the distance, or decreases it, and", "the act of creating a barrier. (Currently called Locksmiths, Locking and Blocking) ", "particular magic power should have a name similar to its pair, but distorted", "I'd really likeis for each word of a particular magic power should have", "very nearly real words, all being relatively uncommon (preferably with double meanings). What", "inner qualities. The act of turning into an animal, and the act", "increases the distance, or decreases it, and the act of creating a barrier.", "changing your sight so you see physical objects as they are, without needing", "(eliminates glare and shadows), and the act of changing your sight so you", "of pairs of powers: * The act of creating a portal, which either", "materials, provided that it is all made of roughly the same material. (Currently", "(preferably with double meanings). What I'd really likeis for each word of a", "a magic system in my novel, and I'm struggling to give each power", "powers: * The act of creating a portal, which either increases the distance,", "sound similar, only with a twist. Criteria for a good naming system: Names", "your sight so you see physical objects as they are, without needing light", "with double meanings). What I'd really likeis for each word of a particular", "I'm struggling to give each power its own name. Each power is paired", "creating a barrier. (Currently called Locksmiths, Locking and Blocking) * The act of", "each power its own name. Each power is paired with another, and the", "Criteria for a good naming system: Names should be confined to real words", "might perform Locking and Blocking. Some examples of pairs of powers: * The", "can see a person's inner qualities. * The act of turning into an", "into an animal, and the act of making one's body take on characteristics", "to real words (but the meanings can be twisted), or very nearly real", "roughly the same material. (Currently called Reformancers, Defining and Refining) * The act", "of certain materials. *How do I go about coming up with all these", "act of turning into an animal, and the act of making one's body", "so you can see a person's inner qualities. The act of turning", "The act of changing your sight so you see physical objects as they", "is paired with another, and the names must sound similar, only with a", "name similar to its pair, but distorted in some way. For example: Locksmiths", "perform Locking and Blocking. Some examples of pairs of powers: * The act", "Each power is paired with another, and the names must sound similar, only", "see physical objects as they are, without needing light (eliminates glare and shadows),", "some way. For example: Locksmiths might perform Locking and Blocking. Some examples of", "light (eliminates glare and shadows), and the act of changing your sight so", "novel, and I'm struggling to give each power its own name. Each power", "Blocking) * The act of transmuting materials, and the act of changing the", "of transmuting materials, and the act of changing the shape of materials, provided", "be confined to real words (but the meanings can be twisted), or very", "a good naming system: Names should be confined to real words (but the", "or very nearly real words, all being relatively uncommon (preferably with double meanings).", "pairs of powers: * The act of creating a portal, which either increases", "you see physical objects as they are, without needing light (eliminates glare and", "system in my novel, and I'm struggling to give each power its own", "distorted in some way. For example: Locksmiths might perform Locking and Blocking. Some", "the act of changing your sight so you can see a person's inner", "power its own name. Each power is paired with another, and the names", "certain materials. How do I go about coming up with all these names?", "of roughly the same material. (Currently called Reformancers, Defining and Refining) * The", "its own name. Each power is paired with another, and the names must", "the shape of materials, provided that it is all made of roughly the", "changing your sight so you can see a person's inner qualities. * The", "magic system in my novel, and I'm struggling to give each power its", "names must sound similar, only with a twist. Criteria for a good naming", "power is paired with another, and the names must sound similar, only with", "portal, which either increases the distance, or decreases it, and the act of", "all made of roughly the same material. (Currently called Reformancers, Defining and Refining)", "see a person's inner qualities. * The act of turning into an animal,", "The act of creating a portal, which either increases the distance, or decreases", "(Currently called Locksmiths, Locking and Blocking) * The act of transmuting materials, and", "it is all made of roughly the same material. (Currently called Reformancers, Defining", "be twisted), or very nearly real words, all being relatively uncommon (preferably with", "Locking and Blocking) * The act of transmuting materials, and the act of", "take on characteristics of certain materials. How do I go about coming up", "words, all being relatively uncommon (preferably with double meanings). What I'd really likeis", "must sound similar, only with a twist. Criteria for a good naming system:", "relatively uncommon (preferably with double meanings). What I'd really likeis for each word", "my novel, and I'm struggling to give each power its own name. Each", "double meanings). What I'd really likeis for each word of a particular magic", "with another, and the names must sound similar, only with a twist. Criteria", "name. Each power is paired with another, and the names must sound similar,", "the act of making one's body take on characteristics of certain materials. How", "or decreases it, and the act of creating a barrier. (Currently called Locksmiths,", "of changing your sight so you can see a person's inner qualities. ", "paired with another, and the names must sound similar, only with a twist.", "similar to its pair, but distorted in some way. For example: Locksmiths might", "Blocking. Some examples of pairs of powers: The act of creating a", "have a name similar to its pair, but distorted in some way. For", "without needing light (eliminates glare and shadows), and the act of changing your", "material. (Currently called Reformancers, Defining and Refining) * The act of changing your", "power should have a name similar to its pair, but distorted in some", "way. For example: Locksmiths might perform Locking and Blocking. Some examples of pairs", "objects as they are, without needing light (eliminates glare and shadows), and the", "(Currently called Reformancers, Defining and Refining) * The act of changing your sight", "confined to real words (but the meanings can be twisted), or very nearly", "For example: Locksmiths might perform Locking and Blocking. Some examples of pairs of", "you can see a person's inner qualities. * The act of turning into", "its pair, but distorted in some way. For example: Locksmiths might perform Locking", "* The act of creating a portal, which either increases the distance, or", "Names should be confined to real words (but the meanings can be twisted),", "which either increases the distance, or decreases it, and the act of creating", "Some examples of pairs of powers: * The act of creating a portal,", "* The act of changing your sight so you see physical objects as", "glare and shadows), and the act of changing your sight so you can", "should have a name similar to its pair, but distorted in some way.", "as they are, without needing light (eliminates glare and shadows), and the act", "and the act of creating a barrier. (Currently called Locksmiths, Locking and Blocking)", "act of changing your sight so you can see a person's inner qualities.", "and I'm struggling to give each power its own name. Each power is", "Locking and Blocking. Some examples of pairs of powers: * The act of", "Refining) * The act of changing your sight so you see physical objects", "own name. Each power is paired with another, and the names must sound", "to its pair, but distorted in some way. For example: Locksmiths might perform", "the meanings can be twisted), or very nearly real words, all being relatively", "* The act of transmuting materials, and the act of changing the shape", "same material. (Currently called Reformancers, Defining and Refining) * The act of changing", "the same material. (Currently called Reformancers, Defining and Refining) * The act of", "for each word of a particular magic power should have a name similar", "pair, but distorted in some way. For example: Locksmiths might perform Locking and", "for a good naming system: Names should be confined to real words (but", "* The act of turning into an animal, and the act of making", "provided that it is all made of roughly the same material. (Currently called", "act of changing the shape of materials, provided that it is all made", "a barrier. (Currently called Locksmiths, Locking and Blocking) * The act of transmuting", "act of transmuting materials, and the act of changing the shape of materials,", "and Blocking. Some examples of pairs of powers: * The act of creating", "of changing your sight so you see physical objects as they are, without", "transmuting materials, and the act of changing the shape of materials, provided that", "a person's inner qualities. * The act of turning into an animal, and", "made of roughly the same material. (Currently called Reformancers, Defining and Refining) ", "and Refining) The act of changing your sight so you see physical", "barrier. (Currently called Locksmiths, Locking and Blocking) * The act of transmuting materials,", "real words (but the meanings can be twisted), or very nearly real words,", "and shadows), and the act of changing your sight so you can see", "only with a twist. Criteria for a good naming system: Names should be", "called Reformancers, Defining and Refining) * The act of changing your sight so", "act of creating a portal, which either increases the distance, or decreases it,", "in some way. For example: Locksmiths might perform Locking and Blocking. Some examples", "of making one's body take on characteristics of certain materials. *How do I", "meanings). What I'd really likeis for each word of a particular magic power", "magic power should have a name similar to its pair, but distorted in", "Locksmiths, Locking and Blocking) The act of transmuting materials, and the act", "qualities. * The act of turning into an animal, and the act of", "one's body take on characteristics of certain materials. *How do I go about", "of creating a barrier. (Currently called Locksmiths, Locking and Blocking) The act", "in my novel, and I'm struggling to give each power its own name.", "likeis for each word of a particular magic power should have a name", "act of creating a barrier. (Currently called Locksmiths, Locking and Blocking) * The", "of a particular magic power should have a name similar to its pair,", "system: Names should be confined to real words (but the meanings can be", "twist. Criteria for a good naming system: Names should be confined to real", "sight so you see physical objects as they are, without needing light (eliminates", "physical objects as they are, without needing light (eliminates glare and shadows), and", "and the act of changing your sight so you can see a person's", "there is a magic system in my novel, and I'm struggling to give", "act of making one's body take on characteristics of certain materials. *How do", "twisted), or very nearly real words, all being relatively uncommon (preferably with double", "materials, and the act of changing the shape of materials, provided that it", "being relatively uncommon (preferably with double meanings). What I'd really likeis for each", "the act of changing the shape of materials, provided that it is all", "examples of pairs of powers: The act of creating a portal, which", "but distorted in some way. For example: Locksmiths might perform Locking and Blocking.", "turning into an animal, and the act of making one's body take on", "uncommon (preferably with double meanings). What I'd really likeis for each word of", "the distance, or decreases it, and the act of creating a barrier. (Currently", "act of changing your sight so you see physical objects as they are,", "an animal, and the act of making one's body take on characteristics of", "Reformancers, Defining and Refining) * The act of changing your sight so you", "and Blocking) * The act of transmuting materials, and the act of changing", "each word of a particular magic power should have a name similar to", "of turning into an animal, and the act of making one's body take", "good naming system: Names should be confined to real words (but the meanings", "is all made of roughly the same material. (Currently called Reformancers, Defining and", "nearly real words, all being relatively uncommon (preferably with double meanings). What I'd", "of materials, provided that it is all made of roughly the same material.", "to give each power its own name. Each power is paired with another,", "they are, without needing light (eliminates glare and shadows), and the act of", "either increases the distance, or decreases it, and the act of creating a", "making one's body take on characteristics of certain materials. *How do I go", "that it is all made of roughly the same material. (Currently called Reformancers,", "example: Locksmiths might perform Locking and Blocking. Some examples of pairs of powers:", "are, without needing light (eliminates glare and shadows), and the act of changing", "a particular magic power should have a name similar to its pair, but", "with a twist. Criteria for a good naming system: Names should be confined", "words (but the meanings can be twisted), or very nearly real words, all", "shadows), and the act of changing your sight so you can see a", "give each power its own name. Each power is paired with another, and", "all being relatively uncommon (preferably with double meanings). What I'd really likeis for", "shape of materials, provided that it is all made of roughly the same", "called Locksmiths, Locking and Blocking) The act of transmuting materials, and the", "similar, only with a twist. Criteria for a good naming system: Names should", "a twist. Criteria for a good naming system: Names should be confined to", "of changing the shape of materials, provided that it is all made of", "body take on characteristics of certain materials. How do I go about coming", "characteristics of certain materials. How do I go about coming up with all", "So there is a magic system in my novel, and I'm struggling to", "another, and the names must sound similar, only with a twist. Criteria for", "meanings can be twisted), or very nearly real words, all being relatively uncommon", "The act of transmuting materials, and the act of changing the shape of", "real words, all being relatively uncommon (preferably with double meanings). What I'd really", "should be confined to real words (but the meanings can be twisted), or", "person's inner qualities. * The act of turning into an animal, and the", "really likeis for each word of a particular magic power should have a", "can be twisted), or very nearly real words, all being relatively uncommon (preferably", "creating a portal, which either increases the distance, or decreases it, and the", "What I'd really likeis for each word of a particular magic power should", "Defining and Refining) * The act of changing your sight so you see", "animal, and the act of making one's body take on characteristics of certain", "word of a particular magic power should have a name similar to its", "and the act of making one's body take on characteristics of certain materials.", "naming system: Names should be confined to real words (but the meanings can", "Locksmiths might perform Locking and Blocking. Some examples of pairs of powers: ", "your sight so you can see a person's inner qualities. The act", "a name similar to its pair, but distorted in some way. For example:", "(but the meanings can be twisted), or very nearly real words, all being", "struggling to give each power its own name. Each power is paired with", "it, and the act of creating a barrier. (Currently called Locksmiths, Locking and", "and the act of changing the shape of materials, provided that it is", "is a magic system in my novel, and I'm struggling to give each", "needing light (eliminates glare and shadows), and the act of changing your sight", "on characteristics of certain materials. **How do I go about coming up with", "distance, or decreases it, and the act of creating a barrier. (Currently called" ]
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Critique Partners will provide valuable insight into style,", "Wattpad account but that focuses more on whole stories or serial chapters, not", "Readers prefer lengthy or competed manuscripts. Is there any app or service that", "finalized or nearly finalized manuscripts, not snippets. Critique Partners will provide valuable insight", "errors. Does anyone know if a similar app exists for writers? I have", "or nearly finalized manuscripts, not snippets. Critique Partners will provide valuable insight into", "and plots that I seek for drafts. My question is now revised to:", "app exists for writers? I have a Wattpad account but that focuses more", "Rahk Bokek was able to decipher my question despite its vagueness. He correctly", "Does anyone know if a similar app exists for writers? I have a", "chapters, not on portions of a story. 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Is there any app or service that reads only small sections of", "pointed out Beta Readers read finalized or nearly finalized manuscripts, not snippets. Critique", "more on whole stories or serial chapters, not on portions of a story.", "is now revised to: Where would I find a good critique group or", "using pastebin. They drop sections of code for others to read and assist", "I have a Wattpad account but that focuses more on whole stories or", "or how interesting a concept is to readers? Rahk Bokek was able to", "have a Wattpad account but that focuses more on whole stories or serial", "They drop sections of code for others to read and assist in improving", "a story. Beta Readers prefer lengthy or competed manuscripts. Is there any app", "reads only small sections of a novel to provide group feedback on readability,", "Beta Readers prefer lengthy or competed manuscripts. Is there any app or service", "question despite its vagueness. He correctly pointed out Beta Readers read finalized or", "code by using pastebin. They drop sections of code for others to read", "serial chapters, not on portions of a story. Beta Readers prefer lengthy or", "not snippets. Critique Partners will provide valuable insight into style, grammar and plots", "drop sections of code for others to read and assist in improving or", "Critique Partners will provide valuable insight into style, grammar and plots that I", "I find a good critique group or partner to provide critical analysis of", "My question is now revised to: Where would I find a good critique", "that focuses more on whole stories or serial chapters, not on portions of", "concept is to readers? Rahk Bokek was able to decipher my question despite", "account but that focuses more on whole stories or serial chapters, not on", "portions of a story. Beta Readers prefer lengthy or competed manuscripts. Is there", "feedback on readability, grammar or how interesting a concept is to readers? Rahk", "lengthy or competed manuscripts. Is there any app or service that reads only", "valuable insight into style, grammar and plots that I seek for drafts. My", "competed manuscripts. Is there any app or service that reads only small sections", "Is there any app or service that reads only small sections of a", "only small sections of a novel to provide group feedback on readability, grammar", "drafts. My question is now revised to: Where would I find a good", "on whole stories or serial chapters, not on portions of a story. Beta", "pastebin. They drop sections of code for others to read and assist in", "was able to decipher my question despite its vagueness. He correctly pointed out", "stories or serial chapters, not on portions of a story. Beta Readers prefer", "able to decipher my question despite its vagueness. He correctly pointed out Beta", "readability, grammar or how interesting a concept is to readers? Rahk Bokek was", "service that reads only small sections of a novel to provide group feedback", "a concept is to readers? Rahk Bokek was able to decipher my question", "or serial chapters, not on portions of a story. Beta Readers prefer lengthy", "He correctly pointed out Beta Readers read finalized or nearly finalized manuscripts, not", "for others to read and assist in improving or removing errors. Does anyone", "to provide group feedback on readability, grammar or how interesting a concept is", "anyone know if a similar app exists for writers? I have a Wattpad", "often collaborate over code by using pastebin. They drop sections of code for", "sections of code for others to read and assist in improving or removing", "group feedback on readability, grammar or how interesting a concept is to readers?", "in improving or removing errors. Does anyone know if a similar app exists", "Beta Readers read finalized or nearly finalized manuscripts, not snippets. Critique Partners will", "or removing errors. Does anyone know if a similar app exists for writers?", "seek for drafts. My question is now revised to: Where would I find", "Programmers often collaborate over code by using pastebin. They drop sections of code", "there any app or service that reads only small sections of a novel", "I seek for drafts. My question is now revised to: Where would I", "if a similar app exists for writers? I have a Wattpad account but", "style, grammar and plots that I seek for drafts. My question is now", "my question despite its vagueness. He correctly pointed out Beta Readers read finalized", "finalized manuscripts, not snippets. Critique Partners will provide valuable insight into style, grammar", "decipher my question despite its vagueness. He correctly pointed out Beta Readers read", "Partners will provide valuable insight into style, grammar and plots that I seek", "over code by using pastebin. They drop sections of code for others to", "read finalized or nearly finalized manuscripts, not snippets. Critique Partners will provide valuable", "now revised to: Where would I find a good critique group or partner", "its vagueness. He correctly pointed out Beta Readers read finalized or nearly finalized", "into style, grammar and plots that I seek for drafts. My question is", "or competed manuscripts. Is there any app or service that reads only small", "know if a similar app exists for writers? I have a Wattpad account", "similar app exists for writers? I have a Wattpad account but that focuses", "grammar and plots that I seek for drafts. My question is now revised", "code for others to read and assist in improving or removing errors. Does", "story. Beta Readers prefer lengthy or competed manuscripts. Is there any app or", "insight into style, grammar and plots that I seek for drafts. My question", "provide valuable insight into style, grammar and plots that I seek for drafts.", "Where would I find a good critique group or partner to provide critical", "to: Where would I find a good critique group or partner to provide" ]
[ "guide for special education advocacy. I'd like a sounding-board for these, but the", "feel right. How do I find a critique group appropriate for my work?", "memoirs, some are about history of music. * A combination of memoir and", "two different non-fiction books: * A collection of pieces written by a relative,", "scientific articles reprinted from the original journals, some are memoirs, some are about", "typical fiction critique groups don't feel right. How do I find a critique", "non-fiction books: * A collection of pieces written by a relative, collected and", "joining a critique group for nonfiction? I'm writing two different non-fiction books: ", "of memoir and how-to guide for special education advocacy. I'd like a sounding-board", "for special education advocacy. I'd like a sounding-board for these, but the typical", "sounding-board for these, but the typical fiction critique groups don't feel right. How", "history of music. A combination of memoir and how-to guide for special", "by a relative, collected and edited by me. Some are essays, some are", "journals, some are memoirs, some are about history of music. * A combination", "I'd like a sounding-board for these, but the typical fiction critique groups don't", "writing two different non-fiction books: * A collection of pieces written by a", "pieces written by a relative, collected and edited by me. Some are essays,", "critique groups don't feel right. How do I find a critique group appropriate", "are essays, some are scientific articles reprinted from the original journals, some are", "music. * A combination of memoir and how-to guide for special education advocacy.", "the typical fiction critique groups don't feel right. How do I find a", "A collection of pieces written by a relative, collected and edited by me.", "are memoirs, some are about history of music. * A combination of memoir", "finding and joining a critique group for nonfiction? I'm writing two different non-fiction", "different non-fiction books: * A collection of pieces written by a relative, collected", "a critique group for nonfiction? I'm writing two different non-fiction books: * A", "some are scientific articles reprinted from the original journals, some are memoirs, some", "one go about finding and joining a critique group for nonfiction? I'm writing", "of pieces written by a relative, collected and edited by me. Some are", "are about history of music. * A combination of memoir and how-to guide", "Some are essays, some are scientific articles reprinted from the original journals, some", "original journals, some are memoirs, some are about history of music. * A", "critique group for nonfiction? I'm writing two different non-fiction books: * A collection", "articles reprinted from the original journals, some are memoirs, some are about history", "about history of music. * A combination of memoir and how-to guide for", "special education advocacy. I'd like a sounding-board for these, but the typical fiction", "books: * A collection of pieces written by a relative, collected and edited", "reprinted from the original journals, some are memoirs, some are about history of", "groups don't feel right. How do I find a critique group appropriate for", "nonfiction? I'm writing two different non-fiction books: * A collection of pieces written", "me. Some are essays, some are scientific articles reprinted from the original journals,", "written by a relative, collected and edited by me. Some are essays, some", "How does one go about finding and joining a critique group for nonfiction?", "education advocacy. I'd like a sounding-board for these, but the typical fiction critique", "A combination of memoir and how-to guide for special education advocacy. I'd like", "edited by me. Some are essays, some are scientific articles reprinted from the", "but the typical fiction critique groups don't feel right. How do I find", "how-to guide for special education advocacy. I'd like a sounding-board for these, but", "some are about history of music. * A combination of memoir and how-to", "a sounding-board for these, but the typical fiction critique groups don't feel right.", "and how-to guide for special education advocacy. I'd like a sounding-board for these,", "are scientific articles reprinted from the original journals, some are memoirs, some are", "a relative, collected and edited by me. Some are essays, some are scientific", "essays, some are scientific articles reprinted from the original journals, some are memoirs,", "* A combination of memoir and how-to guide for special education advocacy. I'd", "from the original journals, some are memoirs, some are about history of music.", "of music. * A combination of memoir and how-to guide for special education", "* A collection of pieces written by a relative, collected and edited by", "like a sounding-board for these, but the typical fiction critique groups don't feel", "and edited by me. Some are essays, some are scientific articles reprinted from", "don't feel right. How do I find a critique group appropriate for my", "group for nonfiction? I'm writing two different non-fiction books: * A collection of", "some are memoirs, some are about history of music. * A combination of", "does one go about finding and joining a critique group for nonfiction? I'm", "combination of memoir and how-to guide for special education advocacy. I'd like a", "relative, collected and edited by me. Some are essays, some are scientific articles", "by me. Some are essays, some are scientific articles reprinted from the original", "about finding and joining a critique group for nonfiction? I'm writing two different", "the original journals, some are memoirs, some are about history of music. ", "go about finding and joining a critique group for nonfiction? I'm writing two", "for nonfiction? I'm writing two different non-fiction books: A collection of pieces", "collected and edited by me. Some are essays, some are scientific articles reprinted", "advocacy. I'd like a sounding-board for these, but the typical fiction critique groups", "I'm writing two different non-fiction books: * A collection of pieces written by", "for these, but the typical fiction critique groups don't feel right. How do", "fiction critique groups don't feel right. How do I find a critique group", "these, but the typical fiction critique groups don't feel right. How do I", "memoir and how-to guide for special education advocacy. I'd like a sounding-board for", "collection of pieces written by a relative, collected and edited by me. Some", "and joining a critique group for nonfiction? I'm writing two different non-fiction books:" ]
[ "I think it would be a good idea to generate a list of", "this is too awful? Is it possible to publish a book in a", "country that doesn't have English as its main language. I have two choices", "address this? Do they pay attention to country when getting a manuscript? So,", "editable) for publishers? Where would they draw the line and say, no, this", "will gain readers faster. Of course, language skills are also an issue. What", "a good idea to generate a list of pros and cons so people", "My first few thoughts were: Do publishers often publish works that are not", "connect to people in the same language and it will gain readers faster.", "its main language. I have two choices in writing, either write in my", "bigger audience in English. But, it is also logical that it is easier", "So, to summarize, I think it would be a good idea to generate", "for an English book? How do publishers address this? Do they pay attention", "easier to connect to people in the same language and it will gain", "of pros and cons so people thinking about writing in English instead of", "an issue. What level of English would be acceptable (and editable) for publishers?", "in English. Why should or shouldn't I write in English? My first few", "publishers? Where would they draw the line and say, no, this is too", "say, no, this is too awful? Is it possible to publish a book", "gain readers faster. Of course, language skills are also an issue. What level", "acceptable (and editable) for publishers? Where would they draw the line and say,", "Is it possible to publish a book in a country you don't live", "an English book? How do publishers address this? Do they pay attention to", "English instead of their main language can read it and make a better", "in a country you don't live in, but it's an English-speaking country and", "is easier to connect to people in the same language and it will", "don't live in, but it's an English-speaking country and so better suited for", "live in a country that doesn't have English as its main language. I", "they draw the line and say, no, this is too awful? Is it", "country's language? More people speak English, so one would assume you have a", "in my mother language or write in English. Why should or shouldn't I", "the line and say, no, this is too awful? Is it possible to", "publish a book in a country you don't live in, but it's an", "it will gain readers faster. Of course, language skills are also an issue.", "instead of their main language can read it and make a better decision.", "that are not in that country's language? More people speak English, so one", "awful? Is it possible to publish a book in a country you don't", "you have a bigger audience in English. But, it is also logical that", "in writing, either write in my mother language or write in English. Why", "attention to country when getting a manuscript? So, to summarize, I think it", "or shouldn't I write in English? My first few thoughts were: Do publishers", "and it will gain readers faster. Of course, language skills are also an", "works that are not in that country's language? More people speak English, so", "a manuscript? So, to summarize, I think it would be a good idea", "in English. But, it is also logical that it is easier to connect", "How do publishers address this? Do they pay attention to country when getting", "and so better suited for an English book? How do publishers address this?", "do publishers address this? Do they pay attention to country when getting a", "would they draw the line and say, no, this is too awful? Is", "list of pros and cons so people thinking about writing in English instead", "I have two choices in writing, either write in my mother language or", "in, but it's an English-speaking country and so better suited for an English", "Do they pay attention to country when getting a manuscript? So, to summarize,", "often publish works that are not in that country's language? More people speak", "same language and it will gain readers faster. Of course, language skills are", "faster. Of course, language skills are also an issue. What level of English", "generate a list of pros and cons so people thinking about writing in", "pros and cons so people thinking about writing in English instead of their", "pay attention to country when getting a manuscript? So, to summarize, I think", "book? How do publishers address this? Do they pay attention to country when", "write in English? My first few thoughts were: Do publishers often publish works", "More people speak English, so one would assume you have a bigger audience", "in English instead of their main language can read it and make a", "also logical that it is easier to connect to people in the same", "logical that it is easier to connect to people in the same language", "I write in English? My first few thoughts were: Do publishers often publish", "would be acceptable (and editable) for publishers? Where would they draw the line", "suited for an English book? How do publishers address this? Do they pay", "publish works that are not in that country's language? More people speak English,", "English would be acceptable (and editable) for publishers? Where would they draw the", "draw the line and say, no, this is too awful? Is it possible", "have a bigger audience in English. But, it is also logical that it", "think it would be a good idea to generate a list of pros", "it is easier to connect to people in the same language and it", "not in that country's language? More people speak English, so one would assume", "course, language skills are also an issue. What level of English would be", "(and editable) for publishers? Where would they draw the line and say, no,", "Do publishers often publish works that are not in that country's language? More", "language skills are also an issue. What level of English would be acceptable", "speak English, so one would assume you have a bigger audience in English.", "as its main language. I have two choices in writing, either write in", "country and so better suited for an English book? How do publishers address", "idea to generate a list of pros and cons so people thinking about", "to generate a list of pros and cons so people thinking about writing", "few thoughts were: Do publishers often publish works that are not in that", "live in, but it's an English-speaking country and so better suited for an", "people in the same language and it will gain readers faster. Of course,", "and cons so people thinking about writing in English instead of their main", "writing, either write in my mother language or write in English. Why should", "is also logical that it is easier to connect to people in the", "readers faster. Of course, language skills are also an issue. What level of", "to connect to people in the same language and it will gain readers", "an English-speaking country and so better suited for an English book? How do", "people speak English, so one would assume you have a bigger audience in", "would be a good idea to generate a list of pros and cons", "audience in English. But, it is also logical that it is easier to", "is too awful? Is it possible to publish a book in a country", "I live in a country that doesn't have English as its main language.", "English as its main language. I have two choices in writing, either write", "write in my mother language or write in English. Why should or shouldn't", "two choices in writing, either write in my mother language or write in", "it possible to publish a book in a country you don't live in,", "a bigger audience in English. But, it is also logical that it is", "should or shouldn't I write in English? My first few thoughts were: Do", "so one would assume you have a bigger audience in English. But, it", "language and it will gain readers faster. Of course, language skills are also", "English book? How do publishers address this? Do they pay attention to country", "that doesn't have English as its main language. I have two choices in", "in a country that doesn't have English as its main language. I have", "But, it is also logical that it is easier to connect to people", "are also an issue. What level of English would be acceptable (and editable)", "publishers address this? Do they pay attention to country when getting a manuscript?", "they pay attention to country when getting a manuscript? So, to summarize, I", "issue. What level of English would be acceptable (and editable) for publishers? Where", "that it is easier to connect to people in the same language and", "language. I have two choices in writing, either write in my mother language", "language? More people speak English, so one would assume you have a bigger", "or write in English. Why should or shouldn't I write in English? My", "would assume you have a bigger audience in English. But, it is also", "have English as its main language. I have two choices in writing, either", "no, this is too awful? Is it possible to publish a book in", "English. Why should or shouldn't I write in English? My first few thoughts", "English, so one would assume you have a bigger audience in English. But,", "thinking about writing in English instead of their main language can read it", "and say, no, this is too awful? Is it possible to publish a", "have two choices in writing, either write in my mother language or write", "better suited for an English book? How do publishers address this? Do they", "writing in English instead of their main language can read it and make", "either write in my mother language or write in English. Why should or", "be a good idea to generate a list of pros and cons so", "mother language or write in English. Why should or shouldn't I write in", "getting a manuscript? So, to summarize, I think it would be a good", "in English? My first few thoughts were: Do publishers often publish works that", "country you don't live in, but it's an English-speaking country and so better", "thoughts were: Do publishers often publish works that are not in that country's", "main language. I have two choices in writing, either write in my mother", "level of English would be acceptable (and editable) for publishers? Where would they", "also an issue. What level of English would be acceptable (and editable) for", "first few thoughts were: Do publishers often publish works that are not in", "Where would they draw the line and say, no, this is too awful?", "a book in a country you don't live in, but it's an English-speaking", "were: Do publishers often publish works that are not in that country's language?", "line and say, no, this is too awful? Is it possible to publish", "this? Do they pay attention to country when getting a manuscript? So, to", "so people thinking about writing in English instead of their main language can", "it is also logical that it is easier to connect to people in", "Of course, language skills are also an issue. What level of English would", "English. But, it is also logical that it is easier to connect to", "for publishers? Where would they draw the line and say, no, this is", "people thinking about writing in English instead of their main language can read", "manuscript? So, to summarize, I think it would be a good idea to", "a country you don't live in, but it's an English-speaking country and so", "to country when getting a manuscript? So, to summarize, I think it would", "that country's language? More people speak English, so one would assume you have", "in the same language and it will gain readers faster. Of course, language", "English-speaking country and so better suited for an English book? How do publishers", "choices in writing, either write in my mother language or write in English.", "write in English. Why should or shouldn't I write in English? My first", "one would assume you have a bigger audience in English. But, it is", "country when getting a manuscript? So, to summarize, I think it would be", "when getting a manuscript? So, to summarize, I think it would be a", "Why should or shouldn't I write in English? My first few thoughts were:", "to publish a book in a country you don't live in, but it's", "publishers often publish works that are not in that country's language? More people", "cons so people thinking about writing in English instead of their main language", "about writing in English instead of their main language can read it and", "good idea to generate a list of pros and cons so people thinking", "doesn't have English as its main language. I have two choices in writing,", "it would be a good idea to generate a list of pros and", "language or write in English. Why should or shouldn't I write in English?", "to people in the same language and it will gain readers faster. Of", "English? My first few thoughts were: Do publishers often publish works that are", "my mother language or write in English. Why should or shouldn't I write", "it's an English-speaking country and so better suited for an English book? How", "to summarize, I think it would be a good idea to generate a", "shouldn't I write in English? My first few thoughts were: Do publishers often", "assume you have a bigger audience in English. But, it is also logical", "summarize, I think it would be a good idea to generate a list", "too awful? Is it possible to publish a book in a country you", "book in a country you don't live in, but it's an English-speaking country", "but it's an English-speaking country and so better suited for an English book?", "skills are also an issue. What level of English would be acceptable (and", "so better suited for an English book? How do publishers address this? Do", "a country that doesn't have English as its main language. I have two", "the same language and it will gain readers faster. Of course, language skills", "be acceptable (and editable) for publishers? Where would they draw the line and", "in that country's language? More people speak English, so one would assume you", "possible to publish a book in a country you don't live in, but", "of English would be acceptable (and editable) for publishers? Where would they draw", "What level of English would be acceptable (and editable) for publishers? Where would", "are not in that country's language? More people speak English, so one would", "a list of pros and cons so people thinking about writing in English", "you don't live in, but it's an English-speaking country and so better suited" ]
[ "and using the exact words, would you write... And then she said, \"I", "a character is referring back to dialogue (telling the story to the reader)", "to dialogue (telling the story to the reader) and using the exact words,", "on the driveway.\" And I said to her, \"So why'd you step on", "why'd you step on it then?\" or.... And then she said, I saw", "I can't find the answer anywhere, but think that since the dialogue isn't", "dialogue (telling the story to the reader) and using the exact words, would", "that's not what I'm looking to do. Also, this dialogue does not go", "but think that since the dialogue isn't happening at the moment, it should", "you step on it then? I can't find the answer anywhere, but think", "the answer anywhere, but think that since the dialogue isn't happening at the", "I said to her, \"So why'd you step on it then?\" or.... And", "the driveway.* And I said to her, So why'd you step on it", "should be italicized for clarity. I realize it could be written without the", "her, So why'd you step on it then?* I can't find the answer", "happening at the moment, it should be italicized for clarity. I realize it", "back to dialogue (telling the story to the reader) and using the exact", "exact words, would you write... And then she said, \"I saw the body", "to her, So why'd you step on it then? I can't find the", "it then?\" or.... And then she said, I saw the body on the", "what I'm looking to do. Also, this dialogue does not go on for", "you write... And then she said, \"I saw the body on the driveway.\"", "then she said, I saw the body on the driveway.* And I said", "the story to the reader) and using the exact words, would you write...", "but that's not what I'm looking to do. Also, this dialogue does not", "(telling the story to the reader) and using the exact words, would you", "moment, it should be italicized for clarity. I realize it could be written", "her, \"So why'd you step on it then?\" or.... And then she said,", "body on the driveway.* And I said to her, So why'd you step", "step on it then?\" or.... And then she said, I saw the body", "realize it could be written without the exact words, but that's not what", "written without the exact words, but that's not what I'm looking to do.", "since the dialogue isn't happening at the moment, it should be italicized for", "When a character is referring back to dialogue (telling the story to the", "character is referring back to dialogue (telling the story to the reader) and", "And then she said, I saw the body on the driveway. And I", "you step on it then?\" or.... And then she said, I saw the", "without the exact words, but that's not what I'm looking to do. Also,", "it should be italicized for clarity. I realize it could be written without", "for clarity. I realize it could be written without the exact words, but", "is referring back to dialogue (telling the story to the reader) and using", "exact words, but that's not what I'm looking to do. Also, this dialogue", "story to the reader) and using the exact words, would you write... And", "dialogue isn't happening at the moment, it should be italicized for clarity. I", "isn't happening at the moment, it should be italicized for clarity. I realize", "I realize it could be written without the exact words, but that's not", "it could be written without the exact words, but that's not what I'm", "I said to her, So why'd you step on it then?* I can't", "And I said to her, So why'd you step on it then? I", "why'd you step on it then?* I can't find the answer anywhere, but", "reader) and using the exact words, would you write... And then she said,", "be written without the exact words, but that's not what I'm looking to", "not what I'm looking to do. Also, this dialogue does not go on", "said to her, So why'd you step on it then? I can't find", "said, I saw the body on the driveway. And I said to her,", "find the answer anywhere, but think that since the dialogue isn't happening at", "the exact words, but that's not what I'm looking to do. Also, this", "on the driveway.* And I said to her, So why'd you step on", "italicized for clarity. I realize it could be written without the exact words,", "then? I can't find the answer anywhere, but think that since the dialogue", "on it then?\" or.... And then she said, I saw the body on", "to the reader) and using the exact words, would you write... And then", "the dialogue isn't happening at the moment, it should be italicized for clarity.", "it then? I can't find the answer anywhere, but think that since the", "said, \"I saw the body on the driveway.\" And I said to her,", "said to her, \"So why'd you step on it then?\" or.... And then", "can't find the answer anywhere, but think that since the dialogue isn't happening", "referring back to dialogue (telling the story to the reader) and using the", "could be written without the exact words, but that's not what I'm looking", "driveway.\" And I said to her, \"So why'd you step on it then?\"", "body on the driveway.\" And I said to her, \"So why'd you step", "write... And then she said, \"I saw the body on the driveway.\" And", "on it then?* I can't find the answer anywhere, but think that since", "And I said to her, \"So why'd you step on it then?\" or....", "or.... And then she said, I saw the body on the driveway. And", "I saw the body on the driveway. And I said to her, So", "looking to do. Also, this dialogue does not go on for any length.", "she said, \"I saw the body on the driveway.\" And I said to", "clarity. I realize it could be written without the exact words, but that's", "driveway. And I said to her, So why'd you step on it then?", "then?\" or.... And then she said, I saw the body on the driveway.", "to her, \"So why'd you step on it then?\" or.... And then she", "words, but that's not what I'm looking to do. Also, this dialogue does", "be italicized for clarity. I realize it could be written without the exact", "would you write... And then she said, \"I saw the body on the", "the body on the driveway.* And I said to her, So why'd you", "anywhere, but think that since the dialogue isn't happening at the moment, it", "the body on the driveway.\" And I said to her, \"So why'd you", "think that since the dialogue isn't happening at the moment, it should be", "\"So why'd you step on it then?\" or.... And then she said, I", "saw the body on the driveway.* And I said to her, So why'd", "And then she said, \"I saw the body on the driveway.\" And I", "So why'd you step on it then?* I can't find the answer anywhere,", "step on it then?* I can't find the answer anywhere, but think that", "using the exact words, would you write... And then she said, \"I saw", "at the moment, it should be italicized for clarity. I realize it could", "she said, I saw the body on the driveway. And I said to", "the reader) and using the exact words, would you write... And then she", "words, would you write... And then she said, \"I saw the body on", "\"I saw the body on the driveway.\" And I said to her, \"So", "answer anywhere, but think that since the dialogue isn't happening at the moment,", "I'm looking to do. Also, this dialogue does not go on for any", "then she said, \"I saw the body on the driveway.\" And I said", "saw the body on the driveway.\" And I said to her, \"So why'd", "the moment, it should be italicized for clarity. I realize it could be", "that since the dialogue isn't happening at the moment, it should be italicized", "the exact words, would you write... And then she said, \"I saw the", "the driveway.\" And I said to her, \"So why'd you step on it" ]
[ "expression that said, ‘Not bad’\". More generally, is there any collected 'Dictionary of", "bad’\". More generally, is there any collected 'Dictionary of Facial Expressions' or other", "but I'm talking about the more subtle expressions. In the case of what", "Describing the faces that people are making during a conversation can be difficult.", "there any collected 'Dictionary of Facial Expressions' or other resource, online or in", "convey that pouty, pulled down corner-of-the-mouth expression that a person will get when", "useful, since I run into this problem all the time, and I don't", "easy, but I'm talking about the more subtle expressions. In the case of", "that pouty, pulled down corner-of-the-mouth expression that a person will get when they", "difficult. He nodded, she pursed her lips -- those are easy, but I'm", "I feel that it would be very useful, since I run into this", "now, I'm trying to convey that pouty, pulled down corner-of-the-mouth expression that a", "subtle expressions. In the case of what I'm writing now, I'm trying to", "‘Not bad’\". More generally, is there any collected 'Dictionary of Facial Expressions' or", "print? I feel that it would be very useful, since I run into", "nodded, she pursed her lips -- those are easy, but I'm talking about", "-- those are easy, but I'm talking about the more subtle expressions. In", "writing now, I'm trying to convey that pouty, pulled down corner-of-the-mouth expression that", "faces that people are making during a conversation can be difficult. He nodded,", "said, ‘Not bad’\". More generally, is there any collected 'Dictionary of Facial Expressions'", "want to say, \"an expression that said, ‘Not bad’\". More generally, is there", "are expressing that they are surprised, but impressed. In the interest of 'showing,", "are easy, but I'm talking about the more subtle expressions. In the case", "more subtle expressions. In the case of what I'm writing now, I'm trying", "don't want to say, \"an expression that said, ‘Not bad’\". More generally, is", "during a conversation can be difficult. He nodded, she pursed her lips --", "I don't want to say, \"an expression that said, ‘Not bad’\". More generally,", "resource, online or in print? I feel that it would be very useful,", "it would be very useful, since I run into this problem all the", "to say, \"an expression that said, ‘Not bad’\". More generally, is there any", "He nodded, she pursed her lips -- those are easy, but I'm talking", "In the case of what I'm writing now, I'm trying to convey that", "I'm talking about the more subtle expressions. In the case of what I'm", "conversation can be difficult. He nodded, she pursed her lips -- those are", "would be very useful, since I run into this problem all the time,", "interest of 'showing, not telling', I don't want to say, \"an expression that", "of what I'm writing now, I'm trying to convey that pouty, pulled down", "online or in print? I feel that it would be very useful, since", "corner-of-the-mouth expression that a person will get when they are expressing that they", "in print? I feel that it would be very useful, since I run", "pulled down corner-of-the-mouth expression that a person will get when they are expressing", "are surprised, but impressed. In the interest of 'showing, not telling', I don't", "generally, is there any collected 'Dictionary of Facial Expressions' or other resource, online", "is there any collected 'Dictionary of Facial Expressions' or other resource, online or", "person will get when they are expressing that they are surprised, but impressed.", "what I'm writing now, I'm trying to convey that pouty, pulled down corner-of-the-mouth", "a person will get when they are expressing that they are surprised, but", "are making during a conversation can be difficult. He nodded, she pursed her", "\"an expression that said, ‘Not bad’\". More generally, is there any collected 'Dictionary", "pursed her lips -- those are easy, but I'm talking about the more", "the faces that people are making during a conversation can be difficult. He", "but impressed. In the interest of 'showing, not telling', I don't want to", "be difficult. He nodded, she pursed her lips -- those are easy, but", "lips -- those are easy, but I'm talking about the more subtle expressions.", "Facial Expressions' or other resource, online or in print? I feel that it", "they are expressing that they are surprised, but impressed. In the interest of", "expressions. In the case of what I'm writing now, I'm trying to convey", "be very useful, since I run into this problem all the time, and", "that people are making during a conversation can be difficult. He nodded, she", "surprised, but impressed. In the interest of 'showing, not telling', I don't want", "any collected 'Dictionary of Facial Expressions' or other resource, online or in print?", "can be difficult. He nodded, she pursed her lips -- those are easy,", "collected 'Dictionary of Facial Expressions' or other resource, online or in print? I", "case of what I'm writing now, I'm trying to convey that pouty, pulled", "they are surprised, but impressed. In the interest of 'showing, not telling', I", "pouty, pulled down corner-of-the-mouth expression that a person will get when they are", "I run into this problem all the time, and I don't think I'm", "or other resource, online or in print? I feel that it would be", "the more subtle expressions. In the case of what I'm writing now, I'm", "I'm trying to convey that pouty, pulled down corner-of-the-mouth expression that a person", "the case of what I'm writing now, I'm trying to convey that pouty,", "her lips -- those are easy, but I'm talking about the more subtle", "making during a conversation can be difficult. He nodded, she pursed her lips", "impressed. In the interest of 'showing, not telling', I don't want to say,", "'showing, not telling', I don't want to say, \"an expression that said, ‘Not", "that said, ‘Not bad’\". More generally, is there any collected 'Dictionary of Facial", "expressing that they are surprised, but impressed. In the interest of 'showing, not", "other resource, online or in print? I feel that it would be very", "telling', I don't want to say, \"an expression that said, ‘Not bad’\". More", "run into this problem all the time, and I don't think I'm alone.", "talking about the more subtle expressions. In the case of what I'm writing", "a conversation can be difficult. He nodded, she pursed her lips -- those", "Expressions' or other resource, online or in print? I feel that it would", "'Dictionary of Facial Expressions' or other resource, online or in print? I feel", "In the interest of 'showing, not telling', I don't want to say, \"an", "or in print? I feel that it would be very useful, since I", "that a person will get when they are expressing that they are surprised,", "expression that a person will get when they are expressing that they are", "will get when they are expressing that they are surprised, but impressed. In", "of 'showing, not telling', I don't want to say, \"an expression that said,", "I'm writing now, I'm trying to convey that pouty, pulled down corner-of-the-mouth expression", "since I run into this problem all the time, and I don't think", "that it would be very useful, since I run into this problem all", "very useful, since I run into this problem all the time, and I", "of Facial Expressions' or other resource, online or in print? I feel that", "those are easy, but I'm talking about the more subtle expressions. In the", "people are making during a conversation can be difficult. He nodded, she pursed", "not telling', I don't want to say, \"an expression that said, ‘Not bad’\".", "to convey that pouty, pulled down corner-of-the-mouth expression that a person will get", "down corner-of-the-mouth expression that a person will get when they are expressing that", "she pursed her lips -- those are easy, but I'm talking about the", "More generally, is there any collected 'Dictionary of Facial Expressions' or other resource,", "feel that it would be very useful, since I run into this problem", "when they are expressing that they are surprised, but impressed. In the interest", "about the more subtle expressions. In the case of what I'm writing now,", "say, \"an expression that said, ‘Not bad’\". More generally, is there any collected", "the interest of 'showing, not telling', I don't want to say, \"an expression", "that they are surprised, but impressed. In the interest of 'showing, not telling',", "get when they are expressing that they are surprised, but impressed. In the", "trying to convey that pouty, pulled down corner-of-the-mouth expression that a person will" ]
[ "remove all their copy as they claim to own it. I've researched this,", "of the copy and it belongs to the business owner who paid for", "requested. However, they have now fallen out with the business owner and have", "copyright signs on the site for the writer as requested. However, they have", "the writer as requested. However, they have now fallen out with the business", "and it belongs to the business owner who paid for their services. Is", "client paid the writer directly. I placed copyright signs on the site for", "to remove all their copy as they claim to own it. I've researched", "can see is that if the writer has been paid for their services,", "the client paid the writer directly. I placed copyright signs on the site", "it. I've researched this, but all I can see is that if the", "they claim to own it. I've researched this, but all I can see", "belongs to the business owner who paid for their services. Is the above", "paid for their services, they can no longer claim ownership of the copy", "their services. Is the above true, is either party in a stronger legal", "me to remove all their copy as they claim to own it. I've", "on the site for the writer as requested. However, they have now fallen", "researched this, but all I can see is that if the writer has", "they can no longer claim ownership of the copy and it belongs to", "for their services. Is the above true, is either party in a stronger", "it belongs to the business owner who paid for their services. Is the", "I placed copyright signs on the site for the writer as requested. However,", "own it. I've researched this, but all I can see is that if", "the writer has been paid for their services, they can no longer claim", "who paid for their services. Is the above true, is either party in", "I've researched this, but all I can see is that if the writer", "if the writer has been paid for their services, they can no longer", "I build websites. I've used a copywriter to provide the website copy, the", "signs on the site for the writer as requested. However, they have now", "the business owner and have asked me to remove all their copy as", "owner who paid for their services. Is the above true, is either party", "no longer claim ownership of the copy and it belongs to the business", "fallen out with the business owner and have asked me to remove all", "placed copyright signs on the site for the writer as requested. However, they", "to own it. I've researched this, but all I can see is that", "the writer directly. I placed copyright signs on the site for the writer", "the business owner who paid for their services. Is the above true, is", "ownership of the copy and it belongs to the business owner who paid", "the website copy, the client paid the writer directly. I placed copyright signs", "been paid for their services, they can no longer claim ownership of the", "services. Is the above true, is either party in a stronger legal position?", "to provide the website copy, the client paid the writer directly. I placed", "their services, they can no longer claim ownership of the copy and it", "website copy, the client paid the writer directly. I placed copyright signs on", "writer has been paid for their services, they can no longer claim ownership", "paid for their services. Is the above true, is either party in a", "business owner who paid for their services. Is the above true, is either", "that if the writer has been paid for their services, they can no", "this, but all I can see is that if the writer has been", "owner and have asked me to remove all their copy as they claim", "provide the website copy, the client paid the writer directly. I placed copyright", "I can see is that if the writer has been paid for their", "However, they have now fallen out with the business owner and have asked", "services, they can no longer claim ownership of the copy and it belongs", "build websites. I've used a copywriter to provide the website copy, the client", "they have now fallen out with the business owner and have asked me", "for their services, they can no longer claim ownership of the copy and", "can no longer claim ownership of the copy and it belongs to the", "longer claim ownership of the copy and it belongs to the business owner", "claim to own it. I've researched this, but all I can see is", "but all I can see is that if the writer has been paid", "see is that if the writer has been paid for their services, they", "claim ownership of the copy and it belongs to the business owner who", "have asked me to remove all their copy as they claim to own", "used a copywriter to provide the website copy, the client paid the writer", "paid the writer directly. I placed copyright signs on the site for the", "for the writer as requested. However, they have now fallen out with the", "is that if the writer has been paid for their services, they can", "to the business owner who paid for their services. Is the above true,", "business owner and have asked me to remove all their copy as they", "copy and it belongs to the business owner who paid for their services.", "writer as requested. However, they have now fallen out with the business owner", "a copywriter to provide the website copy, the client paid the writer directly.", "as they claim to own it. I've researched this, but all I can", "site for the writer as requested. However, they have now fallen out with", "and have asked me to remove all their copy as they claim to", "now fallen out with the business owner and have asked me to remove", "the site for the writer as requested. However, they have now fallen out", "has been paid for their services, they can no longer claim ownership of", "websites. I've used a copywriter to provide the website copy, the client paid", "writer directly. I placed copyright signs on the site for the writer as", "copy, the client paid the writer directly. I placed copyright signs on the", "have now fallen out with the business owner and have asked me to", "copy as they claim to own it. I've researched this, but all I", "I've used a copywriter to provide the website copy, the client paid the", "as requested. However, they have now fallen out with the business owner and", "all their copy as they claim to own it. I've researched this, but", "the copy and it belongs to the business owner who paid for their", "with the business owner and have asked me to remove all their copy", "copywriter to provide the website copy, the client paid the writer directly. I", "asked me to remove all their copy as they claim to own it.", "out with the business owner and have asked me to remove all their", "all I can see is that if the writer has been paid for", "their copy as they claim to own it. I've researched this, but all", "directly. I placed copyright signs on the site for the writer as requested." ]
[ "split between the author and the illustrator of a children's book. Does anyone", "know that every case can be different, but it seems like there should", "different, but it seems like there should be a standard split between the", "be a standard split between the author and the illustrator of a children's", "be different, but it seems like there should be a standard split between", "should be a standard split between the author and the illustrator of a", "like there should be a standard split between the author and the illustrator", "there should be a standard split between the author and the illustrator of", "between the author and the illustrator of a children's book. Does anyone know?", "I know that every case can be different, but it seems like there", "every case can be different, but it seems like there should be a", "can be different, but it seems like there should be a standard split", "seems like there should be a standard split between the author and the", "standard split between the author and the illustrator of a children's book. Does", "but it seems like there should be a standard split between the author", "a standard split between the author and the illustrator of a children's book.", "case can be different, but it seems like there should be a standard", "it seems like there should be a standard split between the author and", "that every case can be different, but it seems like there should be" ]
[ "story. I have a few of these scenes written up but am having", "that has very little action that focuses mainly on the main character's development.", "short story that is very introspective and has very little action (especially when", "important moments in the beginning and end, and some other details I want", "focuses mainly on the main character's development. I have tried outlining some of", "main character's development. I have tried outlining some of the major interactions with", "tried outlining some of the major interactions with characters, the important moments in", "other details I want in the story. I have a few of these", "on the main character's development. I have tried outlining some of the major", "has very little action (especially when you already have some ideas fleshed out)?", "a short story that is very introspective and has very little action (especially", "outline. How do you make an outline for a short story that is", "up but am having trouble with the plot and making an outline. How", "writing a short story that has very little action that focuses mainly on", "some other details I want in the story. I have a few of", "few of these scenes written up but am having trouble with the plot", "little action that focuses mainly on the main character's development. I have tried", "and making an outline. How do you make an outline for a short", "introspective and has very little action (especially when you already have some ideas", "the major interactions with characters, the important moments in the beginning and end,", "that focuses mainly on the main character's development. I have tried outlining some", "a few of these scenes written up but am having trouble with the", "you make an outline for a short story that is very introspective and", "How do you make an outline for a short story that is very", "mainly on the main character's development. I have tried outlining some of the", "the story. I have a few of these scenes written up but am", "development. I have tried outlining some of the major interactions with characters, the", "and has very little action (especially when you already have some ideas fleshed", "I have a few of these scenes written up but am having trouble", "and some other details I want in the story. I have a few", "end, and some other details I want in the story. I have a", "an outline. How do you make an outline for a short story that", "plot and making an outline. How do you make an outline for a", "story that is very introspective and has very little action (especially when you", "scenes written up but am having trouble with the plot and making an", "details I want in the story. I have a few of these scenes", "I want in the story. I have a few of these scenes written", "I have tried outlining some of the major interactions with characters, the important", "am having trouble with the plot and making an outline. How do you", "that is very introspective and has very little action (especially when you already", "and end, and some other details I want in the story. I have", "outlining some of the major interactions with characters, the important moments in the", "of these scenes written up but am having trouble with the plot and", "but am having trouble with the plot and making an outline. How do", "making an outline. How do you make an outline for a short story", "with characters, the important moments in the beginning and end, and some other", "with the plot and making an outline. How do you make an outline", "trouble with the plot and making an outline. How do you make an", "is very introspective and has very little action (especially when you already have", "for a short story that is very introspective and has very little action", "major interactions with characters, the important moments in the beginning and end, and", "I am writing a short story that has very little action that focuses", "has very little action that focuses mainly on the main character's development. I", "the main character's development. I have tried outlining some of the major interactions", "the important moments in the beginning and end, and some other details I", "am writing a short story that has very little action that focuses mainly", "having trouble with the plot and making an outline. How do you make", "interactions with characters, the important moments in the beginning and end, and some", "action that focuses mainly on the main character's development. I have tried outlining", "of the major interactions with characters, the important moments in the beginning and", "moments in the beginning and end, and some other details I want in", "beginning and end, and some other details I want in the story. I", "want in the story. I have a few of these scenes written up", "short story that has very little action that focuses mainly on the main", "have a few of these scenes written up but am having trouble with", "character's development. I have tried outlining some of the major interactions with characters,", "outline for a short story that is very introspective and has very little", "a short story that has very little action that focuses mainly on the", "do you make an outline for a short story that is very introspective", "very introspective and has very little action (especially when you already have some", "make an outline for a short story that is very introspective and has", "in the story. I have a few of these scenes written up but", "these scenes written up but am having trouble with the plot and making", "the beginning and end, and some other details I want in the story.", "have tried outlining some of the major interactions with characters, the important moments", "an outline for a short story that is very introspective and has very", "the plot and making an outline. How do you make an outline for", "very little action that focuses mainly on the main character's development. I have", "story that has very little action that focuses mainly on the main character's", "written up but am having trouble with the plot and making an outline.", "some of the major interactions with characters, the important moments in the beginning", "in the beginning and end, and some other details I want in the", "characters, the important moments in the beginning and end, and some other details" ]
[ "is frowned upon. Specifically, my novel's setting is a mix of Italy, Ancient", "gods Is mixing cultures okay, and if so, do you have any tips?", "(mostly for nicknames and cursing) is Romanian. The creatures are also very diverse.", "is Romanian. The creatures are also very diverse. There are for example: ", "very diverse. There are for example: sirens * bean nighe's * headlsss", "horsemen (they're kind of like ringwraiths) * gods Is mixing cultures okay, and", "Rome. However, there are vampire-like creatures (who can also control the elements), and", "The creatures are also very diverse. There are for example: * sirens ", " headlsss horsemen (they're kind of like ringwraiths) * gods Is mixing cultures", "creatures are also very diverse. There are for example: * sirens * bean", "However, there are vampire-like creatures (who can also control the elements), and the", "Transalvania/Romania. The setting itself is based off of 19th century Italy, but the", "control the elements), and the other language occasionally spoken (mostly for nicknames and", "19th century Italy, but the names, goverment structure, and empire resemble Ancient Rome.", "nighe's * headlsss horsemen (they're kind of like ringwraiths) * gods Is mixing", "kind of like ringwraiths) * gods Is mixing cultures okay, and if so,", "am writing a fantasy/steampunk/horror novel, and I'm wondering if mixing different cultures is", "but the names, goverment structure, and empire resemble Ancient Rome. However, there are", "are vampire-like creatures (who can also control the elements), and the other language", "of like ringwraiths) * gods Is mixing cultures okay, and if so, do", "elements), and the other language occasionally spoken (mostly for nicknames and cursing) is", "for nicknames and cursing) is Romanian. The creatures are also very diverse. There", "I'm wondering if mixing different cultures is frowned upon. Specifically, my novel's setting", "upon. Specifically, my novel's setting is a mix of Italy, Ancient Rome, and", "Italy, Ancient Rome, and Transalvania/Romania. The setting itself is based off of 19th", "* bean nighe's * headlsss horsemen (they're kind of like ringwraiths) * gods", "off of 19th century Italy, but the names, goverment structure, and empire resemble", "and Transalvania/Romania. The setting itself is based off of 19th century Italy, but", "headlsss horsemen (they're kind of like ringwraiths) * gods Is mixing cultures okay,", "diverse. There are for example: * sirens * bean nighe's * headlsss horsemen", "wondering if mixing different cultures is frowned upon. Specifically, my novel's setting is", "a mix of Italy, Ancient Rome, and Transalvania/Romania. The setting itself is based", "like ringwraiths) * gods Is mixing cultures okay, and if so, do you", "Romanian. The creatures are also very diverse. There are for example: * sirens", "spoken (mostly for nicknames and cursing) is Romanian. The creatures are also very", "nicknames and cursing) is Romanian. The creatures are also very diverse. There are", "(they're kind of like ringwraiths) * gods Is mixing cultures okay, and if", "setting itself is based off of 19th century Italy, but the names, goverment", "cultures is frowned upon. Specifically, my novel's setting is a mix of Italy,", "and the other language occasionally spoken (mostly for nicknames and cursing) is Romanian.", "also very diverse. There are for example: * sirens * bean nighe's ", "ringwraiths) gods Is mixing cultures okay, and if so, do you have", "structure, and empire resemble Ancient Rome. However, there are vampire-like creatures (who can", "also control the elements), and the other language occasionally spoken (mostly for nicknames", "and cursing) is Romanian. The creatures are also very diverse. There are for", "Rome, and Transalvania/Romania. The setting itself is based off of 19th century Italy,", "(who can also control the elements), and the other language occasionally spoken (mostly", "century Italy, but the names, goverment structure, and empire resemble Ancient Rome. However,", "The setting itself is based off of 19th century Italy, but the names,", "Ancient Rome. However, there are vampire-like creatures (who can also control the elements),", "language occasionally spoken (mostly for nicknames and cursing) is Romanian. The creatures are", "other language occasionally spoken (mostly for nicknames and cursing) is Romanian. The creatures", "itself is based off of 19th century Italy, but the names, goverment structure,", "occasionally spoken (mostly for nicknames and cursing) is Romanian. The creatures are also", "of Italy, Ancient Rome, and Transalvania/Romania. The setting itself is based off of", "sirens * bean nighe's * headlsss horsemen (they're kind of like ringwraiths) ", "can also control the elements), and the other language occasionally spoken (mostly for", "mix of Italy, Ancient Rome, and Transalvania/Romania. The setting itself is based off", "based off of 19th century Italy, but the names, goverment structure, and empire", "are for example: sirens * bean nighe's * headlsss horsemen (they're kind", "a fantasy/steampunk/horror novel, and I'm wondering if mixing different cultures is frowned upon.", "There are for example: * sirens * bean nighe's * headlsss horsemen (they're", "* gods Is mixing cultures okay, and if so, do you have any", "example: * sirens * bean nighe's * headlsss horsemen (they're kind of like", "are also very diverse. There are for example: * sirens * bean nighe's", "the other language occasionally spoken (mostly for nicknames and cursing) is Romanian. The", "I am writing a fantasy/steampunk/horror novel, and I'm wondering if mixing different cultures", "is a mix of Italy, Ancient Rome, and Transalvania/Romania. The setting itself is", "mixing different cultures is frowned upon. Specifically, my novel's setting is a mix", "the elements), and the other language occasionally spoken (mostly for nicknames and cursing)", "novel, and I'm wondering if mixing different cultures is frowned upon. Specifically, my", "Italy, but the names, goverment structure, and empire resemble Ancient Rome. However, there", "goverment structure, and empire resemble Ancient Rome. However, there are vampire-like creatures (who", "if mixing different cultures is frowned upon. Specifically, my novel's setting is a", "novel's setting is a mix of Italy, Ancient Rome, and Transalvania/Romania. The setting", "the names, goverment structure, and empire resemble Ancient Rome. However, there are vampire-like", "writing a fantasy/steampunk/horror novel, and I'm wondering if mixing different cultures is frowned", "fantasy/steampunk/horror novel, and I'm wondering if mixing different cultures is frowned upon. Specifically,", "frowned upon. Specifically, my novel's setting is a mix of Italy, Ancient Rome,", "bean nighe's * headlsss horsemen (they're kind of like ringwraiths) * gods Is", "empire resemble Ancient Rome. However, there are vampire-like creatures (who can also control", "names, goverment structure, and empire resemble Ancient Rome. However, there are vampire-like creatures", "and empire resemble Ancient Rome. However, there are vampire-like creatures (who can also", "Ancient Rome, and Transalvania/Romania. The setting itself is based off of 19th century", "my novel's setting is a mix of Italy, Ancient Rome, and Transalvania/Romania. The", "cursing) is Romanian. The creatures are also very diverse. There are for example:", "creatures (who can also control the elements), and the other language occasionally spoken", "vampire-like creatures (who can also control the elements), and the other language occasionally", "setting is a mix of Italy, Ancient Rome, and Transalvania/Romania. The setting itself", "for example: * sirens * bean nighe's * headlsss horsemen (they're kind of", "and I'm wondering if mixing different cultures is frowned upon. Specifically, my novel's", "of 19th century Italy, but the names, goverment structure, and empire resemble Ancient", "resemble Ancient Rome. However, there are vampire-like creatures (who can also control the", "* sirens * bean nighe's * headlsss horsemen (they're kind of like ringwraiths)", "Specifically, my novel's setting is a mix of Italy, Ancient Rome, and Transalvania/Romania.", "there are vampire-like creatures (who can also control the elements), and the other", "is based off of 19th century Italy, but the names, goverment structure, and", "different cultures is frowned upon. Specifically, my novel's setting is a mix of" ]
[ "to write about things associated with Asian culture. Think of Amy Tan, Maxine", "the cob. My question is: if I'm trying to reach a wide teenage", "protagonist, with no foreign elements. The closest cultural thing in the novel is", "bookshelves, and those few authors who are Asian Americans tend to write about", "is currently a dearth of Asian American writers on U.S. library bookshelves, and", "on the cob. My question is: if I'm trying to reach a wide", "expecting Chinese elements because of my name. I know this may contribute to", "sense to adopt a pen name under something American, like Susan Brown? Teenagers", "up in the United States. I'm writing a YA novel set in the", "of my name. I know this may contribute to the problem of low", "know about what the typical American teen goes through?\"* Moreover, someone might pick", "Kingston, Lisa See, etc. All books about China, growing up as a foreigner,", "I know this may contribute to the problem of low visibility of Asian", "through?\"* Moreover, someone might pick up the book expecting Chinese elements because of", "Asian American writers, so I would like to know your honest opinion on", "may contribute to the problem of low visibility of Asian American writers, so", "All books about China, growing up as a foreigner, and the likes. I", "foreign elements. The closest cultural thing in the novel is the Fourth of", "American, like Susan Brown? Teenagers especially tend to make snappy judgments, and may", "goes through?\"* Moreover, someone might pick up the book expecting Chinese elements because", "YA novel set in the Midwest about a completely white protagonist, with no", "a wide teenage audience, would it make sense to adopt a pen name", "pen name under something American, like Susan Brown? Teenagers especially tend to make", "someone might pick up the book expecting Chinese elements because of my name.", "question is: if I'm trying to reach a wide teenage audience, would it", "a pen name under something American, like Susan Brown? Teenagers especially tend to", "Moreover, someone might pick up the book expecting Chinese elements because of my", "Lisa See, etc. All books about China, growing up as a foreigner, and", "unconsciously think, \"What would Li Ang Chang know about what the typical American", "are* Asian Americans tend to write about things associated with Asian culture. Think", "There is currently a dearth of Asian American writers on U.S. library bookshelves,", "so I would like to know your honest opinion on the best course", "corn on the cob. My question is: if I'm trying to reach a", "white protagonist, with no foreign elements. The closest cultural thing in the novel", "name under something American, like Susan Brown? Teenagers especially tend to make snappy", "cob. My question is: if I'm trying to reach a wide teenage audience,", "Susan Brown? Teenagers especially tend to make snappy judgments, and may unconsciously think,", "pick up the book expecting Chinese elements because of my name. I know", "writers on U.S. library bookshelves, and those few authors who are Asian Americans", "on U.S. library bookshelves, and those few authors who are Asian Americans tend", "thing in the novel is the Fourth of July celebration with hot dogs", "something American, like Susan Brown? Teenagers especially tend to make snappy judgments, and", "very Asian name but grew up in the United States. I'm writing a", "think, \"What would Li Ang Chang know about what the typical American teen", "My question is: if I'm trying to reach a wide teenage audience, would", "the Fourth of July celebration with hot dogs and corn on the cob.", "elements because of my name. I know this may contribute to the problem", "the likes. I have a very Asian name but grew up in the", "novel set in the Midwest about a completely white protagonist, with no foreign", "reach a wide teenage audience, would it make sense to adopt a pen", "would like to know your honest opinion on the best course of action.", "Think of Amy Tan, Maxine Hong Kingston, Lisa See, etc. All books about", "the problem of low visibility of Asian American writers, so I would like", "Asian Americans tend to write about things associated with Asian culture. Think of", "trying to reach a wide teenage audience, would it make sense to adopt", "writing a YA novel set in the Midwest about a completely white protagonist,", "to make snappy judgments, and may unconsciously think, \"What would Li Ang Chang", "in the Midwest about a completely white protagonist, with no foreign elements. The", "is the Fourth of July celebration with hot dogs and corn on the", "especially tend to make snappy judgments, and may unconsciously think, \"What would Li", "Ang Chang know about what the typical American teen goes through?\" Moreover, someone", "name but grew up in the United States. I'm writing a YA novel", "visibility of Asian American writers, so I would like to know your honest", "and the likes. I have a very Asian name but grew up in", "Asian American writers on U.S. library bookshelves, and those few authors who are", "have a very Asian name but grew up in the United States. I'm", "Asian name but grew up in the United States. I'm writing a YA", "and those few authors who are Asian Americans tend to write about things", "as a foreigner, and the likes. I have a very Asian name but", "foreigner, and the likes. I have a very Asian name but grew up", "July celebration with hot dogs and corn on the cob. My question is:", "in the United States. I'm writing a YA novel set in the Midwest", "under something American, like Susan Brown? Teenagers especially tend to make snappy judgments,", "of Amy Tan, Maxine Hong Kingston, Lisa See, etc. All books about China,", "Midwest about a completely white protagonist, with no foreign elements. The closest cultural", "likes. I have a very Asian name but grew up in the United", "Chinese elements because of my name. I know this may contribute to the", "culture. Think of Amy Tan, Maxine Hong Kingston, Lisa See, etc. All books", "See, etc. All books about China, growing up as a foreigner, and the", "with Asian culture. Think of Amy Tan, Maxine Hong Kingston, Lisa See, etc.", "because of my name. I know this may contribute to the problem of", "to adopt a pen name under something American, like Susan Brown? Teenagers especially", "of July celebration with hot dogs and corn on the cob. My question", "a dearth of Asian American writers on U.S. library bookshelves, and those few", "cultural thing in the novel is the Fourth of July celebration with hot", "dogs and corn on the cob. My question is: if I'm trying to", "who are Asian Americans tend to write about things associated with Asian culture.", "Hong Kingston, Lisa See, etc. All books about China, growing up as a", "and may unconsciously think, \"What would Li Ang Chang know about what the", "novel is the Fourth of July celebration with hot dogs and corn on", "about what the typical American teen goes through?\" Moreover, someone might pick up", "currently a dearth of Asian American writers on U.S. library bookshelves, and those", "completely white protagonist, with no foreign elements. The closest cultural thing in the", "audience, would it make sense to adopt a pen name under something American,", "Americans tend to write about things associated with Asian culture. Think of Amy", "adopt a pen name under something American, like Susan Brown? Teenagers especially tend", "wide teenage audience, would it make sense to adopt a pen name under", "make snappy judgments, and may unconsciously think, \"What would Li Ang Chang know", "grew up in the United States. I'm writing a YA novel set in", "Teenagers especially tend to make snappy judgments, and may unconsciously think, \"What would", "the book expecting Chinese elements because of my name. I know this may", "book expecting Chinese elements because of my name. I know this may contribute", "might pick up the book expecting Chinese elements because of my name. I", "books about China, growing up as a foreigner, and the likes. I have", "about things associated with Asian culture. Think of Amy Tan, Maxine Hong Kingston,", "Fourth of July celebration with hot dogs and corn on the cob. My", "the Midwest about a completely white protagonist, with no foreign elements. The closest", "make sense to adopt a pen name under something American, like Susan Brown?", "would Li Ang Chang know about what the typical American teen goes through?\"", "is: if I'm trying to reach a wide teenage audience, would it make", "writers, so I would like to know your honest opinion on the best", "up the book expecting* Chinese elements because of my name. I know this", "about a completely white protagonist, with no foreign elements. The closest cultural thing", "closest cultural thing in the novel is the Fourth of July celebration with", "teenage audience, would it make sense to adopt a pen name under something", "would it make sense to adopt a pen name under something American, like", "few authors who are Asian Americans tend to write about things associated with", "States. I'm writing a YA novel set in the Midwest about a completely", "the novel is the Fourth of July celebration with hot dogs and corn", "typical American teen goes through?\"* Moreover, someone might pick up the book expecting", "judgments, and may unconsciously think, \"What would Li Ang Chang know about what", "the typical American teen goes through?\" Moreover, someone might pick up the book", "elements. The closest cultural thing in the novel is the Fourth of July", "write about things associated with Asian culture. Think of Amy Tan, Maxine Hong", "American writers, so I would like to know your honest opinion on the", "low visibility of Asian American writers, so I would like to know your", "if I'm trying to reach a wide teenage audience, would it make sense", "what the typical American teen goes through?\"* Moreover, someone might pick up the", "Li Ang Chang know about what the typical American teen goes through?\"* Moreover,", "contribute to the problem of low visibility of Asian American writers, so I", "snappy judgments, and may unconsciously think, \"What would Li Ang Chang know about", "a very Asian name but grew up in the United States. I'm writing", "the United States. I'm writing a YA novel set in the Midwest about", "problem of low visibility of Asian American writers, so I would like to", "library bookshelves, and those few authors who are* Asian Americans tend to write", "authors who are Asian Americans tend to write about things associated with Asian", "I have a very Asian name but grew up in the United States.", "a foreigner, and the likes. I have a very Asian name but grew", "I'm trying to reach a wide teenage audience, would it make sense to", "American teen goes through?\"* Moreover, someone might pick up the book expecting Chinese", "to reach a wide teenage audience, would it make sense to adopt a", "hot dogs and corn on the cob. My question is: if I'm trying", "a YA novel set in the Midwest about a completely white protagonist, with", "associated with Asian culture. Think of Amy Tan, Maxine Hong Kingston, Lisa See,", "Amy Tan, Maxine Hong Kingston, Lisa See, etc. All books about China, growing", "to the problem of low visibility of Asian American writers, so I would", "of low visibility of Asian American writers, so I would like to know", "about China, growing up as a foreigner, and the likes. I have a", "Brown? Teenagers especially tend to make snappy judgments, and may unconsciously think, \"What", "tend to write about things associated with Asian culture. Think of Amy Tan,", "tend to make snappy judgments, and may unconsciously think, \"What would Li Ang", "U.S. library bookshelves, and those few authors who are Asian Americans tend to", "with hot dogs and corn on the cob. My question is: if I'm", "\"What would Li Ang Chang know about what the typical American teen goes", "things associated with Asian culture. Think of Amy Tan, Maxine Hong Kingston, Lisa", "set in the Midwest about a completely white protagonist, with no foreign elements.", "Tan, Maxine Hong Kingston, Lisa See, etc. All books about China, growing up", "Maxine Hong Kingston, Lisa See, etc. All books about China, growing up as", "my name. I know this may contribute to the problem of low visibility", "know this may contribute to the problem of low visibility of Asian American", "of Asian American writers, so I would like to know your honest opinion", "of Asian American writers on U.S. library bookshelves, and those few authors who", "China, growing up as a foreigner, and the likes. I have a very", "this may contribute to the problem of low visibility of Asian American writers,", "I would like to know your honest opinion on the best course of", "no foreign elements. The closest cultural thing in the novel is the Fourth", "etc. All books about China, growing up as a foreigner, and the likes.", "but grew up in the United States. I'm writing a YA novel set", "and corn on the cob. My question is: if I'm trying to reach", "dearth of Asian American writers on U.S. library bookshelves, and those few authors", "United States. I'm writing a YA novel set in the Midwest about a", "teen goes through?\" Moreover, someone might pick up the book expecting Chinese elements", "those few authors who are Asian Americans tend to write about things associated", "a completely white protagonist, with no foreign elements. The closest cultural thing in", "I'm writing a YA novel set in the Midwest about a completely white", "like Susan Brown? Teenagers especially tend to make snappy judgments, and may unconsciously", "in the novel is the Fourth of July celebration with hot dogs and", "celebration with hot dogs and corn on the cob. My question is: if", "up as a foreigner, and the likes. I have a very Asian name", "name. I know this may contribute to the problem of low visibility of", "Asian culture. Think of Amy Tan, Maxine Hong Kingston, Lisa See, etc. All", "growing up as a foreigner, and the likes. I have a very Asian", "The closest cultural thing in the novel is the Fourth of July celebration", "with no foreign elements. The closest cultural thing in the novel is the", "Chang know about what the typical American teen goes through?\"* Moreover, someone might", "American writers on U.S. library bookshelves, and those few authors who are Asian", "it make sense to adopt a pen name under something American, like Susan", "may unconsciously think, *\"What would Li Ang Chang know about what the typical" ]
[ "occurs within a fanfiction\" Self-Inserted Characters commonly have almost NO personality (In order", "Self-Insert character, an example of Self-Inserts include: JRPG Protagonists that don't speak, Kirito,Red", "Self-Inserted Characters commonly have almost NO personality (In order to asist the reader", "mean: according to Urban Dictionary a Self-Insert is \"A story in which the", "fanfiction\" Self-Inserted Characters commonly have almost NO personality (In order to asist the", "JRPG Protagonists that don't speak, Kirito,Red from Pokemon, etc.) My Question: What are", "which the reader inserts himself or herself; this usually occurs within a fanfiction\"", "I get some pointer as how to NOT write a Self-Insert/Miry Kae? 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What I", "reader in inserting their personality onto the Self-Insert character, an example of Self-Inserts", "personality onto the Self-Insert character, an example of Self-Inserts include: JRPG Protagonists that", "their personality onto the Self-Insert character, an example of Self-Inserts include: JRPG Protagonists", "Characters commonly have almost NO personality (In order to asist the reader in", "Self-Insert is \"A story in which the reader inserts himself or herself; this", "usually occurs within a fanfiction\" Self-Inserted Characters commonly have almost NO personality (In", "an example of Self-Inserts include: JRPG Protagonists that don't speak, Kirito,Red from Pokemon,", "how to NOT write a Self-Insert/Miry Kae? What I mean: according to Urban", "a fanfiction\" Self-Inserted Characters commonly have almost NO personality (In order to asist", "Dictionary a Self-Insert is \"A story in which the reader inserts himself or", "the reader in inserting their personality onto the Self-Insert character, an example of", "reader inserts himself or herself; this usually occurs within a fanfiction\" Self-Inserted Characters", "a Self-Insert/Miry Kae? P.S. Yes, it IS possible to unintentionally write Self-Inserts/Miry Kae's.", "Question: What are some general pointers that I could use in order to", "a Self-Insert/Miry Kae? What I mean: according to Urban Dictionary a Self-Insert is", "speak, Kirito,Red from Pokemon, etc.) My Question: What are some general pointers that", "is \"A story in which the reader inserts himself or herself; this usually", "according to Urban Dictionary a Self-Insert is \"A story in which the reader", "include: JRPG Protagonists that don't speak, Kirito,Red from Pokemon, etc.) My Question: What", "order to asist the reader in inserting their personality onto the Self-Insert character,", "pointers that I could use in order to help prevent myself from writing", "I mean: according to Urban Dictionary a Self-Insert is \"A story in which", "that don't speak, Kirito,Red from Pokemon, etc.) My Question: What are some general", "Self-Insert/Miry Kae? What I mean: according to Urban Dictionary a Self-Insert is \"A", "order to help prevent myself from writing a Self-Insert/Miry Kae? P.S. Yes, it", "What are some general pointers that I could use in order to help", "have almost NO personality (In order to asist the reader in inserting their", "this usually occurs within a fanfiction\" Self-Inserted Characters commonly have almost NO personality", "of Self-Inserts include: JRPG Protagonists that don't speak, Kirito,Red from Pokemon, etc.) My", "some pointer as how to NOT write a Self-Insert/Miry Kae? What I mean:", "Could I get some pointer as how to NOT write a Self-Insert/Miry Kae?", "to asist the reader in inserting their personality onto the Self-Insert character, an", "prevent myself from writing a Self-Insert/Miry Kae? P.S. Yes, it IS possible to", "help prevent myself from writing a Self-Insert/Miry Kae? P.S. Yes, it IS possible", "Self-Inserts include: JRPG Protagonists that don't speak, Kirito,Red from Pokemon, etc.) My Question:", "himself or herself; this usually occurs within a fanfiction\" Self-Inserted Characters commonly have", "pointer as how to NOT write a Self-Insert/Miry Kae? What I mean: according", "personality (In order to asist the reader in inserting their personality onto the", "to NOT write a Self-Insert/Miry Kae? What I mean: according to Urban Dictionary", "What I mean: according to Urban Dictionary a Self-Insert is \"A story in", "etc.) My Question: What are some general pointers that I could use in", "some general pointers that I could use in order to help prevent myself", "the Self-Insert character, an example of Self-Inserts include: JRPG Protagonists that don't speak,", "don't speak, Kirito,Red from Pokemon, etc.) My Question: What are some general pointers", "character, an example of Self-Inserts include: JRPG Protagonists that don't speak, Kirito,Red from", "general pointers that I could use in order to help prevent myself from", "use in order to help prevent myself from writing a Self-Insert/Miry Kae? 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What I mean: according to Urban Dictionary a", "Pokemon, etc.) My Question: What are some general pointers that I could use", "Protagonists that don't speak, Kirito,Red from Pokemon, etc.) My Question: What are some", "the reader inserts himself or herself; this usually occurs within a fanfiction\" Self-Inserted", "from Pokemon, etc.) My Question: What are some general pointers that I could", "story in which the reader inserts himself or herself; this usually occurs within", "(In order to asist the reader in inserting their personality onto the Self-Insert", "inserts himself or herself; this usually occurs within a fanfiction\" Self-Inserted Characters commonly", "could use in order to help prevent myself from writing a Self-Insert/Miry Kae?", "or herself; this usually occurs within a fanfiction\" Self-Inserted Characters commonly have almost" ]
[ "particular instrument, my main character struggles to learn how to properly sword fight", "and stories and may even mimic elements of your life/past without making it", "points I want to hit is where the MC has a \"falling to", "family that was not living paycheck to paycheck. So my main character, I", "self reflection, and have a lot to draw on for a well rounded", "friend were to read it, they would go, this story is about you.", "some ways, more than what someone should for my age. So I have", "life, and in some ways, more than what someone should for my age.", "one, I can't say that my character likes rock music because that simply", "in mind: Would self Inserting be okay if it has influence from your", "things that happened in my life. For one, I can't say that my", "used in RPG games as well as elements/experiences of my personal life. I", "family/chooses to live a more simple life. While I didn't run away or", "life, but I don't believe that if a friend were to read it,", "about you. I would mask it in a way that the events are", "of my personal life. I am not rich by any means but I", "my life. For one, I can't say that my character likes rock music", "of royalty which I am not. My main character I would like to", "lot of self reflection, and have a lot to draw on for a", "someone should for my age. So I have experienced a lot, done a", "asked and it lead me to wonder something.... It seems that self inserting", "self Inserting be okay if it has influence from your life experience and", "am I on the right track to using personal experience while masking it", "has to offer. So there are many similarities to my life, but I", "are twisted around to match the story rather than be a direct relation", "minimal. So my question piggybacks off of the one linked with this in", "paycheck. So my main character, I wanted him to be born of royalty", "with the genre. I can't say that my character likes pizza because again", "in my life, and in some ways, more than what someone should for", "my life, and in some ways, more than what someone should for my", "away or denounce my family, I didn't follow in my dad's foot steps", "but I don't believe that if a friend were to read it, they", "life experiences to interject into the story. I have been through quite a", "story rather than be a direct relation to things that happened in my", "not considered good practice or should be kept to a minimal. So my", "be a direct relation to things that happened in my life. For one,", "going about this? EDIT: I saw someone write about how you need to", "that my character likes rock music because that simply doesn't go with the", "been through quite a lot in my life, and in some ways, more", "sword fight or refuses to do his studies. One of the big plot", "So there are many similarities to my life, but I don't believe that", "or refuses to do his studies. One of the big plot points I", "of myself. I by no means want to glorify myself into a fantasy", "experienced a lot, done a lot of self reflection, and have a lot", "I don't believe that if a friend were to read it, they would", "of high fantasy. So am I on the right track to using personal", "main character struggles to learn how to properly sword fight or refuses to", "rich by any means but I was born into a family that was", "character struggles to learn how to properly sword fight or refuses to do", "seems that self inserting your.... person is not considered good practice or should", "story. I have been through quite a lot in my life, and in", "foot steps like he wanted in an attempt at enjoying the more simple", "So my question piggybacks off of the one linked with this in mind:", "in RPG games as well as elements/experiences of my personal life. I am", "a minimal. So my question piggybacks off of the one linked with this", "how to properly sword fight or refuses to do his studies. One of", "likes pizza because again that wouldn't fit into the genre of high fantasy.", "instrument, my main character struggles to learn how to properly sword fight or", "tale but rather use life experiences to interject into the story. I have", "I have been through quite a lot in my life, and in some", "I by no means want to glorify myself into a fantasy tale but", "character I would like to struggle in his youth with several aspects of", "story I have my main character based on a few factors... My online", "by no means want to glorify myself into a fantasy tale but rather", "I am overly critical of myself. I by no means want to glorify", "like he wanted in an attempt at enjoying the more simple things that", "direct relation to things that happened in my life. For one, I can't", "enjoying the more simple things that life has to offer. So there are", "character likes rock music because that simply doesn't go with the genre. I", "I can't say that my character likes rock music because that simply doesn't", "but I was born into a family that was not living paycheck to", "in my dad's foot steps like he wanted in an attempt at enjoying", "okay if it has influence from your life experience and stories and may", "were to read it, they would go, this story is about you. I", "based on a few factors... My online persona used in RPG games as", "mask it in a way that the events are twisted around to match", "pizza because again that wouldn't fit into the genre of high fantasy. So", "lot, done a lot of self reflection, and have a lot to draw", "no means want to glorify myself into a fantasy tale but rather use", "or do I need to reconsider how I am going about this?* EDIT:", "wanted him to be born of royalty which I am not. My main", "several aspects of his life like I have but in a fantasy aspect.", "of the big plot points I want to hit is where the MC", "write about how you need to be brutally honest with yourself. For those", "reconsider how I am going about this?* EDIT: I saw someone write about", "that know me well, know that I am overly critical of myself. I", "I had issues learning a particular instrument, my main character struggles to learn", "want to hit is where the MC has a \"falling to earth\" and", "a way that the events are twisted around to match the story rather", "read it, they would go, this story is about you. I would mask", "me or do I need to reconsider how I am going about this?", "myself. I by no means want to glorify myself into a fantasy tale", "personal experience while masking it is about me or do I need to", "has a \"falling to earth\" and denounces the bloodline of his family/chooses to", "without making it blatantly obvious? In my story I have my main character", "this story is about you. I would mask it in a way that", "aspects of his life like I have but in a fantasy aspect. Say", "into the genre of high fantasy. So am I on the right track", "something.... It seems that self inserting your.... person is not considered good practice", "be okay if it has influence from your life experience and stories and", "character, I wanted him to be born of royalty which I am not.", "born into a family that was not living paycheck to paycheck. So my", "self inserting your.... person is not considered good practice or should be kept", "because again that wouldn't fit into the genre of high fantasy. So am", "my family, I didn't follow in my dad's foot steps like he wanted", "and may even mimic elements of your life/past without making it blatantly obvious?", "In my story I have my main character based on a few factors...", "experience and stories and may even mimic elements of your life/past without making", "using personal experience while masking it is about me or do I need", "because that simply doesn't go with the genre. I can't say that my", "that life has to offer. So there are many similarities to my life,", "few factors... My online persona used in RPG games as well as elements/experiences", "not. My main character I would like to struggle in his youth with", "wanted in an attempt at enjoying the more simple things that life has", "want to glorify myself into a fantasy tale but rather use life experiences", "that was not living paycheck to paycheck. So my main character, I wanted", "life experience and stories and may even mimic elements of your life/past without", "match the story rather than be a direct relation to things that happened", "my main character struggles to learn how to properly sword fight or refuses", "need to reconsider how I am going about this? EDIT: I saw someone", "his youth with several aspects of his life like I have but in", "the bloodline of his family/chooses to live a more simple life. While I", "the events are twisted around to match the story rather than be a", "the genre. I can't say that my character likes pizza because again that", "for my age. So I have experienced a lot, done a lot of", "properly sword fight or refuses to do his studies. One of the big", "blatantly obvious?* In my story I have my main character based on a", "way that the events are twisted around to match the story rather than", "would like to struggle in his youth with several aspects of his life", "my question piggybacks off of the one linked with this in mind: Would", "to hit is where the MC has a \"falling to earth\" and denounces", "about how you need to be brutally honest with yourself. For those that", "mimic elements of your life/past without making it blatantly obvious? In my story", "big plot points I want to hit is where the MC has a", "a fantasy aspect. Say I had issues learning a particular instrument, my main", "simply doesn't go with the genre. I can't say that my character likes", "doesn't go with the genre. I can't say that my character likes pizza", "persona used in RPG games as well as elements/experiences of my personal life.", "more simple life. While I didn't run away or denounce my family, I", "that my character likes pizza because again that wouldn't fit into the genre", "to do his studies. One of the big plot points I want to", "live a more simple life. While I didn't run away or denounce my", "go with the genre. I can't say that my character likes pizza because", "myself into a fantasy tale but rather use life experiences to interject into", "an attempt at enjoying the more simple things that life has to offer.", "know that I am overly critical of myself. I by no means want", "my life, but I don't believe that if a friend were to read", "well, know that I am overly critical of myself. I by no means", "earth\" and denounces the bloodline of his family/chooses to live a more simple", "experiences to interject into the story. I have been through quite a lot", "say that my character likes pizza because again that wouldn't fit into the", "the right track to using personal experience while masking it is about me", "which I am not. My main character I would like to struggle in", "learn how to properly sword fight or refuses to do his studies. One", "would go, this story is about you. I would mask it in a", "was not living paycheck to paycheck. So my main character, I wanted him", "to properly sword fight or refuses to do his studies. One of the", "by any means but I was born into a family that was not", "games as well as elements/experiences of my personal life. I am not rich", "into a family that was not living paycheck to paycheck. So my main", "it in a way that the events are twisted around to match the", "life. While I didn't run away or denounce my family, I didn't follow", "than what someone should for my age. So I have experienced a lot,", "I saw someone write about how you need to be brutally honest with", "as well as elements/experiences of my personal life. I am not rich by", "the more simple things that life has to offer. So there are many", "paycheck to paycheck. So my main character, I wanted him to be born", "do I need to reconsider how I am going about this?* EDIT: I", "factors... My online persona used in RPG games as well as elements/experiences of", "quite a lot in my life, and in some ways, more than what", "critical of myself. I by no means want to glorify myself into a", "is not considered good practice or should be kept to a minimal. So", "lead me to wonder something.... It seems that self inserting your.... person is", "struggles to learn how to properly sword fight or refuses to do his", "have been through quite a lot in my life, and in some ways,", "that I am overly critical of myself. I by no means want to", "means want to glorify myself into a fantasy tale but rather use life", "to read it, they would go, this story is about you. I would", "has influence from your life experience and stories and may even mimic elements", "my main character based on a few factors... My online persona used in", "lot in my life, and in some ways, more than what someone should", "plot points I want to hit is where the MC has a \"falling", "a lot in my life, and in some ways, more than what someone", "had issues learning a particular instrument, my main character struggles to learn how", "run away or denounce my family, I didn't follow in my dad's foot", "should be kept to a minimal. So my question piggybacks off of the", "twisted around to match the story rather than be a direct relation to", "music because that simply doesn't go with the genre. I can't say that", "dad's foot steps like he wanted in an attempt at enjoying the more", "that self inserting your.... person is not considered good practice or should be", "issues learning a particular instrument, my main character struggles to learn how to", "him to be born of royalty which I am not. My main character", "the story. I have been through quite a lot in my life, and", "likes rock music because that simply doesn't go with the genre. I can't", "is where the MC has a \"falling to earth\" and denounces the bloodline", "I didn't follow in my dad's foot steps like he wanted in an", "born of royalty which I am not. My main character I would like", "to earth\" and denounces the bloodline of his family/chooses to live a more", "question piggybacks off of the one linked with this in mind: Would self", "the genre of high fantasy. So am I on the right track to", "are many similarities to my life, but I don't believe that if a", "in some ways, more than what someone should for my age. So I", "your.... person is not considered good practice or should be kept to a", "where the MC has a \"falling to earth\" and denounces the bloodline of", "of self reflection, and have a lot to draw on for a well", "say that my character likes rock music because that simply doesn't go with", "even mimic elements of your life/past without making it blatantly obvious?* In my", "my age. So I have experienced a lot, done a lot of self", "I wanted him to be born of royalty which I am not. My", "more than what someone should for my age. So I have experienced a", "rather than be a direct relation to things that happened in my life.", "about this?* EDIT: I saw someone write about how you need to be", "to a minimal. So my question piggybacks off of the one linked with", "Inserting be okay if it has influence from your life experience and stories", "his family/chooses to live a more simple life. While I didn't run away", "didn't follow in my dad's foot steps like he wanted in an attempt", "those that know me well, know that I am overly critical of myself.", "me well, know that I am overly critical of myself. I by no", "mind: Would self Inserting be okay if it has influence from your life", "it blatantly obvious? In my story I have my main character based on", "didn't run away or denounce my family, I didn't follow in my dad's", "personal life. I am not rich by any means but I was born", "am going about this?* EDIT: I saw someone write about how you need", "linked with this in mind: Would self Inserting be okay if it has", "So I have experienced a lot, done a lot of self reflection, and", "to paycheck. So my main character, I wanted him to be born of", "character based on a few factors... My online persona used in RPG games", "saw someone write about how you need to be brutally honest with yourself.", "yourself. For those that know me well, know that I am overly critical", "royalty which I am not. My main character I would like to struggle", "online persona used in RPG games as well as elements/experiences of my personal", "saw this [question](https://writers.stackexchange.com/questions/26748/how-to-make-sure-that-you-dont-end-up-writing-a-self-insert) being asked and it lead me to wonder something.... It", "to struggle in his youth with several aspects of his life like I", "main character based on a few factors... My online persona used in RPG", "that if a friend were to read it, they would go, this story", "in his youth with several aspects of his life like I have but", "of his life like I have but in a fantasy aspect. Say I", "I am not. My main character I would like to struggle in his", "[question](https://writers.stackexchange.com/questions/26748/how-to-make-sure-that-you-dont-end-up-writing-a-self-insert) being asked and it lead me to wonder something.... It seems that", "youth with several aspects of his life like I have but in a", "life. For one, I can't say that my character likes rock music because", "there are many similarities to my life, but I don't believe that if", "experience while masking it is about me or do I need to reconsider", "elements/experiences of my personal life. I am not rich by any means but", "as elements/experiences of my personal life. I am not rich by any means", "While I didn't run away or denounce my family, I didn't follow in", "am not. My main character I would like to struggle in his youth", "or denounce my family, I didn't follow in my dad's foot steps like", "steps like he wanted in an attempt at enjoying the more simple things", "For those that know me well, know that I am overly critical of", "any means but I was born into a family that was not living", "My online persona used in RPG games as well as elements/experiences of my", "similarities to my life, but I don't believe that if a friend were", "it, they would go, this story is about you. I would mask it", "how I am going about this? EDIT: I saw someone write about how", "of his family/chooses to live a more simple life. While I didn't run", "genre of high fantasy. So am I on the right track to using", "I saw this [question](https://writers.stackexchange.com/questions/26748/how-to-make-sure-that-you-dont-end-up-writing-a-self-insert) being asked and it lead me to wonder something....", "I want to hit is where the MC has a \"falling to earth\"", "ways, more than what someone should for my age. So I have experienced", "and denounces the bloodline of his family/chooses to live a more simple life.", "wonder something.... It seems that self inserting your.... person is not considered good", "denounce my family, I didn't follow in my dad's foot steps like he", "refuses to do his studies. One of the big plot points I want", "I am going about this? EDIT: I saw someone write about how you", "someone write about how you need to be brutally honest with yourself. For", "not living paycheck to paycheck. So my main character, I wanted him to", "simple things that life has to offer. 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For one, I", "I have but in a fantasy aspect. Say I had issues learning a", "this in mind: Would self Inserting be okay if it has influence from", "character likes pizza because again that wouldn't fit into the genre of high", "me to wonder something.... It seems that self inserting your.... person is not", "living paycheck to paycheck. So my main character, I wanted him to be", "aspect. Say I had issues learning a particular instrument, my main character struggles", "hit is where the MC has a \"falling to earth\" and denounces the", "overly critical of myself. I by no means want to glorify myself into", "For one, I can't say that my character likes rock music because that", "I have experienced a lot, done a lot of self reflection, and have", "in a fantasy aspect. Say I had issues learning a particular instrument, my", "rather use life experiences to interject into the story. 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[ "be, but I also don't want to limit the public to just a", "of the real life's rules. And including such subjects is a characteristic I", "in some way to please the reader, consequently displeasing myself. But the question", "1-4 of them in each one, and the rest of the story is", "from realistic settings, that requires to follow all of the real life's rules.", "lighter and relieving subjects. I like the habit I have of creating some", "the rest of the story is the story per se, and considering these", "including such subjects is a characteristic I have, and I wouldn't like to", "the foot a fantasy to have such subjects? Would it really be a", "do/cause, etc. (all portrayed negatively). Of course, it's not all of these subjects", "please the reader, consequently displeasing myself. But the question is: Would it be", "Would it really be a turn off for most of the fantasy readers", "For example: fantasy wars have little weight per se (\"Wow, yet another fantasy", "to please the reader, consequently displeasing myself. But the question is: Would it", "I'm writing and several other fantasy ideas, which treats (in-depth or almost) some", "real life's rules. And including such subjects is a characteristic I have, and", "realistic settings, that requires to follow all of the real life's rules. And", "like, different from realistic settings, that requires to follow all of the real", "with a fantasy setting. That's a big problem and a dilemma, since I", "wanted it to be, but I also don't want to limit the public", "of the fantasy readers if the fantasy have these bits of reality?** ---", "impacts, the consequences of such war? What about the innocents brutally killed, and", "read more of that but with a fantasy setting. That's a big problem", "question is: *Would it be a shot in the foot a fantasy to", "have, and I wouldn't like to amputate my story to please the readers,", "Just clarifying: these subjects are not just put there and that's it. Instead,", "dark fantasies, some of them include some lighter and relieving subjects. I like", "being's cruelty and the horrors they are able to do/cause, etc. (all portrayed", "limit the public to just a few readers, so I'd need in some", "negatively). Of course, it's not all of these subjects in one single story,", "sanity), death, war, suffering, violence, sexual abuse and/or rape, prejudice, sickly envy, human", "some of them include some lighter and relieving subjects. I like the habit", "connected to these things. For example: fantasy wars have little weight per se", "be a turn off for most of the fantasy readers if the fantasy", "the fantasy genre are escapists, i.e., they like to escape* from real life,", "but I also don't want to limit the public to just a few", "that but with a fantasy setting. That's a big problem and a dilemma,", "which treats (in-depth or almost) some serious real life problems, such as diseases", "the world however I need or like, different from realistic settings, that requires", "them include some lighter and relieving subjects. I like the habit I have", "clarifying: these subjects are not just put there and that's it. Instead, they", "please the readers, because then I would be the one displeased, as the", "subjects is a characteristic I have, and I wouldn't like to amputate my", "(all portrayed negatively). Of course, it's not all of these subjects in one", "them in each one, and the rest of the story is the story", "as the story would end up not being what I initially wanted it", "I need or like, different from realistic settings, that requires to follow all", "are able to do/cause, etc. (all portrayed negatively). Of course, it's not all", "settings, that requires to follow all of the real life's rules. And including", "fantasy genre are escapists, i.e., they like to escape from real life, not", "only). However, I have doubts if that's a good idea after I heard", "i.e., they like to escape from real life, not read more of that", "need in some way to please the reader, consequently displeasing myself. But the", "about the innocents brutally killed, and the lives destroyed because of mere territorial", "some stories with such heavy/dark subjects (not that that's exclusive to me only).", "characteristic I have, and I wouldn't like to amputate my story to please", "dilemma, since I like fantasy settings due to the freedom they offer to", "things. For example: fantasy wars have little weight per se (\"Wow, yet another", "of reality? --- Edit: Just clarifying: these subjects are not just put there", "me only). However, I have doubts if that's a good idea after I", "brutally killed, and the lives destroyed because of mere territorial interests? Things like", "such as diseases (mental or corporal), mental health degradation (like losing sanity), death,", "fantasy readers if the fantasy have these bits of reality? --- Edit: Just", "about the impacts, the consequences of such war? What about the innocents brutally", "example: fantasy wars have little weight per se (\"Wow, yet another fantasy war...", "of creating some stories with such heavy/dark subjects (not that that's exclusive to", "fantasy wars have little weight per se (\"Wow, yet another fantasy war... Such", "consequently displeasing myself. But the question is: *Would it be a shot in", "habit I have of creating some stories with such heavy/dark subjects (not that", "escapists, i.e., they like to escape* from real life, not read more of", "weight per se (\"Wow, yet another fantasy war... Such darkness!\". No). But what", "and a dilemma, since I like fantasy settings due to the freedom they", "readers, because then I would be the one displeased, as the story would", "and that's it. Instead, they are treated in-depth accounting all the consequences and", "and I wouldn't like to amputate my story to please the readers, because", "that's exclusive to me only). However, I have doubts if that's a good", "the freedom they offer to shape and paint the world however I need", "life's rules. And including such subjects is a characteristic I have, and I", "have of creating some stories with such heavy/dark subjects (not that that's exclusive", "war... Such darkness!\". No). But what about the impacts, the consequences of such", "fantasy have these bits of reality? --- Edit: Just clarifying: these subjects are", "of the story is the story per se, and considering these stories are", "a characteristic I have, and I wouldn't like to amputate my story to", "really be a turn off for most of the fantasy readers if the", "horrors they are able to do/cause, etc. (all portrayed negatively). Of course, it's", "don't want to limit the public to just a few readers, so I'd", "most of the fantasy readers if the fantasy have these bits of reality?", "a few readers, so I'd need in some way to please the reader,", "reader, consequently displeasing myself. But the question is: *Would it be a shot", "the one displeased, as the story would end up not being what I", "No). But what about the impacts, the consequences of such war? What about", "accounting all the consequences and sufferings connected to these things. For example: fantasy", "just put there and that's it. Instead, they are treated in-depth accounting all", "one single story, just 1-4 of them in each one, and the rest", "they offer to shape and paint the world however I need or like,", "a dilemma, since I like fantasy settings due to the freedom they offer", "because then I* would be the one displeased, as the story would end", "per se, and considering these stories are not dark fantasies, some of them", "bits of reality? --- Edit:** Just clarifying: these subjects are not just put", "however I need or like, different from realistic settings, that requires to follow", "like to escape from real life, not read more of that but with", "human being's cruelty and the horrors they are able to do/cause, etc. (all", "Of course, it's not all of these subjects in one single story, just", "Would it be a shot in the foot a fantasy to have such", "have little weight per se (\"Wow, yet another fantasy war... Such darkness!\". No).", "portrayed negatively). Of course, it's not all of these subjects in one single", "yet another fantasy war... Such darkness!\". No). But what about the impacts, the", "and considering these stories are not dark fantasies, some of them include some", "and relieving subjects. I like the habit I have of creating some stories", "the story would end up not being what I initially wanted it to", "stories are not dark fantasies, some of them include some lighter and relieving", "and several other fantasy ideas, which treats (in-depth or almost) some serious real", "and paint the world however I need or like, different from realistic settings,", "these bits of reality? --- Edit: Just clarifying: these subjects are not just", "story to please the readers, because then I would be the one displeased,", "as diseases (mental or corporal), mental health degradation (like losing sanity), death, war,", "few readers, so I'd need in some way to please the reader, consequently", "then I would be the one displeased, as the story would end up", "But what about the impacts, the consequences of such war? What about the", "to amputate my story to please the readers, because then I would be", "Such darkness!\". No). But what about the impacts, the consequences of such war?", "not dark fantasies, some of them include some lighter and relieving subjects. I", "(\"Wow, yet another fantasy war... Such darkness!\". No). But what about the impacts,", "world however I need or like, different from realistic settings, that requires to", "there and that's it. Instead, they are treated in-depth accounting all the consequences", "these stories are not dark fantasies, some of them include some lighter and", "is a characteristic I have, and I wouldn't like to amputate my story", "to limit the public to just a few readers, so I'd need in", "subjects are not just put there and that's it. Instead, they are treated", "se, and considering these stories are not dark fantasies, some of them include", "it really be a turn off for most of the fantasy readers if", "(like losing sanity), death, war, suffering, violence, sexual abuse and/or rape, prejudice, sickly", "these subjects in one single story, just 1-4 of them in each one,", "amputate my story to please the readers, because then I would be the", "degradation (like losing sanity), death, war, suffering, violence, sexual abuse and/or rape, prejudice,", "life, not read more of that but with a fantasy setting. That's a", "some way to please the reader, consequently displeasing myself. But the question is:", "single story, just 1-4 of them in each one, and the rest of", "war? What about the innocents brutally killed, and the lives destroyed because of", "to me only). However, I have doubts if that's a good idea after", "the innocents brutally killed, and the lives destroyed because of mere territorial interests?", "to escape from real life, not read more of that but with a", "not just put there and that's it. Instead, they are treated in-depth accounting", "Edit: Just clarifying: these subjects are not just put there and that's it.", "heavy/dark subjects (not that that's exclusive to me only). However, I have doubts", "subjects in one single story, just 1-4 of them in each one, and", "And including such subjects is a characteristic I have, and I wouldn't like", "being what I initially wanted it to be, but I also don't want", "the habit I have of creating some stories with such heavy/dark subjects (not", "darkness!\". No). But what about the impacts, the consequences of such war? What", "is: *Would it be a shot in the foot a fantasy to have", "wouldn't like to amputate my story to please the readers, because then I", "I initially wanted it to be, but I also don't want to limit", "such subjects is a characteristic I have, and I wouldn't like to amputate", "story, just 1-4 of them in each one, and the rest of the", "for most of the fantasy readers if the fantasy have these bits of", "story per se, and considering these stories are not dark fantasies, some of", "each one, and the rest of the story is the story per se,", "se (\"Wow, yet another fantasy war... Such darkness!\". No). But what about the", "subjects? Would it really be a turn off for most of the fantasy", "are escapists, i.e., they like to escape* from real life, not read more", "not all of these subjects in one single story, just 1-4 of them", "fantasies, some of them include some lighter and relieving subjects. I like the", "in-depth accounting all the consequences and sufferings connected to these things. For example:", "But the question is: *Would it be a shot in the foot a", "the story per se, and considering these stories are not dark fantasies, some", "the readers, because then I* would be the one displeased, as the story", "that most of the readers who like the fantasy genre are escapists, i.e.,", "That's a big problem and a dilemma, since I like fantasy settings due", "I like the habit I have of creating some stories with such heavy/dark", "losing sanity), death, war, suffering, violence, sexual abuse and/or rape, prejudice, sickly envy,", "not read more of that but with a fantasy setting. That's a big", "problems, such as diseases (mental or corporal), mental health degradation (like losing sanity),", "my story to please the readers, because then I would be the one", "to follow all of the real life's rules. And including such subjects is", "have a fantasy story I'm writing and several other fantasy ideas, which treats", "and the rest of the story is the story per se, and considering", "due to the freedom they offer to shape and paint the world however", "that's a good idea after I heard that most of the readers who", "I also don't want to limit the public to just a few readers,", "health degradation (like losing sanity), death, war, suffering, violence, sexual abuse and/or rape,", "fantasy ideas, which treats (in-depth or almost) some serious real life problems, such", "able to do/cause, etc. (all portrayed negatively). Of course, it's not all of", "doubts if that's a good idea after I heard that most of the", "if the fantasy have these bits of reality? --- Edit: Just clarifying: these", "some lighter and relieving subjects. I like the habit I have of creating", "be a shot in the foot a fantasy to have such subjects? Would", "fantasy setting. That's a big problem and a dilemma, since I like fantasy", "have doubts if that's a good idea after I heard that most of", "consequences of such war? What about the innocents brutally killed, and the lives", "myself. But the question is: Would it be a shot in the foot", "or like, different from realistic settings, that requires to follow all of the", "are treated in-depth accounting all the consequences and sufferings connected to these things.", "are not dark fantasies, some of them include some lighter and relieving subjects.", "story is the story per se, and considering these stories are not dark", "serious real life problems, such as diseases (mental or corporal), mental health degradation", "end up not being what I initially wanted it to be, but I", "it's not all of these subjects in one single story, just 1-4 of", "the story is the story per se, and considering these stories are not", "such heavy/dark subjects (not that that's exclusive to me only). However, I have", "what I initially wanted it to be, but I also don't want to", "of the readers who like the fantasy genre are escapists, i.e., they like", "include some lighter and relieving subjects. I like the habit I have of", "readers who like the fantasy genre are escapists, i.e., they like to escape", "that that's exclusive to me only). However, I have doubts if that's a", "I'd need in some way to please the reader, consequently displeasing myself. But", "I have, and I wouldn't like to amputate my story to please the", "good idea after I heard that most of the readers who like the", "the impacts, the consequences of such war? What about the innocents brutally killed,", "war, suffering, violence, sexual abuse and/or rape, prejudice, sickly envy, human being's cruelty", "freedom they offer to shape and paint the world however I need or", "be the one displeased, as the story would end up not being what", "shot in the foot a fantasy to have such subjects? Would it really", "or almost) some serious real life problems, such as diseases (mental or corporal),", "to just a few readers, so I'd need in some way to please", "story I'm writing and several other fantasy ideas, which treats (in-depth or almost)", "--- Edit: Just clarifying: these subjects are not just put there and that's", "if that's a good idea after I heard that most of the readers", "subjects (not that that's exclusive to me only). However, I have doubts if", "readers if the fantasy have these bits of reality? --- Edit: Just clarifying:", "all the consequences and sufferings connected to these things. 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But the question is: Would it be a", "have these bits of reality? --- Edit:** Just clarifying: these subjects are not", "fantasy story I'm writing and several other fantasy ideas, which treats (in-depth or", "want to limit the public to just a few readers, so I'd need", "more of that but with a fantasy setting. That's a big problem and", "corporal), mental health degradation (like losing sanity), death, war, suffering, violence, sexual abuse", "they are able to do/cause, etc. (all portrayed negatively). Of course, it's not", "sufferings connected to these things. For example: fantasy wars have little weight per", "setting. That's a big problem and a dilemma, since I like fantasy settings", "they like to escape from real life, not read more of that but", "displeased, as the story would end up not being what I initially wanted", "and/or rape, prejudice, sickly envy, human being's cruelty and the horrors they are", "it to be, but I also don't want to limit the public to", "off for most of the fantasy readers if the fantasy have these bits", "exclusive to me only). However, I have doubts if that's a good idea", "who like the fantasy genre are escapists, i.e., they like to escape from", "displeasing myself. But the question is: *Would it be a shot in the", "such subjects? Would it really be a turn off for most of the", "public to just a few readers, so I'd need in some way to", "like the habit I have of creating some stories with such heavy/dark subjects", "with such heavy/dark subjects (not that that's exclusive to me only). However, I", "most of the readers who like the fantasy genre are escapists, i.e., they", "other fantasy ideas, which treats (in-depth or almost) some serious real life problems,", "just 1-4 of them in each one, and the rest of the story", "from real life, not read more* of that but with a fantasy setting.", "wars have little weight per se (\"Wow, yet another fantasy war... Such darkness!\".", "like fantasy settings due to the freedom they offer to shape and paint", "the real life's rules. And including such subjects is a characteristic I have,", "the consequences and sufferings connected to these things. For example: fantasy wars have", "but with a fantasy setting. That's a big problem and a dilemma, since", "several other fantasy ideas, which treats (in-depth or almost) some serious real life", "in the foot a fantasy to have such subjects? Would it really be", "violence, sexual abuse and/or rape, prejudice, sickly envy, human being's cruelty and the", "some serious real life problems, such as diseases (mental or corporal), mental health", "heard that most of the readers who like the fantasy genre are escapists,", "what about the impacts, the consequences of such war? What about the innocents", "to the freedom they offer to shape and paint the world however I", "I wouldn't like to amputate my story to please the readers, because then", "problem and a dilemma, since I like fantasy settings due to the freedom", "I heard that most of the readers who like the fantasy genre are", "a fantasy setting. That's a big problem and a dilemma, since I like", "different from realistic settings, that requires to follow all of the real life's", "rest of the story is the story per se, and considering these stories", "and the horrors they are able to do/cause, etc. (all portrayed negatively). Of", "treated in-depth accounting all the consequences and sufferings connected to these things. For", "sexual abuse and/or rape, prejudice, sickly envy, human being's cruelty and the horrors", "would end up not being what I initially wanted it to be, but", "etc. (all portrayed negatively). Of course, it's not all of these subjects in", "offer to shape and paint the world however I need or like, different", "cruelty and the horrors they are able to do/cause, etc. (all portrayed negatively).", "a fantasy story I'm writing and several other fantasy ideas, which treats (in-depth", "I would be the one displeased, as the story would end up not", "like the fantasy genre are escapists, i.e., they like to escape from real", "to be, but I also don't want to limit the public to just", "to do/cause, etc. (all portrayed negatively). 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And including such subjects", "What about the innocents brutally killed, and the lives destroyed because of mere", "I have a fantasy story I'm writing and several other fantasy ideas, which", "the readers who like the fantasy genre are escapists, i.e., they like to", "another fantasy war... Such darkness!\". No). But what about the impacts, the consequences", "mental health degradation (like losing sanity), death, war, suffering, violence, sexual abuse and/or", "just a few readers, so I'd need in some way to please the", "one, and the rest of the story is the story per se, and", "all of these subjects in one single story, just 1-4 of them in", "(in-depth or almost) some serious real life problems, such as diseases (mental or", "prejudice, sickly envy, human being's cruelty and the horrors they are able to", "of that but with a fantasy setting. 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Instead, they are treated in-depth accounting all the consequences and sufferings connected", "to these things. For example: fantasy wars have little weight per se (\"Wow,", "these things. For example: fantasy wars have little weight per se (\"Wow, yet", "little weight per se (\"Wow, yet another fantasy war... Such darkness!\". No). But", "I like fantasy settings due to the freedom they offer to shape and", "innocents brutally killed, and the lives destroyed because of mere territorial interests? Things", "idea after I heard that most of the readers who like the fantasy", "relieving subjects. I like the habit I have of creating some stories with", "the consequences of such war? What about the innocents brutally killed, and the", "real life, not read more of that but with a fantasy setting. That's", "a good idea after I heard that most of the readers who like", "to shape and paint the world however I need or like, different from", "so I'd need in some way to please the reader, consequently displeasing myself.", "that's it. Instead, they are treated in-depth accounting all the consequences and sufferings", "consequences and sufferings connected to these things. For example: fantasy wars have little", "not being what I initially wanted it to be, but I also don't", "in one single story, just 1-4 of them in each one, and the", "I have of creating some stories with such heavy/dark subjects (not that that's", "or corporal), mental health degradation (like losing sanity), death, war, suffering, violence, sexual", "one displeased, as the story would end up not being what I initially", "and sufferings connected to these things. For example: fantasy wars have little weight", "shape and paint the world however I need or like, different from realistic", "rape, prejudice, sickly envy, human being's cruelty and the horrors they are able", "of them in each one, and the rest of the story is the", "(not that that's exclusive to me only). However, I have doubts if that's", "killed, and the lives destroyed because of mere territorial interests? Things like that.", "the horrors they are able to do/cause, etc. (all portrayed negatively). Of course,", "settings due to the freedom they offer to shape and paint the world", "after I heard that most of the readers who like the fantasy genre", "fantasy to have such subjects? Would it really be a turn off for", "are not just put there and that's it. Instead, they are treated in-depth", "the fantasy have these bits of reality? --- Edit: Just clarifying: these subjects", "initially wanted it to be, but I also don't want to limit the", "that requires to follow all of the real life's rules. And including such", "in each one, and the rest of the story is the story per", "of them include some lighter and relieving subjects. I like the habit I", "way to please the reader, consequently displeasing myself. But the question is: Would", "fantasy war... Such darkness!\". No). But what about the impacts, the consequences of", "death, war, suffering, violence, sexual abuse and/or rape, prejudice, sickly envy, human being's", "fantasy settings due to the freedom they offer to shape and paint the", "course, it's not all of these subjects in one single story, just 1-4" ]
[ "every new read-through? What makes/can help a novel be re-readable? --- To future", "it about hiding things that the reader discovers with every new read-through? What", "your novel. Instead, I'd like to focus on the following question: Assuming you", "do with the characters? Is it about hiding things that the reader discovers", "the reader discovers with every new read-through? What makes/can help a novel be", "out of the library. I will skip over the debate on whether or", "it out of the library. I will skip over the debate on whether", "characters? Is it about hiding things that the reader discovers with every new", "I've come across some answers and questions on this site which have gotten", "about hiding things that the reader discovers with every new read-through? What makes/can", "it come down to some sort of plot technique? 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I will", "want your novel to be read multiple times, what can you do to", "novel to be read multiple times, what can you do to make it", "answers and questions on this site which have gotten me thinking about re-readability.", "technique? Perhaps something to do with the characters? Is it about hiding things", "what can you do to make it re-readable? Does it come down to", "with the characters? Is it about hiding things that the reader discovers with", "in your novel. Instead, I'd like to focus on the following question: Assuming", "consider it, I think it could be the difference between buying a book", "the characters? Is it about hiding things that the reader discovers with every", "has an excellent breakdown which should be quite useful when planning your novel.", "future viewers: While I've marked Metk's answer, I would like to make sure", "make it re-readable? Does it come down to some sort of plot technique?", "re-readable? Does it come down to some sort of plot technique? Perhaps something", "answer, I would like to make sure you see the answer from SaberWriter", "on this site which have gotten me thinking about re-readability. It isn't something", "I would like to make sure you see the answer from SaberWriter as", "I think it could be the difference between buying a book and simply", "reader discovers with every new read-through? What makes/can help a novel be re-readable?", "some answers and questions on this site which have gotten me thinking about", "Does it come down to some sort of plot technique? Perhaps something to", "To future viewers: While I've marked Metk's answer, I would like to make", "book and simply checking it out of the library. I will skip over", "help a novel be re-readable? --- To future viewers: While I've marked Metk's", "I think about much, but now that I consider it, I think it", "re-readability in your novel. Instead, I'd like to focus on the following question:", "across some answers and questions on this site which have gotten me thinking", "sure you see the answer from SaberWriter as well. He has an excellent", "focus on the following question: Assuming you want your novel to be read", "skip over the debate on whether or not you want re-readability in your", "much, but now that I consider it, I think it could be the", "something to do with the characters? Is it about hiding things that the", "--- To future viewers: While I've marked Metk's answer, I would like to", "come across some answers and questions on this site which have gotten me", "difference between buying a book and simply checking it out of the library.", "While I've marked Metk's answer, I would like to make sure you see" ]
[ "first I thought of complying, but then realized why would I reveal more", "then realized why would I reveal more about my characters or even the", "story that are revealed later. How soon does the classification of a work", "realized why would I reveal more about my characters or even the plot", "the story that are revealed later. How soon does the classification of a", "they wanted to see more action in the very first chapter. At first", "At first I thought of complying, but then realized why would I reveal", "but then realized why would I reveal more about my characters or even", "writing suspense. Suspense is called suspense for a reason, you suspend aspects of", "more about my characters or even the plot if I was writing suspense.", "is called suspense for a reason, you suspend aspects of the story that", "my characters or even the plot if I was writing suspense. Suspense is", "same can be said about horror or drama. What role does genre selection", "in the very first chapter. At first I thought of complying, but then", "wanted to see more action in the very first chapter. At first I", "the very first chapter. At first I thought of complying, but then realized", "more action in the very first chapter. At first I thought of complying,", "the plot if I was writing suspense. Suspense is called suspense for a", "said about horror or drama. What role does genre selection play in reader", "of a work by genre effect readers expectation of events? Not all comedies", "characters or even the plot if I was writing suspense. Suspense is called", "I was writing suspense. Suspense is called suspense for a reason, you suspend", "called suspense for a reason, you suspend aspects of the story that are", "to call my novel a techno-thriller but most readers stated they wanted to", "call my novel a techno-thriller but most readers stated they wanted to see", "first chapter. At first I thought of complying, but then realized why would", "soon does the classification of a work by genre effect readers expectation of", "effect readers expectation of events? Not all comedies begin as comedies. And the", "events? Not all comedies begin as comedies. And the same can be said", "aspects of the story that are revealed later. How soon does the classification", "the classification of a work by genre effect readers expectation of events? Not", "suspense for a reason, you suspend aspects of the story that are revealed", "readers stated they wanted to see more action in the very first chapter.", "does the classification of a work by genre effect readers expectation of events?", "as comedies. And the same can be said about horror or drama. What", "all comedies begin as comedies. And the same can be said about horror", "Not all comedies begin as comedies. And the same can be said about", "How soon does the classification of a work by genre effect readers expectation", "readers expectation of events? Not all comedies begin as comedies. And the same", "reveal more about my characters or even the plot if I was writing", "a techno-thriller but most readers stated they wanted to see more action in", "work by genre effect readers expectation of events? Not all comedies begin as", "genre effect readers expectation of events? Not all comedies begin as comedies. And", "comedies begin as comedies. And the same can be said about horror or", "see more action in the very first chapter. At first I thought of", "most readers stated they wanted to see more action in the very first", "are revealed later. How soon does the classification of a work by genre", "of events? Not all comedies begin as comedies. And the same can be", "of complying, but then realized why would I reveal more about my characters", "I reveal more about my characters or even the plot if I was", "plot if I was writing suspense. Suspense is called suspense for a reason,", "begin as comedies. And the same can be said about horror or drama.", "that are revealed later. How soon does the classification of a work by", "techno-thriller but most readers stated they wanted to see more action in the", "And the same can be said about horror or drama. What role does", "about horror or drama. What role does genre selection play in reader expectations?", "reason, you suspend aspects of the story that are revealed later. How soon", "very first chapter. At first I thought of complying, but then realized why", "action in the very first chapter. At first I thought of complying, but", "you suspend aspects of the story that are revealed later. How soon does", "comedies. And the same can be said about horror or drama. What role", "would I reveal more about my characters or even the plot if I", "revealed later. How soon does the classification of a work by genre effect", "used to call my novel a techno-thriller but most readers stated they wanted", "by genre effect readers expectation of events? Not all comedies begin as comedies.", "but most readers stated they wanted to see more action in the very", "complying, but then realized why would I reveal more about my characters or", "chapter. At first I thought of complying, but then realized why would I", "I thought of complying, but then realized why would I reveal more about", "can be said about horror or drama. What role does genre selection play", "expectation of events? Not all comedies begin as comedies. And the same can", "I used to call my novel a techno-thriller but most readers stated they", "suspense. Suspense is called suspense for a reason, you suspend aspects of the", "or even the plot if I was writing suspense. Suspense is called suspense", "my novel a techno-thriller but most readers stated they wanted to see more", "later. How soon does the classification of a work by genre effect readers", "novel a techno-thriller but most readers stated they wanted to see more action", "a reason, you suspend aspects of the story that are revealed later. How", "suspend aspects of the story that are revealed later. How soon does the", "was writing suspense. Suspense is called suspense for a reason, you suspend aspects", "to see more action in the very first chapter. At first I thought", "Suspense is called suspense for a reason, you suspend aspects of the story", "why would I reveal more about my characters or even the plot if", "for a reason, you suspend aspects of the story that are revealed later.", "of the story that are revealed later. How soon does the classification of", "classification of a work by genre effect readers expectation of events? Not all", "the same can be said about horror or drama. What role does genre", "about my characters or even the plot if I was writing suspense. Suspense", "be said about horror or drama. What role does genre selection play in", "thought of complying, but then realized why would I reveal more about my", "stated they wanted to see more action in the very first chapter. At", "a work by genre effect readers expectation of events? Not all comedies begin", "even the plot if I was writing suspense. Suspense is called suspense for", "if I was writing suspense. Suspense is called suspense for a reason, you" ]
[ "so? --- Edit: I've found a term that may be relevant: Serial Novel.", "allow you to publish a book online in a similar format as Webcomics?", "Is there any appropriate name for this, where you release a chapter every", "a similar format as Webcomics? A sort of, 'Webnovel'? Is there any appropriate", "appropriate name for this, where you release a chapter every week or so?", "name for this, where you release a chapter every week or so? ---", "a book online in a similar format as Webcomics? A sort of, 'Webnovel'?", "been wondering, is there any outlets available that allow you to publish a", "as Webcomics? A sort of, 'Webnovel'? Is there any appropriate name for this,", "any appropriate name for this, where you release a chapter every week or", "sort of, 'Webnovel'? Is there any appropriate name for this, where you release", "outlets available that allow you to publish a book online in a similar", "publish a book online in a similar format as Webcomics? A sort of,", "there any appropriate name for this, where you release a chapter every week", "similar format as Webcomics? A sort of, 'Webnovel'? Is there any appropriate name", "this, where you release a chapter every week or so? --- Edit: I've", "to publish a book online in a similar format as Webcomics? A sort", "online in a similar format as Webcomics? A sort of, 'Webnovel'? Is there", "a chapter every week or so? --- Edit: I've found a term that", "release a chapter every week or so? --- Edit: I've found a term", "that allow you to publish a book online in a similar format as", "Webcomics? A sort of, 'Webnovel'? Is there any appropriate name for this, where", "week or so? --- Edit: I've found a term that may be relevant:", "where you release a chapter every week or so? --- Edit: I've found", "is there any outlets available that allow you to publish a book online", "available that allow you to publish a book online in a similar format", "'Webnovel'? Is there any appropriate name for this, where you release a chapter", "A sort of, 'Webnovel'? Is there any appropriate name for this, where you", "or so? --- Edit: I've found a term that may be relevant: Serial", "chapter every week or so? --- Edit: I've found a term that may", "book online in a similar format as Webcomics? A sort of, 'Webnovel'? Is", "there any outlets available that allow you to publish a book online in", "of, 'Webnovel'? Is there any appropriate name for this, where you release a", "I've been wondering, is there any outlets available that allow you to publish", "in a similar format as Webcomics? A sort of, 'Webnovel'? Is there any", "every week or so? --- Edit: I've found a term that may be", "you release a chapter every week or so? --- Edit: I've found a", "format as Webcomics? A sort of, 'Webnovel'? Is there any appropriate name for", "any outlets available that allow you to publish a book online in a", "for this, where you release a chapter every week or so? --- Edit:", "wondering, is there any outlets available that allow you to publish a book", "you to publish a book online in a similar format as Webcomics? A" ]
[ "back into past tense. Only problem is, I can't write in past tense.", "is super cliché. But I revised the first book in my series anyway,", "me feel like my writing sucks and I should just stop altogether. Any", "say: \"Now I was on the plane with my best friend.\" But don't", "with my best friend.\" But don't \"Now\" and \"was\" contradict each other? And", "completely in present tense. I'm working on the second one now, but I", "feel like my writing sucks and I should just stop altogether. Any tips?", "want to say: \"Now I was on the plane with my best friend.\"", "earlier on in my book I wrote: \"I loved to travel.....\" I have", "tense writing and I realized it a few months ago. I had written", "out present tense is super cliché. But I revised the first book in", "working on the second one now, but I have this feeling that I", "with past tense writing and I realized it a few months ago. I", "writing and I realized it a few months ago. I had written a", "problem is, I can't write in past tense. I'm stuck and it's making", "it was completely in present tense. I'm working on the second one now,", "I was on the plane with my best friend.\" But don't \"Now\" and", "in my book I wrote: \"I loved to travel.....\" I have such a", "decided that I would write in present tense. So I went online trying", "on in my book I wrote: \"I loved to travel.....\" I have such", "other? And I specifically want to phrase it this way because earlier on", "I specifically want to phrase it this way because earlier on in my", "through it, I realized it contained grammatical errors...specifically with past tense vs. present", "travel.....\" I have such a hard time with past tense writing and I", "Was there an unspoken rule against it? Turns out present tense is super", "on the plane with my best friend.\" But don't \"Now\" and \"was\" contradict", "present tense is super cliché. But I revised the first book in my", "to travel.....\" I have such a hard time with past tense writing and", "that I want to go back into past tense. Only problem is, I", "this feeling that I want to go back into past tense. Only problem", "in present tense. So I went online trying to figure out why present", "tense. Only problem is, I can't write in past tense. I'm stuck and", "past tense, but while reading through it, I realized it contained grammatical errors...specifically", "so scarce in writing. Was there an unspoken rule against it? Turns out", "tense, but while reading through it, I realized it contained grammatical errors...specifically with", "trying to figure out why present tense was so scarce in writing. Was", "cliché. But I revised the first book in my series anyway, making sure", "I want to go back into past tense. Only problem is, I can't", "past tense writing and I realized it a few months ago. I had", "\"Now I was on the plane with my best friend.\" But don't \"Now\"", "my book I wrote: \"I loved to travel.....\" I have such a hard", "time with past tense writing and I realized it a few months ago.", "all in past tense, but while reading through it, I realized it contained", "friend.\" But don't \"Now\" and \"was\" contradict each other? And I specifically want", "but while reading through it, I realized it contained grammatical errors...specifically with past", "I'm working on the second one now, but I have this feeling that", "specifically want to phrase it this way because earlier on in my book", "a few months ago. I had written a series all in past tense,", "first book in my series anyway, making sure it was completely in present", "the second one now, but I have this feeling that I want to", "tense vs. present tense. I decided that I would write in present tense.", "and it's making me feel like my writing sucks and I should just", "\"Now\" and \"was\" contradict each other? And I specifically want to phrase it", "the plane with my best friend.\" But don't \"Now\" and \"was\" contradict each", "with past tense vs. present tense. I decided that I would write in", "realized it contained grammatical errors...specifically with past tense vs. present tense. I decided", "I would write in present tense. So I went online trying to figure", "wrote: \"I loved to travel.....\" I have such a hard time with past", "tense. I'm working on the second one now, but I have this feeling", "present tense was so scarce in writing. Was there an unspoken rule against", "it this way because earlier on in my book I wrote: \"I loved", "have such a hard time with past tense writing and I realized it", "few months ago. I had written a series all in past tense, but", "vs. present tense. I decided that I would write in present tense. So", "in present tense. I'm working on the second one now, but I have", "each other? And I specifically want to phrase it this way because earlier", "But don't \"Now\" and \"was\" contradict each other? And I specifically want to", "contradict each other? And I specifically want to phrase it this way because", "best friend.\" But don't \"Now\" and \"was\" contradict each other? And I specifically", "to say: \"Now I was on the plane with my best friend.\" But", "to figure out why present tense was so scarce in writing. Was there", "anyway, making sure it was completely in present tense. I'm working on the", "the first book in my series anyway, making sure it was completely in", "feeling that I want to go back into past tense. Only problem is,", "it a few months ago. I had written a series all in past", "making sure it was completely in present tense. I'm working on the second", "in past tense, but while reading through it, I realized it contained grammatical", "\"was\" contradict each other? And I specifically want to phrase it this way", "grammatical errors...specifically with past tense vs. present tense. I decided that I would", "tense. I'm stuck and it's making me feel like my writing sucks and", "present tense. So I went online trying to figure out why present tense", "present tense. I decided that I would write in present tense. So I", "this way because earlier on in my book I wrote: \"I loved to", "such a hard time with past tense writing and I realized it a", "contained grammatical errors...specifically with past tense vs. present tense. I decided that I", "to phrase it this way because earlier on in my book I wrote:", "tense. So I went online trying to figure out why present tense was", "months ago. I had written a series all in past tense, but while", "want to phrase it this way because earlier on in my book I", "now, but I have this feeling that I want to go back into", "I want to say: \"Now I was on the plane with my best", "written a series all in past tense, but while reading through it, I", "can't write in past tense. I'm stuck and it's making me feel like", "hard time with past tense writing and I realized it a few months", "it, I realized it contained grammatical errors...specifically with past tense vs. present tense.", "revised the first book in my series anyway, making sure it was completely", "my series anyway, making sure it was completely in present tense. I'm working", "I decided that I would write in present tense. So I went online", "because earlier on in my book I wrote: \"I loved to travel.....\" I", "writing. Was there an unspoken rule against it? Turns out present tense is", "on the second one now, but I have this feeling that I want", "against it? Turns out present tense is super cliché. But I revised the", "errors...specifically with past tense vs. present tense. I decided that I would write", "I went online trying to figure out why present tense was so scarce", "in past tense. I'm stuck and it's making me feel like my writing", "it contained grammatical errors...specifically with past tense vs. present tense. I decided that", "would write in present tense. So I went online trying to figure out", "series anyway, making sure it was completely in present tense. I'm working on", "present tense. I'm working on the second one now, but I have this", "rule against it? Turns out present tense is super cliché. But I revised", "sure it was completely in present tense. I'm working on the second one", "tense. I decided that I would write in present tense. So I went", "figure out why present tense was so scarce in writing. Was there an", "book I wrote: \"I loved to travel.....\" I have such a hard time", "I'm stuck and it's making me feel like my writing sucks and I", "it's making me feel like my writing sucks and I should just stop", "super cliché. But I revised the first book in my series anyway, making", "scarce in writing. Was there an unspoken rule against it? Turns out present", "second one now, but I have this feeling that I want to go", "one now, but I have this feeling that I want to go back", "I realized it a few months ago. I had written a series all", "there an unspoken rule against it? Turns out present tense is super cliché.", "And I specifically want to phrase it this way because earlier on in", "past tense. I'm stuck and it's making me feel like my writing sucks", "tense is super cliché. But I revised the first book in my series", "why present tense was so scarce in writing. Was there an unspoken rule", "So I went online trying to figure out why present tense was so", "a series all in past tense, but while reading through it, I realized", "went online trying to figure out why present tense was so scarce in", "I revised the first book in my series anyway, making sure it was", "have this feeling that I want to go back into past tense. Only", "go back into past tense. Only problem is, I can't write in past", "making me feel like my writing sucks and I should just stop altogether.", "a hard time with past tense writing and I realized it a few", "series all in past tense, but while reading through it, I realized it", "phrase it this way because earlier on in my book I wrote: \"I", "and \"was\" contradict each other? And I specifically want to phrase it this", "past tense. Only problem is, I can't write in past tense. I'm stuck", "book in my series anyway, making sure it was completely in present tense.", "\"I loved to travel.....\" I have such a hard time with past tense", "past tense vs. present tense. I decided that I would write in present", "want to go back into past tense. Only problem is, I can't write", "my best friend.\" But don't \"Now\" and \"was\" contradict each other? And I", "Turns out present tense is super cliché. But I revised the first book", "But I revised the first book in my series anyway, making sure it", "to go back into past tense. Only problem is, I can't write in", "was completely in present tense. I'm working on the second one now, but", "loved to travel.....\" I have such a hard time with past tense writing", "don't \"Now\" and \"was\" contradict each other? And I specifically want to phrase", "but I have this feeling that I want to go back into past", "in my series anyway, making sure it was completely in present tense. I'm", "I had written a series all in past tense, but while reading through", "ago. I had written a series all in past tense, but while reading", "is, I can't write in past tense. I'm stuck and it's making me", "while reading through it, I realized it contained grammatical errors...specifically with past tense", "reading through it, I realized it contained grammatical errors...specifically with past tense vs.", "unspoken rule against it? Turns out present tense is super cliché. But I", "into past tense. Only problem is, I can't write in past tense. I'm", "plane with my best friend.\" But don't \"Now\" and \"was\" contradict each other?", "I can't write in past tense. I'm stuck and it's making me feel", "write in past tense. I'm stuck and it's making me feel like my", "and I realized it a few months ago. I had written a series", "out why present tense was so scarce in writing. Was there an unspoken", "stuck and it's making me feel like my writing sucks and I should", "I have such a hard time with past tense writing and I realized", "tense was so scarce in writing. Was there an unspoken rule against it?", "I wrote: \"I loved to travel.....\" I have such a hard time with", "way because earlier on in my book I wrote: \"I loved to travel.....\"", "Only problem is, I can't write in past tense. I'm stuck and it's", "was so scarce in writing. Was there an unspoken rule against it? Turns", "I have this feeling that I want to go back into past tense.", "had written a series all in past tense, but while reading through it,", "I realized it contained grammatical errors...specifically with past tense vs. present tense. I", "was on the plane with my best friend.\" But don't \"Now\" and \"was\"", "online trying to figure out why present tense was so scarce in writing.", "it? Turns out present tense is super cliché. But I revised the first", "write in present tense. So I went online trying to figure out why", "realized it a few months ago. I had written a series all in", "in writing. Was there an unspoken rule against it? Turns out present tense", "an unspoken rule against it? Turns out present tense is super cliché. But", "that I would write in present tense. So I went online trying to" ]
[ "character despises being born into a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum,", "and open up the reader's mind to a whole new way of thinking.", "up sounding like spoiled angsty brats. My Question: How do I write this", "like spoiled angsty brats. My Question: How do I write this character archetype", "whole new way of thinking. However... most characters within this archetype end up", "Question: How do I write this character archetype without making the character seem", "lower social/economic classes.) If successfully pulled off, the character will feel fresh, realistic,", "successfully pulled off, the character will feel fresh, realistic, and open up the", "My Question: How do I write this character archetype without making the character", "character archetype before: A character despises being born into a well-off family. (\"Well-off\"", "within this archetype end up sounding like spoiled angsty brats. My Question: How", "family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family", "archetype before: A character despises being born into a well-off family. (\"Well-off\" can", "any atrocities against lower social/economic classes.) If successfully pulled off, the character will", "mind to a whole new way of thinking. However... most characters within this", "feel fresh, realistic, and open up the reader's mind to a whole new", "rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family has committed any atrocities against", "will feel fresh, realistic, and open up the reader's mind to a whole", "pulled off, the character will feel fresh, realistic, and open up the reader's", "do I write this character archetype without making the character seem like a", "despises being born into a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless", "seen this character archetype before: A character despises being born into a well-off", "sounding like spoiled angsty brats. My Question: How do I write this character", "committed any atrocities against lower social/economic classes.) If successfully pulled off, the character", "reader's mind to a whole new way of thinking. However... most characters within", "social/economic classes.) If successfully pulled off, the character will feel fresh, realistic, and", "new way of thinking. However... most characters within this archetype end up sounding", "against lower social/economic classes.) If successfully pulled off, the character will feel fresh,", "a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not", "characters within this archetype end up sounding like spoiled angsty brats. My Question:", "write this character archetype without making the character seem like a spoiled, overprivileged", "realistic, and open up the reader's mind to a whole new way of", "born into a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether", "of whether or not their family has committed any atrocities against lower social/economic", "fresh, realistic, and open up the reader's mind to a whole new way", "open up the reader's mind to a whole new way of thinking. However...", "this character archetype before: A character despises being born into a well-off family.", "archetype end up sounding like spoiled angsty brats. My Question: How do I", "However... most characters within this archetype end up sounding like spoiled angsty brats.", "of thinking. However... most characters within this archetype end up sounding like spoiled", "into a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or", "has committed any atrocities against lower social/economic classes.) If successfully pulled off, the", "whether or not their family has committed any atrocities against lower social/economic classes.)", "their family has committed any atrocities against lower social/economic classes.) If successfully pulled", "atrocities against lower social/economic classes.) If successfully pulled off, the character will feel", "most characters within this archetype end up sounding like spoiled angsty brats. My", "classes.) If successfully pulled off, the character will feel fresh, realistic, and open", "to a whole new way of thinking. However... most characters within this archetype", "How do I write this character archetype without making the character seem like", "off, the character will feel fresh, realistic, and open up the reader's mind", "a whole new way of thinking. However... most characters within this archetype end", "being born into a well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of", "can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family has committed", "I write this character archetype without making the character seem like a spoiled,", "or not their family has committed any atrocities against lower social/economic classes.) If", "well-off family. (\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their", "up the reader's mind to a whole new way of thinking. However... most", "the character will feel fresh, realistic, and open up the reader's mind to", "this character archetype without making the character seem like a spoiled, overprivileged brat?", "before: A character despises being born into a well-off family. (\"Well-off\" can range", "character will feel fresh, realistic, and open up the reader's mind to a", "thinking. However... most characters within this archetype end up sounding like spoiled angsty", "We've seen this character archetype before: A character despises being born into a", "family has committed any atrocities against lower social/economic classes.) If successfully pulled off,", "If successfully pulled off, the character will feel fresh, realistic, and open up", "the reader's mind to a whole new way of thinking. However... most characters", "spoiled angsty brats. My Question: How do I write this character archetype without", "angsty brats. My Question: How do I write this character archetype without making", "range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family has committed any", "brats. My Question: How do I write this character archetype without making the", "A character despises being born into a well-off family. (\"Well-off\" can range from", "end up sounding like spoiled angsty brats. My Question: How do I write", "from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family has committed any atrocities", "way of thinking. However... most characters within this archetype end up sounding like", "(\"Well-off\" can range from rich-to-anywhere-on-the-middle-class-spectrum, regardless of whether or not their family has", "this archetype end up sounding like spoiled angsty brats. My Question: How do", "regardless of whether or not their family has committed any atrocities against lower", "not their family has committed any atrocities against lower social/economic classes.) If successfully" ]
[ "explanation behind it. It would be similar to things like \"The Call of", "only would there be no explanation for many events, but there would also", "in the story there was no background or explanation behind it. It would", "that not only would there be no explanation for many events, but there", "explanation for many events, but there would also be a very obscure setting.", "like \"The Call of Cthulhu\" or \"Alice's Adventures in Wonderland\", except that not", "there was no background or explanation behind it. It would be similar to", "except that not only would there be no explanation for many events, but", "it possible to make a story (with a plot and characters) that has", "to make a story (with a plot and characters) that has no worldbuilding", "would be similar to things like \"The Call of Cthulhu\" or \"Alice's Adventures", "was no background or explanation behind it. It would be similar to things", "or explanation behind it. It would be similar to things like \"The Call", "Like whenever anything happened in the story there was no background or explanation", "story (with a plot and characters) that has no worldbuilding or explanations for", "story there was no background or explanation behind it. It would be similar", "similar to things like \"The Call of Cthulhu\" or \"Alice's Adventures in Wonderland\",", "in Wonderland\", except that not only would there be no explanation for many", "no explanation for many events, but there would also be a very obscure", "characters) that has no worldbuilding or explanations for events? Like whenever anything happened", "for events? Like whenever anything happened in the story there was no background", "make a story (with a plot and characters) that has no worldbuilding or", "a story (with a plot and characters) that has no worldbuilding or explanations", "\"The Call of Cthulhu\" or \"Alice's Adventures in Wonderland\", except that not only", "not only would there be no explanation for many events, but there would", "would there be no explanation for many events, but there would also be", "possible to make a story (with a plot and characters) that has no", "anything happened in the story there was no background or explanation behind it.", "of Cthulhu\" or \"Alice's Adventures in Wonderland\", except that not only would there", "or explanations for events? Like whenever anything happened in the story there was", "there be no explanation for many events, but there would also be a", "to things like \"The Call of Cthulhu\" or \"Alice's Adventures in Wonderland\", except", "Adventures in Wonderland\", except that not only would there be no explanation for", "no background or explanation behind it. It would be similar to things like", "be no explanation for many events, but there would also be a very", "the story there was no background or explanation behind it. It would be", "be similar to things like \"The Call of Cthulhu\" or \"Alice's Adventures in", "Call of Cthulhu\" or \"Alice's Adventures in Wonderland\", except that not only would", "background or explanation behind it. It would be similar to things like \"The", "(with a plot and characters) that has no worldbuilding or explanations for events?", "events? Like whenever anything happened in the story there was no background or", "Cthulhu\" or \"Alice's Adventures in Wonderland\", except that not only would there be", "\"Alice's Adventures in Wonderland\", except that not only would there be no explanation", "a plot and characters) that has no worldbuilding or explanations for events? Like", "that has no worldbuilding or explanations for events? Like whenever anything happened in", "Wonderland\", except that not only would there be no explanation for many events,", "behind it. It would be similar to things like \"The Call of Cthulhu\"", "no worldbuilding or explanations for events? Like whenever anything happened in the story", "explanations for events? Like whenever anything happened in the story there was no", "whenever anything happened in the story there was no background or explanation behind", "has no worldbuilding or explanations for events? Like whenever anything happened in the", "Is it possible to make a story (with a plot and characters) that", "It would be similar to things like \"The Call of Cthulhu\" or \"Alice's", "plot and characters) that has no worldbuilding or explanations for events? Like whenever", "and characters) that has no worldbuilding or explanations for events? Like whenever anything", "it. It would be similar to things like \"The Call of Cthulhu\" or", "or \"Alice's Adventures in Wonderland\", except that not only would there be no", "happened in the story there was no background or explanation behind it. It", "things like \"The Call of Cthulhu\" or \"Alice's Adventures in Wonderland\", except that", "worldbuilding or explanations for events? Like whenever anything happened in the story there" ]
[ "limits of words (or even symbols). Limits were about less than 1000 words", "even symbols). Limits were about less than 1000 words or even 100 words.", "can't simply google that contests without it. So anyone who know something about", "ago I've read an article describing several literary contests of prose (maybe poetry", "Limits were about less than 1000 words or even 100 words. Looks like", "words or even 100 words. Looks like I've lost that article and can't", "So anyone who know something about this format please give any info you", "I'm not sure) with extreme limits of words (or even symbols). Limits were", "symbols). Limits were about less than 1000 words or even 100 words. Looks", "while ago I've read an article describing several literary contests of prose (maybe", "A while ago I've read an article describing several literary contests of prose", "please give any info you have - contest names, links, articles about such", "know something about this format please give any info you have - contest", "I've lost that article and can't simply google that contests without it. So", "poetry too, I'm not sure) with extreme limits of words (or even symbols).", "less than 1000 words or even 100 words. Looks like I've lost that", "prose (maybe poetry too, I'm not sure) with extreme limits of words (or", "than 1000 words or even 100 words. Looks like I've lost that article", "contests without it. So anyone who know something about this format please give", "contests of prose (maybe poetry too, I'm not sure) with extreme limits of", "an article describing several literary contests of prose (maybe poetry too, I'm not", "describing several literary contests of prose (maybe poetry too, I'm not sure) with", "even 100 words. Looks like I've lost that article and can't simply google", "without it. So anyone who know something about this format please give any", "(maybe poetry too, I'm not sure) with extreme limits of words (or even", "100 words. Looks like I've lost that article and can't simply google that", "extreme limits of words (or even symbols). Limits were about less than 1000", "were about less than 1000 words or even 100 words. Looks like I've", "something about this format please give any info you have - contest names,", "(or even symbols). Limits were about less than 1000 words or even 100", "words. Looks like I've lost that article and can't simply google that contests", "sure) with extreme limits of words (or even symbols). Limits were about less", "about less than 1000 words or even 100 words. Looks like I've lost", "this format please give any info you have - contest names, links, articles", "words (or even symbols). Limits were about less than 1000 words or even", "give any info you have - contest names, links, articles about such contests", "simply google that contests without it. So anyone who know something about this", "of prose (maybe poetry too, I'm not sure) with extreme limits of words", "or even 100 words. Looks like I've lost that article and can't simply", "and can't simply google that contests without it. So anyone who know something", "several literary contests of prose (maybe poetry too, I'm not sure) with extreme", "that article and can't simply google that contests without it. So anyone who", "format please give any info you have - contest names, links, articles about", "who know something about this format please give any info you have -", "anyone who know something about this format please give any info you have", "that contests without it. So anyone who know something about this format please", "about this format please give any info you have - contest names, links,", "article and can't simply google that contests without it. So anyone who know", "I've read an article describing several literary contests of prose (maybe poetry too,", "article describing several literary contests of prose (maybe poetry too, I'm not sure)", "too, I'm not sure) with extreme limits of words (or even symbols). Limits", "1000 words or even 100 words. Looks like I've lost that article and", "it. So anyone who know something about this format please give any info", "any info you have - contest names, links, articles about such contests etc.", "not sure) with extreme limits of words (or even symbols). Limits were about", "Looks like I've lost that article and can't simply google that contests without", "with extreme limits of words (or even symbols). Limits were about less than", "read an article describing several literary contests of prose (maybe poetry too, I'm", "lost that article and can't simply google that contests without it. So anyone", "literary contests of prose (maybe poetry too, I'm not sure) with extreme limits", "google that contests without it. So anyone who know something about this format", "of words (or even symbols). Limits were about less than 1000 words or", "like I've lost that article and can't simply google that contests without it." ]
[ "to be included, which can stay unmentioned? Does the text have to have", "which can stay unmentioned? Does the text have to have an internal division", "infos about the playwright, actors, pop cultural meaning, influences, technical aspects or a", "what degree are additional trivia like infos about the playwright, actors, pop cultural", "what? To what degree are additional trivia like infos about the playwright, actors,", "or rules of thumb? Is there a difference to summarizations of books or", "kind of media? For instance, are there widespread templates, recommendations or rules of", "or other kind of media? For instance, are there widespread templates, recommendations or", "how to write a movie summarization for an encyclopedia, magazine, newspaper or other", "de facto standard for how to write a movie summarization for an encyclopedia,", "division in which sequence to tell what? To what degree are additional trivia", "internal division in which sequence to tell what? To what degree are additional", "of thumb? Is there a difference to summarizations of books or stage plays?", "instance, are there widespread templates, recommendations or rules of thumb? Is there a", "newspaper or other kind of media? For instance, are there widespread templates, recommendations", "media? For instance, are there widespread templates, recommendations or rules of thumb? Is", "can stay unmentioned? Does the text have to have an internal division in", "the text have to have an internal division in which sequence to tell", "included, which can stay unmentioned? Does the text have to have an internal", "an internal division in which sequence to tell what? To what degree are", "actors, pop cultural meaning, influences, technical aspects or a personal statement worth mentioning?", "to summarizations of books or stage plays? Which elements have to be included,", "a movie summarization for an encyclopedia, magazine, newspaper or other kind of media?", "books or stage plays? Which elements have to be included, which can stay", "to tell what? To what degree are additional trivia like infos about the", "there a difference to summarizations of books or stage plays? Which elements have", "or stage plays? Which elements have to be included, which can stay unmentioned?", "which sequence to tell what? To what degree are additional trivia like infos", "movie summarization for an encyclopedia, magazine, newspaper or other kind of media? For", "For instance, are there widespread templates, recommendations or rules of thumb? Is there", "for how to write a movie summarization for an encyclopedia, magazine, newspaper or", "Which elements have to be included, which can stay unmentioned? Does the text", "the playwright, actors, pop cultural meaning, influences, technical aspects or a personal statement", "unmentioned? Does the text have to have an internal division in which sequence", "Is there a difference to summarizations of books or stage plays? Which elements", "or de facto standard for how to write a movie summarization for an", "templates, recommendations or rules of thumb? Is there a difference to summarizations of", "an encyclopedia, magazine, newspaper or other kind of media? For instance, are there", "sequence to tell what? To what degree are additional trivia like infos about", "thumb? Is there a difference to summarizations of books or stage plays? Which", "recommendations or rules of thumb? Is there a difference to summarizations of books", "degree are additional trivia like infos about the playwright, actors, pop cultural meaning,", "elements have to be included, which can stay unmentioned? Does the text have", "write a movie summarization for an encyclopedia, magazine, newspaper or other kind of", "of books or stage plays? Which elements have to be included, which can", "an official or de facto standard for how to write a movie summarization", "summarization for an encyclopedia, magazine, newspaper or other kind of media? For instance,", "text have to have an internal division in which sequence to tell what?", "a difference to summarizations of books or stage plays? Which elements have to", "there an official or de facto standard for how to write a movie", "have to be included, which can stay unmentioned? Does the text have to", "other kind of media? For instance, are there widespread templates, recommendations or rules", "be included, which can stay unmentioned? Does the text have to have an", "have to have an internal division in which sequence to tell what? To", "rules of thumb? Is there a difference to summarizations of books or stage", "tell what? To what degree are additional trivia like infos about the playwright,", "stage plays? Which elements have to be included, which can stay unmentioned? Does", "standard for how to write a movie summarization for an encyclopedia, magazine, newspaper", "official or de facto standard for how to write a movie summarization for", "like infos about the playwright, actors, pop cultural meaning, influences, technical aspects or", "playwright, actors, pop cultural meaning, influences, technical aspects or a personal statement worth", "are there widespread templates, recommendations or rules of thumb? Is there a difference", "magazine, newspaper or other kind of media? For instance, are there widespread templates,", "there widespread templates, recommendations or rules of thumb? Is there a difference to", "widespread templates, recommendations or rules of thumb? Is there a difference to summarizations", "are additional trivia like infos about the playwright, actors, pop cultural meaning, influences,", "encyclopedia, magazine, newspaper or other kind of media? For instance, are there widespread", "to write a movie summarization for an encyclopedia, magazine, newspaper or other kind", "about the playwright, actors, pop cultural meaning, influences, technical aspects or a personal", "stay unmentioned? Does the text have to have an internal division in which", "difference to summarizations of books or stage plays? Which elements have to be", "Is there an official or de facto standard for how to write a", "additional trivia like infos about the playwright, actors, pop cultural meaning, influences, technical", "facto standard for how to write a movie summarization for an encyclopedia, magazine,", "have an internal division in which sequence to tell what? To what degree", "in which sequence to tell what? To what degree are additional trivia like", "to have an internal division in which sequence to tell what? To what", "To what degree are additional trivia like infos about the playwright, actors, pop", "Does the text have to have an internal division in which sequence to", "of media? For instance, are there widespread templates, recommendations or rules of thumb?", "for an encyclopedia, magazine, newspaper or other kind of media? For instance, are", "trivia like infos about the playwright, actors, pop cultural meaning, influences, technical aspects", "summarizations of books or stage plays? Which elements have to be included, which", "plays? Which elements have to be included, which can stay unmentioned? Does the" ]
[ "a guy in jail was confessing to something he did as a kid", "odd scenarios that become quite interesting. It also knows that the story will", "Santa case, it might be funny if the kid took Santa hostage and", "While my brain can see the scenario, it doesn't do well at inhabiting", "tends to invent odd scenarios that become quite interesting. It also knows that", "me started on high-level story arcs. Anyway, if you have any suggestions, I", "broken, but it has a question. It tends to invent odd scenarios that", "fun, but also got him into lots of trouble. Seems like a funny", "But my brain doesn't really create characters very well, and even when it", "Santa, which was fun, but also got him into lots of trouble. Seems", "Santa Down. This enabled him to catch Santa, which was fun, but also", "them, it doesn't have them do interesting things. In the Santa case, it", "a certain kind of present that he knew would slow Santa Down. This", "trouble. Seems like a funny scenario. But my brain doesn't really create characters", "My brain is probably just broken, but it has a question. It tends", "started on high-level story arcs. Anyway, if you have any suggestions, I would", "something he did as a kid that got him going down the wrong", "In the Santa case, it might be funny if the kid took Santa", "him a certain kind of present that he knew would slow Santa Down.", "to invent odd scenarios that become quite interesting. It also knows that the", "his nose so bright) pretends to be a police car outside, and the", "was confessing to something he did as a kid that got him going", "what characters are doing. Don't even get me started on high-level story arcs.", "scenarios that become quite interesting. It also knows that the story will only", "confessing to something he did as a kid that got him going down", "it creates them, it doesn't have them do interesting things. In the Santa", "and made the reindeer do funny things. But then Dukalph (with his nose", "outside, and the kid surrenders. While my brain can see the scenario, it", "guy in jail was confessing to something he did as a kid that", "the wrong path, say... tricking Xazga Clait into giving him a certain kind", "it seems like it would be interesting if a guy in jail was", "get me started on high-level story arcs. Anyway, if you have any suggestions,", "creates them, it doesn't have them do interesting things. In the Santa case,", "him into lots of trouble. Seems like a funny scenario. But my brain", "the reindeer do funny things. But then Dukalph (with his nose so bright)", "and they do stuff... but it doesn't want to do that work. For", "things. But then Dukalph (with his nose so bright) pretends to be a", "interesting if a guy in jail was confessing to something he did as", "see the scenario, it doesn't do well at inhabiting the scenario and seeing", "a question. It tends to invent odd scenarios that become quite interesting. It", "also got him into lots of trouble. Seems like a funny scenario. But", "do well at inhabiting the scenario and seeing what characters are doing. Don't", "in jail was confessing to something he did as a kid that got", "him to catch Santa, which was fun, but also got him into lots", "it would be interesting if a guy in jail was confessing to something", "certain kind of present that he knew would slow Santa Down. This enabled", "well, and even when it creates them, it doesn't have them do interesting", "also knows that the story will only be interesting to others if it", "are doing. Don't even get me started on high-level story arcs. Anyway, if", "got him going down the wrong path, say... tricking Xazga Clait into giving", "very well, and even when it creates them, it doesn't have them do", "create characters very well, and even when it creates them, it doesn't have", "if you have any suggestions, I would love to hear them. So would", "like a funny scenario. But my brain doesn't really create characters very well,", "as a kid that got him going down the wrong path, say... tricking", "the story will only be interesting to others if it has characters and", "enabled him to catch Santa, which was fun, but also got him into", "stuff... but it doesn't want to do that work. For example, it seems", "but it doesn't want to do that work. For example, it seems like", "Down. This enabled him to catch Santa, which was fun, but also got", "and even when it creates them, it doesn't have them do interesting things.", "brain doesn't really create characters very well, and even when it creates them,", "car outside, and the kid surrenders. While my brain can see the scenario,", "might be funny if the kid took Santa hostage and made the reindeer", "if it has characters and they do stuff... but it doesn't want to", "to catch Santa, which was fun, but also got him into lots of", "can see the scenario, it doesn't do well at inhabiting the scenario and", "scenario, it doesn't do well at inhabiting the scenario and seeing what characters", "probably just broken, but it has a question. It tends to invent odd", "catch Santa, which was fun, but also got him into lots of trouble.", "my brain can see the scenario, it doesn't do well at inhabiting the", "if the kid took Santa hostage and made the reindeer do funny things.", "slow Santa Down. This enabled him to catch Santa, which was fun, but", "would slow Santa Down. This enabled him to catch Santa, which was fun,", "and seeing what characters are doing. Don't even get me started on high-level", "has a question. It tends to invent odd scenarios that become quite interesting.", "Don't even get me started on high-level story arcs. Anyway, if you have", "of present that he knew would slow Santa Down. This enabled him to", "my brain doesn't really create characters very well, and even when it creates", "jail was confessing to something he did as a kid that got him", "into giving him a certain kind of present that he knew would slow", "which was fun, but also got him into lots of trouble. Seems like", "But then Dukalph (with his nose so bright) pretends to be a police", "kind of present that he knew would slow Santa Down. This enabled him", "interesting things. In the Santa case, it might be funny if the kid", "it might be funny if the kid took Santa hostage and made the", "it doesn't do well at inhabiting the scenario and seeing what characters are", "inhabiting the scenario and seeing what characters are doing. Don't even get me", "interesting. It also knows that the story will only be interesting to others", "invent odd scenarios that become quite interesting. It also knows that the story", "be funny if the kid took Santa hostage and made the reindeer do", "seems like it would be interesting if a guy in jail was confessing", "funny scenario. But my brain doesn't really create characters very well, and even", "do interesting things. In the Santa case, it might be funny if the", "For example, it seems like it would be interesting if a guy in", "them do interesting things. In the Santa case, it might be funny if", "of trouble. Seems like a funny scenario. But my brain doesn't really create", "it has a question. It tends to invent odd scenarios that become quite", "took Santa hostage and made the reindeer do funny things. But then Dukalph", "even when it creates them, it doesn't have them do interesting things. In", "quite interesting. It also knows that the story will only be interesting to", "doesn't want to do that work. For example, it seems like it would", "knows that the story will only be interesting to others if it has", "work. For example, it seems like it would be interesting if a guy", "to do that work. For example, it seems like it would be interesting", "and the kid surrenders. While my brain can see the scenario, it doesn't", "be a police car outside, and the kid surrenders. While my brain can", "kid surrenders. While my brain can see the scenario, it doesn't do well", "interesting to others if it has characters and they do stuff... but it", "on high-level story arcs. Anyway, if you have any suggestions, I would love", "say... tricking Xazga Clait into giving him a certain kind of present that", "him going down the wrong path, say... tricking Xazga Clait into giving him", "he knew would slow Santa Down. This enabled him to catch Santa, which", "This enabled him to catch Santa, which was fun, but also got him", "pretends to be a police car outside, and the kid surrenders. While my", "to others if it has characters and they do stuff... but it doesn't", "a kid that got him going down the wrong path, say... tricking Xazga", "when it creates them, it doesn't have them do interesting things. In the", "have any suggestions, I would love to hear them. So would my brain.", "nose so bright) pretends to be a police car outside, and the kid", "going down the wrong path, say... tricking Xazga Clait into giving him a", "a police car outside, and the kid surrenders. While my brain can see", "but also got him into lots of trouble. Seems like a funny scenario.", "scenario. But my brain doesn't really create characters very well, and even when", "it doesn't have them do interesting things. In the Santa case, it might", "even get me started on high-level story arcs. Anyway, if you have any", "only be interesting to others if it has characters and they do stuff...", "others if it has characters and they do stuff... but it doesn't want", "the kid took Santa hostage and made the reindeer do funny things. But", "be interesting if a guy in jail was confessing to something he did", "tricking Xazga Clait into giving him a certain kind of present that he", "lots of trouble. Seems like a funny scenario. But my brain doesn't really", "scenario and seeing what characters are doing. Don't even get me started on", "that become quite interesting. It also knows that the story will only be", "do stuff... but it doesn't want to do that work. For example, it", "giving him a certain kind of present that he knew would slow Santa", "doesn't really create characters very well, and even when it creates them, it", "if a guy in jail was confessing to something he did as a", "but it has a question. It tends to invent odd scenarios that become", "police car outside, and the kid surrenders. While my brain can see the", "so bright) pretends to be a police car outside, and the kid surrenders.", "Santa hostage and made the reindeer do funny things. But then Dukalph (with", "seeing what characters are doing. Don't even get me started on high-level story", "brain is probably just broken, but it has a question. It tends to", "that got him going down the wrong path, say... tricking Xazga Clait into", "got him into lots of trouble. Seems like a funny scenario. But my", "really create characters very well, and even when it creates them, it doesn't", "funny if the kid took Santa hostage and made the reindeer do funny", "wrong path, say... tricking Xazga Clait into giving him a certain kind of", "it has characters and they do stuff... but it doesn't want to do", "well at inhabiting the scenario and seeing what characters are doing. Don't even", "Anyway, if you have any suggestions, I would love to hear them. So", "you have any suggestions, I would love to hear them. So would my", "just broken, but it has a question. It tends to invent odd scenarios", "that work. For example, it seems like it would be interesting if a", "kid that got him going down the wrong path, say... tricking Xazga Clait", "they do stuff... but it doesn't want to do that work. For example,", "the kid surrenders. While my brain can see the scenario, it doesn't do", "become quite interesting. It also knows that the story will only be interesting", "the scenario and seeing what characters are doing. Don't even get me started", "path, say... tricking Xazga Clait into giving him a certain kind of present", "the scenario, it doesn't do well at inhabiting the scenario and seeing what", "example, it seems like it would be interesting if a guy in jail", "into lots of trouble. Seems like a funny scenario. But my brain doesn't", "It also knows that the story will only be interesting to others if", "doing. Don't even get me started on high-level story arcs. Anyway, if you", "characters are doing. Don't even get me started on high-level story arcs. Anyway,", "surrenders. While my brain can see the scenario, it doesn't do well at", "high-level story arcs. Anyway, if you have any suggestions, I would love to", "be interesting to others if it has characters and they do stuff... but", "Seems like a funny scenario. But my brain doesn't really create characters very", "hostage and made the reindeer do funny things. But then Dukalph (with his", "It tends to invent odd scenarios that become quite interesting. It also knows", "story will only be interesting to others if it has characters and they", "is probably just broken, but it has a question. It tends to invent", "characters and they do stuff... but it doesn't want to do that work.", "like it would be interesting if a guy in jail was confessing to", "Clait into giving him a certain kind of present that he knew would", "at inhabiting the scenario and seeing what characters are doing. Don't even get", "to something he did as a kid that got him going down the", "case, it might be funny if the kid took Santa hostage and made", "doesn't do well at inhabiting the scenario and seeing what characters are doing.", "did as a kid that got him going down the wrong path, say...", "do that work. For example, it seems like it would be interesting if", "arcs. Anyway, if you have any suggestions, I would love to hear them.", "knew would slow Santa Down. This enabled him to catch Santa, which was", "that he knew would slow Santa Down. This enabled him to catch Santa,", "made the reindeer do funny things. But then Dukalph (with his nose so", "do funny things. But then Dukalph (with his nose so bright) pretends to", "down the wrong path, say... tricking Xazga Clait into giving him a certain", "kid took Santa hostage and made the reindeer do funny things. But then", "the Santa case, it might be funny if the kid took Santa hostage", "story arcs. Anyway, if you have any suggestions, I would love to hear", "would be interesting if a guy in jail was confessing to something he", "has characters and they do stuff... but it doesn't want to do that", "(with his nose so bright) pretends to be a police car outside, and", "to be a police car outside, and the kid surrenders. While my brain", "was fun, but also got him into lots of trouble. Seems like a", "funny things. But then Dukalph (with his nose so bright) pretends to be", "brain can see the scenario, it doesn't do well at inhabiting the scenario", "a funny scenario. But my brain doesn't really create characters very well, and", "any suggestions, I would love to hear them. So would my brain. :)", "then Dukalph (with his nose so bright) pretends to be a police car", "that the story will only be interesting to others if it has characters", "things. In the Santa case, it might be funny if the kid took", "bright) pretends to be a police car outside, and the kid surrenders. While", "Dukalph (with his nose so bright) pretends to be a police car outside,", "want to do that work. For example, it seems like it would be", "present that he knew would slow Santa Down. This enabled him to catch", "characters very well, and even when it creates them, it doesn't have them", "will only be interesting to others if it has characters and they do", "he did as a kid that got him going down the wrong path,", "question. It tends to invent odd scenarios that become quite interesting. It also", "Xazga Clait into giving him a certain kind of present that he knew", "reindeer do funny things. But then Dukalph (with his nose so bright) pretends", "have them do interesting things. In the Santa case, it might be funny", "it doesn't want to do that work. For example, it seems like it", "doesn't have them do interesting things. In the Santa case, it might be" ]
[ "plan, while pantsers, or discovery writers, simply sit down with no more than", "plotters, or outliners, as they are sometimes called, construct the plot, develop the", "life examples of writers who have described their writing process, or that cite", "or outliners, as they are sometimes called, construct the plot, develop the characters,", "and discovering the rest. But does this description cover all kinds of writers?", "or even no idea at all and let the story, characters, and world", "and let the story, characters, and world unfold in the process of writing.", "to [an answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common, dichotomous", "let the story, characters, and world unfold in the process of writing. Most", "in their approach? What other kinds of writers are there besides plotters and", "of writers that that dichotomous one? I would appreciate answers that give real", "==================================================================== ### Is there a better classification of writers that that dichotomous one?", "In a comment to [an answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that", "a comment to [an answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the", "in the process of writing. Most writers fall somewhere in between these two", "that there are other types of writers. In their extreme forms, plotters, or", "and pantsers? ==================================================================== ### Is there a better classification of writers that that", "that have studied the writing process. Please do not post mere speculation or", "two extremes, outlining or developing a bit and discovering the rest. But does", "they begin to write and during writing follow this preconceived plan, while pantsers,", "of writers who have described their writing process, or that cite established sources", "or that cite established sources such as scholars that have studied the writing", "in between these two extremes, outlining or developing a bit and discovering the", "the plot, develop the characters, and/or build their fictional world before they begin", "all kinds of writers? Is it feasible, as I did, to group worldbuilders", "other types of writers. In their extreme forms, plotters, or outliners, as they", "even no idea at all and let the story, characters, and world unfold", "and that there are other types of writers. In their extreme forms, plotters,", "real life examples of writers who have described their writing process, or that", "of writing. Most writers fall somewhere in between these two extremes, outlining or", "these two extremes, outlining or developing a bit and discovering the rest. But", "during writing follow this preconceived plan, while pantsers, or discovery writers, simply sit", "discovering the rest. But does this description cover all kinds of writers? Is", "the rest. But does this description cover all kinds of writers? Is it", "view of writers as either \"plotters\" or \"pantsers\" or something of both might", "developing a bit and discovering the rest. But does this description cover all", "description cover all kinds of writers? Is it feasible, as I did, to", "different in their approach? What other kinds of writers are there besides plotters", "are other types of writers. In their extreme forms, plotters, or outliners, as", "does this description cover all kinds of writers? Is it feasible, as I", "fundamentally different in their approach? What other kinds of writers are there besides", "of writers. In their extreme forms, plotters, or outliners, as they are sometimes", "the process of writing. Most writers fall somewhere in between these two extremes,", "do not post mere speculation or (only) your own experience in an answer.", "Rahk Bokek has suggested that the common, dichotomous view of writers as either", "a seed of an idea or even no idea at all and let", "pantsers? ==================================================================== ### Is there a better classification of writers that that dichotomous", "world unfold in the process of writing. Most writers fall somewhere in between", "or discovery writers, simply sit down with no more than a seed of", "other kinds of writers are there besides plotters and pantsers? ==================================================================== ### Is", "their writing process, or that cite established sources such as scholars that have", "unfold in the process of writing. Most writers fall somewhere in between these", "established sources such as scholars that have studied the writing process. Please do", "described their writing process, or that cite established sources such as scholars that", "answers that give real life examples of writers who have described their writing", "world before they begin to write and during writing follow this preconceived plan,", "dichotomous view of writers as either \"plotters\" or \"pantsers\" or something of both", "### Is there a better classification of writers that that dichotomous one? I", "such as scholars that have studied the writing process. Please do not post", "follow this preconceived plan, while pantsers, or discovery writers, simply sit down with", "construct the plot, develop the characters, and/or build their fictional world before they", "did, to group worldbuilders and plotters together, or are they fundamentally different in", "as scholars that have studied the writing process. Please do not post mere", "writers are there besides plotters and pantsers? ==================================================================== ### Is there a better", "or something of both might not be complete and that there are other", "common, dichotomous view of writers as either \"plotters\" or \"pantsers\" or something of", "forms, plotters, or outliners, as they are sometimes called, construct the plot, develop", "all and let the story, characters, and world unfold in the process of", "might not be complete and that there are other types of writers. In", "to write and during writing follow this preconceived plan, while pantsers, or discovery", "between these two extremes, outlining or developing a bit and discovering the rest.", "who have described their writing process, or that cite established sources such as", "write and during writing follow this preconceived plan, while pantsers, or discovery writers,", "either \"plotters\" or \"pantsers\" or something of both might not be complete and", "In their extreme forms, plotters, or outliners, as they are sometimes called, construct", "or developing a bit and discovering the rest. But does this description cover", "writers? Is it feasible, as I did, to group worldbuilders and plotters together,", "feasible, as I did, to group worldbuilders and plotters together, or are they", "worldbuilders and plotters together, or are they fundamentally different in their approach? What", "group worldbuilders and plotters together, or are they fundamentally different in their approach?", "idea at all and let the story, characters, and world unfold in the", "has suggested that the common, dichotomous view of writers as either \"plotters\" or", "have studied the writing process. Please do not post mere speculation or (only)", "Please do not post mere speculation or (only) your own experience in an", "this description cover all kinds of writers? Is it feasible, as I did,", "writers who have described their writing process, or that cite established sources such", "more than a seed of an idea or even no idea at all", "there a better classification of writers that that dichotomous one? I would appreciate", "extreme forms, plotters, or outliners, as they are sometimes called, construct the plot,", "are they fundamentally different in their approach? What other kinds of writers are", "writing process. Please do not post mere speculation or (only) your own experience", "plot, develop the characters, and/or build their fictional world before they begin to", "studied the writing process. Please do not post mere speculation or (only) your", "the story, characters, and world unfold in the process of writing. Most writers", "discovery writers, simply sit down with no more than a seed of an", "scholars that have studied the writing process. Please do not post mere speculation", "process. Please do not post mere speculation or (only) your own experience in", "develop the characters, and/or build their fictional world before they begin to write", "sit down with no more than a seed of an idea or even", "they fundamentally different in their approach? What other kinds of writers are there", "build their fictional world before they begin to write and during writing follow", "and world unfold in the process of writing. Most writers fall somewhere in", "bit and discovering the rest. But does this description cover all kinds of", "preconceived plan, while pantsers, or discovery writers, simply sit down with no more", "the characters, and/or build their fictional world before they begin to write and", "classification of writers that that dichotomous one? I would appreciate answers that give", "comment to [an answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common,", "fall somewhere in between these two extremes, outlining or developing a bit and", "sometimes called, construct the plot, develop the characters, and/or build their fictional world", "plotters and pantsers? ==================================================================== ### Is there a better classification of writers that", "seed of an idea or even no idea at all and let the", "together, or are they fundamentally different in their approach? What other kinds of", "writers as either \"plotters\" or \"pantsers\" or something of both might not be", "plotters together, or are they fundamentally different in their approach? What other kinds", "a better classification of writers that that dichotomous one? I would appreciate answers", "that dichotomous one? I would appreciate answers that give real life examples of", "answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common, dichotomous view of", "the writing process. Please do not post mere speculation or (only) your own", "writers, simply sit down with no more than a seed of an idea", "\"pantsers\" or something of both might not be complete and that there are", "approach? What other kinds of writers are there besides plotters and pantsers? ====================================================================", "are sometimes called, construct the plot, develop the characters, and/or build their fictional", "have described their writing process, or that cite established sources such as scholars", "Most writers fall somewhere in between these two extremes, outlining or developing a", "kinds of writers? Is it feasible, as I did, to group worldbuilders and", "of both might not be complete and that there are other types of", "appreciate answers that give real life examples of writers who have described their", "writing process, or that cite established sources such as scholars that have studied", "dichotomous one? I would appreciate answers that give real life examples of writers", "before they begin to write and during writing follow this preconceived plan, while", "it feasible, as I did, to group worldbuilders and plotters together, or are", "than a seed of an idea or even no idea at all and", "they are sometimes called, construct the plot, develop the characters, and/or build their", "writers fall somewhere in between these two extremes, outlining or developing a bit", "down with no more than a seed of an idea or even no", "sources such as scholars that have studied the writing process. Please do not", "their approach? What other kinds of writers are there besides plotters and pantsers?", "not be complete and that there are other types of writers. In their", "one? I would appreciate answers that give real life examples of writers who", "Bokek has suggested that the common, dichotomous view of writers as either \"plotters\"", "idea or even no idea at all and let the story, characters, and", "I would appreciate answers that give real life examples of writers who have", "examples of writers who have described their writing process, or that cite established", "process of writing. Most writers fall somewhere in between these two extremes, outlining", "that give real life examples of writers who have described their writing process,", "no more than a seed of an idea or even no idea at", "the common, dichotomous view of writers as either \"plotters\" or \"pantsers\" or something", "that the common, dichotomous view of writers as either \"plotters\" or \"pantsers\" or", "cite established sources such as scholars that have studied the writing process. Please", "But does this description cover all kinds of writers? Is it feasible, as", "this preconceived plan, while pantsers, or discovery writers, simply sit down with no", "characters, and world unfold in the process of writing. Most writers fall somewhere", "of writers as either \"plotters\" or \"pantsers\" or something of both might not", "fictional world before they begin to write and during writing follow this preconceived", "a bit and discovering the rest. But does this description cover all kinds", "suggested that the common, dichotomous view of writers as either \"plotters\" or \"pantsers\"", "story, characters, and world unfold in the process of writing. Most writers fall", "simply sit down with no more than a seed of an idea or", "at all and let the story, characters, and world unfold in the process", "as they are sometimes called, construct the plot, develop the characters, and/or build", "writing follow this preconceived plan, while pantsers, or discovery writers, simply sit down", "pantsers, or discovery writers, simply sit down with no more than a seed", "to group worldbuilders and plotters together, or are they fundamentally different in their", "What other kinds of writers are there besides plotters and pantsers? ==================================================================== ###", "extremes, outlining or developing a bit and discovering the rest. But does this", "be complete and that there are other types of writers. In their extreme", "are there besides plotters and pantsers? ==================================================================== ### Is there a better classification", "somewhere in between these two extremes, outlining or developing a bit and discovering", "an idea or even no idea at all and let the story, characters,", "no idea at all and let the story, characters, and world unfold in", "besides plotters and pantsers? ==================================================================== ### Is there a better classification of writers", "writers. In their extreme forms, plotters, or outliners, as they are sometimes called,", "outlining or developing a bit and discovering the rest. But does this description", "of writers are there besides plotters and pantsers? ==================================================================== ### Is there a", "their extreme forms, plotters, or outliners, as they are sometimes called, construct the", "or \"pantsers\" or something of both might not be complete and that there", "with no more than a seed of an idea or even no idea", "their fictional world before they begin to write and during writing follow this", "Is there a better classification of writers that that dichotomous one? I would", "process, or that cite established sources such as scholars that have studied the", "there besides plotters and pantsers? ==================================================================== ### Is there a better classification of", "better classification of writers that that dichotomous one? I would appreciate answers that", "writing. Most writers fall somewhere in between these two extremes, outlining or developing", "of an idea or even no idea at all and let the story,", "of writers? Is it feasible, as I did, to group worldbuilders and plotters", "as I did, to group worldbuilders and plotters together, or are they fundamentally", "called, construct the plot, develop the characters, and/or build their fictional world before", "cover all kinds of writers? Is it feasible, as I did, to group", "that that dichotomous one? I would appreciate answers that give real life examples", "writers that that dichotomous one? I would appreciate answers that give real life", "I did, to group worldbuilders and plotters together, or are they fundamentally different", "and during writing follow this preconceived plan, while pantsers, or discovery writers, simply", "while pantsers, or discovery writers, simply sit down with no more than a", "or are they fundamentally different in their approach? What other kinds of writers", "mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common, dichotomous view of writers as", "\"plotters\" or \"pantsers\" or something of both might not be complete and that", "characters, and/or build their fictional world before they begin to write and during", "would appreciate answers that give real life examples of writers who have described", "both might not be complete and that there are other types of writers.", "kinds of writers are there besides plotters and pantsers? ==================================================================== ### Is there", "of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common, dichotomous view of writers", "and plotters together, or are they fundamentally different in their approach? What other", "as either \"plotters\" or \"pantsers\" or something of both might not be complete", "there are other types of writers. In their extreme forms, plotters, or outliners,", "types of writers. In their extreme forms, plotters, or outliners, as they are", "and/or build their fictional world before they begin to write and during writing", "Is it feasible, as I did, to group worldbuilders and plotters together, or", "that cite established sources such as scholars that have studied the writing process.", "outliners, as they are sometimes called, construct the plot, develop the characters, and/or", "complete and that there are other types of writers. In their extreme forms,", "[an answer of mine](https://writers.stackexchange.com/a/26822/5645) Rahk Bokek has suggested that the common, dichotomous view", "something of both might not be complete and that there are other types", "give real life examples of writers who have described their writing process, or", "rest. But does this description cover all kinds of writers? Is it feasible,", "begin to write and during writing follow this preconceived plan, while pantsers, or" ]
[ "her backstory, her family, her abilities, even her job, but for the life", "a hard time pinning down who she is as a person. I know", "her life, and I don't know how to solve my problem. Any suggestions", "as a person. I know her backstory, her family, her abilities, even her", "out of her life, and I don't know how to solve my problem.", "a person. I know her backstory, her family, her abilities, even her job,", "she wants out of her life, and I don't know how to solve", "the idea of my main character, but I'm having a hard time pinning", "fantasy story, and I love the idea of my main character, but I'm", "life, and I don't know how to solve my problem. Any suggestions would", "don't know how to solve my problem. Any suggestions would be super helpful.", "she is as a person. I know her backstory, her family, her abilities,", "but I'm having a hard time pinning down who she is as a", "can't figure out what her goal is. I can't figure out what she", "job, but for the life of me I can't figure out what her", "my main character, but I'm having a hard time pinning down who she", "pinning down who she is as a person. I know her backstory, her", "know her backstory, her family, her abilities, even her job, but for the", "out what she wants out of her life, and I don't know how", "hard time pinning down who she is as a person. I know her", "even her job, but for the life of me I can't figure out", "her family, her abilities, even her job, but for the life of me", "backstory, her family, her abilities, even her job, but for the life of", "family, her abilities, even her job, but for the life of me I", "of me I can't figure out what her goal is. I can't figure", "what she wants out of her life, and I don't know how to", "her goal is. I can't figure out what she wants out of her", "love the idea of my main character, but I'm having a hard time", "life of me I can't figure out what her goal is. I can't", "is as a person. I know her backstory, her family, her abilities, even", "story, and I love the idea of my main character, but I'm having", "abilities, even her job, but for the life of me I can't figure", "figure out what she wants out of her life, and I don't know", "I can't figure out what she wants out of her life, and I", "for the life of me I can't figure out what her goal is.", "of her life, and I don't know how to solve my problem. Any", "main character, but I'm having a hard time pinning down who she is", "her job, but for the life of me I can't figure out what", "I can't figure out what her goal is. I can't figure out what", "what her goal is. I can't figure out what she wants out of", "down who she is as a person. I know her backstory, her family,", "is. I can't figure out what she wants out of her life, and", "can't figure out what she wants out of her life, and I don't", "and I love the idea of my main character, but I'm having a", "who she is as a person. I know her backstory, her family, her", "currently brainstorming a fantasy story, and I love the idea of my main", "person. I know her backstory, her family, her abilities, even her job, but", "I'm having a hard time pinning down who she is as a person.", "having a hard time pinning down who she is as a person. I", "wants out of her life, and I don't know how to solve my", "goal is. I can't figure out what she wants out of her life,", "I don't know how to solve my problem. Any suggestions would be super", "I'm currently brainstorming a fantasy story, and I love the idea of my", "a fantasy story, and I love the idea of my main character, but", "of my main character, but I'm having a hard time pinning down who", "and I don't know how to solve my problem. Any suggestions would be", "time pinning down who she is as a person. I know her backstory,", "out what her goal is. I can't figure out what she wants out", "figure out what her goal is. I can't figure out what she wants", "me I can't figure out what her goal is. I can't figure out", "idea of my main character, but I'm having a hard time pinning down", "brainstorming a fantasy story, and I love the idea of my main character,", "I love the idea of my main character, but I'm having a hard", "the life of me I can't figure out what her goal is. I", "character, but I'm having a hard time pinning down who she is as", "I know her backstory, her family, her abilities, even her job, but for", "her abilities, even her job, but for the life of me I can't", "but for the life of me I can't figure out what her goal" ]
[ "Aquaman as my reference. But, Aquaman is different with my superhero character, he", "was a normal human in the past, but an experiment caused her to", "a villain for her to fight. I think, it's best if you come", "She was a normal human in the past, but an experiment caused her", "but an experiment caused her to have superpowers. She can live both in", "to fight. I think, it's best if you come up with underwater villain", "live both in water and land. But, her superpowers are optimal when used", "with my superhero character, he is a human-Atlantean Hybrid, while mine is pure", "Her superpowers are almost same like Aquaman's. > > > I need ideas", "different with my superhero character, he is a human-Atlantean Hybrid, while mine is", "human-Atlantean Hybrid, while mine is pure human. You can use another reference for", "up with underwater villain ideas. I have searched for Aquaman as my reference.", "reference for your ideas, rather than Aquaman. Please give detail villain ideas, including", "as my reference. But, Aquaman is different with my superhero character, he is", "Please give detail villain ideas, including his/her origin, name, appearance, powers, and motives.", "to have superpowers. She can live both in water and land. But, her", "my reference. But, Aquaman is different with my superhero character, he is a", "making a story. I have a female superhero character. > > She live", "optimal when used in water. Her superpowers are almost same like Aquaman's. >", "But, her superpowers are optimal when used in water. Her superpowers are almost", "almost same like Aquaman's. > > > I need ideas for a villain", "if you come up with underwater villain ideas. I have searched for Aquaman", "her superpowers are optimal when used in water. Her superpowers are almost same", "experiment caused her to have superpowers. She can live both in water and", "land. But, her superpowers are optimal when used in water. Her superpowers are", "Aquaman. Please give detail villain ideas, including his/her origin, name, appearance, powers, and", "I think, it's best if you come up with underwater villain ideas. I", "normal human in the past, but an experiment caused her to have superpowers.", "water. Her superpowers are almost same like Aquaman's. > > > I need", "reference. But, Aquaman is different with my superhero character, he is a human-Atlantean", "her to have superpowers. She can live both in water and land. But,", "> > I need ideas for a villain for her to fight. I", "have a female superhero character. > > She live in normal Earth, without", "for Aquaman as my reference. But, Aquaman is different with my superhero character,", "use another reference for your ideas, rather than Aquaman. Please give detail villain", "live in normal Earth, without any combination of legends. She was a normal", "combination of legends. 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Please give detail", "are almost same like Aquaman's. > > > I need ideas for a", "Aquaman is different with my superhero character, he is a human-Atlantean Hybrid, while", "in the past, but an experiment caused her to have superpowers. She can", "character, he is a human-Atlantean Hybrid, while mine is pure human. You can", "mine is pure human. You can use another reference for your ideas, rather", "your ideas, rather than Aquaman. Please give detail villain ideas, including his/her origin,", "a normal human in the past, but an experiment caused her to have", "I have a female superhero character. > > She live in normal Earth,", "ideas. I have searched for Aquaman as my reference. But, Aquaman is different", "with underwater villain ideas. I have searched for Aquaman as my reference. But,", "story. I have a female superhero character. > > She live in normal", "Aquaman's. > > > I need ideas for a villain for her to", "I'm making a story. I have a female superhero character. > > She", "you come up with underwater villain ideas. I have searched for Aquaman as", "underwater villain ideas. I have searched for Aquaman as my reference. But, Aquaman", "a story. I have a female superhero character. > > She live in", "an experiment caused her to have superpowers. She can live both in water", "it's best if you come up with underwater villain ideas. I have searched", "best if you come up with underwater villain ideas. I have searched for", "a female superhero character. > > She live in normal Earth, without any", "than Aquaman. Please give detail villain ideas, including his/her origin, name, appearance, powers,", "are optimal when used in water. Her superpowers are almost same like Aquaman's.", "> > > I need ideas for a villain for her to fight.", "come up with underwater villain ideas. I have searched for Aquaman as my", "She can live both in water and land. But, her superpowers are optimal", "her to fight. I think, it's best if you come up with underwater", "You can use another reference for your ideas, rather than Aquaman. Please give", "of legends. She was a normal human in the past, but an experiment", "normal Earth, without any combination of legends. She was a normal human in", "villain ideas. I have searched for Aquaman as my reference. But, Aquaman is", "water and land. But, her superpowers are optimal when used in water. Her", "give detail villain ideas, including his/her origin, name, appearance, powers, and motives. Thanks", "my superhero character, he is a human-Atlantean Hybrid, while mine is pure human.", "is pure human. You can use another reference for your ideas, rather than", "Hybrid, while mine is pure human. You can use another reference for your", "fight. I think, it's best if you come up with underwater villain ideas.", "> She live in normal Earth, without any combination of legends. 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I think, it's best if", "character. > > She live in normal Earth, without any combination of legends.", "superpowers are almost same like Aquaman's. > > > I need ideas for", "have searched for Aquaman as my reference. But, Aquaman is different with my", "in water. Her superpowers are almost same like Aquaman's. > > > I", "human in the past, but an experiment caused her to have superpowers. She", "villain for her to fight. I think, it's best if you come up", "female superhero character. > > She live in normal Earth, without any combination", "human. You can use another reference for your ideas, rather than Aquaman. Please", "superpowers. She can live both in water and land. But, her superpowers are", "can live both in water and land. But, her superpowers are optimal when", "need ideas for a villain for her to fight. I think, it's best", "I have searched for Aquaman** as my reference. But, Aquaman is different with", "past, but an experiment caused her to have superpowers. She can live both", "the past, but an experiment caused her to have superpowers. She can live", "I need ideas for a villain for her to fight. I think, it's", "is a human-Atlantean Hybrid, while mine is pure human. You can use another", "is different with my superhero character, he is a human-Atlantean Hybrid, while mine", "without any combination of legends. She was a normal human in the past," ]
[ "I should fully translate the language in these cases (such that the \"original\"", "in some way, so as to emphasise its significance and make clear which", "norm in written fiction? My gut reaction is no, that the original form", "which characters are able to speak it) is significant to the plot, so", "in written fiction? My gut reaction is no, that the original form of", "so as to emphasise its significance and make clear which language is being", "way that written fiction does, but I don't know how well this holds", "being used, but I'm finding it hard to justify this to myself. I", "reader knows when it (rather than English) is being spoken. It's likely, though,", "the reader, too, I'm not completely sure how I should handle this. My", "language is being used, but I'm finding it hard to justify this to", "particular character's perception. For example, if the protagonist is hallucinating, a lot of", "too, I'm not completely sure how I should handle this. My question is,", "scrutiny. It's certainly very common for comics to present events through a particular", "scenes spoken entirely in this language, and since I obviously want these scenes", "since I obviously want these scenes to be understood by the reader, too,", "this language, and since I obviously want these scenes to be understood by", "justify this to myself. I suppose one argument is that comics don't have", "there must be a precedent for this sort of thing, but I don't", "scenes to be understood by the reader, too, I'm not completely sure how", "that the \"original\" language is lost), as is the norm in written fiction?", "I'm finding it hard to justify this to myself. I suppose one argument", "don't have \"viewpoint characters\" in the same way that written fiction does, but", "certainly very common for comics to present events through a particular character's perception.", "well this holds up to scrutiny. It's certainly very common for comics to", "cases (such that the \"original\" language is lost), as is the norm in", "protagonist is hallucinating, a lot of comics will show the hallucination rather than", "present events through a particular character's perception. For example, if the protagonist is", "I don't remember ever reading a comic which featured a fictional (or even", "some way, so as to emphasise its significance and make clear which language", "these cases (such that the \"original\" language is lost), as is the norm", "lot of comics will show the hallucination rather than the reality. Presumably there", "for this sort of thing, but I don't remember ever reading a comic", "question is, should I should fully translate the language in these cases (such", "that there will be scenes spoken entirely in this language, and since I", "know how well this holds up to scrutiny. It's certainly very common for", "language is lost), as is the norm in written fiction? My gut reaction", "comic in which a fictional language is frequently spoken. This language (and which", "argument is that comics don't have \"viewpoint characters\" in the same way that", "hallucinating, a lot of comics will show the hallucination rather than the reality.", "reading a comic which featured a fictional (or even foreign) language in this", "able to speak it) is significant to the plot, so it's important that", "comics to present events through a particular character's perception. For example, if the", "the reality. Presumably there must be a precedent for this sort of thing,", "the hallucination rather than the reality. Presumably there must be a precedent for", "as to emphasise its significance and make clear which language is being used,", "(rather than English) is being spoken. It's likely, though, that there will be", "characters are able to speak it) is significant to the plot, so it's", "not completely sure how I should handle this. My question is, should I", "of language should be depicted alongside the translations in some way, so as", "to be understood by the reader, too, I'm not completely sure how I", "completely sure how I should handle this. My question is, should I should", "obviously want these scenes to be understood by the reader, too, I'm not", "emphasise its significance and make clear which language is being used, but I'm", "the protagonist is hallucinating, a lot of comics will show the hallucination rather", "to present events through a particular character's perception. For example, if the protagonist", "is being used, but I'm finding it hard to justify this to myself.", "one argument is that comics don't have \"viewpoint characters\" in the same way", "important that the reader knows when it (rather than English) is being spoken.", "this to myself. I suppose one argument is that comics don't have \"viewpoint", "being spoken. It's likely, though, that there will be scenes spoken entirely in", "but I don't know how well this holds up to scrutiny. It's certainly", "than the reality. Presumably there must be a precedent for this sort of", "It's certainly very common for comics to present events through a particular character's", "if the protagonist is hallucinating, a lot of comics will show the hallucination", "of thing, but I don't remember ever reading a comic which featured a", "but I don't remember ever reading a comic which featured a fictional (or", "it hard to justify this to myself. I suppose one argument is that", "to justify this to myself. I suppose one argument is that comics don't", "make clear which language is being used, but I'm finding it hard to", "be scenes spoken entirely in this language, and since I obviously want these", "ever reading a comic which featured a fictional (or even foreign) language in", "there will be scenes spoken entirely in this language, and since I obviously", "a particular character's perception. For example, if the protagonist is hallucinating, a lot", "as is the norm in written fiction? My gut reaction is no, that", "for comics to present events through a particular character's perception. For example, if", "understood by the reader, too, I'm not completely sure how I should handle", "My question is, should I should fully translate the language in these cases", "is, should I should fully translate the language in these cases (such that", "reaction is no, that the original form of language should be depicted alongside", "is no, that the original form of language should be depicted alongside the", "don't remember ever reading a comic which featured a fictional (or even foreign)", "is that comics don't have \"viewpoint characters\" in the same way that written", "that written fiction does, but I don't know how well this holds up", "(and which characters are able to speak it) is significant to the plot,", "This language (and which characters are able to speak it) is significant to", "and since I obviously want these scenes to be understood by the reader,", "way, so as to emphasise its significance and make clear which language is", "the plot, so it's important that the reader knows when it (rather than", "speak it) is significant to the plot, so it's important that the reader", "I am producing a comic in which a fictional language is frequently spoken.", "fiction does, but I don't know how well this holds up to scrutiny.", "likely, though, that there will be scenes spoken entirely in this language, and", "events through a particular character's perception. For example, if the protagonist is hallucinating,", "language is frequently spoken. This language (and which characters are able to speak", "lost), as is the norm in written fiction? My gut reaction is no,", "spoken. It's likely, though, that there will be scenes spoken entirely in this", "this. My question is, should I should fully translate the language in these", "a fictional language is frequently spoken. This language (and which characters are able", "to scrutiny. It's certainly very common for comics to present events through a", "that the original form of language should be depicted alongside the translations in", "hard to justify this to myself. I suppose one argument is that comics", "sure how I should handle this. My question is, should I should fully", "but I'm finding it hard to justify this to myself. I suppose one", "through a particular character's perception. For example, if the protagonist is hallucinating, a", "finding it hard to justify this to myself. I suppose one argument is", "I suppose one argument is that comics don't have \"viewpoint characters\" in the", "comics don't have \"viewpoint characters\" in the same way that written fiction does,", "same way that written fiction does, but I don't know how well this", "fully translate the language in these cases (such that the \"original\" language is", "is significant to the plot, so it's important that the reader knows when", "hallucination rather than the reality. Presumably there must be a precedent for this", "is being spoken. It's likely, though, that there will be scenes spoken entirely", "reality. Presumably there must be a precedent for this sort of thing, but", "translations in some way, so as to emphasise its significance and make clear", "its significance and make clear which language is being used, but I'm finding", "My gut reaction is no, that the original form of language should be", "it) is significant to the plot, so it's important that the reader knows", "common for comics to present events through a particular character's perception. For example,", "of comics will show the hallucination rather than the reality. Presumably there must", "this sort of thing, but I don't remember ever reading a comic which", "the same way that written fiction does, but I don't know how well", "translate the language in these cases (such that the \"original\" language is lost),", "be understood by the reader, too, I'm not completely sure how I should", "the norm in written fiction? My gut reaction is no, that the original", "which language is being used, but I'm finding it hard to justify this", "show the hallucination rather than the reality. Presumably there must be a precedent", "the original form of language should be depicted alongside the translations in some", "a comic in which a fictional language is frequently spoken. This language (and", "so it's important that the reader knows when it (rather than English) is", "spoken. This language (and which characters are able to speak it) is significant", "is lost), as is the norm in written fiction? My gut reaction is", "perception. For example, if the protagonist is hallucinating, a lot of comics will", "example, if the protagonist is hallucinating, a lot of comics will show the", "a comic which featured a fictional (or even foreign) language in this way.", "it (rather than English) is being spoken. It's likely, though, that there will", "\"viewpoint characters\" in the same way that written fiction does, but I don't", "should I should fully translate the language in these cases (such that the", "fiction? My gut reaction is no, that the original form of language should", "alongside the translations in some way, so as to emphasise its significance and", "thing, but I don't remember ever reading a comic which featured a fictional", "spoken entirely in this language, and since I obviously want these scenes to", "that the reader knows when it (rather than English) is being spoken. It's", "written fiction does, but I don't know how well this holds up to", "the reader knows when it (rather than English) is being spoken. It's likely,", "than English) is being spoken. It's likely, though, that there will be scenes", "characters\" in the same way that written fiction does, but I don't know", "language in these cases (such that the \"original\" language is lost), as is", "be depicted alongside the translations in some way, so as to emphasise its", "the \"original\" language is lost), as is the norm in written fiction? My", "the language in these cases (such that the \"original\" language is lost), as", "don't know how well this holds up to scrutiny. It's certainly very common", "language should be depicted alongside the translations in some way, so as to", "does, but I don't know how well this holds up to scrutiny. It's", "the translations in some way, so as to emphasise its significance and make", "should fully translate the language in these cases (such that the \"original\" language", "used, but I'm finding it hard to justify this to myself. I suppose", "remember ever reading a comic which featured a fictional (or even foreign) language", "knows when it (rather than English) is being spoken. It's likely, though, that", "form of language should be depicted alongside the translations in some way, so", "character's perception. For example, if the protagonist is hallucinating, a lot of comics", "to emphasise its significance and make clear which language is being used, but", "\"original\" language is lost), as is the norm in written fiction? My gut", "in the same way that written fiction does, but I don't know how", "will show the hallucination rather than the reality. Presumably there must be a", "original form of language should be depicted alongside the translations in some way,", "must be a precedent for this sort of thing, but I don't remember", "Presumably there must be a precedent for this sort of thing, but I", "in these cases (such that the \"original\" language is lost), as is the", "have \"viewpoint characters\" in the same way that written fiction does, but I", "sort of thing, but I don't remember ever reading a comic which featured", "myself. I suppose one argument is that comics don't have \"viewpoint characters\" in", "gut reaction is no, that the original form of language should be depicted", "significant to the plot, so it's important that the reader knows when it", "will be scenes spoken entirely in this language, and since I obviously want", "should be depicted alongside the translations in some way, so as to emphasise", "producing a comic in which a fictional language is frequently spoken. This language", "to myself. I suppose one argument is that comics don't have \"viewpoint characters\"", "in which a fictional language is frequently spoken. This language (and which characters", "reader, too, I'm not completely sure how I should handle this. My question", "how well this holds up to scrutiny. It's certainly very common for comics", "this holds up to scrutiny. It's certainly very common for comics to present", "though, that there will be scenes spoken entirely in this language, and since", "I'm not completely sure how I should handle this. My question is, should", "significance and make clear which language is being used, but I'm finding it", "handle this. My question is, should I should fully translate the language in", "to speak it) is significant to the plot, so it's important that the", "when it (rather than English) is being spoken. It's likely, though, that there", "entirely in this language, and since I obviously want these scenes to be", "language, and since I obviously want these scenes to be understood by the", "For example, if the protagonist is hallucinating, a lot of comics will show", "comics will show the hallucination rather than the reality. Presumably there must be", "it's important that the reader knows when it (rather than English) is being", "frequently spoken. This language (and which characters are able to speak it) is", "that comics don't have \"viewpoint characters\" in the same way that written fiction", "these scenes to be understood by the reader, too, I'm not completely sure", "written fiction? My gut reaction is no, that the original form of language", "are able to speak it) is significant to the plot, so it's important", "I obviously want these scenes to be understood by the reader, too, I'm", "is frequently spoken. This language (and which characters are able to speak it)", "which a fictional language is frequently spoken. This language (and which characters are", "no, that the original form of language should be depicted alongside the translations", "clear which language is being used, but I'm finding it hard to justify", "is hallucinating, a lot of comics will show the hallucination rather than the", "be a precedent for this sort of thing, but I don't remember ever", "plot, so it's important that the reader knows when it (rather than English)", "(such that the \"original\" language is lost), as is the norm in written", "rather than the reality. Presumably there must be a precedent for this sort", "fictional language is frequently spoken. This language (and which characters are able to", "suppose one argument is that comics don't have \"viewpoint characters\" in the same", "a precedent for this sort of thing, but I don't remember ever reading", "in this language, and since I obviously want these scenes to be understood", "how I should handle this. My question is, should I should fully translate", "want these scenes to be understood by the reader, too, I'm not completely", "I should handle this. My question is, should I should fully translate the", "It's likely, though, that there will be scenes spoken entirely in this language,", "is the norm in written fiction? My gut reaction is no, that the", "by the reader, too, I'm not completely sure how I should handle this.", "holds up to scrutiny. It's certainly very common for comics to present events", "precedent for this sort of thing, but I don't remember ever reading a", "very common for comics to present events through a particular character's perception. For", "up to scrutiny. It's certainly very common for comics to present events through", "and make clear which language is being used, but I'm finding it hard", "language (and which characters are able to speak it) is significant to the", "to the plot, so it's important that the reader knows when it (rather", "depicted alongside the translations in some way, so as to emphasise its significance", "English) is being spoken. It's likely, though, that there will be scenes spoken", "should handle this. My question is, should I should fully translate the language", "I don't know how well this holds up to scrutiny. It's certainly very", "am producing a comic in which a fictional language is frequently spoken. This", "a lot of comics will show the hallucination rather than the reality. Presumably" ]
[ "not telling or plainly bad and metaphorical description. > > It howled at", "in streams around their faces and skin. > > > That's the best", "some older-style works. --- Question -------- So in short, the question is this:", "them to. I don't know if this is showing not telling or plainly", "quite bad because of the word 'inclement', it just seems a bit old", "rider wants them to. I don't know if this is showing not telling*", "referring to the wind. I'm not just saying 'the wind was loud, and", "bad because of the word 'inclement', it just seems a bit old and", "their speed in tandem with (unnnamed's) kicks. > > > Woohoo* that's a", "and it doesn't howl. This style of description is reminiscent of some older-style", "is reminiscent of some older-style works. --- Question -------- So in short, the", "of my work seems quite 'floaty' and 'old style' because I describe things", "because I describe things in a very metaphorical and surreal way. For example:", "example: > > Her eyes were made dull by the inclement sky. >", "Her eyes were made dull by the inclement sky. > > > I", "shinier than anything imaginable. I think this description is quite bad because of", "I think this description is quite bad because of the word 'inclement', it", "really long time. A lot of my work seems quite 'floaty' and 'old", "created an extended sentence to describe the horses being unable to perform to", "The horses galloped wearily through a river, barely being able to keep increasing", "> > Her eyes were made dull by the inclement sky. > >", "I've had this question for a really long time. A lot of my", "a river, barely being able to keep increasing their speed in tandem with", "wolves, and rushed in streams around their faces and skin. > > >", "the horses being unable to perform to how the rider wants them to.", "that's a way better description! Okay so I think this is a little", "obsession with describing eyes to be shinier than anything imaginable. I think this", "think this is a little metaphorical and old-style because I haven't just said", "> > That's the best quote to describe what I mean. This sentence", "than anything imaginable. I think this description is quite bad because of the", "unused. > > The horses galloped wearily through a river, barely being able", "were tired, rather I've created an extended sentence to describe the horses being", "metaphorical description*. > > It howled at their ears, like a pack of", "'the wind was loud, and fast', instead I'm using a simile and personification.", "in short, the question is this: *Is it better to have metaphorical", "because of the word 'inclement', it just seems a bit old and unused.", "dull by the inclement sky. > > > I have this obsession with", "style' because I describe things in a very metaphorical and surreal way. For", "I haven't just said that the horses were tired, rather I've created an", "and fast', instead I'm using a simile and personification. The wind can't rush,", "like a pack of wolves, and rushed in streams around their faces and", "with (unnnamed's) kicks. > > > Woohoo* that's a way better description! Okay", "> > > Woohoo that's a way better description! Okay so I think", "reminiscent of some older-style works. --- Question -------- So in short, the question", "'inclement', it just seems a bit old and unused. > > The horses", "horses being unable to perform to how the rider wants them to. I", "to how the rider wants them to. I don't know if this is", "older-style works. --- Question -------- So in short, the question is this: ", "'old style' because I describe things in a very metaphorical and surreal way.", "increasing their speed in tandem with (unnnamed's) kicks. > > > Woohoo* that's", "a really long time. A lot of my work seems quite 'floaty' and", "and old-style because I haven't just said that the horses were tired, rather", "time. A lot of my work seems quite 'floaty' and 'old style' because", "very metaphorical and surreal way. For example: > > Her eyes were made", "of description is reminiscent of some older-style works. --- Question -------- So in", "wind. I'm not just saying 'the wind was loud, and fast', instead I'm", "Woohoo that's a way better description! Okay so I think this is a", "> I have this obsession with describing eyes to be shinier than anything", "a bit old and unused. > > The horses galloped wearily through a", "old and unused. > > The horses galloped wearily through a river, barely", "in tandem with (unnnamed's) kicks. > > > Woohoo that's a way better", "it better to have metaphorical descriptions, or upfront ones that get the point", "and 'old style' because I describe things in a very metaphorical and surreal", "of the word 'inclement', it just seems a bit old and unused. >", "describing eyes to be shinier than anything imaginable. I think this description is", "description! Okay so I think this is a little metaphorical and old-style because", "this is a little metaphorical and old-style because I haven't just said that", "> That's the best quote to describe what I mean. This sentence is", "quote to describe what I mean. This sentence is referring to the wind.", "speed in tandem with (unnnamed's) kicks. > > > Woohoo that's a way", "the rider wants them to. I don't know if this is *showing not", "just saying 'the wind was loud, and fast', instead I'm using a simile", "imaginable. I think this description is quite bad because of the word 'inclement',", "howl. This style of description is reminiscent of some older-style works. --- Question", "Question -------- So in short, the question is this: *Is it better", "This style of description is reminiscent of some older-style works. --- Question --------", "describe the horses being unable to perform to how the rider wants them", "saying 'the wind was loud, and fast', instead I'm using a simile and", "I describe things in a very metaphorical and surreal way. For example: >", "for a really long time. A lot of my work seems quite 'floaty'", "a very metaphorical and surreal way. For example: > > Her eyes were", "describe things in a very metaphorical and surreal way. For example: > >", "> The horses galloped wearily through a river, barely being able to keep", "description is reminiscent of some older-style works. --- Question -------- So in short,", "personification. The wind can't rush, and it doesn't howl. This style of description", "fast', instead I'm using a simile and personification. The wind can't rush, and", "So in short, the question is this: Is it better to have", "wearily through a river, barely being able to keep increasing their speed in", "being able to keep increasing their speed in tandem with (unnnamed's) kicks. >", "> > > That's the best quote to describe what I mean. This", "> > The horses galloped wearily through a river, barely being able to", "pack of wolves, and rushed in streams around their faces and skin. >", "the inclement sky. > > > I have this obsession with describing eyes", "bad and metaphorical description*. > > It howled at their ears, like a", "a simile and personification. The wind can't rush, and it doesn't howl. This", "bit old and unused. > > The horses galloped wearily through a river,", "is referring to the wind. I'm not just saying 'the wind was loud,", "way. For example: > > Her eyes were made dull by the inclement", "anything imaginable. I think this description is quite bad because of the word", "because I haven't just said that the horses were tired, rather I've created", "barely being able to keep increasing their speed in tandem with (unnnamed's) kicks.", "> It howled at their ears, like a pack of wolves, and rushed", "and skin. > > > That's the best quote to describe what I", "loud, and fast', instead I'm using a simile and personification. The wind can't", "using a simile and personification. The wind can't rush, and it doesn't howl.", "to perform to how the rider wants them to. I don't know if", "the word 'inclement', it just seems a bit old and unused. > >", "it just seems a bit old and unused. > > The horses galloped", "the wind. I'm not just saying 'the wind was loud, and fast', instead", "tired, rather I've created an extended sentence to describe the horses being unable", "of wolves, and rushed in streams around their faces and skin. > >", "rather I've created an extended sentence to describe the horses being unable to", "lot of my work seems quite 'floaty' and 'old style' because I describe", "haven't just said that the horses were tired, rather I've created an extended", "to describe the horses being unable to perform to how the rider wants", "I think this is a little metaphorical and old-style because I haven't just", "I've created an extended sentence to describe the horses being unable to perform", "faces and skin. > > > That's the best quote to describe what", "-------- So in short, the question is this: *Is it better to", "is this: Is it better to have metaphorical descriptions, or upfront ones", "don't know if this is showing not telling or plainly bad and metaphorical", "know if this is showing not telling or plainly bad and metaphorical description.", "the best quote to describe what I mean. This sentence is referring to", "in a very metaphorical and surreal way. For example: > > Her eyes", "things in a very metaphorical and surreal way. For example: > > Her", "ears, like a pack of wolves, and rushed in streams around their faces", "were made dull by the inclement sky. > > > I have this", "> > It howled at their ears, like a pack of wolves, and", "description is quite bad because of the word 'inclement', it just seems a", "can't rush, and it doesn't howl. This style of description is reminiscent of", "my work seems quite 'floaty' and 'old style' because I describe things in", "better description! Okay so I think this is a little metaphorical and old-style", "telling or plainly bad and metaphorical description. > > It howled at their", "a pack of wolves, and rushed in streams around their faces and skin.", "I don't know if this is showing not telling or plainly bad and", "and rushed in streams around their faces and skin. > > > That's", "to be shinier than anything imaginable. I think this description is quite bad", "rushed in streams around their faces and skin. > > > That's the", "streams around their faces and skin. > > > That's the best quote", "kicks. > > > Woohoo that's a way better description! Okay so I", "I mean. This sentence is referring to the wind. I'm not just saying", "it doesn't howl. This style of description is reminiscent of some older-style works.", "I'm not just saying 'the wind was loud, and fast', instead I'm using", "and surreal way. For example: > > Her eyes were made dull by", "by the inclement sky. > > > I have this obsession with describing", "eyes were made dull by the inclement sky. > > > I have", "is showing not telling or plainly bad and metaphorical description. > > It", "this is showing not telling or plainly bad and metaphorical description. > >", "made dull by the inclement sky. > > > I have this obsession", "had this question for a really long time. A lot of my work", "how the rider wants them to. I don't know if this is *showing", "the question is this: Is it better to have metaphorical descriptions, or", "question for a really long time. A lot of my work seems quite", "to. I don't know if this is showing not telling or plainly bad", "best quote to describe what I mean. This sentence is referring to the", "wind was loud, and fast', instead I'm using a simile and personification. The", "this description is quite bad because of the word 'inclement', it just seems", "way better description! Okay so I think this is a little metaphorical and", "skin. > > > That's the best quote to describe what I mean.", "said that the horses were tired, rather I've created an extended sentence to", "with describing eyes to be shinier than anything imaginable. I think this description", "> > > I have this obsession with describing eyes to be shinier", "if this is showing not telling or plainly bad and metaphorical description. >", "that the horses were tired, rather I've created an extended sentence to describe", "instead I'm using a simile and personification. The wind can't rush, and it", "to describe what I mean. This sentence is referring to the wind. I'm", "this: * *Is it better to have metaphorical descriptions, or upfront ones that", " *Is it better to have metaphorical descriptions, or upfront ones that get", "A lot of my work seems quite 'floaty' and 'old style' because I", "is quite bad because of the word 'inclement', it just seems a bit", "sky. > > > I have this obsession with describing eyes to be", "That's the best quote to describe what I mean. This sentence is referring", "is a little metaphorical and old-style because I haven't just said that the", "keep increasing their speed in tandem with (unnnamed's) kicks. > > > Woohoo", "This sentence is referring to the wind. I'm not just saying 'the wind", "howled at their ears, like a pack of wolves, and rushed in streams", "I'm using a simile and personification. The wind can't rush, and it doesn't", "showing not telling* or plainly bad and metaphorical description. > > It howled", "around their faces and skin. > > > That's the best quote to", "*Is it better to have metaphorical descriptions, or upfront ones that get the", "Background ---------- I've had this question for a really long time. A lot", "metaphorical and old-style because I haven't just said that the horses were tired,", "perform to how the rider wants them to. I don't know if this", "sentence is referring to the wind. I'm not just saying 'the wind was", "mean. This sentence is referring to the wind. I'm not just saying 'the", "be shinier than anything imaginable. I think this description is quite bad because", "simile and personification. The wind can't rush, and it doesn't howl. This style", "and personification. The wind can't rush, and it doesn't howl. This style of", "galloped wearily through a river, barely being able to keep increasing their speed", "> > I have this obsession with describing eyes to be shinier than", "to keep increasing their speed in tandem with (unnnamed's) kicks. > > >", "style of description is reminiscent of some older-style works. --- Question -------- So", "question is this: *Is it better to have metaphorical descriptions, or upfront", "> Her eyes were made dull by the inclement sky. > > >", "think this description is quite bad because of the word 'inclement', it just", "The wind can't rush, and it doesn't howl. This style of description is", "what I mean. This sentence is referring to the wind. I'm not just", "---------- I've had this question for a really long time. A lot of", "river, barely being able to keep increasing their speed in tandem with (unnnamed's)", "just seems a bit old and unused. > > The horses galloped wearily", "horses galloped wearily through a river, barely being able to keep increasing their", "inclement sky. > > > I have this obsession with describing eyes to", "works. --- Question -------- So in short, the question is this: Is", "or plainly bad and metaphorical description. > > It howled at their ears,", "of some older-style works. --- Question -------- So in short, the question is", "It howled at their ears, like a pack of wolves, and rushed in", "plainly bad and metaphorical description*. > > It howled at their ears, like", "horses were tired, rather I've created an extended sentence to describe the horses", "rush, and it doesn't howl. This style of description is reminiscent of some", "(unnnamed's) kicks. > > > Woohoo* that's a way better description! Okay so", "doesn't howl. This style of description is reminiscent of some older-style works. ---", "their faces and skin. > > > That's the best quote to describe", "> > Woohoo that's a way better description! Okay so I think this", "long time. A lot of my work seems quite 'floaty' and 'old style'", "a little metaphorical and old-style because I haven't just said that the horses", "wants them to. I don't know if this is showing not telling or", "eyes to be shinier than anything imaginable. I think this description is quite", "the horses were tired, rather I've created an extended sentence to describe the", "being unable to perform to how the rider wants them to. I don't", "wind can't rush, and it doesn't howl. This style of description is reminiscent", "this obsession with describing eyes to be shinier than anything imaginable. I think", "seems a bit old and unused. > > The horses galloped wearily through", "their ears, like a pack of wolves, and rushed in streams around their", "able to keep increasing their speed in tandem with (unnnamed's) kicks. > >", "unable to perform to how the rider wants them to. I don't know", "better to have metaphorical descriptions, or upfront ones that get the point across?*", "--- Question -------- So in short, the question is this: *Is it", "extended sentence to describe the horses being unable to perform to how the", "describe what I mean. This sentence is referring to the wind. I'm not", "tandem with (unnnamed's) kicks. > > > Woohoo* that's a way better description!", "'floaty' and 'old style' because I describe things in a very metaphorical and", "old-style because I haven't just said that the horses were tired, rather I've", "so I think this is a little metaphorical and old-style because I haven't", "a way better description! Okay so I think this is a little metaphorical", "For example: > > Her eyes were made dull by the inclement sky.", "metaphorical and surreal way. For example: > > Her eyes were made dull", "not just saying 'the wind was loud, and fast', instead I'm using a", "and metaphorical description. > > It howled at their ears, like a pack", "quite 'floaty' and 'old style' because I describe things in a very metaphorical", "Okay so I think this is a little metaphorical and old-style because I", "this question for a really long time. A lot of my work seems", "work seems quite 'floaty' and 'old style' because I describe things in a", "at their ears, like a pack of wolves, and rushed in streams around", "through a river, barely being able to keep increasing their speed in tandem", "have this obsession with describing eyes to be shinier than anything imaginable. I", "sentence to describe the horses being unable to perform to how the rider", "description. > > It howled at their ears, like a pack of wolves,", "word 'inclement', it just seems a bit old and unused. > > The", "and unused. > > The horses galloped wearily through a river, barely being", "I have this obsession with describing eyes to be shinier than anything imaginable.", "> Woohoo that's a way better description! Okay so I think this is", "to the wind. I'm not just saying 'the wind was loud, and fast',", "short, the question is this: * **Is it better to have metaphorical descriptions,", "seems quite 'floaty' and 'old style' because I describe things in a very", "little metaphorical and old-style because I haven't just said that the horses were", "an extended sentence to describe the horses being unable to perform to how", "just said that the horses were tired, rather I've created an extended sentence", "was loud, and fast', instead I'm using a simile and personification. The wind", "surreal way. For example: > > Her eyes were made dull by the" ]
[ "'Woo~!' and in Japanese text, the tilde is commonly used to portray a", "use of the tilde as punctuation in the English language? Would it be", "found in programming and in other languages to express repetition of characters, for", "English language? Would it be appropriate to use it to convey emotion, or", "there a certain use of the tilde other than approximation between two numbers?", "flirtatious mood. It can also be used to show approximation, e.g. '1~20'. Is", "emotion, or express repetition or is there a certain use of the tilde", "programming and in other languages to express repetition of characters, for example, 'Woooo!'", "be appropriate to use it to convey emotion, or express repetition or is", "and in other languages to express repetition of characters, for example, 'Woooo!' would", "is commonly used to portray a flirtatious mood. It can also be used", "is commonly found in programming and in other languages to express repetition of", "as punctuation in the English language? Would it be appropriate to use it", "in programming and in other languages to express repetition of characters, for example,", "Would it be appropriate to use it to convey emotion, or express repetition", "portray a flirtatious mood. It can also be used to show approximation, e.g.", "e.g. '1~20'. Is there any use of the tilde as punctuation in the", "commonly found in programming and in other languages to express repetition of characters,", "language? Would it be appropriate to use it to convey emotion, or express", "of characters, for example, 'Woooo!' would become 'Woo~!' and in Japanese text, the", "to convey emotion, or express repetition or is there a certain use of", "it be appropriate to use it to convey emotion, or express repetition or", "convey emotion, or express repetition or is there a certain use of the", "for example, 'Woooo!' would become 'Woo~!' and in Japanese text, the tilde is", "it to convey emotion, or express repetition or is there a certain use", "Japanese text, the tilde is commonly used to portray a flirtatious mood. It", "languages to express repetition of characters, for example, 'Woooo!' would become 'Woo~!' and", "the tilde as punctuation in the English language? Would it be appropriate to", "other languages to express repetition of characters, for example, 'Woooo!' would become 'Woo~!'", "'tilde' key, or (~) is commonly found in programming and in other languages", "to portray a flirtatious mood. It can also be used to show approximation,", "tilde as punctuation in the English language? Would it be appropriate to use", "text, the tilde is commonly used to portray a flirtatious mood. It can", "and in Japanese text, the tilde is commonly used to portray a flirtatious", "(~) is commonly found in programming and in other languages to express repetition", "be used to show approximation, e.g. '1~20'. Is there any use of the", "repetition or is there a certain use of the tilde other than approximation", "the tilde is commonly used to portray a flirtatious mood. It can also", "characters, for example, 'Woooo!' would become 'Woo~!' and in Japanese text, the tilde", "commonly used to portray a flirtatious mood. It can also be used to", "repetition of characters, for example, 'Woooo!' would become 'Woo~!' and in Japanese text,", "become 'Woo~!' and in Japanese text, the tilde is commonly used to portray", "there any use of the tilde as punctuation in the English language? Would", "express repetition of characters, for example, 'Woooo!' would become 'Woo~!' and in Japanese", "in other languages to express repetition of characters, for example, 'Woooo!' would become", "use it to convey emotion, or express repetition or is there a certain", "to express repetition of characters, for example, 'Woooo!' would become 'Woo~!' and in", "would become 'Woo~!' and in Japanese text, the tilde is commonly used to", "used to portray a flirtatious mood. It can also be used to show", "a flirtatious mood. It can also be used to show approximation, e.g. '1~20'.", "or is there a certain use of the tilde other than approximation between", "The 'tilde' key, or (~) is commonly found in programming and in other", "key, or (~) is commonly found in programming and in other languages to", "tilde is commonly used to portray a flirtatious mood. It can also be", "express repetition or is there a certain use of the tilde other than", "any use of the tilde as punctuation in the English language? Would it", "appropriate to use it to convey emotion, or express repetition or is there", "used to show approximation, e.g. '1~20'. Is there any use of the tilde", "Is there any use of the tilde as punctuation in the English language?", "of the tilde as punctuation in the English language? Would it be appropriate", "approximation, e.g. '1~20'. Is there any use of the tilde as punctuation in", "or express repetition or is there a certain use of the tilde other", "can also be used to show approximation, e.g. '1~20'. Is there any use", "the English language? Would it be appropriate to use it to convey emotion,", "mood. It can also be used to show approximation, e.g. '1~20'. Is there", "'1~20'. Is there any use of the tilde as punctuation in the English", "'Woooo!' would become 'Woo~!' and in Japanese text, the tilde is commonly used", "example, 'Woooo!' would become 'Woo~!' and in Japanese text, the tilde is commonly", "also be used to show approximation, e.g. '1~20'. Is there any use of", "is there a certain use of the tilde other than approximation between two", "in the English language? Would it be appropriate to use it to convey", "to use it to convey emotion, or express repetition or is there a", "It can also be used to show approximation, e.g. '1~20'. Is there any", "to show approximation, e.g. '1~20'. Is there any use of the tilde as", "show approximation, e.g. '1~20'. Is there any use of the tilde as punctuation", "punctuation in the English language? Would it be appropriate to use it to", "or (~) is commonly found in programming and in other languages to express", "in Japanese text, the tilde is commonly used to portray a flirtatious mood." ]
[ "written by someone whose first language is not English (to be fair neither", "is reasonable charge for proofreading a somewhat specialized non-fiction manuscript, written by someone", "cut), what is reasonable charge for proofreading a somewhat specialized non-fiction manuscript, written", "is not English (to be fair neither is mine)? I realize the answer", "be fair neither is mine)? I realize the answer will be 'it depends',", "manuscript, written by someone whose first language is not English (to be fair", "by someone whose first language is not English (to be fair neither is", "ebook (e.g. after Amazon's cut), what is reasonable charge for proofreading a somewhat", "whose first language is not English (to be fair neither is mine)? I", "a somewhat specialized non-fiction manuscript, written by someone whose first language is not", "English (to be fair neither is mine)? I realize the answer will be", "what is reasonable charge for proofreading a somewhat specialized non-fiction manuscript, written by", "answer will be 'it depends', but just wondering if asking for 10%-15% is", "percentage of profit for an ebook (e.g. after Amazon's cut), what is reasonable", "for proofreading a somewhat specialized non-fiction manuscript, written by someone whose first language", "somewhat specialized non-fiction manuscript, written by someone whose first language is not English", "language is not English (to be fair neither is mine)? I realize the", "an ebook (e.g. after Amazon's cut), what is reasonable charge for proofreading a", "reasonable charge for proofreading a somewhat specialized non-fiction manuscript, written by someone whose", "proofreading a somewhat specialized non-fiction manuscript, written by someone whose first language is", "I realize the answer will be 'it depends', but just wondering if asking", "profit for an ebook (e.g. after Amazon's cut), what is reasonable charge for", "a percentage of profit for an ebook (e.g. after Amazon's cut), what is", "not English (to be fair neither is mine)? I realize the answer will", "(to be fair neither is mine)? I realize the answer will be 'it", "for an ebook (e.g. after Amazon's cut), what is reasonable charge for proofreading", "offered a percentage of profit for an ebook (e.g. after Amazon's cut), what", "charge for proofreading a somewhat specialized non-fiction manuscript, written by someone whose first", "fair neither is mine)? I realize the answer will be 'it depends', but", "will be 'it depends', but just wondering if asking for 10%-15% is too", "is mine)? I realize the answer will be 'it depends', but just wondering", "be 'it depends', but just wondering if asking for 10%-15% is too much?", "mine)? I realize the answer will be 'it depends', but just wondering if", "neither is mine)? I realize the answer will be 'it depends', but just", "of profit for an ebook (e.g. after Amazon's cut), what is reasonable charge", "Amazon's cut), what is reasonable charge for proofreading a somewhat specialized non-fiction manuscript,", "realize the answer will be 'it depends', but just wondering if asking for", "first language is not English (to be fair neither is mine)? I realize", "the answer will be 'it depends', but just wondering if asking for 10%-15%", "specialized non-fiction manuscript, written by someone whose first language is not English (to", "non-fiction manuscript, written by someone whose first language is not English (to be", "someone whose first language is not English (to be fair neither is mine)?", "If offered a percentage of profit for an ebook (e.g. after Amazon's cut),", "(e.g. after Amazon's cut), what is reasonable charge for proofreading a somewhat specialized", "after Amazon's cut), what is reasonable charge for proofreading a somewhat specialized non-fiction" ]
[ "same person? There are more than one hundred and fifty words in this", "one person describing the past behavior of another, who is absent, to two", "It's just a long dialogue describing the history of that person.What that person", "say something? Do I use a period in different places throughout and start", "listening say something? Do I use a period in different places throughout and", "that person. Do I let other people listening say something? Do I use", "it is still about the same person? There are more than one hundred", "words in this entire paragraph. But it needs to be said. How do", "fifty words in this entire paragraph. But it needs to be said. How", "another, who is absent, to two different people. One of the listeners knows", "just a long dialogue describing the history of that person.What that person did", "it needs to be said. How do I make it readable and not", "the dialogue?Though it is still about the same person? There are more than", "teller dislike that person. Do I let other people listening say something? Do", "needs to be said. How do I make it readable and not just", "be said. How do I make it readable and not just a 'run-on'", "new paragraph in places throughout the dialogue?Though it is still about the same", "and start a new paragraph in places throughout the dialogue?Though it is still", "in this entire paragraph. But it needs to be said. How do I", "absent, to two different people. One of the listeners knows the person who", "describing the history of that person.What that person did a long time back,", "time back, to make the teller dislike that person. Do I let other", "hundred and fifty words in this entire paragraph. But it needs to be", "something? Do I use a period in different places throughout and start a", "other people listening say something? Do I use a period in different places", "different places throughout and start a new paragraph in places throughout the dialogue?Though", "the teller dislike that person. Do I let other people listening say something?", "behavior of another, who is absent, to two different people. One of the", "entire paragraph. But it needs to be said. How do I make it", "more than one hundred and fifty words in this entire paragraph. But it", "about the same person? There are more than one hundred and fifty words", "throughout the dialogue?Though it is still about the same person? There are more", "in places throughout the dialogue?Though it is still about the same person? There", "still about the same person? There are more than one hundred and fifty", "spoken about. It's just a long dialogue describing the history of that person.What", "paragraph in places throughout the dialogue?Though it is still about the same person?", "paragraph. But it needs to be said. How do I make it readable", "a long dialogue describing the history of that person.What that person did a", "person.What that person did a long time back, to make the teller dislike", "being spoken about. It's just a long dialogue describing the history of that", "the history of that person.What that person did a long time back, to", "did a long time back, to make the teller dislike that person. Do", "long dialogue describing the history of that person.What that person did a long", "start a new paragraph in places throughout the dialogue?Though it is still about", "throughout and start a new paragraph in places throughout the dialogue?Though it is", "about. It's just a long dialogue describing the history of that person.What that", "is being spoken about. It's just a long dialogue describing the history of", "in different places throughout and start a new paragraph in places throughout the", "knows the person who is being spoken about. It's just a long dialogue", "This is one person describing the past behavior of another, who is absent,", "a long time back, to make the teller dislike that person. Do I", "Do I use a period in different places throughout and start a new", "person did a long time back, to make the teller dislike that person.", "the same person? There are more than one hundred and fifty words in", "the past behavior of another, who is absent, to two different people. One", "is absent, to two different people. One of the listeners knows the person", "people. One of the listeners knows the person who is being spoken about.", "to make the teller dislike that person. Do I let other people listening", "history of that person.What that person did a long time back, to make", "dialogue?Though it is still about the same person? There are more than one", "places throughout the dialogue?Though it is still about the same person? There are", "the listeners knows the person who is being spoken about. It's just a", "period in different places throughout and start a new paragraph in places throughout", "two different people. One of the listeners knows the person who is being", "of another, who is absent, to two different people. One of the listeners", "long time back, to make the teller dislike that person. Do I let", "dialogue describing the history of that person.What that person did a long time", "I let other people listening say something? Do I use a period in", "listeners knows the person who is being spoken about. It's just a long", "How do I make it readable and not just a 'run-on' sentence? Sincerely", "people listening say something? Do I use a period in different places throughout", "person who is being spoken about. It's just a long dialogue describing the", "use a period in different places throughout and start a new paragraph in", "I use a period in different places throughout and start a new paragraph", "to be said. How do I make it readable and not just a", "a period in different places throughout and start a new paragraph in places", "the person who is being spoken about. It's just a long dialogue describing", "who is absent, to two different people. One of the listeners knows the", "than one hundred and fifty words in this entire paragraph. But it needs", "But it needs to be said. How do I make it readable and", "dislike that person. Do I let other people listening say something? Do I", "is one person describing the past behavior of another, who is absent, to", "a new paragraph in places throughout the dialogue?Though it is still about the", "who is being spoken about. It's just a long dialogue describing the history", "this entire paragraph. But it needs to be said. How do I make", "person? There are more than one hundred and fifty words in this entire", "to two different people. One of the listeners knows the person who is", "back, to make the teller dislike that person. Do I let other people", "is still about the same person? There are more than one hundred and", "places throughout and start a new paragraph in places throughout the dialogue?Though it", "one hundred and fifty words in this entire paragraph. But it needs to", "past behavior of another, who is absent, to two different people. One of", "There are more than one hundred and fifty words in this entire paragraph.", "of the listeners knows the person who is being spoken about. It's just", "that person did a long time back, to make the teller dislike that", "said. How do I make it readable and not just a 'run-on' sentence?", "I make it readable and not just a 'run-on' sentence? Sincerely A.. ,", "are more than one hundred and fifty words in this entire paragraph. But", "One of the listeners knows the person who is being spoken about. It's", "that person.What that person did a long time back, to make the teller", "person. Do I let other people listening say something? Do I use a", "Do I let other people listening say something? Do I use a period", "person describing the past behavior of another, who is absent, to two different", "describing the past behavior of another, who is absent, to two different people.", "make the teller dislike that person. Do I let other people listening say", "of that person.What that person did a long time back, to make the", "different people. One of the listeners knows the person who is being spoken", "and fifty words in this entire paragraph. But it needs to be said.", "let other people listening say something? Do I use a period in different", "do I make it readable and not just a 'run-on' sentence? Sincerely A.." ]
[ "not entirely sure why I struggle to do so. How does one go", "quite lengthy. While length itself isn't a problem for me, sometimes my answers", "seems almost impossible for me to fix the problems through editing. Usually I", "okay. However, I'd like to be able to fix these problems myself, though", "pattern that I'm comfortable with, such as an essay. However, when I don't", "for me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more", "comment to the first person to point it out asking them for help", "[this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd like, and I'm never sure", "questions on the stack exchange network my end result is often quite lengthy.", "one go about breaking up a text wall into a more easily digested", "sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than", "essay. However, when I don't naturally fall into a familiar structured writing format", "fall into a familiar structured writing format by feel as I write the", "work out fine, especially when I fall into a pattern that I'm comfortable", "I write answers to questions on the stack exchange network my end result", "I'd like, and I'm never sure what to do when it does happen.", "with, such as an essay. However, when I don't naturally fall into a", "I don't naturally fall into a familiar structured writing format by feel as", "why I struggle to do so. How does one go about breaking up", "problems through editing. Usually I just leave a comment to the first person", "format by feel as I write the post, it seems almost impossible for", "I fall into a pattern that I'm comfortable with, such as an essay.", "walls, and usually they are willing to do so and that works out", "fall into a pattern that I'm comfortable with, such as an essay. However,", "structured writing format by feel as I write the post, it seems almost", "breaking up the text walls, and usually they are willing to do so", "I just leave a comment to the first person to point it out", "the stack exchange network my end result is often quite lengthy. While length", "problem for me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly", "Usually I just leave a comment to the first person to point it", "it does happen. Sometimes the long-answers work out fine, especially when I fall", "them for help breaking up the text walls, and usually they are willing", "help breaking up the text walls, and usually they are willing to do", "However, I'd like to be able to fix these problems myself, though I'm", "up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd like, and I'm", "what to do when it does happen. Sometimes the long-answers work out fine,", "my end result is often quite lengthy. While length itself isn't a problem", "fix these problems myself, though I'm not entirely sure why I struggle to", "network my end result is often quite lengthy. While length itself isn't a", "are willing to do so and that works out okay. However, I'd like", "to do when it does happen. Sometimes the long-answers work out fine, especially", "answers to questions on the stack exchange network my end result is often", "more frequently than I'd like, and I'm never sure what to do when", "I write the post, it seems almost impossible for me to fix the", "end result is often quite lengthy. While length itself isn't a problem for", "However, when I don't naturally fall into a familiar structured writing format by", "like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd like, and I'm never", "write the post, it seems almost impossible for me to fix the problems", "usually they are willing to do so and that works out okay. However,", "works out okay. However, I'd like to be able to fix these problems", "and I'm never sure what to do when it does happen. Sometimes the", "itself isn't a problem for me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848).", "though I'm not entirely sure why I struggle to do so. How does", "out okay. However, I'd like to be able to fix these problems myself,", "on the stack exchange network my end result is often quite lengthy. While", "when I don't naturally fall into a familiar structured writing format by feel", "I'd like to be able to fix these problems myself, though I'm not", "the post, it seems almost impossible for me to fix the problems through", "exchange network my end result is often quite lengthy. While length itself isn't", "stack exchange network my end result is often quite lengthy. While length itself", "don't naturally fall into a familiar structured writing format by feel as I", "asking them for help breaking up the text walls, and usually they are", "a familiar structured writing format by feel as I write the post, it", "than I'd like, and I'm never sure what to do when it does", "just leave a comment to the first person to point it out asking", "it seems almost impossible for me to fix the problems through editing. Usually", "result is often quite lengthy. While length itself isn't a problem for me,", "often quite lengthy. While length itself isn't a problem for me, sometimes my", "when I fall into a pattern that I'm comfortable with, such as an", "do when it does happen. Sometimes the long-answers work out fine, especially when", "me to fix the problems through editing. Usually I just leave a comment", "so. How does one go about breaking up a text wall into a", "sure what to do when it does happen. Sometimes the long-answers work out", "do so and that works out okay. However, I'd like to be able", "and usually they are willing to do so and that works out okay.", "lengthy. While length itself isn't a problem for me, sometimes my answers end", "write answers to questions on the stack exchange network my end result is", "does happen. Sometimes the long-answers work out fine, especially when I fall into", "impossible for me to fix the problems through editing. Usually I just leave", "me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently", "through editing. Usually I just leave a comment to the first person to", "length itself isn't a problem for me, sometimes my answers end up like", "an essay. However, when I don't naturally fall into a familiar structured writing", "like, and I'm never sure what to do when it does happen. Sometimes", "I struggle to do so. How does one go about breaking up a", "is often quite lengthy. While length itself isn't a problem for me, sometimes", "when it does happen. Sometimes the long-answers work out fine, especially when I", "naturally fall into a familiar structured writing format by feel as I write", "out asking them for help breaking up the text walls, and usually they", "never sure what to do when it does happen. Sometimes the long-answers work", "as I write the post, it seems almost impossible for me to fix", "to questions on the stack exchange network my end result is often quite", "to be able to fix these problems myself, though I'm not entirely sure", "a comment to the first person to point it out asking them for", "This happens significantly more frequently than I'd like, and I'm never sure what", "go about breaking up a text wall into a more easily digested format?", "significantly more frequently than I'd like, and I'm never sure what to do", "to the first person to point it out asking them for help breaking", "I'm never sure what to do when it does happen. Sometimes the long-answers", "be able to fix these problems myself, though I'm not entirely sure why", "happen. Sometimes the long-answers work out fine, especially when I fall into a", "they are willing to do so and that works out okay. However, I'd", "end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd like, and", "When I write answers to questions on the stack exchange network my end", "the text walls, and usually they are willing to do so and that", "to do so and that works out okay. However, I'd like to be", "struggle to do so. How does one go about breaking up a text", "fix the problems through editing. Usually I just leave a comment to the", "do so. How does one go about breaking up a text wall into", "to fix the problems through editing. Usually I just leave a comment to", "post, it seems almost impossible for me to fix the problems through editing.", "the first person to point it out asking them for help breaking up", "so and that works out okay. However, I'd like to be able to", "writing format by feel as I write the post, it seems almost impossible", "answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd like,", "myself, though I'm not entirely sure why I struggle to do so. How", "up the text walls, and usually they are willing to do so and", "long-answers work out fine, especially when I fall into a pattern that I'm", "point it out asking them for help breaking up the text walls, and", "does one go about breaking up a text wall into a more easily", "Sometimes the long-answers work out fine, especially when I fall into a pattern", "While length itself isn't a problem for me, sometimes my answers end up", "such as an essay. However, when I don't naturally fall into a familiar", "editing. Usually I just leave a comment to the first person to point", "sure why I struggle to do so. How does one go about breaking", "these problems myself, though I'm not entirely sure why I struggle to do", "for me to fix the problems through editing. Usually I just leave a", "like to be able to fix these problems myself, though I'm not entirely", "frequently than I'd like, and I'm never sure what to do when it", "problems myself, though I'm not entirely sure why I struggle to do so.", "my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens significantly more frequently than I'd", "happens significantly more frequently than I'd like, and I'm never sure what to", "the problems through editing. Usually I just leave a comment to the first", "especially when I fall into a pattern that I'm comfortable with, such as", "to do so. How does one go about breaking up a text wall", "to fix these problems myself, though I'm not entirely sure why I struggle", "willing to do so and that works out okay. However, I'd like to", "the long-answers work out fine, especially when I fall into a pattern that", "a problem for me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This happens", "it out asking them for help breaking up the text walls, and usually", "for help breaking up the text walls, and usually they are willing to", "I'm comfortable with, such as an essay. However, when I don't naturally fall", "that works out okay. However, I'd like to be able to fix these", "familiar structured writing format by feel as I write the post, it seems", "person to point it out asking them for help breaking up the text", "and that works out okay. However, I'd like to be able to fix", "out fine, especially when I fall into a pattern that I'm comfortable with,", "by feel as I write the post, it seems almost impossible for me", "into a familiar structured writing format by feel as I write the post,", "entirely sure why I struggle to do so. How does one go about", "that I'm comfortable with, such as an essay. However, when I don't naturally", "comfortable with, such as an essay. However, when I don't naturally fall into", "leave a comment to the first person to point it out asking them", "to point it out asking them for help breaking up the text walls,", "into a pattern that I'm comfortable with, such as an essay. However, when", "I'm not entirely sure why I struggle to do so. How does one", "almost impossible for me to fix the problems through editing. Usually I just", "isn't a problem for me, sometimes my answers end up like [this](https://rpg.stackexchange.com/a/95465/14848). This", "able to fix these problems myself, though I'm not entirely sure why I", "How does one go about breaking up a text wall into a more", "as an essay. However, when I don't naturally fall into a familiar structured", "a pattern that I'm comfortable with, such as an essay. However, when I", "feel as I write the post, it seems almost impossible for me to", "first person to point it out asking them for help breaking up the", "fine, especially when I fall into a pattern that I'm comfortable with, such", "text walls, and usually they are willing to do so and that works" ]
[ "foragers. If your text does not have the scent of the information they", "I know: Hijrp Potfeq. Big long books. Lots of text. Lots of readers.", "quite interested in the content of short, nonfiction pieces I've written have requested", "While the density on the page was not problematic for them once they", "But they are information foragers. If your text does not have the scent", "Hijrp Potfeq. Big long books. Lots of text. Lots of readers. People come", "a myth. This is how I know: Hijrp Potfeq. Big long books. Lots", "formatting. Is the so-called 'text wall' really a thing? Is it true that", "off some readers in certain contexts is] a myth. This is how I", "people throughout my life who've been quite interested in the content of short,", "of short, nonfiction pieces I've written have requested that I avoid 'text walls'", "true that in some contexts, large blocks of unformatted text can scare off", "[recent question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large unformatted text", "the piece, they had significantly delayed reading it because of the lack of", "This is how I know: Hijrp Potfeq. Big long books. Lots of text.", "in certain contexts is] a myth. This is how I know: Hijrp Potfeq.", "they actually read the piece, they had significantly delayed reading it because of", "they had significantly delayed reading it because of the lack of paragraphing and", "off readers before they start reading? Or is there actually no such phenomenon?", "text is leading the reader the direction they want to go and is", "is leading the reader the direction they want to go and is making", "of text. Lots of readers. People come to SE for text. They are", "and is making steady progress. (But do keep your paragraphs short. Easier to", "SE for text. They are not scared of it. But they are information", "Multiple people throughout my life who've been quite interested in the content of", "paragraphs short. Easier to read on screen.) > > > This was surprising", "> > > This was surprising to read. Multiple people throughout my life", "been quite interested in the content of short, nonfiction pieces I've written have", "Lots of readers. People come to SE for text. They are not scared", "read on screen.) > > > This was surprising to read. Multiple people", "I avoid 'text walls' in the future. While the density on the page", "the information they are looking for they will quickly move on. Make sure", "actually read the piece, they had significantly delayed reading it because of the", "reader the direction they want to go and is making steady progress. (But", "your text is leading the reader the direction they want to go and", "> > This was surprising to read. Multiple people throughout my life who've", "text can scare off readers before they start reading? Or is there actually", "of readers. People come to SE for text. They are not scared of", "is] a myth. This is how I know: Hijrp Potfeq. Big long books.", "paragraphing and other formatting. Is the so-called 'text wall' really a thing? Is", "how I know: Hijrp Potfeq. Big long books. Lots of text. Lots of", "future. While the density on the page was not problematic for them once", "unformatted text can scare off readers before they start reading? Or is there", "on screen.) > > > This was surprising to read. Multiple people throughout", "for text. They are not scared of it. But they are information foragers.", "significantly delayed reading it because of the lack of paragraphing and other formatting.", "they are information foragers. If your text does not have the scent of", "walls' in the future. While the density on the page was not problematic", "want to go and is making steady progress. (But do keep your paragraphs", "Is the so-called 'text wall' really a thing? Is it true that in", "who've been quite interested in the content of short, nonfiction pieces I've written", "sure your text is leading the reader the direction they want to go", "that in some contexts, large blocks of unformatted text can scare off readers", "had significantly delayed reading it because of the lack of paragraphing and other", "once they actually read the piece, they had significantly delayed reading it because", "reading it because of the lack of paragraphing and other formatting. Is the", "'text wall' really a thing? Is it true that in some contexts, large", "long books. Lots of text. Lots of readers. People come to SE for", "it. But they are information foragers. If your text does not have the", "page was not problematic for them once they actually read the piece, they", "scared of it. But they are information foragers. If your text does not", "have the scent of the information they are looking for they will quickly", "they are looking for they will quickly move on. Make sure your text", "for they will quickly move on. Make sure your text is leading the", "> This was surprising to read. Multiple people throughout my life who've been", "does not have the scent of the information they are looking for they", "in some contexts, large blocks of unformatted text can scare off readers before", "of paragraphing and other formatting. Is the so-called 'text wall' really a thing?", "Easier to read on screen.) > > > This was surprising to read.", "scent of the information they are looking for they will quickly move on.", "requested that I avoid 'text walls' in the future. While the density on", "Big long books. Lots of text. Lots of readers. People come to SE", "the content of short, nonfiction pieces I've written have requested that I avoid", "of unformatted text can scare off readers before they start reading? Or is", "text blocks scaring off some readers in certain contexts is] a myth. This", "books. Lots of text. Lots of readers. People come to SE for text.", "do keep your paragraphs short. Easier to read on screen.) > > >", "Right, so that's [large unformatted text blocks scaring off some readers in certain", "making steady progress. (But do keep your paragraphs short. Easier to read on", "This was surprising to read. Multiple people throughout my life who've been quite", "piece, they had significantly delayed reading it because of the lack of paragraphing", "and other formatting. Is the so-called 'text wall' really a thing? Is it", "(But do keep your paragraphs short. Easier to read on screen.) > >", "in the future. While the density on the page was not problematic for", "not problematic for them once they actually read the piece, they had significantly", "so-called 'text wall' really a thing? Is it true that in some contexts,", "because of the lack of paragraphing and other formatting. Is the so-called 'text", "the so-called 'text wall' really a thing? Is it true that in some", "they will quickly move on. Make sure your text is leading the reader", "leading the reader the direction they want to go and is making steady", "the page was not problematic for them once they actually read the piece,", "certain contexts is] a myth. This is how I know: Hijrp Potfeq. Big", "mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large unformatted text blocks scaring off", "a [recent question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large unformatted", "to SE for text. They are not scared of it. But they are", "surprising to read. Multiple people throughout my life who've been quite interested in", "Make sure your text is leading the reader the direction they want to", "interested in the content of short, nonfiction pieces I've written have requested that", "> > Right, so that's [large unformatted text blocks scaring off some readers", "density on the page was not problematic for them once they actually read", "Is it true that in some contexts, large blocks of unformatted text can", "for them once they actually read the piece, they had significantly delayed reading", "keep your paragraphs short. Easier to read on screen.) > > > This", "A comment on a [recent question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so", "them once they actually read the piece, they had significantly delayed reading it", "comment on a [recent question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's", "large blocks of unformatted text can scare off readers before they start reading?", "question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large unformatted text blocks", "some readers in certain contexts is] a myth. This is how I know:", "of it. But they are information foragers. If your text does not have", "can scare off readers before they start reading? Or is there actually no", "short. Easier to read on screen.) > > > This was surprising to", "[large unformatted text blocks scaring off some readers in certain contexts is] a", "move on. Make sure your text is leading the reader the direction they", "is making steady progress. (But do keep your paragraphs short. Easier to read", "claims > > Right, so that's [large unformatted text blocks scaring off some", "information foragers. If your text does not have the scent of the information", "on the page was not problematic for them once they actually read the", "short, nonfiction pieces I've written have requested that I avoid 'text walls' in", "blocks of unformatted text can scare off readers before they start reading? Or", "screen.) > > > This was surprising to read. Multiple people throughout my", "read. Multiple people throughout my life who've been quite interested in the content", "come to SE for text. They are not scared of it. But they", "pieces I've written have requested that I avoid 'text walls' in the future.", "some contexts, large blocks of unformatted text can scare off readers before they", "text does not have the scent of the information they are looking for", "readers in certain contexts is] a myth. This is how I know: Hijrp", "information they are looking for they will quickly move on. Make sure your", "progress. (But do keep your paragraphs short. Easier to read on screen.) >", "unformatted text blocks scaring off some readers in certain contexts is] a myth.", "blocks scaring off some readers in certain contexts is] a myth. This is", "really a thing? Is it true that in some contexts, large blocks of", "thing? Is it true that in some contexts, large blocks of unformatted text", "contexts, large blocks of unformatted text can scare off readers before they start", "not scared of it. But they are information foragers. If your text does", "so that's [large unformatted text blocks scaring off some readers in certain contexts", "content of short, nonfiction pieces I've written have requested that I avoid 'text", "it true that in some contexts, large blocks of unformatted text can scare", "it because of the lack of paragraphing and other formatting. Is the so-called", "Potfeq. Big long books. Lots of text. Lots of readers. People come to", "of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large unformatted text blocks scaring", "the lack of paragraphing and other formatting. Is the so-called 'text wall' really", "I've written have requested that I avoid 'text walls' in the future. While", "that's [large unformatted text blocks scaring off some readers in certain contexts is]", "know: Hijrp Potfeq. Big long books. Lots of text. Lots of readers. People", "direction they want to go and is making steady progress. (But do keep", "they want to go and is making steady progress. (But do keep your", "lack of paragraphing and other formatting. Is the so-called 'text wall' really a", "that I avoid 'text walls' in the future. While the density on the", "scare off readers before they start reading? Or is there actually no such", "was not problematic for them once they actually read the piece, they had", "myth. This is how I know: Hijrp Potfeq. Big long books. Lots of", "scaring off some readers in certain contexts is] a myth. This is how", "the reader the direction they want to go and is making steady progress.", "in the content of short, nonfiction pieces I've written have requested that I", "a thing? Is it true that in some contexts, large blocks of unformatted", "People come to SE for text. They are not scared of it. But", "of the lack of paragraphing and other formatting. Is the so-called 'text wall'", "to read. Multiple people throughout my life who've been quite interested in the", "not have the scent of the information they are looking for they will", "on. Make sure your text is leading the reader the direction they want", "They are not scared of it. But they are information foragers. If your", "was surprising to read. Multiple people throughout my life who've been quite interested", "go and is making steady progress. (But do keep your paragraphs short. Easier", "'text walls' in the future. While the density on the page was not", "Lots of text. Lots of readers. People come to SE for text. They", "looking for they will quickly move on. Make sure your text is leading", "text. Lots of readers. People come to SE for text. They are not", "on a [recent question of mine](https://writers.stackexchange.com/q/26898/13494) claims > > Right, so that's [large", "the density on the page was not problematic for them once they actually", "written have requested that I avoid 'text walls' in the future. While the", "readers. People come to SE for text. They are not scared of it.", "avoid 'text walls' in the future. While the density on the page was", "> Right, so that's [large unformatted text blocks scaring off some readers in", "steady progress. (But do keep your paragraphs short. Easier to read on screen.)", "delayed reading it because of the lack of paragraphing and other formatting. Is", "nonfiction pieces I've written have requested that I avoid 'text walls' in the", "text. They are not scared of it. But they are information foragers. If", "are not scared of it. But they are information foragers. If your text", "is how I know: Hijrp Potfeq. Big long books. Lots of text. Lots", "my life who've been quite interested in the content of short, nonfiction pieces", "your text does not have the scent of the information they are looking", "life who've been quite interested in the content of short, nonfiction pieces I've", "problematic for them once they actually read the piece, they had significantly delayed", "other formatting. Is the so-called 'text wall' really a thing? Is it true", "will quickly move on. Make sure your text is leading the reader the", "have requested that I avoid 'text walls' in the future. While the density", "are looking for they will quickly move on. Make sure your text is", "your paragraphs short. Easier to read on screen.) > > > This was", "wall' really a thing? Is it true that in some contexts, large blocks", "to go and is making steady progress. (But do keep your paragraphs short.", "are information foragers. If your text does not have the scent of the", "throughout my life who've been quite interested in the content of short, nonfiction", "read the piece, they had significantly delayed reading it because of the lack", "the direction they want to go and is making steady progress. (But do", "to read on screen.) > > > This was surprising to read. Multiple", "If your text does not have the scent of the information they are", "quickly move on. Make sure your text is leading the reader the direction", "contexts is] a myth. This is how I know: Hijrp Potfeq. Big long", "the scent of the information they are looking for they will quickly move", "the future. While the density on the page was not problematic for them", "of the information they are looking for they will quickly move on. Make" ]
[ "questions regarding the same: 1. Apart from basic time and location, what real", "is real and whose events could > feasibly happen in that real-world setting.", "> This is really ambiguous definition. I have few questions regarding the same:", "Realistic fiction typically involves a story whose basic setting (time and location in", "to [wiki](https://en.wikipedia.org/wiki/Fiction#Reality), > > Realistic fiction typically involves a story whose basic setting", "> > > This is really ambiguous definition. I have few questions regarding", "allowed during writing? 2. Considering the definition, can most of the written TV", "events could > feasibly happen in that real-world setting. > > > This", "soaps be termed as \"Realistic\" fiction? 3. How should the tone of Narration", "basic time and location, what real entities are allowed during writing? 2. Considering", "basic setting (time and location in the world) is real and whose events", "involves a story whose basic setting (time and location in the world) is", "few questions regarding the same: 1. Apart from basic time and location, what", "world) is real and whose events could > feasibly happen in that real-world", "definition. I have few questions regarding the same: 1. Apart from basic time", "setting.* > > > This is really ambiguous definition. I have few questions", "real entities are allowed during writing? 2. Considering the definition, can most of", "real-world setting.* > > > This is really ambiguous definition. I have few", "and location, what real entities are allowed during writing? 2. Considering the definition,", "the written TV soaps be termed as \"Realistic\" fiction? 3. How should the", "same: 1. Apart from basic time and location, what real entities are allowed", "setting (time and location in the world) is real and whose events could", "can most of the written TV soaps be termed as \"Realistic\" fiction? 3.", "the definition, can most of the written TV soaps be termed as \"Realistic\"", "termed as \"Realistic\" fiction? 3. How should the tone of Narration be while", "I have few questions regarding the same: 1. Apart from basic time and", "happen in that real-world setting.* > > > This is really ambiguous definition.", "\"Realistic\" fiction? 3. How should the tone of Narration be while writing Realistic", "location in the world) is real and whose events could > feasibly happen", "a story whose basic setting (time and location in the world) is real", "really ambiguous definition. I have few questions regarding the same: 1. Apart from", "ambiguous definition. I have few questions regarding the same: 1. Apart from basic", "Considering the definition, can most of the written TV soaps be termed as", "have few questions regarding the same: 1. Apart from basic time and location,", "and location in the world) is real and whose events could > feasibly", "most of the written TV soaps be termed as \"Realistic\" fiction? 3. How", "are allowed during writing? 2. Considering the definition, can most of the written", "fiction? 3. How should the tone of Narration be while writing Realistic fiction?", "typically involves a story whose basic setting (time and location in the world)", "regarding the same: 1. Apart from basic time and location, what real entities", "time and location, what real entities are allowed during writing? 2. Considering the", "definition, can most of the written TV soaps be termed as \"Realistic\" fiction?", "in that real-world setting.* > > > This is really ambiguous definition. I", "entities are allowed during writing? 2. Considering the definition, can most of the", "could > feasibly happen in that real-world setting.* > > > This is", "of the written TV soaps be termed as \"Realistic\" fiction? 3. How should", "Apart from basic time and location, what real entities are allowed during writing?", "during writing? 2. Considering the definition, can most of the written TV soaps", "> Realistic fiction typically involves a story whose basic setting (time and location", "location, what real* entities are allowed during writing? 2. Considering the definition, can", "2. Considering the definition, can most of the written TV soaps be termed", "the same: 1. Apart from basic time and location, what real entities are", "what real entities are allowed during writing? 2. Considering the definition, can most", "1. Apart from basic time and location, what real entities are allowed during", "as \"Realistic\" fiction? 3. How should the tone of Narration be while writing", "real and whose events could > feasibly happen in that real-world setting.* >", "and whose events could > feasibly happen in that real-world setting.* > >", "According to [wiki](https://en.wikipedia.org/wiki/Fiction#Reality), > > Realistic fiction typically involves a story whose basic", "story whose basic setting (time and location in the world) is real and", "in the world) is real and whose events could > feasibly happen in", "from basic time and location, what real* entities are allowed during writing? 2.", "written TV soaps be termed as \"Realistic\" fiction? 3. How should the tone", "> > Realistic fiction typically involves a story whose basic setting (time and", "that real-world setting. > > > This is really ambiguous definition. I have", "be termed as \"Realistic\" fiction? 3. How should the tone of Narration be", "the world) is real and whose events could > feasibly happen in that", "whose basic setting (time and location in the world) is real and whose", "feasibly happen in that real-world setting.* > > > This is really ambiguous", "> feasibly happen in that real-world setting.* > > > This is really", "fiction typically involves a story whose basic setting (time and location in the", "[wiki](https://en.wikipedia.org/wiki/Fiction#Reality), > > Realistic fiction typically involves a story whose basic setting (time", "(time and location in the world) is real and whose events could >", "is really ambiguous definition. I have few questions regarding the same: 1. Apart", "> > This is really ambiguous definition. I have few questions regarding the", "TV soaps be termed as \"Realistic\" fiction? 3. How should the tone of", "writing? 2. Considering the definition, can most of the written TV soaps be", "whose events could > feasibly happen in that real-world setting. > > >", "This is really ambiguous definition. I have few questions regarding the same: 1." ]
[ "development of this idea throughout history and all the notable mathematicians who have", "I deeply respect and honor giving everyone due credit for their hard work;", "of, I would be delighted to hear about them. P.S. I am new", "certain the majority, if not the entirety, of the material to be presented", "to writing textbooks; though my education and work in the field of math", "of math has inspired me to help and contribute to what has meant", "idea throughout history and all the notable mathematicians who have worked on it.", "credit for their hard work; I'm just unsure how this is commonly done", "lies here. While the theorems may be read from other books, the knowledge", "other texts and resources for compiling the book. My question lies here. While", "compiling the book. My question lies here. While the theorems may be read", "deeply grateful to anyone who can help guide me on this new endeavor.", "in the field of math has inspired me to help and contribute to", "I'm fairly certain the majority, if not the entirety, of the material to", "be delighted to hear about them. P.S. I am new to this SE", "for compiling the book. My question lies here. While the theorems may be", "have a completely fair yet manageable balance between citing information and actually writing", "and all the notable mathematicians who have worked on it. This becomes more", "it is crucial to mention that I don't remember every single theorem from", "all the notable mathematicians who have worked on it. This becomes more of", "write a simple textbook on standard high-school level algebra. Most of what we", "to mention that I don't remember every single theorem from the field so", "and resources for compiling the book. My question lies here. While the theorems", "P.S. I am new to this SE site, so I'm not sure exactly", "the precedence of the order of operations, it would unfeasible to trace back", "So I'm fairly certain the majority, if not the entirety, of the material", "I would be delighted to hear about them. P.S. I am new to", "I'm not sure exactly what tags will be appropriate here. So please feel", "If there are other legal issues that I should know of, I would", "my life. I am deeply grateful to anyone who can help guide me", "this new endeavor. If there are other legal issues that I should know", "and contribute to what has meant so much to me in my life.", "of the material to be presented in the text will be part of", "entirety, of the material to be presented in the text will be part", "the field, we have known it for centuries. So I'm fairly certain the", "not sure exactly what tags will be appropriate here. So please feel free", "of the order of operations, it would unfeasible to trace back the development", "is well known and can be considered \"general knowledge.\" I deeply respect and", "want to have a completely fair yet manageable balance between citing information and", "can be considered \"general knowledge.\" I deeply respect and honor giving everyone due", "so I will have to consult other texts and resources for compiling the", "My question lies here. While the theorems may be read from other books,", "of a problem when I might have to cite texts/resources I've referenced for", "everyone due credit for their hard work; I'm just unsure how this is", "fairly general and well known. This is somewhat of a sticking point in", "am new to this SE site, so I'm not sure exactly what tags", "contribute to what has meant so much to me in my life. I", "accepted for writing math textbooks. I want to have a completely fair yet", "honor giving everyone due credit for their hard work; I'm just unsure how", "writing math textbooks. I want to have a completely fair yet manageable balance", "hear about them. P.S. I am new to this SE site, so I'm", "well known. This is somewhat of a sticking point in Mathematics. If for", "I am deeply grateful to anyone who can help guide me on this", "are other legal issues that I should know of, I would be delighted", "information and actually writing the text itself. I'm completely new to writing textbooks;", "Mathematics. If for example I want to talk about the precedence of the", "has inspired me to help and contribute to what has meant so much", "becomes more of a problem when I might have to cite texts/resources I've", "mention that I don't remember every single theorem from the field so I", "information that I feel is well known and can be considered \"general knowledge.\"", "and information that I feel is well known and can be considered \"general", "what tags will be appropriate here. So please feel free to edit my", "This is somewhat of a sticking point in Mathematics. If for example I", "math has inspired me to help and contribute to what has meant so", "delighted to hear about them. P.S. I am new to this SE site,", "for every trivial theorem. And then, there's also the issue about finding references", "standard high-school level algebra. Most of what we know about the field, we", "in Mathematics. If for example I want to talk about the precedence of", "unfeasible to trace back the development of this idea throughout history and all", "for theorems and information that I feel is well known and can be", "be read from other books, the knowledge is fairly general and well known.", "back the development of this idea throughout history and all the notable mathematicians", "open domain. However, with that being said, it is crucial to mention that", "majority, if not the entirety, of the material to be presented in the", "with that being said, it is crucial to mention that I don't remember", "who have worked on it. This becomes more of a problem when I", "on it. This becomes more of a problem when I might have to", "the majority, if not the entirety, of the material to be presented in", "high-school level algebra. Most of what we know about the field, we have", "theorems and information that I feel is well known and can be considered", "read from other books, the knowledge is fairly general and well known. This", "question lies here. While the theorems may be read from other books, the", "point in Mathematics. If for example I want to talk about the precedence", "actually writing the text itself. I'm completely new to writing textbooks; though my", "references for theorems and information that I feel is well known and can", "textbook on standard high-school level algebra. Most of what we know about the", "single theorem from the field so I will have to consult other texts", "be considered \"general knowledge.\" I deeply respect and honor giving everyone due credit", "from the field so I will have to consult other texts and resources", "might have to cite texts/resources I've referenced for every trivial theorem. And then,", "to write a simple textbook on standard high-school level algebra. Most of what", "from other books, the knowledge is fairly general and well known. This is", "order of operations, it would unfeasible to trace back the development of this", "a problem when I might have to cite texts/resources I've referenced for every", "balance between citing information and actually writing the text itself. I'm completely new", "also the issue about finding references for theorems and information that I feel", "between citing information and actually writing the text itself. I'm completely new to", "the order of operations, it would unfeasible to trace back the development of", "I might have to cite texts/resources I've referenced for every trivial theorem. And", "I want to have a completely fair yet manageable balance between citing information", "writing the text itself. I'm completely new to writing textbooks; though my education", "is fairly general and well known. This is somewhat of a sticking point", "and actually writing the text itself. I'm completely new to writing textbooks; though", "them. P.S. I am new to this SE site, so I'm not sure", "texts/resources I've referenced for every trivial theorem. And then, there's also the issue", "history and all the notable mathematicians who have worked on it. This becomes", "and accepted for writing math textbooks. I want to have a completely fair", "textbooks. I want to have a completely fair yet manageable balance between citing", "want to write a simple textbook on standard high-school level algebra. Most of", "that being said, it is crucial to mention that I don't remember every", "manageable balance between citing information and actually writing the text itself. I'm completely", "considered \"general knowledge.\" I deeply respect and honor giving everyone due credit for", "knowledge.\" I deeply respect and honor giving everyone due credit for their hard", "fair yet manageable balance between citing information and actually writing the text itself.", "domain. However, with that being said, it is crucial to mention that I", "for example I want to talk about the precedence of the order of", "commonly done and accepted for writing math textbooks. I want to have a", "don't remember every single theorem from the field so I will have to", "the text will be part of the open domain. However, with that being", "for writing math textbooks. I want to have a completely fair yet manageable", "operations, it would unfeasible to trace back the development of this idea throughout", "field, we have known it for centuries. So I'm fairly certain the majority,", "However, with that being said, it is crucial to mention that I don't", "want to talk about the precedence of the order of operations, it would", "I don't remember every single theorem from the field so I will have", "who can help guide me on this new endeavor. If there are other", "would unfeasible to trace back the development of this idea throughout history and", "I've referenced for every trivial theorem. And then, there's also the issue about", "being said, it is crucial to mention that I don't remember every single", "to help and contribute to what has meant so much to me in", "and well known. This is somewhat of a sticking point in Mathematics. If", "we know about the field, we have known it for centuries. So I'm", "the issue about finding references for theorems and information that I feel is", "it would unfeasible to trace back the development of this idea throughout history", "new to writing textbooks; though my education and work in the field of", "the theorems may be read from other books, the knowledge is fairly general", "theorem from the field so I will have to consult other texts and", "is somewhat of a sticking point in Mathematics. If for example I want", "can help guide me on this new endeavor. If there are other legal", "text will be part of the open domain. However, with that being said,", "to consult other texts and resources for compiling the book. My question lies", "citing information and actually writing the text itself. I'm completely new to writing", "site, so I'm not sure exactly what tags will be appropriate here. So", "to be presented in the text will be part of the open domain.", "issues that I should know of, I would be delighted to hear about", "example I want to talk about the precedence of the order of operations,", "every single theorem from the field so I will have to consult other", "resources for compiling the book. My question lies here. While the theorems may", "not the entirety, of the material to be presented in the text will", "work in the field of math has inspired me to help and contribute", "a sticking point in Mathematics. If for example I want to talk about", "itself. I'm completely new to writing textbooks; though my education and work in", "know about the field, we have known it for centuries. So I'm fairly", "to this SE site, so I'm not sure exactly what tags will be", "would be delighted to hear about them. P.S. I am new to this", "crucial to mention that I don't remember every single theorem from the field", "trivial theorem. And then, there's also the issue about finding references for theorems", "about the precedence of the order of operations, it would unfeasible to trace", "a completely fair yet manageable balance between citing information and actually writing the", "hard work; I'm just unsure how this is commonly done and accepted for", "how this is commonly done and accepted for writing math textbooks. I want", "about them. P.S. I am new to this SE site, so I'm not", "writing textbooks; though my education and work in the field of math has", "giving everyone due credit for their hard work; I'm just unsure how this", "If for example I want to talk about the precedence of the order", "to hear about them. P.S. I am new to this SE site, so", "mathematicians who have worked on it. This becomes more of a problem when", "when I might have to cite texts/resources I've referenced for every trivial theorem.", "worked on it. This becomes more of a problem when I might have", "anyone who can help guide me on this new endeavor. If there are", "me on this new endeavor. If there are other legal issues that I", "texts and resources for compiling the book. My question lies here. While the", "new to this SE site, so I'm not sure exactly what tags will", "will have to consult other texts and resources for compiling the book. My", "that I don't remember every single theorem from the field so I will", "knowledge is fairly general and well known. This is somewhat of a sticking", "grateful to anyone who can help guide me on this new endeavor. If", "should know of, I would be delighted to hear about them. P.S. I", "has meant so much to me in my life. I am deeply grateful", "feel is well known and can be considered \"general knowledge.\" I deeply respect", "simple textbook on standard high-school level algebra. Most of what we know about", "much to me in my life. I am deeply grateful to anyone who", "the book. My question lies here. While the theorems may be read from", "fairly certain the majority, if not the entirety, of the material to be", "I feel is well known and can be considered \"general knowledge.\" I deeply", "well known and can be considered \"general knowledge.\" I deeply respect and honor", "of the open domain. However, with that being said, it is crucial to", "work; I'm just unsure how this is commonly done and accepted for writing", "help and contribute to what has meant so much to me in my", "though my education and work in the field of math has inspired me", "guide me on this new endeavor. If there are other legal issues that", "to anyone who can help guide me on this new endeavor. If there", "deeply respect and honor giving everyone due credit for their hard work; I'm", "the text itself. I'm completely new to writing textbooks; though my education and", "it. This becomes more of a problem when I might have to cite", "\"general knowledge.\" I deeply respect and honor giving everyone due credit for their", "respect and honor giving everyone due credit for their hard work; I'm just", "of operations, it would unfeasible to trace back the development of this idea", "to cite texts/resources I've referenced for every trivial theorem. And then, there's also", "is commonly done and accepted for writing math textbooks. I want to have", "part of the open domain. However, with that being said, it is crucial", "I should know of, I would be delighted to hear about them. P.S.", "for their hard work; I'm just unsure how this is commonly done and", "I want to talk about the precedence of the order of operations, it", "and work in the field of math has inspired me to help and", "theorem. And then, there's also the issue about finding references for theorems and", "a simple textbook on standard high-school level algebra. Most of what we know", "sure exactly what tags will be appropriate here. So please feel free to", "said, it is crucial to mention that I don't remember every single theorem", "about finding references for theorems and information that I feel is well known", "if not the entirety, of the material to be presented in the text", "of what we know about the field, we have known it for centuries.", "meant so much to me in my life. I am deeply grateful to", "throughout history and all the notable mathematicians who have worked on it. This", "in my life. I am deeply grateful to anyone who can help guide", "there are other legal issues that I should know of, I would be", "This becomes more of a problem when I might have to cite texts/resources", "I want to write a simple textbook on standard high-school level algebra. Most", "precedence of the order of operations, it would unfeasible to trace back the", "And then, there's also the issue about finding references for theorems and information", "about the field, we have known it for centuries. So I'm fairly certain", "field so I will have to consult other texts and resources for compiling", "know of, I would be delighted to hear about them. P.S. I am", "is crucial to mention that I don't remember every single theorem from the", "the entirety, of the material to be presented in the text will be", "and honor giving everyone due credit for their hard work; I'm just unsure", "algebra. Most of what we know about the field, we have known it", "this is commonly done and accepted for writing math textbooks. I want to", "just unsure how this is commonly done and accepted for writing math textbooks.", "the knowledge is fairly general and well known. This is somewhat of a", "so much to me in my life. I am deeply grateful to anyone", "completely fair yet manageable balance between citing information and actually writing the text", "problem when I might have to cite texts/resources I've referenced for every trivial", "inspired me to help and contribute to what has meant so much to", "have to cite texts/resources I've referenced for every trivial theorem. And then, there's", "have to consult other texts and resources for compiling the book. My question", "this SE site, so I'm not sure exactly what tags will be appropriate", "I'm completely new to writing textbooks; though my education and work in the", "to talk about the precedence of the order of operations, it would unfeasible", "education and work in the field of math has inspired me to help", "books, the knowledge is fairly general and well known. This is somewhat of", "may be read from other books, the knowledge is fairly general and well", "my education and work in the field of math has inspired me to", "of this idea throughout history and all the notable mathematicians who have worked", "on standard high-school level algebra. Most of what we know about the field,", "of a sticking point in Mathematics. If for example I want to talk", "unsure how this is commonly done and accepted for writing math textbooks. I", "for centuries. So I'm fairly certain the majority, if not the entirety, of", "me to help and contribute to what has meant so much to me", "to have a completely fair yet manageable balance between citing information and actually", "text itself. I'm completely new to writing textbooks; though my education and work", "will be part of the open domain. However, with that being said, it", "exactly what tags will be appropriate here. So please feel free to edit", "other legal issues that I should know of, I would be delighted to", "book. My question lies here. While the theorems may be read from other", "every trivial theorem. And then, there's also the issue about finding references for", "known. This is somewhat of a sticking point in Mathematics. If for example", "notable mathematicians who have worked on it. This becomes more of a problem", "am deeply grateful to anyone who can help guide me on this new", "Most of what we know about the field, we have known it for", "then, there's also the issue about finding references for theorems and information that", "due credit for their hard work; I'm just unsure how this is commonly", "be presented in the text will be part of the open domain. However,", "centuries. So I'm fairly certain the majority, if not the entirety, of the", "I am new to this SE site, so I'm not sure exactly what", "their hard work; I'm just unsure how this is commonly done and accepted", "have worked on it. This becomes more of a problem when I might", "endeavor. If there are other legal issues that I should know of, I", "tags will be appropriate here. So please feel free to edit my question.", "this idea throughout history and all the notable mathematicians who have worked on", "theorems may be read from other books, the knowledge is fairly general and", "somewhat of a sticking point in Mathematics. If for example I want to", "done and accepted for writing math textbooks. I want to have a completely", "what we know about the field, we have known it for centuries. So", "in the text will be part of the open domain. However, with that", "trace back the development of this idea throughout history and all the notable", "the field of math has inspired me to help and contribute to what", "cite texts/resources I've referenced for every trivial theorem. And then, there's also the", "legal issues that I should know of, I would be delighted to hear", "to what has meant so much to me in my life. I am", "so I'm not sure exactly what tags will be appropriate here. So please", "that I feel is well known and can be considered \"general knowledge.\" I", "the notable mathematicians who have worked on it. This becomes more of a", "finding references for theorems and information that I feel is well known and", "talk about the precedence of the order of operations, it would unfeasible to", "presented in the text will be part of the open domain. However, with", "the development of this idea throughout history and all the notable mathematicians who", "the field so I will have to consult other texts and resources for", "there's also the issue about finding references for theorems and information that I", "to me in my life. I am deeply grateful to anyone who can", "completely new to writing textbooks; though my education and work in the field", "known and can be considered \"general knowledge.\" I deeply respect and honor giving", "the material to be presented in the text will be part of the", "have known it for centuries. So I'm fairly certain the majority, if not", "to trace back the development of this idea throughout history and all the", "known it for centuries. So I'm fairly certain the majority, if not the", "be part of the open domain. However, with that being said, it is", "I will have to consult other texts and resources for compiling the book.", "material to be presented in the text will be part of the open", "While the theorems may be read from other books, the knowledge is fairly", "referenced for every trivial theorem. And then, there's also the issue about finding", "on this new endeavor. If there are other legal issues that I should", "yet manageable balance between citing information and actually writing the text itself. I'm", "new endeavor. If there are other legal issues that I should know of,", "me in my life. I am deeply grateful to anyone who can help", "more of a problem when I might have to cite texts/resources I've referenced", "other books, the knowledge is fairly general and well known. This is somewhat", "sticking point in Mathematics. If for example I want to talk about the", "here. While the theorems may be read from other books, the knowledge is", "textbooks; though my education and work in the field of math has inspired", "help guide me on this new endeavor. If there are other legal issues", "general and well known. This is somewhat of a sticking point in Mathematics.", "and can be considered \"general knowledge.\" I deeply respect and honor giving everyone", "SE site, so I'm not sure exactly what tags will be appropriate here.", "it for centuries. So I'm fairly certain the majority, if not the entirety,", "what has meant so much to me in my life. I am deeply", "we have known it for centuries. So I'm fairly certain the majority, if", "life. I am deeply grateful to anyone who can help guide me on", "the open domain. However, with that being said, it is crucial to mention", "that I should know of, I would be delighted to hear about them.", "field of math has inspired me to help and contribute to what has", "consult other texts and resources for compiling the book. My question lies here.", "I'm just unsure how this is commonly done and accepted for writing math", "issue about finding references for theorems and information that I feel is well", "math textbooks. I want to have a completely fair yet manageable balance between", "level algebra. Most of what we know about the field, we have known", "remember every single theorem from the field so I will have to consult" ]
[ "uses German words or short phrases almost routinely, without any accompanying English translation,", "accompanying English translation, without using italics, and without any attempt at context that", "of where an accomplished author has handled this problem adroitly, rather than simply", "English translation, without using italics, and without any attempt at context that would", "about the Second World War. The characters are German and the setting is", "question borders on opinion, but I'm hoping that someone can give me some", "I suppose the second question borders on opinion, but I'm hoping that someone", "author uses German words or short phrases almost routinely, without any accompanying English", "perceive the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is", "unfamiliar foreign words be avoided in the first place? I suppose the second", "adroitly, rather than simply stating the unfamiliar foreign word without translation or context", "any accompanying English translation, without using italics, and without any attempt at context", "historical fiction novel about the Second World War. The characters are German and", "reading a historical fiction novel about the Second World War. The characters are", "characters are German and the setting is Berlin. The author uses German words", "a historical fiction novel about the Second World War. The characters are German", "context and thereby leaving the reader scratching her head as to the word's", "opinion, but I'm hoping that someone can give me some examples of where", "these words other than crudely following them with an English translation? Should such", "context that would allow the reader to easily perceive the words' meaning. Words", "English translation? Should such unfamiliar foreign words be avoided in the first place?", "am currently reading a historical fiction novel about the Second World War. The", "translation, without using italics, and without any attempt at context that would allow", "unfamiliar foreign word without translation or context and thereby leaving the reader scratching", "than crudely following them with an English translation? Should such unfamiliar foreign words", "currently reading a historical fiction novel about the Second World War. The characters", "is Berlin. The author uses German words or short phrases almost routinely, without", "give meaning to these words other than crudely following them with an English", "at context that would allow the reader to easily perceive the words' meaning.", "crudely following them with an English translation? Should such unfamiliar foreign words be", "attempt at context that would allow the reader to easily perceive the words'", "the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there", "reader to easily perceive the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and", "\"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more \"fluid\" method to give", "any attempt at context that would allow the reader to easily perceive the", "easily perceive the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\"", "would allow the reader to easily perceive the words' meaning. Words such as", "has handled this problem adroitly, rather than simply stating the unfamiliar foreign word", "some examples of where an accomplished author has handled this problem adroitly, rather", "and the setting is Berlin. The author uses German words or short phrases", "German words or short phrases almost routinely, without any accompanying English translation, without", "the first place? I suppose the second question borders on opinion, but I'm", "World War. The characters are German and the setting is Berlin. The author", "short phrases almost routinely, without any accompanying English translation, without using italics, and", "more \"fluid\" method to give meaning to these words other than crudely following", "words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a", "foreign word without translation or context and thereby leaving the reader scratching her", "The characters are German and the setting is Berlin. The author uses German", "the setting is Berlin. The author uses German words or short phrases almost", "borders on opinion, but I'm hoping that someone can give me some examples", "Is there a more \"fluid\" method to give meaning to these words other", "the second question borders on opinion, but I'm hoping that someone can give", "words be avoided in the first place? I suppose the second question borders", "following them with an English translation? Should such unfamiliar foreign words be avoided", "someone can give me some examples of where an accomplished author has handled", "accomplished author has handled this problem adroitly, rather than simply stating the unfamiliar", "on opinion, but I'm hoping that someone can give me some examples of", "this problem adroitly, rather than simply stating the unfamiliar foreign word without translation", "I am currently reading a historical fiction novel about the Second World War.", "place? I suppose the second question borders on opinion, but I'm hoping that", "using italics, and without any attempt at context that would allow the reader", "such unfamiliar foreign words be avoided in the first place? I suppose the", "in the first place? I suppose the second question borders on opinion, but", "words other than crudely following them with an English translation? Should such unfamiliar", "an English translation? Should such unfamiliar foreign words be avoided in the first", "simply stating the unfamiliar foreign word without translation or context and thereby leaving", "with an English translation? Should such unfamiliar foreign words be avoided in the", "translation? Should such unfamiliar foreign words be avoided in the first place? I", "as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more \"fluid\" method to", "Should such unfamiliar foreign words be avoided in the first place? I suppose", "where an accomplished author has handled this problem adroitly, rather than simply stating", "second question borders on opinion, but I'm hoping that someone can give me", "than simply stating the unfamiliar foreign word without translation or context and thereby", "or short phrases almost routinely, without any accompanying English translation, without using italics,", "words or short phrases almost routinely, without any accompanying English translation, without using", "problem adroitly, rather than simply stating the unfamiliar foreign word without translation or", "that would allow the reader to easily perceive the words' meaning. Words such", "word without translation or context and thereby leaving the reader scratching her head", "without any attempt at context that would allow the reader to easily perceive", "translation or context and thereby leaving the reader scratching her head as to", "\"elekrische Tram.\" Is there a more \"fluid\" method to give meaning to these", "handled this problem adroitly, rather than simply stating the unfamiliar foreign word without", "first place? I suppose the second question borders on opinion, but I'm hoping", "the unfamiliar foreign word without translation or context and thereby leaving the reader", "or context and thereby leaving the reader scratching her head as to the", "me some examples of where an accomplished author has handled this problem adroitly,", "hoping that someone can give me some examples of where an accomplished author", "such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more \"fluid\" method", "examples of where an accomplished author has handled this problem adroitly, rather than", "without translation or context and thereby leaving the reader scratching her head as", "there a more \"fluid\" method to give meaning to these words other than", "to give meaning to these words other than crudely following them with an", "Tram.\" Is there a more \"fluid\" method to give meaning to these words", "and without any attempt at context that would allow the reader to easily", "the reader to easily perceive the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\"", "and thereby leaving the reader scratching her head as to the word's meaning.", "to these words other than crudely following them with an English translation? Should", "without any accompanying English translation, without using italics, and without any attempt at", "War. The characters are German and the setting is Berlin. The author uses", "Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more \"fluid\"", "are German and the setting is Berlin. The author uses German words or", "German and the setting is Berlin. The author uses German words or short", "an accomplished author has handled this problem adroitly, rather than simply stating the", "without using italics, and without any attempt at context that would allow the", "The author uses German words or short phrases almost routinely, without any accompanying", "other than crudely following them with an English translation? Should such unfamiliar foreign", "Berlin. The author uses German words or short phrases almost routinely, without any", "routinely, without any accompanying English translation, without using italics, and without any attempt", "fiction novel about the Second World War. The characters are German and the", "author has handled this problem adroitly, rather than simply stating the unfamiliar foreign", "that someone can give me some examples of where an accomplished author has", "them with an English translation? Should such unfamiliar foreign words be avoided in", "I'm hoping that someone can give me some examples of where an accomplished", "italics, and without any attempt at context that would allow the reader to", "but I'm hoping that someone can give me some examples of where an", "can give me some examples of where an accomplished author has handled this", "to easily perceive the words' meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische", "setting is Berlin. The author uses German words or short phrases almost routinely,", "stating the unfamiliar foreign word without translation or context and thereby leaving the", "almost routinely, without any accompanying English translation, without using italics, and without any", "meaning to these words other than crudely following them with an English translation?", "rather than simply stating the unfamiliar foreign word without translation or context and", "be avoided in the first place? I suppose the second question borders on", "and \"elekrische Tram.\" Is there a more \"fluid\" method to give meaning to", "avoided in the first place? I suppose the second question borders on opinion,", "foreign words be avoided in the first place? I suppose the second question", "phrases almost routinely, without any accompanying English translation, without using italics, and without", "the Second World War. The characters are German and the setting is Berlin.", "meaning. Words such as \"gnädige\", \"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more", "method to give meaning to these words other than crudely following them with", "\"fluid\" method to give meaning to these words other than crudely following them", "novel about the Second World War. The characters are German and the setting", "Second World War. The characters are German and the setting is Berlin. The", "suppose the second question borders on opinion, but I'm hoping that someone can", "\"Menschenkenntnis\" and \"elekrische Tram.\" Is there a more \"fluid\" method to give meaning", "allow the reader to easily perceive the words' meaning. Words such as \"gnädige\",", "give me some examples of where an accomplished author has handled this problem", "a more \"fluid\" method to give meaning to these words other than crudely" ]
[ "to support a crowd funding campaign related to the book. The problem is", "a fun introduction to science for young girls and I believe there is", "campaign (probably kickstarter). The book is a fun introduction to science for young", "to sign up to get access to the complete book, or perhaps implement", "I've written a book that I want self publish. The book is complete", "invite they earn new chapters. Anyway, I started trying to put such a", "with wordpress, but wow, I'm amazed by how unstable wordpress is. Every minor", "an email list related to my book? Additional info I want to use", "me build an email list related to my book? Additional info I want", "i am writing. I've found sites focused on authors, however they focus on", "want to self publish is to build an email list to support a", "complete (well I've completed 3 edits and I'm happy with it) so I", "it working than i am writing. I've found sites focused on authors, however", "the complete book, or perhaps implement a points system where when people share", "when people share or invite they earn new chapters. Anyway, I started trying", "book that I want self publish. The book is complete (well I've completed", "an email list to support a crowd funding campaign related to the book.", "a readership who I can interact with. Are there any sites or services", "any sites or services that help me build an email list related to", "3 edits and I'm happy with it) so I can publish to a", "want self publish. The book is complete (well I've completed 3 edits and", "self publish is to build an email list to support a crowd funding", "system where when people share or invite they earn new chapters. Anyway, I", "trying to keep it working than i am writing. I've found sites focused", "the plugins and I'm spending more time trying to keep it working than", "schedule. The reason I want to self publish is to build an email", "I've found sites focused on authors, however they focus on selling not on", "sites focused on authors, however they focus on selling not on building a", "science for young girls and I believe there is a opportunity to launch", "believe there is a opportunity to launch a related product on kickstarter. I'd", "is a opportunity to launch a related product on kickstarter. I'd like to", "I want to self publish is to build an email list to support", "a opportunity to launch a related product on kickstarter. I'd like to have", "to a schedule. The reason I want to self publish is to build", "a site together with wordpress, but wow, I'm amazed by how unstable wordpress", "like to try asking people to sign up to get access to the", "book? Additional info I want to use kickstarter or indigogo for my campaign", "that campaign. So the campaign is for a physical product rather than for", "The reason I want to self publish is to build an email list", "readership who I can interact with. Are there any sites or services that", "to build an email list to support a crowd funding campaign related to", "email list to support a crowd funding campaign related to the book. The", "it) so I can publish to a schedule. The reason I want to", "on building a readership who I can interact with. Are there any sites", "not sure how to build the list. I'd like to try asking people", "crowd funding campaign related to the book. The problem is I'm not sure", "is to build an email list to support a crowd funding campaign related", "more time trying to keep it working than i am writing. I've found", "keep it working than i am writing. I've found sites focused on authors,", "my book? Additional info I want to use kickstarter or indigogo for my", "funding campaign related to the book. The problem is I'm not sure how", "they earn new chapters. Anyway, I started trying to put such a site", "to science for young girls and I believe there is a opportunity to", "put such a site together with wordpress, but wow, I'm amazed by how", "building a readership who I can interact with. Are there any sites or", "get access to the complete book, or perhaps implement a points system where", "make breaks the plugins and I'm spending more time trying to keep it", "than i am writing. I've found sites focused on authors, however they focus", "to the book. The problem is I'm not sure how to build the", "wow, I'm amazed by how unstable wordpress is. Every minor change you make", "happy with it) so I can publish to a schedule. The reason I", "and I'm happy with it) so I can publish to a schedule. The", "minor change you make breaks the plugins and I'm spending more time trying", "is complete (well I've completed 3 edits and I'm happy with it) so", "a schedule. The reason I want to self publish is to build an", "by how unstable wordpress is. Every minor change you make breaks the plugins", "with. Are there any sites or services that help me build an email", "self publish. The book is complete (well I've completed 3 edits and I'm", "is a fun introduction to science for young girls and I believe there", "(probably kickstarter). The book is a fun introduction to science for young girls", "kickstarter or indigogo for my campaign (probably kickstarter). The book is a fun", "points system where when people share or invite they earn new chapters. Anyway,", "Are there any sites or services that help me build an email list", "list ready to support that campaign. So the campaign is for a physical", "ready to support that campaign. So the campaign is for a physical product", "or invite they earn new chapters. Anyway, I started trying to put such", "kickstarter). The book is a fun introduction to science for young girls and", "The book is a fun introduction to science for young girls and I", "however they focus on selling not on building a readership who I can", "plugins and I'm spending more time trying to keep it working than i", "access to the complete book, or perhaps implement a points system where when", "but wow, I'm amazed by how unstable wordpress is. Every minor change you", "launch a related product on kickstarter. I'd like to have an email list", "sure how to build the list. I'd like to try asking people to", "trying to put such a site together with wordpress, but wow, I'm amazed", "how unstable wordpress is. Every minor change you make breaks the plugins and", "selling not on building a readership who I can interact with. Are there", "or services that help me build an email list related to my book?", "a points system where when people share or invite they earn new chapters.", "who I can interact with. Are there any sites or services that help", "there any sites or services that help me build an email list related", "on selling not on building a readership who I can interact with. Are", "there is a opportunity to launch a related product on kickstarter. I'd like", "wordpress, but wow, I'm amazed by how unstable wordpress is. Every minor change", "authors, however they focus on selling not on building a readership who I", "for my campaign (probably kickstarter). The book is a fun introduction to science", "Every minor change you make breaks the plugins and I'm spending more time", "can interact with. Are there any sites or services that help me build", "that I want self publish. The book is complete (well I've completed 3", "try asking people to sign up to get access to the complete book,", "the book. The problem is I'm not sure how to build the list.", "on kickstarter. I'd like to have an email list ready to support that", "a related product on kickstarter. I'd like to have an email list ready", "I'd like to have an email list ready to support that campaign. So", "(well I've completed 3 edits and I'm happy with it) so I can", "email list ready to support that campaign. So the campaign is for a", "I can interact with. Are there any sites or services that help me", "publish. The book is complete (well I've completed 3 edits and I'm happy", "time trying to keep it working than i am writing. I've found sites", "list related to my book? Additional info I want to use kickstarter or", "up to get access to the complete book, or perhaps implement a points", "a book that I want self publish. The book is complete (well I've", "asking people to sign up to get access to the complete book, or", "focus on selling not on building a readership who I can interact with.", "they focus on selling not on building a readership who I can interact", "I'm happy with it) so I can publish to a schedule. The reason", "the campaign is for a physical product rather than for the book itself.", "I'm spending more time trying to keep it working than i am writing.", "I'm amazed by how unstable wordpress is. Every minor change you make breaks", "started trying to put such a site together with wordpress, but wow, I'm", "is. Every minor change you make breaks the plugins and I'm spending more", "fun introduction to science for young girls and I believe there is a", "not on building a readership who I can interact with. Are there any", "introduction to science for young girls and I believe there is a opportunity", "young girls and I believe there is a opportunity to launch a related", "services that help me build an email list related to my book? Additional", "wordpress is. Every minor change you make breaks the plugins and I'm spending", "book is complete (well I've completed 3 edits and I'm happy with it)", "interact with. Are there any sites or services that help me build an", "book. The problem is I'm not sure how to build the list. I'd", "I'd like to try asking people to sign up to get access to", "a crowd funding campaign related to the book. The problem is I'm not", "email list related to my book? Additional info I want to use kickstarter", "want to use kickstarter or indigogo for my campaign (probably kickstarter). The book", "focused on authors, however they focus on selling not on building a readership", "new chapters. Anyway, I started trying to put such a site together with", "campaign related to the book. The problem is I'm not sure how to", "list. I'd like to try asking people to sign up to get access", "to self publish is to build an email list to support a crowd", "edits and I'm happy with it) so I can publish to a schedule.", "problem is I'm not sure how to build the list. I'd like to", "earn new chapters. Anyway, I started trying to put such a site together", "support that campaign. So the campaign is for a physical product rather than", "I started trying to put such a site together with wordpress, but wow,", "help me build an email list related to my book? Additional info I", "info I want to use kickstarter or indigogo for my campaign (probably kickstarter).", "to use kickstarter or indigogo for my campaign (probably kickstarter). The book is", "related to my book? Additional info I want to use kickstarter or indigogo", "complete book, or perhaps implement a points system where when people share or", "how to build the list. I'd like to try asking people to sign", "writing. I've found sites focused on authors, however they focus on selling not", "list to support a crowd funding campaign related to the book. The problem", "related to the book. The problem is I'm not sure how to build", "written a book that I want self publish. The book is complete (well", "The problem is I'm not sure how to build the list. I'd like", "am writing. I've found sites focused on authors, however they focus on selling", "to build the list. I'd like to try asking people to sign up", "unstable wordpress is. Every minor change you make breaks the plugins and I'm", "campaign. So the campaign is for a physical product rather than for the", "book is a fun introduction to science for young girls and I believe", "or perhaps implement a points system where when people share or invite they", "sign up to get access to the complete book, or perhaps implement a", "to keep it working than i am writing. I've found sites focused on", "is I'm not sure how to build the list. I'd like to try", "publish to a schedule. The reason I want to self publish is to", "related product on kickstarter. I'd like to have an email list ready to", "build an email list to support a crowd funding campaign related to the", "have an email list ready to support that campaign. So the campaign is", "the list. 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[ "has about 60 pages at the moment, not even to the halfway point", "even to the halfway point of the story. What puzzles me is whether", "hope someone with a better experience can help me out. The margins are", "that kind of stuff, so I'll list the settings I found on a", "better experience can help me out. The margins are 1,90 cm lateral and", "of the story. What puzzles me is whether I'm using the right settings", "me out. The margins are 1,90 cm lateral and 2,16 cm vertical. The", "Bembo Std, 13 pt, 30 pt for the chapter title. The interline is", "font pt, and that kind of stuff, so I'll list the settings I", "a better experience can help me out. The margins are 1,90 cm lateral", "and that kind of stuff, so I'll list the settings I found on", "about 60 pages at the moment, not even to the halfway point of", "a website and I hope someone with a better experience can help me", "can help me out. The margins are 1,90 cm lateral and 2,16 cm", "I found on a website and I hope someone with a better experience", "pt, 30 pt for the chapter title. The interline is same as the", "out. The margins are 1,90 cm lateral and 2,16 cm vertical. The font", "of stuff, so I'll list the settings I found on a website and", "I hope someone with a better experience can help me out. The margins", "the chapter title. The interline is same as the normal writing, 13 pt.", "me is whether I'm using the right settings about margins and font pt,", "The font is a Bembo Std, 13 pt, 30 pt for the chapter", "I'm using the right settings about margins and font pt, and that kind", "settings I found on a website and I hope someone with a better", "settings about margins and font pt, and that kind of stuff, so I'll", "I'll list the settings I found on a website and I hope someone", "margins and font pt, and that kind of stuff, so I'll list the", "margins are 1,90 cm lateral and 2,16 cm vertical. The font is a", "the settings I found on a website and I hope someone with a", "using the right settings about margins and font pt, and that kind of", "experience can help me out. The margins are 1,90 cm lateral and 2,16", "Std, 13 pt, 30 pt for the chapter title. The interline is same", "list the settings I found on a website and I hope someone with", "moment, not even to the halfway point of the story. What puzzles me", "so I'll list the settings I found on a website and I hope", "the story. What puzzles me is whether I'm using the right settings about", "with a better experience can help me out. The margins are 1,90 cm", "60 pages at the moment, not even to the halfway point of the", "point of the story. What puzzles me is whether I'm using the right", "to the halfway point of the story. What puzzles me is whether I'm", "I'm writing a book which has about 60 pages at the moment, not", "font is a Bembo Std, 13 pt, 30 pt for the chapter title.", "13 pt, 30 pt for the chapter title. The interline is same as", "What puzzles me is whether I'm using the right settings about margins and", "not even to the halfway point of the story. What puzzles me is", "and I hope someone with a better experience can help me out. The", "cm vertical. The font is a Bembo Std, 13 pt, 30 pt for", "vertical. The font is a Bembo Std, 13 pt, 30 pt for the", "lateral and 2,16 cm vertical. The font is a Bembo Std, 13 pt,", "pt for the chapter title. The interline is same as the normal writing,", "is a Bembo Std, 13 pt, 30 pt for the chapter title. The", "2,16 cm vertical. The font is a Bembo Std, 13 pt, 30 pt", "a book which has about 60 pages at the moment, not even to", "the halfway point of the story. What puzzles me is whether I'm using", "1,90 cm lateral and 2,16 cm vertical. The font is a Bembo Std,", "puzzles me is whether I'm using the right settings about margins and font", "30 pt for the chapter title. The interline is same as the normal", "the right settings about margins and font pt, and that kind of stuff,", "whether I'm using the right settings about margins and font pt, and that", "on a website and I hope someone with a better experience can help", "right settings about margins and font pt, and that kind of stuff, so", "are 1,90 cm lateral and 2,16 cm vertical. The font is a Bembo", "The margins are 1,90 cm lateral and 2,16 cm vertical. The font is", "story. What puzzles me is whether I'm using the right settings about margins", "stuff, so I'll list the settings I found on a website and I", "about margins and font pt, and that kind of stuff, so I'll list", "website and I hope someone with a better experience can help me out.", "a Bembo Std, 13 pt, 30 pt for the chapter title. The interline", "book which has about 60 pages at the moment, not even to the", "for the chapter title. The interline is same as the normal writing, 13", "kind of stuff, so I'll list the settings I found on a website", "the moment, not even to the halfway point of the story. What puzzles", "pt, and that kind of stuff, so I'll list the settings I found", "cm lateral and 2,16 cm vertical. The font is a Bembo Std, 13", "is whether I'm using the right settings about margins and font pt, and", "writing a book which has about 60 pages at the moment, not even", "at the moment, not even to the halfway point of the story. What", "found on a website and I hope someone with a better experience can", "and font pt, and that kind of stuff, so I'll list the settings", "pages at the moment, not even to the halfway point of the story.", "and 2,16 cm vertical. The font is a Bembo Std, 13 pt, 30", "which has about 60 pages at the moment, not even to the halfway", "help me out. The margins are 1,90 cm lateral and 2,16 cm vertical.", "halfway point of the story. What puzzles me is whether I'm using the", "someone with a better experience can help me out. The margins are 1,90" ]
[ "trying to spread out my description throughout the talking, in smaller bits. Question", "masterpiece novel involved quite a lot of talking. Almost the entire chapter was", "philosophy that I should not have things in blocks. For example, a block", "a lot of talking. Almost the entire chapter was talking. When I read", "Justin Cronin's work there is a lot more description in his talky chapters", "is a lot more description in his talky chapters than say, Stuxhuj Civalhson.", "talking in a chapter evenly with description and action? * Is there a", "there is a lot more description in his talky chapters than say, Stuxhuj", "bits. Question -------- How should you balance the talking in a chapter", "didn't get an answer. So I was wondering, because the recent totally epic", "involved quite a lot of talking. Almost the entire chapter was talking. When", "than say, Stuxhuj Civalhson. This is why I think this is a legitimate", "question and thing to consider: * How do you balance the talking in", "* How do you balance the talking in a chapter? Currently I'm writing", "an answer. So I was wondering, because the recent totally epic chapter of", "When I read I see a huge variety of description to talking ratios", "do you balance the talking in a chapter? Currently I'm writing with the", "huge variety of description to talking ratios in books. For example, I know", "a block of description. I am trying to spread out my description throughout", "I probably am wording this badly and that's why when I searched the", "-------- * How should you balance the talking in a chapter evenly with", "variety of description to talking ratios in books. For example, I know that", "to talking ratios in books. For example, I know that in Justin Cronin's", "a legitimate question and thing to consider: * How do you balance the", "How should you balance the talking in a chapter evenly with description and", "know that in Justin Cronin's work there is a lot more description in", "I'm writing with the philosophy that I should not have things in blocks.", "I think this is a legitimate question and thing to consider: * How", "a chapter? Currently I'm writing with the philosophy that I should not have", "talking. Almost the entire chapter was talking. When I read I see a", "Cronin's* work there is a lot more description in his talky chapters than", "to consider: * How do you balance the talking in a chapter? Currently", "think this is a legitimate question and thing to consider: * How do", "totally epic chapter of my masterpiece novel involved quite a lot of talking.", "of description. I am trying to spread out my description throughout the talking,", "I know that in Justin Cronin's work there is a lot more description", "work there is a lot more description in his talky chapters than say,", "the site I didn't get an answer. So I was wondering, because the", "that in Justin Cronin's work there is a lot more description in his", "in books. For example, I know that in Justin Cronin's work there is", "How do you balance the talking in a chapter? Currently I'm writing with", "out my description throughout the talking, in smaller bits. Question -------- * How", "ratios in books. For example, I know that in Justin Cronin's work there", "with the philosophy that I should not have things in blocks. For example,", "block of description. I am trying to spread out my description throughout the", "site I didn't get an answer. So I was wondering, because the recent", "not have things in blocks. For example, a block of description, a block", "talking, a block of description. I am trying to spread out my description", "talking. When I read I see a huge variety of description to talking", "blocks. For example, a block of description, a block of talking, a block", "read I see a huge variety of description to talking ratios in books.", "and that's why when I searched the site I didn't get an answer.", "chapter? Currently I'm writing with the philosophy that I should not** have things", "a huge variety of description to talking ratios in books. For example, I", "of talking. Almost the entire chapter was talking. When I read I see", "description to talking ratios in books. For example, I know that in Justin", "I was wondering, because the recent totally epic chapter of my masterpiece novel", "description. I am trying to spread out my description throughout the talking, in", "thing to consider: How do you balance the talking in a chapter?", "searched the site I didn't get an answer. So I was wondering, because", "description, a block of talking, a block of description. I am trying to", "am wording this badly and that's why when I searched the site I", "in blocks. For example, a block of description, a block of talking, a", "why I think this is a legitimate question and thing to consider: ", "throughout the talking, in smaller bits. Question -------- How should you balance", "in a chapter? Currently I'm writing with the philosophy that I should not", "should you balance the talking in a chapter evenly with description and action?", "balance the talking in a chapter? Currently I'm writing with the philosophy that", "this is a legitimate question and thing to consider: * How do you", "legitimate question and thing to consider: * How do you balance the talking", "in Justin Cronin's work there is a lot more description in his talky", "more description in his talky chapters than say, Stuxhuj Civalhson. This is why", "of talking, a block of description. I am trying to spread out my", "I am trying to spread out my description throughout the talking, in smaller", "Question -------- * How should you balance the talking in a chapter evenly", "a lot more description in his talky chapters than say, Stuxhuj Civalhson. This", "answer. So I was wondering, because the recent totally epic chapter of my", "was talking. When I read I see a huge variety of description to", "block of description, a block of talking, a block of description. I am", "that I should not have things in blocks. For example, a block of", "wording this badly and that's why when I searched the site I didn't", "block of talking, a block of description. I am trying to spread out", "description throughout the talking, in smaller bits. Question -------- * How should you", "a block of talking, a block of description. I am trying to spread", "So I was wondering, because the recent totally epic chapter of my masterpiece", "talking in a chapter? 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Almost the entire chapter", "of description to talking ratios in books. For example, I know that in", "in smaller bits. Question -------- * How should you balance the talking in", "a chapter evenly with description and action? * Is there a certain ratio", "* Is there a certain ratio of dialogue:narrative that you should be using?", "quite a lot of talking. Almost the entire chapter was talking. When I", "his talky chapters than say, Stuxhuj Civalhson. This is why I think this", "---------- I probably am wording this badly and that's why when I searched", "I read I see a huge variety of description to talking ratios in", "the talking in a chapter evenly with description and action? * Is there", "talky chapters than say, Stuxhuj Civalhson. This is why I think this is", "the philosophy that I should not have things in blocks. For example, a", "epic chapter of my masterpiece novel involved quite a lot of talking. Almost", "the talking, in smaller bits. Question -------- * How should you balance the", "to spread out my description throughout the talking, in smaller bits. Question --------", "smaller bits. Question -------- * How should you balance the talking in a", "am trying to spread out my description throughout the talking, in smaller bits.", "of my masterpiece novel involved quite a lot of talking. Almost the entire", "the entire chapter was talking. When I read I see a huge variety", "have things in blocks. For example, a block of description, a block of", "chapter of my masterpiece novel involved quite a lot of talking. Almost the", "I should not have things in blocks. For example, a block of description,", "evenly with description and action? * Is there a certain ratio of dialogue:narrative" ]
[ "the character has over the years grown to dislike humans because he had", "grown to dislike humans because he had many negative experiences with them, and", "How does one write such a character without making him too edgy or", "had many negative experiences with them, and is disappointed in humanity itself. How", "humanity itself. How does one write such a character without making him too", "because he had many negative experiences with them, and is disappointed in humanity", "he had many negative experiences with them, and is disappointed in humanity itself.", "dislike humans because he had many negative experiences with them, and is disappointed", "them, and is disappointed in humanity itself. How does one write such a", "say the character has over the years grown to dislike humans because he", "years grown to dislike humans because he had many negative experiences with them,", "Let's say the character has over the years grown to dislike humans because", "experiences with them, and is disappointed in humanity itself. How does one write", "in humanity itself. How does one write such a character without making him", "humans because he had many negative experiences with them, and is disappointed in", "has over the years grown to dislike humans because he had many negative", "with them, and is disappointed in humanity itself. How does one write such", "over the years grown to dislike humans because he had many negative experiences", "the years grown to dislike humans because he had many negative experiences with", "itself. How does one write such a character without making him too edgy", "and is disappointed in humanity itself. How does one write such a character", "disappointed in humanity itself. How does one write such a character without making", "is disappointed in humanity itself. How does one write such a character without", "to dislike humans because he had many negative experiences with them, and is", "character has over the years grown to dislike humans because he had many", "negative experiences with them, and is disappointed in humanity itself. How does one", "does one write such a character without making him too edgy or unlikeable?", "many negative experiences with them, and is disappointed in humanity itself. How does" ]
[ "a series of books for him. 60,000 to 80,000 words per book in", "I'd be interested in writing a series of books for him. 60,000 to", "series of books for him. 60,000 to 80,000 words per book in the", "LA. He has asked me if I'd be interested in writing a series", "in the series. I am new to the lengthy writing game... His offer", "is to pay $600 per book and %25 profit share after recoup. With", "new to the lengthy writing game... His offer is to pay $600 per", "series. I am new to the lengthy writing game... His offer is to", "per book and %25 profit share after recoup. With contract and all. Is", "have a guy that runs a very successful punk/oi! record label in LA.", "book and %25 profit share after recoup. With contract and all. Is this", "in LA. He has asked me if I'd be interested in writing a", "for him. 60,000 to 80,000 words per book in the series. I am", "80,000 words per book in the series. I am new to the lengthy", "to the lengthy writing game... His offer is to pay $600 per book", "to pay $600 per book and %25 profit share after recoup. With contract", "$600 per book and %25 profit share after recoup. With contract and all.", "if I'd be interested in writing a series of books for him. 60,000", "book in the series. I am new to the lengthy writing game... His", "label in LA. He has asked me if I'd be interested in writing", "words per book in the series. I am new to the lengthy writing", "and %25 profit share after recoup. With contract and all. Is this a", "to 80,000 words per book in the series. I am new to the", "that runs a very successful punk/oi! record label in LA. He has asked", "profit share after recoup. With contract and all. Is this a terrible deal...", "the series. I am new to the lengthy writing game... His offer is", "game... His offer is to pay $600 per book and %25 profit share", "I am new to the lengthy writing game... His offer is to pay", "in writing a series of books for him. 60,000 to 80,000 words per", "share after recoup. With contract and all. Is this a terrible deal... or?", "interested in writing a series of books for him. 60,000 to 80,000 words", "am new to the lengthy writing game... His offer is to pay $600", "record label in LA. He has asked me if I'd be interested in", "writing game... His offer is to pay $600 per book and %25 profit", "I have a guy that runs a very successful punk/oi! record label in", "me if I'd be interested in writing a series of books for him.", "per book in the series. I am new to the lengthy writing game...", "him. 60,000 to 80,000 words per book in the series. I am new", "guy that runs a very successful punk/oi! record label in LA. He has", "very successful punk/oi! record label in LA. He has asked me if I'd", "successful punk/oi! record label in LA. He has asked me if I'd be", "be interested in writing a series of books for him. 60,000 to 80,000", "a guy that runs a very successful punk/oi! record label in LA. He", "a very successful punk/oi! record label in LA. He has asked me if", "lengthy writing game... His offer is to pay $600 per book and %25", "pay $600 per book and %25 profit share after recoup. With contract and", "60,000 to 80,000 words per book in the series. I am new to", "He has asked me if I'd be interested in writing a series of", "offer is to pay $600 per book and %25 profit share after recoup.", "writing a series of books for him. 60,000 to 80,000 words per book", "punk/oi! record label in LA. He has asked me if I'd be interested", "the lengthy writing game... His offer is to pay $600 per book and", "books for him. 60,000 to 80,000 words per book in the series. I", "of books for him. 60,000 to 80,000 words per book in the series.", "has asked me if I'd be interested in writing a series of books", "His offer is to pay $600 per book and %25 profit share after", "%25 profit share after recoup. With contract and all. Is this a terrible", "asked me if I'd be interested in writing a series of books for", "runs a very successful punk/oi! record label in LA. He has asked me" ]
[ "should best start by simply jotting down a basic timeline, character profile, and", "That's not even everything yet, though. While I want people in the cities", "Instead, I'd really like it to be a war like a few 100", "a war like a few 100 years back: Preferably with technologies like in", "setting. However: I'm already struggling to do something as simple as that. This", "the world to be evolved close to today's standards, and some other things", "and world setting. However: I'm already struggling to do something as simple as", "airplanes, and so on. As you can see, this makes absolutely no sense.", "yet, I thought that I should best start by simply jotting down a", "writing it down. Since all of the elements of that story are nothing", "that story are nothing more than a jumbled mess of thoughts yet, I", "detail: My story is set on a continent of two states, who have", "simply jotting down a basic timeline, character profile, and world setting. However: I'm", "of thoughts yet, I thought that I should best start by simply jotting", "who have been alternating between periods of war and \"cold war\", since, like,", "citizens to already live like in today's world, with smartphones, passenger airplanes, and", "some ways of avoiding to have to change this, for example by implementing", "struggling to do something as simple as that. This time not (only) because", "set on a continent of two states, who have been alternating between periods", "casualties in previous wars, but that just seems, and actually is, as if", "I did think about some ways of avoiding to have to change this,", "too many casualties in previous wars, but that just seems, and actually is,", "and I've never ever written a fictional story beforehand. However, it's now been", "to try writing it down. Since all of the elements of that story", "ago: Providing for themselves, no fancy technologies, etc etc (those villages will already", "fancy technologies, etc etc (those villages will already be about a dozen years", "that. In my mind, I had imagined great doctors with insanely advanced technology", "other characters know about the main characters past/fears, because it's just way too", "people in the cities to live our lives, I also want some small", "some small villages on the outskirts to live like at least 100 years", "fashioned while keeping normal lives up to today's standards. I did think about", "the timeperiod the story is set in. Thing is: By only dreaming, and", "I just took elements from all kinds of periods, and packed them together.", "of all, I'd like to say that I am as novice a writer", "past that. In my mind, I had imagined great doctors with insanely advanced", "though. While I want people in the cities to live our lives, I", "written a fictional story beforehand. However, it's now been years since my mind", "characters past/fears, because it's just way too much bullshitery otherwise... No idea yet", "I had imagined great doctors with insanely advanced technology at their disposal, being", "and not really trying to put together a working story, I just took", "all, I'd like to say that I am as novice a writer as", "today's standards. I did think about some ways of avoiding to have to", "want people in the cities to live our lives, I also want some", "to other aspects of the story (=personal life of the main character), I", "periods of war and \"cold war\", since, like, forever. However, due to other", "However: I'm already struggling to do something as simple as that. This time", "try writing it down. Since all of the elements of that story are", "character), I don't want the technologies of war to be up to date,", "of the rest of the world to be evolved close to today's standards,", "to have to change this, for example by implementing some kind of treaty", "couldnt have come up with anything better. Anything else I come up with", "have been alternating between periods of war and \"cold war\", since, like, forever.", "packed them together. In a real story, this would make no sense at", "and even partly decipher one's unconscious thoughts (I will undoubtedly have to scrap", "in previous wars, but that just seems, and actually is, as if I", "come up with anything better. Anything else I come up with is even", "really trying to put together a working story, I just took elements from", "on a continent of two states, who have been alternating between periods of", "I'd really like it to be a war like a few 100 years", "like the majority of the rest of the world to be evolved close", "type of objects. Let me give more detail: My story is set on", "for themselves, no fancy technologies, etc etc (those villages will already be about", "story is set on a continent of two states, who have been alternating", "that I am as novice a writer as they come. My english is", "that I should best start by simply jotting down a basic timeline, character", "together a working story, I just took elements from all kinds of periods,", "especially given the type of objects. Let me give more detail: My story", "back: Preferably with technologies like in the 1600'. Now, while this may all", "up with anything better. Anything else I come up with is even worse.", "plot comes to the cities, but still.) As you can see, I have", "can't just make the warfare really old fashioned while keeping normal lives up", "banning modern arms because of too many casualties in previous wars, but that", "start by simply jotting down a basic timeline, character profile, and world setting.", "major cities. I also wanted citizens to already live like in today's world,", "of an inconsistency in my story. It mainly is about the timeperiod the", "the warfare really old fashioned while keeping normal lives up to today's standards.", "the rest of the world to be evolved close to today's standards, and", "of the world to be evolved close to today's standards, and some other", "anything better. Anything else I come up with is even worse. That's not", "example by implementing some kind of treaty banning modern arms because of too", "me give more detail: My story is set on a continent of two", "undoubtedly have to scrap the latter and replace it by some other way", "while keeping normal lives up to today's standards. I did think about some", "they come. My english is bad, and I've never ever written a fictional", "to sort out the period my story is set in. There's just so", "kind of treaty banning modern arms because of too many casualties in previous", "well, here comes the problem: I'd like the majority of the rest of", "even partly decipher one's unconscious thoughts (I will undoubtedly have to scrap the", "give more detail: My story is set on a continent of two states,", "to change this, for example by implementing some kind of treaty banning modern", "aspects of the story (=personal life of the main character), I don't want", "my mind first started randomly creating a story in my head, and I'd", "that. This time not (only) because I've never written before, but mainly because", "it to be a war like a few 100 years back: Preferably with", "I thought that I should best start by simply jotting down a basic", "before, but mainly because of an inconsistency in my story. It mainly is", "the period my story is set in. There's just so mich contradictory stuff.", "like it to be a war like a few 100 years back: Preferably", "war to be up to date, at all. Instead, I'd really like it", "a fictional story beforehand. However, it's now been years since my mind first", "great doctors with insanely advanced technology at their disposal, being able to go", "world, with smartphones, passenger airplanes, and so on. As you can see, this", "story beforehand. However, it's now been years since my mind first started randomly", "story in my head, and I'd really like to try writing it down.", "to put together a working story, I just took elements from all kinds", "no fancy technologies, etc etc (those villages will already be about a dozen", "may all seem well, here comes the problem: I'd like the majority of", "treaty banning modern arms because of too many casualties in previous wars, but", "live like in today's world, with smartphones, passenger airplanes, and so on. As", "mainly is about the timeperiod the story is set in. Thing is: By", "100 years ago: Providing for themselves, no fancy technologies, etc etc (those villages", "not even everything yet, though. While I want people in the cities to", "standards. I did think about some ways of avoiding to have to change", "is bad, and I've never ever written a fictional story beforehand. However, it's", "a story in my head, and I'd really like to try writing it", "of treaty banning modern arms because of too many casualties in previous wars,", "My english is bad, and I've never ever written a fictional story beforehand.", "a continent of two states, who have been alternating between periods of war", "are nothing more than a jumbled mess of thoughts yet, I thought that", "been alternating between periods of war and \"cold war\", since, like, forever. However,", "live like at least 100 years ago: Providing for themselves, no fancy technologies,", "here comes the problem: I'd like the majority of the rest of the", "else I come up with is even worse. That's not even everything yet,", "more detail: My story is set on a continent of two states, who", "imagined great doctors with insanely advanced technology at their disposal, being able to", "too much bullshitery otherwise... No idea yet though). At least in major cities.", "no sense. I can't just make the warfare really old fashioned while keeping", "arms because of too many casualties in previous wars, but that just seems,", "since, like, forever. However, due to other aspects of the story (=personal life", "with anything better. Anything else I come up with is even worse. That's", "major problems trying to sort out the period my story is set in.", "lives, I also want some small villages on the outskirts to live like", "story. It mainly is about the timeperiod the story is set in. Thing", "to scrap the latter and replace it by some other way to let", "warfare really old fashioned while keeping normal lives up to today's standards. I", "Thing is: By only dreaming, and not really trying to put together a", "don't want the technologies of war to be up to date, at all.", "alternating between periods of war and \"cold war\", since, like, forever. However, due", "fictional story beforehand. However, it's now been years since my mind first started", "many casualties in previous wars, but that just seems, and actually is, as", "forever. However, due to other aspects of the story (=personal life of the", "story is set in. Thing is: By only dreaming, and not really trying", "latter and replace it by some other way to let other characters know", "years since my mind first started randomly creating a story in my head,", "but still.) As you can see, I have some major problems trying to", "problems trying to sort out the period my story is set in. There's", "like at least 100 years ago: Providing for themselves, no fancy technologies, etc", "best start by simply jotting down a basic timeline, character profile, and world", "be a war like a few 100 years back: Preferably with technologies like", "way too much bullshitery otherwise... No idea yet though). At least in major", "be about a dozen years older once the plot comes to the cities,", "started randomly creating a story in my head, and I'd really like to", "years back: Preferably with technologies like in the 1600'. Now, while this may", "story, I just took elements from all kinds of periods, and packed them", "other things even past that. In my mind, I had imagined great doctors", "character profile, and world setting. However: I'm already struggling to do something as", "even past that. In my mind, I had imagined great doctors with insanely", "lives up to today's standards. I did think about some ways of avoiding", "set in. There's just so mich contradictory stuff. And I'm at my wits", "dozen years older once the plot comes to the cities, but still.) As", "trying to sort out the period my story is set in. There's just", "everything yet, though. While I want people in the cities to live our", "least 100 years ago: Providing for themselves, no fancy technologies, etc etc (those", "already be about a dozen years older once the plot comes to the", "world setting. However: I'm already struggling to do something as simple as that.", "least in major cities. I also wanted citizens to already live like in", "In a real story, this would make no sense at all, especially given", "old fashioned while keeping normal lives up to today's standards. I did think", "the type of objects. Let me give more detail: My story is set", "life of the main character), I don't want the technologies of war to", "this makes absolutely no sense. I can't just make the warfare really old", "the majority of the rest of the world to be evolved close to", "because of an inconsistency in my story. It mainly is about the timeperiod", "main character), I don't want the technologies of war to be up to", "randomly creating a story in my head, and I'd really like to try", "However, due to other aspects of the story (=personal life of the main", "and replace it by some other way to let other characters know about", "avoiding to have to change this, for example by implementing some kind of", "now been years since my mind first started randomly creating a story in", "cities. I also wanted citizens to already live like in today's world, with", "I couldnt have come up with anything better. Anything else I come up", "of the main character), I don't want the technologies of war to be", "smartphones, passenger airplanes, and so on. As you can see, this makes absolutely", "other aspects of the story (=personal life of the main character), I don't", "idea yet though). At least in major cities. I also wanted citizens to", "date, at all. Instead, I'd really like it to be a war like", "makes absolutely no sense. I can't just make the warfare really old fashioned", "creating a story in my head, and I'd really like to try writing", "insanely advanced technology at their disposal, being able to go as far as", "the elements of that story are nothing more than a jumbled mess of", "novice a writer as they come. My english is bad, and I've never", "story is set in. There's just so mich contradictory stuff. And I'm at", "the main character), I don't want the technologies of war to be up", "if I couldnt have come up with anything better. Anything else I come", "in. Thing is: By only dreaming, and not really trying to put together", "on. As you can see, this makes absolutely no sense. I can't just", "objects. Let me give more detail: My story is set on a continent", "at all, especially given the type of objects. Let me give more detail:", "some other things even past that. In my mind, I had imagined great", "did think about some ways of avoiding to have to change this, for", "past/fears, because it's just way too much bullshitery otherwise... No idea yet though).", "villages on the outskirts to live like at least 100 years ago: Providing", "because it's just way too much bullshitery otherwise... No idea yet though). At", "while this may all seem well, here comes the problem: I'd like the", "and actually is, as if I couldnt have come up with anything better.", "a writer as they come. My english is bad, and I've never ever", "you can see, this makes absolutely no sense. I can't just make the", "of that story are nothing more than a jumbled mess of thoughts yet,", "passenger airplanes, and so on. As you can see, this makes absolutely no", "all of the elements of that story are nothing more than a jumbled", "my head, and I'd really like to try writing it down. Since all", "them together. In a real story, this would make no sense at all,", "in my head, and I'd really like to try writing it down. Since", "head, and I'd really like to try writing it down. Since all of", "in the 1600'. Now, while this may all seem well, here comes the", "thoughts (I will undoubtedly have to scrap the latter and replace it by", "of objects. Let me give more detail: My story is set on a", "up with is even worse. That's not even everything yet, though. While I", "yet, though. While I want people in the cities to live our lives,", "have come up with anything better. Anything else I come up with is", "characters know about the main characters past/fears, because it's just way too much", "of war to be up to date, at all. Instead, I'd really like", "the latter and replace it by some other way to let other characters", "my mind, I had imagined great doctors with insanely advanced technology at their", "(I will undoubtedly have to scrap the latter and replace it by some", "of avoiding to have to change this, for example by implementing some kind", "unconscious thoughts (I will undoubtedly have to scrap the latter and replace it", "etc etc (those villages will already be about a dozen years older once", "worse. That's not even everything yet, though. While I want people in the", "also wanted citizens to already live like in today's world, with smartphones, passenger", "the outskirts to live like at least 100 years ago: Providing for themselves,", "not (only) because I've never written before, but mainly because of an inconsistency", "given the type of objects. Let me give more detail: My story is", "as novice a writer as they come. My english is bad, and I've", "been years since my mind first started randomly creating a story in my", "think about some ways of avoiding to have to change this, for example", "by some other way to let other characters know about the main characters", "My story is set on a continent of two states, who have been", "really old fashioned while keeping normal lives up to today's standards. I did", "a few 100 years back: Preferably with technologies like in the 1600'. Now,", "ever written a fictional story beforehand. However, it's now been years since my", "is set on a continent of two states, who have been alternating between", "(=personal life of the main character), I don't want the technologies of war", "in today's world, with smartphones, passenger airplanes, and so on. As you can", "periods, and packed them together. In a real story, this would make no", "it's just way too much bullshitery otherwise... No idea yet though). At least", "technologies, etc etc (those villages will already be about a dozen years older", "being able to go as far as to identify most diseases quickly, and", "basic timeline, character profile, and world setting. However: I'm already struggling to do", "technologies like in the 1600'. Now, while this may all seem well, here", "story, this would make no sense at all, especially given the type of", "english is bad, and I've never ever written a fictional story beforehand. However,", "far as to identify most diseases quickly, and even partly decipher one's unconscious", "Anything else I come up with is even worse. That's not even everything", "by implementing some kind of treaty banning modern arms because of too many", "themselves, no fancy technologies, etc etc (those villages will already be about a", "elements from all kinds of periods, and packed them together. In a real", "the cities, but still.) As you can see, I have some major problems", "out the period my story is set in. There's just so mich contradictory", "much bullshitery otherwise... No idea yet though). At least in major cities. I", "By only dreaming, and not really trying to put together a working story,", "just make the warfare really old fashioned while keeping normal lives up to", "today's standards, and some other things even past that. In my mind, I", "I am as novice a writer as they come. My english is bad,", "First of all, I'd like to say that I am as novice a", "I also want some small villages on the outskirts to live like at", "one's unconscious thoughts (I will undoubtedly have to scrap the latter and replace", "cities to live our lives, I also want some small villages on the", "wanted citizens to already live like in today's world, with smartphones, passenger airplanes,", "my story. It mainly is about the timeperiod the story is set in.", "of too many casualties in previous wars, but that just seems, and actually", "story (=personal life of the main character), I don't want the technologies of", "two states, who have been alternating between periods of war and \"cold war\",", "with smartphones, passenger airplanes, and so on. As you can see, this makes", "years older once the plot comes to the cities, but still.) As you", "go as far as to identify most diseases quickly, and even partly decipher", "mainly because of an inconsistency in my story. It mainly is about the", "continent of two states, who have been alternating between periods of war and", "really like to try writing it down. Since all of the elements of", "of two states, who have been alternating between periods of war and \"cold", "like, forever. However, due to other aspects of the story (=personal life of", "to be evolved close to today's standards, and some other things even past", "just seems, and actually is, as if I couldnt have come up with", "have to change this, for example by implementing some kind of treaty banning", "this, for example by implementing some kind of treaty banning modern arms because", "yet though). At least in major cities. I also wanted citizens to already", "I also wanted citizens to already live like in today's world, with smartphones,", "see, I have some major problems trying to sort out the period my", "world to be evolved close to today's standards, and some other things even", "because of too many casualties in previous wars, but that just seems, and", "and so on. As you can see, this makes absolutely no sense. I", "This time not (only) because I've never written before, but mainly because of", "dreaming, and not really trying to put together a working story, I just", "I'd like to say that I am as novice a writer as they", "all, especially given the type of objects. Let me give more detail: My", "also want some small villages on the outskirts to live like at least", "identify most diseases quickly, and even partly decipher one's unconscious thoughts (I will", "way to let other characters know about the main characters past/fears, because it's", "ways of avoiding to have to change this, for example by implementing some", "about the timeperiod the story is set in. Thing is: By only dreaming,", "their disposal, being able to go as far as to identify most diseases", "would make no sense at all, especially given the type of objects. Let", "with insanely advanced technology at their disposal, being able to go as far", "kinds of periods, and packed them together. In a real story, this would", "just took elements from all kinds of periods, and packed them together. In", "of periods, and packed them together. In a real story, this would make", "of the story (=personal life of the main character), I don't want the", "I come up with is even worse. That's not even everything yet, though.", "as far as to identify most diseases quickly, and even partly decipher one's", "have some major problems trying to sort out the period my story is", "in my story. It mainly is about the timeperiod the story is set", "as they come. My english is bad, and I've never ever written a", "the 1600'. Now, while this may all seem well, here comes the problem:", "the story is set in. Thing is: By only dreaming, and not really", "war like a few 100 years back: Preferably with technologies like in the", "but mainly because of an inconsistency in my story. It mainly is about", "nothing more than a jumbled mess of thoughts yet, I thought that I", "profile, and world setting. However: I'm already struggling to do something as simple", "a working story, I just took elements from all kinds of periods, and", "working story, I just took elements from all kinds of periods, and packed", "already struggling to do something as simple as that. This time not (only)", "about the main characters past/fears, because it's just way too much bullshitery otherwise...", "bullshitery otherwise... No idea yet though). At least in major cities. I also", "sense at all, especially given the type of objects. Let me give more", "it by some other way to let other characters know about the main", "change this, for example by implementing some kind of treaty banning modern arms", "is set in. Thing is: By only dreaming, and not really trying to", "between periods of war and \"cold war\", since, like, forever. However, due to", "rest of the world to be evolved close to today's standards, and some", "I want people in the cities to live our lives, I also want", "states, who have been alternating between periods of war and \"cold war\", since,", "keeping normal lives up to today's standards. I did think about some ways", "comes the problem: I'd like the majority of the rest of the world", "all. Instead, I'd really like it to be a war like a few", "want some small villages on the outskirts to live like at least 100", "In my mind, I had imagined great doctors with insanely advanced technology at", "better. Anything else I come up with is even worse. That's not even", "today's world, with smartphones, passenger airplanes, and so on. As you can see,", "never ever written a fictional story beforehand. However, it's now been years since", "will undoubtedly have to scrap the latter and replace it by some other", "actually is, as if I couldnt have come up with anything better. Anything", "to date, at all. Instead, I'd really like it to be a war", "(those villages will already be about a dozen years older once the plot", "all kinds of periods, and packed them together. In a real story, this", "together. In a real story, this would make no sense at all, especially", "years ago: Providing for themselves, no fancy technologies, etc etc (those villages will", "a basic timeline, character profile, and world setting. However: I'm already struggling to", "set in. Thing is: By only dreaming, and not really trying to put", "I'm already struggling to do something as simple as that. This time not", "know about the main characters past/fears, because it's just way too much bullshitery", "wars, but that just seems, and actually is, as if I couldnt have", "main characters past/fears, because it's just way too much bullshitery otherwise... No idea", "is even worse. That's not even everything yet, though. While I want people", "As you can see, I have some major problems trying to sort out", "\"cold war\", since, like, forever. However, due to other aspects of the story", "decipher one's unconscious thoughts (I will undoubtedly have to scrap the latter and", "Providing for themselves, no fancy technologies, etc etc (those villages will already be", "some other way to let other characters know about the main characters past/fears,", "to be a war like a few 100 years back: Preferably with technologies", "problem: I'd like the majority of the rest of the world to be", "timeperiod the story is set in. Thing is: By only dreaming, and not", "you can see, I have some major problems trying to sort out the", "to go as far as to identify most diseases quickly, and even partly", "at least 100 years ago: Providing for themselves, no fancy technologies, etc etc", "come. My english is bad, and I've never ever written a fictional story", "1600'. Now, while this may all seem well, here comes the problem: I'd", "more than a jumbled mess of thoughts yet, I thought that I should", "my story is set in. There's just so mich contradictory stuff. And I'm", "and \"cold war\", since, like, forever. However, due to other aspects of the", "make the warfare really old fashioned while keeping normal lives up to today's", "No idea yet though). At least in major cities. I also wanted citizens", "Since all of the elements of that story are nothing more than a", "war\", since, like, forever. However, due to other aspects of the story (=personal", "the main characters past/fears, because it's just way too much bullshitery otherwise... No", "at all. Instead, I'd really like it to be a war like a", "still.) As you can see, I have some major problems trying to sort", "took elements from all kinds of periods, and packed them together. In a", "about a dozen years older once the plot comes to the cities, but", "seem well, here comes the problem: I'd like the majority of the rest", "able to go as far as to identify most diseases quickly, and even", "down. Since all of the elements of that story are nothing more than", "down a basic timeline, character profile, and world setting. However: I'm already struggling", "real story, this would make no sense at all, especially given the type", "technologies of war to be up to date, at all. Instead, I'd really", "once the plot comes to the cities, but still.) As you can see,", "and packed them together. In a real story, this would make no sense", "While I want people in the cities to live our lives, I also", "as simple as that. This time not (only) because I've never written before,", "live our lives, I also want some small villages on the outskirts to", "am as novice a writer as they come. My english is bad, and", "only dreaming, and not really trying to put together a working story, I", "advanced technology at their disposal, being able to go as far as to", "technology at their disposal, being able to go as far as to identify", "let other characters know about the main characters past/fears, because it's just way", "is about the timeperiod the story is set in. Thing is: By only", "say that I am as novice a writer as they come. My english", "elements of that story are nothing more than a jumbled mess of thoughts", "to already live like in today's world, with smartphones, passenger airplanes, and so", "like in today's world, with smartphones, passenger airplanes, and so on. As you", "outskirts to live like at least 100 years ago: Providing for themselves, no", "with is even worse. That's not even everything yet, though. While I want", "this would make no sense at all, especially given the type of objects.", "trying to put together a working story, I just took elements from all", "do something as simple as that. This time not (only) because I've never", "be evolved close to today's standards, and some other things even past that.", "and some other things even past that. In my mind, I had imagined", "I've never written before, but mainly because of an inconsistency in my story.", "thought that I should best start by simply jotting down a basic timeline,", "As you can see, this makes absolutely no sense. I can't just make", "to the cities, but still.) As you can see, I have some major", "a jumbled mess of thoughts yet, I thought that I should best start", "quickly, and even partly decipher one's unconscious thoughts (I will undoubtedly have to", "some major problems trying to sort out the period my story is set", "no sense at all, especially given the type of objects. Let me give", "even everything yet, though. While I want people in the cities to live", "I've never ever written a fictional story beforehand. However, it's now been years", "see, this makes absolutely no sense. I can't just make the warfare really", "(only) because I've never written before, but mainly because of an inconsistency in", "like to say that I am as novice a writer as they come.", "modern arms because of too many casualties in previous wars, but that just", "than a jumbled mess of thoughts yet, I thought that I should best", "simple as that. This time not (only) because I've never written before, but", "seems, and actually is, as if I couldnt have come up with anything", "on the outskirts to live like at least 100 years ago: Providing for", "mess of thoughts yet, I thought that I should best start by simply", "the plot comes to the cities, but still.) As you can see, I", "implementing some kind of treaty banning modern arms because of too many casualties", "put together a working story, I just took elements from all kinds of", "it down. Since all of the elements of that story are nothing more", "never written before, but mainly because of an inconsistency in my story. It", "writer as they come. My english is bad, and I've never ever written", "inconsistency in my story. It mainly is about the timeperiod the story is", "of war and \"cold war\", since, like, forever. However, due to other aspects", "standards, and some other things even past that. In my mind, I had", "cities, but still.) As you can see, I have some major problems trying", "etc (those villages will already be about a dozen years older once the", "jumbled mess of thoughts yet, I thought that I should best start by", "war and \"cold war\", since, like, forever. However, due to other aspects of", "an inconsistency in my story. It mainly is about the timeperiod the story", "At least in major cities. I also wanted citizens to already live like", "thoughts yet, I thought that I should best start by simply jotting down", "is, as if I couldnt have come up with anything better. Anything else", "by simply jotting down a basic timeline, character profile, and world setting. However:", "so on. As you can see, this makes absolutely no sense. I can't", "first started randomly creating a story in my head, and I'd really like", "scrap the latter and replace it by some other way to let other", "as that. This time not (only) because I've never written before, but mainly", "make no sense at all, especially given the type of objects. Let me", "the technologies of war to be up to date, at all. Instead, I'd", "evolved close to today's standards, and some other things even past that. In", "However, it's now been years since my mind first started randomly creating a", "it's now been years since my mind first started randomly creating a story", "will already be about a dozen years older once the plot comes to", "Let me give more detail: My story is set on a continent of", "partly decipher one's unconscious thoughts (I will undoubtedly have to scrap the latter", "some kind of treaty banning modern arms because of too many casualties in", "of the elements of that story are nothing more than a jumbled mess", "I'd like the majority of the rest of the world to be evolved", "written before, but mainly because of an inconsistency in my story. It mainly", "all seem well, here comes the problem: I'd like the majority of the", "and I'd really like to try writing it down. Since all of the", "the story (=personal life of the main character), I don't want the technologies", "with technologies like in the 1600'. Now, while this may all seem well,", "It mainly is about the timeperiod the story is set in. Thing is:", "not really trying to put together a working story, I just took elements", "to identify most diseases quickly, and even partly decipher one's unconscious thoughts (I", "jotting down a basic timeline, character profile, and world setting. However: I'm already", "in. There's just so mich contradictory stuff. And I'm at my wits end.", "though). At least in major cities. I also wanted citizens to already live", "in major cities. I also wanted citizens to already live like in today's", "I'd really like to try writing it down. Since all of the elements", "few 100 years back: Preferably with technologies like in the 1600'. Now, while", "comes to the cities, but still.) As you can see, I have some", "diseases quickly, and even partly decipher one's unconscious thoughts (I will undoubtedly have", "things even past that. In my mind, I had imagined great doctors with", "even worse. That's not even everything yet, though. While I want people in", "villages will already be about a dozen years older once the plot comes", "most diseases quickly, and even partly decipher one's unconscious thoughts (I will undoubtedly", "I should best start by simply jotting down a basic timeline, character profile,", "that just seems, and actually is, as if I couldnt have come up", "in the cities to live our lives, I also want some small villages", "close to today's standards, and some other things even past that. In my", "have to scrap the latter and replace it by some other way to", "to live like at least 100 years ago: Providing for themselves, no fancy", "had imagined great doctors with insanely advanced technology at their disposal, being able", "due to other aspects of the story (=personal life of the main character),", "already live like in today's world, with smartphones, passenger airplanes, and so on.", "period my story is set in. There's just so mich contradictory stuff. And", "I don't want the technologies of war to be up to date, at", "I can't just make the warfare really old fashioned while keeping normal lives", "Now, while this may all seem well, here comes the problem: I'd like", "other way to let other characters know about the main characters past/fears, because", "come up with is even worse. That's not even everything yet, though. While", "like in the 1600'. Now, while this may all seem well, here comes", "up to date, at all. Instead, I'd really like it to be a", "replace it by some other way to let other characters know about the", "for example by implementing some kind of treaty banning modern arms because of", "is set in. There's just so mich contradictory stuff. And I'm at my", "from all kinds of periods, and packed them together. In a real story,", "absolutely no sense. I can't just make the warfare really old fashioned while", "to do something as simple as that. This time not (only) because I've", "because I've never written before, but mainly because of an inconsistency in my", "like to try writing it down. Since all of the elements of that", "can see, I have some major problems trying to sort out the period", "doctors with insanely advanced technology at their disposal, being able to go as", "small villages on the outskirts to live like at least 100 years ago:", "a real story, this would make no sense at all, especially given the", "since my mind first started randomly creating a story in my head, and", "to let other characters know about the main characters past/fears, because it's just", "sort out the period my story is set in. There's just so mich", "as to identify most diseases quickly, and even partly decipher one's unconscious thoughts", "normal lives up to today's standards. I did think about some ways of", "I have some major problems trying to sort out the period my story", "previous wars, but that just seems, and actually is, as if I couldnt", "otherwise... No idea yet though). At least in major cities. I also wanted", "bad, and I've never ever written a fictional story beforehand. However, it's now", "be up to date, at all. Instead, I'd really like it to be", "a dozen years older once the plot comes to the cities, but still.)", "older once the plot comes to the cities, but still.) As you can", "sense. I can't just make the warfare really old fashioned while keeping normal", "time not (only) because I've never written before, but mainly because of an", "like a few 100 years back: Preferably with technologies like in the 1600'.", "mind first started randomly creating a story in my head, and I'd really", "timeline, character profile, and world setting. However: I'm already struggling to do something", "about some ways of avoiding to have to change this, for example by", "something as simple as that. This time not (only) because I've never written", "majority of the rest of the world to be evolved close to today's", "disposal, being able to go as far as to identify most diseases quickly,", "can see, this makes absolutely no sense. I can't just make the warfare", "to say that I am as novice a writer as they come. My", "100 years back: Preferably with technologies like in the 1600'. Now, while this", "Preferably with technologies like in the 1600'. Now, while this may all seem", "want the technologies of war to be up to date, at all. Instead,", "this may all seem well, here comes the problem: I'd like the majority", "just way too much bullshitery otherwise... No idea yet though). At least in", "beforehand. However, it's now been years since my mind first started randomly creating", "the cities to live our lives, I also want some small villages on", "really like it to be a war like a few 100 years back:", "up to today's standards. I did think about some ways of avoiding to", "at their disposal, being able to go as far as to identify most", "to today's standards, and some other things even past that. In my mind,", "mind, I had imagined great doctors with insanely advanced technology at their disposal,", "but that just seems, and actually is, as if I couldnt have come", "the problem: I'd like the majority of the rest of the world to", "our lives, I also want some small villages on the outskirts to live", "as if I couldnt have come up with anything better. Anything else I", "to today's standards. I did think about some ways of avoiding to have", "to be up to date, at all. Instead, I'd really like it to", "to live our lives, I also want some small villages on the outskirts", "story are nothing more than a jumbled mess of thoughts yet, I thought", "is: By only dreaming, and not really trying to put together a working" ]
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[ "> houses and gazed up at the sky. > > > Needless to", "that the villagers all gathered outside of their > houses and gazed up", "sentence without losing the style and the image that it paints. Thank you", "to lose this sense of things happening in parallel, but at the same", "the detail and the setting, and I also don't want to lose this", "pelvis and into which the legs and feet were plugged, the ribs >", "the scapula > jutting out of the ribcage; clouds in the vague shape", "of stream-of-consciousness these days. So when I got to actually writing a little", "come up with this spaghetti sentence. Now, I don't want to lose the", "days. So when I got to actually writing a little story for the", "is further amplified because I am not a native speaker and I don't", "the spine which curved into the > pelvis and into which the legs", "am not a native speaker and I don't know if the nuance is", "don't know if the nuance is carried over to the reader. So, I", "I try to read it. The problem is further amplified because I am", "all gathered outside of their > houses and gazed up at the sky.", "was come up with this spaghetti sentence. Now, I don't want to lose", "Needless to say, I've been reading a lot of stories written in the", "the image that it paints. Thank you for any suggestion, comment or help", "style of stream-of-consciousness these days. So when I got to actually writing a", "clouds in the vague shape of flowers were > covering the sky, glowing", "for the college magazine, the best I could do was come up with", "a lot of stories written in the style of stream-of-consciousness these days. So", "read it. The problem is further amplified because I am not a native", "> out of the dark shadow of its mother's womb, the most unusual", "any way I can simplify this sentence without losing the style and the", "things happening in parallel, but at the same time ... This thing is", "the breeze with such > unnatural fragrance that the villagers all gathered outside", "would like to know if there is any way I can simplify this", "lot of stories written in the style of stream-of-consciousness these days. So when", "not a native speaker and I don't know if the nuance is carried", "simplify this sentence without losing the style and the image that it paints.", "actually writing a little story for the college magazine, the best I could", "myself get confused and lost when I try to read it. The problem", "the dark shadow of its mother's womb, the most unusual child > ever", "I don't want to lose the detail and the setting, and I also", "reading a lot of stories written in the style of stream-of-consciousness these days.", "got to actually writing a little story for the college magazine, the best", "shape of flowers were > covering the sky, glowing pink and filling the", "in the style of stream-of-consciousness these days. So when I got to actually", "up with this spaghetti sentence. Now, I don't want to lose the detail", "... This thing is huge! I myself get confused and lost when I", "while the child > immediately crumbled to nothing but bones and the midwife", "of shadows fitted above the spine which curved into the > pelvis and", "> While inside the weatherbeaten maternity hut lit by a single candle, >", "delivered; and while the child > immediately crumbled to nothing but bones and", "unusual child > ever seen in the village was delivered; and while the", "don't want to lose the detail and the setting, and I also don't", "it. The problem is further amplified because I am not a native speaker", "way I can simplify this sentence without losing the style and the image", "eyes and a > nose made of shadows fitted above the spine which", "into which the legs and feet were plugged, the ribs > meticulously fixed", "outside of their > houses and gazed up at the sky. > >", "feet were plugged, the ribs > meticulously fixed to the vertebra and hands", "meticulously > assembled it again: the skull with a bottomless pit for the", "sky. > > > Needless to say, I've been reading a lot of", "could do was come up with this spaghetti sentence. Now, I don't want", "candle, > out of the dark shadow of its mother's womb, the most", "into the > pelvis and into which the legs and feet were plugged,", "made of shadows fitted above the spine which curved into the > pelvis", "the child > immediately crumbled to nothing but bones and the midwife meticulously", "> Needless to say, I've been reading a lot of stories written in", "midwife meticulously > assembled it again: the skull with a bottomless pit for", "been reading a lot of stories written in the style of stream-of-consciousness these", "written in the style of stream-of-consciousness these days. So when I got to", "flowers were > covering the sky, glowing pink and filling the breeze with", "and I also don't want to lose this sense of things happening in", "into the scapula > jutting out of the ribcage; clouds in the vague", "skull with a bottomless pit for the eyes and a > nose made", "further amplified because I am not a native speaker and I don't know", "this sentence without losing the style and the image that it paints. Thank", "when I try to read it. The problem is further amplified because I", "can simplify this sentence without losing the style and the image that it", "the setting, and I also don't want to lose this sense of things", "womb, the most unusual child > ever seen in the village was delivered;", "because I am not a native speaker and I don't know if the", "the nuance is carried over to the reader. So, I would like to", "to the reader. So, I would like to know if there is any", "> immediately crumbled to nothing but bones and the midwife meticulously > assembled", "and feet were plugged, the ribs > meticulously fixed to the vertebra and", "the > pelvis and into which the legs and feet were plugged, the", "plugged into the scapula > jutting out of the ribcage; clouds in the", "in the vague shape of flowers were > covering the sky, glowing pink", "gathered outside of their > houses and gazed up at the sky. >", "do was come up with this spaghetti sentence. Now, I don't want to", "spaghetti sentence. Now, I don't want to lose the detail and the setting,", "dark shadow of its mother's womb, the most unusual child > ever seen", "crumbled to nothing but bones and the midwife meticulously > assembled it again:", "which curved into the > pelvis and into which the legs and feet", "gazed up at the sky. > > > Needless to say, I've been", "stories written in the style of stream-of-consciousness these days. So when I got", "know if the nuance is carried over to the reader. So, I would", "> > While inside the weatherbeaten maternity hut lit by a single candle,", "> ever seen in the village was delivered; and while the child >", "the midwife meticulously > assembled it again: the skull with a bottomless pit", "to know if there is any way I can simplify this sentence without", "I can simplify this sentence without losing the style and the image that", "lost when I try to read it. The problem is further amplified because", "and the image that it paints. Thank you for any suggestion, comment or", "the best I could do was come up with this spaghetti sentence. Now,", "also don't want to lose this sense of things happening in parallel, but", "I am not a native speaker and I don't know if the nuance", "in the village was delivered; and while the child > immediately crumbled to", "the skull with a bottomless pit for the eyes and a > nose", "the villagers all gathered outside of their > houses and gazed up at", "a little story for the college magazine, the best I could do was", "lit by a single candle, > out of the dark shadow of its", "fixed to the vertebra and hands plugged into the scapula > jutting out", "of things happening in parallel, but at the same time ... This thing", "nuance is carried over to the reader. So, I would like to know", "pit for the eyes and a > nose made of shadows fitted above", "vertebra and hands plugged into the scapula > jutting out of the ribcage;", "if there is any way I can simplify this sentence without losing the", "> nose made of shadows fitted above the spine which curved into the", "above the spine which curved into the > pelvis and into which the", "I've been reading a lot of stories written in the style of stream-of-consciousness", "I also don't want to lose this sense of things happening in parallel,", "with this spaghetti sentence. Now, I don't want to lose the detail and", "is huge! I myself get confused and lost when I try to read", "that it paints. Thank you for any suggestion, comment or help that you", "speaker and I don't know if the nuance is carried over to the", "and the midwife meticulously > assembled it again: the skull with a bottomless", "a bottomless pit for the eyes and a > nose made of shadows", "spine which curved into the > pelvis and into which the legs and", "This thing is huge! I myself get confused and lost when I try", "the ribcage; clouds in the vague shape of flowers were > covering the", "and lost when I try to read it. The problem is further amplified", "it paints. Thank you for any suggestion, comment or help that you give.", "curved into the > pelvis and into which the legs and feet were", "Now, I don't want to lose the detail and the setting, and I", "of the dark shadow of its mother's womb, the most unusual child >", "of the ribcage; clouds in the vague shape of flowers were > covering", "pink and filling the breeze with such > unnatural fragrance that the villagers", "lose this sense of things happening in parallel, but at the same time", "carried over to the reader. So, I would like to know if there", "reader. So, I would like to know if there is any way I", "> > > Needless to say, I've been reading a lot of stories", "it again: the skull with a bottomless pit for the eyes and a", "and a > nose made of shadows fitted above the spine which curved", "the same time ... This thing is huge! I myself get confused and", "out of the dark shadow of its mother's womb, the most unusual child", "at the same time ... This thing is huge! I myself get confused", "child > ever seen in the village was delivered; and while the child", "was delivered; and while the child > immediately crumbled to nothing but bones", "same time ... This thing is huge! I myself get confused and lost", "style and the image that it paints. Thank you for any suggestion, comment", "immediately crumbled to nothing but bones and the midwife meticulously > assembled it", "if the nuance is carried over to the reader. So, I would like", "sentence. Now, I don't want to lose the detail and the setting, and", "mother's womb, the most unusual child > ever seen in the village was", "houses and gazed up at the sky. > > > Needless to say,", "story for the college magazine, the best I could do was come up", "which the legs and feet were plugged, the ribs > meticulously fixed to", "to lose the detail and the setting, and I also don't want to", "image that it paints. Thank you for any suggestion, comment or help that", "setting, and I also don't want to lose this sense of things happening", "a > nose made of shadows fitted above the spine which curved into", "stream-of-consciousness these days. So when I got to actually writing a little story", "shadow of its mother's womb, the most unusual child > ever seen in", "I myself get confused and lost when I try to read it. The", "I got to actually writing a little story for the college magazine, the", "plugged, the ribs > meticulously fixed to the vertebra and hands plugged into", "like to know if there is any way I can simplify this sentence", "sense of things happening in parallel, but at the same time ... This", "don't want to lose this sense of things happening in parallel, but at", "the legs and feet were plugged, the ribs > meticulously fixed to the", "filling the breeze with such > unnatural fragrance that the villagers all gathered", "lose the detail and the setting, and I also don't want to lose", "this spaghetti sentence. Now, I don't want to lose the detail and the", "such > unnatural fragrance that the villagers all gathered outside of their >", "and while the child > immediately crumbled to nothing but bones and the", "assembled it again: the skull with a bottomless pit for the eyes and", "sky, glowing pink and filling the breeze with such > unnatural fragrance that", "college magazine, the best I could do was come up with this spaghetti", "village was delivered; and while the child > immediately crumbled to nothing but", "is carried over to the reader. So, I would like to know if", "of its mother's womb, the most unusual child > ever seen in the", "ribs > meticulously fixed to the vertebra and hands plugged into the scapula", "to nothing but bones and the midwife meticulously > assembled it again: the", "fragrance that the villagers all gathered outside of their > houses and gazed", "at the sky. > > > Needless to say, I've been reading a", "So when I got to actually writing a little story for the college", "their > houses and gazed up at the sky. > > > Needless", "to actually writing a little story for the college magazine, the best I", "the sky. > > > Needless to say, I've been reading a lot", "writing a little story for the college magazine, the best I could do", "there is any way I can simplify this sentence without losing the style", "I would like to know if there is any way I can simplify", "the ribs > meticulously fixed to the vertebra and hands plugged into the", "covering the sky, glowing pink and filling the breeze with such > unnatural", "the weatherbeaten maternity hut lit by a single candle, > out of the", "> > Needless to say, I've been reading a lot of stories written", "glowing pink and filling the breeze with such > unnatural fragrance that the", "with such > unnatural fragrance that the villagers all gathered outside of their", "want to lose this sense of things happening in parallel, but at the", "a native speaker and I don't know if the nuance is carried over", "best I could do was come up with this spaghetti sentence. Now, I", "without losing the style and the image that it paints. Thank you for", "unnatural fragrance that the villagers all gathered outside of their > houses and", "> jutting out of the ribcage; clouds in the vague shape of flowers", "to say, I've been reading a lot of stories written in the style", "meticulously fixed to the vertebra and hands plugged into the scapula > jutting", "inside the weatherbeaten maternity hut lit by a single candle, > out of", "bones and the midwife meticulously > assembled it again: the skull with a", "and gazed up at the sky. > > > Needless to say, I've", "the style of stream-of-consciousness these days. So when I got to actually writing", "but at the same time ... This thing is huge! I myself get", "and into which the legs and feet were plugged, the ribs > meticulously", "most unusual child > ever seen in the village was delivered; and while", "amplified because I am not a native speaker and I don't know if", "native speaker and I don't know if the nuance is carried over to", "ever seen in the village was delivered; and while the child > immediately", "legs and feet were plugged, the ribs > meticulously fixed to the vertebra", "over to the reader. So, I would like to know if there is", "were > covering the sky, glowing pink and filling the breeze with such", "> pelvis and into which the legs and feet were plugged, the ribs", "the eyes and a > nose made of shadows fitted above the spine", "> unnatural fragrance that the villagers all gathered outside of their > houses", "and I don't know if the nuance is carried over to the reader.", "hut lit by a single candle, > out of the dark shadow of", "I don't know if the nuance is carried over to the reader. So,", "vague shape of flowers were > covering the sky, glowing pink and filling", "with a bottomless pit for the eyes and a > nose made of", "by a single candle, > out of the dark shadow of its mother's", "problem is further amplified because I am not a native speaker and I", "hands plugged into the scapula > jutting out of the ribcage; clouds in", "> meticulously fixed to the vertebra and hands plugged into the scapula >", "So, I would like to know if there is any way I can", "the vague shape of flowers were > covering the sky, glowing pink and", "the village was delivered; and while the child > immediately crumbled to nothing", "thing is huge! I myself get confused and lost when I try to", "single candle, > out of the dark shadow of its mother's womb, the", "these days. So when I got to actually writing a little story for", "nose made of shadows fitted above the spine which curved into the >", "detail and the setting, and I also don't want to lose this sense", "villagers all gathered outside of their > houses and gazed up at the", "confused and lost when I try to read it. The problem is further", "the most unusual child > ever seen in the village was delivered; and", "the sky, glowing pink and filling the breeze with such > unnatural fragrance", "get confused and lost when I try to read it. The problem is", "nothing but bones and the midwife meticulously > assembled it again: the skull", "the vertebra and hands plugged into the scapula > jutting out of the", "scapula > jutting out of the ribcage; clouds in the vague shape of", "> assembled it again: the skull with a bottomless pit for the eyes", "to the vertebra and hands plugged into the scapula > jutting out of", "jutting out of the ribcage; clouds in the vague shape of flowers were", "of flowers were > covering the sky, glowing pink and filling the breeze", "magazine, the best I could do was come up with this spaghetti sentence.", "but bones and the midwife meticulously > assembled it again: the skull with", "I could do was come up with this spaghetti sentence. Now, I don't", "huge! I myself get confused and lost when I try to read it.", "child > immediately crumbled to nothing but bones and the midwife meticulously >", "parallel, but at the same time ... This thing is huge! I myself", "losing the style and the image that it paints. Thank you for any", "breeze with such > unnatural fragrance that the villagers all gathered outside of", "and the setting, and I also don't want to lose this sense of", "ribcage; clouds in the vague shape of flowers were > covering the sky,", "of their > houses and gazed up at the sky. > > >", "the reader. So, I would like to know if there is any way", "While inside the weatherbeaten maternity hut lit by a single candle, > out", "its mother's womb, the most unusual child > ever seen in the village", "know if there is any way I can simplify this sentence without losing", "up at the sky. > > > Needless to say, I've been reading", "a single candle, > out of the dark shadow of its mother's womb,", "the style and the image that it paints. Thank you for any suggestion,", "bottomless pit for the eyes and a > nose made of shadows fitted", "maternity hut lit by a single candle, > out of the dark shadow", "little story for the college magazine, the best I could do was come", "weatherbeaten maternity hut lit by a single candle, > out of the dark", "want to lose the detail and the setting, and I also don't want", "this sense of things happening in parallel, but at the same time ...", "the college magazine, the best I could do was come up with this", "in parallel, but at the same time ... This thing is huge! I", "again: the skull with a bottomless pit for the eyes and a >", "is any way I can simplify this sentence without losing the style and", "The problem is further amplified because I am not a native speaker and", "to read it. The problem is further amplified because I am not a", "were plugged, the ribs > meticulously fixed to the vertebra and hands plugged", "out of the ribcage; clouds in the vague shape of flowers were >", "seen in the village was delivered; and while the child > immediately crumbled", "> covering the sky, glowing pink and filling the breeze with such >", "and hands plugged into the scapula > jutting out of the ribcage; clouds", "and filling the breeze with such > unnatural fragrance that the villagers all", "shadows fitted above the spine which curved into the > pelvis and into", "of stories written in the style of stream-of-consciousness these days. So when I", "try to read it. The problem is further amplified because I am not", "say, I've been reading a lot of stories written in the style of", "happening in parallel, but at the same time ... This thing is huge!", "time ... This thing is huge! I myself get confused and lost when", "when I got to actually writing a little story for the college magazine,", "fitted above the spine which curved into the > pelvis and into which", "for the eyes and a > nose made of shadows fitted above the" ]
[ "but I cannot imagine how it is possible that there is a great", "Besides, there can be a tension -in terms of emotions- even without a", "writing? Some resources says tension is how much you care about a character", "between Tension, Suspense and Mystery in fiction writing? Some resources says tension is", "much you care about a character but I cannot imagine how it is", "Tension, Suspense and Mystery in fiction writing? Some resources says tension is how", "and Mystery in fiction writing? Some resources says tension is how much you", "resources says tension is how much you care about a character but I", "you care about a character but I cannot imagine how it is possible", "you define the differences between Tension, Suspense and Mystery in fiction writing? Some", "the differences between Tension, Suspense and Mystery in fiction writing? Some resources says", "great suspense but you don't care about the characters. Besides, there can be", "a great suspense but you don't care about the characters. Besides, there can", "about a character but I cannot imagine how it is possible that there", "Suspense and Mystery in fiction writing? Some resources says tension is how much", "cannot imagine how it is possible that there is a great suspense but", "you don't care about the characters. Besides, there can be a tension -in", "don't care about the characters. Besides, there can be a tension -in terms", "in fiction writing? Some resources says tension is how much you care about", "it is possible that there is a great suspense but you don't care", "how it is possible that there is a great suspense but you don't", "fiction writing? Some resources says tension is how much you care about a", "says tension is how much you care about a character but I cannot", "is a great suspense but you don't care about the characters. Besides, there", "Some resources says tension is how much you care about a character but", "possible that there is a great suspense but you don't care about the", "I cannot imagine how it is possible that there is a great suspense", "suspense but you don't care about the characters. Besides, there can be a", "define the differences between Tension, Suspense and Mystery in fiction writing? Some resources", "care about the characters. Besides, there can be a tension -in terms of", "can be a tension -in terms of emotions- even without a particular character,", "differences between Tension, Suspense and Mystery in fiction writing? Some resources says tension", "is possible that there is a great suspense but you don't care about", "but you don't care about the characters. Besides, there can be a tension", "imagine how it is possible that there is a great suspense but you", "there can be a tension -in terms of emotions- even without a particular", "there is a great suspense but you don't care about the characters. Besides,", "the characters. Besides, there can be a tension -in terms of emotions- even", "care about a character but I cannot imagine how it is possible that", "is how much you care about a character but I cannot imagine how", "a tension -in terms of emotions- even without a particular character, no? Thanks!", "tension is how much you care about a character but I cannot imagine", "how much you care about a character but I cannot imagine how it", "Can you define the differences between Tension, Suspense and Mystery in fiction writing?", "characters. Besides, there can be a tension -in terms of emotions- even without", "a character but I cannot imagine how it is possible that there is", "be a tension -in terms of emotions- even without a particular character, no?", "Mystery in fiction writing? Some resources says tension is how much you care", "that there is a great suspense but you don't care about the characters.", "about the characters. Besides, there can be a tension -in terms of emotions-", "character but I cannot imagine how it is possible that there is a" ]
[ "and the second chapter. The first chapter has an event that takes place", "can I let the readers know almost immediately that it is ten years", "really mention the date in the first chapter so having a date mentioned", "mention the date in the first chapter so having a date mentioned in", "chapter as other characters are introduced in this one, so the solution from", "second chapter as other characters are introduced in this one, so the solution", "second chapter. The first chapter has an event that takes place during the", "has an event that takes place during the protagonist's teenage years that lays", "chapter. The first chapter has an event that takes place during the protagonist's", "years after the event that took place in the first chapter. How can", "continues ten years after the event that took place in the first chapter.", "that lays the foundation for the rest of the story, and the second", "is ten years later in the second chapter? Some additional points: * The", "the first chapter so having a date mentioned in the second chapter may", "place during the protagonist's teenage years that lays the foundation for the rest", "no place to really mention the date in the first chapter so having", "place to really mention the date in the first chapter so having a", "in the second chapter as other characters are introduced in this one, so", "event that takes place during the protagonist's teenage years that lays the foundation", "the rest of the story, and the second chapter continues ten years after", "The first chapter has an event that takes place during the protagonist's teenage", "other characters are introduced in this one, so the solution from [This similar", "ten years later in the second chapter? Some additional points: * The protagonist", "[This similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work. * There was no place to really", "took place in the first chapter. How can I let the readers know", "second chapter? Some additional points: * The protagonist does not appear in the", "of the story, and the second chapter continues ten years after the event", "that it is ten years later in the second chapter? Some additional points:", "teenage years that lays the foundation for the rest of the story, and", "* The protagonist does not appear in the second chapter as other characters", "the story, and the second chapter continues ten years after the event that", "rest of the story, and the second chapter continues ten years after the", "between an event in my first chapter and the second chapter. The first", "this one, so the solution from [This similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work. ", "was no place to really mention the date in the first chapter so", "There was no place to really mention the date in the first chapter", "the first chapter. How can I let the readers know almost immediately that", "years later in the second chapter? Some additional points: The protagonist does", "in this one, so the solution from [This similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work.", "during the protagonist's teenage years that lays the foundation for the rest of", "first chapter and the second chapter. The first chapter has an event that", "after the event that took place in the first chapter. 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How can I let the readers know almost immediately that it is", "in the first chapter so having a date mentioned in the second chapter", "one, so the solution from [This similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work. * There", "an event in my first chapter and the second chapter. 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Some additional points: * The protagonist does not", "place in the first chapter. How can I let the readers know almost", "in my first chapter and the second chapter. The first chapter has an", "that took place in the first chapter. How can I let the readers", "for the rest of the story, and the second chapter continues ten years", "the event that took place in the first chapter. How can I let", "year time lapse between an event in my first chapter and the second", "first chapter has an event that takes place during the protagonist's teenage years", "years that lays the foundation for the rest of the story, and the", "my first chapter and the second chapter. The first chapter has an event", "in the second chapter? 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Some", "chapter? Some additional points: * The protagonist does not appear in the second", "similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work. * There was no place to really mention", "solution from [This similar question](https://writers.stackexchange.com/questions/19143/whats-the-most-natural-way-to-show-a-passage-of-time-between-the-prologue-and-c) may not work. * There was no place", "an event that takes place during the protagonist's teenage years that lays the", "the second chapter? Some additional points: * The protagonist does not appear in", "to really mention the date in the first chapter so having a date", "the second chapter continues ten years after the event that took place in", "let the readers know almost immediately that it is ten years later in" ]
[ "can I fully remove them from my mind to ensure a finished work", "I do this, I end up deleting the previous novel and have gotten", "an entirely different novel. Whenever I do this, I end up deleting the", "but I can't get rid of the other ideas that threaten to replace", "the first chapter of my latest idea. I want to stick with this", "of my latest idea. I want to stick with this novel, but I", "am on the first chapter of my latest idea. I want to stick", "Over the past year, I have written down a number of ideas for", "my latest idea. I want to stick with this novel, but I can't", "idea, and tried to write my novel based on this idea. However, I", "rid of the other ideas that threaten to replace my current idea? How", "of ideas for novels. I have attempted to focus on a sole idea,", "However, I have far too many times found myself looking at other ideas,", "write an entirely different novel. 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However, I have far too many times found", "fully remove them from my mind to ensure a finished work as soon", "past year, I have written down a number of ideas for novels. I", "near finished. Even now, I am on the first chapter of my latest", "this, I end up deleting the previous novel and have gotten nowhere near", "ideas, as a result moving on to write an entirely different novel. Whenever", "Even now, I am on the first chapter of my latest idea. I", "this novel, but I can't get rid of the other ideas that threaten", "attempted to focus on a sole idea, and tried to write my novel", "this idea. However, I have far too many times found myself looking at", "want to stick with this novel, but I can't get rid of the", "can't get rid of the other ideas that threaten to replace my current", "current idea? How can I fully remove them from my mind to ensure", "novel. 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Whenever I do this,", "I end up deleting the previous novel and have gotten nowhere near finished.", "I want to stick with this novel, but I can't get rid of", "the past year, I have written down a number of ideas for novels.", "times found myself looking at other ideas, as a result moving on to", "at other ideas, as a result moving on to write an entirely different", "I fully remove them from my mind to ensure a finished work as", "on the first chapter of my latest idea. I want to stick with", "number of ideas for novels. I have attempted to focus on a sole", "novels. I have attempted to focus on a sole idea, and tried to", "I can't get rid of the other ideas that threaten to replace my", "my current idea? How can I fully remove them from my mind to", "the previous novel and have gotten nowhere near finished. Even now, I am", "idea? How can I fully remove them from my mind to ensure a", "ideas that threaten to replace my current idea? How can I fully remove", "finished. Even now, I am on the first chapter of my latest idea.", "to focus on a sole idea, and tried to write my novel based", "sole idea, and tried to write my novel based on this idea. However,", "moving on to write an entirely different novel. Whenever I do this, I", "idea. I want to stick with this novel, but I can't get rid", "have far too many times found myself looking at other ideas, as a", "I have far too many times found myself looking at other ideas, as", "that threaten to replace my current idea? How can I fully remove them", "and tried to write my novel based on this idea. However, I have", "ideas for novels. I have attempted to focus on a sole idea, and", "entirely different novel. Whenever I do this, I end up deleting the previous", "found myself looking at other ideas, as a result moving on to write" ]
[ "sound like a name a professional writer would have, does it? Because I", "question: Should I have a pen name instead of my actual name for", "have a pen name instead of my actual name for writing books? And", "professional writer would have, does it? Because I don't think so. So here", "is my question: Should I have a pen name instead of my actual", "pen name instead of my actual name for writing books? And if so,", "my actual name for writing books? And if so, how do I create", "for writing books? And if so, how do I create the perfect pen", "name for writing books? And if so, how do I create the perfect", "instead of my actual name for writing books? And if so, how do", "having the name 'James Thompson'. It doesn't really sound like a name a", "actual name for writing books? And if so, how do I create the", "really sound like a name a professional writer would have, does it? Because", "the name 'James Thompson'. It doesn't really sound like a name a professional", "like a name a professional writer would have, does it? Because I don't", "name 'James Thompson'. It doesn't really sound like a name a professional writer", "Because I don't think so. So here is my question: Should I have", "name instead of my actual name for writing books? And if so, how", "writing books? And if so, how do I create the perfect pen name?", "'James Thompson'. It doesn't really sound like a name a professional writer would", "a professional writer would have, does it? Because I don't think so. So", "Thompson'. It doesn't really sound like a name a professional writer would have,", "Should I have a pen name instead of my actual name for writing", "I don't think so. So here is my question: Should I have a", "writer would have, does it? Because I don't think so. So here is", "don't think so. So here is my question: Should I have a pen", "of my actual name for writing books? And if so, how do I", "here is my question: Should I have a pen name instead of my", "so. So here is my question: Should I have a pen name instead", "Try having the name 'James Thompson'. It doesn't really sound like a name", "have, does it? Because I don't think so. So here is my question:", "my question: Should I have a pen name instead of my actual name", "So here is my question: Should I have a pen name instead of", "it? Because I don't think so. So here is my question: Should I", "a name a professional writer would have, does it? Because I don't think", "It doesn't really sound like a name a professional writer would have, does", "doesn't really sound like a name a professional writer would have, does it?", "does it? Because I don't think so. So here is my question: Should", "would have, does it? Because I don't think so. So here is my", "I have a pen name instead of my actual name for writing books?", "a pen name instead of my actual name for writing books? And if", "think so. So here is my question: Should I have a pen name", "name a professional writer would have, does it? Because I don't think so." ]
[ "of documenting the no-arguments call in the built-in help? * Should I write", "fit in this pattern. All these variants look quite unnatural: ``` foo Do", "(no arguments) Do the FOO ``` In search for examples I've looked at", "the `-h` or `--help` argument is used to print that help on the", "--help Show this help -v --version Show package version ``` Note the pattern", "possible -h --help Show this help -v --version Show package version ``` Note", "All these variants look quite unnatural: ``` foo Do the FOO Do the", "arguments) Do the FOO ``` In search for examples I've looked at several", "-h foo [OPTIONS...] Do FOO in the most awesome way possible -h --help", "explaining arguments: ``` (short) (long) Explanation ``` The no-argument call doesn't fit in", "these variants look quite unnatural: ``` foo Do the FOO Do the FOO", "(short) (long) Explanation ``` The no-argument call doesn't fit in this pattern. All", "version ``` Note the pattern for explaining arguments: ``` (short) (long) Explanation ```", "the `-h` output. The question: what is the proper way of documenting the", "FOO Do the FOO (no arguments) Do the FOO ``` In search for", "`sh`, `bash` and other shells, `systemctl`), but none of them describe that in", "of `(no arguments)` above? * Or should I explain that in a different", "write something in the place of `(no arguments)` above? * Or should I", "arguments)` above? * Or should I explain that in a different place (where)?", "but none of them describe that in the `-h` output. The question: what", "I've looked at several utilities that have valid no-argument calls (e.g. `sh`, `bash`", "used to print that help on the screen.) A common output of `-h`", "this help -v --version Show package version ``` Note the pattern for explaining", "help -v --version Show package version ``` Note the pattern for explaining arguments:", "-v --version Show package version ``` Note the pattern for explaining arguments: ```", "that have valid no-argument calls (e.g. `sh`, `bash` and other shells, `systemctl`), but", "``` (short) (long) Explanation ``` The no-argument call doesn't fit in this pattern.", "a command line program. The exact name is irrelevant, so let's use `foo`", "with describing the no-argument call in the built-in help. (There's a common practice", "the no-argument call in the built-in help. (There's a common practice that the", "`--help` argument is used to print that help on the screen.) A common", "(just `foo`). I'm struggling with describing the no-argument call in the built-in help.", "some arguments (like `foo -v`) or without any arguments at all (just `foo`).", "the FOO Do the FOO (no arguments) Do the FOO ``` In search", "on the screen.) A common output of `-h` command looks like this: ```", "a common practice that the `-h` or `--help` argument is used to print", "help for a command line program. The exact name is irrelevant, so let's", "help? * Should I write something in the place of `(no arguments)` above?", "-h --help Show this help -v --version Show package version ``` Note the", "shells, `systemctl`), but none of them describe that in the `-h` output. The", "Show this help -v --version Show package version ``` Note the pattern for", "without any arguments at all (just `foo`). I'm struggling with describing the no-argument", "this pattern. All these variants look quite unnatural: ``` foo Do the FOO", "any arguments at all (just `foo`). I'm struggling with describing the no-argument call", "valid no-argument calls (e.g. `sh`, `bash` and other shells, `systemctl`), but none of", "in the most awesome way possible -h --help Show this help -v --version", "of them describe that in the `-h` output. The question: what is the", "no-arguments call in the built-in help? * Should I write something in the", "no-argument call in the built-in help. (There's a common practice that the `-h`", "the screen.) A common output of `-h` command looks like this: ``` $", "[OPTIONS...] Do FOO in the most awesome way possible -h --help Show this", "a placeholder. This utility can be called with some arguments (like `foo -v`)", "`systemctl`), but none of them describe that in the `-h` output. The question:", "(like `foo -v`) or without any arguments at all (just `foo`). I'm struggling", "arguments (like `foo -v`) or without any arguments at all (just `foo`). I'm", "$ foo -h foo [OPTIONS...] Do FOO in the most awesome way possible", "in the place of `(no arguments)` above? * Or should I explain that", "the FOO (no arguments) Do the FOO ``` In search for examples I've", "FOO ``` In search for examples I've looked at several utilities that have", "call in the built-in help? * Should I write something in the place", "in the built-in help? * Should I write something in the place of", "--version Show package version ``` Note the pattern for explaining arguments: ``` (short)", "argument is used to print that help on the screen.) A common output", "I write something in the place of `(no arguments)` above? * Or should", "common practice that the `-h` or `--help` argument is used to print that", "call doesn't fit in this pattern. All these variants look quite unnatural: ```", "print that help on the screen.) A common output of `-h` command looks", "A common output of `-h` command looks like this: ``` $ foo -h", "at several utilities that have valid no-argument calls (e.g. `sh`, `bash` and other", "place of `(no arguments)` above? * Or should I explain that in a", "awesome way possible -h --help Show this help -v --version Show package version", "command line program. The exact name is irrelevant, so let's use `foo` as", "arguments at all (just `foo`). I'm struggling with describing the no-argument call in", "utility can be called with some arguments (like `foo -v`) or without any", "screen.) A common output of `-h` command looks like this: ``` $ foo", "like this: ``` $ foo -h foo [OPTIONS...] Do FOO in the most", "Show package version ``` Note the pattern for explaining arguments: ``` (short) (long)", "be called with some arguments (like `foo -v`) or without any arguments at", "foo [OPTIONS...] Do FOO in the most awesome way possible -h --help Show", "no-argument call doesn't fit in this pattern. All these variants look quite unnatural:", "question: what is the proper way of documenting the no-arguments call in the", "FOO (no arguments) Do the FOO ``` In search for examples I've looked", "no-argument calls (e.g. `sh`, `bash` and other shells, `systemctl`), but none of them", "the most awesome way possible -h --help Show this help -v --version Show", "``` The no-argument call doesn't fit in this pattern. All these variants look", "what is the proper way of documenting the no-arguments call in the built-in", "unnatural: ``` foo Do the FOO Do the FOO (no arguments) Do the", "program. The exact name is irrelevant, so let's use `foo` as a placeholder.", "most awesome way possible -h --help Show this help -v --version Show package", "or without any arguments at all (just `foo`). I'm struggling with describing the", "FOO in the most awesome way possible -h --help Show this help -v", "(e.g. `sh`, `bash` and other shells, `systemctl`), but none of them describe that", "line program. The exact name is irrelevant, so let's use `foo` as a", "this: ``` $ foo -h foo [OPTIONS...] Do FOO in the most awesome", "foo Do the FOO Do the FOO (no arguments) Do the FOO ```", "Do the FOO Do the FOO (no arguments) Do the FOO ``` In", "in the built-in help. (There's a common practice that the `-h` or `--help`", "(There's a common practice that the `-h` or `--help` argument is used to", "at all (just `foo`). I'm struggling with describing the no-argument call in the", "Do the FOO ``` In search for examples I've looked at several utilities", "Do the FOO (no arguments) Do the FOO ``` In search for examples", "call in the built-in help. (There's a common practice that the `-h` or", "`-h` command looks like this: ``` $ foo -h foo [OPTIONS...] Do FOO", "examples I've looked at several utilities that have valid no-argument calls (e.g. `sh`,", "of `-h` command looks like this: ``` $ foo -h foo [OPTIONS...] Do", "the built-in help for a command line program. The exact name is irrelevant,", "pattern for explaining arguments: ``` (short) (long) Explanation ``` The no-argument call doesn't", "arguments: ``` (short) (long) Explanation ``` The no-argument call doesn't fit in this", "-v`) or without any arguments at all (just `foo`). I'm struggling with describing", "way possible -h --help Show this help -v --version Show package version ```", "name is irrelevant, so let's use `foo` as a placeholder. This utility can", "that help on the screen.) A common output of `-h` command looks like", "something in the place of `(no arguments)` above? * Or should I explain", "exact name is irrelevant, so let's use `foo` as a placeholder. This utility", "`bash` and other shells, `systemctl`), but none of them describe that in the", "the built-in help? * Should I write something in the place of `(no", "placeholder. This utility can be called with some arguments (like `foo -v`) or", "so let's use `foo` as a placeholder. This utility can be called with", "look quite unnatural: ``` foo Do the FOO Do the FOO (no arguments)", "is used to print that help on the screen.) A common output of", "Note the pattern for explaining arguments: ``` (short) (long) Explanation ``` The no-argument", "package version ``` Note the pattern for explaining arguments: ``` (short) (long) Explanation", "variants look quite unnatural: ``` foo Do the FOO Do the FOO (no", "`(no arguments)` above? * Or should I explain that in a different place", "The no-argument call doesn't fit in this pattern. All these variants look quite", "the FOO ``` In search for examples I've looked at several utilities that", "I'm struggling with describing the no-argument call in the built-in help. (There's a", "or `--help` argument is used to print that help on the screen.) A", "can be called with some arguments (like `foo -v`) or without any arguments", "Explanation ``` The no-argument call doesn't fit in this pattern. All these variants", "``` Note the pattern for explaining arguments: ``` (short) (long) Explanation ``` The", "that the `-h` or `--help` argument is used to print that help on", "In search for examples I've looked at several utilities that have valid no-argument", "with some arguments (like `foo -v`) or without any arguments at all (just", "foo -h foo [OPTIONS...] Do FOO in the most awesome way possible -h", "`foo`). I'm struggling with describing the no-argument call in the built-in help. (There's", "command looks like this: ``` $ foo -h foo [OPTIONS...] Do FOO in", "I am writing the built-in help for a command line program. The exact", "called with some arguments (like `foo -v`) or without any arguments at all", "`-h` output. The question: what is the proper way of documenting the no-arguments", "output. The question: what is the proper way of documenting the no-arguments call", "the proper way of documenting the no-arguments call in the built-in help? ", "utilities that have valid no-argument calls (e.g. `sh`, `bash` and other shells, `systemctl`),", "help on the screen.) A common output of `-h` command looks like this:", "doesn't fit in this pattern. All these variants look quite unnatural: ``` foo", "This utility can be called with some arguments (like `foo -v`) or without", "pattern. All these variants look quite unnatural: ``` foo Do the FOO Do", "`foo` as a placeholder. This utility can be called with some arguments (like", "none of them describe that in the `-h` output. The question: what is", "other shells, `systemctl`), but none of them describe that in the `-h` output.", "output of `-h` command looks like this: ``` $ foo -h foo [OPTIONS...]", "as a placeholder. This utility can be called with some arguments (like `foo", "`foo -v`) or without any arguments at all (just `foo`). I'm struggling with", "the no-arguments call in the built-in help? Should I write something in", "writing the built-in help for a command line program. The exact name is", "and other shells, `systemctl`), but none of them describe that in the `-h`", "several utilities that have valid no-argument calls (e.g. `sh`, `bash` and other shells,", "all (just `foo`). I'm struggling with describing the no-argument call in the built-in", "proper way of documenting the no-arguments call in the built-in help? * Should", "Should I write something in the place of `(no arguments)` above? * Or", "struggling with describing the no-argument call in the built-in help. (There's a common", "built-in help. (There's a common practice that the `-h` or `--help` argument is", "Do FOO in the most awesome way possible -h --help Show this help", "way of documenting the no-arguments call in the built-in help? * Should I", "describing the no-argument call in the built-in help. (There's a common practice that", "for explaining arguments: ``` (short) (long) Explanation ``` The no-argument call doesn't fit", "for a command line program. The exact name is irrelevant, so let's use", "`-h` or `--help` argument is used to print that help on the screen.)", "that in the `-h` output. The question: what is the proper way of", "built-in help for a command line program. The exact name is irrelevant, so", "is irrelevant, so let's use `foo` as a placeholder. This utility can be", "quite unnatural: ``` foo Do the FOO Do the FOO (no arguments) Do", "the built-in help. (There's a common practice that the `-h` or `--help` argument", "describe that in the `-h` output. The question: what is the proper way", "am writing the built-in help for a command line program. The exact name", "looks like this: ``` $ foo -h foo [OPTIONS...] Do FOO in the", "them describe that in the `-h` output. The question: what is the proper", "let's use `foo` as a placeholder. This utility can be called with some", "(long) Explanation ``` The no-argument call doesn't fit in this pattern. All these", "built-in help? * Should I write something in the place of `(no arguments)`", "for examples I've looked at several utilities that have valid no-argument calls (e.g.", "``` foo Do the FOO Do the FOO (no arguments) Do the FOO", "search for examples I've looked at several utilities that have valid no-argument calls", "to print that help on the screen.) A common output of `-h` command", "* Should I write something in the place of `(no arguments)` above? ", "have valid no-argument calls (e.g. `sh`, `bash` and other shells, `systemctl`), but none", "common output of `-h` command looks like this: ``` $ foo -h foo", "help. (There's a common practice that the `-h` or `--help` argument is used", "the place of `(no arguments)` above? Or should I explain that in", "``` $ foo -h foo [OPTIONS...] Do FOO in the most awesome way", "the pattern for explaining arguments: ``` (short) (long) Explanation ``` The no-argument call", "looked at several utilities that have valid no-argument calls (e.g. `sh`, `bash` and", "in this pattern. All these variants look quite unnatural: ``` foo Do the", "calls (e.g. `sh`, `bash` and other shells, `systemctl`), but none of them describe", "documenting the no-arguments call in the built-in help? * Should I write something", "is the proper way of documenting the no-arguments call in the built-in help?", "practice that the `-h` or `--help` argument is used to print that help", "The exact name is irrelevant, so let's use `foo` as a placeholder. This", "use `foo` as a placeholder. This utility can be called with some arguments", "``` In search for examples I've looked at several utilities that have valid", "The question: what is the proper way of documenting the no-arguments call in", "in the `-h` output. The question: what is the proper way of documenting", "irrelevant, so let's use `foo` as a placeholder. This utility can be called" ]
[ "years ago. Now it is out of print. The last edition of the", "I cant find its translator. I have found the electronif file of the", "My question is: Can I use that illegal electronic file of the book", "publisher about this book, but I didnt receive any answer. I also searched", "the book below: Title: Cardinal and Ordinal Numbers Second Edition Revised 1965 Author:", "author died about 47 years ago. Now it is out of print. The", "any permission from the actual publishers). My question is: Can I use that", "Now it is out of print. The last edition of the book I", "I put the information of the book below: Title: Cardinal and Ordinal Numbers", "English (in 1965). I have sent email to its publisher about this book,", "translated to English (in 1965). I have sent email to its publisher about", "I didnt find it. I also mention that I cant find its translator.", "permission from the actual publishers). My question is: Can I use that illegal", "file of the book in a website which allows users to download many", "but I didnt receive any answer. I also searched this book in the", "email to its publisher about this book, but I didnt receive any answer.", "book, but I didnt receive any answer. I also searched this book in", "website, but I didnt find it. I also mention that I cant find", "Revised 1965 Author: Wacław Sierpiński Translated from Polish by: Janina Smólska Publisher: PWN-Polish", "a question on a book which its last edition was published about 50", "searched this book in the publisher's website, but I didnt find it. I", "50 years ago and its author died about 47 years ago. Now it", "ago and its author died about 47 years ago. Now it is out", "found the electronif file of the book in a website which allows users", "(in 1965). I have sent email to its publisher about this book, but", "without any permission from the actual publishers). My question is: Can I use", "I use that illegal electronic file of the book for self study ?", "from the actual publishers). My question is: Can I use that illegal electronic", "I have sent email to its publisher about this book, but I didnt", "its translator. I have found the electronif file of the book in a", "have sent email to its publisher about this book, but I didnt receive", "find it. I also mention that I cant find its translator. I have", "and its author died about 47 years ago. Now it is out of", "any answer. I also searched this book in the publisher's website, but I", "I didnt receive any answer. I also searched this book in the publisher's", "answer. I also searched this book in the publisher's website, but I didnt", "also mention that I cant find its translator. I have found the electronif", "a website which allows users to download many books from it illegally (that", "actual publishers). My question is: Can I use that illegal electronic file of", "illegal electronic file of the book for self study ? I put the", "Can I use that illegal electronic file of the book for self study", "file of the book for self study ? I put the information of", "is: Can I use that illegal electronic file of the book for self", "its publisher about this book, but I didnt receive any answer. I also", "website which allows users to download many books from it illegally (that is", "illegally (that is without any permission from the actual publishers). My question is:", "it illegally (that is without any permission from the actual publishers). My question", "translator. I have found the electronif file of the book in a website", "which its last edition was published about 50 years ago and its author", "of the book I am interested was translated to English (in 1965). I", "I have a question on a book which its last edition was published", "out of print. The last edition of the book I am interested was", "also searched this book in the publisher's website, but I didnt find it.", "and Ordinal Numbers Second Edition Revised 1965 Author: Wacław Sierpiński Translated from Polish", "didnt receive any answer. I also searched this book in the publisher's website,", "have a question on a book which its last edition was published about", "to its publisher about this book, but I didnt receive any answer. I", "for self study ? I put the information of the book below: Title:", "publishers). My question is: Can I use that illegal electronic file of the", "last edition of the book I am interested was translated to English (in", "the actual publishers). My question is: Can I use that illegal electronic file", "have found the electronif file of the book in a website which allows", "information of the book below: Title: Cardinal and Ordinal Numbers Second Edition Revised", "of print. The last edition of the book I am interested was translated", "Author: Wacław Sierpiński Translated from Polish by: Janina Smólska Publisher: PWN-Polish Scientific Publishers", "cant find its translator. I have found the electronif file of the book", "edition of the book I am interested was translated to English (in 1965).", "1965 Author: Wacław Sierpiński Translated from Polish by: Janina Smólska Publisher: PWN-Polish Scientific", "Cardinal and Ordinal Numbers Second Edition Revised 1965 Author: Wacław Sierpiński Translated from", "sent email to its publisher about this book, but I didnt receive any", "the book for self study ? I put the information of the book", "I also searched this book in the publisher's website, but I didnt find", "book below: Title: Cardinal and Ordinal Numbers Second Edition Revised 1965 Author: Wacław", "use that illegal electronic file of the book for self study ? I", "find its translator. I have found the electronif file of the book in", "is without any permission from the actual publishers). My question is: Can I", "1965). I have sent email to its publisher about this book, but I", "book in a website which allows users to download many books from it", "download many books from it illegally (that is without any permission from the", "electronif file of the book in a website which allows users to download", "the publisher's website, but I didnt find it. I also mention that I", "its last edition was published about 50 years ago and its author died", "Edition Revised 1965 Author: Wacław Sierpiński Translated from Polish by: Janina Smólska Publisher:", "of the book in a website which allows users to download many books", "am interested was translated to English (in 1965). I have sent email to", "the book I am interested was translated to English (in 1965). I have", "this book, but I didnt receive any answer. I also searched this book", "but I didnt find it. I also mention that I cant find its", "(that is without any permission from the actual publishers). My question is: Can", "I also mention that I cant find its translator. I have found the", "the information of the book below: Title: Cardinal and Ordinal Numbers Second Edition", "interested was translated to English (in 1965). I have sent email to its", "allows users to download many books from it illegally (that is without any", "Second Edition Revised 1965 Author: Wacław Sierpiński Translated from Polish by: Janina Smólska", "mention that I cant find its translator. I have found the electronif file", "I have found the electronif file of the book in a website which", "books from it illegally (that is without any permission from the actual publishers).", "in the publisher's website, but I didnt find it. I also mention that", "ago. Now it is out of print. The last edition of the book", "question is: Can I use that illegal electronic file of the book for", "of the book below: Title: Cardinal and Ordinal Numbers Second Edition Revised 1965", "about this book, but I didnt receive any answer. I also searched this", "below: Title: Cardinal and Ordinal Numbers Second Edition Revised 1965 Author: Wacław Sierpiński", "I am interested was translated to English (in 1965). I have sent email", "publisher's website, but I didnt find it. I also mention that I cant", "it. I also mention that I cant find its translator. I have found", "the electronif file of the book in a website which allows users to", "to download many books from it illegally (that is without any permission from", "was published about 50 years ago and its author died about 47 years", "Ordinal Numbers Second Edition Revised 1965 Author: Wacław Sierpiński Translated from Polish by:", "published about 50 years ago and its author died about 47 years ago.", "that illegal electronic file of the book for self study ? I put", "book which its last edition was published about 50 years ago and its", "users to download many books from it illegally (that is without any permission", "about 50 years ago and its author died about 47 years ago. Now", "study ? I put the information of the book below: Title: Cardinal and", "47 years ago. Now it is out of print. The last edition of", "its author died about 47 years ago. Now it is out of print.", "print. The last edition of the book I am interested was translated to", "edition was published about 50 years ago and its author died about 47", "book for self study ? I put the information of the book below:", "was translated to English (in 1965). I have sent email to its publisher", "in a website which allows users to download many books from it illegally", "this book in the publisher's website, but I didnt find it. I also", "that I cant find its translator. I have found the electronif file of", "book in the publisher's website, but I didnt find it. I also mention", "which allows users to download many books from it illegally (that is without", "a book which its last edition was published about 50 years ago and", "died about 47 years ago. Now it is out of print. The last", "is out of print. The last edition of the book I am interested", "from it illegally (that is without any permission from the actual publishers). My", "? I put the information of the book below: Title: Cardinal and Ordinal", "of the book for self study ? I put the information of the", "years ago and its author died about 47 years ago. Now it is", "question on a book which its last edition was published about 50 years", "put the information of the book below: Title: Cardinal and Ordinal Numbers Second", "Numbers Second Edition Revised 1965 Author: Wacław Sierpiński Translated from Polish by: Janina", "didnt find it. I also mention that I cant find its translator. I", "electronic file of the book for self study ? I put the information", "many books from it illegally (that is without any permission from the actual", "Title: Cardinal and Ordinal Numbers Second Edition Revised 1965 Author: Wacław Sierpiński Translated", "last edition was published about 50 years ago and its author died about", "receive any answer. I also searched this book in the publisher's website, but", "The last edition of the book I am interested was translated to English", "book I am interested was translated to English (in 1965). I have sent", "self study ? I put the information of the book below: Title: Cardinal", "to English (in 1965). I have sent email to its publisher about this", "the book in a website which allows users to download many books from", "about 47 years ago. Now it is out of print. The last edition", "on a book which its last edition was published about 50 years ago", "it is out of print. The last edition of the book I am" ]
[ "my characters. Everything's running smoothly except for the part where I want to", "characters. Everything's running smoothly except for the part where I want to describe", "should stick to describing only one person's emotion. Problem: I want to describe", "I do that? * Simutaneously describing? I feel like I'm flitting from 'he'", "do that? * Simutaneously describing? I feel like I'm flitting from 'he' to", "flitting from 'he' to 'she', 'him' to 'her'. I feel disconnected and so", "emotions. Period. Option 2: I should write both of their feelings. Problem: How", "for the part where I want to describe their kiss. I'm in conflict", "both of their feelings. Problem: How do I do that? * Simutaneously describing?", "their feelings. Problem: How do I do that? * Simutaneously describing? I feel", "the reader. * One passage each? First 'her' feeling and then 'his' feeling?", "feelings. Problem: How do I do that? * Simutaneously describing? I feel like", "in third person because I want to express the standpoint of both of", "standpoint of both of my characters. Everything's running smoothly except for the part", "have during the kiss. These are the possible options I have and also", "Option 1: I should stick to describing only one person's emotion. Problem: I", "their kiss. I'm in conflict with the idea that in whose POV should", "Shortening it would make it way too small for each. So can you", "of their emotions. Period. Option 2: I should write both of their feelings.", "'she', 'him' to 'her'. I feel disconnected and so will the reader. ", "where I want to describe their kiss. I'm in conflict with the idea", "actually kiss. Also it might seem to look like it's being repeated. Shortening", "should write both of their feelings. Problem:* How do I do that? ", "feeling? It reads way too long than the time taken to actually kiss.", "way too long than the time taken to actually kiss. Also it might", "Everything's running smoothly except for the part where I want to describe their", "'him' to 'her'. I feel disconnected and so will the reader. One", "being repeated. Shortening it would make it way too small for each. So", "with those: Option 1: I should stick to describing only one person's emotion.", "I want to describe their kiss. I'm in conflict with the idea that", "I describe the emotion they have during the kiss. These are the possible", "during the kiss. These are the possible options I have and also that", "It reads way too long than the time taken to actually kiss. Also", "describe their kiss. I'm in conflict with the idea that in whose POV", "the possible options I have and also that the problem that I face", "and so will the reader. * One passage each? First 'her' feeling and", "of both of my characters. Everything's running smoothly except for the part where", "writing in third person because I want to express the standpoint of both", "'her'. I feel disconnected and so will the reader. * One passage each?", "those: Option 1: I should stick to describing only one person's emotion. Problem:", "it way too small for each. So can you help me in solving", "solving my conflict and problems? Can you help me suggest a better way", "should I describe the emotion they have during the kiss. These are the", "it would make it way too small for each. So can you help", "to describing only one person's emotion. Problem: I want to describe both of", "third person because I want to express the standpoint of both of my", "like I'm flitting from 'he' to 'she', 'him' to 'her'. I feel disconnected", "face with those: Option 1: I should stick to describing only one person's", "make it way too small for each. So can you help me in", "in whose POV should I describe the emotion they have during the kiss.", "except for the part where I want to describe their kiss. I'm in", "their emotions. Period. Option 2: I should write both of their feelings. Problem:", "I have and also that the problem that I face with those: Option", "have and also that the problem that I face with those: Option 1:*", "you help me in solving my conflict and problems? Can you help me", "it's being repeated. Shortening it would make it way too small for each.", "Simutaneously describing? I feel like I'm flitting from 'he' to 'she', 'him' to", "want to describe their kiss. I'm in conflict with the idea that in", "that in whose POV should I describe the emotion they have during the", "disconnected and so will the reader. One passage each? First 'her' feeling", "want to describe both of their emotions. Period. Option 2: I should write", "2: I should write both of their feelings. Problem: How do I do", "also that the problem that I face with those: Option 1: I should", "then 'his' feeling? It reads way too long than the time taken to", "way too small for each. So can you help me in solving my", "person because I want to express the standpoint of both of my characters.", "the problem that I face with those: Option 1: I should stick to", "1: I should stick to describing only one person's emotion. Problem: I want", "of my characters. Everything's running smoothly except for the part where I want", "do I do that? * Simutaneously describing? I feel like I'm flitting from", "can you help me in solving my conflict and problems? Can you help", "because I want to express the standpoint of both of my characters. Everything's", "passage each? First 'her' feeling and then 'his' feeling? It reads way too", "look like it's being repeated. Shortening it would make it way too small", "both of my characters. Everything's running smoothly except for the part where I", "write both of their feelings. Problem: How do I do that? * Simutaneously", "are the possible options I have and also that the problem that I", "so will the reader. * One passage each? First 'her' feeling and then", "help me in solving my conflict and problems? Can you help me suggest", "I want to describe both of their emotions. Period. Option 2: I should", "that I face with those: Option 1: I should stick to describing only", "describe the emotion they have during the kiss. These are the possible options", "First 'her' feeling and then 'his' feeling? It reads way too long than", "to look like it's being repeated. Shortening it would make it way too", "feeling and then 'his' feeling? It reads way too long than the time", "I feel like I'm flitting from 'he' to 'she', 'him' to 'her'. I", "one person's emotion. Problem: I want to describe both of their emotions. Period.", "feel like I'm flitting from 'he' to 'she', 'him' to 'her'. I feel", "I should write both of their feelings. Problem: How do I do that?", "I'm flitting from 'he' to 'she', 'him' to 'her'. I feel disconnected and", "to describe their kiss. I'm in conflict with the idea that in whose", "kiss. These are the possible options I have and also that the problem", "possible options I have and also that the problem that I face with", "'her' feeling and then 'his' feeling? It reads way too long than the", "taken to actually kiss. Also it might seem to look like it's being", "want to express the standpoint of both of my characters. Everything's running smoothly", "seem to look like it's being repeated. Shortening it would make it way", "in solving my conflict and problems? Can you help me suggest a better", "I'm writing in third person because I want to express the standpoint of", "to 'she', 'him' to 'her'. I feel disconnected and so will the reader.", "Problem: I want to describe both of their emotions. Period. Option 2: I", "reads way too long than the time taken to actually kiss. Also it", "How do I do that? * Simutaneously describing? I feel like I'm flitting", "like it's being repeated. Shortening it would make it way too small for", "too long than the time taken to actually kiss. Also it might seem", "to express the standpoint of both of my characters. Everything's running smoothly except", "smoothly except for the part where I want to describe their kiss. I'm", "feel disconnected and so will the reader. * One passage each? First 'her'", "than the time taken to actually kiss. Also it might seem to look", "with the idea that in whose POV should I describe the emotion they", "too small for each. So can you help me in solving my conflict", "I should stick to describing only one person's emotion. Problem: I want to", "reader. * One passage each? First 'her' feeling and then 'his' feeling? It", "to 'her'. I feel disconnected and so will the reader. * One passage", "my conflict and problems? Can you help me suggest a better way of", "problem that I face with those: Option 1: I should stick to describing", "Option 2: I should write both of their feelings. Problem: How do I", "time taken to actually kiss. Also it might seem to look like it's", "will the reader. * One passage each? First 'her' feeling and then 'his'", "describing only one person's emotion. Problem: I want to describe both of their", "that the problem that I face with those: Option 1: I should stick", "describe both of their emotions. Period. Option 2: I should write both of", "Problem: How do I do that? * Simutaneously describing? I feel like I'm", "describing? I feel like I'm flitting from 'he' to 'she', 'him' to 'her'.", "I want to express the standpoint of both of my characters. Everything's running", "* One passage each? First 'her' feeling and then 'his' feeling? It reads", "to describe both of their emotions. Period. Option 2: I should write both", "the time taken to actually kiss. Also it might seem to look like", "each? First 'her' feeling and then 'his' feeling? It reads way too long", "for each. So can you help me in solving my conflict and problems?", "stick to describing only one person's emotion. Problem: I want to describe both", "running smoothly except for the part where I want to describe their kiss.", "and also that the problem that I face with those: Option 1: I", "kiss. Also it might seem to look like it's being repeated. Shortening it", "These are the possible options I have and also that the problem that", "person's emotion. Problem: I want to describe both of their emotions. Period. Option", "Also it might seem to look like it's being repeated. Shortening it would", "in conflict with the idea that in whose POV should I describe the", "part where I want to describe their kiss. I'm in conflict with the", "the kiss. These are the possible options I have and also that the", "conflict and problems? Can you help me suggest a better way of carrying", "to actually kiss. Also it might seem to look like it's being repeated.", "repeated. Shortening it would make it way too small for each. So can", "both of their emotions. Period. Option 2: I should write both of their", "I face with those: Option 1: I should stick to describing only one", "they have during the kiss. These are the possible options I have and", "it might seem to look like it's being repeated. Shortening it would make", "emotion. Problem: I want to describe both of their emotions. Period. Option 2:*", "that? Simutaneously describing? I feel like I'm flitting from 'he' to 'she',", "idea that in whose POV should I describe the emotion they have during", "problems? Can you help me suggest a better way of carrying this out?", "conflict with the idea that in whose POV should I describe the emotion", "kiss. I'm in conflict with the idea that in whose POV should I", "only one person's emotion. Problem: I want to describe both of their emotions.", "and problems? Can you help me suggest a better way of carrying this", "would make it way too small for each. So can you help me", "whose POV should I describe the emotion they have during the kiss. These", "'his' feeling? It reads way too long than the time taken to actually", "small for each. So can you help me in solving my conflict and", "long than the time taken to actually kiss. Also it might seem to", "of their feelings. Problem: How do I do that? * Simutaneously describing? I", "the emotion they have during the kiss. These are the possible options I", "options I have and also that the problem that I face with those:", "from 'he' to 'she', 'him' to 'her'. I feel disconnected and so will", "might seem to look like it's being repeated. Shortening it would make it", "POV should I describe the emotion they have during the kiss. These are", "the standpoint of both of my characters. Everything's running smoothly except for the", "I feel disconnected and so will the reader. * One passage each? First", "and then 'his' feeling? It reads way too long than the time taken", "the idea that in whose POV should I describe the emotion they have", "me in solving my conflict and problems? Can you help me suggest a", "express the standpoint of both of my characters. Everything's running smoothly except for", "the part where I want to describe their kiss. I'm in conflict with", "each. So can you help me in solving my conflict and problems? Can", "Period. Option 2: I should write both of their feelings. Problem: How do", "One passage each? First 'her' feeling and then 'his' feeling? It reads way", "'he' to 'she', 'him' to 'her'. I feel disconnected and so will the", "So can you help me in solving my conflict and problems? Can you", "* Simutaneously describing? I feel like I'm flitting from 'he' to 'she', 'him'", "emotion they have during the kiss. These are the possible options I have", "I'm in conflict with the idea that in whose POV should I describe" ]
[ "this fairly frequently. Usually it's just a bit of flavor on the character", "introduced, but I see this fairly frequently. Usually it's just a bit of", "is being established rather than disrupt the reader's picture. I mean, why hide", "now \"folding his arms across his barrel chest\" or a character I envisioned", "I envisioned as one ethnicity is now described as another. It's really jarring.", "if the detail is plot-critical, it seems to me that it would be", "it seems to me that it would be important enough to work it", "imagined as skinny is now \"folding his arms across his barrel chest\" or", "disrupt the reader's picture. I mean, why hide it? What value is there", "flavor on the character and isn't related to the plot, but even if", "and isn't related to the plot, but even if the detail is plot-critical,", "find it horribly irritating when I'm half way through a book and suddenly", "enough to work it in as the character is being established rather than", "of flavor on the character and isn't related to the plot, but even", "as skinny is now \"folding his arms across his barrel chest\" or a", "your reader's depictions of a character long after the character has been introduced,", "depictions of a character long after the character has been introduced, but I", "I'm half way through a book and suddenly discover a character I imagined", "envisioned as one ethnicity is now described as another. It's really jarring. Seems", "character I imagined as skinny is now \"folding his arms across his barrel", "Seems like it would be a bad idea to restructure your reader's depictions", "on the character and isn't related to the plot, but even if the", "to work it in as the character is being established rather than disrupt", "the character and isn't related to the plot, but even if the detail", "in adding physical appearance details late in the story and potentially causing the", "I see this fairly frequently. Usually it's just a bit of flavor on", "like it would be a bad idea to restructure your reader's depictions of", "I imagined as skinny is now \"folding his arms across his barrel chest\"", "a character I imagined as skinny is now \"folding his arms across his", "through a book and suddenly discover a character I imagined as skinny is", "it in as the character is being established rather than disrupt the reader's", "that it would be important enough to work it in as the character", "a bad idea to restructure your reader's depictions of a character long after", "been introduced, but I see this fairly frequently. Usually it's just a bit", "after the character has been introduced, but I see this fairly frequently. Usually", "jarring. Seems like it would be a bad idea to restructure your reader's", "of a character long after the character has been introduced, but I see", "bad idea to restructure your reader's depictions of a character long after the", "just a bit of flavor on the character and isn't related to the", "across his barrel chest\" or a character I envisioned as one ethnicity is", "idea to restructure your reader's depictions of a character long after the character", "to restructure your reader's depictions of a character long after the character has", "Usually it's just a bit of flavor on the character and isn't related", "a bit of flavor on the character and isn't related to the plot,", "book and suddenly discover a character I imagined as skinny is now \"folding", "his arms across his barrel chest\" or a character I envisioned as one", "to the plot, but even if the detail is plot-critical, it seems to", "is plot-critical, it seems to me that it would be important enough to", "it horribly irritating when I'm half way through a book and suddenly discover", "reader's picture. I mean, why hide it? What value is there in adding", "would be important enough to work it in as the character is being", "I find it horribly irritating when I'm half way through a book and", "restructure your reader's depictions of a character long after the character has been", "detail is plot-critical, it seems to me that it would be important enough", "late in the story and potentially causing the reader to \"reload\" the character?", "than disrupt the reader's picture. I mean, why hide it? What value is", "physical appearance details late in the story and potentially causing the reader to", "fairly frequently. Usually it's just a bit of flavor on the character and", "as another. It's really jarring. Seems like it would be a bad idea", "plot-critical, it seems to me that it would be important enough to work", "character long after the character has been introduced, but I see this fairly", "be important enough to work it in as the character is being established", "a book and suddenly discover a character I imagined as skinny is now", "character is being established rather than disrupt the reader's picture. I mean, why", "or a character I envisioned as one ethnicity is now described as another.", "be a bad idea to restructure your reader's depictions of a character long", "a character I envisioned as one ethnicity is now described as another. It's", "the reader's picture. I mean, why hide it? What value is there in", "it? What value is there in adding physical appearance details late in the", "his barrel chest\" or a character I envisioned as one ethnicity is now", "character has been introduced, but I see this fairly frequently. Usually it's just", "seems to me that it would be important enough to work it in", "another. It's really jarring. Seems like it would be a bad idea to", "to me that it would be important enough to work it in as", "when I'm half way through a book and suddenly discover a character I", "would be a bad idea to restructure your reader's depictions of a character", "the plot, but even if the detail is plot-critical, it seems to me", "see this fairly frequently. Usually it's just a bit of flavor on the", "it would be important enough to work it in as the character is", "hide it? What value is there in adding physical appearance details late in", "details late in the story and potentially causing the reader to \"reload\" the", "irritating when I'm half way through a book and suddenly discover a character", "is now \"folding his arms across his barrel chest\" or a character I", "is now described as another. It's really jarring. Seems like it would be", "but I see this fairly frequently. Usually it's just a bit of flavor", "work it in as the character is being established rather than disrupt the", "important enough to work it in as the character is being established rather", "reader's depictions of a character long after the character has been introduced, but", "now described as another. It's really jarring. Seems like it would be a", "skinny is now \"folding his arms across his barrel chest\" or a character", "has been introduced, but I see this fairly frequently. Usually it's just a", "it would be a bad idea to restructure your reader's depictions of a", "adding physical appearance details late in the story and potentially causing the reader", "suddenly discover a character I imagined as skinny is now \"folding his arms", "as one ethnicity is now described as another. It's really jarring. Seems like", "bit of flavor on the character and isn't related to the plot, but", "plot, but even if the detail is plot-critical, it seems to me that", "and suddenly discover a character I imagined as skinny is now \"folding his", "arms across his barrel chest\" or a character I envisioned as one ethnicity", "half way through a book and suddenly discover a character I imagined as", "It's really jarring. Seems like it would be a bad idea to restructure", "the character has been introduced, but I see this fairly frequently. Usually it's", "really jarring. Seems like it would be a bad idea to restructure your", "related to the plot, but even if the detail is plot-critical, it seems", "me that it would be important enough to work it in as the", "described as another. It's really jarring. Seems like it would be a bad", "why hide it? What value is there in adding physical appearance details late", "one ethnicity is now described as another. It's really jarring. Seems like it", "character I envisioned as one ethnicity is now described as another. It's really", "it's just a bit of flavor on the character and isn't related to", "long after the character has been introduced, but I see this fairly frequently.", "isn't related to the plot, but even if the detail is plot-critical, it", "even if the detail is plot-critical, it seems to me that it would", "appearance details late in the story and potentially causing the reader to \"reload\"", "rather than disrupt the reader's picture. I mean, why hide it? What value", "being established rather than disrupt the reader's picture. I mean, why hide it?", "there in adding physical appearance details late in the story and potentially causing", "the character is being established rather than disrupt the reader's picture. I mean,", "picture. I mean, why hide it? What value is there in adding physical", "a character long after the character has been introduced, but I see this", "the detail is plot-critical, it seems to me that it would be important", "established rather than disrupt the reader's picture. I mean, why hide it? What", "value is there in adding physical appearance details late in the story and", "frequently. Usually it's just a bit of flavor on the character and isn't", "is there in adding physical appearance details late in the story and potentially", "ethnicity is now described as another. It's really jarring. Seems like it would", "horribly irritating when I'm half way through a book and suddenly discover a", "as the character is being established rather than disrupt the reader's picture. I", "but even if the detail is plot-critical, it seems to me that it", "mean, why hide it? What value is there in adding physical appearance details", "in as the character is being established rather than disrupt the reader's picture.", "What value is there in adding physical appearance details late in the story", "barrel chest\" or a character I envisioned as one ethnicity is now described", "I mean, why hide it? What value is there in adding physical appearance", "way through a book and suddenly discover a character I imagined as skinny", "discover a character I imagined as skinny is now \"folding his arms across", "\"folding his arms across his barrel chest\" or a character I envisioned as", "chest\" or a character I envisioned as one ethnicity is now described as", "character and isn't related to the plot, but even if the detail is" ]
[ "I didn't ask for payment because the site is set up primarily as", "have written a guest blog post that I would like to re-use (possibly", "payment because the site is set up primarily as a public service in", "like to re-use (possibly in a slightly different form) in a future book.", "book. I have asked the site manager about this and find her response", "have asked the site manager about this and find her response confusing. First,", "a website with a large readership. I didn't ask for payment because the", "your own intellectual property - even if it’s published on our site.\" Should", "find her response confusing. First, she pointed me to the site's reprint policy,", "be reproduced for resale.\" > > > She also said, \"Your writing will", "will always be your own intellectual property - even if it’s published on", "have written several guest blog posts for a website with a large readership.", "I have written several guest blog posts for a website with a large", "on our site.\" Should I request an exception to this in writing before", "it’s published on our site.\" Should I request an exception to this in", "large readership. I didn't ask for payment because the site is set up", "a guest blog post that I would like to re-use (possibly in a", "property - even if it’s published on our site.\" Should I request an", "guest blog posts for a website with a large readership. I didn't ask", "didn't ask for payment because the site is set up primarily as a", "form) in a future book. I have asked the site manager about this", "writing will always be your own intellectual property - even if it’s published", "blog posts for a website with a large readership. I didn't ask for", "reprint policy, which says > > \"articles cannot be reproduced for resale.\" >", "to re-use (possibly in a slightly different form) in a future book. I", "for a website with a large readership. I didn't ask for payment because", "the site's reprint policy, which says > > \"articles cannot be reproduced for", "for payment because the site is set up primarily as a public service", "manager about this and find her response confusing. First, she pointed me to", "website with a large readership. I didn't ask for payment because the site", "different form) in a future book. I have asked the site manager about", "future book. I have asked the site manager about this and find her", "would like to re-use (possibly in a slightly different form) in a future", "also said, \"Your writing will always be your own intellectual property - even", "site manager about this and find her response confusing. First, she pointed me", "public service in the special interest area. Now I have written a guest", "site.\" Should I request an exception to this in writing before my article", "be your own intellectual property - even if it’s published on our site.\"", "this and find her response confusing. First, she pointed me to the site's", "First, she pointed me to the site's reprint policy, which says > >", "which says > > \"articles cannot be reproduced for resale.\" > > >", "says > > \"articles cannot be reproduced for resale.\" > > > She", "because the site is set up primarily as a public service in the", "post that I would like to re-use (possibly in a slightly different form)", "> > \"articles cannot be reproduced for resale.\" > > > She also", "the site manager about this and find her response confusing. First, she pointed", "written a guest blog post that I would like to re-use (possibly in", "if it’s published on our site.\" Should I request an exception to this", "a future book. I have asked the site manager about this and find", "re-use (possibly in a slightly different form) in a future book. I have", "always be your own intellectual property - even if it’s published on our", "posts for a website with a large readership. I didn't ask for payment", "area. Now I have written a guest blog post that I would like", "> > She also said, \"Your writing will always be your own intellectual", "confusing. First, she pointed me to the site's reprint policy, which says >", "\"articles cannot be reproduced for resale.\" > > > She also said, \"Your", "a public service in the special interest area. Now I have written a", "is set up primarily as a public service in the special interest area.", "and find her response confusing. First, she pointed me to the site's reprint", "I request an exception to this in writing before my article is published", "\"Your writing will always be your own intellectual property - even if it’s", "a large readership. I didn't ask for payment because the site is set", "written several guest blog posts for a website with a large readership. I", "> \"articles cannot be reproduced for resale.\" > > > She also said,", "an exception to this in writing before my article is published on their", "in a slightly different form) in a future book. I have asked the", "to the site's reprint policy, which says > > \"articles cannot be reproduced", "primarily as a public service in the special interest area. Now I have", "- even if it’s published on our site.\" Should I request an exception", "in a future book. I have asked the site manager about this and", "a slightly different form) in a future book. I have asked the site", "she pointed me to the site's reprint policy, which says > > \"articles", "even if it’s published on our site.\" Should I request an exception to", "reproduced for resale.\" > > > She also said, \"Your writing will always", "said, \"Your writing will always be your own intellectual property - even if", "her response confusing. First, she pointed me to the site's reprint policy, which", "I would like to re-use (possibly in a slightly different form) in a", "(possibly in a slightly different form) in a future book. I have asked", "Should I request an exception to this in writing before my article is", "request an exception to this in writing before my article is published on", "with a large readership. I didn't ask for payment because the site is", "about this and find her response confusing. First, she pointed me to the", "for resale.\" > > > She also said, \"Your writing will always be", "exception to this in writing before my article is published on their site?", "our site.\" Should I request an exception to this in writing before my", "asked the site manager about this and find her response confusing. First, she", "the special interest area. Now I have written a guest blog post that", "up primarily as a public service in the special interest area. Now I", "the site is set up primarily as a public service in the special", "interest area. Now I have written a guest blog post that I would", "I have written a guest blog post that I would like to re-use", "slightly different form) in a future book. I have asked the site manager", "> She also said, \"Your writing will always be your own intellectual property", "several guest blog posts for a website with a large readership. I didn't", "site is set up primarily as a public service in the special interest", "in the special interest area. Now I have written a guest blog post", "resale.\" > > > She also said, \"Your writing will always be your", "set up primarily as a public service in the special interest area. Now", "readership. I didn't ask for payment because the site is set up primarily", "guest blog post that I would like to re-use (possibly in a slightly", "> > > She also said, \"Your writing will always be your own", "She also said, \"Your writing will always be your own intellectual property -", "cannot be reproduced for resale.\" > > > She also said, \"Your writing", "intellectual property - even if it’s published on our site.\" Should I request", "ask for payment because the site is set up primarily as a public", "as a public service in the special interest area. Now I have written", "I have asked the site manager about this and find her response confusing.", "published on our site.\" Should I request an exception to this in writing", "response confusing. First, she pointed me to the site's reprint policy, which says", "special interest area. Now I have written a guest blog post that I", "that I would like to re-use (possibly in a slightly different form) in", "me to the site's reprint policy, which says > > \"articles cannot be", "site's reprint policy, which says > > \"articles cannot be reproduced for resale.\"", "policy, which says > > \"articles cannot be reproduced for resale.\" > >", "service in the special interest area. Now I have written a guest blog", "blog post that I would like to re-use (possibly in a slightly different", "pointed me to the site's reprint policy, which says > > \"articles cannot", "Now I have written a guest blog post that I would like to", "own intellectual property - even if it’s published on our site.\" Should I" ]
[ "work so she leaves, without informing the girl. When the girl, who is", "to urgent work so she leaves, without informing the girl. When the girl,", "enter. For all the right reasons, she joins the children just to know", "home, calls her, she is then informed of the situation. For all the", "was in-charge of the kid for the day. For all the right reasons,", "supposed to meet that lady but, on the day of their meeting, the", "she takes care of the kid in a way that makes the guy", "the kid in a way that makes the guy fall for her. >", "that kid. The guy seeing her take care of the kid. I can't", "A girl is supposed to meet that lady but, on the day of", "way to that lady's home, calls her, she is then informed of the", "guy. While waiting for the lady to come she takes care of the", "all the characters to come together. The girl getting in the lady's good", "she is the one to take him to that guy. While waiting for", "tenant's place, who is very kind. The girl is about to reach that", "get past the coincidental urgency of the lady and the kid falling sick", "guy, lives on the ground floor. A girl is supposed to meet that", "the kid for the day. For all the right reasons, she is the", "> > > Everything that has happened is kind of a coincidence but", "reader be able to digest such a big moment as a coincidence? This", "right reasons, she joins the children just to know that one of them", "for the day. For all the right reasons, she is the one to", "lady's child. The kid wants to go back to his house, to the", "very kind. The girl is about to reach that place when she sees", "to let the girl take him to his home. Will the reader be", "decides that she'll wait for her outside her house. The lady then suggests", "the way my characters are coming together and forming a bond seems way", "that guy. While waiting for the lady to come she takes care of", "house adjacent to the one she's supposed to enter. For all the right", "are coming together and forming a bond seems way too coincidental to me.", "their meeting, the lady has to attend to urgent work so she leaves,", "is very kind. The girl is about to reach that place when she", "lives on the first floor while her tenant, a guy, lives on the", "be able to digest such a big moment as a coincidence? This is", "the girl, who is on her way to that lady's home, calls her,", "the sick kid is the lady's child. The kid wants to go back", "informing the girl. When the girl, who is on her way to that", "go back to his house, to the tenant, as he was in-charge of", "getting in the lady's good books and being friends with that kid. The", "is the only coincidental situation I have created in the story. No other", "out that the sick kid is the lady's child. The kid wants to", "being friends with that kid. The guy seeing her take care of the", "lady's good books and being friends with that kid. The guy seeing her", "the right reasons, she joins the children just to know that one of", "> > Everything that has happened is kind of a coincidence but it", "I can't get past the coincidental urgency of the lady and the kid", "turning point for all the characters to come together. The girl getting in", "the girl can wait at her tenant's place, who is very kind. The", "in a way that makes the guy fall for her. > > >", "and the kid falling sick just in time to let the girl take", "too coincidental to me. > > A lady lives on the first floor", "she's supposed to enter. For all the right reasons, she joins the children", "about to reach that place when she sees children playing in the house", "go home, for he is sick. Turns out that the sick kid is", "to the tenant, as he was in-charge of the kid for the day.", "for her. > > > > Everything that has happened is kind of", "the day of their meeting, the lady has to attend to urgent work", "joins the children just to know that one of them suddenly wants to", "that one of them suddenly wants to go home, for he is sick.", "big moment as a coincidence? This is the only coincidental situation I have", "meet that lady but, on the day of their meeting, the lady has", "suggests that the girl can wait at her tenant's place, who is very", "day and she decides that she'll wait for her outside her house. The", "she decides that she'll wait for her outside her house. The lady then", "when she sees children playing in the house adjacent to the one she's", "meeting, the lady has to attend to urgent work so she leaves, without", "the story. No other coincidences. Have I made a mistake in creating the", "kind of a coincidence but it is the turning point for all the", "the turning point for all the characters to come together. The girl getting", "home. Will the reader be able to digest such a big moment as", "Everything that has happened is kind of a coincidence but it is the", "of the lady and the kid falling sick just in time to let", "to that lady's home, calls her, she is then informed of the situation.", "her take care of the kid. I can't get past the coincidental urgency", "she joins the children just to know that one of them suddenly wants", "For all the right reasons, she is the one to take him to", "my characters are coming together and forming a bond seems way too coincidental", "me. > > A lady lives on the first floor while her tenant,", "place when she sees children playing in the house adjacent to the one", "Turns out that the sick kid is the lady's child. The kid wants", "a way that makes the guy fall for her. > > > >", "> Everything that has happened is kind of a coincidence but it is", "together and forming a bond seems way too coincidental to me. > >", "calls her, she is then informed of the situation. For all the right", "friends with that kid. The guy seeing her take care of the kid.", "the characters to come together. The girl getting in the lady's good books", "of the kid. I can't get past the coincidental urgency of the lady", "the lady has to attend to urgent work so she leaves, without informing", "created in the story. No other coincidences. Have I made a mistake in", "all the right reasons, she joins the children just to know that one", "guy seeing her take care of the kid. I can't get past the", "coming together and forming a bond seems way too coincidental to me. >", "can't get past the coincidental urgency of the lady and the kid falling", "forming a bond seems way too coincidental to me. > > A lady", "sick just in time to let the girl take him to his home.", "in time to let the girl take him to his home. Will the", "the ground floor. A girl is supposed to meet that lady but, on", "to go home, for he is sick. Turns out that the sick kid", "Will the reader be able to digest such a big moment as a", "the one she's supposed to enter. For all the right reasons, she joins", "I've written a fictional story and the way my characters are coming together", "him to his home. Will the reader be able to digest such a", "ground floor. A girl is supposed to meet that lady but, on the", "story and the way my characters are coming together and forming a bond", "take him to that guy. While waiting for the lady to come she", "girl can wait at her tenant's place, who is very kind. The girl", "point for all the characters to come together. The girl getting in the", "is then informed of the situation. For all the right reasons the girl", "of a coincidence but it is the turning point for all the characters", "time to let the girl take him to his home. Will the reader", "good books and being friends with that kid. The guy seeing her take", "coincidental to me. > > A lady lives on the first floor while", "girl, who is on her way to that lady's home, calls her, she", "The guy seeing her take care of the kid. I can't get past", "lives on the ground floor. A girl is supposed to meet that lady", "girl getting in the lady's good books and being friends with that kid.", "very day and she decides that she'll wait for her outside her house.", "house. The lady then suggests that the girl can wait at her tenant's", "of the situation. For all the right reasons the girl has to meet", "way my characters are coming together and forming a bond seems way too", "coincidence? This is the only coincidental situation I have created in the story.", "seems way too coincidental to me. > > A lady lives on the", "with that kid. The guy seeing her take care of the kid. I", "lady and the kid falling sick just in time to let the girl", "have created in the story. No other coincidences. Have I made a mistake", "but, on the day of their meeting, the lady has to attend to", "a coincidence but it is the turning point for all the characters to", "she sees children playing in the house adjacent to the one she's supposed", "to meet her that very day and she decides that she'll wait for", "him to that guy. While waiting for the lady to come she takes", "I have created in the story. No other coincidences. Have I made a", "to his house, to the tenant, as he was in-charge of the kid", "the lady to come she takes care of the kid in a way", "adjacent to the one she's supposed to enter. For all the right reasons,", "of them suddenly wants to go home, for he is sick. Turns out", "of the kid in a way that makes the guy fall for her.", "kid falling sick just in time to let the girl take him to", "girl. When the girl, who is on her way to that lady's home,", "waiting for the lady to come she takes care of the kid in", "to reach that place when she sees children playing in the house adjacent", "is sick. Turns out that the sick kid is the lady's child. The", "her way to that lady's home, calls her, she is then informed of", "> A lady lives on the first floor while her tenant, a guy,", "the right reasons the girl has to meet her that very day and", "wait for her outside her house. The lady then suggests that the girl", "the lady and the kid falling sick just in time to let the", "urgent work so she leaves, without informing the girl. When the girl, who", "her, she is then informed of the situation. For all the right reasons", "her house. The lady then suggests that the girl can wait at her", "place, who is very kind. The girl is about to reach that place", "the only coincidental situation I have created in the story. No other coincidences.", "one she's supposed to enter. For all the right reasons, she joins the", "lady has to attend to urgent work so she leaves, without informing the", "outside her house. The lady then suggests that the girl can wait at", "the one to take him to that guy. While waiting for the lady", "lady lives on the first floor while her tenant, a guy, lives on", "for the lady to come she takes care of the kid in a", "wait at her tenant's place, who is very kind. The girl is about", "For all the right reasons, she joins the children just to know that", "to come she takes care of the kid in a way that makes", "kind. The girl is about to reach that place when she sees children", "to the one she's supposed to enter. For all the right reasons, she", "her that very day and she decides that she'll wait for her outside", "kid for the day. For all the right reasons, she is the one", "all the right reasons, she is the one to take him to that", "is about to reach that place when she sees children playing in the", "reasons the girl has to meet her that very day and she decides", "is kind of a coincidence but it is the turning point for all", "know that one of them suddenly wants to go home, for he is", "all the right reasons the girl has to meet her that very day", "This is the only coincidental situation I have created in the story. No", "right reasons the girl has to meet her that very day and she", "leaves, without informing the girl. When the girl, who is on her way", "way too coincidental to me. > > A lady lives on the first", "tenant, as he was in-charge of the kid for the day. For all", "that she'll wait for her outside her house. The lady then suggests that", "meet her that very day and she decides that she'll wait for her", "the day. For all the right reasons, she is the one to take", "one of them suddenly wants to go home, for he is sick. Turns", "The lady then suggests that the girl can wait at her tenant's place,", "The girl getting in the lady's good books and being friends with that", "she'll wait for her outside her house. The lady then suggests that the", "his home. Will the reader be able to digest such a big moment", "reach that place when she sees children playing in the house adjacent to", "to that guy. While waiting for the lady to come she takes care", "the kid. I can't get past the coincidental urgency of the lady and", "child. The kid wants to go back to his house, to the tenant,", "situation I have created in the story. No other coincidences. Have I made", "For all the right reasons the girl has to meet her that very", "way that makes the guy fall for her. > > > > Everything", "of the kid for the day. For all the right reasons, she is", "kid. The guy seeing her take care of the kid. I can't get", "the children just to know that one of them suddenly wants to go", "floor. A girl is supposed to meet that lady but, on the day", "let the girl take him to his home. Will the reader be able", "as he was in-charge of the kid for the day. For all the", "characters are coming together and forming a bond seems way too coincidental to", "and forming a bond seems way too coincidental to me. > > A", "then suggests that the girl can wait at her tenant's place, who is", "takes care of the kid in a way that makes the guy fall", "that the girl can wait at her tenant's place, who is very kind.", "to me. > > A lady lives on the first floor while her", "informed of the situation. For all the right reasons the girl has to", "playing in the house adjacent to the one she's supposed to enter. For", "kid is the lady's child. The kid wants to go back to his", "only coincidental situation I have created in the story. No other coincidences. Have", "lady to come she takes care of the kid in a way that", "that the sick kid is the lady's child. The kid wants to go", "to enter. For all the right reasons, she joins the children just to", "the house adjacent to the one she's supposed to enter. For all the", "that place when she sees children playing in the house adjacent to the", "urgency of the lady and the kid falling sick just in time to", "without informing the girl. When the girl, who is on her way to", "for all the characters to come together. The girl getting in the lady's", "in the story. No other coincidences. Have I made a mistake in creating", "and being friends with that kid. The guy seeing her take care of", "reasons, she joins the children just to know that one of them suddenly", "kid. I can't get past the coincidental urgency of the lady and the", "just in time to let the girl take him to his home. Will", "has to meet her that very day and she decides that she'll wait", "girl is supposed to meet that lady but, on the day of their", "while her tenant, a guy, lives on the ground floor. A girl is", "for he is sick. Turns out that the sick kid is the lady's", "digest such a big moment as a coincidence? This is the only coincidental", "it is the turning point for all the characters to come together. The", "reasons, she is the one to take him to that guy. While waiting", "to take him to that guy. While waiting for the lady to come", "on her way to that lady's home, calls her, she is then informed", "on the ground floor. A girl is supposed to meet that lady but,", "the lady's child. The kid wants to go back to his house, to", "then informed of the situation. For all the right reasons the girl has", "characters to come together. The girl getting in the lady's good books and", "sick. Turns out that the sick kid is the lady's child. The kid", "a big moment as a coincidence? This is the only coincidental situation I", "suddenly wants to go home, for he is sick. Turns out that the", "story. No other coincidences. Have I made a mistake in creating the situation?", "falling sick just in time to let the girl take him to his", "on the day of their meeting, the lady has to attend to urgent", "the kid falling sick just in time to let the girl take him", "fictional story and the way my characters are coming together and forming a", "her. > > > > Everything that has happened is kind of a", "together. The girl getting in the lady's good books and being friends with", "his house, to the tenant, as he was in-charge of the kid for", "first floor while her tenant, a guy, lives on the ground floor. A", "come together. The girl getting in the lady's good books and being friends", "kid in a way that makes the guy fall for her. > >", "day. For all the right reasons, she is the one to take him", "come she takes care of the kid in a way that makes the", "the girl has to meet her that very day and she decides that", "who is on her way to that lady's home, calls her, she is", "she is then informed of the situation. For all the right reasons the", "guy fall for her. > > > > Everything that has happened is", "is the one to take him to that guy. While waiting for the", "the guy fall for her. > > > > Everything that has happened", "the lady's good books and being friends with that kid. The guy seeing", "take care of the kid. I can't get past the coincidental urgency of", "has happened is kind of a coincidence but it is the turning point", "lady but, on the day of their meeting, the lady has to attend", "coincidental situation I have created in the story. No other coincidences. Have I", "the tenant, as he was in-charge of the kid for the day. For", "to attend to urgent work so she leaves, without informing the girl. When", "that very day and she decides that she'll wait for her outside her", "kid wants to go back to his house, to the tenant, as he", "can wait at her tenant's place, who is very kind. The girl is", "A lady lives on the first floor while her tenant, a guy, lives", "to meet that lady but, on the day of their meeting, the lady", "to his home. Will the reader be able to digest such a big", "tenant, a guy, lives on the ground floor. A girl is supposed to", "on the first floor while her tenant, a guy, lives on the ground", "and the way my characters are coming together and forming a bond seems", "is on her way to that lady's home, calls her, she is then", "fall for her. > > > > Everything that has happened is kind", "sees children playing in the house adjacent to the one she's supposed to", "home, for he is sick. Turns out that the sick kid is the", "books and being friends with that kid. The guy seeing her take care", "she leaves, without informing the girl. When the girl, who is on her", "for her outside her house. The lady then suggests that the girl can", "happened is kind of a coincidence but it is the turning point for", "lady's home, calls her, she is then informed of the situation. For all", "girl is about to reach that place when she sees children playing in", "he was in-charge of the kid for the day. For all the right", "attend to urgent work so she leaves, without informing the girl. When the", "that lady but, on the day of their meeting, the lady has to", "day of their meeting, the lady has to attend to urgent work so", "who is very kind. The girl is about to reach that place when", "The kid wants to go back to his house, to the tenant, as", "sick kid is the lady's child. The kid wants to go back to", "The girl is about to reach that place when she sees children playing", "children playing in the house adjacent to the one she's supposed to enter.", "to come together. The girl getting in the lady's good books and being", "past the coincidental urgency of the lady and the kid falling sick just", "is supposed to meet that lady but, on the day of their meeting,", "the first floor while her tenant, a guy, lives on the ground floor.", "house, to the tenant, as he was in-charge of the kid for the", "children just to know that one of them suddenly wants to go home,", "he is sick. Turns out that the sick kid is the lady's child.", "girl take him to his home. Will the reader be able to digest", "wants to go home, for he is sick. Turns out that the sick", "her tenant's place, who is very kind. The girl is about to reach", "that lady's home, calls her, she is then informed of the situation. For", "back to his house, to the tenant, as he was in-charge of the", "to know that one of them suddenly wants to go home, for he", "the girl take him to his home. Will the reader be able to", "the right reasons, she is the one to take him to that guy.", "a coincidence? This is the only coincidental situation I have created in the", "situation. For all the right reasons the girl has to meet her that", "the coincidental urgency of the lady and the kid falling sick just in", "moment as a coincidence? This is the only coincidental situation I have created", "at her tenant's place, who is very kind. The girl is about to", "in the house adjacent to the one she's supposed to enter. For all", "is the lady's child. The kid wants to go back to his house,", "makes the guy fall for her. > > > > Everything that has", "so she leaves, without informing the girl. When the girl, who is on", "While waiting for the lady to come she takes care of the kid", "to digest such a big moment as a coincidence? This is the only", "them suddenly wants to go home, for he is sick. Turns out that", "right reasons, she is the one to take him to that guy. While", "one to take him to that guy. While waiting for the lady to", "a bond seems way too coincidental to me. > > A lady lives", "a fictional story and the way my characters are coming together and forming", "> > A lady lives on the first floor while her tenant, a", "the girl. When the girl, who is on her way to that lady's", "her tenant, a guy, lives on the ground floor. A girl is supposed", "just to know that one of them suddenly wants to go home, for", "has to attend to urgent work so she leaves, without informing the girl.", "able to digest such a big moment as a coincidence? This is the", "and she decides that she'll wait for her outside her house. The lady", "take him to his home. Will the reader be able to digest such", "supposed to enter. For all the right reasons, she joins the children just", "her outside her house. The lady then suggests that the girl can wait", "that has happened is kind of a coincidence but it is the turning", "the reader be able to digest such a big moment as a coincidence?", "such a big moment as a coincidence? This is the only coincidental situation", "a guy, lives on the ground floor. A girl is supposed to meet", "written a fictional story and the way my characters are coming together and", "as a coincidence? This is the only coincidental situation I have created in", "coincidental urgency of the lady and the kid falling sick just in time", "care of the kid. I can't get past the coincidental urgency of the", "floor while her tenant, a guy, lives on the ground floor. A girl", "girl has to meet her that very day and she decides that she'll", "> > > > Everything that has happened is kind of a coincidence", "care of the kid in a way that makes the guy fall for", "bond seems way too coincidental to me. > > A lady lives on", "the situation. For all the right reasons the girl has to meet her", "but it is the turning point for all the characters to come together.", "in-charge of the kid for the day. For all the right reasons, she", "to go back to his house, to the tenant, as he was in-charge", "that makes the guy fall for her. > > > > Everything that", "in the lady's good books and being friends with that kid. The guy", "coincidence but it is the turning point for all the characters to come", "When the girl, who is on her way to that lady's home, calls", "of their meeting, the lady has to attend to urgent work so she", "is the turning point for all the characters to come together. The girl", "lady then suggests that the girl can wait at her tenant's place, who", "wants to go back to his house, to the tenant, as he was", "seeing her take care of the kid. I can't get past the coincidental" ]
[ "very short question. I'm writing a trilogy. Book 1 was 88,000 words, but", "trilogy. Book 1 was 88,000 words, but book 2 is probably only going", "I'm writing a trilogy. Book 1 was 88,000 words, but book 2 is", "to gain by making each book in a series a similar length? >", "by making each book in a series a similar length? > > >", "to be 75,000 words. That's over 10,000 words less. > > Should I", "words. That's over 10,000 words less. > > Should I find a way", "A very short question. I'm writing a trilogy. Book 1 was 88,000 words,", "88,000 words, but book 2 is probably only going to be 75,000 words.", "> Is 70-75,000 words okay for length? Too short compared to the first?", "a similar length? > > > Is 70-75,000 words okay for length? Too", "there anything to gain by making each book in a series a similar", "only going to be 75,000 words. That's over 10,000 words less. > >", "1 was 88,000 words, but book 2 is probably only going to be", "book in a series a similar length? > > > Is 70-75,000 words", "> > Should I find a way to make it longer? > >", "making each book in a series a similar length? > > > Is", "> > > Is 70-75,000 words okay for length? Too short compared to", "was 88,000 words, but book 2 is probably only going to be 75,000", "That's over 10,000 words less. > > Should I find a way to", "Should I find a way to make it longer? > > > Is", "series a similar length? > > > Is 70-75,000 words okay for length?", "way to make it longer? > > > Is there anything to gain", "a series a similar length? > > > Is 70-75,000 words okay for", "words okay for length? Too short compared to the first? > > >", "2 is probably only going to be 75,000 words. That's over 10,000 words", "a trilogy. Book 1 was 88,000 words, but book 2 is probably only", "I find a way to make it longer? > > > Is there", "in a series a similar length? > > > Is 70-75,000 words okay", "question. I'm writing a trilogy. Book 1 was 88,000 words, but book 2", "longer? > > > Is there anything to gain by making each book", "a way to make it longer? > > > Is there anything to", "each book in a series a similar length? > > > Is 70-75,000", "similar length? > > > Is 70-75,000 words okay for length? Too short", "over 10,000 words less. > > Should I find a way to make", "length? > > > Is 70-75,000 words okay for length? Too short compared", "to make it longer? > > > Is there anything to gain by", "writing a trilogy. Book 1 was 88,000 words, but book 2 is probably", "is probably only going to be 75,000 words. That's over 10,000 words less.", "make it longer? > > > Is there anything to gain by making", "Is 70-75,000 words okay for length? Too short compared to the first? >", "be 75,000 words. That's over 10,000 words less. > > Should I find", "> > Is there anything to gain by making each book in a", "words less. > > Should I find a way to make it longer?", "going to be 75,000 words. That's over 10,000 words less. > > Should", "Is there anything to gain by making each book in a series a", "anything to gain by making each book in a series a similar length?", "70-75,000 words okay for length? Too short compared to the first? > >", "> Should I find a way to make it longer? > > >", "> Is there anything to gain by making each book in a series", "75,000 words. That's over 10,000 words less. > > Should I find a", "10,000 words less. > > Should I find a way to make it", "> > Is 70-75,000 words okay for length? Too short compared to the", "Book 1 was 88,000 words, but book 2 is probably only going to", "gain by making each book in a series a similar length? > >", "book 2 is probably only going to be 75,000 words. That's over 10,000", "probably only going to be 75,000 words. That's over 10,000 words less. >", "> > > Is there anything to gain by making each book in", "it longer? > > > Is there anything to gain by making each", "less. > > Should I find a way to make it longer? >", "words, but book 2 is probably only going to be 75,000 words. That's", "but book 2 is probably only going to be 75,000 words. That's over", "find a way to make it longer? > > > Is there anything", "short question. I'm writing a trilogy. Book 1 was 88,000 words, but book" ]
[ "word citation and references are use interchangeably. Are they the same thing? <https://www.ieee.org/documents/ieeecitationref.pdf>", "appears that the word citation and references are use interchangeably. Are they the", "It appears that the word citation and references are use interchangeably. Are they", "that the word citation and references are use interchangeably. Are they the same", "the word citation and references are use interchangeably. Are they the same thing?" ]
[ "noted [What to include in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but", "but the cover clearly says \"with Joe Leyden.\" Which says to me \"ghostwriter.\"", "but I'm curious to know if there's an industry standard or expectation. I", "Leyden.\" Which says to me \"ghostwriter.\" It's reasonably common for someone who's not", "a memoir, but Elwes is also a playwright, so it's not like he", "agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract", "to know if there's an industry standard or expectation. I also noted [What", "memoir? I realize that the answer can vary from \"everything and the client", "realize that the answer can vary from \"everything and the client waves at", "not a writer to get a ghostwriter to help with a memoir, but", "\"act as more of a heavy copyeditor,\" but I'm curious to know if", "sounds very much like Elwes, but the cover clearly says \"with Joe Leyden.\"", "clearly says \"with Joe Leyden.\" Which says to me \"ghostwriter.\" It's reasonably common", ". .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist question, not a \"here's", "\"with Joe Leyden.\" Which says to me \"ghostwriter.\" It's reasonably common for someone", "As You Wish, about his experiences while filming The Princess Bride. The voice", "standard or expectation. I also noted [What to include in agreement with a", "to help with a memoir, but Elwes is also a playwright, so it's", "a ghostwriter to help with a memoir, but Elwes is also a playwright,", "The voice sounds very much like Elwes, but the cover clearly says \"with", "the client waves at it\" to \"act as more of a heavy copyeditor,\"", "\"ghostwriter.\" It's reasonably common for someone who's not a writer to get a", "curious to know if there's an industry standard or expectation. I also noted", "much work does a ghostwriter typically do in a nonfiction piece, such as", "experiences while filming The Princess Bride. The voice sounds very much like Elwes,", "a heavy copyeditor,\" but I'm curious to know if there's an industry standard", "my general question is this: how much work does a ghostwriter typically do", "like Elwes, but the cover clearly says \"with Joe Leyden.\" Which says to", "from \"everything and the client waves at it\" to \"act as more of", "charming short memoir from actor Cary Elwes, As You Wish, about his experiences", "vary from \"everything and the client waves at it\" to \"act as more", "I also noted [What to include in agreement with a Ghost Writer. .", "can vary from \"everything and the client waves at it\" to \"act as", "the cover clearly says \"with Joe Leyden.\" Which says to me \"ghostwriter.\" It's", "to \"act as more of a heavy copyeditor,\" but I'm curious to know", "but that's more of a contract checklist question, not a \"here's what typically", "the answer can vary from \"everything and the client waves at it\" to", "industry standard or expectation. I also noted [What to include in agreement with", "reasonably common for someone who's not a writer to get a ghostwriter to", "a playwright, so it's not like he can't assemble a sentence. So my", "assemble a sentence. So my general question is this: how much work does", "sentence. So my general question is this: how much work does a ghostwriter", "that the answer can vary from \"everything and the client waves at it\"", "Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist question, not a", "So my general question is this: how much work does a ghostwriter typically", "a nonfiction piece, such as a memoir? I realize that the answer can", "ghostwriter to help with a memoir, but Elwes is also a playwright, so", "but Elwes is also a playwright, so it's not like he can't assemble", "Joe Leyden.\" Which says to me \"ghostwriter.\" It's reasonably common for someone who's", "\"everything and the client waves at it\" to \"act as more of a", "as more of a heavy copyeditor,\" but I'm curious to know if there's", "I just finished the charming short memoir from actor Cary Elwes, As You", "piece, such as a memoir? I realize that the answer can* vary from", "do in a nonfiction piece, such as a memoir? I realize that the", "question is this: how much work does a ghostwriter typically do in a", "I realize that the answer can vary from \"everything and the client waves", "as a memoir? I realize that the answer can vary from \"everything and", "can't assemble a sentence. So my general question is this: how much work", "me \"ghostwriter.\" It's reasonably common for someone who's not a writer to get", "it\" to \"act as more of a heavy copyeditor,\" but I'm curious to", "very much like Elwes, but the cover clearly says \"with Joe Leyden.\" Which", "ghostwriter typically do in a nonfiction piece, such as a memoir? I realize", "You Wish,* about his experiences while filming The Princess Bride. The voice sounds", "while filming The Princess Bride. The voice sounds very much like Elwes, but", "voice sounds very much like Elwes, but the cover clearly says \"with Joe", "include in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of", "short memoir from actor Cary Elwes, As You Wish, about his experiences while", "also a playwright, so it's not like he can't assemble a sentence. So", "like he can't assemble a sentence. So my general question is this: how", "in a nonfiction piece, such as a memoir? I realize that the answer", "the charming short memoir from actor Cary Elwes, As You Wish, about his", "a memoir? I realize that the answer can vary from \"everything and the", "waves at it\" to \"act as more of a heavy copyeditor,\" but I'm", "more of a contract checklist question, not a \"here's what typically occurs\" question.", "actor Cary Elwes, As You Wish, about his experiences while filming The Princess", "memoir from actor Cary Elwes, As You Wish,* about his experiences while filming", "that's more of a contract checklist question, not a \"here's what typically occurs\"", "from actor Cary Elwes, As You Wish, about his experiences while filming The", "someone who's not a writer to get a ghostwriter to help with a", "who's not a writer to get a ghostwriter to help with a memoir,", "work does a ghostwriter typically* do in a nonfiction piece, such as a", "finished the charming short memoir from actor Cary Elwes, As You Wish, about", "also noted [What to include in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer)", "to me \"ghostwriter.\" It's reasonably common for someone who's not a writer to", "how much work does a ghostwriter typically do in a nonfiction piece, such", "memoir, but Elwes is also a playwright, so it's not like he can't", "Elwes is also a playwright, so it's not like he can't assemble a", "typically do in a nonfiction piece, such as a memoir? I realize that", "Elwes, As You Wish, about his experiences while filming The Princess Bride. The", "there's an industry standard or expectation. I also noted [What to include in", "at it\" to \"act as more of a heavy copyeditor,\" but I'm curious", "cover clearly says \"with Joe Leyden.\" Which says to me \"ghostwriter.\" It's reasonably", "it's not like he can't assemble a sentence. So my general question is", "such as a memoir? I realize that the answer can vary from \"everything", "Elwes, but the cover clearly says \"with Joe Leyden.\" Which says to me", "is this: how much work does a ghostwriter typically do in a nonfiction", "nonfiction piece, such as a memoir? I realize that the answer can vary", "with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist", "about his experiences while filming The Princess Bride. The voice sounds very much", "says \"with Joe Leyden.\" Which says to me \"ghostwriter.\" It's reasonably common for", "Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist question, not", "Which says to me \"ghostwriter.\" It's reasonably common for someone who's not a", "with a memoir, but Elwes is also a playwright, so it's not like", "is also a playwright, so it's not like he can't assemble a sentence.", "I'm curious to know if there's an industry standard or expectation. I also", "client waves at it\" to \"act as more of a heavy copyeditor,\" but", "common for someone who's not a writer to get a ghostwriter to help", "Bride.* The voice sounds very much like Elwes, but the cover clearly says", "this: how much work does a ghostwriter typically do in a nonfiction piece,", "help with a memoir, but Elwes is also a playwright, so it's not", "much like Elwes, but the cover clearly says \"with Joe Leyden.\" Which says", "Princess Bride.* The voice sounds very much like Elwes, but the cover clearly", "Cary Elwes, As You Wish, about his experiences while filming The Princess Bride.", "says to me \"ghostwriter.\" It's reasonably common for someone who's not a writer", "expectation. I also noted [What to include in agreement with a Ghost Writer.", "to include in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more", "and the client waves at it\" to \"act as more of a heavy", "an industry standard or expectation. I also noted [What to include in agreement", "copyeditor,\" but I'm curious to know if there's an industry standard or expectation.", "just finished the charming short memoir from actor Cary Elwes, As You Wish,", "The Princess Bride. The voice sounds very much like Elwes, but the cover", "writer to get a ghostwriter to help with a memoir, but Elwes is", "general question is this: how much work does a ghostwriter typically do in", "a sentence. So my general question is this: how much work does a", "a ghostwriter typically do in a nonfiction piece, such as a memoir? I", "he can't assemble a sentence. So my general question is this: how much", "It's reasonably common for someone who's not a writer to get a ghostwriter", "Wish,* about his experiences while filming The Princess Bride. The voice sounds very", "of a heavy copyeditor,\" but I'm curious to know if there's an industry", "filming The Princess Bride. The voice sounds very much like Elwes, but the", "[What to include in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's", "not like he can't assemble a sentence. So my general question is this:", "heavy copyeditor,\" but I'm curious to know if there's an industry standard or", "so it's not like he can't assemble a sentence. So my general question", ".](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist question, not a \"here's what", "does a ghostwriter typically do in a nonfiction piece, such as a memoir?", "know if there's an industry standard or expectation. I also noted [What to", "in agreement with a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a", "get a ghostwriter to help with a memoir, but Elwes is also a", "more of a heavy copyeditor,\" but I'm curious to know if there's an", "or expectation. I also noted [What to include in agreement with a Ghost", "to get a ghostwriter to help with a memoir, but Elwes is also", "his experiences while filming The Princess Bride. The voice sounds very much like", "a Ghost Writer. . .](https://writers.stackexchange.com/questions/3776/what-to-include-in-agreement-with-a-ghost-writer) but that's more of a contract checklist question,", "playwright, so it's not like he can't assemble a sentence. So my general", "a writer to get a ghostwriter to help with a memoir, but Elwes", "if there's an industry standard or expectation. I also noted [What to include", "for someone who's not a writer to get a ghostwriter to help with", "answer can vary from \"everything and the client waves at it\" to \"act" ]
[ "before or after the second plot point? Or rather is it the second", "much consensus on the \"black moment\" or \"all is lost lull\" that happens", "currently learning about story structure and there's not much consensus on the \"black", "there's not much consensus on the \"black moment\" or \"all is lost lull\"", "rather is it the second plot point? Does it matter? Is it a", "and there's not much consensus on the \"black moment\" or \"all is lost", "second plot point? Or rather is it the second plot point? Does it", "structure and there's not much consensus on the \"black moment\" or \"all is", "2. Is this moment of defeat before or after the second plot point?", "\"all is lost lull\" that happens around Act 2. Is this moment of", "the \"black moment\" or \"all is lost lull\" that happens around Act 2.", "I'm currently learning about story structure and there's not much consensus on the", "happens around Act 2. Is this moment of defeat before or after the", "defeat before or after the second plot point? Or rather is it the", "of defeat before or after the second plot point? Or rather is it", "that happens around Act 2. Is this moment of defeat before or after", "the second plot point? Does it matter? Is it a matter of preference", "plot point? Does it matter? Is it a matter of preference for the", "consensus on the \"black moment\" or \"all is lost lull\" that happens around", "plot point? Or rather is it the second plot point? Does it matter?", "on the \"black moment\" or \"all is lost lull\" that happens around Act", "moment\" or \"all is lost lull\" that happens around Act 2. Is this", "or after the second plot point? Or rather is it the second plot", "Act 2. Is this moment of defeat before or after the second plot", "second plot point? Does it matter? Is it a matter of preference for", "is lost lull\" that happens around Act 2. Is this moment of defeat", "point? Does it matter? Is it a matter of preference for the writer?", "the second plot point? Or rather is it the second plot point? Does", "Or rather is it the second plot point? Does it matter? Is it", "about story structure and there's not much consensus on the \"black moment\" or", "or \"all is lost lull\" that happens around Act 2. Is this moment", "around Act 2. Is this moment of defeat before or after the second", "Is this moment of defeat before or after the second plot point? Or", "this moment of defeat before or after the second plot point? Or rather", "\"black moment\" or \"all is lost lull\" that happens around Act 2. Is", "not much consensus on the \"black moment\" or \"all is lost lull\" that", "it the second plot point? Does it matter? Is it a matter of", "moment of defeat before or after the second plot point? Or rather is", "lull\" that happens around Act 2. Is this moment of defeat before or", "is it the second plot point? Does it matter? Is it a matter", "lost lull\" that happens around Act 2. Is this moment of defeat before", "after the second plot point? Or rather is it the second plot point?", "point? Or rather is it the second plot point? Does it matter? Is", "story structure and there's not much consensus on the \"black moment\" or \"all", "learning about story structure and there's not much consensus on the \"black moment\"" ]